WEBVTT - Mini Crush #178

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<v Speaker 1>Welcome to Movie Crush, a production of I Heart Radio. Hey, everybody,

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<v Speaker 1>welcome to Mini Crush Monday with me chucking him nol.

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<v Speaker 1>How's everyone doing? Chuck right? Not so great? Okay, I'm good.

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<v Speaker 1>My voice sounds funny this morning. I have like a

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<v Speaker 1>sleepy voice. What I've been up for hours? I don't

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<v Speaker 1>know what's going on with me? What time did you

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<v Speaker 1>get up? Though? Eight? I guess that's two hours hours?

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<v Speaker 1>It's plural? Yeah, what do he sounds sleepy? I don't know, dude,

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<v Speaker 1>I just had I've never my voice hasn't hasn't fully

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<v Speaker 1>woken up even though my brain has. Have you spoken

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<v Speaker 1>to anyone else today? I have? I had a call

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<v Speaker 1>at nine am. I spoke a plenty, but I noticed

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<v Speaker 1>I sounded extra sleepy on that call. Um. No, No,

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<v Speaker 1>let's see, it wasn't like a constant talking thing. So

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<v Speaker 1>maybe i'll I'll exercise my old vocal chords on this

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<v Speaker 1>one and I'll start to sound a little more human.

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<v Speaker 1>I'm great to know. I'm have a catch up on

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<v Speaker 1>our list here, since this is episode one of two

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<v Speaker 1>that we're recording. Yes, we just had her father's days.

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<v Speaker 1>How was yours? It was good? Mine took place in

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<v Speaker 1>Los Angeles. Yeah, let's hear about the trip. Yeah, I

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<v Speaker 1>went for a work trip and I took my kid

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<v Speaker 1>with me, and uh, had a little bit of downtime,

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<v Speaker 1>and she's, you know, into vinyl all of a sudden,

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<v Speaker 1>all of a sudden, she's just you know, as compared

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<v Speaker 1>to last year. And we went she's her tastes and uh,

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<v Speaker 1>you know, interests have changed, as it turns out. And

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<v Speaker 1>so we went to Amba and she got some cool

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<v Speaker 1>records and took it a little tokyo and went to

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<v Speaker 1>a bunch of like cool anime stores and all that stuff,

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<v Speaker 1>and went for a drive up Mulholland and had a

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<v Speaker 1>little picnic overlooking the city. And it was really nice.

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<v Speaker 1>That was great. That's lovely, knowl Did you get some

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<v Speaker 1>business done? Oh big time? Yeah. I mean I had

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<v Speaker 1>like a whole, you know, day and a half working

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<v Speaker 1>in the studio in the in our Hollywood studio, in

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<v Speaker 1>our Hollywood studio on Cosmo Street. That's right. How's everyone

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<v Speaker 1>doing well? It was. It was one of the first

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<v Speaker 1>sessions that has happened there since the pandemic. Most of

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<v Speaker 1>the show's out there still recording from home, but Um,

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<v Speaker 1>they made some time for me and the show that

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<v Speaker 1>I'm working on, and I had the run of the

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<v Speaker 1>place for a day and a half. And I'm surprised. Uh.

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<v Speaker 1>I would think they would get back into it soon.

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<v Speaker 1>In person, I would too, and I think they are.

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<v Speaker 1>But my session was one of the first that had

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<v Speaker 1>been done there. In fact, there was some a few

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<v Speaker 1>pieces of equipment that they had been taken home, um

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<v Speaker 1>for some remote setups, and they were kind of like,

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<v Speaker 1>wait a minute, we don't have enough mics, so we

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<v Speaker 1>had to kind of run around and scramble and get

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<v Speaker 1>sex stram mix. But it all worked out beautifully. Uh. So, Noel,

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<v Speaker 1>I'm glad you had a good Father's Day. Mine was

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<v Speaker 1>very low without going on in our personal family situation,

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<v Speaker 1>so it wasn't like a big celebratory day. But does

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<v Speaker 1>happen right, Oh for sure? For sure. Um. I am

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<v Speaker 1>actually having a bit of a belated Father's Day cookout

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<v Speaker 1>thing this weekend because we were traveling, So me and

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<v Speaker 1>the kid and her mom and her sister are gonna

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<v Speaker 1>do a little pool cookout thing for like a belated

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<v Speaker 1>Father's Day. So I'm looking for that. Well, that's good.

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<v Speaker 1>I don't make a big deal out of Father's Day.

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<v Speaker 1>I tried to just maybe, uh, spend it with my family.

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<v Speaker 1>That's what you want to do, right for sure? Exactly,

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<v Speaker 1>I don't get the Father's Day. Who you want to like,

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<v Speaker 1>I want to go play golf all day and be

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<v Speaker 1>away from my family. No, no, why that's what it's for.

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<v Speaker 1>It for spending time with the family and the kids. Exactly. Agreed.

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<v Speaker 1>All right, No, we're gonna get going here with a

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<v Speaker 1>post I put up, which is you are a film director.

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<v Speaker 1>This is the game. Everyone's a film director in this game.

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<v Speaker 1>I love it. Uh. And you can only cast one

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<v Speaker 1>one of the actors in your whole movie, and the

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<v Speaker 1>studio takes care of all the rest of the casting.

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<v Speaker 1>So this is sort of like, um, it could run

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<v Speaker 1>the gamut from who who would you just most want

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<v Speaker 1>to work with? Two if you only had one person

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<v Speaker 1>to cast, who would be your your ringer to come

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<v Speaker 1>in and potentially, you know, save a movie from potentially forecasting. Uh.

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<v Speaker 1>And so you know, it kind of depends on how

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<v Speaker 1>you take this question and left it a little more

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<v Speaker 1>open ended. And uh, it could be somebody have a

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<v Speaker 1>big fat crush on maybe you're a star and you

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<v Speaker 1>want to while you would be able to cast yourself,

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<v Speaker 1>I guess what not well, because you can only cast one,

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<v Speaker 1>but it could be yourself. Okay, sure cast yourself. But

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<v Speaker 1>my whole point was you cast yourself to like have

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<v Speaker 1>a kissy, kissy scene with someone that you got, like

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<v Speaker 1>the hottie, which can't do that because you can't. That's right,

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<v Speaker 1>that that that is the imitation of this game. There's

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<v Speaker 1>some good ones in here. I mean, I guess this

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<v Speaker 1>ultimately is like, who is to you the most versatile

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<v Speaker 1>kind of ringer, you know, actor that you could bring

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<v Speaker 1>in that would like elevate the production? Right? Yeah, I

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<v Speaker 1>mean that's one take on it. So we'll start here

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<v Speaker 1>with old friend Don Morris says Emma Thompson. She could

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<v Speaker 1>punch up my script. Yeah, that's not a bad idea, kids,

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<v Speaker 1>the one who can also do some writing? Is that

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<v Speaker 1>a thing she does? I didn't know that. I think

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<v Speaker 1>Emma Thompson writes some I was thinking, sorry, I was

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<v Speaker 1>thinking of Emma Stone. Emma Thompson is like was married

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<v Speaker 1>to Kenneth Brannaw for many years. If I'm not I

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<v Speaker 1>believe she's done some screenwriting. Emma Stone, she can't write

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<v Speaker 1>her name Noll. Let's be honest. Not that she's a writer.

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<v Speaker 1>I'm sure everyone's a writer. It's no, but it is

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<v Speaker 1>like you do tend to run into folks that you

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<v Speaker 1>know have their pet screenplay they've been working on, even

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<v Speaker 1>if they're mainly known for being an actor. That's right,

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<v Speaker 1>any raw says, I'm gonna go with Carol Lombard. Yeah,

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<v Speaker 1>we can go with living or dead. I think she

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<v Speaker 1>was Clark Gable's wife and a wonderful actress in the

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<v Speaker 1>old Screwball comedies until her premature death in a crash.

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<v Speaker 1>She'd have been fun to work with. Okay, so there's

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<v Speaker 1>fun to work with. That's a good one. I mean,

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<v Speaker 1>do you have one. I really like that dude, Caleb

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<v Speaker 1>Landry Jones a lot getting this person up. He played

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<v Speaker 1>the psychopath with the lacrosse stick and get Out. Um.

