1 00:00:01,040 --> 00:00:04,840 Speaker 1: Call It what It Is with Jessica Capshaw and Camille Luddington, 2 00:00:05,280 --> 00:00:07,120 Speaker 1: an iHeartRadio podcast. 3 00:00:16,560 --> 00:00:23,599 Speaker 2: Well, okay, hello call it crew, Hello, Camilla, Hi, Jessica. 4 00:00:24,000 --> 00:00:25,239 Speaker 3: My favorite time of the week. 5 00:00:26,079 --> 00:00:27,960 Speaker 2: I love it. I love it. I really look forward 6 00:00:28,000 --> 00:00:28,160 Speaker 2: to it. 7 00:00:28,200 --> 00:00:29,680 Speaker 1: I think about things all the time where I'm like, 8 00:00:29,800 --> 00:00:33,080 Speaker 1: hold that thought, don't even process that thought anymore, wait 9 00:00:33,320 --> 00:00:34,559 Speaker 1: to talk about it with Kamila. 10 00:00:35,360 --> 00:00:37,279 Speaker 3: We do. We do this on the phone too, where 11 00:00:37,320 --> 00:00:39,760 Speaker 3: we call each other and you'll start telling a story 12 00:00:39,760 --> 00:00:41,839 Speaker 3: and I'm like, I don't want to hear it, don't anymore. 13 00:00:42,640 --> 00:00:44,879 Speaker 3: We're talking about this on the pod, and I do 14 00:00:44,960 --> 00:00:47,120 Speaker 3: feel like I want to start the show by saying, 15 00:00:47,640 --> 00:00:54,080 Speaker 3: because I absolutely geeked out. Yahoo just had this little release, 16 00:00:54,160 --> 00:01:00,800 Speaker 3: this article saying that they're top They're six top celebrity 17 00:01:00,840 --> 00:01:03,560 Speaker 3: podcasts that they're really enjoying listen to listening. 18 00:01:03,840 --> 00:01:06,840 Speaker 1: And no, well, I think that the exact words were 19 00:01:06,880 --> 00:01:09,800 Speaker 1: because I think that it's important to explain why we 20 00:01:09,840 --> 00:01:13,839 Speaker 1: felt the power it was the top six celebrity podcast 21 00:01:13,920 --> 00:01:15,560 Speaker 1: that we can't stop listening to. 22 00:01:16,240 --> 00:01:18,560 Speaker 2: Yes, can you think of a better compliment? 23 00:01:19,560 --> 00:01:23,679 Speaker 3: I cannot? And I feel like and temmy how you 24 00:01:23,720 --> 00:01:26,759 Speaker 3: feel I read it and I felt like it wasn't 25 00:01:26,840 --> 00:01:31,679 Speaker 3: just us because our podcast includes This is what I 26 00:01:31,720 --> 00:01:34,600 Speaker 3: love so much about this, it includes you guys. Are 27 00:01:34,640 --> 00:01:38,360 Speaker 3: call it community, we call it crew, and so you 28 00:01:38,400 --> 00:01:41,080 Speaker 3: guys are also part of listening to this podcast. You're 29 00:01:41,120 --> 00:01:45,440 Speaker 3: writing us in, you're being vulnerable, we're sharing funny moments, 30 00:01:45,480 --> 00:01:49,280 Speaker 3: we're sharing hard moments, and so it's all of us. 31 00:01:49,440 --> 00:01:52,160 Speaker 3: I felt like it was an article for us, like 32 00:01:52,880 --> 00:01:54,560 Speaker 3: acknowledging all of us, and I just thought that was 33 00:01:54,600 --> 00:01:58,040 Speaker 3: so amazing. I geeked out. 34 00:01:58,320 --> 00:02:01,920 Speaker 1: I know, I know, I felt a very big flush 35 00:02:01,960 --> 00:02:03,080 Speaker 1: of excitement. 36 00:02:03,120 --> 00:02:05,040 Speaker 2: I was very excited. I also just feel like there's. 37 00:02:04,880 --> 00:02:06,960 Speaker 1: So much more to come, so I can't I can't 38 00:02:06,960 --> 00:02:08,480 Speaker 1: wait for the more and more. And I just feel 39 00:02:08,480 --> 00:02:10,160 Speaker 1: like the every time we go back to the well 40 00:02:10,280 --> 00:02:14,000 Speaker 1: of questions and it's just so there's it's so hard 41 00:02:14,000 --> 00:02:18,240 Speaker 1: to pick because all of them are so rich and 42 00:02:18,320 --> 00:02:21,960 Speaker 1: interesting and and I just. 43 00:02:22,000 --> 00:02:22,520 Speaker 2: Love them all. 44 00:02:22,880 --> 00:02:26,000 Speaker 1: How's your week, Ben, I'm still you know, I'm feeling 45 00:02:26,080 --> 00:02:27,880 Speaker 1: the summer of it all. We've sort of established a 46 00:02:27,919 --> 00:02:31,160 Speaker 1: groove though we've got the campser they've been locked in. 47 00:02:31,360 --> 00:02:34,720 Speaker 1: We're locked into the camps. Yeah, and then I have 48 00:02:34,800 --> 00:02:37,400 Speaker 1: been sort of finding my rhythm and finding my way. 49 00:02:38,000 --> 00:02:41,520 Speaker 2: And I've started working out again. 50 00:02:42,480 --> 00:02:45,200 Speaker 1: And you know, they always tell you, all the scientists 51 00:02:45,280 --> 00:02:48,280 Speaker 1: and people who know things, you know, how when you 52 00:02:48,360 --> 00:02:50,600 Speaker 1: work out, you not only it's not just good for 53 00:02:50,639 --> 00:02:52,240 Speaker 1: your body, but it's also really good. 54 00:02:52,200 --> 00:02:52,720 Speaker 2: For your mind. 55 00:02:53,400 --> 00:02:56,800 Speaker 1: And I always go, yeah, of course I know that, whatever, whatever, 56 00:02:57,960 --> 00:03:01,040 Speaker 1: But I have to say today I went to a 57 00:03:01,080 --> 00:03:04,560 Speaker 1: class that was really really hard, and I was sweating 58 00:03:04,680 --> 00:03:07,280 Speaker 1: and it was hard, and I was hot, and it's 59 00:03:07,320 --> 00:03:10,440 Speaker 1: all the things. And then I finished it and I 60 00:03:10,680 --> 00:03:15,080 Speaker 1: came out and I like my whole mind was like 61 00:03:15,520 --> 00:03:18,880 Speaker 1: clear and crisp, and I felt really good and I 62 00:03:18,919 --> 00:03:21,960 Speaker 1: felt happy, not like I exkew sad so much, but 63 00:03:22,520 --> 00:03:25,160 Speaker 1: I I just I felt like a whole release of 64 00:03:25,200 --> 00:03:27,960 Speaker 1: all the things that they tell you happen scientifically within 65 00:03:28,000 --> 00:03:31,880 Speaker 1: your body. And so I'm here to say anybody who's 66 00:03:31,919 --> 00:03:35,520 Speaker 1: you know, contemplating that gym schedule, contemplating that class schedule 67 00:03:35,640 --> 00:03:38,920 Speaker 1: near you, I'm here to say, go do it, Go 68 00:03:39,000 --> 00:03:42,240 Speaker 1: do it, because guess what, there's some happy there's some 69 00:03:42,240 --> 00:03:42,920 Speaker 1: happy juice. 70 00:03:42,920 --> 00:03:45,640 Speaker 2: And all that I finished, it was like I could 71 00:03:45,680 --> 00:03:46,680 Speaker 2: attack the world. 72 00:03:46,920 --> 00:03:51,320 Speaker 3: Oh yeah, I loved reform a pilates and then the 73 00:03:51,360 --> 00:03:53,960 Speaker 3: place I used to go to it shut down in 74 00:03:54,000 --> 00:03:56,480 Speaker 3: the pandemic. And I have a group of girlfriends and 75 00:03:56,520 --> 00:03:59,600 Speaker 3: they were like, hey, we take this class in Los Angeles. 76 00:03:59,600 --> 00:04:01,680 Speaker 3: It's a me you have to come. And I was like, 77 00:04:01,720 --> 00:04:04,000 Speaker 3: oh my god, that's great. Okay, I can go with 78 00:04:04,040 --> 00:04:06,680 Speaker 3: a few of my friends and start reformer plates again. 79 00:04:07,160 --> 00:04:09,360 Speaker 3: And then I was like what, okay, so what's the 80 00:04:09,360 --> 00:04:15,400 Speaker 3: place called? Like where is it? And they're like oh oh, 81 00:04:15,560 --> 00:04:18,599 Speaker 3: and I'm like what and they're like, oh, the place 82 00:04:18,720 --> 00:04:24,839 Speaker 3: is called Grace Anatomy. And I was like, you guys, 83 00:04:25,880 --> 00:04:28,560 Speaker 3: do you know what a loser I would look like 84 00:04:29,000 --> 00:04:31,720 Speaker 3: if I showed like, out of all the pilates place 85 00:04:31,760 --> 00:04:34,560 Speaker 3: in los places in Los Angeles. I was like, I'm 86 00:04:34,560 --> 00:04:36,960 Speaker 3: going to go to Grace's Anatomy. Why don't I just 87 00:04:37,040 --> 00:04:40,039 Speaker 3: wear scrubs like I was, I will look like such 88 00:04:40,080 --> 00:04:43,240 Speaker 3: a loser, Like look at me. I'm here, doctor Wilson. 89 00:04:44,000 --> 00:04:45,920 Speaker 3: So that's my excuse for not working out. 90 00:04:46,400 --> 00:04:47,920 Speaker 2: Okay, we need to find you a different place. 91 00:04:47,920 --> 00:04:50,240 Speaker 3: Then, No, I have some weights at home. I'm trying 92 00:04:50,240 --> 00:04:51,000 Speaker 3: to do the weight thing. 93 00:04:52,200 --> 00:04:54,320 Speaker 1: See, I like pilates too, and I think that that's 94 00:04:54,360 --> 00:04:57,520 Speaker 1: really great, although I've never I'm sorry to all those 95 00:04:57,560 --> 00:05:00,640 Speaker 1: who are pilates fanatics. I mean I'm saying yes and 96 00:05:00,920 --> 00:05:04,360 Speaker 1: or no, and I don't ever see a giant difference 97 00:05:04,480 --> 00:05:06,440 Speaker 1: in my physique. 98 00:05:06,560 --> 00:05:07,080 Speaker 2: Like I don't. 99 00:05:07,240 --> 00:05:09,760 Speaker 1: I don't take plates a bunch of times and say like, Wow, 100 00:05:09,839 --> 00:05:13,159 Speaker 1: my body's really changing in this way. That doesn't mean 101 00:05:13,160 --> 00:05:15,560 Speaker 1: that I don't highly enjoy it and that I don't 102 00:05:15,600 --> 00:05:18,080 Speaker 1: think that there are benefits to it. I just think 103 00:05:18,080 --> 00:05:20,400 Speaker 1: that it's harder. Like if you start lifting weights or 104 00:05:20,440 --> 00:05:21,880 Speaker 1: you do a bunch of cardio. I think that you 105 00:05:22,000 --> 00:05:25,560 Speaker 1: see a more immediate difference in your body, like in 106 00:05:25,600 --> 00:05:28,520 Speaker 1: your physique. The way it looks plates, I think is 107 00:05:28,520 --> 00:05:30,880 Speaker 1: a little more subtle. 108 00:05:31,200 --> 00:05:34,480 Speaker 3: I just enjoy it. Yeah, I just enjoy the plates 109 00:05:34,520 --> 00:05:39,839 Speaker 3: of it. I My week is I'm making over the summer. 110 00:05:40,440 --> 00:05:43,479 Speaker 3: I'm done. Oh I'm done with it. And can I 111 00:05:43,520 --> 00:05:46,720 Speaker 3: tell you something. I was so excited I walked into 112 00:05:47,480 --> 00:05:50,520 Speaker 3: Joanne Fabrics. No, this is not an ad for Joanne Fabrics. 113 00:05:50,560 --> 00:05:54,520 Speaker 3: I got that, by the way. When I mentioned Dyson 114 00:05:54,720 --> 00:05:57,000 Speaker 3: the other day, Everyone's like, that's a dice in commercial. 115 00:05:57,040 --> 00:05:58,520 Speaker 3: I'm like, no, I wish it was. Because I spent 116 00:05:58,560 --> 00:06:01,560 Speaker 3: a lot of money on that thing. I walk into Johann's. 117 00:06:01,720 --> 00:06:06,000 Speaker 3: Joannes already has all of the Halloween decor and I 118 00:06:06,000 --> 00:06:08,280 Speaker 3: don't know if you feel this way. I love Halloween 119 00:06:08,400 --> 00:06:12,440 Speaker 3: so much it my soul. I was like skipping through 120 00:06:12,480 --> 00:06:15,159 Speaker 3: the aisles. I was like, it's a skeleton. And every 121 00:06:15,240 --> 00:06:19,720 Speaker 3: year MAT's like, please don't buy any more stuff. And 122 00:06:19,760 --> 00:06:22,720 Speaker 3: I have my eyeballs on like a twenty foot skeleton 123 00:06:23,480 --> 00:06:25,960 Speaker 3: that I genuinely think would look great in our front yard. 124 00:06:27,120 --> 00:06:31,600 Speaker 3: And I'm not joking. Do you do like the inflatable? 125 00:06:31,640 --> 00:06:34,160 Speaker 1: Do you do the thing you We're really gonna talk 126 00:06:34,160 --> 00:06:35,240 Speaker 1: about Halloween right now? 127 00:06:36,080 --> 00:06:39,839 Speaker 3: I want to why not? I'm just wondering, like that's 128 00:06:39,880 --> 00:06:44,240 Speaker 3: where I'm at. I hate I'm over that summer. Do 129 00:06:44,279 --> 00:06:46,440 Speaker 3: you do it? Just answer me this. Do you do 130 00:06:46,480 --> 00:06:47,440 Speaker 3: the inflatables? 131 00:06:47,760 --> 00:06:48,600 Speaker 2: Well, here's what you know what. 132 00:06:48,680 --> 00:06:50,919 Speaker 1: I think a better answer is, let's put a pause 133 00:06:50,960 --> 00:06:53,880 Speaker 1: on this because we have a very exciting thing happening today. 134 00:06:53,960 --> 00:06:56,720 Speaker 2: Let's just put press pause on Halloween. We're gonna come 135 00:06:56,760 --> 00:06:57,200 Speaker 2: back to it. 136 00:06:57,400 --> 00:07:01,400 Speaker 1: So, just like my minority report helicopter pilot situation, you 137 00:07:01,400 --> 00:07:02,320 Speaker 1: know what going to come back. 138 00:07:02,240 --> 00:07:03,360 Speaker 3: To us on my happiness. 139 00:07:03,520 --> 00:07:05,359 Speaker 1: I'm gonna pause your happines. But I'm gonna bring you 140 00:07:05,400 --> 00:07:08,280 Speaker 1: even greater happiness. Are you ready as to what we 141 00:07:08,400 --> 00:07:12,760 Speaker 1: have here today? Guess who's joining our little community. Guess 142 00:07:12,800 --> 00:07:17,160 Speaker 1: who's jumping on board becoming part of the crew? Skuyler Aston, 143 00:07:17,680 --> 00:07:22,080 Speaker 1: Ladies and gentlemen. I'm so excited because I don't know him. 144 00:07:22,120 --> 00:07:22,440 Speaker 4: You do. 145 00:07:22,600 --> 00:07:25,560 Speaker 2: I know him from Afar. You know him up close? 146 00:07:26,520 --> 00:07:29,720 Speaker 3: He is the best real close. Yeah, we got and 147 00:07:29,840 --> 00:07:33,200 Speaker 3: you smooch him. Actually no, they didn't smooch. 148 00:07:33,840 --> 00:07:35,480 Speaker 2: Interesting, I know it. 149 00:07:36,040 --> 00:07:39,760 Speaker 3: I know. Didn't you have sex behind the scenes? No, 150 00:07:40,000 --> 00:07:44,480 Speaker 3: that sounded really not behind the scenes. People on the show. 151 00:07:45,440 --> 00:07:48,880 Speaker 3: They on the show. Joe talks about very bad sex 152 00:07:48,920 --> 00:07:51,120 Speaker 3: with him, actually, very not good sex. 153 00:07:51,480 --> 00:07:52,880 Speaker 1: I was gonna say, you made the sweet love, but 154 00:07:52,880 --> 00:07:55,480 Speaker 1: evidently you did not. You made that was a sad sex, 155 00:07:56,320 --> 00:07:58,880 Speaker 1: not so sweet sex, but without kissing. 