WEBVTT - Dave Grohl

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<v Speaker 1>You know what I had for dinner last night? At what?

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<v Speaker 1>Two microwaveable hot dogs in a guinness. Oh my god,

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<v Speaker 1>nothing has changed. I've known you since the nineties and

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<v Speaker 1>nothing has changed. Why should it wait, Dave? Do you

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<v Speaker 1>remember that there was that place that you had a

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<v Speaker 1>Laurel Canyon and one night one of your roadies fell

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<v Speaker 1>asleep for the eating. That house was so old that

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<v Speaker 1>the only heating vent was right in the front door

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<v Speaker 1>of the house, and he fell asleep in the hallway.

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<v Speaker 1>Our drum tech, John John, was sleeping. He was so cold,

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<v Speaker 1>so he took my jacket, put it over this massive

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<v Speaker 1>heating then and fell asleep on it and woke up

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<v Speaker 1>on fire. That's right, I remember that. Remember those were

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<v Speaker 1>the days. Well, by the way, the barbecue in Laurel Canyon,

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<v Speaker 1>which sounds really fancy, but at that house where you're

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<v Speaker 1>having the barbecue, it literally what you had microwave for

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<v Speaker 1>dinner last night. It was like a couple of gorn

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<v Speaker 1>dogs and like twenty four beers. It was Hello, I'm

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<v Speaker 1>mini driver, and welcome to many questions. I've always loved

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<v Speaker 1>Pru's questionnaire. It was originally an eighteenth century parlor game

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<v Speaker 1>meant to reveal an individual's true nature, but with so

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<v Speaker 1>many questions, there wasn't really an opportunity to expand on anything.

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<v Speaker 1>So I took the format of Pruce's questionnaire and adapted

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<v Speaker 1>what I think are seven of the most important questions

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<v Speaker 1>you could ever ask someone. They are when and where

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<v Speaker 1>were you happiest? What is the quality you like least

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<v Speaker 1>about yourself? What relationship, real or fictionalized, defines love for you?

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<v Speaker 1>What question would you most like answered, What person, place,

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<v Speaker 1>or experience has shaped you the most? What would be

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<v Speaker 1>your last meal? And can you tell me something in

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<v Speaker 1>your life that has grown out of a personal faster

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<v Speaker 1>The more people we ask, the more we begin to

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<v Speaker 1>see what makes us similar and what makes us individual.

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<v Speaker 1>I've gathered a group of really remarkable people who I

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<v Speaker 1>am honored and humbled to have had a chance to

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<v Speaker 1>engage with, and today I am talking to Dave Grohl.

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<v Speaker 1>I first met Dave when his band Food Fighters were

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<v Speaker 1>the live music at the FSACHI Runway show in New York.

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<v Speaker 1>I was dressed in white from head to toe. It

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<v Speaker 1>was a slightly futuristic look, high collared, stiff fabric. Dave

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<v Speaker 1>said I looked like ziggy Star, Dust's dental hygienist and

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<v Speaker 1>our friendship of twenty three years was born. For all

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<v Speaker 1>his many achievements, at heart, to me, Dave is one

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<v Speaker 1>of our most profound storytellers. Nirvana was legendary, it defined

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<v Speaker 1>and created an entire genre of music. But for me,

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<v Speaker 1>Food Fighters and the myriad side projects Dave always has

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<v Speaker 1>in play speak to an ongoing, restless exploration of creative evel.

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<v Speaker 1>I've never met a person who literally and figuratively refuses

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<v Speaker 1>to sit still as much as Dave, and to me

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<v Speaker 1>it's genuinely what makes him great. The first question is

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<v Speaker 1>where and when were you happiest? Well, I hope that

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<v Speaker 1>I haven't been my happiest yet. I have lots of

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<v Speaker 1>very fond memories. I think I've been happiest more than

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<v Speaker 1>a few times. But you know, I think you find

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<v Speaker 1>different versions of happiness. I find a lot of happiness everywhere,

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<v Speaker 1>even in the unhappiest times, because I sort of search

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<v Speaker 1>for it. Do you mind for happiness? Is that something

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<v Speaker 1>that you consciously do? I do. I'm a little bit

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<v Speaker 1>more of a big picture type. I try not to

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<v Speaker 1>get caught in crisis so much that I can't see

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<v Speaker 1>outside of it. So if I'm deep in it, I

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<v Speaker 1>stopped and remind myself of the big picture. Was that taught?

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<v Speaker 1>Was that from your amazing mother or was that how

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<v Speaker 1>evil was rolled? I'm sure that it's taught in some way,

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<v Speaker 1>maybe like inadvertently. Yeah, I'm you know. I was raised

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<v Speaker 1>by my mother, single parent. My parents split up when

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<v Speaker 1>I was I think six years old, seven years old,

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<v Speaker 1>something like that. So my mother raised me in our

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<v Speaker 1>tiny little house, and she was a public school teacher,

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<v Speaker 1>and we didn't really have money, and sometimes the heat

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<v Speaker 1>would get turned off, and the phone would get turned off,

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<v Speaker 1>and the lights would get turned off, and we'd have

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<v Speaker 1>scrambled eggs for dinner and things like that. But my

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<v Speaker 1>mother was really good at making us feel like we

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<v Speaker 1>had enough all the time. So I had a really

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<v Speaker 1>happy childhood. I didn't have much, but I was happy,

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<v Speaker 1>and that really did come from my mother. It was

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<v Speaker 1>as simple as going to a jazz club on a

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<v Speaker 1>Sunday with my mother and realizing that, oh, she's cool

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<v Speaker 1>and we're friends, but she's my mom. My friends don't

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<v Speaker 1>hang out with their parents. From an early age, I

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<v Speaker 1>felt like you play the hand that you're dealt and

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<v Speaker 1>that's kind of it. And there's no use in wishing

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<v Speaker 1>against things you can't change, you know. And so when

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<v Speaker 1>I would be in the middle of crisis or an

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<v Speaker 1>uncomfortable situation, I would always try to remind myself of

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<v Speaker 1>the big picture. I'm sure it goes back to my childhood,

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<v Speaker 1>but I still feel that way, you know. I think

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<v Speaker 1>you also set your own bar in a way. You know,

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<v Speaker 1>some people are perfectly happy sitting on their couch playing

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<v Speaker 1>video games for twelve hours a day. Other people are

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<v Speaker 1>only happy when they're skydiving. Yes, and so it's relative.

