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Speaker 1: Look man, oh, I see you? Why why? Oh? And

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Speaker 1: look over there? How is that culture? Yes? Goodness ding

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Speaker 1: dong los cultures? Callie and I we have to talk

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Speaker 1: about something. You have something to spring up on me.

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Speaker 1: I almost crashed my car when I was coming here

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Speaker 1: because I realized something happened, or rather did not happen

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Speaker 1: during our culture catch up episode which we did not

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Speaker 1: mention Cats. We didn't talk about and that was the

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Speaker 1: piece of culture where everyone was attacking us, attacking us

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Speaker 1: online and saying, how dare you not be recording episodes

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Speaker 1: when Cats is happening? I literally was like, how did

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Speaker 1: we miss it? It was monumental? Well, I feel like

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Speaker 1: it wasn't even bad enough for us to like talk

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Speaker 1: about in some ironic way though, and I and I

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Speaker 1: had to preserve my whole relationship with Cats that I've

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Speaker 1: maintained for my whole life, which is that I've never

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Speaker 1: seen it. We'll never see it. Um have you not

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Speaker 1: seen the movie? And I know everything about it, but

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Speaker 1: I will never see it any InCred you know everything

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Speaker 1: about it a lot? What's can you sing a little

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Speaker 1: bit of beautiful ghosts for us? Please? Well? That's that's

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Speaker 1: not real. That's not Cannon, that's Taylor. That's Taylor and

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Speaker 1: Andrew Lloyd Webber and miss Webb and Miss Webb Taylor Webber. Okay,

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Speaker 1: what do you want to talk about with cats? I

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Speaker 1: just bowing. You're being like rude. Oh my god, you're

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Speaker 1: actually being really rude. Okay, what is literally it's rude

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Speaker 1: that we talk about cats all the time. And then

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Speaker 1: I say, oh my god, can you believe this? And

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Speaker 1: you say I didn't even care. I'm sorry. I don't

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Speaker 1: mean to shoot your enthusiasm and accepted. Okay, so what

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Speaker 1: do let's talk about it? When you you went to

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Speaker 1: see it's very stone. Judy Dench had our human hands, yes,

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Speaker 1: but none of the other cats did unconfirmed. I think

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Speaker 1: the other cats had their hands. Well, I'll say Judy

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Speaker 1: Dench had hands. It was like it was like it

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Speaker 1: was like they said on at before they got that shot,

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Speaker 1: and definitely show your hands because they're gonna be animated.

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Speaker 1: Because she's like this holding her hands basically in front

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Speaker 1: of her face, just like singing. They went up to

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Speaker 1: Judy they were like, Judy, can we put the motion

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Speaker 1: the mold cat balls on your hands? And she was

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Speaker 1: like absolutely not um and in fact, I will be

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Speaker 1: placing them at my at my own decltage level, just

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Speaker 1: to show everyone that I would have no part of

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Speaker 1: the digital technology. It would have been fine. I feel

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Speaker 1: if she had not had her wedding ring on, because yes,

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Speaker 1: because then once you see the wedding ring, you're like, Okay,

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Speaker 1: so where's the cat's husband? Like what happened? How long

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Speaker 1: have they been together? Because the cat then has a

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Speaker 1: history that we want to know about because she is

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Speaker 1: the most exciting character. Judy Den Judy, we all remember

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Speaker 1: her name. Old Deuteronomy Act came out? No it did?

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Speaker 1: She played old dude. Yeah, she's old dude, the first

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Speaker 1: woman old dude the first and there had never been

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Speaker 1: another woman. Will do? I think it's crazy the Academy

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Speaker 1: shortlisted Cats for special effects or whatever that that that

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Speaker 1: category is, even though it was an unfinished special movie.

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Speaker 1: I know, yes, that's true. What do we think of Oh,

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Speaker 1: we talked about best Original Song in the Culture catch

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Speaker 1: up episode Beautiful Ghost. Do you feel like it was snubbed?

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Speaker 1: I would say that, Um, it's hard because Beautiful Ghost

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Speaker 1: is not a good song. But nothing that was PERFORNDT

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Speaker 1: of the Oscars was so then you get to the

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Speaker 1: thing of like, well you got you want to at

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Speaker 1: least see Taylor on stage doing that was Taylor's bid

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Speaker 1: to be on that stay on the Dolby Theater stage.

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Speaker 1: But she'll have more bids, many more, But she will,

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Speaker 1: she will. What do you I don't think it looks

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Speaker 1: for her in terms of film, in terms of musicals,

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Speaker 1: in terms of film, what do I think is next? Well,

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Speaker 1: the Giver to the Give her To they'll do. They'll

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Speaker 1: do a Chicago reboot next spring. Sure, she's gonna play

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Speaker 1: Hillary Um in the film about Hillary's life. Yes, it's

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Speaker 1: it's gonna actually be about the it's gonna be about

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Speaker 1: it's gonna be called Hill and Bill. And that's actually

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Speaker 1: a romantic comedy about um, a young serious student named

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Speaker 1: Hillary Rodham who was when they slept, actually right off

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Speaker 1: her feet when she met an amazing next president whose

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Speaker 1: name was Bill Clinton. Actually what school did they mean? That?

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Speaker 1: And they met at Arkansas State That's where they because

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Speaker 1: that's where Bill and Hillary both went. And you know,

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Speaker 1: the film takes a little bit of liberties, like she's

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Speaker 1: platinum in the film and Um, he's got like very

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Speaker 1: big muscles. Because Taylor actually plays Hillary and Scott Eastwood

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Speaker 1: and Scott Eastwood plays Bill because they said, let's get

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Speaker 1: the most talented act let's get let's reunited. Yeah, right um,

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Speaker 1: And they said, wait, we have to get the best

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Speaker 1: actors from the Hill and Bill and we gotta make it.

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Speaker 1: And do you know the classic scene from the trailer? Yeah,

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Speaker 1: oh yes, let's quote it. Yeah. I feel like this

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Speaker 1: conversation is just starting. And I feel like I feel like,

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Speaker 1: you get those jewels up, girl, you're pretty behind those jowls.

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Speaker 1: Let me let me grab the yes. And wow, he

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Speaker 1: wasn't kind to her from the beginning. We find out

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Speaker 1: the film and you know, it's a rom calm. People

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Speaker 1: make jokes about how it's it's playful ribbing about how

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Speaker 1: the other person is ugly. That's what rom coms are.

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Speaker 1: I can't believe they picked that scene for the trailer.

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Speaker 1: That's crazy. That that's that's crazy. That's like I said,

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Speaker 1: the most famous scene from the trailer is the most

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Speaker 1: scene the trailer. Now, readers, people who can photoshop the poster,

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Speaker 1: please do it, because there's also a scene later of

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Speaker 1: her at the DNC and she says women and has

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Speaker 1: her bomb on her on her mouth, here's the deal

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Speaker 1: with our guest. And there is a deal. Oh, there's

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Speaker 1: every deal. We were just staying off the air that

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Speaker 1: there has been years of scheduling mishaps. This actually is

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Speaker 1: in the industry of Hollywood. Um, it's something that people

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Speaker 1: talk about. Yes, they haven't been able to get the

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Speaker 1: scheduling together for this today. I think they call it development. Hell, yeah,

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Speaker 1: this this episode has been in development. Hell. But so

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Speaker 1: happy and I'm clap both my hands together like this,

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Speaker 1: so happy that we could finally develop what should have

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Speaker 1: been developed many years ago. Unfortunately was that in hell?

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Speaker 1: But I actually think that this is coming right on time.

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Speaker 1: Oh yeah, because it's because it's always Christmas, because it's

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Speaker 1: Christmas now it's literally, Um, what when is this coming up? March?

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Speaker 1: It's mid March. It's mid March. But um, I'm thirty

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Speaker 1: on this episode. Oh my god, that's cool. Not thirty

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Speaker 1: now recording. But I will be thirty when this comes,

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Speaker 1: When this comes out, you'll be thirty. Everyone which Matt

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Speaker 1: happy things, but ours our guests. I love our guests

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Speaker 1: with a purity and a passion. Truly, you would diagnose

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Speaker 1: yourself as loving her with a purity with a purity. Um.

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Speaker 1: I I could cry, I could cry, and but you won't.

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Speaker 1: But I won't. And this this is I'm looking at you.

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Speaker 1: You're not gonna cry. She she truly is the best

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Speaker 1: um Emmy nominated Honey, never forget, Never forget. And it's

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Speaker 1: about the prizes, and it's about the prizes. That's what

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Speaker 1: she actually said that. Um. When I first met her,

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Speaker 1: I was like, hey, and she was like it unless

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Speaker 1: you can't help me, got ahead. It's I'm in this

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Speaker 1: for an Emmy. Oh my god. Okay, of course I

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Speaker 1: was like, let me Matt by the way, and she

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Speaker 1: was like this is this what And she said, whatever

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Speaker 1: you say to me right now doesn't matter. Oh my god.

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Speaker 1: That sounds like her. Yeah, that sounds just like her. No,

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Speaker 1: just kidding. She was really nice with me. She's an

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Speaker 1: angel of angels. She um is starring in season two

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Speaker 1: of Shrill Please watch it on Hulu, and one of

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Speaker 1: the other shows that she's on is Saturday Night Live,

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Speaker 1: which is a variety sketch program broadcast live from New York. Yes,

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Speaker 1: almost every Saturday night, almost like some some break twenty

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Speaker 1: one weeks out of the year. Yeah, it's going going

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Speaker 1: on for upwards of third these seasons. It's over thirty

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Speaker 1: um seasons that it is. I can't wait for this.

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Speaker 1: I'm so so excited. I'm love for so much everyone.

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Speaker 1: Welcome into your ears any Brian, My god, you know

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Speaker 1: I'm such a listener to the podn't stop that. To

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Speaker 1: be here and like actually sit through the intro, which

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Speaker 1: I have like listened to so many others sitting before.

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Speaker 1: Was just how I imagine doing terrifying. Yeah, it's always

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Speaker 1: a little ride it and we do land, we stick

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Speaker 1: it in the warmth of a guest. I also like

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Speaker 1: you guys like do a good job of straddling like

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Speaker 1: the credits, but also kind of like the human element.

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Speaker 1: Yeah yeah, well it's like, well we want to get across.

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Speaker 1: Is our guest is talented, but our guest is a

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Speaker 1: human being? Yeah you know what I mean. And that's

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Speaker 1: it's really important to get across because a lot of

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Speaker 1: these people they think stars, they put them. Yeah it's

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Speaker 1: one of the because you see them all dressed up

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Speaker 1: and you see them all dolled up on TV and

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Speaker 1: you think, I bet that person is really has it

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Speaker 1: all and I did full hair and makeup. Yeah, you're

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Speaker 1: thank god thank you for the contort, because podcast or

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Speaker 1: a visual medium. Yeah, of course. Now, ad did I

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Speaker 1: say something in the Hill and Bill truly that made

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Speaker 1: that made you specifically put your hand over your mouth.

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Speaker 1: I think it was the Jewls. I was like, holy

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Speaker 1: shit like that. I think also that it was like,

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Speaker 1: you guys, really it's a rom com, but then he

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Speaker 1: starts with the gewels and I assume it ends with

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Speaker 1: him like fucking a thirteen year old? What it is? Yeah,

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Speaker 1: I think that. Honestly, I didn't know this, but this

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Speaker 1: rom comments a lot darker than we thought. It's about

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Speaker 1: how in every interaction they've had, he insults her, insults her,

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Speaker 1: and but then Jeffrey Epstein played by me Bryant, well,

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Speaker 1: I'm sorry. I Matthew McCay, Matthew McConaughey audition and was cast,

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Speaker 1: and then Adie just called and said she wanted to

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Speaker 1: do it and and they were like she'd be a

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Speaker 1: better Epstein. I was also shocked by, like, you have

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Speaker 1: a good Clinton, like that was a rock hard Clinton.

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Speaker 1: Well that's actually actually runner firstitle of app is going

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Speaker 1: to be rock hard Clinton. Absolutely not absolutely not it

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Speaker 1: actually and it's actually not not up to me, it's

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Speaker 1: actually our producer. Um, and she said she just piped

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Speaker 1: into my ear. Oh piped in Yeah, I got that.

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Speaker 1: I got that. I actually have a permanent hip put

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Speaker 1: in my ear where I can have producers at any

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Speaker 1: time talk to me. I love it. I love it, Adie.

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Speaker 1: What is your vibe in LA because I this is

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Speaker 1: I'm seeing you in a different setting and I really

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Speaker 1: I'm picking up in a different energy. Oh yeah, thank

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Speaker 1: you so much. I've been waiting for this question for

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Speaker 1: anyone for a week. What's your l A vibe? I

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Speaker 1: think l A vibe is like pretty high. Like I'm

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Speaker 1: doing like a lot of like, oh I gotta get

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Speaker 1: to this dispensary in that dispenson. But I'm also like

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Speaker 1: very um, I'm I'm like cash. I think I'm pretty

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Speaker 1: cash in a way that like in New York, you're

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Speaker 1: going to see me in a boot right that I'm formal,

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Speaker 1: but it's a boot city and I feel like here,

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Speaker 1: I'm like I'm in my vans hanging ten or it's

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Speaker 1: actually you can wear flat shoes out here and no

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Speaker 1: one else Yeah, no one's like that woman needs to

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Speaker 1: be in a heel or a boot. Sure, But then

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Speaker 1: the bad culture and l A is is crazy because

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Speaker 1: if you're walking down the street I've said this before

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Speaker 1: with a toe bag, God forbid, then you get the

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Speaker 1: craziest looks and people can actually smell the foreignness on you.

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Speaker 1: I see, and there's no backpack people. Yeah, and I

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Speaker 1: do definitely feel that people are clocked like you don't

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Speaker 1: belong here, you fucking bitch like you? Yeah, Why do

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Speaker 1: you think it's because you're They think you're a bit

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Speaker 1: because they they have seen you associated with New York

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Speaker 1: so many times, Like I think it's I'm famously in

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Speaker 1: New York. No, I do think it is just um,

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Speaker 1: it's like we were too much black and like we're

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Speaker 1: a little too dressed up. I don't know. I feel

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Speaker 1: like I go to like a friend's birthday and I'm like,

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Speaker 1: I look like I'm in a goddamn ball gown and

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Speaker 1: I'm humiliating. Listen, it is it is. You do have

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Speaker 1: to adjust to the thing in l A. Of Like

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Speaker 1: my friends will get ready for like a lunch and

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Speaker 1: it is a capital a capital l lunch. I mean

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Speaker 1: we're going to a place, but we're wearing like, like

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Speaker 1: truly like socks and a sandal and like a big shirt.

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Speaker 1: And no we didn't do a shower, so our hair

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Speaker 1: is weird, you know what I mean? Like and you

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Speaker 1: can go out like that on Los Angeles. It is

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Speaker 1: a thing. I think people find that charming in Los Angeles, Yes,

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Speaker 1: that's true, whereas in New York. I yeah, I love that.

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Speaker 1: This is exactly where we started with the podcast, like,

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Speaker 1: how is l A and New York different? Well, he

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Speaker 1: asked you the question I asked you. But why are

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Speaker 1: you laughing? That's an earnest question. Oh my god, it's good.

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Speaker 1: It's good. We love l A. And actually I think

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Speaker 1: to myself every damn day how happy I am that

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Speaker 1: I live six minutes away from the Universal Studios Hollywood.

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Speaker 1: I passed it on the way to work and I

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Speaker 1: see Hogwarts. That's perfect for you. There's no Hogwarts in

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Speaker 1: New York. That's true. Now we're about to say something

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Speaker 1: was I I don't know. I was just having a

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Speaker 1: nice time talking about how I have two friends who

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Speaker 1: have been hosts and winners at major awards, because it's

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Speaker 1: about the prize. Did you write an Emmy speech when

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Speaker 1: you were nominated? Amy Puller gets mad when people don't

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Speaker 1: do that. She says it in her book. She says,

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Speaker 1: I always feel like it's crazy people don't write a speech.

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Speaker 1: I remember that was the only part of this place.

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Speaker 1: I was like, I guess it was just like, no

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Speaker 1: way am I going to win. But you could have

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Speaker 1: been the and oud that night to be but I wasn't.

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Speaker 1: I don't know. I mean, God, bless the MMIs. It

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Speaker 1: means everything to everyone everywhere. But like I kind of

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Speaker 1: and I know that, like this show is often about

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Speaker 1: talking about who was noting whatever. I do find it

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Speaker 1: to be like absolutely toxic's hard, it's a hellish thing.

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Speaker 1: And and you know, I don't know. I was just

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Speaker 1: talking about this with someone the other day, where like

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Speaker 1: sometimes if you look back at past winners, you're like, oh,

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Speaker 1: this is darkly meaningless. I don't know. I'm like literally

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Speaker 1: sometimes I will hear like when you did um Andy

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Speaker 1: Cohen and he asked what you thought about something someone did,

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Speaker 1: you said three words which were like, so just your

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Speaker 1: grasp of a sometimes a you have a way with words.

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Speaker 1: You just said, I wanted this paper. I do find

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Speaker 1: it to be an absolutely, and then I honestly stopped

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Speaker 1: because because I needed to. But what did you just you,

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Speaker 1: just the way you just just horror, horror filled, hellish,

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Speaker 1: toxic and hell that's what you said. I do find

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Speaker 1: it to be an absolutely toxic and hellish thing. I

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Speaker 1: imagine that Poe quote Glamour darkly, darkly meaningless. Ady Bryant

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Speaker 1: on the Emmy Awards. Not this to me, Matt do

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Speaker 1: not and NBC will have my head. It means everything.

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Speaker 1: She said that the same poll quote, It's amazing this

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Speaker 1: woman is all over the world. I am nothing without

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Speaker 1: the industry. I need it. If they value me, I'm

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Speaker 1: better as a person. They make me sick, the industry that, Yes,

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Speaker 1: they make me sick. I do think it's like absolutely

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Speaker 1: dangerous to well. First, I'll say this fame is a

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Speaker 1: disease that is killing everyone who experiences it. Okay, people

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Speaker 1: who don't even experience it. It's killing, that's right. And

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Speaker 1: I've maybe never identified more with anyone than Britney Spears

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Speaker 1: in the moment when she shaved her head, like I

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Speaker 1: often through the smallest things, I'm like, that's it. The

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Speaker 1: shavers by fuckers, I'm going to the woods. I can't

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Speaker 1: do this anymore. At the same time, it's like you can't, Yes,

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Speaker 1: it's like if I I don't know, if I engaged

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Speaker 1: too deeply with like the Women of the Year or

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Speaker 1: them or any or any website or a girl. It's

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Speaker 1: like it's a dark thing to chase. I think it's

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Speaker 1: whole time. It's a lot of waham. Yeah, I'm a

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Speaker 1: little biased. It's my favorite episode of season two of Shrell.

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Speaker 1: Written by one and only super Green super starring Matt

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Speaker 1: Rogers starring of course, come on, I was the lead lead. Wait,

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Speaker 1: I come out. I realized something before and Matt has

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Speaker 1: a huge onset energy. Yes, tell me about this day

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Speaker 1: because I only heard bits and pieces of it. Well

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Speaker 1: it was two days. Oh, they called me a hard

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Speaker 1: recurring Actually, when you look at when when you look

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Speaker 1: when you look at the credits, it says also starring

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Speaker 1: guest star Mine said hard recurring record recur Matt rod

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Speaker 1: refers to your har rock hard rock hard Clinton, my

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Speaker 1: rock hard. I'm gonna start calling my penis my Clinton.

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Speaker 1: And that's actually up to you how you feel. It's

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Speaker 1: none of my business. You know how you feel. This

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Speaker 1: is so, But I just want to say I did

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Speaker 1: come in a little hot because, like I said, Sudie

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Speaker 1: and I were at Universal Studios, Hollywood, and we did

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Speaker 1: talk about the darkness of fame on the way in.

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Speaker 1: Yes we were talking about de Lohan and saying, you

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Speaker 1: want to know what because she wasn't stounded by good people.

