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Speaker 1: Still the Place with Laura Layton, Courtney Thorn Smith.

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Speaker 2: And Daphne's Andiga and iHeartRadio podcast.

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Speaker 3: I'm trying a new paraglasses today, are you? And I'm not.

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Speaker 2: I'm not sure how they're going to go.

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Speaker 4: So I will be able to see better, which is good.

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Speaker 4: But I feel like I look like a little bit

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Speaker 4: of a crazy person here.

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Speaker 5: But wait, really know you look at the sexy librarian

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Speaker 5: really bring a whole new audience.

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Speaker 2: That those reading glasses.

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Speaker 3: Yes, I need them to read? So are they knew?

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Speaker 2: Because there is it? A new prescription on your eyes

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Speaker 2: getting worse.

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Speaker 4: It's because my the ones that I regularly use somehow

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Speaker 4: are somewhere in my house. I can't find them, so

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Speaker 4: I grabbed another parent.

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Speaker 1: You can't see them because you don't have your glasses.

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Speaker 1: It's crazy. It's really hard being me.

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Speaker 2: No, it's the eyes. It's just a whole adventure that

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Speaker 2: you don't hear about.

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Speaker 1: I use to get readers. Do you have readers?

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Speaker 2: I used to, but then I got it's called then

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Speaker 2: there's the brain that has that whole thing.

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Speaker 1: Did you get the lasers?

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Speaker 2: I did?

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Speaker 1: It's like refractive cataract surgery.

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Speaker 5: I got see I would get that laser if it

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Speaker 5: did something for my skin the eyes I have, which

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Speaker 5: I do.

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Speaker 1: I did just get a laser.

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Speaker 5: We couldn't meet last week because I got a laser

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Speaker 5: on my face. Lady looks stunning, pretty good, thank you,

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Speaker 5: thank you.

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Speaker 2: I'm skeered. But I did it on my eyes. I

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Speaker 2: got laser on the eyes. They're amazing. I can see

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Speaker 2: it close and I can see far away.

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Speaker 1: With no glasses.

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Speaker 3: I might need to ask.

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Speaker 2: I totally totally recommend it.

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Speaker 3: All right, Well, for now, I'm just going to.

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Speaker 1: Conversations.

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Speaker 2: Used to be different when.

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Speaker 5: Seriously listen the Baits method. It's eye exercises, and they

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Speaker 5: do work. Because my eyes started to go and then

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Speaker 5: I do these eye exercises and they're back. And I'm

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Speaker 5: fifty six and I still don't use readers. Fantastic tiny

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Speaker 5: I can read this little tiny thing.

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Speaker 2: That's great.

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Speaker 1: All right. Well for now I'm gonna wear glasses and.

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Speaker 2: Okay, okay, we all have our solutions.

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Speaker 3: Got that settled.

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Speaker 2: Good?

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Speaker 1: What happened to us?

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Speaker 2: Alterative? As I say, better than the alternative.

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Speaker 5: So we heard that people are asking about my dresses

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Speaker 5: and I will say this, I'm wearing a shirt by

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Speaker 5: the same company. It's a wonderful company out of Malibu

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Speaker 5: called Bell by Alicia Bell Care Dresses and I love

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Speaker 5: their shirts and I'm glad people are noticing it because

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Speaker 5: it's a company I absolutely love well. First of all,

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Speaker 5: like their store, like the fabrics. And then they've got

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Speaker 5: these I don't know if you at home can hear

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Speaker 5: my necklace, but this is attached to the shirt. It's

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Speaker 5: adorable little thing. They've got these little extras. What would

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Speaker 5: you call this, almost like a necklace. It's this really

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Speaker 5: pretty button and some spark.

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Speaker 2: Sure that's not one of those security you can there's

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Speaker 2: little pearls.

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Speaker 5: Anyway, it's a gorgeous highly recommend them.

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Speaker 1: Well.

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Speaker 2: Ask a question because when we were doing our photo shoot,

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Speaker 2: you had these beautiful dresses and it was Mesa, Mesa,

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Speaker 2: Los Angeles. Did you also wear those dress?

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Speaker 5: But the one that you wore in the photo shoot

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Speaker 5: was a Bell by Lisa Bell. Then Laura, you borrowed

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Speaker 5: one that was doing well. I like the dress and

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Speaker 5: lots of pretty dresses.

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Speaker 2: Beautiful dresses you so Bell I noticed, yes?

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Speaker 1: And Mesa and Doan has some gorgeous glass Yeah.

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Speaker 3: Peasantry today just by accident, we all ended up in

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Speaker 3: I know.

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Speaker 2: I'm like the very well coordinated, preppy little Checkers and

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Speaker 2: have you guys, beautiful, feminine and casual California. I feel

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Speaker 2: like me sitting over here is kind of like I'm

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Speaker 2: doing a sum on our hair, and there will be

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Speaker 2: tests on the Melrose. Well. We have mostly stuff to

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Speaker 2: ask Court or I do because you were there. We

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Speaker 2: weren't there yet. And again, I'm really enjoying watching and

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Speaker 2: going back and not be in it because I just

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Speaker 2: get to sit back and see, like I almost made popcorn,

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Speaker 2: because it's such a fun air of the nineties, and

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Speaker 2: just watching you guys, and you're doing such a great job.

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Speaker 2: And I don't know about you, Laura, but I'm enjoying

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Speaker 2: not being in it.

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Speaker 4: It's such a it's such a different experience to watch

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Speaker 4: these early episodes that our characters weren't in yet, and

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Speaker 4: then to know, like, oh, I know where it's going,

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Speaker 4: but I just don't have like an experience of what

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Speaker 4: it was at that time, and it is going in

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Speaker 4: another direction. We know that it's going somewhere else, and

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Speaker 4: we're only on episode three of our recaps right now.

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Speaker 3: We're so shallow.

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Speaker 2: I mean, in the death of where versus the drama

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Speaker 2: are a little different. Yeah, you know, Matt and Ronda

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Speaker 2: have a little tet of ted.

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Speaker 3: And yeah, we've just dipped our toe in the beginning.

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Speaker 5: So I had the same thought, like this really was

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Speaker 5: like eight kids trying to make it right. Like there

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Speaker 5: nothing dramatic happens. It really is very sweet, small stories

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Speaker 5: of us all getting to know each other.

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Speaker 2: Yeah, and to that point, that kind of like leads

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Speaker 2: me into our first episode here. But I got to

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Speaker 2: see how much they leaned into Billy being a writer,

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Speaker 2: really trying to be a writer what he came here for,

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Speaker 2: you know. And by the time I came in the

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Speaker 2: middle of the first season, like I don't know what,

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Speaker 2: no one knew what he was right, because he's already

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Speaker 2: into all the drama of the show. But he this

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Speaker 2: episode is specifically of him, like, you know, pouring out

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Speaker 2: his heart and soul and using his imagination writing the

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Speaker 2: great American screenplay, right, yeh me you go, okay, it's

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Speaker 2: going okay, that's a great segue.

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Speaker 1: Great.

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Speaker 2: So this episode three season one is called Lost and Found,

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Speaker 2: and it aired. It aired on July twenty second, nineteen

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Speaker 2: ninety two. So here's a synopsis. Jane feels lonely due

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Speaker 2: to Michael's late nights as the doctor, so Ronda takes

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Speaker 2: her to Shooters, where they meet two guys and have

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Speaker 2: a wild night until Jane loses her wedding ring. This

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Speaker 2: gave me stress this one. Billy finishes his script, but

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Speaker 2: Alison thinks it's awful and can't help him. Meanwhile, Jake

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Speaker 2: breaks up with Kelly finally by staging a scene with

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Speaker 2: an actress friend of Sandy's, making him look bad like

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Speaker 2: a terrible guy. Heartbroken, Kelly leaves Jake for good. I mean, finally,

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Speaker 2: it's so funny, like so how many episodes he's like,

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Speaker 2: you know how bad this is, and yet he keeps

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Speaker 2: like making out with her and like leading her on. Anyway,

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Speaker 2: I think it's finally over, so we'll do the cast

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Speaker 2: starring Josie Bessetts, Jane Thomas Collaboro as Michael, Amy Locane

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Speaker 2: as Sandy, Doug Savant as Matt Grant Show as Jake,

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Speaker 2: Andrew Shoe as Billy, Courtney Thorn Smith as Alison Parker,

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Speaker 2: and Vanessa A. Williams is Ronda Blair. Created by Darren Starr.

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Speaker 2: I hope we get Darren in these by the way

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Speaker 2: to come visit, and then special guests is Ginny Garth

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Speaker 2: and Brian Austin Green and Iron Zerring as their nine

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Speaker 2: O two one zero characters. So this is a really

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Speaker 2: fun opening. I thought we opened in this. It's called

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Speaker 2: the Blue Room Club. It's a jazz club. It's like

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Speaker 2: the forties of a period piece. And Billy's at the bar.

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Speaker 2: His hair is slicked back, He's in a suit, and

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Speaker 2: he saunters over to a woman in a red dress

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Speaker 2: doing a dance.

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Speaker 1: Were you so confused he came on slicker? Was like,

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Speaker 1: what is? What?

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Speaker 5: What is totally at the beginning any sort of it was.

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Speaker 4: Immediately like you could tell it was an attempt at noir,

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Speaker 4: but like, yeah, the girl seemed to be, you know,

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Speaker 4: setting the tone and the era, and I got it.

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Speaker 4: And then Billy was like sort of being Billy.

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Speaker 3: And it was a little bit back, what's happening?

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Speaker 4: Yeah, so I mean it. I did get pretty sick

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Speaker 4: pretty quickly into the scene. Go Okay, this is Billy's

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Speaker 4: imagining of you know, Noir, and yeah.

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Speaker 1: Very excitated dream is he? Who's that that?

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Speaker 5: I was like, where's Allison? Because apparently my ego's very invested.

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Speaker 5: I was like, who's that lady again, what's happening?

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Speaker 4: Yeah, but it was another basically another one of Billy's

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Speaker 4: sort of imagining some flashbacks without them.

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Speaker 1: Keep forgetting he was a writer.

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Speaker 4: I know, becomes very clear here in this opening scene

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Speaker 4: that that's what he's doing. Very la of him to

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Speaker 4: be coming to play and wanting to write his screenplay.

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Speaker 2: I mean, his you know, this was over the top,

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Speaker 2: and you're going, like, god, it is too over the top.

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Speaker 2: And there's a gun and she says really like you know,

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Speaker 2: cliche statements, you know, you look good, getting real good

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Speaker 2: and if you get if you get time, I'll come

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Speaker 2: visit you. If you get the chair, I'll still come

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Speaker 2: visit you. They have a gun, it goes below frame,

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Speaker 2: it goes off. I mean, and you're going, this is

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Speaker 2: really bad. Well it's his screenplay because he hears Alison

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Speaker 2: saying Billy, Billy, Billy, and then all of a sudden

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Speaker 2: we're in the apartment and he was he's typing his script,

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Speaker 2: so you're going, oh, maybe his script is it's kind

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Speaker 2: of like foreshadowing, like maybe it's not gonna be that good,

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Speaker 2: kind of like the over the topness that we justa

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Speaker 2: that's what I thought. So anyway, Alison's there and uh,

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Speaker 2: he's typing his screenplay.

