WEBVTT - Episode 81: Stephen King

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<v Speaker 1>Hello everyone, and welcome to another episode of Nerdificent. I'm

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<v Speaker 1>your host. If you wide away and not sitting across

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<v Speaker 1>from me as Danny, he had prior obligations ripping and

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<v Speaker 1>rolling around town, and so it's just me sitting in

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<v Speaker 1>with a good friend Lucy Tomlin Brennan. How are you doing. Hello,

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<v Speaker 1>I'm fantastic. Thank you for having me. Of course, you

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<v Speaker 1>know we had to get you back on the second

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<v Speaker 1>sp October. We wouldn't we wouldn't dream of going without you.

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<v Speaker 1>Thank you. I rewatched all of the Halloween movies again

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<v Speaker 1>thinking about how we did it all last year together.

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<v Speaker 1>I thought of you because on Who Shot You? We

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<v Speaker 1>mentioned um Halloween three season of the w and it

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<v Speaker 1>was because someone asked, like, it would have been a

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<v Speaker 1>good who shot call for you? But it was like,

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<v Speaker 1>what's a scary What's what are bad scary movies? And

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<v Speaker 1>someone said that, and then too, I think Dreya said

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<v Speaker 1>it's it's it's still good, and I think Alonso also

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<v Speaker 1>cakes it's not bad. I'm sorry. Snakes leaking out of

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<v Speaker 1>a melted kid's face. That is an amazing visual. I

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<v Speaker 1>need to watch that. I think it's just more so

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<v Speaker 1>the lack of Michael Michael Myers that was being landed on.

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<v Speaker 1>But it's like, if you get past that, it's pretty great.

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<v Speaker 1>Really an evil corporation. It's so timely. But yeah, uh,

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<v Speaker 1>you know, we start off our episodes with the same

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<v Speaker 1>thing every week, which is, what are you geeking out

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<v Speaker 1>about right now? Um? One of my new favorite movies

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<v Speaker 1>called Satanic Panic that is one of the best horror

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<v Speaker 1>comedies I've ever seen. Uh, it might still be in

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<v Speaker 1>a few theaters, but it is streaming on Shutter, the

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<v Speaker 1>horror streaming network. It's Shutters great their curation. They have

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<v Speaker 1>everything from like supernatural to slasher, to like extreme bloody

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<v Speaker 1>stuff to like literal comedies and like fun goofy poky stuff.

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<v Speaker 1>So yeah, it's for it's for everybody. It's perfect for

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<v Speaker 1>this time of year. But Satanic Panic was directed by

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<v Speaker 1>a young woman, Chelsea Stardust and written by Grady Hendricks,

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<v Speaker 1>who is one of my favorite horror authors who I

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<v Speaker 1>also recommend since we're delving into our horror author today.

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<v Speaker 1>If you're looking for somebody a little newer, a little fresher,

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<v Speaker 1>Gradie Hendricks has three incredible books. We sold Our Souls,

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<v Speaker 1>my best friend's exorcism in Horror Store, and he can

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<v Speaker 1>write women the best of any straight man I've ever

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<v Speaker 1>seen before. I keep like looking for pictures of him

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<v Speaker 1>because I kind of don't believe he's a real straight dude.

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<v Speaker 1>It's a pen name, Yeah, absolutely, because I'm like, how

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<v Speaker 1>does he know so much about my team girl experience?

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<v Speaker 1>And there's a lot of that. Satanic Panic has a

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<v Speaker 1>lot of like a strong, funny, weak, bizarre, frightening women

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<v Speaker 1>in its starring Rebecca Romaine, who I think is one

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<v Speaker 1>of the sexiest women alive, and her husband Jerry O'Connell. Yeah,

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<v Speaker 1>it's got, it's got everything. Yes, yes, o man. Well

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<v Speaker 1>for me, I'm geeking out about. This week is actually

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<v Speaker 1>uh more on the tech side, you know. I finally

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<v Speaker 1>got a couch for my new place and all this stuff,

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<v Speaker 1>and then setting up lighting and on a whim, I

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<v Speaker 1>picked up some some like smart smart bulbs um for

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<v Speaker 1>the living room lights, and I just was like, I

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<v Speaker 1>always wanted to do it, and I have an Alexa,

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<v Speaker 1>and then I immediately was hooked, so like in the

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<v Speaker 1>span of buying the smart bulb and like loving it,

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<v Speaker 1>I went ahead and bought two like colorful smart bulbs

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<v Speaker 1>for my room and then a living room alexas so

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<v Speaker 1>that I can voice control the lights on and off.

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<v Speaker 1>Those I always go with like music or sounds. Also

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<v Speaker 1>there's all different settings. Yeah, there's like I was testing

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<v Speaker 1>out the one because the one in my room is

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<v Speaker 1>the full hue, so it has all color settings. So

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<v Speaker 1>there's a Halloween one that like goes orange and black

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<v Speaker 1>and it makes your whole room origin. And then there's

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<v Speaker 1>a Christmas one that's like green and red, all that

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<v Speaker 1>crinkling you. Here in the background is another guest who

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<v Speaker 1>I did an announced, which is Naomi Mudi way my daughter.

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<v Speaker 1>She's eating uh cereal and she's trying to make her

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<v Speaker 1>way to this uh cereal bar. I'm gonna open it

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<v Speaker 1>up for and then we'll get started. I'm really into

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<v Speaker 1>I've never heard of the I'm not familiar with these

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<v Speaker 1>lights and not like a big tech person, but I

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<v Speaker 1>love the idea that you should be watching a movie

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<v Speaker 1>and have the lights, Like what if doing like a

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<v Speaker 1>really scary scene, all your lights went out to heighten

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<v Speaker 1>the film for you. I know. Let's see. That's the

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<v Speaker 1>integration we need because the way it works now is

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<v Speaker 1>Alexa really just turns it on and off, which is

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<v Speaker 1>nice because I just I'm trying more and more to

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<v Speaker 1>be a Tony Stark or you know, because like you

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<v Speaker 1>just say good night, You say Alexa, good night, and

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<v Speaker 1>then it will turn off all the lights in the

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<v Speaker 1>house and you'll say Alexa, good morning and it will

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<v Speaker 1>turn it all on. Or you can say, uh, Alexa,

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<v Speaker 1>what is it? What what's my day look like? And

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<v Speaker 1>then it will give you the news, what's on your schedule, uh,

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<v Speaker 1>the weather, and traffic to your destination. So I was like,

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<v Speaker 1>that just makes me feel like I'm the super like

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<v Speaker 1>I'm Batman. I feel like the only thing the next

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<v Speaker 1>step for this that I would love to see is

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<v Speaker 1>like a Wizard of Oz sort of Jetson's thing where

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<v Speaker 1>they brush your teeth for you, like two little hands

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<v Speaker 1>come down from the ceiling and let curl your hair

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<v Speaker 1>and teeth. And the closest I got was I gotta

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<v Speaker 1>quip brush because I've heard so much. I mean, we

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<v Speaker 1>we pushed it on on the pod, but it's a

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<v Speaker 1>pot must but yeah, it's actually pretty solid, like they

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<v Speaker 1>it's close because it almost tells you how to brush

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<v Speaker 1>your teeth because it'll like they suggest you do it

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<v Speaker 1>in quadrants and then it'll alert you when to go

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<v Speaker 1>to the next quadrant. And so that's pretty good. The

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<v Speaker 1>only thing it's missing is a little gloved hand popping

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<v Speaker 1>out of your wall holding it. See I don't I

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<v Speaker 1>don't think I trust technology that much to let it

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<v Speaker 1>wildly swing things around in my mouth. See. I think

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<v Speaker 1>it's kind of creepy. Anyways. I definitely can appreciate everything

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<v Speaker 1>saying being like interesting and fancy, but there is a

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<v Speaker 1>creepy element to it, and I think it'd be fun

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<v Speaker 1>if it just went full creep and hands came out

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<v Speaker 1>of your wall. You know what? Yes, Uh, don't hide,

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<v Speaker 1>don't hide the truth. So today you know it's Spookedtober.

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<v Speaker 1>It's the last episode of sp October because let me

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<v Speaker 1>let me double check that, because it's gonna because it

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<v Speaker 1>is the twenty nine, two days before Halloween. It is

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<v Speaker 1>the last Spookedober. I'm glad we closed it out with you,

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<v Speaker 1>Thank you. I'm preparing for Halloween hangover. I always get

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<v Speaker 1>so depressed couple of weeks a November. I mean, it

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<v Speaker 1>is the most abrupt of changes in holidays, because you

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<v Speaker 1>know Christmas it ends, and you know you still have

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<v Speaker 1>the stuff going for a bit. Thanksgiving is a non

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<v Speaker 1>holiday at this point in our lives. Uh, New Year,

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<v Speaker 1>same thing. You have that like New Year's staggering of

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<v Speaker 1>like the city or town that you're in. Yeah, likes

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<v Speaker 1>new start for me again. Fourth of July left over

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<v Speaker 1>fireworks are going extra food. But yeah, Halloween abruptly stops

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<v Speaker 1>for that day. It's it's all decorations go down, and

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<v Speaker 1>it's because it immediately is shifting the holiday time and

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<v Speaker 1>it's a totally different vibe. I'll know. Halloween. Christmas is

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<v Speaker 1>also very spooky because the man is coming into your house.

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<v Speaker 1>Yeah yeah, oh yeah, and lesson not even can started

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<v Speaker 1>on the Black Christmas references too. Yeah, I'm so excited

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<v Speaker 1>about the news. Shout out to April Wolf. It was crazy.

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<v Speaker 1>I was in uh the h I think which whichever

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<v Speaker 1>the theater, Oh, it's the Pacific Theater by the Americana,

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<v Speaker 1>and then it had her um poster up and it

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<v Speaker 1>was like written by April Wolf, and I was getting

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<v Speaker 1>ready to snap a picture and then it's the digital

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<v Speaker 1>one so it went away and it was like, I

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<v Speaker 1>hate technology. It was just like a popcorn ad. Yeah

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<v Speaker 1>oh yeah yeah here like and then someone's walking up

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<v Speaker 1>like this guy really loves popcorn, and you're like, I

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<v Speaker 1>need to order this to my house. Yeah, but so

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<v Speaker 1>this spook Toober. Before we like go into today's side,

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<v Speaker 1>I just want to have a retrospect. We talked about

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<v Speaker 1>Candy Man, we talked about the Haunted Man, Ancient at Disneyland.

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<v Speaker 1>We talked about our real monsters and uh, and then

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<v Speaker 1>we also talked about the Child's Play series. And these

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<v Speaker 1>are all just kind of like very specific properties and

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<v Speaker 1>this one that we're doing today is bigger than that.

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<v Speaker 1>We're talking about Stephen King, We're talking about a mind.

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<v Speaker 1>We're talking about, you know, one of one of the

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<v Speaker 1>biggest names in horror. I feel like and you can

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<v Speaker 1>correct me because you did make a face. Uh. I'm

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<v Speaker 1>just excited. Yeah, because to me horror Mount Rushmore is

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<v Speaker 1>Clive Barker, Wes Craven, Stephen King. And I know I'm

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<v Speaker 1>missing two more people, so I'll let you the horror queen. Uh.

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<v Speaker 1>I don't know, those are really good. I kind of

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<v Speaker 1>pop Elvira of course, of course you cannot have Halloween

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<v Speaker 1>without Elvira. Yeah. Absolutely. John Carpenter as well needs to

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<v Speaker 1>be up there. Very sorry, to John Carpenter for forgetting Yeah,

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<v Speaker 1>he's pretty grumpy already. We don't know already he's going

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<v Speaker 1>to leave a one star review. Mary Shelley, Yeah, you know,

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<v Speaker 1>and one of the original voices of horror. The reason

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<v Speaker 1>that we have so many of the tropes and maccab

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<v Speaker 1>ideas we do it. Oh yes, Shirlie Jackson too. Sorry,

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<v Speaker 1>I'm just like thinking about all the women who helped

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<v Speaker 1>us get to But it's super It is super excited

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<v Speaker 1>to talk about Stephen King because so many of his

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<v Speaker 1>works have been adapted. Today when we're recording, not when

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<v Speaker 1>this is released. But I just released a sponsored post, uh,

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<v Speaker 1>the first sponsored post I've done for BuzzFeed, but it's

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<v Speaker 1>for Dcor Sleep the Shining. I'm so excited about it.

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<v Speaker 1>It looks incredible and it's so funny too, because you know,

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<v Speaker 1>BuzzFeed comments are all over the place. They can really

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<v Speaker 1>you never know what it is. And I was very

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<v Speaker 1>surprised to go into this sponsored ad and see a

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<v Speaker 1>lot of people real hype for the movie, so they

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<v Speaker 1>didn't really hate the video because I feel like typically

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<v Speaker 1>winning things just an add on any media platform. People

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<v Speaker 1>like the man, but or does that like a lot

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<v Speaker 1>of people who watch BuzzFeed videos are teenagers. So the

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<v Speaker 1>last time I was on BuzzFeed, there like, did she

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<v Speaker 1>put an eyeline around and she was drunk? That's the

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<v Speaker 1>look I'm going for. Leave me alone, children. But yeah,

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<v Speaker 1>someone said that Doctor Sleep was one of the best

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<v Speaker 1>books that they've read. Doctor Sleep is incredible. I think

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<v Speaker 1>it's one of his best um modern books, I guess,

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<v Speaker 1>like the last ten years or so. It also makes

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<v Speaker 1>me realize how timely it is that we're doing uh,

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<v Speaker 1>Stephen King right now, which, if I haven't said yet,

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<v Speaker 1>we're talking about Stephen King. Realized I did a lot

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<v Speaker 1>of Oh no, I did all the Mary Shelley research,

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<v Speaker 1>but we're talking about Stephen King. And yes, if you

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<v Speaker 1>don't know Doctor Sleep, because there was a lot of

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<v Speaker 1>people who in the comments were like, um, oh, I

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<v Speaker 1>didn't know this was a sequel to The Shining yet,

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<v Speaker 1>because it's very um, it's nebulous. It has a totally

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<v Speaker 1>different feeling to it, and it's about like little Danny

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<v Speaker 1>grown up trying to live a different life. So the

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<v Speaker 1>tone of it is very different. It's not what you

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<v Speaker 1>to mean, what you would think of as a natural sequel. Yeah,

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<v Speaker 1>it doesn't have anything to do with the hotel, and

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<v Speaker 1>it's like, how this shining has appened. Yeah, that's that's

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<v Speaker 1>what I was gonna say, is like it feels like

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<v Speaker 1>the shining is about the hotel, whereas Dr Sleep is

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<v Speaker 1>following the the mythos of the shine and what it

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<v Speaker 1>means and everything around that, which I feel like is

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<v Speaker 1>the perfect way to do a sequel to that, absolutely,

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<v Speaker 1>because like what horror stories are out there, I mean,

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<v Speaker 1>everyone you want to hear more about the myth like

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<v Speaker 1>you have a special power. How does that affect you

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<v Speaker 1>in everyday life? Yeah? I know, so it's it's uh,

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<v Speaker 1>it really is exciting. And you know, check that out

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<v Speaker 1>next week. It's it's coming out October November eight, so

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<v Speaker 1>that should be Yeah, that that'll be next week. That'll

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<v Speaker 1>keep your Halloween spirit go. Yeah, yeah, that's for you.

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<v Speaker 1>They did it for you. But let's start this off

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<v Speaker 1>how I start off every episode, which is jumping into

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<v Speaker 1>the nitty gritty. Stephen Edwin King born September twenty one,

0:12:10.559 --> 0:12:16.480
<v Speaker 1>ninety seven is an American author of horror, supernatural fiction, suspense,

0:12:16.520 --> 0:12:19.520
<v Speaker 1>and fantasy novels. His books have sold more than three

0:12:19.559 --> 0:12:22.679
<v Speaker 1>hundred and fifty million copies, many of which have been

0:12:22.720 --> 0:12:27.079
<v Speaker 1>adapted into feature films, mini series, television series, and comic books.

0:12:27.160 --> 0:12:30.920
<v Speaker 1>King has published sixty one novels, including seven under his

0:12:30.960 --> 0:12:34.640
<v Speaker 1>pen name Richard Bachman, and six nonfiction books. He has

0:12:34.679 --> 0:12:38.520
<v Speaker 1>written a He has written approximately two hundred short stories,

0:12:38.640 --> 0:12:43.319
<v Speaker 1>most of which have been published in book collections. Uh so,

0:12:43.520 --> 0:12:45.720
<v Speaker 1>what is what is your relationship with Stephen King and

0:12:45.760 --> 0:12:49.400
<v Speaker 1>his works? I can't pick apart my life from Stephen King.

