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Speaker 1: Celebrity book Club. Who's that knocking at the door. It's

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Speaker 1: all your friends, your filthy horse, your husband's gone, and

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Speaker 1: you've got books on a bottle of wine to kill

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Speaker 1: in Hollywood. It's books, it's gossip. I'm shook, It's memoirs.

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Speaker 1: Morteenis Celebrity book Club. Can read it while it's hot.

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Speaker 1: Celebrity book Club, tell your secrets. We won't talk celebrity books.

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Speaker 1: No boys are alloud, celebrit book say it loud and

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Speaker 1: cloud Celebrity book Club that brought the glum so I

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Speaker 1: brought Graham Norton's why yeah, yes, for us to try,

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Speaker 1: it's kind of enough um. That's the word that I

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Speaker 1: recently learned that I'll be using constantly tonight, incorrectly or correctly.

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Speaker 1: But it seems like you can't ever use it incorrectly.

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Speaker 1: It's like anything you say is naf. It's naff. Steven's

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Speaker 1: gone full Madonna. I can't actually saying I don't even

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Speaker 1: know if I'm talking about ashaccent or not. It's all

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Speaker 1: that time, and then I'm kind of doing this thing

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Speaker 1: where I'm just like that it's half and then everyone's

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Speaker 1: kind of like looking at you, like have you gone, Matt. Yeah,

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Speaker 1: what I'm doing is like I'm adding like for too

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Speaker 1: many words and capito because it's like, I mean, there's

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Speaker 1: a naff. They're safe. You said a first called like

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Speaker 1: Polly Rally today or something. You're like, You're like, oh,

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Speaker 1: the poll Ralli is run play. Yes, yes, it was

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Speaker 1: a sort of your people. So this is a first

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Speaker 1: time in England. You know, I said I would visit

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Speaker 1: every state in the United States of America before I

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Speaker 1: came over here, but because I would just want to

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Speaker 1: check out every single city in our great country. But um, ultimately,

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Speaker 1: ultimately I got Ultimately, I got seduced by my forefathers um,

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Speaker 1: so I came over here. But you know, because we're

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Speaker 1: from New England, so I had to see, you know,

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Speaker 1: where we really came, where we came from from. You know,

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Speaker 1: it's because it was crazy was seeing the map. I

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Speaker 1: was like, wait a second, yeah, I know all this

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Speaker 1: city we like started all these and it's actually like, no, no,

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Speaker 1: they started it. But then I'm like, and that's the

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Speaker 1: whole new part of New England, right, And then I'm

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Speaker 1: really all of them in a Boston accent and I'm like,

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Speaker 1: do they know what are some same cities are and

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Speaker 1: it's just like Brighton, Gloucester, like New Bedford, Quincy, because

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Speaker 1: I feel like all your your versions, like you've got

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Speaker 1: a bedfood or something, and Brighton everyone's like, oh it's right, plosh,

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Speaker 1: mate is that wrong? Okay? Okay, sign that it's okay

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Speaker 1: cool okay. Yeah. And where we're from, New Bedford's a

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Speaker 1: whaling town and all the whaling. Yeah people currently it's

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Speaker 1: a lot of whaling going on. Yeah, to this day.

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Speaker 1: I don't think guys know I come from a long

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Speaker 1: line of whalers. Yeah, such a water bug. Yeah. No,

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Speaker 1: I'm trying a new person. I'm gonna swim in your river. Um,

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Speaker 1: I was gonna try that. I say this not and

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Speaker 1: not to be rude, but I came in on the

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Speaker 1: plane as one does, and he looked at the window.

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Speaker 1: The ribbons looked quick brown. Is that new? Is it?

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Speaker 1: Is it always like that? Where we're from, we have

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Speaker 1: a thing called the dirty rebel, the chads, the chasm

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Speaker 1: is dirty ditter water. But you know it's I mean,

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Speaker 1: I wouldn't go swimming now, I would never or something.

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Speaker 1: You know, I would put my enemy. If I was Kate,

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Speaker 1: I would have put Megan in there something. Shit, oh shit,

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Speaker 1: the gauntlet's thrown down. Yeah, I don't know. Are you

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Speaker 1: guys so over like Cade and Megan stuff? I can't

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Speaker 1: tell again absolute soilet. I feel like it's a thing

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Speaker 1: where like America, we're always like Ari and Megan, like

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Speaker 1: we're so oubsessed. You guys are like we absolutely don't care.

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Speaker 1: Well that's the thing about the queen and like not

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Speaker 1: to pry about your culture. Well, I mean whatever, but

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Speaker 1: it's like pry, let's pry. We're gonna pry. It is

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Speaker 1: a little bit just like we're still It kind of

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Speaker 1: feels like the queen like wasn't she kind of the

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Speaker 1: last one? Isn't it a little bit like isn't it

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Speaker 1: a little bit? Like we got it, but it was

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Speaker 1: kind of like it feels like it's over, like she

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Speaker 1: was hard for the last so we're like, we're really

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Speaker 1: going to do it. You're again king. It's like, babe,

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Speaker 1: come on, because I feel like Kim is our queen. Yeah,

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Speaker 1: it seems that's the same, right yeah, yeah, no, right,

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Speaker 1: fucking capitalism, right, we fucking worshiper because whatever, she's also

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Speaker 1: a barrister, like she's she's in barrassing school. But Charles

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Speaker 1: is being a little bit just like you know what

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Speaker 1: I mean. It's nine am and like everyone's going to

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Speaker 1: bed and he's getting out like another line of coke,

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Speaker 1: and you're like, babe, everyone's going to bed. It's kind

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Speaker 1: of over. So we have a huge surprise for you guys. Yeah,

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Speaker 1: we have one of the funniest women in the entire world. Yes,

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Speaker 1: and also one of the funniest from the She is

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Speaker 1: also American because it's the Invasion, Darlie. It's the reverse sixties. Sorry,

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Speaker 1: we owe you one. Um. She's the host of the

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Speaker 1: Michelle Collins Show. She's a former host of the View

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Speaker 1: but she's too funny for them, and yeah, she's our idol,

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Speaker 1: Michelle Collins. Will you come up? Oh just s the

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Speaker 1: audience if you will. Yeah, sorry, no, I know you're

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Speaker 1: super classy. So we leave that hell up on idle

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Speaker 1: Bill Murder. Now, when you said huge surprise, is it

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Speaker 1: because I'm any He'll be honest, because I feel massive

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Speaker 1: towering surprise. Tell us about London, tell us about your outfite. Well,

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Speaker 1: I us and we review Graham Norton's wine. G n

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Speaker 1: It's a rose. It's made by the same people that

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Speaker 1: make Sarah just Perker's wine. Oh you know it's good. Yeah,

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Speaker 1: But I'll say this, I would rather choke than say

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Speaker 1: anything negative about Graham Norton. So I'm gonna yum a yum,

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Speaker 1: dumb it up. I don't care. You'll see in my Facebook.

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Speaker 1: I don't care. I adore him. So and I also

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Speaker 1: are in the room. You know what I like to

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Speaker 1: do say with me. Work in this town, work in

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Speaker 1: this town. So I'm not saying shit about this wine. Girl.

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Speaker 1: Can we get her, Mike? She seems fun. Thank you.

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Speaker 1: So Graham does run the industry with an iron fist.

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Speaker 1: Fist they are soul of a man. Cheers, guys, thank

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Speaker 1: you for having me. Thank you so much for coming.

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Speaker 1: I will say Sarah Jessica Parker's wine is disgusting, so

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Speaker 1: I have expectations for this on the floor. Thank you. Cheers.

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Speaker 1: That is legitimately the tastiest wine I ever. I've never

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Speaker 1: had a better wine in my life. Sorry to that whispering.

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Speaker 1: It is the screaming Angel. It's not were spring, honey.

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Speaker 1: It's loud, and it's proud, like cola on the nose,

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Speaker 1: like kind of a sweet a full bread. I'm giving

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Speaker 1: like a key lime cheesecake. Ye sweet, how I like it? Okay, Oh,

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Speaker 1: grand's on our way over again. I want to follow

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Speaker 1: your example. Yeah, but I was taught not to lie.

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Speaker 1: I'm not lying. And at the end it's a little

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Speaker 1: the finish is a little diaper diaper, you said, Yeah,

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Speaker 1: so the finishes at the changing table. I like that.

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Speaker 1: It started out kind of fun and there was a

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Speaker 1: little bit of that roasted cherry flavor that I think

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Speaker 1: we all look for rose. I was with you at

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Speaker 1: the first. I was like, I'm acting tenants and it's dry.

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Speaker 1: It's a It's a peppermint field um that is existed.

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Speaker 1: I'm sure it exists here British break off stuff. Okay,

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Speaker 1: peppermint field fields here, Miss peggles peppermint field and like

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Speaker 1: school for girls. Yeah, I just I'm not I'm not

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Speaker 1: quite that. I do feel like me me wife is like,

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Speaker 1: that's gone to bed. I'm like, now I have to

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Speaker 1: change the kid, don't you showed? Finally for once. I

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Speaker 1: like the color. I think it's water melanie and fun

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Speaker 1: and I feel like we're being very hard on this

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Speaker 1: brilliant genius. I used the red lantern and to Graham.

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Speaker 1: Everyone sharing Graham here. Yeah, we're hilarious and handsome now,

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Speaker 1: but a huge cock, Michelle, tell us about your outfite,

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Speaker 1: your boots. Let's let's okay, I'll tell you everything. Well

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Speaker 1: this this is a good test because this is quite

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Speaker 1: a hip crowd. And I'm gonna say a place that.

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Speaker 1: Raise your hand if you've been there. I got the

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Speaker 1: boots at Bister Village, raise your hands. Who here? It's

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Speaker 1: the outlet that motherfucker her. Yes, of course she's very

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Speaker 1: classy in the magenta the magenta screens. Bister, look up, classa.

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Speaker 1: What are you doing here? Oh my goodness, she's so classy. Mister.

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Speaker 1: Is the designer outlet mall for It's really a village

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Speaker 1: for those who don't know. And you leave them moves already,

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Speaker 1: Oh peward literal shit in Their bathrooms are nice like

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Speaker 1: American outlet toilest we care about. It's gonna sit all over.

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Speaker 1: The bathrooms there are so clean. They have a prayer room.

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Speaker 1: I always go in. I always happen, can please. It's

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Speaker 1: a little synagogue and I am Jewish. Don't say anything,

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Speaker 1: okay or nail by to these days you have to

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Speaker 1: say it otherwise it's like, oh Kanye hello, all right anyway, um,

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Speaker 1: so these are Stuart Whitesman from Bister. I am a

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Speaker 1: size of UK nine. Shout out anyone, Yes, I know

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Speaker 1: I liked it. Any nine's in the room. If I

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Speaker 1: were a man, I'd have an average sized penis. That's

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Speaker 1: what I like to say. So it's not as exciting

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Speaker 1: as it sounds. And then the dress is essential Antwerp.

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Speaker 1: Purchased also at an Amsterdam um outlet. Okay, allets rise up.

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Speaker 1: We love the outlet. Okay expensive, I go to medium street.

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Speaker 1: So that's the look. What's with you? Well? So speak

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Speaker 1: of UK nine. I have a bit of foot dysmorphia. Personally,

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Speaker 1: I bought these are my cool punctures that I got

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Speaker 1: little specifically to come to England. Seven years of gymnastics.

