WEBVTT - Classic Glee ("Frenemies" S5 EP 9)

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<v Speaker 1>And That's what you really missed with Jenna.

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<v Speaker 2>And Kevin An iHeartRadio podcast.

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<v Speaker 1>Welcome to You, and That's what you Really miss podcast,

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<v Speaker 1>Season five, Episode nine, It's frenemies. Happy New Year, everybody,

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<v Speaker 1>twenty twenty five.

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<v Speaker 2>We made it barely.

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<v Speaker 1>Oh boy, I mean we're still we're still ringing on.

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<v Speaker 1>We're still ringing on.

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<v Speaker 2>Who knows what a weird transitional time.

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<v Speaker 1>Truly, I don't know what's to come, but you know

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<v Speaker 1>we're going to be positive because this episode is great.

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<v Speaker 2>Yes, what a way to ring in the new year,

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<v Speaker 2>to be honest for us. Oh my gosh, loved this episode.

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<v Speaker 2>I cannot get over it. The front of Me's air

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<v Speaker 2>date was February twenty fifth, twenty fourteen.

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<v Speaker 1>Wow, yeah, wow, crazy, Okay, a bit of a break.

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<v Speaker 2>Yeah, there was break here, and I think the break

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<v Speaker 2>was needed.

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<v Speaker 1>Mm hmmm right.

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<v Speaker 2>It feels like everyone benefited from a break except my hairline.

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<v Speaker 2>My hairline is deeply receding in this.

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<v Speaker 1>It's just all the stress. It's all the stress you

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<v Speaker 1>went through last year.

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<v Speaker 2>It was we came back and like where did she go?

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<v Speaker 2>She is jumping back, but the stress, it feels this

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<v Speaker 2>feels like an older Glee episode.

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<v Speaker 1>Yes, we're a classic Glee episode, music, storyline, tone. It

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<v Speaker 1>was so refreshing to watch and so enjoyable, and obviously

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<v Speaker 1>we had such a good time shooting this as well.

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<v Speaker 1>We have lots of memories from this, so let's talk

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<v Speaker 1>about it. But in the news. Number one song is

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<v Speaker 1>new It's dark Horse by Katie Perry featuring Juicy J.

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<v Speaker 1>I'm not gonna lie. This is my least favorite carre

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<v Speaker 1>Katie Perry's on it.

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<v Speaker 2>Ever Yeah, ever, Yeah, I kind of hate this song.

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<v Speaker 2>I don't get it and I think it went diamond like.

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<v Speaker 2>I think it might be her biggest song, right.

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<v Speaker 1>I think we talked about this. Yeah, it's wow, absolutely insane. Wow.

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<v Speaker 2>Number one movie is the Lego Movie. Did you see that?

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<v Speaker 1>I want see it.

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<v Speaker 2>I didn't see it either, but I've heard nothing but

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<v Speaker 2>a great thing.

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<v Speaker 1>Great. I love that For them and Glen News this week,

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<v Speaker 1>on February twenty second, members of the cast performed at

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<v Speaker 1>the Young Storytellers Foundation's Biggest Show. This was a foundation

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<v Speaker 1>that Brad supported, and Brad would ask us to get

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<v Speaker 1>involved with sometimes, so different groupings of us were involved

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<v Speaker 1>in different years. This was held at the Willows Community

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<v Speaker 1>School in Culver City, attended by Darren, Diana, Harry Dot,

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<v Speaker 1>Ashley Becka, and Kurt Mega.

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<v Speaker 2>And on February twenty fourth, the cast and crew celebrated

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<v Speaker 2>the final day of filming the Landmark one hundredth episode,

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<v Speaker 2>which is episode twelve, so it's coming.

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<v Speaker 1>Up in a few I remember this day. We all

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<v Speaker 1>did this like these collages of over the seasons and episodes,

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<v Speaker 1>and they had this big cake and they had many

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<v Speaker 1>slashies and it was just like a big to do,

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<v Speaker 1>big to do.

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<v Speaker 2>And Dana was there look at that. It was really

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<v Speaker 2>that was like a very monumental day. But like you

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<v Speaker 2>mentioned before, when you have these celebrations, you can only participate.

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<v Speaker 2>You only get so much time to like enjoy the

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<v Speaker 2>revel rates.

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<v Speaker 1>That was about three minutes. See may it looked like

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<v Speaker 1>we partied all day, but it was literally probably.

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<v Speaker 2>They like put the Russis to take the photo, shakee

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<v Speaker 2>back down of some of the higher ups and then

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<v Speaker 2>get back to work.

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<v Speaker 1>This was directed by Brad Beaker, of course, so I

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<v Speaker 1>didn't see who I had directed it, but we watched

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<v Speaker 1>the whole episode. I couldn't remember, and then I looked

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<v Speaker 1>after him was like, of course it was bad. Beaker,

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<v Speaker 1>bring back are our guy? Bring back the.

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<v Speaker 2>I mean, he's just you can feel like the steady

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<v Speaker 2>hands of Brad Baker, can't you like it? Like this

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<v Speaker 2>is sh with confidence, you know exactly what the show is,

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<v Speaker 2>and also still trying to like there were new things

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<v Speaker 2>he was trying. There were a lot of like looking

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<v Speaker 2>into the camera or looking right by the camera povs

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<v Speaker 2>things in this episode that don't tell on that.

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<v Speaker 1>Yeah, it was great, it was really really great. I'm

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<v Speaker 1>here for all of it.

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<v Speaker 2>One of the co stars in this episode was the

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<v Speaker 2>salesperson Nick Nordela, who I have known since like my

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<v Speaker 2>sin I was like fifteen or something. Really the same

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<v Speaker 2>manager I think back in the day. Yeah, up in

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<v Speaker 2>Santa Clarita, and like he popped from the episode.

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<v Speaker 3>I'm like, Nick, like what did you know that at

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<v Speaker 3>the time? No, Oh, that's funny. We weren't super close,

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<v Speaker 3>like we hadn't talked to years. And then he's like

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<v Speaker 3>on the show, very.

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<v Speaker 1>Funny, so funny, very very random. Uh. There's a lot

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<v Speaker 1>of songs in this episode, a lot of really songs,

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<v Speaker 1>really really good one, two, three, four, five, six, Okay,

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<v Speaker 1>so it's seven. It's not your your classic five excellence.

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<v Speaker 1>But this is quite good.

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<v Speaker 2>So well, that's really good. I will say this. This

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<v Speaker 2>is evenly paced and line up.

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<v Speaker 1>Yeah, Whenever I Call You Friend with Kenny Loggins and

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<v Speaker 1>Stevie Nigs performed by Artie and Tina.

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<v Speaker 2>Brave performed by Rachel and Santana.

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<v Speaker 1>Love It My Lovin Never Gonna Get It performer already Tinah.

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<v Speaker 2>Don't Ran on My Parade, the Santana version.

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<v Speaker 1>Oh my Gosh, I Believe in a Thing called Love

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<v Speaker 1>perform by Elliott and Kurt and Every Breath You Take

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<v Speaker 1>performed by Rachel and Santana also Love that one, and

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<v Speaker 1>break Away performer ay Tena already playing in the new direction.

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<v Speaker 1>Wow wow, wow, wow wow, truly what a what a lineup?

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<v Speaker 1>We're saying three songs in this episode?

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<v Speaker 2>Kevin, Yeah, that doesn't happen. I pulled it.

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<v Speaker 1>Darren, I don't. What's ever happened to me in the

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<v Speaker 1>entirety of this.

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<v Speaker 2>No, You and I were like, you know what we

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<v Speaker 2>can do it?

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<v Speaker 1>Darren?

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<v Speaker 2>Does we give us three songs?

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<v Speaker 1>Also funny that Darren's like, I feel like I just

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<v Speaker 1>are in this episode. Blaine's like, I feel like things

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<v Speaker 1>are just handed me to me and we're like, well

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<v Speaker 1>it was.

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<v Speaker 2>I will say the undercurrent of some truth in reality

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<v Speaker 2>in this episode through multiple storylines is too good.

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<v Speaker 1>Is very much there? So there's a lot of it, okay.

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<v Speaker 1>So this episode aired after the fall hiatus. Starting with

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<v Speaker 1>this episode, and Glee episodes moved back to Tuesdays at

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<v Speaker 1>eight pm. What does that mean? Because I know the

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<v Speaker 1>time slows meant things to you, Kevin that I didn't

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<v Speaker 1>really fully understand.

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<v Speaker 2>So when we first started, if I remember correctly, we

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<v Speaker 2>started on Tuesdays at nine pm after American Idol, and

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<v Speaker 2>then in season two we became the lead in show,

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<v Speaker 2>We became the big show, so we moved up to

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<v Speaker 2>eight pm. That's when Chord came on. Remember we couldn't

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<v Speaker 2>say certain words now because we were an hour earlier.

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<v Speaker 2>And then I believe we moved to Thursdays or some point, yes,

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<v Speaker 2>and it didn't hit the same And so I think

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<v Speaker 2>this is them trying to be like, the ratings are slipping,

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<v Speaker 2>how do we get it back? Let's go back to Tuesday.

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<v Speaker 1>Got it? Got it?

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<v Speaker 2>The episode contains the show's six hundred musical number, which

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<v Speaker 2>is Whenever I call you friends.

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<v Speaker 1>Hooray. I'm proud of that, me too. This is the

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<v Speaker 1>eighth time two duets are sung by the same people

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<v Speaker 1>in the same episode. The others are thrown down home

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<v Speaker 1>duets rumors. The first time Big Brother and Love Love Love.

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<v Speaker 1>It was really nice to share that with you, Jenna,

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<v Speaker 1>I know truly.

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<v Speaker 2>This is the fourth time Rachel has sung two duets

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<v Speaker 2>with the same person and the same episode. She's used

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<v Speaker 2>to this.

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<v Speaker 1>Yeah, and she's like, I got this. I've sang five

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<v Speaker 1>songs in an episode. Yeah. This is the third time

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<v Speaker 1>Already has sung two duets but the same erson.

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<v Speaker 2>The same episode.

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<v Speaker 1>Wait, was it Puck you and Puk?

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<v Speaker 2>I don't know, A, I don't know. Very strange, Okay.

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<v Speaker 2>This is the second time two different pairs sing two

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<v Speaker 2>duets in one episode, the first being Big Brother.

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<v Speaker 1>That's funny. Tina Parker Baker of Glee's hairstyling department, the

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<v Speaker 1>Head makes a cameo appearance as herself and sodas.

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<v Speaker 2>Kelly Mitchell of the makeup department, looking at beautiful like

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<v Speaker 2>right in the middle of the frame. I was like,

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<v Speaker 2>Kelly is so gorgeous.

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<v Speaker 1>I know, she's stunning. That like perfect complexion, the red

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<v Speaker 1>hair like Whoever, this is sad news. This is the

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<v Speaker 1>last appearance of Figgins in the fifth season. No devastating.

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<v Speaker 1>What we need Morphiggins, I do, I know, but like

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<v Speaker 1>in general, we've needed more Faggins. Agreed. When Rachel and

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<v Speaker 1>Santana are fighting, Rachel mentions the number they did in

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<v Speaker 1>the choir room after graduation, referring to so emotional, when

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<v Speaker 1>in fact it was before graduation. This mistake was fixed

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<v Speaker 1>in the Latin America dub of the show, where Rachel

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<v Speaker 1>doesn't mention cratuation.

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<v Speaker 2>At least somebody was on it. In Extraordinary Merry Christmas,

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<v Speaker 2>Tina says that Artie's rewalk broke the next day. However,

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<v Speaker 2>during the valedictorian speech, Artie says it broke an hour later.

