1 00:00:01,000 --> 00:00:04,800 Speaker 1: Look man, oh I see you? Why why? And look 2 00:00:04,840 --> 00:00:13,399 Speaker 1: over there? How is that? Culture? Yes? Goodness, culture calling. 3 00:00:14,360 --> 00:00:16,640 Speaker 1: I'm having a fun time, having a little bit of 4 00:00:16,680 --> 00:00:19,600 Speaker 1: a fun time, and this is the thing. So you know, 5 00:00:19,720 --> 00:00:25,800 Speaker 1: what's one type of podcast that's really popular? What true crime? Yes? Girl, yes, queen. 6 00:00:26,160 --> 00:00:28,040 Speaker 1: I don't really listen to them me neither, not a 7 00:00:28,040 --> 00:00:30,200 Speaker 1: single one. What do you think makes them so popular? 8 00:00:30,560 --> 00:00:33,280 Speaker 1: I think that people love trying to parse out in 9 00:00:33,320 --> 00:00:35,159 Speaker 1: their head who've done it? Of them all? You know 10 00:00:35,200 --> 00:00:36,919 Speaker 1: what I mean? Like I think, and also I think 11 00:00:36,960 --> 00:00:38,960 Speaker 1: people like to be a fly on the wall to 12 00:00:39,080 --> 00:00:42,040 Speaker 1: something that is grisly. I really think that with it. 13 00:00:42,159 --> 00:00:44,479 Speaker 1: They don't want something nasty and bad and dark and 14 00:00:44,560 --> 00:00:47,320 Speaker 1: violence happen to them. But they're curious. They have a 15 00:00:47,400 --> 00:00:50,640 Speaker 1: morbid curiosity. As they say, I don't care about the 16 00:00:50,680 --> 00:00:52,480 Speaker 1: who and who've done it? You and I care about 17 00:00:52,880 --> 00:00:55,360 Speaker 1: what the why? I think you should. I think you 18 00:00:55,400 --> 00:00:59,360 Speaker 1: should call them why done? It's because that's the juice, honey, Yeah, 19 00:00:59,560 --> 00:01:02,000 Speaker 1: that's what you want. That's like I don't Okay, great, 20 00:01:02,080 --> 00:01:06,800 Speaker 1: this person killed that person. That's not that that doesn't 21 00:01:06,840 --> 00:01:09,520 Speaker 1: tell the whole story. I'm gonna need some more context. 22 00:01:10,040 --> 00:01:13,160 Speaker 1: So why Why is what we want to know. And 23 00:01:13,319 --> 00:01:17,320 Speaker 1: you as an actor, as an artist, you're always thinking 24 00:01:17,319 --> 00:01:19,200 Speaker 1: of the motivations, you know what I mean, Like in 25 00:01:19,280 --> 00:01:21,959 Speaker 1: so many of your creations, I I it's a fully 26 00:01:22,040 --> 00:01:26,039 Speaker 1: realized you know exactly where they came from. Like every 27 00:01:26,120 --> 00:01:27,880 Speaker 1: every time you do a sketch, right, you think of 28 00:01:27,880 --> 00:01:31,440 Speaker 1: this sketch. Comedy is something that has to be very nuanced, 29 00:01:32,280 --> 00:01:36,319 Speaker 1: very deep. It's never about you know, not doing it. 30 00:01:36,319 --> 00:01:40,479 Speaker 1: It's everybody anything except the motivation. Yeah. So so this 31 00:01:40,560 --> 00:01:42,920 Speaker 1: is really why I guess I bring this up is 32 00:01:42,959 --> 00:01:46,479 Speaker 1: because I think today we're actually going to be um 33 00:01:46,959 --> 00:01:49,760 Speaker 1: a little bit of a true crime podcast. We're gonna 34 00:01:49,760 --> 00:01:51,480 Speaker 1: be a little bit of a true crime podcast, but 35 00:01:51,600 --> 00:01:55,120 Speaker 1: only today, only today, and then everyone can go back 36 00:01:55,160 --> 00:01:57,480 Speaker 1: to your other podcast that you enjoy, like you know, 37 00:01:57,600 --> 00:02:00,840 Speaker 1: my favorite murder or et cetera, us cereal, you know 38 00:02:00,960 --> 00:02:05,320 Speaker 1: these other grizzly you know they're so scary, these podcasts 39 00:02:05,680 --> 00:02:07,640 Speaker 1: we're gonna be only get a little bit spooky today 40 00:02:07,680 --> 00:02:12,320 Speaker 1: as we talk about a very bad criminal, criminal who's 41 00:02:12,320 --> 00:02:15,320 Speaker 1: now who's now sent up the river, as they say, 42 00:02:15,560 --> 00:02:23,480 Speaker 1: as they say this is day five and on there 43 00:02:24,639 --> 00:02:38,200 Speaker 1: it was July two, arrest. This is the day that 44 00:02:38,240 --> 00:02:42,400 Speaker 1: Galene Maxwell was thrown in jail, arrested in New Hampshire 45 00:02:42,639 --> 00:02:45,360 Speaker 1: with a founder, and they threw her in the bin 46 00:02:47,600 --> 00:02:52,600 Speaker 1: where she belongs. Has there ever been anyone more loathsome 47 00:02:52,919 --> 00:02:56,360 Speaker 1: than Glen? I don't think there's ever been anyone more littlesome. 48 00:02:56,400 --> 00:02:58,600 Speaker 1: And I couldn't believe when they finally found her and 49 00:02:58,680 --> 00:03:02,720 Speaker 1: threw in the damn been. She is horrid. And you 50 00:03:02,720 --> 00:03:05,720 Speaker 1: know what I don't like about Gillane? She ran away 51 00:03:05,840 --> 00:03:08,080 Speaker 1: in her house. When that she you know, when they 52 00:03:08,160 --> 00:03:11,079 Speaker 1: knocked on her door and said Gilane, come out, They 53 00:03:11,120 --> 00:03:14,000 Speaker 1: said that she was spotted running away in the house. 