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Speaker 1: Hello, lovely listeners. Kevin Pollock here just letting you know

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Speaker 1: the next live show for Alchemy. This will be on

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Speaker 1: July one, seven pm West Side Comedy Theater. If you're

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Speaker 1: in the Santa Monica, California area, or anywhere near it

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Speaker 1: July one, please come join us. Ticketus will go fast

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Speaker 1: as I did last time. We'd love to see you there.

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Speaker 1: Go to west Side Comedy dot com for more. Welcome

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Speaker 1: back to another episode of Alchemy. This your substitute teacher

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Speaker 1: today is me Cole Stratton. Sorry, we won't be showing

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Speaker 1: any videos. You're gonna learn something today. I'm feeling it

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Speaker 1: for Kevin Pollock while he is busy doing reshoots on

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Speaker 1: that thing you do to the Revenge of Captain Geach

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Speaker 1: and the Shrimp Shack Shooters. It's a deep cud of

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Speaker 1: for people that like that movie. Um. Sorry to meet

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Speaker 1: our alchemists for today. First up, the most famous Craig

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Speaker 1: after Bigio, Ferguson, Kimbrell, Council Sager, and ten Nelson's Craig

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Speaker 1: is a lot of pictures. Share your name, what would

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Speaker 1: you say your special pitch would be? Uh, let me

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Speaker 1: make a pitch of the pitch that I would do,

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Speaker 1: which would be so slow that that they swing like

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Speaker 1: three times before if he gets to the plate like yes,

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Speaker 1: which is the thing that already exists al right? Next up,

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Speaker 1: it's the ghost with the most He died ten years

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Speaker 1: ago and he doesn't know it. James, Hey, James, how's

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Speaker 1: life treating you? Well? I could have before I was

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Speaker 1: just living it. But this is surprising, all right. Gags

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Speaker 1: me with the spoon? Uh, gags? How did you get

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Speaker 1: to be like so very um? You know what it was?

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Speaker 1: It was years and years of totally that'll do it. Oh,

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Speaker 1: it's a guy who thinks the periodic table happens once

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Speaker 1: a month. Joey Greer, what's your favorite element? Element of surprise?

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Speaker 1: That is a good one. It's a fan of foreign film.

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Speaker 1: Carla Kakowski. Carla dubbed her subtitles both that's the way

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Speaker 1: to do it and finally, she's been saving up her

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Speaker 1: entire life to fill a swimming pool with coins and

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Speaker 1: dive in Vanessa Raglan V. How's the money water today?

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Speaker 1: Not great? Deep? Deep at all? Alright, let's get to

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Speaker 1: our first scene. All of today's scene suggestions were gathered

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Speaker 1: from our listeners emails. If you'd like to submit yours,

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Speaker 1: please write to the podcast at your name here at

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Speaker 1: alchemy this dot com. That's your name here at alchemy

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Speaker 1: this dot com. Our first scene comes from Danny Tanner. Hello, Alchemists.

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Speaker 1: Love the show this way this, wait for it. I

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Speaker 1: listened to it while I walk my dog and get

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Speaker 1: many strange looks from him when I stopped walking and

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Speaker 1: almost fall over laughing. As someone who grew up with

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Speaker 1: the name of a TV character, I spent my whole

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Speaker 1: life hearing lame jokes about it. My scene Suggestion is

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Speaker 1: a meeting support group for people whose life is mildly

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Speaker 1: inconvenienced by sharing the name with the famous character. The

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Speaker 1: meaning guess while when some of the actors for the

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Speaker 1: characters show up, keep up the funny work regards Danny

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Speaker 1: Tanner and no, not that Danny Tanner. Okay, I'll start off.

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Speaker 1: My name is Snake Pliskin and um and um. It's

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Speaker 1: a family name, and I it's just hard to you know, this,

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Speaker 1: live life with that, and people expect me to escape

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Speaker 1: from New York and escape from l A and I

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Speaker 1: just want to live there. I don't want to have

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Speaker 1: to be run out all the time with snake if

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Speaker 1: I'm a Oprah, Hi, um hi, I just want to

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Speaker 1: say I'm not familiar with the source material. So just

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Speaker 1: so you know, to me, you're all new and I've

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Speaker 1: never I've never had that luxury. It is Oprah. Yeah,

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Speaker 1: pretty much everybody knows who Opra is. That's right, they

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Speaker 1: sure do. None of them think it's me. Yeah, you

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Speaker 1: don't look much like. It's not a there's not a

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Speaker 1: hierarchy here. All the names are the same, right, even

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Speaker 1: if they haven't been heard of before. We all know that.

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Speaker 1: I think it's different. I'm just saying, as Oprah, that's fine.

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Speaker 1: You can totally, you can. You can do it. So

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Speaker 1: let's just let's go on, let's go. Anybody else want

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Speaker 1: to Well, I'd just like to point out that you

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Speaker 1: do say as Oprah pretty much every time you say something.

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Speaker 1: I don't say as the Night King every time I

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Speaker 1: say a sentence. But well you could if you wanted to.

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Speaker 1: I mean, you gotta have fun with it. I walk

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Speaker 1: in a room and say Oprah's on. That is pretty good.

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Speaker 1: It's pretty fun. Now, d night your your name is

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Speaker 1: spelled slightly differently, right, Yeah, well it's d Apostrophe Night

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Speaker 1: King which is a perfectly normal human name. Yeah, so

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Speaker 1: why don't you just go by with a dima stand

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Speaker 1: for something if it's period, Uh, it's an apostrophe, Oh yeah,

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Speaker 1: the apostrophe night yeah King, because my my parents were

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Speaker 1: eating those caramel d lights, the cookies when you have

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Speaker 1: but but they didn't think that delight was a good

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Speaker 1: name for a person. The boy a boy night night. Yeah. Yeah,

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Speaker 1: I know how tough it is. You know what your

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Speaker 1: name is weird? Oh sorry, Alf no last name, and

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Speaker 1: then you know it's topping my parents when I was born,

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Speaker 1: I popped out. They're like like some sort of alien

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Speaker 1: life form and they're like, oh, Alf, we'll call alf

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Speaker 1: by Alfie was fine, So they did name you after Alf.

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Speaker 1: They name me alf pre seriously, then the TV show came,

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Speaker 1: people actually say alien life form Alf. All right, let's

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Speaker 1: just hold on, let's just not you know, attack anybody

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Speaker 1: asking a questions. I mean, how often that we all

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Speaker 1: felt that, at some point in our lives that people

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Speaker 1: did look at us and think like, oh they looked

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Speaker 1: at that, you know, they look like the night King

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Speaker 1: or well yeah, I mean every day I walk around

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Speaker 1: and I'm I'm so so many that when people say

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Speaker 1: the Brady Bunch, I'm like, yeah, that's my name. I'm

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Speaker 1: the Brady Bunch. You should change a D N an

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Speaker 1: apostrophe that my given name is the like, that's your

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Speaker 1: first name. That's a weird name. Brady would be understand

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Speaker 1: the challenge, like telling people, oh, my name is Crosby

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Speaker 1: Stilson and they're like, Crosby, what my name's Crosby Stillson

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Speaker 1: and yeah, that's my last name, Stillson. Yeah, it's just

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Speaker 1: weird because I'm like, oh, it's spelled c r O

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Speaker 1: s b y and it gets c r O s

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Speaker 1: b y n A n a s h phonetically. That

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Speaker 1: doesn't mention that I have to write my name spelled

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Speaker 1: Crosby Stillson, Crosby the nash that's what he spelled. We can,

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Speaker 1: we can just we could have spent this whole time

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Speaker 1: just announcing our names differently than the way they're spelled,

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Speaker 1: because it seems like that would have been that of

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Speaker 1: O'd be opera, you stranger, you, I'm curious what your

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Speaker 1: name could possibly be bow Oh is in Yeah? Not

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Speaker 1: if if my name is Harpo Marx, that would be different.

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Speaker 1: People would confuse me with the famous marks. But the

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Speaker 1: name is just hard Bow, so people think that i'm production. Yeah, yeah,

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Speaker 1: we should. We should hang out. We should get you

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Speaker 1: a trench coat and a horn. All I got a

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Speaker 1: coffee for the night King, got a coffee for the

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Speaker 1: night King? What a wasted character? Right stabbed? You guys

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Speaker 1: are real dicks. Thank you? Are you the night King?

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Speaker 1: It look different and perfect? And denied? Is my name?

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Speaker 1: Just Deny? The nicking feels problematic? What's your name? Are

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Speaker 1: you supposed to be wearing a name tag here? Yeah?

