WEBVTT - 4 | The Deal

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<v Speaker 1>The only thing I knew about Ana's life in Los

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<v Speaker 1>Angeles was that she didn't want to talk about it.

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<v Speaker 2>It's okay, you're okay, alright.

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<v Speaker 3>What were your going lady?

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<v Speaker 1>But whatever went down in the City of Angels it

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<v Speaker 1>still had a looking over her shoulder, even three thousand

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<v Speaker 1>miles away.

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<v Speaker 4>Okay, okay, I can help whoever's next.

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<v Speaker 2>Sorry about that. Welcome to Mariposa Bank. How I need

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<v Speaker 2>to close my account? Oh? We're sorry to see you go.

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<v Speaker 2>Can I ask why you want to close? I'd rather

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<v Speaker 2>not get into it.

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<v Speaker 5>I completely understand.

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<v Speaker 1>Would you like to hear about some of our other

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<v Speaker 1>account options before you decide?

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<v Speaker 2>I've already made my decision. I just need to withdraw

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<v Speaker 2>my balance and close the account. Please certainly.

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<v Speaker 3>Can I have your name?

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<v Speaker 1>Miss?

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<v Speaker 2>Miss? Sorry? Your name it's Anna Thompson A and A.

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<v Speaker 2>Can I see your ID? Here? We are, Miss Thompson.

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<v Speaker 6>I see you have a joint savings account.

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<v Speaker 2>Yes, I'll just take a cashier's check for whatever the

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<v Speaker 2>balance is.

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<v Speaker 6>Of course, and you'd like to withdraw the entire balance

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<v Speaker 6>of two hundred and fifty two thousand, three hundred and

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<v Speaker 6>eighty seven dollars.

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<v Speaker 2>Is that correct?

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<v Speaker 7>Gosh, what was that.

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<v Speaker 2>I'll take it all. Yes, just give me one moment

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<v Speaker 2>to contact my shares check.

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<v Speaker 6>Can I give you.

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<v Speaker 2>Here you are? Can I help you with anything else today?

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<v Speaker 6>Miss?

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<v Speaker 2>Yes? Actually yes, sir. Anywhere I can wait until my

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<v Speaker 2>cab gets here in office or I'm sorry, I don't understand.

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<v Speaker 2>It might not be safe for me to go out

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<v Speaker 2>through the front door. Are you all right? I'm fine,

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<v Speaker 2>I'm fine, I think. Do you need me to call

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<v Speaker 2>someone the police?

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<v Speaker 1>No?

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<v Speaker 2>No, I just need some more safe to wait.

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<v Speaker 3>Sure, just head back to my office and I'll be

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<v Speaker 3>with you in a minute.

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<v Speaker 7>There's a back door you can use.

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<v Speaker 2>Thank you, of.

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<v Speaker 6>Course this way.

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<v Speaker 1>She was running from something that much I could tell.

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<v Speaker 1>It's not even that she wasn't good at hiding it.

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<v Speaker 1>I just know what it looks like living your life

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<v Speaker 1>with one eye on the nearest exit.

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<v Speaker 3>It takes one and no.

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<v Speaker 2>One where to man lax.

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<v Speaker 1>Well, whatever she was running from, I had to get

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<v Speaker 1>her off the island before that thing caught her and

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<v Speaker 1>before my past caught up with the both of us.

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<v Speaker 3>No suitcases.

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<v Speaker 7>I travel light.

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<v Speaker 1>But it's hard to protect somebody when you don't know

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<v Speaker 1>what or who you're protecting.

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<v Speaker 6>Them from underwater. Episode four, The dem.

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<v Speaker 7>Gabriel let me out of the car.

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<v Speaker 4>I'm afraid I can't do that. Why not because I'm

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<v Speaker 4>not done with you yet? Where are we going for

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<v Speaker 4>a drive?

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<v Speaker 3>That's all.

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<v Speaker 2>You should know that there are people who will be

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<v Speaker 2>looking for me if anything happens to me.

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<v Speaker 4>Oh, I know that there are people looking for you, Anna,

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<v Speaker 4>but I doubt you want them to catch.

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<v Speaker 7>Up with you. What the hell is this?

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<v Speaker 3>It's just a conversation.

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<v Speaker 7>Don't bullshit me, Gabriel. Tell me what you're really doing here.

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<v Speaker 1>I'm doing my job.

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<v Speaker 8>Wait, wait, we wait, relax, it's not a gun. Just

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<v Speaker 8>thought you might like to see some identification.

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<v Speaker 7>You're a cop special agent? And actually are you trying

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<v Speaker 7>to impress me? I don't need you to be impressed.

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<v Speaker 7>I just need you to be cooperative. Well that's not

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<v Speaker 7>my strong suit, so.

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<v Speaker 4>I've gathered, which is why I decided to drop the

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<v Speaker 4>little cover story and be more direct.

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<v Speaker 7>With my investigation. Investigation into what into you? Fuck this?

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<v Speaker 7>I want a lawyer.

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<v Speaker 4>Oh my god, you're not under arrest okay yet? Besides,

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<v Speaker 4>I can do you one better. I can make sure

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<v Speaker 4>you're protected from prosecution if you make yourself useful in

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<v Speaker 4>other ways.

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<v Speaker 2>If you touch me, I swear to.

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<v Speaker 7>God please, that is not what I mean. Okay, then

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<v Speaker 7>what did you mean?

