1
00:00:00,720 --> 00:00:18,440
Speaker 1: I Am all In. I Am all In with Scott

2
00:00:18,440 --> 00:00:23,360
Speaker 1: Patterson and I Heart Radio podcast. All right, everybody, hey

3
00:00:23,560 --> 00:00:26,720
Speaker 1: Scott Patterson and this is the I Am All In

4
00:00:26,840 --> 00:00:30,040
Speaker 1: Podcast from our Heart Radio and one eleven Productions. And man,

5
00:00:30,640 --> 00:00:33,520
Speaker 1: we got a barn Burner and Norman tonight, I'll tell

6
00:00:33,560 --> 00:00:38,520
Speaker 1: you with this episode, the third Laurela Marion Ross making

7
00:00:38,560 --> 00:00:40,960
Speaker 1: I believe, her debut in the series, and what an

8
00:00:41,000 --> 00:00:46,040
Speaker 1: auspicious debut it was. Good. Lord, have you ever seen

9
00:00:46,880 --> 00:00:53,400
Speaker 1: Emily Gilmore So let me say for tootst to borrow

10
00:00:53,400 --> 00:00:58,360
Speaker 1: a word, perfect word. I mean, just just losing her

11
00:00:58,440 --> 00:01:01,480
Speaker 1: mind that this woman was visiting from London, that Richard

12
00:01:01,560 --> 00:01:05,160
Speaker 1: was so happy about it, and my god, she was

13
00:01:05,240 --> 00:01:07,320
Speaker 1: just not She was out of her element. She was

14
00:01:07,360 --> 00:01:10,120
Speaker 1: gonna her home was being invaded by this woman. Obviously

15
00:01:10,160 --> 00:01:12,440
Speaker 1: they don't get along. And it was one of the

16
00:01:12,440 --> 00:01:17,440
Speaker 1: funniest episodes. Those exchanges between between Marion Ross and and

17
00:01:17,800 --> 00:01:21,000
Speaker 1: Kelly Bishop were classic and some of the best laughs

18
00:01:21,000 --> 00:01:23,160
Speaker 1: I've had in the whole thing. And there's you know,

19
00:01:23,280 --> 00:01:26,360
Speaker 1: all kinds of stuff going on. You've got Tristan and

20
00:01:26,360 --> 00:01:30,120
Speaker 1: and Rory you know, talking a little bit, and Paris

21
00:01:30,160 --> 00:01:34,160
Speaker 1: getting set up with Tristan and and my god, there

22
00:01:34,200 --> 00:01:36,240
Speaker 1: was there was a lot of a lot of intrigue

23
00:01:36,240 --> 00:01:40,400
Speaker 1: here Laurela getting offered a boatload of money and then

24
00:01:40,600 --> 00:01:45,800
Speaker 1: uh from from tricks from from the third Laurelai and

25
00:01:45,840 --> 00:01:48,520
Speaker 1: then it all blows up in her face, that the

26
00:01:48,560 --> 00:01:51,200
Speaker 1: whole thing, Emily just but you know, I think Emily

27
00:01:51,240 --> 00:01:53,360
Speaker 1: did have a point. I think Emily was concerned that

28
00:01:54,160 --> 00:01:56,240
Speaker 1: obviously she was gonna lose control, was going to affect

29
00:01:56,240 --> 00:01:59,000
Speaker 1: the nature relationship, it was gonna affect their ability to

30
00:01:59,080 --> 00:02:03,880
Speaker 1: guide Rory onto Harvard or onto Yale. And Trixie wanted

31
00:02:03,880 --> 00:02:05,680
Speaker 1: to get her to go to Yale, but Lemily wants

32
00:02:05,720 --> 00:02:09,680
Speaker 1: to her to go to Harvard Um. So you know,

33
00:02:09,760 --> 00:02:12,000
Speaker 1: that's kind of what we're dealing with this in that episode.

34
00:02:12,000 --> 00:02:14,840
Speaker 1: But we've never seen Emily, you know, on the hot

35
00:02:14,880 --> 00:02:16,880
Speaker 1: seat like this, I mean, just so out of her

36
00:02:16,919 --> 00:02:21,200
Speaker 1: element in her own home. And that woman what a presence?

37
00:02:21,760 --> 00:02:25,560
Speaker 1: I mean is that cheese? Do you want me to

38
00:02:25,600 --> 00:02:28,880
Speaker 1: eat that cheese? Am I supposed to eat that cheese?

39
00:02:28,960 --> 00:02:32,239
Speaker 1: I mean? How do you even deal to woman? And

40
00:02:32,240 --> 00:02:34,600
Speaker 1: and then she's like, am I supposed to eat these

41
00:02:34,639 --> 00:02:37,000
Speaker 1: spice nuts? Out of my hand? Wait? Riley. Should you

42
00:02:37,000 --> 00:02:41,200
Speaker 1: should we give Riley a chance to do the tricks voice?

43
00:02:41,760 --> 00:02:44,079
Speaker 1: Oh yes, yes, yes, said Riley. T We teet it

44
00:02:44,120 --> 00:02:46,160
Speaker 1: up for you. Let's see what you can do. Let's

45
00:02:46,160 --> 00:02:47,720
Speaker 1: see what you get there with the voice. Go ahead,

46
00:02:47,720 --> 00:02:50,000
Speaker 1: because you're you know, you're the impressionist and the crew

47
00:02:50,040 --> 00:02:52,880
Speaker 1: here go ahead. Yeah, she's so good. You far exceeded

48
00:02:52,919 --> 00:02:56,240
Speaker 1: expectations with the muppet thing. Let's go. Let's see if

49
00:02:56,240 --> 00:02:59,520
Speaker 1: you can do Marion Ross this tricks? Go ahead? Should

50
00:02:59,560 --> 00:03:04,040
Speaker 1: I eat spice nuts out of my hands? What? Horrible?

51
00:03:04,240 --> 00:03:09,160
Speaker 1: That's not gonna Scott did it way better? Going to work? What?

52
00:03:09,160 --> 00:03:13,640
Speaker 1: What was that? A little German? I was trying to

53
00:03:13,919 --> 00:03:19,800
Speaker 1: put an English accident on there. She's fancy, she talks, Yeah,

54
00:03:19,840 --> 00:03:28,880
Speaker 1: she talks fancy. Yeah, don't bring my work. Let's see

55
00:03:29,600 --> 00:03:32,679
Speaker 1: that's where that's right in your wheelhouse right there. Maybe

56
00:03:32,720 --> 00:03:35,800
Speaker 1: we should stick with cartoon characters or muppet characters for Riley,

57
00:03:35,840 --> 00:03:38,760
Speaker 1: because that's where you live. One more try before we

58
00:03:38,800 --> 00:03:42,040
Speaker 1: give up on you. One more shot at maryon Ross.

59
00:03:42,040 --> 00:03:44,960
Speaker 1: Go ahead? Do I eat these spice nuts out of

60
00:03:45,000 --> 00:03:50,800
Speaker 1: my hands? The he was that? What is happening makes sense?

61
00:03:51,120 --> 00:03:52,960
Speaker 1: Makes no sense? What you just got you kind of

62
00:03:53,040 --> 00:03:56,520
Speaker 1: nailed it is that I can't. I can't do them

63
00:03:56,560 --> 00:03:59,960
Speaker 1: sort of you know, loose impressions. I can't nail people's voice,

64
00:04:00,160 --> 00:04:02,800
Speaker 1: but I can do I can do different accents. Should

65
00:04:02,800 --> 00:04:07,400
Speaker 1: I eat these nuts out of my hand? And sky?

66
00:04:07,960 --> 00:04:12,440
Speaker 1: What am I supposed to do? Oh? My god? I

67
00:04:12,480 --> 00:04:18,240
Speaker 1: mean the iconic Marion Ross. Do you remember her being around?

68
00:04:19,040 --> 00:04:22,440
Speaker 1: I wasn't in this episode. I know, but I wasn't.

69
00:04:22,440 --> 00:04:27,520
Speaker 1: There must have been around. No, No, on days, I'm

70
00:04:27,560 --> 00:04:30,560
Speaker 1: not working, I'm not hanging around the set. I'm just

71
00:04:30,600 --> 00:04:34,240
Speaker 1: showing off the mountains somewhere skiing. I'm like celebrating having

72
00:04:34,279 --> 00:04:36,120
Speaker 1: a couple of days off in a row. I mean,

73
00:04:36,120 --> 00:04:38,440
Speaker 1: I think it's the only episode that I wasn't in

74
00:04:40,240 --> 00:04:43,000
Speaker 1: didn't work and people are like, what are you doing here? Dude?

75
00:04:43,560 --> 00:04:45,480
Speaker 1: Just like yeah, they would be, it's like why are

76
00:04:45,520 --> 00:04:47,200
Speaker 1: you here? What do you do? What you're here doing?

77
00:04:47,240 --> 00:04:49,160
Speaker 1: Pr because no, that didn't includes you in that, so

78
00:04:49,160 --> 00:04:52,719
Speaker 1: why are you here? That was pretty iconic though, because

79
00:04:52,760 --> 00:04:56,200
Speaker 1: I noticed she got special guest star status. She was

80
00:04:56,279 --> 00:05:00,240
Speaker 1: a special guest and I mean she is Mrs kind Am.

81
00:05:02,200 --> 00:05:04,840
Speaker 1: It's like even this many years later, I mean, Happy

82
00:05:04,920 --> 00:05:07,479
Speaker 1: Days was in the seventies and this so that's what

83
00:05:07,920 --> 00:05:10,760
Speaker 1: fifty years And to me, she's just immediately, oh that's

84
00:05:10,839 --> 00:05:15,679
Speaker 1: MRS's Mrs c. She's got those classical chops, she's got

85
00:05:15,720 --> 00:05:19,039
Speaker 1: you know, that Shakespeare coming out of her, and she's

86
00:05:19,120 --> 00:05:22,240
Speaker 1: just you know, laying down some serious attitude on how

87
00:05:22,279 --> 00:05:29,720
Speaker 1: how can anybody make Emily look vulnerable or even sympathetic? Right?

88
00:05:30,200 --> 00:05:34,760
Speaker 1: And great point and and Marian did it like in spades,

89
00:05:35,200 --> 00:05:38,200
Speaker 1: because didn't you all kind of feel for her? Poor

90
00:05:38,240 --> 00:05:41,960
Speaker 1: Emily just getting like just ripped apart, pillar to post

91
00:05:42,440 --> 00:05:45,160
Speaker 1: and everything. She came out of her mouth right from

92
00:05:45,200 --> 00:05:48,000
Speaker 1: the moment Richard reveals she's coming, you see Emily like,

93
00:05:48,320 --> 00:05:51,400
Speaker 1: oh God, and then the down to the basement to

94
00:05:51,480 --> 00:05:54,360
Speaker 1: get all the crap that she's given them to put

95
00:05:54,400 --> 00:05:57,719
Speaker 1: all over. I mean, immediately you're like, oh wow, she

96
00:05:57,800 --> 00:06:00,080
Speaker 1: does not like this, Like, why does she all of

97
00:06:00,120 --> 00:06:04,800
Speaker 1: a sudden care so much. She's Emily Gilmore, she's married

98
00:06:04,839 --> 00:06:10,120
Speaker 1: to Richard Gilmore. Why on earth is she so fututst

99
00:06:10,240 --> 00:06:15,240
Speaker 1: here's another word, fututt about Marian coming to town. Why

100
00:06:15,240 --> 00:06:19,680
Speaker 1: does she care so much? Because she loves Richard and

101
00:06:19,760 --> 00:06:23,919
Speaker 1: Richard worships her. What this is a woman who's in

102
00:06:23,960 --> 00:06:26,560
Speaker 1: her late sixties right in the show, she's in her

103
00:06:26,600 --> 00:06:30,200
Speaker 1: late sixties, you have right at that point in her life,

104
00:06:30,800 --> 00:06:34,440
Speaker 1: at her station in life with her husband of you know,

105
00:06:34,600 --> 00:06:38,560
Speaker 1: fifty years, what have you? Why does she give a

106
00:06:38,800 --> 00:06:42,560
Speaker 1: rats you know what about what is mother thinks? And

107
00:06:42,760 --> 00:06:45,640
Speaker 1: to the point where she's freaking out. I want I

108
00:06:45,680 --> 00:06:48,440
Speaker 1: want somebody to give me an answer. Why does she

109
00:06:48,560 --> 00:06:51,920
Speaker 1: care so much that she's so freaked out mother in laws?

110
00:06:51,920 --> 00:06:54,400
Speaker 1: But why at her age is she still but is

111
00:06:54,440 --> 00:06:56,760
Speaker 1: she still seeking approval to the point where she feels

112
00:06:56,800 --> 00:06:58,479
Speaker 1: she's not going to get it. So she's nervous and

113
00:06:58,520 --> 00:07:02,120
Speaker 1: she's agitated and she doesn't want the the stress. Why

114
00:07:02,160 --> 00:07:07,279
Speaker 1: can't she just be herself? Mother in laws? What control? Okay,

115
00:07:07,279 --> 00:07:10,560
Speaker 1: so the question is what controlled does Marion Ross have

116
00:07:10,960 --> 00:07:17,320
Speaker 1: over Richard and Emily's marriage? What does Emily have to

117
00:07:17,400 --> 00:07:21,680
Speaker 1: gain from? And I hate to even go here, but

118
00:07:21,760 --> 00:07:24,320
Speaker 1: I mean it might answer help answer the question, um,

119
00:07:25,280 --> 00:07:29,480
Speaker 1: what does Emily have to gain from the demise of

120
00:07:29,520 --> 00:07:33,120
Speaker 1: the third Laurel life? Would will Richard be getting a

121
00:07:33,120 --> 00:07:36,440
Speaker 1: boatload of money that you know that Emily is afraid

122
00:07:36,440 --> 00:07:40,280
Speaker 1: she's going to miss out on if Richard, who so

123
00:07:41,480 --> 00:07:44,840
Speaker 1: you know, controlled by his own mother, uh, decides to

124
00:07:44,880 --> 00:07:46,760
Speaker 1: divorce her. So, I mean, what does she say. I

125
00:07:46,800 --> 00:07:49,320
Speaker 1: don't think it's I don't think it's money. I think

126
00:07:50,080 --> 00:07:53,680
Speaker 1: Emily wants her mother in law to like her. Everyone

127
00:07:53,760 --> 00:07:56,680
Speaker 1: wants their mother in law to like them, especially when

128
00:07:56,680 --> 00:08:00,560
Speaker 1: their husband has that close bond. But she's in her

129
00:08:00,720 --> 00:08:04,560
Speaker 1: late sixties, she's only what does she should find sixty yet?

130
00:08:04,840 --> 00:08:07,440
Speaker 1: But it's out of character for Emily. Why does she

131
00:08:07,760 --> 00:08:11,560
Speaker 1: give a damn mother in law? Why can't she stand

132
00:08:11,640 --> 00:08:14,040
Speaker 1: up to her and say, you know, because you can?

133
00:08:14,400 --> 00:08:17,080
Speaker 1: I mean, okay, what how do you How well do

134
00:08:17,120 --> 00:08:19,360
Speaker 1: you get along with your mother in law? Talk about it?

135
00:08:19,480 --> 00:08:24,640
Speaker 1: Mother in laws are stressful that I get along very

136
00:08:24,640 --> 00:08:27,360
Speaker 1: well with my mother in law. She's a very sweet woman.

137
00:08:28,600 --> 00:08:32,800
Speaker 1: Well you're you're lucky because the tricks isn't sweet. So

138
00:08:32,840 --> 00:08:37,560
Speaker 1: Emily has that stress and pressure and Richard is a

139
00:08:37,600 --> 00:08:41,120
Speaker 1: mama's boy. But I've okay, So I've been in situations

140
00:08:41,160 --> 00:08:43,240
Speaker 1: like this where you know you're a certain age and

141
00:08:43,280 --> 00:08:46,000
Speaker 1: you just you don't give it damn. So I kind

142
00:08:46,000 --> 00:08:47,439
Speaker 1: of give it damn if you like me or not.

143
00:08:49,800 --> 00:08:52,360
Speaker 1: So you just you know, you the question is why

144
00:08:52,559 --> 00:08:56,160
Speaker 1: is Emily who is so comfortable inside her own skin

145
00:08:56,200 --> 00:08:59,680
Speaker 1: and so herself, right, I mean that's Emily full bore

146
00:08:59,800 --> 00:09:02,120
Speaker 1: all the time what you're seeing, and now all of

147
00:09:02,160 --> 00:09:05,240
Speaker 1: a sudden she's melting down because it's, you know, in

148
00:09:05,240 --> 00:09:08,160
Speaker 1: her late sixties. Then you know Tricks is coming to town,

149
00:09:08,160 --> 00:09:11,720
Speaker 1: and who cares? Now if she was a younger woman,

150
00:09:12,920 --> 00:09:15,520
Speaker 1: If she was a younger woman, I can, and she

151
00:09:15,559 --> 00:09:19,680
Speaker 1: could the way she sort of Emily wears the pants

152
00:09:19,679 --> 00:09:22,800
Speaker 1: in that family, all of a sudden she's not wearing

153
00:09:22,840 --> 00:09:27,840
Speaker 1: the pants anymore, right, right, No, you're making excellence. Somebody

154
00:09:27,840 --> 00:09:30,800
Speaker 1: needs to explain this to me. I don't I don't

155
00:09:30,800 --> 00:09:33,319
Speaker 1: get it. I don't think you. I think you're summing

156
00:09:33,320 --> 00:09:37,559
Speaker 1: it up perfectly, though you're analyzing it perfectly. Emily, who's

157
00:09:37,640 --> 00:09:43,120
Speaker 1: tough and you know, controls everything. Now there's somebody that

158
00:09:43,200 --> 00:09:48,000
Speaker 1: has superiority over her and she's freaking out. And we

159
00:09:48,120 --> 00:09:51,280
Speaker 1: see this play out as we'll talk to about the money.