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Speaker 1: I'm all talking my little Madonna moment, but a little

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Speaker 1: more just trauma moment. I'm in my Fred Perry then. Also, yeah,

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Speaker 1: I feel like we're like in full costumes. If it's

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Speaker 1: like someone came to the US and they were like

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Speaker 1: cowboy hats, a Yankee sweatshirt, chests, I so confused, like

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Speaker 1: wrap around sunglasses, just like six different culture coming to

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Speaker 1: America's driving at a Chevy but like also having like

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Speaker 1: a Prius backpack, and they're like, that would fit me

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Speaker 1: a little Yaris. Is anyone driven the two Yota Yaris

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Speaker 1: in this room? I don't know the reference? Any Yara said, right,

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Speaker 1: I know it. Let's mean a couple of that body Yars,

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Speaker 1: and then broke up the curs because one of them

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Speaker 1: fell through the floor. It's like it's cheaper's corner in

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Speaker 1: the world. It's like a foot son scar. Anyway, wait,

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Speaker 1: the shoes foot this morning? Okay, I ordered it nine

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Speaker 1: and a half. Men's came too big. I ordered nine men's.

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Speaker 1: It came too big. In my head, I'm a men's

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Speaker 1: dick of thirteen inches. It's like, really like you do

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Speaker 1: have a shoe side and it doesn't change. It's not

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Speaker 1: like you're always getting fretnant. It's like it's like it's

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Speaker 1: not going up and down, like it's just the size

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Speaker 1: that it didn't And then I finally was like, okay,

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Speaker 1: eight and a half, these are half and honestly bde

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Speaker 1: on these shoes looking at Major they're huge. Yeah, massive,

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Speaker 1: I'm huge. I'm huge. So this school just killed Thank

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Speaker 1: you so much. It is from a store called Got

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Speaker 1: Killed quite literally that I got at the Mall of

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Speaker 1: America in Minneapolis, Minnesota, just a week ago. I was like,

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Speaker 1: you know, why why not I'm going to British isles,

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Speaker 1: you know, let's show some respect for their culture. And

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Speaker 1: the Mall of America really does have everything. Yeah, yeah stores.

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Speaker 1: What helps Sephora? I mean it's kind of like they

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Speaker 1: basically have all the regular stores. It's actually not that

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Speaker 1: in pross, like ten of them. I was there years ago,

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Speaker 1: so it's huge and you're like, oh, you know, especially

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Speaker 1: for me a junkie, I'm like, I love it here.

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Speaker 1: And then you walk and it's like you walk in

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Speaker 1: there's nine Magnet stores, there's nine Saphoras. And after you're like,

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Speaker 1: where's the diversity? You know? What happened to the mom

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Speaker 1: and pop shops and all of America. It's it's like

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Speaker 1: an La person, it's just empty. You think it's gonna

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Speaker 1: be I don't know what I'm saying. This isn't being

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Speaker 1: really a long day fuck? La is right, that's London.

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Speaker 1: La rivalry is a story. I mus always like La

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Speaker 1: versus London Ella London. Okay, love hate one. Can we

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Speaker 1: tell you about the first time we saw you live.

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Speaker 1: Oh my god, I don't know. Okay, I don't know.

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Speaker 1: I mean so the reason so you actually are much

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Speaker 1: bigger part of our than you realized for our personalities. Yeah,

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Speaker 1: you're gonna be like your stalker is scary. The glass shatters.

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Speaker 1: So we weren't you know, just twenty two had a

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Speaker 1: comedy show in these village in New York City. Yes,

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Speaker 1: it was actually three years ago. Yeah, we are just

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Speaker 1: little things now twenty four um, and you were co

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Speaker 1: hosting this comedy show and you ordered someone said, Michelle,

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Speaker 1: what do you want to drink? And you ordered on

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Speaker 1: Mike a Diet Coke and Stolely vodka. But you said,

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Speaker 1: can I get a DC and Stolely? Yeah? And that

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Speaker 1: has defined a personality I have been saying and nothing

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Speaker 1: loved more than saying d By the way, I thought

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Speaker 1: like I was about to be so overwhelmed with my genius.

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Speaker 1: I was like, what did I say? And I anyway

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Speaker 1: that well, you know what's funny, and I'm going to

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Speaker 1: say something again quite controversial is that nowadays everyone abbreviates.

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Speaker 1: It became like a thing and like this, it's been

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Speaker 1: done to death. I'm going to argue that I was

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Speaker 1: one of the first abbreviates. By the way, that's three

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Speaker 1: y prove, but I will tell you it was probably

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Speaker 1: twenty ten. Yeah, I don't know, and even from but

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Speaker 1: when I was blogging, yes, do I own a home.

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Speaker 1: I don't, but see you at Bister, but I will

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Speaker 1: say I was abbreviating long before. And then you know

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Speaker 1: what bothers me if I may say, and it's like

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Speaker 1: you're really interviewing Einstein right now with Poppy Pats. But

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Speaker 1: then people try to do it and they're bad at it,

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Speaker 1: and it's like I don't do it anymore because I'm

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Speaker 1: obviously in original, but I see people go for it,

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Speaker 1: I'm like, a fucking idiot, You're not even doing it

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Speaker 1: right now, Like Michelle DC and stole the Collins Sary

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Speaker 1: told them that we went out last night. Oh we

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Speaker 1: did go out last night. It was really crazy, And

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Speaker 1: you don't hear about that in the seems like you've

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Speaker 1: maybe you're not in your DC and Stole the era.

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Speaker 1: I haven't had. Honestly, you saying it made me feel sick.

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Speaker 1: I was like I was that trashy No now I

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Speaker 1: do like Vaka Martinis with a twist and this and

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Speaker 1: simply only Graham Norton's Rose Rose. You know it's on

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Speaker 1: your rider. You won't do a gig if they don't

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Speaker 1: have It's a bottle after a bottle of Graham Norton's

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Speaker 1: ge Else of the name just gn just no. I

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Speaker 1: know they really put their heads together on that one

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Speaker 1: is over there. We love, we love, we love Graham. JK.

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Speaker 1: Rowling here, anybody, Yeah, Michelle, listen to say I love you.

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Speaker 1: I Love you, Michelle Than Listen to our podcast, listen

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Speaker 1: to her. Listen to her radio Michelle. Call at the

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Speaker 1: Antdam Lacosse Outlet. Next Wednesday, she's signing Tennis Stresses celeb

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Speaker 1: This episode is sponsored by zok Doc. You're trying to

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Speaker 1: stumble down a TikTok rabbit hole full of questionable advice

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Speaker 1: not random people on the internet. Though randoms I love

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Speaker 1: you and my techtok connection. Yeah it stands, but I'm sorry.

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Speaker 1: book Club. Ditch the talk, Hey, best round Hey yea

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Speaker 1: literally I guess okay, so a little jot guy, but

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Speaker 1: working through it. You know, um, okay, so this is

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Speaker 1: not to be so crazy about because we we did

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Speaker 1: read a book. Okayoku, I guess we should should we

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Speaker 1: talk about the bo I know we should probably talk

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Speaker 1: about the book's talk about Okay, if you want to

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Speaker 1: pull up the slide bok we read a book, you

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Speaker 1: want the culture. Yeah, you know her from Harry Potter

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Speaker 1: for you know her from the Graham Norton Show. You

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Speaker 1: know her from Romeo and Juliet. You know her from

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Speaker 1: her decades of work on the Stain, her Fast, the

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Speaker 1: West End. You know her has been a lesbian or

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Speaker 1: she says, a short fat Jewish. Let's be ye a

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Speaker 1: Jewish has been m She's a wonderful rad the no um,

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Speaker 1: this book was a beck. I'll say it. People have

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Speaker 1: read this book. One person. You know what's up well

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Speaker 1: is that you guys don't have to read. We do

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Speaker 1: it for you, We did it for you. Were they

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Speaker 1: outsource your labor to us? Okay, the emotional labor of

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Speaker 1: reading a six hundred body British book, yea, it can

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Speaker 1: be quite a bit to get through. I will say, No,

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Speaker 1: the audio book is it. It's a real guess and

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Speaker 1: we're just going to settle it in here. It's actually

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Speaker 1: too funny, and then you can't even focus. No, I

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00:20:25,480 --> 00:20:27,240
Speaker 1: was like going on and on and she was like, well,

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Speaker 1: of course, and then I sucked him off because I

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Speaker 1: had to. And then she's doing this insanely British thing.

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Speaker 1: Where are you going to talk about? What? She thanks

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Speaker 1: every friend at the end of a chapter. Oh well,

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Speaker 1: she's constantly thanking people and just being like, and they

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Speaker 1: remain a good friend to this day and they died,

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Speaker 1: or everyone is dead, but a good friend for ninety years.

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Speaker 1: Or she'll be like, and I've always resented John Clees

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Speaker 1: and we haven't spoken in fifty nine years, so I

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Speaker 1: wish him the best question mark, Um, yeah, I mean

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Speaker 1: just to start things off, So I guess. Yeah, the

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Speaker 1: Monty Python Boys did not treat her well. It was

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Speaker 1: very boys club. Yeah, well back then that means, yeah,

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Speaker 1: it was. It was quite hard to be a woman

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Speaker 1: in the scene. But I do feel like maybe Eric

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Speaker 1: Idle and her like a good of friends away because

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Speaker 1: she was like in some of the projects with him,

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Speaker 1: Eric Historian and one other guy named Steve or something.

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Speaker 1: And I told my mom this, and I was like,

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Speaker 1: you know, I'm reading this book and she says John

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Speaker 1: Cleves was me to her. My mom got pretty upset.

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Speaker 1: She was just she was like, do you remember And

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Speaker 1: I rented the VHS's of Faulty Towers and we would

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Speaker 1: watch them, and I was like, Okay, now I've triggered

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Speaker 1: something for you know, you can't you can't bring that

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Speaker 1: up to boomers. I mean my mother too, like if

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Speaker 1: you a single disparaging word about the Beatles or like, yeah,

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Speaker 1: you know Monty Python, she would just like Stephen. Now,

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Speaker 1: first of all, let's talk about discover this face. I mean,

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Speaker 1: she has the best face I've ever seen, like by

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Speaker 1: the way, I mean every and I like, the book

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Speaker 1: is called this Much is True, which is so this

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Speaker 1: face she's like, this much is true, like Judie Dentist

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Speaker 1: book that's called And furthermore, I'm also saying the US

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Speaker 1: always rass, and she has a little more of this

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Speaker 1: like lesbian smokes. This much is true. I'm also relieved.

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Speaker 1: I feel like the past nine books we've read have

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Speaker 1: been just called my story. No, it's great to put

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Speaker 1: a little bit more effort into the title, a little bit.

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Speaker 1: Just read Helen Caller's book and God bless her book

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Speaker 1: my story and a little bit like Helen. We know, okay,

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Speaker 1: start things off. She's she's a scott Okay, her parents

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Speaker 1: grow up, her mother cleans on the nude for onuch,

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Speaker 1: and she's like, you know, and my father was you know,

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Speaker 1: my mother wasn't in love with my father growing up,

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Speaker 1: and that happens. And my mother just always cleans in

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Speaker 1: the nude and that's how it was. And I would

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Speaker 1: climb into bed with her and I would rub up

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Speaker 1: against her big Jewish bosom. It's it's crazy the way

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Speaker 1: that she describes breasts. And that's what I mean. She

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Speaker 1: is lesbian, but she is like, she's like Mummy had

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Speaker 1: massive breasts, and I would watch her clean them and

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Speaker 1: she would lift up her big flappy memories wash underneath,

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Speaker 1: and then I'd go to bed with her, and I

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Speaker 1: love to bury my face into those soft apple bussoms.

