WEBVTT -  I Am All In…Again: A Gleeful Gilmore (Season 1 E18 “The Third Lorelai”) 

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<v Speaker 1>I am all in again. Oh that's you.

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<v Speaker 2>I am all in again with Scott Patterson and iHeartRadio

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<v Speaker 2>podcast Everybody.

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<v Speaker 1>Scott Patterson, I am all in podcast, one of the

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<v Speaker 1>Love productions. I heart radio Media. iHeart podcasts. I am

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<v Speaker 1>all in again with me your host, Scott Patterson. I

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<v Speaker 1>am joined by the illustrious Jenna USh Qwitz. Hello, Oh Jenna,

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<v Speaker 1>it's been a long time, not really why I saw

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<v Speaker 1>you in Vegas.

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<v Speaker 3>Yeah, but that was like I think twenty two.

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<v Speaker 1>Yeah, I saw you in Vegas at the big concert right.

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<v Speaker 1>I heard Radio Music Festival. We did a movie together.

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<v Speaker 1>We'll get into that later. But it's great to see you.

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<v Speaker 1>Thanks for coming on.

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<v Speaker 3>Good to see you. I'm so happy to be here,

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<v Speaker 3>very excited.

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<v Speaker 1>It's it's uh and you know Jackie are one of

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<v Speaker 1>our producers and she produced your podcast at one point.

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<v Speaker 4>That's right. It's like full circle. There's a lot of like,

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<v Speaker 4>uh close, the circle is.

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<v Speaker 1>Small here, it really really is. I'm gonna do. I'm

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<v Speaker 1>gonna I'm gonna let everybody know who's been living under

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<v Speaker 1>a rock. Who you are? Okay, the very talented Jenna.

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<v Speaker 1>You know not only is Gilmore Girls super fan, but

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<v Speaker 1>also as teeny Cohen Chang from Glee, a two time

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<v Speaker 1>Tony Award winning producer, Broadway star, former co worker of mine,

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<v Speaker 1>I said, we're going to get into that a little bit.

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<v Speaker 1>Jenna's worked on Acclaim productions like Once on This Island,

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<v Speaker 1>The Inheritance, and Waitress. She also co hosts a hit

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<v Speaker 1>iHeart podcast called and That's What You Really Miss with

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<v Speaker 1>Kevin McHale and where They Live Relive all Things Glee.

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<v Speaker 1>We're excited to have her here at Jenna, Welcome to

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<v Speaker 1>the show. Not bad, right, I didn't write it.

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<v Speaker 3>Take it?

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<v Speaker 1>Take it? Yeah. Man, how you doing. You've got two kids?

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<v Speaker 3>Yeah, well I'm in the thick of it right now.

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<v Speaker 3>But I'm good. I'm good.

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<v Speaker 4>I'm I've got a three and a half month old,

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<v Speaker 4>so we are just out of that, you.

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<v Speaker 3>Know, the really really hard phase.

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<v Speaker 4>Although it wasn't that hard, but I'm with an almost

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<v Speaker 4>three year old, which is a really really hard phase.

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<v Speaker 1>It is, right, the ts in the thing and the

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<v Speaker 1>but but they get so cute at four and five

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<v Speaker 1>and six.

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<v Speaker 3>Love it.

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<v Speaker 4>I love it, even when it's hard. It's just like,

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<v Speaker 4>you know, she's so cute.

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<v Speaker 1>It's great.

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<v Speaker 4>Yeah, I'm happy to be here. You got me to

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<v Speaker 4>watch some more Gilmore Girls again. It's like an excuse

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<v Speaker 4>I have to work. I have to watch Gilmore Girls.

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<v Speaker 1>You know it's not bad. Season one, episode seventeen, the

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<v Speaker 1>third Laurela I, Oh my god, Rory's great grandmother offers

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<v Speaker 1>Laurela a trust fund for Rory's education, causing Emily to

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<v Speaker 1>fear losing her new found relationship with them. Cattleman directed

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<v Speaker 1>Amy Sherman.

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<v Speaker 3>Palladino wrote it, sadly, you're not in this one.

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<v Speaker 1>I'm not in it?

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<v Speaker 5>Right?

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<v Speaker 3>How many episodes were you not in?

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<v Speaker 1>This is the only one?

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<v Speaker 3>Shut up?

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<v Speaker 1>This is the one. Yes, yes, I was one hundred

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<v Speaker 1>and fifty three. I thought I was in all of them.

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<v Speaker 1>That I realized after watching this, I'm not in this.

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<v Speaker 3>That's so funny.

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<v Speaker 1>You don't even feel my presence in it at all.

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<v Speaker 1>There's no coffee, there's no diner.

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<v Speaker 3>They don't go. They don't go there at all. Yeah,

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<v Speaker 3>their coffee.

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<v Speaker 4>I did watch the previous episode though, which you were in,

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<v Speaker 4>so I didn't watch that one.

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<v Speaker 1>Was that a good That was a good one? In

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<v Speaker 1>my shirt?

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<v Speaker 3>Drakout A part two? Yeah?

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<v Speaker 4>You had gotten back with uh? Was it Rachel, right, Rachel. Yeah,

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<v Speaker 4>and you were around helping uh Rory who has gotten

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<v Speaker 4>broken up with Yeah, yes.

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<v Speaker 1>Oh, let's try to get into a fight with Dean.

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<v Speaker 3>Yeah. Very funny, very good. This is a good comedy.

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<v Speaker 1>Very good stuff. Good stuff, good stuff. All right, So

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<v Speaker 1>this one we got tricks, right, we got we got

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<v Speaker 1>Richard's mom coming in from London to you know, distribute

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<v Speaker 1>funds to people or whatever she's doing there, because she

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<v Speaker 1>never comes to the USA, they always go visit her.

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<v Speaker 1>What are you doing with this epithet?

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<v Speaker 4>I mean, Tricks versus Marion Ross is like such a

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<v Speaker 4>meeting genius. Everybody is so good. I haven't watched the

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<v Speaker 4>show in quite a bit of time, so to go back,

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<v Speaker 4>I was so glad you were like so early back

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<v Speaker 4>in the process of season one again, because it's so fresh,

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<v Speaker 4>and it's so easy to fall back into the world

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<v Speaker 4>with everybody so quickly, like to click in, because it's

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<v Speaker 4>so funny, so witty. The characters are all just so

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<v Speaker 4>well developed so early on.

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<v Speaker 3>You know who everybody is, what their job is like.

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<v Speaker 4>The writing, it's like it's heartfelt, it's there's comedy, there's

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<v Speaker 4>you know, pop culture references like it's Amy Sherman at

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<v Speaker 4>her best, and I just I was like, do I

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<v Speaker 4>need to rewatch this whole thing again with you guys

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<v Speaker 4>because it's so so good.

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<v Speaker 3>I loved it.

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<v Speaker 1>It's great, right, Yeah, it really is, Like, especially this

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<v Speaker 1>first season, you can see this sort of the growth

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<v Speaker 1>of the and it's just like it doesn't take them

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<v Speaker 1>long to really start nail on every episode. I mean

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<v Speaker 1>you're like you're like one or two episodes in and

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<v Speaker 1>then all of a.

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<v Speaker 4>Sudden, it just you know, when did it hit like

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<v Speaker 4>two thousand and like, did it hit like very early

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<v Speaker 4>like pilot first episodes? Did it like take off? Or

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<v Speaker 4>did it was it a slower burn because like for Glee,

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<v Speaker 4>like we it took a few episodes for us to

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<v Speaker 4>really kind of like get our viewership up and like

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<v Speaker 4>for it to really kind of hit.

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<v Speaker 3>Do you remember, Yeah.

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<v Speaker 1>I mean I know the reviews were like all gushy

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<v Speaker 1>and Variety and Hollywood reporters, so we were like, oh, wow,

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<v Speaker 1>oh good, great. But yeah, I think first c W,

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<v Speaker 1>I think the numbers were really strong initially in the

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<v Speaker 1>first couple of years.

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<v Speaker 6>Totally, but we kind of peaked what season four or five, wow,

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<v Speaker 6>and then we got up that we got way up

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<v Speaker 6>there for CW numbers, you know.

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<v Speaker 1>Yeah, but it was yeah, but it was consistently good

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<v Speaker 1>throughout and then yeah, you know, I just I don't know.

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<v Speaker 4>Do you feel like, do you feel like your character

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<v Speaker 4>is like consistent throughout and the arc? Like, were you

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<v Speaker 4>happy with your storylines along the way?

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<v Speaker 1>I was, Yeah, I I really still feel I mean

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<v Speaker 1>and at the time, I felt very lucky to fill

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<v Speaker 1>those shoes because you know, it's all in in what

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<v Speaker 1>the writing, right, So so I just think I get

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<v Speaker 1>to be in this situation today. Yeah, I get to

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<v Speaker 1>be portrayed this way. This character is is totally I

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<v Speaker 1>mean such as such an honorable dude, and and you know,

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<v Speaker 1>I got to do that, and I was like, wow,

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<v Speaker 1>this is really great. They're really setting me up to be,

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<v Speaker 1>you know, well thought of as a character, and I

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<v Speaker 1>really appreciate that. Yeah yeah, I mean, what a what

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<v Speaker 1>a selfless guy? Just so you know, it's cool. Yeah,

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<v Speaker 1>it is, it really, it really truly is. And and

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<v Speaker 1>I'm forever indebted to Amy but for forgiving me this,

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<v Speaker 1>you know, because she she was the ultimate decision maker, right,

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<v Speaker 1>I mean, she fought for every one of us. Wow, yeah,

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<v Speaker 1>because I mean at that time, right two thousand, movie

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<v Speaker 1>stars were starting to spill over into TV totally, and

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<v Speaker 1>you know, Warner Brothers wanted.

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<v Speaker 3>Names, stars, stars, stars.

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<v Speaker 1>Yeah, like and in every role they read the script,

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<v Speaker 1>they're no, there, there are no dummies over there. They

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<v Speaker 1>saw the quality of stuff. They probably thought they go

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<v Speaker 1>to CIA and just package the help. Yeah, totally stack

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<v Speaker 1>it with stars, let's get in. She fought for every

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<v Speaker 1>one of us. She's like, no, I'm not doing that.

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<v Speaker 1>I'm getting the people that I envision and who was perfect,

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<v Speaker 1>perfect fit for these roles the way I see it,

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<v Speaker 1>that's wonderful.

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<v Speaker 4>I mean, her vision is so clear in her writing

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<v Speaker 4>and her her creation, and like, I'm so glad they did.

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<v Speaker 4>She pushed for that because it feels like this small

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<v Speaker 4>town that is being built and created, Like if you

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<v Speaker 4>throw all those stars in there, it's like too familiar

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<v Speaker 4>in a way and it's not so small town and

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<v Speaker 4>there's you lose that charm and the quaintness of.

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<v Speaker 1>It all right, they bring that bagaggage that you can't.

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<v Speaker 3>Get away from totally totally.

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<v Speaker 1>It's like an independent film. Yeah, well of unknowns and

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<v Speaker 1>it's like, wow, that's a really great film. Who are

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<v Speaker 1>these actors?

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<v Speaker 4>Yeah, exactly, exactly, Like you're discovering everything altogether.

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<v Speaker 1>You know that it's so good. We got so we got

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<v Speaker 1>so luck.

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<v Speaker 3>So lucky, what a great cast.

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<v Speaker 4>Everybody is so so talented, And like I'm curious to

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<v Speaker 4>hear about your experience with like her writing, like it's

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<v Speaker 4>so beautiful. Like Ryan Murphy's stuff too, like falls off

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<v Speaker 4>the tongue. It seems very intricate and difficult, but it

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<v Speaker 4>falls off the tongue. You don't have to do a

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<v Speaker 4>lot with it. It just kind of you just go and

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<v Speaker 4>it does the work for itself. It speaks for itself.

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<v Speaker 4>Do you feel like that with Amy's stuff?