156 00:07:58,880 --> 00:08:00,720 Speaker 2: Maybe it was not so sweet because there was no kissing, 157 00:08:01,240 --> 00:08:03,880 Speaker 2: because you need a little foreplay before the big event. 158 00:08:04,000 --> 00:08:05,800 Speaker 3: No, you do, there was. 159 00:08:06,000 --> 00:08:06,720 Speaker 2: We digressed. 160 00:08:07,120 --> 00:08:08,960 Speaker 1: We were talking about being excited. 161 00:08:12,000 --> 00:08:14,000 Speaker 3: I'm gonna let Skyler talk about that. 162 00:08:14,560 --> 00:08:16,440 Speaker 2: Yeah, we're gonna talk to him about a lot of things. 163 00:08:16,440 --> 00:08:18,200 Speaker 2: I'm very excited. All right, Can we let him in. 164 00:08:18,720 --> 00:08:23,800 Speaker 3: We're gonna let him in, Skyler Aston welcome to call 165 00:08:23,880 --> 00:08:26,080 Speaker 3: it what it is, welcome, Welcome. 166 00:08:26,520 --> 00:08:28,040 Speaker 4: Oh, I'm so excited to be here. 167 00:08:29,480 --> 00:08:31,520 Speaker 2: I have not seen so excited. 168 00:08:31,840 --> 00:08:34,120 Speaker 3: We're so excited. I can't The last time I saw 169 00:08:34,160 --> 00:08:36,480 Speaker 3: you was when you walked off set on Gray's Anatomy. 170 00:08:36,600 --> 00:08:38,599 Speaker 4: The Saddest and we made that cute little video with 171 00:08:38,679 --> 00:08:45,600 Speaker 4: the breakfast close I know, and the newest influencer duo 172 00:08:45,760 --> 00:08:47,040 Speaker 4: by the way. 173 00:08:47,160 --> 00:08:50,679 Speaker 3: Actually, can I tell you, I feel like Skyler started 174 00:08:50,720 --> 00:08:55,400 Speaker 3: me on the TikTok cool trend. I was not like 175 00:08:55,480 --> 00:08:58,120 Speaker 3: Skylark arrived on set and he was like, we've got 176 00:08:58,160 --> 00:09:00,320 Speaker 3: to make some cool stuff, and I was like, what's 177 00:09:00,400 --> 00:09:01,000 Speaker 3: the internet? 178 00:09:01,840 --> 00:09:07,920 Speaker 4: Yeah, I'm not sure, but these eight year old all 179 00:09:08,080 --> 00:09:10,560 Speaker 4: know what the internet is and they did all of 180 00:09:10,600 --> 00:09:11,400 Speaker 4: our work for us. 181 00:09:11,400 --> 00:09:14,160 Speaker 5: And since then, I've not posted on TikTok because they 182 00:09:14,200 --> 00:09:16,360 Speaker 5: were They did all the stuff. They just told us 183 00:09:16,400 --> 00:09:17,000 Speaker 5: what was cool. 184 00:09:17,600 --> 00:09:21,480 Speaker 3: Yes, Jess, you know all of our amazing eighties on Yes. 185 00:09:21,760 --> 00:09:24,679 Speaker 1: Yes, and often stars of the TikTok videos themselves. 186 00:09:24,800 --> 00:09:27,440 Speaker 3: We forced them to be stars of it and they're 187 00:09:27,520 --> 00:09:30,240 Speaker 3: all cool gen z. They Now. 188 00:09:30,360 --> 00:09:32,360 Speaker 1: I see how it started because when I went back. 189 00:09:32,400 --> 00:09:33,840 Speaker 1: She made me do stuff and I was just like 190 00:09:33,840 --> 00:09:35,080 Speaker 1: all right. I was just just I don't know what 191 00:09:35,080 --> 00:09:35,959 Speaker 1: I'm I'm going to do. 192 00:09:36,040 --> 00:09:37,360 Speaker 2: I'll just do it. Let's do it. 193 00:09:38,240 --> 00:09:40,120 Speaker 3: Yeah, that's just what happened. 194 00:09:40,160 --> 00:09:42,000 Speaker 4: Now when I see you do it, I get fomo 195 00:09:42,160 --> 00:09:44,600 Speaker 4: because I'm like, I can't even do this anymore. I 196 00:09:44,679 --> 00:09:46,400 Speaker 4: just have the ideas you can. 197 00:09:47,280 --> 00:09:49,319 Speaker 2: Yeah, you knew where to find. 198 00:09:49,120 --> 00:09:50,520 Speaker 4: Her, that's true. 199 00:09:50,880 --> 00:09:52,880 Speaker 2: Slash that badge, get on in there. 200 00:09:53,400 --> 00:09:55,000 Speaker 4: I do have a bunch of their numbers. I could 201 00:09:55,000 --> 00:09:55,960 Speaker 4: call them. I just start like. 202 00:09:58,240 --> 00:10:03,960 Speaker 3: Your social media manager. Okay. So for people that have 203 00:10:04,160 --> 00:10:06,760 Speaker 3: not seen Grey's Anatomy or are still catching up on 204 00:10:06,800 --> 00:10:11,720 Speaker 3: Grey's Anatomy, Skyler came on to play Joe Wilson, my 205 00:10:11,800 --> 00:10:17,960 Speaker 3: character's love interest, for I think four episodes thinking about 206 00:10:18,000 --> 00:10:21,800 Speaker 3: four ish. I did not known each other before, and 207 00:10:21,880 --> 00:10:25,400 Speaker 3: it was instant love for me at least Skyler. No, 208 00:10:26,160 --> 00:10:29,319 Speaker 3: So we just clicked instantly, and in fact, to be honest, 209 00:10:29,400 --> 00:10:32,560 Speaker 3: I did like try and beg the writers to just 210 00:10:32,960 --> 00:10:34,960 Speaker 3: keep you and be like, no, this is the guy 211 00:10:35,040 --> 00:10:37,040 Speaker 3: for Joe. And then you went on book show. 212 00:10:37,960 --> 00:10:39,560 Speaker 4: I loved that you used to do that. 213 00:10:39,679 --> 00:10:41,680 Speaker 5: I was I'm by the way. I was down to 214 00:10:41,720 --> 00:10:43,320 Speaker 5: do both. I don't know if I could split my 215 00:10:43,400 --> 00:10:46,200 Speaker 5: body in half, but like I love, like. 216 00:10:46,160 --> 00:10:47,360 Speaker 4: Can we keep them? 217 00:10:47,920 --> 00:10:50,599 Speaker 5: And I I had it was an absolute delight of 218 00:10:50,640 --> 00:10:53,160 Speaker 5: working with you. Was so easy, very rarely. I mean 219 00:10:53,200 --> 00:10:55,040 Speaker 5: I I tend to get along with people that I 220 00:10:55,080 --> 00:10:58,800 Speaker 5: work with. Both sometimes it's just like love it first scene. 221 00:10:59,000 --> 00:11:01,720 Speaker 3: Yeah, love for scene, and we had it and we 222 00:11:01,840 --> 00:11:03,200 Speaker 3: laughed so much. 223 00:11:03,400 --> 00:11:05,199 Speaker 5: Yes, And for those of you, I mean, is it 224 00:11:05,280 --> 00:11:07,840 Speaker 5: is it okay to give spoilers about Yeah? 225 00:11:08,360 --> 00:11:09,640 Speaker 3: Yeah, sure I don't. 226 00:11:09,800 --> 00:11:12,839 Speaker 4: I'm alive, but I don't. But I was kind of 227 00:11:13,240 --> 00:11:16,920 Speaker 4: cast off in a a in a swift way. And 228 00:11:16,960 --> 00:11:20,200 Speaker 4: I think you and I were both like playing love. 229 00:11:21,040 --> 00:11:24,400 Speaker 4: We were pretty hard. And now there was one one 230 00:11:24,440 --> 00:11:26,400 Speaker 4: episode where it was like and now he's clinging, and 231 00:11:26,440 --> 00:11:28,480 Speaker 4: now you're repulsed by him, and now he's gone. 232 00:11:29,040 --> 00:11:32,760 Speaker 3: Yes, we were playing. We were playing the long game. 233 00:11:33,160 --> 00:11:35,280 Speaker 3: I think we didn't know, we didn't know where it 234 00:11:35,320 --> 00:11:38,680 Speaker 3: went and and it was so adorable and so cute. 235 00:11:38,720 --> 00:11:40,240 Speaker 3: And I had said to them, you've got to bring 236 00:11:40,280 --> 00:11:42,960 Speaker 3: someone on the show for Joe that's so different to 237 00:11:42,960 --> 00:11:45,920 Speaker 3: her past relationship, someone that's really fun and like brings 238 00:11:45,960 --> 00:11:48,080 Speaker 3: that out of her, and then you walked onto set 239 00:11:48,080 --> 00:11:50,040 Speaker 3: and I was like, oh my god, this works and 240 00:11:50,160 --> 00:11:54,240 Speaker 3: people instantly are fandom. As you know, Jessica is very 241 00:11:54,320 --> 00:11:58,080 Speaker 3: fickle and it takes a long time for them to 242 00:11:58,160 --> 00:12:01,760 Speaker 3: warm up to new relationships. And it was like instantly 243 00:12:01,800 --> 00:12:05,839 Speaker 3: as soon as you aired, everyone really loved those two 244 00:12:05,920 --> 00:12:10,040 Speaker 3: characters together, which was so awesome and amazing, and I 245 00:12:10,080 --> 00:12:12,280 Speaker 3: was like, we have something here. But then you're so 246 00:12:12,400 --> 00:12:14,120 Speaker 3: talented you had to go book something. 247 00:12:15,160 --> 00:12:17,520 Speaker 1: I feel but I feel like the story isn't over yet. 248 00:12:17,679 --> 00:12:19,120 Speaker 1: Listening to you guys talk about this, I feel like 249 00:12:19,160 --> 00:12:20,320 Speaker 1: the story is not over. 250 00:12:20,640 --> 00:12:22,880 Speaker 2: I feel like and grace everything. Just I just feel 251 00:12:22,880 --> 00:12:24,160 Speaker 2: like there's a chance for you guys. 252 00:12:25,280 --> 00:12:30,520 Speaker 3: Honestly ended, it was so cringey. Yeah, oh it killed it. 253 00:12:31,080 --> 00:12:33,400 Speaker 3: He bought me like, like your you want to tell 254 00:12:33,440 --> 00:12:35,560 Speaker 3: the story, you can tell the story of Skyler because 255 00:12:35,559 --> 00:12:36,480 Speaker 3: it was your sex bear. 256 00:12:37,400 --> 00:12:40,480 Speaker 5: So so since they had to get me off, and 257 00:12:40,520 --> 00:12:41,480 Speaker 5: I guess they. 258 00:12:41,440 --> 00:12:44,360 Speaker 4: Did keep me around for maybe the future, who knows. 259 00:12:45,080 --> 00:12:48,000 Speaker 5: Yeah, but I just started to I would always do 260 00:12:48,040 --> 00:12:50,199 Speaker 5: like really sweet things or my character obviously where I 261 00:12:50,200 --> 00:12:52,920 Speaker 5: would show up at Joe's. 262 00:12:52,600 --> 00:12:54,720 Speaker 4: Work and I would bring our cookies and bring, you know, 263 00:12:54,880 --> 00:12:55,840 Speaker 4: bring it just be this. 264 00:12:56,040 --> 00:12:58,680 Speaker 5: The sweet guy would help like walk the stroller in 265 00:12:58,720 --> 00:13:03,280 Speaker 5: to the hospital and then and then it just took 266 00:13:03,280 --> 00:13:04,760 Speaker 5: it a little too far where he was just like 267 00:13:04,800 --> 00:13:10,280 Speaker 5: giving too many gifts. And apparently we didn't shoot this scene, 268 00:13:10,400 --> 00:13:13,440 Speaker 5: but Joe references the fact that when we finally do 269 00:13:13,520 --> 00:13:20,800 Speaker 5: the deed, I sing in operatic fashion when I wow. 270 00:13:21,040 --> 00:13:23,600 Speaker 3: You know what's so funny is I literally forgot about 271 00:13:23,600 --> 00:13:25,240 Speaker 3: that until you just said it. 272 00:13:25,720 --> 00:13:27,640 Speaker 4: Yeah, so now they were like Todd. 273 00:13:27,760 --> 00:13:31,600 Speaker 5: She's talking to Chris Carmack's character about like, I don't 274 00:13:31,600 --> 00:13:33,520 Speaker 5: know about this Todd guy. 275 00:13:33,760 --> 00:13:36,400 Speaker 4: And then there I show up with like this humongous 276 00:13:36,440 --> 00:13:40,520 Speaker 4: oversized stuff. He and I'm just like, I'm at the hospital. 277 00:13:40,600 --> 00:13:44,520 Speaker 4: I got you a bear because we had sex. It's 278 00:13:44,520 --> 00:13:50,280 Speaker 4: a sex bear and know a word set out that 279 00:13:50,440 --> 00:13:53,120 Speaker 4: was yes, that was that was written and performed. 280 00:13:56,280 --> 00:13:59,800 Speaker 3: So I don't know if there's really Wow. 281 00:14:00,320 --> 00:14:03,760 Speaker 4: Listen, those Gray's Anatomy writers are so amazing. They could 282 00:14:03,760 --> 00:14:08,079 Speaker 4: write anything. They could reverse it. I meant by sex bear, 283 00:14:10,800 --> 00:14:15,880 Speaker 4: what was that we were bear? We were having I 284 00:14:16,080 --> 00:14:18,000 Speaker 4: was not or. 285 00:14:18,240 --> 00:14:19,840 Speaker 3: You know what they could do. They could be like 286 00:14:20,040 --> 00:14:23,240 Speaker 3: link told me that you loved this and to say 287 00:14:23,240 --> 00:14:24,840 Speaker 3: this like he had sabotaged. 288 00:14:25,000 --> 00:14:25,240 Speaker 4: Yeah. 289 00:14:25,320 --> 00:14:25,840 Speaker 2: I love that. 290 00:14:26,120 --> 00:14:26,640 Speaker 3: I like that. 291 00:14:26,760 --> 00:14:27,600 Speaker 2: I like that. 292 00:14:28,040 --> 00:14:31,000 Speaker 4: Killing two birds with one story. Yeah. 293 00:14:31,040 --> 00:14:48,320 Speaker 3: Yes, so Jessica did not work with you on Grace. However, 294 00:14:49,120 --> 00:14:52,640 Speaker 3: you are a huge Spring Awakening fan, jess You so just. 295 00:14:52,680 --> 00:14:54,560 Speaker 2: Stole my thunder there, just. 296 00:14:54,560 --> 00:14:55,360 Speaker 4: Back it up there. 297 00:14:55,600 --> 00:14:57,680 Speaker 3: Yes, Okay, I'm not gonna pretend. 298 00:14:57,840 --> 00:15:01,320 Speaker 2: Shouldn't say that, pretend like should s. Let's start with this. Okay, 299 00:15:01,320 --> 00:15:02,920 Speaker 2: So you guys got to work together. 300 00:15:03,720 --> 00:15:04,640 Speaker 3: Yeah, but I have. 301 00:15:04,840 --> 00:15:09,640 Speaker 1: Known you for longer because I was in the second 302 00:15:09,760 --> 00:15:12,880 Speaker 1: row of the original Spring Awakening. 303 00:15:13,760 --> 00:15:17,400 Speaker 4: Wow, so you got all the Jonathan Gross I. 304 00:15:17,360 --> 00:15:21,640 Speaker 2: Got so much spit. Yeah, so much spit, and I 305 00:15:23,680 --> 00:15:28,280 Speaker 2: down for it. I bought it all. I loved that 306 00:15:28,360 --> 00:15:32,760 Speaker 2: show so much. I went home, I listened to it. 307 00:15:32,880 --> 00:15:35,880 Speaker 1: I would sing and dance in my own kitchen, in 308 00:15:35,920 --> 00:15:36,920 Speaker 1: my bathroom wherever. 309 00:15:36,920 --> 00:15:39,080 Speaker 2: I would listen in the car, all of it, all 310 00:15:39,080 --> 00:15:39,560 Speaker 2: of it, all of it. 311 00:15:39,680 --> 00:15:43,520 Speaker 1: So I'm pretty much a musical theater nerd, and I 312 00:15:43,560 --> 00:15:46,560 Speaker 1: think that the thing that's so crazy about musicals is 313 00:15:46,560 --> 00:15:50,560 Speaker 1: that oftentimes, especially with musicals, it's very rare that there's 314 00:15:50,720 --> 00:15:53,960 Speaker 1: a new show that can feel like something you've lived 315 00:15:53,960 --> 00:15:55,600 Speaker 1: with your whole life, or that you can't believe you 316 00:15:55,640 --> 00:15:58,720 Speaker 1: lived with that, And Spring Awakening was that for me, 317 00:15:58,960 --> 00:15:59,800 Speaker 1: I'm such a nerd. 318 00:16:00,000 --> 00:16:03,120 Speaker 2: And I also watched the documentary. 