WEBVTT - How to Design for Elite and Average Golfers Simultaneously

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<v Speaker 1>How do you design a golf course that can host

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<v Speaker 1>major tournaments but still be enjoyable for the average golfer.

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<v Speaker 1>That's what I'm talking about today with Mike Cocking. Mike

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<v Speaker 1>is an Australian golf architect and a partner with the

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<v Speaker 1>firm OCM alongside Jeff Ogilvie and Ashley Mead. Recently, OCM

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<v Speaker 1>completed a redesign of Medina Country Club Course three. This

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<v Speaker 1>course is scheduled to host the twenty twenty six President's Cup.

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<v Speaker 1>So in order to understand how golf architects can balance

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<v Speaker 1>elite tournament golf with everyday amateur play, Mike and I

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<v Speaker 1>will dig into how he thought through this project at Medina,

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<v Speaker 1>how he created holes that will test the abilities of

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<v Speaker 1>the world's best players without making regular members miserable.

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<v Speaker 2>It's not easy.

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<v Speaker 1>I'm Garrett Morrison and this is designing golf. So, Mike,

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<v Speaker 1>you were a high level amateur player initially before you

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<v Speaker 1>were an architect.

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<v Speaker 2>Yeah, that's right. Yeah.

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<v Speaker 1>Did you think about golf architecture differently when you were

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<v Speaker 1>focused on playing than you do now?

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<v Speaker 2>Yeah? Absolutely, yeah. I think.

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<v Speaker 3>When I was really young and playing competitively, I'm not

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<v Speaker 3>sure I really understood why I liked particular holes. I

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<v Speaker 3>knew there were certain courses I really liked, certain holes

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<v Speaker 3>I really liked, but I hadn't really joined the dots,

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<v Speaker 3>you know, And it probably wasn't until a friend gave

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<v Speaker 3>me The Anatomy of a Golf Course, Tom's book, and

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<v Speaker 3>I had the Confidential Guide, and that was a big

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<v Speaker 3>learning curve for me. And then I was playing competitively

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<v Speaker 3>and traveling a lot overseas playing competitively. Just as I

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<v Speaker 3>started to get good, I was on different teams and things,

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<v Speaker 3>you know. So I went to the UK and it

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<v Speaker 3>was pre internet, so I would reference the Confidential Guide

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<v Speaker 3>and see, you know, were playing at Hoylake or something.

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<v Speaker 3>I'd look through and there'd be three or four courses

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<v Speaker 3>in the area that Tom had raided very well, and

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<v Speaker 3>he'd sort of pointed out things to look at, and

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<v Speaker 3>so I'd ride away to them, and then when I

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<v Speaker 3>was there for the tournament, I'd go and either play

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<v Speaker 3>or just walk those courses. So that for me was

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<v Speaker 3>a that was a big learning curve. And then when

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<v Speaker 3>I came back home as well, I would start looking

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<v Speaker 3>a bit more critically at the courses.

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<v Speaker 1>You said you liked, certain courses, but you didn't know why. Yeah,

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<v Speaker 1>were they the same courses that you like? Now? Was

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<v Speaker 1>there just?

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<v Speaker 3>Yeah, I think I'm motivated. I think visuals play a

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<v Speaker 3>big part for me. So, you know, I always loved

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<v Speaker 3>Royal Melbourne, and I think it was the scale of it,

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<v Speaker 3>and you know, the style of the bunkering and just

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<v Speaker 3>the general esthetic of the golf course. But then there

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<v Speaker 3>were holes there that you know, you had to make interesting.

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<v Speaker 3>They were interesting decisions, you know, whether to take on

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<v Speaker 3>a bunker or play away from the bunker, and I had,

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<v Speaker 3>you know, you kind of figure out that no, if

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<v Speaker 3>I play away from the bunker, that shot into the

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<v Speaker 3>greensby harder or you know, it's a bit longer, or

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<v Speaker 3>it's a shittier angle or whatever.

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<v Speaker 2>Yeah.

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<v Speaker 3>So I think generally speaking, probably when I was really young,

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<v Speaker 3>it was sort of at the tail end of that

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<v Speaker 3>era of where hard was sort of seen as being better.

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<v Speaker 3>You know, there was that era of you know where

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<v Speaker 3>people saw places like firestone and stuff and thought that

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<v Speaker 3>was the you know, so that probably changed for me.

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<v Speaker 3>You know, as I've got older, I think I typically

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<v Speaker 3>like courses that are more fun and wider and more

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<v Speaker 3>interesting rather than necessarily challenging me.

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<v Speaker 1>Did you believe harder was better for a while? Is

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<v Speaker 1>that something that you absorbed from people who are around you,

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<v Speaker 1>and you know it took seriously.

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<v Speaker 3>Not necessarily. I mean, there was a certain you know,

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<v Speaker 3>there was a certain sense of pride if you went

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<v Speaker 3>and played a hard course, you know, and you played

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<v Speaker 3>well where you hit some good shots. But no, I

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<v Speaker 3>don't think so, you know, I think you, as good players,

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<v Speaker 3>you do often fall into the trap of thinking, of

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<v Speaker 3>course that you played well on is good. You know,

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<v Speaker 3>that's pretty common. You have a good score there, and

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<v Speaker 3>therefore it's.

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<v Speaker 1>Always hard to separate that out, even people who supposedly

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<v Speaker 1>know a lot about architecture.

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<v Speaker 2>I absolutely study it. Absolutely.

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<v Speaker 1>It's trying to separate out that good feeling about playing well.

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<v Speaker 3>Which is why I mean, to be honest, when I

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<v Speaker 3>go and see golf course, I actually prefer not.

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<v Speaker 2>To play it.

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<v Speaker 3>I prefer to walk it, because you do get a

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<v Speaker 3>bit too focused on or you look at the course

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<v Speaker 3>through the lens of how you've played it that day,

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<v Speaker 3>but also where your ball is on the fairway. You know,

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<v Speaker 3>if you miss the fairway to the right, you don't

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<v Speaker 3>know all the cool stuff you didn't see all the

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<v Speaker 3>cool stuff that was happening down the left of the hole, right.

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<v Speaker 3>So yeah, these days, in a perfect world, I'd go

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<v Speaker 3>and walk a golf course in the morning and maybe

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<v Speaker 3>play it in the afternoon. But you invariably don't have

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<v Speaker 3>the luxury of that much time.

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<v Speaker 1>I do that when I can, you know, but it's, uh,

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<v Speaker 1>it makes for a long day if you see. It's

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<v Speaker 1>kind of like, if that's the one course you're seeing,

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<v Speaker 1>then maybe maybe you can do that. So when you

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<v Speaker 1>were focused on playing, were there particular types of courses

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<v Speaker 1>that you found particularly challenging? What for you made made

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<v Speaker 1>a difficult golf course when when you were playing.

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<v Speaker 3>The first time I went to the States and played,

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<v Speaker 3>I actually really struggled with the rough.

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<v Speaker 2>Around the greens, to be honest.

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<v Speaker 1>Because you just weren't used to it.

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<v Speaker 2>Yeah.

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<v Speaker 1>You grew up here short grass around the greens for

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<v Speaker 1>the most part. Yeah, and it's different.

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<v Speaker 2>Yeah.

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<v Speaker 3>And my short game was probably one of the strengths

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<v Speaker 3>of my game. It was a good part of but

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<v Speaker 3>very good chipping, bunkers, pitching, and I didn't hit a

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<v Speaker 3>lot of greens in regulation. That was probably I wasn't

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<v Speaker 3>that consistent you know, so here or in the UK,

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<v Speaker 3>if I missed a green, I would back myself to

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<v Speaker 3>get up down. And when I went to the States,

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<v Speaker 3>I found you know, I'd hit ten or twelve greens

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<v Speaker 3>in regulation, but the six or eight I missed, I

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<v Speaker 3>just didn't. I couldn't hit that shot. I couldn't master

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<v Speaker 3>that chart. I still, to be honest, I still struggle

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<v Speaker 3>a little bit with it. But Jeff's kind of shown

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<v Speaker 3>me a couple of things I've whizzed him about it. Yeah,

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<v Speaker 3>it's just not a shot that comes naturally to me.

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<v Speaker 1>Yeah, you're design partner. Jeff Ogilvie often says that short

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<v Speaker 1>grass tends to bother most other players.

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<v Speaker 2>Yeah, but I guess.

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<v Speaker 1>That equation has flipped depending on what your initial experience is.

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<v Speaker 1>Most players will grow up, you know, especially in the States,

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<v Speaker 1>will grow up playing with rough around the greens, and

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<v Speaker 1>so for them, short grass around the greens can be

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<v Speaker 1>a kind of kryptonate.

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<v Speaker 3>Yeah, and look for most people, and certainly it's an

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<v Speaker 3>argument that we make a lot of the courses we

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<v Speaker 3>work out, particularly in America, that we would much prefer

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<v Speaker 3>to see short grass. It's a bit more it's a

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<v Speaker 3>more interesting you know, way to treat the area around

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<v Speaker 3>the green on options, and it can be a lot

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<v Speaker 3>tricky if for bit applies too. The irony is that

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<v Speaker 3>for me, it's probably the opposite, the opposite.

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<v Speaker 1>So really what you're doing is you're going around and

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<v Speaker 1>building courses make it easy for me.

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<v Speaker 2>Yeah, absolutely, all.

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<v Speaker 1>Right, So let's talk a little bit about the the

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<v Speaker 1>media Course three renovation. Yeah, you know, we we that

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<v Speaker 1>our theme today is you know, how to make courses

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<v Speaker 1>more challenging or more interesting for elite players and maybe

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<v Speaker 1>doing that at the same time that you make them

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<v Speaker 1>more fun for amateurs. A lot of people are interested

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<v Speaker 1>in this question of how that's accomplished. It's a big,

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<v Speaker 1>big issue for golf architects right now, especially since at

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<v Speaker 1>the top level of the game, the way the game

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<v Speaker 1>is played is changing so much and it's it's hard

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<v Speaker 1>to adjust to that. It's hard for architects to find

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<v Speaker 1>new ways to challenge players who are constantly breaking through

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<v Speaker 1>the defenses of of various classic courses. So your firm

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<v Speaker 1>OCM recently completed a redesign of Course three at Medina

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<v Speaker 1>Country Club in Chicago. For people who don't know, this

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<v Speaker 1>is a course that has been highly ranked, has hosted

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<v Speaker 1>a number of majors, will host the twenty twenty six

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<v Speaker 1>twenty six Cup. And so how did this job come about?

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<v Speaker 2>It's a funny story.

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<v Speaker 3>We were well, I was it Shady Oaks in Fort Worth,

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<v Speaker 3>which was sort of the first course.

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<v Speaker 2>We did in America.

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<v Speaker 3>That was our kind of big break, I would say,

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<v Speaker 3>And I still remember we were I was on the

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<v Speaker 3>eighteenth green, it was the last green we would have finish,

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<v Speaker 3>and an email popped up on my phone from the

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<v Speaker 3>course superintendent at Madonna then with Steve Cook and asking

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<v Speaker 3>if we'd be interested in being shortlisted for this Madonna project,

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<v Speaker 3>which was.