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<v Speaker 2>You know, close enough. I think that's basically the same

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<v Speaker 2>thing in.

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<v Speaker 1>Glee World, agreed, and Sue mentions the both Tina and

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<v Speaker 1>already have perfect attendance. However, Tina was absent in season

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<v Speaker 1>three's The Spanish Teacher, something that was even mentioned in

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<v Speaker 1>On My Way. Well maybe we're talking about a different

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<v Speaker 1>year of perfect attendance.

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<v Speaker 2>Oh so you're saying lady should have had it, should

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<v Speaker 2>have been given valedictorian because he didn't miss a day.

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<v Speaker 1>No, I'm not saying that that's what I heard. Okay, great,

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<v Speaker 1>well I'm here where you want to Okay, give me

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<v Speaker 1>the the the some sum.

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<v Speaker 2>The sum is Santana auditions and snags the role of

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<v Speaker 2>Rachel's understudy and funny girl, causing a feud between the roommates. Meanwhile,

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<v Speaker 2>back in Lima, Tina and Already compete against each other

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<v Speaker 2>to be the class valedictorian.

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<v Speaker 1>Wow, okay, where do you want to start? Kevin Tree

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<v Speaker 1>starves and Janna Rachel start child. Let's start child and

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<v Speaker 1>Kurt Let's start trial and Kurt let's build up. I agree, Okay.

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<v Speaker 2>This is also fun. I do enjoy like feud or

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<v Speaker 2>like SmackDown. I like when they pit two people against

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<v Speaker 2>each other. It works really really well in this show totally,

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<v Speaker 2>always has worked totally and it works naturally, And I

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<v Speaker 2>think maybe it's something to do with like high schoo dynamics,

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<v Speaker 2>but it's something that always feels right agreed.

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<v Speaker 1>Maybe it's because we started that way, but maybe there's

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<v Speaker 1>this like really good conflict resolution that we is satisfying

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<v Speaker 1>to us or I don't know, but I totally agree.

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<v Speaker 1>I'm here for it, and it's not like it's kind

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<v Speaker 1>of harmless in their in their situation with Starchild and Kurt,

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<v Speaker 1>because Kurt is feeling threatened by Starchild, thinking that he

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<v Speaker 1>wants to take over the for the band and he

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<v Speaker 1>should be scared of Starchild because Starchild is a star.

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<v Speaker 2>But Adam Lambird is like the most talented person on

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<v Speaker 2>the base of the planet.

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<v Speaker 1>It's actually insane. So Blaine's advice is to keep your

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<v Speaker 1>friends closer, and he's closer, so Kurt decides to like

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<v Speaker 1>keep him real close tight, which I always worry about.

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<v Speaker 1>I'm like, why does this person want to get close

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<v Speaker 1>to me? Do they hate me?

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<v Speaker 2>Really?

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<v Speaker 1>Yeah? Sometimes I like question it first, not the whole time,

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<v Speaker 1>but it's like an initial thought that I always have.

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<v Speaker 2>I wonder if I should start considering that. Oh no, no,

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<v Speaker 2>it's just me and my guard. What I really enjoyed

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<v Speaker 2>was watching Chris Colfer play like the the their frenemy's

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<v Speaker 2>story right, because I feel like each one has like

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<v Speaker 2>a different lean and his is trying to be like

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<v Speaker 2>super nice and cults him into like doing things together,

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<v Speaker 2>and I kill him with kindness, but like not be

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<v Speaker 2>obvious about it, and watching Chris do that was very satisfying.

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<v Speaker 2>I could watch and do that all day.

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<v Speaker 1>They also have a great on screen chemistry, like I

0:12:46.559 --> 0:12:50.559
<v Speaker 1>love them together, and not in like a romantic way,

0:12:50.840 --> 0:12:55.880
<v Speaker 1>just in like a very they they they're very different

0:12:56.040 --> 0:13:00.880
<v Speaker 1>but yet similar in some ways, and it's very satisfying.

0:13:01.040 --> 0:13:03.920
<v Speaker 1>I feel I could watch them all very long.

0:13:04.320 --> 0:13:06.520
<v Speaker 2>Kurt doesn't have a lot of gay friendships on this

0:13:06.640 --> 0:13:11.280
<v Speaker 2>show like male friendships, and it is really nice to see.

0:13:11.880 --> 0:13:13.760
<v Speaker 2>And I think there's something too, or maybe he's not

0:13:13.840 --> 0:13:17.199
<v Speaker 2>used to it right, like it's not romantic. Maybe somebody's

0:13:17.280 --> 0:13:21.040
<v Speaker 2>not coming after you for some ulterior motive. Maybe like

0:13:21.120 --> 0:13:25.760
<v Speaker 2>this guy's just nice and like supports you and has

0:13:25.840 --> 0:13:29.880
<v Speaker 2>been supportive in every single episode. It's a very very beginning.

0:13:29.920 --> 0:13:32.040
<v Speaker 2>And I really love how Adam Lambert's playing it because

0:13:32.080 --> 0:13:37.760
<v Speaker 2>star Child the performer is like Sasha fears for Beyonce.

0:13:38.080 --> 0:13:41.280
<v Speaker 1>Right then, and then Elliott Elliott.

0:13:40.960 --> 0:13:44.760
<v Speaker 2>Is just like super nice, soft spoken. Actually how Adam

0:13:44.840 --> 0:13:46.280
<v Speaker 2>sort of is in real life?

0:13:46.480 --> 0:13:48.920
<v Speaker 1>Oh yeah, I didn't. I haven't like spent a ton

0:13:48.960 --> 0:13:51.400
<v Speaker 1>of time about it, but he comes acrossberry grounded to

0:13:51.480 --> 0:13:56.120
<v Speaker 1>me very and that's what Elliott is like a very

0:13:56.160 --> 0:14:02.760
<v Speaker 1>sound person, and so Curtin Elliott starts to spend some

0:14:02.800 --> 0:14:10.480
<v Speaker 1>time together and we get the joy of the most

0:14:10.480 --> 0:14:13.600
<v Speaker 1>perfect song for the both of them. Honestly, it is

0:14:13.640 --> 0:14:17.120
<v Speaker 1>like if there was a song that was written for

0:14:17.200 --> 0:14:20.440
<v Speaker 1>the two of them, just saying it was I believe,

0:14:20.480 --> 0:14:21.200
<v Speaker 1>I Think all Love.

0:14:22.000 --> 0:14:25.040
<v Speaker 2>I remember sitting in the theater when they were showing

0:14:25.080 --> 0:14:27.800
<v Speaker 2>this to us at lunch. I remember watching this episode

0:14:27.840 --> 0:14:31.800
<v Speaker 2>so clearly, and when this came on, this was one

0:14:31.840 --> 0:14:36.640
<v Speaker 2>of the best things about New York happening. Is like

0:14:36.680 --> 0:14:38.240
<v Speaker 2>the sad part of it was like, yeah, we didn't

0:14:38.240 --> 0:14:41.000
<v Speaker 2>get see everybody in work with everybody all the time. However,

0:14:41.600 --> 0:14:44.040
<v Speaker 2>when a number like this comes along, or this whole

0:14:44.120 --> 0:14:47.440
<v Speaker 2>episode for New York really yeah yeah, and you see

0:14:47.600 --> 0:14:50.320
<v Speaker 2>like what your friends are doing and what the crew

0:14:50.400 --> 0:14:55.120
<v Speaker 2>has done, Like it's you're like, we were cheering because

0:14:55.160 --> 0:14:57.640
<v Speaker 2>it is so good, oh good. And also like seeing

0:14:57.720 --> 0:15:01.480
<v Speaker 2>Chris with like the band, mean, like the guitar players

0:15:01.600 --> 0:15:06.560
<v Speaker 2>and their voices sound so good together. They're so different, yes, and.

0:15:06.560 --> 0:15:09.880
<v Speaker 1>Yet it's like both in their range and it's such

0:15:09.880 --> 0:15:13.440
<v Speaker 1>a great song. And the cover is really good. I

0:15:13.480 --> 0:15:15.680
<v Speaker 1>actually like this cover better than I like the original.

0:15:18.720 --> 0:15:19.640
<v Speaker 1>Dare I say I.

0:15:21.440 --> 0:15:22.720
<v Speaker 2>Support you?

0:15:23.040 --> 0:15:24.160
<v Speaker 1>I mean I love the darkness.

0:15:24.520 --> 0:15:25.680
<v Speaker 2>Okay, I love the darkness.

0:15:26.120 --> 0:15:29.240
<v Speaker 1>I love this song, like, okay, I think I think

0:15:29.280 --> 0:15:31.000
<v Speaker 1>said this song has worn on me a little bit,

0:15:31.000 --> 0:15:33.040
<v Speaker 1>and I think that's why the original. So I feel

0:15:33.040 --> 0:15:35.960
<v Speaker 1>like I'm refreshed by this version. Maybe that's what I mean.

0:15:36.440 --> 0:15:37.760
<v Speaker 2>And you know, that's how I feel about a lot

0:15:37.800 --> 0:15:40.440
<v Speaker 2>of the songs in this episode. Yeah, I don't know

0:15:40.440 --> 0:15:42.920
<v Speaker 2>if I think they're better, but it is refreshing to

0:15:43.000 --> 0:15:45.200
<v Speaker 2>hear because they're all very well known songs.

0:15:45.680 --> 0:15:48.680
<v Speaker 1>Yes, that's right, that's right, and very good covers. So

0:15:51.000 --> 0:15:54.360
<v Speaker 1>Elliott like knows what's the ruse, he knows what's up,

0:15:55.720 --> 0:15:58.080
<v Speaker 1>and he's basically like, I get it, and I'm not

0:15:58.120 --> 0:15:59.240
<v Speaker 1>going to take over your fee.

0:16:00.200 --> 0:16:03.240
<v Speaker 2>Didn't it feel like a shock? I feel like yes.

0:16:03.280 --> 0:16:07.520
<v Speaker 2>On Glee, everyone is sort of up to no good,

0:16:08.120 --> 0:16:11.120
<v Speaker 2>Like everyone is really trying to like jockey for position.

0:16:11.800 --> 0:16:16.000
<v Speaker 2>Elliott knows what Kris is doing from the beginning and

0:16:16.200 --> 0:16:19.360
<v Speaker 2>is so confident and secure in himself that he doesn't care.

0:16:20.320 --> 0:16:24.480
<v Speaker 1>That again is also refreshing. I love the storyline. I'm like, Okay, great,

0:16:24.560 --> 0:16:29.600
<v Speaker 1>he's mature. It's great. It's so great. I love it.

0:16:29.720 --> 0:16:30.640
<v Speaker 1>I love it, I love it.

0:16:31.280 --> 0:16:37.400
<v Speaker 2>I also think the New York storylines in general, this episode. Yeah,

0:16:37.400 --> 0:16:39.080
<v Speaker 2>you know, we started off by saying, this feels like

0:16:39.200 --> 0:16:43.080
<v Speaker 2>an old Glee episode in all the best ways. And

0:16:43.120 --> 0:16:46.160
<v Speaker 2>that doesn't mean just because it's a lot of the

0:16:46.200 --> 0:16:49.640
<v Speaker 2>OG characters. I mean even in New York, who it's

0:16:49.680 --> 0:16:52.240
<v Speaker 2>not in the Halls of McKinley, it still feels like

0:16:53.040 --> 0:16:55.520
<v Speaker 2>old Glee. Yes, totally, even if it's not in the

0:16:55.520 --> 0:17:00.880
<v Speaker 2>same setting. Totally, and this storyline is perfect for that.

0:17:01.520 --> 0:17:05.800
<v Speaker 2>It's very focused. This is very focused. I think focused.

