1
00:00:01,360 --> 00:00:06,200
Speaker 1: How Fast is your I love listening to it every morning.

2
00:00:06,200 --> 00:00:08,080
Speaker 1: I like they're so funny, it just gets me going.

3
00:00:08,200 --> 00:00:11,280
Speaker 1: I love it. Guys, were amazing my mom. I walked

4
00:00:11,320 --> 00:00:17,800
Speaker 1: in and she caught me wearing her pantyhose. You are

5
00:00:17,880 --> 00:00:25,480
Speaker 1: literally my best friend. I love big black bouncy balls,

6
00:00:25,520 --> 00:00:29,320
Speaker 1: stupid strain in the morning show. So welcome to day.

7
00:00:29,360 --> 00:00:33,320
Speaker 1: It is Thursday, April. It is a serious day. We're

8
00:00:33,360 --> 00:00:37,400
Speaker 1: here to dance with you. We have an interesting show today.

9
00:00:37,560 --> 00:00:40,040
Speaker 1: It's definitely gonna take some crazy left turns and right turns.

10
00:00:40,479 --> 00:00:42,240
Speaker 1: That's that's how I like it. I know, I know.

11
00:00:42,600 --> 00:00:46,080
Speaker 1: We're never straightforward on this show. Nothing straight around here

12
00:00:46,080 --> 00:00:51,320
Speaker 1: except for well Danielle and that's an scared So welcome

13
00:00:51,360 --> 00:00:53,440
Speaker 1: to the day, Scary. You got something to start me

14
00:00:53,479 --> 00:01:17,880
Speaker 1: off with? This your mama, mama, Hey gotta get this

15
00:01:18,200 --> 00:01:22,320
Speaker 1: having money to everything? That great questions? Did you ever

16
00:01:22,400 --> 00:01:26,200
Speaker 1: pop champagne on a plane while they're dragging you down

17
00:01:26,200 --> 00:01:36,080
Speaker 1: the aisle? Have you good life? Our first caller of

18
00:01:36,120 --> 00:01:40,160
Speaker 1: the day is Gina. Gina, what is going on? Nothing much?

19
00:01:40,240 --> 00:01:42,880
Speaker 1: Just listen to you guys. Left morning and we're on.

20
00:01:42,959 --> 00:01:45,559
Speaker 1: Are we at work right now? We work at a daycare. Wow,

21
00:01:45,880 --> 00:01:47,160
Speaker 1: already up to work. You know there's a lot of

22
00:01:47,160 --> 00:01:48,920
Speaker 1: people who haven't even hit the road yet. You're one

23
00:01:48,960 --> 00:01:52,920
Speaker 1: of the early early drivers. Yes, unfortunately, but it's nice

24
00:01:52,920 --> 00:01:55,960
Speaker 1: because there's not that much traffic. No, no early bird

25
00:01:56,040 --> 00:02:03,440
Speaker 1: gets the empty high right, that's how that goes, unless

26
00:02:03,480 --> 00:02:09,600
Speaker 1: there's construction. Is that a high coup? Hey, Gina, So

27
00:02:10,200 --> 00:02:13,399
Speaker 1: you know you're closer to the weekend. It's Thursday. Yeah,

28
00:02:13,480 --> 00:02:15,600
Speaker 1: thank god? Yeah, I know. So you work in daycare.

29
00:02:15,600 --> 00:02:19,560
Speaker 1: So tell me about the kids. They're cute. They're cute

30
00:02:19,560 --> 00:02:22,480
Speaker 1: as long as um when they're napping, they're the cutest. Yeah.

31
00:02:22,600 --> 00:02:24,960
Speaker 1: Is that how it works? Are they ask someone who

32
00:02:25,000 --> 00:02:28,760
Speaker 1: doesn't have children? Are children just sticky by nature? Or

33
00:02:28,800 --> 00:02:32,680
Speaker 1: what makes them sticky? I have no idea, but they

34
00:02:32,720 --> 00:02:35,320
Speaker 1: are very, very picky. Actually I managed to kitchen there,

35
00:02:35,360 --> 00:02:37,919
Speaker 1: and let me tell you, they're they're the hardest customers

36
00:02:37,919 --> 00:02:41,600
Speaker 1: to cook for. Yeah. They're sticky and picky. They're everything

37
00:02:41,600 --> 00:02:45,000
Speaker 1: that's dicky. Yeah. Well good, and I bet you love

38
00:02:45,240 --> 00:02:47,000
Speaker 1: I bet you love them. You know, one day, you know,

39
00:02:47,040 --> 00:02:48,280
Speaker 1: this is going to freak you out a little bit.

40
00:02:48,280 --> 00:02:49,880
Speaker 1: One day, maybe twenty years from now, one of them

41
00:02:49,960 --> 00:02:51,840
Speaker 1: is going to come back and say hi, Gina. Remember

42
00:02:51,880 --> 00:02:55,640
Speaker 1: me I was as dicky iky picky, and you got

43
00:02:55,720 --> 00:02:59,359
Speaker 1: so big, so you're working towards that to make him

44
00:02:59,360 --> 00:03:02,160
Speaker 1: really like, you know, cool citizens and such. Well, Gina, look,

45
00:03:02,200 --> 00:03:03,480
Speaker 1: I want you to be our first caller of the

46
00:03:03,560 --> 00:03:06,600
Speaker 1: day and accept this Elvis Duran Morning Show shirt. Is

47
00:03:06,639 --> 00:03:10,400
Speaker 1: that cool? All right? Gina, have a great day with

48
00:03:10,440 --> 00:03:12,480
Speaker 1: the kids. You tell everyone at work we said hi.

49
00:03:12,560 --> 00:03:14,639
Speaker 1: And you're with your fiance in the car as well.

50
00:03:15,320 --> 00:03:18,920
Speaker 1: I am huh shout out, lurking in the background, not

51
00:03:19,000 --> 00:03:21,360
Speaker 1: saying very much. Is that how your relationship is to do?

52
00:03:21,400 --> 00:03:25,480
Speaker 1: You do all the talking? Yeah? Okay, well Gina, you

53
00:03:25,480 --> 00:03:26,880
Speaker 1: guys have a great day. I'm gonna send you two

54
00:03:26,880 --> 00:03:28,720
Speaker 1: shirts since the fiance is lurking back there. Hold on

55
00:03:28,800 --> 00:03:32,799
Speaker 1: a second, Okay, hold on a second. Hey, send them

56
00:03:32,840 --> 00:03:35,520
Speaker 1: some shirts. Thank you. You're rich. So let's go around

57
00:03:35,520 --> 00:03:37,520
Speaker 1: the room and get the show started. We'll start with you, Danielle.

58
00:03:37,520 --> 00:03:40,120
Speaker 1: What's up? So we have like this place called Blaze

59
00:03:40,120 --> 00:03:42,320
Speaker 1: Pizza by us, which I know they're popping up all over.

60
00:03:42,320 --> 00:03:45,040
Speaker 1: When we were in our landol, the line was around

61
00:03:45,040 --> 00:03:47,880
Speaker 1: the corner. Really, what makes Blaze Pizza so good? You

62
00:03:47,960 --> 00:03:51,520
Speaker 1: walk in, you pick your your everything, your pizza topping,

63
00:03:51,560 --> 00:03:54,080
Speaker 1: as you pick the sauce, you pick you know, even

64
00:03:54,080 --> 00:03:55,760
Speaker 1: the crush you can get the gluten free, you can

65
00:03:55,800 --> 00:03:58,680
Speaker 1: get the little part gan cheese, order extra gluten. You

66
00:03:58,760 --> 00:04:02,120
Speaker 1: could And it is just the coolest place ever. So

67
00:04:02,240 --> 00:04:04,440
Speaker 1: everybody I think has that place that they go to

68
00:04:04,560 --> 00:04:06,640
Speaker 1: that they love so much. This is our place. Whenever

69
00:04:06,680 --> 00:04:09,800
Speaker 1: I tell the kids we're going to Blaze Pizza, screams

70
00:04:09,920 --> 00:04:12,040
Speaker 1: erupt in the house. They get so excited. And last

71
00:04:12,120 --> 00:04:15,280
Speaker 1: night I had a salad pizza, which I love salad pizza.

72
00:04:15,680 --> 00:04:18,359
Speaker 1: It was new at Blaze. It was so amazing, with

73
00:04:18,360 --> 00:04:22,120
Speaker 1: like a little up a good point. I love salad

74
00:04:22,120 --> 00:04:23,880
Speaker 1: pizza too. But you bring up a good point. It

75
00:04:23,920 --> 00:04:25,520
Speaker 1: doesn't matter how old you are. There's got to be

76
00:04:25,560 --> 00:04:28,440
Speaker 1: the one place where you go, Yeah, we're going there.

77
00:04:29,760 --> 00:04:32,039
Speaker 1: Think about that place. I'm gonna I'm gonna be questioning

78
00:04:32,040 --> 00:04:34,480
Speaker 1: you all, quizzing you all in a few moments. Hey, scary,

79
00:04:34,480 --> 00:04:36,560
Speaker 1: what's up with you today? I have found that when

80
00:04:36,600 --> 00:04:39,440
Speaker 1: there's compromise in your life, there are less fights. There

81
00:04:39,440 --> 00:04:41,839
Speaker 1: are less fights. My parents, as you know, wanted to

82
00:04:41,880 --> 00:04:44,240
Speaker 1: break from traditional Easter into a barbecue and I got

83
00:04:44,240 --> 00:04:47,640
Speaker 1: into it with them a bad argument. Well, my mother said, Anthony,

84
00:04:47,680 --> 00:04:50,279
Speaker 1: even though we're gonna have spare ribs and steaks, I'm

85
00:04:50,279 --> 00:04:54,200
Speaker 1: gonna throw some eggplant parmesan just for you. So there's

86
00:04:54,360 --> 00:04:57,480
Speaker 1: there's a common ground. So and there just tired of

87
00:04:57,520 --> 00:05:00,320
Speaker 1: hearing your big Well, well, both sides are happy now.

88
00:05:00,560 --> 00:05:02,960
Speaker 1: So I think people should go into their day looking

89
00:05:03,040 --> 00:05:05,400
Speaker 1: for a compromise if they're fighting with something. Okay, you're right,

90
00:05:05,480 --> 00:05:09,279
Speaker 1: let's all look for compromise. Any what's up with you? Okay,

91
00:05:09,320 --> 00:05:12,360
Speaker 1: phones need to have a breathalyzer and a you're too

92
00:05:12,440 --> 00:05:16,280
Speaker 1: tired to text? Did you embarrass yourself last night? So

93
00:05:16,560 --> 00:05:20,320
Speaker 1: I whenever I wake up, I can't think straight for

94
00:05:20,320 --> 00:05:22,960
Speaker 1: about thirty minutes. And yesterday I took a really quick

95
00:05:23,040 --> 00:05:24,719
Speaker 1: nap in the afternoon, and then as soon as I

96
00:05:24,760 --> 00:05:28,040
Speaker 1: woke up, I started answering emails. And then about an

97
00:05:28,080 --> 00:05:30,960
Speaker 1: hour later, I didn't remember that I had answered any

98
00:05:30,960 --> 00:05:32,839
Speaker 1: of these emails, but I was getting emails back, and

99
00:05:32,839 --> 00:05:34,719
Speaker 1: I was like, I read the emails I had sent

100
00:05:34,839 --> 00:05:37,400
Speaker 1: and they were short and they were rude, and like,

101
00:05:37,560 --> 00:05:41,680
Speaker 1: that's not me. I need to not someone needs to

102
00:05:41,760 --> 00:05:43,839
Speaker 1: not let me do this. When I first wake up

103
00:05:43,839 --> 00:05:46,120
Speaker 1: from a napper in the morning, knock knock, who's there?

104
00:05:46,360 --> 00:05:49,120
Speaker 1: Multiple personality? Oh my god. So if you are first

105
00:05:49,120 --> 00:05:51,440
Speaker 1: waking up this morning, stay away from your phone. I'm

106
00:05:51,480 --> 00:05:54,120
Speaker 1: with you. Don't do anything until you have had your coffee.

107
00:05:54,240 --> 00:05:56,360
Speaker 1: I'm with you. You gotta be careful. It's like driving

108
00:05:56,360 --> 00:05:57,880
Speaker 1: a car. You don't want to be drinking and driving.

109
00:05:57,920 --> 00:06:00,440
Speaker 1: You don't gonna be tired, sluggish and texting. It's gonna

110
00:06:00,440 --> 00:06:01,600
Speaker 1: come back and bite you in the ask do you

111
00:06:01,600 --> 00:06:03,240
Speaker 1: ever send to someone an email? Do you go back

112
00:06:03,240 --> 00:06:04,680
Speaker 1: and you see the original email and you send them

113
00:06:04,680 --> 00:06:07,240
Speaker 1: another email and they're like, you already answered me. Yeah,

114
00:06:08,640 --> 00:06:13,280
Speaker 1: okay totally, and you know you didn't answer the other person. Yeah.

115
00:06:13,320 --> 00:06:16,240
Speaker 1: I don't know. It's just that's why email not not

116
00:06:16,320 --> 00:06:18,320
Speaker 1: for me. Oh. By the way, our friend Ron from

117
00:06:18,360 --> 00:06:21,599
Speaker 1: Local one Elevator Constructions is checking in. He says, Happy Thursday,

118
00:06:21,600 --> 00:06:24,159
Speaker 1: almost Friday. I'll let's get into your horse copes. Let's

119
00:06:24,240 --> 00:06:27,040
Speaker 1: roll some big numbers. Danielle, It is ty Dolla Sign's birthday.

120
00:06:27,040 --> 00:06:30,160
Speaker 1: Happy birthday to him, Capricorn. The changes around you might

121
00:06:30,160 --> 00:06:32,560
Speaker 1: make you feel uneasy. Create order out of your chaos

122
00:06:32,560 --> 00:06:35,880
Speaker 1: by settling tension your days and nine Aquarius, it's time

123
00:06:35,880 --> 00:06:38,279
Speaker 1: to step even further away from the center. You shouldn't

124
00:06:38,320 --> 00:06:40,360
Speaker 1: try to be anyone but yourself. Your day is the seven.

125
00:06:40,880 --> 00:06:43,880
Speaker 1: You've been gifted with unique quality. Use it not only

126
00:06:43,920 --> 00:06:45,640
Speaker 1: to help you, but to help others. Your day is

127
00:06:45,680 --> 00:06:48,159
Speaker 1: a ten aries. Family has been on your mind lately,

128
00:06:48,279 --> 00:06:50,839
Speaker 1: and maybe time to stay home and create wonderful memories

129
00:06:50,839 --> 00:06:52,960
Speaker 1: with your loved ones. Your day isn't eight. Soar as

130
00:06:53,000 --> 00:06:55,719
Speaker 1: a feeling of dissatisfaction has been bothering you, don't try

131
00:06:55,720 --> 00:06:57,559
Speaker 1: to fight it. You're gonna soon get back on track.

132
00:06:57,600 --> 00:07:00,640
Speaker 1: Your days of seven Gemini, don't get sidetracked self doubt

133
00:07:00,640 --> 00:07:03,279
Speaker 1: and worry. Continue on with your day without expecting outside

134
00:07:03,279 --> 00:07:05,560
Speaker 1: how Your day is a seven answer. Something is about

135
00:07:05,560 --> 00:07:07,480
Speaker 1: to shift in your professional life and may cause you

136
00:07:07,600 --> 00:07:09,920
Speaker 1: stress now, but you're gonna be thankful when it happens.

137
00:07:09,960 --> 00:07:12,640
Speaker 1: Your days at ten Leo, you've been searching for answers

138
00:07:12,640 --> 00:07:15,920
Speaker 1: to important questions. Yes you have. You'll realize you already

139
00:07:15,960 --> 00:07:18,760
Speaker 1: have the answers once you relax your days of nine, very,

140
00:07:18,960 --> 00:07:21,400
Speaker 1: don't shut off your emotions as a matter of convenience.

141
00:07:21,520 --> 00:07:24,680
Speaker 1: Change is only a value if it's lasting in your day,

142
00:07:24,720 --> 00:07:27,120
Speaker 1: isn't it, Libra, Take a risk and surprise the people

143
00:07:27,160 --> 00:07:30,440
Speaker 1: around you. Let the situations play out rather than acting impulsively.

144
00:07:30,560 --> 00:07:32,320
Speaker 1: Your day is a ten scopia. You haven't had a

145
00:07:32,320 --> 00:07:34,800
Speaker 1: clear perspective lately. Use yourself for straight in order to

146
00:07:34,800 --> 00:07:37,840
Speaker 1: work everything in your favor. Your days and eight and Sagittarius,

147
00:07:37,880 --> 00:07:40,800
Speaker 1: don't run away from your responsibilities. Remember to enjoy your

148
00:07:40,800 --> 00:07:43,080
Speaker 1: time off, but still be practical. Your days and eight

149
00:07:43,280 --> 00:07:45,800
Speaker 1: and those are your Thursday morning horoscope. Look what the

150
00:07:45,880 --> 00:07:47,920
Speaker 1: cat dragged in? Straight and Nate decided to come to

151
00:07:47,920 --> 00:07:50,560
Speaker 1: work today. I don't even have our list of guests.

152
00:07:50,600 --> 00:07:52,080
Speaker 1: I can't say who's on the show to you? Get

153
00:07:52,160 --> 00:07:55,600
Speaker 1: right here? Hand that to me, all right? Oh, our

154
00:07:55,640 --> 00:07:59,160
Speaker 1: friend Billy Porters in today. Billy Porter the original on

155
00:07:59,280 --> 00:08:03,360
Speaker 1: Broadway Kinky Boots won the award Fantastic. We gotta talk

156
00:08:03,360 --> 00:08:06,120
Speaker 1: to him. He's got some stuff to talk about. Also,

157
00:08:06,600 --> 00:08:09,320
Speaker 1: you know, it's it's it's uh, it's our pleasure to

158
00:08:09,360 --> 00:08:13,240
Speaker 1: introduce you to new artists and new music. Today we're

159
00:08:13,280 --> 00:08:17,400
Speaker 1: gonna roll the dice with our friend Travis Crowley. He

160
00:08:17,480 --> 00:08:20,440
Speaker 1: recorded a song we've never heard it. I said, are

161
00:08:20,440 --> 00:08:21,880
Speaker 1: you sure you want to play it on the air.

162
00:08:21,960 --> 00:08:24,520
Speaker 1: He said, oh yeah, let's play it. I'm like, okay, wow,

163
00:08:24,640 --> 00:08:26,960
Speaker 1: what if it's bad, It's going to be so uncomfortable.

164
00:08:27,160 --> 00:08:29,000
Speaker 1: But I'm assuming it's really good because i know he's

165
00:08:29,080 --> 00:08:30,920
Speaker 1: very talented. So we'll see what happens. He's coming in

166
00:08:31,000 --> 00:08:33,720
Speaker 1: less than an hour. So Travis Crowley, we're all rooting

167
00:08:33,760 --> 00:08:36,880
Speaker 1: for you. Travis. All right, let's get into your headlines.

168
00:08:36,920 --> 00:08:40,040
Speaker 1: What's going on? Bettany. United Airlines is still in damage

169
00:08:40,080 --> 00:08:43,440
Speaker 1: control mode. United Airlines CEO Oscar Munio has appeared on

170
00:08:43,480 --> 00:08:46,679
Speaker 1: Good Morning America and said he felt shame. He promised

171
00:08:46,720 --> 00:08:49,559
Speaker 1: that this will never happen again. The airline announced it

172
00:08:49,600 --> 00:08:52,920
Speaker 1: would refund everyone on board the flight the full price

173
00:08:53,000 --> 00:08:56,520
Speaker 1: of their tickets. Do you guys remember that incredibly sad

174
00:08:56,559 --> 00:08:58,920
Speaker 1: story from last year where a police officer in North

175
00:08:58,960 --> 00:09:02,560
Speaker 1: Miami shot the armed caretaker of a man with autism.

176
00:09:02,640 --> 00:09:05,960
Speaker 1: That police officer, Jonathan Elieda, has been charged with attempted

177
00:09:05,960 --> 00:09:10,000
Speaker 1: manslaughter and culpable negligence in the shooting up. Charles Kinsey.

178
00:09:10,320 --> 00:09:14,240
Speaker 1: Comedian Charlie Murphy has passed away. He was only fifty seven.

179
00:09:14,400 --> 00:09:16,920
Speaker 1: He was funny, He was so funny. He passed away

180
00:09:16,920 --> 00:09:19,680
Speaker 1: from leukemia. So he was the older brother of Eddie Murphy,

181
00:09:19,720 --> 00:09:22,560
Speaker 1: who appeared on Chapelle's show. He also collaborated with his

182
00:09:22,600 --> 00:09:25,280
Speaker 1: brother on the scripts for Norbit Vampire in Brooklyn. He

183
00:09:25,320 --> 00:09:27,800
Speaker 1: was a voice on the animated series The Boondocks. And

184
00:09:27,800 --> 00:09:30,720
Speaker 1: he's being remembered today, very very challenging guy fifty seven

185
00:09:30,760 --> 00:09:33,280
Speaker 1: years old. And we're looking up. How old is Eddie Murphy?

186
00:09:33,320 --> 00:09:38,160
Speaker 1: Do you know straight? Nay, fifty six? I know, So

187
00:09:38,280 --> 00:09:43,520
Speaker 1: the question are you This is your hourly reminder to

188
00:09:43,520 --> 00:09:48,439
Speaker 1: take a deep breath. And a woman brought her Bernese

189
00:09:48,480 --> 00:09:53,640
Speaker 1: Mountain dog to a convention for furries because she thought

190
00:09:53,720 --> 00:09:58,480
Speaker 1: it was about fluffy animals, not about furries. Uh So,

191
00:09:58,679 --> 00:10:01,440
Speaker 1: when the confused and was all sorted out, she went

192
00:10:01,520 --> 00:10:03,920
Speaker 1: along with it and took amazing pictures with her dog

193
00:10:04,040 --> 00:10:06,280
Speaker 1: and all of these people dressed up in giant furry

194
00:10:06,320 --> 00:10:08,400
Speaker 1: animal costumes, and it ended up being a really good thing,

195
00:10:08,600 --> 00:10:10,280
Speaker 1: a great pictures, by the way, they're awesome. They raised

196
00:10:10,280 --> 00:10:13,679
Speaker 1: about ten thousand dollars for an animal shelters there, Thank you, bet.

197
00:10:13,760 --> 00:10:16,920
Speaker 1: And see, bad things are weird things turned into great things.

198
00:10:17,400 --> 00:10:19,880
Speaker 1: Speaking of for all my fellow weirdos out there. I

199
00:10:19,920 --> 00:10:22,400
Speaker 1: sent a meme out to you on my Instagram at

200
00:10:22,440 --> 00:10:24,679
Speaker 1: Elvis Duran. I was told it from my friend, my

201
00:10:24,720 --> 00:10:28,280
Speaker 1: friend Jade, so check it out. It really will speak

202
00:10:28,280 --> 00:10:31,920
Speaker 1: to you. Ready for your day? All right, you're trying

203
00:10:31,880 --> 00:10:34,840
Speaker 1: to tricking with words. This is what you're doing, Elvis

204
00:10:34,920 --> 00:10:38,560
Speaker 1: Duran in the Morning Show. Okay. So, what's thin and

205
00:10:38,640 --> 00:10:42,200
Speaker 1: crispy and sounds as good as it tastes? The newest

206
00:10:42,280 --> 00:10:45,760
Speaker 1: chip from Ritz Rits Crispin Thins. They're amazing. If you

207
00:10:45,840 --> 00:10:49,280
Speaker 1: like potato chips, you'll love these. They're oven baked, not fried.

208
00:10:49,600 --> 00:10:52,439
Speaker 1: Perfect for hanging out with your friends. Rich Crispin Thins.

209
00:10:52,520 --> 00:10:55,720
Speaker 1: You have got to try them. Phone to every play

210
00:10:57,320 --> 00:11:01,880
Speaker 1: Elvis Elvis Duran, The Elvis Duran Phone Tap Danielle. Yes

211
00:11:02,720 --> 00:11:06,080
Speaker 1: you've been a bad girl. Yes I have, And it

212
00:11:06,160 --> 00:11:08,240
Speaker 1: comes out in the form of a phone tap. Yes,

213
00:11:08,559 --> 00:11:10,559
Speaker 1: what do you have today? So Dina wants to get

214
00:11:10,559 --> 00:11:12,960
Speaker 1: her mom. Dana works for a fast food chain and

215
00:11:13,040 --> 00:11:15,760
Speaker 1: her mom takes this job very seriously because a friend

216
00:11:15,800 --> 00:11:17,680
Speaker 1: got it for her. She hasn't one of her daughter

217
00:11:17,720 --> 00:11:19,760
Speaker 1: to mess it up. So she wants me to call

218
00:11:19,800 --> 00:11:21,520
Speaker 1: her mom and tell her mom that she's been giving

219
00:11:21,559 --> 00:11:23,559
Speaker 1: free food to her friends. All right, here we go,

220
00:11:23,640 --> 00:11:31,960
Speaker 1: let's see what happens on today's phone. Tap Hello mom? Yeah, um,

221
00:11:32,000 --> 00:11:34,080
Speaker 1: I got in trouble at work. What do you mean

222
00:11:34,120 --> 00:11:36,800
Speaker 1: you've got in trouble? What happens? I was getting food

223
00:11:36,800 --> 00:11:41,600
Speaker 1: to my friends and she caught me on the video camera.

224
00:11:42,160 --> 00:11:45,160
Speaker 1: You were whoa? You were giving food? Like free food

225
00:11:45,240 --> 00:11:48,840
Speaker 1: you're giving. We look each other up. We're friends. Everybody doesn't.

226
00:11:48,920 --> 00:11:52,559
Speaker 1: We've never had a problem with what's your shad? What

227
00:11:52,720 --> 00:11:55,280
Speaker 1: is your thinking? I can get food to my friends.

228
00:11:55,360 --> 00:11:58,199
Speaker 1: It's like if everybody does it, it's not you have

229
00:11:58,760 --> 00:12:01,720
Speaker 1: to stop and listen to yourself. We'll just say that's

230
00:12:01,720 --> 00:12:04,640
Speaker 1: how they make their money. For adopted high school kids

231
00:12:04,960 --> 00:12:10,320
Speaker 1: getting away to make any food they're Cheeseburgers are like

232
00:12:10,360 --> 00:12:14,960
Speaker 1: thirteen cents to make or something. Hey, listening to you,

233
00:12:15,440 --> 00:12:17,360
Speaker 1: I don't care if it's two cents, it's not your

234
00:12:17,440 --> 00:12:20,240
Speaker 1: two cents. What you think doesn't walk? You think he

235
00:12:20,360 --> 00:12:22,959
Speaker 1: gives away free cheeses when his buddy Walt walks in,

236
00:12:23,720 --> 00:12:28,640
Speaker 1: what's the team cheeseburger? Joe and stought you that job?

237
00:12:28,880 --> 00:12:30,800
Speaker 1: What am I gonna say to joean Oh? That's right.

238
00:12:30,880 --> 00:12:33,160
Speaker 1: My daughter went down there and started giving away free food.

239
00:12:33,400 --> 00:12:36,520
Speaker 1: Real night can say that my friends are hungry and

240
00:12:36,559 --> 00:12:40,400
Speaker 1: they need some food, then time to go damn grocery

241
00:12:40,520 --> 00:12:42,800
Speaker 1: store if they're hungry. And let me tell you something

242
00:12:42,880 --> 00:12:48,520
Speaker 1: right now, you cursonally, one more damn time. Hold on,

243
00:12:48,559 --> 00:12:52,920
Speaker 1: hold on. The man just coming into the room. I'm

244
00:12:52,920 --> 00:12:56,120
Speaker 1: not paying a penny. Excuse me, what did you just say?

245
00:12:56,679 --> 00:12:58,720
Speaker 1: You can fire me. I don't want this job anymore.

246
00:12:59,480 --> 00:13:07,640
Speaker 1: It's stop. Hey, your damn mouth on. My mom wants

247
00:13:07,679 --> 00:13:12,320
Speaker 1: to talk to you. This is Margaret. Hi, Margaret. You

248
00:13:12,360 --> 00:13:15,120
Speaker 1: know I'm just sitting here listening to everything that's going on.

249
00:13:15,559 --> 00:13:20,680
Speaker 1: I am profusely embarrassed by my daughter's behavior. Do you

250
00:13:20,720 --> 00:13:23,360
Speaker 1: know how long she's been stealing from us? The first

251
00:13:23,360 --> 00:13:26,080
Speaker 1: thing I have on record here was a small French

252
00:13:26,120 --> 00:13:28,560
Speaker 1: fry back in June. She gave to one of her

253
00:13:28,600 --> 00:13:33,319
Speaker 1: girlfriends a small French fry. That's not true. That's what's true. Hi,

254
00:13:33,679 --> 00:13:36,360
Speaker 1: Ignore her and tell me what we can do, because

255
00:13:36,360 --> 00:13:43,600
Speaker 1: this is what I want you bastards right. Hello, Hello,

256
00:13:44,600 --> 00:13:47,120
Speaker 1: I'm so sorry. I don't need to be swearing. I'm

257
00:13:47,160 --> 00:13:50,640
Speaker 1: I raised my children to be honest and not taking.

258
00:13:50,760 --> 00:13:52,960
Speaker 1: This is very, very upsetting to me. You have to

259
00:13:53,040 --> 00:13:55,439
Speaker 1: understand that my husband and I don't believe in this way.

