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Speaker 1: Transmitting welcome back Morden Studio morning. Hope. We had a

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Speaker 1: great weekend. Let's just get right to it. A Lunchbox

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Speaker 1: had his garage seal over the weekend. Finally here's a

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Speaker 1: call asking about it. I was just wondering how lunch

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Speaker 1: boxes garage sale went. And what I really wanted to

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Speaker 1: know is did he get to keep the money or

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Speaker 1: did his wife get to keep the money? You know,

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Speaker 1: since they do have separate bank accounts, whose money is

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Speaker 1: that that they got from the garage sale? That's a

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Speaker 1: great question. So it finally happened. You didn't want it

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Speaker 1: to happen. You felt like it was a bad image

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Speaker 1: for you. Yes, as you're so rich and famous, I'm famous,

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Speaker 1: people are gonna think I'm poor. I think I'm having

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Speaker 1: financial problems. Maybe we're getting kicked out of our house,

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Speaker 1: so we have to get rid of some of our stuff.

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Speaker 1: All that goes into it when you're having a garage

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Speaker 1: So that's what people think when they come to the garage.

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Speaker 1: Anybody that's having never let me tell you, a garage

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Speaker 1: sale is a lot harder work than you guys think. No,

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Speaker 1: I've had them. It is exhausting. Yeah, I mean you

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Speaker 1: are up the night before really late, trying to get

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Speaker 1: it ready, and then you got to get up bright

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Speaker 1: and early the next morn the sun comes up because

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Speaker 1: people are ready. Oh you're here. People need to get

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Speaker 1: a life. I mean it is six fifteen in the

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Speaker 1: morning and we're still putting stuff out and people are

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Speaker 1: pulling up in their cars. So this is why you

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Speaker 1: get there early, because all the good stuff is still

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Speaker 1: there when you first put it out. It gets picked

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Speaker 1: over by nine o'clock. And so we would go garage sailing.

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Speaker 1: We were in our cars when it was nighttime. We

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Speaker 1: had already drawn a plan to where we were gonna go.

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Speaker 1: We're gonna get there based on where we thought had

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Speaker 1: the best stuff. So they're doing that because they know

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Speaker 1: your best stuff goes out then and gets bought. Then.

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Speaker 1: I get that, but I had to tell them, hey,

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Speaker 1: we're not ready yet. We're not ready yet, like we're

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Speaker 1: not open. Pretty business when they got stuff there, but

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Speaker 1: we're not open. Yeah, I understand if I put hours,

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Speaker 1: we're hey, we're opening this time. I didn't say I

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Speaker 1: was gonna be open at six am. So, I mean

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Speaker 1: we didn't even get price tax put on anything. And

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Speaker 1: that's how crazy it was and it was so busy

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Speaker 1: all day long. Did you get recognized? Oh yeah, I

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Speaker 1: mean selling some Christmas lights and one lady and her

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Speaker 1: husband came, what goes, Oh those are Christmas lights that

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Speaker 1: got you in trouble. Hun. I'm like oh yeah, and

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Speaker 1: she's like yeah, blah blah blah. She starts talking to

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Speaker 1: me about the show. I'm like here we go five

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Speaker 1: minutes talking about you know, life and just things like that.

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Speaker 1: She's like, maybe I should buy some of those Christmas

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Speaker 1: lights so I can have some of the lights got

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Speaker 1: you in trouble. Shud buy them. No, she didn't buy anything.

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Speaker 1: Oh oh nothing. So are you why people know where

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Speaker 1: you live now? Oh? They know where I live? I

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Speaker 1: mean yes, they know the people. I know that. I

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Speaker 1: saw people taking pictures. They didn't ask for pictures, but

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Speaker 1: they were snapping photos like of me standing there, like,

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Speaker 1: oh look, I got a picture of Lunchbox. Here's the

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Speaker 1: clip of Lunchbox talking to a potential customer. Yeah, don't

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Speaker 1: spread any rumors that were you know, we're bankrupt, we're

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Speaker 1: getting divorced. We're not getting divorce. We're not you know,

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Speaker 1: we're still paying the bills on time. Yeah, you know

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Speaker 1: what I'm saying. Some people to like, look, it's like,

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Speaker 1: oh man, I'm sorry, they're going on hard times. No, no,

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Speaker 1: we're not having hard times here. You know what I mean.

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Speaker 1: It's like we're doing okay, okay, just so don't feel

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Speaker 1: too bad for us. Okay, all right. I didn't hear

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Speaker 1: you sell one thing. You're just telling people how you're okay. Well,

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Speaker 1: she was going to some of the clothes and I

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Speaker 1: was just as she was going through it, I was

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Speaker 1: just like, hey, why not if you're trying to sell

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Speaker 1: me like we are going through hard times, would you

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Speaker 1: mind buying? Then she goes to TMZ and it's like, hey,

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Speaker 1: Lunchbox is going through hard time. She's a hundred. Did

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Speaker 1: you hear her? She was seventy six. Yeah, that's I'm saying.

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Speaker 1: One of TMZ she's gonna write a letter. I didn't

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Speaker 1: think about that, but yeah, I mean, I just I

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Speaker 1: was letting people know that my situation is not as

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Speaker 1: it appears. Here is Lunchbox talking to another customer. Some

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Speaker 1: people think, you know, you're having a garage shil because

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Speaker 1: you're broke, but we're not. We're not. We're not getting

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Speaker 1: kicked out of our house or anything. No, I'm not

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Speaker 1: saying we're not getting kicked out of our house or anything.

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Speaker 1: We're not. We're not, you know, broke. You know people

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Speaker 1: when they have too much stuff. Yeah, that's why I'm

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Speaker 1: doing it, thought, Yeah, yeah, okay, all right, I'm just

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Speaker 1: making sure you don't. Yeah, yeah, no, no, you know

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Speaker 1: what I mean. I was worried. I told my wife.

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Speaker 1: I was like, everybody's gonna think we're broke. You're doing

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Speaker 1: damage control of your own yards for no reason. Yeah, okay,

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Speaker 1: And here, finally, here, here's how much you made. Let

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Speaker 1: me tell you, I was so tired at the end

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Speaker 1: of the day. Finally the garage show wraps up. I

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Speaker 1: mean people stopped. It starts and dine around noon, and

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Speaker 1: we stayed out there until two o'clock, hoping, you know,

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Speaker 1: to get rid of the rest of the stuff. We

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Speaker 1: go in and we count the money, and let me

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Speaker 1: tell you, I didn't realize how much money we made.

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Speaker 1: I pulled out my pocket. I mean I had a

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Speaker 1: big old lot of money. You want to guess how

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Speaker 1: much we made? Three hundred bucks, one hundred dollars, Here

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Speaker 1: we go, here we go, money money. Monday, four hundred

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Speaker 1: seventy four dollars and I get seventy percent. You get

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Speaker 1: thirty percent. I did seventy percent of the work. I

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Speaker 1: did so much. Boy was I out there? Most of

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Speaker 1: them are out there? Okay, so you agree everything starting

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Speaker 1: to getting dirty in there stopped. Made four hundred bucks

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Speaker 1: and I made four hundred seventy four dollars. What do

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Speaker 1: you get? What does she get? I get senny percent?

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Speaker 1: Get No, No, I did seventy percent of the work. Guys,

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Speaker 1: like ninety percent of the time she was in the

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Speaker 1: house like I was out there like hustling, and oh

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Speaker 1: you know how much is that? That? Boom boom boom.

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Speaker 1: It was unbelievable how she was always the kids needed something. Okay,

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Speaker 1: but she's taking care of the kids. Why did you

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Speaker 1: do finger quotes over kids? Here's the thing. Three of them.

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Speaker 1: The kids didn't need anything like she was just in

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Speaker 1: there hanging out. Take care of kids. Listen, I'm glad

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Speaker 1: you made five hundred bucks. Awesome. Would you do another one? No?

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Speaker 1: They are so tiring. I mean I took a nap

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Speaker 1: after that. I was so tired. I put the kids

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Speaker 1: down three hour. Now you put the finger kids. I

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Speaker 1: put the kids now and I napped for three hours.

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Speaker 1: It was amazing. All right. So overall, you give this

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Speaker 1: whole situation a what letter grade? Probably a C plus.

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Speaker 1: I mean, the money was great. The hard work was

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Speaker 1: very exhausting. All the pressure on my shoulders being recognized,

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Speaker 1: it was very stressful. What are you gonna buy? I

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Speaker 1: don't know. You know, I'm probably think I'm gonna do

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Speaker 1: buy a plane ticket somewhere by yourself. That's like a

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Speaker 1: one way to get away from the quote unquote kids,

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Speaker 1: one get away from the kids. Yeah, I think I

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Speaker 1: need a vacation. All right. There, you have a good job,

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Speaker 1: lunch box, thank you. On the Bobby Bones Show. Now, Kevin,

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Speaker 1: I was watching some of this, uh this this docuseries

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Speaker 1: where you're road tripping, and I know that you also

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Speaker 1: like to be in your bus. Do you hate flying?

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Speaker 1: I just just like, would you hate flying or you

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Speaker 1: just like being on the ground. Man, I don't really

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Speaker 1: like airports because I hate flying. I'm scared of flying. Yeah,

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Speaker 1: you're scared of people. It sounds like, you know, I

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Speaker 1: don't like bad interactions and airports just like it's like

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Speaker 1: a recipe for bad interactions with people. You know, you

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Speaker 1: taught me a lesson in an airport once. It was

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Speaker 1: a couple of years ago, that's pre pandemic, and I

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Speaker 1: think we were sitting next to each other or near

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Speaker 1: each other on a flight and we had both been

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Speaker 1: stopped going through the airport. But you were you were

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Speaker 1: very efficient and very nice to people, and I'd be like, yeah,

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Speaker 1: let's take it. I would take like ten minutes, and

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Speaker 1: you're like, no, here's what you do. You go, yeah,

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Speaker 1: give me your phone, and you take the self before them,

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Speaker 1: and you give them their phone back, and everybody wins.

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Speaker 1: And so that's the move, because yeah, your lesson was

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Speaker 1: They're gonna be like, well, I can't get my camera

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Speaker 1: ride I can't. They say, you just take the phone

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Speaker 1: from them. You do it, You take the selfie because

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Speaker 1: you know exactly how to do it. Then you hand

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Speaker 1: their phone back. At true, everybody wins a lot faster,

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Speaker 1: and it looks good because you control it because you've

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Speaker 1: been doing it a million times. Yeah, right, you know

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Speaker 1: who did it the best? Who I saw do it?

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Speaker 1: And I was like, he's knocking this out of the park.

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Speaker 1: Edge Sheering. I was with Ed one night and things

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Speaker 1: were blowing up for him and I was like, man,

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Speaker 1: this guy's really good at this. Look at that angle

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Speaker 1: way to hold that phone steady, He's got it down.

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Speaker 1: I got it, got out the mole skin. I was

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Speaker 1: like dropping it down on pining paper. You know, I

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Speaker 1: remember this thirty degrees. I've passed your knowledge to multiple people. Yeah,

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Speaker 1: the same way I taught you, you you taught me, Gavin.

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Speaker 1: So it's going generationally at this point. It's like, you'll

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Speaker 1: save time. You have a bet, just say hey, yeah,

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Speaker 1: let's take a picture. Give me your phone boom, take

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Speaker 1: it all right, there we go on. I love it.

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Speaker 1: If you're not too heavily caffeinated, the pictures pretty good.

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Speaker 1: Otherwise it's a little shaky. Yeah, I'll forget about the

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Speaker 1: caffeine hits me hard, man, I'll drink and eight ball's

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Speaker 1: worth of it and I'll be I'll take the selfie

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Speaker 1: for it and it looks like an earthquake happen. Congrats

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Speaker 1: on the new record, man, thanks so good. You know

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Speaker 1: it was lucky enough to you send it over to me,

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Speaker 1: because you know, I'm just a fan of you musically anyway.

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Speaker 1: And I mean it's it's and we're gonna play something

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Speaker 1: from it just a little bit but also, and I'm

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Speaker 1: not sure if you know all who's been bragging about

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Speaker 1: the record, but I would be considered like a half toaster.

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Speaker 1: There's a there's a podcast called The Morning Toast and

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Speaker 1: they were they were bragging on it and playing it

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Speaker 1: to a pretty podcast, and I was like, I know

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Speaker 1: that guy. Thanks. Yeah, so I didn't do it. Mine's

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Speaker 1: right now, but there's already happened. I think, yeah too, man,

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Speaker 1: So the record is really great. So when this thing

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Speaker 1: comes out, well, I guess before it comes out, like,

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Speaker 1: how long do you work on an album like this?

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Speaker 1: And do you feel like musically, sonically this is I

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Speaker 1: don't want to see a change. It definitely feels a

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Speaker 1: little more in the lovely way like mature, Thank you

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Speaker 1: did this album? Did you feel that? Do you like

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Speaker 1: that appropriate way to describe it? I think that's spot on. Um.

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Speaker 1: You know, record came out on the twentieth of May,

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Speaker 1: and uh, you know, I've been holding it back, um

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Speaker 1: because I didn't know if it was the right time

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Speaker 1: to put it out for a long time. It's been

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Speaker 1: done for a long time. But you know, the world

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Speaker 1: was all upside down and my life, my personal life

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Speaker 1: was all upside down, um, and I wasn't. I wasn't

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Speaker 1: sure when when's the right time to put out new

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Speaker 1: music and um, when does it feel like the right time?

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Speaker 1: And also at the same time, how how am I

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Speaker 1: going to serve the songs to my fans? I didn't.

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Speaker 1: I didn't want to just launch this thing out, you know,

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Speaker 1: out of a cannon and hope people heard it. And

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Speaker 1: I wanted to kind of deliver it to them personally

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Speaker 1: and go out and play little rooms. Um. The tour

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Speaker 1: I just did. Um. I went out and I played

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Speaker 1: rooms that were the size of the rooms I played

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Speaker 1: before I ever had a record deal, like the Even

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Speaker 1: on launch, the actual release day of the record, we

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Speaker 1: played at the Bitter End, which is the first place

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Speaker 1: they ever gave me a gig in New York City.

