WEBVTT - Lady Cheesecake Factory

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<v Speaker 1>Ladies and gentlemen. For tonight's entertainment, I present to you

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<v Speaker 1>West Side Story. I will be playing all the parts.

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<v Speaker 1>It's an interesting share impression. Well, it's yeah, I kind

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<v Speaker 1>of sound like maybe it's it's giving like some kind

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<v Speaker 1>of some kind of sesame street characters in there. You

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<v Speaker 1>know that I am a musical theater girl, right like, Well,

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<v Speaker 1>I'm okay, let me clarify. I'm a reformed musical theater girl.

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<v Speaker 1>I think I also, I guess self identify as a well,

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<v Speaker 1>maybe not reformed musical theater girl, but a recovering musical.

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<v Speaker 1>Recovering is a good way to put it, because it

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<v Speaker 1>is a disease that we will be dealing with all

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<v Speaker 1>of our lives. So I guess it's appropriate that we

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<v Speaker 1>are talking about the biggest movie musical of the moment,

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<v Speaker 1>West Side Story, in fact, one of the most famous

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<v Speaker 1>musicals of all time, dare we say? And she is

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<v Speaker 1>back in the conversation, back in the spotlight thanks to

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<v Speaker 1>the recent adaptation, And you, before seeing the new Spielberg film,

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<v Speaker 1>had never seen West Side Story. I was a true virgin.

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<v Speaker 1>I'm so excited to unpack that because this is like

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<v Speaker 1>a virgin the show where we give yesterday's pop culture

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<v Speaker 1>today's takes. I'm ros dam you and I'm for in Toronto,

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<v Speaker 1>and before we decides if we're the Sharks or the Jets,

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<v Speaker 1>we're going to talk about today's pop culture amazing. Let

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<v Speaker 1>me just pop half an atty and going. Our news

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<v Speaker 1>section today is mostly just what we have been watching

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<v Speaker 1>on TV because I don't know that in the current

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<v Speaker 1>state of the world that either of us are doing much.

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<v Speaker 1>Although you, you know, you newly are a toot toot

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<v Speaker 1>bee beep girl, so I guess you've been, you know,

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<v Speaker 1>zooming around town, zooming around in town, making my way

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<v Speaker 1>down to the car impoundment lot where my car got

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<v Speaker 1>towed because everyone that was my fault. So I showed

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<v Speaker 1>up to friends the other night. We were going yeah, yeah,

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<v Speaker 1>I shut up to Franz the other night because we

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<v Speaker 1>were I thought we were going to watch and just

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<v Speaker 1>like that and a Marvel movie to prepare for our

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<v Speaker 1>upcoming Marvel episode with Jill Can Booster. But I've got

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<v Speaker 1>to france apartment to have them say that their car

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<v Speaker 1>had just been impounded. And then and then I learned

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<v Speaker 1>from you but Trayer that you had already watched and

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<v Speaker 1>just like that, Um, right, right, well the boy Is

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<v Speaker 1>We watched and just like that, and I felt like

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<v Speaker 1>Steve is really done dirty to see Steve. David Eigenberg,

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<v Speaker 1>the actor who plays Steve, should sue HBO for the

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<v Speaker 1>literal character assassination they are pulling on Steve, because, like,

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<v Speaker 1>I get that these characters have aged and there are

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<v Speaker 1>different people, but that is not Steve. That's not Steve.

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<v Speaker 1>I was reading about how David actually has hearing loss

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<v Speaker 1>in real life and that's why they decided to write

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<v Speaker 1>it into the character. But the way they're writing it

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<v Speaker 1>is offensive and it doesn't contribute anything at all. It's honestly, like,

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<v Speaker 1>not even his hearing that is I think the problem

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<v Speaker 1>with how he's being portrayed, like him turning up at

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<v Speaker 1>the farmers market and being like, oh I forgot my wallet,

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<v Speaker 1>um at the pickle stand or whatever. It's just so

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<v Speaker 1>not the Steve that we knew, and it feels like

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<v Speaker 1>a betrayal of all of the time we put into

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<v Speaker 1>that relationship and all the time we've spent being horny

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<v Speaker 1>for Steve. Steve was always really good to Miranda, and

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<v Speaker 1>the first movie is about him cheating on her and

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<v Speaker 1>like them deciding to like stay in their marriage. And

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<v Speaker 1>I think like one of the hallmarks of their relationship

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<v Speaker 1>is they've, oh, has had really good sex. And I mean,

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<v Speaker 1>I think the scene where they tried to fuck in

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<v Speaker 1>the kitchen like was actually kind of it was so great. Um,

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<v Speaker 1>someone I followed TikTok was saying, you can't watch and

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<v Speaker 1>just like that, as if it is a reboot of

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<v Speaker 1>Sex in the City, you have to watch it, as

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<v Speaker 1>if it is a show with completely new characters who

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<v Speaker 1>you have no context for, and just like take it

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<v Speaker 1>at face value and it will vastly improve your enjoyment

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<v Speaker 1>of watching it. And I think that might be how

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<v Speaker 1>I mean to start approaching And just like that, I do.

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<v Speaker 1>I do not know if I would be invested in

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<v Speaker 1>a lot of these characters if they weren't connected to

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<v Speaker 1>a cinematic universe that I was already in love with.

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<v Speaker 1>I I think that honestly, it feels like I'm watching

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<v Speaker 1>Are You the One? Season eight again, and I feel

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<v Speaker 1>like what is happening here is sh Ideas is the

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<v Speaker 1>one that Miranda thinks she's in love with thinks is

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<v Speaker 1>like because because she's doing weed. Yes, because she's doing

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<v Speaker 1>so much. I need to know I've done strong. What

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<v Speaker 1>strain of weed is JD as smoking? Because smoking a

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<v Speaker 1>dent THC counts TIVA because like almost in the same

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<v Speaker 1>way that Shad is like a caricature of a queer

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<v Speaker 1>non binary podcaster, the caricature of like a stoner, which

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<v Speaker 1>is I thought we were done with that, and like,

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<v Speaker 1>weed doesn't do that to you. Any of the behaviors

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<v Speaker 1>that Miranda and Cha are like exhibiting cannot be explained

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<v Speaker 1>away by being two stoned. Yeah, don't use weed as

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<v Speaker 1>an excuse for your shortcomings, especially in such a lazy

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<v Speaker 1>writing thing. Yeah, especially people that say, you know, they

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<v Speaker 1>didn't finish a Marvel movie because they were too stone

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<v Speaker 1>They fell asleep during Twilight because they were too stoned.

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<v Speaker 1>Like grow up right, Yeah, maybe you should look in

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<v Speaker 1>the mirror, Arangela. I have to say, the biggest thing

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<v Speaker 1>on my mind is Yellow Jackets. I must tell the

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<v Speaker 1>Virgins that I did watched the entire series in the

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<v Speaker 1>week since we last spoke. Thank god, I'm so happy.

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<v Speaker 1>Top line finale. I was a little disappointed, extreme I

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<v Speaker 1>was extremely disappointed. To me, it was not a finale

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<v Speaker 1>at all. The way I've been trying to think about

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<v Speaker 1>it is I guess this isn't the kind of show

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<v Speaker 1>we were all saying it was, because everyone, especially the

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<v Speaker 1>people who have been watching it week to week, a

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<v Speaker 1>huge part of the online discourse about it has been

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<v Speaker 1>theorizing what was going to happen and like you know,

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<v Speaker 1>what's the symbol? And is Jackie live? And like who

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<v Speaker 1>killed Travis? And like like the questions, a lot of questions,

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<v Speaker 1>a lot of mysteries, and I think we were all

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<v Speaker 1>expecting the finale was going to answer those questions and

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<v Speaker 1>it really didn't. The only question it answered is like

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<v Speaker 1>how Jackie died, which was sorry lame because when I so,

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<v Speaker 1>I didn't hear like your conspiracy theories. I legitimately didn't

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<v Speaker 1>listen to that part of our podcast, but like we

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<v Speaker 1>did talk a little bit about what we could think

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<v Speaker 1>could happen in the finale, and what I said to

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<v Speaker 1>you is, I was like, when you were like, Jackie's

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<v Speaker 1>not dead, I was like, I think it might be

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<v Speaker 1>something worse than death, you know what I mean? And

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<v Speaker 1>I think you know, the way she did die is

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<v Speaker 1>kind of that, but it was very anticlimactic. Yeah, well

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<v Speaker 1>that's what I'm saying is like, I think we're looking

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<v Speaker 1>at the show the wrong way, and it's not a

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<v Speaker 1>show that's concerned with setting up big mysteries and then

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<v Speaker 1>answering them. It's really it's it's yeah, it's not who

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<v Speaker 1>done it. It's like a character study of these traumatized,

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<v Speaker 1>fucked up women. And I think it like, instead of

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<v Speaker 1>going for the plot satisfaction of answering all those questions,

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<v Speaker 1>it gave us the like emotional quote unquote satisfaction of

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<v Speaker 1>that really like gut wrenching moment when Shanna find Jackie

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<v Speaker 1>buried in the snow, and it is choosing character over

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<v Speaker 1>like some kind of twisty thriller who Done It? And

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<v Speaker 1>like I do understand that. At the same time, like

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<v Speaker 1>I don't think that's the ending that they were setting

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<v Speaker 1>up throughout the season, and that's why it feels disappointing.

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<v Speaker 1>So I just think, like there could have been a

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<v Speaker 1>more satisfying wrap up. I did like some things, like

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<v Speaker 1>I thought Tyson's wife finding her like Altar with the

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<v Speaker 1>doghead was like really good, and like I think a

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<v Speaker 1>lot of us called like weeks ago that she definitely

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<v Speaker 1>killed a dog. So I wondered like, does that mean

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<v Speaker 1>she was part of the cult on the island who

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<v Speaker 1>kidnapped Natalie. I guess Lottie like is going to be

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<v Speaker 1>a bigger character than maybe some of us expected. I

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<v Speaker 1>felt like right away from the beginning that Lottie was

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<v Speaker 1>going to be like the deer head leader or be

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<v Speaker 1>like this kind of quasi cult leader that creates a

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<v Speaker 1>division in the island. Sorry, not on an island. It's

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<v Speaker 1>keep thinking it's lost, but like this, this is gonna

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<v Speaker 1>be seasons of them stuck in the wilderness. Okay, Like,

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<v Speaker 1>what do you think is going to happen next season?

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<v Speaker 1>I think that the people that captured Natalie are Yellow

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<v Speaker 1>Jackets conspiracy theorists, Like there are people that are obset

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<v Speaker 1>that are obsessed with the lore and mythology surrounding the

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<v Speaker 1>Yellow Jackets girls, because it's like a haunted thing that

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<v Speaker 1>happened in this town. And so I think these like

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<v Speaker 1>haunted conspiracy theorists have been at play in killing Travis

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<v Speaker 1>in like the symbols that it keep like popping up everywhere.

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<v Speaker 1>I think it's just an entity that is going to

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<v Speaker 1>be part of like the villainy of season two that

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<v Speaker 1>was never in season Why interesting. What do you think?

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<v Speaker 1>I kind of feel like we're going to find out

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<v Speaker 1>that Lordie also survived, and you know, because she's extremely wealthy,

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<v Speaker 1>like runs some kind of like shadowy organization and is

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<v Speaker 1>still doing all the like weird ritual stuff back on

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<v Speaker 1>the mainland. You know, I think that that the idea

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<v Speaker 1>of her orchestrating all of this is like that is

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<v Speaker 1>so spot on, it makes complete sense. I love we'll

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<v Speaker 1>see and like, what nineties icon actress is going to

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<v Speaker 1>play older Lottie? Yeah, especially now that the show is

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<v Speaker 1>a hit, like they have to get someone that is

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<v Speaker 1>on the Christina Ricci level, you know what I mean, Like, yeah, virgins,

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<v Speaker 1>you should give us your picks for older Lotties. Who's

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<v Speaker 1>your pick for older Lottie? And why is it Dakota Johnson.

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<v Speaker 1>Dakota Johnson is not old enough? I completely disagree. I

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<v Speaker 1>think she's not her forties or fifties. I think she

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<v Speaker 1>could be forties or fifties if she wanted to, but

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<v Speaker 1>she's not. I don't think she's like the Bill of Like,

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<v Speaker 1>I think they need another iconic nineties actress like Christina Ricci. Okay,

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<v Speaker 1>so live Tyler. Yeah, I'm never not talking about I'm

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<v Speaker 1>just thinking of Burnett's. Um, I mean, when a writer

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<v Speaker 1>has already been used in the show like this, so

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<v Speaker 1>that wouldn't really make sense. Who else is of that?

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<v Speaker 1>Like kind of kitchy like late nineties like weird girl core,

0:11:15.760 --> 0:11:20.040
<v Speaker 1>Heather's era. Let's get Nev Campbell in it. Nev Campbell,

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<v Speaker 1>But Nev Campbell looks too much like Julia from the

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<v Speaker 1>Crowd honestly, no offense, but like Juliette Louis kind of

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<v Speaker 1>looks like Nev Campbell. If like Nev Campbell, like I

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<v Speaker 1>don't know, was like shrunken a little bit, can you

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<v Speaker 1>know what I mean? Um, I am aware that you

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<v Speaker 1>still haven't watched Euphoria, which is I'm gonna I'm gonna

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<v Speaker 1>reserve my commentary because I'm gathering energy from you that

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<v Speaker 1>you are maybe actually going to watch. I am going

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<v Speaker 1>to watch it at some point. I'm just not in

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<v Speaker 1>a rush to watch it. Yes, you know what I

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<v Speaker 1>am watching on HBO that I don't think you're watching

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<v Speaker 1>is the final season of Search Party. Oh. I actually

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<v Speaker 1>watched the first three episodes, so, UM, when I think

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<v Speaker 1>about end of the world satires and millennial commentaries, satires

0:12:15.960 --> 0:12:19.800
<v Speaker 1>I think that Search Party is like the most successful

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<v Speaker 1>one I can think of. I think that this season

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<v Speaker 1>is a really huge swing and a complete departure in

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<v Speaker 1>genre and even subject matter in a way that I appreciate.

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<v Speaker 1>But I'm kind of having a harder time getting through

0:12:33.720 --> 0:12:36.520
<v Speaker 1>it because it is so off the rails. But there's

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<v Speaker 1>nothing that I'm disliking per se, especially when it comes

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<v Speaker 1>to like commentary about social media cults, which I mean,

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<v Speaker 1>that's the part of Search Party that I really like

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<v Speaker 1>is how just when you think like these characters have

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<v Speaker 1>made the worst decisions they possibly could, they're able to

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<v Speaker 1>take that to the next level. I love the idea

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<v Speaker 1>of Dory as like a cult leader figure because like,

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<v Speaker 1>one of the things this the show has hit over

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<v Speaker 1>and over again is like her extreme narcissism and the

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<v Speaker 1>level to which it like has become harmful to like

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<v Speaker 1>her and others. So it makes total sense that there

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<v Speaker 1>would be people in the world who would find that

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<v Speaker 1>narcissism incredibly appealing, because that's how cults work. It is,

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<v Speaker 1>and it's it's funny how the narcissism of each individual

0:13:27.240 --> 0:13:31.560
<v Speaker 1>character creates these little swirls of like problems. Like I

0:13:31.600 --> 0:13:37.640
<v Speaker 1>love the Little Demonic Child. Um it's it's giving, It's

0:13:37.679 --> 0:13:40.960
<v Speaker 1>giving Orphan, Which did you know that there's a sequel

0:13:41.000 --> 0:13:45.920
<v Speaker 1>to Orphan coming out called Orphan First Kill. I'm never

0:13:45.960 --> 0:13:48.880
<v Speaker 1>going to see either of those movies. Well, that's disappointing

0:13:48.880 --> 0:13:51.200
<v Speaker 1>because Orphan is one of the best films ever made.

