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Speaker 1: The only thing I knew about Ana's life in Los

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Speaker 1: Angeles was that she didn't want to talk about it.

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Speaker 2: It's okay, you're okay, alright.

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Speaker 3: What were your going lady?

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Speaker 1: But whatever went down in the City of Angels it

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Speaker 1: still had a looking over her shoulder, even three thousand

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Speaker 1: miles away.

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Speaker 4: Okay, okay, I can help whoever's next.

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Speaker 2: Sorry about that. Welcome to Mariposa Bank. How I need

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Speaker 2: to close my account? Oh? We're sorry to see you go.

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Speaker 2: Can I ask why you want to close? I'd rather

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Speaker 2: not get into it.

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Speaker 5: I completely understand.

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Speaker 1: Would you like to hear about some of our other

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Speaker 1: account options before you decide?

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Speaker 2: I've already made my decision. I just need to withdraw

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Speaker 2: my balance and close the account. Please certainly.

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Speaker 3: Can I have your name?

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Speaker 1: Miss?

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Speaker 2: Miss? Sorry? Your name it's Anna Thompson A and A.

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Speaker 2: Can I see your ID? Here? We are, Miss Thompson.

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Speaker 6: I see you have a joint savings account.

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Speaker 2: Yes, I'll just take a cashier's check for whatever the

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Speaker 2: balance is.

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Speaker 6: Of course, and you'd like to withdraw the entire balance

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Speaker 6: of two hundred and fifty two thousand, three hundred and

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Speaker 6: eighty seven dollars.

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Speaker 2: Is that correct?

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Speaker 7: Gosh, what was that.

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Speaker 2: I'll take it all. Yes, just give me one moment

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Speaker 2: to contact my shares check.

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Speaker 6: Can I give you.

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Speaker 2: Here you are? Can I help you with anything else today?

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Speaker 6: Miss?

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Speaker 2: Yes? Actually yes, sir. Anywhere I can wait until my

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Speaker 2: cab gets here in office or I'm sorry, I don't understand.

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Speaker 2: It might not be safe for me to go out

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Speaker 2: through the front door. Are you all right? I'm fine,

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Speaker 2: I'm fine, I think. Do you need me to call

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Speaker 2: someone the police?

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Speaker 1: No?

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Speaker 2: No, I just need some more safe to wait.

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Speaker 3: Sure, just head back to my office and I'll be

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Speaker 3: with you in a minute.

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Speaker 7: There's a back door you can use.

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Speaker 2: Thank you, of.

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Speaker 6: Course this way.

48
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Speaker 1: She was running from something that much I could tell.

49
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Speaker 1: It's not even that she wasn't good at hiding it.

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Speaker 1: I just know what it looks like living your life

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Speaker 1: with one eye on the nearest exit.

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Speaker 3: It takes one and no.

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Speaker 2: One where to man lax.

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Speaker 1: Well, whatever she was running from, I had to get

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Speaker 1: her off the island before that thing caught her and

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Speaker 1: before my past caught up with the both of us.

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Speaker 3: No suitcases.

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Speaker 7: I travel light.

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Speaker 1: But it's hard to protect somebody when you don't know

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Speaker 1: what or who you're protecting.

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Speaker 6: Them from underwater. Episode four, The dem.

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Speaker 7: Gabriel let me out of the car.

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Speaker 4: I'm afraid I can't do that. Why not because I'm

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Speaker 4: not done with you yet? Where are we going for

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Speaker 4: a drive?

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Speaker 3: That's all.

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Speaker 2: You should know that there are people who will be

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Speaker 2: looking for me if anything happens to me.

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Speaker 4: Oh, I know that there are people looking for you, Anna,

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Speaker 4: but I doubt you want them to catch.

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Speaker 7: Up with you. What the hell is this?

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Speaker 3: It's just a conversation.

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Speaker 7: Don't bullshit me, Gabriel. Tell me what you're really doing here.

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Speaker 1: I'm doing my job.

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Speaker 8: Wait, wait, we wait, relax, it's not a gun. Just

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Speaker 8: thought you might like to see some identification.

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Speaker 7: You're a cop special agent? And actually are you trying

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Speaker 7: to impress me? I don't need you to be impressed.

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Speaker 7: I just need you to be cooperative. Well that's not

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Speaker 7: my strong suit, so.

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Speaker 4: I've gathered, which is why I decided to drop the

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Speaker 4: little cover story and be more direct.

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Speaker 7: With my investigation. Investigation into what into you? Fuck this?

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Speaker 7: I want a lawyer.

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Speaker 4: Oh my god, you're not under arrest okay yet? Besides,

86
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Speaker 4: I can do you one better. I can make sure

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Speaker 4: you're protected from prosecution if you make yourself useful in

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Speaker 4: other ways.

