WEBVTT - Brief Interlude w/ Kerry Butler

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<v Speaker 1>Of the law and Order franchises, SVU is considered especially watchable.

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<v Speaker 2>We are the amateur detectives who kind of investigate the

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<v Speaker 2>vicious felonies. These episodes are based on.

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<v Speaker 3>These are our stories, done.

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<v Speaker 2>Done, Yay, that's messed up. In SVU podcast, my name

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<v Speaker 2>is Liza Traeger and I am Makara Klank, and every

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<v Speaker 2>week we recap.

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<v Speaker 1>An episode of SVU, talk about the true crimates based

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<v Speaker 1>on and then talk to a cool guest, an actor

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<v Speaker 1>from the show usually and then but first we catch

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<v Speaker 1>up and see what's going on.

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<v Speaker 3>And there's a lot happening right now.

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<v Speaker 2>I'm also if you'd like to be enrayed. I should

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<v Speaker 2>have went to bed last night. I didn't. I put

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<v Speaker 2>on Gone Girls, the Gilgo Beach, fucking Long Island killer.

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<v Speaker 2>We covered this before it was solved, so that was

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<v Speaker 2>episode eighty six.

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<v Speaker 1>I like reread your notes because I was like, I

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<v Speaker 1>wonder what, like what we knew, what we didn't know?

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<v Speaker 2>What if you just want to be enraged by police ineptitude,

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<v Speaker 2>corruption fucked up?

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<v Speaker 3>I mean I I should have gone. I couldn't go

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<v Speaker 3>to bed.

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<v Speaker 2>I mean I was, oh my god, outrage fists in

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<v Speaker 2>my bed, like We always talk about police being so

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<v Speaker 2>bad at their job, but this is so hard. Just

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<v Speaker 2>so many women sex workers brutalized, murdered, tortured. No one

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<v Speaker 2>gave a fuck, No one wanted to investigate. Even when

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<v Speaker 2>evidence would come out, they fought it. They wouldn't work

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<v Speaker 2>with other departments, which was in your notes. But like

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<v Speaker 2>it's a really good it's a really well done three

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<v Speaker 2>part doc. So just three parts, Okay, it's great.

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<v Speaker 3>I watched all three. I watched all I'm so mad.

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<v Speaker 1>God, it's like, yeah, well, I mean, but it is

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<v Speaker 1>good that they caught it. It's like, these guys, you're

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<v Speaker 1>not getting away with stuff in this day and age

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<v Speaker 1>where we are catching.

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<v Speaker 3>Well now they had to.

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<v Speaker 2>They had to fucking put one police commissioner in prison,

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<v Speaker 2>get rid of this other DA. They were colluding. They

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<v Speaker 2>were fucking crazy. They're committing all these crimes. Then we

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<v Speaker 2>bring in someone else she could. It took three different

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<v Speaker 2>regime changes in this And I guess Suffolk County is

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<v Speaker 2>the largest police precinct department in the country. They're like

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<v Speaker 2>very powerful, they're the most well paid police officers in

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<v Speaker 2>the country.

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<v Speaker 3>Wow.

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<v Speaker 2>And I guess Long Island's the biggest island in America.

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<v Speaker 2>I mean, I had no fucking idea.

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<v Speaker 1>Wait, did they talk about how weird the vibe was

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<v Speaker 1>in the town, because that was a lot of part

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<v Speaker 1>of my research was like this town was really weird.

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<v Speaker 1>Everybody kind of knew each other and covered up ship

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<v Speaker 1>for each other and stuff too. Remember like this one

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<v Speaker 1>specific little.

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<v Speaker 3>Town where like it all was going down near Gilgo Beach.

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<v Speaker 3>The vibes were weird. But it's just like, I guess

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<v Speaker 3>I don't.

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<v Speaker 2>Find them different from other cases we've covered where it's

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<v Speaker 2>like kind of small even though it's this big island,

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<v Speaker 2>it's small town. It's cops, it's a Republican, it's blue line,

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<v Speaker 2>and it's fuck sex workers.

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<v Speaker 3>They're not real people, right, you know.

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<v Speaker 1>It's there's a fucking recording of this girl terrified and

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<v Speaker 1>people are like, I don't know.

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<v Speaker 3>She sounds like maybe she went ran away, Like Carara,

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<v Speaker 3>how could I go to bed?

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<v Speaker 2>There was a fucking press conference where one of the

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<v Speaker 2>one of the white old men.

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<v Speaker 3>That's a nightmare. I forgot which one goes. It was.

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<v Speaker 2>She accidentally went in there typothermia, she took off for clothes.

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<v Speaker 2>It's accidental death. But then they brought in Michael Badden.

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<v Speaker 2>But it's so yeah, if you want to listen to

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<v Speaker 2>oh that, yes, before it was solved and then now

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<v Speaker 2>finally a task for and it was I mean decades

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<v Speaker 2>these uh, these victims wanted justice and they talked to

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<v Speaker 2>witness says who knew who the people looked like, like

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<v Speaker 2>they had experiences. They gave the information. They had the

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<v Speaker 2>information of what kind of car this motherfucker drove, his

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<v Speaker 2>physical description, they had decades went by. It's like, it's

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<v Speaker 2>truly fucking sane. He was like the who they find

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<v Speaker 2>out did it was like the house kids didn't go

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<v Speaker 2>to for trick or treating a fucking creep, you.

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<v Speaker 3>Know what I mean. It's not like anyone was like

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<v Speaker 3>get out of town. Not that nice man.

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<v Speaker 1>Yeah, oh my god, yeah, fuck all right, we gotta

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<v Speaker 1>watch it.

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<v Speaker 2>They had information for forever. They wouldn't connect it, they

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<v Speaker 2>wouldn't investigate. It's just like it really is disgusting.

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<v Speaker 1>Yeah, crazy, Well no, no easy segue off of that, but.

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<v Speaker 2>I mean no, it is. Well, well, we could go

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<v Speaker 2>to wait, what are you gonna do? Lots of TV

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<v Speaker 2>White House.

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<v Speaker 1>Listen, we went to the White House, the White Life.

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<v Speaker 1>Let's just talk about the second one. I cannot talk

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<v Speaker 1>about the first one.

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<v Speaker 2>What do you mean, what's wrong? They're just snatching people

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<v Speaker 2>off the streets. I'm sending them to Salvador, who cares God.

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<v Speaker 2>Not a huge deal.

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<v Speaker 1>The Supreme Court is letting him run unchecked. But I

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<v Speaker 1>we went to Lego Land. Everybody, we did it. It

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<v Speaker 1>was great, it was amazing, it was a wonderful day.

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<v Speaker 1>It was a perfect little trip for two little kids.

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<v Speaker 1>But the only my only gripe with Lego Land is

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<v Speaker 1>every place you eat at Lego Land, where, by the way,

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<v Speaker 1>the food is like pretty gross and its extremely expensive,

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<v Speaker 1>like every amusement park, but every food is like lives

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<v Speaker 1>on an island by itself. So if you want to

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<v Speaker 1>go pizza, you gotta go to the pizza place. If

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<v Speaker 1>you want chicken, you gotta go to the chicken place

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<v Speaker 1>if you want it. And it's like if you're eating

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<v Speaker 1>in a family where people eat different things, it's very

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<v Speaker 1>very annoying because you have to like take Oscar to

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<v Speaker 1>chicken town while I'm taking Rosie to pizza town and

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<v Speaker 1>it's not like and it's not like a food court.

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<v Speaker 3>Right, that's the thing. It's like, make it a food court.

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<v Speaker 1>Kids are psychotic, you know, like just but besides that,

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<v Speaker 1>fucking we get the best weather. The kids were so

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<v Speaker 1>jazzed about everything that we went on a bunch of

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<v Speaker 1>roller coasters. We made Oscar lie about his age. He

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<v Speaker 1>did it. It was amazing, it was great. But so

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<v Speaker 1>that's what did they buy? What did they buy? What

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<v Speaker 1>he got?

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<v Speaker 3>Stuffy?

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<v Speaker 1>Rosie obviously got a stuffy of what like a square?

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<v Speaker 3>What is it?

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<v Speaker 1>Not even Lego related. It's like a fucking dog. It's

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<v Speaker 1>like some dog. And I go, Rosie, this isn't even

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<v Speaker 1>really legal, and she goes, please, I want it so bad.

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<v Speaker 1>And I was like, all right, well, I mean I'm

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<v Speaker 1>not gonna argue with you. I was like, you don't

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<v Speaker 1>want to get a Lego set? Where at Lego Land? No,

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<v Speaker 1>Oscar got Elsa and Anna's like a mini castle from Arundel.

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<v Speaker 1>But I also got him a bigger one for his birthday,

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<v Speaker 1>so he's gonna get that later. I have a little

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<v Speaker 1>name drop, but I did so.

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<v Speaker 2>I did go to Mateo Lanes Radio City Music Hall

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<v Speaker 2>show obviously incredible. I got to chit chat with Bob

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<v Speaker 2>the drag queen, you know, and the green room in

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<v Speaker 2>the green Room, he hosted the most beautif full outfit

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<v Speaker 2>I've ever seen, and I just like, I can't even

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<v Speaker 2>But Bob said that Adina Menzel is the most famous

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<v Speaker 2>Broadway actor in the world, and I was like, huh,

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<v Speaker 2>I want to kind of like find an argument.

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<v Speaker 3>He goes, well, you won't, but when you do, you

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<v Speaker 3>could let me know.

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<v Speaker 2>And I've been thinking about it, and because I was like, oh,

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<v Speaker 2>because of Frozen and then it's like Rent Wicked, like

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<v Speaker 2>just the most recognizable, probably the most box office or

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<v Speaker 2>like profitable.

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<v Speaker 3>But I guess so, yeah, I don't know.

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<v Speaker 2>Yeah, I'm sure like physically, I remember.

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<v Speaker 1>I'm sure we have listeners that are like screaming at

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<v Speaker 1>their uh like phones right now. But I mean, I yeah,

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<v Speaker 1>because it's like Patty Lapone is obviously a regular people

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<v Speaker 1>don't know her, don't know who she is. Ye, it's

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<v Speaker 1>not what Bob's saying. It's not like who do you think.

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<v Speaker 1>It's like people don't know her. Yeah, if you could

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<v Speaker 1>put someone they don't know, Kristin Chenowith too, is like,

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<v Speaker 1>I mean, you could argue Christian Chanowitz. She's done a lot.

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<v Speaker 1>Sutton Foster starred in her own television shop dumber, which

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<v Speaker 1>is I don't think appearing now on Netflix and getting bigger.

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<v Speaker 2>I don't know, Casey, are you thinking you're moving your

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<v Speaker 2>mic around? I feel like you're I think I think

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<v Speaker 2>the answer is Lynn Manuel.

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<v Speaker 3>Oh but Oya should should? I should? I hit?

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<v Speaker 4>That?

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<v Speaker 3>Is it lip? That's just my recognize.

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<v Speaker 1>Yeah, that's a good question. He was in the New

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<v Speaker 1>Mary Poppins. I mean, I'm just saying he does like

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<v Speaker 1>stuff where he's on camera.

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<v Speaker 3>You never heard of it.

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<v Speaker 1>I think that could be he's like the Dick van

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<v Speaker 1>Dyke of of Emily Blunts Mary Poppins.

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<v Speaker 3>But yeah, yeah that's good. That's not a bad one.

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<v Speaker 1>Yeah, yeah, Yeah, that's an interesting and it is so

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<v Speaker 1>funny because like some of these people are so well

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<v Speaker 1>known and it's like, yeah, you wouldn't really know them

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<v Speaker 1>unless you're like a Broadway person, you know.

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<v Speaker 2>Yeah that's what I mean, because I would I would

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<v Speaker 2>maybe think of other but no, no.

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<v Speaker 3>No, well that's an interesting Yeah.

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<v Speaker 1>If you have your leave a comment on today's episode

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<v Speaker 1>on Instagram in the comment section, let us know who

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<v Speaker 1>you think, cause like I am wondering, like if Dina

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<v Speaker 1>Menzel has the actual name recognition. If you went into

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<v Speaker 1>like deep rural like America, And you said, do you

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<v Speaker 1>know who Adina Menzel is? I think some people will

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<v Speaker 1>go know and you're like, but have you seen Frozen?

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<v Speaker 3>Oh? Sure, she's the voice of Elsa.

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<v Speaker 1>Have you seen Rent, she's the voice of Maureen, you know,

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<v Speaker 1>or she like if you if you've heard Rent or whatever? Uh,

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<v Speaker 1>but yeah, no, I think Lynn Manuel is the only

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<v Speaker 1>uh the biggest crossover because of Malana and just Hamilton

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<v Speaker 1>did something to Broadway that probably Wicked maybe did, but.

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<v Speaker 3>I don't know. I was in high school. I wasn't

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<v Speaker 3>like thinking about this in high school. I was just yeah,

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<v Speaker 3>Wicked was like Wicked was like.

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<v Speaker 1>You waited in the lottery, you really wanted to get

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<v Speaker 1>into the Wicked lottery or whatever, but like if you

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<v Speaker 1>didn't get into the Wicked Lottery, like I ended up

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<v Speaker 1>getting tickets like for cheap a few months later, you

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<v Speaker 1>know what I mean.

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<v Speaker 3>Like Hamilton was like you could not.

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<v Speaker 1>See it for years unless you shelled out like a

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<v Speaker 1>ton of ton of money. So Hamilton was something like

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<v Speaker 1>kind of extraordinary. I'm assuming you know, but maybe some

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<v Speaker 1>of our listeners don't know. Do you know who the

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<v Speaker 1>producer of the Broadway show Othello is right now, it's

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<v Speaker 1>enzal and.

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<v Speaker 3>J Hill Hall.

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<v Speaker 2>Is it Candy It's fucking candy Bird. Yeah, I mean,

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<v Speaker 2>could she dominate more industries?

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<v Speaker 5>Yeah?

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<v Speaker 1>It was her time to leave. It was her time

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<v Speaker 1>to leave Atlanta. She's too busy. But I want to

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<v Speaker 1>go right into Atlanta. And yeah, oh my god. Devastating,

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<v Speaker 1>it's a devastating it's heard of events upset once again.

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<v Speaker 1>Real Housewives is in the true crime genre. Okay, So

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<v Speaker 1>just to give everybody background, because I know not all

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<v Speaker 1>of you are in our obsession that we are. Real

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<v Speaker 1>house wass of Atlanta has had a bunch of regulars

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<v Speaker 1>obviously for years. This year there was like a like

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<v Speaker 1>a like a half shake up. I would say, there's

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<v Speaker 1>like three or four. There's three or four new girls

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<v Speaker 1>on the show, right, Shamia, Britt, Angela, and Kelly.

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<v Speaker 3>So there's new women on it.

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<v Speaker 1>And this new woman comes on and she starts tangling

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<v Speaker 1>with an old an old cast member, an older cast member,

0:11:24.160 --> 0:11:27.439
<v Speaker 1>not old in age, old in you know, seniority, Kenya Moore,

0:11:27.920 --> 0:11:30.840
<v Speaker 1>who notoriously goes low.

0:11:31.400 --> 0:11:34.320
<v Speaker 3>This girl, Britt started out gotten.

0:11:33.960 --> 0:11:36.520
<v Speaker 2>It with Kenny, thinking I think Cynthia maybe had the

0:11:36.559 --> 0:11:39.280
<v Speaker 2>right theory of like you having a perception of Kenya

0:11:39.440 --> 0:11:41.840
<v Speaker 2>because of the show and her fame, and I feel

0:11:41.840 --> 0:11:45.280
<v Speaker 2>like Britt was just coming reading into stuff through that

0:11:45.400 --> 0:11:48.360
<v Speaker 2>lens and not being in reality because I saw Kenya

0:11:48.440 --> 0:11:51.800
<v Speaker 2>maybe being a little petty, but like nothing to have

0:11:51.880 --> 0:11:54.440
<v Speaker 2>warranted what you're about to say that Britt did.

0:11:55.280 --> 0:12:00.560
<v Speaker 1>Yeah, so that Britt did, or that Kenya did that Britt.

0:12:00.600 --> 0:12:05.120
<v Speaker 1>Britt threatened her with guns. Britt said, I have my

0:12:05.240 --> 0:12:07.640
<v Speaker 1>pistol on me, I have my fucking gun. I have

0:12:07.720 --> 0:12:10.840
<v Speaker 1>guns and knives and I don't play. Oh. I didn't

0:12:10.880 --> 0:12:14.040
<v Speaker 1>hear her say on me. I just thought she you're right,

0:12:14.280 --> 0:12:16.280
<v Speaker 1>you should not threaten guns. I just did not have

0:12:16.400 --> 0:12:20.600
<v Speaker 1>everything to gus at home that you can't. Yeah, they

0:12:20.640 --> 0:12:22.840
<v Speaker 1>were at a state so they're at a dinner.

0:12:23.200 --> 0:12:25.640
<v Speaker 3>Guns is insane. Yeah, they're at a dinner.

0:12:25.920 --> 0:12:30.040
<v Speaker 1>They have a fight, and they and and Kenya start

0:12:30.240 --> 0:12:32.480
<v Speaker 1>and this girl is just like, I'm leaving and starts

0:12:32.480 --> 0:12:34.680
<v Speaker 1>walking out and she's yelling all this shit at Kenya

0:12:34.760 --> 0:12:38.880
<v Speaker 1>and she says something like I have pistols, I have knives, whatever,

0:12:39.000 --> 0:12:42.400
<v Speaker 1>and she's threatening. I never got the feeling that she

0:12:42.440 --> 0:12:44.280
<v Speaker 1>had that stuff on her. I thought she meant like

0:12:44.400 --> 0:12:46.640
<v Speaker 1>I have weapons in my arsenal and I'll come for

0:12:46.760 --> 0:12:49.000
<v Speaker 1>you or whatever. I never I didn't think it was

0:12:49.040 --> 0:12:51.640
<v Speaker 1>like a big threat. I thought what Kenya did was

0:12:51.760 --> 0:12:53.680
<v Speaker 1>way worse, way worse.

0:12:54.040 --> 0:12:58.040
<v Speaker 2>Difficult to watch, yeah, stating to see it's like we're

0:12:58.040 --> 0:13:02.160
<v Speaker 2>on the same page there, Okay, but Britt should have

0:13:02.280 --> 0:13:06.240
<v Speaker 2>been reprim I mean Britt came to apologize like Kenya,

0:13:07.600 --> 0:13:11.040
<v Speaker 2>I can't believe she did that. It's like, it's sad

0:13:11.080 --> 0:13:13.439
<v Speaker 2>to see you kind of see this rage on her

0:13:13.480 --> 0:13:19.280
<v Speaker 2>in a way of like just this anger. Where was

0:13:19.400 --> 0:13:21.200
<v Speaker 2>she wasn't even thinking clear, like it was this huge

0:13:21.200 --> 0:13:25.120
<v Speaker 2>event for her. Was like so Kenya so basically okay.

0:13:25.320 --> 0:13:28.400
<v Speaker 2>So that's at the dinner the night before Britt, they

0:13:28.400 --> 0:13:31.320
<v Speaker 2>get into a fight and Brittany, I think Britt has been,

0:13:31.760 --> 0:13:34.199
<v Speaker 2>you know, picking at her in this way, threatens her.

0:13:35.040 --> 0:13:38.040
<v Speaker 2>So now it's a hair salon opening. You know, Kenya's

0:13:38.040 --> 0:13:39.640
<v Speaker 2>being really vulnerable. She like, I put a lot of

0:13:39.679 --> 0:13:41.240
<v Speaker 2>money into this. I need this to be a success.

0:13:41.240 --> 0:13:45.200
<v Speaker 2>It's this huge party. Britt does come, apologizes, brings flowers.

0:13:46.000 --> 0:13:49.720
<v Speaker 3>So but ken You ignores her, ignores.

0:13:49.320 --> 0:13:51.960
<v Speaker 1>Her, flatly, does not won't look at her, talks like

0:13:52.160 --> 0:13:53.480
<v Speaker 1>over her, like yeah.

0:13:53.440 --> 0:13:54.720
<v Speaker 3>Because she already wanted to do this.

0:13:54.800 --> 0:13:58.280
<v Speaker 2>So then all of a sudden, Kenya starts doing a

0:13:58.360 --> 0:14:01.720
<v Speaker 2>fucking speech britt the moment photo. I don't know if

0:14:01.720 --> 0:14:04.240
<v Speaker 2>the photos came whatever. Brittany actually leave, britt. I don't

0:14:04.240 --> 0:14:05.920
<v Speaker 2>know why keep calling our Brittany. She's never said it

0:14:05.920 --> 0:14:11.920
<v Speaker 2>was Brittany. So so britt leaves. Kenya has three rounds

0:14:11.920 --> 0:14:15.960
<v Speaker 2>of like blown up photos. Who printed those on like

0:14:16.080 --> 0:14:16.600
<v Speaker 2>foam core.

0:14:16.720 --> 0:14:19.120
<v Speaker 1>We're talking like you're trying to get extra credit for

0:14:19.200 --> 0:14:24.080
<v Speaker 1>the high school presentation. Foam core photos printed that Bravo

0:14:24.200 --> 0:14:28.080
<v Speaker 1>has blurred out, like we can't even see these photos.

0:14:27.560 --> 0:14:29.920
<v Speaker 3>And one is of this woman sucking a dick.

0:14:30.800 --> 0:14:33.040
<v Speaker 2>But what people have said was like, but if it's

0:14:33.080 --> 0:14:35.920
<v Speaker 2>on the internet, then like who cares if it's public

0:14:35.960 --> 0:14:39.160
<v Speaker 2>and you show it, and I'm like I was before

0:14:39.200 --> 0:14:41.880
<v Speaker 2>I watched it, I go, okay, maybe like if you

0:14:42.040 --> 0:14:47.040
<v Speaker 2>did poor that's not I thought, like Cynthia Pore, everyone left.

0:14:47.120 --> 0:14:53.480
<v Speaker 2>The vibe shifted. She did a terrible call. She got

0:14:53.560 --> 0:14:54.800
<v Speaker 2>everybody's attention.

0:14:55.440 --> 0:14:57.320
<v Speaker 1>It wasn't like she was just like girls, look at

0:14:57.320 --> 0:14:59.400
<v Speaker 1>this stuff that I found of her on the internet.

0:14:59.440 --> 0:15:01.960
<v Speaker 3>This is the girl it's coming for me, she blew it.

0:15:02.040 --> 0:15:05.040
<v Speaker 1>Oh stop the grand opening of this salon that matters

0:15:05.320 --> 0:15:08.600
<v Speaker 1>to her, which I feel like, you're also that's like

0:15:08.640 --> 0:15:11.360
<v Speaker 1>they're always talking about being classy and versus trashy, and

0:15:11.400 --> 0:15:14.120
<v Speaker 1>I'm like, girl, don't do this at your thing. But

0:15:14.200 --> 0:15:16.920
<v Speaker 1>how many fights on the Real Housewives franchises have there

0:15:16.960 --> 0:15:20.040
<v Speaker 1>been where there's stuff that's like but it's on the blog?

0:15:20.160 --> 0:15:21.720
<v Speaker 1>So who cares if I talk about it? And they're like,

0:15:21.760 --> 0:15:24.680
<v Speaker 1>it's different when you bring it to a national stage,

0:15:24.720 --> 0:15:28.040
<v Speaker 1>when you bring it to a television show, you know, Like,

0:15:28.360 --> 0:15:30.400
<v Speaker 1>I think it's very different. And there's photos of her

0:15:30.440 --> 0:15:33.040
<v Speaker 1>sucking dick on the internet. I would have never seen those, like,

0:15:33.120 --> 0:15:34.240
<v Speaker 1>I'm not looking for those.

0:15:34.520 --> 0:15:35.720
<v Speaker 3>It was nonconsensual.

0:15:35.840 --> 0:15:38.680
<v Speaker 2>She took these explicit photos and the reaction of her

0:15:38.720 --> 0:15:42.040
<v Speaker 2>co stars is what's very telling. But should she have

0:15:42.080 --> 0:15:45.480
<v Speaker 2>been fired? Like is that worse than physically assaulting people?

0:15:46.040 --> 0:15:49.200
<v Speaker 2>Pulling post what we've seen before, beating the shit like

0:15:49.360 --> 0:15:52.400
<v Speaker 2>fully going to prison for defrauding people? Like I don't

0:15:52.440 --> 0:15:56.840
<v Speaker 2>know what what what are the rules? Because was she

0:15:56.920 --> 0:15:59.000
<v Speaker 2>fired that day or did they edit her out from

0:15:59.040 --> 0:16:00.520
<v Speaker 2>the rest, I don't know.

0:16:01.040 --> 0:16:03.000
<v Speaker 1>I have no idea I remember hearing about this when

0:16:03.000 --> 0:16:06.000
<v Speaker 1>it like happened like through you know, blogs or whatever

0:16:06.040 --> 0:16:07.760
<v Speaker 1>and instagrams, but I don't remember.

0:16:08.160 --> 0:16:09.760
<v Speaker 3>I don't know what the timeline was.

0:16:09.800 --> 0:16:13.440
<v Speaker 1>But literally, I think that they might be thinking about

0:16:13.480 --> 0:16:16.760
<v Speaker 1>the premeditation of it. A ponytail poll when you've been

0:16:16.840 --> 0:16:20.200
<v Speaker 1>drinking for hours and you're fighting with each other, and

0:16:20.240 --> 0:16:22.040
<v Speaker 1>that's kind of like a little bit of the premise

0:16:22.080 --> 0:16:24.920
<v Speaker 1>of the show is that there's all these interpersonal dynamics

0:16:25.240 --> 0:16:29.640
<v Speaker 1>that's one thing, researching and blowing up and calling attention.

0:16:29.920 --> 0:16:32.600
<v Speaker 1>Like they might think, oh, well, she like fully premeditated this.

0:16:32.600 --> 0:16:34.720
<v Speaker 1>This wasn't something she did off the cuff, like in

0:16:34.760 --> 0:16:36.480
<v Speaker 1>a moment of passion.

0:16:37.040 --> 0:16:37.240
<v Speaker 2>You know.

0:16:38.400 --> 0:16:40.400
<v Speaker 1>I'm just I mean, like we separated for crimes. You know,

0:16:40.440 --> 0:16:42.800
<v Speaker 1>there's no she was She didn't take the apology.

0:16:42.920 --> 0:16:44.560
<v Speaker 2>She just wanted to do it and there was nothing

0:16:44.600 --> 0:16:46.360
<v Speaker 2>stopping her and she felt in the right and she

0:16:46.400 --> 0:16:49.480
<v Speaker 2>went too dirty and too low. Yeah, I can't believe

0:16:49.520 --> 0:16:51.880
<v Speaker 2>she like fucked up her legacy for this off for

0:16:51.960 --> 0:16:52.720
<v Speaker 2>this new girl.

0:16:52.840 --> 0:16:54.400
<v Speaker 3>But I hate when the new girls come in too

0:16:54.400 --> 0:16:54.960
<v Speaker 3>strong too.

0:16:55.080 --> 0:16:57.080
<v Speaker 1>I do too, But it's like they be like it

0:16:57.120 --> 0:16:59.600
<v Speaker 1>was barely I don't even know what started it?

0:16:59.640 --> 0:17:01.480
<v Speaker 3>Was it asking about the wedding ring? I don't even

0:17:01.480 --> 0:17:02.240
<v Speaker 3>know what started it?

0:17:02.600 --> 0:17:04.600
<v Speaker 2>Yeah it was, and maybe she was being like a

0:17:04.600 --> 0:17:10.359
<v Speaker 2>little not not friendly, but like Britches was so like Bob,

0:17:10.600 --> 0:17:12.480
<v Speaker 2>Like I think she was coming from the lens of

0:17:12.560 --> 0:17:15.479
<v Speaker 2>like Kenya, this is Kenya, Like wasn't seeing her as

0:17:15.520 --> 0:17:16.119
<v Speaker 2>who she was?

0:17:16.640 --> 0:17:18.480
<v Speaker 3>Yeah, and then but she fed into it.

0:17:19.040 --> 0:17:21.000
<v Speaker 1>But again also I think those girls want to get

0:17:21.040 --> 0:17:23.159
<v Speaker 1>into a fight quick so that you know they've got

0:17:23.160 --> 0:17:25.439
<v Speaker 1>something going on on the show, you know.

0:17:26.520 --> 0:17:29.399
<v Speaker 2>So yeah, I can't wait to talk to my friends.

0:17:29.400 --> 0:17:31.880
<v Speaker 2>Soon before it came out, we're like, whatever, the photo's

0:17:31.920 --> 0:17:35.359
<v Speaker 2>already out, because once you see it, it's like pretty uncomfortable.

0:17:35.359 --> 0:17:38.719
<v Speaker 1>It's really uncomfortable, Like people are leaving in droves like it,

0:17:38.760 --> 0:17:41.960
<v Speaker 1>and every confessional is like, girl, what are you doing?

