1 00:00:00,240 --> 00:00:27,680 Speaker 1: Ridiculous History is a production of I Heart Radio. Welcome 2 00:00:27,680 --> 00:00:30,880 Speaker 1: to the show, Ridiculous Historians. Thank you, as always for 3 00:00:31,040 --> 00:00:34,839 Speaker 1: tuning in. What are your favorite children's books. I'm a 4 00:00:35,080 --> 00:00:38,080 Speaker 1: Roll Doll scary stories to tell in the dark kind 5 00:00:38,120 --> 00:00:42,080 Speaker 1: of guy myself. What about you, man? Yeah, Nol was 6 00:00:42,159 --> 00:00:44,240 Speaker 1: my name, and I too, as a Roll Doll fan, 7 00:00:44,479 --> 00:00:47,080 Speaker 1: I ate that stuff up and it sounds cliche, but 8 00:00:47,120 --> 00:00:48,800 Speaker 1: those really were the books that kind of taught me 9 00:00:49,040 --> 00:00:51,760 Speaker 1: how to love to read, because he's just such He's 10 00:00:51,800 --> 00:00:53,360 Speaker 1: such a I don't know, what do you call it, 11 00:00:53,440 --> 00:00:56,400 Speaker 1: like a fabulous like his stories just have so many 12 00:00:56,480 --> 00:01:01,320 Speaker 1: great characters, and they always go somewhere interesting and there's 13 00:01:01,400 --> 00:01:03,560 Speaker 1: like a morality tale kind of but it's not too 14 00:01:03,560 --> 00:01:06,520 Speaker 1: heavy handed, and I don't know, it's a little trippy 15 00:01:06,600 --> 00:01:08,920 Speaker 1: and and there's darkness and there's steaks, you know what 16 00:01:09,000 --> 00:01:10,960 Speaker 1: I mean. I just I loved Roll Doll so much. 17 00:01:11,319 --> 00:01:14,080 Speaker 1: Oh yep, that's right. I forgot. I'm ben Bowen that 18 00:01:14,240 --> 00:01:17,000 Speaker 1: I still have a name in the times of quarantine. Uh, 19 00:01:17,040 --> 00:01:19,440 Speaker 1: And I am with you. There No one thing that 20 00:01:19,480 --> 00:01:21,759 Speaker 1: I thought was so interesting as a kid is that 21 00:01:21,840 --> 00:01:25,920 Speaker 1: I always, for years thought Roll Doll's name was misspelled. 22 00:01:26,040 --> 00:01:28,399 Speaker 1: It was a typo. I thought it was Ronald Doll 23 00:01:29,000 --> 00:01:31,720 Speaker 1: uh and that was missing. But there is this great 24 00:01:32,080 --> 00:01:36,600 Speaker 1: darkness to his work. Shout out to George's Marvelous Medicine. 25 00:01:36,640 --> 00:01:38,920 Speaker 1: I believe it is the title. The entire story is 26 00:01:38,959 --> 00:01:42,920 Speaker 1: about this kid who has to give his grandmother medicine 27 00:01:42,959 --> 00:01:45,360 Speaker 1: while his parents are away at the market or something 28 00:01:45,360 --> 00:01:47,760 Speaker 1: for a day, and the whole book is about how 29 00:01:47,800 --> 00:01:51,760 Speaker 1: he plans to kill her through poison. It is fantastic. 30 00:01:51,800 --> 00:01:54,760 Speaker 1: I reread it still holds up. Yeah, I mean the 31 00:01:54,800 --> 00:01:58,040 Speaker 1: Witches is genuinely terrified. But we're not talking about roll 32 00:01:58,080 --> 00:02:00,320 Speaker 1: Doll today. We already did that episode, remember when he 33 00:02:00,360 --> 00:02:04,880 Speaker 1: was like a badass fighter pilot and possibly the real 34 00:02:04,960 --> 00:02:08,760 Speaker 1: life um guy that James Bond was based on, because 35 00:02:08,760 --> 00:02:11,120 Speaker 1: he definitely hung out with Ian Fleming. Uh. That's a 36 00:02:11,120 --> 00:02:13,079 Speaker 1: really good one from the back catalog, folks. If you 37 00:02:13,120 --> 00:02:14,720 Speaker 1: haven't heard that one, I definitely would check it out. 38 00:02:14,880 --> 00:02:18,600 Speaker 1: Today we're talking about a markedly less dark beloved piece 39 00:02:18,600 --> 00:02:23,160 Speaker 1: of children's literature about a monkey and a man in 40 00:02:23,200 --> 00:02:27,680 Speaker 1: a in a yellow hat. Yes, an inquisitive man. Uh, 41 00:02:27,919 --> 00:02:32,440 Speaker 1: an inquisitive monkey and a tolerant authoritarian. How about that 42 00:02:33,200 --> 00:02:35,720 Speaker 1: before we be getting shout out. Of course they're super producer. 43 00:02:35,800 --> 00:02:41,320 Speaker 1: Casey Pegrum's still rocking that retro windows background. How you doing, 44 00:02:41,400 --> 00:02:44,520 Speaker 1: case I'm just I'm just loving this green field and 45 00:02:44,840 --> 00:02:47,200 Speaker 1: in blue sky. You know, it's there's nothing better, So 46 00:02:47,320 --> 00:02:48,880 Speaker 1: I'm just gonna I'm just gonna roll with it. Is 47 00:02:48,919 --> 00:02:51,520 Speaker 1: there like vapor wave of music playing on repeat, just 48 00:02:51,600 --> 00:02:54,080 Speaker 1: like dripping from the clouds and coming up from there 49 00:02:54,320 --> 00:02:57,640 Speaker 1: the green grass. Absolutely, it's uh, it's it's it's quite 50 00:02:57,639 --> 00:02:59,880 Speaker 1: a thing. You guys have to experience it firsthand. Yeah, 51 00:03:00,040 --> 00:03:02,519 Speaker 1: it looks pretty pretty trippy, my friend. Yeah, they're better 52 00:03:02,600 --> 00:03:05,000 Speaker 1: be some vape way of going on over there. Yes, 53 00:03:05,080 --> 00:03:09,280 Speaker 1: this is a story about Curious George. About the creators 54 00:03:09,320 --> 00:03:11,760 Speaker 1: of Curious George. You know, as you said, no, that's 55 00:03:11,800 --> 00:03:16,600 Speaker 1: an inquisitive little primate. Uh. Now he is famous, especially 56 00:03:16,639 --> 00:03:19,839 Speaker 1: in the West. He's known the world over. Uh. He 57 00:03:19,919 --> 00:03:24,200 Speaker 1: was the brainchild of a Jewish German couple named Hans 58 00:03:24,280 --> 00:03:28,880 Speaker 1: and Margaret Ray. That's right, um, Hans and Margaret Ray. 59 00:03:29,280 --> 00:03:33,320 Speaker 1: Hans being the illustrator and Margaret being the writer, lived 60 00:03:33,320 --> 00:03:36,120 Speaker 1: in Rio de Janeira in the nineteen thirties and there 61 00:03:36,200 --> 00:03:40,360 Speaker 1: they had two pet monkeys, um, and those pet monkeys 62 00:03:40,720 --> 00:03:45,640 Speaker 1: became the inspiration for a character they created named FIEFI, 63 00:03:46,160 --> 00:03:49,080 Speaker 1: who has described in a Lovely Mental Phloss article as 64 00:03:49,120 --> 00:03:53,600 Speaker 1: an impish, inquisitive monkey. I love impish, I also like puckish. 