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Speaker 1: So that was what we said as we were like

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Speaker 1: scanning our tickets to go on the Transformers ride. I

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Speaker 1: said this to you yesterday. I was like, my theory

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Speaker 1: is that lindsay that he was not surrounded by good

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Speaker 1: gaze specific she had bad as you said this, and

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Speaker 1: then today we were talking about how so okay, quickly

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Speaker 1: this and then I want to say the thing I

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Speaker 1: found out on the set of Shrill, Oh my god,

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Speaker 1: he's got He's so much like paper and pen work.

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Speaker 1: This is our first time with Nope. I've literally never

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Speaker 1: once used a notepad. I'm actively using and every time

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Speaker 1: I'm like, okay, something big going on, something big coming.

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Speaker 1: So study and I were saying that when when you're

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Speaker 1: in any way involved in entertainment and like the famousness

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Speaker 1: aspect of it becomes a thing like you really have

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Speaker 1: to ask yourself why you're doing it. And I think

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Speaker 1: like people who don't know why end up getting taken

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Speaker 1: advantage of by the media because they like want to

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Speaker 1: do more and more, and they'll just play ball and

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Speaker 1: they'll keep playing ball and they'll keep going. It's like

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Speaker 1: we see it happening now. It's like people just can't

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Speaker 1: stop getting attention and that's how they get themselves into

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Speaker 1: whole sometimes and they get fucked up. But there's people

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Speaker 1: who I think tell the industry. This is why I

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Speaker 1: think people like Pink and Kelly Clarkson in music are

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Speaker 1: like have longevity because they say, just so you guys know,

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Speaker 1: I don't need this, and they have that energy. Meanwhile,

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Speaker 1: someone like Lindsay Lohan, like I don't think ever knew

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Speaker 1: why she wanted to be famous. She never examined that

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Speaker 1: right exactly, and she never found out like why it

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Speaker 1: was that she was doing it. Wasn't her parents, was

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Speaker 1: it something with her, was it something that exactly? Was

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Speaker 1: it about the art? Ever? And I think that because

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Speaker 1: you're too young and don't know enough to like figure

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Speaker 1: that out or activate that in your life or do

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Speaker 1: something about it, you get sucked up by the industry

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Speaker 1: because they'll keep taking from you. And and I just

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Speaker 1: feel like people that, you know, maybe they haven't been

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Speaker 1: super famous, so they've had the time to ruminate on it,

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Speaker 1: or they just always they got famous later, like people

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Speaker 1: like I'll say it again, like because we saw Kelly's

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Speaker 1: billboards everywhere and she's huge now, I mean I was like,

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Speaker 1: it's I think it's because she always was like I

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Speaker 1: can take or leave it. So that's just something I

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Speaker 1: was talking about with study today on the topic of

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Speaker 1: darkness of fame, which pertates to this pertains to this

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Speaker 1: episode that aout Actually pert tell me about these two

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Speaker 1: days of shooting. Yeah, Matt, I would love to hear

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Speaker 1: like take because you know, I'm absolutely everywhere. And Nadie

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Speaker 1: was actually editing a script while she was shooting that episode,

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Speaker 1: and she is truly crazy. How hard she works the

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Speaker 1: best there is, okay, and studio always has all the time.

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Speaker 1: It's like she's inspired by you and how hard is

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Speaker 1: an angel in my life and an angel and each

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Speaker 1: one of our And also was truly my entry point

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Speaker 1: to YouTube, like where long before I met Bowen, I

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Speaker 1: was listening to Last Culture and we're at the table,

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Speaker 1: and I can say that after working with eighty on

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Speaker 1: the program Shrill, I actually I did have a bone

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Speaker 1: to pick because I was casting in this in the series.

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Speaker 1: I had an actually pivotal role in the episode of

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Speaker 1: wa Ham, which was written by Studio. As we said, now,

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Speaker 1: the character he did not have a name name. His

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Speaker 1: name was Handler. So I said to myself, I would

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Speaker 1: like to give him a name Chelsea very close spelling. Okay,

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Speaker 1: your sister to me literally sister life literally literally sister

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Speaker 1: life hashtag at the end, at the at the end

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Speaker 1: of the words. Now, I said to myself, I'm doing

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Speaker 1: a backstory for the character of Handler. He is Chelsea

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Speaker 1: Handler's cousin and he met Vanessa's character who I work

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Speaker 1: for in the film Shrill, the film episode film, every

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Speaker 1: episode of film. Yeah, I think I agree, and I

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Speaker 1: want an Oscar badly. Yes, and actually oscars can go

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Speaker 1: to the TV shows. Now that's our marriage story. That's true. Um.

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Speaker 1: I think that they met at a white woman event

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Speaker 1: that Chelsea Handler was at and she said, you should

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Speaker 1: mean Mike, you should me and my cousin, and that's

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Speaker 1: how he got the job. So his last name actually

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Speaker 1: is Handler, Mr. Handler, and his first name is say

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Speaker 1: it with me, Chastain, Chastain Handler Chastain not not said

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Speaker 1: weird as Chaston actually spelt like Jessica Chastain's last name. Wow,

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Speaker 1: that's beautiful. So that's actually that was who I was

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Speaker 1: on set. You weren't actually interacting with that, you're interacting

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Speaker 1: with chasting Yeah, and that's how it felt. Okay, So

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Speaker 1: engineer Doug is telling us to go to break, will

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Speaker 1: be right back, and I want to hear No, I

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Speaker 1: want to hear more about this, I really do. I

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Speaker 1: wasn't sure what to do there for a second, but

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Speaker 1: Doug is over there behind the glass thing break. I'm like, yeah,

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Speaker 1: and he and he's got a weapon, So we gotta go.

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Speaker 1: We gotta go. We'll be right back with Adie Bryant,

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Speaker 1: and we're back and we're actually um so actually, I

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Speaker 1: want that was so fun. I want to know details

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Speaker 1: about the day. It was just very fun because it

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Speaker 1: was like an absolute all star squad where like Natasha

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Speaker 1: Leone was directing, Vanessa Beyer also starring, and Greta and

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Speaker 1: Sudy and and mad. It was just like so fun.

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Speaker 1: Oh my god, how amazing is Natasha Leone as a director?

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Speaker 1: Oh my god? You worked with her as well? I

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Speaker 1: worked with her very well. She's a table of actors

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Speaker 1: actually as a table of actors and and we picked

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Speaker 1: up on the fact that Natasha leon our director had

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Speaker 1: also come from acting. Yeah, you could actually pick Actually

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Speaker 1: on set you had a feeling. Yeah, you had to

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Speaker 1: feeling like you actually know how to talk to me,

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Speaker 1: and no one does. And that's what I every time

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Speaker 1: I got to a set, I'm like, no one here

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Speaker 1: knows how to talk to me except for Natasha. Yeah. No, finally, No,

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Speaker 1: she's she's unbelievable. Maybe I can't do an impression you

424
00:24:13,640 --> 00:24:16,919
Speaker 1: just try to want to do an impression of actually

425
00:24:16,960 --> 00:24:25,000
Speaker 1: own here and now you went me maybe for this. No,

426
00:24:25,840 --> 00:24:30,719
Speaker 1: you can't. You can't. Absolutely, Actually it's in our contract

427
00:24:30,760 --> 00:24:34,480
Speaker 1: with iHeart Radio. We can make no edit. That's absolutely

428
00:24:34,560 --> 00:24:37,919
Speaker 1: very bad for me, for everyone involved. This this episode

429
00:24:38,000 --> 00:24:41,159
Speaker 1: is actually what we call a steel trapped prison, steel

430
00:24:41,160 --> 00:24:43,640
Speaker 1: trapped internet prison. Oh my god, be with the hard

431
00:24:43,680 --> 00:24:52,400
Speaker 1: ones then and I'll absolutely crumble. Okay, thoughts on second amendment? No, no, no,

432
00:24:53,400 --> 00:24:57,160
Speaker 1: I think do you think it's time to ask the question? Yeah,

433
00:24:57,200 --> 00:24:59,639
Speaker 1: because I don't think you can probably unless you want

434
00:24:59,680 --> 00:25:02,000
Speaker 1: to take more crack at than is actually okay? Do

435
00:25:02,040 --> 00:25:10,639
Speaker 1: you want to? Yeah, you know, for this take, maybe

436
00:25:10,760 --> 00:25:15,320
Speaker 1: try what is she dresher? You're so happy to go

437
00:25:15,560 --> 00:25:19,440
Speaker 1: lower Hunt, You're so bad. I don't know. I feel

438
00:25:19,520 --> 00:25:23,600
Speaker 1: really awful. What are you talking? We're not talking about this.

439
00:25:24,320 --> 00:25:28,200
Speaker 1: I can't bring this is an impression show that Wait

440
00:25:28,280 --> 00:25:32,840
Speaker 1: do you want to hear impression that I do? Yeah? Hi,

441
00:25:32,880 --> 00:25:39,040
Speaker 1: have one too, so Oka, sab Sandy, this is that's good.

442
00:25:39,240 --> 00:25:43,560
Speaker 1: That's really good. Here's my Aria day. Hi everybody, that's me. Yeah,

443
00:25:43,720 --> 00:25:50,480
Speaker 1: that's really good. What are your impressions? Okay, okay, not

444
00:25:50,600 --> 00:25:57,080
Speaker 1: famous one not shut up? Okay, are you ready? I'm

445
00:25:57,080 --> 00:25:58,320
Speaker 1: not going to say who it is because I think

446
00:25:58,359 --> 00:26:02,879
Speaker 1: you'll yes, yes, okay ready, Hey man, wait, that was

447
00:26:02,920 --> 00:26:04,560
Speaker 1: a bad one. Let me try it again. I think

448
00:26:04,600 --> 00:26:06,040
Speaker 1: I know. I think I know that the way I

449
00:26:06,040 --> 00:26:10,040
Speaker 1: need I need to focus and actually try again. Matt

450
00:26:10,200 --> 00:26:14,000
Speaker 1: stop okay, hey man, oh I know I'm panicking. It

451
00:26:14,080 --> 00:26:17,440
Speaker 1: is Bart Simpson. Actually get it better. That wasn't good?

452
00:26:17,800 --> 00:26:20,520
Speaker 1: Oh my god, oh my god. Shut he tried to

453
00:26:20,520 --> 00:26:21,840
Speaker 1: do a Bart tonight too, because you went on the

454
00:26:21,880 --> 00:26:24,040
Speaker 1: Simpsons dry and I was like, shut up, I have

455
00:26:24,200 --> 00:26:26,359
Speaker 1: I think I've tried to do my Bart for study

456
00:26:26,520 --> 00:26:28,840
Speaker 1: and she said it was bad. Can I tell you

457
00:26:28,880 --> 00:26:31,520
Speaker 1: think I'm good? You actually are amazing and it was

458
00:26:31,560 --> 00:26:35,040
Speaker 1: really good. Um wait, you actually amazing and it was

459
00:26:35,040 --> 00:26:37,919
Speaker 1: really really um I went and I guess it was

460
00:26:37,960 --> 00:26:44,960
Speaker 1: Mark Marino and then hey, hey man, that was better.

461
00:26:45,160 --> 00:26:46,639
Speaker 1: That was good. That was good. That was better. That

462
00:26:46,680 --> 00:26:48,480
Speaker 1: was a good bart You know, after I left my

463
00:26:48,480 --> 00:26:51,280
Speaker 1: my interview with Lord, I had to go back. Oh,

464
00:26:52,760 --> 00:26:56,720
Speaker 1: better not watch your ass. I've been on that podcast.

465
00:26:56,760 --> 00:27:00,640
Speaker 1: She's been. That's actually goes for me. Wow. It actually

466
00:27:00,720 --> 00:27:03,720
Speaker 1: it really was like so fun, it's cool, and he's

467
00:27:03,800 --> 00:27:07,520
Speaker 1: very insightful and asks great questions. I agree. You know

468
00:27:07,600 --> 00:27:11,480
Speaker 1: that sometime someone said that we were the gay w T.

469
00:27:11,760 --> 00:27:16,160
Speaker 1: I think that's true. Do you feel that way? That's

470
00:27:16,160 --> 00:27:19,440
Speaker 1: actually huge, that's actually huge, and uh, we're not nearly

471
00:27:19,480 --> 00:27:24,159
Speaker 1: as insightful, but are you kidding me? I've cried multiple

472
00:27:24,160 --> 00:27:27,280
Speaker 1: times listening to the pod. Not from our insights. Yes,

473
00:27:27,480 --> 00:27:29,840
Speaker 1: I think sometimes when you guys deeply talk about like

474
00:27:29,880 --> 00:27:33,160
Speaker 1: your friendship or growing, I'm like, damn, this is extremely

475
00:27:33,200 --> 00:27:38,879
Speaker 1: real and extremely like hardfelt and true. I think that, Um,

476
00:27:38,920 --> 00:27:42,320
Speaker 1: I think that it helped that we literally thought that

477
00:27:42,440 --> 00:27:45,159
Speaker 1: zero point zero zero zero listen to it in the beginning,

478
00:27:45,160 --> 00:27:47,080
Speaker 1: because it's set a tone and we're still able to

479
00:27:47,160 --> 00:27:50,160
Speaker 1: do that. I wonder if we like sold a podcast now,

480
00:27:50,520 --> 00:27:53,200
Speaker 1: like if we if it would be we would even

481
00:27:53,359 --> 00:27:56,840
Speaker 1: think to like share anything real? Yeah you know what

482
00:27:56,920 --> 00:28:00,879
Speaker 1: I mean, I have a question but before we yes,

483
00:28:02,119 --> 00:28:05,000
Speaker 1: when you're writing shrill, is it no? This because because

484
00:28:05,080 --> 00:28:08,359
Speaker 1: talking about bringing real life to things? Yea, how because

485
00:28:08,720 --> 00:28:13,800
Speaker 1: it's based on Lindy's like work, But yes, but I

486
00:28:13,840 --> 00:28:17,240
Speaker 1: would imagine that everyone's stories go into it. How many

487
00:28:17,280 --> 00:28:19,639
Speaker 1: personal stories are in the show where you're like that

488
00:28:19,800 --> 00:28:23,320
Speaker 1: is so real? What? Um? You know, it's a really

489
00:28:23,359 --> 00:28:27,560
Speaker 1: a mix. And it also like you know, I feel

490
00:28:27,560 --> 00:28:29,680
Speaker 1: like the first season, especially, we were like a lot

491
00:28:29,720 --> 00:28:33,520
Speaker 1: tighter to the book, and now the second season we

492
00:28:33,600 --> 00:28:35,760
Speaker 1: definitely like are a little bit looser, and so there's

493
00:28:35,800 --> 00:28:38,160
Speaker 1: pieces of you know that, And that's what a writer's

494
00:28:38,200 --> 00:28:40,880
Speaker 1: room is. It's like you're breaking the story together and

495
00:28:40,960 --> 00:28:45,600
Speaker 1: adding little pieces to build a whole thing. Um. But definitely,

496
00:28:45,640 --> 00:28:47,560
Speaker 1: I mean like in the second season there's a scene

497
00:28:47,600 --> 00:28:50,960
Speaker 1: where I like barf and then we like say spoiler

498
00:28:51,040 --> 00:28:53,120
Speaker 1: like say I love you to each other? And that

499
00:28:53,280 --> 00:28:55,320
Speaker 1: was like something that did happen to me, Like I

500
00:28:55,320 --> 00:28:57,880
Speaker 1: don't know, I have many like things where I'm like,

501
00:28:58,080 --> 00:29:01,440
Speaker 1: that's straight from from the book of my life, you know,

502
00:29:01,720 --> 00:29:05,040
Speaker 1: or whatever. But but it's all like in an effort

503
00:29:05,120 --> 00:29:07,880
Speaker 1: to tell something bigger or whatever, you know. But like

504
00:29:08,080 --> 00:29:11,720
Speaker 1: I do think like deciding on those like emblematic details

505
00:29:11,760 --> 00:29:14,960
Speaker 1: that tell something about the story is like kind of

506
00:29:15,000 --> 00:29:17,720
Speaker 1: what you have to find, and often it's hard to

507
00:29:17,840 --> 00:29:19,520
Speaker 1: kind of pull those out of thin air, and it

508
00:29:19,640 --> 00:29:21,520
Speaker 1: is easier to like kind of reach back to like

509
00:29:21,640 --> 00:29:24,560
Speaker 1: something in your own life and twisted up or whatever.

510
00:29:24,600 --> 00:29:27,520
Speaker 1: And then when you're when you're doing it, like and

511
00:29:27,560 --> 00:29:30,760
Speaker 1: like when you're like acting like the experience that you've

512
00:29:30,760 --> 00:29:34,080
Speaker 1: already had, is it does it? Does it like scramble

513
00:29:34,120 --> 00:29:35,560
Speaker 1: your brain a little bit to be like I gotta

514
00:29:35,600 --> 00:29:39,400
Speaker 1: like stick to like what this authentically was or you know.

515
00:29:39,720 --> 00:29:41,760
Speaker 1: The only time where it maybe kind of did that

516
00:29:41,840 --> 00:29:44,760
Speaker 1: was in the first season, the fourth episode, which is

517
00:29:44,760 --> 00:29:48,760
Speaker 1: like the pool party episode and like um and doing

518
00:29:48,800 --> 00:29:51,200
Speaker 1: like I kind of had like this like long monologue

519
00:29:51,280 --> 00:29:54,160
Speaker 1: after words where I'm like kind of processing the day

520
00:29:54,400 --> 00:29:56,520
Speaker 1: and like that was maybe one of the only times

521
00:29:56,520 --> 00:29:59,120
Speaker 1: where I was like like at times just because I

522
00:29:59,160 --> 00:30:01,200
Speaker 1: was like, man, I kind of haven't been to this

523
00:30:01,240 --> 00:30:05,760
Speaker 1: place in a long time in my mind, Like, uh,

524
00:30:05,880 --> 00:30:08,880
Speaker 1: I don't talk to myself this way like or you

525
00:30:08,920 --> 00:30:12,160
Speaker 1: know that those kinds of like hateful self thoughts. I

526
00:30:12,320 --> 00:30:15,800
Speaker 1: really don't go there in the same in like towards

527
00:30:15,840 --> 00:30:18,120
Speaker 1: my body and stuff like that. I just don't, you know.

528
00:30:18,720 --> 00:30:21,400
Speaker 1: And it was kind of hard to like go to

529
00:30:21,440 --> 00:30:24,160
Speaker 1: that place of like having that epiphany or something. I

530
00:30:24,200 --> 00:30:26,400
Speaker 1: don't know, this sounds very accurately in lame, but it

531
00:30:26,560 --> 00:30:30,720
Speaker 1: was like it was a little like freaky that day,

532
00:30:30,880 --> 00:30:34,280
Speaker 1: you know. Yeah, And that's that's just I've told you this.

533
00:30:34,400 --> 00:30:39,040
Speaker 1: It's that's a huge, huge, huge episode for everyone watching

534
00:30:39,040 --> 00:30:43,760
Speaker 1: it because there's some analog to like another aspect to

535
00:30:43,800 --> 00:30:47,080
Speaker 1: anyone who's watching that's life. Like I like watching that episode,

536
00:30:47,080 --> 00:30:50,320
Speaker 1: I was like, this is what bubble t is. This

537
00:30:50,360 --> 00:30:52,720
Speaker 1: is like what like me like going to like an

538
00:30:52,720 --> 00:30:56,640
Speaker 1: all Asian queer party. What the fuck? I like, I

539
00:30:56,680 --> 00:30:59,320
Speaker 1: did not know this existed. And then like processing and

540
00:30:59,400 --> 00:31:03,840
Speaker 1: afterwards was like mapped out like exactly to that episode

541
00:31:03,840 --> 00:31:05,120
Speaker 1: where I was like I did not know how to

542
00:31:05,160 --> 00:31:07,520
Speaker 1: process it afterwards for a long time. Yeah, And I

543
00:31:07,520 --> 00:31:11,240
Speaker 1: think sometimes even like seeing something where you're like, oh

544
00:31:11,280 --> 00:31:14,040
Speaker 1: my god, this is so my ship or whatever, it

545
00:31:14,120 --> 00:31:17,280
Speaker 1: can be very hard to afterwards be like Wow, I've

546
00:31:17,280 --> 00:31:21,640
Speaker 1: had twenty some years of like a lot of pain

547
00:31:21,800 --> 00:31:25,720
Speaker 1: and shame and self hatred for like kind of no reason,

548
00:31:26,080 --> 00:31:28,760
Speaker 1: Like I mean, not no reason, but it's definitely like

549
00:31:29,520 --> 00:31:32,840
Speaker 1: it is a little bit like you've agreed to live

550
00:31:32,880 --> 00:31:36,920
Speaker 1: in this system that now we all agree fucking sucks.

