1 00:00:00,920 --> 00:00:05,120 Speaker 1: Look man, oh I see you? Why why look over there? 2 00:00:05,120 --> 00:00:11,959 Speaker 1: How is that culture? Yeah? Goodness, Dan dun last cultures 3 00:00:12,240 --> 00:00:17,600 Speaker 1: calling getting sort of a coffee moment. Coffee in the morning, 4 00:00:17,760 --> 00:00:21,120 Speaker 1: Coffee in the morning time. Miguel is back on the charts. 5 00:00:21,200 --> 00:00:24,600 Speaker 1: What do you think he's in? Miguel has a song 6 00:00:24,640 --> 00:00:28,160 Speaker 1: called coffee and he's one A song from his first 7 00:00:28,200 --> 00:00:31,440 Speaker 1: album is charting because of that old TikTok Oh. I 8 00:00:31,560 --> 00:00:33,760 Speaker 1: think TikTok is officially over because I'm on it now, 9 00:00:34,280 --> 00:00:36,240 Speaker 1: you know, I actually you, So you didn't sort of 10 00:00:36,280 --> 00:00:38,479 Speaker 1: make like an internal announcement that you were going on now. 11 00:00:38,520 --> 00:00:40,639 Speaker 1: I kin't just a soft launch. It's the only soft 12 00:00:40,720 --> 00:00:45,080 Speaker 1: launch I'm getting these days. Tell girl, breakup. Not even 13 00:00:45,120 --> 00:00:47,720 Speaker 1: a soft launch. I'm saying, like soft, there's there's no 14 00:00:47,880 --> 00:00:50,760 Speaker 1: relationship soft Okay. So I was thinking soft launches and 15 00:00:50,880 --> 00:00:53,720 Speaker 1: like and sorry to be graphic on the podcast, like 16 00:00:53,920 --> 00:00:56,440 Speaker 1: in terms of like a soft launch, like a boner 17 00:00:56,520 --> 00:01:00,360 Speaker 1: launched into you. Oh, that's I wonder that must be 18 00:01:00,400 --> 00:01:03,400 Speaker 1: a kink, right, what, Like I only bond him if 19 00:01:03,440 --> 00:01:06,160 Speaker 1: it's soft. Oh wow. One time I hooked up with 20 00:01:06,200 --> 00:01:08,160 Speaker 1: a guy and he was like, I can't get hard, 21 00:01:08,200 --> 00:01:10,880 Speaker 1: but should I just put my soft dick inside of him, 22 00:01:10,959 --> 00:01:13,119 Speaker 1: and did you think about it? No? I let it happen. 23 00:01:14,400 --> 00:01:16,880 Speaker 1: And he's sort of like, just I don't even know 24 00:01:16,920 --> 00:01:18,600 Speaker 1: how this time. It's like it's like when a rat 25 00:01:18,760 --> 00:01:21,039 Speaker 1: is able to fit through a little quarter sized hole 26 00:01:21,280 --> 00:01:23,160 Speaker 1: and the rats a big ball of mush. Instead of 27 00:01:23,240 --> 00:01:25,399 Speaker 1: being as hard as a rat, rat just did coke 28 00:01:25,520 --> 00:01:27,759 Speaker 1: and it's like, yeah, I can't get hard. I'm sorry, 29 00:01:27,920 --> 00:01:29,800 Speaker 1: it was the whole thing. Sorry, we're getting graphic, you 30 00:01:29,840 --> 00:01:31,319 Speaker 1: know what. Let's just at the time in the place. 31 00:01:31,400 --> 00:01:37,000 Speaker 1: It's Sunday, Sunday Morning Talk, Good morning Talk Sunday. Yeah, 32 00:01:37,160 --> 00:01:40,600 Speaker 1: that Sunday Morning Talk, one of the final times Matt 33 00:01:40,640 --> 00:01:43,399 Speaker 1: will be coming to SNL in the dressing room. Yes, 34 00:01:43,480 --> 00:01:45,680 Speaker 1: I came. You've You've been coming three shows in a row, 35 00:01:45,720 --> 00:01:49,200 Speaker 1: and I'm truly so grateful spirits to see me. Bear, 36 00:01:49,320 --> 00:01:52,400 Speaker 1: are you kidding me? These past three shows doesn't matter, 37 00:01:52,440 --> 00:01:54,280 Speaker 1: what's what the content of the show is. All I'm 38 00:01:54,320 --> 00:01:57,680 Speaker 1: thinking is my girl is stomping the halls of eight 39 00:01:57,840 --> 00:02:01,160 Speaker 1: h soon. It feels love to be there to support 40 00:02:01,200 --> 00:02:02,960 Speaker 1: And I will say you did slay last night for 41 00:02:03,200 --> 00:02:07,040 Speaker 1: all a topical reason in the news and a topical 42 00:02:07,080 --> 00:02:09,120 Speaker 1: reason in our life, because I will say, we are 43 00:02:09,200 --> 00:02:11,400 Speaker 1: going to of course the world, the Disney world, in 44 00:02:11,440 --> 00:02:14,200 Speaker 1: a couple of weeks, and so you very impresciently sort 45 00:02:14,240 --> 00:02:17,560 Speaker 1: of took on, well, I've santist Disney drama. I've been 46 00:02:17,639 --> 00:02:20,359 Speaker 1: following the de santist Disney drama, and Washington hosted this 47 00:02:20,440 --> 00:02:22,000 Speaker 1: whole article that I was almost going to send you 48 00:02:22,040 --> 00:02:24,720 Speaker 1: of like whoa like Right when the story broke that 49 00:02:24,800 --> 00:02:29,000 Speaker 1: like Disney had basically like blocked control of the district 50 00:02:29,160 --> 00:02:31,280 Speaker 1: for like decades to come, I was like, mad, this 51 00:02:31,480 --> 00:02:33,880 Speaker 1: is pretty I don't want to like give snaps to 52 00:02:33,960 --> 00:02:35,639 Speaker 1: like a corporation or anything, but it's like, this is 53 00:02:35,680 --> 00:02:38,520 Speaker 1: pretty impressive. It is a war that's going on down 54 00:02:38,560 --> 00:02:40,200 Speaker 1: there right now. And you know what I didn't realize, 55 00:02:40,200 --> 00:02:42,560 Speaker 1: which I only realized last night during your piece, was 56 00:02:42,639 --> 00:02:44,480 Speaker 1: that he got married. He got married just at the 57 00:02:44,639 --> 00:02:47,800 Speaker 1: Grand Floridian Hotel. See that to me is two things 58 00:02:49,120 --> 00:02:52,919 Speaker 1: very telling about why he's doing all the emotional reasons. Yes, 59 00:02:53,120 --> 00:02:55,799 Speaker 1: and two one of the gayest things I've ever heard 60 00:02:55,840 --> 00:02:58,440 Speaker 1: in one of the gays. I'm sorry, every couple on 61 00:02:58,560 --> 00:03:02,959 Speaker 1: Disney Fairytale Weddings was queer even if they were. It's 62 00:03:03,000 --> 00:03:04,880 Speaker 1: both the straightest thing you do to get married at 63 00:03:04,919 --> 00:03:06,920 Speaker 1: Disney and one of the No, actually, it's not one 64 00:03:06,919 --> 00:03:08,560 Speaker 1: of the queerest things you do. It's one of the gayest. 65 00:03:08,600 --> 00:03:10,360 Speaker 1: It's one of the gay It's not queer, it's gay. 66 00:03:10,639 --> 00:03:15,480 Speaker 1: And we've used that pejoratively. Pejoratively, Yeah, phes is derogatory. 67 00:03:15,560 --> 00:03:18,400 Speaker 1: We're on fire today, we're actually on fire. We've smoked 68 00:03:18,400 --> 00:03:20,600 Speaker 1: a little bit of that refund And actually Bond was 69 00:03:20,600 --> 00:03:22,440 Speaker 1: asking an interesting question before we gone on, which is 70 00:03:22,480 --> 00:03:25,239 Speaker 1: where do you buy weed in New York? My answer everywhere? Yeah, 71 00:03:25,280 --> 00:03:27,239 Speaker 1: So talk about it because I'm really not. I'm not. 72 00:03:27,280 --> 00:03:29,639 Speaker 1: I'm not on the sidewalks too much these days. Yeah, 73 00:03:29,680 --> 00:03:31,160 Speaker 1: you're not. Sort of on the side. Well, I'm just 74 00:03:31,320 --> 00:03:33,359 Speaker 1: all I do is I walk to the LP and 75 00:03:33,880 --> 00:03:36,680 Speaker 1: I keep it moving. I get tunnel vision. Literally, I 76 00:03:36,760 --> 00:03:39,440 Speaker 1: put the blinders on. I'm like, I can't. It's not 77 00:03:39,520 --> 00:03:41,400 Speaker 1: that I like, I don't want to look at what's 78 00:03:41,440 --> 00:03:43,200 Speaker 1: around me in my periff, I just gotta like, you 79 00:03:43,280 --> 00:03:45,680 Speaker 1: gotta get where you're going. I gotta get where there's 80 00:03:45,720 --> 00:03:49,080 Speaker 1: things to do. So meanwhile, me totally a different walking 81 00:03:49,240 --> 00:03:53,000 Speaker 1: energy lately, love very like I'm deciding I'm just going 82 00:03:53,040 --> 00:03:54,560 Speaker 1: on a walk and then we'll go on. When you 83 00:03:54,600 --> 00:03:56,760 Speaker 1: walked back to the hotel last night, is that Actually, 84 00:03:56,840 --> 00:03:58,800 Speaker 1: here's the thing. I thought so from the after party 85 00:03:58,920 --> 00:04:00,520 Speaker 1: last night. It was like truly five in the morning, 86 00:04:00,520 --> 00:04:02,520 Speaker 1: and I thought to myself, Oh, I'm gonna walk home. 87 00:04:03,000 --> 00:04:05,360 Speaker 1: And then I got like literally a block down, and 88 00:04:05,400 --> 00:04:07,360 Speaker 1: I was like, way insane. I was like, I'm not 89 00:04:07,480 --> 00:04:11,040 Speaker 1: walking home at all, and I got imminently, I know 90 00:04:11,120 --> 00:04:13,280 Speaker 1: you're in your walking bag. And that's the thing as 91 00:04:13,280 --> 00:04:14,880 Speaker 1: I'm in my walk era now that I'm in New 92 00:04:14,960 --> 00:04:18,240 Speaker 1: York again, and so basically what I'm saying is my 93 00:04:18,440 --> 00:04:23,039 Speaker 1: walk energy now is very strolling down the streets slowly, yeah, 94 00:04:23,200 --> 00:04:26,200 Speaker 1: ambling walk and very much looking up and around. Oh 95 00:04:26,320 --> 00:04:29,080 Speaker 1: that's see, that's what you lose when you live here 96 00:04:29,120 --> 00:04:30,760 Speaker 1: for so long. I'm so glad you got to like 97 00:04:30,839 --> 00:04:32,960 Speaker 1: hit the reset. And that's within you. That's a choice 98 00:04:33,000 --> 00:04:36,000 Speaker 1: that you make within you. That's actually real culture number thirty. 99 00:04:36,240 --> 00:04:39,680 Speaker 1: That's a choice that you make within you. Basically, what 100 00:04:39,800 --> 00:04:42,400 Speaker 1: I'm saying is I'm I sort of stoned. I'm gonna 101 00:04:42,400 --> 00:04:45,560 Speaker 1: say it creative walks later. I love I've been listening 102 00:04:45,800 --> 00:04:48,839 Speaker 1: to music and sort of trying to find a new Actually, 103 00:04:48,920 --> 00:04:50,960 Speaker 1: Chapel has been in heavy rotation. And by the way, 104 00:04:51,240 --> 00:04:54,720 Speaker 1: Chapel just dropped a new song, Kaleidoscope, and she had 105 00:04:54,760 --> 00:04:56,760 Speaker 1: done it in her concert. But I saw at the Fonda, 106 00:04:56,839 --> 00:04:58,080 Speaker 1: and I'm telling you, I feel like I didn't give 107 00:04:58,120 --> 00:05:00,920 Speaker 1: Chapel enough time went as we just sort of breezed 108 00:05:00,920 --> 00:05:03,839 Speaker 1: by it because I think Adele had just happened. Chapel 109 00:05:05,600 --> 00:05:09,000 Speaker 1: is really she's taking it. She's taking it. Tell us 110 00:05:09,120 --> 00:05:12,680 Speaker 1: about she's taking it. She's taking it. Wait, why we 111 00:05:12,800 --> 00:05:16,720 Speaker 1: need to make an announce what the other nine I 112 00:05:16,800 --> 00:05:19,320 Speaker 1: met with my girls period, I met with the Hens. 113 00:05:20,680 --> 00:05:23,520 Speaker 1: Matt Rogers is in top form. What did I do? 114 00:05:23,760 --> 00:05:27,040 Speaker 1: And then he goes, I have an announcement to make. 115 00:05:27,920 --> 00:05:33,000 Speaker 1: What now when someone you know, mother whatever is over now? 116 00:05:33,760 --> 00:05:36,080 Speaker 1: In the lexicon, if you want to say that someone 117 00:05:36,279 --> 00:05:39,680 Speaker 1: is like giving as, someone is like really like gagging whatever, 118 00:05:39,720 --> 00:05:42,800 Speaker 1: all these you know, the new updated thing is to 119 00:05:42,880 --> 00:05:48,560 Speaker 1: say they are a finalist, they're a finalist and is 120 00:05:48,560 --> 00:05:51,320 Speaker 1: a finalists final. We'll see you in New York. She 121 00:05:51,480 --> 00:05:53,159 Speaker 1: We're gonna see you in New York for the finals, 122 00:05:53,240 --> 00:05:56,600 Speaker 1: the final finals, because you my dear are a finalist. 123 00:05:57,560 --> 00:05:59,640 Speaker 1: And here's the thing. I knew that she was, like, 124 00:05:59,760 --> 00:06:04,560 Speaker 1: I knew that she was bracketed okay initially in a heat. 125 00:06:04,680 --> 00:06:06,600 Speaker 1: I knew that she was in a heat. And I 126 00:06:06,760 --> 00:06:08,839 Speaker 1: even knew she had become a SATMI finalist. I had 127 00:06:08,839 --> 00:06:12,279 Speaker 1: her rumbles and rollings that she had become a SATMI finalist. 128 00:06:12,680 --> 00:06:15,760 Speaker 1: And then I saw this concert at the Fonda. The 129 00:06:15,880 --> 00:06:18,800 Speaker 1: only way I can describe it is it's like it's giving, 130 00:06:18,920 --> 00:06:22,880 Speaker 1: like Annie Lennox meets Kesha. I love it. It is 131 00:06:22,960 --> 00:06:27,880 Speaker 1: like dumb mass like flippity floppity like performance. In the beginning, 132 00:06:27,920 --> 00:06:29,600 Speaker 1: she comes out in a blonde wig and is very 133 00:06:29,640 --> 00:06:32,000 Speaker 1: given like pop star, and it's very like it's almost 134 00:06:32,040 --> 00:06:34,440 Speaker 1: like a satire of what a pop show is, and 135 00:06:34,560 --> 00:06:37,280 Speaker 1: it's very colorful and fun. She comes back out, she's 136 00:06:37,320 --> 00:06:41,599 Speaker 1: taken her blonde wig off. She's got these gorgeous, luscious 137 00:06:41,960 --> 00:06:45,240 Speaker 1: red curls. Her hair is iconic. She comes out and 138 00:06:45,320 --> 00:06:49,960 Speaker 1: she goes, it's me chapel chapel roon, and everyone's screaming 139 00:06:50,000 --> 00:06:51,760 Speaker 1: and it's like, oh, she just did this thing where 140 00:06:51,760 --> 00:06:53,600 Speaker 1: she took a wig off, and now she's revealing this 141 00:06:53,720 --> 00:06:56,960 Speaker 1: as her and incredible. It's amazing. So it's that's like 142 00:06:57,040 --> 00:07:01,680 Speaker 1: the energy. Hey god, it's very like Bretty Grow, but 143 00:07:01,920 --> 00:07:06,600 Speaker 1: like she's also from Missouri. But basically her whole mythology 144 00:07:06,680 --> 00:07:08,880 Speaker 1: and they're kind of is one. She was that girl 145 00:07:08,920 --> 00:07:10,640 Speaker 1: in Missouri who was living a certain kind of life 146 00:07:10,640 --> 00:07:13,720 Speaker 1: and said I'm going to Hollywood, Mama, you can't stop me. 147 00:07:14,040 --> 00:07:16,240 Speaker 1: And that's like a Pink Pony club like sort of 148 00:07:16,680 --> 00:07:19,120 Speaker 1: fantasizes is this idea of a girl who went to 149 00:07:19,200 --> 00:07:21,840 Speaker 1: go be a go go dancer in like California, and 150 00:07:21,960 --> 00:07:24,200 Speaker 1: like after small town, that wasn't her, Like she just 151 00:07:24,360 --> 00:07:27,360 Speaker 1: kind of went to pursuing music. But there's this mythology 152 00:07:27,440 --> 00:07:30,080 Speaker 1: the true creates of like the girl who went to 153 00:07:30,200 --> 00:07:35,560 Speaker 1: go back because you know what, the myth was completely 154 00:07:35,880 --> 00:07:40,640 Speaker 1: replaced by this thing of like, yeah, I went to 155 00:07:40,840 --> 00:07:43,560 Speaker 1: Yale and then um moved to the city and now 156 00:07:43,600 --> 00:07:45,880 Speaker 1: I work at McKenzie. It's like that is that is 157 00:07:45,920 --> 00:07:48,160 Speaker 1: the moving to New York story of like recent times, 158 00:07:48,240 --> 00:07:51,480 Speaker 1: and most people should stop. They're not finalists, actually eliminated. 159 00:07:51,560 --> 00:07:54,440 Speaker 1: They're actually eliminated. You've been eliminated from the competition. Your 160 00:07:54,560 --> 00:07:58,080 Speaker 1: plane is ready, Your plane is ready. You're seating at 161 00:07:58,120 --> 00:08:00,760 Speaker 1: the far end at the reunion. You're sitting at the 162 00:08:00,840 --> 00:08:03,040 Speaker 1: far end of the reunion, and you're not long for 163 00:08:03,120 --> 00:08:05,239 Speaker 1: this world. The package on you is gonna be about 164 00:08:05,240 --> 00:08:08,160 Speaker 1: twenty seconds and then we're moving on, which, by the way, 165 00:08:08,240 --> 00:08:10,800 Speaker 1: speaking of housewives, we'll get into it. So we've never 166 00:08:10,920 --> 00:08:13,800 Speaker 1: been more on one about a certain green green eyed, 167 00:08:14,120 --> 00:08:19,640 Speaker 1: three green eyed bastard son because she's my son. Oh 168 00:08:19,720 --> 00:08:21,880 Speaker 1: my god, we sired her and we said, no, give 169 00:08:21,960 --> 00:08:23,560 Speaker 1: her up. You know what just happened like and we 170 00:08:23,600 --> 00:08:25,360 Speaker 1: will get back into the chapel because there's more to say. 171 00:08:25,440 --> 00:08:27,000 Speaker 1: But I literally looked over at your bar cart and 172 00:08:27,040 --> 00:08:29,320 Speaker 1: there was a bottle of class A zul Giselle, I 173 00:08:29,400 --> 00:08:31,400 Speaker 1: got it. It's here in my apartment. Come and get it, 174 00:08:31,440 --> 00:08:38,120 Speaker 1: you idiot. There's data, but there are so many places 175 00:08:38,200 --> 00:08:41,360 Speaker 1: to get this tequila. It's like a very popular tequila. 176 00:08:41,480 --> 00:08:44,319 Speaker 1: It's also it's like one hundred dollars. I think I 177 00:08:44,360 --> 00:08:46,200 Speaker 1: looked it up. It's one hundred forty two dollars, which 178 00:08:46,240 --> 00:08:48,480 Speaker 1: like for a nice bottle of tequila, is not something 179 00:08:48,520 --> 00:08:51,240 Speaker 1: in Giselle Bryant cannot afford. And it's just like here's 180 00:08:51,280 --> 00:08:53,760 Speaker 1: the thing, Well, that's how you know she's literally scraping 181 00:08:53,840 --> 00:08:55,840 Speaker 1: the bottom of the fucking barrel. Well, here's the thing. 182 00:08:56,720 --> 00:08:58,679 Speaker 1: I would be okay with it if it was like 183 00:08:58,760 --> 00:09:01,760 Speaker 1: a funny plotline, But there's just something in her that's 184 00:09:01,840 --> 00:09:05,439 Speaker 1: that's going too hard. And to watch Pepsi cry, I 185 00:09:05,600 --> 00:09:08,200 Speaker 1: was like, oh, you've gone too far. You made Pepsi 186 00:09:08,360 --> 00:09:11,600 Speaker 1: cry just brillant. It's one thing to try to attack 187 00:09:12,000 --> 00:09:14,599 Speaker 1: the lives of others, but not Pepsi. It has to 188 00:09:14,600 --> 00:09:18,640 Speaker 1: stop at Pepsi Canda Stillard Bassett is, Look, she can 189 00:09:18,720 --> 00:09:23,439 Speaker 1: withstand your ire Pepsi does. Pepsi literally cannot, Which is 190 00:09:23,440 --> 00:09:25,840 Speaker 1: not to say that he is like not a strong person, 191 00:09:26,320 --> 00:09:28,520 Speaker 1: but he also does not deserve it. And this is 192 00:09:28,559 --> 00:09:33,440 Speaker 1: the thing whenever everybody listen, anytime people are like crazy 193 00:09:33,520 --> 00:09:37,240 Speaker 1: on a vacation, trash a hotel room, guess who's cleaning 194 00:09:37,320 --> 00:09:40,559 Speaker 1: that up? Guests, who has to like be the repository 195 00:09:40,679 --> 00:09:44,320 Speaker 1: for your fucking unhinged behavior. It is like the fucking 196 00:09:44,400 --> 00:09:47,079 Speaker 1: people who are like attending to your living. Yeah, it's 197 00:09:47,160 --> 00:09:49,839 Speaker 1: like whatever, not to get me. What's even worse is 198 00:09:49,920 --> 00:09:52,600 Speaker 1: the way that they talk to him, some of them, 199 00:09:52,679 --> 00:09:55,199 Speaker 1: the way that like not really Leah, but like in 200 00:09:55,280 --> 00:09:58,280 Speaker 1: the beginning of a little bit, Porsha to be honest, 201 00:09:58,400 --> 00:10:01,480 Speaker 1: like to me, Porsha, like I was so excited for 202 00:10:01,559 --> 00:10:03,160 Speaker 1: Porsche to come back to the real house result in 203 00:10:03,240 --> 00:10:05,960 Speaker 1: a girl's trip because I have I guess, selective memory, 204 00:10:06,320 --> 00:10:09,360 Speaker 1: because she time and time again like shows her ass 205 00:10:09,480 --> 00:10:11,560 Speaker 1: and like her behavior really is wild. Like I don't 206 00:10:11,559 --> 00:10:14,559 Speaker 1: know if you watched any you've not really watched a 207 00:10:14,679 --> 00:10:18,000 Speaker 1: couple episodes leading up to the Kenya drag, right, So, 208 00:10:18,679 --> 00:10:20,520 Speaker 1: but what I'm saying is she was one way on 209 00:10:20,640 --> 00:10:22,760 Speaker 1: that show, and then on her spin off, The Portia 210 00:10:22,840 --> 00:10:26,800 Speaker 1: Family Matters, she really came off bad. Yeah, like really 211 00:10:26,920 --> 00:10:29,080 Speaker 1: really really bad. And so then to see her come 212 00:10:29,480 --> 00:10:31,600 Speaker 1: on the show, I guess I just forgot that because 213 00:10:31,640 --> 00:10:35,160 Speaker 1: she is hilarious, that she's actually hilarious in a way 214 00:10:35,200 --> 00:10:37,520 Speaker 1: that like what people are like Gazella is funny, though 