319 00:16:02,720 --> 00:16:04,440 Speaker 4: Nice That was really fun. 320 00:16:05,360 --> 00:16:07,920 Speaker 1: It was so much fun to watch, and I felt 321 00:16:07,920 --> 00:16:09,600 Speaker 1: like I got a peek behind the curtain. And also, 322 00:16:09,640 --> 00:16:11,880 Speaker 1: of course when I was watching the play, sitting there 323 00:16:11,880 --> 00:16:15,280 Speaker 1: for the first time, because everyone was so fresh and new, 324 00:16:16,040 --> 00:16:17,040 Speaker 1: I could make up. 325 00:16:16,880 --> 00:16:17,520 Speaker 2: What I well. 326 00:16:17,800 --> 00:16:21,720 Speaker 1: Also, as this happens obviously when people watch anything where 327 00:16:21,800 --> 00:16:23,760 Speaker 1: people are really good at their job, is that you 328 00:16:23,800 --> 00:16:27,240 Speaker 1: guys were your characters to me, so I was. They 329 00:16:27,240 --> 00:16:29,840 Speaker 1: were deeply in love. It was I mean, I had 330 00:16:29,880 --> 00:16:33,880 Speaker 1: the high and low. I was just there for it all. 331 00:16:34,320 --> 00:16:36,800 Speaker 1: When shows like that start, as soon as I'm in, 332 00:16:37,320 --> 00:16:40,400 Speaker 1: I start crying, Like I just feel so overwhelmed by 333 00:16:40,400 --> 00:16:43,400 Speaker 1: the music, and I feel so overwhelmed by how incredibly 334 00:16:44,120 --> 00:16:47,360 Speaker 1: brave it is to stand up there in front of 335 00:16:47,400 --> 00:16:49,920 Speaker 1: all of those people, Like I get goosebumps now, like, 336 00:16:50,120 --> 00:16:53,320 Speaker 1: because it's one thing to speak and to connect and 337 00:16:53,360 --> 00:16:56,280 Speaker 1: to tell a story and to live with script that 338 00:16:56,320 --> 00:17:00,600 Speaker 1: you are making new every night. But for me, maybe 339 00:17:00,600 --> 00:17:03,720 Speaker 1: because I haven't been blessed with that talent, although I 340 00:17:03,800 --> 00:17:08,160 Speaker 1: long for it, I cannot believe that you could sing 341 00:17:08,400 --> 00:17:11,320 Speaker 1: and connect and emote and feel and create stories. 342 00:17:11,320 --> 00:17:14,360 Speaker 2: So when I watch it, I'm so moved by it, 343 00:17:14,800 --> 00:17:18,800 Speaker 2: and I just loved it, loved it, loved it, loved it, 344 00:17:18,840 --> 00:17:19,240 Speaker 2: loved it. 345 00:17:20,080 --> 00:17:20,720 Speaker 4: That's so sweet. 346 00:17:20,760 --> 00:17:23,120 Speaker 5: I mean, it was a very like raw and emotional 347 00:17:23,160 --> 00:17:26,479 Speaker 5: show and it definitely struck a chord because it is like, 348 00:17:26,600 --> 00:17:31,120 Speaker 5: unapologetically about adolescents and what happens when your kid when 349 00:17:31,160 --> 00:17:32,760 Speaker 5: parents are repressive to children. 350 00:17:32,800 --> 00:17:35,520 Speaker 4: So for that expression came from such a real place, 351 00:17:35,640 --> 00:17:37,280 Speaker 4: and people loved it because it was. 352 00:17:37,240 --> 00:17:40,920 Speaker 5: One of the few times where it wasn't like adults 353 00:17:40,960 --> 00:17:43,159 Speaker 5: playing kids, but we were actually kids ourselves, which is 354 00:17:43,200 --> 00:17:45,760 Speaker 5: probably why you were like, you are the characters and 355 00:17:45,800 --> 00:17:49,679 Speaker 5: we kind of were in a way. It wasn't really 356 00:17:49,720 --> 00:17:52,199 Speaker 5: like cast in a traditional sense or made in a 357 00:17:52,240 --> 00:17:56,919 Speaker 5: traditional sense. They were adapting the characters to us. Like 358 00:17:57,000 --> 00:18:01,320 Speaker 5: my character plays piano in the play, and I like 359 00:18:01,359 --> 00:18:04,399 Speaker 5: am obsessed with my piano teacher, And that really was 360 00:18:04,480 --> 00:18:07,119 Speaker 5: born from me being on a break, like on a 361 00:18:07,200 --> 00:18:10,480 Speaker 5: lunch break, just playing piano with the cast and messing around. 362 00:18:10,119 --> 00:18:11,920 Speaker 4: On like some billy Joel or something like that. 363 00:18:12,480 --> 00:18:15,080 Speaker 5: And at the time, our musical director was doing double 364 00:18:15,160 --> 00:18:17,600 Speaker 5: duty conducting another show, and they were like, well, we 365 00:18:17,720 --> 00:18:20,000 Speaker 5: love this musical director, but how are we going to 366 00:18:20,119 --> 00:18:22,239 Speaker 5: keep her if she can't play the show. And then 367 00:18:22,240 --> 00:18:25,240 Speaker 5: they ended up writing my character to be a piano 368 00:18:25,280 --> 00:18:27,119 Speaker 5: player so that I could also play the show, and 369 00:18:27,160 --> 00:18:29,600 Speaker 5: I had to join the Musicians Union, and so like 370 00:18:29,800 --> 00:18:31,760 Speaker 5: that is a little that is like one of the 371 00:18:31,800 --> 00:18:34,879 Speaker 5: little nuggets that made this show so deeply personal to 372 00:18:34,960 --> 00:18:37,520 Speaker 5: the people doing it and to the people you know, 373 00:18:37,600 --> 00:18:38,960 Speaker 5: seeing it and feeling. 374 00:18:38,640 --> 00:18:41,560 Speaker 3: That, yeah, I want to know about the casting process 375 00:18:42,000 --> 00:18:43,720 Speaker 3: for people that didn't see the documentary and tell me 376 00:18:43,760 --> 00:18:44,160 Speaker 3: about it. 377 00:18:44,680 --> 00:18:47,000 Speaker 4: Okay. So I joined it when I was like sixteen. 378 00:18:47,280 --> 00:18:50,920 Speaker 4: They've done so many workshops and iterations and different casts, 379 00:18:51,240 --> 00:18:54,160 Speaker 4: and every single time you had there was a. 380 00:18:54,080 --> 00:18:57,040 Speaker 5: New workshop you had to re audition because there was 381 00:18:57,080 --> 00:18:58,239 Speaker 5: just always like you've got now. 382 00:18:58,280 --> 00:19:00,240 Speaker 4: It's not even that you were like got too old old, 383 00:19:00,280 --> 00:19:02,639 Speaker 4: it's just they were always changing the cast. 384 00:19:02,720 --> 00:19:06,760 Speaker 5: And I joined, and I joined the same time Leah 385 00:19:06,800 --> 00:19:09,600 Speaker 5: Michelle joined and John Gallagher Junior joined. 386 00:19:09,600 --> 00:19:12,919 Speaker 4: And the three of us loved him. He's so fantastic 387 00:19:12,920 --> 00:19:13,480 Speaker 4: and I love him. 388 00:19:13,520 --> 00:19:18,400 Speaker 5: But stayed through the Lincoln Center production, like little workshop 389 00:19:18,400 --> 00:19:20,280 Speaker 5: thing that we did and then I had to and 390 00:19:20,280 --> 00:19:22,399 Speaker 5: then I went to n Yu and then. 391 00:19:22,359 --> 00:19:24,280 Speaker 4: I thought it was done. It was done because that's 392 00:19:24,359 --> 00:19:26,159 Speaker 4: there were like year gaps in between it. It was 393 00:19:26,200 --> 00:19:29,240 Speaker 4: a very obscure piece at the time, still being developed. 394 00:19:30,200 --> 00:19:32,800 Speaker 4: It was very different, Like the rock music wasn't like 395 00:19:32,960 --> 00:19:35,560 Speaker 4: musical theater rock. It was like actual It was written 396 00:19:35,600 --> 00:19:38,160 Speaker 4: by actual like alternative rock guy. 397 00:19:38,280 --> 00:19:40,600 Speaker 2: Who went to Brown. I didn't got to spoil him, but. 398 00:19:41,840 --> 00:19:45,359 Speaker 4: Yeah, Duncan Cheek was brilliant now Grammy winning and. 399 00:19:46,480 --> 00:19:50,080 Speaker 5: He he was just this like anti musical guy, which 400 00:19:50,119 --> 00:19:53,000 Speaker 5: is kind of uh. It was an interesting creative team 401 00:19:53,000 --> 00:19:56,480 Speaker 5: because we had like traditional Broadway people and very untraditional 402 00:19:56,560 --> 00:19:59,679 Speaker 5: people and sometimes I won't say they clashed, but I 403 00:19:59,720 --> 00:20:03,560 Speaker 5: think like Duncan had an aversion to do certain things 404 00:20:03,560 --> 00:20:05,879 Speaker 5: that like just are like the recipe in the form 405 00:20:05,880 --> 00:20:08,480 Speaker 5: we loa for certain songs, like putting a big button 406 00:20:08,520 --> 00:20:12,000 Speaker 5: on it, like we're here, you know, like that's a 407 00:20:12,440 --> 00:20:15,320 Speaker 5: that's called the button. He hated buttons. It needed to 408 00:20:15,440 --> 00:20:18,480 Speaker 5: like fade into obscurity with like a chord like it 409 00:20:18,520 --> 00:20:22,280 Speaker 5: could make sense now, and that always like tied you know, 410 00:20:22,400 --> 00:20:26,200 Speaker 5: so so like so we were we were discouraged from 411 00:20:26,200 --> 00:20:28,800 Speaker 5: singing musical theater songs for the audition, So I sang 412 00:20:29,240 --> 00:20:31,159 Speaker 5: something in the Way She Moves by the Beatles. That 413 00:20:31,240 --> 00:20:33,800 Speaker 5: was always my song. It was just an honest song 414 00:20:33,800 --> 00:20:35,520 Speaker 5: that I could connect to the words. But also I 415 00:20:35,640 --> 00:20:40,320 Speaker 5: wasn't like super Broadway about it, and I did my 416 00:20:40,400 --> 00:20:43,560 Speaker 5: best cool guy impression, and. 417 00:20:43,600 --> 00:20:48,879 Speaker 4: But then you're super formal period text that's like nineteenth 418 00:20:48,920 --> 00:20:53,920 Speaker 4: century Bavaria, like Germany. So it was a definitely interesting 419 00:20:53,920 --> 00:20:56,000 Speaker 4: skill set you need to have, like actual actors who 420 00:20:56,000 --> 00:21:00,280 Speaker 4: also knew how to like sing alternative rock. And that's 421 00:21:00,280 --> 00:21:03,280 Speaker 4: why since it was a difficult search, that's why we 422 00:21:03,320 --> 00:21:05,639 Speaker 4: had to re audition every time. So in between, like 423 00:21:05,960 --> 00:21:08,320 Speaker 4: I went to a full semester of college and then 424 00:21:08,440 --> 00:21:13,080 Speaker 4: finally it was happening, I kind of played hooky in 425 00:21:13,119 --> 00:21:16,639 Speaker 4: a way and auditioned and then ended up taking a 426 00:21:16,760 --> 00:21:19,360 Speaker 4: leave of absence that became a permanent leave of absence 427 00:21:19,400 --> 00:21:22,080 Speaker 4: from college and went on to do it off Broadway 428 00:21:22,119 --> 00:21:23,719 Speaker 4: and then Broadway and then beyond. 429 00:21:24,400 --> 00:21:27,280 Speaker 1: It was such an incredible concentration of talent and think 430 00:21:27,359 --> 00:21:31,760 Speaker 1: about I mean, there's just it was look at where 431 00:21:31,760 --> 00:21:35,280 Speaker 1: everybody went. You know, it's kind of like, that's pretty wild. 432 00:21:36,000 --> 00:21:38,720 Speaker 1: I saw during the holidays. I saw it with my 433 00:21:38,800 --> 00:21:42,159 Speaker 1: parents and then my younger brother, and he was again 434 00:21:42,560 --> 00:21:44,679 Speaker 1: just hearkening back to that second row aspect of it. 435 00:21:45,520 --> 00:21:49,119 Speaker 1: There was a lot of sex, a lot of sex, 436 00:21:49,600 --> 00:21:52,359 Speaker 1: and he was like he was, I don't know that 437 00:21:52,400 --> 00:21:53,440 Speaker 1: my parents knew. 438 00:21:54,440 --> 00:21:59,000 Speaker 2: I don't think they read the fine print. It was 439 00:21:59,040 --> 00:22:00,520 Speaker 2: actually a formative experience for. 440 00:22:00,560 --> 00:22:03,000 Speaker 1: Him, because I think I'm pretty sure we'll have to 441 00:22:03,040 --> 00:22:05,080 Speaker 1: I'll have to ask him, but I'm pretty sure that 442 00:22:05,119 --> 00:22:10,040 Speaker 1: he actually has like really deep not trauma, but deep 443 00:22:10,080 --> 00:22:16,440 Speaker 1: feeling about the hilarity of feeling that he was having, 444 00:22:16,480 --> 00:22:19,760 Speaker 1: which was probably some kind of because it was sexy, 445 00:22:19,920 --> 00:22:21,840 Speaker 1: like it wasn't just sex in front of you, was 446 00:22:21,880 --> 00:22:23,600 Speaker 1: actually fucking sexy like you. 447 00:22:23,640 --> 00:22:25,600 Speaker 2: It was arousing and. 448 00:22:25,480 --> 00:22:26,280 Speaker 4: Then you had. 449 00:22:28,560 --> 00:22:31,680 Speaker 5: I mean, there was there was sex. There was masturbation. 450 00:22:32,040 --> 00:22:35,280 Speaker 5: I had to masturbation. I had to do a jerk 451 00:22:35,480 --> 00:22:36,080 Speaker 5: in a cirque. 452 00:22:36,920 --> 00:22:40,639 Speaker 1: Really just started saying masturbation out loud myself, like, and 453 00:22:40,680 --> 00:22:41,520 Speaker 1: this was on stage. 454 00:22:41,560 --> 00:22:42,800 Speaker 2: They were saying it and doing it. 455 00:22:43,359 --> 00:22:47,000 Speaker 4: Imagine imagine being the actor in it, doing it in 456 00:22:47,000 --> 00:22:49,400 Speaker 4: front of your grandparents who are finally seeing their baby boy. 457 00:22:49,440 --> 00:22:53,560 Speaker 4: On Broadway for the first time. Oh god, I had 458 00:22:53,640 --> 00:22:55,600 Speaker 4: I had to do a lot of crazy stuff and 459 00:22:55,600 --> 00:22:57,679 Speaker 4: and and you know, rip off the band aid. I 460 00:22:57,680 --> 00:23:00,520 Speaker 4: think we got so comfortable with the material that it 461 00:23:00,560 --> 00:23:01,879 Speaker 4: almost became kind. 462 00:23:01,760 --> 00:23:05,239 Speaker 5: Of fun and funny to us. Because we also we 463 00:23:05,320 --> 00:23:08,000 Speaker 5: sat on stage the entire show. We never left the stage, 464 00:23:08,000 --> 00:23:10,800 Speaker 5: so even when we weren't in character, we were sitting 465 00:23:10,920 --> 00:23:12,800 Speaker 5: right because we had audience on the stage as well, 466 00:23:13,119 --> 00:23:16,280 Speaker 5: on three sides, and so we would sit amongst them 467 00:23:16,320 --> 00:23:17,760 Speaker 5: and then come on and do the scenes and then 468 00:23:17,760 --> 00:23:20,160 Speaker 5: come off. So and there's moments in the scenes where 469 00:23:20,160 --> 00:23:23,680 Speaker 5: we're on stage, but we were kind of like ghosts, 470 00:23:23,840 --> 00:23:25,879 Speaker 5: not ghost versions of our characters, but kind of like 471 00:23:25,920 --> 00:23:27,240 Speaker 5: commenting on the show a little bit. 472 00:23:27,400 --> 00:23:29,959 Speaker 4: So needless say, we get to see the audience a lot, 473 00:23:30,000 --> 00:23:32,040 Speaker 4: and we get to kind of like hear the audience, 474 00:23:32,080 --> 00:23:34,560 Speaker 4: and we know when they're going to react. And we've 475 00:23:34,560 --> 00:23:38,680 Speaker 4: had some instances speaking of masturbation. We've had people. I've 476 00:23:38,720 --> 00:23:41,159 Speaker 4: had room keys thrown at me and I was like, 477 00:23:44,040 --> 00:23:49,640 Speaker 4: I was like seventeen eighteen, being like, what are you doing, ma'am? 478 00:23:50,680 --> 00:23:55,440 Speaker 4: And then we were doing that, what are we doing? 