WEBVTT - Nom du Père

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<v Speaker 1>Family Secrets is a production of I Heart radiom. My

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<v Speaker 1>mother kept secrets and spoke to me in a kind

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<v Speaker 1>of code. Nothing was straightforward. From childhood. I had to

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<v Speaker 1>figure out how to read her mind too intuite the

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<v Speaker 1>contours of her reality. If I developed empathy at first,

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<v Speaker 1>it wasn't so much a way to find connection as

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<v Speaker 1>a survival strategy. My parents gave me burdens in childhood

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<v Speaker 1>that I honed into gifts. That's Sherry Turkle. Sherry is

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<v Speaker 1>a professor at m I T, where she is also

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<v Speaker 1>founding director of the m I T Initiative on Technology

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<v Speaker 1>and Self. Her most recent book is The Empathy Diaries,

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<v Speaker 1>a memoir. Sherry's is a layered story of many secrets

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<v Speaker 1>and swumming at the center of them all, a massive

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<v Speaker 1>secret she is asked to keep from the time she's

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<v Speaker 1>a a small child, one that slices to the core

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<v Speaker 1>of her identity. I'm Danny Shapiro, and this is family secrets,

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<v Speaker 1>the secrets that are kept from us, the secrets we

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<v Speaker 1>keep from others, and the secrets we keep from ourselves.

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<v Speaker 1>There were two landscapes of my childhood. There was a

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<v Speaker 1>Brooklyn landscape and a Rockaway landscape. We lived in Brooklyn,

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<v Speaker 1>in the Flatbush section of Brooklyn, which were wonderful streets

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<v Speaker 1>with grocery stores and hardware stores and five and dimes

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<v Speaker 1>and richly textured urban environment. We lived near Prospect Park, Okay,

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<v Speaker 1>so there was a playground and great grounds. And Brooklyn

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<v Speaker 1>of my youth was a wonderful place for children. We

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<v Speaker 1>bounced balls and played Jack's on the sidewalk, and there

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<v Speaker 1>were hardly any cars, and it was really a very

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<v Speaker 1>idyllic street life, a kind of urban street life. It

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<v Speaker 1>made me love the texture of city life. But in

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<v Speaker 1>the house, the boundaries of our home, it was a

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<v Speaker 1>life where no strangers were allowed in the house. On

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<v Speaker 1>the other hand, at Rockaway, where we went in the summer,

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<v Speaker 1>we had the beach Um. Rockaway was very close to Brooklyn.

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<v Speaker 1>We went to the end of Church Avenue, and very

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<v Speaker 1>soon you were crossing a bridge and you were in

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<v Speaker 1>this state of land that was a world away from Brooklyn,

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<v Speaker 1>a kind of summer retreat for lower middle class of

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<v Speaker 1>working people in New York City. I think we paid

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<v Speaker 1>eighty dollars a season for our bungalow. In this bungalow colony,

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<v Speaker 1>you'd have eight or ten bungalows, five facing each other,

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<v Speaker 1>with a court that had three cement pavers that made

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<v Speaker 1>up this courtyard. And the social life of the summer

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<v Speaker 1>was organized around these ten bungalows in this court. And

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<v Speaker 1>there would be fireworks on the boardwalk on Wednesday, and

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<v Speaker 1>there would be maybe a party in the court once

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<v Speaker 1>a week, and that you played with the children in

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<v Speaker 1>the court. There was a generational thing where the older

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<v Speaker 1>people in the court watched the babies, you know, and

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<v Speaker 1>the teenager babies that for the younger children, and everybody

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<v Speaker 1>played majong, and everybody played cards. We amused each other

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<v Speaker 1>by singing to each other. It was really quite another time,

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<v Speaker 1>and this would have been in the in the fifties.

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<v Speaker 1>Again we had a court, we had neighbors. It was

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<v Speaker 1>a much more social world. But my grandparents were intensely

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<v Speaker 1>private and the life of our family was really enclosed

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<v Speaker 1>in the world of our family. So even though we

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<v Speaker 1>lived in a beach setting, we knew all the people

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<v Speaker 1>in that little court. No one came onto our porch

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<v Speaker 1>or into our home. We spoke porch to porch. So

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<v Speaker 1>my childhood was a combination of seeing people in social

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<v Speaker 1>spaces on the street, but really understanding that my family

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<v Speaker 1>was very turned inwards and lived a life of secrets

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<v Speaker 1>and privacy and almost kind of hyper vigilance, as though

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<v Speaker 1>we had secrets to hide, and we were just in

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<v Speaker 1>our family and didn't let people in. This not allowing

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<v Speaker 1>strangers in or anyone else in and staying on your

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<v Speaker 1>porch and talking to other people from that distance, was

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<v Speaker 1>that particular to you. I always knew that we were

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<v Speaker 1>special because we were keeping secrets. The secrets in Sherry's

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<v Speaker 1>family started out relatively small. The lies seemingly innocuous and silly,

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<v Speaker 1>stuff like her mother lied about her height or her age.

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<v Speaker 1>One time, her mom tried to pass off a store

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<v Speaker 1>bought knit beret a gift to Sherry, as something she

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<v Speaker 1>had knit herself. Even as a child, Sherry had the

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<v Speaker 1>sense that something was off. She knew she couldn't totally

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<v Speaker 1>trust the things her mother said or did. My world

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<v Speaker 1>of secrets begins with my mother's character and my mother's ability,

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<v Speaker 1>which I understood in so many ways, um to live

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<v Speaker 1>in the truth that pleased her. So for example, she

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<v Speaker 1>was five eleven or perhaps six ft tall. She was

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<v Speaker 1>very tall, and she didn't make her peace with that

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<v Speaker 1>until she found out that said Teris was five eleven,

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<v Speaker 1>and then somehow she admitted to me that she was

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<v Speaker 1>five eleven. She explained to me that when she was

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<v Speaker 1>a single woman, every time she went to get her

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<v Speaker 1>license renewed, she would explain to the women at the

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<v Speaker 1>Bureau of Motor Vehicles that she needed to shave some

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<v Speaker 1>inches off her height, because a single woman shouldn't be

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<v Speaker 1>five eleven. It's easier to get a husband if you

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<v Speaker 1>were five ten, or five nine or five eight. I

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<v Speaker 1>never quite understood that, but she had gotten herself down

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<v Speaker 1>to five seven, which was preposterous. By the time she died,

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<v Speaker 1>I actually looked in her handbag. I mean she was

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<v Speaker 1>down to five seven, which, as I say, was preposterous

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<v Speaker 1>because she was a beautiful, tall, magnificent woman. And she

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<v Speaker 1>had also gotten her age down to kind of a

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<v Speaker 1>permanent twenty nine. She was twenty nine when she married

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<v Speaker 1>my father, and she was twenty nine six years later

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<v Speaker 1>when she when she married her second husband. And again

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<v Speaker 1>the way this was done, which was kind of by

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<v Speaker 1>just explaining to the women at the registrate for motor vehicles,

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<v Speaker 1>you know that she just needed to be younger to

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<v Speaker 1>catch a husband, or to not far to make her

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<v Speaker 1>husband feel more comfortable with her age. I don't know

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<v Speaker 1>how she did it, but she aged very little. According

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<v Speaker 1>to the records the New York Records Department, the film

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<v Speaker 1>she told about the hat is particularly interesting, and there

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<v Speaker 1>was I have a very clear memory of her coming

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<v Speaker 1>to pick me up. I was at my grandparents house

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<v Speaker 1>and she shows me this white hat that she's this

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<v Speaker 1>little knit hat that she said she had knit for me,

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<v Speaker 1>and I had seen it in a five and ten

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<v Speaker 1>store near my grandparents home, and I knew she hadn't knitted,

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<v Speaker 1>and I didn't know what to do. I was kind

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<v Speaker 1>of paralyzed because I didn't understand, you know. I think

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<v Speaker 1>I said thank you, but it upset me for years

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<v Speaker 1>and years and years, this lie and seeing her as

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<v Speaker 1>as somebody who would tell lies that I couldn't understand.