215 00:10:37,559 --> 00:10:42,240 Speaker 1: I'm like, nos, Porsche is funny. I'm like you, it's 216 00:10:42,280 --> 00:10:45,040 Speaker 1: so sweaty. It's always sweaty. And that is a thing 217 00:10:45,200 --> 00:10:48,599 Speaker 1: is it's like you're trying too hard, You're straining, you know. 218 00:10:48,720 --> 00:10:50,880 Speaker 1: The thing is like I will literally put up with 219 00:10:51,040 --> 00:10:54,120 Speaker 1: any behavior if the person is super funny, and Porsche 220 00:10:54,320 --> 00:10:55,880 Speaker 1: is funny enough to me where it's just like I'll 221 00:10:55,920 --> 00:10:57,760 Speaker 1: look the other way, sort of like when they were 222 00:10:57,880 --> 00:11:01,559 Speaker 1: in the elephant zone and she turns to them and 223 00:11:01,640 --> 00:11:06,040 Speaker 1: she goes, this is a spiritual elephant sanctuary, and Cannisa 224 00:11:06,080 --> 00:11:08,120 Speaker 1: started screaming and laughing, and they she had just been 225 00:11:08,120 --> 00:11:10,679 Speaker 1: mad at her, but then she started screaming. That's the 226 00:11:10,679 --> 00:11:15,160 Speaker 1: power of Porsche. Porscha Williams is unfortunately, when you consider 227 00:11:15,240 --> 00:11:17,839 Speaker 1: like who she aligns herself with, one of the best 228 00:11:18,000 --> 00:11:21,280 Speaker 1: ever to do it. And so to see her align 229 00:11:21,320 --> 00:11:25,599 Speaker 1: with Giselle, whose behavior is so Huko lou still to 230 00:11:25,679 --> 00:11:28,719 Speaker 1: this day and now just like noxious, I think you 231 00:11:28,760 --> 00:11:31,040 Speaker 1: know what she needs to do. It would be a 232 00:11:31,120 --> 00:11:33,040 Speaker 1: really good thing for her to be put on pause 233 00:11:33,120 --> 00:11:35,559 Speaker 1: or just take a break entirely from reality TV, because 234 00:11:35,760 --> 00:11:40,080 Speaker 1: you're right, Sweaty is the word, and it's giving like angsty, 235 00:11:40,240 --> 00:11:42,880 Speaker 1: and I'm worried for her, like I'm like, you look stressed, 236 00:11:43,280 --> 00:11:46,839 Speaker 1: your stressed and look like clockwork. On Thursday, when this 237 00:11:46,920 --> 00:11:49,520 Speaker 1: episode drops, she posts a little fucking reel of her 238 00:11:49,640 --> 00:11:53,600 Speaker 1: daughters and the redeemable thing about her, her lovely girls, 239 00:11:53,720 --> 00:11:56,920 Speaker 1: and babe, you know I'm going on her grid, her 240 00:11:57,000 --> 00:12:01,720 Speaker 1: instead and commenting classic once again using your children as 241 00:12:01,840 --> 00:12:05,760 Speaker 1: morality shields for your vile, disgusting behavior being televised. You 242 00:12:05,880 --> 00:12:10,360 Speaker 1: made Pepsi cry. Unacceptable, unacceptable, I am this is unbelievable 243 00:12:10,440 --> 00:12:13,040 Speaker 1: that the feud that we are watching play out in 244 00:12:13,120 --> 00:12:15,960 Speaker 1: the public is bo Yang and Jazelle Ryan. And guess 245 00:12:16,040 --> 00:12:21,720 Speaker 1: what one person's winning all her fucking idiot followers replying 246 00:12:21,760 --> 00:12:26,520 Speaker 1: to me, going it's giving jealous. I'm like ugly path 247 00:12:26,640 --> 00:12:31,520 Speaker 1: of jewel tones of what give it up for Sutton? 248 00:12:31,600 --> 00:12:34,319 Speaker 1: Sutton's track. I've gone on a journey with her. Oh yeah, 249 00:12:34,320 --> 00:12:38,280 Speaker 1: well it's been a roller coast trip. But guess what lovely, 250 00:12:38,400 --> 00:12:42,120 Speaker 1: lovely woman. Well, I have the opportunity to engage with her. 251 00:12:42,520 --> 00:12:44,319 Speaker 1: Let's just say that in the future we might be 252 00:12:44,400 --> 00:12:46,680 Speaker 1: teaming up at high tops for trivia. Was that watch 253 00:12:46,760 --> 00:12:48,400 Speaker 1: Happens Life that you guys? That was the first was 254 00:12:48,440 --> 00:12:51,679 Speaker 1: afterwards when we well, I think that she saw us 255 00:12:51,800 --> 00:12:55,000 Speaker 1: do Crystal and Sutton? Yes, and I think that that 256 00:12:55,160 --> 00:12:57,920 Speaker 1: definitely landed with the girls. Crystal has not breathed in 257 00:12:58,040 --> 00:13:00,320 Speaker 1: my direction. No, didn't she? I think she come it did, 258 00:13:00,840 --> 00:13:02,679 Speaker 1: but you know she said, like Slater, But I'm going 259 00:13:02,800 --> 00:13:05,920 Speaker 1: where's the follow back? Oh that's actually a huge point anyway, 260 00:13:06,320 --> 00:13:10,719 Speaker 1: Crystal Kamincoff has now followed back listened to us. We're 261 00:13:10,800 --> 00:13:12,880 Speaker 1: like in it. We are literally gonna wait a lot 262 00:13:12,880 --> 00:13:15,800 Speaker 1: of way onto main casts. My thing is gonna be 263 00:13:16,120 --> 00:13:18,319 Speaker 1: I had a career and gave it up for this. 264 00:13:19,280 --> 00:13:23,120 Speaker 1: That's gonna be my tagline. I had a full career 265 00:13:23,320 --> 00:13:25,080 Speaker 1: and I gave it up for this. See. I don't 266 00:13:25,160 --> 00:13:29,360 Speaker 1: like this because because that that is a viable career, 267 00:13:29,520 --> 00:13:32,280 Speaker 1: first of all. And Cannis is making a point of 268 00:13:32,320 --> 00:13:35,360 Speaker 1: Ultimate Girls Trip and I told to MENBC exacts, I said, oh, 269 00:13:35,440 --> 00:13:37,480 Speaker 1: you did get into it well, because Kennis is like, 270 00:13:37,559 --> 00:13:39,679 Speaker 1: we deserve Emmy's and I'm like, what do your nominations? 271 00:13:39,720 --> 00:13:42,280 Speaker 1: It's like, absolutely they do. Why are you guys campaigning 272 00:13:42,320 --> 00:13:45,640 Speaker 1: for unstructured reality? I think that they actually do. And 273 00:13:45,760 --> 00:13:48,040 Speaker 1: I think so when I voted for the Emmys a 274 00:13:48,080 --> 00:13:50,599 Speaker 1: couple years ago, there was like an unstructured category and 275 00:13:50,760 --> 00:13:52,839 Speaker 1: I one a few of the franchises were on it, 276 00:13:52,960 --> 00:13:54,920 Speaker 1: and you know, I voted for them. They should literally 277 00:13:55,080 --> 00:13:56,960 Speaker 1: just put all of them on. Put all of them 278 00:13:57,040 --> 00:14:00,920 Speaker 1: on just the nomination ballot, not the nominee. I remember Saltlake. 279 00:14:01,040 --> 00:14:03,080 Speaker 1: I think Saltlake was not on it, and I was like, oh, 280 00:14:03,160 --> 00:14:05,320 Speaker 1: if ever there was a season of Housewives that could 281 00:14:05,360 --> 00:14:08,280 Speaker 1: have let that through the culture. But I voted for 282 00:14:08,360 --> 00:14:10,959 Speaker 1: Beverly Hills, the year of I think it was cabs 283 00:14:11,000 --> 00:14:13,560 Speaker 1: first year and the year of the Lovely Other Pants 284 00:14:13,600 --> 00:14:16,360 Speaker 1: and that the Erica. That was a great season and 285 00:14:16,400 --> 00:14:18,439 Speaker 1: I voted for it. I was just like, in watching 286 00:14:18,520 --> 00:14:20,440 Speaker 1: Canada say that, I was like, you know what they 287 00:14:20,560 --> 00:14:24,440 Speaker 1: nominated below Deck, Like they nominated all these things like that, 288 00:14:24,600 --> 00:14:27,840 Speaker 1: Why why not this start the campaign? Um, Giselle is 289 00:14:27,840 --> 00:14:31,400 Speaker 1: not invited. No, she can't. She's not a finalist. Well, 290 00:14:31,440 --> 00:14:34,080 Speaker 1: she's not a finalist. I mean, here's the thing, you guys, Like, 291 00:14:34,760 --> 00:14:38,840 Speaker 1: there is a part of me every single time a 292 00:14:39,000 --> 00:14:41,800 Speaker 1: new season of Potomac starts or whenever I know Giselle 293 00:14:41,880 --> 00:14:43,800 Speaker 1: is going to be involved in anything, because here's the thing. 294 00:14:44,040 --> 00:14:46,840 Speaker 1: There is a star quality to her. That is why 295 00:14:46,960 --> 00:14:48,960 Speaker 1: she's synonymous with Potomac. That is why she's there, that 296 00:14:49,080 --> 00:14:51,120 Speaker 1: is why she's being discussed in this way. I mean, 297 00:14:51,200 --> 00:14:54,520 Speaker 1: she has impact. I'm gonna give the woman credit, But 298 00:14:55,200 --> 00:14:58,160 Speaker 1: every single time when I start a new season and 299 00:14:58,240 --> 00:15:00,400 Speaker 1: I buy into that star quality, and I wish to 300 00:15:00,560 --> 00:15:04,240 Speaker 1: like her. She proves you wrong every single time. But 301 00:15:04,360 --> 00:15:06,120 Speaker 1: she proves you wrong. It's just that you're like, oh, 302 00:15:07,240 --> 00:15:10,040 Speaker 1: you're right, You're right, and then you're like, there's no growth. Yeah, 303 00:15:10,080 --> 00:15:13,480 Speaker 1: there's no development. Candice. We've seen go from like hello, 304 00:15:13,880 --> 00:15:17,440 Speaker 1: like like some like rando woman who walks into this 305 00:15:17,600 --> 00:15:20,240 Speaker 1: group of friends and yeah, who the fuck is this um? 306 00:15:20,760 --> 00:15:25,240 Speaker 1: Now she's like a legitimately wonderful singer. I mean, did 307 00:15:25,280 --> 00:15:27,120 Speaker 1: you see I think I sent you her sing in 308 00:15:27,160 --> 00:15:30,280 Speaker 1: the national anthem at that basketball she just sounded healthy 309 00:15:30,480 --> 00:15:36,680 Speaker 1: and clear in crystal cream, pristine, crystal clean, pristine. Now 310 00:15:37,040 --> 00:15:39,640 Speaker 1: just the chaperon of it all, just it's gonna take 311 00:15:39,720 --> 00:15:42,240 Speaker 1: us back to chapel. She played some new songs from 312 00:15:42,360 --> 00:15:44,560 Speaker 1: her album that's coming out in September, which I believe 313 00:15:44,600 --> 00:15:46,840 Speaker 1: she announced at the show It's too far Away. There's 314 00:15:46,880 --> 00:15:51,640 Speaker 1: one song called Coffee, just a really simple and I 315 00:15:51,760 --> 00:15:54,160 Speaker 1: know you're not a ballad queen, we'll talk about talk 316 00:15:54,200 --> 00:15:55,920 Speaker 1: about it, but this is a ballad that's coming out 317 00:15:56,040 --> 00:15:58,920 Speaker 1: she hasn't released yet. Today she released a song called Kaleidoscope, 318 00:15:58,920 --> 00:16:01,760 Speaker 1: which I love, which is a ballot but also she's 319 00:16:01,800 --> 00:16:04,640 Speaker 1: giving you so much up tempo, stomp it stuff that 320 00:16:04,760 --> 00:16:06,680 Speaker 1: she can give us these ballots because I'm telling you, 321 00:16:06,760 --> 00:16:09,560 Speaker 1: that's like giving the singer songwriter part of her that's 322 00:16:09,800 --> 00:16:12,760 Speaker 1: crucial to the package that is her, which is why 323 00:16:12,840 --> 00:16:14,960 Speaker 1: she's going to go the distance. But there's a song 324 00:16:15,040 --> 00:16:21,960 Speaker 1: called Coffee that was literally lyrically it gave me like, oh, communication, 325 00:16:22,320 --> 00:16:25,720 Speaker 1: She is like communicating a way that is going to 326 00:16:25,840 --> 00:16:28,120 Speaker 1: really connect with people. And I'm telling you, the people 327 00:16:28,400 --> 00:16:33,440 Speaker 1: at her concert were in like people like dressing up 328 00:16:33,440 --> 00:16:37,560 Speaker 1: a little bit. It was giving early Gaga vibes. I'm 329 00:16:37,600 --> 00:16:40,360 Speaker 1: telling you this gross is taking it going this distance. 330 00:16:40,720 --> 00:16:43,520 Speaker 1: It is a finalist in the competitions. We're going to 331 00:16:43,560 --> 00:16:45,480 Speaker 1: see you in New York for the finals. One of 332 00:16:45,560 --> 00:16:49,520 Speaker 1: the biggest nights of your life, and we actually have 333 00:16:49,600 --> 00:16:53,600 Speaker 1: an announcement to make one of the categories of the 334 00:16:54,160 --> 00:16:58,920 Speaker 1: Last Cultures Culture Awards is Finalists of the Year, Finalist 335 00:16:59,040 --> 00:17:02,200 Speaker 1: to the Year, and other category is of course the 336 00:17:02,280 --> 00:17:06,919 Speaker 1: biggest night of the night of your life. Oh my god, 337 00:17:07,400 --> 00:17:08,960 Speaker 1: let's just say a lot of the biggest night of 338 00:17:09,040 --> 00:17:12,160 Speaker 1: your life is one of the biggest categories of the night. Yeah, 339 00:17:12,280 --> 00:17:14,359 Speaker 1: that is one of the top of what is it 340 00:17:14,440 --> 00:17:16,639 Speaker 1: called the top. Well, no, what are they? What do 341 00:17:16,640 --> 00:17:18,399 Speaker 1: they of the pops? Top of the pops? What are 342 00:17:18,400 --> 00:17:20,680 Speaker 1: they above the mark? And what do they say? After 343 00:17:20,760 --> 00:17:23,520 Speaker 1: looking the line, above the lines and above the line category, 344 00:17:24,040 --> 00:17:28,480 Speaker 1: out of a hundred categories, there will be around ten ten. 345 00:17:29,600 --> 00:17:34,800 Speaker 1: I was gonna say twenty. We're getting in our ear 346 00:17:34,880 --> 00:17:37,560 Speaker 1: now from our producer Elissa Fera Griffin of the view 347 00:17:38,359 --> 00:17:41,560 Speaker 1: that it's going to be somewhere between ten and twenty categories. Now, 348 00:17:41,720 --> 00:17:45,480 Speaker 1: is that the trumpy one, that's the Trump? No? No, 349 00:17:45,680 --> 00:17:49,480 Speaker 1: she was Trump. She was trumpy girl. She worked for him, 350 00:17:49,760 --> 00:17:52,639 Speaker 1: and then she iconically was like I can't stand this anymore, 351 00:17:52,680 --> 00:17:54,800 Speaker 1: Like I don't know, like do we trust that? No? 352 00:17:55,040 --> 00:17:56,720 Speaker 1: I don't trust her at all. I mean she's like 353 00:17:56,920 --> 00:18:01,440 Speaker 1: very transparent like media personality, like opportunist. Guess, but I 354 00:18:01,480 --> 00:18:04,119 Speaker 1: will say, like, you know, I and I have been 355 00:18:04,160 --> 00:18:06,280 Speaker 1: sort of dipping my toe back into view lately for 356 00:18:06,400 --> 00:18:08,800 Speaker 1: some reason. I don't know why. Yeah, probably because you 357 00:18:08,840 --> 00:18:10,760 Speaker 1: know Trump was arrested and you know all that, and 358 00:18:10,960 --> 00:18:13,360 Speaker 1: we are still waiting on that indictment to come down 359 00:18:13,520 --> 00:18:16,720 Speaker 1: at It's indictment watch here at last College. Still we're 360 00:18:16,760 --> 00:18:21,080 Speaker 1: waiting give a chest, Yes, I just we just came 361 00:18:21,119 --> 00:18:23,240 Speaker 1: through from the less the way you and I are tuned. 362 00:18:23,280 --> 00:18:24,639 Speaker 1: I was like, what are you gonna say? And you 363 00:18:24,800 --> 00:18:26,760 Speaker 1: and you knew and you know what's good about like 364 00:18:27,160 --> 00:18:29,800 Speaker 1: sort of having a friend that can sort of cash 365 00:18:29,880 --> 00:18:34,080 Speaker 1: you and new fool is that they can remember things 366 00:18:34,160 --> 00:18:37,320 Speaker 1: like finalists because I had forgotten finalists. Oh I'm record 367 00:18:37,400 --> 00:18:41,200 Speaker 1: keeper for everything. You say. My girls got the bibliography? 368 00:18:41,280 --> 00:18:46,520 Speaker 1: That's um, Well, listen what else there's been amazing new singer. 369 00:18:47,240 --> 00:18:50,240 Speaker 1: One artist that we love is Chapel A. Should we 370 00:18:50,280 --> 00:18:53,000 Speaker 1: announce to our new segment. We have a news segment, 371 00:18:53,560 --> 00:18:57,520 Speaker 1: irregular segment called one artist, one artist and we love 372 00:18:57,600 --> 00:19:00,200 Speaker 1: and we spot like one artist that we are loving today. 373 00:19:00,240 --> 00:19:03,080 Speaker 1: Our one artist was a Chapel Road. And then we're 374 00:19:03,119 --> 00:19:04,919 Speaker 1: so happy to start this and this is the thing 375 00:19:04,920 --> 00:19:07,720 Speaker 1: about last coltreistas and we are beginning. I guess this 376 00:19:07,840 --> 00:19:10,600 Speaker 1: is the beginning of our new contract. Oh is it 377 00:19:11,119 --> 00:19:14,800 Speaker 1: signed on the dotted line? We're here, We're queer. We're 378 00:19:14,960 --> 00:19:18,680 Speaker 1: podcasting for three more years. At least we'll make it 379 00:19:18,720 --> 00:19:21,480 Speaker 1: to ten years. Bitch, Oh my god, isn't that crazy? 380 00:19:21,920 --> 00:19:24,040 Speaker 1: That's really amazing. I don't think the contract is for 381 00:19:24,200 --> 00:19:26,399 Speaker 1: three it's not. I think it's for one with the 382 00:19:26,440 --> 00:19:29,359 Speaker 1: option for two and three. Oh dude, should we keep 383 00:19:29,400 --> 00:19:31,320 Speaker 1: this in now? Yeah? Well, I think this is relatable. 384 00:19:31,359 --> 00:19:32,879 Speaker 1: Like so many people at home don't know what their 385 00:19:32,920 --> 00:19:35,000 Speaker 1: contract says, you know what I mean, Like this was 386 00:19:35,040 --> 00:19:38,200 Speaker 1: saying sitting listen to this in their cars, like you know, 387 00:19:38,280 --> 00:19:40,720 Speaker 1: while they're shopping and they're thinking what my contracts say? 388 00:19:41,359 --> 00:19:43,240 Speaker 1: I do think that constant. I'm like, I should read 389 00:19:43,280 --> 00:19:45,960 Speaker 1: my contracts more. I don't read a thing. And also, 390 00:19:46,119 --> 00:19:48,480 Speaker 1: you know what, I should also read my bills, do 391 00:19:48,600 --> 00:19:50,879 Speaker 1: you When when bills come, I'm just like, what's the amount? Okay? 392 00:19:51,280 --> 00:19:53,720 Speaker 1: And I look the other way. They could be fucking us. No, 393 00:19:53,840 --> 00:19:56,919 Speaker 1: I am getting fucked here because my fucking landlord installed 394 00:19:57,000 --> 00:19:59,440 Speaker 1: wall units in my They're like, well, central Heating's broken 395 00:19:59,600 --> 00:20:03,480 Speaker 1: forever kidding Mike. Content bills are through the fucking I 396 00:20:03,640 --> 00:20:06,080 Speaker 1: can't through it. I can't stand it. I simply can't 397 00:20:06,119 --> 00:20:07,480 Speaker 1: stand it. And you know what else I found out. 398 00:20:07,920 --> 00:20:09,399 Speaker 1: So this is the thing is It's like and I 399 00:20:09,480 --> 00:20:11,000 Speaker 1: know I'm gonna I'm gonna sort of like stake a 400 00:20:11,080 --> 00:20:13,159 Speaker 1: claim and start a war here right now. Start. But 401 00:20:13,240 --> 00:20:17,840 Speaker 1: in the battle of spectrum versus Verizon FiOS. I feel 402 00:20:17,920 --> 00:20:21,919 Speaker 1: that there's only one finalist and it is Verizon FiOS, 403 00:20:22,080 --> 00:20:25,119 Speaker 1: and there is absolutely not a discussion about that. So 404 00:20:25,720 --> 00:20:28,080 Speaker 1: I was frustrated and disappointed, to say the least, when 405 00:20:28,119 --> 00:20:30,040 Speaker 1: I found out that my new apartment we will be 406 00:20:30,160 --> 00:20:34,480 Speaker 1: having spectrum. Okay, I just gotta ask, okay something First 407 00:20:34,520 --> 00:20:39,400 Speaker 1: of all, I'm so sorry, just gotta ask, Yes, why 408 00:20:39,600 --> 00:20:42,760 Speaker 1: is it that in the year of Our Lord twenty 409 00:20:42,840 --> 00:20:47,680 Speaker 1: twenty three, it's still your buildings just not wired for fious. 410 00:20:48,040 --> 00:20:51,119 Speaker 1: I was hearing that fifteen years ago. Yeah, we've not 411 00:20:51,320 --> 00:20:53,280 Speaker 1: progressed at all. Well, and the thing is, like, I 412 00:20:53,320 --> 00:20:55,480 Speaker 1: can't even ask a follow up question about that because 413 00:20:55,680 --> 00:20:58,400 Speaker 1: I can't pretend to even understand like what a process 414 00:20:58,440 --> 00:21:00,760 Speaker 1: it is to get like fitted for FiOS or whatever. 