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<v Speaker 1>I like your spectrum Gears of War to jumping out

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<v Speaker 1>of an airplane. I mean, to be honest, I'm sort

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<v Speaker 1>of both, you know. Like I could be perfectly happy

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<v Speaker 1>sitting on a couch with two hot dogs in the

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<v Speaker 1>Guinness watching Dumb and Dumber again, you know, or perfectly

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<v Speaker 1>happy running on stage at Wembley Stadium and conducting eight

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<v Speaker 1>people to sing a song with me. So like those

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<v Speaker 1>two things, you know, you walk off stage and you

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<v Speaker 1>you're like, oh my god, the adrenaline. It's like skydiving,

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<v Speaker 1>it really is. It's a bungee jump. But then I'm

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<v Speaker 1>just as happy you know, sitting in traffic and listening

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<v Speaker 1>to Bill Withers or whatever. And I think it's just

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<v Speaker 1>because you have to be open to it. My dear

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<v Speaker 1>friend and love of my life, Pat Smir, who plays

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<v Speaker 1>guitar in The Food Fighters, he is the most amazing,

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<v Speaker 1>beautiful person because he has this contagious sense of reassurance

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<v Speaker 1>where even in the worst fucking tragedy, you can look

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<v Speaker 1>at each other and laugh, like, how much more absurd

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<v Speaker 1>could life be? You know, the ups and downs of life,

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<v Speaker 1>and and the range of that dynamic. You know, when

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<v Speaker 1>things are at their peak, you look at each other

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<v Speaker 1>and you're like, oh, my fucking god. When things are

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<v Speaker 1>at the bottom, the lowest of the low, you look

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<v Speaker 1>at each other and you just go, oh, my fucking god.

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<v Speaker 1>It's strange, though, because I was just talking about this

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<v Speaker 1>the other day. We have a song called Waiting on

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<v Speaker 1>a War that just came out, and I wrote the

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<v Speaker 1>song about a year and a half ago. I wrote

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<v Speaker 1>it and when I was young, growing up outside of Washington,

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<v Speaker 1>d C. My greatest fear was war. In the early eighties,

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<v Speaker 1>when there was political tension and it was Russia and

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<v Speaker 1>it was Reagan and there was just this anxiety of

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<v Speaker 1>you know, conflict and conservatism, and being so close to Washington,

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<v Speaker 1>d C. I always thought, Okay, there's going to be

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<v Speaker 1>a war and we're going to be the first ones

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<v Speaker 1>to get it because this is the nation's capital. And

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<v Speaker 1>I was kind of obsessed with it. And then a

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<v Speaker 1>year and a half ago, I was taking my daughter, Harper,

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<v Speaker 1>who's eleven years old, to school. I'm driving her to

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<v Speaker 1>school and she turns to me, she goes, Dad, is

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<v Speaker 1>there gonna be a war? And it broke my heart

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<v Speaker 1>because I thought she's now living under this like dark

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<v Speaker 1>cloud of a hopeless future. Forty years after I did

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<v Speaker 1>the same thing, I felt the same as she did,

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<v Speaker 1>and I was heartbroken. I'm like, you know, her childhood

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<v Speaker 1>is being stolen from her by this fear of war.

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<v Speaker 1>And I immediately wrote the song and I wrote it

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<v Speaker 1>for her. And I'm only mentioning this because I did

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<v Speaker 1>have this weird, nihilistic, pessimistic side to me as a kid.

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<v Speaker 1>And it's unfair, like, it's so unfair. Why should anyone

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<v Speaker 1>go through it? But children, you know, God forbid, they

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<v Speaker 1>turn on the fucking television and see what's going on.

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<v Speaker 1>I'd rather have her listen to the song because in

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<v Speaker 1>the song, I say, you know, I've been waiting on

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<v Speaker 1>a war since I was young? Is there more to

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<v Speaker 1>this than just waiting on a war? Because God? Anyway?

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<v Speaker 1>So I did have this pessimistic side to me when

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<v Speaker 1>I was a kid, but I sort of counted it

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<v Speaker 1>with this maybe naive optimism where I would just think,

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<v Speaker 1>I know, but birds sounds are pretty, you know what

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<v Speaker 1>I mean? Like I would just like get on my

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<v Speaker 1>skateboard and crawl through the sewers and be like, yeah,

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<v Speaker 1>you know, I don't know. I think the answer the

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<v Speaker 1>question that you asked fourteen minutes ago, yes, I mind

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<v Speaker 1>for happiness because I think you have to live with

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<v Speaker 1>a sense of hope and you have to be able

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<v Speaker 1>to find goodness and happiness even in the worst times.

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<v Speaker 1>I couldn't agree with you more. And I actually think

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<v Speaker 1>the worst times thrown too relief what is good and

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<v Speaker 1>what is meaningful and actually helped define happiness a lot

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<v Speaker 1>better than happiness itself. You've got to find it, you

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<v Speaker 1>look for it. I think you're right, you have to

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<v Speaker 1>make the effort. Okay, So next question, what relationship, real

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<v Speaker 1>or fictionalized defines love? Fear? Well? The relationship with my mother,

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<v Speaker 1>no question. Yeah. You know, as as a parent, you

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<v Speaker 1>understand that the love that you received from your child

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<v Speaker 1>is just, it's incomparable, It's unlike any other love, and

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<v Speaker 1>the same thing to be said for your relationship with

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<v Speaker 1>your parents. So I've always said her like, that's the

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<v Speaker 1>one because you know, not only was I had given

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<v Speaker 1>this unconditional love, but I was also I was given

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<v Speaker 1>so much more. I was given freedom. She disciplined me

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<v Speaker 1>with freedom, if that makes any sense. She really did.

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<v Speaker 1>We were so close, and I had so much respect.

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<v Speaker 1>Why I still do. I still have so we're still close.

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<v Speaker 1>I still have so much respect for that. The last

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<v Speaker 1>thing I would want to do is disappoint her, because

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<v Speaker 1>I didn't want to jeopardize not only our relationship, but

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<v Speaker 1>your freedom. So she was like, you know, okay, you

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<v Speaker 1>could listen to satanic death metal. It's funny. I'm interested

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<v Speaker 1>in what I think. The only way of being a

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<v Speaker 1>good parent is being cognizant of what it is we

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<v Speaker 1>took from our parents. Both good question. First of all,

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<v Speaker 1>if you believe any of this, I have a bridge

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<v Speaker 1>to sell you. How about that? But then I mean no,

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<v Speaker 1>I mean, of course, that's the foundation. My mother wrote

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<v Speaker 1>this book about mothers of musicians right four years ago,

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<v Speaker 1>and she interviewed all these different mothers. She interviewed Dr

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<v Speaker 1>Drey's mom, she interviewed for Rall's mom, she interviewed Michael

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<v Speaker 1>Stipe's mother. She interviewed like fifteen or twenty different mothers.

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<v Speaker 1>It was interesting because there were parallels. A lot of

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<v Speaker 1>the experiences were the same, some of the relationships were

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<v Speaker 1>a bit different, the mother child relationships. But ultimately you

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<v Speaker 1>have to imagine that that relationship is your first love, right,

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<v Speaker 1>and if you become an artist, typically love is your

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<v Speaker 1>greatest muse. Like that's not only the foundation of who

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<v Speaker 1>you are and what you become in the relationships you

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<v Speaker 1>have with other people, but it also you know, it

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<v Speaker 1>becomes your lens. So that's how you see the world,

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<v Speaker 1>you know, whether it's in a dark, tortured focus or

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<v Speaker 1>it's something more romantic. And like, I mean, a lot

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<v Speaker 1>of that is that that foundation is laid by your

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<v Speaker 1>first example of love, and that usually comes from your parents.

