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Speaker 1: No Willian, no doctor, and we're back.

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Speaker 2: Yes. End of the week, Rory, how you feeling excited?

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Speaker 3: Yeah? I like you in festival mode. Where are you

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Speaker 3: going now? We're telling when you in festival mode? I'm

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Speaker 3: definitely not. Did you get a facial did you get

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Speaker 3: like did you sit in a song or something? You

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Speaker 3: look no, hydrated skin, looks like actually a little tired

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Speaker 3: to be quite on? Really, yeah, that makes me sure.

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Speaker 2: He had a suit jacket on it day? I said,

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Speaker 2: what do you have a suit? Yes, it's a jack.

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Speaker 2: It's just a regular jacket. He had a shoot on today.

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Speaker 4: No, when I show you the jacket, you're gonna be

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Speaker 4: like the Marus. How did you see a suit? And

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Speaker 4: what he was wearing?

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Speaker 2: Oh? Okay, he was just like j Cole and that

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Speaker 2: one magazine interview. Did GQ one? I didn't.

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Speaker 3: I don't ever don't.

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Speaker 2: I didn't remember. I don't remember as the cold fits,

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Speaker 2: I don't remember what he was wearing. Well, how are

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Speaker 2: you feeling?

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Speaker 3: I'm great, man, got my t you know what I'm saying.

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Speaker 3: End of the week, feeling good, feeling great?

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Speaker 4: Yeah, I think well, definitely not festival season. I'm gonna

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Speaker 4: go to l A next week though, So M come

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Speaker 4: on about man.

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Speaker 3: You know when you say LA and look me in

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Speaker 3: my eyes like that, I know what that means, Like

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Speaker 3: you want me to look at flight. They know what

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Speaker 3: you meant to worry about it.

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Speaker 2: We could do that to go listen, man, I wouldn't

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Speaker 2: have to miss an episode.

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Speaker 3: No, But I hate when you go to LA for

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Speaker 3: like producer Rory stuff love Rory, Yeah, because he walked

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Speaker 3: fast and than he already du Yeah, It's like I

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Speaker 3: can't I can't keep up with him.

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Speaker 2: He don't take the fucking sunglasses off.

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Speaker 3: Yeah, and it's like, you know, my guy's working. Man,

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Speaker 3: I don't want to interfit.

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Speaker 4: You think you think wanten in like the music studio

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Speaker 4: I wear. You think I like I'm Ryan Leslie or

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Speaker 4: some shit Ryan Leslie or Leslie Quincy Rory, I put

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Speaker 4: on the suit, glasses, everything. Well, when was the last

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Speaker 4: time any of us have been in LA that wasn't

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Speaker 4: working with I don't think I've ever been to LA

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Speaker 4: not work related in my life, and I've been to LA.

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Speaker 2: Probably fifty that makes sense, maybe more than fifty times.

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Speaker 3: That makes it. Most people from the East Coast, like

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Speaker 3: especially New York. If you go to LA. It's usually

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Speaker 3: for work stuff.

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Speaker 4: And like, no disrespect to LA, but if I have

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Speaker 4: some free time off, I'm not getting on a five

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Speaker 4: to six hour flight to go to Los Angeles for

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Speaker 4: some R and R.

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Speaker 3: Yeah, I think that's just not where I'm going go

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Speaker 3: to an island or something if it's a vacation. Yeah.

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Speaker 4: And I have a lot of friends out there, and

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Speaker 4: they do give me a lot of shit like can

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Speaker 4: you come out here when you're not working so we

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Speaker 4: can actually hang out.

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Speaker 3: I'm like, no, no, I'm cool, That's what I'm saying.

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Speaker 3: I don't know if I want to go this time

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Speaker 3: with you, because once you work mode, this is a

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Speaker 3: different road.

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Speaker 2: You don't want to be in the music video?

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Speaker 3: What's my what's my what's my part? What am I playing?

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Speaker 4: Well, I'm writing some sketches now for it. Okay, Yeah,

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Speaker 4: I could write you in.

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Speaker 2: I see what I could do, what I could do.

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Speaker 4: I'll check with myself to see if it'll be okay,

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Speaker 4: move some stuff around.

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Speaker 2: See if you guys eight hour shoot day, I'll see that. Yeah,

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Speaker 2: give me a little twenty minutes somewhere in there.

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Speaker 3: Man.

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Speaker 2: So I do need some.

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Speaker 4: Extras though, and I was gonna put out like a

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Speaker 4: proper flyer on ig story if you need some extras

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Speaker 4: in the video. If we have any listeners out in

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Speaker 4: LA as of now, tentatively we'd be shooting on Thursday

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Speaker 4: the ninth. Yeah, I was gonna ask if like some

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Speaker 4: listeners could fill, you will fill some seats.

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Speaker 3: I can call the homies. No, no, you don't want no, no, no,

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Speaker 3: you mean only homies to just stand around.

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Speaker 4: I'd rather sit there and answer questions about raptor Bates

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Speaker 4: and stuff. Uncle, tell all your six old friends. Yeah,

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Speaker 4: it's cool, man, I appreciate lucky. I'm here to check in,

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Speaker 4: but we don't need your services at the shoot.

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Speaker 3: I just had a homie full up and just make

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Speaker 3: sure you are.

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Speaker 2: When have you ever seen gang members at a video shoot?

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Speaker 3: And it went, well, they're not gang members. They're just

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Speaker 3: from the same community, man, That's all it is. They

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Speaker 3: grew up together, that's yeahs we're made up same block

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Speaker 3: course system. Yeah, come on, man, you know that. You

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Speaker 3: know that should go. Anyways, we're back spotsor by boostmobile

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Speaker 3: unlimited updexs in Baby. What's up? How you feeling? I

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Speaker 3: feel good?

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Speaker 2: No? No, no, no, don't give me that ship. How

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Speaker 2: you feeling. You want me to be miserable.

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Speaker 3: No, I want you to I want you sound miserable.

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Speaker 3: I want you to sound like you saying, oh good,

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Speaker 3: I'm listening to your conversation. All was just making sure

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Speaker 3: you hight over there.

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Speaker 5: That's trying to figure out maybe I want to go

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Speaker 5: to LA. Maybe I was trying to figure out what

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Speaker 5: I had I must schedule.

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Speaker 2: You want to be like a video vixen in the video.

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Speaker 3: This is what hold on. This is why baby full

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Speaker 3: of shit? She just said off camera. I can't wait

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Speaker 3: to stay home all weekend.

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Speaker 2: That's this weekend. He's not going this weekend. He's going

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Speaker 2: next week.

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Speaker 3: Okay, he's leaving Tuesday though, So that kind of paulays

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Speaker 3: over into the weekend Sunday, Saturday, Sunday, with Monday you out.

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Speaker 3: I'm ready to go outside now.

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Speaker 2: That's enough time to bed rock and then you can

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Speaker 2: get it.

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Speaker 3: No trying to get that baby d be full of

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Speaker 3: shit when she try to act like she don't want

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Speaker 3: to be outside of never try to being outside. Now.

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Speaker 2: You ain't tired of being outside, you know you're not.

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Speaker 5: There's a difference between tired of being out in nature

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Speaker 5: and tired of being outside socializing.

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Speaker 3: If I go to L What do I do when

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Speaker 3: I go to L when you have outside of nature?

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Speaker 3: What the last time you've been in nature? Baby D?

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Speaker 2: I went and I was in nature. I took a

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Speaker 2: very long walk when I was down south, down south.

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Speaker 4: If you tell telling me Runyan Kannon, it's not socializing,

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Speaker 4: then I don't know what to tell me.

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Speaker 2: Like you outside. No, when I go to l A,

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Speaker 2: y'all know, I be laying by that pool, phone on

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Speaker 2: D and D phone.

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Speaker 3: Your phone is never on D and D.

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Speaker 2: No, actually it is all the time, and it pisses

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Speaker 2: me off. Never not on D and D.

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Speaker 5: Why your phone on D and D because I don't

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Speaker 5: like being indeed, indeed, I don't like being disturbed.

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Speaker 2: My phone always on DND.

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Speaker 5: I was just having a conversation with Leanna about how

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Speaker 5: I was arguing with Page earlier.

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Speaker 2: Me and Page was arguing back and.

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Speaker 3: Forth about what who had the best muggarine.

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Speaker 5: I know our jobs. So Page wrote me something and

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Speaker 5: I wrote back something. He wrote me back, and I

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Speaker 5: was done this. I'm like, I'm not discussing this anymore.

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Speaker 5: So I wrote him back and I put my phone

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Speaker 5: on D and D. So it went into like it

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Speaker 5: just went Demeris's phone is do not disturb right after

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Speaker 5: I wrote him.

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Speaker 2: And he was like, don't silence me. Nah, that what

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Speaker 2: I said that.

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Speaker 3: You can't silence me?

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Speaker 2: Wait, is in a group chat with you on and

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Speaker 2: pach No just me and p okay got yeah, okay.

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Speaker 3: Texting putting somebody that you're currently texting on D and

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Speaker 3: D like in the middle of that is wild. That

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Speaker 3: is crazy.

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Speaker 4: Yeah, that's I guess that's the new version of like

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Speaker 4: slamming your flip phone shut is the D and D thing.

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Speaker 4: I don't mind if it's like past nine o'clock, cool,

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Speaker 4: everyone deserves their their space. But Tuesday at one pm,

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Speaker 4: get your fucking phone off D and D. It drives

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Speaker 4: me nuts. Like if I'm calling you, it's for a

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Speaker 4: specific reason at this time.

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Speaker 3: I've never put my phone on D and D. Not

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Speaker 3: one time. You will. I'm just saying I've never had

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Speaker 3: Like I never.

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Speaker 5: You just ignore people. I don't like having to do that.

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Speaker 5: I mean, ringers off, but like I don't like feeling

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Speaker 5: the vibration.

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Speaker 3: You don't even want to vibe.

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Speaker 2: I just don't want to just like we don't even

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Speaker 2: want the vibes. I don't know. I want to know

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Speaker 2: your content, like I just get that phone off rose mode.

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Speaker 3: Yeah, I want no vibration.

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Speaker 5: When I'm ready to talk, I'll go check and say, oh,

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Speaker 5: did anyone contact me?

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Speaker 2: If yes, then okay, I'll choose to who to respond to.

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Speaker 2: If not, then not.

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Speaker 5: Because if Rory calls me in the middle of the day,

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Speaker 5: even if I ignore him because I want to talk,

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Speaker 5: I'm not wondering what he wanted.

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Speaker 2: I don't even want that. Though in my head, you.

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Speaker 3: Want of those people like if you got your phone

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Speaker 3: on D and D, if somebody text you, you see

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Speaker 3: the text, even though it's on D and D, you'll

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Speaker 3: hit them back Like.

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Speaker 2: What, No, I just don't hit them back at all.

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Speaker 3: Talk.

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Speaker 4: I wish remember like away messages with aim. Yeah, I

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Speaker 4: wish we could have that in text messages, especially for

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Speaker 4: specific people, Like I can pick ten people that can

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Speaker 4: text me at any time without my way message hitting them.

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Speaker 4: But I want like an automatic response of I'm not

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Speaker 4: by my phone.

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Speaker 2: Maybe I'll get back to you at some point.

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Speaker 3: Isn't that what the little thing on Instagram is now?

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Speaker 3: It's then like a way message. No, that's just free

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Speaker 3: where you sub like, yo, ho, that's what that's what.

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Speaker 3: The Way messages was. The way message always subs. Yeah,

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Speaker 3: you're both right, Yeah, it's always subs. Girls used to

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Speaker 3: sub you. Why are you currently texting them? They changed

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Speaker 3: their way message. I'm like, yo, who else could you

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Speaker 3: be talking right now? You just changed your way message

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Speaker 3: in the middle of our conversation. Niggas ain't shit word

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Speaker 3: word else.

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Speaker 2: And you had to be like more creative back then,

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Speaker 2: because now a girl.

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Speaker 4: Could just post like a meme to like show to

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Speaker 4: sub somebody someone else could write her material and get

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Speaker 4: that feeling off. Like away messages, you had to type

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Speaker 4: that yourself, yeah, and say exactly what you were going through.

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Speaker 3: Way Messages was cool though. I like that error.

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Speaker 2: We need automatic out of the office text message.

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Speaker 3: Shit. They kind of have that though, when you text people,

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Speaker 3: like they'll send an automatic text back like currently driving

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Speaker 3: or something like that.

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Speaker 4: Like they do have those, right, Oh that's one like

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Speaker 4: you're in car play mode and shit like that. Yeah,

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Speaker 4: but I want to like a custom one that for

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Speaker 4: specific people, like I would love to set my phone.

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Speaker 2: I still find it odd.

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Speaker 4: I've been doing this for ten years at the same time,

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Speaker 4: and people still think they could call me one more

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Speaker 4: recording neither here nor there. But I wish I could

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Speaker 4: just set something like I'm recording. I'll get back to

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Speaker 4: you when I can.

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Speaker 5: Mm, well, see that's what my my location like, you

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Speaker 5: know how you can set custom locations when I'm here,

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Speaker 5: my location says in front of this god forsaking mic.

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Speaker 5: People who have my location will go look at my

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Speaker 5: location and still called me, and I'm like, I'm literally

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Speaker 5: at work, Like do you want to be on the episode?

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Speaker 4: I don't, but yeah, okay, but even like cool, I

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Speaker 4: hear you, but I don't want to give like everyone

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Speaker 4: I ever worked with my location, Like Lloyon knows our

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Speaker 4: recording schedule for some reason, just tends to ignore it

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Speaker 4: all the time. And sometimes he makes me nervous while

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Speaker 4: we're recording, like hey, your Chase account just exploded, and

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Speaker 4: like he knows I'm recording, and like question mark, I'm like,

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Speaker 4: I'll get back to you in five hours, yo.

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Speaker 5: What is people's obsession with starting arguments with you when

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Speaker 5: they know you in front? Like a nigga will wait

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Speaker 5: all day the moment one o'clock hit.

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Speaker 2: He knows I'm sitting in front of.

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Speaker 5: His mic, He texts, why are you trying to fight

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Speaker 5: with me? Right before I get front of this fucking mike.

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Speaker 5: I do not understand that shit. People do that shit

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Speaker 5: all the time, you know that, and for my job, Like.

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Speaker 3: Yeah, but that's because you give the Roman access. You

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Speaker 3: know what I'm saying, that's your problem. Gonna start. This

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Speaker 3: starts at the top, It starts with you. But oh,

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Speaker 3: you know what I'm saying, rocks from the head exactly.

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Speaker 3: You see what I'm saying. Why are you giving him

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Speaker 3: access to you?

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Speaker 2: Yeah, you're reflection.

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Speaker 3: Yeah, you don't need that energy, right, that's gonna now

258
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Speaker 3: that's throwing you all off. You're giving the wrong reviews

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Speaker 3: on music now and all of that.

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Speaker 2: Like you just start saying I agree with everything, like.

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Speaker 3: You know, just start doing by like you throwing you

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Speaker 3: all off yours. Come on now, I can't let that happen.

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Speaker 5: And me and mom mashed today. He called me to

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Speaker 5: the ass meal color I was wearing and told him.

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Speaker 2: You got through the I got through the Did you

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Speaker 2: have to hit the alert anyways? And it makes the

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Speaker 2: message Yeah, I just had to see what baby like

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Speaker 2: what you're wearing?

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Speaker 3: That cool?

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Speaker 2: Me and page. We try to do the same he had.

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Speaker 2: The whites got the white, the white whites white with the.

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Speaker 3: White arms out. That's what's up.

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Speaker 4: I mean, Ryot's got a little of your Godspeed flair

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Speaker 4: going on, but you know, just the Asian version DJ.

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Speaker 2: Banana everything that put on God's speed. Thinking of.

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Speaker 3: That, I don't think I'm God's send, So no.

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Speaker 2: You don't think your gods. No, Lucifer definitely sitting him

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Speaker 2: me to see, Yo, why the marriage you trying to

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Speaker 2: paint me like that? You try to pay me.

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Speaker 3: Like the worst con of nigga. What you mean Lucifer

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Speaker 3: sent me? You came from the pits of hell. And

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Speaker 3: Lucifer was like, I want you to wreak havoc on

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Speaker 3: the Bronx, Like you think it was me?

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Speaker 2: That's crazy? What are you saying about Mall's moms.

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Speaker 3: I'm one of the most like progressive guys from my

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Speaker 3: neighborhood like me, I'm glad.

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Speaker 2: You added from your neighborhood at the end of the

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Speaker 2: whole room, just got really.

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Speaker 3: From my neighborhood.

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Speaker 4: Yeah, and like you should probably apologize to his sister too,

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Speaker 4: she was right there side by side.

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Speaker 5: Yeah, but you think Lucifer sent me and not her. Yeah,

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Speaker 5: the damonic spirit did it. What's trade her?

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Speaker 4: Isn't there some some Bible ship with the devil angel

295
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Speaker 4: and they were.

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Speaker 2: Twins like some ship like.

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Speaker 3: One of those chapters? Can remember which one? It is

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Speaker 3: one of those chapters in there right?

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Speaker 4: Anyways, I know the marriage you do not see because

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Speaker 4: you're on D and D. But we did drop the

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Speaker 4: the a live stream link in the recording chat last night.

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Speaker 4: Did did you watch did you watch the Kanye Show?

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Speaker 3: Or no?

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Speaker 4: Are you the most progressive person in your neighborhood so

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Speaker 4: you could not?

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Speaker 5: Yeah, I was definitely a well, no, I live in Bedsie.

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Speaker 5: I am not the most progressive person in my neighborhood.

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Speaker 5: But I didn't see it.

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Speaker 2: How was it? I mean it was Kanye. It's incredible. Yeah,

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Speaker 2: as much as I I keep trying to find ways

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Speaker 2: to hate him, I'm just I'm letting you'll know.

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Speaker 3: As much as I really don't rock with Kanye with

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Speaker 3: things he said in the past couple of years, but

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Speaker 3: like he's still a great thought.

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Speaker 4: He finds like the simplest things to make so many like,

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Speaker 4: how how come no one's thought about standing on top

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Speaker 4: of the world?

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Speaker 2: And making it led screens.

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Speaker 3: Well, this was kind of sort of what they did

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Speaker 3: with the concert to him and Drake did, It's just

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Speaker 3: more elevated. But that was kind of the vibe of,

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Speaker 3: you know, them standing on top of what we thought

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Speaker 3: was like the moon or something.

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Speaker 2: Yeah, yeah, yeah, I forgot that whole thing. Yeah, but yeah,

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Speaker 2: I thought it was gonna be more similar to the

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Speaker 2: Mexico City one, and it was in a different set.

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Speaker 2: It was very very Kanye esque though, of stopping Good

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Speaker 2: Life four times to tell his DJ, I'm sorry, not

329
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Speaker 2: the DJ, the lighting guy stopped putting these fucking lights

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Speaker 2: on me.

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Speaker 3: Yeah, the strobes like you.

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Speaker 2: Know that guy.

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Speaker 4: You know that guy was front of house having a

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Speaker 4: fucking panic attack. Because I don't think he purposely kept

335
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Speaker 4: putting those lights on.

336
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Speaker 2: I don't think he.

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Speaker 4: Knew how to turn them off. So every time Kanye started,

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Speaker 4: they went back on. You know, you'll imagine because lighting people,

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Speaker 4: I'm sure fuck ups happened all the time, like in

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Speaker 4: any other profession, but to have one of the biggest

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Speaker 4: artists that's ever lived stop his concert four times and

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Speaker 4: you're sitting there in front of house with your little

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Speaker 4: ear muss on and people are screaming in your ear?

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Speaker 2: Can you imagine that anxiety attack that you would have.

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Speaker 3: My thing is they didn't have, like because it felt

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Speaker 3: like they didn't rehearse that that It was kind of

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Speaker 3: like he gave them the direction of the mood he wanted,

348
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Speaker 3: the lights he wanted, and maybe just gave like no, he.

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Speaker 2: Said verbatim after the fourth restart, we went over this

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Speaker 2: in rehearsals.

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Speaker 3: Oh so then I'm wrong, he said.

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Speaker 4: Is this an asine skit? Like if someone really fucking

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Speaker 4: me right now? Yeah, they went through in rehearsals, and

354
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Speaker 4: mind you, I'm just a novice. I didn't even really

355
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Speaker 4: see the difference once he starts.

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Speaker 2: I think there were lights only Kanye could see you.

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Speaker 3: I want to say, you know, that's only Kanye.

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Speaker 2: I didn't see the difference. Once he was okay with it,

359
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Speaker 2: I was like, well, what.

360
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Speaker 3: The Kanye is so maniacal and so you know, meticulous

361
00:14:34,520 --> 00:14:37,080
Speaker 3: with his ship that he would notice if one light

362
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Speaker 3: bulb was out. Yeah, like he was like, now it's

363
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Speaker 3: throwing the hole like nobody else in the arena, in

364
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Speaker 3: the stadium, nobody knows. Nobody could see this one light bulb.

365
00:14:44,640 --> 00:14:47,360
Speaker 3: That's not flickering the way Ya would want it to,

366
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Speaker 3: and he's going to stop the entire show to say, listen,

367
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Speaker 3: this is not what we rehearsed. Listen.

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Speaker 2: I mean, either way, it was it was a great performance.

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Speaker 3: Yeah, production wise, it was great. I think they have

370
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Speaker 3: some things to tweak with the audio a little bit

371
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Speaker 3: on certain songs, like with the with the auto tune

372
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Speaker 3: and things like that.

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Speaker 4: I think so, I think it might be a live

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Speaker 4: stream thing because I hear you they on the Mexico

375
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Speaker 4: City one it fucked up a few times as well.

376
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Speaker 4: I don't know if they're hearing that at the actual show.

377
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Speaker 4: I just don't know if if the line from whatever

378
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Speaker 4: tune they're using with that microphone that's in house is

379
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Speaker 4: going to the stream, if it's also going like maybe

380
00:15:23,800 --> 00:15:26,120
Speaker 4: just one mic is going to the stream, whereas it

381
00:15:26,160 --> 00:15:26,680
Speaker 4: should be both.

382
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Speaker 2: Because yeah, a few times.

383
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Speaker 3: You think Kanye wouldn't wouldn't have that in order.

384
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Speaker 4: I mean, I agree with you, But it happened in

385
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Speaker 4: the Mexico City ones, and I've seen that with other

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Speaker 4: people that have like live stream shows before. Sometimes whatever

387
00:15:38,840 --> 00:15:41,680
Speaker 4: effect they're throwing on just doesn't make it to the stream.

388
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Speaker 2: For some reason.

389
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Speaker 4: That's how they've exposed a couple of artists for how

390
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Speaker 4: they actually sound.

391
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Speaker 3: Mm hmm.

392
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Speaker 4: You streaming this this this Christmas time shown it ain't

393
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Speaker 4: mixed on stream.

394
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Speaker 3: What about Kanye though, Like he's been through the highs,

395
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Speaker 3: highest of the highs and the lows of the lows

396
00:15:59,400 --> 00:16:01,520
Speaker 3: when it comes to celebrity and just being in the

397
00:16:01,560 --> 00:16:04,720
Speaker 3: tabloids and the headlines. But what is it about him

398
00:16:05,040 --> 00:16:07,600
Speaker 3: to where he can pack out the Sofi Stadium like that,

399
00:16:08,040 --> 00:16:10,440
Speaker 3: after even going through all of that, being quote unquote

400
00:16:10,480 --> 00:16:14,280
Speaker 3: canceled and you know, losing some of the biggest deals

401
00:16:14,320 --> 00:16:18,000
Speaker 3: ever in partnerships and brands and things like that, to

402
00:16:18,120 --> 00:16:21,120
Speaker 3: still have over a million people in the queue to

403
00:16:21,160 --> 00:16:25,520
Speaker 3: get tickets to a show and to pack the Sofi Stadium,

404
00:16:25,600 --> 00:16:27,520
Speaker 3: which is probably his I think that was his first

405
00:16:27,520 --> 00:16:30,080
Speaker 3: one in the US in a while, right, its first

406
00:16:30,480 --> 00:16:34,920
Speaker 3: Yeah concert? Bet a minute? Is he Is he the

407
00:16:34,960 --> 00:16:38,640
Speaker 3: biggest artist in the world currently? Yeah?

408
00:16:38,760 --> 00:16:43,760
Speaker 2: No, uh yeah, I don't like how would you gauge that.

409
00:16:45,000 --> 00:16:47,600
Speaker 3: I mean, being canceled the way he's been canceled.

410
00:16:47,320 --> 00:16:50,280
Speaker 2: Like Taylor, He's never successfully been canceled.

411
00:16:51,000 --> 00:16:54,040
Speaker 3: Yeah, I mean, what do you mean by successfully been canceled?

412
00:16:54,280 --> 00:16:57,080
Speaker 2: We've had that cancelation like successfully, Well.

413
00:16:56,960 --> 00:16:59,520
Speaker 3: Your fans don't cancel you. I'm on the side of that.

414
00:16:59,600 --> 00:17:01,920
Speaker 3: I'll down on that hill. Your fans do not cancel you.

