1 00:00:00,120 --> 00:00:03,960 Speaker 1: This story contains adult content and language, along with references 2 00:00:03,960 --> 00:00:07,160 Speaker 1: to sexual assault. Listener discretion is advised. 3 00:00:13,119 --> 00:00:15,960 Speaker 2: She was eighteen, and she was the only one to 4 00:00:16,040 --> 00:00:19,079 Speaker 2: actually speak at the sentence scene and to actually directly 5 00:00:19,120 --> 00:00:21,520 Speaker 2: speak and apologize the victims' families. 6 00:00:21,920 --> 00:00:25,040 Speaker 1: What did she say? What was her explanation for all this? 7 00:00:25,760 --> 00:00:28,000 Speaker 2: I don't think she offered an explanation, because how can 8 00:00:28,040 --> 00:00:30,760 Speaker 2: you really explain anything. Yeah, all she could really do 9 00:00:30,840 --> 00:00:32,120 Speaker 2: is apologize for her role. 10 00:00:37,760 --> 00:00:41,400 Speaker 1: I'm Kate Winkler Dawson, a nonfiction author and journalism professor 11 00:00:41,400 --> 00:00:44,360 Speaker 1: in Austin, Texas. I'm also the host of the historical 12 00:00:44,400 --> 00:00:47,559 Speaker 1: true crime podcast tenfold More Wicked, as well as the 13 00:00:47,640 --> 00:00:50,920 Speaker 1: co host of the new show Buried Bones, both on 14 00:00:51,040 --> 00:00:54,400 Speaker 1: Exactly Right. I've traveled around the world interviewing people for 15 00:00:54,480 --> 00:00:57,279 Speaker 1: the show. I've interviewed some people in person and some 16 00:00:57,320 --> 00:01:01,360 Speaker 1: from my home studio over zoom and they are excellent writers. 17 00:01:01,600 --> 00:01:04,640 Speaker 1: They've had so many great true crime stories and now 18 00:01:04,680 --> 00:01:07,560 Speaker 1: we want to tell you those stories with details that 19 00:01:07,600 --> 00:01:11,679 Speaker 1: have never been published. Tenfold More Wicked presents Wicked Words 20 00:01:11,840 --> 00:01:14,920 Speaker 1: is about the choices that writers make, good and bad. 21 00:01:15,200 --> 00:01:18,320 Speaker 1: It's a deep dive into the stories behind the stories. 22 00:01:21,680 --> 00:01:25,000 Speaker 1: Author Vivian Hoe, is a freelance journalist in London, but 23 00:01:25,120 --> 00:01:27,679 Speaker 1: she was in San Francisco reporting for The Chronicle and 24 00:01:27,760 --> 00:01:30,080 Speaker 1: The Guardian at one point, and she wrote a book 25 00:01:30,120 --> 00:01:34,600 Speaker 1: called Those Who Wander America's Lost Street Kids. It's about 26 00:01:34,640 --> 00:01:37,400 Speaker 1: the murder of two people in San Francisco by three 27 00:01:37,600 --> 00:01:41,080 Speaker 1: unhoused people, but the killer's backgrounds and their lives on 28 00:01:41,120 --> 00:01:44,400 Speaker 1: the street make this story more complicated. We're in San 29 00:01:44,440 --> 00:01:47,760 Speaker 1: Francisco in twenty fifteen, so. 30 00:01:47,840 --> 00:01:50,880 Speaker 2: Twenty three year old Audrey Carrey was found dead in 31 00:01:51,040 --> 00:01:54,400 Speaker 2: Golden Gate Park, dead from a gunshot wound, and hiker 32 00:01:54,840 --> 00:01:58,120 Speaker 2: Steve Carter, who is sixty seven years old, was found 33 00:01:58,160 --> 00:02:00,760 Speaker 2: dead in an Amerne hiking trail just north of the 34 00:02:00,800 --> 00:02:01,720 Speaker 2: Golden Gate Bridge. 35 00:02:02,000 --> 00:02:04,280 Speaker 3: And it was just as serious, and murders. 36 00:02:04,000 --> 00:02:07,800 Speaker 2: That happened really close together, and nobody really knew what 37 00:02:07,880 --> 00:02:10,600 Speaker 2: was really happening, what was going on. You cover crimes, 38 00:02:10,600 --> 00:02:13,679 Speaker 2: so you understand that most crimes that happened that there's 39 00:02:13,680 --> 00:02:16,400 Speaker 2: a rhyme or reason to them. They're done by somebody 40 00:02:16,440 --> 00:02:18,799 Speaker 2: that you knew, or they're done like a robbery gone 41 00:02:18,840 --> 00:02:22,560 Speaker 2: wrong or something like that. And quite quickly the police 42 00:02:22,600 --> 00:02:26,720 Speaker 2: were able to connect these murders to three street kids. 43 00:02:26,919 --> 00:02:29,440 Speaker 2: If you're familiar with the San Francisco area, if you 44 00:02:29,440 --> 00:02:32,919 Speaker 2: familiar with California, if you're familiar with any urban area 45 00:02:32,960 --> 00:02:35,600 Speaker 2: in the United States, really you're familiar with these kids. 46 00:02:35,880 --> 00:02:38,799 Speaker 2: They're kids that you see hanging around the streets, and 47 00:02:39,160 --> 00:02:42,320 Speaker 2: they're kids that you would characterize if you were not 48 00:02:42,680 --> 00:02:45,960 Speaker 2: feeling especially kind as a person, you would see them 49 00:02:45,960 --> 00:02:47,840 Speaker 2: and you would be like, are you really homeless? You 50 00:02:47,919 --> 00:02:50,399 Speaker 2: seem to be having too much fun, that kind of thing. 51 00:02:50,720 --> 00:02:52,720 Speaker 2: But throughout the course of a reporting in the story 52 00:02:52,960 --> 00:02:54,920 Speaker 2: on this case, I came to learn a lot about 53 00:02:55,000 --> 00:02:55,880 Speaker 2: these kids. 54 00:02:56,120 --> 00:02:59,799 Speaker 1: And you say street kids, but with these three convicted killers, 55 00:03:00,120 --> 00:03:02,720 Speaker 1: one is eighteen and two are in their twenties. And 56 00:03:02,760 --> 00:03:04,720 Speaker 1: I know later on that you call them kids because 57 00:03:04,760 --> 00:03:07,400 Speaker 1: of their lack of maturity, particularly because of how they 58 00:03:07,400 --> 00:03:09,760 Speaker 1: grew up. So these aren't kids, but they seem like 59 00:03:09,840 --> 00:03:11,639 Speaker 1: it for various different reasons. 60 00:03:11,919 --> 00:03:14,200 Speaker 3: We'll get into that more in a bits. 61 00:03:14,600 --> 00:03:17,359 Speaker 2: As you know, in San Francisco, this sort of large 62 00:03:17,440 --> 00:03:20,239 Speaker 2: unhoused population was always a really big part of the 63 00:03:20,240 --> 00:03:23,519 Speaker 2: culture of San Francisco. That's a hate asp very neighborhood 64 00:03:23,760 --> 00:03:27,080 Speaker 2: where Audrey Carey, the first victim was found. A cloud 65 00:03:27,120 --> 00:03:30,519 Speaker 2: of fear kind of swept over this neighborhood, and this 66 00:03:31,040 --> 00:03:33,359 Speaker 2: entire community end up kind of getting escapegoated a little bit. 67 00:03:33,880 --> 00:03:37,880 Speaker 1: So this is San Francisco in twenty fifteen. What about 68 00:03:38,000 --> 00:03:40,560 Speaker 1: drugs in the city, because some of the story does 69 00:03:40,600 --> 00:03:41,680 Speaker 1: involve drugs. 70 00:03:41,840 --> 00:03:45,120 Speaker 2: I mean it was San Francisco. There are people smoking 71 00:03:45,160 --> 00:03:48,880 Speaker 2: on the streets. Depending what neighborhood you went to. The Tenderline, 72 00:03:48,880 --> 00:03:50,800 Speaker 2: for example, it was kind of know as sort of 73 00:03:50,800 --> 00:03:53,840 Speaker 2: an open air drug market. There are specific places that 74 00:03:53,840 --> 00:03:57,240 Speaker 2: people would go for specific things. You would go to 75 00:03:57,480 --> 00:04:00,920 Speaker 2: the hate Aspy neighborhood, where most of this book takes place, 76 00:04:01,200 --> 00:04:04,080 Speaker 2: if you're looking for other street kids and sort of 77 00:04:04,080 --> 00:04:07,480 Speaker 2: the hippie street kid community in this community was mostly 78 00:04:07,880 --> 00:04:10,440 Speaker 2: a lot of weed. But what was happening a lot 79 00:04:10,520 --> 00:04:13,040 Speaker 2: more than this community is a lot more harder drugs, 80 00:04:13,080 --> 00:04:15,440 Speaker 2: a lot of meth, a lot of dope. San Francisco 81 00:04:16,080 --> 00:04:19,480 Speaker 2: enacted some of the harshest laws against homelessness in the country. 82 00:04:19,680 --> 00:04:23,359 Speaker 2: It was illegal to sit on the sidewalks, illegal to 83 00:04:23,400 --> 00:04:24,560 Speaker 2: lie down in the sidewalk. 84 00:04:24,800 --> 00:04:28,320 Speaker 1: Well, public camping was out. I'm assuming that was the ban, right, Yes, 85 00:04:28,720 --> 00:04:31,760 Speaker 1: were there enough shelters for the amount of unhoused people 86 00:04:31,839 --> 00:04:34,240 Speaker 1: who were in San Francisco in twenty fifteen. 87 00:04:34,760 --> 00:04:35,000 Speaker 3: Never? 88 00:04:35,480 --> 00:04:38,680 Speaker 2: Never, There have never been enough shelters, enough beds for 89 00:04:38,760 --> 00:04:40,400 Speaker 2: the people that needed beds. 90 00:04:40,680 --> 00:04:43,440 Speaker 1: Okay, So in twenty fifteen, if you compare it to 91 00:04:43,520 --> 00:04:47,159 Speaker 1: a large city like Chicago or New York or La 92 00:04:47,400 --> 00:04:50,440 Speaker 1: high crime, could people feel safe in most areas of 93 00:04:50,480 --> 00:04:51,600 Speaker 1: San Francisco at night? 