0:12:49.760 --> 0:12:52.520
<v Speaker 1>I feel like he has been he was born alongside

0:12:52.559 --> 0:12:57.400
<v Speaker 1>of me. I my parents also, my mom specifically really

0:12:57.400 --> 0:13:00.960
<v Speaker 1>likes horror and my one of my oldest memories is

0:13:01.760 --> 0:13:05.240
<v Speaker 1>her reading pet cemetery and like the original paperback cover

0:13:05.440 --> 0:13:08.600
<v Speaker 1>was this cat's face, like really big and teeth and

0:13:08.640 --> 0:13:11.040
<v Speaker 1>like green eyes. It was so frightening, and I would

0:13:11.040 --> 0:13:13.600
<v Speaker 1>see it on her bedside table and I'd be like

0:13:13.960 --> 0:13:16.560
<v Speaker 1>shook to the core just from the cover. And much

0:13:16.640 --> 0:13:18.920
<v Speaker 1>like watching or going to the video store and seeing

0:13:18.960 --> 0:13:22.800
<v Speaker 1>horror vhs on the shelves, the art on the outside

0:13:22.880 --> 0:13:25.080
<v Speaker 1>of his books, and like the eighties and nineties was

0:13:25.440 --> 0:13:28.200
<v Speaker 1>so so much more disturbing. I couldn't even conjure in

0:13:28.240 --> 0:13:30.800
<v Speaker 1>my head what was in those pages, and my mom

0:13:30.840 --> 0:13:32.600
<v Speaker 1>would always be like, this isn't for your If I

0:13:32.640 --> 0:13:34.680
<v Speaker 1>was looking through it, she's like, this isn't appropriate for you.

0:13:34.760 --> 0:13:37.439
<v Speaker 1>And then of course the taboo of that it's just

0:13:37.880 --> 0:13:40.360
<v Speaker 1>so exciting. So I think I finally started reading them

0:13:40.480 --> 0:13:43.400
<v Speaker 1>like middle school at thirteen fourteen, I was like, I

0:13:43.440 --> 0:13:46.319
<v Speaker 1>am a woman. Now I'm reading Stephen King. Yeah, you

0:13:46.760 --> 0:13:50.760
<v Speaker 1>can finally like delve deep and yeah, yeah exactly. I

0:13:50.800 --> 0:13:53.160
<v Speaker 1>think when the Shining mini series came out, which was

0:13:53.160 --> 0:13:55.800
<v Speaker 1>the one that Stephen King directed because he hates the

0:13:55.880 --> 0:13:59.480
<v Speaker 1>Stanley Kubrick version, Uh, that came out and I was like, Okay,

0:13:59.520 --> 0:14:01.720
<v Speaker 1>I am for this. And when I watched that, I

0:14:01.760 --> 0:14:04.680
<v Speaker 1>felt like very proud of myself because it's extremely scary

0:14:04.679 --> 0:14:06.920
<v Speaker 1>to me as a kid. And then I started reading

0:14:07.000 --> 0:14:08.400
<v Speaker 1>the books. I was like, I made it through the

0:14:08.440 --> 0:14:12.400
<v Speaker 1>mini series. Time for the novels. Yeah, I mean which

0:14:12.880 --> 0:14:17.800
<v Speaker 1>was which do you prefer? The Stanley Kubrick or the

0:14:17.880 --> 0:14:23.440
<v Speaker 1>TV series? Well, they're hard to compare us. Stephen Webber

0:14:23.520 --> 0:14:27.000
<v Speaker 1>is no Jack Nicholson, um. But it's hard when you

0:14:27.040 --> 0:14:30.200
<v Speaker 1>really admire, Like I love the book, The Shining scares

0:14:30.240 --> 0:14:32.040
<v Speaker 1>me every time I've read it, probably like three times

0:14:32.040 --> 0:14:33.960
<v Speaker 1>and it upsets me every time I read it, and

0:14:34.000 --> 0:14:36.680
<v Speaker 1>there's tons of surprises in it. So I do like

0:14:36.800 --> 0:14:39.920
<v Speaker 1>that the mini series is adheres to the story more

0:14:40.280 --> 0:14:43.359
<v Speaker 1>and but I mean, of course, everybody knows that Kubrick's

0:14:43.360 --> 0:14:46.720
<v Speaker 1>is a visual masterpiece, and so you kind of have

0:14:46.800 --> 0:14:49.680
<v Speaker 1>to just like separate yourself from the fact that King

0:14:49.720 --> 0:14:52.400
<v Speaker 1>doesn't like it because it has so much going for

0:14:52.480 --> 0:14:55.240
<v Speaker 1>it visually, it's so iconic, and it's been parodied so

0:14:55.280 --> 0:14:57.840
<v Speaker 1>many times and it's left left an indelible mark on

0:14:57.880 --> 0:15:02.760
<v Speaker 1>our culture. Well, that's kind of a like kind of

0:15:04.560 --> 0:15:07.560
<v Speaker 1>I don't want to say normal, but common thing that happens. Right,

0:15:07.600 --> 0:15:11.120
<v Speaker 1>That King does not end up liking the adaptations, Well,

0:15:11.160 --> 0:15:13.440
<v Speaker 1>I think it's so hard to do with Stephen King

0:15:13.520 --> 0:15:16.520
<v Speaker 1>adaptation because a thing that people either love or hate

0:15:16.560 --> 0:15:19.200
<v Speaker 1>about his books is that there's a ton of exposition.

0:15:19.280 --> 0:15:22.600
<v Speaker 1>There's a ton of emotional background on every character. A

0:15:22.640 --> 0:15:25.520
<v Speaker 1>friend of mine hates his books because he says that

0:15:25.800 --> 0:15:27.880
<v Speaker 1>two or three pages will be dedicated to the way

0:15:27.880 --> 0:15:30.520
<v Speaker 1>a chair looks, And for me, I'm just like yes,

0:15:31.040 --> 0:15:33.480
<v Speaker 1>because like, you get me deep into that chair space

0:15:33.600 --> 0:15:36.960
<v Speaker 1>and then something like crazy supernatural happens. It's even scarier

0:15:37.120 --> 0:15:40.320
<v Speaker 1>to me because everything is so normal for so long

0:15:40.360 --> 0:15:43.360
<v Speaker 1>and they're like what that fact like scared so quickly,

0:15:43.880 --> 0:15:47.760
<v Speaker 1>and also because you are like picturing it more like

0:15:47.800 --> 0:15:50.480
<v Speaker 1>I feel like that adds to the horror because as

0:15:50.520 --> 0:15:53.960
<v Speaker 1>you read it, it gets more developed and it just

0:15:54.320 --> 0:15:58.040
<v Speaker 1>kind of grows more. Absolutely. Yeah, and that's I feel

0:15:58.080 --> 0:16:00.960
<v Speaker 1>like because people think of him as just like, I

0:16:01.000 --> 0:16:05.080
<v Speaker 1>don't know, Airport, paperback, fluff. All of his movies, a

0:16:05.080 --> 0:16:07.640
<v Speaker 1>lot of them have been adapted that way, and so

0:16:07.840 --> 0:16:10.040
<v Speaker 1>all of the things that make his work really special

0:16:10.080 --> 0:16:13.920
<v Speaker 1>gets lost, whereas Kubrick took all the visuals that were amazing,

0:16:14.200 --> 0:16:17.560
<v Speaker 1>heightened that, but still left out any of the interesting

0:16:18.000 --> 0:16:22.640
<v Speaker 1>like expository work. Yes, so of course the mini series

0:16:22.720 --> 0:16:25.760
<v Speaker 1>gets that down, but it's not visually quite a stunning

0:16:26.280 --> 0:16:30.080
<v Speaker 1>Oh of course. Yeah. I think my relation with Stephen

0:16:30.120 --> 0:16:34.760
<v Speaker 1>King is more cinematic than his books. I've seen a

0:16:34.760 --> 0:16:37.040
<v Speaker 1>lot of the films inspired, like Missed, which is actually

0:16:37.080 --> 0:16:39.320
<v Speaker 1>one of the films that he likes. He said he

0:16:39.480 --> 0:16:43.680
<v Speaker 1>likes the ending of the movie more than he Missed.

0:16:43.720 --> 0:16:46.760
<v Speaker 1>I hate the Missed, and I'm like the only horror

0:16:46.760 --> 0:16:49.640
<v Speaker 1>fan that hates the miss I think it's depressing as hell,

0:16:49.760 --> 0:16:53.680
<v Speaker 1>and I think it's like needlessly nihilistic. I was angry,

0:16:53.720 --> 0:16:56.480
<v Speaker 1>like I love a lot of things, and usually like

0:16:56.520 --> 0:16:58.080
<v Speaker 1>even the worst movie, I can be like, but you

0:16:58.120 --> 0:16:59.840
<v Speaker 1>know what I had going for it, and I think

0:16:59.840 --> 0:17:02.200
<v Speaker 1>the missed as great, but that final act reveal it

0:17:02.560 --> 0:17:05.840
<v Speaker 1>made me so mad. I was depressed for like twenty

0:17:05.880 --> 0:17:08.720
<v Speaker 1>four full hours and then anybody who looked at me,

0:17:08.760 --> 0:17:13.080
<v Speaker 1>I was just like like me mugging, and I loved it.

0:17:13.119 --> 0:17:15.520
<v Speaker 1>I was like, oh, this is such a wow, what

0:17:15.560 --> 0:17:21.840
<v Speaker 1>a twist rowney Yeah, and so and it's almost like

0:17:21.840 --> 0:17:26.080
<v Speaker 1>a lesson lesson of like giving up hope, like you

0:17:26.320 --> 0:17:29.600
<v Speaker 1>don't yeah, which is like, which is like the most

0:17:29.720 --> 0:17:33.879
<v Speaker 1>like hard way to say that, but it is like yeah,

0:17:33.920 --> 0:17:35.600
<v Speaker 1>that's and that's kind of what I took it as

0:17:35.720 --> 0:17:40.000
<v Speaker 1>is like this they gave up hope and unfortunately, like

0:17:40.080 --> 0:17:43.680
<v Speaker 1>it was just around the corner. And so because that

0:17:43.760 --> 0:17:46.200
<v Speaker 1>to me is like such a strong message and from

0:17:46.200 --> 0:17:50.399
<v Speaker 1>a horror movie, which is typically all hope is lost. Yeah,

0:17:50.720 --> 0:17:52.440
<v Speaker 1>that's a great point. I didn't read it like that

0:17:52.480 --> 0:17:54.280
<v Speaker 1>to me. To me, it read is kind of like

0:17:54.280 --> 0:17:58.399
<v Speaker 1>a ha ha, like you um sort of yeah again,

0:17:58.440 --> 0:18:02.040
<v Speaker 1>like a nihilistic four chance like, yeah, mess around like

0:18:02.080 --> 0:18:05.600
<v Speaker 1>I got you, oh man, Yeah, but yeah, so I

0:18:05.840 --> 0:18:09.320
<v Speaker 1>miss it. Of course. Did you love the mini series

0:18:09.359 --> 0:18:13.240
<v Speaker 1>as a kid? I feel like, yeah, I was freaked out.

0:18:13.240 --> 0:18:14.879
<v Speaker 1>I didn't see it much beyond that. I think I

0:18:14.960 --> 0:18:17.080
<v Speaker 1>haven't seen it since. And then I went and watched

0:18:17.080 --> 0:18:21.640
<v Speaker 1>the new one, which was an interesting an interesting tale

0:18:21.800 --> 0:18:25.720
<v Speaker 1>of like using parts of a novel without giving all

0:18:25.800 --> 0:18:28.800
<v Speaker 1>of it because then it just sends mixed messages and

0:18:28.960 --> 0:18:32.040
<v Speaker 1>doesn't pay off. I mean, just a quick one is

0:18:32.080 --> 0:18:35.280
<v Speaker 1>just the opening, the opening. I think just landed. Just

0:18:35.359 --> 0:18:39.160
<v Speaker 1>felt bad because you didn't know that this is because

0:18:39.200 --> 0:18:43.240
<v Speaker 1>of Pennywise's influence, that this hate crime is happening, because

0:18:43.280 --> 0:18:46.400
<v Speaker 1>you have a movie that takes place in a podunct

0:18:46.400 --> 0:18:49.479
<v Speaker 1>middle of America town. So if you see someone being homophobia, like, oh,

0:18:49.520 --> 0:18:52.159
<v Speaker 1>this is just a statement about the town, and you

0:18:52.280 --> 0:18:54.760
<v Speaker 1>totally missed that. No, this is penny Wise is influence,

0:18:54.760 --> 0:18:56.520
<v Speaker 1>and this is why it leaves right and the whole

0:18:56.560 --> 0:18:59.399
<v Speaker 1>town is rotten. And the fact that no one cares.

0:18:59.680 --> 0:19:02.080
<v Speaker 1>That's of the most interesting things about Diary to Me,

0:19:02.160 --> 0:19:05.480
<v Speaker 1>and the apathy that runs throughout all the adults, and

0:19:05.520 --> 0:19:07.920
<v Speaker 1>how when you move away you forget and it's like, yeah,

0:19:07.960 --> 0:19:11.400
<v Speaker 1>that's part of Pennywise, like you good, how bad things are,

0:19:11.440 --> 0:19:13.320
<v Speaker 1>and so you don't fight back. Yeah, And it's funny

0:19:13.359 --> 0:19:15.720
<v Speaker 1>because they really hit home on that part, which I

0:19:15.760 --> 0:19:19.040
<v Speaker 1>didn't really or I probably just didn't remember from the

0:19:19.040 --> 0:19:20.920
<v Speaker 1>first one, but they really hit home on that part

0:19:21.160 --> 0:19:23.879
<v Speaker 1>without really going into the influence, which is as simple

0:19:23.920 --> 0:19:27.520
<v Speaker 1>as a line for Isaiah Mustafa, who didn't have enough

0:19:27.560 --> 0:19:31.320
<v Speaker 1>lines anyway. Yeah, and we're doing other things, like maybe

0:19:31.320 --> 0:19:33.280
<v Speaker 1>not just that act. I mean, there were so much

0:19:33.320 --> 0:19:35.520
<v Speaker 1>time spent on that hate crime when they could have

0:19:35.560 --> 0:19:37.440
<v Speaker 1>been it could if you had to have that, you

0:19:37.480 --> 0:19:39.479
<v Speaker 1>could have had other stuff woven in. Of course they

0:19:39.480 --> 0:19:41.480
<v Speaker 1>took that scene directly from the book. That's how the

0:19:41.480 --> 0:19:44.240
<v Speaker 1>book opens. Yeah, and I read that again. I was like, like,

0:19:44.280 --> 0:19:46.800
<v Speaker 1>way too young for that book with all the child

0:19:46.920 --> 0:19:51.200
<v Speaker 1>orgies and all the crimes. And that was my big

0:19:51.359 --> 0:19:53.720
<v Speaker 1>ping against it, is like you had the sense to

0:19:53.800 --> 0:19:56.879
<v Speaker 1>like never touch this child orgy, but like you're like,

0:19:56.920 --> 0:19:58.960
<v Speaker 1>we gotta get this hate crime in. Yeah, And it

0:19:59.040 --> 0:20:01.439
<v Speaker 1>was just so real stick it felt like it was

0:20:01.520 --> 0:20:05.560
<v Speaker 1>happening to really yeah really, oh boy, there's nothing and

0:20:05.640 --> 0:20:08.560
<v Speaker 1>I just are already have any type of hate crime

0:20:08.640 --> 0:20:11.919
<v Speaker 1>displayed in movies by someone who's asked I think I

0:20:11.920 --> 0:20:14.520
<v Speaker 1>can kick. It's just always super hard for me where

0:20:14.520 --> 0:20:19.119
<v Speaker 1>it's like, oh, if I was there, right, cream be

0:20:19.359 --> 0:20:23.560
<v Speaker 1>so cream. Also any time of film is being made

0:20:23.560 --> 0:20:26.359
<v Speaker 1>by somebody who is not of that I don't know

0:20:26.480 --> 0:20:32.000
<v Speaker 1>about exactly so because I feel like it comes from

0:20:32.000 --> 0:20:35.600
<v Speaker 1>this sort of well, it's the same thing, like it's

0:20:35.680 --> 0:20:38.199
<v Speaker 1>the same thing of just like not really knowing the

0:20:38.240 --> 0:20:40.520
<v Speaker 1>gravity of throwing it in there. It seems to flippant

0:20:40.560 --> 0:20:45.200
<v Speaker 1>almost like you know when uh, when male writers add

0:20:45.359 --> 0:20:47.920
<v Speaker 1>rape to a woman's story for her growth and not

0:20:48.000 --> 0:20:50.680
<v Speaker 1>and just kind of how flippantly it's kind of us like, oh,

0:20:50.720 --> 0:20:52.320
<v Speaker 1>this is the hardest thing a woman could go through.

