WEBVTT - Caitlin Lost the Voice in Her Head

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<v Speaker 1>Pushkin.

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<v Speaker 2>Hey everyone, it's me Maya. Today we're bringing you an

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<v Speaker 2>episode from Proxy, hosted by Joe Shah, who you might

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<v Speaker 2>already know from NPRS in Visibilia. Proxy is built around

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<v Speaker 2>a simple idea. Whatever you might be going through, no

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<v Speaker 2>matter how specific or hard to explain, you're not alone.

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<v Speaker 2>There is someone else out there somewhere who truly gets it.

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<v Speaker 2>In each episode, Yoe connects her guests with someone they

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<v Speaker 2>may have never met otherwise, but who understands something essential

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<v Speaker 2>about their experience. The intimate, searching conversations that follow feel

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<v Speaker 2>right at home here. On a slight change of plans,

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<v Speaker 2>the episode you're about to hear Katelyn Lost the Voice

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<v Speaker 2>in her Head is about something I know all too well,

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<v Speaker 2>what happens when you can't do the thing you love

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<v Speaker 2>the most anymore, the thing you've built your whole life

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<v Speaker 2>and identity around. I hope you enjoy it.

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<v Speaker 3>If you had to vocalize the sound of this conundrum,

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<v Speaker 3>woa would it sound like?

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<v Speaker 4>It's that wind?

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<v Speaker 3>Hmmm? The wind outside your window?

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<v Speaker 4>Yeah?

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<v Speaker 3>Why wind?

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<v Speaker 4>It's not silence, but it's it's not saying anything.

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<v Speaker 3>Hello, prexy listeners, we are back. I'm the aishaw on proxy.

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<v Speaker 3>We believe no one is ever alone with their problem,

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<v Speaker 3>no matter how niche, no matter how weird, because statistically,

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<v Speaker 3>somewhere out there is someone who gets it, and through

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<v Speaker 3>the powers of reporting, we find them. In case you

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<v Speaker 3>haven't heard the show, what we do is put these

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<v Speaker 3>two people in conversation to see what they can learn

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<v Speaker 3>from each other, and hopefully so we can have a

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<v Speaker 3>good but also awkward, but also beautiful time together. Today's

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<v Speaker 3>case the writer who woke up one day with no

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<v Speaker 3>words in our head. What do you do when the

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<v Speaker 3>thing that gives your life meaning this appears. That's after

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<v Speaker 3>the break. Last year, I got an email with a

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<v Speaker 3>subject line that got my attention. It was just three words,

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<v Speaker 3>inner Narrator died. The email was from a woman named

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<v Speaker 3>Kaitlyn Meyer, a poet, memorist, an essayist who had lived

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<v Speaker 3>with the company of her inner narrator all her life

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<v Speaker 3>until one day it disappeared, along with her ability to write.

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<v Speaker 3>I imagine for a long time, when people ask you

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<v Speaker 3>to introduce yourself in these kinds of interviews, would you say.

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<v Speaker 4>I'm a writer? But yeah, Over the last few years,

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<v Speaker 4>I do feel this drop into the pit of my

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<v Speaker 4>stomach when I say it, because it doesn't feel completely true.

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<v Speaker 3>Caitlyn is fifty seven with a septum piercing and boyish

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<v Speaker 3>white hair. She looks cool. If I saw her in

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<v Speaker 3>a line up, I'd be like, she's an artist. Caitlin

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<v Speaker 3>told me she spent decades teaching herself how to write,

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<v Speaker 3>learning to listen to the voice in her head, and

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<v Speaker 3>then in her forties, she reorganized her entire life around

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<v Speaker 3>that voice. She left her husband, she got rid of

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<v Speaker 3>her apartment, went part time at her translation job, just

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<v Speaker 3>enough for food, rent plane tickets, and she started wandering.

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<v Speaker 3>The intention was to go places she didn't know anyone,

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<v Speaker 3>where she didn't speak the language, so she'd be forced

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<v Speaker 3>to be alone and focus on her writing.

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<v Speaker 4>I'd stay for the length of a tourist visa wherever

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<v Speaker 4>I went, and that was about the right amount of time,

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<v Speaker 4>because I'd start to get sucked into a social scene

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<v Speaker 4>and then it was time to go. Wow.

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<v Speaker 3>That is committing to the bit, structurally forcing herself into loneliness.

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<v Speaker 4>And it was wonderful because when I was partnered. Every

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<v Speaker 4>time I was partnered with a man, they were jealous

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<v Speaker 4>of the time that I spent writing. I had to

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<v Speaker 4>steal time to write. I had to fit it in

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<v Speaker 4>the corners of the day. I had to fight for

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<v Speaker 4>the television to be off.

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<v Speaker 3>I started reading Caitlin's writing for the story, and it

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<v Speaker 3>is really fucking good. She writes about escaping traditional womanhood

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<v Speaker 3>in ways that don't feel preachy but make me feel

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<v Speaker 3>like another way is possible, and she has a real

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<v Speaker 3>gift with words that cut with such precision they hurt.

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<v Speaker 3>There were moments reading I'd inhale sharply like I was

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<v Speaker 3>eating something spicy. And there was this one nonfiction essay

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<v Speaker 3>she wrote about a former lover that felt like the

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<v Speaker 3>wildest foreshadowing of what would one day happen to Caitlin.

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<v Speaker 3>In the essay, her lover all so a writer and memorist,

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<v Speaker 3>he suddenly loses his memory and forgets their entire relationship,

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<v Speaker 3>and he asks Caitlin to write about what's happening to

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<v Speaker 3>him because, as he says, I don't know if I'll

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<v Speaker 3>get my brain back. And then just five years later,

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<v Speaker 3>Caitlin is settled in Portugal. She's coming out with her

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<v Speaker 3>first traditionally published book, with her first book launch, her

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<v Speaker 3>first big book review in the San Francisco Chronicle with

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<v Speaker 3>a big photo.

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<v Speaker 4>But of course I was already working on the next book.

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<v Speaker 4>It was already going to be better.

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<v Speaker 3>And one day Caitlin is walking up the hill to

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<v Speaker 3>the place she likes to write, and her footland's funny

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<v Speaker 3>on the path and she stumbles.

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<v Speaker 4>I wasn't even aware of having hit my head. What

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<v Speaker 4>I do know is that I was like, oh, I

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<v Speaker 4>just took a little tumble. I'm going to get up,

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<v Speaker 4>and I couldn't get up because I was so dizzy.

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<v Speaker 3>It didn't seem like a big hit, but ended up

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<v Speaker 3>with a concussion. Caitlin had had concussions before, so she

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<v Speaker 3>knew the drill. She took it easy, avoided screens. But

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<v Speaker 3>over the next few months the symptoms got worse. She

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<v Speaker 3>kept getting tired and seasick. She couldn't balance very well,

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<v Speaker 3>She had trouble finding words in conversation. She couldn't read,

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<v Speaker 3>she couldn't write. She felt like an old lady all

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<v Speaker 3>of a sudden.

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<v Speaker 4>But I didn't really realize that the inner narrator was

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<v Speaker 4>gone for a while. I think I recall walking in

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<v Speaker 4>the park and realizing that there were no words in

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<v Speaker 4>my head, like none and I saw a goat and

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<v Speaker 4>I had to like really crank to find the word

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<v Speaker 4>for goat. I thought in images and feelings, but I

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<v Speaker 4>didn't think in words anymore.

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<v Speaker 3>Caitlin eventually got a diagnosis for post concussion syndrome. She

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<v Speaker 3>couldn't work, so her friends took her in and for

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<v Speaker 3>the next three years, Caitlin went to doctor visit after

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<v Speaker 3>doctor visit. She took long walks and did lots of

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<v Speaker 3>rehab what her friends called visual torture, doing things like

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<v Speaker 3>bouncing and catching balls, all while the voice in her

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<v Speaker 3>head was silent.

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<v Speaker 4>In one sense, it was a real Buddhist being in

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<v Speaker 4>the moment kind of experience, which in some ways was nice.

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<v Speaker 3>Why was it nice because I.

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<v Speaker 4>Also didn't have the voice telling me what I had

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<v Speaker 4>to do. I didn't have the voice telling me that

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<v Speaker 4>I was an impostor. It was nice to have that

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<v Speaker 4>voice shut up.

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<v Speaker 3>Today, Caitlin's back to working part time at her translation job.

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<v Speaker 3>She can talk, walk, read, and she can technically write again.

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<v Speaker 3>She boasts short essays with lots of photos on Patreon,

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<v Speaker 3>and she did write a poem the other week, but

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<v Speaker 3>it didn't feel the same. After years of trying different techniques,

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<v Speaker 3>typing without looking at the screen, voice dictation, writing by hand.

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<v Speaker 3>She just misses her inner voice, her narrator.

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<v Speaker 4>My narrator before was they were non binary, by the way,

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<v Speaker 4>and they would It was almost like a song. It

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<v Speaker 4>was all about this sort of resonance inside my head.

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<v Speaker 4>I could tell myself stories to fall asleep. I would

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<v Speaker 4>just live in whatever I was writing at the time.

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<v Speaker 4>And now I do think in words. But that writing voice,

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<v Speaker 4>the storytelling voice, the poetic voice, the way that I

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<v Speaker 4>always heard what I wrote, is still gone, and I

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<v Speaker 4>don't really know how to write without it.

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<v Speaker 3>And this is why Caitlin came to us.

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<v Speaker 4>I would get up every morning and I would know

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<v Speaker 4>what I was doing that day, and it was the

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<v Speaker 4>thing I most wanted to do, and I was good

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<v Speaker 4>at it and people wanted it. Now I really have

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<v Speaker 4>to stretch to find a point. How do I move forward?

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<v Speaker 4>How do I find the plot?

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<v Speaker 3>After the break? I find Caitlin a proxy, someone who

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<v Speaker 3>also lost their voice. Kaitlyn, Hie, how are you doing?

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<v Speaker 4>I'm okay, I'm nervous, I'm excited.

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<v Speaker 3>Are there any updates that I should know about?

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<v Speaker 4>I mean, I'm just keeping on. I've painted a couple

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<v Speaker 4>of things that I like.

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<v Speaker 3>So yeah, after the concussion, Caitlyn started painting. It's not

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<v Speaker 3>our calling, per se, but she's really into it. Recently,

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<v Speaker 3>she painted a dead goal that washed up on the

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<v Speaker 3>beach near her house. I don't think I've ever seen

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<v Speaker 3>a painting of a dead goal.

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<v Speaker 4>Well, I can send it to you.

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<v Speaker 3>Uh, okay, so the proxy is here, Okay, all right?

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<v Speaker 3>Should I let them in? You ready?

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<v Speaker 4>Yes?

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<v Speaker 5>Yes?

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<v Speaker 4>So the proxy I knew.

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<v Speaker 3>I wanted to find an artist, someone who'd spent years

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<v Speaker 3>mastering their craft, devoted their life to it, and then

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<v Speaker 3>lost their ability to do the thing they loved, the

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<v Speaker 3>thing that.