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<v Speaker 2>Like, yeah, it's like it's going to say that seriously.

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<v Speaker 3>And not two days later, I've got an other email

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<v Speaker 3>from the Australian government saying if you don't come home now,

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<v Speaker 3>you may never come home. Because this was when this

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<v Speaker 3>was when COVID. Yes, this is late, this is better

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<v Speaker 3>re enter the country. Yeah, this is this is March

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<v Speaker 3>twenty twenty.

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<v Speaker 2>Okay, wow.

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<v Speaker 3>So and I think the first whispers of COVID that

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<v Speaker 3>I that we heard was I think I want to

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<v Speaker 3>say about December twenty nineteen was when there was sort

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<v Speaker 3>of a few reports, and I was still going back

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<v Speaker 3>and forth each month to America. So it went from

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<v Speaker 3>sort of elation thinking, wow, we'll just you know, I

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<v Speaker 3>think I spoke to Ashley and Jeff and said, well,

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<v Speaker 3>I was just trying to arrange, well, let's go up

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<v Speaker 3>to Chicago and we'll spend a few days there. And

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<v Speaker 3>then all of a sudden, it was, you know, the

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<v Speaker 3>chances it was getting this job of just diminished. So

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<v Speaker 3>the club, they were very good, they were very patient.

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<v Speaker 3>I went home, but we continued to converse and we

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<v Speaker 3>ended up pitching for the job from Melbourne. We hadn't

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<v Speaker 3>seen the course. Jeff had seen the course. Jeff had

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<v Speaker 3>played there in the two thousand and six PGA, which

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<v Speaker 3>Tiger won. Yes, but his memory of the course was

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<v Speaker 3>not that clear. I mean it was he played with

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<v Speaker 3>Tiger and Phil and so there were millions of people,

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<v Speaker 3>and so you know, you don't get it necessarily a

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<v Speaker 3>great appreciation of every hole. You're just looking at the

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<v Speaker 3>twenty two yard wide fairways that you're on.

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<v Speaker 1>He played with Tiger and fell.

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<v Speaker 2>Yeah, it was crazy.

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<v Speaker 3>Yeah, the first two days and he played well, I want.

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<v Speaker 1>To say it was that was around the time when

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<v Speaker 1>he was really yeah. Yeah, he hadn't great forum.

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<v Speaker 2>Well, he'd won the.

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<v Speaker 3>US Open that year, he was probably top I think

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<v Speaker 3>he got to four in the world, it was probably

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<v Speaker 3>around that time, so he was playing really well. Yes,

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<v Speaker 3>So we pitched on it. That were very fortunate. A

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<v Speaker 3>good friend of ours was living in Chicago and was

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<v Speaker 3>able to take some drone footage of the course, and

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<v Speaker 3>I remember being on the phone with him saying, well,

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<v Speaker 3>could you maybe take some photos from this position right

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<v Speaker 3>at the first green, or can.

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<v Speaker 2>You go over here? Can you go over there?

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<v Speaker 3>So we got some very good drone footage, some good

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<v Speaker 3>ground shots, We had some really good historical records. We

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<v Speaker 3>had enough to put a pitch together and say, well,

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<v Speaker 3>if we were to win the job, this is the

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<v Speaker 3>sort of things that we'd be thinking of. These are

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<v Speaker 3>the sorts of courses we like. We had a zoom

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<v Speaker 3>call and then in the end it worked out that

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<v Speaker 3>Shady Oaks was just about to open, and so we

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<v Speaker 3>arranged for We couldn't get there, but we arranged for

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<v Speaker 3>the Madina Green's Committee to go down to Shady Oaks

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<v Speaker 3>and there they at least got to walk speak to

0:11:42.880 --> 0:11:44.880
<v Speaker 3>a client and got to see a course. That we're

0:11:44.960 --> 0:11:47.440
<v Speaker 3>designed and understand what we like and what we don't like,

0:11:48.040 --> 0:11:51.120
<v Speaker 3>and they saw some things there that they really really liked,

0:11:51.600 --> 0:11:54.920
<v Speaker 3>so we won that job. We ended up doing a

0:11:54.920 --> 0:11:57.520
<v Speaker 3>lot of the conceptual work actually still here because we

0:11:57.559 --> 0:12:00.719
<v Speaker 3>still couldn't travel, couldn't get over there. And then in

0:12:01.559 --> 0:12:07.080
<v Speaker 3>sort of June or July twenty one, I think, yeah,

0:12:07.080 --> 0:12:08.720
<v Speaker 3>Ashley and I went over to the States for about

0:12:08.720 --> 0:12:11.960
<v Speaker 3>eight weeks and that history has shown that was such

0:12:11.960 --> 0:12:14.480
<v Speaker 3>a critical visit for us. We had to get government permission.

0:12:15.600 --> 0:12:17.840
<v Speaker 3>It was weird, like, you know that we're in full

0:12:17.840 --> 0:12:20.600
<v Speaker 3>lockdown here and a day after we landed, we're at

0:12:22.280 --> 0:12:27.960
<v Speaker 3>Wrigley Field with forty five thousand people with no masks Australia.

0:12:28.040 --> 0:12:31.119
<v Speaker 3>It was like, what the hell is going on to America?

0:12:32.480 --> 0:12:34.480
<v Speaker 3>But it was a really it was an important visit.

0:12:34.840 --> 0:12:37.280
<v Speaker 3>I think if we hadn't have gone, I'm sure you know,

0:12:37.320 --> 0:12:39.200
<v Speaker 3>the club would have had to look elsewhere. You know,

0:12:39.800 --> 0:12:41.880
<v Speaker 3>you can't design it from here, so we had to

0:12:41.880 --> 0:12:44.920
<v Speaker 3>get there. But we also looked at a site down

0:12:44.960 --> 0:12:47.560
<v Speaker 3>in Georgia which ended up being the Full Line, which

0:12:47.559 --> 0:12:50.240
<v Speaker 3>is another which is our first new project in America.

0:12:50.280 --> 0:12:53.360
<v Speaker 3>So that that visit was literally that was the starting

0:12:53.360 --> 0:12:55.640
<v Speaker 3>point for us of working in America. So it was very,

0:12:55.800 --> 0:12:57.120
<v Speaker 3>very very important.

0:12:57.320 --> 0:13:00.680
<v Speaker 1>From the club's perspective, what was the at us for

0:13:01.080 --> 0:13:03.120
<v Speaker 1>bringing you in changing direction.

0:13:04.320 --> 0:13:06.839
<v Speaker 3>Look, they even if they didn't want to redesign the

0:13:06.880 --> 0:13:09.040
<v Speaker 3>golf course, they had to spend a lot of money

0:13:09.200 --> 0:13:13.000
<v Speaker 3>upgrading it. So it didn't have a drainage system on

0:13:13.080 --> 0:13:16.720
<v Speaker 3>course three, which is pretty amazing. So of course in

0:13:16.800 --> 0:13:19.360
<v Speaker 3>Chicago especially, Yeah, so of course one and two did.

0:13:20.000 --> 0:13:22.120
<v Speaker 3>And a big part of the upgrade of both of

0:13:22.160 --> 0:13:25.960
<v Speaker 3>those courses was getting like a macro drainage plan in there.

0:13:26.320 --> 0:13:29.840
<v Speaker 3>The irrigation system was old. Things like card paths were all,

0:13:30.320 --> 0:13:36.040
<v Speaker 3>you know, in need of upgrade. The greens were really struggled.

0:13:36.280 --> 0:13:38.760
<v Speaker 3>They'd struggled with turf there for a long time. I

0:13:38.760 --> 0:13:42.120
<v Speaker 3>remember Steve Cook pointing out that that year that Halo

0:13:42.240 --> 0:13:47.240
<v Speaker 3>win won, they were spray painting. They were painting fairways

0:13:47.400 --> 0:13:50.160
<v Speaker 3>and painting the edges of the fairways, so they said

0:13:50.160 --> 0:13:53.440
<v Speaker 3>they looked green. They struggled with turf, so there were

0:13:53.440 --> 0:13:57.000
<v Speaker 3>too many trees, greens were too small. I struggled with

0:13:57.040 --> 0:13:59.600
<v Speaker 3>sort of access and egress, and so they needed There

0:13:59.600 --> 0:14:01.319
<v Speaker 3>was a certain number of things they needed to do,

0:14:02.400 --> 0:14:04.080
<v Speaker 3>so I guess their point was, well, if we're going

0:14:04.160 --> 0:14:07.720
<v Speaker 3>to spend all of this money on upgrading the infrastructure,

0:14:08.400 --> 0:14:12.640
<v Speaker 3>why wouldn't we look at a redesign. Because from the

0:14:12.640 --> 0:14:15.520
<v Speaker 3>average members had seen the course, it was very highly ranked,

0:14:15.520 --> 0:14:18.240
<v Speaker 3>but that had kind of dwindled, and then I think,

0:14:18.280 --> 0:14:20.560
<v Speaker 3>to be honest, there are a number of people there

0:14:20.560 --> 0:14:24.480
<v Speaker 3>that recognized that it was a brilliant club, a wonderful club,

0:14:25.800 --> 0:14:28.680
<v Speaker 3>but looking critically at course three, they really felt that

0:14:28.920 --> 0:14:31.480
<v Speaker 3>it could be much better than it was.

0:14:31.480 --> 0:14:34.240
<v Speaker 1>Was part of the brief to make it more challenging

0:14:34.640 --> 0:14:38.640
<v Speaker 1>for pros. The backdrop of this being yeah, yeah, justin

0:14:38.680 --> 0:14:42.800
<v Speaker 1>Thomas going out there and lighting the coruscan fire at

0:14:42.840 --> 0:14:46.560
<v Speaker 1>a PGA Tour event in what twenty nineteen, twenty eighteen,

0:14:46.640 --> 0:14:47.440
<v Speaker 1>sometime around there.

0:14:47.520 --> 0:14:49.479
<v Speaker 3>Yeah, yeah, yeah, it was. I think it was the BMW.

0:14:51.000 --> 0:14:55.320
<v Speaker 3>And interestingly, if he's since come back and played Madonna

0:14:55.360 --> 0:14:59.480
<v Speaker 3>with a friend, didn't shoot sixty one again, It's interesting

0:14:59.520 --> 0:15:01.640
<v Speaker 3>he said, because he was I've sort of heard this

0:15:01.680 --> 0:15:05.480
<v Speaker 3>story secondhand, but he was playing terribly that week and

0:15:05.720 --> 0:15:07.400
<v Speaker 3>he was saying that, you know, I spoke to my

0:15:07.480 --> 0:15:10.160
<v Speaker 3>dad the night before he had that round and he

0:15:10.200 --> 0:15:12.040
<v Speaker 3>said I really wasn't playing well, and he said, and

0:15:12.080 --> 0:15:13.560
<v Speaker 3>if you look at that round, he said, like he

0:15:13.600 --> 0:15:16.200
<v Speaker 3>hold a weg shot, he hold everything. He looked at

0:15:16.320 --> 0:15:18.520
<v Speaker 3>like it was a you know, he said, I'm so

0:15:18.600 --> 0:15:22.480
<v Speaker 3>sick of people blaming me for redoing the golf course.