551
00:31:37,120 --> 00:31:39,360
Speaker 1: It sucks, and that we're and that we're like trapped

552
00:31:39,360 --> 00:31:40,920
Speaker 1: in because we all know it. But it's one of

553
00:31:40,920 --> 00:31:43,240
Speaker 1: those things that you can't just agree to all change.

554
00:31:43,640 --> 00:31:45,760
Speaker 1: It's just like a mindset. I will say one of

555
00:31:45,800 --> 00:31:49,520
Speaker 1: my favorite things about the show is that it really

556
00:31:49,680 --> 00:31:55,800
Speaker 1: really authentically and like totally just right gets those specific

557
00:31:55,920 --> 00:31:59,440
Speaker 1: emotional situations across like and those dialogues that you have

558
00:32:00,160 --> 00:32:02,960
Speaker 1: other people when you're talking about real ship. For example,

559
00:32:03,040 --> 00:32:07,400
Speaker 1: like in the Waham episode, I said it too, Sudy.

560
00:32:07,480 --> 00:32:09,600
Speaker 1: I was like, I gotta give kudos to all you

561
00:32:09,640 --> 00:32:13,719
Speaker 1: guys because the conversation that you and John camera Mitchell

562
00:32:13,760 --> 00:32:17,520
Speaker 1: have after you come back is and you've come back

563
00:32:17,560 --> 00:32:20,800
Speaker 1: from Waham and you're like, I think it was fucked up,

564
00:32:20,800 --> 00:32:23,880
Speaker 1: but also women weren't enjoying it, and it's it's very

565
00:32:23,960 --> 00:32:25,960
Speaker 1: much like an observation on those sorts of things which

566
00:32:26,000 --> 00:32:28,000
Speaker 1: have a high price point and you go and there

567
00:32:28,080 --> 00:32:30,640
Speaker 1: is community, but you are being taken advantage of if

568
00:32:30,680 --> 00:32:33,040
Speaker 1: you choose to think of it that way. And I

569
00:32:33,080 --> 00:32:37,520
Speaker 1: thought that that scene between you and him was so um,

570
00:32:37,560 --> 00:32:40,840
Speaker 1: truthfully and authentically a scene of two people working it out,

571
00:32:40,880 --> 00:32:43,280
Speaker 1: like you really like, we're so good in that scene.

572
00:32:43,840 --> 00:32:45,560
Speaker 1: You were so good in that scene. It was such

573
00:32:45,560 --> 00:32:48,840
Speaker 1: good writing the story forward too, because it's like, oh,

574
00:32:48,880 --> 00:32:51,720
Speaker 1: like these two characters haven't interacted in this way right exactly,

575
00:32:51,720 --> 00:32:55,640
Speaker 1: and actually, like you know, John's performance there, it's like

576
00:32:55,760 --> 00:32:58,160
Speaker 1: for the first time ever, he was like really uh,

577
00:32:58,240 --> 00:33:01,440
Speaker 1: the character was really engaging with her as like a

578
00:33:01,480 --> 00:33:04,400
Speaker 1: pupil in a way and almost like he was challenging her.

579
00:33:04,720 --> 00:33:07,200
Speaker 1: And I thought that that was just like wow, that

580
00:33:07,360 --> 00:33:10,480
Speaker 1: really really felt like we the audience, we're working it

581
00:33:10,480 --> 00:33:13,320
Speaker 1: out too, Like it's so what you want from like

582
00:33:13,600 --> 00:33:17,440
Speaker 1: art and like like a comedic examination of something, because

583
00:33:17,440 --> 00:33:21,280
Speaker 1: it's like you really presented the totality of that kind

584
00:33:21,400 --> 00:33:25,640
Speaker 1: of experience, which must be I should be enjoying this,

585
00:33:25,840 --> 00:33:28,720
Speaker 1: I am not. Am I fucked up? Is this fucked up?

586
00:33:29,160 --> 00:33:32,000
Speaker 1: Are we both? Kind of like I feel like that's

587
00:33:32,040 --> 00:33:35,840
Speaker 1: like most of the human experience right, like your whole

588
00:33:36,320 --> 00:33:39,040
Speaker 1: I don't know, this is like a oversimplification, but like

589
00:33:39,120 --> 00:33:40,880
Speaker 1: your whole high school experience. You're like, when I get

590
00:33:40,920 --> 00:33:45,240
Speaker 1: to college, I'm going to be a different life. And

591
00:33:45,280 --> 00:33:46,800
Speaker 1: then you get to college, you know, like I don't

592
00:33:46,840 --> 00:33:49,840
Speaker 1: know any money, Yeah, I'm scared or whatever. You know,

593
00:33:50,040 --> 00:33:52,600
Speaker 1: It's like it's always that way where you kind of

594
00:33:52,640 --> 00:33:54,720
Speaker 1: like think something is good, but then you get in

595
00:33:54,760 --> 00:33:56,560
Speaker 1: it and you're like, I think this is mad or like,

596
00:33:57,040 --> 00:33:59,200
Speaker 1: you know, it's just it's like too complicated and nothing

597
00:33:59,280 --> 00:34:02,200
Speaker 1: is like black and you know, I just like I

598
00:34:02,240 --> 00:34:06,280
Speaker 1: was so impressed by that particular scene because I now

599
00:34:06,280 --> 00:34:08,040
Speaker 1: that I'm in a writer's room, I know how hard

600
00:34:08,080 --> 00:34:10,520
Speaker 1: it is with like a lot of people to write

601
00:34:10,560 --> 00:34:13,880
Speaker 1: something that feels like a conversation that's really between two people.

602
00:34:13,960 --> 00:34:16,120
Speaker 1: It's just it's so much like it. There's so much

603
00:34:16,120 --> 00:34:18,799
Speaker 1: more that goes into like writing TV and creating TV

604
00:34:18,880 --> 00:34:21,759
Speaker 1: than you think, and so put something that's so I

605
00:34:21,880 --> 00:34:25,799
Speaker 1: felt so real, like and so honest and really kind

606
00:34:25,800 --> 00:34:27,719
Speaker 1: of like about what it was about on screen. I

607
00:34:27,760 --> 00:34:32,680
Speaker 1: thought was like, wow, just kiss God. And you know,

608
00:34:32,840 --> 00:34:36,560
Speaker 1: something I didn't dawn on me until like way after

609
00:34:36,600 --> 00:34:39,760
Speaker 1: the fact that like this season, this most recent season

610
00:34:41,640 --> 00:34:44,719
Speaker 1: used like song covers as a plot divine and I

611
00:34:44,760 --> 00:34:47,000
Speaker 1: was just like, I didn't realize until after because it's

612
00:34:47,000 --> 00:34:49,960
Speaker 1: obviously intentional, but I was like, OHI Peter singing God

613
00:34:50,000 --> 00:34:52,479
Speaker 1: only knows, Thank God you brought it up, and eight

614
00:34:52,520 --> 00:34:54,879
Speaker 1: and and Annie singing It's all coming back to me,

615
00:34:55,080 --> 00:35:01,400
Speaker 1: and and Lolly singing, um fucking Lolly's whole performance this season.

616
00:35:01,480 --> 00:35:07,120
Speaker 1: Lolly is unreal, unreal, Emily fight master incredible, that relationship,

617
00:35:07,280 --> 00:35:10,239
Speaker 1: that that arc, like you'll you love to see, you

618
00:35:10,320 --> 00:35:13,040
Speaker 1: love to see Emily a star, a star. Oh and

619
00:35:13,080 --> 00:35:16,640
Speaker 1: they're a very hot person, you know, And I think

620
00:35:16,640 --> 00:35:18,520
Speaker 1: it's okay to say you're the most gorgeous people in

621
00:35:18,520 --> 00:35:22,759
Speaker 1: the world of essentially a crime. It's actually crime. And

622
00:35:22,960 --> 00:35:25,319
Speaker 1: I hate them. Sorry now I hate now now we

623
00:35:25,360 --> 00:35:28,960
Speaker 1: hate them. No, but put the song selection all very

624
00:35:29,000 --> 00:35:33,959
Speaker 1: queer songs, can I can I reveal something? I put

625
00:35:34,040 --> 00:35:38,280
Speaker 1: my ass on tape doing God only Peter Smith's role

626
00:35:38,920 --> 00:35:41,600
Speaker 1: and so basically, okay, so this is what happened, that

627
00:35:42,000 --> 00:35:47,880
Speaker 1: this is hot inside there is a tape which that

628
00:35:48,040 --> 00:35:50,920
Speaker 1: and you were very funny, Matt, You were so funny,

629
00:35:51,239 --> 00:35:54,919
Speaker 1: which was like kind of like not well, like Peter

630
00:35:55,040 --> 00:35:59,200
Speaker 1: is very funny in the beginning. It quickly yeah it's real,

631
00:35:59,280 --> 00:36:03,400
Speaker 1: and so Peter is the start. But because I knew

632
00:36:03,400 --> 00:36:06,759
Speaker 1: Sudy was had written this like handler part for me. Yes,

633
00:36:06,840 --> 00:36:09,120
Speaker 1: we we actively in the writer's room were like this

634
00:36:09,120 --> 00:36:13,520
Speaker 1: will be mad like this, like truly like bitchy, like

635
00:36:14,800 --> 00:36:18,480
Speaker 1: you're so good. It was really fun. Do you remember, Matt.

636
00:36:18,520 --> 00:36:21,360
Speaker 1: I also tried to pressure you to sing on the stage,

637
00:36:21,960 --> 00:36:24,439
Speaker 1: you know, like you should sing. Look at you looking

638
00:36:24,480 --> 00:36:25,960
Speaker 1: at the ground, kicking your feet and you're like sing

639
00:36:26,000 --> 00:36:30,839
Speaker 1: a little which I was like, get up there and

640
00:36:30,880 --> 00:36:34,200
Speaker 1: just like singing a little bit. I think a little

641
00:36:34,239 --> 00:36:36,279
Speaker 1: tiny bit you did. I think I said to like,

642
00:36:36,440 --> 00:36:38,960
Speaker 1: because the character has to get everyone up out the seats,

643
00:36:39,000 --> 00:36:40,480
Speaker 1: and I think one of the times I came out

644
00:36:40,480 --> 00:36:43,960
Speaker 1: and I was like, get up, get up. They were

645
00:36:44,040 --> 00:36:46,160
Speaker 1: just like what was that? That's actually I was like,

646
00:36:46,280 --> 00:36:51,319
Speaker 1: what did you do? Yes? And so that didn't make

647
00:36:51,400 --> 00:36:56,520
Speaker 1: the cut. Oh no, get up, get up. That's actually ahead,

648
00:36:56,640 --> 00:37:01,520
Speaker 1: get up, get up. Oh you gotta get up. I

649
00:37:01,760 --> 00:37:04,680
Speaker 1: know you're gonna workshop it um and it's not going

650
00:37:04,719 --> 00:37:08,720
Speaker 1: to be for us, It'll be Forda Actually almost forty

651
00:37:08,719 --> 00:37:14,239
Speaker 1: five minutes that's actually that. I think it's the time

652
00:37:14,239 --> 00:37:19,160
Speaker 1: we are no stop because I'm still talking about on set.

653
00:37:19,239 --> 00:37:26,600
Speaker 1: Oh yes, okay, I'm done. Oh anyway, watch Shrill? Please?

654
00:37:27,560 --> 00:37:30,080
Speaker 1: How do you do me a favorite? Please? Watch Shrill?

655
00:37:30,239 --> 00:37:32,759
Speaker 1: What are your friends? How are you feeling about Susan two?

656
00:37:32,800 --> 00:37:35,920
Speaker 1: Like now that it's been out like night yea, it

657
00:37:36,120 --> 00:37:39,080
Speaker 1: is really it's a very different because I don't know,

658
00:37:39,160 --> 00:37:42,160
Speaker 1: being on SNL is like so great, but it's definitely

659
00:37:42,160 --> 00:37:44,560
Speaker 1: like when people come up there like hey, you're funny,

660
00:37:44,920 --> 00:37:46,440
Speaker 1: like whatever, you know, it's like a quick and I

661
00:37:46,480 --> 00:37:49,080
Speaker 1: would imagine people are like what you've done? It's just

662
00:37:49,160 --> 00:37:51,719
Speaker 1: so much more intense. It's so much, but it's also

663
00:37:51,960 --> 00:37:55,040
Speaker 1: incredibly meaningful and like I really make an effort to

664
00:37:55,120 --> 00:37:57,920
Speaker 1: like I can't respond to everything that comes in, but

665
00:37:57,960 --> 00:38:00,600
Speaker 1: I like I really read it all as as I can,

666
00:38:00,760 --> 00:38:04,080
Speaker 1: and it really really like, you know, when I'm like

667
00:38:04,800 --> 00:38:07,960
Speaker 1: fighting about the marketing of the show or all those things,

668
00:38:08,040 --> 00:38:09,719
Speaker 1: there are times where I'm like, what the funk is

669
00:38:09,760 --> 00:38:11,360
Speaker 1: this for? And then I'm like, no, that's what it's like.

670
00:38:11,600 --> 00:38:14,239
Speaker 1: I do it for the goddamn girls, Like that is

671
00:38:14,400 --> 00:38:16,319
Speaker 1: literally why I wanted to do this. And when I

672
00:38:16,440 --> 00:38:18,920
Speaker 1: started and what I wanted as a child, so like

673
00:38:19,280 --> 00:38:21,560
Speaker 1: to be doing that. It is a dream, Like it's

674
00:38:21,560 --> 00:38:25,120
Speaker 1: a total dream. I feel like the impact is outsize.

675
00:38:25,440 --> 00:38:28,640
Speaker 1: It's like huge, Like I feel like there is some

676
00:38:28,880 --> 00:38:35,560
Speaker 1: like really really like like visible like real tangible cultural

677
00:38:35,680 --> 00:38:39,360
Speaker 1: like like moving of the dial a little bit with this,

678
00:38:39,560 --> 00:38:42,800
Speaker 1: like truly all of it. I know it's it's true,

679
00:38:42,840 --> 00:38:45,879
Speaker 1: like watching it and hearing Study talk about it maybe

680
00:38:45,880 --> 00:38:48,160
Speaker 1: like that's like my little like unfair supplement that I

681
00:38:48,200 --> 00:38:49,960
Speaker 1: have to all this is hearing STUDI like talk through

682
00:38:50,000 --> 00:38:51,960
Speaker 1: the process and like talk to the show and what

683
00:38:52,000 --> 00:38:53,719
Speaker 1: the room is like, and she has nothing but good

684
00:38:53,719 --> 00:38:55,399
Speaker 1: things to say about and just like, oh, like this

685
00:38:55,480 --> 00:38:58,120
Speaker 1: is a huge show that like she's opening my eyes

686
00:38:58,160 --> 00:39:00,320
Speaker 1: to all this stuff that I never or give a

687
00:39:00,360 --> 00:39:02,520
Speaker 1: second thought too. Well, you know, I'll tell you one

688
00:39:02,640 --> 00:39:05,480
Speaker 1: wild small experience that I have had, which has been

689
00:39:05,520 --> 00:39:12,360
Speaker 1: like extremely like active fit like Instagram like food freaks

690
00:39:12,440 --> 00:39:14,960
Speaker 1: kind of who are like I only eat seeds, but

691
00:39:15,040 --> 00:39:19,200
Speaker 1: I've been tagged in like multiple things from women like

692
00:39:19,239 --> 00:39:22,520
Speaker 1: that who basically are like I gotta say, I used

693
00:39:22,520 --> 00:39:24,640
Speaker 1: to watch the show thinking like fat people were lazy

694
00:39:24,640 --> 00:39:27,399
Speaker 1: and gross, and I now like have empathy and feel

695
00:39:27,440 --> 00:39:30,480
Speaker 1: for them and I understand that, like they're human beings too,

696
00:39:30,560 --> 00:39:34,800
Speaker 1: and that to me was like, holy, how did you

697
00:39:35,080 --> 00:39:38,800
Speaker 1: take that one? I know, but you know what, grateful

698
00:39:38,840 --> 00:39:42,279
Speaker 1: for it, because to me, that's like what TV can do.

699
00:39:42,600 --> 00:39:45,040
Speaker 1: You know. I always like make you see people who

700
00:39:45,080 --> 00:39:48,400
Speaker 1: are unlike yourself and you're like, oh, I'm interested in

701
00:39:48,600 --> 00:39:51,600
Speaker 1: fare about them or whatever. And also we all know

702
00:39:51,719 --> 00:39:55,680
Speaker 1: it's hard to get truly anything made, and the fact

703
00:39:55,760 --> 00:39:58,920
Speaker 1: that like you've gotten something made that like does is

704
00:39:59,000 --> 00:40:01,880
Speaker 1: meaningful to people and also is like so funny and

705
00:40:01,960 --> 00:40:05,560
Speaker 1: great like and it's gone on. It's just like I'm

706
00:40:05,560 --> 00:40:09,160
Speaker 1: sure it should be something that every day when you

707
00:40:09,239 --> 00:40:13,759
Speaker 1: drink your coffee you think wow. When I when I

708
00:40:14,080 --> 00:40:16,279
Speaker 1: talk about the cultural impact, I just mean that it's

709
00:40:16,320 --> 00:40:19,640
Speaker 1: like good for the city of Portland. Yeah, that's it.

710
00:40:19,680 --> 00:40:23,680
Speaker 1: That's all I was just I was I was merely

711
00:40:23,680 --> 00:40:26,880
Speaker 1: only talking about like it's great that people like it

712
00:40:26,920 --> 00:40:30,040
Speaker 1: empowers them. But I was talking about the Portland community

713
00:40:30,400 --> 00:40:34,480
Speaker 1: that I'm happy that that people there get to get

714
00:40:34,520 --> 00:40:37,400
Speaker 1: to work and the coffee people like when you're on

715
00:40:37,440 --> 00:40:39,680
Speaker 1: your way to set, like I'm concerned that they're working. Yeah,

716
00:40:39,719 --> 00:40:41,600
Speaker 1: And I want to be clear that I think what

717
00:40:42,120 --> 00:40:44,759
Speaker 1: me having a TV show is more important than like,

718
00:40:45,160 --> 00:40:48,200
Speaker 1: you know, pediatric surgeon, Like I don't even know what

719
00:40:48,200 --> 00:40:51,359
Speaker 1: they do. I don't even know what a pediatric surgeon does.

720
00:40:52,000 --> 00:40:57,240
Speaker 1: I don't know what pediatrics is, orthopedic, pediatriciropractic. It's actually

721
00:40:57,239 --> 00:41:00,120
Speaker 1: all the same. Dove just raised his sign. He's at

722
00:41:00,120 --> 00:41:02,399
Speaker 1: ad breaker else, so we'll be right back when break

723
00:41:02,520 --> 00:41:05,520
Speaker 1: or else else we'll get into a very big weapon,

724
00:41:05,800 --> 00:41:13,080
Speaker 1: very big weapon, and we're back now and we have

725
00:41:13,160 --> 00:41:14,480
Speaker 1: to ask the question. I'm going to hand it off

726
00:41:14,520 --> 00:41:16,320
Speaker 1: to you because here's the thing we actually said on

727
00:41:16,400 --> 00:41:18,680
Speaker 1: our new podcast, we're going to do after our first

728
00:41:18,800 --> 00:41:20,680
Speaker 1: ad break, We're always going to ask a question. And

729
00:41:20,760 --> 00:41:22,560
Speaker 1: then here's the thing we were having too much fun

730
00:41:22,600 --> 00:41:25,360
Speaker 1: and spun off, which I actually had a feeling what

731
00:41:25,480 --> 00:41:27,680
Speaker 1: happened on this I knew it what I didn't even

732
00:41:27,719 --> 00:41:30,360
Speaker 1: have a feeling. So one of the things about this

733
00:41:30,480 --> 00:41:35,360
Speaker 1: podcast is that we ask every guest the same question.