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<v Speaker 1>He's kind of been Yeah, he's he's been cast. I

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<v Speaker 1>just like him. He's a good he's he's a I

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<v Speaker 1>really dig him a lot. I think he's a really

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<v Speaker 1>interesting face. He has a very interesting face. He tends

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<v Speaker 1>to play offbeat, kind of psycho type characters or the

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<v Speaker 1>very least kind of weirdos. But I'll tell you, man,

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<v Speaker 1>he made this record. Um that's called gosh, it's called

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<v Speaker 1>like White Flag or something like that. Um, it is incredible.

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<v Speaker 1>It sounds like Tom Waits meets Sergeant Pepper or something.

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<v Speaker 1>The dude is like an absolute mavericky kind of weirdo

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<v Speaker 1>and I love him very much. So that's why you're

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<v Speaker 1>casting him, because you can hang out with this guy.

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<v Speaker 1>I want to hang out with him and make some music.

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<v Speaker 1>Maybe make some music. Maybe you know, smoke some weed

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<v Speaker 1>or something, some some jazz cigarettes. Maybe might be involved.

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<v Speaker 1>I think it's possible. Okay, I get it. What if

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<v Speaker 1>he was like a straight edge and he was like,

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<v Speaker 1>I don't I don't party, man, what are you talking about?

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<v Speaker 1>Watch interviews with him. There's no there's no mistaking where

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<v Speaker 1>he's coming from. Which which what is that? Which garage

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<v Speaker 1>he parks his car? Yes, exactly, Rachel Flinger says, Gary Oldman. Sure,

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<v Speaker 1>talk about versatile Steve Scott says Val Kilmer pre Batman.

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<v Speaker 1>He was so brilliant and so fun and so many roles. Uh,

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<v Speaker 1>And I'm sure he'll get along fine with whomember the

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<v Speaker 1>studio chooses, right, Yeah, Yeah, I'm sure. Eric Z says

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<v Speaker 1>Kate Winslett. Yeah, that's really not a bad choice. She's amazing.

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<v Speaker 1>Just watched behind the scenes of Mayor of Easttown. Did

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<v Speaker 1>you finish the show. I haven't watched any of it. Oh,

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<v Speaker 1>you just watched them behind the scenes. No, that's the

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<v Speaker 1>comment from the listener. Oh, I thought you were saying.

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<v Speaker 1>I remember you said that you'd watched one episode of

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<v Speaker 1>it and then it was too depressing, and then I

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<v Speaker 1>that is correct. I didn't even make it through fifteen

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<v Speaker 1>minutes of an episode, but I did watch one of

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<v Speaker 1>your rex and that's coming up and stream this uh.

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<v Speaker 1>And I think it's the first time either one of

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<v Speaker 1>us has watched any of each other's recommendations. I can't wait.

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<v Speaker 1>Actually that's not true. I've watched a couple of more beers,

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<v Speaker 1>but you've never watched one of mine. That's not true.

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<v Speaker 1>Shock name one, Josh, you had never seen Jaws until

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<v Speaker 1>I recommended it to you. Just joking. I've I've rewatched it.

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<v Speaker 1>Let's put it that way, Liar, Rachel, I've watched. I

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<v Speaker 1>surely have watched some of your recommendations, Chuck, because they're

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<v Speaker 1>always fine one. Rachel Stone says Sam Rockwell, virsatile and

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<v Speaker 1>adds so much to every role. Sure he'd be great,

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<v Speaker 1>Chris Nap, says Philip semore Hoffman. Since this is hypothetical,

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<v Speaker 1>I'm picking someone no longer with us. Such versatility brought

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<v Speaker 1>so much to each role. Hey, yeah, and Nicole sorghum Strom.

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<v Speaker 1>Seger Strom says Kristen Bell. Such a nice person would

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<v Speaker 1>make any work experience wonderful plus crazy talented. I think

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<v Speaker 1>that's what I would do, and all I haven't named one,

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<v Speaker 1>but I think I would go with someone really talented,

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<v Speaker 1>but also with the reputation of being like a good person,

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<v Speaker 1>like good to work with. You don't want Here's a

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<v Speaker 1>big pain in the ass, but really good. Christina Aguilera.

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<v Speaker 1>She's known for being a very bad actor. Well, also,

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<v Speaker 1>I had a big pain in the ass. Yeah, I

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<v Speaker 1>think I was thinking more actors, but that's fine. You

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<v Speaker 1>could throw a pop star in there. Dave link Was,

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<v Speaker 1>says the Rock. I want this movie to make so

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<v Speaker 1>much money. Okay, I guess there's something to be said

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<v Speaker 1>for that, But I gotta tell you, Dave, You're not

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<v Speaker 1>gonna have a lot of fun working with a rock.

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<v Speaker 1>He's it's it's he's notoriously difficult on a film shoot,

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<v Speaker 1>and not like he's a big jerk. I just think

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<v Speaker 1>it's when you're working with someone of that stature are

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<v Speaker 1>hard to make a movie. You mean, like really tall.

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<v Speaker 1>You know, he's just I've had friends that worked with him.

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<v Speaker 1>We've talked about this. It's it's all about the Rocks.

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<v Speaker 1>So it's tough too. It's tough on everyone else. I mean,

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<v Speaker 1>you don't name yourself the Rock unless you've got a

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<v Speaker 1>bit of an outsized you go. I don't think, right,

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<v Speaker 1>I think you're probably right. But no, he's Dwayne Johnson

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<v Speaker 1>in the movies, right, No, I think he has the

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<v Speaker 1>Rock in there, Dwayne the Rock Johnson, I swear to God. Okay,

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<v Speaker 1>maybe not Johnston is Johnston, Yes, Kathy Loe MCCRAIZI is

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<v Speaker 1>Stanley Tucci for any role in any movie anytime? Yeah,

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<v Speaker 1>I love the touch. He's awesome. A lot of people

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<v Speaker 1>are picking the Rock, all right, they're just trying to

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<v Speaker 1>make that, make those grosses, you know. Yeah, he's he's

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<v Speaker 1>probably the biggest bank double star right now. Right, he's

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<v Speaker 1>definitely a large man. It's true. That's kind of the deal.

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<v Speaker 1>I think Charles Ogan says a young Russell Crowe to

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<v Speaker 1>make a sequel to Master and Commander. Did you ever

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<v Speaker 1>see that one? I've heard it's excellent. Um I have

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<v Speaker 1>not seen it, damnit, Chuck, It's awesome. Isn't He also

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<v Speaker 1>notorious for like being a little bit of a I

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<v Speaker 1>think Russell Crowe can be hard to work with. Two yeah,

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<v Speaker 1>or maybe he's just hard in his personal life, because

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<v Speaker 1>I think most of the stories I've heard have been

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<v Speaker 1>throwing hotel phones and stuff like that. Right, well, there

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<v Speaker 1>was that South Park episode where it's just him like

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<v Speaker 1>punching people around the world. Um. Have you seen the

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<v Speaker 1>movie Virtuosity, Chuck? You know, dude, I never saw that.

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<v Speaker 1>It's not good, but it's like one of Russell Crowe's

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<v Speaker 1>earliest roles. I think he plays like a virtual or

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<v Speaker 1>you know how awesome it is when movies in the

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<v Speaker 1>early nineties try to depict like computer stuff. This one

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<v Speaker 1>is no uh, no exception. It's just like it looks

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<v Speaker 1>like the Sims kind of, you know, like the technology.

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<v Speaker 1>But Russell Crowe plays like the perfect integration of every

0:11:56.679 --> 0:12:00.240
<v Speaker 1>serial killer and bad human being that ever existed into one,

0:12:00.679 --> 0:12:05.599
<v Speaker 1>you know, crafted killing machine that Denzel Washington has to

0:12:05.600 --> 0:12:07.360
<v Speaker 1>find because then he gets out into the real world

0:12:07.720 --> 0:12:11.760
<v Speaker 1>even though he's a computer program. Those movies never age well.

0:12:11.800 --> 0:12:14.280
<v Speaker 1>If you want to make a movie that doesn't age well,

0:12:14.320 --> 0:12:17.439
<v Speaker 1>just make it about any any technology like the lawnmower Man.

0:12:18.520 --> 0:12:20.520
<v Speaker 1>Well that wasn't that didn't age well. Three weeks after

0:12:20.520 --> 0:12:31.079
<v Speaker 1>it was released by a lot of people are saying

0:12:31.120 --> 0:12:32.880
<v Speaker 1>the Rock I didn't know the Brock was that beloved.