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<v Speaker 4>Gave them purpose.

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<v Speaker 3>And surprisingly I found options. There are unfortunately, way too

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<v Speaker 3>many artists who've lost their ability to make their art.

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<v Speaker 3>I found a painter, a few musicians, some dancers. I

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<v Speaker 3>even found a writer who'd lost her ability to write

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<v Speaker 3>in a freak health incident, but through years of hard work,

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<v Speaker 3>got it back. But I thought, would it be painful

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<v Speaker 3>for Caitlin to talk to our writer who could write again,

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<v Speaker 3>because she doesn't know if she ever will. And then

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<v Speaker 3>I found someone who felt closer to the place Caitlin occupies,

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<v Speaker 3>someone who also lost the thing that defined them, who

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<v Speaker 3>built their her entire life around a voice and then

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<v Speaker 3>lost it. Meet Greta Morgan. Hi, so nice to meet you, Caitlin.

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<v Speaker 3>It's really good to meet you. Greta Greta Morgan is

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<v Speaker 3>a songwriter, musician, and singer who wrote a memoir called

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<v Speaker 3>The Lost Voice. She says before losing it, she worked

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<v Speaker 3>her ass off to get her singing voice.

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<v Speaker 1>I was not a natural singer, so I didn't have

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<v Speaker 1>a good pitch and I didn't have a lot of range,

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<v Speaker 1>and I trained my voice really from nothing, because I

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<v Speaker 1>just wanted so badly to share my songs with the world.

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<v Speaker 3>She's had quite the career. She's thirty eight now, but

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<v Speaker 3>her first band got signed at seventeen. She skipped six

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<v Speaker 3>weeks of senior year to go on an arena tour

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<v Speaker 3>with Fallout Boy. Music was her livelihood, her social circle,

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<v Speaker 3>her expression, her entire life.

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<v Speaker 1>And then when I was thirty, I joined the band

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<v Speaker 1>Vam Pier Weekend, who was already hugely famous, and all

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<v Speaker 1>of a sudden, I was like at the peak of

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<v Speaker 1>my musical career, you know, headlining Madison Square Garden, playing

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<v Speaker 1>right before the Cure, playing before Bob Dylan, like having

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<v Speaker 1>all my musical bucket list dreams come true and working

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<v Speaker 1>on a solo record that I hoped would be like

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<v Speaker 1>the biggest swing I had ever taken creatively.

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<v Speaker 3>I listened to Greta's musical project Springtime Carnivore, and it

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<v Speaker 3>became the soundtrack to writing this story. It racks Here's

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<v Speaker 3>Face in the Moon from a record Midnight Room. And

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<v Speaker 3>then in March of twenty twenty, Greta got COVID playing

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<v Speaker 3>a festival in Florida at the covering from a terrible fever.

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<v Speaker 3>She was then a vocal lesson when she discovered she

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<v Speaker 3>couldn't access the top half of her singing voice. Here's

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<v Speaker 3>a clip of her trying to sing that same song

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<v Speaker 3>I just played you.

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<v Speaker 1>Co co to the dug Is anybody else? It just

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<v Speaker 1>does not work if I'm trying about.

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<v Speaker 3>It. Took months to figure out what was happening, but

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<v Speaker 3>eventually Greta got diagnosed with spasmodic dysphonia, a neurological disorder

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<v Speaker 3>that involves involuntary spasms of the vocal chords.

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<v Speaker 1>So my singing voices, I knew it just was completely decimated.

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<v Speaker 1>So not only could I not perform and have a livelihood.

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<v Speaker 1>But I also couldn't realize express myself the way I'd

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<v Speaker 1>always known for years, just my kind of emotional expression

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<v Speaker 1>and my love of writing and playing. And now I'm

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<v Speaker 1>six years into this journey, you know, hundreds of speech

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<v Speaker 1>therapy sessions, vocal injections, holistic therapies, and at this point,

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<v Speaker 1>I've recovered maybe about forty percent of my voice. So

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<v Speaker 1>when I heard your story, I was immediately like, I

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<v Speaker 1>need to talk to her.

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<v Speaker 4>I'm having all the feelings like this happened to you

0:17:44.556 --> 0:17:47.036
<v Speaker 4>in twenty twenty, this happened to me in twenty twenty.

0:17:47.436 --> 0:17:54.156
<v Speaker 4>I'm like very emotional at this moment looking at your

0:17:54.236 --> 0:17:59.196
<v Speaker 4>story from outside. It's like I can feel grief for

0:17:59.276 --> 0:18:00.916
<v Speaker 4>what you went through in a way that I can't

0:18:00.956 --> 0:18:02.316
<v Speaker 4>feel it for what I went through.

0:18:02.956 --> 0:18:04.116
<v Speaker 1>That's so interesting.

0:18:05.116 --> 0:18:08.196
<v Speaker 3>Greta tells Caitlin that this is also her first time

0:18:08.476 --> 0:18:11.596
<v Speaker 3>talking to someone who's been through the same thing, and

0:18:11.956 --> 0:18:13.276
<v Speaker 3>Caylen tells Greta.

0:18:13.076 --> 0:18:15.996
<v Speaker 4>Her situation getting to the point where I could call

0:18:16.076 --> 0:18:20.116
<v Speaker 4>myself a writer was a big deal. How she also

0:18:20.316 --> 0:18:22.716
<v Speaker 4>felt like she was summoning a peak with her writing,

0:18:23.116 --> 0:18:26.596
<v Speaker 4>so it was really feeling like I was arriving into

0:18:26.636 --> 0:18:28.636
<v Speaker 4>my authorial self.

0:18:29.156 --> 0:18:31.676
<v Speaker 3>How she also lost her ability to do the thing

0:18:31.796 --> 0:18:32.396
<v Speaker 3>she loved.

0:18:32.596 --> 0:18:35.276
<v Speaker 4>A friend of mine who's a brain scientist, said that

0:18:35.316 --> 0:18:36.676
<v Speaker 4>it was similar to a.

0:18:36.716 --> 0:18:41.116
<v Speaker 3>Stroke and how eventually, after years of rehab, she regained

0:18:41.156 --> 0:18:44.876
<v Speaker 3>all her abilities, except her internal narrator never came back.

0:18:45.316 --> 0:18:49.836
<v Speaker 4>It was almost like singing or almost like music, and

0:18:50.356 --> 0:18:51.956
<v Speaker 4>it was just gone.

0:18:52.156 --> 0:18:52.676
<v Speaker 1>Wow.

0:18:53.476 --> 0:18:57.996
<v Speaker 4>And writing really felt like that was my purpose in life.

0:18:58.556 --> 0:19:03.836
<v Speaker 4>And without the voice, I feel like I lost my purpose.

0:19:06.916 --> 0:19:16.556
<v Speaker 4>I feel like I don't know why I'm I don't

0:19:16.556 --> 0:19:22.316
<v Speaker 4>know why I'm alive sometimes, or that's at its worst.

0:19:23.676 --> 0:19:27.956
<v Speaker 1>Yeah, I mean, I just feel that heartbreaks so viscerally.

0:19:28.636 --> 0:19:30.996
<v Speaker 1>And the other thing that really caught me was when

0:19:30.996 --> 0:19:35.156
<v Speaker 1>you were saying, not only were you having difficulty reading

0:19:35.516 --> 0:19:38.796
<v Speaker 1>and writing, but you were having trouble walking. It feels

0:19:38.836 --> 0:19:44.236
<v Speaker 1>like a huge, massive challenge and setback that happened in

0:19:44.276 --> 0:19:47.996
<v Speaker 1>your life. I've had separate but alongside some of my

0:19:48.076 --> 0:19:50.516
<v Speaker 1>vocal issues. Also, I was disabled for two years by

0:19:50.596 --> 0:19:52.396
<v Speaker 1>long COVID, to the point where I had to move

0:19:52.436 --> 0:19:55.396
<v Speaker 1>home with my parents. But I just so relate to

0:19:55.556 --> 0:20:00.676
<v Speaker 1>the immediate loss of ability and how shocking it is,

0:20:01.076 --> 0:20:03.676
<v Speaker 1>and just how kind of scary it is.

0:20:05.436 --> 0:20:09.516
<v Speaker 3>After Caitlin realized she couldn't write, she threw herself, finding

0:20:09.516 --> 0:20:13.556
<v Speaker 3>a new calling, a new artistic medium to be obsessed with,

0:20:14.036 --> 0:20:14.796
<v Speaker 3>to be her thing.

0:20:15.756 --> 0:20:20.676
<v Speaker 4>When I was first going through this, I got really

0:20:20.716 --> 0:20:29.796
<v Speaker 4>invested in the inspiration porn story. The Okay, I can't read,

0:20:30.316 --> 0:20:34.956
<v Speaker 4>I can't write, so I'm gonna make a podcast. I'm

0:20:34.956 --> 0:20:39.436
<v Speaker 4>going to teach myself how to make a podcast, and

0:20:39.476 --> 0:20:42.676
<v Speaker 4>I'm going to do that. I thought that I could

0:20:42.756 --> 0:20:48.036
<v Speaker 4>just quickly pivot and be amazing through just sheer force

0:20:48.076 --> 0:20:56.396
<v Speaker 4>of will, and that's not how it works. I did.

0:20:57.356 --> 0:21:02.836
<v Speaker 4>I did learn to paint. One weird benefit of whatever

0:21:02.876 --> 0:21:06.476
<v Speaker 4>brain shit was going on was my experience of color

0:21:06.556 --> 0:21:11.436
<v Speaker 4>got heightened. So I have been learning to paint. And

0:21:11.476 --> 0:21:15.116
<v Speaker 4>again with that idea that I was gonna pivot and

0:21:15.196 --> 0:21:18.556
<v Speaker 4>change my story and woohoo, look how amazing. I was

0:21:18.596 --> 0:21:20.876
<v Speaker 4>going to become a painter now and that was going

0:21:20.956 --> 0:21:24.676
<v Speaker 4>to be my thing. But I don't feel that sense

0:21:25.156 --> 0:21:29.876
<v Speaker 4>of calling that I had before.

0:21:33.956 --> 0:21:36.556
<v Speaker 3>Greta, did you encounter those kinds of stories?

0:21:37.516 --> 0:21:41.396
<v Speaker 1>I did, and all of those stories pissed me off. Yeah.

0:21:41.476 --> 0:21:45.796
<v Speaker 1>Right after my diagnosis, my closest friends and family sent

0:21:45.876 --> 0:21:49.716
<v Speaker 1>me all of these kind of loss and renewal inspiration stories.