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Speaker 1: You know, it holds one hundred and fifty people, two

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Speaker 1: hundred people. I just felt like being in those environments

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Speaker 1: was the right way to serve the songs to people

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Speaker 1: who've been with me for a long time. The audience

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Speaker 1: is basically what changed my life. So I wanted to

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Speaker 1: serve them the songs the way that I used to

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Speaker 1: serve songs before. I haven't had a record deal get

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Speaker 1: up on stage, talk about the music, talk about my

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Speaker 1: life and you know, here's a song about it, and

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Speaker 1: all these things happen, and then just make it run right, um,

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Speaker 1: make it ry? Yeah? Yeah, And uh, you know, making

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Speaker 1: this record it was heavily personal. You know, there's a

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Speaker 1: lot of loss in the family. And I lost my

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Speaker 1: mom and then two weeks later, my grandma died, and

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Speaker 1: then six months later, my granddad died, and then COVID happened,

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Speaker 1: and then my dad got diagnosed and he died, and

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Speaker 1: you know, I'm watching all that stuff happened around me.

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Speaker 1: But I wanted to finish the record while he was alive.

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Speaker 1: I wanted him to hear the record. It was my

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Speaker 1: that was my timeline. My timeline was finished it for

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Speaker 1: Dad right whenever, you know, hopefully before I lose him. So, uh,

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Speaker 1: it wasn't going to be a business as usual album.

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Speaker 1: That wasn't going to be Hey, let me write some

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Speaker 1: songs and I hope I get some hit songs and

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Speaker 1: just had nothing to do with that. It was just different. Um,

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Speaker 1: the world was different. I'm different, and for me to

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Speaker 1: go on and just do business as usual cutting records

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Speaker 1: just in hopes of man I hope it catches on.

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Speaker 1: It just wasn't going to It would be disingenuous. And

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Speaker 1: I can't ignore the things that happened to me, or

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Speaker 1: to them, or to every the world as a whole,

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Speaker 1: you know, and just launch a record and and hey,

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Speaker 1: this is so people dance. That's it's not how I feel.

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Speaker 1: You know. The world changed and and I changed with it.

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Speaker 1: I'm forty five years old, I'm a grown man. For

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Speaker 1: me to go out and just trying to, you know,

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Speaker 1: do my happy dance would just be silly. And I

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Speaker 1: was listening to it again. I'd it's some time with

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Speaker 1: it when you sent it to me, and then I

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Speaker 1: was listen to it again and the track that hit

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Speaker 1: me always every time was Chasing Win. I'm gonna rape.

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Speaker 1: You'll play some of this. Here's some of Gavin song

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Speaker 1: Chasing Win. You know what's interesting too, as Dave co

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Speaker 1: produced this right and Dave Calls worked with a lot

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Speaker 1: of our favorite artists here intown. He's he's a genius.

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Speaker 1: I took a meeting, uh well, he took him eating

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Speaker 1: with me, which I didn't expect because you know who

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Speaker 1: am I and um? I met him in midtown here

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Speaker 1: and Um, we did lunch. It was he and I

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Speaker 1: and I was expecting some old geezer to walk through

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Speaker 1: the door because I heard his name so many times,

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Speaker 1: you know, and he had so many hit records. But

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Speaker 1: he walked in. He had cooler hair than me, and

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Speaker 1: he was cooler than me, and uh, probably younger than me. Um.

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Speaker 1: He said, what do you want to do? And I said,

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Speaker 1: I need to get all this stuff out of my body.

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Speaker 1: And I don't want to co write with anybody. I

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Speaker 1: want to go back to writing alone like it did

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Speaker 1: with the first few records. Um. But I think you're

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Speaker 1: the best producer in the world for kind of record

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Speaker 1: I want to make. Um And he said, with some

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Speaker 1: explet is, let's do it, you know. And a couple

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Speaker 1: weeks later we were in the room and um, you know,

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Speaker 1: he brought in some ace players and I brought in

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Speaker 1: the best guitar player. I know this guy right here,

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Speaker 1: Billy Norris and uh and uh and we just started

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Speaker 1: recording and um, and I think that Dave's influence over

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Speaker 1: the record as a whole was something that took took

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Speaker 1: it to to heights I couldn't have I couldn't have

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Speaker 1: seen and um my My vision for it was more

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Speaker 1: linear than his. UM. His vision was much bigger than mine. UM,

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Speaker 1: and he really challenged me in the studio, which I

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Speaker 1: really appreciated. I think we all worked better under pressure anyway,

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Speaker 1: you know. I think everybody needs to have somebody kind

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Speaker 1: of putting a thumb on him and uh and challenging him.

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Speaker 1: And I think what he did, uh and what he

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Speaker 1: demanded made the album a whole lot better than than

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Speaker 1: I ever could. Gavina Grows here got a new album,

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Speaker 1: Faced the River. We're gonna play forward in just a

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Speaker 1: few minutes. But when I think about, you know, somebody

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Speaker 1: just says your name, that that check that melody of Chariot, Yeah,

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Speaker 1: just sits in like the on the back when it's like, hey,

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Speaker 1: you know listening to Gavina Grows and immediately lit chair

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Speaker 1: that that just that melody. I'm assuming when you when

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Speaker 1: you play, you play all? Do you play all the

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Speaker 1: hits like your shows? Yeah? Pretty much absolutely. You know,

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Speaker 1: I'm walkers play a little bit of Chariot just to

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Speaker 1: get that that that bug out of my ear. Oh

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Speaker 1: absolutely won't play just play the hook. Sure that's part

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Speaker 1: you know, Yeah, it's part I think I know more.

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Speaker 1: That's part of this. Yeah, all right, here to get

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Speaker 1: three four chearing you walk down check, I'm singing out

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Speaker 1: God give me rang nice. All right, I'm good. That

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Speaker 1: worm is gone. You know sometimes you gotta feed the

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Speaker 1: worm and the worm's full and the worm goes away.

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Speaker 1: I like it. I know you're gonna read tune now right?

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Speaker 1: Do you need a second? A second? Cool? Can we

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Speaker 1: keep talking? Yeah? Okay? Cool? Cool? Cool. So Chariot was

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Speaker 1: one of your first singles. I played it on radio

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Speaker 1: as wow. It was one of the early ones, right,

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Speaker 1: very early, Yeah, two thousand and five six back in

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Speaker 1: somewhere and there. It was a funny little group of song.

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Speaker 1: The timeline is really weird because the first song I

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Speaker 1: ever released, um, I don't want to say it didn't

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Speaker 1: do anything, but it didn't do anything. It was called

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Speaker 1: follow Through. And then I got lucky with a song

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Speaker 1: called I Don't Want to Be And then Clive Davis

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Speaker 1: loved the song follow Through so much he goes no

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Speaker 1: rereleasing follow Through, so he wanted to launch it again,

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Speaker 1: and that time, for whatever reason, it was a it.

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Speaker 1: And then the next one was Chariot, and so it

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Speaker 1: was in that first little little group. Yeah, but I'll

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Speaker 1: be around it till five or six. Everything's just flying

336
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Speaker 1: so fast. Then, I'm assuming at that stage of your career.

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Speaker 1: You know, It's funny. I was always um afraid to

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Speaker 1: acknowledge any successes that were happening. Um. I was almost

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Speaker 1: too busy to notice them. But as they were occurring,

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Speaker 1: I was so afraid that they were going to disappear

341
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Speaker 1: if I picked my head up to look in the

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Speaker 1: rear view mirror and go, well, cool, look look what

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Speaker 1: just happened, you know, Um, and I and I was

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Speaker 1: you know, I don't know. It's a personality type thing. Man,

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Speaker 1: I'm always waiting for the other shooter drop. Yeah. Yeah,

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Speaker 1: so so you know, even when big things were happening,

347
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Speaker 1: I just thought it was, oh, we have to do this.

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Speaker 1: We're doing this. It's great, we're doing this. But we're

349
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Speaker 1: doing this. I guess we're doing this because we have

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Speaker 1: to do this because nothing's working yet, you know what

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Speaker 1: I mean. And I don't know why. It's a personality

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Speaker 1: type thing. But you know, you get on, you're lucky

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Speaker 1: enough to come on, it will show like this me

354
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Speaker 1: and go, this is great, this is awesome. We definitely

355
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Speaker 1: have to do this. Nothing must be working right. It's

356
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Speaker 1: a little annoying is happening, and by a little lot

357
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Speaker 1: of rosis because I live no data back, no dat

358
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Speaker 1: about it. It's it's fear and uh and it's you know,

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Speaker 1: it's fear of failure, and it's fear of hey man,

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Speaker 1: did I make all the wrong decisions? And you know

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Speaker 1: I joke about it with with with friends of mine

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Speaker 1: that you always feel like I'm I'm one one more

363
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Speaker 1: bad decision away from just playing the lobbyist some hotel

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Speaker 1: in the middle of somewhere, you know, and uh, you

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Speaker 1: know that guy you know and uh, you're just you

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Speaker 1: just you don't have complete control of things. You know,

367
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Speaker 1: you mentioned you got lucky with I don't want to

368
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Speaker 1: be Yeah again, I was in pop radio at that point.

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Speaker 1: I don't know it from One Tree Hill have to

370
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Speaker 1: show it's on, Yeah, I don't know it from that.

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Speaker 1: I'll just know it from being played on the radio.

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Speaker 1: So which is this isn't checking her egg? Here? Was

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Speaker 1: it a single? And then it got big and the

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Speaker 1: TV show put it on, or did the TV show?

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00:18:08,359 --> 00:18:10,720
Speaker 1: And then it went from there. Man, you know, it's

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Speaker 1: funny with that song because I thought that was the

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Speaker 1: obvious first single. My brother was screaming up all the

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Speaker 1: time at me, you know, in our apartment in New York.

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Speaker 1: He's like, that's a single. What's wrong with people? You know,

380
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Speaker 1: like they need to put that out first? But follow

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Speaker 1: Through is the one. And I got a phone call

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Speaker 1: from a guy. The song hadn't been selected to be

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Speaker 1: a single yet, and I got a phone call from

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Speaker 1: a guy named Joe de Vola, and Joe de Vola said, Hey,

385
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Speaker 1: I want to use your song for a TV show.

386
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Speaker 1: I said, Nah, absolutely not. I don't even watch TV.

387
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Speaker 1: TV stupid, you know, and it's just you know, it's

388
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Speaker 1: New York, you know, East Village Art, you know snob

389
00:18:53,880 --> 00:18:56,280
Speaker 1: at the time, you know, it was kicking around Alphabet

390
00:18:56,359 --> 00:19:01,080
Speaker 1: City and you know, twenty years ago, right. So I said, nah,

391
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Speaker 1: I don't even watch TV. Who watches TV? And I

392
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Speaker 1: don't want to be associated with it. He goes, listen,

393
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Speaker 1: you gotta help me, help you. The song I think

394
00:19:09,720 --> 00:19:11,880
Speaker 1: would be a big song and I want to put

395
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Speaker 1: it in a show. I said, na, na, and I

396
00:19:14,320 --> 00:19:17,399
Speaker 1: really appreciate it. You sound like a nice guy, but no, thanks.

397
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Speaker 1: He goes, Okay, let me ask you another question. How

398
00:19:20,440 --> 00:19:22,360
Speaker 1: much money you got in your bank account right now?

399
00:19:22,960 --> 00:19:31,280
Speaker 1: And I was like, bro, he starts laughing, and he goes, listen,

400
00:19:31,320 --> 00:19:32,840
Speaker 1: think about it. We're not going to touch the song.

401
00:19:32,880 --> 00:19:35,200
Speaker 1: We're just gonna put it in a place where people

402
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Speaker 1: are gonna hear it, you know. And that show wasn't

403
00:19:38,119 --> 00:19:40,920
Speaker 1: on yet, right, I wasn't even on yet, right, Yeah.

404
00:19:40,960 --> 00:19:44,560
Speaker 1: And I followed through. Apparently had been picked up and

405
00:19:44,600 --> 00:19:47,719
Speaker 1: put in another show that was in pilot, in pilot

406
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Speaker 1: mode that never got actually never became bigger. I think

407
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Speaker 1: Val Kilmers and was about the porn industry. Followed through.

408
00:19:54,240 --> 00:19:58,760
Speaker 1: I don't know, but anyway, but yeah, I said, you

409
00:19:58,880 --> 00:20:00,960
Speaker 1: know what, all right, this guy is right. Guys like

410
00:20:01,040 --> 00:20:03,439
Speaker 1: me aren't going to be watching this stuff anyway and

411
00:20:03,480 --> 00:20:05,960
Speaker 1: associate it with certain things. I'm not going to associate

412
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Speaker 1: it with a teen show. I'm not a teenager, you know.

413
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Speaker 1: I was twenty seven at the time, and I was

414
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Speaker 1: an adult. But I said, all right, do it, you know, man,

415
00:20:16,400 --> 00:20:18,199
Speaker 1: just do whatever you want with it. I appreciate it,

416
00:20:18,240 --> 00:20:20,080
Speaker 1: and you know what, just do it, Just do it.

417
00:20:20,119 --> 00:20:22,520
Speaker 1: And sure enough that the song took off. And then

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Speaker 1: I walked into the label and I had a meeting

419
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Speaker 1: with Clive Davis, and he said, with everything happening around

420
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Speaker 1: this show, the show, but the song you've heard Clive talk,

421
00:20:37,720 --> 00:20:40,399
Speaker 1: the obvious next single would be I Don't Want to

422
00:20:40,440 --> 00:20:42,520
Speaker 1: Be And I was like, all right, great, this is awesome.

423
00:20:42,600 --> 00:20:44,920
Speaker 1: You know, so the song I originally wanted it is

424
00:20:44,960 --> 00:20:48,080
Speaker 1: finally going to be the single and it did it.

425
00:20:48,160 --> 00:20:50,639
Speaker 1: It took off, and you know, fortunately that was a

426
00:20:50,640 --> 00:20:53,479
Speaker 1: foot in the door in the door moment. You know,

427
00:20:53,760 --> 00:20:57,560
Speaker 1: does that I don't know. Obviously it got you to

428
00:20:57,640 --> 00:20:59,600
Speaker 1: the place that you originally wanted, meaning it's kind of

429
00:20:59,640 --> 00:21:01,880
Speaker 1: a weird that happened. For sure, you wanted it. They

430
00:21:01,920 --> 00:21:03,960
Speaker 1: said no, you didn't want it to be on the

431
00:21:04,000 --> 00:21:06,359
Speaker 1: TV show. Then you finally said yes, which got it

432
00:21:06,400 --> 00:21:09,439
Speaker 1: back around where you wanted it. Yeah. So but do

433
00:21:09,520 --> 00:21:11,400
Speaker 1: you look back at it being on the TV show

434
00:21:11,440 --> 00:21:13,600
Speaker 1: and go, I wish I wouldn't have done it, or

435
00:21:13,640 --> 00:21:14,879
Speaker 1: I wish I would have done or are you just

436
00:21:14,920 --> 00:21:17,639
Speaker 1: like you know what nailed it? It had to happen.