415
00:17:01,960 --> 00:17:03,520
Speaker 3: But anybody that cancels.

416
00:17:03,160 --> 00:17:08,000
Speaker 5: You, fans like Kanye even I don't even want to

417
00:17:08,000 --> 00:17:11,520
Speaker 5: just say fans. The community that you come from and

418
00:17:11,520 --> 00:17:15,080
Speaker 5: that supports you outside of the slavery is a choice.

419
00:17:15,119 --> 00:17:15,359
Speaker 3: Shit.

420
00:17:15,880 --> 00:17:19,639
Speaker 5: He never really did anything to like really be canceled

421
00:17:19,680 --> 00:17:23,399
Speaker 5: by them, like the Jews, was never really like the

422
00:17:23,480 --> 00:17:25,600
Speaker 5: bit like who was holding Kanye's career.

423
00:17:25,440 --> 00:17:33,359
Speaker 4: Upcount He did get successful, not successfully canceled forever. But

424
00:17:33,440 --> 00:17:35,840
Speaker 4: a cancelation did happen when you say, I could say

425
00:17:35,840 --> 00:17:39,920
Speaker 4: anti Semitic things and Adidas won't drop me, and then Adidas,

426
00:17:39,960 --> 00:17:42,240
Speaker 4: which you just made a billion, why your billionaire was

427
00:17:42,280 --> 00:17:44,040
Speaker 4: with your Adidas deal and they drop you.

428
00:17:44,240 --> 00:17:47,440
Speaker 5: Kanye the fashion designer might have gotten canceled. Kanye the

429
00:17:47,560 --> 00:17:52,920
Speaker 5: artist did not get canceled. Oh well, Jews the artist,

430
00:17:54,080 --> 00:17:58,000
Speaker 5: you're no. So in the fashion world, Kanye might still

431
00:17:58,040 --> 00:18:00,280
Speaker 5: be canceled. He he will probably deal with with the

432
00:18:00,320 --> 00:18:02,280
Speaker 5: fallout of that for the rest of his life.

433
00:18:02,560 --> 00:18:05,080
Speaker 4: Business Wise, the amount of money he made off he

434
00:18:05,440 --> 00:18:07,359
Speaker 4: did that commercial for the super Bowl, not this year,

435
00:18:07,440 --> 00:18:09,840
Speaker 4: the year before that, few years before that. The amount

436
00:18:09,920 --> 00:18:11,960
Speaker 4: of product he sold was I think it made it

437
00:18:11,960 --> 00:18:12,680
Speaker 4: a billionaire again.

438
00:18:12,960 --> 00:18:15,560
Speaker 5: Yeah, But what I'm saying is, as far as the

439
00:18:15,600 --> 00:18:18,600
Speaker 5: type of deal he had with Adidas, he may not

440
00:18:18,760 --> 00:18:22,560
Speaker 5: see that type of deal structured again because of whatever

441
00:18:22,600 --> 00:18:23,720
Speaker 5: powers may be that he.

442
00:18:23,720 --> 00:18:27,280
Speaker 2: Might have offended. Right want different. But Kanye the.

443
00:18:27,400 --> 00:18:29,800
Speaker 5: Artist when it comes to his music, was not in

444
00:18:29,920 --> 00:18:32,560
Speaker 5: danger of cancelation, not even just from his fans, but

445
00:18:32,640 --> 00:18:34,080
Speaker 5: just from a cultural standpoint.

446
00:18:34,680 --> 00:18:38,359
Speaker 2: The people he really really really really offended didn't That

447
00:18:38,520 --> 00:18:40,600
Speaker 2: wasn't no, it was they weren't going to buy a

448
00:18:40,600 --> 00:18:41,920
Speaker 2: bully anyways. Yeah, exactly.

449
00:18:41,920 --> 00:18:44,160
Speaker 4: I guess why I'll ask when you say biggest artists

450
00:18:44,160 --> 00:18:47,280
Speaker 4: in the world, you have to lean on numbers unfortunately

451
00:18:47,800 --> 00:18:50,720
Speaker 4: with that, but like it's tough to say, one hundred

452
00:18:50,720 --> 00:18:53,680
Speaker 4: and seventeen units first week is incredible, especially with absolutely

453
00:18:53,680 --> 00:18:57,240
Speaker 4: no promo pushbacks, this and that. That's so hard to

454
00:18:57,280 --> 00:18:58,960
Speaker 4: do to just throw out an album and do that.

455
00:18:59,040 --> 00:19:02,000
Speaker 4: But I mean, you still have Taylor Swift in the world.

456
00:19:02,119 --> 00:19:05,879
Speaker 4: Like if you're going off sheer numbers, yeah, I mean

457
00:19:05,880 --> 00:19:09,520
Speaker 4: it's tailor and it's kind of not close, like by numbers,

458
00:19:09,560 --> 00:19:13,480
Speaker 4: Bad Bunny is bigger, but you can't erase a twenty

459
00:19:13,480 --> 00:19:14,480
Speaker 4: two year career.

460
00:19:15,560 --> 00:19:16,200
Speaker 2: That's why you.

461
00:19:16,160 --> 00:19:18,480
Speaker 4: Can make the argument, in my opinion, that Kanye could

462
00:19:18,480 --> 00:19:21,240
Speaker 4: still be the biggest artist out because you have twenty

463
00:19:21,280 --> 00:19:22,119
Speaker 4: two years attached to it.

464
00:19:22,119 --> 00:19:24,239
Speaker 2: That's why you can sell out the stadium. He's been

465
00:19:24,280 --> 00:19:25,840
Speaker 2: part of our lives for twenty two years in a

466
00:19:25,960 --> 00:19:28,439
Speaker 2: very important way when it comes to this music, and

467
00:19:28,520 --> 00:19:29,679
Speaker 2: people want to see that.

468
00:19:31,359 --> 00:19:33,719
Speaker 3: Yeah, I mean I get it when you say numbers.

469
00:19:33,840 --> 00:19:37,359
Speaker 3: I know obviously what Bad Bunny does with Taylor Swift does,

470
00:19:38,800 --> 00:19:41,600
Speaker 3: but I just think coming from our culture and what

471
00:19:41,720 --> 00:19:43,680
Speaker 3: Kanye is able to do and the things that he's

472
00:19:43,720 --> 00:19:46,560
Speaker 3: been through and was able to still climb over and

473
00:19:46,920 --> 00:19:49,240
Speaker 3: still get to a point where he sells out so

474
00:19:49,359 --> 00:19:53,600
Speaker 3: Far Stadium and you know, yeah, I think that speaks

475
00:19:53,640 --> 00:19:57,000
Speaker 3: to the artist hit, the power and the magnitude of

476
00:19:57,800 --> 00:20:01,720
Speaker 3: yay like he's. I mean, there's not many people I

477
00:20:01,800 --> 00:20:04,280
Speaker 3: know that can do outside of the obvious, that can

478
00:20:04,600 --> 00:20:09,479
Speaker 3: go through what he's been through and still sell out

479
00:20:09,560 --> 00:20:11,240
Speaker 3: and put on the show like he did last night

480
00:20:11,280 --> 00:20:13,159
Speaker 3: at so Far Stadium. There's not many artists that to

481
00:20:13,240 --> 00:20:13,520
Speaker 3: do that.

482
00:20:14,000 --> 00:20:17,480
Speaker 4: I mean, I mean now doing Wireless Fest headlining three days,

483
00:20:17,520 --> 00:20:19,840
Speaker 4: and I know we briefly spoke about it, but again,

484
00:20:20,119 --> 00:20:21,520
Speaker 4: what not making.

485
00:20:21,359 --> 00:20:23,800
Speaker 2: A Kanye Drake thing. I'm just making a Kanye thing.

486
00:20:23,840 --> 00:20:26,440
Speaker 4: He's one of the most petty human beings on earth

487
00:20:26,480 --> 00:20:29,159
Speaker 4: that does obsess over people. And what Drake did with

488
00:20:29,160 --> 00:20:31,159
Speaker 4: Wireless Fest, with all the people he brought out, he

489
00:20:31,200 --> 00:20:36,160
Speaker 4: put on an incredible three different incredible shows that week.

490
00:20:36,720 --> 00:20:38,879
Speaker 4: I like, Kanye might show us the first real alien

491
00:20:38,920 --> 00:20:40,760
Speaker 4: on stage. I think he's gonna make this one of

492
00:20:40,800 --> 00:20:47,560
Speaker 4: the most important performances of his career. One because he's petty,

493
00:20:47,600 --> 00:20:49,720
Speaker 4: two because he's back outside. He's doing all these other

494
00:20:49,840 --> 00:20:51,640
Speaker 4: kind of like pop up type shows. I think that's

495
00:20:51,640 --> 00:20:53,720
Speaker 4: gonna kind of be Kanye's wave for the next few

496
00:20:53,800 --> 00:20:57,240
Speaker 4: years of just these huge pop up shows. Wireless is

497
00:20:57,280 --> 00:21:00,119
Speaker 4: going to really, I think set the precedent for all

498
00:21:00,000 --> 00:21:03,200
Speaker 4: all that. Because some people that may like maybe feel like,

499
00:21:03,200 --> 00:21:06,840
Speaker 4: oh I'm off Kanye. He'll give you a reminder, never

500
00:21:06,880 --> 00:21:09,000
Speaker 4: remind you. Oh yeah, fuck, I do you like this guy?

501
00:21:08,720 --> 00:21:10,359
Speaker 3: Yeah, he'll throw those records on.

502
00:21:11,160 --> 00:21:13,440
Speaker 4: Twenty two years of my life have just been consumed

503
00:21:13,440 --> 00:21:17,320
Speaker 4: by this guy's catalog. Yeah, yeah, they are the same

504
00:21:17,400 --> 00:21:20,120
Speaker 4: dates as the jay Z shows. I think that's honestly,

505
00:21:20,200 --> 00:21:24,600
Speaker 4: just like a coincidence. I don't wireless was gonna be wild.

506
00:21:24,640 --> 00:21:26,560
Speaker 4: You think Jay did it because he knew Kanye was

507
00:21:26,560 --> 00:21:27,200
Speaker 4: doing Wireless.

508
00:21:27,720 --> 00:21:30,440
Speaker 2: No, you think Yay did it because he knew Jay

509
00:21:30,520 --> 00:21:31,119
Speaker 2: was doing Yankee.

510
00:21:31,160 --> 00:21:33,679
Speaker 4: Well, Wireless is gonna have their date set before they

511
00:21:33,720 --> 00:21:34,919
Speaker 4: even get the headline exactly.

512
00:21:35,040 --> 00:21:38,520
Speaker 2: Yeah, but I don't even know if I would have

513
00:21:38,560 --> 00:21:42,600
Speaker 2: known more. Don't just smirk speak I'm I'm like.

514
00:21:42,680 --> 00:21:45,120
Speaker 3: Rory talk right now. I was going to overtalk him.

515
00:21:45,680 --> 00:21:46,040
Speaker 1: I don't.

516
00:21:46,080 --> 00:21:48,359
Speaker 2: I don't know jay Z, like you know, Jose tell me,

517
00:21:48,400 --> 00:21:48,800
Speaker 2: I don't know.

518
00:21:49,920 --> 00:21:54,119
Speaker 3: I don't think this is a coincidence. Okay, who's part Kanye?

519
00:21:55,520 --> 00:21:58,560
Speaker 4: You think it was an incentive to take the Wireless

520
00:21:59,200 --> 00:22:00,320
Speaker 4: dates because.

521
00:22:00,080 --> 00:22:04,000
Speaker 3: They aligned with what Jay was doing at Yankees. Daddy interesting,

522
00:22:05,520 --> 00:22:08,800
Speaker 3: Jay new to the Yankee dates. You don't think Kanye

523
00:22:08,880 --> 00:22:10,600
Speaker 3: found out the Yankee dates before the world did.

524
00:22:10,720 --> 00:22:10,840
Speaker 2: Oh.

525
00:22:10,880 --> 00:22:13,680
Speaker 4: I'm sure he has the ability to do so for sure.

526
00:22:14,359 --> 00:22:19,000
Speaker 4: But you so you think that was the sole reason, Like,

527
00:22:19,040 --> 00:22:20,880
Speaker 4: all right, fuck it, I'll do it because wireless. Because

528
00:22:20,880 --> 00:22:23,560
Speaker 4: I'm sure Wireless is sent out and offered to Kanye

529
00:22:23,680 --> 00:22:25,879
Speaker 4: every year, like they send out offers to every a

530
00:22:26,000 --> 00:22:28,920
Speaker 4: lister usually are met with no until it's the right timing.

531
00:22:29,160 --> 00:22:30,640
Speaker 2: Shalla, all the big ones do the same thing.

532
00:22:31,160 --> 00:22:33,919
Speaker 4: So you think he got his his usual wireless fest

533
00:22:33,960 --> 00:22:37,119
Speaker 4: offer that his team always gets every year, and said

534
00:22:37,920 --> 00:22:38,880
Speaker 4: what's Jake doing.

535
00:22:39,640 --> 00:22:42,399
Speaker 3: Not what's Jay doing. But once they get when that

536
00:22:42,560 --> 00:22:45,800
Speaker 3: Jay is doing Yankee Stadium, I mean, and then you

537
00:22:45,840 --> 00:22:48,280
Speaker 3: know they see wireless, they're like, oh no, we're taking this,

538
00:22:49,440 --> 00:22:53,480
Speaker 3: Like yeah, we're doing it, Like Kanye's definitely, definitely there's

539
00:22:53,560 --> 00:22:55,919
Speaker 3: that's not a coincidence. That's there's there's no way that

540
00:22:55,920 --> 00:22:59,679
Speaker 3: that's a coincidence. I don't have some secret information that

541
00:22:59,720 --> 00:23:02,080
Speaker 3: I'm not sharing, but I'm just saying there's no way

542
00:23:02,560 --> 00:23:07,800
Speaker 3: that those dates lined up like that. And these two artists,

543
00:23:07,800 --> 00:23:12,600
Speaker 3: who obviously, you know, have history, know each other. Obviously,

544
00:23:12,720 --> 00:23:15,440
Speaker 3: Kanye says some things that we all know he's fallen

545
00:23:15,480 --> 00:23:17,240
Speaker 3: out of the good graces of Jay in the last

546
00:23:17,280 --> 00:23:20,800
Speaker 3: couple of years. Like there's there's a there's a statement

547
00:23:20,840 --> 00:23:22,560
Speaker 3: that Kanye is trying to make I.

548
00:23:22,520 --> 00:23:24,800
Speaker 4: Mean, but it's a like for festivals period, it's a

549
00:23:24,840 --> 00:23:27,840
Speaker 4: popular week, like it's.

550
00:23:27,480 --> 00:23:29,199
Speaker 2: Right after the fourth July Holiday.

551
00:23:29,480 --> 00:23:30,080
Speaker 3: Get right.

552
00:23:30,400 --> 00:23:33,520
Speaker 2: It's everything you're saying. It's not like some like these

553
00:23:33,600 --> 00:23:35,800
Speaker 2: dates have always been a big thing for festivals.

554
00:23:35,800 --> 00:23:39,440
Speaker 3: Everything you're saying is right. You're saying everything right. You're

555
00:23:39,480 --> 00:23:41,760
Speaker 3: not saying anything wrong. Roy, I want you to understand that.

556
00:23:41,920 --> 00:23:42,440
Speaker 2: I thank you.

557
00:23:42,480 --> 00:23:44,760
Speaker 3: But if you think that this is not if you

558
00:23:44,800 --> 00:23:48,080
Speaker 3: think this is a coincidence, cut the ship, bro, This

559
00:23:48,160 --> 00:23:49,399
Speaker 3: is not a fucking coincidence.

560
00:23:50,400 --> 00:23:53,440
Speaker 2: Which one of you tune into, well, I.

561
00:23:53,359 --> 00:23:55,760
Speaker 3: Mean what you say it you'll be But I'm just saying,

562
00:23:55,800 --> 00:23:59,359
Speaker 3: like there is a thing now where people are like, damn, Like,

563
00:23:59,400 --> 00:24:03,440
Speaker 3: I ain't gonna like London wireless Kanye three nights.

564
00:24:05,080 --> 00:24:05,720
Speaker 2: Entertaining it.

565
00:24:05,760 --> 00:24:08,800
Speaker 4: As far as live streams go, it's not even close

566
00:24:08,840 --> 00:24:10,640
Speaker 4: to me. I will be watching If jay Z does

567
00:24:10,680 --> 00:24:13,440
Speaker 4: live stream the Yankee Stadium dates all three, I will

568
00:24:13,480 --> 00:24:17,199
Speaker 4: be watching, and then I'll catch Kanye's replay if if

569
00:24:17,200 --> 00:24:18,320
Speaker 4: they end up with the time, I don't know how

570
00:24:18,359 --> 00:24:20,240
Speaker 4: the times will it's what six hour difference?

571
00:24:20,640 --> 00:24:22,919
Speaker 2: Oh yeah, it's under month, he was.

572
00:24:24,280 --> 00:24:27,000
Speaker 4: Oh yeah, I can do both, Yeah, yeah, dedicate every

573
00:24:27,040 --> 00:24:30,240
Speaker 4: day though, who you think, Oh we gotta rent out

574
00:24:30,240 --> 00:24:30,399
Speaker 4: like a.

575
00:24:30,400 --> 00:24:32,240
Speaker 2: Movie theater or something for three days that would be fun.

576
00:24:32,280 --> 00:24:33,480
Speaker 2: Who do you think I had a better show?

577
00:24:33,960 --> 00:24:34,200
Speaker 3: Jes Z?

578
00:24:36,600 --> 00:24:38,680
Speaker 2: Something about Jay at Yankee Stadium?

579
00:24:38,680 --> 00:24:42,000
Speaker 3: It is just special. Like I mean, Kanye is kind

580
00:24:42,040 --> 00:24:43,239
Speaker 3: He's gonna put on the hell of a show as

581
00:24:43,240 --> 00:24:48,200
Speaker 3: well with Wireless, but Jay at Yankee Stadium, Like, I mean,

582
00:24:48,240 --> 00:24:51,439
Speaker 3: it doesn't get more New York than that, Like that's like,

583
00:24:53,040 --> 00:24:54,639
Speaker 3: you know what I mean, Like are you kidding me?

584
00:24:54,720 --> 00:24:56,520
Speaker 3: Like the only thing bigger than that is if they

585
00:24:56,720 --> 00:24:58,800
Speaker 3: if the fucking Dodgers were still in Brooklyn and Jay

586
00:24:58,840 --> 00:25:00,679
Speaker 3: did that stadium, Like it would be the only thing

587
00:25:00,680 --> 00:25:02,679
Speaker 3: bigger than Jay Yankee Stadium.

588
00:25:02,680 --> 00:25:05,600
Speaker 4: I mean, Kanye is gonna have the better production of

589
00:25:05,920 --> 00:25:10,639
Speaker 4: a show for sure, but to see.

590
00:25:09,200 --> 00:25:11,000
Speaker 3: Be honestly might be back there cooking something enough for

591
00:25:11,119 --> 00:25:14,080
Speaker 3: ho well, I mean Kanye might. She might be in

592
00:25:14,080 --> 00:25:17,200
Speaker 3: control of the lights and the motherfucking you know aesthetics

593
00:25:17,280 --> 00:25:19,120
Speaker 3: well I mean black like you know what I mean, Cowboy

594
00:25:19,160 --> 00:25:20,960
Speaker 3: called ain't gonna be in the building, Like she might

595
00:25:20,960 --> 00:25:24,399
Speaker 3: be writing that motherfucking control pit like light shone on

596
00:25:24,440 --> 00:25:24,920
Speaker 3: the left hand.

597
00:25:26,040 --> 00:25:29,080
Speaker 4: But also, I mean, Kanye is the reason every single

598
00:25:29,760 --> 00:25:32,720
Speaker 4: A list rappers stepped up their live show. Jay Z

599
00:25:32,840 --> 00:25:37,119
Speaker 4: and jay Z included the difference between jay Z's shows

600
00:25:37,160 --> 00:25:40,199
Speaker 4: that I saw before Kanye West was Kanye West and

601
00:25:40,240 --> 00:25:44,080
Speaker 4: then after Yeah, everyone saw Glowing the Dark tour and said,

602
00:25:44,359 --> 00:25:47,120
Speaker 4: damn now rappers, Now it's rappers, we gotta do this shit.

603
00:25:47,240 --> 00:25:49,360
Speaker 4: I thought that was just for the pop stars. Now

604
00:25:49,560 --> 00:25:51,080
Speaker 4: a list rappers, you gotta put on a show. So

605
00:25:51,119 --> 00:25:55,160
Speaker 4: I do think jay Z has great live shows now

606
00:25:55,240 --> 00:25:57,840
Speaker 4: and puts a lot of effort into the production more

607
00:25:57,880 --> 00:25:58,399
Speaker 4: than he used to.

608
00:25:58,920 --> 00:26:02,560
Speaker 2: But he not beating Kanye when it comes to stage

609
00:26:02,920 --> 00:26:03,400
Speaker 2: hands Like.

610
00:26:03,560 --> 00:26:05,440
Speaker 3: J J is not going to be walking on the move,

611
00:26:05,880 --> 00:26:07,000
Speaker 3: but that's just not him.

612
00:26:07,040 --> 00:26:09,959
Speaker 4: But he also has reasonable doubt in his totality in

613
00:26:10,320 --> 00:26:13,200
Speaker 4: center fields like that, by itself is why I think

614
00:26:13,200 --> 00:26:15,040
Speaker 4: it'll just be a better show, because it's like something

615
00:26:15,040 --> 00:26:19,160
Speaker 4: we've never fucking seen. Whereas if Kanye's, well, I've seen

616
00:26:19,240 --> 00:26:24,160
Speaker 4: Kanye walk literally from London to la in one song.

617
00:26:24,160 --> 00:26:25,879
Speaker 4: I've seen him walk around the entire world.

618
00:26:27,000 --> 00:26:30,600
Speaker 3: So yeah, no, Kanye is a He's come on, we visually,

619
00:26:30,640 --> 00:26:32,439
Speaker 3: he's one of the greatest artists we've ever had. We

620
00:26:32,520 --> 00:26:35,240
Speaker 3: know that. But I do think that jay is going

621
00:26:35,320 --> 00:26:38,040
Speaker 3: to step up his production for the Shanky Stadium for

622
00:26:38,080 --> 00:26:39,679
Speaker 3: sure show. I think it's gonna be a different a

623
00:26:39,720 --> 00:26:40,320
Speaker 3: different level.

624
00:26:41,240 --> 00:26:43,280
Speaker 2: I mean, even what he did, do you think he'll

625
00:26:43,280 --> 00:26:43,960
Speaker 2: have any.

626
00:26:45,560 --> 00:26:48,200
Speaker 4: Of like the tricks when we when he headlined Made

627
00:26:48,200 --> 00:26:51,200
Speaker 4: in America, he was at the main stage and then

628
00:26:51,200 --> 00:26:53,880
Speaker 4: he got off, which we thought the show was over,

629
00:26:53,960 --> 00:26:57,200
Speaker 4: and he took a golf cart behind the whole shit

630
00:26:57,520 --> 00:26:59,520
Speaker 4: and ended up on one of the side stages on

631
00:26:59,560 --> 00:26:59,960
Speaker 4: the other.

632
00:26:59,800 --> 00:27:02,000
Speaker 2: Side of the festival.

633
00:27:02,280 --> 00:27:05,560
Speaker 4: And of course in retrospects, no one thought about Stampedes.

634
00:27:05,600 --> 00:27:06,640
Speaker 2: Thank god nobody was hurt.

635
00:27:06,680 --> 00:27:10,320
Speaker 4: But yeah, once you started hearing Hove doing s Carter

636
00:27:10,440 --> 00:27:15,159
Speaker 4: collection mixtape records on the other side of the fairgrounds,

637
00:27:15,200 --> 00:27:17,720
Speaker 4: everyone just started dead sprinting to that, Like I thought,

638
00:27:17,920 --> 00:27:19,919
Speaker 4: those kind of tricks are cool. Yeah, Like, is he

639
00:27:19,960 --> 00:27:22,760
Speaker 4: gonna be in the dugout? Is he gonna sit behind

640
00:27:22,760 --> 00:27:26,359
Speaker 4: home plate with top of the stadium. He's gonna be

641
00:27:26,400 --> 00:27:28,840
Speaker 4: on Henna. He gonna coming on top of.

642
00:27:28,760 --> 00:27:31,280
Speaker 2: The four train to Da bought my uncle Brian's ashes.

643
00:27:33,000 --> 00:27:35,879
Speaker 3: He definitely goes subway surf for sure. That would be hilarious.

644
00:27:36,200 --> 00:27:38,439
Speaker 3: Have it hole ride the back of the train like that. No,

645
00:27:38,520 --> 00:27:40,800
Speaker 3: on top of the train, on the back, No, on

646
00:27:40,880 --> 00:27:42,159
Speaker 3: the back of the train, put me on top of

647
00:27:42,200 --> 00:27:44,840
Speaker 3: the ship pulling on sixty first Street, walk down the

648
00:27:44,840 --> 00:27:46,520
Speaker 3: steps into the state. I could see that I could

649
00:27:46,520 --> 00:27:51,840
Speaker 3: definitely happening. I could definitely say that, boy, you got

650
00:27:51,840 --> 00:27:54,800
Speaker 3: twenty five dollars on you ain't gonna go okay.