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Speaker 1: I lost it. You're a terrible employee. Yeah, my name

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Speaker 1: is Jimbals. I'm sorry, Jimbals. Jimbals a normal name. Hey, Jim,

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Speaker 1: get off now, let me tell don't tell me to

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Speaker 1: get off. I'm the manager. Sorry, Sorry, I can get

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Speaker 1: on you as hard as I want. Jimble's listen to me.

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Speaker 1: I've been running this floor for two years. I can

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Speaker 1: get on you anyway I want to. All right, can

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Speaker 1: one of you please hand me my coffee? I'm sorry,

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Speaker 1: Tonight King, Mom, Dad, this is the love of my life,

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Speaker 1: the man that I'm going to spend the rest of

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Speaker 1: my life with. Tonight King. Oh, it's it's it's really

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Speaker 1: I've been. I've been so excited about meeting you for this, Melissa,

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Speaker 1: Melissa words. She tells me so much a word, Melissa, Oh,

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Speaker 1: I know, I know right, it's great, impressive, right, he

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Speaker 1: thinks he's a character. Carl Well, well, calmed down and calm.

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Speaker 1: I'm not not calm. I mean, he can probably hear

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Speaker 1: you with the volume your voices. You just want to

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Speaker 1: control everything about I'm not trying to. I'm just trying

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Speaker 1: not to embarrass our daughter. And get it. You're like

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Speaker 1: the Game of Thrones thing. No, that's not the case.

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Speaker 1: That's not the case. It's denied. It sounds more like

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Speaker 1: a rapper's name. Actually, Melissa, you broke up with Charles

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Speaker 1: Brown to date tonight, King, it's true. Why are you

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Speaker 1: breaking up with me? Is it because my dad's a barber? Um? Well,

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Speaker 1: I just I've met somebody else, so good grief. I know, mom, No,

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Speaker 1: she's great, but she broke up with me. Okay, I'll

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Speaker 1: go out and get Snoopy off the dog house. Every

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Speaker 1: time that I brought Charles around, he didn't understand what

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Speaker 1: you were saying. So like it was bizarre that music,

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Speaker 1: that lovely tinkling music that followed him. Do lead do duty.

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Speaker 1: It drove me insane. I'm gonna listen. Why don't we

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Speaker 1: just give this new tonight solid chance? Okay, let's okay,

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Speaker 1: all right? Are you sure I'm fine? Okay, Well, let's

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Speaker 1: have him for dinner. If he's so important, careful with

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Speaker 1: what do you say? Maybe it may come across. It's

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Speaker 1: kind of weird if you say we'll eat him for dinner, Carl,

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Speaker 1: don't tell me to be careful. It sounds like you

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Speaker 1: have a pretty tragic backstory there to night. Yeah, you know,

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Speaker 1: it's hard for me too. I tried to adopt a

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Speaker 1: cat the other day. They wouldn't let me have one,

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Speaker 1: wouldn't because I'm alf. I think I'm going to eat it. Yeah,

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Speaker 1: that's true. It's tough man. Your name doesn't define you,

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Speaker 1: you know. Yeah. I mean, I'm not filled with fun

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Speaker 1: in games or anything like the Brady Bunch would be

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Speaker 1: a sack races. I don't like those billion dollars. Every

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Speaker 1: time you have a problem, you seem to work it

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Speaker 1: out in about twenty two minutes. That's true, Thank you.

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Speaker 1: Maybe you can help Alf out. I mean, so your

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Speaker 1: problem as you want to adopt a cat? I really

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Speaker 1: I love cats, but they just think I'm going to

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Speaker 1: eat it, you know. Well, funny enough, I carry cats

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Speaker 1: around in my purse. Yeah, all right, let's be clear

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Speaker 1: about that next time. Many animals are interested in any allergies,

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Speaker 1: you know, just so we're okay, sorry, it's all good.

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Speaker 1: It's just you know, if someone might die because of

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Speaker 1: the catalogies. Sure, I don't. I'm not allergic, but I don't.

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Speaker 1: I don't like finding out a person had cats in

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Speaker 1: their purse. Okay, o, bro, let's just hang for a bit,

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Speaker 1: you know, let's just hang. You know, we're good. Cool. Yeah,

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Speaker 1: now that's that's a resolution. That's excuse me. Is that

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Speaker 1: a service animal because we don't allow them in the

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Speaker 1: coffee shop. It's a yeah, it's a service animals service

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Speaker 1: and you've been keeping it's been servicing you in your purse. Um, yes,

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Speaker 1: all right, all right, and it's doing that by calming

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Speaker 1: me down, I feel so calm Okay, shame on you,

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Speaker 1: Shame on you, sir, sir. Is there a problem, No,

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Speaker 1: there's not a problem, okay, boss a license for the

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Speaker 1: service animal. There's no support group that comes in all

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Speaker 1: the time. I mean, we we buy a lot of

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Speaker 1: coffee up, but it seems like there's a problem. There's

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Speaker 1: no way that she has a cat service animal in

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Speaker 1: her purse. Let me see that that's a real cat, ma'am.

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Speaker 1: It is a real cat. That grandco for the hound

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Speaker 1: for the hound? Wait to hound is here? Yes, suppose luias?

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Speaker 1: What's written under cappuccino? Thank you? Excuse me? Excuse me?

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Speaker 1: Is your name the hound? Do you buss rehound? Yeah?

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Speaker 1: I'm so started this, but this is a support group

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Speaker 1: for people with very specific names and sport group for

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Speaker 1: people with specific names. My name is sneak plus skin.

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Speaker 1: I'm I'm Oprah. Well specifically TV names except for Crosby Stills,

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Speaker 1: imp he spound it, Nannish alf I kill me? Yeah,

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Speaker 1: God blessed that. That sounds awful. Did you want to

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Speaker 1: talk about it? Or what do you want to talk

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Speaker 1: about it? Do I want to talk about? What about

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Speaker 1: your guys problems? Well down, My name is Dowund. It's

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Speaker 1: a family name. It's uh, seems like you're in denial

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Speaker 1: about this being problematic. Denial is my mom? Maybe your

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Speaker 1: mom wants to come to the support group too. What's

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Speaker 1: going on? Does it feel like we're hounding you right now? Um, like,

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Speaker 1: I got my coffee already and before I mean, just

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Speaker 1: don't you sure you don't want to just talk about

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Speaker 1: your name and how weird it is? And my name

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Speaker 1: is not weird. Okay, my name is Down. Are you right?

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Speaker 1: Have you ever met another dound? You know, a couple

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Speaker 1: here and there where he's bluffing you never met another mom? Dad?

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Speaker 1: After things didn't work out with tonight, I met this

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Speaker 1: other man and he's the love of my life. I'm

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Speaker 1: going to spend the rest of my life with him.

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Speaker 1: His name's Down. Oh Jesus Christ, what was the problem.

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Speaker 1: It's just that every week there's a new man coming

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Speaker 1: in here. She made him at Starbucks. I don't understand

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Speaker 1: what's going I mean, I don't even have to pay

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Speaker 1: for any dating appsucks? Is this because I'm six ft

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Speaker 1: eight and horrendously deformed? That until? I love that about you?

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Speaker 1: Your unique half of my face is burned off? Oh

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Speaker 1: I hadn't even I couldn't even noticed. There's no way

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Speaker 1: I didn't even see it. But yeah, how that happened

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Speaker 1: to your face? I was born this way, singed, I

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Speaker 1: was born singed. Yes, what a horrible Basically, he kidnapped

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Speaker 1: me from Starbucks, and we went on this long journey

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Speaker 1: on his horse, and then I fell in love with him.

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Speaker 1: You know when you're and the doctor burns your foot

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Speaker 1: accidentally to no, no, not at all. It's really romantic.

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Speaker 1: And that's why I'm interducing. And the doctor accidentally burned

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Speaker 1: my face and say, why where is there fire at

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Speaker 1: the ball? Right? You're taking all the mystery out of

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Speaker 1: our romance, all these questions. Hey brother, it's spent a while.

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Speaker 1: Hello brother, it's me to mountain. Don't make me stake.

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Speaker 1: I just thought you didn't recognize it for a minute there.

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Speaker 1: That would be just like you, wouldn't it. How's mom

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Speaker 1: still a river in Egypt? Still is? I have one

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Speaker 1: sprite when coke? Sorry, don't you ever get it confused again?