65 00:03:53,640 --> 00:03:56,880 Speaker 1: But they eventually moved to Paris to when the Nazis 66 00:03:56,880 --> 00:04:01,200 Speaker 1: were occupying France and they were wars to flee for 67 00:04:01,280 --> 00:04:06,720 Speaker 1: their lives, carrying with them the manuscripts for the story 68 00:04:06,800 --> 00:04:10,040 Speaker 1: that we now know and love and and we couldn't 69 00:04:10,040 --> 00:04:13,440 Speaker 1: picture a world without Curious George UM tucked under their 70 00:04:13,520 --> 00:04:17,120 Speaker 1: arms and and escaping for freedom. Uh. This is the 71 00:04:17,200 --> 00:04:21,680 Speaker 1: story of how that story Curious George came to be 72 00:04:22,000 --> 00:04:25,640 Speaker 1: and kind of morphed from their original concept, and how 73 00:04:26,040 --> 00:04:32,360 Speaker 1: the Rays made that intensely dangerous and brave escape from 74 00:04:32,480 --> 00:04:36,440 Speaker 1: Nazi occupied France. Yes, yeah, and we're we're going to 75 00:04:37,080 --> 00:04:42,400 Speaker 1: uh start with some background. Let's start in lighter times, right, 76 00:04:42,640 --> 00:04:47,039 Speaker 1: less heavy hearted times. Hans Augusto Ray was born in 77 00:04:47,200 --> 00:04:51,920 Speaker 1: September in Hamburg, Germany. He grew up by the way 78 00:04:52,200 --> 00:04:56,880 Speaker 1: near the Hagenbeck Zoo and this gave him to lifelong loves. 79 00:04:57,320 --> 00:05:00,599 Speaker 1: Loved animals and he loved drawing a woman who would 80 00:05:00,600 --> 00:05:04,840 Speaker 1: become his wife. Margaret Elizabeth Waltstein was born in Hamburg 81 00:05:05,000 --> 00:05:08,200 Speaker 1: in nineteen o six. This is this is a neat 82 00:05:08,240 --> 00:05:11,800 Speaker 1: little rom com moment for them because they met just 83 00:05:12,120 --> 00:05:15,920 Speaker 1: briefly when Margaret was a young girl before she left 84 00:05:15,960 --> 00:05:19,479 Speaker 1: Hamburg to study art uh and they have one of 85 00:05:19,480 --> 00:05:23,520 Speaker 1: those beautiful relationships where they can remember all the significant moments. 86 00:05:23,880 --> 00:05:27,600 Speaker 1: So he remembers first seeing her at a party at 87 00:05:27,600 --> 00:05:31,919 Speaker 1: her dad's house in Germany. She was sliding down the banister. 88 00:05:32,680 --> 00:05:37,680 Speaker 1: So fast forward a little bit, Hans moves in ninety four. 89 00:05:38,000 --> 00:05:39,920 Speaker 1: That's that's where he ends up in Brazil and Rio 90 00:05:40,040 --> 00:05:43,560 Speaker 1: de Janeiro. After he served in World War One. He 91 00:05:43,600 --> 00:05:47,040 Speaker 1: was sketching, he was painting. Who was also he was 92 00:05:47,080 --> 00:05:51,880 Speaker 1: a roving plumbing fixtures salesman. He was going, this is 93 00:05:51,920 --> 00:05:54,160 Speaker 1: so weird. It sounds like something from a Kurt Vonnegut 94 00:05:54,200 --> 00:05:57,600 Speaker 1: or Donald Barthelmey story. He was writing up and down 95 00:05:57,640 --> 00:06:03,560 Speaker 1: the Amazon, selling plumbing fixtures as part of his family business. 96 00:06:03,920 --> 00:06:06,760 Speaker 1: I missed the old days of the traveling salesman. Don't 97 00:06:06,760 --> 00:06:09,479 Speaker 1: you been? Feels like a bygone era? You know, yeah, yeah, 98 00:06:09,520 --> 00:06:12,320 Speaker 1: Do you guys ever see that documentary about the globesmen. No, 99 00:06:12,960 --> 00:06:16,719 Speaker 1: it's this documentary about these guys who you know. I 100 00:06:16,720 --> 00:06:19,479 Speaker 1: can't remember if I'm thinking of the documentary version or 101 00:06:19,680 --> 00:06:23,880 Speaker 1: the mockumentary version with Fred Armison. But there's there's some 102 00:06:23,960 --> 00:06:27,839 Speaker 1: great documentaries and documentaries out there about the harrowing life 103 00:06:27,920 --> 00:06:32,279 Speaker 1: of traveling salesman. It's often not a very glamorous life, 104 00:06:32,320 --> 00:06:35,440 Speaker 1: even in the heyday. But check out documentary now if 105 00:06:35,480 --> 00:06:38,080 Speaker 1: you haven't seen it, it's, uh, it's fantastic. Have you 106 00:06:38,080 --> 00:06:39,880 Speaker 1: guys seen that? It seems like you would have. I've 107 00:06:39,880 --> 00:06:42,200 Speaker 1: seen I've seen multiple episodes. I haven't seen that one. 108 00:06:42,400 --> 00:06:44,080 Speaker 1: My favorite one is the one that makes fun of 109 00:06:44,560 --> 00:06:47,760 Speaker 1: Stephen Sondheim, the musical one looks like in the seventies 110 00:06:47,800 --> 00:06:50,520 Speaker 1: and they're like, you know, just feverishly smoking cigarettes like 111 00:06:50,560 --> 00:06:53,600 Speaker 1: in the in the studio and making these kind of 112 00:06:54,360 --> 00:06:58,479 Speaker 1: very baroque and um rapid fire lyric kind of like 113 00:06:58,560 --> 00:07:01,800 Speaker 1: Broadway type pieces with uh, what's his name, John Mulaney 114 00:07:01,839 --> 00:07:05,120 Speaker 1: playing like the Stephen Sondheim type character. It's yeah, so 115 00:07:05,200 --> 00:07:07,560 Speaker 1: oh yeah, so to the point he's he's living this 116 00:07:07,960 --> 00:07:11,960 Speaker 1: salesman life for about ten years, right. But then in 117 00:07:12,080 --> 00:07:14,920 Speaker 1: Rio de Janeiro, um Hans had moved there and was 118 00:07:14,960 --> 00:07:19,640 Speaker 1: selling