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<v Speaker 1>I couldn't understand their meaning or why. I kind of

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<v Speaker 1>understood why she wanted to be shorter or younger, but

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<v Speaker 1>why this hat, Why the hat. Indeed, what Sherry couldn't

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<v Speaker 1>have realized at the time when she was given that

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<v Speaker 1>hat at the age of eight, was that her mother

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<v Speaker 1>had been coming from a doctor's appointment at which she

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<v Speaker 1>had received a scary diagnosis. So when she was coming

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<v Speaker 1>home from the doctor to pick Sherry up from her

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<v Speaker 1>grandparents house, she saw the knit cap at the five

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<v Speaker 1>and dime and decided to bring her daughter a gift.

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<v Speaker 1>But what came out of her mouth when she presented it,

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<v Speaker 1>perhaps as a way of connecting with Sherry during a

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<v Speaker 1>worrying time, was I made this for you. I'm so

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<v Speaker 1>struck by your mother's fantasies and her aspirations, but more

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<v Speaker 1>than anything, her ability to bend the world to her will.

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<v Speaker 1>She wanted to be a mother who would have knit

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<v Speaker 1>that cap for you, So she became that in that moment.

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<v Speaker 1>My guess is that she was not aware at all

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<v Speaker 1>that she was lying. In that moment, she just decided

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<v Speaker 1>that that was so, the same way she decided she

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<v Speaker 1>wasn't five eleven, or that she was twenty nine. Yes. Yes,

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<v Speaker 1>in these moments, she was taken up by how she

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<v Speaker 1>wanted the world to be. I think that's exactly right,

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<v Speaker 1>that she was capable of becoming house she wanted to

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<v Speaker 1>could be, and being the person she wanted to be.

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<v Speaker 1>You know, in technical terms, they say that you know

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<v Speaker 1>the neurotic style of hysteric is that they believe their wish,

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<v Speaker 1>the lies they tell is the deepest possible wish. And

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<v Speaker 1>I think that these wishes really structured her, her character,

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<v Speaker 1>These wishes for herself, these wishes for me, really became

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<v Speaker 1>who she was, really became who she was. It's striking

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<v Speaker 1>me too that you know, when you were a child,

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<v Speaker 1>you lived in a Kosher style um and what that

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<v Speaker 1>meant was that in the home there wasn't work, and

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<v Speaker 1>there wasn't shrimp, and you know, there wasn't seafood and

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<v Speaker 1>milk and dairy and meat would be I suppose not

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<v Speaker 1>eaten together. But when you would go out, particularly on Sundays,

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<v Speaker 1>the Jewish ritual of going out for Chinese food on Sundays,

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<v Speaker 1>that you know, all bets were off, like apparently in

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<v Speaker 1>Chinese restaurants, pork was okay. Yes, these were my grandmother's

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<v Speaker 1>ways putting the world together. But the Kosher laws meant

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<v Speaker 1>was what you did in your home is where these

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<v Speaker 1>kosher laws applied. And then what you did outside that

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<v Speaker 1>was a completely different story. None of the rules needed

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<v Speaker 1>to apply there, so pork on the outside didn't count

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<v Speaker 1>as breaking the rules. And again it's making the world

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<v Speaker 1>fit the way you want the world to be. It's

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<v Speaker 1>very my family. In my family, certainly people constructed the

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<v Speaker 1>world the way they wanted it to be. Beyond knit

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<v Speaker 1>hats and secret pork, the greatest secret at the center

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<v Speaker 1>of Sherry's childhood was her her own identity, her very name.

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<v Speaker 1>My name was Sherry Zimmerman, and I hadn't seen that

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<v Speaker 1>name or heard that name really until I started school,

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<v Speaker 1>and legally that name had to be on a piece

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<v Speaker 1>of paper. But I was just part of the Bonnerwits clan,

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<v Speaker 1>which was my family name by my grandparents name. My

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<v Speaker 1>mother had divorced my father, whose name was Charles Zimmerman,

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<v Speaker 1>and when she went back to live with her parents,

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<v Speaker 1>Robert and Edith Bonnowitz, I was just Erry. I was

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<v Speaker 1>told that I was never to mention my father or

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<v Speaker 1>his name. They were constructing a world in which, because

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<v Speaker 1>your mother was divorced when you were very young, and

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<v Speaker 1>divorce was quite uncommon in that milieu, that somehow simply

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<v Speaker 1>you didn't have a father, and you weren't allowed to

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<v Speaker 1>speak or even know anything really about this mysterious person

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<v Speaker 1>and who had been your father and had briefly been

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<v Speaker 1>your mother's husband. His name was never said. I knew

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<v Speaker 1>not to say it or ask anything. It was one

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<v Speaker 1>of those things that it was completely foreclosed. It was

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<v Speaker 1>not you know, it was not like you could ask

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<v Speaker 1>a question and be told we're not talking about that.

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<v Speaker 1>You just knew not to ask. We'll be back in

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<v Speaker 1>a moment with more family secrets. Sherry's mother remarries a

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<v Speaker 1>man named Milton Turkle, and together they have two children.

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<v Speaker 1>These kids think that Sherry is their biological sister, while

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<v Speaker 1>Sherry silently carries the truth of where she comes from.

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<v Speaker 1>So often when secrets are kept, there are times when

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<v Speaker 1>one is asked to become a secret keeper, and you're

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<v Speaker 1>at child, you're being told you must keep something as

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<v Speaker 1>fundamental as your name a secret, and you live in

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<v Speaker 1>fear of slipping up. There are a few incidents, were

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<v Speaker 1>a few moments when I do slip up. Not many,

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<v Speaker 1>but there's one in particular when I do. And it's

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<v Speaker 1>at a girl scout meeting and we're going around, and

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<v Speaker 1>you know, we're asked to say our name, and I

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<v Speaker 1>say that my name is Sherry Zimmerman, and my mother

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<v Speaker 1>is stricken. She clearly doesn't know what to do. I mean,

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<v Speaker 1>it isn't that she's angry. Of course she is angry,

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<v Speaker 1>but more than angry, I've outed her. She doesn't know

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<v Speaker 1>what to do. Looking back, I have pity on myself

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<v Speaker 1>actually because I realized the terrible weight that I was holding,

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<v Speaker 1>because when I slipped up, the pain that I caused

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<v Speaker 1>was terrible, and the pain being uttering your real name. Yes,

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<v Speaker 1>I mean that the gesture was so tiny, it's so

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<v Speaker 1>natural that I did it. I meant no harm. You know,

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<v Speaker 1>I was tired. It was an evening to meeting, and

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<v Speaker 1>i'd all day. I had been Sherry' Zimmerman at the

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<v Speaker 1>school that was kind of out of the way, and

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<v Speaker 1>you know, I was sort of sent to a school

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<v Speaker 1>as far away as possible from from where our social

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<v Speaker 1>life was. And yet at this meeting, I don't know.