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Speaker 1: So I thought you died. I can't kill me, bro,

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Speaker 1: I'll keep coming at you, all right. You've set up

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Speaker 1: Jesus Christ. Jesus Christ. You know you've got to make

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Speaker 1: sure you get the drinks white when you go to

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Speaker 1: the tables. I know, I'm sorry, I just you know

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Speaker 1: what You're fired. Get out of here. Nobody ever wants

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Speaker 1: to see you again. Good luck fighting a group that

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Speaker 1: will support you. Mom, Dad, I met this man this week.

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Speaker 1: He's wonderful, he's got the last But this is Jesus Christ.

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Speaker 1: What's up? How are you? Is there a place I

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Speaker 1: can smoke? Oh? You smoke? Yeah? You smoke. Well. I

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Speaker 1: will allow a lot of things in my house, but

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Speaker 1: I do not Melissa. His his penis rings hanging out?

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Speaker 1: I know, isn't that unique? See you've date You've dated

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Speaker 1: three guys after me, and then none of them worked out.

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Speaker 1: So don't you want to come back home? Yeah? I

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Speaker 1: guess I'm stuck. My dog's novel got published. Boy can

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Speaker 1: go home and practice spelling for one alright. Seene two

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Speaker 1: is from Conrad, who wrote, Hello, I love the show.

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Speaker 1: Every time I think I've decided which one of you

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Speaker 1: is the funniest or most clever, I changed my mind

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Speaker 1: because you're also good. I want to think James is

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Speaker 1: the least talented. Why why did you read that? Around? Kevin? Kevin?

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Speaker 1: He gives me these things to right. I want to

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Speaker 1: thank James at least talented, because he seems to take

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Speaker 1: the most abuse from the rest of you. But then

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Speaker 1: he'll always come up with a genius improvisation that proves

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Speaker 1: me wrong, wrong, adventure Crosbie Stilson that sent there was

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Speaker 1: a trip to Mortar and back. Anyway, I'm in the

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Speaker 1: construction field and I think there could be something very

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Speaker 1: funny happening in that world. And then he gave some

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Speaker 1: examples that were too detailed. According together came up the

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Speaker 1: good work Conrad. Alright, so I'm just gonna lay out

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Speaker 1: the cement. Uht's just there, and then, uh, where's the

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Speaker 1: elevator in the center? All right, tape it off? Yeah,

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Speaker 1: you know what, get us get him group meaning real

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Speaker 1: quick or group mating rooms real quick here all right, Yeah,

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Speaker 1: just so we're clear, the elevator's gonna go on the center.

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Speaker 1: We don't have a picture. Hang on a minute. We're

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Speaker 1: just guessing this week, go on, what this place is

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Speaker 1: gonna be like? It's it's like a committee. Ain't you

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Speaker 1: got blueprint? I got blueprints? But I just want to

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Speaker 1: just make sure everyone's okay with the blueprint. Blue brother.

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Speaker 1: I the personal drawing, and you know, I just don't

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Speaker 1: want to. You know, it's just showed. Why are you

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Speaker 1: personal drawling? Yeah, it's a personal drawing. The blueprints? Would

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Speaker 1: you drawing them? The thing? The thing looks like rest Harper.

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Speaker 1: Once you drawing in blueprints? What personal things? You drawing

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Speaker 1: this blue something? Get in my pocket? Damn it there, okay, okay,

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Speaker 1: what's stupid? Is stupid? Let me get it back. That's amazing.

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Speaker 1: I've never seen a naked lady like that. Yeah, it's

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Speaker 1: so artistic. I've never seen a naked lady. That's exactly

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Speaker 1: what they look like like. That's real artistic. Whoa, it's nothing,

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Speaker 1: it's just building her up in the center. Yes, wow, wow,

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Speaker 1: you got this proof by the city. Yeah, clip the Jeff.

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Speaker 1: Let's see your plans here. Here they are and then

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Speaker 1: it's just a rough outline. Are you all right, sir

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Speaker 1: your wedding. Yeah, it's just a very personal project. And

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Speaker 1: I want to make sure that I need to call

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Speaker 1: my supervisor over. Yea, we are going to need our supervisor.

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Speaker 1: Problem with you here? It's not just the elevator, my god,

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Speaker 1: well the cement is going to go right right here?

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Speaker 1: What's going on? Why are you bothering me? I'm so sorry.

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Speaker 1: Sorry to be only an emergency. Absolutely. Do you know

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Speaker 1: you said not to come in here unless we had

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Speaker 1: something that would give you an architecture hard on right, Yes,

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Speaker 1: we'll take a look at this. Who designed this? His

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Speaker 1: name is Chow Chowed. That's his first name. Period. Hold child,

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Speaker 1: you need to get in some sort of support group

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Speaker 1: for that. Anyways, the name, it's not about the name.

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Speaker 1: He's in my office right now. That's how he signed

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Speaker 1: the drawing. Excuse me? Are you? Are you Chowed? I am?

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Speaker 1: Are you someone's father? Not that I know of, but

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Speaker 1: you know it could be. Yeah, can I help you

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Speaker 1: with something? Or I was just looking at your blueprints. Dang,

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Speaker 1: and they're rough. They're rough. So the elevator is gonna

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Speaker 1: go in the middle, and it's gonna go it's gonna

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Speaker 1: go right at the middle, at the middle, and then

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Speaker 1: there's gonna be cement in a line. If I show

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Speaker 1: you the please. I know how to read blueprints. I've

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Speaker 1: been in the construction field a long time, but nothing

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Speaker 1: has given me an architectural hard on like this. Uh huh?

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Speaker 1: What do you need? Um? I yes, just materials and

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Speaker 1: a crack team that loves democracy. You've got it, Thank you.

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Speaker 1: This city is going to get behind you. Thank you.

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Speaker 1: Any permit is going to go forward, and any problem

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Speaker 1: you get from the press. Yeah, yeah, Look, I don't

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Speaker 1: want to throw a monkey ranch and everything. But uh,

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Speaker 1: just because you drew a picture of naked lady on

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Speaker 1: the blueprints, now we got to build a giant naked

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Speaker 1: lady with an elevator up the middle. NBC, get her

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Speaker 1: out of here. Sorry, we were supposed to handle that.

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Speaker 1: This building. What's this going to be. It's a passion project.

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Speaker 1: It's going to be something beautiful. Wait a second. No,

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Speaker 1: I've never seen a naked lady in real life before,

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Speaker 1: but Sonia looks like she could be the naked lady.

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Speaker 1: Let me see. Are there blueprints for this? What's going on? Private? Private?

349
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Speaker 1: Oh my god, it's just a rough draw. I mean

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Speaker 1: the elevator goes right up the middle. Yeah, there's cement.

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Speaker 1: I'm telling you, the way that they're describing is exactly

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Speaker 1: how Sonya looks. I think Sonia is a lady in

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Speaker 1: the bullprint. Think you're right. This picture does look just

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Speaker 1: like Sonya. She does have someement under her feet right now. Um,

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Speaker 1: it's it's you. Look familiar. I am used to work

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Speaker 1: on the same cruise as you. Chode. Yeah, yeah, it's me. Wow. Yeah,

357
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Speaker 1: I'm a reporter now big time. I cover all the buildings.

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Speaker 1: I can get any city permit. I want to build.

359
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Speaker 1: I'm a builder now, I work in the field. Well

360
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Speaker 1: this I was going to do a big expose about this,

361
00:23:47,800 --> 00:23:54,200
Speaker 1: but it looks like, um, something even more exposing is happening. Yeah, um,

362
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Speaker 1: he's gonna lay this Rebard down, Joe, Okay, yeah, that's caer.

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Speaker 1: Uh well, I was like, I was thinking that we'd

364
00:24:02,040 --> 00:24:06,399
Speaker 1: actually have a yarn yarn yep, just just hundreds of

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Speaker 1: bales of yarn just thrown over the side. And of

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Speaker 1: course the head will be an observation deck, like like

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Speaker 1: the Statue of Liberty. Yes, so, uh so, just for

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Speaker 1: funding wise, I think I want to thank the board

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Speaker 1: for being here and uh thank you so much, sir

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Speaker 1: for for coming here. And uh so, if we can

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Speaker 1: all just take a look at the uh back whatever

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Speaker 1: here and you'll see just this, this is a rendering

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Speaker 1: of what it's gonna look like in a a three dimensional model.

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Speaker 1: I have a question for you. Yes, I mean, look,

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Speaker 1: as the representative of the of the uh the religious

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Speaker 1: community here in town, it looks like that elevator, uh

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Speaker 1: that goes up the middle. Do I have to say

378
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Speaker 1: what it looks like? I can if you want me to.

