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Speaker 1: Hi, Joni Sweeten, Hi, Andrea Barber. Hy, It's like, I

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Speaker 1: haven't seen you in so long.

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Speaker 2: No, in like seconds, I haven't seen seconds.

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Speaker 3: It's been it's been a while.

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Speaker 2: Well, you know who I saw over the weekend?

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Speaker 1: Who I thought you were going to say in between

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Speaker 1: the recording of these two episodes, in which case I

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Speaker 1: was going.

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Speaker 3: To be impressed.

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Speaker 2: I've had a full conversation. I've baked a pizza, like

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Speaker 2: I've done everything. Oh, just kiddd you see. I saw

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Speaker 2: our wonderful friend Jeff Franklin at his house. Oh he

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Speaker 2: was heavy summer barbecue, just like a last minute saying,

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Speaker 2: that's right. I could have been there. I know you

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Speaker 2: were on vacation though I was.

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Speaker 1: I was on vacation, and he texted. I said, I

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Speaker 1: will not be there. I will be at my own

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Speaker 1: lazy river. I mean not my own lazy river. He

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Speaker 1: actually has a nice lazy river at his house. I

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Speaker 1: do not, But but yeah, I was very sad. I

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Speaker 1: missed everybody.

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Speaker 3: How was it?

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Speaker 2: It was great. I was the only full house cast

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Speaker 2: member there, unfortunately, so I didn't get to catch up

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Speaker 2: with anybody else. There was the normal assortment of like

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Speaker 2: random tangentially related.

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Speaker 1: Right everyone that right that we've known for thirty some

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Speaker 1: odd years. Yeah, that we see at Jeff's house all

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Speaker 1: the time. Yeah, but are like part of the extended

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Speaker 1: full House family. It's total kind of crazy.

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Speaker 2: It's awesome. I love that Jeff brings people together regulated too.

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Speaker 2: I do too.

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Speaker 3: I'm actually I'm I'm happy he's he's moving back.

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Speaker 1: He Jeff Franklin had had moved to Florida for a

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Speaker 1: little while and is now coming back to La which

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Speaker 1: I am actually very excited about because Jeff kind of

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Speaker 1: has the central, like meeting.

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Speaker 3: Hub of a house. I feel like he it's often

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Speaker 3: his house that we get together for barbecues.

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Speaker 1: And dinners and whatever, watch parties or just you know,

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Speaker 1: movie nights and stuff. So I'm I'm glad that he'll

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Speaker 1: be back because hopefully that means that will be all.

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Speaker 2: Getting together, more more gatherings.

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Speaker 1: Yes, yeah, and basically inviting us all over to Jeff's house.

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Speaker 1: I hope he doesn't mind.

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Speaker 2: He won't mind, he will come.

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Speaker 1: No, No, we're moving in and it's gonna yeah, that's

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Speaker 1: that's what it is.

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Speaker 3: The door it's always open.

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Speaker 2: Yeah, And he's very excited about nineties Con. He's going

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Speaker 2: to be there with all of us next month.

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Speaker 3: Yes, I can't wait.

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Speaker 2: Yes, it's gonna be.

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Speaker 1: I'm really excited for nineties Con. It's gonna be so

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Speaker 1: much fun. We had such a great time in uh,

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Speaker 1: Connecticut when we went uh and it'll yeah, it'll be.

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Speaker 3: It'll be really fun to stay. And is Scott gonna

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Speaker 3: be there with us and stuff?

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Speaker 2: Scott's going to be there, Dave's gonna be there, Candice

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Speaker 2: will be there, and then Jeff has his own he

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Speaker 2: has his own little bow sign autographs, sor great look

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Speaker 2: at that's like, I'm afraid nobody's gonna be in line,

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Speaker 2: that nobody will know who I am. And I'm like Jeff.

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Speaker 2: Last time he came to nineties Con, we introduced him

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Speaker 2: and the crowd.

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Speaker 1: Went wild wild, And if that's the case, I'm just

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Speaker 1: gonna disappear for a few minutes and put on random

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Speaker 1: costumes and continually stand in his.

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Speaker 3: Line as different people.

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Speaker 2: Let's do it.

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Speaker 3: It's fine, let's do it.

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Speaker 2: We should all just dress up as different people. And

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Speaker 2: it's going to.

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Speaker 1: Stick a mustache on and be like, hello sir, and

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Speaker 1: then come on with a cowboy hat.

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Speaker 3: Hi can I have your just random.

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Speaker 2: Stuff that would make my whole day. It's a plan.

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Speaker 2: Hopefully he doesn't hear this. Hopefully he doesn't hear this

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Speaker 2: episode before we can act ruin our plan. Yeah. Well,

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Speaker 2: welcome back everybody to how Rude Tanner Ritos. I'm Andrea Barber.

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Speaker 3: And I am Jody Sweeten, and.

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Speaker 2: Today we are discussing season one, episode five, titled Sea Cruise.

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Speaker 2: It first aired on October fifteenth, nineteen eighty seven, and

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Speaker 2: it goes a little something like this, Uh, Danny's all

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Speaker 2: male fishing trip turns into a love boat cruise, complete

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Speaker 2: with a female captain and an all girl rock band.

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Speaker 2: It was directed by Tom Turbovich. Turbovich, Turbovich, you should

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Speaker 2: be in charge of this section for sure, Tom Turbovich,

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Speaker 2: the wonderful director. It was written, that's the way to

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Speaker 2: pronounce it. It was written by Jeffranklin, Leonard Rips, and

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Speaker 2: Russell Marcus. And we have lots of great guest stars here,

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Speaker 2: guest starring Michelle nic Castro as rock Sanna the rock Star.

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Speaker 2: She appeared in When Harry Met Sally, and she was

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Speaker 2: the titular character in The Swan Princess and unfortunately she

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Speaker 2: tragically passed away in twenty ten after a battle with cancer.

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Speaker 2: I did not know that.

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Speaker 3: I did.

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Speaker 1: I saw that, and yeah, she looked her face. It

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Speaker 1: was funny when I saw her. It could just be

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Speaker 1: remembering her from being a kid on the show, but

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Speaker 1: I was like, oh, yeah, her face looked really familiar.

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Speaker 1: I think it was from maybe when Harry met Sally

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Speaker 1: or something.

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Speaker 2: But yeah, yeah, she's a great act or. She was

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Speaker 2: a great actress.

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Speaker 1: And I just remember seeing her on set and being like,

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Speaker 1: she's so cool. She had leather boosty in the whole

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Speaker 1: outfit and I was like, that's awesome.

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Speaker 2: Yeah, she looked so cool. Definitely. Also guest starring Nancy

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Speaker 2: Mulford as Yvonne, the backup singer, Dorothy Park as Caroline,

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Speaker 2: the boat captain, and a spoiler alert, this is the

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Speaker 2: first of two episodes that she will appear in, and lastly,

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Speaker 2: Michelle Layborne as Vega, another backup singer. And she was

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Speaker 2: the girl in window in die Hard. I did not

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Speaker 2: know cool the girl.

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Speaker 3: I thought you were gonna say it was like one

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Speaker 3: of those movies, like the girl in the window in

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Speaker 3: the train.

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Speaker 2: That was probably that's probably her, just the girl in

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Speaker 2: the window, Got it?

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Speaker 3: Got it?

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Speaker 2: Okay, So we opened the show in the living room

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Speaker 2: where Jesse is strumming his guitar working on a new song.

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Speaker 2: Joey enters wearing a very Joey esque shirt and very

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Speaker 2: high waisted jeans.

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Speaker 1: And and what look at the mannequin. Oh, it's just

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Speaker 1: gonna be my thing. I'm just gonna now, it's just

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Speaker 1: gonna be like mannequin. And you're gonna know, look at

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Speaker 1: the mannequin. Mannequin is wearing same outfit. Yep, it's so great.

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Speaker 2: It's I just I love this bo so much.

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Speaker 1: We need it like a mannequin outfit change count. I

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Speaker 1: feel like, like, how many times does this mannequin change?

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Speaker 2: We need a running tally?

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Speaker 1: Yeah, some Yeah, we need a running tally of mannequin

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Speaker 1: outfit changes. I'm fascinated by this. It's great, the amount

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Speaker 1: of dedication that it took to dress this stupid mannequin.

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Speaker 2: Yeah. Well, and I never really cared or noticed back

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Speaker 2: in the eighties, but for some reason now and I.

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Speaker 3: Never I don't think I ever noticed anyone changing the

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Speaker 3: mannequin for that matter.

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Speaker 2: No, never, see, So who changed the mannequin? Was it props?

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Speaker 2: Was it wardrobe says it set deck.

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Speaker 1: Right, Who's union? Did the did the mannequins dressing fall under?

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Speaker 2: Or was it just day?

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Speaker 3: It would be set deck.

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Speaker 2: Probably set set deck with outfits provided by wardrobe. I

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Speaker 2: think you've got it. Yep, yep, you were. You are

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Speaker 2: a seasoned entertainer. You know what you're doing. So Danny

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Speaker 2: enters the room, walking backwards and shooting video with another

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Speaker 2: very extremely large video camera.

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Speaker 1: With a huge video camera. Huge love those things, shoulder mounted.

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Speaker 1: Even it was basically a steady cam. You needed one

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Speaker 1: of those like vests to wear. The camera operators where

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Speaker 1: to have those giant cameras mounted on them?

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Speaker 2: Oh yeah, he needed one of those. So he's filming Michelle,

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Speaker 2: who's toddling into the room, which is so cute. See

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Speaker 2: it was Mary Kate. I believe it was Mary Kate.

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Speaker 2: It was.

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Speaker 1: I think it was Mary Kate. I could be wrong,

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Speaker 1: by pretty sure. That's Mary Kate walking in.

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Speaker 3: It looks like her face in her cute little purple

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Speaker 3: corduroy dress in the pink shoes. Oh it was adorable.

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Speaker 2: It's so cute, and she's got the cutest expression on

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Speaker 2: her face.

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Speaker 3: She's so proud of having a blast, having so much fun.

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Speaker 2: Yeah, she's finally not in three diapers or in a playpen,

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Speaker 2: like she gets to walk into a scene. Yep, I'm

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Speaker 2: so proud. I'm so proud.

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Speaker 3: And then she turned around and walked right out.

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Speaker 2: She did, Dess, says Danny. She's been walking for three

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Speaker 2: days and you haven't stopped taping her. I fear for

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Speaker 2: when she starts potty training. As if on cute, Michelle

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Speaker 2: starts to run out of the room before Joey can

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Speaker 2: catch her, and the audience roars with laughter, like I'm

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Speaker 2: wondering what she meant. Was it scripted that Michelle walks

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Speaker 2: out of the room or did she just did? Mary

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Speaker 2: Kate was just like by people, and.

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Speaker 1: I have a feeling it was probably the latter, a

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Speaker 1: feeling it was one of those unscripted baby moments. Yeah,

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Speaker 1: that just was funny, and Dave picked her up and

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Speaker 1: just continued with the scene, as you do when you're

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Speaker 1: acting with babies and animals and and things. You just

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Speaker 1: keep going. I think it became a really cute part

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Speaker 1: of the scene. I mean, I'm I'm not sure, but

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Speaker 1: it does feel like it was unexpected just because of

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Speaker 1: the audience's reaction and laughter and sort of her and

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Speaker 1: also the look on her face.

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Speaker 3: Yeah, had the look of a toddler that.

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Speaker 1: Was like really excited to be kind of getting away

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Speaker 1: with something and was like I'm good at use that

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Speaker 1: thing and like run out of the room.

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Speaker 2: So it's so cute. I agree. I think it was

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Speaker 2: impromptu and it was absolutely perfect. Well, they never could

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Speaker 2: have gotten the baby to do that if it was scripted,

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Speaker 2: so it has.

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Speaker 4: That's true impact that it has to be an accident, right, yeah,

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Speaker 4: because yeah, and that was also a very merry Kate thing.

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Speaker 3: I just feel like that little look, that glint.

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Speaker 1: In her eye of like I'm gonna do something and

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Speaker 1: turn around and run out of the scene.

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Speaker 3: It was just really very cute.

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Speaker 2: So great, DJ and Stephanie come downstairs in their adorable

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Speaker 2: yellow and black striped Honeybee uniforms.

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Speaker 1: I got so excited to see the Honeybee costume. I

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Speaker 1: remember the Honeybee costume.

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Speaker 3: I loved it.

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Speaker 2: Oh it was.

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Speaker 3: That costume and we we see it in.

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Speaker 1: Fuller House too. I believe Steph pulls out the Honeybee

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Speaker 1: costume in the attic at one point.

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Speaker 2: But uh, that's great.

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Speaker 1: Yeah, there's uh it's really really such a iconic outfit

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Speaker 1: and part of you know, the characters of steph it's

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Speaker 1: a door And I forgot DJ was the honey Bee too,

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Speaker 1: but this was like her last.

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Speaker 2: Like her last hurrah, and so the honey Bees it's

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Speaker 2: like the equivalent of Girl Scouts in America. I'm assuming, uh.

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Speaker 2: And Stephanie makes a series of bee puns like busy

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Speaker 2: and business, and DJ, who's obviously too old for this

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Speaker 2: Honeybee business, passes her cute little antenna hat on to Stephanie.

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Speaker 2: She's officially passing the torch to you.

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Speaker 1: She even says. And I actually thought this, it was

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Speaker 1: so funny. She puts the little thing on and she says,

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Speaker 1: to the bees of the future. And my daughter, of

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Speaker 1: course is be a Trix, but we call her bee. Yeah,

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Speaker 1: and at that age, like she looked exactly like me

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Speaker 1: at like five, totally and so so like this weird

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Speaker 1: little moment of like sort of meta referential whatever as

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Speaker 1: they're putting the little hat on, and she was like

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Speaker 1: to the bees of the future, and I was like, yeah.