0:13:51.440 --> 0:13:54.120
<v Speaker 1>Not to blow up your spot, but I am aware

0:13:54.320 --> 0:13:57.240
<v Speaker 1>also that you are watching a season of Drag Race

0:13:57.360 --> 0:14:00.079
<v Speaker 1>right now. Yeah. Well, I have been watching the new

0:14:00.120 --> 0:14:02.760
<v Speaker 1>season and I guess I was just like in the

0:14:02.840 --> 0:14:06.160
<v Speaker 1>mood to like binge something mindlessly that I could be

0:14:06.200 --> 0:14:09.040
<v Speaker 1>on my phone during for most of it. Um, so

0:14:09.080 --> 0:14:14.079
<v Speaker 1>I'm watching Drag Race UK season two. I've also already

0:14:14.120 --> 0:14:20.160
<v Speaker 1>forgotten every queen from the second episode of US fourteen.

0:14:21.160 --> 0:14:23.800
<v Speaker 1>That's fine, I can help you run them down. There

0:14:23.840 --> 0:14:28.000
<v Speaker 1>was Maddie Morphous's straight Okay, I'm gonna give it. I'm

0:14:28.000 --> 0:14:31.360
<v Speaker 1>going to give a controversial opinion. You thought she was good.

0:14:31.640 --> 0:14:34.480
<v Speaker 1>I didn't think she was bad, and I also like

0:14:34.560 --> 0:14:37.040
<v Speaker 1>you wasn't bad. I also like didn't really have an

0:14:37.080 --> 0:14:41.880
<v Speaker 1>issue with her being on it because here's because let

0:14:41.880 --> 0:14:44.760
<v Speaker 1>me let me like give an explanation why I think

0:14:44.800 --> 0:14:48.720
<v Speaker 1>it's like it's weird when you consider the framing of

0:14:48.760 --> 0:14:51.520
<v Speaker 1>her as a straight man, and like the fact that

0:14:51.560 --> 0:14:55.520
<v Speaker 1>they keep bringing it up, and I wonder if that's

0:14:55.560 --> 0:15:00.600
<v Speaker 1>more a production thing then it's her thing, because I

0:15:00.760 --> 0:15:04.520
<v Speaker 1>just like, obviously I'm not going to like ascribe any

0:15:04.600 --> 0:15:07.880
<v Speaker 1>kind of identity to her, but I feel like, if

0:15:07.960 --> 0:15:12.600
<v Speaker 1>you are doing that level of like gender fuckery, even

0:15:12.640 --> 0:15:17.040
<v Speaker 1>if you still like have heterosexual sex or like sex

0:15:17.080 --> 0:15:21.080
<v Speaker 1>with you know, the opposite gender whatever, you must identify

0:15:21.160 --> 0:15:24.760
<v Speaker 1>as like a little bit queer. That's why it's like

0:15:25.120 --> 0:15:28.160
<v Speaker 1>hard to watch because as much as I want to

0:15:28.160 --> 0:15:32.280
<v Speaker 1>believe that Maddie really is truly heterosexual, I just don't

0:15:32.360 --> 0:15:35.560
<v Speaker 1>understand the appeal of her art form if you aren't,

0:15:35.600 --> 0:15:37.840
<v Speaker 1>as just as you said, at least a little bit queer,

0:15:37.880 --> 0:15:39.720
<v Speaker 1>which is why I loved that Rue right from the

0:15:39.800 --> 0:15:43.560
<v Speaker 1>jump kind of dragged her a little bit, like exposed

0:15:43.560 --> 0:15:46.000
<v Speaker 1>her in the workroom, immediately knowing full well that these

0:15:46.120 --> 0:15:48.520
<v Speaker 1>girls we're going to be like, what the fuck. Well,

0:15:48.520 --> 0:15:51.480
<v Speaker 1>that's why I think it's a production thing, because like, yeah,

0:15:51.600 --> 0:15:54.520
<v Speaker 1>it is. I'm not saying we shouldn't like gate keep

0:15:55.440 --> 0:16:00.280
<v Speaker 1>queer art too straight people, but it was such a

0:16:00.320 --> 0:16:04.520
<v Speaker 1>conversation when the casting was announced, and I just think

0:16:04.520 --> 0:16:08.560
<v Speaker 1>it's like a lot more benign than it is like

0:16:09.000 --> 0:16:12.480
<v Speaker 1>being kind of made out to be in the discourse. Yeah,

0:16:12.520 --> 0:16:14.520
<v Speaker 1>as much as I hope that one of the girls

0:16:14.600 --> 0:16:17.040
<v Speaker 1>will come from Maddie in the way that we all

0:16:17.040 --> 0:16:18.840
<v Speaker 1>want to come from Maddie, I don't think any of

0:16:18.880 --> 0:16:21.640
<v Speaker 1>them are going to be that girl. But in Untucked,

0:16:21.840 --> 0:16:23.760
<v Speaker 1>when Maddie is trying to describe all these things about

0:16:23.760 --> 0:16:26.320
<v Speaker 1>being a straight person and drag, you can see just

0:16:26.400 --> 0:16:29.000
<v Speaker 1>the light leaving all of their eyes, like all of

0:16:29.040 --> 0:16:32.440
<v Speaker 1>them like nodding and smiling, trying to be like encouraged

0:16:32.440 --> 0:16:35.080
<v Speaker 1>and be like, yeah, girl, you're a great ally. We're

0:16:35.160 --> 0:16:37.240
<v Speaker 1>proud of you. Like you can tell a lot of

0:16:37.240 --> 0:16:39.520
<v Speaker 1>these girls have things that they're thinking that they're not

0:16:39.560 --> 0:16:42.720
<v Speaker 1>going to say because they're on reality television. We should

0:16:42.760 --> 0:16:44.480
<v Speaker 1>have been we should have been this time talking about

0:16:44.600 --> 0:16:49.040
<v Speaker 1>not Maddie morphosis but Angeria. Oh she was amazing. I

0:16:49.080 --> 0:16:52.320
<v Speaker 1>did I really kind of be Angeria versus corn Bread

0:16:52.360 --> 0:16:55.120
<v Speaker 1>In the final two. I thought Georgia's was so fun

0:16:55.160 --> 0:16:58.360
<v Speaker 1>to watch, like high energy perform. You know who I

0:16:58.400 --> 0:17:02.000
<v Speaker 1>was confused by was a lady Amden, because like I

0:17:02.040 --> 0:17:05.880
<v Speaker 1>feel like that's the equivalent of someone being like, I

0:17:05.920 --> 0:17:08.360
<v Speaker 1>live in London, but I was born in New York

0:17:08.400 --> 0:17:11.920
<v Speaker 1>City and my name is Lady St Mark's you know something.

0:17:12.400 --> 0:17:16.280
<v Speaker 1>It's like, it's just stupid. I mean, not to get cute,

0:17:16.359 --> 0:17:19.280
<v Speaker 1>but like I was like, you're not I mean, you're American,

0:17:19.400 --> 0:17:22.080
<v Speaker 1>but you're not. It was confused. My name is Lady

0:17:22.119 --> 0:17:31.040
<v Speaker 1>Times Square. Yeah, I'm Lady Universal Studios, CityWalk. I'm Lady

0:17:31.920 --> 0:17:50.640
<v Speaker 1>Oh my god, Lady cheese Gg Factory. Okay. So I

0:17:50.680 --> 0:17:56.600
<v Speaker 1>was like pretty ambivalent about even seeing The West Side

0:17:56.640 --> 0:18:00.040
<v Speaker 1>Story remain. I think we were a little excited. I

0:18:00.320 --> 0:18:05.080
<v Speaker 1>a little, but not I think the level I would

0:18:05.080 --> 0:18:09.160
<v Speaker 1>have liked to be considering the fact that I love

0:18:09.240 --> 0:18:12.360
<v Speaker 1>the original so much, I didn't know what could be

0:18:12.440 --> 0:18:16.360
<v Speaker 1>improved upon. But I mean, obviously there's a lot of

0:18:16.400 --> 0:18:19.480
<v Speaker 1>stuff about the original West Side Story that's bad through

0:18:19.480 --> 0:18:23.200
<v Speaker 1>the lens of today, but it's such an amazing film,

0:18:23.840 --> 0:18:28.239
<v Speaker 1>and it just felt like a weird retreading. But like,

0:18:28.760 --> 0:18:32.680
<v Speaker 1>generally I did like the movie. You went in with

0:18:32.720 --> 0:18:37.439
<v Speaker 1>no totally in the hands of Steven Spielberg Antony Kushner,

0:18:37.520 --> 0:18:40.359
<v Speaker 1>where you like this is like I trust this, or

0:18:40.400 --> 0:18:42.480
<v Speaker 1>where you immediately like have it have it feel a

0:18:42.480 --> 0:18:45.440
<v Speaker 1>type of way about either of them. Um, Spielberg felt

0:18:45.480 --> 0:18:48.359
<v Speaker 1>like a weird person to be doing it because I'm like,

0:18:49.480 --> 0:18:52.800
<v Speaker 1>I guess his career is so weird to me, Like

0:18:52.920 --> 0:18:55.159
<v Speaker 1>he comes out every couple of years with like what

0:18:55.320 --> 0:19:01.119
<v Speaker 1>seemed to be very like narratively disconnected movie is like

0:19:01.280 --> 0:19:09.280
<v Speaker 1>ET two AI to West Side Story. Also, he did

0:19:09.440 --> 0:19:13.919
<v Speaker 1>Rogue Player one right, that was him Shutter Island, Like

0:19:14.040 --> 0:19:17.800
<v Speaker 1>what what is he? What is he making movies about

0:19:18.119 --> 0:19:22.200
<v Speaker 1>besides just making like big spectacle blockbusters that come out

0:19:22.200 --> 0:19:25.120
<v Speaker 1>on Christmas he famously or not famously. He did say

0:19:25.119 --> 0:19:27.280
<v Speaker 1>in interviews that he had been wanting to make West

0:19:27.280 --> 0:19:30.680
<v Speaker 1>Side Story since he was ten, which I was hard

0:19:30.720 --> 0:19:35.520
<v Speaker 1>to say. Sorry, sorry to say it, Um, But maybe

0:19:35.560 --> 0:19:38.199
<v Speaker 1>Tony Kushner hadn't inducted him into the Fago tree that

0:19:38.280 --> 0:19:40.760
<v Speaker 1>is this musical because it was concepted by four you know,

0:19:40.880 --> 0:19:45.200
<v Speaker 1>affluent white Jewish gays. Anyways, what were you expecting going

0:19:45.240 --> 0:19:49.920
<v Speaker 1>into it? Like, knowing kind of nothing about the musical?

0:19:50.240 --> 0:19:54.239
<v Speaker 1>You know, my full pretty much, my full context of

0:19:54.280 --> 0:19:57.040
<v Speaker 1>the musical came from that one time that Share played

0:19:57.040 --> 0:19:58.840
<v Speaker 1>all the parts? Do do you know? Yes? I know

0:19:59.160 --> 0:20:02.119
<v Speaker 1>I did actually learned quite a lot from that performance

0:20:02.119 --> 0:20:04.359
<v Speaker 1>of it, like it kind of top lines the plot,

0:20:04.480 --> 0:20:07.439
<v Speaker 1>which is for the virgins, I guess an adaptation of

0:20:07.880 --> 0:20:10.760
<v Speaker 1>Romeo and Juliet, but it's kind of like whites versus

0:20:10.840 --> 0:20:15.000
<v Speaker 1>Puerto Ricans as these two like street gangs. These are

0:20:15.000 --> 0:20:18.760
<v Speaker 1>white and Puerto Rican street gang, the Sharks and the Jets,

0:20:19.560 --> 0:20:22.320
<v Speaker 1>and two of the characterists fall in love and that

0:20:22.359 --> 0:20:28.160
<v Speaker 1>creates the Romeo Juliet capulate versus Montague kind of scenario. Yeah,

0:20:28.320 --> 0:20:30.879
<v Speaker 1>if you have never seen West Side Story or Romeo

0:20:30.920 --> 0:20:33.480
<v Speaker 1>and Juliet, like that is the basis of it. It

0:20:33.600 --> 0:20:36.840
<v Speaker 1>is star cross lovers who can't be together because their

0:20:36.840 --> 0:20:41.720
<v Speaker 1>families hate each other, and then one and then there's

0:20:41.840 --> 0:20:46.080
<v Speaker 1>death at the end, death to all of them. But yeah, exactly,

0:20:46.200 --> 0:20:50.240
<v Speaker 1>and you know my literally everyone dies. Yeah, I mean

0:20:50.280 --> 0:20:53.960
<v Speaker 1>that's Shakespeare. Shakespeare was kind of the George R. Martin

0:20:54.080 --> 0:20:56.680
<v Speaker 1>of his time. He just loved to kill everyone's favorite

0:20:58.800 --> 0:21:01.320
<v Speaker 1>I'm being facetious. Is just that George Armartin loves to

0:21:01.400 --> 0:21:03.520
<v Speaker 1>kill your favorite character. He was the m c U

0:21:04.119 --> 0:21:09.520
<v Speaker 1>time if Shakespeare even existed. Yeah, I wonder Shakespeare. I mean,

0:21:09.520 --> 0:21:12.960
<v Speaker 1>Shakespeare didn't really create a cinematic University. He didn't really

0:21:13.000 --> 0:21:19.120
<v Speaker 1>loop any of the s s tu the Shakespeare theatrical universe.

0:21:20.800 --> 0:21:24.560
<v Speaker 1>We'll get we'll get back to Shakespeare. But anyways, so

0:21:24.680 --> 0:21:27.439
<v Speaker 1>I have I have a long history with West Side Story.

0:21:27.920 --> 0:21:32.080
<v Speaker 1>You don't have, um. Weirdly enough, West Side Story is

0:21:32.280 --> 0:21:35.600
<v Speaker 1>like inextricably linked to the Rocky Horror Picture Show for me,

0:21:36.480 --> 0:21:39.239
<v Speaker 1>because I had the vhs of both of them when

0:21:39.280 --> 0:21:41.720
<v Speaker 1>I was a kid, and it was like when I

0:21:41.760 --> 0:21:44.639
<v Speaker 1>was like trying to fall asleep every night when I

0:21:44.680 --> 0:21:48.120
<v Speaker 1>was in middle school, I would put on either West

0:21:48.119 --> 0:21:50.359
<v Speaker 1>Side Story or Rocky Horror Picture Show and that was

0:21:50.400 --> 0:21:52.160
<v Speaker 1>what would lull me to sleep. And it was like

0:21:53.440 --> 0:21:55.880
<v Speaker 1>one night to the other, it was either of those.

