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Speaker 1: And That's what you Really missed with Jenna and Kevin

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Speaker 1: an iHeartRadio podcast.

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Speaker 2: Welcome to and That's what You Really miss podcast. Hello Hello,

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Speaker 2: Season five, episode seventeen. We are at the tail end

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Speaker 2: of season five. Can you believe it?

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Speaker 1: No? And I also can't believe this is the first

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Speaker 1: episode that I'm not in and have not seen ever.

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Speaker 2: That's a crazy Cavin. Yeah, it's sad that I came

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Speaker 2: back and you left.

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Speaker 1: We can't exist at the same time. If you're there,

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Speaker 1: I can't be there. We're too powerful together.

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Speaker 2: I at least Tina was like, where's Artie.

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Speaker 1: Yeah, it's like, oh, no, is this.

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Speaker 2: Were you doing the movie still at this time?

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Speaker 1: Is that why? Yes? Yes, okay, got it, got it.

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Speaker 1: They corrected the error of their ways from the episode before.

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Speaker 2: It was straight to be there without you, because like,

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Speaker 2: I've never been there without you, obviously, because you are

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Speaker 2: the constant that's right up until this point, miss my presence,

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Speaker 2: so interested to see.

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Speaker 1: I have thoughts.

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Speaker 2: So let's just get through the our stuff, because I

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Speaker 2: have some thoughts and I have some questions for you. Great,

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Speaker 2: this is season five, episode seventeen. This is Opening Night,

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Speaker 2: and this is Rachel's Broadway debut as a Stair and

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Speaker 2: this is this aired on April twenty second, twenty fourteen.

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Speaker 1: The number one song in the Country is Still Happy

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Speaker 1: by Farrel Damn and the number one movie is still

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Speaker 1: Captain America the Winter Soldier as it should be. That's right,

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Speaker 1: Glee News This week.

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Speaker 2: On April twenty second, Glean the Music Opening Night EP

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Speaker 2: was released. As we've talked about, there will be an

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Speaker 2: EP for the rest of season five. There's five tracks

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Speaker 2: from including the season five version of I'm the Greatest Star,

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Speaker 2: and this EP was released for digital download only. We

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Speaker 2: have we have my grade away from CD fully and

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Speaker 2: this episode was directed of course, it was by Eric Stoltz.

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Speaker 1: He's back and Chris Parnell, the amazing Chris Barnell as

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Speaker 1: a guest star of this episode. What a joy with

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Speaker 1: a bunch of Glee people back as well.

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Speaker 2: Yes, we have some wonderful people back, Max Sadler, Josh Sussman,

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Speaker 2: Tina Cohen check.

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Speaker 1: That's right, and Base And we have a lot of

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Speaker 1: our friend dancer friends and this a lot of them.

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Speaker 1: They're all there, all the boys, okay.

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Speaker 2: Uh Love Fool by the Cardigans was the first number

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Speaker 2: opening number performed by Rachel and the alum.

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Speaker 1: N Y Sea was performed by Sue and.

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Speaker 2: Will I'm the Greatest Star by Rachel.

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Speaker 1: Who Are You Now? By Rachel and Sue.

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Speaker 2: And Pump and Blood by No No No, performed by

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Speaker 2: Rachel and the alums fun Facts.

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Speaker 1: This episode features the first appearances of Kowski since on

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Speaker 1: My Way Through fourteen and Jbi since Brittany two point

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Speaker 1: zero four oh two. This also marks Jbi's final appearance

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Speaker 1: on the show.

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Speaker 2: Oh that's a long time ago. Kelly saw Kosky like

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Speaker 2: a long time ago, and.

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Speaker 1: Especially in real time, like if this was going on,

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Speaker 1: you know that was years since.

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Speaker 2: Yeah, exactly, that is wild. It feels like he was

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Speaker 2: in so much more. Okay, So this is the first

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Speaker 2: episode where two sings in more than one song.

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Speaker 1: Wow, and she sounds great. She does, She's sang it.

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Speaker 1: Jane was in the twenty thirteen Broadway revival of Annie

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Speaker 1: as Miss Hannigan, and Sue is singing NYC a song

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Speaker 1: made famous from that show. It's from that show and

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Speaker 1: this episode, which is so great. I love that little

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Speaker 1: meta niss.

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Speaker 2: I know, I know she's done two Annie songs now.

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Speaker 2: Oh yeah, that was one of the fun things. This

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Speaker 2: is the second song that she sings from Annie, the

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Speaker 2: first being Little Girls.

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Speaker 1: This is the first episode to have one character, Rachel

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Speaker 1: sing three solos. That feels right, I mean it is

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Speaker 1: her opening. Yeah.

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Speaker 2: This is the first and only episode which a character

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Speaker 2: has more than two solos, with Rachel singing Love Fool,

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Speaker 2: I'm the Greatest Star, and pumpin Blood.

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Speaker 1: Yeah. This is the first episode in the series to

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Speaker 1: not feature Artie physically. There wow we speak.

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Speaker 2: And now as of this episode, obviously, since this and

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Speaker 2: your streak, no cast member has appeared in every episode

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Speaker 2: of the series at this point.

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Speaker 1: This is my fault. You broke it. This episode marks

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Speaker 1: the last appearance from Sue, Tina and Will in season five.

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Speaker 2: Oh wow Bye. It's also marks Tina's last appearance is

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Speaker 2: a main character.

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Speaker 1: And let me tell you, she really showed up and

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Speaker 1: showed out. Daniel Finn Schuster is born in this episode,

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Speaker 1: making him the third baby to be born during the

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Speaker 1: show's course, behind Beth and Robin.

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Speaker 2: That's right, and it is revealed that Will has still

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Speaker 2: been teaching at McKinley High since the time job, meaning

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Speaker 2: he didn't get the job at Carmel High.

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Speaker 1: What did they forget I think so Darren's parents can

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Speaker 1: be seen sitting behind Curt and Blaine in the audience

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Speaker 1: during Funny Girl.

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Speaker 2: Oh, Rachel's calendar shows opening night is April twenty fourth,

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Speaker 2: meaning the timeline is in line with present day OOO.

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Speaker 1: Coincidentally, April twenty fourth is also Barber Streisan's birthday. Wow.

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Speaker 2: And Rachel's dressing room has more some similarities with Fanny

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Speaker 2: Brice's in the Funny Girl movie.

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Speaker 1: I love that.

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Speaker 2: So Rachel's dressing room is number eight, the same number

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Speaker 2: as Fanny's. The wall have similar colors, and they've exposed

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Speaker 2: bricks just like in the movie. And there's a rack

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Speaker 2: with some costumes in the background.

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Speaker 1: Okay, so this episode, the night has finally arrived for

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Speaker 1: Rachel's Broadway debut in Funny Girl, and she has very

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Speaker 1: special guests in town to support her career defining moment.

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Speaker 2: Okay, now I'm a number number one. No, I just

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Speaker 2: have this. I have thoughts and questions. So number one, Uh,

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Speaker 2: Tina's back and she's written so annoying that I actually

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Speaker 2: like wanted to punch her. I was like, shut up, Tina,

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Speaker 2: just stop, and like why does everybody hate you?

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Speaker 1: Now? I enjoyed this episode. I did.

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Speaker 2: I'm continuing the streak of really enjoying the New York's

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Speaker 2: spin off. This is like, this is the climax. We

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Speaker 2: have reached Rachel's Broadbay debut. Like mister, she says in

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Speaker 2: the dressing room, like we all knew we were going

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Speaker 2: to be here someday right.

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Speaker 1: Now.

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Speaker 2: I enjoyed watching this episode a little less, and I

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Speaker 2: think it's because I was in it.

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Speaker 1: And on the flip side, I had the time of

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Speaker 1: my life.

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Speaker 2: See that's what I was gonna ask.

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Speaker 1: I was howling. I have never laughed out loud at

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Speaker 1: watching one of these episodes like I did. I was

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Speaker 1: sitting here, I went from laughing to crying to laughing.

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Speaker 1: I felt all the emotions. I thought, the show has

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Speaker 1: never been funnier.

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Speaker 2: Okay, it was a really funny episode.

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Speaker 1: It was there. But also but like pressure the Cop,

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Speaker 1: the comedy was everybody was firing on all cylinders. And

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Speaker 1: I know you think, like, oh, the writers must hate

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Speaker 1: me because they're making no I think it's the complete opposite.