0:17:06.040 --> 0:17:10.439
<v Speaker 2>I like that feeling of like there's it's there's just

0:17:10.560 --> 0:17:14.280
<v Speaker 2>it's very clear when there's like a lot of jumblingly

0:17:14.400 --> 0:17:16.240
<v Speaker 2>a lot of the time, and there's so many things

0:17:16.280 --> 0:17:19.080
<v Speaker 2>to follow. This was the whole episode.

0:17:19.119 --> 0:17:23.520
<v Speaker 1>We had a theme, and the three of them, you know,

0:17:23.600 --> 0:17:26.760
<v Speaker 1>all the characters had this similar kind of front of

0:17:26.800 --> 0:17:29.040
<v Speaker 1>me thing going on, and so it was just like

0:17:29.600 --> 0:17:32.600
<v Speaker 1>easy to watch. You sit back, you just enjoy it.

0:17:32.720 --> 0:17:38.399
<v Speaker 1>You're not like panicking the whole time like sometimes. But yeah,

0:17:38.480 --> 0:17:43.960
<v Speaker 1>so so Rachel in Santana, Oh my god, this is

0:17:44.000 --> 0:17:50.399
<v Speaker 1>such a good storyline. Rachel invites Santana to a photo

0:17:50.400 --> 0:17:53.359
<v Speaker 1>shoot for New York magazine. Is the right New York

0:17:53.560 --> 0:17:54.360
<v Speaker 1>New York magazine?

0:17:54.359 --> 0:17:54.760
<v Speaker 2>I think so?

0:17:55.160 --> 0:17:58.760
<v Speaker 1>Or the New Yorker. It's one of those. And and

0:17:58.880 --> 0:18:00.600
<v Speaker 1>she's doing this photo shoot for front of Girl, and

0:18:00.640 --> 0:18:05.280
<v Speaker 1>she's like, why don't you come get pampered? Ca Santana's

0:18:05.320 --> 0:18:09.760
<v Speaker 1>feeling a little like she's kind of behind the curve

0:18:09.920 --> 0:18:13.439
<v Speaker 1>of everybody in New York doing things and accomplishing things.

0:18:13.440 --> 0:18:16.399
<v Speaker 1>And now she's known as the East to Stack girl.

0:18:16.520 --> 0:18:26.280
<v Speaker 1>So is this is? I love their dynamic. I like

0:18:26.400 --> 0:18:31.360
<v Speaker 1>the whole idea that, like Rachel's supporting her at first

0:18:31.440 --> 0:18:34.840
<v Speaker 1>and bringing her along. I don't feel like it's like

0:18:34.920 --> 0:18:37.800
<v Speaker 1>a oh because you're in the background thing. Like I

0:18:37.800 --> 0:18:42.560
<v Speaker 1>feel like it was genuinely a friend thing and we

0:18:42.640 --> 0:18:48.159
<v Speaker 1>get Brave, which I love that number. I love that number.

0:18:48.240 --> 0:18:52.600
<v Speaker 1>I love Sarah obviously. I don't know what it is

0:18:52.640 --> 0:18:55.040
<v Speaker 1>about this number. It's so satisfying? Is it the lines

0:18:55.119 --> 0:18:58.879
<v Speaker 1>and the choreography too when they sound really good? But

0:18:58.960 --> 0:19:02.600
<v Speaker 1>there's something about it that is also reminiscent of what

0:19:02.680 --> 0:19:04.480
<v Speaker 1>we're going to get later in every breath you take.

0:19:04.560 --> 0:19:08.840
<v Speaker 1>It's slightly similar. I don't think that was intentional, but

0:19:09.160 --> 0:19:09.800
<v Speaker 1>I liked it.

0:19:10.960 --> 0:19:15.320
<v Speaker 2>I love this number. I think it works on every

0:19:15.359 --> 0:19:19.960
<v Speaker 2>single level. It's like it's also something we haven't seen.

0:19:20.720 --> 0:19:23.560
<v Speaker 2>We've just do our six hundred number, and this is

0:19:23.600 --> 0:19:27.840
<v Speaker 2>something we have not done yet. They still there's sharp lines,

0:19:27.880 --> 0:19:32.240
<v Speaker 2>it's a different setting. Also, they both are playing their

0:19:32.280 --> 0:19:35.240
<v Speaker 2>own story. It's also a fantasy within it that feels

0:19:35.280 --> 0:19:38.760
<v Speaker 2>real and grounded. And also they still look beautiful and

0:19:38.800 --> 0:19:40.080
<v Speaker 2>it's still campy.

0:19:40.640 --> 0:19:41.640
<v Speaker 1>Like they sound good.

0:19:42.080 --> 0:19:47.719
<v Speaker 2>They so good. And the dynamic of in front of

0:19:47.760 --> 0:19:50.399
<v Speaker 2>the camera and behind the camera working with the storyline

0:19:50.440 --> 0:19:53.800
<v Speaker 2>also is like super impactful. And I think like this

0:19:53.880 --> 0:19:57.760
<v Speaker 2>is exactly where Glee hits it shride, where you're still

0:19:57.800 --> 0:20:04.080
<v Speaker 2>giving visually and audibly like a really wonderful performance, but

0:20:04.119 --> 0:20:06.600
<v Speaker 2>also the story is working within the song.

0:20:08.040 --> 0:20:11.040
<v Speaker 1>Yes, yes, it's driving.

0:20:11.320 --> 0:20:14.520
<v Speaker 2>And this was again another one of those things in

0:20:14.520 --> 0:20:18.000
<v Speaker 2>the screening were like what is So it's also I

0:20:18.080 --> 0:20:24.680
<v Speaker 2>think as a viewer really satisfying this dynamic for two reasons. One,

0:20:25.000 --> 0:20:28.800
<v Speaker 2>you know, like in the earlier seasons, when any members

0:20:28.800 --> 0:20:30.680
<v Speaker 2>of the Glee Club would go up against Rachel because

0:20:30.680 --> 0:20:33.359
<v Speaker 2>she always tried to like dominate the setting, it was

0:20:33.400 --> 0:20:35.919
<v Speaker 2>always sort of like satisfying as a viewer right to

0:20:36.040 --> 0:20:40.520
<v Speaker 2>be like humble her. She obviously is so super talented,

0:20:40.920 --> 0:20:45.800
<v Speaker 2>but like this is an ensemble thing, right, And it's

0:20:45.960 --> 0:20:48.560
<v Speaker 2>one of those moments again. And it's nice also to

0:20:48.600 --> 0:20:53.280
<v Speaker 2>see Santana come from where she's come from to be

0:20:53.440 --> 0:20:57.840
<v Speaker 2>the one who can match Rachel totally going toe to

0:20:57.840 --> 0:21:01.479
<v Speaker 2>toe with her, and I feel like this episode there

0:21:01.560 --> 0:21:06.120
<v Speaker 2>is no distinction because you are literally seeing Santana play

0:21:06.119 --> 0:21:12.000
<v Speaker 2>in Rachel's like sandbox, yes, like doing Funny Girl, doing

0:21:12.040 --> 0:21:17.240
<v Speaker 2>this number. And also they're both just so talented as

0:21:17.280 --> 0:21:22.439
<v Speaker 2>actors and singers that and so beloved as characters, like

0:21:22.480 --> 0:21:27.600
<v Speaker 2>they're both equally as beloved and known and attached to.

0:21:27.800 --> 0:21:30.560
<v Speaker 2>And so you see two people that you're rooting for

0:21:32.160 --> 0:21:37.560
<v Speaker 2>on each on a different level, Like I'm not I'm

0:21:37.600 --> 0:21:39.880
<v Speaker 2>just rooting for them in general. Yeah, Like I don't

0:21:39.880 --> 0:21:41.480
<v Speaker 2>know if one of you is right or wrong. I

0:21:41.520 --> 0:21:43.240
<v Speaker 2>don't know how I feel about it, because you both

0:21:43.280 --> 0:21:46.560
<v Speaker 2>have really good points totally and it feels like really

0:21:46.600 --> 0:21:49.680
<v Speaker 2>real and you're both acting asses off, I.

0:21:49.640 --> 0:21:54.080
<v Speaker 1>Know, and like. And then Rachel is obviously being told

0:21:54.119 --> 0:21:57.240
<v Speaker 1>that they're going to cast an understudy for Funny girlers

0:21:57.320 --> 0:21:59.800
<v Speaker 1>is like, I'm not going to miss a show and

0:22:00.520 --> 0:22:02.400
<v Speaker 1>they're like, well, legally we have to so.

0:22:02.920 --> 0:22:06.040
<v Speaker 2>True to have Yeah, yeah, yeah, I think so.

0:22:06.320 --> 0:22:10.000
<v Speaker 1>In some levels of contracts there's there's requirements that you

0:22:10.080 --> 0:22:12.800
<v Speaker 1>have to have an understudy, like Broadway, Yes, you have

0:22:12.880 --> 0:22:13.639
<v Speaker 1>to have understudies.

0:22:13.680 --> 0:22:16.879
<v Speaker 2>I have a question. Yeah, so this whole auditioning for

0:22:17.000 --> 0:22:22.280
<v Speaker 2>an understudy thing looks very TV suspect we don't know

0:22:22.520 --> 0:22:23.479
<v Speaker 2>how theater works.

0:22:24.480 --> 0:22:28.360
<v Speaker 1>Yeah, it's a little like a little Chicago y right,

0:22:28.520 --> 0:22:31.960
<v Speaker 1>Like we're auditioning on a stage and we're like we're

0:22:31.960 --> 0:22:36.080
<v Speaker 1>there for the understudy role and like really, I mean

0:22:36.200 --> 0:22:38.280
<v Speaker 1>it should be more generic in a regular room, and

0:22:38.320 --> 0:22:41.360
<v Speaker 1>like it's I don't know, and like the bad singing,

0:22:41.480 --> 0:22:45.080
<v Speaker 1>the whole thing. It feels a little bit campy, like.

0:22:45.119 --> 0:22:47.840
<v Speaker 2>You wouldn't have singers in there who could not sing.

0:22:48.400 --> 0:22:57.000
<v Speaker 1>Well, I'm director that badly? Yeah probably not. No, And yeah,

0:22:57.040 --> 0:22:59.600
<v Speaker 1>I mean there's people who botch auditions who are good,

0:23:00.000 --> 0:23:01.160
<v Speaker 1>and there are people who.

0:23:01.119 --> 0:23:04.840
<v Speaker 3>Wait, can go on, like I mean like an intentional botch.

0:23:05.320 --> 0:23:07.640
<v Speaker 3>Oh no no, no, no, no, okay, I mean like.

0:23:07.560 --> 0:23:12.960
<v Speaker 1>A you're nervous and you're I'm familiar. Yeah, yeah, yeah,

0:23:13.000 --> 0:23:16.840
<v Speaker 1>we all are. But like, yeah, in general, it's a

0:23:16.840 --> 0:23:22.560
<v Speaker 1>little less. You know, on a big it feels like

0:23:22.640 --> 0:23:26.240
<v Speaker 1>on a big like high stakes, big scale. And I

0:23:26.280 --> 0:23:28.560
<v Speaker 1>don't know. I think you just auditioned and then they

0:23:28.600 --> 0:23:30.919
<v Speaker 1>cast an understudy or somebody that they loved for the

0:23:30.960 --> 0:23:34.040
<v Speaker 1>part that Rachel went up against or something like that.

