Speaker 1: Welcome to Stuff to Blow Your Mind, a production of iHeartRadio.
Speaker 2: Hey, welcome to Stuff to Blow your Mind. Listener mail.
Speaker 3: My name is Robert Lamb and I am Joe McCormick.
Speaker 3: And today is Monday, the day of each week that
Speaker 3: we read back messages from the Stuff to Blow Your
Speaker 3: Mind email address. If you have never gotten in touch before,
Speaker 3: why not give it a try. You can email us
Speaker 3: at contact at stuff to Blow your Mind dot com.
Speaker 3: Any kind of message is fair game, but we especially
Speaker 3: appreciate responses to recent episodes. If you have something interesting
Speaker 3: you would like to add to a topic we've talked about,
Speaker 3: but also if you have feedback you just want to
Speaker 3: let us know you know where you listen from, what
Speaker 3: you like about the show, anything like that, Send it
Speaker 3: on in contact at stuff to Blow your Mind dot com.
Speaker 3: Let's see, oh Rob, maybe to start off today? We
Speaker 3: got several responses to I can tell you you threw
Speaker 3: out a request there for listeners to get in touch
Speaker 3: with their favorite Star Trek monsters, and listener Jeff did indeed,
Speaker 3: do you want to do this one?
Speaker 2: Sure? Sure, Jeff says, Hi, guys, just a quick response
Speaker 2: to requests for Star Trek creatures. There was a species
Speaker 2: called something like the Medusins in the original series. The
Speaker 2: gag was that they were not a non hostile race,
Speaker 2: but humans couldn't look directly at them without going mad.
Speaker 2: The ambassador they sent to deal with them was physically blind,
Speaker 2: but wore a dress that was a web of censors
Speaker 2: that allowed her to quote unquote look at them without
Speaker 2: going nuts. I think maybe Spock somehow got a taste
Speaker 2: of the space madness at some point. I don't remember
Speaker 2: how much they got into the biology of the creatures. Otherwise,
Speaker 2: hope there's enough meat on the bone there for an episode.
Speaker 3: Jeff ah Well, it, as is often the case with
Speaker 3: creatures and situations from the original series, I feel like
Speaker 3: this raises interesting philosophical questions, like about what it actually
Speaker 3: means to look and what it means to see something,
Speaker 3: because if I don't know, I was thinking about this,
Speaker 3: if you've got like sensors that allow you to gain
Speaker 3: all the same information you would get from looking at
Speaker 3: something with eyes, and so you can know what it
Speaker 3: looks like, yet that's still not the same as seeing.
Speaker 3: That implies that like seeing is somehow different than just
Speaker 3: having visual topographical information.
Speaker 2: Yeah, yeah, so the Meduicans. This is a great suggestion.
Speaker 2: I ended up not covering the Meduicins in this first
Speaker 2: and the first four Star Trek Monster Fact episodes that
Speaker 2: I did, but I may come back and do another
Speaker 2: batch of them in the future because there's plenty of
Speaker 2: cool stuff the Meduicins are. Yeah, they're definitely one of
Speaker 2: those classic track creatures, and for me, that kind of
Speaker 2: makes them a little more exotic because I wasn't an
Speaker 2: original Star Trek series viewer. I came in at Next Generation,
Speaker 2: and they intentionally did not revisit a lot of those aliens,
Speaker 2: like apparently I was reading Gene Roddenberry especially early on
Speaker 2: in Next Generation, was like new aliens, new species, you know,
Speaker 2: where we don't need the old ones, and you know,
Speaker 2: they bent on some of that. But then there are
Speaker 2: other creatures that just didn't really turn up in at
Speaker 2: least a meaningful way in the Next Generation, and like
Speaker 2: the Meducins were one of them. But I can say
Speaker 2: that a Medusin character does pop up on the really
Speaker 2: quite excellent recent animated series Star Trek Prodigy that I
Speaker 2: watched with my family and everybody got a big kick
Speaker 2: out off.
Speaker 3: Okay, well, I have no familiarity with this.
