1
00:00:00,720 --> 00:00:12,200
Speaker 1: I am all in again. Oh that's you.

2
00:00:17,280 --> 00:00:21,640
Speaker 2: I am all in again with Scott Patterson and iHeartRadio

3
00:00:21,720 --> 00:00:22,960
Speaker 2: podcast Everybody.

4
00:00:22,960 --> 00:00:25,079
Speaker 1: Scott Patterson, I am all in podcast, one of the

5
00:00:25,120 --> 00:00:29,800
Speaker 1: Love productions. I heart radio Media. iHeart podcasts. I am

6
00:00:29,840 --> 00:00:32,880
Speaker 1: all in again with me your host, Scott Patterson. I

7
00:00:32,920 --> 00:00:39,600
Speaker 1: am joined by the illustrious Jenna USh Qwitz. Hello, Oh Jenna,

8
00:00:39,680 --> 00:00:42,239
Speaker 1: it's been a long time, not really why I saw

9
00:00:42,240 --> 00:00:43,080
Speaker 1: you in Vegas.

10
00:00:43,360 --> 00:00:46,519
Speaker 3: Yeah, but that was like I think twenty two.

11
00:00:46,960 --> 00:00:49,760
Speaker 1: Yeah, I saw you in Vegas at the big concert right.

12
00:00:50,159 --> 00:00:52,920
Speaker 1: I heard Radio Music Festival. We did a movie together.

13
00:00:52,960 --> 00:00:56,640
Speaker 1: We'll get into that later. But it's great to see you.

14
00:00:56,680 --> 00:00:57,600
Speaker 1: Thanks for coming on.

15
00:00:58,200 --> 00:01:00,560
Speaker 3: Good to see you. I'm so happy to be here,

16
00:01:00,720 --> 00:01:01,480
Speaker 3: very excited.

17
00:01:01,680 --> 00:01:04,280
Speaker 1: It's it's uh and you know Jackie are one of

18
00:01:04,319 --> 00:01:07,280
Speaker 1: our producers and she produced your podcast at one point.

19
00:01:07,480 --> 00:01:10,319
Speaker 4: That's right. It's like full circle. There's a lot of like,

20
00:01:10,600 --> 00:01:12,840
Speaker 4: uh close, the circle is.

21
00:01:12,800 --> 00:01:15,240
Speaker 1: Small here, it really really is. I'm gonna do. I'm

22
00:01:15,240 --> 00:01:18,200
Speaker 1: gonna I'm gonna let everybody know who's been living under

23
00:01:18,200 --> 00:01:22,199
Speaker 1: a rock. Who you are? Okay, the very talented Jenna.

24
00:01:22,880 --> 00:01:25,520
Speaker 1: You know not only is Gilmore Girls super fan, but

25
00:01:25,560 --> 00:01:28,960
Speaker 1: also as teeny Cohen Chang from Glee, a two time

26
00:01:29,120 --> 00:01:33,200
Speaker 1: Tony Award winning producer, Broadway star, former co worker of mine,

27
00:01:33,240 --> 00:01:34,600
Speaker 1: I said, we're going to get into that a little bit.

28
00:01:34,680 --> 00:01:38,279
Speaker 1: Jenna's worked on Acclaim productions like Once on This Island,

29
00:01:38,319 --> 00:01:42,920
Speaker 1: The Inheritance, and Waitress. She also co hosts a hit

30
00:01:43,000 --> 00:01:47,120
Speaker 1: iHeart podcast called and That's What You Really Miss with

31
00:01:47,200 --> 00:01:52,040
Speaker 1: Kevin McHale and where They Live Relive all Things Glee.

32
00:01:52,160 --> 00:01:54,280
Speaker 1: We're excited to have her here at Jenna, Welcome to

33
00:01:54,320 --> 00:01:58,200
Speaker 1: the show. Not bad, right, I didn't write it.

34
00:01:58,800 --> 00:01:59,200
Speaker 3: Take it?

35
00:02:00,040 --> 00:02:04,640
Speaker 1: Take it? Yeah. Man, how you doing. You've got two kids?

36
00:02:05,200 --> 00:02:07,440
Speaker 3: Yeah, well I'm in the thick of it right now.

37
00:02:07,480 --> 00:02:08,960
Speaker 3: But I'm good. I'm good.

38
00:02:09,320 --> 00:02:12,840
Speaker 4: I'm I've got a three and a half month old,

39
00:02:12,919 --> 00:02:15,640
Speaker 4: so we are just out of that, you.

40
00:02:15,520 --> 00:02:17,480
Speaker 3: Know, the really really hard phase.

41
00:02:17,520 --> 00:02:20,919
Speaker 4: Although it wasn't that hard, but I'm with an almost

42
00:02:20,919 --> 00:02:23,280
Speaker 4: three year old, which is a really really hard phase.

43
00:02:23,720 --> 00:02:27,080
Speaker 1: It is, right, the ts in the thing and the

44
00:02:27,880 --> 00:02:31,040
Speaker 1: but but they get so cute at four and five

45
00:02:31,080 --> 00:02:31,600
Speaker 1: and six.

46
00:02:31,760 --> 00:02:32,160
Speaker 3: Love it.

47
00:02:32,320 --> 00:02:34,400
Speaker 4: I love it, even when it's hard. It's just like,

48
00:02:34,560 --> 00:02:35,760
Speaker 4: you know, she's so cute.

49
00:02:36,040 --> 00:02:36,600
Speaker 1: It's great.

50
00:02:36,919 --> 00:02:39,520
Speaker 4: Yeah, I'm happy to be here. You got me to

51
00:02:39,560 --> 00:02:42,639
Speaker 4: watch some more Gilmore Girls again. It's like an excuse

52
00:02:42,680 --> 00:02:45,040
Speaker 4: I have to work. I have to watch Gilmore Girls.

53
00:02:45,160 --> 00:02:49,120
Speaker 1: You know it's not bad. Season one, episode seventeen, the

54
00:02:49,200 --> 00:02:54,040
Speaker 1: third Laurela I, Oh my god, Rory's great grandmother offers

55
00:02:54,080 --> 00:02:57,720
Speaker 1: Laurela a trust fund for Rory's education, causing Emily to

56
00:02:57,760 --> 00:03:01,120
Speaker 1: fear losing her new found relationship with them. Cattleman directed

57
00:03:01,160 --> 00:03:01,720
Speaker 1: Amy Sherman.

58
00:03:01,760 --> 00:03:05,200
Speaker 3: Palladino wrote it, sadly, you're not in this one.

59
00:03:05,800 --> 00:03:06,639
Speaker 1: I'm not in it?

60
00:03:06,760 --> 00:03:07,000
Speaker 5: Right?

61
00:03:07,720 --> 00:03:09,600
Speaker 3: How many episodes were you not in?

62
00:03:09,800 --> 00:03:10,919
Speaker 1: This is the only one?

63
00:03:11,200 --> 00:03:11,840
Speaker 3: Shut up?

64
00:03:12,120 --> 00:03:15,720
Speaker 1: This is the one. Yes, yes, I was one hundred

65
00:03:15,720 --> 00:03:17,600
Speaker 1: and fifty three. I thought I was in all of them.

66
00:03:17,840 --> 00:03:20,120
Speaker 1: That I realized after watching this, I'm not in this.

67
00:03:21,120 --> 00:03:22,400
Speaker 3: That's so funny.

68
00:03:22,520 --> 00:03:25,160
Speaker 1: You don't even feel my presence in it at all.

69
00:03:25,560 --> 00:03:27,480
Speaker 1: There's no coffee, there's no diner.

70
00:03:27,560 --> 00:03:29,839
Speaker 3: They don't go. They don't go there at all. Yeah,

71
00:03:30,720 --> 00:03:31,359
Speaker 3: their coffee.

72
00:03:31,680 --> 00:03:34,480
Speaker 4: I did watch the previous episode though, which you were in,

73
00:03:34,760 --> 00:03:36,200
Speaker 4: so I didn't watch that one.

74
00:03:36,640 --> 00:03:37,680
Speaker 1: Was that a good That was a good one? In

75
00:03:37,680 --> 00:03:38,040
Speaker 1: my shirt?

76
00:03:38,160 --> 00:03:39,640
Speaker 3: Drakout A part two? Yeah?

77
00:03:39,800 --> 00:03:44,320
Speaker 4: You had gotten back with uh? Was it Rachel, right, Rachel. Yeah,

78
00:03:44,360 --> 00:03:48,200
Speaker 4: and you were around helping uh Rory who has gotten

79
00:03:48,200 --> 00:03:50,880
Speaker 4: broken up with Yeah, yes.

80
00:03:51,080 --> 00:03:53,000
Speaker 1: Oh, let's try to get into a fight with Dean.

81
00:03:53,400 --> 00:03:55,840
Speaker 3: Yeah. Very funny, very good. This is a good comedy.

82
00:03:56,000 --> 00:03:58,560
Speaker 1: Very good stuff. Good stuff, good stuff. All right, So

83
00:03:58,640 --> 00:04:02,240
Speaker 1: this one we got tricks, right, we got we got

84
00:04:02,320 --> 00:04:07,119
Speaker 1: Richard's mom coming in from London to you know, distribute

85
00:04:07,240 --> 00:04:11,000
Speaker 1: funds to people or whatever she's doing there, because she

86
00:04:11,040 --> 00:04:13,880
Speaker 1: never comes to the USA, they always go visit her.

87
00:04:14,360 --> 00:04:16,160
Speaker 1: What are you doing with this epithet?

88
00:04:17,200 --> 00:04:19,800
Speaker 4: I mean, Tricks versus Marion Ross is like such a

89
00:04:20,520 --> 00:04:24,520
Speaker 4: meeting genius. Everybody is so good. I haven't watched the

90
00:04:24,600 --> 00:04:28,280
Speaker 4: show in quite a bit of time, so to go back,

91
00:04:28,800 --> 00:04:31,119
Speaker 4: I was so glad you were like so early back

92
00:04:31,160 --> 00:04:35,400
Speaker 4: in the process of season one again, because it's so fresh,

93
00:04:36,080 --> 00:04:40,359
Speaker 4: and it's so easy to fall back into the world

94
00:04:40,480 --> 00:04:44,000
Speaker 4: with everybody so quickly, like to click in, because it's

95
00:04:44,040 --> 00:04:47,720
Speaker 4: so funny, so witty. The characters are all just so

96
00:04:48,440 --> 00:04:50,560
Speaker 4: well developed so early on.

97
00:04:50,760 --> 00:04:53,760
Speaker 3: You know who everybody is, what their job is like.

98
00:04:54,360 --> 00:04:58,679
Speaker 4: The writing, it's like it's heartfelt, it's there's comedy, there's

99
00:04:59,080 --> 00:05:02,440
Speaker 4: you know, pop culture references like it's Amy Sherman at

100
00:05:02,480 --> 00:05:06,080
Speaker 4: her best, and I just I was like, do I

101
00:05:06,120 --> 00:05:08,760
Speaker 4: need to rewatch this whole thing again with you guys

102
00:05:08,880 --> 00:05:10,880
Speaker 4: because it's so so good.

103
00:05:10,960 --> 00:05:11,600
Speaker 3: I loved it.

104
00:05:11,600 --> 00:05:14,839
Speaker 1: It's great, right, Yeah, it really is, Like, especially this

105
00:05:14,920 --> 00:05:17,479
Speaker 1: first season, you can see this sort of the growth

106
00:05:18,279 --> 00:05:21,200
Speaker 1: of the and it's just like it doesn't take them

107
00:05:21,200 --> 00:05:23,680
Speaker 1: long to really start nail on every episode. I mean

108
00:05:23,839 --> 00:05:26,520
Speaker 1: you're like you're like one or two episodes in and

109
00:05:26,600 --> 00:05:27,080
Speaker 1: then all of a.

110
00:05:27,120 --> 00:05:30,479
Speaker 4: Sudden, it just you know, when did it hit like

111
00:05:30,800 --> 00:05:34,440
Speaker 4: two thousand and like, did it hit like very early

112
00:05:34,480 --> 00:05:37,479
Speaker 4: like pilot first episodes? Did it like take off? Or

113
00:05:37,480 --> 00:05:40,279
Speaker 4: did it was it a slower burn because like for Glee,

114
00:05:40,320 --> 00:05:43,080
Speaker 4: like we it took a few episodes for us to

115
00:05:43,240 --> 00:05:45,560
Speaker 4: really kind of like get our viewership up and like

116
00:05:45,600 --> 00:05:47,120
Speaker 4: for it to really kind of hit.

117
00:05:49,320 --> 00:05:51,240
Speaker 3: Do you remember, Yeah.

118
00:05:51,120 --> 00:05:53,520
Speaker 1: I mean I know the reviews were like all gushy

119
00:05:54,200 --> 00:05:56,839
Speaker 1: and Variety and Hollywood reporters, so we were like, oh, wow,

120
00:05:57,400 --> 00:06:01,680
Speaker 1: oh good, great. But yeah, I think first c W,

121
00:06:02,080 --> 00:06:04,320
Speaker 1: I think the numbers were really strong initially in the

122
00:06:04,320 --> 00:06:05,760
Speaker 1: first couple of years.

123
00:06:05,880 --> 00:06:11,520
Speaker 6: Totally, but we kind of peaked what season four or five, wow,

124
00:06:11,720 --> 00:06:13,800
Speaker 6: and then we got up that we got way up

125
00:06:13,839 --> 00:06:15,960
Speaker 6: there for CW numbers, you know.

126
00:06:17,960 --> 00:06:22,200
Speaker 1: Yeah, but it was yeah, but it was consistently good

127
00:06:22,680 --> 00:06:26,800
Speaker 1: throughout and then yeah, you know, I just I don't know.