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Speaker 1: I don't want to have to whether the design needs

380
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Speaker 1: to be sleek. It looks like it's sleekily fucking here

381
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Speaker 1: is what it looks like. Okay, I mean as someone

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Speaker 1: who represents the religious community. Yeah, I think you'll you'll

383
00:24:55,960 --> 00:24:59,480
Speaker 1: understand the efficiency and you know, the bigger the elevator shaft,

384
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Speaker 1: the closer to Also, just the buildings can't have intercourse,

385
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Speaker 1: well not until they're married. Buildings just not not even

386
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Speaker 1: you can. You can love a building, honey, but it's

387
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Speaker 1: not gonna love your back. And that is why I've

388
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Speaker 1: not seen a naked lady, because I'm from the religious

389
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Speaker 1: community in this local area. I've seen you. Yeah, Hi,

390
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Speaker 1: I never asked your name. I didn't care. Why are

391
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Speaker 1: you building me? Why are you building me? Jody? There's

392
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Speaker 1: the only way I thought I would ever see you again.

393
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Speaker 1: What if what a beacon you've put in this town?

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Speaker 1: I figured, how if if there's one thing I can do,

395
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Speaker 1: it's build a building. And that's why didn't you call

396
00:25:38,080 --> 00:25:44,280
Speaker 1: After the cruise back to Carnival cruise that oh ship,

397
00:25:44,440 --> 00:25:47,280
Speaker 1: it's just one number off. I don't know her number,

398
00:25:47,280 --> 00:25:49,639
Speaker 1: and we're stuck on the cruising. The women that paper

399
00:25:50,119 --> 00:25:53,080
Speaker 1: wait wait wait wait wait wait oh god, oh god,

400
00:25:53,600 --> 00:25:55,520
Speaker 1: oh god, you ate that piece of baby. There was

401
00:25:55,520 --> 00:25:59,840
Speaker 1: a number on it. Good God, bad? Why don't you

402
00:26:00,160 --> 00:26:01,800
Speaker 1: Why didn't you do that? Why did you do that

403
00:26:01,840 --> 00:26:06,120
Speaker 1: little with my life? That is he still on the boat. Yeah,

404
00:26:06,160 --> 00:26:17,240
Speaker 1: but it's the most huge carnival cruise feeling said, why

405
00:26:17,280 --> 00:26:22,000
Speaker 1: are you cut back? I fell off the boat and

406
00:26:22,080 --> 00:26:23,400
Speaker 1: I didn't know if I was ever going to see

407
00:26:23,440 --> 00:26:27,680
Speaker 1: anybody again. Oh and yet we've ended up in the

408
00:26:27,720 --> 00:26:32,679
Speaker 1: same small town and you're building me. What are the chances?

409
00:26:32,920 --> 00:26:35,880
Speaker 1: What is the elevator mean, Jode, it's just the way

410
00:26:35,880 --> 00:26:40,159
Speaker 1: to get up. Mrs as Quis. We can't run your story?

411
00:26:40,480 --> 00:26:43,240
Speaker 1: Why not you become the story. It's the first rule

412
00:26:43,280 --> 00:26:47,199
Speaker 1: of journalism. I'm too close, you're too close. Why are

413
00:26:47,240 --> 00:26:50,359
Speaker 1: you going to run instead? Stupid thing about the pony

414
00:26:50,480 --> 00:26:54,840
Speaker 1: that looks like a donkey? Been working on that for

415
00:26:54,840 --> 00:27:00,159
Speaker 1: seven years. It's stupid, Ted, No one cares to But

416
00:27:00,280 --> 00:27:02,680
Speaker 1: you've seen a drunk and you've seen ay and just

417
00:27:02,720 --> 00:27:04,600
Speaker 1: look the same. You have to run this story. You

418
00:27:04,640 --> 00:27:10,000
Speaker 1: have to run this second. Oh then kill me. Well,

419
00:27:10,040 --> 00:27:12,320
Speaker 1: there's an in between. I've got a thank you. I

420
00:27:12,400 --> 00:27:14,760
Speaker 1: think that's pretty extreme. Just kill me, all right? Guys.

421
00:27:14,760 --> 00:27:18,440
Speaker 1: So now this is exciting. We're almost done. Sandra's gonna

422
00:27:18,440 --> 00:27:22,280
Speaker 1: be here any minute. All right, I gotta put your top.

423
00:27:22,800 --> 00:27:26,760
Speaker 1: She she should be here by now. Good work was

424
00:27:26,800 --> 00:27:33,480
Speaker 1: the nostrils? Are you just fantastic for a compliment? Are

425
00:27:33,520 --> 00:27:35,679
Speaker 1: you great? You know when I started out in this business, kid,

426
00:27:35,760 --> 00:27:39,800
Speaker 1: they said, never make a building for a lady, Make

427
00:27:39,840 --> 00:27:43,400
Speaker 1: it for a city. Why are you telling me this now?

428
00:27:44,440 --> 00:27:47,600
Speaker 1: Because i'm your dad? What you are a dad? Oh

429
00:27:47,680 --> 00:27:52,840
Speaker 1: my gosh, you're my dad. Yes, this is time to celebrate.

430
00:27:52,880 --> 00:27:55,840
Speaker 1: I'm rending with my papa, and Sandra's gonna be here

431
00:27:55,880 --> 00:27:59,719
Speaker 1: any second, extra extra, read all about it? A pony

432
00:27:59,800 --> 00:28:04,439
Speaker 1: that looks like a horse. Also journalist Sandra Vasquest murdered

433
00:28:04,440 --> 00:28:06,959
Speaker 1: by her editor. Wait a pony? It looks like a

434
00:28:06,960 --> 00:28:10,240
Speaker 1: horse or a donkey? Hey? I wrote this story the

435
00:28:10,240 --> 00:28:12,400
Speaker 1: Sandra part. We should be focusing on the Sandra park.

436
00:28:12,800 --> 00:28:15,880
Speaker 1: Oh my go she died, she murdered. The picture makes

437
00:28:15,920 --> 00:28:23,560
Speaker 1: a little opponent looks like a donkey head. The building's canceled.

438
00:28:23,880 --> 00:28:29,119
Speaker 1: God damnit, Telly ran the rock story. I wrote him backwards.

439
00:28:30,440 --> 00:28:33,520
Speaker 1: We're gonna have to print a retraction. Can I write it?

440
00:28:34,680 --> 00:28:40,720
Speaker 1: All right? Okay? Do you have a pen? Use your laptop? Right? Hey, hey,

441
00:28:40,880 --> 00:28:47,040
Speaker 1: you're the editor in charge. That's right. Did you murder Sandra? Well, yes,

442
00:28:47,240 --> 00:28:50,400
Speaker 1: I believe I got my story correct. Who the hell

443
00:28:50,440 --> 00:28:56,080
Speaker 1: are you? I'm I'm just writing a retraction on my lap. Okay,

444
00:28:56,240 --> 00:29:04,480
Speaker 1: his lips are huge. All right. That's another story, Jesus.

445
00:29:05,200 --> 00:29:07,960
Speaker 1: And that's and that's the story of the beautiful lady

446
00:29:07,960 --> 00:29:12,560
Speaker 1: building in the middle of our town. Wow, that's that's

447
00:29:12,600 --> 00:29:16,960
Speaker 1: really disturbing. Why why did she have to die? Well

448
00:29:17,080 --> 00:29:19,479
Speaker 1: she if she hadn't died, this building would have never

449
00:29:19,520 --> 00:29:24,479
Speaker 1: been made. Right. True love doesn't survive the buildings, do

450
00:29:24,960 --> 00:29:26,520
Speaker 1: I don't know. You want to take the elevator straight

451
00:29:26,600 --> 00:29:30,800
Speaker 1: up through the middle. Not with you, dad? You got

452
00:29:30,920 --> 00:29:37,320
Speaker 1: changed for an old architect guy builder? Sorry, pal, No, No,

453
00:29:37,400 --> 00:29:44,959
Speaker 1: we're in the future. Nobody has changed. So I'm so sad. Well,

454
00:29:45,000 --> 00:29:48,000
Speaker 1: you said you're an old architect. You didn't do this building,

455
00:29:48,000 --> 00:29:52,920
Speaker 1: did you? Yeah? I did. I did. It's such a

456
00:29:52,960 --> 00:29:58,880
Speaker 1: great multi use space. No, your true love died murdered

457
00:29:59,320 --> 00:30:01,760
Speaker 1: at an office the thigh for a while. Yeah. Now

458
00:30:01,760 --> 00:30:05,480
Speaker 1: they're just all stores stores you need, uh? I Like,

459
00:30:07,440 --> 00:30:09,680
Speaker 1: let's tell you some kid, They'll never fall in love.