54 00:03:14,160 --> 00:03:17,280 Speaker 1: Guess what, stupid, you can't go anywhere in the house. 55 00:03:17,680 --> 00:03:20,799 Speaker 1: What are you gonna do? Jump? No, no, no, house 56 00:03:20,800 --> 00:03:24,959 Speaker 1: ain't that big? No, in fact, not for nothing. But 57 00:03:25,760 --> 00:03:27,600 Speaker 1: get a bigger house, get a better house, get it 58 00:03:27,600 --> 00:03:31,399 Speaker 1: harder to find house. All these millions. Shut up, Gillane. 59 00:03:31,680 --> 00:03:34,040 Speaker 1: Want me to care, want me to care about you? 60 00:03:34,040 --> 00:03:38,480 Speaker 1: You should have been richer. Stupid British when the stupidest 61 00:03:38,520 --> 00:03:40,960 Speaker 1: British people ever. And guess what y'all are supposed to 62 00:03:41,000 --> 00:03:46,440 Speaker 1: be smart, honey, you're offsetting the average you're an outlier, babe, 63 00:03:47,920 --> 00:03:51,560 Speaker 1: Gee Lane, can we talk about this stupid name. Let's 64 00:03:51,600 --> 00:03:56,280 Speaker 1: just go letter by letter? Okay, yeah, G cool, fun 65 00:03:56,400 --> 00:03:59,880 Speaker 1: different um. So far I'm into it. And then I 66 00:04:00,040 --> 00:04:03,160 Speaker 1: then and then I even hear the hard G like A, 67 00:04:03,680 --> 00:04:06,560 Speaker 1: and I'm like, oh, interesting, what's this person's name? Then 68 00:04:06,600 --> 00:04:10,760 Speaker 1: what comes next? Here's what it is? Twist you ready 69 00:04:10,800 --> 00:04:17,159 Speaker 1: for it? H h Okay, what is it going to be? Gentry? 70 00:04:17,320 --> 00:04:19,240 Speaker 1: Don't tell me it's gonna be Gandhi, honey, because there's 71 00:04:19,279 --> 00:04:22,719 Speaker 1: only one queen with that name. There's only Gandhi. It's 72 00:04:22,839 --> 00:04:25,040 Speaker 1: G A. I think you're wrong. I think it's g 73 00:04:25,360 --> 00:04:27,920 Speaker 1: H A N D. I don't think. Can I say this, 74 00:04:28,200 --> 00:04:31,320 Speaker 1: we won't cut it out no matter what it's. I'm 75 00:04:31,360 --> 00:04:33,200 Speaker 1: and I just looked it up. I can confirm that 76 00:04:33,240 --> 00:04:36,960 Speaker 1: I am correct, G A N D H. I wow. Okay, 77 00:04:37,000 --> 00:04:39,680 Speaker 1: spelling be my ass off. I would be out of 78 00:04:39,680 --> 00:04:44,280 Speaker 1: the spelling. Be down. Look, I see I see your 79 00:04:44,400 --> 00:04:47,160 Speaker 1: name and I see the letters G H. I'm like, 80 00:04:47,560 --> 00:04:53,039 Speaker 1: wait a minute, I forgot to buckle up because what 81 00:04:53,160 --> 00:04:55,880 Speaker 1: where the funk are we going? Yeah? I just want 82 00:04:55,880 --> 00:04:58,159 Speaker 1: to pause on this and say that. Hans just chimed 83 00:04:58,160 --> 00:05:00,400 Speaker 1: into the chat and said, to be fair, he didn't 84 00:05:00,400 --> 00:05:02,960 Speaker 1: spell it with the same letters. So actually you're being 85 00:05:03,160 --> 00:05:07,320 Speaker 1: very sort of American capitalist. What what does what does 86 00:05:07,320 --> 00:05:09,960 Speaker 1: that mean? Hans? What do you mean, Hans? Hans come 87 00:05:10,000 --> 00:05:14,719 Speaker 1: in the chat, didn't spell it with the same letters. 88 00:05:14,720 --> 00:05:18,799 Speaker 1: This is not enough. Oh no, well he's saying that, yeah, 89 00:05:18,880 --> 00:05:22,800 Speaker 1: he that Gandhi himself did not anglicize his own name. 90 00:05:23,120 --> 00:05:27,360 Speaker 1: Romana is you know how what have you exactly? Which 91 00:05:27,360 --> 00:05:31,480 Speaker 1: is which was my point? It was it was and 92 00:05:31,600 --> 00:05:36,680 Speaker 1: you anglicized it. You and you anglicize a lot. I know, 93 00:05:37,080 --> 00:05:41,960 Speaker 1: I know, g H, g H. Where does your mind 94 00:05:41,960 --> 00:05:44,640 Speaker 1: go when you see a name that starts with g H? 95 00:05:44,839 --> 00:05:50,279 Speaker 1: Can I be real? I'm hoping it's something like gilly no, 96 00:05:51,640 --> 00:05:56,000 Speaker 1: l L unacceptable. I think it's unacceptable. But once someone 97 00:05:56,040 --> 00:05:59,760 Speaker 1: says and like, I'm like, oh god, I have no 98 00:06:00,040 --> 00:06:02,320 Speaker 1: do you Let me just get real specific for everybody's 99 00:06:02,960 --> 00:06:06,560 Speaker 1: for everybody. You tell me this woman, this is the 100 00:06:06,680 --> 00:06:10,800 Speaker 1: name of a middle aged British woman. That's all I'm 101 00:06:10,800 --> 00:06:15,719 Speaker 1: telling you. She's white. What do you think of these letters? 