1 00:00:01,560 --> 00:00:04,640 Speaker 1: Hi, guys, Welcome to a new episode of Legally Brunette. 2 00:00:04,680 --> 00:00:08,320 Speaker 1: I will be your host Emily Simpson with Shane. Today 3 00:00:08,360 --> 00:00:10,920 Speaker 1: we are going to talk about Shawn Comb's The Reckoning, 4 00:00:10,960 --> 00:00:12,800 Speaker 1: and I will be honest with you. I didn't really 5 00:00:13,320 --> 00:00:16,360 Speaker 1: have the intention of doing a podcast on this because 6 00:00:16,400 --> 00:00:18,759 Speaker 1: we had followed the Ditty trial, We'd done a couple 7 00:00:18,800 --> 00:00:22,319 Speaker 1: podcasts on Ditty. The Reckoning came out. I don't know, 8 00:00:22,360 --> 00:00:24,520 Speaker 1: I thought, I don't know, is there really anything? Is 9 00:00:24,560 --> 00:00:26,480 Speaker 1: there information in here? 10 00:00:26,560 --> 00:00:29,880 Speaker 2: No more investigation, there's no more, you know, anything interesting 11 00:00:29,960 --> 00:00:33,040 Speaker 2: to stink our teeth into. But then this comes out. 12 00:00:33,080 --> 00:00:35,040 Speaker 1: But then this comes out, And again I didn't really 13 00:00:35,040 --> 00:00:39,480 Speaker 1: have the intention of talking about it until I kept 14 00:00:39,479 --> 00:00:41,400 Speaker 1: getting so many dms from you guys out there, which 15 00:00:41,440 --> 00:00:44,320 Speaker 1: I'm thankful for because you you guys have good insight. 16 00:00:44,400 --> 00:00:46,839 Speaker 1: But so many people were reaching out saying, have you 17 00:00:46,840 --> 00:00:48,280 Speaker 1: watched it? Are you guys going to talk about it? 18 00:00:48,320 --> 00:00:51,839 Speaker 1: You should talk about it. So I watched it. So 19 00:00:51,880 --> 00:00:54,720 Speaker 1: Shawn Comes. The Reckoning is a four part Netflix docu 20 00:00:54,840 --> 00:00:56,920 Speaker 1: series that offers an in depth look at the rise 21 00:00:56,920 --> 00:01:00,600 Speaker 1: and fall of Sean Ditty Combs. It's directed by Alexandria 22 00:01:00,680 --> 00:01:05,000 Speaker 1: Stapleton and executive produced by Curtis fifty cent Jackson. The 23 00:01:05,040 --> 00:01:09,480 Speaker 1: series traces Comb's journey from an influential Bad Boy Records 24 00:01:09,560 --> 00:01:13,360 Speaker 1: founder to a convicted felon serving a prison sentence, using 25 00:01:13,600 --> 00:01:18,040 Speaker 1: exclusive interviews with former associates to jurors. This is interesting 26 00:01:18,520 --> 00:01:23,720 Speaker 1: and insiders alongside never before seen footage some shot in 27 00:01:23,800 --> 00:01:27,480 Speaker 1: the days right before his twenty twenty four arrest. So 28 00:01:27,520 --> 00:01:29,680 Speaker 1: when I first started watching it, I was like, Wow, 29 00:01:29,760 --> 00:01:33,360 Speaker 1: they have some footage in here that is really interesting 30 00:01:33,440 --> 00:01:39,200 Speaker 1: because he is documenting himself at the Park Hyatt Hotel 31 00:01:39,280 --> 00:01:42,399 Speaker 1: in New York City, like literally a couple days before 32 00:01:42,400 --> 00:01:45,120 Speaker 1: he's about to be arrested, and he knows that they're 33 00:01:45,120 --> 00:01:48,920 Speaker 1: investigating coming. He knows it's coming, he knows he's being investigated. 34 00:01:48,960 --> 00:01:51,520 Speaker 1: He knows he's gonna have all these charges. Let's just 35 00:01:51,560 --> 00:01:54,640 Speaker 1: before we get into this, let's just go back and 36 00:01:54,680 --> 00:01:57,200 Speaker 1: talk about the charges and what he was convicted of. 37 00:01:57,880 --> 00:02:02,120 Speaker 1: So Diddy was accused of racketeering, two sex trafficking counts, 38 00:02:02,120 --> 00:02:06,360 Speaker 1: and two counts of transportation for prostitution. The charges centered 39 00:02:06,400 --> 00:02:09,600 Speaker 1: on his conduct with ex girlfriend Cassie Ventura and an 40 00:02:09,680 --> 00:02:12,720 Speaker 1: anonymous victim known as Jane, who testified in the trial. 41 00:02:13,480 --> 00:02:16,000 Speaker 1: Jane had data combs from early twenty twenty one until 42 00:02:16,040 --> 00:02:18,960 Speaker 1: his arrest and indictment in September of twenty twenty four. 43 00:02:19,400 --> 00:02:23,400 Speaker 1: Despite her anonymity, many are convinced that Jane is Daphne Joy, 44 00:02:23,639 --> 00:02:26,880 Speaker 1: the mother of fifty cents child. See maybe that's what 45 00:02:27,000 --> 00:02:28,960 Speaker 1: makes fifty so invested as well. 46 00:02:29,000 --> 00:02:29,160 Speaker 2: Right. 47 00:02:30,240 --> 00:02:34,799 Speaker 1: Ditty was ultimately convicted on two counts of transportation for prostitution. 48 00:02:35,320 --> 00:02:38,520 Speaker 1: So we did do earlier podcast episodes about Ditty when 49 00:02:38,520 --> 00:02:40,280 Speaker 1: we were following the trials, So if you would like 50 00:02:40,360 --> 00:02:41,720 Speaker 1: to go back and listen to those, I think those 51 00:02:41,720 --> 00:02:46,640 Speaker 1: are good episodes. Also, if you remember, he was not 52 00:02:46,800 --> 00:02:50,800 Speaker 1: convicted of the higher charges of rico and sex traffickings 53 00:02:51,720 --> 00:02:54,200 Speaker 1: length he would have been in prison for a lot 54 00:02:54,200 --> 00:02:54,600 Speaker 1: of the times. 55 00:02:54,639 --> 00:02:57,440 Speaker 2: Wouldn't they confiscate a lot of his assets and stuff too? 56 00:02:57,720 --> 00:03:01,200 Speaker 1: Most likely, But he was convicted of the less serious 57 00:03:01,320 --> 00:03:07,280 Speaker 1: charge of just transporting people across state lines for prostitution. Yes, 58 00:03:07,360 --> 00:03:10,040 Speaker 1: it is now all his did. He was acquitted of 59 00:03:10,080 --> 00:03:13,000 Speaker 1: the most serious charge of racketeering conspiracy, which carries a 60 00:03:13,040 --> 00:03:15,640 Speaker 1: potential life sentence, as well as the two charges of 61 00:03:15,720 --> 00:03:20,520 Speaker 1: sex trafficking so obviously we're not recappers. So this is 62 00:03:20,600 --> 00:03:22,800 Speaker 1: four parts. I don't want to go through and recap this. 63 00:03:23,040 --> 00:03:26,120 Speaker 1: It's very long, it's very complicated, it's very in depth. 64 00:03:26,160 --> 00:03:28,640 Speaker 1: I think it's very well done if you're invested in 65 00:03:28,680 --> 00:03:31,320 Speaker 1: it and you want to go back to the nineties 66 00:03:31,360 --> 00:03:34,160 Speaker 1: to talk about like when he first started, how he 67 00:03:34,520 --> 00:03:37,080 Speaker 1: came up in the music business, the people he dealt with, some. 68 00:03:37,000 --> 00:03:38,680 Speaker 2: Of his early re footage from. 69 00:03:38,760 --> 00:03:41,839 Speaker 1: A lot of real footage, a lot of interviews. It's 70 00:03:42,120 --> 00:03:46,200 Speaker 1: very very well done. But I as I watched it, 71 00:03:46,280 --> 00:03:48,640 Speaker 1: I thought, let's pull out some of the things that 72 00:03:48,680 --> 00:03:51,040 Speaker 1: really stuck out to me and some of the significant 73 00:03:51,080 --> 00:03:52,600 Speaker 1: things that I want to talk about. The first is 74 00:03:53,080 --> 00:03:56,520 Speaker 1: that video footage used in the series. So the Netflix 75 00:03:56,560 --> 00:03:59,960 Speaker 1: docuseriies begins with never before seen footage showing Sean Diddycomb's 76 00:04:00,040 --> 00:04:03,200 Speaker 1: speaking with his attorney, Mark agnifient I could never say 77 00:04:03,200 --> 00:04:07,160 Speaker 1: his last name was his initial Agnifhilo, mark A mark A. 78 00:04:07,520 --> 00:04:10,800 Speaker 1: And if you remember, Mark A is married to an 79 00:04:10,800 --> 00:04:14,920 Speaker 1: attorney who represents Luigi Mangioni. So these are some high 80 00:04:15,000 --> 00:04:18,840 Speaker 1: profile attorneys. So Mark agnif Philo, less than a week 81 00:04:18,880 --> 00:04:21,000 Speaker 1: before his arrest, he's speaking to his attorney. This is 82 00:04:21,000 --> 00:04:23,520 Speaker 1: in the video footage. The footage was recorded by a 83 00:04:23,600 --> 00:04:27,599 Speaker 1: videographer Combs had hired to document his legal troubles. Now, 84 00:04:27,640 --> 00:04:31,480 Speaker 1: that's the thing about Sean Combs is you could tell 85 00:04:31,839 --> 00:04:35,159 Speaker 1: even though he's being investigated by the FBI, he knows 86 00:04:35,520 --> 00:04:37,719 Speaker 1: he's going to get arrested. They're reaching out and sab 87 00:04:37,839 --> 00:04:42,360 Speaker 1: poena people, and he wants it documented. 88 00:04:42,240 --> 00:04:46,760 Speaker 2: Because well didn't he didn't he before sentencing think he 89 00:04:46,839 --> 00:04:49,040 Speaker 2: was going to get out or he was he already 90 00:04:49,040 --> 00:04:52,800 Speaker 2: staged like some party or some event thinking he was 91 00:04:52,839 --> 00:04:53,560 Speaker 2: going to get out. 92 00:04:53,960 --> 00:04:55,719 Speaker 1: Oh, I don't know. You mean he was already like 93 00:04:56,000 --> 00:04:57,719 Speaker 1: planning a party something. 94 00:04:57,760 --> 00:04:59,720 Speaker 2: I don't know if it was a party or if 95 00:04:59,720 --> 00:05:03,279 Speaker 2: it was some type of some type of celebration, some 96 00:05:03,360 --> 00:05:06,719 Speaker 2: type of thing where he's anticipating, being clear enough, being 97 00:05:07,200 --> 00:05:09,680 Speaker 2: in the slammer, right, And that was like, who do 98 00:05:09,760 --> 00:05:10,520 Speaker 2: you think you are? 99 00:05:10,640 --> 00:05:12,359 Speaker 1: He's Sean? Did he cumbs? He's gotten away with a 100 00:05:12,400 --> 00:05:15,680 Speaker 1: lot of things from many Combs many many many years. So, 101 00:05:16,160 --> 00:05:21,040 Speaker 1: despite uncertainty surrounding Comb's motivations for filming himself, director Alexandria 102 00:05:21,040 --> 00:05:23,800 Speaker 1: Stapleton suggested he may have been attempting to shape or 103 00:05:23,839 --> 00:05:26,359 Speaker 1: preserve control over his own public narrative. 104 00:05:26,960 --> 00:05:29,680 Speaker 2: I mean what it was, I'd be like, you find 105 00:05:29,720 --> 00:05:31,400 Speaker 2: out that the CoP's going to bust in the house 106 00:05:31,440 --> 00:05:34,640 Speaker 2: and search our place, and you quickly call Brav when 107 00:05:34,640 --> 00:05:37,800 Speaker 2: you're like, hey, let's document this. I'm about to go 108 00:05:37,839 --> 00:05:40,400 Speaker 2: to jail. I mean, I would never want to do that. 109 00:05:40,400 --> 00:05:42,320 Speaker 1: Okay, but you think you and I wouldn't. But I 110 00:05:42,320 --> 00:05:43,719 Speaker 1: feel like when you said that, I feel like there's 111 00:05:43,720 --> 00:05:44,839 Speaker 1: housewives that would do that. 112 00:05:45,440 --> 00:05:45,920 Speaker 2: Maybe. 113 00:05:46,760 --> 00:05:49,679 Speaker 1: So fifty Stapleton and Netflix have all kept the source 114 00:05:49,680 --> 00:05:53,400 Speaker 1: of the footage private. Stapleton said it came to us 115 00:05:53,520 --> 00:05:56,960 Speaker 1: we obtained the footage legally and have the necessary rights. 116 00:05:57,240 --> 00:06:00,680 Speaker 1: We moved heaven and earth to keep the filmmaker's identity confidential. 117 00:06:01,120 --> 00:06:03,920 Speaker 1: One thing about Shawn Combs is that he's always filming 118 00:06:04,000 --> 00:06:07,280 Speaker 1: himself and it's been an obsession throughout the decades. We 119 00:06:07,320 --> 00:06:09,960 Speaker 1: also reached out to Shawncomb's legal team for an interview 120 00:06:09,960 --> 00:06:13,400 Speaker 1: and comment multiple times, but we did not hear back. 121 00:06:13,760 --> 00:06:17,480 Speaker 1: So just one day before the series premiered on Netflix, 122 00:06:17,839 --> 00:06:21,120 Speaker 1: Comb's attorneys sent Netflix a cease and desist letter alleging 123 00:06:21,160 --> 00:06:26,200 Speaker 1: the footage was improperly acquired and used without authorization. Comb's 124 00:06:26,200 --> 00:06:29,480 Speaker 1: representatives also claimed the material was originally intended for a 125 00:06:29,600 --> 00:06:33,560 Speaker 1: separate documentary project that Combs had been developing, which was 126 00:06:33,640 --> 00:06:36,360 Speaker 1: later stalled due to his mounting legal issues. Now, first 127 00:06:36,360 --> 00:06:37,920 Speaker 1: of all, I don't believe that for one second. I 128 00:06:37,960 --> 00:06:41,000 Speaker 1: think he's self filming himself because he doesn't think he's 129 00:06:41,040 --> 00:06:44,280 Speaker 1: going to get convicted, and so he's going to use 130 00:06:44,320 --> 00:06:46,880 Speaker 1: all this footage to make a documentary about a half 131 00:06:47,160 --> 00:06:47,560 Speaker 1: while else. 132 00:06:47,440 --> 00:06:49,800 Speaker 2: Would you record yourself talking to your attorney about a 133 00:06:49,800 --> 00:06:50,320 Speaker 2: game plan? 134 00:06:50,960 --> 00:06:54,000 Speaker 1: Right? A Netflix rep told Variety in a statement in 135 00:06:54,040 --> 00:06:57,240 Speaker 1: early December, the claims being made about Seawan Combs the 136 00:06:57,279 --> 00:07:00,120 Speaker 1: reckoning are false. The project has no ties to he 137 00:07:00,200 --> 00:07:03,560 Speaker 1: passed conversations between Shawn Combs and Netflix. The footage of 138 00:07:03,600 --> 00:07:06,960 Speaker 1: Combs leading up to his indictment and arrests were legally obtained. 