0:15:22.880 --> 0:15:23.440
<v Speaker 2>I mean, we're not.

0:15:23.640 --> 0:15:27.640
<v Speaker 1>But yeah, exactly, it's like or is it credit?

0:15:28.240 --> 0:15:30.040
<v Speaker 3>So it was just one of those rounds that you know,

0:15:30.040 --> 0:15:34.400
<v Speaker 3>it could have been anywhere. He literally hold everything. So yeah,

0:15:34.480 --> 0:15:37.680
<v Speaker 3>look it was I mean, I think they are very proud.

0:15:38.120 --> 0:15:41.640
<v Speaker 3>They're very proud of their tournament history. So they were

0:15:41.680 --> 0:15:44.040
<v Speaker 3>conscious of that. They didn't want it to be torn up,

0:15:44.840 --> 0:15:47.000
<v Speaker 3>you know, in the future. But so there was sort

0:15:47.000 --> 0:15:48.720
<v Speaker 3>of there are a number of different goals.

0:15:48.840 --> 0:15:49.040
<v Speaker 2>You know.

0:15:49.080 --> 0:15:51.240
<v Speaker 3>There were those that looked at the architecture, there were

0:15:51.280 --> 0:15:53.520
<v Speaker 3>those that looked at tournament history, and there were those

0:15:53.560 --> 0:15:55.920
<v Speaker 3>that looked at the you know, the turf quality and

0:15:55.960 --> 0:15:57.360
<v Speaker 3>infrastructure and stuff like that.

0:15:58.880 --> 0:16:02.600
<v Speaker 1>So there are a number of things that you did

0:16:02.640 --> 0:16:05.440
<v Speaker 1>to chorus three. We can't really go through all of

0:16:05.440 --> 0:16:09.560
<v Speaker 1>them because it really is quite the reimagining of the

0:16:09.560 --> 0:16:14.360
<v Speaker 1>golf course. But just to give people an idea, what

0:16:14.560 --> 0:16:18.000
<v Speaker 1>was the character of the chorus before you started working

0:16:18.040 --> 0:16:18.360
<v Speaker 1>on it.

0:16:19.280 --> 0:16:22.480
<v Speaker 3>So I think one of the you know, it was

0:16:22.680 --> 0:16:26.200
<v Speaker 3>it's three hundred and fifty acres, very big property. There

0:16:26.240 --> 0:16:30.720
<v Speaker 3>were twenty four acres of fairway. Yeah, not much, not much.

0:16:30.920 --> 0:16:34.240
<v Speaker 3>It was incredibly difficult for the average golfer. Fairways were narrow.

0:16:34.680 --> 0:16:37.120
<v Speaker 3>It was a classic sort of order I would as

0:16:37.160 --> 0:16:41.440
<v Speaker 3>a Melbournian. It was what I would regard as a

0:16:41.480 --> 0:16:45.280
<v Speaker 3>classic parkland American style golf course. You know, they were lucky.

0:16:45.320 --> 0:16:48.920
<v Speaker 3>They had beautiful trees, amazing oak trees. There's a handful

0:16:48.920 --> 0:16:51.560
<v Speaker 3>of trees on that course from the sixteen fifties, which

0:16:51.600 --> 0:16:52.680
<v Speaker 3>is very cool.

0:16:53.360 --> 0:16:54.360
<v Speaker 2>Beautiful old oaks.

0:16:54.960 --> 0:16:57.600
<v Speaker 3>It was narrow, it was lush, it was green. It

0:16:57.640 --> 0:17:00.560
<v Speaker 3>was a bit monochromatic, you know, just everything you looked

0:17:00.560 --> 0:17:05.880
<v Speaker 3>at was green. All the green complexes were pretty similar,

0:17:07.119 --> 0:17:09.320
<v Speaker 3>and a lot of a lot of the course features

0:17:09.320 --> 0:17:12.399
<v Speaker 3>that had been built looked very looked quite artificial, I

0:17:12.400 --> 0:17:17.160
<v Speaker 3>would say. So what we did we did a number

0:17:17.200 --> 0:17:20.040
<v Speaker 3>of different things. We certainly increased the amount of short grass.

0:17:21.080 --> 0:17:25.120
<v Speaker 3>Probably there's about fifty five acres now, so more than double.

0:17:25.800 --> 0:17:26.600
<v Speaker 2>There we looked at.

0:17:27.200 --> 0:17:29.600
<v Speaker 3>It was not a restoration, but there were elements of

0:17:29.640 --> 0:17:33.160
<v Speaker 3>the original. Tom bendel Our course that we found interesting.

0:17:34.800 --> 0:17:36.760
<v Speaker 3>Some of the bunkering that he had on the course

0:17:36.840 --> 0:17:39.199
<v Speaker 3>was really interesting. It looked like, you know, tilling Us

0:17:39.280 --> 0:17:42.240
<v Speaker 3>had built it like. So that became the idea of

0:17:42.240 --> 0:17:44.800
<v Speaker 3>the bunkering style. We wanted something much more natural and rugged.

0:17:45.200 --> 0:17:47.680
<v Speaker 3>We wanted to introduce some longer fescue that would brown

0:17:47.760 --> 0:17:51.800
<v Speaker 3>off to provide some textural differences. The big thing though,

0:17:51.880 --> 0:17:54.639
<v Speaker 3>was we re routed the last six holes. That was

0:17:54.720 --> 0:17:58.800
<v Speaker 3>kind of the That was pretty bold, And to be honest,

0:17:58.840 --> 0:18:00.720
<v Speaker 3>I think because we're on the other side of the

0:18:00.760 --> 0:18:03.760
<v Speaker 3>world and we didn't have the emotional ties with that course,

0:18:03.840 --> 0:18:06.840
<v Speaker 3>it was probably easier for us to suggest that change

0:18:07.119 --> 0:18:10.840
<v Speaker 3>than if we were like local to Chicago, you know,

0:18:12.280 --> 0:18:13.680
<v Speaker 3>because we didn't have that you.

0:18:13.640 --> 0:18:18.280
<v Speaker 1>Know, Yeah, the associations with the tournaments and those holes

0:18:18.359 --> 0:18:21.840
<v Speaker 1>and yeah, there's I mean, I wouldn't say it's the

0:18:21.840 --> 0:18:26.240
<v Speaker 1>most beloved American course, but certainly people have an image

0:18:26.240 --> 0:18:28.200
<v Speaker 1>in their minds. Americans have an image of their mind

0:18:28.240 --> 0:18:31.920
<v Speaker 1>in their mind of what those closing holes at Madina

0:18:32.000 --> 0:18:35.679
<v Speaker 1>Course three look like and play like, because there have

0:18:35.720 --> 0:18:38.280
<v Speaker 1>been these memorable shots played there.

0:18:38.480 --> 0:18:41.199
<v Speaker 3>Absolutely, so we looked at it more simply and thought, well,

0:18:41.240 --> 0:18:44.000
<v Speaker 3>there's three part threes that all look the same, right.

0:18:43.920 --> 0:18:46.480
<v Speaker 1>They just crossed the lake there. Yep, it looks it

0:18:46.520 --> 0:18:48.360
<v Speaker 1>looks kind of like a river in that portion.

0:18:48.200 --> 0:18:50.320
<v Speaker 2>Of the property. It does its narrow people often.

0:18:50.119 --> 0:18:52.360
<v Speaker 1>Think it's a river, but the par three is used

0:18:52.400 --> 0:18:54.920
<v Speaker 1>to just kind of play from one side to the other.

0:18:55.040 --> 0:18:55.440
<v Speaker 2>That's right.

0:18:55.480 --> 0:18:57.960
<v Speaker 3>And two of them, in particularly thirteen and seventeen, were

0:18:58.000 --> 0:18:59.800
<v Speaker 3>even next to each other. They played in the same

0:18:59.840 --> 0:19:03.000
<v Speaker 3>to they looked like the same hole. They didn't have

0:19:03.119 --> 0:19:06.639
<v Speaker 3>a they'd built a short part four at the fifteenth

0:19:06.640 --> 0:19:10.199
<v Speaker 3>that probably hadn't really ticked the box of you know,

0:19:10.800 --> 0:19:13.560
<v Speaker 3>of the great short par fours of the world, and

0:19:13.560 --> 0:19:16.040
<v Speaker 3>it just, you know, I just I think water can

0:19:16.080 --> 0:19:19.960
<v Speaker 3>be a fantastic hazard, but typically it's best when it's

0:19:19.960 --> 0:19:22.080
<v Speaker 3>on a diagonal when you play across, whether it's a

0:19:22.080 --> 0:19:24.160
<v Speaker 3>creek or a river or a lake. You know, when

0:19:24.200 --> 0:19:26.480
<v Speaker 3>you you know things like cape holes, you know, they're

0:19:26.480 --> 0:19:29.919
<v Speaker 3>interesting because everyone has to deal with the hazard. It

0:19:29.920 --> 0:19:31.720
<v Speaker 3>doesn't matter how far you hit it, and you kind

0:19:31.720 --> 0:19:33.199
<v Speaker 3>of have to determine how much of the hazard you

0:19:33.200 --> 0:19:35.280
<v Speaker 3>want to take on. That's you know, it's just a

0:19:35.359 --> 0:19:38.760
<v Speaker 3>very interesting way to set up a hazard, and they

0:19:38.800 --> 0:19:41.280
<v Speaker 3>didn't have that. And the fact that you played directly

0:19:41.320 --> 0:19:43.679
<v Speaker 3>over the water and the greens were detached from the

0:19:43.720 --> 0:19:46.240
<v Speaker 3>water meant that good players never hit it in the water,

0:19:46.680 --> 0:19:49.480
<v Speaker 3>but they were impossible for the average golfer. So I

0:19:49.520 --> 0:19:51.760
<v Speaker 3>guess we looked at the lake and thought, potentially, this

0:19:51.800 --> 0:19:54.520
<v Speaker 3>is an amazing hazard, but it doesn't quite work as

0:19:54.560 --> 0:19:56.880
<v Speaker 3>well as it should. The three part three's were all

0:19:56.880 --> 0:19:58.640
<v Speaker 3>similar and they didn't have a great short path four,

0:19:59.040 --> 0:20:00.639
<v Speaker 3>so that was kind of our starting point.

0:20:00.800 --> 0:20:04.360
<v Speaker 1>Okay, Yeah, this is what you're saying about. Hazard orientation

0:20:04.520 --> 0:20:09.680
<v Speaker 1>is really interesting because the previous course there was very

0:20:10.400 --> 0:20:14.960
<v Speaker 1>linear or perpendicular, and it's in its relationship with that

0:20:15.119 --> 0:20:17.840
<v Speaker 1>big natural hazard. I guess it's.