460
00:30:09,920 --> 00:30:11,760
Speaker 1: Can you tell me a few feetback because your breast

461
00:30:11,800 --> 00:30:20,320
Speaker 1: mouth does it? Like? Like I want to take my

462
00:30:20,360 --> 00:30:22,560
Speaker 1: kid up to the observation deck. I don't want to

463
00:30:22,600 --> 00:30:24,959
Speaker 1: do that with your dad. I'll go by myself. How

464
00:30:24,960 --> 00:30:28,880
Speaker 1: about me and you go? Sure? Why not? I'll just

465
00:30:28,920 --> 00:30:32,320
Speaker 1: wait down here? Okay, hopefully no we kidnaps me. All right?

466
00:30:32,440 --> 00:30:35,200
Speaker 1: Watch my blanket. Here, here's the car, get yourself, pair

467
00:30:35,280 --> 00:30:45,400
Speaker 1: bugs done well. The yarn really didn't protect the observation deck.

468
00:30:47,560 --> 00:30:50,800
Speaker 1: It didn't stand up to the weather. I like, man,

469
00:30:50,920 --> 00:30:58,200
Speaker 1: broste what a witness to my dad? What? No, don't

470
00:30:58,240 --> 00:31:00,800
Speaker 1: do it. There's so much to live for. What you

471
00:31:00,960 --> 00:31:03,800
Speaker 1: built a beautiful naked lady. You know it's the most

472
00:31:03,920 --> 00:31:06,200
Speaker 1: notable thing in this town. And then they killed her

473
00:31:06,280 --> 00:31:08,520
Speaker 1: for it. I can still smell your breath all the

474
00:31:08,520 --> 00:31:13,200
Speaker 1: way down here, A beautiful kid. I do you know

475
00:31:13,200 --> 00:31:18,600
Speaker 1: what love is? I guess yeah. Look, you get so

476
00:31:18,640 --> 00:31:20,560
Speaker 1: much to live for. Build another building. I don't know

477
00:31:20,600 --> 00:31:22,960
Speaker 1: if there's an empty lot across the street, build a

478
00:31:23,040 --> 00:31:26,160
Speaker 1: naked guy. I just got this stupid dry it's nothing.

479
00:31:26,720 --> 00:31:33,640
Speaker 1: Let me take that. Wow, it's nothing, stupid. Oh sorry,

480
00:31:33,680 --> 00:31:41,840
Speaker 1: sorry about that. Wait, So your name's down. Yeah, that's right. Okay,

481
00:31:41,840 --> 00:31:45,840
Speaker 1: I'll go with you. My name's Are you are? Yeah?

482
00:31:45,920 --> 00:31:49,840
Speaker 1: That's interesting? Are you? Are you Clark? Are you a clerk?

483
00:31:50,080 --> 00:32:06,840
Speaker 1: All right? Guy? Our last seed for today is from Carson,

484
00:32:06,920 --> 00:32:10,040
Speaker 1: who wrote, Hey, guys, like everyone else, my also boring,

485
00:32:10,120 --> 00:32:12,880
Speaker 1: our drive to school as hell without your angelic voices.

486
00:32:13,400 --> 00:32:15,880
Speaker 1: I have a see for y'all regarding my own living situation.

487
00:32:16,240 --> 00:32:18,880
Speaker 1: My boyfriend's mother left the house to him and my

488
00:32:18,960 --> 00:32:21,640
Speaker 1: friends and I moved in. We're early twenties, all of

489
00:32:21,720 --> 00:32:24,720
Speaker 1: varying races and more guys than girls. I'd love to

490
00:32:24,720 --> 00:32:27,120
Speaker 1: hear conversations and arguments you think would happen in a

491
00:32:27,120 --> 00:32:30,920
Speaker 1: house full of nerds, weirdos and a feeder kid. Thanks

492
00:32:30,920 --> 00:32:35,200
Speaker 1: for the last Carson Lankston from Greenville, South Carolina. I

493
00:32:35,200 --> 00:32:39,040
Speaker 1: mean check off is actually a comedic writer. In case

494
00:32:39,040 --> 00:32:42,320
Speaker 1: you weren't totally aware, Um, yeah, if you think boring

495
00:32:42,400 --> 00:32:45,160
Speaker 1: things are funny, I don't think boring things are funny,

496
00:32:46,720 --> 00:32:51,840
Speaker 1: you said, I don't think boring things are funny. Oh, so,

497
00:32:51,880 --> 00:32:54,480
Speaker 1: like if there's a gun that's hanging on the wall

498
00:32:54,680 --> 00:32:57,040
Speaker 1: in the first act that it's going to be used

499
00:32:57,040 --> 00:33:01,400
Speaker 1: by the end of the play. Hilarious. Right, yeah, but Alison,

500
00:33:01,440 --> 00:33:05,160
Speaker 1: the trivial pursuit question was who plays number thirty four

501
00:33:05,200 --> 00:33:08,640
Speaker 1: for the Lakers? Okay, I'm just trying to teach you things. Okay.

502
00:33:09,000 --> 00:33:11,400
Speaker 1: I have a lot of information in my head about

503
00:33:11,480 --> 00:33:15,120
Speaker 1: theater specifically. Okay, so somebody else has to roll. Here

504
00:33:15,160 --> 00:33:19,760
Speaker 1: we go, all right with me? Sixteen? How many dice

505
00:33:19,840 --> 00:33:22,960
Speaker 1: did you roll? Three dice? Did you just say? Mama,

506
00:33:23,040 --> 00:33:31,840
Speaker 1: Mia sixteen said someone moved me? Six Oh I heard mama. Everything. Okay, here,

507
00:33:31,960 --> 00:33:36,240
Speaker 1: let me. Did someone take my kimono? I did not.

508
00:33:36,400 --> 00:33:38,560
Speaker 1: I don't know if I went too. I did, I

509
00:33:38,600 --> 00:33:42,240
Speaker 1: took it? What did you do with it? I'm using

510
00:33:42,240 --> 00:33:45,600
Speaker 1: it in a performance of Madam Butterfly. You have to

511
00:33:45,640 --> 00:33:47,920
Speaker 1: ask me before you can take my kimona. Okay, Well,

512
00:33:47,960 --> 00:33:50,400
Speaker 1: I'm sorry. I just wanted to borrow it. Well, you

513
00:33:50,840 --> 00:33:53,640
Speaker 1: have to. That's stealing unless you ask. Okay, next time

514
00:33:53,640 --> 00:33:56,560
Speaker 1: I'll ask. Listen, I'm just gonna break it. I'm going

515
00:33:56,600 --> 00:33:59,600
Speaker 1: to break it to you. You don't fit in. Everything

516
00:34:00,040 --> 00:34:04,320
Speaker 1: you do is about theater and about plays, and I'm

517
00:34:04,320 --> 00:34:07,840
Speaker 1: like Shakespeare. I don't fit in. I'm like Shakespeareously you

518
00:34:07,920 --> 00:34:11,840
Speaker 1: don't like Why can't you just really live a real life. Yeah,

519
00:34:11,920 --> 00:34:14,520
Speaker 1: we've just been living here, a normal real life. It's

520
00:34:14,560 --> 00:34:20,680
Speaker 1: not all drama and Madam Butterfly and Shakespeare. Okay. Harry

521
00:34:20,680 --> 00:34:25,800
Speaker 1: Potter fan. Yeah, you know who's a Harry Potter fan? Everyone? Everyone,

522
00:34:25,920 --> 00:34:29,200
Speaker 1: everyone's Harry Potter fan. We've all taken the quiz house.