139 00:07:07,279 --> 00:07:10,680 Speaker 1: This is not a hit piece or an act of retribution. Now, 140 00:07:10,720 --> 00:07:14,440 Speaker 1: first of all, Netflix is what a multi billion dollar company? 141 00:07:14,440 --> 00:07:16,680 Speaker 2: I don't know, I know, mega billion, megabillion, Okay, yeah, 142 00:07:16,680 --> 00:07:18,600 Speaker 2: because they bought like Warner Bros. Like seventy billions. 143 00:07:18,600 --> 00:07:21,040 Speaker 1: Okay, So you're gonna tell me that Netflix doesn't have 144 00:07:21,120 --> 00:07:22,520 Speaker 1: a roomful of the. 145 00:07:22,320 --> 00:07:25,080 Speaker 2: Brightest attorney this stuff. 146 00:07:25,200 --> 00:07:29,080 Speaker 3: Of course they they I would have written back a 147 00:07:29,080 --> 00:07:32,200 Speaker 3: ceasing distance letter for Shawn Combs and been like, stop 148 00:07:32,240 --> 00:07:36,320 Speaker 3: contacting us, No, stop abusing women and other people and 149 00:07:36,440 --> 00:07:40,800 Speaker 3: harming society, and you know, I mean seriously. 150 00:07:41,160 --> 00:07:43,760 Speaker 1: So I did read that. I think it was a 151 00:07:43,800 --> 00:07:46,400 Speaker 1: former assistant of his or something came forward and wrote 152 00:07:46,440 --> 00:07:46,840 Speaker 1: something on. 153 00:07:46,880 --> 00:07:49,160 Speaker 2: Like a sub has a lot of former assistants. 154 00:07:49,160 --> 00:07:50,680 Speaker 1: Oh, there's a lot of former people out there that 155 00:07:50,720 --> 00:07:54,760 Speaker 1: have dealt with him. But he said that the footage 156 00:07:55,240 --> 00:07:59,320 Speaker 1: was obtained from the videographer because Shawn Combs never has 157 00:07:59,360 --> 00:08:02,120 Speaker 1: contracts in play, so he doesn't pay people and he 158 00:08:02,240 --> 00:08:04,600 Speaker 1: just expects loyalty, like he always is wanting people to 159 00:08:04,640 --> 00:08:06,600 Speaker 1: do things for him, but he never has an actual 160 00:08:06,600 --> 00:08:08,880 Speaker 1: contract in place, and he never actually Oh, he's just. 161 00:08:08,840 --> 00:08:11,680 Speaker 2: So special that everyone will be blessed to be able 162 00:08:11,680 --> 00:08:12,520 Speaker 2: to hold a video. 163 00:08:12,280 --> 00:08:15,120 Speaker 1: And follow him and to be part of his entourage 164 00:08:15,160 --> 00:08:18,080 Speaker 1: and to work with him. And at first I thought, 165 00:08:18,200 --> 00:08:20,760 Speaker 1: I don't know if that's true or not until I 166 00:08:20,840 --> 00:08:23,600 Speaker 1: watched the entire series. And if you get to part four, 167 00:08:23,640 --> 00:08:25,640 Speaker 1: which we'll talk about later, if you see. 168 00:08:25,440 --> 00:08:28,240 Speaker 2: That video footage of him beating that girl and pulling 169 00:08:28,280 --> 00:08:31,040 Speaker 2: her from the elevator back into the hotel room. Yes, 170 00:08:31,120 --> 00:08:33,360 Speaker 2: he is an entitled person and he thinks everyone wants 171 00:08:33,360 --> 00:08:34,559 Speaker 2: to be with him, right, And then if you. 172 00:08:34,520 --> 00:08:36,480 Speaker 1: Were called when we talked about the trial, then he 173 00:08:36,520 --> 00:08:39,439 Speaker 1: went to after that footage. Remember he went to the 174 00:08:39,600 --> 00:08:42,440 Speaker 1: security guard and paid paid him off to get the 175 00:08:42,440 --> 00:08:45,640 Speaker 1: security footage. And so he's always been able to clean 176 00:08:45,720 --> 00:08:48,400 Speaker 1: up things, to finagle people, to manipulate, to control. 177 00:08:48,720 --> 00:08:50,480 Speaker 2: I thinks he can murder people and get away with. 178 00:08:50,440 --> 00:08:54,160 Speaker 1: It most likely. So the way I understand it, just 179 00:08:54,200 --> 00:08:56,920 Speaker 1: based upon everything I've read about this footage, is that 180 00:08:57,000 --> 00:09:00,640 Speaker 1: he hired a videographer to film him. Then that videographer, 181 00:09:00,640 --> 00:09:02,719 Speaker 1: his name's like Michael Oberlei's or something, came out and 182 00:09:02,760 --> 00:09:04,920 Speaker 1: made a statement I believe in Rolling Stone where he 183 00:09:05,000 --> 00:09:07,520 Speaker 1: said I was hired to, you know, film him and 184 00:09:07,520 --> 00:09:10,080 Speaker 1: make this footage, but he had to take like three 185 00:09:10,160 --> 00:09:14,839 Speaker 1: days off. So then he hired another videographer to replace him. 186 00:09:15,200 --> 00:09:19,280 Speaker 1: And so he's blaming that other videographer saying, yeah, saying 187 00:09:19,280 --> 00:09:22,199 Speaker 1: it wasn't me, it's this other guy. I had to 188 00:09:22,240 --> 00:09:24,079 Speaker 1: take like a couple of days off, so I hired 189 00:09:24,120 --> 00:09:27,280 Speaker 1: like a freelance guy and it's the freelance guy that 190 00:09:27,400 --> 00:09:30,720 Speaker 1: gave all the footage to Netflix. But according to what 191 00:09:30,760 --> 00:09:32,960 Speaker 1: people are saying, he doesn't have contracts in place and 192 00:09:32,960 --> 00:09:36,760 Speaker 1: he doesn't pay people, so I'm assuming that's how Netflix 193 00:09:36,960 --> 00:09:41,319 Speaker 1: obtained the footage. Also, he's talking to his attorney in 194 00:09:41,320 --> 00:09:44,080 Speaker 1: a room full of people, So when you you know 195 00:09:44,200 --> 00:09:48,040 Speaker 1: attorney client privilege, you can't assert that that information that 196 00:09:48,120 --> 00:09:51,040 Speaker 1: he's talking about with his attorney is privileged and can't 197 00:09:51,040 --> 00:10:03,640 Speaker 1: be aired when exactly this documentary starts out. And it's 198 00:10:03,679 --> 00:10:05,480 Speaker 1: interesting because they do go into a little bit into 199 00:10:05,480 --> 00:10:08,120 Speaker 1: this bad boy versus death row, East Coast versus West 200 00:10:08,120 --> 00:10:10,720 Speaker 1: Coast hip hop rivalry, which I did not know a 201 00:10:10,720 --> 00:10:12,400 Speaker 1: lot about, even though I love the nineties and that's 202 00:10:12,440 --> 00:10:15,720 Speaker 1: my favorite decade, but I don't know a lot about that. 203 00:10:15,920 --> 00:10:17,480 Speaker 1: So they do go into that because we're going to 204 00:10:17,520 --> 00:10:20,800 Speaker 1: get into Biggie's murder and Tupac's murder. 205 00:10:21,120 --> 00:10:23,440 Speaker 2: I don't know anything about that because I don't listen 206 00:10:23,480 --> 00:10:26,719 Speaker 2: to gangster rap. You don't know is it gangster rap 207 00:10:26,800 --> 00:10:30,240 Speaker 2: or well, they're gangsters. Apparently they're killing each other. 208 00:10:30,800 --> 00:10:33,439 Speaker 1: The East Coast Versus West Coast hip Hop Rivalry was 209 00:10:33,480 --> 00:10:36,560 Speaker 1: a mid nineties feud between New York's Bad Boy Records, 210 00:10:36,880 --> 00:10:40,839 Speaker 1: which was Notorious Big. That was the big name right 211 00:10:40,880 --> 00:10:45,080 Speaker 1: on yo Big Notorious Big. I don't know what Big 212 00:10:45,200 --> 00:10:47,520 Speaker 1: stood for, but it was. His name was Chris Wallace. 213 00:10:48,520 --> 00:10:51,840 Speaker 1: That's his real name. It's Chris Chris Wallace. He's Biggie 214 00:10:51,840 --> 00:10:56,760 Speaker 1: Small's I know that. And it rival rivalry was between 215 00:10:56,880 --> 00:11:00,080 Speaker 1: LA's Death Row Records, which was Tupac Shakurs. So these 216 00:11:00,120 --> 00:11:03,160 Speaker 1: are the two big names from those two records, right, 217 00:11:03,240 --> 00:11:07,160 Speaker 1: You've got Biggie Smalls and you've got Tupac Shaker. It 218 00:11:07,200 --> 00:11:10,840 Speaker 1: was fueled by record label competition, media hype, gang culture, 219 00:11:10,920 --> 00:11:14,840 Speaker 1: and cultural pride, culminating in diss tracks, and the unsolved 220 00:11:14,920 --> 00:11:17,640 Speaker 1: murders of Tupac and Biggie, which occurred within six months 221 00:11:17,679 --> 00:11:21,040 Speaker 1: of each other. So I think Tupac was murdered by 222 00:11:21,160 --> 00:11:24,640 Speaker 1: dry by shooting in Vegas. I think it was ninety six, 223 00:11:25,120 --> 00:11:27,520 Speaker 1: and then Biggie was shot in a dry by shooting 224 00:11:27,559 --> 00:11:30,400 Speaker 1: in La I believe in ninety seven. So the hip 225 00:11:30,440 --> 00:11:32,400 Speaker 1: hop began in New York City, giving the East Coast 226 00:11:32,400 --> 00:11:34,880 Speaker 1: a sense of ownership, while the West Coast gained massive 227 00:11:34,920 --> 00:11:38,760 Speaker 1: commercial success, creating tension between the two The main players 228 00:11:38,760 --> 00:11:41,959 Speaker 1: were Tupac Shakur and Shug Knight, who was the West 229 00:11:42,000 --> 00:11:45,720 Speaker 1: Coast death Row Records, and the notorious Big and Puff Daddy, 230 00:11:45,760 --> 00:11:49,400 Speaker 1: which was East Coast and bad Boy. However, interviewees in 231 00:11:49,480 --> 00:11:52,400 Speaker 1: the Daka series claimed that the rivalry wasn't really between 232 00:11:52,440 --> 00:11:56,720 Speaker 1: the artists. It spun out of control after executives, particularly Comb's, 233 00:11:57,080 --> 00:12:00,320 Speaker 1: poured fuel on the fire, so moments ones that were 234 00:12:00,360 --> 00:12:03,160 Speaker 1: highlighted in the docuseries. Suge Knight took the stage at 235 00:12:03,200 --> 00:12:06,120 Speaker 1: the August nineteen ninety five Source Awards in New York 236 00:12:06,160 --> 00:12:10,080 Speaker 1: City and hurled and insulted Combs, publicly taunting him for 237 00:12:10,160 --> 00:12:13,200 Speaker 1: stealing the spotlight from the artists whose music he produced. 238 00:12:13,520 --> 00:12:15,360 Speaker 1: They actually show this in the documentary. You make some 239 00:12:15,440 --> 00:12:18,640 Speaker 1: comment like come to death Row Records, where you know 240 00:12:18,679 --> 00:12:22,080 Speaker 1: your executive producer isn't in all your videos things. 241 00:12:22,080 --> 00:12:25,520 Speaker 2: You see an unhealthy trend here? What is the unhealthy 242 00:12:25,559 --> 00:12:31,480 Speaker 2: death Row Records? Yes, bad Boy, I mean, and then 243 00:12:31,520 --> 00:12:34,240 Speaker 2: and then they want to kill each other because of 244 00:12:34,720 --> 00:12:38,840 Speaker 2: like making a recording. I mean, I've seen heavy metal 245 00:12:38,880 --> 00:12:41,600 Speaker 2: bands like being rivals and I've never seen them. 246 00:12:41,840 --> 00:12:43,120 Speaker 1: They don't do dry by shootings. 247 00:12:43,320 --> 00:12:46,080 Speaker 2: No, no, not at all, Like it might just be 248 00:12:46,120 --> 00:12:49,840 Speaker 2: ax Ros sleeps with like, oh they he's a girlfriend 249 00:12:51,120 --> 00:12:53,679 Speaker 2: who probably slept with the whole band. Anyway, I mean 250 00:12:53,720 --> 00:12:55,719 Speaker 2: that's it. That's how they laugh about and they high 251 00:12:55,760 --> 00:12:57,000 Speaker 2: five each other and then go out. 252 00:12:57,080 --> 00:12:58,000 Speaker 1: That's how they retaliate. 253 00:12:58,200 --> 00:13:00,960 Speaker 2: Yes, that's much more enjoyable than and killing each other. 254 00:13:01,160 --> 00:13:06,760 Speaker 2: Well yes, yeah, and breaking news. Big stands for business 255 00:13:06,840 --> 00:13:07,720 Speaker 2: instead of game. 256 00:13:08,480 --> 00:13:14,840 Speaker 1: Oh so Biggie stands on his business. Well, but according 257 00:13:14,880 --> 00:13:16,800 Speaker 1: to the docu saries, Biggie wanted nothing to do with 258 00:13:16,840 --> 00:13:18,880 Speaker 1: the feud. He was an artist. I think he and 259 00:13:18,960 --> 00:13:21,760 Speaker 1: Tupac had a good relationship, and I don't as far 260 00:13:21,800 --> 00:13:23,720 Speaker 1: as what I took away was that he wasn't interested 261 00:13:23,760 --> 00:13:25,959 Speaker 1: in any kind of feuding, that it was fueled by 262 00:13:25,960 --> 00:13:28,400 Speaker 1: Sean Combs and and. 263 00:13:28,280 --> 00:13:31,040 Speaker 2: So it was more like they were just defending themselves. 