0:21:56.440 --> 0:21:59.200
<v Speaker 1>So I have a lot of love for the original,

0:21:59.480 --> 0:22:02.199
<v Speaker 1>even though I know it's like very problematic, like the

0:22:02.280 --> 0:22:06.040
<v Speaker 1>brown face and it is what it is. It is

0:22:06.080 --> 0:22:11.360
<v Speaker 1>what it is and Natalie and Natalie Wood isn't singing. Um.

0:22:11.520 --> 0:22:17.359
<v Speaker 1>So I guess, like I understood why why you can

0:22:17.480 --> 0:22:21.080
<v Speaker 1>make the argument for the need for a new version

0:22:21.119 --> 0:22:26.399
<v Speaker 1>of West Side Story. But I guess, like to me,

0:22:26.640 --> 0:22:28.359
<v Speaker 1>the thing was like, Okay, if we're going to do

0:22:28.400 --> 0:22:31.679
<v Speaker 1>a new one, why do it in the most obvious

0:22:31.760 --> 0:22:35.560
<v Speaker 1>way as like a big budget Steven Spielberg movie, like

0:22:35.720 --> 0:22:38.720
<v Speaker 1>do something a little more interesting, because in recent years

0:22:38.720 --> 0:22:42.920
<v Speaker 1>there have been like there was a Broadway revival of it,

0:22:43.080 --> 0:22:45.800
<v Speaker 1>or like an off Broadway revival that was pretty popular,

0:22:45.840 --> 0:22:48.520
<v Speaker 1>although there was like something problematic with it, like someone

0:22:48.960 --> 0:22:53.439
<v Speaker 1>in the cast had like it was maybe like a

0:22:53.520 --> 0:22:56.399
<v Speaker 1>sexual assaulter. And then that happened that the lin Manuel

0:22:56.440 --> 0:23:00.080
<v Speaker 1>Miranda one wasn't no, and then that happened again in

0:23:00.119 --> 0:23:03.240
<v Speaker 1>the movie because of Ansel l Gort who right, yeah,

0:23:03.240 --> 0:23:07.280
<v Speaker 1>who was amazing that he had a beautiful singing voice.

0:23:07.600 --> 0:23:10.880
<v Speaker 1>I thought he sounded pretty good. His voice was gore,

0:23:11.000 --> 0:23:14.440
<v Speaker 1>I mean, coming off of Incanto, I was like, wow,

0:23:14.480 --> 0:23:17.560
<v Speaker 1>these are some pipes. Anyways, Okay, let's talk about let's

0:23:17.600 --> 0:23:20.199
<v Speaker 1>talk about the movie. Let's talk about you know what,

0:23:20.200 --> 0:23:22.280
<v Speaker 1>what did you like? What did you get from it?

0:23:23.080 --> 0:23:26.280
<v Speaker 1>I actually quickly have to when while we're talking about

0:23:26.320 --> 0:23:30.080
<v Speaker 1>like context for West Side Story, this is relevant. My

0:23:30.200 --> 0:23:34.240
<v Speaker 1>mom played Anita in her high school production of West

0:23:34.240 --> 0:23:38.640
<v Speaker 1>Side Story. Like yeah, way back when, but growing up,

0:23:38.880 --> 0:23:43.000
<v Speaker 1>my mom told us all that she was Maria because

0:23:43.680 --> 0:23:47.040
<v Speaker 1>I think she was ashamed to be like this kind

0:23:47.080 --> 0:23:50.800
<v Speaker 1>of ravishing game. You know kind of character, or maybe

0:23:50.840 --> 0:23:52.240
<v Speaker 1>she just wanted you to think she got the lead

0:23:52.280 --> 0:23:55.080
<v Speaker 1>because well, well know, I mean the other thing is

0:23:55.119 --> 0:23:57.720
<v Speaker 1>my mom. But Anita is the better role my mom.

0:23:58.000 --> 0:24:01.000
<v Speaker 1>Anita has the best song. I agree with you, however, America,

0:24:01.160 --> 0:24:03.479
<v Speaker 1>my mom, this is honestly reintroducing my mother and as

0:24:03.520 --> 0:24:05.880
<v Speaker 1>a character, and on this podcast, my mom was ashamed

0:24:05.920 --> 0:24:09.399
<v Speaker 1>of what was a stereotypical kind of like feisty, sexy

0:24:09.960 --> 0:24:12.280
<v Speaker 1>Regan woman and Anita in the o G. Not so

0:24:12.359 --> 0:24:14.399
<v Speaker 1>much in the new adaptation. But in the O G

0:24:14.560 --> 0:24:16.679
<v Speaker 1>she's supposed to be kind of like a almost like

0:24:16.680 --> 0:24:19.119
<v Speaker 1>a bimbo. She's supposed to be very you know, so

0:24:19.640 --> 0:24:22.280
<v Speaker 1>like kind of saucy. Um. I don't know. I think

0:24:22.320 --> 0:24:26.760
<v Speaker 1>the way that she's written is pretty like Anita gets

0:24:27.160 --> 0:24:29.760
<v Speaker 1>Anita knows what's up. She's the one who like clocks

0:24:29.880 --> 0:24:35.320
<v Speaker 1>Maria instantly rum. Well, anyways, my mom was also the

0:24:35.400 --> 0:24:39.040
<v Speaker 1>lead in her high school rendition of uh Greece, and

0:24:39.119 --> 0:24:41.840
<v Speaker 1>she was Rizzo, but she told all of us that

0:24:41.920 --> 0:24:45.119
<v Speaker 1>she was Sandy, who also is a slut at the end.

0:24:45.200 --> 0:24:47.480
<v Speaker 1>But my mom literally, okay, I think this is your

0:24:47.520 --> 0:24:50.480
<v Speaker 1>mom wanting to rewrite history and saying she got the

0:24:50.520 --> 0:24:53.800
<v Speaker 1>later role. It's not about being the lead, it's about

0:24:53.960 --> 0:24:58.359
<v Speaker 1>being embarrassed that she was cast as a slut. But again,

0:24:58.480 --> 0:25:02.600
<v Speaker 1>also in Greece, Rizzo is the best character. Again has

0:25:02.680 --> 0:25:05.240
<v Speaker 1>the best song. It has nothing. It has everything to

0:25:05.280 --> 0:25:07.480
<v Speaker 1>do with my mom's shame and therefore our shame. But

0:25:07.480 --> 0:25:09.720
<v Speaker 1>my mom didn't tell us until I was like a

0:25:09.880 --> 0:25:14.240
<v Speaker 1>late teenager. Does Vanessa Hudgens energy because Vanessa Hudgens famously

0:25:14.280 --> 0:25:17.920
<v Speaker 1>played Rizzo in Grease Live? Oh right? Did she actually ever?

0:25:18.040 --> 0:25:21.920
<v Speaker 1>Did Grease Life? Actually go? Grease Life was actually very good?

0:25:22.160 --> 0:25:24.840
<v Speaker 1>Was it the best of the I think it's the

0:25:24.840 --> 0:25:28.440
<v Speaker 1>best of the live musicals that I've seen. And she

0:25:29.200 --> 0:25:34.680
<v Speaker 1>Vanessa Hudgens famously, um did it the day after her

0:25:35.240 --> 0:25:38.960
<v Speaker 1>dad died. Oh my god, No, her dad died that day.

0:25:39.560 --> 0:25:42.320
<v Speaker 1>She still went on well, as Vanessa Hudgens did one

0:25:42.359 --> 0:25:49.280
<v Speaker 1>say people are gonna die. So I actually did love

0:25:50.119 --> 0:25:53.800
<v Speaker 1>the new version, the Disney version, which I didn't even

0:25:53.840 --> 0:25:57.159
<v Speaker 1>know it. Okay, what did you love there? Um? They

0:25:57.200 --> 0:26:02.160
<v Speaker 1>were just multiple moments where the cinema combined with like

0:26:02.320 --> 0:26:05.800
<v Speaker 1>the performances and hearing the music for the first time

0:26:06.400 --> 0:26:09.800
<v Speaker 1>in that capacity, like hearing it all together, which I

0:26:09.840 --> 0:26:13.000
<v Speaker 1>had never experienced before. I think was just there were

0:26:13.000 --> 0:26:16.359
<v Speaker 1>moments that just left me literally breathless. Like I thought

0:26:16.400 --> 0:26:20.160
<v Speaker 1>that so many elements of like the songs and how

0:26:20.280 --> 0:26:24.399
<v Speaker 1>these characters like came together were really beautiful. I thought

0:26:24.480 --> 0:26:29.200
<v Speaker 1>that kind of the attention to try and update some

0:26:29.440 --> 0:26:32.840
<v Speaker 1>of West Side story and inject like a little more

0:26:32.920 --> 0:26:37.040
<v Speaker 1>quote unquote authenticity into the narrative. I despite critics, I

0:26:37.080 --> 0:26:39.879
<v Speaker 1>actually felt like a lot of those moments were successful.

0:26:40.320 --> 0:26:43.119
<v Speaker 1>Do I think that the show is an overall authentic

0:26:43.200 --> 0:26:46.240
<v Speaker 1>portrayal of Puerto Rican's No, not at all, um, But

0:26:46.359 --> 0:26:49.160
<v Speaker 1>I do think the things that they tried to improve,

0:26:50.080 --> 0:26:53.240
<v Speaker 1>um were like pretty good. Did you notice any of

0:26:53.280 --> 0:26:55.159
<v Speaker 1>the things that they like tried to update by chance?

0:26:55.440 --> 0:26:58.440
<v Speaker 1>I think I was mostly focused on the ways they

0:26:58.520 --> 0:27:01.720
<v Speaker 1>tried to my den eyes it in terms of the

0:27:01.880 --> 0:27:05.840
<v Speaker 1>romance of it, which, well you know that. I think

0:27:05.840 --> 0:27:12.040
<v Speaker 1>they try to make the case for why Tony and

0:27:12.080 --> 0:27:15.080
<v Speaker 1>Maria like are so in love, That's why they have

0:27:15.240 --> 0:27:19.160
<v Speaker 1>them go on that date to the Cloisters. But it's like,

0:27:20.200 --> 0:27:23.160
<v Speaker 1>I don't know. I saw this movie on Christmas with

0:27:23.280 --> 0:27:25.840
<v Speaker 1>my best friend Ryan, and he made this point, which

0:27:25.880 --> 0:27:29.359
<v Speaker 1>is that the melodrama of West Side Story and like

0:27:29.440 --> 0:27:35.359
<v Speaker 1>the Shakespearean aspect of it is what lets you excuse

0:27:35.440 --> 0:27:39.080
<v Speaker 1>the fact that the day after Maria meets this boy,

0:27:39.600 --> 0:27:42.719
<v Speaker 1>she fux him after he kills her brother. And like,

0:27:43.240 --> 0:27:46.879
<v Speaker 1>it's only through like the grandiosity and like suspension of

0:27:46.960 --> 0:27:51.439
<v Speaker 1>disbelief that you allow yourself to be okay with that

0:27:51.840 --> 0:27:54.880
<v Speaker 1>as an audience member. And in this movie, with them

0:27:54.920 --> 0:27:58.880
<v Speaker 1>trying to make it more realistic, it's harder to sell

0:27:59.000 --> 0:28:03.679
<v Speaker 1>that be because it it is attempting to be more grounded.

0:28:04.359 --> 0:28:07.280
<v Speaker 1>And because of that, I'm like, why did she just

0:28:07.359 --> 0:28:10.560
<v Speaker 1>fuck him after he told her he killed her brother? Yeah,

0:28:10.600 --> 0:28:13.480
<v Speaker 1>there's just no real way to like, honestly, this is

0:28:13.520 --> 0:28:16.159
<v Speaker 1>we're giving notes to Shakespeare at this point. Let me like,

0:28:16.200 --> 0:28:19.280
<v Speaker 1>I feel, I think this isn't no because Shakespeare isn't

0:28:19.400 --> 0:28:23.600
<v Speaker 1>right because you believe it in Shakespeare, but in this

0:28:23.680 --> 0:28:27.639
<v Speaker 1>movie that's trying to be realistic, I don't believe it.

0:28:27.680 --> 0:28:30.040
<v Speaker 1>I also just like didn't I didn't think they had

0:28:30.080 --> 0:28:33.359
<v Speaker 1>good chemistry. I didn't believe their love story. I okay,

0:28:33.400 --> 0:28:37.479
<v Speaker 1>a few things here I didn't so original. Shakespeare doesn't

0:28:37.520 --> 0:28:39.960
<v Speaker 1>sell me on that that romance. So that's where I'm

0:28:40.000 --> 0:28:42.640
<v Speaker 1>coming from. I I do love like we'll get into

0:28:42.680 --> 0:28:45.040
<v Speaker 1>like other adaptations Romeo plus Julie, et cetera. I think

0:28:45.080 --> 0:28:47.920
<v Speaker 1>that there are versions of Romeo and Juliet that like,

0:28:48.040 --> 0:28:50.680
<v Speaker 1>I love. However, I do think that it's it's a

0:28:50.720 --> 0:28:54.760
<v Speaker 1>really tough source material to modernize in terms of like

0:28:54.880 --> 0:29:00.120
<v Speaker 1>emotional honesty, like emotional coherency, to to pull off just

0:29:00.240 --> 0:29:02.440
<v Speaker 1>as you said, I fucked this guy that killed my

0:29:02.480 --> 0:29:04.640
<v Speaker 1>brother one day ago, you know what I mean, and

0:29:04.680 --> 0:29:07.880
<v Speaker 1>that now we're married. It's a lot, and I honestly

0:29:07.920 --> 0:29:10.200
<v Speaker 1>feel like so I watched it with our friend, Justin,

0:29:10.280 --> 0:29:14.600
<v Speaker 1>my one of my best friends, and he was a true, true,

0:29:14.680 --> 0:29:19.040
<v Speaker 1>true version. I at least had like some context of

0:29:19.040 --> 0:29:21.800
<v Speaker 1>the of the show. Justin knew nothing about West Side story,

0:29:22.080 --> 0:29:25.000
<v Speaker 1>and so the gymnasium scene, like the school dance, which

0:29:25.040 --> 0:29:28.000
<v Speaker 1>I think is actually the best scene in the new remake,

0:29:28.760 --> 0:29:31.920
<v Speaker 1>the second Maria and Tony like start to fall in love,

0:29:32.400 --> 0:29:36.920
<v Speaker 1>Justin turns to me and he's like no, he like

0:29:37.200 --> 0:29:41.680
<v Speaker 1>had no idea, and he was like, wait, this is bad,

0:29:41.960 --> 0:29:44.520
<v Speaker 1>like and I was like, yeah, dog, Like that's the

0:29:44.600 --> 0:29:47.880
<v Speaker 1>CONCEI of the whole dog. Yeah, I said, yeah, dog,

0:29:48.400 --> 0:29:50.800
<v Speaker 1>that's like the consie of the whole thing. It was

0:29:51.440 --> 0:29:55.680
<v Speaker 1>so watching him digest it was really entertaining. And when

0:29:55.680 --> 0:29:58.640
<v Speaker 1>we left the theater, the first thing he said was,

0:29:59.320 --> 0:30:02.719
<v Speaker 1>it's kind of crazy that he killed her brother and

0:30:02.760 --> 0:30:04.560
<v Speaker 1>she still wanted to be with him in the end.