523
00:34:29,280 --> 00:34:31,360
Speaker 1: Did you get when you took the quiz that the

524
00:34:31,440 --> 00:34:37,000
Speaker 1: sorting hat didn't even know what to do? Raven Claw

525
00:34:37,360 --> 00:34:41,600
Speaker 1: of course, the one that nobody knows anything about. Okay,

526
00:34:41,920 --> 00:34:49,000
Speaker 1: they're loyal. Also, the stage version is in Cannon. So

527
00:34:49,040 --> 00:34:52,279
Speaker 1: are you're looking for another house? Yeah? All right, let

528
00:34:52,320 --> 00:34:55,000
Speaker 1: me see what I can't get you some set up here? Uh,

529
00:34:55,480 --> 00:34:58,920
Speaker 1: what are your likes and dislikes? Um, my likes our theater,

530
00:34:59,239 --> 00:35:03,040
Speaker 1: my dislikes our real life. Okay, it's gonna be hard

531
00:35:03,080 --> 00:35:06,520
Speaker 1: to match up. Why is that hard? Because you live

532
00:35:06,520 --> 00:35:08,520
Speaker 1: in a fake world? All right, you don't live in

533
00:35:08,520 --> 00:35:11,160
Speaker 1: the ground of real world. Okay, but like isn't the

534
00:35:11,200 --> 00:35:13,960
Speaker 1: fake world. But we're all aspiring towards No, I'm trying

535
00:35:13,960 --> 00:35:16,680
Speaker 1: to pay rent, all right, I'm trying to live my life.

536
00:35:17,080 --> 00:35:19,560
Speaker 1: But you don't have fantasies. I got fantasies. He of course,

537
00:35:19,600 --> 00:35:21,720
Speaker 1: I do. Tell me about your fantasy, your child. I can't.

538
00:35:21,920 --> 00:35:28,160
Speaker 1: You can't. I feel uncofortable bringing them up, honestly, pull

539
00:35:28,239 --> 00:35:36,480
Speaker 1: my tail. Okay, I got the lid of fox or

540
00:35:36,520 --> 00:35:38,399
Speaker 1: do you think I hid the ham? Huh? I don't

541
00:35:38,400 --> 00:35:42,640
Speaker 1: know where the ham is. Just into my human fox

542
00:35:42,680 --> 00:35:46,840
Speaker 1: eyes and tell me. Don't like Well, I know you're

543
00:35:46,880 --> 00:35:50,480
Speaker 1: looking for a new place, but there's not really any

544
00:35:50,520 --> 00:35:53,840
Speaker 1: apartment under the upper house. But I can make it

545
00:35:53,880 --> 00:35:57,520
Speaker 1: into a livable space. I mean it's it's it's really

546
00:35:57,520 --> 00:36:02,120
Speaker 1: just nothing but old storage. Do you come with it? Uh?

547
00:36:02,160 --> 00:36:05,160
Speaker 1: Are you part of living space? Well? I work here

548
00:36:05,160 --> 00:36:07,360
Speaker 1: on the else. Take care of you underneath, because you

549
00:36:07,360 --> 00:36:10,759
Speaker 1: are a character, like you're a real character. Is it's

550
00:36:10,760 --> 00:36:13,759
Speaker 1: a scar on my face in the voice? Al right?

551
00:36:13,840 --> 00:36:16,480
Speaker 1: Well that's very sweet, sweet, But I work here. So

552
00:36:16,520 --> 00:36:18,520
Speaker 1: if you need anything, you just earlier you let me know.

553
00:36:18,640 --> 00:36:22,799
Speaker 1: I need something, not immediately. Need love. You need love.

554
00:36:22,840 --> 00:36:25,960
Speaker 1: I need love. You are in the city for it,

555
00:36:26,080 --> 00:36:28,960
Speaker 1: my dear, you're going to I guess we can put

556
00:36:28,960 --> 00:36:32,360
Speaker 1: a cut down here. Maybe. Oh sure, that sounds romantic

557
00:36:33,320 --> 00:36:37,359
Speaker 1: as a cot for two, I said for two. Yeah,

558
00:36:37,640 --> 00:36:42,040
Speaker 1: I heard what you said. It translates I don't. I

559
00:36:42,080 --> 00:36:44,560
Speaker 1: don't know if I don't know what you're looking for. Actually,

560
00:36:44,800 --> 00:36:48,040
Speaker 1: I literally said, I'm looking for love. I need it.

561
00:36:48,120 --> 00:36:50,520
Speaker 1: But why are you looking at me like that? Well

562
00:36:50,520 --> 00:36:52,480
Speaker 1: you're just so interesting. You're like no other man I've

563
00:36:52,520 --> 00:36:57,600
Speaker 1: ever seen in real life. Ah, so this is a

564
00:36:57,640 --> 00:37:01,040
Speaker 1: speed debt. I'm not have do this before. You say

565
00:37:01,080 --> 00:37:07,279
Speaker 1: your apartment is just two letters? Correct, art Town? Yes,

566
00:37:07,360 --> 00:37:11,200
Speaker 1: that's correct. And I would love for you to wear

567
00:37:11,320 --> 00:37:16,240
Speaker 1: this sack to be the paper boy. Yeah, this sack

568
00:37:16,280 --> 00:37:22,560
Speaker 1: of mail. You're the newspaper boy from art different personal,

569
00:37:22,760 --> 00:37:29,400
Speaker 1: different person, Okay, new person I was Please, are not

570
00:37:29,480 --> 00:37:34,520
Speaker 1: two for six or one? I'm looking for a roommate.

571
00:37:35,239 --> 00:37:39,960
Speaker 1: Oh I'm looking for love. We're looking for love. Oh sorry,

572
00:37:39,400 --> 00:37:47,799
Speaker 1: but I'll take a roommate too. I really need roommate. Okay, well,

573
00:37:48,440 --> 00:37:51,920
Speaker 1: my real parents are probably still looking for me. I

574
00:37:52,200 --> 00:37:56,360
Speaker 1: got a feeling all about you. Wow, I gosh, you

575
00:37:56,360 --> 00:38:00,439
Speaker 1: you seem great. Oh that's my tomb dog. I love

576
00:38:00,560 --> 00:38:05,200
Speaker 1: dogs and sandy. Do you know I just guessed? Okay,

577
00:38:05,280 --> 00:38:10,040
Speaker 1: that's it. Find someone to find someone that's a detective.

578
00:38:10,480 --> 00:38:15,400
Speaker 1: Find someone else. Someone need a detective. Oh no, I

579
00:38:15,400 --> 00:38:21,000
Speaker 1: need someone else. Pardon me, I had the tangtes this

580
00:38:21,200 --> 00:38:23,440
Speaker 1: good day, the detective. I'm on the beat. Did you

581
00:38:23,440 --> 00:38:26,640
Speaker 1: need me? Who is that woman? I don't know. It's

582
00:38:26,640 --> 00:38:28,640
Speaker 1: a case to be solved. I figured out that doctor

583
00:38:28,719 --> 00:38:33,879
Speaker 1: fifteen seconds. Who are you, Hi, I'm beautiful Kamana. Oh

584
00:38:33,920 --> 00:38:37,600
Speaker 1: thank you. I'm looking for love in all the right places.

585
00:38:39,000 --> 00:38:41,480
Speaker 1: Sounds like a mystery. We can get to the bottom of. Wow,

586
00:38:41,960 --> 00:38:47,160
Speaker 1: I think so too. How do you feel about sharing space? Thing? Okay,

587
00:38:47,160 --> 00:38:50,640
Speaker 1: that's it. I look, everyone you met today are people

588
00:38:50,719 --> 00:38:53,200
Speaker 1: that you can talk to later. That's it, all right,

589
00:38:53,400 --> 00:38:57,960
Speaker 1: So we understand. Yeah, I do not understand anything. It's

590
00:38:57,960 --> 00:39:01,719
Speaker 1: pretty straightforward. You get Yeah, I'm not a producer for

591
00:39:05,320 --> 00:39:11,200
Speaker 1: I didn't know, says okay, we understand it. Yes, all right.

592
00:39:11,280 --> 00:39:14,200
Speaker 1: Look you seem interesting to me. You seem like a

593
00:39:14,239 --> 00:39:16,480
Speaker 1: real character. You seem like somebody I could really relate to.

594
00:39:16,880 --> 00:39:19,200
Speaker 1: I don't know. Okay, I come here to this country

595
00:39:19,200 --> 00:39:24,600
Speaker 1: make work, all right? You make I make work? I do.

596
00:39:24,920 --> 00:39:30,880
Speaker 1: Then I just hang around the glove. I don't know

597
00:39:31,239 --> 00:39:36,319
Speaker 1: what to do, so I saying Hi, I'm sorry. I'm

598
00:39:36,400 --> 00:39:39,840
Speaker 1: Cameron Macintosh, Broadway producer. I was just wandering by and

599
00:39:39,880 --> 00:39:41,480
Speaker 1: I heard your little diddy and i'd like to develop

600
00:39:41,520 --> 00:39:44,799
Speaker 1: it into a three and a half hour show. Why

601
00:39:44,800 --> 00:39:48,960
Speaker 1: are you, sir? I literally said, I'm Cameron McIntosh, Broadway producer.