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Speaker 1: Like all of like Tina being the punching bag, I

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Speaker 1: understand from a personal level, probably feels personal and terrible. However,

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Speaker 1: watching it is so satisfying and funny because in the

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Speaker 1: like the serious moments where Rachel is like spinning out

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Speaker 1: and she reads some letter who wrote this Tina dying.

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Speaker 1: I thought my letter was really good. All the gay

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Speaker 1: jokes about you dating gay men, like you coming in

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Speaker 1: and saying all like you also deliver you know, it's hard.

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Speaker 1: I think people underestimate how hard it is to be

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Speaker 1: that character and to not completely play into it and

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Speaker 1: like you just deliver that thanks. It is great. I thought,

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Speaker 1: I love like the running gag now of like whether

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Speaker 1: you're in the episode or not, of talking about how insane.

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Speaker 2: Her take her down, Take her down, Bynny.

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Speaker 1: I thought Leah was obviously like exceptional, Yes, definitely so funny,

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Speaker 1: so heartbreaking. Also, I love when she hadn't been in

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Speaker 1: bed for two days in her hair was still just

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Speaker 1: completely beautiful perfect. Jane was hilarious. I have thoughts on

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Speaker 1: the Jane storyline. I did sort of just want it

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Speaker 1: to be Rachel's moment because that was also good. The

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Speaker 1: chemistry obviously between everybody and the way everybody shows up

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Speaker 1: as their characters to interact with whatever Rachel's going through

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Speaker 1: is perfect. Obviously, you know you all know your characters

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Speaker 1: so well. The writers know your characters so well, like

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Speaker 1: everybody's acting and true form. And also it's nice to

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Speaker 1: everybody's acting in support in a positive way to Rachel,

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Speaker 1: which a lot of the time doesn't happen because she

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Speaker 1: gets on everybody's nerves. Right.

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Speaker 2: It was like nice to see like the team together, right,

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Speaker 2: we were like the team was together, and Kurt taking

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Speaker 2: away all the media, you know, so she can't read

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Speaker 2: the reviews and everybody. Now we'll get to the suicide

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Speaker 2: of things, but obviously, like this is all about Rachel

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Speaker 2: and her opening night. This that you had mentioned about,

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Speaker 2: like when everybody pops in to like do their.

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Speaker 1: Thing is so brilliant. It's so well done.

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Speaker 2: The knife with the strings the basket.

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Speaker 1: Like you're cutting the guitar strings is so good, so

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Speaker 1: so good. How she read that letter that Tina wrote

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Speaker 1: and made up and then you know in the scene

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Speaker 1: later you mentioning it. I just who I still can't

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Speaker 1: get over it. Even as the episode was going on,

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Speaker 1: I just kept thinking about the way she was saying,

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Speaker 1: who wrote this? Teen? It was also like Leah is

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Speaker 1: a very funny person, yes, and.

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Speaker 2: Rachel she doesn't get to do that right, not.

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Speaker 1: All the time, and there's you know, there's maybe a

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Speaker 1: scene or two, but how many of those looks and

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Speaker 1: there we're like, oh, that's Leah, Leah doing Leah and

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Speaker 1: like because she's really funny, Yeah, really funny, and so

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Speaker 1: like to see her do some of those things on

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Speaker 1: camera is really satisfied. It was really good.

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Speaker 2: She was a plus plus and this whole episode obviously

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Speaker 2: the group together, like I get I get this satisfaction again.

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Speaker 2: It was hard for me to separate because I was there,

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Speaker 2: but like watching going back to like the last few episodes,

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Speaker 2: it's still like really satisfying when like it's so focused,

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Speaker 2: like it's just one to do storylines right now, maybe

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Speaker 2: three with mister Shu. Yeah, like it is simple and

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Speaker 2: clear and there's time and there's like breathing, and I like,

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Speaker 2: I just I love that we got to see some

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Speaker 2: of the performances.

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Speaker 1: Like that was really satisfied. No, not at all, like.

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Speaker 2: The reviews itself, like reading the reviews everything anyway, So

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Speaker 2: let's let's talk about like the episode a little bit

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Speaker 2: and we can get into like some of our favorite parts.

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Speaker 1: So this opening sequence, Yeah, if any of you are

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Speaker 1: I don't think you have to be a performer. If

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Speaker 1: you have a big presentation at work, if you have

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Speaker 1: a presentation, a speech to give in class or anything

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Speaker 1: like that, I assume you have the same terror dreams,

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Speaker 1: because every performer's worst nightmare, and it's a nightmare many

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Speaker 1: of us have had. If you get woken up and

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Speaker 1: you have to go on stage, you're like, I'm not ready.

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Speaker 1: I don't know my lines, I don't know the numbers

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Speaker 1: with my blocking, I don't have the costumes and the

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Speaker 1: way it was done, and the show is so perfect,

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Speaker 1: the teeth, the tea, everything. It's every bad dream in

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Speaker 1: one and we've all experienced it seeing all those random

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Speaker 1: people from your past, and there John Locke in a

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Speaker 1: bald cap playing the drums and the girl on piano

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Speaker 1: with your SIPs rose from Titanic, Like, I don't know,

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Speaker 1: it's weird? Is it was trippy? It was really really

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Speaker 1: and accurate. She goes from like sitting in bed to

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Speaker 1: being naked, to being in the audience to being on

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Speaker 1: stage singing love Ful, which I also think was a

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Speaker 1: perfect song selection. Do you At first, I was like,

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Speaker 1: what is this? This feels wrong?

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Speaker 2: Still a little confused by it.

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Speaker 1: Because she sing love Me, Love Me, and all she

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Speaker 1: wants to do. This whole number is like it's setting

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Speaker 1: up the whole episode because she's worried about the review,

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Speaker 1: She's worried about the trolls on the internet, the whole thing.

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Speaker 2: Okay, okay, I know again.

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Speaker 1: The spiral of where you're trying to convince yourself, like

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Speaker 1: self sabotaging before this, like I can't do this, I

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Speaker 1: can't do it for sure.

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Speaker 2: Okay, okay, fair enough, I get it now, I get it.

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Speaker 2: That's a good, good point. I totally missed that.

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Speaker 1: I don't agree with the last song in the episode.

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Speaker 2: Well that was weird. It was fun, but it was weird.

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Speaker 1: And we'll get to that. But I thought this opening

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Speaker 1: sequence was so real and made me nervous.

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Speaker 2: Very fair, very fair, very fair. I was a little

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Speaker 2: confused by it at first, and I think I was.

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Speaker 2: It was the idea of like I didn't get the

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Speaker 2: song choice, so like the whole thing just felt like

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Speaker 2: out of sorts to me. But the way you put

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Speaker 2: it just now, I totally am on board.

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Speaker 1: Yes, but I even think the genre of song because

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Speaker 1: it does seem like out of sorts and disorienting like,

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Speaker 1: I kind of nice. I think it's I love.

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Speaker 2: The performance of it. Like I I was like, whatever

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Speaker 2: she's doing, I buy it, you know what I mean.

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Speaker 2: I just didn't quite understand the choice of like why,

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Speaker 2: but now I get it. Okay, great, great, great. So

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Speaker 2: everybody's coming to show up for her opening night. She's

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Speaker 2: got all this anxiety. Kurt takes all of her phone

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Speaker 2: so she can't read reviews and computer, and then Tina

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Speaker 2: comes into town and says.

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Speaker 1: Oh, just when you think she said it all, there's more.

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Speaker 2: There's always more. She always has more to say. She

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Speaker 2: always has more to say. It was it was fun

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Speaker 2: to shoot in the loft. Yeah, it's different. It's like

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Speaker 2: a totally different vibe, Like it's faster, it's more adult,

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Speaker 2: Like it felt like you were shooting a totally different

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Speaker 2: TV show, right, It was really weird.

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Speaker 1: It'ah so much faster, and you're also coming in and

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Speaker 1: just doing like straight comedy like, so that pace is

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Speaker 1: also different on top of the pace of just shooting

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Speaker 1: in the loft is quicker in general. Yes, yes, How

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Speaker 1: did do you remember the feeling of coming back after

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Speaker 1: being off for a little bit?

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Speaker 2: Yeah, honestly, I didn't. I don't it felt weird because

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Speaker 2: it felt like I was coming in. It's almost like

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Speaker 2: this is an interesting reference in my head, like when

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Speaker 2: you graduate from high school and you go back to.

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Speaker 1: Your high school. Yeah, that's what it felt like.