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Speaker 2: If you touch me, I swear to.

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Speaker 7: God please, that is not what I mean. Okay, then

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Speaker 7: what did you mean?

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Speaker 4: You're not the FBI's only person of interest on this island.

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Speaker 4: You help me gather some intel on another suspect, and

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Speaker 4: I can make sure the investigation into you goes away.

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Speaker 7: Who's the other suspect?

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Speaker 4: Nicholas Alexander Nico That's right. You always do seem to

97
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Speaker 4: fall for the bad boys, don't you.

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Speaker 7: I don't know what you mean, Sure you know.

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Speaker 2: So what are you trying to tell me that Nego

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Speaker 2: is some kind of criminal?

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Speaker 4: Well, funny enough, that's exactly what I'm hoping you can

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Speaker 4: help me shed some light on.

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Speaker 7: So do we have a deal. Why should I believe you?

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Speaker 7: The FBI has no reason to be investigating me. I

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Speaker 7: haven't done anything wrong.

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Speaker 4: I think your boyfriend might disagree with you.

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Speaker 7: There he's my ex boyfriend, no kidding.

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Speaker 4: Look, I know what went down between you two, and yeah,

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Speaker 4: it might not be the worst thing for you to

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Speaker 4: have the FBI's protection right now.

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Speaker 7: What exactly do you want me to do? That's the spirit.

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Speaker 4: The FBI is building a case against Neco and his boss.

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Speaker 4: Any information you can gather about either of them would

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Speaker 4: be incredibly valuable to us.

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Speaker 2: And how do you suggest to go about gathering this

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Speaker 2: valuable information?

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Speaker 4: Yeah, I've seen the way he looks at you, and

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Speaker 4: I don't imagine that you we'll have any trouble getting

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Speaker 4: him to open up. Fuck you, that's hardly the tone

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Speaker 4: I want our working relationship to start on.

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Speaker 7: Get comfortable now. We still got a bit of a

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Speaker 7: drive ahead of us.

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Speaker 1: Sebastian knows I'm gonna need you for the whole day. Right, yep,

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Speaker 1: I'm at your service.

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Speaker 3: That's good. We got a lot of ground to cover.

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Speaker 1: I'm winning in the parking lot, all right, cool, I'm.

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Speaker 3: Going fine on Hey, bad time?

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Speaker 2: What did you say?

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Speaker 3: Yeah, I call you back. I can't really hear no, sorry,

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Speaker 3: come on in.

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Speaker 2: No need to be sorry. I'm the one who decided

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Speaker 2: to show up on your doorstep totally unannounced.

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Speaker 3: That is true. What can I do for you?

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Speaker 2: I'm taking you up on your offer, my offer. Just

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Speaker 2: show me the real island.

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Speaker 3: The walking tour, then do it for you then, not.

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Speaker 2: Exactly, but I have a feeling you could show me

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Speaker 2: a much better time.

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Speaker 1: I don't doubt that I already have a driver a

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Speaker 1: book for the day. I was going to visit some

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Speaker 1: of my old stomping grounds. You can join me if

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Speaker 1: you want.

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Speaker 2: I'm all yours. If you'll have me, that is what

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Speaker 2: are we waiting for? Then I'm ready. Whenever you are,

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Speaker 2: say let's let's go.

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Speaker 6: I lead the way.

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Speaker 1: Its main drag is where we all used to hang

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Speaker 1: out at the school.

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Speaker 2: You were so lucky to grow up here. I would

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Speaker 2: have loved to see this place when I was younger.

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Speaker 3: No, sure, didn't feel lucky at the time.

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Speaker 1: Hard to appreciate the beauty of something when you're just

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Speaker 1: trying to survive.

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Speaker 2: Oh, I didn't need to make light.

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Speaker 3: No, it's good.

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Speaker 1: Seeing this place through fresh eyes brings back some of

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Speaker 1: the better memories.

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Speaker 2: There are bad ones done. A few.

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Speaker 3: Parents died when I was a kid.

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Speaker 2: Oh my god, you girl, that's awful. I'm so sorry.

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Speaker 2: Is this why you left the island?

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Speaker 1: You ask a lot of questions for somebody who never

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Speaker 1: answers them.

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Speaker 2: I'm sorry, I can't help myself. You're an interesting guy.

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Speaker 1: Interesting well, I prefer the word irresistible.

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Speaker 3: But you all right?

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Speaker 2: Yeah, just a little chili.

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Speaker 3: Yeah, the ocean breeze will do that. Yeah, take my jacket?

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Speaker 2: Ooh is this one of your moves?

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Speaker 3: Depends? Is it working?