94 00:04:51,839 --> 00:04:54,120 Speaker 2: It definitely was not a high crime sort of place. 95 00:04:54,400 --> 00:04:58,080 Speaker 2: Depending on what neighborhoods you went to, most places you 96 00:04:58,160 --> 00:05:01,600 Speaker 2: felt completely safe walking down on the streets. They weren't 97 00:05:01,839 --> 00:05:06,039 Speaker 2: unhoused individuals, they were your neighbors, They weren't strangers. It 98 00:05:06,160 --> 00:05:08,520 Speaker 2: was not a scary place to be for sure. 99 00:05:08,760 --> 00:05:11,919 Speaker 1: Now, the first victim that we talk about is Audrey Carrey, 100 00:05:11,960 --> 00:05:14,800 Speaker 1: who's twenty three years old. What do we know about 101 00:05:14,839 --> 00:05:16,920 Speaker 1: Audrey before any of this happens. Did you find out 102 00:05:16,960 --> 00:05:17,760 Speaker 1: very much about her? 103 00:05:18,000 --> 00:05:21,560 Speaker 2: Audrey was a very free spirited young girl. In a way, 104 00:05:21,640 --> 00:05:25,760 Speaker 2: Audrey Carey was a lot like the kids who would 105 00:05:25,839 --> 00:05:28,600 Speaker 2: end up killing her. She was the sort of kid 106 00:05:28,680 --> 00:05:30,640 Speaker 2: who just was trying to find a place in the world. 107 00:05:31,040 --> 00:05:33,880 Speaker 2: At that time. She knew she didn't want to work 108 00:05:34,240 --> 00:05:36,000 Speaker 2: in a sort of office environment. 109 00:05:36,160 --> 00:05:39,040 Speaker 3: She didn't want to be caged in by walls, and 110 00:05:39,120 --> 00:05:40,039 Speaker 3: she wanted to travel. 111 00:05:40,080 --> 00:05:42,159 Speaker 2: She wanted to see what more was out there, like 112 00:05:42,279 --> 00:05:44,680 Speaker 2: a lot of young kids out there in San Francisco 113 00:05:44,880 --> 00:05:47,520 Speaker 2: was the first stop on her trip, on her first 114 00:05:47,560 --> 00:05:51,520 Speaker 2: backpacking tour, and unfortunately that was where she met her end. 115 00:05:52,000 --> 00:05:55,120 Speaker 1: And Audrey wasn't considered unhoused. Is that right? She was 116 00:05:55,240 --> 00:05:57,760 Speaker 1: someone who was traveling and staying in hostels. 117 00:05:58,040 --> 00:06:01,480 Speaker 2: She was from Quebec, she was staying in a hostel 118 00:06:01,880 --> 00:06:05,120 Speaker 2: in San Francisco, she was leaving out at backpack and 119 00:06:05,240 --> 00:06:06,880 Speaker 2: she was just traveling. 120 00:06:07,200 --> 00:06:09,560 Speaker 3: That was it. That's the thing with this crowd. You know, 121 00:06:09,680 --> 00:06:10,680 Speaker 3: there are travelers. 122 00:06:10,720 --> 00:06:14,200 Speaker 2: People travel, people do, but the line between traveling, the 123 00:06:14,240 --> 00:06:17,200 Speaker 2: line between homelessness, it gets blurry at times. 124 00:06:17,120 --> 00:06:19,440 Speaker 1: For people who don't know much about hostels. I have 125 00:06:19,520 --> 00:06:21,560 Speaker 1: only gone to hostels in Europe. I've never been to 126 00:06:21,640 --> 00:06:24,479 Speaker 1: a US hostile before. Tell me about that, because it's 127 00:06:24,560 --> 00:06:27,360 Speaker 1: kind of its own community. Many times of young people 128 00:06:27,480 --> 00:06:29,599 Speaker 1: who are going from city to city and paying for 129 00:06:29,680 --> 00:06:33,080 Speaker 1: a place to stay that is much less than a hotel, 130 00:06:33,279 --> 00:06:35,839 Speaker 1: but safer than obviously being out on the street. 131 00:06:36,160 --> 00:06:40,200 Speaker 2: The hostile community is basically the traveling community. They're people 132 00:06:40,200 --> 00:06:43,680 Speaker 2: who enjoy traveling, people who just enjoy exploring, And they 133 00:06:43,720 --> 00:06:46,640 Speaker 2: were just people who just wanted to see more, wanted 134 00:06:46,680 --> 00:06:49,400 Speaker 2: to see more in life, and didn't believe he needed 135 00:06:49,520 --> 00:06:53,120 Speaker 2: a million dollars to do so. And Audrey was very 136 00:06:53,200 --> 00:06:55,560 Speaker 2: much part of that set. She had a very bright 137 00:06:55,640 --> 00:06:58,880 Speaker 2: future ahead of her. She did volunteer work in Quebec, 138 00:06:59,200 --> 00:07:01,080 Speaker 2: she was studying to be a lawyer at one point 139 00:07:01,120 --> 00:07:04,240 Speaker 2: before she took time off to travel. And she was 140 00:07:04,320 --> 00:07:07,080 Speaker 2: just described by her mother as an overall very kind, 141 00:07:07,320 --> 00:07:09,080 Speaker 2: very bright eyed, very sweet girl. 142 00:07:09,520 --> 00:07:11,360 Speaker 1: Was she on her own or was she traveling with 143 00:07:11,400 --> 00:07:11,760 Speaker 1: a group? 144 00:07:11,920 --> 00:07:14,080 Speaker 2: She was on her own. That tells you a lot 145 00:07:14,080 --> 00:07:16,160 Speaker 2: about the kind of person that she was. To be 146 00:07:16,560 --> 00:07:19,320 Speaker 2: a young woman of that age, To be willing to 147 00:07:19,560 --> 00:07:22,000 Speaker 2: leave your friends or your family and explore the world 148 00:07:22,080 --> 00:07:22,560 Speaker 2: on your. 149 00:07:22,400 --> 00:07:24,800 Speaker 3: Own, that's huge. That says a lot. 150 00:07:24,640 --> 00:07:27,720 Speaker 2: About how independent she was, how much she was willing 151 00:07:27,760 --> 00:07:30,520 Speaker 2: to explore, how much she wanted to see She did it, 152 00:07:30,960 --> 00:07:31,400 Speaker 2: she did. 153 00:07:31,720 --> 00:07:35,800 Speaker 1: Okay, So Audrey is on her own and she's traveling, 154 00:07:35,960 --> 00:07:39,800 Speaker 1: and what happens the day when she gets killed? Where 155 00:07:39,840 --> 00:07:40,880 Speaker 1: is she? Where is she going? 156 00:07:41,280 --> 00:07:44,320 Speaker 2: So there is a music festival in San Francisco that weekend, 157 00:07:44,360 --> 00:07:47,280 Speaker 2: hardly strictly blue grass music festival. It's plain it's in 158 00:07:47,320 --> 00:07:50,080 Speaker 2: Golden Gate Park. And Golden Gate Park is just kind 159 00:07:50,120 --> 00:07:52,880 Speaker 2: of the place where a lot of people, a lot 160 00:07:52,880 --> 00:07:57,320 Speaker 2: of transient youth spend the nights, a really wild sort 161 00:07:57,360 --> 00:07:59,480 Speaker 2: of park, a lot a lot of nooks and crannies 162 00:08:00,160 --> 00:08:03,440 Speaker 2: people can hide for tonight. It was the typical sort 163 00:08:03,440 --> 00:08:07,680 Speaker 2: of beautiful Indian summer in San Francisco and October it 164 00:08:07,720 --> 00:08:11,520 Speaker 2: gets really really hot, and it was really hot, really beautiful, 165 00:08:11,600 --> 00:08:15,240 Speaker 2: really balmy, And that day she ran into this trio 166 00:08:15,680 --> 00:08:18,760 Speaker 2: Hayes Lampley, Yla Olligood and Sean Engeld. 167 00:08:19,360 --> 00:08:23,000 Speaker 1: So these were unhoused youth right they were in Haye Ashbury. 168 00:08:23,080 --> 00:08:24,920 Speaker 1: Is that the part of San Francisco that she was 169 00:08:24,960 --> 00:08:27,680 Speaker 1: in at the Golden Gate Park was the hayd Ashbury section. 170 00:08:28,120 --> 00:08:31,400 Speaker 2: Yes, hate Ashbury butts up to kind of the entrance 171 00:08:31,440 --> 00:08:33,520 Speaker 2: at Golden Gate Park, and then Golden Gate Park extends 172 00:08:33,600 --> 00:08:36,680 Speaker 2: all the way out towards the ocean, and then what 173 00:08:36,800 --> 00:08:39,200 Speaker 2: kind of happens within the traveling community. She kind of 174 00:08:39,280 --> 00:08:41,839 Speaker 2: just hooked up with these kids and hung out with them. 175 00:08:41,880 --> 00:08:42,760 Speaker 2: For the rest of the day. 176 00:08:43,080 --> 00:08:43,839 Speaker 1: The thing with this. 177 00:08:43,840 --> 00:08:48,120 Speaker 2: Traveling community you make friends easily and you lose friends easily. 178 00:08:48,360 --> 00:08:51,120 Speaker 2: And so she was friends with them for a day 179 00:08:51,360 --> 00:08:52,560 Speaker 2: and that was it. 180 00:08:53,000 --> 00:08:56,079 Speaker 1: So let's go through their ages. Audrey Carey is twenty 181 00:08:56,120 --> 00:08:58,440 Speaker 1: three years old. Then in this group of people that 182 00:08:58,480 --> 00:09:02,120 Speaker 1: she meets are eighteen years old. Lilah Scott Alligod Sean 183 00:09:02,240 --> 00:09:05,680 Speaker 1: Engold is twenty four, and Lilah's boyfriend, Hayes Lampley, is 184 00:09:05,720 --> 00:09:07,920 Speaker 1: twenty three, and he's sort of the ringleader of this 185 00:09:07,960 --> 00:09:10,480 Speaker 1: whole group. So everyone in this part of the story 186 00:09:10,520 --> 00:09:13,160 Speaker 1: is in their twenties except for Lila. So they hang 187 00:09:13,200 --> 00:09:16,680 Speaker 1: out and they're having a good time together. When does 188 00:09:16,720 --> 00:09:19,480 Speaker 1: it seem like, now that you know the whole story, 189 00:09:19,600 --> 00:09:22,080 Speaker 1: when does it seem like things change and why do 190 00:09:22,200 --> 00:09:24,719 Speaker 1: they change in this group of three young people who 191 00:09:24,720 --> 00:09:28,240 Speaker 1: were unhoused and this young woman who is just traveling 192 00:09:28,320 --> 00:09:29,480 Speaker 1: from area to area. 193 00:09:29,840 --> 00:09:30,959 Speaker 3: Let's back up a little bit. 194 00:09:31,080 --> 00:09:34,920 Speaker 2: I ended up having a lot of long interviews with 195 00:09:35,000 --> 00:09:38,240 Speaker 2: Hayes Lampley when he was in prison. I spoke to 196 00:09:38,320 --> 00:09:41,760 Speaker 2: him in depth about what happens, everything that happened about 197 00:09:41,800 --> 00:09:44,720 Speaker 2: his life, and he told me exactly what he said happens. 