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Speaker 2: It felt like coming back to like a very familiar place,

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Speaker 2: but like in a new with like new people, but

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Speaker 2: like obviously it was all of our friends, so it

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Speaker 2: wasn't young people.

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Speaker 1: It was really fun.

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Speaker 2: It was actually really nice to come in and be

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Speaker 2: like refreshed and have a totally different like storyline and

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Speaker 2: even though the gags are similar, like it just felt new,

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Speaker 2: like I was just I was like there for it.

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Speaker 2: I wasn't rushing to get home, like it was like, great,

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Speaker 2: I'm here for one, Like put me in coach and

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Speaker 2: I'll see you later. You don't even have a good time,

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Speaker 2: you guys.

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Speaker 1: It was really god that you got so much more too,

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Speaker 1: Like even at the end would be like I got

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Speaker 1: the DJ's number and everyone's like, no.

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Speaker 2: It's funny, right, it's fun to It was fun to

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Speaker 2: be with everybody, for sure. It's fun to be back

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Speaker 2: and the cont like, yes, it was really nice to

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Speaker 2: feel like I was featured and it was like worth

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Speaker 2: being there, you know what I mean, Like my time

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Speaker 2: was being used like well and efficiently, and even though

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Speaker 2: like that's all I was asking for.

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Speaker 1: I'm not asking to be Rachel. I don't want to

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Speaker 1: be Rachel.

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Speaker 2: Like that's not what I you know what I mean

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Speaker 2: this is this was Leah's episode, but like it was

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Speaker 2: just so much fun to be there.

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Speaker 1: Honestly, So this this mom tage of everybody coming in

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Speaker 1: to cheer Rachel up because she puts herself to bed

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Speaker 1: so much fun to watch, so satisfying. I mean, it

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Speaker 1: also feels like the energy in this episode Stolts. This

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Speaker 1: is why I think he's perfect for this. Stolets does

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Speaker 1: heart and comedy in such a balanced way, balance an

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Speaker 1: efficient way. Yes, where there's no like Fufarah. It's straight

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00:17:35,760 --> 00:17:38,360
Speaker 1: to the point and like the jokes land, the timing

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Speaker 1: is always correct, like he has all of this thought

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Speaker 1: out beforehand, and.

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Speaker 2: He's like it pays attention to the detail, but like

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Speaker 2: he's still so fast about it that like it gets done.

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Speaker 2: It was nice to come back with Sults too, because

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Speaker 2: like it's a familiar director that.

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Speaker 1: You know is going to get his shit done and

320
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Speaker 1: he's going to do it well.

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Speaker 2: The also the leading up to that when she when

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Speaker 2: Kurt catches her in bed with all of the reviews

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Speaker 2: and like all the different like mediums was so funny.

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Speaker 2: It's so it was so particular to the time too,

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00:18:11,359 --> 00:18:14,080
Speaker 2: because like it was not only just like the New

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Speaker 2: York Times and where you pick up the paper at

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Speaker 2: the newstand, Like you have the Internet, you have the phone,

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Speaker 2: you have social media, and it felt like very it

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Speaker 2: resonated with like both on screen and off of like

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Speaker 2: what we were dealing with. Like I remember going on

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Speaker 2: up Perez Perez at the time and reading comments and

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Speaker 2: like I'm not reading comments anymore. Yeah, like it's a

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Speaker 2: really dark cold that you can go down and you

334
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Speaker 2: have to decide whether you're going to do it or not.

335
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Speaker 2: And it's like you have to take the good with

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Speaker 2: the bad, and you get the bad with the good,

337
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Speaker 2: you know. So it felt very indicative of like what

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Speaker 2: we were also going through in that period of time.

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Speaker 1: Yeah, it's like way, so you also have two more

340
00:19:02,119 --> 00:19:05,000
Speaker 1: additions showing up. You have Shoe and you have Sue

341
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Speaker 1: showing up, which I also really liked. I did like

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Speaker 1: let's get the gang back together, because this is like

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Speaker 1: the first real life big thing outside of McKinley to

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Speaker 1: happen like this, like professionally speaking, yes, and it's like

345
00:19:22,240 --> 00:19:26,360
Speaker 1: a dream. It's specific to the glee club, and it

346
00:19:26,440 --> 00:19:30,200
Speaker 1: is nice and it always it also seems like, oh,

347
00:19:30,280 --> 00:19:33,159
Speaker 1: Sue's about to do one of her I mean, but

348
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Speaker 1: I'm actually nice things, is what it felt like. Like.

349
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Speaker 1: I ultimately I do want to be there to see

350
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Speaker 1: her perform, and the fact that did not turn into

351
00:19:42,280 --> 00:19:45,760
Speaker 1: that is very surprising. I really thought that she was

352
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Speaker 1: gonna have some sort of like redemption here. When she

353
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Speaker 1: really tripled down on how much she hates Funny Girl

354
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Speaker 1: and Rachel and musicals, I was just shocked. I did

355
00:20:00,800 --> 00:20:03,520
Speaker 1: like them being there. I did like Sue walking into

356
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Speaker 1: the loft and making those jokes.

357
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Speaker 2: And NYC also love that number. I loved it. I

358
00:20:10,880 --> 00:20:12,840
Speaker 2: just enjoyed it. I loved it. I thought the snow

359
00:20:12,840 --> 00:20:15,480
Speaker 2: globe was brilliant. I just I really enjoyed it.

360
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Speaker 1: It was incredible, it was so good. It loved it.

361
00:20:19,480 --> 00:20:21,400
Speaker 1: I was like, here we are. You know, I've said

362
00:20:21,400 --> 00:20:23,600
Speaker 1: this already, I think in the back half of the season,

363
00:20:23,680 --> 00:20:28,240
Speaker 1: but here we are in the later stages of season five,

364
00:20:29,400 --> 00:20:32,040
Speaker 1: and this is one of the most creative numbers that's

365
00:20:32,040 --> 00:20:33,040
Speaker 1: ever been done on the show.

366
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Speaker 2: I thought it was so good, brilliant.

367
00:20:37,720 --> 00:20:40,560
Speaker 1: And the way that like Will's interacting with it, where

368
00:20:40,600 --> 00:20:43,359
Speaker 1: he's like, am I in this? What's going on? Okay?

369
00:20:44,200 --> 00:20:47,359
Speaker 1: I'm in it? The trench coat over the track suit,

370
00:20:48,200 --> 00:20:53,760
Speaker 1: the beautiful sets that were being used, and like how

371
00:20:53,760 --> 00:20:55,840
Speaker 1: they're being driven on and off of set, Like this

372
00:20:55,880 --> 00:21:01,240
Speaker 1: whole thing is stunning, No, really, really really good.

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Speaker 2: I Will also say, yes, Sue does not. She she

374
00:21:14,280 --> 00:21:18,199
Speaker 2: hates it. She's she's not she's selling her ticket. She

375
00:21:18,280 --> 00:21:25,159
Speaker 2: isn't even gonna go in to Funny Girl. But Chris Parnell, Like,

376
00:21:25,720 --> 00:21:30,080
Speaker 2: just being able to watch Chris Parnell and Jane worked

377
00:21:30,080 --> 00:21:31,760
Speaker 2: together was.

378
00:21:33,840 --> 00:21:36,280
Speaker 1: A joy. Like it was it was.

379
00:21:36,400 --> 00:21:40,359
Speaker 2: Truly and it was so like the storyline was so

380
00:21:40,560 --> 00:21:43,320
Speaker 2: weird and almost like it was so weird that it

381
00:21:43,400 --> 00:21:46,000
Speaker 2: had to be there or it was fine being there

382
00:21:46,000 --> 00:21:50,760
Speaker 2: because it was so weird. But I I enjoyed the

383
00:21:50,760 --> 00:21:53,359
Speaker 2: two of them together even though it was a weird

384
00:21:53,720 --> 00:21:59,560
Speaker 2: pairing and a weird storyline. I and to watch Chris

385
00:21:59,560 --> 00:22:03,600
Speaker 2: Parnell out in a robe in front of you, it

386
00:22:03,840 --> 00:22:05,920
Speaker 2: was like it was like I was like, please, let

387
00:22:06,000 --> 00:22:07,520
Speaker 2: us work with him more because he.

388
00:22:07,520 --> 00:22:11,879
Speaker 1: Is so funny. I was jealous, That's what I was

389
00:22:11,960 --> 00:22:13,960
Speaker 1: jealous of. I was jealous that you guys are getting

390
00:22:14,000 --> 00:22:15,399
Speaker 1: to work with Chris Parnell and I wasn't.