0:23:34.440 --> 0:23:36.640
<v Speaker 1>I don't know. And I don't think that they would

0:23:36.640 --> 0:23:39.880
<v Speaker 1>have put brought the star and to cast their understand

0:23:39.960 --> 0:23:44.480
<v Speaker 1>right if it was a chemistry read and they're casting

0:23:44.520 --> 0:23:47.840
<v Speaker 1>the other guy, that's different, which was yeah, we did

0:23:47.920 --> 0:23:51.600
<v Speaker 1>see exactly exactly, but yeah, you don't. You don't see

0:23:51.640 --> 0:23:55.480
<v Speaker 1>that all that often unless they're part of the creative team.

0:23:56.080 --> 0:23:58.280
<v Speaker 1>Santana comes in because she gets wind of it, and

0:23:58.320 --> 0:24:00.800
<v Speaker 1>she comes in and she bursts in doing don't rant

0:24:00.840 --> 0:24:01.800
<v Speaker 1>in my preay through.

0:24:01.680 --> 0:24:04.960
<v Speaker 2>The aisle, like it's such a good reference.

0:24:05.960 --> 0:24:14.840
<v Speaker 1>Now, to be fair, it's she's not funny, No Naya

0:24:15.800 --> 0:24:20.240
<v Speaker 1>put her own spin on it. This is fully Naya.

0:24:20.320 --> 0:24:22.880
<v Speaker 1>I don't think she was even trying to be funny girl.

0:24:22.960 --> 0:24:26.400
<v Speaker 1>She was just trying to show what she can do,

0:24:26.600 --> 0:24:29.919
<v Speaker 1>which she did. I love this version.

0:24:30.359 --> 0:24:32.360
<v Speaker 2>It's so that version is so funny.

0:24:32.800 --> 0:24:38.000
<v Speaker 1>It's ridiculous. It's ridiculous. It did the job though, because

0:24:38.000 --> 0:24:40.120
<v Speaker 1>I was like, oh my god, this is so good.

0:24:42.080 --> 0:24:49.200
<v Speaker 1>It's ridiculous, and she's so she sounds so good song

0:24:49.359 --> 0:24:52.920
<v Speaker 1>in her own way, like Leah, obviously this is her song,

0:24:53.119 --> 0:24:56.280
<v Speaker 1>right like this is when she was talking about how

0:24:56.320 --> 0:24:59.160
<v Speaker 1>like when you know, when it's not Barbara's anymore, it's hers,

0:24:59.280 --> 0:25:02.119
<v Speaker 1>it's kind of Leah now, So like I you know

0:25:02.200 --> 0:25:07.280
<v Speaker 1>what I mean. But but I appreciate that Santana did

0:25:07.280 --> 0:25:10.960
<v Speaker 1>her own version, not trying to fit into the mold. Also,

0:25:11.119 --> 0:25:13.760
<v Speaker 1>that was the music people being like, let's just go.

0:25:15.920 --> 0:25:19.080
<v Speaker 2>Damn, it's all right, like it is all of it.

0:25:19.000 --> 0:25:21.879
<v Speaker 2>It's just all of it works. They like like Adam

0:25:21.920 --> 0:25:25.359
<v Speaker 2>and Alex and the music people and the writers like

0:25:25.480 --> 0:25:28.640
<v Speaker 2>all of it makes so much sense that Santiano would

0:25:28.640 --> 0:25:29.760
<v Speaker 2>go in there and just like.

0:25:30.680 --> 0:25:32.480
<v Speaker 1>The no, I wouldn't do that either, you know what

0:25:32.560 --> 0:25:34.800
<v Speaker 1>I mean, She wouldn't try to be something that she's not.

0:25:35.320 --> 0:25:40.159
<v Speaker 2>She would do the same song. I definitely, absolutely that

0:25:40.480 --> 0:25:45.040
<v Speaker 2>absolutely would and be like I can do this's my version.

0:25:45.160 --> 0:25:46.640
<v Speaker 1>Yeah.

0:25:46.680 --> 0:25:49.800
<v Speaker 2>All the storylines in this episode work so successfully, and

0:25:49.840 --> 0:25:53.320
<v Speaker 2>it all seems organized and all seems like classic Gleat. Yeah,

0:25:53.359 --> 0:25:56.960
<v Speaker 2>but I think the self referential stuff that we've always

0:25:57.000 --> 0:26:02.240
<v Speaker 2>done is perfect in this episode because because I don't

0:26:02.240 --> 0:26:06.280
<v Speaker 2>see how it was not intentional that they're going at

0:26:06.359 --> 0:26:08.480
<v Speaker 2>it in this episode in such a specific way when

0:26:08.520 --> 0:26:11.400
<v Speaker 2>there were like rumors out in the world that they

0:26:11.440 --> 0:26:14.320
<v Speaker 2>didn't get along for sure, and you know, she would

0:26:14.320 --> 0:26:17.040
<v Speaker 2>have loved that shit Like Naya and Leat were probably yeah,

0:26:17.440 --> 0:26:20.160
<v Speaker 2>do this, because all those things were always blown out

0:26:20.160 --> 0:26:20.800
<v Speaker 2>of proportion and.

0:26:20.760 --> 0:26:22.639
<v Speaker 1>Not correct exactly.

0:26:22.880 --> 0:26:26.159
<v Speaker 2>So like watching it was also like fan service in

0:26:26.200 --> 0:26:28.560
<v Speaker 2>a way of like, oh, you think they hate each other,

0:26:28.640 --> 0:26:29.119
<v Speaker 2>let's give.

0:26:28.960 --> 0:26:30.680
<v Speaker 1>It to you. Just do it. Yeah, give the people

0:26:30.680 --> 0:26:31.160
<v Speaker 1>what they want.

0:26:31.320 --> 0:26:34.040
<v Speaker 2>Yeah, And it works because they're also playing into it.

0:26:34.040 --> 0:26:37.040
<v Speaker 2>It's like they're in on the gag of it all totally.

0:26:38.200 --> 0:26:45.240
<v Speaker 1>It was. It was great. And then Santana gets the

0:26:45.240 --> 0:26:46.360
<v Speaker 1>the understudy role.

0:26:46.680 --> 0:26:49.640
<v Speaker 2>Well before we get to that, okay, because that scene

0:26:49.680 --> 0:26:51.600
<v Speaker 2>where they come in and they have their like first

0:26:51.680 --> 0:26:56.159
<v Speaker 2>run in post her auditioning and Santana's like, I'm going

0:26:56.240 --> 0:26:59.080
<v Speaker 2>to move out. It's like, yeah, right, you should, and

0:26:59.119 --> 0:27:02.719
<v Speaker 2>then she gets the call that she's that she's going

0:27:02.760 --> 0:27:09.000
<v Speaker 2>to get it, and like Kurt witnessing this, the fallout

0:27:09.040 --> 0:27:16.720
<v Speaker 2>from this preceding the next scene is genius. Genius genius,

0:27:16.760 --> 0:27:20.840
<v Speaker 2>like I I want to talk to them to be like,

0:27:20.880 --> 0:27:22.679
<v Speaker 2>do you remember how it felt to be shooting this?

0:27:22.800 --> 0:27:26.359
<v Speaker 2>Because watching it feels electric all these it.

0:27:26.280 --> 0:27:32.240
<v Speaker 1>Does it does. It's I think they all know each

0:27:32.240 --> 0:27:35.399
<v Speaker 1>other so well too. M h. It's like when we

0:27:35.480 --> 0:27:39.520
<v Speaker 1>do our stuff, if it's very easy, it's very easy

0:27:39.520 --> 0:27:43.760
<v Speaker 1>to work together. It's very easy to know these characters

0:27:43.800 --> 0:27:46.280
<v Speaker 1>and to know the chemistry and the energy you're going

0:27:46.359 --> 0:27:49.880
<v Speaker 1>to get, and and it's just there's an ease to it.

0:27:50.520 --> 0:27:54.120
<v Speaker 1>And so when the stakes are even higher, there's an

0:27:54.160 --> 0:27:56.840
<v Speaker 1>ease that you get. But then also the steaks on

0:27:56.920 --> 0:28:00.880
<v Speaker 1>top of it, and that's that's the magic. Well.

0:28:00.960 --> 0:28:04.240
<v Speaker 2>And then they're also everyone's played these characters for so

0:28:04.359 --> 0:28:09.120
<v Speaker 2>long that these scenes were written so well that they're

0:28:09.880 --> 0:28:15.679
<v Speaker 2>playing on and using four seasons full of material to

0:28:15.800 --> 0:28:20.119
<v Speaker 2>get to this point, right, So Naya and Chris and

0:28:20.200 --> 0:28:23.960
<v Speaker 2>Leah obviously deeply understand their characters. Yes, And so when

0:28:24.000 --> 0:28:29.040
<v Speaker 2>you're finally given something to use all of that history

0:28:29.480 --> 0:28:31.879
<v Speaker 2>and it all comes out. Because this wouldn't have worked

0:28:31.920 --> 0:28:35.400
<v Speaker 2>with newer characters, with us being out at newer characters,

0:28:35.840 --> 0:28:39.360
<v Speaker 2>it could only be it could only work just deeply

0:28:39.400 --> 0:28:41.920
<v Speaker 2>in the successfully with characters who have been together since

0:28:41.960 --> 0:28:42.280
<v Speaker 2>day one.

0:28:42.720 --> 0:28:47.520
<v Speaker 1>Yes, and also that slam whoa wow wow wow wow

0:28:47.560 --> 0:28:53.400
<v Speaker 1>wow wow wow. It was all really good.

0:29:02.400 --> 0:29:05.280
<v Speaker 2>So then there's the other scene. They come back and

0:29:05.320 --> 0:29:08.800
<v Speaker 2>then they have this whole the argument or they're standing

0:29:08.840 --> 0:29:12.160
<v Speaker 2>on opposite sides of the loft. Rachel tries to get

0:29:12.240 --> 0:29:16.160
<v Speaker 2>Kurt to decide, and he's very much being Switzerland, like

0:29:16.240 --> 0:29:21.080
<v Speaker 2>this is crazy, Like we're friends, we're friends, We're friends.

0:29:21.520 --> 0:29:25.280
<v Speaker 2>Everybody just like, can we get a long We can't.

0:29:26.520 --> 0:29:34.000
<v Speaker 2>And it was like the first time that Santana and

0:29:34.040 --> 0:29:36.560
<v Speaker 2>I use the term win loosely because I don't really

0:29:36.600 --> 0:29:43.560
<v Speaker 2>know if she ultimately if it's winning, but Santana fully

0:29:43.600 --> 0:29:46.560
<v Speaker 2>stands her ground and Rachel concedes and is like I'll

0:29:46.600 --> 0:29:54.400
<v Speaker 2>go then, yeah, yeah yeah. And it was so powerful

0:29:56.040 --> 0:30:03.440
<v Speaker 2>because the magic of Lee and Leah playing Rachel. It's

0:30:03.920 --> 0:30:09.160
<v Speaker 2>like deep understanding of like Rachel is probably deeply insecure.

0:30:10.080 --> 0:30:14.160
<v Speaker 2>They all are to an extent, right, but Rachel's has

0:30:14.160 --> 0:30:17.680
<v Speaker 2>like always been thinly veiled behind her bravado as a

0:30:17.760 --> 0:30:24.760
<v Speaker 2>human being, right, And like the brilliance of watching her

0:30:24.800 --> 0:30:28.480
<v Speaker 2>face when Saint Annah's like okay, yeah, fine go and

0:30:28.600 --> 0:30:31.960
<v Speaker 2>now it hit her she called her bluff and watching

0:30:32.000 --> 0:30:33.920
<v Speaker 2>them do this, I just couldn't get it, Like I

0:30:33.960 --> 0:30:34.440
<v Speaker 2>may have to.