734
00:41:35,960 --> 00:41:38,480
Speaker 1: And the only person we haven't asked is Margaret cho

735
00:41:38,680 --> 00:41:41,520
Speaker 1: because we got too scared. But we are going to

736
00:41:41,640 --> 00:41:44,839
Speaker 1: ask you because I feel very comfortable and I feel

737
00:41:44,840 --> 00:41:47,520
Speaker 1: comfortable enough to ask the question that We've asked to

738
00:41:47,640 --> 00:41:50,640
Speaker 1: everyone else, which is what is the culture that made you?

739
00:41:50,800 --> 00:41:53,680
Speaker 1: Adie Bryant say, culture was for you. This was the

740
00:41:53,800 --> 00:41:56,840
Speaker 1: defining pop culture that came in a moment where you

741
00:41:56,880 --> 00:42:00,480
Speaker 1: were like, oh me, I'm in that I'd like to

742
00:42:00,680 --> 00:42:04,840
Speaker 1: develop from based on this point. You know, I've listened

743
00:42:04,880 --> 00:42:12,360
Speaker 1: to the show many times, you but so I definitely like,

744
00:42:13,000 --> 00:42:14,719
Speaker 1: you know, there are things where I've I feel some

745
00:42:14,840 --> 00:42:18,520
Speaker 1: overlap with like other previous guests, you know, imagine they're

746
00:42:18,520 --> 00:42:22,200
Speaker 1: all dead. Yeah, I will say I was big into Greece.

747
00:42:22,440 --> 00:42:27,880
Speaker 1: I was big into you know, freaking peee Herman. But

748
00:42:28,120 --> 00:42:30,120
Speaker 1: I was thinking about this this morning because I knew

749
00:42:30,120 --> 00:42:33,800
Speaker 1: I was coming here. I think you remember John Waters.

750
00:42:34,200 --> 00:42:37,000
Speaker 1: Oh I do find I feel like I found John

751
00:42:37,040 --> 00:42:40,560
Speaker 1: Waters later though it wasn't the first, but John Waters

752
00:42:40,640 --> 00:42:44,960
Speaker 1: is big. And then, um, I think what I have

753
00:42:45,160 --> 00:42:50,480
Speaker 1: to say is like local commercials in Phoenix, Arizona, where

754
00:42:50,520 --> 00:42:54,840
Speaker 1: I grew up, it so often was like the wife

755
00:42:55,760 --> 00:42:59,160
Speaker 1: of a man who owned a furniture store who was

756
00:42:59,280 --> 00:43:02,800
Speaker 1: like and now I'm going to sing on camera, and

757
00:43:03,040 --> 00:43:06,960
Speaker 1: like that for me was I just like even as

758
00:43:07,000 --> 00:43:10,040
Speaker 1: a child, I knew like this is crazy, or like

759
00:43:10,560 --> 00:43:19,040
Speaker 1: I love her light's camera action mattress. Okay, there was one.

760
00:43:19,400 --> 00:43:21,640
Speaker 1: There was one. There was one woman whose name was

761
00:43:21,719 --> 00:43:23,880
Speaker 1: Debbie Gaby and she was like very southern and she

762
00:43:24,000 --> 00:43:27,359
Speaker 1: was like, I'm Debbie Gaby and then she would there

763
00:43:27,560 --> 00:43:30,040
Speaker 1: was a song with it. She worked at a place

764
00:43:30,080 --> 00:43:34,520
Speaker 1: called Sleep America and she was like, Sleep Ammerica where

765
00:43:34,560 --> 00:43:42,080
Speaker 1: America goes to sleep? Which is and Sleep Ammerica where

766
00:43:42,120 --> 00:43:46,400
Speaker 1: America goes to sleep. Can I ask something annoying? Is

767
00:43:46,440 --> 00:43:49,319
Speaker 1: this the inspiration behind our waterbeds are the best? Absolutely? Yes?

768
00:43:49,680 --> 00:43:52,520
Speaker 1: Actually that was based on a woman a different Arizona

769
00:43:52,560 --> 00:43:55,960
Speaker 1: commercial where um, this woman sort of saying like these

770
00:43:56,040 --> 00:44:01,920
Speaker 1: like jazzy songs and um, the it was like Express

771
00:44:02,080 --> 00:44:08,319
Speaker 1: flooring is the best and she did a little head bob.

772
00:44:09,320 --> 00:44:14,719
Speaker 1: Can you can you sing one? Um from your childhood?

773
00:44:14,760 --> 00:44:18,040
Speaker 1: Okay it's but National American University. We all had right

774
00:44:18,760 --> 00:44:24,399
Speaker 1: one day, one night, Saturdays, all right online just by

775
00:44:24,719 --> 00:44:29,560
Speaker 1: night time any time, get your degree, set yourself free,

776
00:44:30,200 --> 00:44:39,200
Speaker 1: National American University. That single, it's a soaring melody. I

777
00:44:39,320 --> 00:44:45,160
Speaker 1: love it. It's genius who ever wrote that? God bless that.

778
00:44:45,360 --> 00:44:49,040
Speaker 1: I'm freaked. That was really good American University. And then

779
00:44:49,120 --> 00:44:51,640
Speaker 1: and the ads were it was one person singing this

780
00:44:51,800 --> 00:44:55,879
Speaker 1: an amazing voice. Gender is unclear, but it actually works

781
00:44:55,920 --> 00:44:59,120
Speaker 1: perfectly because they cut two different people. Generic people just

782
00:44:59,360 --> 00:45:02,320
Speaker 1: lip sinking to it, just smile on their face to

783
00:45:03,239 --> 00:45:07,000
Speaker 1: the track and it's beautifully, beautifully done. And then was

784
00:45:07,040 --> 00:45:11,759
Speaker 1: it like personal injury like lawyers too? One that was

785
00:45:12,080 --> 00:45:18,040
Speaker 1: what eight hundred steamers that's incredible, but there wasn't. It

786
00:45:18,120 --> 00:45:20,120
Speaker 1: was like they would steam your clothes. And then there

787
00:45:20,200 --> 00:45:24,279
Speaker 1: was there was a steam cloth carpet. No, I don't know,

788
00:45:24,520 --> 00:45:33,160
Speaker 1: I got to be carpet close. They don't have that money, Okay.

789
00:45:33,239 --> 00:45:36,279
Speaker 1: There was also I have to say that I think

790
00:45:36,600 --> 00:45:39,000
Speaker 1: for me what like I was grabbing onto was like

791
00:45:39,120 --> 00:45:43,320
Speaker 1: there was an element of like sex and like performance

792
00:45:44,080 --> 00:45:47,960
Speaker 1: that I wasn't finding like in loose Arizona, you know.

793
00:45:48,520 --> 00:45:51,799
Speaker 1: And it was such like an element of like she's

794
00:45:51,840 --> 00:45:55,160
Speaker 1: taking her moment and getting on cam. I don't know

795
00:45:55,600 --> 00:45:58,920
Speaker 1: it it is that is an energy. And also it's

796
00:45:58,960 --> 00:46:02,600
Speaker 1: like there's something about out like how many takes, There's

797
00:46:02,640 --> 00:46:05,439
Speaker 1: something about what did was she involved in the writing

798
00:46:05,480 --> 00:46:09,920
Speaker 1: process of the jingle? There's something about what's that relationship? Um,

799
00:46:10,520 --> 00:46:13,560
Speaker 1: here's one that I really liked, so this is from

800
00:46:13,719 --> 00:46:18,040
Speaker 1: Sports Radio in the morning. Okay, okay, so this was

801
00:46:18,239 --> 00:46:22,960
Speaker 1: this is the theme Sports Radio sixty six. We again,

802
00:46:24,320 --> 00:46:29,759
Speaker 1: now York. You know that, well you're saying, and it was.

803
00:46:29,880 --> 00:46:31,840
Speaker 1: It was. There was a show about baseball and football

804
00:46:31,840 --> 00:46:35,960
Speaker 1: and all that, and yeah, you don't have to get

805
00:46:36,000 --> 00:46:40,759
Speaker 1: to Hollywood to get a Hollywood ten, to get a

806
00:46:40,840 --> 00:46:46,759
Speaker 1: Hollywood ten, god to get a that's beautiful, but like

807
00:46:46,800 --> 00:46:50,680
Speaker 1: beautiful little little lilts and Grace Notes were saying. I

808
00:46:50,800 --> 00:46:52,560
Speaker 1: was just going to say, like, I also feel like

809
00:46:52,680 --> 00:46:54,359
Speaker 1: part of it was that there was like a little

810
00:46:54,480 --> 00:46:59,880
Speaker 1: western flavor, like a little Southwestern taste like that. You know,

811
00:47:00,719 --> 00:47:03,960
Speaker 1: I'm not a huge country head. I like the older stuff,

812
00:47:04,040 --> 00:47:07,680
Speaker 1: but as a child, my next door neighbor he worked

813
00:47:08,080 --> 00:47:10,960
Speaker 1: i think for some sort of country music station and

814
00:47:11,080 --> 00:47:13,640
Speaker 1: he was a DJ, and so I was always like, yeah,

815
00:47:13,680 --> 00:47:17,200
Speaker 1: I'm kind of in the industry. Because it was part

816
00:47:17,239 --> 00:47:20,000
Speaker 1: of this was because I have a feeling that I

817
00:47:20,040 --> 00:47:22,200
Speaker 1: think we all kind of attached to these commercials and

818
00:47:22,239 --> 00:47:25,239
Speaker 1: a wait for us, for like us little like show

819
00:47:25,360 --> 00:47:28,080
Speaker 1: people were like, oh, there's an entry point for like

820
00:47:28,360 --> 00:47:31,960
Speaker 1: entertainment that is kind of accessible and attainable end and

821
00:47:32,040 --> 00:47:35,560
Speaker 1: it's in my town. This was made in my town,

822
00:47:36,120 --> 00:47:42,440
Speaker 1: which was like big to me, arizonahtag reason. But there

823
00:47:42,560 --> 00:47:46,600
Speaker 1: was one that was like for this casino that was

824
00:47:46,640 --> 00:47:48,960
Speaker 1: kind of on the outside edge of town and it

825
00:47:49,120 --> 00:47:51,920
Speaker 1: was like a montage of like poker chips and like

826
00:47:52,280 --> 00:47:55,120
Speaker 1: hot women in red dresses. And I'm going to sing

827
00:47:55,160 --> 00:47:58,960
Speaker 1: it for you now. Yeah that wild Horse Pass on

828
00:47:59,080 --> 00:48:03,960
Speaker 1: the side, quiver on the west, go to the river.

829
00:48:04,400 --> 00:48:13,759
Speaker 1: He luria a casine. No where the winners go? Where

830
00:48:15,280 --> 00:48:21,040
Speaker 1: that's actually really emotionally where the windows? Fucking wrote it?

831
00:48:21,239 --> 00:48:23,560
Speaker 1: Who wrote it? Honestly? That person that I just had

832
00:48:23,640 --> 00:48:26,440
Speaker 1: chills thinking about it and like, you know, think of

833
00:48:26,560 --> 00:48:31,319
Speaker 1: me like fat twelve rose a show one tooth, absolutely

834
00:48:31,360 --> 00:48:38,719
Speaker 1: sunburned and just being like to the river, the river

835
00:48:39,520 --> 00:48:47,440
Speaker 1: where the windows it's transporta. Now we're talking about this

836
00:48:47,520 --> 00:48:50,680
Speaker 1: casino that's in Arizona. Can I tell you something that

837
00:48:50,719 --> 00:48:56,120
Speaker 1: I've noticed about Arizona A lot of state pride or

838
00:48:56,160 --> 00:48:59,120
Speaker 1: maybe I just watched the view every day. She's always

839
00:48:59,160 --> 00:49:03,000
Speaker 1: like Arizona girl. Yeah, Megan, Megan, and you went to

840
00:49:03,120 --> 00:49:05,600
Speaker 1: high school with Megan, yes, and you know she loves

841
00:49:05,640 --> 00:49:09,160
Speaker 1: to say this and um, we did not know each other.

842
00:49:09,920 --> 00:49:11,959
Speaker 1: We went to high school together. She was a senior

843
00:49:12,000 --> 00:49:15,080
Speaker 1: when I was a freshman, and that's like a gap

844
00:49:15,160 --> 00:49:17,320
Speaker 1: of chasm that you can't really cross. I mean, like

845
00:49:17,960 --> 00:49:21,359
Speaker 1: no freshman talked to senior. Well. Also, like her dad

846
00:49:21,440 --> 00:49:25,879
Speaker 1: had a computer lab named after him. Yeah, I would

847
00:49:25,880 --> 00:49:28,319
Speaker 1: imagine that every elementary school and every school there has

848
00:49:28,360 --> 00:49:31,400
Speaker 1: a McCain. Yeah. I think it was like based on

849
00:49:31,520 --> 00:49:37,640
Speaker 1: donations and stuff. And especially now there's something about Okay,

850
00:49:37,880 --> 00:49:43,320
Speaker 1: not Colorado is literally hundreds and hundreds. It's the West

851
00:49:43,440 --> 00:49:47,880
Speaker 1: is actually the same. There is this like arid culture.

852
00:49:50,200 --> 00:49:52,680
Speaker 1: I mean, I don't mean literally the farmland is arid.

853
00:49:52,880 --> 00:49:57,880
Speaker 1: It's just like everyone's brains are bad. You're absolutely a

854
00:49:58,000 --> 00:50:03,720
Speaker 1: villain what you're joined to you So you're attacking arid

855
00:50:03,800 --> 00:50:06,200
Speaker 1: culture and you' attacking Arizona and then the whole West,

856
00:50:06,520 --> 00:50:10,040
Speaker 1: and you've attacked the jowels of a young I'm just saying,

857
00:50:10,239 --> 00:50:14,640
Speaker 1: growing up in Colorado, this is like truth. And I'm

858
00:50:14,680 --> 00:50:19,880
Speaker 1: so grateful for like whatever, like you just growing up

859
00:50:19,880 --> 00:50:21,960
Speaker 1: around all the Mormons and the Whatevers and the and

860
00:50:22,040 --> 00:50:26,360
Speaker 1: the ski people. But like it was not meant for

861
00:50:26,640 --> 00:50:29,799
Speaker 1: a little gay Asian boy like me to thrive in right,

862
00:50:30,280 --> 00:50:32,360
Speaker 1: I agree, with you completely that Like I feel like

863
00:50:32,719 --> 00:50:37,919
Speaker 1: a little bit like Utah, Arizona, Colorado, New Mexico. It's

864
00:50:37,960 --> 00:50:43,200
Speaker 1: like important to be normal. Like it's very like that

865
00:50:43,560 --> 00:50:46,560
Speaker 1: is their culture is like everybody is kind of the same,

866
00:50:47,320 --> 00:50:50,200
Speaker 1: we all kind of dressed the same. It's important that

867
00:50:50,320 --> 00:50:53,719
Speaker 1: we're having normal, nice lives, which you know, I think

868
00:50:53,760 --> 00:50:56,000
Speaker 1: it's very comfortable. But if you're not feeling like you

869
00:50:56,160 --> 00:51:00,560
Speaker 1: fit into that normal, you're like, holy fuck, I can't

870
00:51:00,680 --> 00:51:02,920
Speaker 1: exist here a little bit, right If you have New

871
00:51:03,000 --> 00:51:08,000
Speaker 1: York values, well, this is the thing and the boot

872
00:51:08,320 --> 00:51:16,680
Speaker 1: you wear boots in New York's cabo. I okay, No

873
00:51:16,760 --> 00:51:20,480
Speaker 1: one's brains are bad in there. Some people it's just

874
00:51:20,600 --> 00:51:24,440
Speaker 1: not the brains are actually bad because they don't wear

875
00:51:24,480 --> 00:51:27,880
Speaker 1: sunscreen on their scalp. I'm just saying, like it's a

876
00:51:28,040 --> 00:51:31,160
Speaker 1: weird ass place. My thing about I. I love Denver,

877
00:51:31,800 --> 00:51:35,879
Speaker 1: but when we went to I told you, right, Brittany Colston, Yeah,

878
00:51:37,200 --> 00:51:40,520
Speaker 1: I have not attacked or she she she literally saw

879
00:51:40,640 --> 00:51:44,040
Speaker 1: me ten eleven years after me and pat riegan eating

880
00:51:44,080 --> 00:51:47,480
Speaker 1: burritos at Legal Pizza, but before our show, before I

881
00:51:47,520 --> 00:51:49,800
Speaker 1: don't think so, honey. She comes up to me. She

882
00:51:49,840 --> 00:51:52,920
Speaker 1: goes bowen I haven't seen you in forever. I thought

883
00:51:52,960 --> 00:51:54,400
Speaker 1: you were going to be a doctor. You were always

884
00:51:54,440 --> 00:51:57,200
Speaker 1: so good at math and like, get away from me, girl,

885
00:51:57,600 --> 00:51:59,800
Speaker 1: and truly. But then she said the bleakest thing to me,

886
00:51:59,800 --> 00:52:02,480
Speaker 1: which was, it's crazy that you went to New York

887
00:52:02,520 --> 00:52:05,759
Speaker 1: because no one leaves here. And I was like, you

888
00:52:05,960 --> 00:52:09,680
Speaker 1: cannot do this. You need to like you need to

889
00:52:09,760 --> 00:52:14,399
Speaker 1: like tell me how beautiful it is to live here. Yeah,

890
00:52:14,600 --> 00:52:17,040
Speaker 1: I would say, I am like rooting for Denver rights.

891
00:52:18,280 --> 00:52:20,720
Speaker 1: I've never been to Denver. You gotta go at Denver's.

892
00:52:20,760 --> 00:52:23,400
Speaker 1: Denver's phenomenal. Now, that was one of our best shows.

893
00:52:23,400 --> 00:52:25,359
Speaker 1: I don't tell anyone in Denver. I'm just guys. When

894
00:52:25,360 --> 00:52:27,040
Speaker 1: I talk about Denver, when I talk about Colorade, I

895
00:52:27,040 --> 00:52:30,840
Speaker 1: mean growing up there. Please, that's whenever I big reference

896
00:52:30,880 --> 00:52:32,719
Speaker 1: to Ahil and I always talk about it. It's it's

897
00:52:32,800 --> 00:52:37,279
Speaker 1: it's how because you have to understand something. I don't

898
00:52:37,320 --> 00:52:40,480
Speaker 1: know when you guys realized this about yourself. But I

899
00:52:40,560 --> 00:52:44,000
Speaker 1: remember when I realized I had New York values. I

900
00:52:44,040 --> 00:52:47,080
Speaker 1: actually did you realize? I actually remember the moment I realized,

901
00:52:47,080 --> 00:52:49,560
Speaker 1: oh my god, I think I have New York values. Yeah,

902
00:52:50,400 --> 00:52:55,640
Speaker 1: when when don't leave on the edge. I'm edging over here.