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<v Speaker 1>That's exactly what it is. It's and I always compared

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<v Speaker 1>it to Shakespeare because that's what Shakespeare does. You just

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<v Speaker 1>learn your stuff and that dialogue will take you where

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<v Speaker 1>you need to go. Emotionally easy to remember because there's

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<v Speaker 1>like a real emotional logic to it. And with Amy's work,

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<v Speaker 1>all you have to do really, I mean, it's a

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<v Speaker 1>very simple formula. You get to work. You know, George

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<v Speaker 1>comes to your trailer, your run lines, until your bulletproof

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<v Speaker 1>if you haven't already done it at home, which a

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<v Speaker 1>lot of times you don't have time to do it,

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<v Speaker 1>becau just have time to eat, shower, go to bed

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<v Speaker 1>and wake it right. Yeah. So then you get there

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<v Speaker 1>and you do a you know, a fifteen to twenty

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<v Speaker 1>minute run with George and you got your stuff. Wow,

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<v Speaker 1>and then you just go in and do it and

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<v Speaker 1>you know the blocking is that's the fun part, right.

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<v Speaker 1>I love the rehearsal process. Sure, but yeah, man, that

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<v Speaker 1>those words. They never let you down. They never let

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<v Speaker 1>you down.

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<v Speaker 4>Oh god, you're right. They have lift you. They're so

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<v Speaker 4>good and it's so the pace is so good. Everybody

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<v Speaker 4>like clicks in so well, and like it's such a

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<v Speaker 4>familiar pace like that you when you turn on the show,

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<v Speaker 4>you know where you're going.

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<v Speaker 3>You're just like on the ride.

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<v Speaker 1>Yeah. I don't know how Lauren did it. That was

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<v Speaker 1>the heaviest lift of all heavy lifts. I mean, I'm

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<v Speaker 1>sure there have been, you know, rolls prior don't I

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<v Speaker 1>don't know what they are, but I don't know that

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<v Speaker 1>anybody had. You know, there's massive chunks of dialogue, okay

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<v Speaker 1>in every scene at that pig.

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<v Speaker 3>It's unbelievable, it is.

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<v Speaker 4>I'm sure it made all of her jobs after that,

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<v Speaker 4>very right, confusing, right, although she did have you know

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<v Speaker 4>enough other things, like she brought that piece with her

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<v Speaker 4>a little bit. So I love it, like I'm a

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<v Speaker 4>fan of hers. I love watching her work because like

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<v Speaker 4>she's so good at that thing. But yeah, man, oh man,

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<v Speaker 4>that is just like a mental load to carry.

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<v Speaker 3>The two of them too. They really just like ping

0:11:33.559 --> 0:11:34.800
<v Speaker 3>pong balls. It's crazy.

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<v Speaker 1>Weren't they just perfect? Wasn't alexis just perfect for that role?

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<v Speaker 4>She is unreal, Like she wears her heart on her sleeve.

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<v Speaker 4>She's everything you want to see from a sixteen year

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<v Speaker 4>old going through this with her best friend and her mom.

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<v Speaker 3>And it's so nuanced, it's so dynamic.

0:11:54.640 --> 0:11:58.800
<v Speaker 4>It's like, I, I you just clean.

0:12:00.200 --> 0:12:03.440
<v Speaker 3>She's like magnetic. I just clicking with her. I'm like, yes,

0:12:03.520 --> 0:12:04.960
<v Speaker 3>I believe everything you're saying.

0:12:05.040 --> 0:12:09.760
<v Speaker 4>It's fluid, it's open, it's vulnerable, like perfect, perfect casting.

0:12:09.840 --> 0:12:11.719
<v Speaker 4>You couldn't have done better with the two of them.

0:12:12.559 --> 0:12:15.960
<v Speaker 1>Vulnerable. The vulnerability is also charts with her magic. You

0:12:16.040 --> 0:12:17.520
<v Speaker 1>just want to You just want to put her in

0:12:17.600 --> 0:12:19.000
<v Speaker 1>your pocket and take care of me.

0:12:19.640 --> 0:12:22.079
<v Speaker 4>Like if you burst into tears, it'd be okay next

0:12:22.080 --> 0:12:25.320
<v Speaker 4>to her, Like you know, like I just I feel

0:12:25.360 --> 0:12:27.120
<v Speaker 4>so safe with her and with them.

0:12:27.280 --> 0:12:29.280
<v Speaker 3>I love it.

0:12:29.280 --> 0:12:33.439
<v Speaker 1>It's so great, all right. So we're gonna start off

0:12:33.440 --> 0:12:39.520
<v Speaker 1>at a Friday night dinner. So you know, Richard, Richard

0:12:39.559 --> 0:12:41.800
<v Speaker 1>really fills the space, doesn't He comes in and he

0:12:42.480 --> 0:12:45.280
<v Speaker 1>really commands to space. So Emily's in a tizzy about

0:12:45.320 --> 0:12:47.160
<v Speaker 1>Richard's mom come to town. Rory wants to know more

0:12:47.200 --> 0:12:51.600
<v Speaker 1>about her great grandmother, and we learned that. We learned

0:12:51.640 --> 0:12:54.960
<v Speaker 1>that Richard's father is dead obviously, I mean, you know

0:12:55.080 --> 0:12:58.120
<v Speaker 1>he is. What do you think Richard is in the sixties.

0:12:58.160 --> 0:13:00.800
<v Speaker 1>He's in the sixties, yeah, at least so, I mean,

0:13:00.840 --> 0:13:03.000
<v Speaker 1>if he had a if his father was very young

0:13:03.040 --> 0:13:04.840
<v Speaker 1>when he had him, he could still be alive. But

0:13:04.880 --> 0:13:10.280
<v Speaker 1>we just assumed that he was all right. Uh So,

0:13:10.480 --> 0:13:14.559
<v Speaker 1>Tricksy's coming to town. Emily is not happy about it.

0:13:14.880 --> 0:13:17.640
<v Speaker 1>They go down into the storege they go into the basement.

0:13:18.679 --> 0:13:22.840
<v Speaker 1>Lorl I goes down in basement and finds Emily hysterical.

0:13:22.880 --> 0:13:25.320
<v Speaker 1>We don't We've never seen her this way.

0:13:26.320 --> 0:13:29.199
<v Speaker 3>Kelly Bishop is excellent.

0:13:29.160 --> 0:13:31.760
<v Speaker 1>Yeah, all right, a master.

0:13:32.559 --> 0:13:34.880
<v Speaker 4>To watch her unhinged like that too, is so fun.

0:13:35.280 --> 0:13:37.960
<v Speaker 4>It must have been very fun for her to play

0:13:38.000 --> 0:13:41.040
<v Speaker 4>the opposite of the way that she normally the snarky

0:13:41.200 --> 0:13:47.000
<v Speaker 4>kind of you know, ma tough, strict like elite mom,

0:13:47.200 --> 0:13:49.880
<v Speaker 4>you know, well spoken, and then all of a sudden

0:13:49.880 --> 0:13:50.960
<v Speaker 4>she's just coming undone.

0:13:51.000 --> 0:13:52.520
<v Speaker 3>It was really fun to watch her do that.

0:13:52.920 --> 0:13:55.760
<v Speaker 1>You know. Kelly was always so god, what's there's so

0:13:55.800 --> 0:14:02.040
<v Speaker 1>many words. Elegant, Uh, she never seen stressed. Yes, she

0:14:02.120 --> 0:14:04.360
<v Speaker 1>would just sort of walk on set and with a

0:14:04.520 --> 0:14:08.800
<v Speaker 1>smile and you know, talk to everybody and let's go

0:14:08.880 --> 0:14:12.040
<v Speaker 1>do the scene. And then she'd shift gears right before

0:14:12.080 --> 0:14:14.800
<v Speaker 1>your eyes and bob ohm, there was Emily. And then

0:14:14.840 --> 0:14:17.000
<v Speaker 1>when it was done, she would shift back to her

0:14:17.000 --> 0:14:22.640
<v Speaker 1>elegant self and chokes and stories and she was a delight.

0:14:22.840 --> 0:14:25.800
<v Speaker 1>She was just such a pro. She she really really

0:14:26.480 --> 0:14:31.760
<v Speaker 1>Lauren and and Kelly really established what that set was,

0:14:32.320 --> 0:14:38.120
<v Speaker 1>which is completely professional and the level of work obviously.

0:14:38.240 --> 0:14:41.520
<v Speaker 1>So yeah, it was it was. It was really exciting

0:14:41.560 --> 0:14:43.560
<v Speaker 1>to come to work every day because you knew you

0:14:43.640 --> 0:14:46.240
<v Speaker 1>were going to be with a players and nobody was

0:14:46.280 --> 0:14:47.120
<v Speaker 1>going to let you down.

0:14:47.720 --> 0:14:49.800
<v Speaker 3>Everybody like showed up prepared.

0:14:50.520 --> 0:14:52.320
<v Speaker 1>You have to, right, well, there was no way you

0:14:52.320 --> 0:14:52.880
<v Speaker 1>could survive.

0:14:53.200 --> 0:14:54.600
<v Speaker 3>No, you couldn't.

0:14:54.320 --> 0:14:57.640
<v Speaker 4>Get Oh yeah, the people that did that.

0:14:57.840 --> 0:15:03.720
<v Speaker 1>Boy, they had long days. It was bad for them. Yeah,

0:15:03.760 --> 0:15:06.600
<v Speaker 1>that's rough. And and you know, we had a co

0:15:06.800 --> 0:15:10.080
<v Speaker 1>star that came on once and wasn't prepared and and

0:15:10.160 --> 0:15:12.560
<v Speaker 1>she had a bunch of scenes to do, and I

0:15:12.720 --> 0:15:18.720
<v Speaker 1>just told her, I said, man, you know, I did

0:15:18.760 --> 0:15:22.080
<v Speaker 1>I feel for you, right, I know you had a situation.

0:15:22.200 --> 0:15:25.440
<v Speaker 1>I get it, but you're you're you're in the mouth

0:15:25.480 --> 0:15:27.320
<v Speaker 1>of the lion now and it's going to be a

0:15:27.320 --> 0:15:29.480
<v Speaker 1>long day. And it was.

0:15:31.080 --> 0:15:33.360
<v Speaker 3>For everybody, right, it was.

0:15:33.520 --> 0:15:37.560
<v Speaker 1>No, it was and great actress and all that. Don't

0:15:37.560 --> 0:15:40.880
<v Speaker 1>get me wrong, but it's like, wow, this show will

0:15:40.920 --> 0:15:43.760
<v Speaker 1>burn you down. And we had I remember we had

0:15:43.800 --> 0:15:48.560
<v Speaker 1>a guy, you know, with a Broadway resume up the wazoo, right,

0:15:48.680 --> 0:15:51.560
<v Speaker 1>he comes on and I think he thought he was

0:15:51.600 --> 0:15:56.600
<v Speaker 1>prepared and they say action and he just go you know,

0:15:56.640 --> 0:15:59.200
<v Speaker 1>he'd stare at me and he Oh my god, they

0:15:59.240 --> 0:16:01.760
<v Speaker 1>really wanted this. I don't know if I can do this.

0:16:02.360 --> 0:16:03.120
<v Speaker 5>Oh wow.

0:16:03.680 --> 0:16:07.720
<v Speaker 1>Yeah. People people indd interesting.

0:16:07.800 --> 0:16:10.160
<v Speaker 4>It is hard because on our show too, the pace

0:16:10.360 --> 0:16:12.360
<v Speaker 4>is really fast. And they used to say, if you

0:16:12.400 --> 0:16:15.920
<v Speaker 4>don't speak that fast, your stuff will get cut because

0:16:15.960 --> 0:16:18.040
<v Speaker 4>there's too much to put in.

0:16:18.400 --> 0:16:20.920
<v Speaker 3>So our thing was not the face of the writing.

0:16:20.960 --> 0:16:23.760
<v Speaker 3>I mean it was. But also we learned like if

0:16:23.760 --> 0:16:25.960
<v Speaker 3>you don't talk really fast, you're getting cut.

0:16:26.400 --> 0:16:30.040
<v Speaker 1>Oh that's just like right down to it. Man, Oh

0:16:30.080 --> 0:16:30.960
<v Speaker 1>my god.

0:16:31.120 --> 0:16:33.840
<v Speaker 4>Oh that's funny. But that it is true. There's there's

0:16:33.880 --> 0:16:36.840
<v Speaker 4>a certain skill and tone.

0:16:36.800 --> 0:16:42.480
<v Speaker 3>And uh way that you that your show was presented

0:16:42.520 --> 0:16:43.080
<v Speaker 3>and written.