0:30:04.560 --> 0:30:06.880
<v Speaker 1>And I was like, oh, yeah, I think that's, you know,

0:30:06.920 --> 0:30:09.280
<v Speaker 1>an issue with the Shakespeare. And he goes, what do

0:30:09.320 --> 0:30:12.200
<v Speaker 1>you mean, and I was like, oh, it's an adaptation

0:30:12.640 --> 0:30:15.680
<v Speaker 1>of Romeo and Juliet. And so I felt like that

0:30:15.760 --> 0:30:19.480
<v Speaker 1>was a testament actually to what what's really difficult to

0:30:19.480 --> 0:30:21.880
<v Speaker 1>pull off, which is that if for some reason someone

0:30:21.920 --> 0:30:24.000
<v Speaker 1>going into it doesn't know that it's an adaptation of Shakespeare,

0:30:24.000 --> 0:30:27.120
<v Speaker 1>which I think Justin is a very rare case of that,

0:30:27.800 --> 0:30:30.400
<v Speaker 1>it is actually really confusing to watch. Don't you think

0:30:30.440 --> 0:30:32.880
<v Speaker 1>like if you were watching without knowing that, I think

0:30:32.920 --> 0:30:37.360
<v Speaker 1>so because you I think if you went in totally blind,

0:30:37.880 --> 0:30:43.120
<v Speaker 1>you would not understand a single choice that's being made exactly. Okay,

0:30:43.120 --> 0:30:45.360
<v Speaker 1>there are things I did like about it. Okay, so

0:30:45.400 --> 0:30:51.040
<v Speaker 1>what it looked nice? I guess, um, you're like muscling

0:30:51.080 --> 0:30:54.000
<v Speaker 1>through giving trying to give Tony Kushner a compliment. Arianna

0:30:54.080 --> 0:31:00.080
<v Speaker 1>Debos was amazing. She is incredible, and I thought she

0:31:01.400 --> 0:31:05.440
<v Speaker 1>brought life to this character. And Anita is my favorite

0:31:05.480 --> 0:31:09.480
<v Speaker 1>character in the West Side Story and has America was

0:31:09.520 --> 0:31:13.000
<v Speaker 1>always my favorite number from the show growing up, and

0:31:13.040 --> 0:31:17.560
<v Speaker 1>I thought that was done so well. Um. I thought

0:31:17.640 --> 0:31:20.200
<v Speaker 1>Rachel Ziegler was good. She's you know, has a very

0:31:20.320 --> 0:31:22.960
<v Speaker 1>pretty voice. I thought the show in general was kind

0:31:22.960 --> 0:31:26.560
<v Speaker 1>of perfectly near perfectly cast. I think some people are

0:31:26.600 --> 0:31:29.600
<v Speaker 1>mad that, like, it wasn't all Puerto Ricans, like Rachel

0:31:29.640 --> 0:31:32.760
<v Speaker 1>Ziegler's Colombian. Not everyone in the cast was perto Rican,

0:31:32.840 --> 0:31:37.200
<v Speaker 1>but like, I felt like everyone's great. Even Bernardo was great. Um,

0:31:37.360 --> 0:31:40.040
<v Speaker 1>the guy who's the other, the leader of the jets,

0:31:40.840 --> 0:31:43.160
<v Speaker 1>he and I mean he and Bernardo should have kissed.

0:31:43.200 --> 0:31:47.000
<v Speaker 1>They should have. The vibe was there. Oh and Rita moreno,

0:31:47.120 --> 0:31:50.360
<v Speaker 1>Oh my god. Basically Rita gave me the hardest cries

0:31:50.440 --> 0:31:52.640
<v Speaker 1>I felt throughout the real I did not. Okay, here's

0:31:52.680 --> 0:31:55.920
<v Speaker 1>the thing. I did not feel one single emotion throughout

0:31:55.920 --> 0:31:59.960
<v Speaker 1>the entire thing. Didn't cry. It didn't it was nice.

0:32:00.520 --> 0:32:04.480
<v Speaker 1>It did not move me. And West Side Story should

0:32:04.560 --> 0:32:07.960
<v Speaker 1>move you, Yeah, it should. I felt nothing. I had

0:32:08.000 --> 0:32:11.520
<v Speaker 1>to pee. That was all I felt. Really, my emotional

0:32:11.600 --> 0:32:15.920
<v Speaker 1>response to it was like I think, in large part

0:32:15.960 --> 0:32:18.320
<v Speaker 1>because I had never seen it before. When I left

0:32:18.360 --> 0:32:22.560
<v Speaker 1>the theater, that's when I started to digest more and

0:32:22.600 --> 0:32:27.000
<v Speaker 1>more what I watched and feel like less enthusiastic about

0:32:27.000 --> 0:32:29.440
<v Speaker 1>it as just like a cultural object. Like I I

0:32:29.560 --> 0:32:30.760
<v Speaker 1>there are a lot of things that I didn't like,

0:32:30.960 --> 0:32:33.120
<v Speaker 1>but I think it starts with like the things that

0:32:33.160 --> 0:32:36.880
<v Speaker 1>they tried to fix, which I think our valiant efforts

0:32:37.040 --> 0:32:41.440
<v Speaker 1>still didn't really sail for me, Like like the this

0:32:41.680 --> 0:32:44.680
<v Speaker 1>Tony coming back to his best friend Riff and like

0:32:44.800 --> 0:32:47.120
<v Speaker 1>Rita Mano's like I guess, like his like kind of

0:32:47.160 --> 0:32:51.600
<v Speaker 1>mentor whatever. There's this like thin critique of the Carcelral

0:32:51.680 --> 0:32:55.240
<v Speaker 1>system going on like that Tony's like back from jail

0:32:55.880 --> 0:32:57.600
<v Speaker 1>and he doesn't want to go, you know, back into

0:32:57.600 --> 0:33:00.280
<v Speaker 1>the doghouse. So what was a good number was Officer

0:33:00.320 --> 0:33:05.200
<v Speaker 1>crub Key? So you liked all of Officer crub Key? Yeah,

0:33:05.360 --> 0:33:08.920
<v Speaker 1>I liked the group numbers. I did think the choreography

0:33:08.960 --> 0:33:11.440
<v Speaker 1>could have been better. I agree. I I don't think

0:33:11.480 --> 0:33:13.880
<v Speaker 1>they wanted to like dress up you know, Jerome Robbins

0:33:13.920 --> 0:33:15.760
<v Speaker 1>too much. Like I feel like they just wanted to,

0:33:16.520 --> 0:33:18.440
<v Speaker 1>you know, keep it to what it was supposed to be.

0:33:18.480 --> 0:33:20.520
<v Speaker 1>But I agree with you. I felt like to me

0:33:20.560 --> 0:33:24.200
<v Speaker 1>the gymnasium scene was a lot, but Officer crup Key specifically,

0:33:24.640 --> 0:33:27.080
<v Speaker 1>which had high involvement of the new edition of this

0:33:27.200 --> 0:33:30.280
<v Speaker 1>trans character, which we should talk about, I thought, was

0:33:30.320 --> 0:33:32.680
<v Speaker 1>like kind of fine. It's interesting to me that, like

0:33:32.960 --> 0:33:36.080
<v Speaker 1>in the original, Officer crub Key is kind of this, like,

0:33:36.320 --> 0:33:39.120
<v Speaker 1>what's what's so funny? I'm just thinking about the trans

0:33:39.200 --> 0:33:42.080
<v Speaker 1>thing now, It's just so funny. Why is it funny

0:33:42.120 --> 0:33:44.520
<v Speaker 1>to you? I just like I had no idea that

0:33:44.640 --> 0:33:48.440
<v Speaker 1>was a thing going into it and didn't know. And

0:33:48.480 --> 0:33:51.360
<v Speaker 1>I'm shocked like that I wasn't more aware of it,

0:33:51.400 --> 0:33:53.960
<v Speaker 1>that it wasn't like a conversation, and that there wasn't

0:33:54.000 --> 0:33:57.680
<v Speaker 1>like someone on Twitter like not my West Side Story

0:33:57.920 --> 0:34:00.920
<v Speaker 1>or whatever. But I think that's kind of a testament

0:34:00.960 --> 0:34:04.000
<v Speaker 1>to how benign it really was, Like it really is

0:34:04.240 --> 0:34:08.440
<v Speaker 1>like I think I would. It feels like lip service,

0:34:08.480 --> 0:34:10.000
<v Speaker 1>and I feel a type of way way of it

0:34:10.080 --> 0:34:13.040
<v Speaker 1>because there were so many articles and so many press

0:34:13.080 --> 0:34:15.680
<v Speaker 1>releases about the new edition of the trans character the

0:34:15.719 --> 0:34:18.640
<v Speaker 1>West Side Story, and like all these I didn't sa.

0:34:18.920 --> 0:34:21.040
<v Speaker 1>That makes me feel really happy about the state but

0:34:21.160 --> 0:34:23.839
<v Speaker 1>my algorithm is in that it knows I don't want

0:34:23.920 --> 0:34:26.120
<v Speaker 1>no discourse. But for those of you that don't know,

0:34:26.200 --> 0:34:28.200
<v Speaker 1>there's a character in the O G. West Side Story

0:34:28.239 --> 0:34:30.200
<v Speaker 1>called anybody so who. I don't think that. I don't

0:34:30.200 --> 0:34:34.360
<v Speaker 1>think their name is ever even mentioned in the original.

0:34:34.480 --> 0:34:37.840
<v Speaker 1>But anyways, it's this girl quote unquote in the original

0:34:37.920 --> 0:34:40.120
<v Speaker 1>that wants to be a part of the boy gang.

0:34:40.800 --> 0:34:43.480
<v Speaker 1>And in the new version they basically make him a

0:34:43.520 --> 0:34:46.239
<v Speaker 1>trans guy who is trying to affirm his gender by

0:34:46.239 --> 0:34:49.520
<v Speaker 1>being a part of this gang um. But in Officer

0:34:49.640 --> 0:34:52.560
<v Speaker 1>cub Keys specifically, he kind of like, you know, plays

0:34:52.560 --> 0:34:55.080
<v Speaker 1>around with the guys at a moment where someone like

0:34:55.440 --> 0:34:58.600
<v Speaker 1>he's trying to correct someone like basically calling him a girl.

0:34:59.560 --> 0:35:02.239
<v Speaker 1>And I was like, this is all very interesting, And

0:35:02.280 --> 0:35:05.640
<v Speaker 1>then they sing Officer krub Key and still included. Even

0:35:05.640 --> 0:35:09.279
<v Speaker 1>though a lot of lyrics were edited in the adaptation,

0:35:09.640 --> 0:35:12.840
<v Speaker 1>but they didn't take out the transphobic lyric in this song.

0:35:12.920 --> 0:35:16.359
<v Speaker 1>Did you notice that there's a transphobic lyric where they

0:35:16.400 --> 0:35:20.120
<v Speaker 1>say my sister wears a mustache, my brother wears a dress,

0:35:20.440 --> 0:35:22.640
<v Speaker 1>and how it's like a big it's like a the

0:35:22.680 --> 0:35:25.000
<v Speaker 1>reason their family is sucked up and they're all sucked up.

0:35:25.239 --> 0:35:28.120
<v Speaker 1>And I was like, the trans person is literally in

0:35:28.239 --> 0:35:31.839
<v Speaker 1>this scene. And you had the foresight to edit these

0:35:31.880 --> 0:35:35.120
<v Speaker 1>other problematic like lyrics, but not this one. Where did

0:35:35.200 --> 0:35:39.560
<v Speaker 1>the trans character come from? Like was Stephen Sondheim like

0:35:39.760 --> 0:35:43.240
<v Speaker 1>we have to make this character trans? Or was someone

0:35:43.560 --> 0:35:45.520
<v Speaker 1>like we have to put a trans character and that

0:35:45.760 --> 0:35:50.319
<v Speaker 1>was Tony Kushner. I think Stephen, Stephen Sondheim and Tony

0:35:50.360 --> 0:35:52.960
<v Speaker 1>Kushner were on one because they swooped in and they

0:35:52.960 --> 0:35:57.399
<v Speaker 1>were like, whoa, this is already extremely problematic, but it's

0:35:57.440 --> 0:36:00.319
<v Speaker 1>like totally our dream to make this musical, so let's

0:36:00.360 --> 0:36:02.719
<v Speaker 1>do it and like the wokest way possible. That's kind

0:36:02.719 --> 0:36:04.880
<v Speaker 1>of what it felt like. And I think the trans

0:36:05.000 --> 0:36:07.799
<v Speaker 1>character is a is a Kushner edition it was. I

0:36:08.040 --> 0:36:12.000
<v Speaker 1>wanted to nuance it. I do think like it. They

0:36:12.320 --> 0:36:21.799
<v Speaker 1>took Jade as as woke like applied momentum. Hey, it's

0:36:21.840 --> 0:36:25.560
<v Speaker 1>but I don't think the trans character was actually like unearned,

0:36:25.640 --> 0:36:29.200
<v Speaker 1>like if you look at the source material. I didn't

0:36:29.200 --> 0:36:32.759
<v Speaker 1>mind it. Yeah, it was just a weird choice. Yeah,

0:36:32.880 --> 0:36:34.879
<v Speaker 1>but there are other things. It's like, you know, there's

0:36:34.880 --> 0:36:38.520
<v Speaker 1>a moment where all of the sharks sing the version

0:36:38.560 --> 0:36:41.640
<v Speaker 1>of like the Puerto Rican anthem that's like the revolutionary version.

0:36:41.920 --> 0:36:44.839
<v Speaker 1>It's like the pre kind of updated version where they

0:36:44.840 --> 0:36:46.880
<v Speaker 1>talk about like taking out their machetes and how they

0:36:46.880 --> 0:36:50.279
<v Speaker 1>want it's about like overthrowing the government kind of. And

0:36:50.320 --> 0:36:52.359
<v Speaker 1>so the fact that they inserted that was like a

0:36:52.360 --> 0:36:55.640
<v Speaker 1>pretty big like wink, Like they hired a lot They

0:36:55.640 --> 0:36:57.800
<v Speaker 1>obviously hired like a lot of consultants of this project.

0:36:57.880 --> 0:36:59.840
<v Speaker 1>Rita Moreno was also an EP, and I think that

0:37:01.040 --> 0:37:07.960
<v Speaker 1>given her history, like she's so consistently vocal about things

0:37:08.000 --> 0:37:11.279
<v Speaker 1>that bothered her about West Side Story in general, that

0:37:11.440 --> 0:37:14.840
<v Speaker 1>I am sure that she probably had heavy insight and

0:37:15.000 --> 0:37:18.640
<v Speaker 1>how the adaptation was created. I liked that they what

0:37:18.680 --> 0:37:22.200
<v Speaker 1>they did with Doc as a character, making it Rita

0:37:22.520 --> 0:37:26.880
<v Speaker 1>having her sing somewhere um and like her being the

0:37:26.920 --> 0:37:31.480
<v Speaker 1>one that like rescues Anita from her assault, which is,

0:37:32.000 --> 0:37:35.680
<v Speaker 1>you know, a tough scene to watch. But again, Ariana

0:37:35.760 --> 0:37:39.839
<v Speaker 1>Debo is like so good. I'm I'm just like so

0:37:39.880 --> 0:37:42.640
<v Speaker 1>excited for her in her career and like she had

0:37:42.680 --> 0:37:45.600
<v Speaker 1>such a great year last year between this and Shmia

0:37:45.680 --> 0:37:48.960
<v Speaker 1>dude for the Okay, So for the virgins that don't

0:37:49.080 --> 0:37:52.840
<v Speaker 1>know the Doc character in West side story is basically

0:37:52.920 --> 0:37:57.200
<v Speaker 1>like the apothecary guy in Romeo and Juliet who bestows

0:37:57.880 --> 0:38:02.919
<v Speaker 1>the poison to both of them question Mark, and they're like, hey, here, here, here,

0:38:02.960 --> 0:38:05.480
<v Speaker 1>teens have this like elixir so you can have your

0:38:05.480 --> 0:38:08.200
<v Speaker 1>suicide pack. Like this is gonna be Like that's literally

0:38:08.239 --> 0:38:10.680
<v Speaker 1>his whole role. So I guess in the updated version

0:38:10.760 --> 0:38:13.920
<v Speaker 1>is just like you know, a quack doctor just given

0:38:13.960 --> 0:38:18.000
<v Speaker 1>out prescriptions. Um, well not actually, but it should have.

