WEBVTT - Mixed Messages ("Lost & Found" S1 EP 3)

0:00:05.680 --> 0:00:09.360
<v Speaker 1>Still the Place with Laura Layton, Courtney Thorn Smith.

0:00:09.400 --> 0:00:12.400
<v Speaker 2>And Daphne's Andiga and iHeartRadio podcast.

0:00:14.200 --> 0:00:17.239
<v Speaker 3>I'm trying a new paraglasses today, are you? And I'm not.

0:00:18.000 --> 0:00:19.280
<v Speaker 2>I'm not sure how they're going to go.

0:00:19.880 --> 0:00:23.160
<v Speaker 4>So I will be able to see better, which is good.

0:00:23.239 --> 0:00:24.920
<v Speaker 4>But I feel like I look like a little bit

0:00:24.920 --> 0:00:25.800
<v Speaker 4>of a crazy person here.

0:00:25.840 --> 0:00:28.040
<v Speaker 5>But wait, really know you look at the sexy librarian

0:00:28.560 --> 0:00:31.080
<v Speaker 5>really bring a whole new audience.

0:00:30.800 --> 0:00:32.360
<v Speaker 2>That those reading glasses.

0:00:32.600 --> 0:00:35.080
<v Speaker 3>Yes, I need them to read? So are they knew?

0:00:35.120 --> 0:00:37.120
<v Speaker 2>Because there is it? A new prescription on your eyes

0:00:37.159 --> 0:00:37.680
<v Speaker 2>getting worse.

0:00:38.120 --> 0:00:42.760
<v Speaker 4>It's because my the ones that I regularly use somehow

0:00:43.240 --> 0:00:45.120
<v Speaker 4>are somewhere in my house. I can't find them, so

0:00:45.200 --> 0:00:46.280
<v Speaker 4>I grabbed another parent.

0:00:46.960 --> 0:00:48.879
<v Speaker 1>You can't see them because you don't have your glasses.

0:00:48.920 --> 0:00:52.559
<v Speaker 1>It's crazy. It's really hard being me.

0:00:53.600 --> 0:00:56.720
<v Speaker 2>No, it's the eyes. It's just a whole adventure that

0:00:56.760 --> 0:00:57.600
<v Speaker 2>you don't hear about.

0:00:57.840 --> 0:00:59.840
<v Speaker 1>I use to get readers. Do you have readers?

0:01:00.400 --> 0:01:04.800
<v Speaker 2>I used to, but then I got it's called then

0:01:04.840 --> 0:01:06.960
<v Speaker 2>there's the brain that has that whole thing.

0:01:07.240 --> 0:01:08.400
<v Speaker 1>Did you get the lasers?

0:01:08.680 --> 0:01:09.000
<v Speaker 2>I did?

0:01:09.120 --> 0:01:10.880
<v Speaker 1>It's like refractive cataract surgery.

0:01:10.920 --> 0:01:12.840
<v Speaker 5>I got see I would get that laser if it

0:01:12.920 --> 0:01:16.319
<v Speaker 5>did something for my skin the eyes I have, which

0:01:16.360 --> 0:01:16.560
<v Speaker 5>I do.

0:01:16.640 --> 0:01:17.640
<v Speaker 1>I did just get a laser.

0:01:17.880 --> 0:01:19.800
<v Speaker 5>We couldn't meet last week because I got a laser

0:01:19.880 --> 0:01:22.600
<v Speaker 5>on my face. Lady looks stunning, pretty good, thank you,

0:01:23.160 --> 0:01:23.560
<v Speaker 5>thank you.

0:01:23.720 --> 0:01:26.200
<v Speaker 2>I'm skeered. But I did it on my eyes. I

0:01:26.200 --> 0:01:28.479
<v Speaker 2>got laser on the eyes. They're amazing. I can see

0:01:28.480 --> 0:01:30.680
<v Speaker 2>it close and I can see far away.

0:01:30.760 --> 0:01:31.640
<v Speaker 1>With no glasses.

0:01:31.640 --> 0:01:32.319
<v Speaker 3>I might need to ask.

0:01:32.400 --> 0:01:34.240
<v Speaker 2>I totally totally recommend it.

0:01:34.280 --> 0:01:35.840
<v Speaker 3>All right, Well, for now, I'm just going to.

0:01:37.360 --> 0:01:38.040
<v Speaker 1>Conversations.

0:01:38.120 --> 0:01:39.039
<v Speaker 2>Used to be different when.

0:01:40.480 --> 0:01:43.880
<v Speaker 5>Seriously listen the Baits method. It's eye exercises, and they

0:01:43.920 --> 0:01:45.880
<v Speaker 5>do work. Because my eyes started to go and then

0:01:45.920 --> 0:01:48.120
<v Speaker 5>I do these eye exercises and they're back. And I'm

0:01:48.160 --> 0:01:51.200
<v Speaker 5>fifty six and I still don't use readers. Fantastic tiny

0:01:51.240 --> 0:01:52.880
<v Speaker 5>I can read this little tiny thing.

0:01:53.000 --> 0:01:53.600
<v Speaker 2>That's great.

0:01:53.800 --> 0:01:56.000
<v Speaker 1>All right. Well for now I'm gonna wear glasses and.

0:01:56.160 --> 0:01:58.920
<v Speaker 2>Okay, okay, we all have our solutions.

0:01:59.080 --> 0:01:59.880
<v Speaker 3>Got that settled.

0:02:00.480 --> 0:02:00.680
<v Speaker 2>Good?

0:02:00.800 --> 0:02:01.760
<v Speaker 1>What happened to us?

0:02:04.080 --> 0:02:06.960
<v Speaker 2>Alterative? As I say, better than the alternative.

0:02:07.160 --> 0:02:09.919
<v Speaker 5>So we heard that people are asking about my dresses

0:02:09.960 --> 0:02:12.519
<v Speaker 5>and I will say this, I'm wearing a shirt by

0:02:12.520 --> 0:02:15.320
<v Speaker 5>the same company. It's a wonderful company out of Malibu

0:02:15.440 --> 0:02:21.000
<v Speaker 5>called Bell by Alicia Bell Care Dresses and I love

0:02:21.040 --> 0:02:24.000
<v Speaker 5>their shirts and I'm glad people are noticing it because

0:02:24.040 --> 0:02:26.359
<v Speaker 5>it's a company I absolutely love well. First of all,

0:02:27.400 --> 0:02:31.320
<v Speaker 5>like their store, like the fabrics. And then they've got

0:02:31.360 --> 0:02:33.160
<v Speaker 5>these I don't know if you at home can hear

0:02:33.200 --> 0:02:35.919
<v Speaker 5>my necklace, but this is attached to the shirt. It's

0:02:35.960 --> 0:02:39.600
<v Speaker 5>adorable little thing. They've got these little extras. What would

0:02:39.639 --> 0:02:43.000
<v Speaker 5>you call this, almost like a necklace. It's this really

0:02:43.000 --> 0:02:44.600
<v Speaker 5>pretty button and some spark.

0:02:44.800 --> 0:02:51.880
<v Speaker 2>Sure that's not one of those security you can there's

0:02:51.919 --> 0:02:52.720
<v Speaker 2>little pearls.

0:02:52.840 --> 0:02:56.200
<v Speaker 5>Anyway, it's a gorgeous highly recommend them.

0:02:56.720 --> 0:02:56.880
<v Speaker 1>Well.

0:02:57.600 --> 0:03:01.040
<v Speaker 2>Ask a question because when we were doing our photo shoot,

0:03:01.280 --> 0:03:04.520
<v Speaker 2>you had these beautiful dresses and it was Mesa, Mesa,

0:03:04.560 --> 0:03:07.519
<v Speaker 2>Los Angeles. Did you also wear those dress?

0:03:07.600 --> 0:03:09.720
<v Speaker 5>But the one that you wore in the photo shoot

0:03:10.160 --> 0:03:13.000
<v Speaker 5>was a Bell by Lisa Bell. Then Laura, you borrowed

0:03:13.040 --> 0:03:17.800
<v Speaker 5>one that was doing well. I like the dress and

0:03:17.880 --> 0:03:19.440
<v Speaker 5>lots of pretty dresses.

0:03:19.120 --> 0:03:22.839
<v Speaker 2>Beautiful dresses you so Bell I noticed, yes?

0:03:23.160 --> 0:03:27.760
<v Speaker 1>And Mesa and Doan has some gorgeous glass Yeah.

0:03:27.720 --> 0:03:30.560
<v Speaker 3>Peasantry today just by accident, we all ended up in

0:03:30.840 --> 0:03:31.240
<v Speaker 3>I know.

0:03:32.000 --> 0:03:36.520
<v Speaker 2>I'm like the very well coordinated, preppy little Checkers and

0:03:36.640 --> 0:03:41.480
<v Speaker 2>have you guys, beautiful, feminine and casual California. I feel

0:03:41.520 --> 0:03:43.480
<v Speaker 2>like me sitting over here is kind of like I'm

0:03:43.800 --> 0:03:45.240
<v Speaker 2>doing a sum on our hair, and there will be

0:03:45.360 --> 0:03:52.560
<v Speaker 2>tests on the Melrose. Well. We have mostly stuff to

0:03:52.760 --> 0:03:55.120
<v Speaker 2>ask Court or I do because you were there. We

0:03:55.120 --> 0:03:58.400
<v Speaker 2>weren't there yet. And again, I'm really enjoying watching and

0:03:58.400 --> 0:04:01.600
<v Speaker 2>going back and not be in it because I just

0:04:01.640 --> 0:04:04.480
<v Speaker 2>get to sit back and see, like I almost made popcorn,

0:04:05.160 --> 0:04:07.320
<v Speaker 2>because it's such a fun air of the nineties, and

0:04:07.520 --> 0:04:10.240
<v Speaker 2>just watching you guys, and you're doing such a great job.

0:04:10.320 --> 0:04:13.120
<v Speaker 2>And I don't know about you, Laura, but I'm enjoying

0:04:13.160 --> 0:04:14.680
<v Speaker 2>not being in it.

0:04:14.160 --> 0:04:17.120
<v Speaker 4>It's such a it's such a different experience to watch

0:04:17.160 --> 0:04:20.360
<v Speaker 4>these early episodes that our characters weren't in yet, and

0:04:20.400 --> 0:04:22.479
<v Speaker 4>then to know, like, oh, I know where it's going,

0:04:22.520 --> 0:04:25.719
<v Speaker 4>but I just don't have like an experience of what

0:04:25.839 --> 0:04:27.599
<v Speaker 4>it was at that time, and it is going in

0:04:27.640 --> 0:04:30.520
<v Speaker 4>another direction. We know that it's going somewhere else, and

0:04:30.600 --> 0:04:34.400
<v Speaker 4>we're only on episode three of our recaps right now.

0:04:34.680 --> 0:04:36.480
<v Speaker 3>We're so shallow.

0:04:36.720 --> 0:04:40.320
<v Speaker 2>I mean, in the death of where versus the drama

0:04:40.560 --> 0:04:43.680
<v Speaker 2>are a little different. Yeah, you know, Matt and Ronda

0:04:43.760 --> 0:04:45.520
<v Speaker 2>have a little tet of ted.

0:04:45.400 --> 0:04:48.200
<v Speaker 3>And yeah, we've just dipped our toe in the beginning.

0:04:48.600 --> 0:04:51.120
<v Speaker 5>So I had the same thought, like this really was

0:04:51.240 --> 0:04:54.279
<v Speaker 5>like eight kids trying to make it right. Like there

0:04:54.400 --> 0:04:58.760
<v Speaker 5>nothing dramatic happens. It really is very sweet, small stories

0:04:58.760 --> 0:05:00.000
<v Speaker 5>of us all getting to know each other.

0:05:00.120 --> 0:05:03.640
<v Speaker 2>Yeah, and to that point, that kind of like leads

0:05:03.680 --> 0:05:07.880
<v Speaker 2>me into our first episode here. But I got to

0:05:07.920 --> 0:05:11.279
<v Speaker 2>see how much they leaned into Billy being a writer,

0:05:11.480 --> 0:05:13.840
<v Speaker 2>really trying to be a writer what he came here for,

0:05:14.040 --> 0:05:16.600
<v Speaker 2>you know. And by the time I came in the

0:05:16.640 --> 0:05:19.080
<v Speaker 2>middle of the first season, like I don't know what,

0:05:19.200 --> 0:05:20.880
<v Speaker 2>no one knew what he was right, because he's already

0:05:20.920 --> 0:05:22.760
<v Speaker 2>into all the drama of the show. But he this

0:05:22.839 --> 0:05:26.680
<v Speaker 2>episode is specifically of him, like, you know, pouring out

0:05:26.680 --> 0:05:28.839
<v Speaker 2>his heart and soul and using his imagination writing the

0:05:28.839 --> 0:05:32.440
<v Speaker 2>great American screenplay, right, yeh me you go, okay, it's

0:05:32.480 --> 0:05:33.840
<v Speaker 2>going okay, that's a great segue.

0:05:34.120 --> 0:05:34.320
<v Speaker 1>Great.