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Speaker 2: To the bees of ure. Wow. It was yeah, that's huge.

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Speaker 1: It was really it was a cute little moment and yeah,

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Speaker 1: I remember that hat.

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Speaker 2: I bet that's why you named her Bee because of

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Speaker 2: this very moment, the.

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Speaker 1: Bees of the Futures, It's very moment I was, well,

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Speaker 1: really it was for the moment that we could discuss

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Speaker 1: it in the podcast. That was really it was the

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Speaker 1: entire thing. And now that's it, and that moment really

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Speaker 1: paid off.

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Speaker 2: So it's finally come to fruition.

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Speaker 3: It was everything that I hoped it would.

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Speaker 2: It's a thirty seven year build up to this moment.

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Speaker 2: The girls do the secret Honeybee Hello dance movements, which

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Speaker 2: include buzzing around and eventually stinging each other, which is

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Speaker 2: so cute. The girls hear Grandma honking outside and Danny

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Speaker 2: hands them Michelle and all three girls buzz off. So

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Speaker 2: this is hysterical that Danny. So Danny's sending you guy,

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Speaker 2: the three girls away for the weekend. This is a

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Speaker 2: setup so that the guys can have a guy's weekend, right, Right.

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Speaker 2: He doesn't walk you to the car, he doesn't say

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Speaker 2: you know, he doesn't kiss you, kiss his mom hello

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Speaker 2: or goodbye, Like he's just sort of like seey bye later.

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Speaker 3: Yeah, well, I mean they were just there maybe the week.

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Speaker 2: Before, right, that's true. Yeah, the grandma's all she If she.

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Speaker 1: Flew in, then obviously grandma is out lives out of town.

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Speaker 1: This was a thing that threw me because if grandma's

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Speaker 1: picking them up and grandma just flew in, is it maybe?

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Speaker 2: Is it?

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Speaker 3: Is it? Well, it can't be. It can't be Pam's

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Speaker 3: mom because that's Irene.

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Speaker 5: Right, and it's probably not, which is also which Also,

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Speaker 5: there's no I just realized there's no acknowledgment in the

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Speaker 5: last week's episode of that being his mother in law,

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Speaker 5: rightn't it be?

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Speaker 2: Yeah? And she never mentions that she's she's her debt. Yeah, yeah,

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Speaker 2: very very weird. I never Yeah, you're putting two two together.

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Speaker 1: Yeah, wow, I can't believe we didn't bring that up

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Speaker 1: in last week's episode that I'm just putting that together.

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Speaker 1: But also, now, who's great?

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Speaker 3: Yeah, so his grandma is picking up whose grandma? Whose

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Speaker 3: grandma is this?

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Speaker 2: Is it even a grandma? I don't know, like who

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Speaker 2: who knows where the girls are?

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Speaker 1: It's a grandma who knows they're just taking their suitcase

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Speaker 1: and their little honeybees and buzzing right off.

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Speaker 2: Ah sitcom land Ah.

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Speaker 3: Yes, don't pull the strings.

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Speaker 2: The whole pit falls apart. So the three guys are

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Speaker 2: now child free in the house. What will they do

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Speaker 2: with themselves? Jesse suggests that they pick up some girls. Obviously,

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Speaker 2: Joey suggests that they go to a three Stooges festival

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Speaker 2: down downtown to meet girls who won't mind if you

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Speaker 2: poke them in the eye. I don't know what that means,

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Speaker 2: and I don't even really want to think about it.

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Speaker 3: I think it could mean a few things.

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Speaker 2: But do we want to pull that string?

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Speaker 3: Just well, you're the one talking about pulling things to no.

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Speaker 2: I I sorry, but it's it was weird this moment.

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Speaker 6: This episode is so rife within your meat lady, but

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Speaker 6: there's so many like double on tundra and sexual innuendos,

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Speaker 6: and I was, uh, yeah, I was like, oh.

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Speaker 3: My, oh, oh full house. What's happening?

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Speaker 2: Is the reason why the girls were sent away for

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Speaker 2: the weekend? Yeah, you couldn't be in these scenes, there's

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Speaker 2: no way, No, well it.

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Speaker 1: But also yeah, no, it would It would have ruined

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Speaker 1: the whole moment. But yeah, so we went off with

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Speaker 1: mystery and Grandma Someone's grandma. They were yeah, someone's grandma

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Speaker 1: picked us up and the guys were just happy that

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Speaker 1: we were gone. Yeah, so which, you know what, after

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Speaker 1: having kids, I think they're a parent out there.

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Speaker 2: They're like, yeah, I get that, understandable.

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Speaker 3: One a weekend.

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Speaker 2: Yeah, So Jesse suggests that they go to Tahoe to

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Speaker 2: see a Marilyn Monroe look alike contest, and Danny's like, ice,

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Speaker 2: we should just go out to experience some male bonding.

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Speaker 1: They should go to Reno to the nineties to dismiss

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Speaker 1: something something eighty six or whatever.

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Speaker 3: Oh, hold Hogan's ex sister, that one, that one the

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Speaker 3: show she was in.

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Speaker 2: Yeah, there's options. But Jesse and Joey are really not

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Speaker 2: on board with this idea. So Danny suddenly gets serious

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Speaker 2: and says, guys, I can't do this. It's only been

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Speaker 2: five months since I lost Pam. Jesse and Joey finally

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Speaker 2: acquiescence agree to this male bonding five months five mons.

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Speaker 1: I always had a question, you know, I was like, oh,

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Speaker 1: has it been So it's been five months, and then

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Speaker 1: five months Pam's mom forgot about her and also forgot

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Speaker 1: that she is Danny's mother in law. So yeah, yeah,

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Speaker 1: it's been a lot happens.

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Speaker 2: A lot can happen in five months. But my question

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Speaker 2: is is this a legitimate emotional moment for Danny or

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Speaker 2: is he just trying to manipulate the boys into doing

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Speaker 2: what he wants?

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Speaker 3: Ooh character layers.

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Speaker 2: Yeah, because I mean it's I don't know, it seemed sincere,

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Speaker 2: but then he ends up getting what.

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Speaker 3: He I think it's genuine. I don't think Danny.

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Speaker 1: I feel like if there were one who was going

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Speaker 1: to manipulate the death of someone to work in their benefit, it.

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Speaker 4: Would probably be Jesse, who would say that true early Jesse,

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Speaker 4: early early, early early Jesse, the Josse that we're seeing

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Speaker 4: in this episode. But I don't I think Danny is

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Speaker 4: genuinely uh has a is having a struggle with it,

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Speaker 4: you know five months?

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Speaker 3: Yeah that track.

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Speaker 2: He's not in his character to manipulate and lie.

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Speaker 3: Yeah, No he's not.

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Speaker 1: Yeah, I don't. I don't think that's I don't think

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Speaker 1: that's him. But yeah, I definitely think he's just kind

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Speaker 1: of confused. And I actually I've talked about this kind

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Speaker 1: of in the in the little wrap up, but Bob

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Speaker 1: did a really great job in this episode, so he did.

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Speaker 3: Yeah.

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Speaker 2: So Danny says, you guys won't even think about girls

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Speaker 2: meaning women. You see what I have in store for you,

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Speaker 2: So we smash cut too. They're still in the living room,

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Speaker 2: but Danny is now in full fishing gear, carrying fishing

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Speaker 2: poles and a tackle.

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Speaker 3: Box, a wooden tackle box.

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Speaker 2: Oh it's a wooden I didn't notice that it's a.

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Speaker 3: Wooden tackle box.

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Speaker 1: Okay, Like Danny is really committed to this nautical theme

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Speaker 1: in his house.

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Speaker 2: Oh, it's right.

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Speaker 3: It's a wooden tackle box, which seems impractical for taking

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Speaker 3: out to the ocean. But you know, no, but it's antique.

359
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Speaker 2: It tracks with the rest of the stuff in the house,

360
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Speaker 2: the wooden Mariner that's in the corner, the like the

361
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Speaker 2: wooden what do you call it?

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Speaker 3: Danny is living his best late eighteen hundred's Mariner of life.

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Speaker 2: He is who knew that this was a thing? Danny says,

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Speaker 2: let's go fishing. Neptune's bride sales at midnight. Why do

365
00:16:47,560 --> 00:16:49,960
Speaker 2: they want to go fishing at midnight? That seems is

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Speaker 2: that a certain type of fish that's only out not

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Speaker 2: I am not a fisher person.

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Speaker 1: Uh, I couldn't tell you why. I do know that

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Speaker 1: you're supposed to go early in the morning. I think

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Speaker 1: for fish early in the morning, and like like sunrise

371
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Speaker 1: and sunset, also a song saying in this show. But no,

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Speaker 1: I think like morning and evening are the times that

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Speaker 1: you're supposed to go fishing. I think I from my

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Speaker 1: limited knowledge, I don't think midnight is typically a time

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Speaker 1: that people are setting sail on fishing cruises. But again, please,

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Speaker 1: I'm sure someone in the comments will correct me if

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Speaker 1: I'm wrong.

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Speaker 2: I hope, I hope there's some some fisher people.

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Speaker 1: Some avid fish, some avid fishing enthusiasts out there that

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Speaker 1: will correct us and tell us when the hell is

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Speaker 1: the right time.

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Speaker 2: To go fishing. Yeah, let us know.

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Speaker 1: We gotta know, because I want to avoid that time. Yes,

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Speaker 1: because I don't know, I'm probably early.

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Speaker 2: I don't sleep at midnight.

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Speaker 6: Yeah.

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00:17:53,000 --> 00:17:55,760
Speaker 2: Joey appears from the alcove wearing a sea captain's jacket,

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Speaker 2: hat and even a red ascot, a llah Thurst and

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Speaker 2: howl the third and still his pants are very hard

390
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Speaker 2: to keep all these clothes, I don't know, but the

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Speaker 2: man the mannikin did not wear the Thurston howl uniform.

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Speaker 2: I think this is the one rare moment.

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Speaker 1: Well, we've got to keep some reality. Who has two

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Speaker 1: captain's hat and two red ascots lying around.

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Speaker 2: Now we have to be reasonable, like why start now?

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Speaker 3: Was I was being sarcastic?

397
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Speaker 2: Oh okay, I'm very gullible.

398
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Speaker 3: I it's the only language I speak.

399
00:18:25,480 --> 00:18:28,199
Speaker 1: But yeah, because yeah, who would have two ascots and

400
00:18:28,400 --> 00:18:31,160
Speaker 1: Captain hats lying around other than perhaps Captain and ten

401
00:18:31,160 --> 00:18:33,120
Speaker 1: Neil or Thurston or Thurston.

402
00:18:34,200 --> 00:18:38,119
Speaker 2: Jesse comes downstairs looking exactly like Jesse with his leather jacket.

403
00:18:38,560 --> 00:18:41,720
Speaker 2: Danny says, we're going fishing. You look ridiculous, and Jesse responds,

404
00:18:41,880 --> 00:18:45,720
Speaker 2: I look ridiculous. The phone rings, and Joey answers it

405
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Speaker 2: Gilligan's living room in a Thurston howel impression. It's for Jesse.

406
00:18:50,280 --> 00:18:54,000
Speaker 2: It's rock Sanna, Jesse's ex girlfriend and also a famous

407
00:18:54,119 --> 00:18:57,320
Speaker 2: musician who used to be part of Jesse's band. Jesse

408
00:18:57,359 --> 00:18:59,639
Speaker 2: wrangles the phone away from Joey and talks to rock

409
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Speaker 2: Sanna while Joey and Danny the couch. Oh yeah again

410
00:19:04,080 --> 00:19:06,760
Speaker 2: he like he loves using the couch, but.

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Speaker 1: This time Dave too standing on the couch. Well, all

412
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Speaker 1: what I'm saying is later on Danny Tanner would have

413
00:19:12,600 --> 00:19:14,960
Speaker 1: lost his mind at people standing on his couches.

414
00:19:15,160 --> 00:19:17,960
Speaker 2: Yeah, I think Dan Danny definitely put his foot down

415
00:19:17,960 --> 00:19:19,680
Speaker 2: in later seasons about.

416
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Speaker 3: But not on the couch, Not on the couch, down

417
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Speaker 3: on the floor, on the.

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Speaker 2: Floor where it belongs.

419
00:19:24,320 --> 00:19:24,600
Speaker 3: Yes.

420
00:19:25,680 --> 00:19:29,440
Speaker 2: So, Joey and Danny are awkwardly hovering nearby to eavesdrop

421
00:19:29,480 --> 00:19:32,280
Speaker 2: on this conversation, and Jesse on the phone says he

422
00:19:32,320 --> 00:19:34,960
Speaker 2: would love to see Roxanna, but he has plans to

423
00:19:35,040 --> 00:19:38,439
Speaker 2: go yachting tonight. He says he'll call her in the morning.

424
00:19:39,560 --> 00:19:42,240
Speaker 2: And this is really this gives you an idea of

425
00:19:42,280 --> 00:19:45,440
Speaker 2: what the show would have been like had it been

426
00:19:45,600 --> 00:19:49,639
Speaker 2: Jeff Franklin's original idea of House of comics, of three guys,

427
00:19:49,720 --> 00:19:54,080
Speaker 2: three single guys living in a house together without children, would.

428
00:19:53,880 --> 00:19:57,720
Speaker 3: Have been a lot more fish jokes and.

429
00:19:57,680 --> 00:19:59,040
Speaker 2: Yes and innuendos.