0:20:17.760 --> 0:20:21.240
<v Speaker 2>Natural, yes, sort of. Yeah, okay, yeah, I think so.

0:20:22.600 --> 0:20:24.760
<v Speaker 1>Even though it at some point it didn't really.

0:20:24.640 --> 0:20:26.560
<v Speaker 3>Well I think yeah, I think it was a wetland

0:20:26.720 --> 0:20:28.399
<v Speaker 3>and then they did they damn it.

0:20:28.480 --> 0:20:29.560
<v Speaker 2>Yeah, that's ry. It was formalized.

0:20:29.760 --> 0:20:29.920
<v Speaker 3>Kay.

0:20:30.000 --> 0:20:31.040
<v Speaker 2>Yeah.

0:20:31.240 --> 0:20:34.280
<v Speaker 1>So these these par threes, just to use them as

0:20:34.320 --> 0:20:39.080
<v Speaker 1>an example, would just play straight across it, whereas what

0:20:39.080 --> 0:20:42.560
<v Speaker 1>what you were looking to do was to shift the

0:20:42.640 --> 0:20:45.960
<v Speaker 1>orientation of the shots so that it would run along

0:20:45.960 --> 0:20:47.239
<v Speaker 1>a diagonal.

0:20:47.040 --> 0:20:50.359
<v Speaker 3>Yeah, that's try and and and so the we didn't

0:20:50.359 --> 0:20:52.399
<v Speaker 3>think there was that much variety with the path threes

0:20:52.440 --> 0:20:55.280
<v Speaker 3>and with the reroute that the new thirteenth hole plays

0:20:55.280 --> 0:20:58.359
<v Speaker 3>alongside the water, so that gave the club something different

0:20:58.400 --> 0:21:00.840
<v Speaker 3>as well. So it's a it's a short path three,

0:21:00.880 --> 0:21:03.359
<v Speaker 3>which again they didn't really have. So this is a

0:21:03.400 --> 0:21:05.960
<v Speaker 3>hole that I think it's best played at probably about

0:21:05.960 --> 0:21:08.920
<v Speaker 3>one hundred and forty five yards, so kind of shortish

0:21:09.200 --> 0:21:12.320
<v Speaker 3>it uses it's got like an infinity green with and

0:21:12.359 --> 0:21:14.359
<v Speaker 3>you can see the water behind, but then if you

0:21:14.359 --> 0:21:15.840
<v Speaker 3>miss the green to the right, you're in the water.

0:21:15.960 --> 0:21:18.560
<v Speaker 3>So it's whereas they were always playing across the water,

0:21:18.640 --> 0:21:20.600
<v Speaker 3>so we sort of added a different type of hole

0:21:20.960 --> 0:21:23.080
<v Speaker 3>that's usually played into the breeze. So it's kind of

0:21:23.320 --> 0:21:25.520
<v Speaker 3>a fun shot with a nine nine or a wedge.

0:21:26.280 --> 0:21:29.880
<v Speaker 3>And then and then the new seventeenth does play, yeah,

0:21:29.920 --> 0:21:32.920
<v Speaker 3>directly sort of on a diagonal back across the water.

0:21:33.119 --> 0:21:33.879
<v Speaker 2>Yeah.

0:21:34.200 --> 0:21:38.000
<v Speaker 1>So getting back to the theme of challenging elite players,

0:21:38.400 --> 0:21:40.600
<v Speaker 1>I guess diagonal hazards are one way that you can

0:21:40.640 --> 0:21:43.280
<v Speaker 1>do that because if it's just a linear hazard, as

0:21:43.359 --> 0:21:45.840
<v Speaker 1>long as you have the carry number, you can go

0:21:45.880 --> 0:21:46.320
<v Speaker 1>ahead and.

0:21:46.280 --> 0:21:46.880
<v Speaker 2>Make that carry.

0:21:46.960 --> 0:21:49.400
<v Speaker 1>If you're a really good player, you're not gonna come

0:21:49.480 --> 0:21:52.080
<v Speaker 1>up short necessarily unless it's a really long carry.

0:21:52.440 --> 0:21:52.680
<v Speaker 2>Yeah.

0:21:52.720 --> 0:21:55.320
<v Speaker 1>If it's diagonal, then you sort of have to make

0:21:55.320 --> 0:21:58.440
<v Speaker 1>a decision. If you hit it in a little more

0:21:58.440 --> 0:22:00.840
<v Speaker 1>in one direction than the other, then you might be

0:22:00.880 --> 0:22:02.680
<v Speaker 1>in trouble. If you try to buy it off too much,

0:22:02.760 --> 0:22:05.439
<v Speaker 1>you might be in trouble. So that's one way I

0:22:05.480 --> 0:22:08.560
<v Speaker 1>suppose that the new course might be more challenging to

0:22:09.320 --> 0:22:10.240
<v Speaker 1>a top level player.

0:22:10.400 --> 0:22:10.600
<v Speaker 2>Yeah.

0:22:10.600 --> 0:22:12.439
<v Speaker 3>I mean, good players are very good at hitting to

0:22:12.480 --> 0:22:14.560
<v Speaker 3>a particular distance, so that's right.

0:22:14.600 --> 0:22:16.639
<v Speaker 1>So when they're they're not going to miss that distance

0:22:16.720 --> 0:22:17.200
<v Speaker 1>very often.

0:22:17.320 --> 0:22:19.600
<v Speaker 3>No, so when you're playing across a perpendicular hazard, they're

0:22:19.640 --> 0:22:21.880
<v Speaker 3>unlikely to hit it in it. If it's on the diagonal,

0:22:21.960 --> 0:22:24.800
<v Speaker 3>you're testing line and length, so that's right. So they

0:22:24.800 --> 0:22:29.639
<v Speaker 3>do have the ability to misjudge, So that.

0:22:29.720 --> 0:22:32.680
<v Speaker 2>That was one thing we did.

0:22:32.720 --> 0:22:37.240
<v Speaker 3>I mean, we certainly tried to improve the relationship between

0:22:37.280 --> 0:22:40.399
<v Speaker 3>the playing surfaces and the surrounding hazards as well, you know,

0:22:40.440 --> 0:22:45.160
<v Speaker 3>But being the typical Parkland American style course that I mentioned,

0:22:46.240 --> 0:22:48.919
<v Speaker 3>there was probably ten yards of rough between the edge

0:22:48.960 --> 0:22:51.480
<v Speaker 3>of a fairway and a fairway bunker, so that a

0:22:51.480 --> 0:22:55.159
<v Speaker 3>lot of the bunkering was somewhat redundant. You know, it

0:22:55.760 --> 0:22:57.280
<v Speaker 3>was a very poor shot to hit in the sand.

0:22:57.320 --> 0:23:00.840
<v Speaker 3>Usually you were playing from the rough and green side

0:23:00.840 --> 0:23:03.080
<v Speaker 3>bunkers as well. We're a long way off the putting surface.

0:23:03.200 --> 0:23:06.760
<v Speaker 3>So whilst we knew we couldn't take it to the

0:23:06.840 --> 0:23:09.480
<v Speaker 3>extent of say the sand belt, where you have putting

0:23:09.560 --> 0:23:13.600
<v Speaker 3>surface to the edge of a bunker, we knew we

0:23:13.600 --> 0:23:15.960
<v Speaker 3>could get a lot closer. So you'll see with the

0:23:16.000 --> 0:23:18.000
<v Speaker 3>new course the bunkers are really cut up tight to

0:23:18.040 --> 0:23:21.879
<v Speaker 3>the greens. There is more fairway, the fairwyes are wider,

0:23:21.960 --> 0:23:24.080
<v Speaker 3>but there's probably a bit more strategy now in terms

0:23:24.119 --> 0:23:25.920
<v Speaker 3>of being on one side.

0:23:25.720 --> 0:23:26.560
<v Speaker 2>Of the fairway or the other.

0:23:28.320 --> 0:23:33.480
<v Speaker 3>One of the keys, to be honest is firmness. It

0:23:33.520 --> 0:23:35.960
<v Speaker 3>doesn't matter how strategic you make a golf course. You

0:23:36.000 --> 0:23:38.200
<v Speaker 3>can have all the angles and width in the world,

0:23:38.200 --> 0:23:41.520
<v Speaker 3>but if it's soft, those guys are so good that

0:23:41.600 --> 0:23:43.800
<v Speaker 3>they can be out of position even in the rough,

0:23:44.280 --> 0:23:46.240
<v Speaker 3>and they can hit an eight iron onto a green

0:23:46.280 --> 0:23:50.040
<v Speaker 3>and stop it if the greens are soft. So firmness

0:23:50.080 --> 0:23:54.000
<v Speaker 3>is critical, and you know there's a number of greens

0:23:54.000 --> 0:23:56.200
<v Speaker 3>there that we set up to like the first green

0:23:56.240 --> 0:24:00.880
<v Speaker 3>falls away from play, which really encourages short and using

0:24:00.920 --> 0:24:03.399
<v Speaker 3>the ground game a bit more. But the other important

0:24:03.440 --> 0:24:05.639
<v Speaker 3>aspect is all the drainage that's been added in and

0:24:05.680 --> 0:24:08.919
<v Speaker 3>so unless you had a three inch storm the night before,

0:24:10.000 --> 0:24:12.960
<v Speaker 3>being the new superintendent has the ability to really firm

0:24:13.000 --> 0:24:15.680
<v Speaker 3>that place up, and that will be ultimately that will

0:24:15.680 --> 0:24:18.440
<v Speaker 3>be the key and firmness combined with all the short

0:24:18.440 --> 0:24:21.760
<v Speaker 3>grass around the greens, plus the bunker ing, plus the

0:24:21.880 --> 0:24:24.480
<v Speaker 3>you know, the angles, it's a there's no one thing,

0:24:24.560 --> 0:24:26.800
<v Speaker 3>it's those. It's sort of four or five different things

0:24:26.800 --> 0:24:32.320
<v Speaker 3>that I think start to achieve that balance between playability

0:24:32.359 --> 0:24:35.320
<v Speaker 3>for the average golfer but making it interesting and challenging

0:24:35.400 --> 0:24:36.040
<v Speaker 3>for the better player.

0:24:36.640 --> 0:24:40.159
<v Speaker 1>How do you create firmness on a site like Madona's.

0:24:40.440 --> 0:24:43.560
<v Speaker 1>I mean, this is not the Australian sand belt, this

0:24:43.680 --> 0:24:46.639
<v Speaker 1>is this is Chicago. I assume it's kind of heavy clay,

0:24:47.720 --> 0:24:51.480
<v Speaker 1>not typically the easiest stuff to drain or to you know,

0:24:51.520 --> 0:24:54.000
<v Speaker 1>it's not not the easiest thing to fight the weather

0:24:54.359 --> 0:24:57.399
<v Speaker 1>in Chicago with your surfaces. So how do you go

0:24:57.480 --> 0:25:00.560
<v Speaker 1>about creating firmness at a course like this?