0:16:43.120 --> 0:16:45.480
<v Speaker 4>And if you can't keep up, it's like the people

0:16:45.560 --> 0:16:48.120
<v Speaker 4>aren't on that on the sprint and you're in a

0:16:48.160 --> 0:16:52.360
<v Speaker 4>marathon and you're like, wait a second, but it seems

0:16:52.400 --> 0:16:55.680
<v Speaker 4>like everybody, all of your you know, your main people

0:16:55.920 --> 0:16:59.640
<v Speaker 4>just like show the f up all the time because

0:16:59.640 --> 0:17:00.440
<v Speaker 4>God deliver.

0:17:00.640 --> 0:17:01.360
<v Speaker 3>It's so good.

0:17:01.920 --> 0:17:05.760
<v Speaker 1>It's there's just no other way to survive. It's like

0:17:05.840 --> 0:17:10.159
<v Speaker 1>going into the Roman colisseum man, it's like I'm ready

0:17:10.160 --> 0:17:14.560
<v Speaker 1>to die. Let's go, you know, truly all right, So

0:17:14.720 --> 0:17:19.439
<v Speaker 1>now now we're at now we're at Chilton, hmm, and

0:17:19.480 --> 0:17:23.240
<v Speaker 1>we get to deal with uh, we get to deal

0:17:23.280 --> 0:17:31.080
<v Speaker 1>with Paris and all of her stuff. So there, you know, Tristan.

0:17:31.400 --> 0:17:37.240
<v Speaker 1>Tristan asked her out because Rory said, you know, she

0:17:37.520 --> 0:17:41.159
<v Speaker 1>likes you. What do you think you know? And you know,

0:17:41.240 --> 0:17:44.040
<v Speaker 1>he he, he doesn't have much of a thought process.

0:17:44.040 --> 0:17:54.520
<v Speaker 1>So he goes, okay, oh, Chad, so so they uh

0:17:55.280 --> 0:17:58.320
<v Speaker 1>so now we see we we knew what and and

0:17:58.440 --> 0:18:01.200
<v Speaker 1>Liza does a beautiful job. She comes back after her

0:18:01.280 --> 0:18:05.280
<v Speaker 1>little meeting in the hallway with Tristan and she's a

0:18:05.280 --> 0:18:08.880
<v Speaker 1>little little glowy so cute. Yeah he asked me out. Yeah,

0:18:09.040 --> 0:18:11.040
<v Speaker 1>she's just like like right in front of me. It's

0:18:11.119 --> 0:18:13.000
<v Speaker 1>just like on the other side of the room. It's yeah, yeah,

0:18:13.320 --> 0:18:14.480
<v Speaker 1>what do we do? What do you do? For?

0:18:14.560 --> 0:18:15.840
<v Speaker 3>How stiff of a character?

0:18:16.560 --> 0:18:20.280
<v Speaker 4>They they write Paris like for how stiff and kind

0:18:20.280 --> 0:18:25.400
<v Speaker 4>of written and you know, geeky and that that she's written.

0:18:25.960 --> 0:18:29.560
<v Speaker 4>Liza does such a beautiful job and making her so human,

0:18:30.560 --> 0:18:34.280
<v Speaker 4>Like I'm just I'm I love Paris. I love Paris

0:18:34.400 --> 0:18:37.720
<v Speaker 4>and Rory. I love seeing Paris' storyline here. It's so

0:18:37.880 --> 0:18:40.480
<v Speaker 4>nice to see lies I have like an a storyline

0:18:40.560 --> 0:18:43.919
<v Speaker 4>with you know, Tristan and going on her date and

0:18:43.960 --> 0:18:46.199
<v Speaker 4>not really knowing and being kind of out of a

0:18:46.240 --> 0:18:48.119
<v Speaker 4>fish out of water in her and her out of

0:18:48.119 --> 0:18:49.360
<v Speaker 4>her comfort zone.

0:18:49.200 --> 0:18:50.359
<v Speaker 3>Like I was.

0:18:51.359 --> 0:18:53.640
<v Speaker 4>I was just like so charmed by her when you're

0:18:53.640 --> 0:18:57.200
<v Speaker 4>not really supposed to be charmed by Paris, you know, right.

0:18:57.880 --> 0:19:00.119
<v Speaker 1>Yeah, they put her in a situation that rehabilitates her

0:19:00.119 --> 0:19:03.359
<v Speaker 1>pretty quickly. You know, it's like she's, Oh, this is

0:19:03.400 --> 0:19:07.520
<v Speaker 1>what she's missing. She's missing the familial love and the warmth,

0:19:07.840 --> 0:19:12.439
<v Speaker 1>and she's not getting that. She's extremely insecure, and you

0:19:12.560 --> 0:19:13.159
<v Speaker 1>just feel for.

0:19:13.600 --> 0:19:16.560
<v Speaker 3>You know, yeah, and helping her it's so cute.

0:19:16.720 --> 0:19:20.640
<v Speaker 1>Yeah. Yeah. And Rory being mature enough to know that

0:19:20.800 --> 0:19:22.880
<v Speaker 1>and rise above it and try to help her. That's

0:19:22.880 --> 0:19:24.560
<v Speaker 1>really nice. It's nice to see.

0:19:25.000 --> 0:19:29.040
<v Speaker 3>Did that costs up Blanca reference to Louie. I think

0:19:29.040 --> 0:19:30.680
<v Speaker 3>this is the beginning of beautiful.

0:19:32.280 --> 0:19:37.280
<v Speaker 1>So good? Okay, Amy, right, she just throws him down.

0:19:38.280 --> 0:19:38.960
<v Speaker 3>They don't stop.

0:19:39.200 --> 0:19:40.840
<v Speaker 1>So let me ask you this. Why do you think

0:19:41.320 --> 0:19:43.399
<v Speaker 1>they sat next to each other on the in the

0:19:43.400 --> 0:19:46.919
<v Speaker 1>first place, knowing what occurred at the party, Tristan and Rory.

0:19:47.359 --> 0:19:50.200
<v Speaker 4>I think Tristan sat next to Rory.

0:19:50.880 --> 0:19:53.040
<v Speaker 3>I think Tristan had to sit in himself next to.

0:19:53.040 --> 0:19:56.160
<v Speaker 1>Rory, and he's always liked her always.

0:19:56.320 --> 0:19:58.440
<v Speaker 3>It's very clear everybody likes Rory.

0:19:58.720 --> 0:20:01.520
<v Speaker 1>Yeah. Can I thank you something? A personal question? Would

0:20:01.520 --> 0:20:03.800
<v Speaker 1>you work on a school project over the weekend? Have you?

0:20:05.359 --> 0:20:07.639
<v Speaker 3>I mean, I don't remember working on a school project

0:20:07.680 --> 0:20:12.960
<v Speaker 3>over Louis I don't think maybe if.

0:20:12.800 --> 0:20:16.800
<v Speaker 4>I went to Chilton and the stakes where we're higher

0:20:16.960 --> 0:20:21.040
<v Speaker 4>and people were paying for my my you know, education,

0:20:21.320 --> 0:20:23.880
<v Speaker 4>then maybe, but I don't know, I don't think.

0:20:23.920 --> 0:20:28.880
<v Speaker 1>So, how do you think Paris? You know, Paris has

0:20:29.560 --> 0:20:32.680
<v Speaker 1>real radar. How do you think she immediately recognizes the

0:20:32.760 --> 0:20:35.320
<v Speaker 1>tension between Rory and Paris, you know, because they kissed

0:20:35.359 --> 0:20:37.119
<v Speaker 1>and then they saw each other the next you know.

0:20:37.240 --> 0:20:41.720
<v Speaker 3>No, you're right, that's a good question. She's like she

0:20:41.800 --> 0:20:44.280
<v Speaker 3>doesn't like miss anything. She's so smart.

0:20:44.359 --> 0:20:47.240
<v Speaker 4>She's just a little socially inept when it comes to

0:20:48.359 --> 0:20:52.000
<v Speaker 4>her peers, and if it doesn't include academia, you know,

0:20:53.359 --> 0:20:55.080
<v Speaker 4>but I don't think she misses anything.

0:20:55.240 --> 0:20:58.720
<v Speaker 1>She's like a social shark. She just senses everything right,

0:20:59.400 --> 0:21:01.880
<v Speaker 1>Like if there's in the water, she's gonna go right.

0:21:01.960 --> 0:21:03.320
<v Speaker 3>Yeah.

0:21:03.440 --> 0:21:05.840
<v Speaker 4>Eliza is so good with the looks too, Like it's

0:21:06.040 --> 0:21:08.600
<v Speaker 4>just she's you're like, oh my god, I can't get

0:21:08.640 --> 0:21:14.040
<v Speaker 4>anything by you. But and just and like so sharp

0:21:14.280 --> 0:21:17.600
<v Speaker 4>and like almost to the point where she doesn't have

0:21:17.840 --> 0:21:20.439
<v Speaker 4>she she has no filter. She can't stop herself when

0:21:20.480 --> 0:21:23.879
<v Speaker 4>she has to say something. You know, there's something about

0:21:23.880 --> 0:21:27.040
<v Speaker 4>it that's like, of course you need that to call

0:21:27.080 --> 0:21:28.520
<v Speaker 4>people out on their stuff.

0:21:29.520 --> 0:21:31.840
<v Speaker 3>I love her, I really, I really love her.

0:21:31.920 --> 0:21:35.840
<v Speaker 1>Yeah, she's just she's molded being inappropriate into an art form.

0:21:36.240 --> 0:21:38.040
<v Speaker 1>It's actually appealing somehow.

0:21:38.119 --> 0:21:39.040
<v Speaker 3>Yes, exactly.

0:21:40.800 --> 0:21:52.600
<v Speaker 1>Yeah, all right. Now we're at the Independence in Laurenlin

0:21:52.640 --> 0:21:55.480
<v Speaker 1>and Michelle are arguing at the front desk over a reservation,

0:21:56.600 --> 0:21:59.440
<v Speaker 1>and I gotta tell you that desktop mac is ancient

0:21:59.600 --> 0:22:00.000
<v Speaker 1>either way.

0:22:02.119 --> 0:22:03.719
<v Speaker 4>You know, there's not a lot of stuff that like

0:22:03.840 --> 0:22:08.240
<v Speaker 4>ages your Guys show is as much, but like sometimes

0:22:08.320 --> 0:22:09.200
<v Speaker 4>you think, I'm like.

0:22:09.200 --> 0:22:11.720
<v Speaker 1>Wow, there are a couple. There's a couple those a couple

0:22:11.760 --> 0:22:17.359
<v Speaker 1>of students where like, oh that didn't Emily calls Laurel

0:22:17.400 --> 0:22:20.840
<v Speaker 1>I at work and ask her for the hat rack back,

0:22:20.880 --> 0:22:25.879
<v Speaker 1>which is really funny. I gotta lug that thing. It's huge,

0:22:26.520 --> 0:22:28.359
<v Speaker 1>It's massive, and it looks really heavy. It looks like

0:22:28.359 --> 0:22:30.280
<v Speaker 1>it's all made of brass or something. I don't know.

0:22:30.720 --> 0:22:34.200
<v Speaker 1>So Emily's in a tissy uh Laura I and Michelle

0:22:34.240 --> 0:22:38.159
<v Speaker 1>have that great opening dialogue back and forth, and that

0:22:38.280 --> 0:22:40.720
<v Speaker 1>was just like a little aside before she gets into

0:22:40.800 --> 0:22:43.959
<v Speaker 1>the phone call. I mean, I mean, Amy really writes

0:22:44.000 --> 0:22:47.480
<v Speaker 1>you like almost a full meal between these two. Yes,

0:22:47.640 --> 0:22:51.280
<v Speaker 1>and it's just side stuff for entertainment purposes to get

0:22:51.320 --> 0:22:54.480
<v Speaker 1>us into the phone call. It's it's wild and that's

0:22:54.520 --> 0:22:56.320
<v Speaker 1>so good. And then it was like to have the

0:22:56.359 --> 0:22:59.280
<v Speaker 1>regift conversation Laurela. I can't get over the fact that

0:22:59.320 --> 0:23:03.680
<v Speaker 1>she received secondhand gift from her own mother. It's like, well,

0:23:04.000 --> 0:23:05.879
<v Speaker 1>I didn't open the box, so.

0:23:06.000 --> 0:23:10.440
<v Speaker 3>We didn't really use it, use it, honestly.

0:23:10.600 --> 0:23:13.000
<v Speaker 4>There are some things that I you just you have

0:23:13.040 --> 0:23:15.640
<v Speaker 4>to keep around and then you just have to pull

0:23:15.640 --> 0:23:17.760
<v Speaker 4>out when that person shows.