0:21:50.356 --> 0:21:52.556
<v Speaker 1>I mean, and you know they are beautiful stories that

0:21:52.596 --> 0:21:56.316
<v Speaker 1>I can appreciate more now. At the time they all

0:21:56.436 --> 0:22:00.596
<v Speaker 1>pissed me off. A couple examples would be like, you know,

0:22:00.716 --> 0:22:04.076
<v Speaker 1>Julie Andrews lost her voice after a surgery, but she

0:22:04.156 --> 0:22:07.036
<v Speaker 1>started writing children's books with her daughter, and that's how

0:22:07.036 --> 0:22:10.196
<v Speaker 1>her voice will speak to a new generation. I was like, Okay, yeah,

0:22:10.236 --> 0:22:13.716
<v Speaker 1>that's beautiful, but like, what was Julie Andrews doing the

0:22:13.796 --> 0:22:16.516
<v Speaker 1>two weeks after she realized she couldn't sing? Like that

0:22:16.716 --> 0:22:20.556
<v Speaker 1>was what I wanted, not this kind of tidy, tied

0:22:20.636 --> 0:22:23.236
<v Speaker 1>up with a bow story because I was just I

0:22:23.276 --> 0:22:27.356
<v Speaker 1>felt so just kind of ravaged and torn open.

0:22:28.116 --> 0:22:30.036
<v Speaker 4>Yeah.

0:22:30.396 --> 0:22:34.036
<v Speaker 1>I think rushing too soon, you know, the inspiration porn element,

0:22:34.116 --> 0:22:38.236
<v Speaker 1>like the rushing too soon, it never works. A friend

0:22:38.236 --> 0:22:40.676
<v Speaker 1>of mine was saying, you can't write about the plane

0:22:40.676 --> 0:22:43.756
<v Speaker 1>crash while you're on the plane crash. There's an element

0:22:43.796 --> 0:22:46.436
<v Speaker 1>of when you're in a process that's really painful and

0:22:46.476 --> 0:22:50.676
<v Speaker 1>there's a dissolution that's happening, It's almost like the dissolution

0:22:50.876 --> 0:22:53.876
<v Speaker 1>has to finish the entire process before the new thing

0:22:53.996 --> 0:22:58.596
<v Speaker 1>can start to be born, and rushing it can kill

0:22:58.676 --> 0:23:00.596
<v Speaker 1>that experience.

0:23:02.036 --> 0:23:06.036
<v Speaker 3>Greta, what did that dissolution process look like for you?

0:23:06.956 --> 0:23:11.236
<v Speaker 1>For me, the dissolution process looked like spending months just

0:23:12.116 --> 0:23:17.076
<v Speaker 1>wandering around in the Southwest and unburdening myself of so

0:23:17.156 --> 0:23:19.956
<v Speaker 1>many the things that I had. I mean, my physical

0:23:20.476 --> 0:23:24.716
<v Speaker 1>possessions all had to be thrown out basically because the

0:23:24.756 --> 0:23:26.476
<v Speaker 1>house I was living in I found out I had

0:23:26.516 --> 0:23:29.836
<v Speaker 1>to move out suddenly it was full of mold. So

0:23:29.916 --> 0:23:32.196
<v Speaker 1>it was like I was immediately unburdened of my physical

0:23:32.236 --> 0:23:35.116
<v Speaker 1>possessions and my clothes, my books, my bed.

0:23:36.476 --> 0:23:36.716
<v Speaker 4>You know.

0:23:36.756 --> 0:23:38.276
<v Speaker 1>Then I kind of had to let go of my

0:23:38.876 --> 0:23:41.596
<v Speaker 1>career and my professional life and admit that I had

0:23:41.596 --> 0:23:44.476
<v Speaker 1>to focus on my body and focus on my health.

0:23:45.276 --> 0:23:49.316
<v Speaker 1>And by leaving Los Angeles, I let go of a

0:23:49.316 --> 0:23:52.756
<v Speaker 1>certain amount of my social experience. It really just felt

0:23:52.796 --> 0:23:55.996
<v Speaker 1>like these layers of what I had and what I

0:23:56.036 --> 0:23:58.356
<v Speaker 1>loved were just kind of being peeled away, one by

0:23:58.396 --> 0:24:01.916
<v Speaker 1>one by one. I had an experience here in the

0:24:01.916 --> 0:24:04.916
<v Speaker 1>Catskills a couple of years ago where I saw a

0:24:04.996 --> 0:24:07.676
<v Speaker 1>deer had been killed on the road and it had

0:24:07.716 --> 0:24:09.596
<v Speaker 1>been pushed to the side of the river, and it

0:24:09.676 --> 0:24:12.076
<v Speaker 1>was a place where I walked almost every day, and

0:24:12.276 --> 0:24:14.476
<v Speaker 1>over the course of four days, I saw this deer

0:24:14.836 --> 0:24:17.316
<v Speaker 1>go from a full animal to being just a piece

0:24:17.316 --> 0:24:20.476
<v Speaker 1>of a spine. And there was a way where it

0:24:20.516 --> 0:24:23.876
<v Speaker 1>felt like my life got peeled down to just the bones.

0:24:24.596 --> 0:24:28.076
<v Speaker 1>Just like here I am. I'm a body, and I'm consciousness.

0:24:28.116 --> 0:24:30.156
<v Speaker 1>And the way that I witness and engage with the

0:24:30.156 --> 0:24:33.876
<v Speaker 1>world around me, that's who I am now, Like it's

0:24:33.956 --> 0:24:36.676
<v Speaker 1>not what I got paid to do. It's not even

0:24:36.716 --> 0:24:39.476
<v Speaker 1>what I love doing. It's not who people think I am.

0:24:39.596 --> 0:24:42.876
<v Speaker 1>It is my experience right now of being a witness

0:24:42.916 --> 0:24:45.196
<v Speaker 1>to what is directly in front of me in this moment.

0:24:49.356 --> 0:24:54.356
<v Speaker 4>Was there a moment when you realized that you had

0:24:54.356 --> 0:24:56.836
<v Speaker 4>to kind of let go?

0:24:57.636 --> 0:25:02.516
<v Speaker 1>Oh yeah, yeah, yeah. My friend Christopher sent me this

0:25:02.636 --> 0:25:06.556
<v Speaker 1>series of talks by Francis Weller, who's a grief psychologist,

0:25:07.036 --> 0:25:08.876
<v Speaker 1>and when he first sent them to me again, I

0:25:08.916 --> 0:25:10.836
<v Speaker 1>was kind of pissed off, Like I was like, I

0:25:10.916 --> 0:25:13.356
<v Speaker 1>don't need these I don't need to grieve because my

0:25:13.436 --> 0:25:16.956
<v Speaker 1>voice is just going to come back. My voice will heal,

0:25:16.996 --> 0:25:19.676
<v Speaker 1>and why would I waste my time grieving if I'm

0:25:19.676 --> 0:25:23.076
<v Speaker 1>gonna like have a miraculous healing or whatever. But then

0:25:23.116 --> 0:25:25.916
<v Speaker 1>I had enough ups and downs and I was kind

0:25:25.916 --> 0:25:28.556
<v Speaker 1>of recognizing, I don't think it's coming back the way

0:25:28.596 --> 0:25:30.636
<v Speaker 1>that it was. No matter what I do, no matter

0:25:30.676 --> 0:25:34.196
<v Speaker 1>how much of this like mind over matter, miraculous healing

0:25:34.436 --> 0:25:37.076
<v Speaker 1>energy I'm trying to work with, my voice was just

0:25:37.156 --> 0:25:41.236
<v Speaker 1>not coming back. And I finally listened to these tapes

0:25:41.276 --> 0:25:45.996
<v Speaker 1>while I was walking in Escalante one day, and firstly,

0:25:46.156 --> 0:25:49.716
<v Speaker 1>when Francis Weller started talking, I could hear he had

0:25:49.756 --> 0:25:51.676
<v Speaker 1>an issue with his voice. He said, oh, he had

0:25:51.716 --> 0:25:54.116
<v Speaker 1>a poll up on his vocal cords, and I immediately

0:25:54.116 --> 0:25:57.236
<v Speaker 1>was like, okay, I like this person. And he was

0:25:57.316 --> 0:26:02.836
<v Speaker 1>talking about the kind of sacred connection between grief and aliveness,

0:26:03.036 --> 0:26:05.556
<v Speaker 1>and he says that grief and aliveness are like sisters.

0:26:06.676 --> 0:26:11.596
<v Speaker 1>And I had always been so scared of grief because

0:26:12.156 --> 0:26:14.916
<v Speaker 1>my best friend committed suicide when I was in high school.

0:26:15.516 --> 0:26:18.276
<v Speaker 1>My great grandmother had been, you know, put into an

0:26:18.356 --> 0:26:23.316
<v Speaker 1>insane asylum essentially for grief. My relationship with grief is

0:26:23.356 --> 0:26:26.276
<v Speaker 1>like if you touch it, it will pull you under

0:26:26.276 --> 0:26:29.716
<v Speaker 1>it and you will never come up. And so I was

0:26:29.756 --> 0:26:34.076
<v Speaker 1>always very resistant to actually grieving what I had lost,

0:26:35.636 --> 0:26:38.436
<v Speaker 1>But on the flip side of that, I kept diminishing

0:26:38.596 --> 0:26:41.716
<v Speaker 1>my own pain, which you can't process your own pain

0:26:41.756 --> 0:26:44.956
<v Speaker 1>if you're diminishing it. When I would say to myself, well,

0:26:45.036 --> 0:26:47.996
<v Speaker 1>I'm so lucky I got to be a musician. What

0:26:48.076 --> 0:26:52.476
<v Speaker 1>a gift that I got to do that? Yeah, or like, well,

0:26:52.516 --> 0:26:54.996
<v Speaker 1>I'm at least I'm not living in a war torn

0:26:55.116 --> 0:26:57.276
<v Speaker 1>place right now. You know, I have my safety and

0:26:57.316 --> 0:27:00.436
<v Speaker 1>that's all, you know. I would do these things, which, yeah,

0:27:00.556 --> 0:27:03.596
<v Speaker 1>sometimes it's good to see the silver lining, but at

0:27:03.636 --> 0:27:07.916
<v Speaker 1>the same time, I had this very real grief that

0:27:08.076 --> 0:27:10.116
<v Speaker 1>was like a stone in my throat and I was

0:27:10.156 --> 0:27:12.876
<v Speaker 1>not swallowing it and I was not addressing it, and like,

0:27:13.276 --> 0:27:18.876
<v Speaker 1>I couldn't process it. So once I started just consciously grieving,

0:27:19.516 --> 0:27:22.636
<v Speaker 1>I was thinking things in my head like I am

0:27:22.716 --> 0:27:25.276
<v Speaker 1>grieving the fact that I have not been able to

0:27:25.316 --> 0:27:28.356
<v Speaker 1>sing for nine months, or I am grieving the fact

0:27:28.436 --> 0:27:30.956
<v Speaker 1>that I may never play a show again, or I

0:27:30.996 --> 0:27:34.436
<v Speaker 1>am grieving the fact that I worked my whole life

0:27:34.756 --> 0:27:36.956
<v Speaker 1>to train and build my voice and it was gone

0:27:37.156 --> 0:27:38.196
<v Speaker 1>basically overnight.