160
00:09:51,400 --> 00:09:54,840
Speaker 1: I don't think it's Emily uh worried about missing out

161
00:09:54,920 --> 00:09:57,960
Speaker 1: on a on a on a will, a piece of

162
00:09:58,000 --> 00:10:00,160
Speaker 1: her fortune or whatever it is, because it does isn't

163
00:10:00,160 --> 00:10:03,400
Speaker 1: seem like she's she's that well off. If she's only gonna,

164
00:10:03,640 --> 00:10:07,240
Speaker 1: you know, give Rory a hundred thousand dollars, two hundred

165
00:10:07,440 --> 00:10:10,040
Speaker 1: quarter million dollars, not that much money. It's a lot

166
00:10:10,040 --> 00:10:11,720
Speaker 1: of money, but it's not that much money for for

167
00:10:11,760 --> 00:10:14,680
Speaker 1: people at that level, you know. And if you're gonna

168
00:10:14,679 --> 00:10:17,680
Speaker 1: take care of your granddaughter and you're worth a boatload,

169
00:10:17,679 --> 00:10:20,600
Speaker 1: you're gonna do better than two hundred fifty dollars. Yeah. No,

170
00:10:20,720 --> 00:10:22,760
Speaker 1: you're right. It's not the She came all the way.

171
00:10:23,080 --> 00:10:25,160
Speaker 1: She came all the way from New York, I mean,

172
00:10:25,200 --> 00:10:27,679
Speaker 1: all the way from London to Hartford to set up

173
00:10:27,679 --> 00:10:29,240
Speaker 1: a trust, and I mean, I mean that was her

174
00:10:29,240 --> 00:10:33,959
Speaker 1: purpose of coming. So anyway, I don't get it. I'm sorry,

175
00:10:33,960 --> 00:10:38,079
Speaker 1: I don't get it. I don't get it. I don't

176
00:10:38,120 --> 00:10:42,480
Speaker 1: get why Emily is she's losing her mind and why

177
00:10:42,760 --> 00:10:50,440
Speaker 1: you're Emily Gilmore. I'm gonna shut up now. There's a

178
00:10:50,440 --> 00:10:53,640
Speaker 1: lot to break down, because the money brings power and control,

179
00:10:54,080 --> 00:10:59,240
Speaker 1: and if if Lore like gives Rory that money, Emily

180
00:10:59,320 --> 00:11:03,400
Speaker 1: loses that power of the Friday night dinner. But she's

181
00:11:03,440 --> 00:11:07,959
Speaker 1: not anticipating that. She was freaked out that Tricks was

182
00:11:08,040 --> 00:11:11,720
Speaker 1: coming before she knew about true You're right, that's a

183
00:11:11,720 --> 00:11:14,640
Speaker 1: great point. So why is she so damn freaked out?

184
00:11:15,200 --> 00:11:17,720
Speaker 1: It's a mother in law thing. And I think they

185
00:11:17,760 --> 00:11:19,719
Speaker 1: both want to be number one. They want both want

186
00:11:19,720 --> 00:11:22,679
Speaker 1: to be number one in Richard's life. And he loves

187
00:11:22,720 --> 00:11:25,959
Speaker 1: his mom, but he also loves Emily, and they both

188
00:11:26,240 --> 00:11:29,480
Speaker 1: want to be the number one spot. What a weird dynamic,

189
00:11:30,920 --> 00:11:35,439
Speaker 1: What a very strange dynamic. My god, I have experience

190
00:11:35,520 --> 00:11:38,960
Speaker 1: with this dynamic. I've seen this dynamic before. It's very

191
00:11:39,000 --> 00:11:43,440
Speaker 1: odd and common when a mother when when when a

192
00:11:43,520 --> 00:11:47,880
Speaker 1: mother holds sway over a son, even you know, when

193
00:11:47,920 --> 00:11:50,720
Speaker 1: her son is in his fifties and sixties. I mean,

194
00:11:50,760 --> 00:11:55,520
Speaker 1: it's just very weird. Um, And at a certain level,

195
00:11:55,600 --> 00:11:58,960
Speaker 1: it's endearing, right, it's kind of sweet. But Jesus to

196
00:11:59,120 --> 00:12:02,960
Speaker 1: rule over uh, you know, maybe I think she maybe

197
00:12:02,960 --> 00:12:08,080
Speaker 1: sees it as her responsibility as the matriarch um in

198
00:12:08,160 --> 00:12:12,840
Speaker 1: this sort of dynasty she has in her about the

199
00:12:12,960 --> 00:12:20,680
Speaker 1: guild works or something um. But you know, maybe we

200
00:12:20,800 --> 00:12:26,120
Speaker 1: just needed a little more background on tricks. You know,

201
00:12:26,360 --> 00:12:28,520
Speaker 1: maybe if they built her up a little more into

202
00:12:28,559 --> 00:12:30,679
Speaker 1: being this. You know, she's a billionaire, she's one of

203
00:12:30,679 --> 00:12:33,080
Speaker 1: the most influential people in the world. You know, she

204
00:12:33,120 --> 00:12:35,679
Speaker 1: can ruin your life, she can make your life miserable.

205
00:12:35,679 --> 00:12:37,120
Speaker 1: If she doesn't like it this kind of a thing,

206
00:12:37,440 --> 00:12:40,280
Speaker 1: then I can see Emily being nervous. Right, So we

207
00:12:40,320 --> 00:12:42,280
Speaker 1: have to please this woman, not because of this way

208
00:12:42,320 --> 00:12:45,120
Speaker 1: she holds over Richard, but she's a very powerful person.

209
00:12:45,360 --> 00:12:48,480
Speaker 1: I'm not getting that from what I'm saying, But anyway,

210
00:12:48,520 --> 00:12:53,200
Speaker 1: that's just the question I have to ask. And I

211
00:12:53,240 --> 00:12:56,720
Speaker 1: think we could use a little muppet, a little muppet

212
00:12:56,720 --> 00:13:00,280
Speaker 1: in the discussion. How about a little muppet clip? Don't

213
00:13:00,280 --> 00:13:08,319
Speaker 1: bring on my current word? I think I've ever heard

214
00:13:08,880 --> 00:13:10,920
Speaker 1: you know what I want to do, Riley, I swear

215
00:13:10,960 --> 00:13:13,280
Speaker 1: to God, I want to put that on my next album.

216
00:13:13,559 --> 00:13:15,840
Speaker 1: I want to put that clip on my next record.

217
00:13:16,400 --> 00:13:18,760
Speaker 1: I wanted to be either at the very beginning of

218
00:13:18,800 --> 00:13:21,160
Speaker 1: it or at the very end. It's like at the

219
00:13:21,240 --> 00:13:23,040
Speaker 1: end of some Beatles songs. In the White Album, John

220
00:13:23,080 --> 00:13:25,960
Speaker 1: Lennon screams out, I got blisters on my fingers. That

221
00:13:26,000 --> 00:13:29,240
Speaker 1: could be my I got blisters on my fingers onto

222
00:13:29,280 --> 00:13:32,920
Speaker 1: my next record. Okay, promise me, promise me, you'll let

223
00:13:32,920 --> 00:13:35,920
Speaker 1: me use that clip. Don't bring on my current word.

224
00:13:39,040 --> 00:13:45,560
Speaker 1: I'm mortified and honored all at the same time, that's

225
00:13:45,600 --> 00:13:51,600
Speaker 1: the most brilliant thing I've ever heard. Oh man, man,

226
00:13:51,640 --> 00:13:53,800
Speaker 1: you're getting down with that in my impression, and they're

227
00:13:53,880 --> 00:13:57,200
Speaker 1: just getting down. So anyway, you know, I'm gonna calm

228
00:13:57,240 --> 00:14:00,560
Speaker 1: down a little bit. I'm gonna stop asking question because

229
00:14:00,600 --> 00:14:03,280
Speaker 1: I just want to go along and be a shape

230
00:14:03,720 --> 00:14:07,640
Speaker 1: um Riley, why don't you bring us in With the

231
00:14:07,720 --> 00:14:11,760
Speaker 1: synopsis of the episode of The Third Laurel. This is

232
00:14:11,800 --> 00:14:15,880
Speaker 1: episode eighteen the Third Lorelie air date March two. One.

233
00:14:16,360 --> 00:14:20,120
Speaker 1: Laurels paternal grandmother arrives from England and stresses Emily out

234
00:14:20,120 --> 00:14:23,760
Speaker 1: in a big way. Everybody. Uh well, that was quite

235
00:14:23,760 --> 00:14:26,200
Speaker 1: a discussion anyway, So listen, we gotta take a little break.

236
00:14:26,240 --> 00:14:29,040
Speaker 1: But guess who's coming up. The one and only Third

237
00:14:29,080 --> 00:14:32,440
Speaker 1: Laureli herself, her own self in the flesh, Marion Ross

238
00:14:32,920 --> 00:14:38,840
Speaker 1: coming to you from her tower on high, her castle,

239
00:14:39,040 --> 00:14:45,120
Speaker 1: her perchase, her lofty elevated space. The one and only

240
00:14:45,160 --> 00:14:48,320
Speaker 1: Marion Ross is coming to visit us here at our little,

241
00:14:48,480 --> 00:14:52,520
Speaker 1: humble little show. And we're very, very excited. So let's

242
00:14:52,560 --> 00:14:54,520
Speaker 1: take a little break and we'll be right back with

243
00:14:54,600 --> 00:15:07,480
Speaker 1: Marion Ross. Yeah. Hey, guys, it's Jana Kramer. The I

244
00:15:07,600 --> 00:15:10,760
Speaker 1: Heart Radio Music Festival is back. Join us for the

245
00:15:10,800 --> 00:15:14,480
Speaker 1: official I Heart Radio Music Festival pre Show podcast hosted

246
00:15:14,560 --> 00:15:17,600
Speaker 1: by me Jana Kramer. It's going to be a blast

247
00:15:17,640 --> 00:15:20,760
Speaker 1: and we will have all your favorite celebrities and artists joining,

248
00:15:20,880 --> 00:15:26,760
Speaker 1: such as Chrissy Mets, Debbie Gibson, Joey McIntyre, Donny Osmond, Degrees,

249
00:15:27,000 --> 00:15:30,600
Speaker 1: Teddy Mellencamp and so many more. Get your tickets today

250
00:15:30,640 --> 00:15:35,960
Speaker 1: at on location live dot com. Let's get lucky. Okay, everybody,

251
00:15:35,960 --> 00:15:38,880
Speaker 1: we're back and we're gonna talk to Marion Ross. I

252
00:15:38,880 --> 00:15:41,080
Speaker 1: think she's waiting in the green room with all of

253
00:15:41,120 --> 00:15:45,560
Speaker 1: them and all of the French soda surrounding her, and

254
00:15:46,400 --> 00:15:50,560
Speaker 1: French products and high British tea, and you know, there's

255
00:15:50,560 --> 00:15:55,200
Speaker 1: all sorts of things. There's tombs, there's leather tomes, leather

256
00:15:55,440 --> 00:16:02,480
Speaker 1: tomes with leather bindings from old, old first folios. Yes,

257
00:16:02,880 --> 00:16:06,920
Speaker 1: now let's bring her in. Um, we're gonna We're gonna

258
00:16:06,960 --> 00:16:09,680
Speaker 1: talk to Marion Ross in a second. I'm very excited

259
00:16:09,720 --> 00:16:12,920
Speaker 1: about it. I want to know why, you know. What

260
00:16:12,960 --> 00:16:15,440
Speaker 1: I want to know most first and foremost is why, Richard.

261
00:16:17,760 --> 00:16:19,960
Speaker 1: And I hate to say this, and I know it's

262
00:16:19,960 --> 00:16:22,520
Speaker 1: probably gonna get edited out. But why is he acting

263
00:16:22,560 --> 00:16:27,280
Speaker 1: like such a little you know, because it's like it's

264
00:16:27,320 --> 00:16:31,840
Speaker 1: like if if if if my and my if my

265
00:16:31,960 --> 00:16:35,240
Speaker 1: wife is getting what for from my mom, no matter

266
00:16:35,280 --> 00:16:38,320
Speaker 1: how much I'm obsessed with my own mommy, At a

267
00:16:38,360 --> 00:16:40,800
Speaker 1: certain point, I'm gonna say, you know, I mean, Richard

268
00:16:40,840 --> 00:16:45,960
Speaker 1: didn't even give us a mother. Don't talk to Emily

269
00:16:46,120 --> 00:16:48,080
Speaker 1: that way. I mean, you know what I mean. There

270
00:16:48,120 --> 00:16:50,080
Speaker 1: was none of that. There was nothing. He was just

271
00:16:50,160 --> 00:16:53,280
Speaker 1: like smiling the whole time, you know. So I saw

272
00:16:53,360 --> 00:16:56,240
Speaker 1: him as a little kid, like on his little on

273
00:16:56,320 --> 00:16:59,720
Speaker 1: his little bicycles, beaming up with his mother. You know.

274
00:17:00,080 --> 00:17:02,800
Speaker 1: The the guy at the corner store says, your son

275
00:17:02,920 --> 00:17:06,000
Speaker 1: came in here and destroyed my entire candy display, and

276
00:17:06,080 --> 00:17:09,160
Speaker 1: I want you I want the money now. And then

277
00:17:09,200 --> 00:17:12,320
Speaker 1: Marion Ross is a younger woman going, how dare you

278
00:17:12,440 --> 00:17:15,000
Speaker 1: raise your voice to make it out of this house

279
00:17:15,040 --> 00:17:17,320
Speaker 1: before I have you thrown out? And Richard just sitting

280
00:17:17,320 --> 00:17:19,840
Speaker 1: there and blowing all these bubbles, just smiling at the

281
00:17:19,880 --> 00:17:26,400
Speaker 1: guy sitting there going yeah, ye accurate. But why why

282
00:17:26,400 --> 00:17:29,359
Speaker 1: why is mama's boy he's a mama's boy. Why is

283
00:17:29,359 --> 00:17:31,359
Speaker 1: he all of us? It's like he's married to his

284
00:17:31,480 --> 00:17:34,560
Speaker 1: mother and like, yeah, let's just you know Mom's tricks

285
00:17:34,600 --> 00:17:36,800
Speaker 1: is having a good time with Emily, like being a

286
00:17:36,840 --> 00:17:43,560
Speaker 1: total heel to her anything. Yeah, I mean, come on, man,

287
00:17:43,600 --> 00:17:47,040
Speaker 1: no wonder Emily is so angry and uptight. You know,

288
00:17:47,200 --> 00:17:48,960
Speaker 1: I wouldn't want to be around that either, because it's

289
00:17:49,000 --> 00:17:53,359
Speaker 1: not just she's got to deal with She's she's gonna

290
00:17:53,640 --> 00:17:57,040
Speaker 1: deal with third Laurel. I, she's gotta deal with her

291
00:17:57,119 --> 00:17:59,560
Speaker 1: husband act like a jackass. You know. It's like you

292
00:17:59,680 --> 00:18:04,840
Speaker 1: nailed that. That is spot on. I'm just looking. This

293
00:18:04,920 --> 00:18:07,120
Speaker 1: is just what I see. Hate me if you all

294
00:18:07,160 --> 00:18:10,320
Speaker 1: you want, you know, I'm I'm not trying to tear

295
00:18:10,359 --> 00:18:15,359
Speaker 1: apart the show. I just logically, it makes no damn

296
00:18:15,600 --> 00:18:18,680
Speaker 1: sense to me. See that. That's the only part I disagree.

297
00:18:18,760 --> 00:18:22,040
Speaker 1: It makes perfect sense to me. Mama's boy, she's got

298
00:18:22,119 --> 00:18:27,200
Speaker 1: mother in law stress. It literally seems just exactly how

299
00:18:27,240 --> 00:18:29,879
Speaker 1: you would think it would go. So Emily is hanging

300
00:18:29,920 --> 00:18:33,400
Speaker 1: on by a thread. No, and she's married to some weak,

301
00:18:33,440 --> 00:18:39,040
Speaker 1: need whipped mama's boy, right, and she's just hanging in

302
00:18:39,040 --> 00:18:41,239
Speaker 1: there for the money, right. I think she's like, oh,

303
00:18:41,400 --> 00:18:43,919
Speaker 1: you know, I can't blow this. I don't think it

304
00:18:43,960 --> 00:18:45,680
Speaker 1: has to do with the money. I think she just

305
00:18:45,840 --> 00:18:51,000
Speaker 1: wants the approval from Tricks. She wants Tricks to like her.