0:30:34.360 --> 0:30:38.400
<v Speaker 1>Go watch this episode again. Red, Yeah, Yes, And Rachel

0:30:38.480 --> 0:30:41.200
<v Speaker 1>says something. She's like, she only wins if I lose.

0:30:41.400 --> 0:30:43.600
<v Speaker 1>I can't be around this negative energy anymore. This is

0:30:43.640 --> 0:30:48.920
<v Speaker 1>my big break. She's poisoning it. That to me is

0:30:49.040 --> 0:30:58.000
<v Speaker 1>like Rachel saying, like, we can't. It's kind of like,

0:30:58.080 --> 0:31:02.120
<v Speaker 1>I see the pot. I see, I see both sides,

0:31:02.120 --> 0:31:04.400
<v Speaker 1>like we talked about earlier, I see both sides. It's

0:31:04.600 --> 0:31:11.280
<v Speaker 1>very it's very real. It's very real feeling that she's feeling.

0:31:11.480 --> 0:31:14.400
<v Speaker 1>She's feeling jealous, she's feeling stepped on, she's feeling like

0:31:14.480 --> 0:31:17.600
<v Speaker 1>this is her moment in Santana's is blowing it for

0:31:17.680 --> 0:31:20.880
<v Speaker 1>her or taking it away from her in some way.

0:31:21.280 --> 0:31:26.040
<v Speaker 1>And Rachel being the insecure, being so insecure about this,

0:31:26.360 --> 0:31:30.000
<v Speaker 1>like she she can't see that there's room for everybody,

0:31:31.440 --> 0:31:37.240
<v Speaker 1>and so she's choosing to let Santana poison this. She's

0:31:37.280 --> 0:31:39.719
<v Speaker 1>not you know what I mean, give her gives her

0:31:39.720 --> 0:31:45.600
<v Speaker 1>AMMO right, like the victim of it right, And she's

0:31:45.640 --> 0:31:50.880
<v Speaker 1>giving her too much power, I think. But and Santana,

0:31:50.880 --> 0:31:53.680
<v Speaker 1>I don't think is wrong for going in to get

0:31:53.720 --> 0:32:01.320
<v Speaker 1>a role and get a job. But the way they

0:32:01.320 --> 0:32:03.800
<v Speaker 1>play it out, in the dynamic in which they play it,

0:32:03.840 --> 0:32:06.720
<v Speaker 1>and the honesty and the truth behind both of their

0:32:06.720 --> 0:32:10.360
<v Speaker 1>truths is so real that you're like, I am here

0:32:10.720 --> 0:32:11.120
<v Speaker 1>for this.

0:32:12.160 --> 0:32:15.160
<v Speaker 2>Every breath you take was sort of oh God, like

0:32:15.320 --> 0:32:18.959
<v Speaker 2>a not to be too serious about this, but like

0:32:19.640 --> 0:32:25.280
<v Speaker 2>a revelation because never would I ever think to put

0:32:25.320 --> 0:32:26.040
<v Speaker 2>that song there.

0:32:27.520 --> 0:32:31.920
<v Speaker 1>Totally totally, but it is so good.

0:32:32.240 --> 0:32:35.040
<v Speaker 2>Because it's also like funny, but they're playing it so

0:32:35.280 --> 0:32:36.600
<v Speaker 2>serious that it.

0:32:38.040 --> 0:32:39.960
<v Speaker 1>And the most the melody of it and the hook

0:32:40.000 --> 0:32:42.600
<v Speaker 1>of it is so good that you're like, I'm so

0:32:42.760 --> 0:32:46.280
<v Speaker 1>invested in this. Like it the feeling that that song

0:32:46.360 --> 0:32:49.160
<v Speaker 1>gives you, even though it's like a little funny and

0:32:49.200 --> 0:32:52.400
<v Speaker 1>a little weird, like and a weird choice, like something

0:32:52.400 --> 0:32:59.360
<v Speaker 1>we wouldn't have thought of or predicted, it just is.

0:33:00.080 --> 0:33:02.560
<v Speaker 1>It's actually brilliant. It's brilliant.

0:33:02.840 --> 0:33:04.520
<v Speaker 2>I think they also made each other better.

0:33:04.920 --> 0:33:10.040
<v Speaker 1>Oh totally, it's really good. It's really really good. Rachel

0:33:10.080 --> 0:33:17.920
<v Speaker 1>moves out, she rooms up that photo. My heartbroke tuned.

0:33:18.760 --> 0:33:23.160
<v Speaker 2>I mean, what a great I think this like single

0:33:23.160 --> 0:33:25.640
<v Speaker 2>storyline has been like the most successful storyline in New

0:33:25.720 --> 0:33:26.280
<v Speaker 2>York so far.

0:33:26.800 --> 0:33:28.640
<v Speaker 1>Agreed. Agreed.

0:33:29.560 --> 0:33:32.880
<v Speaker 2>It also felt Yeah, it matched. It matched everything like

0:33:33.480 --> 0:33:36.560
<v Speaker 2>it matched their age, the things they've been through, their history,

0:33:37.960 --> 0:33:39.680
<v Speaker 2>also paired with the people who are actually doing it

0:33:39.720 --> 0:33:41.880
<v Speaker 2>like it all just was phenomenal.

0:33:42.440 --> 0:33:46.600
<v Speaker 1>Well, Kevin, and then there's Tina and Artie, and Tina

0:33:46.600 --> 0:33:56.360
<v Speaker 1>and Artie are their title valedictorian. Prior to that, we

0:33:56.400 --> 0:34:04.080
<v Speaker 1>see them amicable, all besting, having lunch their Tuesday lunches

0:34:04.160 --> 0:34:10.280
<v Speaker 1>together already is being supportive about, you know, being Tina

0:34:10.320 --> 0:34:14.359
<v Speaker 1>being waitlisted for Brown. You cheer up, you break into song.

0:34:14.480 --> 0:34:17.400
<v Speaker 1>It's our six hundredth number. It's one of my favorite

0:34:17.480 --> 0:34:23.080
<v Speaker 1>numbers we've e were done together. I love doing this

0:34:23.280 --> 0:34:29.000
<v Speaker 1>number with you. This is reminiscent of that scene we'll

0:34:29.040 --> 0:34:30.799
<v Speaker 1>have later where we decide we're going to get married

0:34:30.840 --> 0:34:34.120
<v Speaker 1>if we're not together with anybody by the time we're

0:34:34.120 --> 0:34:38.640
<v Speaker 1>thirtieth Is this that episode? No, No, that's later, But

0:34:39.160 --> 0:34:40.719
<v Speaker 1>it felt like that, and I think that was Brad

0:34:40.760 --> 0:34:44.520
<v Speaker 1>Baker as well. That's fine. Yeah, this was so much fun.

0:34:45.760 --> 0:34:49.719
<v Speaker 1>It was episode was the storyline was so great. I

0:34:49.760 --> 0:34:53.400
<v Speaker 1>loved it. I was thrilled when I read it. It

0:34:53.440 --> 0:34:56.799
<v Speaker 1>felt it also felt like after all the chaos that

0:34:56.920 --> 0:35:00.880
<v Speaker 1>was happening. The storyline was focused. It was and Artie,

0:35:01.000 --> 0:35:03.960
<v Speaker 1>it was you and me. We were running lines like

0:35:04.160 --> 0:35:09.319
<v Speaker 1>all the time for all of this, and like it

0:35:09.480 --> 0:35:12.680
<v Speaker 1>just felt comfortable. It felt like we were back in

0:35:12.760 --> 0:35:15.080
<v Speaker 1>a place where it was like this is safe, this

0:35:15.160 --> 0:35:16.320
<v Speaker 1>is so safe. Yeah.

0:35:16.360 --> 0:35:19.120
<v Speaker 2>And again, like drawing on the history of like all

0:35:19.160 --> 0:35:23.600
<v Speaker 2>of our scenes have that sort of like friendly intimacy

0:35:24.040 --> 0:35:27.320
<v Speaker 2>from the very beginning, but also like they're a little quiet,

0:35:27.640 --> 0:35:31.400
<v Speaker 2>They're really comfortable. It's like the safe space. And it

0:35:31.480 --> 0:35:33.920
<v Speaker 2>was nice that we could sort of like full circle,

0:35:34.160 --> 0:35:38.400
<v Speaker 2>bring that back a bit from the very beginning. I

0:35:38.440 --> 0:35:41.680
<v Speaker 2>love this number. I really it was so much. I

0:35:41.719 --> 0:35:44.760
<v Speaker 2>also like shouted to Brad Beeker that into the camera.

0:35:45.560 --> 0:35:49.439
<v Speaker 2>Stuff was wild, I know, but also like you could

0:35:49.440 --> 0:35:53.239
<v Speaker 2>tell we were having fun. Everybody. Yes, it was nice.

0:35:53.360 --> 0:35:59.120
<v Speaker 2>It felt good. This beautiful arrangement, Like those backgrounds are

0:35:59.360 --> 0:36:00.719
<v Speaker 2>stupid beautiful.

0:36:00.920 --> 0:36:02.880
<v Speaker 1>I love this cover. I just love it. I can

0:36:02.920 --> 0:36:06.640
<v Speaker 1>listen to it all the time. I really do sound great, better.

0:36:06.440 --> 0:36:07.120
<v Speaker 2>Than the original.

0:36:07.680 --> 0:36:13.000
<v Speaker 1>Oh whoa, you're also like throwing down some crazy.

0:36:12.680 --> 0:36:18.040
<v Speaker 2>I think Luke and all those people really came up

0:36:18.080 --> 0:36:21.560
<v Speaker 2>with a beautiful arrangement. And now I've gone back and

0:36:21.600 --> 0:36:23.440
<v Speaker 2>I've listened to the original. I'm like, I missed these.

0:36:25.840 --> 0:36:29.520
<v Speaker 1>And I also feel like this fits our voices very well. Yes,

0:36:30.520 --> 0:36:32.320
<v Speaker 1>some of these songs are a little bit of a stretch,

0:36:32.440 --> 0:36:33.680
<v Speaker 1>like I don't.

0:36:33.440 --> 0:36:35.719
<v Speaker 2>Know, well this one is a bit of a stretch.

0:36:35.440 --> 0:36:41.720
<v Speaker 1>For me, but but I mean totally like yes, our voices,

0:36:42.040 --> 0:36:42.759
<v Speaker 1>Yes it does.

0:36:43.640 --> 0:36:46.800
<v Speaker 2>And doing a seem of Jane, which like in the office,

0:36:46.960 --> 0:36:47.720
<v Speaker 2>can't get enough.

0:36:48.640 --> 0:36:51.960
<v Speaker 1>Also, her sitting behind us on that ball. Is that

0:36:52.040 --> 0:36:55.000
<v Speaker 1>the second scene or the first scene? It's so funny.

0:36:55.719 --> 0:36:57.959
<v Speaker 1>I remember doing that being like we're in Jane's oven.

0:36:58.880 --> 0:37:03.200
<v Speaker 2>I also remember being every other scene I had had

0:37:03.239 --> 0:37:05.680
<v Speaker 2>with her up to that point. You know, Artie is

0:37:05.719 --> 0:37:09.840
<v Speaker 2>scared of her, right, it's Sue, but this was like

0:37:09.880 --> 0:37:13.120
<v Speaker 2>we're almost graduating, we're used to her antics, and it

0:37:13.160 --> 0:37:15.440
<v Speaker 2>was like the first time that we're both not we

0:37:15.480 --> 0:37:20.040
<v Speaker 2>don't care what she says in terms of like intimidation.

0:37:20.800 --> 0:37:23.920
<v Speaker 1>Yes, yes, which was also really.

0:37:23.680 --> 0:37:27.000
<v Speaker 2>Fun to like play against her in that way.