0:38:18.080 --> 0:38:20.160
<v Speaker 1>Maybe that to me is like what you said earlier

0:38:20.200 --> 0:38:22.720
<v Speaker 1>about how they didn't take it fair enough. I totally agree.

0:38:22.760 --> 0:38:25.799
<v Speaker 1>Like I feel like if they're gonna do it like

0:38:25.920 --> 0:38:28.480
<v Speaker 1>it should be or could have been, like much more

0:38:28.600 --> 0:38:32.720
<v Speaker 1>radically reimagined, like almost the way that Romeo plus Juliet

0:38:32.800 --> 0:38:35.720
<v Speaker 1>did it, which is one of your favorite movies. Oh absolutely.

0:38:35.840 --> 0:38:39.879
<v Speaker 1>I I love Shakespeare, let's get that out of the way.

0:38:39.960 --> 0:38:45.000
<v Speaker 1>I'm a Shakespeare girl. When I was in fifth grade,

0:38:45.520 --> 0:38:48.360
<v Speaker 1>I found the complete works of William Shakespeare on my

0:38:48.400 --> 0:38:53.080
<v Speaker 1>dad's bookcase and just like, read it, read the whole thing,

0:38:53.440 --> 0:38:57.640
<v Speaker 1>nerd um. And I have loved Shakespeare ever since. And

0:38:57.800 --> 0:39:01.919
<v Speaker 1>like that came out like around that age, and I've

0:39:01.960 --> 0:39:05.359
<v Speaker 1>always been obsessed with Shakespeare. Juliette is my middle name

0:39:05.440 --> 0:39:09.040
<v Speaker 1>that I did pick for myself, which is beautiful. Yeah

0:39:09.120 --> 0:39:13.400
<v Speaker 1>it's a little corny, but whatever. Um yeah, I love

0:39:14.040 --> 0:39:18.000
<v Speaker 1>love Shakespeare. What's your favorite Shakespeare it is? I think

0:39:18.040 --> 0:39:20.200
<v Speaker 1>we have this same one. I think it's I think

0:39:20.200 --> 0:39:25.720
<v Speaker 1>it's Midsummer, followed closely maybe by Winter's Tale minus, followed

0:39:25.760 --> 0:39:29.080
<v Speaker 1>closely by The Tempest, Love the Tempest. I think The

0:39:29.120 --> 0:39:32.640
<v Speaker 1>Timis is a little boring. I think it's like his

0:39:32.880 --> 0:39:36.839
<v Speaker 1>weirdest play, which is why I really like it, and

0:39:37.040 --> 0:39:40.319
<v Speaker 1>his last play, which is also a reason that I

0:39:40.360 --> 0:39:50.759
<v Speaker 1>love it. Shakespeare works in multiple genres. It's like romance, comedies, tragedy, comedies, tragedies, histories, comedies, histories, tragedies,

0:39:50.800 --> 0:39:54.120
<v Speaker 1>and problem place. The ones that he like didn't finish,

0:39:54.200 --> 0:39:57.319
<v Speaker 1>I guess. And also they don't fit into or the

0:39:57.400 --> 0:40:00.359
<v Speaker 1>whoever Shakespeare was although you know, because they're all those

0:40:00.400 --> 0:40:04.000
<v Speaker 1>theories about like was Shakespeare real? Like was it written

0:40:04.000 --> 0:40:07.840
<v Speaker 1>by a woman? Are there many Shakespeare's? Shakespeare in Love?

0:40:08.640 --> 0:40:11.720
<v Speaker 1>Um right, I do love Shakespeare and love I watched

0:40:11.760 --> 0:40:14.320
<v Speaker 1>it kind of recently. I haven't watched an ages. I

0:40:14.320 --> 0:40:17.440
<v Speaker 1>would love to watch it for goop and goop alone.

0:40:18.320 --> 0:40:20.919
<v Speaker 1>That's how you called Gne. You call her she goes

0:40:20.960 --> 0:40:24.120
<v Speaker 1>by group. She's good in it. It's just like she

0:40:24.160 --> 0:40:27.319
<v Speaker 1>should not have won an Oscar for it. She won

0:40:27.360 --> 0:40:29.960
<v Speaker 1>an Oscar one Best Actress. That must have been a

0:40:30.200 --> 0:40:34.239
<v Speaker 1>slow year. No, it was because Harvey Weinstein campaigns really

0:40:34.239 --> 0:40:38.640
<v Speaker 1>hard for it. That makes sense, though, I mean corruption

0:40:38.640 --> 0:40:42.160
<v Speaker 1>will always win. Um, what okay, So what's your favorite

0:40:42.400 --> 0:40:47.360
<v Speaker 1>Shakespeare adaptation? I mean I think it's the same as you.

0:40:47.480 --> 0:40:50.799
<v Speaker 1>I think it's it's Romeo plus Juliet or She's the Man.

0:40:50.880 --> 0:40:53.919
<v Speaker 1>I was just about to say fallow Gloves. Yeah, yeah,

0:40:53.960 --> 0:40:56.719
<v Speaker 1>She's the Man, I think, which is an adaptation of

0:40:56.760 --> 0:41:02.360
<v Speaker 1>twelfth Night. Yes, famously. Um, I mean Shakespeare, like Shakespeare

0:41:02.400 --> 0:41:08.160
<v Speaker 1>is so gay. There's always cross dressing. There's the implicit

0:41:08.200 --> 0:41:13.360
<v Speaker 1>gayness of the cross dressing on stage. Because if I

0:41:13.400 --> 0:41:16.520
<v Speaker 1>don't know, if you if you skipped history, Um, at

0:41:16.560 --> 0:41:19.920
<v Speaker 1>the time that shakespeare plays were you know, being produced

0:41:19.960 --> 0:41:23.560
<v Speaker 1>while he was alive, women were not allowed to be

0:41:23.719 --> 0:41:27.080
<v Speaker 1>in the theata. That's why the women were played by men.

0:41:27.560 --> 0:41:30.360
<v Speaker 1>Shakespeare is very gay. Well, that's why Shakespeare wrote it.

0:41:30.360 --> 0:41:32.839
<v Speaker 1>It's like he was trying to fulfill his like you know,

0:41:32.960 --> 0:41:35.799
<v Speaker 1>fantasy of like men kissing by have these men play

0:41:35.840 --> 0:41:39.719
<v Speaker 1>women on stage. He's basically like a medieval version of

0:41:39.800 --> 0:41:42.880
<v Speaker 1>when you make your two tender kiss. Yeah, yeah, you

0:41:42.880 --> 0:41:45.720
<v Speaker 1>know what I mean. Do you like McBeth? Have you watched?

0:41:45.840 --> 0:41:49.120
<v Speaker 1>Are you? Do you plan to watch the Tragedy of Macbeth? Um?

0:41:49.160 --> 0:41:52.640
<v Speaker 1>Probably not, because they use the O G dialogue, right.

0:41:53.040 --> 0:41:55.440
<v Speaker 1>I think that that I um a D H D

0:41:55.560 --> 0:41:59.040
<v Speaker 1>kid had a really hard time with the original dialogue.

0:41:59.080 --> 0:42:04.200
<v Speaker 1>I think with Romeo plus Juliet, it's all imagistic to me, Like,

0:42:04.280 --> 0:42:08.200
<v Speaker 1>I I retain like the world building that bas Lamon does,

0:42:08.280 --> 0:42:10.799
<v Speaker 1>but like not a lot of what they're saying. Oh.

0:42:10.840 --> 0:42:13.320
<v Speaker 1>But I think that's one of the things that works

0:42:13.400 --> 0:42:16.359
<v Speaker 1>so well about Boss Lerman's Romeo and Juliet is that

0:42:16.880 --> 0:42:23.160
<v Speaker 1>it's the juxtaposition of the Shakespearean language with the contemporary imagery.

0:42:23.200 --> 0:42:26.560
<v Speaker 1>And like what he did so well was make that

0:42:26.719 --> 0:42:30.400
<v Speaker 1>language feel authentic to the action that was happening, and

0:42:30.480 --> 0:42:34.680
<v Speaker 1>like it's not restrictive, it doesn't keep you from understanding

0:42:34.680 --> 0:42:37.759
<v Speaker 1>what's going on. And I think it's all it's like

0:42:37.800 --> 0:42:41.200
<v Speaker 1>in the direction, it's in the way it's performed. Really,

0:42:41.280 --> 0:42:44.680
<v Speaker 1>Shakespeare was like what made me fall in love with language.

0:42:44.760 --> 0:42:47.920
<v Speaker 1>Like in addition to his plays, I really loved his sonnets.

0:42:48.160 --> 0:42:49.600
<v Speaker 1>You know, I took a lot. I did a lot

0:42:49.600 --> 0:42:53.160
<v Speaker 1>of Shakespeare when I was like, you know, a theater kid.

0:42:53.320 --> 0:42:58.719
<v Speaker 1>Obviously gay sonnets. If I had stuck closer to theater

0:42:58.840 --> 0:43:03.120
<v Speaker 1>in college, I maybe to have like gone a Shakespearean root, oh,

0:43:03.719 --> 0:43:07.160
<v Speaker 1>like made it like a primary study. Yeah. Maybe I

0:43:07.200 --> 0:43:09.960
<v Speaker 1>took a lot of Shakespeare classes in college. Yeah, I

0:43:10.040 --> 0:43:12.560
<v Speaker 1>just I love the Bard and I say, I agree

0:43:12.600 --> 0:43:14.640
<v Speaker 1>with you on the bas Lerman movie. I think that

0:43:14.760 --> 0:43:18.759
<v Speaker 1>like that the way that they performances who work like

0:43:18.960 --> 0:43:21.920
<v Speaker 1>helps you understand the dialogue and are really beautiful. I

0:43:21.920 --> 0:43:24.200
<v Speaker 1>thought it was totally successful. It's definitely my favorite. And

0:43:24.200 --> 0:43:26.440
<v Speaker 1>that's seeing where they see where they see each other

0:43:26.480 --> 0:43:29.600
<v Speaker 1>for the first time, and um through the fish tank

0:43:29.880 --> 0:43:34.040
<v Speaker 1>is so perfect, and like Leo is so beautiful in it,

0:43:34.800 --> 0:43:37.680
<v Speaker 1>Claire Janes is so beautiful in it. They're both they

0:43:37.719 --> 0:43:41.440
<v Speaker 1>look they are the cutest lesbian couple ever. They really are. Oh,

0:43:41.600 --> 0:43:44.040
<v Speaker 1>speaking of back to She's the Man, did you know

0:43:44.400 --> 0:43:48.880
<v Speaker 1>that some of her best work it actually I'm not

0:43:49.160 --> 0:43:53.680
<v Speaker 1>you're saying it with yes, we are being I need

0:43:53.719 --> 0:43:56.960
<v Speaker 1>the Virgins to hear that we are actually being completely genuine.

0:43:56.960 --> 0:43:59.960
<v Speaker 1>That is a Manda Binds magnum opus, not just because

0:44:00.080 --> 0:44:04.120
<v Speaker 1>of her performance, because their performance What a Girl Wants

0:44:04.760 --> 0:44:10.359
<v Speaker 1>She's the Man. I used to watch What a Girl

0:44:10.400 --> 0:44:13.160
<v Speaker 1>Wants the TV show every day after school. I I

0:44:13.280 --> 0:44:16.080
<v Speaker 1>used to know, wait, do you mean the show that

0:44:16.120 --> 0:44:19.520
<v Speaker 1>she was in with? Oh? Right, it's about what I

0:44:19.560 --> 0:44:22.040
<v Speaker 1>like about you? What I like about about you. I

0:44:22.040 --> 0:44:24.719
<v Speaker 1>thought they were, for some reason the same story that

0:44:24.960 --> 0:44:27.880
<v Speaker 1>they spin off into a TV show. I have a

0:44:27.960 --> 0:44:30.080
<v Speaker 1>totally different things. Oh, I had no idea. I was

0:44:30.080 --> 0:44:32.640
<v Speaker 1>going to say, did you know that She's the Man

0:44:32.880 --> 0:44:36.520
<v Speaker 1>is the movie that Amanda Binds used to platform and

0:44:36.640 --> 0:44:41.120
<v Speaker 1>create Channing Tatum's career. Okay, so this is a really

0:44:41.160 --> 0:44:44.400
<v Speaker 1>good little tidbit. That's why we have Channing Tatum. Literally.

0:44:44.480 --> 0:44:47.880
<v Speaker 1>So Amanda Bindes talked about this in an interview. But

0:44:48.080 --> 0:44:50.200
<v Speaker 1>when she was working on She's the Man, she was

0:44:50.320 --> 0:44:53.040
<v Speaker 1>obviously like one of the most famous people on the planet.

0:44:53.160 --> 0:44:56.400
<v Speaker 1>She was like so prolific, she was making so many movies.

0:44:56.400 --> 0:44:59.520
<v Speaker 1>She was so beloved amongst generations that she had so

0:44:59.600 --> 0:45:02.160
<v Speaker 1>much hour when she was cast in this movie. The

0:45:02.320 --> 0:45:06.080
<v Speaker 1>romantically hadn't been cast. Yet at this point, Channing Tatum

0:45:06.120 --> 0:45:10.719
<v Speaker 1>has had a few cameos in like little movies. He

0:45:10.800 --> 0:45:13.440
<v Speaker 1>was on the famously the cover of Out magazine as

0:45:13.480 --> 0:45:15.759
<v Speaker 1>like a model wrestling one of these other fags that

0:45:15.880 --> 0:45:18.680
<v Speaker 1>have you seen that vintage Out magazine And so he's

0:45:19.040 --> 0:45:22.080
<v Speaker 1>literally pretty much undiscovered and they didn't want to cast

0:45:22.160 --> 0:45:25.560
<v Speaker 1>Channing Tatum and Amanda said no, no, no, they everyone's

0:45:25.560 --> 0:45:27.440
<v Speaker 1>going to fall in love with this guy, like trust me,

0:45:27.920 --> 0:45:30.560
<v Speaker 1>and they were issued at but she had so much

0:45:30.560 --> 0:45:31.840
<v Speaker 1>power at the time. They were like, we're going to

0:45:31.920 --> 0:45:33.960
<v Speaker 1>do what Amanda wants. We're gonna cast Channing Tana and

0:45:34.000 --> 0:45:36.479
<v Speaker 1>then his career was born. Another thing about Amana Biands

0:45:36.520 --> 0:45:39.440
<v Speaker 1>and She's the Man. So there's this TikToker Hello Taffy,

0:45:39.560 --> 0:45:42.120
<v Speaker 1>who does these really great series that are like deep

0:45:42.200 --> 0:45:45.680
<v Speaker 1>dives into pop culture. I would love to have her

0:45:45.719 --> 0:45:48.440
<v Speaker 1>on at some point. Um. And she did a series

0:45:48.480 --> 0:45:52.920
<v Speaker 1>on Amanda Binds recently and was talking about how Amanda

0:45:52.960 --> 0:45:58.399
<v Speaker 1>Byns was made incredibly dysphoric by watching She's the Man

0:45:59.040 --> 0:46:01.279
<v Speaker 1>and it would like kick started a lot of her

0:46:01.560 --> 0:46:05.680
<v Speaker 1>body image issues, like remember watching herself on screen as

0:46:05.719 --> 0:46:10.319
<v Speaker 1>a boy. Um, I'm just still actually really sad about

0:46:10.360 --> 0:46:30.120
<v Speaker 1>the unraveling of Amanda Bynes. Do you like this song?