306
00:18:51,040 --> 00:18:53,240
Speaker 1: That's why she's running around getting spice nuts and putting

307
00:18:53,240 --> 00:18:55,680
Speaker 1: that coat rack out, and the weird all the weird

308
00:18:55,680 --> 00:18:57,600
Speaker 1: gifts and the rug and the carrying stuff up and

309
00:18:57,640 --> 00:19:00,800
Speaker 1: down into Ah, just helicoptering like I want this woman

310
00:19:00,800 --> 00:19:05,400
Speaker 1: to like me. If my grandmother, if my father's mother

311
00:19:05,800 --> 00:19:09,040
Speaker 1: had treated my mother that way and talked to her

312
00:19:09,080 --> 00:19:11,720
Speaker 1: that way about like, you know, we're not having desert.

313
00:19:11,760 --> 00:19:14,920
Speaker 1: I've visited villages in Cambodia where I didn't have dessert either,

314
00:19:15,480 --> 00:19:17,320
Speaker 1: and you know, I mean, all these great lines and

315
00:19:17,320 --> 00:19:19,439
Speaker 1: there's no response. My mother would have punched her in

316
00:19:19,480 --> 00:19:22,400
Speaker 1: the teeth. Here's what we haven't talked about yet. Emily

317
00:19:22,560 --> 00:19:27,520
Speaker 1: puts up with it all until it threatens her relationship

318
00:19:27,560 --> 00:19:30,000
Speaker 1: with Laura, Lee and Rory, and then she says, Richard,

319
00:19:30,760 --> 00:19:34,320
Speaker 1: you need to handle this like you. We cannot have

320
00:19:34,400 --> 00:19:38,040
Speaker 1: Tricks giving this money because it will ruin everything we've

321
00:19:38,080 --> 00:19:41,919
Speaker 1: just finally gotten back. But Richard doesn't handle it. I

322
00:19:41,920 --> 00:19:44,320
Speaker 1: think he did. He didn't. How did he? How How

323
00:19:44,359 --> 00:19:46,960
Speaker 1: did he? How did he handle it? I feel like

324
00:19:47,040 --> 00:19:50,400
Speaker 1: that scene where they're having tea and then she decides

325
00:19:50,480 --> 00:19:52,800
Speaker 1: not to give the money. You think Richard had to

326
00:19:52,840 --> 00:19:55,040
Speaker 1: talk with her. And on top of that, she heard

327
00:19:55,119 --> 00:19:59,560
Speaker 1: she overheard Laura Lae and Emily arguing about it. Correct.

328
00:19:59,760 --> 00:20:03,439
Speaker 1: I think I think deep down Tricks is a super

329
00:20:03,480 --> 00:20:08,520
Speaker 1: decent woman and she is super smart. So she realized, uh,

330
00:20:08,560 --> 00:20:11,120
Speaker 1: this is causing problems. I'm not going to let them

331
00:20:11,200 --> 00:20:13,760
Speaker 1: know that I actually have a warm heart, but I'm

332
00:20:13,800 --> 00:20:18,719
Speaker 1: gonna I'm gonna fix this because that's a scene that

333
00:20:18,760 --> 00:20:21,840
Speaker 1: would have been a scene that would have been written,

334
00:20:22,080 --> 00:20:24,600
Speaker 1: and what a scene it would have been between you know,

335
00:20:25,520 --> 00:20:29,600
Speaker 1: Mama's boy and Mama. Right, Why didn't we get the scene?

336
00:20:29,800 --> 00:20:33,640
Speaker 1: Because I think we're supposed to. And again, you could

337
00:20:33,680 --> 00:20:35,960
Speaker 1: be right that it was just that she overheard the conversation.

338
00:20:36,400 --> 00:20:39,080
Speaker 1: But I feel like Tricks isn't going to ever let

339
00:20:39,080 --> 00:20:43,159
Speaker 1: her guard down for anyone to realize. But inherently she

340
00:20:43,200 --> 00:20:48,200
Speaker 1: believes in family, and she realized, Okay, wait, I'm screwing

341
00:20:48,280 --> 00:20:53,680
Speaker 1: up this secession that I have that matters to me,

342
00:20:54,040 --> 00:20:57,360
Speaker 1: and I'm not going to have that happen because the bloodline,

343
00:20:57,400 --> 00:21:01,760
Speaker 1: the succession is more important than in me giving Ry

344
00:21:01,840 --> 00:21:07,360
Speaker 1: this money. Now, maybe it's it's the fact that I think,

345
00:21:07,440 --> 00:21:11,480
Speaker 1: maybe it's the fact, maybe I'm just outside possibility. Maybe

346
00:21:11,480 --> 00:21:16,159
Speaker 1: it's the fact that, uh, Emily, I'm sorry, Marion Ross

347
00:21:17,560 --> 00:21:22,359
Speaker 1: feels threatened by Emily for and they're in competition for

348
00:21:22,400 --> 00:21:30,000
Speaker 1: the affections of and he's my boy. Maybe he's probably

349
00:21:30,040 --> 00:21:32,480
Speaker 1: an only child if he's behaving this way. I mean,

350
00:21:32,520 --> 00:21:35,439
Speaker 1: I can't imagine he has brothers and sisters. Not to

351
00:21:35,600 --> 00:21:37,919
Speaker 1: not to trash only children, but I mean they have

352
00:21:38,000 --> 00:21:42,639
Speaker 1: a very very close special bond with one or both parents, um,

353
00:21:42,840 --> 00:21:45,080
Speaker 1: even to the point where it can be debilitating. And

354
00:21:45,359 --> 00:21:47,480
Speaker 1: I think we're seeing evidence of that because Richards just

355
00:21:47,520 --> 00:21:53,119
Speaker 1: sitting there with his drink going when when Tricks has

356
00:21:53,200 --> 00:21:56,960
Speaker 1: just taken apart Emily, she's just she's being You can't

357
00:21:57,000 --> 00:22:01,600
Speaker 1: be meaner or more condescending to another human being. Then

358
00:22:01,640 --> 00:22:04,760
Speaker 1: what we what we witnessed in that episode. I mean

359
00:22:04,880 --> 00:22:08,400
Speaker 1: she just takes her apart. I mean no, I mean

360
00:22:08,440 --> 00:22:13,000
Speaker 1: that was no respect towards Emily. That was just utter

361
00:22:13,080 --> 00:22:16,159
Speaker 1: hostility and everything she said to her, Yeah, which is

362
00:22:16,200 --> 00:22:19,280
Speaker 1: exactly what you would expect of a mother in law

363
00:22:19,480 --> 00:22:26,320
Speaker 1: in that situation. Wealthy and privileged to the daughter in law.

364
00:22:26,359 --> 00:22:30,600
Speaker 1: It's like the mother in laws are notorious meme in

365
00:22:30,760 --> 00:22:34,240
Speaker 1: quotes to the daughter in law Richard step in Man,

366
00:22:34,440 --> 00:22:36,320
Speaker 1: and like, you know, it's like a prize fight. You

367
00:22:36,400 --> 00:22:39,439
Speaker 1: gotta the ref's gotta step in and warn the person

368
00:22:39,480 --> 00:22:41,720
Speaker 1: that's like doing the cheap shots. Like you do that again.

369
00:22:41,760 --> 00:22:43,280
Speaker 1: I'm taking a point away from you. You know what.

370
00:22:43,359 --> 00:22:45,840
Speaker 1: I think Richard's just oblivious to it. He doesn't care.

371
00:22:46,040 --> 00:22:48,199
Speaker 1: He's so like into his mom, and you know, he

372
00:22:48,240 --> 00:22:50,680
Speaker 1: knows he loves Emily, so it just didn't matter to him.

373
00:22:51,400 --> 00:22:53,800
Speaker 1: So like, yeah, let me escort you to the dining room,

374
00:22:53,840 --> 00:22:56,160
Speaker 1: even though it's seven oh five or five minutes late.

375
00:22:56,320 --> 00:22:59,640
Speaker 1: Like he's a he's a snooty, is what he is?

376
00:23:01,119 --> 00:23:06,520
Speaker 1: Good God, really, that's your wife, you know what, Listen,

377
00:23:06,560 --> 00:23:10,440
Speaker 1: I'm not I'm not talking about ed Herman personally, who

378
00:23:10,800 --> 00:23:13,119
Speaker 1: I have such a deep respect for. It's it's really

379
00:23:13,400 --> 00:23:18,600
Speaker 1: you know, listen. I went to college to UH to

380
00:23:18,640 --> 00:23:22,240
Speaker 1: get a degree in complet and it's what I'm trying

381
00:23:22,240 --> 00:23:23,919
Speaker 1: to do. It's what my brain does. It's where I

382
00:23:24,000 --> 00:23:26,840
Speaker 1: go when I break things down. I analyze character, I

383
00:23:26,880 --> 00:23:31,959
Speaker 1: analyze narrative, I analyze storylines, and um, you know, I've

384
00:23:32,000 --> 00:23:34,040
Speaker 1: written a bunch of screenplays. I'm not saying I'm the

385
00:23:34,040 --> 00:23:36,800
Speaker 1: best writer in the world, but I am a pretty

386
00:23:36,800 --> 00:23:41,800
Speaker 1: good structuralist and I kind of know the craft. And

387
00:23:41,800 --> 00:23:44,840
Speaker 1: and so when I see these these things that stick

388
00:23:44,880 --> 00:23:47,080
Speaker 1: out to me, I I want to point them out

389
00:23:47,119 --> 00:23:50,800
Speaker 1: to our audience and I'm I really it's for me.

390
00:23:50,880 --> 00:23:53,919
Speaker 1: It's educational in that of course it's the first time

391
00:23:53,960 --> 00:23:55,920
Speaker 1: I've seen it, so it's kind of you know, it's

392
00:23:55,960 --> 00:23:58,920
Speaker 1: it's virgin territory for me, and it's shocking to me.

393
00:23:59,160 --> 00:24:01,399
Speaker 1: And I want to would be able to express that.

394
00:24:01,480 --> 00:24:04,240
Speaker 1: I'm not trying to offend anybody, Okay, I'm really really not.

395
00:24:04,440 --> 00:24:07,960
Speaker 1: I'm just I'm trying to open up my own eyes

396
00:24:08,000 --> 00:24:10,000
Speaker 1: while maybe opening up a few other eyes in the

397
00:24:10,000 --> 00:24:13,400
Speaker 1: audience and getting a debate going, because this is kind of,

398
00:24:13,480 --> 00:24:14,960
Speaker 1: you know, this is how I really see it, and

399
00:24:15,000 --> 00:24:18,080
Speaker 1: I'm not gonna you know, this is my unfiltered self.

400
00:24:18,720 --> 00:24:21,639
Speaker 1: And I mean, if you compare it to you know,

401
00:24:21,720 --> 00:24:24,800
Speaker 1: Luke Daines, that's I'm the actor that portrayed that guy,

402
00:24:25,320 --> 00:24:28,800
Speaker 1: and I have my own voice, and I know some

403
00:24:28,800 --> 00:24:30,639
Speaker 1: people are gonna be stirred by that. But that's just

404
00:24:30,680 --> 00:24:34,080
Speaker 1: the way things are. And uh, you know, we're you know,

405
00:24:34,119 --> 00:24:35,960
Speaker 1: we're gonna be real with you guys. I mean, we're

406
00:24:36,040 --> 00:24:40,359
Speaker 1: we're authentically the people that we are at all times

407
00:24:40,359 --> 00:24:43,359
Speaker 1: on this podcast. I mean, as you know, Amy's very opinionated.

408
00:24:43,400 --> 00:24:46,480
Speaker 1: I'm very opinionated. And that's just the show. That's what

409
00:24:46,600 --> 00:24:51,240
Speaker 1: we have cobbled together here and and we think that's

410
00:24:51,280 --> 00:24:53,880
Speaker 1: what you deserve because I don't think anybody else has

411
00:24:53,920 --> 00:24:58,200
Speaker 1: really done this. Um So anyway, it's just we hope

412
00:24:58,240 --> 00:25:01,200
Speaker 1: it's interesting for you. We're really not trying to offend

413
00:25:01,280 --> 00:25:04,359
Speaker 1: anybody at all or cause any kind of controversy. And

414
00:25:04,400 --> 00:25:08,760
Speaker 1: these aren't personal knocks against the actors. It's just how

415
00:25:08,800 --> 00:25:13,840
Speaker 1: I feel in the moment about the characters. So it's

416
00:25:13,880 --> 00:25:16,320
Speaker 1: really more an analysis of the writing than anything. It's

417
00:25:16,320 --> 00:25:18,680
Speaker 1: not an analysis of the acting or it's it's really

418
00:25:18,760 --> 00:25:22,040
Speaker 1: more analysis of the writing because I'm a writer at heart.

419
00:25:22,200 --> 00:25:25,119
Speaker 1: So there you go, take it for what it's worth.

420
00:25:25,640 --> 00:25:28,520
Speaker 1: And uh, just keep you know, listening and enjoying, and

421
00:25:28,760 --> 00:25:31,880
Speaker 1: and yes, give us your comments. You are you are

422
00:25:31,960 --> 00:25:36,320
Speaker 1: not shy. We welcome them. You know. Sometimes they're a

423
00:25:36,400 --> 00:25:39,359
Speaker 1: little they're a little aggressive, a little negative, and you

424
00:25:39,359 --> 00:25:41,520
Speaker 1: know what, that's fine. That's what we signed up for,

425
00:25:41,680 --> 00:25:44,119
Speaker 1: you know. I mean, I I played professional baseball for

426
00:25:44,200 --> 00:25:47,360
Speaker 1: seven years. I didn't always win, you know, and then

427
00:25:47,400 --> 00:25:49,760
Speaker 1: you get you get negative feedback from the coaches like

428
00:25:49,840 --> 00:25:52,160
Speaker 1: you know, you know you gotta you got up your game.

429
00:25:52,240 --> 00:25:56,360
Speaker 1: So we we really appreciate all of these comments, positive

430
00:25:56,359 --> 00:25:59,439
Speaker 1: and negative, and uh, you know, you're the soul of

431
00:25:59,440 --> 00:26:01,560
Speaker 1: what we do and they're the reason why we're doing it.

432
00:26:01,640 --> 00:26:04,000
Speaker 1: So we want to serve you, and we're not please.

433
00:26:04,080 --> 00:26:09,120
Speaker 1: We're not trying to offend anybody, and especially not the actors.

434
00:26:09,720 --> 00:26:11,320
Speaker 1: And also it was just sort of you know, to

435
00:26:11,440 --> 00:26:15,520
Speaker 1: cap this off, I'm as hard on myself and my

436
00:26:15,560 --> 00:26:19,880
Speaker 1: own work as I am anybody else's Like, I'll criticize

437
00:26:19,920 --> 00:26:23,320
Speaker 1: myself as Scott as the actor for being not very

438
00:26:23,320 --> 00:26:26,680
Speaker 1: good in that scene, and you've heard me do it. So, um,

439
00:26:26,720 --> 00:26:30,800
Speaker 1: I'm not offended. You know, I don't offend myself because

440
00:26:31,800 --> 00:26:34,760
Speaker 1: and if and I've also pointed out in in you know,

441
00:26:34,880 --> 00:26:38,520
Speaker 1: recent press last couple of years about certain storylines that

442
00:26:38,600 --> 00:26:43,320
Speaker 1: I didn't think were contributing as mightily as I thought

443
00:26:43,320 --> 00:26:46,959
Speaker 1: they could have, uh to the overall arc of of

444
00:26:47,000 --> 00:26:49,879
Speaker 1: what Gilmore Girls is and has become for the fans,

445
00:26:49,920 --> 00:26:53,679
Speaker 1: so I feel a very I feel very protective of it.

446
00:26:53,760 --> 00:26:56,600
Speaker 1: So I want it to be great, And that's really

447
00:26:56,640 --> 00:26:58,920
Speaker 1: all these reactions are are coming from. So I'm gonna

448
00:26:58,920 --> 00:27:02,160
Speaker 1: be as honest about my forms as I am uh

449
00:27:02,200 --> 00:27:06,680
Speaker 1: and my character uh arcs as anybody else's. So there

450
00:27:06,680 --> 00:27:09,119
Speaker 1: you go. Wait, so we have to go backwards for

451
00:27:09,160 --> 00:27:12,840
Speaker 1: a second to how many classic lines are in this episode.

452
00:27:13,440 --> 00:27:15,600
Speaker 1: How about right from the start when they had nothing

453
00:27:15,640 --> 00:27:19,119
Speaker 1: to talk about at dinner and then Laurel I says,

454
00:27:19,280 --> 00:27:25,760
Speaker 1: did you know a book model mixed him? And then

455
00:27:25,920 --> 00:27:28,160
Speaker 1: I mean I was dying laughing right from the start,

456
00:27:28,240 --> 00:27:31,960
Speaker 1: because then Richard comes home and Emily says, we're in here,

457
00:27:32,080 --> 00:27:37,920
Speaker 1: just fall the crickets. Right that episode had line after

458
00:27:38,000 --> 00:27:42,040
Speaker 1: line after line. It was so well written. You know,

459
00:27:42,080 --> 00:27:44,359
Speaker 1: that's evidence when she started talking about the Kennedy's and

460
00:27:44,400 --> 00:27:48,040
Speaker 1: how they you know, debate every subject under the sun

461
00:27:48,119 --> 00:27:52,960
Speaker 1: and so culturally elevated their dinner tables like she would know. Um,

462
00:27:52,960 --> 00:27:55,960
Speaker 1: but I guess Life magazine did a did a piece

463
00:27:56,000 --> 00:27:59,800
Speaker 1: on them back in the sixties, and how magazine is

464
00:27:59,840 --> 00:28:02,760
Speaker 1: a great reference right there, and and it just it

465
00:28:02,840 --> 00:28:07,840
Speaker 1: just shows how Emily so much aspires to you know, yeah,

466
00:28:08,040 --> 00:28:12,760
Speaker 1: keep culture right, and and Tricks is savvy. Like Laura

467
00:28:12,840 --> 00:28:15,160
Speaker 1: Lee makes the joke and Trick says, was that a joke?