128
00:06:27,640 --> 00:06:30,640
Speaker 4: Do you feel like, do you feel like your character

129
00:06:30,839 --> 00:06:34,320
Speaker 4: is like consistent throughout and the arc? Like, were you

130
00:06:34,360 --> 00:06:36,520
Speaker 4: happy with your storylines along the way?

131
00:06:38,040 --> 00:06:43,840
Speaker 1: I was, Yeah, I I really still feel I mean

132
00:06:44,080 --> 00:06:46,800
Speaker 1: and at the time, I felt very lucky to fill

133
00:06:46,880 --> 00:06:49,839
Speaker 1: those shoes because you know, it's all in in what

134
00:06:49,920 --> 00:06:53,320
Speaker 1: the writing, right, So so I just think I get

135
00:06:53,360 --> 00:06:56,880
Speaker 1: to be in this situation today. Yeah, I get to

136
00:06:56,960 --> 00:07:01,960
Speaker 1: be portrayed this way. This character is is totally I

137
00:07:02,000 --> 00:07:07,080
Speaker 1: mean such as such an honorable dude, and and you know,

138
00:07:07,240 --> 00:07:09,080
Speaker 1: I got to do that, and I was like, wow,

139
00:07:09,160 --> 00:07:11,560
Speaker 1: this is really great. They're really setting me up to be,

140
00:07:13,120 --> 00:07:15,320
Speaker 1: you know, well thought of as a character, and I

141
00:07:15,360 --> 00:07:18,640
Speaker 1: really appreciate that. Yeah yeah, I mean, what a what

142
00:07:18,720 --> 00:07:24,440
Speaker 1: a selfless guy? Just so you know, it's cool. Yeah,

143
00:07:24,440 --> 00:07:27,360
Speaker 1: it is, it really, it really truly is. And and

144
00:07:27,480 --> 00:07:32,440
Speaker 1: I'm forever indebted to Amy but for forgiving me this,

145
00:07:32,520 --> 00:07:36,640
Speaker 1: you know, because she she was the ultimate decision maker, right,

146
00:07:36,680 --> 00:07:40,080
Speaker 1: I mean, she fought for every one of us. Wow, yeah,

147
00:07:40,120 --> 00:07:43,320
Speaker 1: because I mean at that time, right two thousand, movie

148
00:07:43,320 --> 00:07:47,000
Speaker 1: stars were starting to spill over into TV totally, and

149
00:07:47,160 --> 00:07:49,200
Speaker 1: you know, Warner Brothers wanted.

150
00:07:48,960 --> 00:07:50,160
Speaker 3: Names, stars, stars, stars.

151
00:07:50,480 --> 00:07:52,480
Speaker 1: Yeah, like and in every role they read the script,

152
00:07:52,560 --> 00:07:54,680
Speaker 1: they're no, there, there are no dummies over there. They

153
00:07:54,720 --> 00:07:57,320
Speaker 1: saw the quality of stuff. They probably thought they go

154
00:07:57,440 --> 00:08:01,239
Speaker 1: to CIA and just package the help. Yeah, totally stack

155
00:08:01,320 --> 00:08:04,360
Speaker 1: it with stars, let's get in. She fought for every

156
00:08:04,400 --> 00:08:07,000
Speaker 1: one of us. She's like, no, I'm not doing that.

157
00:08:07,520 --> 00:08:10,760
Speaker 1: I'm getting the people that I envision and who was perfect,

158
00:08:10,880 --> 00:08:13,640
Speaker 1: perfect fit for these roles the way I see it,

159
00:08:14,160 --> 00:08:14,960
Speaker 1: that's wonderful.

160
00:08:15,080 --> 00:08:17,200
Speaker 4: I mean, her vision is so clear in her writing

161
00:08:17,320 --> 00:08:22,120
Speaker 4: and her her creation, and like, I'm so glad they did.

162
00:08:22,720 --> 00:08:27,000
Speaker 4: She pushed for that because it feels like this small

163
00:08:27,040 --> 00:08:31,080
Speaker 4: town that is being built and created, Like if you

164
00:08:31,280 --> 00:08:34,680
Speaker 4: throw all those stars in there, it's like too familiar

165
00:08:34,720 --> 00:08:37,440
Speaker 4: in a way and it's not so small town and

166
00:08:37,480 --> 00:08:40,719
Speaker 4: there's you lose that charm and the quaintness of.

167
00:08:40,679 --> 00:08:43,480
Speaker 1: It all right, they bring that bagaggage that you can't.

168
00:08:43,320 --> 00:08:45,880
Speaker 3: Get away from totally totally.

169
00:08:45,520 --> 00:08:49,120
Speaker 1: It's like an independent film. Yeah, well of unknowns and

170
00:08:49,120 --> 00:08:51,360
Speaker 1: it's like, wow, that's a really great film. Who are

171
00:08:51,400 --> 00:08:51,960
Speaker 1: these actors?

172
00:08:52,000 --> 00:08:56,640
Speaker 4: Yeah, exactly, exactly, Like you're discovering everything altogether.

173
00:08:56,920 --> 00:08:59,560
Speaker 1: You know that it's so good. We got so we got

174
00:08:59,600 --> 00:09:00,120
Speaker 1: so luck.

175
00:09:01,320 --> 00:09:03,480
Speaker 3: So lucky, what a great cast.

176
00:09:03,720 --> 00:09:08,240
Speaker 4: Everybody is so so talented, And like I'm curious to

177
00:09:08,280 --> 00:09:11,040
Speaker 4: hear about your experience with like her writing, like it's

178
00:09:11,120 --> 00:09:14,559
Speaker 4: so beautiful. Like Ryan Murphy's stuff too, like falls off

179
00:09:14,600 --> 00:09:17,240
Speaker 4: the tongue. It seems very intricate and difficult, but it

180
00:09:17,320 --> 00:09:19,120
Speaker 4: falls off the tongue. You don't have to do a

181
00:09:19,120 --> 00:09:21,960
Speaker 4: lot with it. It just kind of you just go and

182
00:09:22,000 --> 00:09:25,120
Speaker 4: it does the work for itself. It speaks for itself.

183
00:09:25,520 --> 00:09:27,720
Speaker 4: Do you feel like that with Amy's stuff?

184
00:09:27,840 --> 00:09:31,760
Speaker 1: That's exactly what it is. It's and I always compared

185
00:09:31,800 --> 00:09:34,800
Speaker 1: it to Shakespeare because that's what Shakespeare does. You just

186
00:09:34,920 --> 00:09:38,200
Speaker 1: learn your stuff and that dialogue will take you where

187
00:09:38,240 --> 00:09:41,840
Speaker 1: you need to go. Emotionally easy to remember because there's

188
00:09:42,000 --> 00:09:46,000
Speaker 1: like a real emotional logic to it. And with Amy's work,

189
00:09:46,200 --> 00:09:48,719
Speaker 1: all you have to do really, I mean, it's a

190
00:09:48,800 --> 00:09:52,240
Speaker 1: very simple formula. You get to work. You know, George

191
00:09:52,240 --> 00:09:54,920
Speaker 1: comes to your trailer, your run lines, until your bulletproof

192
00:09:55,120 --> 00:09:58,160
Speaker 1: if you haven't already done it at home, which a

193
00:09:58,160 --> 00:09:59,640
Speaker 1: lot of times you don't have time to do it,

194
00:09:59,679 --> 00:10:02,160
Speaker 1: becau just have time to eat, shower, go to bed

195
00:10:02,720 --> 00:10:05,120
Speaker 1: and wake it right. Yeah. So then you get there

196
00:10:05,160 --> 00:10:08,000
Speaker 1: and you do a you know, a fifteen to twenty

197
00:10:08,040 --> 00:10:12,319
Speaker 1: minute run with George and you got your stuff. Wow,

198
00:10:12,400 --> 00:10:14,400
Speaker 1: and then you just go in and do it and

199
00:10:14,600 --> 00:10:17,320
Speaker 1: you know the blocking is that's the fun part, right.

200
00:10:17,400 --> 00:10:21,040
Speaker 1: I love the rehearsal process. Sure, but yeah, man, that

201
00:10:21,240 --> 00:10:25,080
Speaker 1: those words. They never let you down. They never let

202
00:10:25,120 --> 00:10:25,559
Speaker 1: you down.

203
00:10:25,880 --> 00:10:29,040
Speaker 4: Oh god, you're right. They have lift you. They're so

204
00:10:29,280 --> 00:10:33,080
Speaker 4: good and it's so the pace is so good. Everybody

205
00:10:33,200 --> 00:10:36,640
Speaker 4: like clicks in so well, and like it's such a

206
00:10:36,679 --> 00:10:39,920
Speaker 4: familiar pace like that you when you turn on the show,

207
00:10:40,040 --> 00:10:41,199
Speaker 4: you know where you're going.

208
00:10:41,280 --> 00:10:42,360
Speaker 3: You're just like on the ride.

209
00:10:42,640 --> 00:10:46,040
Speaker 1: Yeah. I don't know how Lauren did it. That was

210
00:10:46,400 --> 00:10:49,360
Speaker 1: the heaviest lift of all heavy lifts. I mean, I'm

211
00:10:49,400 --> 00:10:53,240
Speaker 1: sure there have been, you know, rolls prior don't I

212
00:10:53,240 --> 00:10:55,320
Speaker 1: don't know what they are, but I don't know that

213
00:10:55,440 --> 00:11:00,720
Speaker 1: anybody had. You know, there's massive chunks of dialogue, okay

214
00:11:00,960 --> 00:11:03,240
Speaker 1: in every scene at that pig.

215
00:11:04,360 --> 00:11:06,719
Speaker 3: It's unbelievable, it is.

216
00:11:07,559 --> 00:11:09,240
Speaker 4: I'm sure it made all of her jobs after that,

217
00:11:09,360 --> 00:11:15,600
Speaker 4: very right, confusing, right, although she did have you know

218
00:11:15,720 --> 00:11:18,000
Speaker 4: enough other things, like she brought that piece with her

219
00:11:18,000 --> 00:11:20,080
Speaker 4: a little bit. So I love it, like I'm a

220
00:11:20,080 --> 00:11:22,080
Speaker 4: fan of hers. I love watching her work because like

221
00:11:22,320 --> 00:11:26,840
Speaker 4: she's so good at that thing. But yeah, man, oh man,

222
00:11:27,000 --> 00:11:29,960
Speaker 4: that is just like a mental load to carry.

223
00:11:30,120 --> 00:11:33,280
Speaker 3: The two of them too. They really just like ping

224
00:11:33,559 --> 00:11:34,800
Speaker 3: pong balls. It's crazy.

225
00:11:34,920 --> 00:11:39,000
Speaker 1: Weren't they just perfect? Wasn't alexis just perfect for that role?

226
00:11:39,559 --> 00:11:43,320
Speaker 4: She is unreal, Like she wears her heart on her sleeve.

227
00:11:43,840 --> 00:11:47,200
Speaker 4: She's everything you want to see from a sixteen year

228
00:11:47,200 --> 00:11:50,680
Speaker 4: old going through this with her best friend and her mom.

229
00:11:51,040 --> 00:11:54,280
Speaker 3: And it's so nuanced, it's so dynamic.

230
00:11:54,640 --> 00:11:58,800
Speaker 4: It's like, I, I you just clean.

231
00:12:00,200 --> 00:12:03,440
Speaker 3: She's like magnetic. I just clicking with her. I'm like, yes,

232
00:12:03,520 --> 00:12:04,960
Speaker 3: I believe everything you're saying.

233
00:12:05,040 --> 00:12:09,760
Speaker 4: It's fluid, it's open, it's vulnerable, like perfect, perfect casting.

234
00:12:09,840 --> 00:12:11,719
Speaker 4: You couldn't have done better with the two of them.

235
00:12:12,559 --> 00:12:15,960
Speaker 1: Vulnerable. The vulnerability is also charts with her magic. You

236
00:12:16,040 --> 00:12:17,520
Speaker 1: just want to You just want to put her in

237
00:12:17,600 --> 00:12:19,000
Speaker 1: your pocket and take care of me.

238
00:12:19,640 --> 00:12:22,079
Speaker 4: Like if you burst into tears, it'd be okay next

239
00:12:22,080 --> 00:12:25,320
Speaker 4: to her, Like you know, like I just I feel

240
00:12:25,360 --> 00:12:27,120
Speaker 4: so safe with her and with them.

241
00:12:27,280 --> 00:12:29,280
Speaker 3: I love it.

242
00:12:29,280 --> 00:12:33,439
Speaker 1: It's so great, all right. So we're gonna start off

243
00:12:33,440 --> 00:12:39,520
Speaker 1: at a Friday night dinner. So you know, Richard, Richard

244
00:12:39,559 --> 00:12:41,800
Speaker 1: really fills the space, doesn't He comes in and he

245
00:12:42,480 --> 00:12:45,280
Speaker 1: really commands to space. So Emily's in a tizzy about

246
00:12:45,320 --> 00:12:47,160
Speaker 1: Richard's mom come to town. Rory wants to know more

247
00:12:47,200 --> 00:12:51,600
Speaker 1: about her great grandmother, and we learned that. We learned

248
00:12:51,640 --> 00:12:54,960
Speaker 1: that Richard's father is dead obviously, I mean, you know

249
00:12:55,080 --> 00:12:58,120
Speaker 1: he is. What do you think Richard is in the sixties.