0:17:43.040 --> 0:17:47.840
<v Speaker 1>But do you want to talk about, uh, the finale

0:17:47.920 --> 0:17:48.520
<v Speaker 1>of White Loaded.

0:17:48.680 --> 0:17:51.120
<v Speaker 2>Yeah, let's do White Lotus and then we'll get right

0:17:51.160 --> 0:17:54.080
<v Speaker 2>into SVU, right, Okay.

0:17:53.800 --> 0:17:54.040
<v Speaker 1>So.

0:17:55.680 --> 0:17:56.720
<v Speaker 3>Spoilers coming.

0:17:56.960 --> 0:17:59.080
<v Speaker 1>Okay, We're just gonna talk about the finale of White

0:17:59.080 --> 0:18:01.280
<v Speaker 1>Lotus if you want to press fast forward.

0:18:01.400 --> 0:18:06.320
<v Speaker 2>But you know what, like last season when people were like, oh,

0:18:06.359 --> 0:18:09.320
<v Speaker 2>but this is that Mike White was like, yeah, it's

0:18:09.320 --> 0:18:11.679
<v Speaker 2>pretty obvious what was going down, Like I made it

0:18:11.680 --> 0:18:14.080
<v Speaker 2>clear these were like people trying to kill you know.

0:18:14.160 --> 0:18:16.320
<v Speaker 2>He's like, yeah, I don't know why people are like, oh,

0:18:16.400 --> 0:18:19.280
<v Speaker 2>it's a mysteries, like I make it so obvious, and

0:18:19.800 --> 0:18:23.119
<v Speaker 2>because I think that's one of the things the complaints

0:18:23.200 --> 0:18:25.600
<v Speaker 2>was like, ah obvious, and it's like yeah, I don't

0:18:25.640 --> 0:18:26.960
<v Speaker 2>think he's like shut up.

0:18:27.400 --> 0:18:27.600
<v Speaker 1>Yeah.

0:18:27.640 --> 0:18:29.120
<v Speaker 3>He also went on Howard start.

0:18:29.160 --> 0:18:31.000
<v Speaker 2>He's like, I guess people don't like this one as much,

0:18:31.240 --> 0:18:35.119
<v Speaker 2>like really self aware. I'm like obsessed with Mike White,

0:18:35.280 --> 0:18:39.359
<v Speaker 2>but I liked it. I'm sad I want more. I

0:18:39.400 --> 0:18:42.280
<v Speaker 2>would watch the show for twenty eight episodes every year

0:18:42.320 --> 0:18:44.720
<v Speaker 2>for eight years, Like I don't know. I say, I'm

0:18:44.800 --> 0:18:49.040
<v Speaker 2>sad it's done. I hope we get more, and I

0:18:49.080 --> 0:18:51.439
<v Speaker 2>think there is I read somewhere there's a four. I mean,

0:18:51.440 --> 0:18:53.639
<v Speaker 2>it would be crazy if they did it. Yeah, but

0:18:53.680 --> 0:18:55.199
<v Speaker 2>I heard it's not going to be a beach. So

0:18:55.280 --> 0:18:57.640
<v Speaker 2>I actually watched like a reel that was like where

0:18:57.640 --> 0:19:00.520
<v Speaker 2>should they go next time? Like oh, like I slimd

0:19:00.640 --> 0:19:03.320
<v Speaker 2>or like they have to have a four seasons, Like

0:19:03.359 --> 0:19:05.520
<v Speaker 2>there's a lot of stuff. So they were saying like

0:19:05.600 --> 0:19:09.840
<v Speaker 2>a safari type thing. There's Paris, there's like a Swiss

0:19:09.840 --> 0:19:11.160
<v Speaker 2>that like a skiing.

0:19:10.920 --> 0:19:13.280
<v Speaker 3>Thing, a skie or something. Yeah.

0:19:13.720 --> 0:19:17.680
<v Speaker 2>Yeah, so I mean cool, I will follow him anywhere.

0:19:17.680 --> 0:19:19.320
<v Speaker 2>I'm like obsessed. Yeah yeah, No.

0:19:19.359 --> 0:19:23.600
<v Speaker 3>I loved the season. I thought that it was really dark.

0:19:23.680 --> 0:19:27.240
<v Speaker 1>It was like really ominous, like more so than past seasons.

0:19:27.359 --> 0:19:31.119
<v Speaker 1>Like but yeah, the end was like wild, Like it

0:19:31.200 --> 0:19:33.320
<v Speaker 1>was really just about how people like make all these

0:19:33.320 --> 0:19:36.040
<v Speaker 1>different choices that are you know, not who you.

0:19:36.640 --> 0:19:37.159
<v Speaker 3>I don't know you.

0:19:37.240 --> 0:19:38.560
<v Speaker 1>There were people that I was like, oh, I didn't

0:19:38.560 --> 0:19:40.399
<v Speaker 1>want to think that's like who you were, but like

0:19:40.480 --> 0:19:42.480
<v Speaker 1>it does people do make choices kind of based on

0:19:42.560 --> 0:19:44.880
<v Speaker 1>Lenny and all kinds of like guy talk.

0:19:44.880 --> 0:19:46.600
<v Speaker 3>Like Belinda, you know, like.

0:19:47.760 --> 0:19:51.080
<v Speaker 2>Because at the end of the day, Greg didn't kill Tanya.

0:19:52.040 --> 0:19:55.119
<v Speaker 2>Yeah he didn't do it. So it's like at the

0:19:55.200 --> 0:19:56.160
<v Speaker 2>end of the day, it's like murder.

0:19:57.359 --> 0:20:01.199
<v Speaker 1>Why why the fuck was I so scared of carry

0:20:01.320 --> 0:20:04.120
<v Speaker 1>the shiny.

0:20:03.280 --> 0:20:05.200
<v Speaker 2>Shady And maybe he would have and he didn't, like

0:20:05.359 --> 0:20:07.760
<v Speaker 2>like I don't think he's a great guy, but or

0:20:07.800 --> 0:20:08.160
<v Speaker 2>it's like.

0:20:08.119 --> 0:20:10.240
<v Speaker 3>He knew they were they were divorcing.

0:20:10.520 --> 0:20:12.760
<v Speaker 1>He knew that they were like getting they were leaving

0:20:12.800 --> 0:20:15.240
<v Speaker 1>each other, right, weren't they breaking up and he still

0:20:15.280 --> 0:20:16.000
<v Speaker 1>took all the money.

0:20:16.200 --> 0:20:18.399
<v Speaker 3>Maybe that's what's bad about him. I don't know, but

0:20:18.480 --> 0:20:18.840
<v Speaker 3>that's there.

0:20:18.960 --> 0:20:19.159
<v Speaker 1>You know.

0:20:19.240 --> 0:20:22.760
<v Speaker 2>She's like, this is hush murder money and it's not. Yeah,

0:20:23.200 --> 0:20:25.520
<v Speaker 2>and Aria is an alibi to be honest, he was

0:20:25.520 --> 0:20:26.040
<v Speaker 2>at the hotel.

0:20:26.040 --> 0:20:26.879
<v Speaker 3>I forgot where he was.

0:20:26.960 --> 0:20:31.600
<v Speaker 1>But yeah, yeah, yeah, Like I can't believe it's even

0:20:31.640 --> 0:20:33.919
<v Speaker 1>like a mystery. Didn't they find all the other gays

0:20:33.960 --> 0:20:35.920
<v Speaker 1>that were trying to murder her, like in the boat?

0:20:36.080 --> 0:20:38.640
<v Speaker 2>Well, oh, you know what, it might be unsolved. We

0:20:38.800 --> 0:20:41.600
<v Speaker 2>just saw what happened. Yeah, yeah, yeah, you're right, like

0:20:41.760 --> 0:20:45.320
<v Speaker 2>it could be we yeah, the cops could have not solved.

0:20:45.440 --> 0:20:47.520
<v Speaker 1>But you're right in terms of like in terms of

0:20:47.560 --> 0:20:50.840
<v Speaker 1>the like moral conundrum of it. We know what happened.

0:20:50.840 --> 0:20:52.680
<v Speaker 1>So I don't know why I'm even mad at Belinda.

0:20:53.240 --> 0:20:55.240
<v Speaker 1>I was like, Belinda sold out for the money. It's like, no,

0:20:55.320 --> 0:20:56.840
<v Speaker 1>she didn't, she didn't.

0:20:57.440 --> 0:21:01.080
<v Speaker 2>It's also fine, what what she needs to be murdered

0:21:01.280 --> 0:21:02.080
<v Speaker 2>to have ethics?

0:21:02.359 --> 0:21:03.320
<v Speaker 3>Go fuck yourself.

0:21:03.720 --> 0:21:07.439
<v Speaker 1>But also I I don't like that they're trying to

0:21:07.480 --> 0:21:09.720
<v Speaker 1>make it seem like she's doing a poor chai, which

0:21:09.880 --> 0:21:11.560
<v Speaker 1>Tanya did to her it's like so different.

0:21:11.600 --> 0:21:14.560
<v Speaker 2>It's so annoying. I hate this. Yes, it's like such

0:21:14.560 --> 0:21:17.400
<v Speaker 2>a trick. It's so annoying, and maybe it's a tinger,

0:21:17.840 --> 0:21:20.080
<v Speaker 2>you know, it's like a thought, and I'm happy to

0:21:20.119 --> 0:21:21.919
<v Speaker 2>have a discussion. But it's not the same. And I'm

0:21:21.960 --> 0:21:26.720
<v Speaker 2>annoyed actually that people think it is. It's not the same.

0:21:26.840 --> 0:21:29.800
<v Speaker 2>She turned into Tanya. This guy fucked her then brought

0:21:29.840 --> 0:21:31.080
<v Speaker 2>up starting a business.

0:21:31.440 --> 0:21:34.119
<v Speaker 1>Yeah, one day they hoped up on and she didn't

0:21:34.160 --> 0:21:36.119
<v Speaker 1>seem like she was into the idea even when he

0:21:36.160 --> 0:21:39.040
<v Speaker 1>first brought it up. And I don't even think he

0:21:39.080 --> 0:21:41.080
<v Speaker 1>knows she has all this money, so it's not like

0:21:41.160 --> 0:21:43.520
<v Speaker 1>it's like the power balance. Even though the power balance

0:21:43.560 --> 0:21:45.560
<v Speaker 1>is that we know it's there, it's not there for him.

0:21:45.600 --> 0:21:46.280
<v Speaker 3>So it's different.

0:21:46.440 --> 0:21:46.520
<v Speaker 1>No.

0:21:46.600 --> 0:21:48.720
<v Speaker 2>I love what her son was like the spot and

0:21:48.720 --> 0:21:51.080
<v Speaker 2>she goes, can I just be rich for what a minute?

0:21:51.119 --> 0:21:53.000
<v Speaker 2>Five minutes? Yeah?

0:21:53.400 --> 0:21:56.280
<v Speaker 3>Like sother fucker. But I love Zion.

0:21:56.720 --> 0:21:59.520
<v Speaker 2>I also love the moment of if that therapist just

0:21:59.560 --> 0:22:02.520
<v Speaker 2>talking like why couldn't she see that Greg was in crisis?

0:22:03.080 --> 0:22:05.879
<v Speaker 2>That that Rick Rick? Yeah, why couldn't she see that

0:22:06.000 --> 0:22:07.600
<v Speaker 2>Rick was in crisis?

0:22:08.240 --> 0:22:08.600
<v Speaker 1>Yeah?

0:22:09.080 --> 0:22:10.639
<v Speaker 2>Like I don't know, would you be like, Zion, can

0:22:10.680 --> 0:22:13.280
<v Speaker 2>you just give me like ten this man? Yeah, it's crazed.

0:22:13.720 --> 0:22:17.639
<v Speaker 1>Yeah, and like yeah, right, exactly did you know that

0:22:17.720 --> 0:22:21.479
<v Speaker 1>there was a cut scene where Piper and Zion hook up.

0:22:21.720 --> 0:22:23.639
<v Speaker 3>Yeah, I'm pissed. Yeah, I want more, That's what I mean.

0:22:23.640 --> 0:22:25.520
<v Speaker 3>Why is an eight? Give me more? Yeah?

0:22:25.560 --> 0:22:28.240
<v Speaker 2>All the discussions, all the interviews are like, cause Carrie

0:22:28.280 --> 0:22:30.640
<v Speaker 2>Coon did an interview that like so much was cut,

0:22:30.680 --> 0:22:32.520
<v Speaker 2>that they had so much dialogue that was cut, and

0:22:32.640 --> 0:22:34.520
<v Speaker 2>like there's all this stuff, and so to.

0:22:34.480 --> 0:22:38.080
<v Speaker 3>Me, I'm like, who is HBO? Could we just give

0:22:38.160 --> 0:22:39.119
<v Speaker 3>us twelve episodes?

0:22:39.200 --> 0:22:39.400
<v Speaker 2>Why?

0:22:39.480 --> 0:22:41.560
<v Speaker 3>What's with the lippets? I don't get it. I don't you.

0:22:41.560 --> 0:22:44.399
<v Speaker 1>Guys were there for six months making this show, like

0:22:44.480 --> 0:22:47.040
<v Speaker 1>give us ten, you know, like we could do ten.

0:22:47.280 --> 0:22:49.320
<v Speaker 2>I just don't get why you have to cut it

0:22:49.400 --> 0:22:52.520
<v Speaker 2>like we're in, we are in, so like, yeah, I don't.

0:22:52.680 --> 0:22:55.320
<v Speaker 2>I also love the end that the like the Russian

0:22:55.440 --> 0:22:58.240
<v Speaker 2>dudes are right away with new women.

0:22:58.920 --> 0:23:01.159
<v Speaker 3>Yeah, and guess it's like that they just do this

0:23:01.240 --> 0:23:01.720
<v Speaker 3>all the time.

0:23:01.760 --> 0:23:05.560
<v Speaker 2>I really loved and I loved I don't like that

0:23:05.640 --> 0:23:08.080
<v Speaker 2>they soul from the thing, but I like that he

0:23:08.119 --> 0:23:09.120
<v Speaker 2>didn't want to tell on them.

0:23:09.760 --> 0:23:14.119
<v Speaker 1>Yeah, yeah, yeah, yeah, I didn't like I will say

0:23:15.400 --> 0:23:20.720
<v Speaker 1>I didn't really love how the three women's storyline ended up,

0:23:21.520 --> 0:23:24.600
<v Speaker 1>Like I didn't. I didn't think that Like I thought

0:23:24.600 --> 0:23:27.320
<v Speaker 1>that there was gonna be a more honest, like reckoning

0:23:27.480 --> 0:23:29.520
<v Speaker 1>in their friendship of like how they all feel about

0:23:29.520 --> 0:23:32.840
<v Speaker 1>each other, which the penultimate episode kind of attempted and

0:23:32.920 --> 0:23:33.800
<v Speaker 1>didn't really do.

0:23:34.600 --> 0:23:37.439
<v Speaker 3>And then the whole point though, is that they're just

0:23:37.440 --> 0:23:38.879
<v Speaker 3>gonna all keep faking it forever.

0:23:39.359 --> 0:23:42.399
<v Speaker 2>No, they had this, They're gonna have this great last night, drunk,

0:23:42.400 --> 0:23:44.680
<v Speaker 2>fun night, and they're gonna remember these good memories and

0:23:44.680 --> 0:23:46.000
<v Speaker 2>then they'll see each other next year.

0:23:46.119 --> 0:23:46.480
<v Speaker 3>I don't know.

0:23:47.640 --> 0:23:50.919
<v Speaker 1>I don't know Mary Coon I thought her speech.

0:23:51.000 --> 0:23:53.760
<v Speaker 3>I was confused by the speech. I was like, these.

0:23:53.600 --> 0:23:55.720
<v Speaker 1>Women make you sad when you're with them, you feel

0:23:55.760 --> 0:23:58.400
<v Speaker 1>sad about your life. I don't understand why that why

0:23:58.440 --> 0:24:01.240
<v Speaker 1>you're just happy to be at the table, Like I thought,

0:24:01.280 --> 0:24:04.240
<v Speaker 1>Carrie Coon's character was the most relatable character, was the

0:24:04.280 --> 0:24:08.960
<v Speaker 1>most interesting character, and of the three of them, and

0:24:09.240 --> 0:24:09.920
<v Speaker 1>she that was.

0:24:09.880 --> 0:24:11.480
<v Speaker 3>My big issue with Vulture this year.

0:24:11.640 --> 0:24:14.320
<v Speaker 2>All the recaps were like carry Kon's character is a

0:24:14.359 --> 0:24:16.960
<v Speaker 2>fucking loser. It was like crazy they're like ugh, and

0:24:17.160 --> 0:24:21.120
<v Speaker 2>she acted not and I'm like I always scroll through

0:24:21.119 --> 0:24:23.800
<v Speaker 2>those comments and the people were with me of like, yeah,

0:24:23.920 --> 0:24:28.040
<v Speaker 2>your take is actually really wrong, and Kate's like a mediac.

0:24:28.080 --> 0:24:31.480
<v Speaker 1>Yeah, like I liked what she was saying about. It's like, yeah,

0:24:31.520 --> 0:24:34.760
<v Speaker 1>like we're just gonna gloss over the fact that Jacqueline

0:24:34.840 --> 0:24:37.560
<v Speaker 1>absolutely did that on purpose to fucking spite you, Like

0:24:37.640 --> 0:24:40.320
<v Speaker 1>she absolutely did the Valentine thing on purpose, like she did.

0:24:40.840 --> 0:24:43.359
<v Speaker 3>Kate is a full religious.

0:24:42.880 --> 0:24:45.239
<v Speaker 1>Trumper now, and you're going to gonna gloss over that,

0:24:45.359 --> 0:24:47.360
<v Speaker 1>you know what I mean. And it's like that her

0:24:47.440 --> 0:24:51.359
<v Speaker 1>superpower is her vulnerability, and in her vulnerability, she's just

0:24:51.400 --> 0:24:53.639
<v Speaker 1>like I'm just like so happy to be able to

0:24:53.760 --> 0:24:56.320
<v Speaker 1>even hang out with you guys. It's like what I loved,

0:24:56.359 --> 0:24:58.399
<v Speaker 1>Like this the part I totally got, the part about

0:24:58.400 --> 0:25:01.080
<v Speaker 1>like what is my religion? And it's not my business,

0:25:01.200 --> 0:25:04.600
<v Speaker 1>it's not my daughter or child. Again, apparently there was

0:25:04.680 --> 0:25:06.399
<v Speaker 1>much more fleshed out about her life at home that

0:25:06.520 --> 0:25:09.800
<v Speaker 1>we don't know about. It wasn't marriage, so what is

0:25:09.880 --> 0:25:11.800
<v Speaker 1>my thing? And I'm like, I don't know. You seem

0:25:11.840 --> 0:25:14.200
<v Speaker 1>like the most vulnerable of all of them, the most

0:25:14.280 --> 0:25:17.000
<v Speaker 1>willing to try new things the most like honest of

0:25:17.040 --> 0:25:19.400
<v Speaker 1>all of them, you have a lot of great qualities.

0:25:19.440 --> 0:25:21.879
<v Speaker 1>I don't know why you're like, I'm glad you're pretty

0:25:21.960 --> 0:25:23.600
<v Speaker 1>and that you have a perfect life, and I'm just

0:25:23.640 --> 0:25:24.440
<v Speaker 1>glad I'm at the table.

0:25:24.480 --> 0:25:24.760
<v Speaker 3>I don't know.

0:25:24.800 --> 0:25:26.680
<v Speaker 1>I didn't like get the end of the and some

0:25:26.720 --> 0:25:28.760
<v Speaker 1>people are like loving that I don't relate to.

0:25:28.960 --> 0:25:31.120
<v Speaker 2>I liked the speech because she's such a good actress,

0:25:31.200 --> 0:25:34.800
<v Speaker 2>you know, like this girl was feeling it. And you know,

0:25:35.000 --> 0:25:39.240
<v Speaker 2>I haven't mentioned Daniel Bayer Jackson for a while friendship expert,

0:25:39.320 --> 0:25:43.160
<v Speaker 2>but her big thing is like you know, we we

0:25:43.200 --> 0:25:46.600
<v Speaker 2>really like idolize or like think highly of long term

0:25:46.640 --> 0:25:50.800
<v Speaker 2>friendships or relationships, but like time doesn't mean they're functional

0:25:50.880 --> 0:25:52.879
<v Speaker 2>or positive or non toxic, you know what I mean?

0:25:53.040 --> 0:25:53.680
<v Speaker 3>Like, right, you.

0:25:53.640 --> 0:25:55.800
<v Speaker 2>Could be friends from someone from high school or grade

0:25:55.800 --> 0:25:58.520
<v Speaker 2>school for forty years and never change same patterns do

0:25:58.560 --> 0:26:01.919
<v Speaker 2>all this fucked up shit? And I think that's what

0:26:02.040 --> 0:26:04.560
<v Speaker 2>this is showing, Like even when we were like married

0:26:04.600 --> 0:26:06.359
<v Speaker 2>fifty years and it's like, okay, but how long have

0:26:06.440 --> 0:26:08.119
<v Speaker 2>they lived in different wings of the house, Like what

0:26:08.160 --> 0:26:11.159
<v Speaker 2>are we actually celebrating here? And so I think this

0:26:11.359 --> 0:26:14.560
<v Speaker 2>was a more realistic showing and how people don't change

0:26:14.560 --> 0:26:18.040
<v Speaker 2>in like how to her time. Time is what she

0:26:18.200 --> 0:26:20.760
<v Speaker 2>has with these women and that's not nothing. And so

0:26:20.840 --> 0:26:23.120
<v Speaker 2>I got that where it's like it doesn't mean it's positive,

0:26:23.200 --> 0:26:25.960
<v Speaker 2>but I feel it's realistic. And I think, how many

0:26:26.680 --> 0:26:29.359
<v Speaker 2>women because I follow this Chelsea Fagan she started the

0:26:29.359 --> 0:26:31.400
<v Speaker 2>financial I used to read her articles on Thought Catalog

0:26:31.440 --> 0:26:32.959
<v Speaker 2>and she did a real and she was just like,

0:26:33.400 --> 0:26:35.280
<v Speaker 2>if you're relating to this and thinking.

0:26:35.040 --> 0:26:37.040
<v Speaker 3>Like, oh, reminds me of my friends, Like do not

0:26:37.080 --> 0:26:37.520
<v Speaker 3>be friends?

0:26:37.560 --> 0:26:41.080
<v Speaker 1>Like that is not right, that's not being Carrion was

0:26:41.080 --> 0:26:44.720
<v Speaker 1>gonna be like that your president saying like you should

0:26:44.760 --> 0:26:47.800
<v Speaker 1>not want your friends, like you shouldn' want to even

0:26:47.800 --> 0:26:49.440
<v Speaker 1>talk about your friends like that or to do those

0:26:49.480 --> 0:26:50.960
<v Speaker 1>things like it's all psychotic.

0:26:51.400 --> 0:26:53.520
<v Speaker 3>But I think it's I think it's real.

0:26:53.680 --> 0:26:56.240
<v Speaker 2>I also think he took inspiration from the Real Housewives

0:26:56.280 --> 0:26:58.600
<v Speaker 2>to create these women, and that is a real housewife

0:26:58.640 --> 0:27:03.160
<v Speaker 2>trope of FLI conflict, conflict, toxic, toxic. And then they

0:27:03.200 --> 0:27:05.359
<v Speaker 2>have one drunk night and they're topless in the pool

0:27:05.359 --> 0:27:07.840
<v Speaker 2>in Turks and caicos and their friends again and they

0:27:07.840 --> 0:27:09.080
<v Speaker 2>cry and hug at the reunion.

0:27:09.119 --> 0:27:10.360
<v Speaker 3>It's like very housewives.

0:27:10.720 --> 0:27:14.440
<v Speaker 2>I think it's really realistic, and I think I think

0:27:14.520 --> 0:27:17.080
<v Speaker 2>people were more into it, and even I was and

0:27:17.359 --> 0:27:19.800
<v Speaker 2>teared up because it's her performance.

0:27:20.800 --> 0:27:22.240
<v Speaker 3>I agree, she's a great actress.

0:27:22.320 --> 0:27:25.080
<v Speaker 1>I just thought, like the character like this woman, Like

0:27:26.080 --> 0:27:30.080
<v Speaker 1>I thought she was going to be like make a change.

0:27:30.119 --> 0:27:31.439
<v Speaker 1>Like I just thought she was going to be like

0:27:31.760 --> 0:27:34.240
<v Speaker 1>I love that, I love you guys, but like this

0:27:34.320 --> 0:27:36.640
<v Speaker 1>is my last trip with you, like or something like that,

0:27:36.720 --> 0:27:39.119
<v Speaker 1>Like I can't just keep being on these trips with

0:27:39.160 --> 0:27:42.399
<v Speaker 1>you where I feel like shit the entire time, you know,

0:27:42.600 --> 0:27:45.439
<v Speaker 1>Like I you know, I thought that that was going

0:27:45.520 --> 0:27:47.560
<v Speaker 1>to be her character led me to believe that there

0:27:47.600 --> 0:27:48.960
<v Speaker 1>was going to be a different outcome, and I guess

0:27:48.960 --> 0:27:52.800
<v Speaker 1>I was a little bit disappointed. Obviously all were killer

0:27:53.200 --> 0:27:55.360
<v Speaker 1>like Leslie bay Aboud, watch what happens?

0:27:55.520 --> 0:27:58.480
<v Speaker 2>She was saying. He and he asked, like do you

0:27:58.560 --> 0:28:01.840
<v Speaker 2>think these women? Do you think Kate likes these women?

0:28:02.480 --> 0:28:05.119
<v Speaker 2>And she goes, yeah, it's like all she has Like

0:28:05.280 --> 0:28:08.200
<v Speaker 2>to her, it's this real friendship, like she does love them,

0:28:08.280 --> 0:28:12.080
<v Speaker 2>you know, And I feel like that might be somebody

0:28:12.119 --> 0:28:14.479
<v Speaker 2>that's real. But like that trip wasn't fun. I am

0:28:14.480 --> 0:28:16.119
<v Speaker 2>glad she at least said she was sad during the

0:28:16.160 --> 0:28:19.400
<v Speaker 2>trip because the other two saying, well, how much fun

0:28:19.400 --> 0:28:21.520
<v Speaker 2>they had them like, their trip looks like the least

0:28:21.560 --> 0:28:24.359
<v Speaker 2>fun they had that one like like Leslie Bibb.

0:28:24.440 --> 0:28:26.719
<v Speaker 1>To me, seems like the kind of person her character,

0:28:26.920 --> 0:28:28.800
<v Speaker 1>not her. Kate seems like the kind of person that

0:28:28.880 --> 0:28:31.080
<v Speaker 1>is friends with Jacqueline cacause she's famous and is friends

0:28:31.080 --> 0:28:33.120
<v Speaker 1>with Carrie Kuon because it makes her feel better about

0:28:33.119 --> 0:28:35.800
<v Speaker 1>her life. Like, not that she loves them and that

0:28:35.840 --> 0:28:38.480
<v Speaker 1>loves spending time with them. They have completely different ideals

0:28:38.480 --> 0:28:42.080
<v Speaker 1>from her. They have completely different philosophies. She doesn't really

0:28:42.120 --> 0:28:44.120
<v Speaker 1>like going out and partying and doing like the fun

0:28:44.200 --> 0:28:45.880
<v Speaker 1>stuff that even when they were having fun, she was

0:28:45.880 --> 0:28:49.360
<v Speaker 1>barely having fun, you know, like I don't know that.

0:28:49.480 --> 0:28:51.400
<v Speaker 1>To me, she seems like, well, I gotta go on

0:28:51.440 --> 0:28:52.880
<v Speaker 1>this trip to like maintain.

0:28:52.560 --> 0:28:54.560
<v Speaker 3>Because I think she laughs depth.

0:28:55.240 --> 0:28:59.040
<v Speaker 2>Yeah, I don't think it's as calculated as you're making

0:28:59.080 --> 0:29:02.600
<v Speaker 2>it seem. I think she just lacks depth or like

0:29:02.640 --> 0:29:04.640
<v Speaker 2>she doesn't know herself. She doesn't go deep with herself,

0:29:04.680 --> 0:29:05.960
<v Speaker 2>so why would she go deep with others?

0:29:06.200 --> 0:29:06.560
<v Speaker 3>She doesn't.

0:29:06.560 --> 0:29:09.360
<v Speaker 1>Wait, I don't think that she's a surface. I don't

0:29:09.360 --> 0:29:10.960
<v Speaker 1>think she would say the things I'm saying. I think

0:29:10.960 --> 0:29:12.800
<v Speaker 1>those are the reasons, though, like I don't think she

0:29:12.800 --> 0:29:14.160
<v Speaker 1>would say it out loud and be like, well, I'm

0:29:14.160 --> 0:29:15.560
<v Speaker 1>friends with this girl because she's an actor. But I

0:29:15.640 --> 0:29:18.600
<v Speaker 1>think ultimately that is why she likes hanging out with

0:29:19.000 --> 0:29:20.760
<v Speaker 1>Carrie Koon and Jacqueline.