430
00:19:59,080 --> 00:20:03,960
Speaker 3: I think, yeah, in in U windows for sure, Yes,

431
00:20:04,560 --> 00:20:08,520
Speaker 3: in your in your in your windows.

432
00:20:08,440 --> 00:20:12,399
Speaker 2: Yes, yes, so I have I have complicated feelings about this,

433
00:20:12,520 --> 00:20:14,520
Speaker 2: but we'll save that for the end. At the end

434
00:20:14,520 --> 00:20:16,800
Speaker 2: of the show. The next scene, we are at the

435
00:20:16,840 --> 00:20:20,760
Speaker 2: boat dock. It's later that night. The guys arrive and say, oh,

436
00:20:20,840 --> 00:20:24,440
Speaker 2: I Matie's there. She is. The men arrive and Joey says,

437
00:20:24,480 --> 00:20:27,640
Speaker 2: in a pirate's voice, are I say we mount her.

438
00:20:28,400 --> 00:20:31,440
Speaker 2: I guess if that joke.

439
00:20:32,840 --> 00:20:36,360
Speaker 1: Joey, Joey, I mean, okay, but here's it, Like Dave

440
00:20:36,400 --> 00:20:39,679
Speaker 1: would make that joke. Oh right, I mean now all

441
00:20:39,760 --> 00:20:40,600
Speaker 1: of us would make that joke.

442
00:20:40,640 --> 00:20:46,000
Speaker 3: We get it. But I again was like, this was

443
00:20:46,160 --> 00:20:49,800
Speaker 3: so like early Full House had some things in it

444
00:20:49,880 --> 00:20:52,680
Speaker 3: that I feel like as the fandom developed, like there

445
00:20:52,720 --> 00:20:55,679
Speaker 3: may have been been more like things that people were like, no, no, no,

446
00:20:55,680 --> 00:21:00,840
Speaker 3: no no, but yeah, yeah the mountain joke was yes,

447
00:21:01,240 --> 00:21:02,119
Speaker 3: was yeah.

448
00:21:02,080 --> 00:21:05,200
Speaker 2: No there This episode is not as family friendly as

449
00:21:05,480 --> 00:21:10,199
Speaker 2: later episodes of Full House Sea Creuse. Indeed, indeed, so

450
00:21:10,440 --> 00:21:12,600
Speaker 2: where am I? Oh yeah? Danny thinks this is great

451
00:21:12,840 --> 00:21:16,159
Speaker 2: a night of men doing manly things. Danny calls out

452
00:21:16,200 --> 00:21:18,280
Speaker 2: for the captain of the boat, who's an old salty

453
00:21:18,320 --> 00:21:21,760
Speaker 2: dog named Captain Jack, but who appears instead is a

454
00:21:21,800 --> 00:21:25,200
Speaker 2: beautiful young woman named Caroline, who is Captain Jack's granddaughter,

455
00:21:25,280 --> 00:21:27,480
Speaker 2: and she will be piloting the boat because Jack is

456
00:21:27,520 --> 00:21:31,719
Speaker 2: now retired. Suddenly, Roxanna and two other gorgeous women appear

457
00:21:31,840 --> 00:21:35,320
Speaker 2: on the dock. We get to have mercy from Jesse,

458
00:21:35,920 --> 00:21:38,160
Speaker 2: and Roxanna just had to see Jesse one more time

459
00:21:38,200 --> 00:21:40,800
Speaker 2: before she leaves on tour tomorrow and she brought her

460
00:21:40,840 --> 00:21:43,440
Speaker 2: two backup singers, Yvonne and Vega.

461
00:21:43,640 --> 00:21:47,000
Speaker 1: In the best eighties gear ever.

462
00:21:47,240 --> 00:21:49,000
Speaker 2: Oh these ladies, it was like.

463
00:21:49,920 --> 00:21:52,760
Speaker 1: When they've walked on screen. I literally I wrote down

464
00:21:52,840 --> 00:21:54,600
Speaker 1: in my little notes. I was like, it's almost like

465
00:21:54,640 --> 00:21:57,480
Speaker 1: an eighties joke with the hair and the dresses, Like, yes,

466
00:21:58,400 --> 00:22:05,040
Speaker 1: so stare tereotypical eighties with like like a side half

467
00:22:05,040 --> 00:22:08,800
Speaker 1: and half in big bangs and hairspray and jewelry and

468
00:22:08,920 --> 00:22:11,840
Speaker 1: corsets and like crinkly dresses.

469
00:22:11,960 --> 00:22:13,560
Speaker 2: It was like a they looked like.

470
00:22:13,520 --> 00:22:16,520
Speaker 1: They were in the movie Casino or something like. It

471
00:22:16,760 --> 00:22:20,479
Speaker 1: was amazing And I was like, wow, no, this was

472
00:22:21,359 --> 00:22:22,240
Speaker 1: It wasn't a joke.

473
00:22:22,359 --> 00:22:27,919
Speaker 3: This was dead ass serious, like this was hot looks

474
00:22:28,119 --> 00:22:30,960
Speaker 3: for the eighties. Yeah, these are straight off like the

475
00:22:30,960 --> 00:22:31,600
Speaker 3: crimping Iron.

476
00:22:31,720 --> 00:22:35,359
Speaker 2: This isn't a costume party. This actually was swearing in

477
00:22:35,400 --> 00:22:39,520
Speaker 2: the They were like we rock, Yes, and they did.

478
00:22:39,720 --> 00:22:41,560
Speaker 2: They are beautiful and they're rocking it.

479
00:22:41,600 --> 00:22:44,159
Speaker 3: Oh they did. Yeah, they looked amazing. They looked like

480
00:22:44,200 --> 00:22:44,840
Speaker 3: a great girl group.

481
00:22:44,920 --> 00:22:48,399
Speaker 2: I would did. They did. But the ladies are confused.

482
00:22:48,560 --> 00:22:51,639
Speaker 2: This isn't a yacht and there isn't a party. Danny

483
00:22:51,680 --> 00:22:54,040
Speaker 2: says that they are there to go fishing, and Joey

484
00:22:54,080 --> 00:22:57,040
Speaker 2: puts his arms around the ladies and proclaims, now it's

485
00:22:57,080 --> 00:23:00,080
Speaker 2: a party. So they all get on this boat, this

486
00:23:00,280 --> 00:23:03,040
Speaker 2: Neptune's Bride, and just worden boat.

487
00:23:03,160 --> 00:23:06,800
Speaker 1: It's a wooden boat, like it's from have you ever

488
00:23:07,000 --> 00:23:11,240
Speaker 1: been on Pirates of the Caribbean Disneyland and you know

489
00:23:11,560 --> 00:23:14,840
Speaker 1: the beginning part where there's like the old man sitting

490
00:23:14,840 --> 00:23:16,960
Speaker 1: in the rocking chair on like the house boat.

491
00:23:17,119 --> 00:23:19,120
Speaker 2: That's why he's got the place. Yeah he's got.

492
00:23:19,200 --> 00:23:22,360
Speaker 3: Yeah, it does look I was like, why is this

493
00:23:22,520 --> 00:23:28,080
Speaker 3: boat and Danny's tackle box from like the eighteen like eighties?

494
00:23:28,200 --> 00:23:32,400
Speaker 3: What it's from eighteen eighty seven? Is what's happening? It's like,

495
00:23:32,520 --> 00:23:34,720
Speaker 3: I was very confused.

496
00:23:34,200 --> 00:23:38,240
Speaker 1: As to how this thing was staying afloat or what

497
00:23:38,280 --> 00:23:40,000
Speaker 1: it was made out of and why?

498
00:23:40,280 --> 00:23:41,159
Speaker 3: And yeah it was.

499
00:23:42,560 --> 00:23:42,960
Speaker 2: It was.

500
00:23:43,040 --> 00:23:43,560
Speaker 3: It was great.

501
00:23:43,640 --> 00:23:46,600
Speaker 1: It was and it looked not at all like the

502
00:23:46,680 --> 00:23:49,280
Speaker 1: boat that they use in the establishing shot, which is

503
00:23:49,320 --> 00:23:53,000
Speaker 1: an obviously like modern fishing boat with the two big

504
00:23:53,000 --> 00:23:54,640
Speaker 1: things on the side of it. And then it goes

505
00:23:54,680 --> 00:23:58,800
Speaker 1: to like you know Pappy's you know, thrown together woodshed

506
00:23:59,040 --> 00:23:59,719
Speaker 1: of a boat.

507
00:24:00,240 --> 00:24:03,560
Speaker 2: Yes, this, I mean, I get it. They have limited space.

508
00:24:03,600 --> 00:24:06,480
Speaker 2: They're trying to replicate a boat on a stage.

509
00:24:08,200 --> 00:24:09,200
Speaker 3: But it was very.

510
00:24:09,200 --> 00:24:11,600
Speaker 2: Much like, this is a boat.

511
00:24:13,400 --> 00:24:17,160
Speaker 3: This is a man boat, the man bold.

512
00:24:17,040 --> 00:24:20,679
Speaker 2: Right, it's for fishing. It's not for free right, right, right.

513
00:24:20,760 --> 00:24:23,440
Speaker 2: There will be no party on this boat, dirty boat right.

514
00:24:23,480 --> 00:24:26,399
Speaker 2: It was very obvious and wonderful and I loved it.

515
00:24:26,400 --> 00:24:30,040
Speaker 2: It was so great. Great. Jesse and Joey are toasting

516
00:24:30,040 --> 00:24:33,600
Speaker 2: the ladies with champagne glasses. Captain Carolyn thanks Danny for

517
00:24:33,640 --> 00:24:36,680
Speaker 2: helping helping her with the anchor. Danny pulls Jesse and

518
00:24:36,720 --> 00:24:38,920
Speaker 2: Joey away from the ladies and declares that it's time

519
00:24:38,960 --> 00:24:42,400
Speaker 2: to go fishing. Jesse is not thrilled. Danny tells Jesse

520
00:24:42,520 --> 00:24:45,160
Speaker 2: to pick out a fishing pole and describes the features

521
00:24:45,160 --> 00:24:48,359
Speaker 2: of each pole. Jesse really doesn't care about any of this,

522
00:24:49,000 --> 00:24:51,000
Speaker 2: so Jesse walks over to Roxanna and points out that

523
00:24:51,040 --> 00:24:54,120
Speaker 2: there is a full moon tonight. Roxanna remarks that there

524
00:24:54,200 --> 00:24:56,520
Speaker 2: was also a full moon on the last night they

525
00:24:56,520 --> 00:24:57,800
Speaker 2: were together in Big Sir.

526
00:24:57,920 --> 00:24:59,720
Speaker 1: What do you bet Dave was standing off stage in

527
00:24:59,760 --> 00:25:01,800
Speaker 1: Moon everyone when they said that line.

528
00:25:01,680 --> 00:25:07,000
Speaker 2: The full moon. Oh yes, In fact, without even being there,

529
00:25:07,000 --> 00:25:08,439
Speaker 2: I can guarantee that's what was happening.

530
00:25:08,480 --> 00:25:09,440
Speaker 3: Almost positive.

531
00:25:09,440 --> 00:25:10,880
Speaker 1: I feel like if we asked Dave like, hey, were

532
00:25:10,880 --> 00:25:12,480
Speaker 1: you moon, he'd be like, oh yeah, yeah, yeah. Jesse

533
00:25:12,560 --> 00:25:14,040
Speaker 1: says the thing about look at the fulmit. Yeah, it

534
00:25:14,080 --> 00:25:15,080
Speaker 1: was just off camerons.

535
00:25:16,960 --> 00:25:22,120
Speaker 2: Absolutely that happened. So Jesse and Roxanna reminisce and kiss

536
00:25:22,160 --> 00:25:26,040
Speaker 2: in an passionate embrace. Danny and Joey once again are

537
00:25:26,080 --> 00:25:28,920
Speaker 2: creeping up on them and eavesdropping and watching.

538
00:25:28,640 --> 00:25:32,200
Speaker 3: Again with the boundary list making out in front of people.

539
00:25:32,560 --> 00:25:34,520
Speaker 2: Nobody has boundaries in this fan.

540
00:25:34,320 --> 00:25:36,040
Speaker 3: And the Seals clapping comment.

541
00:25:36,920 --> 00:25:38,359
Speaker 2: The Seals were clapping.

542
00:25:38,520 --> 00:25:40,560
Speaker 1: Did you Oh, maybe we haven't gotten to that part.

543
00:25:40,680 --> 00:25:43,359
Speaker 1: There's a comment where he says something they're talking about

544
00:25:43,400 --> 00:25:46,960
Speaker 1: the last time they were together in the full Moon. Yeah,

545
00:25:47,000 --> 00:25:49,520
Speaker 1: and he says like, yeah, remember the Seals were even

546
00:25:49,520 --> 00:25:50,320
Speaker 1: clapping for us.

547
00:25:50,359 --> 00:25:53,800
Speaker 2: I was like, whoa, Oh, I didn't catch that. Oh

548
00:25:53,880 --> 00:25:58,240
Speaker 2: yeah yeah, yeah that they were performing. They were putting

549
00:25:58,280 --> 00:26:00,119
Speaker 2: on a show for the Seals. This.

550
00:26:00,280 --> 00:26:01,280
Speaker 3: Oh I thought you meant the Seals.

551
00:26:01,440 --> 00:26:03,800
Speaker 2: Yeah, yeah, it was no, Jesse and Roxanna were putting

552
00:26:03,800 --> 00:26:04,000
Speaker 2: on the.

553
00:26:03,920 --> 00:26:05,840
Speaker 1: Show, putting on a show right there. I want to

554
00:26:05,840 --> 00:26:09,320
Speaker 1: make a joke here, but I won't you sure about Well,

555
00:26:09,600 --> 00:26:12,360
Speaker 1: it was about a seal, and you know how they

556
00:26:12,440 --> 00:26:14,959
Speaker 1: like to balance the little ball on their nose. Anyway,

557
00:26:15,119 --> 00:26:16,000
Speaker 1: it's going.