479 00:23:55,600 --> 00:23:59,080 Speaker 4: Where are we going? And then and then we also 480 00:23:59,160 --> 00:24:06,240 Speaker 4: had someone like in the balcony speaking of masturbation. Yeah, yeah, 481 00:24:06,280 --> 00:24:06,880 Speaker 4: Do you like. 482 00:24:06,880 --> 00:24:09,960 Speaker 1: To know when people are in the audience or not? 483 00:24:10,440 --> 00:24:14,760 Speaker 1: And I mean like relatives. I mean I was in 484 00:24:14,840 --> 00:24:17,280 Speaker 1: a couple of shows where like there were actors who 485 00:24:17,280 --> 00:24:20,040 Speaker 1: were like, I want to know when someone famous is here, Like, 486 00:24:20,119 --> 00:24:22,679 Speaker 1: tell me if someone famous is here, I want to know, 487 00:24:22,760 --> 00:24:24,840 Speaker 1: And then other people that were like you better not 488 00:24:25,160 --> 00:24:26,639 Speaker 1: and tell me I don't want to know. 489 00:24:26,760 --> 00:24:27,960 Speaker 2: Where do you land on this. 490 00:24:29,400 --> 00:24:33,440 Speaker 4: Well, like a level of what is it called tradition 491 00:24:34,040 --> 00:24:39,000 Speaker 4: or when you don't want to like superstition where you're 492 00:24:39,040 --> 00:24:41,840 Speaker 4: not supposed to like those are technically the rules, like 493 00:24:41,880 --> 00:24:43,679 Speaker 4: you're not supposed to talk about reviews, you're not supposed 494 00:24:43,680 --> 00:24:45,560 Speaker 4: to talk about who's in the house. However, of course 495 00:24:45,600 --> 00:24:48,680 Speaker 4: that happens, and I'm kind of like whatever about it. 496 00:24:48,920 --> 00:24:50,960 Speaker 5: I know, like Jonathan Graff is like, oh my god, wait, 497 00:24:50,960 --> 00:24:52,840 Speaker 5: tell me I need to know. And there's other people 498 00:24:53,119 --> 00:24:54,320 Speaker 5: I need to leave the room. 499 00:24:54,400 --> 00:24:57,560 Speaker 4: So I don't like to say it, but if I 500 00:24:57,760 --> 00:25:02,119 Speaker 4: happen to hear it, it depends who it is. Sometimes 501 00:25:03,520 --> 00:25:05,440 Speaker 4: sometimes it is tough because you're like, wow, I'm really 502 00:25:05,440 --> 00:25:08,119 Speaker 4: thinking about this person the entire show. But also it's 503 00:25:08,200 --> 00:25:10,160 Speaker 4: not always the ones thing. Sometimes you're like, I'm kind 504 00:25:10,160 --> 00:25:10,440 Speaker 4: of glad. 505 00:25:10,480 --> 00:25:13,000 Speaker 5: I know, not that I would give any more or less, 506 00:25:13,080 --> 00:25:14,720 Speaker 5: but like, oh, this is cool that. 507 00:25:14,720 --> 00:25:17,240 Speaker 4: I'm doing this, and like Billy Joebels l here. 508 00:25:17,800 --> 00:25:21,960 Speaker 1: Okay, So when I went, I went with my parents. 509 00:25:22,520 --> 00:25:26,160 Speaker 1: Know that Steven Spielberg, Okay, Capshaw were in the audience. 510 00:25:26,640 --> 00:25:30,359 Speaker 4: I did Steve mister Spielberg came backstage. 511 00:25:31,760 --> 00:25:33,600 Speaker 2: I think I was there, and I think we could. 512 00:25:33,600 --> 00:25:35,280 Speaker 1: I think the internet, because it knows all we'll be 513 00:25:35,280 --> 00:25:37,520 Speaker 1: able to pick up get these pictures. I think there's 514 00:25:37,560 --> 00:25:40,239 Speaker 1: a picture of all the whole family and some of 515 00:25:40,240 --> 00:25:41,879 Speaker 1: you at least in like a stairwell. 516 00:25:42,280 --> 00:25:45,480 Speaker 4: Yeah. Yeah, that means that we were together in that picture. 517 00:25:45,720 --> 00:25:49,480 Speaker 1: Oh Skylerci, I've known him so much longer than you, Tameila, you. 518 00:25:49,480 --> 00:25:50,160 Speaker 3: Know I heard. 519 00:25:52,200 --> 00:25:55,159 Speaker 4: Yeah, we were all auditioning, like for one of his 520 00:25:55,320 --> 00:25:57,439 Speaker 4: he had like one of his mini series is at 521 00:25:57,480 --> 00:25:59,560 Speaker 4: the time, it was probably. 522 00:25:59,160 --> 00:26:02,160 Speaker 3: Like that broad Why God, wait, that's really stressful because 523 00:26:02,160 --> 00:26:05,920 Speaker 3: if you're auditioning, that's why mass and then he comes, 524 00:26:06,040 --> 00:26:08,280 Speaker 3: then you're then you're like, fuck, I gotta stuff. 525 00:26:08,440 --> 00:26:12,439 Speaker 4: Yeah, yeah, that's why the Pacific or whatever. It was 526 00:26:12,440 --> 00:26:14,760 Speaker 4: like some work and he's like, oh, very fantastic. 527 00:26:14,760 --> 00:26:16,320 Speaker 2: Your extra marine that night. 528 00:26:21,560 --> 00:26:23,040 Speaker 3: Were like, I've never seen this before. 529 00:26:23,520 --> 00:26:29,159 Speaker 4: All the play You're not You're a child. 530 00:26:29,440 --> 00:26:32,440 Speaker 1: You changed the playbill to reflect your deep admiration for this. 531 00:26:37,320 --> 00:26:40,000 Speaker 4: I'm having like John and Lea are having sex on stage. 532 00:26:40,000 --> 00:26:40,240 Speaker 4: I'm like. 533 00:26:45,520 --> 00:26:48,840 Speaker 3: In the hole? Yeah, like what the is? 534 00:26:49,480 --> 00:26:50,400 Speaker 4: I will never forget those. 535 00:26:50,680 --> 00:26:53,480 Speaker 5: Spielberg did have a cast recording in his hand, and 536 00:26:53,520 --> 00:26:55,720 Speaker 5: I was like, I was like, oh, that's okay. 537 00:26:55,720 --> 00:26:57,200 Speaker 4: He's like, yeah, I picked one up at the box. 538 00:26:57,280 --> 00:26:59,639 Speaker 4: I was like, we could have got you one, like 539 00:26:59,720 --> 00:27:01,480 Speaker 4: it have to pay like it was. I thought it 540 00:27:01,520 --> 00:27:04,280 Speaker 4: was very he liked with his own Spielberg money, which 541 00:27:04,320 --> 00:27:06,680 Speaker 4: of course he has plenty of, but you know, there's 542 00:27:06,720 --> 00:27:09,440 Speaker 4: so many resources to get that to him without him 543 00:27:09,720 --> 00:27:12,040 Speaker 4: waiting in line amongst you know. I thought that was 544 00:27:12,119 --> 00:27:13,640 Speaker 4: very cool and like, well, we. 545 00:27:13,680 --> 00:27:15,760 Speaker 2: All loved it, We really, really really all loved it. 546 00:27:15,800 --> 00:27:17,880 Speaker 1: But I think but I did think about that because 547 00:27:17,880 --> 00:27:19,760 Speaker 1: I always want to know. And I remember doing a 548 00:27:19,800 --> 00:27:22,080 Speaker 1: show and someone said I don't like to know, and 549 00:27:22,160 --> 00:27:24,159 Speaker 1: someone spilled the beans and they were like, Robert de 550 00:27:24,200 --> 00:27:28,680 Speaker 1: Niro's here tonight and I was like, oh. 551 00:27:28,320 --> 00:27:30,200 Speaker 2: I don't even know that I'll remember how to act. 552 00:27:30,920 --> 00:27:31,879 Speaker 3: I would not want to know. 553 00:27:32,200 --> 00:27:32,960 Speaker 4: But here's the thing. 554 00:27:34,040 --> 00:27:36,360 Speaker 5: Our show was lit in a certain way, especially during 555 00:27:36,359 --> 00:27:40,840 Speaker 5: the scenes where you could see the first like five rows, 556 00:27:40,960 --> 00:27:43,520 Speaker 5: and they always sat the famous people in the exact 557 00:27:43,600 --> 00:27:48,200 Speaker 5: same seat, so you'd be it's tough man seats, it's 558 00:27:48,200 --> 00:27:50,560 Speaker 5: like fifth row on the So I used to play 559 00:27:50,600 --> 00:27:52,520 Speaker 5: piano when I would have my back turned, I was 560 00:27:52,520 --> 00:27:54,320 Speaker 5: in the back of the stage, and then I would 561 00:27:54,320 --> 00:27:56,320 Speaker 5: always pop out and there'd be a big like light 562 00:27:56,400 --> 00:27:57,720 Speaker 5: on my face and I would say one of my 563 00:27:57,760 --> 00:27:59,960 Speaker 5: first solos. And that was always when I kind of 564 00:28:00,240 --> 00:28:02,920 Speaker 5: got like to take inventory, and I'd be like, oh 565 00:28:02,960 --> 00:28:04,760 Speaker 5: my god, it's Tarah Banks, or like oh my god, 566 00:28:04,760 --> 00:28:06,840 Speaker 5: it's Stephen Sondheim, or like, oh my god, it's like 567 00:28:06,920 --> 00:28:08,719 Speaker 5: my favorite player on the Knicks or whatever. 568 00:28:09,160 --> 00:28:11,840 Speaker 3: Well, in that case, i'd want to know, Yeah, it's 569 00:28:11,840 --> 00:28:13,439 Speaker 3: like a jump out. Then I don't want to be 570 00:28:13,520 --> 00:28:18,160 Speaker 3: like woa, whoa, whoa. That's how I feel internally. 571 00:28:18,240 --> 00:28:19,879 Speaker 2: Yeah, yeah, yeah, yeah. 572 00:28:19,560 --> 00:28:22,720 Speaker 4: Totally, especially playing piano, being like I can't believe the 573 00:28:22,840 --> 00:28:26,840 Speaker 4: piano man is watching me play piano, right, Oh my god. 574 00:28:42,880 --> 00:28:45,880 Speaker 1: So obviously you clearly started on the younger side. But 575 00:28:45,920 --> 00:28:47,680 Speaker 1: I have a question because I think that this is 576 00:28:47,760 --> 00:28:51,280 Speaker 1: like a moment in all performers lives where it's like, 577 00:28:52,040 --> 00:28:54,000 Speaker 1: you want to do it, you see it, you want 578 00:28:54,000 --> 00:28:55,440 Speaker 1: to be on stage, you want to act, you want 579 00:28:55,440 --> 00:28:58,760 Speaker 1: to sing. Clearly you developed your talent, blah blah blah. 580 00:28:58,960 --> 00:29:01,840 Speaker 2: When did you think that it was actually possible? 581 00:29:02,120 --> 00:29:04,800 Speaker 1: Like, when was the moment you were like, Okay, I've 582 00:29:04,840 --> 00:29:06,080 Speaker 1: wanted to do this, I want to do this. 583 00:29:06,040 --> 00:29:10,520 Speaker 2: But like I actually might be able to do this. 584 00:29:11,600 --> 00:29:15,120 Speaker 3: Hmmm, Because don't you feel like Broadways more competitive than 585 00:29:15,160 --> 00:29:16,760 Speaker 3: like getting a job on a TV show. 586 00:29:17,520 --> 00:29:18,680 Speaker 2: No, it's of and hard. 587 00:29:19,320 --> 00:29:21,560 Speaker 3: No, I think it's harder because I think there are 588 00:29:21,600 --> 00:29:22,600 Speaker 3: less roles. 589 00:29:22,920 --> 00:29:25,360 Speaker 5: I think it depends on who you ask and what 590 00:29:25,400 --> 00:29:30,760 Speaker 5: their skill set is. I I never imagined. 591 00:29:30,360 --> 00:29:34,880 Speaker 4: My life like I know after I started acting. I 592 00:29:34,920 --> 00:29:37,440 Speaker 4: never imagined anything for myself. 593 00:29:37,040 --> 00:29:39,600 Speaker 5: Other than theater. I didn't even think TV or film. 594 00:29:39,640 --> 00:29:42,880 Speaker 5: It wasn't even I just I was only wanted to 595 00:29:43,000 --> 00:29:43,760 Speaker 5: be on stage. 596 00:29:43,840 --> 00:29:46,520 Speaker 4: So like to me, the dream was to make it 597 00:29:46,560 --> 00:29:48,840 Speaker 4: on Broadway or and I would have done anything. I 598 00:29:48,840 --> 00:29:52,800 Speaker 4: would have done the smallest part. It was only after 599 00:29:53,160 --> 00:29:53,960 Speaker 4: Spring Awakening. 600 00:29:54,040 --> 00:29:57,400 Speaker 5: Actually, when I would just now get these opportunities to 601 00:29:57,440 --> 00:29:59,760 Speaker 5: audition for things, I'm like, sure, I guess I'll try it. 602 00:30:00,080 --> 00:30:01,520 Speaker 5: And then I was lucky enough to book a movie, 603 00:30:01,520 --> 00:30:05,160 Speaker 5: which like led to many other things. But I think 604 00:30:05,640 --> 00:30:08,479 Speaker 5: so to me, it kind of happened really fast when 605 00:30:08,520 --> 00:30:10,240 Speaker 5: I was on stage, and I think it was like 606 00:30:10,280 --> 00:30:13,640 Speaker 5: my third or fourth musical because I started when I 607 00:30:13,680 --> 00:30:15,760 Speaker 5: was like thirteen or fourteen, and then it just my 608 00:30:15,840 --> 00:30:18,080 Speaker 5: life at a full one a from like sports and 609 00:30:18,080 --> 00:30:20,280 Speaker 5: stuff to and like playing a bit of piano and 610 00:30:20,320 --> 00:30:23,320 Speaker 5: singing like for friends, to like whoa. 611 00:30:24,000 --> 00:30:26,520 Speaker 4: I actually had the courage to do it, and then 612 00:30:26,560 --> 00:30:29,160 Speaker 4: I was super briitten by the bug and I just 613 00:30:29,800 --> 00:30:33,440 Speaker 4: loved it so much. And I didn't know if necessarily 614 00:30:33,480 --> 00:30:35,920 Speaker 4: I was going to do it like super professionally or 615 00:30:35,960 --> 00:30:38,160 Speaker 4: even on Broadway, but I just knew I wanted to 616 00:30:38,760 --> 00:30:43,440 Speaker 4: be on stage, like and hopefully in some sort of 617 00:30:43,520 --> 00:30:45,640 Speaker 4: a setting where I can like put food on the 618 00:30:45,680 --> 00:30:46,560 Speaker 4: table while do it. 619 00:30:46,640 --> 00:30:50,600 Speaker 3: Yeah, yeah, when did you start taking like singing lessons 620 00:30:50,640 --> 00:30:51,520 Speaker 3: and all that stuff. 621 00:30:52,320 --> 00:30:56,520 Speaker 5: I started taking piano lessons pretty early, but I then 622 00:30:56,600 --> 00:30:58,600 Speaker 5: learned when I was like thirteen fourteen, I was totally 623 00:30:58,840 --> 00:31:00,640 Speaker 5: like taught the wrong way. 624 00:31:01,840 --> 00:31:03,160 Speaker 4: I didn't learn any piano. 