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Speaker 1: So her mom's bobs did kind of remind me not

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Speaker 1: to be weird of mine known as um breasts, I

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Speaker 1: would say my grandmother part where it is nurture. Yeah, ties,

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Speaker 1: we didn't like that into bed with each other. But

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Speaker 1: I'm just saying like she had enough and she like

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Speaker 1: breast sizing, just want to be like conscious conscious, And

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Speaker 1: we're saying anywhere listening, okay, listen, um. But but she

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Speaker 1: she still is a little bit ashamed of her body.

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Speaker 1: But though her mother, you know, well she kind of

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Speaker 1: a chick because my mother has always just been like, well,

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00:24:13,200 --> 00:24:16,560
Speaker 1: you are a bit fat. But even though she's cleaning nude, um,

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Speaker 1: she finds out she's a lesbian, shall I say it,

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Speaker 1: by just walking by her teacher's home and wait that

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00:24:24,040 --> 00:24:28,080
Speaker 1: was has an orgasm. So her and she's like eleven

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00:24:28,240 --> 00:24:30,520
Speaker 1: and she's in like Clapham or whatever us. I mean,

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Speaker 1: every it's like the book is in Oxford and it's like,

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Speaker 1: I know, it's a very funny to me. It's probably

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00:24:34,000 --> 00:24:35,639
Speaker 1: funny to you guys, but like every page it's just

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00:24:35,720 --> 00:24:37,720
Speaker 1: like and then we took a left on clap of

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00:24:37,800 --> 00:24:41,200
Speaker 1: them shy, and then we went down cock like Coxwoggles Road,

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00:24:41,320 --> 00:24:44,639
Speaker 1: and then just behind Coxwoggles was just like Devin but

397
00:24:44,840 --> 00:24:50,320
Speaker 1: Chitch like Paddington Way. Everything is Paddington. It's like there's

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00:24:50,359 --> 00:24:53,280
Speaker 1: just so many little descriptions. And she also like feels

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00:24:53,280 --> 00:24:56,320
Speaker 1: the need to tell you like everyone's fourth cousins like

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00:24:56,560 --> 00:25:00,960
Speaker 1: second wife's like mothers, like well she is, and she

401
00:25:01,160 --> 00:25:04,639
Speaker 1: was like well, and she died of dysentergating. But then

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00:25:04,920 --> 00:25:09,960
Speaker 1: her third cousin had a bout of diarrhea. When when

403
00:25:10,040 --> 00:25:16,560
Speaker 1: she's like, my mother's furrier's wife had MS and then

404
00:25:16,600 --> 00:25:18,800
Speaker 1: she's like, so when you tragedy at a young age,

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00:25:20,160 --> 00:25:25,000
Speaker 1: and you're like, kind of, I don't know, but I'm

406
00:25:25,040 --> 00:25:27,840
Speaker 1: not to Have you ever been to a furrier? No,

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00:25:29,200 --> 00:25:31,359
Speaker 1: I mean my mother had many fur coats growing up.

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00:25:32,000 --> 00:25:36,440
Speaker 1: Wonderful memories you and you burrowed in the burrowing in

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Speaker 1: the mink. And her mother, I mean, she was quite

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Speaker 1: a bosom too. I've never sort of buried my face

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Speaker 1: in it, but I do remember I would call into

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Speaker 1: that she had a mink, she had a raccoon and

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Speaker 1: a nutria, which is a sort of a beat like

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00:25:52,880 --> 00:25:56,280
Speaker 1: treature from the South of America. People. Why are all furs.

415
00:25:56,359 --> 00:25:58,920
Speaker 1: It's always like not an actual animal, and it's like

416
00:25:59,080 --> 00:26:01,399
Speaker 1: it's always like very third cousin. It's like, oh no,

417
00:26:01,600 --> 00:26:04,160
Speaker 1: this code is made of like nutre mink. Yeah, it's

418
00:26:04,200 --> 00:26:08,560
Speaker 1: a it's a mink's son's cousin, and they made him

419
00:26:08,560 --> 00:26:11,280
Speaker 1: with a fox and a rat and that's what this burros.

420
00:26:12,160 --> 00:26:17,960
Speaker 1: But wonderful memories of burrowing into mummies minks as a child.

421
00:26:18,119 --> 00:26:20,040
Speaker 1: But yeah, so she's giving you, like, I mean, half

422
00:26:20,040 --> 00:26:23,639
Speaker 1: this book is like an insanely extended family tree. But

423
00:26:23,840 --> 00:26:29,640
Speaker 1: you so you know, and and she says she does

424
00:26:29,840 --> 00:26:32,960
Speaker 1: give a few hand jobs here and there almost every

425
00:26:33,000 --> 00:26:35,840
Speaker 1: other chapter. She's like before she's with her partner of

426
00:26:35,920 --> 00:26:40,800
Speaker 1: fifty four years, of course, Heather, She's like, well, there's

427
00:26:40,880 --> 00:26:44,960
Speaker 1: nothing to do, so I sucked him off. She's like

428
00:26:45,240 --> 00:26:48,200
Speaker 1: getting on a ferry at some point and like missus

429
00:26:48,240 --> 00:26:51,000
Speaker 1: the Fairy, which is so me, and then like finds

430
00:26:51,040 --> 00:26:54,200
Speaker 1: a rowboat and then she's like, oh my god, well

431
00:26:54,200 --> 00:26:55,639
Speaker 1: I guess I had to suck him off. And then

432
00:26:55,720 --> 00:27:00,680
Speaker 1: he and then he rode me to Glasgow. Okay, well wait, okay,

433
00:27:00,760 --> 00:27:04,240
Speaker 1: can I can I can I pull that section up quickly? Please?

434
00:27:04,520 --> 00:27:06,600
Speaker 1: There's a lot of a blood chaps. In this book,

435
00:27:06,640 --> 00:27:11,960
Speaker 1: she loves to give head sleep for like several years

436
00:27:13,480 --> 00:27:15,399
Speaker 1: a lesbian and she's just like, I give head to

437
00:27:15,440 --> 00:27:17,879
Speaker 1: everyone in Oxford and everyone at Cambridge too, like I

438
00:27:18,000 --> 00:27:20,879
Speaker 1: was quite good at it. I I disagree a little bit.

439
00:27:21,680 --> 00:27:23,680
Speaker 1: I feel like her hand job is her a little

440
00:27:23,720 --> 00:27:26,960
Speaker 1: more of her lesbian passage way, you know. I feel

441
00:27:26,960 --> 00:27:28,920
Speaker 1: like she's like, oh, I'll tug them off, that will do.

442
00:27:29,760 --> 00:27:33,520
Speaker 1: And she's kind of actually wrote the cup down it

443
00:27:33,600 --> 00:27:35,800
Speaker 1: didn't matter whose penis was in my mouth. It was

444
00:27:35,920 --> 00:27:40,760
Speaker 1: all grist to the mill. I mean that is a

445
00:27:40,880 --> 00:27:48,480
Speaker 1: quote that is an ingris to the mill passage. I

446
00:27:48,600 --> 00:27:53,719
Speaker 1: mean she's speaking my language than this orgasm she has

447
00:27:53,760 --> 00:27:56,639
Speaker 1: walking by her teacher's house. It's yeah, it's just her school,

448
00:27:56,680 --> 00:27:59,560
Speaker 1: a female school teacher. And she said it was just

449
00:27:59,840 --> 00:28:01,560
Speaker 1: the feeling of the passion. She was like, there was

450
00:28:01,600 --> 00:28:04,280
Speaker 1: no friction. I didn't even see her. I just saw

451
00:28:04,760 --> 00:28:08,640
Speaker 1: the house. She walk by her teacher's house and then

452
00:28:08,880 --> 00:28:13,520
Speaker 1: came I hands free orgasm walking by the house of it.

453
00:28:13,840 --> 00:28:17,680
Speaker 1: I've tried to think of a house that would that

454
00:28:17,720 --> 00:28:19,760
Speaker 1: would make me do that. Well, you know what this

455
00:28:19,920 --> 00:28:24,320
Speaker 1: is also because she really cool loft, not like a

456
00:28:24,440 --> 00:28:26,639
Speaker 1: hot teacher lived in but I don't see her. But

457
00:28:26,760 --> 00:28:30,320
Speaker 1: I'm just like, oh, yeah, that's not because that it

458
00:28:30,359 --> 00:28:35,280
Speaker 1: would be for you. It would be downtown, downtown exposed up,

459
00:28:35,880 --> 00:28:41,840
Speaker 1: huge breakwaters, retro post huge land. Yeah, vintage Japanese movie

460
00:28:41,960 --> 00:28:46,800
Speaker 1: posters that would make you come. Okay, your house that

461
00:28:46,840 --> 00:28:50,400
Speaker 1: would that would be like glass modern on the sea,

462
00:28:50,680 --> 00:29:00,400
Speaker 1: super super cold fridge and seven fridges, a linguis sticks

463
00:29:00,440 --> 00:29:05,000
Speaker 1: professors that lived there. Okay, sorry, we're getting too personal.

464
00:29:05,520 --> 00:29:09,400
Speaker 1: I'm too Okay, read the passage. Um, Okay, So this

465
00:29:09,520 --> 00:29:12,320
Speaker 1: is this is the part where she's so she's on

466
00:29:12,360 --> 00:29:14,280
Speaker 1: this robot randomly trying to get to an island. There's

467
00:29:14,280 --> 00:29:17,640
Speaker 1: a plane leaving that's happening. It's a bit all over

468
00:29:17,720 --> 00:29:20,560
Speaker 1: the place. Travel's crazy. Okay. So she's so this guy

469
00:29:20,640 --> 00:29:22,520
Speaker 1: agrees to like row her on this voat to where

470
00:29:22,560 --> 00:29:25,800
Speaker 1: she needs to go. Then I saw that he'd taken

471
00:29:25,840 --> 00:29:29,040
Speaker 1: his penis out of his dungarees and he was enthusiastically masturbating.

472
00:29:29,520 --> 00:29:34,640
Speaker 1: I thought, blimey, what am I going to do? I

473
00:29:34,680 --> 00:29:39,080
Speaker 1: don't want to get raped, not on the sea, anywhere

474
00:29:39,120 --> 00:29:44,560
Speaker 1: else but the sea. On the sea. So I got up,

475
00:29:44,600 --> 00:29:48,400
Speaker 1: went over to her and tossed off. He was fine.

476
00:29:48,520 --> 00:29:52,640
Speaker 1: After that, he calmed down, the penis was popped back

477
00:29:52,680 --> 00:29:54,720
Speaker 1: into the dungarees, and then he rode all the way across.