102 00:06:15,800 --> 00:06:18,400 Speaker 1: As I as I sequenced them out for you, and 103 00:06:18,480 --> 00:06:20,840 Speaker 1: what do you think? Well, by the time it gets 104 00:06:20,880 --> 00:06:23,159 Speaker 1: to h I'm like, I have I'm so thrown off 105 00:06:23,160 --> 00:06:25,880 Speaker 1: and disoriented. I don't trust her already. I don't trust 106 00:06:25,880 --> 00:06:29,719 Speaker 1: her already. No, okay, so what's the next letter? I 107 00:06:29,920 --> 00:06:35,039 Speaker 1: excuse me? I'm like, what gee? Gee? I'm like, did 108 00:06:35,040 --> 00:06:40,480 Speaker 1: you pronounce Georgia wrong? I'm like, did you pronounce Gina wrong? Mama? 109 00:06:40,839 --> 00:06:47,279 Speaker 1: Did you pronounce Georgette wrong? No? No, the person tells 110 00:06:47,320 --> 00:06:49,640 Speaker 1: you it's g And I'm like, well, let me just 111 00:06:49,680 --> 00:06:51,520 Speaker 1: sit back in my chair, kick out my damn feet 112 00:06:51,520 --> 00:06:53,320 Speaker 1: and see how the rest of this plays out. Oh, 113 00:06:53,440 --> 00:06:57,200 Speaker 1: let me um strap myself in even further. With the 114 00:06:57,320 --> 00:07:02,400 Speaker 1: second buckle. It's just popped over my face. I say, honey, 115 00:07:02,560 --> 00:07:05,400 Speaker 1: this this roller coaster has started and we're on it, 116 00:07:05,560 --> 00:07:09,520 Speaker 1: and there's multiple buckles and and and fastenings. Talk about 117 00:07:09,520 --> 00:07:13,240 Speaker 1: the next letter. You're not gonna believe it. S it's 118 00:07:13,320 --> 00:07:23,000 Speaker 1: so guess guess geese, sister, sister, I'm tired. I'm not Canadian, sweetie, 119 00:07:23,040 --> 00:07:27,280 Speaker 1: I bitch, I don't like the geese. Get away from me, 120 00:07:28,160 --> 00:07:30,280 Speaker 1: from me, Get the geese off the TV. I'm not 121 00:07:30,320 --> 00:07:33,600 Speaker 1: trying to see that. What what what are you thinking? 122 00:07:34,040 --> 00:07:37,640 Speaker 1: I'm thinking, I'm literally thinking, Okay, I guess I bought 123 00:07:37,640 --> 00:07:40,280 Speaker 1: a ticket to the damn circus. Might as well stay 124 00:07:40,560 --> 00:07:44,880 Speaker 1: to the end when the elephants twirl, I'm thinking, I 125 00:07:44,880 --> 00:07:49,080 Speaker 1: guess I elected for a procedure at the surgeon's office 126 00:07:49,840 --> 00:07:53,920 Speaker 1: so that my head can go spin around on the 127 00:07:54,000 --> 00:07:57,880 Speaker 1: damn hinge, off the hinge. And also I'm thinking, are 128 00:07:57,880 --> 00:07:59,800 Speaker 1: they going to pull this off? You know what I mean? 129 00:08:00,200 --> 00:08:04,960 Speaker 1: When when I'm when I'm g h, I s far 130 00:08:05,000 --> 00:08:07,880 Speaker 1: into this name, I'm like, Okay, is there going to 131 00:08:07,960 --> 00:08:13,000 Speaker 1: be some twist where they pull off this woman's first name? 132 00:08:14,280 --> 00:08:17,720 Speaker 1: And I have to eat crow? You know what I mean? Well, 133 00:08:17,840 --> 00:08:21,000 Speaker 1: I have to eat crow tonight. Oh my god? And 134 00:08:21,080 --> 00:08:23,880 Speaker 1: you hate you hate crow. I hate eating crow. It's 135 00:08:23,880 --> 00:08:27,120 Speaker 1: one of the It's a very gamy bird, and no 136 00:08:27,160 --> 00:08:30,280 Speaker 1: one wants to eat crow. You know why. It's gamy 137 00:08:30,360 --> 00:08:33,520 Speaker 1: iron a lot of iron content. Well, there you go, 138 00:08:33,960 --> 00:08:37,760 Speaker 1: there you go. And as far as I'm concerned, I 139 00:08:37,760 --> 00:08:40,880 Speaker 1: don't think I'll be eating crow. But then we get 140 00:08:40,920 --> 00:08:43,599 Speaker 1: that there's a possibility. What's the next letter you? I 141 00:08:43,640 --> 00:08:48,360 Speaker 1: think it's your turn. The next letter is L excuse me, 142 00:08:48,559 --> 00:08:53,040 Speaker 1: you're excused? That doesn't make no one bit of sense. 143 00:08:53,440 --> 00:08:58,480 Speaker 1: So now we've got is literally the word geesel. And 144 00:08:58,679 --> 00:09:02,760 Speaker 1: and you're telling me we're getting name out of this gissel. 145 00:09:03,120 --> 00:09:10,760 Speaker 1: This woman's real and British, real British, and woman is 146 00:09:10,760 --> 00:09:13,839 Speaker 1: a powerful white woman of British descent. Because none of 147 00:09:13,880 --> 00:09:16,520 Speaker 1: these letters make any sense. I'm five letters and I 148 00:09:16,559 --> 00:09:19,840 Speaker 1: only got one damn vowel. Get the funk out and 149 00:09:19,920 --> 00:09:24,240 Speaker 1: let me tell you something. I got zero patients, thank 150 00:09:24,320 --> 00:09:30,440 Speaker 1: you and thank you? Hello, g h I s l gisel. 151 00:09:31,120 --> 00:09:33,080 Speaker 1: How are they going to get out of this one? Hey? Pat, 152 00:09:33,160 --> 00:09:36,839 Speaker 1: say Jack? This bitch is broke. She she can't even 153 00:09:36,880 --> 00:09:40,640 Speaker 1: buy any vowels for herself. And Mama Vana White's turned 154 00:09:40,640 --> 00:09:44,640 Speaker 1: to soup honey because she's looking at the board saying 155 00:09:44,960 --> 00:09:48,800 Speaker 1: there's no way. Van A White staring at the board 156 00:09:48,840 --> 00:09:52,160 Speaker 1: saying geese. She's saying, I've never seen anything like this 157 00:09:52,240 --> 00:09:55,200 Speaker 1: on Wheel of Fortune, and my forty five years of 158 00:09:55,240 --> 00:09:58,640 Speaker 1: tapping the screens on this show, I've never seen nothing. 