625 00:31:03,560 --> 00:31:07,960 Speaker 5: Yeah, I didn't learn any theory, which is like the language. 626 00:31:08,080 --> 00:31:11,640 Speaker 5: I just kind of like learned the notes on like 627 00:31:11,720 --> 00:31:15,520 Speaker 5: one scale, and then would like I would compete in 628 00:31:15,560 --> 00:31:18,520 Speaker 5: these classical music competitions, and it's crazy because I would 629 00:31:18,520 --> 00:31:20,800 Speaker 5: like know how to read the music and work on 630 00:31:20,840 --> 00:31:22,760 Speaker 5: a piece for a very long period of time, but 631 00:31:22,760 --> 00:31:24,720 Speaker 5: I actually didn't know what the hell I was doing, 632 00:31:25,160 --> 00:31:29,400 Speaker 5: like playing. It's very difficult to describe going to this 633 00:31:29,480 --> 00:31:31,960 Speaker 5: teacher because I would be a lot better piano player 634 00:31:31,960 --> 00:31:32,600 Speaker 5: than I am today. 635 00:31:32,800 --> 00:31:33,800 Speaker 4: But then I just started. 636 00:31:34,160 --> 00:31:37,120 Speaker 5: I started kind of like singing at those recitals, Like 637 00:31:37,240 --> 00:31:40,880 Speaker 5: I would do like the Friends theme at my recital. 638 00:31:41,760 --> 00:31:45,960 Speaker 4: I'm that guy, just like no one to like, like 639 00:31:46,040 --> 00:31:49,520 Speaker 4: I was really doing theme songs at a piano recital. 640 00:31:49,600 --> 00:31:52,920 Speaker 3: But you didn't get singing lessons until later in life, 641 00:31:53,080 --> 00:31:53,800 Speaker 3: like like. 642 00:31:53,880 --> 00:31:56,480 Speaker 4: Fourteen, I went to this woman, Dixie Johnson, who was 643 00:31:56,520 --> 00:31:59,120 Speaker 4: like an opera person, and I learned a bit of 644 00:31:59,160 --> 00:31:59,840 Speaker 4: technique there. 645 00:32:00,640 --> 00:32:03,120 Speaker 2: And did you ever go to Eric Vitro? 646 00:32:04,080 --> 00:32:07,360 Speaker 4: I have been to Eric. Yeah, is that who. 647 00:32:07,160 --> 00:32:12,480 Speaker 3: Trained you for the musical episode Jessica? Jessica, we did it. 648 00:32:12,600 --> 00:32:15,400 Speaker 3: Skyler We did a musical episode grays Anatomy and Jessica 649 00:32:15,480 --> 00:32:20,440 Speaker 3: had a single line, but I think she trained really hard. 650 00:32:22,160 --> 00:32:24,680 Speaker 4: Do you recall that that line was Yes. 651 00:32:24,520 --> 00:32:27,320 Speaker 1: We had a musical episode for grays Anatomy and Camilla 652 00:32:27,400 --> 00:32:30,120 Speaker 1: was pointing out that when my musical talents were assessed, 653 00:32:30,120 --> 00:32:34,880 Speaker 1: I was given one line. 654 00:32:33,280 --> 00:32:34,840 Speaker 4: And you nailed that line. 655 00:32:34,920 --> 00:32:35,840 Speaker 2: I hope I did. 656 00:32:36,280 --> 00:32:40,600 Speaker 3: I hope I did. Do you still get nervous when 657 00:32:40,600 --> 00:32:42,760 Speaker 3: you go on stage or is that done for you? 658 00:32:44,680 --> 00:32:49,120 Speaker 4: I get, like I always get kind of by the 659 00:32:49,120 --> 00:32:52,640 Speaker 4: time I'm going on I'm ready to go. There's always 660 00:32:52,680 --> 00:32:55,120 Speaker 4: like a moment before I start rehearsals or something where 661 00:32:55,120 --> 00:32:56,840 Speaker 4: I'm like do I know how to do this? Or like, 662 00:32:57,360 --> 00:32:59,120 Speaker 4: oh my god, it's in two weeks, like two weeks 663 00:32:59,120 --> 00:33:01,720 Speaker 4: from like literally under two weeks from today, I will 664 00:33:01,800 --> 00:33:06,240 Speaker 4: be at the Hollywood Bowl doing this like Big Blame 665 00:33:06,400 --> 00:33:10,280 Speaker 4: is Missigon thing, and I still don't know the words 666 00:33:10,280 --> 00:33:13,480 Speaker 4: for like a couple of my songs. It's this moment 667 00:33:13,480 --> 00:33:14,600 Speaker 4: where I'm a little nervous, but. 668 00:33:14,600 --> 00:33:17,920 Speaker 5: By the time I get there and like learn everything, 669 00:33:18,360 --> 00:33:21,120 Speaker 5: it'll be more like excited and more. 670 00:33:22,880 --> 00:33:27,920 Speaker 4: Not all I'm doing well. So it's it's this really great. Uh. 671 00:33:28,000 --> 00:33:31,160 Speaker 5: It's like a celebration of the writers of Lamez and 672 00:33:31,200 --> 00:33:34,400 Speaker 5: miss Igon. So we're doing a bunch of songs from 673 00:33:34,440 --> 00:33:37,200 Speaker 5: a bunch of different shows of theirs, and I'm doing 674 00:33:37,280 --> 00:33:39,719 Speaker 5: a lot of the big It's crazy actually because I'm 675 00:33:39,760 --> 00:33:42,480 Speaker 5: doing like a song called bring Them Home, which is 676 00:33:42,480 --> 00:33:46,160 Speaker 5: a very popular song from me song, but I'm also 677 00:33:46,440 --> 00:33:48,040 Speaker 5: doing like one. 678 00:33:48,480 --> 00:33:49,600 Speaker 4: I'm also playing. 679 00:33:49,320 --> 00:33:51,480 Speaker 5: Like two characters at the same time in some of 680 00:33:51,520 --> 00:33:55,280 Speaker 5: the group songs because there's only like excepts, so we're 681 00:33:55,360 --> 00:33:58,320 Speaker 5: like divvying them up, and I'm just like, basically. 682 00:34:00,040 --> 00:34:01,800 Speaker 3: You're basically doing it all kind of. 683 00:34:01,760 --> 00:34:04,360 Speaker 2: I'm I'm the Hollywood Bowl. 684 00:34:05,040 --> 00:34:06,600 Speaker 4: Yeah, I'm doing a whole lot of it. 685 00:34:06,680 --> 00:34:07,120 Speaker 2: Awesome. 686 00:34:07,400 --> 00:34:09,320 Speaker 1: The Holly Bowl is one of my favorite places in 687 00:34:09,360 --> 00:34:12,400 Speaker 1: the whole world. I think that if you're just standing 688 00:34:12,480 --> 00:34:15,879 Speaker 1: up there, you'll feel great, I hope. 689 00:34:15,920 --> 00:34:18,400 Speaker 4: So I've done it before. I've done the Hollyball. I've 690 00:34:18,440 --> 00:34:20,759 Speaker 4: been lucky enough to do three things there. So I'm 691 00:34:20,840 --> 00:34:23,000 Speaker 4: now return. 692 00:34:22,920 --> 00:34:24,040 Speaker 3: Something with Chris Carmack. 693 00:34:24,160 --> 00:34:25,040 Speaker 4: Isn't that how Yeah? 694 00:34:25,600 --> 00:34:26,600 Speaker 3: What did you do again? 695 00:34:26,760 --> 00:34:30,759 Speaker 4: He seems to do? Oh yeah, he was so incredible. 696 00:34:30,920 --> 00:34:35,760 Speaker 4: Into the Woods, Into the Woods, Yeah, he played Prince 697 00:34:36,120 --> 00:34:39,520 Speaker 4: and he was so funny. I played the Baker. 698 00:34:39,600 --> 00:34:42,200 Speaker 5: It was a really great cast and the original Millie 699 00:34:42,480 --> 00:34:47,440 Speaker 5: Sutton Foster was my wife in it. And then Amazing, 700 00:34:47,880 --> 00:34:52,320 Speaker 5: he's incredible, amazing. A lot of that cast, like Sutton 701 00:34:52,480 --> 00:34:56,200 Speaker 5: and this woman's here at Bougus and Patty Lapone and myself. 702 00:34:56,239 --> 00:34:59,040 Speaker 5: We did like a celebration of Stephen Sondheim, so I 703 00:34:59,080 --> 00:35:01,040 Speaker 5: got to do a lot of like some of my 704 00:35:01,120 --> 00:35:04,919 Speaker 5: favorite Sonheim songs ever at the Hollywood Bowl. So I've 705 00:35:05,040 --> 00:35:08,879 Speaker 5: they they they they cross a lot off my bucket list. 706 00:35:08,880 --> 00:35:11,080 Speaker 5: And now I'm playing Jean Valjean, which I'll never do 707 00:35:11,160 --> 00:35:13,319 Speaker 5: anywhere else. So pretty insane that I get to do 708 00:35:13,360 --> 00:35:13,760 Speaker 5: it there. 709 00:35:14,320 --> 00:35:15,360 Speaker 2: That's insaneciting. 710 00:35:15,960 --> 00:35:18,840 Speaker 1: Okay, so you're in Los Angeles now, but you do 711 00:35:19,000 --> 00:35:22,799 Speaker 1: often come. So I'm in New York, Los Angeles. 712 00:35:23,680 --> 00:35:24,520 Speaker 4: That's from my fas. 713 00:35:26,360 --> 00:35:29,399 Speaker 3: That's what your family is. Los Angeles, No, no, no, New York, 714 00:35:30,160 --> 00:35:31,880 Speaker 3: New York. It is a little bit of a competition 715 00:35:31,920 --> 00:35:33,800 Speaker 3: between us Skuyler, which a little bit. 716 00:35:33,640 --> 00:35:36,960 Speaker 4: More well, I can level the playing Fiel because I 717 00:35:36,960 --> 00:35:39,040 Speaker 4: feel like I'm getting a lot of blah blah blah 718 00:35:39,239 --> 00:35:44,160 Speaker 4: energy from Capshaw regarding our friendship and relationship, but how 719 00:35:44,280 --> 00:35:48,000 Speaker 4: much she mentioned you when you were not around during 720 00:35:48,040 --> 00:35:52,279 Speaker 4: the grades. Her bestie wants to back. There was one 721 00:35:52,400 --> 00:35:53,200 Speaker 4: day where you. 722 00:35:53,080 --> 00:35:55,400 Speaker 5: Pulled up to the lot and I kind of like 723 00:35:55,440 --> 00:35:57,759 Speaker 5: faded into the back. I think we like kind of 724 00:35:57,840 --> 00:35:59,840 Speaker 5: mett he like hi, but it was like there was 725 00:35:59,880 --> 00:36:01,680 Speaker 5: no room for anything else. There was a lot of 726 00:36:01,760 --> 00:36:02,439 Speaker 5: hugging and love. 727 00:36:04,320 --> 00:36:06,160 Speaker 3: Yeah, that's the that's the day that you snuck on 728 00:36:06,280 --> 00:36:07,919 Speaker 3: and I quickly ran out of the seat. 729 00:36:12,280 --> 00:36:15,040 Speaker 1: I was like, bye, Skyler, Oh my gosh, I know 730 00:36:15,200 --> 00:36:16,560 Speaker 1: actually you know what, But I think back on the 731 00:36:16,600 --> 00:36:19,160 Speaker 1: day that was because we hadn't seen each other like 732 00:36:19,440 --> 00:36:20,120 Speaker 1: a long time. 733 00:36:20,880 --> 00:36:37,840 Speaker 3: Yeah, you went from Grays and you went to So 734 00:36:38,320 --> 00:36:42,319 Speaker 3: help you Todd. You were you are auditioning for that 735 00:36:42,400 --> 00:36:45,600 Speaker 3: when you were on the show with me, and then 736 00:36:45,640 --> 00:36:48,120 Speaker 3: you got it so annoying and you had to leave 737 00:36:48,160 --> 00:36:52,399 Speaker 3: me and and the show was super popular. So I'm 738 00:36:52,400 --> 00:36:55,960 Speaker 3: gonna be perfectly honest. I was very very shocked when 739 00:36:56,000 --> 00:36:59,600 Speaker 3: you guys got canceled. Although in this environment, it's happening 740 00:36:59,640 --> 00:37:02,840 Speaker 3: to so many shows. But I know that fans really 741 00:37:02,840 --> 00:37:06,600 Speaker 3: love that show and so anyone listening that was watching it, 742 00:37:06,960 --> 00:37:11,000 Speaker 3: are you able to say how it would have ended, 743 00:37:11,200 --> 00:37:13,000 Speaker 3: And do you have a different way you wish it 744 00:37:13,000 --> 00:37:13,640 Speaker 3: would have ended? 745 00:37:15,800 --> 00:37:17,640 Speaker 5: I know how it was always supposed to end, and 746 00:37:17,680 --> 00:37:19,600 Speaker 5: it pains me to kind of say it because I 747 00:37:19,680 --> 00:37:22,080 Speaker 5: really wanted to play it out and I didn't even 748 00:37:22,120 --> 00:37:24,560 Speaker 5: tell like my family and people like that, because I 749 00:37:24,560 --> 00:37:27,080 Speaker 5: thought it was really poetic. But it was supposed to 750 00:37:27,280 --> 00:37:31,880 Speaker 5: end with Todd having his own. 751 00:37:31,760 --> 00:37:35,120 Speaker 3: Child, and oh, that's good. 752 00:37:35,000 --> 00:37:40,000 Speaker 4: Finally understanding the relationship with your mom, mother and son 753 00:37:40,160 --> 00:37:43,279 Speaker 4: and parent and child. And it was supposed to shed 754 00:37:43,280 --> 00:37:45,759 Speaker 4: some light and I won't say with the last lines 755 00:37:45,800 --> 00:37:48,200 Speaker 4: of the series work, but basically there was supposed to 756 00:37:48,239 --> 00:37:50,160 Speaker 4: be a tie in of Todd becoming a father. 757 00:37:51,120 --> 00:37:53,880 Speaker 3: Oh that's awesome. Is that how you would have wanted 758 00:37:53,880 --> 00:37:55,120 Speaker 3: it to end to anyway? 759 00:37:55,760 --> 00:37:57,879 Speaker 4: Yeah, I think the series could have ended that way. 760 00:38:00,080 --> 00:38:01,719 Speaker 4: There's so much there's so much like in. 761 00:38:01,680 --> 00:38:04,920 Speaker 5: Between that though that I know was supposed to happen 762 00:38:04,920 --> 00:38:07,440 Speaker 5: that I was really more excited about, not more excited 763 00:38:07,440 --> 00:38:09,319 Speaker 5: about just that the fun along the way, of course, 764 00:38:09,320 --> 00:38:12,840 Speaker 5: the finish line's fun. But like my character used to disguise, 765 00:38:13,040 --> 00:38:16,759 Speaker 5: not disguise himself fully, but like playing other characters, which 766 00:38:16,760 --> 00:38:18,440 Speaker 5: I loved as an actor to be able to just 767 00:38:18,480 --> 00:38:20,879 Speaker 5: like slip in and pretend to be somebody else and do. 768 00:38:20,800 --> 00:38:21,879 Speaker 4: A poor job too. 769 00:38:22,080 --> 00:38:24,479 Speaker 5: So the audience was always kind of in on the joke, 770 00:38:24,600 --> 00:38:28,200 Speaker 5: which I loved, and some great actors and actresses. There 771 00:38:28,239 --> 00:38:30,680 Speaker 5: was a flashback episode that I pitched to the to 772 00:38:31,320 --> 00:38:33,319 Speaker 5: the creator that we were going to do and see three. 773 00:38:33,400 --> 00:38:37,120 Speaker 4: There's a lot of episode ideas and characters we were 774 00:38:37,120 --> 00:38:37,840 Speaker 4: going to like have. 775 00:38:38,400 --> 00:38:39,919 Speaker 5: I had a bunch of love interests on the show, 776 00:38:39,960 --> 00:38:41,520 Speaker 5: and then there was this whole episode where they were 777 00:38:41,520 --> 00:38:43,000 Speaker 5: all supposed to kind of like show up and there 778 00:38:43,040 --> 00:38:46,560 Speaker 5: was some great interplay amongst them and just you know, 779 00:38:47,040 --> 00:38:49,600 Speaker 5: you know how it is when like something goes unfinished 780 00:38:49,600 --> 00:38:50,040 Speaker 5: and you're like, but. 781 00:38:50,080 --> 00:38:52,080 Speaker 4: We had so much more to say. I know it 782 00:38:52,400 --> 00:38:55,239 Speaker 4: started and it was very successful too. 783 00:38:55,360 --> 00:38:57,920 Speaker 3: So but it was really successful because you guys were 784 00:38:57,920 --> 00:39:01,480 Speaker 3: on at the same time, so help me. Todd was 785 00:39:01,480 --> 00:39:04,640 Speaker 3: on the same time exactly Thursday nights is Gray's Anatomy. 