WEBVTT - Episode 380 w/ Special Ed

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<v Speaker 1>He is drink Chess, motherfucking podcast. He's a legendary queens rapper.

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<v Speaker 1>He ain't agreed. That's your boy in O R E.

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<v Speaker 1>He's a Miami hip hop pioneer. What Up it's DJ.

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<v Speaker 2>E f N. Together they drink it up with some of.

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<v Speaker 1>The biggest players, you know what I mean.

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<v Speaker 2>And the most professional, unprofessional podcast and your number one

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<v Speaker 2>source for drunk.

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<v Speaker 1>Fast drink chants. Motherfuck post every day.

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<v Speaker 2>Is New Year's s E. Listen, it's time for drink champs,

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<v Speaker 2>drink up, motherfucking.

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<v Speaker 3>Mother would a good be hoping he's gonna should be.

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<v Speaker 3>This your boy in O R E? What Up?

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<v Speaker 1>Is DJ E f N?

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<v Speaker 2>And this is.

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<v Speaker 3>Motherfucking classic drink Chess make And right now, when I

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<v Speaker 3>tell you, man, this man basically raised me with his music.

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<v Speaker 1>Man legend.

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<v Speaker 3>This man has been out here, you know what I mean,

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<v Speaker 3>a monkey foot in the game for years. We've been

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<v Speaker 3>working out to it all week, listening to his music.

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<v Speaker 3>Just the brush up on what's going on.

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<v Speaker 2>Man.

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<v Speaker 3>The man is. It's a legend of legend. He's an icon.

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<v Speaker 3>His wordplay, the ship that he was doing back then,

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<v Speaker 3>Holy moly, guacamole is still doing now still got festival,

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<v Speaker 3>still got.

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<v Speaker 1>Shit going on. In case you don't know the fun

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<v Speaker 1>we about.

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<v Speaker 2>Now.

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<v Speaker 3>This is a song where I was going through your catalog.

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<v Speaker 3>This is a song immediately and never go back?

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<v Speaker 1>Yeah, Man, is that?

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<v Speaker 2>Can I live sample? Nah?

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<v Speaker 1>Can I live sample? Never go back?

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<v Speaker 3>That's what I'm saying, That's what I mean.

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<v Speaker 2>Well, I came out first with it. That was produced

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<v Speaker 2>by hit Man How We Tea? And first, let me

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<v Speaker 2>just tell T send my love and respect in regards

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<v Speaker 2>to hit Man How We te Man?

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<v Speaker 1>He changed my life.

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<v Speaker 2>He changed a lot of people's lives man, but mind

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<v Speaker 2>especially Man since I was fifteen years old.

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<v Speaker 1>Wow.

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<v Speaker 2>He's also produced for Chub Rocks absolutely chub Rock, Little

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<v Speaker 2>Sean Pumo, Whistle U TF folder, Real Rock Saying, and

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<v Speaker 2>the list goes on and on.

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<v Speaker 3>Yeah, So let's let's get back to what we were

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<v Speaker 3>talking about being for that.

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<v Speaker 2>Never go back the sample.

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<v Speaker 3>Because I'm listening to it. Wow, did Jay get that

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<v Speaker 3>off for you?

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<v Speaker 1>Absolutely?

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<v Speaker 2>At least at least I did because I put it

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<v Speaker 2>out first. I mean, the way it goes and hip

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<v Speaker 2>hop is when you hear something and then.

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<v Speaker 1>You do it. You did it based on what you heard.

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<v Speaker 2>Is it.

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<v Speaker 1>How we did that, I don't know.

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<v Speaker 2>We could look on like Isaac cays, you can look

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<v Speaker 2>on whose sample or whatever, but yeah, how we I

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<v Speaker 2>just coming, I just come in the studio, and how

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<v Speaker 2>we got it playing. I actually wrote that joint in

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<v Speaker 2>probably about thirty minutes the whole song, because that's how

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<v Speaker 2>charged I was.

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<v Speaker 1>Off the beat. I was like, oh, this ship is hard, and.

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<v Speaker 2>It's the kind of yeah, it's the kind of vibing

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<v Speaker 2>level you could really kind of freestyle. But there was

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<v Speaker 2>factors involved. He was at the time, he was working

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<v Speaker 2>with Little Vicious. Yeah, so I threw them in there.

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<v Speaker 2>Donovan shout outs to the hustler. You know what I'm saying,

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<v Speaker 2>and that see you got the Saint Norir hosest.

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<v Speaker 1>All praises.

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<v Speaker 2>Do I need one man sat ed candle burn that

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<v Speaker 2>shit all day?

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<v Speaker 1>Yeah. I'm Jamaican ja.

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<v Speaker 4>Yeah.

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<v Speaker 2>And that's one of the reasons why my first record

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<v Speaker 2>I said I'm not a Puerto Rican because coming from

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<v Speaker 2>Brooklyn and so much cultural diversity in the New York,

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<v Speaker 2>everybody thought I was everything Dominican Puerto Rican every day.

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<v Speaker 2>So I had to kind of dispel that one time.

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<v Speaker 2>But I never got the answer Jamaican from anybody, right.

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<v Speaker 3>Because I always I mean, listening to your music, we

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<v Speaker 3>always hear when you pick up the flat buysh and

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<v Speaker 3>all that. I always thought that you were Guyanese. I

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<v Speaker 3>always thought that to me, Guyanese like Jamaica's cousins.

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<v Speaker 1>Right, well, we's all from the Caribbean.

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<v Speaker 2>It's all the Caribbean, same areas, you know what I mean,

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<v Speaker 2>Puerto Rican, Cuba, Yeah, yeah, yeah, yeah, it's just the colonizes.

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<v Speaker 2>I believe language the colonizer spoke right right, yeah, I believe.

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<v Speaker 3>The first time I met you, I said, are you

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<v Speaker 3>a Puerto Rican? I was like, this motherfucker said that ship.

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<v Speaker 1>He's not a Puerto Rican.

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<v Speaker 3>And I said, listen, all right, let's let's.

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<v Speaker 2>Do you know.

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<v Speaker 3>You have arguably one of the best beats ever made

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<v Speaker 3>in hip hop.

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<v Speaker 1>Howie Tea once again?

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<v Speaker 2>I got it made, how made ty? How We Tea

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<v Speaker 2>changed my life. He actually produced the entire first album,

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<v Speaker 2>Young and Youngest in Sharks, and at the time I

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<v Speaker 2>was fifteen years old, so I was just really r

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<v Speaker 2>y Ronan. But I was actually going through the crates

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<v Speaker 2>with him and I was doing some producing myself, and

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<v Speaker 2>he actually wanted to give me producer credit and I refused.

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<v Speaker 2>I was now, man, I was like back then, yeah,

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<v Speaker 2>back then, because I was just honored to have.

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<v Speaker 3>Him, as you'd have been the first, off, daddy, the first, like.

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<v Speaker 1>I am the first.

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<v Speaker 2>I am unequivocal.

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<v Speaker 3>Me now.

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<v Speaker 2>And in terms of that, now, let's talk about that

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<v Speaker 2>we are we invented all that remix ship period, so

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<v Speaker 2>they could claim whatever they want, but how We Tea

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<v Speaker 2>was the one. How we remix everything, and not just

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<v Speaker 2>for me, for every other artist as well. So when

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<v Speaker 2>they talk about remix this and we the remix that, no,

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<v Speaker 2>y'all not man, how we Tea Brooklyn, New York, let's go,

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<v Speaker 2>it's like Harry.

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<v Speaker 1>I can't even put it on blasts.

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<v Speaker 3>And so last night, because I got the worst phone

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<v Speaker 3>in the world, I'm gonna send this to hash. You

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<v Speaker 3>got the better phone, right, I mean, yes, this.

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<v Speaker 2>Was this last time we tea to remain one.

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<v Speaker 3>Kids hooked up so you could play it.

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<v Speaker 1>Your little Bobby, how did you guess? Connect you and

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<v Speaker 1>Howie te how we tea?

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<v Speaker 2>Howie Tea lived across the street from my first cousins flat,

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<v Speaker 2>So yeah, so we grew up right across the street.

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<v Speaker 2>From each other, and they were friends, family friends, so

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<v Speaker 2>I seen it, neew them all my life, like when

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<v Speaker 2>they first came out, we'll like get tough in like

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<v Speaker 2>eighty two eighty three.

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<v Speaker 4>Like we was.

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<v Speaker 1>We was there. I was there when it was making.

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<v Speaker 1>He's brock cousin.

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<v Speaker 2>Oh okay okay, And I believe actually little Sean had

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<v Speaker 2>to bring him to Howie he you know, he was bashful.

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<v Speaker 2>I guess you know what I'm saying, But I wasn't.

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<v Speaker 2>So I went to my cousin and I was like, yo,

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<v Speaker 2>take me across the street. When I was little, they

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<v Speaker 2>used to hold my hand to walk across the street.

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<v Speaker 1>No, I was that little, was always was.

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<v Speaker 2>But that's how long I've been around how we tea

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<v Speaker 2>and production and all that stuff. So they used to

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<v Speaker 2>take me across the street to watch them make mixtapes.

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<v Speaker 1>They used to have to set outside and DJ and hap.

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<v Speaker 2>Yeah, because they used to have the crew out there

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<v Speaker 2>with the mics, And to me as a little dude,

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<v Speaker 2>it was like incredible. I was like, oh ship, they

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<v Speaker 2>up here performing in the driveway in the backyard type shit.

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<v Speaker 1>But they making mixtapes.

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<v Speaker 5>I mean.

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<v Speaker 2>And that was my first real hands on exposure, and

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<v Speaker 2>then one time he made a mixtape and he remade

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<v Speaker 2>the Bubble Bunch Beat. Shout out to Jimmy Spicer Man

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<v Speaker 2>because that's my other biggest influence because he was from

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<v Speaker 2>Flatbush two he was from Brooklyn and super round Bubble

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<v Speaker 2>Bunch Dollar Bill y'all. Yeah, that was Jimmy Spicer Man.

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<v Speaker 2>I used to listen to that religiously.

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<v Speaker 3>So you said you had You just did a concert

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<v Speaker 3>in Cony Island.

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<v Speaker 1>Oh yeah, I curate. I do concerts.

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<v Speaker 2>I did Coney Island Hip Hop fiftieth with Summer Stage

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<v Speaker 2>with City Parks Foundations. Yeah, and I got another one

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<v Speaker 2>coming up on Sunday. I'm doing a Native Tongues tribute

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<v Speaker 2>with Red Alert, Jungle Brothers, Chili, Black Sheep, Dress, Money Love. Yeah,

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<v Speaker 2>Sunday Sunday Sunday was incredible. I had an incredible line up, man,

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<v Speaker 2>and it was a bunch of cl smooth, nice and smooth.

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<v Speaker 2>It was a man I got a flyer, but my memory,

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<v Speaker 2>but it was like twelve acts on it, even even

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<v Speaker 2>Joe Skie Love Oh wow, yeah, yeah who I had

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<v Speaker 2>on this Sparky d Yeah, sweet Tea.

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<v Speaker 1>What's up with's moving?

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<v Speaker 3>P rock Man?

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<v Speaker 1>They can't get along. Well, I'm I don't know, man,

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<v Speaker 1>you know that's between them.

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<v Speaker 2>But I do know that I'm you know, family with

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<v Speaker 2>both of them, and I always encourage them to get

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<v Speaker 2>the people what they want because that's what it's about,

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<v Speaker 2>you know what I'm saying. Anytime I see discord, you know,

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<v Speaker 2>I know what that's about. You know, we donet been

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<v Speaker 2>through it. I don't been through it. I've been in

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<v Speaker 2>this game over thirty years, so I know how to go,

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<v Speaker 2>you know what I'm saying. And the most important thing though,

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<v Speaker 2>is not to destroy the brand, the legacy, because that's

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<v Speaker 2>what the people want. Sure they'll enjoy you separately, but

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<v Speaker 2>at the end of the day, it's really about that.

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<v Speaker 1>Yeah, that original energy. You know what I'm saying. Do

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<v Speaker 1>you recognize Flat Push anymore?

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<v Speaker 3>Do me? You?

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<v Speaker 4>Oh?

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<v Speaker 2>I recognize it. But I'm in awe of all the

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<v Speaker 2>buildings they put up and the whole is out. I

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<v Speaker 2>don't know if they got whole foods, but they got

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<v Speaker 2>a whole foods look alike Flatbush and fall Time, Yeah yeah,

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<v Speaker 2>and they got a whole bunch of little eateries and shit,

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<v Speaker 2>it's so many other ethnicities there. Sometimes I think it's

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<v Speaker 2>police man, Like, what the funk going on? Is this

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<v Speaker 2>an operation investigation?

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<v Speaker 3>Because I used to go to Brooklyn around the eighties

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<v Speaker 3>and and things like that, and I would never since that.

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<v Speaker 3>It's a place called Dumbo in Brooklyn. Have you ever

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<v Speaker 3>have you been to Dumbo?

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<v Speaker 2>Yeah, Dumbo is all under the Brooklyn Bridge. But that's

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<v Speaker 2>man by the days, back in the days, that was abandoned.

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<v Speaker 2>That was like really it was warehouses. We actually shot

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<v Speaker 2>Crookling down there. Get the fun out of here, man.

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<v Speaker 1>Crooklyn was shot in Dumbo.

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<v Speaker 5>It was.

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<v Speaker 1>Oh, buck shot in Master.

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<v Speaker 2>Ace was on the show in Coney Island, and we

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<v Speaker 2>did Crookland absolutely shout out of the buck shot at Ace.

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<v Speaker 2>See my memory. I'm getting old, but you know, I know,

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<v Speaker 2>I know what we're doing. Oh yeah turned saint nor

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<v Speaker 2>no man so because I'm not gonna lie.

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<v Speaker 3>But but Brooklyn is still Brooklyn though, like like you

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<v Speaker 3>you still get it because like this is place in

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<v Speaker 3>Dumbo and.

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<v Speaker 2>I enjoy going to Dumble.

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<v Speaker 1>All that is on the other.

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<v Speaker 2>Side of the side.

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<v Speaker 1>They still haven't given a proper.

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<v Speaker 2>Attention to the rest of Flatbush, Brown Bill, East New York,

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<v Speaker 2>Red Hook, even Coney Island.

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<v Speaker 1>Like it's even though they fix up the park.

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<v Speaker 3>In the beach and the second did a couple of

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<v Speaker 3>things Coney Island as well.

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<v Speaker 1>Well.

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<v Speaker 2>Absolutely, I mean everybody's trying to do what they can

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<v Speaker 2>for this for the town. It's just a matter of

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<v Speaker 2>the city actually putting those dollars into our communities and

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<v Speaker 2>not just where they gentrifying, you know what I'm saying

0:11:31.600 --> 0:11:34.360
<v Speaker 2>that that's what's happening. And we gotta as a people

0:11:34.520 --> 0:11:36.719
<v Speaker 2>understand how this works. We have to go to the

0:11:36.800 --> 0:11:40.040
<v Speaker 2>city planning meetings and see what's happening. That's how they

0:11:40.160 --> 0:11:42.640
<v Speaker 2>come in and moving by everybody out because they know

0:11:42.760 --> 0:11:43.480
<v Speaker 2>what's going to happen.

0:11:43.679 --> 0:11:47.880
<v Speaker 1>That's exactly that's how it's going down. Yeah.

0:11:51.160 --> 0:11:51.360
<v Speaker 4>Yeah.

0:11:52.720 --> 0:11:55.199
<v Speaker 2>And the thing the thing about that is you have

0:11:55.400 --> 0:11:58.439
<v Speaker 2>to sample our record because if you try to get

0:11:58.480 --> 0:12:01.520
<v Speaker 2>the original, you ain't you ain't gonna it ain't gonna

0:12:01.559 --> 0:12:05.240
<v Speaker 2>sound like the sample because of how we processed it. Wow,

0:12:05.720 --> 0:12:08.920
<v Speaker 2>it's an og production secret behind that.

0:12:09.280 --> 0:12:11.000
<v Speaker 3>So no matter what if they try to go to

0:12:11.040 --> 0:12:12.720
<v Speaker 3>the original, they still have to go to the.

0:12:13.360 --> 0:12:16.120
<v Speaker 2>Original that y'all made, right, because the original, when you

0:12:16.240 --> 0:12:18.240
<v Speaker 2>sample it, it ain't gonna have that picture or that

0:12:18.400 --> 0:12:21.360
<v Speaker 2>tone or to it, it's gonna sound totally.

0:12:21.800 --> 0:12:23.480
<v Speaker 3>Look, I just want you to look read the message.

0:12:23.600 --> 0:12:25.360
<v Speaker 3>He just sends me this record out the blue and

0:12:25.400 --> 0:12:28.000
<v Speaker 3>there's no look, just out the blue. That's the record

0:12:28.040 --> 0:12:30.760
<v Speaker 3>right there. And I say, I say, crazy, crazy crazy,

0:12:31.040 --> 0:12:40.640
<v Speaker 3>and interview specially add tomorrow it's good. Wow, we're dealing

0:12:40.679 --> 0:12:43.680
<v Speaker 3>with we're dealing with natural and supernatural forces.

0:12:43.800 --> 0:12:44.920
<v Speaker 1>Right that was?

0:12:45.080 --> 0:12:46.800
<v Speaker 2>That was like I was like, cause I was like yo,

0:12:47.280 --> 0:12:47.560
<v Speaker 2>And you.

0:12:47.600 --> 0:12:51.000
<v Speaker 3>Know, usually I put out uh when I interview an artist,

0:12:51.120 --> 0:12:52.800
<v Speaker 3>I'll say, you know, you got questions for him, but

0:12:52.800 --> 0:12:54.760
<v Speaker 3>I didn't do that to this morning, so there's no

0:12:54.880 --> 0:12:57.040
<v Speaker 3>way that he could understand that. I was like, Yo,

0:12:57.200 --> 0:13:00.679
<v Speaker 3>the snetic energy is working man. So so how many

0:13:00.720 --> 0:13:01.960
<v Speaker 3>people have sampled that record?

0:13:02.160 --> 0:13:02.360
<v Speaker 1>Man?

0:13:02.480 --> 0:13:06.400
<v Speaker 2>I can't start the count. Wow, bunch like a dozen

0:13:06.600 --> 0:13:07.360
<v Speaker 2>from R and B.

0:13:07.920 --> 0:13:08.520
<v Speaker 1>To hip hop.

0:13:10.160 --> 0:13:13.599
<v Speaker 2>Yeah, and a lot of them is you know, unreleasing

0:13:13.720 --> 0:13:15.719
<v Speaker 2>new artists that you might not hear, but you know

0:13:15.840 --> 0:13:18.280
<v Speaker 2>they've had some that have gone a little bit and

0:13:18.400 --> 0:13:21.400
<v Speaker 2>got a little airplay, a little buzz. But me personally,

0:13:21.520 --> 0:13:23.800
<v Speaker 2>I feel like I don't touch that record because it's

0:13:23.840 --> 0:13:26.240
<v Speaker 2>a classic, right, and I don't want to even you know,

0:13:26.920 --> 0:13:30.920
<v Speaker 2>tarnish the reputation. You know what, you know, it's the

0:13:31.040 --> 0:13:37.199
<v Speaker 2>killer though, the killer is the killer bought to that is.

0:13:37.880 --> 0:13:40.920
<v Speaker 2>I recorded this song at fifteen years old.

0:13:42.320 --> 0:13:43.160
<v Speaker 1>I wrote.

0:13:44.760 --> 0:13:48.760
<v Speaker 2>You are Stupid before I wrote it prior to recording,

0:13:49.000 --> 0:13:53.080
<v Speaker 2>So when I wrote that was probably between yeah, yeah, thirteen,

0:13:53.240 --> 0:13:54.280
<v Speaker 2>fourteen years old.

0:13:54.440 --> 0:13:54.680
<v Speaker 1>Okay.

0:13:55.040 --> 0:13:55.199
<v Speaker 2>Yeah.

0:13:55.480 --> 0:13:57.920
<v Speaker 3>To describe the session, you go to Hobbie t Yeah,

0:13:58.160 --> 0:13:59.480
<v Speaker 3>and he's already got to be playing.

0:14:00.280 --> 0:14:01.000
<v Speaker 1>I got it made.

0:14:01.160 --> 0:14:03.079
<v Speaker 2>Yes, I believe we went through the digging and the

0:14:03.160 --> 0:14:05.440
<v Speaker 2>sampling because I heard the process. I heard of how

0:14:05.480 --> 0:14:09.720
<v Speaker 2>he truncated it and chopped it and s now fifty, I'm.

0:14:09.559 --> 0:14:11.920
<v Speaker 1>Gonna get y'all a little, a little Joels. You know,

0:14:12.160 --> 0:14:14.040
<v Speaker 1>s now fifty got some tools on it.

0:14:14.640 --> 0:14:16.640
<v Speaker 2>So yeah, he went through that and chopped it up,

0:14:16.640 --> 0:14:19.080
<v Speaker 2>and I was like, oh, yeah, that's hard. Oh and

0:14:19.200 --> 0:14:23.000
<v Speaker 2>then what I started doing was piecing together my braggadocious

0:14:23.120 --> 0:14:23.600
<v Speaker 2>round right.

0:14:23.960 --> 0:14:26.400
<v Speaker 1>You know what I'm saying, because that was the style

0:14:26.480 --> 0:14:27.360
<v Speaker 1>back right right right.

0:14:27.600 --> 0:14:30.000
<v Speaker 2>Well, see, it was either gonna be a story or

0:14:30.040 --> 0:14:33.160
<v Speaker 2>I'm a diss you, or I'm a talk shit, right,

0:14:33.280 --> 0:14:34.920
<v Speaker 2>So I said I'm gonna talk shit.

0:14:35.520 --> 0:14:40.400
<v Speaker 1>Yeah, and I got it made. Yeah, that's it.

0:14:41.280 --> 0:14:46.880
<v Speaker 3>Yeah, but that record has outlived the test of time.

0:14:47.120 --> 0:14:47.480
<v Speaker 1>Amen.

0:14:47.640 --> 0:14:50.720
<v Speaker 3>Like I don't think there's no party in the world.

0:14:50.880 --> 0:14:52.760
<v Speaker 3>I was gonna say America, but I don't think there's

0:14:52.760 --> 0:14:54.600
<v Speaker 3>no party in the world that you can't put that on.

0:14:55.120 --> 0:14:57.040
<v Speaker 1>And everyone knows that record.

0:14:56.800 --> 0:14:58.040
<v Speaker 2>Well, well, you know what it is.

0:14:58.240 --> 0:14:59.880
<v Speaker 1>It's about programming.

0:15:00.200 --> 0:15:04.280
<v Speaker 2>So the same way they programming negativity, I was programming

0:15:04.600 --> 0:15:06.200
<v Speaker 2>positivity and empowerment.

0:15:06.680 --> 0:15:09.920
<v Speaker 1>I'm your idol, handled right.

0:15:09.920 --> 0:15:13.800
<v Speaker 2>So when you say those words, you're empowering yourself. You

0:15:14.000 --> 0:15:18.120
<v Speaker 2>manifested greatness, godliness. You feel me. So that's what that

0:15:18.320 --> 0:15:21.080
<v Speaker 2>was really about, and that's why it resonates in my opinion,

0:15:21.200 --> 0:15:23.520
<v Speaker 2>that's why I still resonate the way it do. And

0:15:23.640 --> 0:15:28.120
<v Speaker 2>then in addition, I wasn't talking brand names and dating myself. Wow,

0:15:29.560 --> 0:15:33.760
<v Speaker 2>you'll free no free advertising, y'all ain't free advertising?

0:15:34.560 --> 0:15:36.160
<v Speaker 1>Okay, then I was not.

0:15:38.160 --> 0:15:41.120
<v Speaker 2>I was never into that you feel me? And I

0:15:41.280 --> 0:15:43.680
<v Speaker 2>was ghost writing too at that age. Like when I

0:15:43.800 --> 0:15:45.920
<v Speaker 2>was fifteen years old, I go, so I wrote a

0:15:46.200 --> 0:15:49.080
<v Speaker 2>record for the real rock sannes. Oh wow, right, and

0:15:49.720 --> 0:15:52.000
<v Speaker 2>they never pay me. So I like, fuck ghost.

0:15:53.880 --> 0:15:59.360
<v Speaker 1>Like you're rocking little your rocking kids records.

0:16:00.400 --> 0:16:02.600
<v Speaker 3>You know what I'm saying that Robin kids Man who

0:16:02.680 --> 0:16:04.000
<v Speaker 3>was Select Record, wasn't that game?

0:16:04.760 --> 0:16:07.880
<v Speaker 2>Oh yeah, Redmano owned it. But Chuck was on Select

0:16:09.040 --> 0:16:13.040
<v Speaker 2>and I think was Utfo on Select. I'm not sure,

0:16:13.080 --> 0:16:14.440
<v Speaker 2>but there was some a lot of There was a

0:16:14.480 --> 0:16:16.680
<v Speaker 2>lot of artists. Yeah, he had a good catalogue. You

0:16:16.760 --> 0:16:18.560
<v Speaker 2>know what I'm saying. He was just a fuck fucked

0:16:18.640 --> 0:16:21.160
<v Speaker 2>up business man. You know what I'm saying now, It

0:16:21.480 --> 0:16:25.080
<v Speaker 2>was you know, thank you for going to there. Now.

0:16:25.880 --> 0:16:26.480
<v Speaker 1>It seems like.

0:16:28.400 --> 0:16:33.240
<v Speaker 3>From the Melly Mail days, right, yeah, up until eighty

0:16:33.360 --> 0:16:36.600
<v Speaker 3>nine's and then in the nineties, I would say to

0:16:37.040 --> 0:16:40.760
<v Speaker 3>past ninety five, the record contracts got got better. What

0:16:40.920 --> 0:16:42.800
<v Speaker 3>was these record contracts like when you when you.

0:16:42.880 --> 0:16:46.040
<v Speaker 2>Guys, Well, they were trying to take everything and then

0:16:46.040 --> 0:16:47.880
<v Speaker 2>they were to give up. Yeah, they was trying to

0:16:47.920 --> 0:16:50.480
<v Speaker 2>take the publishing. And I was like, nah, they got

0:16:50.720 --> 0:16:54.720
<v Speaker 2>it was oh yeah. I was explained by my lawyer

0:16:54.800 --> 0:16:58.400
<v Speaker 2>because what happened is I read it for myself and

0:16:58.560 --> 0:17:02.680
<v Speaker 2>then the lord young age you hell yeah, that's the

0:17:02.800 --> 0:17:06.119
<v Speaker 2>hen Look. I read it for myself and what I

0:17:06.240 --> 0:17:09.280
<v Speaker 2>did was I questioned certain things because it was assigning

0:17:09.520 --> 0:17:11.040
<v Speaker 2>rights to people.

0:17:11.119 --> 0:17:13.720
<v Speaker 1>I'm like, they ain't right. My shit, So why is

0:17:13.840 --> 0:17:14.440
<v Speaker 1>they getting this?

0:17:15.080 --> 0:17:17.639
<v Speaker 2>And then what I was told was that for the

0:17:17.760 --> 0:17:22.040
<v Speaker 2>record deal, that's their interest is the publishing.

0:17:22.720 --> 0:17:27.560
<v Speaker 1>So I had to give up half of it. You know, well,

0:17:27.800 --> 0:17:28.480
<v Speaker 1>this is the thing.

0:17:28.600 --> 0:17:30.960
<v Speaker 2>Now. The management I had at the time was trying

0:17:31.000 --> 0:17:33.440
<v Speaker 2>to take the other half, and I was like, hold

0:17:33.440 --> 0:17:36.400
<v Speaker 2>the fuck up. They ain't write my ship and why

0:17:36.600 --> 0:17:38.960
<v Speaker 2>are they interested in my publishing? I was like, nah,

0:17:39.000 --> 0:17:41.639
<v Speaker 2>what do I get if they get fifty and they

0:17:41.720 --> 0:17:43.119
<v Speaker 2>get fifty or the fuck I'm left with?

0:17:43.560 --> 0:17:45.200
<v Speaker 1>So I was like, nah, they dead on that. So

0:17:45.320 --> 0:17:48.240
<v Speaker 1>I got my fifty and then the label got fifty.

0:17:48.640 --> 0:17:50.760
<v Speaker 2>But as far as points, they was on, did they

0:17:50.840 --> 0:17:52.840
<v Speaker 2>pay you for the that they took?

0:17:53.000 --> 0:17:54.600
<v Speaker 1>No, they ain't paying me. It's part of the deal

0:17:54.680 --> 0:17:57.080
<v Speaker 1>and whatever's coming in for it was part of the contract.

0:17:57.320 --> 0:18:00.320
<v Speaker 2>This was fucked up. Yeah, it was fucked up worse.

0:18:00.600 --> 0:18:03.440
<v Speaker 2>It was like Motown for hip hop you feel me?

0:18:03.920 --> 0:18:06.960
<v Speaker 2>And then you know that was the terms. And the

0:18:07.040 --> 0:18:09.679
<v Speaker 2>points was like twelve points or some shit over one

0:18:09.760 --> 0:18:12.520
<v Speaker 2>hundred points out of the guns. Wow, so a point

0:18:12.640 --> 0:18:16.120
<v Speaker 2>is a percent of y'all at trying to figure it out.

0:18:16.320 --> 0:18:19.160
<v Speaker 2>So when they say point, they just fancy talk four

0:18:19.200 --> 0:18:20.119
<v Speaker 2>percent and.

0:18:20.160 --> 0:18:22.200
<v Speaker 3>I heard you say earlier, My bad for jumping around.

0:18:22.359 --> 0:18:24.080
<v Speaker 3>You heard it say earlier. You say you've been in

0:18:24.119 --> 0:18:27.720
<v Speaker 3>the game thirty years. Now over, it's these albums reverting

0:18:27.760 --> 0:18:28.480
<v Speaker 3>back to you because we.

0:18:28.560 --> 0:18:31.280
<v Speaker 2>Heard about to right now. Because I don't follow all

0:18:31.359 --> 0:18:33.600
<v Speaker 2>my paperwork for the revers it thirty years.

0:18:33.840 --> 0:18:36.800
<v Speaker 1>It's thirty five. I believe it. You just told us

0:18:36.800 --> 0:18:39.520
<v Speaker 1>I've been hearing thirty five. I always heard it with thirty,

0:18:40.040 --> 0:18:40.920
<v Speaker 1>so it changed.

0:18:40.960 --> 0:18:43.200
<v Speaker 2>I just got to read read the laws. Okay, the

0:18:43.280 --> 0:18:48.120
<v Speaker 2>copyright at thirty. You can begin the process, okay, all right, Yeah,

0:18:48.119 --> 0:18:51.040
<v Speaker 2>you can begin the process and start filing your paperwork

0:18:51.119 --> 0:18:53.080
<v Speaker 2>and sending your letters out. So I did that like

0:18:53.280 --> 0:18:56.480
<v Speaker 2>three four, five times. I'm making sure I get my ship.

0:18:56.720 --> 0:18:56.920
<v Speaker 3>Wow.

0:18:57.080 --> 0:19:00.199
<v Speaker 1>So so what happens if you get your back? Oh,

0:19:00.600 --> 0:19:01.880
<v Speaker 1>I get all my ship back.

0:19:01.760 --> 0:19:04.520
<v Speaker 3>And then you can you you you take these albums

0:19:04.520 --> 0:19:05.960
<v Speaker 3>and then you essentially put them out.

0:19:06.160 --> 0:19:07.080
<v Speaker 1>How does how does that work?

0:19:07.400 --> 0:19:10.520
<v Speaker 2>You own all the rights to it, all the publishing rights,

0:19:10.800 --> 0:19:13.720
<v Speaker 2>all the mechanical rights, and you are able to now

0:19:14.119 --> 0:19:15.760
<v Speaker 2>have ownership of your material.

0:19:15.760 --> 0:19:18.879
<v Speaker 3>You could now at wants to do a deal with you,

0:19:19.240 --> 0:19:21.560
<v Speaker 3>like to put it. You would be the licensing right

0:19:22.359 --> 0:19:22.960
<v Speaker 3>and right now.

0:19:22.880 --> 0:19:25.440
<v Speaker 2>I still get paid fifty percent, but they do the

0:19:25.560 --> 0:19:27.479
<v Speaker 2>admin and then do that, so you don't know how

0:19:27.520 --> 0:19:28.920
<v Speaker 2>to shake them up for my ship.

0:19:29.080 --> 0:19:32.040
<v Speaker 3>Yeah, Like I just finished shaking them up for my

0:19:32.160 --> 0:19:34.000
<v Speaker 3>ship for real. But what do you mean like what

0:19:34.119 --> 0:19:38.560
<v Speaker 3>they had the weight hand? Can they're holding his money?

0:19:38.600 --> 0:19:40.840
<v Speaker 2>I mean a lot of people sample, but the money

0:19:40.920 --> 0:19:44.200
<v Speaker 2>come from different places. So I get my money from Sony,

0:19:44.280 --> 0:19:46.760
<v Speaker 2>but then profile still got an interest in it, and

0:19:46.840 --> 0:19:48.560
<v Speaker 2>I gotta go be like, Yo, where my bread?

0:19:48.680 --> 0:19:50.720
<v Speaker 1>Bro? You know what I'm saying, And then they send

0:19:50.800 --> 0:19:54.040
<v Speaker 1>me some bread, right goddamn it, man, goddamn.

0:19:54.840 --> 0:19:57.000
<v Speaker 2>I had to learn patients though, because I wasn't that

0:19:57.160 --> 0:19:59.520
<v Speaker 2>patient back in the days. Man, it was really about

0:19:59.560 --> 0:20:02.280
<v Speaker 2>to go down. They sold out their back as well.

0:20:02.800 --> 0:20:05.640
<v Speaker 2>Yeah men, yeah, well time Tom all.

0:20:05.640 --> 0:20:08.760
<v Speaker 1>Okay ship shit he said time? Yeah you said, Tom,

0:20:09.080 --> 0:20:09.439
<v Speaker 1>Well not.

0:20:11.800 --> 0:20:16.160
<v Speaker 2>That time. They are up to their thirty something rights

0:20:16.240 --> 0:20:16.600
<v Speaker 2>as well.

0:20:17.000 --> 0:20:17.760
<v Speaker 1>They had to fight for it.

0:20:17.920 --> 0:20:21.520
<v Speaker 3>Was the time was I believe I believe their deal

0:20:21.720 --> 0:20:24.520
<v Speaker 3>was messed up. I believe they explained it that time,

0:20:24.560 --> 0:20:27.240
<v Speaker 3>because I believe they split. They split that twenty five

0:20:27.240 --> 0:20:29.320
<v Speaker 3>percent that was left of they publishing. I believe I

0:20:29.400 --> 0:20:31.920
<v Speaker 3>might be misquoting them and they split that twenty five

0:20:31.960 --> 0:20:32.719
<v Speaker 3>amongst themselves.

0:20:32.760 --> 0:20:33.679
<v Speaker 1>So that's what happened.

0:20:33.760 --> 0:20:37.000
<v Speaker 2>Yeah, so that the label's interest is your publishing, so

0:20:37.119 --> 0:20:39.480
<v Speaker 2>they tried to take as much as they can and

0:20:39.600 --> 0:20:42.320
<v Speaker 2>then whatever it's left, you have to split as a group.

0:20:43.119 --> 0:20:45.359
<v Speaker 2>You know what I'm saying. And I was a solo artist,

0:20:45.440 --> 0:20:49.760
<v Speaker 2>so you know what I'm saying. But yeah, damn so how.

0:20:49.640 --> 0:20:51.800
<v Speaker 3>About and you said how we tea produced that whole album?

0:20:51.800 --> 0:20:53.640
<v Speaker 3>Absolutely so did how we team make out good?

0:20:53.960 --> 0:20:55.880
<v Speaker 2>Or yeah, how we making out good?

0:20:56.280 --> 0:20:56.960
<v Speaker 1>We tee you all right?

0:20:57.000 --> 0:20:59.800
<v Speaker 2>And he split publishing too, okay, okay, and that's how

0:21:00.119 --> 0:21:02.160
<v Speaker 2>go oh he has to producer portion?