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Speaker 2: Can I tell you something anything?

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Speaker 3: I'm starve? Well, that won't do. I'll be right back.

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Speaker 2: Wait where are you going?

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Speaker 3: Just hang tight?

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Speaker 2: Okay, okay, I'll be here. Come on, come on, God,

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Speaker 2: I have something I can bring him.

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Speaker 3: You all right over there?

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Speaker 2: Excuse me, you just looked a little frantic.

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Speaker 3: I want to make sure you were okay.

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Speaker 1: You know, tourists get mugged all the time.

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Speaker 2: I'm fine, just looking for my cigarettes.

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Speaker 3: And I will kill you. You know.

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Speaker 2: Hey, you need to back up my apologies.

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Speaker 3: I didn't mean to make you uncomfortable.

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Speaker 2: Wait do what do I know you from somewhere? I

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Speaker 2: wouldn't say that, then, what would you?

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Speaker 4: Hey?

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Speaker 3: You take care? What was that?

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Speaker 2: I don't know?

190
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Speaker 3: Was he messing with you?

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00:10:26,520 --> 00:10:31,040
Speaker 2: No? Just a concerned citizen. Wait? What do you got there?

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Speaker 3: Grabbed us a little snack?

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Speaker 2: Hand buys?

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Speaker 3: Why you act like you had these before?

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Speaker 2: Yeah? Once or twice?

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Speaker 1: My friend alives and I we used to have these

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Speaker 1: bad boys every single day.

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Speaker 3: Survive on these names. M even better than I remember.

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Speaker 2: Finally, somebody who enjoys island cooking as much as I do.

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Speaker 2: Oh Mmmm, I can't get enough on it. So you're

201
00:11:02,559 --> 00:11:03,680
Speaker 2: a lionstone in touch.

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00:11:04,240 --> 00:11:06,880
Speaker 1: Not for a long time now, Oh how come if

203
00:11:06,920 --> 00:11:09,439
Speaker 1: you're gonna keep interrogating me, at least buy me and

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Speaker 1: drink first.

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Speaker 2: Sure you know a spot of course.

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Speaker 3: Thanks, I'll be back in five. Hope this ain't too

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Speaker 3: divy for you.

208
00:11:37,160 --> 00:11:40,400
Speaker 2: No, it's perfect. Got it to ourselves like a VIP

209
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Speaker 2: section of a club.

210
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Speaker 1: Even better in my opinion most clubs I love boogie

211
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Speaker 1: For me, this is much.

212
00:11:46,880 --> 00:11:48,240
Speaker 3: More my vibe.

213
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Speaker 1: The menu at this place because use an overhaul, though

214
00:11:51,280 --> 00:11:54,520
Speaker 1: I'd go with small plate route, add some local wine

215
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Speaker 1: and beer parings, the works.

216
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Speaker 2: Maybe you should have opened your own place you got the.

217
00:12:01,200 --> 00:12:02,160
Speaker 3: It's funny you say that.

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Speaker 1: My friend Alives used to say the same damn thing

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Speaker 1: when it was kids.

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Speaker 3: But I don't think it's for me.

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Speaker 2: Why not?

222
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Speaker 1: My parents owned the restaurant here in town. We lived

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Speaker 1: in an apartment above it. It was literally my home.

224
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Speaker 1: I worked there with them from the time I could

225
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Speaker 1: carry a tray and make change. I loved that place.

226
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Speaker 1: I was supposed to run it one day, but one

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Speaker 1: night I was closing up on my own. I was

228
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Speaker 1: rushing so I could go hang out with this girl

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Speaker 1: I was dating, you know, going through the motions. I

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Speaker 1: was on my way home when I heard the sirens.

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Speaker 1: A fire started somewhere in the restaurant while I was

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Speaker 1: gone and my parents were asleep upstairs. And no one

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Speaker 1: knows exactly how the fire started, but I'm sure I

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Speaker 1: left something on, made some stupid fucking mistake that.

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Speaker 3: Everything.

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Speaker 1: By the time I made it home, the building was

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Speaker 1: in flames.

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Speaker 3: Where are you kick the door down to try to

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Speaker 3: save him? It was too late. They were gone. You

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Speaker 3: know it was my fault.

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Speaker 2: God, it was hard enough losing my mom a few

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Speaker 2: months ago when I was already grown. I can't imagine

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Speaker 2: going through that as a kid. And I'm sure it

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Speaker 2: feels impossible to set down the guilt you feel. But

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Speaker 2: sounds like what happened was just a terrible accident. Hey,

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Speaker 2: it wasn't your fault, nego.

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Speaker 3: What's kind of you to say. But I'm not so

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Speaker 3: sure I agree with that.