bathtubs now and Margaret was making her first escape 119 00:07:19,920 --> 00:07:23,840 Speaker 1: from the just awful situation in Germany, UM, where she 120 00:07:23,960 --> 00:07:28,320 Speaker 1: was obviously very unsafe and needed to flee. UM. She 121 00:07:28,640 --> 00:07:34,320 Speaker 1: convinced Hans to get out of the family bathtub selling 122 00:07:34,480 --> 00:07:39,480 Speaker 1: business UM and they started to join forces on uh, 123 00:07:39,560 --> 00:07:44,400 Speaker 1: some creative projects together. They actually opened an advertising agency, 124 00:07:44,840 --> 00:07:46,720 Speaker 1: which there hadn't been one up to that point in 125 00:07:46,840 --> 00:07:49,440 Speaker 1: Rio de Janeiro, UM. And that is you know, I 126 00:07:49,840 --> 00:07:52,360 Speaker 1: always think of this era of like madmen, like those 127 00:07:52,400 --> 00:07:57,640 Speaker 1: really beautiful illustrated advertisement posters kind of you know, and 128 00:07:57,720 --> 00:08:00,360 Speaker 1: that's kind of worked that Hans did. That was very 129 00:08:00,560 --> 00:08:02,080 Speaker 1: That was how you made money as an artist in 130 00:08:02,120 --> 00:08:04,960 Speaker 1: those days, and that was kind of how he got 131 00:08:05,000 --> 00:08:08,480 Speaker 1: his start. And Margaret wrote the ad copy. So they 132 00:08:08,480 --> 00:08:11,800 Speaker 1: were kind of a dynamic duo from the start YEP 133 00:08:12,080 --> 00:08:17,760 Speaker 1: and they married that same year. They reunited August of 134 00:08:18,280 --> 00:08:21,560 Speaker 1: All of the contemporary accounts of them are very kind 135 00:08:21,680 --> 00:08:26,320 Speaker 1: add a very nice, uh you know, affectionate relationship, and 136 00:08:26,640 --> 00:08:30,320 Speaker 1: people unanimously agreed that they were very well matched couple. 137 00:08:31,440 --> 00:08:35,679 Speaker 1: It's funny because you know, picture, dear listeners, the face 138 00:08:35,720 --> 00:08:40,000 Speaker 1: of Curious George in your head. There are people who 139 00:08:40,000 --> 00:08:44,080 Speaker 1: were friends with them at the time who will swear 140 00:08:44,240 --> 00:08:48,560 Speaker 1: up and down that Hans modeled the face of Curious 141 00:08:48,600 --> 00:08:53,600 Speaker 1: George after the face of his wife. Uh. Now, on 142 00:08:53,679 --> 00:08:56,520 Speaker 1: the offset, you know, that might sound a little bit insulting, 143 00:08:56,960 --> 00:08:58,679 Speaker 1: but it was. It was a cute thing. And if 144 00:08:58,720 --> 00:09:02,120 Speaker 1: that's indeed what he intend did to do, then surely 145 00:09:02,200 --> 00:09:05,400 Speaker 1: he intended it as an homage rather than some kind 146 00:09:05,440 --> 00:09:08,360 Speaker 1: of weird joke. Hey man, monkeys are cute. I I 147 00:09:08,440 --> 00:09:11,440 Speaker 1: see no problem with that, and Curious George is probably 148 00:09:12,280 --> 00:09:17,120 Speaker 1: the quintessential cute cartoon monkey. Because some of them are 149 00:09:17,920 --> 00:09:20,200 Speaker 1: like aggressive and they like throw a poop at you 150 00:09:20,280 --> 00:09:23,720 Speaker 1: or something. Curious George is an absolute sweetheart, and he 151 00:09:23,800 --> 00:09:26,439 Speaker 1: might have gotten into some mischief, sure, but he always 152 00:09:26,480 --> 00:09:28,439 Speaker 1: had the best of intentions, didn't He had a heart 153 00:09:28,440 --> 00:09:31,400 Speaker 1: of goal that Curious George. Um So, yeah, it makes 154 00:09:31,440 --> 00:09:34,640 Speaker 1: perfect sense that he he probably felt that the goodness 155 00:09:34,640 --> 00:09:38,280 Speaker 1: of the character mimic the goodness that that shown from 156 00:09:38,280 --> 00:09:42,280 Speaker 1: within his his lovely wife. Um. So they were initially 157 00:09:42,320 --> 00:09:46,320 Speaker 1: going to spend a honeymoon in Paris and Ny six uh, 158 00:09:46,320 --> 00:09:49,400 Speaker 1: and they ended up staying for four years. I heard 159 00:09:49,400 --> 00:09:52,920 Speaker 1: that story before, and they were in fact Brazilian citizens 160 00:09:53,240 --> 00:09:56,920 Speaker 1: with passports and everything. Uh. And they took up residence 161 00:09:57,240 --> 00:09:58,920 Speaker 1: and they I don't know, I'm gonna get you to 162 00:09:58,920 --> 00:10:02,760 Speaker 1: help me with this casey the Terra hotel double R 163 00:10:02,840 --> 00:10:06,560 Speaker 1: double S. Yeah, I think it's I think it's Terras. 164 00:10:06,960 --> 00:10:11,040 Speaker 1: Let's say also hotel Casey on the case uh and 165 00:10:11,080 --> 00:10:15,880 Speaker 1: that would be on the rue uh yoursef de Maestra. 166 00:10:16,640 --> 00:10:18,560 Speaker 1: Let's yeah, I guys, I butchered that one M A 167 00:10:18,720 --> 00:10:22,720 Speaker 1: I S T R E. Yeah. Yeah, that means the 168 00:10:23,000 --> 00:10:26,439 Speaker 1: Joseph the Master. Uh. And they stayed in apartment five five. 169 00:10:26,679 --> 00:10:30,520 Speaker 1: What what a romantic time period. It reminds me of 170 00:10:30,559 --> 00:10:33,959 Speaker 1: that movie Midnight in Paris, that Woody Allen movie, um, 171 00:10:34,040 --> 00:10:37,600 Speaker 1: where you know, all of the Gertrude Stein and Hemingway 172 00:10:37,640 --> 00:10:41,600 Speaker 1: and all the you know, the dead uh Fitzgerald exact, 173 00:10:41,600 --> 00:10:45,320 Speaker 1: Scott Fitzgerald come back and they're kind of like Dolly 174 00:10:45,480 --> 00:10:48,520 Speaker 1: or like haunting Paris. But that era where you could 175 00:10:48,559 --> 00:10:52,679 Speaker 1: take up residents in a pretty decent hotel, you know, uh, 176 00:10:52,840 --> 00:10:54,720 Speaker 1: in in Paris. That's that's it. Pre sounds like a 177 00:10:54,720 --> 00:11:03,480 Speaker 1: pretty cool adventure. So what happened next? So they they 178 00:11:03,520 --> 00:11:09,400 Speaker 1: were living, um a pretty pretty bucolic, nice existence. They 179 00:11:09,559 --> 00:11:13,600 Speaker 1: wrote and illustrated children's books, but in a very lighthearted 180 00:11:13,720 --> 00:11:17,040 Speaker 1: version of Heath Ledgers The Joker, it wasn't about the money, 181 00:11:17,120 --> 00:11:19,800 Speaker 1: it was about sending a message. Uh. This is where 182 00:11:19,960 --> 00:11:24,360 Speaker 1: Hans publishes his first children's book, Uh, this sweet story. 