0:23:18.040 --> 0:23:19.440
<v Speaker 3>Oh really, I've been there.

0:23:20.359 --> 0:23:27.040
<v Speaker 1>Yeah, all right. Rory in trist in talk, she swears

0:23:27.160 --> 0:23:29.600
<v Speaker 1>to him that she didn't cry because of the kiss

0:23:29.640 --> 0:23:33.920
<v Speaker 1>and that it was quite nice. And then Tristan says

0:23:33.960 --> 0:23:36.440
<v Speaker 1>he's gonna swear off girls for a while, and they,

0:23:36.560 --> 0:23:38.480
<v Speaker 1>you know, they have a pretty good banter going back

0:23:38.520 --> 0:23:41.280
<v Speaker 1>and forth, and she said, like really, and she says, well,

0:23:41.320 --> 0:23:44.240
<v Speaker 1>maybe it's a certain type of girl you should swear off.

0:23:44.480 --> 0:23:48.960
<v Speaker 1>Do you think that Rory was trying to tell Tristan

0:23:49.119 --> 0:23:52.119
<v Speaker 1>that she was available in any way, shape or form,

0:23:52.480 --> 0:23:55.240
<v Speaker 1>because she's a high quality girl. She thinks of herself

0:23:55.280 --> 0:23:56.400
<v Speaker 1>as a high quality girl.

0:23:56.560 --> 0:23:58.800
<v Speaker 4>I think she was going to prepare us. Yeah, I

0:23:58.840 --> 0:24:00.800
<v Speaker 4>think she was trying to just get uh huh. And

0:24:01.440 --> 0:24:03.600
<v Speaker 4>I genuinely think it was out of the goodness of

0:24:03.640 --> 0:24:07.280
<v Speaker 4>her heart. I don't think she was trying to divert

0:24:07.520 --> 0:24:09.240
<v Speaker 4>nor do I think that she knew that Tristan had

0:24:09.240 --> 0:24:12.360
<v Speaker 4>feelings for her at that point. So I think, honestly,

0:24:12.440 --> 0:24:15.800
<v Speaker 4>she's just like the good thing about Rory is there's

0:24:15.880 --> 0:24:21.240
<v Speaker 4>this she's so so smart, but there is like an

0:24:21.280 --> 0:24:26.320
<v Speaker 4>innocence to her that she doesn't quite always know who's

0:24:26.359 --> 0:24:29.920
<v Speaker 4>onto her who's not. Like it's just like this very

0:24:29.960 --> 0:24:33.280
<v Speaker 4>like sweet green innocence that I think Loss does really well.

0:24:33.400 --> 0:24:33.760
<v Speaker 4>And so.

0:24:35.280 --> 0:24:39.360
<v Speaker 3>I think it was just a genuine gesture at this point.

0:24:39.520 --> 0:24:44.200
<v Speaker 1>All right, now we meet Tricks, all right, Laurrela is

0:24:44.200 --> 0:24:46.480
<v Speaker 1>pretty anxious to get to the dinner. Rory is shocked

0:24:46.680 --> 0:24:50.400
<v Speaker 1>at her behavior. Rory and Laurel shove that huge hat

0:24:50.480 --> 0:24:52.960
<v Speaker 1>rack in the car and bring it to dinner.

0:24:54.200 --> 0:24:55.439
<v Speaker 3>It's humongous.

0:24:56.160 --> 0:24:59.640
<v Speaker 1>Emily is very particular about the placement and the look

0:24:59.640 --> 0:25:04.040
<v Speaker 1>of the at rack once it gets inside. And then

0:25:04.080 --> 0:25:06.160
<v Speaker 1>we find out that Richard's pet name for his own

0:25:06.200 --> 0:25:12.240
<v Speaker 1>mother is Tricks. Emily calls Tricks mom, Laurel I calls

0:25:12.280 --> 0:25:16.560
<v Speaker 1>her grand Uh. Emily has put to work as Tricks

0:25:17.040 --> 0:25:20.679
<v Speaker 1>talks to Laurel I and Rory Trix keep sending her

0:25:20.720 --> 0:25:24.080
<v Speaker 1>off to get nuts or get is this is cheese?

0:25:24.160 --> 0:25:26.240
<v Speaker 1>You want me to eat this cheese? Is this is

0:25:26.240 --> 0:25:29.040
<v Speaker 1>what it is? You know? I mean, wow, what are

0:25:29.080 --> 0:25:29.400
<v Speaker 1>we doing?

0:25:29.440 --> 0:25:29.920
<v Speaker 3>Really great?

0:25:30.200 --> 0:25:36.280
<v Speaker 1>Marian, Yeah, so good. And you know we find out

0:25:36.320 --> 0:25:41.640
<v Speaker 1>the tricks. It's very direct. She admires Laureli's hard work.

0:25:41.760 --> 0:25:44.680
<v Speaker 1>She thinks hard work is aportman. All right, So here's

0:25:44.680 --> 0:25:48.520
<v Speaker 1>a question. Laura's anxiety about seeing her own mother. Does

0:25:48.560 --> 0:25:51.960
<v Speaker 1>this show her insecurities about living up to her mother's expectations?

0:25:52.520 --> 0:25:57.879
<v Speaker 1>M this scene, well, just overall Laurel I and her

0:25:57.920 --> 0:26:01.879
<v Speaker 1>own mom. Do you think Laura cares anymore about living

0:26:01.960 --> 0:26:03.480
<v Speaker 1>up to anybody's expectations?

0:26:03.560 --> 0:26:05.160
<v Speaker 3>I don't know. I don't think so.

0:26:05.560 --> 0:26:06.560
<v Speaker 1>I don't think so either.

0:26:07.280 --> 0:26:10.520
<v Speaker 4>I think she's just reveling in this, in this enjoyment

0:26:10.600 --> 0:26:16.640
<v Speaker 4>of of of Emily unhinged. Right now, She's finally like, ha,

0:26:17.040 --> 0:26:22.720
<v Speaker 4>the t tables have turned. I've got you. You're truly unhinged,

0:26:22.840 --> 0:26:26.000
<v Speaker 4>worried about like the location of a hat rack. She's

0:26:26.640 --> 0:26:30.240
<v Speaker 4>you know, bringing nuts and cheese and things, and it's

0:26:30.280 --> 0:26:33.800
<v Speaker 4>just so concerned and I think it's it's such an

0:26:33.880 --> 0:26:39.160
<v Speaker 4>insight into Laura Lai and Emily's relationship that she doesn't

0:26:39.240 --> 0:26:42.639
<v Speaker 4>quite ever see her in this in this light, and

0:26:42.720 --> 0:26:46.400
<v Speaker 4>so to see for Laura, I to see her this way,

0:26:47.000 --> 0:26:50.280
<v Speaker 4>and Rory having to be the adult and saying be

0:26:50.440 --> 0:26:51.040
<v Speaker 4>nice to her.

0:26:51.560 --> 0:26:55.080
<v Speaker 3>You know, are you enjoying this? Yes, she is right,

0:26:55.720 --> 0:26:57.280
<v Speaker 3>she is all right.

0:26:57.320 --> 0:27:02.639
<v Speaker 1>So Tricks is upset because Rory wants to go to Harvard,

0:27:02.920 --> 0:27:05.920
<v Speaker 1>and she says, well, Richard and his father were Yale

0:27:06.000 --> 0:27:13.119
<v Speaker 1>met And so that narrative is placed right there, smack

0:27:13.200 --> 0:27:17.480
<v Speaker 1>dab in the middle of the dinner table. Trix wonders

0:27:17.520 --> 0:27:21.080
<v Speaker 1>how the manager of an inn could pay for such

0:27:21.160 --> 0:27:25.320
<v Speaker 1>a luxury as Chiltern. And then now we find out,

0:27:25.840 --> 0:27:31.200
<v Speaker 1>Tricks finds out the whole arrangement Friday night dinners, and

0:27:31.880 --> 0:27:36.800
<v Speaker 1>her the wheels start turning in her head. So Trick's reaction,

0:27:36.920 --> 0:27:45.040
<v Speaker 1>how does this reflect uh general generational expectations or class divides? Yeah,

0:27:45.040 --> 0:27:50.760
<v Speaker 1>for sure, you know that it offers that up on

0:27:50.800 --> 0:27:55.840
<v Speaker 1>a platter. Weekend project. Rory brings the group donuts and coffee.

0:27:55.920 --> 0:28:00.440
<v Speaker 1>This is this is your weekend homework that pair has

0:28:00.480 --> 0:28:04.040
<v Speaker 1>insisted upon Tristan pulls Paris outside to talk to her. Right,

0:28:04.400 --> 0:28:09.879
<v Speaker 1>that's when she asked her out on the date. The

0:28:09.960 --> 0:28:12.800
<v Speaker 1>girls say he asked her out because someone else must

0:28:12.800 --> 0:28:15.160
<v Speaker 1>have bailed twenty four hours earlier.

0:28:17.000 --> 0:28:24.679
<v Speaker 4>That was nice of them, These girls, ma'am through it all.

0:28:25.800 --> 0:28:28.399
<v Speaker 1>Is it, Louise? It's just like lying down on the

0:28:28.560 --> 0:28:31.400
<v Speaker 1>two tables since like Saturday morning, what in the hell

0:28:31.400 --> 0:28:31.880
<v Speaker 1>are we doing?

0:28:33.880 --> 0:28:34.600
<v Speaker 3>Bring coffee?

0:28:34.880 --> 0:28:39.320
<v Speaker 1>Right, They're immediately questioning why Tristan would even ask her

0:28:39.320 --> 0:28:44.280
<v Speaker 1>out because they aren't each other's types. And then you know,

0:28:44.320 --> 0:28:46.920
<v Speaker 1>everybody starts giving Paris tips about the date, which is

0:28:47.080 --> 0:28:50.600
<v Speaker 1>which is nice? All right? So so Rory bringing the

0:28:50.760 --> 0:28:54.680
<v Speaker 1>coffee and donates. You know, it's kind of a nurturing thing.

0:28:54.840 --> 0:28:57.720
<v Speaker 1>She's she wants this to work. She's she wants you know,

0:28:58.600 --> 0:29:00.960
<v Speaker 1>she's the person that is going to bring the fuel.

0:29:01.520 --> 0:29:03.640
<v Speaker 4>That's the thing about Rory and Paris, I think is

0:29:03.800 --> 0:29:07.600
<v Speaker 4>like Paris can be could be written like unlikable.

0:29:07.680 --> 0:29:09.880
<v Speaker 3>There's a there's a she's having them show up on

0:29:09.920 --> 0:29:10.520
<v Speaker 3>a Saturday.

0:29:11.120 --> 0:29:14.280
<v Speaker 4>She's rigid, she's you know, there's a lot about her

0:29:14.320 --> 0:29:17.600
<v Speaker 4>that it could be hard to like write. But Rory

0:29:17.680 --> 0:29:21.560
<v Speaker 4>supporting Paris in this and helping her and having Tristan

0:29:21.600 --> 0:29:25.320
<v Speaker 4>ask her out. Like this relationship is being kind of fostered,

0:29:25.360 --> 0:29:26.680
<v Speaker 4>which is to be in their friendship.

0:29:26.840 --> 0:29:29.200
<v Speaker 3>It doesn't seem like Paris has a ton of friends.

0:29:29.440 --> 0:29:32.320
<v Speaker 4>So for Rory to you know, kind of reach out

0:29:32.440 --> 0:29:34.960
<v Speaker 4>and be there for her, I think is very sweet.

0:29:35.000 --> 0:29:37.840
<v Speaker 4>And we'll see later obviously too, where Paris doesn't know

0:29:37.920 --> 0:29:39.080
<v Speaker 4>really where to turn.

0:29:39.000 --> 0:29:42.800
<v Speaker 1>For She's going to make the weekend study hall thing

0:29:42.960 --> 0:29:45.400
<v Speaker 1>work with her coffee, don't She's going to set Paris

0:29:45.480 --> 0:29:47.000
<v Speaker 1>up on a date the whole I mean, being a

0:29:47.000 --> 0:29:50.240
<v Speaker 1>great friend, what a great wingman to have, right, That's right?