478
00:29:54,840 --> 00:29:56,240
Speaker 1: When he finally arrived, he helped me up and I

479
00:29:56,240 --> 00:29:58,520
Speaker 1: asked him how much I owned. He smiled, no charge,

480
00:29:58,600 --> 00:30:05,480
Speaker 1: miss bless him. He was a gentle you know, and

481
00:30:05,640 --> 00:30:13,160
Speaker 1: I just thought sometimes him. You know, Miriam, she gets

482
00:30:13,200 --> 00:30:15,960
Speaker 1: her start, okay, doing voice over on the stage, and

483
00:30:16,800 --> 00:30:19,960
Speaker 1: but she gets a job and it's to be sexy

484
00:30:20,040 --> 00:30:24,880
Speaker 1: Sonia for a sex tape, and you know, and she

485
00:30:25,080 --> 00:30:28,320
Speaker 1: goes and she's shocked by the script and she's like,

486
00:30:28,440 --> 00:30:31,480
Speaker 1: it's about I have to do about thirty orgasms and

487
00:30:31,640 --> 00:30:34,040
Speaker 1: she was like, and you just is basically sounding you're

488
00:30:34,040 --> 00:30:36,680
Speaker 1: so exhausted. So she does this tape and then she

489
00:30:37,000 --> 00:30:40,560
Speaker 1: walks into a sex tape shop and she's like, hello,

490
00:30:40,960 --> 00:30:45,760
Speaker 1: how is sexy Sonya doing? And they're like shut up.

491
00:30:46,040 --> 00:30:47,920
Speaker 1: And then because they don't, they don't want to place

492
00:30:48,040 --> 00:30:51,840
Speaker 1: her with sexy Sonya of course, so that's a lesson.

493
00:30:51,880 --> 00:30:53,320
Speaker 1: If you do a sex tape, you know, let the

494
00:30:53,400 --> 00:30:56,200
Speaker 1: sex tape live alone, you know what I mean? Yeah,

495
00:30:56,200 --> 00:30:59,040
Speaker 1: because you know, it's like no matter who you are,

496
00:30:59,640 --> 00:31:02,520
Speaker 1: you know, even if you're Claudia Schiffer, you might not

497
00:31:02,680 --> 00:31:06,800
Speaker 1: be at the work. Yeah, you know, is fantasizing about

498
00:31:06,880 --> 00:31:09,320
Speaker 1: and so much of audio work is about the fantasy.

499
00:31:09,360 --> 00:31:10,680
Speaker 1: And this is why I said, literally, we can't do

500
00:31:10,720 --> 00:31:13,720
Speaker 1: a live show. And I said, no, let's show them.

501
00:31:14,120 --> 00:31:16,240
Speaker 1: See these people have this idea of us. We may

502
00:31:16,320 --> 00:31:19,360
Speaker 1: look like something completely different. Oh yeah, they're so sexy.

503
00:31:20,440 --> 00:31:24,080
Speaker 1: But everyone's sexy and see us and they're like RB

504
00:31:24,160 --> 00:31:27,240
Speaker 1: sex were not. Yeah, and I do apologize that. We

505
00:31:27,640 --> 00:31:30,720
Speaker 1: know if we are not kind of you, mad chet.

506
00:31:30,840 --> 00:31:33,280
Speaker 1: Yes we will do the men in black thing. At

507
00:31:33,320 --> 00:31:34,920
Speaker 1: the end of the show. You will forget what we

508
00:31:34,960 --> 00:31:38,760
Speaker 1: look like. Yes, we forget our appearance, you know. But

509
00:31:39,040 --> 00:31:40,840
Speaker 1: she gets going on stage and of course you know

510
00:31:40,960 --> 00:31:43,000
Speaker 1: she does Harry Potter. So this is where I really

511
00:31:43,280 --> 00:31:46,120
Speaker 1: related with her. Again for a little confession, I've never

512
00:31:46,240 --> 00:31:53,520
Speaker 1: seen or read oh silence, Harry Potter. Yeah, movies, books,

513
00:31:54,400 --> 00:31:56,800
Speaker 1: you've never seen or never seen or read. Well, and

514
00:31:56,960 --> 00:32:00,600
Speaker 1: that's okay, Yeah, that's kind of my thing because like Miriam,

515
00:32:00,640 --> 00:32:03,080
Speaker 1: I'm not really into like sci fi or fantasy. Yeah,

516
00:32:03,200 --> 00:32:05,360
Speaker 1: which she says as well, this is a thing and

517
00:32:05,480 --> 00:32:07,160
Speaker 1: I do feel like the lesbian community there's like a

518
00:32:07,240 --> 00:32:10,280
Speaker 1: sharp rip. It's a realism we love for realism. Well,

519
00:32:10,320 --> 00:32:12,840
Speaker 1: I'm kind of like a lot of extremely nerdy lesbians

520
00:32:12,840 --> 00:32:16,160
Speaker 1: who love sci fi. I mean your girlfriend, like my girlfriend. Yeah,

521
00:32:17,040 --> 00:32:18,880
Speaker 1: but I think that there's another half of the community

522
00:32:18,960 --> 00:32:23,800
Speaker 1: that's quite into the tangible rights something to hold on.

523
00:32:23,960 --> 00:32:26,280
Speaker 1: I mean, she meets her partner of fifty four years

524
00:32:26,400 --> 00:32:30,120
Speaker 1: added documentary screening about Rome, which is like where else

525
00:32:30,160 --> 00:32:32,400
Speaker 1: would you meet your partner of fifty four years? But

526
00:32:32,920 --> 00:32:38,240
Speaker 1: not out of like extremely serious documentary, you know. Okay,

527
00:32:38,360 --> 00:32:40,720
Speaker 1: we do, so we just talk about let's let's get

528
00:32:40,800 --> 00:32:45,720
Speaker 1: into Miriam and Hether. You know. So Miriam's out, Okay,

529
00:32:45,840 --> 00:32:48,240
Speaker 1: she's out and about she's she's tugged off a few,

530
00:32:48,400 --> 00:32:50,920
Speaker 1: and she says, you know what, more than a few.

531
00:32:51,120 --> 00:32:52,720
Speaker 1: I mean, I love to do the way like I

532
00:32:52,840 --> 00:32:54,760
Speaker 1: love the way that she describes oral sex as just

533
00:32:54,880 --> 00:32:56,920
Speaker 1: kind of a means to an end. Like when she's

534
00:32:56,960 --> 00:32:59,800
Speaker 1: in she sees this guy like roll up in a

535
00:32:59,840 --> 00:33:02,400
Speaker 1: car and she's like talking about mind flat and I'll

536
00:33:02,440 --> 00:33:05,160
Speaker 1: just toss you off, you know, And she goes and

537
00:33:05,280 --> 00:33:07,760
Speaker 1: she wants more voice over work, and she's like Okay, fine,

538
00:33:07,760 --> 00:33:09,800
Speaker 1: I'll suck you off. And then she's like, actually didn't

539
00:33:09,840 --> 00:33:13,720
Speaker 1: get any more jobs from that? It was like what

540
00:33:13,840 --> 00:33:17,120
Speaker 1: I thought, but then it's nothing. Well, now you really know,

541
00:33:17,240 --> 00:33:18,440
Speaker 1: you know, because you don't want to live your life

542
00:33:18,440 --> 00:33:21,080
Speaker 1: in regret, Like what if I sucked him off and

543
00:33:21,200 --> 00:33:23,920
Speaker 1: I could have gotten more work? And again, you know, personally,

544
00:33:23,920 --> 00:33:26,360
Speaker 1: I've never sucked a man off, but it's like I

545
00:33:26,560 --> 00:33:29,400
Speaker 1: found myself in conversations with men, but I'm like, how

546
00:33:29,680 --> 00:33:36,000
Speaker 1: does this? Yeah, where's the exit? Yes? Backing out? Now

547
00:33:36,480 --> 00:33:40,040
Speaker 1: maybe I should yeah, yeah, up that tiny lesbian mouth.

548
00:33:40,240 --> 00:33:43,000
Speaker 1: Yeah I can't. My dent just you know, they tried to.

549
00:33:44,120 --> 00:33:47,160
Speaker 1: I didn't work. Okay, so it's a fat enough as

550
00:33:47,200 --> 00:33:51,840
Speaker 1: it is. Miriam's reps. I'm sorry, sorry, yeah, they took

551
00:33:51,840 --> 00:33:55,200
Speaker 1: it a few more teeth um. Miriam's friends says, do

552
00:33:55,240 --> 00:33:57,400
Speaker 1: you want to come to this super serious screening? My

553
00:33:57,480 --> 00:34:00,480
Speaker 1: friend is gonna come. She's gay, but don't like tell

554
00:34:00,600 --> 00:34:04,040
Speaker 1: her you know she's gay, which feels very was the

555
00:34:04,200 --> 00:34:08,160
Speaker 1: sixty okay wait a sidebar, like, just tend a little bit,

556
00:34:08,360 --> 00:34:10,360
Speaker 1: so she keeps she's always been like back then we

557
00:34:10,440 --> 00:34:14,319
Speaker 1: called it queer, and she's been so like we were

558
00:34:14,360 --> 00:34:16,600
Speaker 1: all queer. We weren't gay because like the term gay

559
00:34:16,719 --> 00:34:18,879
Speaker 1: hadn't been invented yet. And it's like, I do feel

560
00:34:18,880 --> 00:34:20,279
Speaker 1: like we've gone on this journey from like queer to

561
00:34:20,719 --> 00:34:23,640
Speaker 1: back to queer to queer because queer used to mean

562
00:34:23,719 --> 00:34:27,480
Speaker 1: like quird. Yeah, gay used to mean happy, so like

563
00:34:27,600 --> 00:34:29,440
Speaker 1: if you said gay, people just be like, yeah, he's gay,

564
00:34:29,520 --> 00:34:33,239
Speaker 1: he's happy, and then like at some point game to queer.

565
00:34:33,600 --> 00:34:35,560
Speaker 1: But then I feel like some older people or like

566
00:34:35,640 --> 00:34:37,759
Speaker 1: against square because I'm like, oh, that was so like mean.

567
00:34:38,800 --> 00:34:43,759
Speaker 1: Language is crazy. Language is as you learned that through books, right,

568
00:34:44,040 --> 00:34:51,359
Speaker 1: you know, and we studied books. We studied books. Okay,

569
00:34:51,440 --> 00:34:54,879
Speaker 1: so maybe let's act out Miriam and have those meet. Okay.

570
00:34:55,000 --> 00:34:58,000
Speaker 1: So I do think Miriam is the tom. Miriam's definitely

571
00:34:58,160 --> 00:35:04,360
Speaker 1: the top. She's four foot ten top. Marian doesn't. She

572
00:35:04,600 --> 00:35:09,879
Speaker 1: is a little bit like short, you know, even through

573
00:35:09,920 --> 00:35:14,759
Speaker 1: a cloud door. Well, and I think now now that

574
00:35:14,840 --> 00:35:16,800
Speaker 1: I've been in England all of two days, I do

575
00:35:17,000 --> 00:35:19,120
Speaker 1: see that, you know, kind of like houses or small

576
00:35:19,239 --> 00:35:21,120
Speaker 1: rooms are small. I feel like it's a small bed,

577
00:35:21,320 --> 00:35:26,880
Speaker 1: you know, she can fit into it. It's a cramps

578
00:35:27,200 --> 00:35:28,920
Speaker 1: not like I mean, look at us here in this

579
00:35:29,080 --> 00:35:33,239
Speaker 1: room wouldn't see this in America. We all need our

580
00:35:33,280 --> 00:35:37,359
Speaker 1: cup holders. You know, they're not they're not making love.