260
00:13:55,480 --> 00:13:57,440
Speaker 1: We don't be taking I understand what I'm really I'm

261
00:13:57,480 --> 00:13:59,680
Speaker 1: just trying to explain to you away if she wants

262
00:13:59,679 --> 00:14:04,839
Speaker 1: stop manterrupting me. She gave away a pancake, breakfast, sausage, bacon,

263
00:14:04,920 --> 00:14:07,600
Speaker 1: and scrambled eggs. Oh my gosh, I know I was

264
00:14:07,679 --> 00:14:10,480
Speaker 1: really hungry that day. When my husband and I get

265
00:14:10,480 --> 00:14:13,880
Speaker 1: a hold to her tonight, you won't see a different

266
00:14:13,920 --> 00:14:18,480
Speaker 1: person and this will never happen again. Dan, your mom

267
00:14:18,520 --> 00:14:22,000
Speaker 1: wants me to give you a second chance. No, no,

268
00:14:22,120 --> 00:14:30,400
Speaker 1: I don't want to work here anymore. Her on the phone, Okay,

269
00:14:30,400 --> 00:14:33,560
Speaker 1: hold on day night, your mom wants you again. You

270
00:14:33,720 --> 00:14:36,120
Speaker 1: tell us my mom thinks it's a good idea if

271
00:14:36,160 --> 00:14:38,160
Speaker 1: I just go home. When we talk about do you mean?

272
00:14:38,320 --> 00:14:41,520
Speaker 1: You better say that right now? So I don't want

273
00:14:41,520 --> 00:14:44,160
Speaker 1: to work here anymore. This place is war ball. It's okay,

274
00:14:44,520 --> 00:14:47,080
Speaker 1: there's no way you're getting a second chance now. So

275
00:14:47,360 --> 00:14:48,840
Speaker 1: you can just leave your hat and you can what

276
00:14:48,920 --> 00:14:52,080
Speaker 1: do you think you're trying to stay this whole time? Enough?

277
00:14:52,280 --> 00:14:56,640
Speaker 1: I want to when you come home, walk my words.

278
00:14:56,720 --> 00:14:58,880
Speaker 1: You were going to regret this. I'm walking on I'm

279
00:14:58,880 --> 00:15:03,800
Speaker 1: not walking to my car. Car, Okay, enjoy your car

280
00:15:03,960 --> 00:15:07,200
Speaker 1: for the last time. Smell it. Enjoyed because it's going

281
00:15:07,240 --> 00:15:10,960
Speaker 1: to be the last time you're driving it. Get used

282
00:15:11,000 --> 00:15:14,080
Speaker 1: to it. Do you understand me? Yeah? I can hear you.

283
00:15:14,080 --> 00:15:17,040
Speaker 1: You're screaming. You're screaming in my ears. But you don't

284
00:15:17,040 --> 00:15:20,440
Speaker 1: think because you're seventeen and her brains that's why. No,

285
00:15:20,560 --> 00:15:23,280
Speaker 1: she doesn't. She's just phone tapping you. What are you

286
00:15:23,360 --> 00:15:26,240
Speaker 1: talking about? This is Danielle Narrow from Elvis Durand in

287
00:15:26,280 --> 00:15:29,440
Speaker 1: the Morning Show, and you just got phone tapped. Yeah,

288
00:15:29,560 --> 00:15:32,000
Speaker 1: she still has her job. She didn't give free food

289
00:15:32,000 --> 00:15:45,360
Speaker 1: to her friends. Phone tap. Have an idea for a

290
00:15:45,360 --> 00:15:47,680
Speaker 1: phone tab? Go to Elvis Duran dot com, click on

291
00:15:47,720 --> 00:15:49,720
Speaker 1: the phone tap tab. Tell us what you want to do.

292
00:15:50,200 --> 00:15:52,960
Speaker 1: This phone tab was prerecorded with permission granted by all

293
00:15:52,960 --> 00:15:57,000
Speaker 1: of our two Space Elvis Duran phone tab were on

294
00:15:58,040 --> 00:16:05,960
Speaker 1: at the morning I'm so happy, Yeah, Zo Elvis Duran

295
00:16:06,080 --> 00:16:10,560
Speaker 1: in the Morning Show. Hey, you never know. You never

296
00:16:10,640 --> 00:16:13,240
Speaker 1: know if your song is gonna be a hit or not.

297
00:16:13,800 --> 00:16:15,960
Speaker 1: You know, we're gonna find out. Our friend Travis Crowley's

298
00:16:15,960 --> 00:16:18,160
Speaker 1: coming in. He's a song we've never heard before. We're

299
00:16:18,160 --> 00:16:21,240
Speaker 1: just gonna play it. You don't know, but you gotta

300
00:16:21,320 --> 00:16:24,880
Speaker 1: take that leap of faith, you know. My friend Leon

301
00:16:24,960 --> 00:16:29,640
Speaker 1: else he actually put something on Instagram yesterday. Hold on,

302
00:16:29,680 --> 00:16:31,760
Speaker 1: let me read this to you. It really is great advice.

303
00:16:31,800 --> 00:16:38,440
Speaker 1: Are you ready? Yeah, forget the risk and take the fall.

304
00:16:39,560 --> 00:16:41,760
Speaker 1: If it's what you want, then it's worth at all.

305
00:16:43,360 --> 00:16:46,000
Speaker 1: Sometimes you're gonna take the fall. Yeah, if it's worth

306
00:16:46,000 --> 00:16:48,280
Speaker 1: it for you, you got to take a chance. Come on, great,

307
00:16:48,440 --> 00:16:50,640
Speaker 1: take a chance. I hear you, man, you gotta roll

308
00:16:50,720 --> 00:16:52,400
Speaker 1: with it. I hear you. Out of everyone on the show,

309
00:16:52,440 --> 00:16:54,840
Speaker 1: you are the least likely to take a chance. I

310
00:16:54,920 --> 00:16:57,280
Speaker 1: have too much to risk. I I cannot. Well, I know,

311
00:16:57,360 --> 00:16:59,920
Speaker 1: but he's saying it's worth the risk because it's been

312
00:17:00,040 --> 00:17:02,160
Speaker 1: because when it pays off, it pays off even bigger.

313
00:17:02,360 --> 00:17:04,920
Speaker 1: I've heard about all of these things, and I agree

314
00:17:05,040 --> 00:17:08,200
Speaker 1: you should. If it's if it works in your time

315
00:17:08,280 --> 00:17:10,800
Speaker 1: of life, where you're at, in your space, that that

316
00:17:10,880 --> 00:17:13,520
Speaker 1: it would see you're full of doubt. Here's we just

317
00:17:13,560 --> 00:17:16,440
Speaker 1: didn't work for I have a friend and hear me out,

318
00:17:16,480 --> 00:17:19,000
Speaker 1: and we all have a friend that does this. You'll say, hey,

319
00:17:19,000 --> 00:17:21,200
Speaker 1: why don't we get together this Saturday for a picnic

320
00:17:21,200 --> 00:17:23,800
Speaker 1: at Central Park. The first thing out of his mouth

321
00:17:23,920 --> 00:17:27,080
Speaker 1: will be, oh, but it may rain. What if it rains?

322
00:17:28,119 --> 00:17:36,480
Speaker 1: Really mean, he totally ruins everything just by saying no,

323
00:17:36,880 --> 00:17:39,119
Speaker 1: what if it rains? And it's maddening to try to

324
00:17:39,119 --> 00:17:42,040
Speaker 1: get through to those people because you just can't. You

325
00:17:42,080 --> 00:17:47,320
Speaker 1: gotta have a positive. Don't very envious of those that

326
00:17:47,440 --> 00:17:49,280
Speaker 1: just get up and you know, attack it and they

327
00:17:49,320 --> 00:17:51,879
Speaker 1: want it and they go after it. I mean, it's fantastic.

328
00:17:51,920 --> 00:17:54,239
Speaker 1: I preached everybody go do it. But that doesn't mean

329
00:17:54,280 --> 00:17:58,119
Speaker 1: that they're not terrified. They're not really any different from you.

330
00:17:58,160 --> 00:18:00,320
Speaker 1: They're just like, well, screw it, I gotta do it.

331
00:18:00,440 --> 00:18:01,920
Speaker 1: Things just have to I think they have to play

332
00:18:01,960 --> 00:18:04,159
Speaker 1: out perfectly in that time of your life for you

333
00:18:04,200 --> 00:18:06,240
Speaker 1: to go do not Well, how often do you thinks

334
00:18:06,280 --> 00:18:11,080
Speaker 1: go perfectly? You know? My favorite question is the most

335
00:18:11,080 --> 00:18:13,560
Speaker 1: simple of questions, like, what is the worst that can happen?

336
00:18:14,520 --> 00:18:17,320
Speaker 1: All right, you end up on no, no, okay, we're

337
00:18:17,320 --> 00:18:20,439
Speaker 1: planning a picnic for this, you end up on the street, Elvis,

338
00:18:20,720 --> 00:18:22,760
Speaker 1: you can die. What's the worst that could happen? When

339
00:18:22,760 --> 00:18:25,480
Speaker 1: it may rain. Okay, then we'll go sit in a restaurant.

340
00:18:28,000 --> 00:18:30,520
Speaker 1: What do you think that could be pretty bad? You

341
00:18:30,520 --> 00:18:33,160
Speaker 1: can get beast things you don't want the beastings. Oh

342
00:18:33,359 --> 00:18:39,640
Speaker 1: really you could? You're such a negative Nelly Boison, Ivy Muggings.

343
00:18:39,760 --> 00:18:43,240
Speaker 1: Let's go talk to Ron. Hey, right right, but you

344
00:18:43,320 --> 00:18:49,680
Speaker 1: know muggies are ramping and picnics. Hey, Ron, how are you? Hey?

345
00:18:50,160 --> 00:18:52,600
Speaker 1: What's going on? I'm trying to get great tea and

346
00:18:52,640 --> 00:18:54,880
Speaker 1: everyone to understand sometimes you gotta take chances in life

347
00:18:54,920 --> 00:18:58,040
Speaker 1: because the payoff is always sweeter if there is a

348
00:18:58,040 --> 00:19:01,600
Speaker 1: positive outcome. So what's going on with you? Ron? Nothing much? Man?

349
00:19:01,640 --> 00:19:03,280
Speaker 1: I really wanted to call in and say thank you

350
00:19:03,359 --> 00:19:06,439
Speaker 1: to great team. Man. Every morning it's like clockwork five o'clock.

351
00:19:06,480 --> 00:19:09,120
Speaker 1: I'm listening to him. I'm battling in to get into

352
00:19:09,119 --> 00:19:11,879
Speaker 1: New York City to build elevators, and then I arrive

353
00:19:11,960 --> 00:19:14,960
Speaker 1: on site exactly when you come on, Elvis, and then

354
00:19:15,280 --> 00:19:17,560
Speaker 1: I can never fall asleep because I'm listening to you

355
00:19:17,640 --> 00:19:20,920
Speaker 1: too much. So say you helped me stay awake? Well good?

356
00:19:20,920 --> 00:19:22,960
Speaker 1: If you're building elevators, we'd like you to stay away.

357
00:19:25,240 --> 00:19:29,600
Speaker 1: It's a positive it really, you know what? Here's here's

358
00:19:29,600 --> 00:19:32,040
Speaker 1: a question for you. Let's say you install an elevator

359
00:19:32,080 --> 00:19:35,760
Speaker 1: in a fifty story building. Okay, sure, are you right now?

360
00:19:35,800 --> 00:19:38,199
Speaker 1: Do you guys run it before anyone rides on it

361
00:19:38,280 --> 00:19:41,119
Speaker 1: or you just get on it and go. No? Absolutely,

362
00:19:41,160 --> 00:19:43,280
Speaker 1: that thing goes through numerous inspections before we have the

363
00:19:43,320 --> 00:19:46,560
Speaker 1: opportunity to ride it before it's You put a new

364
00:19:46,680 --> 00:19:49,320
Speaker 1: uh roto coaster at a six flags, they roll it,

365
00:19:49,359 --> 00:19:52,320
Speaker 1: they run it until But so when you are the

366
00:19:52,560 --> 00:19:54,680
Speaker 1: have you ever been the first person to ride an elevator?

367
00:19:55,280 --> 00:19:57,760
Speaker 1: I have absolutely. As a constructor, we build it and

368
00:19:57,800 --> 00:19:59,600
Speaker 1: we're the first ones to run it. Now, do you

369
00:19:59,680 --> 00:20:03,240
Speaker 1: ever get just like a split second, first plit second,

370
00:20:03,280 --> 00:20:05,960
Speaker 1: a little nervous getting on the elevator for the very

371
00:20:05,960 --> 00:20:07,880
Speaker 1: first time in writing it up fifty fours and down

372
00:20:07,880 --> 00:20:10,520
Speaker 1: fifty floors, be very honest. Since I build it, no,

373
00:20:10,880 --> 00:20:12,879
Speaker 1: I know that there's so many safeties that are in

374
00:20:13,000 --> 00:20:15,960
Speaker 1: place that it's the safest thing. It's the safest transportation

375
00:20:15,960 --> 00:20:19,440
Speaker 1: to ride. Okay, Rod, does the elevator come faster if

376
00:20:19,440 --> 00:20:23,320
Speaker 1: we push the button a lot? And believe it or not,

377
00:20:23,840 --> 00:20:29,600
Speaker 1: the clothes button on an elevator does not work. Hold on,

378
00:20:29,840 --> 00:20:31,840
Speaker 1: Hold on, hold on, now, why do you have a

379
00:20:31,920 --> 00:20:34,560
Speaker 1: closed door button on the elevator if it doesn't work?

380
00:20:35,119 --> 00:20:38,560
Speaker 1: Because that is strictly man for independent operations. When you

381
00:20:38,600 --> 00:20:43,639
Speaker 1: have it on manual like manual, absolutely got you. I

382
00:20:43,680 --> 00:20:46,320
Speaker 1: got another question? What I've heard people say that when

383
00:20:46,320 --> 00:20:48,080
Speaker 1: you get in, like so, you get in on the

384
00:20:48,080 --> 00:20:50,520
Speaker 1: floor and you want to go all the way to

385
00:20:50,520 --> 00:20:53,119
Speaker 1: the bottom, that if you hold the door close button

386
00:20:53,280 --> 00:20:55,400
Speaker 1: all the way down, it won't open for other floors.

387
00:20:56,400 --> 00:21:01,160
Speaker 1: Not true. Note though I love elevator rumors. Okay, no, really,

388
00:21:01,280 --> 00:21:04,040
Speaker 1: more elevator questions. I want to know. Okay, if you

389
00:21:04,080 --> 00:21:06,480
Speaker 1: were to ride the elevator all the way down and

390
00:21:06,520 --> 00:21:09,760
Speaker 1: then right before it hits the first floor, you jump,

391
00:21:10,200 --> 00:21:12,840
Speaker 1: Will you fall? Will you fall faster? Will you float?

392
00:21:12,960 --> 00:21:14,880
Speaker 1: Is there anything that happens? Do you hit your head

393
00:21:14,880 --> 00:21:17,879
Speaker 1: on the elevator? Not? You have no idea the amount

394
00:21:17,880 --> 00:21:19,760
Speaker 1: of weight that things meant to handle, So you jump

395
00:21:19,800 --> 00:21:22,240
Speaker 1: in and stopping it's just gonna make you feel like

396
00:21:22,320 --> 00:21:24,720
Speaker 1: you did. Somebody's sure you didn't. Okay. I read this

397
00:21:24,800 --> 00:21:28,320
Speaker 1: the other day. If an elevator is plummeting to the ground,

398
00:21:28,840 --> 00:21:33,120
Speaker 1: to the earth, that if you that when it hits

399
00:21:33,160 --> 00:21:36,119
Speaker 1: the bottom your organs will continue to go down and

400
00:21:36,119 --> 00:21:39,000
Speaker 1: it will like rip them from there, from there whatever

401
00:21:39,160 --> 00:21:41,480
Speaker 1: their chassis inside your body. So they say the best

402
00:21:41,480 --> 00:21:43,440
Speaker 1: thing to do if your elevators on a free fall

403
00:21:43,720 --> 00:21:46,399
Speaker 1: is to lie down so you equally distribute all of

404
00:21:46,520 --> 00:21:51,560
Speaker 1: the organs on the floor. Is this true to say, Elvis?

405
00:21:51,640 --> 00:21:54,000
Speaker 1: I have never had to put that to the test,

406
00:21:54,119 --> 00:21:56,280
Speaker 1: but it sounds about right. My friends. You know, I

407
00:21:56,320 --> 00:21:57,840
Speaker 1: read that there was an article the day it was

408
00:21:57,880 --> 00:21:59,920
Speaker 1: called the Worst Ways to Die, and one of the

409
00:22:00,200 --> 00:22:04,760
Speaker 1: was a plummeting elevator. Ron sex, God, leave them a

410
00:22:04,840 --> 00:22:08,280
Speaker 1: sex question? Have you seen videos of people having sex

411
00:22:08,280 --> 00:22:11,960
Speaker 1: and elevators? You know what, I have no access to

412
00:22:12,000 --> 00:22:17,520
Speaker 1: the camera. He's not installs all right? Thank you, Ron? Listen,

413
00:22:17,560 --> 00:22:20,240
Speaker 1: tell everyone, tell everyone in the job to be careful today.

414
00:22:20,280 --> 00:22:22,600
Speaker 1: And you know, you know, installing elevators it has its

415
00:22:22,680 --> 00:22:25,719
Speaker 1: ups and downs, it does, my friend, Elvis, Is there

416
00:22:25,760 --> 00:22:28,040
Speaker 1: anyway I can get a start from you guys? Absolutely?

417
00:22:28,520 --> 00:22:34,679
Speaker 1: Or people always put them? Are people always pushing your buttons? Question?

418
00:22:36,000 --> 00:22:38,480
Speaker 1: Can I slide down the cables of the elevator shaft

419
00:22:38,520 --> 00:22:42,359
Speaker 1: like in the movies? Absolutely? Not not recommended, my friend.

420
00:22:44,240 --> 00:22:49,560
Speaker 1: Thank you, Ron, have a great day on the elevators safer.

421
00:22:49,800 --> 00:22:57,240
Speaker 1: The safest mode of transportation is the elevators. A lot

422
00:22:57,280 --> 00:23:03,280
Speaker 1: of fun would movie with the elevators. The first Yeah,

423
00:23:06,240 --> 00:23:28,800
Speaker 1: don't have a well to read when I'm going down.

424
00:23:29,960 --> 00:23:36,760
Speaker 1: So there you go. Thank you Ron for calling and

425
00:23:36,880 --> 00:23:39,679
Speaker 1: enlightening us all the world of elevators. You know, elevators,

426
00:23:39,680 --> 00:23:42,800
Speaker 1: it's it's like radio morning shows. They're always there. They're

427
00:23:42,880 --> 00:23:44,720
Speaker 1: very important to you, but you just gotta take them

428
00:23:44,720 --> 00:23:49,359
Speaker 1: for granted. I always taken in from the perspective of

429
00:23:49,440 --> 00:23:54,440
Speaker 1: bax my Schnauzer. Doors open, he walks into a hallway,

430
00:23:54,520 --> 00:23:57,080
Speaker 1: the doors closed, the doors open, and he's somewhere else,

431
00:24:00,040 --> 00:24:03,240
Speaker 1: like we're wait, hold on a second. There was a

432
00:24:03,359 --> 00:24:06,760
Speaker 1: hallway outside those doors, and now the doors opening, it's

433
00:24:06,800 --> 00:24:10,639
Speaker 1: a lobby. He's like, no way, magic doors. He's clearly

434
00:24:10,640 --> 00:24:13,119
Speaker 1: a city dog because I took him outside yesterday to

435
00:24:13,119 --> 00:24:15,440
Speaker 1: go get coffee, and when we went into the hallway,

436
00:24:15,720 --> 00:24:17,800
Speaker 1: he saw an elevator door and went right for it

437
00:24:17,800 --> 00:24:20,800
Speaker 1: because he loves the elevator an exciting experience. Max loves

438
00:24:20,800 --> 00:24:23,119
Speaker 1: his elevator. What's scary now if you get if you

439
00:24:23,160 --> 00:24:25,760
Speaker 1: actually give birtha an elevator, are you obligated to name

440
00:24:25,800 --> 00:24:29,600
Speaker 1: your child otis. I don't know. Let's let's check that out,

441
00:24:29,680 --> 00:24:36,600
Speaker 1: all right, Let's get into uh, he thinks it's hilarious.

442
00:24:42,160 --> 00:24:44,680
Speaker 1: Let's get into the Danielle report. So Jude Law will

443
00:24:44,720 --> 00:24:47,000
Speaker 1: be playing the young version of Dumbledore and this z

444
00:24:47,000 --> 00:24:49,320
Speaker 1: Equal and Fantastic Beasts and where to find them. He

445
00:24:49,400 --> 00:24:51,760
Speaker 1: will have a storyline with Johnny Depp, who will be

446
00:24:51,800 --> 00:24:54,040
Speaker 1: in the movie as well. There's a new trailer for

447
00:24:54,080 --> 00:24:58,000
Speaker 1: Transformers the last night the movie comes out. The thriller

448
00:24:58,160 --> 00:25:01,840
Speaker 1: is like crazy, It's like something you wouldn't expect. So

449
00:25:01,960 --> 00:25:03,280
Speaker 1: check it out. We're gonna put it up for you

450
00:25:03,359 --> 00:25:08,080
Speaker 1: later on today at Elvis Duram dot com. Shia la

451
00:25:08,119 --> 00:25:11,199
Speaker 1: Buff's next publicity stunt is all set. He will be

452
00:25:11,240 --> 00:25:13,639
Speaker 1: living alone in a cabin next month, and two of

453
00:25:13,640 --> 00:25:15,080
Speaker 1: his other friends are going to be doing it as

454
00:25:15,119 --> 00:25:19,280
Speaker 1: well in other cabins. It's called hashtag Alone Together. The

455
00:25:19,359 --> 00:25:21,880
Speaker 1: cabin is in Finland and the only contact he will

456
00:25:21,880 --> 00:25:25,040
Speaker 1: have with the outside world is text messages with visitors

457
00:25:25,040 --> 00:25:27,440
Speaker 1: that are going to this certain museum. Can I tell

458
00:25:27,480 --> 00:25:29,320
Speaker 1: you I have a friend who fully believes that the

459
00:25:29,320 --> 00:25:32,160
Speaker 1: Illuminati is real, and he believes that shy La buff

460
00:25:32,200 --> 00:25:34,359
Speaker 1: is trying to get out of the Illuminati, and the

461
00:25:34,400 --> 00:25:36,679
Speaker 1: only way he can do it is by acting insane.

462
00:25:36,840 --> 00:25:40,160
Speaker 1: Samiallminati wants to distance themselves from Oh My God. Back

463
00:25:40,200 --> 00:25:42,760
Speaker 1: to Okay, Lord's new album, she says it will be

464
00:25:42,800 --> 00:25:46,359
Speaker 1: a mellow it will be melodrama concept. It's a concept album,

465
00:25:46,680 --> 00:25:49,920
Speaker 1: and she said that it will basically be revolving around

466
00:25:50,040 --> 00:25:53,040
Speaker 1: a single house party, so it'll kind of take you

467
00:25:53,080 --> 00:25:55,600
Speaker 1: through a journey the entire album. The album actually comes

468
00:25:55,600 --> 00:25:58,359
Speaker 1: out June six, so get ready for that new Lord.

469
00:25:58,720 --> 00:26:01,800
Speaker 1: So Ringo Star is talking about the Beatles and Justin Bieber.

470
00:26:01,880 --> 00:26:04,760
Speaker 1: Now he's been those Justin bieberly likes him. They said,

471
00:26:04,920 --> 00:26:07,160
Speaker 1: do you think Justin Bieber is as big as the Beatles?

472
00:26:07,160 --> 00:26:10,240
Speaker 1: And Ringo's answer was Justin would open for the Beatles,

473
00:26:11,960 --> 00:26:14,280
Speaker 1: which I kind of agree with. Don't you agree with that? Yeah?

474
00:26:14,400 --> 00:26:17,840
Speaker 1: I mean who hasn't open for the Beatles? Okay, Tonight

475
00:26:17,960 --> 00:26:20,320
Speaker 1: is Shawn the Thursdays to get Ready. It's also the

476
00:26:20,440 --> 00:26:24,359
Speaker 1: one hundredth episode of Scandal Tonight, and next time we

477
00:26:24,400 --> 00:26:27,160
Speaker 1: got to talk about Chance the rapper. What's he doing

478
00:26:27,200 --> 00:26:30,400
Speaker 1: to celebrate his twenty four birthday? Huh, I still haven't

479
00:26:30,440 --> 00:26:36,160
Speaker 1: had him on the show. Let's go on the show. Hello. Okay,

480
00:26:36,200 --> 00:26:38,879
Speaker 1: so I know this is awful, this is morbid. But

481
00:26:38,920 --> 00:26:40,359
Speaker 1: there was this article I saw the other day that

482
00:26:40,400 --> 00:26:43,240
Speaker 1: I just mentioned in the elevator conversation with Ron, the

483
00:26:43,280 --> 00:26:45,679
Speaker 1: Worst Ways to Die, and one of them is in

484
00:26:45,680 --> 00:26:48,399
Speaker 1: a plummeting elevator. Have you ever played the game Worst

485
00:26:48,400 --> 00:26:50,879
Speaker 1: Ways to Die on your you downloaded on your phone.

486
00:26:50,920 --> 00:26:54,200
Speaker 1: It's so much fun. Is fun about playing you? It's

487
00:26:54,240 --> 00:26:56,240
Speaker 1: a game where you have to avoid all these little

488
00:26:56,240 --> 00:26:58,960
Speaker 1: ways to die and it's it's my kids love this game.

489
00:26:59,080 --> 00:27:01,400
Speaker 1: Oh my god, it's a awesome gamel on. What straight

490
00:27:01,480 --> 00:27:07,400
Speaker 1: name being swallowed by a whale? I think being hit

491
00:27:07,440 --> 00:27:09,640
Speaker 1: by a train is in the game. There's another one

492
00:27:09,680 --> 00:27:13,160
Speaker 1: falling through a hole that goes all the way through

493
00:27:13,200 --> 00:27:15,840
Speaker 1: the core of the earth. It's not even a thing

494
00:27:15,880 --> 00:27:18,520
Speaker 1: that could happen that, I don't know. Why don't you

495
00:27:18,560 --> 00:27:21,800
Speaker 1: free your mindhole? Like a huge sinkhole comes and sucks

496
00:27:21,800 --> 00:27:24,639
Speaker 1: you up. Decapitation would be pretty bad. It's possible to

497
00:27:24,640 --> 00:27:31,560
Speaker 1: die from magnetism, okay, shock wave from a meteor. That

498
00:27:31,600 --> 00:27:35,280
Speaker 1: could happen. That could happen. Do you know Every once

499
00:27:35,320 --> 00:27:38,000
Speaker 1: in a while a story will come out. Hey, last week,

500
00:27:38,040 --> 00:27:40,800
Speaker 1: we were this close to being hit by a meteor. Yeah,

501
00:27:40,920 --> 00:27:43,119
Speaker 1: no one told us so that we wouldn't worry about it. Well, no,

502
00:27:43,320 --> 00:27:46,000
Speaker 1: I'm like, don't day rockets that'll take it down like

503
00:27:46,040 --> 00:27:50,640
Speaker 1: the Bruce Willis movie. Yes can't. They can't. They take

504
00:27:50,680 --> 00:27:54,480
Speaker 1: another meteor and put it out of orbit and make

505
00:27:54,560 --> 00:27:57,639
Speaker 1: it fall into the pathway of the other meteor like

506
00:27:57,680 --> 00:28:01,040
Speaker 1: a giant game of pool. It just exactly corner pocket.

507
00:28:02,000 --> 00:28:05,399
Speaker 1: It just seems logical. Scar. A lot of texts are

508
00:28:05,400 --> 00:28:08,400
Speaker 1: coming in saying, in an airplane without a parachute, regardless

509
00:28:08,440 --> 00:28:11,720
Speaker 1: of altitude, you can theoretically survive if you land perfectly flat,

510
00:28:11,840 --> 00:28:14,200
Speaker 1: backside down. Okay, keep in mind, next time you fall

511
00:28:14,200 --> 00:28:15,359
Speaker 1: out of a plane and they drag you out of

512
00:28:15,359 --> 00:28:18,520
Speaker 1: a plane and push you out, lie on the ground

513
00:28:18,720 --> 00:28:22,200
Speaker 1: flat side on your back, and your chances of surviving

514
00:28:22,240 --> 00:28:24,840
Speaker 1: are greater. Uh. Swimming in the deepest part of the

515
00:28:24,840 --> 00:28:27,160
Speaker 1: ocean will implode your organs and turn you into fish

516
00:28:27,200 --> 00:28:29,880
Speaker 1: food because the pressure is sold large. But there's also

517
00:28:29,960 --> 00:28:34,960
Speaker 1: this thing. There's the bone eating plant that's eating It's

518
00:28:34,960 --> 00:28:38,120
Speaker 1: called the bone eating snot flower, which is what we

519
00:28:38,200 --> 00:28:43,280
Speaker 1: call Greg dad. What happens is it'll eat your bones,

520
00:28:44,160 --> 00:28:48,680
Speaker 1: the bone eating snot flower. So that's that's waiting for

521
00:28:48,720 --> 00:28:50,520
Speaker 1: you at the bottom of the ocean. So like while

522
00:28:50,560 --> 00:28:53,880
Speaker 1: you're a huge like while you're alive, I don't think

523
00:28:53,880 --> 00:28:56,360
Speaker 1: I don't think you'll survive that far down in the ocean.

524
00:28:56,400 --> 00:28:58,880
Speaker 1: But once you are done, they'll the bone eating snot

525
00:28:58,920 --> 00:29:01,840
Speaker 1: flower will eat you. Or or don't leave your hand

526
00:29:01,840 --> 00:29:07,520
Speaker 1: in a particle accelerator. A scientist actor actually suffered some

527
00:29:07,560 --> 00:29:10,080
Speaker 1: awful injuries. These are the worst ways to die. But

528
00:29:10,120 --> 00:29:12,640
Speaker 1: they say once again, if your elevators plummeting to the ground,

529
00:29:12,840 --> 00:29:15,040
Speaker 1: light down, flat on your back, so we'll evenly distribute

530
00:29:15,040 --> 00:29:16,640
Speaker 1: all of your organs on your body. All right, have

531
00:29:16,720 --> 00:29:22,200
Speaker 1: a nice day call us. You guys are only going

532
00:29:22,280 --> 00:29:31,240
Speaker 1: to keep your way throughout the day literally alive. Thank

533
00:29:31,240 --> 00:29:37,640
Speaker 1: you for listening. Elvis Duran in the Morning Ship, Elvis

534
00:29:37,680 --> 00:29:43,080
Speaker 1: Duran in the Morning Show. I love singing, don't we all? Now?