0:20:52.359 --> 0:20:55.399
<v Speaker 1>It's like, no, there's tons of other hard things. Actually

0:20:55.680 --> 0:20:57.960
<v Speaker 1>it's lazy. And I will say that that's one of

0:20:58.000 --> 0:21:00.720
<v Speaker 1>the things I think Stephen Kane goes back and forth on.

0:21:00.800 --> 0:21:03.040
<v Speaker 1>There's a number of his books where I think that

0:21:03.119 --> 0:21:07.920
<v Speaker 1>the female protagonist is so interesting and complex and scary

0:21:08.080 --> 0:21:11.800
<v Speaker 1>or tough a funny, But then other books or other

0:21:11.880 --> 0:21:14.760
<v Speaker 1>sections of those same stories, rape is such a large

0:21:14.800 --> 0:21:17.800
<v Speaker 1>part of it, And I feel like I can never

0:21:17.920 --> 0:21:21.000
<v Speaker 1>quite put my finger on where he is. Yeah. I

0:21:21.040 --> 0:21:24.800
<v Speaker 1>will say I did read one work of Stephen King,

0:21:25.040 --> 0:21:28.320
<v Speaker 1>which was his short story The John. Have you read that? No?

0:21:28.640 --> 0:21:31.800
<v Speaker 1>I don't think so. Oh it's really really good. It's

0:21:31.840 --> 0:21:35.840
<v Speaker 1>like a sci fi horror story. That's uh that in

0:21:35.880 --> 0:21:39.720
<v Speaker 1>the future. Uh, they travel galaxies through this thing called

0:21:39.760 --> 0:21:44.400
<v Speaker 1>the Jaunt. And in the Jaunt, essentially you're traveling like

0:21:44.720 --> 0:21:47.640
<v Speaker 1>you're traveling for years, but it only because they put

0:21:47.680 --> 0:21:51.720
<v Speaker 1>you to sleep. It makes it feel like seconds. But

0:21:51.840 --> 0:21:54.600
<v Speaker 1>and they tell you not to You cannot not to go,

0:21:55.359 --> 0:21:58.720
<v Speaker 1>not to be awake, because then you will age. And

0:21:58.800 --> 0:22:02.679
<v Speaker 1>it's it's and you know, horror ensues, but it's really

0:22:02.840 --> 0:22:06.359
<v Speaker 1>it's and just the reveal at the end and the

0:22:06.760 --> 0:22:09.639
<v Speaker 1>I think that's why I got to taste the flavor

0:22:09.640 --> 0:22:14.000
<v Speaker 1>of Stephen King without you know, getting any bad side

0:22:14.040 --> 0:22:18.280
<v Speaker 1>because he did take you know, the like descriptive nous

0:22:18.400 --> 0:22:22.320
<v Speaker 1>of like the reveal is was like, oh, this is great.

0:22:23.280 --> 0:22:26.960
<v Speaker 1>But we're gonna get into Stephen King, his life, his

0:22:27.040 --> 0:22:29.399
<v Speaker 1>early life and all that good stuff and leading up

0:22:29.440 --> 0:22:32.880
<v Speaker 1>into a wide open discussion of his books and the

0:22:32.920 --> 0:22:44.480
<v Speaker 1>things that inspired them. After this break and we're back,

0:22:44.640 --> 0:22:49.720
<v Speaker 1>but we're joined. There are now four guests in the studio. Yeah,

0:22:49.720 --> 0:22:53.240
<v Speaker 1>well we've mentioned to me she's been you know, you'll

0:22:53.240 --> 0:22:56.760
<v Speaker 1>hear it throughout the pod, usually drinking cereal real loud.

0:22:56.800 --> 0:22:58.760
<v Speaker 1>And I can't even be mad about that because I

0:22:58.800 --> 0:23:02.280
<v Speaker 1>know that's definitely my d and a that is doing that.

0:23:03.720 --> 0:23:07.280
<v Speaker 1>But yes, the Queen Danny has arrived and you know,

0:23:07.320 --> 0:23:09.800
<v Speaker 1>we're just talking about a relationship to you, Stephen King,

0:23:09.920 --> 0:23:12.119
<v Speaker 1>So do you want to just join in before we

0:23:12.240 --> 0:23:15.120
<v Speaker 1>jump into this monster of a bio. I think mine

0:23:15.119 --> 0:23:17.760
<v Speaker 1>would have to be the shining. I think that that's mine.

0:23:17.840 --> 0:23:22.320
<v Speaker 1>I think aside from my name being Danny, like everyone

0:23:22.600 --> 0:23:25.840
<v Speaker 1>always does that, Um, what is it, Mrs Danny's not here,

0:23:25.920 --> 0:23:28.879
<v Speaker 1>Mrs Torrance or whatever. Yeah, and come playing with us, Danny.

0:23:29.040 --> 0:23:31.119
<v Speaker 1>Yeah that one. Everyone did that to me. Um, so

0:23:31.160 --> 0:23:37.840
<v Speaker 1>please keep doing that. Never gets old. Yeah, so that, uh,

0:23:37.920 --> 0:23:40.320
<v Speaker 1>you know, and it's so funny because when we're exposed

0:23:40.320 --> 0:23:43.359
<v Speaker 1>to these as children, I'm really it was the parts

0:23:43.359 --> 0:23:45.280
<v Speaker 1>that I could see, right, so like a lot of

0:23:45.280 --> 0:23:47.720
<v Speaker 1>times my parents would have me cover my eyes and

0:23:47.760 --> 0:23:49.800
<v Speaker 1>like you know, I could only see like so much.

0:23:50.240 --> 0:23:53.040
<v Speaker 1>So to me, that's so fascinating. I don't remember until

0:23:53.040 --> 0:23:58.440
<v Speaker 1>I was older, this scene with the Old Lady. Yes,

0:23:58.760 --> 0:24:00.639
<v Speaker 1>so you were allowed to watch like those types of

0:24:00.640 --> 0:24:03.159
<v Speaker 1>movies when you're a kid, Yes, Like I remember watching

0:24:03.200 --> 0:24:06.800
<v Speaker 1>True Lies Total callback. Uh. And there's a very sexy

0:24:06.840 --> 0:24:09.520
<v Speaker 1>scene with Jamie Also, my we talked about Jamie Lee

0:24:09.520 --> 0:24:13.200
<v Speaker 1>Curtis when you were here last time. Um, but yeah,

0:24:13.760 --> 0:24:16.919
<v Speaker 1>this scene, there's like a sexy scene with her, and um,

0:24:16.960 --> 0:24:18.840
<v Speaker 1>I couldn't watch that, But of course I did, Like

0:24:18.880 --> 0:24:20.640
<v Speaker 1>my parents would do a thing where like I don't

0:24:20.640 --> 0:24:22.679
<v Speaker 1>know how, but they would somehow like stop it and

0:24:22.760 --> 0:24:25.600
<v Speaker 1>fast forward, like maybe they'd just be like, get a snack.

0:24:25.640 --> 0:24:27.720
<v Speaker 1>But there were all these gaps in movies that I

0:24:27.800 --> 0:24:29.240
<v Speaker 1>watched as an adult, and I was like, what are

0:24:29.280 --> 0:24:32.560
<v Speaker 1>all these deleted scenes that I'm seeing for the first time. Yeah,

0:24:32.560 --> 0:24:35.360
<v Speaker 1>so the one with the old woman was so triggering

0:24:35.440 --> 0:24:39.680
<v Speaker 1>and scary. And I do love that they have, um

0:24:39.920 --> 0:24:43.680
<v Speaker 1>Halloween Horror Nights. Last year they had a shining experience.

0:24:43.720 --> 0:24:45.640
<v Speaker 1>I don't know if you went to it. I went

0:24:45.680 --> 0:24:47.520
<v Speaker 1>to halleen Horn Knights last year, but I don't. I

0:24:47.520 --> 0:24:49.480
<v Speaker 1>think it was two years ago. I feel like it

0:24:49.560 --> 0:24:51.679
<v Speaker 1>was it, Yeah, because I went last year and it

0:24:51.800 --> 0:24:54.120
<v Speaker 1>wasn't there. I wish I could. Oh, yeah, maybe it right.

0:24:54.240 --> 0:24:56.360
<v Speaker 1>It was like, you're right, it was two years ago. Yeah.

0:24:56.359 --> 0:24:58.760
<v Speaker 1>It was like a maze. Uh, you could go through

0:24:58.760 --> 0:25:00.879
<v Speaker 1>the maze from the movie. And then also there was

0:25:00.920 --> 0:25:04.639
<v Speaker 1>a scene uh with the here's Johnny you know in

0:25:04.680 --> 0:25:07.360
<v Speaker 1>the acts, and I was like, how often did they

0:25:07.400 --> 0:25:11.240
<v Speaker 1>switch out these um actors because that would be exhausting.

0:25:11.400 --> 0:25:14.760
<v Speaker 1>Oh yeah, totally fries your vocal cords to scaracters. Yeah.

0:25:14.760 --> 0:25:17.520
<v Speaker 1>Well that was what's so funny, because you know, I've

0:25:17.520 --> 0:25:19.360
<v Speaker 1>been trying to get people to go to hord Nights

0:25:19.359 --> 0:25:22.240
<v Speaker 1>and they're like, if you hate scary things, why would

0:25:22.240 --> 0:25:26.240
<v Speaker 1>you go? But I was like, universal, like when they're mazes,

0:25:26.280 --> 0:25:30.520
<v Speaker 1>they recreate like some of the like when I went

0:25:30.880 --> 0:25:33.320
<v Speaker 1>like my whole tune change when I did the Halloween

0:25:33.400 --> 0:25:36.080
<v Speaker 1>maze and you're walking through the house and you're seeing

0:25:36.080 --> 0:25:39.000
<v Speaker 1>scenes from the movie. I was like, this is terrifying,

0:25:39.160 --> 0:25:42.200
<v Speaker 1>but this is also like on a nerdy level, cool

0:25:42.320 --> 0:25:44.840
<v Speaker 1>to see, like walking through the living room and seeing

0:25:44.880 --> 0:25:47.320
<v Speaker 1>on the news the Michael Myers murders and then it

0:25:47.359 --> 0:25:49.520
<v Speaker 1>goes back to when he's a kid and you can

0:25:49.560 --> 0:25:52.480
<v Speaker 1>see him getting ready to stab his sister. Like that

0:25:52.640 --> 0:25:55.640
<v Speaker 1>stuff as scary as it is, and it is scary,

0:25:55.800 --> 0:25:58.920
<v Speaker 1>Like the coolness kind of like made it worth it,

0:25:59.160 --> 0:26:01.080
<v Speaker 1>And then I think, I'll so did the Freddie versus

0:26:01.160 --> 0:26:04.480
<v Speaker 1>Jason May's and the stuff they did there were whild

0:26:04.480 --> 0:26:07.760
<v Speaker 1>like I was scared, but it was also they were

0:26:07.800 --> 0:26:10.960
<v Speaker 1>scaring me in such creative ways that I was laughing

0:26:11.200 --> 0:26:14.560
<v Speaker 1>because I was like why. There was like one where

0:26:14.720 --> 0:26:17.040
<v Speaker 1>he like literally pops out of a window in the

0:26:17.119 --> 0:26:19.960
<v Speaker 1>side of the wall, and I'm like, how would I

0:26:20.000 --> 0:26:24.320
<v Speaker 1>even prepare for this? This year? They have us And

0:26:24.359 --> 0:26:26.520
<v Speaker 1>it's so dope because they have a scene where it's

0:26:26.560 --> 0:26:29.440
<v Speaker 1>Lupeta versus Lupeta and I'm like, this is so cool.

0:26:30.080 --> 0:26:32.240
<v Speaker 1>So was it just the tether's kind of coming at you?

0:26:33.040 --> 0:26:35.760
<v Speaker 1>But but it's also the regular family trying to fight

0:26:35.800 --> 0:26:39.680
<v Speaker 1>for their lives. But yeah, it's and you're in the

0:26:39.720 --> 0:26:44.000
<v Speaker 1>mirror house, right scary? That was really scary In the

0:26:44.000 --> 0:26:46.640
<v Speaker 1>New movie Chapter two, that was one of the best

0:26:46.640 --> 0:26:52.359
<v Speaker 1>scenes mirror houses like classic cinema like suspense, because you

0:26:52.400 --> 0:26:56.000
<v Speaker 1>know it's like two people searching for someone and like

0:26:56.400 --> 0:26:59.119
<v Speaker 1>you see him or do you? You know? Yeah, they

0:26:59.200 --> 0:27:02.360
<v Speaker 1>aunt and yeah, I really I really did like that

0:27:02.440 --> 0:27:04.800
<v Speaker 1>scene and just the guilt that they kind of forced

0:27:04.840 --> 0:27:08.040
<v Speaker 1>him to go through that like I like, you know,

0:27:08.760 --> 0:27:13.080
<v Speaker 1>almost like philosophical horror, where it's where it's like it's

0:27:13.119 --> 0:27:16.720
<v Speaker 1>not technically scary for the person, but what it's doing

0:27:16.760 --> 0:27:18.760
<v Speaker 1>to that or I guess you would say like more

0:27:18.840 --> 0:27:21.840
<v Speaker 1>mental like what it's doing for their mentality because it's

0:27:21.880 --> 0:27:24.840
<v Speaker 1>putting them in a situation where he cannot save this

0:27:24.920 --> 0:27:28.000
<v Speaker 1>person and he's been trying so hard. Absolutely, Stephen King

0:27:28.040 --> 0:27:30.440
<v Speaker 1>is great at that. There's just like a ton of anguish,

0:27:30.480 --> 0:27:33.080
<v Speaker 1>especially in his short stories. It's like what a person

0:27:33.200 --> 0:27:36.560
<v Speaker 1>can do to another person, and like the sort of

0:27:36.560 --> 0:27:40.160
<v Speaker 1>what's great about it is that the apathy that people

0:27:40.240 --> 0:27:43.040
<v Speaker 1>have and how that can deteriorate and turn into like

0:27:43.080 --> 0:27:45.879
<v Speaker 1>a monster. It's I think it's some of his strongest

0:27:45.960 --> 0:27:50.040
<v Speaker 1>work is when he explores the stuff that's not just supernatural. Yeah.

0:27:50.040 --> 0:27:52.600
<v Speaker 1>So what are some of his other connecting factors between

0:27:52.640 --> 0:27:55.160
<v Speaker 1>his works? Do you notice like a common thread? Oh? Yeah,

0:27:55.200 --> 0:27:57.399
<v Speaker 1>I mean that's my favorite thing about Stephen King is

0:27:57.440 --> 0:28:00.560
<v Speaker 1>that all of his books are connected. And I'm I

0:28:00.560 --> 0:28:03.440
<v Speaker 1>know you two are, like you mean, in the same universe, right, Yes, yeah,

0:28:03.480 --> 0:28:05.560
<v Speaker 1>so I know you guys are huge Marvel Universe people.

0:28:05.840 --> 0:28:08.199
<v Speaker 1>I have I don't have a comic book background, but

0:28:08.320 --> 0:28:11.240
<v Speaker 1>I can meet you at that level where it's so

0:28:11.280 --> 0:28:13.960
<v Speaker 1>fun to see characters and stories we've in and out.

0:28:14.359 --> 0:28:15.879
<v Speaker 1>And the cool thing about it, and I think they

0:28:15.920 --> 0:28:18.399
<v Speaker 1>really missed an opportunity is that it is a huge

0:28:18.760 --> 0:28:22.800
<v Speaker 1>connecting um tier to everything else, all the other stories.

0:28:22.880 --> 0:28:25.800
<v Speaker 1>And I feel like there's a lot of money out

0:28:25.800 --> 0:28:29.960
<v Speaker 1>there for somebody who decides to start weaving these stories together,

0:28:30.359 --> 0:28:33.639
<v Speaker 1>because it's there already. I mean, horror really needs a

0:28:33.680 --> 0:28:36.240
<v Speaker 1>Marvel universe, I think, and that if you did the

0:28:36.320 --> 0:28:39.520
<v Speaker 1>Dark Tower series, which is it is connected to Dark Power.