183 00:11:24,640 --> 00:11:28,880 Speaker 1: He drew some newspaper cartoons of a giraffe. French publisher 184 00:11:29,000 --> 00:11:32,680 Speaker 1: asked him to expand on this drawing, and that's how 185 00:11:32,720 --> 00:11:35,840 Speaker 1: we got Rafi and the Nine Monkeys. So he was 186 00:11:35,880 --> 00:11:41,559 Speaker 1: always into monkeys as a children's author, and this eventually 187 00:11:41,640 --> 00:11:45,560 Speaker 1: marks the debut of the breakout character that we know 188 00:11:45,679 --> 00:11:50,000 Speaker 1: today as Curious George. After they published Raffie in the 189 00:11:50,080 --> 00:11:54,400 Speaker 1: Nine Monkeys, they decided that George needed a book all 190 00:11:54,640 --> 00:11:57,960 Speaker 1: his own. So they started working on this and they said, 191 00:11:58,040 --> 00:12:00,360 Speaker 1: you know, let's just describe him as Curious, let's make 192 00:12:00,400 --> 00:12:03,480 Speaker 1: it part of his name. But as you know historians, 193 00:12:03,559 --> 00:12:07,360 Speaker 1: during the late nineteen thirties and the forties, things were 194 00:12:07,480 --> 00:12:12,880 Speaker 1: very tense in Europe and before their manuscript what would 195 00:12:12,920 --> 00:12:15,880 Speaker 1: become the Curious George Book, before it could be published, 196 00:12:16,080 --> 00:12:19,040 Speaker 1: the Rays, because they both were of German Jewish extraction, 197 00:12:19,480 --> 00:12:23,360 Speaker 1: found themselves in a terrible situation. The Nazi Party was 198 00:12:23,440 --> 00:12:27,720 Speaker 1: tearing through Europe and they had a laser focus on France. 199 00:12:27,800 --> 00:12:31,640 Speaker 1: They were in fact going to take Paris as far 200 00:12:31,679 --> 00:12:34,120 Speaker 1: as people at the time could tell. And they were 201 00:12:34,160 --> 00:12:37,240 Speaker 1: already starting to get uncomfortable because you know, news of 202 00:12:37,280 --> 00:12:40,240 Speaker 1: the war is sort of on the distant horizon and 203 00:12:40,280 --> 00:12:44,480 Speaker 1: it's getting closer and closer and closer. So to be safe, 204 00:12:44,920 --> 00:12:47,800 Speaker 1: they flee their apartment in Paris and they go to 205 00:12:47,960 --> 00:12:51,199 Speaker 1: a chateau in the countryside. This is cool. It's an 206 00:12:51,200 --> 00:12:54,160 Speaker 1: old castle owned by some friends of theirs. We have 207 00:12:54,240 --> 00:12:57,920 Speaker 1: a letter from Hans where he said, quote, it feels 208 00:12:57,960 --> 00:13:01,160 Speaker 1: ridiculous to be thinking about children's but life goes on. 209 00:13:01,640 --> 00:13:06,640 Speaker 1: The editors edit, the artist draw, even during wartime, and 210 00:13:06,679 --> 00:13:10,680 Speaker 1: then things start to go south. Yeah, it's it's that 211 00:13:10,760 --> 00:13:12,680 Speaker 1: kind of situation, you see. And I think there's a 212 00:13:12,720 --> 00:13:17,160 Speaker 1: there's a German film about this period called The Lives 213 00:13:17,280 --> 00:13:20,360 Speaker 1: of Others. I want to say, where people are being 214 00:13:20,480 --> 00:13:24,240 Speaker 1: like informed upon by you know, it's like total ninety 215 00:13:24,320 --> 00:13:27,040 Speaker 1: four type material, or even like people's kids are informing 216 00:13:27,040 --> 00:13:29,400 Speaker 1: on their parents and you know, horrible stuff like that, 217 00:13:29,480 --> 00:13:32,760 Speaker 1: and there's like surveillance going on, um, and you know, 218 00:13:32,840 --> 00:13:36,199 Speaker 1: there's just this air of suspicion um that's just like 219 00:13:36,280 --> 00:13:39,680 Speaker 1: taking you know, the city by storm. And there are 220 00:13:39,720 --> 00:13:45,000 Speaker 1: some suspicious villagers that report uh, this very strange couple 221 00:13:45,440 --> 00:13:50,000 Speaker 1: with the strange German accents, gasp, living in this old castle, 222 00:13:50,480 --> 00:13:54,520 Speaker 1: and they're reported to the Gestapo. Yes, this is an 223 00:13:54,520 --> 00:13:58,959 Speaker 1: incredibly paranoid time. Any student of history can see how 224 00:13:59,040 --> 00:14:01,839 Speaker 1: quickly people will turn on one another, especially if they 225 00:14:01,840 --> 00:14:05,080 Speaker 1: feel like turning on someone will help them in their 226 00:14:05,080 --> 00:14:09,520 Speaker 1: own mission of self preservation. The authorities weren't going there 227 00:14:09,640 --> 00:14:13,280 Speaker 1: because they thought they were going to arrest people of 228 00:14:13,360 --> 00:14:16,240 Speaker 1: Jewish heritage. They were going there because they thought they 229 00:14:16,280 --> 00:14:20,960 Speaker 1: were going to discover French resistance members, you know, people 230 00:14:21,160 --> 00:14:24,320 Speaker 1: with the materials and they know how to make bombs. 