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<v Speaker 4>You're not the FBI's only person of interest on this island.

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<v Speaker 4>You help me gather some intel on another suspect, and

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<v Speaker 4>I can make sure the investigation into you goes away.

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<v Speaker 7>Who's the other suspect?

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<v Speaker 4>Nicholas Alexander Nico That's right. You always do seem to

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<v Speaker 4>fall for the bad boys, don't you.

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<v Speaker 7>I don't know what you mean, Sure you know.

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<v Speaker 2>So what are you trying to tell me that Nego

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<v Speaker 2>is some kind of criminal?

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<v Speaker 4>Well, funny enough, that's exactly what I'm hoping you can

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<v Speaker 4>help me shed some light on.

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<v Speaker 7>So do we have a deal. Why should I believe you?

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<v Speaker 7>The FBI has no reason to be investigating me. I

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<v Speaker 7>haven't done anything wrong.

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<v Speaker 4>I think your boyfriend might disagree with you.

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<v Speaker 7>There he's my ex boyfriend, no kidding.

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<v Speaker 4>Look, I know what went down between you two, and yeah,

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<v Speaker 4>it might not be the worst thing for you to

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<v Speaker 4>have the FBI's protection right now.

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<v Speaker 7>What exactly do you want me to do? That's the spirit.

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<v Speaker 4>The FBI is building a case against Neco and his boss.

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<v Speaker 4>Any information you can gather about either of them would

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<v Speaker 4>be incredibly valuable to us.

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<v Speaker 2>And how do you suggest to go about gathering this

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<v Speaker 2>valuable information?

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<v Speaker 4>Yeah, I've seen the way he looks at you, and

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<v Speaker 4>I don't imagine that you we'll have any trouble getting

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<v Speaker 4>him to open up. Fuck you, that's hardly the tone

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<v Speaker 4>I want our working relationship to start on.

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<v Speaker 7>Get comfortable now. We still got a bit of a

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<v Speaker 7>drive ahead of us.

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<v Speaker 1>Sebastian knows I'm gonna need you for the whole day. Right, yep,

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<v Speaker 1>I'm at your service.

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<v Speaker 3>That's good. We got a lot of ground to cover.

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<v Speaker 1>I'm winning in the parking lot, all right, cool, I'm.

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<v Speaker 3>Going fine on Hey, bad time?

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<v Speaker 2>What did you say?

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<v Speaker 3>Yeah, I call you back. I can't really hear no, sorry,

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<v Speaker 3>come on in.

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<v Speaker 2>No need to be sorry. I'm the one who decided

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<v Speaker 2>to show up on your doorstep totally unannounced.

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<v Speaker 3>That is true. What can I do for you?

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<v Speaker 2>I'm taking you up on your offer, my offer. Just

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<v Speaker 2>show me the real island.

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<v Speaker 3>The walking tour, then do it for you then, not.

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<v Speaker 2>Exactly, but I have a feeling you could show me

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<v Speaker 2>a much better time.

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<v Speaker 1>I don't doubt that I already have a driver a

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<v Speaker 1>book for the day. I was going to visit some

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<v Speaker 1>of my old stomping grounds. You can join me if

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<v Speaker 1>you want.

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<v Speaker 2>I'm all yours. If you'll have me, that is what

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<v Speaker 2>are we waiting for? Then I'm ready. Whenever you are,

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<v Speaker 2>say let's let's go.

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<v Speaker 6>I lead the way.

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<v Speaker 1>Its main drag is where we all used to hang

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<v Speaker 1>out at the school.

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<v Speaker 2>You were so lucky to grow up here. I would

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<v Speaker 2>have loved to see this place when I was younger.

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<v Speaker 3>No, sure, didn't feel lucky at the time.

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<v Speaker 1>Hard to appreciate the beauty of something when you're just

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<v Speaker 1>trying to survive.

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<v Speaker 2>Oh, I didn't need to make light.

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<v Speaker 3>No, it's good.

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<v Speaker 1>Seeing this place through fresh eyes brings back some of

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<v Speaker 1>the better memories.

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<v Speaker 2>There are bad ones done. A few.

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<v Speaker 3>Parents died when I was a kid.

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<v Speaker 2>Oh my god, you girl, that's awful. I'm so sorry.

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<v Speaker 2>Is this why you left the island?

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<v Speaker 1>You ask a lot of questions for somebody who never

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<v Speaker 1>answers them.

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<v Speaker 2>I'm sorry, I can't help myself. You're an interesting guy.

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<v Speaker 1>Interesting well, I prefer the word irresistible.

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<v Speaker 3>But you all right?

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<v Speaker 2>Yeah, just a little chili.

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<v Speaker 3>Yeah, the ocean breeze will do that. Yeah, take my jacket?

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<v Speaker 2>Ooh is this one of your moves?

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<v Speaker 3>Depends? Is it working?

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<v Speaker 2>Can I tell you something anything?

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<v Speaker 3>I'm starve? Well, that won't do. I'll be right back.

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<v Speaker 2>Wait where are you going?

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<v Speaker 3>Just hang tight?

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<v Speaker 2>Okay, okay, I'll be here. Come on, come on, God,

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<v Speaker 2>I have something I can bring him.

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<v Speaker 3>You all right over there?

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<v Speaker 2>Excuse me, you just looked a little frantic.

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<v Speaker 3>I want to make sure you were okay.

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<v Speaker 1>You know, tourists get mugged all the time.