0:27:39.476 --> 0:27:44.796
<v Speaker 4>What was that thing you said again that grief is, Oh,

0:27:44.836 --> 0:27:47.116
<v Speaker 4>it's like brings you into contact with being alive.

0:27:47.316 --> 0:27:51.156
<v Speaker 1>There's a sacred link between grief and aliveness.

0:27:51.516 --> 0:27:52.796
<v Speaker 4>Oh God, that's great.

0:27:53.236 --> 0:27:58.516
<v Speaker 1>Oh and I really when I started working with the

0:27:58.516 --> 0:28:02.196
<v Speaker 1>things that he was saying, they really changed me. One

0:28:02.196 --> 0:28:05.276
<v Speaker 1>thing he said, he quotes James Hillman, who's the father

0:28:05.316 --> 0:28:09.356
<v Speaker 1>of archetypal psychology, and the quote is something like, so

0:28:09.556 --> 0:28:13.356
<v Speaker 1>often we try to work on the wound, but really

0:28:13.876 --> 0:28:18.116
<v Speaker 1>the wound is trying to work on us. Like we

0:28:18.196 --> 0:28:20.036
<v Speaker 1>go to therapy to try to fix the wound, but

0:28:20.076 --> 0:28:23.316
<v Speaker 1>the wound is actually trying to fix us. And so

0:28:23.836 --> 0:28:26.516
<v Speaker 1>at that point I started asking myself like, Okay, what

0:28:26.596 --> 0:28:28.956
<v Speaker 1>could this vocal laws be trying to fix in me?

0:28:29.796 --> 0:28:33.556
<v Speaker 1>And once I started thinking about that, I realized like

0:28:33.796 --> 0:28:36.596
<v Speaker 1>even when I had had my perfect voice forever and ever,

0:28:36.756 --> 0:28:39.356
<v Speaker 1>you know, like I was so hard on myself, Like

0:28:39.396 --> 0:28:43.796
<v Speaker 1>I had this incredible self criticism, nothing was ever good

0:28:43.956 --> 0:28:51.756
<v Speaker 1>enough for me. And and also I was really in

0:28:51.796 --> 0:28:55.876
<v Speaker 1>this kind of keeping up with the Joneses artistic professional

0:28:56.476 --> 0:29:00.876
<v Speaker 1>status world. I really place so much of my self

0:29:00.916 --> 0:29:05.636
<v Speaker 1>worth on my professional accomplishments. So as I started looking at, well,

0:29:05.676 --> 0:29:08.276
<v Speaker 1>what's this trying to heal in me? I was like, Okay, well,

0:29:08.676 --> 0:29:11.276
<v Speaker 1>I think this is about self love, and I think

0:29:11.316 --> 0:29:15.076
<v Speaker 1>this is about appreciating what I have with my voice.

0:29:15.116 --> 0:29:17.956
<v Speaker 1>I think it's about stepping out of who people think

0:29:17.996 --> 0:29:20.356
<v Speaker 1>I should be and becoming more of who I actually

0:29:20.396 --> 0:29:21.556
<v Speaker 1>am or who I want to be.

0:29:24.676 --> 0:29:28.236
<v Speaker 4>I think those of us who were raised as girls

0:29:28.236 --> 0:29:34.116
<v Speaker 4>and women are trained to look happy and not dwell on.

0:29:35.796 --> 0:29:39.996
<v Speaker 4>We don't want to be a downer. Nobody wants to

0:29:40.036 --> 0:29:46.516
<v Speaker 4>be Debbie downer, but especially Utah. I grew up Mormon,

0:29:47.156 --> 0:29:53.836
<v Speaker 4>there's very much happy facade. And I had to really

0:29:53.876 --> 0:29:58.756
<v Speaker 4>crank down my Utah smile when I started traveling, because

0:29:59.156 --> 0:30:01.036
<v Speaker 4>in a lot of parts in the world, people just

0:30:01.036 --> 0:30:11.156
<v Speaker 4>think you're nuts but huge, huge smile. But I really did.

0:30:12.156 --> 0:30:15.876
<v Speaker 4>I still want to sort of protect other people from

0:30:15.916 --> 0:30:23.156
<v Speaker 4>knowing how deeply I'm feeling this. And I had friends

0:30:23.196 --> 0:30:26.676
<v Speaker 4>who took me in because I couldn't work anymore. They

0:30:26.716 --> 0:30:28.236
<v Speaker 4>were afraid that I was going to fall down my

0:30:28.276 --> 0:30:34.036
<v Speaker 4>stairs in my house, so I moved in to what

0:30:34.156 --> 0:30:38.916
<v Speaker 4>had been the maid's room off the kitchen with my

0:30:39.036 --> 0:30:46.076
<v Speaker 4>friends and their two kids, and I really did feel

0:30:46.756 --> 0:30:52.636
<v Speaker 4>like around them I had to present as Okay, I'm

0:30:52.716 --> 0:30:55.276
<v Speaker 4>doing the work, I'm going to get better, I'm going

0:30:55.316 --> 0:31:03.756
<v Speaker 4>to get out of your hair. So I guess I'm

0:31:03.796 --> 0:31:04.716
<v Speaker 4>saying I hear you.

0:31:05.716 --> 0:31:08.836
<v Speaker 1>Yeah, I really relate to that. Yeah, wanting to perform

0:31:08.956 --> 0:31:11.916
<v Speaker 1>like you're helping me, and I appreciate your help. So

0:31:12.516 --> 0:31:14.756
<v Speaker 1>I'm going to go ahead and heal myself real quick.

0:31:14.756 --> 0:31:15.836
<v Speaker 1>Don't worry about it.

0:31:24.356 --> 0:31:46.516
<v Speaker 3>When we return into the wilderness. Welcome back to the show.

0:31:47.676 --> 0:31:51.036
<v Speaker 3>So one of Caitlin's biggest questions has to do with purpose,

0:31:51.876 --> 0:31:54.436
<v Speaker 3>how to find a new calling when you can't do

0:31:54.516 --> 0:31:56.716
<v Speaker 3>the thing you feel like you are put on earth

0:31:56.796 --> 0:32:01.076
<v Speaker 3>to do. And Greta told Caitlin a story about a

0:32:01.076 --> 0:32:04.356
<v Speaker 3>realization she had after reading a book by this guy,

0:32:04.476 --> 0:32:08.876
<v Speaker 3>Bill Platkin called Soulcraft. The book is all about going

0:32:08.916 --> 0:32:13.196
<v Speaker 3>on wilderness fasts to find the deepest possible gift your

0:32:13.236 --> 0:32:16.276
<v Speaker 3>soul is meant to bring into this world, the thing

0:32:16.396 --> 0:32:20.916
<v Speaker 3>beneath being a writer, beneath being a singer. And so

0:32:20.996 --> 0:32:25.756
<v Speaker 3>that's what Greta did. She does not recommend anyone try

0:32:25.756 --> 0:32:30.356
<v Speaker 3>this without serious preparation and safety precautions, but she hiked

0:32:30.356 --> 0:32:33.116
<v Speaker 3>down a canyon in Bear's Ears National Park with a

0:32:33.156 --> 0:32:37.076
<v Speaker 3>friend and fasted for three days in the blazing sun

0:32:37.476 --> 0:32:42.036
<v Speaker 3>and managed to have a vision without psychedelics.

0:32:41.756 --> 0:32:43.876
<v Speaker 1>People can roll their eyes at me. That's totally fine.

0:32:44.036 --> 0:32:44.276
<v Speaker 4>Yeah.

0:32:44.796 --> 0:32:49.796
<v Speaker 1>But I had this experience on the trip where I

0:32:49.916 --> 0:32:53.116
<v Speaker 1>just got this sense I saw this image essentially of

0:32:53.196 --> 0:32:56.436
<v Speaker 1>like a mirror, like I realized it was my It

0:32:56.516 --> 0:32:59.436
<v Speaker 1>was just sort of my job to reflect, you know.

0:32:59.516 --> 0:33:02.356
<v Speaker 1>And I think a lot of my writing does that,

0:33:02.356 --> 0:33:04.436
<v Speaker 1>a lot of my teaching does that. It's just sort

0:33:04.476 --> 0:33:08.316
<v Speaker 1>of this my ability to see and reflect the potentials

0:33:08.396 --> 0:33:09.876
<v Speaker 1>in something else or someone else.

0:33:10.476 --> 0:33:15.156
<v Speaker 3>Greta says after this desert vision trip, she realized she

0:33:15.316 --> 0:33:18.996
<v Speaker 3>wanted to focus on helping other people find their unique voice,

0:33:19.476 --> 0:33:22.396
<v Speaker 3>and she now teaches songwriting on a regular basis.

0:33:23.156 --> 0:33:25.116
<v Speaker 1>I just kind of had this experience where it was like, oh,

0:33:25.196 --> 0:33:27.276
<v Speaker 1>that is that's one of the gifts I am meant

0:33:27.276 --> 0:33:29.996
<v Speaker 1>to cultivate. And I don't know what avenue it will take.

0:33:30.556 --> 0:33:33.596
<v Speaker 1>I don't know how that will take shape, but that

0:33:33.756 --> 0:33:36.716
<v Speaker 1>is a gift that is here underneath all of the

0:33:36.756 --> 0:33:40.436
<v Speaker 1>superficiality of who I am. And that's a gift that

0:33:40.476 --> 0:33:44.036
<v Speaker 1>I'm meant to cultivate. And he talks about like every

0:33:44.036 --> 0:33:46.836
<v Speaker 1>person having kind of a mythopoetic identity, So it's like

0:33:46.836 --> 0:33:49.156
<v Speaker 1>I could say, like yeah, I'm Greta the singer. But

0:33:49.236 --> 0:33:53.276
<v Speaker 1>there's really a much deeper aspect of identity that isn't

0:33:53.276 --> 0:33:58.836
<v Speaker 1>that easily articulable, and it's not that easily categorized, and

0:33:58.876 --> 0:34:02.396
<v Speaker 1>it's not sanctioned by capitalism and how I earn money

0:34:02.396 --> 0:34:05.116
<v Speaker 1>and how people see me. And so I think for me,

0:34:05.356 --> 0:34:09.116
<v Speaker 1>just like finding some of these deeper gifts and abilities

0:34:09.356 --> 0:34:12.716
<v Speaker 1>and then learning how to cultivate them and then eventually

0:34:12.716 --> 0:34:16.396
<v Speaker 1>finding the avenues for them that gave me so much

0:34:16.476 --> 0:34:17.596
<v Speaker 1>purpose and meaning.

0:34:23.796 --> 0:34:33.516
<v Speaker 4>I'm sorry I'm quiet because I'm thinking I'm absorbing all

0:34:33.556 --> 0:34:45.396
<v Speaker 4>of this. I am envious of the time to go

0:34:45.476 --> 0:34:50.756
<v Speaker 4>out into the forest. There was a period when it

0:34:50.836 --> 0:34:55.836
<v Speaker 4>was at its worst, when there just wasn't much I

0:34:55.876 --> 0:35:03.716
<v Speaker 4>could do, and I had a lot of silence, partly

0:35:03.756 --> 0:35:08.356
<v Speaker 4>because my head was silent and I would just go

0:35:08.476 --> 0:35:13.996
<v Speaker 4>and walk in the park. But I did feel this

0:35:14.036 --> 0:35:21.196
<v Speaker 4>sort of engine underneath that I had to do these therapies.