415 00:21:01,080 --> 00:21:06,320 Speaker 1: I just know the quality of the Internet is immeasurably 416 00:21:06,480 --> 00:21:10,000 Speaker 1: different when you have Verizon FiOS as opposed to spectrum 417 00:21:10,160 --> 00:21:13,520 Speaker 1: spectrum be blacking out spectrum. I might as well beyond 418 00:21:13,600 --> 00:21:16,000 Speaker 1: the plane. Yeah, I might as well be on the plane, 419 00:21:16,200 --> 00:21:18,439 Speaker 1: patching in and out to my friends, texting them from 420 00:21:18,440 --> 00:21:20,679 Speaker 1: the sky. But I going sorry on a plane right now. 421 00:21:20,760 --> 00:21:23,679 Speaker 1: WI Fi is bad. I have to also start another war, right, 422 00:21:23,800 --> 00:21:26,359 Speaker 1: come on, and so in the war of plane wi Fi, 423 00:21:26,600 --> 00:21:29,280 Speaker 1: here we go. And here's the thing. It pains me 424 00:21:29,880 --> 00:21:33,040 Speaker 1: to say this because I am a Delta girl. I 425 00:21:33,160 --> 00:21:36,720 Speaker 1: am a Delta girl. I ride hard for Delta, Delta 426 00:21:36,920 --> 00:21:40,560 Speaker 1: diamond Fish like you ed, You and Changela being Delta 427 00:21:40,600 --> 00:21:43,600 Speaker 1: diamond Fish together pretty much is podcast cannon. By way, 428 00:21:43,600 --> 00:21:45,240 Speaker 1: that's what we're saying. That's what we're saying. That's that's 429 00:21:45,240 --> 00:21:47,560 Speaker 1: sort of in the cannon the readers know. But I 430 00:21:47,600 --> 00:21:50,960 Speaker 1: will say this. I I flew American. The difference in 431 00:21:51,040 --> 00:21:53,800 Speaker 1: the quality is immeasurable. I think you need a bigger 432 00:21:53,920 --> 00:21:55,960 Speaker 1: sample size because I think it was that just what 433 00:21:57,080 --> 00:21:59,600 Speaker 1: Jeff blu is not bad. Jeff Blu pi consistent. Delta 434 00:21:59,800 --> 00:22:03,159 Speaker 1: is sometimes flopping on the wife always, sorry always. And 435 00:22:03,400 --> 00:22:05,080 Speaker 1: this is what I'm saying is it's like when I 436 00:22:05,160 --> 00:22:08,240 Speaker 1: was on American, suddenly I'm streaming YouTube videos in the air. 437 00:22:08,560 --> 00:22:11,160 Speaker 1: I was like, not with my girl, now with my girl, 438 00:22:11,600 --> 00:22:13,960 Speaker 1: not with my wife at home. That's why I'm sneaking 439 00:22:14,080 --> 00:22:17,760 Speaker 1: out getting this one too. This girl on the side 440 00:22:17,840 --> 00:22:21,480 Speaker 1: of American, she's giving me YouTube videos in the air. 441 00:22:22,160 --> 00:22:25,760 Speaker 1: You sneaky link thing with American is the headline. I'm 442 00:22:25,800 --> 00:22:27,960 Speaker 1: a sneaky link with American Airlines And that's what of 443 00:22:28,000 --> 00:22:34,120 Speaker 1: the culture number forty nine? Did you know what sneaky link? Man? 444 00:22:34,359 --> 00:22:36,240 Speaker 1: I just hit like an old school term. Can we 445 00:22:36,320 --> 00:22:38,080 Speaker 1: look it up? I might not? What is a sneak 446 00:22:38,400 --> 00:22:41,639 Speaker 1: urban dictionary of that shit? God? That culture the culture 447 00:22:41,640 --> 00:22:44,600 Speaker 1: of urban dictionary? Okay, sneaky link means when you're secretly 448 00:22:44,720 --> 00:22:46,520 Speaker 1: someone you're secretly having sex with. It's just it's a 449 00:22:46,840 --> 00:22:49,480 Speaker 1: it's a TikTok term for like sneaking out of the house, 450 00:22:49,600 --> 00:22:53,640 Speaker 1: sneaky link, sneaky link, TikTok term. It's like somewhat new, 451 00:22:53,680 --> 00:22:56,840 Speaker 1: but it literally is just like secret affair. Got it. 452 00:22:57,160 --> 00:22:59,399 Speaker 1: To answer your question from before of is TikTok over 453 00:22:59,480 --> 00:23:01,760 Speaker 1: because you're on it? No? I think that TikTok improves 454 00:23:01,800 --> 00:23:03,440 Speaker 1: because you're on it and we need more great minds 455 00:23:03,480 --> 00:23:06,280 Speaker 1: to get on it. You I am not bringing a 456 00:23:06,359 --> 00:23:08,680 Speaker 1: great mind to it. Yeah, but you know what though, 457 00:23:08,680 --> 00:23:10,720 Speaker 1: that's not for you to say. And I'm also like 458 00:23:10,800 --> 00:23:13,480 Speaker 1: you have to remember that does your FYP know you? 459 00:23:13,840 --> 00:23:16,800 Speaker 1: Because I feel like mine's after literally I've been on 460 00:23:16,880 --> 00:23:20,399 Speaker 1: my burner for like two years. Algorithm has no idea. 461 00:23:20,440 --> 00:23:22,440 Speaker 1: What the fuck? I like. Still, I will say the 462 00:23:22,560 --> 00:23:26,680 Speaker 1: algorithm knows what it likes. Oh, I'll say that. I'm like, wow, 463 00:23:26,800 --> 00:23:29,800 Speaker 1: you really want me to see this one person? You 464 00:23:29,920 --> 00:23:32,160 Speaker 1: really want me to see this woman in the suburbs 465 00:23:32,240 --> 00:23:34,560 Speaker 1: recording videos of her big dog and her small cat 466 00:23:34,680 --> 00:23:37,800 Speaker 1: fighting each other. Yeah. For me, it's like they force 467 00:23:37,880 --> 00:23:41,720 Speaker 1: feed me personalities, and I'm like, Mama, it's giving industry plants. 468 00:23:42,080 --> 00:23:44,639 Speaker 1: It's like thousand percent. It's like, okay, they're forcing this 469 00:23:44,840 --> 00:23:47,879 Speaker 1: on me. Literally, I refuse the same names. But there's 470 00:23:47,920 --> 00:23:51,719 Speaker 1: one TikTok person that just keeps appearing on my thing, 471 00:23:51,760 --> 00:23:54,280 Speaker 1: and I'm like, what am I doing? And then unfortunately, 472 00:23:54,680 --> 00:23:58,600 Speaker 1: like low key, it starts to work and I'm like, oh, yeah, 473 00:23:58,640 --> 00:24:02,639 Speaker 1: there's my friend. And I'm like, oh, no, do katies 474 00:24:02,680 --> 00:24:05,160 Speaker 1: listen to us and go, well, I guess I guess 475 00:24:05,240 --> 00:24:07,240 Speaker 1: they're Oh, I guess here they are. Again, No, I 476 00:24:07,280 --> 00:24:09,080 Speaker 1: don't think so, because I think it's an active decision 477 00:24:09,119 --> 00:24:10,920 Speaker 1: to listen to a poet a press play. They have 478 00:24:11,040 --> 00:24:14,200 Speaker 1: to press play, whereas on TikTok, I'm telling you, the 479 00:24:14,320 --> 00:24:17,280 Speaker 1: algorithm just gives you what it wants to give you 480 00:24:17,520 --> 00:24:21,000 Speaker 1: based on demographics. But the thing is, if I wanted 481 00:24:21,040 --> 00:24:23,920 Speaker 1: to see this person, I probably would have clicked follow. 482 00:24:24,080 --> 00:24:26,440 Speaker 1: So for me, the algorithm is flopping at that point 483 00:24:26,640 --> 00:24:29,240 Speaker 1: because it's like, yeah, but algorithm, I haven't follow, and 484 00:24:29,320 --> 00:24:31,040 Speaker 1: all you do is show me the doll and I'm 485 00:24:31,080 --> 00:24:34,200 Speaker 1: not giving you any positive feedback. But then again, and 486 00:24:34,240 --> 00:24:35,960 Speaker 1: then I think, am I now? Am I? Just like 487 00:24:36,680 --> 00:24:40,040 Speaker 1: our bodies, our fingers, our hands are not our own 488 00:24:40,119 --> 00:24:43,679 Speaker 1: on TikTok will be just flipping, flipping and flicking and clicking. 489 00:24:43,880 --> 00:24:46,680 Speaker 1: You know what. The solution to all of this, like 490 00:24:47,040 --> 00:24:51,000 Speaker 1: literally society's problems right now, would be everyone chop off 491 00:24:51,080 --> 00:24:54,840 Speaker 1: your thumb. Oh wow, So that way make the impulse, 492 00:24:54,960 --> 00:24:59,600 Speaker 1: the habit of like scrolling, flicking, flicking, flicking, watching without impossible. 493 00:25:00,440 --> 00:25:04,160 Speaker 1: Make it impossible to scroll. That's a rule of culture 494 00:25:04,520 --> 00:25:10,679 Speaker 1: number ninety nine, the secret society. Make it impossible to scroll. 495 00:25:11,359 --> 00:25:13,720 Speaker 1: That's actually one of the great ideas I've heard. But 496 00:25:13,920 --> 00:25:16,920 Speaker 1: you know, listen, we couldn't get the vaccine to work. 497 00:25:19,240 --> 00:25:21,000 Speaker 1: I'm saying we couldn't get the vaccine. We couldn't get 498 00:25:21,000 --> 00:25:24,000 Speaker 1: the vaccine work. You know, we couldn't get everybody on 499 00:25:24,119 --> 00:25:25,760 Speaker 1: board with the vaccine. We're not gonna get everyone on 500 00:25:25,840 --> 00:25:27,960 Speaker 1: board with chopping off their thumbs. That's what I meant. 501 00:25:28,160 --> 00:25:31,320 Speaker 1: I'm not guys, please do not get full evolution into 502 00:25:31,400 --> 00:25:33,119 Speaker 1: thinking that's sort of what we want and what we need. 503 00:25:33,280 --> 00:25:36,840 Speaker 1: That's not how evolution. I would disagree. Okay, Charles Darwin 504 00:25:36,920 --> 00:25:39,680 Speaker 1: over here looking at me like with a finger in 505 00:25:39,760 --> 00:25:42,600 Speaker 1: my face. Jesus, Jesus, I didn't know I was talking 506 00:25:42,640 --> 00:25:47,760 Speaker 1: to Charles Darwin the goddess like this reefer is hitting. 507 00:25:47,960 --> 00:25:49,320 Speaker 1: Oh my god, it's so good, and I'm telling you, 508 00:25:49,400 --> 00:25:51,200 Speaker 1: and you're like asking where do you get it? The 509 00:25:51,320 --> 00:25:54,080 Speaker 1: answer is apparently anywhere in New York. So this is 510 00:25:54,119 --> 00:25:56,119 Speaker 1: what we were saying before. Yeah, I'm walking up with 511 00:25:56,240 --> 00:25:58,440 Speaker 1: my head up in the y and all I'm seeing 512 00:25:58,520 --> 00:26:01,200 Speaker 1: our smoke shops and I walk in. I'm like, surely 513 00:26:01,240 --> 00:26:03,880 Speaker 1: they can't be selling like pre rolls and stuff. They are. Yeah, 514 00:26:03,920 --> 00:26:05,560 Speaker 1: And I said to the girl, I was like, this 515 00:26:05,720 --> 00:26:07,600 Speaker 1: is crazy, Like I lived in New York like four 516 00:26:07,680 --> 00:26:09,719 Speaker 1: or five years ago and this was not a thing, 517 00:26:09,840 --> 00:26:12,320 Speaker 1: like you do this. And she just looked at me 518 00:26:12,480 --> 00:26:14,560 Speaker 1: like I was maybe the dumbest person in the world, 519 00:26:14,640 --> 00:26:16,400 Speaker 1: Like I was the lamest dumbest person in the world, 520 00:26:16,440 --> 00:26:19,040 Speaker 1: and the fact is like she was so much cooler 521 00:26:19,080 --> 00:26:21,440 Speaker 1: than me, and like she definitely rolled this one right here, 522 00:26:21,520 --> 00:26:23,840 Speaker 1: and we love her and thank her and worship her. 523 00:26:24,400 --> 00:26:27,160 Speaker 1: But I was just like, yeah, wow, even that being 524 00:26:27,240 --> 00:26:30,560 Speaker 1: the energy is like the it's completely different. The answer 525 00:26:30,720 --> 00:26:33,720 Speaker 1: is it's an everyday commonplace situation. Yes, weed is in 526 00:26:33,800 --> 00:26:35,800 Speaker 1: New York, you can get it. But you're seeing the 527 00:26:35,840 --> 00:26:37,480 Speaker 1: way she looked at you was like, it's just like, 528 00:26:37,520 --> 00:26:39,120 Speaker 1: what are you talking about? Shut up? Of course you can. 529 00:26:39,680 --> 00:26:42,920 Speaker 1: That's New York though, That's like yeah, yeah, yeah, yeah, 530 00:26:43,320 --> 00:26:45,800 Speaker 1: it's like that. I'm just so used to going into 531 00:26:45,840 --> 00:26:47,640 Speaker 1: a coffee shop in LA and then being like, hey, 532 00:26:48,320 --> 00:26:52,440 Speaker 1: I love your shirt today. What's going on this weekend? Well, me, 533 00:26:52,920 --> 00:26:55,760 Speaker 1: I'm going to the park. I'm missing La though. Looky, 534 00:26:56,080 --> 00:26:58,640 Speaker 1: I just never've been back in a while. Okay, clarification, 535 00:26:58,840 --> 00:27:02,000 Speaker 1: I'm becoming by coastal. I'm not moving back to New 536 00:27:02,080 --> 00:27:05,720 Speaker 1: York full for wholesale. I'm becoming by coastal. It's about 537 00:27:05,760 --> 00:27:08,800 Speaker 1: by visibility. I think, if not me, then who you 538 00:27:08,840 --> 00:27:11,080 Speaker 1: know what I'm saying, you can be BiCon. You and 539 00:27:11,119 --> 00:27:12,600 Speaker 1: Phoebe Bridgers. By the way, have you listened to the 540 00:27:12,640 --> 00:27:15,560 Speaker 1: New Boy Genius. Oh absolutely, let's get into that, okay, 541 00:27:15,600 --> 00:27:17,920 Speaker 1: because I was literally I saw my hands. That's where 542 00:27:17,960 --> 00:27:20,320 Speaker 1: Matt announced finalist. I was like, oh my god, I'm obsessed. 543 00:27:20,359 --> 00:27:23,560 Speaker 1: I go to bed at like two am. I gotta 544 00:27:23,600 --> 00:27:26,200 Speaker 1: get up at like six thirty to do a seven 545 00:27:26,240 --> 00:27:28,680 Speaker 1: am pick up on Friday, and I put on the board. 546 00:27:29,040 --> 00:27:31,320 Speaker 1: I given the Boy Genius record like a couple of spins, 547 00:27:31,400 --> 00:27:34,040 Speaker 1: and I was like, great, love it. It is really 548 00:27:34,320 --> 00:27:36,920 Speaker 1: effective and important. If you listen to an album in 549 00:27:36,960 --> 00:27:40,240 Speaker 1: a state of like half consciousness, yep, if you're gropin, 550 00:27:40,560 --> 00:27:42,440 Speaker 1: if you're gravy, that's actually the best time to listen 551 00:27:42,480 --> 00:27:45,159 Speaker 1: to any music. It's like stone or brain kind of 552 00:27:45,320 --> 00:27:46,760 Speaker 1: or it's like be on a plane or yes, I 553 00:27:46,840 --> 00:27:50,760 Speaker 1: was gonna say, like in like a transient like middle ground, 554 00:27:51,240 --> 00:27:53,840 Speaker 1: like emotionally and physically on a plane that like the 555 00:27:53,920 --> 00:27:57,520 Speaker 1: Voygenius is gonna slap the opening track, which is all vocals. Yes, 556 00:27:57,840 --> 00:28:01,000 Speaker 1: I'm recorded on an iPhone or something. Yeah, it's it's amazing. 557 00:28:01,040 --> 00:28:05,080 Speaker 1: It's amazing. They're incredible. They honestly without you, without that, yes, yes, 558 00:28:05,720 --> 00:28:07,600 Speaker 1: And I genuinely think at the end of the year 559 00:28:07,640 --> 00:28:09,480 Speaker 1: we're still going to be talking about the album. I 560 00:28:09,560 --> 00:28:11,560 Speaker 1: think it's one of those. I think it's like a contender. 561 00:28:11,600 --> 00:28:14,280 Speaker 1: I think it's a finalist. I think that boy Genius 562 00:28:14,320 --> 00:28:18,320 Speaker 1: our finalists, our finalists. Yeah, I am pumped for the LCA, 563 00:28:18,440 --> 00:28:21,479 Speaker 1: the LCAs. I don't know what we can say at 564 00:28:21,520 --> 00:28:24,360 Speaker 1: this point specifically, but let's just say that there will 565 00:28:24,359 --> 00:28:27,080 Speaker 1: be a nomination's announcement very soon, perhaps even in a 566 00:28:27,520 --> 00:28:31,040 Speaker 1: new interesting way. Oh, there is a little bit of 567 00:28:31,080 --> 00:28:33,760 Speaker 1: a twist in terms of Law Skill Tresa's programming. Maybe 568 00:28:33,800 --> 00:28:36,680 Speaker 1: there's going to be more episodes than there would be 569 00:28:37,600 --> 00:28:41,520 Speaker 1: because contractually, I know it says that. I know contractually 570 00:28:41,560 --> 00:28:43,240 Speaker 1: it says we have to do more. But we actually, 571 00:28:44,080 --> 00:28:47,200 Speaker 1: and this is my sister's idea, we are going to 572 00:28:47,920 --> 00:28:51,600 Speaker 1: present you, as he said, the nominations in a very 573 00:28:51,760 --> 00:28:54,640 Speaker 1: interesting way, Yes, in an interesting way that no one's 574 00:28:54,680 --> 00:28:57,719 Speaker 1: really going to be able to predict. Certainly, no one 575 00:28:57,800 --> 00:28:59,960 Speaker 1: can connect the dots between there's going to be more epis, 576 00:29:00,000 --> 00:29:01,800 Speaker 1: So it's then we're going to be announcing the nominations 577 00:29:01,800 --> 00:29:04,040 Speaker 1: in an interesting way. Certainly, it's still a gray area, 578 00:29:04,320 --> 00:29:07,360 Speaker 1: so I can't really deduce what that could mean. You know, 579 00:29:07,720 --> 00:29:22,040 Speaker 1: stay didn't watch the Space sniky links. I can't believe 580 00:29:22,160 --> 00:29:26,080 Speaker 1: we haven't talked about this, what Taylor and Joe? Oh yeah, no, 581 00:29:26,240 --> 00:29:28,600 Speaker 1: I mean, like I knew it would come up. This 582 00:29:28,840 --> 00:29:32,280 Speaker 1: is it's just so crazy that we are really living 583 00:29:32,320 --> 00:29:38,440 Speaker 1: in breakup era, Like it is the ripple effects of 584 00:29:39,520 --> 00:29:42,600 Speaker 1: Maybe it's the scan of all, maybe it's you know, 585 00:29:42,960 --> 00:29:46,840 Speaker 1: just cosmically what's going on. I've experienced it myself. I 586 00:29:46,920 --> 00:29:49,360 Speaker 1: think you were the first drop in the pond. Certainly 587 00:29:49,400 --> 00:29:51,360 Speaker 1: it had an emotional ripple effects in my own life. 588 00:29:51,400 --> 00:29:53,280 Speaker 1: So who am I to say as someone who believes 589 00:29:53,320 --> 00:29:55,240 Speaker 1: that we're all connected very deeply, and I do believe 590 00:29:55,320 --> 00:29:58,680 Speaker 1: that that that didn't lead somehow cosmically the Taylor and 591 00:29:58,840 --> 00:30:02,600 Speaker 1: Joe's breakup. It was view scanned of all. Yeah, some 592 00:30:02,720 --> 00:30:05,680 Speaker 1: other friends I know. And as of twelve hours ago 593 00:30:05,840 --> 00:30:08,080 Speaker 1: when when the news broke Taylor and Joe, where were you? 594 00:30:08,240 --> 00:30:10,160 Speaker 1: And literally the first words I said when I heard 595 00:30:10,200 --> 00:30:14,160 Speaker 1: the news will Steven and I love that guy co 596 00:30:14,600 --> 00:30:17,040 Speaker 1: wrote Jaffar with me and Alex one of the great 597 00:30:17,120 --> 00:30:19,040 Speaker 1: boy literally between dress and they were like, you know, 598 00:30:19,200 --> 00:30:22,400 Speaker 1: making changes, writing, rending, raining, running round and he goes, yeah, 599 00:30:22,560 --> 00:30:24,160 Speaker 1: my sister just texted me this. He showed me this 600 00:30:24,280 --> 00:30:26,360 Speaker 1: when I literally first split second thought that he was 601 00:30:26,400 --> 00:30:29,000 Speaker 1: going to say that like someone was dead, we nuked 602 00:30:30,200 --> 00:30:32,360 Speaker 1: or something like. Because of his reaction, yes, I was like, 603 00:30:32,560 --> 00:30:35,800 Speaker 1: something bad just happened, Yes, like death is involved. Yeah. 604 00:30:36,000 --> 00:30:40,000 Speaker 1: And I see the headline Taylor and Joe done quits 605 00:30:40,120 --> 00:30:42,880 Speaker 1: after six years. I gasped. I said, where were you 606 00:30:43,000 --> 00:30:45,160 Speaker 1: when you found out Taylor and Joe broke up? I 607 00:30:45,360 --> 00:30:48,040 Speaker 1: was writing my Jaffar update with Bill Steve. I actually 608 00:30:48,160 --> 00:30:50,920 Speaker 1: was leaving lunch house and I we went to go 609 00:30:51,040 --> 00:30:53,560 Speaker 1: see this is actually perfect to go see the Thanksgiving 610 00:30:53,640 --> 00:30:55,680 Speaker 1: play starring Darcy Cardon, and I'm going to get into 611 00:30:55,720 --> 00:30:59,480 Speaker 1: it the final moment a finalist, and then I had 612 00:30:59,560 --> 00:31:03,720 Speaker 1: a happy hour with iconic finalist Patrick Rogers, a finalist. 613 00:31:04,040 --> 00:31:06,720 Speaker 1: We had some oysters, a couple of beers, even I 614 00:31:06,840 --> 00:31:09,880 Speaker 1: had little tiny um clam chowders. It was really a 615 00:31:10,800 --> 00:31:14,120 Speaker 1: happy hour, yeah something. The place is called like the Mermaid. 616 00:31:14,200 --> 00:31:17,480 Speaker 1: It's on tenth Avenue in like twenty fourth Street. Highly recommend. 617 00:31:18,000 --> 00:31:20,360 Speaker 1: The happy hour vibe was immaculate. And I leave and 618 00:31:20,480 --> 00:31:23,160 Speaker 1: I'm walking and I get a text from of course Jared, 619 00:31:23,440 --> 00:31:27,240 Speaker 1: who's number one swifty and he texted me and Patrick House. 620 00:31:27,560 --> 00:31:30,400 Speaker 1: They're both finalists and we're all on a group chat together. 621 00:31:30,760 --> 00:31:34,600 Speaker 1: Finalists often gather to be in groups yourself finalist. Absolutely, 622 00:31:34,760 --> 00:31:36,560 Speaker 1: you are a finalist, you know what? Yeah, you are 623 00:31:36,600 --> 00:31:39,040 Speaker 1: a Yeah, I'm actually and you're a finalist and I'm 624 00:31:39,040 --> 00:31:40,440 Speaker 1: a finalist. May have to say that about each other. 