Speaker 2: Yeah, yeah, but it is an interesting concept of this
Speaker 2: kind of like energy creature that can't be viewed because
Speaker 2: to look upon them would you know, be to invite
Speaker 2: madness and so forth.
Speaker 3: You know, this is commonly said about like the face
Speaker 3: of the gorgon. You know, looking upon the gorgon turns
Speaker 3: you to stone in Greek mythology. But I think there's
Speaker 3: also a concept at least like in you know, like
Speaker 3: in the Hebrew Bible, that not that that you would
Speaker 3: necessarily be turned to stone, but that like you cannot
Speaker 3: really look directly at God. Yeah, yeah, it's like dangerous
Speaker 3: to do so. Yeah.
Speaker 2: And then, as we've discussed in past episodes of stuff
Speaker 2: blow your mind, that can spill over into various beliefs
Speaker 2: that we should not depict the divine and and so forth.
Speaker 2: So there's a there are a lot of avenues one
Speaker 2: can explore there.
Speaker 3: Okay, This next message is in response to our episodes
Speaker 3: on Dust and it comes from Chris. Chris says, Hi, Robert, Joe,
Speaker 3: and JJ, responding a few weeks later to your multi
Speaker 3: part episode on Dust, and I wanted to bring up
Speaker 3: a topic I do not believe was touched on explosive dust.
Speaker 3: This is a topic I know about from my time
Speaker 3: in the craft beer brewing industry. The history of explosive
Speaker 3: grain dust goes back to the first recorded grain dust
Speaker 3: explosion inter in Italy in seventeen eighty five, noted in
Speaker 3: this article, and Chris attaches a link. Chris says brewery
Speaker 3: milling rooms where the whole malted grains get milled to
Speaker 3: the appropriate size prior to starting the brewing process, are
Speaker 3: generally designed as almost quote blast rooms to decrease the
Speaker 3: chances that if a grain dust explosion would happen, it
Speaker 3: is contained appropriately. Unless I'm reading this wrong, I think
Speaker 3: Chris means the opposite, to increase the chance of if
Speaker 3: there is a grain dust it would be contained appropriately.
Speaker 3: Chris goes on good care must be taken to clean
Speaker 3: frequently to help decrease the chances of grain explosion. There
Speaker 3: are many examples of fine particulate matter that can cause
Speaker 3: these explosions, and the risk is not only in the
Speaker 3: brewing industry, but anywhere fine dust can be created grain elevators,
Speaker 3: feed mills, and grain processors, just to name a few.
Speaker 3: And then Chris attaches a link to another article an
Speaker 3: article from the Purdue University Engineering Department that looks like
Speaker 3: about I think about the physics of dust explosions. Chris says,
Speaker 3: thanks again for the great episodes and always appreciate your
Speaker 3: deep dives into topics so seemingly mundane as dust that
Speaker 3: then turn into a multi part series. Chris, Oh, thank you, Chris. Yeah,
Speaker 3: I didn't bring it up in the series, but I
Speaker 3: actually have read about dust explosions before. I wrote a
Speaker 3: dust explosion in as a plot point to one of
Speaker 3: the scripts that I wrote for the Thirteen Days of
Speaker 3: Halloween series that our network produces. One of the scripts
Speaker 3: I wrote involved a powdered milk explosion at a dairy factory.
Speaker 3: It's the thing you wouldn't think could happen, but Cannon does.
Speaker 3: All right.
Speaker 2: I have one quick, quick additional Star Trek message to read.
Speaker 2: This one came to us from Jim, and Jim also
Speaker 2: shared a few suggestions. Jim said, I'm loving the Star
Speaker 2: Trek monster fact. I have two suggestions. One silicon based
Speaker 2: life forms example the Horta, the crystalline entity from the
Speaker 2: next generation. Two creatures that live their lives in the
Speaker 2: vacuum of space examples the Crystalline Entity again, the Creature
Speaker 2: that Comes to Earth, and the fourth Star Trek movie,
Speaker 2: The Voyage Home, the Creatures from the TNG episodes The
Speaker 2: Loss and Galaxies, Child ten Man from TNG. Thanks Jim.