198 00:09:45,040 --> 00:09:47,600 Speaker 2: What I wrote in the book is a combination of 199 00:09:47,640 --> 00:09:51,360 Speaker 2: his accounts what the police belief happens. But little Sean 200 00:09:51,440 --> 00:09:53,480 Speaker 2: was able to tell me before Sean stopped training my 201 00:09:53,559 --> 00:09:59,480 Speaker 2: calls and yeah, according to Hayes, Hayes had started to 202 00:09:59,640 --> 00:10:04,520 Speaker 2: sour on the street life around this time. It's hard living. 203 00:10:05,000 --> 00:10:07,560 Speaker 2: And the thing is you can only travel for so 204 00:10:07,760 --> 00:10:11,840 Speaker 2: long before you realize that you're not so much traveling 205 00:10:12,200 --> 00:10:15,559 Speaker 2: as you're really kind of trying to have something to do, 206 00:10:16,000 --> 00:10:20,079 Speaker 2: rather than say that you are unhoused. And so he 207 00:10:20,240 --> 00:10:23,080 Speaker 2: wanted out, but he didn't really know how to get out. 208 00:10:23,480 --> 00:10:25,959 Speaker 2: And that's the thing with a lot of these kids. 209 00:10:26,200 --> 00:10:28,240 Speaker 2: When we're feeling uncharitable. We look at these kids and 210 00:10:28,240 --> 00:10:30,880 Speaker 2: we call them homeless by choice, that terrible word, holmost 211 00:10:30,880 --> 00:10:34,679 Speaker 2: by choice, but whether or not they're homeless by choice, 212 00:10:34,679 --> 00:10:37,920 Speaker 2: which is also a loaded concept because it's. 213 00:10:37,760 --> 00:10:38,720 Speaker 3: Like, what are their choices? 214 00:10:38,800 --> 00:10:42,800 Speaker 2: Do they stay home again abused, do they stay addicted 215 00:10:42,840 --> 00:10:44,680 Speaker 2: to drugs that they have some mental illness? 216 00:10:45,080 --> 00:10:46,800 Speaker 3: You know, what are their choices? Exactly? 217 00:10:47,040 --> 00:10:50,520 Speaker 2: We say by choice, But then the real question is 218 00:10:50,600 --> 00:10:53,400 Speaker 2: do they have the choice or the option to not 219 00:10:53,520 --> 00:10:54,360 Speaker 2: be homeless again? 220 00:10:54,720 --> 00:10:55,959 Speaker 3: In this very situation. 221 00:10:56,559 --> 00:11:00,400 Speaker 2: What I found in my investigation in reporting this story 222 00:11:00,559 --> 00:11:03,560 Speaker 2: was that in the search to not be unhoused anymore, 223 00:11:03,840 --> 00:11:07,760 Speaker 2: that was what essentially led Hayes Lampley, Leila Oligod, and 224 00:11:07,760 --> 00:11:11,120 Speaker 2: Shawn Engeld to kill two people. They were looking for, 225 00:11:11,200 --> 00:11:14,040 Speaker 2: essentially a quick way to make some cash and a 226 00:11:14,120 --> 00:11:18,480 Speaker 2: quick way to escape and get to an almost promised land. 227 00:11:18,960 --> 00:11:21,520 Speaker 1: What promised land was that what were they thinking they 228 00:11:21,559 --> 00:11:23,800 Speaker 1: were going to accomplish with? What the fifty bucks or 229 00:11:23,840 --> 00:11:26,319 Speaker 1: something that Audrey probably had honor. 230 00:11:26,559 --> 00:11:30,840 Speaker 3: So Hayes Lampley his entire life, he had so little. 231 00:11:31,200 --> 00:11:34,840 Speaker 2: He grew up in a family of atticts, All of 232 00:11:34,880 --> 00:11:38,120 Speaker 2: them had some kind of relationships to being unhoused at 233 00:11:38,160 --> 00:11:40,280 Speaker 2: some point in their lives. He was in and out 234 00:11:40,280 --> 00:11:43,119 Speaker 2: of foster care. He told me that he was abused 235 00:11:43,600 --> 00:11:47,200 Speaker 2: sexually by his father. His father's family has denied that, 236 00:11:47,760 --> 00:11:50,080 Speaker 2: of course. He's also told me that he was also 237 00:11:50,160 --> 00:11:53,480 Speaker 2: physically abused as well. And he also told me he 238 00:11:53,600 --> 00:11:56,760 Speaker 2: witnessed a lot of violence early on, especially living on 239 00:11:56,800 --> 00:11:59,319 Speaker 2: the streets, you will witness a lot of violence, to 240 00:11:59,400 --> 00:12:02,320 Speaker 2: witness a lot of awful things period. But the one 241 00:12:02,320 --> 00:12:04,920 Speaker 2: thing that always got him through was that he was 242 00:12:05,000 --> 00:12:09,120 Speaker 2: told that in his family, all the male descendants in 243 00:12:09,160 --> 00:12:12,120 Speaker 2: his family had a right to a parcel of land 244 00:12:12,440 --> 00:12:16,440 Speaker 2: in upstate organ And it was not a large area 245 00:12:16,440 --> 00:12:19,559 Speaker 2: of land. It was only like a few acres. I mean, 246 00:12:19,559 --> 00:12:23,040 Speaker 2: of course, it's beautiful, lush Oregon forest, as you can imagine. 247 00:12:23,080 --> 00:12:24,960 Speaker 2: I never got to actually see it by I drove 248 00:12:25,080 --> 00:12:27,840 Speaker 2: up in the area where it was, and it was 249 00:12:28,200 --> 00:12:31,320 Speaker 2: so far up. The radio signal goes out, the creek 250 00:12:31,400 --> 00:12:34,800 Speaker 2: is babbling on the side, everything smells like pine, and 251 00:12:34,960 --> 00:12:37,800 Speaker 2: it's just the roads are all twisty and dirts. 252 00:12:38,040 --> 00:12:41,160 Speaker 1: It's very isolated where you could be off the grid essentially. 253 00:12:41,040 --> 00:12:45,000 Speaker 2: And you can imagine how wonderful that must sound to 254 00:12:45,120 --> 00:12:47,400 Speaker 2: a kid that had to live on the streets for 255 00:12:47,640 --> 00:12:51,280 Speaker 2: most of his life. So for him, he wanted to 256 00:12:51,320 --> 00:12:54,360 Speaker 2: get there, and he kept telling Kyla Alligood. He kept 257 00:12:54,360 --> 00:12:56,440 Speaker 2: telling her, you know, we're gonna get there. We're going 258 00:12:56,520 --> 00:12:58,720 Speaker 2: to escape, we're gonna get married. I'm going to take 259 00:12:58,760 --> 00:13:01,680 Speaker 2: you up there, and we're gonna in peace. We're not 260 00:13:01,720 --> 00:13:03,720 Speaker 2: going to have to worry about anything ever. 261 00:13:03,760 --> 00:13:04,120 Speaker 3: Again. 262 00:13:04,480 --> 00:13:07,800 Speaker 2: Along the way in San Francisco, their friend Sean caught on. 263 00:13:08,120 --> 00:13:10,880 Speaker 2: By the time I spoke to Hayes Lampley in prison. 264 00:13:11,240 --> 00:13:14,760 Speaker 2: Sean Engeld had struck a deal with the prosecution to 265 00:13:14,800 --> 00:13:19,280 Speaker 2: testify against Hayes and Lila, So Hayes was rather. 266 00:13:19,160 --> 00:13:20,640 Speaker 3: Sour against Sean. 267 00:13:20,840 --> 00:13:23,160 Speaker 2: Yeah, so he tells me that he never intended to 268 00:13:23,160 --> 00:13:26,280 Speaker 2: bring Sean to the land, but that Sean just kind 269 00:13:26,280 --> 00:13:28,439 Speaker 2: of jumped on was part of it. 270 00:13:29,160 --> 00:13:33,199 Speaker 1: So Hayes is telling you through your correspondence that his 271 00:13:33,240 --> 00:13:37,840 Speaker 1: intention was not to rob Audrey carry of money in 272 00:13:37,960 --> 00:13:41,319 Speaker 1: order to supplement a drug issue that any of these 273 00:13:41,360 --> 00:13:43,880 Speaker 1: three young people might have had. It's more of to 274 00:13:43,920 --> 00:13:46,800 Speaker 1: purchase two bus tickets to get up to Oregon. So 275 00:13:47,000 --> 00:13:49,000 Speaker 1: he and Lila consert a new life. 276 00:13:48,960 --> 00:13:50,240 Speaker 3: Something along those lines. 277 00:13:50,720 --> 00:13:55,480 Speaker 2: At that time, they still definitely had pretty heavy meth problems. 278 00:13:55,800 --> 00:13:57,920 Speaker 1: Yeah, what did you think about that? Did you believe 279 00:13:57,920 --> 00:13:59,640 Speaker 1: it when he said that, or did that seem like 280 00:13:59,679 --> 00:14:02,480 Speaker 1: something he was telling you as some sort of fanciful 281 00:14:02,720 --> 00:14:05,320 Speaker 1: explanation for how things went so wrong with her? 282 00:14:05,920 --> 00:14:09,319 Speaker 2: Well? I could believe was that crime within that community 283 00:14:09,600 --> 00:14:13,880 Speaker 2: could also run so rampant that whatever purpose it was for, 284 00:14:14,440 --> 00:14:16,880 Speaker 2: it didn't matter. Yeah, what it came down to is 285 00:14:16,920 --> 00:14:18,880 Speaker 2: that they were going to rob Audrey Carrey. 