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Speaker 4: Well, then it goes to the pool where Michael is

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Speaker 4: skimming the pool and Jane.

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Speaker 3: Is like hanging on him. Do you guys remember that.

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Speaker 4: She's he's skimming the pool and she is just like

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Speaker 4: like hugging him from behind, a kissing, kissing, kissing, like

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Speaker 4: this massive display out at the pool side, and they're

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Speaker 4: like what and did you notice that?

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Speaker 5: Like, well there's an ongoing theme already of this gorgeous

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Speaker 5: Josie like all over this dive.

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Speaker 2: He's like, I was like, I'm busy, and he's like,

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Speaker 2: I'm sorry, I'm trying to I'm trying to skim the

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Speaker 2: pool and she's.

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Speaker 3: Like, but I'm trying to get something started. That was

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Speaker 3: that was a lot, Yeah, and they're making it.

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Speaker 2: I have a kissing count, by the way, because that

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Speaker 2: is one of our CA theories and I finally paid attention.

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Speaker 2: So it was our first kiss because in the script

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Speaker 2: in the in the jazz Bar, they don't actually kiss.

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Speaker 2: They come really close, they quiver the lips, but they

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Speaker 2: don't kiss.

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Speaker 1: Oh I didn't even count that because they're married. Oh,

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Speaker 1: I think it count should count that was.

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Speaker 4: Actually married, Courtney, Remember did you count them?

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Speaker 1: Like that's.

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Speaker 2: Was worth more than five kisses for that?

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Speaker 3: The reference is there.

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Speaker 4: She's like, we're gonna have pink hot dogs and watch

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Speaker 4: Ghost like the movie and all these like references.

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Speaker 2: Yeah nineties stuff and la stuff.

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Speaker 3: Yeah, romantic movie.

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Speaker 5: And then doesn't she really doesn't seem to understand that

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Speaker 5: he's a medical resident. It seems to be a constant

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Speaker 5: source of confusion for her that he's busy, Like is

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Speaker 5: she not watch The Resident on Fox?

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Speaker 1: Does she not know? Like how busy these poor guys.

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Speaker 3: It's as confusing as he is.

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Speaker 4: She's gorgeous and you should make me be a little

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Speaker 4: bit more responsive.

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Speaker 1: The thing is like she doesn't have You should tell

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Speaker 1: them about glass.

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Speaker 3: There's glasses regrets from marrying.

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Speaker 2: You know. This is foreshadowing like a future when you

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Speaker 2: marry a doctor like you know, and this is you

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Speaker 2: don't see him now. It's not going to get much better,

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Speaker 2: Like don't you think of this sometimes your.

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Speaker 5: Residency though, remember they work like thirty hour shifts. But

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Speaker 5: it feels like it's constantly I don't for her that

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Speaker 5: she's surprised that he's not played a medical school one

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Speaker 5: that's medical.

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Speaker 2: But I don't remember, Like I don't you know, I

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Speaker 2: definitely didn't marry a doctor, so.

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Speaker 1: Nor have we played a doctor on TV, which I did.

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Speaker 2: But no, it's a medical student and I do anyway,

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Speaker 2: whatever we can go off on that. I do remember

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Speaker 2: some stats about medical students and doctors for sure. They're

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Speaker 2: not fun. So yeah, she's trying to make out by

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Speaker 2: the pool, and then we're down in the basement and

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Speaker 2: Sandy walks downstairs and Jake is folding clothes, and Jake

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Speaker 2: jokes that it's sheets he's folding, and that he only

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Speaker 2: washes his sheets when he's had someone in his.

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Speaker 5: Apartment and who was this Well, she says that she

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Speaker 5: implies that like, oh, you're washing sheets because somebody's coming.

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Speaker 1: And everybody in our own homes.

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Speaker 3: Yeah, that's very intimate.

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Speaker 2: Yeah, and he goes, we're just friends, but she wants more.

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Speaker 2: Duh the understatement of the century and uh. But he

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Speaker 2: says it's over, and she's like, which based on what?

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Speaker 5: Because last episode it seemed pretty hot and heavy, right.

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Speaker 5: They ride off on the motorcycle.

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Speaker 2: Yeah, it's going to be apparently something.

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Speaker 1: Happened between episodes.

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Speaker 2: No going for to be over this episode.

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Speaker 5: I knows a plan, but he's acting I felt like

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Speaker 5: he was acting like we're just friends, and I'm thinking

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Speaker 5: we were giving her very mixed signals then, because last

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Speaker 5: time you kissed her and rode off on your motorcycle.

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Speaker 3: Hundred percent of course mixed signals.

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Speaker 2: Well, of course mixed signals. Yeah, And of course he's

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Speaker 2: saying to somebody else, we're just friends. So if there's

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Speaker 2: any perception, then it's her fault, the little girl's fault.

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Speaker 2: But he's not saying to her definitely, we're best friends.

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Speaker 2: So you know he's picking going to her house and

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Speaker 2: taking her on the motorcycle. It's, of course, it's like

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Speaker 2: a game out of the playbook of this grand show

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Speaker 2: that we keep saying like Jake's's stand up man. I

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Speaker 2: guess that comes later, all right, this is the nineties

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Speaker 2: sign of the times. The next scene is the Gap store,

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Speaker 2: big old gap kids walk through and they walked through

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Speaker 2: this Gap store, and the minute that came on, I

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Speaker 2: saw all those lacrosse shirts in the back with the

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Speaker 2: thick stripes. Did you guys see that? I was just like,

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Speaker 2: it was so nineties, the rugby white collars, the rugby shirt.

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Speaker 2: Yeah with the white collars, those were all there, and

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Speaker 2: those guys.

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Speaker 4: And totally smell it makes one more appearance. And he

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Speaker 4: got to keep his sunglasses on for the entire scene inside.

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Speaker 1: I was so surprised by that.

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Speaker 3: But it was a choice.

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Speaker 1: And they it must have been maybe as pink eye

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Speaker 1: or something because.

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Speaker 4: Like they were dark like although I will say that

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Speaker 4: Doug got to wear the character of Matt got to

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Speaker 4: wear some sunglasses later in the episode two, and I thought, well,

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Speaker 4: that's interesting. Episode three of Melrose and they're still letting

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Speaker 4: people more away. Yeah, yeah, yeah, later we'll see the

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Speaker 4: air nobody's gonna wear it has seen an episode.

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Speaker 2: Well, maybe this is the time that he decides no more.

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Speaker 5: Yeah, Daphney tried to work sunglasses into our photo shoot

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Speaker 5: for our podcast, like that's adorable.

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Speaker 1: Put them down.

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Speaker 2: Still not a PTSD, but triggered me by the way,

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Speaker 2: thirty years later, I can wear these if I want. Yeah,

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Speaker 2: that was funny.

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Speaker 5: So but also the calling five times a day, talk

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Speaker 5: about sign of the times. Nobody's texting right, kids watching

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Speaker 5: like why don't just text them? Were like, no, we

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Speaker 5: didn't have texting. We had car phones that were the

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Speaker 5: size of our torsos, but nobody had.

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Speaker 2: Nobody was to call him, even the line are you

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Speaker 2: then no female? It wasn't the thing.

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Speaker 3: That's why there's payphones everywhere.

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Speaker 4: And exactly when the next scene in Jane's boutique and

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Speaker 4: she's calling or Michael's calling Jane to let her know

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Speaker 4: that he has to be on call all night, and

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Speaker 4: he's like whispering in the on call room like, oh honey,

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Speaker 4: I can't make it right. And he's like it's like

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Speaker 4: the hardest thing in the world to tell her that

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Speaker 4: he can't. But he's on a payphone in the breakroom

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Speaker 4: of the hospital.

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Speaker 3: It was a payphone on the wall in the breakroom.

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Speaker 2: I think, my god, they're so cheap.

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Speaker 3: It was so bizarre.

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Speaker 4: But like, did you guys notice what the rest of

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Speaker 4: the doctors were doing at the table? No, they're playing cards,

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Speaker 4: Like what doctors on their break are going to go

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Speaker 4: and like start a poker game in the.

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Speaker 3: Break I thought that was so funny. They're playing cards

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Speaker 3: in there, and he's like whispering, like did he not

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Speaker 3: want anybody to know he has a wife? Like why is.

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Speaker 2: So weird that he was so quiet about it. He's

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Speaker 2: like like he was carrying on with somebody there.

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Speaker 3: Right, it was like he was trying to keep it

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Speaker 3: a secret. He's talking to his wife.

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Speaker 5: The whole story happened, and you're you're stepping ahead to

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Speaker 5: the really dramatic moment.

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Speaker 1: If you didn't notice that.

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Speaker 3: You need to wear your glasses when you watch this,

336
00:15:53,480 --> 00:15:55,560
Speaker 3: you can notice things like card players.

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Speaker 1: And where you're going. This show is much more exciting

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Speaker 1: for you.

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00:16:01,520 --> 00:16:03,800
Speaker 2: So that's Jane trying to reach out again. She's all

340
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Speaker 2: excited about this Pink's plan and it's not going to happen, right,

341
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Speaker 2: So we set up. She's upset, she hangs up. And

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Speaker 2: then and then we're with Allison at D and D Advertising,

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Speaker 2: and Allison's on the phone at the reception when Billy

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Speaker 2: shows up with.

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Speaker 3: His screenplay, The Big Shock. I love The Big Shock.

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Speaker 2: Poor boy is going to be shocked. So he leaves

347
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Speaker 2: the script for her to read. It's so weird.

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Speaker 5: But okay, were you sure when he said it's the

349
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Speaker 5: only copy, be careful that I was going to leave

350
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Speaker 5: it somewhere. I was like, oh, I'm going to leave

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Speaker 5: it on the bus somewhere.

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Speaker 2: And didn't they have kink goes back in the nineties.

353
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Speaker 2: I don't remember. Maybe not well.

354
00:16:45,560 --> 00:16:47,200
Speaker 1: He must have typed it out by hand.

355
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Speaker 3: It might be still one finger at a time. Did

356
00:16:49,760 --> 00:16:51,840
Speaker 3: you not notice it takes him a really long time

357
00:16:51,880 --> 00:16:55,400
Speaker 3: to type singers, just the.

358
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Speaker 2: Two of them, but he did build it up his excitement.

359
00:17:00,120 --> 00:17:02,320
Speaker 2: I feel like a real writer now. It feels so good.

360
00:17:02,400 --> 00:17:03,400
Speaker 3: I feel like a real writer.

361
00:17:03,920 --> 00:17:11,280
Speaker 2: It feels so good. And you know when you yeah, yeah, so,

362
00:17:11,320 --> 00:17:11,760
Speaker 2: I don't know.

363
00:17:11,800 --> 00:17:12,760
Speaker 1: It was very cute.

364
00:17:13,840 --> 00:17:15,000
Speaker 3: And then we get to use the pool.

365
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Speaker 4: We got to the pool scene first time somebody's using

366
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Speaker 4: the pool in this episode. Jane's in her bit suit

367
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Speaker 4: getting out of the pool doing laps.