468
00:28:15,560 --> 00:28:17,480
Speaker 1: And then she says yes, and she's like well done.

469
00:28:17,760 --> 00:28:20,159
Speaker 1: And then later in the night, you know, Laura La

470
00:28:20,240 --> 00:28:23,040
Speaker 1: makes another joke and Tricks says, We've had enough jokes

471
00:28:23,080 --> 00:28:24,960
Speaker 1: for the night. For the night, you know, like she

472
00:28:25,160 --> 00:28:30,000
Speaker 1: just is Tricks is whip smart. Tricks is a humorless person.

473
00:28:30,600 --> 00:28:34,760
Speaker 1: She is a humorous woman obsessed with her own power. See.

474
00:28:34,840 --> 00:28:36,680
Speaker 1: I don't hate her as much as you do. I

475
00:28:36,720 --> 00:28:40,120
Speaker 1: think she's just sort of straight out of Central Casting

476
00:28:40,440 --> 00:28:45,520
Speaker 1: of the snooty, kind of mean grandma who has the

477
00:28:45,560 --> 00:28:47,600
Speaker 1: mama's boy and is mean to the daughter in law,

478
00:28:47,680 --> 00:28:50,960
Speaker 1: but really is kind of cool. She's not cool. She

479
00:28:51,040 --> 00:28:55,120
Speaker 1: had lasted five minutes in my health. My mom would

480
00:28:55,120 --> 00:28:57,200
Speaker 1: have my mom would have said, what did you just

481
00:28:57,240 --> 00:29:00,720
Speaker 1: say to me? You'll make a great pot? Because what

482
00:29:00,760 --> 00:29:03,240
Speaker 1: if she went to the diner to me Luke. I

483
00:29:03,280 --> 00:29:06,320
Speaker 1: don't think Luke and Tricks would have vibed. Yeah, but

484
00:29:06,360 --> 00:29:11,200
Speaker 1: I wouldn't have cared, right, I don't vibe with anybody.

485
00:29:11,240 --> 00:29:13,080
Speaker 1: I mean, look look at Look at how I try

486
00:29:13,080 --> 00:29:15,640
Speaker 1: to vibe with Laurela. I'm a I'm a you know,

487
00:29:15,680 --> 00:29:18,480
Speaker 1: I'm terrible at it. I know I can't vibe with anybody.

488
00:29:18,840 --> 00:29:21,680
Speaker 1: My timing is off. I get nervous, you know, I

489
00:29:21,720 --> 00:29:25,560
Speaker 1: don't say anything. I think Luke vibes with Emily. I do.

490
00:29:25,640 --> 00:29:28,680
Speaker 1: They have their problems, but every encounter we've had they

491
00:29:28,720 --> 00:29:38,880
Speaker 1: do vibe. You know, maybe sometime we could. I mean,

492
00:29:38,920 --> 00:29:40,920
Speaker 1: that's how close he is, right. He can't even ask

493
00:29:40,960 --> 00:29:43,640
Speaker 1: around on a day time. He always gets screwed up.

494
00:29:43,680 --> 00:29:47,240
Speaker 1: The guy said, I don't know, he's such a locks.

495
00:29:47,600 --> 00:29:49,880
Speaker 1: I mean, this episode is kind of wild because we

496
00:29:50,000 --> 00:29:55,960
Speaker 1: haven't even gotten into the Tristan Rory kristin Paris. So

497
00:29:56,160 --> 00:30:01,920
Speaker 1: Tristan and Rory really are becoming friends. Well, I think

498
00:30:01,920 --> 00:30:05,920
Speaker 1: it's really more, you know, uh, I think it's real

499
00:30:06,600 --> 00:30:09,640
Speaker 1: Rory being more like a counselor or a life coach

500
00:30:09,680 --> 00:30:15,600
Speaker 1: to this because she's she's aware of of his his

501
00:30:15,680 --> 00:30:20,240
Speaker 1: soft spot now and he's really not this this scary guy,

502
00:30:20,280 --> 00:30:22,440
Speaker 1: and he's just a vulnerable kind of and he's not

503
00:30:22,560 --> 00:30:26,000
Speaker 1: terribly bright. Let's let's just he's in he's in that

504
00:30:26,080 --> 00:30:29,120
Speaker 1: school because his dad you know, paid somebody to put

505
00:30:29,160 --> 00:30:31,520
Speaker 1: his dumb son in there, because the kid's not very bright,

506
00:30:32,520 --> 00:30:35,680
Speaker 1: because he's like, you know, because his reactions to Rory's

507
00:30:35,720 --> 00:30:40,080
Speaker 1: analysis of the situation and said, he really you want

508
00:30:40,120 --> 00:30:45,040
Speaker 1: me to be with the Paris anyway? You know, he's

509
00:30:45,200 --> 00:30:48,040
Speaker 1: he's like a dumb, pretty kid who's really rich. Yeah,

510
00:30:48,040 --> 00:30:50,719
Speaker 1: I like your take that she isn't She isn't afraid

511
00:30:50,760 --> 00:30:53,680
Speaker 1: of him anymore. But I thought that conversation they had

512
00:30:54,080 --> 00:30:57,600
Speaker 1: their kiss was quite sweet because you know, they both

513
00:30:57,600 --> 00:30:59,760
Speaker 1: want to talk. They chalk it up to they were

514
00:30:59,760 --> 00:31:03,960
Speaker 1: both having a bad day, and then you know, he says,

515
00:31:04,000 --> 00:31:07,160
Speaker 1: I kissed you you cried and she says it was

516
00:31:07,200 --> 00:31:09,640
Speaker 1: a nice kiss, like I was. You know, it wasn't

517
00:31:09,680 --> 00:31:12,960
Speaker 1: a crying material kiss. And then they kind of bond.

518
00:31:13,040 --> 00:31:14,640
Speaker 1: Then he kind of is cool guy, I want to

519
00:31:14,640 --> 00:31:17,880
Speaker 1: try it again. Well, that's just because he's dumb. You know,

520
00:31:17,960 --> 00:31:21,479
Speaker 1: he doesn't he doesn't get what she's saying. She she

521
00:31:21,880 --> 00:31:24,600
Speaker 1: they're on such different levels. I mean, she she feels

522
00:31:24,640 --> 00:31:26,840
Speaker 1: sorry for him at this point, to the point where

523
00:31:26,880 --> 00:31:32,560
Speaker 1: like it's kind of funny, you know, the the I

524
00:31:32,560 --> 00:31:35,560
Speaker 1: don't know, it's like playing a trick on getting even

525
00:31:35,600 --> 00:31:37,960
Speaker 1: with Paris. Right to set him up with that idiot

526
00:31:39,160 --> 00:31:41,560
Speaker 1: because you know it's not gonna work out. She knew

527
00:31:41,600 --> 00:31:45,280
Speaker 1: it wasn't gonna end. Well, see, I love your perspective,

528
00:31:45,320 --> 00:31:47,880
Speaker 1: but I as I and it could be because I'm

529
00:31:47,920 --> 00:31:49,959
Speaker 1: a woman, and I just saw it so sweet. I

530
00:31:50,000 --> 00:31:52,680
Speaker 1: love there. Oh they're getting along and they're so sweet,

531
00:31:52,720 --> 00:31:54,920
Speaker 1: and they're kind of bonding over their kids, even though

532
00:31:54,920 --> 00:31:57,480
Speaker 1: it wasn't right. And then he's sort of, you know,

533
00:31:57,520 --> 00:32:00,320
Speaker 1: he's sort of becoming friends with Rory, and you know,

534
00:32:00,480 --> 00:32:03,040
Speaker 1: she says, you need someone with substance, try Paris, and

535
00:32:03,080 --> 00:32:05,160
Speaker 1: he's going, you know, okay, like you're kind of like

536
00:32:05,200 --> 00:32:07,400
Speaker 1: a mentor to me. Now, okay, let's let's try it.

537
00:32:07,800 --> 00:32:10,120
Speaker 1: I'm going to take your advice. But he doesn't have

538
00:32:10,160 --> 00:32:14,640
Speaker 1: any substance. How could he be with somebody of substance

539
00:32:14,680 --> 00:32:17,760
Speaker 1: when he is completely vacuous human being. I mean, he's

540
00:32:17,800 --> 00:32:20,760
Speaker 1: like he's such a puppy dog and he's so dumb.

541
00:32:21,360 --> 00:32:25,600
Speaker 1: That's that summer summer is like, you know, got him

542
00:32:25,640 --> 00:32:28,760
Speaker 1: on a leash. You know, he around that party. Well

543
00:32:28,800 --> 00:32:31,560
Speaker 1: where are you going? Well I want a little then

544
00:32:31,600 --> 00:32:34,960
Speaker 1: and said, well, well baby, I'm gonna be over here.

545
00:32:34,960 --> 00:32:39,040
Speaker 1: With these fellas who cares what you want? Spits in

546
00:32:39,080 --> 00:32:42,680
Speaker 1: his face and the like, summer, what are you doing this?

547
00:32:42,920 --> 00:32:46,040
Speaker 1: You know? You know, I'm like, wow, you are right.

548
00:32:46,600 --> 00:32:50,040
Speaker 1: Rory thinks the guy's pathetic. There's nothing to be afraid of.

549
00:32:50,720 --> 00:32:52,800
Speaker 1: Let's just set him up with Paris, because I mean,

550
00:32:52,840 --> 00:32:56,120
Speaker 1: she's pathetic too, and this will be fun to watch.

551
00:32:56,200 --> 00:32:58,120
Speaker 1: I mean, now she's getting her kicks at the private

552
00:32:58,120 --> 00:33:02,360
Speaker 1: school with these dopey kids, right, And she's far more mature,

553
00:33:02,440 --> 00:33:05,880
Speaker 1: she's far more self sufficient, she's far more able to

554
00:33:05,920 --> 00:33:08,440
Speaker 1: deal with the world because of who her mom is.

555
00:33:09,080 --> 00:33:12,480
Speaker 1: Her mom has a backbone of iron, So now Rory

556
00:33:12,560 --> 00:33:16,240
Speaker 1: has a backbone of iron. Even though she's so she's

557
00:33:16,280 --> 00:33:18,480
Speaker 1: such a soft touch and such as, she hasn't lost

558
00:33:18,480 --> 00:33:22,160
Speaker 1: her sweetness and she hasn't lost her heart. Neither is Laurel. Right,

559
00:33:22,320 --> 00:33:24,800
Speaker 1: So I mean, you're not wrong, and none of what

560
00:33:24,880 --> 00:33:27,320
Speaker 1: you say is wrong. And she's in his private school

561
00:33:27,320 --> 00:33:30,280
Speaker 1: with these psychos. I mean they're completely crazy people. I mean,

562
00:33:30,640 --> 00:33:34,440
Speaker 1: I mean, I mean, you know, Paris shows up at

563
00:33:34,440 --> 00:33:39,239
Speaker 1: the front door, ranting and raving about her clothing, and

564
00:33:39,320 --> 00:33:43,040
Speaker 1: she's like screaming the whole time. She said, I didn't

565
00:33:43,080 --> 00:33:44,680
Speaker 1: know what to bring, and so I just brought one

566
00:33:44,680 --> 00:33:46,400
Speaker 1: of everything, and I didn't know what to do. I mean,

567
00:33:46,640 --> 00:33:49,600
Speaker 1: that girl needs to be institutionalized. Are you kidding me?

568
00:33:49,840 --> 00:33:53,360
Speaker 1: She was running around in a private school, smart as

569
00:33:53,360 --> 00:33:56,760
Speaker 1: a whip. Doesn't think you know, dating is necessary, because

570
00:33:56,760 --> 00:33:58,440
Speaker 1: how does that get you into college? You know, this

571
00:33:58,560 --> 00:34:01,040
Speaker 1: kind of thing. I mean, she's I mean, this is

572
00:34:01,080 --> 00:34:03,280
Speaker 1: what's so funny because none of what you're saying is wrong.

573
00:34:03,320 --> 00:34:05,520
Speaker 1: Although I just looked at it, it was such a

574
00:34:05,560 --> 00:34:08,720
Speaker 1: different view, like, oh, it's so sweet and they're bonding

575
00:34:08,719 --> 00:34:11,440
Speaker 1: and they're going in glberalized closet and Rory's helping and

576
00:34:11,800 --> 00:34:14,560
Speaker 1: Paris I looked at it, is like Paris was so lost,

577
00:34:14,800 --> 00:34:17,600
Speaker 1: Like this is her biggest moment of her life. She

578
00:34:17,640 --> 00:34:19,239
Speaker 1: finally gets to go on a date with this dude.

579
00:34:19,239 --> 00:34:21,799
Speaker 1: She doesn't know what to wear. She needs help. She

580
00:34:21,840 --> 00:34:24,160
Speaker 1: can't ask the other two girls because they're so mean,

581
00:34:24,600 --> 00:34:27,720
Speaker 1: you know, So she's turning to Rory, and Rory's helping her.

582
00:34:27,960 --> 00:34:31,560
Speaker 1: She is helping her because Rory is a She doesn't judge,

583
00:34:32,200 --> 00:34:35,200
Speaker 1: she knows what she's dealing with. She knows that Paris

584
00:34:35,480 --> 00:34:38,759
Speaker 1: Is is hell bent for leather and if and and

585
00:34:38,880 --> 00:34:42,040
Speaker 1: Rory is such a mature, sweet kid that she's going

586
00:34:42,080 --> 00:34:45,440
Speaker 1: to befriend this person trying to help her out because

587
00:34:46,360 --> 00:34:49,840
Speaker 1: Paris is headed for destruction. She's got an appetite for destruction.

588
00:34:49,920 --> 00:34:53,400
Speaker 1: This one. I mean, she's just she's so insecure and

589
00:34:53,680 --> 00:34:56,200
Speaker 1: so angry all the time. And you know, who cares

590
00:34:56,200 --> 00:34:59,799
Speaker 1: where it's from. She just is you know, it's her

591
00:34:59,800 --> 00:35:02,040
Speaker 1: p answer or whatever. But it's like, you know, Rory

592
00:35:02,200 --> 00:35:07,280
Speaker 1: is so strong a person that she's going to try

593
00:35:07,280 --> 00:35:10,040
Speaker 1: to help this girl out. She's gonna give her mom's clothes,

594
00:35:10,080 --> 00:35:12,839
Speaker 1: she's going to set her up with with Tristan, and

595
00:35:13,000 --> 00:35:15,520
Speaker 1: you know, she's a good kid, and she now she

596
00:35:15,600 --> 00:35:19,560
Speaker 1: sees these private school kids aren't, so you know, she's

597
00:35:19,600 --> 00:35:23,120
Speaker 1: smarter than they are that you know, she she can

598
00:35:23,200 --> 00:35:25,080
Speaker 1: keep up, she can do the work, she can do

599
00:35:25,160 --> 00:35:29,120
Speaker 1: the reading, you know, and she's you know, she's probably

600
00:35:29,200 --> 00:35:35,640
Speaker 1: ten fifteen years older than them emotionally speaking, without without

601
00:35:35,719 --> 00:35:38,360
Speaker 1: being closed off. And I don't I don't think she's

602
00:35:38,400 --> 00:35:42,400
Speaker 1: necessarily messing with people, but she knows that standing in

603
00:35:42,400 --> 00:35:44,600
Speaker 1: front of her with a pile of clothes in her

604
00:35:44,640 --> 00:35:51,360
Speaker 1: fourier is a raving lunatic who needs her friendship. Who

605
00:35:51,480 --> 00:35:56,440
Speaker 1: needs to have a friendship. This is what is so fascinating.

606
00:35:56,640 --> 00:36:00,000
Speaker 1: Everything you're saying is right, even though I also saw

607
00:36:00,120 --> 00:36:02,520
Speaker 1: in a totally different way. But that's there too. I'm

608
00:36:02,560 --> 00:36:05,680
Speaker 1: not disagreeing with you. That is there too. It's her

609
00:36:05,719 --> 00:36:08,200
Speaker 1: being a friend. But but it's like it's like Rory

610
00:36:08,360 --> 00:36:10,960
Speaker 1: standing back and listening to this and looking at this

611
00:36:11,000 --> 00:36:15,960
Speaker 1: person like, oh my god, she she a mess. You

612
00:36:16,320 --> 00:36:19,759
Speaker 1: are right that now the same thing with Tristan. She

613
00:36:19,920 --> 00:36:23,080
Speaker 1: doesn't have to be intimidated by any of these people anymore,

614
00:36:23,920 --> 00:36:26,400
Speaker 1: and I think that is giving her a leg up

615
00:36:26,560 --> 00:36:31,480
Speaker 1: or something. So now we see the advantage that she

616
00:36:31,600 --> 00:36:36,640
Speaker 1: has coming from such a spectacular mom who did it

617
00:36:36,760 --> 00:36:39,400
Speaker 1: her own way and gave her this strength, and gave

618
00:36:39,440 --> 00:36:43,960
Speaker 1: her this independence, and gave her this desire to uh

619
00:36:44,120 --> 00:36:47,040
Speaker 1: succeed academically. Because that's really I mean that that's not

620
00:36:47,200 --> 00:36:51,320
Speaker 1: lost because Laurela made some bad decisions or or life

621
00:36:51,320 --> 00:36:53,440
Speaker 1: happened to Laurela. You know, this happens to a lot

622
00:36:53,480 --> 00:36:57,520
Speaker 1: of people. So what do you think about the money?