0:29:52.360 --> 0:29:56.960
<v Speaker 1>All right? Now, now we're we're in a Loreleizes house,

0:29:58.000 --> 0:30:02.880
<v Speaker 1>loyalized late for dinner, okay, because she's going She's going

0:30:03.400 --> 0:30:07.840
<v Speaker 1>to Friday night dinner and Rory is not. Is she

0:30:08.440 --> 0:30:11.400
<v Speaker 1>to study? She's got study. So Roy sits there and

0:30:11.440 --> 0:30:15.440
<v Speaker 1>eats chocolate cake in the kitchen and does her homework.

0:30:15.720 --> 0:30:18.760
<v Speaker 1>And Paris shows up at the Gilmore House because she's

0:30:18.800 --> 0:30:22.560
<v Speaker 1>insisting that she doesn't have much in the way of

0:30:22.680 --> 0:30:26.120
<v Speaker 1>wardrobe and she wants Rory to help pick her out

0:30:26.120 --> 0:30:31.240
<v Speaker 1>an outfit for her big date with with Tristan and

0:30:31.480 --> 0:30:33.640
<v Speaker 1>Rory just throws her in some alauralized stuff, which is

0:30:33.720 --> 0:30:34.240
<v Speaker 1>kind of funny.

0:30:34.880 --> 0:30:38.040
<v Speaker 4>That's just where this magically she looks great in it,

0:30:38.200 --> 0:30:39.280
<v Speaker 4>right right, it.

0:30:39.160 --> 0:30:40.040
<v Speaker 1>Fits her perfectly.

0:30:41.600 --> 0:30:45.240
<v Speaker 4>Paris walking through the door is so great, Like, you know,

0:30:45.320 --> 0:30:47.240
<v Speaker 4>you have the cute little top that I don't really

0:30:47.240 --> 0:30:49.200
<v Speaker 4>care about, but now I need the cute little top

0:30:49.200 --> 0:30:50.760
<v Speaker 4>and I need the lipstick with the color in it

0:30:50.840 --> 0:30:53.800
<v Speaker 4>versus just the tapstick, and like it's just it's really sweet,

0:30:53.800 --> 0:30:56.640
<v Speaker 4>it's really relatable. I think the thing about like Your

0:30:56.640 --> 0:30:59.560
<v Speaker 4>Guys show is like there's something for everybody. There's something

0:30:59.560 --> 0:31:02.240
<v Speaker 4>for the mom who has the kid, and then there's

0:31:02.240 --> 0:31:05.800
<v Speaker 4>something for the teens who are going through these real

0:31:05.840 --> 0:31:08.120
<v Speaker 4>experiences where they're going on their first date. They don't

0:31:08.160 --> 0:31:09.720
<v Speaker 4>know what to wear, they don't know how to act,

0:31:09.760 --> 0:31:11.040
<v Speaker 4>they don't know what to talk about.

0:31:11.360 --> 0:31:12.520
<v Speaker 3>So it's just really sweet.

0:31:12.560 --> 0:31:15.400
<v Speaker 4>And then for Paris and Rory to talk about Dean

0:31:15.560 --> 0:31:17.320
<v Speaker 4>and her kind of say I'm really sorry, do you

0:31:17.360 --> 0:31:17.840
<v Speaker 4>miss him?

0:31:17.880 --> 0:31:20.840
<v Speaker 3>And to see Rory have that vulnerable moment.

0:31:20.640 --> 0:31:23.120
<v Speaker 4>Where she's like, yeah, I miss him a lot, just

0:31:23.120 --> 0:31:24.360
<v Speaker 4>like plucks at your heartstrings.

0:31:24.360 --> 0:31:25.040
<v Speaker 3>It's so sweet.

0:31:25.080 --> 0:31:28.040
<v Speaker 1>Yeah yeah, And then the note cards pop out and

0:31:28.160 --> 0:31:31.920
<v Speaker 1>Rory sees, what are these in Paris? Well, there are

0:31:32.000 --> 0:31:34.720
<v Speaker 1>just some notes for the date in case we get

0:31:34.760 --> 0:31:37.239
<v Speaker 1>tongue tied and all that. She goes, what about you?

0:31:37.240 --> 0:31:39.040
<v Speaker 1>So you want to ask them about the Spanish inquisition?

0:31:39.160 --> 0:31:42.680
<v Speaker 1>She's not romantic, not really, no, so we don't want

0:31:42.720 --> 0:31:44.000
<v Speaker 1>to talk about that.

0:31:44.240 --> 0:31:45.720
<v Speaker 3>Next to the index cards.

0:31:48.000 --> 0:31:55.000
<v Speaker 1>So now we're at another dinner with Tricks. Okay, Tricks

0:31:55.040 --> 0:31:59.320
<v Speaker 1>brought Rabbit in dry Ice for dinner, all the way

0:31:59.360 --> 0:32:04.760
<v Speaker 1>from London, and then trist ask Laura I to walk

0:32:04.760 --> 0:32:07.280
<v Speaker 1>with her, asking her if she borrowed money from her

0:32:07.320 --> 0:32:12.480
<v Speaker 1>parents for Rory's school. That's when Tricks finds out and

0:32:12.560 --> 0:32:16.800
<v Speaker 1>Emily she doesn't mind loaning Laura I the money, and

0:32:16.880 --> 0:32:21.480
<v Speaker 1>Tricks just says, I do not care what you mind.

0:32:21.920 --> 0:32:24.520
<v Speaker 1>You know, it's just like just lowering the boom on

0:32:24.560 --> 0:32:29.440
<v Speaker 1>her every chance she gets totally. And then Tricks announces

0:32:29.480 --> 0:32:31.280
<v Speaker 1>that she has a trust fund set up for Rory

0:32:31.320 --> 0:32:34.120
<v Speaker 1>and is willing to give her access now to pay

0:32:34.120 --> 0:32:36.320
<v Speaker 1>so pay for Chiltern on her own. And of course

0:32:36.360 --> 0:32:40.760
<v Speaker 1>this is an immediate challenge to Emily's grip on these two,

0:32:42.600 --> 0:32:46.880
<v Speaker 1>and Uh acts accordingly. So Emily says Rory won't need

0:32:46.960 --> 0:32:54.200
<v Speaker 1>her anymore once she gets the money. Hmm, all right,

0:32:54.400 --> 0:32:57.040
<v Speaker 1>and then Laura I comes home too. Seriously, Well, this

0:32:57.200 --> 0:33:01.880
<v Speaker 1>is a this is a really big beat in this

0:33:01.880 --> 0:33:05.760
<v Speaker 1>this piece right here. Yeah, now we see why this

0:33:05.800 --> 0:33:11.600
<v Speaker 1>is an unexpected totally, this is an unexpected event in

0:33:11.640 --> 0:33:17.360
<v Speaker 1>Emily's life, and it just but I thought she showed

0:33:18.360 --> 0:33:21.520
<v Speaker 1>a real This is where we see Emily really vulnerable,

0:33:21.640 --> 0:33:24.840
<v Speaker 1>really terrified that she's going to lose her daughter again. Yes,

0:33:24.920 --> 0:33:29.400
<v Speaker 1>because as I don't know, as diabolical as Emily is

0:33:29.480 --> 0:33:32.280
<v Speaker 1>and seems right, I mean, she's doing it for a

0:33:32.280 --> 0:33:34.600
<v Speaker 1>reason because it's something she really needs. She just goes

0:33:34.640 --> 0:33:38.959
<v Speaker 1>about it in a questionable way, right, totally, And so

0:33:39.000 --> 0:33:42.000
<v Speaker 1>we see the real her real fear and that she's, God,

0:33:42.040 --> 0:33:44.440
<v Speaker 1>I'm going to lose my daughter again. And I know

0:33:44.520 --> 0:33:46.560
<v Speaker 1>this is a really messed up thing I did and

0:33:46.600 --> 0:33:48.640
<v Speaker 1>how I did it, But you know, at least they're

0:33:48.640 --> 0:33:52.320
<v Speaker 1>here once a week and I need that. She needs that. Yes,

0:33:52.520 --> 0:33:54.400
<v Speaker 1>So I start feeling for a little bit, I thought.

0:33:54.240 --> 0:33:59.400
<v Speaker 3>That was totally. Yeah, I think there's something it's important for.

0:33:59.360 --> 0:34:05.200
<v Speaker 4>Emily to see those moments where you're like, oh, I see,

0:34:05.840 --> 0:34:09.480
<v Speaker 4>and then for that to also then kind of trickle down.

0:34:10.160 --> 0:34:11.280
<v Speaker 3>She doesn't.

0:34:11.880 --> 0:34:14.920
<v Speaker 4>Now I don't agree with her projecting her own fears

0:34:15.239 --> 0:34:18.720
<v Speaker 4>of her and Laura I on Laura I with Rory,

0:34:19.760 --> 0:34:20.480
<v Speaker 4>which it does.

0:34:21.120 --> 0:34:22.879
<v Speaker 3>But I do think that.

0:34:22.880 --> 0:34:28.120
<v Speaker 4>It's important and it's relatable and it's real, like it's grounded,

0:34:29.480 --> 0:34:32.560
<v Speaker 4>because then she gets in her head about you know,

0:34:32.600 --> 0:34:34.760
<v Speaker 4>and Laura lies like, oh am, I gonna lose Rory

0:34:35.040 --> 0:34:36.560
<v Speaker 4>if money changes everything.

0:34:36.640 --> 0:34:38.920
<v Speaker 3>She has, freedom, she has all these things.

0:34:39.000 --> 0:34:41.160
<v Speaker 4>Is she just gonna leave? She's just gonna leave, you know.

0:34:41.800 --> 0:34:44.239
<v Speaker 4>So she definitely does. But then you have like the

0:34:44.320 --> 0:34:48.080
<v Speaker 4>wonderful sounding board of Suki, who's like, you know, she's like,

0:34:48.880 --> 0:34:52.239
<v Speaker 4>nothing's gonna change your guys' relationship. I mean, god, I

0:34:52.320 --> 0:34:57.480
<v Speaker 4>love Suki, and Melissa McCarthy is just obviously she's incredible.

0:34:59.200 --> 0:35:01.319
<v Speaker 4>But it's in a it's a nice sounding board for

0:35:01.400 --> 0:35:04.520
<v Speaker 4>Laurel I too, because she needs to hear that, because

0:35:04.560 --> 0:35:07.120
<v Speaker 4>she has the anxieties of Emily in her ear that

0:35:07.480 --> 0:35:09.440
<v Speaker 4>Rory's going to go travel the world and she's going

0:35:09.520 --> 0:35:11.719
<v Speaker 4>to move out sooner and they're gonna, you know, their

0:35:11.719 --> 0:35:14.080
<v Speaker 4>whole relationship is going to shift. So I thought that

0:35:14.200 --> 0:35:16.920
<v Speaker 4>was a really great, powerful storyline.

0:35:16.960 --> 0:35:21.520
<v Speaker 1>For sure. You know, something that life changing for for

0:35:21.719 --> 0:35:25.200
<v Speaker 1>Rory and for all of them. I should have been

0:35:25.239 --> 0:35:30.040
<v Speaker 1>discussed in private, right. It's like they did it right

0:35:30.040 --> 0:35:35.239
<v Speaker 1>in front of them, And it's like, why didn't Tricks

0:35:35.800 --> 0:35:40.319
<v Speaker 1>just talk to her son about it, right, And I'll

0:35:40.360 --> 0:35:42.239
<v Speaker 1>talk to Emily and I'll let it. You know, we'll

0:35:42.280 --> 0:35:43.879
<v Speaker 1>get back to you in this kind you know, that's

0:35:43.960 --> 0:35:45.759
<v Speaker 1>kind of how it works in real life. But she's

0:35:45.760 --> 0:35:48.279
<v Speaker 1>just like sort of like, you know, trumpeting it out

0:35:48.320 --> 0:35:53.279
<v Speaker 1>to the entire family right in the living room. It's like, whoa.

0:35:53.880 --> 0:35:57.320
<v Speaker 1>But it's interesting, you know, that's I guess that's Tricks.

0:35:57.360 --> 0:36:00.919
<v Speaker 1>That's her style exactly. Just vomited all out and get

0:36:00.920 --> 0:36:04.680
<v Speaker 1>what she wants right, you know, and watch everybody spinning around.

0:36:05.160 --> 0:36:07.800
<v Speaker 4>For I do think Lorlai is a good match for

0:36:07.880 --> 0:36:11.320
<v Speaker 4>Tricks though, mm hmm. She can hold her own with Tricks.