264 00:13:31,040 --> 00:13:33,400 Speaker 1: Well, let's think about first of all, this feud. I 265 00:13:33,440 --> 00:13:35,800 Speaker 1: mean it's all over the media, right, So it's you're 266 00:13:35,880 --> 00:13:38,120 Speaker 1: hyping up your own record label and your own artists 267 00:13:38,120 --> 00:13:41,640 Speaker 1: by having a feud, right right. So in June of 268 00:13:41,679 --> 00:13:44,600 Speaker 1: nineteen ninety six, Tupac Shaker released Hit Them Up, which 269 00:13:44,640 --> 00:13:47,040 Speaker 1: called out Biggie Combs and bad boy by name and 270 00:13:47,040 --> 00:13:51,400 Speaker 1: bragged about sleeping with Biggie's wife. Yeah, say there you go. 271 00:13:51,400 --> 00:13:52,840 Speaker 1: Good there, Do you feel better? 272 00:13:52,840 --> 00:13:55,920 Speaker 3: Now, that's the way you should do it. 273 00:13:55,920 --> 00:13:57,400 Speaker 2: It's more honorable, all right. 274 00:13:57,480 --> 00:14:00,360 Speaker 1: So let's get into Tupac's death, which I did not know, 275 00:14:00,480 --> 00:14:03,520 Speaker 1: but now there is a suspect that is in jail 276 00:14:03,559 --> 00:14:06,160 Speaker 1: that is going to trial in February of twenty twenty 277 00:14:06,200 --> 00:14:07,440 Speaker 1: six for Tupac's death. 278 00:14:08,000 --> 00:14:09,079 Speaker 2: Is Tupac his real name? 279 00:14:09,679 --> 00:14:11,760 Speaker 1: I don't know. It's Tupac is his real name? Okay, 280 00:14:12,240 --> 00:14:13,400 Speaker 1: Tupac Shaker? It might be. 281 00:14:13,400 --> 00:14:15,480 Speaker 2: I don't know, Tupac cool name. 282 00:14:15,559 --> 00:14:18,040 Speaker 1: It is a cool name. The only man ever arrested 283 00:14:18,120 --> 00:14:21,280 Speaker 1: in connection with Tupac Shaker's death previously alleged that Sean 284 00:14:21,360 --> 00:14:25,480 Speaker 1: Combs requested the murder Dwayne Keffi D. That's his uh. 285 00:14:25,840 --> 00:14:28,240 Speaker 1: I don't know his stage name or I don't know 286 00:14:28,280 --> 00:14:28,920 Speaker 1: gangster name. 287 00:14:28,960 --> 00:14:29,360 Speaker 2: What is it? 288 00:14:29,480 --> 00:14:32,400 Speaker 1: Keffi k E F F E D. His name is 289 00:14:32,480 --> 00:14:35,600 Speaker 1: Dwayne Davis. But you can't go by Dwayne. You got 290 00:14:35,840 --> 00:14:38,960 Speaker 1: you need another name, so he goes by Keffi D. 291 00:14:39,720 --> 00:14:42,280 Speaker 1: Told police that Comb's put a bounty on the lives 292 00:14:42,360 --> 00:14:46,000 Speaker 1: of his rivals, sug Knight and Tupac Shaker. So Combs 293 00:14:46,040 --> 00:14:48,640 Speaker 1: has repeatedly denied any involvement in the killing and has 294 00:14:48,680 --> 00:14:50,600 Speaker 1: never been named as a suspect or a person of 295 00:14:50,640 --> 00:14:55,120 Speaker 1: interest by authorities in connection with Tupac's homicide. However, they 296 00:14:55,160 --> 00:14:58,640 Speaker 1: show this proffer session in two thousand and eight. This 297 00:14:58,720 --> 00:15:00,320 Speaker 1: is I had to look up a prophet set because 298 00:15:00,320 --> 00:15:02,760 Speaker 1: I didn't know exactly what it was. So it's basically 299 00:15:02,800 --> 00:15:06,040 Speaker 1: where he sits down and he gives information. But he 300 00:15:06,120 --> 00:15:09,480 Speaker 1: has immunity, so he was involved. So he claims during 301 00:15:09,480 --> 00:15:11,080 Speaker 1: the session that he was involved in the in the 302 00:15:11,120 --> 00:15:12,760 Speaker 1: dry By shooting, that he was in the car, he 303 00:15:12,800 --> 00:15:13,800 Speaker 1: was in the white Cadillac. 304 00:15:13,880 --> 00:15:15,880 Speaker 2: In exchange for his testimony, they're going to give him 305 00:15:15,880 --> 00:15:16,800 Speaker 2: some No, it's not. 306 00:15:17,000 --> 00:15:18,880 Speaker 1: In exchange for testimony, because this is back in two 307 00:15:18,880 --> 00:15:20,800 Speaker 1: thousand and eight, two thousand and nine. They were it 308 00:15:20,880 --> 00:15:23,479 Speaker 1: had something to do with some other they were investigating 309 00:15:23,480 --> 00:15:25,360 Speaker 1: Tupac's death, but it had also something to do with 310 00:15:25,400 --> 00:15:29,000 Speaker 1: some drug related crimes. They bring him in and they 311 00:15:29,040 --> 00:15:32,280 Speaker 1: offer him some kind of immunity, basically that whatever he 312 00:15:32,280 --> 00:15:35,880 Speaker 1: says won't be used against him in court, but any 313 00:15:35,920 --> 00:15:38,720 Speaker 1: evidence that comes from what he tells them they can use. 314 00:15:39,040 --> 00:15:41,920 Speaker 1: So it's very it's very interesting. So basically they bring 315 00:15:42,040 --> 00:15:43,760 Speaker 1: him in, they get him to talk, and he says 316 00:15:43,800 --> 00:15:47,760 Speaker 1: that this hit on Tupac was ordered by Diddy and 317 00:15:47,800 --> 00:15:49,760 Speaker 1: that he was involved in it. He was in the car, 318 00:15:49,960 --> 00:15:52,440 Speaker 1: and that it was his nephew who actually pulled up 319 00:15:52,520 --> 00:15:56,800 Speaker 1: shot Tupac in Las Vegas. But Puff Daddy at the time, well, 320 00:15:56,840 --> 00:15:59,800 Speaker 1: Puff Daddy, Yes, he's had several names, his last one 321 00:15:59,800 --> 00:16:09,080 Speaker 1: being love. Right. So now what's interesting is that then 322 00:16:09,280 --> 00:16:11,040 Speaker 1: this is back in two thousand and eight, twenty nine, 323 00:16:11,040 --> 00:16:13,640 Speaker 1: when he offers this information about Tupac's death and that 324 00:16:14,320 --> 00:16:17,120 Speaker 1: it was ordered by you know, Sean Combs. I'll tell 325 00:16:17,120 --> 00:16:19,000 Speaker 1: you though in the interview, though, I was skeptical in 326 00:16:19,040 --> 00:16:21,600 Speaker 1: the beginning because the FBI was very leading in the 327 00:16:21,640 --> 00:16:24,680 Speaker 1: beginning in this profit session. It was like, so, so 328 00:16:24,920 --> 00:16:25,880 Speaker 1: did he was involved? 329 00:16:25,960 --> 00:16:26,120 Speaker 2: Right? 330 00:16:26,200 --> 00:16:29,560 Speaker 1: So he told you were So it was very leading, 331 00:16:29,640 --> 00:16:31,960 Speaker 1: and I but I could tell once he warmed up 332 00:16:32,000 --> 00:16:34,320 Speaker 1: and I feel like he was more comfortable. Then he 333 00:16:34,400 --> 00:16:37,600 Speaker 1: started giving his own details of that night and what happened. 334 00:16:37,600 --> 00:16:39,440 Speaker 2: But in the beginning it was very much you weren't 335 00:16:39,480 --> 00:16:41,320 Speaker 2: saying that it was leading in terms of like it 336 00:16:41,360 --> 00:16:45,560 Speaker 2: was probably Uh, they were leading him on and getting 337 00:16:45,600 --> 00:16:47,240 Speaker 2: him to say things that probably were accurate. You're just 338 00:16:47,240 --> 00:16:49,440 Speaker 2: saying this is how it started. It started out. 339 00:16:50,240 --> 00:16:52,120 Speaker 1: I was skeptical at first because I felt like they 340 00:16:52,160 --> 00:16:55,160 Speaker 1: were just everything they were throwing out, and he was like, yeah, yeah. 341 00:16:55,080 --> 00:16:57,880 Speaker 2: He did it right, he did right. Yeah, yeah yeah. 342 00:16:57,880 --> 00:17:00,520 Speaker 1: But then towards then, as the interview went on, he 343 00:17:01,320 --> 00:17:05,000 Speaker 1: was actually offering his own details and account of that night, 344 00:17:05,080 --> 00:17:07,480 Speaker 1: and it was very detailed, and then I thought, Okay, 345 00:17:07,840 --> 00:17:09,600 Speaker 1: now I think that guy was there. 346 00:17:09,680 --> 00:17:11,239 Speaker 2: Okay. It took a while for him to warm up. 347 00:17:11,320 --> 00:17:14,960 Speaker 1: Probably at one point he claims that he was offered 348 00:17:15,000 --> 00:17:17,959 Speaker 1: a million dollars to handle the problem. Davis remembers Combs 349 00:17:18,000 --> 00:17:21,639 Speaker 1: being very afraid of Sugar. Night tensions had begun boiling 350 00:17:21,640 --> 00:17:24,040 Speaker 1: over months before Shakur's death when a fight broke out 351 00:17:24,040 --> 00:17:25,800 Speaker 1: between this is what we were talking about, the Bloods 352 00:17:25,800 --> 00:17:29,000 Speaker 1: and the Crips over a death row medallion that belonged tonight. 353 00:17:29,520 --> 00:17:33,359 Speaker 1: Among the Crypts group was Davis's nephew, Orlando Anderson. So 354 00:17:33,520 --> 00:17:35,800 Speaker 1: this guy that they offered the profer session too, he's 355 00:17:35,800 --> 00:17:38,879 Speaker 1: the one that claims that it was his nephew, Orlando Anderson, 356 00:17:39,000 --> 00:17:41,520 Speaker 1: who actually was the one who pulled the trigger. He 357 00:17:41,600 --> 00:17:44,680 Speaker 1: is dead now. He is not alive. So everyone involved 358 00:17:44,680 --> 00:17:46,720 Speaker 1: in this drive by shooting is dead except for this 359 00:17:46,800 --> 00:17:47,720 Speaker 1: guy kefie D. 360 00:17:47,960 --> 00:17:51,200 Speaker 2: Were they all deaths as a result of some foul play? 361 00:17:51,640 --> 00:17:55,760 Speaker 1: Yes, so I believe it was all like another drive 362 00:17:55,760 --> 00:17:56,840 Speaker 1: by or something. 363 00:17:56,920 --> 00:17:59,439 Speaker 2: Which you know could be related. Right, you want to 364 00:17:59,520 --> 00:18:00,520 Speaker 2: tie up sins. 365 00:18:01,359 --> 00:18:04,080 Speaker 1: So Kefi D, who is behind bars currently and a 366 00:18:04,080 --> 00:18:07,359 Speaker 1: waiting trial for orchestrating Shakur's killing, now insists that he 367 00:18:07,440 --> 00:18:10,159 Speaker 1: is innocent. Now after he gave all this information. This 368 00:18:10,200 --> 00:18:11,800 Speaker 1: is back in two thousand and eight, two thousand and nine, 369 00:18:11,840 --> 00:18:13,840 Speaker 1: and then nothing happened after that. So he gives this 370 00:18:13,960 --> 00:18:16,600 Speaker 1: information basically in this profit deal, you know, and he 371 00:18:16,600 --> 00:18:20,240 Speaker 1: gets immunity. And I think that made him cocky because 372 00:18:20,359 --> 00:18:22,600 Speaker 1: then he went on like this media tour. He wrote 373 00:18:22,640 --> 00:18:24,760 Speaker 1: a book basically, I think it was called Like the 374 00:18:24,840 --> 00:18:27,960 Speaker 1: Legend of Compton, where he talks about his involvement in 375 00:18:28,000 --> 00:18:32,040 Speaker 1: Tupac Shakur's death and the circumstances surrounding it. And then 376 00:18:32,040 --> 00:18:35,280 Speaker 1: he was doing like media and talking about like interviews, 377 00:18:35,320 --> 00:18:37,080 Speaker 1: and I think he got cocky thinking that he got 378 00:18:37,080 --> 00:18:40,080 Speaker 1: immunity during this interview, so then he was safe to 379 00:18:40,320 --> 00:18:44,240 Speaker 1: just write a book and go on a media tour 380 00:18:44,320 --> 00:18:46,560 Speaker 1: and talk about it. So then I believe he gets 381 00:18:46,640 --> 00:18:49,320 Speaker 1: arrested in twenty twenty three, and now he's going on 382 00:18:49,359 --> 00:18:52,320 Speaker 1: trial for the death of Tupac Shakur. But now he's claiming. 383 00:18:53,600 --> 00:18:58,160 Speaker 1: Now he's claiming that he's innocent, that he had nothing 384 00:18:58,200 --> 00:19:00,119 Speaker 1: to do with it, and that he wasn't even in 385 00:19:00,200 --> 00:19:03,320 Speaker 1: Las Vegas during that time period. And when Chupac was 386 00:19:03,400 --> 00:19:05,880 Speaker 1: hurt Angela, when I told. 387 00:19:05,720 --> 00:19:09,400 Speaker 2: These stories, Oh no, that profer session, I thought was Yeah. 388 00:19:09,440 --> 00:19:12,000 Speaker 1: He also claims that he never read the memoir that 389 00:19:12,119 --> 00:19:14,640 Speaker 1: is ascribed to him and only confessed to his purported 390 00:19:14,720 --> 00:19:17,359 Speaker 1: role in the crime because he was getting paid to lie. 391 00:19:17,920 --> 00:19:20,360 Speaker 1: So it actually it's it's very he's supposed. 392 00:19:20,040 --> 00:19:23,480 Speaker 2: To go a trial, he and bounce it all over 393 00:19:23,520 --> 00:19:23,919 Speaker 2: the place. 394 00:19:24,160 --> 00:19:28,760 Speaker 1: Yeah, but his defense team is claiming that, first of all, 395 00:19:28,800 --> 00:19:30,680 Speaker 1: that it's taken way too long. They did these interviews 396 00:19:30,680 --> 00:19:32,199 Speaker 1: in eight and oh nine, and now here they are 397 00:19:32,240 --> 00:19:36,960 Speaker 1: prosecuting him in twenty twenty three, So that's prosecutorial missed justice. 398 00:19:36,960 --> 00:19:39,760 Speaker 1: Like they didn't. They weren't prosecuting him in a timely manner. 399 00:19:40,560 --> 00:19:42,800 Speaker 2: And then but there's no statute limitations on murder. 