625 00:31:40,520 --> 00:31:42,840 Speaker 1: And I hope that you listening out there, that you're 626 00:31:42,920 --> 00:31:44,800 Speaker 1: living this day and I want you to listen to 627 00:31:44,880 --> 00:31:49,040 Speaker 1: this very clearly with the belief, the firm knowledge that 628 00:31:49,200 --> 00:31:51,320 Speaker 1: you are a finalist. You have to identify as a 629 00:31:51,400 --> 00:31:55,160 Speaker 1: finalist in order to behave and live through life as 630 00:31:55,200 --> 00:31:58,760 Speaker 1: a finalist. It starts with the identity. Hear me, Now, Katie, 631 00:31:59,040 --> 00:32:04,080 Speaker 1: you're a finalist, period. Now understand. This is when I 632 00:32:04,160 --> 00:32:06,760 Speaker 1: saw that Taylorstoft and Joe had broken up, and I 633 00:32:06,920 --> 00:32:09,760 Speaker 1: immediately started contacting my sources and said, do we have 634 00:32:09,760 --> 00:32:12,800 Speaker 1: any intel? Do we have any intel? What I heard 635 00:32:13,680 --> 00:32:17,120 Speaker 1: the other grapevine is that it was very much her decision, 636 00:32:17,920 --> 00:32:20,160 Speaker 1: and that it wasn't dramatic like they said, at least 637 00:32:20,200 --> 00:32:23,160 Speaker 1: on her end, but that we are moving forward in 638 00:32:23,280 --> 00:32:25,479 Speaker 1: time and that no one has to worry about her 639 00:32:25,520 --> 00:32:28,160 Speaker 1: emotional state. That's what I had heard is that she 640 00:32:28,480 --> 00:32:31,240 Speaker 1: is doing fine and well and the tour is going 641 00:32:31,280 --> 00:32:33,600 Speaker 1: to continue to be wonderful. And this has been a 642 00:32:33,720 --> 00:32:37,560 Speaker 1: thing that was like sort of done already and she's 643 00:32:38,440 --> 00:32:42,520 Speaker 1: not moved on, but like, we don't have to be concerned. Yeah, 644 00:32:42,600 --> 00:32:46,040 Speaker 1: but there was a change in the set list, yes, 645 00:32:46,200 --> 00:32:49,360 Speaker 1: from Invisible String to the one, and when I I 646 00:32:49,560 --> 00:32:51,720 Speaker 1: just kind of thought at the time, like, oh, she 647 00:32:51,920 --> 00:32:54,640 Speaker 1: just isn't committed to making every show different, which I 648 00:32:54,720 --> 00:32:57,840 Speaker 1: respected me too, But now at the clues, how is 649 00:32:57,880 --> 00:32:59,560 Speaker 1: she going to sing so much of her music that 650 00:32:59,600 --> 00:33:02,200 Speaker 1: I mean, listen, Okay of my Heart is that one 651 00:33:02,240 --> 00:33:04,120 Speaker 1: in this out list? Because I would love that it's not, 652 00:33:04,480 --> 00:33:06,160 Speaker 1: but I love it. King of my Heart is like, oh, 653 00:33:06,160 --> 00:33:08,840 Speaker 1: oh my god. Wow. Now I'm all of a sudden 654 00:33:08,920 --> 00:33:12,120 Speaker 1: like realizing it's emotional. There's so much music that she 655 00:33:12,320 --> 00:33:15,520 Speaker 1: has that I remember connecting to at a certain point, 656 00:33:15,720 --> 00:33:17,920 Speaker 1: and like I remember, I can't even listen to those 657 00:33:17,960 --> 00:33:20,760 Speaker 1: songs now. I can't listen to Mastermind, I can't listen 658 00:33:20,800 --> 00:33:23,280 Speaker 1: to like King of my Heart. Honestly, Death by a 659 00:33:23,320 --> 00:33:26,200 Speaker 1: Thousand Cuts has been slapping lately. But my thing though, 660 00:33:26,360 --> 00:33:30,520 Speaker 1: is like to have experienced it and put it into 661 00:33:31,240 --> 00:33:34,040 Speaker 1: so much of her music because it's like reputation on 662 00:33:34,680 --> 00:33:37,880 Speaker 1: It's like Joe, that's like a huge chunk of her 663 00:33:38,160 --> 00:33:42,200 Speaker 1: career her. Yeah, and like I guess, like a lot 664 00:33:42,240 --> 00:33:46,160 Speaker 1: of folklore and evermore too because they've worked on it together. Right, 665 00:33:46,520 --> 00:33:48,920 Speaker 1: that's a long one, Like that's what we take for 666 00:33:49,080 --> 00:33:51,040 Speaker 1: granted that how they've been long together for a really 667 00:33:51,080 --> 00:33:53,480 Speaker 1: long time. I thought they were gonna last. They really did. 668 00:33:53,680 --> 00:33:57,480 Speaker 1: It's breakup era. The fuck. I mean, it's been weird times. 669 00:33:57,680 --> 00:34:00,400 Speaker 1: But also here's the thing about breakup era, It's truly 670 00:34:01,360 --> 00:34:04,840 Speaker 1: transformative moment. It honestly, like I was thinking to myself 671 00:34:04,880 --> 00:34:07,200 Speaker 1: the other day. I think I even said to one 672 00:34:07,240 --> 00:34:11,040 Speaker 1: of our friends. I was like, I rotate between wishing 673 00:34:11,160 --> 00:34:13,360 Speaker 1: I had never gone through this at all and like 674 00:34:13,719 --> 00:34:16,520 Speaker 1: not even like engaged in a situation where I could 675 00:34:16,520 --> 00:34:19,000 Speaker 1: get hurt, and then also being like, no, I'm actually 676 00:34:19,120 --> 00:34:21,560 Speaker 1: really really really grateful to have gone through like a 677 00:34:21,680 --> 00:34:24,560 Speaker 1: painful thing, because I do think it like you know, 678 00:34:24,640 --> 00:34:27,960 Speaker 1: it adds to your emotional tool kit. It's like knowledge 679 00:34:28,080 --> 00:34:30,160 Speaker 1: is power about like the things that you can go through. 680 00:34:30,920 --> 00:34:33,880 Speaker 1: And so that's like the thing about breakup era that 681 00:34:33,920 --> 00:34:37,239 Speaker 1: I would say is that it's not necessarily a sad thing. 682 00:34:37,320 --> 00:34:41,000 Speaker 1: Of course, it's like hard thing, but like you have 683 00:34:41,120 --> 00:34:43,560 Speaker 1: to believe that, like you're everyone will come out of 684 00:34:43,640 --> 00:34:46,160 Speaker 1: this a better person. Like, for example, I was seeing 685 00:34:46,360 --> 00:34:48,480 Speaker 1: like you know, I guess Arianamatics is going to go 686 00:34:48,520 --> 00:34:50,800 Speaker 1: on Dancing with the Stars. I'm a good girl. Have 687 00:34:51,000 --> 00:34:54,120 Speaker 1: the moment like use this hard thing you're going through 688 00:34:54,239 --> 00:34:58,279 Speaker 1: to empower yourself and push through literally what you're describing 689 00:34:58,360 --> 00:35:00,520 Speaker 1: when you're like I would have rather know gone through 690 00:35:00,600 --> 00:35:04,399 Speaker 1: that is like eternal Sunshine. And like the whole point 691 00:35:04,440 --> 00:35:06,359 Speaker 1: of that movie is that like even if you were 692 00:35:06,400 --> 00:35:08,760 Speaker 1: to just like wipe that from your mind, your memory, 693 00:35:08,920 --> 00:35:13,279 Speaker 1: your experience, like there is this complete void in your life, 694 00:35:13,800 --> 00:35:17,000 Speaker 1: there's no way around it. Yeah, And it's also like 695 00:35:17,080 --> 00:35:20,200 Speaker 1: that movie saying it's like you can try to not live, 696 00:35:20,520 --> 00:35:22,440 Speaker 1: but if you're going to be out here living and 697 00:35:22,600 --> 00:35:25,200 Speaker 1: like change is gonna happen, like hard things are gonna happen, 698 00:35:25,280 --> 00:35:28,040 Speaker 1: Like you can't just you know, select be selective about 699 00:35:28,480 --> 00:35:31,520 Speaker 1: living life. But I got to watch that movie again. 700 00:35:31,920 --> 00:35:34,160 Speaker 1: It's so it's so cliche. How much how that is 701 00:35:34,200 --> 00:35:35,799 Speaker 1: one of my favorite movies of all It's not even 702 00:35:35,840 --> 00:35:38,320 Speaker 1: cliche because the reason it's cliche is because it actually 703 00:35:38,440 --> 00:35:40,359 Speaker 1: is good and it's high quality. And that's the thing 704 00:35:40,400 --> 00:35:44,640 Speaker 1: about hashtag basic is that sometimes when people like something, 705 00:35:44,719 --> 00:35:46,239 Speaker 1: it's because it's a good because it's good, and that's 706 00:35:46,239 --> 00:35:50,080 Speaker 1: actually really culture number four. Sometimes when people like something, 707 00:35:50,160 --> 00:35:52,440 Speaker 1: it's because it's good, and that might be something we 708 00:35:52,520 --> 00:35:55,319 Speaker 1: have to grapple with. Now, speaking of liking some things 709 00:35:55,360 --> 00:35:57,840 Speaker 1: that are good, talk about the things giving place Darring 710 00:35:58,080 --> 00:36:01,480 Speaker 1: finalist Darcy Card. Well, here's the thing. If you go 711 00:36:01,600 --> 00:36:05,080 Speaker 1: see the Thanksgiving play, you are going to basically see 712 00:36:05,200 --> 00:36:06,520 Speaker 1: Darcy Card and do all the things you want to 713 00:36:06,560 --> 00:36:09,239 Speaker 1: see her do. She's hilarious, she's charming as fuck, she 714 00:36:09,280 --> 00:36:14,400 Speaker 1: looks gorgeous, she is having fucking fun. And the cast 715 00:36:14,640 --> 00:36:19,520 Speaker 1: is incredible. It's Scott Foley icon hot icon, hilarious in 716 00:36:19,600 --> 00:36:23,080 Speaker 1: the show, Chris Sullivan, amazing actor, he's from This is Us. 717 00:36:23,200 --> 00:36:25,719 Speaker 1: He's just got like such like a like he's just 718 00:36:26,000 --> 00:36:30,400 Speaker 1: vibrant in a star. Yes, and the true icon. Her 719 00:36:30,480 --> 00:36:34,040 Speaker 1: name is Katie Finnern. She has won two tony She 720 00:36:34,120 --> 00:36:37,880 Speaker 1: won for Promises, Promises and Noises Off. She is incredible. 721 00:36:37,920 --> 00:36:39,600 Speaker 1: She's sort of the lead of the show, even though 722 00:36:39,640 --> 00:36:43,760 Speaker 1: it's a four person ensemble. She's like a real theater 723 00:36:44,480 --> 00:36:50,160 Speaker 1: actress and she is so funny and just incredible. And 724 00:36:50,280 --> 00:36:53,000 Speaker 1: I can't really say enough about the play, Like it's 725 00:36:53,040 --> 00:36:54,759 Speaker 1: not what you think it's going to be. It's called 726 00:36:54,800 --> 00:36:56,680 Speaker 1: the Thanksgiving Play. I really didn't know anything about it. 727 00:36:57,000 --> 00:37:00,279 Speaker 1: It's about these four teachers. They're four white people, a 728 00:37:00,280 --> 00:37:01,839 Speaker 1: couple of them our teachers, and they're trying to put 729 00:37:01,960 --> 00:37:05,560 Speaker 1: on an elementary school play about Thanksgiving because one of 730 00:37:05,640 --> 00:37:07,960 Speaker 1: them has gotten a grant to do that, like got 731 00:37:08,040 --> 00:37:10,840 Speaker 1: like you know, money in order to responsibly put on 732 00:37:10,960 --> 00:37:14,160 Speaker 1: like a socially conscious Thanksgiving play with elementary school students. 733 00:37:14,520 --> 00:37:17,200 Speaker 1: And the play is just about like white people trying 734 00:37:17,320 --> 00:37:21,799 Speaker 1: to negotiate and rationalize creating art that's not their experience. 735 00:37:22,080 --> 00:37:25,080 Speaker 1: And it is a very it's like a social farce, yeah, 736 00:37:25,320 --> 00:37:27,440 Speaker 1: and like a satirical for us in a way. And 737 00:37:27,640 --> 00:37:30,040 Speaker 1: it just so it goes in really fun places. It's 738 00:37:30,080 --> 00:37:33,600 Speaker 1: funny the entire time, and it's smart. It was written 739 00:37:33,640 --> 00:37:36,640 Speaker 1: by Larissa's fast Horse, who is a Native American playwright 740 00:37:36,680 --> 00:37:40,120 Speaker 1: who is really really really talented in somebody to watch 741 00:37:40,239 --> 00:37:43,120 Speaker 1: and I have to say I recommend this, And Darcy, 742 00:37:43,440 --> 00:37:45,799 Speaker 1: you're a star. And the thing is, guess what, people, 743 00:37:45,920 --> 00:37:48,760 Speaker 1: she will be back on the pod next month. I can't. 744 00:37:48,840 --> 00:37:51,400 Speaker 1: And we're gonna all get in the same room. That 745 00:37:51,560 --> 00:37:54,440 Speaker 1: was the term, yeah for all three of us, Like 746 00:37:54,719 --> 00:37:56,919 Speaker 1: it was gonna happen a couple of months ago. Didn't 747 00:37:56,960 --> 00:37:59,200 Speaker 1: work out because we couldn't get on in the same location. Yeah, 748 00:37:59,440 --> 00:38:02,120 Speaker 1: that is priority number one. And I see you readers 749 00:38:02,200 --> 00:38:03,960 Speaker 1: waiting at the stage door for her, and I met 750 00:38:04,000 --> 00:38:05,960 Speaker 1: a couple of readers in the audience last night, and like, 751 00:38:06,080 --> 00:38:08,160 Speaker 1: I'm happy and proud of the readers for going out 752 00:38:08,200 --> 00:38:11,400 Speaker 1: and seeing theaters, specifically this. It's great. And then I 753 00:38:11,520 --> 00:38:14,120 Speaker 1: just want to button one other theatrical thing, which was 754 00:38:14,200 --> 00:38:17,040 Speaker 1: I'm ready to say my thoughts about Sweeney Todd. Here 755 00:38:17,120 --> 00:38:20,279 Speaker 1: we go. So as you all know, I saw it 756 00:38:20,480 --> 00:38:25,839 Speaker 1: in previews, and I said, I'm reserving critique. It's very 757 00:38:25,880 --> 00:38:28,120 Speaker 1: smart of you, because that is literally the previews. Do 758 00:38:28,320 --> 00:38:30,719 Speaker 1: not judge a show by previous go And here's what 759 00:38:30,719 --> 00:38:34,120 Speaker 1: I would also say about previews. No, don't judge. Don't 760 00:38:34,280 --> 00:38:36,440 Speaker 1: judge a show in previews. But I will also throw 761 00:38:36,520 --> 00:38:38,759 Speaker 1: this out there, and I understand the financial reality of 762 00:38:38,840 --> 00:38:40,560 Speaker 1: Broadway and the way they make money back is what 763 00:38:40,719 --> 00:38:44,440 Speaker 1: it is, but also a little annoying to charge regular 764 00:38:44,520 --> 00:38:48,719 Speaker 1: ticket prices and really high ticket prices for preview performances. 765 00:38:48,840 --> 00:38:53,120 Speaker 1: That's all I'll say. Like it, that's all I'll say. Well, yeah, 766 00:38:53,280 --> 00:38:55,400 Speaker 1: that being said, I went back to the show now 767 00:38:55,480 --> 00:38:58,239 Speaker 1: that it's running. I'm blown away by it. I thought 768 00:38:58,280 --> 00:39:01,239 Speaker 1: it was fantastic. I'm happy I waited because they worked 769 00:39:01,280 --> 00:39:06,600 Speaker 1: some things out and the headlines are like, Josh Groban's voice. 770 00:39:06,640 --> 00:39:10,000 Speaker 1: You've never heard a score this beautiful, sung this beautifully. 771 00:39:10,800 --> 00:39:15,359 Speaker 1: It's grobabebabe. And I will say he's one of those 772 00:39:15,440 --> 00:39:17,399 Speaker 1: voices you kind of take for granted, like, oh, of course, 773 00:39:17,480 --> 00:39:21,240 Speaker 1: Josh Groban's amazing when you hear it live, it's really 774 00:39:21,640 --> 00:39:24,719 Speaker 1: just an instrument. It is beautiful, it is. It is 775 00:39:24,840 --> 00:39:28,680 Speaker 1: so resonant and so healthy and clean. But he's also 776 00:39:28,760 --> 00:39:32,279 Speaker 1: able to inject some of that anger and that you know, 777 00:39:32,520 --> 00:39:35,600 Speaker 1: that madness that Sweeney Todd has, which I think was 778 00:39:35,719 --> 00:39:39,080 Speaker 1: his challenge was finding a way to incorporate the you know, 779 00:39:39,400 --> 00:39:44,040 Speaker 1: real like from Hell depths of despair that Sweeney is 780 00:39:44,080 --> 00:39:46,640 Speaker 1: in and put that in his voice while singing the music. 781 00:39:46,719 --> 00:39:48,920 Speaker 1: Because we've heard it done so well in the past 782 00:39:49,320 --> 00:39:52,520 Speaker 1: and was really really really happy with his performance. And 783 00:39:52,640 --> 00:39:56,440 Speaker 1: Annalie Ashford, she's just one of the funniest actresses probably 784 00:39:56,560 --> 00:39:59,200 Speaker 1: that's like working on Broadway right now, I mean like 785 00:39:59,440 --> 00:40:02,200 Speaker 1: in theater general and at large, like also stupid but 786 00:40:02,360 --> 00:40:05,719 Speaker 1: funny in interviews. Yeah, she's great, just so great, so charged. 787 00:40:05,760 --> 00:40:07,560 Speaker 1: It would be fun to have on the podcast. Actually, 788 00:40:07,600 --> 00:40:09,799 Speaker 1: I know, we'd love to have you girl. We'd love 789 00:40:09,840 --> 00:40:12,600 Speaker 1: to have your girl. I have to say, like a 790 00:40:12,680 --> 00:40:15,680 Speaker 1: Little Priest was fantastic just watching them go back and forth. 791 00:40:15,960 --> 00:40:20,160 Speaker 1: Cinematography like it was gorgeous. It's a exactly what I 792 00:40:20,239 --> 00:40:23,320 Speaker 1: said I wanted, which is a high budget, big scale 793 00:40:23,400 --> 00:40:27,320 Speaker 1: Sweeney Todd. They did that for me. If I have critiques, 794 00:40:27,640 --> 00:40:29,919 Speaker 1: it's and I'm not gonna like not name any names. 795 00:40:30,040 --> 00:40:33,640 Speaker 1: There's just some casting that's not exactly right. And I 796 00:40:33,760 --> 00:40:37,640 Speaker 1: wonder if we needed to stud cast everything, because you know, 797 00:40:38,280 --> 00:40:41,600 Speaker 1: we had Josh and Annelie top lining. But overall, like 798 00:40:42,239 --> 00:40:45,520 Speaker 1: the ensemble is amazing and some of the supporting work 799 00:40:45,600 --> 00:40:48,680 Speaker 1: here is unbelievable. Ruthie and Miles do you know about her? Wait? 800 00:40:48,800 --> 00:40:51,040 Speaker 1: I know the name. Ruthie and Miles want to Tony 801 00:40:51,080 --> 00:40:56,120 Speaker 1: for the King and I she is the beggar Woman. Yes, yes, yes, 802 00:40:56,239 --> 00:40:59,200 Speaker 1: oh my god, we saw her, we saw yeah. Okay, 803 00:40:59,800 --> 00:41:03,520 Speaker 1: I'm saying give the Tony nomination to Ruthian Miles for 804 00:41:03,640 --> 00:41:05,440 Speaker 1: her performance as the beggar Woman. We've never seen a 805 00:41:05,480 --> 00:41:09,440 Speaker 1: begger woman like this. She's really scary. Her voice sounds amazing, 806 00:41:09,880 --> 00:41:12,840 Speaker 1: She's like she plays all the turns in that character, 807 00:41:13,440 --> 00:41:17,120 Speaker 1: especially having seen it twice, really appreciating her work. This 808 00:41:17,239 --> 00:41:19,920 Speaker 1: is my favorite musical, y'alls. The Beggar Woman to be 809 00:41:20,040 --> 00:41:23,360 Speaker 1: this big of a sleigh is a major Also Beatle Bamford. 810 00:41:23,360 --> 00:41:26,880 Speaker 1: His name is John Rapson. Unbelievable. The judge, the guy 811 00:41:26,920 --> 00:41:30,040 Speaker 1: who played the judge Turpin was amazing, Like, there's moments 812 00:41:30,080 --> 00:41:32,400 Speaker 1: in this that you're just like, holy fuck, this is 813 00:41:32,440 --> 00:41:34,000 Speaker 1: the most beautiful score in the world, and that's being 814 00:41:34,080 --> 00:41:36,879 Speaker 1: done well. I say it's worth it to go. If 815 00:41:36,920 --> 00:41:40,480 Speaker 1: you can see Sweeney Todd, go see it. It's really 816 00:41:40,600 --> 00:41:42,560 Speaker 1: I'm happy that I waited because the kinks that I 817 00:41:42,600 --> 00:41:44,959 Speaker 1: wanted worked out got worked out right, and we're dealing 818 00:41:45,040 --> 00:41:48,160 Speaker 1: with a good Sweeney Todd production. Now. This is great, 819 00:41:48,400 --> 00:41:53,840 Speaker 1: perfect conscious theater audience mindset. I think you have to 820 00:41:53,840 --> 00:41:55,640 Speaker 1: be honest when you're talking about the stuff just because 821 00:41:55,680 --> 00:41:58,839 Speaker 1: it is so fucking expensive. So honestly, if it wasn't good, 822 00:41:58,920 --> 00:42:01,200 Speaker 1: I'm not fucking coming here and telling the readers to 823 00:42:01,280 --> 00:42:03,480 Speaker 1: go buy a ticket to it. But I'm also saying 824 00:42:03,560 --> 00:42:07,200 Speaker 1: just like, yeah, I'm seeing something in previous m Let 825 00:42:07,280 --> 00:42:10,560 Speaker 1: me wait, Yes, you owe it to yourself to to 826 00:42:10,719 --> 00:42:13,560 Speaker 1: like everyone working on these shows. Let me wait, yeah, 827 00:42:13,680 --> 00:42:15,960 Speaker 1: to say that. And you know what the thing, too is, 828 00:42:16,000 --> 00:42:20,600 Speaker 1: It's like I'm just not interested in hearing like reactionary 829 00:42:20,719 --> 00:42:23,759 Speaker 1: review because then it becomes a thing of like, oh 830 00:42:24,520 --> 00:42:27,399 Speaker 1: can my review get shared or talked about the most? 831 00:42:27,480 --> 00:42:29,680 Speaker 1: That's like review culture to me is toxic. But that's 832 00:42:29,719 --> 00:42:33,160 Speaker 1: how like everything is like yeah, well but it's also important, 833 00:42:33,160 --> 00:42:34,920 Speaker 1: and we've talked about it on this podcast. How like 834 00:42:35,160 --> 00:42:38,279 Speaker 1: critical culture, Like critic culture, we've talked about like when 835 00:42:38,320 --> 00:42:40,359 Speaker 1: it's done well and a sun responsibly, like it can 836 00:42:40,400 --> 00:42:42,560 Speaker 1: be a very useful tool. Like I don't know if 837 00:42:42,640 --> 00:42:45,279 Speaker 1: you Oh, God, the guy who ran the New York 838 00:42:45,320 --> 00:42:48,840 Speaker 1: Times a Scott So he was on the daily and 839 00:42:48,960 --> 00:42:51,800 Speaker 1: he's like leaves retiring. Did you listen to that episode? 