0:28:39.640 --> 0:28:43.160
<v Speaker 1>That's his long like eight book series and thousands and

0:28:43.160 --> 0:28:45.960
<v Speaker 1>thousands of pages of a story that weaves all of

0:28:46.040 --> 0:28:48.640
<v Speaker 1>his books together and could be like the next Game

0:28:48.680 --> 0:28:51.959
<v Speaker 1>of Drones for HBO. Well that's that's the kind of

0:28:52.000 --> 0:28:55.680
<v Speaker 1>like tough part two about Dark Towers because all the

0:28:55.720 --> 0:28:58.680
<v Speaker 1>Stephen King fans know and just they've never been able

0:28:58.720 --> 0:29:01.920
<v Speaker 1>to nail it, and and it's and like people are

0:29:01.920 --> 0:29:04.640
<v Speaker 1>really excited because they're like, well it's pretty good, so

0:29:04.800 --> 0:29:07.720
<v Speaker 1>we can maybe get a good Dark Tower. And it

0:29:07.800 --> 0:29:10.479
<v Speaker 1>seems like they fumbled it yet again. Oh yeah, they

0:29:10.520 --> 0:29:13.560
<v Speaker 1>totally missed an opportunity because the whole end of the book.

0:29:13.760 --> 0:29:17.040
<v Speaker 1>It is about things that happen in the Dark Tower

0:29:17.080 --> 0:29:19.280
<v Speaker 1>and how cool it had been to do that. It

0:29:19.280 --> 0:29:21.920
<v Speaker 1>would be like the end credits of a scene in

0:29:21.960 --> 0:29:24.240
<v Speaker 1>a Marvel movie where you're like, oh, who's going to

0:29:24.360 --> 0:29:26.280
<v Speaker 1>be up next? And like a call to a movie

0:29:26.320 --> 0:29:27.920
<v Speaker 1>that comes out in two more years. Do you think

0:29:27.960 --> 0:29:30.400
<v Speaker 1>they're just so scared of that giant turtle? They're like,

0:29:31.280 --> 0:29:33.480
<v Speaker 1>people aren't ready for the giant turtle? You know what?

0:29:34.560 --> 0:29:36.160
<v Speaker 1>I feel like Stephen King gets a lot of flak

0:29:36.240 --> 0:29:37.880
<v Speaker 1>for like some corniness, and a big thing with the

0:29:37.880 --> 0:29:41.160
<v Speaker 1>new movies is them like making fun of Bill's character

0:29:41.200 --> 0:29:44.760
<v Speaker 1>for writing bad endings. Everybody thinks Stephen King writes bad endings,

0:29:44.760 --> 0:29:47.560
<v Speaker 1>but I think there's some hokey nous to it. But

0:29:47.680 --> 0:29:50.080
<v Speaker 1>if you embraced it and just did it instead of

0:29:50.120 --> 0:29:51.960
<v Speaker 1>making fun of it, I think you could do something

0:29:52.000 --> 0:29:54.120
<v Speaker 1>really weird. Because it's very similar to a lot of

0:29:54.160 --> 0:29:55.840
<v Speaker 1>stuff you love in the eighties that are like kind

0:29:55.840 --> 0:29:59.000
<v Speaker 1>of Jim Henson like that. We don't think that stuff

0:29:59.080 --> 0:30:02.120
<v Speaker 1>is cheesy, even know the Dark Crystal could be cheesey.

0:30:02.120 --> 0:30:03.960
<v Speaker 1>I don't know if it's because it's for adults that

0:30:04.040 --> 0:30:06.120
<v Speaker 1>people immediately then think it's corny. Well, that was the

0:30:06.160 --> 0:30:08.080
<v Speaker 1>hump they had to jump over for comic books, the

0:30:08.120 --> 0:30:11.040
<v Speaker 1>moment they allowed them to just be comic book movies

0:30:11.080 --> 0:30:13.280
<v Speaker 1>and being a shame. Like I've said that a million times,

0:30:13.320 --> 0:30:16.240
<v Speaker 1>that's when we found success. And I think so. I

0:30:16.280 --> 0:30:18.920
<v Speaker 1>think so too. I'm like, there's a movie with a

0:30:18.960 --> 0:30:21.440
<v Speaker 1>talking raccoon. I'm sure people aren't going to be that

0:30:21.480 --> 0:30:24.320
<v Speaker 1>freaked out about a giant turtle being the enemy of

0:30:24.360 --> 0:30:27.560
<v Speaker 1>a clown that literally shapes shifts, and like, we haven't

0:30:27.640 --> 0:30:30.720
<v Speaker 1>seen that before, So like, isn't that kind of exciting?

0:30:31.160 --> 0:30:33.440
<v Speaker 1>I would I don't know, you could do puppetry with it.

0:30:33.440 --> 0:30:35.880
<v Speaker 1>It could be a whole new kind of take on

0:30:36.000 --> 0:30:38.040
<v Speaker 1>something we haven't seen before, instead of being like, let's

0:30:38.040 --> 0:30:40.280
<v Speaker 1>not do it. And the fact that they crammed seven

0:30:41.000 --> 0:30:44.120
<v Speaker 1>wild into one movie, and then I think it turns

0:30:44.120 --> 0:30:46.040
<v Speaker 1>people off because they're like, well, that was a terrible movie.

0:30:46.160 --> 0:30:48.640
<v Speaker 1>It's like that was like five thousand pages of a

0:30:48.640 --> 0:30:52.760
<v Speaker 1>book into ninety minutes. That was just irresponsible and reckless decisions.

0:30:53.040 --> 0:30:55.160
<v Speaker 1>It would be doing the Harry Potter series all in

0:30:55.200 --> 0:30:58.080
<v Speaker 1>one movie exactly where honestly, it's kind of funny that

0:30:58.240 --> 0:31:00.640
<v Speaker 1>as a studio, you wouldn't want to milk that. That's

0:31:00.640 --> 0:31:03.000
<v Speaker 1>exactly what I'm saying, Like, I think it would be

0:31:03.040 --> 0:31:06.400
<v Speaker 1>so perfect for HBO or Showtime or I mean even

0:31:06.440 --> 0:31:09.920
<v Speaker 1>a MC. You could basically have something for ten years. Yeah,

0:31:10.080 --> 0:31:12.080
<v Speaker 1>I think that would be the move forward because I

0:31:12.080 --> 0:31:14.160
<v Speaker 1>think that's the fear is. I think when it comes

0:31:14.200 --> 0:31:18.920
<v Speaker 1>to horror, people are always afraid to do big budget

0:31:18.920 --> 0:31:21.320
<v Speaker 1>horror like there there. They love the low hanging horror

0:31:21.320 --> 0:31:23.680
<v Speaker 1>because you're going to get those international cells. You know,

0:31:24.320 --> 0:31:26.600
<v Speaker 1>it's going to be easy money. So anything that adds

0:31:26.720 --> 0:31:29.520
<v Speaker 1>risks to horror, I think scare studio. So I think

0:31:29.720 --> 0:31:32.160
<v Speaker 1>TV may be the way to go. Just yeah, I

0:31:32.160 --> 0:31:34.080
<v Speaker 1>mean we're in the best time for it right now.

0:31:34.200 --> 0:31:37.560
<v Speaker 1>I think everybody is looking for escape horror because we

0:31:37.640 --> 0:31:40.120
<v Speaker 1>have so much horror in our real lives that it

0:31:40.360 --> 0:31:42.960
<v Speaker 1>helps us to kind of look out and like satirize

0:31:43.000 --> 0:31:47.120
<v Speaker 1>some of that through like comic over the top horror. Okay,

0:31:47.200 --> 0:31:50.440
<v Speaker 1>so you know a lot about Stephen Hanging. You've read

0:31:50.680 --> 0:31:52.440
<v Speaker 1>a lot of his works. Yeah, I feel like I've

0:31:52.480 --> 0:31:56.479
<v Speaker 1>probably read I don't know, two thirds of not three fourths.

0:31:56.480 --> 0:31:58.840
<v Speaker 1>Why am I doing maths right now? And that if

0:31:58.880 --> 0:32:02.760
<v Speaker 1>not three thirdis so It's like some of his newer books,

0:32:02.760 --> 0:32:05.080
<v Speaker 1>like I haven't read Mr. Mercedes and I haven't read

0:32:05.080 --> 0:32:07.880
<v Speaker 1>like Under the Dome, but um, Doctor Sleep, I think

0:32:07.960 --> 0:32:11.360
<v Speaker 1>is like the newest of his novels that I'm so excited. Yeah,

0:32:11.600 --> 0:32:14.000
<v Speaker 1>we discussed it and I just I can't get enough

0:32:14.000 --> 0:32:17.560
<v Speaker 1>of the visuals. The trailer is so good. Well, I wanna, like,

0:32:17.720 --> 0:32:20.880
<v Speaker 1>you know, instead of just going through this author's life

0:32:20.880 --> 0:32:23.600
<v Speaker 1>and being like ha, and I want to bring up

0:32:23.640 --> 0:32:26.760
<v Speaker 1>things from his childhood that I feel would be an influence.

0:32:26.840 --> 0:32:29.160
<v Speaker 1>And you tell me if you've read it. One of

0:32:29.200 --> 0:32:32.080
<v Speaker 1>the things is that you know, uh, when King waste.

0:32:32.440 --> 0:32:34.520
<v Speaker 1>When Stephen King was two years old, his father left

0:32:34.520 --> 0:32:36.960
<v Speaker 1>his family and his mother raised Stephen and his older

0:32:36.960 --> 0:32:41.480
<v Speaker 1>brother by herself, and sometimes he had financial strain because

0:32:41.480 --> 0:32:43.920
<v Speaker 1>of that. And I feel like that is an element

0:32:44.000 --> 0:32:47.280
<v Speaker 1>that all artists, artists love pulling from their upbringing in

0:32:47.320 --> 0:32:51.320
<v Speaker 1>their parents. And definitely there's so many stories that he

0:32:51.440 --> 0:32:54.360
<v Speaker 1>writes about. There's a lot of domestic violence in his books,

0:32:54.360 --> 0:32:56.560
<v Speaker 1>and a lot of single women breaking out on their

0:32:56.600 --> 0:32:59.600
<v Speaker 1>own and like trying to build their lives despite like

0:32:59.680 --> 0:33:02.480
<v Speaker 1>the real life horror. And then you know something supernatural

0:33:02.560 --> 0:33:05.280
<v Speaker 1>is often woven in that too, um And so I

0:33:05.320 --> 0:33:09.360
<v Speaker 1>think that specifically speaks to stories like um Gerald's Game

0:33:09.600 --> 0:33:13.760
<v Speaker 1>or Dolores Clayborne or even Beverly in it escaping her

0:33:14.000 --> 0:33:17.680
<v Speaker 1>abusive husband later and the Shining definitely the Shining, Yeah,

0:33:17.720 --> 0:33:19.760
<v Speaker 1>I mean the Shining feels like it's one that is

0:33:19.800 --> 0:33:22.920
<v Speaker 1>the most connected to him because it's about the writer

0:33:23.040 --> 0:33:26.400
<v Speaker 1>who's like losing it and but also a small child

0:33:27.200 --> 0:33:30.040
<v Speaker 1>and the mom and they're like, now the mom is

0:33:30.080 --> 0:33:34.360
<v Speaker 1>scared because of this abusive husband. Yeah, yeah, he's like both.

0:33:34.400 --> 0:33:37.000
<v Speaker 1>I feel like he's in a way all three character probably. Yeah,

0:33:37.200 --> 0:33:39.840
<v Speaker 1>I'm sure you're aware of what people believe is Stephen

0:33:39.960 --> 0:33:44.040
<v Speaker 1>King's horror writer origin story, which is as a child,

0:33:44.160 --> 0:33:46.440
<v Speaker 1>King apparently witnessed one of his friends being struck and

0:33:46.520 --> 0:33:48.680
<v Speaker 1>killed by a train. Though he has no memory of

0:33:48.680 --> 0:33:50.920
<v Speaker 1>the event, his family told him that after leaving home

0:33:50.960 --> 0:33:53.920
<v Speaker 1>to play with a boy, King return speechless and seemingly

0:33:54.000 --> 0:33:56.440
<v Speaker 1>in shock. Only later did the family learn of the

0:33:56.480 --> 0:34:02.160
<v Speaker 1>friend's death. So everyone suggesting that that psychologically inspired why

0:34:02.240 --> 0:34:06.600
<v Speaker 1>he does such dark you know works, but there's no

0:34:06.600 --> 0:34:11.399
<v Speaker 1>nobody has ever. Yeah, I don't think Kings like, yeah,

0:34:11.400 --> 0:34:14.319
<v Speaker 1>that's what I'm spooky. But oh my gosh, this is

0:34:14.400 --> 0:34:16.960
<v Speaker 1>so fascinating to me as someone that deals with trauma,

0:34:17.120 --> 0:34:20.279
<v Speaker 1>the links to which your brain will go to protect you.

0:34:21.160 --> 0:34:24.120
<v Speaker 1>So he witnessed the murder of a child, Yeah, his

0:34:24.200 --> 0:34:27.960
<v Speaker 1>friend being killed by a train, and um, completely blacked

0:34:27.960 --> 0:34:31.120
<v Speaker 1>that out, because how can you keep going on, right,

0:34:31.239 --> 0:34:33.239
<v Speaker 1>especially when you're a kid. That's why a lot of

0:34:33.239 --> 0:34:35.440
<v Speaker 1>people that deal with trauma don't remember elements of their

0:34:35.520 --> 0:34:39.600
<v Speaker 1>childhood definitely. And then it comes out in other ways, um.

0:34:39.640 --> 0:34:41.720
<v Speaker 1>And I mean, of course, like a story like The Body,

0:34:41.800 --> 0:34:43.600
<v Speaker 1>which goes on to be one of his most famous

0:34:43.600 --> 0:34:47.360
<v Speaker 1>movies stand by Me about kids finding a dead body,

0:34:47.920 --> 0:34:52.880
<v Speaker 1>and then um, yeah, near the train track exactly, and

0:34:52.880 --> 0:34:56.000
<v Speaker 1>then pet Cemetery, which is about like a kid getting

0:34:56.239 --> 0:34:59.600
<v Speaker 1>killed by a semi truck. I mean it's a large

0:34:59.680 --> 0:35:05.440
<v Speaker 1>part of that story. And parental grief and brother sister grief. Um.

0:35:05.480 --> 0:35:07.120
<v Speaker 1>I mean, I think you can see that kind of

0:35:07.120 --> 0:35:10.160
<v Speaker 1>woven into everything. That's where a lot of his supernatural

0:35:10.280 --> 0:35:14.040
<v Speaker 1>is up against the realistic, like something normal, awful happens,

0:35:14.400 --> 0:35:17.640
<v Speaker 1>and then ghosts and monsters are connected to that, And

0:35:17.680 --> 0:35:21.719
<v Speaker 1>I think that's a really interesting way of processing trauma. Also, Yes, absolutely,

0:35:21.800 --> 0:35:23.520
<v Speaker 1>I think that we do that a lot in comedy,

0:35:23.520 --> 0:35:25.560
<v Speaker 1>where it's like, well, we can't just talk about this sad,

0:35:25.600 --> 0:35:28.719
<v Speaker 1>awful thing. We're not going to just talk about the

0:35:28.760 --> 0:35:30.880
<v Speaker 1>domestic abuse, so we're not just going to talk about,

0:35:31.120 --> 0:35:34.520
<v Speaker 1>you know, seeing my friend murdered. It is there's other elements,

0:35:34.520 --> 0:35:36.040
<v Speaker 1>like you said, like that is the way that you

0:35:36.040 --> 0:35:38.000
<v Speaker 1>can connect to the audience. You can bring them in

0:35:38.480 --> 0:35:42.080
<v Speaker 1>or else it's just this awful, horrible thing that you're watching. Absolutely,

0:35:42.080 --> 0:35:44.399
<v Speaker 1>and like we already have so much of that now,

0:35:44.440 --> 0:35:46.640
<v Speaker 1>and I think that is why there is more horror

0:35:46.960 --> 0:35:49.319
<v Speaker 1>to examine right now, because how much more of it

0:35:49.320 --> 0:35:51.359
<v Speaker 1>can we take on the news. Maybe we can put

0:35:51.360 --> 0:35:54.480
<v Speaker 1>it through this filter of monsters, right or ghosts or

0:35:54.480 --> 0:35:57.480
<v Speaker 1>whatever that's like more easily accessible than just watching the

0:35:57.520 --> 0:36:00.839
<v Speaker 1>actual horror of the world. Yeah. Absolutely. One of um

0:36:01.000 --> 0:36:03.319
<v Speaker 1>one of my favorite books, Gerald's Game, which is a

0:36:03.320 --> 0:36:06.080
<v Speaker 1>book that's highly underrated and got a little more play

0:36:06.120 --> 0:36:08.799
<v Speaker 1>recently because there was a Netflix movie that came out

0:36:08.800 --> 0:36:10.799
<v Speaker 1>a couple of years ago. By the way, did you

0:36:10.840 --> 0:36:13.480
<v Speaker 1>like that? I didn't watch it? And here is why,

0:36:13.520 --> 0:36:16.800
<v Speaker 1>because like it's trigger warning a lot about sexual assault

0:36:17.200 --> 0:36:19.080
<v Speaker 1>and a friend of mine told me that that was

0:36:19.160 --> 0:36:21.440
<v Speaker 1>like there was a lot of scenes of that, and I,

0:36:21.520 --> 0:36:24.160
<v Speaker 1>whereas I have no problem actually reading about it, watching

0:36:24.400 --> 0:36:28.000
<v Speaker 1>sexual assault as like entertainment, Like I just can't do it.