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<v Speaker 1>I remember asking her once about being a teenager in

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<v Speaker 1>rural Ohio and the forties in the late forties, and

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<v Speaker 1>um I was asking her about peer pressure, if she

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<v Speaker 1>had any sort of like social anxieties, and she said,

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<v Speaker 1>she said, I never really compared myself to anyone else.

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<v Speaker 1>And I thought, that is the greatest nugget of wisdom

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<v Speaker 1>my mother has ever dropped in my stocking. It was like, like,

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<v Speaker 1>I've never compared myself to anyone, and what a perfect

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<v Speaker 1>way to be. It's extremely evolved to be able to go.

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<v Speaker 1>I never compared myself to anyone, not the notion that

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<v Speaker 1>anyone is better or worse, but rather I am myself.

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<v Speaker 1>That's a good person to teach you what the scaffolding

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<v Speaker 1>should look like, around your life, around love, around the

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<v Speaker 1>way we see ourselves. I love your Mom's cool. Okay,

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<v Speaker 1>what question would you most like answered? The thing about UFOs?

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<v Speaker 1>Does you want like the Kennedy thing? I mean, you know,

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<v Speaker 1>and then there's the thing about like the Big Bang

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<v Speaker 1>and God and whatever. I'm more into the uf I'm

0:13:53.800 --> 0:13:55.880
<v Speaker 1>with you. I went out My sister worked at Ben

0:13:55.880 --> 0:13:58.520
<v Speaker 1>and Jerry's in Provincetown when I was sixteen, and I

0:13:58.520 --> 0:14:00.560
<v Speaker 1>won't to spend the summer with her, and I went

0:14:00.559 --> 0:14:05.320
<v Speaker 1>out to those dunes every night looking for the UFOs,

0:14:06.000 --> 0:14:11.040
<v Speaker 1>and one night, I know one night, this guy gave

0:14:11.080 --> 0:14:16.640
<v Speaker 1>me something to smoke and I saw the goddamn your bugs.

0:14:17.559 --> 0:14:19.680
<v Speaker 1>It was super cool because the next day, when I

0:14:19.720 --> 0:14:22.080
<v Speaker 1>worked in the ben and Jerry's with my sister, I

0:14:22.160 --> 0:14:26.720
<v Speaker 1>was like, listen, the UFOs are for real, And because

0:14:26.720 --> 0:14:32.440
<v Speaker 1>I was so English, they all believed me. Oh, I

0:14:32.520 --> 0:14:35.160
<v Speaker 1>love that. That's what you want to know. No, but really,

0:14:35.200 --> 0:14:38.640
<v Speaker 1>I mean when I was young, I don't know why

0:14:38.760 --> 0:14:40.760
<v Speaker 1>or how it started, but I would do that thing

0:14:40.840 --> 0:14:43.200
<v Speaker 1>where I would lay in my front yard and just

0:14:43.240 --> 0:14:45.720
<v Speaker 1>stare at the sky. When you weren't thinking about their

0:14:45.760 --> 0:14:47.280
<v Speaker 1>being a war that was going to wipe you out.

0:14:47.280 --> 0:14:49.240
<v Speaker 1>I'm sure of course you thought that there were aliens

0:14:49.240 --> 0:14:50.960
<v Speaker 1>who might possibly be there to come and save you.

0:14:51.120 --> 0:14:55.680
<v Speaker 1>I mean, I still the scrange. Please, Mr Freud, I

0:14:55.760 --> 0:14:58.880
<v Speaker 1>have to be honest. But no, the uf Here's the

0:14:58.880 --> 0:15:01.880
<v Speaker 1>funny thing about the UFO A thing. So since I

0:15:01.920 --> 0:15:03.640
<v Speaker 1>was young, Like when I was young, I'd like lay

0:15:03.640 --> 0:15:06.120
<v Speaker 1>in the front yard and I'd be like contact me

0:15:06.280 --> 0:15:09.040
<v Speaker 1>where I never saw anything weird, but I'd have these

0:15:09.440 --> 0:15:12.520
<v Speaker 1>amazing dreams. First of all, I'm in a crazy vivid dreamer.

0:15:12.560 --> 0:15:15.040
<v Speaker 1>I remember dreams from when I was for four years old.

0:15:15.320 --> 0:15:17.240
<v Speaker 1>I remember dreams from when I was eight years old

0:15:17.240 --> 0:15:19.560
<v Speaker 1>and fourteen years old. I still vividly remember them. I

0:15:19.560 --> 0:15:22.000
<v Speaker 1>can see them in my mind. I had these crazy

0:15:22.080 --> 0:15:25.840
<v Speaker 1>UFO dreams where I'm like walking on a hill in

0:15:26.680 --> 0:15:31.120
<v Speaker 1>somewhere in Italy on the coast, and it's at dusk

0:15:31.320 --> 0:15:33.440
<v Speaker 1>and right as the stars are coming out, and there's

0:15:33.480 --> 0:15:36.040
<v Speaker 1>people walking around. It's a beautiful night, and all of

0:15:36.040 --> 0:15:39.040
<v Speaker 1>a sudden, the stars just like implode and the sky

0:15:39.200 --> 0:15:43.160
<v Speaker 1>is filled with UFOs and there's these things being projected

0:15:43.160 --> 0:15:47.000
<v Speaker 1>in the sky explaining the evolution of man. But it's

0:15:47.000 --> 0:15:50.600
<v Speaker 1>it's not sound. It's like telepathically being explained to you

0:15:50.640 --> 0:15:52.920
<v Speaker 1>in your mind. And then a map of the world

0:15:53.000 --> 0:15:55.800
<v Speaker 1>and how like all the territories have been redefined, and

0:15:56.080 --> 0:15:58.560
<v Speaker 1>like crazy stuff like that. But here's the thing. I

0:15:58.600 --> 0:16:01.600
<v Speaker 1>remember once going to a psychic. I wasn't going to

0:16:01.680 --> 0:16:05.040
<v Speaker 1>the psychic for me. I was dropping off my girlfriend

0:16:05.080 --> 0:16:08.240
<v Speaker 1>at the time. At the psychic. This is in Sydney, Australia,

0:16:08.720 --> 0:16:11.320
<v Speaker 1>and someone said, there's this French woman in this apartment

0:16:11.320 --> 0:16:14.920
<v Speaker 1>complex outside of Sydney. She's the real due. She'll know

0:16:14.960 --> 0:16:19.080
<v Speaker 1>you're coming right so you don't even knock. So I

0:16:19.160 --> 0:16:22.840
<v Speaker 1>drop off my girlfriend and she has this horrible reading

0:16:23.160 --> 0:16:25.600
<v Speaker 1>and then I walk in and the ladies like no, no, no, no,

0:16:25.640 --> 0:16:28.120
<v Speaker 1>sit down, sit down. Oh she only speaks French, so

0:16:28.160 --> 0:16:30.840
<v Speaker 1>my girlfriend, who also spoke French, was translating. So I

0:16:30.880 --> 0:16:33.000
<v Speaker 1>sit down and she's like, oh, you have a lot

0:16:33.040 --> 0:16:35.160
<v Speaker 1>of energy. And I'm like, I know, I'm a spa

0:16:35.200 --> 0:16:37.160
<v Speaker 1>as I've had a lot of coffee. And she's like, no,

0:16:37.920 --> 0:16:41.680
<v Speaker 1>you have a lot of energy. Like your hands they're

0:16:41.760 --> 0:16:46.360
<v Speaker 1>they're like glowing, and I'm like, fuck, yes, this is amazing.