0:21:03.480 --> 0:21:05.960
<v Speaker 1>Yeah yeah, yeah, yeah, absolutely, yeah.

0:21:05.800 --> 0:21:07.960
<v Speaker 3>Hell yeah god that You artists gotta listen to this

0:21:08.040 --> 0:21:09.760
<v Speaker 3>ship because it is real.

0:21:09.680 --> 0:21:12.640
<v Speaker 2>Man, And they've been taking advantage of artists for years

0:21:12.720 --> 0:21:16.879
<v Speaker 2>because there were no standardizations, there were no rules.

0:21:17.320 --> 0:21:20.560
<v Speaker 1>Whatever the whatever you signed for is what the deal

0:21:20.800 --> 0:21:22.080
<v Speaker 1>is then.

0:21:22.760 --> 0:21:25.840
<v Speaker 2>But as time progress and we start knowing our worth,

0:21:26.560 --> 0:21:29.760
<v Speaker 2>just like with the shows before, we getting whatever the performing.

0:21:29.880 --> 0:21:33.960
<v Speaker 2>Now they getting a million dollars to perform, feel me

0:21:34.600 --> 0:21:37.240
<v Speaker 2>half a million dollars a million dollars to fifty one

0:21:37.320 --> 0:21:40.119
<v Speaker 2>hundred and fifty. They getting real numbers to.

0:21:40.200 --> 0:21:43.720
<v Speaker 3>Perform, right, Yeah, definitely, yeah, to get it out. So

0:21:43.840 --> 0:21:46.480
<v Speaker 3>let me let me ask you, how did it feel? Man?

0:21:47.359 --> 0:21:50.399
<v Speaker 3>I was a kid, I'm forty five years old, I'll

0:21:50.440 --> 0:21:55.000
<v Speaker 3>be forty six September. But me watching this and me

0:21:55.240 --> 0:21:58.399
<v Speaker 3>seeing these records, like, how did it feel back then to.

0:21:58.440 --> 0:21:58.880
<v Speaker 2>Be the man?

0:21:59.000 --> 0:21:59.400
<v Speaker 3>Back then?

0:22:00.400 --> 0:22:01.600
<v Speaker 1>Hip hop really madtered?

0:22:02.000 --> 0:22:02.399
<v Speaker 3>You know what I mean?

0:22:02.480 --> 0:22:02.640
<v Speaker 4>Good?

0:22:02.720 --> 0:22:05.720
<v Speaker 2>But I was always grounded because I knew what entertainment

0:22:05.960 --> 0:22:07.919
<v Speaker 2>was and what it consisted of. Man, And I never

0:22:08.040 --> 0:22:10.480
<v Speaker 2>let that shit get to me in that way, you

0:22:10.520 --> 0:22:12.480
<v Speaker 2>know what I'm saying. And I was never one of them,

0:22:13.600 --> 0:22:16.560
<v Speaker 2>you know, one of the bandwagon type people. I never

0:22:16.760 --> 0:22:22.919
<v Speaker 2>followed other entities and other racial identities down those roads,

0:22:23.040 --> 0:22:25.480
<v Speaker 2>like I ain't let nobody lead me in, you know,

0:22:26.080 --> 0:22:29.280
<v Speaker 2>because I was already being abused since the beginning. So

0:22:29.440 --> 0:22:32.119
<v Speaker 2>I was watching everybody like the fuck away from me.

0:22:33.359 --> 0:22:36.600
<v Speaker 2>And it's that situation. So I kept I kept a

0:22:36.720 --> 0:22:40.480
<v Speaker 2>real perspective on everything. I knew what media and marketing

0:22:40.560 --> 0:22:42.320
<v Speaker 2>and all that was, and I knew what it made you.

0:22:42.760 --> 0:22:45.359
<v Speaker 2>I knew how the people reacted to you. But I

0:22:45.560 --> 0:22:49.320
<v Speaker 2>was still on the ground, looking at everything from a

0:22:49.480 --> 0:22:50.639
<v Speaker 2>ground view, But.

0:22:50.680 --> 0:22:52.920
<v Speaker 3>It had to because you know, right now, my person

0:22:52.960 --> 0:22:55.359
<v Speaker 3>couldn't continue to take a record and they throw it

0:22:55.400 --> 0:22:57.840
<v Speaker 3>out in Japan tomorrow. But back then you had to

0:22:57.880 --> 0:23:01.080
<v Speaker 3>actually go market to market to market, and you having

0:23:01.119 --> 0:23:03.720
<v Speaker 3>one of the most powerful records in the universe.

0:23:03.960 --> 0:23:05.320
<v Speaker 1>How did it feel going to your.

0:23:05.200 --> 0:23:07.520
<v Speaker 3>First time the Philly or your first time to Delaware

0:23:07.560 --> 0:23:09.640
<v Speaker 3>because at the time it was just New York. Yeah,

0:23:10.000 --> 0:23:11.600
<v Speaker 3>if you hot in New York, you hot in the world.

0:23:11.760 --> 0:23:13.679
<v Speaker 3>But then you had to travel to these places, right,

0:23:13.760 --> 0:23:15.240
<v Speaker 3>How did it feel like going to these places and

0:23:15.320 --> 0:23:15.960
<v Speaker 3>they know who you are?

0:23:16.080 --> 0:23:16.199
<v Speaker 1>Well?

0:23:16.240 --> 0:23:18.680
<v Speaker 2>It felt great, man, especially when you on stage and

0:23:18.760 --> 0:23:21.480
<v Speaker 2>they singing the songs with you. That's a feeling you

0:23:21.600 --> 0:23:24.320
<v Speaker 2>can't you know what I mean, You damn you know. Hey,

0:23:24.359 --> 0:23:25.640
<v Speaker 2>I'm about to give y'all a mic.

0:23:26.119 --> 0:23:26.560
<v Speaker 1>You feel me?

0:23:26.720 --> 0:23:29.960
<v Speaker 2>So it's one of those feelings. It's just still knowing

0:23:30.080 --> 0:23:33.280
<v Speaker 2>the other end in the back end. You know, you

0:23:33.600 --> 0:23:35.840
<v Speaker 2>can't abuse your power, you know what I'm saying. And

0:23:36.200 --> 0:23:38.080
<v Speaker 2>that's what a lot of people go too far. They

0:23:38.160 --> 0:23:42.280
<v Speaker 2>abuse their power, and you know they don't they don't

0:23:42.359 --> 0:23:46.439
<v Speaker 2>respect the game. They just run, I mean until they

0:23:46.960 --> 0:23:51.360
<v Speaker 2>fall and break their fucking ankle, right, so let.

0:23:51.320 --> 0:23:55.879
<v Speaker 3>Me now, it's admission not a small time thing. That

0:23:56.160 --> 0:24:00.320
<v Speaker 3>video was like the first time I seen a theatrical Yeah,

0:24:00.800 --> 0:24:04.879
<v Speaker 3>and and in in videography cinema, like you know what

0:24:04.920 --> 0:24:08.119
<v Speaker 3>I mean, like in black cinema, like like like it

0:24:08.240 --> 0:24:08.960
<v Speaker 3>was like a movie to.

0:24:09.040 --> 0:24:12.520
<v Speaker 1>Me watching that that then and I see that that that.

0:24:12.680 --> 0:24:15.360
<v Speaker 3>Video to me Birth like the Biggie Smalls videos where

0:24:15.400 --> 0:24:17.720
<v Speaker 3>he's like, you know what I mean, like like the

0:24:17.840 --> 0:24:18.840
<v Speaker 3>movie style videos.

0:24:19.200 --> 0:24:20.520
<v Speaker 2>Was that something you planned on doing?

0:24:20.680 --> 0:24:20.840
<v Speaker 3>Well?

0:24:21.560 --> 0:24:23.720
<v Speaker 1>I think that stemmed from think About It.

0:24:24.600 --> 0:24:29.480
<v Speaker 2>They Think About It, had the hovercraft, the helicopters, and

0:24:29.560 --> 0:24:32.080
<v Speaker 2>then it went into the mission where that was another story.

0:24:32.280 --> 0:24:34.600
<v Speaker 1>It was chases and all kind of stuff going on.

0:24:34.880 --> 0:24:38.520
<v Speaker 2>Karate fight yeah, yeah, yeah, yeah, So I think it

0:24:38.760 --> 0:24:43.320
<v Speaker 2>just went into that direction. But Cheacob Bruce, a female director,

0:24:44.240 --> 0:24:47.000
<v Speaker 2>is the one that Birth and came up with the

0:24:47.119 --> 0:24:50.080
<v Speaker 2>whole treatments and the video for Think About It. Oh wow,

0:24:50.119 --> 0:24:52.600
<v Speaker 2>And that's the one where you know we went on

0:24:52.680 --> 0:24:56.040
<v Speaker 2>the whole chase and it was actually the whole theme

0:24:56.119 --> 0:25:00.480
<v Speaker 2>of it was Bud mcmilman. He probably did in Peace,

0:25:00.880 --> 0:25:04.159
<v Speaker 2>but the old man, the old dude, he was like

0:25:04.840 --> 0:25:09.600
<v Speaker 2>the symbolism of the hierarchy of the industry, and he

0:25:09.840 --> 0:25:12.560
<v Speaker 2>was kind of trying to destroy my career in the

0:25:12.680 --> 0:25:15.400
<v Speaker 2>video this is it is about. And so he sent

0:25:15.520 --> 0:25:19.760
<v Speaker 2>these henchmen, which was two black dudes to chase and

0:25:19.960 --> 0:25:23.400
<v Speaker 2>ruined my career, feel me. So that's what it was about,

0:25:23.560 --> 0:25:26.080
<v Speaker 2>about the white man hiring two black men to go

0:25:26.280 --> 0:25:29.800
<v Speaker 2>ruin my career, feel me. And they started chasing me

0:25:29.920 --> 0:25:36.000
<v Speaker 2>through the streets on boats, on hovercrafts, on helicopters.

0:25:35.640 --> 0:25:39.240
<v Speaker 1>All the ruined me. So that was the storyline.

0:25:39.720 --> 0:25:43.600
<v Speaker 2>But it birthed that type of dramatic scenery and the

0:25:43.760 --> 0:25:49.399
<v Speaker 2>whole theatrical elements, and yeah, you know, everybody started getting

0:25:49.440 --> 0:25:51.240
<v Speaker 2>real theatrical with their videos.

0:25:51.640 --> 0:25:52.600
<v Speaker 1>I feel like you birthed that.

0:25:53.040 --> 0:25:55.160
<v Speaker 3>I feel like those two videos, like you said, think

0:25:55.160 --> 0:25:59.280
<v Speaker 3>about it, and and the fact that those budgets were

0:25:59.320 --> 0:26:02.000
<v Speaker 3>open for I forgot. It was like to be continue,

0:26:02.080 --> 0:26:04.280
<v Speaker 3>wasn't it. I'd like to be continue. I feel like

0:26:04.320 --> 0:26:06.879
<v Speaker 3>you grated that well cheek of Bruce Man.

0:26:06.920 --> 0:26:09.080
<v Speaker 2>I gotta give it up because at that time, once again,

0:26:09.480 --> 0:26:12.879
<v Speaker 2>I didn't come up with the treatment I was. I

0:26:13.000 --> 0:26:15.240
<v Speaker 2>was sixteen that by then, you know what I'm saying.

0:26:15.359 --> 0:26:19.439
<v Speaker 2>And I never shot a video or directed or produced

0:26:19.440 --> 0:26:22.119
<v Speaker 2>a video on my life. So all the praises do

0:26:22.280 --> 0:26:24.480
<v Speaker 2>the cheek of Bruce a female director.

0:26:24.720 --> 0:26:25.240
<v Speaker 1>You feel me?

0:26:25.680 --> 0:26:28.720
<v Speaker 3>How come him when they were sixteen? They were so

0:26:28.880 --> 0:26:31.520
<v Speaker 3>bright and he's sixteen year olds fucking high?

0:26:32.680 --> 0:26:35.840
<v Speaker 2>Well, what happened is because back then we was actually

0:26:36.040 --> 0:26:40.320
<v Speaker 2>going through a struggle and it was actually real economic

0:26:40.440 --> 0:26:43.440
<v Speaker 2>hardships that we had to overcome. I could see him

0:26:43.480 --> 0:26:46.119
<v Speaker 2>being from Queen's Bridge, queen Bridge still fucked up.

0:26:46.680 --> 0:26:47.159
<v Speaker 1>You feel me?

0:26:47.359 --> 0:26:50.359
<v Speaker 2>And me coming from Brooklyn. We're trying to find a

0:26:50.440 --> 0:26:53.000
<v Speaker 2>way out of the debts, you know what I'm saying.

0:26:53.040 --> 0:26:55.399
<v Speaker 2>We're trying to find a way out of poverty and

0:26:55.600 --> 0:26:58.760
<v Speaker 2>not jumping into poverty and then having the resort to

0:26:58.920 --> 0:27:02.800
<v Speaker 2>doing wherever youbody else in the street doing robbing people,

0:27:02.920 --> 0:27:06.080
<v Speaker 2>selling drugs, going to jail. You know what I'm saying, dying?

0:27:06.400 --> 0:27:06.879
<v Speaker 1>You feel me?

0:27:07.040 --> 0:27:10.159
<v Speaker 2>So it was for me just trying to find a

0:27:10.320 --> 0:27:12.960
<v Speaker 2>reasonable solution where I ain't got to watch my back.

0:27:13.359 --> 0:27:14.680
<v Speaker 2>You know what I'm saying, Well, I still got to

0:27:14.720 --> 0:27:17.400
<v Speaker 2>watch my back, but not in a negative way where

0:27:17.400 --> 0:27:19.119
<v Speaker 2>I've done somebody some wrong.

0:27:19.359 --> 0:27:19.720
<v Speaker 3>Feel me.

0:27:20.160 --> 0:27:23.000
<v Speaker 2>I'm not out there doing crime, selling drugs, looking for

0:27:23.119 --> 0:27:23.720
<v Speaker 2>the police.

0:27:24.119 --> 0:27:26.520
<v Speaker 1>I don't give two fucks about the police. Ain't nothing

0:27:26.600 --> 0:27:28.800
<v Speaker 1>on me. But what examples did you have at that

0:27:29.000 --> 0:27:31.080
<v Speaker 1>age that At that age.

0:27:31.200 --> 0:27:34.359
<v Speaker 2>The examples were everybody dying and going into you just

0:27:34.440 --> 0:27:35.960
<v Speaker 2>didn't want to do that exactly.

0:27:36.040 --> 0:27:37.960
<v Speaker 1>I was not going in that direction, you know what

0:27:37.960 --> 0:27:40.520
<v Speaker 1>I'm saying. And it was easy. It was easy to do.

0:27:40.800 --> 0:27:42.520
<v Speaker 1>I mean, there was access to everything.

0:27:42.640 --> 0:27:47.200
<v Speaker 2>We had opportunity, but me knowing better and having four

0:27:47.320 --> 0:27:50.000
<v Speaker 2>older brothers to learn from as well, because they all

0:27:50.080 --> 0:27:52.560
<v Speaker 2>went through those pitfalls, you know what I'm saying.

0:27:52.560 --> 0:27:54.640
<v Speaker 1>And I was like, no, I'm not doing that. I'm

0:27:54.680 --> 0:27:56.960
<v Speaker 1>not going to jail, I'm not going to die.

0:27:57.040 --> 0:27:59.520
<v Speaker 2>I'm not standing out here on the streets selling drugs,

0:28:00.040 --> 0:28:02.280
<v Speaker 2>you know what I'm saying. And to me, that wasn't

0:28:02.400 --> 0:28:05.960
<v Speaker 2>enough money because when once you re up, you left

0:28:06.000 --> 0:28:08.680
<v Speaker 2>with a couple of dollars, you're gonna buy sneakers like

0:28:08.800 --> 0:28:11.399
<v Speaker 2>I wasn't with that. I need real money, you know

0:28:11.480 --> 0:28:13.800
<v Speaker 2>what I'm saying. And I ain't working for nobody. I

0:28:13.800 --> 0:28:16.440
<v Speaker 2>ain't working for them. I ain't working for nobody think

0:28:16.440 --> 0:28:20.320
<v Speaker 2>they're gonna work me or rule me. Ain't nobody ruling me,

0:28:20.480 --> 0:28:22.720
<v Speaker 2>you know, I feel me ain't no man above me

0:28:22.840 --> 0:28:26.240
<v Speaker 2>on this earth period. And that's how I feel about

0:28:26.280 --> 0:28:28.320
<v Speaker 2>it all, you know what I'm saying. So I found

0:28:28.400 --> 0:28:31.200
<v Speaker 2>my own way and my own path to do it intelligently.

0:28:31.560 --> 0:28:33.879
<v Speaker 2>I felt like I'm smart enough and intelligent enough to

0:28:34.000 --> 0:28:35.280
<v Speaker 2>get it like anybody else.

0:28:35.480 --> 0:28:42.320
<v Speaker 1>Goddamn. Now, how did you get the name special AD?

0:28:43.080 --> 0:28:44.080
<v Speaker 2>Was you in special AD?

0:28:44.920 --> 0:28:47.680
<v Speaker 3>Nah? Man? Because I was a special and resource room

0:28:47.720 --> 0:28:49.040
<v Speaker 3>and I probably amen.

0:28:48.960 --> 0:28:55.720
<v Speaker 2>Okay, hey, how that go? How that go is?

0:28:56.240 --> 0:28:57.560
<v Speaker 1>Obviously my name is ed.

0:28:57.920 --> 0:29:01.080
<v Speaker 2>But my man e Dot came to me, he got

0:29:01.120 --> 0:29:03.800
<v Speaker 2>from Flatbush, and he was like, Yo, you should call

0:29:03.840 --> 0:29:07.320
<v Speaker 2>yourself special LED. I had a personality you feel me.

0:29:07.800 --> 0:29:11.280
<v Speaker 2>I wasn't in Special LED, but I had a personality

0:29:11.400 --> 0:29:13.720
<v Speaker 2>like a motherfucker. And at the end of the day

0:29:14.240 --> 0:29:16.360
<v Speaker 2>after he said that, I thought about it, and I

0:29:16.440 --> 0:29:17.400
<v Speaker 2>could have took it two.

0:29:17.320 --> 0:29:19.719
<v Speaker 1>Ways, but I was like, nah, this is my bro.

0:29:19.960 --> 0:29:22.640
<v Speaker 1>He ain't gonna be town.

0:29:22.680 --> 0:29:24.040
<v Speaker 2>Special education was frowned upon.

0:29:24.480 --> 0:29:26.680
<v Speaker 1>It was frown upon. But I thought about that, and

0:29:26.760 --> 0:29:29.160
<v Speaker 1>I was like, you know what, fuck that?

0:29:29.400 --> 0:29:33.960
<v Speaker 2>Because for one, I can change the dynamics of how

0:29:34.000 --> 0:29:37.600
<v Speaker 2>it's perceived, and for two, I'm gonna teach y'all.

0:29:37.680 --> 0:29:40.480
<v Speaker 1>Motherfucker something, and for three, my.

0:29:40.600 --> 0:29:43.880
<v Speaker 2>Name ed and I'm special, So it was way too

0:29:43.960 --> 0:29:47.720
<v Speaker 2>many reasons why I should as opposed to watch. I'm

0:29:47.800 --> 0:29:50.200
<v Speaker 2>just fuck what class y'all think, I'm in whatever, whatever,

0:29:50.280 --> 0:29:52.320
<v Speaker 2>y'all gonna know how intelligent I am when y'all hear

0:29:52.360 --> 0:29:54.080
<v Speaker 2>this shit or when I speak.

0:29:54.240 --> 0:29:56.840
<v Speaker 1>So I wasn't really worried about that. And I think

0:29:56.960 --> 0:29:58.400
<v Speaker 1>that whole special.

0:29:58.080 --> 0:30:01.880
<v Speaker 2>Led thing is just you know, their way of saying,

0:30:02.280 --> 0:30:05.320
<v Speaker 2>we don't know how to deal with that's all. We

0:30:05.400 --> 0:30:08.200
<v Speaker 2>don't know how to deal with this because some ain't

0:30:08.240 --> 0:30:10.720
<v Speaker 2>nothing wrong, ain't nothing wrong with you. It's just a

0:30:10.840 --> 0:30:15.200
<v Speaker 2>matter of not being the common every day motherfucker that

0:30:15.320 --> 0:30:17.719
<v Speaker 2>they can deal with the behavior. But I know they

0:30:17.800 --> 0:30:18.080
<v Speaker 2>was lying.

0:30:18.280 --> 0:30:19.920
<v Speaker 1>And sometimes it's what you say.

0:30:20.760 --> 0:30:23.320
<v Speaker 2>Sometimes they want to railroad you because you got a

0:30:23.400 --> 0:30:25.920
<v Speaker 2>brain and you got a voice, and you have an opinion.

0:30:26.560 --> 0:30:29.400
<v Speaker 3>You know what I'm saying. Yeah, it's it's how they

0:30:29.640 --> 0:30:32.720
<v Speaker 3>set you back. When I want to bet award, we

0:30:32.880 --> 0:30:35.880
<v Speaker 3>wanted to bet award. I grab my thing and I

0:30:36.000 --> 0:30:39.120
<v Speaker 3>was like, everyone, there's a special education. My DMS lit

0:30:39.240 --> 0:30:41.440
<v Speaker 3>up from all the special education teachers.

0:30:41.560 --> 0:30:47.880
<v Speaker 2>It was like use speech. I was like, I think

0:30:47.960 --> 0:30:50.200
<v Speaker 2>it's just part of that, you know, it's part of that,

0:30:50.400 --> 0:30:54.360
<v Speaker 2>like the School of Prison pipe right right for basically

0:30:54.480 --> 0:30:56.240
<v Speaker 2>what it what it is, It's part of the School

0:30:56.280 --> 0:30:58.880
<v Speaker 2>of Prison pipeline. Other than there are some kids with

0:30:59.040 --> 0:31:02.680
<v Speaker 2>special needs and don't have you know, don't have it

0:31:02.840 --> 0:31:06.240
<v Speaker 2>together where they need that extra attention. But half of

0:31:06.320 --> 0:31:08.240
<v Speaker 2>the kids is just they don't give a fuck. They're like,

0:31:08.480 --> 0:31:11.400
<v Speaker 2>y'all talking to me crazy shit like that. You know

0:31:11.520 --> 0:31:14.440
<v Speaker 2>you ain't dealing with that. I feel you, And that's

0:31:14.440 --> 0:31:16.000
<v Speaker 2>why I took the name. I was like, you know

0:31:16.120 --> 0:31:20.040
<v Speaker 2>what fuck that I'm special at so what that's right? Goddamnit,

0:31:20.040 --> 0:31:20.600
<v Speaker 2>I'm taking.

0:31:24.040 --> 0:31:26.880
<v Speaker 5>So look, you're still really young coming out of the

0:31:26.960 --> 0:31:30.720
<v Speaker 5>gate Lyrically something is inspiring your or is it really

0:31:30.800 --> 0:31:32.000
<v Speaker 5>just coming out of your own ether?

0:31:32.880 --> 0:31:36.480
<v Speaker 2>Well, like I was inspired by Yeah, I was inspired

0:31:36.560 --> 0:31:40.280
<v Speaker 2>by the Ogs, like I said, Jimmy Spicer for one,

0:31:40.680 --> 0:31:43.800
<v Speaker 2>because Jimmy Spicer put out a fifteen minute record with

0:31:44.040 --> 0:31:45.680
<v Speaker 2>like ten stories in it.

0:31:46.480 --> 0:31:49.880
<v Speaker 3>And because you definitely come from a special ad of storytelling.

0:31:49.640 --> 0:31:54.880
<v Speaker 2>Storytelling, so he inspired me on the storytelling special my

0:31:54.960 --> 0:32:00.320
<v Speaker 2>bad because he told stories about Dracula, about different and shit,

0:32:00.400 --> 0:32:03.240
<v Speaker 2>and it was right creative. It wasn't just like some

0:32:03.600 --> 0:32:06.680
<v Speaker 2>you know, it wasn't boring. It was humorous, it was creative,

0:32:07.160 --> 0:32:09.960
<v Speaker 2>and that inspired me. And then I listened to shit

0:32:10.120 --> 0:32:14.520
<v Speaker 2>like you know, Mellie Mel Curious five and the message

0:32:14.960 --> 0:32:19.120
<v Speaker 2>that inspired me, Howie t CD three Get Tough, that

0:32:19.320 --> 0:32:22.920
<v Speaker 2>inspired me. So it was the content that inspired me

0:32:23.120 --> 0:32:25.440
<v Speaker 2>more so. And I was like, damn, I gotta be

0:32:25.520 --> 0:32:29.040
<v Speaker 2>saying something. I got to amuse you know what I'm saying,

0:32:29.200 --> 0:32:32.720
<v Speaker 2>confuse and all that. I gotta tell a story, you

0:32:32.760 --> 0:32:34.920
<v Speaker 2>know what I'm saying. Like even the mission that wasn't

0:32:34.960 --> 0:32:37.920
<v Speaker 2>the original story that was now. I had an original

0:32:38.000 --> 0:32:41.240
<v Speaker 2>story that I submitted, but it was too hardcore, so

0:32:41.360 --> 0:32:44.360
<v Speaker 2>they made me do it over and then I had

0:32:44.440 --> 0:32:47.400
<v Speaker 2>to do the song over and that's where the mission

0:32:47.440 --> 0:32:48.880
<v Speaker 2>that we all know came from.

0:32:49.280 --> 0:32:51.640
<v Speaker 3>You know, that's a very interesting question because a lot

0:32:51.640 --> 0:32:53.880
<v Speaker 3>of people should say back then that the record labels

0:32:53.880 --> 0:32:55.800
<v Speaker 3>had more of a control over the music.

0:32:55.960 --> 0:32:56.959
<v Speaker 1>Was it like that back then?

0:32:57.080 --> 0:33:00.360
<v Speaker 2>Like, well, it was they there wasn't a bunch of

0:33:00.560 --> 0:33:03.960
<v Speaker 2>explicit records like this. Now you could say anything because

0:33:04.000 --> 0:33:07.520
<v Speaker 2>there's no label control at all. And then the labels, uh,

0:33:07.800 --> 0:33:10.160
<v Speaker 2>you know, came up with their agenda later, but back

0:33:10.280 --> 0:33:14.040
<v Speaker 2>then in the early eighties, they definitely didn't want They

0:33:14.080 --> 0:33:16.760
<v Speaker 2>wanted songs that could play on the radio. They wanted

0:33:16.840 --> 0:33:19.160
<v Speaker 2>songs that they could sell openly. They didn't want a

0:33:19.200 --> 0:33:23.120
<v Speaker 2>bunch of hardcore ship. So really, until n w A

0:33:23.360 --> 0:33:27.640
<v Speaker 2>came out, they had a certain level of discretion. But

0:33:27.880 --> 0:33:28.400
<v Speaker 2>what what what?

0:33:29.200 --> 0:33:31.880
<v Speaker 3>Because you came out of eighty nine, correct, yeah, eighty nine,

0:33:31.920 --> 0:33:32.920
<v Speaker 3>So then what what what? What?

0:33:33.560 --> 0:33:36.520
<v Speaker 2>W came eight nine and I think the single, the

0:33:36.640 --> 0:33:38.760
<v Speaker 2>single was eighty eight, the album was eighty nine.

0:33:39.160 --> 0:33:42.040
<v Speaker 1>Yeah, it was the single the police knowing no, it

0:33:42.160 --> 0:33:44.800
<v Speaker 1>was my single, I got it. Yeah.

0:33:44.800 --> 0:33:47.840
<v Speaker 2>But then n w A came out and they ship

0:33:48.000 --> 0:33:50.040
<v Speaker 2>was hardcore, and I was like, see they could say

0:33:50.120 --> 0:33:52.960
<v Speaker 2>what they want, right, but the label didn't want to

0:33:53.160 --> 0:33:56.040
<v Speaker 2>market me in that way. And I had I had

0:33:56.120 --> 0:33:59.320
<v Speaker 2>hard ship, like I was a battle rapper on the street,

0:33:59.520 --> 0:34:02.200
<v Speaker 2>so that's what I did, and they didn't want that.

0:34:02.520 --> 0:34:06.680
<v Speaker 1>They wanted commercial belt. Yeah, making belt.

0:34:06.920 --> 0:34:09.160
<v Speaker 2>I had a few. I had a future making belt

0:34:11.120 --> 0:34:17.600
<v Speaker 2>yeah yeah, everything the ratchet to Ratchet and the switch

0:34:17.719 --> 0:34:18.200
<v Speaker 2>blade in.

0:34:18.280 --> 0:34:19.879
<v Speaker 1>The belt yeah yeah yeah yeah.

0:34:20.080 --> 0:34:24.759
<v Speaker 2>Flat was a wild hell yeah yeah, Flatbush myself yeah

0:34:24.880 --> 0:34:28.200
<v Speaker 2>for real, and he Hall was I'm gonna tell the truth.

0:34:28.280 --> 0:34:30.040
<v Speaker 2>He Hall was like one of the worst schools in

0:34:30.120 --> 0:34:33.040
<v Speaker 2>the city, especially when I got in there, Like they

0:34:33.120 --> 0:34:35.040
<v Speaker 2>had big ass gaping holes.

0:34:34.760 --> 0:34:37.880
<v Speaker 1>In the walls on the hallway and the boards. It

0:34:38.040 --> 0:34:40.000
<v Speaker 1>was like, you motherfuckers, what you're doing here?

0:34:40.680 --> 0:34:40.919
<v Speaker 6>Yeah?

0:34:41.120 --> 0:34:44.279
<v Speaker 2>Serious, So we had to deal with that, and it

0:34:44.440 --> 0:34:46.799
<v Speaker 2>was But when you in it and you that young

0:34:46.840 --> 0:34:49.319
<v Speaker 2>and you feel this, it ain't nothing. But thinking back

0:34:49.360 --> 0:34:51.680
<v Speaker 2>as an adult now, I'm like, come on, y'all had

0:34:51.719 --> 0:34:56.360
<v Speaker 2>a budget cleaning ship up back then. Yeah, me and

0:34:56.440 --> 0:35:02.239
<v Speaker 2>Buster Rhymes went to elementary school together, the school like

0:35:03.800 --> 0:35:08.359
<v Speaker 2>this is and Walt Whitman Junior High School especially as well.

0:35:08.840 --> 0:35:12.360
<v Speaker 2>But yeah, we definitely went to school together, came up together,

0:35:13.160 --> 0:35:16.520
<v Speaker 2>and you know, and and Rampage lived across the street

0:35:16.600 --> 0:35:20.120
<v Speaker 2>from the school too, and he was a little younger,

0:35:20.360 --> 0:35:22.279
<v Speaker 2>he like a year or two younger than us, But

0:35:22.480 --> 0:35:24.440
<v Speaker 2>Rampage two came up in the neighborhood.

0:35:24.480 --> 0:35:28.239
<v Speaker 3>Did that help the native tongue affiliation because Buster was

0:35:28.840 --> 0:35:31.200
<v Speaker 3>considered native tongue, right, Yeah?

0:35:31.239 --> 0:35:33.759
<v Speaker 2>Probably so. I don't know, though, I mean, you know,

0:35:34.200 --> 0:35:36.719
<v Speaker 2>they had their own vibe with the leaders of the

0:35:36.800 --> 0:35:40.240
<v Speaker 2>new school. I think Chuck bred them. Chuck d shout

0:35:40.239 --> 0:35:42.840
<v Speaker 2>out to Chuck d. He bred the leaders of the

0:35:42.920 --> 0:35:44.600
<v Speaker 2>New School. I think came up with the whole group.

0:35:45.719 --> 0:35:49.919
<v Speaker 2>He named name the group right in the group. So yeah,

0:35:50.440 --> 0:35:53.560
<v Speaker 2>and the busters from around my way. What happened is

0:35:53.640 --> 0:35:56.400
<v Speaker 2>he moved to Long Island and then that's when he

0:35:56.520 --> 0:36:00.400
<v Speaker 2>started rapping and came back and you know, back to

0:36:00.480 --> 0:36:05.160
<v Speaker 2>the hood. Yeah right, you ever throw hip hop VI

0:36:05.320 --> 0:36:08.080
<v Speaker 2>this far? Man, not this far, but this is billions

0:36:08.120 --> 0:36:11.080
<v Speaker 2>of dollars later. I knew it was something though, because

0:36:11.120 --> 0:36:13.360
<v Speaker 2>of the energy that it had and the way it

0:36:13.520 --> 0:36:18.799
<v Speaker 2>brought everybody together. Because even just to be honest, hip

0:36:18.840 --> 0:36:23.600
<v Speaker 2>hop brought everybody together Black people, Hispanic people, white people,

0:36:23.920 --> 0:36:27.799
<v Speaker 2>all people through hip hop, and that was the one

0:36:27.880 --> 0:36:30.480
<v Speaker 2>thing that could do that. Like not many things was

0:36:30.560 --> 0:36:34.160
<v Speaker 2>bringing people together that way, aside for money, but hip hop,

0:36:34.400 --> 0:36:37.479
<v Speaker 2>just the music and the vibration, you know what I'm saying,

0:36:37.800 --> 0:36:40.440
<v Speaker 2>united people. So I knew it was very strong. But

0:36:40.960 --> 0:36:43.080
<v Speaker 2>until I saw when I saw a run DMC, I

0:36:43.160 --> 0:36:46.439
<v Speaker 2>knew there was a plan. I knew something was gonna

0:36:46.480 --> 0:36:49.279
<v Speaker 2>pop because it had a frenzy. It just like it

0:36:49.400 --> 0:36:52.359
<v Speaker 2>took it to TV. They was a helicopters, they had

0:36:52.440 --> 0:36:55.480
<v Speaker 2>the big chains, they was doing Madison Square Garden. I

0:36:55.600 --> 0:36:58.160
<v Speaker 2>wanted to be on the Fresh Veest. I was rapping then.

0:36:59.040 --> 0:36:59.799
<v Speaker 1>I guess I was too.

0:37:00.360 --> 0:37:03.520
<v Speaker 3>I mean, yeah, yeah, I appreciate run DMC, but I

0:37:03.560 --> 0:37:07.239
<v Speaker 3>couldn't really like I mean, they kind of hushered in

0:37:07.360 --> 0:37:09.080
<v Speaker 3>that global the glow.

0:37:09.160 --> 0:37:11.759
<v Speaker 1>Yeah, you know movement of hip hop. Yes, of course

0:37:11.880 --> 0:37:13.919
<v Speaker 1>Bambada and then were doing it before, but I feel

0:37:13.960 --> 0:37:16.000
<v Speaker 1>like run DMC took it. They took it to the

0:37:16.080 --> 0:37:17.560
<v Speaker 1>next level commercially.

0:37:18.320 --> 0:37:20.640
<v Speaker 2>Yeah, and that and that's one of the reasons why

0:37:20.840 --> 0:37:23.400
<v Speaker 2>I was eager to sign with Profile Records because that

0:37:23.560 --> 0:37:25.520
<v Speaker 2>was the label that's signed to. We were on the

0:37:25.600 --> 0:37:28.480
<v Speaker 2>same label, and when I was like Profile, I was like, oh,

0:37:28.560 --> 0:37:30.719
<v Speaker 2>that's right. They could do for me what they did

0:37:30.800 --> 0:37:33.600
<v Speaker 2>for run DMC. So that's why I jumped on it.

0:37:33.680 --> 0:37:36.319
<v Speaker 3>I was like, hell yeah, but you know, me going

0:37:36.360 --> 0:37:39.080
<v Speaker 3>through your music and me listening, Yo, you sound like

0:37:39.160 --> 0:37:40.280
<v Speaker 3>absolutely nobody.

0:37:40.800 --> 0:37:43.600
<v Speaker 1>How come you was a hot m C back back

0:37:43.680 --> 0:37:45.040
<v Speaker 1>then and still is?

0:37:45.400 --> 0:37:48.439
<v Speaker 3>But right right now, I can listen to fifteen people

0:37:49.120 --> 0:37:52.200
<v Speaker 3>that's out all. I can't even that's right now though,

0:37:52.200 --> 0:37:53.480
<v Speaker 3>that's right now that you know what I'm saying.