0:46:30.160 --> 0:46:35.440
<v Speaker 1>I feel pretty okay. So this is a very contentious song.

0:46:35.600 --> 0:46:38.799
<v Speaker 1>And like the history and criticism of West Side Story?

0:46:38.840 --> 0:46:41.040
<v Speaker 1>Did you know that? I didn't? Okay, So this has

0:46:41.080 --> 0:46:43.439
<v Speaker 1>like a Sondheim connect But like, do you know how

0:46:43.480 --> 0:46:47.919
<v Speaker 1>they created West Side Story? Okay? So the four white

0:46:47.960 --> 0:46:51.320
<v Speaker 1>facts that created West Side Story Arthur Lawrence, Leonard Bernstein,

0:46:51.400 --> 0:46:55.960
<v Speaker 1>Jerome Robbins, and like Sondheim in his first ever project,

0:46:56.440 --> 0:46:58.400
<v Speaker 1>they all set out to write something that was about

0:46:58.680 --> 0:47:02.960
<v Speaker 1>Jewish discrimination. But they had been sorting through the story.

0:47:03.320 --> 0:47:05.160
<v Speaker 1>They're basically trying to break the story. They were like,

0:47:05.200 --> 0:47:08.160
<v Speaker 1>you know, a bunch of bros in like California trying

0:47:08.200 --> 0:47:12.040
<v Speaker 1>to like you know, make this musical happen. But they

0:47:12.080 --> 0:47:15.120
<v Speaker 1>couldn't crack what kind of the heart of the show

0:47:15.239 --> 0:47:20.320
<v Speaker 1>would be. And they pulled up like a completely random

0:47:20.520 --> 0:47:24.040
<v Speaker 1>newspaper article and like Los Angeles newspaper about a Latin

0:47:24.120 --> 0:47:26.640
<v Speaker 1>gang fight in San Bernardino that had happened like the

0:47:26.680 --> 0:47:30.480
<v Speaker 1>day before or whatever, and um, basically this is the

0:47:30.480 --> 0:47:33.919
<v Speaker 1>same time as Ration, which is like when all these

0:47:33.920 --> 0:47:36.480
<v Speaker 1>like Puerto Rican migrants, like hundreds of thousands and then

0:47:36.520 --> 0:47:40.400
<v Speaker 1>moved to America and primarily to New York, creating like

0:47:40.440 --> 0:47:43.719
<v Speaker 1>new Orrecans, and so there was like this public weariness

0:47:43.800 --> 0:47:46.560
<v Speaker 1>of like too many Puerto Ricans in America or whatever.

0:47:46.840 --> 0:47:49.239
<v Speaker 1>So all these stories about Latin gang fights were hitting

0:47:49.280 --> 0:47:53.759
<v Speaker 1>the newspapers, and these four guys found one of those

0:47:54.040 --> 0:47:56.960
<v Speaker 1>like newspaper articles, and they were like, wait, this like

0:47:57.320 --> 0:48:00.759
<v Speaker 1>Latin gang fight thing is like kind of the this

0:48:00.800 --> 0:48:03.000
<v Speaker 1>is kind of a story, Like this is a thing,

0:48:03.480 --> 0:48:07.560
<v Speaker 1>and like in like the kind of I guess biography

0:48:07.640 --> 0:48:10.640
<v Speaker 1>of Leonard Bernstein, they talked about how when they came

0:48:10.640 --> 0:48:14.080
<v Speaker 1>across this news article, they were like, oh, making it

0:48:14.120 --> 0:48:16.680
<v Speaker 1>about these teen gangs is going to make it much

0:48:16.719 --> 0:48:21.320
<v Speaker 1>more timely. And Leonard Bernstein literally said the whole Puerto

0:48:21.400 --> 0:48:25.759
<v Speaker 1>Rican thing had begun to explode, and like the biographer

0:48:25.800 --> 0:48:28.480
<v Speaker 1>even said like if they hadn't found this news article,

0:48:29.080 --> 0:48:31.720
<v Speaker 1>he doesn't think the musical ever would have been written,

0:48:31.880 --> 0:48:35.560
<v Speaker 1>which is crazy. So it says a lot to how

0:48:35.680 --> 0:48:38.560
<v Speaker 1>the show was concepted that a lot of the characters

0:48:38.840 --> 0:48:44.240
<v Speaker 1>sing in these very operatic, like kind of aristocratic ways,

0:48:44.800 --> 0:48:47.920
<v Speaker 1>and I Feel Pretty was specifically one of those songs

0:48:47.960 --> 0:48:49.920
<v Speaker 1>that people would take issue with because they were like,

0:48:50.600 --> 0:48:53.359
<v Speaker 1>these are a bunch of Puerto Rican women singing like

0:48:53.560 --> 0:48:56.920
<v Speaker 1>white women, and what is that? But I feel I

0:48:56.960 --> 0:48:58.880
<v Speaker 1>guess I always felt like that was kind of the

0:48:58.960 --> 0:49:02.920
<v Speaker 1>point of I feel pretty like it's it's like, um,

0:49:02.960 --> 0:49:05.640
<v Speaker 1>it's like a pantomime in a way, and I do

0:49:05.719 --> 0:49:09.160
<v Speaker 1>think like they that's kind of how they approached it

0:49:10.080 --> 0:49:13.440
<v Speaker 1>in the movie is like Maria there, you know, cleaning

0:49:13.440 --> 0:49:18.200
<v Speaker 1>this department store, and she's like fantasizing about this perfect

0:49:18.520 --> 0:49:22.520
<v Speaker 1>life that you know she doesn't have. Right. Well, that

0:49:22.600 --> 0:49:25.360
<v Speaker 1>was the fix that Kushner and Spielberg tried to wedge

0:49:25.360 --> 0:49:27.360
<v Speaker 1>in because in the original they're not in like the

0:49:27.400 --> 0:49:29.480
<v Speaker 1>Gimbals department store. I think they're like at home or

0:49:29.520 --> 0:49:33.880
<v Speaker 1>something like that. But Sondheim himself like is less proud

0:49:33.920 --> 0:49:37.320
<v Speaker 1>of that work he talks about and he specifically points

0:49:37.360 --> 0:49:40.200
<v Speaker 1>the fact he says, um, the play on words in

0:49:40.280 --> 0:49:44.399
<v Speaker 1>Pretty Wonderful Boy drew attention to the lyric writer more

0:49:44.440 --> 0:49:47.359
<v Speaker 1>than intow attention to the character. He said, I had

0:49:47.400 --> 0:49:50.000
<v Speaker 1>hoped no one would notice anything but the cleverness of it.

0:49:50.400 --> 0:49:54.719
<v Speaker 1>I was wrong. And in this interview he literally throws

0:49:54.800 --> 0:49:58.359
<v Speaker 1>his other like like colleagues under the bus Like he

0:49:58.400 --> 0:50:00.799
<v Speaker 1>basically says that like he he was too young, and

0:50:00.840 --> 0:50:04.480
<v Speaker 1>he wanted to fix the lyrics and wanted to authenticate

0:50:04.520 --> 0:50:06.759
<v Speaker 1>and make it more true to the characters, and that

0:50:07.120 --> 0:50:09.520
<v Speaker 1>his the other guys on the show were much more

0:50:09.560 --> 0:50:13.440
<v Speaker 1>senior than him, which makes sense. Like basically, like basically,

0:50:13.600 --> 0:50:16.480
<v Speaker 1>you know, Rue was like, which of these other girls

0:50:16.520 --> 0:50:19.200
<v Speaker 1>should go home tonight? And like Sonheim was like all

0:50:19.280 --> 0:50:22.000
<v Speaker 1>of them, like they suck and like they're the reason

0:50:22.040 --> 0:50:25.080
<v Speaker 1>that the musical is terrible. But to me, like this,

0:50:25.760 --> 0:50:29.480
<v Speaker 1>I never think of West Side Story as a Sondheim

0:50:29.800 --> 0:50:33.560
<v Speaker 1>musical because, like, you know, I think the works that

0:50:33.600 --> 0:50:36.319
<v Speaker 1>we really think of as Sondheim works are ones in which,

0:50:36.400 --> 0:50:40.000
<v Speaker 1>like he was totally in control during the music and lyrics.

0:50:40.640 --> 0:50:42.520
<v Speaker 1>But it's also such a testament to the fact that

0:50:42.560 --> 0:50:46.720
<v Speaker 1>he did have this incredibly long career and has truly

0:50:46.760 --> 0:50:52.080
<v Speaker 1>had a hand in shaping American musical theater exactly. And

0:50:52.120 --> 0:50:54.160
<v Speaker 1>I think that what he said about West Side Story

0:50:54.239 --> 0:50:57.960
<v Speaker 1>specifically is emblematic of the musicals he would go on

0:50:58.080 --> 0:51:03.280
<v Speaker 1>to create, which is characters that match the actual songs,

0:51:03.320 --> 0:51:06.840
<v Speaker 1>that match the actual lyrics, and all of that together

0:51:07.320 --> 0:51:13.239
<v Speaker 1>has a like a psychological honesty where in this is

0:51:13.280 --> 0:51:15.280
<v Speaker 1>like kind of I mean, you know more about musicals

0:51:15.280 --> 0:51:17.080
<v Speaker 1>than I do, but this is kind of the cusp

0:51:17.120 --> 0:51:19.839
<v Speaker 1>of whin Sonheim started to make more musicals like that

0:51:20.080 --> 0:51:22.839
<v Speaker 1>before that. It's like Rogerson, Hammerstein's, etcetera. Where it's like

0:51:23.600 --> 0:51:26.600
<v Speaker 1>we're cowboys and they're Indians and we're going to sing

0:51:26.600 --> 0:51:28.480
<v Speaker 1>a song about it and that and now we're in

0:51:28.520 --> 0:51:29.879
<v Speaker 1>love and that send do you know what I mean?

0:51:30.320 --> 0:51:36.480
<v Speaker 1>What's your favorite musical? Okay, come back to me, what's yours? Um?

0:51:36.760 --> 0:51:40.280
<v Speaker 1>Phantom of the Opera? Okay? Which is isn't it technically

0:51:40.280 --> 0:51:43.520
<v Speaker 1>an opera? I guess it's a music music, a musical opera.

0:51:43.680 --> 0:51:46.759
<v Speaker 1>It's a music. No, it's a musical okay because there's

0:51:47.280 --> 0:51:51.560
<v Speaker 1>dialogue and opera is has no dialogue. Oh right, yeah,

0:51:51.640 --> 0:51:54.960
<v Speaker 1>yeah yeah okay. Um. Wow, Phantom of the Opera is

0:51:55.000 --> 0:51:57.640
<v Speaker 1>your all times, all time fave. It is to me

0:51:58.440 --> 0:52:02.399
<v Speaker 1>everything musical theater should be. It is a spectacle. It's bombastic,

0:52:03.160 --> 0:52:08.800
<v Speaker 1>it's ridiculous, it's overwrought. It's like I'm laughing, shooting, crying,

0:52:08.920 --> 0:52:13.640
<v Speaker 1>throwing up. Um. I saw it um when we were

0:52:13.680 --> 0:52:17.480
<v Speaker 1>in New York actually shooting um. Our cover art for

0:52:17.520 --> 0:52:21.040
<v Speaker 1>this podcast. Um. I saw that the night after it

0:52:21.160 --> 0:52:25.319
<v Speaker 1>had reopened on Broadway, and my friend and I were

0:52:25.360 --> 0:52:31.000
<v Speaker 1>in the rear mezzanine and still like got the full experience.

0:52:31.040 --> 0:52:33.080
<v Speaker 1>Like it's one of those shows where there's not a

0:52:33.160 --> 0:52:37.640
<v Speaker 1>bad seat in the house because of how big of

0:52:37.680 --> 0:52:42.320
<v Speaker 1>a production it is. It is my favorite musical. Yeah,

0:52:42.760 --> 0:52:45.640
<v Speaker 1>and I'm not really like an Andrew Lloyd Weber girl.

0:52:45.880 --> 0:52:49.439
<v Speaker 1>Like I don't like cats, I don't like Joseph Um,

0:52:49.520 --> 0:52:55.000
<v Speaker 1>I don't like like Starlight Express, Jesus Christ Superstar. I

0:52:55.000 --> 0:52:57.719
<v Speaker 1>feel like if I watched Jesus Christ Superstar today, I

0:52:57.760 --> 0:52:59.600
<v Speaker 1>would really like it. But I don't think I've actually

0:52:59.600 --> 0:53:02.040
<v Speaker 1>ever in full If I were to think about my

0:53:02.080 --> 0:53:05.680
<v Speaker 1>favorite music hole that I've ever watched, I know that

0:53:05.760 --> 0:53:08.840
<v Speaker 1>the way you framed the question is stage musical, but

0:53:08.920 --> 0:53:12.520
<v Speaker 1>my answer is Mulan Bruge because it is the musical.

0:53:13.120 --> 0:53:15.279
<v Speaker 1>I do not acknowledge this, and it's now a stage.

0:53:15.600 --> 0:53:19.239
<v Speaker 1>I saw it. I saw it, and I liked it.

0:53:19.400 --> 0:53:21.279
<v Speaker 1>You shut the funk up right and I had a

0:53:21.320 --> 0:53:24.640
<v Speaker 1>good time. You you sit back. I can I can

0:53:24.719 --> 0:53:29.400
<v Speaker 1>really we are losing credibility. No, no, listen, I I

0:53:29.440 --> 0:53:34.200
<v Speaker 1>can really appreciate more like serious esoteric musical theater. But

0:53:34.400 --> 0:53:40.480
<v Speaker 1>I really like a big Broadway musical spectacle, Like you know,

0:53:40.640 --> 0:53:43.759
<v Speaker 1>I don't like I don't love the format of the

0:53:43.840 --> 0:53:48.480
<v Speaker 1>jukebox musical necessarily, but I had fun at Mulan Rouge,

0:53:48.520 --> 0:53:50.840
<v Speaker 1>and like, if I'm having fun, then a musical is

0:53:50.880 --> 0:53:52.560
<v Speaker 1>doing its job. And it's not like I paid to

0:53:52.600 --> 0:53:54.960
<v Speaker 1>see it, so yeah, right or right would never pay

0:53:55.040 --> 0:53:57.080
<v Speaker 1>to see it. I actually I should see the Share

0:53:57.080 --> 0:54:00.359
<v Speaker 1>Show because maybe that I heard it was horrible. I

0:54:00.400 --> 0:54:02.279
<v Speaker 1>heard it was amazed. No no, no, I heard it

0:54:02.320 --> 0:54:05.440
<v Speaker 1>was like the worst thing ever. No no, no, I

0:54:05.640 --> 0:54:07.880
<v Speaker 1>could never I could never acknowledge that to be true.