0:16:46.560 --> 0:16:49.160
<v Speaker 1>My girlfriend was just told like our relationship is not

0:16:49.160 --> 0:16:51.960
<v Speaker 1>gonna work, blah blah blah blah blah blah. And then

0:16:52.080 --> 0:16:54.880
<v Speaker 1>now she's got to translate this this the psychic who

0:16:54.920 --> 0:16:58.160
<v Speaker 1>is saying like, you have psychic power. But the best

0:16:58.880 --> 0:17:01.600
<v Speaker 1>the best part was she goes, do you see ghosts?

0:17:03.160 --> 0:17:05.760
<v Speaker 1>And I said, now, I mean I lived in the

0:17:05.800 --> 0:17:08.760
<v Speaker 1>house that had like creepy things, that the vibe was weird,

0:17:08.840 --> 0:17:11.439
<v Speaker 1>But now I don't see ghosts. I said, I have

0:17:11.520 --> 0:17:17.399
<v Speaker 1>dreams about UFOs and she goes, those aren't dreams. I

0:17:17.480 --> 0:17:30.400
<v Speaker 1>was like, yes, killer, what person, place, or experience most

0:17:30.480 --> 0:17:34.080
<v Speaker 1>altered your life? I would have to say the first

0:17:34.119 --> 0:17:38.040
<v Speaker 1>time I saw a band play on a stage. Who

0:17:38.160 --> 0:17:41.199
<v Speaker 1>was it? It was a punk rock band. Actually, I

0:17:41.240 --> 0:17:43.480
<v Speaker 1>had never been to a rock concert, and it was

0:17:43.520 --> 0:17:47.240
<v Speaker 1>a band called Naked Reagun. They were like an infamous

0:17:47.240 --> 0:17:52.159
<v Speaker 1>punk rock band from Chicago. And I can't think of

0:17:52.359 --> 0:17:58.440
<v Speaker 1>anything else that that changed or formed my future then

0:17:58.520 --> 0:18:01.800
<v Speaker 1>that moment, I was in this like you know, dark

0:18:01.920 --> 0:18:05.400
<v Speaker 1>bar that smelled like bleach and beer, and then these

0:18:05.440 --> 0:18:10.240
<v Speaker 1>four guys walk on stage and ripped jeans and like one, two, three, four, bam,

0:18:10.280 --> 0:18:13.040
<v Speaker 1>and they started playing, and like my chest was against

0:18:13.080 --> 0:18:14.960
<v Speaker 1>the stage and their sweat was on me and their

0:18:14.960 --> 0:18:17.560
<v Speaker 1>spit was on me, and I was getting thrown around

0:18:18.119 --> 0:18:21.159
<v Speaker 1>um by people with like mohawks, and so I was like,

0:18:22.119 --> 0:18:23.920
<v Speaker 1>this is what I'm doing for the rest of my life.

0:18:24.000 --> 0:18:27.920
<v Speaker 1>In between the ages of like eleven and thirteen, it's

0:18:27.960 --> 0:18:31.960
<v Speaker 1>a really formative age because you're discovering independence. You're no

0:18:32.040 --> 0:18:34.080
<v Speaker 1>longer just a child that needs to hold someone's hand

0:18:34.119 --> 0:18:36.560
<v Speaker 1>when they crossed the street. So you're kind of discovering

0:18:36.560 --> 0:18:39.760
<v Speaker 1>who you are, and at that time you sort of

0:18:39.800 --> 0:18:43.880
<v Speaker 1>connect to things that become your identity. Right, I'm really

0:18:43.920 --> 0:18:46.840
<v Speaker 1>into football, So then you started playing football, but with music.

0:18:47.680 --> 0:18:49.760
<v Speaker 1>If the hooks get deep enough that they sort of

0:18:49.800 --> 0:18:54.800
<v Speaker 1>like catch that newly introspective part of your identity. Oh,

0:18:54.880 --> 0:18:57.520
<v Speaker 1>so now you have somewhere to put it, Like, Oh,

0:18:57.520 --> 0:18:59.080
<v Speaker 1>I'll pick up a guitar and I could put it there.

0:18:59.119 --> 0:19:00.600
<v Speaker 1>I could pick up a drum as I could put

0:19:00.600 --> 0:19:02.800
<v Speaker 1>it there. Wait, were you already a drumma when you

0:19:02.920 --> 0:19:09.159
<v Speaker 1>saw no I started playing guitar. I think when I

0:19:09.240 --> 0:19:12.520
<v Speaker 1>was like ten, so I was playing guitar, but I

0:19:12.520 --> 0:19:14.560
<v Speaker 1>could understand the drums. I didn't have a drum set.

0:19:14.560 --> 0:19:16.480
<v Speaker 1>I had a pair of drumsticks, so I would set

0:19:16.560 --> 0:19:19.159
<v Speaker 1>up these pillows on my floor in my bedroom in

0:19:19.200 --> 0:19:22.080
<v Speaker 1>the configuration of a drum set. Yeah, but you're a

0:19:22.080 --> 0:19:25.520
<v Speaker 1>proper music day. But you play, you play everything, so

0:19:25.680 --> 0:19:28.359
<v Speaker 1>that doesn't surprise me at all. Well, I don't know

0:19:28.440 --> 0:19:31.840
<v Speaker 1>how to play everything. I just try to play everything.

0:19:32.160 --> 0:19:34.000
<v Speaker 1>So it's that whole fake it till you make it thing,

0:19:34.280 --> 0:19:36.640
<v Speaker 1>you know. I know people that are like accomplished musicians

0:19:36.640 --> 0:19:40.359
<v Speaker 1>that spent a lot of time taking lessons and being

0:19:40.440 --> 0:19:43.159
<v Speaker 1>formally trained to do what they do. But then I

0:19:43.160 --> 0:19:45.360
<v Speaker 1>know a lot of musicians that picked up records and

0:19:45.560 --> 0:19:48.800
<v Speaker 1>just sort of played by year, And I think not

0:19:48.960 --> 0:19:54.119
<v Speaker 1>that either is better. But one of the benefits of

0:19:54.760 --> 0:19:58.040
<v Speaker 1>learning how to do it yourself is that there really

0:19:58.119 --> 0:20:01.560
<v Speaker 1>is no right or wrong because you're sort of inventing

0:20:01.600 --> 0:20:06.040
<v Speaker 1>your own weird theory. So you wind up doing things

0:20:06.119 --> 0:20:11.080
<v Speaker 1>that some might consider, uh, you know, unusual, but that

0:20:11.200 --> 0:20:29.679
<v Speaker 1>leads to innovation and progress. Okay, this is my favorite question.