623
00:36:57,600 --> 00:37:02,400
Speaker 1: Because that was interesting in that I don't think Emily

624
00:37:02,680 --> 00:37:07,120
Speaker 1: was manipulating LORELEI. I think she was saying this money

625
00:37:07,160 --> 00:37:11,680
Speaker 1: is going to change things. And Lorely listened and was like,

626
00:37:11,800 --> 00:37:13,560
Speaker 1: at first, loyal lies, like she can have the money,

627
00:37:13,600 --> 00:37:16,279
Speaker 1: it's all good, And then she listened to Emily in

628
00:37:16,320 --> 00:37:18,840
Speaker 1: the same way. Emily was threatened by that money and

629
00:37:18,880 --> 00:37:21,600
Speaker 1: that she would lose what she loves, which is having

630
00:37:21,600 --> 00:37:23,880
Speaker 1: her daughter and her granddaughter in her life. But I

631
00:37:23,920 --> 00:37:28,000
Speaker 1: think Tricks, you know, made a major misstep by not

632
00:37:28,200 --> 00:37:32,080
Speaker 1: discussing this first in a respectful way with Richard and

633
00:37:32,120 --> 00:37:35,839
Speaker 1: Emily like what do you think? But she just kind

634
00:37:35,840 --> 00:37:38,160
Speaker 1: of bowled her way in and said I'm thinking of

635
00:37:38,200 --> 00:37:40,920
Speaker 1: doing this, and she did it right, She didn't right

636
00:37:41,000 --> 00:37:43,680
Speaker 1: in front of Lola. And that's the first time Emily

637
00:37:43,719 --> 00:37:45,360
Speaker 1: heard of it. It's the first time Richard heard of it.

638
00:37:45,400 --> 00:37:47,560
Speaker 1: And you know, maybe she discussed it with Richard and

639
00:37:48,040 --> 00:37:51,480
Speaker 1: he just sat on his little tricycle and my day. No,

640
00:37:51,600 --> 00:37:55,000
Speaker 1: I look, Tricks is never going to do the appropriate

641
00:37:55,080 --> 00:37:57,799
Speaker 1: thing because she's just not that way. That was inappropriate.

642
00:37:57,920 --> 00:38:01,120
Speaker 1: That was really inappropriate. And even though it's it's very generous,

643
00:38:01,920 --> 00:38:08,319
Speaker 1: um completely understandable how Emily was was getting unnerved by it.

644
00:38:08,360 --> 00:38:10,520
Speaker 1: I don't blame her. Yeah, And we've known from the

645
00:38:10,560 --> 00:38:13,080
Speaker 1: start that Emily used the money that she gave to

646
00:38:13,760 --> 00:38:16,640
Speaker 1: lower Lee to give to Rory, because she used that

647
00:38:16,680 --> 00:38:19,200
Speaker 1: to her advantage to be able to have them in

648
00:38:19,239 --> 00:38:22,839
Speaker 1: her life, because that's ultimately what she cares about, even

649
00:38:22,840 --> 00:38:26,759
Speaker 1: though it's misguided at times, totally understandable. Yeah, and this

650
00:38:26,960 --> 00:38:31,319
Speaker 1: threatened that, which was the ultimate threat to Emily, and

651
00:38:31,360 --> 00:38:36,799
Speaker 1: why Emily just became so distraught basically by it And

652
00:38:36,840 --> 00:38:40,200
Speaker 1: how dare how dare tricks come into this house and

653
00:38:40,320 --> 00:38:45,719
Speaker 1: blow up my potential relationship with my granddaughter and my

654
00:38:45,840 --> 00:38:48,799
Speaker 1: daughter And who does she think she's coming in here

655
00:38:48,960 --> 00:38:51,040
Speaker 1: doing this? Richard step in and do something. You know,

656
00:38:51,120 --> 00:38:53,839
Speaker 1: He's not going to do anything. He's just gonna go.

657
00:38:55,520 --> 00:39:00,239
Speaker 1: What does he say? He says, yes, yes, mother, your

658
00:39:00,680 --> 00:39:04,719
Speaker 1: your every wish is my command. He leads her up

659
00:39:04,760 --> 00:39:07,640
Speaker 1: to the bedroom. It's like, what, Yeah. I don't think

660
00:39:07,760 --> 00:39:11,720
Speaker 1: Richard felt threatened by the money and that he would lose.

661
00:39:11,920 --> 00:39:14,520
Speaker 1: I don't think Richard thinks he's going to orally and

662
00:39:14,640 --> 00:39:18,480
Speaker 1: Rory like Emily does. Richard's like, I think Richard has

663
00:39:18,520 --> 00:39:20,919
Speaker 1: such a bond with Rory now that he doesn't feel

664
00:39:20,960 --> 00:39:24,040
Speaker 1: like anything's going to prevent that. You know, when we

665
00:39:24,080 --> 00:39:27,680
Speaker 1: know that because Trick said, my son is very fond

666
00:39:27,719 --> 00:39:30,000
Speaker 1: of you, and Rory says, I'm very fond of him.

667
00:39:30,080 --> 00:39:32,880
Speaker 1: They have that bond that we've seen since they went golfing,

668
00:39:32,960 --> 00:39:39,319
Speaker 1: and it's it's solid. Nobody mentions how fond he is

669
00:39:39,640 --> 00:39:44,400
Speaker 1: of Laura Lie right. They have more tension. They've got tension,

670
00:39:45,200 --> 00:39:48,799
Speaker 1: real tension. Yeah. In fact, I think they have as much,

671
00:39:48,880 --> 00:39:52,319
Speaker 1: if not more tension than Laura Lee and Emily. I

672
00:39:52,320 --> 00:39:54,640
Speaker 1: think you could be right, and I think that you

673
00:39:54,719 --> 00:39:57,000
Speaker 1: need to keep that tension. It needs to be taught,

674
00:39:57,160 --> 00:40:01,920
Speaker 1: it needs to be m Yeah. That's that's one of

675
00:40:01,520 --> 00:40:05,520
Speaker 1: the big engines of that show. That's maybe the primary

676
00:40:06,040 --> 00:40:09,919
Speaker 1: complex engine of that show. That it is complicated and

677
00:40:11,120 --> 00:40:14,360
Speaker 1: it's god boy. I tell you though, man, this tricks

678
00:40:15,480 --> 00:40:17,879
Speaker 1: Wow wow wow. Okay, So I want to know from

679
00:40:17,880 --> 00:40:20,960
Speaker 1: everybody before we get into pop culture. Do you like

680
00:40:21,080 --> 00:40:24,200
Speaker 1: tricks or do you dislike tricks? I gotta tell you, man,

681
00:40:24,840 --> 00:40:29,759
Speaker 1: I just like it. I don't like that attitude. Yeah,

682
00:40:30,120 --> 00:40:37,000
Speaker 1: that doesn't wash with me. I was raised different. It's like, nah,

683
00:40:37,360 --> 00:40:40,400
Speaker 1: you know, my family would have put her in her

684
00:40:40,440 --> 00:40:43,680
Speaker 1: place real fast. I would have to agree with Scott,

685
00:40:43,800 --> 00:40:46,160
Speaker 1: but I do love her for this show. Like when

686
00:40:46,239 --> 00:40:48,640
Speaker 1: she came on screen and she started giving Emily a

687
00:40:48,719 --> 00:40:53,640
Speaker 1: run for her money. I thoroughly enjoyed it. Yeah, well, yeah,

688
00:40:53,760 --> 00:40:57,680
Speaker 1: entertainment value wise, it's way up there because the character

689
00:40:57,800 --> 00:41:00,239
Speaker 1: is so absurd that you just have to laugh at it,

690
00:41:01,200 --> 00:41:03,600
Speaker 1: and it was really funny. There's there's no I mean,

691
00:41:03,640 --> 00:41:06,200
Speaker 1: she had the best lines of the whole episode. I mean,

692
00:41:06,200 --> 00:41:11,600
Speaker 1: she had several great lines. Um, But anyway, what do

693
00:41:11,640 --> 00:41:15,600
Speaker 1: you think, Riley? What's your opinion? I think I think

694
00:41:15,600 --> 00:41:18,239
Speaker 1: there's a charm to her. I don't know, I don't know.

695
00:41:18,320 --> 00:41:22,160
Speaker 1: I know she's like rude and very hurtful to Emily

696
00:41:22,200 --> 00:41:24,600
Speaker 1: and others, but I kind of like her a little bit.

697
00:41:24,840 --> 00:41:29,640
Speaker 1: She's got charmed like a serial killer. Jesus, that's the

698
00:41:29,680 --> 00:41:35,319
Speaker 1: best kind. What's in her freezer? I don't know if

699
00:41:35,360 --> 00:41:40,600
Speaker 1: I like her or not. I definitely think she helps

700
00:41:40,680 --> 00:41:47,239
Speaker 1: me to understand Richard. She that whole sort of like

701
00:41:48,360 --> 00:41:51,600
Speaker 1: entanglement with all of them and how they interacted was

702
00:41:52,200 --> 00:41:56,279
Speaker 1: totally enjoyable to watch. And also, yeah, I mean, I

703
00:41:56,320 --> 00:41:59,040
Speaker 1: don't know if i'd want to be your bestie? Who

704
00:41:59,200 --> 00:42:01,440
Speaker 1: was to bendo for it to be nice to somebody

705
00:42:01,480 --> 00:42:04,759
Speaker 1: who's so condescending. I mean Mary and Ross herself said

706
00:42:04,800 --> 00:42:07,080
Speaker 1: she was crabby. Yeah, i mean it's like it's not

707
00:42:07,120 --> 00:42:10,560
Speaker 1: just a multigenerational gap. It's like this woman walks in

708
00:42:10,680 --> 00:42:15,560
Speaker 1: from the sixteen hundreds and starts, you know, dumping on everybody.

709
00:42:15,640 --> 00:42:21,120
Speaker 1: It's like, by the way, we even talked about this gorgeous,

710
00:42:21,200 --> 00:42:24,440
Speaker 1: does Marion Ross still look in her nineties? Yeah, that's

711
00:42:24,520 --> 00:42:29,200
Speaker 1: kind of crazy. Tricks looks older twenty years ago than

712
00:42:29,320 --> 00:42:33,279
Speaker 1: Marion Rosstas. Now, they really changed Marion Ross's look to

713
00:42:33,400 --> 00:42:40,280
Speaker 1: play Tricks. Yeah, she's she's a she's a fabulous actress.

714
00:42:41,239 --> 00:42:45,640
Speaker 1: Yeah yeah, And she goes from Mrs Cunningham to that. Well,

715
00:42:45,640 --> 00:42:48,920
Speaker 1: and what's crazy is it was years after Mrs Cunneyham.

716
00:42:49,080 --> 00:42:52,440
Speaker 1: Like it was like she was very young when she

717
00:42:52,560 --> 00:42:57,359
Speaker 1: played Mrs Cunneyham. Well, yeah, she's ninety two now, so

718
00:42:57,440 --> 00:43:01,759
Speaker 1: she so that was fifty years ago, so she's yeah,

719
00:43:01,920 --> 00:43:04,719
Speaker 1: I mean she was right at the right age. Well, yeah,

720
00:43:04,840 --> 00:43:07,520
Speaker 1: she she was younger than Mrs Cunningham must have been,

721
00:43:07,560 --> 00:43:11,120
Speaker 1: because like Richie was in his twenties, how old was

722
00:43:11,400 --> 00:43:15,239
Speaker 1: How old is Henry Winkler? Now Henry Winkler is seventy five,

723
00:43:15,640 --> 00:43:18,040
Speaker 1: So that was so he was twenty five ish and

724
00:43:18,160 --> 00:43:20,160
Speaker 1: also sidebar, and I know we have to take a break.

725
00:43:20,200 --> 00:43:23,480
Speaker 1: Henry Winkler is the nicest man on the planet. There

726
00:43:23,560 --> 00:43:27,600
Speaker 1: is no one nicer he is. Oh my god, he

727
00:43:27,719 --> 00:43:31,040
Speaker 1: never had, never had the pleasure. The nicest, the nicest

728
00:43:31,040 --> 00:43:34,120
Speaker 1: person I've ever met in Hollywood was John Ritter. Well,

729
00:43:34,200 --> 00:43:37,680
Speaker 1: here's the thing, you are correct. And the third nicest

730
00:43:37,719 --> 00:43:40,680
Speaker 1: is Ron Howard and the three of them were all pals.

731
00:43:41,200 --> 00:43:44,640
Speaker 1: Henry Winkler's two best friends are Ron Howard and John Ritter,

732
00:43:45,400 --> 00:43:47,279
Speaker 1: and they are the three nicest people you will ever meet.

733
00:43:47,360 --> 00:43:51,240
Speaker 1: That's the superpower. I feel honored that I've met all three.

734
00:43:52,000 --> 00:43:57,080
Speaker 1: They're Marvel characters. Man, good night, the nice guys. All right, well,

735
00:43:57,120 --> 00:43:58,399
Speaker 1: I guess we need to take a break. And then

736
00:43:58,480 --> 00:44:02,200
Speaker 1: Riley better. I'm ex I know this is like he

737
00:44:03,000 --> 00:44:06,080
Speaker 1: I mean, besides having all the blood taken out of

738
00:44:06,080 --> 00:44:10,040
Speaker 1: my veins today from my visit give blood. Oh you

739
00:44:10,040 --> 00:44:14,000
Speaker 1: you had had a physical? Are you going to live? Well?

740
00:44:14,040 --> 00:44:17,040
Speaker 1: I yeah, yeah, Well they haven't. They just you know

741
00:44:17,080 --> 00:44:19,080
Speaker 1: they have that the lab results aren't back. And I'll

742
00:44:19,120 --> 00:44:23,239
Speaker 1: let you you know, I take a physical every year

743
00:44:23,239 --> 00:44:30,480
Speaker 1: and today to Scotch we need you to like hang around.

744
00:44:30,600 --> 00:44:32,680
Speaker 1: I'm gonna hang in there. I'm gonna hang in there.

745
00:44:32,719 --> 00:44:37,000
Speaker 1: I'll tell you that that prostate exam wasn't too fun.

746
00:44:38,200 --> 00:44:40,160
Speaker 1: That was like, you know, that was a Chevy Chase

747
00:44:40,280 --> 00:44:42,600
Speaker 1: moment where I was like talking to the doctor and

748
00:44:42,640 --> 00:44:48,040
Speaker 1: all of a sudden move river, Wow, doc, you ever

749
00:44:48,080 --> 00:44:55,600
Speaker 1: served time? Have you served time? That's what he said

750
00:44:55,640 --> 00:45:07,000
Speaker 1: to the doctor. Really, Oh my god. All right, Okay,

751
00:45:07,040 --> 00:45:13,160
Speaker 1: we're coming back in a minute. We're coming back. Hey,

752
00:45:13,200 --> 00:45:16,640
Speaker 1: I'm Bethany Joey Lens, I'm Hillary Burton Morgan, and I'm

753
00:45:16,680 --> 00:45:19,719
Speaker 1: Sophia Bush. And we are doing a virtual event in

754
00:45:19,760 --> 00:45:23,400
Speaker 1: September in honor of One Tree Hill Day September twenty three,

755
00:45:23,440 --> 00:45:25,640
Speaker 1: O t H Day for the O T H Fam

756
00:45:25,680 --> 00:45:29,160
Speaker 1: and this podcast family is going to be benefiting kind

757
00:45:29,280 --> 00:45:31,960
Speaker 1: campaign with this event. They worked to end bullying in

758
00:45:32,040 --> 00:45:34,800
Speaker 1: schools and we just love them. That's right. The Drama

759
00:45:34,880 --> 00:45:37,040
Speaker 1: Queens are so excited to hang out with you guys

760
00:45:37,040 --> 00:45:40,040
Speaker 1: on our very special day. So all the information is

761
00:45:40,080 --> 00:45:43,560
Speaker 1: going to go up on looped live dot com. There

762
00:45:43,680 --> 00:45:47,279
Speaker 1: is more information coming soon. That's l O O p

763
00:45:47,520 --> 00:45:50,560
Speaker 1: E d live dot com. The Drama Queens are coming

764
00:45:50,600 --> 00:45:53,440
Speaker 1: to you live from the iconic Beverly Hilton Hotel. That's

765
00:45:53,480 --> 00:45:58,160
Speaker 1: looped live dot com for tickets. Hello, there she is.