651
00:27:54,840 --> 00:27:56,920
Speaker 4: And I just proved to you that you don't need

652
00:27:56,960 --> 00:28:00,280
Speaker 4: to overpay for great wireless. Unlock the savings with twenty

653
00:28:00,359 --> 00:28:04,200
Speaker 4: five dollars a month forever Unlimited plan. It's a permanent

654
00:28:04,240 --> 00:28:07,520
Speaker 4: price with no contracts, no price hikes. Boost Mobile mall.

655
00:28:07,800 --> 00:28:11,000
Speaker 4: That is your way to go. Keep your same phone number.

656
00:28:11,240 --> 00:28:14,080
Speaker 4: Everything you need is gonna stay the same. They'll even

657
00:28:14,119 --> 00:28:16,440
Speaker 4: send someone to your job to get it done.

658
00:28:16,480 --> 00:28:17,240
Speaker 3: This is my job.

659
00:28:17,680 --> 00:28:20,280
Speaker 2: They'll come here here, right here, literally sit between us.

660
00:28:20,320 --> 00:28:22,960
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661
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663
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664
00:28:30,280 --> 00:28:33,320
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665
00:28:33,320 --> 00:28:41,080
Speaker 3: boostmobile dot com.

666
00:28:41,120 --> 00:28:44,000
Speaker 4: Did you see the cam clip? I thought I knew

667
00:28:44,040 --> 00:28:47,280
Speaker 4: all the whole on TANDRAS. I don't even feel like

668
00:28:47,280 --> 00:28:48,240
Speaker 4: a hip hop fan anymore.

669
00:28:49,400 --> 00:28:53,880
Speaker 3: Now. Cam said that he felt like the bar in

670
00:28:54,000 --> 00:28:58,000
Speaker 3: otis was directed towards him. Run up on you use

671
00:28:58,040 --> 00:29:01,600
Speaker 3: the wrong way, I might murk you sylum can be

672
00:29:01,640 --> 00:29:04,360
Speaker 3: purchased because he was distributed by Asylum Records at the time.

673
00:29:04,760 --> 00:29:07,520
Speaker 2: And he also said, flee and the G four sixty

674
00:29:07,720 --> 00:29:09,040
Speaker 2: flee is Cams.

675
00:29:09,040 --> 00:29:12,320
Speaker 3: Flee is Cam, but flee also means to get away. Well,

676
00:29:13,640 --> 00:29:16,800
Speaker 3: I understand, I understand the ontangiously, this is Jay Z.

677
00:29:16,880 --> 00:29:20,479
Speaker 3: We told me so, this this as many layers. I

678
00:29:20,600 --> 00:29:23,640
Speaker 3: just don't know if I'm one hundred percent on board

679
00:29:23,640 --> 00:29:27,800
Speaker 3: that that was directed towards him. I don't know.

680
00:29:28,000 --> 00:29:30,680
Speaker 2: It's giving hit dog hollering like I don't.

681
00:29:30,720 --> 00:29:33,000
Speaker 3: I don't think it's interesting because as a rap as

682
00:29:33,000 --> 00:29:35,120
Speaker 3: an MC, Cam is right, he has to think about that.

683
00:29:35,520 --> 00:29:36,800
Speaker 3: He has to because this is Jay and we know

684
00:29:36,840 --> 00:29:39,280
Speaker 3: the entages and we know how he you know, he

685
00:29:39,280 --> 00:29:40,760
Speaker 3: plays on words and things like that.

686
00:29:41,040 --> 00:29:43,520
Speaker 2: So it's not it's not far fested what Cam is saying.

687
00:29:44,000 --> 00:29:47,680
Speaker 3: I'm just saying, I don't know if I'm on the

688
00:29:47,760 --> 00:29:50,120
Speaker 3: side of Cam saying like yeah, nah, that's a fact,

689
00:29:50,360 --> 00:29:51,880
Speaker 3: like that was that was a shot at him?

690
00:29:52,160 --> 00:29:56,200
Speaker 4: Okay, if they were, they were just dissing Kanye that month,

691
00:29:57,840 --> 00:30:00,040
Speaker 4: run up on Yeezy the way the wrong way am I.

692
00:30:00,480 --> 00:30:02,360
Speaker 4: So we're setting that that part up of somebody that

693
00:30:02,400 --> 00:30:03,840
Speaker 4: would be doing some type.

694
00:30:03,600 --> 00:30:04,480
Speaker 2: Of harm to him.

695
00:30:05,000 --> 00:30:05,280
Speaker 3: Flee.

696
00:30:06,600 --> 00:30:08,680
Speaker 4: Cam's in the name in the G four five fifty,

697
00:30:09,200 --> 00:30:12,280
Speaker 4: I might surface what's political refugee?

698
00:30:14,800 --> 00:30:16,200
Speaker 3: What's a political refugee?

699
00:30:17,800 --> 00:30:24,400
Speaker 4: Diplomat Asylum can be purchased diplomatic community. He's signed to

700
00:30:24,400 --> 00:30:26,720
Speaker 4: asylum at the top. That's one thousand percent about Camp.

701
00:30:27,520 --> 00:30:31,200
Speaker 4: And that's why that's why sometimes I wish, I like

702
00:30:31,320 --> 00:30:35,400
Speaker 4: we always joke because we like no rappers and rappers

703
00:30:35,440 --> 00:30:37,560
Speaker 4: have different ears. Like I wish I could hear all

704
00:30:37,600 --> 00:30:40,440
Speaker 4: the things that rappers here with those subs, because only

705
00:30:40,520 --> 00:30:43,720
Speaker 4: Cam would get that because he's a rapper and they

706
00:30:43,720 --> 00:30:44,640
Speaker 4: were beefing dog.

707
00:30:44,720 --> 00:30:46,560
Speaker 2: I never caught any of that, But.

708
00:30:46,560 --> 00:30:48,240
Speaker 3: Why would My thing is, why would Camp bring that

709
00:30:48,320 --> 00:30:49,280
Speaker 3: up so many years later?

710
00:30:50,120 --> 00:30:52,840
Speaker 5: Because somebody asked him. Do you think Jay ever dished

711
00:30:53,520 --> 00:30:54,720
Speaker 5: ever subbed yout Oh?

712
00:30:54,800 --> 00:30:57,000
Speaker 4: Okay, yeah, he was just asked that, But yeah, I

713
00:30:57,040 --> 00:30:58,960
Speaker 4: mean the way he breaks it down, I don't think

714
00:30:58,960 --> 00:31:01,800
Speaker 4: it's a hit talk. I don't think Jay was like

715
00:31:03,440 --> 00:31:06,400
Speaker 4: trying to publicly publicly discam. I think he just had

716
00:31:06,440 --> 00:31:08,720
Speaker 4: wordplay in his head and laughed and said, I'm tie

717
00:31:08,720 --> 00:31:09,840
Speaker 4: in a little cam shot in there.

718
00:31:10,520 --> 00:31:13,880
Speaker 3: Then that only he will get. The funny shit is

719
00:31:13,880 --> 00:31:15,280
Speaker 3: if you was to ask Ja that, he would look

720
00:31:15,320 --> 00:31:19,000
Speaker 3: at you like and probably wouldn't even respond, but he

721
00:31:19,040 --> 00:31:21,800
Speaker 3: just gave you a look like you really think what

722
00:31:21,840 --> 00:31:26,120
Speaker 3: you think? Like, yeah, like it. I mean, it's a lot.

723
00:31:26,400 --> 00:31:28,960
Speaker 3: That's the only one y'all found, Like, okay, find find

724
00:31:28,960 --> 00:31:29,520
Speaker 3: the other one.

725
00:31:29,760 --> 00:31:31,720
Speaker 5: Now you're about to be cambing through jay Z lyrics

726
00:31:31,720 --> 00:31:33,400
Speaker 5: putting two and three together.

727
00:31:33,640 --> 00:31:35,960
Speaker 3: But that's just how that's how he because he's not

728
00:31:36,720 --> 00:31:39,080
Speaker 3: because Jay understands what it would be. If he just

729
00:31:39,120 --> 00:31:42,040
Speaker 3: flat out said, Cam run up on Yeezy the wrong way,

730
00:31:42,040 --> 00:31:43,800
Speaker 3: I might murk you, let's like, now that's a little

731
00:31:43,840 --> 00:31:47,360
Speaker 3: like you understand what I'm saying, But to tailor it

732
00:31:47,440 --> 00:31:51,880
Speaker 3: that way, it's like, oh shit, Okay, that was fly

733
00:31:52,440 --> 00:31:55,800
Speaker 3: because you're not gonna get that now, Cam, because obviously

734
00:31:55,800 --> 00:31:57,720
Speaker 3: he knows, you know, he would hear some things behind

735
00:31:57,720 --> 00:31:59,400
Speaker 3: the scenes, and you know what I mean, Like he

736
00:31:59,440 --> 00:32:02,680
Speaker 3: probably heard that way before, caught that line way before

737
00:32:02,720 --> 00:32:04,800
Speaker 3: we did, you know what I mean? Because he knows

738
00:32:04,840 --> 00:32:07,000
Speaker 3: that was directed at him, because there's some personal shit

739
00:32:07,040 --> 00:32:09,480
Speaker 3: that was happening. But yeah, that's the type of rapper

740
00:32:09,520 --> 00:32:11,520
Speaker 3: that Jay is. If he's gonna go at you, it's

741
00:32:11,560 --> 00:32:13,360
Speaker 3: not going to be so direct all or something. I

742
00:32:13,400 --> 00:32:16,880
Speaker 3: think that's that's like a skill in itself to be

743
00:32:16,920 --> 00:32:19,920
Speaker 3: able to design a verse a bar like that where

744
00:32:19,920 --> 00:32:23,040
Speaker 3: people can't get it like right away. It takes some

745
00:32:23,120 --> 00:32:24,960
Speaker 3: years and it's like, oh shit, he was going at

746
00:32:25,240 --> 00:32:25,760
Speaker 3: this person.

747
00:32:25,760 --> 00:32:27,240
Speaker 4: And I mean, if you just look at those bars,

748
00:32:28,240 --> 00:32:31,040
Speaker 4: the fact of putting all those four elements into it,

749
00:32:31,040 --> 00:32:34,200
Speaker 4: it had like now it has to be about camp.

750
00:32:34,240 --> 00:32:35,560
Speaker 4: I can't look at that bar and not think it's

751
00:32:35,560 --> 00:32:38,040
Speaker 4: about game. But it's too ironic that all four of

752
00:32:38,040 --> 00:32:40,120
Speaker 4: those things would be tied in together and that and

753
00:32:40,160 --> 00:32:44,720
Speaker 4: not be about Cameron and Dipset. And like Jay's always

754
00:32:44,720 --> 00:32:47,160
Speaker 4: did that with Dipset, Like when Jimmy was going at him,

755
00:32:47,640 --> 00:32:50,680
Speaker 4: it wasn't a direct disc but started out the flex freestyle.

756
00:32:50,680 --> 00:32:52,320
Speaker 2: I'm so independent, you know, I might buy cotch.

757
00:32:53,600 --> 00:32:56,000
Speaker 4: Jimmy was on Cotch, like he would throw a little

758
00:32:56,720 --> 00:33:00,160
Speaker 4: shots like that, like I'm not gonna directly dish you

759
00:33:00,200 --> 00:33:02,520
Speaker 4: at this point, but I could own the company that

760
00:33:02,560 --> 00:33:04,360
Speaker 4: you're signed to, if you want to play it.

761
00:33:04,320 --> 00:33:05,600
Speaker 3: That way, and you now work for me.

762
00:33:06,600 --> 00:33:08,920
Speaker 4: Yeah, I think Jimmy heard that line and was like,

763
00:33:08,960 --> 00:33:10,520
Speaker 4: all right, that was a shot at me.

764
00:33:11,080 --> 00:33:15,160
Speaker 3: Yeah. I'm not mad at camp for for for exposing that.

765
00:33:15,560 --> 00:33:18,160
Speaker 3: But it's it's witty, it's slick, it's clever. I like that,

766
00:33:18,200 --> 00:33:19,880
Speaker 3: and rap was missing.

767
00:33:20,080 --> 00:33:21,520
Speaker 2: I love when people give me another reason.

768
00:33:21,560 --> 00:33:25,080
Speaker 5: I love jay Z hate the dick ride, but I

769
00:33:25,160 --> 00:33:28,160
Speaker 5: love when people I hate to dick ride, but they're

770
00:33:28,160 --> 00:33:29,160
Speaker 5: gonna they're gonna say I'm.

771
00:33:29,040 --> 00:33:29,560
Speaker 2: A diick rider.

772
00:33:29,840 --> 00:33:32,280
Speaker 3: But well you you're a woman, so that's not disrespectful.

773
00:33:33,000 --> 00:33:34,840
Speaker 2: It still is. Well, somebody calls you a dick rider

774
00:33:34,840 --> 00:33:36,200
Speaker 2: as a woman, stillspectful.

775
00:33:37,880 --> 00:33:43,160
Speaker 5: Yes, okay, I didn't know it's accurate anyway, I'm more

776
00:33:43,200 --> 00:33:45,800
Speaker 5: accurate right now. I love any reason to love jay

777
00:33:45,880 --> 00:33:48,440
Speaker 5: Z Moore like I love that. Like even all these years,

778
00:33:48,560 --> 00:33:49,920
Speaker 5: I'm still getting more reasons.

779
00:33:52,400 --> 00:33:53,160
Speaker 2: Take the right horse.

780
00:33:54,160 --> 00:33:56,200
Speaker 4: Well, are you here to defend your your I don't

781
00:33:56,240 --> 00:33:58,280
Speaker 4: want to say your other horse because that's like super direspectful,

782
00:33:58,400 --> 00:34:01,120
Speaker 4: but Meek is your guy. You're here currently right now,

783
00:34:01,280 --> 00:34:03,280
Speaker 4: Meek is going back and forth. It's a lot going on.

784
00:34:03,320 --> 00:34:06,040
Speaker 4: That's that's your man's I am here to. Early in

785
00:34:06,080 --> 00:34:09,200
Speaker 4: our friendship, one of our biggest debates was was Meek

786
00:34:09,280 --> 00:34:14,440
Speaker 4: I love Meek, but I think history history showed that

787
00:34:14,480 --> 00:34:16,520
Speaker 4: my argument was correct at that time.

788
00:34:17,080 --> 00:34:19,400
Speaker 2: What was your argument? You said he was going to

789
00:34:19,600 --> 00:34:23,440
Speaker 2: clean Drake up. Don't do that. I remember when we

790
00:34:23,440 --> 00:34:27,040
Speaker 2: were on the what happened. Yes, I remember when we

791
00:34:27,040 --> 00:34:27,799
Speaker 2: were on the phone.

792
00:34:27,840 --> 00:34:32,120
Speaker 5: I said, already I hate Drake narrative, so do not

793
00:34:32,400 --> 00:34:35,200
Speaker 5: let be you don't hate Drake.

794
00:34:35,280 --> 00:34:37,440
Speaker 2: Accurate, That's not what I said.

795
00:34:37,520 --> 00:34:40,200
Speaker 5: What I said was that Meeks this I was looking

796
00:34:40,200 --> 00:34:42,399
Speaker 5: forward to, mixed this and that it was not as

797
00:34:42,480 --> 00:34:44,360
Speaker 5: bad as people made it out to be.

798
00:34:44,880 --> 00:34:47,200
Speaker 2: That's what I said. No, I've never said he won

799
00:34:47,239 --> 00:34:48,080
Speaker 2: that bad or anything.

800
00:34:48,320 --> 00:34:51,480
Speaker 5: Which the one that Flex kept dropping bombs on, does

801
00:34:51,480 --> 00:34:52,480
Speaker 5: anybody have the whole thing?

802
00:34:52,920 --> 00:34:54,520
Speaker 2: Just didn't even have it. He pumped faked and said

803
00:34:54,560 --> 00:34:55,759
Speaker 2: he had it. Oh yeah, that's what it was.

804
00:34:56,400 --> 00:34:59,279
Speaker 3: But just during the Meek and Drake thing after after

805
00:34:59,320 --> 00:35:01,960
Speaker 3: back to Back was out and me and Damarus were

806
00:35:02,000 --> 00:35:04,239
Speaker 3: on the phone, and I know Damars to be a

807
00:35:04,400 --> 00:35:05,920
Speaker 3: huge Meek fan, so I was just fucking with her

808
00:35:06,120 --> 00:35:08,920
Speaker 3: h and she was like, nah, just would just wait.

809
00:35:08,840 --> 00:35:11,040
Speaker 2: It's Meek, remember that narrative, and I hope this doesn't

810
00:35:11,040 --> 00:35:13,839
Speaker 2: sound respectful because he's a battle because he's a battle raper.

811
00:35:14,320 --> 00:35:18,279
Speaker 3: Oh my god, they pumped that heavy and that was that.

812
00:35:18,560 --> 00:35:20,520
Speaker 4: I would say, you know, of course, I've seen the DVDs,

813
00:35:20,560 --> 00:35:22,759
Speaker 4: I've seen the dirty braids in the street. I've never

814
00:35:23,080 --> 00:35:25,440
Speaker 4: I'm not from Philly, I've never seen Meek battle, so

815
00:35:25,480 --> 00:35:27,759
Speaker 4: I never understood that. Now trying to tell Damres like,

816
00:35:27,840 --> 00:35:30,719
Speaker 4: how you know he a battle rapper, I've never seen

817
00:35:30,800 --> 00:35:34,239
Speaker 4: him battle in my life. She said, Nah, he's gonna come,

818
00:35:34,600 --> 00:35:38,000
Speaker 4: come with a bomb, and I said, he's about to use.

819
00:35:37,880 --> 00:35:43,880
Speaker 2: This same Jille beat snare and just wrap about some bullshit,

820
00:35:44,560 --> 00:35:46,120
Speaker 2: and that's exactly what he did.

821
00:35:46,200 --> 00:35:48,000
Speaker 3: I'm gonna be honest. I don't even remember the Meek

822
00:35:48,080 --> 00:35:52,239
Speaker 3: song The Undertaker.

823
00:35:52,960 --> 00:35:55,600
Speaker 4: I will say Warpain after that was really good. Meek

824
00:35:55,680 --> 00:35:58,560
Speaker 4: did have one really good beef record in that drake.

825
00:35:58,400 --> 00:35:58,879
Speaker 2: Back and forth.

826
00:35:58,880 --> 00:36:00,120
Speaker 4: And I don't want to make this a shitting a

827
00:36:00,160 --> 00:36:02,560
Speaker 4: Meek thing, because everything Meek said today I completely agree

828
00:36:02,560 --> 00:36:05,280
Speaker 4: with him. I think there has been a campaign against

829
00:36:05,280 --> 00:36:07,279
Speaker 4: Meek in the media. I think he does it to

830
00:36:07,360 --> 00:36:10,960
Speaker 4: himself sometimes, but Charlomagne going out and saying that Meek

831
00:36:11,080 --> 00:36:15,240
Speaker 4: was never the same after the Drake Battle is just absurd.

832
00:36:15,280 --> 00:36:21,880
Speaker 4: His his his best album was posts Drake Beef multiple platinum,

833
00:36:21,880 --> 00:36:26,120
Speaker 4: saying like Meek was five after ships of course it was. Yeah,

834
00:36:26,239 --> 00:36:27,880
Speaker 4: he was clown on the internet for a while and

835
00:36:27,920 --> 00:36:31,080
Speaker 4: he took a little time. But I think the best

836
00:36:31,080 --> 00:36:33,480
Speaker 4: part of Meek's career was post Drake Battle.

837
00:36:34,640 --> 00:36:35,880
Speaker 2: His best music in my opinion.

838
00:36:36,719 --> 00:36:38,319
Speaker 3: Yeah, I'm not mass album, I don't.

839
00:36:38,320 --> 00:36:40,279
Speaker 5: I don't know about best music in totally, but best

840
00:36:40,320 --> 00:36:43,280
Speaker 5: album for sure, best project, yeah.

841
00:36:43,160 --> 00:36:44,920
Speaker 4: I mean he he has he has some good records

842
00:36:44,920 --> 00:36:49,520
Speaker 4: after that though. No, he went on his Instagram and

843
00:36:49,560 --> 00:36:51,080
Speaker 4: we don't have to read the entire thing, but.

844
00:36:51,719 --> 00:36:54,239
Speaker 3: He just he sees so with me said, so, I

845
00:36:54,239 --> 00:36:56,600
Speaker 3: want to make this a main post, a highlight already,

846
00:36:56,719 --> 00:36:58,040
Speaker 3: Who's Who's Who's tweet from me?

847
00:36:58,120 --> 00:36:59,960
Speaker 4: You can just start since to Drake Beef because it's

848
00:37:00,000 --> 00:37:01,239
Speaker 4: it's a lot of unnecessary stuff.

849
00:37:01,280 --> 00:37:03,160
Speaker 3: Yeah, but it's like the spelling, this ain't meat though,

850
00:37:03,320 --> 00:37:05,480
Speaker 3: this ain't for meat. Stumps man, like give me back

851
00:37:05,520 --> 00:37:09,239
Speaker 3: his phone since Drake Beef. I dropped, I dropped. Oh

852
00:37:09,400 --> 00:37:10,040
Speaker 3: this might be him.

853
00:37:10,040 --> 00:37:12,120
Speaker 2: Hold on yeah, this part says Drake Beef.

854
00:37:12,239 --> 00:37:16,920
Speaker 3: I dropped Tap three times Platinum, pet A double Platinum,

855
00:37:17,480 --> 00:37:20,080
Speaker 3: Blue Notes one and two Platinum, Uptown Vibes with Legend

856
00:37:20,120 --> 00:37:23,319
Speaker 3: from Brooklyn, fab Platinum, What's Free featuring jay Z, meat Mill,

857
00:37:23,400 --> 00:37:26,240
Speaker 3: I think it's platinum, Fuck on Me featuring Cardi B Platinum,

858
00:37:26,280 --> 00:37:29,279
Speaker 3: Scarface with Ross Gold and depending money, Respect the Game,

859
00:37:29,320 --> 00:37:32,440
Speaker 3: Platinum twenty four to seven, Double Platinum, dangerous Platinum or

860
00:37:32,480 --> 00:37:35,880
Speaker 3: double I don't collect plaques championships. Album like double platinum,

861
00:37:35,880 --> 00:37:38,680
Speaker 3: spits a paying gold and it wasn't marketed correctly, leaving

862
00:37:38,760 --> 00:37:41,680
Speaker 3: label cyber Truck five and Philly how far we came?

863
00:37:41,719 --> 00:37:45,120
Speaker 3: He actually switched switched up on Drake because he helped

864
00:37:45,200 --> 00:37:48,319
Speaker 3: power to meet was done, narrative was done. Now he's

865
00:37:48,400 --> 00:37:50,880
Speaker 3: using the same against Drake. Drake good with me and

866
00:37:50,960 --> 00:37:52,840
Speaker 3: jay Z keep me out this week, ass shit. I

867
00:37:52,880 --> 00:37:56,600
Speaker 3: had a meeting with A sixteen Z. Found a lot

868
00:37:56,640 --> 00:37:59,960
Speaker 3: of new text deals and activations just from playing around two.

869
00:38:00,560 --> 00:38:03,480
Speaker 3: I forgot proud of me, I'm a feature, I'm a

870
00:38:03,560 --> 00:38:08,400
Speaker 3: feat almost platinum. Okay, nineteen forty two flows platinum.

871
00:38:09,600 --> 00:38:13,480
Speaker 2: What you just feel for you trying to read this yeah.

872
00:38:13,360 --> 00:38:15,319
Speaker 3: Not it not Meek still tweeting. That's still he's still

873
00:38:15,360 --> 00:38:16,239
Speaker 3: in his hands right there.

874
00:38:17,160 --> 00:38:18,800
Speaker 2: But no Meek is correct.

875
00:38:19,000 --> 00:38:21,080
Speaker 4: I hope it didn't sound like I was having any

876
00:38:21,120 --> 00:38:23,200
Speaker 4: Meek hate, because when I saw that Charlott Mane Brilliant

877
00:38:23,200 --> 00:38:27,120
Speaker 4: Idiot's clip, I'm like, maybe Charlamagne just didn't pay attention.

878
00:38:27,520 --> 00:38:28,960
Speaker 4: I don't know how you could even come to that

879
00:38:28,960 --> 00:38:32,480
Speaker 4: conclusion when Meeks. Some meeks biggest records outside of Dreams

880
00:38:32,520 --> 00:38:34,760
Speaker 4: of Nightmares came post the Drake battles.

881
00:38:34,760 --> 00:38:39,080
Speaker 3: So Charlamage said that Meek never recovered from the Drake beef.