0:37:53.520 --> 0:37:55.680
<v Speaker 1>If you blindfold me, I'm like that's him.

0:37:56.080 --> 0:37:57.520
<v Speaker 2>Oh, that's him, that's him, that's him.

0:37:57.840 --> 0:37:59.400
<v Speaker 3>Like right now, I can listen to your voice, I

0:37:59.400 --> 0:38:01.640
<v Speaker 3>can listen to this great voice. I can listen to EPMD.

0:38:02.040 --> 0:38:04.440
<v Speaker 3>I will not say that they sound like anybody. How

0:38:04.520 --> 0:38:05.960
<v Speaker 3>come it was like that back then? And how come

0:38:06.040 --> 0:38:06.879
<v Speaker 3>it's not like that now?

0:38:07.040 --> 0:38:10.040
<v Speaker 2>Because we all wanted to be original, we wanted to

0:38:10.239 --> 0:38:15.000
<v Speaker 2>own identities. Now it's a bandwagon effect. It's like, oh,

0:38:15.200 --> 0:38:18.880
<v Speaker 2>this sold a million records, let me make a copy cat. Yes,

0:38:19.280 --> 0:38:22.200
<v Speaker 2>So it's really about cloning right and making it a

0:38:22.280 --> 0:38:25.240
<v Speaker 2>commodity that makes money. The industry doesn't care about the culture.

0:38:25.239 --> 0:38:28.200
<v Speaker 2>They just like this works, okay, keep going right going,

0:38:28.200 --> 0:38:30.760
<v Speaker 2>and they keep pushing out the same shit back to back.

0:38:30.880 --> 0:38:35.319
<v Speaker 3>Right, what happens to this artist? Because I remember La Red.

0:38:35.640 --> 0:38:38.239
<v Speaker 3>I remember me going to see La Reed, right, me

0:38:38.360 --> 0:38:40.279
<v Speaker 3>picking a single off of my album, Me saying yo,

0:38:40.360 --> 0:38:42.000
<v Speaker 3>I wanted to go with this album, and La Reed

0:38:42.080 --> 0:38:45.360
<v Speaker 3>saying I think you should go with this Automatically, I'm like,

0:38:45.520 --> 0:38:48.799
<v Speaker 3>all right, cool, let me go with him. Because if

0:38:48.880 --> 0:38:51.200
<v Speaker 3>I make a mistake, then then it's your miss then

0:38:51.239 --> 0:38:55.200
<v Speaker 3>it's my mistake. He makes a mistake, where's the artist

0:38:55.239 --> 0:38:56.160
<v Speaker 3>that stand up to that.

0:38:56.640 --> 0:38:59.920
<v Speaker 2>Well, the independent artist now they put out whatever the

0:39:00.080 --> 0:39:03.719
<v Speaker 2>fuck they want. However, with a train air and the

0:39:03.920 --> 0:39:09.960
<v Speaker 2>understanding of the way, you know, radio plays and marketing goals,

0:39:10.080 --> 0:39:13.239
<v Speaker 2>you got to have something that is listenable, that is

0:39:13.560 --> 0:39:17.279
<v Speaker 2>digestible to the audience, and something that you could play

0:39:17.440 --> 0:39:19.799
<v Speaker 2>like you want something you could play on a soul

0:39:19.920 --> 0:39:23.200
<v Speaker 2>train or you can play on television and it's not risky,

0:39:23.800 --> 0:39:27.400
<v Speaker 2>you know, and it's not destructive. But now destructive is

0:39:27.480 --> 0:39:29.520
<v Speaker 2>selling all day, that's what they's selling.

0:39:30.000 --> 0:39:32.120
<v Speaker 1>Are you listening to any new music now?

0:39:33.120 --> 0:39:37.399
<v Speaker 3>Be honest, I barely listen to music. Brokay, Okay, he's

0:39:37.480 --> 0:39:37.880
<v Speaker 3>kind of new.

0:39:38.360 --> 0:39:39.160
<v Speaker 1>I mean't.

0:39:39.239 --> 0:39:41.680
<v Speaker 2>I don't listen to any particular artists. I'm gonna keep

0:39:41.680 --> 0:39:45.160
<v Speaker 2>it real. I don't have nobody album. I don't google

0:39:45.280 --> 0:39:49.560
<v Speaker 2>nobody name. What I might do is put on like

0:39:49.800 --> 0:39:52.000
<v Speaker 2>my R and B shit like I like, if I

0:39:52.000 --> 0:39:53.959
<v Speaker 2>could listen to something that calmed me down.

0:39:54.400 --> 0:39:55.239
<v Speaker 1>That's what I listened to.

0:39:55.280 --> 0:39:57.560
<v Speaker 2>You taking your girl to show my wife?

0:39:57.719 --> 0:40:01.160
<v Speaker 1>Nah, I ain't taking. No. I don't the concerts unless

0:40:01.200 --> 0:40:08.240
<v Speaker 1>I'm in them. No, I said, you're just mad niggas wiggas.

0:40:08.920 --> 0:40:09.320
<v Speaker 2>Serena.

0:40:09.880 --> 0:40:11.680
<v Speaker 1>I don't even I don't even know what happened.

0:40:11.680 --> 0:40:12.440
<v Speaker 2>But I don't go.

0:40:13.400 --> 0:40:17.880
<v Speaker 1>I don't go to concerts. I'm sorry. I don't go

0:40:18.000 --> 0:40:18.799
<v Speaker 1>to concerts.

0:40:19.239 --> 0:40:21.120
<v Speaker 2>I don't go nowhere. I'm not getting paid.

0:40:21.280 --> 0:40:23.719
<v Speaker 1>I's just doing ure is going.

0:40:25.160 --> 0:40:25.880
<v Speaker 2>He's performing.

0:40:26.600 --> 0:40:29.200
<v Speaker 3>Whoever is like girls in the ground, He's going to

0:40:29.360 --> 0:40:30.399
<v Speaker 3>them and singing to them.

0:40:30.640 --> 0:40:35.839
<v Speaker 2>You got it, you got it bad. See well, he's

0:40:35.880 --> 0:40:38.040
<v Speaker 2>an R and B crewner. I know usher since he

0:40:38.200 --> 0:40:38.760
<v Speaker 2>was a child.

0:40:39.040 --> 0:40:39.360
<v Speaker 1>Damn it.

0:40:40.160 --> 0:40:42.399
<v Speaker 2>His mama introduced me to him when he was a child,

0:40:42.480 --> 0:40:45.640
<v Speaker 2>goddamn it. So you know, I wish him all the

0:40:45.719 --> 0:40:48.680
<v Speaker 2>success in the world. Whatever tactics he feels he needs

0:40:48.680 --> 0:40:52.399
<v Speaker 2>to use to make money and stay famous. Oh he's

0:40:52.440 --> 0:40:53.759
<v Speaker 2>doing it more power tool.

0:40:55.280 --> 0:40:56.160
<v Speaker 1>I just meant for me.

0:40:56.320 --> 0:40:58.400
<v Speaker 2>I don't go to any concert that I'm not a

0:40:58.520 --> 0:41:01.800
<v Speaker 2>part of or getting paid. Sometimes, however, I may have

0:41:01.960 --> 0:41:05.000
<v Speaker 2>good friends that are performing, and I might go, like

0:41:05.120 --> 0:41:07.600
<v Speaker 2>I went to a New Addition concert just to see them.

0:41:07.640 --> 0:41:09.360
<v Speaker 1>I fucks with them. That's not people. You know what

0:41:09.360 --> 0:41:09.680
<v Speaker 1>I'm saying.

0:41:09.880 --> 0:41:11.279
<v Speaker 3>If we need you up here, but you ain't going

0:41:11.360 --> 0:41:12.200
<v Speaker 3>to the Drake concert.

0:41:12.840 --> 0:41:16.240
<v Speaker 2>Oh you know what. When I was in New Orleans

0:41:16.360 --> 0:41:18.440
<v Speaker 2>one time I went to a Drake concert with some

0:41:18.560 --> 0:41:21.239
<v Speaker 2>friends just on the random, really, but it was just

0:41:21.360 --> 0:41:24.120
<v Speaker 2>me falling in because that's what they was doing. But

0:41:24.920 --> 0:41:26.960
<v Speaker 2>like I said, I don't really go to concerts like

0:41:27.040 --> 0:41:28.200
<v Speaker 2>that too often at all.

0:41:28.280 --> 0:41:28.400
<v Speaker 4>Man.

0:41:28.440 --> 0:41:30.560
<v Speaker 1>I don't look for it it, don't you know. I

0:41:30.560 --> 0:41:32.120
<v Speaker 1>ain't got nothing to do with me. You know what

0:41:32.120 --> 0:41:32.520
<v Speaker 1>I'm saying.

0:41:32.760 --> 0:41:34.879
<v Speaker 2>I go with it, I go away.

0:41:34.880 --> 0:41:37.680
<v Speaker 1>I'm picking up that back in. You know what I'm saying.

0:41:39.040 --> 0:41:41.759
<v Speaker 2>If I'm throwing the concert, as in the case with

0:41:41.920 --> 0:41:44.439
<v Speaker 2>the City Parks and my concert, I got one coming

0:41:44.520 --> 0:41:47.279
<v Speaker 2>up Sunday, you know what I'm saying, shout outs to

0:41:47.440 --> 0:41:50.719
<v Speaker 2>the violators. Rest in peace, baby, Chris. I'm doing this

0:41:50.840 --> 0:41:53.920
<v Speaker 2>for y'all. Man, I'm doing this for Red Alert. And

0:41:54.080 --> 0:41:55.880
<v Speaker 2>that's pretty much it. Man, that's a concert.

0:41:56.000 --> 0:41:59.279
<v Speaker 3>Let me let me do recommend two concerts for you

0:42:00.000 --> 0:42:04.400
<v Speaker 3>would like to attend. I didn't see the fifty and Buster,

0:42:05.320 --> 0:42:07.960
<v Speaker 3>and I believe Jeremiah I was on that tour. I

0:42:08.040 --> 0:42:11.600
<v Speaker 3>didn't see it wasn't physically there, but I last stream

0:42:11.640 --> 0:42:14.560
<v Speaker 3>it every fucking night. It's fucking awesome. But I went

0:42:14.680 --> 0:42:18.040
<v Speaker 3>to the nas and the Wu Tang Joint, and I

0:42:18.200 --> 0:42:19.480
<v Speaker 3>kid you not, I.

0:42:19.520 --> 0:42:21.480
<v Speaker 2>Went to one of those when the game, the Charlotte

0:42:24.680 --> 0:42:27.680
<v Speaker 2>my Man, my Man divined com. He was like, yo,

0:42:27.920 --> 0:42:30.200
<v Speaker 2>we and Charlotte he just hit me today him out

0:42:30.239 --> 0:42:35.839
<v Speaker 2>there and Arlot Yeah yeah yeah. So basically that's it, man,

0:42:35.960 --> 0:42:38.279
<v Speaker 2>they got to invite me, right if they don't, like,

0:42:38.880 --> 0:42:39.360
<v Speaker 2>I don't know.

0:42:40.120 --> 0:42:42.600
<v Speaker 1>I don't know, I'm not paying attentions. I write myself though,

0:42:42.600 --> 0:42:42.759
<v Speaker 1>I was.

0:42:45.040 --> 0:42:46.440
<v Speaker 2>I pulled up on them and it was.

0:42:46.480 --> 0:42:48.719
<v Speaker 3>So dope because you know, when you get to see

0:42:48.719 --> 0:42:50.480
<v Speaker 3>these groups like that, like NAS and Wu Tang, you

0:42:50.480 --> 0:42:52.759
<v Speaker 3>would think that NAS will come out and perform and

0:42:52.840 --> 0:42:54.120
<v Speaker 3>the Wan will come out and the form and the

0:42:54.160 --> 0:42:56.720
<v Speaker 3>Wan come. No, they actually did it like as as,

0:42:56.920 --> 0:42:59.399
<v Speaker 3>like like NAS does five songs and they come out

0:42:59.600 --> 0:43:01.680
<v Speaker 3>and it's like I was like a mixtape on stage

0:43:01.719 --> 0:43:04.560
<v Speaker 3>and I was like, oh, l roots that pretty.

0:43:04.600 --> 0:43:07.000
<v Speaker 2>It's pretty dope to yeah, yeah, yeah, well they got

0:43:07.080 --> 0:43:10.560
<v Speaker 2>that from us, the alumni. We've been doing that for

0:43:10.680 --> 0:43:14.840
<v Speaker 2>ten years old, myself, Chub Rock, Dame to Dane Kwame,

0:43:15.200 --> 0:43:19.680
<v Speaker 2>Money Love and Greg Nice. We've been performing together like

0:43:19.880 --> 0:43:24.560
<v Speaker 2>one group for ten years the fuck because so that's.

0:43:24.480 --> 0:43:25.120
<v Speaker 1>Where they got that.

0:43:25.360 --> 0:43:29.400
<v Speaker 2>Who's the people going to say again? Special Led Chuck Rock, Dana,

0:43:29.520 --> 0:43:32.719
<v Speaker 2>Dane Money love mo Ma, Greg Nice Nice.

0:43:34.080 --> 0:43:34.759
<v Speaker 1>That's what I'm saying.

0:43:34.800 --> 0:43:38.080
<v Speaker 2>We all classic iconic hip hop artists and we've been

0:43:38.120 --> 0:43:40.799
<v Speaker 2>doing that shit over ten years. So when they say, yeah,

0:43:40.800 --> 0:43:42.640
<v Speaker 2>we're doing this and doing that year, we did that

0:43:42.719 --> 0:43:44.680
<v Speaker 2>ship already. Thank you.

0:43:48.840 --> 0:43:54.399
<v Speaker 1>Yeah you're welcome, man, Thank you and your welf. It's

0:43:54.400 --> 0:43:57.120
<v Speaker 1>an honor to be honored. What do you think about

0:43:57.200 --> 0:44:03.680
<v Speaker 1>hip Hop fifty? Hip Hop fifty is it's appropriation.

0:44:04.520 --> 0:44:07.800
<v Speaker 2>It's appropriation because what they're doing now is they putting

0:44:07.840 --> 0:44:11.080
<v Speaker 2>together these great lineups and then they're gonna overcharge the public.

0:44:11.800 --> 0:44:14.439
<v Speaker 2>See the concerts I'm doing for the fifty is free

0:44:14.520 --> 0:44:17.480
<v Speaker 2>to the public. It's free for the people. I'm doing

0:44:17.520 --> 0:44:20.040
<v Speaker 2>it with the city. I'm doing it where the people

0:44:20.080 --> 0:44:20.640
<v Speaker 2>could pull.

0:44:20.600 --> 0:44:23.520
<v Speaker 1>Up for free. I ain't overcharging for a ticket. How

0:44:23.560 --> 0:44:26.080
<v Speaker 1>do you get paid that? How do you make the city?

0:44:28.600 --> 0:44:28.839
<v Speaker 2>Okay?

0:44:28.840 --> 0:44:29.120
<v Speaker 3>All right?

0:44:32.360 --> 0:44:34.719
<v Speaker 2>And I pay the artists? No, but see I pay

0:44:34.800 --> 0:44:39.200
<v Speaker 2>the artists. Let's get that straight. I ain't saying I'm

0:44:39.239 --> 0:44:44.080
<v Speaker 2>saying I pay all My artists get paid period. That's

0:44:44.160 --> 0:44:46.719
<v Speaker 2>how I operate. I've been a booking agent for overd

0:44:46.840 --> 0:44:51.600
<v Speaker 2>for like twenty years now. I provide income opportunities for

0:44:51.800 --> 0:44:52.480
<v Speaker 2>all artists.

0:44:52.600 --> 0:44:53.920
<v Speaker 3>Let me stop you for one second. You know what

0:44:53.960 --> 0:44:58.640
<v Speaker 3>I always said, memes. What's the names? M No, not

0:44:58.800 --> 0:45:06.840
<v Speaker 3>nims men, memes, your boy with the drags, memes. He

0:45:06.960 --> 0:45:18.279
<v Speaker 3>booked us one time. Oh damn name artists, artists. When

0:45:18.320 --> 0:45:21.799
<v Speaker 3>he booked me, he did everything everything as an artist

0:45:21.840 --> 0:45:24.880
<v Speaker 3>would do us. Usher booked me. He did everything like,

0:45:25.440 --> 0:45:28.479
<v Speaker 3>I didn't ask for nothing. Artists know how the Book

0:45:28.600 --> 0:45:30.720
<v Speaker 3>of the Artists, right, we know how to treat other artists.

0:45:30.719 --> 0:45:34.520
<v Speaker 2>So I got that from Prince booked me before Rest

0:45:34.520 --> 0:45:34.959
<v Speaker 2>of Peace.

0:45:35.160 --> 0:45:39.399
<v Speaker 1>Yeah, you gotta tell us this. Yeah, he had a club.

0:45:39.480 --> 0:45:41.719
<v Speaker 2>You ain't gonna just say that.

0:45:41.960 --> 0:45:47.040
<v Speaker 1>It's just like go, okay, okay, so hold on, hold on.

0:45:47.120 --> 0:45:51.040
<v Speaker 3>Time you chilling in the crib and somebody say, Prince

0:45:51.239 --> 0:45:52.200
<v Speaker 3>want to book you for a show.

0:45:53.239 --> 0:45:56.520
<v Speaker 2>Well, I didn't even know until the gig was going

0:45:56.640 --> 0:45:59.480
<v Speaker 2>on and they said, oh, you know that's Prince's club.

0:46:00.080 --> 0:46:02.560
<v Speaker 2>It was in that GLAMs Yeah. Yeah, glam Slam was

0:46:02.800 --> 0:46:07.000
<v Speaker 2>in LA back in the days. L Yeah, we did

0:46:07.080 --> 0:46:09.400
<v Speaker 2>the one. We did the one in l A, I

0:46:09.480 --> 0:46:10.080
<v Speaker 2>believe it was.

0:46:10.239 --> 0:46:11.680
<v Speaker 4>And yo.

0:46:11.960 --> 0:46:12.800
<v Speaker 1>I respected that.

0:46:12.960 --> 0:46:15.480
<v Speaker 2>I was like, oh ship, Prince got a clumb and

0:46:15.640 --> 0:46:18.040
<v Speaker 2>then he booked me and then the other person is

0:46:18.200 --> 0:46:18.719
<v Speaker 2>uncle Luke.

0:46:19.800 --> 0:46:21.920
<v Speaker 1>So Luke Luther Camp but what o g.

0:46:23.400 --> 0:46:26.279
<v Speaker 2>So so back in the days they had like the

0:46:26.400 --> 0:46:30.279
<v Speaker 2>Goomba Festival and all that, Yeah, goom bab Yeah yeah,

0:46:30.560 --> 0:46:35.400
<v Speaker 2>jamaic it yeah. So so so Luke booked me for

0:46:35.520 --> 0:46:38.719
<v Speaker 2>that and it was like, I was like, man, you

0:46:39.000 --> 0:46:42.520
<v Speaker 2>you are artist yourself. So when I saw Luke do

0:46:42.680 --> 0:46:44.880
<v Speaker 2>that and then Prince did that, it put me in

0:46:44.960 --> 0:46:48.360
<v Speaker 2>the mind frame of oh, I could provide opportunities for

0:46:48.480 --> 0:46:51.239
<v Speaker 2>other artists. So that's how that came to be. And

0:46:51.320 --> 0:46:53.560
<v Speaker 2>I just started booking all. I booked everybody. I booked

0:46:53.640 --> 0:46:58.839
<v Speaker 2>nas before. Yeah, I booked everybody, Lil Kim, Rock Kim,

0:46:59.239 --> 0:46:59.799
<v Speaker 2>every Kim.

0:47:00.000 --> 0:47:03.120
<v Speaker 1>I don't what made you start doing that?

0:47:03.560 --> 0:47:07.800
<v Speaker 2>Well, just like I said, booked me, Prince booked me,

0:47:07.960 --> 0:47:10.719
<v Speaker 2>and I respected that and I thought that that was

0:47:10.840 --> 0:47:13.640
<v Speaker 2>cool that an artist would had a mindset to provide

0:47:13.719 --> 0:47:16.440
<v Speaker 2>opportunities for other artists. So that's what I do. I

0:47:16.560 --> 0:47:20.839
<v Speaker 2>provide income opportunities for other artists. I've been booking, That's

0:47:20.880 --> 0:47:21.200
<v Speaker 2>what I do.

0:47:21.400 --> 0:47:23.640
<v Speaker 1>Did you get to meet Prince? Yeah, I got to

0:47:23.680 --> 0:47:26.239
<v Speaker 1>meet him that night in the plug Yeah.

0:47:26.400 --> 0:47:29.000
<v Speaker 3>Did it taste like did it feel like velvet, he said, taste,

0:47:37.760 --> 0:47:38.399
<v Speaker 3>you know what I mean.

0:47:39.200 --> 0:47:39.440
<v Speaker 5>It was.

0:47:39.800 --> 0:47:42.080
<v Speaker 2>It was a long time ago, but yeah, we greeted

0:47:42.160 --> 0:47:44.600
<v Speaker 2>each other and and I was honored just to be

0:47:44.719 --> 0:47:47.279
<v Speaker 2>able to get booked by him in his club because

0:47:47.320 --> 0:47:48.440
<v Speaker 2>I was a fan period.

0:47:48.880 --> 0:47:50.800
<v Speaker 1>You know what I'm saying, He's an icon to me.

0:47:51.280 --> 0:47:52.680
<v Speaker 2>You know what I'm saying, He's not even in the

0:47:52.840 --> 0:47:56.480
<v Speaker 2>rap game, but he booked me as a young rap artist.

0:47:56.560 --> 0:47:59.880
<v Speaker 2>So I was like, Yo, that ship like enlighten me

0:48:00.400 --> 0:48:02.920
<v Speaker 2>and just just showed me that, oh, you could do

0:48:03.040 --> 0:48:06.600
<v Speaker 2>other things, you could provide you know, I provided income

0:48:06.640 --> 0:48:08.520
<v Speaker 2>opportunity for everybody, man, trust me.

0:48:08.640 --> 0:48:08.800
<v Speaker 1>You know.

0:48:08.840 --> 0:48:10.800
<v Speaker 3>It was ill about Prince, Like he was so ahead

0:48:10.800 --> 0:48:13.280
<v Speaker 3>of his time that I heard that so many artists

0:48:13.360 --> 0:48:14.720
<v Speaker 3>used to come up to him and try to sample

0:48:14.760 --> 0:48:15.520
<v Speaker 3>his music, and.

0:48:15.560 --> 0:48:18.200
<v Speaker 1>He would tell them go own your masters first.

0:48:19.239 --> 0:48:21.600
<v Speaker 3>And at the time, artists was like, were we were

0:48:21.680 --> 0:48:24.200
<v Speaker 3>so happy of getting our advents? He were so happy

0:48:24.280 --> 0:48:27.120
<v Speaker 3>to traveling to Japan and they said.

0:48:26.920 --> 0:48:28.160
<v Speaker 2>Oh we holding long times.

0:48:28.280 --> 0:48:29.080
<v Speaker 3>Did y'all really say that?

0:48:29.440 --> 0:48:29.840
<v Speaker 1>Okay?

0:48:30.680 --> 0:48:36.080
<v Speaker 3>Really like and meanwhile, but meanwhile, he was really like

0:48:36.160 --> 0:48:39.239
<v Speaker 3>the first person that was owning this advocating like even

0:48:39.320 --> 0:48:42.440
<v Speaker 3>even even when he changed his things to the slave

0:48:42.840 --> 0:48:46.239
<v Speaker 3>thing like that because they owned his things, Like I

0:48:46.320 --> 0:48:48.080
<v Speaker 3>didn't even realize that. So I had to change my

0:48:48.160 --> 0:48:50.480
<v Speaker 3>name from Norriega to Norway at one point I had

0:48:50.520 --> 0:48:53.400
<v Speaker 3>to change it because they had invested their component in Norriega,

0:48:53.520 --> 0:48:54.480
<v Speaker 3>so they had owned that.

0:48:54.960 --> 0:48:57.399
<v Speaker 1>So it was like it was crazy. So yeah, yeah,

0:48:57.440 --> 0:48:58.440
<v Speaker 1>he was business.

0:48:58.520 --> 0:49:01.000
<v Speaker 2>He taught a lot of business lessons and advanced a

0:49:01.080 --> 0:49:04.480
<v Speaker 2>lot of artists understanding of ownership in the music.

0:49:04.600 --> 0:49:07.920
<v Speaker 1>Business man shout out to princeman Peace. Did you get

0:49:07.960 --> 0:49:10.120
<v Speaker 1>a chance to man think like something like that or No?

0:49:10.239 --> 0:49:12.960
<v Speaker 1>It was just like not just meeting him through that event,

0:49:13.080 --> 0:49:13.480
<v Speaker 1>that's all.

0:49:13.680 --> 0:49:13.840
<v Speaker 3>You know.

0:49:14.280 --> 0:49:17.360
<v Speaker 2>I hadn't come across him too many times other than that.

0:49:17.600 --> 0:49:20.400
<v Speaker 2>Did you meet with Donna before Donna? Madonna?

0:49:20.560 --> 0:49:21.000
<v Speaker 1>Madonna?

0:49:21.200 --> 0:49:21.319
<v Speaker 4>Nah?

0:49:21.360 --> 0:49:27.120
<v Speaker 2>I hadn't met like I can feel like, yeah, but

0:49:27.280 --> 0:49:29.520
<v Speaker 2>you know, I wasn't a chaser, like I ain't. I

0:49:29.520 --> 0:49:31.680
<v Speaker 2>ain't fuck with people just because they did this or

0:49:31.760 --> 0:49:34.840
<v Speaker 2>did that. There had to be situations where, you know,

0:49:35.160 --> 0:49:38.759
<v Speaker 2>we we were together organically, you know, we met organically

0:49:38.960 --> 0:49:39.520
<v Speaker 2>ship like that.

0:49:39.560 --> 0:49:41.000
<v Speaker 1>Because I see you got to ring on your finger?

0:49:41.280 --> 0:49:42.920
<v Speaker 1>How long I just got married last year?

0:49:43.000 --> 0:49:43.200
<v Speaker 2>Okay?

0:49:43.800 --> 0:49:46.120
<v Speaker 1>Way for this, Yeah, yeah, yeah, you was knocking down

0:49:46.160 --> 0:49:46.680
<v Speaker 1>a lot of things.

0:49:46.760 --> 0:49:46.960
<v Speaker 5>Man.

0:49:47.320 --> 0:49:52.239
<v Speaker 2>Man, it's been out.

0:49:52.400 --> 0:49:55.799
<v Speaker 1>It's been from fifteen. I'm fifty one now, so it's

0:49:55.840 --> 0:49:56.480
<v Speaker 1>been a while.

0:49:56.600 --> 0:49:57.759
<v Speaker 2>Man, I've been you know.

0:49:57.920 --> 0:49:59.879
<v Speaker 1>And it's a thing in all community. When you got good,

0:50:00.480 --> 0:50:04.320
<v Speaker 1>you get some good pussy. Well see, yeah, that's absolutely correct.

0:50:08.760 --> 0:50:15.040
<v Speaker 2>Yeah, but we got We gotta also understand, though, even

0:50:15.120 --> 0:50:18.800
<v Speaker 2>though we as a culture glorify that, we have to

0:50:18.920 --> 0:50:23.240
<v Speaker 2>understand who we are as men and as spiritual beings

0:50:23.360 --> 0:50:27.680
<v Speaker 2>and learn how to control ourselves that period and master

0:50:27.760 --> 0:50:30.399
<v Speaker 2>that because a lot of times I look back from

0:50:30.480 --> 0:50:35.879
<v Speaker 2>the age of sixteen when the record came out until now, Yeah,

0:50:36.000 --> 0:50:37.799
<v Speaker 2>it was very wild, but I feel like a lot

0:50:37.840 --> 0:50:41.840
<v Speaker 2>of that was also abuse, not just from them, but

0:50:42.080 --> 0:50:45.200
<v Speaker 2>me on my end, abusing myself like a lot of them.

0:50:45.440 --> 0:50:47.160
<v Speaker 2>I ain't had to be with a lot of them people,

0:50:47.200 --> 0:50:48.719
<v Speaker 2>a lot of them didn't deserve.

0:50:48.520 --> 0:50:51.440
<v Speaker 1>To be with me me absolutely.

0:50:54.560 --> 0:50:59.520
<v Speaker 2>So you have to understand your value and your worth

0:50:59.560 --> 0:51:01.960
<v Speaker 2>and you can and it's be giving yourself out to

0:51:02.080 --> 0:51:03.000
<v Speaker 2>any of everybody.

0:51:03.160 --> 0:51:06.760
<v Speaker 1>Man, You draining your energy, you draining your spirit.

0:51:10.920 --> 0:51:13.520
<v Speaker 2>No, seriously, though, man, we just gotta be more serious

0:51:13.600 --> 0:51:17.920
<v Speaker 2>about ourselves and our self worth. You feel me, because

0:51:17.960 --> 0:51:20.200
<v Speaker 2>I look back in a lot of people, I'd be like, damn,

0:51:20.600 --> 0:51:21.439
<v Speaker 2>fun was I doing?

0:51:21.760 --> 0:51:22.200
<v Speaker 1>You feel me?

0:51:22.960 --> 0:51:26.200
<v Speaker 2>So it's just about realizing that and not just glorifying

0:51:27.200 --> 0:51:28.600
<v Speaker 2>sluty ratchet behavior.

0:51:28.960 --> 0:51:30.400
<v Speaker 3>Where was your favorite place to perform?

0:51:31.080 --> 0:51:32.160
<v Speaker 1>My favorite place? Yeah?

0:51:33.120 --> 0:51:38.240
<v Speaker 2>Man, anyway they paying me, that's my favorite place to perform.

0:51:38.280 --> 0:51:38.919
<v Speaker 2>Where our money?

0:51:39.920 --> 0:51:40.120
<v Speaker 4>Yeah?

0:51:40.640 --> 0:51:40.839
<v Speaker 2>Yeah?

0:51:41.480 --> 0:51:42.040
<v Speaker 1>What's there?

0:51:42.080 --> 0:51:44.719
<v Speaker 3>A lot of promo going on back then, because let

0:51:44.719 --> 0:51:46.360
<v Speaker 3>me let me lie is, let me tell you, let

0:51:46.400 --> 0:51:49.960
<v Speaker 3>me tell you what I radio. I remember for years, Yeah,

0:51:51.640 --> 0:51:53.120
<v Speaker 3>I would have to drop an album and I would

0:51:53.160 --> 0:51:55.640
<v Speaker 3>have to go state to state, go to the morning shows.

0:51:55.960 --> 0:51:56.839
<v Speaker 1>That's going to make my promo.

0:51:56.920 --> 0:51:59.759
<v Speaker 3>Go to the morning shows, Go to the retail you

0:51:59.800 --> 0:52:01.480
<v Speaker 3>go to the marketing stores, go to the Wiz, the

0:52:01.560 --> 0:52:03.799
<v Speaker 3>Sam Goodies. I know I'm old school saying the Wiz

0:52:03.840 --> 0:52:05.279
<v Speaker 3>the Sam Goodie. I know they're not open no more,

0:52:05.600 --> 0:52:07.359
<v Speaker 3>but I'm just saying to get people.

0:52:07.520 --> 0:52:08.160
<v Speaker 1>We did some of that.

0:52:08.480 --> 0:52:11.600
<v Speaker 3>Yeah, But I remember for the first five years of

0:52:11.680 --> 0:52:13.880
<v Speaker 3>my career, I wouldn't they would call it promo. I

0:52:13.920 --> 0:52:16.320
<v Speaker 3>would not get paid. But what I would notice was

0:52:16.680 --> 0:52:19.080
<v Speaker 3>like the street team people were getting paid. Everyone else

0:52:19.160 --> 0:52:22.560
<v Speaker 3>was getting paid. But besides the artists. Well they say

0:52:22.600 --> 0:52:24.600
<v Speaker 3>it was to sell your record. I ain't really do

0:52:24.719 --> 0:52:26.720
<v Speaker 3>too much of that free ship. I'm gonna be honest.

0:52:27.080 --> 0:52:29.120
<v Speaker 3>I went to a few retail spots.

0:52:29.560 --> 0:52:33.120
<v Speaker 2>I did some in stores, but as far as performances,

0:52:34.560 --> 0:52:36.200
<v Speaker 2>very few free performances.

0:52:37.640 --> 0:52:38.040
<v Speaker 1>Fuck that.

0:52:39.080 --> 0:52:41.359
<v Speaker 2>Even back then, even back then, you knew you don't

0:52:41.360 --> 0:52:44.600
<v Speaker 2>pay me, damn, because y'all getting paid. Everybody getting paid

0:52:44.640 --> 0:52:48.920
<v Speaker 2>to pay me to I did some radio station shows

0:52:48.960 --> 0:52:52.319
<v Speaker 2>that were favorable and less than I would normally get,

0:52:53.160 --> 0:52:57.239
<v Speaker 2>But that was for the station, for the spens, Yes,

0:52:58.440 --> 0:53:01.200
<v Speaker 2>for the relationship really, because it ain't directly for no

0:53:01.360 --> 0:53:04.279
<v Speaker 2>certain amount of spends. But you gain that rapport and

0:53:04.400 --> 0:53:07.439
<v Speaker 2>that favorable you know, that favoritism from the station.

0:53:07.760 --> 0:53:09.440
<v Speaker 3>You know, I was fucked up when I would do

0:53:09.600 --> 0:53:11.879
<v Speaker 3>I would do free radio shows, and then I would

0:53:11.880 --> 0:53:14.319
<v Speaker 3>see like an artist just a little bit bigger than

0:53:14.400 --> 0:53:16.320
<v Speaker 3>me going and collecting the check, and I'm like, what

0:53:16.440 --> 0:53:17.680
<v Speaker 3>the fuck am I doing here?

0:53:18.320 --> 0:53:20.479
<v Speaker 2>Like you know what I mean, Like I went needed

0:53:20.560 --> 0:53:22.640
<v Speaker 2>to do that at that time, you know what I'm saying,

0:53:23.360 --> 0:53:27.439
<v Speaker 2>Especially starting out, they expect that of you. But see

0:53:27.880 --> 0:53:30.399
<v Speaker 2>my record flew off the shelf. It was all over

0:53:30.480 --> 0:53:34.160
<v Speaker 2>the country, all over the world. So that was the promo.

0:53:34.960 --> 0:53:36.840
<v Speaker 2>So when I pop up, Now, yeah I did some

0:53:37.040 --> 0:53:39.880
<v Speaker 2>radio station shows, but they still had to cover my

0:53:40.000 --> 0:53:42.520
<v Speaker 2>expenses compensate me somewhat.

0:53:42.880 --> 0:53:43.440
<v Speaker 1>You know what I'm saying.

0:53:43.480 --> 0:53:45.759
<v Speaker 2>It wasn't just like all free. They wasn't dragging me

0:53:45.840 --> 0:53:47.480
<v Speaker 2>around like no puppy or some shit.

0:53:47.600 --> 0:53:50.719
<v Speaker 1>You feel me. Yeah, now we don't do that nah

0:53:50.840 --> 0:53:51.440
<v Speaker 1>man oh.

0:53:51.480 --> 0:53:55.320
<v Speaker 3>Man, Yeah, holy shit, I'm just thinking of that times

0:53:55.400 --> 0:53:58.319
<v Speaker 3>because like you got to go, you got to sell

0:53:58.440 --> 0:54:01.520
<v Speaker 3>records where person have to pick your cassette, have to

0:54:01.520 --> 0:54:02.279
<v Speaker 3>pick up your CD.

0:54:02.880 --> 0:54:04.840
<v Speaker 1>Like I don't believe these streams.

0:54:05.080 --> 0:54:08.360
<v Speaker 3>I'm sorry, Like like this this kids out there with

0:54:08.480 --> 0:54:11.799
<v Speaker 3>forty million streams and I don't know noting one person

0:54:11.880 --> 0:54:14.520
<v Speaker 3>that know one of their words, right, and they got

0:54:14.560 --> 0:54:15.320
<v Speaker 3>forty million streams.