903
00:52:56,000 --> 00:53:01,160
Speaker 1: Actually realized remember the moment um I was watching um

904
00:53:01,640 --> 00:53:06,799
Speaker 1: American Idols and Ryan Seacrest said, You're going to Hollywood,

905
00:53:08,480 --> 00:53:11,920
Speaker 1: and I, um, you thought I want to go? I

906
00:53:12,040 --> 00:53:17,520
Speaker 1: thought Hollywood? And I came to my pants. And that

907
00:53:17,640 --> 00:53:20,200
Speaker 1: was also when I realized. I was realized what that

908
00:53:20,440 --> 00:53:23,200
Speaker 1: was because that had never happened before. Yeah, and that

909
00:53:23,320 --> 00:53:25,720
Speaker 1: first time, that first time, it was always like what's happening?

910
00:53:26,120 --> 00:53:28,040
Speaker 1: You know? And so then I was really uncomfortable, and

911
00:53:28,120 --> 00:53:30,160
Speaker 1: I was kind of walking around in school and I

912
00:53:30,239 --> 00:53:34,360
Speaker 1: was scared to talk to the health teacher. Yeah, so anyway,

913
00:53:35,440 --> 00:53:38,360
Speaker 1: it's obsed. I didn't know what I was going with.

914
00:53:39,800 --> 00:53:43,480
Speaker 1: It was good, it was good. It was good. I'm

915
00:53:43,560 --> 00:53:45,400
Speaker 1: so you and Megan are probably the two most famous

916
00:53:45,440 --> 00:53:52,680
Speaker 1: people from your heart. No, I think I'm a stone, Yes, yeah, yes, really, Yeah,

917
00:53:53,560 --> 00:53:55,880
Speaker 1: you guys bond about that. We've talked about it definitely,

918
00:53:56,040 --> 00:53:58,319
Speaker 1: which we did go to the same high school also, yes,

919
00:53:58,480 --> 00:54:03,120
Speaker 1: but barely bare. I mean she was a freshman when

920
00:54:03,120 --> 00:54:08,080
Speaker 1: I was a sophomore, a smaller gapaer gap. But no,

921
00:54:08,360 --> 00:54:11,200
Speaker 1: I don't know. I definitely I feel like at least

922
00:54:11,239 --> 00:54:15,880
Speaker 1: with these commercial women, Yes, I was very like, I

923
00:54:16,000 --> 00:54:17,800
Speaker 1: think those are all the characters that I play on

924
00:54:17,880 --> 00:54:20,320
Speaker 1: us in l Now. You know, I don't know you

925
00:54:20,680 --> 00:54:24,000
Speaker 1: are you are very good at and this is something

926
00:54:24,120 --> 00:54:26,080
Speaker 1: that Sudi is very good at too. When we were

927
00:54:26,120 --> 00:54:29,279
Speaker 1: doing together, she was very good at playing like that girl,

928
00:54:29,400 --> 00:54:33,040
Speaker 1: you know that woman you guys that you thought you

929
00:54:33,120 --> 00:54:35,520
Speaker 1: were the only person who knew like my favorite is

930
00:54:35,719 --> 00:54:39,120
Speaker 1: um when you played the woman on the airport, on

931
00:54:39,200 --> 00:54:43,680
Speaker 1: the A on the airplane. Yes, well I'm a fan. Wow. Okay,

932
00:54:43,719 --> 00:54:44,960
Speaker 1: so let me ask you, let me tell you something.

933
00:54:45,040 --> 00:54:46,440
Speaker 1: You don't just come in here and say I'm a

934
00:54:46,480 --> 00:54:48,400
Speaker 1: fan of you. We're a fan of you. You actually

935
00:54:48,800 --> 00:54:50,400
Speaker 1: you actually are a guest that we wanted to get

936
00:54:50,440 --> 00:54:52,920
Speaker 1: on the show for years and had scheduling conflicts. I know,

937
00:54:53,400 --> 00:54:55,560
Speaker 1: but don't you feel like it almost happened so many

938
00:54:55,600 --> 00:54:57,400
Speaker 1: times where it would be like a veal Thursday and

939
00:54:57,440 --> 00:55:03,400
Speaker 1: you like, we're only a Bill Friday, like some difficult starlet. Okay,

940
00:55:03,560 --> 00:55:06,600
Speaker 1: well you actually, you actually are the most famous person here.

941
00:55:06,640 --> 00:55:08,640
Speaker 1: And that's an accusation. That's an accusation, and that actually

942
00:55:08,640 --> 00:55:10,080
Speaker 1: gives you power. And we're on the receiving end of

943
00:55:10,160 --> 00:55:14,279
Speaker 1: a bad power dynamic. Yeah, I don't know who. That's true.

944
00:55:15,400 --> 00:55:20,000
Speaker 1: I think that Bowen is more famous kind of true.

945
00:55:21,120 --> 00:55:24,400
Speaker 1: I mean that genuinely, I think, and I genuinely reject.

946
00:55:24,880 --> 00:55:29,520
Speaker 1: I reject this. Okay, well, I guess because I feel

947
00:55:29,520 --> 00:55:32,759
Speaker 1: like that you've been getting the press. I mean, she

948
00:55:32,960 --> 00:55:35,839
Speaker 1: was written about by miss and you want do you want?

949
00:55:35,920 --> 00:55:37,880
Speaker 1: Can we talk about this? You think? I think to

950
00:55:38,000 --> 00:55:40,800
Speaker 1: some degree, to some degree we can. I'm decided to

951
00:55:40,840 --> 00:55:44,360
Speaker 1: see what to agree you guys too. So January twenty something,

952
00:55:46,280 --> 00:55:48,560
Speaker 1: it's a Saturday. It's a Saturday. The piece is going

953
00:55:48,640 --> 00:55:50,160
Speaker 1: to come out. And I had a feeling the whole time.

954
00:55:50,200 --> 00:55:52,279
Speaker 1: I was like, I'm not going to like this. I'm

955
00:55:52,360 --> 00:55:55,720
Speaker 1: not gonna like this, and so you decided before meanwhile,

956
00:55:55,760 --> 00:55:57,880
Speaker 1: talking but no, no, no, no, no, here's the thing.

957
00:55:57,960 --> 00:56:00,200
Speaker 1: Talking to Marine was great. We had such a nice

958
00:56:00,239 --> 00:56:02,600
Speaker 1: time together. But I was like, there's gonna be something

959
00:56:02,600 --> 00:56:05,760
Speaker 1: about this, no matter what, no matter what is written,

960
00:56:05,800 --> 00:56:09,480
Speaker 1: that I'm gonna that's gonna upset me. And then sort

961
00:56:09,520 --> 00:56:11,920
Speaker 1: of had that sort of and I hadn't been sleeping

962
00:56:11,960 --> 00:56:16,000
Speaker 1: well and truly, like I get the New York Times

963
00:56:16,080 --> 00:56:20,040
Speaker 1: emails like every fucking morning at six am, um, and

964
00:56:20,120 --> 00:56:22,600
Speaker 1: it pops up while I'm like tossing and turning in

965
00:56:22,719 --> 00:56:25,960
Speaker 1: bad and I'm literally sleep deprived. Had just come from

966
00:56:25,960 --> 00:56:28,920
Speaker 1: a damn pre tape. Um, that's as low as you

967
00:56:28,960 --> 00:56:30,799
Speaker 1: can go, that's as low as you can go, six

968
00:56:30,880 --> 00:56:33,880
Speaker 1: in the morning on Saturday morning, having just shot a

969
00:56:33,960 --> 00:56:39,040
Speaker 1: short short as hard as you can It sounds, it

970
00:56:39,040 --> 00:56:47,799
Speaker 1: sounds horrible, it's horrible. I just want anyway. So then

971
00:56:47,800 --> 00:56:49,879
Speaker 1: I read that the whole piece and I was like, uh,

972
00:56:50,280 --> 00:56:55,200
Speaker 1: this is really fucking weird. And then went to work

973
00:56:55,280 --> 00:56:58,520
Speaker 1: the next day and then I just was feeling so

974
00:56:58,640 --> 00:57:02,239
Speaker 1: out of it, and then I get the most blessed

975
00:57:02,480 --> 00:57:06,440
Speaker 1: text in the world from Adi Brilliant says, Hey, I

976
00:57:06,480 --> 00:57:08,080
Speaker 1: don't know if you're blocking the next thing, but um,

977
00:57:08,560 --> 00:57:10,360
Speaker 1: if you're not, just like, come swing by my my

978
00:57:10,480 --> 00:57:14,240
Speaker 1: little house for a chat. And I was like, wow, okay,

979
00:57:14,400 --> 00:57:16,480
Speaker 1: this is what I knew that this was what I needed.

980
00:57:17,080 --> 00:57:18,640
Speaker 1: And then I saw you had to go through security,

981
00:57:18,680 --> 00:57:23,480
Speaker 1: because there's security security separate actually, so I gave him

982
00:57:23,520 --> 00:57:27,720
Speaker 1: a pass man cast actually is in the castle and

983
00:57:28,040 --> 00:57:30,600
Speaker 1: and featured, Um, they still have to be in the

984
00:57:30,680 --> 00:57:32,920
Speaker 1: swamp and yeah, that's right. We send down our scraps

985
00:57:32,920 --> 00:57:35,040
Speaker 1: of our old spaghetti for them to eat in the swamp,

986
00:57:35,280 --> 00:57:38,600
Speaker 1: the scraps of spaghetti, scraps of spaghetti for the swamp.

987
00:57:39,160 --> 00:57:40,720
Speaker 1: And then I go into her and then we just

988
00:57:40,840 --> 00:57:47,760
Speaker 1: had like truly the most meaningful, best, most like balming

989
00:57:47,960 --> 00:57:51,800
Speaker 1: conversation I've ever had at that place, truly, like you

990
00:57:51,960 --> 00:57:54,720
Speaker 1: like talked me through it in such a perfect way,

991
00:57:54,880 --> 00:57:59,080
Speaker 1: and we you like really like found every single little

992
00:57:59,440 --> 00:58:02,560
Speaker 1: wrinkle contour that I hadn't even thought of yet to

993
00:58:02,560 --> 00:58:05,080
Speaker 1: be like and actually, what you're experiencing is maybe this,

994
00:58:05,320 --> 00:58:07,720
Speaker 1: and I've experienced this version of it, and I was

995
00:58:07,920 --> 00:58:10,680
Speaker 1: just like, WHOA, yes, crazy, and um, I don't know,

996
00:58:10,800 --> 00:58:13,880
Speaker 1: it was just a mental lot and I love you dearly,

997
00:58:14,000 --> 00:58:17,000
Speaker 1: and I think it is. I mean, it's kind of

998
00:58:17,080 --> 00:58:18,840
Speaker 1: like just what we were touching on of like it's

999
00:58:18,880 --> 00:58:20,560
Speaker 1: tho as low as you can go. No, it's sucking,

1000
00:58:20,600 --> 00:58:24,640
Speaker 1: not like kind of where it's like you feel incredibly

1001
00:58:24,760 --> 00:58:28,040
Speaker 1: honored to be like written about in the times. You

1002
00:58:28,200 --> 00:58:30,800
Speaker 1: feel like, oh my god, I can't believe I have

1003
00:58:31,000 --> 00:58:33,160
Speaker 1: worked so long and so hard to be at this place.

1004
00:58:33,320 --> 00:58:37,320
Speaker 1: But then at the same time, it's a really bizarre

1005
00:58:37,520 --> 00:58:42,000
Speaker 1: experience to like open up your personhood, your family, your

1006
00:58:42,760 --> 00:58:46,440
Speaker 1: sense of self to be like consumed by the public. Absolutely,

1007
00:58:46,600 --> 00:58:50,120
Speaker 1: And I think if you have like any uh sense

1008
00:58:50,200 --> 00:58:54,680
Speaker 1: of like grounded feelings, it's like you're like I'm in

1009
00:58:54,760 --> 00:58:59,320
Speaker 1: outer space and there's no handbook and and even like

1010
00:58:59,480 --> 00:59:03,200
Speaker 1: a therapy piste can help you, but they can't know

1011
00:59:03,400 --> 00:59:06,320
Speaker 1: what it's like, and like it's just a Really it

1012
00:59:06,480 --> 00:59:08,040
Speaker 1: is kind of one of those things where like I

1013
00:59:08,120 --> 00:59:10,040
Speaker 1: really end up turning to Kate or I really end

1014
00:59:10,120 --> 00:59:12,440
Speaker 1: up turning to like people who are experiencing it with

1015
00:59:12,680 --> 00:59:14,920
Speaker 1: me at the same time, because it's like it's just

1016
00:59:15,040 --> 00:59:17,840
Speaker 1: hard to describe and you don't want to sound ungrateful,

1017
00:59:18,440 --> 00:59:21,000
Speaker 1: but it is. It's really dizzy ng and like freaky.

1018
00:59:21,320 --> 00:59:23,640
Speaker 1: I mean, to be out of control of your narrative

1019
00:59:23,680 --> 00:59:26,280
Speaker 1: at all has to be a like crazy making experience,

1020
00:59:26,400 --> 00:59:29,400
Speaker 1: like especially for people who are like used to creating

1021
00:59:29,560 --> 00:59:31,760
Speaker 1: and used to expressing to you know what I mean,

1022
00:59:32,400 --> 00:59:36,200
Speaker 1: being deliberate yes, and then and and also like I mean,

1023
00:59:36,280 --> 00:59:39,240
Speaker 1: especially with you, you are very Actually I hadn't thought

1024
00:59:39,240 --> 00:59:41,840
Speaker 1: about it like this until now. Really, you are someone

1025
00:59:41,880 --> 00:59:45,400
Speaker 1: who is so detail oriented and you're so like um,

1026
00:59:46,640 --> 00:59:48,600
Speaker 1: you know, you like like things the way that you

1027
00:59:48,760 --> 00:59:51,240
Speaker 1: like them, like you are very um, like, I think

1028
00:59:51,280 --> 00:59:54,560
Speaker 1: that you like aspects of control, and so to hand

1029
00:59:54,640 --> 00:59:57,320
Speaker 1: it over like to someone who's writing a piece about

1030
00:59:57,360 --> 01:00:00,120
Speaker 1: you that's going to be probably reached by more are

1031
01:00:00,160 --> 01:00:02,280
Speaker 1: people than you've been able to reach right now in

1032
01:00:02,480 --> 01:00:05,720
Speaker 1: terms of, hey, here's something about me, Like this person

1033
01:00:05,840 --> 01:00:07,960
Speaker 1: has a lot of power and a lot of control

1034
01:00:08,080 --> 01:00:11,640
Speaker 1: over that narrative, and they do that, and so I

1035
01:00:11,800 --> 01:00:14,040
Speaker 1: can see reading it and even though I think it

1036
01:00:14,200 --> 01:00:17,480
Speaker 1: was like, you know, there was nothing about the piece

1037
01:00:17,560 --> 01:00:20,440
Speaker 1: to me that I objected to. For you, I can

1038
01:00:20,480 --> 01:00:22,360
Speaker 1: see being in your head and being like, well, this

1039
01:00:22,560 --> 01:00:25,680
Speaker 1: isn't me, and I am allowed to have an opinion

1040
01:00:25,720 --> 01:00:27,680
Speaker 1: on it and a take on it because it has

1041
01:00:27,680 --> 01:00:31,120
Speaker 1: an opinion in a take on me. So anyway, um,

1042
01:00:31,520 --> 01:00:34,120
Speaker 1: that's my literal relationship. But I will I will say

1043
01:00:34,640 --> 01:00:39,120
Speaker 1: I'm not surprised that that well, that's something I'm not surprised,

1044
01:00:39,160 --> 01:00:41,640
Speaker 1: just that it's like, of course she reached out because

1045
01:00:41,640 --> 01:00:43,400
Speaker 1: I feel like you are the kind of person and

1046
01:00:43,480 --> 01:00:46,080
Speaker 1: I could sense this, like even like watching you through

1047
01:00:46,160 --> 01:00:48,120
Speaker 1: the screen when I was just like a fan of yours,

1048
01:00:48,160 --> 01:00:49,640
Speaker 1: like when I was watching us, and now I was like,

1049
01:00:50,000 --> 01:00:52,920
Speaker 1: there's something where we the audience and that's why I'm

1050
01:00:52,960 --> 01:00:55,240
Speaker 1: not surprised that people have connected with Shrill like you

1051
01:00:55,360 --> 01:00:58,720
Speaker 1: do have the quality where it's like when you're like

1052
01:00:59,240 --> 01:01:02,920
Speaker 1: joking on SNL and you're doing these things, you really

1053
01:01:02,960 --> 01:01:04,600
Speaker 1: feel like you're doing it with us, and there's a

1054
01:01:04,760 --> 01:01:07,840
Speaker 1: connection to that we have to you. And so the

1055
01:01:07,880 --> 01:01:11,000
Speaker 1: fact that you are so actually lovely is just like, well,

1056
01:01:11,040 --> 01:01:12,480
Speaker 1: I could have told you that. I feel like that

1057
01:01:12,760 --> 01:01:16,240
Speaker 1: that really comes through on screen. It's so nice. Well,

1058
01:01:16,280 --> 01:01:19,040
Speaker 1: it's true, it's very touching to me. But there was

1059
01:01:19,480 --> 01:01:22,320
Speaker 1: there was something remember when Adie got hired, like and

1060
01:01:22,440 --> 01:01:23,960
Speaker 1: you and I were just watched it because I was

1061
01:01:24,000 --> 01:01:28,080
Speaker 1: there the process, but but but like just watching it

1062
01:01:28,120 --> 01:01:30,000
Speaker 1: because I remember it just being a thing where you

1063
01:01:30,080 --> 01:01:33,960
Speaker 1: were like, oh, that's like that person. It's it's it's

1064
01:01:33,960 --> 01:01:36,080
Speaker 1: what you describe when we play star actress, like a

1065
01:01:36,160 --> 01:01:37,880
Speaker 1: star someone who pops on the screen and you're like,

1066
01:01:37,920 --> 01:01:44,320
Speaker 1: please don't put it stop. This is Matt and Matt.

1067
01:01:44,400 --> 01:01:45,840
Speaker 1: Matt brought this up the other day and it's like

1068
01:01:46,240 --> 01:01:50,440
Speaker 1: the encapsulated thing about stars that they show up on

1069
01:01:50,520 --> 01:01:53,000
Speaker 1: screen and you go, I get it. Yeah, I feel

1070
01:01:53,000 --> 01:01:56,680
Speaker 1: like it was like day day, motherfucking one. You're like yeah,

1071
01:01:56,800 --> 01:01:59,440
Speaker 1: there were everyone, but curse me if I'm wrong, Like

1072
01:01:59,560 --> 01:02:03,120
Speaker 1: it you had to work in the beginning. I mean,

1073
01:02:03,240 --> 01:02:05,960
Speaker 1: I mean obviously, like when you are, you're so talented

1074
01:02:06,000 --> 01:02:08,160
Speaker 1: and that's apparent, but like I remember on that first season,

1075
01:02:08,240 --> 01:02:12,960
Speaker 1: like you had the sleep the best friends, and then

1076
01:02:13,040 --> 01:02:15,640
Speaker 1: like I remember, you started to get more opportunities and

1077
01:02:15,720 --> 01:02:18,320
Speaker 1: I really saw you like shining and like like but

1078
01:02:19,000 --> 01:02:21,640
Speaker 1: I think that for example, with you Bow and like

1079
01:02:21,760 --> 01:02:24,240
Speaker 1: first episode they had you like doing a weekend future,

1080
01:02:24,640 --> 01:02:26,120
Speaker 1: and I think with you it was a little bit

1081
01:02:26,160 --> 01:02:29,600
Speaker 1: different where it was like and like you know, that

1082
01:02:29,800 --> 01:02:32,160
Speaker 1: is why like every new cast member has like such

1083
01:02:32,240 --> 01:02:35,320
Speaker 1: a totally different experience, because I would say it took

1084
01:02:35,360 --> 01:02:38,280
Speaker 1: me like two years to really be like getting stuff

1085
01:02:38,360 --> 01:02:40,760
Speaker 1: on that I had written, and part of it was

1086
01:02:40,840 --> 01:02:42,400
Speaker 1: just like I was like I don't know how to

1087
01:02:42,520 --> 01:02:45,120
Speaker 1: fucking do this. I had never been on camera ever

1088
01:02:45,800 --> 01:02:49,160
Speaker 1: really ever. Know. I was like doing you know, second

1089
01:02:49,160 --> 01:02:52,280
Speaker 1: City shows and like improv shows in Chicago, Like had

1090
01:02:52,360 --> 01:02:54,880
Speaker 1: never even done like a commercial or anything, and so

1091
01:02:55,520 --> 01:02:57,040
Speaker 1: it was just like I don't know how to do this.