0:36:28.000 --> 0:36:30.640
<v Speaker 1>It's the most triggering thing to me. So I was like, Oh,

0:36:30.880 --> 0:36:32.840
<v Speaker 1>I really love the book though, And the book is

0:36:32.880 --> 0:36:35.640
<v Speaker 1>one of the most frightening books. And it's just a woman.

0:36:36.400 --> 0:36:38.520
<v Speaker 1>The plot is that it's a woman who is like

0:36:38.680 --> 0:36:42.000
<v Speaker 1>playing having sex games with her husband, is handcuffed to

0:36:42.040 --> 0:36:45.000
<v Speaker 1>the bed. He has a heart attack during and dies,

0:36:45.560 --> 0:36:49.160
<v Speaker 1>and she's handcuffed to this bed and can't get out,

0:36:49.640 --> 0:36:52.040
<v Speaker 1>and like, but she starts seeing somebody in the room

0:36:52.080 --> 0:36:54.560
<v Speaker 1>with her, and so it's like there's a supernatural element

0:36:54.600 --> 0:36:57.560
<v Speaker 1>to it. So she's by herself and she's reliving bad

0:36:57.600 --> 0:36:59.400
<v Speaker 1>things that happened to her, but then also thinking that

0:36:59.440 --> 0:37:01.920
<v Speaker 1>there's a scary element in the room, and like for

0:37:02.040 --> 0:37:05.239
<v Speaker 1>one person to have like a four page book and

0:37:05.280 --> 0:37:07.439
<v Speaker 1>have that be fascinating. It's one of the scariest books

0:37:07.480 --> 0:37:09.759
<v Speaker 1>I've ever read. Just the idea of being alone with

0:37:10.080 --> 0:37:13.440
<v Speaker 1>your thoughts of trauma, but then also a spooky person

0:37:13.480 --> 0:37:16.560
<v Speaker 1>who's maybe watching you. Like it's it's really really good.

0:37:16.560 --> 0:37:19.360
<v Speaker 1>Did you watch the movie or no? No, I just

0:37:19.480 --> 0:37:21.799
<v Speaker 1>I also think that that concept is really fascinating that

0:37:21.840 --> 0:37:24.560
<v Speaker 1>it takes place all in this one kind of singular

0:37:25.000 --> 0:37:28.600
<v Speaker 1>with this woman. Um not quite the same at all,

0:37:28.640 --> 0:37:30.239
<v Speaker 1>but just what popped in my head is do you

0:37:30.280 --> 0:37:32.640
<v Speaker 1>remember that movie with the pay phone where he was

0:37:32.680 --> 0:37:36.680
<v Speaker 1>stuck in the pay phone? But like, to me, any

0:37:36.680 --> 0:37:38.560
<v Speaker 1>time that you could eat, whether people loved it or not,

0:37:38.680 --> 0:37:40.880
<v Speaker 1>any time that you can be in the singular moment

0:37:41.080 --> 0:37:47.680
<v Speaker 1>and kind of like health time go what did I say, payphone?

0:37:49.320 --> 0:37:51.520
<v Speaker 1>I don't have enough change, but for you to be

0:37:52.400 --> 0:37:56.839
<v Speaker 1>for you to be riveted by this like I always, uh,

0:37:57.200 --> 0:37:58.840
<v Speaker 1>I like that risk. I always have a lot of

0:37:58.840 --> 0:38:01.080
<v Speaker 1>respect for people that can that can that can show

0:38:01.120 --> 0:38:03.440
<v Speaker 1>something in like real time like that absolutely in one

0:38:03.480 --> 0:38:05.919
<v Speaker 1>location which one looks really great at. And that's what's

0:38:05.920 --> 0:38:08.640
<v Speaker 1>so exciting about the Shining is just that it's like

0:38:09.560 --> 0:38:13.520
<v Speaker 1>one small place that goes on for an endless kind

0:38:13.520 --> 0:38:16.480
<v Speaker 1>of amount because it is connected to this other universe

0:38:16.600 --> 0:38:18.719
<v Speaker 1>of souls that are in there and stuck in there,

0:38:18.719 --> 0:38:21.359
<v Speaker 1>and it's it's neat because I like the idea of

0:38:21.400 --> 0:38:23.840
<v Speaker 1>like the world that you see is bigger and greater,

0:38:23.960 --> 0:38:26.680
<v Speaker 1>and crazier than you could ever imagine. And he's really

0:38:26.680 --> 0:38:29.560
<v Speaker 1>great at exploring that. Have you gone to either of

0:38:29.560 --> 0:38:33.239
<v Speaker 1>the Shining Houses? I know there's a miniseries, there's a

0:38:33.280 --> 0:38:37.520
<v Speaker 1>TV one house, right or No, what am I thinking of?

0:38:37.960 --> 0:38:41.359
<v Speaker 1>There's the hotel, the hotel, there's there's inside, Okay, that's

0:38:41.360 --> 0:38:44.360
<v Speaker 1>what I'm thinking. There's the inside, which is one one hotel,

0:38:44.560 --> 0:38:46.960
<v Speaker 1>and the outside, which is a different hotel. Yes. So

0:38:47.000 --> 0:38:51.120
<v Speaker 1>the Stanley Hotel in um Estes Park, Colorado. I got

0:38:51.200 --> 0:38:54.040
<v Speaker 1>to go to it two years ago, and that is

0:38:54.560 --> 0:38:58.200
<v Speaker 1>the one that he stayed at and that that when

0:38:58.200 --> 0:39:00.520
<v Speaker 1>he wrote it. Yeah, and so I went to the

0:39:00.600 --> 0:39:03.080
<v Speaker 1>room and I got to like, well, we weren't supposed to,

0:39:03.200 --> 0:39:05.640
<v Speaker 1>but I snuck up there like my little picture in

0:39:05.680 --> 0:39:07.160
<v Speaker 1>front of it, like the room that he like wrote

0:39:07.200 --> 0:39:09.400
<v Speaker 1>a lot of it in. Which was another reason that

0:39:09.480 --> 0:39:11.920
<v Speaker 1>hotel was really fun is it's also where they filmed

0:39:12.120 --> 0:39:14.760
<v Speaker 1>Dumb and Dumber when they're an aspen at the hotel.

0:39:14.800 --> 0:39:16.520
<v Speaker 1>So I was just like the two sides of my

0:39:16.560 --> 0:39:19.560
<v Speaker 1>personality were just like lighting up, like horror and comedy.

0:39:20.120 --> 0:39:21.960
<v Speaker 1>Um and they have a lot of drinks on the

0:39:22.000 --> 0:39:24.520
<v Speaker 1>menu that are Shining inspired, which is really cute and

0:39:24.520 --> 0:39:26.279
<v Speaker 1>fun also, and then there's the one that was the

0:39:26.320 --> 0:39:30.120
<v Speaker 1>actual outside of Outside, which I think is in Washington State.

0:39:30.440 --> 0:39:32.240
<v Speaker 1>I could be wrong, but I haven't gotten to see

0:39:32.400 --> 0:39:35.719
<v Speaker 1>that one. I wanted to talk real quickly about some

0:39:35.800 --> 0:39:38.319
<v Speaker 1>of his influences, because I know that he's influenced a

0:39:38.320 --> 0:39:42.600
<v Speaker 1>lot of artists, but it looks like some of his influences, Uh,

0:39:42.840 --> 0:39:47.120
<v Speaker 1>Edgar Allan Poe as you would make so much. So

0:39:47.239 --> 0:39:50.120
<v Speaker 1>does everyone else on here to be honest, HP Lovecraft,

0:39:50.320 --> 0:39:55.040
<v Speaker 1>j R. R. Tolkien, Ray Bradberry, Bram Stoker, of course,

0:39:56.360 --> 0:40:00.359
<v Speaker 1>Shirley Jackson, Richard Matheson My Baby, who wrote a bunch

0:40:00.360 --> 0:40:02.480
<v Speaker 1>of that sounds awkward, especially looking at this picture of him,

0:40:02.480 --> 0:40:04.799
<v Speaker 1>because he's just an old guy in a top hat. Um,

0:40:05.040 --> 0:40:06.400
<v Speaker 1>but you won't see you as a guy in a

0:40:06.520 --> 0:40:11.399
<v Speaker 1>top hat. Yeah, you know, you're right. Um. He wrote

0:40:11.440 --> 0:40:14.960
<v Speaker 1>a lot of the Twilight Zone episodes, Uh, William Faulkner, Um,

0:40:15.000 --> 0:40:19.600
<v Speaker 1>Alexander Dumas, Henry James and William Golden goes on forever.

0:40:19.800 --> 0:40:22.920
<v Speaker 1>But um, do any of those stand out to you? Yeah? Definitely,

0:40:23.000 --> 0:40:26.680
<v Speaker 1>I think especially somebody like brom Stoker, who was inspired

0:40:26.719 --> 0:40:30.399
<v Speaker 1>to write Dracula because of tuberculosis victims, and like they

0:40:30.400 --> 0:40:33.440
<v Speaker 1>were the way that they looked, which was like gaunt

0:40:33.600 --> 0:40:36.719
<v Speaker 1>and pale, and their how their nails and hair kept

0:40:36.719 --> 0:40:39.239
<v Speaker 1>girl as it does everybody. Your nails and hair keep

0:40:39.239 --> 0:40:41.919
<v Speaker 1>growing after death. But people at the time would dig

0:40:41.960 --> 0:40:44.520
<v Speaker 1>up tuberculosis victims and see that and think they were

0:40:44.560 --> 0:40:46.920
<v Speaker 1>still alive because they didn't know scientifically that that's what

0:40:46.960 --> 0:40:50.239
<v Speaker 1>happens to everybody's body. So he used all these things

0:40:50.280 --> 0:40:53.080
<v Speaker 1>that were real, real diseases to create a larger horror,

0:40:53.120 --> 0:40:55.480
<v Speaker 1>which is a really big part of Stephen King's work,

0:40:55.560 --> 0:40:58.959
<v Speaker 1>especially one of his most popular books, The Stand, which

0:40:59.000 --> 0:41:03.040
<v Speaker 1>was a mini series iffy at best, Like, there's some

0:41:03.160 --> 0:41:05.160
<v Speaker 1>really great characters in it, but then there's also like

0:41:05.160 --> 0:41:07.920
<v Speaker 1>a lot of magical Negro stuff. Um, there's a lot

0:41:07.960 --> 0:41:10.000
<v Speaker 1>of rape in it. It could be it could definitely

0:41:10.000 --> 0:41:12.200
<v Speaker 1>have some new life breathed into it. But I love

0:41:12.320 --> 0:41:16.799
<v Speaker 1>the book and sprawling epic stories like J. R. R. Tolkien. Um,

0:41:17.040 --> 0:41:19.399
<v Speaker 1>I think The Stand and then The Dark Tower. If

0:41:19.400 --> 0:41:21.960
<v Speaker 1>you like The Lord of the Rings like you will

0:41:22.080 --> 0:41:24.640
<v Speaker 1>love the Dark Tower series and understand while it was

0:41:24.640 --> 0:41:27.960
<v Speaker 1>in high school, the Dark Tower was blowing up like

0:41:28.040 --> 0:41:31.160
<v Speaker 1>everyone was reading it. Yeah, everyone, like anybody who likes

0:41:31.200 --> 0:41:34.799
<v Speaker 1>it every time somebody at loving it. You gotta also

0:41:34.920 --> 0:41:36.880
<v Speaker 1>understand I was hanging out with the weaves and comics.

0:41:37.680 --> 0:41:40.799
<v Speaker 1>Weren't you in like anime club or something. No, it

0:41:40.920 --> 0:41:43.799
<v Speaker 1>was a martial arts club, which was a undercover fight club.

0:41:43.960 --> 0:41:49.480
<v Speaker 1>Oh that's much tougher because we're blasting like the like

0:41:49.680 --> 0:41:53.560
<v Speaker 1>song from Blade and the Mortal Kombat techno music while

0:41:53.640 --> 0:41:59.440
<v Speaker 1>sparring on the mats. We were the dorky is did

0:41:59.400 --> 0:42:03.960
<v Speaker 1>you cover pseudonyms? Richard Bachman? We did not talk about Bachman,

0:42:04.160 --> 0:42:07.640
<v Speaker 1>which I really love. Backman stuff is still good and

0:42:07.680 --> 0:42:09.520
<v Speaker 1>I really love the reason that he did it, which

0:42:09.600 --> 0:42:11.920
<v Speaker 1>was that he was worried. I think this is the

0:42:11.960 --> 0:42:14.120
<v Speaker 1>thing that probably happens to you if you get popular

0:42:14.320 --> 0:42:17.040
<v Speaker 1>enough that you're like, do people like my work or

0:42:17.120 --> 0:42:19.880
<v Speaker 1>they just like my name and they'll do watch and

0:42:19.920 --> 0:42:23.080
<v Speaker 1>do anything that I do. And he's successful enough to

0:42:23.120 --> 0:42:26.080
<v Speaker 1>do this though, yeah, because like anyone else, you would

0:42:26.080 --> 0:42:28.200
<v Speaker 1>just like wanting you would have to use your name

0:42:28.280 --> 0:42:30.000
<v Speaker 1>to try and get in places. But he was so

0:42:30.080 --> 0:42:32.520
<v Speaker 1>successful he was like, let me see if they actually

0:42:32.560 --> 0:42:36.480
<v Speaker 1>like me, and then like yeah, like they sold Like

0:42:36.719 --> 0:42:39.160
<v Speaker 1>I don't know, I want to say, like two hundred

0:42:39.200 --> 0:42:44.080
<v Speaker 1>thousand of his first book, which was Rage in Right,

0:42:44.160 --> 0:42:46.400
<v Speaker 1>And then once it came out that he wrote it,

0:42:46.480 --> 0:42:49.160
<v Speaker 1>then it was like a million more copies were as sold.

0:42:49.200 --> 0:42:52.319
<v Speaker 1>So it's like, yes, your name does have to do

0:42:52.520 --> 0:42:55.040
<v Speaker 1>with it, but but do you like any of those?

0:42:55.080 --> 0:42:58.160
<v Speaker 1>So it was raped. So under Richard Bachman he wrote

0:42:58.200 --> 0:43:00.600
<v Speaker 1>a handful of short novels We Have Age in nineteen

0:43:00.640 --> 0:43:04.640
<v Speaker 1>seventy seven, The Long Walk nineteen seventy nine, Roadwork nineteen

0:43:04.640 --> 0:43:07.560
<v Speaker 1>eighty one, The Running Man nineteen eight two, and Thinner

0:43:07.640 --> 0:43:10.640
<v Speaker 1>nineteen eight four. Um, I do actually like Dinner. I

0:43:10.640 --> 0:43:13.719
<v Speaker 1>think the movie is rough, um, but at Dinner is

0:43:13.719 --> 0:43:15.759
<v Speaker 1>really interesting, although it does have sort of like that

0:43:16.200 --> 0:43:20.120
<v Speaker 1>gypsy like a magical gipsy woman, which is also offensive

0:43:20.200 --> 0:43:24.680
<v Speaker 1>now it was then, But um, I really like. The

0:43:24.760 --> 0:43:30.040
<v Speaker 1>Long Walk is kind of a dystopian story about kids

0:43:30.080 --> 0:43:32.560
<v Speaker 1>who have to walk at the same pace and they

0:43:32.560 --> 0:43:36.200
<v Speaker 1>have yeah yeah, like guards around them, and if they

0:43:36.239 --> 0:43:38.680
<v Speaker 1>go any faster or any slower, they get killed on

0:43:38.719 --> 0:43:43.160
<v Speaker 1>the spot. Speed yeah yeah, yeah, but for walking wait

0:43:43.200 --> 0:43:45.360
<v Speaker 1>and so wait, tell me more. I'm kind of fascinating.