0:05:34.920 --> 0:05:39.040
<v Speaker 2>So this episode three season one is called Lost and Found,

0:05:39.160 --> 0:05:44.279
<v Speaker 2>and it aired. It aired on July twenty second, nineteen

0:05:44.400 --> 0:05:49.680
<v Speaker 2>ninety two. So here's a synopsis. Jane feels lonely due

0:05:49.680 --> 0:05:53.880
<v Speaker 2>to Michael's late nights as the doctor, so Ronda takes

0:05:53.880 --> 0:05:56.279
<v Speaker 2>her to Shooters, where they meet two guys and have

0:05:56.360 --> 0:06:00.600
<v Speaker 2>a wild night until Jane loses her wedding ring. This

0:06:00.680 --> 0:06:05.039
<v Speaker 2>gave me stress this one. Billy finishes his script, but

0:06:05.200 --> 0:06:11.120
<v Speaker 2>Alison thinks it's awful and can't help him. Meanwhile, Jake

0:06:11.200 --> 0:06:15.159
<v Speaker 2>breaks up with Kelly finally by staging a scene with

0:06:15.279 --> 0:06:19.479
<v Speaker 2>an actress friend of Sandy's, making him look bad like

0:06:19.520 --> 0:06:25.760
<v Speaker 2>a terrible guy. Heartbroken, Kelly leaves Jake for good. I mean, finally,

0:06:26.960 --> 0:06:29.359
<v Speaker 2>it's so funny, like so how many episodes he's like,

0:06:29.440 --> 0:06:31.680
<v Speaker 2>you know how bad this is, and yet he keeps

0:06:31.720 --> 0:06:34.799
<v Speaker 2>like making out with her and like leading her on. Anyway,

0:06:34.839 --> 0:06:38.040
<v Speaker 2>I think it's finally over, so we'll do the cast

0:06:38.960 --> 0:06:44.520
<v Speaker 2>starring Josie Bessetts, Jane Thomas Collaboro as Michael, Amy Locane

0:06:44.520 --> 0:06:48.520
<v Speaker 2>as Sandy, Doug Savant as Matt Grant Show as Jake,

0:06:48.720 --> 0:06:52.800
<v Speaker 2>Andrew Shoe as Billy, Courtney Thorn Smith as Alison Parker,

0:06:53.000 --> 0:06:56.640
<v Speaker 2>and Vanessa A. Williams is Ronda Blair. Created by Darren Starr.

0:06:56.680 --> 0:06:58.240
<v Speaker 2>I hope we get Darren in these by the way

0:06:58.320 --> 0:07:02.880
<v Speaker 2>to come visit, and then special guests is Ginny Garth

0:07:02.880 --> 0:07:06.360
<v Speaker 2>and Brian Austin Green and Iron Zerring as their nine

0:07:06.400 --> 0:07:09.560
<v Speaker 2>O two one zero characters. So this is a really

0:07:09.560 --> 0:07:13.480
<v Speaker 2>fun opening. I thought we opened in this. It's called

0:07:13.480 --> 0:07:16.840
<v Speaker 2>the Blue Room Club. It's a jazz club. It's like

0:07:16.880 --> 0:07:19.760
<v Speaker 2>the forties of a period piece. And Billy's at the bar.

0:07:20.360 --> 0:07:23.280
<v Speaker 2>His hair is slicked back, He's in a suit, and

0:07:23.280 --> 0:07:25.840
<v Speaker 2>he saunters over to a woman in a red dress

0:07:26.080 --> 0:07:26.840
<v Speaker 2>doing a dance.

0:07:27.200 --> 0:07:29.800
<v Speaker 1>Were you so confused he came on slicker? Was like,

0:07:29.840 --> 0:07:30.560
<v Speaker 1>what is? What?

0:07:30.680 --> 0:07:34.800
<v Speaker 5>What is totally at the beginning any sort of it was.

0:07:34.760 --> 0:07:38.960
<v Speaker 4>Immediately like you could tell it was an attempt at noir,

0:07:39.360 --> 0:07:42.640
<v Speaker 4>but like, yeah, the girl seemed to be, you know,

0:07:42.920 --> 0:07:45.560
<v Speaker 4>setting the tone and the era, and I got it.

0:07:45.640 --> 0:07:50.640
<v Speaker 4>And then Billy was like sort of being Billy.

0:07:48.400 --> 0:07:51.400
<v Speaker 3>And it was a little bit back, what's happening?

0:07:51.480 --> 0:07:54.440
<v Speaker 4>Yeah, so I mean it. I did get pretty sick

0:07:54.480 --> 0:07:57.160
<v Speaker 4>pretty quickly into the scene. Go Okay, this is Billy's

0:07:57.160 --> 0:08:00.200
<v Speaker 4>imagining of you know, Noir, and yeah.

0:08:00.520 --> 0:08:03.240
<v Speaker 1>Very excitated dream is he? Who's that that?

0:08:03.360 --> 0:08:06.200
<v Speaker 5>I was like, where's Allison? Because apparently my ego's very invested.

0:08:06.240 --> 0:08:08.440
<v Speaker 5>I was like, who's that lady again, what's happening?

0:08:08.680 --> 0:08:12.040
<v Speaker 4>Yeah, but it was another basically another one of Billy's

0:08:12.320 --> 0:08:14.080
<v Speaker 4>sort of imagining some flashbacks without them.

0:08:15.240 --> 0:08:16.280
<v Speaker 1>Keep forgetting he was a writer.

0:08:16.800 --> 0:08:21.000
<v Speaker 4>I know, becomes very clear here in this opening scene

0:08:21.000 --> 0:08:23.160
<v Speaker 4>that that's what he's doing. Very la of him to

0:08:23.160 --> 0:08:25.160
<v Speaker 4>be coming to play and wanting to write his screenplay.

0:08:25.520 --> 0:08:29.080
<v Speaker 2>I mean, his you know, this was over the top,

0:08:29.120 --> 0:08:31.480
<v Speaker 2>and you're going, like, god, it is too over the top.

0:08:31.520 --> 0:08:34.160
<v Speaker 2>And there's a gun and she says really like you know,

0:08:34.240 --> 0:08:38.560
<v Speaker 2>cliche statements, you know, you look good, getting real good

0:08:38.640 --> 0:08:40.760
<v Speaker 2>and if you get if you get time, I'll come

0:08:40.840 --> 0:08:42.520
<v Speaker 2>visit you. If you get the chair, I'll still come

0:08:42.600 --> 0:08:45.560
<v Speaker 2>visit you. They have a gun, it goes below frame,

0:08:45.800 --> 0:08:48.200
<v Speaker 2>it goes off. I mean, and you're going, this is

0:08:48.240 --> 0:08:52.600
<v Speaker 2>really bad. Well it's his screenplay because he hears Alison

0:08:52.760 --> 0:08:54.920
<v Speaker 2>saying Billy, Billy, Billy, and then all of a sudden

0:08:54.920 --> 0:08:58.559
<v Speaker 2>we're in the apartment and he was he's typing his script,

0:08:59.040 --> 0:09:02.040
<v Speaker 2>so you're going, oh, maybe his script is it's kind

0:09:02.040 --> 0:09:04.200
<v Speaker 2>of like foreshadowing, like maybe it's not gonna be that good,

0:09:04.600 --> 0:09:06.439
<v Speaker 2>kind of like the over the topness that we justa

0:09:06.559 --> 0:09:10.959
<v Speaker 2>that's what I thought. So anyway, Alison's there and uh,

0:09:11.559 --> 0:09:13.880
<v Speaker 2>he's typing his screenplay.

0:09:14.160 --> 0:09:17.320
<v Speaker 4>Well, then it goes to the pool where Michael is

0:09:17.360 --> 0:09:19.239
<v Speaker 4>skimming the pool and Jane.

0:09:19.120 --> 0:09:22.079
<v Speaker 3>Is like hanging on him. Do you guys remember that.

0:09:23.559 --> 0:09:27.199
<v Speaker 4>She's he's skimming the pool and she is just like

0:09:27.200 --> 0:09:30.040
<v Speaker 4>like hugging him from behind, a kissing, kissing, kissing, like

0:09:30.040 --> 0:09:34.680
<v Speaker 4>this massive display out at the pool side, and they're

0:09:34.720 --> 0:09:37.679
<v Speaker 4>like what and did you notice that?

0:09:37.840 --> 0:09:41.479
<v Speaker 5>Like, well there's an ongoing theme already of this gorgeous

0:09:41.559 --> 0:09:43.520
<v Speaker 5>Josie like all over this dive.

0:09:43.600 --> 0:09:45.560
<v Speaker 2>He's like, I was like, I'm busy, and he's like,

0:09:45.760 --> 0:09:48.520
<v Speaker 2>I'm sorry, I'm trying to I'm trying to skim the

0:09:48.559 --> 0:09:50.439
<v Speaker 2>pool and she's.

0:09:50.240 --> 0:09:53.280
<v Speaker 3>Like, but I'm trying to get something started. That was

0:09:53.640 --> 0:09:57.120
<v Speaker 3>that was a lot, Yeah, and they're making it.

0:09:57.240 --> 0:09:59.240
<v Speaker 2>I have a kissing count, by the way, because that

0:09:59.320 --> 0:10:02.160
<v Speaker 2>is one of our CA theories and I finally paid attention.

0:10:02.360 --> 0:10:04.679
<v Speaker 2>So it was our first kiss because in the script

0:10:04.760 --> 0:10:07.360
<v Speaker 2>in the in the jazz Bar, they don't actually kiss.

0:10:07.400 --> 0:10:09.520
<v Speaker 2>They come really close, they quiver the lips, but they

0:10:09.520 --> 0:10:10.000
<v Speaker 2>don't kiss.

0:10:10.120 --> 0:10:13.160
<v Speaker 1>Oh I didn't even count that because they're married. Oh,

0:10:13.240 --> 0:10:16.960
<v Speaker 1>I think it count should count that was.

0:10:17.120 --> 0:10:20.520
<v Speaker 4>Actually married, Courtney, Remember did you count them?

0:10:20.559 --> 0:10:21.520
<v Speaker 1>Like that's.

0:10:23.280 --> 0:10:25.760
<v Speaker 2>Was worth more than five kisses for that?

0:10:26.040 --> 0:10:26.760
<v Speaker 3>The reference is there.

0:10:26.800 --> 0:10:29.400
<v Speaker 4>She's like, we're gonna have pink hot dogs and watch

0:10:29.559 --> 0:10:32.559
<v Speaker 4>Ghost like the movie and all these like references.

0:10:33.440 --> 0:10:35.440
<v Speaker 2>Yeah nineties stuff and la stuff.

0:10:35.520 --> 0:10:36.840
<v Speaker 3>Yeah, romantic movie.

0:10:37.000 --> 0:10:39.480
<v Speaker 5>And then doesn't she really doesn't seem to understand that

0:10:39.480 --> 0:10:42.360
<v Speaker 5>he's a medical resident. It seems to be a constant

0:10:42.400 --> 0:10:45.160
<v Speaker 5>source of confusion for her that he's busy, Like is

0:10:45.200 --> 0:10:46.839
<v Speaker 5>she not watch The Resident on Fox?

0:10:46.920 --> 0:10:49.280
<v Speaker 1>Does she not know? Like how busy these poor guys.

0:10:49.760 --> 0:10:51.360
<v Speaker 3>It's as confusing as he is.

0:10:51.960 --> 0:10:54.280
<v Speaker 4>She's gorgeous and you should make me be a little

0:10:54.280 --> 0:10:55.079
<v Speaker 4>bit more responsive.

0:10:55.400 --> 0:10:58.400
<v Speaker 1>The thing is like she doesn't have You should tell

0:10:58.440 --> 0:10:59.120
<v Speaker 1>them about glass.

0:10:59.160 --> 0:11:01.280
<v Speaker 3>There's glasses regrets from marrying.

0:11:02.000 --> 0:11:04.520
<v Speaker 2>You know. This is foreshadowing like a future when you

0:11:04.559 --> 0:11:07.160
<v Speaker 2>marry a doctor like you know, and this is you

0:11:07.200 --> 0:11:09.480
<v Speaker 2>don't see him now. It's not going to get much better,

0:11:09.640 --> 0:11:11.280
<v Speaker 2>Like don't you think of this sometimes your.

0:11:11.320 --> 0:11:14.400
<v Speaker 5>Residency though, remember they work like thirty hour shifts. But

0:11:14.520 --> 0:11:16.800
<v Speaker 5>it feels like it's constantly I don't for her that

0:11:16.880 --> 0:11:19.240
<v Speaker 5>she's surprised that he's not played a medical school one

0:11:19.320 --> 0:11:19.960
<v Speaker 5>that's medical.

0:11:20.000 --> 0:11:22.760
<v Speaker 2>But I don't remember, Like I don't you know, I

0:11:22.800 --> 0:11:24.320
<v Speaker 2>definitely didn't marry a doctor, so.

0:11:24.800 --> 0:11:27.520
<v Speaker 1>Nor have we played a doctor on TV, which I did.

0:11:27.440 --> 0:11:30.880
<v Speaker 2>But no, it's a medical student and I do anyway,

0:11:31.000 --> 0:11:33.280
<v Speaker 2>whatever we can go off on that. I do remember

0:11:33.360 --> 0:11:36.080
<v Speaker 2>some stats about medical students and doctors for sure. They're

0:11:36.120 --> 0:11:39.120
<v Speaker 2>not fun. So yeah, she's trying to make out by

0:11:39.160 --> 0:11:41.319
<v Speaker 2>the pool, and then we're down in the basement and

0:11:41.600 --> 0:11:46.160
<v Speaker 2>Sandy walks downstairs and Jake is folding clothes, and Jake

0:11:46.280 --> 0:11:49.080
<v Speaker 2>jokes that it's sheets he's folding, and that he only

0:11:49.160 --> 0:11:51.199
<v Speaker 2>washes his sheets when he's had someone in his.