391
00:22:15,680 --> 00:22:19,320
Speaker 2: And Jane like her coming in and doing that whole thing, yes,

392
00:22:19,320 --> 00:22:22,240
Speaker 2: and then watching being able Leah being able to tell

393
00:22:22,840 --> 00:22:27,159
Speaker 2: her off like Rachel being Sue off was so good.

394
00:22:29,840 --> 00:22:35,480
Speaker 2: Her response like, well, I'm not welcoming, it's great. I

395
00:22:36,800 --> 00:22:40,119
Speaker 2: just like the whole experience behind the camera was like,

396
00:22:40,280 --> 00:22:41,200
Speaker 2: so much fun?

397
00:22:43,000 --> 00:22:45,400
Speaker 1: Is that? Then Leah and Jane both ended up doing

398
00:22:45,400 --> 00:22:51,160
Speaker 1: Funny Girl. Right, Jane did it too. I forgot. It's

399
00:22:51,280 --> 00:22:57,480
Speaker 1: so strange, so weird, so weirdly right, it's so weird

400
00:22:58,920 --> 00:23:01,960
Speaker 1: to wrap this of Jane's storyline up. The thing is,

401
00:23:02,000 --> 00:23:09,200
Speaker 1: it's like, objectively that storyline I didn't necessarily need to

402
00:23:09,240 --> 00:23:11,840
Speaker 1: be there, but she's so good that you just watch

403
00:23:11,880 --> 00:23:14,399
Speaker 1: her do anything and be thankful for it. Yeah, like

404
00:23:14,960 --> 00:23:16,480
Speaker 1: her whole rank at the beginning.

405
00:23:16,240 --> 00:23:19,800
Speaker 2: Jane in the show and not give her enough, you

406
00:23:19,800 --> 00:23:21,320
Speaker 2: know what I mean, like give her stuff.

407
00:23:21,640 --> 00:23:25,960
Speaker 1: Yes's Corner's corner was phenomenal. And also I was like

408
00:23:26,720 --> 00:23:31,160
Speaker 1: I didn't know that this sort of like right wing

409
00:23:31,400 --> 00:23:35,439
Speaker 1: conspiracy about New York was alive, and well, then like

410
00:23:36,600 --> 00:23:42,880
Speaker 1: has really been my barometer of like where the Republican

411
00:23:42,920 --> 00:23:49,920
Speaker 1: Party was at. She really knew and Ian really knew

412
00:23:49,960 --> 00:23:55,200
Speaker 1: what was going on with the Conservative Party. That's the truth. Yeah,

413
00:23:55,280 --> 00:23:57,240
Speaker 1: and so he had his finger on the polls politically,

414
00:23:57,280 --> 00:24:02,199
Speaker 1: who knew. We never talked about politics, not but I

415
00:24:02,240 --> 00:24:05,600
Speaker 1: thought that rant was brilliant and then her being like,

416
00:24:05,680 --> 00:24:08,240
Speaker 1: well I got caught. I actually have to go to

417
00:24:08,280 --> 00:24:11,159
Speaker 1: New York now. I liked that whole thing. I did do.

418
00:24:11,880 --> 00:24:15,280
Speaker 1: I loved it. I do wish I and I like her.

419
00:24:15,520 --> 00:24:17,840
Speaker 1: You know, when the storyline wraps up with her and

420
00:24:17,920 --> 00:24:19,880
Speaker 1: Chris Parnell, it's so sweetly, you know, thanks for making

421
00:24:19,920 --> 00:24:22,200
Speaker 1: me feel like a girl, Like you're not like that,

422
00:24:22,280 --> 00:24:23,760
Speaker 1: you are lovable.

423
00:24:24,400 --> 00:24:29,919
Speaker 2: That was really sweet and profound, and I truly do

424
00:24:30,119 --> 00:24:32,280
Speaker 2: think at the root of it, and I think Jane

425
00:24:32,359 --> 00:24:35,800
Speaker 2: has maybe mentioned this before, like somebody so evil and

426
00:24:35,920 --> 00:24:41,200
Speaker 2: vile like that who acts that way ultimately, like at

427
00:24:41,240 --> 00:24:45,200
Speaker 2: the Foundation doesn't feel self worth, right, they don't.

428
00:24:45,440 --> 00:24:48,040
Speaker 1: It's all action feel exactly.

429
00:24:47,760 --> 00:24:50,400
Speaker 2: Yes, And so for him to say that so late

430
00:24:50,440 --> 00:24:52,640
Speaker 2: in the game of the show, for somebody to come

431
00:24:52,680 --> 00:24:57,240
Speaker 2: and see Sue that way. It was actually really groundbreaking

432
00:24:57,400 --> 00:24:59,440
Speaker 2: and profound and important.

433
00:24:59,480 --> 00:25:03,600
Speaker 1: In that moment, I also thought, we know Chris Parnell

434
00:25:03,640 --> 00:25:06,960
Speaker 1: from SNL and being you know, like big and over

435
00:25:07,000 --> 00:25:12,359
Speaker 1: the top. His whole performance was so understated and real,

436
00:25:12,560 --> 00:25:16,679
Speaker 1: and then you have Sue who's doing Sue things, and

437
00:25:16,760 --> 00:25:21,359
Speaker 1: it was really nice. I like their chemistry together in

438
00:25:21,400 --> 00:25:24,320
Speaker 1: that way. The balance of it was such a success

439
00:25:24,520 --> 00:25:29,560
Speaker 1: that I'm like, ah, yeah, Jane sounded great. Don't get

440
00:25:29,560 --> 00:25:35,360
Speaker 1: me wrong, Jane sounded great. However, my biggest like no

441
00:25:36,359 --> 00:25:39,800
Speaker 1: is having who are you now? As a duet duet.

442
00:25:40,160 --> 00:25:41,640
Speaker 2: I was like, they're not going to do this.

443
00:25:42,160 --> 00:25:45,720
Speaker 1: Especially because it was already brought up that Rachel was

444
00:25:45,800 --> 00:25:48,960
Speaker 1: most worried about that song because she thinks of Finn

445
00:25:49,000 --> 00:25:50,399
Speaker 1: and if she can get through that song, it's going

446
00:25:50,480 --> 00:25:53,960
Speaker 1: to be fine and luckily, and I feel like this

447
00:25:54,080 --> 00:25:57,320
Speaker 1: is a taste thing on Stultza's level. Of the song

448
00:25:57,359 --> 00:26:01,000
Speaker 1: starts out where it's a duet, but the back half

449
00:26:01,040 --> 00:26:07,640
Speaker 1: of that number is just on Rachel and boy, oh boy, goosebumps.

450
00:26:07,880 --> 00:26:09,480
Speaker 1: I have chills right now talking about it.

451
00:26:09,680 --> 00:26:15,120
Speaker 2: What a what a performance. Tears, yes, tears from everybody.

452
00:26:15,400 --> 00:26:20,480
Speaker 2: She's giving you, she is giving I am I was floored.

453
00:26:21,119 --> 00:26:23,959
Speaker 1: I'm getting ahead of myself. Sorry, I want to I

454
00:26:24,000 --> 00:26:26,560
Speaker 1: want to go back. I want to go back to

455
00:26:28,160 --> 00:26:30,560
Speaker 1: getting Rachel out of bed. I'm so sorry. I just

456
00:26:30,640 --> 00:26:34,440
Speaker 1: watched this episode right before we started in Spas. I'm

457
00:26:34,480 --> 00:26:39,399
Speaker 1: like hype on this episode. But if you can follow

458
00:26:39,440 --> 00:26:42,160
Speaker 1: me here, if we can go back to them them

459
00:26:42,200 --> 00:26:47,440
Speaker 1: calling in the big guns, Santana the did.

460
00:26:47,400 --> 00:26:48,919
Speaker 2: You watch did you watch this? Oh?

461
00:26:49,000 --> 00:26:52,560
Speaker 1: You weren't there. I watched this being shot and it

462
00:26:52,720 --> 00:26:56,240
Speaker 1: was so did she hate birds?

463
00:26:56,560 --> 00:26:57,439
Speaker 2: She didn't like birds?

464
00:26:57,600 --> 00:26:59,119
Speaker 1: She did not like There were a lot of our

465
00:26:59,160 --> 00:27:00,479
Speaker 1: crew who did not like birds.