558
00:26:16,920 --> 00:26:20,520
Speaker 2: Okay, moving on, Danny and Joey start singing the love

559
00:26:20,600 --> 00:26:24,560
Speaker 2: Boat theme, which the audience goes crazy for because the.

560
00:26:24,560 --> 00:26:26,280
Speaker 3: Show is probably still on, right.

561
00:26:29,040 --> 00:26:30,040
Speaker 2: Peop were like the boat.

562
00:26:30,080 --> 00:26:34,120
Speaker 3: That's totally a very current and funny.

563
00:26:33,800 --> 00:26:39,640
Speaker 2: Joke, very current. Jesse complains that they just butchered a classic.

564
00:26:39,800 --> 00:26:42,160
Speaker 2: So there's so much singing in this show and I'm

565
00:26:42,200 --> 00:26:44,239
Speaker 2: not complaining about it, like, I love it.

566
00:26:44,400 --> 00:26:47,359
Speaker 3: I love Surprised we didn't go full musical episode at

567
00:26:47,400 --> 00:26:49,320
Speaker 3: some point, a little disappointed.

568
00:26:49,520 --> 00:26:52,239
Speaker 2: Well maybe it's coming. I don't know. We've got one

569
00:26:52,320 --> 00:26:53,720
Speaker 2: hundred and ninety more of.

570
00:26:55,320 --> 00:26:55,560
Speaker 3: Something.

571
00:26:55,600 --> 00:26:59,080
Speaker 2: Yeah, yeah, So the backup singers say you who were

572
00:26:59,119 --> 00:27:05,320
Speaker 2: out of champagne, and Joey suggests a managa fish like that?

573
00:27:05,320 --> 00:27:07,920
Speaker 2: That what hub hubb.

574
00:27:07,800 --> 00:27:15,119
Speaker 1: Which first of all, that like, like two things that

575
00:27:15,160 --> 00:27:19,520
Speaker 1: shouldn't go together are are sexy time and fish.

576
00:27:19,840 --> 00:27:22,160
Speaker 2: It's just not in a French phrase.

577
00:27:22,119 --> 00:27:25,199
Speaker 1: The French written no, none of that. No, I wouldn't

578
00:27:25,280 --> 00:27:27,520
Speaker 1: I would be like I'm not a fish there? Yeah right,

579
00:27:27,920 --> 00:27:30,040
Speaker 1: it was. It was a little this episode was scandalous.

580
00:27:30,080 --> 00:27:32,000
Speaker 1: I'm just saying scan duh.

581
00:27:32,119 --> 00:27:35,119
Speaker 2: Less. It was scandalous. But it didn't even really make sense,

582
00:27:35,160 --> 00:27:38,280
Speaker 2: Like the mounting joke really made sense. But Manasa Fish

583
00:27:38,600 --> 00:27:39,880
Speaker 2: is like, I don't.

584
00:27:39,840 --> 00:27:41,280
Speaker 3: You know, well, do you see what?

585
00:27:41,560 --> 00:27:44,359
Speaker 2: No, there's there's a lot of drums.

586
00:27:44,520 --> 00:27:46,159
Speaker 3: I wrote it down. It was like managa. I was

587
00:27:46,200 --> 00:27:48,040
Speaker 3: like that would that one felt like a stretch for me.

588
00:27:48,240 --> 00:27:50,480
Speaker 2: It felt like a stretch for me too. And the

589
00:27:50,520 --> 00:27:52,000
Speaker 2: backup the girls are keeping.

590
00:27:52,280 --> 00:27:54,719
Speaker 1: The backup singers are keeping incredible balance in their very

591
00:27:54,800 --> 00:27:56,480
Speaker 1: high heels on a wooden boat.

592
00:27:56,800 --> 00:28:00,040
Speaker 3: Oh they are not no one's tap and they're not buying.

593
00:27:59,800 --> 00:28:02,360
Speaker 2: What Joey is selling. They are. They are just like

594
00:28:03,200 --> 00:28:03,600
Speaker 2: lot more.

595
00:28:03,680 --> 00:28:06,600
Speaker 3: Yeah, they're like no, no, that fish market is closed on.

596
00:28:06,800 --> 00:28:09,679
Speaker 2: We need a lot more champagne if we're gonna manausea anything.

597
00:28:10,600 --> 00:28:13,399
Speaker 2: So then Joey starts describing in detail how the boat

598
00:28:13,480 --> 00:28:17,159
Speaker 2: is rocking and swaying up and down and back and forth,

599
00:28:17,200 --> 00:28:21,040
Speaker 2: which then I was like, bro, no, ladies are seasick.

600
00:28:21,400 --> 00:28:23,120
Speaker 2: They're running to the bathroom devopah.

601
00:28:23,119 --> 00:28:26,640
Speaker 1: But he wasn't talking about that. I was did you

602
00:28:26,760 --> 00:28:27,800
Speaker 1: just get that joke?

603
00:28:27,920 --> 00:28:31,960
Speaker 2: I just got it right? Now wow, that was the joke.

604
00:28:33,000 --> 00:28:36,200
Speaker 1: He goes right from Naja Fish into like and it's

605
00:28:36,200 --> 00:28:42,160
Speaker 1: going up, down and back, and then they get nauseous,

606
00:28:42,200 --> 00:28:45,040
Speaker 1: and Joey thinks it's because they are nauseous at the

607
00:28:45,080 --> 00:28:48,040
Speaker 1: idea of being with him, but really there it's that

608
00:28:48,120 --> 00:28:49,600
Speaker 1: he's triggered the seasickness.

609
00:28:49,760 --> 00:28:52,680
Speaker 3: And then uh see, yeah, well I thought they.

610
00:28:52,520 --> 00:28:55,920
Speaker 2: Were seasick from him describing the rock he was from.

611
00:28:56,480 --> 00:28:59,280
Speaker 3: Well, that is the surface joke.

612
00:28:59,520 --> 00:29:03,320
Speaker 1: The under lying joke is that he's in meaning like,

613
00:29:03,520 --> 00:29:05,960
Speaker 1: let's get down and you know, rock this boat, rock

614
00:29:06,000 --> 00:29:09,040
Speaker 1: the boat, and they're nauseous and so to him he

615
00:29:09,120 --> 00:29:10,760
Speaker 1: has that moment of like, oh wait, it's me.

616
00:29:10,920 --> 00:29:12,440
Speaker 3: They're nauseous at the thought of me.

617
00:29:13,080 --> 00:29:15,880
Speaker 2: Well, then stop making these jokes, Joey, come on now

618
00:29:16,000 --> 00:29:16,880
Speaker 2: read the room. Yeah.

619
00:29:16,920 --> 00:29:19,400
Speaker 1: I was a little nauseous at Naja Fish, just purely

620
00:29:19,520 --> 00:29:22,600
Speaker 1: for just I was like, no, no, no, that one's

621
00:29:22,600 --> 00:29:22,880
Speaker 1: not good.

622
00:29:22,880 --> 00:29:23,600
Speaker 3: I would have run off.

623
00:29:23,640 --> 00:29:26,000
Speaker 2: Also, I would have run off vomiting as well.

624
00:29:26,200 --> 00:29:28,200
Speaker 3: And they ran off well again in heels.

625
00:29:27,920 --> 00:29:30,720
Speaker 2: In heels on a swaying boat. Yeah, that their balance

626
00:29:30,840 --> 00:29:34,560
Speaker 2: is fantastic. So Danny and Carolyn are setting up to

627
00:29:34,640 --> 00:29:37,320
Speaker 2: fish and Danny tells her that he is very prepared

628
00:29:37,480 --> 00:29:40,880
Speaker 2: with his lucky pole, lucky hat, and his lucky underwear

629
00:29:40,880 --> 00:29:42,000
Speaker 2: with little sharks on it.

630
00:29:42,680 --> 00:29:44,920
Speaker 3: I is it me or did I? Was I the

631
00:29:44,960 --> 00:29:48,960
Speaker 3: only one that went places with that, the lucky pole,

632
00:29:49,000 --> 00:29:51,560
Speaker 3: the lucky hat, and his lucky underwear. I'm just sorry.

633
00:29:51,640 --> 00:29:57,320
Speaker 7: I'm sorry the place that this episode is leaning, not

634
00:29:57,360 --> 00:30:02,480
Speaker 7: even leaning laying into to these on tnas, I can't

635
00:30:02,480 --> 00:30:02,960
Speaker 7: help that.

636
00:30:02,960 --> 00:30:05,440
Speaker 1: That was what my what I thought was like, is

637
00:30:05,480 --> 00:30:08,400
Speaker 1: that are we really is that what we're really talking about?

638
00:30:08,440 --> 00:30:12,000
Speaker 1: Or are we're meaning something else or or I'm just.

639
00:30:13,520 --> 00:30:14,280
Speaker 3: You know, I'm the.

640
00:30:14,240 --> 00:30:17,240
Speaker 2: Problem, which no, no, yes you are the problem, but

641
00:30:17,320 --> 00:30:19,880
Speaker 2: in this episode, no it's not. It's not just you.

642
00:30:19,960 --> 00:30:21,920
Speaker 2: Like every other joke is a.

643
00:30:21,920 --> 00:30:24,320
Speaker 3: Sexual I think that was the joke they were going for.

644
00:30:24,600 --> 00:30:27,400
Speaker 2: Oh man, I just thought it was. Danny also had

645
00:30:27,440 --> 00:30:30,320
Speaker 2: no game, like none of well I think that game

646
00:30:30,480 --> 00:30:30,880
Speaker 2: at all.

647
00:30:31,120 --> 00:30:34,040
Speaker 1: Maybe I just feel like I know what Bob and

648
00:30:34,120 --> 00:30:36,360
Speaker 1: Dave and John were actually thinking about the jokes, and

649
00:30:36,400 --> 00:30:38,640
Speaker 1: that's what it is is that's I know that's probably

650
00:30:38,680 --> 00:30:41,560
Speaker 1: what they were thinking. Yes, so right, And I'm like, ah,

651
00:30:41,600 --> 00:30:42,320
Speaker 1: I guess.

652
00:30:42,120 --> 00:30:44,080
Speaker 2: That's why their brains going there because you know that

653
00:30:44,120 --> 00:30:49,200
Speaker 2: their brains were already right exactly, absolutely. So for some reason,

654
00:30:49,240 --> 00:30:53,480
Speaker 2: Carolyn finds him funny. Okay, they're just they're flirting in

655
00:30:53,560 --> 00:30:55,200
Speaker 2: a nerdy way, Okay, they were.

656
00:30:55,040 --> 00:30:57,680
Speaker 3: Like for some reason, well I do funny.

657
00:30:58,040 --> 00:31:01,080
Speaker 2: She's enamored with him, and I'm like, okay, have fun

658
00:31:01,080 --> 00:31:02,560
Speaker 2: with the sharks on a boat.

659
00:31:02,600 --> 00:31:04,760
Speaker 1: She doesn't get out much. You know, she's been living

660
00:31:04,760 --> 00:31:08,400
Speaker 1: out there in that wooden boat since eighteen seventy.

661
00:31:08,800 --> 00:31:09,440
Speaker 2: She needs a.

662
00:31:09,480 --> 00:31:12,760
Speaker 3: Mate, Captain Jack, you know, peg Leg, Grandma grandpa.

663
00:31:13,240 --> 00:31:16,800
Speaker 2: So yeah, you know she needs a She needs a

664
00:31:16,840 --> 00:31:18,160
Speaker 2: mate and a friend.

665
00:31:18,200 --> 00:31:20,520
Speaker 3: The first mate, a parrot even is what she needs.

666
00:31:20,640 --> 00:31:23,760
Speaker 2: She needs anything, because she's settling for shark underwear. At

667
00:31:23,760 --> 00:31:29,040
Speaker 2: this point, Danny decides shark. Danny decides to show Joey

668
00:31:29,080 --> 00:31:32,440
Speaker 2: the art of casting a fishing rod. He demonstrates with

669
00:31:32,520 --> 00:31:36,080
Speaker 2: his own rod, and Joey copies him. I know, I know,

670
00:31:36,640 --> 00:31:39,840
Speaker 2: I can't, like, I can't get through it's the copy here.

671
00:31:39,880 --> 00:31:42,640
Speaker 2: I can't get through it because it's just the jokes

672
00:31:42,720 --> 00:31:47,760
Speaker 2: right themselves, trying to keep it in. Okay, So yeah,

673
00:31:47,960 --> 00:31:50,600
Speaker 2: so back to the Danny's demonstrating with his own rod.

674
00:31:51,440 --> 00:31:55,240
Speaker 2: Joey takes his rod and copies him, except he accidentally

675
00:31:55,320 --> 00:31:58,760
Speaker 2: ends up actually throwing his entire rod into the ocean.

676
00:31:59,080 --> 00:32:03,920
Speaker 3: Which is never a good idea. No throw your entire run,

677
00:32:04,280 --> 00:32:06,880
Speaker 3: Never throw the whole rot into the ocean. No, no,

678
00:32:07,040 --> 00:32:08,080
Speaker 3: you hold on to it.

679
00:32:08,360 --> 00:32:11,920
Speaker 2: But the audience loves this, like, they laughed so hard

680
00:32:12,040 --> 00:32:15,360
Speaker 2: at this, They really did, hysterical and such a joey

681
00:32:15,360 --> 00:32:16,680
Speaker 2: moment to just throw the whole rod.

682
00:32:17,960 --> 00:32:18,800
Speaker 3: So we let it go.