437
00:21:19,440 --> 00:21:23,200
Speaker 1: The looking back things always tough because I think if

438
00:21:23,240 --> 00:21:25,480
Speaker 1: I would have made a different decision, I'd be looking

439
00:21:25,480 --> 00:21:27,840
Speaker 1: back right now thinking I should have changed something else

440
00:21:27,880 --> 00:21:30,520
Speaker 1: that you know, based on wherever I was at that

441
00:21:30,680 --> 00:21:35,240
Speaker 1: at that point, right as they say no h they say,

442
00:21:35,280 --> 00:21:38,920
Speaker 1: no battle plan ever survives combat. Right, So so and

443
00:21:39,520 --> 00:21:41,520
Speaker 1: you know, of course, no matter what changes I would

444
00:21:41,520 --> 00:21:44,960
Speaker 1: have made back then, there'd be some other something else

445
00:21:45,000 --> 00:21:46,720
Speaker 1: I'd have to look back on now it's I should

446
00:21:46,760 --> 00:21:48,880
Speaker 1: alter this, I should have altered that. But I think

447
00:21:48,880 --> 00:21:53,800
Speaker 1: the association, certainly at first, was a great idea. It

448
00:21:53,920 --> 00:21:58,320
Speaker 1: opened doors that were absolutely well did shut to me

449
00:22:00,160 --> 00:22:02,639
Speaker 1: because there were other artists who are always going to

450
00:22:02,720 --> 00:22:06,159
Speaker 1: have priority at other labels. You know, I wasn't I

451
00:22:06,280 --> 00:22:10,240
Speaker 1: wasn't UM, I wasn't Alicia Keys. You know, she was out,

452
00:22:10,480 --> 00:22:12,119
Speaker 1: you know, a little bit before me, but under the

453
00:22:12,160 --> 00:22:16,840
Speaker 1: same same company. I wasn't Maroon five. They were out

454
00:22:17,040 --> 00:22:20,160
Speaker 1: just before me, with the same group of people doing

455
00:22:20,160 --> 00:22:23,440
Speaker 1: the same marketing. So there there were already a couple

456
00:22:23,480 --> 00:22:26,480
Speaker 1: of acts here that we're going to get the most attention.

457
00:22:27,040 --> 00:22:29,760
Speaker 1: And I needed to find I had to find a

458
00:22:29,800 --> 00:22:34,879
Speaker 1: window to crawl through, um and that's that was the window.

459
00:22:35,119 --> 00:22:37,320
Speaker 1: So then let me ask you this way. When people go, hey,

460
00:22:37,359 --> 00:22:40,840
Speaker 1: I know you from one tree Hill, that's right, right, Sure,

461
00:22:41,200 --> 00:22:42,680
Speaker 1: when people go I know you from one tree Hill,

462
00:22:42,720 --> 00:22:47,920
Speaker 1: you're like Oh no, I say that's awesome because you know,

463
00:22:48,359 --> 00:22:52,919
Speaker 1: that's cool, okay, because however you found me. You know

464
00:22:53,000 --> 00:22:55,520
Speaker 1: the fact that you know, twenty years later, someone's coming

465
00:22:55,520 --> 00:22:57,560
Speaker 1: out to me saying they know me from a team show,

466
00:22:58,119 --> 00:23:01,360
Speaker 1: but they're still coming to my show. That means somehow

467
00:23:01,440 --> 00:23:05,520
Speaker 1: the music is making them feel good still, right, And

468
00:23:05,600 --> 00:23:08,560
Speaker 1: if they're only coming for that one song, hey, god

469
00:23:08,560 --> 00:23:10,399
Speaker 1: bless them. If they want to sit through two hours

470
00:23:10,400 --> 00:23:14,119
Speaker 1: of music, you know, for me to get at the

471
00:23:14,240 --> 00:23:17,040
Speaker 1: end of the night, you know, then cool. You know,

472
00:23:17,680 --> 00:23:21,800
Speaker 1: there was a speaking of which I think every artist

473
00:23:21,800 --> 00:23:25,919
Speaker 1: probably goes through this the first probably on their first

474
00:23:26,320 --> 00:23:30,919
Speaker 1: their first successful song. Oh you're gonna love this, okay.

475
00:23:31,440 --> 00:23:35,800
Speaker 1: So because I was having little success with that song

476
00:23:35,880 --> 00:23:38,879
Speaker 1: early on, and the song took off. Here it's a

477
00:23:38,880 --> 00:23:41,359
Speaker 1: big hit, blah blah blah whatever, people start coming to

478
00:23:41,400 --> 00:23:45,720
Speaker 1: your gigs. So then you know, for about you know,

479
00:23:45,800 --> 00:23:48,600
Speaker 1: for about six months, you start feeling pretty good. You're like,

480
00:23:48,640 --> 00:23:51,320
Speaker 1: this is pretty cool, this is I'm having some success.

481
00:23:51,400 --> 00:23:53,920
Speaker 1: You know. Sadly, you feel like you're a little bigger, stronger,

482
00:23:53,960 --> 00:23:57,600
Speaker 1: you know, everything's bigger on your body, right, so to speak.

483
00:23:57,880 --> 00:24:02,159
Speaker 1: And so I thought, but let's play the hit early tonight.

484
00:24:02,960 --> 00:24:08,480
Speaker 1: You know, let's do it like third. Everybody's gone by

485
00:24:08,520 --> 00:24:13,320
Speaker 1: the fourth songs. You can't do that. You know, everybody

486
00:24:13,320 --> 00:24:16,359
Speaker 1: who's left there is watching you just bored to death

487
00:24:16,440 --> 00:24:20,880
Speaker 1: because they already heard what they came. There was there

488
00:24:21,000 --> 00:24:23,800
Speaker 1: was like two or three gigs. I was like, I

489
00:24:23,880 --> 00:24:26,119
Speaker 1: know what I gotta do. I gotta play this one again.

490
00:24:26,320 --> 00:24:29,040
Speaker 1: That's fun going to play it again, you know. And

491
00:24:29,160 --> 00:24:32,840
Speaker 1: uh so those are growing pains, those are those are

492
00:24:32,880 --> 00:24:36,960
Speaker 1: real learning experiences, I think, And uh this stuff you

493
00:24:37,000 --> 00:24:40,000
Speaker 1: gotta be able to laugh at afterward. Because every act,

494
00:24:40,560 --> 00:24:43,640
Speaker 1: every act that's had a big hit, I know they

495
00:24:43,680 --> 00:24:47,400
Speaker 1: know what I'm talking about. Whether whether they decided I'm

496
00:24:47,400 --> 00:24:49,240
Speaker 1: going to try it out play the hit early or not,

497
00:24:49,320 --> 00:24:51,159
Speaker 1: I don't know if they've all done that, but I

498
00:24:51,240 --> 00:24:54,439
Speaker 1: know that they know the crowd is really coming for

499
00:24:54,520 --> 00:24:57,080
Speaker 1: the hits. Do you you gotta play them, but you

500
00:24:57,160 --> 00:24:59,840
Speaker 1: gotta you gotta pick, pick and choose your moments. You

501
00:25:00,920 --> 00:25:02,760
Speaker 1: did you ever have a stage where he disliked playing it?

502
00:25:03,680 --> 00:25:06,119
Speaker 1: He played it so much. No, I've never not ever.

503
00:25:07,400 --> 00:25:12,880
Speaker 1: Thank god. It's about to get real awkward. No, no, no, literally,

504
00:25:13,040 --> 00:25:15,840
Speaker 1: but you know it's funny because I do know acts

505
00:25:16,240 --> 00:25:18,400
Speaker 1: who talk about, oh, I don't want to please my hits.

506
00:25:19,040 --> 00:25:21,480
Speaker 1: I don't want to do those anymore. And and I

507
00:25:21,520 --> 00:25:25,880
Speaker 1: think to myself, does it how lucky they are right

508
00:25:25,920 --> 00:25:29,240
Speaker 1: now that they get to do this. You know you

509
00:25:29,240 --> 00:25:31,760
Speaker 1: got to pull them aside. But hey, listen, I know

510
00:25:32,200 --> 00:25:35,480
Speaker 1: you know you've been doing this song every day since

511
00:25:35,480 --> 00:25:39,480
Speaker 1: you wrote this song. But must I remind you you

512
00:25:39,520 --> 00:25:41,760
Speaker 1: have one of the only jobs in the world that

513
00:25:42,160 --> 00:25:45,240
Speaker 1: when you get the clock out, people clap for you

514
00:25:45,280 --> 00:25:47,080
Speaker 1: and tell you what a good job you did. You know,

515
00:25:47,560 --> 00:25:50,960
Speaker 1: name another one, you know, name another job you could

516
00:25:51,000 --> 00:25:52,760
Speaker 1: think of that at the end of your workday, people go,

517
00:25:53,600 --> 00:25:57,880
Speaker 1: great job, that was amazing tonight. You know you don't

518
00:25:57,920 --> 00:26:00,840
Speaker 1: get that. Nobody gets that. You know, get up there

519
00:26:00,960 --> 00:26:03,880
Speaker 1: and give them what they came for. You're so blessed

520
00:26:03,880 --> 00:26:06,720
Speaker 1: to be able to do that. Or you you you're

521
00:26:07,040 --> 00:26:12,800
Speaker 1: you have forgotten how how tough real life really is.

522
00:26:13,000 --> 00:26:15,000
Speaker 1: If you don't want to do a song for three

523
00:26:15,040 --> 00:26:18,240
Speaker 1: and a half minutes for people who saved up three

524
00:26:18,280 --> 00:26:20,960
Speaker 1: and a half months to drive three and a half

525
00:26:21,000 --> 00:26:29,600
Speaker 1: hours to watch you sing that song, well, okay, Gavin

526
00:26:29,600 --> 00:26:32,360
Speaker 1: Degrass here and he's looking at me when he said that. Sorry, man,

527
00:26:34,000 --> 00:26:36,560
Speaker 1: crazy that you would you would want that, So listen

528
00:26:36,600 --> 00:26:38,560
Speaker 1: as a fan, I'm glad that you feel that way,

529
00:26:38,640 --> 00:26:40,720
Speaker 1: right And and with that being said, yeah, don't play

530
00:26:40,760 --> 00:26:42,440
Speaker 1: the whole thing, just give me that doesn't give me

531
00:26:42,480 --> 00:26:43,919
Speaker 1: the hook of that. I don't want to have him

532
00:26:44,000 --> 00:26:47,359
Speaker 1: yell at me. I don't want to just give me

533
00:26:47,400 --> 00:26:49,440
Speaker 1: the hook. And we'll call out a day on that one.

534
00:26:49,480 --> 00:26:51,280
Speaker 1: All right, here's Gavin de Girl hit me with that

535
00:26:51,359 --> 00:26:58,080
Speaker 1: hook of I don't want to be. Yeah, I don't

536
00:26:58,119 --> 00:27:01,919
Speaker 1: want to be anything. Damn what I've been trying to

537
00:27:02,000 --> 00:27:06,879
Speaker 1: be laid leg I have to dude singing me and

538
00:27:07,119 --> 00:27:13,240
Speaker 1: my piece of mind. I'm tired of looking around wanting

539
00:27:13,359 --> 00:27:18,440
Speaker 1: what I gotta do. I'm supposed to be. I don't

540
00:27:18,440 --> 00:27:24,000
Speaker 1: want to be anything other than me. That's awesome. Let's

541
00:27:24,000 --> 00:27:25,840
Speaker 1: get to the new stuff now. That's what we all

542
00:27:25,920 --> 00:27:28,000
Speaker 1: came for. So we drove three and half hours. I

543
00:27:28,000 --> 00:27:29,840
Speaker 1: don't want to yell a me again. I was thinking

544
00:27:29,840 --> 00:27:37,080
Speaker 1: about leaving. Yeah, yeah, you leave after that, everybody studio.

545
00:27:41,600 --> 00:27:44,280
Speaker 1: So the song that I'd like for you you to play,

546
00:27:44,280 --> 00:27:46,400
Speaker 1: if that's cool, ast forward, it's from the new record.

547
00:27:46,440 --> 00:27:48,000
Speaker 1: Would you give me a little set up on this

548
00:27:48,320 --> 00:27:50,600
Speaker 1: and you wrote it and oh forarded it. So what

549
00:27:50,840 --> 00:27:56,520
Speaker 1: led you to actually do both? Uh? Well, this song

550
00:27:56,600 --> 00:28:02,920
Speaker 1: is about sort of recognizing that you've been uh caught

551
00:28:03,000 --> 00:28:05,679
Speaker 1: up on the hamster wheel of life, and you know,

552
00:28:05,800 --> 00:28:10,679
Speaker 1: you have that revelation one day of you know, my

553
00:28:10,760 --> 00:28:13,960
Speaker 1: stuff owns me. I don't own my stuff? But why

554
00:28:14,080 --> 00:28:16,880
Speaker 1: why am I doing all this other work? Or am

555
00:28:16,880 --> 00:28:19,840
Speaker 1: I why am I picking up this these o'ts? Why

556
00:28:19,840 --> 00:28:22,399
Speaker 1: am I doing these other things to pay for things

557
00:28:22,440 --> 00:28:25,919
Speaker 1: that I'm not even getting to enjoy because I'm spending

558
00:28:25,960 --> 00:28:30,119
Speaker 1: all my time just paying for him, you know. Um.

559
00:28:31,080 --> 00:28:34,560
Speaker 1: And you're seeking advice, so you know, I think if

560
00:28:34,560 --> 00:28:36,960
Speaker 1: you're gonna get advice, hopefully you get it from somebody

561
00:28:37,000 --> 00:28:42,720
Speaker 1: that you love, somebody uh uh who's smarter than you

562
00:28:43,680 --> 00:28:47,520
Speaker 1: and and who's older than you, um, because they're gonna

563
00:28:47,560 --> 00:28:50,640
Speaker 1: give you better advice. So this is this is uh,

564
00:28:50,680 --> 00:28:56,160
Speaker 1: the song's a conversation, uh about somebody looking for advice

565
00:28:56,440 --> 00:28:59,040
Speaker 1: asking some old dude, you know, what what do I do?