0:54:15.400 --> 0:54:18.640
<v Speaker 2>It's automated. It's automated. Is they buy a lot of

0:54:18.719 --> 0:54:21.839
<v Speaker 2>that ship. And at the end of the day they

0:54:22.000 --> 0:54:24.799
<v Speaker 2>made up besides the box, they made up a whole

0:54:24.880 --> 0:54:26.879
<v Speaker 2>pay structure out of fucking thin there.

0:54:27.200 --> 0:54:29.239
<v Speaker 1>Like we ain't got nothing to do with that. We

0:54:29.480 --> 0:54:32.439
<v Speaker 1>we didn't agree that, we didn't sign Yeah, we didn't

0:54:32.480 --> 0:54:35.920
<v Speaker 1>sign off on nothing saying that we're okay with that.

0:54:36.200 --> 0:54:36.640
<v Speaker 1>You feel me.

0:54:37.920 --> 0:54:40.359
<v Speaker 2>They just decided that this is what we're gonna pay,

0:54:40.840 --> 0:54:44.040
<v Speaker 2>and it's like a fraction of a penny like came out.

0:54:44.320 --> 0:54:48.719
<v Speaker 2>Yes the radio, everybody I know, even Dresses is on

0:54:49.000 --> 0:54:51.640
<v Speaker 2>one about that. We all on well really, but they're

0:54:51.680 --> 0:54:54.600
<v Speaker 2>actually taking action, you know, And I would love to

0:54:54.680 --> 0:54:57.280
<v Speaker 2>be a part of any action because I ain't agreed

0:54:57.320 --> 0:54:58.319
<v Speaker 2>to none of that shit neither.

0:54:58.440 --> 0:55:00.680
<v Speaker 3>You know, Chuck d sue the whole He sued the

0:55:00.680 --> 0:55:03.640
<v Speaker 3>whole universal on behalf of us, and he won.

0:55:04.360 --> 0:55:07.359
<v Speaker 1>Good, he won, right, I believe, so, yeah, he won.

0:55:07.719 --> 0:55:10.240
<v Speaker 3>I don't know. I believe he only took his portion

0:55:10.960 --> 0:55:15.720
<v Speaker 3>on what he felt he was old. Yes, class action lawsuit.

0:55:16.160 --> 0:55:20.440
<v Speaker 3>I just can't believe like how bad it was. I

0:55:20.480 --> 0:55:22.399
<v Speaker 3>don't want to say bad because it did save.

0:55:22.840 --> 0:55:25.880
<v Speaker 2>It's bad right now because they getting ripped off for

0:55:26.000 --> 0:55:26.879
<v Speaker 2>this streaming shit.

0:55:27.040 --> 0:55:29.320
<v Speaker 1>It's terrible. Yeah, you're terrible.

0:55:29.560 --> 0:55:34.239
<v Speaker 2>Like if you made your own platform and collected your

0:55:34.320 --> 0:55:38.680
<v Speaker 2>own earnings off of your intellectual property, it would be

0:55:38.800 --> 0:55:42.279
<v Speaker 2>much more than you getting from these Spotify and all

0:55:42.360 --> 0:55:44.520
<v Speaker 2>this shit going on right now. And I don't even

0:55:44.640 --> 0:55:47.040
<v Speaker 2>like name dropping fuck that, you know what I'm saying.

0:55:47.040 --> 0:55:49.840
<v Speaker 2>But any of these services, they're not paying you what

0:55:50.000 --> 0:55:53.600
<v Speaker 2>you weigh. They paying you what they feel like you weigh,

0:55:54.160 --> 0:55:57.359
<v Speaker 2>you feel me, So that's still unfair practice. So even

0:55:57.400 --> 0:56:00.400
<v Speaker 2>though these new artists feel like, yeah, eighty millions dreams

0:56:00.440 --> 0:56:03.640
<v Speaker 2>and shit, yeah, but you're getting peanuts for it, you

0:56:03.719 --> 0:56:07.279
<v Speaker 2>should be getting eighty million dollars for your shit, you

0:56:07.360 --> 0:56:08.359
<v Speaker 2>feel me? Yeah?

0:56:08.560 --> 0:56:08.799
<v Speaker 3>Yeah?

0:56:09.280 --> 0:56:14.080
<v Speaker 2>Anyway, equity in those platforms, yeah, at something, but you

0:56:14.160 --> 0:56:17.440
<v Speaker 2>know it's all really based around advertising and marketing and

0:56:17.560 --> 0:56:18.560
<v Speaker 2>merch at this time.

0:56:18.640 --> 0:56:21.759
<v Speaker 1>You know that's where the money at all your data money, yep.

0:56:21.920 --> 0:56:23.080
<v Speaker 1>So that's really what it is.

0:56:23.239 --> 0:56:23.399
<v Speaker 2>Man.

0:56:23.400 --> 0:56:25.080
<v Speaker 1>They getting money in other ways.

0:56:25.200 --> 0:56:29.640
<v Speaker 2>It's not necessarily for somebody just listening to They get

0:56:29.719 --> 0:56:30.319
<v Speaker 2>money in other ways.

0:56:30.320 --> 0:56:31.920
<v Speaker 3>You talk about the artists, you talk about the labels.

0:56:32.360 --> 0:56:32.600
<v Speaker 4>Both.

0:56:33.120 --> 0:56:34.200
<v Speaker 1>Some artists are doing it.

0:56:34.360 --> 0:56:37.239
<v Speaker 2>Independent artists are doing it and understand it, and they

0:56:37.400 --> 0:56:41.640
<v Speaker 2>understand how it is. It's an opportunity to other avenues

0:56:41.719 --> 0:56:44.680
<v Speaker 2>to sell your merch, your shirts, your hats, your sneakers,

0:56:44.760 --> 0:56:45.759
<v Speaker 2>your whatever you sell.

0:56:46.320 --> 0:56:49.480
<v Speaker 3>Made up your saxty deal, right, he made up? He

0:56:49.600 --> 0:56:50.600
<v Speaker 3>make it up, I believe.

0:56:50.680 --> 0:56:50.719
<v Speaker 2>So.

0:56:50.800 --> 0:56:51.200
<v Speaker 1>I believe.

0:56:51.239 --> 0:56:52.680
<v Speaker 3>Maybe he didn't make it up like how we go,

0:56:52.840 --> 0:56:55.800
<v Speaker 3>but the people that usually go applied it. I believe

0:56:55.800 --> 0:56:58.600
<v Speaker 3>it's something like that. And the thing about it is

0:56:59.640 --> 0:57:02.520
<v Speaker 3>for me. Leo has always been a great CEO to me. Right,

0:57:02.640 --> 0:57:05.640
<v Speaker 3>I'm not saying he didn't have unfair practices with other people.

0:57:05.680 --> 0:57:07.160
<v Speaker 1>I'm not saying that. What I'm saying is for me.

0:57:07.880 --> 0:57:09.880
<v Speaker 3>But how did he have the foresight to see that

0:57:10.320 --> 0:57:13.320
<v Speaker 3>records won't sell as much as they will in the future,

0:57:13.560 --> 0:57:16.320
<v Speaker 3>so they have to start marketing because no one asks,

0:57:16.400 --> 0:57:18.200
<v Speaker 3>no one. You had to put people in there on

0:57:18.320 --> 0:57:18.800
<v Speaker 3>your shows.

0:57:19.960 --> 0:57:22.720
<v Speaker 2>I tell you how he knew when that MP three

0:57:22.840 --> 0:57:27.000
<v Speaker 2>shit started, because that was the beginning of that end.

0:57:27.200 --> 0:57:31.480
<v Speaker 2>That was the beginning of the end of conventional record

0:57:31.560 --> 0:57:35.680
<v Speaker 2>labels and record sales because now you could share peer

0:57:35.760 --> 0:57:40.920
<v Speaker 2>to peer online without paying nobody no mind, you feel me.

0:57:41.360 --> 0:57:44.560
<v Speaker 2>So even though they regulated that at a certain point,

0:57:45.640 --> 0:57:48.440
<v Speaker 2>then you know it was understood like, oh damn, it

0:57:48.480 --> 0:57:51.360
<v Speaker 2>ain't no going back now, Ain't nobody buying nothing?

0:57:51.480 --> 0:57:52.840
<v Speaker 1>Now you understanding.

0:57:52.920 --> 0:57:54.960
<v Speaker 2>Now it's even worse because they just if it ain't

0:57:55.000 --> 0:57:56.480
<v Speaker 2>on their phone, they ain't gonna hear it.

0:57:57.760 --> 0:57:59.680
<v Speaker 1>You ain't gonna hear nothing unless you hear it on

0:57:59.720 --> 0:58:02.960
<v Speaker 1>your phone house, you gonna hear it.

0:58:03.320 --> 0:58:06.160
<v Speaker 2>Ain't nobody really up there on the laptop all day

0:58:06.720 --> 0:58:09.280
<v Speaker 2>everywhere they go. But they got that phone everywhere they go.

0:58:10.280 --> 0:58:14.600
<v Speaker 2>So it's all mobile, it's all online, it's all technology now,

0:58:15.160 --> 0:58:17.000
<v Speaker 2>and the only way to really make some money is,

0:58:17.120 --> 0:58:19.560
<v Speaker 2>oh shit, I want that shirt he got on. Oh

0:58:19.680 --> 0:58:22.160
<v Speaker 2>ship them kicks is hard? Let me get that oh

0:58:22.280 --> 0:58:24.680
<v Speaker 2>that had his fire, you know what I'm saying. And

0:58:24.840 --> 0:58:27.400
<v Speaker 2>you sell shit or drink, so whatever it might be,

0:58:27.600 --> 0:58:29.640
<v Speaker 2>it might be a bottle of this. You know what

0:58:29.680 --> 0:58:36.800
<v Speaker 2>I'm saying, Well, that's exactly what it is. This marketing

0:58:36.880 --> 0:58:39.840
<v Speaker 2>is selling other products and that's how they're doing it

0:58:39.960 --> 0:58:41.320
<v Speaker 2>because records ain't selling you.

0:58:41.840 --> 0:58:43.480
<v Speaker 3>So let me ask you, Like how we spoke earlier,

0:58:43.520 --> 0:58:46.200
<v Speaker 3>you said, like me and you both agreed that artists,

0:58:46.520 --> 0:58:49.120
<v Speaker 3>you know, booking artists is probably one of the best things,

0:58:49.240 --> 0:58:50.000
<v Speaker 3>right because we know.

0:58:50.000 --> 0:58:51.240
<v Speaker 1>How to treat each other artists.

0:58:51.440 --> 0:58:54.600
<v Speaker 3>Why isn't it more artists basic record labels?

0:58:54.640 --> 0:58:56.360
<v Speaker 1>Like I respect what Rick Ross does.

0:58:56.600 --> 0:58:58.280
<v Speaker 3>I really think that he takes care of his artists,

0:58:58.280 --> 0:59:00.720
<v Speaker 3>And I respect what Yo Gotti does, really think he

0:59:00.800 --> 0:59:03.640
<v Speaker 3>takes care of his artists. And that's like it's like

0:59:04.640 --> 0:59:09.760
<v Speaker 3>one and so many. Why doesn't you own your own

0:59:09.760 --> 0:59:11.720
<v Speaker 3>record label? Why I came on their own record label.

0:59:11.800 --> 0:59:13.000
<v Speaker 1>You know, so on and so and forth.

0:59:13.240 --> 0:59:16.000
<v Speaker 3>Cares one to try to like nurture these new artists.

0:59:16.240 --> 0:59:17.080
<v Speaker 2>Well I do.

0:59:17.280 --> 0:59:19.240
<v Speaker 1>I have an artist, City the Great. But what I

0:59:19.360 --> 0:59:21.080
<v Speaker 1>did more so is empower him.

0:59:21.120 --> 0:59:23.760
<v Speaker 2>And he has his own label, and I show him

0:59:23.800 --> 0:59:28.440
<v Speaker 2>how to move independently and how to be an entrepreneur.

0:59:28.640 --> 0:59:31.120
<v Speaker 2>Instead of me trying to you know, own them or

0:59:31.280 --> 0:59:34.120
<v Speaker 2>diddim or some shit, you feel me, I teach him

0:59:34.120 --> 0:59:36.400
<v Speaker 2>how to be his own boss and how to make

0:59:36.480 --> 0:59:37.040
<v Speaker 2>his own move.

0:59:37.080 --> 0:59:38.560
<v Speaker 1>Shout out to City the Great man.

0:59:39.040 --> 0:59:44.400
<v Speaker 2>And you know he's come from you know, some adversities,

0:59:44.480 --> 0:59:47.240
<v Speaker 2>let's say, and now he's flying high man.

0:59:47.480 --> 0:59:49.360
<v Speaker 1>He was just on the show in Coney Island with me.

0:59:49.440 --> 0:59:53.400
<v Speaker 2>I give him a platform, give him opportunities, and it

0:59:53.560 --> 0:59:54.360
<v Speaker 2>changed his lives.

0:59:54.480 --> 0:59:57.640
<v Speaker 1>Man. So it's the education is the most important part.

0:59:57.720 --> 0:59:57.840
<v Speaker 3>Man.

0:59:57.880 --> 1:00:00.800
<v Speaker 2>If you can give somebody the information and help them

1:00:00.880 --> 1:00:03.760
<v Speaker 2>to succeed, empowerment, that's what I do. I have a

1:00:03.880 --> 1:00:07.080
<v Speaker 2>nonprofit organization and that's my whole life mission right now

1:00:07.600 --> 1:00:11.720
<v Speaker 2>is because of my life's experience as a young child artist,

1:00:12.400 --> 1:00:16.560
<v Speaker 2>I go out there and teach children how to perceive

1:00:16.680 --> 1:00:20.400
<v Speaker 2>this and operate in this landscape. It's called special ed

1:00:20.560 --> 1:00:25.520
<v Speaker 2>art so literacy. We call it SEAL. Yeah, special arts

1:00:25.560 --> 1:00:29.560
<v Speaker 2>so literacy seal. So that's seal Artsoliteracy dot org. You

1:00:29.600 --> 1:00:32.640
<v Speaker 2>know what I'm saying. And our mentor I go do

1:00:32.840 --> 1:00:35.920
<v Speaker 2>motivational speaking keynot speaking. I go to schools. I go

1:00:36.040 --> 1:00:38.040
<v Speaker 2>to the worst schools too. I don't care where they at.

1:00:38.360 --> 1:00:39.640
<v Speaker 2>You know what I'm saying. I go talk to them

1:00:39.720 --> 1:00:43.040
<v Speaker 2>kids and get their mind right, and so they don't

1:00:43.080 --> 1:00:46.400
<v Speaker 2>come out here and end up like a lot of

1:00:46.440 --> 1:00:48.960
<v Speaker 2>people ending up the mortality rate and hip hop is

1:00:49.080 --> 1:00:52.880
<v Speaker 2>through the rule. Yeah, and that's because they're approaching it

1:00:53.280 --> 1:00:56.200
<v Speaker 2>with the wrong mindset. They going out here flashing money,

1:00:56.320 --> 1:01:01.400
<v Speaker 2>flashing guns, behaving reckless because this no direction.

1:01:01.440 --> 1:01:04.520
<v Speaker 3>But a right that that was so dope what you

1:01:04.640 --> 1:01:09.360
<v Speaker 3>just said, right, because what we're saying, we're saying like that.

1:01:09.720 --> 1:01:12.080
<v Speaker 3>The kids nowadays they hold the money to the ear

1:01:12.400 --> 1:01:14.600
<v Speaker 3>they're doing. But I'm looking at the old school videos.

1:01:14.600 --> 1:01:17.880
<v Speaker 3>I'm looking at them cell phones, the ones that didn't fold.

1:01:18.080 --> 1:01:23.440
<v Speaker 2>Yeah, I have, so I'm looking And that was a

1:01:23.840 --> 1:01:27.920
<v Speaker 2>form of flossing as well back then, flossing and communication.

1:01:28.040 --> 1:01:31.400
<v Speaker 2>Because now you have the ability to communicate mobile wherever

1:01:31.480 --> 1:01:33.840
<v Speaker 2>you at and go get that money. You can be

1:01:33.960 --> 1:01:37.200
<v Speaker 2>out traveling and answer your phone and do business. At

1:01:37.200 --> 1:01:40.000
<v Speaker 2>the same time I was doing business, I was actually

1:01:40.080 --> 1:01:41.120
<v Speaker 2>the youngest in charge.

1:01:41.200 --> 1:01:43.880
<v Speaker 1>I was really in charge of my ship. Yeah, absolutely,

1:01:44.440 --> 1:01:44.720
<v Speaker 1>so I.

1:01:44.840 --> 1:01:49.000
<v Speaker 2>Was making moves, making calls, making decisions. I wasn't just

1:01:49.480 --> 1:01:52.680
<v Speaker 2>running along behind what people say. I never did that.

1:01:52.880 --> 1:01:54.680
<v Speaker 1>You know what I'm saying because I learned.

1:01:54.960 --> 1:01:57.320
<v Speaker 3>But what I'm saying is they're talking about the lifestyle then,

1:01:57.520 --> 1:02:00.680
<v Speaker 3>like the lifestyle like if for some reason, and I'm

1:02:00.760 --> 1:02:03.440
<v Speaker 3>not trying to just the new generation, let me reiterate

1:02:03.480 --> 1:02:06.080
<v Speaker 3>what I'm trying to say. It felt like when they

1:02:06.200 --> 1:02:09.080
<v Speaker 3>was flassing back then, it was like a responsible flaws

1:02:09.160 --> 1:02:10.960
<v Speaker 3>as opposed to what it looks like. And I'm not

1:02:11.000 --> 1:02:13.880
<v Speaker 3>saying they're not responsible. I'm saying it looks like it's

1:02:14.000 --> 1:02:17.520
<v Speaker 3>just people just throwing money. Like just see kids throwing

1:02:17.560 --> 1:02:19.560
<v Speaker 3>money in them all, and it's like, that's.

1:02:19.400 --> 1:02:21.840
<v Speaker 1>Not resk like that, that's not one in real life.

1:02:22.200 --> 1:02:26.080
<v Speaker 2>That's actually content driven for the grant, that's for the

1:02:26.240 --> 1:02:29.360
<v Speaker 2>grand social that's for any social media, that's what it is.

1:02:29.480 --> 1:02:34.440
<v Speaker 2>But they don't have any social responsibility. Nobody is guiding

1:02:34.520 --> 1:02:36.200
<v Speaker 2>them or teaching them properly.

1:02:36.640 --> 1:02:37.640
<v Speaker 1>So that's what I do.

1:02:37.840 --> 1:02:39.640
<v Speaker 2>I go and talk to the kids that may have

1:02:39.760 --> 1:02:44.560
<v Speaker 2>an interest in becoming artists or entrepreneurs or media creators,

1:02:45.040 --> 1:02:48.240
<v Speaker 2>and I give them some perspective, some insight on how

1:02:48.320 --> 1:02:51.360
<v Speaker 2>to think, how to behave, how to present yourself, how

1:02:51.400 --> 1:02:54.040
<v Speaker 2>to be professional, so that you're just not out here

1:02:54.120 --> 1:02:57.479
<v Speaker 2>while they' I really needed and bond. Then you're not there.

1:02:57.720 --> 1:02:58.240
<v Speaker 1>You feel me.

1:02:58.680 --> 1:03:01.240
<v Speaker 2>You need to be able to survive this game. You

1:03:01.280 --> 1:03:03.200
<v Speaker 2>know what I'm saying. This is a long term thing.

1:03:03.400 --> 1:03:04.280
<v Speaker 3>This is not you.

1:03:04.440 --> 1:03:06.000
<v Speaker 2>You don't want to do this for two years and

1:03:06.040 --> 1:03:09.720
<v Speaker 2>then disappear. Yeah, you understand, And that's what's happening because.

1:03:09.760 --> 1:03:12.760
<v Speaker 1>You're doing it for six months now. Disappearance crazy man.

1:03:13.040 --> 1:03:14.400
<v Speaker 1>At least at least back then.

1:03:14.320 --> 1:03:16.480
<v Speaker 3>They had two years, you had a hit record, you

1:03:16.520 --> 1:03:19.160
<v Speaker 3>could go on to all you can feed your family now.

1:03:19.960 --> 1:03:22.560
<v Speaker 3>And what's fucked up about it is no one's schooling

1:03:22.640 --> 1:03:24.760
<v Speaker 3>these kids, That's what I'm saying, not telling them hold

1:03:24.800 --> 1:03:28.080
<v Speaker 3>that money, don't buy that car, don't buy that that

1:03:28.560 --> 1:03:28.840
<v Speaker 3>They're just.

1:03:28.880 --> 1:03:31.600
<v Speaker 1>Letting them go and then that money is gone, specially

1:03:31.680 --> 1:03:34.160
<v Speaker 1>at arts and literacy. That's what we do.

1:03:34.400 --> 1:03:37.200
<v Speaker 2>We teach them better. We teach you better, and so

1:03:37.360 --> 1:03:40.200
<v Speaker 2>you know better and you do better and you succeed.

1:03:41.160 --> 1:03:43.280
<v Speaker 2>That's what I'm on. That's all I'm on right now.

1:03:43.320 --> 1:03:45.840
<v Speaker 2>I don't compete with nobody. I ain't out here putting

1:03:45.880 --> 1:03:47.720
<v Speaker 2>out a new single, this, that, and the third. No,

1:03:48.080 --> 1:03:50.160
<v Speaker 2>I'm out here talking to these kids. I'm going to

1:03:50.240 --> 1:03:53.560
<v Speaker 2>the hoods. I'm on my way to Chicago. I'm in Philly,

1:03:53.600 --> 1:03:56.200
<v Speaker 2>I'm in New York. I'm everywhere I need to be.

1:03:56.720 --> 1:04:00.120
<v Speaker 2>I'm in North Carolina, like just wherever it's at. Oh,

1:04:00.200 --> 1:04:06.640
<v Speaker 2>I'm national. Nah, I'm between the South. I'm all over. Man,

1:04:06.680 --> 1:04:08.840
<v Speaker 2>I got a few cribs. I just chill, man, I don't.

1:04:08.840 --> 1:04:10.640
<v Speaker 2>I don't even disclose that.

1:04:10.840 --> 1:04:11.160
<v Speaker 4>No more.

1:04:11.280 --> 1:04:11.400
<v Speaker 7>Man.

1:04:11.720 --> 1:04:13.480
<v Speaker 1>That's a part of flaws, and that's a part of

1:04:14.200 --> 1:04:15.240
<v Speaker 1>right here, come get me.

1:04:19.120 --> 1:04:21.680
<v Speaker 2>But but yeah, you know, I invest wisely, and that's

1:04:21.720 --> 1:04:24.320
<v Speaker 2>a part of it, investing things that appreciate. Go buy

1:04:24.400 --> 1:04:26.680
<v Speaker 2>some houses. You know what I'm saying. You can get

1:04:26.720 --> 1:04:28.240
<v Speaker 2>a nice car, but make sure you got a nice

1:04:28.240 --> 1:04:30.760
<v Speaker 2>house first. You know what I'm saying, Something that's going

1:04:30.840 --> 1:04:33.440
<v Speaker 2>to appreciate and make you money year after year.

1:04:34.240 --> 1:04:36.959
<v Speaker 1>Absolutely, what are you what are you telling the youth

1:04:37.800 --> 1:04:41.959
<v Speaker 1>and how to navigate social media. How to navigate social media,

1:04:42.240 --> 1:04:44.360
<v Speaker 1>that's like the one of the biggest issues.

1:04:44.120 --> 1:04:45.960
<v Speaker 2>Right right It is not to be reckless, not to

1:04:46.040 --> 1:04:50.280
<v Speaker 2>be offensive, be mindful of how you direct your energy

1:04:50.480 --> 1:04:54.000
<v Speaker 2>and to whom you direct your energy. Don't start you know,

1:04:54.200 --> 1:04:57.640
<v Speaker 2>don't start problems. This this kids right now that is

1:04:57.680 --> 1:05:03.000
<v Speaker 2>actually using social media to beef yea and to take

1:05:03.160 --> 1:05:06.200
<v Speaker 2>over right and to take lives. And that's you know,

1:05:06.400 --> 1:05:09.320
<v Speaker 2>that's that's the misuse of it first of all. But

1:05:09.400 --> 1:05:12.040
<v Speaker 2>then if you think about it, that's that sound like

1:05:12.080 --> 1:05:15.120
<v Speaker 2>an agenda to me. That sounds like they making they

1:05:15.240 --> 1:05:18.800
<v Speaker 2>designing this ship. Brother, They designing this ship just for

1:05:18.920 --> 1:05:22.280
<v Speaker 2>such the willing giving into it, where before we already

1:05:22.280 --> 1:05:24.400
<v Speaker 2>were like nah, nah no, no, we need to do

1:05:24.560 --> 1:05:26.080
<v Speaker 2>better and teach our children better.

1:05:26.160 --> 1:05:26.280
<v Speaker 4>You know.

1:05:26.360 --> 1:05:29.440
<v Speaker 2>And there's a lot of kids out here that may

1:05:29.520 --> 1:05:32.800
<v Speaker 2>not have one or both parents, but you still have

1:05:32.920 --> 1:05:35.000
<v Speaker 2>a community, you know what I'm saying, And a lot

1:05:35.080 --> 1:05:37.280
<v Speaker 2>of them get caught up in what they would call

1:05:37.400 --> 1:05:39.919
<v Speaker 2>a gang. But you know, it's up to the gang

1:05:40.080 --> 1:05:44.120
<v Speaker 2>to direct them correctly and not to destroy themselves and others.

1:05:44.520 --> 1:05:46.360
<v Speaker 2>You know what I'm saying, It's a responsibility that come

1:05:46.400 --> 1:05:48.480
<v Speaker 2>with all of that. You could be a OG. But

1:05:48.600 --> 1:05:50.600
<v Speaker 2>what kind of og are you? You know what I'm saying.

1:05:50.640 --> 1:05:52.840
<v Speaker 2>Are you teaching them how to make money, how to

1:05:52.920 --> 1:05:55.439
<v Speaker 2>get it out there and not die and go to jail?

1:05:55.880 --> 1:05:59.240
<v Speaker 2>Or you just sending them off to the wall. You're

1:05:59.240 --> 1:06:01.439
<v Speaker 2>sending them out the door with the ratchet goat?

1:06:02.080 --> 1:06:02.560
<v Speaker 1>You feel me?

1:06:02.640 --> 1:06:05.400
<v Speaker 2>You can't do that, man, That's like you gotta be

1:06:05.480 --> 1:06:07.520
<v Speaker 2>a real o G. You can't just be you know,

1:06:08.320 --> 1:06:11.400
<v Speaker 2>using children. You know what I'm saying, You can't use

1:06:11.440 --> 1:06:14.520
<v Speaker 2>and abused children. Man, that's not looked upon. You know,

1:06:14.880 --> 1:06:19.280
<v Speaker 2>that's not good real so karma karma real, and you're

1:06:19.280 --> 1:06:21.040
<v Speaker 2>gonna get all that back, you feel me?

1:06:22.320 --> 1:06:25.120
<v Speaker 5>What's your We talked a little bit before, but is

1:06:25.160 --> 1:06:27.480
<v Speaker 5>there an affiliation with low lives with my boy Thirsty?

1:06:27.640 --> 1:06:31.880
<v Speaker 1>Oh? Like he's the way he leads, the way you know,

1:06:32.040 --> 1:06:35.120
<v Speaker 1>from showing that whole community that he was a part

1:06:35.200 --> 1:06:38.120
<v Speaker 1>of a different way. Yeah, absolutely, it's turning.

1:06:38.520 --> 1:06:42.200
<v Speaker 2>What was I wouldn't say negative because they was trying

1:06:42.240 --> 1:06:45.120
<v Speaker 2>to survive, you know, and they found the lane hustling

1:06:45.200 --> 1:06:47.920
<v Speaker 2>gear seed you.

1:06:48.000 --> 1:06:51.200
<v Speaker 1>Never shot lifted, but they did. They did absolutely, you know,

1:06:51.560 --> 1:06:52.960
<v Speaker 1>and I grew up with them, you know.

1:06:53.000 --> 1:06:57.280
<v Speaker 2>I grew up with with them in Brooklyn, and when

1:06:57.360 --> 1:06:59.840
<v Speaker 2>I came out, you know, they was everywhere there was

1:06:59.880 --> 1:07:02.800
<v Speaker 2>around I went to school, My man guests actually shout

1:07:02.840 --> 1:07:06.560
<v Speaker 2>out to my main guests. I used to cut out

1:07:06.600 --> 1:07:08.320
<v Speaker 2>of school with him and he used to have moms

1:07:08.360 --> 1:07:10.440
<v Speaker 2>with we go to the crib. He lived on Rockaway

1:07:12.040 --> 1:07:14.520
<v Speaker 2>a lot of guests. Yeah, he was, and then he

1:07:14.600 --> 1:07:16.760
<v Speaker 2>lived next door to fee fee Ware.

1:07:16.800 --> 1:07:17.520
<v Speaker 1>To feel.

1:07:18.880 --> 1:07:22.200
<v Speaker 2>Right, they was all surrounded by everybody else all low.

1:07:22.280 --> 1:07:25.600
<v Speaker 2>There was low life, there was fee Low, guests, low everybody.

1:07:26.040 --> 1:07:26.240
<v Speaker 4>Yeah.

1:07:26.800 --> 1:07:28.720
<v Speaker 1>So they more more than just polo.

1:07:28.880 --> 1:07:31.040
<v Speaker 2>Now, it was a bunch of it was brands, but

1:07:31.160 --> 1:07:34.400
<v Speaker 2>that was the lucrative brand that they could sell and

1:07:34.760 --> 1:07:36.080
<v Speaker 2>monetize in the streets.

1:07:36.120 --> 1:07:38.240
<v Speaker 3>I like it that Ralph loren actually included them in

1:07:38.520 --> 1:07:39.200
<v Speaker 3>his Man.

1:07:40.680 --> 1:07:44.760
<v Speaker 2>They partially responsible for the success of his brand, just

1:07:44.920 --> 1:07:48.320
<v Speaker 2>in the fact that they was, you know, criminalized stealing

1:07:48.400 --> 1:07:50.760
<v Speaker 2>it and selling it, like they stole millions of dollars

1:07:50.800 --> 1:07:52.360
<v Speaker 2>worth of that ship, but it was also wearing it.

1:07:53.280 --> 1:07:54.800
<v Speaker 1>Yeah, that's what we do.

1:07:55.160 --> 1:08:00.560
<v Speaker 2>I was like then, absolutely, oh yeah, I'll be square

1:08:00.640 --> 1:08:03.080
<v Speaker 2>mall hell yeah, Brooklyn, New York. That was that was

1:08:03.120 --> 1:08:06.400
<v Speaker 2>a landmark Dad in King's Plaza. You know what I'm saying.

1:08:06.480 --> 1:08:09.200
<v Speaker 2>Anyway up in down Fulton Street, you know what I'm saying. Yeah,

1:08:09.320 --> 1:08:10.240
<v Speaker 2>downtown Brooklyn.

1:08:10.520 --> 1:08:12.840
<v Speaker 3>Yes, well you supposed to. Our show is about giving

1:08:12.840 --> 1:08:14.200
<v Speaker 3>people all they flowers while they're.

1:08:14.040 --> 1:08:20.360
<v Speaker 1>Alive, and we wanted to give you. I appreciate that

1:08:22.080 --> 1:08:25.600
<v Speaker 1>you are I call my brother. I appreciate that.

1:08:25.640 --> 1:08:26.120
<v Speaker 3>I can't wait.

1:08:26.160 --> 1:08:26.599
<v Speaker 1>I can't wait.

1:08:26.800 --> 1:08:29.840
<v Speaker 2>And this Sunday and she said this Sunday. No, No,

1:08:29.960 --> 1:08:33.400
<v Speaker 2>we did cony out last Sunday. What Sunday coming up

1:08:33.560 --> 1:08:37.200
<v Speaker 2>is gonna be in Marcus Garvey Park uptown in Harlem.

1:08:37.439 --> 1:08:40.160
<v Speaker 2>Oh okay, Yeah, And I'm doing the Native Tongue tribute

1:08:40.600 --> 1:08:43.840
<v Speaker 2>for Red Alert and Rest in Peace Baby Chris Chris

1:08:44.000 --> 1:08:47.879
<v Speaker 2>Lighty And it's gonna feature Red Alert, the Jungle Brothers,

1:08:48.840 --> 1:08:53.439
<v Speaker 2>Black Sheep Dress, Chili Money Love and yeah, we're doing

1:08:53.479 --> 1:08:56.400
<v Speaker 2>it like that. And you were signing Chris light was No,

1:08:56.560 --> 1:08:58.599
<v Speaker 2>it was just my boy man, like we was friends.

1:08:58.640 --> 1:08:59.439
<v Speaker 1>How did y'all connect?

1:08:59.720 --> 1:09:04.320
<v Speaker 2>We connected through the industry through him being a violator

1:09:04.320 --> 1:09:06.760
<v Speaker 2>in the native tongue. I fucked with them. They was

1:09:06.840 --> 1:09:09.400
<v Speaker 2>all my people. I toured with them, you know. I

1:09:09.520 --> 1:09:11.960
<v Speaker 2>toured with trip called quests a lot. You know what

1:09:12.000 --> 1:09:14.760
<v Speaker 2>I'm saying. There was native tongue too. They are you

1:09:14.840 --> 1:09:18.320
<v Speaker 2>feel me? And just being family. Man. We treated each

1:09:18.360 --> 1:09:20.800
<v Speaker 2>other with respect. Man, like I don't he done took me.

1:09:20.920 --> 1:09:23.360
<v Speaker 2>I don't spend the night by the crib just chilling.

1:09:23.800 --> 1:09:25.120
<v Speaker 2>You know what I'm saying up in the Bronx. I

1:09:25.240 --> 1:09:27.160
<v Speaker 2>used to be up in the Bronx all the time. Man,

1:09:27.400 --> 1:09:30.240
<v Speaker 2>I went, I went anywhere. I pleased on this, in this,

1:09:30.880 --> 1:09:33.920
<v Speaker 2>on this planet. You look like Jesus.

1:09:34.479 --> 1:09:36.160
<v Speaker 1>That's it, Jesus.

1:09:36.439 --> 1:09:39.360
<v Speaker 2>Hey, I was gonna say, I was gonna say, I'm

1:09:39.520 --> 1:09:41.240
<v Speaker 2>basically like Jesus in the street.

1:09:42.479 --> 1:09:43.840
<v Speaker 1>Yeah, that's that's what it was.

1:09:47.240 --> 1:09:47.840
<v Speaker 2>You want to heal?

1:09:51.400 --> 1:09:51.639
<v Speaker 4>Yeah?

1:09:51.880 --> 1:09:54.920
<v Speaker 1>How much? How much Beijing do you use? I don't

1:09:55.000 --> 1:09:58.960
<v Speaker 1>use none. I don't use nothing. I'm gonna tell you.

1:09:59.080 --> 1:10:01.560
<v Speaker 2>I had one law the Gray here right here, and

1:10:01.840 --> 1:10:04.639
<v Speaker 2>I got upset when it broke. My ship broke.

1:10:04.760 --> 1:10:06.360
<v Speaker 1>You had one. I had one in my.

1:10:08.280 --> 1:10:10.840
<v Speaker 2>I got I got a few little here and there,

1:10:10.840 --> 1:10:12.880
<v Speaker 2>I think, But this is genetic, man, you know what

1:10:12.880 --> 1:10:15.599
<v Speaker 2>I'm saying. You know, I'm blessed thanks to my moms

1:10:15.640 --> 1:10:18.560
<v Speaker 2>and poss who gave the drops of Loti berries, just

1:10:18.880 --> 1:10:20.320
<v Speaker 2>regular eating fruits and berries.

1:10:20.320 --> 1:10:21.679
<v Speaker 1>I'll put the ship in my head now.