0:37:27.520 --> 0:37:34.719
<v Speaker 1>Yes, And it's always just fun Jane. We have to

0:37:35.000 --> 0:37:38.160
<v Speaker 1>do a speech for her an audience or her choice,

0:37:39.040 --> 0:37:43.759
<v Speaker 1>and we're also competing for I guess a solid nationalist

0:37:43.760 --> 0:37:46.319
<v Speaker 1>as well in this like it just adds that on

0:37:46.360 --> 0:37:46.920
<v Speaker 1>top of it.

0:37:48.680 --> 0:37:50.759
<v Speaker 2>Because what Blaine has given up his even though the

0:37:50.800 --> 0:37:53.719
<v Speaker 2>whole last episode or the puppet episode was solely about.

0:37:53.480 --> 0:37:57.719
<v Speaker 1>That and a solo, I can't and then it never

0:37:57.760 --> 0:38:03.520
<v Speaker 1>plays out the way we talk about it anyway already

0:38:03.560 --> 0:38:06.520
<v Speaker 1>and Teina are going to get into it. And that scene,

0:38:06.600 --> 0:38:09.440
<v Speaker 1>those scenes in the hallway where you're rolling down the

0:38:09.480 --> 0:38:12.120
<v Speaker 1>hall and I'm chasing you or I'm in front of

0:38:12.120 --> 0:38:14.680
<v Speaker 1>you and I'm those were really fun. I have some

0:38:14.719 --> 0:38:18.759
<v Speaker 1>photos from those where I'm sitting when when it's your coverage,

0:38:19.040 --> 0:38:22.960
<v Speaker 1>I'm sitting with Andrew Mitchell, our a camera operator on

0:38:23.239 --> 0:38:27.400
<v Speaker 1>the dolly that they're wheeling and moving while you're moving

0:38:27.520 --> 0:38:30.480
<v Speaker 1>and doing these monologues, and I remember we had like

0:38:30.520 --> 0:38:33.040
<v Speaker 1>big paragraphs. We're like, yes, we have line, a lot

0:38:33.040 --> 0:38:37.520
<v Speaker 1>of lines. It moves really fast. We're also like moving

0:38:37.600 --> 0:38:40.439
<v Speaker 1>down a hall and I remember be like, oh my god,

0:38:40.480 --> 0:38:43.800
<v Speaker 1>this could go really badly. It didn't for some reason.

0:38:43.840 --> 0:38:46.000
<v Speaker 1>We just we did it. We made it work. Yeah,

0:38:47.040 --> 0:38:50.680
<v Speaker 1>But I remember like sitting on the dolly, like being

0:38:50.800 --> 0:38:53.760
<v Speaker 1>rolled and talking to you at the same time behind

0:38:53.800 --> 0:38:56.840
<v Speaker 1>the camera. I love these scenes.

0:38:57.000 --> 0:38:58.160
<v Speaker 2>Those are so much fun.

0:38:58.520 --> 0:38:59.680
<v Speaker 1>They were really fun to do.

0:39:00.120 --> 0:39:05.200
<v Speaker 2>It's our characters always talk so quickly to one another.

0:39:06.160 --> 0:39:08.640
<v Speaker 1>I think we speed each other up, maybe.

0:39:08.400 --> 0:39:10.440
<v Speaker 2>Yeah, and then they expect that. So then you're doing

0:39:10.480 --> 0:39:12.400
<v Speaker 2>those hallway scenes and they're like fast, you have to

0:39:12.440 --> 0:39:15.560
<v Speaker 2>make it because the hallway is only so long. So screwed.

0:39:15.760 --> 0:39:17.479
<v Speaker 2>It's all done by a certain time.

0:39:20.000 --> 0:39:24.799
<v Speaker 1>I wrote a speech for you, right, we were really

0:39:24.840 --> 0:39:25.520
<v Speaker 1>mean to each other.

0:39:26.239 --> 0:39:27.120
<v Speaker 2>Well, you pushed me.

0:39:28.600 --> 0:39:31.279
<v Speaker 1>Well, that we have to talk about. That was a

0:39:31.320 --> 0:39:32.120
<v Speaker 1>bridge too far.

0:39:32.480 --> 0:39:35.200
<v Speaker 2>I mean, all of it was like. The cattiness of

0:39:35.239 --> 0:39:37.719
<v Speaker 2>like going back and forth was also so much fun

0:39:37.840 --> 0:39:39.359
<v Speaker 2>because we never got to do that.

0:39:39.760 --> 0:39:42.720
<v Speaker 1>No, it was I think the fall was a bridge

0:39:42.760 --> 0:39:46.239
<v Speaker 1>too far. I don't think it was fully necessary. It

0:39:46.360 --> 0:39:49.319
<v Speaker 1>was genuinely an accident from Tina. That's the way. I

0:39:49.400 --> 0:39:51.759
<v Speaker 1>thought she would never push him like that.

0:39:51.880 --> 0:39:53.960
<v Speaker 2>I fully played it like that, and I think that.

0:39:54.160 --> 0:40:01.200
<v Speaker 1>Yeah, you can't. I mean, I don't know. Yeah, we

0:40:01.360 --> 0:40:04.120
<v Speaker 1>got We are pretty catty there. I think everybody did

0:40:04.160 --> 0:40:07.200
<v Speaker 1>in this episode, obviously like Rachel and Santina as well.

0:40:07.280 --> 0:40:11.719
<v Speaker 1>But these spitches, these speeches are you call me McKinley's

0:40:11.719 --> 0:40:17.960
<v Speaker 1>biggest bitch. It's funny, it's very funny.

0:40:18.040 --> 0:40:21.200
<v Speaker 2>You know, nobody read us more than Suit did. When

0:40:21.239 --> 0:40:23.680
<v Speaker 2>she was saying like, oh, he's probably just in the

0:40:23.320 --> 0:40:26.839
<v Speaker 2>background saying like, yeah what Kitty said, it was like, ooh,

0:40:27.320 --> 0:40:31.799
<v Speaker 2>what a read. Yeah, that is exactly what what we do. Oh,

0:40:31.880 --> 0:40:39.160
<v Speaker 2>Kitty's right, that's what it is, Blaine, are you serious?

0:40:40.000 --> 0:40:42.040
<v Speaker 1>But the oh yeah, so we do in Vogue, which

0:40:42.040 --> 0:40:44.799
<v Speaker 1>was really fun too, also very strange looking into a

0:40:44.840 --> 0:40:48.120
<v Speaker 1>camera see a song like that. I'm like, this is

0:40:48.200 --> 0:40:51.560
<v Speaker 1>not quite whenever I call you friend in terms of

0:40:51.600 --> 0:40:54.640
<v Speaker 1>my style and not what we're used to. But I

0:40:54.640 --> 0:40:56.640
<v Speaker 1>thought it was fun. I thought it was really fun.

0:40:56.640 --> 0:41:00.480
<v Speaker 2>To do you sounded great on it.

0:41:00.480 --> 0:41:03.759
<v Speaker 1>It was fast. I remember shooting this really fast.

0:41:03.560 --> 0:41:06.880
<v Speaker 2>Very fast. Yes, yeah, okay, like both of these numbers

0:41:06.880 --> 0:41:10.000
<v Speaker 2>are pretty quick because they're sort of free form rock out,

0:41:10.120 --> 0:41:11.440
<v Speaker 2>just you and me going at.

0:41:11.320 --> 0:41:12.040
<v Speaker 1>It a bit.

0:41:12.280 --> 0:41:16.200
<v Speaker 2>Yeah, yeah, for sure, completely different ways. Yes, I forgot

0:41:16.320 --> 0:41:17.240
<v Speaker 2>this number existed.

0:41:18.080 --> 0:41:18.760
<v Speaker 1>Oh you did.

0:41:19.120 --> 0:41:22.680
<v Speaker 2>I completely forgot that we did this, And as an

0:41:22.880 --> 0:41:26.120
<v Speaker 2>in Vogue fan, I I was like, yes, okay, great,

0:41:26.160 --> 0:41:27.560
<v Speaker 2>I get another in Vogue song.

0:41:27.440 --> 0:41:35.680
<v Speaker 1>To do we do these speeches? Well, she pushes arready,

0:41:37.360 --> 0:41:44.680
<v Speaker 1>and we do these speeches. Obviously we're going to nominate

0:41:44.719 --> 0:41:49.839
<v Speaker 1>each other. It's redeeming, it's very sweet, it's very arty.

0:41:49.920 --> 0:41:54.000
<v Speaker 1>Tina Yes seem to Rachel wouldn't be voting for each other,

0:41:54.360 --> 0:41:57.319
<v Speaker 1>but Artie and Tina would end up getting there. I

0:41:57.360 --> 0:42:02.760
<v Speaker 1>love these speeches. I was so emotional on that first part,

0:42:03.360 --> 0:42:05.680
<v Speaker 1>and I remember being like, I'm never going to get

0:42:05.680 --> 0:42:08.840
<v Speaker 1>through this speech and I knew it. Think it's because

0:42:08.880 --> 0:42:12.480
<v Speaker 1>we knew graduation was coming. I was like, the end

0:42:12.560 --> 0:42:13.839
<v Speaker 1>is yeah.

0:42:13.920 --> 0:42:15.960
<v Speaker 2>He was finally hitting yes.

0:42:16.280 --> 0:42:18.360
<v Speaker 1>And You're like, oh, I begged for this for a

0:42:18.400 --> 0:42:22.560
<v Speaker 1>long time. I've wanted out, I've blacked out, I've raged,

0:42:23.040 --> 0:42:28.000
<v Speaker 1>and here I am now like sad, Sad, it's over, Sad,

0:42:28.040 --> 0:42:30.120
<v Speaker 1>It's coming to an end. Sad, We're getting to this

0:42:30.160 --> 0:42:33.560
<v Speaker 1>point where we're talking about avaledictorian for graduation. But I

0:42:33.600 --> 0:42:38.080
<v Speaker 1>thought it was so sweet. And also these lines are

0:42:38.640 --> 0:42:43.960
<v Speaker 1>outrage I guess progressively just crazier. As he strains to

0:42:43.960 --> 0:42:46.080
<v Speaker 1>push his wheelchair up that ram, the ghosts of fallen

0:42:46.120 --> 0:42:50.120
<v Speaker 1>heroes followed close behind. Rosa Parks, Mohammeda Gandhi and Ardie

0:42:50.200 --> 0:42:54.000
<v Speaker 1>Ingrams holds the torch Hi whole time, the Torch of Dignity,

0:42:54.360 --> 0:42:57.080
<v Speaker 1>also calling you a bridge too far. That's where I

0:42:57.080 --> 0:42:58.800
<v Speaker 1>got that from this episode. I was like, is it

0:42:58.840 --> 0:43:04.480
<v Speaker 1>a push too far? Yes? Calling Arnie Abrams an American hero, it's.

0:43:04.520 --> 0:43:06.960
<v Speaker 2>Exacting when I say that Tina took my broken body

0:43:06.960 --> 0:43:09.560
<v Speaker 2>in her arms and taught me how to love. My

0:43:09.640 --> 0:43:12.719
<v Speaker 2>favorite part that was, like, my favorite part of what

0:43:12.800 --> 0:43:18.400
<v Speaker 2>I say is when I call you a patriot. I

0:43:18.400 --> 0:43:19.120
<v Speaker 2>remember reading that.

0:43:19.200 --> 0:43:22.960
<v Speaker 1>It was like, yes, yeah, I think we've read this together.

0:43:24.680 --> 0:43:26.920
<v Speaker 1>You're reading this at the same time when when we

0:43:26.960 --> 0:43:27.600
<v Speaker 1>first read it.