0:29:20.920 --> 0:29:21.120
<v Speaker 3>Yeah.

0:29:21.160 --> 0:29:23.440
<v Speaker 2>The other thing the internet said, I don't really care,

0:29:23.600 --> 0:29:26.440
<v Speaker 2>but what they wanted more of the interaction between Parker

0:29:26.480 --> 0:29:29.000
<v Speaker 2>Posey and like Leslie Bibb in that first episode or

0:29:29.040 --> 0:29:31.360
<v Speaker 2>second episode at the breakfast table.

0:29:31.720 --> 0:29:33.720
<v Speaker 1>So you've obviously been all over the internet, so maybe

0:29:33.720 --> 0:29:38.600
<v Speaker 1>you've heard this, but there's there's this theory that Parker

0:29:38.640 --> 0:29:41.560
<v Speaker 1>Posey knows the entire time, She knows about the money

0:29:41.640 --> 0:29:44.480
<v Speaker 1>and all that shit the entire time, and she's already

0:29:44.520 --> 0:29:47.160
<v Speaker 1>moved money to the Caymans because I guess she brings

0:29:47.240 --> 0:29:49.440
<v Speaker 1>up the Caymans a couple of times, and you know,

0:29:49.520 --> 0:29:51.480
<v Speaker 1>the Caymans is where people like launder their money because

0:29:51.480 --> 0:29:54.000
<v Speaker 1>you can't like get it, you can't can't get touched.

0:29:53.680 --> 0:29:54.360
<v Speaker 3>By the US.

0:29:55.120 --> 0:29:57.840
<v Speaker 1>And that one of the reasons why, Because to me,

0:29:57.960 --> 0:29:59.959
<v Speaker 1>Parker Posey is the kind of person that even if

0:30:00.040 --> 0:30:03.240
<v Speaker 1>she didn't remember Leslie Bibb's character. She would have gone, oh,

0:30:03.240 --> 0:30:06.320
<v Speaker 1>it's great to see you, you know, like she would

0:30:06.360 --> 0:30:08.600
<v Speaker 1>have still done a little high high high. I mean,

0:30:08.640 --> 0:30:10.640
<v Speaker 1>she's out here partying on boats with guys she thinks

0:30:10.680 --> 0:30:13.360
<v Speaker 1>are disgusting old men, married to two young women. She's

0:30:13.360 --> 0:30:17.160
<v Speaker 1>not exactly like too good for certain people in this

0:30:17.360 --> 0:30:19.560
<v Speaker 1>like on this trip, but she won't give Leslie bib

0:30:19.600 --> 0:30:21.200
<v Speaker 1>the time of day. And I think it's because she's like,

0:30:21.280 --> 0:30:22.800
<v Speaker 1>I don't want people to know, like.

0:30:22.760 --> 0:30:25.120
<v Speaker 3>Where we are. That's this a theory.

0:30:25.240 --> 0:30:28.040
<v Speaker 1>This is a theory that she doesn't like getting recognized

0:30:28.040 --> 0:30:29.600
<v Speaker 1>because she doesn't want anyone to clock where she is

0:30:29.640 --> 0:30:33.120
<v Speaker 1>because they've already moved money and she's you know, it's.

0:30:32.920 --> 0:30:34.680
<v Speaker 3>A good theory. Yeah, it's interesting.

0:30:35.000 --> 0:30:38.120
<v Speaker 2>I just wonder how if she could have hit it

0:30:38.240 --> 0:30:39.360
<v Speaker 2>like that for so long.

0:30:40.600 --> 0:30:44.800
<v Speaker 3>I mean, I mean people want bin off. She's sociopathic, Like, yeah.

0:30:44.720 --> 0:30:47.960
<v Speaker 1>The next thing needs to be she's like her, I

0:30:48.000 --> 0:30:51.360
<v Speaker 1>need her post the blow up of what happens. But

0:30:52.320 --> 0:30:57.880
<v Speaker 1>oh my gosh. Anyway, let's start right. Okay, We've got

0:30:57.880 --> 0:31:01.080
<v Speaker 1>a great episode for you guys today. As usual, you

0:31:01.120 --> 0:31:04.040
<v Speaker 1>can go to That's Messed Up Live for some of

0:31:04.080 --> 0:31:05.480
<v Speaker 1>our merch that's on sale.

0:31:05.600 --> 0:31:06.800
<v Speaker 3>Our coupon codes.

0:31:07.200 --> 0:31:10.320
<v Speaker 1>You can go to Lisa's website that takes her to

0:31:10.480 --> 0:31:13.600
<v Speaker 1>all of her tour dates and YadA YadA.

0:31:14.080 --> 0:31:14.800
<v Speaker 3>Let's get going.

0:31:18.840 --> 0:31:22.840
<v Speaker 2>Okay, we will be doing a brief interlude today which

0:31:22.920 --> 0:31:26.600
<v Speaker 2>kind of sounds like a song, but it's not. It's

0:31:26.600 --> 0:31:30.120
<v Speaker 2>a nightmare. Season fourteen, well it actually starts with some music.

0:31:30.120 --> 0:31:30.400
<v Speaker 3>Okay.

0:31:30.400 --> 0:31:35.160
<v Speaker 2>Season fourteen, episode twenty three, Michael Jordan. We're at a concert.

0:31:35.640 --> 0:31:40.000
<v Speaker 2>Violin violins and weird shaped guitars, so it's very google bardello,

0:31:40.200 --> 0:31:42.040
<v Speaker 2>fun funky folk vibes.

0:31:42.320 --> 0:31:45.000
<v Speaker 1>I was googling it to see if it was them, Like,

0:31:45.040 --> 0:31:46.840
<v Speaker 1>I was like, this has to be them, but it's not.

0:31:47.240 --> 0:31:50.200
<v Speaker 2>But I thought it was. Yeah, they have more funky.

0:31:51.520 --> 0:31:54.200
<v Speaker 2>There's like an old man there in the band, wildly

0:31:54.760 --> 0:31:59.480
<v Speaker 2>bellied dancers. In the bathroom, a woman's putting on lipstick

0:32:00.000 --> 0:32:02.200
<v Speaker 2>and then another woman is kissing her, gives her a

0:32:02.200 --> 0:32:04.280
<v Speaker 2>pill and she's like, oh my god, another one, but

0:32:04.360 --> 0:32:07.760
<v Speaker 2>she takes it. The concert is kicking up, but never mind,

0:32:07.800 --> 0:32:10.880
<v Speaker 2>it's actually intermission. He will be right back this like,

0:32:11.120 --> 0:32:14.600
<v Speaker 2>you know, this weird shape guitar guy and he tells

0:32:14.640 --> 0:32:17.760
<v Speaker 2>the DJ to keep the party going. The lead singer's

0:32:17.760 --> 0:32:20.840
<v Speaker 2>in a striped buttoned down, unbuttoned really giving the boy

0:32:20.880 --> 0:32:25.560
<v Speaker 2>in the stripe pajamas and a boiler rim hat, and

0:32:25.800 --> 0:32:28.600
<v Speaker 2>he's approaching this girl who knows him, you know. She's like, oh,

0:32:28.600 --> 0:32:33.320
<v Speaker 2>it's Santiago and and then he says like, oh, we're

0:32:33.320 --> 0:32:36.360
<v Speaker 2>always recording. She wants a copy of this concert. She's

0:32:36.440 --> 0:32:39.080
<v Speaker 2>kissing the singer on the dance floor. They're dancing. The

0:32:39.120 --> 0:32:41.520
<v Speaker 2>woman from the bathroom joins in and it's like a

0:32:41.560 --> 0:32:45.840
<v Speaker 2>sexy three way style dance, but she it's actually too

0:32:45.920 --> 0:32:48.880
<v Speaker 2>much and she wants to go so and she exits

0:32:48.880 --> 0:32:52.360
<v Speaker 2>the venue. She's shivering. It's nighttime, she's cold, but yeah,

0:32:52.400 --> 0:32:54.840
<v Speaker 2>so she left. They were kind of bummed and they're

0:32:54.840 --> 0:32:57.360
<v Speaker 2>a horny, but they didn't follow her. And then it

0:32:57.400 --> 0:33:01.800
<v Speaker 2>cuts to the daytime and there's a Lulu Lemon mom ass,

0:33:01.840 --> 0:33:04.560
<v Speaker 2>like a real close up of an ass. It's really wild,

0:33:05.520 --> 0:33:07.480
<v Speaker 2>and she has like a ponytail through the back cutout

0:33:07.520 --> 0:33:09.840
<v Speaker 2>of her baseball cap. She has a stroller and she's

0:33:09.840 --> 0:33:12.320
<v Speaker 2>looking for something. She hits up a bridge and she

0:33:12.400 --> 0:33:15.000
<v Speaker 2>sees two teen guys fiddling with a dead or pasted

0:33:15.000 --> 0:33:18.440
<v Speaker 2>out woman. But a woman not moving from the night before,

0:33:18.720 --> 0:33:21.520
<v Speaker 2>and you know, we assume it's the woman.

0:33:21.800 --> 0:33:22.560
<v Speaker 3>It's a little boat.

0:33:22.600 --> 0:33:27.440
<v Speaker 2>She's in a little rowboat, and the mom calls the cops.

0:33:27.760 --> 0:33:30.480
<v Speaker 2>Benson arrives in a blue trench and straight hair, and

0:33:30.520 --> 0:33:32.640
<v Speaker 2>Tomorrow is there with a tie and information.

0:33:33.560 --> 0:33:33.960
<v Speaker 3>The boat.

0:33:34.040 --> 0:33:37.360
<v Speaker 2>It's a white Jane Doe, torn clothing, non responsive but alive,

0:33:37.440 --> 0:33:40.440
<v Speaker 2>thank god. Blunt forces, trauma to the head, bite marks

0:33:40.440 --> 0:33:44.719
<v Speaker 2>on breasts disgusting, and then unfortunately we have bruised thighs,

0:33:44.720 --> 0:33:48.840
<v Speaker 2>scrapes on knees, no wallet, no phone, no jewelry, just

0:33:49.160 --> 0:33:51.360
<v Speaker 2>a rowboat outside Gracie mansion.

0:33:51.560 --> 0:33:53.920
<v Speaker 3>And we learned later that's like where the mayor lives.

0:33:54.280 --> 0:33:57.360
<v Speaker 2>So interesting when we got to find out who she

0:33:57.520 --> 0:33:58.920
<v Speaker 2>is and where she floated from.

0:33:59.000 --> 0:34:01.440
<v Speaker 3>So the credits begin. Craigan's on the case.

0:34:01.480 --> 0:34:04.640
<v Speaker 2>He's like, my ears are ringing, Gray c manson, we

0:34:04.720 --> 0:34:07.640
<v Speaker 2>need to move fast. We got to find these two

0:34:07.640 --> 0:34:10.440
<v Speaker 2>teens that were digging in her pockets. So we're going

0:34:10.600 --> 0:34:12.920
<v Speaker 2>we have to talk to the jogger mom. We have

0:34:13.000 --> 0:34:16.440
<v Speaker 2>a classic trench rollins bench and a scrunched up face

0:34:16.560 --> 0:34:19.480
<v Speaker 2>fin and then Mom is like, oh, those boys wouldn't

0:34:19.520 --> 0:34:22.200
<v Speaker 2>have attacked her. And Ronind's goes those boys you know them,

0:34:22.480 --> 0:34:24.480
<v Speaker 2>and she goes, well, no, but I see them. I

0:34:24.520 --> 0:34:26.600
<v Speaker 2>mean I sort of know them. Okay, bitch, it's like

0:34:26.640 --> 0:34:29.359
<v Speaker 2>you're covering for something. There's a dead woman kident out

0:34:29.400 --> 0:34:32.080
<v Speaker 2>really but like, let's go. She's like, well, my husband

0:34:32.080 --> 0:34:33.800
<v Speaker 2>will kill me, and Rollins says like, are you fucking

0:34:33.800 --> 0:34:36.200
<v Speaker 2>these teens? And she's like, no, no, no, no. I

0:34:36.239 --> 0:34:37.920
<v Speaker 2>was there to meet one of the boys, Jasper, to

0:34:37.960 --> 0:34:40.560
<v Speaker 2>buy pills. I just buy pills off the teen adderall.

0:34:41.520 --> 0:34:43.719
<v Speaker 2>She meets him before and after school, but now she

0:34:43.719 --> 0:34:45.520
<v Speaker 2>has to leave to go to baby yoga, and Finn

0:34:45.560 --> 0:34:48.080
<v Speaker 2>is like, you're not going to baby yoga, Okay, you're

0:34:48.080 --> 0:34:51.600
<v Speaker 2>staying right here. Omaro is back with Benson and Craigan

0:34:51.640 --> 0:34:53.680
<v Speaker 2>and he's like, you know, I mean dressed like that,

0:34:53.840 --> 0:34:56.960
<v Speaker 2>it could be a working girl, and Benson responds, you

0:34:56.960 --> 0:35:00.239
<v Speaker 2>should get out more. Everyone dresses like that. So yeah,

0:35:00.280 --> 0:35:02.560
<v Speaker 2>I like that. She put him in his place slutshaming.

0:35:02.920 --> 0:35:04.480
<v Speaker 2>But we got to go to the hospital for when

0:35:04.520 --> 0:35:07.040
<v Speaker 2>she wakes up, we see her tube in the neck.

0:35:07.160 --> 0:35:08.239
<v Speaker 3>It's a lot not good.

0:35:08.920 --> 0:35:11.000
<v Speaker 2>Her princes aren't in the system, and nobody with her

0:35:11.000 --> 0:35:13.680
<v Speaker 2>description has been reported missing in the last forty eight hours.

0:35:14.080 --> 0:35:14.960
<v Speaker 3>Warner arrives.

0:35:15.000 --> 0:35:17.600
<v Speaker 2>She says it's for sure a sexual assault, and Omar

0:35:17.680 --> 0:35:20.879
<v Speaker 2>I was like, wow, okay, Warner's working fast, and Benson's like, yeah,

0:35:20.920 --> 0:35:23.080
<v Speaker 2>there's a half naked woman. So she washed up in

0:35:23.120 --> 0:35:26.719
<v Speaker 2>the Mayor's mansion. Everyone's working a little bit fast. Melinda's

0:35:26.760 --> 0:35:28.759
<v Speaker 2>in a suit, which I don't know. I just need

0:35:28.760 --> 0:35:30.719
<v Speaker 2>her in a morg outfit. I really don't like her

0:35:30.719 --> 0:35:34.719
<v Speaker 2>outside the morgue. It makes me uncomfortable. And she had

0:35:34.760 --> 0:35:37.080
<v Speaker 2>a pop like a lip color. I wonder if she

0:35:37.120 --> 0:35:39.240
<v Speaker 2>came from court, you know what I mean. It seems

0:35:39.280 --> 0:35:42.400
<v Speaker 2>like she was doing something else and was brought to

0:35:42.440 --> 0:35:46.120
<v Speaker 2>immediately do this case. But no good news from her,

0:35:46.200 --> 0:35:49.040
<v Speaker 2>you know, coma. The pressure from the head wound is increasing.

0:35:49.440 --> 0:35:51.719
<v Speaker 2>She was hit with a wooden object. There were splinters

0:35:51.719 --> 0:35:54.560
<v Speaker 2>in her head. There's no sign of chronic drug use,

0:35:54.640 --> 0:35:57.160
<v Speaker 2>but she did have MDMA and liquor in her system,

0:35:57.320 --> 0:36:00.959
<v Speaker 2>so she could have been partying or drugged or something else.

0:36:01.040 --> 0:36:03.360
<v Speaker 2>We you know, we have to do some investigative work.

0:36:03.880 --> 0:36:07.480
<v Speaker 2>Melinda adds that she has stainless steel stitching for an

0:36:07.480 --> 0:36:10.520
<v Speaker 2>old hernia, and that's not common in the us, so

0:36:10.560 --> 0:36:13.880
<v Speaker 2>she has to be from somewhere else and Amaro's like

0:36:13.960 --> 0:36:16.879
<v Speaker 2>third world and she's like, no, she has a dentistry done,

0:36:17.000 --> 0:36:21.759
<v Speaker 2>so it's first world. So just specifics there, I don't know, okay,

0:36:21.800 --> 0:36:23.319
<v Speaker 2>And she goes in one more thing. She's at least

0:36:23.360 --> 0:36:25.560
<v Speaker 2>had two children, and so we got to find her

0:36:25.560 --> 0:36:27.840
<v Speaker 2>next of kids. She's like, you guys need to get moving.

0:36:28.760 --> 0:36:32.839
<v Speaker 2>It's a big center precinct meeting. They have nothing. It's

0:36:32.880 --> 0:36:35.600
<v Speaker 2>been eight hours and nothing, but it's about to be

0:36:35.719 --> 0:36:38.640
<v Speaker 2>three pm, which means school's letting out, So let's find

0:36:38.680 --> 0:36:42.360
<v Speaker 2>these pill teens. We have leggings mom with Finn watching

0:36:42.360 --> 0:36:45.160
<v Speaker 2>from afar and Rollins is posing as another mom and she,

0:36:45.280 --> 0:36:46.799
<v Speaker 2>you know, she finds a way to flirt with these

0:36:46.840 --> 0:36:48.640
<v Speaker 2>teens and is desperate for drugs.

0:36:49.320 --> 0:36:50.560
<v Speaker 3>This is so of the time.

0:36:50.640 --> 0:36:54.120
<v Speaker 1>I feel like Desperate Housewives did, like a whole storyline

0:36:54.160 --> 0:36:55.360
<v Speaker 1>about how.

0:36:57.200 --> 0:36:58.239
<v Speaker 3>What's her fucking name?

0:36:58.280 --> 0:37:02.400
<v Speaker 1>The actress who the city Huffman, Felicity Huffman's character like

0:37:02.560 --> 0:37:05.200
<v Speaker 1>is abusing her children's adderall and stuff like that.

0:37:05.280 --> 0:37:07.960
<v Speaker 3>This just feels very of this exact time period. So

0:37:08.000 --> 0:37:08.600
<v Speaker 3>I've never.

0:37:08.480 --> 0:37:11.000
<v Speaker 2>Watched the show, but for some reason, my YouTube shorts.

0:37:11.040 --> 0:37:15.480
<v Speaker 2>Algorithm is just clips from house Gray's Anatomy, other medical shows,

0:37:15.800 --> 0:37:21.080
<v Speaker 2>nine shows. I've never seen any actor from and Desperate

0:37:21.080 --> 0:37:26.400
<v Speaker 2>House Desperate Housewives, And my question is it's only mostly

0:37:26.440 --> 0:37:28.719
<v Speaker 2>Able Longoria. But it was her character just out of

0:37:28.719 --> 0:37:32.240
<v Speaker 2>her mind. She was just like shopping and crazy and just.

0:37:32.160 --> 0:37:37.200
<v Speaker 1>Like like a complete cartoon character person. Yeah, like cheating

0:37:37.200 --> 0:37:39.600
<v Speaker 1>on her husband from the minute it started, but then

0:37:39.719 --> 0:37:42.160
<v Speaker 1>like yeah, also spending his money crazy, Like yeah, she's

0:37:42.200 --> 0:37:44.920
<v Speaker 1>a full cartoon character person. But I think it's like

0:37:44.960 --> 0:37:47.279
<v Speaker 1>going off the algorithm that you like Housewives, so you

0:37:47.360 --> 0:37:49.560
<v Speaker 1>might like Desperate Like you know, you might like Dust,

0:37:49.840 --> 0:37:52.560
<v Speaker 1>Women who Kill or Why Women Kale shows up like

0:37:52.640 --> 0:37:54.839
<v Speaker 1>and then you watch SVU, so you might like nine

0:37:54.920 --> 0:37:57.480
<v Speaker 1>one one and all these other like procedurals. I guess

0:37:57.520 --> 0:38:00.640
<v Speaker 1>maybe speaking of medical dramas, everybody is telling me that

0:38:00.680 --> 0:38:06.640
<v Speaker 1>the Pit. Everybody loves the Pit. I gotta watch the Pit. Well,

0:38:06.680 --> 0:38:08.840
<v Speaker 1>you know, you are issuing the pit though for I

0:38:09.760 --> 0:38:13.960
<v Speaker 1>heard it's a different concept though, Like the concept of

0:38:14.000 --> 0:38:16.040
<v Speaker 1>the pit, which I didn't know is that it's it's

0:38:16.640 --> 0:38:19.319
<v Speaker 1>twenty four hours or twelve hours in an ear, but

0:38:19.400 --> 0:38:21.279
<v Speaker 1>like it's it's so it's like more like the show

0:38:21.320 --> 0:38:26.200
<v Speaker 1>twenty four but in an er you know, yeah you can't.

0:38:26.280 --> 0:38:29.000
<v Speaker 1>Yeah yeah, I mean it's like you because they have

0:38:29.040 --> 0:38:30.640
<v Speaker 1>Noah Wyley. Again, I don't know, I don't know what

0:38:30.680 --> 0:38:32.920
<v Speaker 1>the lawsuit's about, but I love how in this scene.

0:38:32.960 --> 0:38:35.360
<v Speaker 1>Also in this episode, like they just put Rollins in

0:38:35.400 --> 0:38:38.320
<v Speaker 1>the exact same outfit as the woman that was adderall shopping,

0:38:38.400 --> 0:38:40.120
<v Speaker 1>Like they just have her in like same, like she's

0:38:40.120 --> 0:38:41.200
<v Speaker 1>in like a Yankee hat.

0:38:41.520 --> 0:38:42.960
<v Speaker 3>But that's what it's like. I had.

0:38:43.000 --> 0:38:44.719
<v Speaker 2>I brought a friend to soul cycle and they were like,

0:38:44.760 --> 0:38:46.040
<v Speaker 2>oh my god, everyone looks the same.

0:38:46.080 --> 0:38:53.200
<v Speaker 3>I got yeah, yeah, yeah, it's in Lulru's but whatever.

0:38:53.320 --> 0:38:57.680
<v Speaker 2>Rollin's arrests Jasper immediately. The other one tries to run

0:38:57.800 --> 0:38:59.840
<v Speaker 2>and Finn runs right into him and where it's me

0:39:00.080 --> 0:39:03.360
<v Speaker 2>room bars. Quickly, Finn and Rollins are with gray Hoodie,

0:39:03.400 --> 0:39:07.000
<v Speaker 2>which is non Jasper, and he's like, no, it's not drugs,

0:39:07.000 --> 0:39:09.719
<v Speaker 2>it's prescription, and they're like, babe, it's a controlled substance.

0:39:10.640 --> 0:39:13.480
<v Speaker 2>Like we're not blaming semantics here, we're in cement room bars.

0:39:13.520 --> 0:39:14.280
<v Speaker 3>This is serious.

0:39:14.560 --> 0:39:18.160
<v Speaker 2>He blames Jasper for everything we cut tomorrow and Benson

0:39:18.200 --> 0:39:21.080
<v Speaker 2>with him and he puts this all on Todd and

0:39:21.280 --> 0:39:23.839
<v Speaker 2>you know, and then he goes old money. So this guy,

0:39:23.840 --> 0:39:26.640
<v Speaker 2>I guess is old money. And Benson's like, oh, so

0:39:26.680 --> 0:39:28.840
<v Speaker 2>you just do whatever the rich boy says. And he

0:39:28.920 --> 0:39:31.040
<v Speaker 2>told you to rape the woman and he's no, no, no,

0:39:31.040 --> 0:39:33.879
<v Speaker 2>no no. We saw him floating. Todd wanted to check

0:39:33.920 --> 0:39:36.200
<v Speaker 2>her pockets, so I don't know, there must be making

0:39:36.239 --> 0:39:39.879
<v Speaker 2>a comment about old money and picking for pockets, like

0:39:40.280 --> 0:39:42.400
<v Speaker 2>you're rich, what are you doing? You're old money? Like

0:39:42.480 --> 0:39:44.200
<v Speaker 2>why are you checking a body?

0:39:44.800 --> 0:39:45.360
<v Speaker 3>Yeah?

0:39:45.400 --> 0:39:47.719
<v Speaker 2>So we cut Yeah, why would you go to a

0:39:47.719 --> 0:39:50.040
<v Speaker 2>boy I just can't even imagine. I can't understand this

0:39:50.120 --> 0:39:53.160
<v Speaker 2>at all, rich or not rich? Why are you diddling

0:39:53.160 --> 0:39:56.200
<v Speaker 2>with a dead person brant or breathing slowly?

0:39:58.360 --> 0:39:58.800
<v Speaker 3>So whatever?

0:39:58.840 --> 0:40:01.600
<v Speaker 2>We cut to the white boy rich and he's like,

0:40:01.680 --> 0:40:04.840
<v Speaker 2>do I look like a drug dealer? Because Jasper's black,

0:40:04.960 --> 0:40:07.400
<v Speaker 2>So he's doing that now. So he's a terrible friend

0:40:07.440 --> 0:40:09.560
<v Speaker 2>on top of all of this. And fing goes, no,

0:40:09.680 --> 0:40:11.960
<v Speaker 2>but you do look like a fucking rapist, and he

0:40:12.000 --> 0:40:14.160
<v Speaker 2>gets nervous and he's like, whatever, I just wanted to

0:40:14.200 --> 0:40:16.680
<v Speaker 2>go through her pocket, so I'm a good guy. And

0:40:16.719 --> 0:40:19.239
<v Speaker 2>he took lipstick and loose change and he was gonna

0:40:19.239 --> 0:40:21.520
<v Speaker 2>give it to his mother, Like, what the fuck is

0:40:21.560 --> 0:40:24.719
<v Speaker 2>going on with this guy? Whatever, But they did find

0:40:24.760 --> 0:40:27.240
<v Speaker 2>a key card for a hotel. Okay, we got somewhere,

0:40:27.280 --> 0:40:29.440
<v Speaker 2>so we're going to the Times Square Motor Lodge.

0:40:29.640 --> 0:40:30.279
<v Speaker 3>We go to the room.

0:40:30.320 --> 0:40:33.000
<v Speaker 2>The hotel manager is nervous and annoying and asking questions.

0:40:33.000 --> 0:40:35.400
<v Speaker 2>This actor did a great job, but like he's just

0:40:35.480 --> 0:40:39.000
<v Speaker 2>concerned about the wrong things and he's annoying the shit

0:40:39.040 --> 0:40:41.440
<v Speaker 2>out of Benson, and they're like, go get the security

0:40:41.440 --> 0:40:43.880
<v Speaker 2>footage and phone logs, you dumb bitch. And they go

0:40:43.920 --> 0:40:46.400
<v Speaker 2>into the room. Amaro and Benson enter. They're like, this

0:40:46.440 --> 0:40:48.880
<v Speaker 2>place is a mess. This must have been ransacked. But

0:40:48.920 --> 0:40:50.320
<v Speaker 2>I'm like, this is how I live my life in

0:40:50.400 --> 0:40:53.680
<v Speaker 2>hotels too. I was like, this looks totally normal, honestly.

0:40:54.000 --> 0:40:57.560
<v Speaker 2>But then I do see that the lamp is knocked over,

0:40:57.719 --> 0:41:00.960
<v Speaker 2>so that does give a ransack clue. They put their

0:41:00.960 --> 0:41:03.640
<v Speaker 2>gloves on, they're ready to work. She's been shopping, they're

0:41:03.680 --> 0:41:07.080
<v Speaker 2>sexy clothing. There was all this cash left, but not

0:41:07.160 --> 0:41:10.560
<v Speaker 2>a robbery. Canadian passport is in the hotel safe. Her

0:41:10.600 --> 0:41:13.000
<v Speaker 2>name is Ariel Randolph and she came to the country

0:41:13.040 --> 0:41:15.640
<v Speaker 2>four days ago. There is a tablet power cord and

0:41:15.680 --> 0:41:18.239
<v Speaker 2>an iPhone charger, but no phone and no calls from

0:41:18.239 --> 0:41:21.560
<v Speaker 2>the landline. So they're at an office computer going through

0:41:21.560 --> 0:41:24.920
<v Speaker 2>her online activity and Benson's annoyed at this hotel manager

0:41:25.000 --> 0:41:27.359
<v Speaker 2>trying to meddle and she screams it here, get out

0:41:27.360 --> 0:41:30.799
<v Speaker 2>of here now. Little guy in the suit runs out

0:41:31.000 --> 0:41:32.600
<v Speaker 2>and they're in the eye class whatever.

0:41:32.640 --> 0:41:33.600
<v Speaker 3>They're doing fake stuff.

0:41:33.600 --> 0:41:37.040
<v Speaker 2>They're saying MP three's this is definitely a season fourteen.