786 00:39:04,840 --> 00:39:06,960 Speaker 3: So what I wanted to do was promote the show 787 00:39:07,200 --> 00:39:08,880 Speaker 3: for Skylie because I love him, and I'm like, I 788 00:39:08,960 --> 00:39:11,400 Speaker 3: definitely can't it's on a rival network. And then I 789 00:39:11,440 --> 00:39:13,759 Speaker 3: would like look at the numbers on like damn they're 790 00:39:13,800 --> 00:39:15,160 Speaker 3: doing really good in that time slot. 791 00:39:16,160 --> 00:39:19,920 Speaker 5: Yeah, well, yeah, I guess it was just one of 792 00:39:19,960 --> 00:39:21,880 Speaker 5: those things where, you know, they had a bunch of 793 00:39:21,920 --> 00:39:26,800 Speaker 5: shows coming in from past the strike that needed real estate, 794 00:39:26,920 --> 00:39:29,879 Speaker 5: and they weren't really none of their shows were doing 795 00:39:30,000 --> 00:39:33,640 Speaker 5: bad or even the Yeah it's an average. They're very 796 00:39:33,640 --> 00:39:37,120 Speaker 5: successful over there, and so we just they were like, 797 00:39:37,680 --> 00:39:39,640 Speaker 5: you know, and I got the news saying like any 798 00:39:39,680 --> 00:39:42,279 Speaker 5: other year, you know, it would have it would have 799 00:39:42,360 --> 00:39:45,919 Speaker 5: been renewed, and so heartbreaking and I believe. 800 00:39:45,600 --> 00:39:47,960 Speaker 3: That, Yeah that's totally true. 801 00:39:48,080 --> 00:39:50,480 Speaker 5: Oh good to me over there at CBS. So I 802 00:39:50,520 --> 00:39:52,799 Speaker 5: know it was a difficult decision. It doesn't make it 803 00:39:52,920 --> 00:39:56,799 Speaker 5: much easier to digest because it's like it almost would 804 00:39:56,840 --> 00:39:58,840 Speaker 5: be easier if it's almost like going a break up 805 00:39:58,840 --> 00:40:00,120 Speaker 5: when you're like I wish you were. 806 00:40:00,239 --> 00:40:06,040 Speaker 6: Yeah exactly, and that we want to we want this 807 00:40:06,160 --> 00:40:08,879 Speaker 6: to just just for some reason, the timing isn't right 808 00:40:09,160 --> 00:40:11,880 Speaker 6: in this one moment, and so that's kind of what 809 00:40:11,960 --> 00:40:12,600 Speaker 6: happened there. 810 00:40:12,760 --> 00:40:14,719 Speaker 2: I always feel like when when there really is. 811 00:40:16,200 --> 00:40:19,040 Speaker 1: Like a real excitement and a connection to something that 812 00:40:19,080 --> 00:40:22,279 Speaker 1: you're working on and you find out that that that's 813 00:40:22,320 --> 00:40:25,359 Speaker 1: going to stop or that's going to end, it's sort 814 00:40:25,440 --> 00:40:27,759 Speaker 1: of I say this all the time, so sorry for 815 00:40:27,800 --> 00:40:29,239 Speaker 1: everyone who hears me say it all the time. But 816 00:40:29,280 --> 00:40:31,239 Speaker 1: there's like that moment where you have to feel it, 817 00:40:31,280 --> 00:40:33,640 Speaker 1: you have to process it and all that, and then 818 00:40:33,680 --> 00:40:35,600 Speaker 1: you do have to kind of hit that reset button 819 00:40:35,640 --> 00:40:38,279 Speaker 1: and be like, Okay, so now, like what do I want? 820 00:40:38,760 --> 00:40:41,799 Speaker 1: And how does what I want match up with what 821 00:40:41,920 --> 00:40:45,960 Speaker 1: wants me? And because nobody wants to live in that 822 00:40:46,040 --> 00:40:48,759 Speaker 1: kind of disappointment or pain obviously in perpetuity, right, and 823 00:40:48,800 --> 00:40:50,560 Speaker 1: you have all these incredible things that are happening, and 824 00:40:50,600 --> 00:40:52,879 Speaker 1: you can so easily dip into so many things because 825 00:40:52,920 --> 00:40:57,040 Speaker 1: you are so multi talented in so far as you 826 00:40:57,080 --> 00:41:00,239 Speaker 1: see things and what you want. Is there some Is 827 00:41:00,280 --> 00:41:03,160 Speaker 1: there something that you've really been thinking about wanting to do, 828 00:41:03,560 --> 00:41:06,640 Speaker 1: or that you haven't done, or the calls to you 829 00:41:06,960 --> 00:41:09,920 Speaker 1: or in any kind of way you have like in 830 00:41:09,920 --> 00:41:11,839 Speaker 1: the back of your mind right now? 831 00:41:12,640 --> 00:41:16,160 Speaker 4: Yeah, well there's there's a bunch there's. 832 00:41:16,239 --> 00:41:18,240 Speaker 2: To manifest it. 833 00:41:18,360 --> 00:41:18,560 Speaker 4: Yeah. 834 00:41:18,600 --> 00:41:25,440 Speaker 5: I love something really big on Broadway, not even like 835 00:41:25,560 --> 00:41:28,400 Speaker 5: large scale, just like something that's big for me, like 836 00:41:28,440 --> 00:41:32,160 Speaker 5: as an actor, just something that is maybe a new 837 00:41:32,200 --> 00:41:35,920 Speaker 5: original show or revival of one of my favorites I 838 00:41:36,360 --> 00:41:41,319 Speaker 5: feel ripe for, like a Broadway return, And then as 839 00:41:41,320 --> 00:41:43,440 Speaker 5: far as like things I've done in the past, like 840 00:41:43,520 --> 00:41:46,239 Speaker 5: movie musicals or TV musicals, it'd be fun to do 841 00:41:46,280 --> 00:41:49,920 Speaker 5: some sort of like a movie musical that was large 842 00:41:50,000 --> 00:41:53,919 Speaker 5: in scale, like a Wicked or something like that. Because 843 00:41:53,960 --> 00:41:56,600 Speaker 5: I think I've done some fun different stuff and some big, 844 00:41:56,680 --> 00:41:58,560 Speaker 5: some small, some in between. I just think it would 845 00:41:58,560 --> 00:42:00,880 Speaker 5: be really fun to do something like and scale. Not 846 00:42:00,960 --> 00:42:02,239 Speaker 5: to say I just want to be in some big 847 00:42:02,280 --> 00:42:04,719 Speaker 5: Hollywood movie what actor doesn't, But I think it'll be 848 00:42:04,719 --> 00:42:06,520 Speaker 5: really cool to do something that is. 849 00:42:06,480 --> 00:42:10,840 Speaker 4: Like that kind of you know, not not even a 850 00:42:10,840 --> 00:42:13,920 Speaker 4: biopic like Bohemian Rhapsody, but something that feels kind of 851 00:42:13,960 --> 00:42:15,959 Speaker 4: big in scale like that where I could really lend 852 00:42:16,000 --> 00:42:18,800 Speaker 4: my voice and maybe that's honestly animated big in scale. 853 00:42:19,000 --> 00:42:20,680 Speaker 4: I just think it's fun to be a part of 854 00:42:20,719 --> 00:42:24,240 Speaker 4: something and and and lend every every bit of myself 855 00:42:24,280 --> 00:42:24,600 Speaker 4: to it. 856 00:42:25,280 --> 00:42:27,520 Speaker 1: I'm going to be in the MoMA Mia two giant 857 00:42:27,640 --> 00:42:32,680 Speaker 1: dance boat scenes somewhere in the Mediterranean that looks so 858 00:42:33,239 --> 00:42:35,960 Speaker 1: much fun, and they're out there and talk about with 859 00:42:36,040 --> 00:42:40,200 Speaker 1: abandon and just I mean all the things. I can 860 00:42:40,239 --> 00:42:43,040 Speaker 1: totally see that for you, and evidently now for me, 861 00:42:43,960 --> 00:42:44,600 Speaker 1: I would. 862 00:42:44,360 --> 00:42:45,800 Speaker 2: Like to also be on the boat. 863 00:42:46,360 --> 00:42:48,439 Speaker 4: I'm also mister manifest. I'll tell you to I'll call 864 00:42:48,480 --> 00:42:51,600 Speaker 4: my shot two other shots, Okay. I also want another 865 00:42:51,680 --> 00:42:54,880 Speaker 4: series because I love the consistency of the work. I 866 00:42:55,600 --> 00:42:58,160 Speaker 4: no shit love it. And I'm not just talking about 867 00:42:58,160 --> 00:43:00,279 Speaker 4: the consistency of a paycheck though that's that's not a 868 00:43:00,280 --> 00:43:03,239 Speaker 4: bad thing either, But I just I do love taking 869 00:43:03,320 --> 00:43:05,759 Speaker 4: a character at the distance. It's really fun to kind 870 00:43:05,800 --> 00:43:08,319 Speaker 4: of like see what they're doing and just kind of 871 00:43:08,480 --> 00:43:10,399 Speaker 4: keep going, and especially if it's a character you love 872 00:43:10,400 --> 00:43:13,280 Speaker 4: and really resonate with. It's like one of my favorite things. 873 00:43:13,760 --> 00:43:16,640 Speaker 5: And then a huge goal of mine, and I've come 874 00:43:16,719 --> 00:43:21,520 Speaker 5: very close to this before, is making something like producing 875 00:43:21,560 --> 00:43:24,239 Speaker 5: something myself. I've written a lot and I've come close 876 00:43:24,280 --> 00:43:28,000 Speaker 5: to getting those things made and may happen sooner than later, 877 00:43:28,560 --> 00:43:32,560 Speaker 5: but it's something that I when I'm on set, i 878 00:43:32,600 --> 00:43:34,400 Speaker 5: feel like I'm very in tune to a lot of 879 00:43:34,440 --> 00:43:39,880 Speaker 5: the different departments. I like appreciate everyone involved, and I 880 00:43:39,920 --> 00:43:43,719 Speaker 5: feel like I feel like I could do. I feel 881 00:43:43,760 --> 00:43:45,839 Speaker 5: like I'm one of those who could. Like my friend 882 00:43:45,960 --> 00:43:49,480 Speaker 5: Rachel Bloom, she did crazy ex girlfriend and while it 883 00:43:49,600 --> 00:43:52,280 Speaker 5: seemed exhausting and like she was wearing so many hats, 884 00:43:52,280 --> 00:43:53,719 Speaker 5: I was like, I think I'm. 885 00:43:53,600 --> 00:43:55,839 Speaker 4: Just the psychopath to give this a shot as well. 886 00:43:56,520 --> 00:43:57,279 Speaker 4: So maybe one. 887 00:43:57,239 --> 00:44:01,120 Speaker 3: Day I want to do a romantic comedy Skuyler, can 888 00:44:01,160 --> 00:44:01,560 Speaker 3: we do that? 889 00:44:02,400 --> 00:44:05,799 Speaker 4: Yeah? Tomorrow, Yep, I love it. 890 00:44:06,440 --> 00:44:09,760 Speaker 3: Okay, we teased you out, we teased you to the listeners, 891 00:44:10,280 --> 00:44:14,360 Speaker 3: and the first question we got is we got a 892 00:44:14,400 --> 00:44:15,919 Speaker 3: lot of this pitch perfect four. 893 00:44:17,080 --> 00:44:19,240 Speaker 4: Yeah, the world in which. 894 00:44:19,120 --> 00:44:22,080 Speaker 3: That will ever happen? Could it happen? Would you want 895 00:44:22,120 --> 00:44:23,759 Speaker 3: it to happen? All the things I. 896 00:44:23,760 --> 00:44:26,080 Speaker 5: Can't wait till I'm doing like an interview when I'm 897 00:44:26,120 --> 00:44:27,360 Speaker 5: seventy eight, god willing. 898 00:44:30,200 --> 00:44:32,680 Speaker 3: Everyone asks you this, but listen, this is how much 899 00:44:32,680 --> 00:44:34,560 Speaker 3: it resonated with the audiences. 900 00:44:34,640 --> 00:44:39,800 Speaker 4: You know, And I have a very very consistent answer, 901 00:44:39,880 --> 00:44:42,040 Speaker 4: because it's the truth. I would do it in a second, 902 00:44:42,320 --> 00:44:46,200 Speaker 4: like I love it. There's no mystery on my part. 903 00:44:46,800 --> 00:44:49,560 Speaker 4: I love doing it. I'm so grateful for everything it 904 00:44:49,560 --> 00:44:52,200 Speaker 4: brought me, for the friendships and the fans that it 905 00:44:52,280 --> 00:44:55,920 Speaker 4: brought me. It's wild. 906 00:44:56,120 --> 00:45:00,400 Speaker 5: I'd like been stopped by you know, kids of all ages, 907 00:45:00,440 --> 00:45:02,319 Speaker 5: and they continue to kids that are eight years old 908 00:45:02,360 --> 00:45:05,920 Speaker 5: and I'm like, you were negative three when this came out, you. 909 00:45:05,880 --> 00:45:07,919 Speaker 4: Know, So it's it's cool now that it that people 910 00:45:07,960 --> 00:45:09,239 Speaker 4: show it to their kids, and. 911 00:45:09,160 --> 00:45:13,400 Speaker 5: So, Yeah, I also think that while I would do 912 00:45:13,440 --> 00:45:15,880 Speaker 5: it if they called me tomorrow, time is also on 913 00:45:15,920 --> 00:45:17,200 Speaker 5: our side a little bit. 914 00:45:17,640 --> 00:45:18,919 Speaker 4: I mean, depending on how. 915 00:45:18,880 --> 00:45:21,360 Speaker 5: Much more you know, space they want to give in 916 00:45:21,360 --> 00:45:24,440 Speaker 5: between the movies, make us older, make it a reunion, however, 917 00:45:24,560 --> 00:45:27,319 Speaker 5: they would want to do it, but just to get 918 00:45:27,320 --> 00:45:29,839 Speaker 5: that group together, I'm sure it would be. It would 919 00:45:29,880 --> 00:45:33,800 Speaker 5: be difficult just because everyone's so busy and it's fantastic careers. 920 00:45:33,840 --> 00:45:37,839 Speaker 5: But I think everyone has a very special special place 921 00:45:37,840 --> 00:45:38,960 Speaker 5: in their heart for that movie. 922 00:45:40,000 --> 00:45:40,560 Speaker 3: I love it. 923 00:45:41,960 --> 00:45:44,600 Speaker 1: Okay, I want to go back to something that happened 924 00:45:44,600 --> 00:45:46,759 Speaker 1: a couple episodes ago, and we knew you were going 925 00:45:46,800 --> 00:45:48,480 Speaker 1: to come on, and I remember Kimla being like. 926 00:45:48,480 --> 00:45:50,319 Speaker 2: We've got to ask this. 927 00:45:51,120 --> 00:45:53,040 Speaker 1: I was like, okay, I didn't know you yet, so 928 00:45:53,080 --> 00:45:54,839 Speaker 1: now I'm like, yeah, I got to ask you this. 929 00:45:56,160 --> 00:45:58,040 Speaker 1: We had a fan we had a fan question in 930 00:45:58,280 --> 00:46:02,120 Speaker 1: and the question and the question was do you think 931 00:46:02,440 --> 00:46:05,080 Speaker 1: that men and women can be only friends? 932 00:46:06,080 --> 00:46:08,280 Speaker 4: Yeah? I have many friends that are female. 933 00:46:08,560 --> 00:46:11,880 Speaker 3: Really think about it, Sky, It's not that tricky. 