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<v Speaker 1>I just said the truth, and the truth was it

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<v Speaker 1>was an impossible truth. It was truly a secret. I

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<v Speaker 1>mean it wasn't like a little secret. It was a

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<v Speaker 1>secret that would fracture this family that was built on

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<v Speaker 1>a lie. And I really have such pity and compassion

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<v Speaker 1>for myself and for her, who couldn't make a life

0:15:53.520 --> 0:15:56.520
<v Speaker 1>where this could be known, who felt that she couldn't

0:15:56.560 --> 0:16:00.520
<v Speaker 1>do that. It's so interesting too that you did have

0:16:00.600 --> 0:16:04.640
<v Speaker 1>that slip. It was in front of your mother. Could

0:16:04.720 --> 0:16:06.800
<v Speaker 1>it could have been somewhere else, It could have been

0:16:07.320 --> 0:16:09.680
<v Speaker 1>in some other circumstance where your mother hadn't been in

0:16:09.680 --> 0:16:12.640
<v Speaker 1>the room, But it happened when your mother was in

0:16:12.720 --> 0:16:18.120
<v Speaker 1>the room. Yes, and many psychoanalyzes later. I mean I thought,

0:16:18.720 --> 0:16:21.840
<v Speaker 1>on some level, was that an act of rebellion. I'll

0:16:21.920 --> 0:16:25.560
<v Speaker 1>never know, but there's there's obviously some part of that

0:16:26.240 --> 0:16:31.960
<v Speaker 1>could have been wanting to somehow have some moment of

0:16:32.040 --> 0:16:35.840
<v Speaker 1>truth with her. But what happened, Danny, what happened and

0:16:35.960 --> 0:16:40.160
<v Speaker 1>was so telling, was that she didn't yell at me.

0:16:40.760 --> 0:16:43.680
<v Speaker 1>She didn't speak of it. We didn't speak for I

0:16:43.720 --> 0:16:47.040
<v Speaker 1>think two weeks. And this was a woman who was

0:16:47.200 --> 0:16:50.120
<v Speaker 1>talking to me all the time. I you know, we

0:16:50.120 --> 0:16:53.280
<v Speaker 1>were talking and talking in our you know, our way

0:16:53.320 --> 0:16:56.320
<v Speaker 1>of relating was to tell stories and talk. I mean,

0:16:56.360 --> 0:16:59.200
<v Speaker 1>I got my love of language from my mother. She

0:16:59.280 --> 0:17:03.520
<v Speaker 1>couldn't to me for two weeks, and it wasn't really

0:17:04.640 --> 0:17:08.560
<v Speaker 1>in anger. It was really because she didn't know what

0:17:08.720 --> 0:17:14.600
<v Speaker 1>to say. This was so fundamental, this secret was so fundamental.

0:17:14.640 --> 0:17:17.199
<v Speaker 1>I mean, she i don't think she knew how to

0:17:17.280 --> 0:17:20.520
<v Speaker 1>handle it. In her circle. She was my troop leader.

0:17:20.800 --> 0:17:23.639
<v Speaker 1>She was the leader of this girl's got true. And

0:17:23.680 --> 0:17:26.520
<v Speaker 1>I think it really raised the question for her as

0:17:26.560 --> 0:17:28.600
<v Speaker 1>to whether or not she was going to start to

0:17:28.640 --> 0:17:31.880
<v Speaker 1>tell people or And I think what happened was that

0:17:31.920 --> 0:17:34.479
<v Speaker 1>people sort of start, you know, put two and two together,

0:17:34.600 --> 0:17:37.040
<v Speaker 1>and they sort of I think this was a secret

0:17:37.160 --> 0:17:41.879
<v Speaker 1>that many people knew about. But she just let people

0:17:42.160 --> 0:17:46.560
<v Speaker 1>assume what they wanted to and never confronted him. After

0:17:46.640 --> 0:17:50.080
<v Speaker 1>Sherry is not so Freudian slip, Milton and Sherry's mother

0:17:50.160 --> 0:17:54.080
<v Speaker 1>decide it's time to pursue Sherry's official adoption, for her

0:17:54.119 --> 0:17:57.720
<v Speaker 1>to take Milton's name. That will make things simpler, right,

0:17:58.960 --> 0:18:02.719
<v Speaker 1>But there's this all matter of Charles Zimmerman, who objects

0:18:02.920 --> 0:18:06.960
<v Speaker 1>to the adoption and insists on seeing her. Sherry visits

0:18:06.960 --> 0:18:10.040
<v Speaker 1>her biological father a few times until her mother puts

0:18:10.080 --> 0:18:13.480
<v Speaker 1>a stop to the visits. Of course, Sherry yearns to

0:18:13.480 --> 0:18:16.439
<v Speaker 1>know him. At the custody hearing, the judge turns to

0:18:16.480 --> 0:18:19.280
<v Speaker 1>her and asks the question, do you love your father?

0:18:22.280 --> 0:18:25.439
<v Speaker 1>I was afraid to say no, I don't love my father.

0:18:25.840 --> 0:18:27.960
<v Speaker 1>I mean I didn't want to never see him again.

0:18:28.320 --> 0:18:31.520
<v Speaker 1>So I said, yes, I love him, and then I

0:18:31.520 --> 0:18:36.000
<v Speaker 1>immediately saw my mother turn her face away since this

0:18:36.119 --> 0:18:39.320
<v Speaker 1>was just it was like the worst thing that I

0:18:39.320 --> 0:18:43.080
<v Speaker 1>could have said. And so the judge then says, go

0:18:43.200 --> 0:18:47.560
<v Speaker 1>over and kiss him. And I made to kiss Charles Zimmerman,

0:18:48.720 --> 0:18:51.639
<v Speaker 1>and that I look again at my mother, who's again

0:18:52.520 --> 0:18:58.680
<v Speaker 1>averting her eyes, and I'm taken out of the room.

0:18:58.720 --> 0:19:04.040
<v Speaker 1>This was actually one of the for me, most terrible

0:19:04.080 --> 0:19:07.639
<v Speaker 1>incidents of my childhood, because what had taught me is

0:19:07.680 --> 0:19:12.120
<v Speaker 1>that you have a decision. Any choice is the wrong choice,

0:19:12.840 --> 0:19:16.240
<v Speaker 1>because if I had said I didn't love Charles Immerman,

0:19:16.280 --> 0:19:19.439
<v Speaker 1>I would never have seen my father again. And if

0:19:19.480 --> 0:19:23.920
<v Speaker 1>I said I loved him, well, my mother was stricken.

0:19:24.880 --> 0:19:26.720
<v Speaker 1>And it turned out that I didn't get to see

0:19:26.800 --> 0:19:29.800
<v Speaker 1>Charles Zimmerman much. I saw him maybe once or twice again,

0:19:30.400 --> 0:19:32.800
<v Speaker 1>and then my mother found another way to put a

0:19:32.800 --> 0:19:36.359
<v Speaker 1>stop to it. I mean, my mother was determined that

0:19:36.440 --> 0:19:39.800
<v Speaker 1>I would not see him very much. She had her

0:19:39.800 --> 0:19:43.200
<v Speaker 1>own reasons to be frightened at him, which I learned later.

0:19:44.720 --> 0:19:48.199
<v Speaker 1>Remember how Sherry's mother had received a frightening diagnosis just

0:19:48.400 --> 0:19:52.120
<v Speaker 1>before buying her that knit hat, Well, that was yet

0:19:52.160 --> 0:19:57.159
<v Speaker 1>another family secret, the secret of her mother's cancer. It

0:19:57.280 --> 0:19:59.520
<v Speaker 1>was very common in those days to hide illness from

0:19:59.600 --> 0:20:03.480
<v Speaker 1>children and even other family members. Doctors and the medical

0:20:03.560 --> 0:20:08.200
<v Speaker 1>establishment believed this was for the best. Sherry's mother receives

0:20:08.200 --> 0:20:12.360
<v Speaker 1>a mass ectomy and undergoes treatment. The Cherry doesn't know

0:20:12.800 --> 0:20:18.000
<v Speaker 1>or see. You write something that I was particularly taken with,

0:20:18.280 --> 0:20:20.960
<v Speaker 1>which is when we don't want to know the truth,

0:20:21.040 --> 0:20:24.080
<v Speaker 1>we don't hear the truth spoken to us, or we

0:20:24.160 --> 0:20:27.119
<v Speaker 1>don't see what's playing as a day in front of

0:20:27.119 --> 0:20:31.240
<v Speaker 1>our eyes because we can't afford to yes. That whole