400 00:19:43,000 --> 00:19:45,240 Speaker 1: But I guess they're saying that like memories fade, people 401 00:19:45,320 --> 00:19:48,000 Speaker 1: have died, you know, like no one's alive now that 402 00:19:48,119 --> 00:19:49,640 Speaker 1: was involved in the shooting except for. 403 00:19:49,640 --> 00:19:51,000 Speaker 2: Him, except for the shooter. 404 00:19:51,359 --> 00:19:53,159 Speaker 1: Well he no, he claims he didn't shoot him. He 405 00:19:53,200 --> 00:19:55,560 Speaker 1: claims that he was in the car and that it 406 00:19:55,600 --> 00:19:58,280 Speaker 1: was his nephew that shot him. But that he, I guess, 407 00:19:58,760 --> 00:20:00,000 Speaker 1: was part of it and put it all together. 408 00:20:00,440 --> 00:20:02,560 Speaker 2: So it sucks for Amy's in jail. And how's his 409 00:20:02,560 --> 00:20:03,080 Speaker 2: book doing. 410 00:20:03,400 --> 00:20:04,800 Speaker 1: I don't know how his book's doing. And I can't 411 00:20:04,800 --> 00:20:06,600 Speaker 1: figure out who published it. I need to know, like 412 00:20:06,640 --> 00:20:10,680 Speaker 1: what publishing company published it, and what is it self published? 413 00:20:10,840 --> 00:20:12,240 Speaker 2: It's Death Row Publication. 414 00:20:12,480 --> 00:20:16,560 Speaker 1: Yes, that would be That sounds appropriate. So we'll see 415 00:20:16,560 --> 00:20:19,040 Speaker 1: what happens in February twenty twenty six. This guy's going 416 00:20:19,080 --> 00:20:21,679 Speaker 1: to go on trial for Tupac's murder. 417 00:20:21,720 --> 00:20:23,320 Speaker 2: Well, let's hope we're around to cover it. 418 00:20:32,359 --> 00:20:35,760 Speaker 1: So Biggie's death and Ditty's alleged involvement, So now let's 419 00:20:35,800 --> 00:20:38,240 Speaker 1: move on to Biggie's death. So, following Tupac's shooting, the 420 00:20:38,240 --> 00:20:40,600 Speaker 1: Bad Boys Records crew knew it was dangerous to be 421 00:20:40,600 --> 00:20:43,600 Speaker 1: in Los Angeles, but Combs pushed them to go anyway. 422 00:20:43,920 --> 00:20:46,199 Speaker 1: He urged Biggie Smalls to go to LA for promotion 423 00:20:46,280 --> 00:20:49,560 Speaker 1: of his album, just six months after Tupac's death. Allegedly, 424 00:20:49,600 --> 00:20:51,960 Speaker 1: Biggie was adamant against this and did not want to 425 00:20:52,000 --> 00:20:54,600 Speaker 1: go to Los Angeles. It's even said that Biggie was 426 00:20:54,600 --> 00:20:56,800 Speaker 1: supposed to leave for London the day of his death, 427 00:20:57,080 --> 00:20:59,080 Speaker 1: but did He forced him to stay in LA to 428 00:20:59,119 --> 00:21:02,240 Speaker 1: attend the party was throwing. During that trip, Biggie was 429 00:21:02,280 --> 00:21:04,879 Speaker 1: gunned down in Los Angeles. He was killed after leaving 430 00:21:04,920 --> 00:21:07,600 Speaker 1: through a rear entrance of the Awards show after party. 431 00:21:07,840 --> 00:21:10,480 Speaker 1: I don't know. I guess during this this Enter this 432 00:21:10,640 --> 00:21:14,080 Speaker 1: docu series on Netflix, there were people that were alleging 433 00:21:14,160 --> 00:21:18,080 Speaker 1: that Biggie was set up by Sean Combe somehow, and 434 00:21:18,119 --> 00:21:20,119 Speaker 1: that he was involved in it, and that he wouldn't 435 00:21:20,200 --> 00:21:21,679 Speaker 1: let him go to London, he wanted him to be 436 00:21:21,720 --> 00:21:22,440 Speaker 1: in LA. 437 00:21:22,520 --> 00:21:25,080 Speaker 2: Has that not always been kind of lingering around that 438 00:21:25,240 --> 00:21:26,960 Speaker 2: he might have been involved in Well, I think. 439 00:21:26,840 --> 00:21:29,960 Speaker 1: There's always been speculation that he was involved. Well, he actually, 440 00:21:30,160 --> 00:21:31,960 Speaker 1: I mean, let's think about it. First of all, do 441 00:21:31,960 --> 00:21:33,360 Speaker 1: you remember the MTV. 442 00:21:34,080 --> 00:21:37,640 Speaker 2: After Yeah, that when he sung with Sting or Yeah 443 00:21:37,680 --> 00:21:41,200 Speaker 2: I had the Sting sample in it. That's the first 444 00:21:41,280 --> 00:21:45,360 Speaker 2: time I ever knew heard of him, saw him before Yeah, 445 00:21:45,359 --> 00:21:47,679 Speaker 2: because I didn't really fall you know that music. I 446 00:21:47,720 --> 00:21:50,240 Speaker 2: wasn't against. I just didn't follow it. And when I 447 00:21:50,400 --> 00:21:52,040 Speaker 2: started to learn a little bit of the story that 448 00:21:52,119 --> 00:21:54,600 Speaker 2: it was, you know, BIG's death and now he's out, 449 00:21:54,600 --> 00:21:57,919 Speaker 2: thought I thought he was just capitalizing off his death. Well, 450 00:21:57,960 --> 00:22:00,360 Speaker 2: I didn't think he was a part of it because 451 00:22:00,400 --> 00:22:02,520 Speaker 2: I didn't know much. But I also thought like, oh, 452 00:22:02,680 --> 00:22:06,160 Speaker 2: like kind of like disrespectful, like he's just capitalizing off 453 00:22:06,200 --> 00:22:08,240 Speaker 2: the death. And I don't know, I just I didn't 454 00:22:08,280 --> 00:22:09,560 Speaker 2: like him from that that day on. 455 00:22:09,880 --> 00:22:14,000 Speaker 1: Well, I would say that that musical appearance, I would 456 00:22:14,040 --> 00:22:16,919 Speaker 1: say shot him kind of through the roof as far 457 00:22:16,960 --> 00:22:19,840 Speaker 1: as started. I mean, he definitely that was a good 458 00:22:19,840 --> 00:22:20,280 Speaker 1: way to put it. 459 00:22:20,359 --> 00:22:21,680 Speaker 2: I never heard of him, and then I heard of him. 460 00:22:21,680 --> 00:22:26,119 Speaker 1: He absolutely capitalized or won or became bigger after Biggie 461 00:22:26,160 --> 00:22:29,960 Speaker 1: Small's death. Biggie Smalls was the face of bad Boy, 462 00:22:30,280 --> 00:22:33,760 Speaker 1: but once Biggie was gone, then Sean Combs became like 463 00:22:33,800 --> 00:22:36,640 Speaker 1: a recording artist and was the face of bad Boy, 464 00:22:37,200 --> 00:22:39,119 Speaker 1: and I love it. You don't look at Instagram like 465 00:22:39,160 --> 00:22:41,720 Speaker 1: I do. But now everybody after this documentary has coming 466 00:22:41,720 --> 00:22:44,920 Speaker 1: out like a trending reel is all these people wearing 467 00:22:45,040 --> 00:22:46,760 Speaker 1: like because you know, he had like the white flowy 468 00:22:46,760 --> 00:22:48,560 Speaker 1: outfit on, he had like the white shirt, like the 469 00:22:48,600 --> 00:22:50,640 Speaker 1: white pants, and then he did that crazy dance when 470 00:22:50,640 --> 00:22:54,199 Speaker 1: he came out on stage. Yeah, so everybody's recreating that. 471 00:22:54,320 --> 00:22:56,560 Speaker 1: It's like, you know, I just killed my wife and 472 00:22:56,600 --> 00:22:58,040 Speaker 1: then it shows him like dancing. 473 00:22:58,440 --> 00:23:00,760 Speaker 2: I agree with that. That's not funny. Am I going 474 00:23:00,800 --> 00:23:02,280 Speaker 2: to find a real of you saying you just killed 475 00:23:02,320 --> 00:23:06,280 Speaker 2: your husband and you're dancing. No, No, because it's not funny. 476 00:23:06,320 --> 00:23:07,320 Speaker 1: You're worth more alive. 477 00:23:07,680 --> 00:23:09,400 Speaker 2: So oh so it's a monetary thing. 478 00:23:09,480 --> 00:23:12,760 Speaker 1: Yeah. They also allegend this documentary that he had this 479 00:23:13,040 --> 00:23:15,840 Speaker 1: huge funeral for Biggie, like he made it this huge thing. 480 00:23:16,480 --> 00:23:18,560 Speaker 1: And then there was an interview I think it was 481 00:23:18,640 --> 00:23:21,719 Speaker 1: with his original partner at Bad Boy. I think it 482 00:23:21,800 --> 00:23:24,320 Speaker 1: was with Kirk. His name's Kirk Burrows. We're gonna talk 483 00:23:24,320 --> 00:23:26,919 Speaker 1: about him in a little bit, but he claimed that 484 00:23:27,560 --> 00:23:31,800 Speaker 1: he made this huge funeral, this big spectacle of Biggie Smalls. 485 00:23:31,800 --> 00:23:34,280 Speaker 1: But then Biggie Smalls, he said he spent so much 486 00:23:34,280 --> 00:23:35,879 Speaker 1: money on it that Shawn Combs was like, well, Biggie 487 00:23:35,880 --> 00:23:37,919 Speaker 1: has to pay for it himself, which I assume that 488 00:23:37,960 --> 00:23:40,560 Speaker 1: means it comes out of his estate or whatever was 489 00:23:41,440 --> 00:23:43,800 Speaker 1: owed to him in some way they use that money, 490 00:23:43,840 --> 00:23:44,480 Speaker 1: not his own way. 491 00:23:44,560 --> 00:23:46,840 Speaker 2: I say, like it was a publicity thing, like let's 492 00:23:46,880 --> 00:23:47,679 Speaker 2: make a big. 493 00:23:47,520 --> 00:23:50,200 Speaker 1: Yeah, all right, let's move on. There were some other 494 00:23:50,600 --> 00:23:52,920 Speaker 1: things that just stood out to me in this docuseriies, 495 00:23:52,960 --> 00:23:56,080 Speaker 1: and one of them was also when they interviewed aubry 496 00:23:56,080 --> 00:23:57,960 Speaker 1: O Day. And if you remember aubriy O Day, she 497 00:23:58,080 --> 00:24:00,679 Speaker 1: was from making the band? Did you ever watch that 498 00:24:00,760 --> 00:24:01,280 Speaker 1: on MTV? 499 00:24:01,560 --> 00:24:03,119 Speaker 2: Off and on, you know, when I would try to 500 00:24:03,119 --> 00:24:06,200 Speaker 2: find music videos and they kept throwing episodes things. 501 00:24:07,520 --> 00:24:09,440 Speaker 1: So in the docu series we learned that did he 502 00:24:09,560 --> 00:24:12,840 Speaker 1: send aubrey O Day a string of sexually explicit emails 503 00:24:12,840 --> 00:24:15,520 Speaker 1: and images of his penis while they were filming making 504 00:24:15,560 --> 00:24:16,000 Speaker 1: the band? 505 00:24:16,520 --> 00:24:19,600 Speaker 3: And these are young kids? I think she was nineteen, Yeah, 506 00:24:19,640 --> 00:24:22,920 Speaker 3: not underage, but young kids. Yeah, yeah, she was very 507 00:24:22,960 --> 00:24:26,280 Speaker 3: young and very inappropriate. Right, he's in a way, he's 508 00:24:26,280 --> 00:24:27,560 Speaker 3: their superior. 509 00:24:27,359 --> 00:24:31,520 Speaker 1: Their boss, yes, right, he's in a position of power, yes, right, 510 00:24:31,600 --> 00:24:33,959 Speaker 1: he's the producer he's making a band. This is danity 511 00:24:34,040 --> 00:24:34,680 Speaker 1: King talk. 512 00:24:34,600 --> 00:24:37,440 Speaker 2: About pressure because these girls, all these candidates are trying 513 00:24:37,480 --> 00:24:40,560 Speaker 2: to become a superstar and this is their opportunity. So 514 00:24:40,600 --> 00:24:43,040 Speaker 2: they are on their extreme pressure to comply. 515 00:24:44,080 --> 00:24:47,240 Speaker 1: So aubry O Day reads an email that he had 516 00:24:47,280 --> 00:24:51,159 Speaker 1: sent her. I was shocked, shocked. 517 00:24:51,160 --> 00:24:52,920 Speaker 2: Oh you read the email? The emails known? 518 00:24:53,440 --> 00:24:57,000 Speaker 1: She read it and read it. Yeah, so O'Day read 519 00:24:57,000 --> 00:24:59,320 Speaker 1: some of the emails aloud, with one of them saying, quote, 520 00:24:59,359 --> 00:25:00,919 Speaker 1: I make my one and do what I tell her 521 00:25:00,920 --> 00:25:02,439 Speaker 1: to do, and she loves it. I just want and 522 00:25:02,560 --> 00:25:04,600 Speaker 1: like to do things different. I'm a finish watching this 523 00:25:04,680 --> 00:25:07,359 Speaker 1: porn and finished masturbating. I'll think of you if you 524 00:25:07,440 --> 00:25:09,320 Speaker 1: change your mind and get ready to do what I say. 525 00:25:09,400 --> 00:25:11,040 Speaker 2: It's a Hallmark card thinking of you. 526 00:25:11,280 --> 00:25:15,159 Speaker 1: Smiley face. The email, dated March twenty third, two thousand 527 00:25:15,160 --> 00:25:17,920 Speaker 1: and eight, included Comb's standard signature at the time, God 528 00:25:18,000 --> 00:25:19,680 Speaker 1: Bless Diddy, God is the greatest. 529 00:25:19,840 --> 00:25:21,760 Speaker 2: That's pay It is the email signature. He doesn't type 530 00:25:21,760 --> 00:25:22,240 Speaker 2: it every time. 531 00:25:22,320 --> 00:25:24,159 Speaker 1: No, he doesn't type it every time, but I mean 532 00:25:24,160 --> 00:25:26,000 Speaker 1: you can see the irony in it, Like I'm gonna 533 00:25:26,440 --> 00:25:28,760 Speaker 1: I want to do all these things to you and 534 00:25:29,119 --> 00:25:31,879 Speaker 1: I'm going to watch porn. I'm going to masturbate thinking 535 00:25:31,920 --> 00:25:34,560 Speaker 1: of you, smiley face, which. 536 00:25:34,400 --> 00:25:39,200 Speaker 2: Was it was a colon and a parenthesis right close parentheses. 537 00:25:40,000 --> 00:25:42,080 Speaker 1: Yeah, it wasn't an emoji. 