0:43:45.400 --> 0:43:48.560
<v Speaker 1>So with this concept, so is the whole book. These

0:43:48.640 --> 0:43:52.960
<v Speaker 1>kids are they walking somewhere because it's short novel. Yeah, yeah, yeah,

0:43:52.960 --> 0:43:54.960
<v Speaker 1>all you do so you you you drop in on

0:43:55.000 --> 0:43:58.560
<v Speaker 1>these kids as they're walking. Yeah, it's a point of

0:43:58.640 --> 0:44:01.920
<v Speaker 1>view through one of the kids. I you know what,

0:44:02.000 --> 0:44:04.839
<v Speaker 1>that's a good question. I don't remember if it's through

0:44:04.840 --> 0:44:06.680
<v Speaker 1>one of the kids or not. Because what happens is

0:44:06.920 --> 0:44:09.880
<v Speaker 1>the idea that everybody gets killed and the last person

0:44:10.600 --> 0:44:13.600
<v Speaker 1>standing gets like a prize. So it has sort of

0:44:13.640 --> 0:44:16.759
<v Speaker 1>like a Hunger Games kind of feel to it. And

0:44:16.800 --> 0:44:18.600
<v Speaker 1>when I was a teenager, I was so obsessed with

0:44:18.680 --> 0:44:23.960
<v Speaker 1>dystopian realities and that like, these things can all be possible. Um,

0:44:24.040 --> 0:44:25.920
<v Speaker 1>So I did really like that one a lot, And

0:44:26.000 --> 0:44:29.840
<v Speaker 1>I think that could be a really interesting anthology. So cool.

0:44:30.120 --> 0:44:32.279
<v Speaker 1>I wish that they did as Stephen King, and like

0:44:32.320 --> 0:44:39.640
<v Speaker 1>they're definitely more streaming services and platforms pushing towards horror anthology. Yeah, definitely,

0:44:39.680 --> 0:44:42.760
<v Speaker 1>And I think that Stephen King is a perfect person

0:44:42.840 --> 0:44:45.200
<v Speaker 1>to pull from. Yeah. Absolutely, And they tried to do

0:44:45.280 --> 0:44:47.680
<v Speaker 1>that with Castle Rock on Hulu. But the problem with

0:44:47.719 --> 0:44:50.839
<v Speaker 1>that is they actually wrote all of it before they

0:44:50.880 --> 0:44:53.680
<v Speaker 1>had the rights to Stephen King's work, So then what

0:44:53.719 --> 0:44:55.760
<v Speaker 1>they did they got their rights before it was finished,

0:44:55.760 --> 0:44:59.040
<v Speaker 1>so then they started shoehorning details in and so it

0:44:59.080 --> 0:45:01.480
<v Speaker 1>doesn't a hundred per scent work. There's elements of it

0:45:01.520 --> 0:45:03.360
<v Speaker 1>that are exciting, and I think if you're not a

0:45:03.400 --> 0:45:06.520
<v Speaker 1>Stephen King person, it could possibly get you into the universe,

0:45:06.560 --> 0:45:09.640
<v Speaker 1>which is great. But as somebody who's just like really

0:45:09.680 --> 0:45:12.359
<v Speaker 1>obsessed with this work, I'm like, his, it's just not

0:45:12.719 --> 0:45:15.200
<v Speaker 1>it's not a lot of new ground. I'll keep watching it.

0:45:15.280 --> 0:45:17.080
<v Speaker 1>By the way, I lived in Castle Rock. It is

0:45:17.080 --> 0:45:19.920
<v Speaker 1>a thousand percent haunted and it's also where I got divorced.

0:45:20.719 --> 0:45:23.120
<v Speaker 1>My house was haunted. Not even kidding. I actually was

0:45:23.239 --> 0:45:25.600
<v Speaker 1>on like a haunted podcast talk about how haunted my

0:45:25.600 --> 0:45:28.759
<v Speaker 1>house actually are. When we moved in as newlywed, our

0:45:28.800 --> 0:45:30.920
<v Speaker 1>neighbors came over to tell us that our house was haunted.

0:45:30.960 --> 0:45:32.839
<v Speaker 1>I was like, that's like a Stephen King story. It's

0:45:32.880 --> 0:45:34.640
<v Speaker 1>always a neighbor coming in to be like your life's

0:45:34.680 --> 0:45:39.160
<v Speaker 1>about to be. I was just like, thanks with information.

0:45:39.400 --> 0:45:41.839
<v Speaker 1>Just bought a house with my husband, which is very

0:45:41.880 --> 0:45:43.919
<v Speaker 1>hard to do but much easier if you don't live

0:45:44.239 --> 0:45:47.680
<v Speaker 1>in California. And um, this was a couple of years

0:45:47.680 --> 0:45:50.160
<v Speaker 1>ago when people could actually still get loans and stuff,

0:45:50.880 --> 0:45:54.120
<v Speaker 1>but I just want to say that upfront. Um, but yeah,

0:45:54.160 --> 0:45:56.640
<v Speaker 1>I remember them telling me that. I thought, like, how rude.

0:45:56.840 --> 0:45:58.440
<v Speaker 1>It is rude because you're like, well what do I

0:45:58.480 --> 0:46:01.480
<v Speaker 1>do about it? Now? But then its haunted? Uh? And

0:46:01.520 --> 0:46:05.560
<v Speaker 1>when I told my neighbor, they like fell into a

0:46:05.600 --> 0:46:07.279
<v Speaker 1>puddle on the floor, like they were so they did

0:46:07.280 --> 0:46:09.200
<v Speaker 1>not want to live across from our haunted house anymore.

0:46:09.239 --> 0:46:10.920
<v Speaker 1>I think they had seen so many tenants come in

0:46:10.920 --> 0:46:12.720
<v Speaker 1>and out of it, so you like cleared out the block,

0:46:13.000 --> 0:46:14.840
<v Speaker 1>like this block is no good, We'll just set it

0:46:14.880 --> 0:46:17.239
<v Speaker 1>on fire and let's all move to California. We're also

0:46:17.239 --> 0:46:19.520
<v Speaker 1>in the Coldest act like we were the end house. Um,

0:46:19.680 --> 0:46:21.480
<v Speaker 1>so like a bunch of bookie about that, like a

0:46:21.640 --> 0:46:27.000
<v Speaker 1>dead end. Your house is the dead end. We have

0:46:27.200 --> 0:46:29.160
<v Speaker 1>to take a really quick break. We're gonna hop more

0:46:29.239 --> 0:46:40.600
<v Speaker 1>into Stephen King right after this what is if we

0:46:40.680 --> 0:46:44.400
<v Speaker 1>are back and thank you for listening to another nerdificent

0:46:45.040 --> 0:46:48.360
<v Speaker 1>here with Danny Fernandez, Lucy Tomlin Brenner. You know, I

0:46:48.400 --> 0:46:53.000
<v Speaker 1>mean way and we're we're we're going to jump into

0:46:53.120 --> 0:46:56.960
<v Speaker 1>some you know, Stephen King essentials, you know, and guided

0:46:57.120 --> 0:47:02.200
<v Speaker 1>of course by the the Halloween Queen. You really are

0:47:02.400 --> 0:47:04.600
<v Speaker 1>like you have such a I mean, I'm sure there

0:47:04.640 --> 0:47:06.880
<v Speaker 1>are things we haven't even asked you, but we should

0:47:06.880 --> 0:47:08.640
<v Speaker 1>just like turn the mic on, just let you talk.

0:47:10.320 --> 0:47:13.160
<v Speaker 1>I would just start being like, okay, in theft hundreds

0:47:13.280 --> 0:47:16.480
<v Speaker 1>and I first started carving parsnips to be Jack a lantern,

0:47:16.760 --> 0:47:19.040
<v Speaker 1>like I could get real dry. I thought you were

0:47:19.040 --> 0:47:20.560
<v Speaker 1>talking about you. I'm like a hundred I thought you

0:47:20.600 --> 0:47:22.319
<v Speaker 1>were saying when I was car I'm like, she's a

0:47:22.360 --> 0:47:25.000
<v Speaker 1>hundred percent of which I respect this. We'll start this out.

0:47:26.600 --> 0:47:30.680
<v Speaker 1>I love Halloween history. She was alive back then. Re Accidentally,

0:47:32.080 --> 0:47:35.200
<v Speaker 1>I've been burned twenty times and I'm still kicking. There's

0:47:35.200 --> 0:47:38.200
<v Speaker 1>a twilight zone about Cleopatra. I don't Yeah, it's my favorite,

0:47:38.200 --> 0:47:41.040
<v Speaker 1>but she's like an actress today and like you know,

0:47:41.040 --> 0:47:43.960
<v Speaker 1>it kind of slips, but she wants people to know, like, yeah,

0:47:44.000 --> 0:47:46.239
<v Speaker 1>you know, because she looks so good. She's lived for

0:47:46.320 --> 0:47:50.319
<v Speaker 1>centuries and like she like kind of you know, she

0:47:50.400 --> 0:47:52.799
<v Speaker 1>keeps it a secret, but also kind of not like

0:47:52.880 --> 0:47:56.760
<v Speaker 1>you know, I was a queen. Um. I love that. Okay,

0:47:56.760 --> 0:47:58.640
<v Speaker 1>So what are some of the other works of his

0:47:58.880 --> 0:48:02.879
<v Speaker 1>that really resonated with you? Um? Carrie was the first

0:48:02.880 --> 0:48:06.160
<v Speaker 1>book that I read and I've always loved the book

0:48:06.400 --> 0:48:11.280
<v Speaker 1>um about a teenage girl who's finding her telekinesis powers

0:48:11.560 --> 0:48:15.000
<v Speaker 1>and how that aligns with how unpopular and misunderstood she is.

0:48:15.120 --> 0:48:16.880
<v Speaker 1>And it's like one of these things where like her

0:48:16.920 --> 0:48:19.719
<v Speaker 1>mom is an obsessive religious zealot, which kind of keeps

0:48:19.719 --> 0:48:22.080
<v Speaker 1>her from being popular because it's hard to come out

0:48:22.080 --> 0:48:24.080
<v Speaker 1>of that, but it also makes her weird. So none

0:48:24.080 --> 0:48:25.880
<v Speaker 1>of the kids at school like her. But she's not

0:48:25.960 --> 0:48:28.560
<v Speaker 1>into either. She just wants to live and she has

0:48:28.680 --> 0:48:32.399
<v Speaker 1>nothing but these amazing powers. And I that was something

0:48:32.440 --> 0:48:34.480
<v Speaker 1>that really resonated with me in middle school and I

0:48:34.480 --> 0:48:36.480
<v Speaker 1>first read it and I was just like, I just

0:48:36.520 --> 0:48:39.080
<v Speaker 1>remember fantasizing about like who I could throw across the

0:48:39.239 --> 0:48:42.200
<v Speaker 1>room with powers? Yes, it was Carrie a superhero. She

0:48:42.400 --> 0:48:44.960
<v Speaker 1>is kind of a superhero. It's just the thing that's

0:48:44.960 --> 0:48:47.520
<v Speaker 1>a bummer. Is like her powers kind of end to

0:48:47.600 --> 0:48:50.160
<v Speaker 1>her death and the death of everyone else's. But I

0:48:50.200 --> 0:48:53.799
<v Speaker 1>love people love Di Palma's seventy six version, but I

0:48:53.800 --> 0:48:56.920
<v Speaker 1>think Kimberly Pierce of Boys Don't Cry, her version of

0:48:57.000 --> 0:49:01.480
<v Speaker 1>two thousand and thirteen is truly a feminist like action hero,

0:49:02.239 --> 0:49:05.600
<v Speaker 1>extreme revenge horror has like an insane kill in it

0:49:05.640 --> 0:49:08.320
<v Speaker 1>that I've never seen in any other movie. And more importantly,

0:49:08.320 --> 0:49:10.319
<v Speaker 1>there's like no male gaze in it, which is a

0:49:10.360 --> 0:49:13.359
<v Speaker 1>big problem with like a lot of his adaptations are

0:49:13.400 --> 0:49:15.239
<v Speaker 1>they're directed by men, and so women are kind of

0:49:15.280 --> 0:49:17.799
<v Speaker 1>the set dressings. But like Karry, this is like her

0:49:18.000 --> 0:49:20.959
<v Speaker 1>story and it's about her reclaiming the power from being

0:49:21.080 --> 0:49:23.520
<v Speaker 1>both like oppressed at school and oppressed by her mother,

0:49:23.960 --> 0:49:26.879
<v Speaker 1>and it's Julianne Moore is in it as her mother,

0:49:26.920 --> 0:49:29.200
<v Speaker 1>who has clearly also had some abuse in her life,

0:49:29.200 --> 0:49:31.600
<v Speaker 1>and about her regaining power kind of through self harm,

0:49:31.640 --> 0:49:36.080
<v Speaker 1>which is interesting in a very complicated storyline, but helmed

0:49:36.120 --> 0:49:38.400
<v Speaker 1>by a woman makes it so much more interesting and

0:49:38.400 --> 0:49:41.200
<v Speaker 1>empowering to me. So I definitely want people to watch

0:49:41.280 --> 0:49:45.160
<v Speaker 1>that film because it makes it is closer to the book,

0:49:45.360 --> 0:49:49.080
<v Speaker 1>and it is also it fleshes out these characters in

0:49:49.120 --> 0:49:52.320
<v Speaker 1>a much more fascinating way than Brianda Palmer is able

0:49:52.320 --> 0:49:55.560
<v Speaker 1>to um again with a female director as the original

0:49:55.600 --> 0:49:58.880
<v Speaker 1>pet Cemetery by Mary Lambert is a really great adaptation

0:49:59.000 --> 0:50:01.960
<v Speaker 1>of the book. Book is a little more campy and

0:50:02.000 --> 0:50:04.880
<v Speaker 1>its horness is just like very intense, very brutal. The

0:50:05.040 --> 0:50:08.200
<v Speaker 1>entire time. It's not as intellectual some of his other books,

0:50:08.200 --> 0:50:10.600
<v Speaker 1>but it is NonStop scary if you want to just

0:50:10.640 --> 0:50:14.279
<v Speaker 1>read something that's just like boo boo boo um. And

0:50:14.440 --> 0:50:17.560
<v Speaker 1>I really like Mary Lambert's version and the remake I

0:50:17.640 --> 0:50:21.040
<v Speaker 1>was excited about, but it's just such a modern bomber,

0:50:21.600 --> 0:50:25.560
<v Speaker 1>like a lot of like just jump scares, loud music, dark, Yeah,

0:50:25.680 --> 0:50:28.560
<v Speaker 1>just chief scares instead of building up to it. Yeah.

0:50:28.600 --> 0:50:31.759
<v Speaker 1>I hate that we're talking about, you know, the for

0:50:31.880 --> 0:50:34.960
<v Speaker 1>lack of a better term, women's touch on Carry. And

0:50:34.960 --> 0:50:37.439
<v Speaker 1>there's something about the writing of Carry that I want

0:50:37.440 --> 0:50:40.040
<v Speaker 1>to like point out that I think is a just

0:50:40.120 --> 0:50:44.160
<v Speaker 1>a good writing tip. Uh. In nineties seventy three with

0:50:44.239 --> 0:50:47.400
<v Speaker 1>the novel Carry, it was accepted by the publishing house

0:50:47.480 --> 0:50:50.760
<v Speaker 1>Double Day, but it was going to be his fourth novel,

0:50:51.920 --> 0:50:54.839
<v Speaker 1>but it was the first to be published so for Carry.