250
00:12:58,160 --> 00:13:00,800
Speaker 1: He's in the sixties, yeah, at least so, I mean,

251
00:13:00,840 --> 00:13:03,000
Speaker 1: if he had a if his father was very young

252
00:13:03,040 --> 00:13:04,840
Speaker 1: when he had him, he could still be alive. But

253
00:13:04,880 --> 00:13:10,280
Speaker 1: we just assumed that he was all right. Uh So,

254
00:13:10,480 --> 00:13:14,559
Speaker 1: Tricksy's coming to town. Emily is not happy about it.

255
00:13:14,880 --> 00:13:17,640
Speaker 1: They go down into the storege they go into the basement.

256
00:13:18,679 --> 00:13:22,840
Speaker 1: Lorl I goes down in basement and finds Emily hysterical.

257
00:13:22,880 --> 00:13:25,320
Speaker 1: We don't We've never seen her this way.

258
00:13:26,320 --> 00:13:29,199
Speaker 3: Kelly Bishop is excellent.

259
00:13:29,160 --> 00:13:31,760
Speaker 1: Yeah, all right, a master.

260
00:13:32,559 --> 00:13:34,880
Speaker 4: To watch her unhinged like that too, is so fun.

261
00:13:35,280 --> 00:13:37,960
Speaker 4: It must have been very fun for her to play

262
00:13:38,000 --> 00:13:41,040
Speaker 4: the opposite of the way that she normally the snarky

263
00:13:41,200 --> 00:13:47,000
Speaker 4: kind of you know, ma tough, strict like elite mom,

264
00:13:47,200 --> 00:13:49,880
Speaker 4: you know, well spoken, and then all of a sudden

265
00:13:49,880 --> 00:13:50,960
Speaker 4: she's just coming undone.

266
00:13:51,000 --> 00:13:52,520
Speaker 3: It was really fun to watch her do that.

267
00:13:52,920 --> 00:13:55,760
Speaker 1: You know. Kelly was always so god, what's there's so

268
00:13:55,800 --> 00:14:02,040
Speaker 1: many words. Elegant, Uh, she never seen stressed. Yes, she

269
00:14:02,120 --> 00:14:04,360
Speaker 1: would just sort of walk on set and with a

270
00:14:04,520 --> 00:14:08,800
Speaker 1: smile and you know, talk to everybody and let's go

271
00:14:08,880 --> 00:14:12,040
Speaker 1: do the scene. And then she'd shift gears right before

272
00:14:12,080 --> 00:14:14,800
Speaker 1: your eyes and bob ohm, there was Emily. And then

273
00:14:14,840 --> 00:14:17,000
Speaker 1: when it was done, she would shift back to her

274
00:14:17,000 --> 00:14:22,640
Speaker 1: elegant self and chokes and stories and she was a delight.

275
00:14:22,840 --> 00:14:25,800
Speaker 1: She was just such a pro. She she really really

276
00:14:26,480 --> 00:14:31,760
Speaker 1: Lauren and and Kelly really established what that set was,

277
00:14:32,320 --> 00:14:38,120
Speaker 1: which is completely professional and the level of work obviously.

278
00:14:38,240 --> 00:14:41,520
Speaker 1: So yeah, it was it was. It was really exciting

279
00:14:41,560 --> 00:14:43,560
Speaker 1: to come to work every day because you knew you

280
00:14:43,640 --> 00:14:46,240
Speaker 1: were going to be with a players and nobody was

281
00:14:46,280 --> 00:14:47,120
Speaker 1: going to let you down.

282
00:14:47,720 --> 00:14:49,800
Speaker 3: Everybody like showed up prepared.

283
00:14:50,520 --> 00:14:52,320
Speaker 1: You have to, right, well, there was no way you

284
00:14:52,320 --> 00:14:52,880
Speaker 1: could survive.

285
00:14:53,200 --> 00:14:54,600
Speaker 3: No, you couldn't.

286
00:14:54,320 --> 00:14:57,640
Speaker 4: Get Oh yeah, the people that did that.

287
00:14:57,840 --> 00:15:03,720
Speaker 1: Boy, they had long days. It was bad for them. Yeah,

288
00:15:03,760 --> 00:15:06,600
Speaker 1: that's rough. And and you know, we had a co

289
00:15:06,800 --> 00:15:10,080
Speaker 1: star that came on once and wasn't prepared and and

290
00:15:10,160 --> 00:15:12,560
Speaker 1: she had a bunch of scenes to do, and I

291
00:15:12,720 --> 00:15:18,720
Speaker 1: just told her, I said, man, you know, I did

292
00:15:18,760 --> 00:15:22,080
Speaker 1: I feel for you, right, I know you had a situation.

293
00:15:22,200 --> 00:15:25,440
Speaker 1: I get it, but you're you're you're in the mouth

294
00:15:25,480 --> 00:15:27,320
Speaker 1: of the lion now and it's going to be a

295
00:15:27,320 --> 00:15:29,480
Speaker 1: long day. And it was.

296
00:15:31,080 --> 00:15:33,360
Speaker 3: For everybody, right, it was.

297
00:15:33,520 --> 00:15:37,560
Speaker 1: No, it was and great actress and all that. Don't

298
00:15:37,560 --> 00:15:40,880
Speaker 1: get me wrong, but it's like, wow, this show will

299
00:15:40,920 --> 00:15:43,760
Speaker 1: burn you down. And we had I remember we had

300
00:15:43,800 --> 00:15:48,560
Speaker 1: a guy, you know, with a Broadway resume up the wazoo, right,

301
00:15:48,680 --> 00:15:51,560
Speaker 1: he comes on and I think he thought he was

302
00:15:51,600 --> 00:15:56,600
Speaker 1: prepared and they say action and he just go you know,

303
00:15:56,640 --> 00:15:59,200
Speaker 1: he'd stare at me and he Oh my god, they

304
00:15:59,240 --> 00:16:01,760
Speaker 1: really wanted this. I don't know if I can do this.

305
00:16:02,360 --> 00:16:03,120
Speaker 5: Oh wow.

306
00:16:03,680 --> 00:16:07,720
Speaker 1: Yeah. People people indd interesting.

307
00:16:07,800 --> 00:16:10,160
Speaker 4: It is hard because on our show too, the pace

308
00:16:10,360 --> 00:16:12,360
Speaker 4: is really fast. And they used to say, if you

309
00:16:12,400 --> 00:16:15,920
Speaker 4: don't speak that fast, your stuff will get cut because

310
00:16:15,960 --> 00:16:18,040
Speaker 4: there's too much to put in.

311
00:16:18,400 --> 00:16:20,920
Speaker 3: So our thing was not the face of the writing.

312
00:16:20,960 --> 00:16:23,760
Speaker 3: I mean it was. But also we learned like if

313
00:16:23,760 --> 00:16:25,960
Speaker 3: you don't talk really fast, you're getting cut.

314
00:16:26,400 --> 00:16:30,040
Speaker 1: Oh that's just like right down to it. Man, Oh

315
00:16:30,080 --> 00:16:30,960
Speaker 1: my god.

316
00:16:31,120 --> 00:16:33,840
Speaker 4: Oh that's funny. But that it is true. There's there's

317
00:16:33,880 --> 00:16:36,840
Speaker 4: a certain skill and tone.

318
00:16:36,800 --> 00:16:42,480
Speaker 3: And uh way that you that your show was presented

319
00:16:42,520 --> 00:16:43,080
Speaker 3: and written.

320
00:16:43,120 --> 00:16:45,480
Speaker 4: And if you can't keep up, it's like the people

321
00:16:45,560 --> 00:16:48,120
Speaker 4: aren't on that on the sprint and you're in a

322
00:16:48,160 --> 00:16:52,360
Speaker 4: marathon and you're like, wait a second, but it seems

323
00:16:52,400 --> 00:16:55,680
Speaker 4: like everybody, all of your you know, your main people

324
00:16:55,920 --> 00:16:59,640
Speaker 4: just like show the f up all the time because

325
00:16:59,640 --> 00:17:00,440
Speaker 4: God deliver.

326
00:17:00,640 --> 00:17:01,360
Speaker 3: It's so good.

327
00:17:01,920 --> 00:17:05,760
Speaker 1: It's there's just no other way to survive. It's like

328
00:17:05,840 --> 00:17:10,159
Speaker 1: going into the Roman colisseum man, it's like I'm ready

329
00:17:10,160 --> 00:17:14,560
Speaker 1: to die. Let's go, you know, truly all right, So

330
00:17:14,720 --> 00:17:19,439
Speaker 1: now now we're at now we're at Chilton, hmm, and

331
00:17:19,480 --> 00:17:23,240
Speaker 1: we get to deal with uh, we get to deal

332
00:17:23,280 --> 00:17:31,080
Speaker 1: with Paris and all of her stuff. So there, you know, Tristan.

333
00:17:31,400 --> 00:17:37,240
Speaker 1: Tristan asked her out because Rory said, you know, she

334
00:17:37,520 --> 00:17:41,159
Speaker 1: likes you. What do you think you know? And you know,

335
00:17:41,240 --> 00:17:44,040
Speaker 1: he he, he doesn't have much of a thought process.

336
00:17:44,040 --> 00:17:54,520
Speaker 1: So he goes, okay, oh, Chad, so so they uh

337
00:17:55,280 --> 00:17:58,320
Speaker 1: so now we see we we knew what and and

338
00:17:58,440 --> 00:18:01,200
Speaker 1: Liza does a beautiful job. She comes back after her

339
00:18:01,280 --> 00:18:05,280
Speaker 1: little meeting in the hallway with Tristan and she's a

340
00:18:05,280 --> 00:18:08,880
Speaker 1: little little glowy so cute. Yeah he asked me out. Yeah,

341
00:18:09,040 --> 00:18:11,040
Speaker 1: she's just like like right in front of me. It's

342
00:18:11,119 --> 00:18:13,000
Speaker 1: just like on the other side of the room. It's yeah, yeah,

343
00:18:13,320 --> 00:18:14,480
Speaker 1: what do we do? What do you do? For?

344
00:18:14,560 --> 00:18:15,840
Speaker 3: How stiff of a character?

345
00:18:16,560 --> 00:18:20,280
Speaker 4: They they write Paris like for how stiff and kind

346
00:18:20,280 --> 00:18:25,400
Speaker 4: of written and you know, geeky and that that she's written.

347
00:18:25,960 --> 00:18:29,560
Speaker 4: Liza does such a beautiful job and making her so human,

348
00:18:30,560 --> 00:18:34,280
Speaker 4: Like I'm just I'm I love Paris. I love Paris

349
00:18:34,400 --> 00:18:37,720
Speaker 4: and Rory. I love seeing Paris' storyline here. It's so

350
00:18:37,880 --> 00:18:40,480
Speaker 4: nice to see lies I have like an a storyline

351
00:18:40,560 --> 00:18:43,919
Speaker 4: with you know, Tristan and going on her date and

352
00:18:43,960 --> 00:18:46,199
Speaker 4: not really knowing and being kind of out of a

353
00:18:46,240 --> 00:18:48,119
Speaker 4: fish out of water in her and her out of

354
00:18:48,119 --> 00:18:49,360
Speaker 4: her comfort zone.

355
00:18:49,200 --> 00:18:50,359
Speaker 3: Like I was.

356
00:18:51,359 --> 00:18:53,640
Speaker 4: I was just like so charmed by her when you're

357
00:18:53,640 --> 00:18:57,200
Speaker 4: not really supposed to be charmed by Paris, you know, right.

358
00:18:57,880 --> 00:19:00,119
Speaker 1: Yeah, they put her in a situation that rehabilitates her

359
00:19:00,119 --> 00:19:03,359
Speaker 1: pretty quickly. You know, it's like she's, Oh, this is

360
00:19:03,400 --> 00:19:07,520
Speaker 1: what she's missing. She's missing the familial love and the warmth,

361
00:19:07,840 --> 00:19:12,439
Speaker 1: and she's not getting that. She's extremely insecure, and you

362
00:19:12,560 --> 00:19:13,159
Speaker 1: just feel for.

363
00:19:13,600 --> 00:19:16,560
Speaker 3: You know, yeah, and helping her it's so cute.

364
00:19:16,720 --> 00:19:20,640
Speaker 1: Yeah. Yeah. And Rory being mature enough to know that

365
00:19:20,800 --> 00:19:22,880
Speaker 1: and rise above it and try to help her. That's

366
00:19:22,880 --> 00:19:24,560
Speaker 1: really nice. It's nice to see.

367
00:19:25,000 --> 00:19:29,040
Speaker 3: Did that costs up Blanca reference to Louie. I think

368
00:19:29,040 --> 00:19:30,680
Speaker 3: this is the beginning of beautiful.

369
00:19:32,280 --> 00:19:37,280
Speaker 1: So good? Okay, Amy, right, she just throws him down.

370
00:19:38,280 --> 00:19:38,960
Speaker 3: They don't stop.

371
00:19:39,200 --> 00:19:40,840
Speaker 1: So let me ask you this. Why do you think

372
00:19:41,320 --> 00:19:43,399
Speaker 1: they sat next to each other on the in the

373
00:19:43,400 --> 00:19:46,919
Speaker 1: first place, knowing what occurred at the party, Tristan and Rory.

374
00:19:47,359 --> 00:19:50,200
Speaker 4: I think Tristan sat next to Rory.

375
00:19:50,880 --> 00:19:53,040
Speaker 3: I think Tristan had to sit in himself next to.

376
00:19:53,040 --> 00:19:56,160
Speaker 1: Rory, and he's always liked her always.

377
00:19:56,320 --> 00:19:58,440
Speaker 3: It's very clear everybody likes Rory.

378
00:19:58,720 --> 00:20:01,520
Speaker 1: Yeah. Can I thank you something? A personal question? Would

379
00:20:01,520 --> 00:20:03,800
Speaker 1: you work on a school project over the weekend? Have you?