683
00:32:18,960 --> 00:32:21,239
Speaker 2: Yeah, yeah. We come back from a commercial break and

684
00:32:21,360 --> 00:32:24,200
Speaker 2: all three guys and the ladies are now fishing together.

685
00:32:24,800 --> 00:32:28,440
Speaker 2: Jesse catches his fourth fish, Yvonne and Vega catch their

686
00:32:28,440 --> 00:32:31,280
Speaker 2: fifth fish, and Danny exclaims, how could this be? Look

687
00:32:31,320 --> 00:32:36,120
Speaker 2: what they're wearing. He's referencing their beautiful eighties cocktail attire.

688
00:32:36,440 --> 00:32:39,160
Speaker 1: Maybe it was the reflections the fish were attracted to them,

689
00:32:39,600 --> 00:32:42,760
Speaker 1: you know. I mean, in my limited fishing knowledge, I

690
00:32:42,800 --> 00:32:45,680
Speaker 1: do think that lures have like little shiny things on

691
00:32:45,680 --> 00:32:47,040
Speaker 1: the knights of the fish are like what is that?

692
00:32:47,440 --> 00:32:50,040
Speaker 1: So maybe if Danny were doing all of this in

693
00:32:50,280 --> 00:32:54,200
Speaker 1: high in pat and leather high heels and a shiny dress,

694
00:32:54,440 --> 00:32:55,520
Speaker 1: they might have gone better.

695
00:32:55,800 --> 00:32:57,880
Speaker 2: He needs he needs to come next time, next time,

696
00:32:58,000 --> 00:33:01,920
Speaker 2: next time, Jesse catches yet another fish and complains how

697
00:33:01,960 --> 00:33:04,720
Speaker 2: boring this is, just catching fish after fish, and a

698
00:33:04,800 --> 00:33:08,280
Speaker 2: frustrated Danny says, will you shut up? Danny's the only one

699
00:33:08,320 --> 00:33:12,240
Speaker 2: that's not catching anything. Jesse and Roxanna flirt and reminisce

700
00:33:12,320 --> 00:33:16,160
Speaker 2: about her success as a singer. Roxanna breaks into song,

701
00:33:16,360 --> 00:33:20,040
Speaker 2: singing Rock and Robin by Bobby Day. The backup singers

702
00:33:20,120 --> 00:33:23,040
Speaker 2: join that song, oh yeah, and the three men start

703
00:33:23,080 --> 00:33:24,600
Speaker 2: to sitting there everybody on this boat.

704
00:33:24,920 --> 00:33:28,440
Speaker 3: Choreography, musical moments. Yeah, it's all there.

705
00:33:28,680 --> 00:33:31,320
Speaker 2: It's a moment and I love it. And Jesse and

706
00:33:31,400 --> 00:33:34,360
Speaker 2: Roxanna really have great chemistry here, like I can believe

707
00:33:34,480 --> 00:33:37,240
Speaker 2: that they were once a couple because Jess is the

708
00:33:37,280 --> 00:33:39,720
Speaker 2: only one that has game and he's the only one

709
00:33:39,720 --> 00:33:42,720
Speaker 2: that's catching women really and fish and fish and fish.

710
00:33:42,840 --> 00:33:45,440
Speaker 2: But Danny's not catching anything, not women or fish at

711
00:33:45,440 --> 00:33:45,720
Speaker 2: this point.

712
00:33:45,800 --> 00:33:48,000
Speaker 3: No, he is catching He's catching a woman. He just

713
00:33:48,040 --> 00:33:48,640
Speaker 3: doesn't know it.

714
00:33:48,880 --> 00:33:51,040
Speaker 2: He doesn't know it yet, that's right, He's focused on

715
00:33:51,080 --> 00:33:57,160
Speaker 2: his rod and his shark underwear. I can't. So the

716
00:33:57,200 --> 00:34:00,600
Speaker 2: song ends and Danny returns to fishing, and something is

717
00:34:00,640 --> 00:34:04,840
Speaker 2: caught on his line finally, but Danny gets pulled into

718
00:34:04,880 --> 00:34:08,480
Speaker 2: the ocean, and Joey immediately jumps in after him, claiming,

719
00:34:08,800 --> 00:34:12,279
Speaker 2: I'm coming for you, Beanie boy. The ladies awkwardly look

720
00:34:12,280 --> 00:34:15,080
Speaker 2: at Jesse, who realizes they expect him to jump into

721
00:34:15,560 --> 00:34:18,880
Speaker 2: so he begrudgingly takes off his leather vest and boots.

722
00:34:18,480 --> 00:34:21,560
Speaker 3: And wallet, and we don't ever actually jumps I don't.

723
00:34:21,360 --> 00:34:23,200
Speaker 2: Think he actually jumps in. No, we don't see, but

724
00:34:23,239 --> 00:34:24,560
Speaker 2: I don't think he actually did.

725
00:34:24,840 --> 00:34:28,360
Speaker 1: So I'm gonna venture to say here that people did

726
00:34:28,440 --> 00:34:32,280
Speaker 1: not get the Beanie and Cecil joke. I didn't, okay,

727
00:34:32,320 --> 00:34:35,600
Speaker 1: because I think he I did, because he makes a

728
00:34:35,680 --> 00:34:37,719
Speaker 1: reference I think in the beginning of the episode when

729
00:34:37,760 --> 00:34:40,480
Speaker 1: they're talking about like their male bonding and Jesse's writing

730
00:34:40,920 --> 00:34:46,799
Speaker 1: the song and he says something about what rhymes with

731
00:34:47,120 --> 00:34:47,680
Speaker 1: something in.

732
00:34:47,640 --> 00:34:49,279
Speaker 2: A Lamborghini lamber.

733
00:34:49,680 --> 00:34:52,200
Speaker 1: Yeah, he's like Cecil and Beanie or whatever, and I think, oh,

734
00:34:53,000 --> 00:34:57,200
Speaker 1: I think I have never I think Beanie and Cecil

735
00:34:57,280 --> 00:35:00,480
Speaker 1: was like an old sort of Howdy dooty era, like

736
00:35:00,520 --> 00:35:04,239
Speaker 1: a cartoon, like a little duo. But I think that

737
00:35:04,440 --> 00:35:06,680
Speaker 1: was that, But then I wasn't. I don't know if

738
00:35:06,680 --> 00:35:09,640
Speaker 1: that was the joke that he was referencing when he said,

739
00:35:09,680 --> 00:35:12,440
Speaker 1: I'm coming for you, mister beanie, or maybe Danny wears

740
00:35:12,480 --> 00:35:15,720
Speaker 1: a beanie that we don't know about in previous scenes.

741
00:35:15,760 --> 00:35:16,160
Speaker 3: I don't know.

742
00:35:16,440 --> 00:35:18,840
Speaker 2: I think that's as good as a guess as anything, Like,

743
00:35:18,880 --> 00:35:19,960
Speaker 2: why else would he make that joke?

744
00:35:20,080 --> 00:35:22,239
Speaker 1: It must be a callback, I don't know. Unless someone

745
00:35:22,320 --> 00:35:24,319
Speaker 1: else has a different interpretation of that joke.

746
00:35:24,880 --> 00:35:26,560
Speaker 2: Write in and tell us, please write it out.

747
00:35:26,600 --> 00:35:27,799
Speaker 3: Yeah, please write in and tell us.

748
00:35:27,840 --> 00:35:29,680
Speaker 1: I'm open to hearing it because that's where I went

749
00:35:29,680 --> 00:35:30,680
Speaker 1: with it, and I could be wrong.

750
00:35:31,040 --> 00:35:33,279
Speaker 2: I love it. I love it. That went straight over

751
00:35:33,320 --> 00:35:35,440
Speaker 2: my head. So I'm happy you shared that with us.

752
00:35:35,560 --> 00:35:38,280
Speaker 2: Thank you. So the next scene is in the kitchen.

753
00:35:38,400 --> 00:35:41,160
Speaker 2: It's the next day, and the three guys and the

754
00:35:41,280 --> 00:35:44,600
Speaker 2: ladies are all at the kitchen table eating breakfast. Wait

755
00:35:44,640 --> 00:35:48,360
Speaker 2: a minute, where did they sleep? Fish also for breakfast?

756
00:35:48,360 --> 00:35:51,720
Speaker 1: They didn't, That's why they're still in the same outfits looking.

757
00:35:52,560 --> 00:35:54,239
Speaker 1: By the way, No, they didn't sleep.

758
00:35:54,320 --> 00:35:56,200
Speaker 2: Pulled an all nighter on the wooden boat.

759
00:35:56,520 --> 00:35:59,319
Speaker 1: Yeah, because remember the boat didn't take off till midnight. Oh,

760
00:35:59,400 --> 00:36:01,839
Speaker 1: they didn't even get out there till midnight. They've been

761
00:36:01,880 --> 00:36:06,840
Speaker 1: fishing all night and now are apparently grilling up fish

762
00:36:07,320 --> 00:36:09,319
Speaker 1: at you know, seven or eight in the morning, which

763
00:36:09,360 --> 00:36:11,760
Speaker 1: I'm sure smells lovely in a house, because that's.

764
00:36:11,640 --> 00:36:13,719
Speaker 2: What I like to wake up to. Forget bacon, give

765
00:36:13,760 --> 00:36:16,360
Speaker 2: me fried fish in the who needs coffee?

766
00:36:16,400 --> 00:36:18,719
Speaker 1: We have fish, and they still have their pumps on.

767
00:36:18,760 --> 00:36:23,200
Speaker 1: There's not a run in anyone's pantyhoset on, a splinter

768
00:36:23,320 --> 00:36:27,000
Speaker 1: in that wooden boat. Nothing, nothing, really, Everyone has survived

769
00:36:27,000 --> 00:36:32,120
Speaker 1: the night, looking fabulous and having a really great breakfast.

770
00:36:32,480 --> 00:36:35,399
Speaker 2: It's all that fresh air, that salty sea air, that.

771
00:36:35,440 --> 00:36:38,839
Speaker 3: Salty, salty sea air. Is really done wonders for them.

772
00:36:39,280 --> 00:36:42,759
Speaker 2: I love it. Joey keeps offering them various types of

773
00:36:42,800 --> 00:36:46,920
Speaker 2: fish that he caught, his halibit, his swordfish, and Danny,

774
00:36:47,000 --> 00:36:50,120
Speaker 2: still bitter, tells him to shut up. We find out

775
00:36:50,160 --> 00:36:53,600
Speaker 2: that Danny was actually pulled in to the ocean by

776
00:36:53,640 --> 00:36:56,160
Speaker 2: a tire, not a fish, so he didn't even catch

777
00:36:56,160 --> 00:36:58,359
Speaker 2: a fish when he went into the ocean. Fish just

778
00:36:58,440 --> 00:37:01,719
Speaker 2: caught a tire. Poor guy, Poor Danny, Poor Danny. I

779
00:37:01,719 --> 00:37:04,840
Speaker 2: feel bad for him. The backup singers thank them for

780
00:37:04,880 --> 00:37:07,399
Speaker 2: breakfast and go to leave, and Joey walks them out

781
00:37:07,440 --> 00:37:08,480
Speaker 2: and into the living room.

782
00:37:09,040 --> 00:37:11,160
Speaker 3: In the living rooms, trying for that Manaja fish one

783
00:37:11,200 --> 00:37:11,600
Speaker 3: more time.

784
00:37:11,680 --> 00:37:14,279
Speaker 2: Yeah, he's not going to give up that easily. Heck no.

785
00:37:15,320 --> 00:37:17,480
Speaker 2: So in the living room, the ladies thank Joey for

786
00:37:17,600 --> 00:37:21,120
Speaker 2: the peptobismal and tell him that being with you actually

787
00:37:21,160 --> 00:37:23,759
Speaker 2: bordered on fun. We've met a lot of men and

788
00:37:23,800 --> 00:37:28,240
Speaker 2: now we've met you and ouch ouch right that joke.

789
00:37:28,560 --> 00:37:32,960
Speaker 2: I was like, wow, poor Joey, Poor Joey.

790
00:37:33,360 --> 00:37:34,760
Speaker 3: But mannaquin.

791
00:37:35,360 --> 00:37:38,400
Speaker 1: If you notice in the background, wait, Joey and the

792
00:37:38,400 --> 00:37:40,120
Speaker 1: mannequin are now wearing the same.

793
00:37:39,880 --> 00:37:42,520
Speaker 2: Outfit the sea captain the thirst.

794
00:37:42,800 --> 00:37:44,920
Speaker 1: No, he's not in the no, because remember Joey went

795
00:37:44,960 --> 00:37:47,840
Speaker 1: in the water after Danny, so he's changed.

796
00:37:48,480 --> 00:37:51,240
Speaker 3: But someone has also changed the mannequin.

797
00:37:52,000 --> 00:37:55,000
Speaker 2: Attention to detail, the continuity on the show is terrible

798
00:37:55,280 --> 00:37:56,600
Speaker 2: except for the mannequin.

799
00:37:57,719 --> 00:38:00,680
Speaker 1: No, and that's saying nothing about Patty Relli, who was

800
00:38:00,719 --> 00:38:04,480
Speaker 1: our lovely scripty. But of course, of course the mannequin.

801
00:38:04,680 --> 00:38:08,080
Speaker 3: I will say. The mannequin was on point.

802
00:38:08,000 --> 00:38:10,560
Speaker 2: Always always, but it always raises.

803
00:38:10,320 --> 00:38:12,319
Speaker 1: So many questions for me. Did they come home? Was

804
00:38:12,320 --> 00:38:14,680
Speaker 1: he was while the fish was cooking? Was he changing

805
00:38:14,680 --> 00:38:15,160
Speaker 1: the mannequin?