231 00:14:24,720 --> 00:14:28,640 Speaker 1: Hans assured the police. Hey, me and my wife, we're 232 00:14:28,680 --> 00:14:32,520 Speaker 1: just here writing children's books. Hey, check this out. I 233 00:14:32,520 --> 00:14:35,040 Speaker 1: mean they sound like the nicest people, don't they. He's like, hey, 234 00:14:35,040 --> 00:14:38,360 Speaker 1: look at look at these sketches. Check out look at 235 00:14:38,360 --> 00:14:40,520 Speaker 1: my monkey. Did you think it looks kind of like 236 00:14:40,560 --> 00:14:44,000 Speaker 1: my wife? I? Hey, it's sweet, sweet ye, And I'm 237 00:14:44,040 --> 00:14:46,880 Speaker 1: sure that I'm sure the Nazis thought that too. Yeah, 238 00:14:47,120 --> 00:14:51,280 Speaker 1: now they didn't. Um, but now they they definitely didn't 239 00:14:51,440 --> 00:14:54,600 Speaker 1: get like executed summarily or anything. They were able to 240 00:14:55,160 --> 00:14:58,120 Speaker 1: more or less convince the authorities that they were just 241 00:14:58,200 --> 00:15:01,080 Speaker 1: writing these lovely works of children's fixed at the time 242 00:15:01,520 --> 00:15:05,320 Speaker 1: was known as The Adventures of Fife, which detailed the 243 00:15:05,840 --> 00:15:09,560 Speaker 1: adventures and misadventures of uh, you know, the in the 244 00:15:09,640 --> 00:15:14,280 Speaker 1: titular inquisitive monkey. Um. And so they were like, oh, 245 00:15:14,480 --> 00:15:18,320 Speaker 1: these guys are clearly idiots. They're they're not sleeper agents. 246 00:15:18,320 --> 00:15:20,520 Speaker 1: And I'm kidding, I'm just I'm trying to think get 247 00:15:20,560 --> 00:15:22,560 Speaker 1: inside the head of a Nazi. They're just so mean. 248 00:15:22,640 --> 00:15:25,360 Speaker 1: They just think things like that about lovely people. Um. 249 00:15:25,400 --> 00:15:29,360 Speaker 1: But they took off right, and the Rays were able 250 00:15:29,520 --> 00:15:33,680 Speaker 1: to you know, live to sketch and write another day. 251 00:15:34,160 --> 00:15:37,640 Speaker 1: But this did prove to not be the last run 252 00:15:37,720 --> 00:15:40,400 Speaker 1: in that they had, and they and they realized that 253 00:15:40,440 --> 00:15:44,480 Speaker 1: this was not going to be a tenable situation. Yeah exactly. 254 00:15:44,640 --> 00:15:47,560 Speaker 1: They said, you know, that was kind of a close call. 255 00:15:47,760 --> 00:15:52,160 Speaker 1: How how many more close calls can we expect? We 256 00:15:52,240 --> 00:15:54,360 Speaker 1: have to go back to Paris. So they went back 257 00:15:54,440 --> 00:15:58,360 Speaker 1: to Paris and they started trying to emigrate from France, 258 00:15:58,480 --> 00:16:01,320 Speaker 1: but you can only imagine in the paperwork. It's already 259 00:16:01,360 --> 00:16:05,360 Speaker 1: difficult to immigrate from a country during peacetime, so this 260 00:16:05,440 --> 00:16:09,120 Speaker 1: is much more difficult. And add to this the fact 261 00:16:09,160 --> 00:16:13,520 Speaker 1: that more and more refugees are mobbing into the city 262 00:16:13,680 --> 00:16:16,240 Speaker 1: and all they can do is hope that they get 263 00:16:16,280 --> 00:16:20,080 Speaker 1: their paperwork in line in enough time to leave before 264 00:16:20,560 --> 00:16:25,320 Speaker 1: the fall of France, before the Nazis take over. And unfortunately, 265 00:16:25,360 --> 00:16:32,080 Speaker 1: on May tenth, Adolf Hitler sent three million troops into France. 266 00:16:32,240 --> 00:16:36,920 Speaker 1: People were fleeing by the thousands. The Germans on June fourteenth, 267 00:16:36,960 --> 00:16:40,360 Speaker 1: I believe captured Paris. I can't even fathom that kind 268 00:16:40,400 --> 00:16:42,320 Speaker 1: of force. It makes me think of like the Orcs 269 00:16:42,360 --> 00:16:44,560 Speaker 1: and Lord of the Rings or something. I mean, it 270 00:16:44,680 --> 00:16:49,040 Speaker 1: is just like an unstoppable like wall of of humans 271 00:16:49,560 --> 00:16:53,960 Speaker 1: with guns and intent on doing horrible things to uh, 272 00:16:54,200 --> 00:16:58,800 Speaker 1: incredibly innocent people. Um terrible time to be alive, but 273 00:16:59,120 --> 00:17:04,440 Speaker 1: they were very, very lucky they were able to plot 274 00:17:04,560 --> 00:17:07,520 Speaker 1: this escape. That sounds like again, like something out of 275 00:17:07,520 --> 00:17:10,000 Speaker 1: a Kurt vonn and get book, or like some sort 276 00:17:10,040 --> 00:17:12,919 Speaker 1: of steampunk adventure novel, or have you ever seen the 277 00:17:12,960 --> 00:17:15,679 Speaker 1: movie The Triplets of Belleville, which reminds me of that 278 00:17:15,760 --> 00:17:19,320 Speaker 1: kind of whimsical stuff. So good. But they were able 279 00:17:19,400 --> 00:17:23,320 Speaker 1: to get some money from selling that first manuscript for 280 00:17:23,320 --> 00:17:26,840 Speaker 1: for the Adventures of Fifi, and the publishers gave them 281 00:17:26,960 --> 00:17:30,520 Speaker 1: enough loot to fund their escape, so they were able 282 00:17:30,560 --> 00:17:35,080 Speaker 1: to really squirrel that away. And uh, they spent uh 283 00:17:35,200 --> 00:17:39,400 Speaker 1: what would have equalled an entire month of rent on 284 00:17:39,800 --> 00:17:44,480 Speaker 1: um a bunch of bicycle parts that they were able 285 00:17:44,520 --> 00:17:47,560 Speaker 1: to get from a bicycle shop that had sold out 286 00:17:47,560 --> 00:17:51,520 Speaker 1: of actual bicycles because people people were just trying to 287 00:17:51,520 --> 00:17:53,560 Speaker 1: flee in any way they possibly could, and they were 288 00:17:53,600 --> 00:17:57,480 Speaker 1: able to kind of, you know, ramshackle together these two 289 00:17:57,560 --> 00:18:02,760 Speaker 1: sort of improvised bikes. And in their bicycle baskets uh, 290 00:18:02,840 --> 00:18:07,040 Speaker 1: and true Parisian form, they carried bread like probably a 291 00:18:07,040 --> 00:18:11,119 Speaker 1: giant baget I hope, cheese, and water and five of 292 00:18:11,160 --> 00:18:17,200 Speaker 1: their manuscripts, including Fifi Um. And they escaped Paris in 293 00:18:17,240 --> 00:18:21,480 Speaker 1: the early morning hours of June twelfth of nineteen forty, 294 00:18:21,960 --> 00:18:25,440 Speaker 1: just before the Nazis captured the city, yep, just two 295 00:18:25,520 --> 00:18:28,040 Speaker 1: days before. I want to emphasize that point. They did 296 00:18:28,040 --> 00:18:31,320 Speaker 1: not escape with clothing. They did, you know, extra clothing. 