466
00:27:01,480 --> 00:27:03,240
Speaker 2: You know what, I think it's Amber who also doesn't

467
00:27:03,280 --> 00:27:03,399
Speaker 2: like that.

468
00:27:03,600 --> 00:27:05,480
Speaker 1: No, Amber and Telly do not like flying pas.

469
00:27:07,440 --> 00:27:11,280
Speaker 2: She did really well with that bird. And the final

470
00:27:11,359 --> 00:27:17,119
Speaker 2: product was Chef's kiss. One hundred goals to meet a.

471
00:27:16,760 --> 00:27:19,679
Speaker 1: Goal, the fact that she can get out of that

472
00:27:19,720 --> 00:27:25,840
Speaker 1: cab looking hot, and then the craziest like physical comedy

473
00:27:26,200 --> 00:27:30,920
Speaker 1: Bob and weave Duck and then goes into that loft

474
00:27:31,000 --> 00:27:33,440
Speaker 1: and it's like, give me four minutes. It was so

475
00:27:34,320 --> 00:27:37,040
Speaker 1: that scene and I was like, what is she what

476
00:27:37,160 --> 00:27:39,359
Speaker 1: is she going to say? What can she possibly say,

477
00:27:40,520 --> 00:27:42,399
Speaker 1: and then it's the same thing that it's the speech

478
00:27:42,480 --> 00:27:45,520
Speaker 1: you and I have given each other, Jenna, Yes, it's right.

479
00:27:45,760 --> 00:27:47,760
Speaker 1: We've literally when you're like, I don't want to do

480
00:27:47,920 --> 00:27:50,640
Speaker 1: drag Race. I'm gonna I'm gonna get voted out this week.

481
00:27:50,640 --> 00:27:52,600
Speaker 1: I can't do it, and I go, I know you

482
00:27:52,640 --> 00:27:55,639
Speaker 1: think that, but you and I have one speed. And

483
00:27:55,640 --> 00:27:57,520
Speaker 1: if you get us on stage in front of an audience,

484
00:27:57,600 --> 00:28:03,200
Speaker 1: even when we feel down and out or tired, we're

485
00:28:03,200 --> 00:28:05,880
Speaker 1: going to give you one hundred. We're going to get

486
00:28:05,920 --> 00:28:09,480
Speaker 1: it all to you. Yeah, you're so right. I'm watching it,

487
00:28:09,480 --> 00:28:11,320
Speaker 1: and I was like, yes, this is the only way

488
00:28:11,359 --> 00:28:13,479
Speaker 1: to get any of us out of our slumps, because

489
00:28:14,000 --> 00:28:17,440
Speaker 1: totally nobody's half asking it when you're put in front

490
00:28:17,440 --> 00:28:21,280
Speaker 1: of the audience, and it's like Lea's even Leah's half assed,

491
00:28:21,359 --> 00:28:25,000
Speaker 1: would be miles above most people totally.

492
00:28:25,400 --> 00:28:27,960
Speaker 2: And and just the thought like just like kind of

493
00:28:28,000 --> 00:28:31,320
Speaker 2: debunking the reviews, the idea of like her bringing in

494
00:28:31,440 --> 00:28:34,919
Speaker 2: Barber's reviews and the way that they did it was

495
00:28:35,000 --> 00:28:38,800
Speaker 2: so well done and just so I think it's necessary

496
00:28:38,800 --> 00:28:41,120
Speaker 2: for all like young performers out there who do read

497
00:28:41,160 --> 00:28:46,560
Speaker 2: the worry about reviews and what other people think. Of course,

498
00:28:46,600 --> 00:28:50,400
Speaker 2: as performers, we do. It's just a it's a great

499
00:28:50,480 --> 00:28:56,600
Speaker 2: reminder that even like the top most genius, brilliant stars

500
00:28:56,600 --> 00:29:00,840
Speaker 2: out there have been shot down by bad reviews.

501
00:29:01,000 --> 00:29:04,560
Speaker 1: So and surrounding yourself with people's opinions that you do.

502
00:29:04,400 --> 00:29:07,720
Speaker 2: Trust right, her being with her friends.

503
00:29:07,440 --> 00:29:11,880
Speaker 1: Yeah, that's important, and it's hard to remind yourself of

504
00:29:11,920 --> 00:29:14,920
Speaker 1: that because that echo chamber starts and you know what's

505
00:29:14,960 --> 00:29:18,160
Speaker 1: going on. You know, people are talking about you, yes,

506
00:29:18,280 --> 00:29:20,640
Speaker 1: and it's hard to just let it lie there. Yes.

507
00:29:21,960 --> 00:29:25,200
Speaker 2: Uh So Santana comes to the rescue and then Rachel's like,

508
00:29:25,200 --> 00:29:26,520
Speaker 2: what are you all moping around for?

509
00:29:26,840 --> 00:29:29,200
Speaker 1: It's my opening night? We get super excited.

510
00:29:29,840 --> 00:29:33,800
Speaker 2: Mister Shoe comes in and congratulates Rachel, which I think

511
00:29:33,840 --> 00:29:39,560
Speaker 2: was an important scene because as her mentor and as

512
00:29:39,680 --> 00:29:44,400
Speaker 2: the two leads of the show, like, this was the this,

513
00:29:44,680 --> 00:29:47,040
Speaker 2: this has been the relationship since the beginning right now,

514
00:29:47,040 --> 00:29:49,920
Speaker 2: the culmination of the entire show, them sitting on the

515
00:29:49,920 --> 00:29:52,840
Speaker 2: bleacher singing like being a partisaning special, Misty special. It's like,

516
00:29:53,160 --> 00:29:59,680
Speaker 2: oh Joe, Hello, Hello, and then and and then the

517
00:29:59,760 --> 00:30:03,240
Speaker 2: water her breaking her Emma's water breaking, which I was like,

518
00:30:03,600 --> 00:30:07,440
Speaker 2: you know, I've been like, gosh, it doesn't happen like

519
00:30:07,560 --> 00:30:09,920
Speaker 2: in the movies when your water breaks and then you

520
00:30:09,960 --> 00:30:12,239
Speaker 2: go to the hospital and you have the baby, and

521
00:30:12,280 --> 00:30:16,200
Speaker 2: I'm like, wow, it happened to me and my water broke.

522
00:30:16,080 --> 00:30:20,240
Speaker 1: And I went to the hospital. So sometimes it does.

523
00:30:20,840 --> 00:30:25,840
Speaker 3: But it's good her water broke, but Emma's water breaks,

524
00:30:25,840 --> 00:30:29,480
Speaker 3: and so Will has to go home and he magically

525
00:30:29,520 --> 00:30:32,120
Speaker 3: makes it back to Ohio in time for her to

526
00:30:32,600 --> 00:30:33,240
Speaker 3: have the baby.

527
00:30:33,920 --> 00:30:39,320
Speaker 2: When Rachel does her number, who are you now? Like

528
00:30:39,440 --> 00:30:43,840
Speaker 2: Finn's clips show up. I was not expecting that, nor

529
00:30:43,840 --> 00:30:48,840
Speaker 2: did I remember that at all. No, it's like when

530
00:30:48,840 --> 00:30:50,840
Speaker 2: they did it and still haven't found what I'm looking for,

531
00:30:51,120 --> 00:30:55,640
Speaker 2: and it gets you. And then like just listen to

532
00:30:55,880 --> 00:30:59,240
Speaker 2: the lyrics of what the song is and listening to

533
00:30:59,240 --> 00:31:02,520
Speaker 2: her sing it while also having pegged it that she

534
00:31:02,600 --> 00:31:03,880
Speaker 2: thinks about Finn.

535
00:31:03,600 --> 00:31:13,040
Speaker 1: It was like bomb and there's also something special powerful

536
00:31:13,080 --> 00:31:16,320
Speaker 1: about so like Sue leaves in the beginning of the

537
00:31:16,320 --> 00:31:21,000
Speaker 1: first act and all that shenanigans, and then at her mission,

538
00:31:21,360 --> 00:31:23,680
Speaker 1: the director comes back and is like, look, here's the

539
00:31:23,720 --> 00:31:26,760
Speaker 1: reality of this. It's like, if you want the show

540
00:31:26,800 --> 00:31:30,520
Speaker 1: to survive, it's on your shoulders. And you have to

541
00:31:30,520 --> 00:31:36,480
Speaker 1: give it to them. And I really liked that because

542
00:31:36,640 --> 00:31:41,000
Speaker 1: on top of what it means emotionally that song that

543
00:31:41,080 --> 00:31:44,360
Speaker 1: she does in the second act, she's also bearing the

544
00:31:44,400 --> 00:31:48,280
Speaker 1: burden of the success of the show. And you see

545
00:31:48,320 --> 00:31:50,800
Speaker 1: the other dancers, you see the people backstage and she

546
00:31:51,560 --> 00:31:54,840
Speaker 1: and she doesn't like flail, She doesn't flounder like she

547
00:31:54,840 --> 00:31:57,040
Speaker 1: would have in high school. She just sort of like

548
00:31:57,120 --> 00:31:57,600
Speaker 1: takes it on.