0:35:21.316 --> 0:35:26.036
<v Speaker 4>And I managed to move out a year ago, and

0:35:27.596 --> 0:35:29.876
<v Speaker 4>I know, I feel like I'm still kind of running

0:35:30.876 --> 0:35:35.516
<v Speaker 4>the race where because I'm a freelancer, if I take

0:35:35.596 --> 0:35:43.196
<v Speaker 4>time off, then I'm not making any money. But I

0:35:43.236 --> 0:35:48.836
<v Speaker 4>think there's a way to prioritize. I don't know, I'm

0:35:48.836 --> 0:35:53.196
<v Speaker 4>not making a lot of sense right now, but.

0:35:53.316 --> 0:35:55.436
<v Speaker 1>Do you beat yourself up about where you are in

0:35:55.476 --> 0:35:56.956
<v Speaker 1>the process.

0:35:58.716 --> 0:36:02.876
<v Speaker 4>Sometimes there was a period where I felt like I

0:36:02.956 --> 0:36:11.116
<v Speaker 4>had found a kind of peace with not being able

0:36:11.356 --> 0:36:15.236
<v Speaker 4>to read comfortably again, and it was like I was

0:36:16.036 --> 0:36:23.196
<v Speaker 4>living very low to the ground, just having small thoughts

0:36:23.236 --> 0:36:28.436
<v Speaker 4>and having small needs and no dreams about the future,

0:36:28.596 --> 0:36:36.236
<v Speaker 4>just being kind of in the moment. But then I

0:36:36.276 --> 0:36:44.796
<v Speaker 4>got reading back, and then it's like, Okay, all the

0:36:44.836 --> 0:36:49.436
<v Speaker 4>obligation is back, all the expectations are back. Now I

0:36:49.476 --> 0:36:54.236
<v Speaker 4>can write again. So I have to keep kind of

0:36:54.316 --> 0:36:59.956
<v Speaker 4>batting those expectations down, but they still come up.

0:37:03.636 --> 0:37:05.716
<v Speaker 1>It's funny, every day I feel like I have a

0:37:05.756 --> 0:37:12.396
<v Speaker 1>different level of desire. Sometimes in my mind, I'm like, okay, well,

0:37:12.436 --> 0:37:16.476
<v Speaker 1>you know what. Shania Twain lost her voice for seven years, Okay,

0:37:16.596 --> 0:37:19.156
<v Speaker 1>and she was Shanaia Twain, and then she got a

0:37:19.196 --> 0:37:22.156
<v Speaker 1>surgery and her voice came back and she performed again.

0:37:22.556 --> 0:37:24.916
<v Speaker 1>So sometimes I'll have it. I'll have someone who's like

0:37:24.956 --> 0:37:27.956
<v Speaker 1>a patron saint, and I will, you know, metaphorically, light

0:37:27.996 --> 0:37:30.876
<v Speaker 1>my candle every day and be like please please, saying Shania,

0:37:31.116 --> 0:37:33.636
<v Speaker 1>give me this back, you know, and I create this

0:37:33.716 --> 0:37:36.356
<v Speaker 1>dream that I'm gonna, like in my early forties or

0:37:36.396 --> 0:37:39.676
<v Speaker 1>even in my mid forties, I'm gonna write the best

0:37:39.716 --> 0:37:41.916
<v Speaker 1>album I've ever written. I'm going to be touring and

0:37:41.956 --> 0:37:44.636
<v Speaker 1>my voice will heal, and the fantasy just like lives

0:37:45.116 --> 0:37:48.036
<v Speaker 1>with me. I mean, I would love to be able

0:37:48.076 --> 0:37:49.756
<v Speaker 1>to sing the way that I used to sing, like

0:37:49.796 --> 0:37:53.756
<v Speaker 1>I miss it all the time. It also felt so

0:37:53.996 --> 0:37:58.716
<v Speaker 1>linked to my sensuality, yea, being able to sing that

0:37:58.916 --> 0:38:01.036
<v Speaker 1>the way that I did. So much of it was

0:38:01.076 --> 0:38:02.596
<v Speaker 1>tied to what I thought it meant to be a

0:38:02.636 --> 0:38:06.356
<v Speaker 1>woman and being able to be seen and being able

0:38:06.396 --> 0:38:09.476
<v Speaker 1>to express myself and having people sing songs I had

0:38:09.516 --> 0:38:13.156
<v Speaker 1>written like that was the best feeling that I had

0:38:13.156 --> 0:38:15.276
<v Speaker 1>felt in my life till that point.

0:38:16.756 --> 0:38:21.396
<v Speaker 4>I absolutely seduced people with my words, absolutely.

0:38:25.676 --> 0:38:25.916
<v Speaker 2>Right.

0:38:26.996 --> 0:38:28.276
<v Speaker 4>Yeah.

0:38:28.316 --> 0:38:30.796
<v Speaker 1>So then when it's gone, I did have a sense

0:38:30.836 --> 0:38:32.796
<v Speaker 1>of like, well, who am how am I gonna? Yeah?

0:38:32.836 --> 0:38:34.996
<v Speaker 1>What's attractive about me? Now? You know?

0:38:35.876 --> 0:38:36.596
<v Speaker 4>Yeah?

0:38:36.636 --> 0:38:38.756
<v Speaker 1>And that's a whole other exploration.

0:38:39.756 --> 0:38:40.116
<v Speaker 4>It is.

0:38:42.956 --> 0:38:46.796
<v Speaker 3>Caitlin. The other day you said you were scared to

0:38:46.876 --> 0:38:51.156
<v Speaker 3>want to write again, to like want it as badly

0:38:51.996 --> 0:38:55.956
<v Speaker 3>and love it as much as you did, and seems

0:38:55.996 --> 0:38:59.596
<v Speaker 3>like you still do because you're afraid that you will

0:38:59.636 --> 0:39:02.916
<v Speaker 3>never be the same writer get to the same quote

0:39:02.956 --> 0:39:10.356
<v Speaker 3>unquote level. Yeah, and I'm wondering, like, Greta, do you

0:39:10.436 --> 0:39:11.196
<v Speaker 3>relate to that?

0:39:12.396 --> 0:39:12.556
<v Speaker 4>Oh?

0:39:12.716 --> 0:39:17.756
<v Speaker 1>Yeah. I had this teacher once who told a story.

0:39:17.876 --> 0:39:19.516
<v Speaker 1>He told me a story about how he used to

0:39:19.516 --> 0:39:21.796
<v Speaker 1>have two cats and the two cats would play together

0:39:21.836 --> 0:39:24.436
<v Speaker 1>all the time, and then one of the cats stopped

0:39:24.476 --> 0:39:27.236
<v Speaker 1>playing and he took it to the vet and they

0:39:27.236 --> 0:39:29.116
<v Speaker 1>found out there was a tumor that was pressing on

0:39:29.116 --> 0:39:30.956
<v Speaker 1>one of its nerves, so it was in pain whenever

0:39:30.956 --> 0:39:34.076
<v Speaker 1>it would start playing. But then they removed the tumor,

0:39:34.796 --> 0:39:38.476
<v Speaker 1>and the cat just continued to not play anymore because

0:39:38.516 --> 0:39:41.596
<v Speaker 1>it was the memory of the pain was still with it.

0:39:42.076 --> 0:39:43.796
<v Speaker 1>And he took it to the vet over and over,

0:39:43.836 --> 0:39:45.556
<v Speaker 1>and the vet said, I can assure you it's not

0:39:45.676 --> 0:39:47.276
<v Speaker 1>in pain. I can assure you it's not in pain.

0:39:47.316 --> 0:39:50.236
<v Speaker 1>But the cat remembered, well, when I play, I hurt myself,

0:39:50.236 --> 0:39:55.436
<v Speaker 1>so I'm not going to play anymore. And in my experience,

0:39:55.716 --> 0:40:00.476
<v Speaker 1>even when I've had different kinds of vocal access, there's

0:40:00.556 --> 0:40:06.156
<v Speaker 1>still this wounding on my relationship with singing and with songwriting,

0:40:06.676 --> 0:40:10.156
<v Speaker 1>and there's this kind of all or nothing idea that

0:40:10.196 --> 0:40:12.956
<v Speaker 1>I really had to move through, you know. For example,

0:40:13.516 --> 0:40:16.116
<v Speaker 1>like I can't go out and play a set of

0:40:16.156 --> 0:40:19.556
<v Speaker 1>my own music. I can't go play forty five minutes.

0:40:19.596 --> 0:40:21.636
<v Speaker 1>I just don't have the stamina, even on my best

0:40:21.716 --> 0:40:27.036
<v Speaker 1>vocal days. And it's really easy for me sometimes to go, oh, well,

0:40:27.036 --> 0:40:30.636
<v Speaker 1>if I can't have that, then why bother at all?

0:40:31.396 --> 0:40:31.636
<v Speaker 3>You know.

0:40:31.716 --> 0:40:35.636
<v Speaker 1>But the truth is for me that getting that experience

0:40:35.636 --> 0:40:39.636
<v Speaker 1>of playing back, like actually singing a little bit for

0:40:39.796 --> 0:40:42.996
<v Speaker 1>fun and kind of remembering that it's okay to play,

0:40:43.036 --> 0:40:45.276
<v Speaker 1>and like it's okay if it doesn't sound the way

0:40:45.316 --> 0:40:47.076
<v Speaker 1>it should or if it doesn't feel exactly how I

0:40:47.116 --> 0:40:50.156
<v Speaker 1>think it is. It's like I have to re teach

0:40:50.236 --> 0:40:53.036
<v Speaker 1>myself how to have fun doing it.

0:40:55.396 --> 0:40:59.796
<v Speaker 4>So I delayed trying to read for pleasure for a

0:40:59.836 --> 0:41:04.116
<v Speaker 4>long time because I didn't even as my reading was

0:41:04.116 --> 0:41:09.436
<v Speaker 4>getting better and better, I didn't want to associate that

0:41:09.636 --> 0:41:14.196
<v Speaker 4>deep pleasure with nausea, just like you were saying with

0:41:14.316 --> 0:41:23.196
<v Speaker 4>that wound. So it's just maybe eight months ago that

0:41:23.436 --> 0:41:29.596
<v Speaker 4>I finally read a book for pleasure and it sang

0:41:30.036 --> 0:41:35.276
<v Speaker 4>in me the way my inner voice used to sing

0:41:35.516 --> 0:41:40.996
<v Speaker 4>in me. I was reading in a cafe and just cry, Yeah,

0:41:41.076 --> 0:41:46.836
<v Speaker 4>that's amazing. Yeah. I read that book and I had

0:41:47.236 --> 0:41:51.596
<v Speaker 4>her voice in my head and I felt like, Okay,

0:41:51.996 --> 0:41:58.516
<v Speaker 4>now I can write now. Now it's back. But it faded.