1092
01:02:57,800 --> 01:03:00,480
Speaker 1: Like it took me a little while. And you came

1093
01:03:00,480 --> 01:03:03,280
Speaker 1: from improv more, right, did you? Second? I mean, yes,

1094
01:03:03,400 --> 01:03:06,640
Speaker 1: Second City is sketch. It's it's weird. I definitely did

1095
01:03:06,760 --> 01:03:09,480
Speaker 1: more improv like that was where I started, but it

1096
01:03:09,640 --> 01:03:12,000
Speaker 1: is like, yeah, I kind of did stuff with the annoyance,

1097
01:03:12,040 --> 01:03:15,720
Speaker 1: which is like writing or improvising to write like if

1098
01:03:15,760 --> 01:03:19,280
Speaker 1: that makes sense, um, and then Second City is like sketch.

1099
01:03:19,480 --> 01:03:22,000
Speaker 1: So yeah, I mean I had written sketch, but it

1100
01:03:22,080 --> 01:03:28,760
Speaker 1: was just like you know, on that level, it's it's

1101
01:03:29,240 --> 01:03:34,440
Speaker 1: how you relearn everything. Yeah, because I mean, I I

1102
01:03:35,200 --> 01:03:38,000
Speaker 1: kind of like to say that I that I kind

1103
01:03:38,040 --> 01:03:42,919
Speaker 1: of like was broken down completely last season as a writer,

1104
01:03:43,000 --> 01:03:45,160
Speaker 1: and I want to I want to retract what I

1105
01:03:45,200 --> 01:03:47,040
Speaker 1: said because it made it sound like it was easier

1106
01:03:47,040 --> 01:03:48,680
Speaker 1: for you immediately at the show and you did have

1107
01:03:49,080 --> 01:03:53,080
Speaker 1: and it's always hard, but where it's like first week,

1108
01:03:55,200 --> 01:03:57,880
Speaker 1: the listeners might be like he just was an assholt.

1109
01:03:58,000 --> 01:04:00,640
Speaker 1: You had. You had the kind of year that everyone

1110
01:04:00,640 --> 01:04:02,040
Speaker 1: has where it's like you have to figure it out.

1111
01:04:02,080 --> 01:04:03,680
Speaker 1: It wasn't like all of a sudden you arrived and

1112
01:04:03,720 --> 01:04:06,640
Speaker 1: were like a princes. The amount of times I've sobbed

1113
01:04:06,680 --> 01:04:10,800
Speaker 1: in study's office, Yeah, oh the sobbing is key. Yeah,

1114
01:04:11,440 --> 01:04:15,360
Speaker 1: it's important. I mean, and I definitely like remember there

1115
01:04:15,440 --> 01:04:18,440
Speaker 1: was a time where like I was had just started

1116
01:04:18,520 --> 01:04:21,680
Speaker 1: on the show and like my piece like crushed at

1117
01:04:21,720 --> 01:04:23,360
Speaker 1: the table, and so I was like it's definitely gonna go.

1118
01:04:23,480 --> 01:04:25,240
Speaker 1: And then it didn't get picked, and I was like

1119
01:04:25,480 --> 01:04:28,680
Speaker 1: that hurts. And then I went home and Connor like

1120
01:04:28,960 --> 01:04:31,160
Speaker 1: still was in Chicago, like shutting down our apartment. So

1121
01:04:31,200 --> 01:04:33,840
Speaker 1: I was like home alone and I reached to throw

1122
01:04:34,000 --> 01:04:37,479
Speaker 1: something away and I leaned forward and hit my head

1123
01:04:38,200 --> 01:04:40,760
Speaker 1: on like a wall basically in this apartment that I

1124
01:04:40,840 --> 01:04:42,880
Speaker 1: had just gotten because I wasn't used to it, and

1125
01:04:42,920 --> 01:04:45,120
Speaker 1: I remember I slid down the wall and was like

1126
01:04:48,080 --> 01:04:55,040
Speaker 1: like just totally all blown. And it was like, you know,

1127
01:04:55,600 --> 01:04:59,080
Speaker 1: you're fine, honey, here on a Saturday Night Live. They're

1128
01:04:59,120 --> 01:05:04,840
Speaker 1: paying you. But it was like, you know yourself, it's confusing,

1129
01:05:05,000 --> 01:05:08,600
Speaker 1: and you know, I don't know, but the fact that

1130
01:05:08,800 --> 01:05:11,480
Speaker 1: it's Saturday Night Live makes it hard. It doesn't. It's

1131
01:05:11,480 --> 01:05:13,680
Speaker 1: not a comfort. It makes it harder because when you're

1132
01:05:13,720 --> 01:05:16,480
Speaker 1: a first year person SNL, I would assume it's kind

1133
01:05:16,520 --> 01:05:18,840
Speaker 1: of like and I felt like this with the audition

1134
01:05:18,880 --> 01:05:21,640
Speaker 1: to it's like they this is your moment to do it,

1135
01:05:21,840 --> 01:05:24,600
Speaker 1: and so if it's not going great, that's what's in

1136
01:05:24,680 --> 01:05:28,200
Speaker 1: your head? Like it's not. It's not I'm on SNL.

1137
01:05:28,800 --> 01:05:31,680
Speaker 1: Don't worry, It'll be fine. It's I'm on SNL. Fuck yes.

1138
01:05:31,960 --> 01:05:33,800
Speaker 1: And it's funny that you say that, because like, truly,

1139
01:05:34,000 --> 01:05:36,880
Speaker 1: when I got hired, I never was like jumping up

1140
01:05:36,920 --> 01:05:38,560
Speaker 1: and down like oh my god, I got hired us now,

1141
01:05:38,680 --> 01:05:42,160
Speaker 1: Like I right away was like, oh fuck, I'm terrified

1142
01:05:42,320 --> 01:05:44,000
Speaker 1: and like this is gonna be hard and I'm scared.

1143
01:05:44,560 --> 01:05:47,720
Speaker 1: And I never really had like a celebratory moment maybe

1144
01:05:47,800 --> 01:05:49,480
Speaker 1: until like Shrow came out, because I was just like,

1145
01:05:49,640 --> 01:05:54,560
Speaker 1: I'm I'm like, you know, that's an interesting that's not

1146
01:05:55,040 --> 01:05:58,680
Speaker 1: truthful because I I I also didn't really have any

1147
01:05:58,760 --> 01:06:02,360
Speaker 1: moment like that either. I was just oh, fuck this,

1148
01:06:02,520 --> 01:06:05,400
Speaker 1: this has to happen. I have this opportunity window that

1149
01:06:05,560 --> 01:06:08,400
Speaker 1: I have to like, yeah, of both of you guys, Like,

1150
01:06:08,640 --> 01:06:12,000
Speaker 1: do you think that how you felt about how your

1151
01:06:12,000 --> 01:06:14,880
Speaker 1: audition went played into how you felt when you got cast?

1152
01:06:14,960 --> 01:06:19,520
Speaker 1: Like did Julie of your test thinking I crushed? I

1153
01:06:19,560 --> 01:06:21,960
Speaker 1: don't know that I thought I crushed, but I definitely

1154
01:06:22,360 --> 01:06:25,480
Speaker 1: I remember like when I was auditioning, I had gotten

1155
01:06:25,560 --> 01:06:28,400
Speaker 1: I kind of had met Jason Sadecas before and and

1156
01:06:28,560 --> 01:06:30,160
Speaker 1: he had kind of messaged me and been like, you

1157
01:06:30,160 --> 01:06:32,919
Speaker 1: should do this political impression because she's going to host

1158
01:06:33,000 --> 01:06:34,880
Speaker 1: a debate. And he had kind of like given me

1159
01:06:35,000 --> 01:06:37,040
Speaker 1: like an insider Yeah, he had told me, like you

1160
01:06:37,080 --> 01:06:39,720
Speaker 1: should get Candy down because you know that put that

1161
01:06:39,800 --> 01:06:43,120
Speaker 1: in your audition. And I remember just like kind of

1162
01:06:43,160 --> 01:06:45,520
Speaker 1: being like, maybe I should listen to Jason, you know,

1163
01:06:45,680 --> 01:06:47,880
Speaker 1: he's giving me this insider tip. But at the same time,

1164
01:06:47,920 --> 01:06:50,640
Speaker 1: I was like, that's not me, you know, like I'm

1165
01:06:50,720 --> 01:06:54,080
Speaker 1: not like a impression person, and this is my one

1166
01:06:54,160 --> 01:06:55,840
Speaker 1: chance to audition for S and L and I really

1167
01:06:55,920 --> 01:06:58,280
Speaker 1: just want to do like my ship so that if

1168
01:06:58,320 --> 01:07:01,280
Speaker 1: they hire me, I I'm like hired for my ship

1169
01:07:01,640 --> 01:07:04,320
Speaker 1: and not because I was trying to be something that

1170
01:07:04,400 --> 01:07:08,120
Speaker 1: I thought they might like and that question and so

1171
01:07:08,560 --> 01:07:11,880
Speaker 1: I really only did like dumb characters. I did almost

1172
01:07:11,960 --> 01:07:14,960
Speaker 1: no impressions. I wrote stuff that I thought was funny

1173
01:07:15,160 --> 01:07:20,040
Speaker 1: that like I liked, you know, and um leaving. That

1174
01:07:20,240 --> 01:07:22,600
Speaker 1: was my guiding light, like when I got hired was

1175
01:07:22,720 --> 01:07:24,880
Speaker 1: that I was like all I did was stuff that

1176
01:07:25,000 --> 01:07:27,040
Speaker 1: I like to write. That's what they hired me for,

1177
01:07:27,400 --> 01:07:30,400
Speaker 1: Like that I can do, you know what I mean?

1178
01:07:30,800 --> 01:07:35,000
Speaker 1: Instead of feeling like okay, yeah, yeah, like I was

1179
01:07:35,080 --> 01:07:37,000
Speaker 1: just like, okay, I can hold on to like the

1180
01:07:37,080 --> 01:07:39,080
Speaker 1: stuff that I like to do. I don't know it's

1181
01:07:39,080 --> 01:07:40,760
Speaker 1: it's because it's I guess it must have been comfortable.

1182
01:07:40,840 --> 01:07:43,880
Speaker 1: They liked that, like my work totally, like I wanted

1183
01:07:43,880 --> 01:07:47,040
Speaker 1: to continue to pretend. Yeah I couldn't. I don't know.

1184
01:07:47,400 --> 01:07:49,480
Speaker 1: So so I didn't leave being like I crushed, but

1185
01:07:49,560 --> 01:07:52,040
Speaker 1: I left at least being like I did my fucking thing,

1186
01:07:52,120 --> 01:07:54,040
Speaker 1: and either they like it or they don't like you know,

1187
01:07:54,240 --> 01:07:57,040
Speaker 1: that's me, you know how feel well. I just want

1188
01:07:57,080 --> 01:07:59,880
Speaker 1: to first off say that that like takes so much

1189
01:08:01,680 --> 01:08:05,400
Speaker 1: like conviction of self to like stick to though. I mean,

1190
01:08:05,720 --> 01:08:11,080
Speaker 1: and you were you were like twenty nine. I was

1191
01:08:11,080 --> 01:08:17,360
Speaker 1: gonna say, like nineteen, and then I don't think I

1192
01:08:17,400 --> 01:08:20,880
Speaker 1: could have done it. That would have been three or

1193
01:08:20,920 --> 01:08:23,800
Speaker 1: four years earlier. There's no way. I wasn't ready. I

1194
01:08:24,479 --> 01:08:26,720
Speaker 1: literally I was going to say twenty one, and then

1195
01:08:26,800 --> 01:08:28,920
Speaker 1: my brain shifted to nineteen and I said twenty nine.

1196
01:08:28,920 --> 01:08:32,599
Speaker 1: I had to explain myself, okay, because you're eighty nine,

1197
01:08:32,880 --> 01:08:37,360
Speaker 1: that's right, old woman. I'm sick of not doing well.

1198
01:08:37,560 --> 01:08:41,920
Speaker 1: You're sick, but you look young thank you, congratulations on that.

1199
01:08:42,120 --> 01:08:46,840
Speaker 1: That's the sickness. I felt like I by the end,

1200
01:08:48,160 --> 01:08:53,120
Speaker 1: I kind of let the whole like the whole like

1201
01:08:53,680 --> 01:08:55,760
Speaker 1: mold of like what they wanted to see if they

1202
01:08:56,560 --> 01:08:59,600
Speaker 1: kind of pervaded, which which which which felt weird. But

1203
01:08:59,680 --> 01:09:02,120
Speaker 1: I think there's like smarts to that too. I don't know.

1204
01:09:02,400 --> 01:09:04,400
Speaker 1: I think it's it can go either way, just you

1205
01:09:04,479 --> 01:09:06,479
Speaker 1: have to just commit to it. I remember the first

1206
01:09:06,520 --> 01:09:08,680
Speaker 1: time for me, it was like I did my own

1207
01:09:08,800 --> 01:09:11,679
Speaker 1: thing and felt great about it. And then the second

1208
01:09:11,760 --> 01:09:13,360
Speaker 1: time I felt like I played the game too hard

1209
01:09:13,360 --> 01:09:15,640
Speaker 1: and felt like about it. And it's so it's but

1210
01:09:15,840 --> 01:09:17,600
Speaker 1: but either way, I think that people that go in

1211
01:09:17,680 --> 01:09:20,280
Speaker 1: with a plan and are strategic they can be successful.

1212
01:09:20,320 --> 01:09:22,160
Speaker 1: But also people that like go in there and say

1213
01:09:22,439 --> 01:09:25,040
Speaker 1: this is what I do, got damn Like those people

1214
01:09:25,080 --> 01:09:27,760
Speaker 1: are rad It's just a choice to do that because

1215
01:09:27,840 --> 01:09:30,320
Speaker 1: I think a lot of times it don't dang work out,

1216
01:09:31,920 --> 01:09:36,320
Speaker 1: don't actually don't dang um. I do have to really

1217
01:09:36,400 --> 01:09:40,400
Speaker 1: quickly say that I cribbed from Ade Bryant syntax up

1218
01:09:40,479 --> 01:09:43,320
Speaker 1: top when I said, yes, I damn do, that's that's

1219
01:09:43,360 --> 01:09:49,679
Speaker 1: an adeism. And to put damn before a verb, that's

1220
01:09:49,720 --> 01:09:52,240
Speaker 1: that's that's what it is. And I wait, can I

1221
01:09:52,320 --> 01:09:56,360
Speaker 1: give a can I give my mother dann Bird update? Yes,

1222
01:09:57,760 --> 01:09:59,639
Speaker 1: she was texting me from the beach the other day.

1223
01:10:00,120 --> 01:10:02,880
Speaker 1: She's now in Florida. My parents go down there. There's

1224
01:10:02,920 --> 01:10:06,640
Speaker 1: snowbirds now and they have a condo. And she was

1225
01:10:06,720 --> 01:10:09,840
Speaker 1: on the beach with my aunt and my cousin who

1226
01:10:10,040 --> 01:10:14,559
Speaker 1: recently went through a breakup. So they were at the beach. Christina. Yes, wow,

1227
01:10:14,720 --> 01:10:19,920
Speaker 1: you are literally sister life. Literally sister literally, sister life

1228
01:10:20,200 --> 01:10:25,519
Speaker 1: hashtag hashtag Actually larry such a life hashtag after those words. Actually,

1229
01:10:26,720 --> 01:10:31,120
Speaker 1: and my mom famously said, damn bird the last time

1230
01:10:31,240 --> 01:10:33,280
Speaker 1: checks me from a beach because at dan Bird came

1231
01:10:33,320 --> 01:10:37,920
Speaker 1: over and took the sandwich. Yeah, we remember this, so

1232
01:10:38,240 --> 01:10:42,000
Speaker 1: she and we she knows that she's become popular on

1233
01:10:42,040 --> 01:10:45,120
Speaker 1: the podcast for dan Bird and so now and people

1234
01:10:45,160 --> 01:10:46,800
Speaker 1: will be in my in my d m s every

1235
01:10:46,840 --> 01:10:48,639
Speaker 1: time I posted a picture of Kristina and they'll say

1236
01:10:49,000 --> 01:10:51,320
Speaker 1: damn bird. And they noticed stylize it with two ms,

1237
01:10:51,320 --> 01:10:54,640
Speaker 1: which is the way that she spells down. So she

1238
01:10:54,800 --> 01:11:00,120
Speaker 1: says to me, she texts me, oh my god, I

1239
01:11:00,240 --> 01:11:04,559
Speaker 1: was like what she goes, literally, damn bird a bird

1240
01:11:04,800 --> 01:11:08,559
Speaker 1: pooped on me. She can't go to the damn beach,

1241
01:11:08,680 --> 01:11:15,679
Speaker 1: the woman bird, the bird bird and return to the bird.

1242
01:11:16,560 --> 01:11:20,679
Speaker 1: Damn bird, damn bird. These damn birds actually won't stop.

1243
01:11:20,800 --> 01:11:25,560
Speaker 1: Damn bird. I am, I am he I stand seagulls.

1244
01:11:25,760 --> 01:11:31,519
Speaker 1: They're fucking you, stir wild because they don't think about

1245
01:11:31,520 --> 01:11:33,640
Speaker 1: anything but themselves. Now, when Connor and I worked on

1246
01:11:33,680 --> 01:11:39,639
Speaker 1: a cruise ship sometimes yes, yes, proudly, but there used

1247
01:11:39,640 --> 01:11:41,920
Speaker 1: to be these seagulls that would come and basically like

1248
01:11:42,160 --> 01:11:46,560
Speaker 1: target children because they knew they were weak, and absolutely

1249
01:11:47,080 --> 01:11:49,639
Speaker 1: go hard to get their fries, like on the back

1250
01:11:49,680 --> 01:11:53,240
Speaker 1: of his boat. And I would say, our hearts were

1251
01:11:53,320 --> 01:11:55,720
Speaker 1: so sad for being a c for four months and

1252
01:11:55,800 --> 01:11:58,640
Speaker 1: doing bad improv that our only joy became watching like

1253
01:11:58,880 --> 01:12:04,400
Speaker 1: the seagulls eat children's fries. These birds, actually they're strong.

1254
01:12:05,760 --> 01:12:10,000
Speaker 1: It's actually real culture. These birds are number one and three.

1255
01:12:10,400 --> 01:12:14,639
Speaker 1: These birds are strong. I needed a rule of culture.

1256
01:12:14,720 --> 01:12:17,040
Speaker 1: We haven't done that many. I'm sorry. You have to

1257
01:12:17,080 --> 01:12:19,559
Speaker 1: understand that we're just now getting back into the flow

1258
01:12:20,200 --> 01:12:25,120
Speaker 1: of hosting and we feel very How do you like

1259
01:12:25,200 --> 01:12:27,960
Speaker 1: our setup? I love this also, like I hope you

1260
01:12:28,040 --> 01:12:29,720
Speaker 1: think we're doing a good job and I hope the

1261
01:12:29,800 --> 01:12:32,360
Speaker 1: listeners like this. I think that I think that everyone

1262
01:12:32,520 --> 01:12:35,400
Speaker 1: is thinking this episode is actually going to win this time.