0:41:37.600 --> 0:41:40.520
<v Speaker 2>But they're going through her photos and Facebook. There's music

0:41:40.560 --> 0:41:44.320
<v Speaker 2>tagged places. They also find the security frontage and someone

0:41:44.400 --> 0:41:47.440
<v Speaker 2>five hours after she was found was in there, but

0:41:47.480 --> 0:41:50.279
<v Speaker 2>he's dressed for surveillance cameras, so he's fully hidden and

0:41:50.320 --> 0:41:52.680
<v Speaker 2>he knew how to hide. But she did do video

0:41:52.840 --> 0:41:56.200
<v Speaker 2>chats twice a day to the same numbers, so they

0:41:56.239 --> 0:41:59.600
<v Speaker 2>call the number and uh oh, like a Sun answers

0:41:59.600 --> 0:42:02.440
<v Speaker 2>and he's like, where's my mom And she introduces herself

0:42:02.440 --> 0:42:04.680
<v Speaker 2>and then another smaller boy pops on the screen and

0:42:04.680 --> 0:42:07.480
<v Speaker 2>Amaro and Benson are sad this is happening. So it's

0:42:07.520 --> 0:42:10.960
<v Speaker 2>Ariel Randolph, thirty two from Edmonton. I have performed in

0:42:11.000 --> 0:42:14.200
<v Speaker 2>them all there a few times she's a music blogger

0:42:14.239 --> 0:42:19.440
<v Speaker 2>and podcast host. Okay, and the husband is Matt Randolph,

0:42:19.520 --> 0:42:24.600
<v Speaker 2>fifty five, local celebrity in Western Canada, so kind of

0:42:24.640 --> 0:42:28.919
<v Speaker 2>a thrill. He's the host of a TV show called

0:42:28.960 --> 0:42:32.400
<v Speaker 2>Canadian Days and Nights. They have two sons, Wayne and Grant,

0:42:32.440 --> 0:42:34.960
<v Speaker 2>ten and twelve, and she's a married mother of two.

0:42:35.400 --> 0:42:38.040
<v Speaker 2>What was she doing alone in the city, Craigan asks,

0:42:38.080 --> 0:42:40.120
<v Speaker 2>like so backwards, like a woman can't take a trip,

0:42:40.560 --> 0:42:44.240
<v Speaker 2>and Finn says, I guess, I guess it wasn't socially

0:42:44.280 --> 0:42:47.040
<v Speaker 2>acceptable in twenty fourteen to take a trip. Finn says

0:42:47.080 --> 0:42:49.440
<v Speaker 2>she was here to do podcasts. It was the Karen

0:42:49.480 --> 0:42:52.560
<v Speaker 2>Avasi whatever, I don't give a fuck World Music Festival.

0:42:53.000 --> 0:42:55.239
<v Speaker 2>She has dozens of MP threes of different bands that

0:42:55.239 --> 0:42:58.799
<v Speaker 2>were all at the fest, and they heard from her

0:42:58.840 --> 0:43:02.000
<v Speaker 2>the morning before she went missing. She was gonna pack

0:43:02.040 --> 0:43:05.080
<v Speaker 2>and edit her podcast, but instead she decided to go out.

0:43:05.440 --> 0:43:08.080
<v Speaker 2>Her husband seemed out of the dark about her party

0:43:08.120 --> 0:43:10.880
<v Speaker 2>life and is confused because she's like a pta person

0:43:10.880 --> 0:43:14.439
<v Speaker 2>and loves crafts. Finn goes, well, she's into something more

0:43:14.480 --> 0:43:20.200
<v Speaker 2>than fiddles and accordions. Amara's like the hotel manager said,

0:43:20.239 --> 0:43:24.040
<v Speaker 2>she got two keys, Like, that's a clue. That's like

0:43:24.080 --> 0:43:26.080
<v Speaker 2>when they find why classes, I'm like, I always get

0:43:26.080 --> 0:43:28.000
<v Speaker 2>too because if I lose one or I leave what, like,

0:43:28.000 --> 0:43:30.920
<v Speaker 2>what are we talking about? Rollins is looking through the

0:43:30.960 --> 0:43:34.240
<v Speaker 2>phone records and multiple calls to several different phone numbers,

0:43:34.280 --> 0:43:37.480
<v Speaker 2>So we're gonna track the numbers. Kragan's like, her family

0:43:37.560 --> 0:43:39.840
<v Speaker 2>arrives in six hours, and I want to have answers

0:43:39.840 --> 0:43:41.920
<v Speaker 2>for them. So we go to the home of Phil

0:43:42.480 --> 0:43:45.400
<v Speaker 2>d'sapio in Brooklyn. He's holding a box and you know,

0:43:45.760 --> 0:43:48.600
<v Speaker 2>she called this man multiple times and he's editing her

0:43:48.600 --> 0:43:52.040
<v Speaker 2>podcast and he's like shocked at what happened. He has

0:43:52.080 --> 0:43:56.080
<v Speaker 2>a girlfriend, everything was professional. He's like, I don't think

0:43:56.120 --> 0:43:58.880
<v Speaker 2>she like came to town to hook up with a sound engineer.

0:43:59.280 --> 0:44:03.799
<v Speaker 1>And he can't, Casey, I thought of you, And he

0:44:03.840 --> 0:44:06.560
<v Speaker 1>can't really like pinpoint where exactly he was he or

0:44:06.600 --> 0:44:09.040
<v Speaker 1>where anyone was He's like, there's a couple dozen shows

0:44:09.040 --> 0:44:10.200
<v Speaker 1>in the city, back to back.

0:44:10.239 --> 0:44:14.279
<v Speaker 2>It's a whole worldwide festival. It could be anybody. He says,

0:44:14.320 --> 0:44:16.360
<v Speaker 2>I don't mean to seem rude, but she seemed like

0:44:16.360 --> 0:44:19.000
<v Speaker 2>a groupie in search of a group. So now we're

0:44:19.040 --> 0:44:21.440
<v Speaker 2>suddenly at PS twenty seven in a school talking to

0:44:21.480 --> 0:44:24.399
<v Speaker 2>a principal guy and he's like, yeah, another parent gave

0:44:24.440 --> 0:44:26.280
<v Speaker 2>him the number to me. She had a lot of questions.

0:44:26.280 --> 0:44:27.959
<v Speaker 2>She was thinking about moving here and putting her sons

0:44:28.000 --> 0:44:30.400
<v Speaker 2>at the school. Finn and Rollins dropped that she is

0:44:30.400 --> 0:44:32.000
<v Speaker 2>in a Koma now and the guy puts it all

0:44:32.040 --> 0:44:34.120
<v Speaker 2>together with the Gracie mansion case he saw on the

0:44:34.200 --> 0:44:36.200
<v Speaker 2>news and he is shocked it's her as well.

0:44:36.719 --> 0:44:38.840
<v Speaker 3>He's like that, we've met. She seemed sweet.

0:44:39.200 --> 0:44:41.720
<v Speaker 2>He knows nothing else except that she worked for music

0:44:41.760 --> 0:44:43.719
<v Speaker 2>and didn't even tell him why she was thinking of

0:44:43.719 --> 0:44:47.239
<v Speaker 2>a movie. She she just but she did only talk

0:44:47.280 --> 0:44:50.960
<v Speaker 2>about her sons, not her husband, not once. So Amorrow

0:44:51.040 --> 0:44:53.200
<v Speaker 2>meets with Benson in the morgue like fuck, we are

0:44:53.520 --> 0:44:56.759
<v Speaker 2>zero and five. No one knew what she was up to,

0:44:56.840 --> 0:44:59.480
<v Speaker 2>and Melinda walks in with some science. So the DNA

0:44:59.600 --> 0:45:01.799
<v Speaker 2>match does it match the teens, which duh, we didn't

0:45:01.800 --> 0:45:04.640
<v Speaker 2>think they like bit her breasts and there's no semen

0:45:05.040 --> 0:45:07.439
<v Speaker 2>but saliva and then the bite marks for one male,

0:45:07.880 --> 0:45:10.560
<v Speaker 2>then more saliva from another male on her neck, and

0:45:10.600 --> 0:45:13.560
<v Speaker 2>then DNA under her fingernails from a third male. So

0:45:13.640 --> 0:45:17.279
<v Speaker 2>this night is getting worse and worse. Three assailants or

0:45:17.520 --> 0:45:19.799
<v Speaker 2>is some of it party saliva. You know she did

0:45:19.800 --> 0:45:23.280
<v Speaker 2>come to New York City to party party saliva.

0:45:23.600 --> 0:45:24.560
<v Speaker 3>Hugely possible.

0:45:24.800 --> 0:45:27.840
<v Speaker 2>Yeah, so you know, from the outfits to the plans,

0:45:28.120 --> 0:45:29.759
<v Speaker 2>she wants to you know, have a good time.

0:45:29.800 --> 0:45:30.319
<v Speaker 3>But Ring Ring.

0:45:30.360 --> 0:45:31.920
<v Speaker 2>The family's on the way to the hospital. They have

0:45:31.960 --> 0:45:34.480
<v Speaker 2>to go talk to the husband. So Benson and Tomorrow

0:45:34.520 --> 0:45:37.440
<v Speaker 2>meet the family in the hallway. The boys are sweet,

0:45:37.560 --> 0:45:41.040
<v Speaker 2>and the dad we actually know it's actor Richard Thomas

0:45:41.080 --> 0:45:45.120
<v Speaker 2>who was in the episode Scorge Scourge. Yeah, he had

0:45:45.160 --> 0:45:50.200
<v Speaker 2>syphilis brain raw and been working since the Waltons and so,

0:45:50.600 --> 0:45:53.160
<v Speaker 2>and now he's here. The boys go to see their

0:45:53.200 --> 0:45:57.239
<v Speaker 2>mother and Benson holds the husband back and explains, like,

0:45:57.480 --> 0:46:00.440
<v Speaker 2>just heads up, she's very badly her but they want

0:46:00.440 --> 0:46:01.839
<v Speaker 2>to go. Everyone wants to go. So they go into

0:46:01.880 --> 0:46:04.480
<v Speaker 2>the room and everyone is shocked because you know, it's

0:46:04.600 --> 0:46:07.320
<v Speaker 2>it's tough and it's an emotional moment for the family,

0:46:07.440 --> 0:46:09.239
<v Speaker 2>and they try talking to her.

0:46:09.239 --> 0:46:10.600
<v Speaker 3>The little boy as a bowl cut.

0:46:11.000 --> 0:46:13.880
<v Speaker 2>Benson feels for everybody, and now we're in the cafeteria

0:46:13.960 --> 0:46:17.000
<v Speaker 2>has been in Tomorrow. It's a dire situation. The brain

0:46:17.040 --> 0:46:20.320
<v Speaker 2>pressure the rape. It's all a lot, and Amaro's like, well,

0:46:20.520 --> 0:46:21.759
<v Speaker 2>you know, does she know anyone here?

0:46:21.880 --> 0:46:22.719
<v Speaker 3>Was she in contact?

0:46:22.719 --> 0:46:25.800
<v Speaker 2>And He's like you don't you think it's someone she knows,

0:46:25.840 --> 0:46:28.880
<v Speaker 2>like to me, not a stranger, Like I can't imagine that.

0:46:28.920 --> 0:46:30.480
<v Speaker 2>And Amaro's like, well, did you know what she was

0:46:30.520 --> 0:46:33.120
<v Speaker 2>doing here? Any details? He's like, no, she was just

0:46:33.160 --> 0:46:35.680
<v Speaker 2>gonna go to concerts. And every time we video conference,

0:46:35.719 --> 0:46:38.640
<v Speaker 2>we mostly talked about the boys. Omaros asks if they

0:46:38.640 --> 0:46:40.799
<v Speaker 2>were on good terms and he hesitates, but then he

0:46:40.840 --> 0:46:44.400
<v Speaker 2>does answer yes, and he's like, well, this is what

0:46:44.440 --> 0:46:46.480
<v Speaker 2>she called an adventure. She wanted to go on an

0:46:46.480 --> 0:46:49.680
<v Speaker 2>adventure and it's her first adventure. And then tomorrow like

0:46:49.800 --> 0:46:52.400
<v Speaker 2>such a patriarchy. Bro as like and you were okay

0:46:52.440 --> 0:46:54.680
<v Speaker 2>with that? And he's like no, to be honest, I

0:46:54.680 --> 0:46:56.799
<v Speaker 2>wasn't thrilled. But the boys are older and Ariel gave

0:46:56.880 --> 0:46:58.840
<v Speaker 2>up a lot on her dreams to start a family,

0:46:59.200 --> 0:47:01.880
<v Speaker 2>so this was important to her in her career. Benson

0:47:01.880 --> 0:47:04.200
<v Speaker 2>and Rollins are the stuffed animals in the gift shop

0:47:04.200 --> 0:47:06.600
<v Speaker 2>with the boys, and Rollins talks to the little boy

0:47:06.640 --> 0:47:09.080
<v Speaker 2>and Benson is grilling the older boy. JK is just

0:47:09.120 --> 0:47:11.239
<v Speaker 2>like talking about the trip, and the boy said she

0:47:11.400 --> 0:47:13.920
<v Speaker 2>wanted them to see the world, and that he that

0:47:14.040 --> 0:47:16.320
<v Speaker 2>she had mentioned moving to New York and wanted to

0:47:16.320 --> 0:47:17.560
<v Speaker 2>give him a life that was more fun than the

0:47:17.600 --> 0:47:19.760
<v Speaker 2>one she had and to meet different types of people.

0:47:20.560 --> 0:47:23.480
<v Speaker 2>And then he picks up like a New York post

0:47:23.560 --> 0:47:24.640
<v Speaker 2>what do they call it, the ledger of the New

0:47:24.719 --> 0:47:27.400
<v Speaker 2>York Ledger Ledger, Yeah, and the headline is about his

0:47:27.520 --> 0:47:30.919
<v Speaker 2>mom and it says coma vic partied hard devastating.

0:47:31.000 --> 0:47:32.120
<v Speaker 3>He's like, is this true?

0:47:32.480 --> 0:47:34.640
<v Speaker 2>And Benson's like, they're just trying to sell papers, like

0:47:34.680 --> 0:47:36.799
<v Speaker 2>you know who your mom is, don't let anyone fuck

0:47:36.840 --> 0:47:38.960
<v Speaker 2>with you. And oh my god, who do we see

0:47:38.960 --> 0:47:42.600
<v Speaker 2>at the hospital gift shop? The sound engineer, So you

0:47:42.640 --> 0:47:44.719
<v Speaker 2>know he's startled by seeing the detectives.

0:47:45.200 --> 0:47:47.640
<v Speaker 1>Can I just say the sound engineer's name is Phil

0:47:47.719 --> 0:47:50.440
<v Speaker 1>Disapio And did that sound familiar to you at all?

0:47:51.080 --> 0:47:55.160
<v Speaker 1>Because Kim Rollin's lawyer is named Lorenzo D'sapio.

0:47:55.480 --> 0:47:56.959
<v Speaker 3>Oh my god, And.

0:47:56.880 --> 0:47:58.879
<v Speaker 1>I looked it up and it's the same last name,

0:47:58.960 --> 0:48:03.080
<v Speaker 1>just there's an extra he and Lorenzo D'sapio, And I'm like,

0:48:03.120 --> 0:48:05.440
<v Speaker 1>why are you using the name D'sapio? Twice in the

0:48:05.480 --> 0:48:10.000
<v Speaker 1>same season, like is there something, is there some dysapio,

0:48:10.520 --> 0:48:12.880
<v Speaker 1>Like you gotta get that name in Like it's just

0:48:12.880 --> 0:48:15.320
<v Speaker 1>because they say the guy's name a bunch of times,

0:48:15.360 --> 0:48:18.640
<v Speaker 1>like Rollins keeps, I mean live keeps being like phill

0:48:18.719 --> 0:48:22.040
<v Speaker 1>Dasapio and it's like I because I always remember it

0:48:22.040 --> 0:48:25.000
<v Speaker 1>because Kim was always like, well, mister D'sapio says I

0:48:25.040 --> 0:48:28.000
<v Speaker 1>could do this, you know, like she's always she starts

0:48:28.000 --> 0:48:30.640
<v Speaker 1>fucking dating him, you know, she's like a little Casey Anthony.

0:48:31.040 --> 0:48:35.040
<v Speaker 2>Yeah, damn, I did not catch that. That's really funny.

0:48:35.160 --> 0:48:37.000
<v Speaker 2>It's just a wild last name, like it's not like

0:48:37.000 --> 0:48:37.480
<v Speaker 2>it's Smith.

0:48:37.520 --> 0:48:37.840
<v Speaker 3>Anyway.

0:48:37.840 --> 0:48:39.560
<v Speaker 2>I wonder if it was like an inside joke in

0:48:39.600 --> 0:48:41.880
<v Speaker 2>the writer's room, like a shout out to some baby

0:48:41.880 --> 0:48:45.760
<v Speaker 2>being born or something like I wonder or some twins

0:48:46.280 --> 0:48:47.520
<v Speaker 2>because that I didn't realize.

0:48:47.600 --> 0:48:48.200
<v Speaker 3>Same season.

0:48:48.280 --> 0:48:51.920
<v Speaker 2>Yeah, but anyways, the sound engineer wanted to see Ariel.

0:48:52.000 --> 0:48:56.680
<v Speaker 2>He has flowers, nobody likes him, no one likes his energy.

0:48:56.840 --> 0:49:00.720
<v Speaker 2>Rollins goes family only and so the hands off the flowers.

0:49:00.760 --> 0:49:03.799
<v Speaker 2>He's not gonna fight this, and he leaves Amorrow's with

0:49:03.840 --> 0:49:05.680
<v Speaker 2>the dad who's like, she does not dress like this

0:49:05.760 --> 0:49:08.439
<v Speaker 2>in Canada, you know, like she got these clothes here

0:49:08.760 --> 0:49:10.759
<v Speaker 2>and the husband saying I'm down with all this. And

0:49:10.760 --> 0:49:12.719
<v Speaker 2>finally Amorro's like, well, we saw the emails and we

0:49:12.800 --> 0:49:15.279
<v Speaker 2>knew you were upset. So and he goes, I know,

0:49:15.320 --> 0:49:17.239
<v Speaker 2>I just didn't want to sound like a jealous old man.

0:49:17.280 --> 0:49:19.360
<v Speaker 2>And Amorro's like, no, I get it. I'm a jealous

0:49:19.360 --> 0:49:20.960
<v Speaker 2>guy too, and he goes, and I'm an old man,

0:49:21.040 --> 0:49:23.880
<v Speaker 2>so it all makes sense. But yeah, when you marry

0:49:23.880 --> 0:49:25.960
<v Speaker 2>someone older, that is what they don't tell you. That's

0:49:25.960 --> 0:49:28.439
<v Speaker 2>what they don't tell you. You will have to take

0:49:28.440 --> 0:49:31.640
<v Speaker 2>care of an old person. And you're not old. You

0:49:31.680 --> 0:49:33.640
<v Speaker 2>want to keep going out and they don't have energy.

0:49:33.880 --> 0:49:35.319
<v Speaker 2>So yeah, and.

0:49:35.239 --> 0:49:37.600
<v Speaker 1>She's thirty two, like she has like a one of

0:49:37.600 --> 0:49:40.120
<v Speaker 1>those kids is like ten, I think, so like she

0:49:40.239 --> 0:49:42.399
<v Speaker 1>started early, Like this guy got her young way.

0:49:42.440 --> 0:49:45.080
<v Speaker 3>He's like famous, but a celebrity in Edmonton. You know,

0:49:45.080 --> 0:49:45.759
<v Speaker 3>what are you gonna do?

0:49:46.560 --> 0:49:49.920
<v Speaker 1>Blinded by the glitz and glamour of Western Canada.

0:49:50.600 --> 0:49:53.560
<v Speaker 2>Yeah, Like I saw a TikTok that some people it's

0:49:53.560 --> 0:49:56.399
<v Speaker 2>like called a hospice wife. Like once dudes hit fifty something,

0:49:56.440 --> 0:49:58.200
<v Speaker 2>they're like, oh, I need to go find someone to take.

0:49:58.040 --> 0:50:01.760
<v Speaker 3>Care of me. Oh yeah, dangerous. Don't do it. Don't

0:50:01.760 --> 0:50:02.120
<v Speaker 3>do it.

0:50:02.480 --> 0:50:06.839
<v Speaker 1>That's like the last episode of White Loveists where she's like,

0:50:06.920 --> 0:50:10.120
<v Speaker 1>I can get you a different man. Why are you

0:50:10.200 --> 0:50:14.360
<v Speaker 1>with him? I know, I mean perker Posy is so

0:50:14.520 --> 0:50:17.200
<v Speaker 1>good and funny. I like right now people that questioned

0:50:17.200 --> 0:50:20.279
<v Speaker 1>her accent, like people in North Carolina are giving postits

0:50:20.320 --> 0:50:23.040
<v Speaker 1>of the sayings to people they know, and they sound

0:50:23.120 --> 0:50:24.680
<v Speaker 1>exactly like they gnaw me.

0:50:25.200 --> 0:50:27.239
<v Speaker 3>Yeah, like they do sound wild down there.

0:50:28.040 --> 0:50:30.319
<v Speaker 2>I also liked her like we need Jesus to help

0:50:30.360 --> 0:50:33.719
<v Speaker 2>her from Buddhism, and it's like, in the name of

0:50:33.840 --> 0:50:37.680
<v Speaker 2>Jesus has done worse things for our planet and humanity

0:50:37.840 --> 0:50:42.600
<v Speaker 2>than I don't. I haven't heard of one Buddhist bad time. Yeah,

0:50:42.719 --> 0:50:46.320
<v Speaker 2>I really are Buddhists out there starting wars.

0:50:46.400 --> 0:50:48.759
<v Speaker 1>Note for more Land, they're not. They're not because it's

0:50:48.800 --> 0:50:51.160
<v Speaker 1>no violence. It's not don't commit violence in the name

0:50:51.200 --> 0:50:53.080
<v Speaker 1>of Buddha. You're not supposed to commit violence in the

0:50:53.120 --> 0:50:54.920
<v Speaker 1>name of Jesus either, but no one listens to that.

0:50:55.520 --> 0:50:58.359
<v Speaker 3>You know, Okay, we're back. She married an old man.

0:50:58.640 --> 0:51:01.080
<v Speaker 2>He's like, you know, she should have friends her own

0:51:01.120 --> 0:51:03.080
<v Speaker 2>age and he's like, Okay, do you know any of them?

0:51:03.480 --> 0:51:05.680
<v Speaker 2>And he starts going through photos and he does recognize

0:51:05.680 --> 0:51:08.080
<v Speaker 2>one of the musicians in the photos. He's like, yeah, yeah, yeah,

0:51:08.080 --> 0:51:11.480
<v Speaker 2>he came to Edmonton last year. She went to the concert.

0:51:11.600 --> 0:51:15.640
<v Speaker 2>We go to Santiago morales Is Loft. It's very artsy.

0:51:15.719 --> 0:51:18.640
<v Speaker 2>We're in Queen's Rollin's and Finn are on the case.

0:51:18.719 --> 0:51:21.120
<v Speaker 2>Knock knock, shirtless guy opens the door. He doesn't want

0:51:21.120 --> 0:51:23.799
<v Speaker 2>to let them in, and Finn is just like, we

0:51:23.880 --> 0:51:25.319
<v Speaker 2>don't care that it smells like weed.

0:51:25.400 --> 0:51:28.120
<v Speaker 3>Let us in. So they're in red walls.

0:51:28.640 --> 0:51:31.480
<v Speaker 2>There's drums and he's like, yeah, she interviewed me for

0:51:31.560 --> 0:51:33.680
<v Speaker 2>something and then came to one of my shows.

0:51:33.840 --> 0:51:35.759
<v Speaker 3>That's it. And there's another knock on the door.

0:51:36.160 --> 0:51:38.960
<v Speaker 2>Finn opens it and it's the woman from the concert

0:51:39.200 --> 0:51:42.720
<v Speaker 2>that from the start of the episode. Then Rollins removes

0:51:42.719 --> 0:51:46.440
<v Speaker 2>the wig and it's actually mister Landry from PS. Twenty seven,

0:51:46.640 --> 0:51:49.560
<v Speaker 2>so wow. And then Finn goes small world.

0:51:50.320 --> 0:51:53.480
<v Speaker 1>This is like a wild reveal because like, yeah, I

0:51:53.520 --> 0:51:56.839
<v Speaker 1>saw the woman in the beginning, like dancing, I saw

0:51:56.880 --> 0:51:58.359
<v Speaker 1>them walk in and go are you ready to go?

0:51:58.440 --> 0:52:00.440
<v Speaker 1>I didn't even I didn't clock that it was the

0:52:00.480 --> 0:52:02.920
<v Speaker 1>guy from PS twenty seven. I mean, I didn't meet

0:52:02.960 --> 0:52:06.080
<v Speaker 1>him in real life, Rollins did, but she like just

0:52:06.239 --> 0:52:09.600
<v Speaker 1>grabs that that wig snatch is wild.

0:52:10.160 --> 0:52:13.120
<v Speaker 2>Yeah, it's like a really good twist. And he's like,

0:52:13.160 --> 0:52:15.400
<v Speaker 2>it's not what you think and Finn's like, yeah, I

0:52:15.480 --> 0:52:15.840
<v Speaker 2>got that.

0:52:17.560 --> 0:52:18.719
<v Speaker 3>I couldn't have thought this up.

0:52:20.160 --> 0:52:22.879
<v Speaker 2>So there's a stare off, there's tense music, and we're

0:52:22.880 --> 0:52:28.160
<v Speaker 2>at corkboard time. So Santiago has Ariel's iPad in the

0:52:28.200 --> 0:52:31.319
<v Speaker 2>loft with the photos from that night and he's like, well,

0:52:31.360 --> 0:52:33.640
<v Speaker 2>she loaned it to me, which no one believes, and

0:52:33.719 --> 0:52:36.439
<v Speaker 2>that makes absolutely no sense. And Craigan's trying to push

0:52:36.520 --> 0:52:39.240
<v Speaker 2>this crime on the father and Omar was like, Craigan,

0:52:39.280 --> 0:52:41.320
<v Speaker 2>you need to sit down and take a break because

0:52:41.360 --> 0:52:43.640
<v Speaker 2>he was in Canada the whole time and he's holding.

0:52:43.360 --> 0:52:46.200
<v Speaker 3>On by a thread. Okay, So who is this Charles

0:52:46.280 --> 0:52:47.719
<v Speaker 3>Landry guy? You know what I mean?

0:52:48.200 --> 0:52:50.680
<v Speaker 2>They say he's married straight, but like s the party

0:52:50.719 --> 0:52:52.920
<v Speaker 2>in women's clothes and the DNA is a match to

0:52:52.960 --> 0:52:55.080
<v Speaker 2>the saliva found on the neck, which we know because

0:52:55.120 --> 0:52:58.000
<v Speaker 2>we saw them, you know, him kissing the neck earlier

0:52:58.080 --> 0:53:01.160
<v Speaker 2>in the show. We saw them getting close okay. So

0:53:01.400 --> 0:53:04.920
<v Speaker 2>Finn and Tomorrow are with the musician guy and he's like, listen,

0:53:04.920 --> 0:53:06.799
<v Speaker 2>I went to get the iPad because once I saw

0:53:06.800 --> 0:53:08.680
<v Speaker 2>the story on the news, I couldn't let these photos

0:53:08.680 --> 0:53:12.160
<v Speaker 2>get out for Charlie's sake. They are cousins. He has

0:53:12.200 --> 0:53:15.040
<v Speaker 2>a wife and a daughter and okay, so cousins that

0:53:15.120 --> 0:53:16.920
<v Speaker 2>do what. And he's like, listen, we've been doing this

0:53:16.960 --> 0:53:20.920
<v Speaker 2>since we were kids. And they're like okay. So he

0:53:21.000 --> 0:53:24.279
<v Speaker 2>had a concert that night in Astoria and then they

0:53:24.680 --> 0:53:26.680
<v Speaker 2>they show the crime photos. He's like, I had nothing

0:53:26.719 --> 0:53:28.480
<v Speaker 2>to do with that. She left before we did, and

0:53:28.480 --> 0:53:30.520
<v Speaker 2>Omar I was like, well, she was having so much fun,

0:53:30.520 --> 0:53:33.520
<v Speaker 2>why did she leave? And he's like, yeah, she panicks.

0:53:33.600 --> 0:53:35.520
<v Speaker 2>You know, she found out about Charlie. But we didn't

0:53:35.520 --> 0:53:37.040
<v Speaker 2>see her find out about Charlie.

0:53:37.360 --> 0:53:40.319
<v Speaker 1>Yeah, it seemed like she was just like Okay, I think,

0:53:40.440 --> 0:53:43.080
<v Speaker 1>like hooking up with two people on her dance floors

0:53:43.080 --> 0:53:44.000
<v Speaker 1>maybe too much for me.