581
00:35:37,440 --> 00:35:42,719
Speaker 1: And a huge Chevy suv what I mean, which that's

582
00:35:42,840 --> 00:35:45,279
Speaker 1: all the only place I have sex um in an

583
00:35:45,400 --> 00:35:48,560
Speaker 1: suv um And you know, yeah, I would say, not

584
00:35:48,800 --> 00:35:51,719
Speaker 1: only is Heather the taller fam but she says that

585
00:35:52,360 --> 00:36:00,400
Speaker 1: Heather's chronically fatigue lesbian to me, it's just so sorry.

586
00:36:00,640 --> 00:36:05,319
Speaker 1: My wife is very tired constantly for no reason at all. Sorry,

587
00:36:05,400 --> 00:36:09,520
Speaker 1: Like I mean, my girlfriend sleeps a lot, Like she

588
00:36:09,600 --> 00:36:11,239
Speaker 1: got sick once and then that was sort of it.

589
00:36:11,520 --> 00:36:15,160
Speaker 1: That sick, She's gone down for her nap in the garden.

590
00:36:15,280 --> 00:36:17,360
Speaker 1: You kind of pet her. Then she comes out for

591
00:36:17,440 --> 00:36:21,360
Speaker 1: a documentary or two and goes back to bed. So

592
00:36:21,760 --> 00:36:23,600
Speaker 1: when they meet, so they're in this so they go

593
00:36:23,680 --> 00:36:26,400
Speaker 1: to like see a new dy and then she that's amazing.

594
00:36:26,560 --> 00:36:28,080
Speaker 1: She goes, we get in a vaw buck and I

595
00:36:28,120 --> 00:36:31,400
Speaker 1: get in the frocks. I'm fat, the baddest one in

596
00:36:31,440 --> 00:36:33,160
Speaker 1: the front. We've all been there. We know what that's like.

597
00:36:34,960 --> 00:36:39,239
Speaker 1: I always have to sit in the middle. Yeah, that's

598
00:36:39,280 --> 00:36:44,360
Speaker 1: also a burden. Sorry, And she gets the fun and

599
00:36:44,440 --> 00:36:46,640
Speaker 1: she's like, so I just got in the front and

600
00:36:46,680 --> 00:36:52,200
Speaker 1: I started talking about Fodding Cox exactly. She's telling her

601
00:36:52,239 --> 00:36:55,000
Speaker 1: like stories of all her famous blow drops. Also feels

602
00:36:55,000 --> 00:36:57,880
Speaker 1: like us getting on the tube at ADM yesterday, realizing

603
00:36:58,000 --> 00:37:00,399
Speaker 1: we're the only one speaking being so loud America. I'm

604
00:37:00,440 --> 00:37:06,440
Speaker 1: like screaming about people and I did sorry the tube

605
00:37:06,680 --> 00:37:08,919
Speaker 1: and I really, yeah, I felt quite self conscious. Yeah,

606
00:37:09,120 --> 00:37:13,240
Speaker 1: we kind of realized like no one was talking angrily,

607
00:37:13,320 --> 00:37:21,040
Speaker 1: like flipping through their guardians, and I was like, sorry,

608
00:37:21,080 --> 00:37:25,440
Speaker 1: we're literally America, and like you invined us to have

609
00:37:25,520 --> 00:37:33,360
Speaker 1: to deal with it. Sorry, your daughters, Okay, okay. So

610
00:37:33,400 --> 00:37:35,399
Speaker 1: they're in the car, she's the fatas she's in the front.

611
00:37:36,760 --> 00:37:39,279
Speaker 1: You got the picture. They go to this documentary and

612
00:37:40,040 --> 00:37:44,120
Speaker 1: she's Miriam is also again being like so the top.

613
00:37:44,239 --> 00:37:46,680
Speaker 1: She just stares at her for the fat I would say.

614
00:37:46,760 --> 00:37:48,600
Speaker 1: She's like, I haven't found it weird, and it's like,

615
00:37:48,680 --> 00:37:52,120
Speaker 1: well that is weird, Like I'm Featherheim. This kind of

616
00:37:52,920 --> 00:37:56,520
Speaker 1: closets famine like nineteen sixty four. Imagine read an indie

617
00:37:56,600 --> 00:38:03,960
Speaker 1: movie screening and this face is charing at you. This

618
00:38:04,239 --> 00:38:09,759
Speaker 1: much is true, and I'm just like, I've just my

619
00:38:09,840 --> 00:38:15,080
Speaker 1: skirt an hour and a half passes like she ever

620
00:38:15,200 --> 00:38:17,400
Speaker 1: looks at the screen and it's just and I'm just like,

621
00:38:17,800 --> 00:38:22,719
Speaker 1: what do you think of the film? Oh? Good, have

622
00:38:22,840 --> 00:38:25,960
Speaker 1: to go to chaps. Okay, day passes and she's like

623
00:38:26,040 --> 00:38:28,600
Speaker 1: obsessed and she's like, please invite your friend over for lunch,

624
00:38:28,880 --> 00:38:32,680
Speaker 1: shoos out her other friend and then starts, if you will.

625
00:38:33,480 --> 00:38:35,520
Speaker 1: So I'm Heather in this situation. They've kicked out the

626
00:38:35,600 --> 00:38:37,640
Speaker 1: other friend and we're in like a you know, a

627
00:38:37,719 --> 00:38:41,840
Speaker 1: small flat, probably in Tottenham or Clapham or something. And

628
00:38:42,000 --> 00:38:47,600
Speaker 1: first I started smelling your hair heathero, what do you

629
00:38:47,800 --> 00:38:52,040
Speaker 1: use to shampoo? Did you get that at Tesco? Oh?

630
00:38:52,160 --> 00:38:56,080
Speaker 1: It's just the local box and fencive land. You seem

631
00:38:56,400 --> 00:38:59,560
Speaker 1: very tense. Have you've been in love gardening and baking?

632
00:38:59,719 --> 00:39:05,120
Speaker 1: L Oh? Yes, my weekly scones? Oh my god? What

633
00:39:05,200 --> 00:39:09,719
Speaker 1: do you put in the scones? You must be kneading. No,

634
00:39:10,000 --> 00:39:14,279
Speaker 1: not not too much heedings, but the normal amount of kneeding. Look, Heather,

635
00:39:14,440 --> 00:39:19,239
Speaker 1: I know you're gay. I know you're queer. I'm queer too,

636
00:39:19,320 --> 00:39:20,759
Speaker 1: and I think we should have a rump of it

637
00:39:20,840 --> 00:39:25,040
Speaker 1: in my small bed and my clap and flack. What

638
00:39:25,160 --> 00:39:26,799
Speaker 1: do you say we take to a bed? For a week,

639
00:39:26,840 --> 00:39:29,920
Speaker 1: then buy a house in Tuscany together. Well, I suppose

640
00:39:30,000 --> 00:39:35,040
Speaker 1: ultimately and a lesbian. So it was settled, and it

641
00:39:35,200 --> 00:39:38,160
Speaker 1: was settled, and they dated for the next fifty four years.

642
00:39:40,320 --> 00:39:44,440
Speaker 1: That's all good, But she did she did cheat on

643
00:39:44,560 --> 00:39:51,520
Speaker 1: her for with a landlady. Not only a landlady, a

644
00:39:51,680 --> 00:39:54,120
Speaker 1: landlady with a PhD, because that all of a sudden,

645
00:39:54,160 --> 00:39:56,440
Speaker 1: she says she won't sleep with someone who doesn't have

646
00:39:56,560 --> 00:40:04,640
Speaker 1: a PhD. A pretty huge dick. I fought, you know,

647
00:40:04,719 --> 00:40:07,120
Speaker 1: in my experience, I have slept with a lot of

648
00:40:07,160 --> 00:40:12,760
Speaker 1: men with PhDs and small, small little PhDs, small little

649
00:40:13,000 --> 00:40:15,920
Speaker 1: and the degree they are pretty huge dicks. And now

650
00:40:15,920 --> 00:40:17,520
Speaker 1: I'm not just say they're dicks. I'm just saying, like

651
00:40:17,560 --> 00:40:20,600
Speaker 1: they're kind of obnoxious and no offends any PhDs in

652
00:40:20,640 --> 00:40:23,960
Speaker 1: the room, but like you know who you are, Like

653
00:40:24,120 --> 00:40:25,879
Speaker 1: they do have this air about them whether they're like, well,

654
00:40:25,880 --> 00:40:29,319
Speaker 1: I wanted to do it for fourteen years, So I'm

655
00:40:29,360 --> 00:40:31,840
Speaker 1: just gonna kind of pontificate at you, and I'm just like,

656
00:40:31,960 --> 00:40:34,279
Speaker 1: get over yourself. But also I'm obsessed with you because

657
00:40:34,320 --> 00:40:39,719
Speaker 1: you're toxic. Show the degrees, show me the degrees. And

658
00:40:39,840 --> 00:40:43,080
Speaker 1: so she was obsessed with this toxic leads, this toxic landlady.

659
00:40:43,200 --> 00:40:47,880
Speaker 1: I mean, who wouldn't be biggest turn on landlords? That

660
00:40:47,960 --> 00:40:51,680
Speaker 1: feels so APPRETI to be like she loves landlords. But yeah,

661
00:40:51,680 --> 00:40:53,719
Speaker 1: at the beginning, she's talking all about like her mother

662
00:40:53,840 --> 00:40:56,479
Speaker 1: and how her mother like knew all the local labs. Okay,

663
00:40:56,520 --> 00:40:58,400
Speaker 1: but then she becomes the landlord and all of her

664
00:40:58,440 --> 00:41:02,600
Speaker 1: tenants wipe them bomb with newspaper and they filled the

665
00:41:02,680 --> 00:41:05,319
Speaker 1: septic and she's like, well that's enough for me being

666
00:41:05,360 --> 00:41:08,040
Speaker 1: a landlady. And she's like, I'm done with that. But

667
00:41:08,200 --> 00:41:11,400
Speaker 1: then she gets so okay. So Ellen Degenerous and Porsche

668
00:41:11,600 --> 00:41:14,960
Speaker 1: Rossi they have a little um I would say fetish

669
00:41:15,040 --> 00:41:19,680
Speaker 1: where they buy homes every single six months and renovate them. Yeah,

670
00:41:19,840 --> 00:41:24,760
Speaker 1: and her and Heather. But you know what's the difference,

671
00:41:25,800 --> 00:41:28,040
Speaker 1: So I guess in the way Miriam's to Ellen and

672
00:41:28,400 --> 00:41:31,120
Speaker 1: porshows the Heather. You never see Heather. And she's like,

673
00:41:31,280 --> 00:41:33,839
Speaker 1: Heather's already mad that I'm writing about her in this book.

674
00:41:33,920 --> 00:41:38,400
Speaker 1: But like, okay, here's the thing though, Like their relationship

675
00:41:38,520 --> 00:41:41,520
Speaker 1: is so weird. She says, she sees they don't live together,

676
00:41:41,560 --> 00:41:45,160
Speaker 1: they live in different countries. They see each other eight

677
00:41:45,239 --> 00:41:47,719
Speaker 1: times a year, but they own like a villa in

678
00:41:47,800 --> 00:41:51,360
Speaker 1: Tuscany together and like a seaside home in like Gloucesterships.