286 00:14:19,280 --> 00:14:22,000 Speaker 3: He told me they never meant to kill her. That's 287 00:14:22,000 --> 00:14:22,600 Speaker 3: what he said. 288 00:14:22,760 --> 00:14:25,600 Speaker 1: So what happened? They're hanging out all day long? Are 289 00:14:25,720 --> 00:14:28,360 Speaker 1: the three of them using drugs all day? Is meth 290 00:14:28,440 --> 00:14:29,680 Speaker 1: a player in all of this? 291 00:14:30,160 --> 00:14:32,680 Speaker 2: Yes, there is meth involved. There was a lot of myth. 292 00:14:32,760 --> 00:14:34,960 Speaker 2: There were smoking myths, smoking pots. 293 00:14:35,160 --> 00:14:35,760 Speaker 3: There is meth. 294 00:14:35,800 --> 00:14:38,680 Speaker 2: Found an Audrey Carrey system when she died. We got 295 00:14:38,680 --> 00:14:41,520 Speaker 2: it back up a little bit to maybe a day before. 296 00:14:41,840 --> 00:14:45,040 Speaker 2: They were just kind of pulling on car doors and 297 00:14:45,080 --> 00:14:47,040 Speaker 2: trying to see if they could find one of those unlocked. 298 00:14:47,360 --> 00:14:49,800 Speaker 2: They found one that happened to be unlocked. And this 299 00:14:50,080 --> 00:14:52,600 Speaker 2: was clear across the city. By the way, this was 300 00:14:52,600 --> 00:14:55,360 Speaker 2: the busiest weekend in San Francisco. This is what's so 301 00:14:55,400 --> 00:14:58,640 Speaker 2: interesting about this, Like this is historically always the busiest 302 00:14:58,720 --> 00:15:02,080 Speaker 2: weekend in San Francisco. During this weekend, it's this music 303 00:15:02,160 --> 00:15:06,000 Speaker 2: festival and also Fleet week And they were by the Peers, 304 00:15:06,360 --> 00:15:10,800 Speaker 2: they were by quite tower in the north and they're 305 00:15:10,800 --> 00:15:14,200 Speaker 2: pulling on car doors when they found one that was unlocked. 306 00:15:14,480 --> 00:15:18,120 Speaker 2: And in that unlocked car, they found a fully loaded 307 00:15:18,120 --> 00:15:21,640 Speaker 2: gun and they took that gun and they just figured 308 00:15:21,840 --> 00:15:24,200 Speaker 2: they found the jackpot, because you know, on the street. 309 00:15:24,240 --> 00:15:27,240 Speaker 2: You're always looking for protection, and they found the ultimate 310 00:15:27,240 --> 00:15:27,600 Speaker 2: form of. 311 00:15:27,520 --> 00:15:29,840 Speaker 1: Protection and they could sell it if they needed some 312 00:15:29,920 --> 00:15:31,760 Speaker 1: extra money. I mean, that would be my thought, is 313 00:15:31,840 --> 00:15:34,560 Speaker 1: just sell the gun, you know, why have to rob somebody? 314 00:15:34,600 --> 00:15:37,480 Speaker 1: But is Audrey with them when this happens or no, okay, 315 00:15:37,520 --> 00:15:39,840 Speaker 1: they haven't met her yet. This is the day before. 316 00:15:39,600 --> 00:15:41,880 Speaker 3: Exactly, so Audrey has no idea they have a gun. 317 00:15:42,000 --> 00:15:42,320 Speaker 1: Okay. 318 00:15:42,520 --> 00:15:45,800 Speaker 2: The thing that was so scary about these murders was 319 00:15:45,880 --> 00:15:48,400 Speaker 2: that when their photos of these kids went up on 320 00:15:48,440 --> 00:15:51,080 Speaker 2: the TV screens, they looked at all the kids that 321 00:15:51,120 --> 00:15:53,160 Speaker 2: you see on the streets. They didn't look like they 322 00:15:53,200 --> 00:15:55,840 Speaker 2: would cause any harm, and so everybody looked at them, 323 00:15:55,840 --> 00:15:58,760 Speaker 2: and they're like, what the hell could they also be coming. 324 00:15:58,480 --> 00:15:59,280 Speaker 3: To murder us? 325 00:15:59,480 --> 00:16:02,600 Speaker 2: When I suppoke to Hayes Lampley, I really wanted some 326 00:16:02,680 --> 00:16:05,080 Speaker 2: kind of remorse from him, you know, I really wanted 327 00:16:05,120 --> 00:16:07,720 Speaker 2: some kind of remembrance from him, especially about this young 328 00:16:07,800 --> 00:16:10,520 Speaker 2: girl who was around his age. But he didn't really 329 00:16:10,600 --> 00:16:14,040 Speaker 2: remember anything about her. She had no recollection of her 330 00:16:14,080 --> 00:16:14,680 Speaker 2: at all. Really. 331 00:16:15,320 --> 00:16:16,280 Speaker 3: He spoke about. 332 00:16:16,000 --> 00:16:18,360 Speaker 2: How she had a big bag of carrots. He spoke 333 00:16:18,400 --> 00:16:22,000 Speaker 2: about how she had accents because she was from Canada, 334 00:16:22,040 --> 00:16:23,680 Speaker 2: and they figured that she would have a lot of 335 00:16:23,680 --> 00:16:25,960 Speaker 2: money on her and so they made a plan that 336 00:16:26,000 --> 00:16:26,960 Speaker 2: they would rob her. 337 00:16:27,080 --> 00:16:29,200 Speaker 1: After spending the day with her, or was that the 338 00:16:29,240 --> 00:16:32,440 Speaker 1: plan to begin with when they met her. According to Hayes. 339 00:16:32,320 --> 00:16:34,360 Speaker 3: That was the plan to begin with, that they would 340 00:16:34,400 --> 00:16:35,320 Speaker 3: rob her eventually. 341 00:16:35,640 --> 00:16:39,280 Speaker 2: And then night fell, they start bunking down and according 342 00:16:39,320 --> 00:16:42,360 Speaker 2: to Sean Engeld, this is when Audrey thanked them for 343 00:16:42,400 --> 00:16:44,040 Speaker 2: being her friends that day. 344 00:16:44,320 --> 00:16:46,000 Speaker 3: And then that is when. 345 00:16:45,880 --> 00:16:49,400 Speaker 2: Leila Olligood pounced on her and they start try and 346 00:16:49,440 --> 00:16:52,600 Speaker 2: tie her up. When she starts fighting back and refusing 347 00:16:52,640 --> 00:16:54,880 Speaker 2: to be tied up, the gun comes out. And that 348 00:16:54,960 --> 00:16:57,800 Speaker 2: is the point of contention. Who drew the gun Hayes says, 349 00:16:57,800 --> 00:17:01,360 Speaker 2: Sean Engel drew the gun. Well, Sean says Hayes drew 350 00:17:01,400 --> 00:17:05,080 Speaker 2: the gun, but either way, the next day, Audrey Carey's 351 00:17:05,080 --> 00:17:07,240 Speaker 2: body was found with the gunshot wounds the head. 352 00:17:07,960 --> 00:17:10,399 Speaker 1: What I find a little confusing about this story, and 353 00:17:10,440 --> 00:17:12,720 Speaker 1: maybe you don't, and you can give me some clarity, 354 00:17:12,840 --> 00:17:15,320 Speaker 1: is why not just get the gun out pointed at her, 355 00:17:15,400 --> 00:17:17,360 Speaker 1: demand the money and then kick her out and that's 356 00:17:17,359 --> 00:17:20,280 Speaker 1: the end of it. Why does it escalate? Why try 357 00:17:20,320 --> 00:17:22,119 Speaker 1: to even tie her up. There's no need if you 358 00:17:22,200 --> 00:17:24,600 Speaker 1: have a gun. It just seems confusing. Or are we 359 00:17:24,720 --> 00:17:28,120 Speaker 1: sure that this was not actually an intentional killing. 360 00:17:28,560 --> 00:17:30,679 Speaker 2: You have to remember that these are, for lack of 361 00:17:30,680 --> 00:17:34,000 Speaker 2: a better word, kids. Hayes was twenty three, Sean was 362 00:17:34,040 --> 00:17:36,800 Speaker 2: twenty four. But these are especially when you're growing up 363 00:17:36,800 --> 00:17:39,600 Speaker 2: on the streets, so your development is stunted, your maturity 364 00:17:39,640 --> 00:17:42,960 Speaker 2: is stunted. Things went south really fast. The way Hayes 365 00:17:42,960 --> 00:17:46,840 Speaker 2: described it to me, Lila was on top of Audrey, 366 00:17:47,200 --> 00:17:50,119 Speaker 2: straddling her, trying to hold her down. They were fighting, 367 00:17:50,240 --> 00:17:53,000 Speaker 2: They were thrashing, and somebody was holding a gun to 368 00:17:53,520 --> 00:17:56,359 Speaker 2: Audrey's head try to get her to stop fighting, but 369 00:17:56,440 --> 00:18:00,240 Speaker 2: Audrey wouldn't stop fighting, and the struggle the gun went off. 370 00:18:00,680 --> 00:18:03,240 Speaker 1: What do they do next? She's found in the park, 371 00:18:03,359 --> 00:18:05,639 Speaker 1: is she in a tent? Or where is she? 372 00:18:05,640 --> 00:18:08,840 Speaker 2: She's found in the bushes. This was always a jarring 373 00:18:09,000 --> 00:18:13,760 Speaker 2: tidbit for me. If Lila is straddling Audrey, then she 374 00:18:13,800 --> 00:18:17,800 Speaker 2: would have been really up close to watching somebody essentially 375 00:18:17,800 --> 00:18:19,879 Speaker 2: get the brain blown up. All of them would have 376 00:18:19,880 --> 00:18:23,680 Speaker 2: been really close to it. But according to Hayes, they 377 00:18:23,720 --> 00:18:27,080 Speaker 2: calmly got up. They went to Ocean Beach, which is 378 00:18:27,200 --> 00:18:30,920 Speaker 2: pretty close to where Audrey's body was found. They walked 379 00:18:30,920 --> 00:18:33,959 Speaker 2: to Ocean Beach, they cleaned up, and then they walked 380 00:18:34,160 --> 00:18:38,120 Speaker 2: a little ways farther down to another neighborhood that was nearby, 381 00:18:38,440 --> 00:18:41,360 Speaker 2: and they waited till next morning and they got frappuccinos 382 00:18:41,359 --> 00:18:43,000 Speaker 2: for Starbucks. 