766
00:45:58,800 --> 00:46:07,359
Speaker 1: How are you, Marian? I'm pretty down good considering considering.

767
00:46:08,640 --> 00:46:10,759
Speaker 1: It's nice to see you, Scott. It's nice to see

768
00:46:10,760 --> 00:46:13,960
Speaker 1: you too. So let's get into this. Let's let's start

769
00:46:13,960 --> 00:46:17,279
Speaker 1: talking Gilmore in these episodes which you were so fantastic

770
00:46:17,360 --> 00:46:19,960
Speaker 1: and and I'll give us a little I don't think

771
00:46:20,000 --> 00:46:22,080
Speaker 1: I have to do a big ramp up. Everybody knows

772
00:46:22,120 --> 00:46:24,880
Speaker 1: who you are, but I'll give you a little introduction,

773
00:46:24,960 --> 00:46:28,760
Speaker 1: ladies and gentlemen, who we are joined by the illustrious

774
00:46:29,239 --> 00:46:32,520
Speaker 1: Uh Marion Ross, who played the role of Laurel I

775
00:46:32,719 --> 00:46:35,520
Speaker 1: Tricks Gilmore in total of six episodes from two thousand,

776
00:46:35,560 --> 00:46:39,839
Speaker 1: two thousand and five and Gilmore Girls, Um, and I

777
00:46:39,880 --> 00:46:44,000
Speaker 1: want to just sort of start out with some fan questions.

778
00:46:44,000 --> 00:46:46,200
Speaker 1: A lot of fans, you know, they communicate with us

779
00:46:46,200 --> 00:46:49,000
Speaker 1: and they want to know certain things. So we we

780
00:46:49,040 --> 00:46:51,600
Speaker 1: want to ask you, Marian. You're the third Laurel I,

781
00:46:51,680 --> 00:46:57,759
Speaker 1: another Laureli Gilmore uh grandmother, Rory's great grandmother, Richard's mother.

782
00:46:58,800 --> 00:47:04,200
Speaker 1: What do you remember about Gilmore Girls? Specifically, what do

783
00:47:04,239 --> 00:47:08,800
Speaker 1: I love about I love because we were barely ready

784
00:47:08,880 --> 00:47:11,600
Speaker 1: to go on and then we're shooting it. Now we're

785
00:47:11,600 --> 00:47:15,200
Speaker 1: shooting it, you know. So it was it was always

786
00:47:15,320 --> 00:47:19,360
Speaker 1: so much fun because I was always a little under rehearsed,

787
00:47:19,640 --> 00:47:24,000
Speaker 1: you know, and uh, maybe not quite true what I

788
00:47:24,040 --> 00:47:27,560
Speaker 1: was wearing to really under rehearsed. It sure didn't come

789
00:47:27,600 --> 00:47:32,640
Speaker 1: off that way. Wow, I don't know, And I'm so

790
00:47:33,239 --> 00:47:40,840
Speaker 1: I'm very very proud of this fun the creative cast,

791
00:47:41,000 --> 00:47:44,000
Speaker 1: you know, the very creative people, right right, right right,

792
00:47:44,480 --> 00:47:48,839
Speaker 1: it was. It was a tremendous It was a tremendous cast.

793
00:47:48,880 --> 00:47:53,279
Speaker 1: So you're absolutely iconic on the roles in Happy Days

794
00:47:53,360 --> 00:47:56,239
Speaker 1: is another fan question the Love Boat. How did you

795
00:47:56,280 --> 00:47:58,920
Speaker 1: get the role of Tricks on Gilmore Girls? Tell us

796
00:47:58,920 --> 00:48:02,200
Speaker 1: a little bit about that process us. Well, it's so funny.

797
00:48:02,440 --> 00:48:05,960
Speaker 1: You get a phone call and it was I think

798
00:48:05,960 --> 00:48:10,320
Speaker 1: it was Amy Palladino something, and uh, it wasn't really

799
00:48:10,320 --> 00:48:13,480
Speaker 1: too familiar with her, and but she knew that I

800
00:48:13,520 --> 00:48:16,800
Speaker 1: was used to doing sitcoms, and I said, well that

801
00:48:16,840 --> 00:48:20,600
Speaker 1: would be fine, and but I'm not I'm not a

802
00:48:20,680 --> 00:48:25,520
Speaker 1: very crabby person. I'm just a very smiley, world's nicest person.

803
00:48:25,800 --> 00:48:29,879
Speaker 1: So this was why what she kept wanting to her

804
00:48:30,640 --> 00:48:35,319
Speaker 1: the mother to be crabby. You know, so that was

805
00:48:35,480 --> 00:48:38,840
Speaker 1: that was fun for me. Oh you did it so well,

806
00:48:39,000 --> 00:48:43,000
Speaker 1: that was tho. These episodes are so great, really funny.

807
00:48:43,600 --> 00:48:46,120
Speaker 1: So you said before, you're the opposite of this character.

808
00:48:46,200 --> 00:48:49,040
Speaker 1: You're a very sunny, happy person. You took on the role.

809
00:48:49,920 --> 00:48:52,040
Speaker 1: What was that like? Did you really so you really

810
00:48:52,120 --> 00:48:55,680
Speaker 1: enjoyed it? You really enjoyed playing that character? I do.

811
00:48:55,880 --> 00:49:00,880
Speaker 1: I love being grouchy, crounchy and crabby, you know, I

812
00:49:00,920 --> 00:49:05,480
Speaker 1: think this is so much fun and I just I

813
00:49:05,520 --> 00:49:09,600
Speaker 1: love I love the cast so much. And you you

814
00:49:09,640 --> 00:49:14,760
Speaker 1: were wonderful Jarley. Yes, yeah, and you were so handsome.

815
00:49:14,960 --> 00:49:20,600
Speaker 1: Yeah I used to be. Yeah. We all were just

816
00:49:20,719 --> 00:49:23,920
Speaker 1: having a good time, you know. We we we we

817
00:49:24,000 --> 00:49:30,440
Speaker 1: truly were. Um So let me you know, there's something about,

818
00:49:30,760 --> 00:49:33,720
Speaker 1: you know, the bigger actors that come on to the set,

819
00:49:33,960 --> 00:49:38,120
Speaker 1: and people want to know, did you get a lot

820
00:49:38,160 --> 00:49:42,759
Speaker 1: of direction or any direction at all from the directors

821
00:49:43,480 --> 00:49:48,560
Speaker 1: that you worked with? No? Actually, in my memory, I'm

822
00:49:48,560 --> 00:49:53,160
Speaker 1: thinking that I didn't get a lot of direction. They

823
00:49:53,360 --> 00:49:57,320
Speaker 1: had hired you. Although I was supposed to be very crabby,

824
00:49:57,480 --> 00:49:59,759
Speaker 1: you know, I was a crabby person instead of being

825
00:49:59,760 --> 00:50:06,840
Speaker 1: so sunny. I wasn't missus c at all so and

826
00:50:07,200 --> 00:50:10,040
Speaker 1: I just it was it was just so fun because

827
00:50:10,040 --> 00:50:14,160
Speaker 1: you kids were also young. You were all young, right,

828
00:50:14,680 --> 00:50:18,680
Speaker 1: were Well? I wasn't. I mean I got I was forty.

829
00:50:19,400 --> 00:50:21,680
Speaker 1: I was forty or forty one when I got that job.

830
00:50:21,800 --> 00:50:26,680
Speaker 1: So um, really yeah, yeah, I wasn't. I felt young.

831
00:50:26,760 --> 00:50:28,640
Speaker 1: I wasn't young, but I felt young at the time.

832
00:50:28,800 --> 00:50:31,640
Speaker 1: I don't know if the public knows this, but in Hollywood,

833
00:50:32,000 --> 00:50:36,480
Speaker 1: forty young forty one is quite young because we we

834
00:50:36,560 --> 00:50:39,920
Speaker 1: are such big liars. We've been lying about our age

835
00:50:40,000 --> 00:50:44,440
Speaker 1: for so long, and nobody knows that we passed forty,

836
00:50:44,800 --> 00:50:50,560
Speaker 1: and we passed fifty and now we're now we're passing sixty.

837
00:50:50,719 --> 00:50:52,360
Speaker 1: Do you know how old I am? Now? Do you

838
00:50:52,360 --> 00:50:58,520
Speaker 1: want to know how old I am? Sure? I'm ninety two.

839
00:50:58,960 --> 00:51:02,600
Speaker 1: I am ninety two in three quarters. I can't believe

840
00:51:02,719 --> 00:51:06,040
Speaker 1: I possible. You don't. You do not look anywhere close

841
00:51:06,120 --> 00:51:09,759
Speaker 1: to ninety two. Well, listen, I come from from Minnesota,

842
00:51:10,120 --> 00:51:14,520
Speaker 1: and the Scotch Gyrish in me has got these rosy cheeks.

843
00:51:14,560 --> 00:51:19,440
Speaker 1: You know. Also, I'm I'm quite healthy and smart. You know,

844
00:51:19,480 --> 00:51:24,640
Speaker 1: I'm smart, smart as a whip. There you go. That helps,

845
00:51:24,960 --> 00:51:29,080
Speaker 1: you know, let's talk a little bit about happy days. Um,

846
00:51:29,480 --> 00:51:32,120
Speaker 1: we can't not talk about it. You know, you're Are

847
00:51:32,160 --> 00:51:35,279
Speaker 1: you recognized walking down the street when you go out

848
00:51:36,320 --> 00:51:40,920
Speaker 1: as as Marion Cunningham when you go out. It's so funny.

849
00:51:40,960 --> 00:51:43,160
Speaker 1: It's getting to be kind of so many years ago.

850
00:51:44,440 --> 00:51:48,200
Speaker 1: So I'm not really recognized, especially in Hollywood. There are

851
00:51:48,200 --> 00:51:51,959
Speaker 1: so many actors. There's actors in every neighborhood here, so

852
00:51:52,320 --> 00:51:56,200
Speaker 1: it is you can be an innocent bystander. But I

853
00:51:56,840 --> 00:52:04,080
Speaker 1: have enjoyed my career so much, and uh, I like

854
00:52:04,200 --> 00:52:06,759
Speaker 1: being a nice person. What what was nice about the

855
00:52:06,800 --> 00:52:11,279
Speaker 1: Gilmore Girls was I got to be crabby? Crabby? I wasn't.

856
00:52:11,320 --> 00:52:15,319
Speaker 1: I wasn't so nice And it's very lovely to not

857
00:52:15,480 --> 00:52:19,480
Speaker 1: be so nice all the time. Yes, it is. What

858
00:52:19,600 --> 00:52:24,200
Speaker 1: are your fondest memories of working on happy Days? We

859
00:52:24,280 --> 00:52:28,200
Speaker 1: have so many. We did two hundred and sixty eight shows,

860
00:52:28,520 --> 00:52:32,759
Speaker 1: you know. Yeah, and we had an audience out there live,

861
00:52:34,000 --> 00:52:38,000
Speaker 1: so that was so much fun. And you know what

862
00:52:38,080 --> 00:52:42,839
Speaker 1: we also they decided to put us into a softball team,

863
00:52:42,880 --> 00:52:46,359
Speaker 1: so okay, so now they took the Fonds, who never

864
00:52:46,400 --> 00:52:49,760
Speaker 1: played softball in his life, and they trained Henry Winkler

865
00:52:50,000 --> 00:52:53,640
Speaker 1: to pitch, so he became the pitcher. Ron Howard had

866
00:52:53,680 --> 00:52:56,720
Speaker 1: been playing ball all his life, so his first base.

867
00:52:57,080 --> 00:53:02,520
Speaker 1: So we played softball and then we they flew us

868
00:53:02,600 --> 00:53:08,560
Speaker 1: to Europe. We played softball in the army camps. Can

869
00:53:08,640 --> 00:53:11,320
Speaker 1: you believe that? It was a very important part of

870
00:53:11,719 --> 00:53:16,520
Speaker 1: our relationship. So gosh, Happy Days was similar to Gilmore

871
00:53:16,560 --> 00:53:20,000
Speaker 1: Girls and how the military would rally around it to

872
00:53:20,120 --> 00:53:22,960
Speaker 1: see comfort. Maybe. I don't know, yeah, because I get

873
00:53:23,000 --> 00:53:26,680
Speaker 1: a lot of that from current military veterans, you know,

874
00:53:26,800 --> 00:53:31,279
Speaker 1: Iraqi war veterans, Afghan War veterans, and they they said

875
00:53:31,280 --> 00:53:33,040
Speaker 1: they go out on patrol and they'd come back to

876
00:53:33,080 --> 00:53:36,759
Speaker 1: the barracks and watch Gilmore Girls. Oh my gosh, how

877
00:53:36,800 --> 00:53:43,120
Speaker 1: wonderful Happy Days? Wow? Um, So tell us about Ed Herman.

878
00:53:43,200 --> 00:53:46,120
Speaker 1: What was it like working with Ed? Because because these

879
00:53:46,200 --> 00:53:48,520
Speaker 1: these scenes you guys do together, you, Kelly and Ed

880
00:53:48,560 --> 00:53:51,239
Speaker 1: are just fantastic. What was it like working with that?

881
00:53:51,719 --> 00:53:55,719
Speaker 1: I really admire Ed Herman. He's a wonderful actor. I've

882
00:53:55,760 --> 00:53:59,440
Speaker 1: been watching him on television doing live shows out of

883
00:53:59,520 --> 00:54:03,040
Speaker 1: cb us. Uh. He's a wonderful and he's from the

884
00:54:03,080 --> 00:54:07,279
Speaker 1: East and he's so dignified he's and it was it

885
00:54:07,360 --> 00:54:09,759
Speaker 1: was a treat just to be with him. He was

886
00:54:09,840 --> 00:54:14,799
Speaker 1: quite a gentleman, treated me so well. It was it

887
00:54:14,960 --> 00:54:19,239
Speaker 1: was fun with ed Herman. He's got all the background.

888
00:54:19,840 --> 00:54:25,280
Speaker 1: Oh yeah, quite a resume. Um. So with so much

889
00:54:26,080 --> 00:54:29,200
Speaker 1: wisdom that you've gained over a long career. What advice

890
00:54:29,239 --> 00:54:32,239
Speaker 1: would you have for anyone, say, trying to make it

891
00:54:32,280 --> 00:54:34,520
Speaker 1: in the acting world. What would you what would you

892
00:54:34,560 --> 00:54:38,399
Speaker 1: advise them to do? I want them to take it

893
00:54:39,280 --> 00:54:42,719
Speaker 1: very seriously, because you want to earn a living out

894
00:54:42,719 --> 00:54:45,640
Speaker 1: of this, and you want to make a lot of friends,

895
00:54:46,040 --> 00:54:48,160
Speaker 1: and all the friends you make are going to give

896
00:54:48,200 --> 00:54:53,640
Speaker 1: you a chance in the next show. And so try

897
00:54:53,680 --> 00:54:58,600
Speaker 1: to get along with everybody. Don't be temperamental. You want

898
00:54:58,640 --> 00:55:03,280
Speaker 1: to be a serious actress. So it was a great

899
00:55:03,400 --> 00:55:09,440
Speaker 1: thrill to go to place I would I would read, uh,

900
00:55:10,120 --> 00:55:14,239
Speaker 1: all kinds of books about acting, very serious. Did you

901
00:55:14,440 --> 00:55:17,759
Speaker 1: were you as serious young actor? Oh? Sure, yeah, yeah,

902
00:55:17,800 --> 00:55:21,640
Speaker 1: I I read all the books. I read all the

903
00:55:21,640 --> 00:55:24,200
Speaker 1: Stanislavski I was at the actor's studio in New York.

904
00:55:24,280 --> 00:55:26,359
Speaker 1: I read all the Shakespeare I could get my hands on.

905
00:55:26,480 --> 00:55:29,120
Speaker 1: I studied, study studies, studied, I did off Broadway. I

906
00:55:29,120 --> 00:55:32,680
Speaker 1: never got on Broadway, but I was doing off off

907
00:55:32,680 --> 00:55:35,040
Speaker 1: and off Broadway, you know, Samuel Beckett theater, that kind

908
00:55:35,040 --> 00:55:38,160
Speaker 1: of stuff. So what makes you happy these days? What

909
00:55:37,960 --> 00:55:39,480
Speaker 1: do you What are you doing these days? You're working,

910
00:55:39,560 --> 00:55:42,080
Speaker 1: You're you're working on stuff. What are you doing? I'm

911
00:55:42,560 --> 00:55:45,440
Speaker 1: a naturally very happy person. I don't put a lot

912
00:55:45,440 --> 00:55:47,960
Speaker 1: of pressure on myself. I have a good time. I

913
00:55:48,040 --> 00:55:52,759
Speaker 1: called my house here Happy Days Farm, and it's a

914
00:55:53,640 --> 00:55:58,680
Speaker 1: good acre plus or maybe two acres maybe, yeah, I

915
00:55:58,680 --> 00:56:02,799
Speaker 1: think so. So it's pretty nice. I uh. And when

916
00:56:02,840 --> 00:56:07,400
Speaker 1: I think of my childhood in Minnesota, I slept in

917
00:56:07,440 --> 00:56:12,080
Speaker 1: the basement and it really is really abasement, really a basement.