Speaker 3: Now that's a list of references. I don't know a
Speaker 3: lot of them, but I do remember the fourth Star
Speaker 3: Trek movie.
Speaker 2: Yes, and I do remember the Horta, and in fact,
Speaker 2: based on Jim's suggestion, I did the Horta for the
Speaker 2: fourth monster fact in the Star Trek series, so that
Speaker 2: one should be live. If anyone wants to.
Speaker 3: Go look that up.
Speaker 2: And if you would prefer to have those as an
Speaker 2: omnibus episode where all four are combined together, well that's
Speaker 2: going to come out in the next few weeks.
Speaker 3: Excellent. What's the short rundown on the Horta.
Speaker 2: The Horta is silicone based, it lives underground. It bores
Speaker 2: tunnels with via acid. And I did watch this original
Speaker 2: Star Trek episode as a kid. I do distinctly remember
Speaker 2: it because it's ultimately I think one of the one
Speaker 2: of like the best of the classic track. I see
Speaker 2: it make a lot of those lists, you know, And
Speaker 2: it's about this peaceful creature that you know, is very
Speaker 2: different from us, that lives underground and is peaceful, it
Speaker 2: doesn't really have anything to do with humans. But then
Speaker 2: it starts running a foul of a federation mining colony.
Speaker 2: There are some deaths, and ultimately it's one of these
Speaker 2: episodes where Spock has to play a central role in
Speaker 2: sort of helping us figure them out and helping them
Speaker 2: understand us. So, you know, in the Grand Star Trek tradition,
Speaker 2: it's a it's about understanding other civilizations, other peoples, or
Speaker 2: in the sci fi context, other aliens, and what they
Speaker 2: want and what they need. But then it also does
Speaker 2: have some excellent kind of like space suspense space horror
Speaker 2: elements to it as well, you know, some sort of
Speaker 2: mysterious entity killing people with acid and tunnels underneath this
Speaker 2: planet's surface.
Speaker 3: It looks like a big heap.
Speaker 2: Ah.
Speaker 3: Yeah, there's some good heaps in Star Trek. Wait, what's
Speaker 3: the I know we've talked about this on the show before,
Speaker 3: but then I forget what's it called. There's just like
Speaker 3: a mud puddle that kills some characters early in the
Speaker 3: next generation.
Speaker 2: I remember that one. I don't remember what it's called
Speaker 2: off the top of my head, but I distinctly remember
Speaker 2: that one with like the shuttlecraft landing set, and they
Speaker 2: had some sort of like a you know, pit underneath
Speaker 2: this black boily or maybe it was like Hershey's chocolate
Speaker 2: syrup stuff and it would just like swallow people down.
Speaker 2: I remember being impressed by that.
Speaker 3: All right, let's see, should we do some messages in
Speaker 3: response to our series on artifacts made out of meteorite iron? Yeah? Okay,
Speaker 3: which I'm gonna take this one from Chuck. Chuck says
Speaker 3: Dear Rob, Joe and JJ. Hello, I hope you're all
Speaker 3: doing well. I'm writing in response to your recent series
Speaker 3: on meteoric metal and alien iron. The topic made me
Speaker 3: think of the Murchison meteorite. I hope I'm saying right.
Speaker 3: That's m U rchi Son Murchison meteorite. Here's the gist.
Speaker 3: If you are unaware, this meteorite hit near Murchison, Victoria
Speaker 3: in Australia on September twenty eighth, nineteen sixty nine. It
Speaker 3: happened in the morning and was observed by witnesses, breaking
Speaker 3: apart in the atmosphere and causing a minor trimmer when
Speaker 3: the debris hit over two hundred and twenty pounds or
Speaker 3: one hundred kilograms of the meteorite was collected, with the
Speaker 3: largest pieces being over fifteen pounds or seven kilograms. It
Speaker 3: has since become one of the most studied meteorites that
Speaker 3: has ever hit the Earth. Okay, so what is so
Speaker 3: amazing about this meteorite is that, according to scientists, most
Speaker 3: of the meteorite grains are old, like before the Earth
Speaker 3: and Sun were formed old. Here is some text from
Speaker 3: an EarthSky dot com article discussing it. Quote, so, just
Speaker 3: how old are these grains? Some of them turned out
Speaker 3: to be the oldest found so far, and the oldest
Speaker 3: known material on Earth, older than Earth itself. Most of
Speaker 3: the grains are four point six to four point nine
Speaker 3: billion years old, while some are as much as five
Speaker 3: point five billion years old or more. Earth itself is
Speaker 3: four point five billion years old and the Sun is
Speaker 3: four point six billion years old. So these grains date
Speaker 3: from back before the formation of our solar system. And
Speaker 3: then Chuck provides a link to that source here, and
Speaker 3: that's an EarthSky dot org article. Chuck's email goes on.