0:12:33.440 --> 0:12:35.240
<v Speaker 1>He must be if he's the biggest box office star.

0:12:35.840 --> 0:12:38.320
<v Speaker 1>He I mean, I sure liked him in Milana. I'll

0:12:38.320 --> 0:12:42.080
<v Speaker 1>tell that, tell you that. Sure he does that little

0:12:42.120 --> 0:12:44.760
<v Speaker 1>rap breakdown in that song. Did your kid like ma Wana?

0:12:45.640 --> 0:12:49.120
<v Speaker 1>What do you think? It's pretty great? What can I

0:12:49.160 --> 0:12:53.440
<v Speaker 1>say besides you're welcome over and over and over. Ye.

0:12:53.960 --> 0:12:56.400
<v Speaker 1>I haven't seen the new Pixar Have you seen that yet? Um?

0:12:56.880 --> 0:12:59.280
<v Speaker 1>What's it called? Luca? I think I'm sort of see creature.

0:13:00.240 --> 0:13:01.920
<v Speaker 1>I really don't know any about it except there's some

0:13:02.000 --> 0:13:05.040
<v Speaker 1>Italian cooking going on. Oh, I was knowing the poster

0:13:05.200 --> 0:13:09.800
<v Speaker 1>that's like a kid with like gills. Okay, Brittany Geldon,

0:13:09.880 --> 0:13:12.760
<v Speaker 1>is how I'm gonna pronounce it? Says uh searcher Ronan

0:13:13.240 --> 0:13:15.160
<v Speaker 1>love historical movies, and I think she's played those roles

0:13:15.240 --> 0:13:18.640
<v Speaker 1>very well. That's a great pick. She's wonderful, big fan

0:13:18.679 --> 0:13:22.360
<v Speaker 1>of Searcher Ronan Terry choked when of Pearl Palaces James

0:13:22.480 --> 0:13:26.520
<v Speaker 1>McAvoy he cycled through what ten different distinct characters within

0:13:26.559 --> 0:13:30.079
<v Speaker 1>a twenty second time frame? And Glass I have total

0:13:30.080 --> 0:13:33.680
<v Speaker 1>faith in him. I think we were divided on class,

0:13:33.720 --> 0:13:37.400
<v Speaker 1>weren't we. Well, I mean he did that in Split

0:13:37.880 --> 0:13:40.400
<v Speaker 1>Split right, which I thought was good, and then Glass

0:13:40.520 --> 0:13:42.560
<v Speaker 1>was like he was in that again, but it was

0:13:42.600 --> 0:13:46.560
<v Speaker 1>just clearly a less quality movie. Yeah, I didn't love

0:13:46.559 --> 0:13:48.560
<v Speaker 1>either one of them. I did see the new trailer though,

0:13:48.679 --> 0:13:52.720
<v Speaker 1>for the new Him Night Chamlain, I think, yeah, Old

0:13:52.880 --> 0:13:55.080
<v Speaker 1>Old the movie you go to a beach and you

0:13:55.080 --> 0:13:58.520
<v Speaker 1>get Old Terrified. I thought it was a pretty cool trailer,

0:13:58.559 --> 0:14:01.600
<v Speaker 1>but the name is just kind of silly. But yeah,

0:14:01.880 --> 0:14:04.920
<v Speaker 1>I mean I'll see it. Yeah, for sure, I saw.

0:14:05.240 --> 0:14:07.040
<v Speaker 1>I think I've seen everything he's done except for that

0:14:08.000 --> 0:14:10.440
<v Speaker 1>the really low budget thing about the Grandparents, which actually

0:14:10.480 --> 0:14:12.120
<v Speaker 1>heard it was pretty good. That was good. It was

0:14:12.160 --> 0:14:14.720
<v Speaker 1>like the Visitors or something like that. Yeah, it's called

0:14:14.840 --> 0:14:18.360
<v Speaker 1>Old the Prequel. Yeah, it was just should have been

0:14:18.400 --> 0:14:23.440
<v Speaker 1>called The Olds, Our oldest of pals. Kristen bits. A

0:14:23.480 --> 0:14:25.640
<v Speaker 1>guy says, uh, just because I want to meet him,

0:14:25.640 --> 0:14:29.160
<v Speaker 1>because I think he's charming and talented. Paul Rudd, Yeah, yeah,

0:14:29.360 --> 0:14:33.840
<v Speaker 1>an angeless, total vampire. I know. I wonder I think

0:14:34.120 --> 0:14:36.120
<v Speaker 1>is he dying the hair a little bit? He has

0:14:36.160 --> 0:14:39.160
<v Speaker 1>to be, I mean, and then he looks great with

0:14:39.200 --> 0:14:42.720
<v Speaker 1>the face lines. But you know everyone gets a little

0:14:42.720 --> 0:14:44.640
<v Speaker 1>great old. I don't think you can stop that train.

0:14:46.360 --> 0:14:48.480
<v Speaker 1>I'm looking at gray in your hair and face right now.

0:14:48.560 --> 0:14:50.600
<v Speaker 1>You're getting it's like all the parts of my beard

0:14:50.640 --> 0:14:55.000
<v Speaker 1>that used to be red or now stark white. Yeah, uh,

0:14:55.160 --> 0:14:58.280
<v Speaker 1>our old pal Stellan Carlson says Adie Bryant. Of course,

0:14:58.920 --> 0:15:01.720
<v Speaker 1>she's already showing she's got matic trops, chops and shrill

0:15:02.520 --> 0:15:05.400
<v Speaker 1>and range, plus comedic skills. It seems like a very

0:15:05.440 --> 0:15:07.360
<v Speaker 1>decent person. She does seem that way. She was one

0:15:07.360 --> 0:15:10.040
<v Speaker 1>of the ones that had an issue with Elon Musk

0:15:10.120 --> 0:15:13.160
<v Speaker 1>being on SNL and kind of like I believe, sat

0:15:13.160 --> 0:15:16.080
<v Speaker 1>out some of those sketches and solidarity. I think we

0:15:16.080 --> 0:15:19.320
<v Speaker 1>talked about this. It looks like maybe she, Kate McKinnon

0:15:19.560 --> 0:15:24.800
<v Speaker 1>and Keenan Thompson are gonna leave SNL after this season. Yeah.

0:15:25.000 --> 0:15:28.600
<v Speaker 1>With that, those are kind of the power players. Man. Yeah,

0:15:28.640 --> 0:15:31.120
<v Speaker 1>I mean McKinnon. That's a big loss. They're all big losses.

0:15:31.360 --> 0:15:33.920
<v Speaker 1>Keen I mean he's been he's the longest running cast

0:15:33.960 --> 0:15:36.240
<v Speaker 1>member that time. I'm sure he's ready to do something else.

0:15:36.240 --> 0:15:39.120
<v Speaker 1>That seems like a really stressful gig. It will get

0:15:39.120 --> 0:15:41.560
<v Speaker 1>a little bit old, I would imagine after like eighteen

0:15:41.640 --> 0:15:44.640
<v Speaker 1>years or whatever. Dude, did you hear about or see

0:15:44.720 --> 0:15:49.600
<v Speaker 1>this Darryl Hammond documentary? No, what's up with him? Is he? Is? He? Uh?

0:15:49.880 --> 0:15:53.480
<v Speaker 1>Darryll Hammond of SNL. He was the previous longest running

0:15:53.520 --> 0:15:56.120
<v Speaker 1>cast member before Keenan broke his record. He was the president, right,

0:15:56.160 --> 0:15:58.360
<v Speaker 1>didn't he play like Bush or something? He played? He

0:15:58.480 --> 0:16:02.080
<v Speaker 1>played all the presidents, He did most of the big impressions.

0:16:02.080 --> 0:16:06.000
<v Speaker 1>That was sort of his bag. But um, he had

0:16:06.040 --> 0:16:08.960
<v Speaker 1>a very very and continues to have a very tough life.