0:36:12.280 --> 0:36:15.439
<v Speaker 1>Yeah. I don't think there's anybody who who Laurla can't

0:36:15.440 --> 0:36:20.400
<v Speaker 1>hold her totally. She can't hold her correct correct anyway

0:36:20.440 --> 0:36:30.920
<v Speaker 1>that came out. She is formidable opponent for sure. So

0:36:31.080 --> 0:36:35.080
<v Speaker 1>we see, you know, Emily's hysterical. Now they're alone, Richard

0:36:35.120 --> 0:36:38.040
<v Speaker 1>and Emily alone, and she lets him know, you know,

0:36:38.160 --> 0:36:39.960
<v Speaker 1>all of her fears come out. That's that was a

0:36:40.080 --> 0:36:52.480
<v Speaker 1>very tender scene for me though. That was wonderful. All right, now, uh,

0:36:53.120 --> 0:36:56.120
<v Speaker 1>Rory and Paris are together. Paris had a great night

0:36:56.160 --> 0:36:59.120
<v Speaker 1>with Tristan. She didn't use her note cards at all.

0:37:01.120 --> 0:37:05.280
<v Speaker 1>And we find out that Tristan just is not interested

0:37:05.360 --> 0:37:08.839
<v Speaker 1>in the second date, a romantic date. He just wants

0:37:08.880 --> 0:37:13.239
<v Speaker 1>to be friends. She's left five messages on his on

0:37:13.320 --> 0:37:23.399
<v Speaker 1>his voicemail so far and that morning and he's just like, whoa, yeah,

0:37:23.480 --> 0:37:26.799
<v Speaker 1>it's like, you know that we can be friends. And

0:37:27.280 --> 0:37:30.680
<v Speaker 1>you just see Paris just dies slowly right there. It's

0:37:30.760 --> 0:37:33.640
<v Speaker 1>very sad, very sad. But I thought she handsled it

0:37:33.760 --> 0:37:38.279
<v Speaker 1>very well, you know. Yeah. I mean that's that's that's

0:37:38.280 --> 0:37:40.560
<v Speaker 1>a tough tough blow to take there, right in front

0:37:40.600 --> 0:37:43.080
<v Speaker 1>of everybody, you know. That's the thing about this show,

0:37:43.120 --> 0:37:45.200
<v Speaker 1>and all this stuff happens right in front of everybody.

0:37:46.239 --> 0:37:48.920
<v Speaker 3>If it doesn't, everybody finds out about it real quick, right.

0:37:52.120 --> 0:37:54.520
<v Speaker 1>And Tristan says he likes someone else, and he hesitates

0:37:54.560 --> 0:37:57.400
<v Speaker 1>to admit that it's Summer. So do you think I

0:37:57.480 --> 0:37:59.920
<v Speaker 1>think it's it's Rory. I think he does like her,

0:38:00.320 --> 0:38:02.719
<v Speaker 1>that's really yes, And I think it was a good

0:38:02.760 --> 0:38:05.640
<v Speaker 1>idea for Rory A Lorli not to tell Rory about

0:38:05.640 --> 0:38:11.560
<v Speaker 1>the money, agreed. It really it's like it wasn't necessary

0:38:11.560 --> 0:38:12.120
<v Speaker 1>to tell.

0:38:11.920 --> 0:38:18.400
<v Speaker 3>Her, right, And I think that uh when Rory.

0:38:19.280 --> 0:38:22.120
<v Speaker 4>Of course, Tristan is the one who's like, well, it

0:38:22.200 --> 0:38:25.120
<v Speaker 4>was a great you know, Rory's idea to have me

0:38:25.239 --> 0:38:28.319
<v Speaker 4>ask you out, and then Liza like flips on her,

0:38:28.400 --> 0:38:33.600
<v Speaker 4>which is so good at but come on, Tristan, come on,

0:38:34.640 --> 0:38:36.960
<v Speaker 4>But buddy.

0:38:37.480 --> 0:38:40.400
<v Speaker 3>Doesn't help anybody, like anybody.

0:38:40.600 --> 0:38:46.400
<v Speaker 1>It's like in golf parlance, I think with uh, with like,

0:38:47.640 --> 0:38:53.759
<v Speaker 1>you know, Tristan is in between clubs. I know he

0:38:53.840 --> 0:38:57.040
<v Speaker 1>doesn't want to use the he doesn't in Paris. He

0:38:57.080 --> 0:39:02.560
<v Speaker 1>can't see it Rory. He's intimidated by Rory. He just doesn't.

0:39:02.640 --> 0:39:05.680
<v Speaker 1>He doesn't know what to do. No, he doesn't here,

0:39:05.760 --> 0:39:10.960
<v Speaker 1>there's no move there and he friends zoned Paris real fast.

0:39:11.360 --> 0:39:15.360
<v Speaker 1>But just I guess, you know, merciful, he knew that

0:39:15.480 --> 0:39:21.719
<v Speaker 1>wasn't ye tea. Now we're at tea and this is

0:39:22.560 --> 0:39:28.239
<v Speaker 1>really anxiety inducing scene where Laurel is going to blow

0:39:28.239 --> 0:39:37.120
<v Speaker 1>the money. It's not and this this is money versus life, right,

0:39:37.200 --> 0:39:41.520
<v Speaker 1>it's like real life, real and and it always comes

0:39:41.520 --> 0:39:43.160
<v Speaker 1>out on that. This is why I love this show

0:39:43.200 --> 0:39:47.799
<v Speaker 1>because it's like, again, nobody cares about your money. This

0:39:47.960 --> 0:39:51.839
<v Speaker 1>is about my daughter. What's best for my daughter. And

0:39:51.880 --> 0:39:54.720
<v Speaker 1>if it's me and my daughter we end up together

0:39:54.880 --> 0:39:58.600
<v Speaker 1>with no money, that's okay because we will figure it out.

0:39:58.600 --> 0:39:59.919
<v Speaker 1>That's what I love about this show.

0:40:01.120 --> 0:40:03.160
<v Speaker 3>This is a good point. It's a very good point.

0:40:04.120 --> 0:40:06.480
<v Speaker 1>And you know, tricks over here is everything and I

0:40:06.600 --> 0:40:11.760
<v Speaker 1>really you know, Lauren sort of shifts gears into her drama.

0:40:11.800 --> 0:40:15.319
<v Speaker 1>You know, the comedy chops are so refined and so good,

0:40:16.000 --> 0:40:18.759
<v Speaker 1>and then she shifts gears into the drama chops and

0:40:18.800 --> 0:40:23.560
<v Speaker 1>they're there, they're just and she displaced them in the scene, right, yes,

0:40:23.600 --> 0:40:26.879
<v Speaker 1>and she and she she's this is why I could

0:40:26.880 --> 0:40:30.319
<v Speaker 1>never understand why she didn't win every award. Why do

0:40:30.400 --> 0:40:32.520
<v Speaker 1>you think, why do you think, Jenna, let's let's talk

0:40:32.560 --> 0:40:37.719
<v Speaker 1>about this. Why wasn't she nominated every single year? Why

0:40:38.239 --> 0:40:40.960
<v Speaker 1>do you do you know of a better performance from

0:40:40.960 --> 0:40:43.160
<v Speaker 1>two thousand to two thousand and seven on television? I

0:40:43.160 --> 0:40:44.680
<v Speaker 1>mean there's some great performances.

0:40:44.760 --> 0:40:47.400
<v Speaker 3>Were you guys in the comedy category?

0:40:47.440 --> 0:40:52.960
<v Speaker 4>Are you in the in the drama category? I'd say drama, right,

0:40:53.040 --> 0:40:54.440
<v Speaker 4>but you never know with these papers.

0:40:54.440 --> 0:40:56.200
<v Speaker 1>Don't know, I forget.

0:40:56.760 --> 0:40:59.319
<v Speaker 3>Uh, you know, it's it's hard to say.

0:40:59.320 --> 0:41:00.880
<v Speaker 4>But even so, I don't know that there was a

0:41:00.880 --> 0:41:03.040
<v Speaker 4>better performance on screen at that time.

0:41:03.680 --> 0:41:04.399
<v Speaker 1>Yeah.

0:41:04.560 --> 0:41:05.399
<v Speaker 3>Sometimes I just.

0:41:05.360 --> 0:41:09.240
<v Speaker 4>Get overlooked and I can't. I don't understand it. Sometimes

0:41:09.239 --> 0:41:12.719
<v Speaker 4>the show just doesn't like it. It's so popular with

0:41:12.920 --> 0:41:15.799
<v Speaker 4>the fans and it has its own, you know, its

0:41:15.800 --> 0:41:18.879
<v Speaker 4>own phenomenon, but then the award shows kind of like,

0:41:20.239 --> 0:41:22.120
<v Speaker 4>I don't know, they stay away from it. But I

0:41:22.160 --> 0:41:26.479
<v Speaker 4>am just I'm shocked. I'm ventually because it wasn't edgy enough.

0:41:26.800 --> 0:41:34.400
<v Speaker 1>It was too sure, it was too soft. Maybe hmmm,

0:41:34.719 --> 0:41:36.319
<v Speaker 1>it was too.

0:41:36.239 --> 0:41:41.759
<v Speaker 4>It really should have won on everything kind yeah, for everything.

0:41:41.920 --> 0:41:44.959
<v Speaker 4>I don't I don't understand it. I mean, I guess

0:41:44.960 --> 0:41:47.200
<v Speaker 4>she was nominated for the Globes. It looked like at

0:41:47.239 --> 0:41:52.040
<v Speaker 4>one point, but like not enough, not enough. Yeah, she

0:41:52.200 --> 0:41:53.600
<v Speaker 4>really deserved it all like.

0:41:53.520 --> 0:41:57.080
<v Speaker 1>These like you know, the Friends cast, they're nominated every

0:41:57.120 --> 0:42:00.600
<v Speaker 1>year for everything, and they went and they should and

0:42:00.640 --> 0:42:08.000
<v Speaker 1>they deserved it, right, But how do you deny you know,

0:42:08.120 --> 0:42:12.720
<v Speaker 1>Lauren Kelly, you know ed herm how do you deny

0:42:12.760 --> 0:42:16.719
<v Speaker 1>these people recognition when the work is like it's right

0:42:16.760 --> 0:42:20.880
<v Speaker 1>there out in front of everybody's face. It's like, do

0:42:21.040 --> 0:42:25.560
<v Speaker 1>better than this? And how does how does Amy get denied?

0:42:26.120 --> 0:42:29.920
<v Speaker 1>And and you know, you know what happened on on

0:42:30.080 --> 0:42:33.239
<v Speaker 1>Masel yay, right, yes, you know she gets all the

0:42:33.280 --> 0:42:35.839
<v Speaker 1>trophies Dan and and Amy get the trophies finally, but.

0:42:36.160 --> 0:42:38.800
<v Speaker 3>Wow, people caught on finally.

0:42:39.360 --> 0:42:47.719
<v Speaker 1>I just stre it is. It's very confusing anyway. So

0:42:47.800 --> 0:42:51.120
<v Speaker 1>the upshot of this scene is we don't we don't

0:42:51.160 --> 0:42:55.399
<v Speaker 1>care about the money. And Laura, l I, in her

0:42:55.440 --> 0:42:59.200
<v Speaker 1>heart of hearts, understands why Emily is freaked out. Emily

0:42:59.280 --> 0:43:04.400
<v Speaker 1>confesses and Laurela I, you know, has some compassion for

0:43:04.480 --> 0:43:06.560
<v Speaker 1>her own mother. And we'll just keep things the same.

0:43:07.280 --> 0:43:12.040
<v Speaker 1>You know, you can keep control because you may be

0:43:12.160 --> 0:43:16.719
<v Speaker 1>a tyrant. Tricks is a dictator, and like, we don't

0:43:16.760 --> 0:43:24.520
<v Speaker 1>want no party, that's right, It's like whoa. And I

0:43:24.520 --> 0:43:29.080
<v Speaker 1>think Emily apologizing, you know, that's real growth and that's

0:43:29.120 --> 0:43:33.160
<v Speaker 1>a real big step. And I think their relationship, you know,

0:43:33.320 --> 0:43:35.040
<v Speaker 1>mending that relationship.

0:43:36.360 --> 0:43:40.320
<v Speaker 4>Yeah, she realized what they were both acting a little

0:43:40.400 --> 0:43:43.000
<v Speaker 4>childish over this whole thing and could.

0:43:42.800 --> 0:43:46.359
<v Speaker 3>Have been handled differently. And you know, I think they

0:43:46.360 --> 0:43:48.880
<v Speaker 3>both saw their their ways.