0:41:59.116 --> 0:42:00.996
<v Speaker 4>It's like a flame that doesn't stay lit.

0:42:02.236 --> 0:42:08.116
<v Speaker 1>Yeah. Yeah, I feel that. I'm curious as you're kind

0:42:08.116 --> 0:42:13.716
<v Speaker 1>of learning to write again. It's an experience most people

0:42:13.796 --> 0:42:16.436
<v Speaker 1>don't have this happen in a lifetime, where they lose

0:42:16.476 --> 0:42:20.796
<v Speaker 1>an ability and then they suddenly can start learning as

0:42:20.836 --> 0:42:25.196
<v Speaker 1>a beginner again. I'm curious just what that experience has

0:42:25.276 --> 0:42:28.156
<v Speaker 1>felt like for you when you are writing. Are there

0:42:28.156 --> 0:42:30.556
<v Speaker 1>any moments where like, oh, this is it? Like I

0:42:30.636 --> 0:42:32.796
<v Speaker 1>feel like this is a magical sentence.

0:42:34.956 --> 0:42:39.076
<v Speaker 4>I feel like I've told you oway that I feel

0:42:39.876 --> 0:42:43.116
<v Speaker 4>when I'm writing now, I feel like I'm kind of

0:42:43.196 --> 0:42:49.596
<v Speaker 4>imitating my own voice. It's a much more rational process

0:42:50.636 --> 0:42:53.716
<v Speaker 4>where I can say, Okay, I want an O sound,

0:42:53.796 --> 0:42:57.596
<v Speaker 4>I want it to do this, I want to say this.

0:43:00.036 --> 0:43:06.396
<v Speaker 4>Does it feel different for you writing songs for this

0:43:06.676 --> 0:43:12.116
<v Speaker 4>new voice that you have, it's the experience inside of

0:43:12.156 --> 0:43:12.676
<v Speaker 4>you different.

0:43:14.036 --> 0:43:17.996
<v Speaker 1>Yeah, totally. The way I used to write songs was

0:43:17.996 --> 0:43:20.356
<v Speaker 1>what I called the fumble mumble method. So I would

0:43:20.356 --> 0:43:25.516
<v Speaker 1>just like sing gibberish until I found the words I

0:43:25.676 --> 0:43:27.116
<v Speaker 1>so relate to with what you said about how oh

0:43:27.116 --> 0:43:28.876
<v Speaker 1>there should be an O sound here, like oh, there

0:43:28.876 --> 0:43:30.956
<v Speaker 1>should be a sound. I really would kind of sing

0:43:31.076 --> 0:43:33.836
<v Speaker 1>the vowel sounds on a melody and then eventually they

0:43:33.876 --> 0:43:37.276
<v Speaker 1>would become words. So that was my process for writing songs.

0:43:37.276 --> 0:43:39.476
<v Speaker 1>And when I couldn't do that, it was like my

0:43:39.796 --> 0:43:44.996
<v Speaker 1>entire emotional circulation system just stopped, screeched to a halt.

0:43:45.276 --> 0:43:48.996
<v Speaker 1>Like I couldn't sing, I couldn't write songs. My voice

0:43:49.036 --> 0:43:52.196
<v Speaker 1>just can't do what I hear. But I still have

0:43:52.316 --> 0:43:55.716
<v Speaker 1>my ability to like feel and amplify an emotion to

0:43:55.756 --> 0:43:58.996
<v Speaker 1>the point that it could become a piece of music. Oh,

0:43:59.036 --> 0:44:01.876
<v Speaker 1>so I find myself focusing a little bit more on

0:44:01.916 --> 0:44:03.556
<v Speaker 1>the aspect of I'm sorry, well.

0:44:03.476 --> 0:44:05.836
<v Speaker 4>No, go ahead, it's great. Can can you say that again?

0:44:05.956 --> 0:44:08.156
<v Speaker 4>To feel and amplify, oh yeah, to.

0:44:08.116 --> 0:44:12.796
<v Speaker 1>Be able yeah, to be able to amplify I mean

0:44:12.956 --> 0:44:17.996
<v Speaker 1>essentially for songwriting for me is like amplifying in emotion,

0:44:18.676 --> 0:44:22.716
<v Speaker 1>usually one that is very chaotic, and then translating it

0:44:22.836 --> 0:44:28.436
<v Speaker 1>into something that is a coherent piece of art. So

0:44:28.476 --> 0:44:31.356
<v Speaker 1>I used to always write melody first and then fit

0:44:31.436 --> 0:44:34.916
<v Speaker 1>words into a melody. And then I now turn the

0:44:34.956 --> 0:44:37.596
<v Speaker 1>process inside out, where now I write the lyrics first

0:44:38.316 --> 0:44:41.356
<v Speaker 1>and then I set them to a melody. And what's

0:44:41.396 --> 0:44:43.676
<v Speaker 1>funny is I can now write a song in like

0:44:43.836 --> 0:44:46.596
<v Speaker 1>fifteen minutes, whereas songs used to take me like maybe

0:44:46.676 --> 0:44:51.676
<v Speaker 1>twenty hours. Once I have the words, I can write

0:44:51.676 --> 0:44:56.716
<v Speaker 1>the music like very very quickly. Well, I guess, I

0:44:56.756 --> 0:45:01.476
<v Speaker 1>wonder do you find the story by the process of writing, Like,

0:45:01.516 --> 0:45:02.596
<v Speaker 1>how would you relate?

0:45:02.876 --> 0:45:09.756
<v Speaker 4>Yeah, so many of the short stories or fiction that

0:45:09.836 --> 0:45:14.716
<v Speaker 4>I wrote would start with the first line and then

0:45:16.236 --> 0:45:20.396
<v Speaker 4>it would all sort of bloom into being in my

0:45:20.476 --> 0:45:25.876
<v Speaker 4>imagination from there. Like when people would talk about outlining

0:45:25.916 --> 0:45:34.876
<v Speaker 4>a story, Yeah, that's homework, working out the mechanics of

0:45:34.916 --> 0:45:38.756
<v Speaker 4>a story. I could that, but it would be after

0:45:41.716 --> 0:45:50.556
<v Speaker 4>feeling the shape of the story instinctively first. But now

0:45:50.556 --> 0:45:54.716
<v Speaker 4>I feel like I'm starting with the mechanics and there's

0:45:54.756 --> 0:45:59.596
<v Speaker 4>feeling there. There's still feeling there. I'm finding flashes.

0:46:02.436 --> 0:46:04.756
<v Speaker 1>I think my experience is that whenever I would have

0:46:04.996 --> 0:46:07.996
<v Speaker 1>a little glimpse where I sort of felt like myself

0:46:08.036 --> 0:46:10.716
<v Speaker 1>where I could access that, I would just try to

0:46:10.916 --> 0:46:14.236
<v Speaker 1>amplify it and make it last as long as possible,

0:46:15.436 --> 0:46:18.556
<v Speaker 1>to be aware in those moments like oh, I'm writing

0:46:18.596 --> 0:46:21.916
<v Speaker 1>a song, I have goosebumps, I'm in the magic, and

0:46:21.996 --> 0:46:25.116
<v Speaker 1>to just not let anything get in on that until

0:46:25.116 --> 0:46:27.156
<v Speaker 1>the experience was over.

0:46:27.436 --> 0:46:28.436
<v Speaker 5>Yeah.

0:46:28.996 --> 0:46:31.196
<v Speaker 4>Yeah.

0:46:31.276 --> 0:46:35.116
<v Speaker 3>At this point in a conversation, I was itching to

0:46:35.196 --> 0:46:38.876
<v Speaker 3>have Caitlin share her writing with Greta, so I asked

0:46:38.876 --> 0:46:41.516
<v Speaker 3>her to read something from our past.

0:46:41.996 --> 0:46:47.076
<v Speaker 4>I was going to read this very short prose, but

0:46:47.196 --> 0:46:49.796
<v Speaker 4>I have a poem that I think is actually really relevant.

0:46:49.996 --> 0:46:57.716
<v Speaker 4>So and I actually haven't memorized I think. So this

0:46:57.956 --> 0:47:04.556
<v Speaker 4>is New Year's Day. I will not tell you everything

0:47:04.636 --> 0:47:09.756
<v Speaker 4>will be okay. I will not tell you love congs all.

0:47:11.076 --> 0:47:14.916
<v Speaker 4>I'm not that kind of liar. It can be years

0:47:15.156 --> 0:47:19.796
<v Speaker 4>of not all right. You can die waiting for everything.

0:47:19.396 --> 0:47:20.076
<v Speaker 1>To be all right.

0:47:21.036 --> 0:47:24.876
<v Speaker 4>Your wallet, cell phone, wedding ring, and a baggy and

0:47:25.836 --> 0:47:28.276
<v Speaker 4>still not all right. I don't know what to tell

0:47:28.316 --> 0:47:35.236
<v Speaker 4>you except the light stayed a minute longer tonight than

0:47:35.276 --> 0:47:40.396
<v Speaker 4>it did last night. Accept your hair smells like soap,

0:47:41.676 --> 0:47:44.996
<v Speaker 4>and a fat raccoon reached its hand out from under

0:47:45.036 --> 0:47:51.876
<v Speaker 4>your car. A cartoon exclamation. Love won't build you a

0:47:51.916 --> 0:47:58.196
<v Speaker 4>castle of everything is all right. So love for the pleasure,

0:47:59.836 --> 0:48:05.436
<v Speaker 4>Love because she never wears high heels. Love the Alleluiah

0:48:05.556 --> 0:48:11.556
<v Speaker 4>of his voice in your phone, because you want to

0:48:11.596 --> 0:48:17.476
<v Speaker 4>be new even now, face infant naked in the bathroom mirror.

0:48:22.036 --> 0:48:30.636
<v Speaker 1>Oh my god, Caitlin, that is so beautiful. Ah, I

0:48:30.676 --> 0:48:37.276
<v Speaker 1>want to set that to music. I'm not joking. That

0:48:37.476 --> 0:48:43.836
<v Speaker 1>is so beautiful. Could I ask about what was happening?

0:48:44.116 --> 0:48:46.716
<v Speaker 1>Like the life circumstances.

0:48:47.196 --> 0:48:50.956
<v Speaker 4>The New Year's Day poem was. I wrote that on

0:48:50.996 --> 0:48:55.476
<v Speaker 4>New Year's Day, and I was thinking about my mother

0:48:55.876 --> 0:49:01.556
<v Speaker 4>when I was about thirty six. We were always hoping

0:49:01.716 --> 0:49:06.516
<v Speaker 4>that she would get better. She had bipolar disorder, just

0:49:06.636 --> 0:49:12.716
<v Speaker 4>like a whole whole lot of things layered, and I

0:49:12.996 --> 0:49:18.436
<v Speaker 4>had always been feeling like, Okay, she's going to get better.