566
00:28:59,440 --> 00:29:01,840
Speaker 1: All right? Here's Gavin DeGraw. This is from the new

567
00:29:01,880 --> 00:29:10,960
Speaker 1: record Face the River, and here is Ford Try and

568
00:29:12,640 --> 00:29:18,600
Speaker 1: tire of them, Try Still. I've been climbed in. Oh

569
00:29:18,640 --> 00:29:25,400
Speaker 1: why can't he the top? Old man? Can't you help

570
00:29:25,480 --> 00:29:31,440
Speaker 1: me understand why I'm on this planet? Do you know

571
00:29:31,600 --> 00:29:38,160
Speaker 1: when to stop working for a dollar? Oh? That's telling

572
00:29:38,280 --> 00:29:44,280
Speaker 1: making man feel broke working for a dollar, that's the

573
00:29:44,480 --> 00:29:51,840
Speaker 1: only thing. Nine old just striving old ford, complex things

574
00:29:51,920 --> 00:29:56,040
Speaker 1: and pray the Lord have. Let's make it feel like more.

575
00:29:57,120 --> 00:30:02,360
Speaker 1: Leave work the front door, work caught and you get paid.

576
00:30:03,320 --> 00:30:07,280
Speaker 1: Don't give them your best days on the so meant

577
00:30:07,360 --> 00:30:11,120
Speaker 1: you left, saved some of them up for the ones

578
00:30:11,240 --> 00:30:19,000
Speaker 1: worth saving them for. Lat hl da da da da

579
00:30:20,760 --> 00:30:28,200
Speaker 1: lo ra da l da da da da. Yeah, Lata

580
00:30:29,920 --> 00:30:34,280
Speaker 1: l da da da da l da da da da

581
00:30:34,400 --> 00:30:41,040
Speaker 1: dat da da da da da da da. Yeah, it's

582
00:30:41,080 --> 00:30:44,600
Speaker 1: so good. Got kill him. That's awesome, sounds good, the

583
00:30:44,680 --> 00:30:47,760
Speaker 1: message is good, You're good. Everything that's great. Don't don't

584
00:30:47,800 --> 00:30:51,200
Speaker 1: yell him anymore. It's awesome. I was amazing. That's really great.

585
00:30:51,200 --> 00:30:53,240
Speaker 1: The records, thank you, it's great to the record is

586
00:30:54,040 --> 00:30:57,200
Speaker 1: an album that I would listen to if I wasn't

587
00:30:57,360 --> 00:31:00,760
Speaker 1: working in music and had to listen to music for living, right,

588
00:31:00,800 --> 00:31:02,960
Speaker 1: I mean that that's the music. I like this. This

589
00:31:03,040 --> 00:31:05,120
Speaker 1: whole record is that and wow, I encourage people to

590
00:31:05,200 --> 00:31:06,440
Speaker 1: check it out. It's been not a few weeks called

591
00:31:06,480 --> 00:31:09,640
Speaker 1: Face the River. So many good songs, and listen the

592
00:31:09,960 --> 00:31:12,160
Speaker 1: feeling that you guys probably got by hearing that song

593
00:31:12,280 --> 00:31:15,480
Speaker 1: and that message. Those feelings are sprinkled all throughout the

594
00:31:15,560 --> 00:31:18,800
Speaker 1: record for different reasons, Yes, sir, Because I mean, you

595
00:31:18,880 --> 00:31:20,520
Speaker 1: sing that song there and it's like, may I should

596
00:31:20,600 --> 00:31:22,080
Speaker 1: re evaluate my life and quit this job and walk

597
00:31:22,080 --> 00:31:23,240
Speaker 1: off the air right now and so and go and

598
00:31:23,320 --> 00:31:26,120
Speaker 1: spend time with my wife and wait through this place. Yeah,

599
00:31:26,480 --> 00:31:28,080
Speaker 1: but you know that's the kind of thing. It is

600
00:31:28,120 --> 00:31:30,600
Speaker 1: like I'm spending too much time doing dumb crap and

601
00:31:32,000 --> 00:31:34,880
Speaker 1: that same kind of oh, like punching the gut in

602
00:31:34,920 --> 00:31:37,520
Speaker 1: a good ways all through the record. So great, great jobs,

603
00:31:37,520 --> 00:31:39,520
Speaker 1: a heck of a project. I appreciate it. I hate

604
00:31:39,560 --> 00:31:42,920
Speaker 1: that so much crap had to happen for you to

605
00:31:43,080 --> 00:31:45,600
Speaker 1: create this project, but I'm glad that you did it

606
00:31:45,640 --> 00:31:47,680
Speaker 1: because I feel like, hopefully it was therapeutic for you,

607
00:31:48,320 --> 00:31:51,360
Speaker 1: very very I appreciate that, man. Yeah, I appreciate that

608
00:31:51,520 --> 00:31:55,520
Speaker 1: it's been. Um, it was therapeutic writing it, and it's

609
00:31:55,680 --> 00:32:00,560
Speaker 1: it's therapeutic recording and therapeutic playing it every night and

610
00:32:00,680 --> 00:32:04,360
Speaker 1: it's been UM, it's been emotional playing it every night. UM.

611
00:32:04,480 --> 00:32:07,400
Speaker 1: Some nights are harder than others, you know. UM. But

612
00:32:08,440 --> 00:32:11,440
Speaker 1: but I feel like it's a message that I need

613
00:32:12,000 --> 00:32:16,120
Speaker 1: to get out UM. And I think it's something really

614
00:32:16,160 --> 00:32:19,320
Speaker 1: other people are relating to. And you know, when you

615
00:32:19,400 --> 00:32:23,240
Speaker 1: lose people, you become part of this fraternity or this

616
00:32:23,480 --> 00:32:27,680
Speaker 1: club that you never really wanted to be a member of. UM.

617
00:32:28,280 --> 00:32:32,320
Speaker 1: But we're we're all members of it UM or were

618
00:32:32,360 --> 00:32:35,719
Speaker 1: gonna be. And and I just think you have to uh,

619
00:32:36,080 --> 00:32:37,960
Speaker 1: take it head on. You know. My father always told

620
00:32:38,000 --> 00:32:40,360
Speaker 1: me run to the lion, and and I think you

621
00:32:40,480 --> 00:32:42,600
Speaker 1: just have to take you just have to take everything

622
00:32:42,720 --> 00:32:45,800
Speaker 1: head on. Everything you're worried about, everything that's scaring you,

623
00:32:45,880 --> 00:32:49,320
Speaker 1: everything you're that's you, that you were putting off. There

624
00:32:49,400 --> 00:32:51,600
Speaker 1: has to be a moment where you turn and you

625
00:32:51,760 --> 00:32:55,120
Speaker 1: go to it, UM. And and I just needed to

626
00:32:55,160 --> 00:33:00,920
Speaker 1: go to it. You did. It's it's again beautiful art, circumstances,

627
00:33:00,960 --> 00:33:05,320
Speaker 1: beautiful art. And just don't stop doing it, you know, man,

628
00:33:05,400 --> 00:33:08,960
Speaker 1: don't stop doing it. Gavin Degrass here, you guys check

629
00:33:09,000 --> 00:33:11,840
Speaker 1: out the record. It's Faced the River The there's a

630
00:33:11,880 --> 00:33:14,720
Speaker 1: six part docuseries on Facebook yeah, you guys did about

631
00:33:14,760 --> 00:33:19,400
Speaker 1: road tripping as you're making like the creative ish process. Well,

632
00:33:19,400 --> 00:33:23,520
Speaker 1: it was after the uh, after the record was made,

633
00:33:23,680 --> 00:33:25,600
Speaker 1: I got to go out and do do another road

634
00:33:25,640 --> 00:33:27,240
Speaker 1: trip because I like road trip. And you know what

635
00:33:27,320 --> 00:33:30,360
Speaker 1: I said, I lying, I said, I don't like being

636
00:33:30,400 --> 00:33:32,640
Speaker 1: in the air. I wish I could fly on the ground.

637
00:33:33,160 --> 00:33:36,600
Speaker 1: That makes sense. That's the move. That's that's that. That's

638
00:33:36,640 --> 00:33:38,520
Speaker 1: the move. Can I fly on the ground. We're supposed

639
00:33:38,520 --> 00:33:41,640
Speaker 1: to see the world from about five to six feet

640
00:33:41,760 --> 00:33:43,920
Speaker 1: above the ground, right where our head is, right where

641
00:33:43,920 --> 00:33:47,520
Speaker 1: our feet. That's yes, you guys check that out in

642
00:33:47,840 --> 00:33:52,040
Speaker 1: and that's gonna be it for now. UM. My absolute

643
00:33:52,080 --> 00:33:55,320
Speaker 1: favorite song of yours is not over you. Wow you

644
00:33:55,400 --> 00:33:57,240
Speaker 1: still like that one? Or no? Of course? Yeah, I

645
00:33:57,280 --> 00:33:59,480
Speaker 1: love it. I wrote that with Ryan Tedter. I did

646
00:33:59,600 --> 00:34:01,880
Speaker 1: not know. Yeah, I wrote with Ryan Teter and the

647
00:34:02,000 --> 00:34:05,120
Speaker 1: spark of it. One Republic guy, One Republic Yeah, super

648
00:34:05,520 --> 00:34:09,960
Speaker 1: just a wonderful UH pop songwriter, specifically, just a genius

649
00:34:10,000 --> 00:34:14,040
Speaker 1: at pop and we um he first played me that riff,

650
00:34:14,719 --> 00:34:20,520
Speaker 1: the piano riff up top that. Um then come on

651
00:34:21,040 --> 00:34:27,000
Speaker 1: right then? I think we were in um Blackbird Studios

652
00:34:27,040 --> 00:34:29,440
Speaker 1: in here Nashville. He goes, yo, man, when we think

653
00:34:29,480 --> 00:34:36,040
Speaker 1: of this piano, I was like, us, it's okay. I

654
00:34:36,120 --> 00:34:40,680
Speaker 1: guess he was like, yeah, I think this would be

655
00:34:40,719 --> 00:34:45,200
Speaker 1: great for your entry. That's where I have to go

656
00:34:46,960 --> 00:34:52,600
Speaker 1: to see your beautiful fit sending more stared at a picture,

657
00:34:52,719 --> 00:34:57,920
Speaker 1: rub and listen to the radio pop pop. There's a

658
00:34:58,040 --> 00:35:05,920
Speaker 1: conversation booting. We had it good until then. It's daily nation.

659
00:35:06,120 --> 00:35:11,200
Speaker 1: I know that munch is understood and now read a lot.

660
00:35:11,840 --> 00:35:15,680
Speaker 1: If you ask me how I'll do it, I would

661
00:35:15,760 --> 00:35:20,640
Speaker 1: say I'm doing is fine. I will light say that

662
00:35:20,840 --> 00:35:27,160
Speaker 1: you not on my mind. But I go out and

663
00:35:27,360 --> 00:35:33,480
Speaker 1: I sit down at a table, settle you and finding it.

664
00:35:34,000 --> 00:35:40,200
Speaker 1: I'm forced to face it. No matter what I see.

665
00:35:40,320 --> 00:35:50,319
Speaker 1: I'm not over you, not over you. That's awesome, man,

666
00:35:50,360 --> 00:35:54,000
Speaker 1: I appreciate that. Thanks for walking us through that. That's it,

667
00:35:54,200 --> 00:35:56,400
Speaker 1: Gavin de Girl. You guys follow him. Listen to the

668
00:35:56,480 --> 00:35:58,200
Speaker 1: record over and over again. Face the river. You will

669
00:35:58,239 --> 00:36:00,879
Speaker 1: find your own story inside of it. He created music.

670
00:36:00,960 --> 00:36:02,719
Speaker 1: It doesn't have to be the exact same story that

671
00:36:02,760 --> 00:36:05,000
Speaker 1: you're living. I find song a lot of times. It

672
00:36:05,120 --> 00:36:06,840
Speaker 1: speak to me in different ways, and it was originally

673
00:36:06,840 --> 00:36:08,640
Speaker 1: written and it speaks to me the same way that

674
00:36:08,719 --> 00:36:10,799
Speaker 1: they was supposed to speak to me. So great, great

675
00:36:10,840 --> 00:36:13,480
Speaker 1: body of work. Gavin DeGraw, Thanks, appreciate you guys. Thank you.

676
00:36:13,680 --> 00:36:20,600
Speaker 1: Man there he is, Thanks a lot, guys. The latest

677
00:36:20,719 --> 00:36:24,600
Speaker 1: from Nashville. In Tullywood, Morgan number two thirty six Skinny

678
00:36:25,000 --> 00:36:28,000
Speaker 1: Soby Keith revealed that he was diagnosed with stomach cancer

679
00:36:28,160 --> 00:36:31,360
Speaker 1: last fall. He's spent the last six months receiving humot

680
00:36:31,440 --> 00:36:35,160
Speaker 1: radiation and surgery. Right now he's taking time to breathe, recover,

681
00:36:35,400 --> 00:36:38,239
Speaker 1: and relax. Lany Wilson will be in season five of

682
00:36:38,400 --> 00:36:41,279
Speaker 1: yellow Stone. She's playing a character named Abby who is

683
00:36:41,280 --> 00:36:45,080
Speaker 1: a musician. The new season has already started filming in Montana.

684
00:36:45,440 --> 00:36:47,880
Speaker 1: Zach Brown Band is releasing a deluxe version of their

685
00:36:47,920 --> 00:36:50,920
Speaker 1: album The Comeback. It will feature Blake Shelton on their

686
00:36:51,000 --> 00:36:53,520
Speaker 1: song Out in the Middle. The deluxe album is set

687
00:36:53,560 --> 00:36:56,479
Speaker 1: to come out this fall. I'm Morgan, that's your skinny Hall.

688
00:36:56,680 --> 00:37:03,279
Speaker 1: It's time for the good news, Bobby all right. So

689
00:37:03,520 --> 00:37:05,719
Speaker 1: she works at a lottery counter and a guy comes

690
00:37:05,800 --> 00:37:07,960
Speaker 1: up and goes, all right, I want to buy some tickets.

691
00:37:08,239 --> 00:37:09,759
Speaker 1: He says, I want to pick, and he picked his

692
00:37:09,840 --> 00:37:11,960
Speaker 1: first two numbers and then he said, hey, you that

693
00:37:12,000 --> 00:37:14,120
Speaker 1: works the counter. Why don't you pick your favorite two numbers?