0:11:51.280 --> 0:11:54.320
<v Speaker 5>Apartment and who was this Well, she says that she

0:11:54.440 --> 0:11:57.800
<v Speaker 5>implies that like, oh, you're washing sheets because somebody's coming.

0:11:58.200 --> 0:11:59.520
<v Speaker 1>And everybody in our own homes.

0:12:01.000 --> 0:12:02.680
<v Speaker 3>Yeah, that's very intimate.

0:12:02.800 --> 0:12:06.400
<v Speaker 2>Yeah, and he goes, we're just friends, but she wants more.

0:12:06.760 --> 0:12:10.440
<v Speaker 2>Duh the understatement of the century and uh. But he

0:12:10.440 --> 0:12:14.440
<v Speaker 2>says it's over, and she's like, which based on what?

0:12:14.600 --> 0:12:17.480
<v Speaker 5>Because last episode it seemed pretty hot and heavy, right.

0:12:17.520 --> 0:12:19.120
<v Speaker 5>They ride off on the motorcycle.

0:12:19.280 --> 0:12:22.000
<v Speaker 2>Yeah, it's going to be apparently something.

0:12:21.800 --> 0:12:23.120
<v Speaker 1>Happened between episodes.

0:12:23.760 --> 0:12:26.880
<v Speaker 2>No going for to be over this episode.

0:12:26.440 --> 0:12:29.920
<v Speaker 5>I knows a plan, but he's acting I felt like

0:12:29.960 --> 0:12:31.679
<v Speaker 5>he was acting like we're just friends, and I'm thinking

0:12:31.720 --> 0:12:33.640
<v Speaker 5>we were giving her very mixed signals then, because last

0:12:33.640 --> 0:12:35.960
<v Speaker 5>time you kissed her and rode off on your motorcycle.

0:12:35.600 --> 0:12:38.559
<v Speaker 3>Hundred percent of course mixed signals.

0:12:38.559 --> 0:12:41.480
<v Speaker 2>Well, of course mixed signals. Yeah, And of course he's

0:12:41.480 --> 0:12:44.960
<v Speaker 2>saying to somebody else, we're just friends. So if there's

0:12:45.000 --> 0:12:48.680
<v Speaker 2>any perception, then it's her fault, the little girl's fault.

0:12:49.120 --> 0:12:52.040
<v Speaker 2>But he's not saying to her definitely, we're best friends.

0:12:52.080 --> 0:12:53.920
<v Speaker 2>So you know he's picking going to her house and

0:12:53.960 --> 0:12:57.280
<v Speaker 2>taking her on the motorcycle. It's, of course, it's like

0:12:57.880 --> 0:13:02.080
<v Speaker 2>a game out of the playbook of this grand show

0:13:02.120 --> 0:13:04.959
<v Speaker 2>that we keep saying like Jake's's stand up man. I

0:13:04.960 --> 0:13:08.960
<v Speaker 2>guess that comes later, all right, this is the nineties

0:13:09.040 --> 0:13:11.360
<v Speaker 2>sign of the times. The next scene is the Gap store,

0:13:11.440 --> 0:13:16.319
<v Speaker 2>big old gap kids walk through and they walked through

0:13:16.360 --> 0:13:18.960
<v Speaker 2>this Gap store, and the minute that came on, I

0:13:19.000 --> 0:13:21.880
<v Speaker 2>saw all those lacrosse shirts in the back with the

0:13:22.000 --> 0:13:25.240
<v Speaker 2>thick stripes. Did you guys see that? I was just like,

0:13:26.240 --> 0:13:29.760
<v Speaker 2>it was so nineties, the rugby white collars, the rugby shirt.

0:13:29.920 --> 0:13:31.800
<v Speaker 2>Yeah with the white collars, those were all there, and

0:13:31.840 --> 0:13:32.679
<v Speaker 2>those guys.

0:13:32.440 --> 0:13:35.840
<v Speaker 4>And totally smell it makes one more appearance. And he

0:13:35.880 --> 0:13:38.640
<v Speaker 4>got to keep his sunglasses on for the entire scene inside.

0:13:38.760 --> 0:13:40.079
<v Speaker 1>I was so surprised by that.

0:13:42.160 --> 0:13:42.960
<v Speaker 3>But it was a choice.

0:13:43.000 --> 0:13:45.719
<v Speaker 1>And they it must have been maybe as pink eye

0:13:45.800 --> 0:13:46.640
<v Speaker 1>or something because.

0:13:47.960 --> 0:13:50.560
<v Speaker 4>Like they were dark like although I will say that

0:13:50.760 --> 0:13:53.320
<v Speaker 4>Doug got to wear the character of Matt got to

0:13:53.320 --> 0:13:55.679
<v Speaker 4>wear some sunglasses later in the episode two, and I thought, well,

0:13:55.679 --> 0:13:58.440
<v Speaker 4>that's interesting. Episode three of Melrose and they're still letting

0:13:58.440 --> 0:14:01.640
<v Speaker 4>people more away. Yeah, yeah, yeah, later we'll see the

0:14:01.720 --> 0:14:04.920
<v Speaker 4>air nobody's gonna wear it has seen an episode.

0:14:05.280 --> 0:14:07.840
<v Speaker 2>Well, maybe this is the time that he decides no more.

0:14:08.280 --> 0:14:11.880
<v Speaker 5>Yeah, Daphney tried to work sunglasses into our photo shoot

0:14:11.920 --> 0:14:13.840
<v Speaker 5>for our podcast, like that's adorable.

0:14:13.880 --> 0:14:14.400
<v Speaker 1>Put them down.

0:14:15.000 --> 0:14:18.920
<v Speaker 2>Still not a PTSD, but triggered me by the way,

0:14:20.000 --> 0:14:26.320
<v Speaker 2>thirty years later, I can wear these if I want. Yeah,

0:14:26.320 --> 0:14:27.120
<v Speaker 2>that was funny.

0:14:27.280 --> 0:14:29.800
<v Speaker 5>So but also the calling five times a day, talk

0:14:29.800 --> 0:14:32.400
<v Speaker 5>about sign of the times. Nobody's texting right, kids watching

0:14:32.760 --> 0:14:34.360
<v Speaker 5>like why don't just text them? Were like, no, we

0:14:34.440 --> 0:14:38.200
<v Speaker 5>didn't have texting. We had car phones that were the

0:14:38.240 --> 0:14:40.480
<v Speaker 5>size of our torsos, but nobody had.

0:14:42.000 --> 0:14:43.960
<v Speaker 2>Nobody was to call him, even the line are you

0:14:44.520 --> 0:14:48.560
<v Speaker 2>then no female? It wasn't the thing.

0:14:48.680 --> 0:14:50.040
<v Speaker 3>That's why there's payphones everywhere.

0:14:50.080 --> 0:14:53.800
<v Speaker 4>And exactly when the next scene in Jane's boutique and

0:14:53.840 --> 0:14:57.040
<v Speaker 4>she's calling or Michael's calling Jane to let her know

0:14:57.440 --> 0:14:59.640
<v Speaker 4>that he has to be on call all night, and

0:14:59.680 --> 0:15:02.760
<v Speaker 4>he's like whispering in the on call room like, oh honey,

0:15:02.920 --> 0:15:05.560
<v Speaker 4>I can't make it right. And he's like it's like

0:15:05.760 --> 0:15:07.320
<v Speaker 4>the hardest thing in the world to tell her that

0:15:07.400 --> 0:15:10.040
<v Speaker 4>he can't. But he's on a payphone in the breakroom

0:15:10.560 --> 0:15:12.760
<v Speaker 4>of the hospital.

0:15:13.400 --> 0:15:15.400
<v Speaker 3>It was a payphone on the wall in the breakroom.

0:15:15.400 --> 0:15:16.880
<v Speaker 2>I think, my god, they're so cheap.

0:15:17.440 --> 0:15:18.160
<v Speaker 3>It was so bizarre.

0:15:18.240 --> 0:15:19.840
<v Speaker 4>But like, did you guys notice what the rest of

0:15:19.840 --> 0:15:23.360
<v Speaker 4>the doctors were doing at the table? No, they're playing cards,

0:15:23.400 --> 0:15:25.320
<v Speaker 4>Like what doctors on their break are going to go

0:15:25.360 --> 0:15:26.800
<v Speaker 4>and like start a poker game in the.

0:15:26.720 --> 0:15:30.240
<v Speaker 3>Break I thought that was so funny. They're playing cards

0:15:30.320 --> 0:15:32.920
<v Speaker 3>in there, and he's like whispering, like did he not

0:15:32.960 --> 0:15:34.960
<v Speaker 3>want anybody to know he has a wife? Like why is.

0:15:35.320 --> 0:15:38.120
<v Speaker 2>So weird that he was so quiet about it. He's

0:15:38.160 --> 0:15:40.640
<v Speaker 2>like like he was carrying on with somebody there.

0:15:40.840 --> 0:15:41.920
<v Speaker 3>Right, it was like he was trying to keep it

0:15:41.920 --> 0:15:43.320
<v Speaker 3>a secret. He's talking to his wife.

0:15:43.320 --> 0:15:45.880
<v Speaker 5>The whole story happened, and you're you're stepping ahead to

0:15:45.920 --> 0:15:47.040
<v Speaker 5>the really dramatic moment.

0:15:48.120 --> 0:15:49.200
<v Speaker 1>If you didn't notice that.

0:15:51.240 --> 0:15:52.960
<v Speaker 3>You need to wear your glasses when you watch this,

0:15:53.480 --> 0:15:55.560
<v Speaker 3>you can notice things like card players.

0:15:55.920 --> 0:15:59.360
<v Speaker 1>And where you're going. This show is much more exciting

0:15:59.400 --> 0:15:59.680
<v Speaker 1>for you.

0:16:01.520 --> 0:16:03.800
<v Speaker 2>So that's Jane trying to reach out again. She's all

0:16:03.880 --> 0:16:08.520
<v Speaker 2>excited about this Pink's plan and it's not going to happen, right,

0:16:08.600 --> 0:16:11.720
<v Speaker 2>So we set up. She's upset, she hangs up. And

0:16:11.760 --> 0:16:16.960
<v Speaker 2>then and then we're with Allison at D and D Advertising,

0:16:17.040 --> 0:16:19.560
<v Speaker 2>and Allison's on the phone at the reception when Billy

0:16:19.640 --> 0:16:20.440
<v Speaker 2>shows up with.

0:16:22.160 --> 0:16:25.960
<v Speaker 3>His screenplay, The Big Shock. I love The Big Shock.

0:16:26.800 --> 0:16:31.080
<v Speaker 2>Poor boy is going to be shocked. So he leaves

0:16:31.080 --> 0:16:34.240
<v Speaker 2>the script for her to read. It's so weird.

0:16:34.320 --> 0:16:36.800
<v Speaker 5>But okay, were you sure when he said it's the

0:16:36.840 --> 0:16:38.680
<v Speaker 5>only copy, be careful that I was going to leave

0:16:38.680 --> 0:16:40.360
<v Speaker 5>it somewhere. I was like, oh, I'm going to leave

0:16:40.400 --> 0:16:41.840
<v Speaker 5>it on the bus somewhere.

0:16:41.560 --> 0:16:43.640
<v Speaker 2>And didn't they have kink goes back in the nineties.

0:16:43.640 --> 0:16:45.520
<v Speaker 2>I don't remember. Maybe not well.

0:16:45.560 --> 0:16:47.200
<v Speaker 1>He must have typed it out by hand.

0:16:47.240 --> 0:16:49.760
<v Speaker 3>It might be still one finger at a time. Did

0:16:49.760 --> 0:16:51.840
<v Speaker 3>you not notice it takes him a really long time

0:16:51.880 --> 0:16:55.400
<v Speaker 3>to type singers, just the.

0:16:55.360 --> 0:16:59.920
<v Speaker 2>Two of them, but he did build it up his excitement.

0:17:00.120 --> 0:17:02.320
<v Speaker 2>I feel like a real writer now. It feels so good.

0:17:02.400 --> 0:17:03.400
<v Speaker 3>I feel like a real writer.

0:17:03.920 --> 0:17:11.280
<v Speaker 2>It feels so good. And you know when you yeah, yeah, so,

0:17:11.320 --> 0:17:11.760
<v Speaker 2>I don't know.

0:17:11.800 --> 0:17:12.760
<v Speaker 1>It was very cute.

0:17:13.840 --> 0:17:15.000
<v Speaker 3>And then we get to use the pool.

0:17:15.119 --> 0:17:18.720
<v Speaker 4>We got to the pool scene first time somebody's using

0:17:18.720 --> 0:17:20.840
<v Speaker 4>the pool in this episode. Jane's in her bit suit

0:17:21.119 --> 0:17:22.480
<v Speaker 4>getting out of the pool doing laps.

0:17:22.640 --> 0:17:24.280
<v Speaker 1>Very well done. Yep, nice exercise.

0:17:24.400 --> 0:17:25.200
<v Speaker 3>Nice use of the pool.