538 00:25:42,280 --> 00:25:45,040 Speaker 2: No, And if you were savvy, you'd do a semi 539 00:25:45,080 --> 00:25:48,159 Speaker 2: colon and a close prey. Yeah. 540 00:25:48,680 --> 00:25:52,240 Speaker 1: Aubrey O'Day said she continually turned down comb sexual advances 541 00:25:52,240 --> 00:25:55,000 Speaker 1: and was eventually kicked out of Danity Kane. I absolutely 542 00:25:55,000 --> 00:25:57,800 Speaker 1: felt that I was fired for not participating sexually as 543 00:25:57,840 --> 00:26:00,760 Speaker 1: she made the cut. She part of the band, She 544 00:26:00,840 --> 00:26:02,560 Speaker 1: was part of the band, but then he fired her, 545 00:26:02,680 --> 00:26:05,199 Speaker 1: and she's alleging, which I mean makes sense that it 546 00:26:05,280 --> 00:26:07,240 Speaker 1: was because that he fired her because he was pissed 547 00:26:07,280 --> 00:26:09,520 Speaker 1: because he kept coming onto her and sending her sexually 548 00:26:09,560 --> 00:26:11,800 Speaker 1: explicit emails and she didn't want to have anything to 549 00:26:11,840 --> 00:26:13,840 Speaker 1: do with them, and so he, you know, he fired her. 550 00:26:14,080 --> 00:26:15,240 Speaker 2: Yeah, that's ridiculous. 551 00:26:15,640 --> 00:26:18,640 Speaker 1: In addition, ode read an affid David from an alleged 552 00:26:18,680 --> 00:26:21,679 Speaker 1: witness to the singer being sexually assaulted by Ditty and 553 00:26:21,720 --> 00:26:24,760 Speaker 1: another individual in a studio room. O'Day says she has 554 00:26:24,800 --> 00:26:28,120 Speaker 1: no recollection of the assault taking place. This was really sad. 555 00:26:28,280 --> 00:26:32,400 Speaker 1: I know, Aubrey. And this was really sad for me because, 556 00:26:32,480 --> 00:26:34,440 Speaker 1: first of all, the emails were shocking, and I thought, 557 00:26:34,480 --> 00:26:36,159 Speaker 1: what a horrible thing for a nineteen year old to 558 00:26:36,200 --> 00:26:37,879 Speaker 1: have to go through. Not only are you on a 559 00:26:37,920 --> 00:26:39,240 Speaker 1: reality show and you're. 560 00:26:39,440 --> 00:26:41,880 Speaker 2: Talented, Yeah, you're under pressure. 561 00:26:42,200 --> 00:26:42,920 Speaker 1: All this pressure. 562 00:26:43,000 --> 00:26:45,960 Speaker 2: This guy that controls my band, controls my fate in 563 00:26:46,040 --> 00:26:49,800 Speaker 2: what I'm pursuing, right, my passion, and now I have 564 00:26:49,880 --> 00:26:52,560 Speaker 2: to like either comply and go along with this that 565 00:26:52,600 --> 00:26:57,480 Speaker 2: I that is unnatural, or I have to risk getting fired. Right. 566 00:26:57,880 --> 00:27:00,600 Speaker 1: So she's in this position of someone in in a 567 00:27:00,640 --> 00:27:05,400 Speaker 1: position of power harassing her control sexual So this affidavit 568 00:27:05,440 --> 00:27:07,840 Speaker 1: came to her through an attorney. It was another witness, 569 00:27:08,440 --> 00:27:09,360 Speaker 1: so someone else. 570 00:27:09,240 --> 00:27:11,919 Speaker 2: He has, Like, so she still had the email. 571 00:27:12,160 --> 00:27:13,920 Speaker 1: Well, she has all the emails, yes, and she read 572 00:27:14,000 --> 00:27:17,080 Speaker 1: some of them. Wow, But she also has this new 573 00:27:17,160 --> 00:27:22,080 Speaker 1: affidavit because someone else is suing him civilly he has 574 00:27:22,160 --> 00:27:24,720 Speaker 1: I don't know what it is currently, but I believe 575 00:27:24,760 --> 00:27:27,600 Speaker 1: there's over like a hundred civil cases against him right now. 576 00:27:27,640 --> 00:27:29,480 Speaker 1: And the number changes. 577 00:27:29,200 --> 00:27:33,080 Speaker 2: Because not one hundred parties like a class action type no, no, no, 578 00:27:33,119 --> 00:27:35,840 Speaker 2: like a hundred individual lawsuits five right, And I. 579 00:27:35,760 --> 00:27:37,919 Speaker 1: Don't know the exact number, because if you watch the 580 00:27:37,960 --> 00:27:40,640 Speaker 1: docu series, it's like I think, because some of them 581 00:27:40,880 --> 00:27:42,800 Speaker 1: might get dismissed or some of them might get settled 582 00:27:42,920 --> 00:27:45,479 Speaker 1: or something or I don't know, but they when you 583 00:27:45,520 --> 00:27:50,119 Speaker 1: have that many rolling on, right, I mean, it's a lot. 584 00:27:50,359 --> 00:27:55,360 Speaker 1: So someone sued him civilly for sexual something, and they 585 00:27:55,760 --> 00:27:59,840 Speaker 1: included an affidavit within their lawsuit against him that they 586 00:28:00,119 --> 00:28:02,760 Speaker 1: went to a party one night that they were in 587 00:28:02,800 --> 00:28:05,680 Speaker 1: a house. They were walking through the house trying to 588 00:28:05,720 --> 00:28:08,199 Speaker 1: find the restroom. They went upstairs in this house. It 589 00:28:08,240 --> 00:28:10,159 Speaker 1: was a big house. They're walking down the hallway. They 590 00:28:10,200 --> 00:28:13,639 Speaker 1: keep opening doors to find the bathroom. They opened a door, 591 00:28:14,000 --> 00:28:16,720 Speaker 1: they fine, they said, She said. She opened the door 592 00:28:17,560 --> 00:28:20,960 Speaker 1: and inside the room, Aubrey O Day was passed out 593 00:28:20,960 --> 00:28:23,960 Speaker 1: like andebriated on the I don't know, on a floor 594 00:28:24,000 --> 00:28:27,680 Speaker 1: bed I don't know. And then Sean Combs was raping 595 00:28:27,720 --> 00:28:32,400 Speaker 1: her and there was another man that was doing sexual 596 00:28:32,440 --> 00:28:34,520 Speaker 1: things as well. I won't go into the graphic details 597 00:28:34,520 --> 00:28:38,240 Speaker 1: of it. And she writes this in an affidavit and 598 00:28:38,280 --> 00:28:41,680 Speaker 1: then it gets filed. So then obviously the Affidavid gets 599 00:28:41,680 --> 00:28:44,240 Speaker 1: sent to Aubrey O Day and I feel horrible because 600 00:28:44,240 --> 00:28:47,240 Speaker 1: in her interview she's reading the Affidavid she had just 601 00:28:47,320 --> 00:28:50,760 Speaker 1: recently gotten it, and she has no recollection of this night, 602 00:28:50,840 --> 00:28:53,480 Speaker 1: of that night or that happening. Yeah. None. 603 00:28:53,600 --> 00:28:56,760 Speaker 2: So that's the first time she learns about what happened 604 00:28:56,760 --> 00:28:57,480 Speaker 2: to her, right. 605 00:28:58,000 --> 00:29:01,360 Speaker 1: And not only is she learning about it, but she 606 00:29:01,440 --> 00:29:04,000 Speaker 1: also says and that she also says, I wasn't like 607 00:29:04,040 --> 00:29:06,240 Speaker 1: a heavy drinker, So it's not like I went to 608 00:29:06,280 --> 00:29:07,360 Speaker 1: a party and got. 609 00:29:07,520 --> 00:29:11,560 Speaker 2: I don't normally get right. I don't do that part 610 00:29:11,560 --> 00:29:12,560 Speaker 2: of the plan, right. 611 00:29:12,840 --> 00:29:16,200 Speaker 1: So I think if this is true, and to me 612 00:29:16,280 --> 00:29:17,920 Speaker 1: it seems very true because there were a lot of 613 00:29:17,920 --> 00:29:20,360 Speaker 1: details in this Avid David about and this woman at 614 00:29:20,400 --> 00:29:22,600 Speaker 1: the end, I mean, she signed it under penalty of perjury, 615 00:29:22,920 --> 00:29:24,720 Speaker 1: and she says she is one hundred percent certain that 616 00:29:24,760 --> 00:29:27,200 Speaker 1: it was Aubrey o Day. And let's be honest, Aubrey 617 00:29:27,320 --> 00:29:30,160 Speaker 1: was on TV, She's on a reality show. She's recognizable, 618 00:29:30,240 --> 00:29:33,800 Speaker 1: she's very distinctive looking. You know, I knew who she 619 00:29:33,920 --> 00:29:35,760 Speaker 1: was at the time. I'm just a kid that lives 620 00:29:35,800 --> 00:29:36,360 Speaker 1: in Ohio. 621 00:29:36,600 --> 00:29:39,600 Speaker 2: So I couldn't name anyone else from the band except 622 00:29:39,640 --> 00:29:40,040 Speaker 2: for her. 623 00:29:40,040 --> 00:29:43,720 Speaker 1: Right exactly. She was definitely the star standout that was 624 00:29:43,840 --> 00:29:47,640 Speaker 1: very recognizable. So and then you know, she says something 625 00:29:47,680 --> 00:29:51,840 Speaker 1: in the interview that was very intelligent. She says, if 626 00:29:51,840 --> 00:29:53,840 Speaker 1: this is something that's made up, this is a horrible 627 00:29:53,880 --> 00:29:56,240 Speaker 1: thing to do to me, you know what I mean? 628 00:29:56,320 --> 00:30:00,520 Speaker 2: But if oh, either way, it's bad thrawing me in 629 00:30:00,560 --> 00:30:04,640 Speaker 2: this situation where you know, it's disgusting what story you're 630 00:30:04,680 --> 00:30:06,880 Speaker 2: telling about me, And if it is true, it's still 631 00:30:06,920 --> 00:30:08,960 Speaker 2: disgusting that it actually happened, right. 632 00:30:08,800 --> 00:30:10,520 Speaker 1: And then it puts her in a position. This was 633 00:30:10,560 --> 00:30:12,800 Speaker 1: my takeaway from it because I listened to it twice. 634 00:30:12,840 --> 00:30:15,720 Speaker 1: I actually went back and watched I watched her interview 635 00:30:15,720 --> 00:30:18,680 Speaker 1: twice because I thought she was so intelligent and poised 636 00:30:18,720 --> 00:30:23,520 Speaker 1: in what she said. And also she said, if this 637 00:30:24,240 --> 00:30:27,000 Speaker 1: didn't happen, I'm put in a position where if I 638 00:30:27,120 --> 00:30:30,680 Speaker 1: question it, and I questioned this person's integrity, then I'm 639 00:30:30,680 --> 00:30:32,880 Speaker 1: doing a disservice to all the other people because if 640 00:30:32,920 --> 00:30:35,760 Speaker 1: this person is made out to be a liar, or if. 641 00:30:35,600 --> 00:30:38,040 Speaker 2: That was just misidentified her, which we think is unlikely, 642 00:30:38,080 --> 00:30:42,480 Speaker 2: but if they misidentified her, now their credibility is shot right. 643 00:30:43,000 --> 00:30:45,360 Speaker 1: Right, So she's I felt like she was just in 644 00:30:45,440 --> 00:30:46,000 Speaker 1: a lose She. 645 00:30:48,280 --> 00:30:48,560 Speaker 2: Love. 646 00:30:49,680 --> 00:30:51,800 Speaker 1: I don't know what's Is there a statue of limitation? 647 00:30:51,960 --> 00:30:54,240 Speaker 2: I'm rape there might be, but if she just learned 648 00:30:54,280 --> 00:30:57,480 Speaker 2: about it more recently, it might be from that time 649 00:30:58,120 --> 00:31:02,080 Speaker 2: that the statue imitation it starts to trigger right and 650 00:31:02,120 --> 00:31:05,360 Speaker 2: the countdown begins. Well, well, I whatever it is, I 651 00:31:05,360 --> 00:31:07,239 Speaker 2: hope she makes it through it. 652 00:31:07,720 --> 00:31:10,720 Speaker 1: Also, let's go into I thought Kirk Burrows was a 653 00:31:10,800 --> 00:31:13,880 Speaker 1: very interesting character for me on this documentary. He was 654 00:31:13,960 --> 00:31:17,360 Speaker 1: one of the partners with Ditty that started Bad Boy Records, 655 00:31:17,520 --> 00:31:21,160 Speaker 1: so he is splashed throughout this entire four part series. 656 00:31:21,200 --> 00:31:24,280 Speaker 1: There are multitudes of interviews with him, and he's been 657 00:31:24,280 --> 00:31:26,840 Speaker 1: with Ditty since day one, so I think he has 658 00:31:27,160 --> 00:31:29,680 Speaker 1: I find him to be very credible because he's been 659 00:31:29,720 --> 00:31:31,440 Speaker 1: there and seen at all. 660 00:31:31,880 --> 00:31:32,040 Speaker 2: So. 661 00:31:32,080 --> 00:31:34,760 Speaker 1: Shawn Combs and Kirk Burrows co founded the music label 662 00:31:34,760 --> 00:31:38,080 Speaker 1: bad Boy Entertainment back in nineteen ninety three. The company's 663 00:31:38,080 --> 00:31:40,720 Speaker 1: creation came two years after nine people died in a 664 00:31:40,760 --> 00:31:43,920 Speaker 1: stampede during a celebrity basketball game that Ditty had organized. 665 00:31:44,240 --> 00:31:46,280 Speaker 1: This was reported by CNN. I think we might have 666 00:31:46,280 --> 00:31:48,360 Speaker 1: talked about this basketball game when we did our earlier 667 00:31:48,800 --> 00:31:52,760 Speaker 1: Ditty episodes, but he organized like a basketball a celebrity 668 00:31:52,760 --> 00:31:55,280 Speaker 1: basketball game, and then there were way too many people 669 00:31:55,440 --> 00:31:57,920 Speaker 1: and nine people got trampled and died. And that was all. 670 00:31:57,920 --> 00:31:59,560 Speaker 2: I don't remember that. We didn't talk about think we 671 00:31:59,560 --> 00:32:00,880 Speaker 2: talked about it. How many people died? 672 00:32:01,120 --> 00:32:05,800 Speaker 1: Nine? What Yeah? Combs allegedly gave his mother Janis seventy 673 00:32:05,840 --> 00:32:08,400 Speaker 1: five percent of the company in stock and Burrows had 674 00:32:08,400 --> 00:32:11,160 Speaker 1: the remaining twenty five percent to avoid being held financially 675 00:32:11,200 --> 00:32:11,960 Speaker 1: responsible for. 676 00:32:11,920 --> 00:32:16,440 Speaker 2: The charge love he is, Yeah, or you will die 677 00:32:16,760 --> 00:32:17,720 Speaker 2: or be violated. 