0:43:48.760 --> 0:43:51.960
<v Speaker 1>Yeah, and it's only two hundred and fifty thousand bucks.

0:43:52.000 --> 0:43:53.600
<v Speaker 1>And man, when they sneeze in the nose, I thought

0:43:53.600 --> 0:43:55.000
<v Speaker 1>it was like twenty million.

0:43:56.080 --> 0:43:58.439
<v Speaker 3>I guess back then though it was a little bit more.

0:44:01.680 --> 0:44:03.640
<v Speaker 1>Uh No, it's a lot of money. That's a lot

0:44:03.640 --> 0:44:05.240
<v Speaker 1>of money for sure.

0:44:05.760 --> 0:44:06.000
<v Speaker 5>Uh.

0:44:06.760 --> 0:44:09.000
<v Speaker 1>Now we at the boss stop Lorealizer to pick up Roy.

0:44:09.080 --> 0:44:11.000
<v Speaker 1>That was nice. I really like that.

0:44:11.320 --> 0:44:14.600
<v Speaker 4>Uh it's nice to end the show about the episode

0:44:14.600 --> 0:44:18.120
<v Speaker 4>that way, and for them to.

0:44:17.320 --> 0:44:17.839
<v Speaker 3>Be so.

0:44:19.719 --> 0:44:22.399
<v Speaker 4>Just up front about everything, Like I just love their

0:44:23.520 --> 0:44:27.839
<v Speaker 4>uh their relationship and how open they are and you know,

0:44:28.080 --> 0:44:29.200
<v Speaker 4>we love to see it.

0:44:29.360 --> 0:44:31.320
<v Speaker 1>Hey kidd, and you know you just lost out of

0:44:31.880 --> 0:44:35.160
<v Speaker 1>quarter of a million dollars. Well, but do you want.

0:44:35.040 --> 0:44:39.560
<v Speaker 3>To go to Luke's Yeah, exactly and the stars hollow.

0:44:39.640 --> 0:44:42.799
<v Speaker 1>It ain't about money. The currency is. The currency is

0:44:42.920 --> 0:44:47.080
<v Speaker 1>caring about other people and that's love. Community and that's

0:44:47.120 --> 0:44:52.600
<v Speaker 1>the currency. It's it's having each other's backs. That's nice.

0:44:58.560 --> 0:44:59.719
<v Speaker 7>Hey there, folks, It's d J.

0:44:59.800 --> 0:45:04.120
<v Speaker 3>Hol and Amy Robach. Don't miss Morning Run every weekday

0:45:04.120 --> 0:45:05.280
<v Speaker 3>morning Monday through Friday.

0:45:05.520 --> 0:45:08.120
<v Speaker 7>Yeah, we'll be covering the biggest stories, everything you need

0:45:08.200 --> 0:45:11.160
<v Speaker 7>to know, breaking news, politics, pop culture on our daily

0:45:11.280 --> 0:45:14.279
<v Speaker 7>podcast Morning Run and of course it has a little

0:45:14.280 --> 0:45:16.040
<v Speaker 7>bit of our own personal flare to it.

0:45:16.280 --> 0:45:19.080
<v Speaker 3>Yeah, that's right. Make sure to subscribe now so every

0:45:19.200 --> 0:45:21.359
<v Speaker 3>day when you wake up, you've got the Morning Run

0:45:21.560 --> 0:45:22.239
<v Speaker 3>waiting for you.

0:45:22.640 --> 0:45:27.440
<v Speaker 7>Listen to Morning Run wherever you get your podcasts.

0:45:28.680 --> 0:45:33.799
<v Speaker 5>Welcome to Casual Chaos, where I'm telling my story unfiltered,

0:45:34.000 --> 0:45:38.360
<v Speaker 5>unedited and unapologetic for a moments you didn't see on camera,

0:45:38.520 --> 0:45:42.160
<v Speaker 5>to secrets nobody's dared to spill. I'm bringing you behind

0:45:42.200 --> 0:45:46.400
<v Speaker 5>the scenes like never before. I'm talking love life because

0:45:46.640 --> 0:45:50.160
<v Speaker 5>let's be real here, it's been a journey wellness and

0:45:50.200 --> 0:45:51.839
<v Speaker 5>the truth behind the headlines.

0:45:52.440 --> 0:45:54.920
<v Speaker 3>And of course I've got the receipts.

0:45:55.320 --> 0:45:58.040
<v Speaker 5>Plus I'll be sitting down with some of the biggest

0:45:58.120 --> 0:46:02.400
<v Speaker 5>named in pop culture for casually chaotic conversations you won't

0:46:02.440 --> 0:46:06.640
<v Speaker 5>hear anywhere else. So for yourself and espresso martini and

0:46:06.760 --> 0:46:10.800
<v Speaker 5>get ready because once you start listening, you'll be waking

0:46:10.880 --> 0:46:14.560
<v Speaker 5>up in the morning thinking about so many things. Listen

0:46:14.600 --> 0:46:17.920
<v Speaker 5>to Casual Chaos starting on March twenty fourth on the

0:46:17.960 --> 0:46:22.080
<v Speaker 5>iHeartRadio app, Apple Podcasts or wherever you get your podcasts.

0:46:23.520 --> 0:46:26.880
<v Speaker 2>You met Michelle Lally in the hit Bravo show The Valley.

0:46:27.080 --> 0:46:30.319
<v Speaker 2>You met me literally during the most difficult chapter in

0:46:30.320 --> 0:46:32.359
<v Speaker 2>my life. Now it's time for you to meet the

0:46:32.400 --> 0:46:36.040
<v Speaker 2>real met Michelle SENNI yes, I changed my name and

0:46:36.080 --> 0:46:38.120
<v Speaker 2>I want you to follow me on my journey to

0:46:38.360 --> 0:46:42.040
<v Speaker 2>the pursuit of sassiness. So much has happened to me before, during,

0:46:42.080 --> 0:46:45.440
<v Speaker 2>and after the show. Before you can really understand the

0:46:45.520 --> 0:46:47.880
<v Speaker 2>eight weeks that you saw on TV, I think you

0:46:47.960 --> 0:46:50.400
<v Speaker 2>have to know what was going on from the very beginning,

0:46:50.560 --> 0:46:53.759
<v Speaker 2>from being raised by two immigrant parents, paying my own

0:46:53.800 --> 0:46:57.000
<v Speaker 2>way through college and working at Hooters, to starting my

0:46:57.120 --> 0:47:01.160
<v Speaker 2>own real estate empire, getting married, having a baby during COVID,

0:47:01.400 --> 0:47:04.640
<v Speaker 2>to that very same marriage falling apart on national TV,

0:47:05.000 --> 0:47:08.440
<v Speaker 2>to losing my mom to eventually finding love again. There

0:47:08.480 --> 0:47:11.200
<v Speaker 2>is so much to unpack and share. I'm on the

0:47:11.239 --> 0:47:14.560
<v Speaker 2>pursuit of happiness and most importantly, I'm on the pursuit

0:47:14.600 --> 0:47:18.280
<v Speaker 2>of satiness. Listen to Pursuit of Satiness starting on March

0:47:18.320 --> 0:47:22.319
<v Speaker 2>seventeenth on the iHeartRadio app, Apple Podcasts, or wherever you

0:47:22.360 --> 0:47:23.359
<v Speaker 2>get your podcasts.

0:47:25.520 --> 0:47:29.240
<v Speaker 1>Jenna, Now it's time to talk about yellow Fever.

0:47:35.360 --> 0:47:37.120
<v Speaker 3>What a crazy time.

0:47:37.440 --> 0:47:42.480
<v Speaker 1>So I do. This movie with Jenna was it twenty seventeen.

0:47:42.480 --> 0:47:43.480
<v Speaker 1>We filmed at New York.

0:47:43.360 --> 0:47:45.480
<v Speaker 3>City before that a little earlier.

0:47:45.680 --> 0:47:47.440
<v Speaker 1>Was it before two thousand and seven? And that was

0:47:47.480 --> 0:47:52.080
<v Speaker 1>after it was twenty seventeen. I think, so, yeah, okay, okay,

0:47:52.280 --> 0:47:57.600
<v Speaker 1>so tennis movie together. And I know you traveled around

0:47:57.640 --> 0:47:59.960
<v Speaker 1>with her, right you want to a little.

0:47:59.800 --> 0:48:01.160
<v Speaker 3>Bit a little bit? Yeah?

0:48:01.200 --> 0:48:02.759
<v Speaker 1>Where did you go? Did you go to? You went

0:48:02.800 --> 0:48:04.200
<v Speaker 1>to Santa Barbara.

0:48:04.840 --> 0:48:07.080
<v Speaker 4>I didn't make it to Santa Barbara, but we were

0:48:07.160 --> 0:48:09.719
<v Speaker 4>around in La and we were around other I think

0:48:09.800 --> 0:48:11.640
<v Speaker 4>New York. I went to back to New York to

0:48:11.680 --> 0:48:12.520
<v Speaker 4>do some stuff.

0:48:12.840 --> 0:48:15.640
<v Speaker 1>Do you go to London? Did I go to London?

0:48:15.719 --> 0:48:19.839
<v Speaker 1>There was like a London festival. I don't know if

0:48:19.840 --> 0:48:21.560
<v Speaker 1>I was a London film festival.

0:48:21.920 --> 0:48:23.719
<v Speaker 3>Maybe it made it in there. I don't know that

0:48:23.760 --> 0:48:24.000
<v Speaker 3>I went.

0:48:24.200 --> 0:48:25.879
<v Speaker 4>I went to rain Dance and I go for that.

0:48:26.120 --> 0:48:29.960
<v Speaker 4>I don't remember where was it. It's in La or no,

0:48:30.040 --> 0:48:31.640
<v Speaker 4>in London? In London, Oh my god.

0:48:33.560 --> 0:48:34.920
<v Speaker 3>I can't remember.

0:48:35.080 --> 0:48:37.400
<v Speaker 4>Maybe just Cat and Jan went to London because they

0:48:37.400 --> 0:48:38.279
<v Speaker 4>were already there.

0:48:39.400 --> 0:48:41.600
<v Speaker 1>I just remember, you know what I remember about that shoot?

0:48:41.840 --> 0:48:46.200
<v Speaker 1>I remember like the dressing room was a bedroom and

0:48:46.560 --> 0:48:51.279
<v Speaker 1>a Harlem uh condo. We're in Harlem shooting this thing.

0:48:51.840 --> 0:48:54.480
<v Speaker 4>Well, yeah, let's paint the picture a little bit, because yeah,

0:48:54.560 --> 0:48:58.040
<v Speaker 4>go ahead. We were doing this indie film, and indie

0:48:58.040 --> 0:49:01.520
<v Speaker 4>films have quite low budget. But you know, you bring

0:49:01.560 --> 0:49:04.040
<v Speaker 4>in a cast of some good people who are working,

0:49:04.200 --> 0:49:07.160
<v Speaker 4>who have some names, who you know they're like this

0:49:07.200 --> 0:49:09.279
<v Speaker 4>person's attached, and this person's attaching.

0:49:09.080 --> 0:49:11.040
<v Speaker 3>Like great, let's do it. Let's go have a good time.

0:49:11.080 --> 0:49:12.600
<v Speaker 3>And so you have like this.

0:49:12.680 --> 0:49:17.239
<v Speaker 4>Really compact shoot for an indie film, and you know

0:49:17.320 --> 0:49:20.120
<v Speaker 4>that there's probably not going to be trailers for you

0:49:20.200 --> 0:49:24.839
<v Speaker 4>to go back to. There's just bedrooms in the townhouse

0:49:24.880 --> 0:49:28.360
<v Speaker 4>where you're shooting everything. The whole movie takes place in

0:49:28.440 --> 0:49:33.279
<v Speaker 4>this townhouse that they make other locations and aside from

0:49:33.360 --> 0:49:34.960
<v Speaker 4>Korean barbecue, which we also did, but.

0:49:36.520 --> 0:49:38.200
<v Speaker 3>It's just crazy, we.