0:53:44.040 --> 0:53:45.760
<v Speaker 3>And I'm like a mom of two and I'm married,

0:53:45.760 --> 0:53:46.359
<v Speaker 3>and she just.

0:53:46.360 --> 0:53:49.160
<v Speaker 2>Like left, you know, yeah, we need proof she left

0:53:49.160 --> 0:53:51.840
<v Speaker 2>without you. And he's like, oh, well, we got another girl.

0:53:52.080 --> 0:53:54.600
<v Speaker 2>And so they found another girl quick. Her name's Gabriella.

0:53:55.520 --> 0:53:57.520
<v Speaker 2>Then they say that they went back to her place,

0:53:57.600 --> 0:53:59.560
<v Speaker 2>and he's like, if my school or wife find out

0:53:59.560 --> 0:54:01.280
<v Speaker 2>about the Yeah, they're doing like the back and forth

0:54:01.320 --> 0:54:03.560
<v Speaker 2>between musician guy and you know Charlie.

0:54:03.640 --> 0:54:06.919
<v Speaker 1>So they're going back to two cousins just meet women

0:54:06.920 --> 0:54:08.000
<v Speaker 1>and hook up with them together.

0:54:08.120 --> 0:54:10.680
<v Speaker 3>Interesting while one of them's in women's closed.

0:54:10.760 --> 0:54:14.439
<v Speaker 2>Yeah, yeah, it is weird, and I like the they're

0:54:14.480 --> 0:54:17.480
<v Speaker 2>really like brushing over the cousins of it all, like yeah,

0:54:17.520 --> 0:54:20.200
<v Speaker 2>as it being more normal than it is. But Charlie's like,

0:54:20.239 --> 0:54:22.040
<v Speaker 2>if my school or wife find out my life is

0:54:22.080 --> 0:54:24.880
<v Speaker 2>over and rollins and Benson like, okay, well, then be

0:54:25.000 --> 0:54:26.759
<v Speaker 2>honest with us. He's like, okay, well we all met

0:54:26.760 --> 0:54:29.439
<v Speaker 2>at the FOD lounge and he also has the same

0:54:29.480 --> 0:54:32.160
<v Speaker 2>iPad story of like we needed those photos.

0:54:33.000 --> 0:54:34.600
<v Speaker 3>He is shocked about the brain bashing.

0:54:35.040 --> 0:54:37.719
<v Speaker 2>He swear, he swears he didn't do this, and he's like,

0:54:38.000 --> 0:54:39.839
<v Speaker 2>maybe we pushed her too much and out of her

0:54:39.840 --> 0:54:42.560
<v Speaker 2>comfort zone and I apologize and that sets Benson off

0:54:42.600 --> 0:54:45.239
<v Speaker 2>and she goes apologize for what and he's like, when

0:54:45.280 --> 0:54:47.239
<v Speaker 2>she realized I wasn't who I said I was, and

0:54:47.320 --> 0:54:50.440
<v Speaker 2>you know, she felt betrayed, and they let her go,

0:54:50.800 --> 0:54:52.879
<v Speaker 2>and he's like, well, I can't run in heels, because

0:54:52.880 --> 0:54:54.439
<v Speaker 2>they're like, why would you let her just run off

0:54:54.480 --> 0:54:56.640
<v Speaker 2>like that and distress and he's he can't, you know,

0:54:56.640 --> 0:55:00.640
<v Speaker 2>he's not that good in heels. So another team and

0:55:00.719 --> 0:55:02.840
<v Speaker 2>these guys are telling the truth. They have footage of

0:55:02.880 --> 0:55:05.719
<v Speaker 2>her leaving alone that night, right after midnight in Astoria.

0:55:06.200 --> 0:55:09.279
<v Speaker 2>So we need science to help figure out like how

0:55:09.320 --> 0:55:11.799
<v Speaker 2>she was washed ashore, and Finn has a science friend

0:55:11.880 --> 0:55:12.640
<v Speaker 2>just standing there.

0:55:13.880 --> 0:55:17.120
<v Speaker 1>I don't know, very lucky, his rope guy. He's referenced

0:55:17.120 --> 0:55:20.480
<v Speaker 1>this man before. Oh, his rope guy, which is so funny.

0:55:20.800 --> 0:55:23.560
<v Speaker 1>And CSU calls him the renaissance man. So he has

0:55:23.600 --> 0:55:27.120
<v Speaker 1>a lot of different little skills and trades. And he

0:55:27.160 --> 0:55:30.600
<v Speaker 1>starts talking tides and I stop listening, you know, water paths.

0:55:30.640 --> 0:55:31.560
<v Speaker 3>I don't know what to tell you.

0:55:32.040 --> 0:55:34.919
<v Speaker 2>But we get to where she was probably dropped off

0:55:34.960 --> 0:55:38.319
<v Speaker 2>into the boat, and they searched surveillance video around there,

0:55:38.719 --> 0:55:41.319
<v Speaker 2>and there's a car following behind her and oh, I

0:55:41.360 --> 0:55:43.920
<v Speaker 2>think we know that truck. We just saw that fucking

0:55:44.000 --> 0:55:47.120
<v Speaker 2>truck and a drum roll, it's the sound engineer. So

0:55:47.239 --> 0:55:49.160
<v Speaker 2>they're like, you fucking lie to us, and you better

0:55:49.200 --> 0:55:52.359
<v Speaker 2>start talking. We're in cement room bars duh with Finn

0:55:52.360 --> 0:55:55.239
<v Speaker 2>and Rollins and he's like, I thought it would look

0:55:55.280 --> 0:55:57.359
<v Speaker 2>bad and it's like, yeah, picking her up at night

0:55:57.680 --> 0:56:00.120
<v Speaker 2>the night she was assaulted, for sure looks bad. If

0:56:00.160 --> 0:56:02.160
<v Speaker 2>it was just a ride, why wouldn't you just tell

0:56:02.200 --> 0:56:05.160
<v Speaker 2>us the truth? He blames his jealous girlfriend and they're like, well,

0:56:05.160 --> 0:56:06.120
<v Speaker 2>why did you go to the hospital.

0:56:06.160 --> 0:56:07.239
<v Speaker 3>He's like, I wanted to see if she.

0:56:07.160 --> 0:56:10.000
<v Speaker 2>Was okay, and they're like what to finish the job

0:56:10.080 --> 0:56:12.359
<v Speaker 2>and he's like, I did not hurt her. So they

0:56:12.360 --> 0:56:14.920
<v Speaker 2>bring up that they have DNA evidence from scratch marks,

0:56:14.920 --> 0:56:17.239
<v Speaker 2>and you could see he gets squirmy, and so then

0:56:17.280 --> 0:56:19.680
<v Speaker 2>they pull up his sleeves and there's scratch marks there

0:56:19.719 --> 0:56:22.359
<v Speaker 2>and they go, oh, so she fucking scratched you. He goes,

0:56:22.400 --> 0:56:25.040
<v Speaker 2>it's a misunderstanding. I was helping her. I mean, this

0:56:25.080 --> 0:56:28.160
<v Speaker 2>motherfucker's guilty. And he says, well, I just took her

0:56:28.160 --> 0:56:31.080
<v Speaker 2>out to a diner t e. And they're like, oh,

0:56:31.120 --> 0:56:34.040
<v Speaker 2>the location right by the rowboats, bro, And he's like, no,

0:56:34.080 --> 0:56:36.120
<v Speaker 2>I promise we just ate and he's like then, why

0:56:36.160 --> 0:56:39.480
<v Speaker 2>did she scratch you? And he sighs. He says, all

0:56:39.520 --> 0:56:41.840
<v Speaker 2>I did was try to kiss her. Then she wanted,

0:56:41.920 --> 0:56:44.240
<v Speaker 2>I mean, why is your girlfriend jealous?

0:56:44.280 --> 0:56:46.560
<v Speaker 1>I wonder why you're a jealous girlfriend, because you're randomly

0:56:46.640 --> 0:56:47.400
<v Speaker 1>kissing girls.

0:56:47.760 --> 0:56:49.200
<v Speaker 2>Then she wanted to go to the river, and he

0:56:49.280 --> 0:56:51.279
<v Speaker 2>tried to stop her, and she pushed him away and

0:56:51.360 --> 0:56:53.120
<v Speaker 2>scratched him and then went into the park.

0:56:53.480 --> 0:56:55.440
<v Speaker 3>He goes, listen, there's going to be no saliva.

0:56:55.760 --> 0:56:57.439
<v Speaker 1>She said, no, I just didn't want to go into

0:56:57.440 --> 0:56:59.400
<v Speaker 1>the park at night, and she ran off without me.

0:56:59.840 --> 0:57:02.600
<v Speaker 2>I didn't do anything bad. And now he's invoking his rights.

0:57:02.600 --> 0:57:05.000
<v Speaker 2>He wants a lawyer, and that obviously makes you look

0:57:05.040 --> 0:57:07.520
<v Speaker 2>even worse. So they leave the room. But it is

0:57:07.520 --> 0:57:09.160
<v Speaker 2>something we should all be doing. So they have a

0:57:09.160 --> 0:57:11.040
<v Speaker 2>full team meeting and they're trying to figure out if

0:57:11.080 --> 0:57:13.600
<v Speaker 2>he did it or not. And you know, him lying

0:57:13.680 --> 0:57:15.319
<v Speaker 2>is a big red flag, but we need some more

0:57:15.320 --> 0:57:18.680
<v Speaker 2>evidence or witnesses. So they asked the husband about this man,

0:57:18.760 --> 0:57:20.760
<v Speaker 2>and all he knows from the wife is that he's

0:57:20.800 --> 0:57:23.160
<v Speaker 2>a good engineer. And they're still trying to piece it

0:57:23.200 --> 0:57:25.600
<v Speaker 2>all together. The boys are sleeping on the chairs and

0:57:25.680 --> 0:57:28.320
<v Speaker 2>like you know, while they chat in the hallway, and

0:57:28.360 --> 0:57:31.520
<v Speaker 2>he really can't handle much more. This husband's had a

0:57:31.600 --> 0:57:33.680
<v Speaker 2>tough day and he just wants to meet with his sons.

0:57:34.160 --> 0:57:37.720
<v Speaker 2>So we're in the hospital bed. They're just like, why

0:57:37.720 --> 0:57:38.680
<v Speaker 2>won't she wake up?

0:57:38.800 --> 0:57:39.200
<v Speaker 3>Damn?

0:57:39.680 --> 0:57:41.840
<v Speaker 2>And then he goes the tabloids have been so mean

0:57:41.880 --> 0:57:45.080
<v Speaker 2>and crazy about her. It's a mess. And now we

0:57:45.160 --> 0:57:47.680
<v Speaker 2>have security footage from the diner and they sat there

0:57:47.720 --> 0:57:50.680
<v Speaker 2>for over an hour meal, talking whatever, and then as

0:57:50.680 --> 0:57:53.120
<v Speaker 2>they exit the diner, there's fuck a long haired man

0:57:53.240 --> 0:57:56.600
<v Speaker 2>standing by the diner who looks like he is homeless,

0:57:57.120 --> 0:58:00.560
<v Speaker 2>and maybe it's him, but she hands him food, and

0:58:00.600 --> 0:58:02.520
<v Speaker 2>then we also see the truck, but we don't have

0:58:02.520 --> 0:58:04.840
<v Speaker 2>footage that we're getting back into the truck or him

0:58:04.880 --> 0:58:05.520
<v Speaker 2>at the rowboat.

0:58:05.640 --> 0:58:07.120
<v Speaker 3>So what are we going to do next?

0:58:07.360 --> 0:58:09.840
<v Speaker 2>So suddenly we go talk to this sex worker with

0:58:09.880 --> 0:58:12.200
<v Speaker 2>one fake leg and she's from the Steve episode of

0:58:12.240 --> 0:58:14.880
<v Speaker 2>Sex and the City if you remember her. She has

0:58:14.920 --> 0:58:17.640
<v Speaker 2>red hair and a limp, and they're asking her for

0:58:17.760 --> 0:58:20.040
<v Speaker 2>help and they're like, do you know this guy? And

0:58:20.080 --> 0:58:23.280
<v Speaker 2>she does and they're canvassing the park and there's a

0:58:23.280 --> 0:58:25.800
<v Speaker 2>different man who lives in the park and he has

0:58:25.840 --> 0:58:27.960
<v Speaker 2>this one of her scarves and.

0:58:27.920 --> 0:58:29.280
<v Speaker 3>They're like, how you have this?

0:58:29.440 --> 0:58:31.480
<v Speaker 2>And he goes, oh, this he helds for a different

0:58:31.520 --> 0:58:35.000
<v Speaker 2>park resident, and he's like, this guy gave it to me.

0:58:35.120 --> 0:58:38.440
<v Speaker 2>And then the homeless man from the diner turns around,

0:58:38.760 --> 0:58:42.840
<v Speaker 2>sees you know, the cops are there, throws a garbage

0:58:42.840 --> 0:58:46.040
<v Speaker 2>bag at them and starts running. They don't have a

0:58:46.040 --> 0:58:48.640
<v Speaker 2>hard time catching him. He's not moving fast and they're like,

0:58:48.680 --> 0:58:50.920
<v Speaker 2>where did you get this scarf? He goes, I didn't

0:58:50.920 --> 0:58:54.040
<v Speaker 2>do nothing. He has hippie beads. He's a big guy, beard,

0:58:54.120 --> 0:58:55.960
<v Speaker 2>long hair. He lives in the park because he has

0:58:56.040 --> 0:58:58.480
<v Speaker 2>nowhere else to go, and now he's in custody and

0:58:58.560 --> 0:59:01.160
<v Speaker 2>Benson goes, yeah, because he's a level three sex offender.

0:59:01.800 --> 0:59:04.240
<v Speaker 2>So Phil's story checks out. The homeless man matches the

0:59:04.320 --> 0:59:07.160
<v Speaker 2>dental records and the DNA match. There's evidence all over

0:59:07.200 --> 0:59:09.720
<v Speaker 2>his clothing. He also had her phone, purse and an

0:59:09.760 --> 0:59:13.280
<v Speaker 2>ore with her blood in his tent. So now they

0:59:13.280 --> 0:59:15.120
<v Speaker 2>have to tell the family that it was just I

0:59:15.160 --> 0:59:17.880
<v Speaker 2>don't know if I mean, but the husband is really upset,

0:59:17.880 --> 0:59:20.960
<v Speaker 2>but even more upset all these crazy party headlines when

0:59:20.960 --> 0:59:23.480
<v Speaker 2>it was just her being kind to the wrong stranger.

0:59:24.320 --> 0:59:27.000
<v Speaker 2>And he said she always told the boys they were

0:59:27.000 --> 0:59:29.520
<v Speaker 2>blessed and we should always take care of those who

0:59:29.560 --> 0:59:33.200
<v Speaker 2>don't have what we do. The boys run and screaming, Dad, Dad, Dad,

0:59:33.200 --> 0:59:36.120
<v Speaker 2>and they all run into the hospital room and I

0:59:36.280 --> 0:59:38.080
<v Speaker 2>was like, so hopeful she was going to wake up,

0:59:38.120 --> 0:59:39.800
<v Speaker 2>but sadly she is dead. I know.

0:59:39.920 --> 0:59:41.800
<v Speaker 1>I thought it was like she was gonna blink awake,

0:59:41.880 --> 0:59:43.640
<v Speaker 1>and that's not the story.

0:59:44.040 --> 0:59:46.560
<v Speaker 2>Yeah, So the husband thinks that she held on until

0:59:46.600 --> 0:59:48.760
<v Speaker 2>they caught the right man, and they're having a really

0:59:48.760 --> 0:59:51.960
<v Speaker 2>hard time as a family. But on her phone they

0:59:52.000 --> 0:59:54.240
<v Speaker 2>find video messages to her family.

0:59:54.760 --> 0:59:57.040
<v Speaker 3>So it's her walking by the water. It's a late

0:59:57.200 --> 0:59:58.919
<v Speaker 3>night and it's just a video chat.

0:59:58.960 --> 1:00:00.440
<v Speaker 2>She goes, I know it's late, I'll at two in

1:00:00.480 --> 1:00:03.360
<v Speaker 2>the morning, but everything's fresh in my brain. I just

1:00:03.400 --> 1:00:05.200
<v Speaker 2>wanted to thank you for trusting me to take this

1:00:05.280 --> 1:00:07.280
<v Speaker 2>trip on my own. She's like, you're such a good

1:00:07.320 --> 1:00:10.640
<v Speaker 2>man and good father and I was always love you,

1:00:10.680 --> 1:00:13.040
<v Speaker 2>and he smiles. He has tears in his eyes. So

1:00:13.080 --> 1:00:15.280
<v Speaker 2>there's a section for the boys, so Wayne and Grant

1:00:15.320 --> 1:00:18.400
<v Speaker 2>come in and she says, boys, I'm coming home tomorrow night.

1:00:18.680 --> 1:00:20.520
<v Speaker 2>I've had a great time, but I can't wait to

1:00:20.560 --> 1:00:22.240
<v Speaker 2>see you. And I realize being your mom is the

1:00:22.240 --> 1:00:24.720
<v Speaker 2>greatest adventure I want to have and I miss you

1:00:24.800 --> 1:00:26.240
<v Speaker 2>so much and I love you and I can't wait

1:00:26.280 --> 1:00:29.040
<v Speaker 2>to see you again. And listen to your dad good night,

1:00:29.120 --> 1:00:31.000
<v Speaker 2>sleep tight, and I'll see you in my dreams. And

1:00:31.120 --> 1:00:35.400
<v Speaker 2>the family sits at the video and Tomorrow and Benson

1:00:35.440 --> 1:00:37.440
<v Speaker 2>are crying behind them, and then that's stick.

1:00:37.480 --> 1:00:41.000
<v Speaker 3>Well baby, I got tears. I teared up at this

1:00:41.200 --> 1:00:41.920
<v Speaker 3>end message.

1:00:41.960 --> 1:00:46.320
<v Speaker 5>It was so sad, so sad, such a sad up

1:00:46.680 --> 1:00:49.360
<v Speaker 5>And guess what the sadness is going to keep on

1:00:49.640 --> 1:00:53.320
<v Speaker 5>coming because this is very much based on a real

1:00:53.400 --> 1:00:54.840
<v Speaker 5>thing that happened.

1:00:54.640 --> 1:00:57.000
<v Speaker 3>Our podcast Sadness guaranteed.

1:01:04.400 --> 1:01:08.520
<v Speaker 1>This episode is based pretty closely on this case that

1:01:08.600 --> 1:01:12.560
<v Speaker 1>happened in twenty thirteen, like five months before this episode

1:01:12.640 --> 1:01:13.200
<v Speaker 1>came out.

1:01:13.760 --> 1:01:15.800
<v Speaker 3>Some news reports are calling her Sarai.

1:01:15.840 --> 1:01:19.200
<v Speaker 1>But if I think in if it's she has a

1:01:19.280 --> 1:01:20.880
<v Speaker 1>Latin background, then it's Sarai.

1:01:21.000 --> 1:01:22.160
<v Speaker 3>So I think she's Sarai.

1:01:22.280 --> 1:01:25.000
<v Speaker 1>Sierra, who was a thirty three year old mother of

1:01:25.040 --> 1:01:29.560
<v Speaker 1>two sons from Staten Island who was visiting Turkey. She

1:01:29.640 --> 1:01:31.160
<v Speaker 1>was in other parts of Europe as well, but she

1:01:31.200 --> 1:01:33.800
<v Speaker 1>was in Turkey and January of twenty thirteen by herself.

1:01:34.400 --> 1:01:37.960
<v Speaker 1>This was her first trip ever abroad, and she was

1:01:38.000 --> 1:01:40.360
<v Speaker 1>doing it to practice photography, which had become a hobby

1:01:40.360 --> 1:01:42.360
<v Speaker 1>of her. She'd also gone back to school and was

1:01:42.400 --> 1:01:45.640
<v Speaker 1>like in between, she scheduled this in between semesters. So

1:01:46.320 --> 1:01:48.120
<v Speaker 1>this is like a girl that's like, you know, out

1:01:48.120 --> 1:01:50.960
<v Speaker 1>there trying to live her dreams. Since it was her

1:01:51.040 --> 1:01:54.040
<v Speaker 1>first time out of the US. She kept in touch

1:01:54.040 --> 1:01:56.880
<v Speaker 1>with her family back home through text, video chat, always

1:01:56.960 --> 1:02:00.280
<v Speaker 1>updating them about her plans. And then she was walking

1:02:00.360 --> 1:02:03.520
<v Speaker 1>near the old city walls in Istanbul on January twenty

1:02:03.520 --> 1:02:08.320
<v Speaker 1>first when she vanished, Like the last security footage they

1:02:08.360 --> 1:02:10.120
<v Speaker 1>had of her was her like at a food court

1:02:10.240 --> 1:02:12.680
<v Speaker 1>at a mall. And then she was supposed to return

1:02:12.720 --> 1:02:14.560
<v Speaker 1>home to the US the next day, and she had

1:02:14.560 --> 1:02:18.760
<v Speaker 1>sent her family texts and photos beforehand, and had sent

1:02:18.800 --> 1:02:20.920
<v Speaker 1>her you know, I think her sister a text being

1:02:20.960 --> 1:02:23.320
<v Speaker 1>like coming home tomorrow, smiley face, like she was excited

1:02:23.360 --> 1:02:27.080
<v Speaker 1>to come home with her family. Missing persons cases in Turkey,

1:02:27.160 --> 1:02:30.000
<v Speaker 1>I guess are pretty rare, So her case was given

1:02:30.040 --> 1:02:31.640
<v Speaker 1>a lot of attention and was gaining a lot of

1:02:31.680 --> 1:02:34.640
<v Speaker 1>media attention as well, especially because she's like an American

1:02:34.680 --> 1:02:38.560
<v Speaker 1>tourist by herself, and of course much like in this episode,

1:02:38.560 --> 1:02:41.920
<v Speaker 1>the trash media, like the New York Post was posting

1:02:41.920 --> 1:02:44.120
<v Speaker 1>stuff about her having sex with a lover in a

1:02:44.160 --> 1:02:47.480
<v Speaker 1>bathroom before her disappearance. But they're like the only source

1:02:47.520 --> 1:02:51.000
<v Speaker 1>that has that, and they're definitely trying to sell newspapers,

1:02:51.000 --> 1:02:54.040
<v Speaker 1>like Olivia says in the episode, and they're there's just

1:02:54.080 --> 1:02:56.080
<v Speaker 1>like no one else was reporting that, Like no one

1:02:56.080 --> 1:02:58.800
<v Speaker 1>else was like, oh, and there's rumors that like she was,

1:02:58.920 --> 1:03:01.560
<v Speaker 1>you know, having like was there to meet a paramour

1:03:01.640 --> 1:03:05.440
<v Speaker 1>or anything like that. Only the gorgeous reporting of the

1:03:05.440 --> 1:03:09.440
<v Speaker 1>New York Post has that Turkish and American authorities worked together.

1:03:09.600 --> 1:03:12.840
<v Speaker 1>There were hundreds of investigators examining all the surveillance footage

1:03:12.880 --> 1:03:15.280
<v Speaker 1>trying to build up a timeline of her movements, but

1:03:15.320 --> 1:03:18.560
<v Speaker 1>they still didn't really have any good leads. All her belongings,

1:03:18.600 --> 1:03:21.480
<v Speaker 1>including like all her clothes, her passport, medical cards, were

1:03:21.520 --> 1:03:24.680
<v Speaker 1>found in her room in the hostel she was staying at,

1:03:25.160 --> 1:03:29.920
<v Speaker 1>and then police were even questioning a several people, including

1:03:29.960 --> 1:03:33.120
<v Speaker 1>there was a local man much like Phil DeSapio, who

1:03:33.560 --> 1:03:35.360
<v Speaker 1>said that he was supposed to meet up with Sierra

1:03:35.400 --> 1:03:37.720
<v Speaker 1>that day, but she never showed up to the meeting

1:03:37.760 --> 1:03:40.680
<v Speaker 1>they had scheduled so that might have been like where

1:03:40.720 --> 1:03:42.960
<v Speaker 1>they were like, oh, her lover, she was meeting a lover,

1:03:43.000 --> 1:03:44.480
<v Speaker 1>but it was just like this guy she was supposed

1:03:44.480 --> 1:03:47.040
<v Speaker 1>to meet up with. I think through photography it doesn't

1:03:47.040 --> 1:03:48.960
<v Speaker 1>really say why, but he was completely cleared like he

1:03:49.000 --> 1:03:51.840
<v Speaker 1>had nothing to do with anything. And then unfortunately they

1:03:51.880 --> 1:03:55.360
<v Speaker 1>did find her body, but not for two weeks February second.

1:03:55.440 --> 1:03:57.640
<v Speaker 1>This is after her husband and her brother have now

1:03:57.720 --> 1:04:00.000
<v Speaker 1>flown to Turkey to try to move the investigation alone.

1:04:00.640 --> 1:04:03.360
<v Speaker 1>Her body is found near some ancient ruins on a highway.

1:04:04.160 --> 1:04:06.120
<v Speaker 1>She's found in the same exact clothes she was seen

1:04:06.200 --> 1:04:09.360
<v Speaker 1>wearing in that food court surveillance footage the day she disappeared,

1:04:09.560 --> 1:04:12.040
<v Speaker 1>and she'd been killed by a fatal blow to the head,

1:04:12.200 --> 1:04:16.560
<v Speaker 1>much like in the episode. By March of twenty eighteen,

1:04:16.640 --> 1:04:20.040
<v Speaker 1>the Turkish authorities had identified a suspect and charged him

1:04:20.080 --> 1:04:24.600
<v Speaker 1>with Sierra's murder. His name was Zaya Tasali, aged forty six,

1:04:24.720 --> 1:04:28.200
<v Speaker 1>a local homeless man with a prior record for burglary

1:04:28.280 --> 1:04:32.360
<v Speaker 1>and weapons charges. He tried to flee to Syria when

1:04:32.440 --> 1:04:34.760
<v Speaker 1>the case started to get a ton of media attention

1:04:34.920 --> 1:04:38.560
<v Speaker 1>and international attention, but he was apprehended on the Turkish border.

1:04:39.280 --> 1:04:42.120
<v Speaker 1>He eventually told authorities that what happened was he tried

1:04:42.160 --> 1:04:45.760
<v Speaker 1>to kiss Sierra. And this is kind of where the

1:04:46.040 --> 1:04:48.840
<v Speaker 1>episode is blending the story of what happened with Phil

1:04:48.840 --> 1:04:51.120
<v Speaker 1>DeSapio and the homeless guy, because this is they both

1:04:51.120 --> 1:04:53.600
<v Speaker 1>happened with this man in the real life story. He

1:04:53.680 --> 1:04:56.000
<v Speaker 1>tried to kiss her, she resisted, and then he says,

1:04:56.080 --> 1:04:58.600
<v Speaker 1>quote a struggle broke out between the two of us.

1:04:59.200 --> 1:05:01.520
<v Speaker 1>In a statement, He also said Sierra hit him on

1:05:02.240 --> 1:05:04.880
<v Speaker 1>his nose with her phone, which bloodied his nose. Then

1:05:04.880 --> 1:05:07.080
<v Speaker 1>he knocked her down. She fought back, hit him in

1:05:07.080 --> 1:05:09.400
<v Speaker 1>the head with a rock, and then he said, quote

1:05:09.440 --> 1:05:11.760
<v Speaker 1>I got very angry and hit her back twice with

1:05:11.800 --> 1:05:14.760
<v Speaker 1>a stone. I grabbed off the floor end quote. And

1:05:14.800 --> 1:05:18.919
<v Speaker 1>then at that point she stopped moving. So the next day,

1:05:19.200 --> 1:05:22.400
<v Speaker 1>this man tasally returned to the crime scene. He actually

1:05:22.400 --> 1:05:25.240
<v Speaker 1>covered her body with blankets. He also threw her phone

1:05:25.320 --> 1:05:28.480
<v Speaker 1>and her iPad into the ocean, so there's like an

1:05:28.480 --> 1:05:30.640
<v Speaker 1>ip I mean, they took so many details from this case.

1:05:30.640 --> 1:05:32.440
<v Speaker 3>There's even like iPad phone stuff.

1:05:32.680 --> 1:05:34.760
<v Speaker 1>And he said he did not realize that she was

1:05:34.880 --> 1:05:37.200
<v Speaker 1>even a foreigner until he saw all the media attention,

1:05:38.320 --> 1:05:42.040
<v Speaker 1>you know, to this missing American tourist. When her body

1:05:42.120 --> 1:05:45.960
<v Speaker 1>was discovered, he was only a few yards away, so

1:05:46.040 --> 1:05:48.520
<v Speaker 1>he was it happened like kind of near probably where

1:05:48.520 --> 1:05:50.880
<v Speaker 1>he was living or staying, but he was right there

1:05:50.920 --> 1:05:54.000
<v Speaker 1>basically when they found her body, and he told prosecutors

1:05:54.000 --> 1:05:57.440
<v Speaker 1>that he regretted his crime. And much like in the

1:05:57.520 --> 1:05:59.920
<v Speaker 1>episode where they said that the guy had glue and

1:06:00.080 --> 1:06:03.080
<v Speaker 1>bath salts in his tent, to Sally told Turkish News

1:06:03.080 --> 1:06:05.480
<v Speaker 1>that he had been sniffing household chemicals to get high

1:06:05.520 --> 1:06:09.200
<v Speaker 1>on the day of the killing, and he doesn't remember it, doesn't.