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Speaker 2: I hope you can forgive yourself one day, But even

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Speaker 2: if you can't, there are other ways to remember them.

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Speaker 1: I don't know.

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Speaker 2: Maybe you could open the spot in their honor. There's

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Speaker 2: a ton of restaurants popping up on the island. Some

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Speaker 2: folks who are actually from here should benefit instead of

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Speaker 2: just the foreign colonize and ass developers. You know what

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Speaker 2: I'm saying. Come on, between all the recipes our parents

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Speaker 2: taught us, I bet we could put together quite the menu.

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Speaker 3: It's we now, I don't know.

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Speaker 2: Maybe, how do you feel about that?

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Speaker 4: Well?

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Speaker 3: I thought it was here on a date.

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Speaker 1: Hell do we end up somewhere between a group therapy

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Speaker 1: session and a business meeting?

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Speaker 2: I'm sorry. I guess there's just something about you that

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Speaker 2: makes me want to cut through the small talk. Here

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Speaker 2: are those drinks for you?

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Speaker 3: Everything? All right?

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Speaker 7: Yeah?

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Speaker 2: You just look so familiar one of those faces. I guess. No,

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Speaker 2: it's more than that. You know what it is?

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Speaker 1: You are the.

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00:14:54,400 --> 00:14:59,040
Speaker 2: Spitting image of Jay Thompson. Yeah, yeah, I get that

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Speaker 2: a lot. She's she was my mom. Oh my god,

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Speaker 2: Jay Thompson's daughter. In my bar. The whole island was

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Speaker 2: crushed to hear that she passed away.

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Speaker 3: We never stopped loving her.

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Speaker 2: Ear, thank you. Yeah, that means a lot.

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Speaker 1: And you know, Anna definitely inherited her mom's voice.

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Speaker 2: You're a singer too, No, no, I'm not a singer.

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Speaker 1: She's being modest. Ana's actually in town. Are perform at

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Speaker 1: her mom's memorial concert tomorrow. Oh that is so beautiful.

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Speaker 3: Can I hear a bit?

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Speaker 2: I don't know.

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Speaker 3: Oh, come on, come on, I know.

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Speaker 2: It's just everyone's gonna expect me to be as good

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Speaker 2: as my mom, and that's a pretty high bar, you know.

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Speaker 2: I don't want to let them down. I don't want

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Speaker 2: to let her down.

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Speaker 1: I've heard you sing O way you can let anybody down.

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Speaker 1: Not about to make me bag? Are you gone? Ass

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Speaker 1: man on his knees.

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Speaker 2: We love to see it, all right, all right, I

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Speaker 2: guess a few lines couldn't hurt. The stage is yours. Ana.

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00:16:13,840 --> 00:16:16,720
Speaker 2: Look what you got me into looking I'm cute?

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Speaker 3: Come on, little.

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Speaker 9: Okay, you take my breath away.

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00:16:35,960 --> 00:16:39,680
Speaker 2: Some things just never change.

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Speaker 10: But I felt deep sink faster, w harder and oven honey.

299
00:16:48,280 --> 00:17:00,000
Speaker 9: Way, we're caught in the deep bed, never.

300
00:17:00,120 --> 00:17:05,360
Speaker 2: Letting go host. We could breathe underwater.

301
00:17:07,680 --> 00:17:09,960
Speaker 3: That way we won't lose on.

302
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Speaker 10: Another because I'm drowning you.

303
00:17:15,160 --> 00:17:24,080
Speaker 2: And you're drowning me too, and there's not enough hours.

304
00:17:24,280 --> 00:17:27,080
Speaker 2: We could breathe under water.

305
00:17:28,640 --> 00:17:34,280
Speaker 10: Because right now we're so close to the bottom. I'm

306
00:17:34,440 --> 00:17:39,800
Speaker 10: drowning you and you're drowning me too, and there's not

307
00:17:40,200 --> 00:17:46,520
Speaker 10: enough underwater.

308
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Speaker 3: I told you, I told you.

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Speaker 2: That is so sweet. Thank you?

310
00:18:00,119 --> 00:18:01,919
Speaker 3: My job off the bar. If I were you, I

311
00:18:02,080 --> 00:18:04,280
Speaker 3: keep it clean in here, but not that clean. I mean,

312
00:18:04,359 --> 00:18:05,639
Speaker 3: come on, can you blame me?

313
00:18:05,800 --> 00:18:06,440
Speaker 7: Not at all?

314
00:18:06,920 --> 00:18:09,679
Speaker 3: It looks like we've got another Thompson legend in the Macon.

315
00:18:10,760 --> 00:18:11,520
Speaker 3: He may be right.