159 00:09:58,679 --> 00:10:01,439 Speaker 1: She broke her silent. See the thing about Vana is 160 00:10:01,480 --> 00:10:04,640 Speaker 1: she's actually very quiet, very quiet girl. Only at the 161 00:10:04,760 --> 00:10:06,840 Speaker 1: end when Pat sort of asked her, like, what did 162 00:10:06,840 --> 00:10:09,920 Speaker 1: you do this weekend? Will she say anything at all? 163 00:10:10,400 --> 00:10:14,439 Speaker 1: But she Vana White. When she started to spell this 164 00:10:14,600 --> 00:10:18,480 Speaker 1: name gie Lane on the Wheel of Fortune board, she 165 00:10:18,520 --> 00:10:20,560 Speaker 1: had to stop and say, now, hold on a minute, 166 00:10:21,000 --> 00:10:24,760 Speaker 1: hold on, I've never seen anything like this. She broke 167 00:10:24,760 --> 00:10:27,480 Speaker 1: her silence and said, I could get fired for this, 168 00:10:27,559 --> 00:10:30,480 Speaker 1: but I have to say this. This doesn't feel right 169 00:10:30,520 --> 00:10:33,440 Speaker 1: at all. This doesn't sit right with me. And she 170 00:10:33,480 --> 00:10:37,600 Speaker 1: would be right because the next letter is in fact, well, 171 00:10:37,600 --> 00:10:39,439 Speaker 1: you know what, do you remember two seconds ago and 172 00:10:39,520 --> 00:10:42,240 Speaker 1: I was like, there aren't n fowls. I could use 173 00:10:42,280 --> 00:10:45,400 Speaker 1: another one. Now it's like, I will be careful, We'll 174 00:10:45,400 --> 00:10:48,640 Speaker 1: be careful what you wish for, because this, this, this 175 00:10:48,679 --> 00:10:54,000 Speaker 1: is deeply unsettling a A. So now it's now it's 176 00:10:54,040 --> 00:10:58,000 Speaker 1: literally you're like, gissla, Gisla, ask me one letter ago, 177 00:10:58,040 --> 00:11:00,400 Speaker 1: I've been like, please, for the love of Odd, give 178 00:11:00,440 --> 00:11:02,600 Speaker 1: me a vowel in this name. But now that I 179 00:11:02,679 --> 00:11:06,720 Speaker 1: have that vowel, I'm like, oh, I didn't want that vowel. Yeah, yeah, 180 00:11:06,880 --> 00:11:11,680 Speaker 1: And so this is where Gisla. But the thing is, though, bo, 181 00:11:11,840 --> 00:11:13,640 Speaker 1: this is where I'm at this point of the name. 182 00:11:14,240 --> 00:11:18,960 Speaker 1: This is where I'm like, oh my god, are they 183 00:11:19,000 --> 00:11:25,160 Speaker 1: gonna at this juncture start using vowels and more consonants 184 00:11:25,240 --> 00:11:29,280 Speaker 1: later to sort of make this work because now I'm 185 00:11:29,320 --> 00:11:32,719 Speaker 1: looking at it like g h I s L and 186 00:11:32,800 --> 00:11:38,760 Speaker 1: I'm I am thinking of myself, get Get, Get, and 187 00:11:38,880 --> 00:11:42,760 Speaker 1: I think I'll like island, and I'm like, gil is 188 00:11:42,800 --> 00:11:47,440 Speaker 1: that Gila? Is this it? This might be something that 189 00:11:47,440 --> 00:11:50,199 Speaker 1: that could be a name. And that's this is the 190 00:11:50,240 --> 00:11:51,679 Speaker 1: part of the name where I started to get really 191 00:11:51,679 --> 00:11:56,760 Speaker 1: scared because just because it's sort of because they might 192 00:11:56,800 --> 00:12:00,360 Speaker 1: figure it out. They might figure it out, and they 193 00:12:00,400 --> 00:12:06,160 Speaker 1: had not inspired much confidence before. So it's very, very 194 00:12:06,280 --> 00:12:08,800 Speaker 1: upsetting to see a vow come up and you go, 195 00:12:09,200 --> 00:12:13,400 Speaker 1: oh my god, my greatest fears unfolding right before my eyes. 196 00:12:13,600 --> 00:12:16,080 Speaker 1: Because that's when I realized, Okay, this person, these people 197 00:12:16,200 --> 00:12:20,120 Speaker 1: might actually be really powerful. And it's it's scary because 198 00:12:20,160 --> 00:12:23,120 Speaker 1: then when you hear the next letter, you realize that 199 00:12:23,480 --> 00:12:31,160 Speaker 1: the tides are turning. What is it? It's ill, They're 200 00:12:31,160 --> 00:12:33,520 Speaker 1: gonna do it. They're they're gonna pull this off. It's 201 00:12:33,600 --> 00:12:39,040 Speaker 1: like sick. It's like watching an election goes off. It's like, 202 00:12:39,080 --> 00:12:43,360 Speaker 1: oh my god, this is really happening. The returns are 203 00:12:43,440 --> 00:12:50,760 Speaker 1: coming in and you're like, my work, my hard work. Canvassing, 204 00:12:50,800 --> 00:12:55,199 Speaker 1: phone banking, donating, talking to my relatives, talking to my friends. 205 00:12:56,040 --> 00:12:59,760 Speaker 1: It's it's it's not going to matter. It's it wasn't enough. 