679
00:41:52,800 --> 00:41:55,440
Speaker 1: Because because she does reverence, she's like very like you know,

680
00:41:56,160 --> 00:41:59,839
Speaker 1: obviously very honest, but just cool. You know, She's really open,

681
00:42:00,000 --> 00:42:01,880
Speaker 1: but like she talks about how like she knows she

682
00:42:01,920 --> 00:42:04,120
Speaker 1: feels bad about herself sometimes and then she's just like,

683
00:42:04,440 --> 00:42:06,239
Speaker 1: and I have my body issues and sometimes I look

684
00:42:06,239 --> 00:42:07,959
Speaker 1: at my face and I'm like, what an amazing face,

685
00:42:08,000 --> 00:42:09,759
Speaker 1: and oh I wish it was connected to a different body.

686
00:42:10,200 --> 00:42:11,560
Speaker 1: But then she'll be like, but you have to take

687
00:42:11,560 --> 00:42:13,440
Speaker 1: the good with the bad. And it's like it's like

688
00:42:13,560 --> 00:42:16,560
Speaker 1: this beautiful, like you know, journey of self acceptance. But

689
00:42:16,760 --> 00:42:19,080
Speaker 1: then I also feel like maybe she just kind of

690
00:42:19,160 --> 00:42:21,920
Speaker 1: like she met Heather and was just like, well, this

691
00:42:22,080 --> 00:42:23,920
Speaker 1: is it. I can never get anything better, and I'm

692
00:42:23,960 --> 00:42:25,759
Speaker 1: gonna stick with herever, even though Heather sounds like a

693
00:42:25,800 --> 00:42:27,520
Speaker 1: little bit of a wet blanket and it's like not

694
00:42:27,680 --> 00:42:29,759
Speaker 1: trying to hang say no, I know, and she's just

695
00:42:29,880 --> 00:42:31,840
Speaker 1: being at their like random house in Tuscany and be

696
00:42:31,920 --> 00:42:34,680
Speaker 1: like sorry, like Heather, like I'm like she's writing for

697
00:42:34,760 --> 00:42:36,680
Speaker 1: six months. I can't talk to you, Miriam, and my

698
00:42:36,800 --> 00:42:38,759
Speaker 1: name's like, but I'm such a fun, re bold woman.

699
00:42:39,640 --> 00:42:41,880
Speaker 1: I know, I know. And when they when she has

700
00:42:41,960 --> 00:42:44,080
Speaker 1: her Landlady affair, She's like, it was the worst six

701
00:42:44,160 --> 00:42:45,640
Speaker 1: months of my life. But I feel like she just

702
00:42:45,760 --> 00:42:48,800
Speaker 1: didn't get over maybe that period of being sad and

703
00:42:48,920 --> 00:42:52,480
Speaker 1: like trying something new. Possibly, so she's like, let me

704
00:42:52,600 --> 00:42:56,640
Speaker 1: keep on buying like houses to renovate with my wife.

705
00:42:56,719 --> 00:42:59,840
Speaker 1: I see a times a year, and then they have

706
00:43:00,120 --> 00:43:02,160
Speaker 1: to have, like I think, because it's the time. I mean,

707
00:43:02,200 --> 00:43:05,400
Speaker 1: I feel like married people love nothing more than just

708
00:43:05,480 --> 00:43:10,839
Speaker 1: being like, oh the renovation true, and I think, like, say,

709
00:43:10,880 --> 00:43:14,920
Speaker 1: it's health, it's bloody. I've never I've never met a

710
00:43:15,080 --> 00:43:18,800
Speaker 1: married person who isn't just like driving off being married

711
00:43:18,920 --> 00:43:21,160
Speaker 1: two weeks after marriage. It's just like, well, the kitchen.

712
00:43:22,800 --> 00:43:27,200
Speaker 1: So the granted, of course was three months later. We

713
00:43:27,320 --> 00:43:30,600
Speaker 1: wanted the forest lime tile, but of course they only

714
00:43:30,680 --> 00:43:33,520
Speaker 1: had porcelain tile, and that's too much money. And Josh

715
00:43:33,640 --> 00:43:37,280
Speaker 1: and his job. You know, a marriage is about cultivating

716
00:43:37,320 --> 00:43:39,200
Speaker 1: the domestic, and you know you have to like spend

717
00:43:39,280 --> 00:43:42,880
Speaker 1: your time like creating this space in which your relationship

718
00:43:42,880 --> 00:43:44,919
Speaker 1: can apparently thrive. And so like, but I do feel

719
00:43:44,920 --> 00:43:48,560
Speaker 1: like we're Miriam and Heather. And then she's she's eighty

720
00:43:48,640 --> 00:43:50,560
Speaker 1: writ in this book. And now she's like, maybe Heather

721
00:43:50,600 --> 00:43:56,120
Speaker 1: and I should live together. No that I was like eighty,

722
00:43:56,440 --> 00:44:03,000
Speaker 1: like she should move in, bitch, let's go. Can I

723
00:44:03,120 --> 00:44:07,160
Speaker 1: can I read a passage this before her nor Heather? Okay?

724
00:44:07,600 --> 00:44:10,080
Speaker 1: And so I feel like this is a little bit her,

725
00:44:10,320 --> 00:44:12,920
Speaker 1: you know, some of the rejection that happened to her before,

726
00:44:13,440 --> 00:44:16,680
Speaker 1: maybe why she really glommed onto Heather. So she's she

727
00:44:17,080 --> 00:44:19,640
Speaker 1: was with this woman and then this woman un affair.

728
00:44:20,920 --> 00:44:23,360
Speaker 1: I went up and hammered on the door. I know

729
00:44:23,560 --> 00:44:25,080
Speaker 1: you're both in there, and if you don't let me in,

730
00:44:25,120 --> 00:44:27,640
Speaker 1: I will make a shocking road. You will be discovered.

731
00:44:30,520 --> 00:44:34,920
Speaker 1: And again it's my second day here. Okay, I'm learning

732
00:44:35,120 --> 00:44:39,360
Speaker 1: and I'm listening. They knew it wasn't an idle threat.

733
00:44:39,480 --> 00:44:41,640
Speaker 1: Anne opened the door and there was Mary and lying

734
00:44:41,680 --> 00:44:45,200
Speaker 1: in Anne's bed. I was incandescent with rage and jealousy.

735
00:44:45,400 --> 00:44:47,919
Speaker 1: I jumped on the bed and slapped and punched them both,

736
00:44:48,360 --> 00:44:51,680
Speaker 1: don't hurt her and begged. That maddened me further, and

737
00:44:51,800 --> 00:44:58,319
Speaker 1: I deliberately stamped hard on Marian's reading glasses, toxic, toxicxic

738
00:44:58,760 --> 00:45:02,120
Speaker 1: breaking glasses glasses, I mean, this is a violent behavior.

739
00:45:02,280 --> 00:45:05,480
Speaker 1: If someone broke these lens, crafters, I would be, I

740
00:45:05,520 --> 00:45:08,440
Speaker 1: would be. But the lenses are quite exacted, that's I mean, yeah,

741
00:45:08,440 --> 00:45:13,520
Speaker 1: because I'm basically blind. So yeah, the lenses were like alone. Yeah,

742
00:45:13,640 --> 00:45:15,680
Speaker 1: if your wife came in, well there's not. It's like

743
00:45:15,840 --> 00:45:17,320
Speaker 1: some random girl that she'd been having an affair with

744
00:45:17,440 --> 00:45:21,200
Speaker 1: for like a few weeks while working in Ye, yeah,

745
00:45:21,200 --> 00:45:25,040
Speaker 1: it's it's I mean classic theater affairs. When my frenzy

746
00:45:25,160 --> 00:45:27,320
Speaker 1: was spent, I left and went straight back to Marian's

747
00:45:27,360 --> 00:45:34,120
Speaker 1: room and scrawled on the mirror, lesbian cunt in red

748
00:45:34,239 --> 00:45:39,680
Speaker 1: lipstick is so fucking funny. Yeah that is. I mean,

749
00:45:40,120 --> 00:45:42,879
Speaker 1: I'm in only an actress wood, you know what I mean,

750
00:45:43,040 --> 00:45:46,719
Speaker 1: So I wish I had that dramatics and your right

751
00:45:47,920 --> 00:45:54,040
Speaker 1: lesbian on the mirror? Is there anything worth satisfying cunt

752
00:45:54,800 --> 00:45:58,359
Speaker 1: after breaking glasses? I know, I mean it's all said

753
00:45:59,239 --> 00:46:06,800
Speaker 1: because it's like, well, obviously bisexual cunt. She's like Paul Solo,

754
00:46:07,160 --> 00:46:11,279
Speaker 1: Polly pan sexual cut. No, that's what I'm writing today,

755
00:46:11,440 --> 00:46:17,279
Speaker 1: my boyfriend pan cunt pan bitch. Okay, wait, can we

756
00:46:17,320 --> 00:46:19,120
Speaker 1: talk about her Potter for a second. Let's talk about

757
00:46:19,120 --> 00:46:21,680
Speaker 1: her Poter. So what I love about this book is

758
00:46:21,760 --> 00:46:24,399
Speaker 1: she is just kind of being like low key, very

759
00:46:24,480 --> 00:46:28,840
Speaker 1: resentful of because it is a funny because it's like,

760
00:46:28,960 --> 00:46:30,880
Speaker 1: I know you haven't seen the movies or just like

761
00:46:30,920 --> 00:46:33,200
Speaker 1: read like the most part and even like she makes chokes.

762
00:46:33,239 --> 00:46:35,560
Speaker 1: I She's like, I know you're all Griffindors or whatever,

763
00:46:35,719 --> 00:46:41,640
Speaker 1: but like losers, like and like whether you're like you're

764
00:46:41,680 --> 00:46:45,120
Speaker 1: like in your Hufflepuff pejs, but like look and I

765
00:46:45,200 --> 00:46:47,040
Speaker 1: know it pays my bills, but like I want to

766
00:46:47,080 --> 00:46:49,440
Speaker 1: be known for the stage. And it's like, but how

767
00:46:49,520 --> 00:46:51,239
Speaker 1: weird would that be? Because it's like she's I will

768
00:46:51,440 --> 00:46:54,880
Speaker 1: just to like fill you in, okay on this She's

769
00:46:54,960 --> 00:46:58,840
Speaker 1: not a major character at all. It's a pretty minor character,

770
00:46:59,280 --> 00:47:01,640
Speaker 1: not even one of the like like Maggie Smith has

771
00:47:01,680 --> 00:47:04,600
Speaker 1: like a pretty like big side character. She's just like

772
00:47:04,719 --> 00:47:07,520
Speaker 1: a minor side character. Well, and I asked, you were

773
00:47:07,680 --> 00:47:09,239
Speaker 1: you know getting on the plane we have our big

774
00:47:09,400 --> 00:47:11,479
Speaker 1: seven hour flight and I see all the Harry Potter movies.

775
00:47:11,480 --> 00:47:14,040
Speaker 1: So I was like, perfect, I'll like watch Miriam's big role.