0:25:01.280 --> 0:25:01.760
<v Speaker 2>Yeah, it's.

0:25:03.320 --> 0:25:05.320
<v Speaker 3>I mean it is a heavy sight, but it's got

0:25:05.560 --> 0:25:08.560
<v Speaker 3>quite a thick layer of top soil. They sort of

0:25:08.560 --> 0:25:10.280
<v Speaker 3>look at it and you know, it's good black dirt

0:25:10.800 --> 0:25:11.600
<v Speaker 3>will be the comment.

0:25:12.320 --> 0:25:12.720
<v Speaker 1>Not bad.

0:25:12.920 --> 0:25:16.119
<v Speaker 3>Yeah, so it's super rocky or anything. No, it's actually

0:25:16.200 --> 0:25:20.479
<v Speaker 3>quite nice tops oil. There was no sort of there

0:25:20.480 --> 0:25:23.080
<v Speaker 3>were no. I mean, we strive very hard to We

0:25:23.119 --> 0:25:26.280
<v Speaker 3>don't particularly like the you know the catch basins close

0:25:26.359 --> 0:25:28.480
<v Speaker 3>to close to play, you know where you've got a

0:25:28.480 --> 0:25:30.359
<v Speaker 3>big drainage pit, because that.

0:25:30.359 --> 0:25:32.240
<v Speaker 1>Would be one way to do it is to build

0:25:32.280 --> 0:25:35.359
<v Speaker 1>these big swales next to the greens, have the greens

0:25:35.440 --> 0:25:37.560
<v Speaker 1>run off into those swals and drain down at the

0:25:37.600 --> 0:25:40.720
<v Speaker 1>center that's right of the catch basin. But that's sort

0:25:40.720 --> 0:25:44.280
<v Speaker 1>of it can start to seem like predictable or kind

0:25:44.320 --> 0:25:45.960
<v Speaker 1>of hacky architecture.

0:25:46.119 --> 0:25:47.000
<v Speaker 2>Yeah, so that's right.

0:25:47.040 --> 0:25:50.040
<v Speaker 3>So if you were only concerned with the turf and

0:25:50.119 --> 0:25:55.120
<v Speaker 3>you didn't care about architecture or aesthetics, if you had

0:25:55.119 --> 0:25:56.879
<v Speaker 3>the series of catch basins all the way down the

0:25:56.920 --> 0:25:59.240
<v Speaker 3>fairway and all the way around the green, with quite

0:25:59.240 --> 0:26:02.280
<v Speaker 3>a lot of pitch into those catch basins, you could

0:26:02.400 --> 0:26:05.000
<v Speaker 3>create fairly dry surfaces because anytime it rained, the rain

0:26:05.160 --> 0:26:07.600
<v Speaker 3>would hit the surface straight off into a catch bit

0:26:07.640 --> 0:26:11.080
<v Speaker 3>and that's gone. You know, whereas architects we're trying to

0:26:11.080 --> 0:26:13.520
<v Speaker 3>do we're trying to minimize the number of catch basins

0:26:13.520 --> 0:26:15.160
<v Speaker 3>and put them in the raft so you can't see

0:26:15.200 --> 0:26:18.520
<v Speaker 3>them and not have the big exaggerated hollows. So you're

0:26:18.520 --> 0:26:21.919
<v Speaker 3>trying to strike a balance between form and function.

0:26:22.119 --> 0:26:22.560
<v Speaker 2>I guess.

0:26:23.000 --> 0:26:26.359
<v Speaker 3>So there are there's a few catch basins in you know,

0:26:26.400 --> 0:26:29.560
<v Speaker 3>in playing surfaces, but they're typically off you know, well

0:26:29.560 --> 0:26:33.600
<v Speaker 3>off greens and things. And then on top of that,

0:26:33.640 --> 0:26:35.760
<v Speaker 3>there's also a lot of subsurface strainage around the greens,

0:26:35.800 --> 0:26:37.400
<v Speaker 3>particularly in their approaches to the greens.

0:26:38.400 --> 0:26:41.439
<v Speaker 1>Okay, so you have to be clever about how you're

0:26:41.520 --> 0:26:44.560
<v Speaker 1>draining the surfaces. And that's just one way to do it,

0:26:44.560 --> 0:26:47.199
<v Speaker 1>I guess. Another way is just good agronomy. You know,

0:26:47.240 --> 0:26:49.679
<v Speaker 1>you need to try and pay attention to the surfaces

0:26:49.720 --> 0:26:53.959
<v Speaker 1>and really keep them fresh and you know, not let

0:26:54.040 --> 0:26:56.880
<v Speaker 1>them age in certain ways in order to keep them firm.

0:26:57.280 --> 0:26:58.159
<v Speaker 2>Yeah, and that's right.

0:26:58.200 --> 0:27:02.000
<v Speaker 3>There's certain management practices. I mean, you could destroy the

0:27:02.040 --> 0:27:03.800
<v Speaker 3>strategy of a golf course if you're a bit heavy

0:27:03.840 --> 0:27:06.679
<v Speaker 3>handed with the with the hose. So you know, if

0:27:06.720 --> 0:27:09.399
<v Speaker 3>you were to overwater of course, you know, you're going

0:27:09.440 --> 0:27:11.679
<v Speaker 3>to it's going to lead to soft playing services, So

0:27:12.359 --> 0:27:14.240
<v Speaker 3>you know, trying to keep it a little bit lean

0:27:14.280 --> 0:27:16.679
<v Speaker 3>and keep it firm and keep it bouncy is critical

0:27:16.680 --> 0:27:17.080
<v Speaker 3>as well.

0:27:17.760 --> 0:27:22.640
<v Speaker 1>So then in all of this firmness and the challenges

0:27:22.680 --> 0:27:25.680
<v Speaker 1>that you're trying to create with that, what role these

0:27:26.040 --> 0:27:28.680
<v Speaker 1>short short grass play with us?

0:27:29.960 --> 0:27:34.480
<v Speaker 3>I think it's a plays an important role. So a

0:27:34.520 --> 0:27:37.040
<v Speaker 3>good example we would use with the membership there was

0:27:39.600 --> 0:27:43.280
<v Speaker 3>if you've got an elevated green, we'll say, then you've

0:27:43.320 --> 0:27:46.960
<v Speaker 3>got rough up to the edge. Even if the pin's

0:27:47.119 --> 0:27:50.680
<v Speaker 3>tucked in the corner of the green. Good players will

0:27:50.720 --> 0:27:54.359
<v Speaker 3>tend not to think twice about shooting for that flag

0:27:54.400 --> 0:27:55.959
<v Speaker 3>because they know if they miss it, it's just going

0:27:56.000 --> 0:27:58.640
<v Speaker 3>to get caught up in five or six feet either side,

0:27:58.680 --> 0:28:02.359
<v Speaker 3>and it's a relatively simple where Suddenly, if you've got

0:28:02.440 --> 0:28:05.600
<v Speaker 3>short grass cut thirty yards down that bank and the

0:28:05.640 --> 0:28:08.719
<v Speaker 3>conditions are firm, it forces them back in the fairway

0:28:08.760 --> 0:28:10.720
<v Speaker 3>to think more about that shot. It puts a little

0:28:10.720 --> 0:28:11.959
<v Speaker 3>bit of doubt in their mind because they know if

0:28:11.960 --> 0:28:14.200
<v Speaker 3>they miss it, the ball might finish thirty or even

0:28:14.240 --> 0:28:16.920
<v Speaker 3>forty yards off the green. Suddenly it's a really tricky

0:28:17.160 --> 0:28:20.000
<v Speaker 3>up and down. It's tricky pitch, tricky chip shot. And

0:28:20.040 --> 0:28:21.919
<v Speaker 3>the nice thing is for an average golfer, though, if

0:28:21.920 --> 0:28:23.480
<v Speaker 3>they missed that shot, they can just pull out a

0:28:23.480 --> 0:28:25.520
<v Speaker 3>putter and just kind of whack it up onto the green.

0:28:26.119 --> 0:28:27.560
<v Speaker 3>They're not going to make their part, they're going to

0:28:27.560 --> 0:28:31.800
<v Speaker 3>make a bowgire a double. But it's a more enjoyable,

0:28:31.880 --> 0:28:34.800
<v Speaker 3>more satisfying recovery shot for them than just hacking it

0:28:34.840 --> 0:28:37.960
<v Speaker 3>out of three inches of rough. So and we used

0:28:38.080 --> 0:28:41.720
<v Speaker 3>that theory in a lot of places at Madina. Really

0:28:41.720 --> 0:28:44.760
<v Speaker 3>good example is the first where there's a you know,

0:28:44.840 --> 0:28:47.720
<v Speaker 3>thirty or forty yards of short grass over and to

0:28:47.840 --> 0:28:51.280
<v Speaker 3>the right of an elevated green. So suddenly it's a

0:28:51.280 --> 0:28:52.000
<v Speaker 3>difficult shot.

0:28:52.760 --> 0:28:56.080
<v Speaker 1>Yeah, I mean, the one thing that's gonna bother players

0:28:56.120 --> 0:28:59.360
<v Speaker 1>around the green is not necessarily rough unless the players,

0:28:59.360 --> 0:29:03.480
<v Speaker 1>to you, it sounds like it's putting them farther away

0:29:03.480 --> 0:29:06.880
<v Speaker 1>from the hole. If you've met if after a miss

0:29:07.080 --> 0:29:09.800
<v Speaker 1>they're simply farther away, they have a longer shot in

0:29:10.480 --> 0:29:13.000
<v Speaker 1>they're just going to get that up and down less

0:29:13.040 --> 0:29:15.400
<v Speaker 1>and less often the farther away they get.

0:29:15.720 --> 0:29:16.160
<v Speaker 2>That's right.

0:29:16.200 --> 0:29:18.960
<v Speaker 3>And then if the conditions are fairly firmin bouncy. It

0:29:19.080 --> 0:29:22.560
<v Speaker 3>just emphasizes that strategy. And then if you sort of

0:29:22.560 --> 0:29:25.000
<v Speaker 3>work backwards onto the tee suddenly, then then it is

0:29:25.040 --> 0:29:28.120
<v Speaker 3>putting more more of an advantage for them being in

0:29:28.120 --> 0:29:30.360
<v Speaker 3>the right position on the faiawaye or the wrong you know,

0:29:30.560 --> 0:29:32.640
<v Speaker 3>panealizing them in the wrong position. So it kind of

0:29:32.680 --> 0:29:35.880
<v Speaker 3>works its way back strategically both in the fairway and

0:29:35.880 --> 0:29:36.880
<v Speaker 3>even back on the tee.

0:29:37.800 --> 0:29:40.760
<v Speaker 1>You brought up position in the fairway. Let the record

0:29:40.800 --> 0:29:44.000
<v Speaker 1>show that you brought it up. I want to talk

0:29:44.040 --> 0:29:48.640
<v Speaker 1>about with yeah. Width of fairways is a controversial topic

0:29:48.680 --> 0:29:52.520
<v Speaker 1>among those who are interested in tournament golf courses.