380
00:20:05,359 --> 00:20:07,639
Speaker 3: I mean, I don't remember working on a school project

381
00:20:07,680 --> 00:20:12,960
Speaker 3: over Louis I don't think maybe if.

382
00:20:12,800 --> 00:20:16,800
Speaker 4: I went to Chilton and the stakes where we're higher

383
00:20:16,960 --> 00:20:21,040
Speaker 4: and people were paying for my my you know, education,

384
00:20:21,320 --> 00:20:23,880
Speaker 4: then maybe, but I don't know, I don't think.

385
00:20:23,920 --> 00:20:28,880
Speaker 1: So, how do you think Paris? You know, Paris has

386
00:20:29,560 --> 00:20:32,680
Speaker 1: real radar. How do you think she immediately recognizes the

387
00:20:32,760 --> 00:20:35,320
Speaker 1: tension between Rory and Paris, you know, because they kissed

388
00:20:35,359 --> 00:20:37,119
Speaker 1: and then they saw each other the next you know.

389
00:20:37,240 --> 00:20:41,720
Speaker 3: No, you're right, that's a good question. She's like she

390
00:20:41,800 --> 00:20:44,280
Speaker 3: doesn't like miss anything. She's so smart.

391
00:20:44,359 --> 00:20:47,240
Speaker 4: She's just a little socially inept when it comes to

392
00:20:48,359 --> 00:20:52,000
Speaker 4: her peers, and if it doesn't include academia, you know,

393
00:20:53,359 --> 00:20:55,080
Speaker 4: but I don't think she misses anything.

394
00:20:55,240 --> 00:20:58,720
Speaker 1: She's like a social shark. She just senses everything right,

395
00:20:59,400 --> 00:21:01,880
Speaker 1: Like if there's in the water, she's gonna go right.

396
00:21:01,960 --> 00:21:03,320
Speaker 3: Yeah.

397
00:21:03,440 --> 00:21:05,840
Speaker 4: Eliza is so good with the looks too, Like it's

398
00:21:06,040 --> 00:21:08,600
Speaker 4: just she's you're like, oh my god, I can't get

399
00:21:08,640 --> 00:21:14,040
Speaker 4: anything by you. But and just and like so sharp

400
00:21:14,280 --> 00:21:17,600
Speaker 4: and like almost to the point where she doesn't have

401
00:21:17,840 --> 00:21:20,439
Speaker 4: she she has no filter. She can't stop herself when

402
00:21:20,480 --> 00:21:23,879
Speaker 4: she has to say something. You know, there's something about

403
00:21:23,880 --> 00:21:27,040
Speaker 4: it that's like, of course you need that to call

404
00:21:27,080 --> 00:21:28,520
Speaker 4: people out on their stuff.

405
00:21:29,520 --> 00:21:31,840
Speaker 3: I love her, I really, I really love her.

406
00:21:31,920 --> 00:21:35,840
Speaker 1: Yeah, she's just she's molded being inappropriate into an art form.

407
00:21:36,240 --> 00:21:38,040
Speaker 1: It's actually appealing somehow.

408
00:21:38,119 --> 00:21:39,040
Speaker 3: Yes, exactly.

409
00:21:40,800 --> 00:21:52,600
Speaker 1: Yeah, all right. Now we're at the Independence in Laurenlin

410
00:21:52,640 --> 00:21:55,480
Speaker 1: and Michelle are arguing at the front desk over a reservation,

411
00:21:56,600 --> 00:21:59,440
Speaker 1: and I gotta tell you that desktop mac is ancient

412
00:21:59,600 --> 00:22:00,000
Speaker 1: either way.

413
00:22:02,119 --> 00:22:03,719
Speaker 4: You know, there's not a lot of stuff that like

414
00:22:03,840 --> 00:22:08,240
Speaker 4: ages your Guys show is as much, but like sometimes

415
00:22:08,320 --> 00:22:09,200
Speaker 4: you think, I'm like.

416
00:22:09,200 --> 00:22:11,720
Speaker 1: Wow, there are a couple. There's a couple those a couple

417
00:22:11,760 --> 00:22:17,359
Speaker 1: of students where like, oh that didn't Emily calls Laurel

418
00:22:17,400 --> 00:22:20,840
Speaker 1: I at work and ask her for the hat rack back,

419
00:22:20,880 --> 00:22:25,879
Speaker 1: which is really funny. I gotta lug that thing. It's huge,

420
00:22:26,520 --> 00:22:28,359
Speaker 1: It's massive, and it looks really heavy. It looks like

421
00:22:28,359 --> 00:22:30,280
Speaker 1: it's all made of brass or something. I don't know.

422
00:22:30,720 --> 00:22:34,200
Speaker 1: So Emily's in a tissy uh Laura I and Michelle

423
00:22:34,240 --> 00:22:38,159
Speaker 1: have that great opening dialogue back and forth, and that

424
00:22:38,280 --> 00:22:40,720
Speaker 1: was just like a little aside before she gets into

425
00:22:40,800 --> 00:22:43,959
Speaker 1: the phone call. I mean, I mean, Amy really writes

426
00:22:44,000 --> 00:22:47,480
Speaker 1: you like almost a full meal between these two. Yes,

427
00:22:47,640 --> 00:22:51,280
Speaker 1: and it's just side stuff for entertainment purposes to get

428
00:22:51,320 --> 00:22:54,480
Speaker 1: us into the phone call. It's it's wild and that's

429
00:22:54,520 --> 00:22:56,320
Speaker 1: so good. And then it was like to have the

430
00:22:56,359 --> 00:22:59,280
Speaker 1: regift conversation Laurela. I can't get over the fact that

431
00:22:59,320 --> 00:23:03,680
Speaker 1: she received secondhand gift from her own mother. It's like, well,

432
00:23:04,000 --> 00:23:05,879
Speaker 1: I didn't open the box, so.

433
00:23:06,000 --> 00:23:10,440
Speaker 3: We didn't really use it, use it, honestly.

434
00:23:10,600 --> 00:23:13,000
Speaker 4: There are some things that I you just you have

435
00:23:13,040 --> 00:23:15,640
Speaker 4: to keep around and then you just have to pull

436
00:23:15,640 --> 00:23:17,760
Speaker 4: out when that person shows.

437
00:23:18,040 --> 00:23:19,440
Speaker 3: Oh really, I've been there.

438
00:23:20,359 --> 00:23:27,040
Speaker 1: Yeah, all right. Rory in trist in talk, she swears

439
00:23:27,160 --> 00:23:29,600
Speaker 1: to him that she didn't cry because of the kiss

440
00:23:29,640 --> 00:23:33,920
Speaker 1: and that it was quite nice. And then Tristan says

441
00:23:33,960 --> 00:23:36,440
Speaker 1: he's gonna swear off girls for a while, and they,

442
00:23:36,560 --> 00:23:38,480
Speaker 1: you know, they have a pretty good banter going back

443
00:23:38,520 --> 00:23:41,280
Speaker 1: and forth, and she said, like really, and she says, well,

444
00:23:41,320 --> 00:23:44,240
Speaker 1: maybe it's a certain type of girl you should swear off.

445
00:23:44,480 --> 00:23:48,960
Speaker 1: Do you think that Rory was trying to tell Tristan

446
00:23:49,119 --> 00:23:52,119
Speaker 1: that she was available in any way, shape or form,

447
00:23:52,480 --> 00:23:55,240
Speaker 1: because she's a high quality girl. She thinks of herself

448
00:23:55,280 --> 00:23:56,400
Speaker 1: as a high quality girl.

449
00:23:56,560 --> 00:23:58,800
Speaker 4: I think she was going to prepare us. Yeah, I

450
00:23:58,840 --> 00:24:00,800
Speaker 4: think she was trying to just get uh huh. And

451
00:24:01,440 --> 00:24:03,600
Speaker 4: I genuinely think it was out of the goodness of

452
00:24:03,640 --> 00:24:07,280
Speaker 4: her heart. I don't think she was trying to divert

453
00:24:07,520 --> 00:24:09,240
Speaker 4: nor do I think that she knew that Tristan had

454
00:24:09,240 --> 00:24:12,360
Speaker 4: feelings for her at that point. So I think, honestly,

455
00:24:12,440 --> 00:24:15,800
Speaker 4: she's just like the good thing about Rory is there's

456
00:24:15,880 --> 00:24:21,240
Speaker 4: this she's so so smart, but there is like an

457
00:24:21,280 --> 00:24:26,320
Speaker 4: innocence to her that she doesn't quite always know who's

458
00:24:26,359 --> 00:24:29,920
Speaker 4: onto her who's not. Like it's just like this very

459
00:24:29,960 --> 00:24:33,280
Speaker 4: like sweet green innocence that I think Loss does really well.

460
00:24:33,400 --> 00:24:33,760
Speaker 4: And so.

461
00:24:35,280 --> 00:24:39,360
Speaker 3: I think it was just a genuine gesture at this point.

462
00:24:39,520 --> 00:24:44,200
Speaker 1: All right, now we meet Tricks, all right, Laurrela is

463
00:24:44,200 --> 00:24:46,480
Speaker 1: pretty anxious to get to the dinner. Rory is shocked

464
00:24:46,680 --> 00:24:50,400
Speaker 1: at her behavior. Rory and Laurel shove that huge hat

465
00:24:50,480 --> 00:24:52,960
Speaker 1: rack in the car and bring it to dinner.

466
00:24:54,200 --> 00:24:55,439
Speaker 3: It's humongous.

467
00:24:56,160 --> 00:24:59,640
Speaker 1: Emily is very particular about the placement and the look

468
00:24:59,640 --> 00:25:04,040
Speaker 1: of the at rack once it gets inside. And then

469
00:25:04,080 --> 00:25:06,160
Speaker 1: we find out that Richard's pet name for his own

470
00:25:06,200 --> 00:25:12,240
Speaker 1: mother is Tricks. Emily calls Tricks mom, Laurel I calls

471
00:25:12,280 --> 00:25:16,560
Speaker 1: her grand Uh. Emily has put to work as Tricks

472
00:25:17,040 --> 00:25:20,679
Speaker 1: talks to Laurel I and Rory Trix keep sending her

473
00:25:20,720 --> 00:25:24,080
Speaker 1: off to get nuts or get is this is cheese?

474
00:25:24,160 --> 00:25:26,240
Speaker 1: You want me to eat this cheese? Is this is

475
00:25:26,240 --> 00:25:29,040
Speaker 1: what it is? You know? I mean, wow, what are

476
00:25:29,080 --> 00:25:29,400
Speaker 1: we doing?

477
00:25:29,440 --> 00:25:29,920
Speaker 3: Really great?

478
00:25:30,200 --> 00:25:36,280
Speaker 1: Marian, Yeah, so good. And you know we find out

479
00:25:36,320 --> 00:25:41,640
Speaker 1: the tricks. It's very direct. She admires Laureli's hard work.

480
00:25:41,760 --> 00:25:44,680
Speaker 1: She thinks hard work is aportman. All right, So here's

481
00:25:44,680 --> 00:25:48,520
Speaker 1: a question. Laura's anxiety about seeing her own mother. Does

482
00:25:48,560 --> 00:25:51,960
Speaker 1: this show her insecurities about living up to her mother's expectations?

483
00:25:52,520 --> 00:25:57,879
Speaker 1: M this scene, well, just overall Laurel I and her

484
00:25:57,920 --> 00:26:01,879
Speaker 1: own mom. Do you think Laura cares anymore about living

485
00:26:01,960 --> 00:26:03,480
Speaker 1: up to anybody's expectations?

486
00:26:03,560 --> 00:26:05,160
Speaker 3: I don't know. I don't think so.

487
00:26:05,560 --> 00:26:06,560
Speaker 1: I don't think so either.

488
00:26:07,280 --> 00:26:10,520
Speaker 4: I think she's just reveling in this, in this enjoyment

489
00:26:10,600 --> 00:26:16,640
Speaker 4: of of of Emily unhinged. Right now, She's finally like, ha,

490
00:26:17,040 --> 00:26:22,720
Speaker 4: the t tables have turned. I've got you. You're truly unhinged,

491
00:26:22,840 --> 00:26:26,000
Speaker 4: worried about like the location of a hat rack. She's

492
00:26:26,640 --> 00:26:30,240
Speaker 4: you know, bringing nuts and cheese and things, and it's

493
00:26:30,280 --> 00:26:33,800
Speaker 4: just so concerned and I think it's it's such an

494
00:26:33,880 --> 00:26:39,160
Speaker 4: insight into Laura Lai and Emily's relationship that she doesn't

495
00:26:39,240 --> 00:26:42,639
Speaker 4: quite ever see her in this in this light, and

496
00:26:42,720 --> 00:26:46,400
Speaker 4: so to see for Laura, I to see her this way,

497
00:26:47,000 --> 00:26:50,280
Speaker 4: and Rory having to be the adult and saying be

498
00:26:50,440 --> 00:26:51,040
Speaker 4: nice to her.

499
00:26:51,560 --> 00:26:55,080
Speaker 3: You know, are you enjoying this? Yes, she is right,

500
00:26:55,720 --> 00:26:57,280
Speaker 3: she is all right.