0:16:09.000 --> 0:16:12.240
<v Speaker 1>He was severely abused as a kid. Um some of

0:16:12.320 --> 0:16:14.320
<v Speaker 1>the most awful things you could imagine his mother did

0:16:14.320 --> 0:16:16.240
<v Speaker 1>to him when he was a child, and he I

0:16:16.240 --> 0:16:20.000
<v Speaker 1>think repressed a lot of those memories and had addiction

0:16:20.040 --> 0:16:23.280
<v Speaker 1>problems through his life and then they were uncovered in

0:16:24.240 --> 0:16:28.240
<v Speaker 1>with deep therapy. All these repressed abuse of memories and

0:16:28.280 --> 0:16:30.440
<v Speaker 1>he has been on the road to recovery for a

0:16:30.480 --> 0:16:33.040
<v Speaker 1>while now. But like they had to take him out

0:16:33.040 --> 0:16:35.360
<v Speaker 1>of a SNL rehearsal in a strait jacket. He was

0:16:35.440 --> 0:16:38.640
<v Speaker 1>self cutting, like and you could see scars on TV

0:16:39.000 --> 0:16:43.160
<v Speaker 1>like on SNL, really really rough life and tough stuff,

0:16:44.120 --> 0:16:48.840
<v Speaker 1>crack diagnosis, everything romantic depressive to schizophrenia too, bipolar, like

0:16:49.160 --> 0:16:53.240
<v Speaker 1>all over the map, my goodness, really really sad. Yeah,

0:16:53.240 --> 0:16:55.560
<v Speaker 1>it does sound like it sounds like a heavy watch,

0:16:55.600 --> 0:16:59.200
<v Speaker 1>but probably a very important window into you know, some

0:16:59.280 --> 0:17:02.440
<v Speaker 1>of these things that kind of go unseen a lot

0:17:02.440 --> 0:17:04.720
<v Speaker 1>of the times, right for sure. Man, And he wrote

0:17:04.720 --> 0:17:07.400
<v Speaker 1>a book and then I think was doing the documentary

0:17:07.480 --> 0:17:09.800
<v Speaker 1>takes place when he is getting together a one man

0:17:09.840 --> 0:17:12.640
<v Speaker 1>show version of the book. And I didn't know any

0:17:12.680 --> 0:17:15.080
<v Speaker 1>of this stuff about the guy. It's just horrific what

0:17:15.160 --> 0:17:18.040
<v Speaker 1>he went through. Awful, awful, awful. I'll try to hear

0:17:18.040 --> 0:17:21.920
<v Speaker 1>the stories, nol Um. Let me see here. Jeremy Dale says,

0:17:21.960 --> 0:17:23.679
<v Speaker 1>if I picked Tom Cruise, will he do most of

0:17:23.680 --> 0:17:26.480
<v Speaker 1>the rest of my job for me? Yes, he will, Jeremy,

0:17:26.720 --> 0:17:29.680
<v Speaker 1>you will not have much control after that. Tom Cruise

0:17:29.760 --> 0:17:32.880
<v Speaker 1>runs that show our old friend making Carol and her

0:17:33.000 --> 0:17:36.119
<v Speaker 1>cute little cat, says Fran McDorman. She would knock it

0:17:36.160 --> 0:17:39.200
<v Speaker 1>out of the park and lift everyone else up. She's

0:17:39.240 --> 0:17:42.760
<v Speaker 1>super versatile too. I think she doesn't really just like

0:17:42.840 --> 0:17:45.159
<v Speaker 1>do the one thing like she she she can do

0:17:45.200 --> 0:17:47.240
<v Speaker 1>whatever she wants. She can do whatever she wants. Yeah,

0:17:47.320 --> 0:17:53.040
<v Speaker 1>totally agree. Oh, the movie crush debut of Tanya w

0:17:53.760 --> 0:17:57.159
<v Speaker 1>Cats and all that is not k A t z.

0:17:57.880 --> 0:18:00.159
<v Speaker 1>You know how she spells her name, Uh see a

0:18:00.240 --> 0:18:06.640
<v Speaker 1>t z. Nope, clothes c A t s. Her last

0:18:06.680 --> 0:18:11.400
<v Speaker 1>name is multiple cats. I love it. Do you think

0:18:11.440 --> 0:18:12.760
<v Speaker 1>do you think she's a cat lady? Do you think

0:18:12.760 --> 0:18:15.359
<v Speaker 1>it's like nominative determinism? Well, I can't believe I said that.

0:18:15.960 --> 0:18:19.600
<v Speaker 1>I bet you she started hearing that question probably, but

0:18:19.720 --> 0:18:21.879
<v Speaker 1>I had to ask. I had to ask Jack, do

0:18:21.920 --> 0:18:24.879
<v Speaker 1>you like cats? Do you like cats? Tanya? There was

0:18:24.920 --> 0:18:27.400
<v Speaker 1>a thread going on the Movie Crushers page about one

0:18:27.400 --> 0:18:29.280
<v Speaker 1>of our listeners had their name read for the first

0:18:29.320 --> 0:18:31.240
<v Speaker 1>time and it was a big thrill. Then other people

0:18:31.280 --> 0:18:34.240
<v Speaker 1>started chiming in about either being read when they were

0:18:34.240 --> 0:18:37.520
<v Speaker 1>read the first time or not being read yet, and

0:18:37.680 --> 0:18:40.199
<v Speaker 1>Tanya Cats had not been read, and I was like,

0:18:40.440 --> 0:18:42.800
<v Speaker 1>I must not have seen you before, because I would

0:18:42.840 --> 0:18:46.120
<v Speaker 1>surely jump at that. Titania says, right now, I'm obsessed

0:18:46.119 --> 0:18:50.400
<v Speaker 1>with Patty Harrison, and I think she's on the up

0:18:50.440 --> 0:18:57.479
<v Speaker 1>and up. So her Patty Harrison? Who is that? Oh okay,

0:18:57.560 --> 0:19:01.639
<v Speaker 1>she's in Trill. Oh yeah, she plays the I guess

0:19:01.640 --> 0:19:05.760
<v Speaker 1>executive assistant office manager who's not a very nice person.

0:19:05.800 --> 0:19:10.120
<v Speaker 1>She's very funny on that show and annoying a good job.

0:19:10.160 --> 0:19:11.600
<v Speaker 1>I'll tell you who else is funny on that show.

0:19:11.600 --> 0:19:14.040
<v Speaker 1>As friend of the show, John Cameron Mitchell, who plays

0:19:14.080 --> 0:19:22.600
<v Speaker 1>the really egotistical and obnoxious boss, but he's delightful. Yeah.

0:19:22.640 --> 0:19:26.000
<v Speaker 1>You know. We started the last season of Shrill and

0:19:26.040 --> 0:19:27.840
<v Speaker 1>I think watched two episodes and then went on to

0:19:27.920 --> 0:19:31.000
<v Speaker 1>other things. But we're gonna come back. It didn't hit

0:19:31.000 --> 0:19:34.760
<v Speaker 1>the right note for me for some reason, even though

0:19:34.760 --> 0:19:39.320
<v Speaker 1>I love it. John Whitefield's take it with t t Yeah,

0:19:39.400 --> 0:19:41.040
<v Speaker 1>put him in it. He'd be good to have on

0:19:41.080 --> 0:19:44.360
<v Speaker 1>set too, because he knows what he's doing, you know. Agreed.

0:19:45.560 --> 0:19:49.000
<v Speaker 1>Paul Cooks is Bradley Cooper, huge respect for his acting chops.

0:19:49.080 --> 0:19:53.360
<v Speaker 1>Same goes for Jennifer Lawrence, Patrick Abbotts is Audrey Hepburn,

0:19:54.560 --> 0:20:00.639
<v Speaker 1>Tina Hanson Taylor says Audrey Hepburn. Wow. Alex Andrea Runyon

0:20:00.680 --> 0:20:03.360
<v Speaker 1>says Florence Pugh. Is that how he pronounced her name?

0:20:05.200 --> 0:20:08.520
<v Speaker 1>She's great. She's the one who was in Midsomer right, yeah,

0:20:08.640 --> 0:20:11.800
<v Speaker 1>and sort of everything else coming up. She's she's really

0:20:11.920 --> 0:20:14.199
<v Speaker 1>exploding right now. He's hot. I'll tell you. Who I

0:20:14.240 --> 0:20:18.200
<v Speaker 1>also think is an excellent, very versatile actor is Olivia Coleman,

0:20:19.119 --> 0:20:22.959
<v Speaker 1>who is one of my stream This picks for today.