549
00:31:58,400 --> 00:31:58,640
Speaker 2: Yeah.

550
00:31:58,680 --> 00:32:00,760
Speaker 1: And to me that was like a want two punch

551
00:32:00,880 --> 00:32:04,920
Speaker 1: of that song because there's so much going on, like

552
00:32:05,440 --> 00:32:09,440
Speaker 1: in that success she's also like owning the show and

553
00:32:09,480 --> 00:32:13,240
Speaker 1: then she's also like owning her past and her history.

554
00:32:13,280 --> 00:32:14,920
Speaker 1: And all I was like this is it was a

555
00:32:14,960 --> 00:32:19,720
Speaker 1: lot in that one number. And and you know, I'm

556
00:32:19,720 --> 00:32:22,600
Speaker 1: a sucker for Leah cries. Oh yeah, I.

557
00:32:27,080 --> 00:32:32,560
Speaker 2: Will say. Nobody comes in during universsion and talk no no, no,

558
00:32:32,560 --> 00:32:35,880
Speaker 2: no no no, it's a really good No, it's like

559
00:32:35,920 --> 00:32:36,880
Speaker 2: a really.

560
00:32:37,360 --> 00:32:38,640
Speaker 1: But it's good TV, Jenna.

561
00:32:38,800 --> 00:32:41,880
Speaker 2: It's good TV, of course, but the producer's not coming

562
00:32:41,920 --> 00:32:45,440
Speaker 2: in being like somebody who looked and it's on you

563
00:32:46,160 --> 00:32:51,280
Speaker 2: like that is for usually stage managers or directors will

564
00:32:51,280 --> 00:32:55,240
Speaker 2: come in like an hour or two before your next

565
00:32:55,280 --> 00:32:57,600
Speaker 2: show and give you notes or leave you a note

566
00:32:57,640 --> 00:32:59,880
Speaker 2: and like this line, make sure it's clearer or whatever.

567
00:33:00,200 --> 00:33:03,520
Speaker 1: But like, you don't not you don't psyche somebody out

568
00:33:03,560 --> 00:33:06,880
Speaker 1: like that. The middle of the show. Yeah, that's awful.

569
00:33:06,920 --> 00:33:11,400
Speaker 1: I was like, what are these people doing? Exactly even

570
00:33:11,440 --> 00:33:14,280
Speaker 1: before the show, I was like, shoot, wait, like.

571
00:33:14,400 --> 00:33:16,680
Speaker 2: You know you're knocking on her door. Well, nobody's allowed

572
00:33:16,680 --> 00:33:19,000
Speaker 2: in there after half hour anyway, so that's actually a

573
00:33:19,040 --> 00:33:19,480
Speaker 2: lie too.

574
00:33:19,640 --> 00:33:28,360
Speaker 1: But the her walking down the steps, yeah, the whole walk,

575
00:33:28,760 --> 00:33:31,760
Speaker 1: just getting that walk, I was like, okay, are ext alts? Okay?

576
00:33:32,120 --> 00:33:35,720
Speaker 1: It was really good. It was really good. And then

577
00:33:35,960 --> 00:33:41,160
Speaker 1: she gets in place, the curtain goes up, and I

578
00:33:41,200 --> 00:33:44,000
Speaker 1: had I just had chills. I really did.

579
00:33:44,600 --> 00:33:44,840
Speaker 2: I know.

580
00:33:45,320 --> 00:33:47,920
Speaker 1: And you know there's something also the power of then

581
00:33:48,040 --> 00:33:51,520
Speaker 1: like her getting to do that show in real life

582
00:33:51,600 --> 00:33:55,200
Speaker 1: after this, I know, there's just a lot of like

583
00:33:55,360 --> 00:33:56,760
Speaker 1: weird connections to it.

584
00:33:57,240 --> 00:34:02,200
Speaker 2: So then after the show there's this like Blaine has

585
00:34:02,240 --> 00:34:04,200
Speaker 2: an idea to go to a club to party because

586
00:34:04,280 --> 00:34:06,120
Speaker 2: Rachel doesn't want to go to the after party that

587
00:34:06,120 --> 00:34:07,200
Speaker 2: the show is throwing.

588
00:34:07,320 --> 00:34:09,720
Speaker 1: So we go to a club. We shot gay club.

589
00:34:11,480 --> 00:34:12,399
Speaker 1: Yes club.

590
00:34:12,400 --> 00:34:14,439
Speaker 2: It is really fun and all of this. I will

591
00:34:14,440 --> 00:34:16,200
Speaker 2: say I never got to go to New York for

592
00:34:16,239 --> 00:34:17,440
Speaker 2: any of this.

593
00:34:17,440 --> 00:34:20,279
Speaker 1: This was all in La. This is all l A.

594
00:34:22,800 --> 00:34:26,160
Speaker 2: We shot that in a club at like ten in

595
00:34:26,200 --> 00:34:26,640
Speaker 2: the morning.

596
00:34:26,840 --> 00:34:28,239
Speaker 1: Was any of this episode. I don't think any of

597
00:34:28,239 --> 00:34:28,879
Speaker 1: this episode was.

598
00:34:28,800 --> 00:34:31,000
Speaker 2: Shot in New York because it was the loft, it

599
00:34:31,040 --> 00:34:34,359
Speaker 2: was the theater downtown, it was the New York streets

600
00:34:34,480 --> 00:34:36,279
Speaker 2: and the dressing room.

601
00:34:36,440 --> 00:34:39,920
Speaker 1: So yeah, A l A did a good job. Though

602
00:34:39,960 --> 00:34:41,520
Speaker 1: it looked it looked pretty good.

603
00:34:42,680 --> 00:34:49,279
Speaker 2: And I think I think the restaurant that Sue and uh,

604
00:34:49,680 --> 00:34:55,080
Speaker 2: what's his name Filman is mus Franks, I think, so

605
00:34:55,160 --> 00:34:58,960
Speaker 2: it looked familiar, like those booths in the middle, which

606
00:34:59,000 --> 00:35:05,120
Speaker 2: is a famous like spot in La. So anyway, we

607
00:35:05,160 --> 00:35:07,560
Speaker 2: go to party. Now, tell me about your feeling about

608
00:35:07,560 --> 00:35:10,000
Speaker 2: this pump and bloh number, because I will say I

609
00:35:10,040 --> 00:35:13,200
Speaker 2: forgot we did this in this episode. Totally forgot. Like

610
00:35:13,239 --> 00:35:16,960
Speaker 2: as it started, I was like, was I there? And

611
00:35:17,000 --> 00:35:19,680
Speaker 2: then of course we start the number and I'm like, oh, yeah,

612
00:35:19,719 --> 00:35:21,719
Speaker 2: we were there. We actually had a blast. We had

613
00:35:21,719 --> 00:35:24,040
Speaker 2: a blast doing this number. It was so much fun.

614
00:35:24,120 --> 00:35:25,600
Speaker 1: I mean it looked like a night out with us

615
00:35:25,920 --> 00:35:26,959
Speaker 1: like it fully.

616
00:35:26,760 --> 00:35:29,359
Speaker 2: Yeah, exactly, And it was all of us, and we

617
00:35:29,360 --> 00:35:31,319
Speaker 2: were just like sitting there and hanging out with all

618
00:35:31,360 --> 00:35:33,960
Speaker 2: of our friends and our like cool dancer friends that

619
00:35:34,000 --> 00:35:37,080
Speaker 2: we love, and the number was fast and it was

620
00:35:37,120 --> 00:35:40,759
Speaker 2: like the bar stank, but like it was really.

621
00:35:40,680 --> 00:35:44,239
Speaker 1: I had a good time doing Yeah, we all had fun.