882
00:38:39,239 --> 00:38:42,919
Speaker 4: Yeah, and he walked his take back on Breakfast Club

883
00:38:42,960 --> 00:38:46,399
Speaker 4: this morning like we didn't watch the clip and can't

884
00:38:46,480 --> 00:38:48,640
Speaker 4: verify exactly what he said. He was trying to say, Oh,

885
00:38:48,719 --> 00:38:51,080
Speaker 4: I wasn't talking about music, you were. I watched the clip.

886
00:38:51,680 --> 00:38:53,880
Speaker 4: You were talking about music plus other things. And some

887
00:38:53,920 --> 00:38:56,400
Speaker 4: of those other things. I do agree with him with

888
00:38:56,520 --> 00:39:00,360
Speaker 4: the other things. Meet Meek definitely didn't help with a

889
00:39:00,360 --> 00:39:02,760
Speaker 4: lot of the Twitter slander with what he would tweet

890
00:39:03,160 --> 00:39:07,439
Speaker 4: moving forward. Like all of us, I felt like wanted

891
00:39:07,480 --> 00:39:09,239
Speaker 4: to see Meek come back after the Drag beef and

892
00:39:09,280 --> 00:39:12,440
Speaker 4: everyone was like, you should just stop with the social

893
00:39:12,440 --> 00:39:16,759
Speaker 4: media shit because you had like this aura that you

894
00:39:16,840 --> 00:39:18,480
Speaker 4: believed as well before we.

895
00:39:18,360 --> 00:39:20,239
Speaker 2: Got like I mean, it's in a bad way.

896
00:39:20,280 --> 00:39:23,520
Speaker 4: We got to know Meek more because of Twitter and

897
00:39:23,600 --> 00:39:27,760
Speaker 4: because of that battle, and it just allowed the Internet

898
00:39:27,840 --> 00:39:30,359
Speaker 4: to clown him. Because I don't think Meek, even though

899
00:39:30,360 --> 00:39:32,880
Speaker 4: he's the greatest tweter of all time, doesn't know how

900
00:39:32,880 --> 00:39:34,960
Speaker 4: the internet works, Like he didn't know if you just

901
00:39:35,000 --> 00:39:38,680
Speaker 4: tweet that in his head, him saying these things is

902
00:39:38,719 --> 00:39:41,680
Speaker 4: a flex. Not knowing the Internet is going to clown

903
00:39:41,680 --> 00:39:43,040
Speaker 4: you for your flex and make fun of you for

904
00:39:43,080 --> 00:39:46,600
Speaker 4: the next six months. He didn't know how to control

905
00:39:46,920 --> 00:39:50,120
Speaker 4: those narratives. So I agree with Charlotte. He definitely made

906
00:39:50,200 --> 00:39:53,440
Speaker 4: some mistakes being too public at that time. But the

907
00:39:53,520 --> 00:39:56,640
Speaker 4: music was hitten But who in the world didn't love

908
00:39:56,719 --> 00:39:59,160
Speaker 4: Championships Hit records on it.

909
00:40:00,160 --> 00:40:04,000
Speaker 2: Features were nuts, Like you cannot say musically Meek fell off.

910
00:40:04,000 --> 00:40:06,160
Speaker 5: That definitely the best album for sure, But I don't

911
00:40:06,200 --> 00:40:13,279
Speaker 5: agree that Meets tweets in the reveal of his persona

912
00:40:14,160 --> 00:40:15,320
Speaker 5: hurt him.

913
00:40:15,600 --> 00:40:16,279
Speaker 2: I don't think that.

914
00:40:17,080 --> 00:40:19,600
Speaker 5: I think that Meek's career musically was always going to

915
00:40:19,680 --> 00:40:22,680
Speaker 5: be Meek's career musically. I don't think his tweets or

916
00:40:22,680 --> 00:40:25,800
Speaker 5: anything has done anything to affect that. I think, if anything,

917
00:40:25,880 --> 00:40:29,040
Speaker 5: the way us making fun of me and his tweets

918
00:40:29,080 --> 00:40:30,400
Speaker 5: has actually made him more lovable.

919
00:40:31,320 --> 00:40:33,680
Speaker 2: I don't I don't think that it's hurt him. I

920
00:40:33,680 --> 00:40:34,319
Speaker 2: don't think he's hurt.

921
00:40:34,560 --> 00:40:35,960
Speaker 5: Well, I don't think it's hurt Himut I think it's

922
00:40:36,000 --> 00:40:39,360
Speaker 5: kept him relevant longer than he would have been just

923
00:40:39,440 --> 00:40:40,320
Speaker 5: off music alone.

924
00:40:40,360 --> 00:40:41,080
Speaker 2: That's a fair point.

925
00:40:41,080 --> 00:40:43,600
Speaker 4: You and I have always debated, like, all right, at

926
00:40:43,600 --> 00:40:47,279
Speaker 4: this point, is Meek just leaning into that PERSONA No, I.

927
00:40:47,280 --> 00:40:49,120
Speaker 5: Don't think he's leaning in. But I do think that

928
00:40:49,120 --> 00:40:54,160
Speaker 5: it makes him more lovable. Honestly, I think that's fucking hilarious,

929
00:40:54,160 --> 00:40:55,319
Speaker 5: Like when Maaul's reading that.

930
00:40:55,320 --> 00:40:56,879
Speaker 2: That's like when artists show.

931
00:40:57,160 --> 00:41:00,399
Speaker 5: So some artists can have mystique and mostique will work

932
00:41:00,440 --> 00:41:02,880
Speaker 5: for them, right, Beyonce jay Z. I think you have

933
00:41:02,920 --> 00:41:06,279
Speaker 5: to have a certain level of insurmountable talent for the

934
00:41:06,360 --> 00:41:08,600
Speaker 5: mostique to work for you, unless you know how to

935
00:41:08,640 --> 00:41:10,960
Speaker 5: manipulate the mystique around a lack of talent, which a

936
00:41:10,960 --> 00:41:13,239
Speaker 5: lot of people do that as well. I think with Meek,

937
00:41:13,280 --> 00:41:16,640
Speaker 5: who is a talented guy, not the most talented, but

938
00:41:16,680 --> 00:41:19,560
Speaker 5: he is a talented guy, but because he does tend

939
00:41:19,560 --> 00:41:22,200
Speaker 5: to be a little repetitive in his music sometimes and

940
00:41:22,320 --> 00:41:24,880
Speaker 5: he you know, he has really good stuff that is creative,

941
00:41:24,920 --> 00:41:26,440
Speaker 5: but he does tend to be a little repetitive. That's

942
00:41:26,480 --> 00:41:29,080
Speaker 5: some complaints that we've had about his music. I think

943
00:41:29,120 --> 00:41:32,320
Speaker 5: when you have a personality like that, it makes people

944
00:41:32,480 --> 00:41:33,040
Speaker 5: love you more.

945
00:41:33,040 --> 00:41:35,480
Speaker 2: I think you have to show more of yourself because

946
00:41:35,600 --> 00:41:36,840
Speaker 2: being a mystique.

947
00:41:36,880 --> 00:41:38,680
Speaker 5: With that and then putting out some of the music

948
00:41:38,680 --> 00:41:40,279
Speaker 5: that he's put out, nobody's talking about you.

949
00:41:40,400 --> 00:41:44,279
Speaker 3: Honest. I think he went through some stuff obviously business wise,

950
00:41:44,360 --> 00:41:48,719
Speaker 3: label wise, kind of like Herd his trajectory to what

951
00:41:48,800 --> 00:41:51,359
Speaker 3: Demarriage is saying. I think musically, I don't think Meek

952
00:41:51,760 --> 00:41:56,839
Speaker 3: evolved enough, you know. I mean, I think Meek is

953
00:41:57,000 --> 00:41:58,480
Speaker 3: who he is. I don't think that, you know, he's

954
00:41:58,520 --> 00:42:01,040
Speaker 3: trying to be anybody else, which is I'm fine with that.

955
00:42:01,080 --> 00:42:04,640
Speaker 3: But I think that just musically his sound, it didn't

956
00:42:04,880 --> 00:42:06,680
Speaker 3: it didn't up the level it or it didn't go

957
00:42:06,719 --> 00:42:09,879
Speaker 3: to another level some years. I think it's been kind

958
00:42:09,880 --> 00:42:12,800
Speaker 3: of the same Meek. He's been consistent in his sound

959
00:42:12,840 --> 00:42:16,520
Speaker 3: and in his music, and I think that on top

960
00:42:16,560 --> 00:42:20,400
Speaker 3: of label stuff, I think that kind of you know,

961
00:42:21,760 --> 00:42:24,480
Speaker 3: leveled out his trajectory, But I don't think it. I

962
00:42:24,480 --> 00:42:26,920
Speaker 3: don't think that che all made is saying like he

963
00:42:27,000 --> 00:42:29,160
Speaker 3: never recover. I wouldn't say he didn't recover. I just

964
00:42:29,160 --> 00:42:31,879
Speaker 3: don't think musically, Meek just elevated on to another level.

965
00:42:31,920 --> 00:42:34,040
Speaker 3: And then again he went through shit with the labels

966
00:42:34,080 --> 00:42:35,959
Speaker 3: and said he was going to put music out, didn't

967
00:42:35,960 --> 00:42:37,480
Speaker 3: put no music out, and it was like it was

968
00:42:37,800 --> 00:42:39,560
Speaker 3: it was a lot of that, but it wasn't that

969
00:42:39,640 --> 00:42:42,680
Speaker 3: he didn't recover from a Drake battle.

970
00:42:42,800 --> 00:42:45,840
Speaker 4: And I mean, even to your point there, I feel

971
00:42:45,880 --> 00:42:48,000
Speaker 4: like if you say now Meek, I don't like the

972
00:42:48,080 --> 00:42:50,640
Speaker 4: term as fall off because me could easily just come

973
00:42:50,640 --> 00:42:53,160
Speaker 4: back because he's a talented artist. But I would say

974
00:42:53,200 --> 00:42:56,399
Speaker 4: more of the drop happened with Expensive Pain. It wasn't

975
00:42:56,400 --> 00:42:58,759
Speaker 4: my favorite Meek album and to your point as well,

976
00:42:58,800 --> 00:43:00,759
Speaker 4: the label fucked it all. But just mus it wasn't

977
00:43:00,800 --> 00:43:03,640
Speaker 4: my my shit when it came to Meek, But that

978
00:43:03,840 --> 00:43:07,920
Speaker 4: was far after any Drake beef, Like I don't I

979
00:43:07,920 --> 00:43:11,920
Speaker 4: don't connect Expensive Pain of that that drop to the

980
00:43:12,000 --> 00:43:15,200
Speaker 4: Drake beef because it was years I had been drinking

981
00:43:15,239 --> 00:43:19,839
Speaker 4: a number one record between that, so if you could

982
00:43:19,880 --> 00:43:22,480
Speaker 4: make a case of a Meek drop off, it had

983
00:43:22,600 --> 00:43:25,359
Speaker 4: nowhere near the Drake Beef way after.

984
00:43:25,600 --> 00:43:28,440
Speaker 2: Yeah, so I again had nothing to do with that.

985
00:43:28,680 --> 00:43:31,080
Speaker 4: I just didn't like the struggleman try to walk it

986
00:43:31,120 --> 00:43:32,920
Speaker 4: back and say he wasn't talking about music when he's

987
00:43:32,960 --> 00:43:34,920
Speaker 4: you can clearly tell he's talking about the music in

988
00:43:35,000 --> 00:43:37,320
Speaker 4: that that clip. Its be like, oh, yeah, I fucking

989
00:43:37,400 --> 00:43:40,560
Speaker 4: forgot I had my timelines wrong. I forgot all that

990
00:43:40,560 --> 00:43:43,439
Speaker 4: shit happened after the Drake Beef, Yeah, which I fucked

991
00:43:43,480 --> 00:43:44,239
Speaker 4: up timelines before.

992
00:43:44,280 --> 00:43:45,799
Speaker 5: I was gonna say when you talked for a living,

993
00:43:45,840 --> 00:43:47,640
Speaker 5: you talk so much, sometimes you're gonna say some shit,

994
00:43:47,680 --> 00:43:49,439
Speaker 5: but you just be playing out wrong and you gotta

995
00:43:49,560 --> 00:43:51,200
Speaker 5: come back and say I always playing out wrong.

996
00:43:51,360 --> 00:43:53,640
Speaker 2: Yeah, Like I forgot how that went.

997
00:43:53,800 --> 00:43:56,160
Speaker 3: Yeah, music doesn't stick with you and you don't really

998
00:43:56,239 --> 00:43:58,080
Speaker 3: like getting timelines get lost and you're like, oh that

999
00:43:58,200 --> 00:44:01,719
Speaker 3: was after that, Like yeah, so yeah, No, Charlamagne was

1000
00:44:01,719 --> 00:44:04,319
Speaker 3: definitely talking about musically, like we're not gonna do that.

1001
00:44:04,640 --> 00:44:08,680
Speaker 2: Yeah, will you go on Ebro's show since he's having

1002
00:44:08,719 --> 00:44:12,040
Speaker 2: a hard time booking? Guess hebro Ebro don't fuck with me?

1003
00:44:12,680 --> 00:44:13,080
Speaker 2: Yeah you do.

1004
00:44:13,600 --> 00:44:17,240
Speaker 4: You don't you don't think a no, did I miss something?

1005
00:44:17,560 --> 00:44:19,040
Speaker 4: As much as I pay attention, I do miss a

1006
00:44:19,040 --> 00:44:20,799
Speaker 4: lot of stuff. I mean, I know he'll like throw

1007
00:44:20,840 --> 00:44:24,680
Speaker 4: some l ols in our comments, But you think there's

1008
00:44:24,719 --> 00:44:28,040
Speaker 4: like an actual real thing with you.

1009
00:44:28,400 --> 00:44:30,239
Speaker 3: It's not real because I don't know. I don't know

1010
00:44:30,280 --> 00:44:33,239
Speaker 3: Ebro like personally like that, so it's not real. But no,

1011
00:44:33,400 --> 00:44:35,360
Speaker 3: Hebro don't. He don't fucking me. He don't want me

1012
00:44:35,520 --> 00:44:39,839
Speaker 3: on this platform. You don't think so? No, Okay, Ebro

1013
00:44:39,960 --> 00:44:42,040
Speaker 3: better than Abro can't have me on this platform because

1014
00:44:42,040 --> 00:44:43,759
Speaker 3: me and Hebro have a conversation that has shaped this

1015
00:44:43,800 --> 00:44:46,360
Speaker 3: whole shit up. I'm gonna ask him some direct shit.

1016
00:44:46,960 --> 00:44:49,279
Speaker 3: I would love that. Like I ain't saying it here,

1017
00:44:49,760 --> 00:44:51,399
Speaker 3: but I would like to have a conversation with Ebro

1018
00:44:51,480 --> 00:44:52,400
Speaker 3: off Mike two though.

1019
00:44:52,480 --> 00:44:55,480
Speaker 2: I listen, we could do the same things before.

1020
00:44:55,880 --> 00:44:57,480
Speaker 4: Me and Roseberg could sit at the desk and ask

1021
00:44:57,520 --> 00:45:00,680
Speaker 4: the questions and you guys could have do let's do it.

1022
00:45:00,960 --> 00:45:02,839
Speaker 3: I fuck with Ebro. I don't have nothing against Ebrol.

1023
00:45:02,840 --> 00:45:04,680
Speaker 3: I don't know them personally like that, but I fuck

1024
00:45:04,719 --> 00:45:06,440
Speaker 3: with them. But there's some things that I would like

1025
00:45:06,440 --> 00:45:08,600
Speaker 3: to ask Ebro. I would love to have a conversation

1026
00:45:08,640 --> 00:45:09,000
Speaker 3: with Nebro.

1027
00:45:09,160 --> 00:45:13,000
Speaker 4: Okay, I mean, well, this clip went viral mainly because

1028
00:45:13,000 --> 00:45:15,000
Speaker 4: people I think have just been praying on the downfall

1029
00:45:15,480 --> 00:45:18,040
Speaker 4: of Ebro. But I can't lie as much as I

1030
00:45:18,800 --> 00:45:21,879
Speaker 4: support their show and really fuck with Rosenberg and I'm

1031
00:45:21,960 --> 00:45:25,040
Speaker 4: cool with Ebro and love Laura. Yeah, this clip is

1032
00:45:25,360 --> 00:45:27,800
Speaker 4: kind of nuts. You guys set it's going viral for

1033
00:45:27,840 --> 00:45:29,839
Speaker 4: a reason. You guys set yourself up for everyone that's

1034
00:45:29,840 --> 00:45:32,400
Speaker 4: been waiting for your downfall because you were with what

1035
00:45:32,520 --> 00:45:35,120
Speaker 4: they deemed the machine. Even though Hot ninety seven is

1036
00:45:35,160 --> 00:45:37,279
Speaker 4: not like an iHeart type of thing, they were a

1037
00:45:37,320 --> 00:45:38,359
Speaker 4: miscommunications whatever.

1038
00:45:38,400 --> 00:45:39,720
Speaker 2: People still view them as a machine.

1039
00:45:39,880 --> 00:45:42,120
Speaker 4: Nebro is saying it's been hard to book guests now

1040
00:45:42,120 --> 00:45:44,560
Speaker 4: that they no longer have the Hot ninety seven logo

1041
00:45:44,640 --> 00:45:47,439
Speaker 4: with them. People he's known for thirty years are like, yeah,

1042
00:45:47,520 --> 00:45:49,719
Speaker 4: just send me a deck about your show. I'll see

1043
00:45:49,719 --> 00:45:51,799
Speaker 4: if my artists can get on there. And they're having

1044
00:45:52,560 --> 00:45:55,719
Speaker 4: trouble booking guests in a different way, but I mean

1045
00:45:56,000 --> 00:46:00,160
Speaker 4: they come from a radio station that had somebody whole

1046
00:46:00,200 --> 00:46:02,080
Speaker 4: career dedicated to booking guests for y'all.

1047
00:46:02,960 --> 00:46:08,560
Speaker 3: Yeah, welcome, Welcome to the mud. It's rough, Yeah, but that.

1048
00:46:08,600 --> 00:46:13,680
Speaker 3: I mean, is hebro surprising? He knows, he knows this

1049
00:46:13,760 --> 00:46:17,520
Speaker 3: shit is fickle man, he knows how this music business goes.

1050
00:46:17,880 --> 00:46:20,520
Speaker 4: Probably, I think with some of the older relationships that

1051
00:46:20,560 --> 00:46:23,279
Speaker 4: he has, whether it be like with label people, I

1052
00:46:23,320 --> 00:46:25,919
Speaker 4: can see him finding it odd there. But I don't

1053
00:46:25,920 --> 00:46:29,359
Speaker 4: think that they thought he was just about to get

1054
00:46:29,400 --> 00:46:31,480
Speaker 4: every guest in the world because he was on Hot

1055
00:46:31,520 --> 00:46:36,000
Speaker 4: ninety seven for that long. H Like every artist, I mean,

1056
00:46:36,360 --> 00:46:39,359
Speaker 4: especially the younger artists that are not from New York,

1057
00:46:39,400 --> 00:46:41,920
Speaker 4: which is a majority of them, don't have like a

1058
00:46:42,040 --> 00:46:46,160
Speaker 4: crazy incentive to have to go to Hot ninety seven.

1059
00:46:47,040 --> 00:46:50,719
Speaker 4: But it is part of a major label rollout. But

1060
00:46:50,800 --> 00:46:52,359
Speaker 4: if you don't even have the Hot ninety seven thing,

1061
00:46:52,560 --> 00:46:55,200
Speaker 4: why would a younger artist care to go to your platform.

1062
00:46:55,239 --> 00:46:59,040
Speaker 4: I'm not shitting on their platform. It just started. I

1063
00:46:59,040 --> 00:47:00,880
Speaker 4: think a lot of the artists think, like when they

1064
00:47:00,880 --> 00:47:03,520
Speaker 4: talk to their publicists, like, yeah, I watched Breakfast I've

1065
00:47:03,520 --> 00:47:05,320
Speaker 4: been watching Breakfast Club since I was in middle school,

1066
00:47:05,360 --> 00:47:08,640
Speaker 4: Like it's a thing with us. We want to go

1067
00:47:08,640 --> 00:47:10,359
Speaker 4: on High ninety seven because it's what we grew up on.

1068
00:47:10,640 --> 00:47:12,920
Speaker 4: And you take that away, there's just not an incentive

1069
00:47:12,960 --> 00:47:14,680
Speaker 4: for an artist to go.

1070
00:47:15,760 --> 00:47:18,400
Speaker 3: I get what you're saying, because that that is something

1071
00:47:18,440 --> 00:47:20,600
Speaker 3: that you grow up on. If it's Hot ninety seven,

1072
00:47:20,680 --> 00:47:23,680
Speaker 3: if it's you know, whatever the radio station or the

1073
00:47:23,719 --> 00:47:26,360
Speaker 3: brand is, you've watched it for so long, it's a

1074
00:47:26,360 --> 00:47:28,920
Speaker 3: part of your DNA to an extent.

1075
00:47:29,000 --> 00:47:31,920
Speaker 2: Whoever was up there, we were with it didn't matter who, Yeah,

1076
00:47:32,040 --> 00:47:32,480
Speaker 2: it was just.

1077
00:47:33,960 --> 00:47:36,520
Speaker 3: But to what I think Ebro is saying too, is

1078
00:47:36,560 --> 00:47:39,399
Speaker 3: just that when you have you know, the people that

1079
00:47:40,120 --> 00:47:42,200
Speaker 3: made it what it was over the last few years,

1080
00:47:42,200 --> 00:47:44,479
Speaker 3: and now we've gone and we've started our own thing.

1081
00:47:45,400 --> 00:47:47,319
Speaker 3: I just think the conversation is different because these are

1082
00:47:47,360 --> 00:47:52,560
Speaker 3: real music people. These are real music heads. So I

1083
00:47:52,560 --> 00:47:55,040
Speaker 3: think Ebro would think that people would still want to

1084
00:47:55,320 --> 00:47:57,080
Speaker 3: sit and talk with him because he knows what he's

1085
00:47:57,120 --> 00:48:00,480
Speaker 3: talking about. Yeah, you know, he's been around me business,

1086
00:48:00,520 --> 00:48:02,840
Speaker 3: he's been in the music business, he's been at radio,

1087
00:48:03,719 --> 00:48:05,640
Speaker 3: so you know, the conversation is just a little different

1088
00:48:05,640 --> 00:48:08,800
Speaker 3: when you sit down with him and Rosenberg and Laura

1089
00:48:08,880 --> 00:48:10,960
Speaker 3: because they've been a part of it for so long

1090
00:48:11,480 --> 00:48:14,480
Speaker 3: and watched a lot of these artists, you know, throughout

1091
00:48:14,480 --> 00:48:17,000
Speaker 3: the years, watch their careers grow, watch some of them

1092
00:48:17,400 --> 00:48:19,360
Speaker 3: fade away or whatever, so you know, they have a

1093
00:48:19,400 --> 00:48:22,200
Speaker 3: different a different point of view on this thing. No

1094
00:48:22,239 --> 00:48:24,920
Speaker 3: matter if the Hot ninety seven logos behind them or not,

1095
00:48:25,000 --> 00:48:27,839
Speaker 3: it's still them. It's still who they are and their

1096
00:48:27,920 --> 00:48:30,920
Speaker 3: knowledge of what they're speaking about. So I understand Ebro's

1097
00:48:30,920 --> 00:48:33,319
Speaker 3: saying thinking like, damn, it would have been for him,

1098
00:48:33,320 --> 00:48:35,840
Speaker 3: thinking it would have been kind of like easier to

1099
00:48:35,920 --> 00:48:38,520
Speaker 3: kind of book people because it's them still even though

1100
00:48:38,520 --> 00:48:41,000
Speaker 3: they don't have the logo, and the conversation would be

1101
00:48:41,640 --> 00:48:43,880
Speaker 3: different with them. It would be more, you know, music

1102
00:48:43,960 --> 00:48:46,680
Speaker 3: based and not so much gossip or this, that and

1103
00:48:46,719 --> 00:48:49,879
Speaker 3: the third. So I do understand why Ebro's kind of like, damn,

1104
00:48:49,920 --> 00:48:52,359
Speaker 3: we having a hard time, because yeah, I would think

1105
00:48:52,400 --> 00:48:54,520
Speaker 3: that I would. I still have these contacts, I still

1106
00:48:54,560 --> 00:48:56,600
Speaker 3: know these artists, I still know their managers, I still

1107
00:48:56,640 --> 00:49:00,000
Speaker 3: know you know their pr people and things like that. Yeah,

1108
00:49:00,040 --> 00:49:03,640
Speaker 3: us we're no longer at Hot ninety seven, but it's

1109
00:49:03,640 --> 00:49:06,600
Speaker 3: still us in this room having this conversation based on

1110
00:49:07,040 --> 00:49:11,440
Speaker 3: the music and the music industry. So yeah, I understand up.

1111
00:49:11,800 --> 00:49:14,799
Speaker 5: The purpose the purpose of a press run is to

1112
00:49:14,840 --> 00:49:18,080
Speaker 5: get your ship in front of as many eyes as possible.