501
00:26:57,320 --> 00:27:02,639
Speaker 1: So Tricks is upset because Rory wants to go to Harvard,

502
00:27:02,920 --> 00:27:05,920
Speaker 1: and she says, well, Richard and his father were Yale

503
00:27:06,000 --> 00:27:13,119
Speaker 1: met And so that narrative is placed right there, smack

504
00:27:13,200 --> 00:27:17,480
Speaker 1: dab in the middle of the dinner table. Trix wonders

505
00:27:17,520 --> 00:27:21,080
Speaker 1: how the manager of an inn could pay for such

506
00:27:21,160 --> 00:27:25,320
Speaker 1: a luxury as Chiltern. And then now we find out,

507
00:27:25,840 --> 00:27:31,200
Speaker 1: Tricks finds out the whole arrangement Friday night dinners, and

508
00:27:31,880 --> 00:27:36,800
Speaker 1: her the wheels start turning in her head. So Trick's reaction,

509
00:27:36,920 --> 00:27:45,040
Speaker 1: how does this reflect uh general generational expectations or class divides? Yeah,

510
00:27:45,040 --> 00:27:50,760
Speaker 1: for sure, you know that it offers that up on

511
00:27:50,800 --> 00:27:55,840
Speaker 1: a platter. Weekend project. Rory brings the group donuts and coffee.

512
00:27:55,920 --> 00:28:00,440
Speaker 1: This is this is your weekend homework that pair has

513
00:28:00,480 --> 00:28:04,040
Speaker 1: insisted upon Tristan pulls Paris outside to talk to her. Right,

514
00:28:04,400 --> 00:28:09,879
Speaker 1: that's when she asked her out on the date. The

515
00:28:09,960 --> 00:28:12,800
Speaker 1: girls say he asked her out because someone else must

516
00:28:12,800 --> 00:28:15,160
Speaker 1: have bailed twenty four hours earlier.

517
00:28:17,000 --> 00:28:24,679
Speaker 4: That was nice of them, These girls, ma'am through it all.

518
00:28:25,800 --> 00:28:28,399
Speaker 1: Is it, Louise? It's just like lying down on the

519
00:28:28,560 --> 00:28:31,400
Speaker 1: two tables since like Saturday morning, what in the hell

520
00:28:31,400 --> 00:28:31,880
Speaker 1: are we doing?

521
00:28:33,880 --> 00:28:34,600
Speaker 3: Bring coffee?

522
00:28:34,880 --> 00:28:39,320
Speaker 1: Right, They're immediately questioning why Tristan would even ask her

523
00:28:39,320 --> 00:28:44,280
Speaker 1: out because they aren't each other's types. And then you know,

524
00:28:44,320 --> 00:28:46,920
Speaker 1: everybody starts giving Paris tips about the date, which is

525
00:28:47,080 --> 00:28:50,600
Speaker 1: which is nice? All right? So so Rory bringing the

526
00:28:50,760 --> 00:28:54,680
Speaker 1: coffee and donates. You know, it's kind of a nurturing thing.

527
00:28:54,840 --> 00:28:57,720
Speaker 1: She's she wants this to work. She's she wants you know,

528
00:28:58,600 --> 00:29:00,960
Speaker 1: she's the person that is going to bring the fuel.

529
00:29:01,520 --> 00:29:03,640
Speaker 4: That's the thing about Rory and Paris, I think is

530
00:29:03,800 --> 00:29:07,600
Speaker 4: like Paris can be could be written like unlikable.

531
00:29:07,680 --> 00:29:09,880
Speaker 3: There's a there's a she's having them show up on

532
00:29:09,920 --> 00:29:10,520
Speaker 3: a Saturday.

533
00:29:11,120 --> 00:29:14,280
Speaker 4: She's rigid, she's you know, there's a lot about her

534
00:29:14,320 --> 00:29:17,600
Speaker 4: that it could be hard to like write. But Rory

535
00:29:17,680 --> 00:29:21,560
Speaker 4: supporting Paris in this and helping her and having Tristan

536
00:29:21,600 --> 00:29:25,320
Speaker 4: ask her out. Like this relationship is being kind of fostered,

537
00:29:25,360 --> 00:29:26,680
Speaker 4: which is to be in their friendship.

538
00:29:26,840 --> 00:29:29,200
Speaker 3: It doesn't seem like Paris has a ton of friends.

539
00:29:29,440 --> 00:29:32,320
Speaker 4: So for Rory to you know, kind of reach out

540
00:29:32,440 --> 00:29:34,960
Speaker 4: and be there for her, I think is very sweet.

541
00:29:35,000 --> 00:29:37,840
Speaker 4: And we'll see later obviously too, where Paris doesn't know

542
00:29:37,920 --> 00:29:39,080
Speaker 4: really where to turn.

543
00:29:39,000 --> 00:29:42,800
Speaker 1: For She's going to make the weekend study hall thing

544
00:29:42,960 --> 00:29:45,400
Speaker 1: work with her coffee, don't She's going to set Paris

545
00:29:45,480 --> 00:29:47,000
Speaker 1: up on a date the whole I mean, being a

546
00:29:47,000 --> 00:29:50,240
Speaker 1: great friend, what a great wingman to have, right, That's right?

547
00:29:52,360 --> 00:29:56,960
Speaker 1: All right? Now, now we're we're in a Loreleizes house,

548
00:29:58,000 --> 00:30:02,880
Speaker 1: loyalized late for dinner, okay, because she's going She's going

549
00:30:03,400 --> 00:30:07,840
Speaker 1: to Friday night dinner and Rory is not. Is she

550
00:30:08,440 --> 00:30:11,400
Speaker 1: to study? She's got study. So Roy sits there and

551
00:30:11,440 --> 00:30:15,440
Speaker 1: eats chocolate cake in the kitchen and does her homework.

552
00:30:15,720 --> 00:30:18,760
Speaker 1: And Paris shows up at the Gilmore House because she's

553
00:30:18,800 --> 00:30:22,560
Speaker 1: insisting that she doesn't have much in the way of

554
00:30:22,680 --> 00:30:26,120
Speaker 1: wardrobe and she wants Rory to help pick her out

555
00:30:26,120 --> 00:30:31,240
Speaker 1: an outfit for her big date with with Tristan and

556
00:30:31,480 --> 00:30:33,640
Speaker 1: Rory just throws her in some alauralized stuff, which is

557
00:30:33,720 --> 00:30:34,240
Speaker 1: kind of funny.

558
00:30:34,880 --> 00:30:38,040
Speaker 4: That's just where this magically she looks great in it,

559
00:30:38,200 --> 00:30:39,280
Speaker 4: right right, it.

560
00:30:39,160 --> 00:30:40,040
Speaker 1: Fits her perfectly.

561
00:30:41,600 --> 00:30:45,240
Speaker 4: Paris walking through the door is so great, Like, you know,

562
00:30:45,320 --> 00:30:47,240
Speaker 4: you have the cute little top that I don't really

563
00:30:47,240 --> 00:30:49,200
Speaker 4: care about, but now I need the cute little top

564
00:30:49,200 --> 00:30:50,760
Speaker 4: and I need the lipstick with the color in it

565
00:30:50,840 --> 00:30:53,800
Speaker 4: versus just the tapstick, and like it's just it's really sweet,

566
00:30:53,800 --> 00:30:56,640
Speaker 4: it's really relatable. I think the thing about like Your

567
00:30:56,640 --> 00:30:59,560
Speaker 4: Guys show is like there's something for everybody. There's something

568
00:30:59,560 --> 00:31:02,240
Speaker 4: for the mom who has the kid, and then there's

569
00:31:02,240 --> 00:31:05,800
Speaker 4: something for the teens who are going through these real

570
00:31:05,840 --> 00:31:08,120
Speaker 4: experiences where they're going on their first date. They don't

571
00:31:08,160 --> 00:31:09,720
Speaker 4: know what to wear, they don't know how to act,

572
00:31:09,760 --> 00:31:11,040
Speaker 4: they don't know what to talk about.

573
00:31:11,360 --> 00:31:12,520
Speaker 3: So it's just really sweet.

574
00:31:12,560 --> 00:31:15,400
Speaker 4: And then for Paris and Rory to talk about Dean

575
00:31:15,560 --> 00:31:17,320
Speaker 4: and her kind of say I'm really sorry, do you

576
00:31:17,360 --> 00:31:17,840
Speaker 4: miss him?

577
00:31:17,880 --> 00:31:20,840
Speaker 3: And to see Rory have that vulnerable moment.

578
00:31:20,640 --> 00:31:23,120
Speaker 4: Where she's like, yeah, I miss him a lot, just

579
00:31:23,120 --> 00:31:24,360
Speaker 4: like plucks at your heartstrings.

580
00:31:24,360 --> 00:31:25,040
Speaker 3: It's so sweet.

581
00:31:25,080 --> 00:31:28,040
Speaker 1: Yeah yeah, And then the note cards pop out and

582
00:31:28,160 --> 00:31:31,920
Speaker 1: Rory sees, what are these in Paris? Well, there are

583
00:31:32,000 --> 00:31:34,720
Speaker 1: just some notes for the date in case we get

584
00:31:34,760 --> 00:31:37,239
Speaker 1: tongue tied and all that. She goes, what about you?

585
00:31:37,240 --> 00:31:39,040
Speaker 1: So you want to ask them about the Spanish inquisition?

586
00:31:39,160 --> 00:31:42,680
Speaker 1: She's not romantic, not really, no, so we don't want

587
00:31:42,720 --> 00:31:44,000
Speaker 1: to talk about that.

588
00:31:44,240 --> 00:31:45,720
Speaker 3: Next to the index cards.

589
00:31:48,000 --> 00:31:55,000
Speaker 1: So now we're at another dinner with Tricks. Okay, Tricks

590
00:31:55,040 --> 00:31:59,320
Speaker 1: brought Rabbit in dry Ice for dinner, all the way

591
00:31:59,360 --> 00:32:04,760
Speaker 1: from London, and then trist ask Laura I to walk

592
00:32:04,760 --> 00:32:07,280
Speaker 1: with her, asking her if she borrowed money from her

593
00:32:07,320 --> 00:32:12,480
Speaker 1: parents for Rory's school. That's when Tricks finds out and

594
00:32:12,560 --> 00:32:16,800
Speaker 1: Emily she doesn't mind loaning Laura I the money, and

595
00:32:16,880 --> 00:32:21,480
Speaker 1: Tricks just says, I do not care what you mind.

596
00:32:21,920 --> 00:32:24,520
Speaker 1: You know, it's just like just lowering the boom on

597
00:32:24,560 --> 00:32:29,440
Speaker 1: her every chance she gets totally. And then Tricks announces

598
00:32:29,480 --> 00:32:31,280
Speaker 1: that she has a trust fund set up for Rory

599
00:32:31,320 --> 00:32:34,120
Speaker 1: and is willing to give her access now to pay

600
00:32:34,120 --> 00:32:36,320
Speaker 1: so pay for Chiltern on her own. And of course

601
00:32:36,360 --> 00:32:40,760
Speaker 1: this is an immediate challenge to Emily's grip on these two,

602
00:32:42,600 --> 00:32:46,880
Speaker 1: and Uh acts accordingly. So Emily says Rory won't need

603
00:32:46,960 --> 00:32:54,200
Speaker 1: her anymore once she gets the money. Hmm, all right,

604
00:32:54,400 --> 00:32:57,040
Speaker 1: and then Laura I comes home too. Seriously, Well, this

605
00:32:57,200 --> 00:33:01,880
Speaker 1: is a this is a really big beat in this

606
00:33:01,880 --> 00:33:05,760
Speaker 1: this piece right here. Yeah, now we see why this

607
00:33:05,800 --> 00:33:11,600
Speaker 1: is an unexpected totally, this is an unexpected event in

608
00:33:11,640 --> 00:33:17,360
Speaker 1: Emily's life, and it just but I thought she showed

609
00:33:18,360 --> 00:33:21,520
Speaker 1: a real This is where we see Emily really vulnerable,

610
00:33:21,640 --> 00:33:24,840
Speaker 1: really terrified that she's going to lose her daughter again. Yes,

611
00:33:24,920 --> 00:33:29,400
Speaker 1: because as I don't know, as diabolical as Emily is

612
00:33:29,480 --> 00:33:32,280
Speaker 1: and seems right, I mean, she's doing it for a

613
00:33:32,280 --> 00:33:34,600
Speaker 1: reason because it's something she really needs. She just goes

614
00:33:34,640 --> 00:33:38,959
Speaker 1: about it in a questionable way, right, totally, And so

615
00:33:39,000 --> 00:33:42,000
Speaker 1: we see the real her real fear and that she's, God,

616
00:33:42,040 --> 00:33:44,440
Speaker 1: I'm going to lose my daughter again. And I know

617
00:33:44,520 --> 00:33:46,560
Speaker 1: this is a really messed up thing I did and

618
00:33:46,600 --> 00:33:48,640
Speaker 1: how I did it, But you know, at least they're

619
00:33:48,640 --> 00:33:52,320
Speaker 1: here once a week and I need that. She needs that. Yes,

620
00:33:52,520 --> 00:33:54,400
Speaker 1: So I start feeling for a little bit, I thought.

621
00:33:54,240 --> 00:33:59,400
Speaker 3: That was totally. Yeah, I think there's something it's important for.

622
00:33:59,360 --> 00:34:05,200
Speaker 4: Emily to see those moments where you're like, oh, I see,

623
00:34:05,840 --> 00:34:09,480
Speaker 4: and then for that to also then kind of trickle down.

624
00:34:10,160 --> 00:34:11,280
Speaker 3: She doesn't.

625
00:34:11,880 --> 00:34:14,920
Speaker 4: Now I don't agree with her projecting her own fears

626
00:34:15,239 --> 00:34:18,720
Speaker 4: of her and Laura I on Laura I with Rory,

627
00:34:19,760 --> 00:34:20,480
Speaker 4: which it does.

628
00:34:21,120 --> 00:34:22,879
Speaker 3: But I do think that.