806
00:38:15,239 --> 00:38:15,439
Speaker 2: Yeah?

807
00:38:15,440 --> 00:38:17,080
Speaker 3: When did he have We're the two backup singers helping

808
00:38:17,120 --> 00:38:18,719
Speaker 3: him change the manquin. Was that why they were like,

809
00:38:18,840 --> 00:38:21,080
Speaker 3: now we've met you because you have a mannequin that

810
00:38:21,160 --> 00:38:23,399
Speaker 3: wears the same clothes. I mean, there's a lot.

811
00:38:23,640 --> 00:38:25,839
Speaker 2: It explains a lot. That explains a lot.

812
00:38:25,920 --> 00:38:28,239
Speaker 1: Actually, I don't know that it explains much. I have

813
00:38:28,320 --> 00:38:31,200
Speaker 1: actually a lot more questions really from all of this.

814
00:38:31,400 --> 00:38:34,839
Speaker 2: But anyway, anyway, they both kissed Joey on the cheek

815
00:38:34,880 --> 00:38:38,720
Speaker 2: and say goodbye. Jesse and Roxanna are also saying goodbye

816
00:38:38,800 --> 00:38:41,480
Speaker 2: to each other. It feels like we're always saying goodbye.

817
00:38:42,080 --> 00:38:46,040
Speaker 2: Roxanna invites Jesse on the road and he asks to

818
00:38:46,120 --> 00:38:49,960
Speaker 2: join your band, to which Roxanna replies, will know they're

819
00:38:49,960 --> 00:38:52,359
Speaker 2: an all girl band, so he would just be there

820
00:38:52,400 --> 00:38:57,080
Speaker 2: to be with Roxanna and Jesse is very offended. He's like,

821
00:38:57,080 --> 00:38:59,440
Speaker 2: to do what to carry your bags? To tune your guitar?

822
00:39:00,160 --> 00:39:02,399
Speaker 2: Jesse is not into this, and he's not into He's

823
00:39:02,400 --> 00:39:05,279
Speaker 2: not into following her around like a puppy dog. I

824
00:39:05,480 --> 00:39:10,440
Speaker 2: was a little disappointed. I was like, why is so mad? Bruh, bruh, right,

825
00:39:11,280 --> 00:39:14,240
Speaker 2: why is he so angry at this lovely well.

826
00:39:14,000 --> 00:39:16,000
Speaker 1: Again, this sort of you know, it says that that

827
00:39:16,000 --> 00:39:19,520
Speaker 1: it's the eighties and it's that very stereotypical uh sort

828
00:39:19,560 --> 00:39:23,680
Speaker 1: of gender role in that Jesse thinks he should be

829
00:39:23,719 --> 00:39:27,320
Speaker 1: the star and not uh and not the other way around.

830
00:39:27,600 --> 00:39:28,600
Speaker 2: Wow.

831
00:39:28,600 --> 00:39:31,120
Speaker 1: And so yeah, I actually wrote down was like, Jesse's

832
00:39:31,200 --> 00:39:34,440
Speaker 1: kind of ognistic in this, Like it's a little bit

833
00:39:34,520 --> 00:39:36,600
Speaker 1: like he doesn't want her career.

834
00:39:36,640 --> 00:39:38,440
Speaker 3: He wants to be the one with the career.

835
00:39:38,480 --> 00:39:44,200
Speaker 1: And which, look, I mean, I I that happens, it happens, understandable.

836
00:39:43,840 --> 00:39:47,680
Speaker 3: But uh, I was, I was like, Jesse, Jesse, be supportive.

837
00:39:47,920 --> 00:39:50,040
Speaker 3: If you really like this woman, don't use her for

838
00:39:50,120 --> 00:39:50,600
Speaker 3: your career.

839
00:39:50,680 --> 00:39:54,440
Speaker 2: Sir, Yes, be supportive, go on tour. His level of

840
00:39:54,440 --> 00:39:57,920
Speaker 2: annoyance is disproportionate to her offer, like he could have

841
00:39:57,960 --> 00:40:00,239
Speaker 2: just said oh thanks, but no thanks. Instead he goes

842
00:40:00,280 --> 00:40:00,759
Speaker 2: off on her.

843
00:40:00,960 --> 00:40:02,440
Speaker 3: Well he goes yeah again.

844
00:40:02,640 --> 00:40:04,120
Speaker 2: It's it's a little I was.

845
00:40:04,320 --> 00:40:07,360
Speaker 3: I was a little like, no, no, no, this is

846
00:40:07,440 --> 00:40:09,440
Speaker 3: not this is not This is not how we do.

847
00:40:09,680 --> 00:40:11,719
Speaker 2: That's how we do. It's not how you win over

848
00:40:11,760 --> 00:40:12,800
Speaker 2: a woman, that's for sure.

849
00:40:13,080 --> 00:40:14,279
Speaker 3: No. No, not that.

850
00:40:14,520 --> 00:40:17,359
Speaker 1: Not mannequins, not minaja fish, none of those things. If

851
00:40:17,400 --> 00:40:20,240
Speaker 1: anyone out there is listening, those are not the ways

852
00:40:20,480 --> 00:40:23,280
Speaker 1: in which to flirt with women.

853
00:40:23,400 --> 00:40:25,920
Speaker 3: Please, don't do that. Yeah, this is a statement.

854
00:40:26,000 --> 00:40:28,560
Speaker 2: The whole episode is a how not to land a.

855
00:40:28,600 --> 00:40:30,359
Speaker 3: Dat how not to Yeah, yeah, m hm.

856
00:40:30,960 --> 00:40:34,160
Speaker 2: We cut back to the kitchen where Danny and Carolyn

857
00:40:34,239 --> 00:40:36,680
Speaker 2: are drying the dishes. They mentioned what a great time

858
00:40:36,719 --> 00:40:40,000
Speaker 2: they had, and Carolyn offers to make Danny dinner sometime.

859
00:40:40,520 --> 00:40:44,040
Speaker 2: Danny is uncomfortable with this proposition. He starts to tell

860
00:40:44,080 --> 00:40:46,319
Speaker 2: Carolyn why this whole thing was a big mistake, while

861
00:40:46,400 --> 00:40:50,080
Speaker 2: Joey observes this interaction from the background. Danny tells Carolyn

862
00:40:50,120 --> 00:40:51,920
Speaker 2: that she should leave and he ushers her into the

863
00:40:52,320 --> 00:40:55,799
Speaker 2: living room. In the living room, Jesse's still mid fight

864
00:40:55,880 --> 00:40:57,560
Speaker 2: with Roxanna. He's not letting it go.

865
00:40:57,840 --> 00:40:59,000
Speaker 3: Not no, he won't let it go.

866
00:40:59,600 --> 00:41:01,399
Speaker 2: He starts arts to usher her out of the house

867
00:41:01,400 --> 00:41:03,880
Speaker 2: when Joey interrupts and calls for a meeting between the

868
00:41:03,920 --> 00:41:06,360
Speaker 2: three guys in the kitchen. The three guys leave the

869
00:41:06,360 --> 00:41:08,000
Speaker 2: women and go back into the kitchen.

870
00:41:08,200 --> 00:41:10,760
Speaker 3: The kitchen is where all major conversations.

871
00:41:10,160 --> 00:41:12,640
Speaker 2: Happen, the most important conversations happening in the king.

872
00:41:12,560 --> 00:41:15,040
Speaker 1: Which is true in real life as it is in

873
00:41:15,080 --> 00:41:17,120
Speaker 1: full house, but the kitchen is usually the heart of

874
00:41:17,120 --> 00:41:17,520
Speaker 1: the home.

875
00:41:17,760 --> 00:41:21,439
Speaker 2: Yeah, it is Joey says, Danny, you had a nice

876
00:41:21,440 --> 00:41:24,160
Speaker 2: time with Carolyn. Jesse, you had a nice time with Roxanna.

877
00:41:24,320 --> 00:41:27,440
Speaker 2: What is the problem? Why is everyone fighting? Jesse and

878
00:41:27,480 --> 00:41:30,880
Speaker 2: Danny basically tell him it's none of your business. Joey

879
00:41:30,880 --> 00:41:34,360
Speaker 2: calls Jesse out and says, if Jesse's attitude has something

880
00:41:34,400 --> 00:41:38,600
Speaker 2: to do with Roxanna's success, does it? Jesse denies it

881
00:41:38,640 --> 00:41:42,439
Speaker 2: at first, but then he slowly admits that yes, he

882
00:41:42,520 --> 00:41:43,399
Speaker 2: was jealous.

883
00:41:43,640 --> 00:41:46,080
Speaker 1: Yep, and see in this moment, I went, okay, okay.

884
00:41:47,520 --> 00:41:50,439
Speaker 1: He redeemed himself in this because in the previous scene

885
00:41:50,440 --> 00:41:53,360
Speaker 1: I was a little but then this one he's like, no,

886
00:41:53,400 --> 00:41:53,640
Speaker 1: I was.

887
00:41:53,719 --> 00:41:56,520
Speaker 3: I was jealous and good on him, and he's good

888
00:41:56,560 --> 00:42:00,200
Speaker 3: on him. Great on Joey for calling it out all

889
00:42:00,239 --> 00:42:00,800
Speaker 3: of a sudden.

890
00:42:00,880 --> 00:42:03,400
Speaker 1: It really I love this seeing Joey kind of all

891
00:42:03,400 --> 00:42:04,840
Speaker 1: of a sudden, You're like, oh my gosh.

892
00:42:04,560 --> 00:42:07,640
Speaker 2: Wow, he really he gets it. It's It's a great scene.

893
00:42:07,680 --> 00:42:08,080
Speaker 3: It's great.

894
00:42:08,400 --> 00:42:12,080
Speaker 2: I love it. So Jesse admits he was jealous, and

895
00:42:12,360 --> 00:42:14,960
Speaker 2: he Jesse explains that he had promised himself that he

896
00:42:14,960 --> 00:42:17,120
Speaker 2: would have a record deal by now at the age

897
00:42:17,160 --> 00:42:20,239
Speaker 2: of twenty four, but he does a four. Did that

898
00:42:20,280 --> 00:42:23,640
Speaker 2: bump you too, he's twenty four. Oh my god, that

899
00:42:23,840 --> 00:42:26,720
Speaker 2: John actually twenty four, I think I did. I looked

900
00:42:26,719 --> 00:42:29,239
Speaker 2: it up at one point. I think John was like

901
00:42:29,280 --> 00:42:29,839
Speaker 2: twenty eight.

902
00:42:30,160 --> 00:42:32,439
Speaker 3: I was gonna say, I think he just like twenty six, late.

903
00:42:32,760 --> 00:42:35,640
Speaker 2: Like late twenties, and then Bob and Dave were like

904
00:42:35,680 --> 00:42:39,200
Speaker 2: early early thirties, like thirty thirty one. They were babies.

905
00:42:39,440 --> 00:42:41,800
Speaker 3: No, Joe, I don't think they were that old.

906
00:42:42,160 --> 00:42:46,160
Speaker 2: No, I don't think so. Bob and David no older

907
00:42:46,200 --> 00:42:49,480
Speaker 2: than John John. Yeah, oh that's true, they are, But

908
00:42:49,520 --> 00:42:50,200
Speaker 2: how much I thought.

909
00:42:50,080 --> 00:42:53,359
Speaker 1: They were younger anyway. Well, but that's someone tell us someone.

910
00:42:53,440 --> 00:42:57,040
Speaker 1: Someone tells some twenty four, twenty four is so young.

911
00:42:58,000 --> 00:43:01,920
Speaker 1: I was like, really, that one got me because I

912
00:43:02,200 --> 00:43:04,799
Speaker 1: just to think about the fact that, like it's been

913
00:43:04,880 --> 00:43:07,759
Speaker 1: that long. I mean, thinking back to when I was

914
00:43:07,800 --> 00:43:10,880
Speaker 1: twenty four feels like forever ago. And to think, like,

915
00:43:11,160 --> 00:43:14,680
Speaker 1: you know, we've known them all since they're like mid

916
00:43:14,719 --> 00:43:15,600
Speaker 1: to late twenties.

917
00:43:15,640 --> 00:43:16,440
Speaker 3: I mean, it's crazy.

918
00:43:16,520 --> 00:43:19,520
Speaker 2: It was crazy. Yeah, it's weird to think how much

919
00:43:19,560 --> 00:43:21,879
Speaker 2: older we are now than they.

920
00:43:21,840 --> 00:43:22,960
Speaker 3: When they were then.

921
00:43:23,239 --> 00:43:28,280
Speaker 2: Yeah, Like that's a very sobering realization. Really is Wow,

922
00:43:28,800 --> 00:43:32,840
Speaker 2: talk about a barometer for time. So Jesse is like,

923
00:43:32,880 --> 00:43:35,000
Speaker 2: when is it finally going to be my turn for

924
00:43:35,160 --> 00:43:38,480
Speaker 2: some success? And Joey consoles him and says he knows

925
00:43:38,520 --> 00:43:42,160
Speaker 2: how he feels. Joey says, when I see Alf, I

926
00:43:42,239 --> 00:43:47,200
Speaker 2: go nuts. The audience roars. The audience loves this. I

927
00:43:47,239 --> 00:43:48,080
Speaker 2: loved that joke.

928
00:43:48,200 --> 00:43:50,440
Speaker 3: I actually laughed out loud at that joke because I

929
00:43:50,480 --> 00:43:51,879
Speaker 3: was also an al fan as a kid.

930
00:43:52,960 --> 00:43:56,840
Speaker 2: A carpet sample has a series. That's a great line

931
00:43:57,080 --> 00:43:58,319
Speaker 2: that is that was.