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Speaker 1: Guess we know who's going to take care of the

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00:18:13,760 --> 00:18:18,640
Speaker 1: entertainment at this restaurant a bar. So am I forgiving

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Speaker 1: for making you sing?

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00:18:20,240 --> 00:18:24,040
Speaker 2: And then so you have no idea how amazing it

320
00:18:24,080 --> 00:18:27,320
Speaker 2: feels to sing in front of someone anyone.

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Speaker 3: Again, you were amazing on her.

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Speaker 2: You can we go somewhere a little quieter, Yeah, I.

323
00:18:37,920 --> 00:19:02,159
Speaker 3: Know, just a spot. If that was the warm up,

324
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Speaker 3: You're about to kill this tomorrow.

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Speaker 2: I mean, there's gonna be a slightly bigger crowd at

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Speaker 2: the concert, but I hope it includes you.

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00:19:12,200 --> 00:19:17,960
Speaker 1: Yeah, you think I'm about to miss this? I gotta ask.

328
00:19:18,840 --> 00:19:22,560
Speaker 1: But the voice like that in your mother's name, why

329
00:19:22,600 --> 00:19:23,879
Speaker 1: didn't you go out their music career?

330
00:19:24,280 --> 00:19:25,600
Speaker 2: And what makes you think I didn't?

331
00:19:25,840 --> 00:19:30,040
Speaker 3: Okay, I feel like there's a story here, Yeah.

332
00:19:29,960 --> 00:19:33,960
Speaker 2: But not a very original one. My mom didn't want

333
00:19:34,000 --> 00:19:37,119
Speaker 2: me going anywhere near the music industry. Is that of me?

334
00:19:37,160 --> 00:19:38,080
Speaker 2: The wrong kind of people?

335
00:19:38,320 --> 00:19:40,240
Speaker 3: Okay? And then what happened?

336
00:19:40,520 --> 00:19:43,840
Speaker 2: She was right.

337
00:19:46,400 --> 00:19:49,439
Speaker 3: Here? It is this code right.

338
00:19:49,320 --> 00:19:53,040
Speaker 1: Here was the most popular makeout spot back in the day.

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00:19:53,160 --> 00:19:54,600
Speaker 2: Uh uh, you mean to tell me I'm not the

340
00:19:54,600 --> 00:19:55,840
Speaker 2: first girl you brought down here?

341
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Speaker 3: Oh?

342
00:19:56,920 --> 00:20:01,920
Speaker 1: Not the first rude, but definitely the most beautiful?

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00:20:02,800 --> 00:20:06,000
Speaker 2: Okay? Oh sure, Nah?

344
00:20:06,240 --> 00:20:08,760
Speaker 1: I really do mean it though, Anna, I don't know

345
00:20:08,760 --> 00:20:11,399
Speaker 1: how to explain it, but there's something about you that

346
00:20:11,440 --> 00:20:12,880
Speaker 1: I haven't been able to look away.

347
00:20:12,680 --> 00:20:16,919
Speaker 3: From ever since we met. Thank you for today.

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00:20:17,200 --> 00:20:20,760
Speaker 2: I should be the one thanking you. Gidding to see

349
00:20:20,760 --> 00:20:24,399
Speaker 2: the island like this? It was everything I wanted?

350
00:20:26,520 --> 00:20:29,520
Speaker 3: What about this? Is this something you want?

351
00:20:30,040 --> 00:20:30,399
Speaker 2: THINKO?

352
00:20:31,240 --> 00:20:33,359
Speaker 3: Hey man, what are you doing here?

353
00:20:33,960 --> 00:20:35,840
Speaker 11: I just happened to be passing by when I saw

354
00:20:35,880 --> 00:20:36,760
Speaker 11: you too head down here.

355
00:20:37,440 --> 00:20:38,480
Speaker 3: I thought we could talk.

356
00:20:38,920 --> 00:20:42,000
Speaker 2: You were at the festival, right? Is this the old

357
00:20:42,040 --> 00:20:43,680
Speaker 2: friend you were telling me about? Elias?

358
00:20:44,080 --> 00:20:44,680
Speaker 3: Not quite?

359
00:20:45,080 --> 00:20:48,240
Speaker 11: My name's mitel Elias was my brother.

360
00:20:49,880 --> 00:20:51,320
Speaker 3: I'm sorry I didn't catch your name.

361
00:20:51,680 --> 00:20:52,160
Speaker 2: It's Anna.

362
00:20:52,520 --> 00:20:55,560
Speaker 11: It's a pleasure meeting you, Honna. We got a lot

363
00:20:55,600 --> 00:20:58,640
Speaker 11: to catch up about. Not from you think I'm gonna

364
00:20:58,640 --> 00:21:01,320
Speaker 11: give away your secrets. That should be the least of

365
00:21:01,359 --> 00:21:01,879
Speaker 11: your worries.