0:20:23.080 --> 0:20:25.280
<v Speaker 1>But I loved her from way back when she was

0:20:25.320 --> 0:20:27.400
<v Speaker 1>in the show Peep Show, which is a really great

0:20:27.480 --> 0:20:31.240
<v Speaker 1>kind of dark British comedy. Um, and then she's been

0:20:31.240 --> 0:20:34.720
<v Speaker 1>in all those amazing movies from the guy that did

0:20:35.440 --> 0:20:39.439
<v Speaker 1>the Lobster and favorite Lanthomos is that the guy your ghost?

0:20:39.520 --> 0:20:41.560
<v Speaker 1>Lanthormos is the name that I couldn't think of, and

0:20:41.640 --> 0:20:45.080
<v Speaker 1>that's the one. And she's great in the Crown. She's

0:20:45.080 --> 0:20:47.320
<v Speaker 1>great in everything that's right. She's in the Crown. To God,

0:20:47.400 --> 0:20:53.840
<v Speaker 1>she's everywhere. Carlino danger Way, what a name? Says Selma Hyak. Sure,

0:20:54.040 --> 0:20:59.240
<v Speaker 1>she's great. Old friend Jonathan P. Sispansky says Clooney, he

0:20:59.240 --> 0:21:02.560
<v Speaker 1>can do anything. I'd like to have Cloney around he

0:21:02.640 --> 0:21:04.840
<v Speaker 1>might be my pick. Actually, have you seen that the

0:21:04.840 --> 0:21:07.880
<v Speaker 1>bit that he does with John Oliver, where like John

0:21:07.880 --> 0:21:09.919
<v Speaker 1>Oliver can like summon him and all of a sudden

0:21:09.920 --> 0:21:11.760
<v Speaker 1>he'll just like show up in a zoom window like

0:21:11.840 --> 0:21:14.320
<v Speaker 1>on the massage table. And then he's like, John, and

0:21:14.359 --> 0:21:16.800
<v Speaker 1>I gave you this power for good, not and you're

0:21:16.880 --> 0:21:20.840
<v Speaker 1>using it very frivolously. He snaps his fingers and he's gone.

0:21:20.840 --> 0:21:23.760
<v Speaker 1>It's pretty funny. Seems like a good dude, our old

0:21:23.760 --> 0:21:30.840
<v Speaker 1>friend Robes. Rebecca says Alan Arkin. Great choice. Uh Rick

0:21:30.920 --> 0:21:35.440
<v Speaker 1>Cole says Denzel, Denzel solid. Yeah, I wonder, I wonder.

0:21:36.000 --> 0:21:38.760
<v Speaker 1>He seems like a good guy. Have you ever heard

0:21:38.760 --> 0:21:41.520
<v Speaker 1>any stories. I've heard no stories. I've heard no stories.

0:21:41.600 --> 0:21:46.920
<v Speaker 1>But I choose to believe that he is good. Uh.

0:21:47.040 --> 0:21:50.040
<v Speaker 1>Let me see Brandon, my teach, says Catherine Han and

0:21:50.160 --> 0:21:53.320
<v Speaker 1>love her and everything. Yeah, she's great, boy. It seems

0:21:53.359 --> 0:21:56.760
<v Speaker 1>like she it seems like she came out of nowhere

0:21:56.920 --> 0:21:59.679
<v Speaker 1>like ten years ago and it's been everywhere since. But

0:21:59.680 --> 0:22:01.520
<v Speaker 1>I'm sure of that is not the case. I bet

0:22:01.560 --> 0:22:03.200
<v Speaker 1>she had a long road to hoe, just like every

0:22:03.280 --> 0:22:06.399
<v Speaker 1>actor who works hard. Absolutely, although that's not true. Some

0:22:06.440 --> 0:22:10.160
<v Speaker 1>people are plucked off the goddamn Street. But then you've

0:22:10.160 --> 0:22:12.960
<v Speaker 1>got like you're Olivia Coleman, so again you just got

0:22:12.960 --> 0:22:17.000
<v Speaker 1>her start. And just like Shorty Meager British comedy that

0:22:17.080 --> 0:22:19.600
<v Speaker 1>happened to have a second life kind of on streaming

0:22:19.640 --> 0:22:22.959
<v Speaker 1>in the States, and yeah, I mean I found out

0:22:23.000 --> 0:22:26.679
<v Speaker 1>about it like from like bootleg you know, uh rips

0:22:26.720 --> 0:22:29.800
<v Speaker 1>and you know whatever, like rip burned DVDs that my

0:22:29.840 --> 0:22:32.119
<v Speaker 1>friend would give me back in the day. But that

0:22:32.160 --> 0:22:34.159
<v Speaker 1>show has gotten pretty popular in the States, and the

0:22:34.200 --> 0:22:36.520
<v Speaker 1>actually did a remake of it that did not get

0:22:36.520 --> 0:22:39.320
<v Speaker 1>picked up. But then I love seeing her dramatic work

0:22:39.359 --> 0:22:42.680
<v Speaker 1>just absolutely balloon. But she's been at it for decades.

0:22:43.680 --> 0:22:47.520
<v Speaker 1>Todd Bonnie after my own heart here saying Kate Blanchett, Sure,

0:22:48.040 --> 0:22:50.720
<v Speaker 1>I could have satisfy my lifelong crush on Kate Blanchett

0:22:50.720 --> 0:22:53.399
<v Speaker 1>in and direct her as well, although I would just

0:22:53.520 --> 0:22:55.360
<v Speaker 1>stand back and say to your thing, I'd eat direct

0:22:55.440 --> 0:23:00.359
<v Speaker 1>Kate Blanchett. You know you can, you can't. Mar Willis

0:23:00.440 --> 0:23:02.320
<v Speaker 1>is Peter Dinklage. Yeah, I think we just got the

0:23:02.320 --> 0:23:05.520
<v Speaker 1>goods the movie that he's in this on Netflix. It's

0:23:05.520 --> 0:23:09.720
<v Speaker 1>called Uh I care a lot, No, it's it's it's

0:23:09.840 --> 0:23:12.520
<v Speaker 1>um oh gosh, what's her name? She she was the girl,

0:23:12.560 --> 0:23:15.560
<v Speaker 1>the gone girl. Who's the gone girl? Chuck oh Man,

0:23:15.600 --> 0:23:18.800
<v Speaker 1>I can I remember Rosamond Pike? Yes, she's she's. She

0:23:19.080 --> 0:23:24.560
<v Speaker 1>is in it playing a professional guardian for the elderly,

0:23:24.800 --> 0:23:28.280
<v Speaker 1>and she's basically running this elaborate scam and ends up

0:23:28.359 --> 0:23:31.600
<v Speaker 1>crossing paths with Peter Dinklage's character, who is a very

0:23:31.640 --> 0:23:35.040
<v Speaker 1>scary person. Um. And it's just wonderful movie. I really

0:23:35.040 --> 0:23:38.040
<v Speaker 1>like it's very dark and sardonic and like not for everybody,

0:23:38.080 --> 0:23:40.760
<v Speaker 1>but I thought it was great. I think I saw

0:23:40.760 --> 0:23:43.280
<v Speaker 1>the preview for that. Actually it looks good. I mean

0:23:43.320 --> 0:23:45.600
<v Speaker 1>all data when of her old was palasays Regina King.

0:23:46.080 --> 0:23:50.960
<v Speaker 1>Heck yah put Regina King and everything. That's what I say. Um.

0:23:51.240 --> 0:23:56.480
<v Speaker 1>Nancy Weiner says sc Davis, Miss Fisher's Murder Mysteries and

0:23:56.520 --> 0:24:00.840
<v Speaker 1>the Babba Duke delightful, captivating and talented. Was Sie Davis

0:24:00.840 --> 0:24:04.480
<v Speaker 1>the mom and Baba Duke? Or was that the kid?

0:24:04.560 --> 0:24:07.800
<v Speaker 1>Or was it the Baba Duke? Okay, she's a mom. Yeah,

0:24:08.040 --> 0:24:10.240
<v Speaker 1>I don't know. I don't know. Did they credit an actor?

0:24:10.359 --> 0:24:15.280
<v Speaker 1>One actor is playing the Baba duke. We're all actors

0:24:15.600 --> 0:24:20.199
<v Speaker 1>exactly the Baba duke played by everyone. All right, and

0:24:20.280 --> 0:24:22.639
<v Speaker 1>let's finish up here. Oh you got an Olivia Coleman

0:24:22.720 --> 0:24:26.919
<v Speaker 1>support there with old friend kandam true X? Have you

0:24:26.960 --> 0:24:29.560
<v Speaker 1>pronounced that? That's not right? T r U A X?