629
00:34:22,880 --> 00:34:28,120
Speaker 4: It's important and it's relatable and it's real, like it's grounded,

630
00:34:29,480 --> 00:34:32,560
Speaker 4: because then she gets in her head about you know,

631
00:34:32,600 --> 00:34:34,760
Speaker 4: and Laura lies like, oh am, I gonna lose Rory

632
00:34:35,040 --> 00:34:36,560
Speaker 4: if money changes everything.

633
00:34:36,640 --> 00:34:38,920
Speaker 3: She has, freedom, she has all these things.

634
00:34:39,000 --> 00:34:41,160
Speaker 4: Is she just gonna leave? She's just gonna leave, you know.

635
00:34:41,800 --> 00:34:44,239
Speaker 4: So she definitely does. But then you have like the

636
00:34:44,320 --> 00:34:48,080
Speaker 4: wonderful sounding board of Suki, who's like, you know, she's like,

637
00:34:48,880 --> 00:34:52,239
Speaker 4: nothing's gonna change your guys' relationship. I mean, god, I

638
00:34:52,320 --> 00:34:57,480
Speaker 4: love Suki, and Melissa McCarthy is just obviously she's incredible.

639
00:34:59,200 --> 00:35:01,319
Speaker 4: But it's in a it's a nice sounding board for

640
00:35:01,400 --> 00:35:04,520
Speaker 4: Laurel I too, because she needs to hear that, because

641
00:35:04,560 --> 00:35:07,120
Speaker 4: she has the anxieties of Emily in her ear that

642
00:35:07,480 --> 00:35:09,440
Speaker 4: Rory's going to go travel the world and she's going

643
00:35:09,520 --> 00:35:11,719
Speaker 4: to move out sooner and they're gonna, you know, their

644
00:35:11,719 --> 00:35:14,080
Speaker 4: whole relationship is going to shift. So I thought that

645
00:35:14,200 --> 00:35:16,920
Speaker 4: was a really great, powerful storyline.

646
00:35:16,960 --> 00:35:21,520
Speaker 1: For sure. You know, something that life changing for for

647
00:35:21,719 --> 00:35:25,200
Speaker 1: Rory and for all of them. I should have been

648
00:35:25,239 --> 00:35:30,040
Speaker 1: discussed in private, right. It's like they did it right

649
00:35:30,040 --> 00:35:35,239
Speaker 1: in front of them, And it's like, why didn't Tricks

650
00:35:35,800 --> 00:35:40,319
Speaker 1: just talk to her son about it, right, And I'll

651
00:35:40,360 --> 00:35:42,239
Speaker 1: talk to Emily and I'll let it. You know, we'll

652
00:35:42,280 --> 00:35:43,879
Speaker 1: get back to you in this kind you know, that's

653
00:35:43,960 --> 00:35:45,759
Speaker 1: kind of how it works in real life. But she's

654
00:35:45,760 --> 00:35:48,279
Speaker 1: just like sort of like, you know, trumpeting it out

655
00:35:48,320 --> 00:35:53,279
Speaker 1: to the entire family right in the living room. It's like, whoa.

656
00:35:53,880 --> 00:35:57,320
Speaker 1: But it's interesting, you know, that's I guess that's Tricks.

657
00:35:57,360 --> 00:36:00,919
Speaker 1: That's her style exactly. Just vomited all out and get

658
00:36:00,920 --> 00:36:04,680
Speaker 1: what she wants right, you know, and watch everybody spinning around.

659
00:36:05,160 --> 00:36:07,800
Speaker 4: For I do think Lorlai is a good match for

660
00:36:07,880 --> 00:36:11,320
Speaker 4: Tricks though, mm hmm. She can hold her own with Tricks.

661
00:36:12,280 --> 00:36:15,439
Speaker 1: Yeah. I don't think there's anybody who who Laurla can't

662
00:36:15,440 --> 00:36:20,400
Speaker 1: hold her totally. She can't hold her correct correct anyway

663
00:36:20,440 --> 00:36:30,920
Speaker 1: that came out. She is formidable opponent for sure. So

664
00:36:31,080 --> 00:36:35,080
Speaker 1: we see, you know, Emily's hysterical. Now they're alone, Richard

665
00:36:35,120 --> 00:36:38,040
Speaker 1: and Emily alone, and she lets him know, you know,

666
00:36:38,160 --> 00:36:39,960
Speaker 1: all of her fears come out. That's that was a

667
00:36:40,080 --> 00:36:52,480
Speaker 1: very tender scene for me though. That was wonderful. All right, now, uh,

668
00:36:53,120 --> 00:36:56,120
Speaker 1: Rory and Paris are together. Paris had a great night

669
00:36:56,160 --> 00:36:59,120
Speaker 1: with Tristan. She didn't use her note cards at all.

670
00:37:01,120 --> 00:37:05,280
Speaker 1: And we find out that Tristan just is not interested

671
00:37:05,360 --> 00:37:08,839
Speaker 1: in the second date, a romantic date. He just wants

672
00:37:08,880 --> 00:37:13,239
Speaker 1: to be friends. She's left five messages on his on

673
00:37:13,320 --> 00:37:23,399
Speaker 1: his voicemail so far and that morning and he's just like, whoa, yeah,

674
00:37:23,480 --> 00:37:26,799
Speaker 1: it's like, you know that we can be friends. And

675
00:37:27,280 --> 00:37:30,680
Speaker 1: you just see Paris just dies slowly right there. It's

676
00:37:30,760 --> 00:37:33,640
Speaker 1: very sad, very sad. But I thought she handsled it

677
00:37:33,760 --> 00:37:38,279
Speaker 1: very well, you know. Yeah. I mean that's that's that's

678
00:37:38,280 --> 00:37:40,560
Speaker 1: a tough tough blow to take there, right in front

679
00:37:40,600 --> 00:37:43,080
Speaker 1: of everybody, you know. That's the thing about this show,

680
00:37:43,120 --> 00:37:45,200
Speaker 1: and all this stuff happens right in front of everybody.

681
00:37:46,239 --> 00:37:48,920
Speaker 3: If it doesn't, everybody finds out about it real quick, right.

682
00:37:52,120 --> 00:37:54,520
Speaker 1: And Tristan says he likes someone else, and he hesitates

683
00:37:54,560 --> 00:37:57,400
Speaker 1: to admit that it's Summer. So do you think I

684
00:37:57,480 --> 00:37:59,920
Speaker 1: think it's it's Rory. I think he does like her,

685
00:38:00,320 --> 00:38:02,719
Speaker 1: that's really yes, And I think it was a good

686
00:38:02,760 --> 00:38:05,640
Speaker 1: idea for Rory A Lorli not to tell Rory about

687
00:38:05,640 --> 00:38:11,560
Speaker 1: the money, agreed. It really it's like it wasn't necessary

688
00:38:11,560 --> 00:38:12,120
Speaker 1: to tell.

689
00:38:11,920 --> 00:38:18,400
Speaker 3: Her, right, And I think that uh when Rory.

690
00:38:19,280 --> 00:38:22,120
Speaker 4: Of course, Tristan is the one who's like, well, it

691
00:38:22,200 --> 00:38:25,120
Speaker 4: was a great you know, Rory's idea to have me

692
00:38:25,239 --> 00:38:28,319
Speaker 4: ask you out, and then Liza like flips on her,

693
00:38:28,400 --> 00:38:33,600
Speaker 4: which is so good at but come on, Tristan, come on,

694
00:38:34,640 --> 00:38:36,960
Speaker 4: But buddy.

695
00:38:37,480 --> 00:38:40,400
Speaker 3: Doesn't help anybody, like anybody.

696
00:38:40,600 --> 00:38:46,400
Speaker 1: It's like in golf parlance, I think with uh, with like,

697
00:38:47,640 --> 00:38:53,759
Speaker 1: you know, Tristan is in between clubs. I know he

698
00:38:53,840 --> 00:38:57,040
Speaker 1: doesn't want to use the he doesn't in Paris. He

699
00:38:57,080 --> 00:39:02,560
Speaker 1: can't see it Rory. He's intimidated by Rory. He just doesn't.

700
00:39:02,640 --> 00:39:05,680
Speaker 1: He doesn't know what to do. No, he doesn't here,

701
00:39:05,760 --> 00:39:10,960
Speaker 1: there's no move there and he friends zoned Paris real fast.

702
00:39:11,360 --> 00:39:15,360
Speaker 1: But just I guess, you know, merciful, he knew that

703
00:39:15,480 --> 00:39:21,719
Speaker 1: wasn't ye tea. Now we're at tea and this is

704
00:39:22,560 --> 00:39:28,239
Speaker 1: really anxiety inducing scene where Laurel is going to blow

705
00:39:28,239 --> 00:39:37,120
Speaker 1: the money. It's not and this this is money versus life, right,

706
00:39:37,200 --> 00:39:41,520
Speaker 1: it's like real life, real and and it always comes

707
00:39:41,520 --> 00:39:43,160
Speaker 1: out on that. This is why I love this show

708
00:39:43,200 --> 00:39:47,799
Speaker 1: because it's like, again, nobody cares about your money. This

709
00:39:47,960 --> 00:39:51,839
Speaker 1: is about my daughter. What's best for my daughter. And

710
00:39:51,880 --> 00:39:54,720
Speaker 1: if it's me and my daughter we end up together

711
00:39:54,880 --> 00:39:58,600
Speaker 1: with no money, that's okay because we will figure it out.

712
00:39:58,600 --> 00:39:59,919
Speaker 1: That's what I love about this show.

713
00:40:01,120 --> 00:40:03,160
Speaker 3: This is a good point. It's a very good point.

714
00:40:04,120 --> 00:40:06,480
Speaker 1: And you know, tricks over here is everything and I

715
00:40:06,600 --> 00:40:11,760
Speaker 1: really you know, Lauren sort of shifts gears into her drama.

716
00:40:11,800 --> 00:40:15,319
Speaker 1: You know, the comedy chops are so refined and so good,

717
00:40:16,000 --> 00:40:18,759
Speaker 1: and then she shifts gears into the drama chops and

718
00:40:18,800 --> 00:40:23,560
Speaker 1: they're there, they're just and she displaced them in the scene, right, yes,

719
00:40:23,600 --> 00:40:26,879
Speaker 1: and she and she she's this is why I could

720
00:40:26,880 --> 00:40:30,319
Speaker 1: never understand why she didn't win every award. Why do

721
00:40:30,400 --> 00:40:32,520
Speaker 1: you think, why do you think, Jenna, let's let's talk

722
00:40:32,560 --> 00:40:37,719
Speaker 1: about this. Why wasn't she nominated every single year? Why

723
00:40:38,239 --> 00:40:40,960
Speaker 1: do you do you know of a better performance from

724
00:40:40,960 --> 00:40:43,160
Speaker 1: two thousand to two thousand and seven on television? I

725
00:40:43,160 --> 00:40:44,680
Speaker 1: mean there's some great performances.

726
00:40:44,760 --> 00:40:47,400
Speaker 3: Were you guys in the comedy category?

727
00:40:47,440 --> 00:40:52,960
Speaker 4: Are you in the in the drama category? I'd say drama, right,

728
00:40:53,040 --> 00:40:54,440
Speaker 4: but you never know with these papers.

729
00:40:54,440 --> 00:40:56,200
Speaker 1: Don't know, I forget.

730
00:40:56,760 --> 00:40:59,319
Speaker 3: Uh, you know, it's it's hard to say.

731
00:40:59,320 --> 00:41:00,880
Speaker 4: But even so, I don't know that there was a

732
00:41:00,880 --> 00:41:03,040
Speaker 4: better performance on screen at that time.

733
00:41:03,680 --> 00:41:04,399
Speaker 1: Yeah.

734
00:41:04,560 --> 00:41:05,399
Speaker 3: Sometimes I just.

735
00:41:05,360 --> 00:41:09,240
Speaker 4: Get overlooked and I can't. I don't understand it. Sometimes

736
00:41:09,239 --> 00:41:12,719
Speaker 4: the show just doesn't like it. It's so popular with

737
00:41:12,920 --> 00:41:15,799
Speaker 4: the fans and it has its own, you know, its

738
00:41:15,800 --> 00:41:18,879
Speaker 4: own phenomenon, but then the award shows kind of like,

739
00:41:20,239 --> 00:41:22,120
Speaker 4: I don't know, they stay away from it. But I

740
00:41:22,160 --> 00:41:26,479
Speaker 4: am just I'm shocked. I'm ventually because it wasn't edgy enough.

741
00:41:26,800 --> 00:41:34,400
Speaker 1: It was too sure, it was too soft. Maybe hmmm,

742
00:41:34,719 --> 00:41:36,319
Speaker 1: it was too.

743
00:41:36,239 --> 00:41:41,759
Speaker 4: It really should have won on everything kind yeah, for everything.

744
00:41:41,920 --> 00:41:44,959
Speaker 4: I don't I don't understand it. I mean, I guess

745
00:41:44,960 --> 00:41:47,200
Speaker 4: she was nominated for the Globes. It looked like at

746
00:41:47,239 --> 00:41:52,040
Speaker 4: one point, but like not enough, not enough. Yeah, she

747
00:41:52,200 --> 00:41:53,600
Speaker 4: really deserved it all like.