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<v Speaker 2>I'm fine, just looking for my cigarettes.

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<v Speaker 3>And I will kill you. You know.

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<v Speaker 2>Hey, you need to back up my apologies.

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<v Speaker 3>I didn't mean to make you uncomfortable.

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<v Speaker 2>Wait do what do I know you from somewhere? I

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<v Speaker 2>wouldn't say that, then, what would you?

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<v Speaker 4>Hey?

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<v Speaker 3>You take care? What was that?

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<v Speaker 2>I don't know?

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<v Speaker 3>Was he messing with you?

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<v Speaker 2>No? Just a concerned citizen. Wait? What do you got there?

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<v Speaker 3>Grabbed us a little snack?

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<v Speaker 2>Hand buys?

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<v Speaker 3>Why you act like you had these before?

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<v Speaker 2>Yeah? Once or twice?

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<v Speaker 1>My friend alives and I we used to have these

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<v Speaker 1>bad boys every single day.

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<v Speaker 3>Survive on these names. M even better than I remember.

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<v Speaker 2>Finally, somebody who enjoys island cooking as much as I do.

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<v Speaker 2>Oh Mmmm, I can't get enough on it. So you're

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<v Speaker 2>a lionstone in touch.

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<v Speaker 1>Not for a long time now, Oh how come if

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<v Speaker 1>you're gonna keep interrogating me, at least buy me and

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<v Speaker 1>drink first.

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<v Speaker 2>Sure you know a spot of course.

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<v Speaker 3>Thanks, I'll be back in five. Hope this ain't too

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<v Speaker 3>divy for you.

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<v Speaker 2>No, it's perfect. Got it to ourselves like a VIP

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<v Speaker 2>section of a club.

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<v Speaker 1>Even better in my opinion most clubs I love boogie

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<v Speaker 1>For me, this is much.

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<v Speaker 3>More my vibe.

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<v Speaker 1>The menu at this place because use an overhaul, though

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<v Speaker 1>I'd go with small plate route, add some local wine

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<v Speaker 1>and beer parings, the works.

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<v Speaker 2>Maybe you should have opened your own place you got the.

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<v Speaker 3>It's funny you say that.

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<v Speaker 1>My friend Alives used to say the same damn thing

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<v Speaker 1>when it was kids.

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<v Speaker 3>But I don't think it's for me.

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<v Speaker 2>Why not?

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<v Speaker 1>My parents owned the restaurant here in town. We lived

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<v Speaker 1>in an apartment above it. It was literally my home.

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<v Speaker 1>I worked there with them from the time I could

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<v Speaker 1>carry a tray and make change. I loved that place.

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<v Speaker 1>I was supposed to run it one day, but one

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<v Speaker 1>night I was closing up on my own. I was

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<v Speaker 1>rushing so I could go hang out with this girl

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<v Speaker 1>I was dating, you know, going through the motions. I

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<v Speaker 1>was on my way home when I heard the sirens.

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<v Speaker 1>A fire started somewhere in the restaurant while I was

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<v Speaker 1>gone and my parents were asleep upstairs. And no one

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<v Speaker 1>knows exactly how the fire started, but I'm sure I

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<v Speaker 1>left something on, made some stupid fucking mistake that.

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<v Speaker 3>Everything.

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<v Speaker 1>By the time I made it home, the building was

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<v Speaker 1>in flames.

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<v Speaker 3>Where are you kick the door down to try to

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<v Speaker 3>save him? It was too late. They were gone. You

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<v Speaker 3>know it was my fault.

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<v Speaker 2>God, it was hard enough losing my mom a few

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<v Speaker 2>months ago when I was already grown. I can't imagine

0:13:25.040 --> 0:13:27.920
<v Speaker 2>going through that as a kid. And I'm sure it

0:13:27.960 --> 0:13:30.440
<v Speaker 2>feels impossible to set down the guilt you feel. But

0:13:31.960 --> 0:13:35.760
<v Speaker 2>sounds like what happened was just a terrible accident. Hey,

0:13:36.480 --> 0:13:38.199
<v Speaker 2>it wasn't your fault, nego.

0:13:38.960 --> 0:13:43.600
<v Speaker 3>What's kind of you to say. But I'm not so

0:13:43.640 --> 0:13:44.520
<v Speaker 3>sure I agree with that.

0:13:45.480 --> 0:13:49.560
<v Speaker 2>I hope you can forgive yourself one day, But even

0:13:49.559 --> 0:13:54.080
<v Speaker 2>if you can't, there are other ways to remember them.

0:13:55.080 --> 0:13:55.480
<v Speaker 1>I don't know.

0:13:55.520 --> 0:13:58.320
<v Speaker 2>Maybe you could open the spot in their honor. There's

0:13:58.360 --> 0:14:02.080
<v Speaker 2>a ton of restaurants popping up on the island. Some

0:14:02.120 --> 0:14:04.600
<v Speaker 2>folks who are actually from here should benefit instead of

0:14:04.640 --> 0:14:07.360
<v Speaker 2>just the foreign colonize and ass developers. You know what

0:14:07.400 --> 0:14:10.920
<v Speaker 2>I'm saying. Come on, between all the recipes our parents

0:14:10.960 --> 0:14:13.920
<v Speaker 2>taught us, I bet we could put together quite the menu.

0:14:15.040 --> 0:14:17.160
<v Speaker 3>It's we now, I don't know.