694
00:37:14,360 --> 00:37:17,520
Speaker 1: So she did that, and boom he hit. And so

695
00:37:17,680 --> 00:37:19,759
Speaker 1: he hit for a thousands of bucks and then gave

696
00:37:19,880 --> 00:37:22,920
Speaker 1: her two thousand bucks as a tip for picking those numbers.

697
00:37:23,080 --> 00:37:24,920
Speaker 1: It wasn't like a million dollars jack quot or anything.

698
00:37:25,160 --> 00:37:27,040
Speaker 1: But he definitely didn't have to give her a two

699
00:37:27,080 --> 00:37:30,480
Speaker 1: thousand dollars tip. Pecky could have just left. She'd never known, right, Yeah,

700
00:37:30,480 --> 00:37:32,320
Speaker 1: but if she had to pick those two numbers and

701
00:37:32,400 --> 00:37:34,120
Speaker 1: he wouldn't want, I agree. I'm not on the side

702
00:37:34,160 --> 00:37:36,040
Speaker 1: of don't give money. I'm just saying he had every

703
00:37:36,080 --> 00:37:39,399
Speaker 1: opportunity to not do it, yet he still did, which

704
00:37:39,480 --> 00:37:41,719
Speaker 1: is pretty awesome. Which I have a feeling that some

705
00:37:41,880 --> 00:37:44,879
Speaker 1: of us in the room would have done this. Let's

706
00:37:44,880 --> 00:37:48,080
Speaker 1: be honest, you win twenty thousand dollars. Totally would pay

707
00:37:48,120 --> 00:37:50,839
Speaker 1: her if she gave you two of the numbers. Yeah,

708
00:37:51,160 --> 00:37:53,279
Speaker 1: do you give a couple of thousand? Yeah? Or maybe

709
00:37:53,320 --> 00:37:56,239
Speaker 1: even half? Whoa half? If you give half and you're

710
00:37:56,239 --> 00:37:59,320
Speaker 1: not getting half taxes taken out, but after taxes she

711
00:37:59,360 --> 00:38:02,840
Speaker 1: gets half. Okay, Oh my god, you're crazy. Why not crazy?

712
00:38:02,880 --> 00:38:04,200
Speaker 1: I don't know. That I would do. I don't know

713
00:38:04,239 --> 00:38:06,200
Speaker 1: that I would do half because she didn't put her

714
00:38:06,239 --> 00:38:08,000
Speaker 1: money up. She just do a couple numbers at me.

715
00:38:08,120 --> 00:38:09,920
Speaker 1: But I would definitely break her off a couple thousand

716
00:38:09,920 --> 00:38:11,640
Speaker 1: bucks for sure. Okay I didn't think about putting the

717
00:38:11,680 --> 00:38:14,480
Speaker 1: money up, but okay, yeah, Eddie, yeah, break off one

718
00:38:14,640 --> 00:38:16,800
Speaker 1: one thousand for each number she gave me. Would you

719
00:38:16,880 --> 00:38:19,560
Speaker 1: really are you just saying you wouldn't do Why not?

720
00:38:19,719 --> 00:38:22,799
Speaker 1: Bones thousands a lot of money, but you're not gonna

721
00:38:22,800 --> 00:38:25,239
Speaker 1: get twenty. You're gonna get like thirteen thirteen thousands, she

722
00:38:25,320 --> 00:38:27,320
Speaker 1: gets two, I get eleven. We all win. Great. I

723
00:38:27,360 --> 00:38:29,640
Speaker 1: have a feeling you wouldn't do that, though, Yeah, lunch bucks,

724
00:38:29,960 --> 00:38:31,719
Speaker 1: no chance. I would give her a thank you card

725
00:38:31,719 --> 00:38:33,560
Speaker 1: and maybe we can take a picture together. I'd be like,

726
00:38:33,640 --> 00:38:35,160
Speaker 1: what a great story. We could be on the news.

727
00:38:35,280 --> 00:38:37,480
Speaker 1: But she's not getting any of my money. She just

728
00:38:37,680 --> 00:38:39,799
Speaker 1: does it. She just threw out two random numbers as

729
00:38:39,840 --> 00:38:41,680
Speaker 1: she's working the counter. She didn't put up any of

730
00:38:41,760 --> 00:38:43,600
Speaker 1: her Well that without her, though, he wouldn't have won

731
00:38:43,880 --> 00:38:46,080
Speaker 1: without me. I wouldn't wonder because she would. I love

732
00:38:46,160 --> 00:38:47,839
Speaker 1: the ticket and I'm not gonna see her and trying

733
00:38:47,840 --> 00:38:49,600
Speaker 1: to make myself look good. Eddie, Well, Eddie, look at

734
00:38:49,600 --> 00:38:51,080
Speaker 1: me in the eyes. I shall be honest. Let's say

735
00:38:51,160 --> 00:38:53,920
Speaker 1: that because of her, she gives you a couple numbers

736
00:38:53,960 --> 00:38:56,560
Speaker 1: and you have thirteen thousand dollars? Yes, do you give

737
00:38:56,600 --> 00:38:59,040
Speaker 1: her two thousand? Two thousand? Max? Do you remember we

738
00:38:59,160 --> 00:39:01,120
Speaker 1: were playing bingo and whole someone, Hey, we win? I

739
00:39:01,160 --> 00:39:02,680
Speaker 1: split it with you? What did I do? I split

740
00:39:02,760 --> 00:39:04,439
Speaker 1: it with him? Yeah, but that was like three hundred bucks.

741
00:39:04,480 --> 00:39:07,359
Speaker 1: Well still, that's okay, and you'd already wanted that night.

742
00:39:07,400 --> 00:39:09,719
Speaker 1: I take back the fact that I said, Dad, thank you.

743
00:39:10,239 --> 00:39:12,160
Speaker 1: I have a feeling in real life situation you wouldn't

744
00:39:12,160 --> 00:39:14,040
Speaker 1: do it. But if you say so, I agree, Hey,

745
00:39:14,160 --> 00:39:17,000
Speaker 1: just give me that chance, give me that chance to

746
00:39:17,040 --> 00:39:20,600
Speaker 1: show you. All right, So shout out to Shirley Rose

747
00:39:20,640 --> 00:39:22,799
Speaker 1: who picked out the numbers, and the anonymous guy who

748
00:39:22,840 --> 00:39:24,560
Speaker 1: won thousands of dollars and heck three out of the

749
00:39:24,640 --> 00:39:27,560
Speaker 1: four of us for being good people? Are you good? Hypothetical?

750
00:39:28,000 --> 00:39:30,799
Speaker 1: You know what it's hypothetical? I give all of it. Okay, Yeah,

751
00:39:30,880 --> 00:39:34,440
Speaker 1: let's see what a great custom any thing to hypothetically

752
00:39:34,440 --> 00:39:36,000
Speaker 1: give her all the money? All right, that's what it's

753
00:39:36,040 --> 00:39:40,319
Speaker 1: all about. That was tell me something good. I feel

754
00:39:40,360 --> 00:39:42,279
Speaker 1: like you want to show me a picture of something

755
00:39:42,280 --> 00:39:44,480
Speaker 1: I saw Amy grab her phone as we're going to segment.

756
00:39:44,680 --> 00:39:46,319
Speaker 1: What what's on your phone? Well, I don't know if

757
00:39:46,320 --> 00:39:48,959
Speaker 1: you want to see it. But my son now thinks

758
00:39:49,040 --> 00:39:54,920
Speaker 1: it's hilarious to text me pictures from his bathroom experience.

759
00:39:55,080 --> 00:39:56,320
Speaker 1: What do you mean like when he goes to the

760
00:39:56,440 --> 00:39:59,520
Speaker 1: bathroom bathroom number two, he takes a picture result and

761
00:39:59,560 --> 00:40:01,680
Speaker 1: then he Oh my gosh, I don't want to see that.

762
00:40:02,239 --> 00:40:04,239
Speaker 1: Why don't text that to you? You don't know? No,

763
00:40:04,800 --> 00:40:07,759
Speaker 1: I thought this is just the whole boy humor thing

764
00:40:08,040 --> 00:40:11,680
Speaker 1: for medical reasons. Yeah, he's like Mom, I think he

765
00:40:11,719 --> 00:40:15,200
Speaker 1: should or he's proud of himself. Oh no, no, can

766
00:40:15,200 --> 00:40:18,120
Speaker 1: you tell him to stop? Yes? And now he thinks

767
00:40:18,160 --> 00:40:21,120
Speaker 1: it's so funny and oh oh can't stop old stuff.

768
00:40:21,480 --> 00:40:23,719
Speaker 1: Oh no, I never opened a text from him. It

769
00:40:23,800 --> 00:40:25,200
Speaker 1: could be like I haven't eaten in days, and I

770
00:40:25,239 --> 00:40:27,120
Speaker 1: wouldn't look at it because I wouldn't want to see that.

771
00:40:27,560 --> 00:40:30,319
Speaker 1: Don't to me, No, no, no, no, I don't want

772
00:40:30,320 --> 00:40:33,480
Speaker 1: to say, oh dude, what do you tell him? Please stop?

773
00:40:33,719 --> 00:40:36,560
Speaker 1: This is not or don't send these to anybody else?

774
00:40:36,640 --> 00:40:40,040
Speaker 1: But Mom, no, no, no, please stop, well yes, no, no, yeah,

775
00:40:40,239 --> 00:40:43,080
Speaker 1: no pictures. It's like a jeans jaga board in the seventies.

776
00:40:43,120 --> 00:40:46,640
Speaker 1: No pictures, no pictures. Yeah, I don't know. I just

777
00:40:46,800 --> 00:40:49,520
Speaker 1: hope he's not texting him out to anybody. Have his

778
00:40:49,600 --> 00:40:52,319
Speaker 1: own phone. He has an iPad. He's taking a picture

779
00:40:52,360 --> 00:40:56,320
Speaker 1: of an he's having to get all cinematic. That thinks huge.

780
00:40:56,920 --> 00:40:59,719
Speaker 1: Oh no he doesn't have a phone. Oh no, he

781
00:41:00,480 --> 00:41:03,160
Speaker 1: can text me through his I've had account. Oh that's

782
00:41:03,200 --> 00:41:06,719
Speaker 1: what he's been up to, like an email a week.

783
00:41:06,800 --> 00:41:09,320
Speaker 1: What else he up to? Well, he had a friend

784
00:41:09,560 --> 00:41:12,600
Speaker 1: over and they got locked out. So that was quite

785
00:41:12,640 --> 00:41:16,400
Speaker 1: the experience. I get. I wasn't home. The friend has

786
00:41:16,440 --> 00:41:18,560
Speaker 1: a phone, so text me and was like, hey, I

787
00:41:18,719 --> 00:41:20,000
Speaker 1: was just down the street at the grocery store and

788
00:41:20,000 --> 00:41:21,600
Speaker 1: I was going to be back. And he's like, somehow

789
00:41:21,719 --> 00:41:24,320
Speaker 1: we've managed to get locked out. And I said, okay,

790
00:41:24,360 --> 00:41:26,800
Speaker 1: well I'll be home soon, so just play basketball or

791
00:41:26,840 --> 00:41:29,480
Speaker 1: do something outside and I'll be there. And I get

792
00:41:29,600 --> 00:41:33,520
Speaker 1: back and Stevenson's very dramatic and is already spelling out

793
00:41:33,760 --> 00:41:36,799
Speaker 1: sos with sticks and rocks in our driveway for people

794
00:41:36,880 --> 00:41:41,480
Speaker 1: flying over the door, and what's funny is he just

795
00:41:41,640 --> 00:41:44,600
Speaker 1: learned what SOT met a week ago, and so I

796
00:41:44,840 --> 00:41:47,000
Speaker 1: actually thought it was quite clever and cute. But he

797
00:41:47,120 --> 00:41:50,320
Speaker 1: was just very dramatic. When I pulled up, we have

798
00:41:50,400 --> 00:41:53,279
Speaker 1: been locked out for hours. It had been no more

799
00:41:53,320 --> 00:41:55,960
Speaker 1: than thirty minutes, that's for sure. And he was spelling

800
00:41:55,960 --> 00:42:00,080
Speaker 1: out sos, which, by the ways, means nothing. Oh, it

801
00:42:00,160 --> 00:42:04,320
Speaker 1: means nothing. Ours it. It's what people have inserted the

802
00:42:04,400 --> 00:42:06,799
Speaker 1: meeting meaning to him, But it means nothing. It's made

803
00:42:06,800 --> 00:42:10,239
Speaker 1: of just those specific sounds and the letters looking like

804
00:42:10,440 --> 00:42:13,719
Speaker 1: a distress signal. Not save our souls, that's another one.

805
00:42:13,840 --> 00:42:22,640
Speaker 1: Save our sushi, our sisters can mean any of that. Hell, listen,

806
00:42:22,680 --> 00:42:23,960
Speaker 1: you guys come up with a lot of ideas for

807
00:42:24,000 --> 00:42:26,200
Speaker 1: the show, and some of them get used, and that

808
00:42:26,280 --> 00:42:28,120
Speaker 1: one was very appreciative. But some of them are so

809
00:42:28,680 --> 00:42:32,920
Speaker 1: just we'd never do them, and I appreciate the effort.

810
00:42:33,360 --> 00:42:36,040
Speaker 1: But that's how we get this segment called rejected segments.

811
00:42:36,600 --> 00:42:38,880
Speaker 1: Rejected segments. Although some of these are so dumb. I

812
00:42:38,920 --> 00:42:40,320
Speaker 1: don't think you guys even really wanted me to air it.

813
00:42:40,320 --> 00:42:43,560
Speaker 1: I think you're just filling out space, like some ideas.

814
00:42:44,680 --> 00:42:47,080
Speaker 1: So these are rejected segments segments that in a million

815
00:42:47,200 --> 00:42:50,160
Speaker 1: years we would have never done on the air. There

816
00:42:50,200 --> 00:42:52,359
Speaker 1: have been times, though, where I've been like, wow, that's

817
00:42:52,360 --> 00:42:54,719
Speaker 1: actually a pretty good segment. Let's do it. So let's

818
00:42:54,760 --> 00:42:58,480
Speaker 1: see if any of those do this. We'll start with Lunchbox. Lunchbox, welcome,

819
00:42:58,640 --> 00:43:00,040
Speaker 1: thank you, and I don't know why any of my

820
00:43:00,120 --> 00:43:02,440
Speaker 1: segments get rejected. I'm shocked when they don't make it.