368
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Speaker 1: Very well done. Yep, nice exercise.

369
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Speaker 3: Nice use of the pool.

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Speaker 2: Can we talk about that bathing suit since we're talking

371
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Speaker 2: about the nineties, I mean, but an amazing bathing suit. Yeah,

372
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Speaker 2: I thought that bathing suit, like so much pops out

373
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Speaker 2: of me in each scene. Sometimes it's set dressing, sometimes

374
00:17:36,640 --> 00:17:39,720
Speaker 2: it's a payphone, sometimes it's a line. But this time

375
00:17:39,760 --> 00:17:42,880
Speaker 2: it was the bathing suit. Just the design. The wasn't

376
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Speaker 2: it like aqua and purple with thick black I don't know,

377
00:17:46,960 --> 00:17:48,440
Speaker 2: which was just so nineties.

378
00:17:48,600 --> 00:17:52,080
Speaker 3: Well, and Josie looks great in it, amazing. Yeah.

379
00:17:52,119 --> 00:17:56,000
Speaker 2: And then also Sandy was there with her little cute

380
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Speaker 2: little bussier, which was so cute.

381
00:17:57,760 --> 00:18:00,680
Speaker 4: And that's where Sandy suggesting that Jane come to Shooters

382
00:18:00,680 --> 00:18:02,400
Speaker 4: that night and have a night out instead of waiting

383
00:18:02,440 --> 00:18:03,880
Speaker 4: up for her doctor husband.

384
00:18:04,040 --> 00:18:06,640
Speaker 2: Anyway, so she's like, come on out and have fun, right.

385
00:18:06,680 --> 00:18:08,200
Speaker 3: She double dog dares her to go out.

386
00:18:08,560 --> 00:18:10,800
Speaker 2: Oh yeah, double dog dare you. Then we're back at

387
00:18:10,800 --> 00:18:15,680
Speaker 2: the hospital and Jane shows up with I think probably

388
00:18:15,800 --> 00:18:20,919
Speaker 2: pinks hot dogs and candles and food and wants to

389
00:18:21,160 --> 00:18:25,840
Speaker 2: bring the surprise to him. He's soy.

390
00:18:26,040 --> 00:18:29,520
Speaker 4: And but also here's where the other the other doctors

391
00:18:29,560 --> 00:18:31,200
Speaker 4: and people that are in the break room are like.

392
00:18:31,359 --> 00:18:33,280
Speaker 3: Ooh this is awkward.

393
00:18:33,560 --> 00:18:38,280
Speaker 4: Yeah we should leave so awkwardly because oh, this guy's

394
00:18:38,280 --> 00:18:39,480
Speaker 4: wife just showed.

395
00:18:39,280 --> 00:18:40,240
Speaker 3: Up, Like what is that about?

396
00:18:40,240 --> 00:18:42,840
Speaker 2: Like something going on?

397
00:18:43,560 --> 00:18:44,359
Speaker 3: Yeah they were.

398
00:18:45,880 --> 00:18:46,600
Speaker 1: It should have been.

399
00:18:46,640 --> 00:18:50,679
Speaker 4: And he's like, we'reek Jeane, everybody, this is my wife.

400
00:18:50,880 --> 00:18:57,200
Speaker 2: Apologeabe is so awkward, so embarrassed by his wife.

401
00:18:56,520 --> 00:18:57,879
Speaker 3: Like why is that embarrassing?

402
00:18:58,560 --> 00:18:59,040
Speaker 2: Yeah?

403
00:18:59,119 --> 00:18:59,960
Speaker 3: Yeah, poor Jane.

404
00:19:00,080 --> 00:19:02,120
Speaker 2: I mean those tall three candles were a bit much.

405
00:19:02,119 --> 00:19:03,280
Speaker 2: I was a little like it's okay.

406
00:19:03,359 --> 00:19:05,320
Speaker 3: It was cute, Like if your white shows up to

407
00:19:05,359 --> 00:19:08,640
Speaker 3: do that, why is everything going way better? Sneak outs

408
00:19:08,840 --> 00:19:11,719
Speaker 3: Yeah yeah, yeah not nice.

409
00:19:11,960 --> 00:19:15,040
Speaker 2: Next time we see her, she's a shooters with Rhonda

410
00:19:15,800 --> 00:19:18,240
Speaker 2: picking up two guys that are looking at them.

411
00:19:18,600 --> 00:19:20,760
Speaker 4: Yeah, so here's where these two guys come in to

412
00:19:20,800 --> 00:19:23,400
Speaker 4: the vironment can see that. Jane's gonna start to entertain

413
00:19:23,600 --> 00:19:26,880
Speaker 4: the idea of like, okay, maybe I'll pretend to be Yeah,

414
00:19:28,000 --> 00:19:32,720
Speaker 4: because Sandy's nest your Carbonel from everything Nestor Carbonel's had

415
00:19:32,720 --> 00:19:33,919
Speaker 4: a career.

416
00:19:34,480 --> 00:19:36,280
Speaker 1: Yeah, he was on Psych, which is one of my

417
00:19:36,280 --> 00:19:36,880
Speaker 1: favorite shows.

418
00:19:37,240 --> 00:19:38,080
Speaker 2: I was wondering.

419
00:19:38,200 --> 00:19:40,880
Speaker 5: Yeah, but he's been on everything, like all like Monk,

420
00:19:40,960 --> 00:19:42,160
Speaker 5: I think all those shows I love.

421
00:19:42,600 --> 00:19:44,240
Speaker 3: Yeah, he's got a huge career.

422
00:19:44,359 --> 00:19:48,480
Speaker 4: He's Morning Show, he's doing the Morning Show recently, a million.

423
00:19:48,160 --> 00:19:50,040
Speaker 5: Things and made me so excited as I started to

424
00:19:50,040 --> 00:19:52,720
Speaker 5: see the guest stars come through, like oh that's right, yeah,

425
00:19:52,920 --> 00:19:55,120
Speaker 5: oh he had he also had so many people come through.

426
00:19:55,160 --> 00:19:59,800
Speaker 3: He was on Lost, Yes, suddenly, Susan dark Knight. I

427
00:19:59,800 --> 00:20:00,800
Speaker 3: mean he's done a.

428
00:20:00,800 --> 00:20:03,480
Speaker 1: Ton of stuff every even and everything. Fun to see him.

429
00:20:03,520 --> 00:20:05,520
Speaker 4: Our kids were a baby group together, Mommy and me,

430
00:20:05,760 --> 00:20:08,400
Speaker 4: Oh really we had our baby in a baby grip together.

431
00:20:08,480 --> 00:20:09,760
Speaker 3: Yeah, Small World was.

432
00:20:10,240 --> 00:20:11,720
Speaker 2: One of his first things. You know.

433
00:20:11,880 --> 00:20:14,640
Speaker 5: I wonder if it was because he was sort of quiet, like, yeah,

434
00:20:14,720 --> 00:20:15,760
Speaker 5: quite come into himself.

435
00:20:15,880 --> 00:20:17,600
Speaker 4: Yeah, I think, yeah, I think he'd just done a

436
00:20:17,600 --> 00:20:20,360
Speaker 4: few things. But he's definitely had a played Alex.

437
00:20:20,520 --> 00:20:23,840
Speaker 2: He's the one that was pursued, that pursued Rhonda. Yes,

438
00:20:23,960 --> 00:20:27,200
Speaker 2: that's what we mean. But at this point, Jane decides

439
00:20:27,520 --> 00:20:29,280
Speaker 2: to hide.

440
00:20:29,000 --> 00:20:31,600
Speaker 4: The ring, right Sandy suggests it, Hey, you're not going

441
00:20:31,680 --> 00:20:33,720
Speaker 4: to get, you know, anybody flirting with you if you

442
00:20:33,760 --> 00:20:36,399
Speaker 4: have a wedding ring on, and Jane's like, I think

443
00:20:36,440 --> 00:20:38,679
Speaker 4: I want people flirting with me, So she takes it off.

444
00:20:38,760 --> 00:20:40,080
Speaker 2: Yeah, so she takes it over ring.

445
00:20:41,040 --> 00:20:42,840
Speaker 5: Which is probably why they had to have Michael be

446
00:20:42,960 --> 00:20:45,320
Speaker 5: so awful to motivate her to do this.

447
00:20:45,560 --> 00:20:49,280
Speaker 3: Pretty extreme Yeah yeah, yeah, pretty sure.

448
00:20:49,359 --> 00:20:51,000
Speaker 1: Pretty watch a show.

449
00:20:50,920 --> 00:20:53,679
Speaker 3: Like you thought you thought that was a good idea.

450
00:20:54,000 --> 00:20:55,520
Speaker 1: This is your ax step all right?

451
00:20:56,920 --> 00:20:59,760
Speaker 2: Uh. Then we cut to the courtyard where I keep

452
00:20:59,760 --> 00:21:03,119
Speaker 2: want to saying you you over there, where Allison walks

453
00:21:03,119 --> 00:21:05,440
Speaker 2: through the courtyard and she kind of doesn't know what

454
00:21:05,480 --> 00:21:08,040
Speaker 2: to do, and Matt is leaving and says, there's a

455
00:21:08,040 --> 00:21:09,960
Speaker 2: party in Laurel Canyon where I was living.

456
00:21:09,960 --> 00:21:12,840
Speaker 1: By the way, maybe it was your party. You weren't

457
00:21:12,840 --> 00:21:14,560
Speaker 1: on the show yet. Maybe he's going to be your party.

458
00:21:14,640 --> 00:21:19,200
Speaker 2: I was having a party. Probably was Laurel Canyon. Anyway,

459
00:21:19,560 --> 00:21:23,480
Speaker 2: I love those la shout outs. And she's like, no,

460
00:21:23,680 --> 00:21:26,040
Speaker 2: I have a really difficult thing ahead of me. I

461
00:21:26,080 --> 00:21:28,960
Speaker 2: have to tell I had to read Billy's script. And

462
00:21:29,000 --> 00:21:32,000
Speaker 2: he says, how is it? And she's like awful.

463
00:21:33,080 --> 00:21:36,320
Speaker 4: And here's here's Matt's entrance for the episode, like just

464
00:21:36,359 --> 00:21:38,720
Speaker 4: being cute, supportive friend, going you got this.

465
00:21:38,880 --> 00:21:39,720
Speaker 3: I think you can do this.

466
00:21:39,840 --> 00:21:45,760
Speaker 4: Just always a good friend, Lie, Like yeah, well, first

467
00:21:45,800 --> 00:21:47,720
Speaker 4: he said, you know, Lie, and then and then he

468
00:21:47,800 --> 00:21:49,600
Speaker 4: turned it around and said, all right, just you know,

469
00:21:49,720 --> 00:21:52,960
Speaker 4: just be gentle let him down easy, Pat, Pat, I'm

470
00:21:52,960 --> 00:21:53,600
Speaker 4: the best friend.

471
00:21:53,880 --> 00:21:58,160
Speaker 3: Bye. I see exit. Yeah, and that was for the episode.

472
00:21:58,240 --> 00:21:58,920
Speaker 1: Yeah.