0:14:17.240 --> 0:14:19.560
<v Speaker 2>Maybe, how do you feel about that?

0:14:21.360 --> 0:14:21.520
<v Speaker 4>Well?

0:14:21.520 --> 0:14:22.640
<v Speaker 3>I thought it was here on a date.

0:14:24.280 --> 0:14:26.360
<v Speaker 1>Hell do we end up somewhere between a group therapy

0:14:26.400 --> 0:14:28.240
<v Speaker 1>session and a business meeting?

0:14:28.680 --> 0:14:33.200
<v Speaker 2>I'm sorry. I guess there's just something about you that

0:14:33.280 --> 0:14:37.280
<v Speaker 2>makes me want to cut through the small talk. Here

0:14:37.280 --> 0:14:38.360
<v Speaker 2>are those drinks for you?

0:14:40.120 --> 0:14:40.960
<v Speaker 3>Everything? All right?

0:14:41.160 --> 0:14:42.320
<v Speaker 7>Yeah?

0:14:42.640 --> 0:14:47.920
<v Speaker 2>You just look so familiar one of those faces. I guess. No,

0:14:48.680 --> 0:14:52.640
<v Speaker 2>it's more than that. You know what it is?

0:14:53.520 --> 0:14:54.240
<v Speaker 1>You are the.

0:14:54.400 --> 0:14:59.040
<v Speaker 2>Spitting image of Jay Thompson. Yeah, yeah, I get that

0:14:59.120 --> 0:15:05.440
<v Speaker 2>a lot. She's she was my mom. Oh my god,

0:15:05.800 --> 0:15:12.600
<v Speaker 2>Jay Thompson's daughter. In my bar. The whole island was

0:15:12.680 --> 0:15:14.440
<v Speaker 2>crushed to hear that she passed away.

0:15:14.720 --> 0:15:16.280
<v Speaker 3>We never stopped loving her.

0:15:16.200 --> 0:15:19.400
<v Speaker 2>Ear, thank you. Yeah, that means a lot.

0:15:19.800 --> 0:15:22.920
<v Speaker 1>And you know, Anna definitely inherited her mom's voice.

0:15:23.680 --> 0:15:27.760
<v Speaker 2>You're a singer too, No, no, I'm not a singer.

0:15:28.200 --> 0:15:31.920
<v Speaker 1>She's being modest. Ana's actually in town. Are perform at

0:15:31.920 --> 0:15:38.080
<v Speaker 1>her mom's memorial concert tomorrow. Oh that is so beautiful.

0:15:38.480 --> 0:15:39.280
<v Speaker 3>Can I hear a bit?

0:15:41.440 --> 0:15:42.080
<v Speaker 2>I don't know.

0:15:42.680 --> 0:15:44.920
<v Speaker 3>Oh, come on, come on, I know.

0:15:45.120 --> 0:15:48.040
<v Speaker 2>It's just everyone's gonna expect me to be as good

0:15:48.080 --> 0:15:50.720
<v Speaker 2>as my mom, and that's a pretty high bar, you know.

0:15:51.720 --> 0:15:54.520
<v Speaker 2>I don't want to let them down. I don't want

0:15:54.520 --> 0:15:56.160
<v Speaker 2>to let her down.

0:15:57.640 --> 0:16:01.600
<v Speaker 1>I've heard you sing O way you can let anybody down.

0:16:02.760 --> 0:16:05.640
<v Speaker 1>Not about to make me bag? Are you gone? Ass

0:16:05.680 --> 0:16:06.480
<v Speaker 1>man on his knees.

0:16:07.400 --> 0:16:10.160
<v Speaker 2>We love to see it, all right, all right, I

0:16:10.200 --> 0:16:13.440
<v Speaker 2>guess a few lines couldn't hurt. The stage is yours. Ana.

0:16:13.840 --> 0:16:16.720
<v Speaker 2>Look what you got me into looking I'm cute?

0:16:16.840 --> 0:16:17.840
<v Speaker 3>Come on, little.

0:16:25.920 --> 0:16:32.400
<v Speaker 9>Okay, you take my breath away.

0:16:35.960 --> 0:16:39.680
<v Speaker 2>Some things just never change.

0:16:41.240 --> 0:16:48.080
<v Speaker 10>But I felt deep sink faster, w harder and oven honey.

0:16:48.280 --> 0:17:00.000
<v Speaker 9>Way, we're caught in the deep bed, never.

0:17:00.120 --> 0:17:05.360
<v Speaker 2>Letting go host. We could breathe underwater.

0:17:07.680 --> 0:17:09.960
<v Speaker 3>That way we won't lose on.

0:17:10.119 --> 0:17:16.680
<v Speaker 10>Another because I'm drowning you.

0:17:15.160 --> 0:17:24.080
<v Speaker 2>And you're drowning me too, and there's not enough hours.

0:17:24.280 --> 0:17:27.080
<v Speaker 2>We could breathe under water.

0:17:28.640 --> 0:17:34.280
<v Speaker 10>Because right now we're so close to the bottom. I'm

0:17:34.440 --> 0:17:39.800
<v Speaker 10>drowning you and you're drowning me too, and there's not

0:17:40.200 --> 0:17:46.520
<v Speaker 10>enough underwater.

0:17:54.359 --> 0:17:55.880
<v Speaker 3>I told you, I told you.

0:17:56.359 --> 0:17:58.280
<v Speaker 2>That is so sweet. Thank you?