535
00:29:43,120 --> 00:29:48,160
Speaker 1: Can you imagine you wrote a song, you recorded it,

536
00:29:48,520 --> 00:29:51,360
Speaker 1: and you came into this show and you played it

537
00:29:51,400 --> 00:29:55,080
Speaker 1: for the world to hear. Yeah, you can't imagine. Would

538
00:29:55,120 --> 00:30:00,680
Speaker 1: you be a little nervous, very nervous. All right, so

539
00:30:01,360 --> 00:30:05,400
Speaker 1: our friend Travis Crowley is here. Hello, what's going on?

540
00:30:05,800 --> 00:30:07,280
Speaker 1: If you get close to the microphones so we can

541
00:30:07,320 --> 00:30:10,720
Speaker 1: hear you. Hello, are you nervous? I'm credibly nervous. I'm

542
00:30:10,720 --> 00:30:15,040
Speaker 1: like first date nervously, like like the pitney stomach when

543
00:30:15,040 --> 00:30:17,960
Speaker 1: you're sitting in you you're a little early and the

544
00:30:18,000 --> 00:30:20,480
Speaker 1: girl is like five minutes late, but it feels like

545
00:30:20,480 --> 00:30:24,480
Speaker 1: twenty minutes. Right. That's one of those. It's a unique

546
00:30:24,720 --> 00:30:27,560
Speaker 1: it's a unique sort of nerves. Okay, but I'm excited.

547
00:30:27,640 --> 00:30:31,520
Speaker 1: It's all positive. Okay, Travis, this is Bethany. Bethany Hell

548
00:30:31,640 --> 00:30:33,880
Speaker 1: And of course you've met Danielle years ago. How are

549
00:30:33,880 --> 00:30:37,640
Speaker 1: you now? We know Travis. Travis and his brothers actually

550
00:30:37,640 --> 00:30:40,760
Speaker 1: opened up for our jingle ball, right yeah, yeah. Years

551
00:30:40,760 --> 00:30:43,360
Speaker 1: ago they won a contest called the Macy's Hometown Hero.

552
00:30:43,480 --> 00:30:48,160
Speaker 1: I believe the Crowley brothers unbelievable together. And you can

553
00:30:48,240 --> 00:30:50,080
Speaker 1: you can do a YouTube surge and see their music

554
00:30:50,200 --> 00:30:53,160
Speaker 1: right now. It lives, that's true. We made a music video,

555
00:30:53,320 --> 00:30:55,160
Speaker 1: had a song called Radio. We did a music video

556
00:30:55,160 --> 00:30:58,400
Speaker 1: a while back. It's very very funny, very good. Okay,

557
00:30:58,520 --> 00:31:03,000
Speaker 1: still recommended. I still love that song. Now, Travis in

558
00:31:03,000 --> 00:31:05,680
Speaker 1: in the year since it has been writing before, you've

559
00:31:05,680 --> 00:31:08,760
Speaker 1: been performing around town doing your own thing. But we

560
00:31:08,800 --> 00:31:11,560
Speaker 1: haven't heard any of music on the radio until today.

561
00:31:11,720 --> 00:31:14,840
Speaker 1: Until today. All right today is that? Now? Show everyone

562
00:31:15,440 --> 00:31:17,960
Speaker 1: there's books of writing here. Look at all these books.

563
00:31:17,960 --> 00:31:21,640
Speaker 1: These are all the songs that Travis. Yeah. So it

564
00:31:21,680 --> 00:31:25,640
Speaker 1: looks a little creepy maybe No. Uh, I have just

565
00:31:25,680 --> 00:31:28,400
Speaker 1: like so four different books. They have songs that I've written.

566
00:31:28,440 --> 00:31:31,200
Speaker 1: But another thing that I like to do is just

567
00:31:31,240 --> 00:31:33,920
Speaker 1: write stories as that kind of happened to me, whether

568
00:31:34,080 --> 00:31:38,000
Speaker 1: it's just literal accounts of things that happened or kind

569
00:31:38,040 --> 00:31:41,360
Speaker 1: of life lessons that I learned from all different things.

570
00:31:41,400 --> 00:31:45,520
Speaker 1: And I use those two bass songs on um but

571
00:31:45,680 --> 00:31:48,560
Speaker 1: the one I brought in today. This why it's important

572
00:31:48,560 --> 00:31:50,880
Speaker 1: for everyone to write. I know, Bettany, you'd love to write, Yeah,

573
00:31:50,920 --> 00:31:55,920
Speaker 1: I do. And I use those same books the Moleskin. Yeah. Yeah.

574
00:31:56,040 --> 00:32:01,080
Speaker 1: So Travis went to Baruke right Bruke College degree in mathematics.

575
00:32:01,160 --> 00:32:03,000
Speaker 1: Yes I do. Now it works in the finance department

576
00:32:03,040 --> 00:32:06,360
Speaker 1: for a healthcare company. But he found time to record

577
00:32:06,400 --> 00:32:10,480
Speaker 1: an album from the songs he's written, and we're about

578
00:32:10,520 --> 00:32:13,520
Speaker 1: to play the song he feels is like the song

579
00:32:13,600 --> 00:32:17,160
Speaker 1: the Good Lead for the world to hear him, And

580
00:32:17,200 --> 00:32:19,960
Speaker 1: you know, to go on a radio show with all

581
00:32:20,000 --> 00:32:23,680
Speaker 1: these millions of listeners and people working at music companies

582
00:32:23,960 --> 00:32:25,680
Speaker 1: and you have a lot of friends listening today too,

583
00:32:25,920 --> 00:32:28,880
Speaker 1: Yes I do. And you're like, okay, I think I do. Right,

584
00:32:29,320 --> 00:32:33,440
Speaker 1: Everyone's awake. Here's my song. Uh. Now, this song is

585
00:32:33,480 --> 00:32:36,680
Speaker 1: called pretty Little Adelaide. Who was Adelaide? Let's find out,

586
00:32:36,760 --> 00:32:39,480
Speaker 1: Let's find out why you wrote this song. Uh So,

587
00:32:39,600 --> 00:32:43,160
Speaker 1: Adelaide is a real persons, It's a real guard that

588
00:32:43,200 --> 00:32:45,280
Speaker 1: I used to know. Uh. And the song is just

589
00:32:45,400 --> 00:32:48,400
Speaker 1: kind of about the time that I really really fell

590
00:32:48,480 --> 00:32:51,280
Speaker 1: for her. But the song was written about coming to

591
00:32:51,480 --> 00:32:53,720
Speaker 1: terms with the fact that we were just not in

592
00:32:53,760 --> 00:32:58,160
Speaker 1: the same place. And that's kind of literally that it was.

593
00:32:58,520 --> 00:33:00,840
Speaker 1: We had a difficult time being in the same country

594
00:33:00,840 --> 00:33:02,920
Speaker 1: at the same time. She would be all over the world.

595
00:33:02,960 --> 00:33:04,840
Speaker 1: She went to school. I'm pretty sure she lives in

596
00:33:04,880 --> 00:33:09,080
Speaker 1: England now. But also in sort of an ideological way,

597
00:33:09,120 --> 00:33:10,960
Speaker 1: we didn't see eye to eye on certain things, and

598
00:33:11,000 --> 00:33:15,120
Speaker 1: it was never in a negative way. Um. I still

599
00:33:15,120 --> 00:33:16,680
Speaker 1: only have the best things to say about her. She's

600
00:33:16,680 --> 00:33:18,440
Speaker 1: a very very sweet kid. Does she know you wrote

601
00:33:18,440 --> 00:33:21,040
Speaker 1: a song about her as of about a week ago. Yes,

602
00:33:23,240 --> 00:33:26,360
Speaker 1: had she respond to that? Right? I reached out. I

603
00:33:26,400 --> 00:33:27,640
Speaker 1: reached out and I just kind of told her. I

604
00:33:27,720 --> 00:33:31,160
Speaker 1: was like, hey, so before I do this crazy thing,

605
00:33:31,200 --> 00:33:34,760
Speaker 1: I wanted to clue you in on it. And I

606
00:33:34,880 --> 00:33:37,719
Speaker 1: kind of not the response I was expecting. She loved it.

607
00:33:38,000 --> 00:33:39,840
Speaker 1: She was like, oh my god, you know I remember

608
00:33:39,840 --> 00:33:42,120
Speaker 1: how much you loved music, and I loved the words

609
00:33:42,120 --> 00:33:49,640
Speaker 1: and the music. Uh yeah, so she approved of it. Yes,

610
00:33:49,680 --> 00:33:52,720
Speaker 1: I do. Don't get me wrong, but usually if someone

611
00:33:52,800 --> 00:33:56,800
Speaker 1: writes a song about someone else, sometimes it's just kind

612
00:33:56,800 --> 00:33:58,920
Speaker 1: of creepy. I mean, if they wrote it he wrote

613
00:33:58,960 --> 00:34:02,400
Speaker 1: a song about me. But I had a friend to

614
00:34:02,440 --> 00:34:04,800
Speaker 1: write a song about me once and it was really creepy.

615
00:34:04,840 --> 00:34:07,680
Speaker 1: But it's because, like the song was not good and

616
00:34:07,800 --> 00:34:12,560
Speaker 1: she's sang it to me staring into my eyes it's you.

617
00:34:13,160 --> 00:34:15,040
Speaker 1: And it's also the lyrics, like if you're writing I'm

618
00:34:15,040 --> 00:34:18,480
Speaker 1: sitting outside your house in a van, it's the best song. Wait, wait,

619
00:34:18,480 --> 00:34:20,719
Speaker 1: hold on straight, Nay, didn't a girl used to write

620
00:34:20,719 --> 00:34:23,400
Speaker 1: a song about you? Like yes, city Lights? And she

621
00:34:23,520 --> 00:34:26,160
Speaker 1: which that was kind of creepy? Right, Well, I was

622
00:34:26,200 --> 00:34:28,760
Speaker 1: a little flattered by it, but it was creepy, especially

623
00:34:28,760 --> 00:34:30,560
Speaker 1: when she Okay, let me tell you why it's creepy,

624
00:34:31,080 --> 00:34:33,200
Speaker 1: and then, don't get me wrong, how are we gonna

625
00:34:33,239 --> 00:34:35,440
Speaker 1: get out of this? Because you know what okay to

626
00:34:35,840 --> 00:34:37,600
Speaker 1: It's it's like someone walks up to you and says,

627
00:34:37,800 --> 00:34:42,200
Speaker 1: here's a million dollars. You're like, uh, okay, it's it's

628
00:34:42,239 --> 00:34:46,720
Speaker 1: overwhelming to have someone pour their soul out in music

629
00:34:46,840 --> 00:34:50,279
Speaker 1: about you is it can be overwhelming. So there's a

630
00:34:50,320 --> 00:34:53,440
Speaker 1: thin line between overwhelming and creepy. It actually is probably

631
00:34:53,440 --> 00:34:56,920
Speaker 1: one of the most incredible compliments you can receive and

632
00:34:57,040 --> 00:35:00,440
Speaker 1: think of depending on what you say. How many songs

633
00:35:00,440 --> 00:35:03,279
Speaker 1: have become hits that we're about a person in their

634
00:35:03,360 --> 00:35:09,600
Speaker 1: name is used a lot? Probably a lot is good

635
00:35:09,640 --> 00:35:14,200
Speaker 1: at the names of people. Oh, Michelle from the Beatles,

636
00:35:14,320 --> 00:35:17,560
Speaker 1: Michelle my Bell, Stacy's mom, it's got it going on.

637
00:35:17,600 --> 00:35:24,120
Speaker 1: Allison Elvis, Okay, alright, so you okay, you wrote Okay,

638
00:35:24,120 --> 00:35:26,719
Speaker 1: you wrote a song called pretty Little Adelaide. Pretty Little

639
00:35:26,719 --> 00:35:30,359
Speaker 1: Adelaide told me money didn't really much matter. She had

640
00:35:30,400 --> 00:35:33,279
Speaker 1: never worried about going out of town. I wonder where

641
00:35:33,360 --> 00:35:36,600
Speaker 1: she's headed to this time? When will be the next

642
00:35:36,640 --> 00:35:38,839
Speaker 1: time I see her, it seems like she's only here

643
00:35:39,280 --> 00:35:43,160
Speaker 1: when I'm not around. M hmm. All right, So you

644
00:35:43,200 --> 00:35:46,960
Speaker 1: wrote the song, you recorded it, you mixed it yourself. Yes,

645
00:35:47,600 --> 00:35:50,239
Speaker 1: and here it is, and it's all part of an

646
00:35:50,280 --> 00:35:53,600
Speaker 1: album that's available today called the trouble Kid Tape. The

647
00:35:53,880 --> 00:35:57,440
Speaker 1: whole album not yet, we're working on. We'll release the

648
00:35:57,440 --> 00:35:59,480
Speaker 1: whole album soon enough. We're gonna have it coming soon.

649
00:35:59,560 --> 00:36:03,200
Speaker 1: But this song is available. The song is available on

650
00:36:04,520 --> 00:36:08,320
Speaker 1: all digital retailers any of the streaming iTunes, on iTunes, Spotify,

651
00:36:08,440 --> 00:36:13,560
Speaker 1: Apple Music title if you're jay Z, alright, alright, so

652
00:36:13,560 --> 00:36:16,439
Speaker 1: we're gonna play it. Okay, awesome, and we've never heard

653
00:36:16,480 --> 00:36:21,239
Speaker 1: it so and so this is like okay, yeah, alright.

654
00:36:22,680 --> 00:36:27,560
Speaker 1: So you're listening to the words and the music and

655
00:36:27,760 --> 00:36:30,920
Speaker 1: the voice in the mixing of Travis Crowley. This is

656
00:36:31,000 --> 00:36:41,080
Speaker 1: pretty Little Adelaide. You're playing the guitar. Yeah, everything, I did,

657
00:36:41,080 --> 00:36:47,440
Speaker 1: all the background vocals in this song to really do

658
00:36:47,480 --> 00:37:01,760
Speaker 1: you save money doing it? Yes? I did, alright, Travis Crowley,

659
00:37:03,239 --> 00:37:07,320
Speaker 1: pretty Little Laddelaine told me, But he did a really

660
00:37:07,440 --> 00:37:12,800
Speaker 1: much bad She would never worry about go away out

661
00:37:12,840 --> 00:37:17,480
Speaker 1: of time when the wren she's headed through this time

662
00:37:18,200 --> 00:37:21,160
Speaker 1: when we'll be the next thing I see her. It

663
00:37:21,200 --> 00:37:39,120
Speaker 1: seems that she is only here when I'm not a by.

664
00:37:39,239 --> 00:37:43,239
Speaker 1: Pretty little Laddelaide told me that I was still over

665
00:37:43,560 --> 00:37:48,799
Speaker 1: and ever all that this is about even knowing where

666
00:37:48,840 --> 00:37:54,080
Speaker 1: I haven't. I would turn a down sip lightly and

667
00:37:54,200 --> 00:37:58,000
Speaker 1: stay away with them until morning. At the time I

668
00:37:58,000 --> 00:38:12,000
Speaker 1: didn't know it might be left to get how many

669
00:38:12,239 --> 00:38:21,279
Speaker 1: times can buy off the box to your building? You

670
00:38:23,480 --> 00:38:30,719
Speaker 1: leave me outside? Why was my waiting always within? A

671
00:38:33,239 --> 00:38:37,520
Speaker 1: pretty little latterly told me we could meet the funneling

672
00:38:37,719 --> 00:38:45,160
Speaker 1: morning only when land and she would be away. I

673
00:38:45,280 --> 00:38:50,319
Speaker 1: got to waiting. I looked a little one in her doorway.

674
00:38:51,080 --> 00:39:11,560
Speaker 1: I can swell one of my patient yester Dame co

675
00:39:11,719 --> 00:39:19,520
Speaker 1: many times keep by about the bat to your building?

676
00:39:21,280 --> 00:39:29,279
Speaker 1: Your you leave me outside? Why was my way in

677
00:39:29,520 --> 00:39:36,600
Speaker 1: all this win back? I was not compassed. This could

678
00:39:36,800 --> 00:39:50,120
Speaker 1: be but horface, gotta go, you little lad you told

679
00:39:50,160 --> 00:39:55,279
Speaker 1: me reading really much better. I would shrug it off

680
00:39:55,280 --> 00:40:04,680
Speaker 1: on going back up time. There you go, Travis Crowley,

681
00:40:04,680 --> 00:40:09,160
Speaker 1: Pretty Little Adeline, it's a beautiful voice and it's a

682
00:40:09,200 --> 00:40:14,440
Speaker 1: sad song. I'm sad, but you're supposed you're supposed to

683
00:40:14,480 --> 00:40:17,200
Speaker 1: feel something yeah, I feel sad. You have this cool

684
00:40:17,320 --> 00:40:20,360
Speaker 1: quality like when you when you really sing, like in

685
00:40:20,400 --> 00:40:22,200
Speaker 1: the later part of the song, you have this cool,

686
00:40:22,280 --> 00:40:24,879
Speaker 1: gravelly quality to your voice that you wouldn't expect. What's

687
00:40:25,040 --> 00:40:28,440
Speaker 1: really Dick, I like that a lot. There you go, Okay,

688
00:40:28,480 --> 00:40:30,359
Speaker 1: so you heard your song. I want to talk about

689
00:40:30,360 --> 00:40:32,680
Speaker 1: all the things you're feeling right now. So you've never

690
00:40:32,719 --> 00:40:36,240
Speaker 1: played the song on the radio show. I've hardly played

691
00:40:36,239 --> 00:40:40,319
Speaker 1: this song for other human people, like human people people.

692
00:40:41,280 --> 00:40:43,160
Speaker 1: You're a handful of people that have even heard this

693
00:40:43,280 --> 00:40:45,080
Speaker 1: and I live with like most of them is like

694
00:40:45,200 --> 00:40:48,160
Speaker 1: my brother both of my brothers, so Brian and Jeffrey,

695
00:40:48,200 --> 00:40:51,040
Speaker 1: and like that's a hit. I don't know. Okay, So

696
00:40:51,080 --> 00:40:54,640
Speaker 1: now it's played, Like, now, what do you feel? Like?

697
00:40:54,680 --> 00:40:57,719
Speaker 1: What's the do you still how's your nervousness different now

698
00:40:57,719 --> 00:40:59,440
Speaker 1: than it was a second ago before we played it?

699
00:41:00,480 --> 00:41:04,640
Speaker 1: Kind of the same. But I don't know, I'm still

700
00:41:04,640 --> 00:41:09,920
Speaker 1: a little it's still a little really strange. Alright. So

701
00:41:10,040 --> 00:41:12,439
Speaker 1: my friend Danny Bush, I've known for a thousand years.

702
00:41:12,840 --> 00:41:17,040
Speaker 1: He has worked with some incredible artists and continues to today.

703
00:41:17,120 --> 00:41:19,880
Speaker 1: Hi Danny, good morning, good morning, Elvis. How are you today?

704
00:41:20,040 --> 00:41:22,680
Speaker 1: Doing very well on a Danny Bush of course works

705
00:41:22,680 --> 00:41:25,040
Speaker 1: over at Red Music, which is I mean, like, what

706
00:41:25,160 --> 00:41:28,680
Speaker 1: artists do you guys have rolling through our hallways these days? Uh?

707
00:41:28,840 --> 00:41:32,080
Speaker 1: Currently a j R. Who you've been kind enough to

708
00:41:32,280 --> 00:41:35,399
Speaker 1: step out and break, A great kid named Max. I'm

709
00:41:35,400 --> 00:41:39,160
Speaker 1: working with Noah Cyrus, I'm working with Aaron Carter, Bunch

710
00:41:39,239 --> 00:41:42,760
Speaker 1: more Day, a Flume, Ingrid, Michaelson, a lot of artists

711
00:41:42,800 --> 00:41:46,480
Speaker 1: that you've broken, Elvis exactly. So Travis Crowley put it

712
00:41:46,480 --> 00:41:48,759
Speaker 1: out there. He Now do you think he's taking a

713
00:41:48,840 --> 00:41:51,760
Speaker 1: chance by putting this song out there before letting people

714
00:41:51,800 --> 00:41:54,480
Speaker 1: like you hear it and kind of give him some advice.

715
00:41:54,800 --> 00:41:56,640
Speaker 1: I mean, he just said, screw it. Here it is

716
00:41:57,480 --> 00:42:00,279
Speaker 1: I think the greatest thing about today's business as you

717
00:42:00,320 --> 00:42:02,319
Speaker 1: can do that. As the song gets out there, it

718
00:42:02,360 --> 00:42:06,520
Speaker 1: gets exposed and then it's anybody's game. There you go.

719
00:42:07,400 --> 00:42:09,640
Speaker 1: So you heard pretty little adela about Travis Crowley. By

720
00:42:09,640 --> 00:42:12,920
Speaker 1: the way, Travis, this is Danny Bush. How are you

721
00:42:12,960 --> 00:42:15,520
Speaker 1: traving a great voice? By the way, thank you very much?

722
00:42:15,560 --> 00:42:17,040
Speaker 1: All right, So go ahead. Do you want to hear

723
00:42:17,080 --> 00:42:20,160
Speaker 1: what he says what he thinks? Yes? Are you would

724
00:42:20,239 --> 00:42:24,080
Speaker 1: rather him write it down? In may? You can handle it.

725
00:42:24,600 --> 00:42:26,359
Speaker 1: You're you're a big guy, and you have that great

726
00:42:26,360 --> 00:42:29,360
Speaker 1: support system there too. And by the way, TRAVI, you

727
00:42:29,360 --> 00:42:31,359
Speaker 1: could be in no better place because they could give

728
00:42:31,400 --> 00:42:34,200
Speaker 1: you advice about pushing elevator buttons and how to get

729
00:42:34,239 --> 00:42:39,200
Speaker 1: them to really come knowledge. That's what we do. You've

730
00:42:39,200 --> 00:42:41,560
Speaker 1: got to listen to Elvis when he speaks. Yeah, I

731
00:42:41,600 --> 00:42:43,719
Speaker 1: think you know what. I was intrigued, you know you

732
00:42:43,800 --> 00:42:46,279
Speaker 1: have it was such a great set up, you know,

733
00:42:46,360 --> 00:42:48,400
Speaker 1: and I want to know why can't you two guys

734
00:42:48,440 --> 00:42:51,040
Speaker 1: be in the same city, right, like like and your

735
00:42:51,120 --> 00:42:54,200
Speaker 1: voice hooks you in so you're listening right, And then

736
00:42:54,200 --> 00:42:57,239
Speaker 1: I kind of I didn't understand, like why, Like I

737
00:42:57,400 --> 00:42:59,560
Speaker 1: like the box and like where like that's where you

738
00:42:59,640 --> 00:43:02,239
Speaker 1: lost and stuff. But I think there's something there on

739
00:43:02,280 --> 00:43:05,640
Speaker 1: a song and you should develop it. Absolutely. Can you

740
00:43:05,680 --> 00:43:07,719
Speaker 1: develop a song? What do you do? You do it

741
00:43:07,719 --> 00:43:09,239
Speaker 1: with other people or do you sit there and just

742
00:43:09,320 --> 00:43:12,319
Speaker 1: rack your brain by yourself? You know? I think exposed.

743
00:43:12,360 --> 00:43:14,840
Speaker 1: I think people of the magic of a song is

744
00:43:14,920 --> 00:43:17,840
Speaker 1: you know these great gun slingers who write these amazing songs,

745
00:43:18,280 --> 00:43:20,439
Speaker 1: or then you know, he can wander in a hit.

746
00:43:20,800 --> 00:43:22,719
Speaker 1: There's a record, there's a show, you guys know the

747
00:43:22,760 --> 00:43:27,080
Speaker 1: show Thirteen Reasons Why, So there's a song on there.

748
00:43:27,400 --> 00:43:30,839
Speaker 1: I'm trying to think of the band Lord Jurano something, Uh,

749
00:43:31,000 --> 00:43:34,040
Speaker 1: the night we met, who would think that song and

750
00:43:34,080 --> 00:43:36,360
Speaker 1: say hit I've listened to that song, right, but it

751
00:43:36,400 --> 00:43:40,320
Speaker 1: gets exposed like the way you get exposed this morning

752
00:43:40,360 --> 00:43:43,239
Speaker 1: on on Elvis and it just lights to people like

753
00:43:43,320 --> 00:43:47,400
Speaker 1: nobody knows why. That's the magic right. So for me,

754
00:43:47,520 --> 00:43:51,200
Speaker 1: that was part of why this was so interesting in

755
00:43:51,280 --> 00:43:55,000
Speaker 1: such a wonderful opportunity, is because I realized that this

756
00:43:55,239 --> 00:43:57,840
Speaker 1: song in my style of music is a bit of

757
00:43:57,880 --> 00:44:02,959
Speaker 1: an odd match for Z one hundred, for the number one. Uh.

758
00:44:03,160 --> 00:44:05,520
Speaker 1: It was important for me to just kind of get

759
00:44:05,560 --> 00:44:08,640
Speaker 1: it out to the people, to have people hear the

760
00:44:08,719 --> 00:44:13,040
Speaker 1: song and uh, you just did. Yeah, there's kind of

761
00:44:13,080 --> 00:44:15,480
Speaker 1: there's kind of no better way to do it. And

762
00:44:16,000 --> 00:44:19,480
Speaker 1: it's a goal of mine to kind of expand the

763
00:44:19,520 --> 00:44:24,000
Speaker 1: pop music horizon where it's where you hear pop song

764
00:44:24,320 --> 00:44:27,480
Speaker 1: and you don't think of any one particular thing, you know,

765
00:44:27,560 --> 00:44:29,640
Speaker 1: Danny I was talking to Travis last night about the

766
00:44:29,719 --> 00:44:34,800
Speaker 1: songs you hear on our radio stations, are these well filtered,

767
00:44:35,239 --> 00:44:38,760
Speaker 1: curated A thousand people had to vote on them to

768
00:44:38,760 --> 00:44:41,080
Speaker 1: to get them where they are now. Songs and a

769
00:44:41,120 --> 00:44:43,359
Speaker 1: lot of musical artists don't even want to hear their

770
00:44:43,400 --> 00:44:45,360
Speaker 1: song on a commercial station like this because it's not

771
00:44:45,440 --> 00:44:47,640
Speaker 1: what they're about, you know what I'm talking about. I

772
00:44:47,640 --> 00:44:50,040
Speaker 1: mean we we are. We come from a different point

773
00:44:50,040 --> 00:44:53,279
Speaker 1: of view, the commercial music point of view. I think

774
00:44:53,320 --> 00:44:56,440
Speaker 1: it's changed though. I think now you know that, you know,

775
00:44:56,560 --> 00:44:59,680
Speaker 1: music is always ahead of the media, right, so I

776
00:44:59,760 --> 00:45:02,360
Speaker 1: think now you put a song on the radio, it

777
00:45:02,360 --> 00:45:05,080
Speaker 1: could be the most unlikely song. It could be sparts,

778
00:45:05,080 --> 00:45:07,600
Speaker 1: it could be just a girl about to cry, it

779
00:45:07,600 --> 00:45:10,520
Speaker 1: could be and it's just the mostest people, right, It's

780
00:45:10,560 --> 00:45:12,840
Speaker 1: just it just hits them. And and you never know

781
00:45:12,880 --> 00:45:15,239
Speaker 1: what that's gonna be, that's gonna hit them. And and

782
00:45:15,320 --> 00:45:17,040
Speaker 1: like I wanted to know why you guys aren't in

783
00:45:17,080 --> 00:45:19,600
Speaker 1: the same city. I just couldn't figure out why. Like

784
00:45:19,640 --> 00:45:22,680
Speaker 1: that's maybe you need a little lectra lyric in there.

785
00:45:23,280 --> 00:45:26,880
Speaker 1: She was on United and they dragged her off the plane.

786
00:45:27,480 --> 00:45:30,120
Speaker 1: She couldn't she couldn't make it home. I wanted to say,

787
00:45:31,360 --> 00:45:33,440
Speaker 1: I should write a song about being dragged off a plane.

788
00:45:35,400 --> 00:45:37,720
Speaker 1: Ripped from today's headline, is the new One? From Travis

789
00:45:37,719 --> 00:45:43,200
Speaker 1: Crowley a Delta. So Danny, Danny, would you find time

790
00:45:43,400 --> 00:45:45,440
Speaker 1: if would you find some time to hang out with

791
00:45:45,480 --> 00:45:48,560
Speaker 1: Travis and have some private moments with him? Yeah, yeah, Hey, Traps,

792
00:45:48,600 --> 00:45:50,520
Speaker 1: they'll give you my information. I'd love to. And that

793
00:45:50,640 --> 00:45:52,759
Speaker 1: show the way they broke in a j R. They

794
00:45:52,760 --> 00:45:55,719
Speaker 1: look at guys in New York from nowhere, they'll go out,

795
00:45:55,760 --> 00:45:58,080
Speaker 1: they'll play a song like week or whatever and then

796
00:45:58,120 --> 00:46:00,279
Speaker 1: look at what happens. That show blows things up. So

797
00:46:00,320 --> 00:46:02,440
Speaker 1: you're in great hands. And also he has he has

798
00:46:02,480 --> 00:46:05,000
Speaker 1: more music ready to come out, so there's other stuff

799
00:46:05,040 --> 00:46:09,200
Speaker 1: to listen to. Love you, Danny Bush, Thank you, thank you,

800
00:46:10,040 --> 00:46:12,279
Speaker 1: all right, thank you, Danny. There you go. He's a

801
00:46:12,280 --> 00:46:15,160
Speaker 1: great guy. Love it. He makes great sand castles too,

802
00:46:15,160 --> 00:46:19,440
Speaker 1: by the way, he really does, he really does. He's

803
00:46:19,440 --> 00:46:23,759
Speaker 1: gonna say sandwiches and a lot of texts. Want to

804
00:46:23,800 --> 00:46:26,160
Speaker 1: know your social media how to get in touch with you?