776
00:47:15,560 --> 00:47:17,400
Speaker 1: I was like, Steven, which one should I watch and

777
00:47:17,480 --> 00:47:21,160
Speaker 1: you're like, honestly, she's not even really in one scene,

778
00:47:21,200 --> 00:47:23,919
Speaker 1: bab so I watched like a random Meg Ryan movie

779
00:47:24,040 --> 00:47:27,960
Speaker 1: and so, but now for her entire like nine people

780
00:47:28,000 --> 00:47:32,160
Speaker 1: come up to her just like yeah, this one role,

781
00:47:32,200 --> 00:47:37,440
Speaker 1: she's like cool and she's like no, and she's like, JK.

782
00:47:37,840 --> 00:47:40,719
Speaker 1: Raley was very nice to me, but like, you know,

783
00:47:40,800 --> 00:47:43,600
Speaker 1: I think she thinks it's kind of tacky to me. No. Well,

784
00:47:43,640 --> 00:47:46,240
Speaker 1: she because she's literally such a like, you know, winning

785
00:47:46,280 --> 00:47:48,600
Speaker 1: actress of the stage and she goes to like Disney

786
00:47:48,680 --> 00:47:53,600
Speaker 1: to visit and she's just like it's disgusting. She's like this,

787
00:47:55,200 --> 00:47:59,080
Speaker 1: I mean, can you imagine that writing lesbian count on

788
00:47:59,120 --> 00:48:02,760
Speaker 1: a mirror? She goes to Disney, she hates it. She's

789
00:48:02,840 --> 00:48:05,480
Speaker 1: just like there's like a fake Eiffel Tower and then

790
00:48:05,480 --> 00:48:08,200
Speaker 1: they have fake food and she's like Okay, she goes,

791
00:48:08,360 --> 00:48:11,520
Speaker 1: she goes. I'm proud for being a character, if not

792
00:48:11,680 --> 00:48:15,520
Speaker 1: a particularly important character, in an iconic series of the

793
00:48:15,600 --> 00:48:17,799
Speaker 1: me generations of Children, though who I am. I am

794
00:48:18,040 --> 00:48:21,040
Speaker 1: grateful for that. The only strange thing for me is

795
00:48:21,040 --> 00:48:23,440
Speaker 1: being fixed as a certain character at a certain age,

796
00:48:23,880 --> 00:48:29,560
Speaker 1: despite all the hundreds of other things I've done followed

797
00:48:29,560 --> 00:48:31,400
Speaker 1: the million plays. I mean she's much more proud of

798
00:48:31,440 --> 00:48:35,360
Speaker 1: I will say, the film, babe, than she is Harry Potter.

799
00:48:35,680 --> 00:48:38,479
Speaker 1: And they flew her to Australia to meet the sheep

800
00:48:38,600 --> 00:48:42,800
Speaker 1: dog that shears the voice of his name is like

801
00:48:42,880 --> 00:48:45,960
Speaker 1: Windlow or something, and she's like, she meets the dog.

802
00:48:46,239 --> 00:48:49,520
Speaker 1: And then the director's like, oh no, like we actually

803
00:48:49,600 --> 00:48:52,320
Speaker 1: want you to like you're sounding too proper, like we

804
00:48:52,400 --> 00:48:54,040
Speaker 1: want you to sound a different way. And she's like, well,

805
00:48:54,080 --> 00:48:57,640
Speaker 1: I met the dog. I faking like really does have

806
00:48:57,960 --> 00:49:02,319
Speaker 1: this like specific type of statter accent um. But sure,

807
00:49:02,360 --> 00:49:08,120
Speaker 1: I guess you're the director. Okay, weight part. She gets

808
00:49:08,160 --> 00:49:10,920
Speaker 1: fingered by that cop and she goes, he thought I

809
00:49:10,960 --> 00:49:16,400
Speaker 1: hated it a little? Did he know? She lady? Yes,

810
00:49:16,640 --> 00:49:19,200
Speaker 1: and and and she says, oh my Christmas is can

811
00:49:19,320 --> 00:49:30,960
Speaker 1: at one is the segment that does and what does

812
00:49:31,040 --> 00:49:33,399
Speaker 1: she eat? What does she wear? How does she live?

813
00:49:33,640 --> 00:49:36,880
Speaker 1: All right? What is she? Okay? Well, build on, I

814
00:49:36,960 --> 00:49:41,759
Speaker 1: have her favorite snap in my pocket. What did you

815
00:49:41,840 --> 00:49:44,319
Speaker 1: pull a knife out of your pocket? This is how

816
00:49:44,400 --> 00:49:46,719
Speaker 1: she snaps? All right, let's just surprise me. That's how

817
00:49:46,760 --> 00:49:51,000
Speaker 1: we keep it interesting for all these years, just peeling onion.

818
00:49:59,000 --> 00:50:03,879
Speaker 1: All right. But it wants to kiss Lily later, she'll

819
00:50:03,920 --> 00:50:05,359
Speaker 1: be by the back. You want to know why she's

820
00:50:05,400 --> 00:50:10,680
Speaker 1: only been with Heather. She really just eats what she

821
00:50:10,880 --> 00:50:13,279
Speaker 1: literally just eats raw onion. She's like, I'm gonna maybe

822
00:50:13,360 --> 00:50:15,120
Speaker 1: made things a little bit weird in the makeup trailer,

823
00:50:15,239 --> 00:50:21,719
Speaker 1: but you know, you know onion, it's not that exactly.

824
00:50:21,920 --> 00:50:26,160
Speaker 1: Yeah no, no, no, I already Nature's ninja. People talk

825
00:50:26,200 --> 00:50:28,960
Speaker 1: about people talk about juicing, but I think I'm gonna

826
00:50:29,000 --> 00:50:35,480
Speaker 1: start with the half onion a day quite juicy, yeah, okayan,

827
00:50:36,480 --> 00:50:39,360
Speaker 1: I have a thing later to go to totally totally

828
00:50:39,600 --> 00:50:44,520
Speaker 1: yeah no, but it was super juicy, supernummy. So she

829
00:50:44,760 --> 00:50:47,600
Speaker 1: does that. I mean I'm picturing her so like not

830
00:50:47,760 --> 00:50:50,160
Speaker 1: to be so like racist against bitted people, but like

831
00:50:50,320 --> 00:50:52,960
Speaker 1: I do feel like you guys all and roast and

832
00:50:53,640 --> 00:50:56,560
Speaker 1: like it's always a salmon cream pie. It's always just

833
00:50:56,719 --> 00:50:59,360
Speaker 1: like there's one element that's wrong. It's just like I

834
00:50:59,480 --> 00:51:01,839
Speaker 1: love all the things, but do they is it that quick?

835
00:51:01,920 --> 00:51:05,400
Speaker 1: I mean she talks a lot about how she you know,

836
00:51:06,320 --> 00:51:09,960
Speaker 1: she can't stop eating. I think she has hungry eyes, yea,

837
00:51:10,040 --> 00:51:13,440
Speaker 1: as do I yes, But then I'm surprised. I mean,

838
00:51:13,520 --> 00:51:17,120
Speaker 1: in a way this is a healthy snap question mark, well,

839
00:51:17,400 --> 00:51:19,640
Speaker 1: moderation once you have onions, you know what I mean?

840
00:51:20,520 --> 00:51:25,040
Speaker 1: I mean it's keto right, yeah, so she's doing that.

841
00:51:25,160 --> 00:51:27,759
Speaker 1: She hates drugs. I mean I think she again very lesbian.

842
00:51:27,800 --> 00:51:30,520
Speaker 1: I like she has a drink lesbian. Yeah. I feel

843
00:51:30,600 --> 00:51:34,560
Speaker 1: she has like maybe a wine but she's not a wine. Yes,

844
00:51:34,719 --> 00:51:39,280
Speaker 1: a wine and an onion, which sounds like the Finness

845
00:51:39,440 --> 00:51:44,239
Speaker 1: Girl diet like wine and onions. But I think it's

846
00:51:44,239 --> 00:51:46,440
Speaker 1: wine and onions. And then the spinach pie. You know,

847
00:51:46,560 --> 00:51:49,040
Speaker 1: she has a roast and a roast chicken with salmon

848
00:51:49,120 --> 00:51:51,480
Speaker 1: cream on top of the roast. Check on. Okay, how

849
00:51:51,560 --> 00:51:55,160
Speaker 1: does she live? I feel like she's renovating six cottages

850
00:51:55,239 --> 00:51:57,600
Speaker 1: and they're all a mess. Well there's one. Yeah, you know,

851
00:51:57,960 --> 00:52:01,520
Speaker 1: like she has her tusk in, she has her Australia,

852
00:52:01,760 --> 00:52:04,440
Speaker 1: she has her cut swalls, she has her like Cox Swater,

853
00:52:05,600 --> 00:52:09,480
Speaker 1: she has her flat like and yeah, I agree, Like

854
00:52:10,160 --> 00:52:14,120
Speaker 1: it's papers, it's books, tons of books. It's books on papers.

855
00:52:14,200 --> 00:52:16,400
Speaker 1: I feel like shares on books. I think she's like

856
00:52:16,520 --> 00:52:19,680
Speaker 1: getting rugs but they're not laid out. Yeah, there's so

857
00:52:20,040 --> 00:52:22,520
Speaker 1: there's so many rolled up rugs in the corner. And

858
00:52:22,640 --> 00:52:24,680
Speaker 1: then behind that there's like a lodder to get Twitter.

859
00:52:25,719 --> 00:52:27,080
Speaker 1: This is kind of a how does she live and

860
00:52:27,280 --> 00:52:28,600
Speaker 1: how does she eat? If you know what I mean.

861
00:52:28,719 --> 00:52:31,439
Speaker 1: She says she does not bring electronics into the bed.

862
00:52:31,560 --> 00:52:35,759
Speaker 1: If you know what I'm saying, no, no sex. I

863
00:52:35,800 --> 00:52:38,400
Speaker 1: was gonna say, there's definitely like iPad chargers. It's tons

864
00:52:38,480 --> 00:52:41,759
Speaker 1: of iPad chargers. Let's let's not words. No. I think

865
00:52:41,760 --> 00:52:46,160
Speaker 1: it's like, I think it's really small TV hospital style

866
00:52:46,760 --> 00:52:51,520
Speaker 1: in the corner that she's like turning on IVO hospital

867
00:52:51,600 --> 00:52:53,680
Speaker 1: TV's in the house and each home and they're all

868
00:52:53,760 --> 00:52:57,040
Speaker 1: just like high up. But yeah, Heather actually called her vanilla.

869
00:52:57,160 --> 00:53:00,239
Speaker 1: I think, yeah, I think it's no strap. No, yeah,

870
00:53:00,640 --> 00:53:03,759
Speaker 1: I know she is like from the sixteen hundred, like

871
00:53:03,840 --> 00:53:07,400
Speaker 1: she is absolutely in her PhD affair woman started you know,

872
00:53:07,840 --> 00:53:10,279
Speaker 1: slapping her. She was like what are you doing? Because

873
00:53:10,320 --> 00:53:12,160
Speaker 1: the family was like, don't you want to hit me?

874
00:53:12,280 --> 00:53:16,680
Speaker 1: And she was like what, I have no reference for this.