748
00:41:53,520 --> 00:41:57,080
Speaker 1: These like you know, the Friends cast, they're nominated every

749
00:41:57,120 --> 00:42:00,600
Speaker 1: year for everything, and they went and they should and

750
00:42:00,640 --> 00:42:08,000
Speaker 1: they deserved it, right, But how do you deny you know,

751
00:42:08,120 --> 00:42:12,720
Speaker 1: Lauren Kelly, you know ed herm how do you deny

752
00:42:12,760 --> 00:42:16,719
Speaker 1: these people recognition when the work is like it's right

753
00:42:16,760 --> 00:42:20,880
Speaker 1: there out in front of everybody's face. It's like, do

754
00:42:21,040 --> 00:42:25,560
Speaker 1: better than this? And how does how does Amy get denied?

755
00:42:26,120 --> 00:42:29,920
Speaker 1: And and you know, you know what happened on on

756
00:42:30,080 --> 00:42:33,239
Speaker 1: Masel yay, right, yes, you know she gets all the

757
00:42:33,280 --> 00:42:35,839
Speaker 1: trophies Dan and and Amy get the trophies finally, but.

758
00:42:36,160 --> 00:42:38,800
Speaker 3: Wow, people caught on finally.

759
00:42:39,360 --> 00:42:47,719
Speaker 1: I just stre it is. It's very confusing anyway. So

760
00:42:47,800 --> 00:42:51,120
Speaker 1: the upshot of this scene is we don't we don't

761
00:42:51,160 --> 00:42:55,399
Speaker 1: care about the money. And Laura, l I, in her

762
00:42:55,440 --> 00:42:59,200
Speaker 1: heart of hearts, understands why Emily is freaked out. Emily

763
00:42:59,280 --> 00:43:04,400
Speaker 1: confesses and Laurela I, you know, has some compassion for

764
00:43:04,480 --> 00:43:06,560
Speaker 1: her own mother. And we'll just keep things the same.

765
00:43:07,280 --> 00:43:12,040
Speaker 1: You know, you can keep control because you may be

766
00:43:12,160 --> 00:43:16,719
Speaker 1: a tyrant. Tricks is a dictator, and like, we don't

767
00:43:16,760 --> 00:43:24,520
Speaker 1: want no party, that's right, It's like whoa. And I

768
00:43:24,520 --> 00:43:29,080
Speaker 1: think Emily apologizing, you know, that's real growth and that's

769
00:43:29,120 --> 00:43:33,160
Speaker 1: a real big step. And I think their relationship, you know,

770
00:43:33,320 --> 00:43:35,040
Speaker 1: mending that relationship.

771
00:43:36,360 --> 00:43:40,320
Speaker 4: Yeah, she realized what they were both acting a little

772
00:43:40,400 --> 00:43:43,000
Speaker 4: childish over this whole thing and could.

773
00:43:42,800 --> 00:43:46,359
Speaker 3: Have been handled differently. And you know, I think they

774
00:43:46,360 --> 00:43:48,880
Speaker 3: both saw their their ways.

775
00:43:48,760 --> 00:43:51,960
Speaker 1: Yeah, and it's only two hundred and fifty thousand bucks.

776
00:43:52,000 --> 00:43:53,600
Speaker 1: And man, when they sneeze in the nose, I thought

777
00:43:53,600 --> 00:43:55,000
Speaker 1: it was like twenty million.

778
00:43:56,080 --> 00:43:58,439
Speaker 3: I guess back then though it was a little bit more.

779
00:44:01,680 --> 00:44:03,640
Speaker 1: Uh No, it's a lot of money. That's a lot

780
00:44:03,640 --> 00:44:05,240
Speaker 1: of money for sure.

781
00:44:05,760 --> 00:44:06,000
Speaker 5: Uh.

782
00:44:06,760 --> 00:44:09,000
Speaker 1: Now we at the boss stop Lorealizer to pick up Roy.

783
00:44:09,080 --> 00:44:11,000
Speaker 1: That was nice. I really like that.

784
00:44:11,320 --> 00:44:14,600
Speaker 4: Uh it's nice to end the show about the episode

785
00:44:14,600 --> 00:44:18,120
Speaker 4: that way, and for them to.

786
00:44:17,320 --> 00:44:17,839
Speaker 3: Be so.

787
00:44:19,719 --> 00:44:22,399
Speaker 4: Just up front about everything, Like I just love their

788
00:44:23,520 --> 00:44:27,839
Speaker 4: uh their relationship and how open they are and you know,

789
00:44:28,080 --> 00:44:29,200
Speaker 4: we love to see it.

790
00:44:29,360 --> 00:44:31,320
Speaker 1: Hey kidd, and you know you just lost out of

791
00:44:31,880 --> 00:44:35,160
Speaker 1: quarter of a million dollars. Well, but do you want.

792
00:44:35,040 --> 00:44:39,560
Speaker 3: To go to Luke's Yeah, exactly and the stars hollow.

793
00:44:39,640 --> 00:44:42,799
Speaker 1: It ain't about money. The currency is. The currency is

794
00:44:42,920 --> 00:44:47,080
Speaker 1: caring about other people and that's love. Community and that's

795
00:44:47,120 --> 00:44:52,600
Speaker 1: the currency. It's it's having each other's backs. That's nice.

796
00:44:58,560 --> 00:44:59,719
Speaker 7: Hey there, folks, It's d J.

797
00:44:59,800 --> 00:45:04,120
Speaker 3: Hol and Amy Robach. Don't miss Morning Run every weekday

798
00:45:04,120 --> 00:45:05,280
Speaker 3: morning Monday through Friday.

799
00:45:05,520 --> 00:45:08,120
Speaker 7: Yeah, we'll be covering the biggest stories, everything you need

800
00:45:08,200 --> 00:45:11,160
Speaker 7: to know, breaking news, politics, pop culture on our daily

801
00:45:11,280 --> 00:45:14,279
Speaker 7: podcast Morning Run and of course it has a little

802
00:45:14,280 --> 00:45:16,040
Speaker 7: bit of our own personal flare to it.

803
00:45:16,280 --> 00:45:19,080
Speaker 3: Yeah, that's right. Make sure to subscribe now so every

804
00:45:19,200 --> 00:45:21,359
Speaker 3: day when you wake up, you've got the Morning Run

805
00:45:21,560 --> 00:45:22,239
Speaker 3: waiting for you.

806
00:45:22,640 --> 00:45:27,440
Speaker 7: Listen to Morning Run wherever you get your podcasts.

807
00:45:28,680 --> 00:45:33,799
Speaker 5: Welcome to Casual Chaos, where I'm telling my story unfiltered,

808
00:45:34,000 --> 00:45:38,360
Speaker 5: unedited and unapologetic for a moments you didn't see on camera,

809
00:45:38,520 --> 00:45:42,160
Speaker 5: to secrets nobody's dared to spill. I'm bringing you behind

810
00:45:42,200 --> 00:45:46,400
Speaker 5: the scenes like never before. I'm talking love life because

811
00:45:46,640 --> 00:45:50,160
Speaker 5: let's be real here, it's been a journey wellness and

812
00:45:50,200 --> 00:45:51,839
Speaker 5: the truth behind the headlines.

813
00:45:52,440 --> 00:45:54,920
Speaker 3: And of course I've got the receipts.

814
00:45:55,320 --> 00:45:58,040
Speaker 5: Plus I'll be sitting down with some of the biggest

815
00:45:58,120 --> 00:46:02,400
Speaker 5: named in pop culture for casually chaotic conversations you won't

816
00:46:02,440 --> 00:46:06,640
Speaker 5: hear anywhere else. So for yourself and espresso martini and

817
00:46:06,760 --> 00:46:10,800
Speaker 5: get ready because once you start listening, you'll be waking

818
00:46:10,880 --> 00:46:14,560
Speaker 5: up in the morning thinking about so many things. Listen

819
00:46:14,600 --> 00:46:17,920
Speaker 5: to Casual Chaos starting on March twenty fourth on the

820
00:46:17,960 --> 00:46:22,080
Speaker 5: iHeartRadio app, Apple Podcasts or wherever you get your podcasts.

821
00:46:23,520 --> 00:46:26,880
Speaker 2: You met Michelle Lally in the hit Bravo show The Valley.

822
00:46:27,080 --> 00:46:30,319
Speaker 2: You met me literally during the most difficult chapter in

823
00:46:30,320 --> 00:46:32,359
Speaker 2: my life. Now it's time for you to meet the

824
00:46:32,400 --> 00:46:36,040
Speaker 2: real met Michelle SENNI yes, I changed my name and

825
00:46:36,080 --> 00:46:38,120
Speaker 2: I want you to follow me on my journey to

826
00:46:38,360 --> 00:46:42,040
Speaker 2: the pursuit of sassiness. So much has happened to me before, during,

827
00:46:42,080 --> 00:46:45,440
Speaker 2: and after the show. Before you can really understand the

828
00:46:45,520 --> 00:46:47,880
Speaker 2: eight weeks that you saw on TV, I think you

829
00:46:47,960 --> 00:46:50,400
Speaker 2: have to know what was going on from the very beginning,

830
00:46:50,560 --> 00:46:53,759
Speaker 2: from being raised by two immigrant parents, paying my own

831
00:46:53,800 --> 00:46:57,000
Speaker 2: way through college and working at Hooters, to starting my

832
00:46:57,120 --> 00:47:01,160
Speaker 2: own real estate empire, getting married, having a baby during COVID,

833
00:47:01,400 --> 00:47:04,640
Speaker 2: to that very same marriage falling apart on national TV,

834
00:47:05,000 --> 00:47:08,440
Speaker 2: to losing my mom to eventually finding love again. There

835
00:47:08,480 --> 00:47:11,200
Speaker 2: is so much to unpack and share. I'm on the

836
00:47:11,239 --> 00:47:14,560
Speaker 2: pursuit of happiness and most importantly, I'm on the pursuit

837
00:47:14,600 --> 00:47:18,280
Speaker 2: of satiness. Listen to Pursuit of Satiness starting on March

838
00:47:18,320 --> 00:47:22,319
Speaker 2: seventeenth on the iHeartRadio app, Apple Podcasts, or wherever you

839
00:47:22,360 --> 00:47:23,359
Speaker 2: get your podcasts.

840
00:47:25,520 --> 00:47:29,240
Speaker 1: Jenna, Now it's time to talk about yellow Fever.

841
00:47:35,360 --> 00:47:37,120
Speaker 3: What a crazy time.

842
00:47:37,440 --> 00:47:42,480
Speaker 1: So I do. This movie with Jenna was it twenty seventeen.

843
00:47:42,480 --> 00:47:43,480
Speaker 1: We filmed at New York.

844
00:47:43,360 --> 00:47:45,480
Speaker 3: City before that a little earlier.

845
00:47:45,680 --> 00:47:47,440
Speaker 1: Was it before two thousand and seven? And that was

846
00:47:47,480 --> 00:47:52,080
Speaker 1: after it was twenty seventeen. I think, so, yeah, okay, okay,

847
00:47:52,280 --> 00:47:57,600
Speaker 1: so tennis movie together. And I know you traveled around

848
00:47:57,640 --> 00:47:59,960
Speaker 1: with her, right you want to a little.

849
00:47:59,800 --> 00:48:01,160
Speaker 3: Bit a little bit? Yeah?

850
00:48:01,200 --> 00:48:02,759
Speaker 1: Where did you go? Did you go to? You went

851
00:48:02,800 --> 00:48:04,200
Speaker 1: to Santa Barbara.

852
00:48:04,840 --> 00:48:07,080
Speaker 4: I didn't make it to Santa Barbara, but we were

853
00:48:07,160 --> 00:48:09,719
Speaker 4: around in La and we were around other I think

854
00:48:09,800 --> 00:48:11,640
Speaker 4: New York. I went to back to New York to

855
00:48:11,680 --> 00:48:12,520
Speaker 4: do some stuff.

856
00:48:12,840 --> 00:48:15,640
Speaker 1: Do you go to London? Did I go to London?

857
00:48:15,719 --> 00:48:19,839
Speaker 1: There was like a London festival. I don't know if

858
00:48:19,840 --> 00:48:21,560
Speaker 1: I was a London film festival.

859
00:48:21,920 --> 00:48:23,719
Speaker 3: Maybe it made it in there. I don't know that

860
00:48:23,760 --> 00:48:24,000
Speaker 3: I went.

861
00:48:24,200 --> 00:48:25,879
Speaker 4: I went to rain Dance and I go for that.

862
00:48:26,120 --> 00:48:29,960
Speaker 4: I don't remember where was it. It's in La or no,

863
00:48:30,040 --> 00:48:31,640
Speaker 4: in London? In London, Oh my god.

864
00:48:33,560 --> 00:48:34,920
Speaker 3: I can't remember.

865
00:48:35,080 --> 00:48:37,400
Speaker 4: Maybe just Cat and Jan went to London because they

866
00:48:37,400 --> 00:48:38,279
Speaker 4: were already there.

867
00:48:39,400 --> 00:48:41,600
Speaker 1: I just remember, you know what I remember about that shoot?

868
00:48:41,840 --> 00:48:46,200
Speaker 1: I remember like the dressing room was a bedroom and

869
00:48:46,560 --> 00:48:51,279
Speaker 1: a Harlem uh condo. We're in Harlem shooting this thing.

870
00:48:51,840 --> 00:48:54,480
Speaker 4: Well, yeah, let's paint the picture a little bit, because yeah,

871
00:48:54,560 --> 00:48:58,040
Speaker 4: go ahead. We were doing this indie film, and indie

872
00:48:58,040 --> 00:49:01,520
Speaker 4: films have quite low budget. But you know, you bring

873
00:49:01,560 --> 00:49:04,040
Speaker 4: in a cast of some good people who are working,

874
00:49:04,200 --> 00:49:07,160
Speaker 4: who have some names, who you know they're like this

875
00:49:07,200 --> 00:49:09,279
Speaker 4: person's attached, and this person's attaching.