821
00:43:02,719 --> 00:43:06,440
Speaker 1: Lunchbox wrote, I am supper annoyed with my wife Supper,

822
00:43:06,960 --> 00:43:09,600
Speaker 1: which I think he meant super That spelling is not

823
00:43:09,680 --> 00:43:11,359
Speaker 1: my strong point. Care that much, he said. I think

824
00:43:11,400 --> 00:43:13,120
Speaker 1: my wife's faking a back injury so she can just

825
00:43:13,200 --> 00:43:15,919
Speaker 1: lay around all weekend, turn me into a single dad.

826
00:43:16,040 --> 00:43:18,240
Speaker 1: I don't think she was hurt. Listen to these grunts

827
00:43:18,280 --> 00:43:20,279
Speaker 1: and moans I've recorded of her and tell me that

828
00:43:20,400 --> 00:43:23,960
Speaker 1: she isn't exaggerating it. Okay, guys ready like this are

829
00:43:24,000 --> 00:43:26,560
Speaker 1: getting up off the couch, in the car, out of bed.

830
00:43:26,719 --> 00:43:36,080
Speaker 1: I mean, it is so ridiculous. Here we go. Okay,

831
00:43:36,120 --> 00:43:46,360
Speaker 1: I'm calling it. She's not hurt. Come on, like that's exaggerated? Right? No,

832
00:43:46,800 --> 00:43:49,239
Speaker 1: did she know you were recording her? No, ba Bean

833
00:43:49,400 --> 00:43:52,200
Speaker 1: is real. I'd be so mad if my husband brought in.

834
00:43:52,600 --> 00:43:56,719
Speaker 1: I mean like, I mean literally, so for three days

835
00:43:56,800 --> 00:43:59,400
Speaker 1: I had to do everything with all three kids, like

836
00:43:59,480 --> 00:44:01,480
Speaker 1: she just they're on the couch like, oh can't get

837
00:44:01,560 --> 00:44:03,840
Speaker 1: up all like the kids crying. Oh, you're gonna have

838
00:44:03,840 --> 00:44:08,520
Speaker 1: to get that like what rejected segment. Rejected segment. That's

839
00:44:08,520 --> 00:44:10,319
Speaker 1: like that, you guys, stop talking about it. I just yell.

840
00:44:10,880 --> 00:44:15,920
Speaker 1: Next up, Mike Dson In Paintball Roulette, we get five

841
00:44:15,960 --> 00:44:20,200
Speaker 1: different paintball guns, but only one is loaded. Bobby, Amy, Eddie, Lunchbox,

842
00:44:20,280 --> 00:44:21,960
Speaker 1: and Morgan get a chance to select a gun and

843
00:44:22,080 --> 00:44:26,080
Speaker 1: we take turns shooting each other. The game stops once

844
00:44:26,160 --> 00:44:29,000
Speaker 1: one person quits or goes to the hospital. Oh my gosh,

845
00:44:30,400 --> 00:44:33,680
Speaker 1: brutal bit I've been hit. That's like some squid Games

846
00:44:33,719 --> 00:44:39,160
Speaker 1: stuff right there. Talking about rejected segments, also from Mike

847
00:44:39,239 --> 00:44:41,880
Speaker 1: d It's a spin off of one of other segments

848
00:44:41,920 --> 00:44:43,680
Speaker 1: where we do the employee of the month, but instead

849
00:44:43,719 --> 00:44:45,560
Speaker 1: we recognize the person who is the worst employee of

850
00:44:45,560 --> 00:44:48,800
Speaker 1: the man because person needs to show the most improvement,

851
00:44:49,040 --> 00:44:51,359
Speaker 1: and we list all the things they did badly last month.

852
00:44:51,640 --> 00:44:54,399
Speaker 1: That's hilarious money worst That just would not be good

853
00:44:54,440 --> 00:45:01,600
Speaker 1: for morale. Rejected segments Morgan number two, and this one

854
00:45:01,640 --> 00:45:04,359
Speaker 1: actually wasn't so bad. I just I guess it didn't

855
00:45:04,360 --> 00:45:06,360
Speaker 1: get to it. But you've been in three different workout

856
00:45:06,360 --> 00:45:09,200
Speaker 1: classes where the same guy keeps live streaming the workouts. Yeah,

857
00:45:09,400 --> 00:45:11,439
Speaker 1: I'm like in the background of all of his live

858
00:45:11,520 --> 00:45:13,880
Speaker 1: streams and I'm just working out. I didn't figure it

859
00:45:13,920 --> 00:45:17,000
Speaker 1: out until all the way through a full workout class

860
00:45:17,000 --> 00:45:19,320
Speaker 1: and I walk over and there's people like commenting on

861
00:45:19,480 --> 00:45:21,880
Speaker 1: what we're doing. Is he a person in the class

862
00:45:21,960 --> 00:45:24,040
Speaker 1: or teaching the class? No, he's a person in the class. Oh,

863
00:45:24,080 --> 00:45:26,279
Speaker 1: he's just in the class. Yeah, that's so weird. He's

864
00:45:26,320 --> 00:45:29,120
Speaker 1: live streaming himself, yes, so that others can work out

865
00:45:29,200 --> 00:45:31,000
Speaker 1: with him. I don't know. But then the rest of

866
00:45:31,080 --> 00:45:32,600
Speaker 1: us are in the background of it, and we don't

867
00:45:32,600 --> 00:45:34,719
Speaker 1: know that strangers are commenting on what we're doing while

868
00:45:34,760 --> 00:45:37,200
Speaker 1: working out. Yeah. Usually just sign it consent if we're

869
00:45:37,200 --> 00:45:38,520
Speaker 1: a if you're a teacher, I get it, Like, Hey,

870
00:45:38,560 --> 00:45:40,399
Speaker 1: we're gonna live stream the class to people who can't

871
00:45:40,400 --> 00:45:43,240
Speaker 1: get up here. Yeah, just somebody random, Yeah, just setting

872
00:45:43,360 --> 00:45:45,320
Speaker 1: up on the side, like watching him go at it.

873
00:45:45,760 --> 00:45:49,320
Speaker 1: Oh that doesn't sound listen. I even watched him do

874
00:45:49,480 --> 00:45:53,399
Speaker 1: ab crunches with his body like, you know, his legs

875
00:45:53,440 --> 00:45:55,840
Speaker 1: towards the camera. It was not a pretty goal. Is

876
00:45:55,880 --> 00:46:02,399
Speaker 1: this like a thing like a acted segments? Lunchbox back

877
00:46:02,400 --> 00:46:04,760
Speaker 1: in the mix here, Hello, Lunchbox is mad at Sports

878
00:46:04,800 --> 00:46:09,520
Speaker 1: Illustrated Swimsuit Edition. Oh boy, because they're not putting on models.

879
00:46:09,600 --> 00:46:13,400
Speaker 1: He doesn't know. Yeah, they put Kim Kardashian on the

880
00:46:13,719 --> 00:46:15,720
Speaker 1: cover of the Swimsuit issue and I'm like, we already

881
00:46:15,760 --> 00:46:18,919
Speaker 1: know Kim Kardashian. Give another model a break. And also,

882
00:46:19,000 --> 00:46:21,360
Speaker 1: that's how we discover new models. That's how we what

883
00:46:21,400 --> 00:46:23,200
Speaker 1: do you what do you need models for? I mean,

884
00:46:23,560 --> 00:46:25,120
Speaker 1: that's how they get their big break and we get

885
00:46:25,160 --> 00:46:26,920
Speaker 1: to see a new hotty instead of oh Kim kay,

886
00:46:26,920 --> 00:46:29,480
Speaker 1: we already see Kim kana bikini all the time. They

887
00:46:29,520 --> 00:46:38,400
Speaker 1: should rejected segments. Frustrating. Okay, Raimundo saw on TikTok how

888
00:46:38,480 --> 00:46:40,359
Speaker 1: he can remove excess skin from his eye for twenty

889
00:46:40,400 --> 00:46:41,719
Speaker 1: dollars and let's know if he should try it on

890
00:46:41,719 --> 00:46:44,480
Speaker 1: the air. Yes, tell us how Yeah, I've had these

891
00:46:44,560 --> 00:46:46,520
Speaker 1: stighs on my eyelids. They run in my family, and

892
00:46:46,600 --> 00:46:48,400
Speaker 1: my grandpa had on, my father has them, and my

893
00:46:48,480 --> 00:46:50,520
Speaker 1: wife in a noise, or it's right on my eye,

894
00:46:50,560 --> 00:46:56,520
Speaker 1: it's been there rejected segments twenty dollars or yes, he's

895
00:46:56,520 --> 00:46:58,160
Speaker 1: gonna lose an eye. He's gonna tell us and somebody's

896
00:46:58,160 --> 00:47:00,880
Speaker 1: gonna do it, but he could do it on air. Yeah, reject.

897
00:47:02,360 --> 00:47:06,160
Speaker 1: I got one left. This one is from lunchbox. He

898
00:47:06,320 --> 00:47:10,400
Speaker 1: wanted to spill the tea on shady Scuba Steve because

899
00:47:10,400 --> 00:47:13,080
Speaker 1: he saw a shady deal in the parking lot and

900
00:47:13,160 --> 00:47:15,719
Speaker 1: he doesn't think what Scooba is doing is legal. Yes,

901
00:47:15,840 --> 00:47:18,720
Speaker 1: there was a car that pulled into the garage. Scuba

902
00:47:18,760 --> 00:47:21,680
Speaker 1: went out there, looked at his left right, stuck his

903
00:47:21,760 --> 00:47:24,080
Speaker 1: hand in the car. Person handed him like a brown

904
00:47:24,120 --> 00:47:26,320
Speaker 1: paper bag, wrapped up. Kooba went put it in his

905
00:47:26,400 --> 00:47:29,279
Speaker 1: truck like no one was watching. I was like, that

906
00:47:29,400 --> 00:47:31,320
Speaker 1: doesn't seem very normal to ask you a question. It

907
00:47:31,400 --> 00:47:34,600
Speaker 1: wasn't like an Amazon delivery. It was a can't cash

908
00:47:34,719 --> 00:47:37,400
Speaker 1: for something like how did this go down? Let me

909
00:47:37,480 --> 00:47:40,160
Speaker 1: just run this by it? Yeah, you like Scooba, Steve. Yeah,

910
00:47:40,360 --> 00:47:42,120
Speaker 1: let's say he was doing a drug deal, which I

911
00:47:42,120 --> 00:47:43,759
Speaker 1: don't think it was. I don't know what he was doing,

912
00:47:43,760 --> 00:47:45,120
Speaker 1: all right, but let's say it was. Would you really

913
00:47:45,160 --> 00:47:46,239
Speaker 1: want to come in here and tell on him for

914
00:47:46,280 --> 00:47:48,359
Speaker 1: doing that. I mean, if it's going down to work,

915
00:47:48,440 --> 00:47:50,000
Speaker 1: like do that at your house, man, don't bring that

916
00:47:50,120 --> 00:47:53,880
Speaker 1: business to my work. It was me at Jeopardy doesn't

917
00:47:54,000 --> 00:47:56,040
Speaker 1: But what was it really? I don't Goooba, Steve, I

918
00:47:56,120 --> 00:47:57,840
Speaker 1: don't know, I don't. It wasn't a drug deal, so

919
00:47:57,840 --> 00:47:59,680
Speaker 1: I don't mind asking him this. Yeah, yeah, no problem

920
00:47:59,760 --> 00:48:01,560
Speaker 1: was it drug deal? It was not actually the thing

921
00:48:01,560 --> 00:48:03,440
Speaker 1: you're speaking into right now, that red microphone that I

922
00:48:03,520 --> 00:48:06,359
Speaker 1: got you for Christmas. It was that. Oh they got

923
00:48:06,360 --> 00:48:09,160
Speaker 1: brought dropped it off and I was trying to be

924
00:48:09,200 --> 00:48:12,399
Speaker 1: secret about it because it was a surprise. Oh oh

925
00:48:12,480 --> 00:48:15,319
Speaker 1: that's it. So how do you feel, Lunchbox? I feel good.

926
00:48:15,360 --> 00:48:17,200
Speaker 1: I'm glad. It was not breaking the law. It just

927
00:48:17,239 --> 00:48:19,160
Speaker 1: seemed weird than you're gonna just tell them it was.

928
00:48:19,400 --> 00:48:22,320
Speaker 1: The car was all tinted windows, and it was just

929
00:48:22,360 --> 00:48:30,319
Speaker 1: seeing every car almost it had a radio, just seeing

930
00:48:30,400 --> 00:48:34,480
Speaker 1: really shady. Okay, well those are all rejected segments. Amy

931
00:48:34,520 --> 00:48:36,800
Speaker 1: didn't make the least good job. Oh but I don't know.

932
00:48:36,880 --> 00:48:39,520
Speaker 1: It's kind of fun hearing them. Okay, here here's bat

933
00:48:39,600 --> 00:48:41,800
Speaker 1: room for you. A woman trusted Amy with her purse

934
00:48:41,880 --> 00:48:44,799
Speaker 1: in the bathroom. Whoa, oh yeah, that's a big dude.

935
00:48:44,800 --> 00:48:47,839
Speaker 1: That's weird, not crazy. So she was in the stall

936
00:48:47,920 --> 00:48:50,719
Speaker 1: next to me, and her like toddler son was in

937
00:48:50,880 --> 00:48:53,600
Speaker 1: there with her, and he kept throwing stuff out of

938
00:48:53,640 --> 00:48:56,160
Speaker 1: her purse into the other stalls. And so when I

939
00:48:56,239 --> 00:48:58,279
Speaker 1: got out and washing my hand, she scooted it under

940
00:48:58,760 --> 00:49:00,759
Speaker 1: and she was like, can you wash this for me?

941
00:49:01,280 --> 00:49:03,520
Speaker 1: And I'm like, this woman does not know me. But

942
00:49:03,680 --> 00:49:05,560
Speaker 1: I gathered everything and put it up on the sync

943
00:49:05,640 --> 00:49:08,799
Speaker 1: and waited for her to come out. You look trustworthy.