805
00:46:26,320 --> 00:46:27,920
Speaker 1: Where are you and when? We'll put it up on

806
00:46:27,920 --> 00:46:32,320
Speaker 1: Elvis der Rand dot com as well. Yeah, so Facebook, Facebook,

807
00:46:32,360 --> 00:46:37,040
Speaker 1: dot com, Slash, Travis Crowley Music, Twitter, Travis Understore, Underscore

808
00:46:37,120 --> 00:46:43,960
Speaker 1: Crowley and Instagram is Travitar twenty six Travis mix it

809
00:46:44,000 --> 00:46:45,319
Speaker 1: Up a little and you feel a little better now

810
00:46:45,760 --> 00:46:48,759
Speaker 1: feel Yeah, all right, excellence, I got weight off my

811
00:46:51,120 --> 00:46:53,480
Speaker 1: and your dad's here. Yes, my dad is here, and

812
00:46:53,480 --> 00:46:59,440
Speaker 1: today is my dad's birthday. And also it's my mom's

813
00:46:59,480 --> 00:47:01,560
Speaker 1: half birth day. Two I have to say my mother's

814
00:47:01,719 --> 00:47:04,200
Speaker 1: half birthday. Their birthdays are on opposite sides of the year.

815
00:47:05,040 --> 00:47:09,200
Speaker 1: Look at that. Thank you very much. We've had tequila together.

816
00:47:10,960 --> 00:47:13,320
Speaker 1: All right, we have a phone tap coming up, Travis Crowley,

817
00:47:13,320 --> 00:47:21,399
Speaker 1: thanks for coming up. Julia was beginning a new life

818
00:47:21,400 --> 00:47:24,240
Speaker 1: with her new man, but when his ex discovers there engaged,

819
00:47:24,400 --> 00:47:28,759
Speaker 1: she decides to sabotage their relationship. Unforgettable as a psychological

820
00:47:28,800 --> 00:47:30,720
Speaker 1: thriller that will keep you on the edge of your seat,

821
00:47:30,960 --> 00:47:39,879
Speaker 1: starring Katherine Heigel and Rosario Dawson. Radar Ar in theaters April. Look,

822
00:47:39,920 --> 00:47:42,480
Speaker 1: you know, we live charmed lives. I mean, even on

823
00:47:42,520 --> 00:47:44,920
Speaker 1: the worst of days, we really are blessed. Yeah you

824
00:47:44,920 --> 00:47:47,360
Speaker 1: know what I'm saying. Yeah, but sometimes I come in

825
00:47:47,440 --> 00:47:50,879
Speaker 1: to work here at the iHeart Radio building and that

826
00:47:50,960 --> 00:47:56,480
Speaker 1: tissue paper is just too thin. Yea. Sometimes I can't

827
00:47:56,480 --> 00:48:02,799
Speaker 1: find any coffee or spoon. Yeah, yesterday we couldn't find

828
00:48:02,840 --> 00:48:07,480
Speaker 1: a spoon. God what a dreadful day at the office.

829
00:48:07,640 --> 00:48:09,680
Speaker 1: I don't know about you, but sometimes here it's either

830
00:48:09,719 --> 00:48:12,359
Speaker 1: a hundred and five degrees in the studio or it's

831
00:48:12,360 --> 00:48:15,200
Speaker 1: about thirty degrees. It's never like a happy medium. So

832
00:48:15,320 --> 00:48:18,160
Speaker 1: if these are the worst problems we have in life,

833
00:48:18,560 --> 00:48:22,160
Speaker 1: we are truly blessed. You must agree. But at the

834
00:48:22,200 --> 00:48:25,400
Speaker 1: same time, it's all relative. It's okay to bitch and

835
00:48:25,480 --> 00:48:29,920
Speaker 1: moan about, you know, having the thinnest one ply toilet paper.

836
00:48:30,080 --> 00:48:32,160
Speaker 1: You know, I'm convinced the toilet paper they use here

837
00:48:32,239 --> 00:48:34,880
Speaker 1: is what's called nautical toilet paper. It's the toilet paper

838
00:48:34,920 --> 00:48:38,360
Speaker 1: they use on boats, so it'll dissolve as soon as

839
00:48:38,400 --> 00:48:42,759
Speaker 1: it hits water or not always cheaper. But I'm sure

840
00:48:42,760 --> 00:48:45,920
Speaker 1: it is here, you know. But at the end of

841
00:48:45,960 --> 00:48:47,920
Speaker 1: the day, I can still make all the long distance

842
00:48:47,960 --> 00:48:50,680
Speaker 1: phone calls I want to make you know what I'm saying.

843
00:48:50,960 --> 00:48:54,120
Speaker 1: Long distance doesn't matter anymore, doesn't really, no, it doesn't.

844
00:48:54,280 --> 00:48:55,640
Speaker 1: But at the end of the day we can still

845
00:48:55,680 --> 00:48:57,680
Speaker 1: take you know, a ream of paper home for my

846
00:48:57,719 --> 00:49:01,880
Speaker 1: own printer. That know that, by the way. But yesterday

847
00:49:01,920 --> 00:49:05,319
Speaker 1: straight Nate walk and said this place sucks. I said,

848
00:49:05,360 --> 00:49:08,839
Speaker 1: what's wrong? Were you sexually harassed by a manager. Did

849
00:49:08,840 --> 00:49:11,280
Speaker 1: someone try to take pay away from you? What happened?

850
00:49:11,280 --> 00:49:12,879
Speaker 1: Why does this play sucks so bad? And he said,

851
00:49:13,000 --> 00:49:16,040
Speaker 1: we didn't have any spoons. We had no spoons, we

852
00:49:16,040 --> 00:49:18,560
Speaker 1: had no plastic spoons. I was trying to get some

853
00:49:18,600 --> 00:49:21,520
Speaker 1: cereal and there was no spoons with which to eat

854
00:49:21,520 --> 00:49:23,799
Speaker 1: the cereal, which I had already made. So how am

855
00:49:23,800 --> 00:49:25,640
Speaker 1: I supposed to eat the cereal with no spoons? Okay?

856
00:49:25,680 --> 00:49:28,160
Speaker 1: My point was this, When you applied for job here

857
00:49:28,160 --> 00:49:32,080
Speaker 1: at I Heeart Radio, well, did they ever promise you spoons?

858
00:49:33,280 --> 00:49:39,040
Speaker 1: But I never knew that eating utensils were hold on.

859
00:49:39,440 --> 00:49:42,680
Speaker 1: They provided the spoons the first time. It's almost like

860
00:49:43,280 --> 00:49:46,600
Speaker 1: when you first start dating somebody and you provide flowers

861
00:49:46,680 --> 00:49:48,480
Speaker 1: right off the bat. You can't do it in the

862
00:49:48,480 --> 00:49:50,880
Speaker 1: beginning and not do it the whole time. Thank you, Froggy.

863
00:49:51,160 --> 00:49:54,040
Speaker 1: You provided the spoons in the beginning. You must continue

864
00:49:54,080 --> 00:49:56,759
Speaker 1: to provide the spoon exactly. If they hadn't given me

865
00:49:56,800 --> 00:49:58,600
Speaker 1: a spoon to begin with, I wouldn't be asking for

866
00:49:59,000 --> 00:50:01,040
Speaker 1: I'd be bringing my own. I'm telling you right now,

867
00:50:01,880 --> 00:50:04,440
Speaker 1: I've never heard such a bunch of as much of

868
00:50:05,080 --> 00:50:09,840
Speaker 1: as a much as a bunch of whatever, winy little babies. Yeah,

869
00:50:10,200 --> 00:50:13,239
Speaker 1: I don't have a spoon ruined my day. It's not

870
00:50:13,480 --> 00:50:18,359
Speaker 1: their responsibility if they want to put out I mean,

871
00:50:18,400 --> 00:50:21,040
Speaker 1: I love Scott hopeck he's the best president I think

872
00:50:21,040 --> 00:50:22,920
Speaker 1: I've ever had. But if he puts out a memo

873
00:50:23,360 --> 00:50:26,120
Speaker 1: and says, hey, we're no longer providing spoons, I would

874
00:50:26,160 --> 00:50:29,480
Speaker 1: expect and I would accept that right, But until then,

875
00:50:29,800 --> 00:50:34,080
Speaker 1: don't give me the infrequent delivery of said spoons. Yeah,

876
00:50:34,160 --> 00:50:38,520
Speaker 1: promises implied by the existence of knives and forks. We

877
00:50:38,600 --> 00:50:40,759
Speaker 1: have plenty of knives and a right. So here's okay,

878
00:50:40,760 --> 00:50:42,160
Speaker 1: here's where this is all going. We're about to get

879
00:50:42,200 --> 00:50:43,960
Speaker 1: into the phone tap that Froggy did. I can't wait

880
00:50:43,960 --> 00:50:46,680
Speaker 1: to hear the froggy phone tap life after the phone tap,

881
00:50:47,640 --> 00:50:49,120
Speaker 1: I'm going to open it up. I want to hear

882
00:50:49,160 --> 00:50:53,120
Speaker 1: what trivial, little tiny thing is going on in your

883
00:50:53,120 --> 00:50:59,000
Speaker 1: office or it's cool, that's just driving you batty. Yesterday

884
00:50:59,080 --> 00:51:02,280
Speaker 1: it was straight Nate mad because he couldn't find a spoon.

885
00:51:02,960 --> 00:51:06,120
Speaker 1: And personally, I'm gonna tell you right now, I think

886
00:51:06,200 --> 00:51:09,879
Speaker 1: this is the dumbest thing I've ever heard. My workplace

887
00:51:10,000 --> 00:51:15,399
Speaker 1: sucks because what I want to hear, and I'm gonna

888
00:51:15,400 --> 00:51:17,040
Speaker 1: play it back for everyone so you can hear how

889
00:51:17,080 --> 00:51:20,800
Speaker 1: trivial this is. But sometimes you just need to bitch

890
00:51:21,480 --> 00:51:25,080
Speaker 1: about stupid crap. Alright, alright, I'm gonna we're gonna open

891
00:51:25,080 --> 00:51:26,560
Speaker 1: it up and we're gonna see how bad it is.

892
00:51:26,560 --> 00:51:28,399
Speaker 1: Coming up in about ten or fifteen minutes, Life after

893
00:51:28,400 --> 00:51:33,160
Speaker 1: the phone tap Elvis, Elvis Duran, the Elvis Durant phone tap.

894
00:51:34,200 --> 00:51:36,040
Speaker 1: Hold on, stop it. Someone just in a text said,

895
00:51:36,120 --> 00:51:37,920
Speaker 1: yesterday at work they had to eat their yogurt with

896
00:51:37,960 --> 00:51:41,239
Speaker 1: a fork. That's a problem. All right, Okay, let's do

897
00:51:41,239 --> 00:51:46,880
Speaker 1: the phone tap Elvis, Elvis Duran, the Elvis Durand phone tap. Alright, Froggy,

898
00:51:46,960 --> 00:51:49,440
Speaker 1: we're so excited about your phone tap. What's all about?

899
00:51:49,719 --> 00:51:52,960
Speaker 1: Our listener, Jill writes in she wants to phone tap

900
00:51:53,000 --> 00:51:55,719
Speaker 1: her husband Robert. They're planning a big old summer vacation,

901
00:51:56,239 --> 00:51:58,400
Speaker 1: and I call from the beach resort to let them

902
00:51:58,480 --> 00:52:00,200
Speaker 1: know that, well, we're going to have to move your

903
00:52:00,200 --> 00:52:03,640
Speaker 1: reservation because we're hosting a charity event that weekend. You know,

904
00:52:03,719 --> 00:52:06,799
Speaker 1: this scenario always works out beautifully. It does. When you

905
00:52:06,800 --> 00:52:10,160
Speaker 1: mess with people's vacation, you're really really asking for it.

906
00:52:10,239 --> 00:52:14,000
Speaker 1: Let's see what happens to today's Froggy phone tip. Yeah,

907
00:52:14,000 --> 00:52:18,240
Speaker 1: I'm looking for Robert Place. Yes, this is Robert, Robert,

908
00:52:18,480 --> 00:52:21,759
Speaker 1: this is Molester from the neighbor resort. I think we're

909
00:52:23,520 --> 00:52:28,240
Speaker 1: who's this? This is Mr Lester, Molester from the resort,

910
00:52:28,320 --> 00:52:31,000
Speaker 1: was calling into uh speak of you about your upcoming

911
00:52:31,080 --> 00:52:34,040
Speaker 1: vacation that you have planned with us here. Um, you

912
00:52:34,120 --> 00:52:37,520
Speaker 1: know what do you need? There's twelve of you booked

913
00:52:37,640 --> 00:52:43,120
Speaker 1: three separate rooms your planation. So okay, I've got it.

914
00:52:43,400 --> 00:52:46,680
Speaker 1: We're gonna need to move you back by one week. No,

915
00:52:46,719 --> 00:52:50,359
Speaker 1: that's unacceptable. I'm sorry. No that that can't happen. No, well,

916
00:52:50,400 --> 00:52:52,400
Speaker 1: in the in the in the fine print that you

917
00:52:52,480 --> 00:52:54,960
Speaker 1: have unacceptable. I read the fine print of my reservation

918
00:52:55,000 --> 00:52:58,040
Speaker 1: where we're a company such as yours woulden't me over.

919
00:52:58,400 --> 00:53:00,520
Speaker 1: So I paved way too much money for this. It's

920
00:53:00,560 --> 00:53:02,759
Speaker 1: not gonna happen. Look, I'm way too busy to deal

921
00:53:02,800 --> 00:53:05,120
Speaker 1: with this right now, so regulation stays as it is.

922
00:53:05,360 --> 00:53:12,040
Speaker 1: By I gotta go. Hello. Yes, I I believe we

923
00:53:12,040 --> 00:53:15,040
Speaker 1: were just connected. Robert, this is Mr dust different work

924
00:53:15,160 --> 00:53:17,880
Speaker 1: right now, I really have time to really speak with you, understand,

925
00:53:18,880 --> 00:53:21,160
Speaker 1: already made. My intention is perfectly clear with you. Well,

926
00:53:21,160 --> 00:53:22,759
Speaker 1: we'll make this very quick. I just need to move

927
00:53:22,800 --> 00:53:24,680
Speaker 1: your dates by one week now. I did also want

928
00:53:24,680 --> 00:53:26,560
Speaker 1: to tell you we have a sister property. We're not

929
00:53:26,680 --> 00:53:30,200
Speaker 1: moving dates. Excuse me, it's not on the beach, but

930
00:53:30,239 --> 00:53:33,480
Speaker 1: we would be no market. Excuse me. Did you read

931
00:53:33,480 --> 00:53:38,240
Speaker 1: the fine prints on your reservation, Robert, dear fine print? Alright,

932
00:53:38,400 --> 00:53:40,800
Speaker 1: my rooms are already paid for. I've already done the prepay.

933
00:53:40,840 --> 00:53:42,719
Speaker 1: I've already taking care of every single eye and t

934
00:53:42,920 --> 00:53:45,399
Speaker 1: that's across. Well, Robert, if you show up on those dates,

935
00:53:45,440 --> 00:53:47,040
Speaker 1: you will not have a room to sleep in. Roberts

936
00:53:47,080 --> 00:53:48,920
Speaker 1: No, no no, no, no, no no. I'm a paying customer.

937
00:53:49,200 --> 00:53:51,960
Speaker 1: I own you right now. If dates are mine, I'm

938
00:53:52,000 --> 00:53:55,040
Speaker 1: in charge here. You show up, there'll be no room. Now.

939
00:53:55,120 --> 00:53:56,880
Speaker 1: Your job is gonna be gone, but this place is

940
00:53:56,880 --> 00:53:58,399
Speaker 1: gonna be shuttered up by the end of the year.

941
00:53:59,280 --> 00:54:01,360
Speaker 1: Come on, talking, that's what you got pitched. Come on,

942
00:54:01,680 --> 00:54:03,600
Speaker 1: t C B B m A is going to be

943
00:54:03,640 --> 00:54:05,200
Speaker 1: here that weekend. Have you ever heard of the C

944
00:54:05,360 --> 00:54:08,320
Speaker 1: B B M A? What the hell that is? And

945
00:54:08,440 --> 00:54:10,880
Speaker 1: no I ever heard of it. That's the children bitten

946
00:54:10,880 --> 00:54:13,480
Speaker 1: by mosquitoes Association. They're going to be here having their

947
00:54:13,520 --> 00:54:16,080
Speaker 1: annual meeting that weekend. It's a very normal cause of

948
00:54:16,120 --> 00:54:18,200
Speaker 1: our president here at the resort is very much behind.

949
00:54:18,760 --> 00:54:21,920
Speaker 1: I have a room. Of the room is mine. One

950
00:54:21,960 --> 00:54:24,120
Speaker 1: and every three children is bitten by a mosquito at

951
00:54:24,160 --> 00:54:27,400
Speaker 1: least once a day, all around the world. I don't care.

952
00:54:29,760 --> 00:54:31,920
Speaker 1: Why are you laughing at me? No, no, it's not

953
00:54:31,960 --> 00:54:34,920
Speaker 1: me laughing at that's your wife, Jill. You're being phone tapped, Robert.

954
00:54:36,760 --> 00:54:39,320
Speaker 1: It's Froggy from Elvis to round in the morning. Tree

955
00:54:39,680 --> 00:54:46,239
Speaker 1: your Yeah, I'm gonna have a damn heart check. Love you,

956
00:54:49,800 --> 00:54:53,759
Speaker 1: great job, Froggy. I'm sorry, Mo, Lester, Mo Lester C

957
00:54:53,920 --> 00:54:56,520
Speaker 1: B B M. A is a very noble All around

958
00:54:56,520 --> 00:54:59,160
Speaker 1: the world, children bitten by mosquitoes every day. And once

959
00:54:59,200 --> 00:55:01,520
Speaker 1: again a guy who stays on the phone and rather

960
00:55:01,640 --> 00:55:04,280
Speaker 1: than just slamming the phone down, he starts yelling and screaming,

961
00:55:04,320 --> 00:55:06,920
Speaker 1: and now he's on a phone tap. There you go.

962
00:55:07,200 --> 00:55:09,239
Speaker 1: Thank you, Froggy. If you have an idea for a

963
00:55:09,239 --> 00:55:11,000
Speaker 1: phone tap, so when you know it's very gullible or

964
00:55:11,040 --> 00:55:13,120
Speaker 1: as we say, phone tappable, let us know all about it.

965
00:55:13,120 --> 00:55:15,439
Speaker 1: Go to Elvis Duranda calm and click on the phone

966
00:55:15,480 --> 00:55:19,040
Speaker 1: tap link. This salt tap was prerecorded with permission granted

967
00:55:19,080 --> 00:55:23,880
Speaker 1: by All Party Space. Elvis Sturan phone tap on Elvis

968
00:55:23,960 --> 00:55:28,600
Speaker 1: Duran in the Morning Show. Hey, what's is that? Sharing

969
00:55:28,680 --> 00:55:32,080
Speaker 1: with Elvis Duran in the Morning Show? And Elvis, you guys,

970
00:55:32,080 --> 00:55:33,959
Speaker 1: you need to understand just because you have a kitchen

971
00:55:33,960 --> 00:55:36,279
Speaker 1: network doesn't mean the people who employ you have to

972
00:55:36,280 --> 00:55:38,320
Speaker 1: put salt in what they have. Why is there a

973
00:55:38,400 --> 00:55:41,160
Speaker 1: kitchen and there's pepper packets, So if there's pepper packets,

974
00:55:41,160 --> 00:55:43,160
Speaker 1: there should be salt packets. And I don't say where else.

975
00:55:43,200 --> 00:55:46,040
Speaker 1: They're cheap. They buy the silverware that has like the fork,

976
00:55:46,840 --> 00:55:48,960
Speaker 1: the knife, and the spoon and the napkin, but it

977
00:55:49,000 --> 00:55:50,560
Speaker 1: has no salt and pepper in it. Like you couldn't

978
00:55:50,560 --> 00:55:53,880
Speaker 1: spend the extra half a cent per piece to get

979
00:55:53,920 --> 00:55:55,880
Speaker 1: the salt and pepper in the packet. I mean, really,

980
00:55:56,120 --> 00:56:00,400
Speaker 1: I love this straighten Nate is he he was on

981
00:56:00,440 --> 00:56:03,680
Speaker 1: the phone and he started walking towards the other room

982
00:56:03,719 --> 00:56:05,160
Speaker 1: and forgot he had the phone in his hand, and

983
00:56:05,160 --> 00:56:07,799
Speaker 1: then the cord pulled him back like a like a

984
00:56:07,920 --> 00:56:12,080
Speaker 1: bungee cord. The corded phones anymore? You do? Yeah? I know. Okay,

985
00:56:12,120 --> 00:56:15,880
Speaker 1: there's another annoyance, another first world problem. Here's my problem.

986
00:56:16,000 --> 00:56:18,359
Speaker 1: Look at this court. You've got too many cords all

987
00:56:18,400 --> 00:56:25,000
Speaker 1: tangled up. So this is another another annoyance. At at work,

988
00:56:25,040 --> 00:56:33,520
Speaker 1: we're what sucks. Here's just corded phones. And if you

989
00:56:33,560 --> 00:56:35,920
Speaker 1: supply a coffee machine with coffee, you've got to supply

990
00:56:35,960 --> 00:56:37,960
Speaker 1: stuff to put in it. We went on a coffee

991
00:56:38,000 --> 00:56:45,279
Speaker 1: creamer drought, right, yeah, coffee from home from home. I

992
00:56:46,760 --> 00:56:49,719
Speaker 1: think you're all being big babies. You did when they

993
00:56:49,800 --> 00:56:52,040
Speaker 1: hired you. They did not promise you coffee and creamer,

994
00:56:52,440 --> 00:56:54,200
Speaker 1: or as I like to call it, colon and clogger.

995
00:56:56,480 --> 00:56:58,760
Speaker 1: All right, let's go talk to uh Lissa Hi, Alyssa

996
00:56:59,520 --> 00:57:02,840
Speaker 1: hid Hello, lady. So don't you think they're being a

997
00:57:02,840 --> 00:57:04,760
Speaker 1: little petty or do you have something at your office

998
00:57:04,760 --> 00:57:08,600
Speaker 1: that drives you nuts? Well, my workplace sucks because sometimes

999
00:57:08,680 --> 00:57:11,799
Speaker 1: we have goldfish on our floors and sometimes we don't

1000
00:57:11,840 --> 00:57:13,680
Speaker 1: in the free snack, so I have to walk all

1001
00:57:13,719 --> 00:57:16,080
Speaker 1: the way to the other floors to get the goldfish.

1002
00:57:16,120 --> 00:57:17,840
Speaker 1: And you don't know what you're going to get. You

1003
00:57:17,960 --> 00:57:19,640
Speaker 1: might get your hopes up and then they're not there

1004
00:57:19,640 --> 00:57:22,320
Speaker 1: and night. Now you've never promised your goldfish. Never promised

1005
00:57:22,320 --> 00:57:26,280
Speaker 1: your goldfish never, never, ever, ever never. I think we

1006
00:57:26,600 --> 00:57:30,840
Speaker 1: are so spoiled we are living in this very spoiled society.

1007
00:57:30,920 --> 00:57:35,320
Speaker 1: It really, it really troubles me. There are peoplecorn there

1008
00:57:35,320 --> 00:57:37,560
Speaker 1: are people in some offices that don't have goldfish, you

1009
00:57:37,600 --> 00:57:40,320
Speaker 1: believe it or not, the Lissa, Everyone in the room

1010
00:57:40,360 --> 00:57:42,320
Speaker 1: is agreeing with you except for me. So you're you're

1011
00:57:42,400 --> 00:57:45,440
Speaker 1: you're you're popular here anyway, Thank you, Alyssa. Than you

1012
00:57:45,480 --> 00:57:48,080
Speaker 1: can I bother you for a shirt? Well, let me

1013
00:57:48,120 --> 00:57:49,360
Speaker 1: just think, I don't let me see we have one?

1014
00:57:49,520 --> 00:57:54,960
Speaker 1: Did you send your shirt? Hold on uh Ember? Hello? Hello,

1015
00:57:55,360 --> 00:57:59,200
Speaker 1: So what is your annoying point of your place of employment?

1016
00:58:00,440 --> 00:58:03,680
Speaker 1: My work really sucks because they just switched all of

1017
00:58:03,720 --> 00:58:06,880
Speaker 1: their toilet trees yesterday and the new toilet paper that

1018
00:58:06,920 --> 00:58:11,280
Speaker 1: we got in has no hole in the middle of it.

1019
00:58:11,280 --> 00:58:13,680
Speaker 1: It's a roll of toilet paper. But I don't even

1020
00:58:13,720 --> 00:58:16,000
Speaker 1: think Mr Cardboard too would be too happy about this

1021
00:58:16,200 --> 00:58:20,560
Speaker 1: because there's no cardboard, there's no hole. You can't put

1022
00:58:20,600 --> 00:58:23,360
Speaker 1: it on the toilet paper roll, so everyone sets it

1023
00:58:23,440 --> 00:58:29,240
Speaker 1: on the floor. Okay, well, I see how maybe they

1024
00:58:29,240 --> 00:58:33,240
Speaker 1: should have a toilet paper roll that fits on some

1025
00:58:33,320 --> 00:58:36,120
Speaker 1: sort of spindle or what are you calling? And there's

1026
00:58:36,320 --> 00:58:38,800
Speaker 1: but there's no hole in the middle. I've never seen it.

1027
00:58:38,880 --> 00:58:41,600
Speaker 1: I've never seen such a thing. How do they how

1028
00:58:41,600 --> 00:58:44,320
Speaker 1: do they do that? I don't know, I don't know.

1029
00:58:44,400 --> 00:58:53,040
Speaker 1: It's awful. And are you calling from an aviary? Are

1030
00:58:53,080 --> 00:58:57,000
Speaker 1: you are your birds? Chirp? Is this uncle remus? It

1031
00:58:57,240 --> 00:59:00,920
Speaker 1: is nip any dude? Onto YouTube? All right, and we're

1032
00:59:00,960 --> 00:59:04,600
Speaker 1: good luck with your holess toilet paper. You sign a

1033
00:59:04,640 --> 00:59:06,880
Speaker 1: T shirt for me, I'll sign it. Should we mail

1034
00:59:06,920 --> 00:59:09,920
Speaker 1: it to you too, don't We don't. We don't have

1035
00:59:09,960 --> 00:59:12,640
Speaker 1: holes in our in our T shirts. We're only sending

1036
00:59:12,640 --> 00:59:14,160
Speaker 1: you a T shirt if you sign a roll of

1037
00:59:14,200 --> 00:59:16,160
Speaker 1: toilet paper and sentence. I want to see Simon as

1038
00:59:16,160 --> 00:59:18,600
Speaker 1: a holeless toilet paper. Okay, hold on, hold on one second.

1039
00:59:19,040 --> 00:59:21,640
Speaker 1: Uh where do you want to go? Here? Oh? Stell?

1040
00:59:21,720 --> 00:59:26,280
Speaker 1: Who's online? We lost her? Still lost her groove? She

1041
00:59:26,320 --> 00:59:28,680
Speaker 1: needs to get a groove back. I love that movie.

1042
00:59:28,720 --> 00:59:32,400
Speaker 1: That's what it is, a great movie, isn't it. I

1043
00:59:32,440 --> 00:59:37,440
Speaker 1: went to the wrong Okay, hello Stella, Hi, alright, Stella,

1044
00:59:38,840 --> 00:59:41,120
Speaker 1: you know whatever you say is the problem at your job.

1045
00:59:41,160 --> 00:59:42,960
Speaker 1: I'm going to give you grief for it because I

1046
00:59:43,000 --> 00:59:45,360
Speaker 1: think you're whining. I think everyone's whining today. But go ahead.

1047
00:59:45,400 --> 00:59:48,800
Speaker 1: What's the problem where you work? My workplace stops because

1048
00:59:49,040 --> 00:59:54,320
Speaker 1: they stop to toilet paper, so you have to go

1049
00:59:54,400 --> 00:59:57,080
Speaker 1: into the stall and unrolled toilet paper to blow your

1050
00:59:57,120 --> 01:00:03,560
Speaker 1: nouves at my house, I know. But if it's the worst, no,

1051
01:00:03,880 --> 01:00:05,520
Speaker 1: because you'll blow your nose. And if I send you

1052
01:00:05,560 --> 01:00:07,080
Speaker 1: a T shirt, you'll blow your damn nose in it

1053
01:00:08,960 --> 01:00:13,800
Speaker 1: forever forever. Alright, okay for you, absolutely, Okay, hold on

1054
01:00:13,800 --> 01:00:16,600
Speaker 1: one second once again. If these are the worst problems

1055
01:00:16,640 --> 01:00:21,520
Speaker 1: we have, then we are very blessed. I think living

1056
01:00:21,520 --> 01:00:24,080
Speaker 1: in this world of ours, learning how to adopt to

1057
01:00:24,160 --> 01:00:26,840
Speaker 1: any and every situation, learning how to y yang and

1058
01:00:27,360 --> 01:00:29,960
Speaker 1: figure it out, that's a part of life. It's violation

1059
01:00:30,040 --> 01:00:34,080
Speaker 1: of expectation. If you provide me with spoons and then

1060
01:00:34,120 --> 01:00:37,480
Speaker 1: suddenly we are spoonless, I don't know what's to expect anymore,

1061
01:00:37,520 --> 01:00:42,240
Speaker 1: And now I have trust issues. Bring your own spoons.

1062
01:00:42,400 --> 01:00:44,040
Speaker 1: Keep it on the spoons they have, do they buy

1063
01:00:44,080 --> 01:00:46,560
Speaker 1: them or they just leftovers from when just salad visions

1064
01:00:46,720 --> 01:00:51,200
Speaker 1: there's tons there were drawers of spoons. You know, they

1065
01:00:51,200 --> 01:00:53,560
Speaker 1: could save money instead of buying a fork and a spoon.