0:50:54.960 --> 0:50:57.920
<v Speaker 1>The novel actually began as a short story that was

0:50:57.960 --> 0:51:01.000
<v Speaker 1>supposed to be for the Cavalier magazine, but King tossed

0:51:01.040 --> 0:51:03.680
<v Speaker 1>the first three pages in the garbage can and it

0:51:03.760 --> 0:51:06.840
<v Speaker 1>was actually Tabitha King who finished the pages out of

0:51:06.840 --> 0:51:09.759
<v Speaker 1>the garbage and encouraged him to finish the story, and

0:51:09.800 --> 0:51:12.239
<v Speaker 1>she said that she would help him with the female perspective,

0:51:12.320 --> 0:51:14.200
<v Speaker 1>and he followed her advice and then we had to

0:51:14.280 --> 0:51:16.520
<v Speaker 1>carry so it was like so even he knew he

0:51:16.560 --> 0:51:19.680
<v Speaker 1>was like, I'm bad at writing women, and he was like, oh,

0:51:19.800 --> 0:51:22.600
<v Speaker 1>if I just talked to one and help her out,

0:51:22.760 --> 0:51:25.919
<v Speaker 1>and you know, yeah, talking to women can really help

0:51:25.920 --> 0:51:30.160
<v Speaker 1>you create any well. Yeah, and that's like whenever somebody's

0:51:30.239 --> 0:51:34.200
<v Speaker 1>like because you know, sometimes I'll get and even sometimes

0:51:34.280 --> 0:51:36.319
<v Speaker 1>listeners have hit me up and be like, you know,

0:51:36.400 --> 0:51:39.320
<v Speaker 1>you and Danny talked about you know, white folks writing

0:51:39.360 --> 0:51:41.239
<v Speaker 1>you know about people of color or women of color

0:51:41.280 --> 0:51:42.680
<v Speaker 1>and all this like what is the thing. I was like,

0:51:42.719 --> 0:51:45.840
<v Speaker 1>We'll send it to a person of color, woman of

0:51:45.880 --> 0:51:49.880
<v Speaker 1>color because they let them and let them know, like

0:51:49.880 --> 0:51:53.560
<v Speaker 1>like like let them know, be honest, because it's honestly

0:51:54.120 --> 0:51:56.880
<v Speaker 1>if you if you would, if I would have got loquishia,

0:51:56.920 --> 0:52:01.720
<v Speaker 1>I would have been like ye no, oh my gosh, chief,

0:52:02.280 --> 0:52:05.439
<v Speaker 1>I'm gonna say the same. Yeah. No. I definitely think

0:52:05.680 --> 0:52:09.200
<v Speaker 1>he struggles with that with his black characters as well.

0:52:09.280 --> 0:52:11.040
<v Speaker 1>He does that like gross thing that I think a

0:52:11.080 --> 0:52:13.520
<v Speaker 1>lot of writers that they might still do it, but

0:52:13.640 --> 0:52:16.080
<v Speaker 1>definitely in the seventies and eighties where it's like describing

0:52:16.080 --> 0:52:19.200
<v Speaker 1>their skin like food. Yeah, you know, and like using

0:52:19.440 --> 0:52:22.920
<v Speaker 1>slang that's just so over the top and so unnatural

0:52:23.000 --> 0:52:25.279
<v Speaker 1>that like you don't even realize you can cringe while

0:52:25.280 --> 0:52:27.520
<v Speaker 1>you're reading a book. It's just like, oh, I'm shuddering.

0:52:27.840 --> 0:52:30.960
<v Speaker 1>When when Lee Unchorage wanted to do Coco, like they

0:52:30.960 --> 0:52:33.719
<v Speaker 1>were like, okay, but you need to immerse yourself. You

0:52:33.760 --> 0:52:35.680
<v Speaker 1>need to go to Mexico. You need to be there.

0:52:36.360 --> 0:52:39.000
<v Speaker 1>Um and actually, like you know, so he's not just

0:52:39.040 --> 0:52:41.719
<v Speaker 1>like writing something that he's not familiar with. And of

0:52:41.760 --> 0:52:45.799
<v Speaker 1>course he also brought on um Adrian Molina. But yeah,

0:52:45.800 --> 0:52:49.040
<v Speaker 1>you need to work with people of color or women

0:52:49.080 --> 0:52:51.880
<v Speaker 1>are like anybody whose voice is not your voice because

0:52:51.920 --> 0:52:54.200
<v Speaker 1>other right, we talked about this with it um. Chapter

0:52:54.280 --> 0:52:56.520
<v Speaker 1>two starting with a hate crime, like if you are

0:52:56.640 --> 0:52:59.160
<v Speaker 1>a person who's not affected by hate crimes, brought it

0:52:59.200 --> 0:53:02.120
<v Speaker 1>by someone who is because it's so tone deaf otherwise

0:53:02.160 --> 0:53:07.200
<v Speaker 1>and triggering, super triggering. Um, I wanted to talk about two.

0:53:07.320 --> 0:53:10.680
<v Speaker 1>How I saw Secret Window a rear window. Oh man,

0:53:11.200 --> 0:53:14.040
<v Speaker 1>I love secret windows, Secret Windows. Secret Garden is a

0:53:14.080 --> 0:53:17.000
<v Speaker 1>short story and then it was made into a movie

0:53:17.120 --> 0:53:20.400
<v Speaker 1>just called a Secret Window about a writer who is

0:53:20.440 --> 0:53:23.680
<v Speaker 1>plagued by a man who keeps insisting that the book

0:53:23.719 --> 0:53:26.600
<v Speaker 1>that he's famous for was written by this insane man

0:53:26.880 --> 0:53:28.839
<v Speaker 1>who keeps showing up at his doorstep day after day.

0:53:28.880 --> 0:53:31.239
<v Speaker 1>And they made the movie in like two thousand and

0:53:31.920 --> 0:53:34.840
<v Speaker 1>five thousand and six, with Johnny Depp and John Taturot

0:53:35.280 --> 0:53:37.799
<v Speaker 1>being the guy who shows up on his footstep on

0:53:37.840 --> 0:53:42.439
<v Speaker 1>his doorsteps saying you stole my story over and over

0:53:42.480 --> 0:53:45.080
<v Speaker 1>throughout the entire movie, and that for me is enough

0:53:45.120 --> 0:53:49.640
<v Speaker 1>to love a movie. Um, it's Johnny Depp. Um. At

0:53:49.640 --> 0:53:51.600
<v Speaker 1>the last time I think he was cute, he is

0:53:51.640 --> 0:53:54.440
<v Speaker 1>abusive and the worst. But Weekend acknowledge he was like

0:53:54.440 --> 0:53:56.239
<v Speaker 1>a heart job in the nineties. The last time he

0:53:56.320 --> 0:53:58.080
<v Speaker 1>was cute was when he was in this movie. And

0:53:58.120 --> 0:54:00.640
<v Speaker 1>he's actually like pretty good in it. Uh. It is

0:54:00.680 --> 0:54:04.600
<v Speaker 1>actually a very underrated adaptation. There's just a couple of like, yeah,

0:54:04.640 --> 0:54:06.360
<v Speaker 1>so he's super known for horror. I know you were

0:54:06.360 --> 0:54:10.319
<v Speaker 1>talking about Creep Show, which has it's which is out

0:54:10.320 --> 0:54:13.680
<v Speaker 1>now a new version of Creep Show yea on um

0:54:13.840 --> 0:54:18.400
<v Speaker 1>shutter yeah anthology series, so that one isn't all based

0:54:18.440 --> 0:54:20.520
<v Speaker 1>on his stories like some of them are, like the

0:54:20.520 --> 0:54:24.040
<v Speaker 1>original Creep Show movies. He did with George Romero of

0:54:24.160 --> 0:54:27.759
<v Speaker 1>Donna the Dead, um Night a Living Dead zombie fame,

0:54:28.400 --> 0:54:31.960
<v Speaker 1>and a couple of those were based on his short stories,

0:54:32.000 --> 0:54:34.080
<v Speaker 1>and then a couple of them were like original stories

0:54:34.160 --> 0:54:37.839
<v Speaker 1>and they split directing. And he also cameoed in one

0:54:37.880 --> 0:54:41.279
<v Speaker 1>of the original creep Show Saidila, I know that he

0:54:41.360 --> 0:54:43.719
<v Speaker 1>cameoed in it too, but like he likes to pop up.

0:54:43.719 --> 0:54:46.480
<v Speaker 1>He's like m Night Shamalan. Yes, he I love and

0:54:46.520 --> 0:54:48.239
<v Speaker 1>I love a cameoke. I don't think it's cheesy. I

0:54:48.239 --> 0:54:52.080
<v Speaker 1>think it's cute, like you worked hard, show your face. Um.

0:54:52.160 --> 0:54:55.400
<v Speaker 1>He directed the only movie he ever directed, Maximum Overdrive,

0:54:55.600 --> 0:54:57.600
<v Speaker 1>which everybody thinks is like one of the worst horror

0:54:57.600 --> 0:55:00.960
<v Speaker 1>movies ever, but it's like a little fun. He cameos

0:55:00.960 --> 0:55:02.360
<v Speaker 1>in that and people think it's like one of the

0:55:02.400 --> 0:55:05.879
<v Speaker 1>worst cameos ever. Um. But yeah, he's in this one

0:55:05.920 --> 0:55:09.240
<v Speaker 1>where basically mold takes over it like some kind of alien.

0:55:09.280 --> 0:55:11.640
<v Speaker 1>Mold takes over his whole house and his whole face.

0:55:11.719 --> 0:55:15.000
<v Speaker 1>And there's some really good gifts of their out there

0:55:15.040 --> 0:55:17.719
<v Speaker 1>of him covered in green grass. If you need a

0:55:17.719 --> 0:55:20.759
<v Speaker 1>good Stephen King gift, Can you talk to me a

0:55:20.800 --> 0:55:23.480
<v Speaker 1>little bit about the Green Mile because it just feels

0:55:23.520 --> 0:55:26.759
<v Speaker 1>like such a turn, but maybe because I'm not familiar

0:55:26.800 --> 0:55:30.319
<v Speaker 1>with his work. Um, it's it's a turn if if

0:55:30.360 --> 0:55:33.640
<v Speaker 1>you're thinking of him as like a just a prolific

0:55:33.640 --> 0:55:36.799
<v Speaker 1>horror writer, which he is, but he does do a

0:55:36.800 --> 0:55:41.200
<v Speaker 1>lot of work like Shawshank Redemption. I'm sorry, yes, also

0:55:41.239 --> 0:55:44.359
<v Speaker 1>that before definitely Like so, he's written a ton of

0:55:44.440 --> 0:55:48.000
<v Speaker 1>books that actually don't necessarily have horror horror elements. So

0:55:48.040 --> 0:55:51.160
<v Speaker 1>Stephen King, one of the inspirations that we didn't talk

0:55:51.200 --> 0:55:54.239
<v Speaker 1>about was his love of crime and detective novels and

0:55:54.280 --> 0:55:57.000
<v Speaker 1>Elmore Leonard is an author that he has been very

0:55:57.040 --> 0:56:00.799
<v Speaker 1>inspired by, and so I think that when he explore

0:56:00.960 --> 0:56:03.520
<v Speaker 1>something like The Green Mile, what's really interesting about it

0:56:03.560 --> 0:56:06.759
<v Speaker 1>is that it came out serially like it's a really

0:56:06.800 --> 0:56:09.360
<v Speaker 1>large book, but originally it just came out chapter by chapter,

0:56:09.440 --> 0:56:11.680
<v Speaker 1>which is something that they used to do back in

0:56:11.719 --> 0:56:14.520
<v Speaker 1>like the forties and fifties, where you would just get

0:56:14.680 --> 0:56:17.520
<v Speaker 1>part of a crime novel like every week or every month.

0:56:17.800 --> 0:56:20.480
<v Speaker 1>And so he was trying to use that element in

0:56:20.520 --> 0:56:23.239
<v Speaker 1>a new way with a new story, and that's how

0:56:23.280 --> 0:56:25.359
<v Speaker 1>The Green Mile came to be. And he wanted to

0:56:25.480 --> 0:56:31.600
<v Speaker 1>use that UM Prison Um, the grayness of like who's

0:56:31.640 --> 0:56:34.440
<v Speaker 1>really bad, who's really good? That comes up in a

0:56:34.440 --> 0:56:36.000
<v Speaker 1>lot of his work, and I think it is interesting

0:56:36.040 --> 0:56:39.120
<v Speaker 1>because when you deal with monsters and the supernatural, there's

0:56:39.160 --> 0:56:41.239
<v Speaker 1>a big bad and then there's the good and you're

0:56:41.239 --> 0:56:43.279
<v Speaker 1>fighting each other, especially in the stand which is just

0:56:43.320 --> 0:56:49.120
<v Speaker 1>about good and evil. But when you start exploring um, crime, uh,

0:56:49.600 --> 0:56:54.720
<v Speaker 1>police prison systems, it becomes this grayness of some people

0:56:54.719 --> 0:56:57.120
<v Speaker 1>are about some people are good. And I think through

0:56:57.520 --> 0:57:00.480
<v Speaker 1>his work that is not straightforwardly super now trull, he's

0:57:00.520 --> 0:57:05.239
<v Speaker 1>able to explore the like gray upsetting nous of our

0:57:05.280 --> 0:57:09.000
<v Speaker 1>real society. So it's still very challenging. And then he

0:57:09.080 --> 0:57:11.439
<v Speaker 1>weaves a little bit of supernatural elements into the green.

0:57:11.440 --> 0:57:15.080
<v Speaker 1>Well those all those UM stand by Me and the

0:57:15.080 --> 0:57:17.520
<v Speaker 1>Shawshank Redemption and the Green Mild, they all have horror

0:57:17.520 --> 0:57:22.280
<v Speaker 1>elements to them, like something terrifying that happens or crime.

0:57:22.320 --> 0:57:25.760
<v Speaker 1>Like you said, so that that is still fascinating. Um.

0:57:25.800 --> 0:57:28.880
<v Speaker 1>But Okay, so you've read so many of his books

0:57:28.880 --> 0:57:31.240
<v Speaker 1>and still are reading his books. Have you noticed a

0:57:31.360 --> 0:57:34.240
<v Speaker 1>change in his writing style over the years. Um. I

0:57:34.280 --> 0:57:38.000
<v Speaker 1>think that there's more nuance as he you know, knows

0:57:38.080 --> 0:57:41.040
<v Speaker 1>more about the world ages as we all learn that

0:57:41.160 --> 0:57:44.560
<v Speaker 1>some things are like not appropriate anymore, or things that

0:57:44.600 --> 0:57:48.320
<v Speaker 1>are more interesting the older you get. Um and ideas

0:57:48.320 --> 0:57:50.920
<v Speaker 1>that he keeps coming back to related to the Dark Tower.

0:57:51.040 --> 0:57:52.840
<v Speaker 1>So the thing that I love about his books is

0:57:52.880 --> 0:57:56.600
<v Speaker 1>it always has the nuance and the expository writing where

0:57:56.600 --> 0:58:00.200
<v Speaker 1>he explores everything in minute details, which I love. But

0:58:00.320 --> 0:58:05.280
<v Speaker 1>then I think he has flushed out characters every decade

0:58:05.360 --> 0:58:07.760
<v Speaker 1>more and more and more and made them, like made

0:58:07.800 --> 0:58:11.360
<v Speaker 1>the female characters way more interesting and more in depth

0:58:11.640 --> 0:58:13.960
<v Speaker 1>and less caricature e. And I will also say that

0:58:14.280 --> 0:58:17.880
<v Speaker 1>I think his scary stuff is more about the world

0:58:17.920 --> 0:58:23.160
<v Speaker 1>being scary and less like haunted dogs, you know. But

0:58:23.280 --> 0:58:25.840
<v Speaker 1>I think his style that I love has stayed true.

0:58:25.880 --> 0:58:27.680
<v Speaker 1>It's like every time I opened a Stephen King book,

0:58:27.720 --> 0:58:30.240
<v Speaker 1>it feels like I'm at home, and it reminds me

0:58:30.280 --> 0:58:32.440
<v Speaker 1>of like being a teenager under the covers and just

0:58:32.520 --> 0:58:38.160
<v Speaker 1>being like, m this feels like secret scary. I love that. Um, Well,

0:58:38.200 --> 0:58:40.800
<v Speaker 1>I guess what are some other things? I know that

0:58:40.840 --> 0:58:45.200
<v Speaker 1>it's impossible to talk about this man's ripping the table

0:58:45.320 --> 0:58:48.440
<v Speaker 1>because there's so many things. Now nobody writes this woman,

0:58:48.600 --> 0:58:51.040
<v Speaker 1>she clearly knows everything there is to know and if

0:58:51.080 --> 0:58:53.360
<v Speaker 1>we could go for four hours, she really would. I

0:58:53.400 --> 0:58:55.360
<v Speaker 1>hope that you get asked to be in a document

0:58:55.400 --> 0:58:57.280
<v Speaker 1>I got asked to be in a documentary for Twilight Zone.

0:58:57.320 --> 0:58:59.280
<v Speaker 1>I was like, finally, the one thing that I know

0:58:59.400 --> 0:59:03.600
<v Speaker 1>the most of asides Wonder Woman and anime, um, the

0:59:03.640 --> 0:59:06.680
<v Speaker 1>one thing. Well, everybody that listens to this has to

0:59:06.760 --> 0:59:09.520
<v Speaker 1>hear me reference it. But Rod Serling is the reason

0:59:09.640 --> 0:59:11.960
<v Speaker 1>I became a writer, one of the biggest reasons, and

0:59:12.040 --> 0:59:15.520
<v Speaker 1>so so much of that and what I deal with.