1113
00:49:18,360 --> 00:49:21,080
Speaker 3: No for and you can still do Hot ninety seven,

1114
00:49:21,280 --> 00:49:24,040
Speaker 3: but then you could still do Ebrolaur and Roha.

1115
00:49:24,320 --> 00:49:26,560
Speaker 2: You only have so much time.

1116
00:49:26,680 --> 00:49:29,200
Speaker 5: So when I'm sure when these people in their pr

1117
00:49:29,640 --> 00:49:31,480
Speaker 5: are looking like Okay, who are you going to do

1118
00:49:31,560 --> 00:49:34,400
Speaker 5: while you're in New York or while you're wherever, and

1119
00:49:34,440 --> 00:49:36,880
Speaker 5: it's going to be like, okay, well, these people have

1120
00:49:36,920 --> 00:49:39,120
Speaker 5: a certain amount of numbers. These people always have clips

1121
00:49:39,120 --> 00:49:42,280
Speaker 5: that go viral. These people are like legacy like Breakfast

1122
00:49:42,320 --> 00:49:44,080
Speaker 5: Club Hot ninety seven, shit that you like kind of

1123
00:49:44,120 --> 00:49:46,680
Speaker 5: have to do the radio run. So you only have

1124
00:49:46,760 --> 00:49:48,600
Speaker 5: so much time, You're going to pick what's going to

1125
00:49:48,640 --> 00:49:50,359
Speaker 5: get you in front of the best eyes. And then

1126
00:49:50,400 --> 00:49:52,120
Speaker 5: on top of that, like people are making fun of

1127
00:49:53,239 --> 00:49:56,040
Speaker 5: shit that might be unprofessional. Y'all are in different y'all

1128
00:49:56,040 --> 00:49:59,960
Speaker 5: aren't all together Rosenberg Internet going bad like shit.

1129
00:50:00,040 --> 00:50:03,319
Speaker 2: They typically are like I watched the show. They typically are, yeah,

1130
00:50:03,360 --> 00:50:05,680
Speaker 2: this was a just but like this goes viral. People

1131
00:50:05,680 --> 00:50:08,279
Speaker 2: get busy. But I know I get no, I did it.

1132
00:50:08,320 --> 00:50:09,560
Speaker 2: We all get it.

1133
00:50:09,560 --> 00:50:11,400
Speaker 5: But I'm saying from an outsider's point of view, a

1134
00:50:11,480 --> 00:50:13,680
Speaker 5: music artist who doesn't no media.

1135
00:50:13,760 --> 00:50:15,680
Speaker 4: Oh yeah, no, I'm saying more on the younger side.

1136
00:50:15,719 --> 00:50:18,120
Speaker 4: I can to what ma Al was saying. I can

1137
00:50:18,160 --> 00:50:22,000
Speaker 4: totally see how Ebro Peter would feel that way for

1138
00:50:22,480 --> 00:50:26,680
Speaker 4: some of the older artists or the older execs like Rosenberg.

1139
00:50:26,880 --> 00:50:28,640
Speaker 4: For a lot of artists, the first time they was

1140
00:50:28,680 --> 00:50:30,880
Speaker 4: ever played on Hot ninety seven was because of Rosenberg

1141
00:50:31,360 --> 00:50:35,040
Speaker 4: and Ebro. Kendrick has been very vocal that Pete was

1142
00:50:35,080 --> 00:50:36,160
Speaker 4: one of the first people to.

1143
00:50:36,280 --> 00:50:36,960
Speaker 2: Co sign him.

1144
00:50:37,239 --> 00:50:40,080
Speaker 4: Tyler and Odd Future have said out loud they would

1145
00:50:40,120 --> 00:50:42,280
Speaker 4: have Hot ninety seven would have never had Odd Future

1146
00:50:42,440 --> 00:50:45,480
Speaker 4: up on that show if Peter didn't bring them.

1147
00:50:45,600 --> 00:50:48,440
Speaker 2: That wasn't like a booker, did it. He liked Odd Future,

1148
00:50:48,840 --> 00:50:49,160
Speaker 2: And some.

1149
00:50:49,160 --> 00:50:51,040
Speaker 4: Of the most classic Odd Future moments ever are from

1150
00:50:51,080 --> 00:50:51,799
Speaker 4: Hot ninety seven.

1151
00:50:51,960 --> 00:50:54,759
Speaker 2: And I guarantee you I guess.

1152
00:50:54,800 --> 00:50:56,799
Speaker 4: I mean Ebro was the program director at that time,

1153
00:50:56,800 --> 00:50:59,400
Speaker 4: but nobody was doing that unless Peter co signed it.

1154
00:50:59,560 --> 00:51:03,400
Speaker 4: So I could even feeling frustrated with exacts saying that

1155
00:51:03,440 --> 00:51:04,680
Speaker 4: type of stuff to them, like do you know what

1156
00:51:04,680 --> 00:51:06,480
Speaker 4: I've done for a lot of y'all artists for a

1157
00:51:06,800 --> 00:51:09,200
Speaker 4: very long time? Yeah, as a favor. Yeah, So I

1158
00:51:09,520 --> 00:51:11,800
Speaker 4: do get that, But you also have to be realistic

1159
00:51:11,840 --> 00:51:15,239
Speaker 4: in yourself and know you are starting from scratch again,

1160
00:51:16,280 --> 00:51:18,400
Speaker 4: like this is a whole new show and not every

1161
00:51:18,560 --> 00:51:20,360
Speaker 4: person is gonna they're gonna.

1162
00:51:20,120 --> 00:51:21,000
Speaker 2: Want to see what happens.

1163
00:51:21,200 --> 00:51:23,399
Speaker 3: Oh no, I get that, but it's still it's still

1164
00:51:23,440 --> 00:51:26,600
Speaker 3: the personalities that make the show.

1165
00:51:27,280 --> 00:51:32,040
Speaker 4: But there was also plenty of artists that like when

1166
00:51:32,080 --> 00:51:34,560
Speaker 4: we had when we started our show. Of course, there

1167
00:51:34,560 --> 00:51:36,080
Speaker 4: are plenty of artists that we just rocked with already

1168
00:51:36,120 --> 00:51:38,719
Speaker 4: and if we needed, you know, a favor or to

1169
00:51:38,719 --> 00:51:40,200
Speaker 4: come on the show, they'd come just because we have

1170
00:51:40,239 --> 00:51:42,600
Speaker 4: a relationship with them. But I'm sure there was artists

1171
00:51:42,640 --> 00:51:44,359
Speaker 4: that have come on our show that wanted to give

1172
00:51:44,360 --> 00:51:47,520
Speaker 4: it a few months. Oh yeah, not let me see,

1173
00:51:47,800 --> 00:51:49,719
Speaker 4: let me see if this, if this works and it's

1174
00:51:49,760 --> 00:51:53,200
Speaker 4: worth my time type of thing, and they're they're, you know,

1175
00:51:53,320 --> 00:51:56,680
Speaker 4: only a month, then they're gonna have to be patient. Yeah,

1176
00:51:57,280 --> 00:51:59,160
Speaker 4: even people you fuck with, like I gotta see, all right,

1177
00:51:59,160 --> 00:52:02,680
Speaker 4: you guys gonna staynsist what's going on? Like I would

1178
00:52:02,719 --> 00:52:05,240
Speaker 4: have reservations as an artist in exec.

1179
00:52:05,160 --> 00:52:05,799
Speaker 2: With that as well.

1180
00:52:06,000 --> 00:52:08,800
Speaker 4: Yeah, I think plenty of show is just just starting

1181
00:52:08,800 --> 00:52:09,919
Speaker 4: a month and them shit is gone.

1182
00:52:10,239 --> 00:52:12,839
Speaker 3: Yeah. I think hebro is just finding out like oh shit,

1183
00:52:12,960 --> 00:52:14,000
Speaker 3: like it's a reality check.

1184
00:52:14,760 --> 00:52:16,560
Speaker 2: But yeah, no, they they might fuck with you, but

1185
00:52:17,120 --> 00:52:17,840
Speaker 2: if that logo.

1186
00:52:18,120 --> 00:52:20,560
Speaker 3: If that logo ain't behind you, you know what I'm saying,

1187
00:52:20,560 --> 00:52:23,400
Speaker 3: They like, do I need to go do that? Whereas,

1188
00:52:23,440 --> 00:52:25,480
Speaker 3: like the marriage said before, you know you got that logo,

1189
00:52:25,560 --> 00:52:28,000
Speaker 3: and it's like, this is one of the biggest radio

1190
00:52:28,040 --> 00:52:31,040
Speaker 3: stations in New York City. It's like people are going

1191
00:52:31,120 --> 00:52:32,640
Speaker 3: to be inclined to do that, like you're not going

1192
00:52:32,719 --> 00:52:33,160
Speaker 3: up there for.

1193
00:52:33,120 --> 00:52:35,560
Speaker 4: Sure, but he still had he still has that Apple logo,

1194
00:52:35,840 --> 00:52:37,680
Speaker 4: which to me, has been more valuable than the hot

1195
00:52:37,760 --> 00:52:41,680
Speaker 4: ninety seven to one for quite some time. And that's

1196
00:52:41,760 --> 00:52:43,919
Speaker 4: where that's why I was surprised by what he said,

1197
00:52:44,080 --> 00:52:46,480
Speaker 4: because it's all the music industry is favorite for a favor,

1198
00:52:47,680 --> 00:52:49,320
Speaker 4: the pr games favorite for a favor.

1199
00:52:49,120 --> 00:52:51,959
Speaker 3: Industry very fake, very into very.

1200
00:52:52,200 --> 00:52:53,840
Speaker 4: That's why I don't put emotion into that type of

1201
00:52:53,840 --> 00:52:55,360
Speaker 4: stuff because I know we none of us are all

1202
00:52:55,400 --> 00:52:57,400
Speaker 4: front with us, not in this room, but none of

1203
00:52:57,440 --> 00:52:58,520
Speaker 4: us are really friends like that.

1204
00:52:58,560 --> 00:52:59,000
Speaker 2: You don't know me.

1205
00:52:59,080 --> 00:53:03,160
Speaker 4: Shit, I'm shocked that that's how he's felt when people

1206
00:53:03,200 --> 00:53:04,200
Speaker 4: are trying to get playlisting.

1207
00:53:05,680 --> 00:53:11,480
Speaker 2: Yeah yeah, that's true, yo, hero, what time you record?

1208
00:53:11,719 --> 00:53:13,800
Speaker 2: Yeah hell yeah yeah.

1209
00:53:13,840 --> 00:53:16,160
Speaker 4: So that's what was interesting, and I don't really have

1210
00:53:16,239 --> 00:53:18,600
Speaker 4: anything after that. But I thought it was interesting because

1211
00:53:18,600 --> 00:53:22,920
Speaker 4: he still is who he is at the second largest

1212
00:53:22,920 --> 00:53:25,640
Speaker 4: streaming platform when it comes to music in the world.

1213
00:53:25,760 --> 00:53:26,080
Speaker 3: Yeah.

1214
00:53:26,440 --> 00:53:30,879
Speaker 2: Yeah, I think it'd be pretty important to help Hero again.

1215
00:53:30,960 --> 00:53:35,279
Speaker 4: Favor for a favor, Yeah, I mean, I think that's

1216
00:53:35,280 --> 00:53:37,760
Speaker 4: just business. That's not even just the music business. That's business.

1217
00:53:39,160 --> 00:53:41,000
Speaker 4: This whole workforce works that.

1218
00:53:41,239 --> 00:53:43,200
Speaker 3: I notice it is fake, man, This ship is a

1219
00:53:43,239 --> 00:53:43,879
Speaker 3: whole bunch of.

1220
00:53:44,320 --> 00:53:46,360
Speaker 5: Once people feel like they'll never need a favor again.

1221
00:53:46,920 --> 00:53:51,600
Speaker 5: They don't really a yeah, people feel like you ain't hot.

1222
00:53:52,520 --> 00:53:53,920
Speaker 3: Oh, I can't wait. It's Oh, it's gonna be some

1223
00:53:54,000 --> 00:53:56,879
Speaker 3: niggas on our line. I know, I can't wait for it.

1224
00:53:57,080 --> 00:53:58,239
Speaker 2: I can't yo.

1225
00:53:58,320 --> 00:54:00,080
Speaker 5: It'd be people I'll be trying to Like we we

1226
00:54:00,160 --> 00:54:03,200
Speaker 5: talking about getting booked. Mall said, Nah, they passed, never

1227
00:54:03,200 --> 00:54:05,719
Speaker 5: coming back again. I'm like, Maul, like I can understand why.

1228
00:54:05,840 --> 00:54:06,080
Speaker 1: Nah.

1229
00:54:06,360 --> 00:54:10,640
Speaker 2: I'd be like, all right, bro, Nah, I'm sorry.

1230
00:54:10,680 --> 00:54:11,319
Speaker 3: That's just how I am.

1231
00:54:11,400 --> 00:54:11,520
Speaker 5: Man.

1232
00:54:11,680 --> 00:54:13,560
Speaker 2: Years of healing, I stopped taking things personal.

1233
00:54:13,640 --> 00:54:17,360
Speaker 3: Now it's not personal. It's business. You know, it's not

1234
00:54:17,400 --> 00:54:19,120
Speaker 3: personal with me. It's I'm keeping in business.

1235
00:54:19,600 --> 00:54:19,680
Speaker 2: Na.

1236
00:54:19,800 --> 00:54:22,799
Speaker 3: Nah, We're good. We're to catch you on the next one.

1237
00:54:23,360 --> 00:54:24,480
Speaker 2: But that's not business, mam.

1238
00:54:24,640 --> 00:54:28,399
Speaker 3: It is business. We're busy right now, got mad shit

1239
00:54:28,480 --> 00:54:31,680
Speaker 3: going on. Mad.

1240
00:54:33,040 --> 00:54:35,799
Speaker 4: But I mean with older like associate people, not like that,

1241
00:54:35,840 --> 00:54:39,600
Speaker 4: like I consider Pete a front, like if they never

1242
00:54:39,640 --> 00:54:42,879
Speaker 4: even started the show. I would try to help Peter

1243
00:54:42,960 --> 00:54:44,600
Speaker 4: anyway I could if he needed the help, not that

1244
00:54:44,640 --> 00:54:48,000
Speaker 4: he needs it, but I think it's it's corny if

1245
00:54:48,040 --> 00:54:50,160
Speaker 4: you actually cool with somebody and if they're not hot,

1246
00:54:50,400 --> 00:54:52,719
Speaker 4: then you're not fucking with them. That's corny as fuck

1247
00:54:52,760 --> 00:54:55,080
Speaker 4: to me. But if it's just industry associates, like I

1248
00:54:55,120 --> 00:54:58,359
Speaker 4: would understand. If I have literally nothing to offer you

1249
00:54:58,440 --> 00:55:01,600
Speaker 4: and the only interactions we've ever had have been transactional,

1250
00:55:02,239 --> 00:55:04,360
Speaker 4: then I wouldn't expect much from them, and I wouldn't

1251
00:55:04,360 --> 00:55:05,600
Speaker 4: at all much from me.

1252
00:55:06,000 --> 00:55:06,239
Speaker 3: Yeah.

1253
00:55:06,840 --> 00:55:09,640
Speaker 4: Just uh so, there was a reason we spoke, and

1254
00:55:09,680 --> 00:55:11,520
Speaker 4: it was to benefit both of us. And now if

1255
00:55:11,520 --> 00:55:13,319
Speaker 4: that doesn't happen anymore, cool not.

1256
00:55:13,440 --> 00:55:15,520
Speaker 3: Life goes on. Yeah, yeah, life goes on.

1257
00:55:15,560 --> 00:55:17,680
Speaker 4: But then if you have people that are a little

1258
00:55:17,719 --> 00:55:19,719
Speaker 4: bit more than associates in the industry, you should also

1259
00:55:19,760 --> 00:55:23,719
Speaker 4: help them. Everybody has downtime or gets fired laid out,

1260
00:55:23,760 --> 00:55:25,799
Speaker 4: like people can always use help.

1261
00:55:25,920 --> 00:55:27,960
Speaker 3: Yeah, but you just got to remember those that you know,

1262
00:55:29,160 --> 00:55:31,640
Speaker 3: just remember certain things that happened along the way. That's all.

1263
00:55:32,440 --> 00:55:33,759
Speaker 3: I like to just keep a little you know, I

1264
00:55:33,760 --> 00:55:37,360
Speaker 3: mean tabs like oh yeah, I remember, and then we

1265
00:55:37,360 --> 00:55:40,040
Speaker 3: could talk about that on on on on mic as well.

1266
00:55:40,760 --> 00:55:44,000
Speaker 3: You remember we was trying to a little it was

1267
00:55:44,000 --> 00:55:45,680
Speaker 3: a little rough for you around that time. We were

1268
00:55:45,719 --> 00:55:47,640
Speaker 3: trying to steal fuck with you, and you know what

1269
00:55:47,640 --> 00:55:49,560
Speaker 3: I mean, you kind of gave us the cold shoulder,

1270
00:55:50,320 --> 00:55:51,120
Speaker 3: and now you're back.

1271
00:55:52,040 --> 00:55:54,040
Speaker 4: I guess all right. I don't take things personal, but

1272
00:55:54,080 --> 00:55:57,120
Speaker 4: I do have boundaries. Because there was someone that came

1273
00:55:57,120 --> 00:56:00,320
Speaker 4: across our booking group chat that I've been wanting to

1274
00:56:00,360 --> 00:56:04,440
Speaker 4: talk to, and I said, he's canceled on us four times, like.

1275
00:56:04,440 --> 00:56:04,880
Speaker 2: The day of.

1276
00:56:05,239 --> 00:56:10,359
Speaker 4: Like, no, okay, and that's not a personal I don't care.

1277
00:56:10,440 --> 00:56:12,640
Speaker 4: I don't I've actually spoken highly of that gentleman to

1278
00:56:12,680 --> 00:56:15,399
Speaker 4: this day. But you're not about to just like play

1279
00:56:15,440 --> 00:56:18,600
Speaker 4: in our There has to be boundaries here, Yeah, you

1280
00:56:18,600 --> 00:56:21,920
Speaker 4: can't keep canceling day of at this point, Like that

1281
00:56:22,000 --> 00:56:22,960
Speaker 4: almost feels personal.

1282
00:56:23,680 --> 00:56:25,640
Speaker 3: Yeah, when it's like that, then it's like, yeah, come on,

1283
00:56:25,719 --> 00:56:27,600
Speaker 3: like what are we doing here? Like this is stupid?

1284
00:56:27,920 --> 00:56:34,680
Speaker 4: Yeah, No, Maul has not taken his daily dancing boots off.

1285
00:56:34,719 --> 00:56:36,960
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00:57:22,280 --> 00:57:24,520
Speaker 4: means if you would have won a hundred bucks on

1302
00:57:24,560 --> 00:57:26,520
Speaker 4: your bet, now it's two hundred bucks.

1303
00:57:26,600 --> 00:57:28,320
Speaker 3: So don't sit on the bench. Download the hard Rock

1304
00:57:28,320 --> 00:57:30,560
Speaker 3: Bet app today and get the party started. Y On

1305
00:57:30,640 --> 00:57:32,920
Speaker 3: bonus bets not a cash offer offered by the Seminal

1306
00:57:33,000 --> 00:57:36,120
Speaker 3: Tribe of Florida and Florida offered by Seminal hard Rock

1307
00:57:36,160 --> 00:57:38,760
Speaker 3: Digital LLC. In all other states. Must be twenty one

1308
00:57:38,760 --> 00:57:43,080
Speaker 3: plus and physically present in Arizona, Colorado, Florida, Illinois, Indiana, Michigan,

1309
00:57:43,120 --> 00:57:45,760
Speaker 3: New Jersey, Ohio, Tennessee, or Virginia to play. Terms and

1310
00:57:45,760 --> 00:57:48,800
Speaker 3: conditions applied. Concerned about gambling in Florida, you call one

1311
00:57:48,800 --> 00:57:50,800
Speaker 3: eight three to three play wise. In Indiana, if you

1312
00:57:50,840 --> 00:57:52,880
Speaker 3: are someone you know has a gambler problem wants helped,

1313
00:57:53,160 --> 00:57:55,240
Speaker 3: call one eight hundred and nine with it. Gambling problem

1314
00:57:55,240 --> 00:57:59,160
Speaker 3: called one eight hundred gambler. Arizona, Colorado, Illinois, Michigan, New Jersey, Ohio,

1315
00:57:59,240 --> 00:58:00,160
Speaker 3: Tennessee and in.

1316
00:58:00,200 --> 00:58:10,480
Speaker 2: You anyways, Final four this weekend Michigan, Arizona, Illinois, Yukon.

1317
00:58:11,560 --> 00:58:12,240
Speaker 2: It's that time.

1318
00:58:13,240 --> 00:58:17,880
Speaker 4: It's it's the last four and I'm trying to make

1319
00:58:17,920 --> 00:58:19,720
Speaker 4: some money man, specifically with hard rock bet I just

1320
00:58:19,720 --> 00:58:20,560
Speaker 4: want to make that very clear.

1321
00:58:21,080 --> 00:58:25,080
Speaker 2: Florida, they already know that. Come on.

1322
00:58:25,160 --> 00:58:29,040
Speaker 4: But but speaking of betting and the last four teams

1323
00:58:29,200 --> 00:58:35,200
Speaker 4: left in March Madness, Michigan versus Arizona, Arizona's getting one

1324
00:58:35,200 --> 00:58:35,720
Speaker 4: and a half.

1325
00:58:37,160 --> 00:58:39,520
Speaker 2: I'm taking Arizona. I think Arizona's gonna beat Michigan by

1326
00:58:39,520 --> 00:58:39,920
Speaker 2: more than that.

1327
00:58:41,240 --> 00:58:41,960
Speaker 3: I think they ought to.

1328
00:58:42,280 --> 00:58:44,320
Speaker 4: I'm taking easy and I think I think it's like

1329
00:58:44,480 --> 00:58:47,880
Speaker 4: an easy bet to be quar honest. And then we

1330
00:58:48,000 --> 00:58:51,600
Speaker 4: also have Yukon plus one and a half.

1331
00:58:53,880 --> 00:58:54,280
Speaker 3: Hm hmm.

1332
00:58:56,280 --> 00:58:57,520
Speaker 2: I'm taking Yukon on that one too.

1333
00:58:59,680 --> 00:59:03,720
Speaker 3: Hmm. Yeah, I think it's Yukon Arizona going to the final.

1334
00:59:04,200 --> 00:59:06,160
Speaker 4: I'm on that side. And even with these spreads, I'm

1335
00:59:06,200 --> 00:59:08,880
Speaker 4: taking I'm taking off the spread and just off the win. Yeah,

1336
00:59:08,960 --> 00:59:12,360
Speaker 4: I think Arizona Yukon for both those. Where are you

1337
00:59:12,400 --> 00:59:15,560
Speaker 4: watching the game? I don't know what games rather.

1338
00:59:15,840 --> 00:59:17,280
Speaker 3: I don't know. I kind of I kind of feel

1339
00:59:17,280 --> 00:59:19,080
Speaker 3: like the final four you should be like the final

1340
00:59:19,120 --> 00:59:21,520
Speaker 3: four in the championship. You should be like sports bar

1341
00:59:22,320 --> 00:59:25,760
Speaker 3: type of vibe. Yeah see, yeah, I don't know. I

1342
00:59:25,840 --> 00:59:27,280
Speaker 3: might find a good sports bar to go shit and

1343
00:59:27,280 --> 00:59:27,760
Speaker 3: watch the game.

1344
00:59:27,840 --> 00:59:29,800
Speaker 4: When New York has like those, you have to like

1345
00:59:29,920 --> 00:59:32,880
Speaker 4: google them because so many people move here, Like there's

1346
00:59:33,000 --> 00:59:36,080
Speaker 4: Yukon bars here, there's like Arizona bars. They have it

1347
00:59:36,120 --> 00:59:39,000
Speaker 4: with football teams too, Like if you're a Cleveland Browns fan.

1348
00:59:39,200 --> 00:59:41,040
Speaker 4: You can find a bar that you're just dedicated to

1349
00:59:41,040 --> 00:59:43,720
Speaker 4: the Cleveland Browns. Yeah, like I would like to go.

1350
00:59:43,840 --> 00:59:46,840
Speaker 4: Who do you think has the crazier fans between the forties?

1351
00:59:46,880 --> 00:59:49,520
Speaker 4: I think Yukon, especially because it's closer. Yes, I'm going

1352
00:59:49,560 --> 00:59:50,920
Speaker 4: to try to find a Yukon bar to watch this.

1353
00:59:51,840 --> 00:59:55,440
Speaker 4: I'm going to Michigan ball. It is crazy though, Michigan

1354
00:59:57,600 --> 01:00:00,680
Speaker 4: they rival like the Steelers. Yeah, that fan base. Yeah,

1355
01:00:00,680 --> 01:00:03,040
Speaker 4: Michigan would be a fun, fun bar to go to. Yeah,

1356
01:00:03,320 --> 01:00:05,560
Speaker 4: all right, so Michigan bar for that game and then Yukon.