0:20:29.920 --> 0:20:32.040
<v Speaker 1>What would be your last meal? And you're not allowed

0:20:32.080 --> 0:20:36.639
<v Speaker 1>to say you're sotting corn dogs and beer. Now you

0:20:36.720 --> 0:20:39.640
<v Speaker 1>can if that's what it is. No, that wouldn't be it.

0:20:39.640 --> 0:20:43.880
<v Speaker 1>It's a toss up. Can I say two different things? Yeah?

0:20:43.920 --> 0:20:47.920
<v Speaker 1>It can be your lunch and your dinner. Okay. A

0:20:48.040 --> 0:20:54.240
<v Speaker 1>fift years ago, when the Food Fighters were touring Australia,

0:20:54.560 --> 0:20:58.000
<v Speaker 1>we were on our way to the gig and I

0:20:58.080 --> 0:21:02.760
<v Speaker 1>saw a KFC and I said to Gus, our tour manager, Hey, guys,

0:21:02.760 --> 0:21:05.040
<v Speaker 1>could you get a bucket of KFC for after the show?

0:21:05.400 --> 0:21:07.320
<v Speaker 1>I don't think I'd had a bucket of Kentucky Fried

0:21:07.400 --> 0:21:12.120
<v Speaker 1>Chicken since I was nine years old at like soccer practice,

0:21:12.240 --> 0:21:15.119
<v Speaker 1>Like it has been a really really long time. And

0:21:15.160 --> 0:21:17.119
<v Speaker 1>he's like, yeah, sure, but what do you want? You

0:21:17.119 --> 0:21:20.400
<v Speaker 1>want extra crispy or I was like the original recipe

0:21:20.680 --> 0:21:23.840
<v Speaker 1>please just a bucket. So then we go up on

0:21:23.880 --> 0:21:25.280
<v Speaker 1>stage and we played for two and a half hours.

0:21:25.280 --> 0:21:28.639
<v Speaker 1>I'm like, and I walk off stage, I've got a

0:21:28.680 --> 0:21:31.440
<v Speaker 1>tale around my neck. Heading down the hallway, I could

0:21:31.480 --> 0:21:37.000
<v Speaker 1>smell that ship from fifty yards away, and I'm like, oh,

0:21:37.119 --> 0:21:41.040
<v Speaker 1>you got the KFC, like he got the KFC. And

0:21:41.320 --> 0:21:43.879
<v Speaker 1>I walk in and there's a hot steamhon bucket of

0:21:43.960 --> 0:21:47.080
<v Speaker 1>KFC right there. I'm like, I'm exhausted. I just, you know,

0:21:47.320 --> 0:21:51.359
<v Speaker 1>lost five pounds on stage by sweating, so I need salt,

0:21:51.720 --> 0:21:54.960
<v Speaker 1>like I need I'm like, and I'm like, open it up,

0:21:55.000 --> 0:21:57.800
<v Speaker 1>and I'm just like, I'm like a raccoon and a dumpster.

0:21:57.960 --> 0:22:01.159
<v Speaker 1>I was like, I was just like bones flying and

0:22:02.640 --> 0:22:06.800
<v Speaker 1>then so thirsty. I'm like, okay, there's nothing to drink,

0:22:06.920 --> 0:22:09.720
<v Speaker 1>except right next to me in a bucket of ice

0:22:10.200 --> 0:22:13.280
<v Speaker 1>was a bottle of champagne. So I go and I

0:22:13.400 --> 0:22:16.639
<v Speaker 1>opened the champagne and I take a sip and then

0:22:16.680 --> 0:22:18.960
<v Speaker 1>I eat another piece of chicken. Then I go back

0:22:18.960 --> 0:22:21.199
<v Speaker 1>to the champagne. Then I go to the chicken. I'm like,

0:22:21.359 --> 0:22:24.359
<v Speaker 1>oh my god, you guys have to try this. You

0:22:24.600 --> 0:22:26.560
<v Speaker 1>have to try this. Everyone's like, what IM I get

0:22:26.560 --> 0:22:29.640
<v Speaker 1>a piece of chicken, get a little champagne and see

0:22:29.640 --> 0:22:33.880
<v Speaker 1>what happens. I'm not like, I can't go into like

0:22:33.960 --> 0:22:38.040
<v Speaker 1>a culinary diet tribe about the juxtaposition and mouth feel

0:22:38.280 --> 0:22:43.520
<v Speaker 1>of fried chicken the champagne. Trust me, it's good. And

0:22:43.600 --> 0:22:45.960
<v Speaker 1>by the way, in Australia, what do you think the

0:22:46.000 --> 0:22:55.040
<v Speaker 1>case stands for kangaroo? Many made joke, okay, And then

0:22:55.280 --> 0:22:58.480
<v Speaker 1>years later I rented a motorcycle while we had a

0:22:58.560 --> 0:23:01.320
<v Speaker 1>day off in Paris, and we of up into the

0:23:01.400 --> 0:23:06.639
<v Speaker 1>Champagne region and took a little tour of the Did

0:23:06.720 --> 0:23:08.960
<v Speaker 1>you tell those French people that they needed to be

0:23:09.160 --> 0:23:13.160
<v Speaker 1>serving the champagne with KFC? I bet you did. I did.

0:23:14.400 --> 0:23:16.520
<v Speaker 1>After the tour, we're back in this little garden and

0:23:16.600 --> 0:23:20.480
<v Speaker 1>this guy's like white gloves, tuxedo. He's like opening stuff

0:23:20.520 --> 0:23:22.360
<v Speaker 1>and smelling it. No, this one is not good enough.

0:23:22.400 --> 0:23:24.680
<v Speaker 1>And then he like opens another one and it was

0:23:24.720 --> 0:23:28.680
<v Speaker 1>like a rose. He's like, this is rose is very

0:23:28.760 --> 0:23:32.760
<v Speaker 1>nice with salmon and see food and ship and then

0:23:32.760 --> 0:23:37.560
<v Speaker 1>he goes he opens up another bottle of like champagne

0:23:38.320 --> 0:23:40.439
<v Speaker 1>and he's like this is very nice with her, and

0:23:40.960 --> 0:23:43.840
<v Speaker 1>I excuse me, you know what's really good with a a

0:23:44.000 --> 0:23:52.280
<v Speaker 1>champagne fried chicken. Motherfucker, what what are you talking about?

0:23:53.080 --> 0:23:56.240
<v Speaker 1>Shut up? I love that that was your I love that.