0:54:08.239 --> 0:54:11.600
<v Speaker 1>Well it is, it is apparently true. I used to

0:54:11.640 --> 0:54:13.360
<v Speaker 1>see a lot of theater, you know, when I was

0:54:13.400 --> 0:54:18.720
<v Speaker 1>a freshman in college. Um, when I was a freshman

0:54:18.719 --> 0:54:22.960
<v Speaker 1>in college, I saw The Wedding Singer the musical eight times,

0:54:24.600 --> 0:54:28.719
<v Speaker 1>like one semester. It was a musical. Um, it was

0:54:28.760 --> 0:54:32.640
<v Speaker 1>a musical. My friend, uh, my my friend from college,

0:54:32.640 --> 0:54:35.160
<v Speaker 1>and I like became really obsessed with it and we

0:54:35.200 --> 0:54:38.399
<v Speaker 1>would go do the lottery like a couple of times

0:54:38.440 --> 0:54:41.280
<v Speaker 1>a week, which was like such a great thing about

0:54:41.440 --> 0:54:44.200
<v Speaker 1>like you know, being like living in New York when

0:54:44.200 --> 0:54:47.279
<v Speaker 1>I was, you know, after being a musical theater kid

0:54:47.320 --> 0:54:49.000
<v Speaker 1>in high school and moving to New York and then

0:54:49.040 --> 0:54:51.319
<v Speaker 1>like having access to see all this theater that I'd

0:54:51.360 --> 0:54:53.760
<v Speaker 1>only ever been able to see on like school trips

0:54:53.760 --> 0:54:56.640
<v Speaker 1>are like coming in you know when I was a kid. Um.

0:54:56.680 --> 0:54:58.560
<v Speaker 1>But yeah, we were obsessed with The Wedding Singer the

0:54:58.640 --> 0:55:01.520
<v Speaker 1>musical and went to see eight times, and we used

0:55:01.520 --> 0:55:04.239
<v Speaker 1>to wait outside the stage door after every show, and

0:55:04.920 --> 0:55:09.640
<v Speaker 1>we like became friendly or so we thought with Amy Spanger,

0:55:09.760 --> 0:55:13.400
<v Speaker 1>who is like a Broadway icon, and one time she

0:55:13.560 --> 0:55:15.920
<v Speaker 1>was like, do you want to come backstage? And she

0:55:16.040 --> 0:55:18.759
<v Speaker 1>like brought us backstage and gave us a tour, which

0:55:18.840 --> 0:55:22.799
<v Speaker 1>was like really cool. I was not only like a

0:55:22.880 --> 0:55:27.120
<v Speaker 1>musical theater kid, but like I just loved Broadway and

0:55:27.480 --> 0:55:29.960
<v Speaker 1>I grew up, you know because I have a lot

0:55:30.000 --> 0:55:32.160
<v Speaker 1>of family in New York, and so we would go

0:55:32.280 --> 0:55:33.640
<v Speaker 1>visit them a couple of times a year, and my

0:55:33.680 --> 0:55:36.920
<v Speaker 1>grandparents would always bring me in to see a show,

0:55:37.200 --> 0:56:01.440
<v Speaker 1>and like that is where my love of theater comes from.

0:56:01.680 --> 0:56:03.799
<v Speaker 1>So this is the part of the podcast where we

0:56:03.880 --> 0:56:09.640
<v Speaker 1>dive into our journeys. That's recovering theater queers. Yeah. Um, Okay,

0:56:09.719 --> 0:56:13.320
<v Speaker 1>So when I when you asked was your favorite musical,

0:56:13.800 --> 0:56:18.600
<v Speaker 1>the musical that came immediately to mind was one very

0:56:18.600 --> 0:56:21.720
<v Speaker 1>problematic musical we did in high school, which is Flower

0:56:21.800 --> 0:56:25.640
<v Speaker 1>Drum Song. Yeah, it's a Roger. It's a Roger Rogers

0:56:25.640 --> 0:56:30.480
<v Speaker 1>and Hammerstein's musical about Chinese immigrants. It unfortunately has really

0:56:30.600 --> 0:56:33.600
<v Speaker 1>beautiful music, like really beautiful music, but as a whole,

0:56:33.640 --> 0:56:35.560
<v Speaker 1>it's like the most is like you've ever seen. There

0:56:35.680 --> 0:56:38.520
<v Speaker 1>is like a grapht to like, the more problematic a

0:56:38.680 --> 0:56:42.160
<v Speaker 1>musical is, then like the more people like, the more

0:56:42.239 --> 0:56:46.879
<v Speaker 1>beautiful the music is, like they are inextricably like yeah,

0:56:46.920 --> 0:56:49.520
<v Speaker 1>West Side Story honestly up there. But like my I

0:56:49.560 --> 0:56:52.239
<v Speaker 1>don't know what my musical theater director was on, Well

0:56:52.239 --> 0:56:54.200
<v Speaker 1>I do it. It was whiteness. But I was at

0:56:54.200 --> 0:56:57.680
<v Speaker 1>a predominantly white high school and we did Flower Drum Song.

0:56:58.480 --> 0:57:03.240
<v Speaker 1>We did the wind is are predominantly white high school.

0:57:03.560 --> 0:57:06.439
<v Speaker 1>And we also did a version of Annie Get Your Gun,

0:57:07.160 --> 0:57:10.960
<v Speaker 1>which even the rewrites include this kind of like Native American,

0:57:11.280 --> 0:57:13.920
<v Speaker 1>kind of like subplats. I've also been in a production

0:57:13.920 --> 0:57:17.320
<v Speaker 1>of Annie Get Your Gun. I was the male leading.

0:57:17.400 --> 0:57:19.760
<v Speaker 1>This was that at camp when when I was a

0:57:19.840 --> 0:57:22.600
<v Speaker 1>kid wait, like Jewish sleep Way Camp. You went to

0:57:22.640 --> 0:57:25.600
<v Speaker 1>a Jewish musical sleep Awake? Wait? Did I not? Wait?

0:57:25.640 --> 0:57:27.480
<v Speaker 1>Did I tell you this? So? I was at our

0:57:27.520 --> 0:57:31.200
<v Speaker 1>friend Chenno's Christmas party at her house and there was

0:57:31.200 --> 0:57:33.200
<v Speaker 1>a friend of hers there who I hadn't met before,

0:57:33.640 --> 0:57:36.320
<v Speaker 1>and somehow we got around to the topic of Sleepway

0:57:36.360 --> 0:57:38.360
<v Speaker 1>Camp and I was like, oh, I went to Sleepway

0:57:38.400 --> 0:57:39.880
<v Speaker 1>Camp and the scorel was like I did too, and

0:57:39.880 --> 0:57:42.440
<v Speaker 1>I was like, yeah, mine was in Pennsylvania and she

0:57:42.480 --> 0:57:44.360
<v Speaker 1>was like, wait, mine was two. And I was like, yeah,

0:57:44.400 --> 0:57:46.520
<v Speaker 1>I was in the Poconos. She was like mine was too,

0:57:46.560 --> 0:57:48.960
<v Speaker 1>and I was like, mine was called camp La didn't hear.

0:57:49.080 --> 0:57:51.560
<v Speaker 1>She was like I went there too. And did you

0:57:51.600 --> 0:57:54.560
<v Speaker 1>both pull out a photograph that was ripped right down

0:57:54.600 --> 0:57:58.200
<v Speaker 1>the middle and you and you put the photo together slowly? No,

0:57:58.320 --> 0:58:00.600
<v Speaker 1>we did not, And then you both said that birthdays

0:58:00.600 --> 0:58:03.440
<v Speaker 1>for October and that you both loved oreas with Peanut

0:58:03.480 --> 0:58:09.600
<v Speaker 1>Butter October producer phoebe in with the live fact check things. Um,

0:58:09.640 --> 0:58:13.920
<v Speaker 1>but I it was so crazy, and you know, I

0:58:13.960 --> 0:58:17.240
<v Speaker 1>think maybe like, had she known my dead name, maybe

0:58:17.280 --> 0:58:20.480
<v Speaker 1>she would have like remembered me because I was, I

0:58:20.520 --> 0:58:23.160
<v Speaker 1>will say, kind of popular because I like, at the time,

0:58:23.440 --> 0:58:26.560
<v Speaker 1>if you were a boy in theater, like you had

0:58:26.720 --> 0:58:29.280
<v Speaker 1>the world was your oyster. That is well, not for me,

0:58:29.360 --> 0:58:31.040
<v Speaker 1>but it was true that I got the lead. You

0:58:31.120 --> 0:58:33.800
<v Speaker 1>had the lead in every show, you had your pick

0:58:33.960 --> 0:58:39.760
<v Speaker 1>of all the girls. I was that summer. I was

0:58:40.080 --> 0:58:44.320
<v Speaker 1>the lead in both of the musicals, had a girlfriend Anne,

0:58:44.320 --> 0:58:46.080
<v Speaker 1>hooked up with the boy for the first time on

0:58:46.120 --> 0:58:49.040
<v Speaker 1>the same summer. Really, I did meet my first and

0:58:49.120 --> 0:58:52.160
<v Speaker 1>smoked weed for the first time. Oh no way. First

0:58:52.200 --> 0:58:54.880
<v Speaker 1>of all, I met my first boyfriend in theater during

0:58:54.960 --> 0:58:57.360
<v Speaker 1>our production of any Get Your Gun. Second of all,

0:58:58.200 --> 0:59:00.800
<v Speaker 1>Get your Gun. That used to be my Instagram handle.

0:59:01.000 --> 0:59:04.800
<v Speaker 1>Oh really it would now get flagged by Instagram. Oh yeah,

0:59:04.880 --> 0:59:07.240
<v Speaker 1>that makes sense. Man, the good old days. You know,

0:59:07.280 --> 0:59:12.320
<v Speaker 1>they won't go after people for actually like harassing trans people.

0:59:12.360 --> 0:59:14.720
<v Speaker 1>But like you know, if you if you are trans

0:59:14.760 --> 0:59:16.560
<v Speaker 1>and you want to use the t slura, you want

0:59:16.560 --> 0:59:20.600
<v Speaker 1>to reclaim it. Yeah, um, it's over cut. The stage

0:59:20.640 --> 0:59:24.200
<v Speaker 1>lights dead ass. I was one of our tech chairs.

0:59:24.240 --> 0:59:27.120
<v Speaker 1>We had a very rogue buss. Well, you know, department

0:59:27.120 --> 0:59:28.880
<v Speaker 1>of people. You know, when you don't get cast, do

0:59:28.880 --> 0:59:32.280
<v Speaker 1>you become a stage manager? You know what's funny is

0:59:32.320 --> 0:59:34.440
<v Speaker 1>like or like you lead the prop crew. This is

0:59:34.520 --> 0:59:36.800
<v Speaker 1>very emblematic who I am. Actually, it's not that I

0:59:36.880 --> 0:59:40.800
<v Speaker 1>was never cast. It's that, like, I never auditioned because

0:59:40.800 --> 0:59:42.800
<v Speaker 1>I was too scared. So when I did find an audition,

0:59:43.200 --> 0:59:47.080
<v Speaker 1>I did like get some roles. But I remember being

0:59:47.160 --> 0:59:50.800
<v Speaker 1>in a stage production of The Hobbit, And have I

0:59:50.840 --> 0:59:53.600
<v Speaker 1>told you about this before? This is a very formative

0:59:54.000 --> 0:59:57.240
<v Speaker 1>like experience of like were you this is well, this

0:59:57.320 --> 1:00:01.400
<v Speaker 1>is Francisco. She rests in beas Um in a production

1:00:01.440 --> 1:00:06.520
<v Speaker 1>of The Hobbit. I okay, in the Hobbit? Who were you?

1:00:06.560 --> 1:00:09.360
<v Speaker 1>Just say the day? Why wouldn't you let me set

1:00:09.440 --> 1:00:12.880
<v Speaker 1>up the story? It's part of the story. So in

1:00:12.920 --> 1:00:15.160
<v Speaker 1>the Hobbit, there are not a ton of parts to

1:00:15.160 --> 1:00:19.280
<v Speaker 1>pick from. You have wizards that are extreme one wizard,

1:00:19.440 --> 1:00:22.320
<v Speaker 1>one wizard that's extremely tall, and then you have dwarves

1:00:22.320 --> 1:00:24.840
<v Speaker 1>and goblins that are have to be way shorter than

1:00:24.840 --> 1:00:28.760
<v Speaker 1>the wizards. I was a tall girl, but the director

1:00:28.960 --> 1:00:32.640
<v Speaker 1>of the play cast his son as Gandalf, which is

1:00:32.800 --> 1:00:36.440
<v Speaker 1>fucking stupid. So there is no role left for me

1:00:36.680 --> 1:00:41.640
<v Speaker 1>except to be the only male quote unquote Elf, which

1:00:41.720 --> 1:00:45.840
<v Speaker 1>is there's like basically a chorus of elves in the

1:00:45.840 --> 1:00:49.160
<v Speaker 1>Hobbit stage play that don't really have lines, but they sing,

1:00:49.960 --> 1:00:53.280
<v Speaker 1>and all of them are supposed to be women. But

1:00:53.400 --> 1:00:55.360
<v Speaker 1>even though there's no women at the Hobbit, yeah, there

1:00:55.400 --> 1:00:57.160
<v Speaker 1>no women in Hobbit, but that's how they wedged women

1:00:57.160 --> 1:01:00.000
<v Speaker 1>into like the show, not one single there's only one

1:01:00.120 --> 1:01:02.840
<v Speaker 1>named female character in the Hobbit, and it's Bilbo's mother

1:01:03.040 --> 1:01:07.560
<v Speaker 1>right right, exactly dead who was dead. And so Mr Ailey,

1:01:07.640 --> 1:01:10.200
<v Speaker 1>our musical person, was like, oh, I really want to

1:01:10.240 --> 1:01:12.560
<v Speaker 1>cast Francisco, but like, all I can just make in

1:01:12.680 --> 1:01:15.439
<v Speaker 1>this faggy elf And so I had to wear all

1:01:15.480 --> 1:01:18.960
<v Speaker 1>the costumes that these girl elves wore. And I loved

1:01:18.960 --> 1:01:21.160
<v Speaker 1>it obviously because I was wearing like a leaf skirt

1:01:21.240 --> 1:01:24.000
<v Speaker 1>and a long wig. Okay, I had bundles, I had

1:01:24.040 --> 1:01:26.440
<v Speaker 1>these little like these like elf ears. Okay, I was

1:01:26.520 --> 1:01:30.920
<v Speaker 1>like living. And my parents, upon seeing the musical for

1:01:30.960 --> 1:01:34.240
<v Speaker 1>the first time, had a signed by side talk with

1:01:34.360 --> 1:01:37.360
<v Speaker 1>Mr Riley about how it was inappropriate to cast me