0:20:31.480 --> 0:20:34.560
<v Speaker 1>story of my mother's cancer and how it unfolded, which

0:20:34.600 --> 0:20:38.520
<v Speaker 1>really was over a nine year period from her diagnosis

0:20:38.560 --> 0:20:44.439
<v Speaker 1>to her death, is really a story of my being

0:20:44.520 --> 0:20:50.120
<v Speaker 1>given a tremendous We're having access to a great deal

0:20:50.200 --> 0:20:56.960
<v Speaker 1>of information and not putting it together. She didn't want

0:20:57.000 --> 0:20:59.240
<v Speaker 1>me to know because she wanted me to go away

0:20:59.240 --> 0:21:03.120
<v Speaker 1>to college. This was her focus. She knew. But if

0:21:03.119 --> 0:21:05.919
<v Speaker 1>I knew that she was as ill as she was,

0:21:07.000 --> 0:21:08.919
<v Speaker 1>I wouldn't have gone away to college. I would have

0:21:08.960 --> 0:21:13.440
<v Speaker 1>lived at home, and I would have wanted to commute

0:21:13.480 --> 0:21:15.760
<v Speaker 1>to a college in New York City. I mean, I

0:21:15.800 --> 0:21:18.880
<v Speaker 1>just would have That was the nature of my relationship

0:21:18.920 --> 0:21:24.240
<v Speaker 1>with her. Sherry does indeed go away to college, to

0:21:24.400 --> 0:21:28.760
<v Speaker 1>Radcliffe in Cambridge, Massachusetts, the university that has long been

0:21:28.800 --> 0:21:33.480
<v Speaker 1>her dream. She's a brilliant student and finally is exactly

0:21:33.560 --> 0:21:36.760
<v Speaker 1>where she wants to be. But then in her junior year,

0:21:36.960 --> 0:21:40.760
<v Speaker 1>during exam week, she receives a call that changes her life.

0:21:42.440 --> 0:21:45.119
<v Speaker 1>I get a you know, a note from the dean,

0:21:45.600 --> 0:21:48.440
<v Speaker 1>and they bring it to me in the library. Call home,

0:21:48.520 --> 0:21:51.520
<v Speaker 1>go home, Go to Brooklyn Hospital. There's no one at

0:21:51.560 --> 0:21:54.479
<v Speaker 1>home to call. Go to Brooklyn Hospital, and I just

0:21:54.680 --> 0:21:58.159
<v Speaker 1>go and I talked to a doctor, and as we

0:21:58.240 --> 0:22:01.080
<v Speaker 1>have a kind of miscommunication, I realize he's telling me

0:22:01.200 --> 0:22:05.080
<v Speaker 1>my mother has ten days to live. And I realized

0:22:05.160 --> 0:22:08.439
<v Speaker 1>I behave as though I'm listening to new information, and

0:22:08.520 --> 0:22:12.840
<v Speaker 1>part of me knows that I know. And I've never

0:22:12.880 --> 0:22:17.840
<v Speaker 1>forgotten that feeling. I've never forgotten that feeling of almost

0:22:18.040 --> 0:22:23.320
<v Speaker 1>pretending that I'm learning something new and not knowing if

0:22:23.320 --> 0:22:27.800
<v Speaker 1>I'm pretending I'm learning something new or am I It

0:22:27.920 --> 0:22:31.199
<v Speaker 1>was just an out of body experience, and that feeling

0:22:31.240 --> 0:22:33.479
<v Speaker 1>has never left me. I can read, I can summon

0:22:33.520 --> 0:22:37.440
<v Speaker 1>it even as we speak. I was given so many

0:22:37.600 --> 0:22:42.320
<v Speaker 1>clues that she was ill, and yet I didn't know

0:22:42.480 --> 0:22:45.800
<v Speaker 1>she was ill. But when I find out, when I'm

0:22:45.880 --> 0:22:51.400
<v Speaker 1>told she's ill, I almost have to pretend I'm surprised,

0:22:53.080 --> 0:22:58.080
<v Speaker 1>because part of me obviously knows and has known something

0:22:58.160 --> 0:23:01.960
<v Speaker 1>was in this, and it only raises that question of

0:23:02.040 --> 0:23:06.320
<v Speaker 1>what we know. We can't say you know what's unconscious.

0:23:06.920 --> 0:23:10.760
<v Speaker 1>I want to say it was unconscious, because really, if

0:23:10.800 --> 0:23:12.760
<v Speaker 1>you would say, as your mom ill, I would have

0:23:12.760 --> 0:23:15.800
<v Speaker 1>said no, and I behaved as though she was not.

0:23:19.240 --> 0:23:23.200
<v Speaker 1>Sherry's mother dies, and after her death, the dynamic between

0:23:23.240 --> 0:23:28.320
<v Speaker 1>Sherry and Milton Turkle grows ever more fraught. He refuses

0:23:28.320 --> 0:23:30.399
<v Speaker 1>to do the paperwork that would allow her to have

0:23:30.440 --> 0:23:34.160
<v Speaker 1>clearance for her senior year scholarship at Radcliffe. He wants

0:23:34.160 --> 0:23:36.720
<v Speaker 1>her to stop going to school so she can stand

0:23:36.800 --> 0:23:39.640
<v Speaker 1>in for her mother and care for her younger siblings.

0:23:42.560 --> 0:23:48.280
<v Speaker 1>I think he saw no way forward raising these two children.

0:23:48.480 --> 0:23:52.680
<v Speaker 1>They were aid and eleven by himself. I think he

0:23:52.840 --> 0:23:57.439
<v Speaker 1>thought that was completely beyond him, and he saw me

0:23:57.840 --> 0:24:00.560
<v Speaker 1>as the Not only was I to see could keeper,

0:24:00.640 --> 0:24:03.000
<v Speaker 1>but I was considered sort of the adult in the family.

0:24:03.119 --> 0:24:07.119
<v Speaker 1>I was the designated adult, which was another actually a

0:24:07.119 --> 0:24:10.280
<v Speaker 1>great burden, you know, if there was a handyman coming,

0:24:10.320 --> 0:24:14.280
<v Speaker 1>if there was a you know, I was sent to,

0:24:14.320 --> 0:24:16.000
<v Speaker 1>you know, sort of make sure he did a good

0:24:16.080 --> 0:24:19.000
<v Speaker 1>job and pay him and get the receipt. And I

0:24:19.119 --> 0:24:21.680
<v Speaker 1>was kind of the person who was most even when

0:24:21.720 --> 0:24:25.240
<v Speaker 1>a child, who was considered most most capable to sort

0:24:25.240 --> 0:24:27.439
<v Speaker 1>of deal with the outside world. And this was my

0:24:27.560 --> 0:24:31.560
<v Speaker 1>family being very insular, the shadow of the Holocaust being

0:24:32.200 --> 0:24:36.280
<v Speaker 1>weighing very heavily on them. They're wanting to keep to themselves.

0:24:37.000 --> 0:24:38.879
<v Speaker 1>And in this case, I mean, I just think he

0:24:38.960 --> 0:24:43.040
<v Speaker 1>felt he could not imagine being in charge of what

0:24:43.200 --> 0:24:46.159
<v Speaker 1>was ahead for him. He used the phrase you in

0:24:46.200 --> 0:24:50.200
<v Speaker 1>the old country, the eldest daughter would do it. It

0:24:50.400 --> 0:24:53.200
<v Speaker 1>just was it was his kind of way of summing

0:24:53.320 --> 0:24:56.080
<v Speaker 1>up that there was a way of thinking about this

0:24:56.240 --> 0:24:59.000
<v Speaker 1>where it was a natural thing for me to take

0:24:59.000 --> 0:25:02.360
<v Speaker 1>this on. I no longer think of it as malevolent.

0:25:02.480 --> 0:25:06.000
<v Speaker 1>I think it was deeply selfish. I think it was

0:25:06.480 --> 0:25:09.639
<v Speaker 1>him not being able to put himself in my place.