875
00:53:17,000 --> 00:53:18,840
Speaker 1: She was like, oh, I'm just a lit's a Scott

876
00:53:19,120 --> 00:53:21,600
Speaker 1: like I don't have any chains. Well, and this is

877
00:53:21,680 --> 00:53:23,600
Speaker 1: what comes back to her being like a vanilla top

878
00:53:23,719 --> 00:53:27,920
Speaker 1: in this way classic toxic. She's a kind of like

879
00:53:28,360 --> 00:53:32,279
Speaker 1: jeans on top stone. You think she's a little stone. No,

880
00:53:32,440 --> 00:53:35,560
Speaker 1: I think she gets a nude. Yeah, she's fully nude.

881
00:53:35,840 --> 00:53:39,759
Speaker 1: I think she's full as dressed. So wag more, that's

882
00:53:39,920 --> 00:53:43,320
Speaker 1: more chain yeah more. Yeah, I think she's nude. And

883
00:53:43,400 --> 00:53:47,239
Speaker 1: it's just kind of three hour session. Yes, yes, she's

884
00:53:47,360 --> 00:53:51,759
Speaker 1: three hours classic nude documentary all of the hospital TV.

885
00:53:52,080 --> 00:53:56,239
Speaker 1: And we're fifteen and we're we're four fingers and were

886
00:53:56,360 --> 00:54:02,560
Speaker 1: banking and we're renovating. Yeah, it's just like that, absolutely class. Well,

887
00:54:02,600 --> 00:54:06,000
Speaker 1: she's verying. Michigan Women's Festival what she she goes to

888
00:54:06,120 --> 00:54:09,040
Speaker 1: an actually hates because she doesn't camp, which I'm with her,

889
00:54:09,239 --> 00:54:12,759
Speaker 1: by the way, no camp and no camping lesbians. I

890
00:54:12,800 --> 00:54:18,359
Speaker 1: guess here comes the question, yes, yes, yes, yes, right,

891
00:54:18,680 --> 00:54:21,440
Speaker 1: not at all the houses. Okay, there's so much dessension

892
00:54:21,560 --> 00:54:24,759
Speaker 1: amongst the audience right now, Okay, shout out, why do

893
00:54:24,880 --> 00:54:27,680
Speaker 1: we think she's Buddha? Okay, that's kind of it's a

894
00:54:27,760 --> 00:54:33,400
Speaker 1: longer explanation that's brave enough to say, I think I

895
00:54:33,520 --> 00:54:37,279
Speaker 1: think she's Buddha because she's so like, she's fun, like,

896
00:54:37,360 --> 00:54:42,279
Speaker 1: she's wut the therapist's therapist. She literally defines therapist. The hair.

897
00:54:42,680 --> 00:54:47,840
Speaker 1: Look at that hair that is Buddha hair, Like no, no, no, no,

898
00:54:47,960 --> 00:54:50,560
Speaker 1: no no, it's the necklace. It's the next This is

899
00:54:50,600 --> 00:54:53,239
Speaker 1: what I'm saying. Look at the necklace. The necklace and

900
00:54:54,680 --> 00:55:01,480
Speaker 1: a big Camilla's and pearls. This isn't my mom, but

901
00:55:01,680 --> 00:55:09,920
Speaker 1: literally this is like, not bud, it's not good. You

902
00:55:09,960 --> 00:55:11,680
Speaker 1: guys are gonna fight me on this. You're gonna take

903
00:55:11,680 --> 00:55:16,960
Speaker 1: me to court, You're gonna take me to Parliament. Okay,

904
00:55:17,040 --> 00:55:20,080
Speaker 1: But Kimilla doesn't look like that's why that? Yeah, is

905
00:55:20,120 --> 00:55:26,000
Speaker 1: she not a British mom. She's not a mom. I wait,

906
00:55:26,080 --> 00:55:30,239
Speaker 1: she's never had kids. Okay, but here's it. She has

907
00:55:30,640 --> 00:55:35,160
Speaker 1: all right child still wants to get in there. But

908
00:55:35,640 --> 00:55:41,759
Speaker 1: my mom, who's from New Cambridge, I guess I just

909
00:55:41,920 --> 00:55:46,040
Speaker 1: feel like she's funkier than Kimilla, Like funkier than Dame

910
00:55:46,160 --> 00:55:56,320
Speaker 1: Maggie Smith, who's not Buddha Da Maggie Smith. Do you

911
00:55:56,440 --> 00:56:02,880
Speaker 1: think Maggie Smith does from a suit? Oh? I actually

912
00:56:02,880 --> 00:56:06,440
Speaker 1: don't think Miriam. Yeah, I think she was freaked out

913
00:56:06,480 --> 00:56:09,880
Speaker 1: with a concept of sex toys. Yeah, I know she

914
00:56:10,120 --> 00:56:16,360
Speaker 1: has selectual commisation, like the ideals of sexually she's reading

915
00:56:16,440 --> 00:56:18,520
Speaker 1: and she's like, oh, that's not for me, I couldn't

916
00:56:18,560 --> 00:56:23,560
Speaker 1: stretched that way, but I hope my niece came. I

917
00:56:23,680 --> 00:56:26,680
Speaker 1: would love her. My niece stretch. She has great plans,

918
00:56:26,840 --> 00:56:30,480
Speaker 1: but her niece's vagina and may it be flexible and

919
00:56:30,840 --> 00:56:35,880
Speaker 1: enterable and wild. Heather and I like he was like

920
00:56:35,960 --> 00:56:37,400
Speaker 1: my favorite thing about Heather and I is we like

921
00:56:37,520 --> 00:56:39,480
Speaker 1: lie in bed for eight hours and talk, oh yeah,

922
00:56:39,480 --> 00:56:42,840
Speaker 1: and stare at the ceiling and talk, or like I

923
00:56:42,920 --> 00:56:46,080
Speaker 1: think she means like we're eighty now, like this is

924
00:56:46,080 --> 00:56:48,320
Speaker 1: where she needs some more electronics in the bedroom. So

925
00:56:48,440 --> 00:56:51,440
Speaker 1: I'm saying, I know, you know, because like Heather's O

926
00:56:51,480 --> 00:56:53,480
Speaker 1: old school, but it's like maybe if you brought some

927
00:56:53,760 --> 00:56:56,000
Speaker 1: motorized something into the bedroom, maybe Heather would be a

928
00:56:56,000 --> 00:56:58,760
Speaker 1: little bit more excited and she would move in with you, right, okay,

929
00:56:58,840 --> 00:57:02,719
Speaker 1: and she would leave her PhD like office. Anyway, it's

930
00:57:02,719 --> 00:57:06,520
Speaker 1: not too lay, Miriam, get a rabbit. Okay. We need

931
00:57:06,560 --> 00:57:11,959
Speaker 1: to take her shopping, Miriam, are you theater? The baby

932
00:57:12,000 --> 00:57:16,600
Speaker 1: land blister sex out lists? All right? I give this.

933
00:57:17,000 --> 00:57:20,880
Speaker 1: I give this book honestly four point five small hospital

934
00:57:20,960 --> 00:57:25,320
Speaker 1: TVs in a cottage out of four point five scones.

935
00:57:27,000 --> 00:57:29,200
Speaker 1: It's just so much fun, and I will be completely honest.

936
00:57:29,200 --> 00:57:33,400
Speaker 1: I didn't read every word in this spot, Lily, Lily,

937
00:57:34,160 --> 00:57:38,640
Speaker 1: what are you're talking about? Intimate room? I want to share? Okay,

938
00:57:38,680 --> 00:57:40,919
Speaker 1: I love you being just as honest as Miriam. Yeah,

939
00:57:42,120 --> 00:57:45,720
Speaker 1: and you're being just as not honest as Leonardo de

940
00:57:45,840 --> 00:57:49,880
Speaker 1: Capiti Romo Juliet all Right, I might have skipped over

941
00:57:49,880 --> 00:57:53,600
Speaker 1: a few chapters as well. It's like theater theater play.

942
00:57:54,400 --> 00:57:57,960
Speaker 1: She's ninety blah blah blah, a little bit just like

943
00:57:58,040 --> 00:58:01,320
Speaker 1: her being like it's not just Harry, it's like, now,

944
00:58:02,360 --> 00:58:04,640
Speaker 1: who are you in the book? Well, you're the game.

945
00:58:05,360 --> 00:58:10,479
Speaker 1: Come over when she's like being attacked by a mad woman,

946
00:58:10,480 --> 00:58:13,840
Speaker 1: because I'm just like, wait, what time has no I'm

947
00:58:13,960 --> 00:58:17,080
Speaker 1: calling you and you're like phones person just goes straight

948
00:58:17,120 --> 00:58:19,240
Speaker 1: to voicemail. I'm like, I'm being attacked and then like

949
00:58:19,320 --> 00:58:22,160
Speaker 1: I've taxed you and your respond you're just like fab

950
00:58:22,440 --> 00:58:27,240
Speaker 1: like you're being attaped. I'm like, that's so she Colaris,

951
00:58:27,280 --> 00:58:33,440
Speaker 1: you're like drinks you being attacked. Um, you know, I

952
00:58:33,560 --> 00:58:35,760
Speaker 1: am a little bit Miriam. And the fact that like

953
00:58:35,840 --> 00:58:40,080
Speaker 1: I haven't seen Harry Potter. You're you're you're you're a

954
00:58:40,400 --> 00:58:43,680
Speaker 1: non Jewish lesbian. I'm an seen Harry Potter. So yeah,

955
00:58:43,920 --> 00:58:47,640
Speaker 1: that's basically it. But yeah, but also maybe I'm just

956
00:58:47,800 --> 00:58:51,840
Speaker 1: like one of the radio men in nineteen sixty who

957
00:58:52,040 --> 00:58:55,160
Speaker 1: was like, read this from mister Clorox or something like that,

958
00:58:56,480 --> 00:58:58,880
Speaker 1: and then she tries to blow you and you're like, sorry,

959
00:58:58,960 --> 00:59:05,840
Speaker 1: that's I was. Now the position has been filled, all right,

960
00:59:07,320 --> 00:59:19,600
Speaker 1: wraps it up for us. Basically, Why the Best Celebrity

961
00:59:19,600 --> 00:59:22,400
Speaker 1: book Club is presented by Promo Projects. The show was

962
00:59:22,440 --> 00:59:26,120
Speaker 1: produced by Benjamin Fusch, with editorial support from Leone Fock,

963
00:59:26,200 --> 00:59:29,080
Speaker 1: Andrew Parsons are Only in a Rebelo and Maden Capain

964
00:59:29,320 --> 00:59:33,440
Speaker 1: our production managers. Perceive verlinn original theme song by Stephen

965
00:59:33,680 --> 00:59:37,240
Speaker 1: Phillips Horst artwork by Teddy Blanks at Chips and Why.

966
00:59:37,600 --> 00:59:41,360
Speaker 1: Follow us on Twitter and Instagram at CBC the Pod,

967
00:59:41,840 --> 00:59:45,640
Speaker 1: Subscribe on your favorite podcast Apple, leave us a review,

968
00:59:45,760 --> 00:59:49,280
Speaker 1: and don't forget to tell your friends well about us,

969
00:59:49,760 --> 00:59:52,320
Speaker 1: and don't forget to go to patreon dot com for

970
00:59:52,400 --> 00:59:56,720
Speaker 1: access to the vip lout art Sclose Bonus podcast