876
00:49:09,080 --> 00:49:11,040
Speaker 3: Like great, let's do it. Let's go have a good time.

877
00:49:11,080 --> 00:49:12,600
Speaker 3: And so you have like this.

878
00:49:12,680 --> 00:49:17,239
Speaker 4: Really compact shoot for an indie film, and you know

879
00:49:17,320 --> 00:49:20,120
Speaker 4: that there's probably not going to be trailers for you

880
00:49:20,200 --> 00:49:24,839
Speaker 4: to go back to. There's just bedrooms in the townhouse

881
00:49:24,880 --> 00:49:28,360
Speaker 4: where you're shooting everything. The whole movie takes place in

882
00:49:28,440 --> 00:49:33,279
Speaker 4: this townhouse that they make other locations and aside from

883
00:49:33,360 --> 00:49:34,960
Speaker 4: Korean barbecue, which we also did, but.

884
00:49:36,520 --> 00:49:38,200
Speaker 3: It's just crazy, we.

885
00:49:38,120 --> 00:49:41,200
Speaker 4: Did like a night shoot in a Crea town and

886
00:49:42,680 --> 00:49:46,319
Speaker 4: I just remember being so hot. It was summer, right

887
00:49:46,840 --> 00:49:49,200
Speaker 4: and I was in a wig because my character had

888
00:49:49,239 --> 00:49:53,000
Speaker 4: a way, but it was and they had to turn

889
00:49:53,000 --> 00:49:56,600
Speaker 4: the air off while we were shooting because the sound

890
00:49:58,000 --> 00:50:02,600
Speaker 4: so I'm just dripping so what off down my face.

891
00:50:02,640 --> 00:50:06,320
Speaker 4: There's close ups I'm shooting and they're like, please hold

892
00:50:06,360 --> 00:50:06,840
Speaker 4: the camera.

893
00:50:07,239 --> 00:50:13,200
Speaker 3: We have to go dab. It's just sweating from this wig.

894
00:50:14,680 --> 00:50:15,800
Speaker 3: But we had a good time.

895
00:50:15,920 --> 00:50:20,120
Speaker 4: It was so crazy, and there's something about those like

896
00:50:20,880 --> 00:50:26,200
Speaker 4: coming from shows that have these big budgets and you know,

897
00:50:26,280 --> 00:50:30,080
Speaker 4: everything is so large in size and scale to then

898
00:50:30,160 --> 00:50:32,160
Speaker 4: going to New York in a townhouse and doing a

899
00:50:32,200 --> 00:50:34,439
Speaker 4: movie like that that you just, you know, you want

900
00:50:34,480 --> 00:50:36,640
Speaker 4: to do good work and work with good people.

901
00:50:36,800 --> 00:50:39,279
Speaker 1: But that's the thing, right, I would rather do that

902
00:50:39,320 --> 00:50:41,160
Speaker 1: because that's why I got in the business in the

903
00:50:41,200 --> 00:50:43,759
Speaker 1: first place. It was to do theater, and it was

904
00:50:43,760 --> 00:50:47,839
Speaker 1: to do independent film totally and work for the love

905
00:50:47,880 --> 00:50:49,520
Speaker 1: of it, not for the money of it, but for

906
00:50:49,600 --> 00:50:53,120
Speaker 1: the love of the work, right, and love working with

907
00:50:53,160 --> 00:50:56,759
Speaker 1: the people that you're working with. And you know, I

908
00:50:56,880 --> 00:51:01,640
Speaker 1: find in those situations that all this bs that I

909
00:51:02,080 --> 00:51:06,040
Speaker 1: somewhat object to in this TV business is you got

910
00:51:06,320 --> 00:51:09,520
Speaker 1: you got a number after your name or before your name,

911
00:51:09,560 --> 00:51:12,799
Speaker 1: so you're that number, right, and you're expected to act

912
00:51:12,920 --> 00:51:17,080
Speaker 1: like that number, right. And it's just like you know,

913
00:51:17,680 --> 00:51:21,879
Speaker 1: indie film and sometimes in in theater that I did,

914
00:51:22,760 --> 00:51:26,000
Speaker 1: they throw a bunch of people together. Nobody had any

915
00:51:26,080 --> 00:51:29,520
Speaker 1: seniority or hierarchy. There was no hierarchy. It was just like,

916
00:51:29,760 --> 00:51:32,920
Speaker 1: let's throw a bunch of people in together, best idea

917
00:51:33,000 --> 00:51:36,960
Speaker 1: wins in and let's let's just go ahead and rock

918
00:51:37,040 --> 00:51:39,839
Speaker 1: this thing totally. And that's when I think you get

919
00:51:39,840 --> 00:51:42,160
Speaker 1: the best results because you can find yourself in these

920
00:51:42,200 --> 00:51:46,440
Speaker 1: situations where it's just like everybody's got a title and

921
00:51:46,480 --> 00:51:49,360
Speaker 1: everybody's got a number, and you know, number three is

922
00:51:49,400 --> 00:51:52,000
Speaker 1: an acting like he's trying to act like a number one,

923
00:51:52,160 --> 00:51:54,920
Speaker 1: and number one doesn't act like a number one, and

924
00:51:55,000 --> 00:51:58,239
Speaker 1: there's no leadership, and it's like, what, Yeah, this is

925
00:51:58,280 --> 00:52:00,640
Speaker 1: not the army. This should not be treated like the

926
00:52:00,760 --> 00:52:04,160
Speaker 1: army or a corporate structure, that's right, you know, it's like,

927
00:52:04,640 --> 00:52:07,120
Speaker 1: get the peeps. And that's what I felt that was.

928
00:52:07,160 --> 00:52:11,120
Speaker 1: And Kat the director was very open to ideas and

929
00:52:11,160 --> 00:52:14,840
Speaker 1: rewrites and suggestions, and she wanted to make the scenes great.

930
00:52:14,960 --> 00:52:15,120
Speaker 1: You know.

931
00:52:15,320 --> 00:52:16,600
Speaker 3: Yes, very collaborative.

932
00:52:16,719 --> 00:52:20,480
Speaker 1: I thought she was very smart and very collaborative. Yeah, agreed,

933
00:52:21,120 --> 00:52:23,600
Speaker 1: And when she heard a good idea, she recognized it,

934
00:52:23,680 --> 00:52:28,399
Speaker 1: you know. And that's that's why I got into this business. Yeah,

935
00:52:28,760 --> 00:52:32,960
Speaker 1: to do that is to create that good work. Yeah,

936
00:52:33,120 --> 00:52:35,480
Speaker 1: what's so, what's your favorite moments from filming?

937
00:52:37,440 --> 00:52:41,480
Speaker 4: Me dripping beaten side on my face, no, no, just

938
00:52:41,520 --> 00:52:43,120
Speaker 4: working with all of you guys.

939
00:52:43,160 --> 00:52:49,280
Speaker 3: And I think that it was Kat's story and and and.

940
00:52:49,200 --> 00:52:51,800
Speaker 4: So it was really fun to collaborate with her because

941
00:52:51,960 --> 00:52:54,320
Speaker 4: we were telling her story, but she was so open

942
00:52:54,400 --> 00:52:59,520
Speaker 4: to my experience, and and then for us to make

943
00:52:59,520 --> 00:53:03,440
Speaker 4: sure that like you know, between our relationship and our

944
00:53:03,520 --> 00:53:06,319
Speaker 4: characters in the movie, that it wasn't there was no

945
00:53:06,800 --> 00:53:08,839
Speaker 4: kind of creepy element to it because of the.

946
00:53:08,760 --> 00:53:10,439
Speaker 3: Age gap and you know what I mean.

947
00:53:10,520 --> 00:53:12,640
Speaker 4: And so there was just all these things that we

948
00:53:12,640 --> 00:53:16,040
Speaker 4: were always looking out for. So I think the collaborative,

949
00:53:16,120 --> 00:53:19,120
Speaker 4: kind of creative side of it was really fun. I

950
00:53:19,160 --> 00:53:22,399
Speaker 4: remember us doing that night shoot in Korea Town and

951
00:53:22,440 --> 00:53:25,000
Speaker 4: we were like, oh God, but it was a really

952
00:53:25,040 --> 00:53:28,799
Speaker 4: fun scene to shoot. I also feel like for me

953
00:53:28,920 --> 00:53:31,960
Speaker 4: at that time, coming off of Glee, where there was

954
00:53:32,040 --> 00:53:34,800
Speaker 4: like eighteen characters in a scene and there's just always

955
00:53:34,880 --> 00:53:38,040
Speaker 4: like so much hubbub and there's you never very rarely

956
00:53:38,080 --> 00:53:41,680
Speaker 4: got very intimate scenes with like one to two people.

957
00:53:43,320 --> 00:53:45,759
Speaker 4: And I had luckily been able to do a little

958
00:53:45,760 --> 00:53:49,440
Speaker 4: bit of theater right before Yellow Fever and then another

959
00:53:49,480 --> 00:53:51,239
Speaker 4: indie film which I had a really fun time on.

960
00:53:51,320 --> 00:53:54,840
Speaker 3: So like I was kind of in this like this really.

961
00:53:54,719 --> 00:53:58,440
Speaker 4: Nice train of doing smaller work and I think like

962
00:53:58,560 --> 00:54:01,480
Speaker 4: being able to have our scenes at night and just

963
00:54:01,520 --> 00:54:04,480
Speaker 4: like one on one and working together was really fun.

964
00:54:04,719 --> 00:54:08,360
Speaker 1: Yeah, I agree. I missed that too, one of the

965
00:54:08,480 --> 00:54:12,600
Speaker 1: long stuff and intense scenes and you just get to work. Yeah,

966
00:54:12,640 --> 00:54:14,480
Speaker 1: I love that stuff too. I love this.

967
00:54:15,680 --> 00:54:18,799
Speaker 4: There's also like a scene where the boy runs away,

968
00:54:19,120 --> 00:54:21,000
Speaker 4: the brother comes back, he comes back.

969
00:54:20,880 --> 00:54:23,560
Speaker 3: Right, and we're all there and like we rarely.

970
00:54:23,200 --> 00:54:25,120
Speaker 4: Got to all work together and that way too. So

971
00:54:25,200 --> 00:54:27,360
Speaker 4: the whole cast was there was so small. It's just

972
00:54:27,400 --> 00:54:29,560
Speaker 4: like us and you know, a couple of other people.

973
00:54:29,640 --> 00:54:30,880
Speaker 4: So that was really nice.

974
00:54:31,600 --> 00:54:36,799
Speaker 1: Well what Yellow Fever Part two is it coming? What

975
00:54:36,840 --> 00:54:43,240
Speaker 1: do you think if you're listening? Could use a little

976
00:54:43,239 --> 00:54:48,040
Speaker 1: bigger budget, right, totally totally yeah, Yeah, definitely get some

977
00:54:48,120 --> 00:54:50,040
Speaker 1: numbers by our names. Make sure.

978
00:54:52,040 --> 00:54:53,440
Speaker 3: His boss right exactly.

979
00:54:53,640 --> 00:54:55,560
Speaker 1: Yeah, down't outshine the number one.

980
00:54:55,480 --> 00:54:58,000
Speaker 4: Don't you don't you come for me?

981
00:55:00,760 --> 00:55:04,520
Speaker 1: Jenna was great catching up. We're out of time. You

982
00:55:04,640 --> 00:55:07,920
Speaker 1: got to come back, love to you got to come back,

983
00:55:08,200 --> 00:55:10,040
Speaker 1: and then you've got to come back again and again.

984
00:55:10,719 --> 00:55:12,600
Speaker 1: And we'll talk about more. Giler, because I know you're

985
00:55:12,600 --> 00:55:14,720
Speaker 1: a super fan. You like to talk about this stuff

986
00:55:15,000 --> 00:55:20,000
Speaker 1: I do. And and one thing I didn't mention is

987
00:55:20,040 --> 00:55:24,640
Speaker 1: your your husband is a Yale man. Yes, and he

988
00:55:24,800 --> 00:55:27,799
Speaker 1: stayed in the dorm Rory's thing right, correct, stay in

989
00:55:27,800 --> 00:55:30,960
Speaker 1: the real dorm. Yes, the real That's a nice little

990
00:55:31,000 --> 00:55:32,000
Speaker 1: piece of trivia. Yeah.

991
00:55:32,360 --> 00:55:32,960
Speaker 3: Yeah.

992
00:55:33,480 --> 00:55:37,399
Speaker 1: Anyway, Uh, keep raising them babies up. Thank you all

993
00:55:37,480 --> 00:55:38,680
Speaker 1: the best, great scene.

994
00:55:38,760 --> 00:55:40,080
Speaker 3: Yeah, thanks for having me.

995
00:55:40,360 --> 00:55:43,200
Speaker 1: You got it. We'll talk soon, all right, jen as

996
00:55:43,400 --> 00:55:46,040
Speaker 1: what everybody and that's going to do it, folks for

997
00:55:46,280 --> 00:55:49,120
Speaker 1: I am all in again with me, your host Scott Potterson,

998
00:55:49,200 --> 00:55:52,799
Speaker 1: and remember, best fans on the planet and where you lead,

999
00:55:53,400 --> 00:56:04,920
Speaker 1: we will follow. Stay safe everyone.

1000
00:56:00,560 --> 00:56:04,760
Speaker 7: Dot dot.

1001
00:56:24,880 --> 00:56:28,720
Speaker 1: Everybody we'll forget. Follow us on Instagram at I Am

1002
00:56:28,760 --> 00:56:33,680
Speaker 1: all In Podcast and email us at Gilmore at iHeartRadio

1003
00:56:34,040 --> 00:56:54,480
Speaker 1: dot com.