0:29:52.720 --> 0:29:52.880
<v Speaker 2>YEP.

0:29:53.640 --> 0:29:56.840
<v Speaker 1>There are those who say that if a fairway is wide,

0:29:57.080 --> 0:29:59.719
<v Speaker 1>and the fairways that at Medina are wider now than

0:29:59.720 --> 0:30:03.320
<v Speaker 1>they to be, obviously they're quite a narrow before. There

0:30:03.320 --> 0:30:05.680
<v Speaker 1>are those who say, if a fairway is wide, then

0:30:05.680 --> 0:30:07.840
<v Speaker 1>it really doesn't matter what you do around the green.

0:30:08.320 --> 0:30:10.520
<v Speaker 1>Elite players are just going to blast it up the

0:30:10.520 --> 0:30:14.520
<v Speaker 1>fairway and they'll take whatever angle they get when they

0:30:14.560 --> 0:30:19.360
<v Speaker 1>get there. And so the argument would go, there's not

0:30:19.480 --> 0:30:22.680
<v Speaker 1>much thinking there because they're not thinking about position in

0:30:22.720 --> 0:30:25.000
<v Speaker 1>the fairway. Because they don't have to think about position

0:30:25.080 --> 0:30:27.440
<v Speaker 1>in the fairway. If you give them a certain width

0:30:27.440 --> 0:30:30.520
<v Speaker 1>of corridor, they're just going to pull driver and look

0:30:30.560 --> 0:30:33.360
<v Speaker 1>at their kind of dispersion zone and just find a

0:30:33.440 --> 0:30:37.040
<v Speaker 1>central point in that dispersion zone and go ahead.

0:30:36.760 --> 0:30:37.239
<v Speaker 2>And rip it.

0:30:37.720 --> 0:30:40.680
<v Speaker 1>Not much thought required. Yeah, what would be your response

0:30:40.720 --> 0:30:41.000
<v Speaker 1>to that?

0:30:41.400 --> 0:30:44.320
<v Speaker 3>Well, that is true if the conditions are soft. If

0:30:44.320 --> 0:30:46.600
<v Speaker 3>the conditions are soft, it is just a free heat.

0:30:46.760 --> 0:30:52.560
<v Speaker 3>But I think there's enough great designs out day that

0:30:52.000 --> 0:30:55.480
<v Speaker 3>there are examples of the counterpoints your argument. Someone like

0:30:55.600 --> 0:30:59.200
<v Speaker 3>Augusta is a perfect example a little pond host. I

0:30:59.200 --> 0:31:02.120
<v Speaker 3>mean the enth at Augusta that fairways seventy or eighty

0:31:02.200 --> 0:31:05.760
<v Speaker 3>yards wide, and there's you know, a three way advantage

0:31:05.760 --> 0:31:08.440
<v Speaker 3>in hitting down next to the water both shorter shot,

0:31:08.480 --> 0:31:12.080
<v Speaker 3>better angle, and flatter eye. And you know every yard

0:31:12.120 --> 0:31:14.480
<v Speaker 3>you play to the rider gets a much more difficult

0:31:14.480 --> 0:31:19.440
<v Speaker 3>shot into that green. So if the architecture isn't there

0:31:19.600 --> 0:31:24.840
<v Speaker 3>and the firmness isn't there, that's right. Players will will

0:31:24.960 --> 0:31:27.160
<v Speaker 3>will eat up a golf course if it's wide. But

0:31:27.360 --> 0:31:29.560
<v Speaker 3>I think if the if the green complex is good

0:31:29.640 --> 0:31:32.760
<v Speaker 3>enough and it's in and it's a fairly firm, fast

0:31:32.800 --> 0:31:36.120
<v Speaker 3>golf course, I think it will challenge and it will

0:31:36.120 --> 0:31:38.520
<v Speaker 3>create much more interest because the end of the day,

0:31:38.720 --> 0:31:41.880
<v Speaker 3>you can't create strategy on narrow fairways. You know, you

0:31:41.960 --> 0:31:45.160
<v Speaker 3>have to give players choices about where they want to

0:31:45.200 --> 0:31:49.920
<v Speaker 3>hit to. Ironically, I quite like the fact that the

0:31:50.000 --> 0:31:52.280
<v Speaker 3>US Open is an arrow golf course because it's just

0:31:52.320 --> 0:31:53.680
<v Speaker 3>a nice point of difference.

0:31:53.360 --> 0:31:54.320
<v Speaker 2>With all the other majors.

0:31:54.440 --> 0:31:56.680
<v Speaker 3>But it's just it gets too much, I think when

0:31:56.720 --> 0:31:58.840
<v Speaker 3>every week in, week out on the tour is an

0:31:58.920 --> 0:31:59.640
<v Speaker 3>arrow golf course.

0:32:01.040 --> 0:32:03.040
<v Speaker 1>Well, you know, one of the reality is when it

0:32:03.080 --> 0:32:06.720
<v Speaker 1>comes to designing courses for great players right now, is

0:32:06.760 --> 0:32:11.160
<v Speaker 1>that great players think about course management differently, perhaps than

0:32:11.280 --> 0:32:13.680
<v Speaker 1>than they used to, or at least they're they're more

0:32:13.840 --> 0:32:18.160
<v Speaker 1>likely to have a particular method of approaching course management,

0:32:18.240 --> 0:32:22.800
<v Speaker 1>driven by analytics and data collection and the insights that

0:32:22.800 --> 0:32:25.920
<v Speaker 1>that has provided. So I wonder if as an architect,

0:32:26.400 --> 0:32:30.440
<v Speaker 1>you take some of that stuff into account in order

0:32:30.480 --> 0:32:35.520
<v Speaker 1>to counteract or to account for what players are doing

0:32:35.640 --> 0:32:37.520
<v Speaker 1>when they think their way through a golf course, when

0:32:37.520 --> 0:32:41.520
<v Speaker 1>they're choosing targets based on a kind of different set

0:32:41.520 --> 0:32:44.600
<v Speaker 1>of criteria than they used to, does the architect have

0:32:44.680 --> 0:32:49.480
<v Speaker 1>to do something different in order to keep the course

0:32:49.640 --> 0:32:53.600
<v Speaker 1>interesting and challenging for them.

0:32:53.720 --> 0:32:54.960
<v Speaker 2>It's a it's a really good question.

0:32:55.080 --> 0:32:57.720
<v Speaker 3>I mean, we haven't spent a lot of time going

0:32:57.760 --> 0:33:01.200
<v Speaker 3>through you know, shouts to Hull, and we did it

0:33:01.240 --> 0:33:05.040
<v Speaker 3>at Madina. We looked through a lot of the scoring averages.

0:33:05.120 --> 0:33:07.320
<v Speaker 3>That was one thing we did do which was interesting,

0:33:08.160 --> 0:33:13.760
<v Speaker 3>and just the shot dispersion on each hole. But that's

0:33:13.800 --> 0:33:16.120
<v Speaker 3>probably I would say that's the first time we've really

0:33:16.160 --> 0:33:19.520
<v Speaker 3>taken a deep dive into just how players, you know,

0:33:19.760 --> 0:33:23.600
<v Speaker 3>through tournaments had played particular holes in particular shots.

0:33:25.720 --> 0:33:29.200
<v Speaker 1>Yeah, what'd you do with scoring averages? What was the

0:33:29.200 --> 0:33:30.320
<v Speaker 1>intention of looking at.

0:33:30.200 --> 0:33:34.040
<v Speaker 3>That one of them was we wanted to see how

0:33:34.080 --> 0:33:36.160
<v Speaker 3>they played those path threes and how they played their

0:33:36.160 --> 0:33:40.720
<v Speaker 3>short puffour so fifteen it was interesting that you know,

0:33:40.760 --> 0:33:42.760
<v Speaker 3>better players typically didn't hit it in the water on

0:33:42.800 --> 0:33:44.720
<v Speaker 3>the path threes. The water didn't really have much of

0:33:44.760 --> 0:33:46.480
<v Speaker 3>a role as a hazard, which is kind of what

0:33:46.560 --> 0:33:52.280
<v Speaker 3>we thought. And you know, for me anyway, that I

0:33:52.280 --> 0:33:54.320
<v Speaker 3>think the great short puffers of the world put lots

0:33:54.320 --> 0:33:56.280
<v Speaker 3>of different clubs in your hand. You know, there's a

0:33:56.320 --> 0:33:59.240
<v Speaker 3>lot of doubt you see that around the sand belt.

0:33:59.240 --> 0:34:01.120
<v Speaker 3>You would have seen it in the last few days

0:34:01.720 --> 0:34:05.880
<v Speaker 3>where there's no single way to play. You know, these holes,

0:34:05.920 --> 0:34:07.560
<v Speaker 3>you could play anything from a five eye to a

0:34:07.640 --> 0:34:10.360
<v Speaker 3>driver off the tee, and none of them are the

0:34:10.640 --> 0:34:13.680
<v Speaker 3>right or wrong. You know, choice just depends on you

0:34:13.719 --> 0:34:15.520
<v Speaker 3>on the day and the wind and the pin and

0:34:16.040 --> 0:34:19.480
<v Speaker 3>how you feeling. Whereas it was clear that that's not

0:34:19.560 --> 0:34:24.840
<v Speaker 3>how they played the fifteenth hole, so I guess it

0:34:25.000 --> 0:34:30.360
<v Speaker 3>probably just confirmed some of our suspicions I guess about

0:34:30.360 --> 0:34:36.080
<v Speaker 3>some of the holes.

0:34:38.040 --> 0:34:40.440
<v Speaker 1>This episode of Designing Golf is brought to you by

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<v Speaker 1>All right, let's get back to the episode. Tell me

0:36:18.040 --> 0:36:21.839
<v Speaker 1>about your use of out of bounds at Madonna. This

0:36:21.880 --> 0:36:23.840
<v Speaker 1>is something that people are going to be curious about.

0:36:24.440 --> 0:36:26.120
<v Speaker 1>The fence hole. Yeah, in particular.

0:36:26.320 --> 0:36:35.520
<v Speaker 3>Yeah, sure, So that end of the property, which I

0:36:35.640 --> 0:36:41.400
<v Speaker 3>guess is the northwestern end, was a prairie originally, so

0:36:41.600 --> 0:36:45.319
<v Speaker 3>you kind of got these interesting landscapes at Madonna. You've

0:36:45.320 --> 0:36:47.240
<v Speaker 3>got the holes around the lake, which we talked about.

0:36:48.040 --> 0:36:49.480
<v Speaker 3>Then you've got the holes through the middle of the

0:36:49.480 --> 0:36:51.799
<v Speaker 3>property where you've got the beautiful old oaks that kind

0:36:51.800 --> 0:36:53.719
<v Speaker 3>of frame the holes, and then the top end of

0:36:53.719 --> 0:36:56.839
<v Speaker 3>the property there was originally a prairie, so didn't have

0:36:56.920 --> 0:36:58.799
<v Speaker 3>the features of the rest of the golf course. It

0:36:58.880 --> 0:37:04.080
<v Speaker 3>was pretty open and it had a dirt road running around.