473
00:21:59,240 --> 00:22:01,840
Speaker 2: Support, but always is the question, you know, what do

474
00:22:01,880 --> 00:22:05,920
Speaker 2: you do? What do you say? I'm with Lie, You're

475
00:22:05,960 --> 00:22:08,119
Speaker 2: on team Live. Well I've seen this episode now and

476
00:22:08,160 --> 00:22:10,479
Speaker 2: it doesn't end up, but it does end up. It

477
00:22:10,480 --> 00:22:12,600
Speaker 2: does they do end up, you know, dealing with it,

478
00:22:12,680 --> 00:22:18,520
Speaker 2: but it does hurt his feelings. So now we're back

479
00:22:18,520 --> 00:22:21,800
Speaker 2: in shooters and Jane and Ronder at the bar talking

480
00:22:21,840 --> 00:22:26,480
Speaker 2: with the guys, making small talk, and uh, they are

481
00:22:26,880 --> 00:22:28,880
Speaker 2: aspiring rock stars of Crocker.

482
00:22:29,280 --> 00:22:32,040
Speaker 3: They look like, yeah, so well firing rocks.

483
00:22:32,320 --> 00:22:35,960
Speaker 2: Yeah. Anyway, so he goes, do you have what? Do

484
00:22:36,000 --> 00:22:38,480
Speaker 2: you have a boyfriend or something? And she makes another

485
00:22:38,800 --> 00:22:42,199
Speaker 2: decision and she says no, not exactly implying that, but

486
00:22:42,320 --> 00:22:45,159
Speaker 2: does not say that she's married. Yeah, she doesn't have

487
00:22:45,200 --> 00:22:45,680
Speaker 2: a boyfriend.

488
00:22:45,680 --> 00:22:47,280
Speaker 3: She didn't lie, but she didn't try.

489
00:22:47,680 --> 00:22:48,000
Speaker 1: Yeah.

490
00:22:49,480 --> 00:22:52,720
Speaker 2: So anyway, then Billy comes home and I think you're

491
00:22:52,720 --> 00:22:53,879
Speaker 2: making tuna casserole.

492
00:22:54,160 --> 00:22:55,840
Speaker 1: What a disgusting choice?

493
00:22:56,320 --> 00:22:56,480
Speaker 2: Is it?

494
00:22:56,560 --> 00:22:57,120
Speaker 3: The fifties?

495
00:22:57,320 --> 00:22:57,520
Speaker 1: It is.

496
00:22:59,720 --> 00:23:03,679
Speaker 5: I'm like, oh my god, I can smell like am

497
00:23:03,720 --> 00:23:05,600
Speaker 5: I trying to upset him in advance?

498
00:23:05,640 --> 00:23:06,600
Speaker 1: I think what has happened?

499
00:23:06,640 --> 00:23:09,160
Speaker 4: But like you always say, you were traumatized by them

500
00:23:09,240 --> 00:23:10,919
Speaker 4: serving tuna on set.

501
00:23:11,280 --> 00:23:12,600
Speaker 2: Right, maybe.

502
00:23:14,200 --> 00:23:15,320
Speaker 1: That's all the problem.

503
00:23:16,560 --> 00:23:18,479
Speaker 3: And they really wanted it to be like method.

504
00:23:18,480 --> 00:23:21,800
Speaker 4: I can't like, we wanted to smell like tuna cast roles,

505
00:23:21,840 --> 00:23:24,000
Speaker 4: so it can that's what they're actually.

506
00:23:27,800 --> 00:23:30,639
Speaker 2: So anyway, you're in the kitchen, you don't really want

507
00:23:30,680 --> 00:23:33,639
Speaker 2: to see him, You're making the tuna, and he's just

508
00:23:33,720 --> 00:23:36,680
Speaker 2: of course thinking assuming his script is amazing. He's days

509
00:23:36,720 --> 00:23:39,040
Speaker 2: in the living room. He's like, oh man, but he

510
00:23:39,119 --> 00:23:41,920
Speaker 2: had a horrible day, but thank god the script. When

511
00:23:41,920 --> 00:23:46,080
Speaker 2: he sells this, everything's going to change. Oh you're making something,

512
00:23:47,359 --> 00:23:50,760
Speaker 2: so he's assuming you're making him dinner to celebrate.

513
00:23:51,480 --> 00:23:53,840
Speaker 4: I know it's so sad, but she doesn't have the

514
00:23:53,880 --> 00:23:55,320
Speaker 4: guts to tell him in that moment.

515
00:23:55,760 --> 00:23:58,960
Speaker 5: No, no, And I just there's so many things between

516
00:23:59,280 --> 00:24:02,080
Speaker 5: it's brilliant and it's awful. There's so many choices she

517
00:24:02,119 --> 00:24:03,919
Speaker 5: could have made. I just like I wish she had

518
00:24:03,960 --> 00:24:05,680
Speaker 5: someone to say, why don't you say it could use

519
00:24:05,720 --> 00:24:08,320
Speaker 5: some work? Yeah, which you know we've all heard as

520
00:24:08,400 --> 00:24:13,000
Speaker 5: creative people. Yes, there's a lot of potential. How about that,

521
00:24:13,119 --> 00:24:14,959
Speaker 5: Like start with, there's a lot of potential, but it

522
00:24:15,000 --> 00:24:15,880
Speaker 5: needs some work.

523
00:24:15,720 --> 00:24:18,240
Speaker 2: You do say at the end, finally he earns it,

524
00:24:18,320 --> 00:24:20,680
Speaker 2: you say you do it, or somewhere you say you

525
00:24:21,160 --> 00:24:25,240
Speaker 2: do have talent. I thank you, throwing him a little nugget.

526
00:24:25,160 --> 00:24:29,159
Speaker 4: Start there as there, Yeah, all right, But then we

527
00:24:29,160 --> 00:24:30,000
Speaker 4: get to the grocery store.

528
00:24:30,160 --> 00:24:32,280
Speaker 3: Kelly and Jake are grocery shopping for dinner together, which

529
00:24:32,280 --> 00:24:32,480
Speaker 3: is like.

530
00:24:32,480 --> 00:24:36,239
Speaker 5: A completely romantic choice line because we had this. This

531
00:24:36,359 --> 00:24:38,440
Speaker 5: was my line that I wrote down, spending a nice

532
00:24:38,480 --> 00:24:42,120
Speaker 5: quite even at your place, making it together the lasagna,

533
00:24:42,200 --> 00:24:43,840
Speaker 5: I mean, yeah, I.

534
00:24:44,040 --> 00:24:49,640
Speaker 3: Didn't see that coming. I mean wink wink, shimmy, sim Yeah.

535
00:24:49,640 --> 00:24:51,560
Speaker 2: They really put her over the top. Everything out of

536
00:24:51,560 --> 00:24:56,240
Speaker 2: her mouth, every action of hers everything is just this pursuant, pursuing,

537
00:24:56,280 --> 00:24:57,120
Speaker 2: pursuing for such.

538
00:24:57,160 --> 00:24:59,800
Speaker 1: So she's so young. I was not that aggressive at that.

539
00:25:00,480 --> 00:25:04,760
Speaker 1: It's so much. Are kids that different? Like?

540
00:25:05,640 --> 00:25:08,320
Speaker 4: Yeah, but also he's giving her such mixed message and

541
00:25:08,600 --> 00:25:11,080
Speaker 4: he's planning, Yeah, he's planning to let her down, but

542
00:25:11,160 --> 00:25:14,800
Speaker 4: he's decided to, like, let's do a quiet romantic night

543
00:25:14,840 --> 00:25:17,320
Speaker 4: at home, we'll grocery shop together, and then we'll bring

544
00:25:17,359 --> 00:25:17,760
Speaker 4: this talk.

545
00:25:18,280 --> 00:25:19,400
Speaker 3: Like the whole thing.

546
00:25:19,280 --> 00:25:21,920
Speaker 4: Was just like a what choice is that if you're

547
00:25:21,920 --> 00:25:23,400
Speaker 4: trying to actually let her down?

548
00:25:23,640 --> 00:25:27,240
Speaker 5: So indirect yeah, like just have a convix mansion clearly

549
00:25:27,320 --> 00:25:28,760
Speaker 5: not clearly cannot.

550
00:25:28,480 --> 00:25:30,400
Speaker 4: And here again in the grocery store is the other

551
00:25:30,480 --> 00:25:33,200
Speaker 4: example of where he reveals that he doesn't have enough

552
00:25:33,200 --> 00:25:35,480
Speaker 4: money because he can't afford the grocery bill what it owns.

553
00:25:35,480 --> 00:25:39,720
Speaker 3: That was brutal, Yeah, and that was brutal. She instead

554
00:25:39,720 --> 00:25:41,280
Speaker 3: of trying to bail him out. It's like, okay, just

555
00:25:41,440 --> 00:25:42,080
Speaker 3: maybe take.

556
00:25:42,040 --> 00:25:44,520
Speaker 5: And apparently no credit cards. Apparently they live in a

557
00:25:44,560 --> 00:25:45,840
Speaker 5: cash based society.

558
00:25:46,480 --> 00:25:47,160
Speaker 1: No credit card.

559
00:25:47,200 --> 00:25:50,080
Speaker 4: The other awkward moment showing that he doesn't have the

560
00:25:50,119 --> 00:25:54,120
Speaker 4: money and maybe she does, but still so awkward.

561
00:25:54,320 --> 00:25:56,600
Speaker 5: Yeah, but those are the days when you could buy

562
00:25:56,640 --> 00:25:58,879
Speaker 5: a dinner for forty dollars. You can't get out of

563
00:25:58,920 --> 00:26:02,400
Speaker 5: the market for forty dollars. Days, it's very hard. Everything expensive.

564
00:26:02,680 --> 00:26:03,840
Speaker 1: We're just so expensive right now.

565
00:26:03,960 --> 00:26:08,320
Speaker 2: Yeah. True. So they're out of they leave the grocery store,

566
00:26:09,080 --> 00:26:12,439
Speaker 2: he's humiliated once again. And then we're at Shooters and

567
00:26:12,480 --> 00:26:15,080
Speaker 2: they're playing pinball and they're being really flirty. Ronda is

568
00:26:15,119 --> 00:26:19,639
Speaker 2: being incredibly flirty and Josie I felt like, was trying

569
00:26:19,640 --> 00:26:22,600
Speaker 2: to be flirty but with the painball machine and stuff,

570
00:26:22,640 --> 00:26:25,160
Speaker 2: and well, Jane, she's trying to have a good single time,

571
00:26:25,320 --> 00:26:27,280
Speaker 2: you know, like she's not sure how to do it.

572
00:26:27,560 --> 00:26:31,320
Speaker 2: So she's like, oh boy, and she got pinball in

573
00:26:31,400 --> 00:26:32,000
Speaker 2: high school.

574
00:26:35,560 --> 00:26:38,000
Speaker 4: And then she got very close to like getting out

575
00:26:38,000 --> 00:26:42,439
Speaker 4: of their like no harm, no foul, but you know

576
00:26:42,520 --> 00:26:45,159
Speaker 4: that Ronda talks her out of it and says, please

577
00:26:45,200 --> 00:26:47,520
Speaker 4: stay be my wingman for the night, and please, I

578
00:26:47,560 --> 00:26:48,000
Speaker 4: can't do this.