0:24:30.119 --> 0:24:35.720
<v Speaker 1>Is that like traw tre trial? Not sure? Yeah, it

0:24:35.760 --> 0:24:38.679
<v Speaker 1>has to be that's that's gonna be that soft. I'm

0:24:39.520 --> 0:24:44.240
<v Speaker 1>I'm sure it's wrong. Uh. And you know what I'm

0:24:44.240 --> 0:24:47.840
<v Speaker 1>gonna go. I'm gonna finish up here with a couple

0:24:47.920 --> 0:24:51.440
<v Speaker 1>of our I think they're both Aussies. I know Dan Maynard,

0:24:52.320 --> 0:24:57.080
<v Speaker 1>he says Ashton Kutcher. No, he says, might be a

0:24:57.119 --> 0:24:59.800
<v Speaker 1>hot take, but I love his comedy and I think

0:24:59.800 --> 0:25:03.760
<v Speaker 1>he's a fantastic dramatic actor. When given the chance, I'll

0:25:03.760 --> 0:25:06.320
<v Speaker 1>fight on this one. Dan Maynard going to the mat

0:25:06.400 --> 0:25:11.959
<v Speaker 1>for the coach. What a guy? What a guy? Indeed?

0:25:12.480 --> 0:25:16.240
<v Speaker 1>Peach Bank ursays Deborah Mailman or Mailman? Do you know

0:25:16.240 --> 0:25:19.280
<v Speaker 1>who that is? No? But I love, I love, I

0:25:19.359 --> 0:25:23.280
<v Speaker 1>love the question as to whether it's a male manner man. Okay,

0:25:23.359 --> 0:25:25.760
<v Speaker 1>so I know, yeah, Peaches and Aussie, and so is

0:25:26.119 --> 0:25:29.960
<v Speaker 1>Deborah Mailman. And it looks like a bunch of Aussie things.

0:25:30.000 --> 0:25:34.800
<v Speaker 1>Offspring read burn now total control the Sapphires, and Peach

0:25:34.840 --> 0:25:37.680
<v Speaker 1>says this, Honestly, I wish he was my auntie. She's

0:25:37.680 --> 0:25:40.680
<v Speaker 1>indigenous Australian. She's been a wonderful part of Australian cinema

0:25:41.520 --> 0:25:44.080
<v Speaker 1>for a long time. I love that, going with the

0:25:44.119 --> 0:25:48.000
<v Speaker 1>homegrown special. Nothing wrong with that. Thank you for that, Peach.

0:25:56.200 --> 0:25:58.040
<v Speaker 1>All right, well we're gonna finish up with stream in this.

0:25:58.160 --> 0:26:00.960
<v Speaker 1>What have you been watching? Well, I have to take

0:26:00.960 --> 0:26:02.919
<v Speaker 1>a flight, so I watched a couple of things on

0:26:02.960 --> 0:26:05.560
<v Speaker 1>the flight. Let's hear it on. One of which is

0:26:05.560 --> 0:26:07.520
<v Speaker 1>something that I've been meaning to and sort of avoiding

0:26:07.520 --> 0:26:09.600
<v Speaker 1>because it seemed really depressing, and it was, but it

0:26:09.680 --> 0:26:14.920
<v Speaker 1>was also wonderful. The Father, starring Anthony Hopkins and Olivia

0:26:15.000 --> 0:26:20.679
<v Speaker 1>Coleman and my great daddis. It's fucking fantastic. Um. You know,

0:26:20.720 --> 0:26:24.879
<v Speaker 1>I have a parent who is aging, UM, and I

0:26:25.200 --> 0:26:28.879
<v Speaker 1>worry about these types of things, and it is essentially

0:26:28.960 --> 0:26:33.199
<v Speaker 1>just the perfect kind of personification of what it's like

0:26:33.359 --> 0:26:37.200
<v Speaker 1>to lose your memory and to have things that were

0:26:37.240 --> 0:26:41.720
<v Speaker 1>once familiar be terrifying and alien. Um. Because the way

0:26:41.840 --> 0:26:44.119
<v Speaker 1>what it does, it's so brilliant. This isn't a spoiler

0:26:44.160 --> 0:26:46.040
<v Speaker 1>it's just sort of like the device that they use

0:26:46.480 --> 0:26:51.760
<v Speaker 1>is they put you in the perspective of Anthony Hopkins character.

0:26:52.280 --> 0:26:55.840
<v Speaker 1>So you're meeting characters not knowing who they are. They

0:26:55.880 --> 0:26:58.159
<v Speaker 1>don't give you exposition to let you know this is

0:26:58.200 --> 0:27:00.640
<v Speaker 1>this character, this is this character. And then they start

0:27:00.680 --> 0:27:04.399
<v Speaker 1>flipping things around and you literally are experiencing it with

0:27:04.440 --> 0:27:09.160
<v Speaker 1>the same confusion and dismay that that Anthony Hopkins character is,

0:27:09.280 --> 0:27:11.480
<v Speaker 1>and it just kind of escalates and becomes this like

0:27:11.520 --> 0:27:15.639
<v Speaker 1>waking nightmare, and it makes you realize how terrifying it

0:27:15.640 --> 0:27:19.439
<v Speaker 1>would be and and is to get old. Did you

0:27:19.480 --> 0:27:22.520
<v Speaker 1>cry on the plane Knell? I did a little bit.

0:27:22.840 --> 0:27:26.159
<v Speaker 1>I did the single tear rolling down situation that I

0:27:26.200 --> 0:27:29.200
<v Speaker 1>quickly wiped away. Um, you can control that. You can

0:27:29.200 --> 0:27:33.439
<v Speaker 1>just send out one tier, squeeze one out. It's a

0:27:33.520 --> 0:27:36.119
<v Speaker 1>very it's a concentrated tear chuck. It contains all of

0:27:36.119 --> 0:27:40.720
<v Speaker 1>my emotions and one yes, so salty. It eventually tumbles like,

0:27:41.000 --> 0:27:44.800
<v Speaker 1>oh yeah, exactly, some finishing salt. It's a very gentle roll,

0:27:45.040 --> 0:27:47.680
<v Speaker 1>you know, rolls right right on down the old What

0:27:47.880 --> 0:27:49.320
<v Speaker 1>else you said? You saw a couple of things? Did

0:27:49.320 --> 0:27:55.080
<v Speaker 1>you the way back? I watched uh it's a stupid

0:27:55.119 --> 0:27:59.200
<v Speaker 1>movie I've seen before, but it's terrible. Bosses with what's

0:27:59.200 --> 0:28:01.760
<v Speaker 1>his name? Jay? Need something light? Yeah, I need something light.

0:28:01.920 --> 0:28:03.520
<v Speaker 1>And it was also a red eye flight, so I

0:28:03.560 --> 0:28:06.640
<v Speaker 1>did that thing where I kind of marked time by

0:28:06.720 --> 0:28:09.159
<v Speaker 1>what part of the movie I woke up during, like

0:28:09.200 --> 0:28:11.640
<v Speaker 1>I started the movie and then kind of like realized, oh,

0:28:11.680 --> 0:28:14.520
<v Speaker 1>I had slept because now it's the final scene of

0:28:14.520 --> 0:28:17.320
<v Speaker 1>the movie or it's like somewhere near the last act.