0:37:04.600 --> 0:37:07.160
<v Speaker 3>In the thirties, you know, there were no houses. There

0:37:07.200 --> 0:37:08.399
<v Speaker 3>was just a simple dirt track.

0:37:09.160 --> 0:37:09.680
<v Speaker 2>And when we.

0:37:09.640 --> 0:37:12.320
<v Speaker 3>Looked at the old aerials, it appeared as though the

0:37:12.840 --> 0:37:15.520
<v Speaker 3>sixth hole used the boundary as a bit of a

0:37:15.560 --> 0:37:18.200
<v Speaker 3>strategic hazard, you know, because the hole literally played up

0:37:18.239 --> 0:37:21.719
<v Speaker 3>against it. There were no trees, and I thought, well,

0:37:21.760 --> 0:37:24.640
<v Speaker 3>that's kind of interesting, interesting feature. I'm not sure you

0:37:24.680 --> 0:37:27.239
<v Speaker 3>could ever put that back because there's now houses and

0:37:27.320 --> 0:37:31.160
<v Speaker 3>roads and cars and things like that. And then we

0:37:31.239 --> 0:37:33.640
<v Speaker 3>found an old photo that showed the sixth green and

0:37:33.680 --> 0:37:36.200
<v Speaker 3>there was quite clearly a fence immediately behind the green.

0:37:36.920 --> 0:37:41.839
<v Speaker 3>I thought that's pretty cool, very interesting, And then we

0:37:41.840 --> 0:37:46.759
<v Speaker 3>were concerned the view on those holes, particularly six and

0:37:46.800 --> 0:37:50.319
<v Speaker 3>the old tenth which is now the seventh, was unattractive

0:37:50.560 --> 0:37:53.280
<v Speaker 3>because you were just staring at the road and cars

0:37:53.320 --> 0:37:56.520
<v Speaker 3>and an ugly fence, and so in order to improve

0:37:56.560 --> 0:37:59.440
<v Speaker 3>the backdrop, we wanted to shift those holes away from

0:37:59.480 --> 0:38:02.359
<v Speaker 3>the outer bound and the club were really lucky they

0:38:02.400 --> 0:38:04.200
<v Speaker 3>had a lot of space, so we moved those holes

0:38:04.600 --> 0:38:07.600
<v Speaker 3>forty yards, which gave us an opportunity to then plant

0:38:07.640 --> 0:38:09.839
<v Speaker 3>out the boundary and to sort of shift your view

0:38:09.840 --> 0:38:13.120
<v Speaker 3>line away from the outer bounds. But then the question was, well,

0:38:13.120 --> 0:38:16.600
<v Speaker 3>what do we what do we do now? And we

0:38:16.760 --> 0:38:20.280
<v Speaker 3>kind of liked the idea of reintroducing some sort of boundary,

0:38:20.360 --> 0:38:22.560
<v Speaker 3>So that's where the idea of and the fact there

0:38:22.680 --> 0:38:25.600
<v Speaker 3>was these old photos and we thought, well we could

0:38:25.920 --> 0:38:30.319
<v Speaker 3>kind of reintroduce an outer bounds, albeit it's a much

0:38:30.360 --> 0:38:33.680
<v Speaker 3>safer proposition now and with a nicely screened fence line.

0:38:34.760 --> 0:38:38.080
<v Speaker 3>So we pitched the idea of a postmail fence and

0:38:39.360 --> 0:38:41.520
<v Speaker 3>it sort of follows all the way down the sixth

0:38:41.560 --> 0:38:43.840
<v Speaker 3>hole and the seventh hole and the end. We actually

0:38:43.880 --> 0:38:45.759
<v Speaker 3>continued on the fifth as well, So you have this

0:38:45.880 --> 0:38:49.959
<v Speaker 3>run of holes five, six, seven where the fence line

0:38:50.000 --> 0:38:52.239
<v Speaker 3>runs hard up against the edge of the fairway. At

0:38:52.239 --> 0:38:53.960
<v Speaker 3>the sixth that runs hard up against the edge of

0:38:54.000 --> 0:38:57.839
<v Speaker 3>the green. But the fairways are wide, you know, they're

0:38:59.000 --> 0:39:02.520
<v Speaker 3>sixty yards wide, sixty five yards wide, so they kind

0:39:02.560 --> 0:39:05.600
<v Speaker 3>of that there's a huge advantage for being close to

0:39:05.680 --> 0:39:08.319
<v Speaker 3>the fence line, but we give that. We give the

0:39:08.320 --> 0:39:10.239
<v Speaker 3>goal for a lot of space to play away from

0:39:10.239 --> 0:39:14.000
<v Speaker 3>the fence, but you kind of at some point on

0:39:14.080 --> 0:39:15.839
<v Speaker 3>those holes you have to deal with the fence line,

0:39:15.840 --> 0:39:18.319
<v Speaker 3>particularly on the sixth because the green's hard up against it.

0:39:18.360 --> 0:39:20.240
<v Speaker 3>So if you choose to play away from the fence

0:39:20.239 --> 0:39:22.640
<v Speaker 3>with your t shot, the second shot now is really

0:39:22.680 --> 0:39:27.120
<v Speaker 3>difficult because you were sort of aiming directly out of bounds. Now,

0:39:27.120 --> 0:39:30.400
<v Speaker 3>we didn't think it was that controversial because we've played

0:39:30.400 --> 0:39:32.239
<v Speaker 3>and seen a lot of courses in the UK and

0:39:32.239 --> 0:39:34.080
<v Speaker 3>there are a bunch of examples.

0:39:33.880 --> 0:39:38.160
<v Speaker 1>Royal Liverpool maybe the most famous example on multiple holes

0:39:38.200 --> 0:39:41.600
<v Speaker 1>that that it's not really a boundary line. It's sort

0:39:41.600 --> 0:39:44.640
<v Speaker 1>of a boundary line, but the burn sort of comes

0:39:44.640 --> 0:39:45.160
<v Speaker 1>into play.

0:39:45.200 --> 0:39:47.160
<v Speaker 3>And you know, I played the British Amateur there. I

0:39:47.200 --> 0:39:49.120
<v Speaker 3>remember that the first hole there, you know, it's a

0:39:49.200 --> 0:39:51.719
<v Speaker 3>ninety degree it's a long part for I remember hitting

0:39:51.719 --> 0:39:52.680
<v Speaker 3>a three im into that.

0:39:52.640 --> 0:39:54.720
<v Speaker 1>Green played as the third hole in the Open.

0:39:54.800 --> 0:39:55.560
<v Speaker 2>That's why I believe.

0:39:55.600 --> 0:39:58.640
<v Speaker 1>But it's really fun as a first hole because it's

0:39:59.080 --> 0:40:01.440
<v Speaker 1>it's such a hard t shot right off the bat.

0:40:01.560 --> 0:40:04.080
<v Speaker 3>Absolutely, But then there's lots of other examples, you know,

0:40:04.440 --> 0:40:08.720
<v Speaker 3>truon fourteenth hole at Saint George's, a bunch of holes

0:40:08.719 --> 0:40:10.759
<v Speaker 3>at the old Course first pressed week.

0:40:11.280 --> 0:40:14.480
<v Speaker 1>Yeah, it's a kind of a traditional and for that sake,

0:40:14.560 --> 0:40:17.319
<v Speaker 1>the road hole is a is a version of it.

0:40:17.480 --> 0:40:20.040
<v Speaker 1>And so it's a kind of traditional type of hole

0:40:20.120 --> 0:40:23.480
<v Speaker 1>that the boundary hole on a links course. Absolutely, And

0:40:23.520 --> 0:40:26.479
<v Speaker 1>as much as everybody else in the world has tried

0:40:26.480 --> 0:40:31.040
<v Speaker 1>to emulate links courses in building their own work, in

0:40:31.160 --> 0:40:36.160
<v Speaker 1>other places, the boundary hole hasn't been as much imitated

0:40:36.360 --> 0:40:40.520
<v Speaker 1>because people look at it and they say, well, that's unfair. Yeah,

0:40:40.600 --> 0:40:43.920
<v Speaker 1>the stroke and distance penalty as a punishment for missing

0:40:43.960 --> 0:40:46.600
<v Speaker 1>the fair way, that's not fair. I don't like that.

0:40:46.800 --> 0:40:47.719
<v Speaker 2>Let's not have that.

0:40:48.360 --> 0:40:50.480
<v Speaker 1>I'm sure there will be some of that reaction to

0:40:51.360 --> 0:40:55.759
<v Speaker 1>the use of the boundary at Medina. And yeah, I mean,

0:40:55.920 --> 0:40:58.319
<v Speaker 1>how do you think about that? How do you think

0:40:58.320 --> 0:41:00.480
<v Speaker 1>about the issue of fairness when it when it comes

0:41:00.480 --> 0:41:01.120
<v Speaker 1>to a hall like this.

0:41:01.840 --> 0:41:03.600
<v Speaker 3>I like it because it puts even more doubt in

0:41:03.600 --> 0:41:06.839
<v Speaker 3>your mind because the penalty is so severe, right, whereas

0:41:06.560 --> 0:41:08.840
<v Speaker 3>if it was water. I think people are going to

0:41:08.880 --> 0:41:11.400
<v Speaker 3>be more inclined to play a little closer to it

0:41:11.440 --> 0:41:13.319
<v Speaker 3>because they know that they can always drop the ball

0:41:13.360 --> 0:41:17.360
<v Speaker 3>up near the fairway, you know. So I think I

0:41:17.360 --> 0:41:19.399
<v Speaker 3>think it's I think it works really well. I mean,

0:41:19.600 --> 0:41:22.840
<v Speaker 3>and interestingly, there was a little bit of concern about

0:41:22.840 --> 0:41:25.840
<v Speaker 3>it early on, but now that all of the you know,

0:41:25.880 --> 0:41:27.560
<v Speaker 3>the long ruffs grown on the other side of the

0:41:27.600 --> 0:41:31.560
<v Speaker 3>fence and the holes have beard it in, the feedback's

0:41:31.560 --> 0:41:37.600
<v Speaker 3>been unbelievable. So both from golf's hierarchy to tour players

0:41:37.600 --> 0:41:40.360
<v Speaker 3>that have come and played it, to the members, I

0:41:40.360 --> 0:41:43.560
<v Speaker 3>think they understand it, and you know, and those fairways

0:41:43.560 --> 0:41:45.680
<v Speaker 3>are really wide, so you you know that it's not

0:41:47.440 --> 0:41:50.520
<v Speaker 3>They've understood that there's a lot of opportunity to play

0:41:50.560 --> 0:41:52.160
<v Speaker 3>away from the fence. You don't have to play next

0:41:52.200 --> 0:41:55.520
<v Speaker 3>to it. But I think they enjoy the challenge.