297 00:18:31,359 --> 00:18:35,159 Speaker 1: They did not escape with medical supplies. They literally had 298 00:18:35,359 --> 00:18:39,200 Speaker 1: enough food to eat for some short amount of time 299 00:18:39,520 --> 00:18:44,000 Speaker 1: and their books. The first day they rode thirty miles south, 300 00:18:44,160 --> 00:18:46,399 Speaker 1: they hid in a farmhouse. Think about this. You go 301 00:18:46,480 --> 00:18:51,120 Speaker 1: from living a relatively beautiful existence in an old castle. 302 00:18:51,520 --> 00:18:54,879 Speaker 1: Now you're on the run and some mcgivered bicycles and 303 00:18:54,920 --> 00:19:00,200 Speaker 1: you're sleeping in barnes. They could still from thirty miles away. 304 00:19:00,240 --> 00:19:03,479 Speaker 1: Here the Germans shelling the city. The next day they 305 00:19:03,480 --> 00:19:07,200 Speaker 1: made another twenty miles. They went south again and they 306 00:19:07,240 --> 00:19:12,280 Speaker 1: slept in a barn. They continue, and you know, they 307 00:19:12,320 --> 00:19:16,600 Speaker 1: find a train on June when they're about seventy five 308 00:19:16,680 --> 00:19:19,760 Speaker 1: miles south of Paris, and they say, hey, if we 309 00:19:19,880 --> 00:19:24,159 Speaker 1: hop this train, we can get to the Spanish border. 310 00:19:24,680 --> 00:19:29,040 Speaker 1: And they were very very lucky. As they rode the 311 00:19:29,080 --> 00:19:32,840 Speaker 1: train that night, bombs fell on more and more cities 312 00:19:33,240 --> 00:19:39,159 Speaker 1: behind them. And this is interesting because okay, so Fifi, 313 00:19:39,720 --> 00:19:42,520 Speaker 1: the book that we know of as the debut of 314 00:19:42,520 --> 00:19:46,280 Speaker 1: Curious George, has already saved them twice, right, once uh 315 00:19:46,640 --> 00:19:50,240 Speaker 1: from suspicion of the local authorities, right and then once 316 00:19:50,760 --> 00:19:54,439 Speaker 1: giving them enough money to get those bike parts and escape. 317 00:19:55,000 --> 00:19:58,639 Speaker 1: Fifi came through for them again, right because once again 318 00:19:58,800 --> 00:20:03,280 Speaker 1: somebody thought, Hey, is this delightfully whimsical couple actually a 319 00:20:03,280 --> 00:20:05,760 Speaker 1: pair of spies? Yeah? Once again mental flush for the 320 00:20:05,760 --> 00:20:08,879 Speaker 1: wind and their breakdown of this, uh this incredible story. 321 00:20:09,280 --> 00:20:14,880 Speaker 1: One of the officers believe that they were smuggling some 322 00:20:15,080 --> 00:20:19,280 Speaker 1: kind of government secrets uh in in that dossier, you know, 323 00:20:19,400 --> 00:20:23,120 Speaker 1: which obviously, as we know, just contained their manuscripts um 324 00:20:23,240 --> 00:20:27,639 Speaker 1: and he insisted that they open up the folder or 325 00:20:27,680 --> 00:20:30,200 Speaker 1: the briefcase I guess is what it looked like to them, 326 00:20:30,520 --> 00:20:33,560 Speaker 1: and and show them what they had. And then, just 327 00:20:33,640 --> 00:20:37,320 Speaker 1: like the first time monkey books, you know, that's all, 328 00:20:37,359 --> 00:20:40,800 Speaker 1: that's all. They are pretty pretty innocuous. I'd love to 329 00:20:40,800 --> 00:20:43,320 Speaker 1: show you my sketches. Officer, tell me, who do you 330 00:20:43,359 --> 00:20:45,920 Speaker 1: think this monkey looks like? Who did Margaret? Come here? 331 00:20:45,920 --> 00:20:48,600 Speaker 1: Come here? Margaret stand next to the stand next to you. Guys, 332 00:20:48,640 --> 00:20:51,560 Speaker 1: don't want to see it, you can read it. I 333 00:20:51,640 --> 00:20:56,160 Speaker 1: love it. This feels there's almost a um Wes Anderson 334 00:20:56,240 --> 00:21:00,480 Speaker 1: vibe to this escape. You know, it's certainly sarend Opetus 335 00:21:00,640 --> 00:21:03,840 Speaker 1: is all get out. They keep lucking out. They escape 336 00:21:03,880 --> 00:21:06,280 Speaker 1: Paris two days before the bombing, you know, and obviously 337 00:21:06,280 --> 00:21:08,320 Speaker 1: you know I'm sure, the reality of this was a 338 00:21:08,359 --> 00:21:12,880 Speaker 1: lot less charming than cobbling together bicycle pieces and some 339 00:21:13,000 --> 00:21:15,800 Speaker 1: jewels verne kind of like contraption or whatever is what 340 00:21:15,840 --> 00:21:19,199 Speaker 1: I'm picturing. And then their bike baskets overflowing with breads 341 00:21:19,200 --> 00:21:22,080 Speaker 1: and cheeses. And I mean this was like undercover of dark, 342 00:21:22,240 --> 00:21:25,479 Speaker 1: you know, escaping with your lives at the last minute, 343 00:21:25,720 --> 00:21:29,400 Speaker 1: you know, from the jaws of of horrible death. Uh. 344 00:21:29,440 --> 00:21:32,400 Speaker 1: And every time you got stopped by one of these officers, 345 00:21:32,480 --> 00:21:34,679 Speaker 1: you were narrowly you know, you you were in at 346 00:21:34,800 --> 00:21:38,520 Speaker 1: risk of of being found out and being just executed 347 00:21:38,560 --> 00:21:40,800 Speaker 1: or taken to one of the camps, you know, I 348 00:21:40,840 --> 00:21:44,800 Speaker 1: mean just I can't even imagine the amount of pressure 349 00:21:45,040 --> 00:21:46,959 Speaker 1: they must have felt. It, just the amount of like 350 00:21:47,080 --> 00:21:50,720 Speaker 1: constant stress and never feeling safe and always having to 351 00:21:50,800 --> 00:21:58,879 Speaker 1: keep moving. You know. One interesting thing