1:06:08.880 --> 1:06:09.840
<v Speaker 3>Really remember doing it.

1:06:10.400 --> 1:06:14.000
<v Speaker 1>So a year later after her going missing, in January

1:06:14.000 --> 1:06:16.640
<v Speaker 1>of twenty fourteen, to Sally was sentenced to life in prison.

1:06:16.720 --> 1:06:19.160
<v Speaker 1>He also received five and a half years for sexual

1:06:19.200 --> 1:06:21.160
<v Speaker 1>assault and two and a half years per theft to

1:06:21.240 --> 1:06:25.400
<v Speaker 1>run consecutively to the life sentence, which is, according to Reuters,

1:06:26.360 --> 1:06:30.120
<v Speaker 1>so a very sad story that they very much borrowed from.

1:06:30.160 --> 1:06:32.160
<v Speaker 1>I mean, she had two young sons, just like this

1:06:32.200 --> 1:06:36.040
<v Speaker 1>woman in that, just like Ariel, and was just kind

1:06:36.040 --> 1:06:37.960
<v Speaker 1>of trying to go on an adventure by herself.

1:06:38.560 --> 1:06:45.080
<v Speaker 3>So sad, so sad, But we have.

1:06:45.280 --> 1:06:49.080
<v Speaker 1>A delightful interview to cleanse the palette of sadness, So

1:06:49.240 --> 1:07:00.440
<v Speaker 1>do not go anywhere. Our guest today is a Broadway

1:07:00.520 --> 1:07:01.400
<v Speaker 1>Royalty baby.

1:07:01.680 --> 1:07:02.400
<v Speaker 3>We started this.

1:07:02.360 --> 1:07:04.840
<v Speaker 1>Episode talking about Broadway and we're gonna finish it talking

1:07:04.840 --> 1:07:08.560
<v Speaker 1>about Broadway. She originated the Broadway roles of both Barbara

1:07:08.640 --> 1:07:12.080
<v Speaker 1>Maitland and Beetlejuice and Penny Pingleton in Hairspray. She can

1:07:12.120 --> 1:07:14.920
<v Speaker 1>also be seen on TV shows like American Sports Story,

1:07:14.960 --> 1:07:17.840
<v Speaker 1>Aaron Hernandez and The Gilmore Girls Revival and you know

1:07:17.920 --> 1:07:21.200
<v Speaker 1>her best as the Tragic Canadian Podcast. Are just looking

1:07:21.200 --> 1:07:23.880
<v Speaker 1>to have some fun in New York City, Ariel Randolph.

1:07:24.000 --> 1:07:27.840
<v Speaker 1>Please enjoy our chat with the wonderful Carrie Butler. So

1:07:27.960 --> 1:07:31.160
<v Speaker 1>you were saying that they like you don't think the

1:07:31.200 --> 1:07:32.480
<v Speaker 1>makeup is great on the show.

1:07:32.920 --> 1:07:38.520
<v Speaker 4>Not that it's not great, it's just that, you know,

1:07:38.560 --> 1:07:41.040
<v Speaker 4>I'm used to doing TV shows where like you look,

1:07:41.400 --> 1:07:43.560
<v Speaker 4>even though you're a real person, you look like semi glamorous,

1:07:43.560 --> 1:07:45.640
<v Speaker 4>and I'm always like, oh, I I gotta do my.

1:07:45.560 --> 1:07:48.040
<v Speaker 3>Social media today. I'm looking great. But on.

1:07:50.400 --> 1:07:53.040
<v Speaker 4>Law and Order they specifically said, you know, like, no,

1:07:53.200 --> 1:07:56.160
<v Speaker 4>we can't wipe the mascara from your eyes. You know,

1:07:56.840 --> 1:07:59.440
<v Speaker 4>They're like no, we want, we really want, like hardly

1:07:59.480 --> 1:08:02.560
<v Speaker 4>any make up your hair. I didn't have like a blowout,

1:08:02.760 --> 1:08:05.400
<v Speaker 4>you know. It was very kind of like just down

1:08:05.520 --> 1:08:06.080
<v Speaker 4>and back and.

1:08:07.560 --> 1:08:07.880
<v Speaker 3>Yeah.

1:08:07.960 --> 1:08:11.520
<v Speaker 4>Yeah, but even like more natural than most TV shows.

1:08:11.760 --> 1:08:16.040
<v Speaker 2>Yeah, because you've done other crime style shows. You are

1:08:16.080 --> 1:08:18.599
<v Speaker 2>you saying that Law and Order you is they want

1:08:18.600 --> 1:08:20.559
<v Speaker 2>you looking the worst.

1:08:22.760 --> 1:08:27.080
<v Speaker 3>Like a blood exactly. I think sometimes those shows they

1:08:27.120 --> 1:08:27.840
<v Speaker 3>still want you to.

1:08:27.760 --> 1:08:31.200
<v Speaker 4>Look like TV star kind of you know, and Law

1:08:31.240 --> 1:08:33.320
<v Speaker 4>and Order they specifically like, no, no, no, no, no, we

1:08:33.360 --> 1:08:37.040
<v Speaker 4>can't make you look glamorous. Yeah, I'm like, can't you

1:08:37.120 --> 1:08:39.360
<v Speaker 4>just get the circles under my eyes?

1:08:39.880 --> 1:08:42.000
<v Speaker 1>I mean, you look caught at the beginning of this episode,

1:08:42.000 --> 1:08:44.439
<v Speaker 1>when you're at the concert, you're having fun, you look good.

1:08:44.920 --> 1:08:47.240
<v Speaker 3>And then I was I've been on two Law and Orders.

1:08:47.400 --> 1:08:49.080
<v Speaker 3>I wasn't sure which one you were talking about.

1:08:49.160 --> 1:08:52.720
<v Speaker 1>We're going to talk about both, Yeah, okay, but we're

1:08:52.720 --> 1:08:55.040
<v Speaker 1>going to start with talking about.

1:08:54.920 --> 1:08:57.280
<v Speaker 4>Uh, that one, that one I was more that one.

1:08:57.360 --> 1:08:59.280
<v Speaker 4>I was more glamorous than the second one.

1:08:59.280 --> 1:09:01.400
<v Speaker 1>I was a big But then at the end when

1:09:01.400 --> 1:09:03.799
<v Speaker 1>you when you have this video message to your children,

1:09:03.880 --> 1:09:05.840
<v Speaker 1>I remember thinking when I was watching it, I was like,

1:09:05.880 --> 1:09:09.479
<v Speaker 1>can they just wipe the eyeliner, like what, she looks

1:09:09.479 --> 1:09:10.599
<v Speaker 1>like she's been crying.

1:09:12.040 --> 1:09:12.960
<v Speaker 3>But you know, I.

1:09:12.920 --> 1:09:15.280
<v Speaker 2>Thought I got it because it's like you were on Mollie,

1:09:15.840 --> 1:09:19.559
<v Speaker 2>you had this like incredible experience realizing that you loved

1:09:19.560 --> 1:09:20.240
<v Speaker 2>your family.

1:09:20.840 --> 1:09:24.080
<v Speaker 3>I mean, it's a really sad episode. It's so sad.

1:09:24.640 --> 1:09:27.680
<v Speaker 3>It's really sad. I know, it's so sad.

1:09:27.720 --> 1:09:29.960
<v Speaker 1>When I watched your next one and was like, oh,

1:09:30.000 --> 1:09:32.960
<v Speaker 1>it's awesome, worse, it's the worst of all time, I

1:09:33.000 --> 1:09:36.640
<v Speaker 1>would say, and I for some reason last season I

1:09:36.800 --> 1:09:40.640
<v Speaker 1>never had seen this episode and it was so it

1:09:40.720 --> 1:09:43.800
<v Speaker 1>was like probably the worst, one of the worst I

1:09:43.800 --> 1:09:46.200
<v Speaker 1>think in the twenty five year history now twenty six year,

1:09:46.720 --> 1:09:47.240
<v Speaker 1>but like.

1:09:48.240 --> 1:09:51.200
<v Speaker 4>Worst in terms of being the saddest in terms of

1:09:51.520 --> 1:09:52.880
<v Speaker 4>it's me for life.

1:09:53.479 --> 1:09:55.479
<v Speaker 3>Yeah, great, great.

1:09:55.600 --> 1:09:58.960
<v Speaker 1>The acting was great, everything was really great, but the

1:09:59.000 --> 1:09:59.920
<v Speaker 1>directing amazing.

1:10:00.880 --> 1:10:03.559
<v Speaker 2>My stomach was dropped. I was tense the whole time

1:10:03.560 --> 1:10:05.599
<v Speaker 2>and just like it really it was really upset.

1:10:05.600 --> 1:10:06.920
<v Speaker 3>It really upset me too.

1:10:07.080 --> 1:10:08.880
<v Speaker 4>I have two daughters, and I was like, I just

1:10:08.960 --> 1:10:10.720
<v Speaker 4>I can't even go there, you know what, I as

1:10:10.760 --> 1:10:13.080
<v Speaker 4>an actor, my god, yeah, and I'm like no, no, no,

1:10:13.240 --> 1:10:15.640
<v Speaker 4>I'm not gonna go from my personal experience. I'm gonna, like,

1:10:15.760 --> 1:10:19.000
<v Speaker 4>you know, just pretend I'm somebody else and in the situation.

1:10:19.200 --> 1:10:21.519
<v Speaker 1>And I was fully tearing up in the in the

1:10:21.600 --> 1:10:24.880
<v Speaker 1>video message to the Suns when they're watching it. I

1:10:25.000 --> 1:10:27.280
<v Speaker 1>was like, oh my god, I should make a message

1:10:27.320 --> 1:10:31.400
<v Speaker 1>for my kids in case I die. Like it was like, so,

1:10:31.920 --> 1:10:36.600
<v Speaker 1>oh my god, Oh yeah, great performances, very emotional. So

1:10:36.720 --> 1:10:39.679
<v Speaker 1>where did you go because you were very I mean

1:10:40.479 --> 1:10:42.200
<v Speaker 1>you were shaken up and it was just like a

1:10:42.240 --> 1:10:43.040
<v Speaker 1>great performance.

1:10:43.080 --> 1:10:45.639
<v Speaker 4>So what did you use since you know no real

1:10:45.680 --> 1:10:47.439
<v Speaker 4>life do you mean for you mean for the with

1:10:47.520 --> 1:10:49.360
<v Speaker 4>the boys or with the second I know.

1:10:49.320 --> 1:10:51.160
<v Speaker 2>We're going back and forth. I would say the second

1:10:51.200 --> 1:10:52.280
<v Speaker 2>episode is what I'm thinking.

1:10:52.400 --> 1:10:55.120
<v Speaker 4>The second episode was the worst because the second episode.

1:10:54.880 --> 1:10:58.439
<v Speaker 2>Was Rishka meets you at that bar. Yeah, it was

1:10:58.520 --> 1:11:01.120
<v Speaker 2>like you were so fucked up, uh over it?

1:11:02.160 --> 1:11:02.479
<v Speaker 3>Yeah.

1:11:02.520 --> 1:11:06.240
<v Speaker 4>I kind of rather than thinking about it happening to

1:11:06.240 --> 1:11:08.400
<v Speaker 4>my own daughters, I kind of was thinking we were

1:11:08.439 --> 1:11:10.200
<v Speaker 4>at the same time, and not to get political, but

1:11:10.439 --> 1:11:13.400
<v Speaker 4>it was the things happening to the hostages, and I

1:11:13.439 --> 1:11:16.559
<v Speaker 4>could just drop into that, like just imagine, you know,

1:11:16.600 --> 1:11:19.080
<v Speaker 4>you're seeing all of these stories about people losing their

1:11:19.080 --> 1:11:22.760
<v Speaker 4>families and so it's hitting you on a personal level

1:11:22.800 --> 1:11:24.479
<v Speaker 4>just that it's happening, and so I kind of could

1:11:24.560 --> 1:11:28.080
<v Speaker 4>draw from that more so than imagining it happening to

1:11:28.479 --> 1:11:31.920
<v Speaker 4>me in real life, right yeah, just like the missing

1:11:31.960 --> 1:11:34.479
<v Speaker 4>of a child you know is not well. But yeah,

1:11:34.560 --> 1:11:36.840
<v Speaker 4>and like we're all thinking, like we're all worried about it.

1:11:36.880 --> 1:11:39.840
<v Speaker 4>We're all like, you know, it's just the worst to

1:11:40.360 --> 1:11:42.840
<v Speaker 4>think about that, and then like not sleeping at night,

1:11:43.160 --> 1:11:45.439
<v Speaker 4>and then you know, once as an actor you're in it,

1:11:45.760 --> 1:11:47.120
<v Speaker 4>like I wasn't sleeping a night.

1:11:47.000 --> 1:11:49.800
<v Speaker 3>Then, because it's like you can't leave it. I don't

1:11:49.840 --> 1:11:52.200
<v Speaker 3>know how Marishka does it, you know, And.

1:11:52.120 --> 1:11:55.880
<v Speaker 4>She's so happy on set and she's amazing to be around.

1:11:55.960 --> 1:11:58.200
<v Speaker 4>But to do that all the time, that's what I

1:11:58.280 --> 1:12:00.360
<v Speaker 4>left thinking. I'm like, wow, I admire her so much

1:12:00.360 --> 1:12:01.600
<v Speaker 4>that she's commonly.

1:12:01.360 --> 1:12:05.920
<v Speaker 1>Just like a compartmentalization queen, right like just can totally maybe.

1:12:05.800 --> 1:12:07.679
<v Speaker 4>Like as soon as we as soon as the scenes

1:12:07.680 --> 1:12:09.960
<v Speaker 4>were over, she was able to, you know, make jokes,

1:12:10.000 --> 1:12:12.599
<v Speaker 4>make us have fun on the set, because otherwise how are.

1:12:12.479 --> 1:12:13.240
<v Speaker 3>You going to get through it?

1:12:14.120 --> 1:12:19.120
<v Speaker 4>Yeah, those long days and joking with the crew, Yeah damn.

1:12:19.240 --> 1:12:24.160
<v Speaker 1>But she also your character in Again the more recent one,

1:12:24.040 --> 1:12:26.720
<v Speaker 1>yea detached when she was like, oh, she said she's

1:12:26.760 --> 1:12:27.479
<v Speaker 1>at her friend's house.

1:12:28.720 --> 1:12:31.679
<v Speaker 4>Yeah, yeah, I think that was That's normal. Yeah, that's

1:12:31.680 --> 1:12:33.760
<v Speaker 4>normal because you just you don't want to go there.

1:12:33.760 --> 1:12:37.920
<v Speaker 4>Everything's okay, everything okay. Yeah, course you always you obviously

1:12:37.960 --> 1:12:40.240
<v Speaker 4>think like, oh my god, what happened to her friend? Right,

1:12:40.880 --> 1:12:43.479
<v Speaker 4>you know, you don't think that something could have happened

1:12:43.560 --> 1:12:44.479
<v Speaker 4>to your loved one.

1:12:46.280 --> 1:12:48.760
<v Speaker 1>But I'm just like children in the park after dark,

1:12:48.880 --> 1:12:49.720
<v Speaker 1>get out of there?

1:12:49.760 --> 1:12:51.719
<v Speaker 3>What are you doing?

1:12:52.280 --> 1:12:56.439
<v Speaker 2>But also just the what also grabbed me about that

1:12:56.479 --> 1:12:58.120
<v Speaker 2>episode is like what would you do if your friend

1:12:58.120 --> 1:12:59.559
<v Speaker 2>Because in my head I was like I think I'd

1:12:59.640 --> 1:13:01.479
<v Speaker 2>run and try to call the police. But then it's

1:13:01.520 --> 1:13:04.120
<v Speaker 2>like are you ditching your friend? So do you go

1:13:04.200 --> 1:13:06.439
<v Speaker 2>and try to fight these people? And so that really

1:13:06.479 --> 1:13:09.720
<v Speaker 2>made me feel a lot too of like be it

1:13:09.840 --> 1:13:13.240
<v Speaker 2>like how much decisions this like scared girl had to

1:13:13.240 --> 1:13:14.000
<v Speaker 2>make in the middle.

1:13:13.760 --> 1:13:16.360
<v Speaker 3>Of the night. Well, but she was there, she was

1:13:16.720 --> 1:13:18.519
<v Speaker 3>held with them, right, so she couldn't go.

1:13:18.720 --> 1:13:21.800
<v Speaker 2>First she was frozen, like they grabbed one of the

1:13:21.840 --> 1:13:24.599
<v Speaker 2>girls and then the other one stood frozen and then

1:13:24.880 --> 1:13:26.040
<v Speaker 2>ran to help her friend.

1:13:27.320 --> 1:13:29.559
<v Speaker 4>Yeah, and then she had that really good monologue right

1:13:29.640 --> 1:13:33.800
<v Speaker 4>about how she wished that she could do more. Yeah, yeah, yeah,

1:13:33.880 --> 1:13:37.240
<v Speaker 4>I think when you're that young too, you know you

1:13:37.640 --> 1:13:41.200
<v Speaker 4>it's you're so like frozen and frightened. It was very

1:13:41.200 --> 1:13:44.160
<v Speaker 4>believable to me that she wouldn't know what to do

1:13:44.280 --> 1:13:47.160
<v Speaker 4>in that situation. And in hindsight, it's so easy I

1:13:47.160 --> 1:13:48.160
<v Speaker 4>think for us to be like.

1:13:48.400 --> 1:13:50.519
<v Speaker 3>Just call on one one, you know. And I think

1:13:50.760 --> 1:13:52.880
<v Speaker 3>my character did say that too. I'm like, why didn't

1:13:52.920 --> 1:13:55.680
<v Speaker 3>you just call on you know? Yeah, like and just

1:13:55.720 --> 1:13:58.320
<v Speaker 3>getting angry at the victim in a way.

1:13:59.360 --> 1:14:02.040
<v Speaker 4>And yeah, I do remember that part, and I remember

1:14:02.120 --> 1:14:05.439
<v Speaker 4>Mrishka like putting her hand on my That was when

1:14:05.520 --> 1:14:08.439
<v Speaker 4>I think those scenes were when my maternal instincts come out.

1:14:08.760 --> 1:14:09.840
<v Speaker 3>How you can actually be.

1:14:09.800 --> 1:14:12.880
<v Speaker 4>Mad at your daughter for like, you know, you have

1:14:13.080 --> 1:14:16.160
<v Speaker 4>all of this inside, like you're so relieved they're okay,

1:14:16.360 --> 1:14:18.800
<v Speaker 4>but you've just been through this trauma and so it

1:14:18.880 --> 1:14:21.639
<v Speaker 4>has to come out somewhere, so you're like, why didn't

1:14:21.680 --> 1:14:25.000
<v Speaker 4>you you know? Yeah, and Rishia had that really good

1:14:25.000 --> 1:14:27.240
<v Speaker 4>moment where she's like, Okay, calm down, you know.

1:14:28.320 --> 1:14:31.960
<v Speaker 2>Yeah, Well, we say on this podcast, there was a

1:14:32.000 --> 1:14:34.920
<v Speaker 2>prosecutor in one of the cases and she said, we

1:14:35.000 --> 1:14:40.120
<v Speaker 2>expect people to act normal and abnormal situations, and yeah,

1:14:40.120 --> 1:14:41.960
<v Speaker 2>we keep that in our minds all the time of

1:14:42.040 --> 1:14:45.040
<v Speaker 2>like why would yeah, why are you expecting someone act

1:14:45.080 --> 1:14:47.679
<v Speaker 2>normal in this like psychotic situation that you should?

1:14:47.680 --> 1:14:51.160
<v Speaker 1>And people we recently talked about how like the four responses.

1:14:51.160 --> 1:14:53.160
<v Speaker 1>We always talk about fight or flight, but there's also

1:14:53.280 --> 1:14:56.840
<v Speaker 1>freeze and fawn. Yeah, and those are like I think

1:14:56.880 --> 1:15:02.360
<v Speaker 1>happen more often than we think too, you know. So yeah,

1:15:02.400 --> 1:15:05.320
<v Speaker 1>so this just for the listeners. What is season twenty five,

1:15:05.400 --> 1:15:09.600
<v Speaker 1>episode nine called Children of Wolves? Because you know, the

1:15:09.640 --> 1:15:12.040
<v Speaker 1>ones that are more recent we haven't seen ten thousand

1:15:12.040 --> 1:15:13.800
<v Speaker 1>times like we have the other ones, you know, so

1:15:13.840 --> 1:15:15.360
<v Speaker 1>I just want to make sure everyone in the audience

1:15:15.400 --> 1:15:16.479
<v Speaker 1>knows what we're talking about.

1:15:16.600 --> 1:15:20.760
<v Speaker 2>But yeah, like first it was, yeah, I think a

1:15:20.760 --> 1:15:22.640
<v Speaker 2>lot of these we've seen a lot, so we're not

1:15:22.680 --> 1:15:24.960
<v Speaker 2>as shocked. But I think I was like really shocked

1:15:25.000 --> 1:15:26.120
<v Speaker 2>last night watching it too.

1:15:26.240 --> 1:15:28.400
<v Speaker 1>On top of it, and like they are on season

1:15:28.400 --> 1:15:30.640
<v Speaker 1>twenty six, and I get that we can't just have

1:15:30.760 --> 1:15:33.920
<v Speaker 1>like a totally fresh plot every time, so but this

1:15:33.960 --> 1:15:37.839
<v Speaker 1>one is like Children of Wolves is like a combo

1:15:37.920 --> 1:15:41.080
<v Speaker 1>of ones we've seen before with wildings or whatever, like

1:15:41.160 --> 1:15:44.040
<v Speaker 1>you know, like guys that attack like as a group.

1:15:44.320 --> 1:15:47.160
<v Speaker 1>But then also some of these like hostagey ones we've done.

1:15:47.200 --> 1:15:49.599
<v Speaker 1>It's like a combo of two of the worst kinds

1:15:50.120 --> 1:15:52.960
<v Speaker 1>that like give me so much stress. So they really

1:15:53.000 --> 1:15:56.800
<v Speaker 1>are still reinventing the genre all the time, just combining

1:15:57.240 --> 1:15:58.280
<v Speaker 1>horror horrors.

1:15:58.560 --> 1:15:58.760
<v Speaker 3>Well.

1:15:58.760 --> 1:16:02.200
<v Speaker 2>Also, I was also shocked when they had a hiss,

1:16:02.320 --> 1:16:05.000
<v Speaker 2>they had a record when later in the episode they're like,

1:16:05.040 --> 1:16:08.720
<v Speaker 2>these guys have been doing this for a while. Accept

1:16:08.800 --> 1:16:10.479
<v Speaker 2>you because a part of me is like, oh, these

1:16:10.600 --> 1:16:15.160
<v Speaker 2>tea like uh, I don't know, like a crazy like

1:16:15.200 --> 1:16:16.280
<v Speaker 2>a fucked up teen night.

1:16:16.320 --> 1:16:18.640
<v Speaker 3>But it's like they were cereal rapists.

1:16:19.320 --> 1:16:21.880
<v Speaker 4>Yeah, And then I thought about, you know, the young

1:16:21.960 --> 1:16:24.960
<v Speaker 4>girls playing those parts, Like I don't know if you've

1:16:24.960 --> 1:16:28.320
<v Speaker 4>had them on, but that's got to be like really

1:16:28.360 --> 1:16:31.320
<v Speaker 4>mentally challenging because those scenes were so hard.

1:16:31.800 --> 1:16:34.360
<v Speaker 1>Yeah yeah, yeah, I thought it was so interesting too

1:16:34.400 --> 1:16:37.400
<v Speaker 1>how they made you her step mom, but you guys

1:16:37.439 --> 1:16:39.559
<v Speaker 1>had this special relationship because you could have just been

1:16:39.600 --> 1:16:42.880
<v Speaker 1>playing her mom, you know, like but her step mom

1:16:43.040 --> 1:16:44.919
<v Speaker 1>and the dad is gone and you only.

1:16:44.720 --> 1:16:45.320
<v Speaker 3>Have each other.

1:16:45.680 --> 1:16:48.960
<v Speaker 1>Like it was it was like an interesting like twist

1:16:49.760 --> 1:16:53.519
<v Speaker 1>of a relationship. Yeah, but we could go back to

1:16:53.600 --> 1:16:55.200
<v Speaker 1>brief inter brief inure lude.

1:16:55.320 --> 1:16:56.240
<v Speaker 3>Brief inture lude.

1:16:56.320 --> 1:16:58.720
<v Speaker 1>That's your first time on SVU, right, is that your

1:16:58.720 --> 1:16:59.920
<v Speaker 1>first time on a Law in Order?

1:17:00.680 --> 1:17:02.880
<v Speaker 3>Yes? Okay, so that's your first Law and Order?

1:17:03.439 --> 1:17:07.879
<v Speaker 1>And I believe is this Warren light Time season fourteen,

1:17:07.960 --> 1:17:12.320
<v Speaker 1>because like, yes, yes, okay, because he's a big theater guy.

1:17:12.400 --> 1:17:15.320
<v Speaker 1>You're a Broadway baby, so like, yeah, did they have

1:17:15.360 --> 1:17:18.240
<v Speaker 1>you audition or did were they just like I did audition?

1:17:18.600 --> 1:17:18.920
<v Speaker 3>Okay?

1:17:18.920 --> 1:17:21.560
<v Speaker 4>And it's funny like after I did that episode, I

1:17:21.600 --> 1:17:24.240
<v Speaker 4>don't I don't think I had. I had I didn't

1:17:24.240 --> 1:17:27.680
<v Speaker 4>really have a scene Maia with Marishka. But after that,

1:17:28.160 --> 1:17:31.400
<v Speaker 4>like years years later, I became really good friends with Marishka. Okay,

1:17:31.400 --> 1:17:35.120
<v Speaker 4>I'll hear that, yeah, because our daughters were best friends

1:17:35.120 --> 1:17:37.960
<v Speaker 4>in school. But so at that point, yeah, so at

1:17:37.960 --> 1:17:39.360
<v Speaker 4>that point I didn't really know her. I didn't know

1:17:39.360 --> 1:17:41.519
<v Speaker 4>her at all. And but I and I had to

1:17:41.560 --> 1:17:44.439
<v Speaker 4>audition just like everybody else. Yeah, and it was a

1:17:44.479 --> 1:17:47.800
<v Speaker 4>pretty easy audition, just go in, you know, in the

1:17:47.880 --> 1:17:49.639
<v Speaker 4>room for all those people.

1:17:49.680 --> 1:17:55.880
<v Speaker 3>And then were they like get in a rowboat, be dead. No, No, it.

1:17:55.840 --> 1:17:59.599
<v Speaker 4>Was just do the serious scenes and but it was

1:18:00.040 --> 1:18:01.799
<v Speaker 4>you know, it's really a rite of passage for actors

1:18:01.800 --> 1:18:03.519
<v Speaker 4>in New York. It took me a long time to

1:18:03.520 --> 1:18:06.840
<v Speaker 4>get on. I was like, I finally made it. It's

1:18:06.880 --> 1:18:11.000
<v Speaker 4>gonna be in the playbill now. Yeah, that's awesome. Yeah.

1:18:11.200 --> 1:18:13.840
<v Speaker 1>So you start, like this episode starts, you're at this

1:18:13.960 --> 1:18:19.720
<v Speaker 1>like concert which like is like a Google bordello kind

1:18:19.760 --> 1:18:23.479
<v Speaker 1>of group or whatever. They're like, you know, and is

1:18:23.520 --> 1:18:25.240
<v Speaker 1>when you're shooting something like this. I don't know if

1:18:25.280 --> 1:18:27.880
<v Speaker 1>I've ever asked a guest this before. Is the band

1:18:27.920 --> 1:18:30.200
<v Speaker 1>playing a set? Like are they actually playing and you

1:18:30.240 --> 1:18:32.719
<v Speaker 1>guys are like doing the dancing and everything, or like.

1:18:33.040 --> 1:18:37.000
<v Speaker 4>A dancing A lot of times we're not dancing to anything. Okay,

1:18:37.560 --> 1:18:39.200
<v Speaker 4>they don't have I don't think they have the music

1:18:39.280 --> 1:18:42.720
<v Speaker 4>rights yet, so sometimes sometimes we might be dancing something

1:18:42.760 --> 1:18:45.080
<v Speaker 4>completely different if you see them, like their beat is

1:18:45.120 --> 1:18:50.760
<v Speaker 4>so either either dancing in silence or dancing to music

1:18:50.800 --> 1:18:52.519
<v Speaker 4>that doesn't is different than what ends up in the

1:18:52.600 --> 1:18:53.120
<v Speaker 4>actual show.