1:10:24.760 --> 1:10:32.600
<v Speaker 2>America girl. Yeah yeah, now that the not just the

1:10:32.720 --> 1:10:35.880
<v Speaker 2>mother and father gift that they gave me. Man, they

1:10:36.000 --> 1:10:37.599
<v Speaker 2>blessed me. But I'm glad.

1:10:37.720 --> 1:10:39.479
<v Speaker 3>But back in the days, that was like the ship

1:10:39.560 --> 1:10:41.479
<v Speaker 3>to have an esque girl and you got good hair.

1:10:41.600 --> 1:10:44.200
<v Speaker 1>Did anybody ever accused you of having the esk girl? Well,

1:10:44.320 --> 1:10:45.240
<v Speaker 1>now I think they could tell.

1:10:45.280 --> 1:10:47.960
<v Speaker 2>They could see from you know, the grade or whatever,

1:10:48.280 --> 1:10:51.440
<v Speaker 2>you know, the grater heir, you know, just my my complexion.

1:10:51.439 --> 1:10:54.000
<v Speaker 2>They would think I was you know, like Dominican, Puerto Rican,

1:10:54.080 --> 1:10:57.240
<v Speaker 2>trinid Dad, Guyanese and those are all people with more

1:10:57.360 --> 1:10:58.559
<v Speaker 2>curly or straight here.

1:10:58.800 --> 1:11:00.320
<v Speaker 3>So you ain't never like act like he was one

1:11:00.360 --> 1:11:01.479
<v Speaker 3>of them to get some pussies up.

1:11:01.800 --> 1:11:03.840
<v Speaker 6>No, I ain't never had the hat. I ain't never

1:11:03.960 --> 1:11:09.760
<v Speaker 6>had the hat. I mean I just full back and

1:11:09.840 --> 1:11:15.640
<v Speaker 6>let that. I ain't never had to do nothing for it. Okay, Well,

1:11:15.720 --> 1:11:17.280
<v Speaker 6>we got a game on our show. It's called quick

1:11:17.320 --> 1:11:19.519
<v Speaker 6>Time of Slim. You're not drinking, so you could pick

1:11:19.720 --> 1:11:21.200
<v Speaker 6>any one of these butters that drink for you.

1:11:21.360 --> 1:11:22.920
<v Speaker 3>I suggest you picked the Haiti because he used to

1:11:22.960 --> 1:11:23.760
<v Speaker 3>rocking Jamaican bell.

1:11:24.760 --> 1:11:26.200
<v Speaker 2>He had no permission for no yard.

1:11:27.680 --> 1:11:31.760
<v Speaker 3>I suggest you picked the Haitian because because yeah, yeah,

1:11:31.760 --> 1:11:32.360
<v Speaker 3>because he had.

1:11:32.280 --> 1:11:34.439
<v Speaker 1>No permission in rock the yard mane belt. I could

1:11:34.479 --> 1:11:36.519
<v Speaker 1>do it with the coconut water. No, no, no, you

1:11:36.600 --> 1:11:38.639
<v Speaker 1>have n't you have him take the shot?

1:11:39.040 --> 1:11:39.800
<v Speaker 2>Sure? All right?

1:11:39.880 --> 1:11:43.160
<v Speaker 1>Cool and you you you're good, you're gonna do stay cool?

1:11:43.320 --> 1:11:47.400
<v Speaker 3>All right? Pumo or Pete Rock or Friend and roots

1:11:47.400 --> 1:11:49.599
<v Speaker 3>a ry the spreending rum. Yeah, spending rules is if

1:11:49.640 --> 1:11:52.679
<v Speaker 3>you pick both, then he drinks. If you be politically

1:11:52.760 --> 1:11:56.120
<v Speaker 3>you reckon, you say neither, then he drinks. But if

1:11:56.160 --> 1:11:58.320
<v Speaker 3>you pick one, then know what he drinks. Okay, okay,

1:11:58.400 --> 1:11:58.800
<v Speaker 3>you ready?

1:11:58.840 --> 1:11:59.120
<v Speaker 5>All right?

1:11:59.640 --> 1:12:07.880
<v Speaker 3>Pre or Pete Rock both. Yeah, he understands this. Yeah,

1:12:09.960 --> 1:12:12.519
<v Speaker 3>but this is my people, This is my family. You

1:12:12.600 --> 1:12:16.200
<v Speaker 3>know it's okay this d MX or Biggie.

1:12:18.800 --> 1:12:20.040
<v Speaker 1>X or Biggie.

1:12:22.680 --> 1:12:27.479
<v Speaker 3>Biggie Okay, Brooklyn Brooklyn, Guru or big Al.

1:12:27.600 --> 1:12:30.599
<v Speaker 2>That's a good one, Guru, Guru because he done gave

1:12:30.640 --> 1:12:33.280
<v Speaker 2>me a haircut. That's that was my my man, like

1:12:33.400 --> 1:12:35.960
<v Speaker 2>my man, my man, like I'd have been to his crib.

1:12:36.800 --> 1:12:37.240
<v Speaker 1>Was a good.

1:12:39.400 --> 1:12:39.599
<v Speaker 3>Yeah.

1:12:39.680 --> 1:12:41.400
<v Speaker 2>Yeah, Guru was a buck. I was too.

1:12:41.479 --> 1:12:43.439
<v Speaker 1>I used to cut here before I started rapping.

1:12:43.640 --> 1:12:47.080
<v Speaker 2>Yeah yeah, I cut my hood. I cut all the hair.

1:12:47.160 --> 1:12:49.240
<v Speaker 2>But one time we was at the New Music semin

1:12:49.320 --> 1:12:52.479
<v Speaker 2>off in the city and gu was like, yo, I

1:12:52.520 --> 1:12:54.000
<v Speaker 2>got run to my crib real quick.

1:12:54.040 --> 1:12:55.479
<v Speaker 1>I was like, yo, I come with you. Fuck it,

1:12:55.600 --> 1:12:56.960
<v Speaker 1>let's go. So we went to his crib.

1:12:57.040 --> 1:12:59.040
<v Speaker 2>I got a little shape up and ship and then

1:12:59.080 --> 1:13:01.120
<v Speaker 2>we went back to the New Music seminar.

1:13:01.520 --> 1:13:03.240
<v Speaker 1>You up, yeah yeah?

1:13:03.360 --> 1:13:07.920
<v Speaker 2>Got man. Rest in Peace, My man, Holly Rock rest

1:13:07.960 --> 1:13:10.599
<v Speaker 2>in Peace introduced me to him from East New York

1:13:10.640 --> 1:13:12.559
<v Speaker 2>because he was down with the East New York crew,

1:13:13.040 --> 1:13:15.160
<v Speaker 2>and we kind of came out at the same time

1:13:15.240 --> 1:13:17.400
<v Speaker 2>and did a lot of things together, you know. We

1:13:17.640 --> 1:13:20.800
<v Speaker 2>we little side shows, inside hustles. We did a lot

1:13:20.840 --> 1:13:21.439
<v Speaker 2>of ship together.

1:13:21.520 --> 1:13:21.680
<v Speaker 8>Man.

1:13:21.720 --> 1:13:23.200
<v Speaker 1>He was also a youth counselor.

1:13:23.600 --> 1:13:23.840
<v Speaker 2>Wow.

1:13:24.080 --> 1:13:25.360
<v Speaker 1>Yeah, he was a counselor.

1:13:25.400 --> 1:13:25.559
<v Speaker 9>Man.

1:13:25.600 --> 1:13:28.360
<v Speaker 1>Guru was a little I ain't gonna lie. I got

1:13:28.479 --> 1:13:33.920
<v Speaker 1>drunk with Google a lot. Yeah yeah, yeah, yeah, yeah.

1:13:35.560 --> 1:13:37.800
<v Speaker 3>Yeah, Okay, I like this one. You want to take

1:13:37.840 --> 1:13:38.160
<v Speaker 3>this one?

1:13:38.560 --> 1:13:38.800
<v Speaker 1>Okay?

1:13:39.040 --> 1:13:47.840
<v Speaker 8>Caine or Ell Caine Brooklyn damn straight out, straight out,

1:13:48.880 --> 1:13:50.000
<v Speaker 8>no hesitation on.

1:13:50.200 --> 1:13:52.560
<v Speaker 2>That, and it ain't I'm gonna tell you well, I

1:13:52.600 --> 1:13:55.400
<v Speaker 2>ain't gonna tell you we got up to Yeah Kane,

1:13:55.439 --> 1:13:57.439
<v Speaker 2>shout outs to big Daddy Kane. That's the o G.

1:13:57.640 --> 1:13:59.920
<v Speaker 2>Matter of fact, he was like a big brother the

1:14:00.120 --> 1:14:03.040
<v Speaker 2>me too. Like he doesn't come to church after the

1:14:03.120 --> 1:14:07.120
<v Speaker 2>hood to pick me up. We go to Apollo hang out, chill,

1:14:07.640 --> 1:14:11.040
<v Speaker 2>go watch all one of them little blaxploitation flicks at

1:14:11.040 --> 1:14:13.560
<v Speaker 2>the crib. Chill, we laughing, get gigging it up. He

1:14:13.800 --> 1:14:16.360
<v Speaker 2>was a big brother man, like I respect. The ship

1:14:16.400 --> 1:14:18.920
<v Speaker 2>out of a big Day came May cut at the time.

1:14:19.439 --> 1:14:31.479
<v Speaker 2>Probably probably so drag drag for the k I know,

1:14:31.720 --> 1:14:33.080
<v Speaker 2>I know what you're gonna pick up with this one.

1:14:33.240 --> 1:14:38.639
<v Speaker 3>Howie t Or Eric Sherman, Howie Tea Man Brooklyn Okay, Chub.

1:14:40.520 --> 1:14:44.160
<v Speaker 1>Chub Rock Brooklyn like his loyalty. I like it. New

1:14:44.280 --> 1:14:52.439
<v Speaker 1>Jack City or Juice Juice? How did you get in

1:14:52.479 --> 1:14:53.320
<v Speaker 1>the Juice? I forgot that.

1:14:53.600 --> 1:14:53.760
<v Speaker 3>Well.

1:14:54.160 --> 1:14:57.360
<v Speaker 2>I wasn't really really supposed to be in the movie

1:14:57.680 --> 1:15:02.519
<v Speaker 2>at all. Actually, yeah, what happened was I read for

1:15:02.680 --> 1:15:04.719
<v Speaker 2>the part because I wanted to be in the movie

1:15:04.840 --> 1:15:06.760
<v Speaker 2>at the time, so I read for the part of

1:15:06.880 --> 1:15:07.880
<v Speaker 2>the curly head kid.

1:15:08.120 --> 1:15:08.680
<v Speaker 1>Of course you did.

1:15:08.840 --> 1:15:11.080
<v Speaker 2>So when I went to the set, I went to

1:15:11.160 --> 1:15:12.639
<v Speaker 2>the set to go fuck with Poc.

1:15:12.760 --> 1:15:15.800
<v Speaker 1>That was my man, Like, we was tight. So I

1:15:15.920 --> 1:15:17.920
<v Speaker 1>produced records for people to talk about this.

1:15:18.000 --> 1:15:18.360
<v Speaker 3>Y Yeah.

1:15:20.479 --> 1:15:22.880
<v Speaker 2>Yeah. So I went to the set to go chill

1:15:22.920 --> 1:15:26.320
<v Speaker 2>with Pac, and when I saw who they casted for

1:15:26.400 --> 1:15:28.320
<v Speaker 2>the part I read for, I was like, how the

1:15:28.400 --> 1:15:29.639
<v Speaker 2>funck y'all get a look alike?

1:15:30.040 --> 1:15:31.880
<v Speaker 1>Why y'all ain't get the real nigga? Right?

1:15:32.360 --> 1:15:34.960
<v Speaker 2>So Pac was like, yo, you read for this move.

1:15:35.000 --> 1:15:36.479
<v Speaker 2>I was like, yeah, son, they gave it to the

1:15:36.560 --> 1:15:38.559
<v Speaker 2>other curly head dude, what the fun?

1:15:39.840 --> 1:15:39.960
<v Speaker 5>Right?

1:15:40.040 --> 1:15:42.600
<v Speaker 2>Who is this other curly So that was right?

1:15:42.680 --> 1:15:43.200
<v Speaker 1>He right there?

1:15:43.880 --> 1:15:44.559
<v Speaker 2>Yeah right?

1:15:44.760 --> 1:15:47.840
<v Speaker 1>And I end up taking this girl right So so.

1:15:49.840 --> 1:15:53.720
<v Speaker 2>So Pack was like he acted like he was He

1:15:53.840 --> 1:15:55.960
<v Speaker 2>acted like he had to do something. So he was like, Yo,

1:15:56.000 --> 1:15:57.760
<v Speaker 2>I'm gonna be right back. I'll be right back. So

1:15:57.880 --> 1:16:00.640
<v Speaker 2>he left and when he came back, he was like, yo, ed,

1:16:01.280 --> 1:16:02.760
<v Speaker 2>I got you a little part in the movie.

1:16:02.800 --> 1:16:02.920
<v Speaker 3>Man.

1:16:02.960 --> 1:16:04.839
<v Speaker 2>It ain't a big part, but it's a little cameo.

1:16:05.760 --> 1:16:07.600
<v Speaker 2>I ain't even know he was doing that. I was like,

1:16:07.680 --> 1:16:08.719
<v Speaker 2>come on, son, you ain't.

1:16:08.560 --> 1:16:09.000
<v Speaker 3>Had to do that.

1:16:10.240 --> 1:16:12.439
<v Speaker 2>Give thanks though, And then I went out there and

1:16:12.520 --> 1:16:16.320
<v Speaker 2>they had this this drop top jeep, you know, them

1:16:16.360 --> 1:16:19.519
<v Speaker 2>wranglers with no top and it had like a fuzzy

1:16:19.760 --> 1:16:23.639
<v Speaker 2>steering wig and I was like, oh, hell no, I'm

1:16:23.720 --> 1:16:24.760
<v Speaker 2>not driving that ship.

1:16:25.120 --> 1:16:28.120
<v Speaker 1>Thanks for the part, but I'm gonna drive my ship.

1:16:28.680 --> 1:16:30.200
<v Speaker 2>So they looked at my sit and was like I

1:16:30.280 --> 1:16:33.080
<v Speaker 2>had the red pasat with the foods, with the food sir, rims,

1:16:33.120 --> 1:16:33.840
<v Speaker 2>the chrome ship.

1:16:34.360 --> 1:16:38.240
<v Speaker 1>Yeah yeah, only only me, Only me and the shop

1:16:38.360 --> 1:16:39.320
<v Speaker 1>owner had them rims.

1:16:40.000 --> 1:16:40.200
<v Speaker 3>Yeah.

1:16:40.320 --> 1:16:43.599
<v Speaker 2>So I spent the little paper on them. But they

1:16:43.640 --> 1:16:45.479
<v Speaker 2>saw my whipping it was like, all right, we use

1:16:45.520 --> 1:16:48.240
<v Speaker 2>your car. So we found a little crackhead that was

1:16:48.400 --> 1:16:50.559
<v Speaker 2>washing cars and was like, all right, clean my ship up.

1:16:50.560 --> 1:16:54.800
<v Speaker 1>We're gonna do this. And we did the scene in Harlow. Yeah,

1:16:54.960 --> 1:16:55.719
<v Speaker 1>we did the scene.

1:16:55.840 --> 1:16:58.360
<v Speaker 3>But talk to us about pocat me and I don't

1:16:58.360 --> 1:17:00.960
<v Speaker 3>think you ever met Park none, never had a chance

1:17:01.000 --> 1:17:03.080
<v Speaker 3>to meet popping up to outlaws and everyone.

1:17:03.439 --> 1:17:06.599
<v Speaker 2>Yeah, so a lot of questions about no worries.

1:17:06.720 --> 1:17:09.920
<v Speaker 3>It's not because because I just never I'll never get

1:17:09.960 --> 1:17:10.320
<v Speaker 3>that back.

1:17:10.479 --> 1:17:14.160
<v Speaker 2>What it is is I met Pop through through a

1:17:14.240 --> 1:17:17.360
<v Speaker 2>mutual friend and through Latifa's crew.

1:17:17.520 --> 1:17:19.320
<v Speaker 1>I used to date one of our dances, right, I

1:17:19.360 --> 1:17:19.680
<v Speaker 1>feel me.

1:17:20.360 --> 1:17:20.559
<v Speaker 5>Yeah.

1:17:20.680 --> 1:17:23.639
<v Speaker 2>So they were on tour with Digital Underground at the time,

1:17:24.040 --> 1:17:26.640
<v Speaker 2>and I had spot dates that I used to do

1:17:26.760 --> 1:17:29.160
<v Speaker 2>with them. I toured with all of them, but they

1:17:29.280 --> 1:17:32.400
<v Speaker 2>introduced me to Tupac. He was a roadie for Digital

1:17:32.479 --> 1:17:34.640
<v Speaker 2>Underground at the time, and I met all of the

1:17:34.720 --> 1:17:37.280
<v Speaker 2>money be Shot Gen. We we all tight, like I

1:17:37.360 --> 1:17:39.559
<v Speaker 2>still fuck with money be now Rest in Peace, Shot

1:17:39.640 --> 1:17:43.680
<v Speaker 2>Gress in Peace, and you know we met then it

1:17:43.880 --> 1:17:46.200
<v Speaker 2>was organic and we was all just cool.

1:17:46.400 --> 1:17:48.760
<v Speaker 1>We all fucked with each other. When I went to

1:17:49.040 --> 1:17:50.599
<v Speaker 1>l A, I called him.

1:17:50.560 --> 1:17:52.760
<v Speaker 2>Up one time too, and he was like, damn, I'm

1:17:52.800 --> 1:17:54.880
<v Speaker 2>in the bay, but I come fuck with you, and

1:17:55.000 --> 1:17:57.000
<v Speaker 2>he drove all the way to LA to countries.

1:17:57.240 --> 1:18:01.120
<v Speaker 1>With a right maybe we went out. We went hanging

1:18:01.200 --> 1:18:01.760
<v Speaker 1>out and ship.

1:18:01.880 --> 1:18:03.880
<v Speaker 2>But then when he came to New York all the

1:18:03.960 --> 1:18:07.120
<v Speaker 2>time he'd call me and act too, and then he

1:18:07.160 --> 1:18:09.280
<v Speaker 2>would come by the studio. And that's how we ended

1:18:09.360 --> 1:18:12.840
<v Speaker 2>up producing for him because he said they had put

1:18:12.920 --> 1:18:16.040
<v Speaker 2>him on and he had a record deal now, so

1:18:16.240 --> 1:18:18.280
<v Speaker 2>he was like, if you got any beats, you know

1:18:18.320 --> 1:18:20.479
<v Speaker 2>what I'm saying, Woo woo whoop. So he came through

1:18:20.560 --> 1:18:23.760
<v Speaker 2>and we put him on some beats and did some

1:18:23.920 --> 1:18:26.799
<v Speaker 2>production for him. So you know, that was a blessing.

1:18:27.240 --> 1:18:29.360
<v Speaker 2>But that was organic too, Like, I didn't try to

1:18:29.439 --> 1:18:32.120
<v Speaker 2>jump on a record because he had a deal.

1:18:32.360 --> 1:18:34.799
<v Speaker 1>I just produe. I did what he acts.

1:18:34.840 --> 1:18:38.240
<v Speaker 3>But it's funny you say that because we could clearly

1:18:38.280 --> 1:18:40.320
<v Speaker 3>see the relationship that Park had with you. We clearly

1:18:40.360 --> 1:18:42.599
<v Speaker 3>see the relationship that Park had with Buck Down.

1:18:45.439 --> 1:18:45.599
<v Speaker 1>Yeah.

1:18:47.320 --> 1:18:49.240
<v Speaker 2>He was a great dude. Man, He was a good dude.

1:18:50.000 --> 1:18:50.960
<v Speaker 2>It was biggie early on.

1:18:51.280 --> 1:18:52.880
<v Speaker 1>Yeah, he had like a Brooklyn connection.

1:18:53.160 --> 1:18:53.400
<v Speaker 2>Yeah.

1:18:53.800 --> 1:18:56.560
<v Speaker 3>I mean he was just a real dude period. He

1:18:56.600 --> 1:18:58.439
<v Speaker 3>was stretching a live squad too in Queens too.

1:18:58.720 --> 1:18:58.920
<v Speaker 2>Yeah.

1:18:59.640 --> 1:19:01.560
<v Speaker 3>But what I'm saying is, what's there a difference that

1:19:01.680 --> 1:19:05.120
<v Speaker 3>you could notice recognize from the pocket you knew from

1:19:05.160 --> 1:19:07.439
<v Speaker 3>Digital Underground days to the park that did you meet

1:19:07.479 --> 1:19:09.000
<v Speaker 3>the pocket from on Death Row Pocket?

1:19:10.000 --> 1:19:13.519
<v Speaker 2>Well, at that time, well meet, I already knew him,

1:19:13.560 --> 1:19:16.519
<v Speaker 2>but I didn't see him when he came home and

1:19:16.600 --> 1:19:18.640
<v Speaker 2>got on death Row and all that. And actually I

1:19:18.760 --> 1:19:22.320
<v Speaker 2>was in La one time, and I was that's when

1:19:22.360 --> 1:19:23.120
<v Speaker 2>I used to smoke.

1:19:23.200 --> 1:19:23.320
<v Speaker 3>Man.

1:19:23.520 --> 1:19:25.839
<v Speaker 2>Matter of fact, let me just say, man, I stopped

1:19:25.920 --> 1:19:30.479
<v Speaker 2>smoking weed after forty years. Wow, I'm Jamaican, so that

1:19:30.560 --> 1:19:35.320
<v Speaker 2>shit come with the family. But I stopped smoking weed.

1:19:35.600 --> 1:19:36.080
<v Speaker 1>This year.

1:19:36.400 --> 1:19:39.040
<v Speaker 2>Yeah, I just stopped a few months ago. Man, don't

1:19:39.080 --> 1:19:45.000
<v Speaker 2>get excited. Don't get excited. That's all fresh. It's just control.

1:19:45.120 --> 1:19:46.960
<v Speaker 2>It's just self control. You know what I'm saying. I

1:19:47.040 --> 1:19:48.000
<v Speaker 2>controlled myself.

1:19:48.360 --> 1:19:49.840
<v Speaker 1>So what I was saying against my pot.

1:19:49.920 --> 1:19:51.479
<v Speaker 3>But hold on, we're gonna get back to pop. Make

1:19:51.520 --> 1:19:53.160
<v Speaker 3>sure we go back to pop. But hold on, what

1:19:53.280 --> 1:19:54.080
<v Speaker 3>made you stop smoking?

1:19:54.080 --> 1:19:56.120
<v Speaker 1>I want to know that part. Well, I've been doing

1:19:56.200 --> 1:19:58.840
<v Speaker 1>it so long. I'm like, when am I gonna stop? Okay?

1:19:59.040 --> 1:20:02.000
<v Speaker 1>How am I going to dish? Destroyed myself in the process?

1:20:02.160 --> 1:20:04.000
<v Speaker 1>I stopped smoking cigarettes? Am I gonna kill?

1:20:04.120 --> 1:20:05.519
<v Speaker 2>Yeah? I had to do that too. When I was

1:20:05.600 --> 1:20:08.000
<v Speaker 2>a teen, I used to smoke new Ports. At one

1:20:08.040 --> 1:20:10.439
<v Speaker 2>point I smoked black and Miles. I had to stop,

1:20:10.800 --> 1:20:13.880
<v Speaker 2>like step by step when I moved to the South.

1:20:14.240 --> 1:20:17.439
<v Speaker 2>I moved to the South, down South. I moved to

1:20:17.560 --> 1:20:27.040
<v Speaker 2>the South, and yeah, okay, I stopped now long years ago,

1:20:27.200 --> 1:20:30.479
<v Speaker 2>years ago, years ago. I stopped smoking new Ports, probably

1:20:30.880 --> 1:20:34.479
<v Speaker 2>over ten fifteen years ago. And then I stopped smoking

1:20:34.560 --> 1:20:36.519
<v Speaker 2>black and Miles a few years ago because I was

1:20:36.600 --> 1:20:38.600
<v Speaker 2>in the South. And that's like a I picked that

1:20:38.680 --> 1:20:42.440
<v Speaker 2>ship up from like Mark Sparks and shiit like North Carolina,

1:20:42.960 --> 1:20:45.880
<v Speaker 2>they all they all doing some shit with them and

1:20:46.040 --> 1:20:49.080
<v Speaker 2>get I just loosen it up like this and smoke

1:20:49.160 --> 1:20:50.599
<v Speaker 2>it like what I'm saying. But they used to take

1:20:50.640 --> 1:20:53.559
<v Speaker 2>it apart and peel shit off. I'm like, this ain't weed.

1:20:54.240 --> 1:20:56.439
<v Speaker 2>But yeah, shout out to Mark Sparks and the whole

1:20:56.520 --> 1:20:58.479
<v Speaker 2>team out there, Charlotte man for real.

1:20:58.760 --> 1:21:01.080
<v Speaker 3>So let me actually because two right, I mean, this

1:21:01.200 --> 1:21:02.360
<v Speaker 3>was a totally different person.

1:21:03.560 --> 1:21:05.479
<v Speaker 2>Yeah. So what happened was I was in l A

1:21:06.080 --> 1:21:08.439
<v Speaker 2>one time and I was smoking some pie grade and

1:21:08.840 --> 1:21:13.400
<v Speaker 2>I passed out. My boy, My boy, my boys went

1:21:13.520 --> 1:21:17.840
<v Speaker 2>to the party and see pot and I woke up tight.

1:21:17.920 --> 1:21:20.400
<v Speaker 2>I woke up and I'm in there by myself. I'm like,

1:21:20.479 --> 1:21:23.599
<v Speaker 2>what the fuck going on? Everybody at they at the party.

1:21:24.400 --> 1:21:26.760
<v Speaker 1>I'm like, I was so pissed at these motherfuckers.

1:21:26.840 --> 1:21:27.040
<v Speaker 3>Boy.

1:21:27.680 --> 1:21:29.840
<v Speaker 2>And then they come back and you, yeah, they were

1:21:29.960 --> 1:21:33.920
<v Speaker 2>hide you. Yeah, it was up. I'm like, your motherfucker man.

1:21:34.320 --> 1:21:36.400
<v Speaker 2>They was like, yo, sir, we seen pac. I was like,

1:21:36.760 --> 1:21:39.640
<v Speaker 2>get the fuck away from me. Did you have a

1:21:39.640 --> 1:21:43.640
<v Speaker 2>relationship with Big Yeah? Yeah, I had a relationship with

1:21:43.760 --> 1:21:46.479
<v Speaker 2>Big through and it started through my man Klepto. And

1:21:46.600 --> 1:21:49.880
<v Speaker 2>actually that's another person. I went to elementary. Yeah, I

1:21:49.880 --> 1:21:52.559
<v Speaker 2>went to elementary with him. Okay, I got a picture

1:21:52.600 --> 1:21:55.439
<v Speaker 2>online and me and him like this tall with our

1:21:55.479 --> 1:21:59.400
<v Speaker 2>little slacks and button ups like this, you know, stunting.

1:22:00.040 --> 1:22:02.679
<v Speaker 2>But we was in elementary. We grew up together. So anyway,

1:22:03.120 --> 1:22:05.360
<v Speaker 2>he came by. I had a studio in Brooklyn called

1:22:05.360 --> 1:22:06.320
<v Speaker 2>a Dollar Cab Lab.

1:22:06.800 --> 1:22:07.760
<v Speaker 1>Dollar Cab Lab.

1:22:07.880 --> 1:22:08.880
<v Speaker 2>Yeah, that's the dollar van.

1:22:08.800 --> 1:22:12.200
<v Speaker 1>To go to church, exactly, dollar van. So that's why

1:22:12.280 --> 1:22:19.519
<v Speaker 1>we call it dollar cat an people. Hell yeah, dollar yeah.

1:22:20.520 --> 1:22:24.280
<v Speaker 2>So the Dollar Cab Lab. We I say it again.

1:22:25.200 --> 1:22:27.960
<v Speaker 2>We don't win in a tangent. Oh yeah yeah.

1:22:28.040 --> 1:22:28.320
<v Speaker 3>Okay.

1:22:28.400 --> 1:22:31.320
<v Speaker 2>So Clip came by the studio and everybody used to

1:22:31.400 --> 1:22:33.479
<v Speaker 2>come by the studio, but he came byn and was like, yo,

1:22:33.640 --> 1:22:36.559
<v Speaker 2>big putting us on, and we're gonna do an album

1:22:37.240 --> 1:22:37.800
<v Speaker 2>once again.

1:22:37.960 --> 1:22:40.160
<v Speaker 1>You got some beats, oh come on? Hell yeah.

1:22:40.200 --> 1:22:42.880
<v Speaker 2>I got a whole team by that time. I had

1:22:42.920 --> 1:22:46.400
<v Speaker 2>probably like five six producers with me in the Dollar

1:22:46.479 --> 1:22:49.200
<v Speaker 2>Cab Lab. What I did was I had all the

1:22:49.280 --> 1:22:51.280
<v Speaker 2>equipment in the studio and then I called all my

1:22:51.360 --> 1:22:53.840
<v Speaker 2>homies and I said, look, I'm gonna show y'all how

1:22:53.880 --> 1:22:56.559
<v Speaker 2>to use this ship. So I taught all of them,

1:22:57.080 --> 1:22:59.479
<v Speaker 2>how to use the machines, how to sample, how to

1:22:59.560 --> 1:23:02.960
<v Speaker 2>loop up, how to sequence all that shit, and so

1:23:03.120 --> 1:23:04.280
<v Speaker 2>we always had beats.

1:23:04.560 --> 1:23:06.719
<v Speaker 1>We had a gang of beats Dollar Cavet.

1:23:08.160 --> 1:23:08.360
<v Speaker 8>Yeah.

1:23:08.640 --> 1:23:11.960
<v Speaker 2>Two we did like two or three we did like

1:23:12.960 --> 1:23:17.439
<v Speaker 2>I think it was two joints on the Junior Mafia album. Yeah, yeah,

1:23:18.439 --> 1:23:20.400
<v Speaker 2>well that's the only album they did. But we did

1:23:21.240 --> 1:23:24.080
<v Speaker 2>two joints on their Murder Ones and oh my lord,

1:23:24.400 --> 1:23:24.880
<v Speaker 2>oh wow.

1:23:25.040 --> 1:23:25.240
<v Speaker 3>Yeah.

1:23:25.400 --> 1:23:25.599
<v Speaker 2>Yeah.

1:23:25.880 --> 1:23:30.360
<v Speaker 3>Did you ever think, because uh you know who Biggie

1:23:30.560 --> 1:23:33.800
<v Speaker 3>was and who Park was, that they would ever crosspath

1:23:33.880 --> 1:23:36.360
<v Speaker 3>and to get this bad No?

1:23:36.600 --> 1:23:40.799
<v Speaker 2>Actually, you know, I think that was all third party

1:23:40.880 --> 1:23:43.960
<v Speaker 2>in entourage ship, and that's that's really the problem. Is

1:23:44.479 --> 1:23:47.800
<v Speaker 2>just sometimes the people you around and what they add

1:23:48.040 --> 1:23:52.000
<v Speaker 2>to the mix, they add either negativity or positivity, you

1:23:52.120 --> 1:23:55.280
<v Speaker 2>feel me. So that's what happened, man. I think between

1:23:55.400 --> 1:23:58.920
<v Speaker 2>them too, as individuals, they was never in a problem.

1:23:59.360 --> 1:24:01.880
<v Speaker 2>You know, I think it more so of the things

1:24:01.960 --> 1:24:06.960
<v Speaker 2>that happened, and Pop blaming Big for not warning him,

1:24:07.080 --> 1:24:10.800
<v Speaker 2>for warning him or informing him, right, you know.

1:24:10.800 --> 1:24:11.200
<v Speaker 1>What I'm saying.

1:24:11.240 --> 1:24:14.040
<v Speaker 2>And I think that's where they got it got tumultuous.

1:24:14.160 --> 1:24:17.479
<v Speaker 2>But as men, as individuals, man, we all had love

1:24:17.560 --> 1:24:18.120
<v Speaker 2>for each other.

1:24:18.240 --> 1:24:18.599
<v Speaker 1>Period.

1:24:18.760 --> 1:24:20.439
<v Speaker 3>We had warm and g sit here the other day

1:24:20.479 --> 1:24:23.120
<v Speaker 3>and Warren G said that he actually met with Big

1:24:23.920 --> 1:24:26.880
<v Speaker 3>and he had a message to relate to Pac. He

1:24:27.080 --> 1:24:29.160
<v Speaker 3>never had got it to Park. He said that he

1:24:29.240 --> 1:24:31.599
<v Speaker 3>thinks single handled one of those messages might have changed

1:24:31.600 --> 1:24:33.240
<v Speaker 3>the whole trajectory of this whole situation.

1:24:33.760 --> 1:24:34.519
<v Speaker 1>You think, you think.

1:24:34.479 --> 1:24:38.000
<v Speaker 3>Because that lack of communication, because you know, if they

1:24:38.000 --> 1:24:39.360
<v Speaker 3>would have probably got in the phone with each other,

1:24:39.400 --> 1:24:40.960
<v Speaker 3>they probably say, yo, bro, I'm not beefing with you.

1:24:41.000 --> 1:24:43.000
<v Speaker 2>I'm not doing that. You think that that was a

1:24:43.120 --> 1:24:45.400
<v Speaker 2>big part. Yeah, I think that was a big part.

1:24:45.479 --> 1:24:47.559
<v Speaker 2>But also I think there was a lot of fire

1:24:48.200 --> 1:24:51.120
<v Speaker 2>and Park at the time. I mean, he got shot up,

1:24:51.240 --> 1:24:54.280
<v Speaker 2>you know what I mean. Regardless of how it happened

1:24:54.360 --> 1:24:57.280
<v Speaker 2>or what happened, the fact is that it happened in

1:24:58.080 --> 1:24:58.719
<v Speaker 2>our home.

1:24:59.439 --> 1:24:59.880
<v Speaker 1>You feel me.

1:25:00.080 --> 1:25:03.120
<v Speaker 2>That's like if we go to LA and something happened

1:25:03.360 --> 1:25:07.160
<v Speaker 2>in the studio where they at, it's gonna feel like, yo, bro.

1:25:07.360 --> 1:25:09.800
<v Speaker 1>It's gonna automatically feel weird. Yeah, it's gonna feel weird.

1:25:09.880 --> 1:25:12.880
<v Speaker 2>So I think that energy, you know, just ran off

1:25:13.360 --> 1:25:16.479
<v Speaker 2>and took a life of its own without men getting

1:25:16.600 --> 1:25:19.479
<v Speaker 2>to speak man the Man and heal the situation, you

1:25:19.560 --> 1:25:19.960
<v Speaker 2>know what I mean?

1:25:20.479 --> 1:25:22.840
<v Speaker 10>I agree, Yeah, you want to go to the next one.

1:25:22.960 --> 1:25:29.240
<v Speaker 10>We lost some icons yet, resting peace to both of them. Men,

1:25:31.040 --> 1:25:33.479
<v Speaker 10>all right, Mop or black Moon?

1:25:34.960 --> 1:25:41.880
<v Speaker 2>Oh Man, drink Man? Can they both from Brooklyn? And

1:25:42.000 --> 1:25:43.920
<v Speaker 2>I foxed with both of them. They all, you know,

1:25:44.280 --> 1:25:47.160
<v Speaker 2>little fame, that's my little they all come on man.

1:25:47.600 --> 1:25:47.800
<v Speaker 1>Yeah.

1:25:47.880 --> 1:25:50.920
<v Speaker 2>And then Buckshot in boot Camp actually came up in

1:25:51.040 --> 1:25:52.960
<v Speaker 2>the Dollar Cab Lab in my studio.

1:25:53.600 --> 1:25:53.800
<v Speaker 1>Yeah.