840 00:42:51,800 --> 00:42:53,360 Speaker 1: I listen to the episode I heard that he is 841 00:42:53,400 --> 00:42:55,799 Speaker 1: basically like I'm not doing this anymore because it's Yeah, 842 00:42:56,040 --> 00:42:58,680 Speaker 1: but a legend, a Scott no V legend. He said 843 00:42:58,719 --> 00:43:01,040 Speaker 1: something really interesting about being a critic. He said, I 844 00:43:01,120 --> 00:43:02,920 Speaker 1: feel like your job is the critic is to be 845 00:43:03,120 --> 00:43:06,640 Speaker 1: there alongside the viewer and be like a watching partner 846 00:43:07,000 --> 00:43:08,799 Speaker 1: and like a tool that they can use to help 847 00:43:08,920 --> 00:43:11,960 Speaker 1: understand why something is good or working. And like it's 848 00:43:11,960 --> 00:43:14,880 Speaker 1: almost like a companion, like a critics companion. Yes, And 849 00:43:15,080 --> 00:43:17,080 Speaker 1: I feel like it's helpful to look at it through 850 00:43:17,120 --> 00:43:19,879 Speaker 1: that lens and not like here's why this didn't work 851 00:43:20,000 --> 00:43:22,279 Speaker 1: and yeah, that and I'm being a bitch about it, 852 00:43:22,360 --> 00:43:24,880 Speaker 1: which I've definitely been guilty of. I'm sure you've been guilty, 853 00:43:25,600 --> 00:43:29,479 Speaker 1: especially on this podcast, But that's not helpful. I would say, 854 00:43:29,840 --> 00:43:32,279 Speaker 1: like ultimately, what you need to know is should you 855 00:43:32,360 --> 00:43:34,960 Speaker 1: go or not? And you should go. I express yes, 856 00:43:35,120 --> 00:43:38,640 Speaker 1: critics should walk alongside and not get out in front. Yes, 857 00:43:39,400 --> 00:43:40,920 Speaker 1: don't get out in front. Don't get out in front 858 00:43:40,920 --> 00:43:43,359 Speaker 1: because it first of all, don't stay out there. There's 859 00:43:43,360 --> 00:43:47,160 Speaker 1: a car coming. Queen period. Queen Scott is a finalist finalist. 860 00:43:47,360 --> 00:43:51,280 Speaker 1: We celebrating him. I Scot might be getting a lifetime achievement. Award. 861 00:43:52,239 --> 00:43:55,000 Speaker 1: I just spit out my coffee everywhere, did it? I 862 00:43:55,160 --> 00:43:58,080 Speaker 1: just did a spite when I heard and say that 863 00:43:58,280 --> 00:44:04,680 Speaker 1: I spit and it swallowed it. Just fine, It's just fine. Wait, 864 00:44:05,000 --> 00:44:09,239 Speaker 1: speaking of critic movie, you had a lovely experience at 865 00:44:09,280 --> 00:44:12,520 Speaker 1: the Super Mario Brothers movie. I need you to tell 866 00:44:12,640 --> 00:44:15,200 Speaker 1: me all about this. There's been so much culture that's happened, 867 00:44:15,320 --> 00:44:16,960 Speaker 1: and this is another one of those episodes. But the 868 00:44:17,080 --> 00:44:18,480 Speaker 1: vibe is much better than the last time we day. 869 00:44:18,480 --> 00:44:19,680 Speaker 1: That's where I literally have to be like I have 870 00:44:19,800 --> 00:44:22,120 Speaker 1: not had any time or emotional energy to like consume. 871 00:44:22,239 --> 00:44:25,359 Speaker 1: You need to tell me everything. This is what's iconic 872 00:44:25,400 --> 00:44:29,719 Speaker 1: about the Super Mario Brothers film. There it's basically like 873 00:44:30,360 --> 00:44:33,560 Speaker 1: you are playing the game, but in a way that's 874 00:44:33,760 --> 00:44:36,000 Speaker 1: very tongue in cheek. It's it's a lot funnier than 875 00:44:36,000 --> 00:44:37,640 Speaker 1: I thought it was going to be. Right, and also 876 00:44:38,120 --> 00:44:40,800 Speaker 1: it's like the Chris Pratt of it all is not 877 00:44:40,880 --> 00:44:43,200 Speaker 1: even the big No. You actually kind of get it 878 00:44:43,360 --> 00:44:45,719 Speaker 1: because they do this thing where it's like the people 879 00:44:45,760 --> 00:44:47,239 Speaker 1: that have seen it know what I'm talking about, but 880 00:44:47,520 --> 00:44:50,719 Speaker 1: the characters are conscious. It's like more ironic. Yeah and 881 00:44:51,160 --> 00:44:54,720 Speaker 1: they yeah, So the it's they can't make a movie 882 00:44:54,760 --> 00:44:56,600 Speaker 1: out of that, No, and so they in a funny 883 00:44:56,640 --> 00:44:59,279 Speaker 1: way sort of like round that. Yeah, and then they 884 00:45:00,000 --> 00:45:02,399 Speaker 1: I don't know, I really like Luigi in the movie 885 00:45:03,440 --> 00:45:06,120 Speaker 1: made me realize I fucking stand Luigi. And now I'm 886 00:45:06,160 --> 00:45:09,440 Speaker 1: gonna play as Luigi more. That's amazing. Yeah, I actually 887 00:45:09,480 --> 00:45:11,840 Speaker 1: respect Luigi because I actually identify as Luigi. And I 888 00:45:11,920 --> 00:45:14,040 Speaker 1: did think about this. You are sort of Mario and 889 00:45:14,120 --> 00:45:18,640 Speaker 1: I'm Luigi, and I'm obsessed with my life. Wait, like 890 00:45:18,800 --> 00:45:21,719 Speaker 1: Luigi's obsessed with his life, I'm obsessed with my life 891 00:45:21,840 --> 00:45:24,560 Speaker 1: as Luigi. Now you're not Luigi. But here's the thing. 892 00:45:24,680 --> 00:45:27,160 Speaker 1: Luigi is a star too. Is this is what the 893 00:45:27,239 --> 00:45:29,160 Speaker 1: movie proves. I don't think either of us are Mario 894 00:45:29,160 --> 00:45:31,240 Speaker 1: and Luigi for now. If that's like a good model 895 00:45:31,320 --> 00:45:33,560 Speaker 1: for you, I love. But I think I'm just saying 896 00:45:33,600 --> 00:45:36,080 Speaker 1: I identify with Luigi. Like the things Luigi goes through, 897 00:45:36,120 --> 00:45:39,600 Speaker 1: like being scared, like sort of being like he gets 898 00:45:39,600 --> 00:45:42,439 Speaker 1: thrown into the crazy world. And then when I see 899 00:45:42,560 --> 00:45:44,960 Speaker 1: him go through the things he goes through, I'm with Luigi. 900 00:45:45,120 --> 00:45:48,040 Speaker 1: And all I'm saying is I think Luigi is kind 901 00:45:48,040 --> 00:45:51,160 Speaker 1: of all of us in a way that we've never 902 00:45:51,239 --> 00:45:53,759 Speaker 1: really experienced. But I do feel that you are a 903 00:45:53,880 --> 00:45:58,160 Speaker 1: Mario figure and I think it's beautiful. And me as Luigi, 904 00:45:58,600 --> 00:46:00,200 Speaker 1: I'm kind of like looking at Luigi in the movie 905 00:46:00,239 --> 00:46:03,239 Speaker 1: and being like slay. Yeah. And so now what I'm 906 00:46:03,280 --> 00:46:05,120 Speaker 1: saying is like I think in the past, I've always 907 00:46:05,160 --> 00:46:06,640 Speaker 1: been like, I'm not going to play as Luigi. Why 908 00:46:06,640 --> 00:46:08,719 Speaker 1: would you play as Luigi? You're going to see me 909 00:46:08,760 --> 00:46:11,600 Speaker 1: on her playing as Luigi now, because I believe, I'm 910 00:46:11,640 --> 00:46:14,760 Speaker 1: gonna say this, Okay, I think Luigi is queer. Tell 911 00:46:15,040 --> 00:46:17,960 Speaker 1: me everything. I think he's a gay man. What makes 912 00:46:18,040 --> 00:46:24,880 Speaker 1: you say the overcoming narrative? Honey, we all overcome not 913 00:46:25,040 --> 00:46:30,480 Speaker 1: like this, No, no, not everyone overcomes. Just shot me 914 00:46:31,239 --> 00:46:35,160 Speaker 1: the most conviction. It's not like this, not like that. Yeah, 915 00:46:35,440 --> 00:46:37,919 Speaker 1: believe it. No, I left the movie loving Luigi. I'll 916 00:46:37,920 --> 00:46:41,040 Speaker 1: also say there's another iconic thing about the film. They 917 00:46:41,120 --> 00:46:43,719 Speaker 1: give Peach nothing but nothing I've heard, but yeah, I 918 00:46:43,760 --> 00:46:45,880 Speaker 1: heard you say, Can I say that? Yeah? That? And 919 00:46:46,120 --> 00:46:49,120 Speaker 1: yet makes it work. She first of all, I can't 920 00:46:49,160 --> 00:46:52,719 Speaker 1: believe her agents sent her this script and they were like, hey, yeah, 921 00:46:52,760 --> 00:46:55,120 Speaker 1: this is great and we have no notes about what 922 00:46:55,239 --> 00:46:57,040 Speaker 1: it is, and that she read it, and I was like, okay, 923 00:46:57,160 --> 00:46:59,720 Speaker 1: but I'm so happy that she did. On the page, 924 00:47:00,080 --> 00:47:03,120 Speaker 1: literally these are Peaches lines. It's like, Hi, I'm Peach, 925 00:47:03,800 --> 00:47:07,560 Speaker 1: I will protect us. Come with me. Are you ready? 926 00:47:08,719 --> 00:47:11,440 Speaker 1: I don't know about that. I'll go get help. I'll 927 00:47:11,480 --> 00:47:15,359 Speaker 1: get help. I will lead us again. Well, the first 928 00:47:15,360 --> 00:47:17,040 Speaker 1: thing you have to do is pass the test. It's 929 00:47:17,080 --> 00:47:20,719 Speaker 1: it's literally they give her nothing and then a purposeful 930 00:47:20,760 --> 00:47:22,400 Speaker 1: way that you must be like they had to do this, 931 00:47:22,560 --> 00:47:26,160 Speaker 1: I think maybe, And so part of me actually kind 932 00:47:26,200 --> 00:47:29,640 Speaker 1: of thinks it's incredible that she's nothing because it's and 933 00:47:29,880 --> 00:47:33,279 Speaker 1: maybe that's the point, because Nya is giving it so 934 00:47:33,560 --> 00:47:36,359 Speaker 1: much like that you're fooled into thinking it's a characterization, 935 00:47:36,680 --> 00:47:38,920 Speaker 1: but it is not. Like, of course, they do the 936 00:47:39,000 --> 00:47:40,919 Speaker 1: boring thing they do with like girl characters and movies, 937 00:47:40,920 --> 00:47:43,160 Speaker 1: which is they made it like a badass like she 938 00:47:43,200 --> 00:47:45,800 Speaker 1: doesn't were necessarily addressed when she fights, like when she 939 00:47:45,920 --> 00:47:47,960 Speaker 1: says and fights, she wears like a pen suit and 940 00:47:48,040 --> 00:47:51,000 Speaker 1: she rears a motorcycle, and it's like, oh, badass girl 941 00:47:51,120 --> 00:47:54,280 Speaker 1: boss Peach. But I almost think it would be funnier 942 00:47:54,800 --> 00:47:57,839 Speaker 1: if she was a little bit like, I don't want 943 00:47:57,880 --> 00:47:59,239 Speaker 1: to do this, you know, what I mean if she 944 00:47:59,400 --> 00:48:01,640 Speaker 1: was like a little bit more of like a girl. Yeah, 945 00:48:01,800 --> 00:48:03,960 Speaker 1: and that's a problematic for me to say. I'm just 946 00:48:04,200 --> 00:48:06,360 Speaker 1: it's boring. What they've done, like the girl Boss of 947 00:48:06,560 --> 00:48:11,239 Speaker 1: the basic hinting at girl bossification but no actual work 948 00:48:11,320 --> 00:48:14,839 Speaker 1: being done. To me, is fucking lame as hell. Yeah, yeah, yeah, 949 00:48:14,840 --> 00:48:18,120 Speaker 1: because they give every other character like a comedic hook, 950 00:48:18,600 --> 00:48:22,200 Speaker 1: but not her in fact, so that must be it, 951 00:48:22,960 --> 00:48:26,759 Speaker 1: but it's not clear enough. There's a scene where like, 952 00:48:27,520 --> 00:48:30,399 Speaker 1: because she's a human and she's amongst toads, so it's 953 00:48:30,480 --> 00:48:32,239 Speaker 1: kind of some question of like why that is? Yeah, 954 00:48:32,320 --> 00:48:34,200 Speaker 1: and so Mary is like, maybe you're from my world 955 00:48:34,600 --> 00:48:36,920 Speaker 1: and she goes, we can never know. Well, yeah, well, 956 00:48:36,920 --> 00:48:39,160 Speaker 1: because you guys were talking about this, like they ask her, peege, 957 00:48:39,200 --> 00:48:41,440 Speaker 1: where are you from? She goes, nowhere, I don't know. 958 00:48:41,640 --> 00:48:44,160 Speaker 1: I don't know. Yeah, that's that. And they're like, well, 959 00:48:44,200 --> 00:48:46,719 Speaker 1: you must be from somewhere, and she's like, I am 960 00:48:46,800 --> 00:48:50,920 Speaker 1: not engaging in this conversation. So that Meredith marks. She 961 00:48:51,239 --> 00:48:53,400 Speaker 1: she Meredith marks. But for her to be like, I 962 00:48:53,480 --> 00:48:55,880 Speaker 1: don't know where I'm where I come from? Is that 963 00:48:56,080 --> 00:48:58,320 Speaker 1: tells me that that is very intentionally her thing and 964 00:48:58,920 --> 00:49:01,719 Speaker 1: her hook in this movie. Is she has no story? Yeah, 965 00:49:01,800 --> 00:49:04,160 Speaker 1: she has no story, no story that she's not asked 966 00:49:04,200 --> 00:49:06,239 Speaker 1: a question about herself the outside of that, and then 967 00:49:06,360 --> 00:49:09,520 Speaker 1: when she is, there is no answer. It's very Julio 968 00:49:09,600 --> 00:49:13,080 Speaker 1: Torre's character. Yeah, it's like I'm a vessel. And maybe 969 00:49:13,239 --> 00:49:15,080 Speaker 1: that was purposeful. I just wish it had been a 970 00:49:15,160 --> 00:49:17,960 Speaker 1: little bit more like comedically beat in because I do 971 00:49:18,160 --> 00:49:19,960 Speaker 1: kind of like that as a choice, like that the 972 00:49:20,080 --> 00:49:24,279 Speaker 1: girl character there is nothing there as a comedic choice. 973 00:49:24,320 --> 00:49:26,680 Speaker 1: I like that is this problematic? I don't know, but 974 00:49:26,760 --> 00:49:28,560 Speaker 1: I think if it were used in a comedic way 975 00:49:28,719 --> 00:49:31,000 Speaker 1: and you could give Annie a little bit more like 976 00:49:31,640 --> 00:49:34,240 Speaker 1: nothing to work with, yeh, then it would have been funny. 977 00:49:34,320 --> 00:49:36,920 Speaker 1: And I think kind of, my god, it's it's no, 978 00:49:37,040 --> 00:49:39,799 Speaker 1: it's third wave. It's like it's third wave, like let 979 00:49:39,920 --> 00:49:44,280 Speaker 1: women be, women be nothing nothing. You know, some women 980 00:49:44,320 --> 00:49:46,920 Speaker 1: are nothing, some men are nothing, and somehow out there 981 00:49:46,960 --> 00:49:50,799 Speaker 1: are nothing. I am telling you, you meant nothings all 982 00:49:50,800 --> 00:49:52,799 Speaker 1: the time. You meet nothings all the time. I'm not thinking, 983 00:49:52,840 --> 00:49:56,640 Speaker 1: you know, I'm saying like there are nothings of every type. Oh, 984 00:49:56,719 --> 00:50:01,319 Speaker 1: there's nothings across the globe. As culture number fifty eight. 985 00:50:01,800 --> 00:50:05,160 Speaker 1: There's nothing across the globe. None of you are nothing. 986 00:50:05,320 --> 00:50:07,400 Speaker 1: If you're listening to this right now, final hear me, 987 00:50:07,520 --> 00:50:10,840 Speaker 1: right now, you are a final a list. You're not 988 00:50:10,920 --> 00:50:13,800 Speaker 1: one of these nothings. So you're not cut, you're not 989 00:50:13,880 --> 00:50:16,000 Speaker 1: in danger of being cut. You're moving on. You're moving on, 990 00:50:16,080 --> 00:50:17,440 Speaker 1: and we're gonna see you when they are. Hey, so 991 00:50:17,600 --> 00:50:20,120 Speaker 1: don't tell the others. But producers and I were talking 992 00:50:20,200 --> 00:50:22,239 Speaker 1: and you're a finalist, finalist, Oh my god, do you 993 00:50:22,320 --> 00:50:23,680 Speaker 1: think how many times do you think that happened on 994 00:50:23,760 --> 00:50:26,879 Speaker 1: like American Idol Earli days? But they're like, hey, Kelly, hey, 995 00:50:27,320 --> 00:50:30,880 Speaker 1: just it's not a big deal, don't It doesn't matter 996 00:50:32,160 --> 00:50:40,560 Speaker 1: everything that happens this week. Nicole Nicole, just Tomyra's out, 997 00:50:41,120 --> 00:50:43,719 Speaker 1: She's out, is gonna be And of course they called 998 00:50:43,800 --> 00:50:49,000 Speaker 1: Nicki mcibell, Nicole, Nicole mcibbn Nicole, Oh sorry, Nikki, Right, 999 00:50:49,239 --> 00:50:51,759 Speaker 1: we'll get it, we'll get it to Myra's out. I know, 1000 00:50:52,000 --> 00:50:58,880 Speaker 1: I know it's shocking. Just go with the finals, Hey, Kimberly, 1001 00:50:59,680 --> 00:51:03,640 Speaker 1: kim Kimberly, just quick, quick, qui quick, qui qui qui quick? 1002 00:51:04,000 --> 00:51:07,839 Speaker 1: Trenise is gone. She's gone, She's gone, She's she's gonna 1003 00:51:07,840 --> 00:51:10,239 Speaker 1: be marched o Tremier this season? Is that racist? Well 1004 00:51:10,719 --> 00:51:14,879 Speaker 1: it's two okay, okay, we can get away with ever everywhere. Yeah, 1005 00:51:14,920 --> 00:51:16,800 Speaker 1: she's out, she's out. You're the girl who's going to 1006 00:51:16,840 --> 00:51:19,680 Speaker 1: the finals. We think it's gonna be either girls. It 1007 00:51:19,760 --> 00:51:23,200 Speaker 1: gets to be either you, Ruben and Clay, and it's 1008 00:51:23,200 --> 00:51:25,520 Speaker 1: can definitely be you and Clay and then randomly Ruben. 1009 00:51:25,719 --> 00:51:28,160 Speaker 1: And here's the thing, I know, it seems like that 1010 00:51:28,280 --> 00:51:30,399 Speaker 1: means the top two definitely have to be Ruban and Clay. 1011 00:51:31,200 --> 00:51:33,160 Speaker 1: Just don't worry about it yet about you know, you 1012 00:51:33,200 --> 00:51:35,600 Speaker 1: can focus on doing a great job because we're on 1013 00:51:35,680 --> 00:51:38,239 Speaker 1: the val in the finalist. Just give it to them. 1014 00:51:38,480 --> 00:51:40,640 Speaker 1: Just give it to them tonight. What are you singing? 1015 00:51:41,320 --> 00:51:43,359 Speaker 1: Love that Somewhere the Rainbow? Oh for the third time? 1016 00:51:43,440 --> 00:51:45,319 Speaker 1: Oh yeah, that's good for you. That's good because it's 1017 00:51:45,320 --> 00:51:47,240 Speaker 1: going to remind them of the last time. She says 1018 00:51:47,360 --> 00:51:51,240 Speaker 1: somewhere over the rainbow three times that season. That's actually 1019 00:51:51,320 --> 00:51:54,960 Speaker 1: something that never gets talked about. Kimberly sheer volume of 1020 00:51:55,120 --> 00:51:57,719 Speaker 1: Somewhere over the Rainbow from Kimberly lock to the point 1021 00:51:57,760 --> 00:52:02,440 Speaker 1: where it's actually ingrained in culture at large. It's not 1022 00:52:02,800 --> 00:52:05,920 Speaker 1: we're not talking about it enough. But it's a relic. 1023 00:52:06,160 --> 00:52:08,640 Speaker 1: And that's what relic have to have happened, is to 1024 00:52:08,680 --> 00:52:11,520 Speaker 1: have to be uncovered. You have to be uncovered excavation. 1025 00:52:11,880 --> 00:52:14,880 Speaker 1: It's a cultural relic. That's the sang Somewhere over the 1026 00:52:15,000 --> 00:52:17,960 Speaker 1: Rainbow any times that season two an American idea. Yeah, 1027 00:52:18,320 --> 00:52:21,440 Speaker 1: and listen, did it work kinda? She made it all 1028 00:52:21,480 --> 00:52:24,200 Speaker 1: the way until she didn't, until she didn't. But look, 1029 00:52:24,480 --> 00:52:28,960 Speaker 1: eighth World Wonder impacted. Let's never forget the impact of 1030 00:52:29,000 --> 00:52:31,239 Speaker 1: eighth World Wonder. Are we singing eighth World Wonder as 1031 00:52:31,320 --> 00:52:34,080 Speaker 1: the opening of the Lost Cultures Culture Awards. We have 1032 00:52:34,080 --> 00:52:38,480 Speaker 1: an announcement to make one of the nominee nominees for 1033 00:52:38,640 --> 00:52:47,120 Speaker 1: Record of the Year. It's wow. Eighth World Wonder did 1034 00:52:47,160 --> 00:52:48,680 Speaker 1: not make the three hundred Songs of the Great Global 1035 00:52:48,680 --> 00:52:52,040 Speaker 1: Song Book. Unfortunately, that doesn't mean it's not a nominee 1036 00:52:52,080 --> 00:52:54,040 Speaker 1: for a Record of the Year because this we're talking 1037 00:52:54,080 --> 00:52:57,239 Speaker 1: about this year. Yes, okay, so that the three hundred 1038 00:52:57,280 --> 00:52:59,239 Speaker 1: Songs of the Great Global Songbook was of all time, 1039 00:53:00,160 --> 00:53:02,480 Speaker 1: talking about for this year. Record of the year's about 1040 00:53:02,480 --> 00:53:04,640 Speaker 1: for this year. That's why eighth Row Wondering by Kimberly 1041 00:53:04,719 --> 00:53:07,160 Speaker 1: Locke has nominated because we're talking about this year, what's that? 1042 00:53:07,280 --> 00:53:13,239 Speaker 1: What's trending now? A thing of that with the one 1043 00:53:14,880 --> 00:53:21,279 Speaker 1: her iconically chunky Verbottle. She always had a singer's voice. Yeah, 1044 00:53:22,680 --> 00:53:24,719 Speaker 1: she couldn't even like would you go? You know, it's 1045 00:53:24,760 --> 00:53:32,000 Speaker 1: like Summarine just in my down it has to be 1046 00:53:32,080 --> 00:53:34,560 Speaker 1: one of the greatest pop songs ever and that's why 1047 00:53:34,600 --> 00:53:37,360 Speaker 1: it's nominated. You know what else we heard earlier? I 1048 00:53:37,480 --> 00:53:38,920 Speaker 1: turned to my sister and I said, this is the 1049 00:53:39,040 --> 00:53:41,560 Speaker 1: only song I ever want to hear. Pieces of Me 1050 00:53:41,719 --> 00:53:45,359 Speaker 1: by Ashley Simpson and Um. At this time, we haven't 1051 00:53:45,360 --> 00:53:50,080 Speaker 1: announced on one of the nominees for Record of the 1052 00:53:50,160 --> 00:53:53,040 Speaker 1: Year at the last Schooled Rasal's Culture Awards, it's Pieces 1053 00:53:53,080 --> 00:53:56,040 Speaker 1: of Me by Ashley Simpson. So that's already two songs 1054 00:53:56,120 --> 00:54:00,239 Speaker 1: from like Bush era Radio. I wasn't thinking about it 1055 00:54:00,239 --> 00:54:01,640 Speaker 1: like Busher I Radio, because I don't have to go 1056 00:54:01,719 --> 00:54:04,800 Speaker 1: back to that time he committed war crimes. UM. But 1057 00:54:05,080 --> 00:54:07,279 Speaker 1: to hear you say that makes me realize that it's true. 1058 00:54:07,400 --> 00:54:09,800 Speaker 1: But it's okay. I think there's I think it's okay. 1059 00:54:09,960 --> 00:54:13,080 Speaker 1: I don't want to do like token Odds song Token 1060 00:54:13,280 --> 00:54:16,200 Speaker 1: you know it's like, no, we're not doing this. You know, 1061 00:54:16,680 --> 00:54:20,440 Speaker 1: there can be two nominees from everything everywhere, all at 1062 00:54:20,480 --> 00:54:23,640 Speaker 1: once and Best Supporting Actress, and I think that no 1063 00:54:23,760 --> 00:54:26,680 Speaker 1: one would even dispute it. I think what people are 1064 00:54:27,120 --> 00:54:30,879 Speaker 1: failing to remember is that we're not This isn't time 1065 00:54:30,960 --> 00:54:33,399 Speaker 1: specific in terms of all time or any specific era. 1066 00:54:33,520 --> 00:54:36,800 Speaker 1: It's record of the year this year. That's why Pieces 1067 00:54:36,840 --> 00:54:40,080 Speaker 1: of Me by Ashley Simpson is nominated. What's trending now? 1068 00:54:42,880 --> 00:54:44,800 Speaker 1: I can't, I don't. I know, I don't have to 1069 00:54:44,840 --> 00:54:46,600 Speaker 1: say it because I know that the reader's out there 1070 00:54:46,640 --> 00:54:48,040 Speaker 1: and the katies out there. They get it because you 1071 00:54:48,040 --> 00:54:50,440 Speaker 1: guys are finalists and you're still I think from the 1072 00:54:50,520 --> 00:54:52,760 Speaker 1: last time I said, it's still operating with that energy. 