944
00:49:09,640 --> 00:49:13,200
Speaker 1: She couldn't see me through the stall. But why was

945
00:49:13,239 --> 00:49:15,840
Speaker 1: that rejected? Because she wasn't talking about it. Well, I

946
00:49:15,960 --> 00:49:17,680
Speaker 1: wasn't going to And you're like, whoa, why had that?

947
00:49:17,760 --> 00:49:20,279
Speaker 1: I'm here? Well okay, but I just thought, wow, this

948
00:49:20,440 --> 00:49:23,719
Speaker 1: woman trusts me because I could have just walked out

949
00:49:23,760 --> 00:49:27,000
Speaker 1: with her personal problem. That's rejected segments. Thank you everybody.

950
00:49:27,480 --> 00:49:32,720
Speaker 1: Please rejected segments. Keep them coming Over to the voicemail

951
00:49:32,800 --> 00:49:35,440
Speaker 1: line to a Maya who is ten years old. I

952
00:49:35,560 --> 00:49:37,360
Speaker 1: had a question for you. Why am the one? Have

953
00:49:37,680 --> 00:49:40,560
Speaker 1: you not watch lying kids? That kind of makes me mad.

954
00:49:40,960 --> 00:49:44,839
Speaker 1: Have a good day. You are nine? Oh she got

955
00:49:44,920 --> 00:49:47,520
Speaker 1: in trouble at end of the call. That's funny. And

956
00:49:47,600 --> 00:49:49,520
Speaker 1: her mom yelled year nine, so she may lied about

957
00:49:49,520 --> 00:49:52,799
Speaker 1: me in ten. That's funny. I think that's that. I've

958
00:49:52,840 --> 00:49:54,719
Speaker 1: never seen Lion King. I don't watch Disney movies as

959
00:49:54,719 --> 00:49:57,719
Speaker 1: a kid, so as I got older, I didn't watch

960
00:49:57,800 --> 00:49:59,320
Speaker 1: Disney movies as I got older. And I don't have

961
00:49:59,440 --> 00:50:01,120
Speaker 1: kids yet. I have it, I'm sure I will, but

962
00:50:01,160 --> 00:50:03,959
Speaker 1: I've never seen Lion King. I know the story. What's

963
00:50:04,000 --> 00:50:07,120
Speaker 1: the story? Lion walks into the jungle? Bartender's like, how

964
00:50:07,160 --> 00:50:10,880
Speaker 1: many willabee? Yeah? You nailed it. Yeah, that's it. Plans

965
00:50:10,920 --> 00:50:14,759
Speaker 1: like r Bartela, we don't serve that here? Right? Yeah?

966
00:50:15,080 --> 00:50:17,239
Speaker 1: Then he is Crown King. Cool, here we go. This

967
00:50:17,520 --> 00:50:20,759
Speaker 1: is Ashley from Raleigh, North Carolina. I have a morning

968
00:50:20,840 --> 00:50:23,279
Speaker 1: corny for Amy. What does a cat order from a

969
00:50:23,360 --> 00:50:29,640
Speaker 1: Mexican restaurant? Pariso? Also for Eddie? All right by Amy

970
00:50:29,719 --> 00:50:35,560
Speaker 1: for the cat, Eddie for the Mexican stop. Thank You's

971
00:50:35,640 --> 00:50:38,640
Speaker 1: Amy's pile of stories and a new poll, eighty three

972
00:50:38,760 --> 00:50:41,120
Speaker 1: percent of people say they keep it a secret if

973
00:50:41,160 --> 00:50:44,560
Speaker 1: they won a lottery. Jack Pott. I think they say that,

974
00:50:45,840 --> 00:50:47,680
Speaker 1: but there's no way you can keep that a secret

975
00:50:47,719 --> 00:50:51,520
Speaker 1: if you win five million dollars and more. What's a secret? Krish,

976
00:50:51,560 --> 00:50:55,759
Speaker 1: you got a new boat out there? Yeah? That's hey,

977
00:50:57,360 --> 00:51:01,160
Speaker 1: hey Krish, you got a new truck. Just keeping a

978
00:51:01,239 --> 00:51:03,399
Speaker 1: secret and saying nothing. I wonder if there's some people

979
00:51:03,480 --> 00:51:05,600
Speaker 1: that try to keep it a secret from like everybody

980
00:51:05,640 --> 00:51:08,320
Speaker 1: in their life, like even their partner, spouse. No, I

981
00:51:08,360 --> 00:51:10,640
Speaker 1: don't think you can pull that off. No, that would

982
00:51:10,640 --> 00:51:13,759
Speaker 1: be tough. Hey, Chris, my husband, you got a new boat.

983
00:51:14,160 --> 00:51:15,879
Speaker 1: It makes you think these The other headline I saw

984
00:51:16,000 --> 00:51:17,480
Speaker 1: this morning about a husband that was mad at his

985
00:51:17,560 --> 00:51:19,680
Speaker 1: wife for keeping a get out secret get out fund

986
00:51:19,719 --> 00:51:22,680
Speaker 1: of thirty k she built it up over fifteen years. Yes,

987
00:51:22,760 --> 00:51:25,160
Speaker 1: I don't. I don't hate interesting. You don't hate a

988
00:51:25,239 --> 00:51:28,160
Speaker 1: secret get out fund. No, as long as the secret

989
00:51:28,200 --> 00:51:30,799
Speaker 1: nobody's ever heard, and then you're always prepared. I did

990
00:51:30,920 --> 00:51:34,040
Speaker 1: see in this lottery article, though, that only four percent

991
00:51:34,120 --> 00:51:37,239
Speaker 1: would share their money with co workers. Yeah, I mean,

992
00:51:37,440 --> 00:51:40,120
Speaker 1: it's not your family, I know, But why would I

993
00:51:40,160 --> 00:51:42,040
Speaker 1: share money with it just randomly with co worker? That

994
00:51:42,040 --> 00:51:45,080
Speaker 1: would be weird. But if you won the five hundred

995
00:51:45,120 --> 00:51:46,920
Speaker 1: million dollar one, you wouln't cut us all at it.

996
00:51:47,160 --> 00:51:48,760
Speaker 1: This is not about me and us. This is about

997
00:51:49,000 --> 00:51:51,359
Speaker 1: people and their co workers. Most people don't spend every

998
00:51:51,440 --> 00:51:53,719
Speaker 1: day for fifteen years with their co workers that are

999
00:51:53,800 --> 00:51:55,680
Speaker 1: only their co workers because they were friends first and

1000
00:51:55,719 --> 00:51:57,600
Speaker 1: brought them on. Gotcha. Okay, so I would think most

1001
00:51:57,680 --> 00:51:59,400
Speaker 1: over like, I give them my coat, keep it go

1002
00:51:59,480 --> 00:52:02,000
Speaker 1: over there, crop, But there's no way eighty four percent

1003
00:52:02,040 --> 00:52:04,200
Speaker 1: of people can keep that secret. And the dollar amount

1004
00:52:04,239 --> 00:52:07,160
Speaker 1: for people to quit their jobs four million. That's what

1005
00:52:07,239 --> 00:52:08,480
Speaker 1: they need to win. If I want a hundred, I

1006
00:52:08,520 --> 00:52:10,359
Speaker 1: wouldn't quit my job. That's how I know I'm doing

1007
00:52:10,400 --> 00:52:12,359
Speaker 1: the thing that you supposed to be doing. Well. Yeah,

1008
00:52:12,920 --> 00:52:15,400
Speaker 1: so this is not an AD, but I saw Sonic

1009
00:52:15,440 --> 00:52:19,120
Speaker 1: put out a summer snacking venu and there's something on

1010
00:52:19,360 --> 00:52:21,360
Speaker 1: there that I was like, well, this seems interesting and

1011
00:52:21,400 --> 00:52:26,120
Speaker 1: I want to try. And it's called tat chos. Yes. Yeah,

1012
00:52:26,440 --> 00:52:28,360
Speaker 1: by the way, not an ad. Are studios covered in

1013
00:52:28,440 --> 00:52:32,440
Speaker 1: Sonic stuff I just saw? Okay, part of it is

1014
00:52:32,520 --> 00:52:37,960
Speaker 1: not partly paid Sonic sponsorship. Yeah. I just was like, oh, tatchos.

1015
00:52:39,239 --> 00:52:42,680
Speaker 1: Try those. But here's the deal. You can only order

1016
00:52:42,760 --> 00:52:45,000
Speaker 1: tat chows if you have the Sonic app. And by

1017
00:52:45,040 --> 00:52:47,840
Speaker 1: the way, on the app drinks half price. But this

1018
00:52:48,000 --> 00:52:51,520
Speaker 1: is not a map. I mean you use Sony more

1019
00:52:51,560 --> 00:52:54,120
Speaker 1: than anything else that's on a app. All right, what else? Well, Bobby,

1020
00:52:54,120 --> 00:52:57,360
Speaker 1: if you're ever in a coma for some reason, I

1021
00:52:57,520 --> 00:53:00,120
Speaker 1: have some songs that have woken people up. Yeah, you

1022
00:53:00,160 --> 00:53:08,600
Speaker 1: got Living on a Prayer bon Jovie. Maybe you're you're

1023
00:53:08,640 --> 00:53:10,799
Speaker 1: hearing the song as you're in a coma. You're like prayer,

1024
00:53:10,960 --> 00:53:12,520
Speaker 1: living on a prayer? Are you just say a little prayer?

1025
00:53:12,560 --> 00:53:15,120
Speaker 1: Boom you wake up? Oh see? Yeah? Wow? The words?

1026
00:53:15,560 --> 00:53:22,800
Speaker 1: What about unchained Melody, the Righteous Brothers, this wocal woman up? No,

1027
00:53:22,880 --> 00:53:24,439
Speaker 1: I'd be like, oh, this makes me sleepy. I'm gonna

1028
00:53:24,440 --> 00:53:27,279
Speaker 1: standing stand a coma for a little bit. James Blunt,

1029
00:53:27,320 --> 00:53:30,640
Speaker 1: you're beautiful, Yeah, beautiful. I think kill myself. I kept

1030
00:53:30,680 --> 00:53:33,840
Speaker 1: hearing this over and over again. Yeah you don't like

1031
00:53:33,960 --> 00:53:35,719
Speaker 1: this one. I do like it, but I've started so

1032
00:53:35,800 --> 00:53:37,560
Speaker 1: many times. So I'd be like, this would have made

1033
00:53:37,560 --> 00:53:40,120
Speaker 1: me come back to earth, and then adel I'd run

1034
00:53:40,160 --> 00:53:48,000
Speaker 1: toward the lights. For this particular girl, doctors were like, God,

1035
00:53:48,000 --> 00:53:49,640
Speaker 1: I don't think she's ever gonna wake up, and then

1036
00:53:49,840 --> 00:53:52,759
Speaker 1: walla rolling in the d I think everybody has their

1037
00:53:52,800 --> 00:53:55,040
Speaker 1: own come out of coma taste, right, Yeah, I can

1038
00:53:55,120 --> 00:53:58,319
Speaker 1: just imagine. Now I'm in a coma and beep beep.

1039
00:53:58,360 --> 00:54:01,360
Speaker 1: It's quiet, yes, beep beep, And Eddie walks in with

1040
00:54:01,440 --> 00:54:04,840
Speaker 1: a boombox ninety style above my head. Well, sure, on

1041
00:54:04,880 --> 00:54:07,759
Speaker 1: your shoulder, on your head, lays it on the foot

1042
00:54:07,760 --> 00:54:11,960
Speaker 1: of the bed. Beep beep. He says, hey man, it's

1043
00:54:12,000 --> 00:54:13,720
Speaker 1: me Eddie. I want to play you a song. Okay,

1044
00:54:14,360 --> 00:54:16,800
Speaker 1: And then I'm like, I still let me beep and

1045
00:54:16,840 --> 00:54:19,319
Speaker 1: then Eddie hits play. He hits uh the tape player

1046
00:54:19,360 --> 00:54:25,160
Speaker 1: to click, think, don't don't. That's great. It starts with

1047
00:54:25,400 --> 00:54:28,920
Speaker 1: the nerd. Wait, these moving guys. Play guys. Get a

1048
00:54:29,040 --> 00:54:34,720
Speaker 1: doctor in here. He's moving. What happened? What? What? What yourself?

1049
00:54:36,840 --> 00:54:39,000
Speaker 1: You're wrong? Eddie's at you. I'm gonna turn it up

1050
00:54:39,000 --> 00:54:42,239
Speaker 1: a little bit, Eddie, are you still bad at golf?

1051
00:54:42,280 --> 00:54:45,839
Speaker 1: What year is it? Yeah, it's still I'm okay. Then

1052
00:54:45,880 --> 00:54:48,880
Speaker 1: I'm up. It's the end of the world, staying right

1053
00:54:48,960 --> 00:54:52,040
Speaker 1: into it. That's it. You guys know what song to play? Remember?

1054
00:54:53,560 --> 00:54:57,600
Speaker 1: How long? Clatter? Stay on the beeper? What? How long

1055
00:54:57,640 --> 00:54:59,920
Speaker 1: do you remember? Don't ever kill me? All right? That's

1056
00:55:01,400 --> 00:55:05,320
Speaker 1: maybe that's my file. That was Amy's pile of stories.

1057
00:55:07,800 --> 00:55:15,200
Speaker 1: It's time for the good news. There's a couple, Chelsea

1058
00:55:15,360 --> 00:55:18,359
Speaker 1: Mueller and Jeff Bradley. They planned to get married back

1059
00:55:18,400 --> 00:55:21,400
Speaker 1: in twenty twenty, but then COVID happened and totally messed

1060
00:55:21,480 --> 00:55:23,840
Speaker 1: up all of their wedding plans. Still haven't had that

1061
00:55:23,880 --> 00:55:26,640
Speaker 1: wedding yet. While they had a planned for later this summer,

1062
00:55:27,040 --> 00:55:29,800
Speaker 1: she's pregnant with child. That something they definitely wanted to

1063
00:55:29,880 --> 00:55:33,160
Speaker 1: do before they had children was get married. Well, she

1064
00:55:33,239 --> 00:55:36,160
Speaker 1: went into early labor. It was given birth at the hospital.