602
00:39:49,160 --> 00:39:53,399
Speaker 1: We just went through this McIntosh computer sure, yes, okay,

603
00:39:53,400 --> 00:39:57,960
Speaker 1: I work with your computer boy. Okay, great, So we're

604
00:39:58,000 --> 00:39:59,960
Speaker 1: gonna go take this and we're gonna twutter around. Want

605
00:40:00,000 --> 00:40:03,320
Speaker 1: they're small, little stages, make it bigger? Fine? Whatever do

606
00:40:03,360 --> 00:40:06,360
Speaker 1: you pay? Yeah, that's the idea. Yes, okay, good, I

607
00:40:06,480 --> 00:40:10,160
Speaker 1: do it for money? Yuh, well wait a second, do

608
00:40:10,200 --> 00:40:12,200
Speaker 1: it for money? Nobody does theater for money? Oh, so

609
00:40:12,400 --> 00:40:14,880
Speaker 1: you're back. You didn't find true love out there? Now,

610
00:40:14,960 --> 00:40:17,680
Speaker 1: but I had an adventure. Well we got a new roommates,

611
00:40:17,760 --> 00:40:22,200
Speaker 1: there's no longer no vacancy. Well, I need, I need,

612
00:40:22,440 --> 00:40:25,400
Speaker 1: I need to live somewhere. This reminds me of this

613
00:40:25,440 --> 00:40:29,480
Speaker 1: Neil Simon play that I love. This person gets kicked out,

614
00:40:29,480 --> 00:40:30,799
Speaker 1: but then they show back up and they're like, hey,

615
00:40:30,840 --> 00:40:32,120
Speaker 1: can I live here? And then the people who are

616
00:40:32,120 --> 00:40:34,400
Speaker 1: living there like, yeah, of course you can live. We

617
00:40:34,480 --> 00:40:39,719
Speaker 1: heard him grown. It's a comedy. Can places I'll do

618
00:40:39,760 --> 00:40:45,440
Speaker 1: that come in spoiling if if she's back, then the

619
00:40:45,719 --> 00:40:48,200
Speaker 1: way I have to give him my room. No, you

620
00:40:48,239 --> 00:40:50,440
Speaker 1: don't have to, but if you did, there would be

621
00:40:50,480 --> 00:40:56,399
Speaker 1: a room for it. Wait a second, Jean Valjean, Yeah,

622
00:40:56,440 --> 00:40:59,160
Speaker 1: we met on the speed dating thing. Oh that's what

623
00:40:59,360 --> 00:41:02,320
Speaker 1: I thought they were, is a speed dating for roommates.

624
00:41:02,719 --> 00:41:05,520
Speaker 1: But it turned out it was speed They think criminal.

625
00:41:06,080 --> 00:41:08,760
Speaker 1: He's been the greatest roommate. I think he was wrongly

626
00:41:08,800 --> 00:41:10,719
Speaker 1: accused because seems like he's a really good heart. I

627
00:41:10,719 --> 00:41:12,279
Speaker 1: don't know, guys. I did have a loaf of bread

628
00:41:12,280 --> 00:41:13,600
Speaker 1: in the fridge, and I think he stole my love

629
00:41:13,640 --> 00:41:15,800
Speaker 1: of bread? Why did you keep you reading the fridge bugs?

630
00:41:16,440 --> 00:41:19,480
Speaker 1: But look, I have these I got these candlesticks that

631
00:41:19,560 --> 00:41:23,759
Speaker 1: are very nice. Anything when there's a gun over the

632
00:41:23,760 --> 00:41:26,000
Speaker 1: mantel piece that I put there is where is it?

633
00:41:26,480 --> 00:41:28,920
Speaker 1: Or is it? What happened? How did the gun disappear?

634
00:41:29,360 --> 00:41:31,320
Speaker 1: Oh it's right, there was a gun. There, there was

635
00:41:31,360 --> 00:41:39,320
Speaker 1: a gun. There's a comedy. Look it's not comedy. It

636
00:41:39,400 --> 00:41:43,080
Speaker 1: is my life. What was that thing you used to

637
00:41:43,080 --> 00:41:45,759
Speaker 1: say about if there's a gun, Well, come on, in

638
00:41:45,800 --> 00:41:47,719
Speaker 1: a check off play. If there's a gun in the

639
00:41:47,719 --> 00:41:49,600
Speaker 1: first act and it's going to be used by the

640
00:41:49,680 --> 00:41:52,680
Speaker 1: third act by the end of the show off, so

641
00:41:52,760 --> 00:41:55,480
Speaker 1: what what act are we in right now? Well, I

642
00:41:55,520 --> 00:41:59,440
Speaker 1: think it's up to us. Oh my god, I think

643
00:41:59,480 --> 00:42:05,600
Speaker 1: it's up to six So movie eighteen. See what the

644
00:42:05,640 --> 00:42:07,920
Speaker 1: question is? Okay, Okay, here we go. Okay. Do you

645
00:42:07,960 --> 00:42:10,560
Speaker 1: want to do sports? Uh? Do you want to do

646
00:42:10,600 --> 00:42:12,120
Speaker 1: pop culture? Do you want to science? Or do you

647
00:42:12,200 --> 00:42:19,240
Speaker 1: want to do imagine technology? Imaginary technology? Okay? In what

648
00:42:20,200 --> 00:42:25,080
Speaker 1: indie sci fi film? Oh god was the tests Iraq mentioned?

649
00:42:25,239 --> 00:42:31,040
Speaker 1: Oh you know this indie sci fi film? Indie indie indeed?

650
00:42:32,360 --> 00:42:35,239
Speaker 1: What is this? Indeed? Yes? Yes, yes, okay, okay, we

651
00:42:35,360 --> 00:42:40,279
Speaker 1: will again see that car three sixes again? What is

652
00:42:40,320 --> 00:42:45,160
Speaker 1: where we three sixes all the time? Six six six Hello?

653
00:42:45,400 --> 00:42:52,120
Speaker 1: Design inspect roommates. You know this guy, he's my old roommate.

654
00:42:52,200 --> 00:42:55,240
Speaker 1: He's looking for me. You did not do your dishes.

655
00:42:57,080 --> 00:42:58,880
Speaker 1: I have come to take it out on you forever

656
00:43:00,000 --> 00:43:05,120
Speaker 1: of your there. I did my dishes in the sink.

657
00:43:05,760 --> 00:43:09,319
Speaker 1: You did not. I checked. They still had streaks on that.

658
00:43:09,520 --> 00:43:13,719
Speaker 1: What's should do your dishes? Sometimes this is where they're

659
00:43:13,719 --> 00:43:16,080
Speaker 1: going to come to an understanding. Shouldn't be at the

660
00:43:16,080 --> 00:43:19,640
Speaker 1: same time, Yes, at the exact same time. Perhaps if

661
00:43:19,719 --> 00:43:24,600
Speaker 1: one of us washed and the other tried, that could

662
00:43:24,719 --> 00:43:27,799
Speaker 1: never work. It would work. It could work. It could work.

663
00:43:27,880 --> 00:43:32,040
Speaker 1: If we did it together. We could. We could. Did

664
00:43:32,080 --> 00:43:35,360
Speaker 1: you were going to do it together? To do it together?

665
00:43:36,080 --> 00:43:40,840
Speaker 1: We could? We could do it. Do this together together,

666
00:43:41,760 --> 00:43:47,759
Speaker 1: We come together. All that bullet went through both of them.

667
00:43:47,840 --> 00:43:51,400
Speaker 1: Oh my god, I'm sorry. That was so annoying. Oh

668
00:43:51,440 --> 00:43:58,359
Speaker 1: my god, finally together we child friend. I've always loved you.

669
00:43:58,600 --> 00:44:05,759
Speaker 1: I loved you more I was afraid not just hit

670
00:44:05,840 --> 00:44:11,480
Speaker 1: him with it. You guys, you got to let me

671
00:44:11,520 --> 00:44:14,600
Speaker 1: live in this place again. Brought this here. This is amazing.

672
00:44:14,880 --> 00:44:21,440
Speaker 1: You brought this here. You you're welcome. This is so insane. Okay,

673
00:44:21,520 --> 00:44:24,480
Speaker 1: so let's just see here looking over your credentials. It's

674
00:44:24,560 --> 00:44:28,919
Speaker 1: nice and um, okay, there's a gap of work here.