1073 00:54:53,000 --> 00:54:55,279 Speaker 1: I hope, I hope, but they get it. They get it, 1074 00:54:55,400 --> 00:54:57,439 Speaker 1: but not everyone gets it because some people cursory listen 1075 00:54:57,480 --> 00:54:59,320 Speaker 1: to this podcast. Some people are like, yeah, sometimes I 1076 00:54:59,400 --> 00:55:01,359 Speaker 1: listen if I see it's just you guys, or if 1077 00:55:01,400 --> 00:55:03,080 Speaker 1: I see it's a guest. I like, sometimes I listen 1078 00:55:03,080 --> 00:55:05,120 Speaker 1: because I don't love every episode. I don't like when 1079 00:55:05,120 --> 00:55:07,479 Speaker 1: it feels like compressed. But people be saying that, people 1080 00:55:07,480 --> 00:55:09,560 Speaker 1: do be saying that I go, okay, well I'm gonna 1081 00:55:09,600 --> 00:55:13,080 Speaker 1: go get ready for my sluck performance. Okay. Um, I 1082 00:55:13,160 --> 00:55:15,160 Speaker 1: will also say this, like, yeah, we t have the reddit. 1083 00:55:15,320 --> 00:55:17,560 Speaker 1: We say, you guys talking. I love the folks on 1084 00:55:17,640 --> 00:55:20,960 Speaker 1: the reddit, but sometimes they do be jumping to conclusions. 1085 00:55:21,320 --> 00:55:23,680 Speaker 1: Conclusions get jumped to. Okay, so let's just dispel some 1086 00:55:23,800 --> 00:55:25,960 Speaker 1: rumors right now. I went on the reddit and it 1087 00:55:26,040 --> 00:55:27,719 Speaker 1: was like, well, it seems like Matt didn't like Brian 1088 00:55:27,800 --> 00:55:31,640 Speaker 1: Jordan Alvrez. I fucking loved Brian Jordan ez. I was obsessed. 1089 00:55:32,160 --> 00:55:33,839 Speaker 1: And then someone else is like why they were they 1090 00:55:33,920 --> 00:55:45,720 Speaker 1: loved him, I think, and I was like, yeah, okay, 1091 00:55:45,760 --> 00:55:48,239 Speaker 1: so we're dressed back from asking Doug to have cut 1092 00:55:48,360 --> 00:55:51,600 Speaker 1: something out. Um, so we said something we would realized 1093 00:55:51,640 --> 00:55:53,439 Speaker 1: we wanted to cut out. Is that doesn't raise any 1094 00:55:53,480 --> 00:55:56,040 Speaker 1: suspicion as we talk about how you know some people, 1095 00:55:56,360 --> 00:55:58,160 Speaker 1: sometimes you guys jump to conclusions and then we omit 1096 00:55:58,320 --> 00:56:05,640 Speaker 1: full audio. There's lots of um sort of rumors on 1097 00:56:05,719 --> 00:56:10,439 Speaker 1: the podcasts and things to confirm things. Den Wait, okay, 1098 00:56:10,520 --> 00:56:12,440 Speaker 1: did I say everything that's good about Mario? It was 1099 00:56:12,520 --> 00:56:15,120 Speaker 1: so fun, but I mean I was just laughing because 1100 00:56:15,360 --> 00:56:18,960 Speaker 1: they gave Peach nothing but Anya is Oh my god, 1101 00:56:19,040 --> 00:56:22,720 Speaker 1: she does a great job. We have not seen her flop. No. Also, 1102 00:56:22,800 --> 00:56:24,920 Speaker 1: you know what's great about the Mario movie. It gives 1103 00:56:24,920 --> 00:56:27,239 Speaker 1: you everything you'd want from Mario movie in terms of 1104 00:56:27,280 --> 00:56:31,400 Speaker 1: referencing all the games. Like it references Mario Party, Mario, 1105 00:56:32,120 --> 00:56:36,440 Speaker 1: It references like the RPG type Mario movies. Oh are 1106 00:56:36,480 --> 00:56:38,640 Speaker 1: you kidding? What I mean by it references is that 1107 00:56:38,840 --> 00:56:42,640 Speaker 1: it like acts as if No, totally, that's all you need. 1108 00:56:42,880 --> 00:56:45,560 Speaker 1: That's fan service. Is literally doing the bare minimum. Yeah, 1109 00:56:45,560 --> 00:56:47,359 Speaker 1: I mean I'll say this, I'm gonna compliment the writer 1110 00:56:47,400 --> 00:56:48,960 Speaker 1: and I actually waited to see who the screener was. 1111 00:56:48,960 --> 00:56:50,759 Speaker 1: His name is Matthew Vogel. He killed it. It was 1112 00:56:50,800 --> 00:56:53,360 Speaker 1: really funny. My only note was I just wish that 1113 00:56:53,760 --> 00:56:57,200 Speaker 1: the Peach thing was more clear in either direction. Totally, totally, totally, 1114 00:56:57,320 --> 00:56:59,120 Speaker 1: But I do think it's enough for like moms who 1115 00:56:59,160 --> 00:57:01,520 Speaker 1: are taking their daughters to which like on a basic 1116 00:57:01,640 --> 00:57:03,640 Speaker 1: level to be like, oh, yeah, they made Peach, not 1117 00:57:03,800 --> 00:57:06,440 Speaker 1: just like someone that has to be rescued. She has agencies, 1118 00:57:06,520 --> 00:57:09,279 Speaker 1: she like kicks booty. Yeah, I just wish it was 1119 00:57:09,400 --> 00:57:11,480 Speaker 1: as her character was as funny as the rest of 1120 00:57:11,520 --> 00:57:13,200 Speaker 1: any of course, but maybe it wasn't it was a 1121 00:57:13,239 --> 00:57:15,759 Speaker 1: studio note. Maybe I don't know who knows. Um, we 1122 00:57:15,880 --> 00:57:18,200 Speaker 1: can never know, Actually, we can never know. All you 1123 00:57:18,280 --> 00:57:20,920 Speaker 1: see is what's on screen. That's actually so true. And 1124 00:57:21,000 --> 00:57:23,760 Speaker 1: they will say, and I'm only saying this because I'm stoned, 1125 00:57:24,840 --> 00:57:28,200 Speaker 1: Jaffar hit harder address, Jaffar hit harder address, rehearsal. And 1126 00:57:28,280 --> 00:57:31,560 Speaker 1: sometimes that's just how it goes. And sometimes you walk 1127 00:57:31,600 --> 00:57:33,680 Speaker 1: away from a show on Saturday you go, I wish 1128 00:57:33,760 --> 00:57:36,200 Speaker 1: the dress version was that on YouTube? Did you feel 1129 00:57:36,240 --> 00:57:38,320 Speaker 1: the dress audience was stronger than the live on because 1130 00:57:38,320 --> 00:57:41,840 Speaker 1: I think the dress audience is standby usually and oh yeah, 1131 00:57:41,840 --> 00:57:43,400 Speaker 1: I think I used to go to dress all the time, 1132 00:57:44,240 --> 00:57:47,720 Speaker 1: and usually it's like people are there to see Joe Bros. Right, 1133 00:57:47,880 --> 00:57:50,280 Speaker 1: you are to see the musical. Yes, yes, that audience 1134 00:57:50,400 --> 00:57:52,760 Speaker 1: is going to be into Jaffar gotta got it. I 1135 00:57:52,840 --> 00:57:57,840 Speaker 1: got like I'm saying, generationally generation, they grew up with her, 1136 00:57:57,920 --> 00:57:59,800 Speaker 1: They grew up with her. Some of these girls. I 1137 00:57:59,840 --> 00:58:02,720 Speaker 1: think we're watching like because of course a large grenzy 1138 00:58:02,840 --> 00:58:05,880 Speaker 1: population watches the show live on Saturday night, I think 1139 00:58:05,920 --> 00:58:07,600 Speaker 1: that they were watching it and being like, who the 1140 00:58:07,680 --> 00:58:11,800 Speaker 1: fuck is this crazy lady? Who's this crazy lady? Who 1141 00:58:11,960 --> 00:58:14,440 Speaker 1: is this woman? It was so funny, though, I will 1142 00:58:14,480 --> 00:58:18,520 Speaker 1: say Jafar took me for a ride, and I really 1143 00:58:18,640 --> 00:58:21,800 Speaker 1: did like like I thought it was calling out. The 1144 00:58:21,880 --> 00:58:24,240 Speaker 1: thing which is so true about Disney is that it 1145 00:58:24,520 --> 00:58:27,280 Speaker 1: is all gays. So it's insane that we're even in 1146 00:58:27,360 --> 00:58:29,760 Speaker 1: this position in the first place, where the Disney Corporation 1147 00:58:29,880 --> 00:58:33,520 Speaker 1: at any point wouldn't have just been like, yeah, of course, 1148 00:58:33,680 --> 00:58:36,040 Speaker 1: like this is something we're gonna ride hard about, like 1149 00:58:36,120 --> 00:58:38,480 Speaker 1: they had at some point given those that money to 1150 00:58:38,560 --> 00:58:41,640 Speaker 1: those politicians that supported it, of course, So that just 1151 00:58:41,840 --> 00:58:44,480 Speaker 1: the whole thing, like the whole like premise of this 1152 00:58:44,640 --> 00:58:47,880 Speaker 1: whole debate they're in about like one being right and 1153 00:58:47,960 --> 00:58:51,280 Speaker 1: one being wrong, like it started in hell. So now 1154 00:58:51,400 --> 00:58:53,880 Speaker 1: that it's like it's just these two sort of big 1155 00:58:53,920 --> 00:58:56,680 Speaker 1: old corporations like which you know just sent this is 1156 00:58:56,760 --> 00:59:02,120 Speaker 1: essentially one just fighting, and it feels crazy because ultimately, 1157 00:59:02,480 --> 00:59:04,640 Speaker 1: all we're talking about is a bunch of gays press 1158 00:59:04,720 --> 00:59:08,240 Speaker 1: him go on a roller coaster button hunt, and the 1159 00:59:08,400 --> 00:59:11,240 Speaker 1: gays are literally you're talking about like the gay cast 1160 00:59:11,360 --> 00:59:13,400 Speaker 1: members of Disney Horses. I'm talking about the girls who 1161 00:59:13,440 --> 00:59:16,240 Speaker 1: are making who are making the pizzas. I'm talking about 1162 00:59:16,240 --> 00:59:17,760 Speaker 1: the girls who are standing out front of the ride. 1163 00:59:17,760 --> 00:59:20,120 Speaker 1: I'm talking about the girl who's saying, hey, let's see 1164 00:59:20,240 --> 00:59:23,320 Speaker 1: if little Mama is tall enough to ride this ride. 1165 00:59:23,440 --> 00:59:26,160 Speaker 1: These are the gays, These are the queers, like it's 1166 00:59:26,200 --> 00:59:29,600 Speaker 1: in Disney. Should be supporting the queers because the queers 1167 00:59:29,640 --> 00:59:33,680 Speaker 1: support them, and so we have to stand against the santis. 1168 00:59:34,840 --> 00:59:38,000 Speaker 1: We have to be pro business. Girls didn't realize for 1169 00:59:38,080 --> 00:59:39,640 Speaker 1: some reason, I didn't realize what he looked like. He 1170 00:59:39,680 --> 00:59:42,800 Speaker 1: looks like he looks like a water logged teddy bear, 1171 00:59:42,920 --> 00:59:45,560 Speaker 1: you know what I mean. It's like it's unhealthy. Yeah, 1172 00:59:45,600 --> 00:59:48,160 Speaker 1: there's something about him. He's like, looks like it's like 1173 00:59:48,200 --> 00:59:50,440 Speaker 1: a picture of unhealth. And it's like all these Republicans, 1174 00:59:51,000 --> 00:59:55,000 Speaker 1: they all look so like road hard and put away, 1175 00:59:55,040 --> 00:59:57,080 Speaker 1: wet by life. I'm like, what is going on, Like 1176 00:59:57,120 --> 00:59:59,760 Speaker 1: who's looking at these people and being like aspirational? These 1177 01:00:00,000 --> 01:00:02,800 Speaker 1: people look the blood grain. Yeah, it's the blood vessels 1178 01:00:02,920 --> 01:00:06,400 Speaker 1: underneath the dermiss. There's no life in their bodies like 1179 01:00:06,440 --> 01:00:09,840 Speaker 1: Marjorie's Heller Green looks like a corpse. Yeah, all these 1180 01:00:09,920 --> 01:00:12,920 Speaker 1: men look like corpses. They're ugly and rotted from the inside. 1181 01:00:13,000 --> 01:00:16,120 Speaker 1: Out and I'm like, oh god, but don't you agree 1182 01:00:16,160 --> 01:00:19,480 Speaker 1: they're ugly? Yeah, not to be like pojartive about their 1183 01:00:19,520 --> 01:00:21,800 Speaker 1: looks like esthetically, but like these are ugly people. No, 1184 01:00:22,200 --> 01:00:29,680 Speaker 1: we've been new. Okay, well who's the hottest Republican? Remember? 1185 01:00:29,840 --> 01:00:31,560 Speaker 1: But they did that. They did that for years, like 1186 01:00:31,640 --> 01:00:33,600 Speaker 1: you know, get letting Paul Ryan get away with fucking 1187 01:00:33,800 --> 01:00:36,560 Speaker 1: bullshit and garbage because like I don't know, it gave 1188 01:00:36,640 --> 01:00:40,480 Speaker 1: like a coach sure energy, sure, sure, Oh my god. 1189 01:00:40,600 --> 01:00:42,880 Speaker 1: Remember when like this pod we would like start off 1190 01:00:42,960 --> 01:00:46,520 Speaker 1: this pod with like Aaron's Shock again, like you who 1191 01:00:46,720 --> 01:00:49,200 Speaker 1: like at this point, like who cares? That was a 1192 01:00:49,240 --> 01:00:51,160 Speaker 1: big moment in our We had a conflict about that. 1193 01:00:51,400 --> 01:00:53,600 Speaker 1: It wasn't real. It wasn't real. Well I was being 1194 01:00:53,720 --> 01:00:56,840 Speaker 1: really no, you were right, it was, so we'll just 1195 01:00:56,880 --> 01:00:59,520 Speaker 1: be We'll just be transparent about it. This was years ago. No, no, no, 1196 01:00:59,600 --> 01:01:02,479 Speaker 1: we don't have to do it. Okay, they go ahead. 1197 01:01:02,560 --> 01:01:05,800 Speaker 1: I don't know to do it at all. Here's all 1198 01:01:05,840 --> 01:01:08,400 Speaker 1: it was was. I was following Aaron Shock on Instagram 1199 01:01:08,520 --> 01:01:11,640 Speaker 1: because I was, you know, someone that hadn't quote unquote 1200 01:01:11,680 --> 01:01:14,520 Speaker 1: examined that, and so you saw that I was watching 1201 01:01:14,720 --> 01:01:16,560 Speaker 1: following Aaron Sho on Instagram and he goes, you need 1202 01:01:16,600 --> 01:01:18,760 Speaker 1: to examine that, and I remember being like, oh, that's 1203 01:01:18,920 --> 01:01:23,440 Speaker 1: where examined, That's wherein that star you're going to meet. 1204 01:01:23,440 --> 01:01:25,680 Speaker 1: You need to examine that, and you were one hundred 1205 01:01:25,760 --> 01:01:28,560 Speaker 1: percent right. But also it's it's there's no need to 1206 01:01:28,680 --> 01:01:30,640 Speaker 1: examine it. It's like people, no, there isn't need to 1207 01:01:30,800 --> 01:01:33,120 Speaker 1: examine it, like why are you following someone harmful just 1208 01:01:33,280 --> 01:01:36,080 Speaker 1: because they're esthetically looking like that? Good? Then they got you, babe. 1209 01:01:36,240 --> 01:01:39,680 Speaker 1: You can't be like mad next time. When someone like charming, 1210 01:01:39,760 --> 01:01:42,520 Speaker 1: manipulative and handsome is evil and fuck the world like 1211 01:01:42,720 --> 01:01:44,760 Speaker 1: you were a part of it, it is something to examine. 1212 01:01:46,280 --> 01:01:52,240 Speaker 1: Look what I turned to you last night? I said, 1213 01:01:52,960 --> 01:01:57,320 Speaker 1: I am just so overjoyed to see my sister. We 1214 01:01:57,440 --> 01:02:00,360 Speaker 1: had a fun little evening. It was good and after 1215 01:02:00,440 --> 01:02:02,280 Speaker 1: party spot was good. It was fun. It was fun, 1216 01:02:02,400 --> 01:02:05,360 Speaker 1: love and neue. Oh my god, oh wait, I normally 1217 01:02:05,440 --> 01:02:08,560 Speaker 1: never do this. What I was talking was talking whatever, 1218 01:02:08,600 --> 01:02:10,200 Speaker 1: I was like, milling around the party, I got to 1219 01:02:10,280 --> 01:02:12,360 Speaker 1: meet and have a little moment with Drew Barrymore. She 1220 01:02:12,520 --> 01:02:16,080 Speaker 1: was there, she was there, and it was so special. 1221 01:02:16,280 --> 01:02:19,080 Speaker 1: Oh my god, I love Okay, I'll let me. I'll 1222 01:02:19,120 --> 01:02:22,200 Speaker 1: paint the full picture, you know. I go and sit 1223 01:02:22,280 --> 01:02:24,080 Speaker 1: next to Lauren, just to check in and to talk. 1224 01:02:24,160 --> 01:02:26,560 Speaker 1: I love you, know I you know what I I love. 1225 01:02:26,640 --> 01:02:29,640 Speaker 1: We like to check in and with Daddy Boss. With 1226 01:02:29,760 --> 01:02:33,240 Speaker 1: Daddy Boss. Who comes over with Drew. Oh, she's such 1227 01:02:33,280 --> 01:02:36,040 Speaker 1: a light and she reaches out a hand to Lauren. 1228 01:02:36,680 --> 01:02:38,880 Speaker 1: It goes I just want to say, I'm not gonna 1229 01:02:38,880 --> 01:02:40,440 Speaker 1: do look at the impression. But this is just like literally, 1230 01:02:40,520 --> 01:02:41,760 Speaker 1: this is these are the words I came out of 1231 01:02:41,800 --> 01:02:43,160 Speaker 1: her mouth, and you can't help it sound a little bit, 1232 01:02:43,200 --> 01:02:45,760 Speaker 1: a little bit like Drew. I just want thank you 1233 01:02:45,880 --> 01:02:48,600 Speaker 1: so much for having me. This is one of those 1234 01:02:48,640 --> 01:02:52,440 Speaker 1: moments where I think everything in life is going so perfectly. 1235 01:02:53,080 --> 01:02:55,080 Speaker 1: This is the first night out I've had in so long. 1236 01:02:55,480 --> 01:03:00,360 Speaker 1: Thank you so much. I love you, Thank you think well. 1237 01:03:00,440 --> 01:03:02,920 Speaker 1: And we loved having blah blah. He's probably known her 1238 01:03:02,960 --> 01:03:06,120 Speaker 1: since she was a child when she hosted, when she 1239 01:03:06,520 --> 01:03:09,200 Speaker 1: didn't she hosted like five six years old. Yeah and 1240 01:03:09,320 --> 01:03:12,560 Speaker 1: so and then she turns to me and she's and 1241 01:03:12,640 --> 01:03:14,840 Speaker 1: then she was just like in baha, and then I 1242 01:03:14,960 --> 01:03:17,960 Speaker 1: just had to be like Drew, this is really surreal. 1243 01:03:18,920 --> 01:03:22,720 Speaker 1: I adore you so much, and she's a super see 1244 01:03:22,800 --> 01:03:25,120 Speaker 1: is made. And I will say, like when I when 1245 01:03:25,120 --> 01:03:27,280 Speaker 1: I was on her should to promote my special, not 1246 01:03:27,440 --> 01:03:29,479 Speaker 1: only was she that nice and that warm, but also 1247 01:03:29,600 --> 01:03:32,320 Speaker 1: like had clearly at least checked in and became really 1248 01:03:32,360 --> 01:03:35,120 Speaker 1: familiar with what I was there and like we had 1249 01:03:35,160 --> 01:03:37,080 Speaker 1: like a whole conversation about it, and she had specific 1250 01:03:37,160 --> 01:03:40,160 Speaker 1: things to say about it. Very kind, the great host 1251 01:03:40,240 --> 01:03:42,680 Speaker 1: you can tell really cares. And when I was there, 1252 01:03:42,920 --> 01:03:45,640 Speaker 1: Ross Matthews was there on her show all the time, 1253 01:03:46,280 --> 01:03:48,520 Speaker 1: and I remember I turned to him and I'm like, wow, 1254 01:03:48,640 --> 01:03:50,920 Speaker 1: she really is like a dream huh. And he was like, 1255 01:03:51,120 --> 01:03:54,200 Speaker 1: she's the best, and it's like beyond because she is 1256 01:03:54,320 --> 01:03:57,640 Speaker 1: also while simultaneously being a really fun and good co worker. 