0:25:09.680 --> 0:25:13.840
<v Speaker 1>It was the anti empathy moment of it was my

0:25:14.040 --> 0:25:18.159
<v Speaker 1>learning empathy by having someone behaved there's no empathy towards me.

0:25:18.920 --> 0:25:22.199
<v Speaker 1>But I don't know if he wanted to be cruel

0:25:22.240 --> 0:25:27.040
<v Speaker 1>to me. I think he felt bereft. I think when

0:25:27.080 --> 0:25:31.280
<v Speaker 1>people feel bereft, they just behave in a crazy way

0:25:31.320 --> 0:25:34.320
<v Speaker 1>and what they see as their self interest. And I

0:25:34.359 --> 0:25:38.080
<v Speaker 1>think that's what's happening with with Milton and his response

0:25:38.119 --> 0:25:40.960
<v Speaker 1>to me, and so he kind of pulls the ultimate

0:25:41.240 --> 0:25:45.359
<v Speaker 1>power play and I just leave. In fact, I dropped

0:25:45.359 --> 0:25:48.640
<v Speaker 1>out of college, but I don't come home to take

0:25:48.680 --> 0:25:51.400
<v Speaker 1>care of my sister and brother. I go to Paris.

0:25:53.200 --> 0:25:56.600
<v Speaker 1>There's kind of running through your story something that I

0:25:56.640 --> 0:26:00.679
<v Speaker 1>relate to, which is that it's really a story of survivor,

0:26:01.280 --> 0:26:03.960
<v Speaker 1>of you know, sort of ultimately, you might have gone

0:26:04.000 --> 0:26:07.439
<v Speaker 1>home and taken care of your younger brother and sister,

0:26:08.000 --> 0:26:10.679
<v Speaker 1>and that would have completely altered the course of your life.

0:26:11.080 --> 0:26:15.040
<v Speaker 1>And you don't you do what's necessary to survive and

0:26:15.040 --> 0:26:38.359
<v Speaker 1>to thrive. Yes, we'll be right back. Sherry does eventually

0:26:38.440 --> 0:26:42.120
<v Speaker 1>end up finishing her undergrad and soon after attends graduate

0:26:42.160 --> 0:26:47.000
<v Speaker 1>school at Harvard, where she studies sociology and psychology. This

0:26:47.119 --> 0:26:51.600
<v Speaker 1>is where she first encounters the seminal concept gname duper

0:26:52.680 --> 0:26:59.520
<v Speaker 1>name of the father, as developed by French psychoanalyst Jacques Lacom.

0:26:59.640 --> 0:27:03.119
<v Speaker 1>Like you when people say to me will psychoanalysis is

0:27:03.160 --> 0:27:05.960
<v Speaker 1>so passe, the notion of the unconscious? Why do you

0:27:06.000 --> 0:27:08.680
<v Speaker 1>become a psychoagonal? Why do it psycho one of the training?

0:27:09.320 --> 0:27:12.879
<v Speaker 1>What's the use of it? I always say, well, there's

0:27:12.960 --> 0:27:15.600
<v Speaker 1>no way for me to experience the story of my

0:27:15.640 --> 0:27:20.159
<v Speaker 1>life and not believe in the unconscious, because I was

0:27:21.000 --> 0:27:27.439
<v Speaker 1>working through all my life, including yesterday, the fact that

0:27:27.520 --> 0:27:30.359
<v Speaker 1>I was not allowed to know the name of my father,

0:27:31.520 --> 0:27:37.639
<v Speaker 1>and yet I never made the connection until deep into

0:27:37.720 --> 0:27:43.520
<v Speaker 1>my life. That the first serious topic that I study

0:27:43.680 --> 0:27:46.320
<v Speaker 1>in graduate school when it's time to write a thesis

0:27:46.720 --> 0:27:52.600
<v Speaker 1>a dissertation is a psychoanalyst whose theory is based on

0:27:52.720 --> 0:27:55.399
<v Speaker 1>the importance of the name of the father who Jacques

0:27:55.400 --> 0:28:00.760
<v Speaker 1>dot Com and I never made that connection. Thesis was

0:28:00.800 --> 0:28:04.800
<v Speaker 1>not particularly on the CON's theories on the infatuation with

0:28:04.920 --> 0:28:08.680
<v Speaker 1>Freud and France and why after May sixty eight did

0:28:08.680 --> 0:28:11.840
<v Speaker 1>everyone want to become a psychoanalyst. So it was really

0:28:11.920 --> 0:28:15.600
<v Speaker 1>kind of sociological study. It was kind of an intellectual

0:28:15.800 --> 0:28:19.399
<v Speaker 1>history mystery. Was a very exciting thesis of you know,

0:28:19.520 --> 0:28:23.600
<v Speaker 1>why certain ideas take hold at different times. I never

0:28:23.640 --> 0:28:27.840
<v Speaker 1>put together that I was studying somebody who studies names

0:28:27.840 --> 0:28:32.320
<v Speaker 1>of fathers. And then, of course I'm in Paris, I'm

0:28:32.440 --> 0:28:36.440
<v Speaker 1>listening to this lecture about names of fathers, and I

0:28:36.480 --> 0:28:43.560
<v Speaker 1>find myself weeping, and it hits me that I'm hearing

0:28:43.600 --> 0:28:47.080
<v Speaker 1>about my own life. You know, it's hard to believe

0:28:47.120 --> 0:28:51.240
<v Speaker 1>how the unconscious works. Well, of course I'm weeping. I'm

0:28:51.280 --> 0:28:54.760
<v Speaker 1>there in Powers studying the most important question of my life,

0:28:54.800 --> 0:28:58.920
<v Speaker 1>and I sort of had to collect myself and it

0:28:59.040 --> 0:29:03.200
<v Speaker 1>was a transformative moment. And Lacan is someone who I

0:29:03.200 --> 0:29:06.280
<v Speaker 1>mean to briefly state this theory. He basically saying that

0:29:06.960 --> 0:29:10.720
<v Speaker 1>accepting the name of the father is the moment when

0:29:11.920 --> 0:29:16.840
<v Speaker 1>you take in the social world. That psychoanalysis is not

0:29:17.080 --> 0:29:21.120
<v Speaker 1>just about the family romance, you know, mommy, Daddy, you

0:29:21.920 --> 0:29:25.160
<v Speaker 1>It's about taking in the rules and the structure of

0:29:25.280 --> 0:29:30.240
<v Speaker 1>language and the way in which that captures the rules

0:29:30.280 --> 0:29:33.440
<v Speaker 1>of the social structure in which you live. And that

0:29:33.520 --> 0:29:37.320
<v Speaker 1>happens by entering into this order that he calls the

0:29:37.320 --> 0:29:42.280
<v Speaker 1>symbolic order. That's where language and society and the social

0:29:42.320 --> 0:29:46.680
<v Speaker 1>world comes into with your taking on the father's name.