383 00:18:42,560 --> 00:18:44,760 Speaker 1: With her money. I'm assuming how much money did they 384 00:18:44,840 --> 00:18:45,960 Speaker 1: end up collecting from her? 385 00:18:46,280 --> 00:18:47,359 Speaker 3: Several hundred dollars. 386 00:18:47,520 --> 00:18:49,880 Speaker 1: Okay, that was it, and that's what their aim was 387 00:18:49,880 --> 00:18:52,360 Speaker 1: was to get this money. Does Hayes then say, Okay, 388 00:18:52,480 --> 00:18:55,520 Speaker 1: We've done what I promised. We've robbed somebody. I have 389 00:18:55,680 --> 00:18:58,040 Speaker 1: this money, Lila. Let's pack up, let's go get on 390 00:18:58,080 --> 00:18:59,280 Speaker 1: a bus and head to Oregon. 391 00:18:59,600 --> 00:19:02,640 Speaker 3: Yeah, they said, let's head north. Let's go. And their 392 00:19:02,680 --> 00:19:05,560 Speaker 3: plan was that they could make it by walking. They 393 00:19:05,560 --> 00:19:06,200 Speaker 3: could do it. 394 00:19:06,320 --> 00:19:09,400 Speaker 1: From San Francisco to Oregon. Yeah, okay, and so. 395 00:19:09,400 --> 00:19:11,800 Speaker 2: They believed it, and so they start heading north. They 396 00:19:11,800 --> 00:19:14,119 Speaker 2: crossed the Golden Gate Bridge. They spend some time in 397 00:19:14,119 --> 00:19:16,760 Speaker 2: Saucelito and they just keep walking, and you know, as 398 00:19:16,760 --> 00:19:19,600 Speaker 2: they're walking, they're realizing, we're not going to make it. 399 00:19:19,800 --> 00:19:21,680 Speaker 2: This is taking a while. And also we've got to 400 00:19:21,760 --> 00:19:24,160 Speaker 2: keep in mind too. They're on a lot of drugs. 401 00:19:24,520 --> 00:19:27,240 Speaker 2: They're coming in and off of highs. 402 00:19:27,520 --> 00:19:38,160 Speaker 4: They're not feeling great. 403 00:19:41,760 --> 00:19:45,480 Speaker 2: What happens next They realized they need to get a car, 404 00:19:46,080 --> 00:19:49,040 Speaker 2: and that's where they get there, runningto Steve Carter. So 405 00:19:49,119 --> 00:19:52,960 Speaker 2: Steve Carter had only just moved to Marine County. He 406 00:19:53,040 --> 00:19:56,080 Speaker 2: and his wife Lukita had recently built their dream home 407 00:19:56,080 --> 00:19:58,560 Speaker 2: in Costa Rica, but they moved to Marine County because 408 00:19:58,600 --> 00:20:01,640 Speaker 2: Loquita was diagnosed with breast can and she needed treatment. 409 00:20:01,960 --> 00:20:05,399 Speaker 2: And so they're in Mourn County stand with friends and Steve, 410 00:20:05,680 --> 00:20:08,199 Speaker 2: as an avid outdoorsman, said he wanted to go on 411 00:20:08,240 --> 00:20:11,480 Speaker 2: a walk with his dog, and so he took his doorman, Coco, 412 00:20:11,920 --> 00:20:14,960 Speaker 2: out for a walk on a hiking trail and as 413 00:20:15,000 --> 00:20:17,320 Speaker 2: he's pulling up, there are these three kids. 414 00:20:17,840 --> 00:20:19,840 Speaker 3: Lila, according to Hayes. 415 00:20:20,000 --> 00:20:23,320 Speaker 2: Kicked Steve because Steve had white hair, and she figured 416 00:20:23,560 --> 00:20:25,560 Speaker 2: he's old and we can take him. 417 00:20:25,880 --> 00:20:27,320 Speaker 3: And so they said, all right, let's do this. 418 00:20:27,960 --> 00:20:29,960 Speaker 2: They go down to the trail, to the start of 419 00:20:29,960 --> 00:20:33,080 Speaker 2: the trail, they hide a bike that they stole, and 420 00:20:33,280 --> 00:20:35,399 Speaker 2: they wait. They wait for him to come back up 421 00:20:35,440 --> 00:20:38,480 Speaker 2: the trail. Other people pass them, but they wait for him. 422 00:20:38,600 --> 00:20:42,480 Speaker 1: And they encounter him, and does he think twice according 423 00:20:42,480 --> 00:20:45,159 Speaker 1: to them, or does he pass by, or what happens. 424 00:20:44,960 --> 00:20:46,800 Speaker 2: The first time he saw them, He kind of looked 425 00:20:46,800 --> 00:20:49,159 Speaker 2: at them oddly before getting out of his car and 426 00:20:49,200 --> 00:20:50,440 Speaker 2: taking his dog out. 427 00:20:50,720 --> 00:20:51,960 Speaker 3: But the hardest thing. 428 00:20:51,840 --> 00:20:53,920 Speaker 2: About this case, you know, I found, was that the 429 00:20:54,040 --> 00:20:56,520 Speaker 2: victims in this case were the sort of people that 430 00:20:56,640 --> 00:20:59,440 Speaker 2: really would have a lot of compassion for their murderers. 431 00:21:00,920 --> 00:21:04,840 Speaker 2: Was a Tantra instructor. He was very much a kind person. 432 00:21:05,200 --> 00:21:09,159 Speaker 2: His wife writes about him very eloquently on her blog 433 00:21:09,280 --> 00:21:12,240 Speaker 2: and just talking about just what a wonderful, kind, loving 434 00:21:12,320 --> 00:21:15,280 Speaker 2: man he was. He might have looked at them suspiciously once, 435 00:21:15,760 --> 00:21:18,679 Speaker 2: but he never would have prejudged them. And so he 436 00:21:18,760 --> 00:21:21,720 Speaker 2: returns up the trail, and Hayes is very clear that 437 00:21:21,800 --> 00:21:23,760 Speaker 2: this time he has the gun and he points it 438 00:21:23,800 --> 00:21:25,800 Speaker 2: at them and tells him to give him the keys. 439 00:21:26,600 --> 00:21:31,000 Speaker 2: This is where I really kind of questioned Hayes's credibility. 440 00:21:31,119 --> 00:21:36,280 Speaker 2: So Steve Carter was shot multiple times, multiple multiple times. 441 00:21:36,480 --> 00:21:39,399 Speaker 2: There were so many shots fired that the dog was 442 00:21:39,440 --> 00:21:42,439 Speaker 2: shot through the eye and almost ad un survived, but 443 00:21:42,480 --> 00:21:47,400 Speaker 2: the dog survived. Hayes Lampley claimed that he never meant 444 00:21:47,400 --> 00:21:50,080 Speaker 2: to kill the old man, is what his exact words were. 445 00:21:50,440 --> 00:21:55,040 Speaker 2: But he says that he accidentally tripped and pulled the trigger. 446 00:21:55,080 --> 00:21:57,480 Speaker 1: Five times or however many times it was hit. 447 00:21:57,800 --> 00:22:01,040 Speaker 2: It's a semi automatic, but no kind of alterations to it. 448 00:22:01,400 --> 00:22:03,159 Speaker 2: You would have to pull it over and over and 449 00:22:03,200 --> 00:22:04,200 Speaker 2: over and over again. 450 00:22:04,440 --> 00:22:06,480 Speaker 1: Did you challenge him on that when he told you 451 00:22:06,680 --> 00:22:08,720 Speaker 1: or did you just get the information and think about 452 00:22:08,720 --> 00:22:09,280 Speaker 1: it later on? 453 00:22:09,640 --> 00:22:11,600 Speaker 2: I did challenge him on that, and he said, that's 454 00:22:11,640 --> 00:22:15,479 Speaker 2: exactly what's what happened. That was also another thing that 455 00:22:15,880 --> 00:22:18,359 Speaker 2: came up in my reporting. I did have to question 456 00:22:18,440 --> 00:22:22,480 Speaker 2: whether or not his mind had been so skewed from 457 00:22:22,520 --> 00:22:26,399 Speaker 2: all the drugs and all the abuse and all the 458 00:22:26,440 --> 00:22:30,080 Speaker 2: psychological damage that he's endured in his life that maybe 459 00:22:30,160 --> 00:22:32,640 Speaker 2: he just doesn't perceive things the same way. 460 00:22:32,920 --> 00:22:35,600 Speaker 1: Or he's an habitual liar one or the other. Right 461 00:22:35,800 --> 00:22:39,399 Speaker 1: that as well, You've referred to these three people, Lilah 462 00:22:39,520 --> 00:22:43,120 Speaker 1: and Sean and Hayes as kids, and they're not kids, right, 463 00:22:43,119 --> 00:22:45,760 Speaker 1: We've talked about they're eighteen and in their twenties, but 464 00:22:45,800 --> 00:22:48,919 Speaker 1: that they have that mentality At some point, do you 465 00:22:49,480 --> 00:22:52,439 Speaker 1: rethink that I know that the three of them have 466 00:22:52,560 --> 00:22:56,440 Speaker 1: this background that I'm assuming is full of abuse, that 467 00:22:56,560 --> 00:22:59,159 Speaker 1: stuff that we've talked about. But at this point, is 468 00:22:59,200 --> 00:23:03,040 Speaker 1: it hard toferentiate between sort of the appearance and this 469 00:23:03,400 --> 00:23:08,760 Speaker 1: delayed maturity that unhoused youth who don't commit crimes on 470 00:23:08,800 --> 00:23:13,560 Speaker 1: the street have versus this trio of people who clearly 471 00:23:13,640 --> 00:23:16,960 Speaker 1: have enough maturity to know how to pull off two 472 00:23:17,040 --> 00:23:18,480 Speaker 1: fairly brutal crimes. 