0:28:17.960 --> 0:28:20.040
<v Speaker 1>So I can't do those flights and all, dude, it

0:28:20.080 --> 0:28:22.479
<v Speaker 1>was tough. I had not done it before. Uh, you

0:28:22.560 --> 0:28:24.800
<v Speaker 1>can't sleep comfortably on a plane. I don't care what

0:28:24.920 --> 0:28:27.959
<v Speaker 1>class you're in, you just can't do it. And by

0:28:27.960 --> 0:28:31.160
<v Speaker 1>the time we got home it was five am Atlanta time,

0:28:31.400 --> 0:28:32.760
<v Speaker 1>and it was with my kid, and we just like

0:28:33.160 --> 0:28:35.000
<v Speaker 1>be lined into the house and slept for the rest

0:28:35.040 --> 0:28:37.400
<v Speaker 1>of the day. It was I thought I was doing

0:28:37.440 --> 0:28:40.360
<v Speaker 1>myself a favor by giving myself a day back, but

0:28:40.480 --> 0:28:43.800
<v Speaker 1>it wasn't really a day. But no, no, it's always

0:28:43.800 --> 0:28:46.320
<v Speaker 1>a bad idea. I will say, an old first class

0:28:46.400 --> 0:28:49.360
<v Speaker 1>Virgin Air to Australia, you can sleep good, Okay, God,

0:28:49.400 --> 0:28:53.720
<v Speaker 1>it's it's amazing. They really take care of you. Uh,

0:28:53.840 --> 0:28:55.680
<v Speaker 1>let me see here, all right, what have I been

0:28:55.680 --> 0:28:58.880
<v Speaker 1>watching it? Well, see, I've been I've been watching basketball

0:28:58.960 --> 0:29:04.600
<v Speaker 1>because my Atlanta Hawks are kicking ass. They're advancing through

0:29:04.600 --> 0:29:08.480
<v Speaker 1>the playoffs, much to everyone's uh surprise, I think in

0:29:08.520 --> 0:29:13.280
<v Speaker 1>the greater NBA fandom. I've been to a game. I'm

0:29:13.320 --> 0:29:16.360
<v Speaker 1>going to two Eastern Conference Finals games and heavily invested all.

0:29:16.880 --> 0:29:18.680
<v Speaker 1>Been a Hawks fan since I was ten years old,

0:29:18.680 --> 0:29:21.120
<v Speaker 1>so this is a big deal. So I've been watching

0:29:21.160 --> 0:29:24.440
<v Speaker 1>a lot of basketball, so not as much TV. I

0:29:24.480 --> 0:29:27.000
<v Speaker 1>have been watching Chopped a lot. Do you watch Chopped?

0:29:27.280 --> 0:29:29.600
<v Speaker 1>I like Chopped. That's the one where you have to like,

0:29:29.800 --> 0:29:31.760
<v Speaker 1>you get the basket right with all they get the

0:29:31.760 --> 0:29:35.120
<v Speaker 1>basket stuff, you know. I love Top Chef and I

0:29:35.200 --> 0:29:36.880
<v Speaker 1>used to watch Chopped all the time when I had

0:29:36.920 --> 0:29:39.640
<v Speaker 1>cable because it was just on the cable guide. But

0:29:39.720 --> 0:29:42.040
<v Speaker 1>I kind of forgot about it when I switched and

0:29:42.120 --> 0:29:44.320
<v Speaker 1>cut the cord and went to Hulu TV. But then

0:29:44.320 --> 0:29:46.800
<v Speaker 1>I remembered, wait a minute, I fucking love Chopped, So

0:29:46.840 --> 0:29:48.520
<v Speaker 1>I found it and I've been watching a lot of Chopped.

0:29:48.600 --> 0:29:51.880
<v Speaker 1>Ruby calls it. She'll watch occasionally with me. She'll say, Daddy,

0:29:51.920 --> 0:29:53.960
<v Speaker 1>I want to watch the show with the stressed out

0:29:53.960 --> 0:29:59.080
<v Speaker 1>people cooking. She says that she does and stressed out

0:29:59.120 --> 0:30:01.840
<v Speaker 1>people cooking. And the other a day she was it

0:30:01.920 --> 0:30:03.960
<v Speaker 1>was this one woman competing and he's two men, and

0:30:04.040 --> 0:30:07.360
<v Speaker 1>she was rooting for the woman to go home and

0:30:07.400 --> 0:30:10.240
<v Speaker 1>get chopped. She said, I wanted to get chopped and

0:30:10.280 --> 0:30:12.720
<v Speaker 1>I said, well, whine she said, because she's a woman.

0:30:12.800 --> 0:30:15.120
<v Speaker 1>And said, why do you want her to get because

0:30:15.120 --> 0:30:17.000
<v Speaker 1>she's a woman. She said, because I don't want her

0:30:17.040 --> 0:30:22.720
<v Speaker 1>to be stressed anymore. Ah, I went all came around

0:30:22.760 --> 0:30:27.040
<v Speaker 1>and all, it's really sweet compassion for this. She didn't

0:30:27.040 --> 0:30:30.200
<v Speaker 1>want to see her on their running around stressed. Sometimes

0:30:31.840 --> 0:30:34.000
<v Speaker 1>you know that it doesn't happen much now with a

0:30:34.200 --> 0:30:38.200
<v Speaker 1>travel but occasionally when I'm out of town, Emily will

0:30:38.280 --> 0:30:40.840
<v Speaker 1>let Ruby get in bed and watch shows adult shows,

0:30:40.920 --> 0:30:43.160
<v Speaker 1>and then I will do the same, and um, she

0:30:43.200 --> 0:30:45.480
<v Speaker 1>will watch Chopped with me and Island Hunters with Emily.

0:30:45.520 --> 0:30:48.680
<v Speaker 1>And that's sort of a special treat. That's awesome and

0:30:48.720 --> 0:30:50.200
<v Speaker 1>it's fun to hear a five and a half year

0:30:50.200 --> 0:30:54.680
<v Speaker 1>old say I want to watch Island Hunters. I don't

0:30:54.680 --> 0:30:59.400
<v Speaker 1>know what Island Hunters is. I'm trying to guess using context. Clues,

0:30:59.400 --> 0:31:03.400
<v Speaker 1>but it's like an exploring type show. No, what is

0:31:03.440 --> 0:31:07.080
<v Speaker 1>Island Hunters. It's HDTV people that can are rich enough

0:31:07.080 --> 0:31:10.280
<v Speaker 1>to buy a fucking to buy an island, Okay, and

0:31:10.320 --> 0:31:11.720
<v Speaker 1>these are I mean, well some of them are decent

0:31:11.760 --> 0:31:16.040
<v Speaker 1>size that it's like aspirational television. It's like it, I

0:31:16.120 --> 0:31:19.560
<v Speaker 1>like the HDTV stuff if you're into houses in real estate,

0:31:19.680 --> 0:31:23.000
<v Speaker 1>and I am. We've been watching a little bit more Marble.

0:31:23.040 --> 0:31:25.280
<v Speaker 1>I told you Emily's going through these movies kind of slowly.

0:31:25.960 --> 0:31:29.200
<v Speaker 1>We're on Winter Soldier now, kind of going in order. Uh.

0:31:29.240 --> 0:31:31.640
<v Speaker 1>And that's with like skipping the first horror movie. I'm

0:31:31.640 --> 0:31:34.320
<v Speaker 1>trying to curate movies that I think she would enjoy.

0:31:34.320 --> 0:31:37.240
<v Speaker 1>In that first horror movie, wasn't that great? Yeah, the

0:31:37.240 --> 0:31:39.239
<v Speaker 1>first one, they were really trying to find what that

0:31:39.360 --> 0:31:41.959
<v Speaker 1>character was. It was enough to get people kind of

0:31:41.960 --> 0:31:43.440
<v Speaker 1>on board. But you're right, they did. It just got

0:31:43.480 --> 0:31:46.320
<v Speaker 1>better and better and better, got better and better. Uh.