0:29:47.440 --> 0:29:50.400
<v Speaker 1>And really, when he means the father's name, he means

0:29:51.200 --> 0:29:54.280
<v Speaker 1>not just the name, but the structure. Let's say that

0:29:54.440 --> 0:29:58.840
<v Speaker 1>patriarch society that we live in. You know, that was

0:29:58.880 --> 0:30:01.160
<v Speaker 1>going to be pretty complicated for me if I wasn't

0:30:01.200 --> 0:30:04.320
<v Speaker 1>even allowed to say my father's name, or if there

0:30:04.360 --> 0:30:07.200
<v Speaker 1>was some confusion if there was a father or a

0:30:07.360 --> 0:30:13.320
<v Speaker 1>father who had to be erased. Sherry's now in her

0:30:13.360 --> 0:30:17.280
<v Speaker 1>late twenties, living in Cambridge, still attending Harvard, but she

0:30:17.360 --> 0:30:20.440
<v Speaker 1>makes frequent trips back to Brooklyn to care for her

0:30:20.440 --> 0:30:25.520
<v Speaker 1>ailing grandmother. It's during these trips, perhaps spurred on by

0:30:25.520 --> 0:30:29.760
<v Speaker 1>her graduate studies, that her absent father begins to haunt

0:30:29.800 --> 0:30:35.640
<v Speaker 1>her and she begins to actively look for him. On

0:30:35.800 --> 0:30:40.680
<v Speaker 1>every trip, I would stop at the airport and go

0:30:40.920 --> 0:30:44.800
<v Speaker 1>through the Manhattan telephone book because we didn't have a

0:30:44.880 --> 0:30:48.800
<v Speaker 1>Manhattan telephone book in our home, but there was one

0:30:48.840 --> 0:30:51.880
<v Speaker 1>at the airport, and I would get to the flight early,

0:30:52.080 --> 0:30:55.040
<v Speaker 1>or remember one time the flight was delayed, and I

0:30:55.080 --> 0:30:59.400
<v Speaker 1>would spend as much time as I could copying down

0:31:00.120 --> 0:31:03.200
<v Speaker 1>Charles Zimmerman's from the Manhattan telephone book. And then of

0:31:03.240 --> 0:31:05.959
<v Speaker 1>course I tried to Queen's telephone book and you know,

0:31:06.000 --> 0:31:09.240
<v Speaker 1>whatever telephone books I could find to try to get

0:31:09.280 --> 0:31:12.000
<v Speaker 1>the names and addresses of all the Charles Zimmerman's in

0:31:12.080 --> 0:31:14.880
<v Speaker 1>New York was trying to figure out who might be

0:31:14.960 --> 0:31:18.920
<v Speaker 1>my Charles Zimmerman. And this was the beginning. I mean

0:31:18.960 --> 0:31:22.520
<v Speaker 1>I did this obsessively. You know, hundreds and hundreds and

0:31:22.600 --> 0:31:25.520
<v Speaker 1>hundreds of Charles Zimmerman's. I don't know what I was

0:31:25.560 --> 0:31:28.760
<v Speaker 1>planning to do with these names, write them all or

0:31:29.000 --> 0:31:31.120
<v Speaker 1>you know, I was going to sift through them, or

0:31:32.040 --> 0:31:37.440
<v Speaker 1>it was starting my quest Why do you think why

0:31:37.560 --> 0:31:41.720
<v Speaker 1>that moment was it because your grandmother was dying, Why

0:31:41.760 --> 0:31:45.479
<v Speaker 1>at that moment did it become the need to know

0:31:45.680 --> 0:31:49.520
<v Speaker 1>sort of really just rose up and took hold of you.

0:31:50.640 --> 0:31:54.240
<v Speaker 1>My compact with my mother to not find my father.

0:31:55.480 --> 0:31:58.239
<v Speaker 1>She had not wanted me to find him, She had

0:31:58.320 --> 0:32:04.240
<v Speaker 1>not wanted him in my life, and that promise, that

0:32:04.440 --> 0:32:08.760
<v Speaker 1>understanding was with her. And I think that with my

0:32:08.840 --> 0:32:16.600
<v Speaker 1>grandmother's death, her mother's death, I felt liberated that I

0:32:16.600 --> 0:32:20.000
<v Speaker 1>would no longer be hurting. You know that now I

0:32:20.800 --> 0:32:25.360
<v Speaker 1>could now act on my behalf. I could now say

0:32:25.440 --> 0:32:28.840
<v Speaker 1>I could answer this question for myself. I think the

0:32:28.960 --> 0:32:32.680
<v Speaker 1>death of these two women was very important to me.

0:32:33.240 --> 0:32:36.280
<v Speaker 1>And her sister was still alive and I spoke to

0:32:36.360 --> 0:32:41.000
<v Speaker 1>her about it, and she didn't like it, but she

0:32:41.120 --> 0:32:44.280
<v Speaker 1>helped me. My aunt, Mildred gave me a crucial piece

0:32:44.320 --> 0:32:47.320
<v Speaker 1>of information that he had been a teacher in the

0:32:47.360 --> 0:32:50.240
<v Speaker 1>New York public schools and that was the key piece

0:32:50.280 --> 0:32:53.400
<v Speaker 1>of information and let me find him. But she didn't

0:32:53.520 --> 0:32:57.480
<v Speaker 1>know why my mother had left him. She did not

0:32:57.640 --> 0:33:02.040
<v Speaker 1>know the secret. She did not know the mystery. It's

0:33:02.040 --> 0:33:04.440
<v Speaker 1>not until several years later, when she has a job

0:33:04.480 --> 0:33:07.239
<v Speaker 1>teaching at m I T that Terry decides to use

0:33:07.320 --> 0:33:10.240
<v Speaker 1>much of her first year's earnings to hire a detective.

0:33:11.120 --> 0:33:14.840
<v Speaker 1>Writing random Charles Zimmerman's from the phone book is getting

0:33:14.840 --> 0:33:18.120
<v Speaker 1>her nowhere. With the help of the detective and a

0:33:18.240 --> 0:33:22.479
<v Speaker 1>key bit of information provided by her aunt, eventually Sherry

0:33:22.560 --> 0:33:28.160
<v Speaker 1>does find him and they meet to an epic meeting

0:33:28.320 --> 0:33:31.680
<v Speaker 1>because I write him and I you know, I write

0:33:31.760 --> 0:33:35.000
<v Speaker 1>him the letter and I say that I believe that

0:33:35.040 --> 0:33:38.320
<v Speaker 1>I'm your daughter, and here the circumstances so that we

0:33:38.480 --> 0:33:41.360
<v Speaker 1>last connect, and I would very much like to renew

0:33:41.400 --> 0:33:44.720
<v Speaker 1>our acquaintance. As soon as he got it, he called

0:33:44.720 --> 0:33:47.200
<v Speaker 1>me back. I had given him a number to call,

0:33:47.760 --> 0:33:51.320
<v Speaker 1>and we make a date for the following weekend and

0:33:51.400 --> 0:33:54.360
<v Speaker 1>I go to his house. At the time, I was married,

0:33:54.400 --> 0:33:57.000
<v Speaker 1>and I tell my husband we agree he's going to

0:33:57.040 --> 0:33:59.240
<v Speaker 1>stay back at the hotel and I will call him

0:33:59.280 --> 0:34:02.560
<v Speaker 1>if I need him, and I go to his houses

0:34:02.600 --> 0:34:05.920
<v Speaker 1>in Queen's I'm struck by how he looks like me.

0:34:06.000 --> 0:34:08.719
<v Speaker 1>I opened the door in his fos moment when I'm

0:34:08.760 --> 0:34:14.239
<v Speaker 1>so I'm so emotionally, kind of just taken over by

0:34:14.239 --> 0:34:16.480
<v Speaker 1>the fact that of course I'm looking at someone who

0:34:16.480 --> 0:34:21.040
<v Speaker 1>looks like me. It's just just an emotional moment. And

0:34:21.160 --> 0:34:24.480
<v Speaker 1>he says to me, did you find me through the

0:34:24.520 --> 0:34:29.120
<v Speaker 1>New York Times? At the time, there was like a

0:34:29.160 --> 0:34:32.800
<v Speaker 1>set of advertisements in New York subways, like I found

0:34:32.800 --> 0:34:36.320
<v Speaker 1>my jobs at the New York Times. And I'm thinking,

0:34:36.360 --> 0:34:40.400
<v Speaker 1>did he was he advertising for me all these years

0:34:40.400 --> 0:34:42.840
<v Speaker 1>that I was going to the mailbox and hoping to

0:34:42.920 --> 0:34:46.440
<v Speaker 1>have like a birthday card or Hanecker card? Or did

0:34:46.440 --> 0:34:48.200
<v Speaker 1>I find him through the New York Times? And I

0:34:48.280 --> 0:34:52.239
<v Speaker 1>had this moment of warmth and happiness that he'd been

0:34:52.280 --> 0:34:55.680
<v Speaker 1>looking for me. And he shows me the ad that

0:34:55.760 --> 0:34:58.800
<v Speaker 1>he's been placing in the New York Times, which says

0:34:59.520 --> 0:35:05.880
<v Speaker 1>he wells MC squared is not correct. Queen's high school

0:35:05.920 --> 0:35:10.919
<v Speaker 1>teacher disproves Einstein and for more information, and there's a

0:35:10.960 --> 0:35:14.600
<v Speaker 1>post office box, and his ad in the New York

0:35:14.640 --> 0:35:19.920
<v Speaker 1>Times is about him having a pamphlet that disproves Einstein.