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00:21:02,000 --> 00:21:03,200
Speaker 3: What the fuck does that mean?

367
00:21:05,680 --> 00:21:08,000
Speaker 11: Hey, keep a close eye on her. It seems like

368
00:21:08,040 --> 00:21:10,040
Speaker 11: she's already got quite the following around here.

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00:21:10,119 --> 00:21:12,639
Speaker 1: Honor knows how to look out for herself. But if

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00:21:12,680 --> 00:21:15,480
Speaker 1: anybody is stupid enough to try to hurt her, she's

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00:21:15,520 --> 00:21:15,840
Speaker 1: got me.

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00:21:16,320 --> 00:21:19,840
Speaker 11: Oh yeah, yeah, so did I, Honor.

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Speaker 3: Let's go.

374
00:21:33,400 --> 00:21:34,879
Speaker 2: What was he talking about, Nico?

375
00:21:35,160 --> 00:21:37,560
Speaker 3: It doesn't matter. It all happened a long time ago.

376
00:21:37,840 --> 00:21:40,560
Speaker 2: Don't lie to me. Whatever's going on clearly isn't just

377
00:21:40,600 --> 00:21:41,200
Speaker 2: in the past.

378
00:21:43,600 --> 00:21:45,399
Speaker 1: I'll tell you an Elias, with the closest thing in

379
00:21:45,400 --> 00:21:48,399
Speaker 1: the family that I had after my parents died. I

380
00:21:48,480 --> 00:21:52,680
Speaker 1: left when they needed me the most. Elias was killed

381
00:21:52,720 --> 00:21:55,679
Speaker 1: when we were kids, and it happened on my watch.

382
00:21:57,040 --> 00:21:59,480
Speaker 1: Bad things happen to the people that I love most,

383
00:22:00,080 --> 00:22:03,359
Speaker 1: and I'm afraid that it always will. Everybody on this

384
00:22:03,440 --> 00:22:05,600
Speaker 1: either knows exactly what happened, and it's only a matter

385
00:22:05,600 --> 00:22:09,400
Speaker 1: of time before somebody shows me exactly how unwelcome I

386
00:22:09,440 --> 00:22:11,800
Speaker 1: am here. So I gotta get the fuck out of

387
00:22:11,840 --> 00:22:15,359
Speaker 1: here before they do. And you should leave too. What

388
00:22:15,760 --> 00:22:18,200
Speaker 1: it's not safe for you here alone? And I think

389
00:22:18,240 --> 00:22:18,680
Speaker 1: you know that.

390
00:22:19,200 --> 00:22:19,840
Speaker 2: I don't.

391
00:22:19,960 --> 00:22:21,840
Speaker 1: I saw how scared you were when a guy stopped

392
00:22:21,880 --> 00:22:25,520
Speaker 1: you in town. What are you worried about? Or should

393
00:22:25,520 --> 00:22:25,840
Speaker 1: I say?

394
00:22:26,119 --> 00:22:26,359
Speaker 3: Who?

395
00:22:27,720 --> 00:22:27,919
Speaker 6: You know?

396
00:22:28,000 --> 00:22:29,800
Speaker 2: How I said I fell in with the wrong people

397
00:22:29,800 --> 00:22:34,119
Speaker 2: in the industry, Well, my ex.

398
00:22:34,000 --> 00:22:35,640
Speaker 7: Was one of them.

399
00:22:35,720 --> 00:22:37,760
Speaker 2: I was telling you the truth about coming here from

400
00:22:37,800 --> 00:22:40,840
Speaker 2: my mom's concert. But that wasn't the only reason I

401
00:22:40,880 --> 00:22:44,240
Speaker 2: had to get away my ex. He he was into

402
00:22:44,240 --> 00:22:48,760
Speaker 2: some bad shit. I think some of that might have

403
00:22:48,840 --> 00:22:49,560
Speaker 2: followed me here.

404
00:22:50,760 --> 00:22:54,720
Speaker 3: Home, sweet Home, appreciate you Diego.

405
00:23:03,800 --> 00:23:07,200
Speaker 1: I for one think that we both deserve a nightcap

406
00:23:07,240 --> 00:23:08,200
Speaker 1: after all that bullshit.

407
00:23:08,640 --> 00:23:09,680
Speaker 2: I couldn't agree more.

408
00:23:22,520 --> 00:23:24,760
Speaker 3: I'm not set up to make you specialty cocktail, But.

409
00:23:26,640 --> 00:23:27,879
Speaker 2: Fuck, what's wrong?