0:18:00.119 --> 0:18:01.919
<v Speaker 3>My job off the bar. If I were you, I

0:18:02.080 --> 0:18:04.280
<v Speaker 3>keep it clean in here, but not that clean. I mean,

0:18:04.359 --> 0:18:05.639
<v Speaker 3>come on, can you blame me?

0:18:05.800 --> 0:18:06.440
<v Speaker 7>Not at all?

0:18:06.920 --> 0:18:09.679
<v Speaker 3>It looks like we've got another Thompson legend in the Macon.

0:18:10.760 --> 0:18:11.520
<v Speaker 3>He may be right.

0:18:12.080 --> 0:18:13.639
<v Speaker 1>Guess we know who's going to take care of the

0:18:13.760 --> 0:18:18.640
<v Speaker 1>entertainment at this restaurant a bar. So am I forgiving

0:18:18.640 --> 0:18:19.480
<v Speaker 1>for making you sing?

0:18:20.240 --> 0:18:24.040
<v Speaker 2>And then so you have no idea how amazing it

0:18:24.080 --> 0:18:27.320
<v Speaker 2>feels to sing in front of someone anyone.

0:18:27.000 --> 0:18:30.360
<v Speaker 3>Again, you were amazing on her.

0:18:31.000 --> 0:18:37.920
<v Speaker 2>You can we go somewhere a little quieter, Yeah, I.

0:18:37.920 --> 0:19:02.159
<v Speaker 3>Know, just a spot. If that was the warm up,

0:19:02.720 --> 0:19:04.040
<v Speaker 3>You're about to kill this tomorrow.

0:19:05.080 --> 0:19:07.760
<v Speaker 2>I mean, there's gonna be a slightly bigger crowd at

0:19:07.760 --> 0:19:11.919
<v Speaker 2>the concert, but I hope it includes you.

0:19:12.200 --> 0:19:17.960
<v Speaker 1>Yeah, you think I'm about to miss this? I gotta ask.

0:19:18.840 --> 0:19:22.560
<v Speaker 1>But the voice like that in your mother's name, why

0:19:22.600 --> 0:19:23.879
<v Speaker 1>didn't you go out their music career?

0:19:24.280 --> 0:19:25.600
<v Speaker 2>And what makes you think I didn't?

0:19:25.840 --> 0:19:30.040
<v Speaker 3>Okay, I feel like there's a story here, Yeah.

0:19:29.960 --> 0:19:33.960
<v Speaker 2>But not a very original one. My mom didn't want

0:19:34.000 --> 0:19:37.119
<v Speaker 2>me going anywhere near the music industry. Is that of me?

0:19:37.160 --> 0:19:38.080
<v Speaker 2>The wrong kind of people?

0:19:38.320 --> 0:19:40.240
<v Speaker 3>Okay? And then what happened?

0:19:40.520 --> 0:19:43.840
<v Speaker 2>She was right.

0:19:46.400 --> 0:19:49.439
<v Speaker 3>Here? It is this code right.

0:19:49.320 --> 0:19:53.040
<v Speaker 1>Here was the most popular makeout spot back in the day.

0:19:53.160 --> 0:19:54.600
<v Speaker 2>Uh uh, you mean to tell me I'm not the

0:19:54.600 --> 0:19:55.840
<v Speaker 2>first girl you brought down here?

0:19:56.040 --> 0:19:56.200
<v Speaker 3>Oh?

0:19:56.920 --> 0:20:01.920
<v Speaker 1>Not the first rude, but definitely the most beautiful?

0:20:02.800 --> 0:20:06.000
<v Speaker 2>Okay? Oh sure, Nah?

0:20:06.240 --> 0:20:08.760
<v Speaker 1>I really do mean it though, Anna, I don't know

0:20:08.760 --> 0:20:11.399
<v Speaker 1>how to explain it, but there's something about you that

0:20:11.440 --> 0:20:12.880
<v Speaker 1>I haven't been able to look away.

0:20:12.680 --> 0:20:16.919
<v Speaker 3>From ever since we met. Thank you for today.

0:20:17.200 --> 0:20:20.760
<v Speaker 2>I should be the one thanking you. Gidding to see

0:20:20.760 --> 0:20:24.399
<v Speaker 2>the island like this? It was everything I wanted?

0:20:26.520 --> 0:20:29.520
<v Speaker 3>What about this? Is this something you want?

0:20:30.040 --> 0:20:30.399
<v Speaker 2>THINKO?

0:20:31.240 --> 0:20:33.359
<v Speaker 3>Hey man, what are you doing here?

0:20:33.960 --> 0:20:35.840
<v Speaker 11>I just happened to be passing by when I saw

0:20:35.880 --> 0:20:36.760
<v Speaker 11>you too head down here.

0:20:37.440 --> 0:20:38.480
<v Speaker 3>I thought we could talk.

0:20:38.920 --> 0:20:42.000
<v Speaker 2>You were at the festival, right? Is this the old

0:20:42.040 --> 0:20:43.680
<v Speaker 2>friend you were telling me about? Elias?

0:20:44.080 --> 0:20:44.680
<v Speaker 3>Not quite?

0:20:45.080 --> 0:20:48.240
<v Speaker 11>My name's mitel Elias was my brother.

0:20:49.880 --> 0:20:51.320
<v Speaker 3>I'm sorry I didn't catch your name.