0:43:27.719 --> 0:43:30.000
<v Speaker 2>Yeah, and these are like the lines we'd practice these

0:43:30.000 --> 0:43:32.719
<v Speaker 2>monologues because we would shoot them all as one for ourselves,

0:43:33.200 --> 0:43:34.440
<v Speaker 2>and then they edited it together.

0:43:34.480 --> 0:43:37.360
<v Speaker 1>When it went back and forth, yes, it it was

0:43:37.360 --> 0:43:43.400
<v Speaker 1>so sweet, Dot crying and everybody just like, so the

0:43:43.480 --> 0:43:46.279
<v Speaker 1>vote was split. She calls you make a wish, but

0:43:46.760 --> 0:43:47.560
<v Speaker 1>the vote was split.

0:43:47.680 --> 0:43:48.680
<v Speaker 2>Our plan backfired.

0:43:48.840 --> 0:43:52.080
<v Speaker 1>Blaine gets it, and then this scene in the hallway

0:43:52.600 --> 0:43:54.759
<v Speaker 1>when he's like, oh, it sounds like a humble rag,

0:43:54.800 --> 0:43:57.120
<v Speaker 1>but honestly, sometimes I just feel like things get handed

0:43:57.120 --> 0:44:03.840
<v Speaker 1>to me. We're like, really, it's so fun, honey. I

0:44:03.840 --> 0:44:07.000
<v Speaker 1>think it's the funniest one. I just love it. He's

0:44:07.040 --> 0:44:10.760
<v Speaker 1>playing it so well. We're like, really, no, it was very.

0:44:10.600 --> 0:44:12.440
<v Speaker 2>Real because he would be like that in real life.

0:44:12.880 --> 0:44:19.759
<v Speaker 1>Totally, totally, And but then we get to do he

0:44:20.080 --> 0:44:22.799
<v Speaker 1>graciously is doing a trio with us.

0:44:22.840 --> 0:44:25.760
<v Speaker 2>His royal highness has allowed us to grace the stage

0:44:25.800 --> 0:44:28.480
<v Speaker 2>with him. Also, this whole thing about Tina getting waitlisted

0:44:28.480 --> 0:44:33.440
<v Speaker 2>at Brown. Oh yeah, but like you keep talking about, like, oh,

0:44:33.680 --> 0:44:35.359
<v Speaker 2>you need to give the speech she can get into Brown,

0:44:35.480 --> 0:44:38.200
<v Speaker 2>or oh if we do break Breakaway, can we can

0:44:38.280 --> 0:44:38.879
<v Speaker 2>submit it?

0:44:39.120 --> 0:44:39.359
<v Speaker 1>Yeah?

0:44:39.480 --> 0:44:40.760
<v Speaker 2>Like is that how that works?

0:44:41.160 --> 0:44:43.920
<v Speaker 1>No, a trio song is not going to get me

0:44:43.960 --> 0:44:44.560
<v Speaker 1>into Brown.

0:44:45.520 --> 0:44:48.360
<v Speaker 2>That's not going to do it. You know what, any

0:44:48.480 --> 0:44:50.360
<v Speaker 2>school should let you in after that song?

0:44:50.600 --> 0:44:56.239
<v Speaker 1>Because well, we get to do Breakaway, and oh I

0:44:56.360 --> 0:45:01.640
<v Speaker 1>love doing this number. I love seeing this song. I

0:45:01.680 --> 0:45:05.120
<v Speaker 1>love this Kevin like two of our favorites whenever I

0:45:05.160 --> 0:45:08.400
<v Speaker 1>call you friend and Breakaway one episode. How do we

0:45:08.440 --> 0:45:09.160
<v Speaker 1>get so lucky?

0:45:09.400 --> 0:45:13.880
<v Speaker 2>I don't know. And honestly, everything about the process of

0:45:13.920 --> 0:45:19.000
<v Speaker 2>Breakaway was a dreamy recording. It was just like wonderful,

0:45:19.239 --> 0:45:23.279
<v Speaker 2>It felt good, It was so satisfying. These harmonies are

0:45:23.400 --> 0:45:32.360
<v Speaker 2>so good. The arrangement was unbelievable, and I just felt like, Also,

0:45:32.400 --> 0:45:34.680
<v Speaker 2>the three of us never do anything together like that.

0:45:35.280 --> 0:45:37.040
<v Speaker 1>No, we don't. That's why it was. I think it

0:45:37.080 --> 0:45:41.000
<v Speaker 1>was so fun. It was like it just it was

0:45:41.040 --> 0:45:42.200
<v Speaker 1>so great.

0:45:43.200 --> 0:45:44.800
<v Speaker 2>Yeah, it was easy.

0:45:44.920 --> 0:45:48.200
<v Speaker 1>Damn there and sing god flats.

0:45:48.960 --> 0:45:52.640
<v Speaker 2>Also, and then the editing with this seeing Rachel pack

0:45:52.719 --> 0:45:58.120
<v Speaker 2>her bags being so emotional, and then that whole bit

0:45:58.200 --> 0:46:01.719
<v Speaker 2>with her getting the picture, tearing it in half and

0:46:01.760 --> 0:46:03.720
<v Speaker 2>walking out, all while the song is playing.

0:46:04.239 --> 0:46:09.600
<v Speaker 1>Man boy, man, I am just I'm thrilled. I'm thrilled.

0:46:09.760 --> 0:46:12.080
<v Speaker 2>No notes for this episode, no notes.

0:46:11.840 --> 0:46:14.080
<v Speaker 1>I get I Oh man, I can watch this one

0:46:14.239 --> 0:46:26.640
<v Speaker 1>again and again. I'm just so happy. Okay, let's grade

0:46:26.680 --> 0:46:27.920
<v Speaker 1>these performances.

0:46:28.520 --> 0:46:29.520
<v Speaker 2>I would love nothing more.

0:46:29.719 --> 0:46:37.400
<v Speaker 1>Please whenever I call you friend A plus, Brave A

0:46:37.560 --> 0:46:39.759
<v Speaker 1>plus plus, my lovin.

0:46:41.000 --> 0:46:42.920
<v Speaker 2>A minus.

0:46:43.280 --> 0:46:47.480
<v Speaker 1>Sure, okay, don't read in my parade A plus I

0:46:47.520 --> 0:46:50.080
<v Speaker 1>believe in and think all up, Wait, don't rid my parade?

0:46:50.320 --> 0:46:55.080
<v Speaker 2>Did you also giggle when Yeah? Some of those yeah,

0:46:55.200 --> 0:46:59.000
<v Speaker 2>the options ups theres also the track with it.

0:46:59.280 --> 0:47:00.600
<v Speaker 1>I can't, it's too much.

0:47:01.160 --> 0:47:02.560
<v Speaker 2>I was giggling.

0:47:03.000 --> 0:47:04.800
<v Speaker 1>I can't. I can't.

0:47:05.800 --> 0:47:08.160
<v Speaker 2>Like they were out of their minds. That arrangement is

0:47:08.200 --> 0:47:08.720
<v Speaker 2>so silly.

0:47:08.840 --> 0:47:10.879
<v Speaker 1>You feel like it was like you had to do

0:47:10.920 --> 0:47:13.840
<v Speaker 1>something like that in order to not try to be

0:47:14.440 --> 0:47:17.680
<v Speaker 1>what Leah does with that number at all, because you

0:47:17.760 --> 0:47:20.279
<v Speaker 1>just can't match that in any way, like it's it

0:47:20.440 --> 0:47:27.680
<v Speaker 1>just feels like wrong. But loved it. Yeah, believe in

0:47:27.719 --> 0:47:31.160
<v Speaker 1>a thing called love. Hey, Hey, every breath you take

0:47:31.719 --> 0:47:34.400
<v Speaker 1>a hey half plus.

0:47:35.080 --> 0:47:37.440
<v Speaker 2>Okay, that's a minus.

0:47:38.840 --> 0:47:42.800
<v Speaker 1>No, it's not. Well, it's a positive, Kevin, it's positive,

0:47:43.000 --> 0:47:47.400
<v Speaker 1>all right. It's a tea a sideways tetris tea okay,

0:47:47.480 --> 0:47:52.120
<v Speaker 1>Breakaway a plus A plus Okay, that is a really

0:47:52.440 --> 0:47:54.880
<v Speaker 1>solid average. No, it's an excellent average.

0:47:54.920 --> 0:47:58.320
<v Speaker 2>That's excellent. I approve of all of this. I listened

0:47:58.320 --> 0:47:59.480
<v Speaker 2>to Breakaway a lot.

0:47:59.880 --> 0:48:02.799
<v Speaker 1>I do. I don't listen to it enough. But I'm

0:48:02.840 --> 0:48:04.320
<v Speaker 1>going to go listen to Every Breath You Take and

0:48:04.360 --> 0:48:06.879
<v Speaker 1>don't rain on my parade right now and Brave and

0:48:06.960 --> 0:48:07.640
<v Speaker 1>when I call you.

0:48:07.800 --> 0:48:09.759
<v Speaker 2>This episode needs to have its own little EP or

0:48:09.760 --> 0:48:10.680
<v Speaker 2>its little playlist.

0:48:11.160 --> 0:48:13.160
<v Speaker 1>Yes, I'm just gonna make a little playlist on my

0:48:13.160 --> 0:48:13.800
<v Speaker 1>Spotify for this.

0:48:14.040 --> 0:48:16.880
<v Speaker 2>Brave is so good. I really enjoyed watching that.

0:48:17.000 --> 0:48:19.680
<v Speaker 1>Really really good. Okay, let's do some tarty tap.

0:48:20.200 --> 0:48:22.000
<v Speaker 2>This happened last time when Sarah we had a Sarah

0:48:22.000 --> 0:48:23.719
<v Speaker 2>Breilla song, didn't it? Love song?

0:48:24.040 --> 0:48:25.920
<v Speaker 1>Love song? You love love song? I think you like

0:48:25.960 --> 0:48:29.280
<v Speaker 1>love song a little bit more than I did, but

0:48:29.280 --> 0:48:30.279
<v Speaker 1>but it's very good.

0:48:30.600 --> 0:48:32.440
<v Speaker 2>Yeah, okay, Tarty.

0:48:32.200 --> 0:48:41.879
<v Speaker 1>Takes cringe moments. I mean calling you make a wish

0:48:41.960 --> 0:48:45.520
<v Speaker 1>was kind of yeah, kind of cringey.

0:48:46.560 --> 0:48:50.560
<v Speaker 2>The racist woman at the diner calling Santana Mexican.

0:48:52.320 --> 0:48:58.360
<v Speaker 1>That was it, that whole conversation, and like Leah and

0:48:58.680 --> 0:49:01.719
<v Speaker 1>Rachel saying like I've you were just gonna, like, you know,

0:49:01.840 --> 0:49:04.719
<v Speaker 1>go line behinds on her like you know, we we

0:49:04.960 --> 0:49:10.120
<v Speaker 1>addressed it, but it was it was it was cringey.

0:49:10.560 --> 0:49:16.280
<v Speaker 1>It was cringeing for sure. Best dance move, oh man.

0:49:18.440 --> 0:49:19.920
<v Speaker 2>I mean there was not really a lot of choreo.

0:49:20.080 --> 0:49:21.320
<v Speaker 2>I think Chris on a pole.

0:49:21.960 --> 0:49:24.680
<v Speaker 1>Yeah yeah, yeah, he loves the pole. Let's just give

0:49:24.760 --> 0:49:25.000
<v Speaker 1>him that.

0:49:25.440 --> 0:49:27.560
<v Speaker 2>Yeah, he was waiting for that one.