1:25:53.880 --> 1:25:58.160
<v Speaker 2>So when they started recording boot Camp Click, when they

1:25:58.280 --> 1:26:02.160
<v Speaker 2>started the boot Camp Click and started recording all their

1:26:02.320 --> 1:26:07.280
<v Speaker 2>albums ogc Healter, Skelter, et cetera, rocking rock and all that,

1:26:07.479 --> 1:26:11.120
<v Speaker 2>they started in my studio in Brooklyn, the Dollar Cab

1:26:11.240 --> 1:26:13.559
<v Speaker 2>Lat it used to be like ten fifteen of them

1:26:13.680 --> 1:26:16.559
<v Speaker 2>just laid out everywhere because you know, we had a fit.

1:26:16.640 --> 1:26:19.880
<v Speaker 2>It was a it was like a not it was

1:26:19.920 --> 1:26:22.120
<v Speaker 2>an apartment, but we turned into a studio and it

1:26:22.240 --> 1:26:25.120
<v Speaker 2>was different rooms all over. We had video game rules

1:26:25.120 --> 1:26:26.080
<v Speaker 2>and roots.

1:26:26.920 --> 1:26:27.160
<v Speaker 3>Yeah.

1:26:27.479 --> 1:26:31.640
<v Speaker 2>So yeah, shout them out. Yeah, yeah, they know, just

1:26:31.720 --> 1:26:33.320
<v Speaker 2>ask them about the Dollar Cab last.

1:26:33.439 --> 1:26:33.599
<v Speaker 5>Yeah.

1:26:33.600 --> 1:26:35.920
<v Speaker 2>I wish I would have been there, Dollar Cab Lab. Hell, yeah,

1:26:35.960 --> 1:26:39.040
<v Speaker 2>you'd have been welcome. We welcomed everybody. Everybody been there.

1:26:39.280 --> 1:26:41.639
<v Speaker 2>And when they came through Brooklyn, they came and stopped

1:26:41.720 --> 1:26:45.120
<v Speaker 2>off and chill. Even if they didn't record, they came

1:26:45.200 --> 1:26:45.840
<v Speaker 2>by to chill.

1:26:46.000 --> 1:26:47.800
<v Speaker 1>You feel me. It was a family, it.

1:26:47.840 --> 1:26:55.040
<v Speaker 3>Was it was a vibe good fab or Jadakiss, Jadakiss.

1:26:55.760 --> 1:26:59.800
<v Speaker 2>I know Fab is from Brooklyn, But me and Jada

1:27:00.080 --> 1:27:04.439
<v Speaker 2>I have always had a relationship, like me and the Locks.

1:27:04.600 --> 1:27:09.800
<v Speaker 2>Like see certain groups, you know, certain groups we gravitate

1:27:09.920 --> 1:27:14.719
<v Speaker 2>to just on the strength of realness. And I spent

1:27:14.800 --> 1:27:16.840
<v Speaker 2>a lot of time on Yonkers too. I used to

1:27:16.920 --> 1:27:19.479
<v Speaker 2>go fuck with him down down the road and all that.

1:27:19.640 --> 1:27:22.400
<v Speaker 2>And you know they show love so and I haven't

1:27:22.400 --> 1:27:25.200
<v Speaker 2>seen them all over the country. You feel me out

1:27:25.320 --> 1:27:27.920
<v Speaker 2>and those see if Jada was having a show or

1:27:27.960 --> 1:27:29.760
<v Speaker 2>some ship, I might go pull up, yo, what up

1:27:29.840 --> 1:27:33.320
<v Speaker 2>some like that. So you know he's been out the Charlotte.

1:27:33.360 --> 1:27:35.880
<v Speaker 2>I've ran up on him in La, this, that and

1:27:36.000 --> 1:27:39.240
<v Speaker 2>the third. Like that's the type of relationship we got.

1:27:39.320 --> 1:27:42.360
<v Speaker 2>So I would just say, Jada, man, yeah, and I

1:27:42.400 --> 1:27:45.439
<v Speaker 2>don't know if this is a for skill off of

1:27:45.520 --> 1:27:47.000
<v Speaker 2>the relationship.

1:27:48.840 --> 1:27:50.880
<v Speaker 3>Yeah, yeah, like this pick right now, Yeah, this is

1:27:50.920 --> 1:27:54.280
<v Speaker 3>all your criteria jay Z or nots jay Z.

1:27:54.680 --> 1:28:03.120
<v Speaker 2>Or nos'ma, I'm gonna give it to Brooklyn. I'm gonna

1:28:03.120 --> 1:28:05.519
<v Speaker 2>give it to Brooklyn just because I'm from Brooklyn. But

1:28:05.840 --> 1:28:08.720
<v Speaker 2>I love them both, you know, and to be real,

1:28:08.960 --> 1:28:11.160
<v Speaker 2>to be really real, they both showed me love. I

1:28:11.280 --> 1:28:14.920
<v Speaker 2>probably spent a lot more time around Nas and just

1:28:15.000 --> 1:28:18.280
<v Speaker 2>fucking with Nas. But and I booked Naves before you know,

1:28:18.520 --> 1:28:21.640
<v Speaker 2>we brought him to Charlotte. But you know, shout out

1:28:21.640 --> 1:28:23.960
<v Speaker 2>to boy man, you should drink for that. But I'm

1:28:24.280 --> 1:28:27.680
<v Speaker 2>I'm gonna spend fucking drink drink for that one man,

1:28:27.800 --> 1:28:34.040
<v Speaker 2>Both drink Okay, o C or lawfulness, O C or

1:28:34.200 --> 1:28:42.120
<v Speaker 2>Lord forness? You can got ahead and just drink again. Okay, No,

1:28:42.240 --> 1:28:46.080
<v Speaker 2>you have a problem. You have a drinking problem like

1:28:46.160 --> 1:28:55.759
<v Speaker 2>I don't have a problem. Or biz Markey, Oh man, Okay,

1:28:55.840 --> 1:28:59.200
<v Speaker 2>I'm gonna just have to say biz Markey. They both Brooklyn,

1:29:00.120 --> 1:29:04.800
<v Speaker 2>but biz Marcky, I've I've had a big bro relationship

1:29:04.880 --> 1:29:08.400
<v Speaker 2>with biz Markey's for thirty something years since the beginning

1:29:08.439 --> 1:29:09.040
<v Speaker 2>of my career.

1:29:10.520 --> 1:29:14.880
<v Speaker 1>It's out. I have to watch the rest in peace

1:29:14.960 --> 1:29:15.799
<v Speaker 1>to biz Markey.

1:29:16.240 --> 1:29:21.360
<v Speaker 2>He has always been the most loving, the most genuine,

1:29:21.920 --> 1:29:23.400
<v Speaker 2>the most real of.

1:29:23.800 --> 1:29:29.360
<v Speaker 3>People period, and I wanted to play him in the movie. Okay,

1:29:29.439 --> 1:29:31.200
<v Speaker 3>if a movie come out the Juice Crew, I'm gonna go.

1:29:32.960 --> 1:29:34.920
<v Speaker 1>And let me tell you a little you're going to start.

1:29:35.080 --> 1:29:37.040
<v Speaker 2>Let me tell this a story about buz Man back

1:29:37.120 --> 1:29:40.000
<v Speaker 2>in the days, and he changed my perspective on some things.

1:29:40.160 --> 1:29:42.519
<v Speaker 2>One of them was we had a show in Puerto

1:29:42.600 --> 1:29:48.559
<v Speaker 2>Rico and Biz comes to the show with no luggage, nothing.

1:29:49.439 --> 1:29:55.240
<v Speaker 2>He just had a walkman on. I'm like, and the

1:29:55.320 --> 1:29:58.160
<v Speaker 2>whole time it's just bus and a walkman. Ain't no

1:29:58.479 --> 1:30:04.040
<v Speaker 2>bag nowhere, no nothing. I'm like, oh, this thing is real. Meantime,

1:30:04.080 --> 1:30:06.040
<v Speaker 2>I got all kinds of bag. I got a robe

1:30:06.080 --> 1:30:09.640
<v Speaker 2>in my ship, I got Fendy luggage. I'm like, and

1:30:09.760 --> 1:30:13.800
<v Speaker 2>it's only a one nice show. But the lesson I

1:30:13.960 --> 1:30:16.840
<v Speaker 2>learned is, man, fuck all this. If you in and out,

1:30:16.920 --> 1:30:19.439
<v Speaker 2>you in and out. I might carry a little bag

1:30:19.560 --> 1:30:23.599
<v Speaker 2>here and there now, but I learned from Biz like, man,

1:30:23.720 --> 1:30:25.880
<v Speaker 2>fuck this, it ain't really all about all that. Just

1:30:26.000 --> 1:30:31.840
<v Speaker 2>go in, get your money, what you got doing. Go yeah, man, shout.

1:30:31.560 --> 1:30:34.120
<v Speaker 1>Out the biz Man. He really rest in peace.

1:30:34.200 --> 1:30:34.360
<v Speaker 4>Man.

1:30:35.760 --> 1:30:36.439
<v Speaker 1>Oh yeah yeah.

1:30:37.439 --> 1:30:38.519
<v Speaker 2>This was a real big bro.

1:30:38.800 --> 1:30:41.040
<v Speaker 1>His connections was ill and I don't want to ruin it,

1:30:41.120 --> 1:30:43.320
<v Speaker 1>but people need to watch that documentary. It's it's dope,

1:30:43.880 --> 1:30:47.960
<v Speaker 1>all right. Next one, Havoc or Large Pro, I.

1:30:47.960 --> 1:30:53.120
<v Speaker 2>Would say, yeah, I would say Large Pro because of

1:30:53.439 --> 1:30:55.880
<v Speaker 2>my relationship with Large Pro. I done been through his

1:30:55.960 --> 1:30:59.439
<v Speaker 2>crib and Queen's Bridge in the apartment. As matter of fact,

1:30:59.520 --> 1:31:02.519
<v Speaker 2>that's where I first met Nas at was in Large

1:31:02.560 --> 1:31:06.280
<v Speaker 2>Pro crib. You feel me because Nas lived in Queen's

1:31:06.320 --> 1:31:08.519
<v Speaker 2>Bridge at the time and I went to Large Pro

1:31:08.680 --> 1:31:12.960
<v Speaker 2>crib to get some tracks and hear some beats, and

1:31:13.400 --> 1:31:16.040
<v Speaker 2>Nas popped in and we actually had a little cipher.

1:31:16.560 --> 1:31:18.640
<v Speaker 2>You know what I'm saying, just me and him in

1:31:18.800 --> 1:31:21.600
<v Speaker 2>Large Pro. So shout out to Large Pro. And like

1:31:21.680 --> 1:31:23.880
<v Speaker 2>I said, shout out to Nas. That's why I say, man,

1:31:23.920 --> 1:31:25.640
<v Speaker 2>you know you got to drink because you know what

1:31:25.640 --> 1:31:27.639
<v Speaker 2>I'm saying me and you know that's that's the little

1:31:27.680 --> 1:31:28.160
<v Speaker 2>homie there.

1:31:28.200 --> 1:31:28.880
<v Speaker 1>That's a little bro.

1:31:30.040 --> 1:31:30.160
<v Speaker 2>Right.

1:31:30.200 --> 1:31:33.439
<v Speaker 1>The next one Kris One or Chuck D, Chuck N.

1:31:35.000 --> 1:31:36.320
<v Speaker 2>Chuck D. So Chuck D.

1:31:36.920 --> 1:31:40.800
<v Speaker 1>Now you know why Chuck D has always been stand up.

1:31:41.320 --> 1:31:45.400
<v Speaker 2>Yeah. And we used to tour and one thing I

1:31:45.560 --> 1:31:49.599
<v Speaker 2>learned from Chuck touring is that to take this business

1:31:49.680 --> 1:31:53.320
<v Speaker 2>seriously because while we was wild and now smoking weed,

1:31:53.439 --> 1:31:56.400
<v Speaker 2>getting drunk, this, that, and the third, we were going

1:31:56.479 --> 1:32:00.920
<v Speaker 2>to a truck stop and Chuck d is sitting at

1:32:01.000 --> 1:32:05.600
<v Speaker 2>the table with the whole team around the table, and

1:32:05.720 --> 1:32:09.800
<v Speaker 2>there is some deep ass conversation doing the knowledge you

1:32:09.920 --> 1:32:12.800
<v Speaker 2>feel me. And I always looked at that like, man,

1:32:12.960 --> 1:32:16.519
<v Speaker 2>I'm out here to have fun. But I had to

1:32:16.640 --> 1:32:21.080
<v Speaker 2>take and learn from what I saw from Chuck, and

1:32:21.240 --> 1:32:25.240
<v Speaker 2>that was to take this business serious and to treat

1:32:25.280 --> 1:32:28.280
<v Speaker 2>it serious. You feel me, So I would say, Chuck

1:32:28.360 --> 1:32:29.680
<v Speaker 2>d unequivocably.

1:32:30.840 --> 1:32:32.280
<v Speaker 1>You met Nas at Large Pro House?

1:32:32.600 --> 1:32:36.120
<v Speaker 2>Yeah, I met Na's at Large Pro House in Queensbridge,

1:32:36.600 --> 1:32:39.679
<v Speaker 2>and I remember, I remember, Yeah, we had a little sipher.

1:32:39.760 --> 1:32:41.800
<v Speaker 2>We was playing beats Me and Na start spitting. We

1:32:41.880 --> 1:32:43.840
<v Speaker 2>had to get down low for the speakers and the

1:32:43.960 --> 1:32:47.800
<v Speaker 2>mic feedback. So we're down low, crouching, spitting and shit.

1:32:47.920 --> 1:32:51.840
<v Speaker 2>But one of the neighbors must have been complaining because

1:32:51.920 --> 1:32:55.240
<v Speaker 2>this shit was banging. Large Pro is getting on our rate,

1:32:55.520 --> 1:32:58.479
<v Speaker 2>got the ratchet. I'm like, yo, just easy, son, you

1:32:58.560 --> 1:33:01.599
<v Speaker 2>gotta I'm like, yo, Son, I'm like, you gotta live here, son,

1:33:01.720 --> 1:33:02.760
<v Speaker 2>chill out, like what you're gonna do?

1:33:02.800 --> 1:33:03.200
<v Speaker 1>Shoot out?

1:33:03.200 --> 1:33:03.639
<v Speaker 2>The window.

1:33:03.800 --> 1:33:06.519
<v Speaker 1>Come on, son, shout out to large pro man, that's

1:33:06.560 --> 1:33:11.920
<v Speaker 1>the that's the honey Ellmatic or ready to die Ellmatic

1:33:12.120 --> 1:33:16.720
<v Speaker 1>or ready to die. So he could drink for that. Yeah,

1:33:17.040 --> 1:33:17.479
<v Speaker 1>drink for that.

1:33:17.720 --> 1:33:23.080
<v Speaker 2>He ain't got no problems but a drinking problem. Az

1:33:23.439 --> 1:33:35.519
<v Speaker 2>or Cormega, ac or Cormega. They they're in the same team,

1:33:35.560 --> 1:33:35.920
<v Speaker 2>ain't they.

1:33:36.520 --> 1:33:37.840
<v Speaker 1>Yeah, but you still gotta pick.

1:33:40.880 --> 1:33:43.200
<v Speaker 2>There was like partners an they was on the same

1:33:43.280 --> 1:33:45.200
<v Speaker 2>records and ship right somewhat.

1:33:45.600 --> 1:33:50.479
<v Speaker 1>Okay, he could drink for that. Cool they cool? MC

1:33:50.680 --> 1:33:51.799
<v Speaker 1>light or Queen Latifa.

1:33:52.640 --> 1:33:58.080
<v Speaker 2>Oh man, I'm gonna say MC Light and I've had

1:33:58.640 --> 1:34:02.800
<v Speaker 2>I've had a great relatelationship with Latifa, but I think

1:34:02.880 --> 1:34:06.160
<v Speaker 2>throughout the years i've seen and been around and had

1:34:06.240 --> 1:34:07.599
<v Speaker 2>more communication with Light.

1:34:08.320 --> 1:34:10.000
<v Speaker 1>But you know, we used to tour together.

1:34:10.160 --> 1:34:12.680
<v Speaker 2>Like I've shared my tour bus with Latifa in them man,

1:34:12.800 --> 1:34:17.840
<v Speaker 2>like we've been Yeah, flavor units, shout out shot him,

1:34:17.960 --> 1:34:19.200
<v Speaker 2>shout out the whole team.

1:34:19.840 --> 1:34:23.000
<v Speaker 1>You know what I'm saying. Recipeace withs owings.

1:34:23.040 --> 1:34:27.000
<v Speaker 2>You know what I mean. But matter of fact, it's

1:34:27.040 --> 1:34:31.839
<v Speaker 2>drink to that man. But Light is Brooklyn. Light is Brooklyn.

1:34:31.920 --> 1:34:37.799
<v Speaker 2>But you're gonna still drink Okay Tupac or Easy Tupac?

1:34:38.320 --> 1:34:42.120
<v Speaker 1>Have you heard? I didn't meet him. I've seen him.

1:34:42.280 --> 1:34:45.519
<v Speaker 2>He was with Dre at a party in the what

1:34:45.720 --> 1:34:47.880
<v Speaker 2>was that Mars or some ship back in the days

1:34:47.920 --> 1:34:51.599
<v Speaker 2>on the West Side Highway and him and Dre came

1:34:51.680 --> 1:34:54.000
<v Speaker 2>to the party. We were standing outside at the door

1:34:54.080 --> 1:34:56.559
<v Speaker 2>waiting to get in. That's the only time I've ever

1:34:56.640 --> 1:34:59.080
<v Speaker 2>seen Easy. I've seen Dre plenty of times. I done

1:34:59.120 --> 1:35:03.240
<v Speaker 2>been to Dre study shout outs to Dre man one love.

1:35:03.960 --> 1:35:11.720
<v Speaker 2>But yeah, definitely, uh who I picked? Come on son?

1:35:13.080 --> 1:35:15.880
<v Speaker 2>The tracks you said you produced for Poker on the

1:35:15.960 --> 1:35:19.920
<v Speaker 2>albums absolutely one was on the album strip Strictly for

1:35:20.040 --> 1:35:25.360
<v Speaker 2>my niggas and one no, the album was called Strictly

1:35:26.720 --> 1:35:30.639
<v Speaker 2>and then the other one was uh posts his passing.

1:35:31.520 --> 1:35:33.519
<v Speaker 2>They put out a project and they asked for the

1:35:33.600 --> 1:35:34.960
<v Speaker 2>record because it was never released.

1:35:35.320 --> 1:35:38.240
<v Speaker 1>It was called open Fire and shout out the DJ

1:35:38.400 --> 1:35:42.880
<v Speaker 1>action too. Video music box, all your own TV raps,

1:35:43.320 --> 1:35:44.479
<v Speaker 1>Video music box.

1:35:45.280 --> 1:35:50.639
<v Speaker 2>Uncle Ralph Brooklyn once again, but problem from Queens Well,

1:35:51.080 --> 1:35:55.519
<v Speaker 2>I always see Ralph and Brooklyn. Ralph from to me,

1:35:58.760 --> 1:36:02.040
<v Speaker 2>but nah, but Ralph because he's still added, he's still going.

1:36:02.160 --> 1:36:05.639
<v Speaker 2>Matter of fact, I had Ralph hosts The Coney Island

1:36:05.720 --> 1:36:09.519
<v Speaker 2>Show and Ralph is hosting in Harlem with me. I

1:36:09.680 --> 1:36:14.200
<v Speaker 2>always incorporate Ralph. He always showed me love. He showed

1:36:14.240 --> 1:36:16.560
<v Speaker 2>me more love than most you feel me throughout my

1:36:16.800 --> 1:36:20.640
<v Speaker 2>entire career, like period. So Uncle Ralph all day. You

1:36:20.680 --> 1:36:22.240
<v Speaker 2>know what I'm saying. I mean, you know at Love

1:36:22.320 --> 1:36:25.320
<v Speaker 2>and Doctor Dre, I love y'all too, But Ralph is

1:36:25.400 --> 1:36:26.320
<v Speaker 2>my O G man.

1:36:26.400 --> 1:36:30.120
<v Speaker 1>That's that's unk. Yeah as well. Yeah, n w A

1:36:30.240 --> 1:36:37.680
<v Speaker 1>O Wu Tang clan Wu Tang Wu Tang is for

1:36:37.760 --> 1:36:38.240
<v Speaker 1>the kids.

1:36:38.920 --> 1:36:39.080
<v Speaker 4>Now.

1:36:39.120 --> 1:36:41.840
<v Speaker 2>You know what besides that, man Wu Tang was dropping

1:36:41.960 --> 1:36:43.320
<v Speaker 2>knowledge and positivity.

1:36:44.040 --> 1:36:47.720
<v Speaker 1>You know, n w A brought the age of destruction,

1:36:48.840 --> 1:36:52.960
<v Speaker 1>Damn Jesus. N w A brought the age of destruction

1:36:53.160 --> 1:36:55.240
<v Speaker 1>to our children and our culture.

1:36:56.240 --> 1:37:01.240
<v Speaker 2>Period. Hey, I respect all of them as men, but

1:37:01.400 --> 1:37:03.800
<v Speaker 2>as the art form, and you want me to speak

1:37:03.840 --> 1:37:05.519
<v Speaker 2>on the RD form, I'm gonna tell you what it is.

1:37:05.680 --> 1:37:09.719
<v Speaker 2>That's where it started. Wow, that's where the agenda started,

1:37:10.240 --> 1:37:12.439
<v Speaker 2>and that's where the destruction.

1:37:12.240 --> 1:37:14.519
<v Speaker 3>Began against the rap You will give that to them

1:37:14.680 --> 1:37:15.519
<v Speaker 3>or was it iced.

1:37:15.439 --> 1:37:18.840
<v Speaker 2>T well iced t? Yeah? Iced T did that.

1:37:18.880 --> 1:37:20.400
<v Speaker 1>I ain't say they started against the rap.

1:37:20.479 --> 1:37:23.519
<v Speaker 2>But what happened was when the President sent them that letter,

1:37:24.560 --> 1:37:27.800
<v Speaker 2>they went hand with that shit like you know, and

1:37:27.920 --> 1:37:30.520
<v Speaker 2>they had more of a presence.

1:37:31.200 --> 1:37:31.360
<v Speaker 5>You know.

1:37:31.640 --> 1:37:33.720
<v Speaker 1>Iced T did his numbers back, you know, he did

1:37:33.760 --> 1:37:35.479
<v Speaker 1>his thing. That's my old G two iced T.

1:37:35.680 --> 1:37:38.840
<v Speaker 2>But and w A ran away with it in such

1:37:38.880 --> 1:37:42.599
<v Speaker 2>a way where it was like, for real, that's all

1:37:42.680 --> 1:37:43.400
<v Speaker 2>we gonna do.

1:37:44.439 --> 1:37:44.600
<v Speaker 3>You know.

1:37:44.800 --> 1:37:47.880
<v Speaker 2>It was genius for them, and they made millions of

1:37:47.960 --> 1:37:50.840
<v Speaker 2>dollars off of it, But look at what it caused

1:37:51.760 --> 1:37:54.880
<v Speaker 2>the police early. Yeah, we always saying fucking the police.

1:37:54.920 --> 1:37:58.639
<v Speaker 2>But they said it on record, absolutely for the record,

1:37:59.040 --> 1:38:00.479
<v Speaker 2>and I respect them for that too.

1:38:01.960 --> 1:38:08.040
<v Speaker 1>Shappa Ranks or Shop Ranks or Bougou.

1:38:10.560 --> 1:38:15.559
<v Speaker 2>Hmmm, shop of the o G boy, you're gonna drink

1:38:15.600 --> 1:38:20.000
<v Speaker 2>for that? They both from yard big up our yard man.

1:38:21.240 --> 1:38:24.679
<v Speaker 2>Drink for the yard man. Name Belly or shot us.

1:38:26.720 --> 1:38:33.320
<v Speaker 1>Belly or shot Yeah, I know, I know. Hm hmm.

1:38:34.479 --> 1:38:36.360
<v Speaker 1>I would say, shatas.

1:38:36.160 --> 1:38:39.519
<v Speaker 2>You took the water, you took the watts too far?

1:38:39.760 --> 1:38:49.080
<v Speaker 2>Now that the shot? Yes, I remember there was filming

1:38:49.160 --> 1:38:50.040
<v Speaker 2>right around the corner.

1:38:50.720 --> 1:39:00.639
<v Speaker 3>Yeah, I went, so you went with shotas okay, Master

1:39:00.760 --> 1:39:02.480
<v Speaker 3>Ace or Jay Wood the damage.

1:39:04.280 --> 1:39:04.639
<v Speaker 1>Hmmm.

1:39:06.320 --> 1:39:11.120
<v Speaker 2>I would go with Ace because of our long standing relationship,

1:39:11.439 --> 1:39:13.840
<v Speaker 2>and I do have a long standing relationship with Jay

1:39:13.960 --> 1:39:16.920
<v Speaker 2>Rue as well, but I think I've had more interaction

1:39:17.080 --> 1:39:21.240
<v Speaker 2>and then sharing the Crookland soundtrack Crooklyn going back and

1:39:21.280 --> 1:39:22.439
<v Speaker 2>talking about going back to Crookland.

1:39:22.439 --> 1:39:26.040
<v Speaker 1>Hold on super Cat or Bounty Killer. I don't know

1:39:26.040 --> 1:39:30.479
<v Speaker 1>why Jamaica keep coming out of me. Well, see one

1:39:30.600 --> 1:39:34.040
<v Speaker 1>is the og and Bounty is actually now a OG.

1:39:34.400 --> 1:39:40.240
<v Speaker 1>I actually Supercat, your cousin. I could tell Actually, I'm

1:39:40.240 --> 1:39:40.960
<v Speaker 1>gonna tell you though.

1:39:41.080 --> 1:39:44.639
<v Speaker 2>I did the first hip hop collab with Bounty Killer

1:39:44.840 --> 1:39:49.080
<v Speaker 2>Wow on my album. It's called just a Killer Wow. Yeah,

1:39:49.080 --> 1:39:52.320
<v Speaker 2>it was on my album Revelations. I actually flew down

1:39:52.400 --> 1:39:58.240
<v Speaker 2>to Jamaica to King Jammy's studio with the cash, with

1:39:58.439 --> 1:40:02.439
<v Speaker 2>the cash and paid the man when you know he

1:40:02.600 --> 1:40:05.120
<v Speaker 2>was he you know, before he had all the hip

1:40:05.160 --> 1:40:10.160
<v Speaker 2>hop fame on ninety four, I believe, Yeah to the.

1:40:10.240 --> 1:40:13.679
<v Speaker 1>Yard, yeahsh yeah, very dangerous.

1:40:14.320 --> 1:40:15.000
<v Speaker 2>Yeah yeah yeah.

1:40:15.040 --> 1:40:17.280
<v Speaker 1>I'm a dangerous guy. Man, don't get tristed.

1:40:18.080 --> 1:40:21.400
<v Speaker 2>I'm Jesus on the street. But you know I'm also

1:40:21.680 --> 1:40:29.479
<v Speaker 2>you know, I'm many things. Respect my family. My family

1:40:29.600 --> 1:40:30.919
<v Speaker 2>is from Kingston, Jamaica.

1:40:31.240 --> 1:40:33.160
<v Speaker 3>You know, all of them you know, my favorite place

1:40:33.160 --> 1:40:34.879
<v Speaker 3>in Kingston, Jamaica is Tivoy Gardess.

1:40:35.200 --> 1:40:45.040
<v Speaker 4>Okay, enjoy that. Enjoy yourself for me, this is the

1:40:45.120 --> 1:40:45.439
<v Speaker 4>last one.

1:40:45.479 --> 1:40:51.200
<v Speaker 1>You want to take it. Loyalty or respect, loyalty.

1:40:52.240 --> 1:40:57.280
<v Speaker 2>Because you're gonna get respect, but loyalty, loyalty, you know

1:40:57.320 --> 1:40:59.360
<v Speaker 2>what I'm saying, because then you know you can trust

1:40:59.400 --> 1:41:01.360
<v Speaker 2>and you know, you know who you could fuck with.

1:41:01.920 --> 1:41:02.479
<v Speaker 1>You know what I'm saying.

1:41:02.520 --> 1:41:05.080
<v Speaker 2>Anybody could respect you, you could scale them more fucking

1:41:05.120 --> 1:41:07.920
<v Speaker 2>too respecting you. But that don't mean they're gonna be loyal.

1:41:08.040 --> 1:41:09.240
<v Speaker 2>You know what I'm saying, They gonna run and go

1:41:09.360 --> 1:41:12.000
<v Speaker 2>tell the police. You know what I'm saying. I take

1:41:12.080 --> 1:41:15.360
<v Speaker 2>that loyalty now, I know I could trust you with whatever.

1:41:16.439 --> 1:41:18.519
<v Speaker 2>We're good, right, Yeah.

1:41:18.680 --> 1:41:24.280
<v Speaker 1>Right, I respect that. I respect that. Yeah.

1:41:24.760 --> 1:41:28.720
<v Speaker 2>Hey hey, I'm gonna take I take my respect. I

1:41:29.040 --> 1:41:34.040
<v Speaker 2>take my respect period. But loyalty is rare. Loyalty you

1:41:34.120 --> 1:41:38.040
<v Speaker 2>gotta really be loyal. You got and not everybody's loyal.

1:41:38.240 --> 1:41:41.360
<v Speaker 1>You feel me. You can always take your respect because

1:41:41.360 --> 1:41:43.200
<v Speaker 1>that's what I've been doing. Like fuck that.

1:41:43.680 --> 1:41:47.120
<v Speaker 2>I'm gonna take my respect, But loyalty you can't. You know,

1:41:48.080 --> 1:41:50.200
<v Speaker 2>by time you turn your back you know, you don't know,

1:41:50.320 --> 1:41:52.040
<v Speaker 2>it might be a knife in it. You feel me?

1:41:52.640 --> 1:41:53.560
<v Speaker 1>Yep, yeah? Did you?

1:41:53.720 --> 1:41:53.920
<v Speaker 2>Did you?

1:41:54.160 --> 1:41:55.560
<v Speaker 3>I know you say you don't go to concerts, but

1:41:55.640 --> 1:41:57.680
<v Speaker 3>did you get to see clips of the Hip Hop

1:41:57.720 --> 1:41:59.120
<v Speaker 3>fifty concert in Yankee Stadium?

1:42:01.439 --> 1:42:05.000
<v Speaker 2>No, it'd been on my timeline, but I just keep scrolling.

1:42:05.439 --> 1:42:09.559
<v Speaker 2>I don't fuck with appropriation. Appropriation, what do you mean

1:42:09.640 --> 1:42:15.000
<v Speaker 2>by that? I mean, motherfucker's trying to come up off

1:42:15.120 --> 1:42:20.400
<v Speaker 2>of the people that ain't. That wasn't done by nobody

1:42:20.479 --> 1:42:24.400
<v Speaker 2>I could respect in this industry. That was done by uh,

1:42:25.000 --> 1:42:29.200
<v Speaker 2>you know, the man, that was put together by the man,

1:42:30.400 --> 1:42:32.240
<v Speaker 2>that was exploited by the man.

1:42:33.080 --> 1:42:35.840
<v Speaker 1>And they I don't know what the ticket prices was,

1:42:35.920 --> 1:42:36.759
<v Speaker 1>but I could imagine.

1:42:37.400 --> 1:42:38.600
<v Speaker 7>But you don't think that was a good thing. I

1:42:38.720 --> 1:42:41.200
<v Speaker 7>think that was a good thing overall. No, overall it

1:42:41.360 --> 1:42:43.639
<v Speaker 7>was a good thing. But for them to do it wasn't.

1:42:43.920 --> 1:42:46.280
<v Speaker 7>I would have rather seen Red Alert do that. I

1:42:46.320 --> 1:42:50.320
<v Speaker 7>would have rather seen Ralph McDaniels do that. I would

1:42:50.400 --> 1:42:51.040
<v Speaker 7>rather see.

1:42:50.880 --> 1:42:55.040
<v Speaker 2>Somebody in the culture win from that, rather than these

1:42:55.320 --> 1:42:59.720
<v Speaker 2>entities the vampires come in and do that and then

1:43:00.400 --> 1:43:05.439
<v Speaker 2>not really respect the actual culture and not value the culture.

1:43:05.880 --> 1:43:06.880
<v Speaker 1>They came to me.

1:43:07.000 --> 1:43:11.919
<v Speaker 2>I mean, I'm gonna say this, Both Rock the Bells

1:43:12.400 --> 1:43:16.000
<v Speaker 2>and the Yankee Stadium Ship both came to me and

1:43:16.120 --> 1:43:19.800
<v Speaker 2>low ball me, and I felt disrespected, Like, Nah, y'all

1:43:19.840 --> 1:43:22.840
<v Speaker 2>gotta pay. Y'all can't come to me and offer me

1:43:23.479 --> 1:43:26.200
<v Speaker 2>half of what I want the fuck out of here.

1:43:26.320 --> 1:43:28.880
<v Speaker 2>Y'all not doing that to the other groups. Y'all ain't

1:43:28.920 --> 1:43:30.840
<v Speaker 2>doing that to run DMC. I know that for a

1:43:31.000 --> 1:43:32.839
<v Speaker 2>fact period.

1:43:34.080 --> 1:43:34.679
<v Speaker 1>You know what I'm saying.

1:43:34.720 --> 1:43:37.320
<v Speaker 2>But you ana come to these other artists and think

1:43:37.520 --> 1:43:41.000
<v Speaker 2>you can determine what they're worth, and that's not how

1:43:41.080 --> 1:43:41.679
<v Speaker 2>this works.

1:43:42.280 --> 1:43:46.640
<v Speaker 1>But who's finished. But what I'm asking Sometimes.

1:43:49.120 --> 1:43:52.080
<v Speaker 3>Sometimes I feel like the culture does deserve a pay

1:43:52.120 --> 1:43:54.240
<v Speaker 3>cut sometimes when it comes from the culture.

1:43:54.080 --> 1:43:56.080
<v Speaker 1>Like the fact that it's coming from l it ain't

1:43:56.120 --> 1:43:57.000
<v Speaker 1>come from now. Man.

1:43:57.080 --> 1:44:01.920
<v Speaker 2>Look, look, he got his own brand and his thing going,

1:44:02.000 --> 1:44:05.400
<v Speaker 2>and that's wonderful. But he don't speak for me, and

1:44:05.560 --> 1:44:09.640
<v Speaker 2>he don't speak for my genre or my timeline. He

1:44:09.760 --> 1:44:12.960
<v Speaker 2>don't even speak for half the artists that I fuck with.

1:44:13.360 --> 1:44:17.160
<v Speaker 2>You understand, I see he's speaking for queens. That's cool,

1:44:17.200 --> 1:44:24.360
<v Speaker 2>But I'm from Brooklyn. I'm from I kept. Do you

1:44:24.479 --> 1:44:27.840
<v Speaker 2>want to stand all the money I donetook, man, But listen,

1:44:28.280 --> 1:44:28.920
<v Speaker 2>but I can't.

1:44:28.960 --> 1:44:31.439
<v Speaker 3>I can't say that because I've been on one rock.

1:44:31.840 --> 1:44:36.160
<v Speaker 1>You're from Queen's. Well, see, he came to you and

1:44:36.280 --> 1:44:37.439
<v Speaker 1>he treated you properly.

1:44:38.240 --> 1:44:39.280
<v Speaker 2>Yeah, okay, Well.

1:44:39.800 --> 1:44:41.920
<v Speaker 1>I took a pay cut. I did, I did, I did.

1:44:42.320 --> 1:44:44.600
<v Speaker 3>But what I'm trying to say is I think that

1:44:44.720 --> 1:44:46.080
<v Speaker 3>sometimes it's unfair to.

1:44:46.240 --> 1:44:48.120
<v Speaker 2>Like but hold on, how you going to take a

1:44:48.200 --> 1:44:51.080
<v Speaker 2>pair of cut? But he charging the ship out the audience.

1:44:51.880 --> 1:44:52.680
<v Speaker 1>I just can't tell.