473 00:23:18,800 --> 00:23:22,280 Speaker 2: I wouldn't describe anything about these crimes as mature. Okay, 474 00:23:22,440 --> 00:23:25,879 Speaker 2: from the very beginning they were incredibly slap dash and 475 00:23:25,920 --> 00:23:29,800 Speaker 2: incredibly off the cuff. Yeah, and that was what struck 476 00:23:29,840 --> 00:23:33,920 Speaker 2: me so much about this. It's hard because you don't 477 00:23:34,000 --> 00:23:37,320 Speaker 2: want to write off the responsibility and the gravity of this. 478 00:23:37,920 --> 00:23:40,520 Speaker 2: They absolutely need to own up to what they did, 479 00:23:40,880 --> 00:23:44,360 Speaker 2: and they absolutely must. We cannot forget the fact that 480 00:23:44,480 --> 00:23:49,520 Speaker 2: these kids are basically stunted to some extent. It doesn't 481 00:23:49,560 --> 00:23:52,719 Speaker 2: diminish what they did, right, and they absolutely have to 482 00:23:53,320 --> 00:23:55,720 Speaker 2: take responsibility for that, and they are serving time for that. 483 00:23:56,119 --> 00:23:57,840 Speaker 2: It doesn't mean that we should feel bad for them 484 00:23:57,920 --> 00:24:00,160 Speaker 2: or anything like that, but like, at the same time, 485 00:24:00,200 --> 00:24:03,120 Speaker 2: I think we need to have some understanding about that, 486 00:24:03,560 --> 00:24:06,040 Speaker 2: and especially as we look at all these other this 487 00:24:06,160 --> 00:24:07,640 Speaker 2: population before us. 488 00:24:07,920 --> 00:24:09,840 Speaker 3: We need to have some understanding about that as well. 489 00:24:10,560 --> 00:24:14,480 Speaker 1: So let's talk about what happens. Steve is shot and killed, 490 00:24:14,640 --> 00:24:17,840 Speaker 1: and I'm assuming that this trio takes Steve's keys, and 491 00:24:17,880 --> 00:24:19,600 Speaker 1: then they had North in the car. Is that right? 492 00:24:19,800 --> 00:24:20,000 Speaker 3: Yeah? 493 00:24:20,000 --> 00:24:21,840 Speaker 2: They had North in the car. And this is what 494 00:24:21,920 --> 00:24:25,040 Speaker 2: I meant by the plan was not smooth at all. 495 00:24:25,480 --> 00:24:29,000 Speaker 2: They were tracked immediately because the car had a tracker 496 00:24:29,080 --> 00:24:29,359 Speaker 2: on it. 497 00:24:29,600 --> 00:24:31,880 Speaker 1: Oh wow, okay, yeah. 498 00:24:31,640 --> 00:24:34,520 Speaker 2: So I mean they were followed straight to a Portland 499 00:24:34,640 --> 00:24:39,160 Speaker 2: soup kitchen and they're essentially arrested outside of Portland soup kitchen. 500 00:24:39,560 --> 00:24:43,160 Speaker 2: When they were brought in to the county jail, they 501 00:24:43,200 --> 00:24:46,239 Speaker 2: had to shave their heads because they had lice in 502 00:24:46,280 --> 00:24:49,840 Speaker 2: their hair, they had drug sores on their body. They 503 00:24:49,880 --> 00:24:52,160 Speaker 2: just obviously were living hard for a very long time. 504 00:24:52,640 --> 00:24:56,080 Speaker 1: So they are arrested. Do any of them the three 505 00:24:56,080 --> 00:24:59,119 Speaker 1: of them talk or turn on each other? How do 506 00:24:59,200 --> 00:25:02,360 Speaker 1: their cases each unfold? And on top of that, how 507 00:25:02,359 --> 00:25:05,879 Speaker 1: did they connect them to Audrey? Is it the gun 508 00:25:06,080 --> 00:25:06,600 Speaker 1: is the key? 509 00:25:06,800 --> 00:25:07,680 Speaker 3: The gun is the key. 510 00:25:07,920 --> 00:25:10,239 Speaker 2: It was the same gun used in both cases, and 511 00:25:10,280 --> 00:25:13,480 Speaker 2: so they're able to connect into Audrey and they're able 512 00:25:13,480 --> 00:25:16,960 Speaker 2: to get Sean engeled to become a witness for a prosecution. 513 00:25:17,520 --> 00:25:21,000 Speaker 2: He testified against Lyla and Hayes in exchange for our 514 00:25:21,080 --> 00:25:22,200 Speaker 2: letter sentence. 515 00:25:22,000 --> 00:25:25,280 Speaker 1: And he absolved himself. I'm assuming of the actual pulling 516 00:25:25,280 --> 00:25:27,280 Speaker 1: the trigger murder in Audrey's case. 517 00:25:27,640 --> 00:25:29,760 Speaker 3: In both cases, honestly, yeah. 518 00:25:29,760 --> 00:25:33,320 Speaker 1: Okay, So what sentence does Sean get with this plea deal? 519 00:25:33,560 --> 00:25:36,080 Speaker 2: Sean has sent us to fifteen years to life, okay. 520 00:25:36,160 --> 00:25:38,479 Speaker 2: Leila Ali Goett has sent this to twenty five years, 521 00:25:38,520 --> 00:25:40,160 Speaker 2: and Hayes lamp into fifty years. 522 00:25:40,359 --> 00:25:42,560 Speaker 1: So do they both go on trial? Lyla and Hayes. 523 00:25:42,880 --> 00:25:45,280 Speaker 2: They go on trial for a little bit, but eventually 524 00:25:45,320 --> 00:25:46,160 Speaker 2: just they plead out. 525 00:25:46,400 --> 00:25:49,600 Speaker 1: Okay, So Hayes gets fifty alife. Are they charged with 526 00:25:49,640 --> 00:25:50,600 Speaker 1: both of these murders? 527 00:25:50,920 --> 00:25:54,040 Speaker 2: Yeah? But under California law they changed it that if 528 00:25:54,080 --> 00:25:57,679 Speaker 2: you were twenty three years old and you're charged with 529 00:25:57,840 --> 00:26:00,000 Speaker 2: a life sentence, then you can be released in twenty 530 00:26:00,119 --> 00:26:00,639 Speaker 2: five years. 531 00:26:01,000 --> 00:26:02,040 Speaker 3: He could be up for parole. 532 00:26:02,480 --> 00:26:06,480 Speaker 1: What do you think about that, knowing his background versus 533 00:26:06,840 --> 00:26:09,320 Speaker 1: his actions, what do you think about that being up 534 00:26:09,359 --> 00:26:09,880 Speaker 1: for parole? 535 00:26:10,560 --> 00:26:15,240 Speaker 2: I think let's go through each one for Sean Engelds. 536 00:26:15,520 --> 00:26:18,840 Speaker 2: I worried about Sean Engeld's safety because you know, as 537 00:26:18,840 --> 00:26:22,320 Speaker 2: somebody who testifies against their Coote defendants, you are a 538 00:26:22,440 --> 00:26:25,199 Speaker 2: reputation in prison. I know for a fact that he 539 00:26:25,320 --> 00:26:27,240 Speaker 2: was scared when I was talking to him for a 540 00:26:27,280 --> 00:26:29,639 Speaker 2: little bit. But when I did talk to him, he 541 00:26:29,720 --> 00:26:33,480 Speaker 2: did seem like he wanted to change. Laila Ali Gud 542 00:26:33,480 --> 00:26:35,040 Speaker 2: I never got to talk to and. 543 00:26:35,000 --> 00:26:37,120 Speaker 1: She was eighteen when all this happened, right. 544 00:26:37,240 --> 00:26:40,320 Speaker 2: Yes, she was eighteen, and she was the only one 545 00:26:40,560 --> 00:26:44,480 Speaker 2: to actually speak at the sentence scene and apologize the victims' families. 546 00:26:44,800 --> 00:26:47,920 Speaker 1: What did she say? What was her explanation for all this? 547 00:26:48,320 --> 00:26:51,119 Speaker 2: All she could really do is apologize for her role. Okay, 548 00:26:51,280 --> 00:26:55,040 Speaker 2: she cried quite a bit. She apologized, which is more 549 00:26:55,080 --> 00:26:58,680 Speaker 2: than I can really say. For Hayes, he apologized through 550 00:26:58,720 --> 00:27:03,920 Speaker 2: his attorneyologized to me in our interviews, but I never 551 00:27:03,920 --> 00:27:05,720 Speaker 2: really got the sense that he really meant it. 552 00:27:06,000 --> 00:27:09,560 Speaker 3: I also got the sense that with Hayes, he's also 553 00:27:09,760 --> 00:27:12,680 Speaker 3: still in survival mold. If that makes. 554 00:27:12,440 --> 00:27:14,600 Speaker 1: Sense, especially in prison, you would think. 555 00:27:14,880 --> 00:27:17,480 Speaker 2: I think it's just one of those things that, especially 556 00:27:17,760 --> 00:27:20,119 Speaker 2: if it's ingrained in he as a young kid, especially 557 00:27:20,160 --> 00:27:21,880 Speaker 2: if you start living in the streets as a young kid, 558 00:27:22,080 --> 00:27:24,600 Speaker 2: you don't know how to turn it off, and in 559 00:27:24,640 --> 00:27:31,040 Speaker 2: those situations, compassion remorse, that's a weakness. Honestly, it's a 560 00:27:31,080 --> 00:27:34,640 Speaker 2: privilege to be able to feel remorse. If he had 561 00:27:34,680 --> 00:27:38,120 Speaker 2: to feel remorse for everything that he's done in his life, 562 00:27:38,240 --> 00:27:40,959 Speaker 2: it would be a lot. He's done a lot of things, 563 00:27:41,359 --> 00:27:44,200 Speaker 2: a lot of things that he didn't think were wrong 564 00:27:44,440 --> 00:27:47,480 Speaker 2: at the time, but it was just part of living 565 00:27:47,480 --> 00:27:50,680 Speaker 2: on the streets. I'm an internal optimist. I like to 566 00:27:50,720 --> 00:27:53,640 Speaker 2: believe that there's a chance for everybody. There's a chance 567 00:27:53,680 --> 00:27:58,159 Speaker 2: for everybody to be redeemed, to realize where they've gone wrong. 