206 00:13:00,840 --> 00:13:03,640 Speaker 1: So there's part of me that still has hope because 207 00:13:04,040 --> 00:13:11,079 Speaker 1: right now the word does look like and I'm like, 208 00:13:11,160 --> 00:13:13,920 Speaker 1: this can't no, this is not the thing. This is 209 00:13:13,960 --> 00:13:16,920 Speaker 1: where they start to sort of put the lid on 210 00:13:16,920 --> 00:13:20,640 Speaker 1: it in a sick way. They don't tighten that, they 211 00:13:20,679 --> 00:13:22,800 Speaker 1: don't tighten it, they don't screw it on just yet, 212 00:13:22,840 --> 00:13:25,800 Speaker 1: but the lid is on because you're like, oh my god, 213 00:13:26,280 --> 00:13:36,640 Speaker 1: it's making it out the factory and and Glan Galen Gizlan. 214 00:13:39,920 --> 00:13:43,680 Speaker 1: Now I'm like, okay, it's kind of pretty Geese, not really, 215 00:13:44,120 --> 00:13:46,680 Speaker 1: but I mean pretty. But it's coming together in a 216 00:13:46,720 --> 00:13:50,800 Speaker 1: way that you didn't expect it first. Tough. And Vanna 217 00:13:51,000 --> 00:13:55,679 Speaker 1: is looking embarrassed, and she's wishing she hadn't spoken up, 218 00:13:56,240 --> 00:13:58,280 Speaker 1: and she she's the writings on the wall. She's gonna 219 00:13:58,320 --> 00:14:01,600 Speaker 1: get there, gonna produce's gonna grab her by the arm 220 00:14:01,720 --> 00:14:04,760 Speaker 1: once the camera stopped rolling and go the producers want 221 00:14:04,760 --> 00:14:07,800 Speaker 1: to talk to you, and she says, she says, will 222 00:14:07,840 --> 00:14:11,000 Speaker 1: you let go of my arm? Will you let go 223 00:14:11,200 --> 00:14:15,600 Speaker 1: of my hurting me? Stop it with your grip. You're 224 00:14:15,679 --> 00:14:20,400 Speaker 1: hurting me. And then the producer says, you can it 225 00:14:20,480 --> 00:14:23,400 Speaker 1: and she says, I've never been spoken to like this. 226 00:14:24,240 --> 00:14:28,160 Speaker 1: I flipped the panels for years. Get off of me, now, 227 00:14:28,840 --> 00:14:31,320 Speaker 1: you know what. I will go speak to them and 228 00:14:31,480 --> 00:14:33,720 Speaker 1: she gets sat down in the office and they tell her, 229 00:14:33,920 --> 00:14:38,120 Speaker 1: you know, disclose one more outburst like that. You're gone, 230 00:14:38,400 --> 00:14:43,400 Speaker 1: You're gone, gone, You're gone, missy. And she says missy 231 00:14:43,480 --> 00:14:50,320 Speaker 1: and they say that, yeah, never because I've spoken to 232 00:14:50,560 --> 00:14:54,640 Speaker 1: like this. I treated like this at my place of 233 00:14:54,720 --> 00:14:59,680 Speaker 1: work ever my five years work. I have worked here 234 00:14:59,720 --> 00:15:08,200 Speaker 1: for forty five years. They say, can it, Missy? Wait, 235 00:15:08,360 --> 00:15:11,000 Speaker 1: don't end the story yet, because we need to end 236 00:15:11,000 --> 00:15:15,200 Speaker 1: the story on the last letter. And so this is 237 00:15:15,240 --> 00:15:21,600 Speaker 1: when you realize we're working with true evil because the 238 00:15:21,680 --> 00:15:26,680 Speaker 1: last letter is And that's when it's clear that the 239 00:15:26,840 --> 00:15:39,760 Speaker 1: first name of this villainous, vituperative, venomous woman woman is Delane, 240 00:15:40,720 --> 00:15:47,400 Speaker 1: gil Lane, deil Lane. And then her last name is 241 00:15:47,640 --> 00:15:51,680 Speaker 1: Mac and she hits you with that everyday last name, 242 00:15:51,920 --> 00:15:57,600 Speaker 1: de Lane Maxwell, Maxwell. It's it's just it's it's so 243 00:15:57,760 --> 00:16:01,360 Speaker 1: it's so like deceptively like from earlier and warm, Yeah, 244 00:16:01,520 --> 00:16:05,400 Speaker 1: trusted it's reliable now. And that's the psycho thing about 245 00:16:05,400 --> 00:16:07,360 Speaker 1: some of these people is they come in here with 246 00:16:07,440 --> 00:16:10,200 Speaker 1: their exotic first names and then a last name like Brown. 247 00:16:10,680 --> 00:16:16,440 Speaker 1: You know who's really really a criminal? Sutie Green, Sudi Green, 248 00:16:16,880 --> 00:16:21,000 Speaker 1: I'm sorry to say, poverty, shallow, Yeah, criminal criminal. It's 249 00:16:21,120 --> 00:16:24,560 Speaker 1: crazy you can profile people based on their first names 250 00:16:25,120 --> 00:16:31,200 Speaker 1: Bowen Yang, Yes, yes, criminal criminal. And so now we 251 00:16:31,320 --> 00:16:35,720 Speaker 1: have Guillan and Maxwell. And when Vanna returns to the studio, 252 00:16:35,920 --> 00:16:40,160 Speaker 1: she's walking back, she sees that Gilay is spelled out 253 00:16:40,200 --> 00:16:45,280 Speaker 1: on the board and she says, I'm sorry, I I 254 00:16:47,240 --> 00:16:52,320 Speaker 1: didn't know, and then her her arms start to give out. 255 00:16:52,760 --> 00:16:57,120 Speaker 1: She says, what's going on with my She can't feel 256 00:16:57,120 --> 00:16:59,520 Speaker 1: her toes, she can't feel her toes at all. And 257 00:16:59,560 --> 00:17:02,320 Speaker 1: it's very cold. All of a sudden, it's very cold 258 00:17:02,400 --> 00:17:04,199 Speaker 1: in the studio, and she realizes she's like, am I 259 00:17:04,200 --> 00:17:06,639 Speaker 1: having an anxiety attack? Am I having a panic attack? 