1:44:52.840 --> 1:44:58.960
<v Speaker 2>I Well, see I can. I could tell anybody, no, nobody,

1:44:59.080 --> 1:45:01.160
<v Speaker 2>don't run. It ain't no old man on this earth

1:45:01.240 --> 1:45:07.080
<v Speaker 2>above me. I'm your idol, the highest title nigga. Please,

1:45:08.200 --> 1:45:11.799
<v Speaker 2>so when you come to me, step to me correctly.

1:45:12.000 --> 1:45:12.320
<v Speaker 2>That's it.

1:45:12.960 --> 1:45:15.840
<v Speaker 1>That's all I asked. You're a grown man. You already know.

1:45:16.439 --> 1:45:18.120
<v Speaker 1>I'm toured with LL before.

1:45:18.640 --> 1:45:20.439
<v Speaker 2>I mean, when I was coming out and my ship

1:45:20.600 --> 1:45:23.320
<v Speaker 2>was hot on the street, he put me on spot

1:45:23.439 --> 1:45:24.679
<v Speaker 2>days to sell tickets.

1:45:25.439 --> 1:45:28.400
<v Speaker 1>I'm familiar with the process, you know what I'm saying.

1:45:28.439 --> 1:45:30.760
<v Speaker 2>I'm also familiar with the fact that you know what

1:45:30.800 --> 1:45:32.400
<v Speaker 2>I'm saying. There was a lot of people that wasn't

1:45:32.479 --> 1:45:35.240
<v Speaker 2>around for a very long time. But now they want

1:45:35.280 --> 1:45:37.080
<v Speaker 2>to come back and take everything.

1:45:37.439 --> 1:45:41.400
<v Speaker 1>Come on, bro, all right, but and Yankee Stadium was

1:45:41.439 --> 1:45:44.040
<v Speaker 1>involved in that's appeal, well, he kind of that. That

1:45:44.120 --> 1:45:45.400
<v Speaker 1>was Na's whole stance with em.

1:45:45.479 --> 1:45:48.200
<v Speaker 3>She sham was to say that he's involved, meaning that

1:45:48.439 --> 1:45:52.360
<v Speaker 3>he took the money, but like he didn't necessarily have everything.

1:45:52.040 --> 1:45:53.639
<v Speaker 1>To do with the actual book.

1:45:53.680 --> 1:45:55.240
<v Speaker 2>And now this is what I'm trying to tell you.

1:45:55.360 --> 1:45:57.960
<v Speaker 2>It's no and hey listen, even with I'm gonna just

1:45:58.000 --> 1:46:01.760
<v Speaker 2>say this, even with a the bells, even with a

1:46:01.920 --> 1:46:06.839
<v Speaker 2>mass appeal, these are other entities involved that are pulling

1:46:06.920 --> 1:46:07.640
<v Speaker 2>the strings.

1:46:08.240 --> 1:46:12.559
<v Speaker 3>Period. Prove me wrong. But Massive Pill got a hip

1:46:12.560 --> 1:46:14.879
<v Speaker 3>hop museum. I feel like they're a museum.

1:46:15.080 --> 1:46:17.519
<v Speaker 1>All of that shit is appropriation. Bro.

1:46:18.360 --> 1:46:24.280
<v Speaker 2>It's museums everywhere, museums popping up everywhere, museums overseas, museums

1:46:24.760 --> 1:46:25.760
<v Speaker 2>every fucking where.

1:46:25.840 --> 1:46:25.920
<v Speaker 1>Bro.

1:46:26.160 --> 1:46:30.800
<v Speaker 2>That ain't nothing but another person doing what they got

1:46:30.880 --> 1:46:32.519
<v Speaker 2>to do to make money off of hip hop.

1:46:32.720 --> 1:46:37.320
<v Speaker 1>Wow. That is not the participants of the art.

1:46:37.920 --> 1:46:38.200
<v Speaker 2>Wow.

1:46:38.920 --> 1:46:41.600
<v Speaker 1>Call me when read Alert got a museum, what.

1:46:41.680 --> 1:46:44.080
<v Speaker 3>Would you have done different if they came to you,

1:46:44.200 --> 1:46:46.800
<v Speaker 3>like you said, you curated right, So if they came

1:46:46.840 --> 1:46:49.240
<v Speaker 3>to you, if Yankee Stadium. They got mass appeal to

1:46:49.360 --> 1:46:51.760
<v Speaker 3>take out rock the Bells at L let's say, just

1:46:51.920 --> 1:46:55.920
<v Speaker 3>Yankee Stadium right themselves said Yo, and we've been loving

1:46:55.960 --> 1:46:56.599
<v Speaker 3>what you been doing.

1:46:57.080 --> 1:47:01.240
<v Speaker 1>Can this is in your hands? What would you have done?

1:47:02.080 --> 1:47:06.280
<v Speaker 2>I would have contacted all the artists that deserve to

1:47:06.400 --> 1:47:10.439
<v Speaker 2>be recognized and I would have gave them recognition and

1:47:10.680 --> 1:47:12.439
<v Speaker 2>participation in the event.

1:47:13.640 --> 1:47:18.960
<v Speaker 1>At what they asked, artists, you have booked? Yeah, I can.

1:47:19.040 --> 1:47:22.160
<v Speaker 2>But that's a whole love. Uh, that's a fucking assignment

1:47:22.320 --> 1:47:25.320
<v Speaker 2>like that. I gotta dig into my I gotta ship.

1:47:25.720 --> 1:47:28.320
<v Speaker 2>But yeah, I mean just in general, I don't even

1:47:28.400 --> 1:47:30.000
<v Speaker 2>know who was there who was not?

1:47:30.360 --> 1:47:30.800
<v Speaker 1>You feel me?

1:47:30.960 --> 1:47:33.600
<v Speaker 2>I saw some flyers you know this and that and

1:47:33.680 --> 1:47:38.160
<v Speaker 2>the third Yeah, who Hurk is everywhere? Respect shoutouts to

1:47:38.280 --> 1:47:40.479
<v Speaker 2>cool Hurk. And I'm gonna just say, man, who Hurk?

1:47:41.640 --> 1:47:44.599
<v Speaker 2>You know he's he's Jamaican. He brought his set outside,

1:47:44.760 --> 1:47:46.760
<v Speaker 2>he had a party. You know what I'm saying. He

1:47:46.880 --> 1:47:50.240
<v Speaker 2>did what Jamaicans do. You know what I'm saying. And

1:47:50.400 --> 1:47:54.120
<v Speaker 2>I'm glad that they appreciated that in the Bronx and

1:47:54.240 --> 1:47:56.600
<v Speaker 2>I'm glad that they attribute that to hip hop. Are

1:47:56.640 --> 1:47:58.800
<v Speaker 2>you trying to say that's like normal, that's that's what

1:47:58.960 --> 1:48:00.880
<v Speaker 2>we do, that's what's been doing.

1:48:01.160 --> 1:48:02.360
<v Speaker 1>Come outside the big speakers.

1:48:02.680 --> 1:48:04.880
<v Speaker 2>If you look at all the speakers, even in the

1:48:05.120 --> 1:48:08.080
<v Speaker 2>historical photographs and ship you see the Jamaican flags on

1:48:08.160 --> 1:48:10.880
<v Speaker 2>them and the horns and yeah they sound they sound

1:48:10.960 --> 1:48:15.680
<v Speaker 2>system they sets. Yeah. Yeah, man, that's that's a that's

1:48:15.720 --> 1:48:17.519
<v Speaker 2>a part of the that's a part of the culture.

1:48:19.360 --> 1:48:21.280
<v Speaker 1>You know what I'm saying. All Right, I think crazy

1:48:21.400 --> 1:48:23.639
<v Speaker 1>like said something like that. Like you just said, yeah

1:48:23.680 --> 1:48:25.479
<v Speaker 1>that there was a lot of parties around that time.

1:48:25.600 --> 1:48:27.679
<v Speaker 2>Well, what I want to say, yeah, party is a party.

1:48:27.760 --> 1:48:29.920
<v Speaker 2>I'm not going to blame anything on one party. But

1:48:30.080 --> 1:48:31.400
<v Speaker 2>what I do want to say is I hear a

1:48:31.439 --> 1:48:34.600
<v Speaker 2>lot of people talking about, oh, well I invented this,

1:48:34.880 --> 1:48:38.800
<v Speaker 2>and I invented that, and I invented that. Come on, bro,

1:48:38.960 --> 1:48:46.360
<v Speaker 2>y'all need to ease up. Talk to DJ Hollywood man. Yes, yeah, man, man,

1:48:46.520 --> 1:48:49.960
<v Speaker 2>Like I mean, it's good. We can all have a

1:48:50.320 --> 1:48:54.280
<v Speaker 2>credit for our contributions. But when you start talking about

1:48:54.360 --> 1:48:56.840
<v Speaker 2>you inventing ship, like go patent something.

1:48:56.880 --> 1:48:59.799
<v Speaker 3>And when you say DJ Hollywood was that technically the first.

1:49:00.080 --> 1:49:04.000
<v Speaker 2>He well technically he can break ship down as a

1:49:04.080 --> 1:49:06.439
<v Speaker 2>og and that you know what was happening during that

1:49:06.560 --> 1:49:09.559
<v Speaker 2>time because a lot of people claiming a lot of ship.

1:49:09.760 --> 1:49:12.720
<v Speaker 1>You feel me and I respect everybody. I respect the.

1:49:14.120 --> 1:49:17.400
<v Speaker 3>Lessons they say Cochla rock was the first time the

1:49:17.640 --> 1:49:20.280
<v Speaker 3>folk first the see but then I'm hearing like as

1:49:20.360 --> 1:49:23.000
<v Speaker 3>far as rocking the party, DJ Hollywood was the first

1:49:23.040 --> 1:49:24.920
<v Speaker 3>person like to want the mic.

1:49:25.080 --> 1:49:28.880
<v Speaker 2>Well, see, that's between them. I wasn't even there. I

1:49:29.040 --> 1:49:31.040
<v Speaker 2>wasn't even there. But I do know a party is

1:49:31.080 --> 1:49:35.320
<v Speaker 2>a motherfucking party. And unless y'all started a part, like

1:49:35.520 --> 1:49:39.760
<v Speaker 2>the whole concept of having a party, I mean, talk

1:49:39.880 --> 1:49:40.120
<v Speaker 2>to me.

1:49:40.200 --> 1:49:42.240
<v Speaker 3>Because essentially that's when they say hip hop was born

1:49:42.400 --> 1:49:43.519
<v Speaker 3>out of a party.

1:49:43.800 --> 1:49:45.400
<v Speaker 2>A girl, I don't think it was just the party.

1:49:45.439 --> 1:49:47.759
<v Speaker 1>I think the fact that he was bringing the breaks

1:49:47.800 --> 1:49:50.479
<v Speaker 1>back and forth at that party, at that party. Yes,

1:49:50.760 --> 1:49:53.840
<v Speaker 1>what there's what is being said. What do you believe?

1:49:53.920 --> 1:49:54.479
<v Speaker 1>What a special?

1:49:54.520 --> 1:49:57.679
<v Speaker 3>I believe what I believe aliens came down as came

1:49:57.760 --> 1:49:59.960
<v Speaker 3>down right now, especially how the hip hop gets start.

1:50:00.360 --> 1:50:01.000
<v Speaker 3>What would you say?

1:50:01.160 --> 1:50:04.479
<v Speaker 2>Okay, there was a whole lot of crooners and people

1:50:04.640 --> 1:50:09.519
<v Speaker 2>making records, rapping right as far as having parties.

1:50:09.960 --> 1:50:11.639
<v Speaker 1>Yet cool Hurk is from Jamaica.

1:50:11.680 --> 1:50:14.400
<v Speaker 2>And then Jamaica they bring the sound set outside because

1:50:14.439 --> 1:50:17.360
<v Speaker 2>you have a lot of oppressed people. The South Bronx

1:50:17.520 --> 1:50:20.880
<v Speaker 2>was an oppressed people at that time, but Jamaica has

1:50:21.000 --> 1:50:24.000
<v Speaker 2>been an oppressed people in a third world country. And

1:50:24.160 --> 1:50:28.920
<v Speaker 2>how they find peace within themselves or a little happiness

1:50:29.040 --> 1:50:31.519
<v Speaker 2>out of life, it's through the tunes and through the

1:50:31.600 --> 1:50:34.920
<v Speaker 2>bringing the sound system outside and playing, and that's what

1:50:35.360 --> 1:50:38.320
<v Speaker 2>that's what's been going on. So Hurt brought the same

1:50:38.439 --> 1:50:43.479
<v Speaker 2>thing to the Bronx. That's amazing, wonderful. Thank you cool Hurt.

1:50:43.560 --> 1:50:46.640
<v Speaker 2>We love you and we appreciate you. I love and

1:50:46.720 --> 1:50:50.240
<v Speaker 2>appreciate everybody. But I just want to get the notion

1:50:50.400 --> 1:50:54.240
<v Speaker 2>and the concept that you know, this is not one

1:50:54.479 --> 1:50:59.400
<v Speaker 2>action started this, not one I don't think one party

1:50:59.479 --> 1:51:05.360
<v Speaker 2>specific started this. It's the whole concept of bringing some

1:51:05.560 --> 1:51:10.799
<v Speaker 2>sort of happiness to a desolate environment, bringing people together

1:51:11.000 --> 1:51:12.920
<v Speaker 2>to unify.

1:51:13.240 --> 1:51:13.760
<v Speaker 1>You feel me.

1:51:14.360 --> 1:51:16.040
<v Speaker 2>I mean, you go to a third world hut. You've

1:51:16.080 --> 1:51:18.280
<v Speaker 2>you've been to Jamaica, You've seen.

1:51:18.120 --> 1:51:21.679
<v Speaker 1>What it's like. Well, how did they bring peace?

1:51:21.880 --> 1:51:27.280
<v Speaker 3>They blessing Cryptis, diplomats and Republicans there we are, I said.

1:51:27.080 --> 1:51:31.920
<v Speaker 1>Diplomats, same same way, same gangs.

1:51:32.000 --> 1:51:34.120
<v Speaker 2>They talk about gangs, this and that and the third

1:51:34.200 --> 1:51:36.519
<v Speaker 2>where gangs started, and this and that. Third shit is

1:51:36.640 --> 1:51:43.400
<v Speaker 2>very political and historical. Think I'm saying politics definitely like

1:51:43.560 --> 1:51:45.440
<v Speaker 2>Jamaica politics.

1:51:47.000 --> 1:51:51.439
<v Speaker 1>But ay wait, I think something important that Grandmaster Cas

1:51:51.520 --> 1:51:55.519
<v Speaker 1>told us and mc shyrock. Okay, they said hip hop

1:51:55.640 --> 1:52:01.559
<v Speaker 1>didn't invent anything. It reinvented everything, right, that's my point.

1:52:02.880 --> 1:52:05.479
<v Speaker 1>I don't think it was a specific or particular invention.

1:52:06.080 --> 1:52:08.400
<v Speaker 1>I think that they reinvented everything.

1:52:08.479 --> 1:52:12.320
<v Speaker 2>And then the art form of sampling and reinventing music

1:52:12.800 --> 1:52:14.840
<v Speaker 2>and reinventing the rap.

1:52:14.800 --> 1:52:19.120
<v Speaker 1>And the way we record and poetry is tom riots.

1:52:19.200 --> 1:52:23.080
<v Speaker 2>Come on, now, we're talking about ancient shit, you know

1:52:23.120 --> 1:52:24.800
<v Speaker 2>what I'm saying. We're not talking about some shit that's

1:52:24.840 --> 1:52:28.160
<v Speaker 2>fifty years old. Were talking about some shit that's thousands

1:52:28.240 --> 1:52:28.880
<v Speaker 2>of years old.

1:52:29.400 --> 1:52:30.040
<v Speaker 1>You understand.

1:52:31.000 --> 1:52:35.519
<v Speaker 2>Yeah, yeah, simply when they were saying that. Yeah, but

1:52:35.600 --> 1:52:37.719
<v Speaker 2>I love them all. I want them all to get props.

1:52:37.760 --> 1:52:40.040
<v Speaker 2>I want them to get paid. How about that? How

1:52:40.040 --> 1:52:43.360
<v Speaker 2>about we fucking make sure who hurt gets paid? How

1:52:43.360 --> 1:52:47.599
<v Speaker 2>about DJ Hollywood gets paid? How about everybody that did

1:52:47.680 --> 1:52:52.080
<v Speaker 2>not get paid gets paid? Period? Give them something, give

1:52:52.120 --> 1:52:56.240
<v Speaker 2>them royalties. You got sponsors. You got these people doing

1:52:56.320 --> 1:52:58.960
<v Speaker 2>these big ass concerts, making millions of dollars.

1:53:00.120 --> 1:53:02.760
<v Speaker 1>The older stadium. I saw it and said, fundraiser. I

1:53:03.240 --> 1:53:05.760
<v Speaker 1>guess we gotta look into what the fundraising was. Oh,

1:53:05.800 --> 1:53:07.960
<v Speaker 1>ain't looking at this ship. Yeah no, I'm gonna look

1:53:08.000 --> 1:53:11.640
<v Speaker 1>into it. I don't want to go through investigation. But

1:53:11.800 --> 1:53:17.080
<v Speaker 1>my thing is the people. Should the people, yeah, exploit?

1:53:17.200 --> 1:53:20.680
<v Speaker 2>Should the people have to pay more for us to

1:53:20.800 --> 1:53:22.200
<v Speaker 2>celebrate our anniversary?

1:53:22.600 --> 1:53:22.760
<v Speaker 5>Right?

1:53:23.840 --> 1:53:27.479
<v Speaker 1>I don't think so. I think it should be free?

1:53:28.240 --> 1:53:32.599
<v Speaker 2>Right, billions of dollars later, fifty years later, you made

1:53:32.920 --> 1:53:35.639
<v Speaker 2>billions of dollars. You can't throw a free fucking concert

1:53:35.720 --> 1:53:39.080
<v Speaker 2>for the people. Pay the artists and let the people

1:53:39.160 --> 1:53:41.280
<v Speaker 2>in free. What the fuck?

1:53:41.360 --> 1:53:42.320
<v Speaker 1>What are you celebrating?

1:53:42.760 --> 1:53:44.880
<v Speaker 3>It's true, but a free concert and Yankee Stadium might

1:53:44.920 --> 1:53:45.559
<v Speaker 3>be a little loose.

1:53:47.040 --> 1:53:49.800
<v Speaker 2>Nah, use the same staff, same staff. And then they

1:53:49.920 --> 1:53:53.120
<v Speaker 2>climited tickets. They mean they sell their hot dogs and beer, right,

1:53:53.720 --> 1:53:58.120
<v Speaker 2>niggas love them glizzies. You only got so many tickets.

1:53:58.120 --> 1:54:01.840
<v Speaker 2>You're talking about a billion dollar industry. Yeah, first, first serve,

1:54:02.000 --> 1:54:05.479
<v Speaker 2>sign up whatever, have two concerts three? I don't care.

1:54:07.120 --> 1:54:13.640
<v Speaker 1>You know, great story, he said, I'm just sticking.

1:54:17.520 --> 1:54:20.559
<v Speaker 2>I'm just saying, man, that that's that's how you show

1:54:20.600 --> 1:54:26.920
<v Speaker 2>your appreciation by you know, and the government needs to

1:54:27.000 --> 1:54:28.760
<v Speaker 2>treat I mean, whether it needs to or not.

1:54:29.360 --> 1:54:32.080
<v Speaker 1>The fact is hip hop is really is the number

1:54:32.120 --> 1:54:34.960
<v Speaker 1>one cultural export of the United States exactly, traveled the

1:54:35.000 --> 1:54:40.800
<v Speaker 1>world ten times over, exactly, So why not celebrate for real.

1:54:41.320 --> 1:54:42.360
<v Speaker 1>That's not a celebration.

1:54:42.560 --> 1:54:50.080
<v Speaker 2>That's an exploitation, that's an opportunist Come on, bro, I mean,

1:54:50.400 --> 1:54:50.880
<v Speaker 2>I want.

1:54:50.720 --> 1:54:52.640
<v Speaker 3>To agree with you, and not agree with you to

1:54:52.680 --> 1:54:54.680
<v Speaker 3>a certain extent, but I also want to see the good.

1:54:55.120 --> 1:54:55.320
<v Speaker 3>You know.

1:54:55.440 --> 1:54:57.160
<v Speaker 2>No, I see the good. I see the good that

1:54:57.240 --> 1:54:59.760
<v Speaker 2>we here fifty years later and we're doing it right.

1:55:00.160 --> 1:55:04.160
<v Speaker 2>But I also see where they ain't doing it for everybody?

1:55:04.520 --> 1:55:04.640
<v Speaker 3>Right?

1:55:04.880 --> 1:55:07.360
<v Speaker 1>Yeah, period, I put in work.

1:55:07.760 --> 1:55:12.440
<v Speaker 3>But isn't that like with everything, like like somebody's always

1:55:12.440 --> 1:55:17.080
<v Speaker 3>gonna get Yeah, someone's like someone's always like recently recently.

1:55:17.280 --> 1:55:19.520
<v Speaker 2>Oh, but it's come to the point, hold on, it's

1:55:19.560 --> 1:55:23.920
<v Speaker 2>come to the point where they appropriating and certain OG's

1:55:24.040 --> 1:55:27.480
<v Speaker 2>and legends can't even get into the events. True, they

1:55:27.560 --> 1:55:31.920
<v Speaker 2>can't even go to the events. That's disrespectful, okay, but

1:55:32.000 --> 1:55:33.280
<v Speaker 2>how the are you going to talk about?

1:55:33.560 --> 1:55:36.120
<v Speaker 3>Definitely advocate for a second, because the other day they

1:55:36.160 --> 1:55:39.280
<v Speaker 3>had Queensbridge Day, right, and on Queensbridge Day they had

1:55:40.000 --> 1:55:43.760
<v Speaker 3>they hired Big Daddy Kane and they hired somebody else,

1:55:43.760 --> 1:55:47.840
<v Speaker 3>so they actually didn't hire no one from Queensbridge. But

1:55:47.920 --> 1:55:50.000
<v Speaker 3>I had to listen to their complaints and I'm listening

1:55:50.400 --> 1:55:52.360
<v Speaker 3>and tragedies are a close friend of mine of the

1:55:52.360 --> 1:55:54.280
<v Speaker 3>tragedy was like, yo, he kind of didn't want to

1:55:54.360 --> 1:55:56.480
<v Speaker 3>He didn't he say. He said that Caine invited him,

1:55:56.680 --> 1:55:58.640
<v Speaker 3>but he said that when he got there, he kind

1:55:58.640 --> 1:56:00.280
<v Speaker 3>of didn't even want to hit the stage. He was

1:56:00.360 --> 1:56:02.240
<v Speaker 3>just like, yo, I just he wanted to be there

1:56:02.600 --> 1:56:07.600
<v Speaker 3>and supporter Kinge right, but not in the support of

1:56:07.680 --> 1:56:09.440
<v Speaker 3>the hood. But but what I was trying to explain

1:56:09.480 --> 1:56:11.360
<v Speaker 3>to him, which which I had nothing to do with,

1:56:11.560 --> 1:56:13.200
<v Speaker 3>well that has what I was saying.

1:56:13.480 --> 1:56:14.160
<v Speaker 1>You could take it from there.

1:56:14.240 --> 1:56:15.720
<v Speaker 3>What I said to him was like, yo, a lot

1:56:15.760 --> 1:56:17.640
<v Speaker 3>of the times it'sould be an outside promo to how

1:56:17.720 --> 1:56:21.160
<v Speaker 3>you was just saying. And it's like people from Queensbridge

1:56:21.160 --> 1:56:22.440
<v Speaker 3>are going to them like a curator.

1:56:22.640 --> 1:56:24.240
<v Speaker 1>They don't know who to go through the cure rate.

1:56:24.280 --> 1:56:26.680
<v Speaker 3>It's just saying, whoever can get in contact with these

1:56:26.760 --> 1:56:28.520
<v Speaker 3>artists right, and then that's how it's happening.

1:56:28.960 --> 1:56:30.240
<v Speaker 1>So that's the problem.

1:56:30.320 --> 1:56:35.200
<v Speaker 2>The problem is the organizers, the organizers or whoever it

1:56:35.320 --> 1:56:39.800
<v Speaker 2>gets hired to do the task, and sometimes they're putting

1:56:39.880 --> 1:56:42.960
<v Speaker 2>the wrong organizers in place, and they're not respecting the

1:56:43.080 --> 1:56:44.960
<v Speaker 2>culture or where they at.

1:56:45.600 --> 1:56:48.440
<v Speaker 1>Like it took Caine from Brooklyn to know.

1:56:49.040 --> 1:56:54.000
<v Speaker 2>To invite a queensband guy right Trad to the event

1:56:54.680 --> 1:56:58.280
<v Speaker 2>instead of the organizers saying Trad very correct, you're a

1:56:58.400 --> 1:57:01.880
<v Speaker 2>community leaders, you're og from the community.

1:57:02.320 --> 1:57:04.800
<v Speaker 1>We need your.

1:57:04.680 --> 1:57:10.800
<v Speaker 2>Extra p we need you whoever, we need you, havoc,

1:57:11.800 --> 1:57:15.040
<v Speaker 2>we need you feel me. But instead y'all just go

1:57:15.200 --> 1:57:16.520
<v Speaker 2>with whatever.

1:57:16.920 --> 1:57:20.240
<v Speaker 1>And that's been happening since basically since people have figured

1:57:20.240 --> 1:57:22.080
<v Speaker 1>out they can make money off of hip hop.

1:57:22.160 --> 1:57:27.280
<v Speaker 2>Well that's what dissected it. And that's exactly what appropriation is.

1:57:27.320 --> 1:57:29.120
<v Speaker 2>That's why I said it like ten times.

1:57:32.960 --> 1:57:38.160
<v Speaker 3>Now because I mean obviously, like like I see the

1:57:38.240 --> 1:57:39.080
<v Speaker 3>effects of hip hop.

1:57:39.240 --> 1:57:41.440
<v Speaker 1>Like, like I tell you the truth.

1:57:42.520 --> 1:57:44.720
<v Speaker 3>One of my favorite places to go is to go

1:57:44.800 --> 1:57:46.760
<v Speaker 3>out of the country, is to perform is because I

1:57:46.800 --> 1:57:48.760
<v Speaker 3>feel like the black man is gone everywhere else but

1:57:48.920 --> 1:57:50.840
<v Speaker 3>America right like it's.

1:57:51.320 --> 1:57:54.800
<v Speaker 2>And that's the that's the whole reverse psychology because the

1:57:54.840 --> 1:57:58.240
<v Speaker 2>black man in America is god too original.

1:57:58.560 --> 1:58:00.400
<v Speaker 1>Yes, it just don't feel like it right.

1:58:00.800 --> 1:58:03.600
<v Speaker 2>Well, because they came here, took our ship, and then

1:58:03.680 --> 1:58:06.480
<v Speaker 2>let us think that this wasn't our ship, right, but

1:58:06.680 --> 1:58:11.680
<v Speaker 2>we yeah, over over time and manipulation and media.

1:58:11.920 --> 1:58:13.640
<v Speaker 3>So but when I go to like places like Europe

1:58:13.680 --> 1:58:15.480
<v Speaker 3>and like that, like I can go to a club

1:58:15.760 --> 1:58:18.080
<v Speaker 3>and this would be all blank right, And by the

1:58:18.160 --> 1:58:19.680
<v Speaker 3>time I come in and I come out, they have

1:58:19.760 --> 1:58:25.080
<v Speaker 3>Compona and Norriego all over there doing grammedy and and

1:58:25.560 --> 1:58:28.480
<v Speaker 3>they break dancing, and I'm sitting back and I'm like,

1:58:28.680 --> 1:58:31.480
<v Speaker 3>what the fuck? And like I sat there one time

1:58:31.720 --> 1:58:34.640
<v Speaker 3>the moota gave me my money and just disappeared, and

1:58:34.720 --> 1:58:36.360
<v Speaker 3>I'm just like, where the fuck is he at? And

1:58:36.400 --> 1:58:38.120
<v Speaker 3>then come to find out the end of the night

1:58:38.280 --> 1:58:40.240
<v Speaker 3>he had all types of paint on his hand. This

1:58:40.400 --> 1:58:42.160
<v Speaker 3>motherfucker was actually sitting there.

1:58:42.200 --> 1:58:46.840
<v Speaker 9>And ship and then motherfucking and then he didn't set

1:58:46.880 --> 1:58:49.080
<v Speaker 9>it up for for as soon as us to walk out,

1:58:49.320 --> 1:58:51.760
<v Speaker 9>it was to be a breakdance carser as soon as

1:58:51.800 --> 1:58:52.280
<v Speaker 9>we walked out.

1:58:52.320 --> 1:58:54.400
<v Speaker 1>So me and walked out, and these guys are.

1:58:54.360 --> 1:58:57.200
<v Speaker 3>Just breakdancing and just battling like it's b Street. But

1:58:57.520 --> 1:58:59.400
<v Speaker 3>in Europe and I'm like hip hop is living out

1:58:59.440 --> 1:59:00.240
<v Speaker 3>and sat.

1:59:00.320 --> 1:59:03.400
<v Speaker 1>Let me speak to that in the Vatican.

1:59:04.840 --> 1:59:14.560
<v Speaker 2>In European countries they worship mellenated people, yes, but here

1:59:14.760 --> 1:59:19.520
<v Speaker 2>in this country is the opposite because they mind fucking

1:59:19.640 --> 1:59:23.920
<v Speaker 2>us and took our land and took our country. So

1:59:24.120 --> 1:59:27.440
<v Speaker 2>they can't educate you and worship you at the same time.

1:59:27.520 --> 1:59:31.960
<v Speaker 2>They oppressing you. But all around the world, and they've

1:59:32.040 --> 1:59:34.640
<v Speaker 2>done it already all around the world. But the history

1:59:35.000 --> 1:59:40.920
<v Speaker 2>is known. They're educated. They know who the mellenated are.

1:59:42.440 --> 1:59:45.640
<v Speaker 2>You understand, but they can't tell you that here. Can

1:59:45.680 --> 1:59:47.600
<v Speaker 2>they tell you that here? And you figure out who

1:59:47.680 --> 1:59:50.840
<v Speaker 2>and what you are, it's over for them, you feel me.

1:59:51.800 --> 1:59:55.240
<v Speaker 3>I remember going overseas when Obama was in office. That

1:59:55.320 --> 1:59:57.440
<v Speaker 3>was like the first time I kind of didn't feel racism.

1:59:57.520 --> 1:59:58.320
<v Speaker 2>They was like, oh baba.

1:59:58.800 --> 1:59:59.160
<v Speaker 5>I was like.

2:00:00.640 --> 2:00:03.520
<v Speaker 2>They didn't really know like that. That was like racist.

2:00:04.280 --> 2:00:07.040
<v Speaker 3>It's like anything they see the black person, it's like America.

2:00:07.080 --> 2:00:09.800
<v Speaker 2>I was like America. It's like, I was like, oh shit,

2:00:09.920 --> 2:00:16.360
<v Speaker 2>they secretly worship you. Yes, they they kiss your statues,

2:00:17.040 --> 2:00:18.640
<v Speaker 2>they pray to your images.

2:00:19.960 --> 2:00:20.680
<v Speaker 1>You understand me.

2:00:21.280 --> 2:00:24.360
<v Speaker 3>Been in Japan. No, okay, Japan is like that for

2:00:24.480 --> 2:00:26.200
<v Speaker 3>the black man. I'm telling you. That's why you look

2:00:26.200 --> 2:00:27.560
<v Speaker 3>at step.

2:00:28.040 --> 2:00:28.560
<v Speaker 1>I'm telling you.

2:00:28.680 --> 2:00:32.120
<v Speaker 2>The world is like that for the black man, the melanated. Okay,

2:00:32.880 --> 2:00:35.080
<v Speaker 2>the whole world is like that. But here in America

2:00:35.560 --> 2:00:38.520
<v Speaker 2>they cannot do that. It's the opposite, right, because they

2:00:38.520 --> 2:00:42.560
<v Speaker 2>were still under the mind control. Well most are. I

2:00:42.600 --> 2:00:44.560
<v Speaker 2>ain't under ship. I know why.

2:00:44.560 --> 2:00:46.480
<v Speaker 1>I'm Jesus on the three right.

2:00:46.640 --> 2:00:49.760
<v Speaker 3>Amen, Listen, if you had anything to do over, what

2:00:49.840 --> 2:00:50.520
<v Speaker 3>would you do over?

2:00:51.840 --> 2:00:52.800
<v Speaker 1>What would I do over?

2:00:53.720 --> 2:00:54.040
<v Speaker 3>Mmm?

2:00:56.040 --> 2:00:59.800
<v Speaker 2>Just maybe some of the business some of the business

2:01:00.080 --> 2:01:04.600
<v Speaker 2>moves that I've made, and some of the deals that

2:01:04.720 --> 2:01:06.560
<v Speaker 2>I agreed to, are the deals that I made I

2:01:06.560 --> 2:01:08.760
<v Speaker 2>would change, you know what I'm saying.

2:01:09.320 --> 2:01:10.280
<v Speaker 1>Yeah, that's about it.

2:01:11.080 --> 2:01:15.560
<v Speaker 2>Otherwise, life's experiences make you who you are, right, And

2:01:15.720 --> 2:01:19.720
<v Speaker 2>if I changed anything other you know, I might not

2:01:19.880 --> 2:01:22.880
<v Speaker 2>be have the same perspective on mindset. You feel me

2:01:23.360 --> 2:01:25.400
<v Speaker 2>because because I think a lot of people come in

2:01:25.480 --> 2:01:28.640
<v Speaker 2>the game with a strong mind, but then they get

2:01:28.760 --> 2:01:32.440
<v Speaker 2>let up. They get you know, delusion by whatever. You

2:01:32.520 --> 2:01:37.120
<v Speaker 2>know what I'm saying, Drugs, fantasies of you know, delusions

2:01:37.160 --> 2:01:40.240
<v Speaker 2>of grandeur. Yeah, shit like that. And then they turn

2:01:40.400 --> 2:01:44.920
<v Speaker 2>into something else. They save themselves. You feel me. It's

2:01:44.920 --> 2:01:48.120
<v Speaker 2>about how can I win? How can I save myself?

2:01:48.160 --> 2:01:50.680
<v Speaker 2>How can I become rich? How can I get the

2:01:50.840 --> 2:01:51.800
<v Speaker 2>mansion in the yacht?

2:01:51.880 --> 2:01:55.240
<v Speaker 1>You feel me? And they forget about the plight of

2:01:55.320 --> 2:01:55.800
<v Speaker 1>the people.

2:01:56.320 --> 2:02:01.240
<v Speaker 2>They forget about their families, They children run, You feel me?

2:02:02.320 --> 2:02:04.560
<v Speaker 1>Yeah? If you? If you? If aliens came down, I

2:02:04.640 --> 2:02:06.520
<v Speaker 1>know touching this. I love aliens.

2:02:06.840 --> 2:02:10.720
<v Speaker 3>W Aliens came down, and I want to learn hip hop.

2:02:11.560 --> 2:02:13.680
<v Speaker 3>And you have one album to give them, Just one

2:02:13.800 --> 2:02:17.080
<v Speaker 3>album for the Aliens to go back Intoday's spaceship or whatever,

2:02:17.160 --> 2:02:18.320
<v Speaker 3>the Martians, whatever.

2:02:18.760 --> 2:02:19.920
<v Speaker 1>My ship, youngest in charge.

2:02:23.880 --> 2:02:26.400
<v Speaker 2>The first thing that go is I'm your idol, the

2:02:26.600 --> 2:02:35.840
<v Speaker 2>highest title held. Yeah, yes, I mean, I mean you know.

2:02:36.200 --> 2:02:38.640
<v Speaker 3>Because I honestly you know, I know we've been playing around.

2:02:38.680 --> 2:02:42.080
<v Speaker 3>But you looking so good like Kelly's young brothers. Like

2:02:42.240 --> 2:02:44.320
<v Speaker 3>how you can maintain this type of regimen because like

2:02:44.360 --> 2:02:45.960
<v Speaker 3>you said, I think you say it's fifty one and

2:02:46.280 --> 2:02:48.880
<v Speaker 3>you're looking like you fucking fucking twenty one.