0:59:16.080 --> 0:59:17.960
<v Speaker 1>You know, Stephen King is the reason I love horror.

0:59:18.000 --> 0:59:20.240
<v Speaker 1>That was my Stephen King, and I guess maybe Fear Street,

0:59:20.320 --> 0:59:21.760
<v Speaker 1>although I don't want to give our els time that

0:59:21.840 --> 0:59:25.479
<v Speaker 1>much credit, but like, reading those as a tween got

0:59:25.520 --> 0:59:29.000
<v Speaker 1>me interested in like this idea of greater worlds all

0:59:29.040 --> 0:59:33.480
<v Speaker 1>around us, with like spooky tentacles coming out of the darkness. Um.

0:59:33.600 --> 0:59:36.760
<v Speaker 1>And I think there's so many there's so many books

0:59:36.800 --> 0:59:39.280
<v Speaker 1>that haven't been turned into movies, so you probably haven't

0:59:39.280 --> 0:59:40.680
<v Speaker 1>heard about. And I think a lot of people think

0:59:40.680 --> 0:59:44.200
<v Speaker 1>that books after the nineties aren't as good. There's this

0:59:44.240 --> 0:59:46.240
<v Speaker 1>idea that like his early work as his best work,

0:59:46.320 --> 0:59:49.880
<v Speaker 1>but like movie or excuse me books like Insomnia one

0:59:49.920 --> 0:59:53.520
<v Speaker 1>of my favorite books. It's so weird and it's so

0:59:53.640 --> 0:59:56.560
<v Speaker 1>creepy about like the idea that everybody has a life

0:59:56.640 --> 1:00:00.280
<v Speaker 1>force that can be like we're connected to stroy ings

1:00:00.320 --> 1:00:02.720
<v Speaker 1>and that there's these supernatural beings that try to cut

1:00:02.720 --> 1:00:05.760
<v Speaker 1>our strings and that's how you die. It sounds cheesy,

1:00:05.840 --> 1:00:09.360
<v Speaker 1>but it is extremely sinister and disturbing and makes you

1:00:09.400 --> 1:00:11.880
<v Speaker 1>wonder if they're like what's around me all the time.

1:00:12.120 --> 1:00:15.080
<v Speaker 1>And it's very heavily connected to the Dark Tower. So

1:00:15.120 --> 1:00:16.800
<v Speaker 1>if you're interested in the Dark Tower at all, but

1:00:16.800 --> 1:00:18.520
<v Speaker 1>you're not sure if you want to commit to eight books,

1:00:18.800 --> 1:00:22.440
<v Speaker 1>if you like Insomnia, then it'll throw you into it

1:00:22.480 --> 1:00:25.320
<v Speaker 1>full force. So I love that book. I love a

1:00:25.360 --> 1:00:27.320
<v Speaker 1>Bag of Bones, which and then came out in like

1:00:27.360 --> 1:00:30.800
<v Speaker 1>the late nineties. It's a really classic ghost story and

1:00:30.840 --> 1:00:34.919
<v Speaker 1>it's basically a cabin next to a lake and man

1:00:35.040 --> 1:00:37.840
<v Speaker 1>is being haunted by his wife and maybe something else.

1:00:38.560 --> 1:00:41.280
<v Speaker 1>Uh So it sounds really simple, but there's so much

1:00:41.320 --> 1:00:44.680
<v Speaker 1>emotional core to it. It's also connected to the Dark Tower.

1:00:45.240 --> 1:00:47.000
<v Speaker 1>See what I mean, they have a cash cow in

1:00:47.040 --> 1:00:50.520
<v Speaker 1>their hands. Uh So, I definitely think people should check

1:00:50.520 --> 1:00:54.120
<v Speaker 1>those books out. Um and Short his short story collections

1:00:54.120 --> 1:00:56.080
<v Speaker 1>are bar none like if you don't want to commit

1:00:56.120 --> 1:01:00.640
<v Speaker 1>to an elevene like it, uh, get like every things eventual.

1:01:00.720 --> 1:01:03.160
<v Speaker 1>That's one of my favorite short story collections. It has

1:01:03.160 --> 1:01:05.400
<v Speaker 1>fourteen o eight in it, which was remade, which was

1:01:05.400 --> 1:01:08.120
<v Speaker 1>made into a movie with Samuel Jackson and John Cusick,

1:01:08.440 --> 1:01:10.960
<v Speaker 1>which is a pretty good movie, but was Yeah, it's

1:01:11.120 --> 1:01:13.280
<v Speaker 1>I just rewatched it and I'm like, this is still scary.

1:01:13.400 --> 1:01:16.840
<v Speaker 1>By the way the mist scared the rap out of it.

1:01:16.920 --> 1:01:22.240
<v Speaker 1>We did dug. Yeah, it's a very upsetting. It messed

1:01:22.280 --> 1:01:25.320
<v Speaker 1>me up. The actual novella is very scary too, and

1:01:25.400 --> 1:01:28.560
<v Speaker 1>not even just the ending, but the actual monsters they created.

1:01:28.680 --> 1:01:30.720
<v Speaker 1>I mean, I'm sure that he was super graphic in

1:01:30.760 --> 1:01:33.000
<v Speaker 1>the novel. I didn't read the novel. I just saw

1:01:33.040 --> 1:01:36.880
<v Speaker 1>the movie and it was traumatizing. Yeah, No, it's really scary.

1:01:36.680 --> 1:01:39.480
<v Speaker 1>I'm always scared of the idea that, like in a disaster,

1:01:39.600 --> 1:01:42.680
<v Speaker 1>supernatural or otherwise, the way that people could turn against

1:01:42.760 --> 1:01:45.640
<v Speaker 1>each other and you depend on each other to survive.

1:01:45.800 --> 1:01:47.840
<v Speaker 1>It gets me in a very stressed place to see

1:01:47.840 --> 1:01:50.080
<v Speaker 1>that with the walking dead, like y'all need each other.

1:01:50.120 --> 1:01:52.480
<v Speaker 1>There's only so many of you humans left. I had

1:01:52.480 --> 1:01:54.640
<v Speaker 1>to stop watching The Walking Dead for that exact reason,

1:01:54.720 --> 1:01:57.320
<v Speaker 1>because I have such a control freak that I'm like, okay, listen, now,

1:01:57.320 --> 1:01:59.920
<v Speaker 1>if we put a graph together to work out we

1:02:00.000 --> 1:02:04.120
<v Speaker 1>can all survive. Um. But U is one of the

1:02:04.120 --> 1:02:06.280
<v Speaker 1>scariest short stories I've ever read, because there's a lot

1:02:06.360 --> 1:02:09.480
<v Speaker 1>of uncanny elements and he thinks about things like that

1:02:09.520 --> 1:02:11.440
<v Speaker 1>are so strange to me, like a phone rings and

1:02:11.480 --> 1:02:13.720
<v Speaker 1>he picks it up, and it's just like a strange voice,

1:02:13.760 --> 1:02:17.960
<v Speaker 1>like counting random numbers and then intersplicing I've killed all

1:02:18.000 --> 1:02:20.560
<v Speaker 1>your friends and then other numbers, and like you're all

1:02:20.560 --> 1:02:23.960
<v Speaker 1>gonna die, just like weird, like corny to just say

1:02:24.000 --> 1:02:26.840
<v Speaker 1>it now, but like when you're reading and you're like cool,

1:02:26.840 --> 1:02:29.360
<v Speaker 1>cool in a hotel, totally normal, And the the idea of

1:02:29.360 --> 1:02:31.720
<v Speaker 1>getting like a phone call like that that makes no sense.

1:02:31.760 --> 1:02:35.400
<v Speaker 1>Like I love that stuff, things that you're not expecting

1:02:35.400 --> 1:02:39.360
<v Speaker 1>that aren't just monsters but real and like why why

1:02:39.360 --> 1:02:42.880
<v Speaker 1>would this happen? Um? I really love Everything's eventual and

1:02:42.880 --> 1:02:45.160
<v Speaker 1>the like Skeleton Crew is a classic one and has

1:02:45.280 --> 1:02:47.160
<v Speaker 1>that book that you were or that story that you

1:02:47.200 --> 1:02:50.480
<v Speaker 1>were talking about The John Skeleton Crew is a very

1:02:50.520 --> 1:02:52.280
<v Speaker 1>good one too, and so you can get like his

1:02:52.360 --> 1:02:55.720
<v Speaker 1>short story collections and get like a huge jolt from

1:02:55.760 --> 1:02:59.160
<v Speaker 1>them if you're not into the expository writing and move

1:02:59.240 --> 1:03:01.280
<v Speaker 1>forth and not feel like you have to, you know,

1:03:01.440 --> 1:03:05.480
<v Speaker 1>commit to all five thousand pages of the Dark Tower. Well, honestly,

1:03:05.560 --> 1:03:09.280
<v Speaker 1>probably bring you back to just talk about the Dark Tower. Oh,

1:03:09.360 --> 1:03:12.160
<v Speaker 1>I would love to. I have like three additional books

1:03:12.200 --> 1:03:15.480
<v Speaker 1>that are just compending on your eyes just got so wide,

1:03:15.880 --> 1:03:21.640
<v Speaker 1>don't suppresent context didn't pop out? Um, well, where could

1:03:21.640 --> 1:03:25.040
<v Speaker 1>everyone cut you? You can get at me on Twitter

1:03:25.080 --> 1:03:29.120
<v Speaker 1>and Instagram at LTB Comedy Lucy Tomlin Brenner. Those are

1:03:29.160 --> 1:03:32.160
<v Speaker 1>my initials. Um. And I just started my own film

1:03:32.160 --> 1:03:35.720
<v Speaker 1>podcast because I constantly am talking about movies and movies

1:03:35.760 --> 1:03:38.600
<v Speaker 1>that I feel like everybody is missing. So I have

1:03:38.640 --> 1:03:41.080
<v Speaker 1>a new podcast called you Need to See This about

1:03:41.120 --> 1:03:44.160
<v Speaker 1>all the underrated gems in cinema, where me and my

1:03:44.200 --> 1:03:46.560
<v Speaker 1>friends try to convince people that things are worth it

1:03:46.640 --> 1:03:50.400
<v Speaker 1>spoiler free so you can listen even if you haven't

1:03:50.440 --> 1:03:52.400
<v Speaker 1>seen it, and we won't ruin anything for you, and

1:03:52.440 --> 1:03:56.400
<v Speaker 1>it's positive. It's all positive, not ragging on anything. Oh

1:03:56.400 --> 1:04:00.800
<v Speaker 1>that's fun for me. I don't have anything coming up.

1:04:01.520 --> 1:04:05.080
<v Speaker 1>Oh actually yeah, in November. I'll be in St. Louis

1:04:05.120 --> 1:04:09.880
<v Speaker 1>the weekend of the eight so yeah, come through see

1:04:09.920 --> 1:04:12.200
<v Speaker 1>me if you're in the St. Louis area. But besides that,

1:04:12.800 --> 1:04:16.760
<v Speaker 1>U tune into my Twitter and Instagram for all my

1:04:16.880 --> 1:04:19.720
<v Speaker 1>shows coming up. That's where I posted, Yeah, same here,

1:04:20.040 --> 1:04:21.920
<v Speaker 1>I have something really cool. It was kind of what

1:04:22.000 --> 1:04:24.200
<v Speaker 1>I was saying about the Twilight Zone. But I was

1:04:24.240 --> 1:04:27.480
<v Speaker 1>in this documentary, um and you know how they have

1:04:27.520 --> 1:04:30.880
<v Speaker 1>those Fathom events like before the movie starts and it's

1:04:30.960 --> 1:04:33.440
<v Speaker 1>like it'll be like check this Fathom event and you're like,

1:04:33.480 --> 1:04:36.800
<v Speaker 1>who does that? Well, it's one of those. So it'll

1:04:36.840 --> 1:04:39.560
<v Speaker 1>be in theaters I think for one night only. Uh

1:04:39.760 --> 1:04:44.120
<v Speaker 1>November four. It's the Twilight Zone, a sixty anniversary celebration.

1:04:44.480 --> 1:04:46.760
<v Speaker 1>So I saw that. I just texted that to a

1:04:46.800 --> 1:04:48.280
<v Speaker 1>friend and I was like, I have to go to this.

1:04:48.560 --> 1:04:50.800
<v Speaker 1>So I don't I know that I'm in part of it.

1:04:50.920 --> 1:04:53.840
<v Speaker 1>I think my full documentary like the full parts of me,

1:04:53.880 --> 1:04:55.320
<v Speaker 1>So I might just be in a small part of it.

1:04:55.640 --> 1:04:58.479
<v Speaker 1>Because I love that you're in it. That's so great. Yeah,

1:04:58.520 --> 1:05:00.480
<v Speaker 1>So I think what I'm actually in is in like

1:05:00.520 --> 1:05:03.880
<v Speaker 1>a DVD release. I know that they're re releasing the

1:05:03.920 --> 1:05:07.560
<v Speaker 1>toilet Zone for sixty anniversary, so we might be a

1:05:07.600 --> 1:05:10.280
<v Speaker 1>special feature. I'm not sure. I just know that I'm

1:05:10.320 --> 1:05:11.760
<v Speaker 1>going to be in part of this, and then the

1:05:11.800 --> 1:05:15.080
<v Speaker 1>full documentary is you will I will definitely post about it.

1:05:15.280 --> 1:05:17.600
<v Speaker 1>But if that is something that strikes your fancy, there's

1:05:17.600 --> 1:05:19.520
<v Speaker 1>gonna be a lot of other people in it. I'm

1:05:19.560 --> 1:05:22.520
<v Speaker 1>sure Jordan Peole will be in it because now that

1:05:22.560 --> 1:05:25.240
<v Speaker 1>he's taking it on. But anyways, that's in theaters November four.

1:05:25.640 --> 1:05:29.080
<v Speaker 1>It is the Toilet Zone sixte anniversary celebration. Finally, the

1:05:29.080 --> 1:05:31.080
<v Speaker 1>amount that I have plugged and talked about it has

1:05:31.120 --> 1:05:36.200
<v Speaker 1>paid off. That's incredible. That's the dream I am so

1:05:36.240 --> 1:05:39.080
<v Speaker 1>plugging you for. If anyone ever comes to me about

1:05:39.080 --> 1:05:42.360
<v Speaker 1>horror stuff, thank you. Yeah, I just um one of

1:05:42.400 --> 1:05:44.160
<v Speaker 1>the I'll just leave it with one last thing is

1:05:44.160 --> 1:05:47.920
<v Speaker 1>that I think that the humanity in horror is what

1:05:48.160 --> 1:05:50.680
<v Speaker 1>I love the most. I love being scared and ghosts

1:05:50.720 --> 1:05:55.080
<v Speaker 1>and monsters, but I love real people's experiences. And Stephen

1:05:55.160 --> 1:05:59.160
<v Speaker 1>King is amazing at getting at the emotional core of fear.

1:05:59.240 --> 1:06:01.919
<v Speaker 1>So it's not just us boo, but it's also like, well,

1:06:01.960 --> 1:06:04.360
<v Speaker 1>here's my life story, and then the boo is even

1:06:04.440 --> 1:06:07.960
<v Speaker 1>stronger and so I, um yeah, I really can't get

1:06:08.080 --> 1:06:09.920
<v Speaker 1>enough of those types of stories. And if you like

1:06:10.280 --> 1:06:14.160
<v Speaker 1>reading about real people going through like insane things, that's

1:06:14.200 --> 1:06:16.920
<v Speaker 1>what makes him the most interesting to me. That's so cool.

1:06:17.280 --> 1:06:19.520
<v Speaker 1>We'll have you back a promise. Great, I can't wait.

1:06:19.560 --> 1:06:21.480
<v Speaker 1>Thank you so much for having me again. This was

1:06:21.680 --> 1:06:25.200
<v Speaker 1>totally different from the Halloween one and but just as

1:06:25.280 --> 1:06:27.760
<v Speaker 1>much fun. So I appreciate it. No, we appreciate you

1:06:27.840 --> 1:06:30.400
<v Speaker 1>for coming on. Thank you so much for stopping by,

1:06:30.480 --> 1:06:32.800
<v Speaker 1>and thank you all for listening. This has been another

1:06:32.840 --> 1:06:37.120
<v Speaker 1>nertive sent and like we always say, stay nerdy, stay spooky.

1:06:37.120 --> 1:06:38.480
<v Speaker 1>Oh yeah, but last spook