0:20:51.680 --> 0:20:52.160
<v Speaker 2>It's Anna.

0:20:52.520 --> 0:20:55.560
<v Speaker 11>It's a pleasure meeting you, Honna. We got a lot

0:20:55.600 --> 0:20:58.640
<v Speaker 11>to catch up about. Not from you think I'm gonna

0:20:58.640 --> 0:21:01.320
<v Speaker 11>give away your secrets. That should be the least of

0:21:01.359 --> 0:21:01.879
<v Speaker 11>your worries.

0:21:02.000 --> 0:21:03.200
<v Speaker 3>What the fuck does that mean?

0:21:05.680 --> 0:21:08.000
<v Speaker 11>Hey, keep a close eye on her. It seems like

0:21:08.040 --> 0:21:10.040
<v Speaker 11>she's already got quite the following around here.

0:21:10.119 --> 0:21:12.639
<v Speaker 1>Honor knows how to look out for herself. But if

0:21:12.680 --> 0:21:15.480
<v Speaker 1>anybody is stupid enough to try to hurt her, she's

0:21:15.520 --> 0:21:15.840
<v Speaker 1>got me.

0:21:16.320 --> 0:21:19.840
<v Speaker 11>Oh yeah, yeah, so did I, Honor.

0:21:19.920 --> 0:21:20.280
<v Speaker 3>Let's go.

0:21:33.400 --> 0:21:34.879
<v Speaker 2>What was he talking about, Nico?

0:21:35.160 --> 0:21:37.560
<v Speaker 3>It doesn't matter. It all happened a long time ago.

0:21:37.840 --> 0:21:40.560
<v Speaker 2>Don't lie to me. Whatever's going on clearly isn't just

0:21:40.600 --> 0:21:41.200
<v Speaker 2>in the past.

0:21:43.600 --> 0:21:45.399
<v Speaker 1>I'll tell you an Elias, with the closest thing in

0:21:45.400 --> 0:21:48.399
<v Speaker 1>the family that I had after my parents died. I

0:21:48.480 --> 0:21:52.680
<v Speaker 1>left when they needed me the most. Elias was killed

0:21:52.720 --> 0:21:55.679
<v Speaker 1>when we were kids, and it happened on my watch.

0:21:57.040 --> 0:21:59.480
<v Speaker 1>Bad things happen to the people that I love most,

0:22:00.080 --> 0:22:03.359
<v Speaker 1>and I'm afraid that it always will. Everybody on this

0:22:03.440 --> 0:22:05.600
<v Speaker 1>either knows exactly what happened, and it's only a matter

0:22:05.600 --> 0:22:09.400
<v Speaker 1>of time before somebody shows me exactly how unwelcome I

0:22:09.440 --> 0:22:11.800
<v Speaker 1>am here. So I gotta get the fuck out of

0:22:11.840 --> 0:22:15.359
<v Speaker 1>here before they do. And you should leave too. What

0:22:15.760 --> 0:22:18.200
<v Speaker 1>it's not safe for you here alone? And I think

0:22:18.240 --> 0:22:18.680
<v Speaker 1>you know that.

0:22:19.200 --> 0:22:19.840
<v Speaker 2>I don't.

0:22:19.960 --> 0:22:21.840
<v Speaker 1>I saw how scared you were when a guy stopped

0:22:21.880 --> 0:22:25.520
<v Speaker 1>you in town. What are you worried about? Or should

0:22:25.520 --> 0:22:25.840
<v Speaker 1>I say?

0:22:26.119 --> 0:22:26.359
<v Speaker 3>Who?

0:22:27.720 --> 0:22:27.919
<v Speaker 6>You know?

0:22:28.000 --> 0:22:29.800
<v Speaker 2>How I said I fell in with the wrong people

0:22:29.800 --> 0:22:34.119
<v Speaker 2>in the industry, Well, my ex.

0:22:34.000 --> 0:22:35.640
<v Speaker 7>Was one of them.

0:22:35.720 --> 0:22:37.760
<v Speaker 2>I was telling you the truth about coming here from

0:22:37.800 --> 0:22:40.840
<v Speaker 2>my mom's concert. But that wasn't the only reason I

0:22:40.880 --> 0:22:44.240
<v Speaker 2>had to get away my ex. He he was into

0:22:44.240 --> 0:22:48.760
<v Speaker 2>some bad shit. I think some of that might have

0:22:48.840 --> 0:22:49.560
<v Speaker 2>followed me here.

0:22:50.760 --> 0:22:54.720
<v Speaker 3>Home, sweet Home, appreciate you Diego.

0:23:03.800 --> 0:23:07.200
<v Speaker 1>I for one think that we both deserve a nightcap

0:23:07.240 --> 0:23:08.200
<v Speaker 1>after all that bullshit.

0:23:08.640 --> 0:23:09.680
<v Speaker 2>I couldn't agree more.

0:23:22.520 --> 0:23:24.760
<v Speaker 3>I'm not set up to make you specialty cocktail, But.

0:23:26.640 --> 0:23:27.879
<v Speaker 2>Fuck, what's wrong?

0:23:28.840 --> 0:23:30.240
<v Speaker 3>The closet's open, okay?

0:23:30.840 --> 0:23:30.879
<v Speaker 1>VI?

0:23:31.119 --> 0:23:37.760
<v Speaker 3>I closed it on my way out, Nico.

0:23:37.880 --> 0:23:38.360
<v Speaker 2>Is that a gun?