932
00:43:58,280 --> 00:44:01,799
Speaker 3: A really genuinely great line, and I loved it.

933
00:44:01,880 --> 00:44:04,200
Speaker 1: And yeah, it took me back to my alf watching

934
00:44:04,280 --> 00:44:08,280
Speaker 1: days of Melmac and Alf eating cats, which maybe where

935
00:44:08,600 --> 00:44:11,359
Speaker 1: I often't like cats. Well, on mel Mac, they they

936
00:44:11,440 --> 00:44:13,439
Speaker 1: had them as snacks, and so I feel like maybe

937
00:44:13,480 --> 00:44:15,520
Speaker 1: that was where I he was always trying to eat

938
00:44:15,560 --> 00:44:18,520
Speaker 1: the family cat, remember, Yeah, Yeah, and that was maybe

939
00:44:18,520 --> 00:44:22,680
Speaker 1: where my my aversion to cats started. You do and

940
00:44:23,719 --> 00:44:29,200
Speaker 1: John was our amazing, wonderful fact checkers. Oh John was

941
00:44:29,719 --> 00:44:37,400
Speaker 1: twenty four. What my mind blown was twenty four?

942
00:44:37,719 --> 00:44:41,120
Speaker 2: He was an embryo. He was a baby. He was

943
00:44:41,160 --> 00:44:44,160
Speaker 2: a baby. Wow, that's incredible.

944
00:44:44,560 --> 00:44:47,480
Speaker 3: Look at that skin, that hair, that's wild.

945
00:44:47,520 --> 00:44:51,080
Speaker 2: How long we've known him? Yeah, like this is a

946
00:44:51,120 --> 00:44:57,319
Speaker 2: lifelong friendship. Yeah, wow, that's crazy, incredible, incredible. So Joey

947
00:44:57,400 --> 00:44:59,920
Speaker 2: tells Jesse hang in there, we are gonna make it,

948
00:45:00,239 --> 00:45:04,240
Speaker 2: and Jesse absorbs this sentiment. Then Joey turns to Danny

949
00:45:04,280 --> 00:45:07,520
Speaker 2: and asks, why are you upset with Carolyn? And Danny

950
00:45:07,520 --> 00:45:11,080
Speaker 2: admits that he likes Carolyn, but it scares him. You

951
00:45:11,239 --> 00:45:13,359
Speaker 2: the violins. I think this is the first time we've

952
00:45:13,360 --> 00:45:14,880
Speaker 2: had violins since the pilot.

953
00:45:15,360 --> 00:45:17,319
Speaker 3: Yes, violins and a synthesizer.

954
00:45:17,400 --> 00:45:19,200
Speaker 1: I listened to the me I was like, oh, yeah,

955
00:45:19,239 --> 00:45:21,680
Speaker 1: we've got a little violin, a little eighty synth going

956
00:45:21,719 --> 00:45:22,160
Speaker 1: on here.

957
00:45:23,080 --> 00:45:25,640
Speaker 3: Yeah, it's very, very great eighties sound design.

958
00:45:25,960 --> 00:45:28,359
Speaker 2: So this, you know, this is an emotional moment coming

959
00:45:28,440 --> 00:45:34,360
Speaker 2: up here. Danny was, Yeah, Danny's processing a lot, Yeah

960
00:45:34,480 --> 00:45:34,759
Speaker 2: he is.

961
00:45:34,760 --> 00:45:37,239
Speaker 1: It is a lovely scene between the three guys. I'm

962
00:45:37,880 --> 00:45:40,560
Speaker 1: despite all the other problematic things in the episode, this

963
00:45:40,960 --> 00:45:42,200
Speaker 1: moment really got me.

964
00:45:42,520 --> 00:45:44,799
Speaker 2: They got it right, They got this scene very right.

965
00:45:45,800 --> 00:45:48,640
Speaker 2: Danny says, everything is so hard and so confusing since

966
00:45:48,680 --> 00:45:51,680
Speaker 2: Pam died, and Joey says, I know how tough this

967
00:45:51,719 --> 00:45:54,160
Speaker 2: has been on you. That's how life is. It's a struggle.

968
00:45:54,520 --> 00:45:56,520
Speaker 2: But what helps you get through the struggle. Are the

969
00:45:56,600 --> 00:46:00,640
Speaker 2: people by your side, Joey tells the guy. Don't push

970
00:46:00,640 --> 00:46:03,560
Speaker 2: people away just because Jesse's frustrated with his career and

971
00:46:03,640 --> 00:46:06,480
Speaker 2: Danny isn't ready to date yet, you're throwing away what

972
00:46:06,600 --> 00:46:11,200
Speaker 2: could be great friendships. Jesse is a little surprised by

973
00:46:11,239 --> 00:46:14,000
Speaker 2: this twist and asks, is this the same guy who

974
00:46:14,000 --> 00:46:19,000
Speaker 2: spends hours trying to perfect underarm noises? I was surprised too,

975
00:46:19,000 --> 00:46:20,520
Speaker 2: I'm like, where is this coming from? Joey?

976
00:46:20,640 --> 00:46:23,640
Speaker 1: Right, yes, Joey, all of a sudden, you know, still

977
00:46:23,800 --> 00:46:27,799
Speaker 1: still waters or uh loud voices run deep.

978
00:46:27,920 --> 00:46:28,919
Speaker 3: No, I don't think that's the same.

979
00:46:29,040 --> 00:46:32,520
Speaker 2: But yeah, yeah, no, this is a great moment between

980
00:46:32,560 --> 00:46:35,719
Speaker 2: the three guys, and Jesse asks where is this coming from?

981
00:46:35,920 --> 00:46:39,320
Speaker 2: And Joey says, from my heart, But then he admits

982
00:46:39,360 --> 00:46:42,280
Speaker 2: he had help by saying it's actually from the Scooby

983
00:46:42,320 --> 00:46:45,000
Speaker 2: Doo episode that I watched last Saturday morning. Of course,

984
00:46:45,000 --> 00:46:47,520
Speaker 2: we're right where he tells scrappy Dude that, yeah, it

985
00:46:47,600 --> 00:46:51,120
Speaker 2: was great. Can't I can't have just a wonderful, heartfelt moment.

986
00:46:51,120 --> 00:46:53,640
Speaker 2: You gotta throw in a Joey a Joey singer, right, for.

987
00:46:53,600 --> 00:46:56,160
Speaker 1: Sure, But I feel like, there's this it comes to

988
00:46:56,200 --> 00:47:00,880
Speaker 1: a really lovely Joey Jesse hug. Kind of it's not

989
00:47:00,920 --> 00:47:04,319
Speaker 1: the first Joey Jesse hug, but it really is. It's

990
00:47:04,360 --> 00:47:07,160
Speaker 1: a moment we see Jesse kind of taking it in

991
00:47:08,239 --> 00:47:12,120
Speaker 1: and really in that moment transforming and liking Joey a

992
00:47:12,160 --> 00:47:14,040
Speaker 1: little bit and kind of you know.

993
00:47:14,040 --> 00:47:17,759
Speaker 3: That that tough exterior, that tough leather exterior of Jesse's.

994
00:47:18,080 --> 00:47:21,160
Speaker 2: Oh yeah, we're shipping away, just a little bit, chipping

995
00:47:21,200 --> 00:47:24,080
Speaker 2: away at that exterior. And I think, yeah, this is

996
00:47:24,120 --> 00:47:27,439
Speaker 2: the first time that they're becoming friends. Like joe Joey

997
00:47:27,520 --> 00:47:29,440
Speaker 2: Jesse are just kind of tolerant of each other up

998
00:47:29,520 --> 00:47:31,560
Speaker 2: until this point. But it's this moment where I think

999
00:47:31,600 --> 00:47:34,759
Speaker 2: they become friends, like goot, deep friends, right.

1000
00:47:35,239 --> 00:47:37,239
Speaker 1: Well, I think Joey's been trying to be friends, but

1001
00:47:37,280 --> 00:47:40,080
Speaker 1: he's kind of like, you know, silly and whatever, and

1002
00:47:40,200 --> 00:47:41,719
Speaker 1: Jesse just thinks he's too cool for that.

1003
00:47:41,840 --> 00:47:44,319
Speaker 3: But I think this moment he actually realizes, like, you know.

1004
00:47:44,280 --> 00:47:47,799
Speaker 1: What, maybe maybe there's more to this mannequin changing guy

1005
00:47:47,840 --> 00:47:49,680
Speaker 1: than than meets.

1006
00:47:49,480 --> 00:47:53,239
Speaker 2: The the eye or the elf or the elf. It's

1007
00:47:53,280 --> 00:47:57,000
Speaker 2: so sweet. So Danny summons Carolyn back into the kitchen,

1008
00:47:57,040 --> 00:47:59,759
Speaker 2: and he apologizes for flipping out, and he admits he's

1009
00:47:59,760 --> 00:48:02,080
Speaker 2: just not ready to date yet. Can we just be friends?

1010
00:48:02,560 --> 00:48:05,719
Speaker 2: Carolyn thinks that would be great and hugs Danny. And

1011
00:48:05,760 --> 00:48:08,160
Speaker 2: it's worth noting that he's still wearing his wedding ring

1012
00:48:08,520 --> 00:48:09,480
Speaker 2: in this episode.

1013
00:48:10,200 --> 00:48:12,360
Speaker 3: Yeah, I didn't notice that either.

1014
00:48:12,840 --> 00:48:15,439
Speaker 2: Yeah, well, I mean it's only in five months. Of course,

1015
00:48:15,480 --> 00:48:18,439
Speaker 2: you're not ready to date yet. That's ok Yeah, that's

1016
00:48:18,480 --> 00:48:19,120
Speaker 2: totally okay.

1017
00:48:19,160 --> 00:48:21,800
Speaker 1: I didn't notice something. You noticed that I did not,

1018
00:48:22,080 --> 00:48:23,319
Speaker 1: that he was wearing his wedding ring.

1019
00:48:23,640 --> 00:48:26,520
Speaker 2: Yeah, and Danny's not ready to let go of Pam yet. No,

1020
00:48:27,360 --> 00:48:31,840
Speaker 2: it just touches my heart. Okay. Well, now we go

1021
00:48:31,880 --> 00:48:34,680
Speaker 2: back to the living room and Jesse apologizes to Roxanna

1022
00:48:34,840 --> 00:48:38,400
Speaker 2: for acting insanely jealous, good as he should. As he should,

1023
00:48:39,520 --> 00:48:41,759
Speaker 2: He says he can't go touring with her because he's

1024
00:48:41,760 --> 00:48:44,480
Speaker 2: gotta be free wheeling, gotta be living on the edge.

1025
00:48:44,840 --> 00:48:47,440
Speaker 2: At that moment, DJ and Stephanie return, they come through

1026
00:48:47,480 --> 00:48:52,399
Speaker 2: the door, still wearing their Honeybee uniforms. Stephanie asks Jesse

1027
00:48:52,520 --> 00:48:55,399
Speaker 2: for help taking off her stinger. Jesse starts to help,

1028
00:48:55,440 --> 00:48:58,120
Speaker 2: and then he turns to Roxanna. He catches himself and says, well,

1029
00:48:58,440 --> 00:49:02,000
Speaker 2: I'm living on the edge of cuteess and that's our show.

1030
00:49:02,520 --> 00:49:03,680
Speaker 2: Oh cute.

1031
00:49:04,000 --> 00:49:07,880
Speaker 4: And that really was, Like, like I said, the episode

1032
00:49:07,920 --> 00:49:11,480
Speaker 4: has some things that are a little out of character

1033
00:49:11,600 --> 00:49:15,279
Speaker 4: I think for the full House that most people kind

1034
00:49:15,320 --> 00:49:21,960
Speaker 4: of know and remember, because this episode was definitely a

1035
00:49:21,960 --> 00:49:25,200
Speaker 4: little more you know, race adult centered and racy and

1036
00:49:25,640 --> 00:49:27,000
Speaker 4: focused on their relationships.

1037
00:49:27,120 --> 00:49:30,320
Speaker 2: But I really loved it was such a.

1038
00:49:30,160 --> 00:49:33,279
Speaker 1: Character development story. It really was for all three of them.

1039
00:49:34,000 --> 00:49:38,399
Speaker 1: I forgot that it wrapped up, you know, so nicely. Yes,

1040
00:49:38,640 --> 00:49:41,200
Speaker 1: and really we see Jesse change, and we see Joey

1041
00:49:41,200 --> 00:49:43,839
Speaker 1: have a little bit more of a heart, and we

1042
00:49:43,880 --> 00:49:45,680
Speaker 1: see Danny still processing.

1043
00:49:45,760 --> 00:49:48,200
Speaker 3: But you know, it was. I loved it.

1044
00:49:48,200 --> 00:49:50,680
Speaker 1: It really came together quite nicely. And Bob I thought

1045
00:49:50,800 --> 00:49:53,160
Speaker 1: was so sweet and wonderful and genuine in this episode,

1046
00:49:53,120 --> 00:49:54,400
Speaker 1: is particularly in that last scene.

1047
00:49:54,520 --> 00:49:56,839
Speaker 2: Yeah it was.

1048
00:49:57,000 --> 00:49:59,640
Speaker 1: Yeah, it was a really great Full House episode. But

1049
00:49:59,680 --> 00:50:01,279
Speaker 1: I remem who ever when they were shooting this one,

1050
00:50:01,280 --> 00:50:04,080
Speaker 1: my mom. I think my mom was like, this just

1051
00:50:04,120 --> 00:50:06,279
Speaker 1: doesn't feel like this doesn't feel like a family show.

1052
00:50:06,360 --> 00:50:07,479
Speaker 1: This does I feel like Full House?