568 00:27:58,440 --> 00:28:00,280 Speaker 2: But that's going to take a lot for him, and 569 00:28:00,359 --> 00:28:02,560 Speaker 2: it's going to be very difficult for him. He's going 570 00:28:02,600 --> 00:28:04,600 Speaker 2: to need a lot of supports and a lot of 571 00:28:04,920 --> 00:28:07,399 Speaker 2: people around him that I don't think he has. 572 00:28:07,720 --> 00:28:09,359 Speaker 1: So that's one of the things I was going to 573 00:28:09,440 --> 00:28:13,720 Speaker 1: ask is at these trials or these different hearings, did 574 00:28:13,760 --> 00:28:17,480 Speaker 1: these three young people have people from their families come 575 00:28:17,520 --> 00:28:19,800 Speaker 1: and support them or did they have any support other 576 00:28:19,880 --> 00:28:21,439 Speaker 1: than just public defenders? 577 00:28:21,880 --> 00:28:26,440 Speaker 2: Not really No. For Hayes Lampley, especially, his mother couldn't travel. 578 00:28:26,600 --> 00:28:29,400 Speaker 2: I was in touch with his mother, who really turned 579 00:28:29,440 --> 00:28:31,760 Speaker 2: her life around. She had a life a lot of 580 00:28:31,880 --> 00:28:35,560 Speaker 2: Keys's life. She was an addict. She grew up abused, 581 00:28:35,960 --> 00:28:38,280 Speaker 2: She grew up on house quite a bit. 582 00:28:38,920 --> 00:28:40,520 Speaker 3: She grew up transient quite a bit. 583 00:28:40,880 --> 00:28:44,440 Speaker 2: Her family traveled around because they had nowhere else to stay. 584 00:28:44,920 --> 00:28:47,560 Speaker 2: Because of her criminal record, she couldn't travel and she 585 00:28:47,600 --> 00:28:50,480 Speaker 2: couldn't come see him, She couldn't visit him, and because 586 00:28:50,480 --> 00:28:52,920 Speaker 2: of that, she still can't visit him in prison, which 587 00:28:52,960 --> 00:28:55,640 Speaker 2: is probably one of the harder things, I think, because 588 00:28:56,120 --> 00:28:57,920 Speaker 2: she is one of the people who's always been in 589 00:28:57,920 --> 00:29:01,520 Speaker 2: his corner, and I think she's somebody that he needs. 590 00:29:01,600 --> 00:29:05,080 Speaker 1: Right now, let's go back. I didn't ask this, but 591 00:29:05,240 --> 00:29:08,600 Speaker 1: what were the backgrounds of Lila and Sean their family backgrounds? 592 00:29:08,680 --> 00:29:09,680 Speaker 1: Did you know much about them? 593 00:29:10,120 --> 00:29:10,400 Speaker 3: Yeah? 594 00:29:10,800 --> 00:29:15,080 Speaker 2: Sean angeled He had a similar background to Hayesland flee 595 00:29:15,120 --> 00:29:18,200 Speaker 2: and that he was in foster care and he was abused. 596 00:29:18,640 --> 00:29:20,720 Speaker 2: He ended up in the streets pretty early on in 597 00:29:20,720 --> 00:29:23,680 Speaker 2: his life. He didn't go much in detail with me, 598 00:29:23,800 --> 00:29:27,240 Speaker 2: but he had awful memories of his foster parents trying 599 00:29:27,240 --> 00:29:30,200 Speaker 2: to drown him and those sort of memories of abuse. 600 00:29:30,560 --> 00:29:31,760 Speaker 1: Do you know much about Lila? 601 00:29:31,920 --> 00:29:34,000 Speaker 2: Lilah definitely had a more privileged background. 602 00:29:34,720 --> 00:29:36,840 Speaker 3: Leila. She grew up in Hawaii. 603 00:29:37,440 --> 00:29:41,200 Speaker 2: She grew up the child of divorce, started acting out 604 00:29:41,200 --> 00:29:45,480 Speaker 2: as a teenager. I spoke to a classmate of hers 605 00:29:45,520 --> 00:29:47,680 Speaker 2: that said that she was a bit of a bully 606 00:29:48,000 --> 00:29:52,480 Speaker 2: and had some behavior issues that were really questionable. That's 607 00:29:52,920 --> 00:29:55,560 Speaker 2: raised a lot of questions about what was happening to 608 00:29:55,760 --> 00:29:58,280 Speaker 2: her that nobody else was really kind of. 609 00:29:58,440 --> 00:29:59,880 Speaker 3: Seen, if that makes sense. 610 00:30:00,160 --> 00:30:02,320 Speaker 1: Yeah, she was so young. 611 00:30:02,560 --> 00:30:05,240 Speaker 2: So young, and by the time that she was sixteen, 612 00:30:05,640 --> 00:30:07,120 Speaker 2: she was on the streets. 613 00:30:07,920 --> 00:30:11,000 Speaker 1: Okay, So back to the trial. What about Audrey's family. 614 00:30:11,360 --> 00:30:14,080 Speaker 1: Do they come, I'm assuming do they come from Canada 615 00:30:14,280 --> 00:30:15,360 Speaker 1: to see the proceedings. 616 00:30:15,760 --> 00:30:17,760 Speaker 2: They were unable to come from Canada, but they send 617 00:30:17,760 --> 00:30:18,440 Speaker 2: the statements. 618 00:30:18,800 --> 00:30:20,800 Speaker 1: I'm sure they were heartbroken. It must have just been 619 00:30:20,840 --> 00:30:23,640 Speaker 1: horrendous for them to see their daughter go off travel 620 00:30:23,840 --> 00:30:24,880 Speaker 1: and then not come back. 621 00:30:25,320 --> 00:30:30,000 Speaker 2: Isabelle Tremblay, Audrey Carey's mother, has become a huge advocate 622 00:30:30,720 --> 00:30:34,520 Speaker 2: for victims of crimes since this has happens. She still 623 00:30:34,520 --> 00:30:37,680 Speaker 2: posts on Facebook often about her daughter. 624 00:30:38,080 --> 00:30:39,840 Speaker 3: You don't recover for something like that. 625 00:30:40,440 --> 00:30:44,239 Speaker 2: Well, there needs to be some understanding about why this 626 00:30:44,360 --> 00:30:46,200 Speaker 2: happens and how this happens. 627 00:30:46,480 --> 00:30:48,880 Speaker 3: We can't forget what happened? 628 00:30:49,520 --> 00:30:53,000 Speaker 1: How do you reconcile though? The idea and we kind 629 00:30:53,000 --> 00:30:56,160 Speaker 1: of touched on this before, the idea of someone with 630 00:30:56,320 --> 00:31:00,240 Speaker 1: such a difficult background like Hayes Lampley, how do you 631 00:31:00,280 --> 00:31:02,400 Speaker 1: balance that as a journalist? To me, it must be 632 00:31:02,480 --> 00:31:03,200 Speaker 1: very difficult. 633 00:31:03,440 --> 00:31:06,560 Speaker 2: When I started reporting this case, I realized early on 634 00:31:06,760 --> 00:31:10,680 Speaker 2: it wasn't just about murder. I realized it was about 635 00:31:11,080 --> 00:31:15,120 Speaker 2: an entire population that was being either criminalized or overlooked. 636 00:31:15,640 --> 00:31:20,120 Speaker 2: And it was this traveling, transit street kid population, this 637 00:31:20,240 --> 00:31:23,960 Speaker 2: population that these convicted murderers came from. I went into 638 00:31:24,000 --> 00:31:26,400 Speaker 2: this because I wanted to say, you know, not all 639 00:31:26,400 --> 00:31:29,600 Speaker 2: these kids are going to murder you. Everyone clutching the 640 00:31:29,640 --> 00:31:33,120 Speaker 2: pearls was freaking out about at first, But I wanted 641 00:31:33,160 --> 00:31:36,120 Speaker 2: to understand, you know, just why and how did we 642 00:31:36,160 --> 00:31:39,360 Speaker 2: get to this moment in time. And the scary thing 643 00:31:39,440 --> 00:31:41,880 Speaker 2: I found was it wasn't hard to understand. It wasn't 644 00:31:41,920 --> 00:31:45,720 Speaker 2: hard to see the lines of how we got to 645 00:31:45,760 --> 00:31:50,200 Speaker 2: where we were, and it's a path that hundreds and 646 00:31:50,280 --> 00:31:52,440 Speaker 2: thousands of kids are currently on. 647 00:31:53,000 --> 00:31:56,160 Speaker 1: What do you think the systemic problem here is that 648 00:31:56,200 --> 00:31:59,480 Speaker 1: would have helped in this case? Is it intervention. Is 649 00:31:59,520 --> 00:32:02,600 Speaker 1: it abuse? I mean, it just seems like it starts 650 00:32:02,600 --> 00:32:05,600 Speaker 1: from birth in how you stop this from happening for 651 00:32:05,720 --> 00:32:09,360 Speaker 1: a population of young people to be forced out onto 652 00:32:09,440 --> 00:32:11,480 Speaker 1: the street. And you have this great quote in the book, 653 00:32:11,520 --> 00:32:14,040 Speaker 1: which is when you're asking them, do you choose to 654 00:32:14,080 --> 00:32:16,719 Speaker 1: do this? And that's not the question. The question is 655 00:32:16,760 --> 00:32:19,040 Speaker 1: can you not choose to do this? Which is they 656 00:32:19,080 --> 00:32:21,640 Speaker 1: feel like this is the only choice they have. So 657 00:32:21,920 --> 00:32:24,959 Speaker 1: how do you then have this group on the streets 658 00:32:25,000 --> 00:32:27,560 Speaker 1: because they feel like having a choice, but not react 659 00:32:27,960 --> 00:32:31,680 Speaker 1: out of total self preservation, which is sometimes breaking the law. 660 00:32:32,040 --> 00:32:37,040 Speaker 2: What I found is that every case needs a specific 661 00:32:37,120 --> 00:32:42,040 Speaker 2: individual approach, and you just can't do that. And the 662 00:32:42,120 --> 00:32:46,880 Speaker 2: systems we have in place, we can't afford to be like, oh, 663 00:32:47,160 --> 00:32:49,560 Speaker 2: this person needs X, Y and Z, but this person 664 00:32:49,600 --> 00:32:51,840 Speaker 2: needs a B and C. We just don't have the 665 00:32:51,920 --> 00:32:56,200 Speaker 2: time or resources to do that. But every kid is different, 666 00:32:56,720 --> 00:32:59,680 Speaker 2: every story is different. Well works for one kid doesn't 667 00:32:59,680 --> 00:33:02,560 Speaker 2: work for another kid. And that's the problem that we 668 00:33:02,640 --> 00:33:06,600 Speaker 2: have all these blanket solutions and it just doesn't work 669 00:33:06,800 --> 00:33:09,840 Speaker 2: for everybody, and one doesn't work for everybody, we say 670 00:33:09,880 --> 00:33:12,000 Speaker 2: it doesn't work at all, and then we throw it away. 671 00:33:12,120 --> 00:33:14,040 Speaker 3: And we ignore the ones it does work for. 672 00:33:14,800 --> 00:33:17,240 Speaker 1: Has this reporting that you've done on this story in 673 00:33:17,280 --> 00:33:21,920 Speaker 1: writing this book informed how you approach stories in the future, 674 00:33:22,120 --> 00:33:25,560 Speaker 1: what you're doing right now, How has it changed you 675 00:33:25,640 --> 00:33:26,280 Speaker 1: as a writer. 