1066
01:00:53,640 --> 01:00:56,240
Speaker 1: If they just bought sports, sports would cover the side.

1067
01:00:56,320 --> 01:01:01,760
Speaker 1: That would cover both spoiled babies, spoil babies. Hello, you're

1068
01:01:01,760 --> 01:01:05,960
Speaker 1: spoiled spoiled old people. Hello, Jessica. Hi, how's it calling?

1069
01:01:06,000 --> 01:01:08,600
Speaker 1: Good morning? Well, good morning. We're doing okay except for

1070
01:01:08,600 --> 01:01:11,640
Speaker 1: the whining. Okay, what is the problem where you work? Well,

1071
01:01:11,680 --> 01:01:13,960
Speaker 1: we have to pay every month and we have to

1072
01:01:14,000 --> 01:01:17,120
Speaker 1: pay seven dollars to be able to drink the coffee,

1073
01:01:17,360 --> 01:01:21,200
Speaker 1: use the microwave, and use the refrigerator. Okay, all right,

1074
01:01:21,560 --> 01:01:25,760
Speaker 1: a little kitchen fee. Yeah, they say they put the

1075
01:01:25,800 --> 01:01:29,040
Speaker 1: money towards taking care of the microwave in the fridge,

1076
01:01:29,120 --> 01:01:31,840
Speaker 1: but well, I don't know how much maintenance those things need.

1077
01:01:32,560 --> 01:01:36,760
Speaker 1: How much this is a microwave, right, I don't know.

1078
01:01:37,160 --> 01:01:39,400
Speaker 1: Can you make it digging louder? How much does that cost?

1079
01:01:41,320 --> 01:01:43,800
Speaker 1: They're all falling apart and we have to clean them too,

1080
01:01:43,920 --> 01:01:46,400
Speaker 1: So I don't understand. If we're paying seven dollars, you

1081
01:01:46,440 --> 01:01:48,560
Speaker 1: should clean on that. If you're gonna see, if you're

1082
01:01:48,600 --> 01:01:52,320
Speaker 1: gonna pay seven dollars, they should have like a perpetual care. Yeah,

1083
01:01:52,360 --> 01:01:55,640
Speaker 1: I agree, all right, sorry about that, Jessica. But if

1084
01:01:55,640 --> 01:01:58,240
Speaker 1: that's the worst thing at work. You've got a great life. Yeah,

1085
01:01:58,280 --> 01:02:03,640
Speaker 1: I agree. We have a great boar name too. What's scary?

1086
01:02:04,000 --> 01:02:10,880
Speaker 1: These are bare necessities? You can't. I really think we're

1087
01:02:10,920 --> 01:02:15,880
Speaker 1: going through life expecting things that we are not to do.

1088
01:02:16,160 --> 01:02:18,080
Speaker 1: That's all I'm saying. If they're all, if they were

1089
01:02:18,120 --> 01:02:20,440
Speaker 1: given to you the first time around, right then I

1090
01:02:20,480 --> 01:02:22,800
Speaker 1: don't Why wouldn't you expect it the second and third

1091
01:02:22,800 --> 01:02:24,680
Speaker 1: time around. It's not in the contract that you're gonna

1092
01:02:24,720 --> 01:02:27,120
Speaker 1: be paid interest. If I show up to work with

1093
01:02:27,200 --> 01:02:30,240
Speaker 1: a coffee for you for seven straight shows, on the

1094
01:02:30,320 --> 01:02:32,360
Speaker 1: eighth show, you're going to think, Hey, I can't wait

1095
01:02:32,400 --> 01:02:36,160
Speaker 1: till frog. I will thank you for all the coffees

1096
01:02:36,200 --> 01:02:40,680
Speaker 1: you brought. Alright, alright, let's move on. I just feel

1097
01:02:40,720 --> 01:02:42,840
Speaker 1: I feel like we're not going to win into this conversation.

1098
01:02:43,880 --> 01:02:47,000
Speaker 1: But what about these people? See this? I get this text.

1099
01:02:47,240 --> 01:02:51,360
Speaker 1: There are boogers smeared on the bathroom wall, Well you've

1100
01:02:51,400 --> 01:02:53,160
Speaker 1: grown up. When I walk into the man's room and

1101
01:02:53,160 --> 01:02:56,480
Speaker 1: there's human waste on the floor, those are reasons to

1102
01:02:56,560 --> 01:02:59,479
Speaker 1: complain about work or short and curly's on the seat.

1103
01:02:59,520 --> 01:03:02,320
Speaker 1: It's not about what's not there's about what's what. People

1104
01:03:02,400 --> 01:03:05,760
Speaker 1: leave there, take it with you. It's so frustrating. In

1105
01:03:05,760 --> 01:03:08,480
Speaker 1: our men's room, people were wiping boogies on the wall

1106
01:03:08,520 --> 01:03:10,400
Speaker 1: and they came in and rather than cleaning them off,

1107
01:03:10,440 --> 01:03:17,880
Speaker 1: they just painted over them. Okay, So there's one thing

1108
01:03:17,920 --> 01:03:20,440
Speaker 1: that I really really enjoyed in the bathroom. It was

1109
01:03:20,480 --> 01:03:23,040
Speaker 1: they had like a miss deodorizer that every now and

1110
01:03:23,080 --> 01:03:26,280
Speaker 1: then it would automatically go and it would push out

1111
01:03:26,320 --> 01:03:28,600
Speaker 1: this miss and it was so it smells so nice.

1112
01:03:28,840 --> 01:03:31,240
Speaker 1: So that's been empty for over two months and nobody's

1113
01:03:31,280 --> 01:03:34,320
Speaker 1: refilling it. That bothers me. And also the air conditioners

1114
01:03:34,360 --> 01:03:37,600
Speaker 1: are constantly on. It is freezing. We put cardboard up

1115
01:03:37,640 --> 01:03:40,760
Speaker 1: a condition things that can be changed. Yes, we fixed that.

1116
01:03:40,920 --> 01:03:42,480
Speaker 1: It's just really frustrating. It's like when I was in

1117
01:03:42,520 --> 01:03:44,960
Speaker 1: elementary school and the crack dealer on the playground only

1118
01:03:44,960 --> 01:03:47,640
Speaker 1: gave it to me free once. Yeah, expected it free

1119
01:03:47,640 --> 01:03:50,920
Speaker 1: every time. Right, all right? I agree with you. We

1120
01:03:51,000 --> 01:03:53,680
Speaker 1: gotta get into the Daniel report. Daniel, Yes, what is

1121
01:03:53,720 --> 01:03:57,200
Speaker 1: going on? All right? So Netflix? Uh, the Orange is

1122
01:03:57,240 --> 01:04:00,280
Speaker 1: the New Black season will be returning on June ninth,

1123
01:04:00,320 --> 01:04:03,360
Speaker 1: and the trailer is really cool. If you would like

1124
01:04:03,440 --> 01:04:05,360
Speaker 1: to see the trailer, we have a few elvis surrounds

1125
01:04:05,360 --> 01:04:08,920
Speaker 1: dot com. Apparently everybody was checking out this trailer yesterday

1126
01:04:09,000 --> 01:04:10,560
Speaker 1: late in the day, so that is there for you.

1127
01:04:10,560 --> 01:04:13,400
Speaker 1: Go check it out. I am so excited because MTV

1128
01:04:13,720 --> 01:04:17,520
Speaker 1: is bringing back Fear Factor and Ludicrous will be your host.

1129
01:04:17,960 --> 01:04:20,800
Speaker 1: But here's the thing. They're gonna do it different this time.

1130
01:04:20,960 --> 01:04:23,920
Speaker 1: They're gonna do things that they think the youth of today,

1131
01:04:24,520 --> 01:04:28,560
Speaker 1: UM won't do, like submerge your cell phone in water

1132
01:04:29,040 --> 01:04:32,120
Speaker 1: like things like that that you have anxiety over, like

1133
01:04:32,160 --> 01:04:33,960
Speaker 1: you know, your cell phone falling in the toilet and

1134
01:04:33,960 --> 01:04:36,080
Speaker 1: stuff like that. That's what they're gonna do. UM. So

1135
01:04:36,120 --> 01:04:38,240
Speaker 1: that's exciting and I will keep you posted on that

1136
01:04:38,280 --> 01:04:41,920
Speaker 1: one that will return. But as the Hudgens dropped thirty pounds,

1137
01:04:42,400 --> 01:04:44,640
Speaker 1: ten of them in just one month, she was talking

1138
01:04:44,640 --> 01:04:48,320
Speaker 1: to Women's Health magazine. She said she worked out seven

1139
01:04:48,360 --> 01:04:52,240
Speaker 1: days a week, often completing two indoor cycling classes in

1140
01:04:52,280 --> 01:04:55,800
Speaker 1: a single day. She paid over fifteen hundred dollars per

1141
01:04:55,840 --> 01:04:59,600
Speaker 1: month for gym memberships, yoga and pilates classes, and soul

1142
01:04:59,640 --> 01:05:03,320
Speaker 1: psych she said. But it's cheaper than plastic surgery, that's

1143
01:05:03,320 --> 01:05:05,040
Speaker 1: what she said. So she wanted to get into shave

1144
01:05:05,120 --> 01:05:07,040
Speaker 1: and do it that way. It's pretty fast. Yeah, that

1145
01:05:07,160 --> 01:05:10,200
Speaker 1: is really fast to lose that much. It's very intense. Yeah,

1146
01:05:10,360 --> 01:05:13,120
Speaker 1: shy Ala Buff's next publicity stunt is set. He is

1147
01:05:13,120 --> 01:05:15,080
Speaker 1: going to be living alone in the cabin next month,

1148
01:05:15,120 --> 01:05:16,680
Speaker 1: and then he has two friends that will be living

1149
01:05:16,680 --> 01:05:20,000
Speaker 1: in other cabins. The cabin is in Finland. The only

1150
01:05:20,080 --> 01:05:22,360
Speaker 1: contact he will have with the outside world is text

1151
01:05:22,360 --> 01:05:25,880
Speaker 1: messages with visitors from this certain museum. The project is

1152
01:05:25,920 --> 01:05:29,880
Speaker 1: called hashtag Alone Together. So that's yeah. I don't know

1153
01:05:29,920 --> 01:05:31,920
Speaker 1: who sits with shy and comes off with this crap.

1154
01:05:32,400 --> 01:05:35,240
Speaker 1: I want to know, Like, I know what you should do.

1155
01:05:35,600 --> 01:05:38,000
Speaker 1: You go sitting at cabin by herself for a month.

1156
01:05:38,160 --> 01:05:39,960
Speaker 1: I don't get a peaceful I don't. I don't know.

1157
01:05:41,400 --> 01:05:44,560
Speaker 1: Beth sounds good to me. I want to go to

1158
01:05:44,600 --> 01:05:47,600
Speaker 1: a planet and just sit there. I guess to be alone. Right,

1159
01:05:47,640 --> 01:05:49,840
Speaker 1: let's do it. Just find me there, don't come get me,

1160
01:05:49,960 --> 01:05:55,280
Speaker 1: just leave me there. It sounds just bethany cheap. She

1161
01:05:55,320 --> 01:05:59,320
Speaker 1: only needs one way tickets, send me away by thought.

1162
01:05:59,360 --> 01:06:03,000
Speaker 1: You've nailed your impression of me. It's perfect. Hey. Tupac

1163
01:06:03,080 --> 01:06:05,800
Speaker 1: was arrested for felony assault with a deadly weapon last

1164
01:06:05,800 --> 01:06:08,480
Speaker 1: month Tupac share. I know he's dead. It's not the

1165
01:06:08,520 --> 01:06:10,880
Speaker 1: real Tupac, but it was another guy who got arrested,

1166
01:06:11,200 --> 01:06:15,160
Speaker 1: and everybody right away was like, oh my gosh, Tupac arrested.

1167
01:06:15,400 --> 01:06:19,320
Speaker 1: Oh my god, I was wrong by a hologram. Why

1168
01:06:19,800 --> 01:06:24,720
Speaker 1: don't get that? I don't know that. Mars Chance, the rapper,

1169
01:06:25,120 --> 01:06:29,080
Speaker 1: is celebrating his birthday doing a charity event. It's this Sunday.

1170
01:06:29,600 --> 01:06:32,080
Speaker 1: It's in his hometown of Chicago, and he is going

1171
01:06:32,120 --> 01:06:35,040
Speaker 1: to obviously donate a lot of the proceeds benefiting Social

1172
01:06:35,040 --> 01:06:38,920
Speaker 1: Works UH organization, which is awesome and nonprofit and you

1173
01:06:38,960 --> 01:06:40,680
Speaker 1: can go and buy tickets. So check it out if

1174
01:06:40,720 --> 01:06:42,640
Speaker 1: you want to a party with Chance on his birthday,

1175
01:06:42,760 --> 01:06:45,920
Speaker 1: twenty fourth birthday. But what hundred episode of Scandal is

1176
01:06:45,960 --> 01:06:48,960
Speaker 1: happening tonight? And of course cool, congratulations to them. Yeah,

1177
01:06:48,960 --> 01:06:50,840
Speaker 1: and it is Shawn to Thursday and also the first

1178
01:06:50,880 --> 01:06:54,880
Speaker 1: season finale of The Blacklist redeption One More Call. It's

1179
01:06:54,920 --> 01:06:57,080
Speaker 1: just so hard at work where Katie works? Katie? What

1180
01:06:57,160 --> 01:07:01,480
Speaker 1: are they neglecting at work? Now? Well, my job sucks

1181
01:07:01,560 --> 01:07:06,480
Speaker 1: because my boss didn't fill a chocolate dish. What the

1182
01:07:07,560 --> 01:07:12,360
Speaker 1: it's an empty dish? Where good Diva Chocolates used to live. Yes, yeah,

1183
01:07:12,440 --> 01:07:15,360
Speaker 1: his wife worked for for Goodiva, so he always brings

1184
01:07:15,360 --> 01:07:18,040
Speaker 1: in like a bunch of free bags. And he's on

1185
01:07:18,080 --> 01:07:22,240
Speaker 1: his honeymoon in Italy. We are we are suffering here.

1186
01:07:24,720 --> 01:07:27,320
Speaker 1: I like this, Hello, darling, let's go out in Rome

1187
01:07:27,360 --> 01:07:29,520
Speaker 1: and have lunch. But wait a minute, the people back

1188
01:07:29,560 --> 01:07:31,200
Speaker 1: at the office of softeig I didn't put the good

1189
01:07:31,520 --> 01:07:39,000
Speaker 1: chocole to withdraw. Well, what are you gonna do? Let

1190
01:07:39,080 --> 01:07:41,959
Speaker 1: me start some sort of go funds me for you.

1191
01:07:42,440 --> 01:07:44,880
Speaker 1: I'm wondering if they could, that would be great. All right, Katie,

1192
01:07:44,880 --> 01:07:47,200
Speaker 1: good luck. They'll be home from their Italian honeymoon soon

1193
01:07:47,280 --> 01:07:51,720
Speaker 1: with more Good Diva chocolate. Thank you, thank you hashtag

1194
01:07:51,800 --> 01:07:59,880
Speaker 1: not blessed, claimed radio personality stret Ran In the morning,

1195
01:08:00,640 --> 01:08:02,960
Speaker 1: Julia was beginning a new life with her new man,

1196
01:08:03,080 --> 01:08:06,080
Speaker 1: but when his ex discovers there engaged, she decides to

1197
01:08:06,200 --> 01:08:10,160
Speaker 1: sabotage their relationship. Unforgettable as a psychological thriller that will

1198
01:08:10,240 --> 01:08:12,640
Speaker 1: keep you on the edge of your seat, starring Katherine

1199
01:08:12,680 --> 01:08:21,519
Speaker 1: Heigel and Rosario Dawson. Radar ar in theaters as I

1200
01:08:21,640 --> 01:08:23,679
Speaker 1: love listening to it every morning. I like they're so funny.

1201
01:08:23,760 --> 01:08:26,200
Speaker 1: It just gets me going. I love it. Guys were amazing.

1202
01:08:26,840 --> 01:08:28,960
Speaker 1: My mom. I walked in and she caught me wearing

1203
01:08:29,000 --> 01:08:37,200
Speaker 1: her pantyhose. You are literally my best friend. I love

1204
01:08:37,240 --> 01:08:44,840
Speaker 1: big black bouncy balls. Stupid in the morning, chill. You

1205
01:08:44,840 --> 01:08:46,880
Speaker 1: know one of my favorite moments today. We've had several

1206
01:08:46,880 --> 01:08:49,719
Speaker 1: fantastic moments. One of them was when Ron, our friend

1207
01:08:49,800 --> 01:08:53,760
Speaker 1: that works for the elevators the local construction elevator, went yeah,

1208
01:08:53,800 --> 01:08:56,920
Speaker 1: you know what I'm saying. Incredible, incredible guy he called it.

1209
01:08:57,000 --> 01:09:00,360
Speaker 1: Talked about everything elevators this morning, and you know, elevators.

1210
01:09:00,400 --> 01:09:02,559
Speaker 1: As I said during that segment, there's something that we

1211
01:09:02,600 --> 01:09:04,600
Speaker 1: just kind of take for granted. If we thought you

1212
01:09:04,680 --> 01:09:08,080
Speaker 1: new elevators, you didn't well, and we we enlightened with

1213
01:09:08,120 --> 01:09:11,360
Speaker 1: our elevator conversation. I learned a lot about elevators I have.

1214
01:09:11,520 --> 01:09:13,600
Speaker 1: I didn't realize I had so many questions, But I

1215
01:09:13,640 --> 01:09:15,360
Speaker 1: could have talked to him for another half an hour.

1216
01:09:15,520 --> 01:09:18,680
Speaker 1: So how many things are there in life that we

1217
01:09:20,280 --> 01:09:23,920
Speaker 1: take for granted. They're there for us every day, but

1218
01:09:23,960 --> 01:09:27,040
Speaker 1: if something were to happen to them, we'd be really pissed.

1219
01:09:27,240 --> 01:09:29,720
Speaker 1: Yeah you know what I'm saying. I mean, we get

1220
01:09:29,720 --> 01:09:32,000
Speaker 1: so used to electricity, but if it goes out, You're like,

1221
01:09:33,000 --> 01:09:36,679
Speaker 1: where's the electricity because you just expect it to be there.

1222
01:09:36,840 --> 01:09:38,760
Speaker 1: I've had the electricity go out in my apartment before,

1223
01:09:38,800 --> 01:09:40,360
Speaker 1: and I'm like, well, I'll just watch TV while it

1224
01:09:40,360 --> 01:09:43,360
Speaker 1: comes back on. Nope, I won't. Well, at least I'll

1225
01:09:43,400 --> 01:09:46,720
Speaker 1: charge my phone. Nope, I won't go online. Oh no,

1226
01:09:46,840 --> 01:09:49,080
Speaker 1: I don't have WiFi. WiFi went out the other day,

1227
01:09:49,160 --> 01:09:51,640
Speaker 1: so I I'll just go to my phone. Oh I

1228
01:09:51,680 --> 01:09:56,479
Speaker 1: couldn't get a signal. Whats going on? It's so there

1229
01:09:56,520 --> 01:10:00,600
Speaker 1: every day, just like oxygen, just like water, which you

1230
01:10:00,680 --> 01:10:03,600
Speaker 1: can lose, and you take it for granted. What but

1231
01:10:03,680 --> 01:10:08,680
Speaker 1: what is another incredibly powerful thing like an elevator that

1232
01:10:08,720 --> 01:10:10,639
Speaker 1: we use every day that we we take for granted

1233
01:10:10,680 --> 01:10:13,880
Speaker 1: that we should be learning more about indoor plumbing and plumbing.

1234
01:10:13,920 --> 01:10:16,680
Speaker 1: I have no idea how indoor plumbing actually works. Okay,

1235
01:10:16,840 --> 01:10:19,280
Speaker 1: I'm gonna sound really stupid, but I know that when

1236
01:10:19,320 --> 01:10:23,559
Speaker 1: I was building a house once, they had to run

1237
01:10:24,040 --> 01:10:27,840
Speaker 1: a pipe from the bathroom up to the roof of

1238
01:10:27,880 --> 01:10:32,520
Speaker 1: the house because there has to be like air ventilation, ventilation,

1239
01:10:33,160 --> 01:10:36,479
Speaker 1: which ventilation when they draws on the air for so

1240
01:10:36,600 --> 01:10:39,320
Speaker 1: the pipes won't burst or something. What is it right, Well,

1241
01:10:39,360 --> 01:10:41,320
Speaker 1: there's gotta be air that's got to get into so

1242
01:10:41,360 --> 01:10:43,280
Speaker 1: that the air can flux in and out. Otherwise it

1243
01:10:43,280 --> 01:10:45,760
Speaker 1: would be one big suction. It would suck everything down.

1244
01:10:45,880 --> 01:10:47,479
Speaker 1: Oh my god, it would pull my organs out of

1245
01:10:47,520 --> 01:10:49,960
Speaker 1: my as well. That could possibly do that. I'm sure

1246
01:10:50,120 --> 01:10:53,800
Speaker 1: I can't handle that again. I flooded my house once

1247
01:10:53,880 --> 01:10:56,839
Speaker 1: because I didn't realize because I didn't know anything about plumbing,

1248
01:10:57,120 --> 01:11:00,320
Speaker 1: so I broke the toilet accidentally, and then I didn't

1249
01:11:00,360 --> 01:11:02,240
Speaker 1: realize that there's that little knob in the back that

1250
01:11:02,280 --> 01:11:04,880
Speaker 1: you can turn the water off with. You didn't know,

1251
01:11:05,000 --> 01:11:07,479
Speaker 1: so I flooded the house. Now I know you can

1252
01:11:07,560 --> 01:11:11,639
Speaker 1: turn that little knob. Okay, So if you know about

1253
01:11:11,680 --> 01:11:14,360
Speaker 1: plumbing or you are a plumber, you're listening to us, going, God,

1254
01:11:14,439 --> 01:11:19,280
Speaker 1: these guys are so stupid. Of course, she didn't tell

1255
01:11:19,320 --> 01:11:21,120
Speaker 1: you how she broke her toilet. Daniel drove her car

1256
01:11:21,200 --> 01:11:28,600
Speaker 1: right into it. You know what, you and some of

1257
01:11:28,600 --> 01:11:32,000
Speaker 1: you are not any better. Okay, Froggy sucks. What are

1258
01:11:32,000 --> 01:11:38,439
Speaker 1: you talking about? Okay? Off topic now, okay, okay, okay,

1259
01:11:38,439 --> 01:11:40,920
Speaker 1: your car, for instance, so many moving parts in your

1260
01:11:40,920 --> 01:11:43,120
Speaker 1: car do you really know how that were? Nope? No,

1261
01:11:44,520 --> 01:11:46,599
Speaker 1: But if if it goes down, if one of those

1262
01:11:46,600 --> 01:11:50,040
Speaker 1: little moving parts stops and you can't drive, you're screwed.

1263
01:11:51,720 --> 01:11:54,880
Speaker 1: An airplane now you know the fact that you can

1264
01:11:54,920 --> 01:11:58,120
Speaker 1: sit in a seat maybe if they don't, if they

1265
01:11:58,120 --> 01:12:02,320
Speaker 1: don't drag you out of it, you can. You can

1266
01:12:02,360 --> 01:12:04,880
Speaker 1: sit in a seat. The thing goes faster, faster faster,

1267
01:12:04,920 --> 01:12:06,760
Speaker 1: and all of a sudden you start to gradually take

1268
01:12:06,840 --> 01:12:11,719
Speaker 1: up on your in the air. How does it stay there? Question?

1269
01:12:11,880 --> 01:12:15,040
Speaker 1: And then they know where to go even if it's

1270
01:12:15,160 --> 01:12:18,000
Speaker 1: dark and there's other planes up there, and we don't

1271
01:12:18,080 --> 01:12:21,519
Speaker 1: hit him and then we land. To me, it's a

1272
01:12:21,560 --> 01:12:26,080
Speaker 1: miracle and we don't hit birds that often. What about

1273
01:12:26,120 --> 01:12:28,920
Speaker 1: a thermis? Like a thermis, you put something cold in there,

1274
01:12:29,400 --> 01:12:32,679
Speaker 1: it keeps it cold. You put something hot, it keeps

1275
01:12:32,680 --> 01:12:39,000
Speaker 1: it hot. Do it? Do it? Janelle? How are you hi? Um?

1276
01:12:39,120 --> 01:12:41,840
Speaker 1: I was calling because I worked for a box company

1277
01:12:42,080 --> 01:12:44,800
Speaker 1: and I don't more about boxes than you could ever imagine.

1278
01:12:45,280 --> 01:12:49,360
Speaker 1: And you know, if you didn't have things like if

1279
01:12:49,360 --> 01:12:52,960
Speaker 1: you're moving your house or you're you know, anything that

1280
01:12:53,040 --> 01:12:55,800
Speaker 1: any business has, they wouldn't be able to run their

1281
01:12:55,840 --> 01:12:59,479
Speaker 1: business exactly. I know. But see, we have boxes all

1282
01:12:59,520 --> 01:13:02,840
Speaker 1: different I mean sizes, shapes, whatever. But we also have

1283
01:13:02,920 --> 01:13:06,160
Speaker 1: the Container Store, which is really a huge store that

1284
01:13:06,280 --> 01:13:10,600
Speaker 1: was based on boxes, and we use them every day.

1285
01:13:10,680 --> 01:13:13,960
Speaker 1: And if they went away, we'd be box lest We'd

1286
01:13:14,000 --> 01:13:18,160
Speaker 1: be screwed. It's true, what happened to the Amazon warehouse,

1287
01:13:18,160 --> 01:13:19,920
Speaker 1: it would be a warehouse filled with stuff and no

1288
01:13:20,080 --> 01:13:22,759
Speaker 1: boxes to send to me. There will be no smiley

1289
01:13:22,760 --> 01:13:25,400
Speaker 1: face on the side of a what is that a box?

1290
01:13:26,400 --> 01:13:29,640
Speaker 1: So we take these things for granted because we're spoiled.

1291
01:13:29,760 --> 01:13:33,280
Speaker 1: What's the number one thing that we should know about boxes?

1292
01:13:33,320 --> 01:13:36,960
Speaker 1: But we don't tell me? Um, Well, there's so many

1293
01:13:37,080 --> 01:13:40,360
Speaker 1: different like sicknesses, and what they're made out of, and

1294
01:13:40,600 --> 01:13:44,639
Speaker 1: how they're labeled, how different boxes can hold different weights

1295
01:13:44,680 --> 01:13:47,680
Speaker 1: of things. I guess. Yeah, So they're like graded on

1296
01:13:47,760 --> 01:13:49,920
Speaker 1: like they have like stamps on them that say, oh,

1297
01:13:50,040 --> 01:13:54,880
Speaker 1: I can hold so many pounds of weight with you.

1298
01:13:55,000 --> 01:13:57,200
Speaker 1: Look on the bottom of your box. You'll see Janelle.

1299
01:13:57,240 --> 01:13:58,600
Speaker 1: Look on the bottom of that box, and there's that

1300
01:13:58,680 --> 01:14:00,920
Speaker 1: stamp and it tells you all about that box, right

1301
01:14:01,560 --> 01:14:03,720
Speaker 1: where it came from. Yeah, I'll tell you where it

1302
01:14:03,800 --> 01:14:08,040
Speaker 1: was made and usually the company that makes it, so

1303
01:14:08,760 --> 01:14:11,000
Speaker 1: I don't know. I just thought it was an interesting thing,

1304
01:14:11,040 --> 01:14:13,120
Speaker 1: and never in a million years I would think I'd

1305
01:14:13,120 --> 01:14:18,599
Speaker 1: be talking to you guys about the job talking about boxes.

1306
01:14:18,680 --> 01:14:20,479
Speaker 1: So you know, when you go to work in the

1307
01:14:20,479 --> 01:14:22,360
Speaker 1: morning for the box company, you got us toop and go.

1308
01:14:22,479 --> 01:14:25,479
Speaker 1: You know what, we're doing the important things with boxes,

1309
01:14:25,880 --> 01:14:28,360
Speaker 1: and it is more important than anyone really wants to admit.

1310
01:14:28,640 --> 01:14:31,720
Speaker 1: We love boxing, all right, thank you, jeal And the

1311
01:14:31,800 --> 01:14:35,759
Speaker 1: last thing that everyone thinks about is you know, everyone

1312
01:14:35,840 --> 01:14:38,080
Speaker 1: buys all the stuff to make all your products and

1313
01:14:38,080 --> 01:14:40,920
Speaker 1: then oh crap, we need boxes and it's the last things.

1314
01:14:41,080 --> 01:14:44,000
Speaker 1: Everything is hot, hot, hot, hot brush. I know they're

1315
01:14:44,040 --> 01:14:47,160
Speaker 1: like another emergency box session. Had no idea, and I

1316
01:14:47,240 --> 01:14:49,960
Speaker 1: want to think Froggy for not saying anything inappropriate during

1317
01:14:49,960 --> 01:14:54,880
Speaker 1: this conversation. I love boxes. Thank you that around. Thank

1318
01:14:54,880 --> 01:14:58,599
Speaker 1: you so much, Elvis, goodbye. Seriously, it's it's something as

1319
01:14:58,640 --> 01:15:01,160
Speaker 1: simple as a box is really a complex thing. Yes,

1320
01:15:01,760 --> 01:15:04,000
Speaker 1: I'm about to blow your minds. You know what else

1321
01:15:04,040 --> 01:15:06,760
Speaker 1: we need to know about? Think about this? How do

1322
01:15:07,560 --> 01:15:10,679
Speaker 1: cruise lines cruise ships? How do they start at one

1323
01:15:10,800 --> 01:15:12,920
Speaker 1: port and then go to the middle of the ocean

1324
01:15:13,160 --> 01:15:16,360
Speaker 1: with no stop signs, no traffic lights, no nothing in

1325
01:15:16,400 --> 01:15:18,799
Speaker 1: the middle there and end up like at an island

1326
01:15:18,880 --> 01:15:21,479
Speaker 1: somewhere in the Bahamas. How do they know where they're

1327
01:15:21,479 --> 01:15:24,320
Speaker 1: even going? About that? Well, we know the answer to that.