579
00:26:48,280 --> 00:26:49,639
Speaker 3: Yeah, please want to go to a club.

580
00:26:50,040 --> 00:26:52,520
Speaker 4: So Jane decides not to go home and decides to

581
00:26:52,560 --> 00:26:53,560
Speaker 4: stay with Ronda instead.

582
00:26:53,560 --> 00:26:54,200
Speaker 3: Another bad.

583
00:26:55,920 --> 00:27:00,119
Speaker 4: So many another club put gone, Yeah another way, you

584
00:27:00,359 --> 00:27:01,119
Speaker 4: just gone home.

585
00:27:01,600 --> 00:27:04,720
Speaker 2: So then we're back with Billy. They're eating I think

586
00:27:04,720 --> 00:27:07,879
Speaker 2: they're eating the tuna now the tuna cast role, and

587
00:27:07,920 --> 00:27:11,960
Speaker 2: he's going through the scenes bit by bit, just like God,

588
00:27:12,000 --> 00:27:13,800
Speaker 2: he's making it so hard, isn't he know?

589
00:27:14,000 --> 00:27:14,920
Speaker 1: He's so exciting.

590
00:27:15,000 --> 00:27:17,480
Speaker 2: Yeah, he's so excited. He's like, what about this? And

591
00:27:17,520 --> 00:27:21,040
Speaker 2: then you're like, you know, you mean the one where

592
00:27:22,280 --> 00:27:25,520
Speaker 2: that what was it? The transvestite nun or something like

593
00:27:25,720 --> 00:27:27,639
Speaker 2: making it obvious that it was really bad.

594
00:27:28,119 --> 00:27:30,080
Speaker 3: I don't remember that moment ending.

595
00:27:31,320 --> 00:27:32,479
Speaker 2: You don't remember that one? No?

596
00:27:32,560 --> 00:27:34,400
Speaker 3: I don't. Yeah, I think, I think.

597
00:27:35,000 --> 00:27:36,160
Speaker 1: And he's like, what's.

598
00:27:35,920 --> 00:27:38,400
Speaker 2: Wrong with that? I used to be a nun?

599
00:27:38,480 --> 00:27:38,960
Speaker 1: Oh my god?

600
00:27:39,640 --> 00:27:41,920
Speaker 4: But she tells him the truth like I hated, yeah,

601
00:27:42,040 --> 00:27:43,840
Speaker 4: think about it, and he's so.

602
00:27:44,320 --> 00:27:46,560
Speaker 2: Hurt and indignant, Well, what do you hate? Please be

603
00:27:46,680 --> 00:27:52,280
Speaker 2: more specific, which I think you know he deserves. But

604
00:27:52,640 --> 00:27:54,360
Speaker 2: he can't handle it and he just.

605
00:27:55,160 --> 00:27:58,920
Speaker 5: Storms out and insults my cast role, which I mean,

606
00:28:00,160 --> 00:28:03,560
Speaker 5: come on, obviously, most of myself esteem is based on

607
00:28:03,600 --> 00:28:05,960
Speaker 5: my disgusting tunic castrole. And you can't you're not allowed

608
00:28:06,000 --> 00:28:08,200
Speaker 5: to put it down. And then if you can't take

609
00:28:08,200 --> 00:28:10,280
Speaker 5: the heat, get out of the kitchen. We're just yelling,

610
00:28:11,920 --> 00:28:14,160
Speaker 5: just like you have no taste, just like your lousy castrole.

611
00:28:14,200 --> 00:28:15,959
Speaker 5: If you can't stand the heat, get out of the kitchen.

612
00:28:17,119 --> 00:28:19,760
Speaker 4: Yeah, that was that was a big bite. He storms

613
00:28:19,800 --> 00:28:23,879
Speaker 4: out of the apartment. I know Jane is dancing with Peter.

614
00:28:24,640 --> 00:28:26,639
Speaker 2: We're in the new club. So now that we're at

615
00:28:26,680 --> 00:28:28,520
Speaker 2: the cap, I love that the guys took them to.

616
00:28:28,800 --> 00:28:31,359
Speaker 2: You know, she's really out of her league and no

617
00:28:31,600 --> 00:28:34,240
Speaker 2: a place that's not familiar, and the guys dancing really

618
00:28:34,240 --> 00:28:37,879
Speaker 2: closely with her. Did you notice the extras and everything

619
00:28:37,920 --> 00:28:40,520
Speaker 2: that they were wearing, and like it just seems to

620
00:28:40,560 --> 00:28:43,360
Speaker 2: me like all of the nineties always had a nightclub scene,

621
00:28:43,360 --> 00:28:47,360
Speaker 2: and like everything I ever did, they were like a

622
00:28:47,440 --> 00:28:51,120
Speaker 2: nightclub with these extra outfits with the you know, the

623
00:28:51,120 --> 00:28:54,000
Speaker 2: short skirts, the ones that were like band aids basically,

624
00:28:54,080 --> 00:28:56,480
Speaker 2: you know what I mean, and these heels and like

625
00:28:57,240 --> 00:29:00,320
Speaker 2: smoke pumped in. I just reminded me of the eighties

626
00:29:00,320 --> 00:29:01,160
Speaker 2: and nineties, Like.

627
00:29:01,720 --> 00:29:05,040
Speaker 1: Stress was so short so short, so short.

628
00:29:05,320 --> 00:29:07,520
Speaker 5: But I think it was less about the nineties and

629
00:29:07,600 --> 00:29:10,520
Speaker 5: more about how old we were, because say the three

630
00:29:10,560 --> 00:29:12,360
Speaker 5: of us did a movie now, they wouldn't put us

631
00:29:12,360 --> 00:29:16,120
Speaker 5: in any off like I was just when you're young,

632
00:29:16,560 --> 00:29:17,840
Speaker 5: like your characters are going back.

633
00:29:17,840 --> 00:29:21,080
Speaker 1: That's what yeah, Like that's what we did, and that

634
00:29:21,200 --> 00:29:23,880
Speaker 1: is what I did on weekends. Then yeah, I know, right,

635
00:29:23,960 --> 00:29:24,720
Speaker 1: that's what we did.

636
00:29:26,080 --> 00:29:27,880
Speaker 2: I just get a kick of looking at these scenes

637
00:29:27,920 --> 00:29:31,560
Speaker 2: now because it looks like such a just such it's

638
00:29:31,600 --> 00:29:34,360
Speaker 2: just such background, you know, with all the drinks. They're

639
00:29:34,360 --> 00:29:37,560
Speaker 2: either like bright red and orange. Maybe there's a blue,

640
00:29:37,680 --> 00:29:41,040
Speaker 2: I don't know. It just really pulled me into working

641
00:29:41,080 --> 00:29:43,680
Speaker 2: as an actor back in that era, and it looked very,

642
00:29:44,520 --> 00:29:47,960
Speaker 2: very familiar to me. But at any rate, So they're

643
00:29:48,040 --> 00:29:50,720
Speaker 2: dancing and she's once he gets too close. She's like, no, no,

644
00:29:50,760 --> 00:29:53,720
Speaker 2: I gotta go sit down. So she goes to sit down,

645
00:29:53,720 --> 00:29:57,960
Speaker 2: but he follows her, reciting poetry right, thinking he's going

646
00:29:58,040 --> 00:30:03,480
Speaker 2: to win her over with his like artistic, uh poetic type,

647
00:30:03,960 --> 00:30:05,479
Speaker 2: and she's like, yeah, I know that poet.

648
00:30:06,120 --> 00:30:11,400
Speaker 1: If she made romantic literature, she minor romantic? Did she

649
00:30:11,480 --> 00:30:13,520
Speaker 1: major in fashion or probably.

650
00:30:17,480 --> 00:30:17,600
Speaker 5: Yes?

651
00:30:18,080 --> 00:30:20,160
Speaker 1: As you do look at her being smart.

652
00:30:20,240 --> 00:30:24,640
Speaker 3: That was romantic lit recognize the passage. He tries to kiss.

653
00:30:24,440 --> 00:30:30,800
Speaker 1: Her, and she finally, finally yep, says no. Yeah.

654
00:30:30,880 --> 00:30:36,000
Speaker 2: And then if she finally says why I'm married. I

655
00:30:36,080 --> 00:30:37,960
Speaker 2: like you, but I'm married, and he's like, yeah, no,

656
00:30:38,000 --> 00:30:40,960
Speaker 2: you don't have a ring, and she's like, god, okay.

657
00:30:41,160 --> 00:30:43,720
Speaker 2: She reaches for her ring in her pocket and the

658
00:30:43,720 --> 00:30:48,280
Speaker 2: booth of the table there and there's no ring and

659
00:30:48,480 --> 00:30:48,880
Speaker 2: is gone.

660
00:30:49,840 --> 00:30:50,200
Speaker 3: Oops.

661
00:30:50,360 --> 00:30:52,200
Speaker 4: So then she finds herself crawling on the floor in

662
00:30:52,240 --> 00:30:54,800
Speaker 4: her tight little black dress looking for her ring.

663
00:30:57,480 --> 00:31:02,760
Speaker 2: So and and of course Rhonda feels horrible when she

664
00:31:02,760 --> 00:31:07,160
Speaker 2: finds out. And but now we're back and oh, let's

665
00:31:07,160 --> 00:31:09,120
Speaker 2: see how it's going with Jake and Kelly. How that

666
00:31:09,240 --> 00:31:12,360
Speaker 2: breakup's going. Okay, So we're back in Jake's.

667
00:31:12,080 --> 00:31:14,160
Speaker 3: Apartment and he's awkwardly cutting onions.

668
00:31:14,880 --> 00:31:18,120
Speaker 2: By the way, it's not awkwardly. He's cutting onions to

669
00:31:18,200 --> 00:31:21,120
Speaker 2: turn her off. I figured that out, Oh you did, yes,

670
00:31:21,720 --> 00:31:24,720
Speaker 2: close up on a big onion, big red, juicy onion.

671
00:31:24,840 --> 00:31:28,160
Speaker 2: He's crying. He's like, oh god, this is painful, but

672
00:31:28,160 --> 00:31:30,720
Speaker 2: I've got to get her off of me. And she's

673
00:31:30,800 --> 00:31:35,440
Speaker 2: like almost crawling up into his hmm. And and he's

674
00:31:35,520 --> 00:31:38,800
Speaker 2: like cutting onions. Maybe that'll send her off. No, apparently

675
00:31:38,840 --> 00:31:42,640
Speaker 2: Kelly likes purple onions. She's all over him and then

676
00:31:42,680 --> 00:31:44,360
Speaker 2: she like leads into those.

677
00:31:44,400 --> 00:31:45,719
Speaker 1: I'm going to go back for a second.

678
00:31:46,320 --> 00:31:48,760
Speaker 5: Why are her parents letting her go to dinner in

679
00:31:48,800 --> 00:31:49,840
Speaker 5: a man's apartment?

680
00:31:50,400 --> 00:31:53,800
Speaker 3: I think her parents don't know. We haven't really touched

681
00:31:53,800 --> 00:31:57,200
Speaker 3: on that, have we. Her parents they exist at all.