1357
01:00:06,280 --> 01:00:07,880
Speaker 4: I'll set up a whole tour for us.

1358
01:00:08,200 --> 01:00:10,800
Speaker 3: Yeah. We just bounce around the city like one of

1359
01:00:10,800 --> 01:00:14,360
Speaker 3: the tip officer at four ten. Let's go. You gotta

1360
01:00:14,400 --> 01:00:15,280
Speaker 3: try to make it through traffic.

1361
01:00:15,280 --> 01:00:16,920
Speaker 4: But then we gotta pretend to be Michigan fans and

1362
01:00:16,960 --> 01:00:17,919
Speaker 4: pretend to be Ukon fans.

1363
01:00:17,920 --> 01:00:18,120
Speaker 3: Though.

1364
01:00:19,120 --> 01:00:20,800
Speaker 4: I'm not going into the bar to stir up trouble.

1365
01:00:20,840 --> 01:00:23,000
Speaker 4: I want to be amongst the people in high five. Yeah,

1366
01:00:24,000 --> 01:00:25,720
Speaker 4: it's like, yeah, we gotta be We can't. We can't

1367
01:00:25,720 --> 01:00:26,040
Speaker 4: feel like that.

1368
01:00:26,120 --> 01:00:27,760
Speaker 2: I'm not trying to be that guy. Yeah, no, no, no,

1369
01:00:27,800 --> 01:00:30,520
Speaker 2: we're not doing that. Pe where are you gonna be at?

1370
01:00:33,200 --> 01:00:34,520
Speaker 2: He said, I'm going all the one.

1371
01:00:35,120 --> 01:00:37,600
Speaker 3: I'm definitely that Yukon game is gonna be a good one.

1372
01:00:38,000 --> 01:00:40,640
Speaker 3: That's gonna be a good game. The Arizona who's the

1373
01:00:40,640 --> 01:00:43,400
Speaker 3: Arizona Michigan. That's gonna be a good game too. But

1374
01:00:43,440 --> 01:00:47,280
Speaker 3: that Yukon game, that's gonna be a good game. I mean.

1375
01:00:47,440 --> 01:00:50,720
Speaker 2: But I also like the Orange. I like the uniform.

1376
01:00:51,200 --> 01:00:53,680
Speaker 2: They match me. Maybe I should just go be with

1377
01:00:53,720 --> 01:00:54,400
Speaker 2: the Orange people.

1378
01:00:55,240 --> 01:00:57,200
Speaker 3: Yeah, you can buy. You have no problem getting it.

1379
01:00:57,400 --> 01:01:00,600
Speaker 3: They'll think you the match Scott, You're.

1380
01:01:00,400 --> 01:01:05,640
Speaker 2: On the spot. Yeah. Uh. But staying on basketball, did

1381
01:01:05,680 --> 01:01:07,080
Speaker 2: you guys watch the lamar Oldim doctor?

1382
01:01:07,440 --> 01:01:12,200
Speaker 3: I did finished it last night. Listen. Man, I'm just

1383
01:01:12,240 --> 01:01:15,400
Speaker 3: happy we still have lamar Odom with us. I'm happy

1384
01:01:15,400 --> 01:01:18,120
Speaker 3: we have But he was he came by studio. Was

1385
01:01:18,120 --> 01:01:20,360
Speaker 3: it last year we had lamar I think so last year?

1386
01:01:20,480 --> 01:01:24,000
Speaker 3: Really good guy, good guy, great guy. Uh New York legend,

1387
01:01:24,800 --> 01:01:29,600
Speaker 3: Uh world champion. But this documentary highlighted, you know, which

1388
01:01:29,640 --> 01:01:32,880
Speaker 3: is what I'm guessing. It's supposed to the death and

1389
01:01:33,520 --> 01:01:37,560
Speaker 3: life of lamar Aldom. So it highlighted you know, the

1390
01:01:38,000 --> 01:01:40,480
Speaker 3: dark the dark times and a lot of the things

1391
01:01:40,480 --> 01:01:45,160
Speaker 3: that he's been through in his personal life. I mean,

1392
01:01:45,280 --> 01:01:48,320
Speaker 3: I think I think everybody kind of has to kind

1393
01:01:48,320 --> 01:01:50,240
Speaker 3: of like love Chloe Kardashian a little more than they

1394
01:01:50,240 --> 01:01:51,520
Speaker 3: probably already did at this point.

1395
01:01:51,920 --> 01:01:53,040
Speaker 2: Listen, man, I.

1396
01:01:54,560 --> 01:01:59,880
Speaker 4: Know it's it's so easy to kill the Kardashians, but yeah, Chloe,

1397
01:01:59,920 --> 01:02:02,080
Speaker 4: I have to give my hats off to everything she

1398
01:02:02,120 --> 01:02:04,400
Speaker 4: went through with that and how she handled it, especially

1399
01:02:04,400 --> 01:02:07,480
Speaker 4: even publicly with you know, all the cameras around.

1400
01:02:08,400 --> 01:02:08,840
Speaker 2: I didn't like.

1401
01:02:08,880 --> 01:02:10,760
Speaker 4: Of course, I knew that they were a couple. I

1402
01:02:10,760 --> 01:02:13,560
Speaker 4: didn't watch their show. I didn't pay too much attention

1403
01:02:13,640 --> 01:02:15,680
Speaker 4: to it, but I was aware that it was a

1404
01:02:15,800 --> 01:02:18,640
Speaker 4: huge deal of them dating to be able to go

1405
01:02:18,680 --> 01:02:22,000
Speaker 4: through that and hold everything down, which you think you're

1406
01:02:22,040 --> 01:02:24,040
Speaker 4: doing the right thing. But I mean, I think all

1407
01:02:24,120 --> 01:02:26,240
Speaker 4: of us have had addicts in our family where you

1408
01:02:26,240 --> 01:02:28,840
Speaker 4: think you're you're helping them and you're not helping them. Absolutely,

1409
01:02:28,800 --> 01:02:32,560
Speaker 4: it's a It's something I empathize with, and I have

1410
01:02:32,960 --> 01:02:35,400
Speaker 4: a lot more respect for Chloe Kardashian and what she

1411
01:02:35,480 --> 01:02:39,920
Speaker 4: did for Lamorrow Atom. I couldn't imagine of going through that,

1412
01:02:40,000 --> 01:02:42,360
Speaker 4: plus having to have the camera on you to breave

1413
01:02:43,040 --> 01:02:44,959
Speaker 4: like everything is Okay, Now.

1414
01:02:44,880 --> 01:02:47,920
Speaker 2: Lamorro Atom, I knew he was Wallin. I didn't know.

1415
01:02:47,960 --> 01:02:52,000
Speaker 3: I didn't know. Yeah, No, like this this documentary showed

1416
01:02:52,080 --> 01:02:56,440
Speaker 3: like Lamar was, like he was he was actively flirting

1417
01:02:56,480 --> 01:02:59,320
Speaker 3: with death like I'm talking about he was. He was

1418
01:02:59,360 --> 01:03:02,400
Speaker 3: playing one on one to take when to take the

1419
01:03:02,440 --> 01:03:06,320
Speaker 3: ball out with Death? Like that's really like, I did

1420
01:03:06,360 --> 01:03:07,240
Speaker 3: you watch the mars?

1421
01:03:07,480 --> 01:03:07,960
Speaker 2: I did not.

1422
01:03:08,200 --> 01:03:10,800
Speaker 5: I saw some like the doc like I've seen some

1423
01:03:10,880 --> 01:03:12,800
Speaker 5: of like the highlights and stuff on Twitter.

1424
01:03:13,320 --> 01:03:16,320
Speaker 3: No, like Lamar he was, he was playing. He was

1425
01:03:16,360 --> 01:03:20,240
Speaker 3: one on one with death, and Death was winning. Death

1426
01:03:20,320 --> 01:03:21,000
Speaker 3: was up by three.

1427
01:03:21,080 --> 01:03:24,680
Speaker 4: We all kind of came to the conclusion at some point,

1428
01:03:24,800 --> 01:03:26,200
Speaker 4: probably around the Mavericks time, was.

1429
01:03:26,200 --> 01:03:27,880
Speaker 2: Like Lamar was probably doing coke.

1430
01:03:28,200 --> 01:03:31,960
Speaker 4: Yeah, that was kind of more something we knew, even

1431
01:03:32,040 --> 01:03:35,960
Speaker 4: with the whole Bunny Ranch thing. I didn't know to

1432
01:03:36,080 --> 01:03:39,400
Speaker 4: the degree he was wildingh Coke and crack is one

1433
01:03:39,400 --> 01:03:41,880
Speaker 4: thing to do, hookers is one thing to do. Taking

1434
01:03:42,080 --> 01:03:46,640
Speaker 4: twelve gas station dick pills in one sitting. How his

1435
01:03:46,760 --> 01:03:50,880
Speaker 4: dick did not explode is beyond me. Well, I thought

1436
01:03:50,880 --> 01:03:53,360
Speaker 4: the crack did not give him the twelve heart attacks

1437
01:03:53,360 --> 01:03:55,880
Speaker 4: and seventeen strokes. That was the gas station dick pills

1438
01:03:55,920 --> 01:03:59,040
Speaker 4: that did that. But I thought, like, krack gets your

1439
01:03:59,120 --> 01:04:01,480
Speaker 4: dick hard. Whatch you needed the pills for. If I'm

1440
01:04:01,480 --> 01:04:03,600
Speaker 4: at the Bunny Ranch and I'm doing coke crack and

1441
01:04:03,600 --> 01:04:05,000
Speaker 4: I'm having a good time, if you don't think I'm

1442
01:04:05,000 --> 01:04:07,360
Speaker 4: gonna throwing a little gas station pill, no word, I'm

1443
01:04:07,360 --> 01:04:09,320
Speaker 4: getting my money's worth, yo.

1444
01:04:09,440 --> 01:04:12,120
Speaker 2: That is Craig. Crack makes your dick card. I never

1445
01:04:12,160 --> 01:04:15,160
Speaker 2: knew that crack don't make your dick car You looking

1446
01:04:15,160 --> 01:04:16,280
Speaker 2: at us. I've never smoked crack.

1447
01:04:16,360 --> 01:04:17,440
Speaker 3: Yeah, I don't never smoke crack.

1448
01:04:17,680 --> 01:04:23,320
Speaker 6: I ever talked to a crackhead about But people that

1449
01:04:23,760 --> 01:04:26,520
Speaker 6: know crack. Cocaine generally does not make your way. It

1450
01:04:26,560 --> 01:04:30,479
Speaker 6: doesn't coke make your dick soft. But I'm thinking crack

1451
01:04:30,520 --> 01:04:33,640
Speaker 6: now coke, I'm asking about crack. You think the baking

1452
01:04:33,680 --> 01:04:35,000
Speaker 6: sodas would get that ship.

1453
01:04:36,160 --> 01:04:38,440
Speaker 3: Even they lock it up. You think when they cut

1454
01:04:38,480 --> 01:04:39,560
Speaker 3: into rock that get you rock?

1455
01:04:40,360 --> 01:04:41,560
Speaker 2: The rock don't get you rocked?

1456
01:04:42,600 --> 01:04:43,600
Speaker 3: Nah? Baby did though?

1457
01:04:44,040 --> 01:04:52,680
Speaker 2: Yeah? But have you ever like taken crack a peenits

1458
01:04:52,720 --> 01:04:53,360
Speaker 2: and handsome pill?

1459
01:04:53,520 --> 01:04:53,800
Speaker 3: Oh?

1460
01:04:53,880 --> 01:04:57,160
Speaker 2: Yes, there's great ones out there. You've taken one. I

1461
01:04:57,200 --> 01:05:01,920
Speaker 2: told you about Boner Beers. Yeah, we just have to

1462
01:05:02,160 --> 01:05:02,720
Speaker 2: add yet.

1463
01:05:03,920 --> 01:05:07,160
Speaker 4: But this is the ad they owe money.

1464
01:05:07,520 --> 01:05:09,720
Speaker 2: Yeah, the marathons. She took the look.

1465
01:05:11,680 --> 01:05:16,680
Speaker 5: I took boner beersner boner boner beers. That's called yeah.

1466
01:05:16,960 --> 01:05:18,200
Speaker 5: But anyway, but.

1467
01:05:18,280 --> 01:05:21,120
Speaker 4: There are some out there that are like four men

1468
01:05:21,160 --> 01:05:22,360
Speaker 4: and women, it'll get your dick hard.

1469
01:05:22,520 --> 01:05:25,480
Speaker 2: A woman more of the horny. There's him and hers

1470
01:05:25,520 --> 01:05:26,720
Speaker 2: out there, make that clip hard.

1471
01:05:27,400 --> 01:05:33,480
Speaker 4: But granted we've advertised like safe dick fills on here

1472
01:05:33,480 --> 01:05:37,520
Speaker 4: that we've talked about Participles was Bluetoo Crew two like

1473
01:05:37,920 --> 01:05:39,160
Speaker 4: two live true we was out here.

1474
01:05:39,560 --> 01:05:40,439
Speaker 2: Those are safe ones.

1475
01:05:40,560 --> 01:05:44,280
Speaker 4: Ye has anyone in here ever just driven by seven

1476
01:05:44,320 --> 01:05:46,640
Speaker 4: eleven at four am and said if I'm gonna do it,

1477
01:05:46,640 --> 01:05:50,000
Speaker 4: I'm gonna do it because this guy has before. And

1478
01:05:50,040 --> 01:05:53,520
Speaker 4: when I tell you, the veins were popping out of

1479
01:05:53,600 --> 01:05:54,560
Speaker 4: my forehead.

1480
01:05:54,960 --> 01:05:57,280
Speaker 3: Yeah, that black that crazy migraine.

1481
01:05:57,320 --> 01:06:00,520
Speaker 2: That was one. That was just one.

1482
01:06:00,720 --> 01:06:01,040
Speaker 3: Yeah.

1483
01:06:01,280 --> 01:06:03,840
Speaker 4: Now I understand lamar Odom is probably twice or not

1484
01:06:04,240 --> 01:06:08,000
Speaker 4: three times my size. Is a human being that still

1485
01:06:08,000 --> 01:06:09,640
Speaker 4: doesn't add up to twelve of them.

1486
01:06:09,720 --> 01:06:12,200
Speaker 3: Yeah, nah, that's crazy. Twelve of those in one set

1487
01:06:12,200 --> 01:06:13,360
Speaker 3: in is fucking wild.

1488
01:06:14,280 --> 01:06:15,840
Speaker 4: Like the coke. I mean, he was just having a

1489
01:06:15,840 --> 01:06:17,800
Speaker 4: good time. I thought he that all happened because of

1490
01:06:17,800 --> 01:06:18,200
Speaker 4: a drug of.

1491
01:06:18,240 --> 01:06:20,920
Speaker 3: Malls at that Bundy Rage, trying to please every all

1492
01:06:21,000 --> 01:06:21,919
Speaker 3: thirty seven of those.

1493
01:06:22,800 --> 01:06:25,360
Speaker 2: Yeah, he was in there going crazy, and.

1494
01:06:25,320 --> 01:06:28,960
Speaker 4: They had the the EMT report, and of course there

1495
01:06:29,040 --> 01:06:30,600
Speaker 4: was coke and this and that, and then one of

1496
01:06:30,640 --> 01:06:33,000
Speaker 4: the hookers said to the EMT, well, yeah, he also

1497
01:06:33,880 --> 01:06:37,040
Speaker 4: had one of these. It was brushed it off. No no, no, no,

1498
01:06:37,080 --> 01:06:43,520
Speaker 4: you're not hearing me. He took twelve of them. He

1499
01:06:43,640 --> 01:06:47,360
Speaker 4: was trying to fuck and dems. That's not the wildest part.

1500
01:06:48,160 --> 01:06:49,600
Speaker 2: He died. They brought him back to life.

1501
01:06:49,800 --> 01:06:52,600
Speaker 4: Again, I'm over exaggerating, but it was like a lot

1502
01:06:52,600 --> 01:06:53,840
Speaker 4: of heart attacks on a lot of strokes.

1503
01:06:54,040 --> 01:06:55,080
Speaker 2: Had to put him in a coma.

1504
01:06:55,600 --> 01:06:57,440
Speaker 4: He couldn't when he woke up, he couldn't talk, He

1505
01:06:57,440 --> 01:07:00,480
Speaker 4: didn't recognize pictures of his son. Chloe went and got

1506
01:07:00,560 --> 01:07:02,440
Speaker 4: him a caretaker, a chef. Once he could get out

1507
01:07:02,480 --> 01:07:05,400
Speaker 4: the hospital, still couldn't move on his own, couldn't do that.

1508
01:07:06,200 --> 01:07:09,280
Speaker 4: Chloe walks into the caretaker house that she got for him.

1509
01:07:09,640 --> 01:07:14,720
Speaker 4: Immediately smells burnt plastic. Small fucker can't talk or walk

1510
01:07:14,760 --> 01:07:17,360
Speaker 4: and it's smoking crack upstairs. After coming out the coma.

1511
01:07:17,440 --> 01:07:19,640
Speaker 2: Well, that's the time to do it, because, like you

1512
01:07:19,680 --> 01:07:21,040
Speaker 2: know what I'm saying, getting the crack.

1513
01:07:20,920 --> 01:07:25,080
Speaker 4: Form, who's getting the crack? She thought he had no phone.

1514
01:07:25,120 --> 01:07:27,280
Speaker 4: I guess he had somehow found a phone.

1515
01:07:29,520 --> 01:07:31,760
Speaker 2: And I'm not saying crack dealers like need to have heart,

1516
01:07:33,320 --> 01:07:36,520
Speaker 2: but why are you selling Lamar? Owld him? After seventy five.

1517
01:07:38,120 --> 01:07:40,160
Speaker 3: And Lamar is laid up in the hospital and he

1518
01:07:40,240 --> 01:07:42,800
Speaker 3: called me to my YO, pull up when I get

1519
01:07:42,800 --> 01:07:44,720
Speaker 3: there if I see him blade, But I don't think

1520
01:07:44,760 --> 01:07:46,680
Speaker 3: you should be doing this right now. Like I get it,

1521
01:07:47,160 --> 01:07:48,040
Speaker 3: but it's like, come on.

1522
01:07:47,960 --> 01:07:51,200
Speaker 2: Bro, and during the transaction, no social worker. Remember that.

1523
01:07:51,360 --> 01:07:54,720
Speaker 2: Like at the end of the day, I for.

1524
01:07:54,320 --> 01:07:56,320
Speaker 3: God forbid, he died right there. You know what they

1525
01:07:56,440 --> 01:07:58,400
Speaker 3: coming to get? They going through his phone. They gonna

1526
01:07:58,400 --> 01:08:01,360
Speaker 3: see what we called. That's that's start there. They're gonna

1527
01:08:01,360 --> 01:08:05,080
Speaker 3: look at who he called. Is it worth that I'm

1528
01:08:05,120 --> 01:08:08,680
Speaker 3: the guy that sold Lamar and the crack that killed him.

1529
01:08:08,840 --> 01:08:09,760
Speaker 3: I don't think it's worth that.

1530
01:08:11,160 --> 01:08:13,320
Speaker 4: And I'm glad that that's actually a thing now, Like

1531
01:08:13,960 --> 01:08:16,640
Speaker 4: the person that sold mac Miller his his drugs that

1532
01:08:17,040 --> 01:08:20,800
Speaker 4: was laced with fentanyl. Yeah, sit down for a while

1533
01:08:20,800 --> 01:08:22,640
Speaker 4: you should have fucking checked that your coke didn't have

1534
01:08:22,680 --> 01:08:23,240
Speaker 4: fent on it.

1535
01:08:23,439 --> 01:08:26,760
Speaker 5: Yeah, I mean that makes sense, but this like it

1536
01:08:26,800 --> 01:08:27,639
Speaker 5: won't no fentanyl.

1537
01:08:27,720 --> 01:08:30,679
Speaker 2: You just that's user era. That's like if the grocery store.

1538
01:08:30,600 --> 01:08:33,080
Speaker 5: Sell me too much butter and I got hyper fucking tension.

1539
01:08:33,200 --> 01:08:35,519
Speaker 5: Like that's not the grocery store fault. You know that

1540
01:08:35,560 --> 01:08:39,479
Speaker 5: too much butter gonna give you hypertension. The butter is fine, though,

1541
01:08:39,840 --> 01:08:40,559
Speaker 5: you said, what.

1542
01:08:40,400 --> 01:08:42,519
Speaker 2: The butter's FDA approved crack ain't.

1543
01:08:44,960 --> 01:08:47,360
Speaker 4: I'm I'm aware you can't have a conscience in the

1544
01:08:47,360 --> 01:08:50,559
Speaker 4: crack game. I've heard the songs, but to sell crack

1545
01:08:50,680 --> 01:08:53,760
Speaker 4: to lamar Odom when he can't speak or walk is

1546
01:08:53,800 --> 01:08:56,000
Speaker 4: the funniest fucking thing I've ever Like, you're really about

1547
01:08:56,040 --> 01:08:57,160
Speaker 4: to go make that sale.

1548
01:08:58,560 --> 01:09:02,040
Speaker 2: But hey, man, ain't look man, I mean I hear you,

1549
01:09:02,560 --> 01:09:02,920
Speaker 2: all right.

1550
01:09:04,160 --> 01:09:06,320
Speaker 4: When people are buying coke this lace with fatanoil, they

1551
01:09:06,360 --> 01:09:09,840
Speaker 4: probably spending a little bit of money. How much crack

1552
01:09:10,800 --> 01:09:13,599
Speaker 4: what he made twelve hours that day, it's just not

1553
01:09:13,600 --> 01:09:15,600
Speaker 4: worth it.

1554
01:09:13,920 --> 01:09:16,559
Speaker 3: It's not worth it.

1555
01:09:19,360 --> 01:09:21,920
Speaker 4: He spent more in gas in Los Angeles at that

1556
01:09:21,960 --> 01:09:24,599
Speaker 4: time to do that sale of crack. Crack, you don't

1557
01:09:24,600 --> 01:09:26,320
Speaker 4: make a lot of money off one sale.

1558
01:09:27,040 --> 01:09:30,559
Speaker 5: How what did he talk about? Because I didn't watch

1559
01:09:30,600 --> 01:09:32,200
Speaker 5: you guys. Did did he talk about what he was

1560
01:09:32,200 --> 01:09:34,160
Speaker 5: trying to escape? Because if you fucking like that and

1561
01:09:34,240 --> 01:09:37,200
Speaker 5: taking crack like you're trying to escape something, he's an addict.

1562
01:09:37,240 --> 01:09:39,920
Speaker 3: Clear, he's addictive. Well, no, you're an it's sex, whether

1563
01:09:39,920 --> 01:09:42,800
Speaker 3: it's drugs, whether it's like he's just an addict. He

1564
01:09:42,840 --> 01:09:46,479
Speaker 3: can't do a little of nothing. That's just the attic brain,

1565
01:09:46,720 --> 01:09:48,200
Speaker 3: you know what I mean. So if he's having sexist,

1566
01:09:48,360 --> 01:09:50,160
Speaker 3: I'm going to the Bunny Ranch. I just need a

1567
01:09:50,200 --> 01:09:53,479
Speaker 3: pluthora of women available. I want to have sex all day.

1568
01:09:54,200 --> 01:09:56,360
Speaker 3: I want to do drugs all day like he was,

1569
01:09:56,400 --> 01:09:59,479
Speaker 3: he was an addict. He's just dangerous with somebody like

1570
01:09:59,520 --> 01:10:03,280
Speaker 3: Lama Altam because he has money to support such a

1571
01:10:03,360 --> 01:10:05,719
Speaker 3: habit and you know, to the to the highest level,

1572
01:10:05,720 --> 01:10:09,160
Speaker 3: like he can do you know things that other people

1573
01:10:09,240 --> 01:10:10,760
Speaker 3: that you know are not they don't have as much

1574
01:10:10,800 --> 01:10:13,320
Speaker 3: money and that he has access to he can go

1575
01:10:13,400 --> 01:10:15,680
Speaker 3: all the way with his addiction. Yeah, he can do

1576
01:10:16,080 --> 01:10:18,519
Speaker 3: like whatever he dreams of. I want to go stay

1577
01:10:18,520 --> 01:10:21,080
Speaker 3: at the Bunny Ranch for two weeks straight. I want

1578
01:10:21,120 --> 01:10:23,680
Speaker 3: to just sleep there. Just fuck every day. He can

1579
01:10:23,720 --> 01:10:23,960
Speaker 3: do that.

1580
01:10:24,200 --> 01:10:27,439
Speaker 5: Yeah, well, I'm seeing that they did mention that he

1581
01:10:27,520 --> 01:10:29,559
Speaker 5: lost his mother at a very young age. He lost

1582
01:10:29,560 --> 01:10:33,559
Speaker 5: a child to Sid's and his baby mother abandoned him.

1583
01:10:33,640 --> 01:10:36,840
Speaker 2: Like, well, his baby mother din abandoned him. Well, she

1584
01:10:36,920 --> 01:10:39,920
Speaker 2: chose not to move with him to LA when he

1585
01:10:40,040 --> 01:10:40,519
Speaker 2: was grieving.