0:23:56.320 --> 0:23:58.879
<v Speaker 1>That's one. Okay, if there's another one as good as that,

0:23:58.960 --> 0:24:01.639
<v Speaker 1>you're allowed to eat both of them. The other one

0:24:01.720 --> 0:24:05.200
<v Speaker 1>is where I grew up in Virginia, just outside of Washington,

0:24:05.320 --> 0:24:09.480
<v Speaker 1>d C. We're not far from the Chesapeake Bay, the

0:24:09.560 --> 0:24:12.720
<v Speaker 1>Chesapeake Bay, it's kind of at the edge of d

0:24:12.800 --> 0:24:15.879
<v Speaker 1>C in Maryland. It's hard to explain, but as a

0:24:15.960 --> 0:24:17.679
<v Speaker 1>child you spend a lot of time going to the

0:24:17.680 --> 0:24:20.200
<v Speaker 1>beaches out there or going to the bay. But there's

0:24:20.200 --> 0:24:25.919
<v Speaker 1>a specific sort of like culinary history to that area,

0:24:26.200 --> 0:24:32.360
<v Speaker 1>whether it's oysters or clams or blue crabs, things like that.

0:24:33.400 --> 0:24:36.600
<v Speaker 1>So when I was young, we would always go down

0:24:36.640 --> 0:24:39.720
<v Speaker 1>to the wharf and buy seafood from the boats that

0:24:39.760 --> 0:24:43.000
<v Speaker 1>came directly off of the Chesapeake Bay. So we would

0:24:43.040 --> 0:24:46.680
<v Speaker 1>get like a bushel of crabs, and there's a there's

0:24:46.680 --> 0:24:51.560
<v Speaker 1>a specific way to have blue crabs on the Chesapeake

0:24:51.560 --> 0:24:56.240
<v Speaker 1>Bay Way. They're steamed, they're not boiled. They're seasoned with

0:24:56.280 --> 0:25:01.800
<v Speaker 1>this stuff called old Bay seasoning. And the ceremony of

0:25:01.840 --> 0:25:05.760
<v Speaker 1>eating these things, I mean, from each crab, you're lucky

0:25:05.920 --> 0:25:10.520
<v Speaker 1>if you get a tablespoon of crab meat, right, But

0:25:11.280 --> 0:25:15.200
<v Speaker 1>it's more of a ritual. So you steam these crabs.

0:25:15.680 --> 0:25:18.480
<v Speaker 1>You have a table and you lay newspaper all over

0:25:18.520 --> 0:25:22.120
<v Speaker 1>the table. You steam the crabs and season them with

0:25:22.280 --> 0:25:25.480
<v Speaker 1>old bass seasoning. You have some sides, maybe corn on

0:25:25.520 --> 0:25:28.919
<v Speaker 1>the cob, maybe hush puppies or some sort of like

0:25:29.480 --> 0:25:33.639
<v Speaker 1>starchy thing, and a lot of beer. And then you

0:25:33.720 --> 0:25:37.159
<v Speaker 1>just dump this bushel of steam crabs covered in this

0:25:37.240 --> 0:25:40.480
<v Speaker 1>seasoning on the table and everyone just sits there and

0:25:40.600 --> 0:25:45.240
<v Speaker 1>drinks beer and picks crabs for like six hours. And

0:25:46.600 --> 0:25:49.560
<v Speaker 1>your lips are burning because it's spicy, your fingers are

0:25:49.600 --> 0:25:54.080
<v Speaker 1>orange because of the seasoning. You've had forty seven beers

0:25:54.160 --> 0:25:58.200
<v Speaker 1>because it's so salty. But you've wound up telling each

0:25:58.200 --> 0:26:02.000
<v Speaker 1>other the best stories you have to tell, and so

0:26:03.320 --> 0:26:06.159
<v Speaker 1>it tastes delicious, and it is my favorite. That is,

0:26:06.280 --> 0:26:09.760
<v Speaker 1>without a doubt, my favorite meal. I can't imagine that

0:26:10.040 --> 0:26:14.760
<v Speaker 1>any warden would allow me that on my no, no, no,

0:26:14.840 --> 0:26:17.680
<v Speaker 1>in my in my prison which you're in, you can't

0:26:17.680 --> 0:26:22.640
<v Speaker 1>have crab with with orange seasoning and forty seven beers

0:26:23.240 --> 0:26:33.239
<v Speaker 1>for sure. Last question, David, in your life, can you

0:26:33.280 --> 0:26:36.919
<v Speaker 1>tell me about something that has grown out of a

0:26:36.960 --> 0:26:43.359
<v Speaker 1>personal disaster of the food fighters. Babe, Yeah, that's it.

0:26:43.560 --> 0:26:47.120
<v Speaker 1>I mean when we started this band, you know, we

0:26:47.359 --> 0:26:50.160
<v Speaker 1>didn't imagine that it would last as long as it has.

0:26:50.640 --> 0:26:53.320
<v Speaker 1>But I think one of the reasons it's lasted as

0:26:53.320 --> 0:26:57.800
<v Speaker 1>long as it has is because of what it represents

0:26:57.840 --> 0:27:04.240
<v Speaker 1>to us. So when Nirvana ended, I couldn't imagine doing

0:27:04.320 --> 0:27:10.800
<v Speaker 1>that again. But I realized that music was what had

0:27:10.960 --> 0:27:15.560
<v Speaker 1>kept me alive up until that point, and in order

0:27:15.600 --> 0:27:19.040
<v Speaker 1>for me to survive, I needed it. So this band,

0:27:20.560 --> 0:27:25.480
<v Speaker 1>when we first started it, the foundation was this continuation

0:27:25.640 --> 0:27:31.000
<v Speaker 1>of life, not just music. It was like a continuation

0:27:31.160 --> 0:27:34.600
<v Speaker 1>of life. I would have to say it's that because

0:27:34.640 --> 0:27:39.400
<v Speaker 1>over the years, even in the heartbreaker ups and downs

0:27:39.760 --> 0:27:44.200
<v Speaker 1>of the last twenty five years, the band has always

0:27:44.200 --> 0:27:49.440
<v Speaker 1>been not just an anchor, but kind of like it's

0:27:49.480 --> 0:27:52.399
<v Speaker 1>like a home. And so you don't just feel like

0:27:52.440 --> 0:27:56.600
<v Speaker 1>you're an island and you're you know, floating and nothingness.

0:27:56.640 --> 0:28:01.040
<v Speaker 1>It's like I can always lean back on this thing.

0:28:01.680 --> 0:28:08.200
<v Speaker 1>And again not just musically, it's a really emotional experience

0:28:08.240 --> 0:28:10.960
<v Speaker 1>in this it's a real world that we've created over

0:28:11.000 --> 0:28:14.639
<v Speaker 1>the last twenty five years, and so I don't know

0:28:15.160 --> 0:28:18.080
<v Speaker 1>where I would be or who I would be without it.