1257 01:03:57,880 --> 01:04:01,800 Speaker 1: She's also Drew Barrymore let that set. Yeah, she's like 1258 01:04:01,880 --> 01:04:04,120 Speaker 1: one of the biggest stars of the past fifty years 1259 01:04:04,240 --> 01:04:08,040 Speaker 1: for sure, And I feel really comfortable saying that she 1260 01:04:08,320 --> 01:04:11,480 Speaker 1: is an icon absolutely, and she also like cares a 1261 01:04:11,560 --> 01:04:14,440 Speaker 1: lot about the show and like is that kind? Is 1262 01:04:14,480 --> 01:04:17,360 Speaker 1: that kind? And a hugger and hugged my mother. I 1263 01:04:17,440 --> 01:04:19,040 Speaker 1: got to get like a picture, did I will show 1264 01:04:19,040 --> 01:04:24,440 Speaker 1: you this. I'm freaking Katrina Drew Barrymore and Ross Matthews 1265 01:04:24,440 --> 01:04:26,800 Speaker 1: to a picture together and it was giving family a 1266 01:04:26,880 --> 01:04:30,600 Speaker 1: four first of all, and my mother there's a picture 1267 01:04:30,600 --> 01:04:32,200 Speaker 1: of mine. I have to show you the picture. There's 1268 01:04:32,200 --> 01:04:35,160 Speaker 1: a picture of my mother hugging Drew, and my mother 1269 01:04:35,280 --> 01:04:38,240 Speaker 1: is smiling so big, and I'm like, yeah, because monoculture 1270 01:04:38,440 --> 01:04:43,120 Speaker 1: Drew Barrymore. Everybody knows who that is and loves her. 1271 01:04:43,440 --> 01:04:45,959 Speaker 1: She's a finalist and she has been since the age 1272 01:04:45,960 --> 01:04:49,520 Speaker 1: of five. Period. Let that think, Kim. They put her 1273 01:04:49,560 --> 01:04:52,680 Speaker 1: on the Neppo Baby Matrix where it was like people 1274 01:04:52,800 --> 01:04:56,600 Speaker 1: who transcend, like you kind of forget that they even cares. 1275 01:04:56,960 --> 01:04:59,120 Speaker 1: They've like really proven time and time again that like 1276 01:04:59,320 --> 01:05:03,320 Speaker 1: they are so so so indelible. Yeah, but would you 1277 01:05:03,440 --> 01:05:05,320 Speaker 1: rather not have her? Yeah, it's like you'd be a 1278 01:05:05,440 --> 01:05:08,440 Speaker 1: fool to say no. You're not saying no. It's Drew Barrymore. 1279 01:05:08,680 --> 01:05:10,120 Speaker 1: And there was a time when I was growing up 1280 01:05:10,120 --> 01:05:12,320 Speaker 1: when she was like, by far my favorite actress too, 1281 01:05:12,360 --> 01:05:15,320 Speaker 1: Like I would just die for anytime she was in anything. 1282 01:05:15,720 --> 01:05:19,120 Speaker 1: I mean, like all those movies are iconic. She's effortless. 1283 01:05:19,280 --> 01:05:22,360 Speaker 1: I went home after fifty first dates. Yeah, I was 1284 01:05:22,400 --> 01:05:26,760 Speaker 1: like in the eighth grade, No, seventh grade. I remember 1285 01:05:27,000 --> 01:05:29,240 Speaker 1: like the kind like the emotional state I was in. 1286 01:05:29,480 --> 01:05:33,080 Speaker 1: I was like devastated by that movie. Oh yeah, I 1287 01:05:33,280 --> 01:05:36,240 Speaker 1: was like Drew Barrymore fucked me up for life, but 1288 01:05:36,480 --> 01:05:40,480 Speaker 1: never life. Also have you ever seen Greg Gardens of Corman. 1289 01:05:41,120 --> 01:05:45,280 Speaker 1: It's so good. She won the Emmy. No, no, no, 1290 01:05:45,440 --> 01:05:48,720 Speaker 1: she won the Screen Actress Guild Word and can I 1291 01:05:48,760 --> 01:05:50,400 Speaker 1: ever be I'm like, oh, they probably could have given 1292 01:05:50,520 --> 01:05:53,200 Speaker 1: no one Drew Rue, I forget who won. I'm sure 1293 01:05:53,200 --> 01:05:55,160 Speaker 1: they deserved it. It was no Jessica. It was just 1294 01:05:55,720 --> 01:05:58,080 Speaker 1: then in the same they were in the same category, 1295 01:05:58,120 --> 01:06:01,000 Speaker 1: and Jessica won the Emmy, and uh, I believe the 1296 01:06:01,040 --> 01:06:02,760 Speaker 1: Golden Globe in the sag and it was like, maybe 1297 01:06:02,800 --> 01:06:05,080 Speaker 1: she'd win the Emmy and love that they both they 1298 01:06:05,120 --> 01:06:08,080 Speaker 1: both want something. Yeah that we love the spreading of 1299 01:06:08,160 --> 01:06:09,880 Speaker 1: the wells, spreading of the well But you know, it 1300 01:06:09,960 --> 01:06:12,439 Speaker 1: just felt like I'll give her the Emmy true true, 1301 01:06:12,680 --> 01:06:15,680 Speaker 1: Oh my god. And also never forget ever after which 1302 01:06:15,680 --> 01:06:18,600 Speaker 1: she was experienced for anniversary And did you see Melanie 1303 01:06:18,720 --> 01:06:22,960 Speaker 1: Melanie Lynsky was on, So I'm hearing about what's happening 1304 01:06:23,000 --> 01:06:27,720 Speaker 1: on Yellow Jackets. You're out again. There's no way I 1305 01:06:28,040 --> 01:06:31,040 Speaker 1: get it, but I am in awe of and have 1306 01:06:31,200 --> 01:06:34,800 Speaker 1: so much respect for it. I just don't think I 1307 01:06:34,880 --> 01:06:37,200 Speaker 1: could watch it. I went back to season one just 1308 01:06:37,280 --> 01:06:39,800 Speaker 1: to like watch the Melanie scenes and I was like, damn, 1309 01:06:40,280 --> 01:06:43,439 Speaker 1: yeah she is so I just can I just say, 1310 01:06:44,480 --> 01:06:48,440 Speaker 1: Melanie Lynsky interviews on YouTube better than any SMR. I mean, 1311 01:06:48,560 --> 01:06:53,800 Speaker 1: she's a legend in the moment, literally going back, here's 1312 01:06:53,840 --> 01:06:56,680 Speaker 1: the thing about Melanie Lynski, it doesn't matter what the 1313 01:06:56,840 --> 01:06:59,480 Speaker 1: task at hand is, She's going to give you a 1314 01:06:59,640 --> 01:07:04,400 Speaker 1: temp a ten like in any function. I've never seen 1315 01:07:04,440 --> 01:07:07,160 Speaker 1: anything like it. I've never seen anything like this. Meli 1316 01:07:07,280 --> 01:07:09,880 Speaker 1: Linski is a finalist. She is a finalist. She has 1317 01:07:09,960 --> 01:07:12,840 Speaker 1: been for years. She's been a finalist in Heavenly Creatures. 1318 01:07:13,400 --> 01:07:15,400 Speaker 1: She's been a finalist for You, She's been a finalist 1319 01:07:15,480 --> 01:07:18,640 Speaker 1: through Sweet Home Alabama. She'd been a finalist of her 1320 01:07:18,680 --> 01:07:22,959 Speaker 1: recent Last of Ust appearance, Last of Us. Fucking don't 1321 01:07:23,000 --> 01:07:26,360 Speaker 1: look up two and a half. Men, don't go sit 1322 01:07:26,560 --> 01:07:29,960 Speaker 1: for Melanie Lynsky. If you're not ready for a time, 1323 01:07:30,440 --> 01:07:32,320 Speaker 1: if you're not ready for a ten, just get out. 1324 01:07:32,520 --> 01:07:34,920 Speaker 1: And here's maybe the thing is, it's like yellow jackets, 1325 01:07:34,960 --> 01:07:37,640 Speaker 1: Like I'm so ready for the ten but but I 1326 01:07:37,800 --> 01:07:39,680 Speaker 1: can't kind but not this kind of ten is just 1327 01:07:39,800 --> 01:07:43,000 Speaker 1: not my not my genre. But the thing and her 1328 01:07:43,040 --> 01:07:46,480 Speaker 1: giving a ten probably heightens everything, which I'm certain it does, 1329 01:07:46,840 --> 01:07:49,600 Speaker 1: and therefore, like I've just heard that, well, okay, spoiler 1330 01:07:49,680 --> 01:07:53,240 Speaker 1: alert for the last episode of Yellow Jackets, please and 1331 01:07:53,320 --> 01:07:55,280 Speaker 1: have you watched it already? I've not watched the one 1332 01:07:55,280 --> 01:07:57,320 Speaker 1: that that just aired this week. Okay, then I can't 1333 01:07:57,320 --> 01:07:59,800 Speaker 1: say what happened because it's a huge spoiler. I know 1334 01:08:00,240 --> 01:08:02,120 Speaker 1: the thing that there's a thing that happens with a 1335 01:08:02,280 --> 01:08:05,960 Speaker 1: with a fire, the cannibals be cannibaling. Yes, that is 1336 01:08:06,280 --> 01:08:08,200 Speaker 1: at this point, I think that is generally it's it's 1337 01:08:08,240 --> 01:08:10,760 Speaker 1: it's been leading up to this the whole the whole time, right, 1338 01:08:10,920 --> 01:08:13,040 Speaker 1: and it finally has become that end of the way 1339 01:08:13,120 --> 01:08:16,519 Speaker 1: they do it is really interesting. I didn't see as 1340 01:08:16,600 --> 01:08:19,720 Speaker 1: of course I should have seen this coming, but it 1341 01:08:19,880 --> 01:08:23,000 Speaker 1: was really smart, very smart, Like I mean, like that 1342 01:08:23,120 --> 01:08:26,280 Speaker 1: wasn't really The fact that this season is choosing to 1343 01:08:26,400 --> 01:08:29,400 Speaker 1: start off coming out swinging in this way is so 1344 01:08:29,640 --> 01:08:31,760 Speaker 1: interesting to because in the present day, like the four 1345 01:08:31,840 --> 01:08:34,120 Speaker 1: women are kind of spread out, which I'm like, all right, 1346 01:08:34,120 --> 01:08:35,479 Speaker 1: I'm gonna follow this for a little bit. I do 1347 01:08:35,600 --> 01:08:37,920 Speaker 1: love it when they're all together. I personally like love 1348 01:08:38,040 --> 01:08:40,240 Speaker 1: Like my favorite parts of last season was when all 1349 01:08:40,280 --> 01:08:41,960 Speaker 1: four women in the modern day where who doesn't want 1350 01:08:41,960 --> 01:08:44,080 Speaker 1: four actresses at the top of their game tearing it up. 1351 01:08:44,760 --> 01:08:47,160 Speaker 1: It was giving me Desperate Housewives love. It was like 1352 01:08:47,320 --> 01:08:49,479 Speaker 1: full on, like it is lost me, it's desperate house 1353 01:08:49,520 --> 01:08:53,280 Speaker 1: So I yes, but with the showtimege, with that showtime edge, 1354 01:08:53,400 --> 01:08:56,439 Speaker 1: and I'm really excited to see where the season goes well. 1355 01:08:56,560 --> 01:08:59,479 Speaker 1: I was talking to Live to Live and when they 1356 01:08:59,560 --> 01:09:01,960 Speaker 1: were on, Um, I haven't seen Jasmine in a while, 1357 01:09:01,960 --> 01:09:03,400 Speaker 1: but I was talking to Live because they were on 1358 01:09:04,120 --> 01:09:07,759 Speaker 1: John Lovett's show. Yes, Yes, And I was asking them backstage. 1359 01:09:07,800 --> 01:09:09,519 Speaker 1: I was like, so this season is an earlier than 1360 01:09:09,520 --> 01:09:12,840 Speaker 1: the last season and they were like absolutely, and they 1361 01:09:12,880 --> 01:09:16,000 Speaker 1: were like, yeah, end of episode two is going to 1362 01:09:16,040 --> 01:09:19,400 Speaker 1: be a moment. And then um, towards the end of 1363 01:09:19,439 --> 01:09:21,519 Speaker 1: the season, I think it's like they said, like episodes 1364 01:09:21,800 --> 01:09:25,880 Speaker 1: six and ten or something like, there's more moments that 1365 01:09:26,040 --> 01:09:28,080 Speaker 1: are even further than that. Like by the end of 1366 01:09:28,120 --> 01:09:32,680 Speaker 1: the second season, it's like fucking rip roaring, and you 1367 01:09:32,840 --> 01:09:35,640 Speaker 1: can't do that. You personally not Roger. It's not it's 1368 01:09:35,720 --> 01:09:39,040 Speaker 1: I'm not. I'm just saying and you, I totally get it. Yeah, 1369 01:09:39,439 --> 01:09:43,439 Speaker 1: but I support and I think go off and I'll 1370 01:09:44,320 --> 01:09:45,760 Speaker 1: but it's just it's just not how I want to 1371 01:09:45,800 --> 01:09:49,080 Speaker 1: spend an hour. Get it. I totally get it. I 1372 01:09:49,160 --> 01:09:52,120 Speaker 1: wish I wasn't like this as I gaze off. I 1373 01:09:52,520 --> 01:09:54,400 Speaker 1: don't think you need to change a thing. See, this 1374 01:09:54,560 --> 01:09:58,280 Speaker 1: is when I question if I'm a finalist. Nah, I'm so, 1375 01:09:58,920 --> 01:10:03,479 Speaker 1: I'm crying, I'm I'm whipping. It's been so hard hearing 1376 01:10:03,520 --> 01:10:06,240 Speaker 1: you say that you have doubts about being a finalist 1377 01:10:07,160 --> 01:10:11,600 Speaker 1: is shake I won't except No, I'm a finalist. You 1378 01:10:11,720 --> 01:10:14,400 Speaker 1: are the finalist, Thank your queen. You are. Like Wise, 1379 01:10:15,080 --> 01:10:16,960 Speaker 1: what is going to be our big finalist moment when 1380 01:10:17,000 --> 01:10:18,479 Speaker 1: we go to Disney World? Like, do you think it's 1381 01:10:18,520 --> 01:10:21,160 Speaker 1: gonna be tron trona finalists? You did it in China? 1382 01:10:21,240 --> 01:10:24,880 Speaker 1: I did in China. Just been seven years ago, Wow, 1383 01:10:26,040 --> 01:10:29,280 Speaker 1: and I still remember it like it was yesterday. I 1384 01:10:29,320 --> 01:10:33,599 Speaker 1: can still see the China. The China never been used used. 1385 01:10:33,920 --> 01:10:37,280 Speaker 1: Titanic was called the Ship of Dreams, and it was 1386 01:10:38,080 --> 01:10:49,640 Speaker 1: it really was. Now I think it's time to go 1387 01:10:49,920 --> 01:10:52,439 Speaker 1: I don't Think It's time for sort of the final 1388 01:10:52,840 --> 01:10:56,760 Speaker 1: st F I N A l e s t the 1389 01:10:56,920 --> 01:11:01,080 Speaker 1: finalest part of any episode of Lost Culture Race. That's 1390 01:11:01,160 --> 01:11:03,360 Speaker 1: the podcast with Matt Rodgers and bow Yang, which you 1391 01:11:03,400 --> 01:11:06,080 Speaker 1: know is the current reigning Best Podcast Award winner from 1392 01:11:06,080 --> 01:11:09,160 Speaker 1: the iHeart Podcast Awards. The podcast has received critical acclaim 1393 01:11:09,200 --> 01:11:11,280 Speaker 1: and been cited in academic work for the host insight 1394 01:11:11,360 --> 01:11:14,320 Speaker 1: into the entertainment industry, and it is probably perhaps best 1395 01:11:14,360 --> 01:11:17,160 Speaker 1: known for its segment I don't Think so Honey, which 1396 01:11:17,240 --> 01:11:19,559 Speaker 1: you know, at one time did have a sold out 1397 01:11:19,680 --> 01:11:22,519 Speaker 1: national tour. This is a sixty second segment that we 1398 01:11:22,560 --> 01:11:26,240 Speaker 1: do on every episode wherein the hosts absolutely drag, destroy, 1399 01:11:27,000 --> 01:11:30,919 Speaker 1: and deconstruct things in the culture that need a dragging 1400 01:11:31,080 --> 01:11:34,960 Speaker 1: to another dye. Traditionally, I do go first. This is Matt, 1401 01:11:35,000 --> 01:11:36,519 Speaker 1: by the way, this has been my voice the whole time. 1402 01:11:36,600 --> 01:11:39,600 Speaker 1: That's Boon Yang. Hello. He'll be second in the I 1403 01:11:39,680 --> 01:11:42,880 Speaker 1: don't Think so Honey segment. I do have something Okay, 1404 01:11:43,200 --> 01:11:45,200 Speaker 1: this is Matt Rodgers. I don't think so honey. His 1405 01:11:45,360 --> 01:11:47,240 Speaker 1: time starts now. I don't Think so Honey. Of the 1406 01:11:47,280 --> 01:11:50,840 Speaker 1: two thousand and three Best Animated Film Oscar should not 1407 01:11:51,000 --> 01:11:53,280 Speaker 1: have gone to Shrek. It should have gone to Monsters Inc. 1408 01:11:53,800 --> 01:11:56,719 Speaker 1: When you think about the age old question of Shrek 1409 01:11:56,880 --> 01:11:59,280 Speaker 1: versus Monsters, Inc. You have to really sit down and 1410 01:11:59,680 --> 01:12:02,599 Speaker 1: really act like a finalist and know that Monsters Inc. 1411 01:12:03,160 --> 01:12:06,360 Speaker 1: Is better. It is funny in a real way. Conceptually 1412 01:12:06,439 --> 01:12:09,000 Speaker 1: it is fucking brilliant. The fact that like monsters are 1413 01:12:09,000 --> 01:12:11,759 Speaker 1: going into kids rooms to get scares to power their world, 1414 01:12:12,479 --> 01:12:15,000 Speaker 1: and the twist at the end of the film is 1415 01:12:15,040 --> 01:12:16,720 Speaker 1: that they actually do that with laughs, and it's even 1416 01:12:16,800 --> 01:12:19,200 Speaker 1: more powerful. That to me, is a thematic message that 1417 01:12:19,280 --> 01:12:21,920 Speaker 1: kids can understand and adults can enjoy as well. This 1418 01:12:22,640 --> 01:12:26,240 Speaker 1: was a tour to force Billy Crystal performance. Okay, you know, 1419 01:12:26,520 --> 01:12:30,080 Speaker 1: Mike Wazowski, you love the girl. My thing with Shrek 1420 01:12:30,400 --> 01:12:33,040 Speaker 1: is it's not that it's not brilliant. It's not that 1421 01:12:33,120 --> 01:12:38,080 Speaker 1: it's not funny, but it was sort of, um five seconds, 1422 01:12:38,720 --> 01:12:42,400 Speaker 1: it was disgusting. Shreck was gross. I don't think so, honey. 1423 01:12:42,520 --> 01:12:46,360 Speaker 1: That's one minute. This is such an important conversation because 1424 01:12:46,439 --> 01:12:49,599 Speaker 1: that's why I brought it up. While I agree, while 1425 01:12:49,640 --> 01:12:52,599 Speaker 1: I agree with you, oh God, I've got a Shrek 1426 01:12:52,680 --> 01:12:57,000 Speaker 1: lover and Shrek. Shrek is getting the test of time. 1427 01:12:57,560 --> 01:13:05,200 Speaker 1: And there is such a multi generational monocultural again the quality. Yeah, like, 1428 01:13:05,520 --> 01:13:08,960 Speaker 1: did you like everyone is is fucking and sucking in 1429 01:13:09,000 --> 01:13:11,439 Speaker 1: the streets because they're like, there might be a Shrek five. 1430 01:13:11,800 --> 01:13:15,560 Speaker 1: The euphoria with which the Shrek five announcement soft announcement 1431 01:13:15,680 --> 01:13:18,519 Speaker 1: was met with, I was like, this is something you know, 1432 01:13:18,600 --> 01:13:20,920 Speaker 1: we also understand is like the puss in boots of 1433 01:13:20,960 --> 01:13:23,800 Speaker 1: it all. It's huge, even which is again which is 1434 01:13:23,880 --> 01:13:28,040 Speaker 1: streaming on a Peacock, which we again love. It's a finalist. 1435 01:13:28,280 --> 01:13:31,519 Speaker 1: Peacock is a violists. Well, there's a category at less culture, 1436 01:13:31,560 --> 01:13:33,680 Speaker 1: sotis culture. What's called Streamer of the Year, Streamer of 1437 01:13:33,720 --> 01:13:35,439 Speaker 1: the Year, and there we can announce at this time 1438 01:13:35,439 --> 01:13:38,160 Speaker 1: that Peacock is a finalist, is a finalists a nominee 1439 01:13:38,280 --> 01:13:42,000 Speaker 1: category prison it's got amazing reviews. Yes, it's the posting 1440 01:13:42,040 --> 01:13:45,839 Speaker 1: boots of it all. It's literally monsters inc. Is genius 1441 01:13:45,960 --> 01:13:51,320 Speaker 1: movie as a film, it is superior, superior. Shrek does 1442 01:13:51,600 --> 01:13:56,880 Speaker 1: have this lasting power in the culture for its unfortunate 1443 01:13:57,439 --> 01:14:02,920 Speaker 1: meme potential. Shrek has the word that girl ability. That 1444 01:14:03,080 --> 01:14:06,200 Speaker 1: girl ability is a new word in the culture. When 1445 01:14:06,320 --> 01:14:09,040 Speaker 1: someone has the ability to be that girl, that girl 1446 01:14:10,240 --> 01:14:13,639 Speaker 1: and I understand that I get iconography more than almost 1447 01:14:13,760 --> 01:14:17,800 Speaker 1: anyone I know. I understand iconography when I when something hits. 1448 01:14:18,200 --> 01:14:21,719 Speaker 1: I hear you, sister, so interesting that you prefer Monsters 1449 01:14:21,760 --> 01:14:25,120 Speaker 1: inc Over Shrek. I understand the film. But Shrek is 1450 01:14:25,400 --> 01:14:28,240 Speaker 1: very Matt Rogers. Shrek is very This is such a 1451 01:14:28,439 --> 01:14:30,920 Speaker 1: dark No, no, no, no, no, it's not because it's 1452 01:14:31,160 --> 01:14:36,120 Speaker 1: It's okay. Here's a stupid fucking scene in which the 1453 01:14:36,240 --> 01:14:38,360 Speaker 1: gingerbread Man and Lord Farkard are going to recite the 1454 01:14:38,400 --> 01:14:40,560 Speaker 1: muffin Man. Okay, I did like that. Here is a 1455 01:14:40,640 --> 01:14:43,400 Speaker 1: scene where um Duluck is the song du Luck is 1456 01:14:43,439 --> 01:14:47,000 Speaker 1: welcome to do Luck. Such a perfect town here. We 1457 01:14:47,160 --> 01:14:50,679 Speaker 1: have some rules. Let us lay them down. Don't make waves, 1458 01:14:50,720 --> 01:14:53,160 Speaker 1: stay in line and we'll get a lot fine. Du 1459 01:14:53,240 --> 01:14:57,040 Speaker 1: Luck is a perfect place. Please keep up of the 1460 01:14:57,160 --> 01:15:02,120 Speaker 1: grass on your shoes, wipe your face. Duck is Dulock 1461 01:15:02,400 --> 01:15:10,800 Speaker 1: is Dulock is upper Slam. I definitely watched that a 1462 01:15:11,120 --> 01:15:13,560 Speaker 1: million times on the DVD. I would just rewind it 1463 01:15:15,160 --> 01:15:17,040 Speaker 1: again and again and again in a way I hadn't 1464 01:15:17,920 --> 01:15:20,680 Speaker 1: done in many years. I'm not saying that there's not 1465 01:15:20,880 --> 01:15:23,360 Speaker 1: iconic things about Shrek. I'm just saying as a film 1466 01:15:24,000 --> 01:15:27,960 Speaker 1: Monster z Inc it is also brings the emotion. Of course, 1467 01:15:28,479 --> 01:15:32,559 Speaker 1: the last shot Monsters Zinc. That will be a tear 1468 01:15:32,640 --> 01:15:34,960 Speaker 1: jerker for all. Oh my god, it's a finalist for 1469 01:15:34,960 --> 01:15:39,120 Speaker 1: a Best Seam up is tear jerker. Obviously, first ten minutes, verse, 1470 01:15:39,200 --> 01:15:45,160 Speaker 1: fifteen minutes, Monster Zinc builds, fucking gets you, gets you hard, 1471 01:15:45,400 --> 01:15:47,840 Speaker 1: fucking guts you like a fish in the end, gets 1472 01:15:47,920 --> 01:15:50,479 Speaker 1: you hard. But no, I mean, here's the thing. It's like, 1473 01:15:50,880 --> 01:15:54,200 Speaker 1: I just think, in looking back, like what was a 1474 01:15:54,280 --> 01:15:58,519 Speaker 1: better film? What was a better film? Readers ask yourself 1475 01:15:58,560 --> 01:16:00,240 Speaker 1: that real question? What was a better film? That we 1476 01:16:00,360 --> 01:16:04,160 Speaker 1: know the answer I'm saying, I'm not Shrek is important. 