1586
01:10:40,600 --> 01:10:43,400
Speaker 4: No, well, she moved to LA and then they also

1587
01:10:43,400 --> 01:10:46,840
Speaker 4: had the house in like the Queensland Island border, and

1588
01:10:47,200 --> 01:10:51,680
Speaker 4: that's where his child, unfortunately passed away. And then it

1589
01:10:51,800 --> 01:10:55,080
Speaker 4: was back to LA and they were already on the outs.

1590
01:10:55,120 --> 01:10:57,640
Speaker 4: Like at that point he was he was cheating on

1591
01:10:57,680 --> 01:10:59,240
Speaker 4: his baby mother, like he couldn't expect his baby mother

1592
01:10:59,320 --> 01:11:03,920
Speaker 4: to day through that entire thing. But also addiction can

1593
01:11:03,960 --> 01:11:07,920
Speaker 4: be hereditary, and his father was an addict. His father

1594
01:11:07,960 --> 01:11:11,559
Speaker 4: went in when he was in a coma. They never

1595
01:11:11,640 --> 01:11:14,200
Speaker 4: they never spoke the motherfucker at all. He walks in

1596
01:11:14,520 --> 01:11:18,080
Speaker 4: thinking that he is now thinking his son is dead

1597
01:11:18,120 --> 01:11:20,519
Speaker 4: and he's going to now be the beneficiary of everything.

1598
01:11:21,760 --> 01:11:24,800
Speaker 4: Chloe and him are still married. He said, pull all

1599
01:11:24,840 --> 01:11:29,160
Speaker 4: them plugs he had. He was raised, were not raised.

1600
01:11:29,160 --> 01:11:32,160
Speaker 4: But he has an addict father, which I think that

1601
01:11:32,360 --> 01:11:36,680
Speaker 4: does add to an already impulsion that you have like

1602
01:11:36,720 --> 01:11:39,120
Speaker 4: it's an hereditary thing, and that ship pops And then

1603
01:11:39,320 --> 01:11:42,640
Speaker 4: Chloe gave him said, you're not the beneficiary.

1604
01:11:42,840 --> 01:11:43,120
Speaker 2: I am.

1605
01:11:43,200 --> 01:11:46,120
Speaker 4: I'm his wife still on paper. I make every decision here.

1606
01:11:46,160 --> 01:11:47,559
Speaker 4: And he said, can I get some sneakers on one

1607
01:11:47,600 --> 01:11:48,360
Speaker 4: hundred dollars?

1608
01:11:49,280 --> 01:11:50,000
Speaker 2: That's addict shit.

1609
01:11:50,240 --> 01:11:53,760
Speaker 5: But yeah, but when I said, okay, so to go

1610
01:11:53,840 --> 01:11:55,640
Speaker 5: back to when I said, what is he what was

1611
01:11:55,640 --> 01:11:58,200
Speaker 5: he trying to escape from? Yes, somebody can just be

1612
01:11:58,320 --> 01:12:00,639
Speaker 5: an addict. Yeah, but there's a reason why they discovered

1613
01:12:00,640 --> 01:12:04,760
Speaker 5: the drug started doing, Like mentally, what was happening to

1614
01:12:04,840 --> 01:12:07,559
Speaker 5: make him start doing and discovering those I think it

1615
01:12:07,640 --> 01:12:07,960
Speaker 5: was just.

1616
01:12:07,960 --> 01:12:11,559
Speaker 4: A whirlwind of everything that happened to like his childhood,

1617
01:12:11,600 --> 01:12:13,000
Speaker 4: what was happening when he got to the.

1618
01:12:13,040 --> 01:12:14,919
Speaker 2: NBA, his children.

1619
01:12:16,479 --> 01:12:18,320
Speaker 4: I will say too, though, I always gave Chloe a

1620
01:12:18,360 --> 01:12:20,200
Speaker 4: lot of shit, which I want to apologize because I

1621
01:12:20,240 --> 01:12:22,880
Speaker 4: thought it was nasty after that whole COMBA shit that

1622
01:12:23,360 --> 01:12:26,000
Speaker 4: he went on that show and drove to the Kanye

1623
01:12:26,560 --> 01:12:31,080
Speaker 4: pop up at for Pablo, I was I public. I

1624
01:12:31,120 --> 01:12:33,000
Speaker 4: think on the pod was like, that's nasty. While you

1625
01:12:33,040 --> 01:12:36,240
Speaker 4: doing just he looked so uncomfortable. I didn't know that

1626
01:12:36,320 --> 01:12:37,720
Speaker 4: he was the one that was always like, I want

1627
01:12:37,760 --> 01:12:39,040
Speaker 4: to be on camera. I want to be on camera.

1628
01:12:39,439 --> 01:12:41,360
Speaker 4: It was his idea to do the Chloe and LaMarsh.

1629
01:12:41,400 --> 01:12:45,000
Speaker 4: I didn't know that, So I apologize too to the

1630
01:12:45,080 --> 01:12:45,920
Speaker 4: Kardashians on that.

1631
01:12:46,080 --> 01:12:49,639
Speaker 2: I thought they would be exploiting. People know he was exploiting, y'all.

1632
01:12:50,520 --> 01:12:53,640
Speaker 5: I can't wait for more of the Kardashian men, the

1633
01:12:53,680 --> 01:12:56,519
Speaker 5: adopted men that they've adopted into that show and family

1634
01:12:56,560 --> 01:12:59,360
Speaker 5: from fucking I can't wait till more of them come

1635
01:12:59,400 --> 01:13:01,760
Speaker 5: out and speak because I have always been on the

1636
01:13:01,800 --> 01:13:05,200
Speaker 5: side that the Kardashians get a lot of heat for

1637
01:13:05,240 --> 01:13:07,000
Speaker 5: the shit that happens with the men in their life.

1638
01:13:07,040 --> 01:13:09,680
Speaker 5: When I have always said that dating a Kardashian you

1639
01:13:09,720 --> 01:13:12,360
Speaker 5: are chasing fame. It is not them just ruining the

1640
01:13:12,400 --> 01:13:15,920
Speaker 5: lives of these men. These men are chasing fame. You

1641
01:13:16,000 --> 01:13:19,360
Speaker 5: know what that family is like. They're not forcing you

1642
01:13:19,439 --> 01:13:20,240
Speaker 5: to be on camera.

1643
01:13:20,680 --> 01:13:22,720
Speaker 4: You want that at this point, yes, you definitely know

1644
01:13:22,760 --> 01:13:25,320
Speaker 4: what tom it is and all of them should have

1645
01:13:25,320 --> 01:13:27,840
Speaker 4: that in the back of their mind, no matter how

1646
01:13:28,320 --> 01:13:31,360
Speaker 4: rich and famous the athlete is, that there may be

1647
01:13:31,400 --> 01:13:32,519
Speaker 4: a reason why you want to.

1648
01:13:32,520 --> 01:13:34,080
Speaker 2: Do this and be involved with the show. So they

1649
01:13:34,120 --> 01:13:35,960
Speaker 2: should keep that in their mind. Where they got a

1650
01:13:35,960 --> 01:13:36,680
Speaker 2: lot of shit was.

1651
01:13:36,720 --> 01:13:38,840
Speaker 4: People viewed it differently in the beginning, as if they

1652
01:13:38,880 --> 01:13:42,799
Speaker 4: were chasing fame with famous people, but the roles.

1653
01:13:42,560 --> 01:13:44,720
Speaker 2: Have completely revolves. Like I agree with you.

1654
01:13:45,280 --> 01:13:46,720
Speaker 4: I think a lot of men that have dated them

1655
01:13:46,880 --> 01:13:48,720
Speaker 4: wanted to be on that show. Wanted to be next

1656
01:13:48,760 --> 01:13:51,679
Speaker 4: to a Kardashian, wanted that la shit, wanted that attention.

1657
01:13:51,760 --> 01:13:52,760
Speaker 4: I completely agree with that.

1658
01:13:54,320 --> 01:13:59,799
Speaker 3: They wanted that light. It happens even almost celebrity, somebody's

1659
01:13:59,840 --> 01:14:02,519
Speaker 3: more famous than me and I'm dating them. Yeah, I

1660
01:14:02,520 --> 01:14:04,519
Speaker 3: want that. I want to be seen too.

1661
01:14:05,320 --> 01:14:09,160
Speaker 4: And yeah, that even confirmed because I always thought like

1662
01:14:09,640 --> 01:14:12,160
Speaker 4: Lamar was forced into that ship and like how uncomfortable

1663
01:14:12,160 --> 01:14:13,040
Speaker 4: he looks sometimes like.

1664
01:14:13,000 --> 01:14:15,160
Speaker 2: No, this is what you want. He looked uncomfortable because

1665
01:14:15,160 --> 01:14:18,080
Speaker 2: he wasn't high. He was looking for a fix. That's

1666
01:14:18,120 --> 01:14:21,960
Speaker 2: a great point. That's why because he couldn't sneak coke

1667
01:14:22,000 --> 01:14:25,480
Speaker 2: on it. He couldn't put it next to craft services.

1668
01:14:27,520 --> 01:14:32,040
Speaker 2: Where am I gonna do my blow? Yeah, like that's funny.

1669
01:14:33,360 --> 01:14:37,519
Speaker 4: Speaking of coke and crime, Pusheiste and his dad were

1670
01:14:37,600 --> 01:14:42,519
Speaker 4: arrested by the FBI today April second, on God knows how.

1671
01:14:42,400 --> 01:14:46,000
Speaker 2: Many charges he was a kidnapping in the arm robbery.

1672
01:14:47,640 --> 01:14:52,639
Speaker 4: Allegedly he did kidnap Gucci at gunpoint and make him

1673
01:14:52,880 --> 01:14:56,880
Speaker 4: sign a contractor said he's no longer signed to his label.

1674
01:14:56,960 --> 01:15:02,320
Speaker 2: But listen, man, you can take this one.

1675
01:15:02,880 --> 01:15:06,840
Speaker 3: I'm lost. So it says rapper Gucci Man, whose real

1676
01:15:06,920 --> 01:15:11,080
Speaker 3: name is Roderick Atlantic Davis, was allegedly robbed and kidnapped

1677
01:15:11,120 --> 01:15:15,160
Speaker 3: by rappers Poosh Heisty in Big Thirty in Dallas. This

1678
01:15:15,200 --> 01:15:18,519
Speaker 3: is according to the Department of Justice. It said that

1679
01:15:18,680 --> 01:15:23,080
Speaker 3: non people, including the aforementioned rappers, kidnapped and robbed at

1680
01:15:23,080 --> 01:15:27,080
Speaker 3: gunpoint numerous victims at a music studio in Dallas. Eight

1681
01:15:27,120 --> 01:15:30,479
Speaker 3: of the non suspects were arrested on Wednesday, according to

1682
01:15:30,520 --> 01:15:34,040
Speaker 3: the Department of Justice, in Dallas, Memphis, and Nashville. So

1683
01:15:34,160 --> 01:15:40,320
Speaker 3: obviously they have, you know, people that are cooperating, people

1684
01:15:40,320 --> 01:15:44,960
Speaker 3: that are of persons of interest there. If this three

1685
01:15:45,080 --> 01:15:48,599
Speaker 3: was at Dallas, Memphis and what else they said they

1686
01:15:48,600 --> 01:15:52,479
Speaker 3: picked them up at in Nashville, Dallas, Memphis, and Nashville.

1687
01:15:52,720 --> 01:15:53,160
Speaker 3: I just.

1688
01:15:54,560 --> 01:15:55,759
Speaker 2: Didn't you just do five years?

1689
01:15:55,960 --> 01:15:58,120
Speaker 4: I'm lying if I said I keep up with Pool Shisty,

1690
01:15:58,240 --> 01:16:01,080
Speaker 4: But I mean, I'm aware that he's big and had

1691
01:16:01,160 --> 01:16:01,920
Speaker 4: did all that time.

1692
01:16:02,040 --> 01:16:07,599
Speaker 2: You just get out and just like that, get some head,

1693
01:16:07,640 --> 01:16:08,240
Speaker 2: go to dinner.

1694
01:16:08,760 --> 01:16:09,080
Speaker 3: M hm.

1695
01:16:10,160 --> 01:16:12,200
Speaker 4: Talk to your well, I'm say, talk to your family.

1696
01:16:12,240 --> 01:16:14,599
Speaker 4: Your dad's in the conspiracy, so they're saying and pool.

1697
01:16:14,840 --> 01:16:18,960
Speaker 3: He set up a meet in with Gucci May to

1698
01:16:19,000 --> 01:16:22,920
Speaker 3: discuss the terms of his recording contract with one of

1699
01:16:22,920 --> 01:16:26,559
Speaker 3: the victims, poo sisty first roze to fame. We got that.

1700
01:16:27,160 --> 01:16:29,479
Speaker 3: When the three men went the music studio, Williams Junior

1701
01:16:29,479 --> 01:16:33,800
Speaker 3: and his eight co conspirators, several of whom traveled from Memphis,

1702
01:16:34,439 --> 01:16:39,840
Speaker 3: executed an armed takeover, according to the Department of Justice complaint.

1703
01:16:40,560 --> 01:16:43,680
Speaker 3: The Department of Justice said Williams Junior pulled out an

1704
01:16:43,680 --> 01:16:46,479
Speaker 3: A K style pistol and forced one of the victims

1705
01:16:46,520 --> 01:16:50,320
Speaker 3: to sign a release from the recording contract at gunpoint.

1706
01:16:50,800 --> 01:16:53,479
Speaker 3: The remaining co conspirators also pulled out guns and robbed

1707
01:16:53,479 --> 01:16:57,880
Speaker 3: the other victims of watches, jewelry, cash, and other high

1708
01:16:57,960 --> 01:17:01,200
Speaker 3: value items. According to the Federal issues, one of the

1709
01:17:01,280 --> 01:17:05,400
Speaker 3: victims was choked during the robbery to the point of unconsciousness.

1710
01:17:05,880 --> 01:17:08,639
Speaker 3: The Department of Justice said, yeah, this is uh.

1711
01:17:08,880 --> 01:17:10,960
Speaker 2: Do you really need the extendo at a studio it's

1712
01:17:10,960 --> 01:17:13,400
Speaker 2: such a small space such that you need all those bullets.

1713
01:17:13,920 --> 01:17:14,719
Speaker 3: Yeah, this is bad.

1714
01:17:15,240 --> 01:17:18,320
Speaker 4: And why Like at a studio, you know there's gonna

1715
01:17:18,360 --> 01:17:21,320
Speaker 4: be all right. If you're thinking, I know, Gucci is

1716
01:17:21,360 --> 01:17:24,160
Speaker 4: never gonna say anything just because of who Gucci is,

1717
01:17:25,400 --> 01:17:26,599
Speaker 4: You're at a recording studio.

1718
01:17:26,880 --> 01:17:29,800
Speaker 2: Yeah, somebody, somebody there is gonna say some ship.

1719
01:17:30,040 --> 01:17:32,519
Speaker 3: I mean not only that, it's cameras in the recording studios,

1720
01:17:34,479 --> 01:17:36,479
Speaker 3: a recording studio. It's a recording studio.

1721
01:17:36,520 --> 01:17:38,519
Speaker 5: The red button while he was robbing and they got

1722
01:17:38,560 --> 01:17:41,440
Speaker 5: it all like they don't e cute it and everything.

1723
01:17:41,120 --> 01:17:45,080
Speaker 3: Like this is this is bad for poosh, heisty. This

1724
01:17:45,160 --> 01:17:48,160
Speaker 3: is terrible, very this is bad form and even setting

1725
01:17:48,200 --> 01:17:49,920
Speaker 3: up that meeting. And I know Gucci is obviously different

1726
01:17:49,920 --> 01:17:51,200
Speaker 3: than me, but this is why you need people like

1727
01:17:51,280 --> 01:17:53,240
Speaker 3: Maul and lloy On in your life. If I said

1728
01:17:53,320 --> 01:17:54,880
Speaker 3: I was about to have this meeting, they both to

1729
01:17:54,920 --> 01:17:59,880
Speaker 3: be like dude on zoom Yeah, yeah, you don't need

1730
01:17:59,920 --> 01:18:05,200
Speaker 3: to meet in person at all. Well, I mean this

1731
01:18:05,320 --> 01:18:07,719
Speaker 3: is federal now, RB Gucci was thinking no one would

1732
01:18:07,720 --> 01:18:11,519
Speaker 3: do something this fucking dumb. Yeah, this is this is

1733
01:18:12,720 --> 01:18:15,160
Speaker 3: I mean, I don't know, man, I mean we could

1734
01:18:15,200 --> 01:18:18,880
Speaker 3: just have our lawyers contact each other. Right, Remember I

1735
01:18:18,920 --> 01:18:21,680
Speaker 3: remember when the US to do that. It's a con

1736
01:18:21,760 --> 01:18:24,360
Speaker 3: We have contracts. Have my lawyer, coreyr lawyer will figure

1737
01:18:24,400 --> 01:18:26,400
Speaker 3: this thing out. Yeah shakes.

1738
01:18:26,400 --> 01:18:28,800
Speaker 5: He had other plans, but he wasn't gonna get off

1739
01:18:28,840 --> 01:18:30,960
Speaker 5: the label like that. He only wanted to get off

1740
01:18:30,960 --> 01:18:32,520
Speaker 5: you know those type of means.

1741
01:18:32,800 --> 01:18:36,120
Speaker 3: Yeah, but now now look at the means though. Now

1742
01:18:36,160 --> 01:18:40,440
Speaker 3: you have to fed snatching you, your your pops, your homies,

1743
01:18:40,520 --> 01:18:44,040
Speaker 3: like somebody, somebody gonna have to sit down for some

1744
01:18:44,120 --> 01:18:47,400
Speaker 3: years behind this and you already on, you're still in probation.

1745
01:18:48,640 --> 01:18:53,600
Speaker 3: He still got electric monitor, he still got a bracelet on, bro, Like,

1746
01:18:53,680 --> 01:18:58,880
Speaker 3: come on, man, he had a yeah, electric monitoring deck

1747
01:18:59,439 --> 01:19:03,360
Speaker 3: monitor placing Williams Junior at the offense location and violation

1748
01:19:03,760 --> 01:19:08,439
Speaker 3: of his home detention condition conditions we're talking about here, Bro,

1749
01:19:08,880 --> 01:19:11,200
Speaker 3: I'm on the DA side. This is yeah, this is

1750
01:19:11,240 --> 01:19:13,960
Speaker 3: this is like, this is fun dry like, this is like.

1751
01:19:14,479 --> 01:19:16,479
Speaker 2: I don't like stupid criminals. He needs to be locked up.

1752
01:19:16,520 --> 01:19:18,360
Speaker 5: I fuck with criminals, but when you stupid like that,

1753
01:19:18,479 --> 01:19:20,600
Speaker 5: you are danger to all of society, not even just

1754
01:19:20,640 --> 01:19:22,080
Speaker 5: the people you're going after locking up.

1755
01:19:22,560 --> 01:19:25,559
Speaker 4: And I don't understand the amount and when he's not

1756
01:19:25,600 --> 01:19:28,040
Speaker 4: a kid, but the amount of kids that commit crimes

1757
01:19:28,760 --> 01:19:32,920
Speaker 4: that obsess over these YouTube crime channels of stage cheese paperwork.

1758
01:19:33,800 --> 01:19:38,080
Speaker 4: How have you not fucking realized to not bring your phone.

1759
01:19:39,720 --> 01:19:40,040
Speaker 3: Phone?

1760
01:19:40,360 --> 01:19:42,600
Speaker 2: He has an an I'm saying just in general of

1761
01:19:42,640 --> 01:19:45,439
Speaker 2: all the cell phone records, stop texting people about your

1762
01:19:45,479 --> 01:19:46,840
Speaker 2: fucking crimes.

1763
01:19:48,120 --> 01:19:50,600
Speaker 3: Like how is how can that not go through your

1764
01:19:50,640 --> 01:19:53,120
Speaker 3: head at this point? And they got license plates not

1765
01:19:53,200 --> 01:19:56,320
Speaker 3: bringing your phone on a robbery, they went through the tolls,

1766
01:19:57,280 --> 01:20:00,559
Speaker 3: So now I got like it's just bro. But doing

1767
01:20:00,600 --> 01:20:02,800
Speaker 3: crime like this now is just no getting away. It's

1768
01:20:02,880 --> 01:20:06,760
Speaker 3: like it's you're asking to be locked up. There's too

1769
01:20:06,840 --> 01:20:09,640
Speaker 3: too many ways. And then like p said, you went

1770
01:20:09,680 --> 01:20:12,919
Speaker 3: to a recording studio and did all of this. There's cameras,

1771
01:20:12,960 --> 01:20:17,280
Speaker 3: this might like there's no you're asking to go to

1772
01:20:17,320 --> 01:20:19,360
Speaker 3: prison at this point, like you're this is literally what

1773
01:20:19,400 --> 01:20:21,840
Speaker 3: you're asking for, Like we're gonna get caught, We're gonna

1774
01:20:21,840 --> 01:20:24,280
Speaker 3: go to prison for this, Like it's just not smart.

1775
01:20:24,320 --> 01:20:27,240
Speaker 3: And then you just came home. I don't know, man,

1776
01:20:27,240 --> 01:20:29,080
Speaker 3: it's just way too many ways that they could have

1777
01:20:29,160 --> 01:20:31,599
Speaker 3: handled this. If it's a contract dispute, I don't want

1778
01:20:31,600 --> 01:20:34,400
Speaker 3: to be under these you know, terms of this contract.

1779
01:20:34,479 --> 01:20:37,559
Speaker 3: Let me out of this deal whatever whatever. Again, get

1780
01:20:37,600 --> 01:20:39,720
Speaker 3: some lawyers. We can fight this in court. We can

1781
01:20:39,760 --> 01:20:43,559
Speaker 3: go another way. But now you're looking at some real

1782
01:20:43,640 --> 01:20:45,960
Speaker 3: prison time behind this. It just doesn't make any sense.

1783
01:20:46,479 --> 01:20:47,960
Speaker 3: It doesn't. It's no way around it.

1784
01:20:48,439 --> 01:20:50,479
Speaker 5: He's so cute too. I hate with cute niggas go

1785
01:20:50,560 --> 01:20:53,680
Speaker 5: to jail. These old ugly niggas be out and free.

1786
01:20:53,560 --> 01:20:55,559
Speaker 3: And like, that's ugly niggas in jail too.

1787
01:20:55,640 --> 01:20:59,000
Speaker 4: Yeah, I just don't what's worse this or like the

1788
01:20:59,040 --> 01:21:02,760
Speaker 4: people that think they're the smart criminals, Like I don't

1789
01:21:02,760 --> 01:21:04,720
Speaker 4: think Dirk did any of that shit whatsoever. Free Dirk,

1790
01:21:04,760 --> 01:21:05,840
Speaker 4: of course, he had nothing to do with that the

1791
01:21:05,840 --> 01:21:09,840
Speaker 4: case whatsoever. But the people that were free smart his codefendants,

1792
01:21:10,000 --> 01:21:12,400
Speaker 4: they thought they were smart by going flying to San

1793
01:21:12,400 --> 01:21:14,680
Speaker 4: Diego instead of la and driving. But you guys all

1794
01:21:14,720 --> 01:21:19,240
Speaker 4: texted each other the entire time, like, and people are

1795
01:21:19,280 --> 01:21:22,120
Speaker 4: sending wires and stuff like dog go to a strip club.

1796
01:21:23,800 --> 01:21:25,280
Speaker 4: But what I just said that we just put a

1797
01:21:25,280 --> 01:21:28,120
Speaker 4: beep on. That's common sense to me. I don't think

1798
01:21:28,120 --> 01:21:29,479
Speaker 4: I was saying anything profound on.

1799
01:21:29,479 --> 01:21:35,040
Speaker 3: How obviously obviously yeah, exibit day, it's not common sense.

1800
01:21:35,360 --> 01:21:38,080
Speaker 3: These niggas are doing crimes that just it's like, you're

1801
01:21:38,160 --> 01:21:40,360
Speaker 3: not going to get away with this. I don't know

1802
01:21:40,520 --> 01:21:43,559
Speaker 3: what scheme, what meeting y'all had before y'all set out

1803
01:21:43,560 --> 01:21:45,240
Speaker 3: to do this and was like, yeah, this is a

1804
01:21:45,240 --> 01:21:48,200
Speaker 3: good idea. We're gonna get you out of this, Like no,

1805
01:21:48,240 --> 01:21:50,120
Speaker 3: you're you have to get them in some deepest shit

1806
01:21:50,680 --> 01:21:53,040
Speaker 3: somebody and somebody has to be like, bro, this is not.

1807
01:21:53,479 --> 01:21:55,479
Speaker 2: You have to have smart people around you.