410
00:23:28,840 --> 00:23:30,240
Speaker 3: The closet's open, okay?

411
00:23:30,840 --> 00:23:30,879
Speaker 1: VI?

412
00:23:31,119 --> 00:23:37,760
Speaker 3: I closed it on my way out, Nico.

413
00:23:37,880 --> 00:23:38,360
Speaker 2: Is that a gun?

414
00:23:38,400 --> 00:23:39,480
Speaker 3: I think somebody's been here?

415
00:23:39,800 --> 00:23:40,920
Speaker 2: What are you talking about?

416
00:23:40,960 --> 00:23:41,160
Speaker 4: Who?

417
00:23:41,920 --> 00:23:44,000
Speaker 1: I don't know one of my tails guys. If I

418
00:23:44,040 --> 00:23:46,560
Speaker 1: had to guess, I don't know how they could.

419
00:23:46,359 --> 00:23:46,720
Speaker 3: Have got in.

420
00:23:46,920 --> 00:23:47,880
Speaker 2: How do you know what was them?

421
00:23:48,240 --> 00:23:50,680
Speaker 1: I don't could have been anybody on the island who

422
00:23:50,680 --> 00:23:51,280
Speaker 1: wants me gone.

423
00:23:52,400 --> 00:23:52,679
Speaker 2: Or me.

424
00:23:53,160 --> 00:23:54,200
Speaker 3: You gotta go back to your room.

425
00:23:54,320 --> 00:23:56,040
Speaker 2: No, I don't want to leave you.

426
00:23:56,040 --> 00:23:58,920
Speaker 1: You said it yourself that whatever happened with your ex

427
00:23:59,000 --> 00:24:01,040
Speaker 1: might have followed you here. The best thing you can

428
00:24:01,080 --> 00:24:03,240
Speaker 1: do right now is lay low.

429
00:24:03,480 --> 00:24:04,919
Speaker 2: What happened to keeping me safe.

430
00:24:04,960 --> 00:24:06,360
Speaker 3: That's what I'm trying to do.

431
00:24:06,600 --> 00:24:08,679
Speaker 2: I'm not leaving, Nko Honor.

432
00:24:09,560 --> 00:24:09,960
Speaker 3: Please.

433
00:24:10,040 --> 00:24:12,080
Speaker 2: If something bad is going on here, then we'll be

434
00:24:12,119 --> 00:24:12,800
Speaker 2: safer together.

435
00:24:12,920 --> 00:24:15,439
Speaker 1: How can you still think that with everything that you

436
00:24:15,480 --> 00:24:16,240
Speaker 1: know about me now.

437
00:24:16,240 --> 00:24:18,960
Speaker 2: Nico, bad things happen to good people. I don't think

438
00:24:19,000 --> 00:24:21,880
Speaker 2: that makes you any more curse than I am, though

439
00:24:21,880 --> 00:24:26,160
Speaker 2: maybe that's not saying too much. And besides, I don't

440
00:24:26,200 --> 00:24:27,520
Speaker 2: really think you want me to leave?

441
00:24:27,600 --> 00:24:29,960
Speaker 3: Do you what I want? Doesn't matter.

442
00:24:30,000 --> 00:24:34,439
Speaker 2: It's not an answer you asked me on the beach

443
00:24:34,600 --> 00:24:37,320
Speaker 2: if this is what I wanted, So the least you

444
00:24:37,359 --> 00:24:40,880
Speaker 2: can do is be honest with me. Do you want

445
00:24:40,920 --> 00:24:44,159
Speaker 2: me to go or do you want me?

446
00:24:45,800 --> 00:24:46,680
Speaker 3: Of course I want you to.

447
00:24:46,920 --> 00:24:47,679
Speaker 2: What's stopping you?

448
00:24:48,280 --> 00:24:50,399
Speaker 3: I'm trying to do what's best for you. I know

449
00:24:50,440 --> 00:24:51,720
Speaker 3: that I'm the furthest thing from that.

450
00:24:52,240 --> 00:24:53,359
Speaker 2: I get to be the judge of that.

451
00:24:54,440 --> 00:24:55,680
Speaker 3: There's no turning back if you do.

452
00:24:55,680 --> 00:24:58,920
Speaker 2: This you sure I have already made my decision.

453
00:25:17,720 --> 00:25:25,280
Speaker 3: You take my breath away. SAT Days just never change.

454
00:25:28,400 --> 00:25:32,440
Speaker 11: But I found deep the safe past, and wind harder

455
00:25:33,840 --> 00:25:40,800
Speaker 11: and dove in anyway.

456
00:25:39,119 --> 00:25:41,040
Speaker 3: We love in our control.