1328
01:15:24,439 --> 01:15:28,240
Speaker 1: Mind blown. How do they do it? We know how

1329
01:15:28,240 --> 01:15:32,240
Speaker 1: that works. How it's called navigational technology, a navigation g

1330
01:15:32,240 --> 01:15:35,000
Speaker 1: GPS in the middle of the night with no lights,

1331
01:15:35,040 --> 01:15:38,960
Speaker 1: no nothing, with the stars the stars. Think about that

1332
01:15:39,160 --> 01:15:44,560
Speaker 1: using starship. Seriously, I gotta be honest with you. This

1333
01:15:44,760 --> 01:15:47,120
Speaker 1: is a major thing that we do. We do understand.

1334
01:15:47,320 --> 01:15:51,120
Speaker 1: We just get on a boat and go. How does

1335
01:15:51,160 --> 01:15:56,400
Speaker 1: that clean your hands? How does it know? How chemicals? Chemicals?

1336
01:15:56,600 --> 01:15:57,960
Speaker 1: You know? I don't know, but we don't know what

1337
01:15:58,040 --> 01:16:00,519
Speaker 1: kind of chemicals? You know? It goes on what we

1338
01:16:00,640 --> 01:16:03,320
Speaker 1: consciously know. A slurpie? Why does it take the pain

1339
01:16:03,360 --> 01:16:07,080
Speaker 1: off of my car? Chemicals? For the same reason the

1340
01:16:07,160 --> 01:16:10,320
Speaker 1: hand sanitizer keeps. How do you know that it takes

1341
01:16:10,320 --> 01:16:16,160
Speaker 1: the pain after I've spilled before? Okay, shut up, froggy.

1342
01:16:16,360 --> 01:16:22,000
Speaker 1: Did you hit a slurpy machine? I had to say it,

1343
01:16:22,040 --> 01:16:26,080
Speaker 1: but I love you and I'm sorry. Yes, great, okay,

1344
01:16:26,280 --> 01:16:29,880
Speaker 1: one more, okay, yes, when you have a headache, how

1345
01:16:29,880 --> 01:16:32,800
Speaker 1: do you how does the aspir know when I take

1346
01:16:32,880 --> 01:16:37,439
Speaker 1: aspirin to put my headache away, Like, that's a good point. Mean,

1347
01:16:41,400 --> 01:16:44,200
Speaker 1: aspirin is a miracle drug and you know, and doctor

1348
01:16:44,240 --> 01:16:45,639
Speaker 1: Oz will tell you this, and it's very true. I've

1349
01:16:45,640 --> 01:16:48,160
Speaker 1: heard of other doctors say it as well. Aspirin is

1350
01:16:48,960 --> 01:16:52,519
Speaker 1: probably one of the most important miracle drugs of our

1351
01:16:52,600 --> 01:16:55,080
Speaker 1: lives because you can get rid of a headache, but

1352
01:16:55,120 --> 01:16:59,679
Speaker 1: it can also uh prevent heart attacks and clogged arteries.

1353
01:16:59,680 --> 01:17:02,680
Speaker 1: And said, how does it know it's not working on

1354
01:17:02,680 --> 01:17:04,200
Speaker 1: a headache and it's working on a blood close. I

1355
01:17:04,240 --> 01:17:07,360
Speaker 1: don't know. This is crazy. It goes down and then

1356
01:17:07,360 --> 01:17:10,960
Speaker 1: all of a sudden, yes, Nate w it's a vaso dilator,

1357
01:17:11,040 --> 01:17:13,559
Speaker 1: so of course. Yeah. So what happens is when you

1358
01:17:13,640 --> 01:17:16,360
Speaker 1: take that aspirin, it makes your veins and all of

1359
01:17:16,360 --> 01:17:20,719
Speaker 1: your arm. Yeah, so the blood flow is much higher

1360
01:17:20,720 --> 01:17:24,880
Speaker 1: in your head, so the headache goes away. It's not magic.

1361
01:17:25,040 --> 01:17:26,280
Speaker 1: I don't know how to do that, but he just

1362
01:17:26,320 --> 01:17:27,880
Speaker 1: told you how to do. All right, we gotta move on,

1363
01:17:28,560 --> 01:17:31,280
Speaker 1: uh and talk to about radio. How do we talk

1364
01:17:31,320 --> 01:17:35,120
Speaker 1: into a microphone and it goes into speakers. Hello, Kristen,

1365
01:17:35,160 --> 01:17:38,679
Speaker 1: how are you? Or Christina? What's your name Christina? Christina?

1366
01:17:38,760 --> 01:17:43,160
Speaker 1: Hi Christina? How's how's it going good? I honestly cannot

1367
01:17:43,160 --> 01:17:46,040
Speaker 1: believe I'm talking to you right now. Well, welcome to

1368
01:17:46,040 --> 01:17:47,840
Speaker 1: the show. What is your question about it? And every

1369
01:17:47,920 --> 01:17:52,599
Speaker 1: day thing we use that should totally blow our mind? Okay?

1370
01:17:52,680 --> 01:17:56,000
Speaker 1: Do you know why the water in your toilet moves

1371
01:17:56,000 --> 01:18:01,240
Speaker 1: when it's really windy out? Now? I have noticed that

1372
01:18:01,280 --> 01:18:05,960
Speaker 1: there will I have white caps in none. There are

1373
01:18:06,080 --> 01:18:09,000
Speaker 1: times where I will see the water like going like

1374
01:18:09,680 --> 01:18:12,240
Speaker 1: a little you just barely notice it. It is moving.

1375
01:18:12,280 --> 01:18:15,639
Speaker 1: But why is that? It's because of that pipe you're

1376
01:18:15,680 --> 01:18:20,280
Speaker 1: talking about that goes outside. Okay, that's it. Oh, so

1377
01:18:20,320 --> 01:18:22,519
Speaker 1: the air is going down into the pipe up into

1378
01:18:22,560 --> 01:18:25,559
Speaker 1: the toilet and it's causing the white cap. Yeah, I'm

1379
01:18:25,560 --> 01:18:28,080
Speaker 1: glad I'm not the little tidy bold man isn't in there,

1380
01:18:28,080 --> 01:18:30,600
Speaker 1: and you could go overboard onto the sides. All right,

1381
01:18:30,600 --> 01:18:32,040
Speaker 1: Well there you go. I didn't know that. Thank you

1382
01:18:32,080 --> 01:18:34,680
Speaker 1: for pointing that out. Yeah, I don't know. I'm not

1383
01:18:34,720 --> 01:18:37,160
Speaker 1: a plumber or anything, but my friend told me that once.

1384
01:18:37,200 --> 01:18:40,960
Speaker 1: Because I don't know, it just came up. I know,

1385
01:18:41,360 --> 01:18:44,200
Speaker 1: how does how does it know? Thank you? How does

1386
01:18:44,200 --> 01:18:48,040
Speaker 1: a microwave make corn? Pop. Well, it heats it. There's

1387
01:18:48,080 --> 01:18:49,920
Speaker 1: a heat thing going and we know that like a

1388
01:18:50,000 --> 01:18:52,599
Speaker 1: jiffy pop on your stovetop. But that's a different kind

1389
01:18:52,640 --> 01:18:55,080
Speaker 1: of a heat. That's like a real heat, like you know,

1390
01:18:55,200 --> 01:19:00,920
Speaker 1: I think microwaves. Like the way microwaves work. It heats moisture,

1391
01:19:01,080 --> 01:19:04,240
Speaker 1: doesn't it. There's something there. I don't know. So many

1392
01:19:04,280 --> 01:19:07,799
Speaker 1: people right now hitting their heads against any hard surface

1393
01:19:07,840 --> 01:19:10,080
Speaker 1: they can find, and you'll need an ashperin. And you

1394
01:19:10,200 --> 01:19:11,920
Speaker 1: want to know why it works? How do it know?

1395
01:19:12,160 --> 01:19:13,880
Speaker 1: How do it know? We've to get into sound with

1396
01:19:13,920 --> 01:19:16,559
Speaker 1: Garrett Garrets. Alright, what sound do you have? All right,

1397
01:19:16,600 --> 01:19:18,280
Speaker 1: let's start with this. Blink one eighty two just put

1398
01:19:18,280 --> 01:19:21,000
Speaker 1: out a brand new song. It's only thirty seconds and

1399
01:19:21,040 --> 01:19:24,200
Speaker 1: it's called Can't Get You More Pregnant. It's thirty seconds long.

1400
01:19:24,240 --> 01:19:49,720
Speaker 1: You want to hear it? Yet, I can't take care

1401
01:19:49,800 --> 01:19:56,720
Speaker 1: of myself World Premier, Can't Catch You More Pregnant? Blink two.

1402
01:19:57,200 --> 01:19:58,880
Speaker 1: I want to play it once an hour. I love

1403
01:19:58,880 --> 01:20:01,720
Speaker 1: short song. Yes, all right, Jimmy kimmelas you can play

1404
01:20:01,760 --> 01:20:05,400
Speaker 1: that thirty times an hour. Jimmy Kimmel last night was

1405
01:20:05,479 --> 01:20:07,559
Speaker 1: just on a roll. So he started with Bill O'Reilly.

1406
01:20:07,560 --> 01:20:10,720
Speaker 1: Bill O'Reilly is going on vacation from Fox News, and

1407
01:20:10,760 --> 01:20:13,400
Speaker 1: some people are saying thinking a leave of absence over

1408
01:20:13,439 --> 01:20:17,639
Speaker 1: allegations of sexual harassment in the workplace. On his show,

1409
01:20:17,880 --> 01:20:20,320
Speaker 1: so Jimmy Kimmel played this clip from Bill O'Reilly show

1410
01:20:20,320 --> 01:20:22,640
Speaker 1: and then had some comments to say, last all, I

1411
01:20:22,680 --> 01:20:25,080
Speaker 1: booked a trip that should be terrific. Not going to

1412
01:20:25,200 --> 01:20:27,240
Speaker 1: tell you where it is, but we have a contest

1413
01:20:27,240 --> 01:20:30,599
Speaker 1: on Bill O'Reilly dot com. Guess where bills going? All

1414
01:20:30,680 --> 01:20:44,639
Speaker 1: right to Hell? Maybe is it Hella Hell? Wow? Babies, baby, Oh,

1415
01:20:44,840 --> 01:20:47,519
Speaker 1: I know where he is. Of course, Bill O'Reilly is

1416
01:20:47,560 --> 01:20:53,240
Speaker 1: vacationing right now Inland. And then Jimmy Kimmel took on

1417
01:20:53,280 --> 01:20:56,880
Speaker 1: the Proposal season where teenagers are asking older celebrities to

1418
01:20:56,960 --> 01:21:00,400
Speaker 1: go to prom uh, specifically talking about the kid that

1419
01:21:00,520 --> 01:21:04,200
Speaker 1: asked um A Emma Stone to go to prompt Yeah,

1420
01:21:04,200 --> 01:21:06,160
Speaker 1: why are they doing this when they putting these celebrities

1421
01:21:06,200 --> 01:21:07,640
Speaker 1: on the spot like this. He doesn't want to go

1422
01:21:07,680 --> 01:21:11,560
Speaker 1: to a dance with you because she's twenty eight and

1423
01:21:11,680 --> 01:21:14,120
Speaker 1: twenty eight year old people don't want to go on

1424
01:21:14,200 --> 01:21:18,800
Speaker 1: dates with sixteen year old children because it's creepy. I

1425
01:21:18,840 --> 01:21:21,000
Speaker 1: don't know. Why do we find it socially acceptable for

1426
01:21:21,080 --> 01:21:23,799
Speaker 1: a little What is a boy to ask an adult

1427
01:21:23,880 --> 01:21:25,640
Speaker 1: celebrity on a date? What if it was the other

1428
01:21:25,680 --> 01:21:28,920
Speaker 1: way around? What if Shleeene Woodley? No, you know what,

1429
01:21:28,920 --> 01:21:32,880
Speaker 1: what if Shya le Buff showed up at a high

1430
01:21:32,880 --> 01:21:36,240
Speaker 1: school looking for a date. He'd be arrested, right, He'd

1431
01:21:36,240 --> 01:21:41,240
Speaker 1: be beat and then arrested. You go. Um, So, last night,

1432
01:21:41,280 --> 01:21:44,040
Speaker 1: everyone's talking about this clip from Survivor. So it was

1433
01:21:44,080 --> 01:21:46,960
Speaker 1: a big it was something that's really never happened. So

1434
01:21:47,040 --> 01:21:50,599
Speaker 1: Jeff Varner, one of the contestants, he outed a fellow contestant,

1435
01:21:50,680 --> 01:21:54,519
Speaker 1: Zeke Smith for being transgender, and uh, it was. It

1436
01:21:54,600 --> 01:21:56,240
Speaker 1: was a weird moment towards the end of the show,

1437
01:21:56,280 --> 01:21:58,559
Speaker 1: and everyone's talking about it. So here's a clip of that. Wow,

1438
01:21:58,600 --> 01:22:01,439
Speaker 1: this is very disturbing at this but here we go.

1439
01:22:01,640 --> 01:22:04,360
Speaker 1: This is what happened. There's something I'm bouncing. Nobody knows

1440
01:22:09,200 --> 01:22:13,000
Speaker 1: ye deception on levels, Jeff, that these guys don't even understand.

1441
01:22:16,560 --> 01:22:21,639
Speaker 1: Why haven't you told anyone you're transgender? What I'm showing

1442
01:22:22,080 --> 01:22:26,000
Speaker 1: is a deception. But that's personality that has nothing to

1443
01:22:26,040 --> 01:22:31,200
Speaker 1: do with that. You know. I think I've been fortunate

1444
01:22:31,240 --> 01:22:33,160
Speaker 1: to play a Survivor as long as I've been playing

1445
01:22:33,200 --> 01:22:36,280
Speaker 1: it and and not have that label. And one of

1446
01:22:36,320 --> 01:22:38,280
Speaker 1: the reasons why I didn't want to lead with that

1447
01:22:38,320 --> 01:22:40,840
Speaker 1: because I didn't want to be like the trans Survivor player.

1448
01:22:40,880 --> 01:22:44,000
Speaker 1: I wanted to be Zeke the Survivor player. Exactly the

1449
01:22:44,080 --> 01:22:46,880
Speaker 1: point beautifully said. And so what happened to the guy

1450
01:22:46,960 --> 01:22:49,439
Speaker 1: who decided to make it a big deal. They took

1451
01:22:49,439 --> 01:22:52,720
Speaker 1: out his torch and they put it out. All right,

1452
01:22:53,439 --> 01:22:56,080
Speaker 1: there's a Burger King commercial going around right now where

1453
01:22:56,560 --> 01:23:00,400
Speaker 1: the guy is talking to Google Home that thing just

1454
01:23:00,439 --> 01:23:03,559
Speaker 1: like Alexa. Uh. So he gives the instructions of what

1455
01:23:03,600 --> 01:23:05,479
Speaker 1: goes into a whopper? But did you just turn on

1456
01:23:05,600 --> 01:23:10,000
Speaker 1: every echo in America by saying, well, well, yeah, the

1457
01:23:10,000 --> 01:23:13,000
Speaker 1: blue lights going on, but nothing's happening. I know I

1458
01:23:13,040 --> 01:23:15,800
Speaker 1: live that. I lived my life like that every day.

1459
01:23:16,080 --> 01:23:18,479
Speaker 1: So he gives the instructions of what goes into a whopper,

1460
01:23:18,479 --> 01:23:20,640
Speaker 1: and it's setting everyone's Google homes off. So if you

1461
01:23:20,640 --> 01:23:22,840
Speaker 1: have a Google Home, be prepared. Right now, you're watching

1462
01:23:22,880 --> 01:23:25,640
Speaker 1: a fifteen second Burger King at which is unfortunately not

1463
01:23:25,760 --> 01:23:28,919
Speaker 1: enough time to explain all the fresh ingredients in the whopper. Sandwich.

1464
01:23:29,280 --> 01:23:32,640
Speaker 1: But I got an idea. Okay, Google, what is the

1465
01:23:32,720 --> 01:23:36,719
Speaker 1: whopper burger? According to Wikipedia, the whopper is a hamburger

1466
01:23:36,800 --> 01:23:40,040
Speaker 1: consisting of a flame brilled toward a pound beef, patty,

1467
01:23:39,479 --> 01:23:44,000
Speaker 1: sun mayonnaise that is, tomato, pickles, ketchup, and sliced onion.

1468
01:23:44,160 --> 01:23:46,479
Speaker 1: Could you go into Wikipedia and change the definition of

1469
01:23:46,560 --> 01:23:48,479
Speaker 1: a whopper? So when she read that, she would read

1470
01:23:48,560 --> 01:23:52,960
Speaker 1: something foul. Don't do that. No someone else will today

1471
01:23:53,360 --> 01:23:55,559
Speaker 1: today though, all right, finally let's end on this. So

1472
01:23:55,640 --> 01:23:58,360
Speaker 1: Darren Chris, Leah Michelle, they were both on Glee together.

1473
01:23:58,400 --> 01:24:01,320
Speaker 1: They did a Facebook live the other and Darren Chris

1474
01:24:01,360 --> 01:24:03,639
Speaker 1: was talking about going out on a date with you, Elvis.

1475
01:24:04,120 --> 01:24:07,200
Speaker 1: What he talked about our date? Yes, and what happened.

1476
01:24:08,160 --> 01:24:10,160
Speaker 1: By the way, Sunset Boulevard is very good. I wanted

1477
01:24:10,160 --> 01:24:12,920
Speaker 1: to see it last Oh you did? Yeah, I got

1478
01:24:13,120 --> 01:24:17,080
Speaker 1: very very drunk with Elvis Duran. That's a radio station

1479
01:24:17,120 --> 01:24:23,439
Speaker 1: in New York, Popular radio. Thank Yeah, it was so good,

1480
01:24:23,240 --> 01:24:25,719
Speaker 1: I suggested. According to Leah Michelle, I'm a very popular

1481
01:24:25,800 --> 01:24:30,080
Speaker 1: radioation listening to you. I think during that Facebook live

1482
01:24:30,120 --> 01:24:33,400
Speaker 1: they were drinking little wine. Yeah, so Darren's talking about

1483
01:24:33,439 --> 01:24:35,519
Speaker 1: stuff you shouldn't be talking about thirty minutes of that

1484
01:24:35,520 --> 01:24:37,599
Speaker 1: Facebook live where they were drinking at least two bottles

1485
01:24:37,600 --> 01:24:39,240
Speaker 1: of wine. Yeah, there you go. I love it to

1486
01:24:39,280 --> 01:24:41,599
Speaker 1: do that. By the way, Billy Porter is here music.

1487
01:24:41,920 --> 01:24:44,639
Speaker 1: There's Billy. Hi. Billy. Can't wait to talk to Billy.

1488
01:24:44,640 --> 01:24:47,160
Speaker 1: He has so much fun and uh a pioneer and

1489
01:24:47,800 --> 01:24:52,920
Speaker 1: many fronts and music out Broadway music. I love little

1490
01:24:52,920 --> 01:24:54,639
Speaker 1: Broadway music. I want to hear little clink clink clan

1491
01:24:54,720 --> 01:24:57,280
Speaker 1: with the trollete you do. Uh so, thank you, You're

1492
01:24:58,200 --> 01:25:08,719
Speaker 1: I appreciate it very much. Of us in the Morning Show,

1493
01:25:11,200 --> 01:25:15,280
Speaker 1: Elvis Duran in the Morning Show. One of the things

1494
01:25:15,320 --> 01:25:18,400
Speaker 1: I love about being in New York and being a

1495
01:25:18,400 --> 01:25:22,320
Speaker 1: New Yorker is Broadway. Uh, you know, and it's something

1496
01:25:22,320 --> 01:25:23,920
Speaker 1: that kind of unifies all of us because you can

1497
01:25:23,960 --> 01:25:25,720
Speaker 1: come in from anywhere in the country or around the

1498
01:25:25,760 --> 01:25:28,200
Speaker 1: world and enjoy a Broadway show, and most people do

1499
01:25:28,479 --> 01:25:30,080
Speaker 1: a lot of times. Living here, we take it for

1500
01:25:30,160 --> 01:25:32,080
Speaker 1: granted and we don't go as much as we should.

1501
01:25:32,240 --> 01:25:35,280
Speaker 1: It's right here, and we have so many friends that

1502
01:25:35,320 --> 01:25:37,160
Speaker 1: we've met over the years on our show because we're

1503
01:25:37,200 --> 01:25:40,040
Speaker 1: doing everything we can to become more and more merged

1504
01:25:40,240 --> 01:25:45,000
Speaker 1: with Broadway. And all the shows, the musicals, the dramas,

1505
01:25:46,240 --> 01:25:52,240
Speaker 1: the bad restaurants, all of it. And so several years ago,

1506
01:25:52,680 --> 01:25:55,040
Speaker 1: Cyndi Lauper was a part of putting together a musical

1507
01:25:55,080 --> 01:25:58,400
Speaker 1: called Kinky Boots. Maybe you've heard of it, and of

1508
01:25:58,439 --> 01:26:01,880
Speaker 1: course low love the the incredible leading Kinky Boots. What

1509
01:26:02,040 --> 01:26:05,000
Speaker 1: a very very very unique character. And to be able

1510
01:26:05,040 --> 01:26:07,840
Speaker 1: to find the perfect place to launch that character in

1511
01:26:07,880 --> 01:26:11,320
Speaker 1: this over the top, colorful, festive musical, they did it.

1512
01:26:11,920 --> 01:26:15,000
Speaker 1: The guy's name Billy Porter, and he went on to

1513
01:26:15,080 --> 01:26:18,280
Speaker 1: win a Tony because it was just such a huge,

1514
01:26:18,320 --> 01:26:20,840
Speaker 1: wonderful role in a wonderful The whole thing was great

1515
01:26:21,439 --> 01:26:24,040
Speaker 1: to just recently our friend tadreck Hall, you know, one

1516
01:26:24,040 --> 01:26:26,880
Speaker 1: of our best friends in there, and and they keep

1517
01:26:26,880 --> 01:26:28,960
Speaker 1: putting these people in this role to actually do a

1518
01:26:29,000 --> 01:26:31,920
Speaker 1: great job. But Billy was the originator. To have him

1519
01:26:31,960 --> 01:26:34,400
Speaker 1: here today to talk about that, but also this new

1520
01:26:34,439 --> 01:26:36,680
Speaker 1: album he has out called Billy Porter presents the soul

1521
01:26:36,720 --> 01:26:39,559
Speaker 1: of Richard Rogers. Uh. It's it's just a cool thing.

1522
01:26:39,920 --> 01:26:42,720
Speaker 1: Whether you're a Broadway fan or not, the energy from

1523
01:26:42,720 --> 01:26:45,040
Speaker 1: a guy like Billy Porter is electrifying and you will

1524
01:26:45,080 --> 01:26:46,760
Speaker 1: feel it. Please, welcome to the show. The one the

1525
01:26:46,760 --> 01:26:53,760
Speaker 1: only Billy Porter Metro like that. You better pay. He's

1526
01:26:53,760 --> 01:26:59,400
Speaker 1: all caffeinated. Hi Billy, Hi, Hi, Hi, Hi everybody. Good morning.

1527
01:26:59,439 --> 01:27:01,639
Speaker 1: I had Matt Fine early this morning so I could

1528
01:27:01,640 --> 01:27:04,800
Speaker 1: be ready for all you Morning Energy radio people. We

1529
01:27:04,880 --> 01:27:07,559
Speaker 1: are Morning energy radio people. This is Danielle Hi. Danielle

1530
01:27:07,880 --> 01:27:12,280
Speaker 1: tough Chick from the Bronx. How are This is Bethany Western,

1531
01:27:12,520 --> 01:27:20,799
Speaker 1: translucent lady from Wisconsin. You guys could be twins. Yeah,

1532
01:27:21,160 --> 01:27:23,760
Speaker 1: but thank you for coming in, Thank you for having me.

1533
01:27:23,920 --> 01:27:25,720
Speaker 1: This is probably one of the only shows like this,

1534
01:27:25,920 --> 01:27:28,519
Speaker 1: like a mass appeal Top forty, you know, national show

1535
01:27:28,560 --> 01:27:31,960
Speaker 1: that actually breaks out into show tune from no I

1536
01:27:32,000 --> 01:27:35,120
Speaker 1: was just saying that I'm so thrilled to be on

1537
01:27:35,160 --> 01:27:39,479
Speaker 1: a crossover station. That's what we're doing. We're crossing it over.

1538
01:27:40,280 --> 01:27:42,759
Speaker 1: But to have you here is just I mean, it's like, sorry,

1539
01:27:42,760 --> 01:27:44,479
Speaker 1: I hate to say it, but it's it's like having

1540
01:27:44,520 --> 01:27:48,040
Speaker 1: Broadway royalties. That's very sweet. Thank you very much. You

1541
01:27:48,080 --> 01:27:49,960
Speaker 1: know what, I don't know if it's I'm checking my

1542
01:27:50,000 --> 01:27:52,080
Speaker 1: text message this because I've had someone go try to

1543
01:27:52,120 --> 01:27:55,639
Speaker 1: find your acceptance speech for the Tony when that you won.

1544
01:27:55,920 --> 01:27:57,439
Speaker 1: I don't have a yet that you want, I think

1545
01:27:57,439 --> 01:28:04,760
Speaker 1: in third Team you one for your character uh in

1546
01:28:04,840 --> 01:28:07,240
Speaker 1: kinky boots? Yes, sir, and I remember, I don't. I

1547
01:28:07,240 --> 01:28:09,360
Speaker 1: don't remember what it was you said because it's been

1548
01:28:09,400 --> 01:28:11,360
Speaker 1: a while, but I remember whatever it was, it moved me.

1549
01:28:11,439 --> 01:28:13,759
Speaker 1: You actually had a fantastic message on I talked about

1550
01:28:13,800 --> 01:28:18,000
Speaker 1: my mother, you know, my mother being um the true

1551
01:28:18,680 --> 01:28:21,599
Speaker 1: a true Christian, you know, an understanding how to love

1552
01:28:21,840 --> 01:28:27,679
Speaker 1: unconditionally no matter what um people said to her about me,

1553
01:28:27,840 --> 01:28:32,000
Speaker 1: about her little gay son, um. And so I wanted

1554
01:28:32,040 --> 01:28:35,559
Speaker 1: to honor her. And I also, you know, said that,

1555
01:28:35,880 --> 01:28:38,840
Speaker 1: you know, because my co star was nominated against me,

1556
01:28:39,040 --> 01:28:40,960
Speaker 1: start sayings, and I said, I was going to share

1557
01:28:40,960 --> 01:28:43,040
Speaker 1: it with him. I'm gonna keep it at my house.

1558
01:28:43,080 --> 01:28:48,200
Speaker 1: But that was the big last. It's on a you know,

1559
01:28:48,320 --> 01:28:52,840
Speaker 1: it's on a shelf along with my Grammy from this show.

1560
01:28:52,920 --> 01:28:54,519
Speaker 1: I you know, I have to slip that in people

1561
01:28:55,439 --> 01:28:58,080
Speaker 1: that actually having Grammy. And so they're on the wall

1562
01:28:58,680 --> 01:29:01,680
Speaker 1: in my living room like they should be, right, so

1563
01:29:01,720 --> 01:29:03,880
Speaker 1: people put them in the bathroom. You're not gonna act

1564
01:29:03,920 --> 01:29:07,719
Speaker 1: like that. I'm gonna actually honor the achievement. How often

1565
01:29:07,760 --> 01:29:11,880
Speaker 1: do you clean them? I've never cleaned them? Should think

1566
01:29:11,880 --> 01:29:14,559
Speaker 1: about that. I've never claimed that they're harboring all sorts

1567
01:29:14,560 --> 01:29:19,360
Speaker 1: of disease. Anyway, There's something about a show tune versus

1568
01:29:19,360 --> 01:29:23,000
Speaker 1: a regular tune, uh that just I don't know what

1569
01:29:23,040 --> 01:29:26,080
Speaker 1: it is. It's a part of a brightly lighted story

1570
01:29:26,120 --> 01:29:27,760
Speaker 1: on a stage in New York City or in the

1571
01:29:28,400 --> 01:29:31,719
Speaker 1: Western in London. I mean, show tunes are just so fun.