1808
01:21:55,479 --> 01:21:57,320
Speaker 3: You have to have somebody that just understands like, bro,

1809
01:21:57,400 --> 01:22:00,080
Speaker 3: this is not there's another way we can go about this,

1810
01:22:00,520 --> 01:22:02,960
Speaker 3: Like we can get out of this deal in another

1811
01:22:03,120 --> 01:22:06,040
Speaker 3: This is gonna get us in some serious shit. This

1812
01:22:06,160 --> 01:22:10,680
Speaker 3: is an apartment of justice, like this is federal You

1813
01:22:10,800 --> 01:22:14,280
Speaker 3: going down, bro, You're definitely going down for this. There's

1814
01:22:14,280 --> 01:22:17,720
Speaker 3: no way around it. And you have an ankle mind

1815
01:22:17,720 --> 01:22:21,439
Speaker 3: it on, which means we're watching you already, like we

1816
01:22:21,520 --> 01:22:23,360
Speaker 3: already know where you at, where you're supposed to be.

1817
01:22:23,800 --> 01:22:25,080
Speaker 3: How did you think that this was?

1818
01:22:25,240 --> 01:22:26,360
Speaker 2: You think he wanted to go back.

1819
01:22:28,600 --> 01:22:31,000
Speaker 3: I don't think anybody wants to go to jail. I

1820
01:22:31,040 --> 01:22:33,040
Speaker 3: just think that sometimes people be so upset that they

1821
01:22:34,160 --> 01:22:35,800
Speaker 3: that they just don't give a fuck, and they're like,

1822
01:22:35,880 --> 01:22:37,920
Speaker 3: not fuck that, Like, I'm we're going to do this

1823
01:22:38,000 --> 01:22:40,240
Speaker 3: and I don't care. We'll deal with three percussions later.

1824
01:22:40,320 --> 01:22:42,640
Speaker 3: Because I've seen dudes get that riled up in a

1825
01:22:42,640 --> 01:22:44,800
Speaker 3: moment where they they're just not thinking. They're like I

1826
01:22:44,840 --> 01:22:46,320
Speaker 3: don't give a fuck, like we're going to and I'm

1827
01:22:46,360 --> 01:22:47,559
Speaker 3: just like, y'all tripping.

1828
01:22:47,600 --> 01:22:49,120
Speaker 5: But it couldn't have been a moment because you got

1829
01:22:49,240 --> 01:22:51,800
Speaker 5: eight other people with you, Like this was planned and

1830
01:22:51,920 --> 01:22:54,519
Speaker 5: this was that a zoom call and they had to travel.

1831
01:22:55,520 --> 01:22:58,240
Speaker 3: Yeah, Like so you got all this time to think,

1832
01:22:58,360 --> 01:23:00,000
Speaker 3: like maybe we should turn around.

1833
01:23:00,439 --> 01:23:02,160
Speaker 5: All you ever wanted to travel, like you ever got

1834
01:23:02,200 --> 01:23:04,080
Speaker 5: so upset that you wanted to travel to whop somebody

1835
01:23:04,120 --> 01:23:05,360
Speaker 5: ass or travel to kill somebody.

1836
01:23:05,960 --> 01:23:08,760
Speaker 3: Nah, I ain't traveling to whoop nobody asked. I'm gonna

1837
01:23:08,760 --> 01:23:10,760
Speaker 3: see you when I see you, but I ain't about

1838
01:23:10,760 --> 01:23:12,679
Speaker 3: to book a flight, get on the road, drive some hours,

1839
01:23:12,680 --> 01:23:15,479
Speaker 3: and I ain't doing all of that. So some pussy,

1840
01:23:16,160 --> 01:23:19,640
Speaker 3: I'll do that to beat somebody up. I catch that

1841
01:23:19,720 --> 01:23:21,719
Speaker 3: nigga when I catch him, don't catch them in traffic somewhere.

1842
01:23:22,280 --> 01:23:28,200
Speaker 3: That's I'm not traveling to go fight, no man, you

1843
01:23:28,280 --> 01:23:30,160
Speaker 3: know how what can a man do to me? WLL,

1844
01:23:30,160 --> 01:23:35,439
Speaker 3: I'm gonna book a flight, lack a bag. I'm folding

1845
01:23:35,439 --> 01:23:38,800
Speaker 3: my segger when I catch this nigga, I'm getting my socks,

1846
01:23:38,880 --> 01:23:42,040
Speaker 3: my under mad that long, Yeah, like you gotta be

1847
01:23:42,080 --> 01:23:43,080
Speaker 3: a fucking Madia.

1848
01:23:43,200 --> 01:23:45,720
Speaker 4: You stay mad to make sure your lotion isn't too

1849
01:23:45,800 --> 01:23:48,160
Speaker 4: much in your file, like to get through TSA at that.

1850
01:23:48,320 --> 01:23:53,280
Speaker 3: Yeah, Like I'm online to TSA like what to go fight? Nah, Fam,

1851
01:23:53,360 --> 01:23:56,000
Speaker 3: it's never that serious. I'm gonna catch you in traffic somewhere.

1852
01:23:56,320 --> 01:23:58,920
Speaker 3: We'll meet up eventually, but but it's convenient. I'm not

1853
01:23:58,960 --> 01:24:02,400
Speaker 3: going out my way to fight nobody. That's not happening. PG.

1854
01:24:02,439 --> 01:24:06,080
Speaker 4: I don't remember in our old group chat that time

1855
01:24:06,120 --> 01:24:10,320
Speaker 4: that two of our friends were gonna fight and one

1856
01:24:10,320 --> 01:24:12,160
Speaker 4: of them took a two and a half hour train

1857
01:24:12,280 --> 01:24:16,040
Speaker 4: ride to the fade, and the whole train ride we

1858
01:24:16,040 --> 01:24:17,960
Speaker 4: were just all dying laughing in the group chat, like

1859
01:24:18,000 --> 01:24:21,599
Speaker 4: you you know how many stops you have time to think? Fam,

1860
01:24:21,640 --> 01:24:23,320
Speaker 4: And it was like it was like one am, I

1861
01:24:23,360 --> 01:24:25,920
Speaker 4: was like, we know he stuck at Broadway junction too.

1862
01:24:25,960 --> 01:24:30,800
Speaker 2: Doors just open, chilling, you got to get much time

1863
01:24:30,840 --> 01:24:33,240
Speaker 2: to just be like, no, I'm not I'm not doing this.

1864
01:24:33,680 --> 01:24:36,439
Speaker 3: But on the other side of that, what if you

1865
01:24:36,520 --> 01:24:38,280
Speaker 3: do all of that and get your so you gotta

1866
01:24:38,360 --> 01:24:38,960
Speaker 3: ride back.

1867
01:24:39,080 --> 01:24:40,760
Speaker 4: It was a high chance that would have happened too

1868
01:24:40,760 --> 01:24:42,759
Speaker 4: with the person that was sitting on the train.

1869
01:24:43,200 --> 01:24:45,799
Speaker 3: After getting your ass whooped on a two hour train ride.

1870
01:24:45,920 --> 01:24:48,639
Speaker 4: It was only local running from Harlan Brooklyn at that time,

1871
01:24:48,800 --> 01:24:50,439
Speaker 4: Like the only local train.

1872
01:24:52,160 --> 01:24:54,040
Speaker 3: They gotta be more convenient for me. I'll catch you

1873
01:24:54,040 --> 01:24:56,240
Speaker 3: when I catch you. I'll catch you when I catch

1874
01:24:56,360 --> 01:24:58,719
Speaker 3: That was a legendary group chat day. I haven't laughed

1875
01:24:58,760 --> 01:24:59,160
Speaker 3: like that.

1876
01:24:59,160 --> 01:25:01,040
Speaker 4: That's probably top five I've ever laughed in my entire

1877
01:25:01,080 --> 01:25:03,800
Speaker 4: life of just like monitoring, like what stop you're thinking

1878
01:25:03,840 --> 01:25:04,200
Speaker 4: at now?

1879
01:25:05,880 --> 01:25:09,599
Speaker 3: Nah, it's never that serious. I'll catch you. I'm not God,

1880
01:25:09,760 --> 01:25:13,679
Speaker 3: I'll lay on it though, like forever. Oh, I'll keep

1881
01:25:13,720 --> 01:25:18,920
Speaker 3: that internal forever, that energy, that beef. And then when

1882
01:25:18,920 --> 01:25:20,760
Speaker 3: we finally cross paths, you're gonna know that I was

1883
01:25:20,800 --> 01:25:23,120
Speaker 3: waiting for that moment. But I'm not gonna get on

1884
01:25:23,200 --> 01:25:25,120
Speaker 3: no two hour train ride and get in the car

1885
01:25:25,160 --> 01:25:26,920
Speaker 3: and drive and catch a flight.

1886
01:25:26,960 --> 01:25:29,519
Speaker 5: I'm not doing how long, how long can you like,

1887
01:25:29,960 --> 01:25:32,160
Speaker 5: what's the statue of limitations on an ass?

1888
01:25:32,160 --> 01:25:32,840
Speaker 2: Whooping? You telling me?

1889
01:25:32,840 --> 01:25:32,880
Speaker 7: You?

1890
01:25:34,880 --> 01:25:35,200
Speaker 2: Ever?

1891
01:25:35,920 --> 01:25:38,559
Speaker 3: It depends on what somebody did. There's no statue of limitations,

1892
01:25:38,560 --> 01:25:39,599
Speaker 3: because I say, why do you do nothing?

1893
01:25:40,080 --> 01:25:40,479
Speaker 2: Who said?

1894
01:25:40,479 --> 01:25:43,400
Speaker 3: I'm not going to Yeah, I'm a very patient man,

1895
01:25:44,360 --> 01:25:47,160
Speaker 3: like I'm a naia cool my patience. It's some niggas

1896
01:25:47,160 --> 01:25:48,439
Speaker 3: that this shipped to me in the eighth grade. And

1897
01:25:48,479 --> 01:25:52,240
Speaker 3: I'm still like, you don't have no idea the day

1898
01:25:52,280 --> 01:25:55,519
Speaker 3: I catch you, what's gonna happen to you? Yeah? But

1899
01:25:55,680 --> 01:25:57,160
Speaker 3: but do you have to be like that? If they're

1900
01:25:57,200 --> 01:26:00,800
Speaker 3: like a pastor, now, it don't matter. I'm not I

1901
01:26:00,800 --> 01:26:05,200
Speaker 3: ain't no past transition. What if they transitioned and now

1902
01:26:05,200 --> 01:26:06,719
Speaker 3: it's a woman. That's a good point.

1903
01:26:07,920 --> 01:26:10,040
Speaker 2: Oh, peach, No, don't think it ever.

1904
01:26:10,920 --> 01:26:11,880
Speaker 3: I wouldn't hit a woman.

1905
01:26:13,680 --> 01:26:17,440
Speaker 2: All right now, we're just getting too many beeps beepp

1906
01:26:18,240 --> 01:26:21,839
Speaker 2: Who got the keys to the jeep? Anyways?

1907
01:26:21,920 --> 01:26:24,280
Speaker 3: The marriage can't wait, look slow wine, and she can't

1908
01:26:24,280 --> 01:26:26,120
Speaker 3: wait to grow outside. She can't wait.

1909
01:26:26,640 --> 01:26:32,200
Speaker 2: New music on the way. Yeah, who dropping tonight? Thundercat?

1910
01:26:32,240 --> 01:26:35,799
Speaker 2: Anybody who care about Thundercat is the one that I'm I'm.

1911
01:26:35,680 --> 01:26:40,439
Speaker 4: Excited about distracted Rockies on it, Mac Miller, Yachdi, Willow Smith,

1912
01:26:41,400 --> 01:26:41,960
Speaker 4: chand Tress.

1913
01:26:42,200 --> 01:26:43,679
Speaker 2: I love Thundercat, so okay.

1914
01:26:44,439 --> 01:26:48,519
Speaker 4: Also, Marlon Kraft put out his project today as well. Uh,

1915
01:26:48,520 --> 01:26:50,799
Speaker 4: the Internet Killed the Neighborhood, which is, in my opinion,

1916
01:26:50,840 --> 01:26:52,040
Speaker 4: his best work by far.

1917
01:26:52,720 --> 01:26:53,639
Speaker 2: He gotta check that out.

1918
01:26:53,680 --> 01:26:55,439
Speaker 4: He's a margalized shit for four years and put out

1919
01:26:55,560 --> 01:26:57,400
Speaker 4: a bunch of different projects while he was working on

1920
01:26:57,439 --> 01:27:00,120
Speaker 4: that one. And yeah, I'm happy that he finally got

1921
01:27:00,120 --> 01:27:02,040
Speaker 4: this one out because the Internet Killed the Neighborhood.

1922
01:27:02,120 --> 01:27:02,760
Speaker 3: Yeah, I like that.

1923
01:27:02,920 --> 01:27:06,240
Speaker 4: It's it's It's definitely definitely his best work by far,

1924
01:27:07,000 --> 01:27:09,360
Speaker 4: if you're into the rap that actually has great production

1925
01:27:09,920 --> 01:27:13,240
Speaker 4: and melodies. But I mean, that's that's really my my

1926
01:27:13,320 --> 01:27:16,120
Speaker 4: new music Friday that I'm looking for forward to.

1927
01:27:17,000 --> 01:27:19,280
Speaker 3: Yeah, I'm not really. I don't know if it's gonna

1928
01:27:19,280 --> 01:27:21,320
Speaker 3: be a good weekend of releases, but I still got

1929
01:27:21,320 --> 01:27:24,599
Speaker 3: to catch up and listen to what dropped last week

1930
01:27:24,600 --> 01:27:25,840
Speaker 3: that you were telling me to listen to. It forgot

1931
01:27:25,840 --> 01:27:28,000
Speaker 3: the name of the fucking alum already worried. You text

1932
01:27:28,080 --> 01:27:29,720
Speaker 3: me to listen to something, but I can't remember. It's

1933
01:27:29,760 --> 01:27:30,600
Speaker 3: sor right, don't worry about it.

1934
01:27:31,960 --> 01:27:34,640
Speaker 2: I tried to get Damarius a birthday present that I.

1935
01:27:34,680 --> 01:27:37,000
Speaker 4: Know she would have loved, but they're not making them yet,

1936
01:27:37,000 --> 01:27:38,519
Speaker 4: so I'm still waiting a little bit.

1937
01:27:39,479 --> 01:27:39,680
Speaker 3: H J.

1938
01:27:39,840 --> 01:27:45,880
Speaker 4: Cole's Chinese basketball jersey?

1939
01:27:46,200 --> 01:27:48,719
Speaker 2: What you no, I'm dead. I was really searching today

1940
01:27:48,760 --> 01:27:50,800
Speaker 2: to what you would have appreciated that.

1941
01:27:52,120 --> 01:27:54,439
Speaker 4: I thought that was like, would have been a fly gift. Wait, no,

1942
01:27:54,520 --> 01:27:55,880
Speaker 4: I really wasn't trying to do It's like a joke.

1943
01:27:55,880 --> 01:27:57,280
Speaker 4: I really thought that would have been a cool gift.

1944
01:27:57,560 --> 01:27:59,080
Speaker 3: Baby did if he walked in here with a J.

1945
01:27:59,240 --> 01:28:01,120
Speaker 3: Cole Chinese basketball jersey for you?

1946
01:28:01,920 --> 01:28:08,679
Speaker 2: He hate me? Like, Wait, the Monkey Kings being Chinese,

1947
01:28:08,760 --> 01:28:10,519
Speaker 2: you can't read it. Monkey Kings.

1948
01:28:11,400 --> 01:28:13,360
Speaker 3: Give them a black woman a jersey that's with me

1949
01:28:13,560 --> 01:28:18,479
Speaker 3: and Chinese. Yeah, then she wear that old age people

1950
01:28:18,479 --> 01:28:19,160
Speaker 3: be laughing at her.

1951
01:28:21,200 --> 01:28:25,000
Speaker 5: Ryan said, I walk around our fucking neighborhood near us

1952
01:28:25,439 --> 01:28:27,200
Speaker 5: monkey and may be fucking giggling.

1953
01:28:27,280 --> 01:28:29,920
Speaker 2: Wait, would you think that I forgot it was called

1954
01:28:29,960 --> 01:28:33,479
Speaker 2: the Monkey Cakes. Definitely forgot sign with the Monkey Kings.

1955
01:28:38,040 --> 01:28:40,800
Speaker 2: I promised it was in the imagine. I ain't tell

1956
01:28:40,880 --> 01:28:42,680
Speaker 2: my thrift and I find turkey stuff, I buy it

1957
01:28:42,720 --> 01:28:44,240
Speaker 2: for you. I buy you Jana Jackson stuff.

1958
01:28:44,240 --> 01:28:47,160
Speaker 4: I thought buying the Jacob jersey would have been like

1959
01:28:47,240 --> 01:28:50,120
Speaker 4: a good gift. I wasn't even doing a condescending way

1960
01:28:50,400 --> 01:28:52,040
Speaker 4: as a friend. I wanted to get you a gift.

1961
01:28:52,120 --> 01:29:01,400
Speaker 3: Jake Cole signed with the Monkey King.

1962
01:29:00,840 --> 01:29:01,040
Speaker 2: Yo.

1963
01:29:01,640 --> 01:29:04,080
Speaker 3: Yo, y'all know y'all think I hate J Cole and

1964
01:29:04,120 --> 01:29:06,280
Speaker 3: I don't come on, man the.

1965
01:29:06,360 --> 01:29:10,599
Speaker 2: Monkey If the Cleveland Indians had to change their names

1966
01:29:11,360 --> 01:29:16,320
Speaker 2: the Washington Redskins.

1967
01:29:13,800 --> 01:29:17,800
Speaker 5: Team A woman is hard being a J Cole fan

1968
01:29:18,479 --> 01:29:19,160
Speaker 5: title I wear.

1969
01:29:19,320 --> 01:29:21,519
Speaker 3: J Cole is fucking with his fans at this point.

1970
01:29:21,680 --> 01:29:22,479
Speaker 3: He gotta be though.

1971
01:29:22,600 --> 01:29:24,479
Speaker 2: No, he said in the interviews he just wants.

1972
01:29:24,280 --> 01:29:27,599
Speaker 3: To signing with the It's mad other teams in the CBA.

1973
01:29:27,720 --> 01:29:30,960
Speaker 3: That he could a sign with the Monkey Kings is crazy.

1974
01:29:31,040 --> 01:29:33,080
Speaker 4: I was trying to see if their organization had like

1975
01:29:33,120 --> 01:29:37,519
Speaker 4: the custom ones, and like I was gonna even do yo.

1976
01:29:38,000 --> 01:29:40,439
Speaker 4: Uh was he six mister six two whatever his name is.

1977
01:29:40,920 --> 01:29:43,360
Speaker 4: I was gonna put that and put Cole in the back.

1978
01:29:43,520 --> 01:29:45,080
Speaker 4: I thought that would have been a very nice gift

1979
01:29:45,120 --> 01:29:45,479
Speaker 4: for the Mars.

1980
01:29:45,960 --> 01:29:46,920
Speaker 3: Yo. That is fucking.

1981
01:29:47,200 --> 01:29:48,519
Speaker 2: I can't believe you thought I would do that, like

1982
01:29:48,520 --> 01:29:49,240
Speaker 2: in a negative way.

1983
01:29:50,160 --> 01:29:52,360
Speaker 3: The sorry baby d if you do.

1984
01:29:52,560 --> 01:29:54,439
Speaker 4: And I was gonna get like the extra art, like

1985
01:29:54,479 --> 01:29:57,479
Speaker 4: you could wear it like Maya did with the basketball dress.

1986
01:29:57,800 --> 01:30:00,160
Speaker 3: Oh that's what you were thinking. Jersey dress. Yeah, you

1987
01:30:00,160 --> 01:30:01,960
Speaker 3: thought she was gonna give them the jersey dress flow.

1988
01:30:03,920 --> 01:30:06,400
Speaker 3: No good deed goes unpunishment. I can't believe she's looking

1989
01:30:06,400 --> 01:30:08,080
Speaker 3: at me like why he didn't sound with the Flying

1990
01:30:08,160 --> 01:30:15,920
Speaker 3: Tigers or the Shanghai Sharks, the Monkey Kings. It's the

1991
01:30:15,920 --> 01:30:20,160
Speaker 3: Blue Whales, the Pioneers, the Heroes, the Heroes, the Rockets.

1992
01:30:20,439 --> 01:30:21,400
Speaker 3: It's mad teams.

1993
01:30:21,600 --> 01:30:23,320
Speaker 2: Maybe the Monkey Kings were the nicest team.

1994
01:30:23,640 --> 01:30:24,000
Speaker 1: They're not.

1995
01:30:24,600 --> 01:30:27,639
Speaker 3: The Shanghai Sharks is probably the best team every year.

1996
01:30:29,640 --> 01:30:31,160
Speaker 3: The Monkey Kings is crazy though.

1997
01:30:31,200 --> 01:30:34,320
Speaker 2: Maybe he likes the locker room environment over there. Maybe

1998
01:30:34,320 --> 01:30:37,479
Speaker 2: they run a good program. You know, they need a

1999
01:30:37,479 --> 01:30:42,080
Speaker 2: corner shooter, man, J Cole j Listen Man. Should I

2000
01:30:42,120 --> 01:30:46,120
Speaker 2: get her the Scarborough Canadian Leafs jersey?

2001
01:30:46,120 --> 01:30:46,479
Speaker 3: That yet?

2002
01:30:48,040 --> 01:30:49,080
Speaker 2: That jersey was kind of hard?

2003
01:30:49,680 --> 01:30:49,920
Speaker 3: Yeah?

2004
01:30:50,040 --> 01:30:51,720
Speaker 2: I think wasn't Drake wearing that? Courts up?

2005
01:30:52,960 --> 01:30:55,080
Speaker 4: Well, he was wearing a cold jersey at one point

2006
01:30:55,240 --> 01:30:56,920
Speaker 4: course in Scarborough probably was.

2007
01:30:57,600 --> 01:30:59,280
Speaker 2: Yeah, So why would the Maris be above that?

2008
01:30:59,760 --> 01:31:02,439
Speaker 3: It's the Monkey Kings, It's not it's not in Chinese.

2009
01:31:02,439 --> 01:31:03,880
Speaker 3: It's nothing jersey.

2010
01:31:04,439 --> 01:31:06,880
Speaker 2: Most people don't know what their Chinese text is. Actually,

2011
01:31:06,920 --> 01:31:09,840
Speaker 2: he said, it's written in English on the jersey. That's crazy,

2012
01:31:11,000 --> 01:31:16,120
Speaker 2: the Monkey Kings. It's in English. The maris no, I

2013
01:31:16,160 --> 01:31:18,080
Speaker 2: would not have gotten you a jersey that actually said

2014
01:31:18,160 --> 01:31:21,920
Speaker 2: monkey kids. No, you would have. You would have, you

2015
01:31:21,960 --> 01:31:24,080
Speaker 2: would have Everything they said about you is right. The

2016
01:31:24,200 --> 01:31:26,400
Speaker 2: Monkey Kings yo.

2017
01:31:28,479 --> 01:31:32,200
Speaker 3: Photo shot all right, man, Yo, The Monkey Kings is crazy? Doog?

2018
01:31:33,800 --> 01:31:34,799
Speaker 2: Why is it in English?

2019
01:31:34,840 --> 01:31:35,080
Speaker 3: Though?

2020
01:31:35,760 --> 01:31:38,840
Speaker 2: Why wouldn't it be because they're in China. Yeah, but

2021
01:31:38,880 --> 01:31:41,800
Speaker 2: it's okay. They try to market to other, you know,

2022
01:31:42,040 --> 01:31:44,280
Speaker 2: other markets, so you think they switched to English when

2023
01:31:44,280 --> 01:31:45,960
Speaker 2: he signed, because that's crazy.

2024
01:31:46,120 --> 01:31:49,200
Speaker 3: That's always been in English, okay, which is why it's crazy.

2025
01:31:49,240 --> 01:31:53,439
Speaker 2: And the fast thing is the jersey is kind of fire, yo. Man,

2026
01:31:54,760 --> 01:31:55,760
Speaker 2: it's school. Don't worry about it.

2027
01:31:55,760 --> 01:31:57,679
Speaker 3: I'm gonna praay for y'all cold fans. Man, We'll pray.

2028
01:31:57,800 --> 01:31:59,800
Speaker 3: That's for y'all. It's okay, it'll get better.

2029
01:32:00,720 --> 01:32:03,599
Speaker 2: That's a hard jersey except for the name. Yeah, it's

2030
01:32:03,600 --> 01:32:07,360
Speaker 2: not like ship right on the side ship.

2031
01:32:08,840 --> 01:32:10,000
Speaker 3: God nigga?

2032
01:32:10,040 --> 01:32:10,880
Speaker 2: He that ginger.

2033
01:32:10,960 --> 01:32:15,080
Speaker 7: I'm a Monkey King, yo, listen man, it's been real

2034
01:32:15,400 --> 01:32:17,960
Speaker 7: out to the gold Lions. Man, we talked to y'all,

2035
01:32:18,000 --> 01:32:21,040
Speaker 7: so be safe, be blessed. I'm that nigga.

2036
01:32:21,080 --> 01:32:23,439
Speaker 3: He's just Ginger. Jamaris is a monkey king.