1065
00:55:36,239 --> 00:55:39,160
Speaker 1: So what did the hospital staff do? Planned a wedding

1066
00:55:39,160 --> 00:55:42,440
Speaker 1: at the hospital. So they had this hospital classroom that

1067
00:55:42,480 --> 00:55:45,680
Speaker 1: they turned into a chapel. The hospital chaplain married them

1068
00:55:46,080 --> 00:55:49,400
Speaker 1: the cafeteria, put together a wedding cake and sparkling cider

1069
00:55:49,480 --> 00:55:51,920
Speaker 1: and send it on up and they had like a

1070
00:55:52,040 --> 00:55:54,839
Speaker 1: full on wedding. So that way they could a lot

1071
00:55:54,840 --> 00:55:58,480
Speaker 1: of money. So the baby's gonna share a birthday with

1072
00:55:58,840 --> 00:56:01,960
Speaker 1: the anniversary. Yeah, if it all happened on the same

1073
00:56:02,520 --> 00:56:06,399
Speaker 1: figure it out, it's interesting maybe the Yeah, that's when

1074
00:56:06,440 --> 00:56:09,320
Speaker 1: it all click around the same time. Yeah, and she

1075
00:56:09,520 --> 00:56:13,000
Speaker 1: know the wife, the bride, the mom to be. She

1076
00:56:13,239 --> 00:56:16,080
Speaker 1: expected just a little bedside ceremony but the hospital staff,

1077
00:56:16,120 --> 00:56:18,480
Speaker 1: they're the real heroes here and they went above and beyond,

1078
00:56:18,520 --> 00:56:21,520
Speaker 1: so I want to shout out them. Tim Pinago's Regional

1079
00:56:21,640 --> 00:56:24,640
Speaker 1: Hospital in Utah. Yeah, the kids are gonna be like

1080
00:56:24,920 --> 00:56:29,800
Speaker 1: my birthday and then it about nine. Wait, wait a second,

1081
00:56:31,560 --> 00:56:33,680
Speaker 1: that's good though, good for the hospital. It definitely didn't

1082
00:56:33,680 --> 00:56:35,600
Speaker 1: have to do that. All right, that's what it's all about.

1083
00:56:36,280 --> 00:56:40,239
Speaker 1: That was tell me something good. Now, time to go

1084
00:56:40,440 --> 00:56:47,440
Speaker 1: to Amy and get in the morning, Corny morning, What

1085
00:56:47,680 --> 00:56:52,279
Speaker 1: does I d K stand for? I know this it's

1086
00:56:52,320 --> 00:56:54,480
Speaker 1: I don't know. But if I say I don't know,

1087
00:56:54,600 --> 00:56:57,040
Speaker 1: she's gonna go like you don't know? I feel like

1088
00:56:57,160 --> 00:57:01,759
Speaker 1: the investigating idkuh? What does id K stand for? Well,

1089
00:57:01,760 --> 00:57:03,800
Speaker 1: I've asked lots of people, but nobody seems to know.

1090
00:57:05,880 --> 00:57:15,160
Speaker 1: I say, I don't know. That was the morning, Corny.

1091
00:57:15,400 --> 00:57:17,840
Speaker 1: The top three spots are on the board. Amy named

1092
00:57:17,880 --> 00:57:20,960
Speaker 1: the top spot people secretly hide in their house closet.

1093
00:57:22,680 --> 00:57:25,600
Speaker 1: Closet did not make it? Oh really that's for you,

1094
00:57:25,720 --> 00:57:28,880
Speaker 1: I know. Number one? Yeah, and then garage like in

1095
00:57:28,920 --> 00:57:31,560
Speaker 1: the garage at number three, Yes, there you go go ahead,

1096
00:57:31,760 --> 00:57:36,200
Speaker 1: bathroom at number two, the bathroom and number one pantry.

1097
00:57:36,680 --> 00:57:39,920
Speaker 1: But why have. That's a perfect place to hide marks.

1098
00:57:40,000 --> 00:57:41,720
Speaker 1: You're going there. You got all the snacks, you just

1099
00:57:41,880 --> 00:57:45,360
Speaker 1: sit on the floor. Perfect. The bed still ranks the

1100
00:57:45,400 --> 00:57:47,200
Speaker 1: top spot the bed. I can't hide in the bed

1101
00:57:48,040 --> 00:57:53,480
Speaker 1: and they'll find you. Yeah, it's time to open up

1102
00:57:53,720 --> 00:58:04,560
Speaker 1: the mail bag. Something we call Hello. Bobby Bones my husband.

1103
00:58:04,600 --> 00:58:06,560
Speaker 1: I've been married for almost five years. We have two

1104
00:58:06,640 --> 00:58:09,280
Speaker 1: children together. Were at the point where we're almost trying

1105
00:58:09,280 --> 00:58:11,480
Speaker 1: to determine whether or not to continue growing our family.

1106
00:58:11,840 --> 00:58:13,920
Speaker 1: We got married. He wanted one or two kids. I

1107
00:58:13,960 --> 00:58:16,720
Speaker 1: wanted four or five kids. Now he feels our family

1108
00:58:16,800 --> 00:58:19,720
Speaker 1: size as perfect as is, but I don't feel as

1109
00:58:19,760 --> 00:58:23,560
Speaker 1: our family is complete. I would never force having another

1110
00:58:23,640 --> 00:58:26,480
Speaker 1: kid on him, but I have received the same advice

1111
00:58:26,560 --> 00:58:29,400
Speaker 1: from so many people. You may regret not having more kids,

1112
00:58:30,560 --> 00:58:34,040
Speaker 1: No one regrets having more. Obviously, it's a personal choice.

1113
00:58:34,040 --> 00:58:37,640
Speaker 1: It's different for every family. But considering that Amy, Eddie

1114
00:58:37,840 --> 00:58:41,280
Speaker 1: Lunchbox and yourself have different family sizes, I'd love to

1115
00:58:41,360 --> 00:58:44,760
Speaker 1: know your opinions on what the ideal number of kids is.

1116
00:58:46,160 --> 00:58:47,840
Speaker 1: How did you know? How do you know when your

1117
00:58:47,840 --> 00:58:51,240
Speaker 1: family is complete? Thanks Adrian and Kentucky, PS. Loved you

1118
00:58:51,400 --> 00:58:55,280
Speaker 1: in Otown all right? How many at the beginning, did

1119
00:58:55,320 --> 00:58:59,080
Speaker 1: you say they have two children together? Right? Yeah? So

1120
00:58:59,240 --> 00:59:01,760
Speaker 1: Amy talking about family size for a second. Well, I

1121
00:59:01,960 --> 00:59:04,480
Speaker 1: have two, but I feel like the perfect size is

1122
00:59:04,520 --> 00:59:10,560
Speaker 1: about four. Wow, but i'd with four labs. My sister

1123
00:59:10,720 --> 00:59:14,200
Speaker 1: has four kids and it's so cool. I love watching

1124
00:59:14,280 --> 00:59:17,760
Speaker 1: them all together. And I sometimes I'm sad because I

1125
00:59:17,840 --> 00:59:20,200
Speaker 1: don't have that, and I'm not going to but it's okay.

1126
00:59:20,280 --> 00:59:23,600
Speaker 1: I love my two kids, and occasionally I want a baby,

1127
00:59:24,120 --> 00:59:26,720
Speaker 1: but then that's just probably not gonna happen. Maybe it will.

1128
00:59:27,160 --> 00:59:30,120
Speaker 1: We're not opposed to it, but I don't. I don't.

1129
00:59:30,200 --> 00:59:32,520
Speaker 1: I guess two is probably our number. You know, I

1130
00:59:32,560 --> 00:59:35,240
Speaker 1: don't have kids. I feel like probably to be well,

1131
00:59:35,240 --> 00:59:37,840
Speaker 1: i'd like to max out two twins right away, dude,

1132
00:59:37,920 --> 00:59:42,680
Speaker 1: just get it over. Oh yeah, so, but that's all

1133
00:59:42,720 --> 00:59:44,320
Speaker 1: I'm gonna say. I have a lot to add here,

1134
00:59:44,360 --> 00:59:46,080
Speaker 1: except for I grew up with just a sister. Well,

1135
00:59:46,080 --> 00:59:48,480
Speaker 1: I had a half brother. I didn't know it's two steps.

1136
00:59:48,840 --> 00:59:51,720
Speaker 1: It was the whole thing, a family tree went in

1137
00:59:51,760 --> 00:59:54,760
Speaker 1: all different directions. But I had a brother. I liked

1138
00:59:54,800 --> 00:59:56,560
Speaker 1: it too. I feel like two's good for us. Eddie

1139
00:59:56,640 --> 00:59:58,520
Speaker 1: f four kids. Why don't you talk about it. Yeah, So,

1140
00:59:58,720 --> 01:00:01,320
Speaker 1: in no way am I knock in the size of

1141
01:00:01,400 --> 01:00:04,200
Speaker 1: my family. But I will tell you I have four boys,

1142
01:00:05,120 --> 01:00:09,959
Speaker 1: and life is a lot simpler and easier when three

1143
01:00:10,040 --> 01:00:13,360
Speaker 1: are around. With a four, it's chaos just because there's

1144
01:00:13,400 --> 01:00:15,200
Speaker 1: just so much going on. And I have ranged from

1145
01:00:15,240 --> 01:00:18,040
Speaker 1: fourteen year old to three year old, and it gets crazy.

1146
01:00:18,400 --> 01:00:20,280
Speaker 1: And I do Amy, You're right. I do love the

1147
01:00:20,360 --> 01:00:22,680
Speaker 1: whole team vibe like we're one player short of a

1148
01:00:22,720 --> 01:00:24,880
Speaker 1: basketball team. It's really cool, like to have all of

1149
01:00:24,960 --> 01:00:27,240
Speaker 1: us kind of go around to the grocery store together.

1150
01:00:27,560 --> 01:00:30,680
Speaker 1: But man, that fourth one makes life a little more difficult.

1151
01:00:30,720 --> 01:00:34,600
Speaker 1: Maybe it's cool when they're like ten. Yea, yeah, you're

1152
01:00:34,640 --> 01:00:37,720
Speaker 1: gonna be so glad like family gatherings later, Like it's

1153
01:00:37,760 --> 01:00:40,640
Speaker 1: just gonna be so full people. Or you could just

1154
01:00:40,680 --> 01:00:44,480
Speaker 1: have a ten year old. Yeah no, no, no, no

1155
01:00:44,520 --> 01:00:46,400
Speaker 1: no no no no no no no, it comes out

1156
01:00:46,440 --> 01:00:49,880
Speaker 1: of the womb. Ten. Yeah, that's not painful. It would.

1157
01:00:50,080 --> 01:00:53,080
Speaker 1: That's why I said, I wish and had all the

1158
01:00:53,160 --> 01:00:54,960
Speaker 1: development of a ten year old, and like you had

1159
01:00:55,000 --> 01:00:57,080
Speaker 1: spent time like you you plant a chip in their

1160
01:00:57,120 --> 01:00:58,680
Speaker 1: brain of what you would have done. But they're ten

1161
01:00:58,800 --> 01:01:02,440
Speaker 1: now and it's all good that nothing yet yet all right?

1162
01:01:02,760 --> 01:01:05,200
Speaker 1: All right, not yet all right, so good luck. I

1163
01:01:05,280 --> 01:01:07,040
Speaker 1: think here's my my advice. Do you have one more?

1164
01:01:07,400 --> 01:01:09,400
Speaker 1: You don't have to have four? Have three? Three sounds good,

1165
01:01:09,520 --> 01:01:12,000
Speaker 1: three sounds three sounds right on, and take it. Take

1166
01:01:12,000 --> 01:01:14,280
Speaker 1: the advice of Eddie. Three's awesome of what you want

1167
01:01:14,520 --> 01:01:17,080
Speaker 1: or can get over a little tough. All right, Hey,

1168
01:01:17,160 --> 01:01:20,080
Speaker 1: thank you for the email. We appreciate that. Close it up,

1169
01:01:20,440 --> 01:01:26,360
Speaker 1: We got your Now it's found to clothed Bobby bad

1170
01:01:26,720 --> 01:01:32,040
Speaker 1: Ye show down, Sorry to day. This story comes to

1171
01:01:32,120 --> 01:01:36,320
Speaker 1: us from Washington, DC around eight fifty two am. Paramedics

1172
01:01:36,400 --> 01:01:38,480
Speaker 1: g gonna call guy in distress at the corner of

1173
01:01:38,640 --> 01:01:42,000
Speaker 1: mL Came Chicago Street. They respond they're out tending to

1174
01:01:42,080 --> 01:01:44,560
Speaker 1: the guy when a thirty four year old man walks up,

1175
01:01:44,640 --> 01:01:48,920
Speaker 1: jumps in the amblance and drives away. Man, was he drunk?

1176
01:01:49,160 --> 01:01:51,280
Speaker 1: Did it say? I just think you've got to be

1177
01:01:51,360 --> 01:01:54,919
Speaker 1: on something to make that decision, unless it's like, yeah,

1178
01:01:54,960 --> 01:01:57,840
Speaker 1: but super bucket list, because you ain't get you ain't

1179
01:01:57,880 --> 01:02:00,280
Speaker 1: getting away with iron playing that guy, Darren that one,

1180
01:02:00,480 --> 01:02:03,160
Speaker 1: all right? Truth to dear Bobby, No, I didn't say

1181
01:02:03,160 --> 01:02:05,440
Speaker 1: that he was under the influence. Oh wow, Did he

1182
01:02:05,520 --> 01:02:07,760
Speaker 1: need to get somewhere? Doesn't say, He just says he

1183
01:02:07,840 --> 01:02:10,600
Speaker 1: jumped in the amblance drove it away and boom. Was

1184
01:02:10,680 --> 01:02:13,760
Speaker 1: he in a hurt to get things done? Did he

1185
01:02:13,840 --> 01:02:17,080
Speaker 1: rush and rush like life's no fun? Did all he

1186
01:02:17,160 --> 01:02:19,280
Speaker 1: wanted to do is live and die? Was he just

1187
01:02:19,400 --> 01:02:21,320
Speaker 1: in a hurry and didn't know why? All right? Thank

1188
01:02:21,320 --> 01:02:23,480
Speaker 1: you much, I'm lunchboxed. That's your bone head story of

1189
01:02:23,520 --> 01:02:26,600
Speaker 1: the day. Hey, thank you guys for hanging out. Really

1190
01:02:26,600 --> 01:02:29,160
Speaker 1: appreciate you guys being part of the show today, for listening,

1191
01:02:29,240 --> 01:02:33,360
Speaker 1: for calling, for tweeting mister Bobby Bones on Twitter and Instagram.

1192
01:02:33,760 --> 01:02:35,760
Speaker 1: Thanks guys, show