918
00:56:12,719 --> 00:56:16,640
Speaker 1: I didn't have anything as a kid, but my mother

919
00:56:16,719 --> 00:56:19,799
Speaker 1: was a Canadian and she was filled with hopes and

920
00:56:19,920 --> 00:56:26,279
Speaker 1: dreams and just irish enough, you know. So uh. I

921
00:56:26,280 --> 00:56:29,360
Speaker 1: I always had a dream and I always lived a dream.

922
00:56:29,560 --> 00:56:33,759
Speaker 1: And by the time I was uh twenty one years old,

923
00:56:35,080 --> 00:56:41,440
Speaker 1: I was under contract to Paramount Studios Wow. And in

924
00:56:41,480 --> 00:56:45,480
Speaker 1: those days, they would hire a bunch of young people

925
00:56:45,960 --> 00:56:50,719
Speaker 1: that they hoped to train and make make stars out

926
00:56:50,719 --> 00:56:54,560
Speaker 1: of them. One of the young stars that I was

927
00:56:54,719 --> 00:57:00,960
Speaker 1: just in scenes with was Audrey hepburned. Oh my goodness,

928
00:57:01,920 --> 00:57:09,560
Speaker 1: I just wanted to go out and kill yourself. She

929
00:57:09,760 --> 00:57:16,320
Speaker 1: was all that. Huh perfect, she was perfect? Yeah, my goodness.

930
00:57:17,480 --> 00:57:21,200
Speaker 1: All right, Marion, Look, it was a pleasure catching up

931
00:57:21,240 --> 00:57:23,280
Speaker 1: with you, and we'd love to have you back on

932
00:57:23,400 --> 00:57:25,480
Speaker 1: if you can carve out another twenty minutes for us,

933
00:57:25,480 --> 00:57:28,120
Speaker 1: and if not through just in future. Well I look

934
00:57:28,240 --> 00:57:32,120
Speaker 1: forward to seeing you again. Okay, all the best you, Marian,

935
00:57:32,360 --> 00:57:37,000
Speaker 1: take care of Okay, all right, Well that was amazing.

936
00:57:37,320 --> 00:57:42,640
Speaker 1: Marion Ross was a great guest, filled with I mean

937
00:57:42,760 --> 00:57:45,560
Speaker 1: just the stories coming out of her, with the people

938
00:57:45,640 --> 00:57:48,080
Speaker 1: that she's worked with and what she's accomplished in the business.

939
00:57:48,120 --> 00:57:49,840
Speaker 1: And uh so let me. I'm gonna tell you a

940
00:57:49,880 --> 00:57:52,120
Speaker 1: little bit about her because I didn't get to at

941
00:57:52,160 --> 00:57:55,560
Speaker 1: the top of this. She hails from Albert Lee, Minnesota,

942
00:57:55,760 --> 00:57:59,640
Speaker 1: and after college at San Diego State University, she began

943
00:57:59,680 --> 00:58:03,080
Speaker 1: her career were under contract at Paramount Studios in the

944
00:58:03,120 --> 00:58:07,360
Speaker 1: fifties with Live TV at CBS and Life with Father.

945
00:58:08,520 --> 00:58:13,360
Speaker 1: She's she's proudest of performing with Noel Coward, which we

946
00:58:13,480 --> 00:58:18,520
Speaker 1: talked about in blythe Spirit Live at CBS. Sir no Claudett,

947
00:58:18,520 --> 00:58:23,280
Speaker 1: Colbert Wild big Names and Lauren Bacall. Hello. Uh. In

948
00:58:23,320 --> 00:58:26,280
Speaker 1: two thousand and one, she received a star on the

949
00:58:26,320 --> 00:58:28,439
Speaker 1: Hollywood Walk of Fame, and in two thousand and eight

950
00:58:29,480 --> 00:58:34,040
Speaker 1: was the renaming and dedication of the Marion Ross Performing

951
00:58:34,160 --> 00:58:38,120
Speaker 1: Arts Center in her hometown of Albert Lee. Marion is

952
00:58:38,160 --> 00:58:41,040
Speaker 1: associate artists at the Globe Theater in San Diego and

953
00:58:41,120 --> 00:58:42,720
Speaker 1: last appeared there in the summer of two thousand and

954
00:58:42,760 --> 00:58:46,600
Speaker 1: ten in the Last Romance with her Darling and late

955
00:58:47,160 --> 00:58:56,360
Speaker 1: Paul Michael. Yeah, all right, everybody, we're back, Scott Patterson,

956
00:58:56,400 --> 00:58:58,200
Speaker 1: I am all in podcast I Heart Radio, one of

957
00:58:58,240 --> 00:59:02,120
Speaker 1: leven Production. Riley pop Culture Time. I'm Riley and this

958
00:59:02,200 --> 00:59:05,240
Speaker 1: is your pop culture first we have. Emily makes such

959
00:59:05,240 --> 00:59:07,600
Speaker 1: a big deal about tricks and Laura Lie says, I

960
00:59:07,640 --> 00:59:09,720
Speaker 1: still can't get over the fact that I'm related to God.

961
00:59:09,960 --> 00:59:12,560
Speaker 1: It's going to make getting Madonna tickets so much easier.

962
00:59:13,120 --> 00:59:15,720
Speaker 1: So this is probably in reference to Madonna's Like a Prayer.

963
00:59:15,920 --> 00:59:19,000
Speaker 1: Madonna is arguably the most iconic pop star in history,

964
00:59:19,040 --> 00:59:22,160
Speaker 1: with hits like Vogue, Like a Virgin and Don't Cry

965
00:59:22,200 --> 00:59:26,000
Speaker 1: for Me Argentina, and she was fired from Duncan Donuts

966
00:59:26,000 --> 00:59:28,240
Speaker 1: after scoring Jelly on a customer on one of her

967
00:59:28,280 --> 00:59:32,000
Speaker 1: first jobs. She suffers from bronto phobia, the fear of

968
00:59:32,040 --> 00:59:35,160
Speaker 1: thunder and lightning, and Sting is the godfather of her son, Rocco.

969
00:59:36,160 --> 00:59:39,800
Speaker 1: Rory says, not all Roy says, not all girls want

970
00:59:39,800 --> 00:59:42,280
Speaker 1: to be queen. Even Barbie ended up being a stewardess.

971
00:59:42,880 --> 00:59:45,000
Speaker 1: So Rory explains to Paris, not all girls want to

972
00:59:45,040 --> 00:59:48,880
Speaker 1: be queen when they're talking about their democracy project? And

973
00:59:49,160 --> 00:59:52,920
Speaker 1: is Barbie considered a pop culture reference and the pop culture?

974
00:59:53,600 --> 00:59:55,920
Speaker 1: We have the points, but we want to really know

975
00:59:56,000 --> 00:59:59,680
Speaker 1: if Barbie is pop culture. Barbie is and isn't. It's

976
00:59:59,680 --> 01:00:01,760
Speaker 1: like it's almost like it's so obvious. Everyone knows that

977
01:00:01,840 --> 01:00:05,120
Speaker 1: Barbie is. Give us, give us a little Barbie fact.

978
01:00:05,200 --> 01:00:09,480
Speaker 1: But Barbie is the essence of pop culture. Barbie was

979
01:00:09,520 --> 01:00:12,440
Speaker 1: created by an engineer who actually worked at the Pentagon,

980
01:00:13,200 --> 01:00:15,960
Speaker 1: and the first Barbie sold for three dollars each and

981
01:00:16,040 --> 01:00:19,280
Speaker 1: today an original in mint condition could be likely fetched

982
01:00:19,280 --> 01:00:22,920
Speaker 1: nearly twenty five dollars at an auction. Why did you

983
01:00:23,160 --> 01:00:26,360
Speaker 1: say it was invented by somebody who worked at the

984
01:00:26,400 --> 01:00:30,680
Speaker 1: Pentagon a military crest yep. He used to work at

985
01:00:30,720 --> 01:00:35,080
Speaker 1: the Pentagon and then invented the Barbie, what a strange story.

986
01:00:35,520 --> 01:00:40,240
Speaker 1: It's it's definitely a different career path from the Pentagon. Well,

987
01:00:40,280 --> 01:00:42,480
Speaker 1: i just developed the I CBM and now I've got

988
01:00:42,520 --> 01:00:47,840
Speaker 1: some side interests. I'm going to it very statuous, plastic doll.

989
01:00:49,600 --> 01:00:55,120
Speaker 1: It's bringing joy in a different way. Next, we have Tricks,

990
01:00:55,120 --> 01:00:57,640
Speaker 1: refers to Emily and Lora life fighting at t to

991
01:00:57,720 --> 01:01:01,000
Speaker 1: a scandal evolving. Sarah Ferguson Dutch of your Tricks, says,

992
01:01:01,280 --> 01:01:04,360
Speaker 1: it's like watching for you all over again. Tricks was

993
01:01:04,400 --> 01:01:07,280
Speaker 1: referring to the former wife of Prince Andrew, Duke of York,

994
01:01:07,480 --> 01:01:09,960
Speaker 1: the third child of Queen Elizabeth the Second, and they

995
01:01:10,000 --> 01:01:14,120
Speaker 1: actually filed for divorce in n but in a twist,

996
01:01:14,280 --> 01:01:16,560
Speaker 1: the Duke and Duchess remained good friends, as they have

997
01:01:16,680 --> 01:01:20,320
Speaker 1: been for many years. They have two daughters together, Beatrice

998
01:01:20,480 --> 01:01:27,880
Speaker 1: and Beatrice and Eugenie. Isn't it Eugenia? I heard Eugenie. Yeah,

999
01:01:27,920 --> 01:01:29,560
Speaker 1: I mean I could do an accent if they make

1000
01:01:29,600 --> 01:01:32,920
Speaker 1: it a little kee British, make it British, come on

1001
01:01:33,480 --> 01:01:37,880
Speaker 1: his royalty. The two have together, Beatrice and Eugenia or

1002
01:01:37,920 --> 01:01:44,320
Speaker 1: Eugenie Good. Beatrice was married and Eugenia in two thousand eighteen.

1003
01:01:45,640 --> 01:01:52,480
Speaker 1: Good stuff, Riley, don't bring them my kurd, go work.

1004
01:01:52,960 --> 01:01:55,840
Speaker 1: Oh my god, Oh my god, do it again. Hit

1005
01:01:55,920 --> 01:01:58,680
Speaker 1: us again with it east and hit us again. Don't

1006
01:01:58,720 --> 01:02:05,000
Speaker 1: bring them my Curd. I met Fergie and I remember

1007
01:02:05,240 --> 01:02:06,800
Speaker 1: it was like a long time ago, so it was like,

1008
01:02:06,960 --> 01:02:11,160
Speaker 1: I don't know, probably years ago, and the big thing

1009
01:02:11,200 --> 01:02:15,919
Speaker 1: was you can't touch royalty, so we had to mike her.

1010
01:02:16,800 --> 01:02:18,880
Speaker 1: But I'm trying to remember how we did it because

1011
01:02:19,120 --> 01:02:21,200
Speaker 1: normally I just like mike you, I throw a mic

1012
01:02:21,280 --> 01:02:23,760
Speaker 1: on you and throw the pack in your pocket or

1013
01:02:23,840 --> 01:02:26,960
Speaker 1: you know, in your back. And we couldn't mike her,

1014
01:02:27,000 --> 01:02:29,360
Speaker 1: so I think somebody else had to do it because

1015
01:02:29,400 --> 01:02:32,920
Speaker 1: you can't touch the princess or I guess the duchess.

1016
01:02:33,200 --> 01:02:36,400
Speaker 1: You could touch her now? No she I think I

1017
01:02:36,840 --> 01:02:40,480
Speaker 1: don't still can't touch Not sure she's like booted out

1018
01:02:40,520 --> 01:02:43,880
Speaker 1: of the family, right, I don't. I think at the

1019
01:02:43,920 --> 01:02:45,840
Speaker 1: time she was the Duchess because it was like in

1020
01:02:45,840 --> 01:02:49,240
Speaker 1: the nineties, So maybe now you could touch her. Does

1021
01:02:49,320 --> 01:02:56,840
Speaker 1: she retained the title picture there? We're gonna have to

1022
01:02:56,880 --> 01:02:59,080
Speaker 1: do a deep dive on that. We got to find

1023
01:02:59,120 --> 01:03:03,080
Speaker 1: out if we can touch in the nineties. I could

1024
01:03:03,080 --> 01:03:07,960
Speaker 1: not touch her, not in the nineties. Okay, keep going Riley,

1025
01:03:07,960 --> 01:03:09,720
Speaker 1: all right. That answers a lot of questions for me.

1026
01:03:10,360 --> 01:03:13,200
Speaker 1: Rory says Louis. I think this is the beginning of

1027
01:03:13,240 --> 01:03:16,960
Speaker 1: a beautiful friendship. And this is a quote from Casablanca

1028
01:03:18,200 --> 01:03:23,280
Speaker 1: um starring Humphrey Bogart and Ingrid Bersion Bergman Bergman. I

1029
01:03:23,360 --> 01:03:29,560
Speaker 1: had it on that. You should see my notes. It

1030
01:03:29,600 --> 01:03:34,240
Speaker 1: literally says like Iceberg and I still said it, starring

1031
01:03:34,320 --> 01:03:42,880
Speaker 1: Humphrey Bogart and Ingrid Bergham. Starring Humphrey Bogart and Ingrid Bergman. Yes,

1032
01:03:45,200 --> 01:03:50,440
Speaker 1: Sam's piano in the Movies sold from Sam's Piano in

1033
01:03:50,440 --> 01:03:53,160
Speaker 1: the movie sold for more than six hundred thousand dollars

1034
01:03:53,160 --> 01:03:56,959
Speaker 1: at a New York auction in December. Who loves black

1035
01:03:57,000 --> 01:04:00,640
Speaker 1: and white movies? Here? Oh yeah, absolutely great. It only

1036
01:04:00,680 --> 01:04:06,920
Speaker 1: sold for six Louise says, we'll turn you from a

1037
01:04:06,960 --> 01:04:09,880
Speaker 1: sweet Sandy to a slutty sand dancing at the school

1038
01:04:10,000 --> 01:04:13,720
Speaker 1: fair with high heels, black spandex and perm tir. This

1039
01:04:13,800 --> 01:04:17,440
Speaker 1: is a reference to Sandy played by Olivia Newton John

1040
01:04:17,560 --> 01:04:20,720
Speaker 1: in the in the musical Greece, I love anything Greece,

1041
01:04:20,760 --> 01:04:23,080
Speaker 1: I love those I love that outfit. At the end

1042
01:04:23,120 --> 01:04:28,480
Speaker 1: of tight black leggings that outfit Olivia Newton. John was

1043
01:04:28,560 --> 01:04:31,479
Speaker 1: sewed into her spandex pants because they were so tight.

1044
01:04:31,480 --> 01:04:36,480
Speaker 1: How did she go to the bathroom? She couldn't. You're

1045
01:04:36,480 --> 01:04:38,000
Speaker 1: the one that I want. That's when they sing You're

1046
01:04:38,040 --> 01:04:40,480
Speaker 1: the one that I want. She's singing it to a toilet.

1047
01:04:42,080 --> 01:04:43,840
Speaker 1: She just never went to the bathroom. I want you

1048
01:04:43,880 --> 01:04:46,800
Speaker 1: so bad? Do not remember the end of Greece when

1049
01:04:46,840 --> 01:04:50,240
Speaker 1: she comes out and she looks all hot and the

1050
01:04:50,280 --> 01:04:52,720
Speaker 1: guys are like what, And she goes tell me about it,

1051
01:04:53,200 --> 01:04:55,680
Speaker 1: stead and then she steps on her cigarette and then

1052
01:04:55,760 --> 01:04:59,880
Speaker 1: John Travolta is like, like, it's the best scene ever.

1053
01:05:00,000 --> 01:05:02,240
Speaker 1: One knows. Everyone knows. Everyone knows what I'm talking about.

1054
01:05:02,960 --> 01:05:05,880
Speaker 1: And John Travelton and Livia and John are still friends today,

1055
01:05:06,880 --> 01:05:11,800
Speaker 1: of course they are. Laura La says, I have to

1056
01:05:11,880 --> 01:05:13,520
Speaker 1: change and go to tea with Grant and the cast

1057
01:05:13,560 --> 01:05:16,320
Speaker 1: of Gaslight. This when she's talking to Rory when she's

1058
01:05:16,360 --> 01:05:21,400
Speaker 1: getting ready for tea. Gaslight American psychological thriller about a

1059
01:05:21,480 --> 01:05:23,880
Speaker 1: husband trying to drive his wife insane in order to

1060
01:05:23,880 --> 01:05:27,160
Speaker 1: distract her from criminal activities. Yeah, you know what's so

1061
01:05:27,200 --> 01:05:29,800
Speaker 1: funny about Gaslighting? It was so like a thing that

1062
01:05:29,840 --> 01:05:34,640
Speaker 1: no one ever used that word, and now it's like everywhere,

1063
01:05:34,720 --> 01:05:39,840
Speaker 1: and the Bachelor recently the Bachelorette was a big gaslighting thing,

1064
01:05:40,040 --> 01:05:42,640
Speaker 1: and then like it's such a it's such a hot

1065
01:05:42,680 --> 01:05:46,120
Speaker 1: word right now, don't gaslight me. But it's so perfect

1066
01:05:46,120 --> 01:05:48,760
Speaker 1: because you think about how Tricks gaslights Emily and all

1067
01:05:48,800 --> 01:05:51,200
Speaker 1: that she does, all the gas lighting that's going on

1068
01:05:51,280 --> 01:05:53,960
Speaker 1: Gilmore girls. I don't know if I call it gaslighting.