2:02:48.960 --> 2:02:49.080
<v Speaker 4>Bro.

2:02:49.320 --> 2:02:52.160
<v Speaker 1>Like I'm trying to look for the Beijing. It's not

2:02:52.200 --> 2:02:54.680
<v Speaker 1>coming out us, No, it's not coming out.

2:02:56.280 --> 2:02:56.440
<v Speaker 3>Real.

2:02:56.520 --> 2:03:02.560
<v Speaker 1>Wea one thing is. One thing is genetics. That's for one.

2:03:03.120 --> 2:03:06.320
<v Speaker 2>For two is exactly what you put into your body,

2:03:06.400 --> 2:03:10.440
<v Speaker 2>what you consumes. No, not yet. I'm kind of more

2:03:10.560 --> 2:03:15.240
<v Speaker 2>pescatarian issues. Okay, but I'm more conscious. I'm more conscious

2:03:15.320 --> 2:03:18.320
<v Speaker 2>than anything, you know what I'm saying. When we're younger,

2:03:19.000 --> 2:03:22.240
<v Speaker 2>we tend to eat anything, and we eat anything they sell.

2:03:22.880 --> 2:03:26.240
<v Speaker 2>But when I was younger, I was conscious, and I

2:03:26.320 --> 2:03:29.680
<v Speaker 2>stopped eating pork at a very young age, a boxtail.

2:03:31.040 --> 2:03:35.080
<v Speaker 2>I stopped eating beef. I stop eating pork. I stop

2:03:35.120 --> 2:03:38.240
<v Speaker 2>eating chicken. For the most part, I eat chicken sparingly.

2:03:38.680 --> 2:03:40.880
<v Speaker 1>Okay, yeah that much.

2:03:43.440 --> 2:03:48.440
<v Speaker 2>But the fact is, the fact is I'm drinking the

2:03:48.600 --> 2:03:51.720
<v Speaker 2>proper liquid. I don't funk with sodas and all that. Fruits,

2:03:52.040 --> 2:03:57.560
<v Speaker 2>fruits and vegetables, fruits and berries. Vegetables is what you eat.

2:03:57.600 --> 2:04:00.320
<v Speaker 2>You are what you eat. The energy you get when

2:04:00.360 --> 2:04:01.920
<v Speaker 2>you eat fruits and a salad.

2:04:02.000 --> 2:04:04.280
<v Speaker 1>It's way different than you eat a play a steak

2:04:04.360 --> 2:04:07.720
<v Speaker 1>and you go to sleep. You understand. So you have

2:04:07.920 --> 2:04:09.680
<v Speaker 1>to deal with reality.

2:04:10.280 --> 2:04:12.200
<v Speaker 2>Now, you have to deal with what's going to sustain

2:04:12.280 --> 2:04:14.880
<v Speaker 2>you and keep you alive and keep you in good

2:04:14.960 --> 2:04:15.920
<v Speaker 2>physical condition.

2:04:16.400 --> 2:04:18.040
<v Speaker 3>I said, you make it what was the hardest food

2:04:18.080 --> 2:04:19.840
<v Speaker 3>to cut off by?

2:04:20.040 --> 2:04:23.440
<v Speaker 1>Just the beef? Oxtail? I love pepper steak. I used

2:04:23.480 --> 2:04:24.760
<v Speaker 1>to love pepper steak.

2:04:25.800 --> 2:04:30.840
<v Speaker 2>Yeah, man, oxtail, curry goat, come on, man, yeah, I

2:04:30.960 --> 2:04:33.480
<v Speaker 2>stop all of that. I might once a year, I

2:04:33.560 --> 2:04:36.000
<v Speaker 2>might eat my mom's curry goat. She'll make something and

2:04:36.120 --> 2:04:38.640
<v Speaker 2>I eat some curry goat once a year. But even

2:04:38.680 --> 2:04:44.320
<v Speaker 2>when I do that, it's different. I feel different, smell different.

2:04:52.320 --> 2:04:56.160
<v Speaker 2>But you have to know what these things do inside

2:04:56.240 --> 2:05:00.600
<v Speaker 2>your body. They stay in your body, they rot, and

2:05:00.720 --> 2:05:03.600
<v Speaker 2>that cannot be good for you or your digestive system.

2:05:03.680 --> 2:05:05.720
<v Speaker 3>I tell you, I was vegan for like eight months

2:05:05.800 --> 2:05:08.760
<v Speaker 3>to a year, and the favorite foods I ever ate

2:05:08.800 --> 2:05:11.440
<v Speaker 3>when I was had that vegan expirits had always came

2:05:11.480 --> 2:05:14.320
<v Speaker 3>from the island and came from vegetarian Delight. It's a

2:05:14.840 --> 2:05:19.880
<v Speaker 3>place out here. They coconuts. Well, it's all Jamaica. It's

2:05:19.920 --> 2:05:25.000
<v Speaker 3>all seasoning, right. Seasoning determines everything. Like I love salads,

2:05:25.520 --> 2:05:28.560
<v Speaker 3>and you can just put whatever dressing you like. But

2:05:28.760 --> 2:05:31.120
<v Speaker 3>I love like when I say I love salad, I

2:05:31.280 --> 2:05:31.960
<v Speaker 3>love salad.

2:05:32.040 --> 2:05:35.000
<v Speaker 1>Man and fruits. Fruits is the best ship on the

2:05:35.080 --> 2:05:38.080
<v Speaker 1>earth of your kale. Guy nah kale is cool.

2:05:38.160 --> 2:05:42.880
<v Speaker 2>I put everything I like spinach, lettuce, romaine, spring mix,

2:05:43.280 --> 2:05:45.000
<v Speaker 2>and I do a little bit of food science, so

2:05:45.040 --> 2:05:47.200
<v Speaker 2>I don't do too much iceberg, lettuce and ship that

2:05:47.560 --> 2:05:49.520
<v Speaker 2>has no nutritional value.

2:05:52.240 --> 2:05:52.480
<v Speaker 3>Water.

2:05:53.680 --> 2:05:56.080
<v Speaker 2>But for the most part, you just have to understand

2:05:56.440 --> 2:05:58.480
<v Speaker 2>what you're eating and how it helps you.

2:05:58.720 --> 2:05:59.880
<v Speaker 1>Okay, and do that.

2:06:00.160 --> 2:06:00.320
<v Speaker 5>Man.

2:06:00.400 --> 2:06:03.920
<v Speaker 2>You know I'm into you know, the ginger, turmeric, all

2:06:04.040 --> 2:06:07.960
<v Speaker 2>kind of shit, lemon like, I deal with natural substances.

2:06:08.080 --> 2:06:08.200
<v Speaker 3>Man.

2:06:08.240 --> 2:06:10.320
<v Speaker 2>That's what we have to get back to, is ship

2:06:10.440 --> 2:06:14.320
<v Speaker 2>with one ingredient. What it is You eat an orange,

2:06:14.440 --> 2:06:16.720
<v Speaker 2>you know, it's a fucking orange, you know what I'm saying.

2:06:16.960 --> 2:06:18.600
<v Speaker 3>But you eat some other ship. It got a whole

2:06:18.680 --> 2:06:21.120
<v Speaker 3>list of ship on way too much. There you go

2:06:21.280 --> 2:06:23.560
<v Speaker 3>big up money love too. She's she's like on that too.

2:06:23.600 --> 2:06:25.960
<v Speaker 3>She's Jamaican too. It's your Jamaica's with the good jeens. Yeah,

2:06:26.000 --> 2:06:27.840
<v Speaker 3>you don't get it twisted, and some Jamaicas some fucked

2:06:27.880 --> 2:06:28.240
<v Speaker 3>up geens.

2:06:28.760 --> 2:06:33.240
<v Speaker 2>Now, it's an individual. It's how much you care for

2:06:33.360 --> 2:06:38.560
<v Speaker 2>your data, mind, your temple, and your consciousness of what

2:06:38.800 --> 2:06:42.000
<v Speaker 2>you are doing to yourself. It's just like me, stop.

2:06:42.200 --> 2:06:45.080
<v Speaker 2>I stopped drinking. Yeah, I used to drink. I stopped smoking. Yeah,

2:06:45.080 --> 2:06:46.200
<v Speaker 2>I used to smoke so.

2:06:46.400 --> 2:06:48.960
<v Speaker 1>And not all the time. Was I who I am?

2:06:49.120 --> 2:06:49.280
<v Speaker 9>Now?

2:06:49.840 --> 2:06:50.600
<v Speaker 1>You take edibles?

2:06:50.960 --> 2:06:55.760
<v Speaker 2>No, I don't even do edible because because I stopped drinking.

2:06:55.840 --> 2:07:02.280
<v Speaker 2>Because alcohol, alcohol causes poor behavior. Alcohol is poisons. And

2:07:03.680 --> 2:07:06.400
<v Speaker 2>would you drink a whole bottle of cough medicine at once?

2:07:07.440 --> 2:07:07.640
<v Speaker 1>Yeah?

2:07:07.720 --> 2:07:12.480
<v Speaker 2>That has that has a that has a percent of alcohol. See,

2:07:14.040 --> 2:07:17.640
<v Speaker 2>you also got to be mobile. You gotta a body

2:07:18.080 --> 2:07:20.800
<v Speaker 2>in motion, stays in motion, So you gotta do shit too.

2:07:21.000 --> 2:07:24.240
<v Speaker 1>I walk, I ride bikes, I swim, I do whatever

2:07:24.400 --> 2:07:28.240
<v Speaker 1>you feel me. I love the ocean. I love the ocean.

2:07:28.480 --> 2:07:34.160
<v Speaker 2>So who you battling in versus? First of all, I

2:07:34.400 --> 2:07:36.600
<v Speaker 2>just call you right now. Say if Swiss called me,

2:07:36.680 --> 2:07:39.360
<v Speaker 2>he got to tell me a dollar amount. Damn period.

2:07:39.600 --> 2:07:43.240
<v Speaker 1>I need to hear about the money. I need to

2:07:43.280 --> 2:07:44.440
<v Speaker 1>hear worth.

2:07:44.800 --> 2:07:47.480
<v Speaker 2>I'm not doing this for TV. I don't need to

2:07:47.560 --> 2:07:50.640
<v Speaker 2>be on TV like that. I've been on TV for

2:07:50.800 --> 2:07:54.280
<v Speaker 2>thirty years. I'm not doing this just to have an

2:07:54.320 --> 2:07:57.800
<v Speaker 2>episode or some shit on TV. I'm doing this so

2:07:58.040 --> 2:08:00.000
<v Speaker 2>because I respect what y'all doing.

2:08:00.480 --> 2:08:01.400
<v Speaker 1>And we appreciate that.

2:08:03.120 --> 2:08:07.640
<v Speaker 2>And you have to tell your story or else somebody

2:08:07.680 --> 2:08:10.240
<v Speaker 2>else wanna try to tell your story. So I'm here

2:08:10.320 --> 2:08:11.040
<v Speaker 2>to inform.

2:08:11.160 --> 2:08:14.120
<v Speaker 1>I'm here to educate and let it be known. But okay,

2:08:14.200 --> 2:08:15.600
<v Speaker 1>let me just ask.

2:08:16.280 --> 2:08:19.760
<v Speaker 3>Let's supposed Swiss call you and say, on special ad,

2:08:20.120 --> 2:08:23.360
<v Speaker 3>I want you to pick your oppony. Who would in

2:08:23.480 --> 2:08:25.400
<v Speaker 3>your mind? You say, all right, I'm supposed to dollar

2:08:25.560 --> 2:08:28.120
<v Speaker 3>mint is great, right, dollar mine is great? I pick anybody.

2:08:28.120 --> 2:08:30.800
<v Speaker 3>I don't give who would you pick them?

2:08:30.840 --> 2:08:34.600
<v Speaker 2>Swiss? Do a poll, y'all, niggas, do whatever y'all want.

2:08:34.720 --> 2:08:40.280
<v Speaker 2>Put whoever you want on that stage. Okay, yeah, I'm

2:08:40.280 --> 2:08:43.560
<v Speaker 2>gonna do. I'm gonna get them all bucks shorty. Hell yeah, Okay.

2:08:44.920 --> 2:08:46.800
<v Speaker 2>I'm versus with anybody. That's the point.

2:08:47.040 --> 2:08:48.520
<v Speaker 1>Okay, I'm versus with anybody.

2:08:48.600 --> 2:08:49.120
<v Speaker 2>Y'all pay me.

2:08:49.640 --> 2:08:50.400
<v Speaker 1>I'm gonna be there.

2:08:50.680 --> 2:08:56.400
<v Speaker 2>I'm versus anybody who else is as I'm versus in anybody.

2:08:56.560 --> 2:09:00.520
<v Speaker 1>Now. Daddy came win already though, No, but I'm just

2:09:00.560 --> 2:09:02.880
<v Speaker 1>saying for him. I just want to Granddaddy, you would

2:09:02.920 --> 2:09:05.840
<v Speaker 1>have been a good one. Granddaddy.

2:09:05.960 --> 2:09:06.160
<v Speaker 3>Yeah.

2:09:06.920 --> 2:09:08.800
<v Speaker 1>Uh oh.

2:09:10.560 --> 2:09:14.160
<v Speaker 2>Man, listen, I verse I ain't no challenge. That's the

2:09:14.200 --> 2:09:15.920
<v Speaker 2>whole point. That's how I got where I am today

2:09:15.960 --> 2:09:17.920
<v Speaker 2>because I ain't turned down. No, I used to walk

2:09:17.960 --> 2:09:20.080
<v Speaker 2>down the streets of Brooklyn and just run up on

2:09:20.560 --> 2:09:23.760
<v Speaker 2>Cypher's like me, Skinny. I used to be like a

2:09:23.880 --> 2:09:28.200
<v Speaker 2>buck thirty, like skinny, little nig like I run up

2:09:28.240 --> 2:09:31.760
<v Speaker 2>on anybody and battle anybody matter of fact. When I

2:09:31.840 --> 2:09:35.280
<v Speaker 2>first got to Erasmus at first, yeah, when I first

2:09:35.320 --> 2:09:38.800
<v Speaker 2>got to Erasmus whole high school, my first week in

2:09:38.920 --> 2:09:41.400
<v Speaker 2>high school, I looked for the nicest MC and I

2:09:42.000 --> 2:09:43.440
<v Speaker 2>battle him for his name.

2:09:44.560 --> 2:09:46.000
<v Speaker 1>Damn straight for the name.

2:09:46.080 --> 2:09:49.840
<v Speaker 2>I'm going for the Gusto jail style mentality. We're gonna

2:09:49.880 --> 2:09:51.400
<v Speaker 2>wear the hardest way where it's at.

2:09:51.600 --> 2:09:52.320
<v Speaker 1>Okay, come on.

2:09:52.600 --> 2:09:56.200
<v Speaker 2>So that's what I did. Man, I wasn't I challenged anybody.

2:09:56.720 --> 2:09:58.320
<v Speaker 2>You know what I'm saying. I walked down the street.

2:09:58.760 --> 2:10:01.280
<v Speaker 2>I don't give a fu how tough anybody. Look, I'm

2:10:01.520 --> 2:10:02.640
<v Speaker 2>taking titles out here.

2:10:03.640 --> 2:10:05.160
<v Speaker 1>Yeah, well, man, you.

2:10:05.240 --> 2:10:08.520
<v Speaker 3>A motherfucking legend. Man, I'm so glad you got to

2:10:09.280 --> 2:10:10.880
<v Speaker 3>sit down with us. Man, just let you know this

2:10:11.000 --> 2:10:12.880
<v Speaker 3>is your platform. If you want to come in here

2:10:12.880 --> 2:10:16.000
<v Speaker 3>and promote pink toenails. We don't care, like we don't

2:10:16.000 --> 2:10:16.240
<v Speaker 3>know what.

2:10:18.040 --> 2:10:22.720
<v Speaker 2>Promoted lady, but you know we.

2:10:22.760 --> 2:10:24.840
<v Speaker 3>Want you to know, man, because you know, in our

2:10:25.240 --> 2:10:28.200
<v Speaker 3>our our genre, our music, so many people want to

2:10:28.200 --> 2:10:30.320
<v Speaker 3>say that you got ten years or more, that you know,

2:10:31.080 --> 2:10:33.280
<v Speaker 3>your old school and you're washed up. And I hate

2:10:33.280 --> 2:10:34.680
<v Speaker 3>that because you know, they.

2:10:34.560 --> 2:10:36.000
<v Speaker 1>Don't have that in jazz, they don't have that in

2:10:36.120 --> 2:10:37.560
<v Speaker 1>rock and roll, they don't have that in any other

2:10:37.640 --> 2:10:38.200
<v Speaker 1>job space.

2:10:38.440 --> 2:10:40.760
<v Speaker 3>They don't even have it in dance hall, you know

2:10:40.800 --> 2:10:41.280
<v Speaker 3>what I'm saying.

2:10:41.520 --> 2:10:41.880
<v Speaker 2>They like.

2:10:43.440 --> 2:10:45.120
<v Speaker 3>So the fact that they have it in hip hop,

2:10:45.160 --> 2:10:46.600
<v Speaker 3>this is something to me and my partner wanted to

2:10:46.640 --> 2:10:48.200
<v Speaker 3>change from the beginning. He was just like, you know what,

2:10:48.560 --> 2:10:50.640
<v Speaker 3>if we got a platform, we want to salute the

2:10:50.680 --> 2:10:52.840
<v Speaker 3>people who's been there before us and give them their

2:10:52.920 --> 2:10:55.040
<v Speaker 3>flowers and tell them to they face, you know what saying.

2:10:55.240 --> 2:10:57.400
<v Speaker 3>So now everyone wants to give people flowers. Me and him,

2:10:57.520 --> 2:10:59.920
<v Speaker 3>we didn't invent the phrase, but we may reinvent it.

2:11:03.680 --> 2:11:05.720
<v Speaker 3>And you are one of the people that definitely wanted

2:11:05.720 --> 2:11:07.720
<v Speaker 3>to give the flowers to because you deserve it.

2:11:07.960 --> 2:11:10.080
<v Speaker 1>You are a legend, you an icon. You continue to

2:11:10.160 --> 2:11:10.360
<v Speaker 1>do it.

2:11:10.560 --> 2:11:12.840
<v Speaker 3>You out here monkey footing the games because you're out

2:11:12.880 --> 2:11:15.080
<v Speaker 3>here still throwing shows, doing what you gotta do. Man,

2:11:15.240 --> 2:11:20.640
<v Speaker 3>I want to show you love. I appreciate it, and

2:11:21.160 --> 2:11:23.040
<v Speaker 3>I forgot to ask what you got going coming up

2:11:23.080 --> 2:11:25.480
<v Speaker 3>besides the shows? You got anything else coming up?

2:11:26.080 --> 2:11:28.720
<v Speaker 2>Well, more shows I'm doing. We're going out to Chicago.

2:11:28.840 --> 2:11:31.240
<v Speaker 2>What I've been doing is this stop the violence movement?

2:11:31.320 --> 2:11:31.800
<v Speaker 3>You feel me?

2:11:33.280 --> 2:11:38.640
<v Speaker 2>Shortly after pnb Rock got killed, Corrupt called me and

2:11:39.240 --> 2:11:41.160
<v Speaker 2>he was like, yo, man, we need to you know,

2:11:41.640 --> 2:11:44.480
<v Speaker 2>do something about this. We need to unify because he

2:11:44.520 --> 2:11:47.840
<v Speaker 2>always called me for enlightenment. You know what I'm saying,

2:11:47.920 --> 2:11:51.360
<v Speaker 2>that's a big bro. And I agreed, and I said,

2:11:51.400 --> 2:11:53.920
<v Speaker 2>you know what, let me see what we can do

2:11:54.120 --> 2:11:58.400
<v Speaker 2>to make all of this happen. And we started bringing

2:11:58.480 --> 2:12:02.960
<v Speaker 2>everybody together on these calls for to Stop the Violence movement.

2:12:03.560 --> 2:12:05.680
<v Speaker 1>And that's a part of my mission.

2:12:05.760 --> 2:12:09.800
<v Speaker 2>What I'm out here to do is just utilize all

2:12:09.880 --> 2:12:14.280
<v Speaker 2>of our resources and our influence to help these youths

2:12:14.520 --> 2:12:19.000
<v Speaker 2>redirect their energies because their energies is up.

2:12:18.920 --> 2:12:19.320
<v Speaker 1>In the air.

2:12:19.440 --> 2:12:19.600
<v Speaker 3>Man.

2:12:19.920 --> 2:12:24.000
<v Speaker 2>It's getting very negative and very very very hectic out

2:12:24.080 --> 2:12:28.360
<v Speaker 2>there for kids. These is our children, man, These is

2:12:28.480 --> 2:12:33.080
<v Speaker 2>like teenagers. We can't let them destroy themselves. So that's

2:12:33.200 --> 2:12:37.080
<v Speaker 2>my mission. So I'm going around everywhere and I'm talking

2:12:37.160 --> 2:12:41.280
<v Speaker 2>to all the kids I can, all ages, and just

2:12:41.840 --> 2:12:44.560
<v Speaker 2>letting them know and based on giving them my life's

2:12:44.640 --> 2:12:47.840
<v Speaker 2>experience what I had to go through, you know, from

2:12:48.160 --> 2:12:51.280
<v Speaker 2>a child till now, and showing them as an example

2:12:51.400 --> 2:12:54.480
<v Speaker 2>of you can be successful. You don't have to compromise

2:12:54.560 --> 2:12:57.720
<v Speaker 2>your integrity. You don't have to go follow the crowd.

2:12:57.880 --> 2:13:01.160
<v Speaker 2>You don't have to you know, follow the gang mentality

2:13:01.440 --> 2:13:05.520
<v Speaker 2>if it's not positive, because there are organizations that are

2:13:05.680 --> 2:13:11.680
<v Speaker 2>positive and have changed how they approach that whole gang

2:13:12.160 --> 2:13:18.000
<v Speaker 2>quote unquote mentality. So we turning, were turning everything into

2:13:18.120 --> 2:13:20.880
<v Speaker 2>a positive right now. That's my whole goal. I ain't

2:13:20.880 --> 2:13:23.680
<v Speaker 2>in no competition. I don't care about the record industry.

2:13:24.640 --> 2:13:25.480
<v Speaker 2>It's done enough.

2:13:26.520 --> 2:13:28.040
<v Speaker 1>What did you get to that level where you were

2:13:28.120 --> 2:13:30.280
<v Speaker 1>just like, you know a few years.

2:13:30.040 --> 2:13:33.920
<v Speaker 2>Ago, it's been some years now. I just see everybody

2:13:34.160 --> 2:13:36.720
<v Speaker 2>like it's like a rat race. I see what they

2:13:36.880 --> 2:13:40.320
<v Speaker 2>do for money. I see how they use and abuse artists,

2:13:40.880 --> 2:13:45.320
<v Speaker 2>and how they just undermine people's value and.

2:13:46.920 --> 2:13:48.880
<v Speaker 1>The work that they put in.

2:13:49.520 --> 2:13:52.120
<v Speaker 2>You know what I'm saying, it's like shit going back

2:13:52.160 --> 2:13:57.160
<v Speaker 2>and forth with og artists, pitting them against newer artists

2:13:57.200 --> 2:13:59.520
<v Speaker 2>and doing all kinds of dumb shit like this is

2:13:59.560 --> 2:14:02.320
<v Speaker 2>not a petition in that sense. I think we need

2:14:02.440 --> 2:14:07.040
<v Speaker 2>to bring it back to something more, more more pure,

2:14:07.200 --> 2:14:12.000
<v Speaker 2>man more organic, and stop stop trying to create rivalry

2:14:12.320 --> 2:14:12.840
<v Speaker 2>all the time.

2:14:13.840 --> 2:14:16.880
<v Speaker 3>I remember me looking up to artists that came before me.

2:14:17.080 --> 2:14:19.240
<v Speaker 3>Do you think these new artists they lost that?

2:14:19.960 --> 2:14:22.440
<v Speaker 2>Yeah? I think they lost it because we're not going

2:14:22.520 --> 2:14:25.640
<v Speaker 2>back out there and speaking to them and engaging and

2:14:25.800 --> 2:14:29.000
<v Speaker 2>teaching them. But I do. That's my whole point in

2:14:29.080 --> 2:14:33.600
<v Speaker 2>my purpose is what I'm doing with my organization special

2:14:33.680 --> 2:14:36.760
<v Speaker 2>at Arts and Literacy SEAL, And that's my whole mission

2:14:36.840 --> 2:14:40.360
<v Speaker 2>right now. I don't care about the music game and

2:14:40.440 --> 2:14:43.720
<v Speaker 2>the industry because I know what it comprises, what it

2:14:44.000 --> 2:14:44.560
<v Speaker 2>consists of.

2:14:44.680 --> 2:14:49.280
<v Speaker 1>It's it's a road to destruction for most. So I

2:14:49.320 --> 2:14:50.760
<v Speaker 1>ain't even worried about that no more.

2:14:50.760 --> 2:14:55.200
<v Speaker 2>I'm worried about how do I change the minds of

2:14:55.360 --> 2:15:00.040
<v Speaker 2>these children so that they don't destroy themselves. You you

2:15:00.160 --> 2:15:04.000
<v Speaker 2>don't have to die to be famous. You understand, you

2:15:04.120 --> 2:15:06.080
<v Speaker 2>don't have to die to be famous.

2:15:06.000 --> 2:15:07.720
<v Speaker 3>Or get hurt or get hurt, because that's what a

2:15:07.760 --> 2:15:09.520
<v Speaker 3>lot of people are doing now too. They're getting hurt

2:15:09.560 --> 2:15:12.240
<v Speaker 3>and then it's like it's a vived or stabbing or

2:15:12.320 --> 2:15:12.720
<v Speaker 3>something like that.

2:15:13.120 --> 2:15:17.240
<v Speaker 2>Right, And it's the mentality. It's like they're going out here.

2:15:17.720 --> 2:15:21.720
<v Speaker 2>They've taken stunting to a whole other level, and then

2:15:22.120 --> 2:15:26.560
<v Speaker 2>they're endangering themselves and then they have to arm themselves,

2:15:26.920 --> 2:15:30.120
<v Speaker 2>which is causing more gun violence. You feel me, and

2:15:30.200 --> 2:15:32.560
<v Speaker 2>then they get their feelings hurt, and then they want

2:15:32.600 --> 2:15:35.240
<v Speaker 2>to pull the gun out because they feelings is hurt.

2:15:35.400 --> 2:15:38.240
<v Speaker 1>You understand, that's not what this is based on.

2:15:38.480 --> 2:15:42.600
<v Speaker 2>You use a firearm to protect yourself, to protect your life,

2:15:43.160 --> 2:15:46.960
<v Speaker 2>not to go and threaten or endanger or take someone

2:15:47.040 --> 2:15:49.880
<v Speaker 2>else's life or rob somebody. That's not what you use

2:15:49.960 --> 2:15:52.760
<v Speaker 2>a firearm for. You know what I'm saying. That's called crime.

2:15:52.840 --> 2:15:56.520
<v Speaker 2>That's criminal. You feel me, and we don't want them

2:15:56.640 --> 2:15:59.440
<v Speaker 2>to believe that that's what they need to be out

2:15:59.480 --> 2:15:59.920
<v Speaker 2>there doing.

2:16:00.240 --> 2:16:00.280
<v Speaker 4>No.

2:16:01.080 --> 2:16:03.600
<v Speaker 2>I mean shit, I've had a fire on my entire life.

2:16:04.080 --> 2:16:07.040
<v Speaker 2>I never accostant or threatened anybody with it. You know

2:16:07.080 --> 2:16:09.720
<v Speaker 2>what I'm saying. It's for me to defend myself and

2:16:09.840 --> 2:16:13.240
<v Speaker 2>my family and what I have, my possessions. I'm not

2:16:13.400 --> 2:16:16.800
<v Speaker 2>out here flashing. I've had a file since I was

2:16:16.840 --> 2:16:21.400
<v Speaker 2>a teen, before I made records. You understand me, before

2:16:21.480 --> 2:16:24.080
<v Speaker 2>I before the age of fifteen, I had a fire

2:16:24.240 --> 2:16:26.840
<v Speaker 2>arm and I never had to pull it out and

2:16:27.000 --> 2:16:31.520
<v Speaker 2>flass it. Not legally, nah, but now it's legal. Ever

2:16:31.600 --> 2:16:34.400
<v Speaker 2>since I became of legal age and got into a

2:16:34.480 --> 2:16:38.400
<v Speaker 2>legal situation where I could do it legally. We're good,

2:16:39.000 --> 2:16:42.000
<v Speaker 2>you feel me? And that's a right, that's our that's

2:16:42.080 --> 2:16:47.000
<v Speaker 2>our rights as what they call this citizens. Here we go,

2:16:47.520 --> 2:16:49.840
<v Speaker 2>this is my right as a citizen. I'm just exercising

2:16:49.920 --> 2:16:56.480
<v Speaker 2>my right. So yeah, so and responsibly not to intimidate

2:16:56.600 --> 2:16:57.560
<v Speaker 2>or harm anybody.

2:16:58.320 --> 2:17:01.680
<v Speaker 1>And that's the thing they out here, trying to intimidate and.

2:17:01.720 --> 2:17:04.840
<v Speaker 2>Harm people and broadcasting it and broadcast Yeah, and that's

2:17:04.879 --> 2:17:05.640
<v Speaker 2>not what we want.

2:17:05.720 --> 2:17:07.560
<v Speaker 1>That's not what we own, you know what I'm saying.

2:17:07.640 --> 2:17:10.080
<v Speaker 2>We want to just teach the kids better from a

2:17:10.200 --> 2:17:14.119
<v Speaker 2>young age so that they don't grow into because once

2:17:14.160 --> 2:17:17.360
<v Speaker 2>they become a teenager and they mindset and they ready

2:17:17.400 --> 2:17:19.600
<v Speaker 2>to go, they ready to go to so so I

2:17:19.680 --> 2:17:21.279
<v Speaker 2>try to get them a little earlier.

2:17:21.760 --> 2:17:23.720
<v Speaker 1>And even with the teens, I talk to them too.

2:17:24.240 --> 2:17:26.560
<v Speaker 2>But once they gone and they you know, clap that

2:17:26.680 --> 2:17:29.680
<v Speaker 2>thing a few times, they get that energy, Yeah, they

2:17:29.760 --> 2:17:30.480
<v Speaker 2>go to their heads.

2:17:30.520 --> 2:17:31.840
<v Speaker 1>So we got to stop that.

2:17:32.080 --> 2:17:35.119
<v Speaker 2>We got to prevent that, you know, and the one

2:17:35.160 --> 2:17:36.920
<v Speaker 2>thing I can say, and the one thing I would

2:17:36.959 --> 2:17:39.760
<v Speaker 2>love to say, please, And I would say to all

2:17:39.800 --> 2:17:45.840
<v Speaker 2>the youth out there, all you thugs, have you ever

2:17:46.120 --> 2:17:50.160
<v Speaker 2>pointed your gun at someone else other than your own

2:17:50.280 --> 2:17:51.600
<v Speaker 2>brother or sister?

2:17:52.840 --> 2:17:54.920
<v Speaker 1>Have you ever ever?

2:17:57.600 --> 2:18:00.560
<v Speaker 2>No, I don't see you pointed at anyone else except yourselves.

2:18:01.040 --> 2:18:03.280
<v Speaker 2>You might as well point it in the mirror, you

2:18:03.400 --> 2:18:08.080
<v Speaker 2>feel me, because you're only killing yourselves. You're not standing

2:18:08.160 --> 2:18:12.760
<v Speaker 2>up for yourselves against the real oppressors, against the real

2:18:12.920 --> 2:18:16.120
<v Speaker 2>people that are really oppressing you and taking from you

2:18:16.400 --> 2:18:20.520
<v Speaker 2>and causing you to be in poverty. And in these conditions,

2:18:21.480 --> 2:18:25.119
<v Speaker 2>you're not pointing a gun at them. You pointed at

2:18:25.160 --> 2:18:29.879
<v Speaker 2>your own family. Don't point your gun in no mellenated people.

2:18:31.400 --> 2:18:35.959
<v Speaker 2>That's all I'm saying. Stop pointing your guns at melaninated people.

2:18:37.000 --> 2:18:41.080
<v Speaker 2>That's like killing yourself, and don't. I don't want you

2:18:41.200 --> 2:18:43.199
<v Speaker 2>killing yourself, right.

2:18:49.400 --> 2:18:51.879
<v Speaker 1>Damn, man, that was that was hard. I don't even know.

2:18:55.440 --> 2:18:55.560
<v Speaker 5>Yo.

2:18:55.720 --> 2:18:58.480
<v Speaker 3>Man once again, especial that man. We appreciate you mas

2:18:58.800 --> 2:19:01.160
<v Speaker 3>coming through man. Like I said, this is your house, man,

2:19:01.160 --> 2:19:03.359
<v Speaker 3>anytime you want to come and promote it. Man, I appreciate,

2:19:03.640 --> 2:19:07.120
<v Speaker 3>we appreciate, we appreciate you showing uh the ogs that

2:19:07.160 --> 2:19:10.560
<v Speaker 3>you can actually still maintain into this this environment. And

2:19:10.800 --> 2:19:16.320
<v Speaker 3>I really want to respect your company because that's what

2:19:16.520 --> 2:19:17.800
<v Speaker 3>artists should be taking care of artists.

2:19:17.800 --> 2:19:19.000
<v Speaker 1>From the beginning, I knew that.

2:19:19.040 --> 2:19:20.960
<v Speaker 3>I didn't know that you actually had a company that

2:19:21.160 --> 2:19:25.039
<v Speaker 3>was catering to towards that. So I knew that from

2:19:25.080 --> 2:19:28.160
<v Speaker 3>from from from the first person, I was like, Yo,

2:19:28.240 --> 2:19:30.760
<v Speaker 3>he kind of like did everything everything I asked for,

2:19:30.959 --> 2:19:31.800
<v Speaker 3>Like he already did it.

2:19:32.160 --> 2:19:33.680
<v Speaker 1>So I love that man.

2:19:33.720 --> 2:19:36.400
<v Speaker 3>I just want to continue to support you. Get all

2:19:36.480 --> 2:19:43.959
<v Speaker 3>bless this man. Like I said, give you your flowers,

2:19:44.040 --> 2:19:44.480
<v Speaker 3>my brother.

2:19:44.440 --> 2:19:46.760
<v Speaker 1>Dave Man, I appreciate it. Got that flowers.

2:19:47.600 --> 2:19:47.840
<v Speaker 2>Wow.

2:19:48.879 --> 2:19:52.680
<v Speaker 5>Drink Champs is a drink Champs LLC production and association

2:19:52.840 --> 2:19:57.160
<v Speaker 5>with Interval Presents hosts and executive producers n O r

2:19:57.240 --> 2:20:00.879
<v Speaker 5>E and d j E f N from Interval Presents

2:20:01.120 --> 2:20:04.320
<v Speaker 5>executive producers Alan Coy and Jake Kleinberg.

2:20:05.000 --> 2:20:05.800
<v Speaker 1>Listen to Drink.

2:20:05.680 --> 2:20:09.960
<v Speaker 5>Champs on Apple Podcast, Amazon Music, Spotify, or wherever you

2:20:10.120 --> 2:20:13.879
<v Speaker 5>get your podcasts. Thanks for joining us for another episode

2:20:13.920 --> 2:20:17.040
<v Speaker 5>of drink Champs hosted by Yours truly, dj EFN and

2:20:17.200 --> 2:20:19.360
<v Speaker 5>n r E. Please make sure to follow us on

2:20:19.440 --> 2:20:22.560
<v Speaker 5>all our socials. That's at Drink Champs across all platforms,

2:20:23.080 --> 2:20:27.200
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2:20:27.320 --> 2:20:31.320
<v Speaker 5>is at Who's Crazy on ig at djefn on Twitter,

2:20:31.680 --> 2:20:34.240
<v Speaker 5>and most importantly, stay up to date with the latest releases,

2:20:34.640 --> 2:20:37.800
<v Speaker 5>news and merch by going to drink champs dot com