0:41:55.560 --> 0:41:59.040
<v Speaker 1>Yeah, is there a particular hole at the new Madina

0:41:59.080 --> 0:42:03.439
<v Speaker 1>Chorus three that you're specially interested in seeing top level

0:42:03.480 --> 0:42:06.520
<v Speaker 1>players play in high pressure situations? Maybe something that we

0:42:06.600 --> 0:42:07.600
<v Speaker 1>haven't talked about yet.

0:42:09.000 --> 0:42:11.239
<v Speaker 3>I mean, one of the fence holes, the sixth with

0:42:11.320 --> 0:42:15.759
<v Speaker 3>the fence quite close to the green. I'm really looking

0:42:15.760 --> 0:42:17.319
<v Speaker 3>forward to seeing how they play that.

0:42:17.400 --> 0:42:19.400
<v Speaker 1>You could definitely see a ball just kind of roll

0:42:19.840 --> 0:42:22.680
<v Speaker 1>the out of bounds there. Absolutely, that's a very distinct

0:42:22.680 --> 0:42:25.520
<v Speaker 1>possibility in approaching that green if you're coming in from

0:42:26.040 --> 0:42:28.400
<v Speaker 1>a tough angle and you don't have total control of

0:42:29.200 --> 0:42:32.359
<v Speaker 1>your ball, yep, it's going to go a bee well now.

0:42:32.560 --> 0:42:32.759
<v Speaker 2>You know.

0:42:32.800 --> 0:42:36.880
<v Speaker 3>And there was some people had sort of suggested that

0:42:37.040 --> 0:42:39.640
<v Speaker 3>maybe we should move the fence ten yards further away,

0:42:39.960 --> 0:42:43.600
<v Speaker 3>you know, And but my argument was that it's no

0:42:43.680 --> 0:42:47.040
<v Speaker 3>different to a you know, suddenly that hazard stops being relevant.

0:42:47.080 --> 0:42:47.239
<v Speaker 2>You know.

0:42:47.239 --> 0:42:49.359
<v Speaker 3>It's no different to imagine you moved a green side

0:42:49.360 --> 0:42:51.560
<v Speaker 3>bunker ten yards away from the green, well, it stops

0:42:51.560 --> 0:42:54.120
<v Speaker 3>being hazard, you know. So the whole point of it

0:42:54.200 --> 0:42:56.440
<v Speaker 3>is that it's close to the playing surface. If you

0:42:56.520 --> 0:42:58.640
<v Speaker 3>grow five yards of rough or ten yards of rough

0:42:58.640 --> 0:43:01.040
<v Speaker 3>between the hazard and the whether it's the fairway or

0:43:01.040 --> 0:43:06.080
<v Speaker 3>the green, it stops being interesting. So fortunately we rode

0:43:06.080 --> 0:43:10.600
<v Speaker 3>through that, probably the other holes the Kpe hole. So sixteen.

0:43:12.239 --> 0:43:16.160
<v Speaker 3>So sixteen was the old seventeenth, the part three, and

0:43:17.200 --> 0:43:19.000
<v Speaker 3>there was a lot of space to the right of

0:43:19.080 --> 0:43:22.520
<v Speaker 3>the seventeenth, and every time we sort of stood on

0:43:22.520 --> 0:43:24.680
<v Speaker 3>that tea, our eyes would kind of shift right and

0:43:24.719 --> 0:43:27.160
<v Speaker 3>you would see the water on the diagonal to the

0:43:27.200 --> 0:43:29.120
<v Speaker 3>point where we actually you would look across to the

0:43:29.160 --> 0:43:31.600
<v Speaker 3>fourteenth tes, the original fourteenth t's, and it looked like

0:43:31.600 --> 0:43:34.600
<v Speaker 3>a really interesting green and an interesting short part four.

0:43:36.680 --> 0:43:38.759
<v Speaker 3>The ground was quite steep, which we were a little

0:43:38.760 --> 0:43:41.839
<v Speaker 3>bit concerned about, but that whole worked out particularly well,

0:43:42.200 --> 0:43:45.280
<v Speaker 3>and that's a good example of everyone in the field

0:43:45.280 --> 0:43:47.200
<v Speaker 3>there has to deal with the water. You just have

0:43:47.280 --> 0:43:49.000
<v Speaker 3>to choose how much of it you want to take on.

0:43:50.080 --> 0:43:52.359
<v Speaker 1>Yeah, that's going to be a really fun hole to watch,

0:43:52.440 --> 0:43:56.800
<v Speaker 1>partly because it's set in this kind of amphitheater, this

0:43:57.040 --> 0:44:00.239
<v Speaker 1>natural amphitheater at the center of the property with the

0:44:00.320 --> 0:44:03.480
<v Speaker 1>lake there, and I can just imagine the crowds around

0:44:03.480 --> 0:44:06.239
<v Speaker 1>it and some of the fun tea shots that are

0:44:06.520 --> 0:44:08.440
<v Speaker 1>going to be played there because there are it's one

0:44:08.480 --> 0:44:11.440
<v Speaker 1>of those holes where there's real tension on the tea shot.

0:44:11.600 --> 0:44:14.560
<v Speaker 1>Is this shot going to get where it needs to go?

0:44:14.640 --> 0:44:16.680
<v Speaker 1>There's going to be some doubt with the ball, with

0:44:16.760 --> 0:44:17.239
<v Speaker 1>the ball in the.

0:44:17.239 --> 0:44:20.319
<v Speaker 3>Air, absolutely, and it is. You know, there's a bunch

0:44:20.360 --> 0:44:22.640
<v Speaker 3>of different We built five or six different teas because

0:44:22.640 --> 0:44:24.839
<v Speaker 3>we wanted people to be tempted to try and drive

0:44:24.880 --> 0:44:29.520
<v Speaker 3>the green, So that shot is on for the elite players, absolutely,

0:44:29.560 --> 0:44:31.680
<v Speaker 3>so I think it'll be fun to see that. And

0:44:31.960 --> 0:44:33.879
<v Speaker 3>your point about the Amphitheater is a good one too,

0:44:33.960 --> 0:44:36.719
<v Speaker 3>that there's so much action around the lake now, there's

0:44:36.719 --> 0:44:38.680
<v Speaker 3>so many there's kind of four or five holes that

0:44:38.719 --> 0:44:40.360
<v Speaker 3>are all in and around the water there, and the

0:44:40.360 --> 0:44:43.040
<v Speaker 3>way the sand will kind of carry across the water

0:44:43.160 --> 0:44:45.319
<v Speaker 3>and from one side to the other, I think has

0:44:45.360 --> 0:44:48.760
<v Speaker 3>made for a really interesting, you know, finishing stretch of holes.

0:44:49.520 --> 0:44:53.799
<v Speaker 1>So my final question, Mike, was it really wise for

0:44:53.880 --> 0:44:58.480
<v Speaker 1>a US club to hire an Australian firm to build

0:44:58.480 --> 0:45:01.520
<v Speaker 1>a course that would host an America and President's Cup.

0:45:02.000 --> 0:45:04.160
<v Speaker 1>It feels like this was an opportunity for you to

0:45:04.160 --> 0:45:07.680
<v Speaker 1>tip the scales in favor of the international team.

0:45:08.120 --> 0:45:08.359
<v Speaker 2>Wow.

0:45:08.600 --> 0:45:10.200
<v Speaker 1>I just wonder what.

0:45:10.239 --> 0:45:15.040
<v Speaker 3>The thinking was here, hopefully. I mean, ninety eight was

0:45:15.080 --> 0:45:18.120
<v Speaker 3>the only time that the Internationals.

0:45:17.440 --> 0:45:18.400
<v Speaker 2>Have ever won skills.

0:45:18.600 --> 0:45:20.439
<v Speaker 3>Maybe it would be good for the skills, it would

0:45:20.480 --> 0:45:25.840
<v Speaker 3>be nice. Look, it was brave for them to country

0:45:25.840 --> 0:45:29.920
<v Speaker 3>of origin aside, you know, to not just go with

0:45:30.040 --> 0:45:34.480
<v Speaker 3>the usual suspects. I would say so, and they so

0:45:34.600 --> 0:45:37.480
<v Speaker 3>they did make a brave decision there time will tell

0:45:38.600 --> 0:45:41.280
<v Speaker 3>as successful, but no, they're very pleased with the results,

0:45:41.320 --> 0:45:44.400
<v Speaker 3>and you know it's look, it's not that rankings are everything,

0:45:44.480 --> 0:45:46.920
<v Speaker 3>but it's nice that, you know, rankings have come out

0:45:46.960 --> 0:45:49.520
<v Speaker 3>and shown that it's gone up a staggering number of

0:45:49.920 --> 0:45:53.160
<v Speaker 3>spots and all of that. But yeah, it has been

0:45:53.200 --> 0:45:58.359
<v Speaker 3>discussed numerous occasions that you know, if the internationals do

0:45:58.400 --> 0:46:01.640
<v Speaker 3>win this particular President's Cup, what the reaction will be.

0:46:02.120 --> 0:46:03.960
<v Speaker 1>Not going to be able to re enter the country problem?

0:46:06.120 --> 0:46:07.560
<v Speaker 1>All right, thanks for coming on the show man.

0:46:07.760 --> 0:46:08.319
<v Speaker 2>Thanks Ert.

0:46:15.719 --> 0:46:19.440
<v Speaker 1>This episode of Designing Golf was produced by PJ Clark.

0:46:19.880 --> 0:46:24.279
<v Speaker 1>Thank you, PJ. If you've been enjoying Designing Golf, then

0:46:24.440 --> 0:46:27.040
<v Speaker 1>leave us a rating or review wherever you might be

0:46:27.239 --> 0:46:30.520
<v Speaker 1>listening to us that it's always interesting to hear feedback

0:46:30.640 --> 0:46:34.520
<v Speaker 1>about the show. Also, make sure to check out CLUBTFE.

0:46:34.600 --> 0:46:37.719
<v Speaker 1>Go to the fridagg dot com slash membership to see

0:46:37.760 --> 0:46:41.000
<v Speaker 1>what's offered with clubtf But there are all sorts of things.

0:46:41.040 --> 0:46:44.279
<v Speaker 1>You get early access to Frida Egg events, you get

0:46:44.600 --> 0:46:47.080
<v Speaker 1>a lot of content that we do on a weekly basis.

0:46:47.239 --> 0:46:50.600
<v Speaker 1>I just recently wrote a course profile on Bandon Dune's

0:46:50.719 --> 0:46:53.240
<v Speaker 1>really went in depth on what I think that course's

0:46:53.239 --> 0:46:55.799
<v Speaker 1>strengths and weaknesses are. That's the kind of stuff that

0:46:55.800 --> 0:46:59.320
<v Speaker 1>we do in CLUBTFE and if you've been liking designing golf,

0:46:59.400 --> 0:47:02.400
<v Speaker 1>I can just guarantee that you would love the stuff

0:47:02.440 --> 0:47:05.560
<v Speaker 1>that we do in Club tf Thank you for listening,

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<v Speaker 1>and we'll be back again soon with another episode.