260 00:17:07,200 --> 00:17:11,000 Speaker 1: And then one by one, the lights, the ceiling lights 261 00:17:11,080 --> 00:17:14,320 Speaker 1: from the outside of the studio start to turn off, 262 00:17:15,000 --> 00:17:17,160 Speaker 1: and then and then the ones next to them start 263 00:17:17,200 --> 00:17:20,000 Speaker 1: to turn off, and then it's and it's like, all 264 00:17:20,040 --> 00:17:22,240 Speaker 1: of a sudden, like and everyone in the audience is 265 00:17:22,280 --> 00:17:24,600 Speaker 1: starting to feel cold to everyone. They can see their 266 00:17:24,680 --> 00:17:28,119 Speaker 1: breath and all the contestants are like what and and 267 00:17:28,560 --> 00:17:30,600 Speaker 1: you know, it's just it gets really cold in the 268 00:17:30,600 --> 00:17:32,919 Speaker 1: studio and all of a sudden, the doors open and 269 00:17:33,160 --> 00:17:36,560 Speaker 1: in walks and all you hear is the high hills 270 00:17:36,640 --> 00:17:45,119 Speaker 1: like clack clack clack clack clack clack clack clack clack 271 00:17:45,440 --> 00:17:51,280 Speaker 1: clack clack, and pan up and everyone pans up because 272 00:17:51,280 --> 00:17:53,199 Speaker 1: no one's looking at at her face and was just 273 00:17:53,200 --> 00:17:59,600 Speaker 1: looking at the shoes. And it's Vanessa Lisha and she says, 274 00:17:59,800 --> 00:18:05,439 Speaker 1: I'm doing this now, my god, And Vanessa Lesha, Vanessa 275 00:18:05,520 --> 00:18:08,200 Speaker 1: Lesche walks over to Vanah White, who is on the 276 00:18:08,280 --> 00:18:13,800 Speaker 1: floor just soblade a, sobbing, can't feel it, does not 277 00:18:13,920 --> 00:18:18,760 Speaker 1: have any muscle control at all, as if she was 278 00:18:18,800 --> 00:18:23,320 Speaker 1: being attacked remotely, and she says, I'm sorry. I didn't 279 00:18:23,359 --> 00:18:27,560 Speaker 1: believe that Gilaine could be a name, and then Vanessa says, 280 00:18:27,640 --> 00:18:31,680 Speaker 1: shut up. She says shut up, and then she walks 281 00:18:31,760 --> 00:18:33,879 Speaker 1: over to the board to assume her new job. And 282 00:18:33,920 --> 00:18:37,280 Speaker 1: then she turns back and looks over her shoulders. She goes, actually, 283 00:18:37,800 --> 00:18:46,760 Speaker 1: on second thought, can it Missy Curtains curtains down. End 284 00:18:46,920 --> 00:18:50,960 Speaker 1: of play, end of play. It's a play twist. It 285 00:18:51,040 --> 00:18:53,359 Speaker 1: was a play twist. It was a play all along. 286 00:18:53,760 --> 00:18:56,359 Speaker 1: And this is the problem with everyone that listens to 287 00:18:56,400 --> 00:18:59,400 Speaker 1: our podcast is for them things have to be movies 288 00:19:00,119 --> 00:19:03,680 Speaker 1: and shows. And guess what, sometimes things can be plays. 289 00:19:03,880 --> 00:19:11,240 Speaker 1: It's actually real culture number nine. Some sometimes things can plays. 290 00:19:12,440 --> 00:19:15,160 Speaker 1: I think I would love to see like a play 291 00:19:15,200 --> 00:19:20,400 Speaker 1: about um a game show host duo dynamic like passage 292 00:19:20,480 --> 00:19:23,200 Speaker 1: Iack and mana White? What should what should what should 293 00:19:23,200 --> 00:19:25,760 Speaker 1: their dynamic be? It should be like on TV. It's 294 00:19:25,760 --> 00:19:28,320 Speaker 1: like and I'm sure like they get along great in 295 00:19:28,359 --> 00:19:30,200 Speaker 1: real life, but like the dynamics should be it should 296 00:19:30,200 --> 00:19:32,760 Speaker 1: be like morning show or something. But it's Larry Standers 297 00:19:32,840 --> 00:19:35,639 Speaker 1: but a game show. Yes, like Larry Sanders as well, 298 00:19:36,119 --> 00:19:39,040 Speaker 1: just like but then you know, behind behind the scenes 299 00:19:39,280 --> 00:19:42,680 Speaker 1: things get ugly. What if? What if? This is crazy? 300 00:19:42,720 --> 00:19:45,800 Speaker 1: It's Wheel of Fortune but um And so there's a 301 00:19:45,800 --> 00:19:49,720 Speaker 1: host and a Vanna White and the second they get backstage, 302 00:19:50,359 --> 00:19:53,359 Speaker 1: the Vana White is like, what are you doing? You fool? 303 00:19:53,760 --> 00:19:55,520 Speaker 1: I told you, And all of a sudden, the girl 304 00:19:55,560 --> 00:19:59,040 Speaker 1: who does the stupid thing of pressing the screens actually 305 00:19:59,040 --> 00:20:00,920 Speaker 1: turns out to be one of the more powerful people 306 00:20:00,960 --> 00:20:13,440 Speaker 1: in entertainment, like Lane, like real talk. When I first 307 00:20:13,480 --> 00:20:15,840 Speaker 1: heard about Gilay and Maxwell, I