1:18:53.240 --> 1:18:56.160
<v Speaker 3>Music was good, Yeah, it was fun. It was good.

1:18:57.240 --> 1:18:59.719
<v Speaker 4>Yeah, that that was really fun to do. I feel

1:18:59.720 --> 1:19:03.800
<v Speaker 4>like that whole section like lots of extras and just

1:19:03.920 --> 1:19:09.040
<v Speaker 4>having fun at the you know club. Yeah, at that show.

1:19:09.120 --> 1:19:12.120
<v Speaker 4>I feel like all of those scenes were at night almost. Yeah,

1:19:12.160 --> 1:19:13.800
<v Speaker 4>so all my calls were late and they were all

1:19:13.840 --> 1:19:14.920
<v Speaker 4>really late nights.

1:19:15.400 --> 1:19:18.560
<v Speaker 3>Was that exciting? It was exciting?

1:19:18.840 --> 1:19:22.920
<v Speaker 4>Yeah, yeah, And we went I think one was the one,

1:19:23.120 --> 1:19:25.280
<v Speaker 4>the last scene, you know, where I'm on the camera

1:19:25.960 --> 1:19:27.920
<v Speaker 4>that was over by the Brooklyn Bridge and it was

1:19:28.120 --> 1:19:31.719
<v Speaker 4>really late at night and I was holding the camera

1:19:31.880 --> 1:19:34.599
<v Speaker 4>and then they had other people like filming around me too.

1:19:34.880 --> 1:19:37.320
<v Speaker 4>But that was actually like, you know, me filming, which

1:19:37.320 --> 1:19:40.559
<v Speaker 4>isn't like another kind of thing I've never done on.

1:19:40.520 --> 1:19:41.320
<v Speaker 3>TV, you know.

1:19:41.360 --> 1:19:44.599
<v Speaker 4>And that was even cell phones were big bad things.

1:19:45.040 --> 1:19:46.880
<v Speaker 4>It was over ten years ago, right, Like I.

1:19:46.800 --> 1:19:50.320
<v Speaker 1>Was twenty thirteen when I came out, So cell phones

1:19:50.320 --> 1:19:53.360
<v Speaker 1>were but everybody wasn't filming themselves all the time at

1:19:53.360 --> 1:19:55.680
<v Speaker 1>that point, and so I certainly wasn't as used to

1:19:55.720 --> 1:19:59.519
<v Speaker 1>it as I am now. Yeah, it's interesting because I

1:19:59.720 --> 1:20:01.599
<v Speaker 1>I remember I was thinking that. I was like, oh,

1:20:01.600 --> 1:20:04.080
<v Speaker 1>it's it's interesting she made like a little video message

1:20:04.080 --> 1:20:07.720
<v Speaker 1>for her kids or that even Marishka g chats with

1:20:07.800 --> 1:20:10.200
<v Speaker 1>the kids or not g chats, I'm sorry, facetimes with

1:20:10.240 --> 1:20:12.720
<v Speaker 1>the kids, because I thought of it as more of

1:20:12.720 --> 1:20:13.920
<v Speaker 1>a G chat time you know.

1:20:14.680 --> 1:20:18.840
<v Speaker 4>During so during that during that time of filming, you know,

1:20:18.880 --> 1:20:21.800
<v Speaker 4>I was emotionally available, but I was had to be

1:20:21.880 --> 1:20:24.840
<v Speaker 4>so specific about how I held the camera. Yeah, and

1:20:24.920 --> 1:20:26.479
<v Speaker 4>so it was a whole other thing that I had

1:20:26.479 --> 1:20:28.400
<v Speaker 4>to think about because.

1:20:28.120 --> 1:20:30.840
<v Speaker 3>You're shooting yourself and acting, I mean that's.

1:20:30.760 --> 1:20:32.960
<v Speaker 4>Yeah, and moving and we were like moving in there,

1:20:33.080 --> 1:20:35.000
<v Speaker 4>this whole crew around me moving and it was the

1:20:35.080 --> 1:20:37.439
<v Speaker 4>lash other day, and so everybody really wanted to go home.

1:20:37.840 --> 1:20:40.640
<v Speaker 1>Yeah, that was a little literal question I wrote on

1:20:40.680 --> 1:20:41.160
<v Speaker 1>my thing.

1:20:41.240 --> 1:20:42.640
<v Speaker 3>I was like, did you shoot that?

1:20:42.680 --> 1:20:44.920
<v Speaker 1>Because I sometimes I think I wonder if they shoot

1:20:44.920 --> 1:20:47.120
<v Speaker 1>it and then like degrade it to look like an ELM.

1:20:47.160 --> 1:20:51.760
<v Speaker 1>But yeah, that was you the director, And that's like

1:20:51.800 --> 1:20:53.120
<v Speaker 1>the heartbreaking part of it too.

1:20:53.160 --> 1:20:55.000
<v Speaker 2>You were in such a good place after such a

1:20:55.000 --> 1:20:58.200
<v Speaker 2>great night and then this random.

1:20:57.680 --> 1:21:01.160
<v Speaker 3>Fucking at random act of violence. So how was it

1:21:01.160 --> 1:21:01.760
<v Speaker 3>in the hot And.

1:21:01.760 --> 1:21:04.400
<v Speaker 4>I never got I never got any scenes with Richard Thomas,

1:21:05.040 --> 1:21:08.880
<v Speaker 4>Oh yeah, your husband, Yes, And even when they like,

1:21:09.000 --> 1:21:11.160
<v Speaker 4>you never got even like when they came into the

1:21:11.200 --> 1:21:15.120
<v Speaker 4>hospital and you were like lying there, Oh, maybe maybe

1:21:15.160 --> 1:21:16.639
<v Speaker 4>I was dead. So I didn't actually get to talk

1:21:16.640 --> 1:21:16.920
<v Speaker 4>to him.

1:21:17.000 --> 1:21:18.559
<v Speaker 1>You didn't get to you didn't get to act to them,

1:21:18.560 --> 1:21:20.559
<v Speaker 1>but now I was warning over your body.

1:21:21.240 --> 1:21:22.559
<v Speaker 3>Yeah, yeah, I was.

1:21:22.680 --> 1:21:26.400
<v Speaker 4>I was staying in character and just like going to sleep,

1:21:26.479 --> 1:21:26.720
<v Speaker 4>do I.

1:21:27.600 --> 1:21:32.160
<v Speaker 1>Yeah, he's in another CLASSICSVU as well, so we yeah,

1:21:32.200 --> 1:21:32.400
<v Speaker 1>I know.

1:21:33.000 --> 1:21:33.800
<v Speaker 3>Yeah.

1:21:33.840 --> 1:21:35.559
<v Speaker 1>And then I have I want to know about that

1:21:35.640 --> 1:21:38.640
<v Speaker 1>rowboat scene, Like did they just throw you in a

1:21:38.720 --> 1:21:42.280
<v Speaker 1>rowboat and push you up against the Like were they like, okay,

1:21:42.320 --> 1:21:44.280
<v Speaker 1>we need you to like look a little bit more dead?

1:21:44.360 --> 1:21:46.439
<v Speaker 1>I mean, how how did you like tell us about

1:21:46.479 --> 1:21:47.200
<v Speaker 1>that scene?

1:21:47.560 --> 1:21:47.800
<v Speaker 3>Yeah?

1:21:47.840 --> 1:21:50.120
<v Speaker 4>That was so cool. That was right in Central Park. Yeah,

1:21:50.479 --> 1:21:53.719
<v Speaker 4>and I'm like I made it. I died in Central

1:21:56.840 --> 1:22:00.360
<v Speaker 4>and they kind of gosh, I don't remember it, but

1:22:00.400 --> 1:22:02.960
<v Speaker 4>I kind of remember them like showing me exactly how

1:22:02.960 --> 1:22:04.719
<v Speaker 4>they wanted my body.

1:22:04.800 --> 1:22:05.000
<v Speaker 1>You know.

1:22:05.120 --> 1:22:07.600
<v Speaker 4>So they got in the boat first and you know,

1:22:07.720 --> 1:22:13.839
<v Speaker 4>definitely arranged you how they wanted to look. And again

1:22:14.240 --> 1:22:17.800
<v Speaker 4>there I had to worry about not breathing obviously since

1:22:17.840 --> 1:22:19.879
<v Speaker 4>I was dead, So that was the only.

1:22:19.720 --> 1:22:23.000
<v Speaker 1>Stress to work, yeah, or dying very light pulse, very

1:22:23.080 --> 1:22:24.160
<v Speaker 1>light pulse at that time.

1:22:25.040 --> 1:22:27.360
<v Speaker 3>Yeah, yeah, oh my gosh. Yeah.

1:22:27.400 --> 1:22:30.320
<v Speaker 4>But it was fun too. I loved filing on location

1:22:31.000 --> 1:22:33.200
<v Speaker 4>and it was fun to go into Central Park. You know,

1:22:33.280 --> 1:22:35.960
<v Speaker 4>near the boat house, I know.

1:22:35.920 --> 1:22:39.040
<v Speaker 1>Where they're like tourists being like, yes, I've thought people

1:22:39.040 --> 1:22:41.120
<v Speaker 1>were having their life. Can you imagine it was going

1:22:41.160 --> 1:22:42.560
<v Speaker 1>to Central Park to go to the boat house and

1:22:42.560 --> 1:22:44.200
<v Speaker 1>they're shooting us view would lose and.

1:22:44.240 --> 1:22:46.680
<v Speaker 3>They and there's a woman in a boat. Yeah.

1:22:47.120 --> 1:22:50.519
<v Speaker 4>Yeah, I kind of think that that particular scene was

1:22:50.600 --> 1:22:53.599
<v Speaker 4>really really early in the morning. Uh so there weren't

1:22:53.600 --> 1:22:56.240
<v Speaker 4>that many people, but whenever we were filming, there would

1:22:56.280 --> 1:22:58.000
<v Speaker 4>always be people stopping to look.

1:22:58.479 --> 1:22:59.160
<v Speaker 3>Yeah.

1:22:59.320 --> 1:23:01.120
<v Speaker 1>Well, yeah, I had early in the morning because that's

1:23:01.120 --> 1:23:03.200
<v Speaker 1>when the yoga mommy had to go get her adderall

1:23:03.240 --> 1:23:05.120
<v Speaker 1>and that's when she found you with the guys.

1:23:04.920 --> 1:23:08.599
<v Speaker 4>Right right, right, So I think it like the first

1:23:08.800 --> 1:23:10.160
<v Speaker 4>the first scene of the day.

1:23:10.400 --> 1:23:12.320
<v Speaker 3>Yeah, oh my god, amazing.

1:23:12.520 --> 1:23:16.040
<v Speaker 2>I actually have a question for the Sorry the Children

1:23:16.040 --> 1:23:17.080
<v Speaker 2>of Wolve's episode.

1:23:17.240 --> 1:23:19.439
<v Speaker 3>How was it like, my radiator is going off?

1:23:19.600 --> 1:23:23.720
<v Speaker 2>If anyone is concerned at the moment, how is it

1:23:23.800 --> 1:23:26.000
<v Speaker 2>like being directed by your friend Marushka?

1:23:27.439 --> 1:23:28.560
<v Speaker 3>Uh amazing?

1:23:28.680 --> 1:23:32.280
<v Speaker 1>Oh she directed that one. I didn't even notice that. Okay, cool, Yes,

1:23:33.000 --> 1:23:34.640
<v Speaker 1>so she is.

1:23:34.680 --> 1:23:39.920
<v Speaker 4>That's what I'm saying about, how she's able to bring

1:23:40.040 --> 1:23:44.280
<v Speaker 4>lightness to this really dark material and you know, she

1:23:44.439 --> 1:23:46.240
<v Speaker 4>knows everyone. I mean, she's been there forever, but she

1:23:46.320 --> 1:23:50.840
<v Speaker 4>knows everyone's name. She everyone, you can tell they love her.

1:23:50.880 --> 1:23:54.520
<v Speaker 4>And also I would ask around, you know, to the drivers.

1:23:54.760 --> 1:23:58.719
<v Speaker 4>They all love her there. They I mean, they cannot

1:23:58.800 --> 1:24:01.360
<v Speaker 4>say enough nice things about her. And they would just

1:24:01.360 --> 1:24:04.120
<v Speaker 4>tell me story after story about her. You can tell

1:24:04.280 --> 1:24:08.519
<v Speaker 4>that the cruelest her. And it was just we had

1:24:08.520 --> 1:24:10.880
<v Speaker 4>so much fun together, you know. And then she actually

1:24:10.880 --> 1:24:13.800
<v Speaker 4>wrote me into another scene because she liked what I

1:24:13.840 --> 1:24:15.600
<v Speaker 4>was doing, and so I wasn't supposed to be in

1:24:15.640 --> 1:24:17.760
<v Speaker 4>the hospital scene and she put me into the hospital

1:24:17.800 --> 1:24:23.479
<v Speaker 4>scene with her and just getting to act with her

1:24:23.720 --> 1:24:27.400
<v Speaker 4>and be directed by her because she's you're doing this

1:24:27.520 --> 1:24:31.000
<v Speaker 4>scene with her and she's so real, you know, and

1:24:31.680 --> 1:24:34.240
<v Speaker 4>your heart of you was like, oh my gosh, I

1:24:34.280 --> 1:24:37.040
<v Speaker 4>need to be like her, you know, like that actor brain.

1:24:37.120 --> 1:24:39.080
<v Speaker 4>But you're like, turn off the actor brand, just be

1:24:39.120 --> 1:24:39.880
<v Speaker 4>in the scene, be.

1:24:39.840 --> 1:24:40.960
<v Speaker 3>In the moment. Yeah.

1:24:41.680 --> 1:24:44.679
<v Speaker 4>And then she's out of the scene and she's watching

1:24:44.760 --> 1:24:48.800
<v Speaker 4>it play back, and she's so supportive. But also when

1:24:48.800 --> 1:24:51.360
<v Speaker 4>it's your friend, then it's extra pressure because you're like,

1:24:51.360 --> 1:24:53.240
<v Speaker 4>oh god, I don't want to let my friend down.

1:24:53.840 --> 1:24:56.160
<v Speaker 3>But she was so so supportive.

1:24:55.840 --> 1:25:00.920
<v Speaker 4>And lovely on the set, lovely to everyone, and you know,

1:25:01.320 --> 1:25:06.040
<v Speaker 4>a true leader because obviously on this high pressure kind

1:25:06.080 --> 1:25:09.519
<v Speaker 4>of show, people's egos get in the way right on

1:25:09.640 --> 1:25:11.800
<v Speaker 4>the crew, and like one person wants to do it

1:25:11.800 --> 1:25:13.400
<v Speaker 4>one way, one person wants to do it the other way,

1:25:13.479 --> 1:25:16.280
<v Speaker 4>and then the director's job is to, you know, figure

1:25:16.320 --> 1:25:17.800
<v Speaker 4>that out. And it was getting a little tense at

1:25:17.800 --> 1:25:20.480
<v Speaker 4>one point, and Marishka just went and pulled somebody aside,

1:25:20.840 --> 1:25:22.960
<v Speaker 4>had a private conversation with them like, how can I

1:25:23.040 --> 1:25:24.360
<v Speaker 4>how can I make this better for you?

1:25:24.400 --> 1:25:26.439
<v Speaker 3>What do you need? Then goes together, but what do

1:25:26.479 --> 1:25:26.960
<v Speaker 3>you need?

1:25:27.200 --> 1:25:33.800
<v Speaker 4>So I feel like that is really leadership and directing,

1:25:34.360 --> 1:25:36.879
<v Speaker 4>you know, just amazing people skills.

1:25:37.200 --> 1:25:39.800
<v Speaker 3>Yeah, that's what we've heard. We hear. We talked to

1:25:39.840 --> 1:25:41.880
<v Speaker 3>a lot of people, and everybody loves her.

1:25:41.960 --> 1:25:44.559
<v Speaker 1>So I mean, like perhaps the most beloved number one

1:25:44.720 --> 1:25:46.080
<v Speaker 1>in the business of all.

1:25:46.520 --> 1:25:49.400
<v Speaker 4>I think I think I think so, and I you know,

1:25:49.439 --> 1:25:52.120
<v Speaker 4>I heard stories about her fighting for people, you know,

1:25:52.360 --> 1:25:56.519
<v Speaker 4>frightening the network for people, and but I think when

1:25:56.520 --> 1:25:59.280
<v Speaker 4>you talk to the crew and the crew loves her,

1:25:59.520 --> 1:26:02.439
<v Speaker 4>and you know, they say, you know, she asked about

1:26:02.439 --> 1:26:04.880
<v Speaker 4>my wife. You know, she knows about us. She knows

1:26:04.920 --> 1:26:08.920
<v Speaker 4>our lives. That's the sign of a real, like really

1:26:08.960 --> 1:26:09.759
<v Speaker 4>really good person.

1:26:10.760 --> 1:26:13.439
<v Speaker 3>And she's a big Broadway fan.

1:26:14.200 --> 1:26:20.000
<v Speaker 4>Yes, yes, yes, yeah she I feel like she'd maybe

1:26:20.040 --> 1:26:23.320
<v Speaker 4>had seen me and stuff before, but then when our

1:26:23.400 --> 1:26:25.760
<v Speaker 4>daughters became friends, then she you know, she would come

1:26:25.800 --> 1:26:28.080
<v Speaker 4>to all my shows with her family.

1:26:28.120 --> 1:26:29.519
<v Speaker 3>And I love her husband Peter too.

1:26:30.520 --> 1:26:36.240
<v Speaker 4>Nay, yeah, yes, the nicest guy and so so. Yeah,

1:26:36.360 --> 1:26:39.200
<v Speaker 4>she loves And she tells me that she goes to

1:26:39.240 --> 1:26:42.720
<v Speaker 4>see shows a lot, and she tells me that is

1:26:42.880 --> 1:26:46.400
<v Speaker 4>her out, that is what fuels her soul. That's how

1:26:46.439 --> 1:26:48.920
<v Speaker 4>she doesn't get depressed by all of this all the time.

1:26:50.080 --> 1:26:53.800
<v Speaker 2>Yeah, that makes sense. But it's still like, you know,

1:26:53.840 --> 1:26:56.639
<v Speaker 2>an acting thing. I like that her hobby is still

1:26:56.680 --> 1:26:59.439
<v Speaker 2>really connected to her work.

1:27:00.120 --> 1:27:00.400
<v Speaker 3>Yeah.

1:27:01.040 --> 1:27:03.360
<v Speaker 4>I think she mostly I think she mostly chooses like

1:27:03.640 --> 1:27:08.280
<v Speaker 4>comedies and feel good musical theater. Yeah, because that's the

1:27:08.320 --> 1:27:10.559
<v Speaker 4>thing that she she needs more than well.

1:27:10.720 --> 1:27:11.880
<v Speaker 3>I have the same vibe as her.

1:27:11.880 --> 1:27:15.160
<v Speaker 2>That's what I'm usually going to uh huh, laughing and

1:27:15.240 --> 1:27:17.160
<v Speaker 2>fun girls singing, I think.

1:27:17.040 --> 1:27:21.800
<v Speaker 1>Is my qualifications of shows. We had Alex Brightman on

1:27:21.840 --> 1:27:26.720
<v Speaker 1>the pod. Oh yeah, you were Barbara in Beetlejuice.

1:27:27.320 --> 1:27:31.960
<v Speaker 4>Yes, I remember him telling me when he got that

1:27:32.520 --> 1:27:34.040
<v Speaker 4>because we were doing Beetle Juice at the time, and

1:27:34.080 --> 1:27:36.040
<v Speaker 4>he's like, so they just asked me to do this.

1:27:36.680 --> 1:27:37.920
<v Speaker 3>I was like, Oh, you're gonna have the best time.

1:27:38.439 --> 1:27:40.479
<v Speaker 1>So you've done like so yeah, like tell it. Like,

1:27:40.520 --> 1:27:43.120
<v Speaker 1>we want to talk about your Broadway career besides Beetlejuice.

1:27:43.120 --> 1:27:46.920
<v Speaker 1>I mean, you've done Hairspray, Little Shop of Horrors, Xana,

1:27:46.960 --> 1:27:49.640
<v Speaker 1>do Rock of Ages, mean girls, You've done like a

1:27:49.680 --> 1:27:51.120
<v Speaker 1>million shows.

1:27:52.040 --> 1:27:52.560
<v Speaker 3>Yeah.

1:27:52.760 --> 1:27:55.639
<v Speaker 4>Yeah, I've been really lucky.

1:27:55.880 --> 1:27:59.839
<v Speaker 3>I am living my dream. Yeah. Are you a too Broadway?

1:28:00.080 --> 1:28:03.040
<v Speaker 1>Are you doing anything like coming up or like finishing

1:28:03.080 --> 1:28:05.519
<v Speaker 1>anything or like, what's what's going on?

1:28:05.560 --> 1:28:06.400
<v Speaker 3>This is fun?

1:28:07.320 --> 1:28:09.680
<v Speaker 4>You mentioned that I did Hairspray and I created a

1:28:09.760 --> 1:28:13.639
<v Speaker 4>show with the other two women I did Hairspray with

1:28:13.920 --> 1:28:17.479
<v Speaker 4>over twenty years ago, Laura Bell Bundy and Marissa Winoker,

1:28:17.680 --> 1:28:22.040
<v Speaker 4>who also is a huge SVU fan, Like she is

1:28:22.320 --> 1:28:25.880
<v Speaker 4>she is your audience, Like she watches every episode over

1:28:25.920 --> 1:28:26.559
<v Speaker 4>and over again.

1:28:26.840 --> 1:28:29.840
<v Speaker 3>When I got when I got lown Arner, she was

1:28:30.040 --> 1:28:34.160
<v Speaker 3>so so excited. Wait Laura, which one Larissa?

1:28:34.479 --> 1:28:37.760
<v Speaker 4>Oh, Okay, Marissa is obsessed and she's never been on

1:28:38.400 --> 1:28:42.639
<v Speaker 4>so she has to I think because she's in la

1:28:43.040 --> 1:28:45.360
<v Speaker 4>you know, and so I think that's why. But she

1:28:45.600 --> 1:28:47.960
<v Speaker 4>is one of those people that watches them over and

1:28:48.000 --> 1:28:51.800
<v Speaker 4>over again. So I created the show with them called Mama,

1:28:51.840 --> 1:28:54.720
<v Speaker 4>I'm a Big Girl Now, and it's based on, you know,

1:28:54.800 --> 1:28:57.719
<v Speaker 4>our friendship from when we did the show together and

1:28:57.840 --> 1:29:02.560
<v Speaker 4>then becoming mom ourselves and kind of all of the

1:29:03.320 --> 1:29:06.080
<v Speaker 4>shows we've done in between in our lives now. And

1:29:06.320 --> 1:29:08.439
<v Speaker 4>it's been really really fun. We had an off Broadway

1:29:08.520 --> 1:29:10.439
<v Speaker 4>run and now we're on tour. I don't know when

1:29:10.479 --> 1:29:11.960
<v Speaker 4>this is coming out, but this weekend we're going to

1:29:12.000 --> 1:29:15.240
<v Speaker 4>be in Palm Springs and we're going to Kentucky.

1:29:15.320 --> 1:29:17.439
<v Speaker 3>Yeah, we're traveling all over and so it's so fun.

1:29:17.479 --> 1:29:21.799
<v Speaker 4>Like just imagine traveling with your closest friends and getting

1:29:21.800 --> 1:29:24.320
<v Speaker 4>to perform a show with them. It's in all of

1:29:24.360 --> 1:29:26.640
<v Speaker 4>these like fancy places. It's so much fun, and the

1:29:26.680 --> 1:29:32.200
<v Speaker 4>audience loves it, so saying yeah, so like Mariska, you know,

1:29:33.080 --> 1:29:35.600
<v Speaker 4>loves theater. Like, we just wanted to do something that

1:29:35.600 --> 1:29:36.240
<v Speaker 4>spreads joy.

1:29:36.360 --> 1:29:37.200
<v Speaker 3>At this time, you.

1:29:37.160 --> 1:29:41.200
<v Speaker 4>Know, we're like we're so needed, so down, we just

1:29:41.360 --> 1:29:42.360
<v Speaker 4>need to spread joy.

1:29:42.479 --> 1:29:42.920
<v Speaker 3>That's it.

1:29:43.840 --> 1:29:46.520
<v Speaker 1>Well, this comes out in two weeks like the fifteenth,

1:29:46.640 --> 1:29:49.639
<v Speaker 1>So I don't know, Okay dates, Okay, so then yes, yes,

1:29:49.760 --> 1:29:52.040
<v Speaker 1>check out our website Mama and Big.

1:29:51.880 --> 1:29:54.360
<v Speaker 4>Girl Now and we have a bunch of dates coming

1:29:54.400 --> 1:29:55.320
<v Speaker 4>up around the country.

1:29:55.520 --> 1:29:56.120
<v Speaker 3>Amazing.

1:29:56.360 --> 1:29:58.240
<v Speaker 1>Yeah, you can check out that like a three fur

1:29:58.400 --> 1:30:00.400
<v Speaker 1>you can see three Broadway stars and one.

1:30:00.439 --> 1:30:03.320
<v Speaker 3>That's right, that's what we say. People pay for one

1:30:03.320 --> 1:30:08.600
<v Speaker 3>Broadway start, they get three, get three amazing friends.

1:30:09.000 --> 1:30:15.320
<v Speaker 4>Yeah, it's really like it's really like girl power, motherhood,

1:30:15.680 --> 1:30:17.160
<v Speaker 4>you know, all of that stuff.

1:30:17.320 --> 1:30:20.280
<v Speaker 3>Do you know my friend John Hill, he was in Hairspray.

1:30:20.360 --> 1:30:21.040
<v Speaker 3>Oh you know John?

1:30:21.280 --> 1:30:21.400
<v Speaker 1>Oh?

1:30:21.439 --> 1:30:24.960
<v Speaker 4>I love John Hill. Yeah, we were best best friends

1:30:24.960 --> 1:30:29.760
<v Speaker 4>with John Hill. Doraing Hairspray and John a photo of

1:30:29.800 --> 1:30:34.240
<v Speaker 4>the Zoom then yes, yes, Oh my gosh, we all

1:30:34.479 --> 1:30:37.640
<v Speaker 4>adore Jeh Hill. Marissa still like works with him on

1:30:37.640 --> 1:30:38.080
<v Speaker 4>his show.

1:30:38.280 --> 1:30:40.559
<v Speaker 1>Yeah, that's what I was gonna say, Like we worked

1:30:40.600 --> 1:30:42.639
<v Speaker 1>together on something and he was always telling me about

1:30:42.680 --> 1:30:44.799
<v Speaker 1>Marissa and like how he was in Hairspray and stuff.

1:30:44.840 --> 1:30:47.760
<v Speaker 1>So it just it just like popped into me that

1:30:47.840 --> 1:30:48.679
<v Speaker 1>he did Hairspray.

1:30:48.720 --> 1:30:50.840
<v Speaker 3>I forgot. I just saw him.

1:30:50.680 --> 1:30:53.000
<v Speaker 2>For the first time in face to face I did

1:30:53.000 --> 1:30:54.479
<v Speaker 2>his radio show, and.

1:30:54.680 --> 1:30:57.000
<v Speaker 3>He is like really beautiful to look at. I was

1:30:57.240 --> 1:30:58.880
<v Speaker 3>really it's.

1:30:58.800 --> 1:31:03.360
<v Speaker 4>Really the TV just voice that he doesn't use.

1:31:03.360 --> 1:31:03.680
<v Speaker 2>He does.

1:31:04.000 --> 1:31:05.960
<v Speaker 3>He gorgeous, he does, he does. He.

1:31:05.960 --> 1:31:10.519
<v Speaker 1>He just did my show recently doing like comedic songs.

1:31:09.960 --> 1:31:11.479
<v Speaker 3>And it was really funny.

1:31:11.680 --> 1:31:14.080
<v Speaker 1>He writes like these funny songs like I Know this

1:31:14.280 --> 1:31:16.840
<v Speaker 1>Dog and whatever the hell else, but like so funny.

1:31:16.880 --> 1:31:18.080
<v Speaker 3>He's singing a little bit.

1:31:18.000 --> 1:31:21.000
<v Speaker 4>You know, Okay, good good, Yeah, to be so hot

1:31:21.280 --> 1:31:25.879
<v Speaker 4>such a yeah, it's crazy, it's really nuts.

1:31:26.240 --> 1:31:29.040
<v Speaker 3>What's your dream theater role?