1:01:37.400 --> 1:01:40.320
<v Speaker 1>as such a feminine role. Well they were right. I

1:01:40.360 --> 1:01:42.120
<v Speaker 1>love that I like set up that started being like

1:01:42.160 --> 1:01:44.640
<v Speaker 1>and this is a traumatic part of like my gender experience,

1:01:44.640 --> 1:01:46.880
<v Speaker 1>and you're like and they were right. You know. I

1:01:46.920 --> 1:01:49.840
<v Speaker 1>was also in a musical that was a an adaptation

1:01:49.920 --> 1:01:52.720
<v Speaker 1>of a beloved children's novel, and that was when I

1:01:52.760 --> 1:01:55.040
<v Speaker 1>was in middle school. We did The Lion, the Witch

1:01:55.080 --> 1:01:58.920
<v Speaker 1>and the Wardrobe, and I was the Professor, who is

1:01:59.360 --> 1:02:02.800
<v Speaker 1>supposed to be double cast and also be as Land,

1:02:03.440 --> 1:02:06.120
<v Speaker 1>but that's not what happened in our musical, and I

1:02:06.240 --> 1:02:08.920
<v Speaker 1>only got to be the Professor. But the Professor does

1:02:08.960 --> 1:02:12.040
<v Speaker 1>have a great song called Doors and Windows, and it's

1:02:12.080 --> 1:02:14.200
<v Speaker 1>like the first solo at the beginning of the show,

1:02:14.320 --> 1:02:17.040
<v Speaker 1>and so I got to sing out Louise. Do you

1:02:17.120 --> 1:02:19.920
<v Speaker 1>get that reference? Sing out Louise? You know what is

1:02:19.960 --> 1:02:24.240
<v Speaker 1>from Gypsy? Oh well, now I would not that, are

1:02:24.280 --> 1:02:26.640
<v Speaker 1>you like You're not so you're not familiar with like

1:02:26.960 --> 1:02:31.040
<v Speaker 1>the musicals, I'm familiar with the musicals, the Cannon, I'm

1:02:31.040 --> 1:02:37.439
<v Speaker 1>familiar with talking Gypsy, Phantom, the classics. So our high

1:02:37.440 --> 1:02:40.400
<v Speaker 1>school did twelve shows a year, and two of those

1:02:40.440 --> 1:02:43.280
<v Speaker 1>were musicals. Ever a lot, Yes, it wasn't. We had

1:02:43.360 --> 1:02:45.800
<v Speaker 1>an insane feeder calendar. Our our school was not an

1:02:45.880 --> 1:02:47.760
<v Speaker 1>art school, but it was very invested in the arts,

1:02:47.760 --> 1:02:50.440
<v Speaker 1>and we got an okay budget to do stuff. And

1:02:50.480 --> 1:02:53.840
<v Speaker 1>so I have a pretty robust a knowledge of the

1:02:53.920 --> 1:02:57.120
<v Speaker 1>musicals that we did, of which they were many. But no,

1:02:57.280 --> 1:02:59.640
<v Speaker 1>it's not. We didn't do the cannon like the breadth

1:02:59.640 --> 1:03:02.520
<v Speaker 1>of the can as I said, the whiz and flower jumps.

1:03:03.000 --> 1:03:05.600
<v Speaker 1>I went to a theater high school, and we did

1:03:05.880 --> 1:03:08.560
<v Speaker 1>two main stages a year. We did a straight play

1:03:08.560 --> 1:03:11.840
<v Speaker 1>in a musical, and it was a very big deal

1:03:12.040 --> 1:03:14.360
<v Speaker 1>to get to even be cast in them, let alone

1:03:14.400 --> 1:03:16.320
<v Speaker 1>to get a lead. I did have a lead my

1:03:16.400 --> 1:03:19.520
<v Speaker 1>senior year. Oh that was the Annie was your last?

1:03:20.000 --> 1:03:23.240
<v Speaker 1>Oh that was theater camp. Yeah. Um No. When I

1:03:23.280 --> 1:03:27.880
<v Speaker 1>was sophomore, I was in the Ensemble of Dames at Sea,

1:03:27.960 --> 1:03:31.160
<v Speaker 1>which is a sort of like anything goes Asque tap musical.

1:03:31.560 --> 1:03:34.640
<v Speaker 1>That's where I learned to tap dance. And then when

1:03:34.640 --> 1:03:36.440
<v Speaker 1>I was a senior in high school, I was cast

1:03:36.480 --> 1:03:40.640
<v Speaker 1>as Telphibious in The Trojan Women by Euripides, which is

1:03:40.680 --> 1:03:44.280
<v Speaker 1>like going to a high school auditorium to watch a

1:03:44.360 --> 1:03:49.360
<v Speaker 1>Greek tragedy is like not something that should happen. And

1:03:49.440 --> 1:03:51.560
<v Speaker 1>we took it so seriously at the time and thought

1:03:51.600 --> 1:03:55.200
<v Speaker 1>we were doing amazing work. Um. And I wore a

1:03:55.240 --> 1:03:58.840
<v Speaker 1>toga and didn't have any shoes, and I had a

1:03:58.880 --> 1:04:01.840
<v Speaker 1>cape and there were some of the other leads. We

1:04:01.880 --> 1:04:04.080
<v Speaker 1>all had capes and we used to backstage, which just

1:04:04.120 --> 1:04:07.840
<v Speaker 1>like run around the hallways with our capes behind us.

1:04:07.880 --> 1:04:09.920
<v Speaker 1>I didn't have shoes during the hobbit or also a

1:04:10.000 --> 1:04:17.400
<v Speaker 1>production of metamorphoses, either like Ovid's Metamorphosis or Zimmerman One.

1:04:17.880 --> 1:04:21.720
<v Speaker 1>Oh Mary's mmer Oh my god, that's like one of

1:04:21.760 --> 1:04:24.360
<v Speaker 1>my favorite plays. Me too, it definitely easily. That was

1:04:24.440 --> 1:04:28.880
<v Speaker 1>one of my college auditions was from Metamorphosis, which monologue

1:04:28.960 --> 1:04:33.040
<v Speaker 1>the one of the guy in the pool. Uh my god,

1:04:33.040 --> 1:04:34.800
<v Speaker 1>that's the most beautiful scene. We put a pool on

1:04:34.840 --> 1:04:37.520
<v Speaker 1>the stage. Wow. I still have my copy of Mary's

1:04:37.560 --> 1:04:41.840
<v Speaker 1>Immerman's Metamorphosis from high school. We are so liked girls.

1:04:41.920 --> 1:04:46.240
<v Speaker 1>It's a really it's really crazy. So I only I

1:04:46.320 --> 1:04:50.160
<v Speaker 1>never got a lead really. However, my last year I

1:04:50.200 --> 1:04:53.000
<v Speaker 1>did finally like buck up the courage to audition, and

1:04:53.160 --> 1:04:56.320
<v Speaker 1>I was also in a tap musical Rose more links

1:04:56.400 --> 1:05:00.520
<v Speaker 1>between us. I was in Crazy for You, Sister, and Um,

1:05:00.560 --> 1:05:02.960
<v Speaker 1>I was this close the virgins can't see it, but

1:05:02.960 --> 1:05:05.160
<v Speaker 1>I'm holding my fingers very close together, this close to

1:05:05.160 --> 1:05:07.880
<v Speaker 1>being cast as a lead. But I I don't have

1:05:07.920 --> 1:05:09.680
<v Speaker 1>a ton of hand eye coordination, so he couldn't pull

1:05:09.720 --> 1:05:14.640
<v Speaker 1>off the tap numbers required of the lead in that musical. However,

1:05:15.080 --> 1:05:17.000
<v Speaker 1>my theater director, this is the same one who cast

1:05:17.000 --> 1:05:20.840
<v Speaker 1>his son as um Gandalf, pulled me aside after I auditioned.

1:05:20.920 --> 1:05:22.240
<v Speaker 1>He was like, I just want you to know that,

1:05:22.320 --> 1:05:28.760
<v Speaker 1>like it was so close, that bullshit. No one who

1:05:28.800 --> 1:05:31.560
<v Speaker 1>was not a theater kid will ever understand the feelings

1:05:32.520 --> 1:05:35.160
<v Speaker 1>of not getting cast and then some teacher giving you

1:05:35.200 --> 1:05:38.880
<v Speaker 1>some bullshit. It was almost you or like making you

1:05:38.920 --> 1:05:42.640
<v Speaker 1>the understudy, where you're like, babes, we're doing six shows.

1:05:42.880 --> 1:05:46.840
<v Speaker 1>I'm never going on unless I break this kid's leg,

1:05:47.520 --> 1:05:50.439
<v Speaker 1>which which I was, well, the funny thing would have done.

1:05:50.520 --> 1:05:52.640
<v Speaker 1>What's really funny is the guy that they did cast,

1:05:52.640 --> 1:05:55.440
<v Speaker 1>who was an amazing taped answer, So it makes sense.

1:05:55.880 --> 1:05:59.320
<v Speaker 1>Was a part of this really really toxic gay love

1:05:59.400 --> 1:06:03.360
<v Speaker 1>quadrang in my high school between four gay men and myself,

1:06:03.720 --> 1:06:07.200
<v Speaker 1>and we had all been involved with each other in

1:06:07.240 --> 1:06:09.880
<v Speaker 1>some capacity, and it was like so dramatic and horrible.

1:06:10.320 --> 1:06:11.760
<v Speaker 1>But I think the day that I came out to

1:06:11.800 --> 1:06:14.520
<v Speaker 1>my parents, I was trying to like high key run

1:06:14.520 --> 1:06:16.240
<v Speaker 1>away from home, and I had packed a bag and

1:06:16.280 --> 1:06:22.520
<v Speaker 1>I was going to go live in his mom's basement. Wow. Well,

1:06:22.800 --> 1:06:27.360
<v Speaker 1>no surprise that a discussion about West Side Story turned

1:06:27.440 --> 1:06:31.480
<v Speaker 1>back around into talking about gay interpersonal drama and our

1:06:31.560 --> 1:06:38.200
<v Speaker 1>childhood trauma and our childhood trauma. We will be back

1:06:38.320 --> 1:06:42.080
<v Speaker 1>next week with a extra special discussion on the Marvel

1:06:42.200 --> 1:06:46.840
<v Speaker 1>Cinematic Universe, something you are much more prevy to. Something

1:06:46.840 --> 1:06:49.080
<v Speaker 1>our guest Joel Can Booster is much more prevy too,

1:06:49.200 --> 1:06:52.160
<v Speaker 1>something that I am learning about. Yes, we will be

1:06:52.200 --> 1:06:57.480
<v Speaker 1>talking about superheroes, supervillains, and Gwyneth Paltrow probably. Yes. So

1:06:57.520 --> 1:07:00.000
<v Speaker 1>for all of those that are m C you curious,

1:07:00.280 --> 1:07:02.960
<v Speaker 1>we're going to dive right in um if you If

1:07:02.960 --> 1:07:05.760
<v Speaker 1>you want to watch some m CU movies ahead of

1:07:05.840 --> 1:07:07.960
<v Speaker 1>next week, I will give you a list of some

1:07:08.120 --> 1:07:12.760
<v Speaker 1>of my favorites, The Selects, The Avengers, the Original One,

1:07:13.680 --> 1:07:16.920
<v Speaker 1>The First, Captain America and Captain America, and The Winter Soldier.

1:07:17.640 --> 1:07:20.280
<v Speaker 1>I think one of the Tom Holland Spider Man movies

1:07:21.600 --> 1:07:23.840
<v Speaker 1>I think should be in a digest No Way Home.

1:07:24.160 --> 1:07:27.880
<v Speaker 1>Maybe all of One Division, Yeah, definitely you should watch one.

1:07:28.200 --> 1:07:31.160
<v Speaker 1>Just watch all of One Division before next week. Thanks. Basically,

1:07:31.160 --> 1:07:32.880
<v Speaker 1>what we're saying is, go to Disney Plus and go

1:07:32.920 --> 1:07:35.560
<v Speaker 1>to the Marvel section and watch everything. Just pick the

1:07:35.600 --> 1:07:39.360
<v Speaker 1>ones that look like the gayest like, yeah, just use

1:07:39.400 --> 1:07:41.920
<v Speaker 1>just use your gut instincts and you'll probably be right.

1:07:42.440 --> 1:07:44.680
<v Speaker 1>So for those of you that don't know, we take

1:07:44.800 --> 1:07:46.720
<v Speaker 1>calls here at like a virgin. You can call to

1:07:46.800 --> 1:07:50.600
<v Speaker 1>confess the thing that popped your cultural cherry. Just make

1:07:50.640 --> 1:07:53.200
<v Speaker 1>a suggestion of what we should talk about at three

1:07:53.240 --> 1:07:57.360
<v Speaker 1>to three pennants. That's three to three seven three six

1:07:57.560 --> 1:08:00.439
<v Speaker 1>two six two three. You can tweet a your takes

1:08:00.440 --> 1:08:02.760
<v Speaker 1>on this week's episode. Let us know what you think

1:08:02.760 --> 1:08:05.040
<v Speaker 1>of West Side Story, which you think of musical culture

1:08:05.040 --> 1:08:08.920
<v Speaker 1>in general? What's your favorite musical yes? Or if you

1:08:08.920 --> 1:08:11.760
<v Speaker 1>want to share some of your own embarrassing phase school

1:08:11.760 --> 1:08:16.360
<v Speaker 1>theater kids stories or photos or video, we would love

1:08:16.400 --> 1:08:18.680
<v Speaker 1>to see them. Yeah, get get on, get online and

1:08:18.680 --> 1:08:22.200
<v Speaker 1>tell us which marginalized groups didge your high school productions

1:08:22.240 --> 1:08:26.200
<v Speaker 1>culturally appropriate? Um, we all want to know. You can

1:08:26.280 --> 1:08:28.840
<v Speaker 1>leave us a review on Apple Podcasts or Spotify, which

1:08:28.880 --> 1:08:30.720
<v Speaker 1>you can do as well. It helps us a lot,

1:08:31.120 --> 1:08:32.960
<v Speaker 1>even if it's a little sassy. Just give us five

1:08:32.960 --> 1:08:35.599
<v Speaker 1>stars on your co host Ran Toronto. You can find

1:08:35.640 --> 1:08:38.160
<v Speaker 1>me at friend Squish co wherever you want on social media,

1:08:38.320 --> 1:08:40.360
<v Speaker 1>I'm Rose Damn You. You can find me at Rose

1:08:40.400 --> 1:08:43.360
<v Speaker 1>Damn You, on Twitter, Instagram and TikTok. You can subscribe

1:08:43.360 --> 1:08:45.439
<v Speaker 1>to Like a Virgin anywhere you listen to podcasts and

1:08:45.520 --> 1:08:47.800
<v Speaker 1>leave us a review. It is the best thing to

1:08:47.800 --> 1:08:50.439
<v Speaker 1>help our podcast. This is an I Heart Radio production.

1:08:50.560 --> 1:08:54.000
<v Speaker 1>Our producer is phebe Unter, with support from Lindsay Hoffman,

1:08:54.400 --> 1:08:58.960
<v Speaker 1>Julian Weller, Jess Crane, Titch and Nikki Tour. Until next time,

1:08:59.240 --> 1:09:00.320
<v Speaker 1>see you laterver Ens