0:49:18.516 --> 0:49:22.156
<v Speaker 4>She's going to get through this hard portion or this

0:49:22.236 --> 0:49:28.996
<v Speaker 4>hard portion, and then everything will be okay. And instead

0:49:29.036 --> 0:49:38.676
<v Speaker 4>she died. And my dad asked me how I could

0:49:40.116 --> 0:49:44.156
<v Speaker 4>handle the idea that she was dead if I didn't

0:49:44.196 --> 0:49:46.316
<v Speaker 4>believe in heaven, if I didn't believe that I was

0:49:46.356 --> 0:49:50.076
<v Speaker 4>going to see her again, And I told him that

0:49:50.276 --> 0:49:55.996
<v Speaker 4>I felt like the fact that I don't believe necessarily

0:49:56.036 --> 0:49:59.436
<v Speaker 4>that I'm going to see people on the other side.

0:49:59.636 --> 0:50:03.236
<v Speaker 4>It helps me be very present with them right now.

0:50:04.876 --> 0:50:07.316
<v Speaker 4>So it was a lot about that, But you know,

0:50:07.556 --> 0:50:11.836
<v Speaker 4>it came to me very quickly on that day, and

0:50:12.076 --> 0:50:15.236
<v Speaker 4>I walked from one side of San Francisco to the

0:50:15.316 --> 0:50:18.956
<v Speaker 4>other listening to that poem on spool in my head,

0:50:20.156 --> 0:50:21.756
<v Speaker 4>and by the end of the day I had it.

0:50:23.276 --> 0:50:26.796
<v Speaker 1>Wow, had you typically written that way? Like just walking

0:50:26.876 --> 0:50:30.076
<v Speaker 1>and writing in your head like that? That was your process?

0:50:30.516 --> 0:50:31.876
<v Speaker 4>Yeah, that was a big part of it.

0:50:31.956 --> 0:50:39.316
<v Speaker 3>Yeah, why don't we play a demo of Greta's a

0:50:39.356 --> 0:50:41.396
<v Speaker 3>song that you're working on that.

0:50:41.516 --> 0:50:43.676
<v Speaker 1>Yeah, this is a new one. This is like, now

0:50:43.676 --> 0:50:47.276
<v Speaker 1>that I've kind of learned how to whisper sing, I'm

0:50:47.316 --> 0:50:50.396
<v Speaker 1>also trying I have in my twenty years as a

0:50:50.396 --> 0:50:54.196
<v Speaker 1>professional musician, I could never write a love song. So

0:50:54.356 --> 0:50:59.916
<v Speaker 1>my new challenge is to write only love songs, or

0:50:59.916 --> 0:51:01.916
<v Speaker 1>at least try. Even when I have heartbreak songs, I

0:51:01.956 --> 0:51:03.436
<v Speaker 1>try to kind of turn them out and turn them

0:51:03.436 --> 0:51:05.316
<v Speaker 1>into love songs. So this is a little piece of

0:51:05.596 --> 0:51:06.836
<v Speaker 1>a minute of a love song.

0:51:09.396 --> 0:51:20.116
<v Speaker 5>Ah in love tonight just bo.

0:51:21.476 --> 0:51:29.116
<v Speaker 4>And brath and starlight? How could he fin.

0:51:31.436 --> 0:51:40.596
<v Speaker 5>To feel you all? How could he forget you?

0:51:40.996 --> 0:51:46.716
<v Speaker 6>Re Foller to grown, How could I.

0:51:46.796 --> 0:51:54.436
<v Speaker 5>Login to be your choice? And the sound of the limb?

0:51:58.076 --> 0:52:01.476
<v Speaker 5>How did I go nom again?

0:52:02.156 --> 0:52:12.756
<v Speaker 6>How did I go no again? How did I go no?

0:52:31.116 --> 0:52:32.956
<v Speaker 1>I don't know if you can really hear my voice

0:52:32.956 --> 0:52:35.036
<v Speaker 1>in that I can.

0:52:35.396 --> 0:52:37.236
<v Speaker 4>There's so much.

0:52:38.916 --> 0:52:42.956
<v Speaker 3>Feeling in that thank you that really moved me.

0:52:44.596 --> 0:52:49.676
<v Speaker 1>I can feel I'm touching something different. Yeah, there's been

0:52:49.716 --> 0:52:52.636
<v Speaker 1>a realization of like, Okay, there's not like a back

0:52:52.676 --> 0:52:56.836
<v Speaker 1>to normal of my singing, and so the only thing

0:52:56.876 --> 0:53:00.636
<v Speaker 1>I can really do is start to embrace what I

0:53:00.716 --> 0:53:04.236
<v Speaker 1>have now, which is this much weirder, stranger voice, and

0:53:04.356 --> 0:53:08.396
<v Speaker 1>to actually go with it. So I've been finding models

0:53:08.436 --> 0:53:11.196
<v Speaker 1>of other voices, like people who have strange voices who

0:53:11.236 --> 0:53:14.236
<v Speaker 1>I think are beautiful, and just to really try to

0:53:14.316 --> 0:53:18.156
<v Speaker 1>embrace it. And it's interesting now that we're entering in

0:53:18.196 --> 0:53:22.596
<v Speaker 1>this moment of artificial intelligence making music, because it's all

0:53:22.836 --> 0:53:28.116
<v Speaker 1>so glossy and so perfect, and they're just these computerized,

0:53:28.396 --> 0:53:31.956
<v Speaker 1>perfect voices, And in a way, I'm kind of like, oh,

0:53:32.156 --> 0:53:36.756
<v Speaker 1>I have a strange, different voice now that actually is

0:53:36.756 --> 0:53:40.036
<v Speaker 1>something that will be unique compared to most of what

0:53:40.196 --> 0:53:43.436
<v Speaker 1>we're hearing. And so there's this way where I've just

0:53:43.476 --> 0:53:46.156
<v Speaker 1>been like slowly learning to fall in love with the

0:53:46.236 --> 0:53:49.836
<v Speaker 1>thing that I have rather than longing for what I

0:53:49.956 --> 0:53:55.076
<v Speaker 1>used to have. But it's sad. I mean, I can't

0:53:55.116 --> 0:54:01.396
<v Speaker 1>watch my old performances, Like when I watch friends play shows.

0:54:01.676 --> 0:54:04.956
<v Speaker 1>It's so bittersweet because I'm so happy for them and

0:54:04.996 --> 0:54:10.276
<v Speaker 1>I love their music, and also I'm always crying. There

0:54:10.316 --> 0:54:11.796
<v Speaker 1>was kind of a funny moment I went to see

0:54:11.876 --> 0:54:16.716
<v Speaker 1>Nico Case play, and Nico Case texturally her voice is

0:54:16.716 --> 0:54:18.956
<v Speaker 1>probably the most similar to mine, just as she has

0:54:18.996 --> 0:54:22.356
<v Speaker 1>that kind of like train whistle high call out voice,

0:54:22.436 --> 0:54:25.076
<v Speaker 1>and that's like the way I most miss singing. And

0:54:25.156 --> 0:54:29.396
<v Speaker 1>when she started singing, I was just sobbing, and it

0:54:29.476 --> 0:54:30.956
<v Speaker 1>was funny. I was like, Wow, I really look like

0:54:30.996 --> 0:54:35.116
<v Speaker 1>the biggest Mico Case fan in the entire world. Which

0:54:35.156 --> 0:54:38.556
<v Speaker 1>I am a fan, not to the point where I

0:54:38.556 --> 0:54:40.356
<v Speaker 1>would be sobbing at her show, but you know, I

0:54:40.356 --> 0:54:43.556
<v Speaker 1>am a fan. But yeah, I still I still feel

0:54:43.596 --> 0:54:46.396
<v Speaker 1>a lot of that, like grief and loss and pain,

0:54:46.596 --> 0:54:51.036
<v Speaker 1>but I also am uncovering a new way of making

0:54:51.116 --> 0:54:53.716
<v Speaker 1>things that I wouldn't have had before.

0:54:57.076 --> 0:54:58.676
<v Speaker 4>Yeah.

0:54:58.756 --> 0:55:03.916
<v Speaker 3>Yeah, And that was the proxy conversation.

0:55:04.676 --> 0:55:06.596
<v Speaker 1>And I would love to stay in touch and just

0:55:07.156 --> 0:55:10.716
<v Speaker 1>hear more about your experience as your likewise.

0:55:14.476 --> 0:55:18.236
<v Speaker 3>A week later I checked in with Caitlin. I wasn't

0:55:18.276 --> 0:55:20.916
<v Speaker 3>sure how she was feeling and if she got the

0:55:20.956 --> 0:55:21.916
<v Speaker 3>answers she needed.

0:55:22.596 --> 0:55:23.356
<v Speaker 4>It was a lot.

0:55:25.716 --> 0:55:27.356
<v Speaker 3>Why was it a lot for you?

0:55:28.756 --> 0:55:30.836
<v Speaker 4>It's all just very emotional.

0:55:31.476 --> 0:55:36.996
<v Speaker 3>It was emotional for obvious reasons. There were some hard moments,

0:55:37.036 --> 0:55:41.676
<v Speaker 3>like when she realized how young Greta is that she

0:55:41.796 --> 0:55:43.956
<v Speaker 3>had about twenty years on Greta.

0:55:44.516 --> 0:55:50.116
<v Speaker 4>It does hit different now when I have white hair

0:55:50.356 --> 0:55:54.956
<v Speaker 4>and my body is aching in places, and you know,

0:55:54.996 --> 0:55:57.116
<v Speaker 4>I know that I'm on the downslope.

0:55:58.516 --> 0:56:02.396
<v Speaker 3>But Caitlyn says, Greta's age doesn't discount what she had

0:56:02.436 --> 0:56:07.116
<v Speaker 3>to say. The conversation was sticking with her, especially something

0:56:07.156 --> 0:56:10.796
<v Speaker 3>Greta said about not being to beholden to the ways

0:56:10.836 --> 0:56:12.076
<v Speaker 3>she used to make her art.

0:56:12.956 --> 0:56:15.716
<v Speaker 4>Like there was a thing that she said about feeling

0:56:15.996 --> 0:56:21.116
<v Speaker 4>to follow the feeling, and you know, it doesn't matter

0:56:21.156 --> 0:56:26.476
<v Speaker 4>if it's words or pictures, it's not all or nothing, right.

0:56:27.196 --> 0:56:30.996
<v Speaker 3>And actually just this morning she had a feeling and

0:56:31.116 --> 0:56:31.716
<v Speaker 3>followed it.

0:56:32.676 --> 0:56:37.356
<v Speaker 4>I can't say that it's because of the conversation, but

0:56:37.956 --> 0:56:43.756
<v Speaker 4>last night, this morning I dreamed a poem. This morning,

0:56:43.956 --> 0:56:48.356
<v Speaker 4>he sat up in bed, and I said, that's a gift.

0:56:50.196 --> 0:56:54.996
<v Speaker 1>It's a gift, Oh my god.

0:56:55.996 --> 0:56:59.796
<v Speaker 4>And I got my phone and I started typing it.