622
00:35:45,120 --> 00:35:48,200
Speaker 1: It looked like it. I think like watching you all

623
00:35:48,840 --> 00:35:53,719
Speaker 1: do like party was very very fun. It felt musically

624
00:35:53,760 --> 00:35:57,840
Speaker 1: like a very anticlimactic after this episode. I guess that

625
00:35:57,920 --> 00:36:01,279
Speaker 1: this episode was to me like ten all the way,

626
00:36:01,360 --> 00:36:05,480
Speaker 1: like comedy emotion. Everything is at the you know, like

627
00:36:05,520 --> 00:36:07,840
Speaker 1: the top of the limit for everybody, and then it

628
00:36:07,920 --> 00:36:14,080
Speaker 1: dropped for you. And then you're doing this song about nothing. Yeah,

629
00:36:14,120 --> 00:36:15,879
Speaker 1: I get it, I get it. And it's like she

630
00:36:15,920 --> 00:36:18,759
Speaker 1: walks in and she gets recognized, and it's like this

631
00:36:18,840 --> 00:36:20,960
Speaker 1: really significant moment where she's just gone through this like

632
00:36:21,360 --> 00:36:25,040
Speaker 1: really hard forty eight hours. Yeah, and then she's like, yeah,

633
00:36:25,080 --> 00:36:27,359
Speaker 1: I'll sing I'm here all night, and then she does

634
00:36:27,400 --> 00:36:27,920
Speaker 1: that number.

635
00:36:28,800 --> 00:36:32,520
Speaker 2: Yeah, I know, I know, I know. I didn't even

636
00:36:32,560 --> 00:36:34,040
Speaker 2: know that number when we did it.

637
00:36:34,320 --> 00:36:38,640
Speaker 1: I still don't. It's nothing against no, no.

638
00:36:38,480 --> 00:36:40,200
Speaker 2: No, I get it, I get it, I get it.

639
00:36:40,239 --> 00:36:43,920
Speaker 1: But it didn't feel right for the moment, and it

640
00:36:44,000 --> 00:36:45,879
Speaker 1: happens a couple of times where we do that sort

641
00:36:45,880 --> 00:36:49,560
Speaker 1: of genre whatever. In that time, in that era, there

642
00:36:49,640 --> 00:36:52,080
Speaker 1: was like a brief period of this sort of genre.

643
00:36:52,600 --> 00:36:54,120
Speaker 1: I don't exactly know what it is.

644
00:36:55,160 --> 00:36:57,240
Speaker 2: No, I agree, I know what you're talking about.

645
00:36:57,280 --> 00:37:01,880
Speaker 1: I get it's and I think it's because fun worked

646
00:37:02,840 --> 00:37:05,680
Speaker 1: and we kept I imagine, we kept getting pitched these

647
00:37:05,680 --> 00:37:10,239
Speaker 1: songs from record labels. And I'm making this up now,

648
00:37:10,280 --> 00:37:13,160
Speaker 1: but I am sure with the success of that song

649
00:37:13,239 --> 00:37:16,279
Speaker 1: had in part because of when we had it on

650
00:37:16,360 --> 00:37:19,279
Speaker 1: the show, labels are trying to get us to do

651
00:37:20,680 --> 00:37:24,680
Speaker 1: their numbers, probably from artists that were just starting out

652
00:37:25,200 --> 00:37:31,640
Speaker 1: or not well known, and it just didn't get for you. No,

653
00:37:31,800 --> 00:37:33,640
Speaker 1: I was just a little like, oh, this episode was

654
00:37:33,680 --> 00:37:38,440
Speaker 1: so good. Why it's like soulless. It's a soulless like loveful.

655
00:37:38,520 --> 00:37:40,840
Speaker 1: I understand because what it's saying and what she's going

656
00:37:40,880 --> 00:37:44,680
Speaker 1: through everything else makes complete sense of the story. Pump

657
00:37:44,680 --> 00:37:45,680
Speaker 1: and Blood means nothing.

658
00:37:46,080 --> 00:37:48,000
Speaker 2: It did feel like he came out of nowhere. Even

659
00:37:48,040 --> 00:37:50,399
Speaker 2: the club itself felt like he came out of nowhere.

660
00:37:50,400 --> 00:37:54,080
Speaker 2: We were like, we have retely diverted from we've lost

661
00:37:54,080 --> 00:37:54,439
Speaker 2: the pot.

662
00:37:54,680 --> 00:37:57,880
Speaker 1: But you have that really great set all of you

663
00:37:57,920 --> 00:37:59,839
Speaker 1: who are dancing and having fun, and if you did

664
00:38:00,120 --> 00:38:05,040
Speaker 1: really great song, it would have made like the episode

665
00:38:05,280 --> 00:38:07,720
Speaker 1: even that much stronger. Put like a button on it.

666
00:38:07,640 --> 00:38:12,279
Speaker 1: It was. It was really sure, but like, right, all right, all.

667
00:38:12,239 --> 00:38:14,960
Speaker 2: Right, well the reviews come in and we did the

668
00:38:16,000 --> 00:38:20,240
Speaker 2: news stand and the reviews are really really good and

669
00:38:20,680 --> 00:38:25,279
Speaker 2: it's a huge success, which, by the way, reviews can

670
00:38:25,360 --> 00:38:27,000
Speaker 2: make a break a show, and they do make a

671
00:38:27,040 --> 00:38:28,240
Speaker 2: brick a show totally.

672
00:38:29,280 --> 00:38:31,680
Speaker 1: So that scene was so cute. I just love the

673
00:38:31,719 --> 00:38:34,520
Speaker 1: feeling of all of you being there and reading it,

674
00:38:34,800 --> 00:38:37,120
Speaker 1: and her pacing on the street and like running to

675
00:38:37,120 --> 00:38:40,680
Speaker 1: get the newspaper from the newsstand. It was it was like,

676
00:38:40,760 --> 00:38:43,960
Speaker 1: you know, this episode featured a lot of tropes and

677
00:38:44,040 --> 00:38:48,760
Speaker 1: that way, Yeah, I really enjoyed them. It's just different.

678
00:38:48,880 --> 00:38:51,839
Speaker 2: It was different, you know, like it's so much fun

679
00:38:51,880 --> 00:38:56,439
Speaker 2: and satisfying. And then mister Shoe calls and he tells

680
00:38:56,520 --> 00:38:59,239
Speaker 2: us that, you know, the baby was named Daniel Finn,

681
00:38:59,239 --> 00:39:02,320
Speaker 2: which is sweet, and so that felt like the button

682
00:39:02,400 --> 00:39:06,480
Speaker 2: for me. Like that of the episode. Yeah, and like

683
00:39:06,520 --> 00:39:08,840
Speaker 2: the Little Bow, but a pretty good episode.

684
00:39:08,880 --> 00:39:12,160
Speaker 1: I have to say, I loved this episode. I thought

685
00:39:12,200 --> 00:39:22,919
Speaker 1: it was just so funny. Agreed, really so funny.

686
00:39:25,800 --> 00:39:27,920
Speaker 2: Okay, let's create some performances. Let's grade.

687
00:39:28,160 --> 00:39:33,719
Speaker 1: Uh, let's start with Love Fool. I give it an A. Yeah.

688
00:39:33,880 --> 00:39:36,600
Speaker 1: I thought it was wacky and crazy and wonderful.

689
00:39:37,239 --> 00:39:41,360
Speaker 2: NYC A plus A plus, I'm the Greatest Star A

690
00:39:41,440 --> 00:39:42,200
Speaker 2: plus plus.

691
00:39:43,200 --> 00:39:46,880
Speaker 1: I was gonna give it an ah vocally A plus plus.

692
00:39:47,120 --> 00:39:50,080
Speaker 2: Yeah, yeah, yeah, yeah, I just felt like the performance,

693
00:39:50,120 --> 00:39:52,360
Speaker 2: the fanning performances deserved an A plus plus.

694
00:39:52,640 --> 00:39:54,680
Speaker 1: I guess you're right. You know what's hard for me

695
00:39:55,640 --> 00:40:00,040
Speaker 1: was NYC was like such a spectacle. It looked and

696
00:40:00,520 --> 00:40:04,000
Speaker 1: then I'm the Greatest Star the actual Broadway show. The

697
00:40:04,080 --> 00:40:07,920
Speaker 1: set looked so much cheaper. Yeah, it did it. It

698
00:40:09,160 --> 00:40:13,280
Speaker 1: looked like a black box. Yeah, it was a little strange.

699
00:40:13,320 --> 00:40:15,160
Speaker 1: It was like this, I don't know about this, but

700
00:40:16,120 --> 00:40:17,239
Speaker 1: I mean she's saying.