1053
00:50:07,680 --> 00:50:07,879
Speaker 3: Yeah?

1054
00:50:08,040 --> 00:50:12,439
Speaker 2: I picture Janice saying that exactly like that, that's such

1055
00:50:12,440 --> 00:50:12,920
Speaker 2: a jam and.

1056
00:50:12,960 --> 00:50:16,560
Speaker 1: It wasn't it was really it was I think before

1057
00:50:16,960 --> 00:50:19,640
Speaker 1: you know again, the family dynamic of the show really

1058
00:50:19,680 --> 00:50:22,960
Speaker 1: took off, and we found that the magic was in

1059
00:50:23,160 --> 00:50:25,520
Speaker 1: all was with all of us being together and not

1060
00:50:25,640 --> 00:50:26,640
Speaker 1: keeping the adults and the.

1061
00:50:26,680 --> 00:50:29,360
Speaker 4: Kids so separated, which was kind of typical though for

1062
00:50:29,440 --> 00:50:33,120
Speaker 4: most shows back then, it wasn't like kids were a

1063
00:50:33,239 --> 00:50:34,440
Speaker 4: central character.

1064
00:50:34,560 --> 00:50:36,480
Speaker 3: They were kind of the periphery or whatever.

1065
00:50:37,239 --> 00:50:39,520
Speaker 2: They were like furniture. Yeah, right right.

1066
00:50:39,800 --> 00:50:42,560
Speaker 3: I think it changed. A full house really changed that vibe.

1067
00:50:43,200 --> 00:50:47,440
Speaker 2: Yeah, I definitely missed the girls this episode. Unless I

1068
00:50:47,480 --> 00:50:50,280
Speaker 2: loved all the stuff with the guys, I was missing

1069
00:50:50,280 --> 00:50:52,799
Speaker 2: the family feeling. I was missing the shoals and the

1070
00:50:52,800 --> 00:50:55,920
Speaker 2: family dynamics for sure. Yeah, I missed you guys. I'm

1071
00:50:55,960 --> 00:50:57,920
Speaker 2: ready to get back to the family stuff.

1072
00:50:58,000 --> 00:50:59,799
Speaker 1: I wonder what I did that week because it was

1073
00:50:59,800 --> 00:51:01,520
Speaker 1: like first scene, last scene.

1074
00:51:01,280 --> 00:51:03,879
Speaker 2: First scene, last scene and not even a costume change.

1075
00:51:03,880 --> 00:51:05,400
Speaker 2: You were in this the Honeytome.

1076
00:51:05,000 --> 00:51:07,799
Speaker 3: Was I was yeah as a bee the whole time.

1077
00:51:08,120 --> 00:51:09,360
Speaker 2: Yeah, easy week for you.

1078
00:51:09,440 --> 00:51:11,560
Speaker 3: And now I'm wondering, like, was some did something? Was

1079
00:51:11,600 --> 00:51:12,240
Speaker 3: there a reason?

1080
00:51:12,760 --> 00:51:15,920
Speaker 1: Was something else going on or happening that we hit that,

1081
00:51:16,080 --> 00:51:19,200
Speaker 1: Like the kids, we couldn't be as available, or was

1082
00:51:19,239 --> 00:51:21,040
Speaker 1: somebody sick or what you know what I mean.

1083
00:51:20,960 --> 00:51:22,799
Speaker 2: Oh yeah, because sometimes those are the.

1084
00:51:22,719 --> 00:51:23,279
Speaker 3: Things that happen.

1085
00:51:23,320 --> 00:51:24,880
Speaker 1: But I think it was really it was just that

1086
00:51:24,920 --> 00:51:27,680
Speaker 1: the episode was about was focused on the guys, right,

1087
00:51:27,719 --> 00:51:31,120
Speaker 1: and that was kind of you know what shows did.

1088
00:51:31,120 --> 00:51:32,360
Speaker 3: It was like you could have the kids in.

1089
00:51:32,360 --> 00:51:34,200
Speaker 1: The beginning and the end and not really pay attention

1090
00:51:34,239 --> 00:51:36,239
Speaker 1: to them, but as the show went on, Full House

1091
00:51:36,480 --> 00:51:37,640
Speaker 1: definitely didn't do that as much.

1092
00:51:37,960 --> 00:51:39,520
Speaker 2: Well, you guys got to bank a lot of school

1093
00:51:39,560 --> 00:51:42,399
Speaker 2: hours this week because you weren't in Yeah, exactly, that's

1094
00:51:42,400 --> 00:51:44,600
Speaker 2: what we were doing yea, and in those three hours

1095
00:51:44,719 --> 00:51:48,400
Speaker 2: or more at studying frantically. Yes, definitely, Yeah, No, I

1096
00:51:48,440 --> 00:51:51,799
Speaker 2: loved I loved this episode. I loved Joey's arc. Dave

1097
00:51:51,840 --> 00:51:54,799
Speaker 2: did such a great job in these final scenes with

1098
00:51:54,920 --> 00:51:58,239
Speaker 2: He's no longer just the idiot dolt, you know, with

1099
00:51:58,280 --> 00:52:01,480
Speaker 2: the funny noise, but he isn't. But you know, but

1100
00:52:01,560 --> 00:52:03,840
Speaker 2: he's more than that. He is the peacekeeper he and

1101
00:52:03,880 --> 00:52:06,040
Speaker 2: he actually cares about these guys, you know, he cares

1102
00:52:06,040 --> 00:52:08,759
Speaker 2: about them and their relationships. So I love that.

1103
00:52:09,280 --> 00:52:10,920
Speaker 3: I did too. I thought it was.

1104
00:52:12,400 --> 00:52:14,440
Speaker 1: Yeah, it was a nice way to kind of keep

1105
00:52:14,560 --> 00:52:18,040
Speaker 1: their growth happening. And again, going back and watching this

1106
00:52:18,880 --> 00:52:19,520
Speaker 1: even I.

1107
00:52:19,640 --> 00:52:23,520
Speaker 3: Forget who these these characters were and who what the

1108
00:52:23,560 --> 00:52:27,359
Speaker 3: stories were in the beginning, and how that shifted over time,

1109
00:52:27,520 --> 00:52:32,800
Speaker 3: how we really found the characters and where they lived

1110
00:52:32,960 --> 00:52:35,160
Speaker 3: kind of in their you know, delineation from each other.

1111
00:52:35,840 --> 00:52:36,080
Speaker 6: It was.

1112
00:52:36,160 --> 00:52:38,560
Speaker 3: Yeah, it was really really a good a good show.

1113
00:52:38,640 --> 00:52:45,120
Speaker 1: But but yeah, the fishing crews in heels with the

1114
00:52:45,200 --> 00:52:49,600
Speaker 1: musicals and the and the eighteen seventies boat fishing tackle

1115
00:52:49,800 --> 00:52:52,040
Speaker 1: was do you think.

1116
00:52:51,760 --> 00:52:55,640
Speaker 2: Chris, was this the precursor to the Fuller House episode

1117
00:52:55,680 --> 00:52:59,200
Speaker 2: that where we did the seventies cruise with Lee Majors.

1118
00:53:00,160 --> 00:53:02,840
Speaker 2: I don't think it was. Was this was this the

1119
00:53:03,040 --> 00:53:06,720
Speaker 2: Was this the episode that inspired the Fuller House? Probably?

1120
00:53:06,719 --> 00:53:08,839
Speaker 2: I mean maybe maybe it was.

1121
00:53:08,880 --> 00:53:10,680
Speaker 1: Maybe it was like, let's send the girls on a

1122
00:53:11,440 --> 00:53:13,399
Speaker 1: on a cruise, or maybe it was just that thing

1123
00:53:13,400 --> 00:53:15,000
Speaker 1: that you're like, I don't know, throw them on a

1124
00:53:15,000 --> 00:53:18,040
Speaker 1: boat and let's see what happens, you know, an episode

1125
00:53:18,120 --> 00:53:21,040
Speaker 1: right right, just put them on a boat. Yeah, I'm

1126
00:53:21,040 --> 00:53:24,640
Speaker 1: not I'm not sure, but I it definitely, Uh, there's

1127
00:53:24,680 --> 00:53:26,640
Speaker 1: a kind of a through line there, you know.

1128
00:53:27,120 --> 00:53:30,080
Speaker 3: Yeah, the three of us on the boat. Yeah, although

1129
00:53:30,120 --> 00:53:34,320
Speaker 3: our boat was was a little more level and definitely

1130
00:53:34,360 --> 00:53:36,280
Speaker 3: more modern, definitely more modern.

1131
00:53:36,600 --> 00:53:41,400
Speaker 1: And yeah, and and did not have although I feel

1132
00:53:41,400 --> 00:53:45,000
Speaker 1: like some of the same people were probably manning the

1133
00:53:45,040 --> 00:53:48,120
Speaker 1: same that boat. And we're now on the seventies cruise

1134
00:53:48,120 --> 00:53:49,640
Speaker 1: in their seventies, so.

1135
00:53:49,680 --> 00:53:53,280
Speaker 2: Oh yes, definitely, oh dear. And there were no musical

1136
00:53:53,360 --> 00:53:56,080
Speaker 2: numbers on the seventies cruise, I don't think, not that

1137
00:53:56,120 --> 00:53:59,839
Speaker 2: I can remember. There was no song, dance choreography. Are

1138
00:53:59,880 --> 00:54:00,359
Speaker 2: you sure?

1139
00:54:00,520 --> 00:54:01,160
Speaker 3: Yeah? There was?

1140
00:54:01,360 --> 00:54:02,640
Speaker 2: There was, Yeah, there was.

1141
00:54:05,040 --> 00:54:08,920
Speaker 1: The end of that in our seventies outfits. Didn't we

1142
00:54:08,960 --> 00:54:11,560
Speaker 1: do some There wasn't there some sort of a dance

1143
00:54:11,640 --> 00:54:12,240
Speaker 1: or a something.

1144
00:54:12,760 --> 00:54:15,040
Speaker 2: All I remember is spread there was like a montague.

1145
00:54:15,160 --> 00:54:16,120
Speaker 3: There was a montage.

1146
00:54:16,200 --> 00:54:18,040
Speaker 2: There was, Oh, there was definitely a montage.

1147
00:54:18,040 --> 00:54:19,040
Speaker 3: But there was a montage.

1148
00:54:19,120 --> 00:54:22,080
Speaker 2: We were like Charlie's Angels. Looking we're getting really off

1149
00:54:22,080 --> 00:54:23,439
Speaker 2: topic now, but ye are.

1150
00:54:23,520 --> 00:54:27,239
Speaker 1: But anyway, whatever, it doesn't it doesn't matter. We're not

1151
00:54:27,280 --> 00:54:30,800
Speaker 1: there yet. But yes, I think there was because boats

1152
00:54:30,880 --> 00:54:32,280
Speaker 1: always need a musical montage.

1153
00:54:32,480 --> 00:54:33,800
Speaker 2: It's it's kind of mandatory.

1154
00:54:33,800 --> 00:54:35,080
Speaker 3: Everything needs a musical montage.

1155
00:54:35,080 --> 00:54:37,239
Speaker 1: In fact, I'm going to finish recording this today and

1156
00:54:37,239 --> 00:54:40,120
Speaker 1: go have a musical montage by myself in my house.

1157
00:54:40,640 --> 00:54:42,680
Speaker 2: Please record that and send it to me. I will,

1158
00:54:42,719 --> 00:54:43,040
Speaker 2: I will.

1159
00:54:43,080 --> 00:54:46,160
Speaker 1: I'm gonna dress the dog up in various eighties outfits

1160
00:54:46,320 --> 00:54:49,239
Speaker 1: and we're gonna pretend to clean the house because no

1161
00:54:49,239 --> 00:54:49,800
Speaker 1: one's watching.

1162
00:54:50,520 --> 00:54:54,879
Speaker 2: Love it, It's so great. Well, Jody, I loved going

1163
00:54:54,880 --> 00:54:58,200
Speaker 2: over this episode with you, living these moments, so.

1164
00:54:58,560 --> 00:55:01,399
Speaker 1: Fun, and we can't wait to hear everyone's comments. If

1165
00:55:01,440 --> 00:55:03,520
Speaker 1: you have figured things out about the show, if you

1166
00:55:03,640 --> 00:55:05,839
Speaker 1: have noticed things, if there are some everywhere you look

1167
00:55:05,840 --> 00:55:10,440
Speaker 1: moments that we have not looked everywhere at, please make

1168
00:55:10,440 --> 00:55:13,160
Speaker 1: sure and leave them in the comments. Follow us on

1169
00:55:13,200 --> 00:55:16,319
Speaker 1: Instagram at how Rude Podcast. You can also email us

1170
00:55:16,400 --> 00:55:19,799
Speaker 1: how Rude Podcast at gmail dot com. We look forward

1171
00:55:19,840 --> 00:55:23,640
Speaker 1: to hearing all of your comments and questions, and yeah,

1172
00:55:23,760 --> 00:55:26,440
Speaker 1: we hope you're enjoying this ride along with us on

1173
00:55:26,600 --> 00:55:30,160
Speaker 1: our own little seacrews through the full house years.

1174
00:55:30,320 --> 00:55:33,680
Speaker 2: Oh that's a great way to end it. Love it? Yeah?

1175
00:55:33,840 --> 00:55:35,960
Speaker 1: All right, Well, thanks for joining us for another episode

1176
00:55:36,000 --> 00:55:39,120
Speaker 1: of How Rude. Tant Rito's We'll see you next time,

1177
00:55:39,360 --> 00:55:40,319
Speaker 1: see you next time.

1178
00:55:42,040 --> 00:55:43,520
Speaker 2: I'm gonna go watch out right now,