0:31:46.320 --> 0:31:49.760
<v Speaker 1>And then nol I took your wreck and we finished

0:31:50.360 --> 0:31:54.880
<v Speaker 1>Hacks in a week and it's great. It's lovely and

0:31:55.120 --> 0:32:00.320
<v Speaker 1>it's awesome. Jean Smart is so fucking good to see

0:32:00.320 --> 0:32:03.960
<v Speaker 1>her win awards this third act in her career is

0:32:04.000 --> 0:32:08.920
<v Speaker 1>just really cool and inspiring to watch the who's the

0:32:09.240 --> 0:32:13.960
<v Speaker 1>young actor? What's her name? Oh, I've never heard of

0:32:13.960 --> 0:32:16.120
<v Speaker 1>her before. I don't know what she's from. But she's

0:32:16.880 --> 0:32:20.680
<v Speaker 1>Hannah iron Binder or Ironbinder. Yeah, I think she was

0:32:20.760 --> 0:32:23.520
<v Speaker 1>relatively unknown. I believe she was a comedian that they

0:32:23.520 --> 0:32:25.600
<v Speaker 1>sort of plucked out of the l a comedy scene

0:32:26.280 --> 0:32:30.400
<v Speaker 1>and Uh, it's great. I love Uh who was it

0:32:30.640 --> 0:32:36.200
<v Speaker 1>that plays Marcus Chad Clemence Hopkins is good? Paul Downs

0:32:36.280 --> 0:32:39.680
<v Speaker 1>is the agent is good. I love Kiki, her friend

0:32:39.720 --> 0:32:42.760
<v Speaker 1>played by Poppy Luke. She's so funny. Um. The only

0:32:42.800 --> 0:32:46.080
<v Speaker 1>thing I don't like nol. There are two characters that

0:32:46.160 --> 0:32:49.120
<v Speaker 1>I don't like, and it makes it actually hard to

0:32:49.120 --> 0:32:54.760
<v Speaker 1>watch those scenes. The assistant to the agent. Oh, I

0:32:54.880 --> 0:32:57.080
<v Speaker 1>just can't do it. No, she's it's such a trope

0:32:57.120 --> 0:33:02.200
<v Speaker 1>of the annoying that's not good at her job, and

0:33:02.280 --> 0:33:05.480
<v Speaker 1>it's just she's so annoying. Well, she's the one who's

0:33:05.520 --> 0:33:08.880
<v Speaker 1>like I believe she she's her father is like owns

0:33:08.920 --> 0:33:11.080
<v Speaker 1>the company or something, right, But she takes it to

0:33:11.120 --> 0:33:13.960
<v Speaker 1>such an absurd level that it's not even believable in

0:33:14.000 --> 0:33:16.600
<v Speaker 1>a show that is grounded in reality, and she's so

0:33:16.720 --> 0:33:18.840
<v Speaker 1>over the top bad at her job. It's like, come on, like,

0:33:18.960 --> 0:33:21.840
<v Speaker 1>no one, it's too much. It doesn't fit the tone

0:33:21.840 --> 0:33:24.200
<v Speaker 1>of the show. So I have a hard time watching

0:33:24.200 --> 0:33:26.040
<v Speaker 1>those scenes. And then I hate to say it, my

0:33:26.600 --> 0:33:30.200
<v Speaker 1>one of my old favorite actors, Jane Adams, is on

0:33:30.240 --> 0:33:34.720
<v Speaker 1>the show as ABA's mom, and I just don't like

0:33:34.760 --> 0:33:38.080
<v Speaker 1>what she did with the character. She's too neurotic and

0:33:38.200 --> 0:33:40.280
<v Speaker 1>over the top. It just doesn't fit. And I don't know.

0:33:40.320 --> 0:33:42.480
<v Speaker 1>I love Jane Adams, but I'm not. I don't like

0:33:42.560 --> 0:33:44.160
<v Speaker 1>those scenes and she's not in a tone of them.

0:33:44.200 --> 0:33:46.960
<v Speaker 1>So it's not a big big deal, right, Well yeah, no,

0:33:47.000 --> 0:33:49.600
<v Speaker 1>never mind, no spoilers everywhere. I think everyone would like

0:33:49.640 --> 0:33:51.840
<v Speaker 1>the show though. It's like it it fills a nice

0:33:51.880 --> 0:33:56.880
<v Speaker 1>middle ground between reality and not being too heavy and

0:33:56.920 --> 0:33:58.840
<v Speaker 1>also having some heart. And there's some like, you know,

0:33:59.080 --> 0:34:01.000
<v Speaker 1>some some serious thing has happened on the show, but

0:34:01.040 --> 0:34:05.680
<v Speaker 1>it's very very funny. Like the writing is super super

0:34:05.680 --> 0:34:09.160
<v Speaker 1>top notch because it's about a comedian and a comic writer,

0:34:09.400 --> 0:34:12.120
<v Speaker 1>and I think you kind of got to nail that stuff.

0:34:12.160 --> 0:34:14.920
<v Speaker 1>You can tell. I think it's fairly believable, Like whoever

0:34:14.960 --> 0:34:17.200
<v Speaker 1>writes the stuff you can tell probably has a It

0:34:17.280 --> 0:34:19.600
<v Speaker 1>probably comes from the stand up world, would be my guess.

0:34:20.160 --> 0:34:22.960
<v Speaker 1>It looks like Jean Smart is favored to win the

0:34:23.040 --> 0:34:28.520
<v Speaker 1>Emmy for Comedy Actress. She's great. I love it. Oh.

0:34:28.560 --> 0:34:30.640
<v Speaker 1>One thing that was funny, Chuck about this l a

0:34:30.719 --> 0:34:33.120
<v Speaker 1>trip And you've mentioned this before from living there, but

0:34:33.160 --> 0:34:35.360
<v Speaker 1>I don't think I've ever been there during this time maybe,

0:34:35.400 --> 0:34:41.759
<v Speaker 1>But the for your Consideration, uh campaigns all of oh,

0:34:41.800 --> 0:34:44.360
<v Speaker 1>they're everywhere, and all of a sudden you're seeing billboards

0:34:44.360 --> 0:34:46.719
<v Speaker 1>for shows that came out like a year ago. I'm

0:34:46.719 --> 0:34:48.719
<v Speaker 1>like why, And then you see all of them say

0:34:48.760 --> 0:34:51.120
<v Speaker 1>for your Emmy Consideration at the top, and there's just

0:34:51.280 --> 0:34:53.880
<v Speaker 1>a lot of money on that ship. It's really interesting.

0:34:54.200 --> 0:34:56.319
<v Speaker 1>But isn't it funny that that's what it takes? Because

0:34:56.600 --> 0:34:58.000
<v Speaker 1>you think about it, I guess these are all just

0:34:58.080 --> 0:35:00.319
<v Speaker 1>human beings that vote, that are on the you know

0:35:00.360 --> 0:35:03.799
<v Speaker 1>whatever voting board, I guess, and they have to be

0:35:03.880 --> 0:35:07.000
<v Speaker 1>reminded of like what shows to think about. Right, It's

0:35:07.040 --> 0:35:10.280
<v Speaker 1>like the most base advertising, which is it's like showing

0:35:10.280 --> 0:35:13.719
<v Speaker 1>the cheeseburger on the board and counting on someone to go, oh, man,

0:35:13.760 --> 0:35:15.960
<v Speaker 1>I haven't had a big mac in a while. It's

0:35:16.239 --> 0:35:18.719
<v Speaker 1>it's counting on someone driving down Sunset, some producer and

0:35:18.800 --> 0:35:22.960
<v Speaker 1>voter to say, oh yeah, well you know, uh, Jean

0:35:23.040 --> 0:35:25.000
<v Speaker 1>Smart was good in that. I like that one. Like

0:35:25.120 --> 0:35:27.719
<v Speaker 1>especially shows again that like I think shows that come

0:35:27.719 --> 0:35:31.400
<v Speaker 1>out a little closer to amy season probably have a

0:35:31.400 --> 0:35:34.520
<v Speaker 1>better chance a lot of times because people forget yeah yeah,

0:35:34.560 --> 0:35:37.160
<v Speaker 1>you gotta nudgem a bit, especially like you said with

0:35:37.200 --> 0:35:42.239
<v Speaker 1>the pandemic, like some of this stuff is old. All right, No, well,

0:35:42.239 --> 0:35:45.440
<v Speaker 1>that's it for this app and we will close with

0:35:45.520 --> 0:35:50.439
<v Speaker 1>a prayer. Okay, I'm ready, My head is bowed. God

0:35:50.440 --> 0:35:55.800
<v Speaker 1>bless us everyone, and good day. Movie. Crash is produced

0:35:55.800 --> 0:35:58.520
<v Speaker 1>and written by Charles Bryant and Roll Brown, edited and

0:35:58.560 --> 0:36:01.960
<v Speaker 1>engineered by Seth Nicholas Johnson is scored by Noel Brown

0:36:02.160 --> 0:36:05.240
<v Speaker 1>here in our home studio at Pontsty Market, Atlanta, Georgia.

0:36:05.360 --> 0:36:08.440
<v Speaker 1>For I Heart Radio. For more podcasts for my Heart Radio,

0:36:08.520 --> 0:36:11.400
<v Speaker 1>visit the iHeart Radio app, Apple podcast, or wherever you

0:36:11.440 --> 0:36:12.640
<v Speaker 1>listen to your favorite shows.