too about that 352 00:21:59,000 --> 00:22:04,000 Speaker 1: third close brush with arrest or discovery is that this time, 353 00:22:04,040 --> 00:22:08,200 Speaker 1: this third time, the authorities suspected them of being German spies, 354 00:22:08,200 --> 00:22:11,320 Speaker 1: because we have to remember they had German accents. Yeah, 355 00:22:11,480 --> 00:22:13,760 Speaker 1: I'm surprised that they kept leaning on this notion that 356 00:22:13,760 --> 00:22:16,600 Speaker 1: they were spies and not just you know, accused them 357 00:22:16,640 --> 00:22:19,120 Speaker 1: of being Jews and just like, you know, be done 358 00:22:19,160 --> 00:22:23,680 Speaker 1: with it, because I'm sure Nazi officers have done far, 359 00:22:24,240 --> 00:22:28,080 Speaker 1: far worse. But they once again escaped. They were handed 360 00:22:28,119 --> 00:22:30,680 Speaker 1: back their manuscripts and sent on their merry way. Yeah, 361 00:22:30,720 --> 00:22:35,320 Speaker 1: but once against super narrow escape. And then eleven days 362 00:22:35,400 --> 00:22:39,639 Speaker 1: later they arrive in Lisbon, Portugal. I always wanted to visit. 363 00:22:40,320 --> 00:22:42,880 Speaker 1: They wait for months and months, they crossed the Atlantic 364 00:22:42,960 --> 00:22:47,280 Speaker 1: to Brazil, and then eventually they sail for New York City, 365 00:22:47,280 --> 00:22:50,960 Speaker 1: where a friend of theirs named Grace Hogarth has just 366 00:22:51,040 --> 00:22:53,960 Speaker 1: been hired as a children's book editor at Houghton Mifflin, 367 00:22:54,280 --> 00:22:58,280 Speaker 1: the publishing house still around today, and she loved the book, 368 00:22:58,359 --> 00:23:00,760 Speaker 1: so she didn't just sign them on for you US contract. 369 00:23:01,000 --> 00:23:05,119 Speaker 1: She signed them on for a four book contract, and 370 00:23:05,240 --> 00:23:10,359 Speaker 1: they decided to rename Fifi to George. They felt George 371 00:23:10,480 --> 00:23:16,639 Speaker 1: was a little more masculine. We we have also, you 372 00:23:16,680 --> 00:23:22,760 Speaker 1: know publicity brochure from Hotan Mifflin that shows the publishers 373 00:23:23,000 --> 00:23:26,639 Speaker 1: leaned into the biography of the authors, you know what 374 00:23:26,680 --> 00:23:29,439 Speaker 1: I mean. They were using it as a way to 375 00:23:29,640 --> 00:23:32,399 Speaker 1: sell the book. Uh. And it was all true, and 376 00:23:32,480 --> 00:23:35,920 Speaker 1: I don't think it was exploitative, but it definitely helped 377 00:23:36,400 --> 00:23:39,720 Speaker 1: with the debut of Curious George and the States. Yeah, 378 00:23:39,760 --> 00:23:42,880 Speaker 1: and this is powerful stuff. In June and I rainy 379 00:23:42,960 --> 00:23:45,600 Speaker 1: morning before dawn, a few hours before the Nazis entered, 380 00:23:45,840 --> 00:23:48,560 Speaker 1: we left Paris on bicycles with nothing but warm coats 381 00:23:48,560 --> 00:23:51,480 Speaker 1: and our manuscripts, Curious George among them, tied to the 382 00:23:51,480 --> 00:23:54,520 Speaker 1: baggage racks and started peddling south. We finally made it 383 00:23:54,520 --> 00:23:58,360 Speaker 1: to Lisbon by train, having sold our bicycles to customs 384 00:23:58,359 --> 00:24:01,720 Speaker 1: officials the French Spanish border. After a brief interludeing Rio 385 00:24:01,800 --> 00:24:05,080 Speaker 1: de Janeiro, our migrations came to an end one clear 386 00:24:05,160 --> 00:24:08,720 Speaker 1: crisp October morning in when we saw the Statue of 387 00:24:08,760 --> 00:24:11,639 Speaker 1: Liberty rise above the harbor of New York, and we 388 00:24:11,720 --> 00:24:14,399 Speaker 1: landed in the USA. We took a small apartment in 389 00:24:14,400 --> 00:24:17,520 Speaker 1: New York's Cranwich Village, rolled up our sleeves, and we're 390 00:24:17,560 --> 00:24:21,080 Speaker 1: ready to start from scratch. That's pretty I mean, that's 391 00:24:21,640 --> 00:24:25,200 Speaker 1: if that's not like an immigration success story, I don't 392 00:24:25,200 --> 00:24:27,800 Speaker 1: know what is. I mean, obviously, they just they had 393 00:24:27,840 --> 00:24:29,920 Speaker 1: this dream. They knew what they had, they knew how 394 00:24:29,920 --> 00:24:33,639 Speaker 1: precious those manuscripts were. They protected them with their lives, 395 00:24:33,680 --> 00:24:37,080 Speaker 1: you know, I mean, they they were more concerned with 396 00:24:37,160 --> 00:24:40,199 Speaker 1: bringing those and and and being careful, you know, to 397 00:24:40,320 --> 00:24:42,560 Speaker 1: have them not be damaged or taken. Then they were 398 00:24:42,600 --> 00:24:45,320 Speaker 1: about bringing more warm clothes and things like that. So 399 00:24:45,840 --> 00:24:49,400 Speaker 1: uh really really, it's it's so amazing to see when 400 00:24:49,400 --> 00:24:52,560 Speaker 1: someone really knows, um that they're onto something and and 401 00:24:52,640 --> 00:24:56,080 Speaker 1: of course they absolutely were. And you can confirm this 402 00:24:56,240 --> 00:24:59,520 Speaker 1: first thanks to uh lit hub, where you can read 403 00:25:00,200 --> 00:25:03,240 Speaker 1: German Jewish refugees who created Curious George. But you can 404 00:25:03,320 --> 00:25:08,160 Speaker 1: also find the gritty, day by day meticulous notations of 405 00:25:08,200 --> 00:25:12,800 Speaker 1: their of their escape in the collection at the University 406 00:25:12,960 --> 00:25:17,160 Speaker 1: of Southern Mississippi. It's the h A and Margaret Ray Collection. 407 00:25:18,000 --> 00:25:21,560 Speaker 1: This is the basis for a book by Louise Borden 408 00:25:21,680 --> 00:25:25,919 Speaker 1: called The Journey That Saved Curious George. You can also 409 00:25:26,119 --> 00:25:33,040 Speaker 1: see a documentary about this journey, which was in twenties seventeen. 