0:28:18.400 --> 0:28:21.399
<v Speaker 1>I feel like the luckiest person in the world that

0:28:21.880 --> 0:28:25.080
<v Speaker 1>that it happened. It's an extraordinary example of what I

0:28:25.200 --> 0:28:27.960
<v Speaker 1>hope to elicit from that question. I would also add

0:28:28.720 --> 0:28:31.480
<v Speaker 1>having been on the tour bus with all of you

0:28:31.600 --> 0:28:34.720
<v Speaker 1>and the band that in addition to it being you know,

0:28:35.240 --> 0:28:39.520
<v Speaker 1>home and they are such excellent people, it is a

0:28:39.560 --> 0:28:45.880
<v Speaker 1>proper fart shop around about listen ten hours into a draw,

0:28:46.520 --> 0:28:51.400
<v Speaker 1>come on, well, you know what's funny. I was explaining

0:28:51.440 --> 0:28:54.800
<v Speaker 1>this to someone the other day, that that there's really

0:28:54.880 --> 0:29:01.640
<v Speaker 1>no musical prerequisite to be in the Food Fighters. Barely hardly.

0:29:02.480 --> 0:29:06.960
<v Speaker 1>That's not that's not the top of our list. It's

0:29:07.000 --> 0:29:10.160
<v Speaker 1>more of emotional aesthetic. It's the type of person that

0:29:10.240 --> 0:29:13.680
<v Speaker 1>you are. But you know, you just you know, it's like,

0:29:13.800 --> 0:29:15.800
<v Speaker 1>you know, when you meet the love of your life,

0:29:15.880 --> 0:29:18.320
<v Speaker 1>you know, when you meet your best friend, you know,

0:29:18.520 --> 0:29:22.200
<v Speaker 1>when you meet that person that you're just like, just

0:29:22.320 --> 0:29:24.360
<v Speaker 1>like that, You're like, okay, it's just like that. And

0:29:24.360 --> 0:29:28.479
<v Speaker 1>the same thing can be said musically. It's just like, okay,

0:29:28.800 --> 0:29:32.040
<v Speaker 1>we're not going to say anything. Put on your instrument

0:29:32.200 --> 0:29:34.800
<v Speaker 1>and let's talk to each other. For a while, and

0:29:35.000 --> 0:29:37.840
<v Speaker 1>that comes from like the person that you are. You

0:29:37.840 --> 0:29:41.360
<v Speaker 1>guys are excellent people. The radio, it's the it is.

0:29:41.400 --> 0:29:43.280
<v Speaker 1>It's one of the most fun times I ever had ever.

0:29:43.520 --> 0:29:45.480
<v Speaker 1>Was the short time I was on tour with you guys.

0:29:45.600 --> 0:29:49.800
<v Speaker 1>It was Hold on a second. What remember when we

0:29:49.840 --> 0:29:53.280
<v Speaker 1>played the Monsters of Rock festival. Yeah, when you went

0:29:53.280 --> 0:29:55.760
<v Speaker 1>on off to Pantera. That was a great show there.

0:29:55.880 --> 0:29:57.160
<v Speaker 1>I'm going to tell you a story that's going to

0:29:57.240 --> 0:30:01.040
<v Speaker 1>kind of blow your mind. Okay, So that day we

0:30:01.080 --> 0:30:06.200
<v Speaker 1>meet our metal heroes Pantera, right, who are the sweetest

0:30:06.200 --> 0:30:12.760
<v Speaker 1>people in the world. After the show, the drummer Vinny

0:30:12.880 --> 0:30:16.000
<v Speaker 1>God Rest, his soul is not with us anymore. Neither

0:30:16.120 --> 0:30:19.960
<v Speaker 1>is Dime Back. Both of the brothers gone and uh

0:30:19.960 --> 0:30:22.160
<v Speaker 1>and they were the most beautiful people. I love them

0:30:22.160 --> 0:30:26.160
<v Speaker 1>so much. Vinny the drummer gives me this his business card,

0:30:27.040 --> 0:30:31.400
<v Speaker 1>hands it to me and it's a strip club called

0:30:31.440 --> 0:30:33.440
<v Speaker 1>the Clubhouse. He goes, man, next time we were in

0:30:33.480 --> 0:30:35.800
<v Speaker 1>Texas outside of Dallas, you gotta come visit us at

0:30:35.800 --> 0:30:37.840
<v Speaker 1>the Clubhouse. And I'm like, oh my god, you have

0:30:37.880 --> 0:30:41.960
<v Speaker 1>your own strip club. He's like, hey, yeah, I do.

0:30:43.000 --> 0:30:45.480
<v Speaker 1>Am I great? And this is just before I was

0:30:45.520 --> 0:30:50.600
<v Speaker 1>moving from Los Angeles back to Virginia eight or nine

0:30:50.640 --> 0:30:54.840
<v Speaker 1>or whatever it was, so I knew that I was

0:30:54.880 --> 0:30:57.320
<v Speaker 1>going to make this road trip. It was Taylor and

0:30:57.400 --> 0:31:00.200
<v Speaker 1>I in my Chevy Tahoe driving across country. I mean,

0:31:00.240 --> 0:31:03.800
<v Speaker 1>talk about dumb and dummer come on. So we're like, okay,

0:31:03.960 --> 0:31:09.240
<v Speaker 1>we're going to We're gonna route this tour around a

0:31:09.360 --> 0:31:14.920
<v Speaker 1>visit at pan Terris Strip Club. So we we sort

0:31:14.960 --> 0:31:16.440
<v Speaker 1>of like, Okay, first day we're gonna get to Phoenix.

0:31:16.480 --> 0:31:17.840
<v Speaker 1>We're gonna spend the night there. The next day we're

0:31:17.840 --> 0:31:19.360
<v Speaker 1>gonna get to Blah blah blah. But on the third

0:31:19.440 --> 0:31:21.360
<v Speaker 1>night we're gonna get to Dallas. Taylor is going to

0:31:21.480 --> 0:31:23.640
<v Speaker 1>visit his family. He's got relatives there, and then after

0:31:23.680 --> 0:31:26.800
<v Speaker 1>we have that dinner, went straight to the clubhouse in

0:31:26.880 --> 0:31:30.200
<v Speaker 1>my Chevy Tahoe. The first day of the trip, we're driving,

0:31:30.320 --> 0:31:33.640
<v Speaker 1>we stopped for gas. We're blaring, you know, fog hat

0:31:33.800 --> 0:31:37.400
<v Speaker 1>and put a stepping Wolf and Ted Nugent. We get

0:31:37.400 --> 0:31:39.640
<v Speaker 1>to Phoenix. We go to check into the hotel and

0:31:39.680 --> 0:31:46.000
<v Speaker 1>I had left my wallet on the gas pump in Barstow, California,

0:31:46.880 --> 0:31:49.800
<v Speaker 1>but credit cards, I d everything, and I'm like, oh

0:31:49.840 --> 0:31:51.920
<v Speaker 1>my God, and Taylor said, okay, I'll check us in.