457
00:25:42,680 --> 00:25:45,840
Speaker 5: Underwater is an Interval Presents original production with Temple Hill

458
00:25:45,960 --> 00:25:50,879
Speaker 5: Entertainment and Clamor, starring Jason Derulo and Alexandra Shipp. Written

459
00:25:50,880 --> 00:25:54,040
Speaker 5: by Katrina Day, directed by Pat Kelly and Chris Kelly.

460
00:25:54,720 --> 00:25:59,480
Speaker 5: Executive producer Jason Derulo, executive producers from Interval Presents, Alan

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00:25:59,560 --> 00:26:03,280
Speaker 5: Coy and a Kleinberg executive producers from Temple Hill Entertainment,

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Speaker 5: Marty Bowen, Wick Godfrey and Alex Addison executive producers from Clamor,

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Speaker 5: Rich Stadter, Aaron Hilliard, Adam Reynolds and Alison Chaneau. Executive

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Speaker 5: produced by Katerina Day, Executive producer from Future History Frank Harrison.

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Speaker 5: Special thanks to Henry de Sources, Marketing Lead Samaras Still,

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Speaker 5: Business Development Lead Cheffy Ellen, Sweg Meggie and Operations Lead

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Speaker 5: Sarah Yu. Post production audio services by Kelly and Kelly,

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Speaker 5: Sound design and mixed by Paul Teteskin.

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Speaker 3: Dialogue edited by Max Collins.

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Speaker 5: Original music by Genevieve Vincent songs arranged by Genevieve Vincent.

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Speaker 3: The cast includes Jason.

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Speaker 5: Derulo as Nico, Alexander Ship as Honor Kerry Alexander is

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Speaker 5: bank teller and additional voices. Beau Bridgeland is Jordan, Michael

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Speaker 5: Darry as credit reader and additional voices, Anisia du Boise

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Speaker 5: Dahlia and Young Dahlia, Andrew Frankel as stranger in additional voices,

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Speaker 5: Walter Gray the Fourth as male tourist and a edition voices,

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Speaker 5: Melissa Greenspan as female tourist and additional voices, Alice Hunter

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Speaker 5: as Elena, Jeremy Jordan as Gabriel, Josh Keaton as Matteo,

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Speaker 5: Tara Langella as female guest and additional voices, Jonathan Leon

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Speaker 5: as Young Mateo, Donnis Leonard Junior as Elias Parker, James

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Speaker 5: Logi as young Boy, Emily Martinez as Carman, Michael McLoone

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00:27:23,480 --> 00:27:28,479
Speaker 5: as Marcus, Carlo Renata as bartender, John Carlos Sabagaal as Diego,

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00:27:28,720 --> 00:27:32,760
Speaker 5: David Shatraw as male guest and additional voices, Andre Sagluzzo

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00:27:33,080 --> 00:27:36,720
Speaker 5: as Sebastian, Cameron Jay Wright as Young Nico, and Hannah

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Speaker 5: Zamora as Mia produced by Lillian Holman, post produced by

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Speaker 5: Justin Schoe and Lauren Berkovich. Associate producer Erica Lowe. Music

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Speaker 5: supervision by Melanie Mitchell. Music clearances by Deborah mannis Gardner

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Speaker 5: DMG Clearances Incorporated.

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Speaker 3: Audio engineered by.

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Speaker 5: Ian Folgerty and Ed mcinte at Gold Diggers, Brett Tuban

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Speaker 5: at the Relic Room and Jordan Sweet at Chalice Recording Studio.

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Speaker 5: Assistant engineered by Derek mcgrone and Emperorserti. Vocal coaching by

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Speaker 5: Bianca blush At for Casting by Marlice Gussenhauer, Sleepy Kersch

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00:28:09,440 --> 00:28:13,719
Speaker 5: and Brentegata. Additional casting by Melissa Berger, Brennan Salem Everick

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Speaker 5: and Scott Forbes at CESDS. Script supervisor Tamara Black, Production

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Speaker 5: supervisor Lizzie Sam Production coordinators Ethan Aronson and Sean Green.

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Speaker 5: Production assistants Chelsea Perry and samar Mouth. Additional special thanks

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Speaker 5: to Riley Fulsom and Maxim Carlock. Underwater was recorded at

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Speaker 5: Gold Diggers in Los Angeles, California, Cellie Recording Studio in

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Speaker 5: Los Angeles, California, and the Relic Room in New York,

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00:28:40,840 --> 00:28:44,520
Speaker 5: New York. Make sure to follow Underwater and listen on

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00:28:44,560 --> 00:28:49,640
Speaker 5: Apple Podcasts, Spotify, Amazon Music, Sirius XM, or wherever you

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Speaker 5: get your podcasts.