1263
01:12:35,680 --> 01:12:39,479
Speaker 1: Ye did you hear they're doing a podcast like a

1264
01:12:39,640 --> 01:12:43,880
Speaker 1: big major awards show that's it should be illegal and

1265
01:12:44,080 --> 01:12:47,439
Speaker 1: it's a golden maybe for some time that there should

1266
01:12:47,439 --> 01:12:50,439
Speaker 1: be no Oscars, no Golden Globes, no Emmys. There should

1267
01:12:50,479 --> 01:12:53,240
Speaker 1: be one. There should be one. And they do TV

1268
01:12:53,439 --> 01:12:55,200
Speaker 1: and movies at the same time, and they take all

1269
01:12:55,240 --> 01:12:57,799
Speaker 1: the money and they give it to the people. It's

1270
01:12:57,840 --> 01:13:00,800
Speaker 1: getting dark. There's too many the critics too. Send the

1271
01:13:00,920 --> 01:13:04,360
Speaker 1: Nickelodeon Awards. Well, really, what we need to get rid

1272
01:13:04,400 --> 01:13:06,519
Speaker 1: of as the Nickelodeon Awards because they're the most time,

1273
01:13:06,680 --> 01:13:10,000
Speaker 1: the most topic. It's actually it's actually Rusty six, the

1274
01:13:10,080 --> 01:13:15,240
Speaker 1: most toxic awards. It's getting to be inhumane to like

1275
01:13:16,040 --> 01:13:19,960
Speaker 1: make these people buy a new outfit for a new

1276
01:13:20,080 --> 01:13:24,000
Speaker 1: thing every week for about three months. They're wasting our time. Yes,

1277
01:13:24,360 --> 01:13:26,400
Speaker 1: And I'm not saying like us as people who attend.

1278
01:13:26,439 --> 01:13:30,519
Speaker 1: I'm saying like people who want like it's this is rude,

1279
01:13:30,800 --> 01:13:35,880
Speaker 1: it's like stupid. First of all, I love some of

1280
01:13:36,000 --> 01:13:38,840
Speaker 1: these people that get awards so much, Like I love

1281
01:13:38,960 --> 01:13:43,760
Speaker 1: Laura Dern. You making me watch fifteen different Laura Dern

1282
01:13:43,800 --> 01:13:48,519
Speaker 1: Awards speeches doesn't make me like Laura Dernat honestly takes

1283
01:13:48,600 --> 01:13:51,240
Speaker 1: this person that I guess you the industry are trying

1284
01:13:51,280 --> 01:13:53,960
Speaker 1: to be like you like her, so pay, like give

1285
01:13:54,040 --> 01:13:56,560
Speaker 1: us your money, like watch her on programs. It's like, no,

1286
01:13:56,760 --> 01:13:59,800
Speaker 1: by over saturating these people, you drive us nuts. It's

1287
01:14:00,800 --> 01:14:03,360
Speaker 1: you drive us cool crazy. And this might be like

1288
01:14:03,439 --> 01:14:08,840
Speaker 1: a weird afterthought, but like to make a damn to

1289
01:14:08,960 --> 01:14:12,439
Speaker 1: make a damn team of Carr's work an afterparty five

1290
01:14:12,520 --> 01:14:15,439
Speaker 1: different after parties in Los Angeles alone, every week from

1291
01:14:15,840 --> 01:14:21,400
Speaker 1: December to March. It's like, excuse me, it's just so's

1292
01:14:21,479 --> 01:14:23,800
Speaker 1: it puts such a strain on it, just for this

1293
01:14:24,000 --> 01:14:26,720
Speaker 1: like weird little industry that doesn't really matter in the end.

1294
01:14:26,880 --> 01:14:29,920
Speaker 1: And also I'm sorry, and I will take this to

1295
01:14:30,040 --> 01:14:33,519
Speaker 1: the streets. They've got to stop sending a screeners they have.

1296
01:14:35,160 --> 01:14:37,479
Speaker 1: It actually needs to happen, Like I don't know what

1297
01:14:37,840 --> 01:14:39,800
Speaker 1: the rules are, but like they have to do this.

1298
01:14:39,920 --> 01:14:43,479
Speaker 1: It's crazy, Okay, the pale of marvelous Mrs Mazel's. They

1299
01:14:44,120 --> 01:14:48,720
Speaker 1: need to fucking check themselves. I don't think honestly, how

1300
01:14:48,920 --> 01:14:54,479
Speaker 1: fucking me a suitcase of DVT truly in order to

1301
01:14:54,680 --> 01:14:57,000
Speaker 1: get me to vote for them. And I will say

1302
01:14:57,040 --> 01:15:02,439
Speaker 1: this to Mazel's face to anyone is insane, literally literally

1303
01:15:02,560 --> 01:15:05,680
Speaker 1: like the planet is dying. So everyone that doesn't know

1304
01:15:05,880 --> 01:15:08,920
Speaker 1: who everyone listening who doesn't get w g A screeners

1305
01:15:09,560 --> 01:15:12,960
Speaker 1: like the w g A like does the awards, and

1306
01:15:13,080 --> 01:15:17,000
Speaker 1: so Amazon being Amazon sent to I guess it was

1307
01:15:17,080 --> 01:15:22,240
Speaker 1: like a little makeup box, like big game pound box

1308
01:15:22,400 --> 01:15:25,439
Speaker 1: of disks. Yeah, and it had little extra stuff like

1309
01:15:25,720 --> 01:15:28,840
Speaker 1: a postcard from whatever Mazel had been and then little

1310
01:15:28,920 --> 01:15:31,880
Speaker 1: coasters which were cheap, and then you can actually use

1311
01:15:31,960 --> 01:15:33,760
Speaker 1: it as like a makeup box or like a little

1312
01:15:33,800 --> 01:15:36,160
Speaker 1: lunch box. I guess. But it had to be every

1313
01:15:36,200 --> 01:15:40,880
Speaker 1: single one had to be made by like a child

1314
01:15:41,200 --> 01:15:44,559
Speaker 1: and ship and like and of course fucking Amazon is yeah,

1315
01:15:44,960 --> 01:15:47,360
Speaker 1: it's like there's no Hubris. And they also sent out

1316
01:15:47,439 --> 01:15:51,720
Speaker 1: a huge Modern Love box. Did you get that one? Now?

1317
01:15:51,760 --> 01:15:53,080
Speaker 1: I don't know. It was like a trap. It was

1318
01:15:53,120 --> 01:15:56,439
Speaker 1: like literally like a pirate's chest arrived at the greted

1319
01:15:56,479 --> 01:15:58,840
Speaker 1: Titleman house and I was like, I don't know what

1320
01:15:58,960 --> 01:16:01,880
Speaker 1: to do with this because I'm not watching Modern Love.

1321
01:16:02,360 --> 01:16:05,200
Speaker 1: It's so much waste. It's so much. It's so bad.

1322
01:16:05,320 --> 01:16:09,760
Speaker 1: I mean because Connor and I are both we're doing

1323
01:16:09,880 --> 01:16:12,320
Speaker 1: double time and and we've now, I guess there's a

1324
01:16:12,360 --> 01:16:14,639
Speaker 1: way to opt out, and I think we've possibly figured

1325
01:16:14,640 --> 01:16:17,200
Speaker 1: it out. But it's like the fact that these are

1326
01:16:17,240 --> 01:16:20,200
Speaker 1: fucking going to people's like weird business manager's office is

1327
01:16:20,320 --> 01:16:22,599
Speaker 1: and then just going right into the trash. Yeah, it's bad.

1328
01:16:22,680 --> 01:16:26,679
Speaker 1: It makes me fucking craziest industry. It's actually it's actually

1329
01:16:26,800 --> 01:16:30,120
Speaker 1: most of the Texas sized plastic island is masal lunchboxes.

1330
01:16:30,600 --> 01:16:35,519
Speaker 1: S fucking dare you send me a suitcase? You know

1331
01:16:35,600 --> 01:16:39,840
Speaker 1: what this is? It's for the elderly who are in

1332
01:16:40,000 --> 01:16:43,280
Speaker 1: the who are in the unions because they want to

1333
01:16:43,360 --> 01:16:45,240
Speaker 1: stick to DVD players and they don't know how to

1334
01:16:45,280 --> 01:16:49,160
Speaker 1: stream ship. That is literally nuts. I don't know. That's like,

1335
01:16:50,680 --> 01:16:52,320
Speaker 1: this's like what people berg on the View yelling at

1336
01:16:52,360 --> 01:16:54,760
Speaker 1: AOC because she doesn't respect her elders. It's like, it's

1337
01:16:54,800 --> 01:16:57,840
Speaker 1: because we all need to have a conversation, sweetie. That's

1338
01:16:57,840 --> 01:17:03,760
Speaker 1: actually good, we all are. When when was on the View,

1339
01:17:03,800 --> 01:17:05,960
Speaker 1: I texted her. I was like, yeah, to tell me everything.

1340
01:17:06,160 --> 01:17:09,080
Speaker 1: It was. It was also I think I don't do

1341
01:17:09,160 --> 01:17:10,599
Speaker 1: this that they were like, you have to come back

1342
01:17:10,640 --> 01:17:14,320
Speaker 1: and guest host, and I was like, I will, absolutely wouldn't.

1343
01:17:14,960 --> 01:17:17,640
Speaker 1: There's nothing that makes me more panicked than hearing them

1344
01:17:17,680 --> 01:17:19,760
Speaker 1: all do their political takes and then them turning to

1345
01:17:19,840 --> 01:17:26,559
Speaker 1: me and maybe I'm like, oh, I think I would

1346
01:17:26,600 --> 01:17:30,400
Speaker 1: do that. It's also a Megan Became would be like

1347
01:17:30,840 --> 01:17:35,960
Speaker 1: the same, you have to do it. I think that

1348
01:17:36,080 --> 01:17:37,680
Speaker 1: one day in my life I will be on you.

1349
01:17:38,200 --> 01:17:39,760
Speaker 1: Yes you will, even if I have to be in

1350
01:17:39,800 --> 01:17:45,080
Speaker 1: a damn chicken costume. Sometimes they do do that. They

1351
01:17:45,160 --> 01:17:47,640
Speaker 1: do be doing. It's called chicken of the week. Is

1352
01:17:47,680 --> 01:17:50,040
Speaker 1: that the chicken comes out, it doesn't dance. Um, is

1353
01:17:50,080 --> 01:17:55,280
Speaker 1: this real? With Joy? Honestly, I would have anything you

1354
01:17:55,360 --> 01:17:58,080
Speaker 1: said about the view or the Kelly Clarkson Show, because

1355
01:17:58,120 --> 01:18:00,880
Speaker 1: I just assumed that Kelly Clarkson Show is seconds away

1356
01:18:00,920 --> 01:18:02,760
Speaker 1: from having a chicken another week, Like we found this

1357
01:18:02,880 --> 01:18:05,800
Speaker 1: chicken actually in Arizona and this is an amazing chicken.

1358
01:18:05,840 --> 01:18:09,280
Speaker 1: And they tweeted us, so here's the video and we're

1359
01:18:09,320 --> 01:18:11,320
Speaker 1: just a video of a chicken, like and she'd be like,

1360
01:18:11,439 --> 01:18:13,720
Speaker 1: I'm crying. That was so funny. Oh my god, I'm

1361
01:18:13,720 --> 01:18:15,920
Speaker 1: actually crying. And when we come back, it's gonna be

1362
01:18:15,960 --> 01:18:19,479
Speaker 1: a Reba And after the break, Reba would come out

1363
01:18:19,640 --> 01:18:21,799
Speaker 1: and she would say, I love that chicken. That was funny.

1364
01:18:22,280 --> 01:18:24,960
Speaker 1: I thought was funny too. I could literally do a

1365
01:18:25,040 --> 01:18:27,280
Speaker 1: whole sixteen minute Kelly Boxon show. Maybe I should do

1366
01:18:27,320 --> 01:18:29,439
Speaker 1: that as a live show, come out as Kelly and

1367
01:18:29,560 --> 01:18:33,639
Speaker 1: just have guests. Rocks rock. Actually it's Ruler culture number

1368
01:18:34,000 --> 01:18:39,120
Speaker 1: forty nine, Reba Rocks. Thank you for joining. We always encourage,

1369
01:18:39,680 --> 01:18:43,439
Speaker 1: always encourage guests to join. We love one guests joint. Actually, yes,

1370
01:18:44,080 --> 01:18:46,599
Speaker 1: I think Doug's giving me a look. Well, Doug can

1371
01:18:46,680 --> 01:18:49,000
Speaker 1: keep looking. This is crazy. You actually can keep looking.

1372
01:18:49,680 --> 01:18:52,519
Speaker 1: I don't want this to add. I don't like the look.

1373
01:18:52,760 --> 01:18:56,120
Speaker 1: I don't like the look we have getting crazy. Well,

1374
01:18:56,520 --> 01:19:00,080
Speaker 1: so this actually it's actually okay, it's okay everyone and

1375
01:19:00,200 --> 01:19:01,840
Speaker 1: the dude we're gonna do. I don't think so, honey,

1376
01:19:01,920 --> 01:19:04,920
Speaker 1: Now now you tell them what I don't think. So okay.

1377
01:19:05,080 --> 01:19:08,040
Speaker 1: Every week we take one moment to rail against one moment.

1378
01:19:08,320 --> 01:19:11,559
Speaker 1: I take one moment. She's not a fan. She thinks

1379
01:19:11,560 --> 01:19:15,000
Speaker 1: it's only a moment long fuck this. Oh my god,

1380
01:19:15,080 --> 01:19:17,679
Speaker 1: I'm actually mad and crying. Oh my god. We take

1381
01:19:20,000 --> 01:19:29,679
Speaker 1: against something in that is pissing us one moment, one moment. Okay, alright,

1382
01:19:29,760 --> 01:19:32,000
Speaker 1: so listen. Should I go first? I think you should

1383
01:19:32,040 --> 01:19:34,160
Speaker 1: go first. I have a couple of things, but I

1384
01:19:34,240 --> 01:19:37,720
Speaker 1: think I'm gonna do the one of the things. You're

1385
01:19:37,760 --> 01:19:40,000
Speaker 1: gonna be one of the something that made sense to say, Okay,

1386
01:19:40,080 --> 01:19:42,840
Speaker 1: I'm ready. Okay, this is Matt Rogers. I don't think so, honey,

1387
01:19:42,920 --> 01:19:49,200
Speaker 1: And his time starts now. I don't think so, honey. Sorry, girl, Charros,

1388
01:19:49,320 --> 01:19:54,320
Speaker 1: guess what you smell better than you taste? Motherfucker? How

1389
01:19:54,400 --> 01:19:58,960
Speaker 1: come arrows? When I taste you, I'm always mad because

1390
01:19:59,000 --> 01:20:02,240
Speaker 1: when I smelled it, it has that overwhelming Auntie and

1391
01:20:02,600 --> 01:20:05,240
Speaker 1: smell where you can't walk past it and not buy it.

1392
01:20:05,280 --> 01:20:07,120
Speaker 1: And then I eat it and I'm a disappoint too.

1393
01:20:07,880 --> 01:20:10,720
Speaker 1: I don't think so, honey. Also, when you're hard, you're

1394
01:20:10,760 --> 01:20:13,719
Speaker 1: too hard. When you're soft, you're actually too soft. There's

1395
01:20:13,880 --> 01:20:17,160
Speaker 1: never been a time in the written word or the

1396
01:20:17,240 --> 01:20:20,960
Speaker 1: actual history where Churro has been the right consistency. And

1397
01:20:21,320 --> 01:20:24,320
Speaker 1: if there has been a time, no one's writing about it, honey,

1398
01:20:24,360 --> 01:20:25,960
Speaker 1: And you don't see it on the news because you

1399
01:20:26,040 --> 01:20:31,559
Speaker 1: are what not actually good? Today I watched Sudie green

1400
01:20:31,720 --> 01:20:34,040
Speaker 1: By one of you at the Universal Studios, Hollywood, and

1401
01:20:34,120 --> 01:20:38,360
Speaker 1: you were five and you might as well be damned paper.

1402
01:20:38,960 --> 01:20:41,320
Speaker 1: I don't think so, honey. The price of you and

1403
01:20:41,439 --> 01:20:45,760
Speaker 1: the price of a churl. I'm willing to pay zero dollars, honey,

1404
01:20:45,800 --> 01:20:49,200
Speaker 1: because I don't think so. And that's one that's your best.

1405
01:20:49,479 --> 01:20:53,760
Speaker 1: Oh my god, I just disagree. I actually find and

1406
01:20:53,880 --> 01:21:03,960
Speaker 1: I well, you haven't had a sweetie fun fun fun. Actually,

1407
01:21:04,000 --> 01:21:06,000
Speaker 1: if you want to really throw down, we actually could

1408
01:21:06,320 --> 01:21:09,160
Speaker 1: about best snacks at Disney. No. I mean I don't

1409
01:21:09,160 --> 01:21:14,000
Speaker 1: want to do that, don't. I don't want you on

1410
01:21:15,160 --> 01:21:20,439
Speaker 1: Disney or any kind you're not trying to like spar.

1411
01:21:21,040 --> 01:21:24,439
Speaker 1: I do want to spar. She wants to spark. You know.

1412
01:21:24,520 --> 01:21:28,639
Speaker 1: Here's the thing. Have you been to Disney World World?

1413
01:21:28,880 --> 01:21:34,479
Speaker 1: No Land, because I'm Land. You can make the drive. Yeah,

1414
01:21:34,840 --> 01:21:36,960
Speaker 1: well there's lots of great stuff. Anyway to think about

1415
01:21:37,000 --> 01:21:41,439
Speaker 1: it now, I gotta say Matt is kind of moving

1416
01:21:41,439 --> 01:21:44,599
Speaker 1: away from the World camp. He's not thinking a fan

1417
01:21:44,640 --> 01:21:46,080
Speaker 1: of World as he used Well, but when and I

1418
01:21:46,200 --> 01:21:48,640
Speaker 1: recently went to Disneyland, and it's just it's so much

1419
01:21:48,680 --> 01:21:51,200
Speaker 1: easier because you don't much like a damn plane to

1420
01:21:51,280 --> 01:21:54,879
Speaker 1: get from Epcot to Magic Kingdom. I know, yeah, it's crazy.

1421
01:21:55,280 --> 01:21:58,040
Speaker 1: I also think there's some of the like sixties charms.

1422
01:21:58,160 --> 01:22:01,400
Speaker 1: It's still there. The weakness isn't quite I don't know.

1423
01:22:01,520 --> 01:22:03,479
Speaker 1: I've never been to the land, but that's what I

1424
01:22:03,560 --> 01:22:08,759
Speaker 1: like about. Yeah, it's it's the it's the um wow,

1425
01:22:09,600 --> 01:22:14,960
Speaker 1: this is so um smallness of the of the like castle,

1426
01:22:15,360 --> 01:22:19,040
Speaker 1: this massive thing where you're like, okay, capitalism, yeah when

1427
01:22:20,520 --> 01:22:24,680
Speaker 1: oh yeah, the way you just that was slid that

1428
01:22:24,800 --> 01:22:28,680
Speaker 1: in contemn California Adventure Eat Ship and you kind of

1429
01:22:28,720 --> 01:22:30,439
Speaker 1: like missed the mic and we're like, you were scared

1430
01:22:30,479 --> 01:22:35,200
Speaker 1: to commit to it because you're actually trying to spar

1431
01:22:35,479 --> 01:22:38,960
Speaker 1: is the thing you actually came to spar tonight, And um,

1432
01:22:39,040 --> 01:22:41,000
Speaker 1: actually I really enjoy a California Adventure and you know

1433
01:22:41,040 --> 01:22:43,080
Speaker 1: who else enjoyed it, Bowing. I enjoyed it very much

1434
01:22:43,080 --> 01:22:46,360
Speaker 1: and Credi coaster popped off, popped all right, So actually

1435
01:22:46,479 --> 01:22:49,240
Speaker 1: this is Bowen yangs. I don't think so, honey. And

1436
01:22:49,320 --> 01:22:50,840
Speaker 1: the thing about his time as it starts now, I

1437
01:22:50,880 --> 01:22:55,720
Speaker 1: don't think so, honey, magician. Don't you ever pull shit

1438
01:22:55,960 --> 01:23:00,559
Speaker 1: behind from behind my ear without asking me for her mission.