0:31:52.560 --> 0:31:55.320
<v Speaker 1>I immediately call my accountant and I'm like, dude, I

0:31:55.400 --> 0:31:57.640
<v Speaker 1>love I just lost all of my credit cards and stuff.

0:31:57.640 --> 0:31:59.120
<v Speaker 1>And he said, well, you know it's going to take

0:31:59.120 --> 0:32:00.400
<v Speaker 1>you a while to get some of those back, but

0:32:00.440 --> 0:32:05.760
<v Speaker 1>I'll fed X you something. So he does. We get

0:32:05.760 --> 0:32:10.120
<v Speaker 1>to Dallas, we have the dinner with Taylor's family and

0:32:10.160 --> 0:32:12.600
<v Speaker 1>we're like, all right, We're going to the clubhouse. And

0:32:12.640 --> 0:32:15.440
<v Speaker 1>this is like a seven hundred mile detour by the way,

0:32:15.520 --> 0:32:19.120
<v Speaker 1>like this is not a short cut to Springfield, Virginia.

0:32:19.200 --> 0:32:22.080
<v Speaker 1>This is like we're taking a hard right and going

0:32:22.120 --> 0:32:24.920
<v Speaker 1>way over here just to go to this club. We

0:32:25.040 --> 0:32:29.600
<v Speaker 1>pull up to the club doorman he says, uh, I

0:32:29.640 --> 0:32:34.400
<v Speaker 1>see your I d S. Please, And I'm like, uh, oh, well,

0:32:34.720 --> 0:32:37.920
<v Speaker 1>I actually just lost my my driver's license the other

0:32:38.000 --> 0:32:41.880
<v Speaker 1>day in California. And uh. He was like, I'm sorry, buddy,

0:32:41.880 --> 0:32:45.280
<v Speaker 1>I can't let you in. And I said, no, no, no,

0:32:45.440 --> 0:32:48.680
<v Speaker 1>we will be I think it was like thirty at

0:32:48.720 --> 0:32:51.000
<v Speaker 1>the time or whatever. I'm like, no, no, I'm I'm

0:32:51.040 --> 0:32:53.840
<v Speaker 1>i'm I'm I'm of age. He goes, I'm sorry, brother,

0:32:53.880 --> 0:32:55.760
<v Speaker 1>I can't let you in. If if if the cops

0:32:55.800 --> 0:32:59.160
<v Speaker 1>came and found you, I'd get busted and Taylor goes, yeah,

0:32:59.200 --> 0:33:02.040
<v Speaker 1>but we're friends with and Tara and the guys. The

0:33:02.080 --> 0:33:07.840
<v Speaker 1>guy's like, he's like everybody's friend. Tara. I tried called Vinnie,

0:33:07.880 --> 0:33:10.720
<v Speaker 1>couldn't get in touch with anyone, never got into the club.

0:33:11.720 --> 0:33:15.840
<v Speaker 1>That is the saddest story. Back in the truck with

0:33:15.880 --> 0:33:18.880
<v Speaker 1>my tail between my legs, got back to Virginia. Are

0:33:18.920 --> 0:33:21.720
<v Speaker 1>you kidding you? Literally went seven and didn't and he

0:33:21.760 --> 0:33:24.320
<v Speaker 1>didn't even get in. Yes. But here's the best part

0:33:24.640 --> 0:33:32.880
<v Speaker 1>that I think about. Ten years later, I was in Oxnard, California,

0:33:33.120 --> 0:33:36.840
<v Speaker 1>at a surf shop buying sunglasses from my daughter Violet,

0:33:37.080 --> 0:33:39.720
<v Speaker 1>who was about three years old at the time. And

0:33:39.760 --> 0:33:42.840
<v Speaker 1>I walked up to the cash register and the nice

0:33:42.840 --> 0:33:47.680
<v Speaker 1>surfer girl who worked there says, are you Dave Grohl.

0:33:49.320 --> 0:33:52.680
<v Speaker 1>I said yes, and she said did you lose your

0:33:52.680 --> 0:33:58.040
<v Speaker 1>wallet in Barstow, California ten years ago? And I said yes,

0:33:59.200 --> 0:34:02.960
<v Speaker 1>and she said that was my parents gas station. No,

0:34:04.080 --> 0:34:08.000
<v Speaker 1>and then she said they still have your wallet. I

0:34:08.080 --> 0:34:12.000
<v Speaker 1>gave her my address and they sent my wallet. No.

0:34:14.040 --> 0:34:18.879
<v Speaker 1>Oh my god. And by the way, you can't follow that,

0:34:19.640 --> 0:34:23.160
<v Speaker 1>can't follow that, so it you just have to see

0:34:23.560 --> 0:34:27.840
<v Speaker 1>the big picture. Many brought it all the way back around.

0:34:29.239 --> 0:34:32.320
<v Speaker 1>You have to find the happiness. It might not be immediate,

0:34:32.480 --> 0:34:34.879
<v Speaker 1>you might have to wait ten years to get it back.

0:34:35.000 --> 0:34:38.239
<v Speaker 1>I gotta look at that big picture. I'll drink to that.

0:34:38.400 --> 0:34:40.920
<v Speaker 1>I'll drink to that, and I'll eat KFC to that.

0:34:41.000 --> 0:34:45.800
<v Speaker 1>But food Fight has just released an eleven minute video

0:34:45.880 --> 0:34:49.480
<v Speaker 1>of Dave performing ev long at old song First seven eight.

0:34:50.400 --> 0:34:53.440
<v Speaker 1>It features Dave telling the beautiful background story of how

0:34:53.480 --> 0:34:56.880
<v Speaker 1>that song was written and of the first formative performances

0:34:56.920 --> 0:35:01.359
<v Speaker 1>of it. Storytelling is an art. Dave is a bit

0:35:01.360 --> 0:35:05.799
<v Speaker 1>of a master at it. Mini Questions is hosted and

0:35:05.840 --> 0:35:11.680
<v Speaker 1>written by Me, Mini Driver, supervising producer Aaron Kaufman, Producer

0:35:12.200 --> 0:35:18.920
<v Speaker 1>Morgan Lavoy, Research assistant Marissa Brown. Original music Sorry Baby

0:35:19.200 --> 0:35:25.080
<v Speaker 1>by Minni Driver, additional music by Aaron Kaufman. Executive produced

0:35:25.080 --> 0:35:28.840
<v Speaker 1>by Me and man Gesh Hetty Cador. Special thanks to

0:35:28.960 --> 0:35:34.600
<v Speaker 1>Jim Nikolay, Will Pearson, Addison, No Day, Lisa Castella and

0:35:34.640 --> 0:35:40.120
<v Speaker 1>Annique Oppenheim at w kPr, de La Pescadore, Kate Driver

0:35:40.280 --> 0:35:45.200
<v Speaker 1>and Jason Weinberg, and for constantly solicited tech support, Henry

0:35:45.320 --> 0:35:45.600
<v Speaker 1>Driver