Speaker 3: Other sources say that a small part of the media
Speaker 3: rite may be seven billion years old. Truly alien iron
Speaker 3: from the heavens. Of course, the Murchison meteorite was much
Speaker 3: too late in human history to be made into exotic artifacts,
Speaker 3: or simply too well observed, studied and collected in museums
Speaker 3: and labs for the uber rich to do so since
Speaker 3: nineteen sixty nine. But it made me think that surely,
Speaker 3: somewhere and sometime in our past, someone may have had
Speaker 3: an item made from something that well pre dates everything
Speaker 3: else on earth, a gift from the gods. And here
Speaker 3: I am trying to keep it simple and just add
Speaker 3: an alien iron vorpal sword into my daughter's D and
Speaker 3: D campaign. Thanks to you guys. Lastly, having written before
Speaker 3: and being at the risk of repeating myself, thank you
Speaker 3: for all the tremendous, thought provoking and sometimes hilarious information.
Speaker 3: The combination of variety, depth and dry what you provide
Speaker 3: is a rarity among podcasts. I salute you both. Thank
Speaker 3: you so much. Chuck Oh and also Chuck says that
Speaker 3: apparently one flaw remaining on our show is that we
Speaker 3: have not done a weird house on Big Trouble in
Speaker 3: Little China yet, and that would clinch it for him.
Speaker 3: He says, sincerely, with much gratitude, Chuck.
Speaker 2: Oh, well, well, first of all, you know, thanks for
Speaker 2: the great message, and I do love the idea of
Speaker 2: an alien iron vorpal sword in a Dungeons and Dragons campaign.
Speaker 2: But Big Trouble, Little China, that's It's definitely one that
Speaker 2: is on our radar. I've really enjoyed this film so
Speaker 2: many times over the years. I think it was ahead
Speaker 2: of its time in many respects. Has such a great cast,
Speaker 2: so many memorable moments. Certainly a cult film, and it
Speaker 2: is kind of weird that we have yet to actually
Speaker 2: watch a John Carpenter directed film on weird house cinema.
Speaker 3: Almost feels two on the nose. Wun't that be possible?
Speaker 2: I don't know. I mean, it would be a lot
Speaker 2: of fun to talk about it.
Speaker 3: It might.
Speaker 2: It might be one where we just go on and on,
Speaker 2: but yeah, but it would be a good one. I
Speaker 2: actually almost picked Dark Star for next week, but it
Speaker 2: was one of two backups for what I think we're
Speaker 2: going to be talking about. Oh okay, but I mean,
Speaker 2: we we've got to We've got to do a proper
Speaker 2: John Carpenter film at some point.
Speaker 3: We will, we will.
Speaker 2: We did have three, which he did not direct and
Speaker 2: uh yeah, I think I think that's it so far.
Speaker 2: That's the only like, that's the strongest John Garpenter connection
Speaker 2: to a film we've we've looked at.
Speaker 3: Now, wait a minute, didn't we just do John Carpenter
Speaker 3: star Man Last Friday? Oh No, that was a different one.
Speaker 2: Yeah, different star different star Man. This one is also
Speaker 2: in response to our Iron Meteorite episodes. This one comes
Speaker 2: to us from Hugh. You, says Robert, JO and JJ.