1439
01:23:00,800 --> 01:23:03,200
Speaker 1: I'm not going to equate it to like a thing

1440
01:23:03,280 --> 01:23:05,920
Speaker 1: that requires consent, But this is a thing where they

1441
01:23:06,360 --> 01:23:09,640
Speaker 1: everyone comes up to. These magicians come up to you

1442
01:23:09,920 --> 01:23:13,639
Speaker 1: have no regard for your boundaries, darling, and they start

1443
01:23:13,720 --> 01:23:18,280
Speaker 1: to like wave a little hands and fingers next to

1444
01:23:18,360 --> 01:23:21,760
Speaker 1: your hip or something, and then knives come out. It's

1445
01:23:22,680 --> 01:23:26,160
Speaker 1: so stupid. And the TikTok magicians are the worst. And

1446
01:23:26,680 --> 01:23:29,960
Speaker 1: TikTok magicians who will take a glass of water and

1447
01:23:30,240 --> 01:23:33,800
Speaker 1: put into it and it's revealed to be a cake. Yeah,

1448
01:23:34,040 --> 01:23:39,800
Speaker 1: I cannot It's it's crazy, and it feels like it

1449
01:23:39,920 --> 01:23:42,080
Speaker 1: feels like a form of gas lining because it's like you're,

1450
01:23:42,400 --> 01:23:45,120
Speaker 1: you know, you're you're distorting my sense of reality here

1451
01:23:45,160 --> 01:23:49,760
Speaker 1: by like fucking up my brain. And this is this

1452
01:23:49,880 --> 01:23:52,200
Speaker 1: is what you do. It's it's you barter in deceit

1453
01:23:53,800 --> 01:23:58,960
Speaker 1: and deceit. It's actually real culture number ninety six magicians

1454
01:23:59,320 --> 01:24:03,880
Speaker 1: barter in that deceit and it's they knowingly do it.

1455
01:24:04,439 --> 01:24:07,439
Speaker 1: That's what's really fucked up is it's they do it

1456
01:24:07,520 --> 01:24:12,880
Speaker 1: for money. It's magic is premeditated lies and deceit for money,

1457
01:24:13,479 --> 01:24:18,120
Speaker 1: and it's actually really culture number one. Magic is premeditated lies.

1458
01:24:18,240 --> 01:24:23,280
Speaker 1: And deceit for money, cash, important cash money. They actually

1459
01:24:23,520 --> 01:24:25,960
Speaker 1: can't you know, it's it's they're fucked up because they

1460
01:24:26,040 --> 01:24:30,479
Speaker 1: take cash cash so they don't get taxed. They're an

1461
01:24:30,479 --> 01:24:35,800
Speaker 1: incredibly disgusting people, magicians. And you know who their king

1462
01:24:36,000 --> 01:24:40,840
Speaker 1: is is that Neil Patrick Harris bitch, he's the king

1463
01:24:40,920 --> 01:24:46,519
Speaker 1: of magic. Magic, No, no, one of the one of

1464
01:24:46,600 --> 01:24:49,080
Speaker 1: the celebrities we've dragged the hardest on this podcast is

1465
01:24:49,360 --> 01:24:52,519
Speaker 1: Patrick Harris. Well, I don't know, is that true. Yeah,

1466
01:24:52,560 --> 01:24:55,439
Speaker 1: we dragged him. I think we dragged him because he

1467
01:24:56,160 --> 01:24:59,360
Speaker 1: one time tweeted during the Tony Awards at Rachel Bloom,

1468
01:24:59,400 --> 01:25:01,800
Speaker 1: who is this all they have hosting backstage? She's not

1469
01:25:01,960 --> 01:25:05,360
Speaker 1: fun like something like that. And that is the Golden

1470
01:25:05,360 --> 01:25:11,519
Speaker 1: Globe without Rachel Blue. Yeah, and here's the thing. Um.

1471
01:25:12,439 --> 01:25:15,200
Speaker 1: One one person who I don't think is a magician

1472
01:25:15,240 --> 01:25:18,880
Speaker 1: and so we do trust her is eighth. No. Wait,

1473
01:25:19,600 --> 01:25:21,920
Speaker 1: let me let me think here, Okay, because I feel

1474
01:25:21,920 --> 01:25:26,000
Speaker 1: like I have zones and I'm I'm I'm scared. I'm

1475
01:25:26,000 --> 01:25:29,320
Speaker 1: just gonna see what happens. Just no, this is not premedity.

1476
01:25:29,479 --> 01:25:32,839
Speaker 1: Let it flow, honey. Okay, I'm going to talk loudly,

1477
01:25:32,880 --> 01:25:35,720
Speaker 1: and that's what it is. Sometimes I find myself on

1478
01:25:35,800 --> 01:25:37,240
Speaker 1: stage in front of a crowd and I'm like, oh,

1479
01:25:37,280 --> 01:25:40,400
Speaker 1: this is happening and it's an honey, And often they're

1480
01:25:41,080 --> 01:25:45,120
Speaker 1: all right, so this is eighty Bryant's I don't think so, honey.

1481
01:25:45,200 --> 01:25:50,559
Speaker 1: On this episode of last called Beeping Later and our

1482
01:25:50,680 --> 01:25:56,479
Speaker 1: time starts now, I don't think so, honey. Diarrhea. You've

1483
01:25:56,520 --> 01:25:59,840
Speaker 1: got your hands around my throat and you're killing me.

1484
01:26:00,600 --> 01:26:03,880
Speaker 1: It needs you to stop. I find not figure out

1485
01:26:03,920 --> 01:26:06,839
Speaker 1: what is causing you. Is it cheese? Is it like pepper?

1486
01:26:07,040 --> 01:26:09,880
Speaker 1: I'm so scared and I don't know what to do,

1487
01:26:10,280 --> 01:26:13,320
Speaker 1: and I've been to the doctors and they cannot help.

1488
01:26:13,560 --> 01:26:15,639
Speaker 1: And it's not all the time. But when you come,

1489
01:26:15,880 --> 01:26:18,880
Speaker 1: you come in hard. I'm mad and I'm so tired.

1490
01:26:18,960 --> 01:26:21,400
Speaker 1: What I wouldn't give to have a nice, solid cock

1491
01:26:21,520 --> 01:26:25,519
Speaker 1: like Ships said. What I get is a bag of

1492
01:26:25,920 --> 01:26:31,439
Speaker 1: loose sand covered in eels and slim. Why, why God

1493
01:26:31,560 --> 01:26:35,560
Speaker 1: have you done this to me? I am scared. I

1494
01:26:35,680 --> 01:26:39,679
Speaker 1: am scared. You are a bad element of my life,

1495
01:26:39,840 --> 01:26:44,479
Speaker 1: and I need you to get out out out damn spot.

1496
01:26:44,720 --> 01:26:51,080
Speaker 1: I am absolutely tired, and so I guess I don't

1497
01:26:51,160 --> 01:26:56,680
Speaker 1: think so. Diary I'm not wondering what I wouldn't give.

1498
01:26:59,720 --> 01:27:02,160
Speaker 1: Let let's just break down what happened. Well, I have

1499
01:27:02,240 --> 01:27:03,560
Speaker 1: a lot of questions. First of all, we had a

1500
01:27:03,600 --> 01:27:08,600
Speaker 1: Shakespeare reference, and then we had is it cheese? Is

1501
01:27:08,680 --> 01:27:11,280
Speaker 1: it pepper? Is it cheese? Is a pepper? One of

1502
01:27:11,400 --> 01:27:13,479
Speaker 1: It's like, that's always what it could come down to.

1503
01:27:13,680 --> 01:27:17,680
Speaker 1: Is it most commonly cheese or pepper? I thought that

1504
01:27:17,800 --> 01:27:20,320
Speaker 1: was a mass I have. I have to ask you

1505
01:27:20,400 --> 01:27:22,599
Speaker 1: a question because there was. I want to be clear.

1506
01:27:22,680 --> 01:27:27,320
Speaker 1: I'm not having diarrhea everything I want, and I am

1507
01:27:27,479 --> 01:27:29,639
Speaker 1: most of the time, but when it comes, it comes

1508
01:27:29,800 --> 01:27:34,040
Speaker 1: like a fucking gun to tame. Yes, a question. I

1509
01:27:34,160 --> 01:27:37,519
Speaker 1: need to ask you a question. I was experiencing poop

1510
01:27:37,880 --> 01:27:40,760
Speaker 1: like this that one would call diarrhea. Yeah, and I'll

1511
01:27:40,800 --> 01:27:45,320
Speaker 1: tell you why it was. I had been overdiagnosed with antibiotics,

1512
01:27:46,280 --> 01:27:51,200
Speaker 1: have been I've been not a pill. Yeah, it's it's

1513
01:27:51,280 --> 01:27:52,960
Speaker 1: I don't know what it is, and I do think

1514
01:27:53,000 --> 01:27:57,120
Speaker 1: it's probably just like dairy. But sorry, I'm not about

1515
01:27:57,160 --> 01:27:59,160
Speaker 1: to stop. Yeah, it's actually one of the hardest things

1516
01:27:59,200 --> 01:28:01,960
Speaker 1: to give up, is cheese. Honey? Is it stress? Because

1517
01:28:02,040 --> 01:28:05,320
Speaker 1: for me sometimes comes down to stress. I do recall

1518
01:28:05,400 --> 01:28:08,320
Speaker 1: it as I was auditioning for usnel it was actually liquid.

1519
01:28:08,400 --> 01:28:10,559
Speaker 1: Hell oh no, and then you have to be thinking

1520
01:28:10,560 --> 01:28:12,439
Speaker 1: about that. Yeah, And then I was like also like

1521
01:28:12,520 --> 01:28:14,240
Speaker 1: I was like, I can only eat like nuts and

1522
01:28:14,280 --> 01:28:17,960
Speaker 1: bananas because anything is going to trigger this be whole. Yeah,

1523
01:28:18,000 --> 01:28:20,280
Speaker 1: but but then like I don't know, it goes away,

1524
01:28:21,240 --> 01:28:24,120
Speaker 1: but then it just comes back before you've even settled

1525
01:28:24,160 --> 01:28:27,920
Speaker 1: into the normal soliditis. I can't draw the boundaries between

1526
01:28:28,360 --> 01:28:30,600
Speaker 1: on the dates anymore for when I poop solid or

1527
01:28:30,760 --> 01:28:33,519
Speaker 1: when I poop liquid. Wow, that's too much. It's too much.

1528
01:28:33,520 --> 01:28:35,559
Speaker 1: I gotta see someone. The doctors can't help me. Well

1529
01:28:35,640 --> 01:28:38,080
Speaker 1: that this is the thing is that it's not it's

1530
01:28:38,560 --> 01:28:40,640
Speaker 1: I don't want people to feel scared for me, And

1531
01:28:40,760 --> 01:28:43,240
Speaker 1: the last thing I want is fucking stranger's messaging me

1532
01:28:43,360 --> 01:28:46,639
Speaker 1: being like I can actually cure you. No, don't do that. Well,

1533
01:28:46,720 --> 01:28:51,600
Speaker 1: that's fine, Unfortunately you while explicitly not asking for that,

1534
01:28:51,880 --> 01:28:54,439
Speaker 1: I have unfortunately, and you've opened the flood gates. I

1535
01:28:54,479 --> 01:28:57,080
Speaker 1: would also say that's maybe the worst part of sometimes

1536
01:28:57,120 --> 01:28:58,840
Speaker 1: having to get your hair and makeup done is they

1537
01:28:58,920 --> 01:29:00,920
Speaker 1: often are like, you know, you have rosa sho and

1538
01:29:01,040 --> 01:29:03,640
Speaker 1: that means you have a lizard disease, and you need

1539
01:29:03,680 --> 01:29:05,519
Speaker 1: to get a shot every day in your eye. And

1540
01:29:05,720 --> 01:29:07,439
Speaker 1: I can actually help you if you'll follow me on

1541
01:29:07,520 --> 01:29:11,439
Speaker 1: Instagram and tag me. And I'm always like, holy hell,

1542
01:29:11,800 --> 01:29:14,960
Speaker 1: have you heard of a rock diet? Well, I eat rocks,

1543
01:29:15,160 --> 01:29:18,640
Speaker 1: It rocks. If to get a shot every day in

1544
01:29:18,640 --> 01:29:20,040
Speaker 1: your eyes, you actually have to get a shot every

1545
01:29:20,120 --> 01:29:22,120
Speaker 1: day in your eye that only I could start. It's

1546
01:29:22,120 --> 01:29:26,599
Speaker 1: a really big eye size needle. It looks like a hammer,

1547
01:29:26,640 --> 01:29:28,120
Speaker 1: but it's a needle and I have to come over

1548
01:29:28,240 --> 01:29:33,040
Speaker 1: and use it. What it takes to be industry. Here's

1549
01:29:33,040 --> 01:29:34,960
Speaker 1: the thing. If anyone ever told me they would they

1550
01:29:35,000 --> 01:29:38,600
Speaker 1: were a producer, I would let them spit on me.

1551
01:29:42,640 --> 01:29:46,320
Speaker 1: I left so hard my headphones. All you have to

1552
01:29:46,360 --> 01:29:48,600
Speaker 1: do is tell me that you're a producer, and I

1553
01:29:48,680 --> 01:29:51,200
Speaker 1: want to ask you if it's film, television, music. I'll

1554
01:29:51,240 --> 01:29:56,560
Speaker 1: be like, yeah, you could come and post spit. You

1555
01:29:56,600 --> 01:29:58,360
Speaker 1: could be putting your clothes back on, because I assume

1556
01:29:58,400 --> 01:29:59,920
Speaker 1: you want to get naked before you spit on me.

1557
01:30:00,520 --> 01:30:02,280
Speaker 1: You can tell me after why, by the way, well,

1558
01:30:02,400 --> 01:30:05,799
Speaker 1: I produce ship and then get out and I'd be like, hot, honestly,

1559
01:30:07,439 --> 01:30:13,000
Speaker 1: is this a bad episode? I'm scared, guess because I

1560
01:30:13,200 --> 01:30:15,200
Speaker 1: just love the show and so when I listen, I'm

1561
01:30:15,280 --> 01:30:18,000
Speaker 1: like so happy and of course inserting myself into it

1562
01:30:18,160 --> 01:30:22,479
Speaker 1: is bad. No, that sucks, and that actually actually sucks.

1563
01:30:22,520 --> 01:30:27,400
Speaker 1: And actually you actually insulted us. You insulted us. It

1564
01:30:27,520 --> 01:30:29,720
Speaker 1: was good. Please tag me if you do. That's good.

1565
01:30:30,040 --> 01:30:32,679
Speaker 1: It would mean a lot to me. I need about

1566
01:30:34,360 --> 01:30:38,320
Speaker 1: Can I say something though, answer? Yeah, okay, then I

1567
01:30:38,479 --> 01:30:43,719
Speaker 1: will say something. Um. I feel like my energy towards

1568
01:30:43,880 --> 01:30:46,439
Speaker 1: you coming on the podcast was like, well, this will

1569
01:30:46,479 --> 01:30:48,960
Speaker 1: be one of like like I would assume that you

1570
01:30:49,120 --> 01:30:51,519
Speaker 1: by the time this podcast wraps and like, let's say,

1571
01:30:52,600 --> 01:30:55,160
Speaker 1: will have like one of those Letterman's jacket they give

1572
01:30:55,240 --> 01:30:57,599
Speaker 1: to Drew Barrymore and everyone else that's hosted five times.

1573
01:30:57,720 --> 01:31:00,519
Speaker 1: See now I think of myself and pretend actually is

1574
01:31:00,600 --> 01:31:04,040
Speaker 1: like your Amy Sitters David Letterman situation where I like,

1575
01:31:04,160 --> 01:31:06,680
Speaker 1: come by and I'm like, I'm not promoting anything right

1576
01:31:06,720 --> 01:31:10,040
Speaker 1: now since she's long since been out, but I'm here

1577
01:31:10,080 --> 01:31:12,519
Speaker 1: to have fun with my guy. Yeah. Absolutely, And that's

1578
01:31:12,520 --> 01:31:13,880
Speaker 1: how I feel. I was thinking about you as an

1579
01:31:13,880 --> 01:31:16,360
Speaker 1: Amy it's Amy on Letterman and sorry to bring work

1580
01:31:16,360 --> 01:31:21,479
Speaker 1: into this. I feel like it's you on seth and Sumplement.

1581
01:31:21,720 --> 01:31:25,640
Speaker 1: It's just hear me out, Tom Hanks on s to

1582
01:31:26,280 --> 01:31:30,479
Speaker 1: It's like someone that you're just like, yes, yes, it'll

1583
01:31:30,520 --> 01:31:32,760
Speaker 1: be good. Just calm, just come calm. I guess what

1584
01:31:32,840 --> 01:31:34,960
Speaker 1: we're saying is that you can come back any damny

1585
01:31:35,120 --> 01:31:37,720
Speaker 1: damn time. Well you really have been rushing me off,

1586
01:31:37,840 --> 01:31:40,920
Speaker 1: especially Dug out there. Well, Doug, actually the thing is

1587
01:31:41,040 --> 01:31:42,600
Speaker 1: like he thought he was the only one with a

1588
01:31:42,640 --> 01:31:46,280
Speaker 1: weapon and I have a very large weapon. We're maxing

1589
01:31:46,320 --> 01:31:51,720
Speaker 1: out o'clock minutes. Yeah, but it's not like this isn't

1590
01:31:51,720 --> 01:31:54,280
Speaker 1: a normal I know, I know, I know, but I've

1591
01:31:54,280 --> 01:31:56,680
Speaker 1: been getting multiple text from Connor being like where are you?

1592
01:31:59,200 --> 01:32:00,760
Speaker 1: We gotta go, Okay, we got get around. Tell Connor

1593
01:32:00,840 --> 01:32:05,040
Speaker 1: that relationships are not everything stops I do every day. Okay,

1594
01:32:05,760 --> 01:32:08,080
Speaker 1: this is this was an episode of Datie Bryant. Please

1595
01:32:08,439 --> 01:32:11,680
Speaker 1: watch Shrill, watch us now, please. It sounded like you

1596
01:32:11,720 --> 01:32:18,120
Speaker 1: were begging, please God watch Trill because it's a great

1597
01:32:18,160 --> 01:32:20,640
Speaker 1: fucking show and it's made with love. And I'm on it,

1598
01:32:20,880 --> 01:32:23,040
Speaker 1: like what what do you do you want? What do

1599
01:32:23,080 --> 01:32:25,760
Speaker 1: you want? Bears is on it. I also watch Shrill

1600
01:32:25,800 --> 01:32:28,600
Speaker 1: because and this is gross and whatever, but um, you

1601
01:32:28,680 --> 01:32:31,439
Speaker 1: know my Wikipedia says that I was on Shrill and

1602
01:32:31,479 --> 01:32:39,599
Speaker 1: I'm like, no, boot stop it. Oh documentary, this is unreal.

1603
01:32:39,680 --> 01:32:41,280
Speaker 1: Oh yeah, oh yes. What you don't know is that

1604
01:32:41,400 --> 01:32:44,000
Speaker 1: this this is the beginning of a documentary. It's called

1605
01:32:44,040 --> 01:32:49,080
Speaker 1: a Miss Americans. Did you guys talk about Yes we did.

1606
01:32:49,160 --> 01:32:50,519
Speaker 1: If we did, she has to go to dinner. She

1607
01:32:50,600 --> 01:32:57,840
Speaker 1: has dinner at Ostereo Lebucastere Leuca. You know. So here's

1608
01:32:57,920 --> 01:33:00,519
Speaker 1: actually one other thing about the podcast is it always

1609
01:33:00,600 --> 01:33:09,000
Speaker 1: ends with a song who one day, one night, Saturdays,

1610
01:33:09,240 --> 01:33:15,120
Speaker 1: all right online just by night time anytime, get me

1611
01:33:18,000 --> 01:33:27,280
Speaker 1: National American. That was like a remix nash up. Yeah bye,