1572
01:29:31,880 --> 01:29:35,280
Speaker 1: Even the sad ones have a different field, and sad

1573
01:29:35,320 --> 01:29:38,280
Speaker 1: songs that aren't from a stage degree well, I I

1574
01:29:38,320 --> 01:29:45,880
Speaker 1: just think that storytelling is instinctively what the human we

1575
01:29:46,000 --> 01:29:49,479
Speaker 1: as humans connect to. We all connect to story We

1576
01:29:49,560 --> 01:29:52,519
Speaker 1: all connect to storytelling, even when we don't think we

1577
01:29:52,720 --> 01:29:56,559
Speaker 1: want to, you know. And the pop songs that sort

1578
01:29:56,560 --> 01:30:00,720
Speaker 1: of resonate the most are generally story songs. You The

1579
01:30:00,800 --> 01:30:05,160
Speaker 1: Broadway Golden Age was about popular music that were story

1580
01:30:05,200 --> 01:30:07,840
Speaker 1: songs that were from Broadway shows. And I think we're

1581
01:30:07,840 --> 01:30:11,280
Speaker 1: at a place now where that crossover thanks to the Internet,

1582
01:30:12,360 --> 01:30:18,200
Speaker 1: um connecting all of the theater nerds and um Hamilton's,

1583
01:30:20,400 --> 01:30:24,000
Speaker 1: you know, and Kinky Boots and Dear Evan Hanson and

1584
01:30:24,160 --> 01:30:30,560
Speaker 1: these newer musicals that sort of embrace the sonic context

1585
01:30:31,200 --> 01:30:36,280
Speaker 1: of today's popular music. I think the worlds are coming

1586
01:30:36,560 --> 01:30:39,320
Speaker 1: together again, and it's really exciting. And don't you love

1587
01:30:39,320 --> 01:30:42,559
Speaker 1: the different possibilities that that are presented on in a

1588
01:30:42,560 --> 01:30:45,800
Speaker 1: Broadway show about you Can Go from Oklahoma, which is

1589
01:30:45,920 --> 01:30:48,760
Speaker 1: very simple, simple, simple story about simple people at a

1590
01:30:48,800 --> 01:30:52,120
Speaker 1: simple time to a dear Evan Hanson of today, and

1591
01:30:52,439 --> 01:30:56,800
Speaker 1: but they're all equally as touching, moving, and the storylineing

1592
01:30:56,840 --> 01:31:00,920
Speaker 1: kinky Boots is just a fantastic story line. Yeah. I mean,

1593
01:31:00,960 --> 01:31:03,000
Speaker 1: the show is what it is. It's about acceptance, it's

1594
01:31:03,040 --> 01:31:07,920
Speaker 1: about love. It's about people from opposite ends of ideologies

1595
01:31:08,960 --> 01:31:14,240
Speaker 1: of you know, races, um, you know, really understanding that

1596
01:31:14,320 --> 01:31:16,800
Speaker 1: we're all the same, that were ultimately all the same,

1597
01:31:16,840 --> 01:31:19,439
Speaker 1: we all believe the same. Not everyone can wear those boots,

1598
01:31:20,160 --> 01:31:23,280
Speaker 1: that is the truth. Did you get to keep your boots? Yes,

1599
01:31:25,800 --> 01:31:27,760
Speaker 1: they are not hanging in my living but I take

1600
01:31:27,800 --> 01:31:29,719
Speaker 1: them with me when I go out and do concerts

1601
01:31:29,720 --> 01:31:31,479
Speaker 1: and stuff because you know, that's my thing now. So

1602
01:31:31,960 --> 01:31:34,240
Speaker 1: when I put on the boots, the audiences perky. How

1603
01:31:34,280 --> 01:31:36,519
Speaker 1: did you feel Tadrick Hall did in the role. He

1604
01:31:36,640 --> 01:31:39,000
Speaker 1: was amazing, It was amazing, It was great. It was

1605
01:31:39,040 --> 01:31:41,040
Speaker 1: great to see. You know. The thing for me is

1606
01:31:41,080 --> 01:31:44,879
Speaker 1: that the original dream was originating a role on Broadway.

1607
01:31:45,320 --> 01:31:47,479
Speaker 1: Was winning a Tony on Broadway back when I was

1608
01:31:47,520 --> 01:31:50,200
Speaker 1: in Pittsburgh in the sixth grade and got bit by

1609
01:31:50,240 --> 01:31:54,720
Speaker 1: the theater bug. The original dream was that, and I

1610
01:31:54,760 --> 01:31:57,280
Speaker 1: achieved it, you know, And there were many detours along

1611
01:31:57,280 --> 01:31:59,479
Speaker 1: the way. But to be able to say, you know,

1612
01:31:59,680 --> 01:32:03,320
Speaker 1: I originated a role on Broadway and it's pretty iconic

1613
01:32:03,560 --> 01:32:05,519
Speaker 1: and it will be there forever. But I get to

1614
01:32:05,560 --> 01:32:08,559
Speaker 1: say that my name is attached to something that actually

1615
01:32:08,680 --> 01:32:10,879
Speaker 1: changed the world. Well, to use the word like legacy,

1616
01:32:11,040 --> 01:32:14,160
Speaker 1: I mean is because when you do leave this earth

1617
01:32:14,160 --> 01:32:17,680
Speaker 1: one day, you're leaving a fantastic thing to remember you

1618
01:32:17,720 --> 01:32:22,719
Speaker 1: buy don't leave today. Let's talk about just killing Billy

1619
01:32:22,720 --> 01:32:28,320
Speaker 1: Porter right here, please, let's I'm gonna get into the music.

1620
01:32:28,320 --> 01:32:29,760
Speaker 1: By the way, Billy Porter is here is a new

1621
01:32:29,760 --> 01:32:32,439
Speaker 1: album called Billy Porter Presents the Soul of Richard Rogers.

1622
01:32:32,920 --> 01:32:35,839
Speaker 1: It's available tomorrow. You can buy it anywhere and everywhere

1623
01:32:35,880 --> 01:32:39,200
Speaker 1: that you will download your music. Um, let's get to

1624
01:32:39,240 --> 01:32:42,160
Speaker 1: the music. Let's talk about it, sir. I'm looking at

1625
01:32:42,200 --> 01:32:46,240
Speaker 1: the titles on this album. Can you play my original

1626
01:32:46,240 --> 01:32:56,080
Speaker 1: Gordon McRae from Oklahoma, right Golden Haze on the medal.

1627
01:32:57,560 --> 01:33:01,280
Speaker 1: There's a bright golden haze on the meadow. You have

1628
01:33:01,400 --> 01:33:09,400
Speaker 1: a good voice. The corners as high as an you're

1629
01:33:09,400 --> 01:33:16,400
Speaker 1: seeing with Gordon, I'm gonna tear up to loss hit

1630
01:33:16,479 --> 01:33:21,880
Speaker 1: make it loud, what a great song. Turn it off,

1631
01:33:22,200 --> 01:33:25,120
Speaker 1: but to hear you do this with Pentatonics, who we've

1632
01:33:25,160 --> 01:33:27,880
Speaker 1: had on this show since they started. They started on

1633
01:33:27,920 --> 01:33:31,800
Speaker 1: our show, and how talented they are. Talented, talented and

1634
01:33:32,080 --> 01:33:38,679
Speaker 1: you know, uh, not necessarily what you would consider traditional pop.

1635
01:33:39,000 --> 01:33:40,559
Speaker 1: That's why I love them so much. It's like the

1636
01:33:40,600 --> 01:33:42,800
Speaker 1: way they've been able to cross over, the way they've

1637
01:33:42,800 --> 01:33:46,880
Speaker 1: been able to crash through that feeling. You know that

1638
01:33:47,000 --> 01:33:50,360
Speaker 1: glass ceiling is something that you know I'm doing too.

1639
01:33:50,560 --> 01:33:53,400
Speaker 1: Here hit it, play that one. Scary as a bright

1640
01:33:53,560 --> 01:34:02,160
Speaker 1: golden on the meadow, beautiful, a bright olden hayes on

1641
01:34:02,280 --> 01:34:14,040
Speaker 1: the meadow. The corn is its high. Hasn't listen and

1642
01:34:14,439 --> 01:34:28,639
Speaker 1: it looks like it's climbing clear up to the sky. Two. Oh,

1643
01:34:28,680 --> 01:34:32,280
Speaker 1: here we go. Yeah. The back beat, I call it

1644
01:34:32,320 --> 01:34:36,800
Speaker 1: the back beat. Don't play anymore? Tease it? What else

1645
01:34:36,880 --> 01:34:39,240
Speaker 1: is on theater with a back beat? This is the

1646
01:34:39,240 --> 01:34:41,240
Speaker 1: song you did with Toddrick Wash that man aroun out

1647
01:34:41,240 --> 01:34:42,720
Speaker 1: of my hair. Yes, sir, we had to clean it

1648
01:34:42,800 --> 01:34:52,679
Speaker 1: up for radio. By Yes, we did. Let me here

1649
01:34:48,200 --> 01:35:13,920
Speaker 1: that bab Listen to that? How fun? Yeah my head?

1650
01:35:17,160 --> 01:35:20,400
Speaker 1: Oh listen to that all right? So, but not all

1651
01:35:20,439 --> 01:35:23,400
Speaker 1: the cuts, not all the cuts on the album. You're

1652
01:35:23,439 --> 01:35:25,040
Speaker 1: you're not all in all the cuts. I am not.

1653
01:35:25,200 --> 01:35:26,960
Speaker 1: I'm not on all the cuts. I'm on I'm on

1654
01:35:27,040 --> 01:35:30,040
Speaker 1: several of them. Um, but I'm not on all of them.

1655
01:35:29,760 --> 01:35:33,320
Speaker 1: I've curated this. I produced this with my partner's James

1656
01:35:33,320 --> 01:35:38,200
Speaker 1: Sanpoliner and Michael Lofi sand Loafer. Uh they we call

1657
01:35:38,280 --> 01:35:41,599
Speaker 1: him Lofi um. And you know, we we really wanted

1658
01:35:41,600 --> 01:35:44,160
Speaker 1: to create a sound. We really wanted to push the envelope.

1659
01:35:44,680 --> 01:35:48,559
Speaker 1: You know, we really wanted to go from the classic

1660
01:35:48,640 --> 01:35:51,759
Speaker 1: to the contemporary and show how when something is classic,

1661
01:35:52,200 --> 01:35:56,360
Speaker 1: it transcends time, it transcends race, it transcends genre, like

1662
01:35:56,400 --> 01:35:58,640
Speaker 1: my funny Valentine. Yeah. By the way, you know, if

1663
01:35:58,680 --> 01:36:00,760
Speaker 1: you go to your iHeart radio app, you can punch

1664
01:36:00,840 --> 01:36:04,240
Speaker 1: in Cynthia or Evo. It'll give you her music and

1665
01:36:04,520 --> 01:36:08,439
Speaker 1: other music by other artists like her. It's fantastic with

1666
01:36:08,520 --> 01:36:11,360
Speaker 1: the I heard at can do so my honey Valentine,

1667
01:36:11,760 --> 01:36:16,200
Speaker 1: but I love her. She's unbelievable. Listen to this. I

1668
01:36:16,240 --> 01:36:32,240
Speaker 1: haven't even heard this yet. I want to hear it.

1669
01:36:40,320 --> 01:36:42,640
Speaker 1: I can't wait to hear this whole album. Yeah, all right,

1670
01:36:42,640 --> 01:36:45,080
Speaker 1: it's available tomorrow, tomorrow, you know. And we have a

1671
01:36:45,080 --> 01:36:48,000
Speaker 1: lot of we have a lot of the current soul

1672
01:36:48,160 --> 01:36:51,679
Speaker 1: artists like Deborah Cox and Lettu See and specifically India.

1673
01:36:51,680 --> 01:36:54,200
Speaker 1: I read who I do carefully taught with. You've got

1674
01:36:54,200 --> 01:36:59,120
Speaker 1: to be carefully taught with, which is really really um,

1675
01:36:59,160 --> 01:37:02,800
Speaker 1: you know, specific to what's going on right now and

1676
01:37:02,880 --> 01:37:05,120
Speaker 1: what's going on today. The album took a little bit

1677
01:37:05,160 --> 01:37:11,400
Speaker 1: of a political um direction after the election um, and

1678
01:37:11,439 --> 01:37:17,840
Speaker 1: so watch that man, a political one and carefully tought.

1679
01:37:18,200 --> 01:37:20,200
Speaker 1: When you hear when you hear Todder, it's wrapping it,

1680
01:37:20,240 --> 01:37:23,880
Speaker 1: you'll know, you'll understand. And I'm not. I can't play

1681
01:37:23,880 --> 01:37:25,599
Speaker 1: ad vice because I'll start crying. But I'm gonna listen

1682
01:37:25,640 --> 01:37:28,559
Speaker 1: to it in the privacy. So okay, before we get

1683
01:37:28,600 --> 01:37:31,040
Speaker 1: into this game, which I'm going to lose. I will lose,

1684
01:37:31,080 --> 01:37:34,959
Speaker 1: I predict. You never know the soul of Richard Rogers.

1685
01:37:35,360 --> 01:37:38,679
Speaker 1: It's Billy Porter Presents. It's available starting tonight at midnight.

1686
01:37:38,920 --> 01:37:40,519
Speaker 1: So make sure you pick it up. I know I would,

1687
01:37:40,560 --> 01:37:44,200
Speaker 1: please please pick it up. All right, hit the music, Scary.

1688
01:37:45,320 --> 01:37:47,320
Speaker 1: One of the all time grades of Broadway is going

1689
01:37:47,360 --> 01:37:51,639
Speaker 1: to play a guy who knows Broadway because he walks

1690
01:37:51,680 --> 01:37:55,800
Speaker 1: down at every day. That's me. We're now going to

1691
01:37:55,800 --> 01:37:58,840
Speaker 1: play name that show tune. Yeah, it's a show tune

1692
01:37:58,880 --> 01:38:03,719
Speaker 1: Trivia Sun Trip ta. Okay, how can how can Billy

1693
01:38:03,760 --> 01:38:05,320
Speaker 1: Porter gets a bell to ring? And I don't you

1694
01:38:05,320 --> 01:38:07,920
Speaker 1: have a bell? Okay? This is my bell and this

1695
01:38:08,000 --> 01:38:18,120
Speaker 1: is your belt? Okay? Okay? Are you hosting this with

1696
01:38:18,320 --> 01:38:24,600
Speaker 1: my faery wings? How do we play Mattress of ceremonies.

1697
01:38:24,680 --> 01:38:26,840
Speaker 1: I'm the mattress of ceremonies. This is what's going to happen.

1698
01:38:26,880 --> 01:38:30,160
Speaker 1: I'm going to ask you a question. The question can

1699
01:38:30,240 --> 01:38:33,160
Speaker 1: be answered by a show tune. What you have to

1700
01:38:33,200 --> 01:38:36,360
Speaker 1: do is sing a portion of the show tune in

1701
01:38:36,560 --> 01:38:41,080
Speaker 1: answering your question. Okay, and the bell is if ding

1702
01:38:41,120 --> 01:38:43,080
Speaker 1: in when you have the answer. Okay, well, I guess

1703
01:38:43,080 --> 01:38:45,200
Speaker 1: we have to play it to understand truth. And you're

1704
01:38:45,240 --> 01:38:48,120
Speaker 1: gonna playing the song. We will once you sing it,

1705
01:38:48,560 --> 01:38:52,160
Speaker 1: so give it to do the first one. It's an example. Okay,

1706
01:38:52,200 --> 01:38:53,720
Speaker 1: I know I don't like this. I don't like this

1707
01:38:53,800 --> 01:38:56,840
Speaker 1: at all. Questions. This is not in my contract. Ring

1708
01:38:56,840 --> 01:38:59,599
Speaker 1: your bell when you have the answer. How long are

1709
01:38:59,640 --> 01:39:04,719
Speaker 1: you a jets? When you're a jet, you're a jet?

1710
01:39:05,240 --> 01:39:14,160
Speaker 1: Like that? First the last? Okay, all right, here we go.

1711
01:39:14,280 --> 01:39:22,320
Speaker 1: Here we got in this state located Oklahoma, Clahoma, where

1712
01:39:22,320 --> 01:39:28,160
Speaker 1: the wind comes sweeping down the plains, this state where

1713
01:39:28,240 --> 01:39:32,759
Speaker 1: the wind comes sweeping. Because I can't think of any

1714
01:39:33,640 --> 01:39:36,559
Speaker 1: musicals that are about a state. She didn't say any

1715
01:39:36,640 --> 01:39:45,080
Speaker 1: There's no North Dakota. Okay, I'll go slow you there

1716
01:39:45,080 --> 01:39:48,960
Speaker 1: any other states that are the subjects. Okay, here we go,

1717
01:39:49,000 --> 01:39:51,439
Speaker 1: Here we go, Okay, here we go. Ready, you guys,

1718
01:39:52,200 --> 01:39:55,720
Speaker 1: where you got trouble? We got trouble right here at

1719
01:39:55,800 --> 01:40:03,280
Speaker 1: river City. That's coming on rolling the capital T and

1720
01:40:03,280 --> 01:40:07,280
Speaker 1: that rhymes with P and that stands for pool of

1721
01:40:07,320 --> 01:40:10,240
Speaker 1: course music man, right music, Okay, Okay, are starting to

1722
01:40:10,240 --> 01:40:12,880
Speaker 1: figure this out. Were tied one to one. Right here

1723
01:40:12,880 --> 01:40:16,519
Speaker 1: we go. Okay, Hey, guys, summon chanted evening. What will

1724
01:40:16,560 --> 01:40:22,080
Speaker 1: you see when you find her true lave? You will

1725
01:40:22,120 --> 01:40:32,759
Speaker 1: hear her call you lcross the crowd room and evening

1726
01:40:34,840 --> 01:40:49,120
Speaker 1: you strange. This is this is the billy Porter, and

1727
01:40:49,120 --> 01:40:52,200
Speaker 1: if you have turned it into this one. Okay, you're winning,

1728
01:40:52,320 --> 01:40:55,439
Speaker 1: You're winning. Okay, okay, go ahead, Okay, we're ready, Mattress

1729
01:40:55,439 --> 01:41:00,120
Speaker 1: of ceremonies. Boys, finish the lyric, put down the niting,

1730
01:41:01,360 --> 01:41:08,879
Speaker 1: the book and the broom. It's time for a had knitting,

1731
01:41:09,200 --> 01:41:20,519
Speaker 1: the book and the It's time a cabalret chump. Okay, okay,

1732
01:41:20,760 --> 01:41:25,519
Speaker 1: get one more, several more okay, ready, okay, sing these

1733
01:41:25,560 --> 01:41:30,320
Speaker 1: lines and then the next two. Touch me. It's so

1734
01:41:30,400 --> 01:41:34,160
Speaker 1: easy to leave me there all a lord with the

1735
01:41:34,240 --> 01:41:44,640
Speaker 1: man of my days in the take that stupid ey

1736
01:41:50,800 --> 01:41:53,360
Speaker 1: the memory. All right, I gotta get one. I gotta

1737
01:41:53,360 --> 01:41:57,320
Speaker 1: get one. Billy Porter is smearing me. That's from cats.

1738
01:41:57,320 --> 01:41:59,280
Speaker 1: I think you'll get this one. Okay, guys, ready, yes,

1739
01:42:00,360 --> 01:42:04,519
Speaker 1: How long is a year? One hundred twenty five million,

1740
01:42:04,720 --> 01:42:15,400
Speaker 1: six thousand, hundred twenty five thousand, six hundred men, six

1741
01:42:15,520 --> 01:42:25,320
Speaker 1: hundred men, it's I'm okay. I knew it was a

1742
01:42:25,320 --> 01:42:29,759
Speaker 1: lot of years, but you just had a lot of minutes.

1743
01:42:30,240 --> 01:42:36,080
Speaker 1: How do you measure daylights? I'm not playing with you.

1744
01:42:36,200 --> 01:42:38,759
Speaker 1: Midnight and cuts of coffee? Okay, here we go, Okay,

1745
01:42:39,240 --> 01:42:41,760
Speaker 1: we have we have one left. But now Billy has

1746
01:42:41,800 --> 01:42:44,479
Speaker 1: five Elvis, you have one. You know what, I'm gonna

1747
01:42:44,520 --> 01:42:46,960
Speaker 1: let him get this one. No, don't do it. Don't

1748
01:42:47,000 --> 01:42:49,599
Speaker 1: you can have too. Okay here I tried to give

1749
01:42:49,600 --> 01:42:52,960
Speaker 1: you the other one. I like points. Oh it's five points. Oh,

1750
01:42:53,080 --> 01:42:55,400
Speaker 1: then I'm not gonna let you get that if I

1751
01:42:55,439 --> 01:42:58,080
Speaker 1: have anything to do with it. Okay, hands on bells,

1752
01:42:58,120 --> 01:43:03,320
Speaker 1: here we go. You can find this small flower on

1753
01:43:03,360 --> 01:43:15,160
Speaker 1: the Austrian Alps. Elvis, Adelais, damn it singing ovis Olva Elvis.

1754
01:43:16,640 --> 01:43:28,360
Speaker 1: Every morning you read me all and why clean and

1755
01:43:28,479 --> 01:43:34,040
Speaker 1: bra described me in the wrong key, too low and

1756
01:43:34,160 --> 01:43:37,840
Speaker 1: it's too hot. Okay, now you have to play my

1757
01:43:37,960 --> 01:43:40,840
Speaker 1: a little bit of mine. Okay, we'll play his. I

1758
01:43:40,880 --> 01:43:44,000
Speaker 1: don't think we haven't in the sis and you're not loaded.

1759
01:43:46,600 --> 01:43:52,880
Speaker 1: We just tied. Okay, Oh my god, you're fabulous. Okay,

1760
01:43:53,479 --> 01:43:56,160
Speaker 1: this is the gayest thing we've ever done. Yes, Billy,

1761
01:43:56,360 --> 01:43:59,880
Speaker 1: you have me here the man on Earth. Billy, You're

1762
01:44:00,120 --> 01:44:03,400
Speaker 1: you're all warm from singing Billy Porter presents the Soul

1763
01:44:03,439 --> 01:44:05,960
Speaker 1: of Richard Rogers. It's available at midnight tonight. You got

1764
01:44:05,960 --> 01:44:08,160
Speaker 1: to pick up a coffee a copy and play this

1765
01:44:08,200 --> 01:44:10,800
Speaker 1: game with your friends. Yes, the ones you don't want

1766
01:44:10,840 --> 01:44:14,000
Speaker 1: to see ever again. Billy, your fabulous Thank you, thank

1767
01:44:14,040 --> 01:44:20,519
Speaker 1: you for having me to declare this. Elvis durand Elvis

1768
01:44:20,600 --> 01:44:28,639
Speaker 1: Duran in the Morning Show Elvis Duran in the Morning Show. Hey,

1769
01:44:28,680 --> 01:44:32,280
Speaker 1: so I'm already packing for the I Heart Radio Music

1770
01:44:32,360 --> 01:44:36,800
Speaker 1: Festival in September in Las Vegas and your caftan ready? Yeah,

1771
01:44:36,800 --> 01:44:39,120
Speaker 1: I gotta get ready. Uh look, I know it's gonna

1772
01:44:39,160 --> 01:44:40,920
Speaker 1: be warm, it's gonna be Las Vegas. Gotta plan ahead.

1773
01:44:41,320 --> 01:44:45,080
Speaker 1: I think it's got time to buy. Should always be

1774
01:44:45,080 --> 01:44:48,960
Speaker 1: planning ahead. Uh. The I Heart Radio Music Festival is

1775
01:44:49,000 --> 01:44:51,640
Speaker 1: always so much fun to nights massive nights on the

1776
01:44:51,680 --> 01:44:55,000
Speaker 1: stage with the biggest stars and music, all different genres

1777
01:44:55,040 --> 01:44:57,439
Speaker 1: of music. But also right in the middle of those

1778
01:44:57,439 --> 01:45:00,439
Speaker 1: two nights is our I Heart Radio Daytime Filling, presented

1779
01:45:00,439 --> 01:45:02,920
Speaker 1: by Capital One. We have our exclusive v I P Suite.

1780
01:45:03,040 --> 01:45:05,040
Speaker 1: If you want to go to this incredible daytime event,

1781
01:45:05,080 --> 01:45:08,360
Speaker 1: it's a lot of fun. You can have the serenity

1782
01:45:08,479 --> 01:45:11,799
Speaker 1: and privacy of our exclusive v I P Suites. Actually,

1783
01:45:11,800 --> 01:45:13,600
Speaker 1: there's nothing serene in private about it. You're with a

1784
01:45:13,600 --> 01:45:16,360
Speaker 1: bunch of people partying. If you want to go, it costs,

1785
01:45:16,640 --> 01:45:20,840
Speaker 1: get costs, but it's worth it. You get access to

1786
01:45:20,960 --> 01:45:22,840
Speaker 1: the suite to a special v I P entrance at

1787
01:45:22,840 --> 01:45:25,920
Speaker 1: the event. You're right by the stage with three levels

1788
01:45:25,920 --> 01:45:27,760
Speaker 1: of viewing. Enjoy a v I P suite where you

1789
01:45:27,800 --> 01:45:30,200
Speaker 1: can watch from the open air patio or indoor air

1790
01:45:30,240 --> 01:45:33,559
Speaker 1: conditioned seating, private food and drink area, and restrooms out back.

1791
01:45:33,960 --> 01:45:36,320
Speaker 1: You be part of our live broadcast. It's pretty pretty

1792
01:45:36,320 --> 01:45:39,080
Speaker 1: big thing there at that point, we'll hug you. We're

1793
01:45:39,120 --> 01:45:41,280
Speaker 1: definitely there and there are other v I P suites

1794
01:45:41,320 --> 01:45:44,080
Speaker 1: we want you in hours. Simply go to ticketmaster dot

1795
01:45:44,080 --> 01:45:48,439
Speaker 1: com go to your I Heart Radio Daytime Village tickets.

1796
01:45:49,320 --> 01:45:51,240
Speaker 1: You have to use the pull down menu to choose

1797
01:45:51,240 --> 01:45:54,960
Speaker 1: the Elvis Duran Morning Show suite. Okay, it's presented by

1798
01:45:55,000 --> 01:45:58,880
Speaker 1: Capital one Heart Radio Music Festivals going on September in

1799
01:45:58,960 --> 01:46:04,320
Speaker 1: Las Vegas. So excited. They haven't told us who's gonna

1800
01:46:04,320 --> 01:46:07,639
Speaker 1: be there this year because we have this way of

1801
01:46:08,840 --> 01:46:15,360
Speaker 1: blurting it out. Yeah, Harry Styles, we do. Would you

1802
01:46:15,400 --> 01:46:18,000
Speaker 1: say about Harry Styles. We sort of blurted something out

1803
01:46:18,040 --> 01:46:22,720
Speaker 1: with his project, but we're not saying Harry Styles is

1804
01:46:22,760 --> 01:46:25,200
Speaker 1: at the music festival. No, no, no, no, I don't

1805
01:46:25,240 --> 01:46:28,360
Speaker 1: know now what if he is? And now we're gonna

1806
01:46:28,439 --> 01:46:30,479
Speaker 1: yell at for saying that. You see you gotta think ahead?

1807
01:46:31,640 --> 01:46:35,639
Speaker 1: What's up? Scary? Are you're doing better today? Elvis? About what? Well?

1808
01:46:35,760 --> 01:46:37,800
Speaker 1: The other day I noticed you were going through some stuff,

1809
01:46:37,840 --> 01:46:39,760
Speaker 1: so I was want to tell you. I was going

1810
01:46:39,800 --> 01:46:43,400
Speaker 1: to text you about it, and then um, and you didn't.

1811
01:46:43,479 --> 01:46:45,479
Speaker 1: I didn't because I figured out he was still going, Oh,

1812
01:46:45,520 --> 01:46:47,840
Speaker 1: I see what you're saying. This is a conversation we

1813
01:46:47,880 --> 01:46:53,040
Speaker 1: had while the song was on. Almost doesn't cut it,

1814
01:46:54,160 --> 01:46:57,439
Speaker 1: meaning my favorite examples. I was walking down the street

1815
01:46:57,439 --> 01:46:58,680
Speaker 1: with a friend of mine. He said, oh, look at

1816
01:46:58,680 --> 01:47:01,000
Speaker 1: that watch, and I was and I don't really wear

1817
01:47:01,080 --> 01:47:04,960
Speaker 1: watches at all, but this watch was just beautiful and

1818
01:47:05,000 --> 01:47:07,400
Speaker 1: I said, God, that's gorgeous. He said, you know, if

1819
01:47:07,439 --> 01:47:09,519
Speaker 1: I could afford it, i'd buy that for you for Christmas.

1820
01:47:10,280 --> 01:47:12,400
Speaker 1: I'm like, well, what you want? Do you want credit

1821
01:47:13,240 --> 01:47:15,439
Speaker 1: for a watch? You're not buying me? Am I supposed

1822
01:47:15,439 --> 01:47:21,000
Speaker 1: to at that point, Am I'm supposed to say thank you? No,

1823
01:47:21,160 --> 01:47:23,880
Speaker 1: it's not. I'm not gonna thank you for thinking about

1824
01:47:23,880 --> 01:47:25,960
Speaker 1: buying me something that you're never gonna buy me. So

1825
01:47:26,080 --> 01:47:27,760
Speaker 1: either you're all in or you're not in. But there's

1826
01:47:27,760 --> 01:47:32,200
Speaker 1: no halfway in exactly, So what's scary saying it's so,

1827
01:47:32,280 --> 01:47:35,800
Speaker 1: what's scary is saying that he saw me online looking

1828
01:47:35,840 --> 01:47:40,440
Speaker 1: a little raw and a little you know whatever, vulnerable, vulnerable.

1829
01:47:41,000 --> 01:47:43,640
Speaker 1: So he's telling me, now, I almost sent you a

1830
01:47:43,640 --> 01:47:46,479
Speaker 1: text to see how you were doing. Okay, but I

1831
01:47:46,479 --> 01:47:48,360
Speaker 1: saw you and I was like, and I picked up

1832
01:47:48,400 --> 01:47:50,439
Speaker 1: my phone. Okay, what am I supposed to do with

1833
01:47:50,439 --> 01:47:52,479
Speaker 1: this information? I went to Elvis Durant and I started

1834
01:47:52,520 --> 01:47:54,840
Speaker 1: typing to you that you stopped, but I stopped. And

1835
01:47:54,880 --> 01:47:58,000
Speaker 1: I'm probably I get full credit because I went to

1836
01:47:58,040 --> 01:48:01,559
Speaker 1: Elvis Durant, I sent the text. He responded back to me.