0:35:20.040 --> 0:35:24.080
<v Speaker 1>He thinks he's he thinks there was a mistake in

0:35:24.280 --> 0:35:28.000
<v Speaker 1>Einstein's theory, and then all of a sudden he's talking

0:35:28.040 --> 0:35:32.840
<v Speaker 1>about Michaelson Morley and the mistakes and Michaelson and the algebra,

0:35:33.080 --> 0:35:36.400
<v Speaker 1>Michaelson Orley. I mean, he's like into his theory of

0:35:37.040 --> 0:35:41.439
<v Speaker 1>how he's disproved Einstein, and he's like completely forgotten even

0:35:41.440 --> 0:35:43.520
<v Speaker 1>in the room. I mean, he's like into his disproof

0:35:43.560 --> 0:35:46.360
<v Speaker 1>of Einstein and giving me, you know, getting copies ready

0:35:46.360 --> 0:35:50.480
<v Speaker 1>for me. And it turns out that he was He

0:35:50.600 --> 0:35:54.879
<v Speaker 1>was a rogue scientist who had published two books, one

0:35:54.960 --> 0:35:59.200
<v Speaker 1>on raw food Vegetarianism and World Peace, where he argues

0:35:59.280 --> 0:36:02.120
<v Speaker 1>that only people who were raw food vegetarian should be

0:36:02.160 --> 0:36:05.560
<v Speaker 1>able to leave governments because there'll be more peaceful and

0:36:05.640 --> 0:36:08.480
<v Speaker 1>this disproof of Einstein has written several books on that.

0:36:09.000 --> 0:36:16.080
<v Speaker 1>So bottom line is that as the conversation continues, I

0:36:16.280 --> 0:36:21.719
<v Speaker 1>learned that my mother left him because when I was

0:36:21.760 --> 0:36:28.000
<v Speaker 1>a baby, the scientific bent of his had expressed itself

0:36:28.840 --> 0:36:34.480
<v Speaker 1>by his doing skinner like experiments on me not speaking

0:36:34.520 --> 0:36:36.760
<v Speaker 1>to me for a certain amount of time and seeing

0:36:36.800 --> 0:36:39.600
<v Speaker 1>what happened, putting me in a dark room for a

0:36:39.600 --> 0:36:42.440
<v Speaker 1>certain amount of time and seeing what happened, and all

0:36:42.480 --> 0:36:46.120
<v Speaker 1>the different kinds of skinner box experiments that people were

0:36:46.760 --> 0:36:54.479
<v Speaker 1>doing at that time. Skinner box experiments, simply put, these

0:36:54.480 --> 0:36:58.160
<v Speaker 1>were psychological experiments that studied the effects of positive and

0:36:58.239 --> 0:37:05.080
<v Speaker 1>negative reinforcement using rats. Yes, rats, not humans, and most

0:37:05.120 --> 0:37:10.200
<v Speaker 1>definitely not babies. And these were secret. My mother didn't

0:37:10.200 --> 0:37:13.640
<v Speaker 1>know anything about them, and he did them when she

0:37:13.800 --> 0:37:16.640
<v Speaker 1>was out shopping or visiting me, whenever she was not

0:37:16.760 --> 0:37:21.200
<v Speaker 1>with me. He did them private. And then once she

0:37:21.360 --> 0:37:26.160
<v Speaker 1>came back early from going shopping and she found him

0:37:26.200 --> 0:37:30.120
<v Speaker 1>at an experiment where he had left me alone in

0:37:30.160 --> 0:37:34.480
<v Speaker 1>a dark room and was trying to extend the amounts

0:37:34.480 --> 0:37:38.160
<v Speaker 1>of time that I would tolerate them. So they were

0:37:38.200 --> 0:37:42.319
<v Speaker 1>deprivation experiments at that point, I was one year old

0:37:44.160 --> 0:37:48.920
<v Speaker 1>when she found him at this experiment. She called her

0:37:48.960 --> 0:37:52.520
<v Speaker 1>sister to pick her up and to pick me up,

0:37:53.320 --> 0:37:56.760
<v Speaker 1>and she packed some diapers and a few pieces of clothing,

0:37:56.800 --> 0:38:03.200
<v Speaker 1>and apparently in some eggs from the supermarket, and we

0:38:03.239 --> 0:38:07.319
<v Speaker 1>went back to my grandparents house and never returned and

0:38:07.560 --> 0:38:11.160
<v Speaker 1>that's the story of our departure and the end of

0:38:11.160 --> 0:38:16.319
<v Speaker 1>that marriage. And as your father is telling you this

0:38:16.440 --> 0:38:19.799
<v Speaker 1>story during this meeting that you're having with him for

0:38:19.800 --> 0:38:22.440
<v Speaker 1>the first time in many years, he's telling it to you,

0:38:22.560 --> 0:38:26.160
<v Speaker 1>it sounds like, you know, somewhat sort of proudly. Yes,

0:38:26.280 --> 0:38:29.960
<v Speaker 1>he's very proud of these experiments. I would say I

0:38:30.040 --> 0:38:34.080
<v Speaker 1>went into a sort of dissociated state where I sort

0:38:34.080 --> 0:38:37.680
<v Speaker 1>of could see myself sitting there at the table, listening

0:38:37.719 --> 0:38:43.760
<v Speaker 1>to him, watching myself trying to be present to him,

0:38:43.800 --> 0:38:48.440
<v Speaker 1>as I sort of sad at someplace else, maybe across

0:38:48.520 --> 0:38:52.959
<v Speaker 1>the room, watching these two people talk. Because it was unbearable.

0:38:53.480 --> 0:38:57.640
<v Speaker 1>You know. I wanted to keep this conversation going. I

0:38:57.800 --> 0:39:02.759
<v Speaker 1>wanted to not stop him from talking. I wanted to

0:39:02.800 --> 0:39:07.879
<v Speaker 1>hear this story desperately. I wanted to hear about these experiments,

0:39:09.440 --> 0:39:14.600
<v Speaker 1>but I couldn't bear to. So I sort of had

0:39:14.640 --> 0:39:21.319
<v Speaker 1>this experience of removing myself and kept a piece of

0:39:21.440 --> 0:39:26.000
<v Speaker 1>me sitting at the table with the coffee cup, letting

0:39:26.080 --> 0:39:28.880
<v Speaker 1>him talk to that sherry as part of me just

0:39:29.040 --> 0:39:33.640
<v Speaker 1>drifted away. It was an experience that I had never

0:39:33.680 --> 0:39:38.319
<v Speaker 1>really had before. And he tells me the story and

0:39:38.360 --> 0:39:41.880
<v Speaker 1>then actually I protected myself because I immediately then called

0:39:41.880 --> 0:39:45.680
<v Speaker 1>my husband because I wanted him to hear all this.