410 00:25:33,800 --> 00:25:38,080 Speaker 1: And now you know, we we reach um sort of 411 00:25:38,119 --> 00:25:41,600 Speaker 1: the conclusion of today's episode. But of course you want 412 00:25:41,640 --> 00:25:46,080 Speaker 1: to know how Curious George is doing right. Uh, this 413 00:25:46,280 --> 00:25:51,120 Speaker 1: is an award winning series. They continue to write, they 414 00:25:51,160 --> 00:25:54,520 Speaker 1: had a beautiful relationship. There was a little bit of 415 00:25:54,600 --> 00:25:58,440 Speaker 1: misogyny for a second, though not on Hans's part. But 416 00:25:58,840 --> 00:26:03,520 Speaker 1: they for a time, Uh, Margaret's name was not appearing 417 00:26:03,640 --> 00:26:06,439 Speaker 1: on the first I think the first few books because 418 00:26:06,840 --> 00:26:11,159 Speaker 1: publishers thought too many women were writing children's books, so 419 00:26:11,240 --> 00:26:15,320 Speaker 1: a guy's name would sell better. Tut tut, yikes, no good. 420 00:26:15,760 --> 00:26:21,040 Speaker 1: But now we remember both of these incredible humans for uh, 421 00:26:21,119 --> 00:26:26,119 Speaker 1: not only their harrowing escape from Nazi occupied Paris, but 422 00:26:26,280 --> 00:26:28,800 Speaker 1: for the amazing work that they brought into the world. 423 00:26:28,840 --> 00:26:31,280 Speaker 1: I mean, it's been made into you know, every every 424 00:26:31,320 --> 00:26:33,399 Speaker 1: generation grows up with Curious George. You know, I remember 425 00:26:33,520 --> 00:26:35,359 Speaker 1: was I grew up in Germany, and I remember the 426 00:26:35,400 --> 00:26:37,679 Speaker 1: books were huge, so I read the German language versions. 427 00:26:38,000 --> 00:26:41,399 Speaker 1: Um and uh, then when I was a little older, 428 00:26:41,400 --> 00:26:44,000 Speaker 1: there was a cartoon version. And then when my daughter 429 00:26:44,600 --> 00:26:47,880 Speaker 1: was growing up, there were movies. Uh that brought Jack 430 00:26:47,960 --> 00:26:52,040 Speaker 1: Johnson back into the public eye with his delightful Curious 431 00:26:52,040 --> 00:26:55,399 Speaker 1: George soundtrack. UM. So thanks to the raise for for 432 00:26:55,480 --> 00:26:59,560 Speaker 1: bringing Jack Johnson back into my life. And you'll be 433 00:26:59,560 --> 00:27:02,800 Speaker 1: happy to know their legacy continues. There's seventy five million 434 00:27:02,880 --> 00:27:05,400 Speaker 1: copies of Curious George out there in the world. They've 435 00:27:05,440 --> 00:27:09,800 Speaker 1: been sold in over a dozen languages. Uh. And you know, 436 00:27:10,000 --> 00:27:13,640 Speaker 1: Curious George went on to have many other close calls 437 00:27:13,680 --> 00:27:18,320 Speaker 1: that were thankfully fictional. Thanks, as always for tuning in. 438 00:27:18,400 --> 00:27:20,840 Speaker 1: We hope you enjoyed this episode. And we want to 439 00:27:20,880 --> 00:27:24,879 Speaker 1: hear about your favorite children's stories or young adult books. 440 00:27:25,160 --> 00:27:28,560 Speaker 1: Uh and you know, maybe there's an interesting story behind 441 00:27:28,720 --> 00:27:32,480 Speaker 1: their evolution and origin as well. Let us know. You 442 00:27:32,480 --> 00:27:34,399 Speaker 1: can find us on Facebook, you can find us on Twitter. 443 00:27:34,440 --> 00:27:38,240 Speaker 1: You can find us on Instagram, not just as a show, 444 00:27:38,320 --> 00:27:41,159 Speaker 1: but as individuals. That's right. You can find me in 445 00:27:41,280 --> 00:27:47,160 Speaker 1: my quarantine adventures or misadventures sort of like a Curious Monkey, UM, 446 00:27:47,200 --> 00:27:50,920 Speaker 1: only locked in like a three bedroom house in uh 447 00:27:50,920 --> 00:27:54,600 Speaker 1: in Atlanta. UM that is at how now Noel Brown 448 00:27:54,760 --> 00:27:57,480 Speaker 1: on Instagram, And you can find me at ben bullin 449 00:27:57,640 --> 00:28:00,600 Speaker 1: hs W on Twitter. You can find me at Bolan 450 00:28:00,720 --> 00:28:05,000 Speaker 1: on Instagram. You can you know I'm around. You can 451 00:28:05,040 --> 00:28:07,879 Speaker 1: find me somewhere on the internet. And you can also 452 00:28:08,000 --> 00:28:12,040 Speaker 1: find on the internet our pal slash Nemesis the Quister 453 00:28:12,200 --> 00:28:16,040 Speaker 1: a k a. Jonathan Strickland, who assures us that he 454 00:28:16,359 --> 00:28:19,680 Speaker 1: will be making an appearance soon. But you all longtime 455 00:28:19,680 --> 00:28:22,080 Speaker 1: listeners know the game. He's not going to tell us 456 00:28:22,119 --> 00:28:24,399 Speaker 1: when it happens. He's just going to show up and 457 00:28:24,520 --> 00:28:27,360 Speaker 1: ruin the ending of a perfectly good episode. Yeah, it's 458 00:28:27,359 --> 00:28:29,280 Speaker 1: gonna be one of those zoom bombs we keep hearing 459 00:28:29,359 --> 00:28:31,679 Speaker 1: so much about. You know, he's just gonna come in 460 00:28:31,760 --> 00:28:35,159 Speaker 1: and wreck the party. Hues Thanks to super producer Casey Pegram. 461 00:28:35,200 --> 00:28:37,360 Speaker 1: As always, thanks to Alex Williams for composing our theme. 462 00:28:37,440 --> 00:28:42,800 Speaker 1: Christopher hacionis here in zoom spirit. Thanks as always to Rule, 463 00:28:42,920 --> 00:28:47,320 Speaker 1: Dull Shell Silverstein, Hans and Margaret Ray and Hey Dolt. 464 00:28:47,400 --> 00:28:49,400 Speaker 1: Thanks to you and you as well, Ben. We'll see 465 00:28:49,400 --> 00:29:00,240 Speaker 1: you next time, folks. For more podcasts for my heart Radio, 466 00:29:00,320 --> 00:29:02,920 Speaker 1: visit the I Heart Radio app, Apple podcast, or wherever 467 00:29:03,080 --> 00:29:04,560 Speaker 1: you listen to your favorite shows,