934 00:46:12,800 --> 00:46:16,080 Speaker 4: I have so many friends that are that I've never no. 935 00:46:16,200 --> 00:46:18,080 Speaker 3: Okay, hang on, Okay, we're gonna get into detail a 936 00:46:18,080 --> 00:46:21,440 Speaker 3: little bit. Okay, here's the thing. Do you think that 937 00:46:21,480 --> 00:46:24,160 Speaker 3: men and women can be friends where not where like 938 00:46:24,440 --> 00:46:27,640 Speaker 3: you know, they never hook up, but like we're where 939 00:46:27,840 --> 00:46:31,920 Speaker 3: it's common that one person does not end up developing 940 00:46:32,080 --> 00:46:36,440 Speaker 3: feelings for the other person, especially if they're both single, 941 00:46:36,960 --> 00:46:39,000 Speaker 3: like and we're not talking like you're a buddy. It's 942 00:46:39,040 --> 00:46:41,319 Speaker 3: like you can go to the movie together, you can 943 00:46:41,360 --> 00:46:43,279 Speaker 3: go to dinner together, you can go to lunch like 944 00:46:43,360 --> 00:46:47,840 Speaker 3: same as you with guy friends, girlfriends, and it's common 945 00:46:47,920 --> 00:46:52,919 Speaker 3: that people just stay platonically interested in each other. 946 00:46:54,640 --> 00:46:58,080 Speaker 4: Look, I think, I'm sure it happens where one can 947 00:46:58,160 --> 00:47:01,600 Speaker 4: develop feelings, and I've definitely been on both sides of that. 948 00:47:01,800 --> 00:47:05,239 Speaker 4: But I've also been able to have my friend Lee 949 00:47:05,320 --> 00:47:08,040 Speaker 4: Gerbert is one of them who's a dear friend of mine, 950 00:47:08,480 --> 00:47:11,040 Speaker 4: and we could be single or not single, and she's 951 00:47:11,200 --> 00:47:15,319 Speaker 4: just like a well, I also develop very like familial 952 00:47:15,440 --> 00:47:19,799 Speaker 4: relationships with people, so like I do consider people like 953 00:47:19,800 --> 00:47:23,279 Speaker 4: like my brother or a cousin or like my one 954 00:47:23,320 --> 00:47:26,200 Speaker 4: of my closest friends, Jess Jollis who's married to one 955 00:47:26,200 --> 00:47:28,719 Speaker 4: of my best friends, but like we have our own relationship. 956 00:47:28,760 --> 00:47:31,520 Speaker 4: I actually married them. 957 00:47:31,320 --> 00:47:34,520 Speaker 3: Like I yeah, ordained the wedding. 958 00:47:34,440 --> 00:47:38,960 Speaker 5: That was ordained, like and I think the big reason 959 00:47:38,960 --> 00:47:40,439 Speaker 5: why they asked me to do that was because I'm 960 00:47:40,480 --> 00:47:45,799 Speaker 5: like equally their friends, like I will shed and weirdly enough, 961 00:47:46,080 --> 00:47:47,960 Speaker 5: maybe this is just more for their marriage. But like 962 00:47:48,040 --> 00:47:50,759 Speaker 5: the she he's not the guy that's going to go 963 00:47:50,800 --> 00:47:53,560 Speaker 5: to world market and like smell all the candles with her, 964 00:47:53,920 --> 00:47:58,440 Speaker 5: and I am for sure that guy and like even single, 965 00:47:58,840 --> 00:48:01,480 Speaker 5: like I'm like. 966 00:48:00,760 --> 00:48:02,880 Speaker 4: Oh, she's like can we go to the container store? 967 00:48:03,280 --> 00:48:05,759 Speaker 4: We please go to the container store. Danny will not go, 968 00:48:06,280 --> 00:48:09,399 Speaker 4: and I'm like, can you organize my closet? I mean, 969 00:48:12,680 --> 00:48:16,560 Speaker 4: And yeah, maybe there's like maybe there is that kind 970 00:48:16,560 --> 00:48:18,480 Speaker 4: of feeling of like oh my god, it's like I 971 00:48:18,520 --> 00:48:20,880 Speaker 4: wish I had a girlfriend to do that or like 972 00:48:21,160 --> 00:48:24,480 Speaker 4: you know, but at the time, but I think I 973 00:48:25,040 --> 00:48:29,360 Speaker 4: don't think it's I don't know, I've been like happy 974 00:48:29,400 --> 00:48:32,480 Speaker 4: single and I've also been happy in relationships, So maybe 975 00:48:32,520 --> 00:48:37,440 Speaker 4: that that you need to kind of becape yourself. Not 976 00:48:37,560 --> 00:48:40,600 Speaker 4: to say that like I'm judging those who that happens too, 977 00:48:40,600 --> 00:48:43,120 Speaker 4: because it's very natural, and again I've been on both 978 00:48:43,120 --> 00:48:45,319 Speaker 4: sides of that, but I think that maybe in order 979 00:48:45,360 --> 00:48:47,279 Speaker 4: to do that, you need to be a little like 980 00:48:47,280 --> 00:48:49,480 Speaker 4: content with yourself at the time so you feel like 981 00:48:49,520 --> 00:48:52,920 Speaker 4: you can have a healthy friendship and not cross that boundary. 982 00:48:53,239 --> 00:48:56,400 Speaker 4: I also am somebody who like, when doing love scenes 983 00:48:56,800 --> 00:48:59,640 Speaker 4: and when in those situations, make it a point to 984 00:48:59,840 --> 00:49:03,640 Speaker 4: like not, you know, across that line, because I think 985 00:49:03,680 --> 00:49:06,919 Speaker 4: it's like it's almost like asking somebody out when they're 986 00:49:06,960 --> 00:49:09,920 Speaker 4: at work and it's like, hey, they're kind of they're 987 00:49:10,080 --> 00:49:12,239 Speaker 4: kind of like being nice to you, and maybe they 988 00:49:12,239 --> 00:49:14,600 Speaker 4: are flirting and maybe you are like supposed to be together, 989 00:49:14,680 --> 00:49:18,319 Speaker 4: but you know what I mean, unless it's like, yeah, well, 990 00:49:18,360 --> 00:49:20,320 Speaker 4: you don't want to put them in that position because 991 00:49:20,400 --> 00:49:23,440 Speaker 4: like they're kind of behind the counter and are supposed 992 00:49:23,480 --> 00:49:25,359 Speaker 4: to be nice and maybe you're mistaking that. 993 00:49:25,719 --> 00:49:30,400 Speaker 3: Yeah, yeah, no, no, we got we got our guy answer, Jess, 994 00:49:30,960 --> 00:49:33,600 Speaker 3: I got the guy. It was not what I was expecting. Skuyler. 995 00:49:34,120 --> 00:49:36,439 Speaker 5: By the way, I think it's like they ask most guys. 996 00:49:36,440 --> 00:49:38,400 Speaker 5: I asked to any guy, you're gonna get a different answer. 997 00:49:38,600 --> 00:49:41,640 Speaker 5: I hope, I hope I'm representing good ones. But I 998 00:49:41,640 --> 00:49:43,879 Speaker 5: don't think I'm representing all all men. 999 00:49:44,080 --> 00:49:47,840 Speaker 3: Yeah, no, I mean our our answers were different. Jessica 1000 00:49:48,000 --> 00:49:50,080 Speaker 3: was like, I had so many guys that I was 1001 00:49:50,120 --> 00:49:53,160 Speaker 3: friends with in college, Like we're totally not into me. 1002 00:49:53,200 --> 00:49:55,919 Speaker 3: We we're just friends. And I'm like, let's call those 1003 00:49:55,960 --> 00:49:59,320 Speaker 3: guys because I think they might have a different story. 1004 00:50:00,160 --> 00:50:03,080 Speaker 4: Yeah, and their wives like hate you permanently? 1005 00:50:03,280 --> 00:50:07,840 Speaker 3: Yeah for sure. Yeah, they have capshaw voodoodles. 1006 00:50:08,320 --> 00:50:24,200 Speaker 7: Yeah, we do have a Coraffean question. 1007 00:50:24,320 --> 00:50:27,200 Speaker 3: Oh, this one is giving me a true purchase. I 1008 00:50:27,200 --> 00:50:29,840 Speaker 3: don't I don't like this. I've been with my guy, 1009 00:50:29,880 --> 00:50:32,359 Speaker 3: my man for ten years. It will be eleven here 1010 00:50:32,440 --> 00:50:36,320 Speaker 3: pretty soon. There's no ring on my finger. He's known. 1011 00:50:37,000 --> 00:50:41,080 Speaker 3: I want to get capital letters known. No, NA, when 1012 00:50:41,080 --> 00:50:43,680 Speaker 3: do I just call it? We don't even live together. 1013 00:50:44,360 --> 00:50:45,799 Speaker 3: It's not going to happen, is it? 1014 00:50:46,880 --> 00:50:49,279 Speaker 4: He's known? What does that mean's? What was that known? 1015 00:50:49,320 --> 00:50:51,719 Speaker 3: That she wants to get married? Like it's a known thing. 1016 00:50:51,840 --> 00:50:54,120 Speaker 3: They've been together over a decade. They don't even live together. 1017 00:50:54,920 --> 00:50:57,239 Speaker 3: Is this a situation where she just needs to call 1018 00:50:57,320 --> 00:50:59,799 Speaker 3: it and move on? Is it going to happen? What's 1019 00:50:59,840 --> 00:51:02,320 Speaker 3: the guy perspective on this? Because girl perspective? Jess and 1020 00:51:02,360 --> 00:51:04,839 Speaker 3: I were texting last night. Really God. 1021 00:51:05,120 --> 00:51:07,719 Speaker 5: My one fan question to this fan would be like, 1022 00:51:07,960 --> 00:51:11,520 Speaker 5: is it known that this person doesn't want to get married, 1023 00:51:11,520 --> 00:51:14,080 Speaker 5: because I imagine you've talked about it in detail. 1024 00:51:14,400 --> 00:51:16,520 Speaker 4: I think that that is like something that needs to 1025 00:51:16,520 --> 00:51:20,160 Speaker 4: be kind of agreed on somewhat early, even if it's 1026 00:51:20,200 --> 00:51:23,040 Speaker 4: not coming around the corner. It's like, are you open 1027 00:51:23,040 --> 00:51:27,640 Speaker 4: to this because it's just like I'm hope, hopelessly or 1028 00:51:27,719 --> 00:51:32,480 Speaker 4: hopefully waiting. I think you know, but no, I mean 1029 00:51:32,560 --> 00:51:36,080 Speaker 4: I think like if I gun to my head, i'd say, 1030 00:51:36,080 --> 00:51:36,800 Speaker 4: a happen. 1031 00:51:37,760 --> 00:51:38,920 Speaker 3: Yeah, that's a weird feeling. 1032 00:51:38,960 --> 00:51:40,680 Speaker 4: And I'm not saying and I'm not And I don't 1033 00:51:40,680 --> 00:51:42,640 Speaker 4: want to give bad advice, like you give that man 1034 00:51:42,680 --> 00:51:45,640 Speaker 4: an ultimatum, but I think like maybe if you've been 1035 00:51:45,680 --> 00:51:47,800 Speaker 4: with them, if you've been with this person for ten years, 1036 00:51:47,960 --> 00:51:51,520 Speaker 4: you just try to like have like one final super 1037 00:51:51,600 --> 00:51:55,439 Speaker 4: honest conversation that really doesn't feel ultimated me here where 1038 00:51:55,440 --> 00:51:59,200 Speaker 4: he's at, except that at face value, and either move 1039 00:51:59,280 --> 00:52:01,120 Speaker 4: on or keep going. 1040 00:52:02,440 --> 00:52:05,239 Speaker 1: I think that's such great advice. And I think when 1041 00:52:05,280 --> 00:52:08,120 Speaker 1: you have a relationship for that long, it can be 1042 00:52:08,239 --> 00:52:12,600 Speaker 1: so intimidating to get curious because you're like, exactly what 1043 00:52:12,640 --> 00:52:14,560 Speaker 1: you said. I should already know the answer this question, 1044 00:52:14,680 --> 00:52:17,680 Speaker 1: like he either does or doesn't, right, But now I'm 1045 00:52:17,680 --> 00:52:20,040 Speaker 1: in this relationship and now my whole heart is in 1046 00:52:20,120 --> 00:52:21,960 Speaker 1: this or I've set up this idea or I think 1047 00:52:22,000 --> 00:52:24,319 Speaker 1: this is going to happen, and now I actually have 1048 00:52:24,400 --> 00:52:27,640 Speaker 1: to act. I have to get curious, and that's so vulnerable, 1049 00:52:27,719 --> 00:52:30,359 Speaker 1: especially if you think that the answer might be no. 1050 00:52:31,960 --> 00:52:33,800 Speaker 2: And I think that ultimately. 1051 00:52:34,719 --> 00:52:38,279 Speaker 1: You got to go there because partnership and connection is 1052 00:52:38,320 --> 00:52:41,920 Speaker 1: about intimacy, and you don't have intimacy if you don't 1053 00:52:41,960 --> 00:52:46,239 Speaker 1: have if you're not sharing, and you're not getting curious 1054 00:52:46,280 --> 00:52:48,520 Speaker 1: and ready for the answers that you're going to like 1055 00:52:48,560 --> 00:52:50,680 Speaker 1: and the answers that you're maybe not gonna like, because 1056 00:52:51,040 --> 00:52:53,160 Speaker 1: you can get answers that you don't like and still 1057 00:52:53,160 --> 00:52:55,120 Speaker 1: move on, but you got to get some answers. 1058 00:52:55,200 --> 00:52:59,160 Speaker 5: You got to have some also, try this on precise. 1059 00:52:59,239 --> 00:53:02,120 Speaker 5: I really don't like to be someone who deals in absolutes. 1060 00:53:02,200 --> 00:53:05,040 Speaker 5: I like to even like the obvious answer here feels 1061 00:53:05,040 --> 00:53:06,440 Speaker 5: like girl, move on. 1062 00:53:08,640 --> 00:53:11,719 Speaker 4: But I try to like I'm a libra, so I 1063 00:53:11,840 --> 00:53:17,200 Speaker 4: like to like seey So I think that like when 1064 00:53:17,239 --> 00:53:22,399 Speaker 4: it comes to this if you are ten years in 1065 00:53:23,040 --> 00:53:25,400 Speaker 4: and you know, I don't want to take any credit 1066 00:53:25,400 --> 00:53:29,320 Speaker 4: away from us and our profession of giving these of 1067 00:53:29,440 --> 00:53:32,880 Speaker 4: giving this advice. If you're asking a podcast what you 1068 00:53:32,920 --> 00:53:37,279 Speaker 4: should do, you know, then like maybe you kind of 1069 00:53:37,360 --> 00:53:39,879 Speaker 4: know you're searching, and I've been in that place where 1070 00:53:39,920 --> 00:53:42,400 Speaker 4: you're searching for someone to just give you the answer 1071 00:53:43,239 --> 00:53:45,800 Speaker 4: because you deep down kind of know what the answer 1072 00:53:45,960 --> 00:53:49,080 Speaker 4: is and you're almost tapped out of asking friends even 1073 00:53:49,080 --> 00:53:50,920 Speaker 4: because they're like, how many times am I going to 1074 00:53:51,000 --> 00:53:51,439 Speaker 4: tell you? 1075 00:53:52,560 --> 00:53:54,520 Speaker 2: Yeah, Oh, it's so painful? 