678 00:32:18,160 --> 00:32:22,200 Speaker 1: So his partner Burrows alleges in the docuseries that Diddy 679 00:32:22,280 --> 00:32:24,440 Speaker 1: did not put the company in his name in order 680 00:32:24,480 --> 00:32:27,840 Speaker 1: to protect him from paying families in that tragedy that happened. 681 00:32:28,280 --> 00:32:31,040 Speaker 1: And then so his mother Janis has seventy five percent 682 00:32:31,080 --> 00:32:33,240 Speaker 1: of Bad Boy, and then Burrows had his twenty five 683 00:32:33,280 --> 00:32:36,680 Speaker 1: percent cut. Burrows has alleged that Combs subjected him to 684 00:32:36,840 --> 00:32:40,959 Speaker 1: years years of verbal, emotional, and physical abuse during their 685 00:32:41,000 --> 00:32:43,760 Speaker 1: time running the company together. He claimed that nineteen ninety 686 00:32:43,760 --> 00:32:46,320 Speaker 1: six did he threatened him with a baseball bat and 687 00:32:46,360 --> 00:32:49,160 Speaker 1: forced him to sign over his twenty five percent ownership 688 00:32:49,200 --> 00:32:52,880 Speaker 1: stake in Bad Boy Entertainment. He was later allegedly fired 689 00:32:52,880 --> 00:32:56,280 Speaker 1: from the company for declining to alter Biggie's contract. After 690 00:32:56,360 --> 00:32:59,120 Speaker 1: his death, Burrows said in the docuseries that he was 691 00:32:59,120 --> 00:33:02,160 Speaker 1: blacklisted in industry for the next twenty five years, which 692 00:33:02,200 --> 00:33:03,840 Speaker 1: I believe because I've never heard of him, and I 693 00:33:03,840 --> 00:33:06,280 Speaker 1: don't think that he's been able to make his way 694 00:33:06,320 --> 00:33:09,000 Speaker 1: in that industry after that. So he claims that did 695 00:33:09,080 --> 00:33:11,200 Speaker 1: he threatened him with a bat took his twenty five percent, 696 00:33:11,240 --> 00:33:13,240 Speaker 1: but also promised that he would give it back to him, 697 00:33:13,640 --> 00:33:15,000 Speaker 1: and then never gave it back to him. 698 00:33:15,040 --> 00:33:16,120 Speaker 2: He didn't keep his promise. 699 00:33:16,200 --> 00:33:19,920 Speaker 1: He didn't keep his promise. So in February of twenty 700 00:33:19,960 --> 00:33:23,320 Speaker 1: twenty five, Burroughs filed a lawsuit against Combs, accusing him 701 00:33:23,320 --> 00:33:27,000 Speaker 1: of years of alleged predatory actions that included subjecting him 702 00:33:27,040 --> 00:33:31,320 Speaker 1: to repeated sexual harassment, physical aggression, and force compliance with 703 00:33:31,400 --> 00:33:35,640 Speaker 1: degrading sexual acts. According to the complaint, the alleged harassment 704 00:33:35,680 --> 00:33:38,920 Speaker 1: occurred during nineteen ninety two and ninety four and escalated 705 00:33:38,960 --> 00:33:42,640 Speaker 1: to physical coercion and forced submission, as well as alleged 706 00:33:42,680 --> 00:33:46,400 Speaker 1: sexual abuse between ninety five and ninety six. He also 707 00:33:46,440 --> 00:33:48,480 Speaker 1: claims there was an incident where Combs told him to 708 00:33:48,480 --> 00:33:50,840 Speaker 1: come into his office and when he went into his office. 709 00:33:50,960 --> 00:33:53,920 Speaker 1: Combs was getting like, you know, fillatio under the desk, 710 00:33:53,960 --> 00:33:56,720 Speaker 1: and he did it to like make him I don't know. 711 00:33:56,800 --> 00:33:59,440 Speaker 1: To me, that's a no. It's this is how sick 712 00:33:59,440 --> 00:34:01,720 Speaker 1: and dimnit he that I think he uses. 713 00:34:01,760 --> 00:34:03,239 Speaker 2: And you know how many other people who have been 714 00:34:03,280 --> 00:34:06,200 Speaker 2: violated don't know just like she says she did not happen. 715 00:34:06,360 --> 00:34:07,840 Speaker 1: I don't know. I mean, we'll get more into that 716 00:34:07,880 --> 00:34:10,080 Speaker 1: because then there's another producer that's in the fourth part 717 00:34:10,120 --> 00:34:12,880 Speaker 1: of this docuseries named Little Rod, and I feel terrible 718 00:34:12,920 --> 00:34:15,480 Speaker 1: for this guy too, but I think, I mean, my 719 00:34:15,600 --> 00:34:19,399 Speaker 1: takeaway is that Diddy is just a sexual deviant. It's 720 00:34:19,440 --> 00:34:23,360 Speaker 1: not even like is he gay or straight or bisexual. 721 00:34:23,480 --> 00:34:29,080 Speaker 1: It's just to me, it's just a diabolical way that 722 00:34:29,160 --> 00:34:34,799 Speaker 1: he controls and manipulates and violates other people and by 723 00:34:34,840 --> 00:34:40,279 Speaker 1: degrading them and sexually abusing them. And that's just how 724 00:34:40,320 --> 00:34:44,120 Speaker 1: he controls and it's sick and demended. And you know, 725 00:34:44,160 --> 00:34:46,319 Speaker 1: all these people that are in these docuseries, a lot 726 00:34:46,360 --> 00:34:48,960 Speaker 1: of these people weren't involved in the trial. And I'm 727 00:34:49,000 --> 00:34:52,799 Speaker 1: thinking that the trial, I feel like the prosecutors might 728 00:34:52,840 --> 00:34:56,880 Speaker 1: have prosecuted him too early before they investigated enough because 729 00:34:56,880 --> 00:34:59,960 Speaker 1: I feel like there's more information and there's more people, 730 00:35:00,160 --> 00:35:03,720 Speaker 1: and there's more victims that are in this docu series 731 00:35:04,320 --> 00:35:07,520 Speaker 1: that does more to establish a criminal enterprise or all 732 00:35:07,520 --> 00:35:10,960 Speaker 1: this sexual deviant behavior, or you know what I mean. 733 00:35:11,000 --> 00:35:14,000 Speaker 1: Like I felt like maybe the prosecutors prosecuted him too 734 00:35:14,480 --> 00:35:18,879 Speaker 1: quickly and maybe should have spent more time collecting more 735 00:35:18,920 --> 00:35:20,719 Speaker 1: evidence and more witnesses, and. 736 00:35:21,239 --> 00:35:23,800 Speaker 2: They were smoking guns and they really didn't do their homework. 737 00:35:25,480 --> 00:35:29,320 Speaker 1: So Kirk Burrows also separately filed a complaint against Janis 738 00:35:29,360 --> 00:35:32,839 Speaker 1: That's p did his mother, claiming that she knowingly participated 739 00:35:32,880 --> 00:35:35,520 Speaker 1: in the fraudulent scheme to obtain one hundred percent control 740 00:35:35,560 --> 00:35:39,160 Speaker 1: of Bad Boy Entertainment, and that she carefully maintained a facade, 741 00:35:39,280 --> 00:35:42,960 Speaker 1: a facade of integrity, while orchestrating the plane of financial 742 00:35:43,000 --> 00:35:47,560 Speaker 1: and professional downfall behind the scenes. Both twenty five cases 743 00:35:47,600 --> 00:35:51,040 Speaker 1: remain pending. Now I think this Kirk Burrows is now 744 00:35:51,480 --> 00:35:54,120 Speaker 1: in a state where he's comfortable suing him and he's 745 00:35:54,120 --> 00:35:57,560 Speaker 1: comfortable talking about what happened because he knows that now 746 00:35:57,760 --> 00:36:08,600 Speaker 1: he'll be taken seriously. Also in the fourth part, there's 747 00:36:08,640 --> 00:36:11,279 Speaker 1: someone named Little Rod who is a producer. I felt 748 00:36:11,280 --> 00:36:12,240 Speaker 1: sorry for this guy. 749 00:36:12,080 --> 00:36:13,920 Speaker 2: Because guy broke my heart. 750 00:36:14,280 --> 00:36:16,719 Speaker 3: No, you could be a little Shane, I'd be No, 751 00:36:16,760 --> 00:36:17,600 Speaker 3: I'd bet Big Rod. 752 00:36:17,680 --> 00:36:21,920 Speaker 1: Oh, of course you would. Lil Rod broke my heart. 753 00:36:22,080 --> 00:36:25,600 Speaker 1: So Rodney little Rod Jones alleged Combs sexually harassed, drugged, 754 00:36:25,600 --> 00:36:27,560 Speaker 1: and threatened him while he worked for Combs on his 755 00:36:27,640 --> 00:36:31,239 Speaker 1: Love album from September twenty twenty two to November of 756 00:36:31,239 --> 00:36:34,040 Speaker 1: twenty twenty three. The music producer also alleged at Combs 757 00:36:34,360 --> 00:36:38,279 Speaker 1: and others that Combs hired sexually assaulted him. I guess 758 00:36:38,320 --> 00:36:40,880 Speaker 1: he started out being a producer for Combs, because I 759 00:36:40,880 --> 00:36:44,560 Speaker 1: think Sean Combs had some kind of like producer writing 760 00:36:45,120 --> 00:36:47,120 Speaker 1: two week academy kind of thing where there were all 761 00:36:47,160 --> 00:36:48,920 Speaker 1: these people in the studio and he was writing that 762 00:36:49,000 --> 00:36:51,200 Speaker 1: new Love album. He had a bunch of people there 763 00:36:51,640 --> 00:36:53,799 Speaker 1: and they were singing and writing, and people had all 764 00:36:53,800 --> 00:36:56,600 Speaker 1: these suggestions and he didn't like any of it. And 765 00:36:56,640 --> 00:36:58,959 Speaker 1: then Lil Rod was the one person who I guess 766 00:37:00,000 --> 00:37:03,279 Speaker 1: he wrote something or did something that he liked and 767 00:37:03,360 --> 00:37:05,799 Speaker 1: was like, Okay, that's it, Like that's a hit. So 768 00:37:05,920 --> 00:37:08,920 Speaker 1: then he takes him, he plucks him out of there 769 00:37:08,960 --> 00:37:10,880 Speaker 1: and says, okay, I want you to produce this album, 770 00:37:11,360 --> 00:37:14,040 Speaker 1: and they go I believe it was to Miami, to Combs' 771 00:37:14,040 --> 00:37:16,719 Speaker 1: his home in Miami to produce this album. And he's 772 00:37:16,800 --> 00:37:20,640 Speaker 1: living with him in his house and every day he's 773 00:37:20,719 --> 00:37:24,040 Speaker 1: waking up and he's like, and everything's recorded, all the 774 00:37:24,760 --> 00:37:27,040 Speaker 1: video footage they have of all this is insane that 775 00:37:27,080 --> 00:37:30,600 Speaker 1: he just records everything. But he's working on this album. 776 00:37:30,640 --> 00:37:32,240 Speaker 1: He's there for like a year and a half, almost 777 00:37:32,280 --> 00:37:35,759 Speaker 1: two years. They finally get this album produced. He says 778 00:37:35,840 --> 00:37:38,279 Speaker 1: it takes forever. Then he's like waking up in the 779 00:37:38,320 --> 00:37:40,759 Speaker 1: morning and like Combs is in bed with him, and 780 00:37:40,760 --> 00:37:44,000 Speaker 1: he's and Combs is showing him porn and he's saying 781 00:37:44,239 --> 00:37:47,440 Speaker 1: he's showing him gay porn and saying like you need 782 00:37:47,480 --> 00:37:49,920 Speaker 1: to watch this because this is like what music is. 783 00:37:50,239 --> 00:37:53,560 Speaker 1: And he's questioning everything, like how is this guy so successful? 784 00:37:53,600 --> 00:37:55,600 Speaker 1: He's telling me, like, you know, we all have to 785 00:37:55,600 --> 00:37:57,920 Speaker 1: be drugged and have these orgies and freak offs and 786 00:37:57,960 --> 00:38:00,719 Speaker 1: watch porn, and I don't know. He ends up staying 787 00:38:00,760 --> 00:38:03,640 Speaker 1: there and they get this album produced because he was 788 00:38:03,680 --> 00:38:07,160 Speaker 1: promised two hundred and fifty thousand dollars and Combs also 789 00:38:07,440 --> 00:38:09,239 Speaker 1: allegedly told him he was going to buy him the 790 00:38:09,239 --> 00:38:10,000 Speaker 1: house next door. 791 00:38:10,760 --> 00:38:12,360 Speaker 2: So it's not what are you gonna do. You're in 792 00:38:12,400 --> 00:38:14,279 Speaker 2: the middle of this huge project, you're trying to get 793 00:38:14,280 --> 00:38:17,120 Speaker 2: your career going right, and you're just gonna be like, Okay, 794 00:38:17,120 --> 00:38:20,360 Speaker 2: this is gross and quit. I mean, that's that's hard. 795 00:38:20,760 --> 00:38:21,279 Speaker 1: It is hard. 796 00:38:21,360 --> 00:38:23,160 Speaker 2: I know, you don't know. Maybe it's just another month 797 00:38:23,239 --> 00:38:25,000 Speaker 2: tough it out, and that ends up being six more month. 798 00:38:25,000 --> 00:38:28,160 Speaker 1: I mean, who knows, right, So he ends up staying 799 00:38:28,200 --> 00:38:32,440 Speaker 1: through the whole thing. He he gets the album made. Finally, 800 00:38:32,680 --> 00:38:35,600 Speaker 1: the album does well. I think it's it's I think 801 00:38:35,600 --> 00:38:40,239 Speaker 1: it does pretty well. He never receives a dime and 802 00:38:40,280 --> 00:38:42,880 Speaker 1: there's no contract in place, and he never gets payment. 803 00:38:43,400 --> 00:38:44,879 Speaker 2: There was nothing written. 804 00:38:44,800 --> 00:38:47,720 Speaker 1: No and no payment. He got no money. 