0:17:25.359 --> 0:17:27.240
<v Speaker 2>Can we talk about that bathing suit since we're talking

0:17:27.240 --> 0:17:31.120
<v Speaker 2>about the nineties, I mean, but an amazing bathing suit. Yeah,

0:17:31.119 --> 0:17:34.400
<v Speaker 2>I thought that bathing suit, like so much pops out

0:17:34.400 --> 0:17:36.640
<v Speaker 2>of me in each scene. Sometimes it's set dressing, sometimes

0:17:36.640 --> 0:17:39.720
<v Speaker 2>it's a payphone, sometimes it's a line. But this time

0:17:39.760 --> 0:17:42.880
<v Speaker 2>it was the bathing suit. Just the design. The wasn't

0:17:42.920 --> 0:17:46.919
<v Speaker 2>it like aqua and purple with thick black I don't know,

0:17:46.960 --> 0:17:48.440
<v Speaker 2>which was just so nineties.

0:17:48.600 --> 0:17:52.080
<v Speaker 3>Well, and Josie looks great in it, amazing. Yeah.

0:17:52.119 --> 0:17:56.000
<v Speaker 2>And then also Sandy was there with her little cute

0:17:56.000 --> 0:17:57.719
<v Speaker 2>little bussier, which was so cute.

0:17:57.760 --> 0:18:00.680
<v Speaker 4>And that's where Sandy suggesting that Jane come to Shooters

0:18:00.680 --> 0:18:02.400
<v Speaker 4>that night and have a night out instead of waiting

0:18:02.440 --> 0:18:03.880
<v Speaker 4>up for her doctor husband.

0:18:04.040 --> 0:18:06.640
<v Speaker 2>Anyway, so she's like, come on out and have fun, right.

0:18:06.680 --> 0:18:08.200
<v Speaker 3>She double dog dares her to go out.

0:18:08.560 --> 0:18:10.800
<v Speaker 2>Oh yeah, double dog dare you. Then we're back at

0:18:10.800 --> 0:18:15.680
<v Speaker 2>the hospital and Jane shows up with I think probably

0:18:15.800 --> 0:18:20.919
<v Speaker 2>pinks hot dogs and candles and food and wants to

0:18:21.160 --> 0:18:25.840
<v Speaker 2>bring the surprise to him. He's soy.

0:18:26.040 --> 0:18:29.520
<v Speaker 4>And but also here's where the other the other doctors

0:18:29.560 --> 0:18:31.200
<v Speaker 4>and people that are in the break room are like.

0:18:31.359 --> 0:18:33.280
<v Speaker 3>Ooh this is awkward.

0:18:33.560 --> 0:18:38.280
<v Speaker 4>Yeah we should leave so awkwardly because oh, this guy's

0:18:38.280 --> 0:18:39.480
<v Speaker 4>wife just showed.

0:18:39.280 --> 0:18:40.240
<v Speaker 3>Up, Like what is that about?

0:18:40.240 --> 0:18:42.840
<v Speaker 2>Like something going on?

0:18:43.560 --> 0:18:44.359
<v Speaker 3>Yeah they were.

0:18:45.880 --> 0:18:46.600
<v Speaker 1>It should have been.

0:18:46.640 --> 0:18:50.679
<v Speaker 4>And he's like, we'reek Jeane, everybody, this is my wife.

0:18:50.880 --> 0:18:57.200
<v Speaker 2>Apologeabe is so awkward, so embarrassed by his wife.

0:18:56.520 --> 0:18:57.879
<v Speaker 3>Like why is that embarrassing?

0:18:58.560 --> 0:18:59.040
<v Speaker 2>Yeah?

0:18:59.119 --> 0:18:59.960
<v Speaker 3>Yeah, poor Jane.

0:19:00.080 --> 0:19:02.120
<v Speaker 2>I mean those tall three candles were a bit much.

0:19:02.119 --> 0:19:03.280
<v Speaker 2>I was a little like it's okay.

0:19:03.359 --> 0:19:05.320
<v Speaker 3>It was cute, Like if your white shows up to

0:19:05.359 --> 0:19:08.640
<v Speaker 3>do that, why is everything going way better? Sneak outs

0:19:08.840 --> 0:19:11.719
<v Speaker 3>Yeah yeah, yeah not nice.

0:19:11.960 --> 0:19:15.040
<v Speaker 2>Next time we see her, she's a shooters with Rhonda

0:19:15.800 --> 0:19:18.240
<v Speaker 2>picking up two guys that are looking at them.

0:19:18.600 --> 0:19:20.760
<v Speaker 4>Yeah, so here's where these two guys come in to

0:19:20.800 --> 0:19:23.400
<v Speaker 4>the vironment can see that. Jane's gonna start to entertain

0:19:23.600 --> 0:19:26.880
<v Speaker 4>the idea of like, okay, maybe I'll pretend to be Yeah,

0:19:28.000 --> 0:19:32.720
<v Speaker 4>because Sandy's nest your Carbonel from everything Nestor Carbonel's had

0:19:32.720 --> 0:19:33.919
<v Speaker 4>a career.

0:19:34.480 --> 0:19:36.280
<v Speaker 1>Yeah, he was on Psych, which is one of my

0:19:36.280 --> 0:19:36.880
<v Speaker 1>favorite shows.

0:19:37.240 --> 0:19:38.080
<v Speaker 2>I was wondering.

0:19:38.200 --> 0:19:40.880
<v Speaker 5>Yeah, but he's been on everything, like all like Monk,

0:19:40.960 --> 0:19:42.160
<v Speaker 5>I think all those shows I love.

0:19:42.600 --> 0:19:44.240
<v Speaker 3>Yeah, he's got a huge career.

0:19:44.359 --> 0:19:48.480
<v Speaker 4>He's Morning Show, he's doing the Morning Show recently, a million.

0:19:48.160 --> 0:19:50.040
<v Speaker 5>Things and made me so excited as I started to

0:19:50.040 --> 0:19:52.720
<v Speaker 5>see the guest stars come through, like oh that's right, yeah,

0:19:52.920 --> 0:19:55.120
<v Speaker 5>oh he had he also had so many people come through.

0:19:55.160 --> 0:19:59.800
<v Speaker 3>He was on Lost, Yes, suddenly, Susan dark Knight. I

0:19:59.800 --> 0:20:00.800
<v Speaker 3>mean he's done a.

0:20:00.800 --> 0:20:03.480
<v Speaker 1>Ton of stuff every even and everything. Fun to see him.

0:20:03.520 --> 0:20:05.520
<v Speaker 4>Our kids were a baby group together, Mommy and me,

0:20:05.760 --> 0:20:08.400
<v Speaker 4>Oh really we had our baby in a baby grip together.

0:20:08.480 --> 0:20:09.760
<v Speaker 3>Yeah, Small World was.

0:20:10.240 --> 0:20:11.720
<v Speaker 2>One of his first things. You know.

0:20:11.880 --> 0:20:14.640
<v Speaker 5>I wonder if it was because he was sort of quiet, like, yeah,

0:20:14.720 --> 0:20:15.760
<v Speaker 5>quite come into himself.

0:20:15.880 --> 0:20:17.600
<v Speaker 4>Yeah, I think, yeah, I think he'd just done a

0:20:17.600 --> 0:20:20.360
<v Speaker 4>few things. But he's definitely had a played Alex.

0:20:20.520 --> 0:20:23.840
<v Speaker 2>He's the one that was pursued, that pursued Rhonda. Yes,

0:20:23.960 --> 0:20:27.200
<v Speaker 2>that's what we mean. But at this point, Jane decides

0:20:27.520 --> 0:20:29.280
<v Speaker 2>to hide.

0:20:29.000 --> 0:20:31.600
<v Speaker 4>The ring, right Sandy suggests it, Hey, you're not going

0:20:31.680 --> 0:20:33.720
<v Speaker 4>to get, you know, anybody flirting with you if you

0:20:33.760 --> 0:20:36.399
<v Speaker 4>have a wedding ring on, and Jane's like, I think

0:20:36.440 --> 0:20:38.679
<v Speaker 4>I want people flirting with me, So she takes it off.

0:20:38.760 --> 0:20:40.080
<v Speaker 2>Yeah, so she takes it over ring.

0:20:41.040 --> 0:20:42.840
<v Speaker 5>Which is probably why they had to have Michael be

0:20:42.960 --> 0:20:45.320
<v Speaker 5>so awful to motivate her to do this.

0:20:45.560 --> 0:20:49.280
<v Speaker 3>Pretty extreme Yeah yeah, yeah, pretty sure.

0:20:49.359 --> 0:20:51.000
<v Speaker 1>Pretty watch a show.

0:20:50.920 --> 0:20:53.679
<v Speaker 3>Like you thought you thought that was a good idea.

0:20:54.000 --> 0:20:55.520
<v Speaker 1>This is your ax step all right?

0:20:56.920 --> 0:20:59.760
<v Speaker 2>Uh. Then we cut to the courtyard where I keep

0:20:59.760 --> 0:21:03.119
<v Speaker 2>want to saying you you over there, where Allison walks

0:21:03.119 --> 0:21:05.440
<v Speaker 2>through the courtyard and she kind of doesn't know what

0:21:05.480 --> 0:21:08.040
<v Speaker 2>to do, and Matt is leaving and says, there's a

0:21:08.040 --> 0:21:09.960
<v Speaker 2>party in Laurel Canyon where I was living.

0:21:09.960 --> 0:21:12.840
<v Speaker 1>By the way, maybe it was your party. You weren't

0:21:12.840 --> 0:21:14.560
<v Speaker 1>on the show yet. Maybe he's going to be your party.

0:21:14.640 --> 0:21:19.200
<v Speaker 2>I was having a party. Probably was Laurel Canyon. Anyway,

0:21:19.560 --> 0:21:23.480
<v Speaker 2>I love those la shout outs. And she's like, no,

0:21:23.680 --> 0:21:26.040
<v Speaker 2>I have a really difficult thing ahead of me. I

0:21:26.080 --> 0:21:28.960
<v Speaker 2>have to tell I had to read Billy's script. And

0:21:29.000 --> 0:21:32.000
<v Speaker 2>he says, how is it? And she's like awful.

0:21:33.080 --> 0:21:36.320
<v Speaker 4>And here's here's Matt's entrance for the episode, like just

0:21:36.359 --> 0:21:38.720
<v Speaker 4>being cute, supportive friend, going you got this.

0:21:38.880 --> 0:21:39.720
<v Speaker 3>I think you can do this.

0:21:39.840 --> 0:21:45.760
<v Speaker 4>Just always a good friend, Lie, Like yeah, well, first

0:21:45.800 --> 0:21:47.720
<v Speaker 4>he said, you know, Lie, and then and then he

0:21:47.800 --> 0:21:49.600
<v Speaker 4>turned it around and said, all right, just you know,

0:21:49.720 --> 0:21:52.960
<v Speaker 4>just be gentle let him down easy, Pat, Pat, I'm

0:21:52.960 --> 0:21:53.600
<v Speaker 4>the best friend.

0:21:53.880 --> 0:21:58.160
<v Speaker 3>Bye. I see exit. Yeah, and that was for the episode.

0:21:58.240 --> 0:21:58.920
<v Speaker 1>Yeah.

0:21:59.240 --> 0:22:01.840
<v Speaker 2>Support, but always is the question, you know, what do

0:22:01.880 --> 0:22:05.920
<v Speaker 2>you do? What do you say? I'm with Lie, You're

0:22:05.960 --> 0:22:08.119
<v Speaker 2>on team Live. Well I've seen this episode now and

0:22:08.160 --> 0:22:10.479
<v Speaker 2>it doesn't end up, but it does end up. It

0:22:10.480 --> 0:22:12.600
<v Speaker 2>does they do end up, you know, dealing with it,

0:22:12.680 --> 0:22:18.520
<v Speaker 2>but it does hurt his feelings. So now we're back

0:22:18.520 --> 0:22:21.800
<v Speaker 2>in shooters and Jane and Ronder at the bar talking

0:22:21.840 --> 0:22:26.480
<v Speaker 2>with the guys, making small talk, and uh, they are

0:22:26.880 --> 0:22:28.880
<v Speaker 2>aspiring rock stars of Crocker.

0:22:29.280 --> 0:22:32.040
<v Speaker 3>They look like, yeah, so well firing rocks.

0:22:32.320 --> 0:22:35.960
<v Speaker 2>Yeah. Anyway, so he goes, do you have what? Do

0:22:36.000 --> 0:22:38.480
<v Speaker 2>you have a boyfriend or something? And she makes another

0:22:38.800 --> 0:22:42.199
<v Speaker 2>decision and she says no, not exactly implying that, but

0:22:42.320 --> 0:22:45.159
<v Speaker 2>does not say that she's married. Yeah, she doesn't have

0:22:45.200 --> 0:22:45.680
<v Speaker 2>a boyfriend.

0:22:45.680 --> 0:22:47.280
<v Speaker 3>She didn't lie, but she didn't try.

0:22:47.680 --> 0:22:48.000
<v Speaker 1>Yeah.

0:22:49.480 --> 0:22:52.720
<v Speaker 2>So anyway, then Billy comes home and I think you're

0:22:52.720 --> 0:22:53.879
<v Speaker 2>making tuna casserole.

0:22:54.160 --> 0:22:55.840
<v Speaker 1>What a disgusting choice?

0:22:56.320 --> 0:22:56.480
<v Speaker 2>Is it?

0:22:56.560 --> 0:22:57.120
<v Speaker 3>The fifties?