1069
01:05:54,240 --> 01:05:56,439
Speaker 1: I don't know if I call it gaslighting either. She's

1070
01:05:56,440 --> 01:05:59,320
Speaker 1: just her way she does. She's don't put that much

1071
01:05:59,320 --> 01:06:04,360
Speaker 1: thought into it. She just be exactly. Yeah, she's just crabby,

1072
01:06:04,680 --> 01:06:07,400
Speaker 1: just in the words of Mary and Ross crabby. She's

1073
01:06:07,440 --> 01:06:13,280
Speaker 1: just ornery. Is good to Louise says. Those who simply

1074
01:06:13,320 --> 01:06:15,400
Speaker 1: wait for information to find them spend a lot of

1075
01:06:15,440 --> 01:06:17,880
Speaker 1: time sitting by the phone. Those who go out and

1076
01:06:17,880 --> 01:06:20,120
Speaker 1: find it themselves have something to say when it rings.

1077
01:06:20,960 --> 01:06:23,280
Speaker 1: Louise says this quote when Paris is out talking to Tristan,

1078
01:06:23,360 --> 01:06:25,560
Speaker 1: and Louise and Rory are debating whether they should go

1079
01:06:25,600 --> 01:06:30,920
Speaker 1: out there too. Rory says Nisha, and Louise says Dawson.

1080
01:06:32,240 --> 01:06:35,800
Speaker 1: Rora is referring to a German philosopher whose work has

1081
01:06:35,840 --> 01:06:39,640
Speaker 1: been profoundly influential in Western philosophy. While Louise is referring

1082
01:06:39,680 --> 01:06:43,560
Speaker 1: to Dawson Leary James Vanderbeek, the central character on the

1083
01:06:43,600 --> 01:06:47,440
Speaker 1: team drama series Dawson's Creek, practically the same people. They're practiced,

1084
01:06:47,480 --> 01:06:50,760
Speaker 1: They're so similar. Did you say Nietsche, how did you say?

1085
01:06:50,920 --> 01:06:55,800
Speaker 1: She definitely said it wrong, by the way, Nietzsche, Nietzsche, Nietzsche.

1086
01:06:56,080 --> 01:07:03,120
Speaker 1: Did you say Nietzsche, No, Nietzsche, Yeah, no, Riley, Right,

1087
01:07:03,520 --> 01:07:14,560
Speaker 1: they're right, just they're all right. Nietzsche, Nie Nietzsche. This

1088
01:07:14,640 --> 01:07:17,760
Speaker 1: is how you become a superstar. This is this is

1089
01:07:17,800 --> 01:07:22,360
Speaker 1: like the trial by fire, This is it the gauntlet

1090
01:07:22,640 --> 01:07:25,600
Speaker 1: coming Riley. There's gonna be a Netflix is going to

1091
01:07:25,600 --> 01:07:27,480
Speaker 1: do a documentary of the abuse she took on the

1092
01:07:27,480 --> 01:07:29,800
Speaker 1: show called Becoming. You don't want to say to Riley,

1093
01:07:29,920 --> 01:07:36,040
Speaker 1: you have one job, one job to get these things right.

1094
01:07:36,120 --> 01:07:39,760
Speaker 1: And every time where she ever gonna how is she

1095
01:07:39,840 --> 01:07:44,480
Speaker 1: going to research how to say Nietzsche? YouTube? You can

1096
01:07:44,520 --> 01:07:47,000
Speaker 1: go on YouTube type that in and then you listen

1097
01:07:47,040 --> 01:07:48,760
Speaker 1: to someone say, right, she didn't, but she didn't get

1098
01:07:48,880 --> 01:07:51,880
Speaker 1: ingrid Bergmann right, Ryley, let me ask you something when

1099
01:07:51,880 --> 01:07:53,280
Speaker 1: you were going when you were going to school, did

1100
01:07:53,320 --> 01:07:57,360
Speaker 1: you did they signed Nietzsche? Absolutely not. Did they assigned

1101
01:07:57,440 --> 01:08:01,920
Speaker 1: kar Guard? Did they sign an these people? Okay, well

1102
01:08:01,920 --> 01:08:05,240
Speaker 1: that's why because you never heard a teacher saying exactly,

1103
01:08:05,400 --> 01:08:09,400
Speaker 1: it's not her fault. I know, I enjoy it that

1104
01:08:09,440 --> 01:08:12,200
Speaker 1: she can't get this right. We're dealing with a budding

1105
01:08:12,240 --> 01:08:17,000
Speaker 1: superstar here. We're molding a person with great potential here,

1106
01:08:17,200 --> 01:08:19,519
Speaker 1: and she's so busy working on her accents that she

1107
01:08:19,880 --> 01:08:24,200
Speaker 1: But it's fine. Rather, my Netflix documentary is going to

1108
01:08:24,280 --> 01:08:28,360
Speaker 1: be don't bang on my can just before it. No, no, no,

1109
01:08:28,800 --> 01:08:36,040
Speaker 1: you gotta do the don't bring on my current ahead.

1110
01:08:36,200 --> 01:08:40,080
Speaker 1: That's it. Don't bang them my kid. Our last pop

1111
01:08:40,120 --> 01:08:44,439
Speaker 1: culture for reference for this episode, lorel I says, Lucy,

1112
01:08:44,520 --> 01:08:46,479
Speaker 1: how many times have I told you not to butt

1113
01:08:46,520 --> 01:08:50,000
Speaker 1: in on people's business? In a Ricky Ricardo voice? Or

1114
01:08:50,840 --> 01:08:53,200
Speaker 1: we'll see how many times have I told you not

1115
01:08:53,320 --> 01:08:57,200
Speaker 1: the button on people's business? I mean, oh my god,

1116
01:08:57,360 --> 01:09:00,639
Speaker 1: I mean that's kind of like sort of way there.

1117
01:09:00,680 --> 01:09:03,599
Speaker 1: I mean, I she kind of got the essence of

1118
01:09:03,640 --> 01:09:08,280
Speaker 1: the accent. It is not Ricky Ricardo, but I kind

1119
01:09:08,280 --> 01:09:12,719
Speaker 1: of got that. I got it from her, pretty well done.

1120
01:09:12,760 --> 01:09:15,160
Speaker 1: Maybe keep working on it. Next week bring it back.

1121
01:09:15,240 --> 01:09:17,280
Speaker 1: Let's let's bring it back in the next episode. Week

1122
01:09:17,600 --> 01:09:19,720
Speaker 1: was not Ricky Ricardo. You know who I love more

1123
01:09:19,720 --> 01:09:22,360
Speaker 1: than Desi Ernez was Desi Ernz Junior. He was so

1124
01:09:22,560 --> 01:09:25,800
Speaker 1: hot on The Brady Bunch anyway, Desi Ernz Junior on

1125
01:09:25,880 --> 01:09:30,120
Speaker 1: The Brady Bunch. Yes, yes, take some time and rewatch

1126
01:09:30,240 --> 01:09:32,960
Speaker 1: that episode. Oh no, I have so much free time. Yes,

1127
01:09:33,200 --> 01:09:36,439
Speaker 1: I'll be doing that tonight. Actually, I'm canceling all my plans,

1128
01:09:37,200 --> 01:09:39,960
Speaker 1: no football game, no name Tampa Bay. Even going to

1129
01:09:40,040 --> 01:09:42,519
Speaker 1: give you a hard time because I still have like whatever.

1130
01:09:42,560 --> 01:09:47,519
Speaker 1: My son can read his own books. I redid Saw

1131
01:09:47,600 --> 01:09:49,200
Speaker 1: one and I was going in order, and I haven't

1132
01:09:49,240 --> 01:09:51,120
Speaker 1: gotten to Saw two yet, So I think you're down.

1133
01:09:51,160 --> 01:09:57,479
Speaker 1: What are you saw for? I'll get to it. I'll

1134
01:09:57,479 --> 01:09:59,200
Speaker 1: get to it. I'll get to it, all right. I

1135
01:09:59,240 --> 01:10:02,000
Speaker 1: love I love the sum of it. In your time? Wisely,

1136
01:10:02,640 --> 01:10:04,040
Speaker 1: is it time for me to give my line? Let

1137
01:10:04,040 --> 01:10:08,000
Speaker 1: me give my favorite. So this episode had a thousand

1138
01:10:08,160 --> 01:10:11,519
Speaker 1: brilliant lines, but this was my favorite. Glauralize at the

1139
01:10:11,720 --> 01:10:14,559
Speaker 1: end and she answers the phone and her mom says,

1140
01:10:14,880 --> 01:10:17,960
Speaker 1: I need the hat rack and she says the fish

1141
01:10:18,000 --> 01:10:23,880
Speaker 1: flies at night she covered And the whole bit about

1142
01:10:23,920 --> 01:10:26,760
Speaker 1: the second hand present was also genius, the whole thing,

1143
01:10:26,840 --> 01:10:30,800
Speaker 1: that whole scene. I love, Riley, what was your favorite line?

1144
01:10:31,760 --> 01:10:34,240
Speaker 1: I love when Paris is getting ready and Rory finds

1145
01:10:34,240 --> 01:10:37,479
Speaker 1: her note cards and she says, yeah, just some reference points, really,

1146
01:10:37,560 --> 01:10:39,720
Speaker 1: you know, subjects to bring up in case of conversation.

1147
01:10:39,800 --> 01:10:47,200
Speaker 1: Lags umus, what my my. There was too many to pick,

1148
01:10:47,280 --> 01:10:49,000
Speaker 1: so I'm just gonna pick one because it was the

1149
01:10:49,080 --> 01:10:53,320
Speaker 1: most kurt. And if brevity is the soul of wit,

1150
01:10:53,560 --> 01:10:59,400
Speaker 1: then Emily saying when when when Trick said, oh, Richard

1151
01:10:59,479 --> 01:11:01,760
Speaker 1: side of the family never gets sick, do they? But

1152
01:11:01,840 --> 01:11:04,760
Speaker 1: Emily She's constantly sick. And then Laura le goes, mom,

1153
01:11:04,840 --> 01:11:12,519
Speaker 1: you're six, she goes headache. That episode was just some

1154
01:11:12,560 --> 01:11:18,800
Speaker 1: of the best lines ever. Run. I agree. There we

1155
01:11:18,840 --> 01:11:28,000
Speaker 1: go see Nisha. Al Right, everybody, we're gonna wrap it up.

1156
01:11:28,280 --> 01:11:33,360
Speaker 1: Thank you, Riley for another invigorating session of pop culture.

1157
01:11:33,960 --> 01:11:37,720
Speaker 1: They are getting better and deeper and funnier. And I

1158
01:11:37,760 --> 01:11:40,880
Speaker 1: think what we have here is a budding superstar, and Riley,

1159
01:11:41,200 --> 01:11:44,280
Speaker 1: we're bringing her along slowly because we know the potential

1160
01:11:44,439 --> 01:11:46,880
Speaker 1: here and we don't want to rush her, but man,

1161
01:11:48,040 --> 01:11:50,320
Speaker 1: she's gonna end up taking over the show. I gotta

1162
01:11:50,360 --> 01:11:52,920
Speaker 1: tell you some of these some of these impressions and

1163
01:11:52,960 --> 01:11:55,760
Speaker 1: accents you're doing now, we need to work on the

1164
01:11:55,800 --> 01:12:01,320
Speaker 1: pronunciation of philosophers names a little bit, maybe, but that's

1165
01:12:01,400 --> 01:12:03,280
Speaker 1: you know, it's a small price to pay for what

1166
01:12:03,280 --> 01:12:07,000
Speaker 1: we're getting in return. Let me tell you, um anyway,

1167
01:12:07,040 --> 01:12:12,560
Speaker 1: excellent job to Riley, to Amy, to Danielle Romo. You

1168
01:12:12,600 --> 01:12:16,280
Speaker 1: were in this uh episode, Scott because we didn't talk

1169
01:12:16,280 --> 01:12:19,960
Speaker 1: about the fact that you talking about what you're not

1170
01:12:20,120 --> 01:12:24,160
Speaker 1: in it. It was best performance ever game through the

1171
01:12:24,200 --> 01:12:27,439
Speaker 1: whole and fifty four episodes, the one I wasn't in

1172
01:12:28,000 --> 01:12:32,800
Speaker 1: because people kept wondering when is he going to show up?

1173
01:12:32,840 --> 01:12:38,320
Speaker 1: And that's the power of Luke. But it wasn't Marion

1174
01:12:38,640 --> 01:12:45,280
Speaker 1: Ross amazing. Wasn't she amazing? What a regal, regal talented person? Right?

1175
01:12:45,320 --> 01:12:50,639
Speaker 1: And no she's not. She's nothing like that character, thank god, nothing.

1176
01:12:51,080 --> 01:12:53,280
Speaker 1: But what what a what an instrument to be able

1177
01:12:53,320 --> 01:12:55,160
Speaker 1: to play that kind of music, you know, because she

1178
01:12:55,200 --> 01:12:58,040
Speaker 1: can play any song you throw at her, and that

1179
01:12:58,120 --> 01:13:02,880
Speaker 1: Trixie song boy, that's allowed song that you just want

1180
01:13:02,920 --> 01:13:08,400
Speaker 1: to turn off. While enjoying listening to it. Anyway, that's

1181
01:13:08,400 --> 01:13:11,040
Speaker 1: gonna do it? Uh, next week, what are we doing?

1182
01:13:11,080 --> 01:13:13,840
Speaker 1: What are we doing next week? Emily and Wonderland. We're

1183
01:13:13,840 --> 01:13:16,360
Speaker 1: gonna do Emily in Wonderland. And We've got a very

1184
01:13:16,720 --> 01:13:19,360
Speaker 1: very very very special guest. I'm very excited to have

1185
01:13:19,400 --> 01:13:23,000
Speaker 1: this guest. When when when Amy told me about this guest,

1186
01:13:23,080 --> 01:13:25,800
Speaker 1: I my wife even went crazy. She was like, oh my,

1187
01:13:25,920 --> 01:13:28,720
Speaker 1: oh no, oh yeah. She was like, oh, can I

1188
01:13:28,760 --> 01:13:31,880
Speaker 1: be on the episode? I want to tell your wife

1189
01:13:31,920 --> 01:13:34,519
Speaker 1: she certainly can. Anybody you know you don't want to

1190
01:13:34,520 --> 01:13:36,400
Speaker 1: do that. Keep it as a surprise. People find out.

1191
01:13:36,439 --> 01:13:38,960
Speaker 1: She'll take over. She'll she'll she's the most interesting person

1192
01:13:39,000 --> 01:13:41,120
Speaker 1: in the world, and she'll make me look like, oh

1193
01:13:41,200 --> 01:13:44,680
Speaker 1: my god, we need it. I love that. We'll do

1194
01:13:44,720 --> 01:13:46,120
Speaker 1: that at some point, I don't know. We gotta keep

1195
01:13:46,200 --> 01:13:51,080
Speaker 1: seeing streams separate, you know, start crossing steams here. I

1196
01:13:51,080 --> 01:13:53,200
Speaker 1: want to get into her fashion group and take over.

1197
01:13:53,240 --> 01:13:58,639
Speaker 1: Can you imagine? Anyway? Guys, Uh, good talking, a lot

1198
01:13:58,640 --> 01:14:01,040
Speaker 1: of fun. We'll see you net this week. Everybody. Thanks

1199
01:14:01,040 --> 01:14:03,560
Speaker 1: for download And I'm Scott Patterson and this is the

1200
01:14:04,560 --> 01:14:06,640
Speaker 1: I Am All In Podcast from my Heart Radio and

1201
01:14:06,680 --> 01:14:11,360
Speaker 1: One Letter and that's it, folks, will see you next week.

1202
01:14:11,439 --> 01:14:13,680
Speaker 1: I am Scott Patterson and this is the I Am

1203
01:14:13,720 --> 01:14:17,000
Speaker 1: All In Podcast from I Heart Radio and one eleven Productions.

1204
01:14:17,080 --> 01:14:50,599
Speaker 1: We will see you next week. Have a safe one, hey, everybody,

1205
01:14:50,600 --> 01:14:53,920
Speaker 1: and don't forget follow us on Instagram at I Am

1206
01:14:54,000 --> 01:14:58,000
Speaker 1: All In Podcast and email us at Gilmore at I

1207
01:14:58,200 --> 01:15:01,400
Speaker 1: heart radio dot com. Oh you get more fans. If

1208
01:15:01,400 --> 01:15:03,400
Speaker 1: you're looking for the best cup of coffee in the world,

1209
01:15:03,439 --> 01:15:07,360
Speaker 1: go to my website for my company, scott EP dot com,

1210
01:15:07,520 --> 01:15:09,679
Speaker 1: s C O T T y P dot com, scott

1211
01:15:09,640 --> 01:15:22,639
Speaker 1: ep dot com Grade one Specialty Coffee. Yeah.