1477 01:16:04,439 --> 01:16:06,280 Speaker 1: But he was disgusting. And this is what I was 1478 01:16:06,320 --> 01:16:08,360 Speaker 1: saying at the end. Trek was disgusting. He was always 1479 01:16:08,400 --> 01:16:12,120 Speaker 1: covered in poop and fart, but and disgusting swamp. But 1480 01:16:12,360 --> 01:16:17,120 Speaker 1: Shrek gave you. Shrek gave you, Jennifer Saunders seeing holding 1481 01:16:17,160 --> 01:16:20,320 Speaker 1: out for a hero, Not the first Shrek, not the 1482 01:16:20,400 --> 01:16:24,360 Speaker 1: first shruck. Shrek gave you, Rupert Everett playing a prince 1483 01:16:24,880 --> 01:16:28,000 Speaker 1: m not the first truck anytime, Rupert Everett, We're not 1484 01:16:28,080 --> 01:16:33,040 Speaker 1: talking about Trek two three, or four ever after? Is 1485 01:16:33,080 --> 01:16:35,800 Speaker 1: that what it's called Shrek Forever After? No, Shrek Forever After, 1486 01:16:35,960 --> 01:16:38,320 Speaker 1: that's what it is. Okay, Shrek the Third struck forever 1487 01:16:38,400 --> 01:16:40,320 Speaker 1: and Cameron Diaz still does these movies even though she's 1488 01:16:40,360 --> 01:16:43,400 Speaker 1: quote unquote retired or now she's not. I'm confused about 1489 01:16:44,320 --> 01:16:47,160 Speaker 1: They might, well, Camerond has retired after Shrek Forever After. 1490 01:16:48,560 --> 01:16:50,280 Speaker 1: They're not. They're not sure she's gonna be involved in 1491 01:16:50,280 --> 01:16:52,920 Speaker 1: Truck five. Okay, but I would hope that she is. 1492 01:16:53,160 --> 01:16:55,560 Speaker 1: I mean, if there's no Fiona, then we're dealing with 1493 01:16:55,600 --> 01:16:58,559 Speaker 1: a real Princess Peach situation. Where where are the women? 1494 01:16:58,600 --> 01:17:02,040 Speaker 1: Where are the women? Anytime I walk into the room, 1495 01:17:02,160 --> 01:17:04,679 Speaker 1: I go, where are the women? It's a Princess Peach situation. 1496 01:17:05,000 --> 01:17:08,000 Speaker 1: I'm not seeing enough women and I didn't see anyone 1497 01:17:08,080 --> 01:17:11,160 Speaker 1: I came there today. Well, this is a great day, 1498 01:17:11,880 --> 01:17:18,280 Speaker 1: but I'm not seeing enough women. And I didn't see 1499 01:17:18,320 --> 01:17:22,800 Speaker 1: enough women, women or color when I walked into the rooms. 1500 01:17:22,800 --> 01:17:25,800 Speaker 1: So funny, how like we'd treated merit Ellen Pompeia leaving 1501 01:17:25,800 --> 01:17:29,360 Speaker 1: Grace's an enemy with nothing, nothing, no fanfare. She quietly left, 1502 01:17:29,439 --> 01:17:33,479 Speaker 1: quietly left the show. Is she not anymore? But she's 1503 01:17:33,479 --> 01:17:35,200 Speaker 1: still doing the she's still doing the voice over in 1504 01:17:35,200 --> 01:17:37,800 Speaker 1: the beginning. Oh well, thank god. Yeah, we can't deal 1505 01:17:37,880 --> 01:17:39,160 Speaker 1: with someone else doing that. But she's just not on 1506 01:17:39,240 --> 01:17:40,439 Speaker 1: the show. She's not on the show, but kind of 1507 01:17:40,760 --> 01:17:43,840 Speaker 1: did a Darrell Hammond left the show, still doing the 1508 01:17:43,960 --> 01:17:46,479 Speaker 1: voices up top. Well that's good, you know. Yeah, and 1509 01:17:46,640 --> 01:17:48,720 Speaker 1: we love and both of them deserve Well. I'm happy 1510 01:17:48,760 --> 01:17:51,360 Speaker 1: that we finally talked about this. Trek and Monster's inc 1511 01:17:51,400 --> 01:17:52,840 Speaker 1: of it all. This actually came up in my group 1512 01:17:52,920 --> 01:17:55,640 Speaker 1: chat the other day amongst LA gay men, and it 1513 01:17:55,760 --> 01:17:58,080 Speaker 1: got personal so much so that some people in the 1514 01:17:58,080 --> 01:18:00,280 Speaker 1: group Chad were texting me like, I feel like people 1515 01:18:00,280 --> 01:18:02,280 Speaker 1: are being mean to me because I like Shrek, and 1516 01:18:02,400 --> 01:18:05,679 Speaker 1: I was like, I refuse to engage in this. Lewis 1517 01:18:05,800 --> 01:18:07,960 Speaker 1: Rodel did say something very funny on our grouptup, which 1518 01:18:08,000 --> 01:18:11,080 Speaker 1: was that Shrek was the end of all things tasteful 1519 01:18:11,080 --> 01:18:13,599 Speaker 1: and glamorous. It was the end of glamor and taste. 1520 01:18:13,840 --> 01:18:15,720 Speaker 1: And I do believe that Trek was the end of 1521 01:18:15,840 --> 01:18:19,880 Speaker 1: glamor about but I don't care about those things exclusively. 1522 01:18:20,360 --> 01:18:24,960 Speaker 1: There is no coordinate system for anyone to pinpoint when 1523 01:18:25,120 --> 01:18:29,040 Speaker 1: was the end of I know what Lewis means. I 1524 01:18:29,439 --> 01:18:31,599 Speaker 1: think he knows you think he's being hyperbolic. I think 1525 01:18:31,680 --> 01:18:34,800 Speaker 1: he's being Yeah, okay, well listen, here's what I'll say. 1526 01:18:35,000 --> 01:18:37,439 Speaker 1: This is a discussion point for going forward, everyone readers. 1527 01:18:37,479 --> 01:18:38,840 Speaker 1: One of the questions that you're going to have to 1528 01:18:38,840 --> 01:18:41,040 Speaker 1: answer Katie in the weeks coming up as the weeks 1529 01:18:41,080 --> 01:18:44,320 Speaker 1: draw in, Um, when was the end of Glamor and Taste? 1530 01:18:44,400 --> 01:18:47,960 Speaker 1: That's the discussion topic for next week. UM. We won't 1531 01:18:48,040 --> 01:18:49,640 Speaker 1: follow up on it, but we want yell to be 1532 01:18:49,720 --> 01:18:51,840 Speaker 1: talking about and thinking about it, and please sort of 1533 01:18:51,920 --> 01:18:54,479 Speaker 1: on Twitter if it still exist, reach out and let 1534 01:18:54,600 --> 01:18:56,880 Speaker 1: us know when you think the end of Glamor and 1535 01:18:56,960 --> 01:19:01,200 Speaker 1: Taste was, because certainly it's hasn't been around and round. Um, 1536 01:19:01,280 --> 01:19:05,240 Speaker 1: this is time for bone Yang. I don't think so, honey. 1537 01:19:05,320 --> 01:19:07,240 Speaker 1: And it's gonna be very similar to the one I 1538 01:19:07,360 --> 01:19:10,880 Speaker 1: did in duration. Um as is custom bone Yang. Are 1539 01:19:10,880 --> 01:19:13,240 Speaker 1: you're ready? Yeah? This is bone Yang. Don't think so, honey. 1540 01:19:13,400 --> 01:19:15,240 Speaker 1: Time starts now, I don't think so. Any taking a 1541 01:19:15,360 --> 01:19:18,000 Speaker 1: wide stance while you're getting your milks and sugars at 1542 01:19:18,040 --> 01:19:22,400 Speaker 1: the coffee shop, compact yourself. Okay, let us get in 1543 01:19:22,680 --> 01:19:24,680 Speaker 1: so that we may also get a lid for our 1544 01:19:24,880 --> 01:19:27,560 Speaker 1: damn drink. Thank you. I'm not walking out here in 1545 01:19:27,600 --> 01:19:32,120 Speaker 1: these streets with an open cup, open container. I'm putting 1546 01:19:32,160 --> 01:19:34,560 Speaker 1: a lid on it, and you're not. You're getting in 1547 01:19:34,720 --> 01:19:38,960 Speaker 1: my way. If you are doing the splits in front 1548 01:19:39,000 --> 01:19:42,080 Speaker 1: of me at the milk counter thirty seconds, you're on fire. 1549 01:19:42,439 --> 01:19:45,920 Speaker 1: I need you to Actually, this is New York. We 1550 01:19:46,160 --> 01:19:48,880 Speaker 1: need to make space for each other. It's like I'm 1551 01:19:48,920 --> 01:19:52,280 Speaker 1: seeing everybody with backpacks on the subway leaning on the poles. 1552 01:19:52,520 --> 01:19:57,240 Speaker 1: I'm going, did the starter pack get lost in the mail? 1553 01:19:57,880 --> 01:20:00,160 Speaker 1: Because the narrative guess what it's because the narrati of this, 1554 01:20:00,479 --> 01:20:02,120 Speaker 1: I went to Yale, and now I moved to the 1555 01:20:02,160 --> 01:20:05,200 Speaker 1: city and I worked in McKenzie's, popped off the train 1556 01:20:05,280 --> 01:20:08,280 Speaker 1: at LGA with my dream in my card. Again, that's all. 1557 01:20:08,680 --> 01:20:12,280 Speaker 1: That's one minute. And if you are the girl that 1558 01:20:12,560 --> 01:20:15,439 Speaker 1: we we we were dressed were just if you're the 1559 01:20:15,520 --> 01:20:18,639 Speaker 1: girl we saw one of the best coffee shops in Brooklyn, 1560 01:20:18,760 --> 01:20:21,080 Speaker 1: Land to see love that place. If you're that girl, 1561 01:20:21,200 --> 01:20:23,040 Speaker 1: then yeah, we are talking about We're talking about you. 1562 01:20:23,120 --> 01:20:25,240 Speaker 1: You were taking a wide stance at the milks for 1563 01:20:25,360 --> 01:20:29,040 Speaker 1: a long time, long time and here's the thing. Okay, 1564 01:20:29,240 --> 01:20:31,080 Speaker 1: this is something I think it's really important to say. 1565 01:20:31,120 --> 01:20:33,120 Speaker 1: And we're gonna shout out the coffee shops that do this. 1566 01:20:33,439 --> 01:20:37,400 Speaker 1: There are stations at those tables. There is a little 1567 01:20:37,400 --> 01:20:39,439 Speaker 1: section where there's sugar. There's a little shocks on where 1568 01:20:39,439 --> 01:20:41,960 Speaker 1: there's lids, and then there's the coffee, the creamers rather 1569 01:20:42,439 --> 01:20:45,960 Speaker 1: literally horizontally spaced out. You can move down the line, 1570 01:20:46,120 --> 01:20:49,000 Speaker 1: down the line, I pray, tell, are we standing in 1571 01:20:49,120 --> 01:20:51,559 Speaker 1: the middle. It's it's like you're playing whack them all. 1572 01:20:51,800 --> 01:20:54,760 Speaker 1: This is the theme. You don't need a stance. This 1573 01:20:54,920 --> 01:20:58,000 Speaker 1: is the theme for life. Keep it moving, keep it 1574 01:20:58,240 --> 01:21:02,280 Speaker 1: moving now now and this is like something so big 1575 01:21:02,320 --> 01:21:05,240 Speaker 1: going forward that bone and I are energy for for 1576 01:21:05,439 --> 01:21:08,800 Speaker 1: right now is keeping me. Oh are you a new 1577 01:21:08,880 --> 01:21:11,360 Speaker 1: gay man? Keep you moving in to see you later. 1578 01:21:11,439 --> 01:21:13,760 Speaker 1: I don't talk to you, No new gay men, no 1579 01:21:14,080 --> 01:21:18,360 Speaker 1: new gay man this year. I'm only talking to my girls. 1580 01:21:18,520 --> 01:21:21,240 Speaker 1: I'm just kidding. He's not. Yeah, I might be ready 1581 01:21:21,280 --> 01:21:23,439 Speaker 1: to talk to gay man against that soon. I love that. 1582 01:21:23,520 --> 01:21:26,800 Speaker 1: Whenever you're ready. Yeah, I'm kind of hidden. Pause. My 1583 01:21:26,920 --> 01:21:31,400 Speaker 1: ass been on pause, but you're you are about months 1584 01:21:31,400 --> 01:21:36,200 Speaker 1: been on pause. Paws, Oh whoa think about that. About 1585 01:21:36,240 --> 01:21:40,360 Speaker 1: that on pause? Yeah, yeah, yeah, you sat on pause. 1586 01:21:40,479 --> 01:21:42,200 Speaker 1: I would like to share a story of something that 1587 01:21:42,320 --> 01:21:46,320 Speaker 1: happened recently, though I did have one hookup. Oh and 1588 01:21:46,680 --> 01:21:49,360 Speaker 1: I something happened that was really funny. I was talking 1589 01:21:49,400 --> 01:21:53,160 Speaker 1: about doing a scenario with this person. Okay, I've never 1590 01:21:53,240 --> 01:21:56,400 Speaker 1: done a scenario. I haven't really, but I don't think 1591 01:21:56,400 --> 01:21:58,720 Speaker 1: you told me about this. The scenario was going to 1592 01:21:58,760 --> 01:22:00,960 Speaker 1: be coach and player. Great, so he was going to 1593 01:22:01,040 --> 01:22:02,920 Speaker 1: be coach and I was gonna be a player, and 1594 01:22:03,040 --> 01:22:05,880 Speaker 1: we actually started it, but it was really dropped in 1595 01:22:06,360 --> 01:22:08,439 Speaker 1: and it was I think maybe too dropped in because 1596 01:22:08,479 --> 01:22:10,240 Speaker 1: he started to laugh and said, I think you might 1597 01:22:10,280 --> 01:22:13,360 Speaker 1: be too good at improv. And then we had regular sex, 1598 01:22:13,560 --> 01:22:15,720 Speaker 1: which was fantastic, but I did think it was one 1599 01:22:15,720 --> 01:22:19,439 Speaker 1: of the funniest things ever to get the show that 1600 01:22:20,000 --> 01:22:24,599 Speaker 1: to get soon he said the same thing. I literally 1601 01:22:24,680 --> 01:22:26,400 Speaker 1: was like, I think we had three three lines in 1602 01:22:26,680 --> 01:22:28,639 Speaker 1: and like it was just it was funny because he goes, 1603 01:22:28,720 --> 01:22:30,120 Speaker 1: I think it might be too real. I think you're 1604 01:22:30,120 --> 01:22:34,080 Speaker 1: too good at improv. That's so funny. Nobody steal that 1605 01:22:34,400 --> 01:22:36,760 Speaker 1: we are scripting this to the word I think you 1606 01:22:36,880 --> 01:22:42,960 Speaker 1: were too good at improv? Seconds before sex, I was like, God, thanks, 1607 01:22:43,120 --> 01:22:45,280 Speaker 1: thankful for the Lord. I was thankful for the Lord 1608 01:22:45,360 --> 01:22:48,240 Speaker 1: that day. That was really good. Guess what if you're 1609 01:22:48,280 --> 01:22:52,559 Speaker 1: out here and your chuckle fucking you got, you gotta 1610 01:22:52,680 --> 01:22:55,759 Speaker 1: just be like, Okay, I'm having sex with a funny person, 1611 01:22:57,000 --> 01:23:00,439 Speaker 1: so I gotta just like accept commit your name in 1612 01:23:00,520 --> 01:23:05,759 Speaker 1: terms of one, yeah, take two a one, or at 1613 01:23:05,760 --> 01:23:08,439 Speaker 1: the very least, don't comment on it. No, I loved it. 1614 01:23:08,760 --> 01:23:12,479 Speaker 1: Actually maybe horny. I love love. And then we laughed 1615 01:23:12,479 --> 01:23:14,240 Speaker 1: and laughed, and then I took a wide stance, if 1616 01:23:14,240 --> 01:23:16,800 Speaker 1: you know what I mean. Honey Bottom era Bottom era 1617 01:23:16,960 --> 01:23:19,719 Speaker 1: break up era bottommera. This has been what I would 1618 01:23:19,760 --> 01:23:22,120 Speaker 1: call a barn burner. There was never a dull moment. 1619 01:23:22,479 --> 01:23:25,360 Speaker 1: Chars are era. It actually really recalled, I would say, 1620 01:23:25,680 --> 01:23:29,280 Speaker 1: and honest conversation. Was that Higher Island? Yes it was. 1621 01:23:29,320 --> 01:23:32,000 Speaker 1: That was a reoriginated for Tarzard era. Isn't it funny? Didn't? Oh? 1622 01:23:32,040 --> 01:23:35,240 Speaker 1: This is a Sunday Talk Sunday Morning. Sunday Morning. Sunday 1623 01:23:35,280 --> 01:23:37,120 Speaker 1: Morning Talk is the title of this episode, and it's 1624 01:23:37,120 --> 01:23:40,840 Speaker 1: sort of as a sister app to an honest conversation. Absolutely, 1625 01:23:41,280 --> 01:23:44,400 Speaker 1: whenever we just really drill in on the fact that 1626 01:23:44,600 --> 01:23:48,120 Speaker 1: what we're really doing here is talking and say we're 1627 01:23:48,280 --> 01:23:53,519 Speaker 1: used words like conversation talk. Like that says to me, branding, 1628 01:23:53,560 --> 01:23:54,800 Speaker 1: you know what I mean? Like it says, this is 1629 01:23:54,840 --> 01:23:57,680 Speaker 1: a podcast that is talking and that you know, not 1630 01:23:57,840 --> 01:24:01,080 Speaker 1: a lot of other podcasts are that, or they don't, 1631 01:24:01,200 --> 01:24:03,240 Speaker 1: They're not up front and honest about it. This is 1632 01:24:03,280 --> 01:24:04,920 Speaker 1: a podcast where there's going to be a lot of talking. 1633 01:24:05,200 --> 01:24:08,479 Speaker 1: It's called a Sunday Morning Talk. Now you make the 1634 01:24:08,520 --> 01:24:13,840 Speaker 1: decision your move, okay, you're a move or just keep 1635 01:24:13,880 --> 01:24:16,559 Speaker 1: it moving or keep it Oh my god. The theme 1636 01:24:16,680 --> 01:24:19,680 Speaker 1: is keep it moving, your move, keep it moving. It's 1637 01:24:19,680 --> 01:24:24,240 Speaker 1: an option. That's actually rual culture Ruldre number ninety nine. 1638 01:24:24,880 --> 01:24:28,519 Speaker 1: Keep it moving, It's an option. Well, I'm so glad 1639 01:24:28,560 --> 01:24:30,800 Speaker 1: I spent this time with you. Like Wise, I'm actually 1640 01:24:30,800 --> 01:24:32,760 Speaker 1: if we're gonna believe this, I'm actually on my way 1641 01:24:32,760 --> 01:24:35,519 Speaker 1: to see another Broadway show. I'm so happy for you. 1642 01:24:35,920 --> 01:24:37,519 Speaker 1: Can you want to tell people what it is I'm 1643 01:24:37,520 --> 01:24:40,559 Speaker 1: seeing Peter Pan goes wrong? Stay tuned, stay tuned. Well, 1644 01:24:40,640 --> 01:24:43,599 Speaker 1: this was fabulous, fabulous. This was a culture catch up forever. 1645 01:24:43,800 --> 01:24:45,920 Speaker 1: This is a culture catch up forever. We didn't talk 1646 01:24:45,920 --> 01:24:48,640 Speaker 1: about Succession. I feel like Hunter Harris has all your 1647 01:24:48,640 --> 01:24:51,400 Speaker 1: Succession needs. Hi, this is Matt right now. In the 1648 01:24:51,439 --> 01:24:53,880 Speaker 1: episode we discussed Succession a little bit, and we had 1649 01:24:53,920 --> 01:24:56,320 Speaker 1: only seen the first two episodes. We have not seen 1650 01:24:56,560 --> 01:24:59,960 Speaker 1: at this point the third episode of Successions fourth season, 1651 01:25:00,000 --> 01:25:02,639 Speaker 1: and which is, of course we don't now know, one 1652 01:25:02,680 --> 01:25:05,960 Speaker 1: of the great episodes of television of all time, so apologies. 1653 01:25:06,000 --> 01:25:09,120 Speaker 1: We will discuss the episode later. It is this episode 1654 01:25:09,160 --> 01:25:12,599 Speaker 1: of Lost Cultures is only flaw and we apologized all 1655 01:25:12,680 --> 01:25:17,960 Speaker 1: right back to the episode recorded hours prior to Successions 1656 01:25:18,680 --> 01:25:25,360 Speaker 1: third app Sara's Snook is a finalist. Wow, absolutely absolutely 1657 01:25:26,160 --> 01:25:29,160 Speaker 1: so is Jeremy. I mean, I'm triggered by Kendall Roy, Jeremy, 1658 01:25:29,680 --> 01:25:34,040 Speaker 1: Jeremy Strong. And Karen's a finalist. Karen's a finalist. Brian 1659 01:25:34,360 --> 01:25:38,599 Speaker 1: can't forget Brian, can't forget him, can't forget Justine Loop 1660 01:25:39,280 --> 01:25:41,960 Speaker 1: as a finalist. I forget her. I can't forget Jay Cameron. 1661 01:25:42,280 --> 01:25:44,679 Speaker 1: She is a finalist. I want to see more Jerry. 1662 01:25:44,720 --> 01:25:46,880 Speaker 1: I'm needing more Jerry. I'm needing more Jerry too. I 1663 01:25:46,920 --> 01:25:49,200 Speaker 1: will say this also giving a finalist performance in the 1664 01:25:49,240 --> 01:25:51,400 Speaker 1: first episode and in the series at largest, Miss Cherry 1665 01:25:51,920 --> 01:25:56,600 Speaker 1: Jerry Joe, Jerry Joe the Great Artist's perfect acting of 1666 01:25:57,760 --> 01:26:01,080 Speaker 1: rich woman walking into a living room being I've had 1667 01:26:01,120 --> 01:26:04,720 Speaker 1: a terrible headache. Sorry to keep you waiting, perfect Sorry 1668 01:26:04,760 --> 01:26:07,080 Speaker 1: to keep You waiting after Jerry Jones will nail that well. 1669 01:26:07,120 --> 01:26:09,920 Speaker 1: She probably does in her real life absolutely well. At 1670 01:26:09,960 --> 01:26:12,280 Speaker 1: the end of every episode with a song I think 1671 01:26:12,400 --> 01:26:21,600 Speaker 1: of bye one. Yeah. If you want to hear the 1672 01:26:21,680 --> 01:26:25,080 Speaker 1: rest of that, you can listen to the debut album 1673 01:26:25,200 --> 01:26:28,120 Speaker 1: of Kimberly Locke. I believe it's called one Heart. Love 1674 01:26:28,200 --> 01:26:32,360 Speaker 1: that because you famously only do have one. Sometimes when 1675 01:26:32,400 --> 01:26:35,160 Speaker 1: you meet someone else it can be two, but then 1676 01:26:35,200 --> 01:26:38,960 Speaker 1: it eventually becomes one. Not in breakou stay safe, out 1677 01:26:38,960 --> 01:26:41,200 Speaker 1: for everybody. And the last thing we want to say 1678 01:26:41,400 --> 01:26:45,520 Speaker 1: is on three one two three Katie, you're a finalist. 1679 01:26:46,040 --> 01:26:46,280 Speaker 1: Bye