805 00:38:47,800 --> 00:38:52,239 Speaker 2: Well, and you think Sean Combs overlooked that part of the. 806 00:38:52,840 --> 00:38:54,640 Speaker 1: That's what I'm saying. That's why when I saw that 807 00:38:54,719 --> 00:38:56,440 Speaker 1: fourth part, it made me go back to where we 808 00:38:56,440 --> 00:38:58,960 Speaker 1: were talking about the video footage and how he just 809 00:38:59,000 --> 00:39:01,200 Speaker 1: has people around him doing all these jobs, but there's 810 00:39:01,200 --> 00:39:04,040 Speaker 1: never contracts in place and there's never payment, and he 811 00:39:04,160 --> 00:39:07,880 Speaker 1: just expects loyalty because of who he is. And so 812 00:39:08,440 --> 00:39:11,520 Speaker 1: this guy, little rod Well he could did he sue. 813 00:39:11,600 --> 00:39:15,799 Speaker 1: Well he did, yeah, so Rod filed. Well. I Rod 814 00:39:15,800 --> 00:39:18,520 Speaker 1: filed a thirty million dollar lawsuit against Didy in February 815 00:39:18,560 --> 00:39:22,239 Speaker 1: of twenty twenty four, accusing him of sexual misconduct and 816 00:39:22,440 --> 00:39:25,880 Speaker 1: included Justin Comb's Diddy's son as a defendant. He claimed 817 00:39:25,880 --> 00:39:28,759 Speaker 1: that Justin was present at a freak off. In March, 818 00:39:28,800 --> 00:39:32,680 Speaker 1: a judge dismissed five of Rod's nine claims against Ditty, 819 00:39:32,920 --> 00:39:37,160 Speaker 1: so he still has four open claims. So well, I 820 00:39:37,200 --> 00:39:39,920 Speaker 1: hope Rod gets some kind of compensation. The guy was 821 00:39:39,960 --> 00:39:42,000 Speaker 1: talking about how he missed Christmases with his kids and 822 00:39:42,000 --> 00:39:45,040 Speaker 1: birthdays with his kids. I don't know they showed they 823 00:39:45,080 --> 00:39:48,560 Speaker 1: showed him doing like did he doing press for the 824 00:39:48,600 --> 00:39:51,720 Speaker 1: Love tour? The Love album? But he was I believe 825 00:39:51,760 --> 00:39:54,080 Speaker 1: he was arrested shortly after that came out, So I 826 00:39:54,400 --> 00:39:58,239 Speaker 1: think if there was success, it was very short lived. Yeah. 827 00:39:58,400 --> 00:40:01,640 Speaker 1: They also interview Clayton how who was a former sex worker. 828 00:40:01,719 --> 00:40:04,240 Speaker 1: In the docu series. He was a former male escort 829 00:40:05,040 --> 00:40:08,120 Speaker 1: and he details his alleged encounters with Diddy and his 830 00:40:08,239 --> 00:40:12,560 Speaker 1: then girlfriend Cassie. Clayton Howard claims the duo hired him 831 00:40:12,600 --> 00:40:16,920 Speaker 1: to participate in days long drug fueled sex parties. Now. 832 00:40:16,920 --> 00:40:19,160 Speaker 1: We talked about this when we did earlier episodes about 833 00:40:19,160 --> 00:40:23,080 Speaker 1: the Freakoffs. It was really interesting to have him talk 834 00:40:23,080 --> 00:40:25,720 Speaker 1: about it because he gave a lot of details he confirmed, 835 00:40:25,760 --> 00:40:27,680 Speaker 1: like all the baby oil and how much did he 836 00:40:27,760 --> 00:40:28,600 Speaker 1: love the baby oil. 837 00:40:29,000 --> 00:40:31,440 Speaker 2: We needed confirmation about the baby saw. 838 00:40:31,239 --> 00:40:33,640 Speaker 3: The picture, I know, but just hearing it from side 839 00:40:34,040 --> 00:40:35,000 Speaker 3: confirmed the baby oil. 840 00:40:35,160 --> 00:40:37,920 Speaker 1: Yeah. He claims that he went to see them every 841 00:40:37,960 --> 00:40:40,080 Speaker 1: two to three weeks. I was involved with this for 842 00:40:40,120 --> 00:40:42,440 Speaker 1: a little over eight years, so he was involved in 843 00:40:42,560 --> 00:40:45,640 Speaker 1: doing these sexual freak offs for over eight years. 844 00:40:46,040 --> 00:40:48,680 Speaker 2: He was he was just attending or was he They would. 845 00:40:48,520 --> 00:40:50,960 Speaker 1: Fly him like wherever. I don't know where he was 846 00:40:51,000 --> 00:40:51,440 Speaker 1: based out of. 847 00:40:51,480 --> 00:40:53,839 Speaker 2: I mean he was he was just a guest, right 848 00:40:53,880 --> 00:40:54,560 Speaker 2: he was brought in. 849 00:40:54,719 --> 00:40:58,399 Speaker 1: He had sex with Cassie and he said the first time, 850 00:40:58,520 --> 00:41:00,680 Speaker 1: the first encounter he had, I believed Shaw Combs came 851 00:41:00,680 --> 00:41:02,920 Speaker 1: out with a T shirt wrapped around his head so 852 00:41:02,960 --> 00:41:04,560 Speaker 1: he wouldn't recognize. 853 00:41:04,040 --> 00:41:05,439 Speaker 2: Him around his own head. 854 00:41:05,560 --> 00:41:09,080 Speaker 1: Yeah, because Shawn Combs watched while this sex worker had 855 00:41:09,120 --> 00:41:11,680 Speaker 1: sex with Cassie, but he didn't want him to recognize him, 856 00:41:11,680 --> 00:41:13,279 Speaker 1: so he had a T shirt wrapped around his head, 857 00:41:13,560 --> 00:41:15,360 Speaker 1: which I don't know. I guess he could still see 858 00:41:15,600 --> 00:41:17,160 Speaker 1: he have like holes cut in the T shirt. I 859 00:41:17,200 --> 00:41:17,520 Speaker 1: don't know. 860 00:41:18,080 --> 00:41:18,960 Speaker 2: I don't know either. 861 00:41:19,080 --> 00:41:20,640 Speaker 1: I don't know, but I tell you, the more and 862 00:41:20,680 --> 00:41:21,040 Speaker 1: more I. 863 00:41:20,960 --> 00:41:23,560 Speaker 2: Get, probably a puff Daddy T shirt, also probably with 864 00:41:23,600 --> 00:41:24,040 Speaker 2: his face on. 865 00:41:24,360 --> 00:41:28,680 Speaker 1: Yeah. Howard claimed that during his first alleged freak off 866 00:41:29,000 --> 00:41:30,960 Speaker 1: did he told Cassie to skip a song that was 867 00:41:31,000 --> 00:41:34,000 Speaker 1: playing by Tupac. He also alleged that he spent every 868 00:41:34,040 --> 00:41:35,600 Speaker 1: March ninth with Cassie. 869 00:41:35,280 --> 00:41:38,960 Speaker 3: And Ditty, Get that crap out of here. 870 00:41:38,840 --> 00:41:41,680 Speaker 2: And then that guy died, the one that created the 871 00:41:41,680 --> 00:41:44,480 Speaker 2: playlist foul play disappeared. 872 00:41:44,640 --> 00:41:47,120 Speaker 1: He also alleged that he spent every March ninth with 873 00:41:47,160 --> 00:41:49,040 Speaker 1: Cassie and Diddy, which he believes was a way to 874 00:41:49,040 --> 00:41:52,360 Speaker 1: commemorate the death of the notorious Big so Big was 875 00:41:52,400 --> 00:41:54,520 Speaker 1: murdered on March ninth, so apparently they always had like 876 00:41:54,600 --> 00:41:57,400 Speaker 1: a freak off in his honor on March ninthpect I 877 00:41:57,440 --> 00:42:01,000 Speaker 1: mean as you should, right, yeah, Ring to Howard, Diddy's 878 00:42:01,040 --> 00:42:04,080 Speaker 1: abusive cycle with Cassie became routine at their freak offs. 879 00:42:04,080 --> 00:42:06,200 Speaker 1: Every time she got assaulted, she would run out, but 880 00:42:06,239 --> 00:42:09,359 Speaker 1: she would always come back after disappearing for thirty minutes 881 00:42:09,440 --> 00:42:12,000 Speaker 1: or forty five minutes. Howard recalls that Cassie would return 882 00:42:12,120 --> 00:42:15,960 Speaker 1: like absolutely nothing had happened. Another moment, he describes, they 883 00:42:15,960 --> 00:42:18,439 Speaker 1: started arguing and he punched her dead in the chest. 884 00:42:18,480 --> 00:42:21,960 Speaker 1: She flew across the room. I said, holy shit. Howard's 885 00:42:22,000 --> 00:42:25,200 Speaker 1: most disturbing recollection occurred in Miami during a sexual encounter. 886 00:42:25,320 --> 00:42:27,400 Speaker 1: He says he was hired to participate and I was 887 00:42:27,440 --> 00:42:31,120 Speaker 1: having sex with her when Combs gets jealous. According to him, 888 00:42:31,160 --> 00:42:33,560 Speaker 1: Combs runs and jumps on top of her and then 889 00:42:33,600 --> 00:42:35,759 Speaker 1: started having sex with her. I don't know. It just 890 00:42:35,800 --> 00:42:38,759 Speaker 1: sounds like I don't know why this guy wanted well, 891 00:42:39,239 --> 00:42:42,040 Speaker 1: and this guy that was involved with for eight years, 892 00:42:42,040 --> 00:42:45,320 Speaker 1: oh you should be castrated, y his punishment for eight years. 893 00:42:45,320 --> 00:42:46,920 Speaker 1: This guy is involved in this and he sees this. 894 00:42:47,239 --> 00:42:49,080 Speaker 1: He must be getting paid some. 895 00:42:49,160 --> 00:42:52,600 Speaker 2: To continue to be in the contract in places get paid. 896 00:42:52,640 --> 00:42:54,920 Speaker 1: Yeah, but he's paying those sex workers. I don't think 897 00:42:54,920 --> 00:42:57,640 Speaker 1: he misses those payments. Doesn't He doesn't pay his like 898 00:42:57,760 --> 00:42:59,200 Speaker 1: other people, like. 899 00:42:59,200 --> 00:43:01,040 Speaker 2: His producers don't cut those corners. 900 00:43:01,160 --> 00:43:03,000 Speaker 1: But he definitely pays his sex workers. 901 00:43:03,120 --> 00:43:05,080 Speaker 2: I have a question, Yes, might be out of place, 902 00:43:05,120 --> 00:43:11,440 Speaker 2: but do you think Sting regrets and performing. Holy God, 903 00:43:11,719 --> 00:43:14,799 Speaker 2: because Sting I think is squeaky clean, right, Yeah, I mean, 904 00:43:14,800 --> 00:43:16,640 Speaker 2: at least in the public eye. You know, he's clean, 905 00:43:16,800 --> 00:43:18,399 Speaker 2: So you think he's been at a freak cough. 906 00:43:18,440 --> 00:43:20,759 Speaker 1: I don't know there's a Sting video of staying at 907 00:43:20,800 --> 00:43:21,359 Speaker 1: a freak off. 908 00:43:21,480 --> 00:43:21,960 Speaker 2: I don't know. 909 00:43:22,600 --> 00:43:24,120 Speaker 1: I don't know either, But I thought the same thing 910 00:43:24,120 --> 00:43:27,200 Speaker 1: when they showed that footage of that MTV award or 911 00:43:27,200 --> 00:43:29,239 Speaker 1: wherever it was where he performed that, and they show 912 00:43:29,320 --> 00:43:31,440 Speaker 1: Sting standing there on the stage singing, and then you know, 913 00:43:31,440 --> 00:43:33,600 Speaker 1: Diddy's jumping around in his white outphit and he's doing 914 00:43:33,600 --> 00:43:35,960 Speaker 1: all those crazy dance moves. I thought the same thing. 915 00:43:35,960 --> 00:43:38,719 Speaker 1: I thought. I wonder if Sting watches that now and thinks, man, 916 00:43:38,800 --> 00:43:43,239 Speaker 1: I should have turned that one down. Yeah, Howard, this 917 00:43:43,320 --> 00:43:45,840 Speaker 1: is the sex worker claim. His claims match up with 918 00:43:45,960 --> 00:43:50,120 Speaker 1: Cassie's testimonies of these freak offs. An NBC News article 919 00:43:50,160 --> 00:43:52,800 Speaker 1: reported from the Ditty trials said much of what Cassie 920 00:43:52,880 --> 00:43:56,040 Speaker 1: testified to was graphic, from the sex acts with male 921 00:43:56,160 --> 00:43:59,120 Speaker 1: escorts to the violence, including the fights with combs that 922 00:43:59,200 --> 00:44:01,520 Speaker 1: left her covered in is. I don't know. It was 923 00:44:01,560 --> 00:44:03,400 Speaker 1: sad to hear about that again. But again, you know, 924 00:44:04,000 --> 00:44:06,880 Speaker 1: he also he didn't this sex worker I don't believe 925 00:44:06,880 --> 00:44:09,279 Speaker 1: testified in the trial at all, which I feel like 926 00:44:09,280 --> 00:44:11,000 Speaker 1: maybe he should have. It seemed like he had some 927 00:44:11,239 --> 00:44:12,920 Speaker 1: very in depth knowledge, he was there. 928 00:44:12,719 --> 00:44:13,800 Speaker 2: For years of knowledge. 929 00:44:13,880 --> 00:44:18,520 Speaker 1: I'm not sure why he wasn't subpoena. But again, you know, 930 00:44:18,600 --> 00:44:20,520 Speaker 1: it goes back to where he talks about how all 931 00:44:20,560 --> 00:44:22,480 Speaker 1: these horrible things would happen to Cassie, but then she 932 00:44:22,520 --> 00:44:24,720 Speaker 1: would continue to come back and acted like nothing happened. 933 00:44:24,719 --> 00:44:27,160 Speaker 1: And again, I do believe that's why he was not 934 00:44:27,200 --> 00:44:31,600 Speaker 1: convicted of those higher charges because the jury it was 935 00:44:31,640 --> 00:44:32,239 Speaker 1: hard for them. 936 00:44:32,520 --> 00:44:34,759 Speaker 2: The story that they were told or the story that 937 00:44:34,800 --> 00:44:38,720 Speaker 2: they believed was she was a well. 938 00:44:38,680 --> 00:44:44,279 Speaker 1: It's hard to establish that she was coerced when she 939 00:44:44,800 --> 00:44:45,440 Speaker 1: comes back. 940 00:44:45,560 --> 00:44:48,920 Speaker 2: Yeah, but that that's she kept coming back because she 941 00:44:49,080 --> 00:44:49,800 Speaker 2: was coerced. 942 00:44:50,120 --> 00:44:51,440 Speaker 1: I know, I get it, but I think there were 943 00:44:51,480 --> 00:44:53,400 Speaker 1: times where she could have well, I don't know the 944 00:44:53,400 --> 00:44:54,520 Speaker 1: time she tried to leave the hotel. 945 00:44:55,440 --> 00:44:57,600 Speaker 2: I'm a big believer that people can be trapped and 946 00:44:57,640 --> 00:44:59,279 Speaker 2: it's not easy to just get up and leave. 