682
00:31:57,240 --> 00:32:00,080
Speaker 1: They think she's at I mean, she's just out a

683
00:32:00,160 --> 00:32:01,960
Speaker 1: girlfriend's house. Yeah, that's probably true, all.

684
00:32:01,920 --> 00:32:05,600
Speaker 3: Right, I mean, oh yeah, her mama just had a baby.

685
00:32:05,680 --> 00:32:06,000
Speaker 3: I don't know.

686
00:32:06,000 --> 00:32:10,080
Speaker 4: There's all this backstory we don't quite see right to explain, right,

687
00:32:10,600 --> 00:32:13,240
Speaker 4: but yeah, they're they're making this dinner and Kelly's kissing

688
00:32:13,280 --> 00:32:15,000
Speaker 4: him and it's clear that she went and he just

689
00:32:15,080 --> 00:32:15,720
Speaker 4: keeps sort of.

690
00:32:15,680 --> 00:32:18,560
Speaker 1: Like kissing all back a little bit, a little.

691
00:32:18,360 --> 00:32:19,640
Speaker 3: Distance and pushing back.

692
00:32:19,720 --> 00:32:21,120
Speaker 4: I don't want to do this, even though I set

693
00:32:21,160 --> 00:32:23,040
Speaker 4: up this romantic dinner, I really don't want to do this.

694
00:32:23,160 --> 00:32:24,480
Speaker 4: I really don't want you kissing on me.

695
00:32:25,400 --> 00:32:25,840
Speaker 2: How wrong?

696
00:32:25,880 --> 00:32:26,200
Speaker 3: This is?

697
00:32:26,200 --> 00:32:28,720
Speaker 2: What's wrong with you? Girl? Don't you get the message?

698
00:32:28,720 --> 00:32:30,640
Speaker 2: And I have an onion and everything.

699
00:32:30,320 --> 00:32:32,040
Speaker 1: Don't you get the message? In my apartment while I'm

700
00:32:32,040 --> 00:32:32,520
Speaker 1: cooking for you.

701
00:32:32,600 --> 00:32:34,880
Speaker 4: It feels very clear I've sent you very mixed messages,

702
00:32:34,960 --> 00:32:35,600
Speaker 4: aren't you picking?

703
00:32:37,120 --> 00:32:40,680
Speaker 2: And then the phone rings and she says, this is

704
00:32:40,680 --> 00:32:43,560
Speaker 2: another nineties Let the answering machine get it.

705
00:32:44,240 --> 00:32:46,000
Speaker 3: Yep, we all had an answering machine.

706
00:32:46,080 --> 00:32:48,000
Speaker 2: So it's ringing and ringing, and it starts to have

707
00:32:48,040 --> 00:32:51,440
Speaker 2: an answer. Someone starts to speak and then he runs

708
00:32:51,480 --> 00:32:54,160
Speaker 2: to get it and picks it up. But do you

709
00:32:54,160 --> 00:32:55,840
Speaker 2: guys remember your first answering.

710
00:32:55,520 --> 00:32:57,640
Speaker 5: Machine And weren't you worried that someone's going to leave

711
00:32:57,640 --> 00:32:58,800
Speaker 5: an inappropriate message?

712
00:33:01,480 --> 00:33:03,080
Speaker 4: He was worried because he went to pick it up

713
00:33:03,800 --> 00:33:06,440
Speaker 4: before that happens, because it goes out loud your message,

714
00:33:06,560 --> 00:33:10,160
Speaker 4: just like broadcasts.

715
00:33:08,640 --> 00:33:11,760
Speaker 2: Right, Yeah, do you remember that whole other? Like I

716
00:33:11,760 --> 00:33:13,000
Speaker 2: don't know if that I guess you don't have that

717
00:33:13,080 --> 00:33:15,680
Speaker 2: now with the phone. But like when you leave a message,

718
00:33:15,720 --> 00:33:18,160
Speaker 2: if it's an awkward one for someone, is is someone

719
00:33:18,200 --> 00:33:20,560
Speaker 2: going to be listening? Like like is it going to

720
00:33:20,600 --> 00:33:24,680
Speaker 2: be turned up loud? Are there roommates? Usually the guys

721
00:33:24,680 --> 00:33:26,000
Speaker 2: that I liked always had roommates.

722
00:33:26,000 --> 00:33:28,400
Speaker 4: They were never Yeah, you gotta be really careful about

723
00:33:28,400 --> 00:33:31,240
Speaker 4: what you're saying out on speaker phone. Sure, but we

724
00:33:31,280 --> 00:33:33,520
Speaker 4: find out that the person on the other line is

725
00:33:33,640 --> 00:33:36,280
Speaker 4: like planning to and he's whispering, well, don't don't be

726
00:33:36,320 --> 00:33:37,560
Speaker 4: any later than ten thirty.

727
00:33:37,800 --> 00:33:40,520
Speaker 2: Yeah, that's right, right, that's all he says. Anyway, she

728
00:33:40,560 --> 00:33:42,840
Speaker 2: doesn't get the message because well, we'll come back to

729
00:33:42,880 --> 00:33:44,960
Speaker 2: them in a minute. But first we're gonna go to

730
00:33:44,960 --> 00:33:49,600
Speaker 2: Shooters where Billy is sitting absolutely crushed, fiddling with the

731
00:33:49,800 --> 00:33:52,600
Speaker 2: mix the bar mixed there and all alone at the

732
00:33:52,600 --> 00:33:57,560
Speaker 2: bar Shooters, and then you Alison shows up and they

733
00:33:57,600 --> 00:34:03,320
Speaker 2: have a meaning full friendly conversation. You know, was it

734
00:34:03,400 --> 00:34:08,200
Speaker 2: really that bad? And and so I thought that was

735
00:34:08,320 --> 00:34:11,359
Speaker 2: really you know, there was pay off there. And again

736
00:34:11,480 --> 00:34:13,279
Speaker 2: that's what I like about the show, Like you do

737
00:34:13,400 --> 00:34:16,440
Speaker 2: these things and they're like over the top or or

738
00:34:16,800 --> 00:34:20,920
Speaker 2: or not very heartfelt, you know, and then this comes.

739
00:34:20,960 --> 00:34:23,279
Speaker 2: You know, they're they're smart, like they bring you back

740
00:34:23,680 --> 00:34:27,279
Speaker 2: and this friendship is going to last through this. You know,

741
00:34:27,520 --> 00:34:30,600
Speaker 2: you guys have a friendship there, which which is cool.

742
00:34:31,040 --> 00:34:32,200
Speaker 2: So you give them a pep talk.

743
00:34:32,400 --> 00:34:33,200
Speaker 3: That was very sweet.

744
00:34:34,160 --> 00:34:37,520
Speaker 2: Yeah, I believe in yourself not going to be easy.

745
00:34:37,680 --> 00:34:38,680
Speaker 1: Did she made her amends?

746
00:34:40,320 --> 00:34:42,680
Speaker 4: Well, he's drowning himself in sugar. He was sugar bingchinging,

747
00:34:43,480 --> 00:34:44,479
Speaker 4: like until you came along.

748
00:34:45,560 --> 00:34:47,439
Speaker 1: It's good for you. I don't know that that's true.

749
00:34:47,520 --> 00:34:50,359
Speaker 1: Well we'll look at the science later. That's right.

750
00:34:51,080 --> 00:34:53,000
Speaker 3: I do not think you know, I don't think that's right.

751
00:34:53,719 --> 00:34:57,000
Speaker 2: So anyway, Jake, we're back with that, Jake and Kelly,

752
00:34:57,200 --> 00:35:00,799
Speaker 2: and she clearly has gotten no message, and she's in

753
00:35:00,840 --> 00:35:02,719
Speaker 2: the living room. She goes bit into the living room

754
00:35:02,760 --> 00:35:04,919
Speaker 2: I think, and turns down the light, off the light

755
00:35:05,080 --> 00:35:07,520
Speaker 2: and makes it a mood lighting in there, and she

756
00:35:07,560 --> 00:35:10,560
Speaker 2: sits on the couch and this girl just is like

757
00:35:11,800 --> 00:35:15,319
Speaker 2: and he turns on the light, comes in and they're

758
00:35:15,360 --> 00:35:20,840
Speaker 2: on the couch, and you know, he lets her kiss

759
00:35:21,040 --> 00:35:23,960
Speaker 2: him and fall and tell him how great he is,

760
00:35:24,000 --> 00:35:26,400
Speaker 2: of course, and he's waiting, I think, for ten thirty

761
00:35:26,440 --> 00:35:28,399
Speaker 2: to show up, right, for someone to show up.

762
00:35:28,480 --> 00:35:30,200
Speaker 4: Yep, But again, why did he go to all the

763
00:35:30,200 --> 00:35:33,919
Speaker 4: trouble to grocery shops, set up this romantic night saying

764
00:35:33,960 --> 00:35:35,120
Speaker 4: you can't come over see you?

765
00:35:35,280 --> 00:35:37,440
Speaker 3: Yeah, like, I just we shouldn't be doing this.

766
00:35:37,480 --> 00:35:39,799
Speaker 4: Instead, he sets up a whole elaborate thing to have

767
00:35:39,920 --> 00:35:42,560
Speaker 4: some you know this next thing happened, instead of like.

768
00:35:43,000 --> 00:35:46,239
Speaker 3: Don't set up the romantic dinner in the first place. Yeah, Like,

769
00:35:46,360 --> 00:35:47,520
Speaker 3: of course he's not giving them a.

770
00:35:47,800 --> 00:35:49,680
Speaker 5: Tom, right, if they had the conversation, there would be

771
00:35:49,680 --> 00:35:51,799
Speaker 5: no story. So you can't have the conversation because you

772
00:35:51,840 --> 00:35:54,479
Speaker 5: need to fill whatever forty two minutes of screen time.

773
00:35:54,840 --> 00:35:56,759
Speaker 1: So he has to work his way around it. But

774
00:35:56,920 --> 00:35:59,520
Speaker 1: do we have a theme in this show of men

775
00:35:59,600 --> 00:36:01,320
Speaker 1: not want to to have sex with beautiful women?

776
00:36:01,480 --> 00:36:02,040
Speaker 3: What the heck?

777
00:36:03,719 --> 00:36:05,120
Speaker 1: These beautiful women just hanging.

778
00:36:05,000 --> 00:36:07,560
Speaker 4: Except if they're married, except if they're married to like

779
00:36:07,719 --> 00:36:08,359
Speaker 4: somebody else.

780
00:36:08,520 --> 00:36:09,520
Speaker 3: Yeah, there's that.

781
00:36:11,040 --> 00:36:11,680
Speaker 1: Interesting thing.

782
00:36:11,920 --> 00:36:12,480
Speaker 3: But there they are.

783
00:36:12,480 --> 00:36:15,279
Speaker 4: They're interrupted by the knock of the door, and Jake

784
00:36:15,320 --> 00:36:18,320
Speaker 4: goes to the door, h and it is Margo.