0:49:38.120 --> 0:49:41.200
<v Speaker 4>Did like a night shoot in a Crea town and

0:49:42.680 --> 0:49:46.319
<v Speaker 4>I just remember being so hot. It was summer, right

0:49:46.840 --> 0:49:49.200
<v Speaker 4>and I was in a wig because my character had

0:49:49.239 --> 0:49:53.000
<v Speaker 4>a way, but it was and they had to turn

0:49:53.000 --> 0:49:56.600
<v Speaker 4>the air off while we were shooting because the sound

0:49:58.000 --> 0:50:02.600
<v Speaker 4>so I'm just dripping so what off down my face.

0:50:02.640 --> 0:50:06.320
<v Speaker 4>There's close ups I'm shooting and they're like, please hold

0:50:06.360 --> 0:50:06.840
<v Speaker 4>the camera.

0:50:07.239 --> 0:50:13.200
<v Speaker 3>We have to go dab. It's just sweating from this wig.

0:50:14.680 --> 0:50:15.800
<v Speaker 3>But we had a good time.

0:50:15.920 --> 0:50:20.120
<v Speaker 4>It was so crazy, and there's something about those like

0:50:20.880 --> 0:50:26.200
<v Speaker 4>coming from shows that have these big budgets and you know,

0:50:26.280 --> 0:50:30.080
<v Speaker 4>everything is so large in size and scale to then

0:50:30.160 --> 0:50:32.160
<v Speaker 4>going to New York in a townhouse and doing a

0:50:32.200 --> 0:50:34.439
<v Speaker 4>movie like that that you just, you know, you want

0:50:34.480 --> 0:50:36.640
<v Speaker 4>to do good work and work with good people.

0:50:36.800 --> 0:50:39.279
<v Speaker 1>But that's the thing, right, I would rather do that

0:50:39.320 --> 0:50:41.160
<v Speaker 1>because that's why I got in the business in the

0:50:41.200 --> 0:50:43.759
<v Speaker 1>first place. It was to do theater, and it was

0:50:43.760 --> 0:50:47.839
<v Speaker 1>to do independent film totally and work for the love

0:50:47.880 --> 0:50:49.520
<v Speaker 1>of it, not for the money of it, but for

0:50:49.600 --> 0:50:53.120
<v Speaker 1>the love of the work, right, and love working with

0:50:53.160 --> 0:50:56.759
<v Speaker 1>the people that you're working with. And you know, I

0:50:56.880 --> 0:51:01.640
<v Speaker 1>find in those situations that all this bs that I

0:51:02.080 --> 0:51:06.040
<v Speaker 1>somewhat object to in this TV business is you got

0:51:06.320 --> 0:51:09.520
<v Speaker 1>you got a number after your name or before your name,

0:51:09.560 --> 0:51:12.799
<v Speaker 1>so you're that number, right, and you're expected to act

0:51:12.920 --> 0:51:17.080
<v Speaker 1>like that number, right. And it's just like you know,

0:51:17.680 --> 0:51:21.879
<v Speaker 1>indie film and sometimes in in theater that I did,

0:51:22.760 --> 0:51:26.000
<v Speaker 1>they throw a bunch of people together. Nobody had any

0:51:26.080 --> 0:51:29.520
<v Speaker 1>seniority or hierarchy. There was no hierarchy. It was just like,

0:51:29.760 --> 0:51:32.920
<v Speaker 1>let's throw a bunch of people in together, best idea

0:51:33.000 --> 0:51:36.960
<v Speaker 1>wins in and let's let's just go ahead and rock

0:51:37.040 --> 0:51:39.839
<v Speaker 1>this thing totally. And that's when I think you get

0:51:39.840 --> 0:51:42.160
<v Speaker 1>the best results because you can find yourself in these

0:51:42.200 --> 0:51:46.440
<v Speaker 1>situations where it's just like everybody's got a title and

0:51:46.480 --> 0:51:49.360
<v Speaker 1>everybody's got a number, and you know, number three is

0:51:49.400 --> 0:51:52.000
<v Speaker 1>an acting like he's trying to act like a number one,

0:51:52.160 --> 0:51:54.920
<v Speaker 1>and number one doesn't act like a number one, and

0:51:55.000 --> 0:51:58.239
<v Speaker 1>there's no leadership, and it's like, what, Yeah, this is

0:51:58.280 --> 0:52:00.640
<v Speaker 1>not the army. This should not be treated like the

0:52:00.760 --> 0:52:04.160
<v Speaker 1>army or a corporate structure, that's right, you know, it's like,

0:52:04.640 --> 0:52:07.120
<v Speaker 1>get the peeps. And that's what I felt that was.

0:52:07.160 --> 0:52:11.120
<v Speaker 1>And Kat the director was very open to ideas and

0:52:11.160 --> 0:52:14.840
<v Speaker 1>rewrites and suggestions, and she wanted to make the scenes great.

0:52:14.960 --> 0:52:15.120
<v Speaker 1>You know.

0:52:15.320 --> 0:52:16.600
<v Speaker 3>Yes, very collaborative.

0:52:16.719 --> 0:52:20.480
<v Speaker 1>I thought she was very smart and very collaborative. Yeah, agreed,

0:52:21.120 --> 0:52:23.600
<v Speaker 1>And when she heard a good idea, she recognized it,

0:52:23.680 --> 0:52:28.399
<v Speaker 1>you know. And that's that's why I got into this business. Yeah,

0:52:28.760 --> 0:52:32.960
<v Speaker 1>to do that is to create that good work. Yeah,

0:52:33.120 --> 0:52:35.480
<v Speaker 1>what's so, what's your favorite moments from filming?

0:52:37.440 --> 0:52:41.480
<v Speaker 4>Me dripping beaten side on my face, no, no, just

0:52:41.520 --> 0:52:43.120
<v Speaker 4>working with all of you guys.

0:52:43.160 --> 0:52:49.280
<v Speaker 3>And I think that it was Kat's story and and and.

0:52:49.200 --> 0:52:51.800
<v Speaker 4>So it was really fun to collaborate with her because

0:52:51.960 --> 0:52:54.320
<v Speaker 4>we were telling her story, but she was so open

0:52:54.400 --> 0:52:59.520
<v Speaker 4>to my experience, and and then for us to make

0:52:59.520 --> 0:53:03.440
<v Speaker 4>sure that like you know, between our relationship and our

0:53:03.520 --> 0:53:06.319
<v Speaker 4>characters in the movie, that it wasn't there was no

0:53:06.800 --> 0:53:08.839
<v Speaker 4>kind of creepy element to it because of the.

0:53:08.760 --> 0:53:10.439
<v Speaker 3>Age gap and you know what I mean.

0:53:10.520 --> 0:53:12.640
<v Speaker 4>And so there was just all these things that we

0:53:12.640 --> 0:53:16.040
<v Speaker 4>were always looking out for. So I think the collaborative,

0:53:16.120 --> 0:53:19.120
<v Speaker 4>kind of creative side of it was really fun. I

0:53:19.160 --> 0:53:22.399
<v Speaker 4>remember us doing that night shoot in Korea Town and

0:53:22.440 --> 0:53:25.000
<v Speaker 4>we were like, oh God, but it was a really

0:53:25.040 --> 0:53:28.799
<v Speaker 4>fun scene to shoot. I also feel like for me

0:53:28.920 --> 0:53:31.960
<v Speaker 4>at that time, coming off of Glee, where there was

0:53:32.040 --> 0:53:34.800
<v Speaker 4>like eighteen characters in a scene and there's just always

0:53:34.880 --> 0:53:38.040
<v Speaker 4>like so much hubbub and there's you never very rarely

0:53:38.080 --> 0:53:41.680
<v Speaker 4>got very intimate scenes with like one to two people.

0:53:43.320 --> 0:53:45.759
<v Speaker 4>And I had luckily been able to do a little

0:53:45.760 --> 0:53:49.440
<v Speaker 4>bit of theater right before Yellow Fever and then another

0:53:49.480 --> 0:53:51.239
<v Speaker 4>indie film which I had a really fun time on.

0:53:51.320 --> 0:53:54.840
<v Speaker 3>So like I was kind of in this like this really.

0:53:54.719 --> 0:53:58.440
<v Speaker 4>Nice train of doing smaller work and I think like

0:53:58.560 --> 0:54:01.480
<v Speaker 4>being able to have our scenes at night and just

0:54:01.520 --> 0:54:04.480
<v Speaker 4>like one on one and working together was really fun.

0:54:04.719 --> 0:54:08.360
<v Speaker 1>Yeah, I agree. I missed that too, one of the

0:54:08.480 --> 0:54:12.600
<v Speaker 1>long stuff and intense scenes and you just get to work. Yeah,

0:54:12.640 --> 0:54:14.480
<v Speaker 1>I love that stuff too. I love this.

0:54:15.680 --> 0:54:18.799
<v Speaker 4>There's also like a scene where the boy runs away,

0:54:19.120 --> 0:54:21.000
<v Speaker 4>the brother comes back, he comes back.

0:54:20.880 --> 0:54:23.560
<v Speaker 3>Right, and we're all there and like we rarely.

0:54:23.200 --> 0:54:25.120
<v Speaker 4>Got to all work together and that way too. So

0:54:25.200 --> 0:54:27.360
<v Speaker 4>the whole cast was there was so small. It's just

0:54:27.400 --> 0:54:29.560
<v Speaker 4>like us and you know, a couple of other people.

0:54:29.640 --> 0:54:30.880
<v Speaker 4>So that was really nice.

0:54:31.600 --> 0:54:36.799
<v Speaker 1>Well what Yellow Fever Part two is it coming? What

0:54:36.840 --> 0:54:43.240
<v Speaker 1>do you think if you're listening? Could use a little

0:54:43.239 --> 0:54:48.040
<v Speaker 1>bigger budget, right, totally totally yeah, Yeah, definitely get some

0:54:48.120 --> 0:54:50.040
<v Speaker 1>numbers by our names. Make sure.

0:54:52.040 --> 0:54:53.440
<v Speaker 3>His boss right exactly.

0:54:53.640 --> 0:54:55.560
<v Speaker 1>Yeah, down't outshine the number one.

0:54:55.480 --> 0:54:58.000
<v Speaker 4>Don't you don't you come for me?

0:55:00.760 --> 0:55:04.520
<v Speaker 1>Jenna was great catching up. We're out of time. You

0:55:04.640 --> 0:55:07.920
<v Speaker 1>got to come back, love to you got to come back,

0:55:08.200 --> 0:55:10.040
<v Speaker 1>and then you've got to come back again and again.

0:55:10.719 --> 0:55:12.600
<v Speaker 1>And we'll talk about more. Giler, because I know you're

0:55:12.600 --> 0:55:14.720
<v Speaker 1>a super fan. You like to talk about this stuff

0:55:15.000 --> 0:55:20.000
<v Speaker 1>I do. And and one thing I didn't mention is

0:55:20.040 --> 0:55:24.640
<v Speaker 1>your your husband is a Yale man. Yes, and he

0:55:24.800 --> 0:55:27.799
<v Speaker 1>stayed in the dorm Rory's thing right, correct, stay in

0:55:27.800 --> 0:55:30.960
<v Speaker 1>the real dorm. Yes, the real That's a nice little

0:55:31.000 --> 0:55:32.000
<v Speaker 1>piece of trivia. Yeah.

0:55:32.360 --> 0:55:32.960
<v Speaker 3>Yeah.

0:55:33.480 --> 0:55:37.399
<v Speaker 1>Anyway, Uh, keep raising them babies up. Thank you all

0:55:37.480 --> 0:55:38.680
<v Speaker 1>the best, great scene.

0:55:38.760 --> 0:55:40.080
<v Speaker 3>Yeah, thanks for having me.

0:55:40.360 --> 0:55:43.200
<v Speaker 1>You got it. We'll talk soon, all right, jen as

0:55:43.400 --> 0:55:46.040
<v Speaker 1>what everybody and that's going to do it, folks for

0:55:46.280 --> 0:55:49.120
<v Speaker 1>I am all in again with me, your host Scott Potterson,

0:55:49.200 --> 0:55:52.799
<v Speaker 1>and remember, best fans on the planet and where you lead,

0:55:53.400 --> 0:56:04.920
<v Speaker 1>we will follow. Stay safe everyone.

0:56:00.560 --> 0:56:04.760
<v Speaker 7>Dot dot.

0:56:24.880 --> 0:56:28.720
<v Speaker 1>Everybody we'll forget. Follow us on Instagram at I Am

0:56:28.760 --> 0:56:33.680
<v Speaker 1>all In Podcast and email us at Gilmore at iHeartRadio

0:56:34.040 --> 0:56:54.480
<v Speaker 1>dot com.