947 00:45:00,080 --> 00:45:03,200 Speaker 1: Saying from a jury standpoint, it was hard to establish 948 00:45:03,560 --> 00:45:08,600 Speaker 1: Rico and the other sexual charges because of the coercion, 949 00:45:08,760 --> 00:45:10,840 Speaker 1: and then I think a lot of the jurors felt 950 00:45:11,000 --> 00:45:14,880 Speaker 1: like it was a two way street, like she kept returning. 951 00:45:15,040 --> 00:45:18,640 Speaker 1: So the jurors that were interviewed in this docuseries, they 952 00:45:18,640 --> 00:45:21,000 Speaker 1: interviewed two of the jurors from the Ditty trial. In 953 00:45:21,040 --> 00:45:23,600 Speaker 1: the docuseries, two jurors talked about the trial and verdict, 954 00:45:23,719 --> 00:45:26,200 Speaker 1: with Juror seventy five saying he believes one hundred percent 955 00:45:26,280 --> 00:45:30,200 Speaker 1: that justice was served. When discussing Ditty and Cassie's relationship, 956 00:45:30,239 --> 00:45:32,759 Speaker 1: he called them overly in love and was confused by 957 00:45:32,840 --> 00:45:36,359 Speaker 1: how quickly the couple seemed to reconcile. The very next day, 958 00:45:36,400 --> 00:45:39,280 Speaker 1: They're getting back together and exchanging text messages like nothing 959 00:45:39,320 --> 00:45:42,120 Speaker 1: ever happened. So that was, you know what I was saying. 960 00:45:42,800 --> 00:45:45,440 Speaker 1: When asked by a producer if Combs was a violent person, 961 00:45:45,560 --> 00:45:50,279 Speaker 1: Juror one sixty replied, based on that intercontinental video, he 962 00:45:50,400 --> 00:45:54,000 Speaker 1: can be unforgivable. Honestly, you can't beat that small girl 963 00:45:54,080 --> 00:45:56,520 Speaker 1: like that the way he did, but domestic violence wasn't 964 00:45:56,640 --> 00:46:00,440 Speaker 1: one of the charges. Juror one sixty identified her self 965 00:46:00,840 --> 00:46:03,840 Speaker 1: as someone from that generation who basically grew up listening 966 00:46:03,880 --> 00:46:06,000 Speaker 1: to the music that he was involved, and you could 967 00:46:06,040 --> 00:46:08,440 Speaker 1: tell she was a fan. I think they put I 968 00:46:08,440 --> 00:46:11,120 Speaker 1: think they pulled those two jurors and they interviewed them 969 00:46:11,160 --> 00:46:13,440 Speaker 1: for the docu series. Because the one man had no 970 00:46:13,480 --> 00:46:17,040 Speaker 1: idea who Sean Combs was. You could tell he was 971 00:46:17,160 --> 00:46:19,680 Speaker 1: he wasn't. He didn't listen to music in that genre. 972 00:46:19,760 --> 00:46:21,960 Speaker 1: He had no idea who he was. You know. He 973 00:46:22,120 --> 00:46:24,719 Speaker 1: said that he could like he had trouble convicting him 974 00:46:24,719 --> 00:46:26,640 Speaker 1: of the higher charges because he felt like they just 975 00:46:26,719 --> 00:46:31,200 Speaker 1: reconciled quickly, and she always came back and he made sense, 976 00:46:31,280 --> 00:46:34,719 Speaker 1: like I felt like he was explained. He explained himself. Well, 977 00:46:34,840 --> 00:46:37,160 Speaker 1: then the other juror, she was a super fan. There 978 00:46:37,200 --> 00:46:39,279 Speaker 1: was no doubt about that. She had listened to the music. 979 00:46:39,400 --> 00:46:41,239 Speaker 1: She knew all the band. She was like, I knew 980 00:46:41,239 --> 00:46:42,960 Speaker 1: this band and this band and all these bands that 981 00:46:43,000 --> 00:46:46,000 Speaker 1: he created. So after the documentary aired, there was a 982 00:46:46,000 --> 00:46:48,040 Speaker 1: photo of a woman with Diddy from years ago that 983 00:46:48,120 --> 00:46:52,240 Speaker 1: went viral, with many people mistakingly identifying her as Juror 984 00:46:52,239 --> 00:46:55,680 Speaker 1: one sixty and accusing the juror of lying about not 985 00:46:55,800 --> 00:46:59,240 Speaker 1: being a fan. But now a woman named Winter Mitchell 986 00:46:59,600 --> 00:47:02,160 Speaker 1: Roorb has spoken out and said that she is actually 987 00:47:02,160 --> 00:47:03,799 Speaker 1: the woman in the photo with Ditty and not the 988 00:47:03,880 --> 00:47:07,680 Speaker 1: juror in question. She wrote on X I am not 989 00:47:08,040 --> 00:47:11,040 Speaker 1: the juror. Wow, so we know that she wasn't the 990 00:47:11,080 --> 00:47:13,799 Speaker 1: woman in the photo. However, I do stand. 991 00:47:13,520 --> 00:47:16,000 Speaker 2: By her being a superfan, her being a superfan. 992 00:47:16,080 --> 00:47:17,799 Speaker 1: I think that she was a superfan. I think that 993 00:47:17,840 --> 00:47:19,840 Speaker 1: she was obsessed with Ditty. I think that she was 994 00:47:19,920 --> 00:47:21,839 Speaker 1: a super fan from when she was young. She loved 995 00:47:21,840 --> 00:47:24,520 Speaker 1: the music, all the band, she watched it all. And 996 00:47:24,600 --> 00:47:27,520 Speaker 1: I don't know if you get an impartial juror jury 997 00:47:27,600 --> 00:47:28,880 Speaker 1: when you have someone on. 998 00:47:28,800 --> 00:47:30,840 Speaker 2: The jury like that, so unlikely. 999 00:47:31,280 --> 00:47:34,680 Speaker 1: Then, lastly, let's just talk about Capricorn Clark. That she 1000 00:47:34,960 --> 00:47:40,200 Speaker 1: was Ditty's assistant for many many years, former assistant, and 1001 00:47:40,280 --> 00:47:43,520 Speaker 1: she also testified in the trial. Capricorn Clark, who started 1002 00:47:43,560 --> 00:47:47,000 Speaker 1: as Ditty's assistant before becoming the global brand director for 1003 00:47:47,080 --> 00:47:49,880 Speaker 1: Bad Boy Entertainment, claims that Ditty threatened her with death 1004 00:47:49,880 --> 00:47:52,040 Speaker 1: on her first day of the job and later kidnapped 1005 00:47:52,040 --> 00:47:54,000 Speaker 1: her a gunpoint to join him in an effort to 1006 00:47:54,080 --> 00:47:56,520 Speaker 1: kill rapper Kid Cutty. Now we talked about this in 1007 00:47:56,560 --> 00:47:58,960 Speaker 1: earlier episodes. If you remember kid Cutty, he was having 1008 00:47:59,000 --> 00:48:01,560 Speaker 1: an affair I guess with Cassie. 1009 00:48:01,520 --> 00:48:03,920 Speaker 2: Is that the one that was that blew up? 1010 00:48:04,000 --> 00:48:08,200 Speaker 1: Yeah? And then then so allegedly P Diddy went to 1011 00:48:08,239 --> 00:48:11,000 Speaker 1: Capricorn's house, grabbed her by a gun, put her in 1012 00:48:11,040 --> 00:48:14,160 Speaker 1: the car. They drove to Kid Cuddies. Kid Cutty wasn't there. 1013 00:48:14,239 --> 00:48:17,280 Speaker 1: I guess he said his porche on fire allegedly broke 1014 00:48:17,320 --> 00:48:19,759 Speaker 1: into his house. And then this jury that I was 1015 00:48:19,760 --> 00:48:21,759 Speaker 1: talking about that was the superfan said that she didn't 1016 00:48:21,760 --> 00:48:24,640 Speaker 1: find any of that believable, and I'm thinking, how how 1017 00:48:24,680 --> 00:48:26,719 Speaker 1: do you? How have you sat in this on this 1018 00:48:26,880 --> 00:48:30,799 Speaker 1: jury for all these weeks and listened to all this 1019 00:48:30,960 --> 00:48:34,080 Speaker 1: testimony and saw the video, but then said, you know what, 1020 00:48:34,560 --> 00:48:37,879 Speaker 1: There's no way that man did that because. 1021 00:48:37,560 --> 00:48:39,680 Speaker 2: She was just staring at him the whole time. 1022 00:48:39,840 --> 00:48:44,040 Speaker 1: Yeah, Capricorn Clark worked for Ditty in the early stages 1023 00:48:44,080 --> 00:48:46,240 Speaker 1: of his career and saw him and his brand evolved 1024 00:48:46,239 --> 00:48:48,840 Speaker 1: in real time. She drew an interesting analogy in the 1025 00:48:48,840 --> 00:48:51,680 Speaker 1: docu saries to describe him, which speaks on feeding the 1026 00:48:51,719 --> 00:48:53,920 Speaker 1: two wolves. I actually really liked this. I thought this 1027 00:48:54,040 --> 00:48:56,720 Speaker 1: was really intelligent when she said this, and it really 1028 00:48:57,080 --> 00:49:00,080 Speaker 1: spoke to me. Have you ever heard that analogy of 1029 00:49:00,120 --> 00:49:03,359 Speaker 1: the two wolves it's actually a Native American it comes 1030 00:49:03,360 --> 00:49:06,719 Speaker 1: from Native American mythology or something, but it's an The 1031 00:49:06,719 --> 00:49:09,920 Speaker 1: story goes an elder tells his grandson about two wolves 1032 00:49:10,560 --> 00:49:16,080 Speaker 1: fighting inside him, one representing goodness, which is love, empathy, courage, joy, 1033 00:49:16,120 --> 00:49:21,880 Speaker 1: et cetera, and the other wolf representing evil, which is anger, greed, fear, jealousy. 1034 00:49:22,320 --> 00:49:26,080 Speaker 1: The grandson asks which wolf wins at the fight, and 1035 00:49:26,120 --> 00:49:29,560 Speaker 1: the elder replies, the one you feed. I thought that 1036 00:49:29,600 --> 00:49:32,320 Speaker 1: was really interesting, and so she makes that analogy because 1037 00:49:32,320 --> 00:49:35,000 Speaker 1: she says that she feels like when she was his 1038 00:49:35,080 --> 00:49:37,680 Speaker 1: assistant and the people that were around him at that time, 1039 00:49:38,280 --> 00:49:41,000 Speaker 1: they knew that there were the two wolves struggling, but 1040 00:49:41,120 --> 00:49:43,520 Speaker 1: she says that she felt like they did. They were 1041 00:49:43,520 --> 00:49:45,719 Speaker 1: trying to feed the good wolf, and that's why that's 1042 00:49:45,719 --> 00:49:48,239 Speaker 1: when he was progressing. And that's when I guess, I 1043 00:49:48,239 --> 00:49:50,719 Speaker 1: don't know, but I think she feels like they were 1044 00:49:50,719 --> 00:49:53,120 Speaker 1: working towards feeding the good wolf to keep him on 1045 00:49:53,160 --> 00:49:55,799 Speaker 1: the straight and narrow. But then once she was gone 1046 00:49:55,840 --> 00:49:57,560 Speaker 1: and other people were involved in his life and he 1047 00:49:57,600 --> 00:49:59,879 Speaker 1: was surrounding himself with other people, those other people were 1048 00:50:00,480 --> 00:50:02,680 Speaker 1: the bad wolf, and that's when you just got an 1049 00:50:03,239 --> 00:50:07,359 Speaker 1: I like that analogy feeding. Oh my gosh, well, I 1050 00:50:07,440 --> 00:50:09,360 Speaker 1: really thought about that when I read this, because I 1051 00:50:09,400 --> 00:50:10,959 Speaker 1: really love this analogy, and I. 1052 00:50:10,880 --> 00:50:13,520 Speaker 2: Thought, I gotta come, are you feeding well? 1053 00:50:13,560 --> 00:50:15,960 Speaker 1: I feed both at times. I think we all do, right, 1054 00:50:16,040 --> 00:50:18,960 Speaker 1: But the point okay, because you're perfect, But I think 1055 00:50:19,000 --> 00:50:21,439 Speaker 1: the point is you said it is to focus on 1056 00:50:21,560 --> 00:50:24,000 Speaker 1: feeding the good wolf. Right. It's to not give in 1057 00:50:24,239 --> 00:50:26,680 Speaker 1: to fear and insecurity and ask. 1058 00:50:27,280 --> 00:50:30,600 Speaker 2: What peaceful warriors? The battles I fight are the ones 1059 00:50:30,640 --> 00:50:33,920 Speaker 2: on the inside on the outside. 1060 00:50:33,560 --> 00:50:37,440 Speaker 1: Right, Yes, I like my wolf analogy, you like peaceful warrior. 1061 00:50:37,680 --> 00:50:40,799 Speaker 1: But I think my takeaway from that was to wake 1062 00:50:40,880 --> 00:50:43,880 Speaker 1: up every day and feed the good wolf. So we 1063 00:50:43,960 --> 00:50:46,440 Speaker 1: will end that. We will end that episode on feeding 1064 00:50:46,480 --> 00:50:48,160 Speaker 1: the good wolf. That's our advice to all of our 1065 00:50:48,200 --> 00:50:50,040 Speaker 1: listeners out there is to wake up every day, look 1066 00:50:50,040 --> 00:50:53,000 Speaker 1: in the mirror, and feed the good wolf. Because nobody 1067 00:50:53,239 --> 00:50:54,719 Speaker 1: wants to be like p. 1068 00:50:54,880 --> 00:50:57,840 Speaker 2: Diddy, So don't be a diddy, don't be a ditty. 1069 00:50:58,200 --> 00:51:00,319 Speaker 1: All right, Thank you guys so much for listening. We 1070 00:51:00,400 --> 00:51:02,719 Speaker 1: appreciate it. And again we're on our own feed called 1071 00:51:02,760 --> 00:51:04,880 Speaker 1: legally Brunette, so please make sure that you follow us 1072 00:51:04,960 --> 00:51:07,680 Speaker 1: there and you can leave a review Also, I love 1073 00:51:07,719 --> 00:51:09,520 Speaker 1: your feedback, so if you want to DM me about 1074 00:51:09,520 --> 00:51:12,280 Speaker 1: the episodes or any cases that you think are interesting, 1075 00:51:12,400 --> 00:51:15,439 Speaker 1: I love to read what you guys suggest and also 1076 00:51:15,480 --> 00:51:18,239 Speaker 1: your feedback on our podcast. So thank you so much 1077 00:51:18,239 --> 00:51:19,920 Speaker 1: for listening. We really appreciate you. 1078 00:51:20,120 --> 00:51:20,400 Speaker 2: Thank you,