785
00:36:19,040 --> 00:36:21,680
Speaker 2: Well, it's a woman who comes in and goes, oh gosh,

786
00:36:21,680 --> 00:36:23,480
Speaker 2: you know here she comes in with a bottle of wine,

787
00:36:23,520 --> 00:36:26,200
Speaker 2: a beautiful woman who's more his age, more age appropriate,

788
00:36:26,320 --> 00:36:29,400
Speaker 2: and says oh, and sees Kelly, and it's just like,

789
00:36:29,640 --> 00:36:33,319
Speaker 2: what is going on? Oh, we're just one of many women.

790
00:36:33,480 --> 00:36:35,040
Speaker 2: You think we're all just going to show up like this.

791
00:36:35,200 --> 00:36:39,319
Speaker 2: You're two timing me. We had a date. Kelly's like mortified.

792
00:36:39,719 --> 00:36:42,880
Speaker 2: She just looks like this little sad puppy, you know,

793
00:36:43,040 --> 00:36:47,400
Speaker 2: like it does seem like overkill for a really innocent seems.

794
00:36:47,120 --> 00:36:50,319
Speaker 5: She's a really elaborate plan to Yeah right, I think

795
00:36:50,320 --> 00:36:52,800
Speaker 5: he thinks he's letting her down easy, but it's actually

796
00:36:52,960 --> 00:36:55,759
Speaker 5: more confusing. Although maybe in the end then she gets

797
00:36:55,760 --> 00:36:58,080
Speaker 5: to say he's a jerk, and yeah, well that's off

798
00:36:58,080 --> 00:37:00,200
Speaker 5: having the upper hand, that's what he wants.

799
00:37:00,480 --> 00:37:02,399
Speaker 1: Yeah, but she.

800
00:37:02,320 --> 00:37:04,280
Speaker 3: Still leaves the apartment saying I loved.

801
00:37:04,080 --> 00:37:06,440
Speaker 1: You, Oh poor baby.

802
00:37:06,880 --> 00:37:08,800
Speaker 2: And I thought she was really good in this Jenny

803
00:37:08,840 --> 00:37:12,200
Speaker 2: and the just I just felt you just really feel

804
00:37:12,200 --> 00:37:14,400
Speaker 2: for her. I do feel really good, you know, like

805
00:37:14,480 --> 00:37:16,800
Speaker 2: you pointed out with and with Josie in the past,

806
00:37:16,840 --> 00:37:20,520
Speaker 2: that vulnerability which isn't always easy in a show like this,

807
00:37:20,840 --> 00:37:24,319
Speaker 2: you know, which is like such over the top kind

808
00:37:24,360 --> 00:37:28,840
Speaker 2: of stuff. Or I just think it was cool. I

809
00:37:29,200 --> 00:37:33,960
Speaker 2: grounded it anyway, So that's that. See it. Well, we'll

810
00:37:34,000 --> 00:37:36,799
Speaker 2: see if that really is goodbye for Kelly. It's like

811
00:37:38,080 --> 00:37:44,399
Speaker 2: he's tried to say goodbye a few times. We're back

812
00:37:44,400 --> 00:37:47,920
Speaker 2: at the club and Jane and Ronda are crawling around

813
00:37:48,080 --> 00:37:50,600
Speaker 2: for the wedding ring. They don't find it. It's a

814
00:37:50,680 --> 00:37:54,240
Speaker 2: family heirloom, and then Peter says, why did you lie?

815
00:37:54,320 --> 00:37:56,920
Speaker 2: And she said, I'm just used to I've just been

816
00:37:56,960 --> 00:37:58,319
Speaker 2: listening to the wrong people.

817
00:37:58,640 --> 00:37:59,560
Speaker 3: Trusting my Sandy.

818
00:38:00,320 --> 00:38:04,360
Speaker 4: Yeah, Sandy not such a great person for advice apparently.

819
00:38:04,719 --> 00:38:06,000
Speaker 2: Yeah.

820
00:38:06,400 --> 00:38:10,160
Speaker 4: So then we see that Ronda did end up getting

821
00:38:10,160 --> 00:38:12,520
Speaker 4: together with the guy that she met in the bar,

822
00:38:12,600 --> 00:38:15,120
Speaker 4: and they're kissing in the courtyard as everybody's coming.

823
00:38:14,880 --> 00:38:17,239
Speaker 5: Home, as everyone seems to the courtyard. Apparently he's a

824
00:38:17,280 --> 00:38:18,960
Speaker 5: fine place to make out, a public.

825
00:38:18,640 --> 00:38:20,920
Speaker 3: Display right there day night.

826
00:38:21,360 --> 00:38:25,839
Speaker 2: Want to make out, yes, ye yeah, yep, especially if

827
00:38:25,920 --> 00:38:28,400
Speaker 2: like it's right in front of where Mike Michael, like

828
00:38:28,480 --> 00:38:32,319
Speaker 2: her husband is, or where Jane lives, you know. I mean,

829
00:38:32,400 --> 00:38:34,719
Speaker 2: she's not making up, but still they have this whole

830
00:38:34,760 --> 00:38:40,480
Speaker 2: conversation and I think that's that you're a nice guy,

831
00:38:40,560 --> 00:38:46,839
Speaker 2: and but I I gotta go. So he leaves, and

832
00:38:48,120 --> 00:38:51,800
Speaker 2: Ronda apologizes for forcing her to come out, and then

833
00:38:52,239 --> 00:38:57,240
Speaker 2: she enters. Jane enters her own apartment and hears music.

834
00:38:57,520 --> 00:39:01,359
Speaker 2: It's dark, there's a bottle of whiskey opened. Now I

835
00:39:01,440 --> 00:39:05,160
Speaker 2: wasn't sure here if he that was his whiskey. I'm

836
00:39:05,200 --> 00:39:09,080
Speaker 2: assuming a manly man's drink. And the music he set

837
00:39:09,160 --> 00:39:13,279
Speaker 2: to be romantic, but she didn't show because he comes

838
00:39:13,280 --> 00:39:16,360
Speaker 2: out kind of pissed. It's not like he's waiting for

839
00:39:16,480 --> 00:39:18,440
Speaker 2: her still, he's pissed now.

840
00:39:18,400 --> 00:39:21,759
Speaker 5: Well set up right, Yeah, yeah, that she sees a

841
00:39:21,760 --> 00:39:22,799
Speaker 5: whiskey and thinks he's there.

842
00:39:22,840 --> 00:39:24,000
Speaker 1: He's mad at her, he's been there.

843
00:39:24,080 --> 00:39:25,920
Speaker 4: He's mad at her that he actually did come home

844
00:39:25,960 --> 00:39:28,080
Speaker 4: and set up something romantic and he had an expectation

845
00:39:28,160 --> 00:39:29,799
Speaker 4: of her being there, and then it turned out she

846
00:39:29,920 --> 00:39:31,760
Speaker 4: was the one who was out, and she's got double

847
00:39:31,760 --> 00:39:34,800
Speaker 4: guilt because she's also knowing that she lost the wedding

848
00:39:34,880 --> 00:39:37,480
Speaker 4: ring while having some bad behavior at the club.

849
00:39:38,960 --> 00:39:42,960
Speaker 2: Don't before they get to the bedroom, So this was

850
00:39:43,000 --> 00:39:45,799
Speaker 2: another kiss in my book, even though they're married. They

851
00:39:45,880 --> 00:39:48,319
Speaker 2: totally start to make out, and what I thought was

852
00:39:48,360 --> 00:39:51,600
Speaker 2: really moving was just their conversation there like he's just

853
00:39:51,680 --> 00:39:53,759
Speaker 2: like God, it felt like forever, and I really love you.

854
00:39:53,840 --> 00:39:56,440
Speaker 2: I think he took a little, you know, inventory and

855
00:39:56,520 --> 00:39:58,880
Speaker 2: was like, I don't want to waste her, which is good. Ultimately,

856
00:39:58,920 --> 00:40:00,759
Speaker 2: it's good that it happened. I really don't want to

857
00:40:00,760 --> 00:40:02,839
Speaker 2: take her for granted, you know, I don't like things

858
00:40:02,840 --> 00:40:08,040
Speaker 2: without her. And then they have that meaningful conversation and

859
00:40:08,040 --> 00:40:11,759
Speaker 2: then they make out in the kitchen, keep making out

860
00:40:12,080 --> 00:40:15,439
Speaker 2: Melrose style all the way to the bedroom, trip and

861
00:40:15,480 --> 00:40:19,440
Speaker 2: make out their way into this candlelight bedroom.

862
00:40:19,360 --> 00:40:21,799
Speaker 3: And fall onto the bed, heavy on the romance there.

863
00:40:21,840 --> 00:40:25,720
Speaker 2: So yeah, yeah, I gave that several pieces.

864
00:40:27,040 --> 00:40:28,399
Speaker 3: Yeah, I think that counts as more than one.

865
00:40:28,400 --> 00:40:28,799
Speaker 2: But yeah.

866
00:40:28,840 --> 00:40:29,040
Speaker 1: Yeah.

867
00:40:31,920 --> 00:40:35,480
Speaker 2: And then now where are we the Oh we're here

868
00:40:35,520 --> 00:40:38,279
Speaker 2: towards the end, and Billy's in the courtyard not making out.

869
00:40:38,320 --> 00:40:42,040
Speaker 2: He's burning his script. He's so dramatic, burning a script

870
00:40:42,080 --> 00:40:44,160
Speaker 2: page by page the.

871
00:40:44,440 --> 00:40:47,480
Speaker 1: Grill and he does. It's very dramatic.

872
00:40:47,960 --> 00:40:51,040
Speaker 2: Yeah. And then she comes out in her bathrobe, the

873
00:40:51,080 --> 00:40:54,480
Speaker 2: famous bathrobe, saying what are you doing? This is crazy?

874
00:40:55,080 --> 00:40:59,120
Speaker 4: And uh but at least he feels like having accomplished

875
00:40:59,120 --> 00:41:01,879
Speaker 4: something that flopped was an accomplishment, got out of his way.

876
00:41:02,000 --> 00:41:02,640
Speaker 3: Yeah, I got that.

877
00:41:02,600 --> 00:41:05,880
Speaker 4: One out of the way, and Alison ultimately made him

878
00:41:05,920 --> 00:41:07,440
Speaker 4: feel like he could come to terms with that.

879
00:41:07,920 --> 00:41:10,640
Speaker 2: So burn the script and move on and write what

880
00:41:10,800 --> 00:41:15,480
Speaker 2: you know, which is kind of like the writer's right yep, yeah, right, Yeah,

881
00:41:15,480 --> 00:41:16,840
Speaker 2: he's learned a lesson what you know?

882
00:41:17,400 --> 00:41:19,920
Speaker 5: Yeah, still not throw the holes in handlet, but you

883
00:41:19,960 --> 00:41:21,680
Speaker 5: know what, I'm I'm getting over it.

884
00:41:24,000 --> 00:41:26,479
Speaker 4: So then we're at Shooters where Sandy is shooting pool.

885
00:41:26,560 --> 00:41:29,120
Speaker 4: Jake walks in wonders how his dinner party went, and

886
00:41:29,160 --> 00:41:30,960
Speaker 4: he said, you know, Kelly's gone.

887
00:41:31,080 --> 00:41:31,560
Speaker 3: We're done.