0:22:57.320 --> 0:22:57.520
<v Speaker 1>It is.

0:22:59.720 --> 0:23:03.679
<v Speaker 5>I'm like, oh my god, I can smell like am

0:23:03.720 --> 0:23:05.600
<v Speaker 5>I trying to upset him in advance?

0:23:05.640 --> 0:23:06.600
<v Speaker 1>I think what has happened?

0:23:06.640 --> 0:23:09.160
<v Speaker 4>But like you always say, you were traumatized by them

0:23:09.240 --> 0:23:10.919
<v Speaker 4>serving tuna on set.

0:23:11.280 --> 0:23:12.600
<v Speaker 2>Right, maybe.

0:23:14.200 --> 0:23:15.320
<v Speaker 1>That's all the problem.

0:23:16.560 --> 0:23:18.479
<v Speaker 3>And they really wanted it to be like method.

0:23:18.480 --> 0:23:21.800
<v Speaker 4>I can't like, we wanted to smell like tuna cast roles,

0:23:21.840 --> 0:23:24.000
<v Speaker 4>so it can that's what they're actually.

0:23:27.800 --> 0:23:30.639
<v Speaker 2>So anyway, you're in the kitchen, you don't really want

0:23:30.680 --> 0:23:33.639
<v Speaker 2>to see him, You're making the tuna, and he's just

0:23:33.720 --> 0:23:36.680
<v Speaker 2>of course thinking assuming his script is amazing. He's days

0:23:36.720 --> 0:23:39.040
<v Speaker 2>in the living room. He's like, oh man, but he

0:23:39.119 --> 0:23:41.920
<v Speaker 2>had a horrible day, but thank god the script. When

0:23:41.920 --> 0:23:46.080
<v Speaker 2>he sells this, everything's going to change. Oh you're making something,

0:23:47.359 --> 0:23:50.760
<v Speaker 2>so he's assuming you're making him dinner to celebrate.

0:23:51.480 --> 0:23:53.840
<v Speaker 4>I know it's so sad, but she doesn't have the

0:23:53.880 --> 0:23:55.320
<v Speaker 4>guts to tell him in that moment.

0:23:55.760 --> 0:23:58.960
<v Speaker 5>No, no, And I just there's so many things between

0:23:59.280 --> 0:24:02.080
<v Speaker 5>it's brilliant and it's awful. There's so many choices she

0:24:02.119 --> 0:24:03.919
<v Speaker 5>could have made. I just like I wish she had

0:24:03.960 --> 0:24:05.680
<v Speaker 5>someone to say, why don't you say it could use

0:24:05.720 --> 0:24:08.320
<v Speaker 5>some work? Yeah, which you know we've all heard as

0:24:08.400 --> 0:24:13.000
<v Speaker 5>creative people. Yes, there's a lot of potential. How about that,

0:24:13.119 --> 0:24:14.959
<v Speaker 5>Like start with, there's a lot of potential, but it

0:24:15.000 --> 0:24:15.880
<v Speaker 5>needs some work.

0:24:15.720 --> 0:24:18.240
<v Speaker 2>You do say at the end, finally he earns it,

0:24:18.320 --> 0:24:20.680
<v Speaker 2>you say you do it, or somewhere you say you

0:24:21.160 --> 0:24:25.240
<v Speaker 2>do have talent. I thank you, throwing him a little nugget.

0:24:25.160 --> 0:24:29.159
<v Speaker 4>Start there as there, Yeah, all right, But then we

0:24:29.160 --> 0:24:30.000
<v Speaker 4>get to the grocery store.

0:24:30.160 --> 0:24:32.280
<v Speaker 3>Kelly and Jake are grocery shopping for dinner together, which

0:24:32.280 --> 0:24:32.480
<v Speaker 3>is like.

0:24:32.480 --> 0:24:36.239
<v Speaker 5>A completely romantic choice line because we had this. This

0:24:36.359 --> 0:24:38.440
<v Speaker 5>was my line that I wrote down, spending a nice

0:24:38.480 --> 0:24:42.120
<v Speaker 5>quite even at your place, making it together the lasagna,

0:24:42.200 --> 0:24:43.840
<v Speaker 5>I mean, yeah, I.

0:24:44.040 --> 0:24:49.640
<v Speaker 3>Didn't see that coming. I mean wink wink, shimmy, sim Yeah.

0:24:49.640 --> 0:24:51.560
<v Speaker 2>They really put her over the top. Everything out of

0:24:51.560 --> 0:24:56.240
<v Speaker 2>her mouth, every action of hers everything is just this pursuant, pursuing,

0:24:56.280 --> 0:24:57.120
<v Speaker 2>pursuing for such.

0:24:57.160 --> 0:24:59.800
<v Speaker 1>So she's so young. I was not that aggressive at that.

0:25:00.480 --> 0:25:04.760
<v Speaker 1>It's so much. Are kids that different? Like?

0:25:05.640 --> 0:25:08.320
<v Speaker 4>Yeah, but also he's giving her such mixed message and

0:25:08.600 --> 0:25:11.080
<v Speaker 4>he's planning, Yeah, he's planning to let her down, but

0:25:11.160 --> 0:25:14.800
<v Speaker 4>he's decided to, like, let's do a quiet romantic night

0:25:14.840 --> 0:25:17.320
<v Speaker 4>at home, we'll grocery shop together, and then we'll bring

0:25:17.359 --> 0:25:17.760
<v Speaker 4>this talk.

0:25:18.280 --> 0:25:19.400
<v Speaker 3>Like the whole thing.

0:25:19.280 --> 0:25:21.920
<v Speaker 4>Was just like a what choice is that if you're

0:25:21.920 --> 0:25:23.400
<v Speaker 4>trying to actually let her down?

0:25:23.640 --> 0:25:27.240
<v Speaker 5>So indirect yeah, like just have a convix mansion clearly

0:25:27.320 --> 0:25:28.760
<v Speaker 5>not clearly cannot.

0:25:28.480 --> 0:25:30.400
<v Speaker 4>And here again in the grocery store is the other

0:25:30.480 --> 0:25:33.200
<v Speaker 4>example of where he reveals that he doesn't have enough

0:25:33.200 --> 0:25:35.480
<v Speaker 4>money because he can't afford the grocery bill what it owns.

0:25:35.480 --> 0:25:39.720
<v Speaker 3>That was brutal, Yeah, and that was brutal. She instead

0:25:39.720 --> 0:25:41.280
<v Speaker 3>of trying to bail him out. It's like, okay, just

0:25:41.440 --> 0:25:42.080
<v Speaker 3>maybe take.

0:25:42.040 --> 0:25:44.520
<v Speaker 5>And apparently no credit cards. Apparently they live in a

0:25:44.560 --> 0:25:45.840
<v Speaker 5>cash based society.

0:25:46.480 --> 0:25:47.160
<v Speaker 1>No credit card.

0:25:47.200 --> 0:25:50.080
<v Speaker 4>The other awkward moment showing that he doesn't have the

0:25:50.119 --> 0:25:54.120
<v Speaker 4>money and maybe she does, but still so awkward.

0:25:54.320 --> 0:25:56.600
<v Speaker 5>Yeah, but those are the days when you could buy

0:25:56.640 --> 0:25:58.879
<v Speaker 5>a dinner for forty dollars. You can't get out of

0:25:58.920 --> 0:26:02.400
<v Speaker 5>the market for forty dollars. Days, it's very hard. Everything expensive.

0:26:02.680 --> 0:26:03.840
<v Speaker 1>We're just so expensive right now.

0:26:03.960 --> 0:26:08.320
<v Speaker 2>Yeah. True. So they're out of they leave the grocery store,

0:26:09.080 --> 0:26:12.439
<v Speaker 2>he's humiliated once again. And then we're at Shooters and

0:26:12.480 --> 0:26:15.080
<v Speaker 2>they're playing pinball and they're being really flirty. Ronda is

0:26:15.119 --> 0:26:19.639
<v Speaker 2>being incredibly flirty and Josie I felt like, was trying

0:26:19.640 --> 0:26:22.600
<v Speaker 2>to be flirty but with the painball machine and stuff,

0:26:22.640 --> 0:26:25.160
<v Speaker 2>and well, Jane, she's trying to have a good single time,

0:26:25.320 --> 0:26:27.280
<v Speaker 2>you know, like she's not sure how to do it.

0:26:27.560 --> 0:26:31.320
<v Speaker 2>So she's like, oh boy, and she got pinball in

0:26:31.400 --> 0:26:32.000
<v Speaker 2>high school.

0:26:35.560 --> 0:26:38.000
<v Speaker 4>And then she got very close to like getting out

0:26:38.000 --> 0:26:42.439
<v Speaker 4>of their like no harm, no foul, but you know

0:26:42.520 --> 0:26:45.159
<v Speaker 4>that Ronda talks her out of it and says, please

0:26:45.200 --> 0:26:47.520
<v Speaker 4>stay be my wingman for the night, and please, I

0:26:47.560 --> 0:26:48.000
<v Speaker 4>can't do this.

0:26:48.280 --> 0:26:49.639
<v Speaker 3>Yeah, please want to go to a club.

0:26:50.040 --> 0:26:52.520
<v Speaker 4>So Jane decides not to go home and decides to

0:26:52.560 --> 0:26:53.560
<v Speaker 4>stay with Ronda instead.

0:26:53.560 --> 0:26:54.200
<v Speaker 3>Another bad.

0:26:55.920 --> 0:27:00.119
<v Speaker 4>So many another club put gone, Yeah another way, you

0:27:00.359 --> 0:27:01.119
<v Speaker 4>just gone home.

0:27:01.600 --> 0:27:04.720
<v Speaker 2>So then we're back with Billy. They're eating I think

0:27:04.720 --> 0:27:07.879
<v Speaker 2>they're eating the tuna now the tuna cast role, and

0:27:07.920 --> 0:27:11.960
<v Speaker 2>he's going through the scenes bit by bit, just like God,

0:27:12.000 --> 0:27:13.800
<v Speaker 2>he's making it so hard, isn't he know?

0:27:14.000 --> 0:27:14.920
<v Speaker 1>He's so exciting.

0:27:15.000 --> 0:27:17.480
<v Speaker 2>Yeah, he's so excited. He's like, what about this? And

0:27:17.520 --> 0:27:21.040
<v Speaker 2>then you're like, you know, you mean the one where

0:27:22.280 --> 0:27:25.520
<v Speaker 2>that what was it? The transvestite nun or something like

0:27:25.720 --> 0:27:27.639
<v Speaker 2>making it obvious that it was really bad.

0:27:28.119 --> 0:27:30.080
<v Speaker 3>I don't remember that moment ending.

0:27:31.320 --> 0:27:32.479
<v Speaker 2>You don't remember that one? No?

0:27:32.560 --> 0:27:34.400
<v Speaker 3>I don't. Yeah, I think, I think.

0:27:35.000 --> 0:27:36.160
<v Speaker 1>And he's like, what's.

0:27:35.920 --> 0:27:38.400
<v Speaker 2>Wrong with that? I used to be a nun?

0:27:38.480 --> 0:27:38.960
<v Speaker 1>Oh my god?

0:27:39.640 --> 0:27:41.920
<v Speaker 4>But she tells him the truth like I hated, yeah,

0:27:42.040 --> 0:27:43.840
<v Speaker 4>think about it, and he's so.

0:27:44.320 --> 0:27:46.560
<v Speaker 2>Hurt and indignant, Well, what do you hate? Please be

0:27:46.680 --> 0:27:52.280
<v Speaker 2>more specific, which I think you know he deserves. But

0:27:52.640 --> 0:27:54.360
<v Speaker 2>he can't handle it and he just.

0:27:55.160 --> 0:27:58.920
<v Speaker 5>Storms out and insults my cast role, which I mean,

0:28:00.160 --> 0:28:03.560
<v Speaker 5>come on, obviously, most of myself esteem is based on

0:28:03.600 --> 0:28:05.960
<v Speaker 5>my disgusting tunic castrole. And you can't you're not allowed

0:28:06.000 --> 0:28:08.200
<v Speaker 5>to put it down. And then if you can't take

0:28:08.200 --> 0:28:10.280
<v Speaker 5>the heat, get out of the kitchen. We're just yelling,

0:28:11.920 --> 0:28:14.160
<v Speaker 5>just like you have no taste, just like your lousy castrole.

0:28:14.200 --> 0:28:15.959
<v Speaker 5>If you can't stand the heat, get out of the kitchen.

0:28:17.119 --> 0:28:19.760
<v Speaker 4>Yeah, that was that was a big bite. He storms

0:28:19.800 --> 0:28:23.879
<v Speaker 4>out of the apartment. I know Jane is dancing with Peter.

0:28:24.640 --> 0:28:26.639
<v Speaker 2>We're in the new club. So now that we're at

0:28:26.680 --> 0:28:28.520
<v Speaker 2>the cap, I love that the guys took them to.