1:31:30.160 --> 1:31:35.320
<v Speaker 4>Well, gosh, I love creating new shows, you know. I've

1:31:35.320 --> 1:31:37.519
<v Speaker 4>gotten to create so many new shows, so that's really

1:31:37.560 --> 1:31:40.760
<v Speaker 4>my favorite. But my first show that he did in

1:31:40.800 --> 1:31:43.799
<v Speaker 4>Broadway was Blood Brothers Anyone Anyway.

1:31:45.479 --> 1:31:49.320
<v Speaker 3>So he was from London and I was the understudy.

1:31:49.479 --> 1:31:53.720
<v Speaker 4>And now I am old enough to play like the lead,

1:31:53.840 --> 1:31:55.680
<v Speaker 4>the mother role, and so that is one of my

1:31:55.760 --> 1:31:59.559
<v Speaker 4>dream roles. Oh okay, And actually when I did so,

1:31:59.760 --> 1:32:02.000
<v Speaker 4>it was my first show I didn a Broadway and

1:32:02.120 --> 1:32:05.240
<v Speaker 4>I did it with the first cast from London. Then

1:32:05.560 --> 1:32:11.040
<v Speaker 4>I did it with Sean and David Cassidy. Oh Carol

1:32:11.200 --> 1:32:17.600
<v Speaker 4>King like was just the cast was just revolving stars.

1:32:17.800 --> 1:32:20.160
<v Speaker 4>And I got my first ray show yeah.

1:32:20.120 --> 1:32:20.519
<v Speaker 3>So fun.

1:32:20.600 --> 1:32:22.640
<v Speaker 1>That's so I think that's so cool too that on

1:32:22.720 --> 1:32:24.800
<v Speaker 1>Broadway it's like you're too young to play this role,

1:32:24.920 --> 1:32:26.640
<v Speaker 1>like wait a little bit, you can play the the

1:32:26.840 --> 1:32:29.720
<v Speaker 1>like the good part, you know, Yeah.

1:32:29.400 --> 1:32:30.160
<v Speaker 3>I know, I know.

1:32:30.200 --> 1:32:34.320
<v Speaker 4>It's like the only, only only kind of acting where

1:32:34.360 --> 1:32:36.280
<v Speaker 4>you can actually have a career as an older woman.

1:32:37.920 --> 1:32:43.280
<v Speaker 2>I also saw in your Insta bio you teach Yes,

1:32:43.479 --> 1:32:45.280
<v Speaker 2>is that something you a podcast?

1:32:45.320 --> 1:32:46.280
<v Speaker 3>Okay, tell us more.

1:32:46.560 --> 1:32:49.719
<v Speaker 4>I have a podcast called Breaking Broadway All four because

1:32:49.760 --> 1:32:51.920
<v Speaker 4>the biggest question I get asked on my Instagram on

1:32:52.000 --> 1:32:53.559
<v Speaker 4>this how can I break into Bride?

1:32:53.920 --> 1:32:55.320
<v Speaker 3>So I was like, you know what, I'm.

1:32:55.120 --> 1:32:56.800
<v Speaker 4>Just gonna put it into a podcast so then you

1:32:56.840 --> 1:32:59.880
<v Speaker 4>can listen to it. And so it's fun. I, you know,

1:33:00.040 --> 1:33:02.800
<v Speaker 4>interview people in the business and I try and find

1:33:02.800 --> 1:33:05.559
<v Speaker 4>out people's rejection stories because I always find that to

1:33:05.600 --> 1:33:09.559
<v Speaker 4>be inspirational. And then I introduce you casting directors and

1:33:09.720 --> 1:33:12.280
<v Speaker 4>you know, just things to help people kind of anybody

1:33:12.280 --> 1:33:13.880
<v Speaker 4>who wants to be an actor to make it.

1:33:14.360 --> 1:33:16.240
<v Speaker 1>I've been seeing a lot of these in my like

1:33:16.320 --> 1:33:18.160
<v Speaker 1>for you page of girls that are like come with

1:33:18.200 --> 1:33:20.799
<v Speaker 1>me on a day trying to get cast on Broadway.

1:33:20.880 --> 1:33:23.280
<v Speaker 1>And it's like if they're not repped, they're just like

1:33:23.560 --> 1:33:25.200
<v Speaker 1>I wake up at the in the middle of the

1:33:25.280 --> 1:33:26.840
<v Speaker 1>night and I go into the city because I live

1:33:26.840 --> 1:33:28.439
<v Speaker 1>in New Jersey, and then I sign up for an

1:33:28.439 --> 1:33:30.760
<v Speaker 1>open call, and then I do the open call and

1:33:30.800 --> 1:33:33.280
<v Speaker 1>that takes forever, and then I'll go and like you

1:33:33.320 --> 1:33:37.040
<v Speaker 1>know classes, yeah, and then go this, and then I'll

1:33:37.080 --> 1:33:37.400
<v Speaker 1>do this.

1:33:37.479 --> 1:33:38.759
<v Speaker 3>It's like it's a hustle.

1:33:39.680 --> 1:33:41.240
<v Speaker 4>Oh yeah, I know. I feel like if I had

1:33:41.240 --> 1:33:42.880
<v Speaker 4>to do it now, I would not make it.

1:33:42.960 --> 1:33:45.400
<v Speaker 3>You know. It's just I mean to get up. That

1:33:45.560 --> 1:33:46.320
<v Speaker 3>is dedication.

1:33:46.520 --> 1:33:48.679
<v Speaker 4>They really do get up at like four in the morning,

1:33:48.800 --> 1:33:50.000
<v Speaker 4>sign in at five in the morning.

1:33:51.720 --> 1:33:52.720
<v Speaker 3>Yeah, so that you can like.

1:33:52.800 --> 1:33:56.160
<v Speaker 1>Maybe get plucked out to do the chorus or something, you.

1:33:56.080 --> 1:33:58.800
<v Speaker 4>Know, maybe or maybe maybe get the audition. They're going

1:33:58.840 --> 1:34:00.519
<v Speaker 4>now really and they're not even getting teap to get

1:34:00.560 --> 1:34:01.000
<v Speaker 4>the audition.

1:34:01.200 --> 1:34:02.120
<v Speaker 3>Yeah yeah, yeah.

1:34:02.840 --> 1:34:05.000
<v Speaker 1>I just saw Death Becomes Her on Broadway. That was

1:34:05.040 --> 1:34:07.120
<v Speaker 1>the last thing I saw because I live in la also,

1:34:07.240 --> 1:34:09.280
<v Speaker 1>so I don't see as much Broadway as I used to.

1:34:09.320 --> 1:34:15.320
<v Speaker 1>But uh, like the chorus dancers were the sexiest people

1:34:15.360 --> 1:34:16.200
<v Speaker 1>I'd ever seen.

1:34:16.840 --> 1:34:18.640
<v Speaker 3>I was like, these people are amazing.

1:34:18.800 --> 1:34:23.839
<v Speaker 2>Well, it really helped do that like cut out.

1:34:24.680 --> 1:34:30.960
<v Speaker 4>I just saw Glengarry Glenn Ross last night, Bill Burr. Okay,

1:34:31.720 --> 1:34:34.200
<v Speaker 4>it was opening, yeah, yeah, okay, cool.

1:34:34.240 --> 1:34:37.400
<v Speaker 3>I saw some real carpet photos. Yeah yeah, yeah, it

1:34:37.439 --> 1:34:38.959
<v Speaker 3>was exciting. It was exciting.

1:34:39.120 --> 1:34:41.439
<v Speaker 1>And what's your review. We can blurt, we can cut

1:34:41.479 --> 1:34:42.439
<v Speaker 1>it out if you if it's not.

1:34:42.880 --> 1:34:44.800
<v Speaker 3>I loved it. I loved it. Yeah.

1:34:44.840 --> 1:34:48.400
<v Speaker 4>I thought it was great, really like great, great performances.

1:34:49.439 --> 1:34:49.879
<v Speaker 3>Bilbert.

1:34:49.920 --> 1:34:52.880
<v Speaker 4>I didn't really know him, but he was fantastic. I

1:34:52.880 --> 1:34:54.920
<v Speaker 4>think he's the big surprise because people were like, he's

1:34:54.920 --> 1:34:58.720
<v Speaker 4>a comedian and right, so they were like, none of us, Yeah,

1:34:58.720 --> 1:34:59.080
<v Speaker 4>but he was.

1:34:59.120 --> 1:34:59.719
<v Speaker 3>He did great.

1:35:00.000 --> 1:35:01.599
<v Speaker 2>I think you said some acting role, you know, more

1:35:01.640 --> 1:35:04.840
<v Speaker 2>and more, but this is definitely probably a new thing.

1:35:04.720 --> 1:35:06.640
<v Speaker 1>For He had a little part in Breaking but he

1:35:06.680 --> 1:35:08.560
<v Speaker 1>had a little recurring part in either Breaking Bad or

1:35:08.600 --> 1:35:10.240
<v Speaker 1>Better Passault, right, but he was on the King of

1:35:10.280 --> 1:35:11.080
<v Speaker 1>Staten Island too.

1:35:11.160 --> 1:35:13.800
<v Speaker 3>He was sad and yeah.

1:35:13.840 --> 1:35:16.800
<v Speaker 2>But if you ever want to laugh, his special let

1:35:16.840 --> 1:35:19.000
<v Speaker 2>It Go is like one of the best.

1:35:19.080 --> 1:35:23.120
<v Speaker 3>It's probably from two thousand and five, but it's oh, okay, okay,

1:35:23.320 --> 1:35:24.000
<v Speaker 3>so fun.

1:35:23.920 --> 1:35:27.080
<v Speaker 2>You're in the mood, just laugh. Oh, speaking of comme,

1:35:27.400 --> 1:35:29.320
<v Speaker 2>I'm a I was a big Mindy project. Girl, Will

1:35:29.360 --> 1:35:31.800
<v Speaker 2>you tell us so was I?

1:35:32.280 --> 1:35:35.080
<v Speaker 3>Oh? Fun? Oh my gosh, that was That was a

1:35:35.200 --> 1:35:36.439
<v Speaker 3>really really fun one to do.

1:35:37.840 --> 1:35:41.120
<v Speaker 4>I don't I think somehow I didn't even audition for that.

1:35:41.120 --> 1:35:43.559
<v Speaker 4>They watched tape of me. I think that maybe the

1:35:43.560 --> 1:35:47.240
<v Speaker 4>writers were fans of mine, which rarely happens, I know,

1:35:47.280 --> 1:35:50.400
<v Speaker 4>And they were showing Mindy the like clips from Little

1:35:50.400 --> 1:35:56.400
<v Speaker 4>Shop of Horrors, and they cast me as the Southern girlfriend.

1:35:57.240 --> 1:35:59.640
<v Speaker 4>And it was so hard to keep straight face on

1:35:59.680 --> 1:36:03.120
<v Speaker 4>that show because Mindy would improvise so much in the

1:36:03.240 --> 1:36:04.880
<v Speaker 4>scenes and.

1:36:05.080 --> 1:36:07.160
<v Speaker 3>It was so funny. Like I remember there.

1:36:07.040 --> 1:36:10.400
<v Speaker 4>Being a bread basket on the table and when Mindy

1:36:10.439 --> 1:36:12.639
<v Speaker 4>got mad, she was like, I'll.

1:36:12.439 --> 1:36:14.479
<v Speaker 3>Just I'll be taking these with me and just walks

1:36:14.520 --> 1:36:17.000
<v Speaker 3>off with the bread. And that was never she never

1:36:17.080 --> 1:36:17.360
<v Speaker 3>heard that.

1:36:17.479 --> 1:36:20.160
<v Speaker 4>She only did that for one take, or just like

1:36:20.200 --> 1:36:21.559
<v Speaker 4>shoving the bread into her mouth.

1:36:21.720 --> 1:36:24.400
<v Speaker 3>It was. She's so funny. That was such a fun

1:36:24.439 --> 1:36:24.880
<v Speaker 3>show to do.

1:36:25.160 --> 1:36:29.200
<v Speaker 4>Oh that's awesome and really also also really down to earth,

1:36:29.280 --> 1:36:29.920
<v Speaker 4>really nice.

1:36:30.479 --> 1:36:32.400
<v Speaker 3>That's amazing, that's so fun.

1:36:32.880 --> 1:36:37.080
<v Speaker 1>The other thing I got from your Wikipedia was your

1:36:37.160 --> 1:36:38.800
<v Speaker 1>husband is a muppet puppeteer.

1:36:39.000 --> 1:36:44.360
<v Speaker 4>Yes, yes, crazy, Yeah, my husband was on Sesame Street

1:36:44.360 --> 1:36:46.439
<v Speaker 4>for over twenty five years. He was the head writer

1:36:46.760 --> 1:36:49.759
<v Speaker 4>and he does the puppets and directs of the shows.

1:36:49.760 --> 1:36:53.320
<v Speaker 4>But now he has left and now he's still doing puppets,

1:36:53.560 --> 1:36:56.800
<v Speaker 4>but he's writing on different shows and trying to create

1:36:56.840 --> 1:36:58.880
<v Speaker 4>other new kids shows and things like that.

1:36:59.280 --> 1:37:03.600
<v Speaker 3>But yeah, it was planning. Wait, that's awesome. Oh my gosh,

1:37:03.640 --> 1:37:05.760
<v Speaker 3>well we love it's funny.

1:37:06.040 --> 1:37:07.760
<v Speaker 4>Yeah, we and we grew up down the street from

1:37:07.760 --> 1:37:10.760
<v Speaker 4>each other, so it just happened that we both were

1:37:10.760 --> 1:37:12.800
<v Speaker 4>in the in the business. But we knew each other

1:37:13.040 --> 1:37:14.000
<v Speaker 4>from when we were just kids.

1:37:14.400 --> 1:37:14.839
<v Speaker 3>Wow.

1:37:14.960 --> 1:37:17.000
<v Speaker 4>I was I was Kim, he was Hugo and bye

1:37:17.000 --> 1:37:18.280
<v Speaker 4>bye Bertie in high school.

1:37:18.360 --> 1:37:24.240
<v Speaker 1>Stop it. That is so cute. Thank you so much. Yeah,

1:37:24.280 --> 1:37:26.880
<v Speaker 1>thanks for talking to us, Carrie. This is great.

1:37:27.000 --> 1:37:34.760
<v Speaker 3>Sure, thanks for having me so fun. Well, I mean

1:37:35.600 --> 1:37:36.479
<v Speaker 3>that was a thrill.

1:37:36.680 --> 1:37:39.240
<v Speaker 2>And I always everyone I brought carry Butler up to

1:37:39.360 --> 1:37:42.080
<v Speaker 2>couldn't believe that we talked to her. She really is

1:37:42.200 --> 1:37:45.439
<v Speaker 2>a Broadway beloved baby, because people were even by acting

1:37:45.479 --> 1:37:46.479
<v Speaker 2>coach he was like.

1:37:46.800 --> 1:37:47.919
<v Speaker 3>I love Carrie Butler.

1:37:50.200 --> 1:37:53.040
<v Speaker 1>Oh fu Yeah, no, she was great, And now we

1:37:53.080 --> 1:37:55.160
<v Speaker 1>have to do that other episode she's in den of Wolt.

1:37:55.200 --> 1:37:56.200
<v Speaker 3>I mean, I don't know if we have to.

1:37:56.240 --> 1:37:59.400
<v Speaker 1>It's extremely disturbing, but we'll probably do it at some point.

1:38:01.400 --> 1:38:04.439
<v Speaker 1>But yeah, oh my god, this episode, this true crime,

1:38:04.600 --> 1:38:08.679
<v Speaker 1>it's so fucking crazy that women just can't be by

1:38:08.760 --> 1:38:11.320
<v Speaker 1>themselves sometimes.

1:38:10.479 --> 1:38:12.800
<v Speaker 3>Without fear of murder.

1:38:13.560 --> 1:38:15.720
<v Speaker 1>Yeah, that's kind of what I took away from it,

1:38:15.960 --> 1:38:20.000
<v Speaker 1>Like she with all the like hubbub of like her

1:38:20.040 --> 1:38:23.040
<v Speaker 1>making out with the people, and the cross dressing principle

1:38:23.280 --> 1:38:27.200
<v Speaker 1>and the podcast producer who's maybe a creep, it really

1:38:27.280 --> 1:38:29.559
<v Speaker 1>was just she gave a sandwich to the wrong guy.

1:38:29.720 --> 1:38:32.639
<v Speaker 1>And that's I talked about that on Ane, another podcast

1:38:32.680 --> 1:38:34.719
<v Speaker 1>I went on recently where I was like, so many

1:38:35.000 --> 1:38:38.000
<v Speaker 1>murders are I feel like they're just literally wrong place,

1:38:38.040 --> 1:38:41.680
<v Speaker 1>wrong time, and it's so freaky. Like when I think

1:38:41.680 --> 1:38:45.040
<v Speaker 1>about the one we covered on townhouse incident, Remember how

1:38:45.080 --> 1:38:48.479
<v Speaker 1>like those guys were just looking to fuck up some houses.

1:38:48.520 --> 1:38:50.280
<v Speaker 1>But then one guy he just saw the girl in

1:38:50.280 --> 1:38:52.680
<v Speaker 1>the supermarket. Like if they hadn't been in that supermarket

1:38:52.680 --> 1:38:54.920
<v Speaker 1>that day, he wouldn't have gone to her house. You know.

1:38:54.960 --> 1:38:59.360
<v Speaker 1>It's just like, really, who knows what life will bring?

1:39:00.120 --> 1:39:02.679
<v Speaker 2>Well, Yeah, and to bring it back to the yoga

1:39:02.720 --> 1:39:05.920
<v Speaker 2>beach though again is They also in the doc talk

1:39:05.960 --> 1:39:09.519
<v Speaker 2>to people that escaped him really that were like, yeah,

1:39:09.560 --> 1:39:12.880
<v Speaker 2>cause he targeted sex workers. So there were situations where

1:39:12.920 --> 1:39:14.280
<v Speaker 2>like a girl was like I need to get the

1:39:14.280 --> 1:39:16.200
<v Speaker 2>fuck out of here and was able to do that,

1:39:16.360 --> 1:39:19.240
<v Speaker 2>like you know, and had a taser, had to fight

1:39:19.280 --> 1:39:22.920
<v Speaker 2>them all like oh my god. But they were scared

1:39:22.960 --> 1:39:25.440
<v Speaker 2>to go to the cops with information and they refused.

1:39:25.880 --> 1:39:29.520
<v Speaker 2>They refused to talk to the sex workers for investigative

1:39:29.560 --> 1:39:30.240
<v Speaker 2>purposes either.

1:39:31.439 --> 1:39:33.839
<v Speaker 3>Right, Yeah, it's.

1:39:33.760 --> 1:39:38.480
<v Speaker 2>Just like it's all fucked up and upsetting as always.

1:39:39.600 --> 1:39:43.280
<v Speaker 2>I don't know, it's so hard to always have a postmortem.

1:39:43.320 --> 1:39:46.960
<v Speaker 2>I'm like, I know, it sucks, this sucks, It all sucks.

1:39:47.280 --> 1:39:47.960
<v Speaker 2>What do you want?

1:39:48.280 --> 1:39:53.000
<v Speaker 1>Like, you know, the the men are out here doing

1:39:53.040 --> 1:39:55.759
<v Speaker 1>bad things NonStop all the time, and then the people

1:39:55.760 --> 1:39:57.720
<v Speaker 1>that are supposed to do their job to help are

1:39:57.800 --> 1:39:59.960
<v Speaker 1>also doing bad things, and everyone's just doing bad things.

1:40:00.720 --> 1:40:01.240
<v Speaker 3>Yeah.

1:40:01.800 --> 1:40:04.720
<v Speaker 1>Yeah, and that's that. On that, I don't know what

1:40:04.800 --> 1:40:07.800
<v Speaker 1>else to say. Like she shouldn't have given him a sandwich.

1:40:08.439 --> 1:40:11.360
<v Speaker 2>She should have been in Canada putting her kids to bed,

1:40:11.560 --> 1:40:11.840
<v Speaker 2>you know.

1:40:11.880 --> 1:40:16.800
<v Speaker 1>Yeah, like whatever, why was she traveling alone?

1:40:17.200 --> 1:40:20.400
<v Speaker 2>I mean, but she must have been so fucked up

1:40:20.640 --> 1:40:22.000
<v Speaker 2>because like that, like.

1:40:23.160 --> 1:40:26.400
<v Speaker 3>The teacher's wig was like not well done.

1:40:26.200 --> 1:40:28.880
<v Speaker 2>You know what I mean, Like when you see a

1:40:29.000 --> 1:40:31.760
<v Speaker 2>dude in drag, like you could tell that's the whole thing,

1:40:31.800 --> 1:40:33.759
<v Speaker 2>you know what I mean, Like if you see Tricksie,

1:40:33.800 --> 1:40:37.000
<v Speaker 2>you're like, that's that's a performer around huh. So I

1:40:37.120 --> 1:40:41.400
<v Speaker 2>just am like he wasn't even contouring, like he wasn't

1:40:41.479 --> 1:40:42.760
<v Speaker 2>good at drags.

1:40:42.800 --> 1:40:49.400
<v Speaker 1>So it's like you really couldn't tell. Yeah maybe then drugs. Yeah,

1:40:49.640 --> 1:40:53.160
<v Speaker 1>the ecstasy makes you have, you know, a little bit

1:40:53.200 --> 1:40:55.120
<v Speaker 1>of blurry vision, I guess in terms of that.

1:40:55.760 --> 1:40:58.559
<v Speaker 2>But she could tell him didn't care. She's like a

1:40:58.560 --> 1:41:00.719
<v Speaker 2>good person, But that didn't seem like the story.

1:41:00.760 --> 1:41:02.960
<v Speaker 1>Well isn't that why she left though, like because she

1:41:03.000 --> 1:41:04.479
<v Speaker 1>figured out Yeah, but we you know.

1:41:05.160 --> 1:41:06.559
<v Speaker 3>That was like a plot hole for me because we

1:41:06.640 --> 1:41:07.519
<v Speaker 3>watched them dance.

1:41:08.240 --> 1:41:11.840
<v Speaker 2>Yeah, maybe she grabbed his dick and like laughs, I.

1:41:11.800 --> 1:41:17.920
<v Speaker 1>Don't know, all right, Well, yeah, a sad one. I

1:41:18.000 --> 1:41:20.559
<v Speaker 1>was definitely sad. We don't like, we don't like lose

1:41:20.600 --> 1:41:23.800
<v Speaker 1>the victim, like that's been in the hospital. And I

1:41:23.840 --> 1:41:27.320
<v Speaker 1>also like making videos like that. I make videos with

1:41:27.360 --> 1:41:28.960
<v Speaker 1>that all the time when I'm drunk and having a

1:41:29.000 --> 1:41:30.880
<v Speaker 1>great night. So now I'm like, Okay, I guess that's

1:41:30.880 --> 1:41:33.160
<v Speaker 1>a jinx. And I can never memorialize a fun little

1:41:33.240 --> 1:41:37.240
<v Speaker 1>video again. Every video you make, you have to be like,

1:41:37.280 --> 1:41:39.440
<v Speaker 1>this could be what they play on the evening news.

1:41:40.240 --> 1:41:41.679
<v Speaker 3>If you can get into my phone.

1:41:41.920 --> 1:41:43.840
<v Speaker 2>Yeah, but you could write it with like a photo

1:41:43.960 --> 1:41:45.880
<v Speaker 2>or something if anything happens.

1:41:46.320 --> 1:41:50.960
<v Speaker 3>Oh yeah, that's true. Good to know. All right, Well,

1:41:52.240 --> 1:41:56.000
<v Speaker 3>let's move on to what would Sister Peg do? This week?

1:41:56.040 --> 1:41:57.680
<v Speaker 1>For what would Sister Peg Do, which you guys know,

1:41:57.760 --> 1:42:00.720
<v Speaker 1>is our weekly segment where we direct you towards and organization,

1:42:00.880 --> 1:42:03.280
<v Speaker 1>an article, a book, something to give you more info

1:42:03.280 --> 1:42:06.360
<v Speaker 1>about what we talked about today. I wanted to look into,

1:42:06.600 --> 1:42:09.599
<v Speaker 1>you know, women traveling solo. It's a huge thing. Women

1:42:09.640 --> 1:42:11.880
<v Speaker 1>travel solo all the time. It's becoming more and more

1:42:11.920 --> 1:42:15.160
<v Speaker 1>popular every year. And I wanted to just point you

1:42:15.200 --> 1:42:18.599
<v Speaker 1>to this article titled fifteen Tips for traveling alone as

1:42:18.600 --> 1:42:21.920
<v Speaker 1>a woman. It's on the World Packers website. It's just

1:42:21.960 --> 1:42:23.400
<v Speaker 1>a short list of things you can do to like,

1:42:23.439 --> 1:42:25.599
<v Speaker 1>have fun, am be safe while traveling as a woman.

1:42:25.680 --> 1:42:28.880
<v Speaker 1>Some things, I you know, thought of, some things I

1:42:28.920 --> 1:42:30.880
<v Speaker 1>didn't like. One was like wear a wedding ring, or

1:42:30.920 --> 1:42:32.960
<v Speaker 1>don't overshare with strangers, like you don't have to tell

1:42:32.960 --> 1:42:37.240
<v Speaker 1>people your life story. There's a lot of interesting tips

1:42:37.280 --> 1:42:39.200
<v Speaker 1>on there, so check it out if you're planning a

1:42:39.240 --> 1:42:42.200
<v Speaker 1>trip by yourself. It's at Worldpackers dot com. But also

1:42:42.320 --> 1:42:45.280
<v Speaker 1>the exact link is in our show notes and we'll

1:42:45.320 --> 1:42:48.439
<v Speaker 1>be posted on our Instagram stories and saved forever in

1:42:48.479 --> 1:42:54.800
<v Speaker 1>our WWSPD highlight the day this episode comes out, and yeah,

1:42:55.160 --> 1:42:57.160
<v Speaker 1>happy trails, but stay safe.

1:42:57.520 --> 1:43:00.719
<v Speaker 2>Yeah, stay safe everyone, And next week we'll be doing

1:43:01.439 --> 1:43:06.320
<v Speaker 2>a lighthearted, charming episode. JK, we'll be doing Underbelly season eight,

1:43:06.479 --> 1:43:11.080
<v Speaker 2>episode seven. We're obsessed with all of you. Thanks for listening.

1:43:12.280 --> 1:43:16.040
<v Speaker 2>Stay alert, Stay alive, Stay alert, Stay alive. We finally

1:43:16.080 --> 1:43:21.479
<v Speaker 2>have our own tagline to murder. Stay alert, be a bitch. Yeah, okay,

1:43:21.600 --> 1:43:24.599
<v Speaker 2>sale alerts, Stay Alive, be a bitch.

1:43:24.640 --> 1:43:25.280
<v Speaker 3>It's all those.

1:43:25.160 --> 1:43:35.839
<v Speaker 2>Three that's messed up as an exactly right production.

1:43:36.240 --> 1:43:38.360
<v Speaker 1>If you have compliments you'd like to give us or

1:43:38.439 --> 1:43:40.679
<v Speaker 1>episodes you'd like us to cover, shoot us an email

1:43:40.680 --> 1:43:44.000
<v Speaker 1>it That's messed uppod at gmail dot com. Listen to

1:43:44.080 --> 1:43:46.960
<v Speaker 1>That's Messed Up on the iHeartRadio app, Apple Podcasts, or

1:43:47.000 --> 1:43:48.440
<v Speaker 1>wherever you get your podcasts.

1:43:48.600 --> 1:43:51.760
<v Speaker 2>Follow the podcast on Instagram at That's Messed Up Pod,

1:43:52.000 --> 1:43:55.839
<v Speaker 2>and follow us personally at Kara Klank and at Glitter Cheese.

1:43:56.120 --> 1:43:58.800
<v Speaker 1>As always, please see our show notes for sources and

1:43:58.840 --> 1:43:59.479
<v Speaker 1>more information.

1:44:00.000 --> 1:44:02.920
<v Speaker 2>Thank you so much to our senior producer Casey O'Brien

1:44:03.080 --> 1:44:06.240
<v Speaker 2>and our associate producer Christina Chamberlain, and to.

1:44:06.200 --> 1:44:09.360
<v Speaker 1>Our mixer John Bradley and our guest booker Patrick Cottner,

1:44:09.560 --> 1:44:12.240
<v Speaker 1>and to Henry Kaperski for our theme song, and Carly

1:44:12.360 --> 1:44:15.520
<v Speaker 1>Geen Andrews for our artwork. Thank you to our executive

1:44:15.520 --> 1:44:19.720
<v Speaker 1>producers Georgia Hardstart, Karen Kilgarriff, Daniel Kramer, and everybody at

1:44:19.760 --> 1:44:20.639
<v Speaker 1>Exactly Right Media.

1:44:21.560 --> 1:44:22.400
<v Speaker 3>Dun dun