thought, I don't know 308 00:20:15,880 --> 00:20:18,720 Speaker 1: who that is, and I honestly went to go look 309 00:20:18,920 --> 00:20:26,439 Speaker 1: her up and couldn't figure out how Gilaane worked. I 310 00:20:26,480 --> 00:20:28,040 Speaker 1: think that that was that that was a lot of people, 311 00:20:29,080 --> 00:20:32,720 Speaker 1: and that's what makes her so fucking sneaky. Oh yeah, 312 00:20:33,280 --> 00:20:35,879 Speaker 1: you don't remember her name. It's like she could have. 313 00:20:36,280 --> 00:20:39,399 Speaker 1: That's why we haven't said his name once and we won't. 314 00:20:39,680 --> 00:20:46,359 Speaker 1: We won't know. Yes, that's why she was his She 315 00:20:46,440 --> 00:20:48,600 Speaker 1: could like sort of be sneak in his right hand 316 00:20:48,600 --> 00:20:52,120 Speaker 1: person this whole time. The whole time is because name 317 00:20:52,240 --> 00:20:55,639 Speaker 1: was that woman and they were like Gila right, and 318 00:20:55,680 --> 00:20:59,400 Speaker 1: they were like, yes, that was very shifty. I hope 319 00:20:59,400 --> 00:21:03,440 Speaker 1: she gets what's coming to her prison. She should be 320 00:21:03,480 --> 00:21:06,879 Speaker 1: in prison for the rest of her life. And we 321 00:21:06,880 --> 00:21:11,840 Speaker 1: should also say, for real, she should. I don't think 322 00:21:11,880 --> 00:21:16,720 Speaker 1: that's I don't think that's unclear our stance on the 323 00:21:16,720 --> 00:21:18,679 Speaker 1: Guilline of it all. I think that we should take 324 00:21:18,760 --> 00:21:21,400 Speaker 1: us to everyone take a stance on Guillen today. Yeah, 325 00:21:21,400 --> 00:21:24,919 Speaker 1: can everyone just finally take a stance on Gillane and 326 00:21:24,920 --> 00:21:26,879 Speaker 1: talk to your family members about Glene so that they 327 00:21:26,880 --> 00:21:28,600 Speaker 1: can take a stance on it too, because we can't, 328 00:21:29,680 --> 00:21:31,639 Speaker 1: you know, we can't. We can't be neutral in this 329 00:21:31,920 --> 00:21:34,600 Speaker 1: otherwise the oppressor wins. Is that one way to bring 330 00:21:34,640 --> 00:21:47,120 Speaker 1: America together glean Absolutely, Yes, I'm sorry. This is this 331 00:21:47,160 --> 00:21:49,960 Speaker 1: is the way to like really kill two birds with 332 00:21:49,960 --> 00:21:52,879 Speaker 1: one stone is be like, this is what actual like, 333 00:21:53,520 --> 00:21:58,159 Speaker 1: you know, child sex looks like like it's it's the 334 00:21:58,160 --> 00:22:00,520 Speaker 1: Glen Maxiwells of the world through like organ mines. Lest 335 00:22:00,640 --> 00:22:04,520 Speaker 1: it's not. It's not these other bad, bad actors, you know. 336 00:22:05,560 --> 00:22:09,640 Speaker 1: But you know, the Gallain thing could go prattyy far. 337 00:22:12,080 --> 00:22:14,240 Speaker 1: What do you mean? What does that mean? I think 338 00:22:14,280 --> 00:22:16,840 Speaker 1: a lot of guys out there need to be really worried. 339 00:22:18,200 --> 00:22:25,359 Speaker 1: M Ronald McDonald's all the powerful guys, Walt Disney, he 340 00:22:25,400 --> 00:22:29,399 Speaker 1: should be quaking bugs, bunny bugs, bunny We're coming for you. 341 00:22:30,080 --> 00:22:37,000 Speaker 1: Charles M. Schultz pedophile. No, I take that back, cut 342 00:22:37,040 --> 00:22:40,560 Speaker 1: that out. These can't come out these episodes. Nothing can 343 00:22:40,600 --> 00:22:45,480 Speaker 1: come out. That's not true culture. That was not a 344 00:22:45,680 --> 00:22:53,679 Speaker 1: rule of culture. What are your closing thoughts on online? Um, 345 00:22:53,720 --> 00:22:55,880 Speaker 1: I think that it was one of the twelve days 346 00:22:55,920 --> 00:22:59,040 Speaker 1: of culture. Was the day that she was arrested. Because 347 00:22:59,119 --> 00:23:01,000 Speaker 1: I believe that she was one of the worst criminals 348 00:23:01,000 --> 00:23:03,680 Speaker 1: of all time. I believe that she should be locked 349 00:23:03,680 --> 00:23:06,800 Speaker 1: away with the likes of Yolanda Salivar. Another one of 350 00:23:06,840 --> 00:23:10,560 Speaker 1: the worst criminals of all time, Keith Rerneery. I think 351 00:23:10,560 --> 00:23:12,520 Speaker 1: he should be locked up for all time. I think 352 00:23:12,560 --> 00:23:16,359 Speaker 1: all these people should get locked up. And that's sort 353 00:23:16,400 --> 00:23:19,119 Speaker 1: of like my role as the one of the hosts 354 00:23:19,160 --> 00:23:22,040 Speaker 1: of this true crime podcast episode of Laws Cultures is 355 00:23:22,040 --> 00:23:26,199 Speaker 1: the one that's like wants justice so bad in the 356 00:23:26,240 --> 00:23:30,280 Speaker 1: form of imprisonment. Yeah, I love that. I feel like 357 00:23:30,320 --> 00:23:33,840 Speaker 1: in every duo there's like one that really wants justice, 358 00:23:34,600 --> 00:23:36,520 Speaker 1: Like there's like a molder