0:28:28.800 --> 0:28:31.359
<v Speaker 2>You know, she's really out of her league and no

0:28:31.600 --> 0:28:34.240
<v Speaker 2>a place that's not familiar, and the guys dancing really

0:28:34.240 --> 0:28:37.879
<v Speaker 2>closely with her. Did you notice the extras and everything

0:28:37.920 --> 0:28:40.520
<v Speaker 2>that they were wearing, and like it just seems to

0:28:40.560 --> 0:28:43.360
<v Speaker 2>me like all of the nineties always had a nightclub scene,

0:28:43.360 --> 0:28:47.360
<v Speaker 2>and like everything I ever did, they were like a

0:28:47.440 --> 0:28:51.120
<v Speaker 2>nightclub with these extra outfits with the you know, the

0:28:51.120 --> 0:28:54.000
<v Speaker 2>short skirts, the ones that were like band aids basically,

0:28:54.080 --> 0:28:56.480
<v Speaker 2>you know what I mean, and these heels and like

0:28:57.240 --> 0:29:00.320
<v Speaker 2>smoke pumped in. I just reminded me of the eighties

0:29:00.320 --> 0:29:01.160
<v Speaker 2>and nineties, Like.

0:29:01.720 --> 0:29:05.040
<v Speaker 1>Stress was so short so short, so short.

0:29:05.320 --> 0:29:07.520
<v Speaker 5>But I think it was less about the nineties and

0:29:07.600 --> 0:29:10.520
<v Speaker 5>more about how old we were, because say the three

0:29:10.560 --> 0:29:12.360
<v Speaker 5>of us did a movie now, they wouldn't put us

0:29:12.360 --> 0:29:16.120
<v Speaker 5>in any off like I was just when you're young,

0:29:16.560 --> 0:29:17.840
<v Speaker 5>like your characters are going back.

0:29:17.840 --> 0:29:21.080
<v Speaker 1>That's what yeah, Like that's what we did, and that

0:29:21.200 --> 0:29:23.880
<v Speaker 1>is what I did on weekends. Then yeah, I know, right,

0:29:23.960 --> 0:29:24.720
<v Speaker 1>that's what we did.

0:29:26.080 --> 0:29:27.880
<v Speaker 2>I just get a kick of looking at these scenes

0:29:27.920 --> 0:29:31.560
<v Speaker 2>now because it looks like such a just such it's

0:29:31.600 --> 0:29:34.360
<v Speaker 2>just such background, you know, with all the drinks. They're

0:29:34.360 --> 0:29:37.560
<v Speaker 2>either like bright red and orange. Maybe there's a blue,

0:29:37.680 --> 0:29:41.040
<v Speaker 2>I don't know. It just really pulled me into working

0:29:41.080 --> 0:29:43.680
<v Speaker 2>as an actor back in that era, and it looked very,

0:29:44.520 --> 0:29:47.960
<v Speaker 2>very familiar to me. But at any rate, So they're

0:29:48.040 --> 0:29:50.720
<v Speaker 2>dancing and she's once he gets too close. She's like, no, no,

0:29:50.760 --> 0:29:53.720
<v Speaker 2>I gotta go sit down. So she goes to sit down,

0:29:53.720 --> 0:29:57.960
<v Speaker 2>but he follows her, reciting poetry right, thinking he's going

0:29:58.040 --> 0:30:03.480
<v Speaker 2>to win her over with his like artistic, uh poetic type,

0:30:03.960 --> 0:30:05.479
<v Speaker 2>and she's like, yeah, I know that poet.

0:30:06.120 --> 0:30:11.400
<v Speaker 1>If she made romantic literature, she minor romantic? Did she

0:30:11.480 --> 0:30:13.520
<v Speaker 1>major in fashion or probably.

0:30:17.480 --> 0:30:17.600
<v Speaker 5>Yes?

0:30:18.080 --> 0:30:20.160
<v Speaker 1>As you do look at her being smart.

0:30:20.240 --> 0:30:24.640
<v Speaker 3>That was romantic lit recognize the passage. He tries to kiss.

0:30:24.440 --> 0:30:30.800
<v Speaker 1>Her, and she finally, finally yep, says no. Yeah.

0:30:30.880 --> 0:30:36.000
<v Speaker 2>And then if she finally says why I'm married. I

0:30:36.080 --> 0:30:37.960
<v Speaker 2>like you, but I'm married, and he's like, yeah, no,

0:30:38.000 --> 0:30:40.960
<v Speaker 2>you don't have a ring, and she's like, god, okay.

0:30:41.160 --> 0:30:43.720
<v Speaker 2>She reaches for her ring in her pocket and the

0:30:43.720 --> 0:30:48.280
<v Speaker 2>booth of the table there and there's no ring and

0:30:48.480 --> 0:30:48.880
<v Speaker 2>is gone.

0:30:49.840 --> 0:30:50.200
<v Speaker 3>Oops.

0:30:50.360 --> 0:30:52.200
<v Speaker 4>So then she finds herself crawling on the floor in

0:30:52.240 --> 0:30:54.800
<v Speaker 4>her tight little black dress looking for her ring.

0:30:57.480 --> 0:31:02.760
<v Speaker 2>So and and of course Rhonda feels horrible when she

0:31:02.760 --> 0:31:07.160
<v Speaker 2>finds out. And but now we're back and oh, let's

0:31:07.160 --> 0:31:09.120
<v Speaker 2>see how it's going with Jake and Kelly. How that

0:31:09.240 --> 0:31:12.360
<v Speaker 2>breakup's going. Okay, So we're back in Jake's.

0:31:12.080 --> 0:31:14.160
<v Speaker 3>Apartment and he's awkwardly cutting onions.

0:31:14.880 --> 0:31:18.120
<v Speaker 2>By the way, it's not awkwardly. He's cutting onions to

0:31:18.200 --> 0:31:21.120
<v Speaker 2>turn her off. I figured that out, Oh you did, yes,

0:31:21.720 --> 0:31:24.720
<v Speaker 2>close up on a big onion, big red, juicy onion.

0:31:24.840 --> 0:31:28.160
<v Speaker 2>He's crying. He's like, oh god, this is painful, but

0:31:28.160 --> 0:31:30.720
<v Speaker 2>I've got to get her off of me. And she's

0:31:30.800 --> 0:31:35.440
<v Speaker 2>like almost crawling up into his hmm. And and he's

0:31:35.520 --> 0:31:38.800
<v Speaker 2>like cutting onions. Maybe that'll send her off. No, apparently

0:31:38.840 --> 0:31:42.640
<v Speaker 2>Kelly likes purple onions. She's all over him and then

0:31:42.680 --> 0:31:44.360
<v Speaker 2>she like leads into those.

0:31:44.400 --> 0:31:45.719
<v Speaker 1>I'm going to go back for a second.

0:31:46.320 --> 0:31:48.760
<v Speaker 5>Why are her parents letting her go to dinner in

0:31:48.800 --> 0:31:49.840
<v Speaker 5>a man's apartment?

0:31:50.400 --> 0:31:53.800
<v Speaker 3>I think her parents don't know. We haven't really touched

0:31:53.800 --> 0:31:57.200
<v Speaker 3>on that, have we. Her parents they exist at all.

0:31:57.240 --> 0:32:00.080
<v Speaker 1>They think she's at I mean, she's just out a

0:32:00.160 --> 0:32:01.960
<v Speaker 1>girlfriend's house. Yeah, that's probably true, all.

0:32:01.920 --> 0:32:05.600
<v Speaker 3>Right, I mean, oh yeah, her mama just had a baby.

0:32:05.680 --> 0:32:06.000
<v Speaker 3>I don't know.

0:32:06.000 --> 0:32:10.080
<v Speaker 4>There's all this backstory we don't quite see right to explain, right,

0:32:10.600 --> 0:32:13.240
<v Speaker 4>but yeah, they're they're making this dinner and Kelly's kissing

0:32:13.280 --> 0:32:15.000
<v Speaker 4>him and it's clear that she went and he just

0:32:15.080 --> 0:32:15.720
<v Speaker 4>keeps sort of.

0:32:15.680 --> 0:32:18.560
<v Speaker 1>Like kissing all back a little bit, a little.

0:32:18.360 --> 0:32:19.640
<v Speaker 3>Distance and pushing back.

0:32:19.720 --> 0:32:21.120
<v Speaker 4>I don't want to do this, even though I set

0:32:21.160 --> 0:32:23.040
<v Speaker 4>up this romantic dinner, I really don't want to do this.

0:32:23.160 --> 0:32:24.480
<v Speaker 4>I really don't want you kissing on me.

0:32:25.400 --> 0:32:25.840
<v Speaker 2>How wrong?

0:32:25.880 --> 0:32:26.200
<v Speaker 3>This is?

0:32:26.200 --> 0:32:28.720
<v Speaker 2>What's wrong with you? Girl? Don't you get the message?

0:32:28.720 --> 0:32:30.640
<v Speaker 2>And I have an onion and everything.

0:32:30.320 --> 0:32:32.040
<v Speaker 1>Don't you get the message? In my apartment while I'm

0:32:32.040 --> 0:32:32.520
<v Speaker 1>cooking for you.

0:32:32.600 --> 0:32:34.880
<v Speaker 4>It feels very clear I've sent you very mixed messages,

0:32:34.960 --> 0:32:35.600
<v Speaker 4>aren't you picking?

0:32:37.120 --> 0:32:40.680
<v Speaker 2>And then the phone rings and she says, this is

0:32:40.680 --> 0:32:43.560
<v Speaker 2>another nineties Let the answering machine get it.

0:32:44.240 --> 0:32:46.000
<v Speaker 3>Yep, we all had an answering machine.

0:32:46.080 --> 0:32:48.000
<v Speaker 2>So it's ringing and ringing, and it starts to have

0:32:48.040 --> 0:32:51.440
<v Speaker 2>an answer. Someone starts to speak and then he runs

0:32:51.480 --> 0:32:54.160
<v Speaker 2>to get it and picks it up. But do you

0:32:54.160 --> 0:32:55.840
<v Speaker 2>guys remember your first answering.

0:32:55.520 --> 0:32:57.640
<v Speaker 5>Machine And weren't you worried that someone's going to leave

0:32:57.640 --> 0:32:58.800
<v Speaker 5>an inappropriate message?

0:33:01.480 --> 0:33:03.080
<v Speaker 4>He was worried because he went to pick it up

0:33:03.800 --> 0:33:06.440
<v Speaker 4>before that happens, because it goes out loud your message,

0:33:06.560 --> 0:33:10.160
<v Speaker 4>just like broadcasts.

0:33:08.640 --> 0:33:11.760
<v Speaker 2>Right, Yeah, do you remember that whole other? Like I

0:33:11.760 --> 0:33:13.000
<v Speaker 2>don't know if that I guess you don't have that

0:33:13.080 --> 0:33:15.680
<v Speaker 2>now with the phone. But like when you leave a message,

0:33:15.720 --> 0:33:18.160
<v Speaker 2>if it's an awkward one for someone, is is someone

0:33:18.200 --> 0:33:20.560
<v Speaker 2>going to be listening? Like like is it going to

0:33:20.600 --> 0:33:24.680
<v Speaker 2>be turned up loud? Are there roommates? Usually the guys

0:33:24.680 --> 0:33:26.000
<v Speaker 2>that I liked always had roommates.

0:33:26.000 --> 0:33:28.400
<v Speaker 4>They were never Yeah, you gotta be really careful about

0:33:28.400 --> 0:33:31.240
<v Speaker 4>what you're saying out on speaker phone. Sure, but we

0:33:31.280 --> 0:33:33.520
<v Speaker 4>find out that the person on the other line is

0:33:33.640 --> 0:33:36.280
<v Speaker 4>like planning to and he's whispering, well, don't don't be

0:33:36.320 --> 0:33:37.560
<v Speaker 4>any later than ten thirty.

0:33:37.800 --> 0:33:40.520
<v Speaker 2>Yeah, that's right, right, that's all he says. Anyway, she

0:33:40.560 --> 0:33:42.840
<v Speaker 2>doesn't get the message because well, we'll come back to

0:33:42.880 --> 0:33:44.960
<v Speaker 2>them in a minute. But first we're gonna go to

0:33:44.960 --> 0:33:49.600
<v Speaker 2>Shooters where Billy is sitting absolutely crushed, fiddling with the

0:33:49.800 --> 0:33:52.600
<v Speaker 2>mix the bar mixed there and all alone at the

0:33:52.600 --> 0:33:57.560
<v Speaker 2>bar Shooters, and then you Alison shows up and they

0:33:57.600 --> 0:34:03.320
<v Speaker 2>have a meaning full friendly conversation. You know, was it

0:34:03.400 --> 0:34:08.200
<v Speaker 2>really that bad? And and so I thought that was

0:34:08.320 --> 0:34:11.359
<v Speaker 2>really you know, there was pay off there. And again

0:34:11.480 --> 0:34:13.279
<v Speaker 2>that's what I like about the show, Like you do

0:34:13.400 --> 0:34:16.440
<v Speaker 2>these things and they're like over the top or or

0:34:16.800 --> 0:34:20.920
<v Speaker 2>or not very heartfelt, you know, and then this comes.

0:34:20.960 --> 0:34:23.279
<v Speaker 2>You know, they're they're smart, like they bring you back

0:34:23.680 --> 0:34:27.279
<v Speaker 2>and this friendship is going to last through this. You know,

0:34:27.520 --> 0:34:30.600
<v Speaker 2>you guys have a friendship there, which which is cool.

0:34:31.040 --> 0:34:32.200
<v Speaker 2>So you give them a pep talk.

0:34:32.400 --> 0:34:33.200
<v Speaker 3>That was very sweet.

0:34:34.160 --> 0:34:37.520
<v Speaker 2>Yeah, I believe in yourself not going to be easy.