675
00:44:29,520 --> 00:44:33,000
Speaker 1: Is that when you went to college? Uh um? Kind

676
00:44:33,000 --> 00:44:36,200
Speaker 1: of what do you mean? Kind of? Well, I am,

677
00:44:36,320 --> 00:44:38,440
Speaker 1: I got kicked out of my apartment and I went

678
00:44:38,480 --> 00:44:43,080
Speaker 1: on a long adventure learning about myself and and men.

679
00:44:44,120 --> 00:44:47,440
Speaker 1: So you didn't work or there was well, I mean

680
00:44:47,480 --> 00:44:52,440
Speaker 1: I worked at being an interesting person, having a life experience.

681
00:44:52,960 --> 00:44:55,879
Speaker 1: What are you getting at? Well, we're at we really

682
00:44:55,880 --> 00:44:57,839
Speaker 1: want to find someone that really knows what they're doing. Okay,

683
00:44:57,840 --> 00:45:01,800
Speaker 1: and we do off for housing. Well, I wear shoes. Okay,

684
00:45:01,840 --> 00:45:03,480
Speaker 1: maybe you're maybe you want to take a step out

685
00:45:03,480 --> 00:45:05,560
Speaker 1: and kind of decompressed for a bit. Okay, maybe you

686
00:45:05,760 --> 00:45:10,560
Speaker 1: need to hear a song. Okay, well please listen to

687
00:45:11,160 --> 00:45:17,800
Speaker 1: my life story. Okay, that's my glass. I have so

688
00:45:17,920 --> 00:45:21,480
Speaker 1: much to get get security in here? Is there any

689
00:45:21,480 --> 00:45:26,920
Speaker 1: way to get security my life story? Can we just

690
00:45:27,040 --> 00:45:29,800
Speaker 1: escort her out? Please? Because she's singing, yes, and she

691
00:45:29,880 --> 00:45:32,279
Speaker 1: broke a glass. There's a rule against singing. There's a

692
00:45:32,320 --> 00:45:36,200
Speaker 1: rule against breaking the glass. So just please, Why are

693
00:45:36,200 --> 00:45:38,600
Speaker 1: you challenging me? I'm asking for your help. Just heard

694
00:45:38,600 --> 00:45:40,880
Speaker 1: the voice of an angel. Okay, well you know what?

695
00:45:41,120 --> 00:45:45,040
Speaker 1: Excuse me? Is this the ug store on thigh? Does

696
00:45:45,080 --> 00:45:47,120
Speaker 1: that went to the store and calf first? They don't

697
00:45:47,200 --> 00:45:50,319
Speaker 1: have everything? Yeah, they got bigger sizes in this one.

698
00:45:50,320 --> 00:45:52,360
Speaker 1: Do you mind just escorting her out? Please? Out handle

699
00:45:52,360 --> 00:45:54,800
Speaker 1: the sale? Does she want to come out with me?

700
00:45:55,320 --> 00:45:58,200
Speaker 1: It will totally come out with you. Go out with

701
00:45:58,320 --> 00:46:01,719
Speaker 1: Let's go on the elevator, straight down the middle on

702
00:46:01,760 --> 00:46:06,160
Speaker 1: the elevator with anyone before Well, come with me. So

703
00:46:06,239 --> 00:46:11,879
Speaker 1: these are knee high press your floor where we could

704
00:46:11,880 --> 00:46:15,760
Speaker 1: go up or down or press the button that stops

705
00:46:15,920 --> 00:46:20,600
Speaker 1: right in the middle tonight tonight, Are you not talking

706
00:46:20,640 --> 00:46:24,160
Speaker 1: to me now? Sorry? I was just getting in romantic. Oh,

707
00:46:24,880 --> 00:46:29,439
Speaker 1: I was just feeling going. I'm sorry. It's a hard

708
00:46:29,480 --> 00:46:36,640
Speaker 1: knock life for us, or if us. We're in an orifice.

709
00:46:36,880 --> 00:46:41,399
Speaker 1: We are, We're in an orifice. Wow, you're perfect. Thank you.

710
00:46:41,400 --> 00:46:45,279
Speaker 1: You're great. From what I know, I'm pretty great. It's

711
00:46:45,320 --> 00:46:51,319
Speaker 1: true observation. Deck Ha, you got so much slip for man,

712
00:46:51,880 --> 00:46:57,920
Speaker 1: that's all. You don't understand what's happening. Just walked in

713
00:46:57,960 --> 00:47:02,120
Speaker 1: the middle of our drama. I just inspiration anything. Do

714
00:47:02,160 --> 00:47:12,239
Speaker 1: you want us to push? You push me artistic three? Oh,

715
00:47:12,440 --> 00:47:16,040
Speaker 1: it's hilarious. It's like something I gotta check off. And

716
00:47:16,239 --> 00:47:24,120
Speaker 1: that's our show. Hey, guys, this is episode fifty impossible.

717
00:47:24,640 --> 00:47:29,880
Speaker 1: I was just told this. It's true. Let's go around.

718
00:47:29,880 --> 00:47:33,919
Speaker 1: Thank your alchemists. Do our plugs. Carla Kakowski, Hi, Yeah,

719
00:47:34,080 --> 00:47:38,840
Speaker 1: at Carla Kakowski is my Twitter handle Vanessa Raglan. You

720
00:47:38,880 --> 00:47:41,759
Speaker 1: can go to Dynasty Typewriter on Instagram and see what's

721
00:47:41,800 --> 00:47:43,560
Speaker 1: going on over there. And I pick a lot of

722
00:47:43,560 --> 00:47:47,040
Speaker 1: the gifts. So an excellent popcorn, Yes, great popcorn. Stay

723
00:47:47,080 --> 00:47:51,600
Speaker 1: for the popcorn. Okay, Gangley already got the work Juice players,

724
00:47:51,640 --> 00:47:53,560
Speaker 1: check out We Got This with Mark and Hell and

725
00:47:53,680 --> 00:47:57,239
Speaker 1: check out Blood and Treasure Tuesdays on CBS. Great Kikowski

726
00:47:58,000 --> 00:48:00,880
Speaker 1: at Kikowski on Twitter. Also Craig's This Peacast for the

727
00:48:00,880 --> 00:48:05,080
Speaker 1: Craigslist podcast and Uh Drunk History Season six, currently airing

728
00:48:05,239 --> 00:48:09,120
Speaker 1: on Hulu and Comedy Central. James Teney, if you go

729
00:48:09,160 --> 00:48:11,319
Speaker 1: to the real James Teney dot com you'll find all

730
00:48:11,360 --> 00:48:15,640
Speaker 1: the information you could possibly want about me, about anything else.

731
00:48:16,239 --> 00:48:19,200
Speaker 1: If Wednesday's second and fourth at West County Theater, bear

732
00:48:19,239 --> 00:48:23,040
Speaker 1: supply Joey Greer at jeby Greeber on Instagram. It's about it.

733
00:48:23,480 --> 00:48:31,439
Speaker 1: Uh uh, that's it. I'm at Cole Stratton on most

734
00:48:31,480 --> 00:48:34,440
Speaker 1: social media things. Pretty pretty Pony first Thursday the month

735
00:48:34,440 --> 00:48:36,480
Speaker 1: at West County Theater and hey, if you're bored, you

736
00:48:36,480 --> 00:48:38,839
Speaker 1: want to go through some archives. Vanessa and I did

737
00:48:38,840 --> 00:48:41,839
Speaker 1: a podcast for seven years together, by My Culture. There's

738
00:48:41,840 --> 00:48:44,440
Speaker 1: like two and seventeen episodes of really cool people, yeah,

739
00:48:44,520 --> 00:48:47,239
Speaker 1: really fun guests. Yeah. I was never on that pod.

740
00:48:48,880 --> 00:48:52,279
Speaker 1: That was our only rule. Sorry, we had to have

741
00:48:52,360 --> 00:48:57,200
Speaker 1: some guiding prints, I understand. Also, big thanks to our

742
00:48:57,239 --> 00:49:02,600
Speaker 1: engineer Doug Babe, our post sound design artist Raphael Brito,

743
00:49:02,960 --> 00:49:11,600
Speaker 1: our producer Sophie Lichtman, and lastly, I Heart Media be

744
00:49:11,680 --> 00:49:13,799
Speaker 1: cured you all to write a review, tell everybody you've

745
00:49:13,800 --> 00:49:15,759
Speaker 1: ever met about the podcast, and write to us at

746
00:49:15,800 --> 00:49:18,560
Speaker 1: your name here at alchemy this dot com. That's your

747
00:49:18,640 --> 00:49:21,760
Speaker 1: name here at alchemy this dot com. Until next time,