in a skully, you know. 359 00:23:37,280 --> 00:23:42,080 Speaker 1: I want to believe in the skeptic m hmm. Not 360 00:23:42,119 --> 00:23:44,600 Speaker 1: sure how that relates to us. Now. I think you're 361 00:23:44,600 --> 00:23:48,840 Speaker 1: saying you're you're the believer. Here's the thing. Do you 362 00:23:48,880 --> 00:23:57,800 Speaker 1: believe in aliens? Yeah, okay, freak explain why? Well, there's 363 00:23:57,920 --> 00:24:01,760 Speaker 1: um is it Kepler's paradigm. I don't know what it is. 364 00:24:02,200 --> 00:24:05,080 Speaker 1: In order to ask me if I know, yes, right, 365 00:24:05,320 --> 00:24:08,080 Speaker 1: I have to understand what it is. Explain why you 366 00:24:08,119 --> 00:24:11,199 Speaker 1: believe an aliens yes, there are there are these like 367 00:24:11,760 --> 00:24:15,960 Speaker 1: scientific paradoxes that are like statistically like, there has to 368 00:24:16,000 --> 00:24:20,119 Speaker 1: be alien life forms in this galaxy. I don't know 369 00:24:20,119 --> 00:24:24,720 Speaker 1: about this galaxy. But the paradoxes are that there are 370 00:24:24,760 --> 00:24:27,960 Speaker 1: definitely aliens that are out there, but the paradox is 371 00:24:28,040 --> 00:24:30,639 Speaker 1: that none of them will want to come to Earth. 372 00:24:30,960 --> 00:24:32,840 Speaker 1: The ones that end up being so advanced that they 373 00:24:32,880 --> 00:24:37,960 Speaker 1: do come to Earth, UM, will only want to destroy us. Right, 374 00:24:39,040 --> 00:24:42,400 Speaker 1: So you're saying that they are out there, but they're 375 00:24:42,440 --> 00:24:46,119 Speaker 1: not going to bother us because they don't want anything 376 00:24:46,200 --> 00:24:49,439 Speaker 1: from us because they've already surpassed us. Yeah, it's oh, 377 00:24:49,480 --> 00:24:52,120 Speaker 1: it's the I'm sorry, Okay, it's the Fermi paradox. That's 378 00:24:52,119 --> 00:24:56,080 Speaker 1: what I was trying to think about. Fermi paradox. Yes, 379 00:24:56,200 --> 00:24:58,919 Speaker 1: there's more to it. I'm oversimplifying it, but yeah, do 380 00:24:58,960 --> 00:25:02,000 Speaker 1: you believe an aliens? Actually? Did hear from a friend today, 381 00:25:02,280 --> 00:25:07,359 Speaker 1: um that there is this idea that we are not 382 00:25:07,600 --> 00:25:10,159 Speaker 1: developed enough society if you can believe it, or not 383 00:25:10,280 --> 00:25:14,679 Speaker 1: to be of use to anyone in another galaxy that 384 00:25:14,720 --> 00:25:18,359 Speaker 1: would have the opportunity to come talk to us. Oh yeah, 385 00:25:18,680 --> 00:25:22,800 Speaker 1: for sure, for sure. Anyway, Um, I think this has 386 00:25:22,840 --> 00:25:29,000 Speaker 1: been really interesting. Oh, Doug says, Hans knows. Wait, Hans knows. Hans, 387 00:25:29,080 --> 00:25:32,600 Speaker 1: what information do you have about life outside of this galaxy? 388 00:25:32,840 --> 00:25:34,600 Speaker 1: I think Hans is gonna tell us that he believes 389 00:25:34,600 --> 00:25:37,639 Speaker 1: in aliens or that he's had an encounter. It exists, 390 00:25:37,720 --> 00:25:40,639 Speaker 1: he says, He says, it exists. Well, that's not going 391 00:25:40,720 --> 00:25:43,000 Speaker 1: to be enough, and we only have two more minutes 392 00:25:43,040 --> 00:25:44,840 Speaker 1: left in the episode, so you have to like sort 393 00:25:44,840 --> 00:25:49,399 Speaker 1: of prove or give credence to your theory, give useful 394 00:25:49,440 --> 00:25:56,560 Speaker 1: information before we wrap for the day. Crickets, crickets, I believe, 395 00:25:56,840 --> 00:25:59,280 Speaker 1: I'll forget it. He's just being he's just being a 396 00:25:59,359 --> 00:26:04,159 Speaker 1: David ducaf me and we're we're being Jillian. We're being Jillian. 397 00:26:04,280 --> 00:26:08,320 Speaker 1: And it's it's hard or soft Gee. This is women, 398 00:26:09,240 --> 00:26:11,960 Speaker 1: figure it out with figured out with the I really 399 00:26:12,000 --> 00:26:14,959 Speaker 1: don't trust hard soft g culture. I mean, like, and 400 00:26:15,040 --> 00:26:16,760 Speaker 1: then all of a sudden you get Gee Laine, and 401 00:26:16,800 --> 00:26:19,119 Speaker 1: then we have to have this whole episode I don't trust. 402 00:26:19,720 --> 00:26:22,600 Speaker 1: So happy that that woman is locked up, thank god, 403 00:26:22,920 --> 00:26:25,200 Speaker 1: thank god. I'm really happy that we finally walked through 404 00:26:25,240 --> 00:26:29,000 Speaker 1: her name. Well, we still have to to our appreciation 405 00:26:29,720 --> 00:26:32,040 Speaker 1: for the day of culture that was the day that 406 00:26:32,119 --> 00:26:35,080 Speaker 1: Gillian Maxwell was arrested this past summer, to everyone that 407 00:26:35,280 --> 00:26:41,320 Speaker 1: put her away, what we want to say is thank 408 00:26:41,359 --> 00:26:57,080 Speaker 1: you forgiving cold. You had a little h