1837
01:48:01,640 --> 01:48:03,840
Speaker 1: But my question, I appreciate that, But my question is

1838
01:48:03,880 --> 01:48:06,759
Speaker 1: for those who almost but don't do you really deserve

1839
01:48:06,800 --> 01:48:08,639
Speaker 1: a thank you? No, you can't put a gift tag

1840
01:48:08,680 --> 01:48:12,160
Speaker 1: on a on A thought the other day when he

1841
01:48:12,200 --> 01:48:13,880
Speaker 1: wasn't feeling well, and he says, I'm going to the

1842
01:48:13,880 --> 01:48:17,840
Speaker 1: doctor in an hour. So I texted him the next morning, Hey,

1843
01:48:17,439 --> 01:48:19,840
Speaker 1: I meant to text you yesterday and ask how you're

1844
01:48:19,840 --> 01:48:22,559
Speaker 1: doing everything. Okay, that doesn't count. I could have been

1845
01:48:22,560 --> 01:48:25,719
Speaker 1: dead to day, But that's better than scary, no text

1846
01:48:25,760 --> 01:48:32,120
Speaker 1: at all. It's true it's I almost you text. It's

1847
01:48:32,120 --> 01:48:33,960
Speaker 1: like if I see a shopping cart barreling down a

1848
01:48:34,000 --> 01:48:36,040
Speaker 1: here towards an old lady and I let it hit her,

1849
01:48:36,080 --> 01:48:39,920
Speaker 1: and I go I thought about stopping that shopping cart. Okay,

1850
01:48:40,120 --> 01:48:42,000
Speaker 1: And that's good for you to share that, But you

1851
01:48:42,040 --> 01:48:44,160
Speaker 1: don't get any sort of gratitude. There's no one saying

1852
01:48:44,320 --> 01:48:47,800
Speaker 1: thank you. I was there when he did that. That's

1853
01:48:47,800 --> 01:48:49,759
Speaker 1: what I'm saying. You know, this is one of another

1854
01:48:49,760 --> 01:48:51,599
Speaker 1: one of those things you did see the shopping cart

1855
01:48:51,680 --> 01:48:55,360
Speaker 1: hits the old lady. I thought about getting out of

1856
01:48:55,360 --> 01:48:57,280
Speaker 1: the car to stop it, but I didn't. And neither

1857
01:48:57,320 --> 01:49:00,599
Speaker 1: of you did anything. Okay, I think we yeah, watch out,

1858
01:49:00,640 --> 01:49:04,320
Speaker 1: didn't we know? We were laughing. See that's the end

1859
01:49:04,360 --> 01:49:07,479
Speaker 1: of the story. You can't continue by saying we almost

1860
01:49:07,520 --> 01:49:10,120
Speaker 1: did anything because you didn't. So this is just another

1861
01:49:10,200 --> 01:49:14,000
Speaker 1: lesson where I'm learning in life, where you can't accept,

1862
01:49:15,000 --> 01:49:20,160
Speaker 1: you can't expect credit for things you don't do almost okay. Yeah,

1863
01:49:20,160 --> 01:49:24,080
Speaker 1: this texture tells us almost only counting horseshoes and hand grenades.

1864
01:49:25,040 --> 01:49:26,960
Speaker 1: With that set around the room, We'll start with you, Froggy,

1865
01:49:27,000 --> 01:49:29,519
Speaker 1: what's going on? You know for other people that are

1866
01:49:29,560 --> 01:49:31,800
Speaker 1: in my situation. I want you to understand that it

1867
01:49:31,840 --> 01:49:34,559
Speaker 1: happens everywhere. So my wife has a work vehicle that

1868
01:49:34,640 --> 01:49:36,840
Speaker 1: she uses, and then she has a personal vehicle. And

1869
01:49:36,880 --> 01:49:39,400
Speaker 1: so yesterday she says, hey, can I use your car

1870
01:49:39,439 --> 01:49:41,360
Speaker 1: for a second. I'm like why, She's like, I just

1871
01:49:41,400 --> 01:49:43,320
Speaker 1: need to run to the store. So I'm like, okay.

1872
01:49:43,360 --> 01:49:45,880
Speaker 1: So when she goes, I go check. The gas could

1873
01:49:45,920 --> 01:49:48,760
Speaker 1: not be more empty in her two cars. I mean,

1874
01:49:49,040 --> 01:49:50,519
Speaker 1: I don't know if she has enough gas to get

1875
01:49:50,560 --> 01:49:52,719
Speaker 1: to the gas station. So she didn't drives my car.

1876
01:49:53,640 --> 01:49:56,519
Speaker 1: How lazy are you? Well, the question is I guess

1877
01:49:56,520 --> 01:49:58,880
Speaker 1: he's asking all of us, how lazy are we? Gas

1878
01:49:58,880 --> 01:50:01,000
Speaker 1: in your own car? Yeah, I don't put gas in

1879
01:50:01,040 --> 01:50:03,800
Speaker 1: until that light comes on. No, no, all the light

1880
01:50:03,840 --> 01:50:06,840
Speaker 1: comes on, all that means is drive further for at least,

1881
01:50:06,840 --> 01:50:12,240
Speaker 1: So that doesn't mean no, no, Danielle, what's up? So,

1882
01:50:13,280 --> 01:50:15,519
Speaker 1: oh my gosh, I totally brain fi. Okay, mine is

1883
01:50:15,520 --> 01:50:18,599
Speaker 1: a car one too. How long do you can you

1884
01:50:18,640 --> 01:50:21,479
Speaker 1: go with like that little check engine light on before

1885
01:50:21,520 --> 01:50:23,160
Speaker 1: you really have to check the engine? I've had gone

1886
01:50:23,200 --> 01:50:26,280
Speaker 1: on for two years. Really well, they say it's yellow,

1887
01:50:26,320 --> 01:50:28,920
Speaker 1: they said, if it turns red, you really that such crap,

1888
01:50:28,960 --> 01:50:33,000
Speaker 1: it's yellow. It's yellow. Lots of people that do this.

1889
01:50:33,040 --> 01:50:37,160
Speaker 1: So I'm going with you, and I'm gonna if if

1890
01:50:37,200 --> 01:50:38,800
Speaker 1: my chance he has to go in for some other reason,

1891
01:50:38,880 --> 01:50:40,479
Speaker 1: then they can check it. Okay, thank you for a

1892
01:50:40,560 --> 01:50:43,680
Speaker 1: car person, But isn't the engine kind of important? And

1893
01:50:43,760 --> 01:50:46,280
Speaker 1: the fluids? How about the fluids? Yeah, put some blinker

1894
01:50:46,280 --> 01:50:49,439
Speaker 1: fluid in this afternoon. Make sure details you don't tell

1895
01:50:49,439 --> 01:50:51,080
Speaker 1: early the other day and someone's gonna tell me I'm wrong.

1896
01:50:51,080 --> 01:50:52,479
Speaker 1: But I learned the other day that you don't have

1897
01:50:52,520 --> 01:50:54,200
Speaker 1: to when it's called out. You don't have to let

1898
01:50:54,200 --> 01:50:57,120
Speaker 1: your car warm up? What because with with the fuel

1899
01:50:57,160 --> 01:50:59,599
Speaker 1: injector systems they have these days, do you just turn

1900
01:50:59,640 --> 01:51:02,280
Speaker 1: it on a lamp? I didn't know that, all right, Okay,

1901
01:51:02,320 --> 01:51:06,639
Speaker 1: bet to me. But what's it's so true that you

1902
01:51:06,720 --> 01:51:10,080
Speaker 1: want something the more that you cannot have it Because

1903
01:51:10,200 --> 01:51:13,439
Speaker 1: I bought did not buy any coffee this morning, and

1904
01:51:13,439 --> 01:51:15,519
Speaker 1: I've been wanting to run downstairs and grab an iced

1905
01:51:15,560 --> 01:51:18,920
Speaker 1: coffee all morning and now it's all I can think about.

1906
01:51:18,960 --> 01:51:20,960
Speaker 1: And I probably don't even want it that badly, but

1907
01:51:21,000 --> 01:51:24,040
Speaker 1: because I can't have it, I want it so much.

1908
01:51:24,120 --> 01:51:26,680
Speaker 1: That's how we are. This is totally. How are you

1909
01:51:26,760 --> 01:51:29,640
Speaker 1: always dream of having what you cannot have, and as

1910
01:51:29,680 --> 01:51:31,720
Speaker 1: soon as you have it, you're like, oh, exactly, look

1911
01:51:31,720 --> 01:51:37,760
Speaker 1: at me my coffee. That's me Sunday. I don't like HAMD,

1912
01:51:37,800 --> 01:51:39,760
Speaker 1: but I must have hamd because it's Easter. And if

1913
01:51:39,800 --> 01:51:42,000
Speaker 1: I told you you can't have it, you're gonna want

1914
01:51:41,240 --> 01:51:43,519
Speaker 1: to very mad. And I don't even I'm gonna take

1915
01:51:43,560 --> 01:51:45,120
Speaker 1: one bite of this. I'm gonna crap. Why did I

1916
01:51:45,120 --> 01:51:47,840
Speaker 1: do this again this year? I don't know. Let's see

1917
01:51:47,840 --> 01:51:50,960
Speaker 1: what's trending? You ready to go? All right? What's trending today? Alrighty?

1918
01:51:51,000 --> 01:51:52,600
Speaker 1: First of all, we were talking the other day on

1919
01:51:52,640 --> 01:51:56,800
Speaker 1: the air about how absolutely disgusting our devices are. Well,

1920
01:51:57,040 --> 01:51:59,639
Speaker 1: you guys have to try these. They're called wireless wipes,

1921
01:51:59,800 --> 01:52:03,200
Speaker 1: and uh, they're pretty incredible. They're made out of alcohol,

1922
01:52:03,360 --> 01:52:06,639
Speaker 1: which is germ fighting, but they have just enough wetness

1923
01:52:06,720 --> 01:52:09,480
Speaker 1: on the wipe so that it doesn't ruin your devices.

1924
01:52:09,560 --> 01:52:12,040
Speaker 1: It's made out of a material that doesn't streak, it

1925
01:52:12,040 --> 01:52:14,320
Speaker 1: doesn't scrat and it can't open the damp pack to

1926
01:52:14,360 --> 01:52:16,960
Speaker 1: pull from the bottom. Okay, and they have different sense

1927
01:52:17,000 --> 01:52:21,479
Speaker 1: like pomegranate. They have really delicious What's the other did

1928
01:52:23,360 --> 01:52:27,240
Speaker 1: go ahead and tie cucumber. They're really delivered, they smell delicious.

1929
01:52:27,280 --> 01:52:31,040
Speaker 1: They're called wireless wipes to go to dot com keyword

1930
01:52:31,120 --> 01:52:34,360
Speaker 1: trending and and I keep this pack. Let me ask

1931
01:52:34,360 --> 01:52:37,799
Speaker 1: you a question. Everything is just going wrong. Retrograde mercury

1932
01:52:37,880 --> 01:52:40,559
Speaker 1: is in retrograde. And then you also have to try these.

1933
01:52:40,600 --> 01:52:43,800
Speaker 1: These are the most delicious. These are goods ever. They're

1934
01:52:43,840 --> 01:52:47,679
Speaker 1: called Connoli chips. They're made out of the cannoli shell,

1935
01:52:48,040 --> 01:52:50,400
Speaker 1: but then they have different flavors dusted on top, like

1936
01:52:50,439 --> 01:52:53,479
Speaker 1: cookies and cream, powdered sugar, cinnamon and sugar. And they've

1937
01:52:53,479 --> 01:52:56,400
Speaker 1: been out for a while, but now they're officially available

1938
01:52:56,400 --> 01:52:58,519
Speaker 1: on Amazon and they're on Walmart dot com, so you

1939
01:52:58,520 --> 01:53:01,160
Speaker 1: can get them wherever you live. Laughing at it, we

1940
01:53:01,280 --> 01:53:04,599
Speaker 1: like scrubbing our phones clean. Give me a Canali Chip, Elvis,

1941
01:53:04,680 --> 01:53:06,920
Speaker 1: durand dot com from now and you can only do

1942
01:53:07,000 --> 01:53:11,360
Speaker 1: what's trending things about things we can eat. And yeah,

1943
01:53:11,840 --> 01:53:14,679
Speaker 1: they're delicious. Clean my cases, I know, it's kind of amazing,

1944
01:53:15,200 --> 01:53:20,519
Speaker 1: the cleanest case I've ever seen at that. Thank you's

1945
01:53:20,520 --> 01:53:24,760
Speaker 1: away from me. Now. They're really good. Okay, oh you

1946
01:53:24,800 --> 01:53:26,320
Speaker 1: have to you're still on stage and here we go.

1947
01:53:26,479 --> 01:53:28,479
Speaker 1: This is gonna be your headlines portion of the day now.

1948
01:53:29,520 --> 01:53:32,960
Speaker 1: United Airlines still in full on damage control mode. United

1949
01:53:33,000 --> 01:53:35,919
Speaker 1: Airlines CEO Oscar Monio has appeared on Good Morning America.

1950
01:53:36,040 --> 01:53:39,200
Speaker 1: He said he felt shame. He promises will not happen again.

1951
01:53:39,240 --> 01:53:42,120
Speaker 1: The airline announced it would refund everybody on board that

1952
01:53:42,160 --> 01:53:44,360
Speaker 1: flight for the full price of their ticket. The man

1953
01:53:44,360 --> 01:53:46,320
Speaker 1: who has dragged out of the plane, Dr David dow

1954
01:53:46,520 --> 01:53:49,040
Speaker 1: is getting ready to sue. He's reportedly going to hold

1955
01:53:49,040 --> 01:53:52,679
Speaker 1: a press conference in a couple of hours. Comedian Charlie

1956
01:53:52,760 --> 01:53:55,960
Speaker 1: Murphy has passed away. He was only fifty seven years old.

1957
01:53:56,200 --> 01:53:59,240
Speaker 1: He died of leukemia. He's the older brother of Eddie Murphy,

1958
01:53:59,320 --> 01:54:02,160
Speaker 1: who and appear excuse me appeared on Chappelle's Show. He

1959
01:54:02,160 --> 01:54:04,719
Speaker 1: also collaborated with his brother on the scripts for Normit

1960
01:54:06,120 --> 01:54:09,160
Speaker 1: So So So Funny. So the comedy world lost a

1961
01:54:09,160 --> 01:54:12,080
Speaker 1: big one. This is your hourly reminder to take a

1962
01:54:12,120 --> 01:54:15,920
Speaker 1: deep breath. And if you're a parent and you're finding

1963
01:54:15,960 --> 01:54:19,080
Speaker 1: it difficult to have sex because you have kids who

1964
01:54:19,160 --> 01:54:21,760
Speaker 1: keep coming into the room, now there's an app for that.

1965
01:54:22,080 --> 01:54:24,960
Speaker 1: Do it in front of them. The Australian condom company.

1966
01:54:25,960 --> 01:54:29,360
Speaker 1: There's an Australian condom company called four Seasons. They developed

1967
01:54:29,400 --> 01:54:33,400
Speaker 1: a cartoon that's cleverly called The Extendables. It connects to

1968
01:54:33,400 --> 01:54:36,280
Speaker 1: a mobile app on phones, tablets or t vs through

1969
01:54:36,320 --> 01:54:39,040
Speaker 1: a webcam. So while the kids are watching this cartoon

1970
01:54:39,120 --> 01:54:42,120
Speaker 1: called the Extendables, you get to have sex. Then you

1971
01:54:42,160 --> 01:54:45,200
Speaker 1: get a notification when your kids move away from the

1972
01:54:45,240 --> 01:54:48,360
Speaker 1: screen like they're probably coming to your room. And from

1973
01:54:48,400 --> 01:54:51,120
Speaker 1: the app, you can make the TV show go longer

1974
01:54:51,200 --> 01:54:55,560
Speaker 1: so your kids will be redistracted. Would and you think

1975
01:54:55,600 --> 01:54:57,960
Speaker 1: about your kids, then you can't have sex when your

1976
01:54:58,040 --> 01:55:00,400
Speaker 1: kids it's called the Extendables give it a You know

1977
01:55:00,440 --> 01:55:03,680
Speaker 1: that they're gonna put like some kind of crazy information

1978
01:55:03,720 --> 01:55:06,000
Speaker 1: in your kid's head, like that Halloween movie or whatever

1979
01:55:06,000 --> 01:55:08,640
Speaker 1: that movie was. Remember when they were sitting in front

1980
01:55:08,640 --> 01:55:10,280
Speaker 1: of the television and then all of a sudden, like

1981
01:55:10,280 --> 01:55:13,040
Speaker 1: a commercial came on and it put like bad thoughts

1982
01:55:13,040 --> 01:55:16,600
Speaker 1: into your kid's heads. That's what this is we're talking about.

1983
01:55:17,280 --> 01:55:21,320
Speaker 1: All right, Well, okay, I'm perfect, so I don't have kids.

1984
01:55:21,360 --> 01:55:23,320
Speaker 1: I can have sex all night long anywhere you want,

1985
01:55:23,360 --> 01:55:24,520
Speaker 1: and I can't tell you the last time I had

1986
01:55:24,520 --> 01:55:26,160
Speaker 1: sex all night long, even if I had kids, I

1987
01:55:27,360 --> 01:55:29,680
Speaker 1: want because you can't have it. Let's have a break

1988
01:55:29,760 --> 01:55:32,080
Speaker 1: here and we have a phone tap coming up. El

1989
01:55:33,320 --> 01:55:37,120
Speaker 1: He came, he saw, he conquered. This is Elvis Durand

1990
01:55:37,320 --> 01:55:41,080
Speaker 1: in the Morning show. Pull up the perfect Easter celebration

1991
01:55:41,120 --> 01:55:45,320
Speaker 1: with Sam's Club. Start with smoked bone in spiral ham Pound.

1992
01:55:45,520 --> 01:55:48,080
Speaker 1: Get dressed for the occasion with Jessica and dresses for

1993
01:55:48,160 --> 01:55:51,320
Speaker 1: under sixteen dollars or a classic diamond cross pendant for

1994
01:55:51,440 --> 01:55:54,000
Speaker 1: under two hundred. You can find these savings and more

1995
01:55:54,080 --> 01:55:59,120
Speaker 1: online or at the Sam's Club near you. Elvis, Elvis

1996
01:55:59,200 --> 01:56:02,520
Speaker 1: Durand l this Duran phone tap. Alright, Froggy, we're so

1997
01:56:02,560 --> 01:56:05,680
Speaker 1: excited about your phone tap. What's all about? Our listener,

1998
01:56:05,760 --> 01:56:09,080
Speaker 1: Jill writes in she wants to phone tap her husband Robert.

1999
01:56:09,080 --> 01:56:12,240
Speaker 1: They're planning a big old summer vacation and I call

2000
01:56:12,360 --> 01:56:14,320
Speaker 1: from the beach resort to let them know that, well,

2001
01:56:14,360 --> 01:56:17,240
Speaker 1: we're going to have to move your reservation because we're

2002
01:56:17,280 --> 01:56:19,520
Speaker 1: hosting a charity event that weekend. You know, this scenario

2003
01:56:19,640 --> 01:56:22,440
Speaker 1: always works out beautifully. It does. When you mess with

2004
01:56:22,440 --> 01:56:25,920
Speaker 1: people's vacation, you're really really asking for it. Let's see

2005
01:56:25,960 --> 01:56:29,800
Speaker 1: what happens. To today's Froggy phone tap. Yeah, I'm looking

2006
01:56:29,840 --> 01:56:35,040
Speaker 1: for Robert Place. Yes, Robert, Robert, this is Molester from

2007
01:56:35,200 --> 01:56:40,040
Speaker 1: the Creative Resort. I think we're who is this? This

2008
01:56:40,120 --> 01:56:44,680
Speaker 1: is Mr Lester Molester from the resort, was calling into uh,

2009
01:56:45,040 --> 01:56:47,160
Speaker 1: speaking to you about your upcoming vacation that you have

2010
01:56:47,200 --> 01:56:50,760
Speaker 1: planned with us here. Um, you know what do you mean?

2011
01:56:51,280 --> 01:56:57,920
Speaker 1: There's twelve of you booked three separate rooms your so okay,

2012
01:56:58,040 --> 01:57:00,400
Speaker 1: I've got it. We're gonna need to move you by

2013
01:57:00,560 --> 01:57:03,960
Speaker 1: one week. No, that's unacceptable. I'm sorry. No, that that

2014
01:57:04,040 --> 01:57:07,080
Speaker 1: can't happen. Well, in the in the in the fine

2015
01:57:07,080 --> 01:57:09,640
Speaker 1: print that you have unacceptable. I read the fine print

2016
01:57:09,640 --> 01:57:12,440
Speaker 1: of my reservation where we're a company such as yours,

2017
01:57:12,440 --> 01:57:14,920
Speaker 1: wouldn't me over. So I saved way too much money

2018
01:57:14,920 --> 01:57:17,640
Speaker 1: for this. It's not gonna happen. Look, I'm way too

2019
01:57:17,640 --> 01:57:20,040
Speaker 1: busy to deal with this right now, So reservation stays

2020
01:57:20,080 --> 01:57:26,640
Speaker 1: as it is. By I gotta go. Hello. Yes, I

2021
01:57:26,800 --> 01:57:29,760
Speaker 1: I believe we were just connected. Robert. This is Mrs

2022
01:57:29,840 --> 01:57:31,880
Speaker 1: different word right now, I really have time to really

2023
01:57:32,000 --> 01:57:35,800
Speaker 1: speak with you. I already made my intention is perfectly

2024
01:57:35,800 --> 01:57:37,400
Speaker 1: clear with you. Well, we'll make this very quick. I

2025
01:57:37,480 --> 01:57:39,160
Speaker 1: just need to move your dates by one week now.

2026
01:57:39,160 --> 01:57:40,640
Speaker 1: I did also want to tell you we have a

2027
01:57:40,680 --> 01:57:44,320
Speaker 1: sister property. We're not moving date. Excuse me, it's not,

2028
01:57:45,360 --> 01:57:48,800
Speaker 1: but we would be no excuse me. Did you read

2029
01:57:48,800 --> 01:57:52,560
Speaker 1: the fine prints on your reservation? Robert? No, no, dear

2030
01:57:52,600 --> 01:57:55,480
Speaker 1: fine print. Alright, my rooms already paid for. I've already

2031
01:57:55,480 --> 01:57:57,640
Speaker 1: done the prepay. I've already taking care of every single

2032
01:57:57,680 --> 01:57:59,720
Speaker 1: eye and teeth. It's across well, Robert, if you show

2033
01:57:59,800 --> 01:58:01,520
Speaker 1: up on those dates, you will not have a room

2034
01:58:01,560 --> 01:58:03,040
Speaker 1: to sleep in. Robert. No, no no, no, no, no, no no no.

2035
01:58:03,240 --> 01:58:05,720
Speaker 1: I'm a paying customer. I own you right now. If

2036
01:58:05,800 --> 01:58:08,600
Speaker 1: dates are mine, I'm in charge here. You show up,

2037
01:58:08,600 --> 01:58:11,560
Speaker 1: there'll be no room. Now your job is gonna be gone,

2038
01:58:11,600 --> 01:58:13,160
Speaker 1: but this place is gonna be shuttered up by the

2039
01:58:13,200 --> 01:58:15,720
Speaker 1: end of the year. Come on, talk, that's what you

2040
01:58:15,760 --> 01:58:18,360
Speaker 1: got pitched. Come on, d C B B m A

2041
01:58:18,400 --> 01:58:20,080
Speaker 1: is going to be here that weekend. Have you ever

2042
01:58:20,080 --> 01:58:22,960
Speaker 1: heard of the C B B M A. What the

2043
01:58:22,960 --> 01:58:24,800
Speaker 1: hell that is? And no, I haven't heard of it.

2044
01:58:25,240 --> 01:58:27,960
Speaker 1: That's the Children Bitten by Mosquito's Association. They're going to

2045
01:58:28,000 --> 01:58:30,560
Speaker 1: be here having their annual meeting that weekend. It's a

2046
01:58:30,640 --> 01:58:32,600
Speaker 1: very normal. Cause of our president here at the resort

2047
01:58:32,640 --> 01:58:35,760
Speaker 1: is very much behind that. I have a room. Of

2048
01:58:35,800 --> 01:58:38,320
Speaker 1: the room is mine. One and every three children is

2049
01:58:38,320 --> 01:58:40,640
Speaker 1: bitten by a mosquito at least once a day all

2050
01:58:40,680 --> 01:58:45,880
Speaker 1: around the world. I don't care. Why are you laughing

2051
01:58:45,880 --> 01:58:48,800
Speaker 1: at me? No, No, it's not me laughing. That's your wife, Jill.

2052
01:58:48,840 --> 01:58:53,320
Speaker 1: You're being phone tap Robert. It's Froggy from Elvin's Round

2053
01:58:53,320 --> 01:58:57,280
Speaker 1: in the Morning. Train your Yeah, I'm gonna have a

2054
01:58:57,440 --> 01:59:06,320
Speaker 1: damn check. You have an idea for a phone tab.

2055
01:59:06,360 --> 01:59:08,520
Speaker 1: Go to Ellis Strand dot com. Click on the phone

2056
01:59:08,520 --> 01:59:11,320
Speaker 1: tap tab tell us what you want to do. Table

2057
01:59:11,400 --> 01:59:15,400
Speaker 1: is prerecorded with permission granted by all participates. Elle s

2058
01:59:15,440 --> 01:59:19,240
Speaker 1: Durand phone tab on Elvie s Durand in the Morning Show.

2059
01:59:19,960 --> 01:59:21,840
Speaker 1: Going to the post office can suck. I'll tell you why,

2060
01:59:21,880 --> 01:59:25,200
Speaker 1: because they always have my picture on the wall. You

2061
01:59:25,200 --> 01:59:27,160
Speaker 1: know they still do that. If you're wanted by the FBI,

2062
01:59:27,240 --> 01:59:29,240
Speaker 1: they put your picture on the wall at the post office.

2063
01:59:31,200 --> 01:59:32,760
Speaker 1: This is why you don't know it. You haven't been

2064
01:59:32,800 --> 01:59:34,800
Speaker 1: to a post office. Uh, there's no need to go

2065
01:59:34,800 --> 01:59:37,520
Speaker 1: to the post office because stamps dot com is what

2066
01:59:37,600 --> 01:59:40,320
Speaker 1: we think you should be using stamps dot com. Pretty easy.

2067
01:59:40,400 --> 01:59:43,000
Speaker 1: They never close. You can print postage for letters and

2068
01:59:43,000 --> 01:59:45,640
Speaker 1: packages at your convenience. It doesn't matter what time of

2069
01:59:45,720 --> 01:59:48,640
Speaker 1: day it is. You don't wait in line. You can

2070
01:59:48,680 --> 01:59:51,000
Speaker 1: mail any letter, any package just using your computer and

2071
01:59:51,000 --> 01:59:53,080
Speaker 1: your printer. You're the mailman, picks it up in boom,

2072
01:59:53,080 --> 01:59:55,120
Speaker 1: it's gone. This is actually a really cool deal. If

2073
01:59:55,120 --> 01:59:58,080
Speaker 1: you're in the business of selling things on Amazon or

2074
01:59:58,600 --> 02:00:01,640
Speaker 1: eBay or whatever, you can actually do your own shipping.

2075
02:00:01,880 --> 02:00:03,440
Speaker 1: And I have a special for you. You can go

2076
02:00:03,480 --> 02:00:05,839
Speaker 1: to stamps dot com. You don't have to lick anything.

2077
02:00:07,040 --> 02:00:11,240
Speaker 1: They'll send you a digital scale which calculates exact postage.

2078
02:00:12,080 --> 02:00:14,400
Speaker 1: They'll help you decide the best class of mail to

2079
02:00:14,760 --> 02:00:16,280
Speaker 1: get it to the right people at the right time.

2080
02:00:16,440 --> 02:00:19,600
Speaker 1: No need to lease an expensive postage meter. Postage meter

2081
02:00:20,040 --> 02:00:26,200
Speaker 1: that is so archaic. Unless you're into licking stamps, they

2082
02:00:26,560 --> 02:00:30,040
Speaker 1: only have licking stamps anymore. You can lick the screen.

2083
02:00:30,200 --> 02:00:32,160
Speaker 1: Go to stamps dot com, click on the microphone and

2084
02:00:32,200 --> 02:00:34,120
Speaker 1: type in Elvis and you can get a four week

2085
02:00:34,160 --> 02:00:37,000
Speaker 1: trial plus postage and digital scale without long term commitment.

2086
02:00:37,000 --> 02:00:39,280
Speaker 1: It's pretty cool stamps dot com. You'll never go to

2087
02:00:39,280 --> 02:00:54,000
Speaker 1: a post office, all right, so sorry. I think Mercury

2088
02:00:54,080 --> 02:00:59,400
Speaker 1: is definitely in heavy retrograde. Every button I pushed supposed

2089
02:00:59,440 --> 02:01:02,920
Speaker 1: to do something even happened. I'm gonna push the daniel button.

2090
02:01:02,960 --> 02:01:04,839
Speaker 1: Let's see I anything happens. You have like forty seconds

2091
02:01:04,880 --> 02:01:08,520
Speaker 1: because we're having a computer meldo. All right, Danielle, what's

2092
02:01:08,520 --> 02:01:11,240
Speaker 1: going on in the world of Danielle. Harry Styles has

2093
02:01:11,400 --> 02:01:14,080
Speaker 1: taken to Twitter and given us the release date for

2094
02:01:14,200 --> 02:01:17,720
Speaker 1: his album May twelve, everyone May twelve, and he also

2095
02:01:17,760 --> 02:01:20,200
Speaker 1: showed us the cover art. It is awesome, so check

2096
02:01:20,280 --> 02:01:22,920
Speaker 1: that out when you get a chance. Shy La Buck's

2097
02:01:22,920 --> 02:01:25,560
Speaker 1: next publicity son So he will be living alone in

2098
02:01:25,600 --> 02:01:28,840
Speaker 1: a cabin in Finland. The only contact he will have

2099
02:01:28,880 --> 02:01:31,200
Speaker 1: with the outside world is text messages with the visitors

2100
02:01:31,240 --> 02:01:33,800
Speaker 1: of this museum. And yes, there will be two other

2101
02:01:33,840 --> 02:01:37,160
Speaker 1: guys that he knows in other I guess cabins, other places,

2102
02:01:37,160 --> 02:01:41,560
Speaker 1: and it will be called hashtag alone together. Why I

2103
02:01:41,600 --> 02:01:44,800
Speaker 1: don't know. I'm sure there's a reason I've been to

2104
02:01:44,960 --> 02:01:48,920
Speaker 1: do it. Why not? Why not? Should you take you

2105
02:01:48,920 --> 02:01:57,480
Speaker 1: with him? Sounds Publicity Elsen in the Morning Show