701
00:40:17,200 --> 00:40:22,719
Speaker 2: So yeah, she was giving us performance who Are You Now?

702
00:40:22,840 --> 00:40:25,799
Speaker 1: A plus A plus plus plus plus plus. And then

703
00:40:25,800 --> 00:40:30,720
Speaker 1: Pump and Blood d No, the performance himself, I'm just kidding.

704
00:40:30,760 --> 00:40:33,719
Speaker 1: The performance itself, I enjoyed. I enjoyed watching all of you.

705
00:40:33,760 --> 00:40:34,400
Speaker 1: I'll give it a b.

706
00:40:35,840 --> 00:40:39,200
Speaker 2: Okay, let's see some tardie takes, cringe moments.

707
00:40:39,320 --> 00:40:41,960
Speaker 1: I mean, it's got to be just a lot of Sue.

708
00:40:42,520 --> 00:40:47,279
Speaker 2: Yeah. Also like the kissing and the slow motion dancing.

709
00:40:47,600 --> 00:40:53,280
Speaker 1: I was like, I don't know, it's hard to feel

710
00:40:53,280 --> 00:40:56,600
Speaker 1: like Sue is still not their teacher, and she's showing

711
00:40:56,680 --> 00:40:58,960
Speaker 1: up at their home so cringing.

712
00:40:58,480 --> 00:41:03,399
Speaker 2: That they're sleeping together in the like students Rachel's bed.

713
00:41:03,440 --> 00:41:05,319
Speaker 1: And then it's like I'd put something on that we're

714
00:41:05,680 --> 00:41:08,919
Speaker 1: freshman in college. It's not like we're adults, you know. Yeah.

715
00:41:09,680 --> 00:41:16,640
Speaker 2: Best dance move the blood h dancers, Yes.

716
00:41:18,440 --> 00:41:22,879
Speaker 1: Bodies, Yeah, exactly. Best song who are You Now? Yeah,

717
00:41:23,640 --> 00:41:29,960
Speaker 1: performance by a prop Rachel's swing in. I was like,

718
00:41:30,000 --> 00:41:36,040
Speaker 1: there's a ring in the good I think at one. Yeah, exactly.

719
00:41:37,719 --> 00:41:40,000
Speaker 1: There's a lot of good props in this episode. I

720
00:41:40,040 --> 00:41:43,880
Speaker 1: mean the New York Times, the all the things like

721
00:41:43,920 --> 00:41:50,160
Speaker 1: the scissors and the note that you wrote of the

722
00:41:50,320 --> 00:41:57,920
Speaker 1: entire like every single thing in n y c. Numbers. Yeah,

723
00:41:57,960 --> 00:42:02,359
Speaker 1: there's a lot. Uh, the best line who wrote this?

724
00:42:05,120 --> 00:42:08,640
Speaker 1: That's good? Okay, I'll take it. And I did this

725
00:42:09,200 --> 00:42:12,880
Speaker 1: my other favorite And no, I don't have a boyfriend,

726
00:42:12,880 --> 00:42:15,000
Speaker 1: but I was eating this really nice guy. But he

727
00:42:15,080 --> 00:42:20,800
Speaker 1: turned out to be gay. He's probably gay homosexual? No, no, yes,

728
00:42:21,000 --> 00:42:24,440
Speaker 1: yes he knew it. I know it was totally a

729
00:42:24,480 --> 00:42:28,200
Speaker 1: court outlet, absolutely.

730
00:42:27,440 --> 00:42:33,439
Speaker 2: Probably oh too funny performance MVP.

731
00:42:34,040 --> 00:42:41,640
Speaker 1: Yeah all day, Yes, I mean she never been better.

732
00:42:42,239 --> 00:42:46,560
Speaker 1: Mm hmmm, So should we found on TikTok is one

733
00:42:46,600 --> 00:42:51,879
Speaker 1: of my favorites that we've ever had tv h They

734
00:42:51,880 --> 00:42:57,960
Speaker 1: are doing the controversial bridge to loser like me and

735
00:42:58,000 --> 00:43:04,240
Speaker 1: it is a screw. Don't no, that's so funny. Glee

736
00:43:04,280 --> 00:43:07,640
Speaker 1: is my religion and they do this whole number. And

737
00:43:07,719 --> 00:43:10,839
Speaker 1: somebody said in the comments, close enough, welcome back Glee.

738
00:43:12,680 --> 00:43:17,360
Speaker 1: Oh my gosh, close enough. The new directions they're so good,

739
00:43:17,560 --> 00:43:20,479
Speaker 1: aren't they? Like? This is so much fun. I could

740
00:43:20,480 --> 00:43:22,920
Speaker 1: watch us on loop. So there were a lot of

741
00:43:22,960 --> 00:43:25,080
Speaker 1: good TikTok. So there's another one that I want to

742
00:43:25,080 --> 00:43:32,000
Speaker 1: show you really quickly as a little bonus. It tickles me.

743
00:43:33,800 --> 00:43:38,120
Speaker 1: She said, you remember the time you had bangs because

744
00:43:38,160 --> 00:43:40,960
Speaker 1: you wanted to look like Mercedes from Glee. And she

745
00:43:41,120 --> 00:43:46,919
Speaker 1: throws in a clip of herself younger and stop Mercedes

746
00:43:47,080 --> 00:43:52,160
Speaker 1: Heavy Bang Heavy Bang lyrics archive. She said, Jail, whoever

747
00:43:52,200 --> 00:43:54,640
Speaker 1: did my hair like? That? Made me think it looked good?

748
00:43:57,160 --> 00:44:01,120
Speaker 1: Oh god? You know in the comments here, someone said, wait, no,

749
00:44:01,239 --> 00:44:03,239
Speaker 1: I love this so much you saw your stuff on TV.

750
00:44:03,360 --> 00:44:09,680
Speaker 1: Wanted to be like her girlhood representation. Yes, yes, I

751
00:44:09,719 --> 00:44:14,759
Speaker 1: get it. Yeah, I mean like, that's so sweet, and

752
00:44:14,880 --> 00:44:16,680
Speaker 1: she did not look as bad as she thinks she looked.

753
00:44:17,239 --> 00:44:20,160
Speaker 1: Now we have said that Say Little Prayer has been

754
00:44:20,200 --> 00:44:26,319
Speaker 1: going viral and it has reached its peak here where

755
00:44:26,480 --> 00:44:30,839
Speaker 1: the Blue Man Group themselves are doing Say Little Prayer. Oh,

756
00:44:31,719 --> 00:44:34,400
Speaker 1: in full Blue Man Group regalia.

757
00:44:34,840 --> 00:44:38,160
Speaker 2: This is too good. My friend was a Blue Man.

758
00:44:40,080 --> 00:44:43,440
Speaker 1: That's crazy. Yeah, he's very good at it. That's wild,

759
00:44:43,840 --> 00:44:48,280
Speaker 1: isn't it crazy? That feels very famous? Just to note.

760
00:44:48,360 --> 00:44:53,279
Speaker 2: Also, multiple people have texted me that they were at

761
00:44:53,280 --> 00:44:58,880
Speaker 2: the Smithsonian and sent me a picture of Tina's JRCK Amazing, Like,

762
00:44:58,920 --> 00:44:59,600
Speaker 2: what a time?

763
00:44:59,680 --> 00:45:02,920
Speaker 1: Who's I'm just Smithsonian amazing.

764
00:45:03,480 --> 00:45:07,000
Speaker 2: Okay, thank you everybody for Thank you Kevin for those tiktoks.

765
00:45:07,000 --> 00:45:09,440
Speaker 2: Those are really great. I think we have to do

766
00:45:09,440 --> 00:45:13,600
Speaker 2: just a little part for you at some point. And

767
00:45:14,480 --> 00:45:18,880
Speaker 2: that's the opening night of Rachel's debut. Stay tuned for

768
00:45:18,920 --> 00:45:20,880
Speaker 2: next week. That's what you really.

769
00:45:20,680 --> 00:45:24,440
Speaker 1: Miss see ya, thanks for listening and follow us on

770
00:45:24,480 --> 00:45:27,480
Speaker 1: Instagram at and that's what you really miss pod. Make

771
00:45:27,520 --> 00:45:29,840
Speaker 1: sure to write us a review and leave us five Stars,

772
00:45:30,000 --> 00:45:30,719
Speaker 1: see you next time.