0:34:37.680 --> 0:34:38.680
<v Speaker 1>Did she made her amends?

0:34:40.320 --> 0:34:42.680
<v Speaker 4>Well, he's drowning himself in sugar. He was sugar bingchinging,

0:34:43.480 --> 0:34:44.479
<v Speaker 4>like until you came along.

0:34:45.560 --> 0:34:47.439
<v Speaker 1>It's good for you. I don't know that that's true.

0:34:47.520 --> 0:34:50.359
<v Speaker 1>Well we'll look at the science later. That's right.

0:34:51.080 --> 0:34:53.000
<v Speaker 3>I do not think you know, I don't think that's right.

0:34:53.719 --> 0:34:57.000
<v Speaker 2>So anyway, Jake, we're back with that, Jake and Kelly,

0:34:57.200 --> 0:35:00.799
<v Speaker 2>and she clearly has gotten no message, and she's in

0:35:00.840 --> 0:35:02.719
<v Speaker 2>the living room. She goes bit into the living room

0:35:02.760 --> 0:35:04.919
<v Speaker 2>I think, and turns down the light, off the light

0:35:05.080 --> 0:35:07.520
<v Speaker 2>and makes it a mood lighting in there, and she

0:35:07.560 --> 0:35:10.560
<v Speaker 2>sits on the couch and this girl just is like

0:35:11.800 --> 0:35:15.319
<v Speaker 2>and he turns on the light, comes in and they're

0:35:15.360 --> 0:35:20.840
<v Speaker 2>on the couch, and you know, he lets her kiss

0:35:21.040 --> 0:35:23.960
<v Speaker 2>him and fall and tell him how great he is,

0:35:24.000 --> 0:35:26.400
<v Speaker 2>of course, and he's waiting, I think, for ten thirty

0:35:26.440 --> 0:35:28.399
<v Speaker 2>to show up, right, for someone to show up.

0:35:28.480 --> 0:35:30.200
<v Speaker 4>Yep, But again, why did he go to all the

0:35:30.200 --> 0:35:33.919
<v Speaker 4>trouble to grocery shops, set up this romantic night saying

0:35:33.960 --> 0:35:35.120
<v Speaker 4>you can't come over see you?

0:35:35.280 --> 0:35:37.440
<v Speaker 3>Yeah, like, I just we shouldn't be doing this.

0:35:37.480 --> 0:35:39.799
<v Speaker 4>Instead, he sets up a whole elaborate thing to have

0:35:39.920 --> 0:35:42.560
<v Speaker 4>some you know this next thing happened, instead of like.

0:35:43.000 --> 0:35:46.239
<v Speaker 3>Don't set up the romantic dinner in the first place. Yeah, Like,

0:35:46.360 --> 0:35:47.520
<v Speaker 3>of course he's not giving them a.

0:35:47.800 --> 0:35:49.680
<v Speaker 5>Tom, right, if they had the conversation, there would be

0:35:49.680 --> 0:35:51.799
<v Speaker 5>no story. So you can't have the conversation because you

0:35:51.840 --> 0:35:54.479
<v Speaker 5>need to fill whatever forty two minutes of screen time.

0:35:54.840 --> 0:35:56.759
<v Speaker 1>So he has to work his way around it. But

0:35:56.920 --> 0:35:59.520
<v Speaker 1>do we have a theme in this show of men

0:35:59.600 --> 0:36:01.320
<v Speaker 1>not want to to have sex with beautiful women?

0:36:01.480 --> 0:36:02.040
<v Speaker 3>What the heck?

0:36:03.719 --> 0:36:05.120
<v Speaker 1>These beautiful women just hanging.

0:36:05.000 --> 0:36:07.560
<v Speaker 4>Except if they're married, except if they're married to like

0:36:07.719 --> 0:36:08.359
<v Speaker 4>somebody else.

0:36:08.520 --> 0:36:09.520
<v Speaker 3>Yeah, there's that.

0:36:11.040 --> 0:36:11.680
<v Speaker 1>Interesting thing.

0:36:11.920 --> 0:36:12.480
<v Speaker 3>But there they are.

0:36:12.480 --> 0:36:15.279
<v Speaker 4>They're interrupted by the knock of the door, and Jake

0:36:15.320 --> 0:36:18.320
<v Speaker 4>goes to the door, h and it is Margo.

0:36:19.040 --> 0:36:21.680
<v Speaker 2>Well, it's a woman who comes in and goes, oh gosh,

0:36:21.680 --> 0:36:23.480
<v Speaker 2>you know here she comes in with a bottle of wine,

0:36:23.520 --> 0:36:26.200
<v Speaker 2>a beautiful woman who's more his age, more age appropriate,

0:36:26.320 --> 0:36:29.400
<v Speaker 2>and says oh, and sees Kelly, and it's just like,

0:36:29.640 --> 0:36:33.319
<v Speaker 2>what is going on? Oh, we're just one of many women.

0:36:33.480 --> 0:36:35.040
<v Speaker 2>You think we're all just going to show up like this.

0:36:35.200 --> 0:36:39.319
<v Speaker 2>You're two timing me. We had a date. Kelly's like mortified.

0:36:39.719 --> 0:36:42.880
<v Speaker 2>She just looks like this little sad puppy, you know,

0:36:43.040 --> 0:36:47.400
<v Speaker 2>like it does seem like overkill for a really innocent seems.

0:36:47.120 --> 0:36:50.319
<v Speaker 5>She's a really elaborate plan to Yeah right, I think

0:36:50.320 --> 0:36:52.800
<v Speaker 5>he thinks he's letting her down easy, but it's actually

0:36:52.960 --> 0:36:55.759
<v Speaker 5>more confusing. Although maybe in the end then she gets

0:36:55.760 --> 0:36:58.080
<v Speaker 5>to say he's a jerk, and yeah, well that's off

0:36:58.080 --> 0:37:00.200
<v Speaker 5>having the upper hand, that's what he wants.

0:37:00.480 --> 0:37:02.399
<v Speaker 1>Yeah, but she.

0:37:02.320 --> 0:37:04.280
<v Speaker 3>Still leaves the apartment saying I loved.

0:37:04.080 --> 0:37:06.440
<v Speaker 1>You, Oh poor baby.

0:37:06.880 --> 0:37:08.800
<v Speaker 2>And I thought she was really good in this Jenny

0:37:08.840 --> 0:37:12.200
<v Speaker 2>and the just I just felt you just really feel

0:37:12.200 --> 0:37:14.400
<v Speaker 2>for her. I do feel really good, you know, like

0:37:14.480 --> 0:37:16.800
<v Speaker 2>you pointed out with and with Josie in the past,

0:37:16.840 --> 0:37:20.520
<v Speaker 2>that vulnerability which isn't always easy in a show like this,

0:37:20.840 --> 0:37:24.319
<v Speaker 2>you know, which is like such over the top kind

0:37:24.360 --> 0:37:28.840
<v Speaker 2>of stuff. Or I just think it was cool. I

0:37:29.200 --> 0:37:33.960
<v Speaker 2>grounded it anyway, So that's that. See it. Well, we'll

0:37:34.000 --> 0:37:36.799
<v Speaker 2>see if that really is goodbye for Kelly. It's like

0:37:38.080 --> 0:37:44.399
<v Speaker 2>he's tried to say goodbye a few times. We're back

0:37:44.400 --> 0:37:47.920
<v Speaker 2>at the club and Jane and Ronda are crawling around

0:37:48.080 --> 0:37:50.600
<v Speaker 2>for the wedding ring. They don't find it. It's a

0:37:50.680 --> 0:37:54.240
<v Speaker 2>family heirloom, and then Peter says, why did you lie?

0:37:54.320 --> 0:37:56.920
<v Speaker 2>And she said, I'm just used to I've just been

0:37:56.960 --> 0:37:58.319
<v Speaker 2>listening to the wrong people.

0:37:58.640 --> 0:37:59.560
<v Speaker 3>Trusting my Sandy.

0:38:00.320 --> 0:38:04.360
<v Speaker 4>Yeah, Sandy not such a great person for advice apparently.

0:38:04.719 --> 0:38:06.000
<v Speaker 2>Yeah.

0:38:06.400 --> 0:38:10.160
<v Speaker 4>So then we see that Ronda did end up getting

0:38:10.160 --> 0:38:12.520
<v Speaker 4>together with the guy that she met in the bar,

0:38:12.600 --> 0:38:15.120
<v Speaker 4>and they're kissing in the courtyard as everybody's coming.

0:38:14.880 --> 0:38:17.239
<v Speaker 5>Home, as everyone seems to the courtyard. Apparently he's a

0:38:17.280 --> 0:38:18.960
<v Speaker 5>fine place to make out, a public.

0:38:18.640 --> 0:38:20.920
<v Speaker 3>Display right there day night.

0:38:21.360 --> 0:38:25.839
<v Speaker 2>Want to make out, yes, ye yeah, yep, especially if

0:38:25.920 --> 0:38:28.400
<v Speaker 2>like it's right in front of where Mike Michael, like

0:38:28.480 --> 0:38:32.319
<v Speaker 2>her husband is, or where Jane lives, you know. I mean,

0:38:32.400 --> 0:38:34.719
<v Speaker 2>she's not making up, but still they have this whole

0:38:34.760 --> 0:38:40.480
<v Speaker 2>conversation and I think that's that you're a nice guy,

0:38:40.560 --> 0:38:46.839
<v Speaker 2>and but I I gotta go. So he leaves, and

0:38:48.120 --> 0:38:51.800
<v Speaker 2>Ronda apologizes for forcing her to come out, and then

0:38:52.239 --> 0:38:57.240
<v Speaker 2>she enters. Jane enters her own apartment and hears music.

0:38:57.520 --> 0:39:01.359
<v Speaker 2>It's dark, there's a bottle of whiskey opened. Now I

0:39:01.440 --> 0:39:05.160
<v Speaker 2>wasn't sure here if he that was his whiskey. I'm

0:39:05.200 --> 0:39:09.080
<v Speaker 2>assuming a manly man's drink. And the music he set

0:39:09.160 --> 0:39:13.279
<v Speaker 2>to be romantic, but she didn't show because he comes

0:39:13.280 --> 0:39:16.360
<v Speaker 2>out kind of pissed. It's not like he's waiting for

0:39:16.480 --> 0:39:18.440
<v Speaker 2>her still, he's pissed now.

0:39:18.400 --> 0:39:21.759
<v Speaker 5>Well set up right, Yeah, yeah, that she sees a

0:39:21.760 --> 0:39:22.799
<v Speaker 5>whiskey and thinks he's there.

0:39:22.840 --> 0:39:24.000
<v Speaker 1>He's mad at her, he's been there.

0:39:24.080 --> 0:39:25.920
<v Speaker 4>He's mad at her that he actually did come home

0:39:25.960 --> 0:39:28.080
<v Speaker 4>and set up something romantic and he had an expectation

0:39:28.160 --> 0:39:29.799
<v Speaker 4>of her being there, and then it turned out she

0:39:29.920 --> 0:39:31.760
<v Speaker 4>was the one who was out, and she's got double

0:39:31.760 --> 0:39:34.800
<v Speaker 4>guilt because she's also knowing that she lost the wedding

0:39:34.880 --> 0:39:37.480
<v Speaker 4>ring while having some bad behavior at the club.

0:39:38.960 --> 0:39:42.960
<v Speaker 2>Don't before they get to the bedroom, So this was

0:39:43.000 --> 0:39:45.799
<v Speaker 2>another kiss in my book, even though they're married. They

0:39:45.880 --> 0:39:48.319
<v Speaker 2>totally start to make out, and what I thought was

0:39:48.360 --> 0:39:51.600
<v Speaker 2>really moving was just their conversation there like he's just

0:39:51.680 --> 0:39:53.759
<v Speaker 2>like God, it felt like forever, and I really love you.

0:39:53.840 --> 0:39:56.440
<v Speaker 2>I think he took a little, you know, inventory and

0:39:56.520 --> 0:39:58.880
<v Speaker 2>was like, I don't want to waste her, which is good. Ultimately,

0:39:58.920 --> 0:40:00.759
<v Speaker 2>it's good that it happened. I really don't want to

0:40:00.760 --> 0:40:02.839
<v Speaker 2>take her for granted, you know, I don't like things

0:40:02.840 --> 0:40:08.040
<v Speaker 2>without her. And then they have that meaningful conversation and

0:40:08.040 --> 0:40:11.759
<v Speaker 2>then they make out in the kitchen, keep making out

0:40:12.080 --> 0:40:15.439
<v Speaker 2>Melrose style all the way to the bedroom, trip and

0:40:15.480 --> 0:40:19.440
<v Speaker 2>make out their way into this candlelight bedroom.

0:40:19.360 --> 0:40:21.799
<v Speaker 3>And fall onto the bed, heavy on the romance there.

0:40:21.840 --> 0:40:25.720
<v Speaker 2>So yeah, yeah, I gave that several pieces.

0:40:27.040 --> 0:40:28.399
<v Speaker 3>Yeah, I think that counts as more than one.

0:40:28.400 --> 0:40:28.799
<v Speaker 2>But yeah.

0:40:28.840 --> 0:40:29.040
<v Speaker 1>Yeah.

0:40:31.920 --> 0:40:35.480
<v Speaker 2>And then now where are we the Oh we're here

0:40:35.520 --> 0:40:38.279
<v Speaker 2>towards the end, and Billy's in the courtyard not making out.