0:23:38.400 --> 0:23:39.480
<v Speaker 3>I think somebody's been here?

0:23:39.800 --> 0:23:40.920
<v Speaker 2>What are you talking about?

0:23:40.960 --> 0:23:41.160
<v Speaker 4>Who?

0:23:41.920 --> 0:23:44.000
<v Speaker 1>I don't know one of my tails guys. If I

0:23:44.040 --> 0:23:46.560
<v Speaker 1>had to guess, I don't know how they could.

0:23:46.359 --> 0:23:46.720
<v Speaker 3>Have got in.

0:23:46.920 --> 0:23:47.880
<v Speaker 2>How do you know what was them?

0:23:48.240 --> 0:23:50.680
<v Speaker 1>I don't could have been anybody on the island who

0:23:50.680 --> 0:23:51.280
<v Speaker 1>wants me gone.

0:23:52.400 --> 0:23:52.679
<v Speaker 2>Or me.

0:23:53.160 --> 0:23:54.200
<v Speaker 3>You gotta go back to your room.

0:23:54.320 --> 0:23:56.040
<v Speaker 2>No, I don't want to leave you.

0:23:56.040 --> 0:23:58.920
<v Speaker 1>You said it yourself that whatever happened with your ex

0:23:59.000 --> 0:24:01.040
<v Speaker 1>might have followed you here. The best thing you can

0:24:01.080 --> 0:24:03.240
<v Speaker 1>do right now is lay low.

0:24:03.480 --> 0:24:04.919
<v Speaker 2>What happened to keeping me safe.

0:24:04.960 --> 0:24:06.360
<v Speaker 3>That's what I'm trying to do.

0:24:06.600 --> 0:24:08.679
<v Speaker 2>I'm not leaving, Nko Honor.

0:24:09.560 --> 0:24:09.960
<v Speaker 3>Please.

0:24:10.040 --> 0:24:12.080
<v Speaker 2>If something bad is going on here, then we'll be

0:24:12.119 --> 0:24:12.800
<v Speaker 2>safer together.

0:24:12.920 --> 0:24:15.439
<v Speaker 1>How can you still think that with everything that you

0:24:15.480 --> 0:24:16.240
<v Speaker 1>know about me now.

0:24:16.240 --> 0:24:18.960
<v Speaker 2>Nico, bad things happen to good people. I don't think

0:24:19.000 --> 0:24:21.880
<v Speaker 2>that makes you any more curse than I am, though

0:24:21.880 --> 0:24:26.160
<v Speaker 2>maybe that's not saying too much. And besides, I don't

0:24:26.200 --> 0:24:27.520
<v Speaker 2>really think you want me to leave?

0:24:27.600 --> 0:24:29.960
<v Speaker 3>Do you what I want? Doesn't matter.

0:24:30.000 --> 0:24:34.439
<v Speaker 2>It's not an answer you asked me on the beach

0:24:34.600 --> 0:24:37.320
<v Speaker 2>if this is what I wanted, So the least you

0:24:37.359 --> 0:24:40.880
<v Speaker 2>can do is be honest with me. Do you want

0:24:40.920 --> 0:24:44.159
<v Speaker 2>me to go or do you want me?

0:24:45.800 --> 0:24:46.680
<v Speaker 3>Of course I want you to.

0:24:46.920 --> 0:24:47.679
<v Speaker 2>What's stopping you?

0:24:48.280 --> 0:24:50.399
<v Speaker 3>I'm trying to do what's best for you. I know

0:24:50.440 --> 0:24:51.720
<v Speaker 3>that I'm the furthest thing from that.

0:24:52.240 --> 0:24:53.359
<v Speaker 2>I get to be the judge of that.

0:24:54.440 --> 0:24:55.680
<v Speaker 3>There's no turning back if you do.

0:24:55.680 --> 0:24:58.920
<v Speaker 2>This you sure I have already made my decision.

0:25:17.720 --> 0:25:25.280
<v Speaker 3>You take my breath away. SAT Days just never change.

0:25:28.400 --> 0:25:32.440
<v Speaker 11>But I found deep the safe past, and wind harder

0:25:33.840 --> 0:25:40.800
<v Speaker 11>and dove in anyway.

0:25:39.119 --> 0:25:41.040
<v Speaker 3>We love in our control.

0:25:42.680 --> 0:25:45.840
<v Speaker 5>Underwater is an Interval Presents original production with Temple Hill

0:25:45.960 --> 0:25:50.879
<v Speaker 5>Entertainment and Clamor, starring Jason Derulo and Alexandra Shipp. Written

0:25:50.880 --> 0:25:54.040
<v Speaker 5>by Katrina Day, directed by Pat Kelly and Chris Kelly.

0:25:54.720 --> 0:25:59.480
<v Speaker 5>Executive producer Jason Derulo, executive producers from Interval Presents, Alan

0:25:59.560 --> 0:26:03.280
<v Speaker 5>Coy and a Kleinberg executive producers from Temple Hill Entertainment,

0:26:03.680 --> 0:26:08.040
<v Speaker 5>Marty Bowen, Wick Godfrey and Alex Addison executive producers from Clamor,

0:26:08.480 --> 0:26:13.560
<v Speaker 5>Rich Stadter, Aaron Hilliard, Adam Reynolds and Alison Chaneau. Executive

0:26:13.600 --> 0:26:18.040
<v Speaker 5>produced by Katerina Day, Executive producer from Future History Frank Harrison.