Speaker 2: Greetings to you all. The episodes on meteoric metal have
Speaker 2: been really interesting and I've learned a lot. The importance
Speaker 2: the Inuit people place on tools that are made from
Speaker 2: a special material and yet are in daily use really
Speaker 2: resonates with me. I'm an artist and metal worker, and
Speaker 2: in our community, old tools are highly prized. Old cast
Speaker 2: iron machine tools, hammers, tongs, vices, and especially anvils are
Speaker 2: sought out and lovingly restored with the full intension of
Speaker 2: using them. The thought of the lives those tools have
Speaker 2: lived before they come into our custody becomes significant and
Speaker 2: helps us to feel that we are part of a
Speaker 2: continue The objects created with these tools and the crafts
Speaker 2: people who have used them in the past imbue them
Speaker 2: with a sort of magic, a kind of magic that
Speaker 2: we hope to add with our own work. Great topic
Speaker 2: as always.
Speaker 3: H oh wow that I found that strangely heartwarming.
Speaker 2: Yeah, that's a great, great perspective. Yeah, because I mean
Speaker 2: I have certain tools that I use in my miniature
Speaker 2: painting hobby, and some of those are older and go
Speaker 2: back to my dad, and so I have, you know,
Speaker 2: nostalgia for them in that respect. But I like this
Speaker 2: description because this, like this kind of takes it a
Speaker 2: step further, and it goes beyond like mere attachment to
Speaker 2: a specific individual, but also to like a lineage of
Speaker 2: crafts people, some you know, some you don't know.
Speaker 3: I like that. Yeah, all right, let's do at least
Speaker 3: one weird house cinema message. This comes from Steph. Steph says, Hi, guys, first,
Speaker 3: thank you for reviewing. Howse? You have to say it
Speaker 3: that way? Howse, I'd recently finished all the show era
Speaker 3: Godzilla movies and was a bit adrift wondering what else
Speaker 3: to watch. House fit the bill very nicely, what a ride.
Speaker 3: I was delighted at how weird, funny and imaginative it was.
Speaker 3: I wonder if you maybe got the sense like I
Speaker 3: did in the watermelon eating scene that maybe Antie or
Speaker 3: Blanche that's the lady who lives in the house and
Speaker 3: the cat, the white cat, that maybe Anti or Blanche
Speaker 3: was using magic to hide what they were really snacking on.
Speaker 3: So this is the scene where I remember Fantasy has
Speaker 3: gone out to the well to find Mac, and Mac
Speaker 3: was supposed to be getting a watermelon that was chilling
Speaker 3: down in the well. Max snow where to be found.
Speaker 3: Fantasy pulls up the watermelon, but the water is not
Speaker 3: a watermelon. It's Max Head. And then max Head flies
Speaker 3: and then bites Fantasy and then vomits blood and then
Speaker 3: goes back down in the well, and then everybody comes
Speaker 3: and pulls it up looking for the head. But it's
Speaker 3: just a watermelon. Now, So this is Steph's theory about
Speaker 3: what's going on in that scene while they're eating the watermelon.
Speaker 3: It's maybe something else. So Steph says, when Anti opens
Speaker 3: her mouth shows Fantasy the eyeball inside her mouth and
Speaker 3: it appears to dart around. I took it to mean
Speaker 3: that it was meant to be max eyeball, because they
Speaker 3: were in fact eating max Head, which had been cloaked
Speaker 3: by magic to appear as though it were the watermelon.
Speaker 2: This is a solid theory.
Speaker 3: This is just cannon to me. Now, I'm fully convinced, Steph.
Speaker 3: Steph says, not sure if that's what Obayashi was implying,
Speaker 3: but that interpretation adds another layer of horror to that scene.
Speaker 3: Another small but very funny part I noticed was when
Speaker 3: Melody was playing the piano, the camera swings around to
Speaker 3: show her face and in the background you can see
Speaker 3: the skeleton dancing along. This is like the skeleton that
Speaker 3: was in the house. And I think they explained it like, oh, yes,
Speaker 3: grandfather was a doctor, so there are skeletons in the house.