0:49:28.320 --> 0:49:30.040
<v Speaker 1>I don't know, Kevin, what are you going to say?

0:49:30.480 --> 0:49:36.200
<v Speaker 2>Best saw? I'm going breakaway? Yeah okay, But honestly, there's

0:49:36.239 --> 0:49:38.719
<v Speaker 2>not a wrong choice in this episode.

0:49:39.040 --> 0:49:42.080
<v Speaker 1>It's so true. I mean I would say, you could

0:49:42.160 --> 0:49:46.080
<v Speaker 1>leave out my lovin' yes, and I think that's the weakest,

0:49:46.520 --> 0:49:48.399
<v Speaker 1>and you could leave out maybe every breath you take.

0:49:48.440 --> 0:49:52.920
<v Speaker 1>But it's close. It's close. Yeah, okay, Bess very prop.

0:49:54.920 --> 0:49:57.840
<v Speaker 2>Oh Leah's wig.

0:50:00.280 --> 0:50:04.680
<v Speaker 1>Yes, yes, there was a lot. The picture, the ripped

0:50:04.760 --> 0:50:05.560
<v Speaker 1>up picture.

0:50:06.200 --> 0:50:09.680
<v Speaker 2>Oh oh that was good.

0:50:09.719 --> 0:50:18.440
<v Speaker 1>The umbrellas yeah yeah yeah good are lunchboxes? Oh yeah? Okay.

0:50:18.680 --> 0:50:21.880
<v Speaker 1>Best line, oh man, is it a bridge too far

0:50:21.920 --> 0:50:24.000
<v Speaker 1>to call lady as an American hero? I think not

0:50:24.880 --> 0:50:28.280
<v Speaker 1>very good. Not the delivery, just like the line itself.

0:50:29.920 --> 0:50:32.000
<v Speaker 2>You delivered it very well, Jenna, Well.

0:50:31.880 --> 0:50:34.279
<v Speaker 1>Thank you. But also it's just it's really the line.

0:50:35.400 --> 0:50:37.000
<v Speaker 1>But there was the one line that I was like, oh,

0:50:37.000 --> 0:50:37.480
<v Speaker 1>this is the best.

0:50:37.520 --> 0:50:39.279
<v Speaker 2>I would love for things to get physical. I will

0:50:39.320 --> 0:50:40.719
<v Speaker 2>hit you so hard that you won't be able to

0:50:40.719 --> 0:50:43.480
<v Speaker 2>wake up until you're old enough to be funny. Lady.

0:50:45.280 --> 0:50:46.080
<v Speaker 2>That's a good joke.

0:50:46.280 --> 0:50:51.719
<v Speaker 1>That's a good one. MVP. I don't know, I gotta say,

0:50:51.800 --> 0:50:57.880
<v Speaker 1>Leah Nyah, yeah, I do too. It was it was seamless,

0:50:58.160 --> 0:51:02.520
<v Speaker 1>true truly a seamless storyline and performances. I really I

0:51:02.560 --> 0:51:03.760
<v Speaker 1>could watch it all.

0:51:03.680 --> 0:51:09.719
<v Speaker 2>Day and I might. And also the writers, the music producers,

0:51:09.840 --> 0:51:15.000
<v Speaker 2>everyone really just did it. This episode A yaker really

0:51:15.640 --> 0:51:19.120
<v Speaker 2>like special, wow, wow, wow, smash it.

0:51:19.400 --> 0:51:20.480
<v Speaker 1>There's a special episode.

0:51:20.920 --> 0:51:23.680
<v Speaker 2>Okay, Jenna. Shit we found on TikTok this week. This

0:51:23.880 --> 0:51:26.239
<v Speaker 2>was nine one one Yeah, This was nine one one,

0:51:27.600 --> 0:51:28.920
<v Speaker 2>another Ryan Murphy show.

0:51:29.280 --> 0:51:34.359
<v Speaker 1>My dad texted me about that. Really, he said, there's

0:51:34.400 --> 0:51:36.400
<v Speaker 1>a show. He said, there's a Glee reference on nine

0:51:36.440 --> 0:51:39.880
<v Speaker 1>one one, and some of your friends were in Doctor Octopus.

0:51:39.960 --> 0:51:40.640
<v Speaker 1>Is that what the show is?

0:51:40.719 --> 0:51:41.440
<v Speaker 2>Doctor Odyssey.

0:51:43.640 --> 0:51:47.480
<v Speaker 1>I have too many children's songs in my head. Doctor Octopus,

0:51:48.560 --> 0:51:53.520
<v Speaker 1>my doctor. My daughter calls my daughter, Emma calls octopuses

0:51:54.760 --> 0:51:57.520
<v Speaker 1>apple juice. It's like apple juice, octapuse.

0:51:57.719 --> 0:51:59.440
<v Speaker 2>Octopus is hard to say, it is.

0:52:01.600 --> 0:52:04.480
<v Speaker 1>That's where my head's at. Sorry, yes, they're cord being

0:52:04.520 --> 0:52:09.200
<v Speaker 1>in Doctor Odyesty. Okay, wait, but that is crazy because

0:52:09.200 --> 0:52:11.480
<v Speaker 1>it's not just like a one off Glee reference like

0:52:11.520 --> 0:52:13.239
<v Speaker 1>that is a full monologue.

0:52:13.280 --> 0:52:16.440
<v Speaker 2>No, we got a full dramatic monologue reading somebody about

0:52:16.600 --> 0:52:19.360
<v Speaker 2>gay rights and how there's pre Glee people who world

0:52:19.600 --> 0:52:21.640
<v Speaker 2>in post Glee world, and to honor the people who

0:52:21.680 --> 0:52:24.160
<v Speaker 2>came before the Glee world because Glee made it a

0:52:24.200 --> 0:52:31.239
<v Speaker 2>little easier. It's not Ryan Murphy claiming he created gay

0:52:31.320 --> 0:52:32.720
<v Speaker 2>rights the TV shows.

0:52:35.800 --> 0:52:38.640
<v Speaker 1>It's great. I love it. I love it.

0:52:39.200 --> 0:52:41.439
<v Speaker 2>Look we did. There was a lot of educating going

0:52:41.480 --> 0:52:42.480
<v Speaker 2>on in Glee.

0:52:42.560 --> 0:52:44.520
<v Speaker 1>Yeah. Yeah, People mad at Ryan Murphy for writing this,

0:52:44.600 --> 0:52:47.239
<v Speaker 1>but really, forgot how much Glee genuinely did do for

0:52:47.400 --> 0:52:50.319
<v Speaker 1>LGBTQ plus rights. Hate it or love it, you can't

0:52:50.320 --> 0:52:52.600
<v Speaker 1>deny the Glee had a greater impact than we realize.

0:52:53.000 --> 0:52:55.960
<v Speaker 1>You know, there's a lot of This is a teaching moment, Kevin.

0:52:55.960 --> 0:52:57.880
<v Speaker 2>It is, and I like, you know, when we were

0:52:57.920 --> 0:53:00.799
<v Speaker 2>out in public or still when people come up to us,

0:53:02.600 --> 0:53:05.520
<v Speaker 2>we see the different demographics who watched Glee, and when

0:53:05.520 --> 0:53:08.560
<v Speaker 2>it was on, you would have these people who you

0:53:08.560 --> 0:53:10.840
<v Speaker 2>would never think would ever watch a show like this,

0:53:10.880 --> 0:53:13.399
<v Speaker 2>and they either watch it with their girlfriends or their

0:53:13.440 --> 0:53:18.520
<v Speaker 2>mom or whatever it is, and they're exposed to characters

0:53:18.560 --> 0:53:20.319
<v Speaker 2>that they wouldn't normally ever be exposed to. And in

0:53:20.320 --> 0:53:23.640
<v Speaker 2>that moment that those are teaching moments by seeing different

0:53:23.680 --> 0:53:27.480
<v Speaker 2>people who are unlike themselves. So I love that they

0:53:27.480 --> 0:53:30.240
<v Speaker 2>did that. Ryan Murphy self referential moment.

0:53:31.680 --> 0:53:32.480
<v Speaker 1>Funny.

0:53:32.640 --> 0:53:34.800
<v Speaker 2>You know what, when you build an empire TV empire,

0:53:34.840 --> 0:53:35.279
<v Speaker 2>you can do that.

0:53:35.800 --> 0:53:40.480
<v Speaker 1>You can do that because you're in control. That was

0:53:40.560 --> 0:53:43.440
<v Speaker 1>fun of me as you guys, I'm so honored to

0:53:43.440 --> 0:53:47.040
<v Speaker 1>go on that journey with you because I really enjoyed that.

0:53:47.120 --> 0:53:48.600
<v Speaker 1>And I'm not being biased. I know I do that

0:53:48.640 --> 0:53:51.080
<v Speaker 1>a lot with like Tina episodes. Sometimes I'm like, this

0:53:51.160 --> 0:53:51.880
<v Speaker 1>is a great episode.

0:53:52.719 --> 0:53:56.600
<v Speaker 2>Tina has great episodes. Those storylines are always in a

0:53:56.600 --> 0:53:57.400
<v Speaker 2>really good episode.

0:53:57.440 --> 0:54:00.680
<v Speaker 1>When they slap, they slap. This one was really great though,

0:54:00.680 --> 0:54:06.680
<v Speaker 1>and so Steller's all around direction, music performances, like writing.

0:54:07.680 --> 0:54:10.439
<v Speaker 1>It was across the board, really really good. Next week,

0:54:10.520 --> 0:54:13.279
<v Speaker 1>you guys, is the Tria is trio and that is

0:54:13.320 --> 0:54:18.479
<v Speaker 1>the makeout, and that is the makeoup. That's also Kevin.

0:54:18.560 --> 0:54:22.840
<v Speaker 1>This is also hold on Wilson Phillips. There were that

0:54:22.880 --> 0:54:31.120
<v Speaker 1>one with the curtains in a hole, the one Monday,

0:54:32.480 --> 0:54:40.640
<v Speaker 1>Come yes, Kevin, you're in it okay. Also, though I

0:54:40.680 --> 0:54:43.239
<v Speaker 1>had a lot, to be fair, this is a very

0:54:43.480 --> 0:54:46.160
<v Speaker 1>Tina heavy episode as well, So my memories are very

0:54:46.160 --> 0:54:47.320
<v Speaker 1>clear of this episode.

0:54:47.440 --> 0:54:49.720
<v Speaker 2>Yeah you can tell. I mean, if you've been listening

0:54:49.760 --> 0:54:52.800
<v Speaker 2>to this. If we're not in a lot, the memories out.

0:54:52.680 --> 0:54:55.160
<v Speaker 1>The window tend to go out the window. Well, thanks

0:54:55.160 --> 0:54:58.080
<v Speaker 1>for joining us, you guys. It's been fun.

0:54:58.880 --> 0:55:01.080
<v Speaker 2>This has been great. I hope everyone had a great time.

0:55:01.120 --> 0:55:03.680
<v Speaker 2>Happy New Year, Jenna, Happy new year. Great to see you.

0:55:03.840 --> 0:55:04.560
<v Speaker 1>Happy new year.

0:55:06.000 --> 0:55:08.080
<v Speaker 2>I hope this is a good year for everyone. See

0:55:08.080 --> 0:55:10.360
<v Speaker 2>you next week. And that's what you really missed. Thanks

0:55:10.360 --> 0:55:13.520
<v Speaker 2>for listening, and follow us on Instagram at and that's

0:55:13.520 --> 0:55:15.680
<v Speaker 2>what you really miss pod. Make sure to write us

0:55:15.680 --> 0:55:18.279
<v Speaker 2>a review and leave us five stars. See you next time.