0:39:46.239 --> 0:39:48.759
<v Speaker 1>You need a witness. I needed a witness, and I

0:39:49.120 --> 0:39:51.560
<v Speaker 1>wanted to hear this whole thing over again because I,

0:39:51.640 --> 0:39:54.520
<v Speaker 1>you know, I just was by this point, I'm in

0:39:54.560 --> 0:39:59.719
<v Speaker 1>an altered state. And my husband was a computer scientist

0:39:59.800 --> 0:40:04.120
<v Speaker 1>and trying to a great mathematician. And my husband showed up.

0:40:04.239 --> 0:40:09.920
<v Speaker 1>And now my my father, Charles Zimmerman, uh, now he

0:40:10.040 --> 0:40:14.120
<v Speaker 1>has a bona fide m i T. Mathematician in the

0:40:14.239 --> 0:40:19.600
<v Speaker 1>room who understands he can read his equations and the

0:40:19.680 --> 0:40:25.320
<v Speaker 1>Michaelson Morley experiment and the mistakes. And they're sitting there together,

0:40:25.440 --> 0:40:28.680
<v Speaker 1>and Charlie is so excited, and he's going through the

0:40:28.760 --> 0:40:34.919
<v Speaker 1>mistakes and the and I can watch them together as

0:40:35.040 --> 0:40:39.480
<v Speaker 1>Charlie is explaining how he's right and Einsstein is wrong,

0:40:39.560 --> 0:40:43.480
<v Speaker 1>and Charlie is getting all excited about how he's going

0:40:43.480 --> 0:40:50.799
<v Speaker 1>to be famous with these disproof of Einstein. And I understood.

0:40:50.840 --> 0:40:55.640
<v Speaker 1>And over the next many years, my understanding would deepened

0:40:56.520 --> 0:41:02.279
<v Speaker 1>of why my mother had feared the man and had

0:41:02.440 --> 0:41:09.640
<v Speaker 1>just wanted me to never see him. And I I

0:41:09.800 --> 0:41:16.879
<v Speaker 1>learned to feel a deep and deepening and deepening empathy

0:41:16.960 --> 0:41:25.160
<v Speaker 1>and compassion and understanding of how she had fled. She

0:41:25.239 --> 0:41:32.719
<v Speaker 1>had wanted to protect me, she had felt frightened and ashamed,

0:41:33.880 --> 0:41:39.440
<v Speaker 1>and she never wanted to talk about this. She did

0:41:39.520 --> 0:41:41.759
<v Speaker 1>not want this to be part of her story and

0:41:41.840 --> 0:41:46.000
<v Speaker 1>my story. Actually, Rabbis who have spoken to since have

0:41:46.200 --> 0:41:51.440
<v Speaker 1>said that some might have shunned me as being the

0:41:51.600 --> 0:41:55.480
<v Speaker 1>child of such a person, as though I might carry

0:41:55.760 --> 0:41:59.400
<v Speaker 1>his madness. It's even been suggested to me that I

0:41:59.440 --> 0:42:05.600
<v Speaker 1>would have been unmarriageable in some Jewish beliefs. She might

0:42:05.640 --> 0:42:09.719
<v Speaker 1>have even have grown up with that kind of background,

0:42:09.920 --> 0:42:14.439
<v Speaker 1>from a more traditional background than I'm from. I think

0:42:14.440 --> 0:42:17.520
<v Speaker 1>there was just a lot to it. She was in

0:42:17.640 --> 0:42:20.359
<v Speaker 1>over her head and this was something that she had

0:42:20.400 --> 0:42:26.040
<v Speaker 1>to completely erase. Yeah, it makes so much sense. This

0:42:26.320 --> 0:42:31.200
<v Speaker 1>is the secret. This secret was not shared with my grandmother.

0:42:31.600 --> 0:42:34.640
<v Speaker 1>The secret was not shared with her, my grandfather, or

0:42:34.680 --> 0:42:41.600
<v Speaker 1>my aunt. None of them knew this secret. This story

0:42:41.640 --> 0:42:46.600
<v Speaker 1>of the experiments was something that when I went to

0:42:46.719 --> 0:42:52.640
<v Speaker 1>my aunt and tell her about Charlie and what I found,

0:42:53.760 --> 0:42:56.560
<v Speaker 1>this is new to her. You know, she knows that

0:42:56.680 --> 0:43:00.319
<v Speaker 1>he's bad, she knows that he's crazy. But my they're

0:43:00.360 --> 0:43:04.200
<v Speaker 1>told her family that she was unhappy in this marriage.

0:43:04.719 --> 0:43:08.080
<v Speaker 1>But this was a secret she bore alone. She was

0:43:08.120 --> 0:43:12.400
<v Speaker 1>so frightened at this secret. So this was her secret too.

0:43:12.800 --> 0:43:16.319
<v Speaker 1>So I was a secret keeper, but she was a

0:43:16.400 --> 0:43:21.600
<v Speaker 1>secret keeper as well. It took me a while to

0:43:21.719 --> 0:43:25.160
<v Speaker 1>find a way to tell the story of who Charles

0:43:25.239 --> 0:43:30.800
<v Speaker 1>Zimmerman was because it was a lot to talk about

0:43:30.840 --> 0:43:34.840
<v Speaker 1>the experiments that he had done on me, because I was,

0:43:35.760 --> 0:43:41.160
<v Speaker 1>you know, in psychoanalysis, and I was working through what

0:43:41.320 --> 0:43:45.520
<v Speaker 1>that meant to me. You know, we'll never know, I'll

0:43:45.560 --> 0:43:50.200
<v Speaker 1>never know really what that meant to me, but I

0:43:50.239 --> 0:43:52.680
<v Speaker 1>was certainly talking a lot about it, and it was

0:43:52.760 --> 0:43:56.200
<v Speaker 1>you know, it didn't come trippingly off the tongue to

0:43:56.239 --> 0:43:59.200
<v Speaker 1>talk to people about those experiments because I didn't want

0:43:59.200 --> 0:44:02.840
<v Speaker 1>to say something that style about them. It was a

0:44:02.880 --> 0:44:07.960
<v Speaker 1>lot to talk about. It took many years, and I

0:44:08.000 --> 0:44:12.440
<v Speaker 1>think my psychoanalytic work and therapy to be able to,

0:44:13.440 --> 0:44:16.440
<v Speaker 1>you know, to kind of talk about and write about

0:44:16.880 --> 0:44:19.879
<v Speaker 1>what the discovery of Charles Zimmerman had been like as

0:44:19.880 --> 0:44:26.280
<v Speaker 1>an experience. But I could talk about that I kept

0:44:26.280 --> 0:44:30.839
<v Speaker 1>the secret and that it had been corrosive, and I

0:44:30.920 --> 0:44:43.680
<v Speaker 1>was done with that. Family secrets is a production of

0:44:43.680 --> 0:44:46.640
<v Speaker 1>I Heart Radio. Molly z a Core is the story

0:44:46.760 --> 0:44:50.480
<v Speaker 1>editor and Dylan Fagan is the executive producer. If you

0:44:50.520 --> 0:44:53.080
<v Speaker 1>have a family secret you'd like to share, please leave

0:44:53.160 --> 0:44:55.279
<v Speaker 1>us a voicemail and your story could appear on an

0:44:55.320 --> 0:45:00.719
<v Speaker 1>upcoming episode. Our number is one Secret zero. That's the

0:45:00.800 --> 0:45:05.000
<v Speaker 1>number zero. You can also find me on Instagram at

0:45:05.160 --> 0:45:08.200
<v Speaker 1>Danny writer. And if you'd like to know more about

0:45:08.239 --> 0:45:11.280
<v Speaker 1>the story that inspired this podcast, check out my memoir

0:45:11.520 --> 0:45:33.720
<v Speaker 1>Inheritance m M. For more podcasts for My heart Radio,

0:45:33.880 --> 0:45:36.720
<v Speaker 1>visit the I Heart Radio app, Apple podcast, or wherever

0:45:36.920 --> 0:45:38.360
<v Speaker 1>you listen to your favorite shows.