0:40:38.320 --> 0:40:42.040
<v Speaker 2>He's burning his script. He's so dramatic, burning a script

0:40:42.080 --> 0:40:44.160
<v Speaker 2>page by page the.

0:40:44.440 --> 0:40:47.480
<v Speaker 1>Grill and he does. It's very dramatic.

0:40:47.960 --> 0:40:51.040
<v Speaker 2>Yeah. And then she comes out in her bathrobe, the

0:40:51.080 --> 0:40:54.480
<v Speaker 2>famous bathrobe, saying what are you doing? This is crazy?

0:40:55.080 --> 0:40:59.120
<v Speaker 4>And uh but at least he feels like having accomplished

0:40:59.120 --> 0:41:01.879
<v Speaker 4>something that flopped was an accomplishment, got out of his way.

0:41:02.000 --> 0:41:02.640
<v Speaker 3>Yeah, I got that.

0:41:02.600 --> 0:41:05.880
<v Speaker 4>One out of the way, and Alison ultimately made him

0:41:05.920 --> 0:41:07.440
<v Speaker 4>feel like he could come to terms with that.

0:41:07.920 --> 0:41:10.640
<v Speaker 2>So burn the script and move on and write what

0:41:10.800 --> 0:41:15.480
<v Speaker 2>you know, which is kind of like the writer's right yep, yeah, right, Yeah,

0:41:15.480 --> 0:41:16.840
<v Speaker 2>he's learned a lesson what you know?

0:41:17.400 --> 0:41:19.920
<v Speaker 5>Yeah, still not throw the holes in handlet, but you

0:41:19.960 --> 0:41:21.680
<v Speaker 5>know what, I'm I'm getting over it.

0:41:24.000 --> 0:41:26.479
<v Speaker 4>So then we're at Shooters where Sandy is shooting pool.

0:41:26.560 --> 0:41:29.120
<v Speaker 4>Jake walks in wonders how his dinner party went, and

0:41:29.160 --> 0:41:30.960
<v Speaker 4>he said, you know, Kelly's gone.

0:41:31.080 --> 0:41:31.560
<v Speaker 3>We're done.

0:41:32.239 --> 0:41:35.080
<v Speaker 4>She says, you did the right thing. But then we

0:41:35.120 --> 0:41:37.160
<v Speaker 4>find out that he thinks that Kelly was the only

0:41:37.200 --> 0:41:38.439
<v Speaker 4>person that ever made him.

0:41:38.320 --> 0:41:39.400
<v Speaker 3>Feel good about himself.

0:41:39.480 --> 0:41:43.279
<v Speaker 4>Jake reveals that to Sandy and which is sort of

0:41:43.280 --> 0:41:47.920
<v Speaker 4>an interesting idea. And then right then Sandy hears from

0:41:47.920 --> 0:41:49.680
<v Speaker 4>the bus boy that something was found in the trash.

0:41:49.760 --> 0:41:51.040
<v Speaker 3>Come look in the trash.

0:41:50.840 --> 0:41:56.720
<v Speaker 4>And what do we think has turned up? But Jane's wedding.

0:41:56.880 --> 0:42:00.000
<v Speaker 1>The wedding actually going to all goodness.

0:42:00.200 --> 0:42:03.240
<v Speaker 4>So then as we got back to Jane and Michael's apartment,

0:42:03.400 --> 0:42:06.120
<v Speaker 4>they're lying in bed after of course, their night of

0:42:06.160 --> 0:42:08.719
<v Speaker 4>making love, and he tells her that he missed her.

0:42:09.040 --> 0:42:11.680
<v Speaker 3>She's about to tell him here's what I did. I

0:42:11.719 --> 0:42:12.400
<v Speaker 3>lost the wedding ring.

0:42:12.440 --> 0:42:14.480
<v Speaker 4>When there's another knock at the door and it's Sandy

0:42:14.600 --> 0:42:16.640
<v Speaker 4>and she reveals that she's found this ring.

0:42:16.800 --> 0:42:18.200
<v Speaker 3>Oh thank goodness.

0:42:18.480 --> 0:42:21.560
<v Speaker 2>And she covers and tells Michael, oh, well, she left

0:42:21.600 --> 0:42:24.480
<v Speaker 2>us in the laundry room, and you know, I decided

0:42:25.000 --> 0:42:27.479
<v Speaker 2>want it back, and Jane kind of eyes her without

0:42:27.520 --> 0:42:28.839
<v Speaker 2>Michael noticing thank you.

0:42:28.760 --> 0:42:31.640
<v Speaker 4>So Sandy actually saves her from having to admit the

0:42:31.640 --> 0:42:32.720
<v Speaker 4>truth and what happened.

0:42:32.760 --> 0:42:34.880
<v Speaker 3>So all's well, yeah, that ends well.

0:42:35.000 --> 0:42:39.239
<v Speaker 2>Yes, thanks to our roommates in the Melrose Place apartment. Yes,

0:42:39.280 --> 0:42:41.000
<v Speaker 2>because we all get each other in trouble, but we

0:42:41.080 --> 0:42:42.240
<v Speaker 2>cover for each other.

0:42:42.320 --> 0:42:45.399
<v Speaker 3>When all the stories are becoming resolved.

0:42:45.600 --> 0:42:46.160
<v Speaker 5>Yay.

0:42:46.320 --> 0:42:48.440
<v Speaker 4>And I did sort of notice that that was like

0:42:48.760 --> 0:42:51.840
<v Speaker 4>the episode in general, is that everything gets sort of

0:42:51.880 --> 0:42:54.120
<v Speaker 4>neatly wrapped up by the end and everyone learns a

0:42:54.120 --> 0:42:55.040
<v Speaker 4>little bit of a lesson.

0:42:55.160 --> 0:42:57.839
<v Speaker 1>Yeah, that right. The early episodes, which is not at.

0:42:57.760 --> 0:43:02.040
<v Speaker 3>All the time show came on. I don't think it

0:43:02.080 --> 0:43:03.680
<v Speaker 3>was only me, but I think the tone of.

0:43:03.680 --> 0:43:06.839
<v Speaker 4>The show becomes there was cliffhangers. There was you know,

0:43:06.920 --> 0:43:09.879
<v Speaker 4>like blackmailing and drama and stuff like that, but cliffhangers

0:43:09.880 --> 0:43:12.880
<v Speaker 4>and extended storylines that go. But every episode that we've

0:43:13.360 --> 0:43:15.840
<v Speaker 4>watched so far, everything is sort of neatly wrapped up

0:43:15.840 --> 0:43:18.280
<v Speaker 4>by the end of the episode where everyone's learned their lesson,

0:43:18.840 --> 0:43:23.320
<v Speaker 4>and like you pointed out last time, all the lessons

0:43:23.320 --> 0:43:27.359
<v Speaker 4>that are being learned are sort of tied together, so like, oh,

0:43:27.800 --> 0:43:30.640
<v Speaker 4>you know, like looking outside of where you should be

0:43:30.680 --> 0:43:32.399
<v Speaker 4>looking for love looking for love and all the wrong

0:43:32.440 --> 0:43:36.480
<v Speaker 4>places leads to you know, sort of the wrong thing,

0:43:36.560 --> 0:43:39.440
<v Speaker 4>so you know, go back to go back to what

0:43:39.520 --> 0:43:40.920
<v Speaker 4>you know, and go back to you know, stay in

0:43:40.960 --> 0:43:42.799
<v Speaker 4>your lane and that sort of thing. Like everybody's sort

0:43:42.800 --> 0:43:46.040
<v Speaker 4>of learning the same sort of lesson in their own way,

0:43:46.080 --> 0:43:48.560
<v Speaker 4>in their own storyline and just sort of neatly wrapping

0:43:48.600 --> 0:43:49.560
<v Speaker 4>up at the end of each episode.

0:43:49.600 --> 0:43:51.800
<v Speaker 2>You know, I think that's a technique. I mean, maybe

0:43:51.840 --> 0:43:54.400
<v Speaker 2>I'm wrong, but I think it was like there's a

0:43:54.480 --> 0:43:57.400
<v Speaker 2>kind of TV that happened back then that was like

0:43:57.480 --> 0:44:02.520
<v Speaker 2>that methodically right, And then there became this became more

0:44:02.520 --> 0:44:04.319
<v Speaker 2>of what I think they call it serial where it

0:44:04.360 --> 0:44:10.520
<v Speaker 2>just keeps going because it's just a It really did change, yeah, technically.

0:44:10.160 --> 0:44:12.200
<v Speaker 4>Yeah, when we become more of a nighttime soap ouper,

0:44:12.239 --> 0:44:16.000
<v Speaker 4>we had storylines that carried over and things that were ongoing,

0:44:16.040 --> 0:44:21.080
<v Speaker 4>and and you know also like so far at episode three,

0:44:21.120 --> 0:44:24.960
<v Speaker 4>we really only know like al the Alison character, and

0:44:25.000 --> 0:44:27.120
<v Speaker 4>the Billie character, and the Jake character, and the Jane

0:44:27.120 --> 0:44:29.520
<v Speaker 4>and Michael, like we haven't really gotten to know much

0:44:29.600 --> 0:44:32.640
<v Speaker 4>about Matt or Ronda, Like we just don't we.

0:44:32.600 --> 0:44:35.600
<v Speaker 3>Don't know what they're doing yet. Or even Sandy. She's

0:44:35.640 --> 0:44:36.560
<v Speaker 3>really just there.

0:44:37.480 --> 0:44:39.120
<v Speaker 4>We know she's an actress, but we haven't seen her

0:44:39.120 --> 0:44:41.160
<v Speaker 4>have like a storyline of her own. She's really just

0:44:41.200 --> 0:44:44.680
<v Speaker 4>their sort of supporting right Jake's storyline and being sort

0:44:44.680 --> 0:44:47.279
<v Speaker 4>of like an advice giver or stick her nose in

0:44:47.320 --> 0:44:48.000
<v Speaker 4>it person like.

0:44:48.040 --> 0:44:48.680
<v Speaker 3>But so what.

0:44:48.719 --> 0:44:50.959
<v Speaker 4>We don't really know much about her yet storyline wise.

0:44:51.040 --> 0:44:54.000
<v Speaker 4>But yeah, all these stories were neatly wrapped up.

0:44:54.200 --> 0:44:55.239
<v Speaker 3>Yeah, and they were.

0:44:55.200 --> 0:44:56.800
<v Speaker 1>All self contained in the beginning.

0:44:57.120 --> 0:45:00.359
<v Speaker 2>So I ended up with accounts the kiss count because

0:45:00.360 --> 0:45:01.600
<v Speaker 2>we were going to do this. I think when we

0:45:01.640 --> 0:45:03.640
<v Speaker 2>thought of Melrose that we were always kissing there, so

0:45:03.680 --> 0:45:06.680
<v Speaker 2>we thought we'd start to this this episode I have.

0:45:07.200 --> 0:45:08.880
<v Speaker 2>I'm going with sixteen.

0:45:08.800 --> 0:45:10.480
<v Speaker 3>Just because I will take your word for it.

0:45:10.520 --> 0:45:13.840
<v Speaker 2>Well, Ronda and Alex, Grant and Kelly had three or four,

0:45:14.520 --> 0:45:16.680
<v Speaker 2>you know. Michael and Jane had three, and then this

0:45:17.040 --> 0:45:23.920
<v Speaker 2>major makeout which I gave five two, and then and

0:45:23.960 --> 0:45:28.000
<v Speaker 2>then there was the pack that Jane gave him post

0:45:28.040 --> 0:45:30.560
<v Speaker 2>coital and bed, and I counted that as a kiss.

0:45:30.600 --> 0:45:33.520
<v Speaker 2>So I met sixteen, which is not bad for Melrose Place,

0:45:33.640 --> 0:45:36.000
<v Speaker 2>even though it gets steamier as it goes.

0:45:35.880 --> 0:45:37.720
<v Speaker 1>Yea, Yeah, it doesn't feel steamy at this point.

0:45:37.800 --> 0:45:41.520
<v Speaker 4>I loved I loved seeing you know, Nest Carbonell way

0:45:41.560 --> 0:45:43.239
<v Speaker 4>back then, and I think we're going to see a

0:45:43.280 --> 0:45:43.600
<v Speaker 4>lot of that.

0:45:43.760 --> 0:45:45.719
<v Speaker 3>So many guest stars that have.

0:45:45.719 --> 0:45:47.560
<v Speaker 4>Had huge careers, and it's so fun to see that

0:45:47.800 --> 0:45:49.279
<v Speaker 4>we were all on melrose back in the day.

0:45:49.360 --> 0:45:51.920
<v Speaker 1>Yeah, so much fun, super fun, excellent.

0:45:52.239 --> 0:45:58.520
<v Speaker 4>Yeah, so will The next episode is number four original

0:45:58.560 --> 0:45:59.440
<v Speaker 4>Melrose Place.

0:46:00.360 --> 0:46:02.680
<v Speaker 3>That will be We'll see you, We'll see you next time.

0:46:02.800 --> 0:46:05.799
<v Speaker 2>I know I'll say, hey, I can't wait to see

0:46:05.800 --> 0:46:06.600
<v Speaker 2>what you're wearing for it.

0:46:07.040 --> 0:46:08.440
<v Speaker 3>I'm sure she'll have another cute tracks