0:26:18.680 --> 0:26:22.680
<v Speaker 5>Special thanks to Henry de Sources, Marketing Lead Samaras Still,

0:26:23.359 --> 0:26:27.600
<v Speaker 5>Business Development Lead Cheffy Ellen, Sweg Meggie and Operations Lead

0:26:28.000 --> 0:26:31.399
<v Speaker 5>Sarah Yu. Post production audio services by Kelly and Kelly,

0:26:31.840 --> 0:26:33.960
<v Speaker 5>Sound design and mixed by Paul Teteskin.

0:26:34.680 --> 0:26:36.640
<v Speaker 3>Dialogue edited by Max Collins.

0:26:37.160 --> 0:26:40.680
<v Speaker 5>Original music by Genevieve Vincent songs arranged by Genevieve Vincent.

0:26:41.320 --> 0:26:42.760
<v Speaker 3>The cast includes Jason.

0:26:42.480 --> 0:26:46.320
<v Speaker 5>Derulo as Nico, Alexander Ship as Honor Kerry Alexander is

0:26:46.359 --> 0:26:49.920
<v Speaker 5>bank teller and additional voices. Beau Bridgeland is Jordan, Michael

0:26:49.960 --> 0:26:53.159
<v Speaker 5>Darry as credit reader and additional voices, Anisia du Boise

0:26:53.240 --> 0:26:57.280
<v Speaker 5>Dahlia and Young Dahlia, Andrew Frankel as stranger in additional voices,

0:26:57.600 --> 0:27:00.720
<v Speaker 5>Walter Gray the Fourth as male tourist and a edition voices,

0:27:01.240 --> 0:27:05.240
<v Speaker 5>Melissa Greenspan as female tourist and additional voices, Alice Hunter

0:27:05.400 --> 0:27:10.159
<v Speaker 5>as Elena, Jeremy Jordan as Gabriel, Josh Keaton as Matteo,

0:27:10.640 --> 0:27:14.640
<v Speaker 5>Tara Langella as female guest and additional voices, Jonathan Leon

0:27:15.000 --> 0:27:19.040
<v Speaker 5>as Young Mateo, Donnis Leonard Junior as Elias Parker, James

0:27:19.119 --> 0:27:23.399
<v Speaker 5>Logi as young Boy, Emily Martinez as Carman, Michael McLoone

0:27:23.480 --> 0:27:28.479
<v Speaker 5>as Marcus, Carlo Renata as bartender, John Carlos Sabagaal as Diego,

0:27:28.720 --> 0:27:32.760
<v Speaker 5>David Shatraw as male guest and additional voices, Andre Sagluzzo

0:27:33.080 --> 0:27:36.720
<v Speaker 5>as Sebastian, Cameron Jay Wright as Young Nico, and Hannah

0:27:36.760 --> 0:27:41.120
<v Speaker 5>Zamora as Mia produced by Lillian Holman, post produced by

0:27:41.320 --> 0:27:45.879
<v Speaker 5>Justin Schoe and Lauren Berkovich. Associate producer Erica Lowe. Music

0:27:45.880 --> 0:27:49.760
<v Speaker 5>supervision by Melanie Mitchell. Music clearances by Deborah mannis Gardner

0:27:50.000 --> 0:27:51.600
<v Speaker 5>DMG Clearances Incorporated.

0:27:51.880 --> 0:27:53.119
<v Speaker 3>Audio engineered by.

0:27:53.000 --> 0:27:56.280
<v Speaker 5>Ian Folgerty and Ed mcinte at Gold Diggers, Brett Tuban

0:27:56.320 --> 0:27:59.439
<v Speaker 5>at the Relic Room and Jordan Sweet at Chalice Recording Studio.

0:28:00.520 --> 0:28:05.360
<v Speaker 5>Assistant engineered by Derek mcgrone and Emperorserti. Vocal coaching by

0:28:05.359 --> 0:28:09.280
<v Speaker 5>Bianca blush At for Casting by Marlice Gussenhauer, Sleepy Kersch

0:28:09.440 --> 0:28:13.719
<v Speaker 5>and Brentegata. Additional casting by Melissa Berger, Brennan Salem Everick

0:28:13.840 --> 0:28:19.000
<v Speaker 5>and Scott Forbes at CESDS. Script supervisor Tamara Black, Production

0:28:19.080 --> 0:28:23.920
<v Speaker 5>supervisor Lizzie Sam Production coordinators Ethan Aronson and Sean Green.

0:28:24.800 --> 0:28:29.560
<v Speaker 5>Production assistants Chelsea Perry and samar Mouth. Additional special thanks

0:28:29.600 --> 0:28:33.959
<v Speaker 5>to Riley Fulsom and Maxim Carlock. Underwater was recorded at

0:28:33.960 --> 0:28:37.520
<v Speaker 5>Gold Diggers in Los Angeles, California, Cellie Recording Studio in

0:28:37.560 --> 0:28:40.800
<v Speaker 5>Los Angeles, California, and the Relic Room in New York,

0:28:40.840 --> 0:28:44.520
<v Speaker 5>New York. Make sure to follow Underwater and listen on

0:28:44.560 --> 0:28:49.640
<v Speaker 5>Apple Podcasts, Spotify, Amazon Music, Sirius XM, or wherever you

0:28:49.680 --> 0:29:00.960
<v Speaker 5>get your podcasts.