1076 00:53:54,840 --> 00:53:58,239 Speaker 4: It is. You should feel as comfortable as possible with 1077 00:53:58,280 --> 00:54:00,800 Speaker 4: your partner, especially if you've been with them for ten years, 1078 00:54:00,840 --> 00:54:03,359 Speaker 4: and so like maybe you just kind of rip off 1079 00:54:03,360 --> 00:54:06,800 Speaker 4: the band aid because either way, like it's an exercise 1080 00:54:06,840 --> 00:54:09,040 Speaker 4: for yourself and you're going to learn a lot about 1081 00:54:09,040 --> 00:54:12,440 Speaker 4: yourself and it's going to kind of be not just 1082 00:54:12,480 --> 00:54:14,840 Speaker 4: like a relief, but I think you're going to like 1083 00:54:15,560 --> 00:54:18,840 Speaker 4: kind of free yourself from the situation by by having 1084 00:54:18,880 --> 00:54:21,480 Speaker 4: that conversation. It's it's like a very palferable thing to do. 1085 00:54:22,080 --> 00:54:24,839 Speaker 3: I also feel like if you sometimes if you walk 1086 00:54:24,880 --> 00:54:28,839 Speaker 3: away and you're like, you know what, instinctually, I think 1087 00:54:28,880 --> 00:54:31,520 Speaker 3: that this isn't going to work. That person, if they 1088 00:54:31,560 --> 00:54:33,920 Speaker 3: really do want to be with you, they'll fight for you. 1089 00:54:34,239 --> 00:54:36,640 Speaker 3: Do you know what I mean? You'll see in walking 1090 00:54:36,680 --> 00:54:39,839 Speaker 3: away what the answer is. And also, I just feel 1091 00:54:39,840 --> 00:54:42,000 Speaker 3: like you always as a girl, you have an instinct 1092 00:54:42,080 --> 00:54:43,840 Speaker 3: and I'm going to out myself a little bit in this. 1093 00:54:44,719 --> 00:54:48,160 Speaker 3: I the problem with having a conversation sometimes, even though 1094 00:54:48,200 --> 00:54:51,120 Speaker 3: I fully agree they should have a conversation, is that 1095 00:54:51,120 --> 00:54:53,840 Speaker 3: the other person is sometimes scared to say the truth. 1096 00:54:53,880 --> 00:54:55,840 Speaker 3: I've been in my twenties where I've been like, I 1097 00:54:56,120 --> 00:54:58,719 Speaker 3: just need a little more time before we move in, 1098 00:54:58,880 --> 00:55:01,920 Speaker 3: and I've known I don't want to move in. I 1099 00:55:02,000 --> 00:55:03,520 Speaker 3: just I don't know. I know I don't want to 1100 00:55:03,560 --> 00:55:05,360 Speaker 3: move in. You're not really the one, but I'm not 1101 00:55:05,360 --> 00:55:07,759 Speaker 3: sure what I want. And then I'm just kind of 1102 00:55:07,840 --> 00:55:10,360 Speaker 3: leading someone along, which sucks and I hate that I 1103 00:55:10,400 --> 00:55:14,960 Speaker 3: ever did that, But that's that's when I think you 1104 00:55:15,040 --> 00:55:17,680 Speaker 3: have to trust your own instinct because you kind of know, 1105 00:55:17,880 --> 00:55:19,879 Speaker 3: and if you break up and that person doesn't fight 1106 00:55:19,920 --> 00:55:21,160 Speaker 3: for you, then it's done. 1107 00:55:22,239 --> 00:55:26,200 Speaker 2: Yeah right, yep, yep, I'm there. 1108 00:55:26,680 --> 00:55:32,480 Speaker 4: I just spung my gavel. 1109 00:55:33,440 --> 00:55:36,480 Speaker 1: Here's the question, and then we'll discuss Rachel writes in 1110 00:55:36,480 --> 00:55:39,480 Speaker 1: and she says, I am a fifth grade teacher, and 1111 00:55:39,520 --> 00:55:45,480 Speaker 1: the children are unwell. Ever since COVID, I've noticed particularly 1112 00:55:45,719 --> 00:55:50,360 Speaker 1: unhinged behavior. One of my students called me a quote 1113 00:55:50,800 --> 00:55:53,280 Speaker 1: certified D one dick writer. 1114 00:55:54,840 --> 00:55:58,279 Speaker 2: End quote. You can't make this up. Let's talk about 1115 00:55:58,320 --> 00:55:59,279 Speaker 2: it and call it what it is. 1116 00:55:59,600 --> 00:56:02,799 Speaker 3: Got what do you think a D one dick writer is? 1117 00:56:05,160 --> 00:56:06,680 Speaker 4: Well, oh, I didn't realize that they had. 1118 00:56:07,880 --> 00:56:10,239 Speaker 3: They got a certification for it. 1119 00:56:10,440 --> 00:56:15,240 Speaker 4: So the little that I know, I'm piecing it together. 1120 00:56:15,520 --> 00:56:18,040 Speaker 4: D one is like an athlete that's in a high 1121 00:56:18,120 --> 00:56:19,360 Speaker 4: tier of college. 1122 00:56:19,719 --> 00:56:23,480 Speaker 3: Oh yeah, oh it's a division one. 1123 00:56:23,840 --> 00:56:24,879 Speaker 2: Yes, Division one. 1124 00:56:24,960 --> 00:56:27,840 Speaker 3: Okay, I thought it was dick one, like a D like, 1125 00:56:27,880 --> 00:56:31,000 Speaker 3: you're one dick writer certified high level. 1126 00:56:31,360 --> 00:56:35,000 Speaker 4: She might be, But I think that the implication here 1127 00:56:35,200 --> 00:56:38,759 Speaker 4: is that you're certified, meaning like you're a professional. It's 1128 00:56:38,800 --> 00:56:41,239 Speaker 4: meaning like, will you do this all the time and 1129 00:56:41,320 --> 00:56:46,080 Speaker 4: you are very good at it and do it mostly that. 1130 00:56:46,120 --> 00:56:49,160 Speaker 3: You're just you're good in bad like you're you're. 1131 00:56:49,920 --> 00:56:52,279 Speaker 2: So what's the dick writer part? Do you think that? 1132 00:56:52,320 --> 00:56:52,520 Speaker 4: I mean? 1133 00:56:52,560 --> 00:56:53,920 Speaker 2: I actually, by the way, I did again, I did 1134 00:56:53,920 --> 00:56:55,200 Speaker 2: my research, so I have the answer. 1135 00:56:55,560 --> 00:56:59,000 Speaker 3: A dick writer I'm assuming you're writing dicks. 1136 00:56:59,360 --> 00:57:01,800 Speaker 4: What is the pointing for this? How are you speaking 1137 00:57:01,840 --> 00:57:04,040 Speaker 4: to not only adults, but your teachers. This is insane. 1138 00:57:04,080 --> 00:57:05,440 Speaker 4: My sister's a teachers. 1139 00:57:05,760 --> 00:57:07,360 Speaker 2: It's insane. It's absolutely insane. 1140 00:57:07,520 --> 00:57:10,959 Speaker 3: Yeah, that's well, that's what she's saying. 1141 00:57:11,040 --> 00:57:12,799 Speaker 1: She's saying there, and well, I actually have a friend 1142 00:57:12,800 --> 00:57:15,400 Speaker 1: also that's a teacher. And she said that the exercise 1143 00:57:15,440 --> 00:57:18,880 Speaker 1: of teaching adolescent boys is literally one of the most 1144 00:57:18,960 --> 00:57:22,240 Speaker 1: unhinging experiences that she has in her life ever, anywhere, 1145 00:57:22,240 --> 00:57:24,920 Speaker 1: and every single day of the week. She feels like 1146 00:57:24,920 --> 00:57:27,280 Speaker 1: if she turns her back when they start laughing, she's 1147 00:57:27,320 --> 00:57:29,960 Speaker 1: like taken back to being in the cafeteria. 1148 00:57:30,280 --> 00:57:37,880 Speaker 3: Oh my god, my pants? Am I a certified do 1149 00:57:37,960 --> 00:57:42,040 Speaker 3: you racer? Yeah? Do you dick? Writer? Is a writer? 1150 00:57:43,040 --> 00:57:46,080 Speaker 4: And writer? Is that you're on top of your your 1151 00:57:46,120 --> 00:57:47,480 Speaker 4: your mounting dicks? No? 1152 00:57:47,680 --> 00:57:49,920 Speaker 1: Okay, so this is what I thought too. But I 1153 00:57:49,960 --> 00:57:53,160 Speaker 1: went to the teenagers and here's the answer. 1154 00:57:53,840 --> 00:57:54,760 Speaker 3: You went to Jena. 1155 00:57:56,560 --> 00:58:00,280 Speaker 1: I went to them, Oh god, if you say this, 1156 00:58:00,400 --> 00:58:02,240 Speaker 1: if you say that to my daughter, she literally like 1157 00:58:02,280 --> 00:58:03,400 Speaker 1: has a visceral reaction. 1158 00:58:03,440 --> 00:58:05,200 Speaker 4: I don't even know what any of that means. It 1159 00:58:05,360 --> 00:58:08,560 Speaker 4: does I just kind of figured out some gen Z 1160 00:58:08,680 --> 00:58:09,960 Speaker 4: stuff and apparently. 1161 00:58:09,560 --> 00:58:12,320 Speaker 3: I wait, what did you just say, though, hibbitty hibbity 1162 00:58:12,480 --> 00:58:13,760 Speaker 3: gibbitty skippity. 1163 00:58:14,200 --> 00:58:15,000 Speaker 4: I don't know what I mean. 1164 00:58:15,400 --> 00:58:18,240 Speaker 1: There's so many things on TikTok and Instagram like basically 1165 00:58:18,280 --> 00:58:21,680 Speaker 1: decoding language again. But here's the deal. A dick writer 1166 00:58:22,280 --> 00:58:26,600 Speaker 1: is not sexual. A dick writer is. A dick writer 1167 00:58:27,120 --> 00:58:32,320 Speaker 1: is someone who is like unctious or like insincerely suave, 1168 00:58:32,440 --> 00:58:36,120 Speaker 1: but like like keeps throwing on the compliments but they're 1169 00:58:36,200 --> 00:58:39,280 Speaker 1: not real and they're just like constantly like writing or dick. 1170 00:58:39,320 --> 00:58:41,480 Speaker 2: They're like, you're so great, You're so awesome. 1171 00:58:43,880 --> 00:58:48,320 Speaker 1: Ninem for dick writing would be also something called glazing, 1172 00:58:49,200 --> 00:58:52,479 Speaker 1: which you're constantly like and it's not rising up because 1173 00:58:52,480 --> 00:58:53,840 Speaker 1: it doesn't have a sexual connotation. 1174 00:58:54,080 --> 00:59:01,400 Speaker 3: It's just like your constantly. 1175 00:58:59,120 --> 00:59:02,320 Speaker 1: They constantly complimenting people, but it's not sincere and it's 1176 00:59:02,320 --> 00:59:04,400 Speaker 1: also just too much and it's very much a turnoff. 1177 00:59:04,480 --> 00:59:06,880 Speaker 4: Here's what I just heard from you, Capshaw. I just heard. 1178 00:59:07,240 --> 00:59:14,800 Speaker 4: So it's not planning, but we do that, which it's 1179 00:59:14,840 --> 00:59:19,040 Speaker 4: like you're speaking another legage. It's big leg. 1180 00:59:21,080 --> 00:59:25,120 Speaker 3: But blazing in a sentence though, is it like, hey, 1181 00:59:25,200 --> 00:59:27,680 Speaker 3: you're you've been glazing me recently, I. 1182 00:59:27,600 --> 00:59:30,400 Speaker 4: Think a very very sexual thing. When I heard glazing, 1183 00:59:30,480 --> 00:59:31,080 Speaker 4: I hear fair. 1184 00:59:31,440 --> 00:59:33,440 Speaker 2: No, I know, but it's a glazed dick. It's like a 1185 00:59:33,480 --> 00:59:34,480 Speaker 2: glaze dont dick. 1186 00:59:34,560 --> 00:59:34,880 Speaker 3: I don't know. 1187 00:59:34,920 --> 00:59:36,760 Speaker 2: It's like all the glaze and the dick and the 1188 00:59:36,800 --> 00:59:42,440 Speaker 2: writing and there's no way in the writing writing a 1189 00:59:42,480 --> 00:59:43,120 Speaker 2: glazed dick. 1190 00:59:43,520 --> 00:59:46,200 Speaker 4: Wait what if, Jenna? For the whole point of them is. 1191 00:59:46,160 --> 00:59:51,080 Speaker 5: To make us idiots be sexual stuff and it's not 1192 00:59:51,240 --> 00:59:52,280 Speaker 5: sexual at all. 1193 00:59:52,600 --> 00:59:55,360 Speaker 4: It's like, yeah, well I was glazing on a girl, 1194 00:59:56,760 --> 01:00:03,880 Speaker 4: amazing on a girl, I complimenting her. Yes, No, I'm 1195 01:00:03,920 --> 01:00:13,440 Speaker 4: talking about Richard Hampton, the famous author writing get your 1196 01:00:13,480 --> 01:00:14,320 Speaker 4: head out of the gutter. 1197 01:00:15,800 --> 01:00:17,400 Speaker 3: How do you make that phone call? Is it a 1198 01:00:17,440 --> 01:00:19,360 Speaker 3: phone call to the parents? Do you have to write 1199 01:00:19,400 --> 01:00:22,080 Speaker 3: certified d one dick writer in an email? 1200 01:00:22,800 --> 01:00:23,040 Speaker 4: Yes? 1201 01:00:23,360 --> 01:00:26,920 Speaker 3: You should. Is that the subject? Yeah? I just have 1202 01:00:27,000 --> 01:00:29,840 Speaker 3: to tell you that Bobby said certified d one dame 1203 01:00:29,880 --> 01:00:33,600 Speaker 3: writer to me in class and we had to google that. 1204 01:00:33,600 --> 01:00:35,680 Speaker 3: That's also blazed, Rachel. 1205 01:00:35,840 --> 01:00:37,960 Speaker 1: I'm proud of you. If no one said it today 1206 01:00:38,240 --> 01:00:40,000 Speaker 1: to you, I just want you to know that on 1207 01:00:40,000 --> 01:00:42,720 Speaker 1: this podcast, I am proud of you. I'm proud of 1208 01:00:42,720 --> 01:00:46,080 Speaker 1: you for for going every day and being a teacher and. 1209 01:00:45,960 --> 01:00:47,080 Speaker 2: Taking this ship. 1210 01:00:48,000 --> 01:00:55,920 Speaker 4: You are such a certified giving Rachel Flowers in this way. 1211 01:00:56,440 --> 01:00:59,960 Speaker 3: Thank you so much for being here today and subject 1212 01:01:00,000 --> 01:01:03,240 Speaker 3: acting yourself to our podcast. 1213 01:01:04,080 --> 01:01:06,800 Speaker 4: I can do this all day. In fact, please have 1214 01:01:07,000 --> 01:01:09,440 Speaker 4: me back. We will decode more of the youth. 1215 01:01:11,800 --> 01:01:14,440 Speaker 3: You know what, if we get another question in this 1216 01:01:14,640 --> 01:01:17,240 Speaker 3: like this, we're literally you're going to be our number 1217 01:01:17,240 --> 01:01:17,800 Speaker 3: one call. 1218 01:01:18,080 --> 01:01:18,920 Speaker 4: I can hop right on. 1219 01:01:20,160 --> 01:01:21,720 Speaker 5: It was kind of like how they do on the news, 1220 01:01:21,760 --> 01:01:23,200 Speaker 5: like on the phone, but sky you. 1221 01:01:26,520 --> 01:01:27,640 Speaker 4: Like, I'm so sorry. 1222 01:01:27,720 --> 01:01:30,840 Speaker 5: Other famous actor or author or someone or guests that 1223 01:01:30,880 --> 01:01:32,120 Speaker 5: we have on this podcast, We're. 1224 01:01:31,960 --> 01:01:37,320 Speaker 3: Going, yeah, sorry, that's you would be our correspondent. 1225 01:01:37,920 --> 01:01:39,920 Speaker 2: You've carved out your niche in our show. 1226 01:01:40,840 --> 01:01:43,120 Speaker 4: Right, let's do this against guys. 1227 01:01:43,480 --> 01:01:45,240 Speaker 3: Okay, we love it. We're gonna let you go and 1228 01:01:45,360 --> 01:01:49,000 Speaker 3: have an amazing day and and spread the word about 1229 01:01:49,000 --> 01:01:53,120 Speaker 3: the d One. Certified Dick Ride is for the masses. 1230 01:01:53,840 --> 01:01:54,640 Speaker 3: What's going down? 1231 01:01:54,840 --> 01:02:01,440 Speaker 1: Jon Altha, Okay, bye, by god, that was so much fun. 1232 01:02:01,480 --> 01:02:06,040 Speaker 3: He's so great the certified d like so he was 1233 01:02:06,080 --> 01:02:07,360 Speaker 3: so good at answering questions. 1234 01:02:07,840 --> 01:02:11,240 Speaker 2: It's connecting with the crew. It is it's. 1235 01:02:11,120 --> 01:02:15,160 Speaker 3: Connecting with the crew. Okay, that was incredible. I cannot 1236 01:02:15,160 --> 01:02:17,960 Speaker 3: wait to have him back for all the things in 1237 01:02:18,040 --> 01:02:31,960 Speaker 3: the future. Let's call this the end of the episode.