0:56:59.836 --> 0:57:06.196
<v Speaker 3>In the poem came to Caitlin kind of like the

0:57:06.236 --> 0:57:10.956
<v Speaker 3>old way, but this time I wasn't hearing a voice.

0:57:11.156 --> 0:57:14.476
<v Speaker 3>It was like watching a movie in her head and

0:57:14.556 --> 0:57:16.436
<v Speaker 3>describing what she saw and felt.

0:57:17.756 --> 0:57:18.596
<v Speaker 4>Can I read it to you?

0:57:19.196 --> 0:57:22.236
<v Speaker 3>I was gonna ask, please, So.

0:57:22.316 --> 0:57:27.716
<v Speaker 4>This is the title. I woke saying thanks. In the dream,

0:57:28.756 --> 0:57:31.596
<v Speaker 4>I promise a poem to the women who walk with me,

0:57:32.676 --> 0:57:37.236
<v Speaker 4>pacing slow to the funeral. Were stopped by the man

0:57:37.316 --> 0:57:40.596
<v Speaker 4>who failed to seduce me, and so tried my mother.

0:57:40.756 --> 0:57:41.116
<v Speaker 5>Next.

0:57:42.356 --> 0:57:45.756
<v Speaker 4>What can I do? I take a swing. He laughs

0:57:45.796 --> 0:57:47.876
<v Speaker 4>at my weak right, but I get him good with

0:57:47.956 --> 0:57:52.716
<v Speaker 4>the left. His face maybe the last she saw, and

0:57:52.796 --> 0:57:57.596
<v Speaker 4>I feel his teeth give under my fist. It gets messy.

0:57:57.716 --> 0:58:02.436
<v Speaker 4>He's still trying to laugh, his glasses ruined. We walk on.

0:58:04.436 --> 0:58:08.356
<v Speaker 4>In another time. We would have washed my mother's body,

0:58:09.716 --> 0:58:14.516
<v Speaker 4>my hand lifting hers like dancers, my sister cupping her head,

0:58:15.436 --> 0:58:19.476
<v Speaker 4>quiet voice, stitching up the three of us skin water.

0:58:20.516 --> 0:58:25.196
<v Speaker 4>We touched the only body we ever lived inside. In

0:58:25.276 --> 0:58:29.596
<v Speaker 4>the dream, the women watch me paint this poem on

0:58:29.796 --> 0:58:36.316
<v Speaker 4>rough wood. My brush glides iron oxide red. I didn't

0:58:36.356 --> 0:58:41.636
<v Speaker 4>know you'd gone I paint. I didn't know they touched

0:58:41.676 --> 0:58:45.316
<v Speaker 4>my shoulders. The women one on each side, and the

0:58:45.436 --> 0:58:48.076
<v Speaker 4>dream rests a while in silence.

0:58:52.876 --> 0:58:53.676
<v Speaker 3>That's beautiful.

0:58:56.116 --> 0:58:56.756
<v Speaker 4>Thanks brain.

0:59:00.076 --> 0:59:01.996
<v Speaker 3>What do you think of that poem? What was it

0:59:02.076 --> 0:59:04.956
<v Speaker 3>like writing it?

0:59:04.956 --> 0:59:12.156
<v Speaker 4>It felt a little more organic. It's like, oh, maybe

0:59:12.156 --> 0:59:19.836
<v Speaker 4>there's another way to write that isn't the voice and

0:59:19.996 --> 0:59:32.756
<v Speaker 4>isn't the Frankenstein method. Yeah, it was more physical than rational,

0:59:33.516 --> 0:59:41.476
<v Speaker 4>which is I think that's that feels like it fits

0:59:41.516 --> 0:59:41.996
<v Speaker 4>me better.

1:00:00.196 --> 1:00:04.036
<v Speaker 3>Thank you to Caitlin Meyer for being our guest. In

1:00:04.076 --> 1:00:06.916
<v Speaker 3>her most recent email, she told me she's joined a

1:00:06.916 --> 1:00:11.836
<v Speaker 3>writing group and has been enjoy writing fragments and notebooks.

1:00:12.476 --> 1:00:16.236
<v Speaker 3>You can follow along and support Caitlin's work on her Patreon.

1:00:16.996 --> 1:00:20.516
<v Speaker 3>She also wrote the book Wiving, a literary memoir about

1:00:20.636 --> 1:00:24.596
<v Speaker 3>escaping abuse, religion, and the patriarchy, for the freedom to

1:00:24.636 --> 1:00:29.076
<v Speaker 3>be alone. I very much enjoyed it, And thank you

1:00:29.156 --> 1:00:32.676
<v Speaker 3>to Greta Morgan for being our proxy and for letting

1:00:32.756 --> 1:00:36.756
<v Speaker 3>us play your springtime carnivore song Into the Avalanche, which

1:00:36.756 --> 1:00:54.316
<v Speaker 3>you're listening to right now. Greta wrote a beautiful memoir

1:00:54.356 --> 1:00:57.836
<v Speaker 3>called The Lost Voice, where she goes way more into

1:00:57.876 --> 1:01:01.116
<v Speaker 3>detail about what she shared in this episode. She also

1:01:01.116 --> 1:01:03.716
<v Speaker 3>has a Patreon where you can support her work and

1:01:03.756 --> 1:01:05.996
<v Speaker 3>a newsletter where you can keep up with her music

1:01:06.236 --> 1:01:10.756
<v Speaker 3>writing and songwriting workshops. Just go to www dot Gretimorgan

1:01:10.836 --> 1:01:13.596
<v Speaker 3>dot com. We'll link to everything in our show notes,

1:01:13.916 --> 1:01:16.236
<v Speaker 3>and I really hope you check out their work. I

1:01:16.316 --> 1:01:22.836
<v Speaker 3>am such a fan of both of them. Prexy will

1:01:22.876 --> 1:01:25.956
<v Speaker 3>be back on Tuesday, May fifth, and then every other

1:01:25.996 --> 1:01:29.356
<v Speaker 3>Tuesday until summer. Follow the show so you don't miss

1:01:29.396 --> 1:01:32.516
<v Speaker 3>the next case. And if you're new here, I recommend

1:01:32.516 --> 1:01:36.396
<v Speaker 3>trying Bisexual Life Guy. It's one of the clearest examples

1:01:36.476 --> 1:01:39.916
<v Speaker 3>of what the show does. Prexy is an independent show,

1:01:39.956 --> 1:01:43.196
<v Speaker 3>which means it grows almost entirely by word of mouth.

1:01:43.556 --> 1:01:46.196
<v Speaker 3>So if this episode made you think of someone, send

1:01:46.236 --> 1:01:49.876
<v Speaker 3>it to them. That one text is how people find us.

1:01:50.356 --> 1:01:52.396
<v Speaker 3>And if you want to support the show, you can

1:01:52.476 --> 1:01:55.956
<v Speaker 3>join us on Patreon starting at five dollars a month.

1:01:55.996 --> 1:01:59.436
<v Speaker 3>You'll get ad free listening, bonus episodes, and access to

1:01:59.476 --> 1:02:02.276
<v Speaker 3>group zoom Hags, or you can join for free for

1:02:02.316 --> 1:02:05.596
<v Speaker 3>our newsletter to get episode liner notes and behind the

1:02:05.596 --> 1:02:09.916
<v Speaker 3>scenes gossip Just go to Patreon dot com slash podcast.

1:02:10.596 --> 1:02:14.516
<v Speaker 3>Thank you to everyone who's already signed up. We literally

1:02:14.716 --> 1:02:17.196
<v Speaker 3>could not have made this spring season without you. And

1:02:17.276 --> 1:02:20.276
<v Speaker 3>if you've been thinking about joining, this is a great time.

1:02:20.716 --> 1:02:24.156
<v Speaker 3>It really is what keeps the show going. This season

1:02:24.436 --> 1:02:27.556
<v Speaker 3>was also supported by the Independent Media Initiative, and.

1:02:27.476 --> 1:02:28.436
<v Speaker 1>We're really grateful.

1:02:29.356 --> 1:02:32.836
<v Speaker 3>This episode was edited by Tim Howard, mixed by Kyle Pooley,

1:02:32.916 --> 1:02:36.436
<v Speaker 3>and produced by me with help from Rennie Spernofsky Music.

1:02:36.436 --> 1:02:38.796
<v Speaker 3>In this episode by Tim Howard and our theme music

1:02:38.876 --> 1:02:42.036
<v Speaker 3>is by Brickmaster Cylinder. Proxy is a proud member of

1:02:42.156 --> 1:02:46.676
<v Speaker 3>Radiotopia from PRX, a network of independent, creator owned, listener

1:02:46.716 --> 1:02:51.556
<v Speaker 3>supportive podcasts. Adreymartovich is the executive producer of Radiotopia. Juri

1:02:51.636 --> 1:02:55.476
<v Speaker 3>Losordo is the director of Operations Discover Audio with vision

1:02:55.596 --> 1:02:59.516
<v Speaker 3>at Radiotopia dot fm. You can follow us on Instagram

1:02:59.556 --> 1:03:03.836
<v Speaker 3>at Proxy podcast and I'm at Yoaishaw And remember, if

1:03:03.876 --> 1:03:07.316
<v Speaker 3>you have a niche emotional conundrum you would like investigated

1:03:07.316 --> 1:03:11.436
<v Speaker 3>by Proxy, get in touch at proxydepod at gmail dot com.

1:03:11.636 --> 1:03:19.636
<v Speaker 3>We're taking cases. Okay, thanks for being here, guys. Bye,

1:03:19.876 --> 1:03:21.116
<v Speaker 3>Any last questions?

1:03:23.436 --> 1:03:26.596
<v Speaker 4>Yeah, can you want to come to Portugal and hang

1:03:26.596 --> 1:03:28.396
<v Speaker 4>out for a minute.

1:03:28.876 --> 1:03:32.956
<v Speaker 1>I was just gonna say I wish we were friends

1:03:33.276 --> 1:03:34.036
<v Speaker 1>this whole time.

1:03:36.556 --> 1:03:39.436
<v Speaker 2>That was Caitlin lost the voice in her head from Proxy.

1:03:40.036 --> 1:03:42.516
<v Speaker 2>You can find more episodes of Proxy at the link

1:03:42.556 --> 1:03:45.276
<v Speaker 2>in our show notes, and if there's a podcast you

1:03:45.396 --> 1:03:48.036
<v Speaker 2>are really loving these days, be sure to email us.

1:03:48.556 --> 1:03:52.156
<v Speaker 2>You can reach us at slight Change at pushkin dot fm,

1:03:52.636 --> 1:03:55.396
<v Speaker 2>and we'll consider featuring it in the slight Change feed

1:03:55.476 --> 1:03:57.876
<v Speaker 2>at some point this year. We'll be back in a

1:03:57.916 --> 1:04:00.796
<v Speaker 2>week with another episode of a slight change of plans.

1:04:01.156 --> 1:04:01.796
<v Speaker 2>I'll see you then,