676 00:33:26,800 --> 00:33:29,240 Speaker 2: I've always reported on things, you know, with open eyes, 677 00:33:29,520 --> 00:33:31,760 Speaker 2: but now I try to do so now, I mean, 678 00:33:31,760 --> 00:33:32,560 Speaker 2: this is really corny. 679 00:33:32,680 --> 00:33:33,760 Speaker 3: I try to do so with. 680 00:33:34,080 --> 00:33:37,880 Speaker 2: An open heart as well, because it's just we steel 681 00:33:37,920 --> 00:33:42,800 Speaker 2: ourselves against these kids so instinctively, almost, and like, you 682 00:33:42,880 --> 00:33:45,760 Speaker 2: know exactly what I'm talking about. You see these kids 683 00:33:46,480 --> 00:33:50,040 Speaker 2: and you just your hackles go up. You hate them 684 00:33:50,280 --> 00:33:53,480 Speaker 2: on site, and we need to ask ourselves why. 685 00:33:53,280 --> 00:33:56,680 Speaker 3: Do we hate them so much? And it's just like, honestly, 686 00:33:56,840 --> 00:33:58,800 Speaker 3: we hate them because we failed them. 687 00:33:59,120 --> 00:34:02,200 Speaker 1: I think there are people, well, certainly there's a large 688 00:34:02,200 --> 00:34:06,920 Speaker 1: portion of young, unhoused people who don't commit crimes, who 689 00:34:06,960 --> 00:34:09,320 Speaker 1: feel like they need to be there on the streets, 690 00:34:09,600 --> 00:34:12,319 Speaker 1: who aren't hurting other people. And I think it is 691 00:34:12,480 --> 00:34:16,200 Speaker 1: easy to read the headlines and concentrate on the ones 692 00:34:16,239 --> 00:34:18,760 Speaker 1: who are threats, who are the clear and present danger, 693 00:34:19,080 --> 00:34:22,680 Speaker 1: versus trying to figure out what systemic issue is causing 694 00:34:22,719 --> 00:34:25,359 Speaker 1: all of this, right, And I don't think that it 695 00:34:25,440 --> 00:34:28,680 Speaker 1: is to say that what happened in this case, it's 696 00:34:28,719 --> 00:34:31,520 Speaker 1: like you said before, very eloquently, they shouldn't be absolved 697 00:34:31,600 --> 00:34:34,160 Speaker 1: of this, of course not. They committed crimes, two crimes 698 00:34:34,160 --> 00:34:37,080 Speaker 1: against two innocent people. But it's not as cut and 699 00:34:37,160 --> 00:34:40,200 Speaker 1: dry as most crime cases are. Let's talk a little 700 00:34:40,239 --> 00:34:44,120 Speaker 1: bit about San Francisco's response to all of this, to 701 00:34:44,200 --> 00:34:46,759 Speaker 1: this type of story. This is a city that is 702 00:34:46,880 --> 00:34:49,200 Speaker 1: known for being one of the most progressive cities in 703 00:34:49,239 --> 00:34:54,239 Speaker 1: the country, and yet because of the very large unhoused 704 00:34:54,280 --> 00:34:58,520 Speaker 1: population in the city, it makes people uncomfortable, and all 705 00:34:58,560 --> 00:35:01,680 Speaker 1: of a sudden, you see these progressive people do it 706 00:35:01,719 --> 00:35:04,480 Speaker 1: turn about when it comes to talking about unhoused people 707 00:35:04,480 --> 00:35:05,080 Speaker 1: in the city. 708 00:35:05,440 --> 00:35:09,120 Speaker 2: San Francisco breaks my heart often, and never more so 709 00:35:09,200 --> 00:35:11,600 Speaker 2: than when it comes to the issue of unhoused individuals. 710 00:35:11,920 --> 00:35:14,120 Speaker 2: Like he said, San Francisco has a reputation of being 711 00:35:14,160 --> 00:35:17,080 Speaker 2: one of the most progressive cities in the country, but 712 00:35:17,120 --> 00:35:19,920 Speaker 2: it also is one of the cities with the harshest 713 00:35:20,520 --> 00:35:25,320 Speaker 2: anti homeless laws. It's illegal to sit on the street, 714 00:35:25,320 --> 00:35:28,120 Speaker 2: it's legal to lie down in the streets, it's illegal 715 00:35:28,160 --> 00:35:30,400 Speaker 2: to pitch a tent in the streets, it's illegal to 716 00:35:30,480 --> 00:35:34,120 Speaker 2: exist pretty much if you're un housed. If we talk 717 00:35:34,160 --> 00:35:36,799 Speaker 2: to anybody who's on housed in San Francisco, it's hard 718 00:35:36,800 --> 00:35:37,440 Speaker 2: for them. 719 00:35:37,840 --> 00:35:38,399 Speaker 3: A lot of. 720 00:35:38,320 --> 00:35:43,000 Speaker 2: Them were not on house for long. San Francisco's rents 721 00:35:43,040 --> 00:35:46,920 Speaker 2: prices are so astronomical. A lot of people in San 722 00:35:46,920 --> 00:35:50,440 Speaker 2: Francisco are not that far away from being unhoused themselves. 723 00:35:50,800 --> 00:35:52,600 Speaker 1: Did you get criticism for this book? 724 00:35:52,880 --> 00:35:54,600 Speaker 3: I wonder I did. 725 00:35:55,000 --> 00:35:55,800 Speaker 1: That must be hard. 726 00:35:56,239 --> 00:35:58,840 Speaker 2: Yeah, you know, of course, there's always going to be 727 00:35:58,880 --> 00:36:02,040 Speaker 2: people who said, you know, like, why are you humanizing murderers? 728 00:36:02,719 --> 00:36:06,759 Speaker 2: But this wasn't just about murderers. This wasn't just about 729 00:36:06,800 --> 00:36:10,160 Speaker 2: the three kids. This wasn't just about Hayes Lampley, Sean 730 00:36:10,239 --> 00:36:13,360 Speaker 2: Engld and Wailah Allygood. This is about the one hundreds 731 00:36:13,360 --> 00:36:17,480 Speaker 2: and thousands of kids who are existing right now and 732 00:36:17,520 --> 00:36:22,480 Speaker 2: that we either ignore or just disdain, and they've never 733 00:36:22,520 --> 00:36:31,000 Speaker 2: been given a chance, and we need to help them. 734 00:36:31,040 --> 00:36:34,880 Speaker 1: On the next episode of Wicked Words, Susan jonesis on 735 00:36:35,040 --> 00:36:38,360 Speaker 1: the bloody Benders within a community. 736 00:36:38,680 --> 00:36:42,720 Speaker 5: This family are masquerading as kind of upstanding, if stand 737 00:36:42,719 --> 00:36:46,439 Speaker 5: office citizens, and then over a three year period they 738 00:36:46,760 --> 00:36:50,839 Speaker 5: kill eleven people at least within that area. Both from 739 00:36:50,880 --> 00:36:54,840 Speaker 5: that community and passing through and then obviously they flee. 740 00:36:55,120 --> 00:37:07,320 Speaker 5: It's a mystery. 741 00:37:08,200 --> 00:37:11,120 Speaker 1: My new book, All That Is Wicked is available now, 742 00:37:11,200 --> 00:37:14,080 Speaker 1: including the audiobook. All that Is Wicked is based on 743 00:37:14,120 --> 00:37:16,799 Speaker 1: our first season of tenfold More Wicked. You might think 744 00:37:16,840 --> 00:37:19,560 Speaker 1: you know the whole story of killer Edward Ruloff's crimes, 745 00:37:19,840 --> 00:37:22,640 Speaker 1: but there's so much more. My book American Sherlock is 746 00:37:22,680 --> 00:37:26,239 Speaker 1: also available. This has been an exactly right tenfold war 747 00:37:26,320 --> 00:37:30,360 Speaker 1: Media production. The producer is Alexis Emirosi. Our mixer is 748 00:37:30,480 --> 00:37:34,200 Speaker 1: Ryo Baum. Curtis Heath is Our composer, Nick Toga did 749 00:37:34,239 --> 00:37:38,480 Speaker 1: the artwork. Ilsabrink designed the website. The executive producers are 750 00:37:38,600 --> 00:37:43,320 Speaker 1: Georgia Hartstark, Karen Kilgarriff and Danielle Kramer. Follow Wicked Words 751 00:37:43,320 --> 00:37:46,759 Speaker 1: on Instagram and Facebook at tenfold more Wicked and on 752 00:37:46,800 --> 00:37:49,680 Speaker 1: Twitter at tenfold More and If you know of a 753 00:37:49,800 --> 00:37:53,440 Speaker 1: historical crime that could use some attention, especially if it 754 00:37:53,480 --> 00:37:57,440 Speaker 1: happened in your family, email us at info at tenfoldwar 755 00:37:57,480 --> 00:38:01,279 Speaker 1: Wicked dot com. We'll also take your suggestions for true 756 00:38:01,320 --> 00:38:03,080 Speaker 1: crime authors for Wicked Words