888
00:41:32,239 --> 00:41:35,080
Speaker 4: She says, you did the right thing. But then we

889
00:41:35,120 --> 00:41:37,160
Speaker 4: find out that he thinks that Kelly was the only

890
00:41:37,200 --> 00:41:38,439
Speaker 4: person that ever made him.

891
00:41:38,320 --> 00:41:39,400
Speaker 3: Feel good about himself.

892
00:41:39,480 --> 00:41:43,279
Speaker 4: Jake reveals that to Sandy and which is sort of

893
00:41:43,280 --> 00:41:47,920
Speaker 4: an interesting idea. And then right then Sandy hears from

894
00:41:47,920 --> 00:41:49,680
Speaker 4: the bus boy that something was found in the trash.

895
00:41:49,760 --> 00:41:51,040
Speaker 3: Come look in the trash.

896
00:41:50,840 --> 00:41:56,720
Speaker 4: And what do we think has turned up? But Jane's wedding.

897
00:41:56,880 --> 00:42:00,000
Speaker 1: The wedding actually going to all goodness.

898
00:42:00,200 --> 00:42:03,240
Speaker 4: So then as we got back to Jane and Michael's apartment,

899
00:42:03,400 --> 00:42:06,120
Speaker 4: they're lying in bed after of course, their night of

900
00:42:06,160 --> 00:42:08,719
Speaker 4: making love, and he tells her that he missed her.

901
00:42:09,040 --> 00:42:11,680
Speaker 3: She's about to tell him here's what I did. I

902
00:42:11,719 --> 00:42:12,400
Speaker 3: lost the wedding ring.

903
00:42:12,440 --> 00:42:14,480
Speaker 4: When there's another knock at the door and it's Sandy

904
00:42:14,600 --> 00:42:16,640
Speaker 4: and she reveals that she's found this ring.

905
00:42:16,800 --> 00:42:18,200
Speaker 3: Oh thank goodness.

906
00:42:18,480 --> 00:42:21,560
Speaker 2: And she covers and tells Michael, oh, well, she left

907
00:42:21,600 --> 00:42:24,480
Speaker 2: us in the laundry room, and you know, I decided

908
00:42:25,000 --> 00:42:27,479
Speaker 2: want it back, and Jane kind of eyes her without

909
00:42:27,520 --> 00:42:28,839
Speaker 2: Michael noticing thank you.

910
00:42:28,760 --> 00:42:31,640
Speaker 4: So Sandy actually saves her from having to admit the

911
00:42:31,640 --> 00:42:32,720
Speaker 4: truth and what happened.

912
00:42:32,760 --> 00:42:34,880
Speaker 3: So all's well, yeah, that ends well.

913
00:42:35,000 --> 00:42:39,239
Speaker 2: Yes, thanks to our roommates in the Melrose Place apartment. Yes,

914
00:42:39,280 --> 00:42:41,000
Speaker 2: because we all get each other in trouble, but we

915
00:42:41,080 --> 00:42:42,240
Speaker 2: cover for each other.

916
00:42:42,320 --> 00:42:45,399
Speaker 3: When all the stories are becoming resolved.

917
00:42:45,600 --> 00:42:46,160
Speaker 5: Yay.

918
00:42:46,320 --> 00:42:48,440
Speaker 4: And I did sort of notice that that was like

919
00:42:48,760 --> 00:42:51,840
Speaker 4: the episode in general, is that everything gets sort of

920
00:42:51,880 --> 00:42:54,120
Speaker 4: neatly wrapped up by the end and everyone learns a

921
00:42:54,120 --> 00:42:55,040
Speaker 4: little bit of a lesson.

922
00:42:55,160 --> 00:42:57,839
Speaker 1: Yeah, that right. The early episodes, which is not at.

923
00:42:57,760 --> 00:43:02,040
Speaker 3: All the time show came on. I don't think it

924
00:43:02,080 --> 00:43:03,680
Speaker 3: was only me, but I think the tone of.

925
00:43:03,680 --> 00:43:06,839
Speaker 4: The show becomes there was cliffhangers. There was you know,

926
00:43:06,920 --> 00:43:09,879
Speaker 4: like blackmailing and drama and stuff like that, but cliffhangers

927
00:43:09,880 --> 00:43:12,880
Speaker 4: and extended storylines that go. But every episode that we've

928
00:43:13,360 --> 00:43:15,840
Speaker 4: watched so far, everything is sort of neatly wrapped up

929
00:43:15,840 --> 00:43:18,280
Speaker 4: by the end of the episode where everyone's learned their lesson,

930
00:43:18,840 --> 00:43:23,320
Speaker 4: and like you pointed out last time, all the lessons

931
00:43:23,320 --> 00:43:27,359
Speaker 4: that are being learned are sort of tied together, so like, oh,

932
00:43:27,800 --> 00:43:30,640
Speaker 4: you know, like looking outside of where you should be

933
00:43:30,680 --> 00:43:32,399
Speaker 4: looking for love looking for love and all the wrong

934
00:43:32,440 --> 00:43:36,480
Speaker 4: places leads to you know, sort of the wrong thing,

935
00:43:36,560 --> 00:43:39,440
Speaker 4: so you know, go back to go back to what

936
00:43:39,520 --> 00:43:40,920
Speaker 4: you know, and go back to you know, stay in

937
00:43:40,960 --> 00:43:42,799
Speaker 4: your lane and that sort of thing. Like everybody's sort

938
00:43:42,800 --> 00:43:46,040
Speaker 4: of learning the same sort of lesson in their own way,

939
00:43:46,080 --> 00:43:48,560
Speaker 4: in their own storyline and just sort of neatly wrapping

940
00:43:48,600 --> 00:43:49,560
Speaker 4: up at the end of each episode.

941
00:43:49,600 --> 00:43:51,800
Speaker 2: You know, I think that's a technique. I mean, maybe

942
00:43:51,840 --> 00:43:54,400
Speaker 2: I'm wrong, but I think it was like there's a

943
00:43:54,480 --> 00:43:57,400
Speaker 2: kind of TV that happened back then that was like

944
00:43:57,480 --> 00:44:02,520
Speaker 2: that methodically right, And then there became this became more

945
00:44:02,520 --> 00:44:04,319
Speaker 2: of what I think they call it serial where it

946
00:44:04,360 --> 00:44:10,520
Speaker 2: just keeps going because it's just a It really did change, yeah, technically.

947
00:44:10,160 --> 00:44:12,200
Speaker 4: Yeah, when we become more of a nighttime soap ouper,

948
00:44:12,239 --> 00:44:16,000
Speaker 4: we had storylines that carried over and things that were ongoing,

949
00:44:16,040 --> 00:44:21,080
Speaker 4: and and you know also like so far at episode three,

950
00:44:21,120 --> 00:44:24,960
Speaker 4: we really only know like al the Alison character, and

951
00:44:25,000 --> 00:44:27,120
Speaker 4: the Billie character, and the Jake character, and the Jane

952
00:44:27,120 --> 00:44:29,520
Speaker 4: and Michael, like we haven't really gotten to know much

953
00:44:29,600 --> 00:44:32,640
Speaker 4: about Matt or Ronda, Like we just don't we.

954
00:44:32,600 --> 00:44:35,600
Speaker 3: Don't know what they're doing yet. Or even Sandy. She's

955
00:44:35,640 --> 00:44:36,560
Speaker 3: really just there.

956
00:44:37,480 --> 00:44:39,120
Speaker 4: We know she's an actress, but we haven't seen her

957
00:44:39,120 --> 00:44:41,160
Speaker 4: have like a storyline of her own. She's really just

958
00:44:41,200 --> 00:44:44,680
Speaker 4: their sort of supporting right Jake's storyline and being sort

959
00:44:44,680 --> 00:44:47,279
Speaker 4: of like an advice giver or stick her nose in

960
00:44:47,320 --> 00:44:48,000
Speaker 4: it person like.

961
00:44:48,040 --> 00:44:48,680
Speaker 3: But so what.

962
00:44:48,719 --> 00:44:50,959
Speaker 4: We don't really know much about her yet storyline wise.

963
00:44:51,040 --> 00:44:54,000
Speaker 4: But yeah, all these stories were neatly wrapped up.

964
00:44:54,200 --> 00:44:55,239
Speaker 3: Yeah, and they were.

965
00:44:55,200 --> 00:44:56,800
Speaker 1: All self contained in the beginning.

966
00:44:57,120 --> 00:45:00,359
Speaker 2: So I ended up with accounts the kiss count because

967
00:45:00,360 --> 00:45:01,600
Speaker 2: we were going to do this. I think when we

968
00:45:01,640 --> 00:45:03,640
Speaker 2: thought of Melrose that we were always kissing there, so

969
00:45:03,680 --> 00:45:06,680
Speaker 2: we thought we'd start to this this episode I have.

970
00:45:07,200 --> 00:45:08,880
Speaker 2: I'm going with sixteen.

971
00:45:08,800 --> 00:45:10,480
Speaker 3: Just because I will take your word for it.

972
00:45:10,520 --> 00:45:13,840
Speaker 2: Well, Ronda and Alex, Grant and Kelly had three or four,

973
00:45:14,520 --> 00:45:16,680
Speaker 2: you know. Michael and Jane had three, and then this

974
00:45:17,040 --> 00:45:23,920
Speaker 2: major makeout which I gave five two, and then and

975
00:45:23,960 --> 00:45:28,000
Speaker 2: then there was the pack that Jane gave him post

976
00:45:28,040 --> 00:45:30,560
Speaker 2: coital and bed, and I counted that as a kiss.

977
00:45:30,600 --> 00:45:33,520
Speaker 2: So I met sixteen, which is not bad for Melrose Place,

978
00:45:33,640 --> 00:45:36,000
Speaker 2: even though it gets steamier as it goes.

979
00:45:35,880 --> 00:45:37,720
Speaker 1: Yea, Yeah, it doesn't feel steamy at this point.

980
00:45:37,800 --> 00:45:41,520
Speaker 4: I loved I loved seeing you know, Nest Carbonell way

981
00:45:41,560 --> 00:45:43,239
Speaker 4: back then, and I think we're going to see a

982
00:45:43,280 --> 00:45:43,600
Speaker 4: lot of that.

983
00:45:43,760 --> 00:45:45,719
Speaker 3: So many guest stars that have.

984
00:45:45,719 --> 00:45:47,560
Speaker 4: Had huge careers, and it's so fun to see that

985
00:45:47,800 --> 00:45:49,279
Speaker 4: we were all on melrose back in the day.

986
00:45:49,360 --> 00:45:51,920
Speaker 1: Yeah, so much fun, super fun, excellent.

987
00:45:52,239 --> 00:45:58,520
Speaker 4: Yeah, so will The next episode is number four original

988
00:45:58,560 --> 00:45:59,440
Speaker 4: Melrose Place.

989
00:46:00,360 --> 00:46:02,680
Speaker 3: That will be We'll see you, We'll see you next time.

990
00:46:02,800 --> 00:46:05,799
Speaker 2: I know I'll say, hey, I can't wait to see

991
00:46:05,800 --> 00:46:06,600
Speaker 2: what you're wearing for it.

992
00:46:07,040 --> 00:46:08,440
Speaker 3: I'm sure she'll have another cute tracks