Speaker 2: Yeah, and it does occasionally dance, but often in ways
Speaker 2: where it's not clear that anyone notices, and if they
Speaker 2: do notice that it's a big deal. But of course
Speaker 2: things get increasingly haunted as the movie progresses, So who knows,
Speaker 2: Maybe it's like it's small potatoes at that point.
Speaker 3: Yeah. So anyway, Steph says, Yeah, So the camera pans around,
Speaker 3: you see Melody's face and then behind her the skeleton
Speaker 3: is dancing, and Steph says, in the sound effects you
Speaker 3: can hear an almost Scooby Doo like quote. Skeleton bones
Speaker 3: rattling sound effect that is rattling in time to the
Speaker 3: piano music. Such a subtle but hilarious cartoony detail. It
Speaker 3: made me laugh out loud. Agree. Agree. Steph goes on
Speaker 3: second and in the last Listener mail, someone wrote in
Speaker 3: about taking a date to Highlander two and also about Tron.
Speaker 3: About Tron, in the same email, Steph says it warmed
Speaker 3: my heart because my dad, who has been gone for
Speaker 3: seven years now, loved both of those movies. He would
Speaker 3: play the game Tron at our local arcade, the Pirates Den.
Speaker 3: And because I was young and had watched Tron with
Speaker 3: my dad many times, I assumed there were really little
Speaker 3: guys in there that he was manipulating. Because of his
Speaker 3: affinity for movies like Highlander two and others of the sort.
Speaker 3: As a kid, I assumed that he had terrible taste
Speaker 3: in movies. Now, as an adult who enjoys watching a
Speaker 3: good bad movie, I realized he wasn't bad at picking
Speaker 3: out good movies. He was good at picking out bad movies.
Speaker 3: Thanks for all you do. I enjoy your shows immensely
Speaker 3: and always look forward to your deep dives on things,
Speaker 3: no matter the subject. Cheers Steph Oh well, thank you,
Speaker 3: Steph that this is a wonderful message. And yeah, I
Speaker 3: love hearing about these these memories of your dad.
Speaker 2: Yeah, yeah, I mean one of the great things about
Speaker 2: bad movies, weird movies, Hey, good movies, great movies, however
Speaker 2: you want to rank them. I mean, you know that
Speaker 2: they're ones that mean a lot to you personally, but
Speaker 2: then we get to share them with other people, and
Speaker 2: and and that that.
Speaker 3: Makes it even more magical. Co sign on that.
Speaker 2: Yeah, all right, one more weird house cinema. This one
Speaker 2: comes to us from Tauntry. Tauntrey, says Robin jeff I
Speaker 2: humbly suggest the fine post apocalyptic nineteen eighty eight western
Speaker 2: romp Cherry two thousand for weird House. It stars Melanie
Speaker 2: Griffith and Tim Tim Thomerson. Of course, from the the
Speaker 2: what is It Now?
Speaker 3: Can't he was in several things. He was in the
Speaker 3: Metal Storm, the what's the Deconstruction of Jared sin or what?
Speaker 2: Yeah, what's the Big One? What's the the series? Transis Death? Yeah,
Speaker 2: he's Jack Death.
Speaker 3: I'm your husband Jack Death.
Speaker 2: Yeah, he's also doll Man. A legend living legend includes
Speaker 2: the Laurence Fishburn sighting has many suspiciously strong elements of
Speaker 2: Blade Runner twenty twenty four and was shot in amazing
Speaker 2: locations all over Nevada. It's also incredibly bonkers and feels
Speaker 2: like a movie written specifically for the locations and is
Speaker 2: about a man searching for his lost robot girlfriend. The
Speaker 2: art direction is pure fur stroking madness. I found it
Speaker 2: on too be as always loved the podcast Cheers Don't.
Speaker 3: Try, Thank you Tantri. I'm gonna have to watch this
Speaker 3: one at some point. It's been on my radar for
Speaker 3: years and I've never gotten to it.
Speaker 2: I haven't seen it in several years at this point,
Speaker 2: but I remember it being a lot of fun. It
Speaker 2: does have a great cast, because let's see, who else
Speaker 2: do you have in there? Oh, Brian James is in there.
Speaker 2: That's a direct Blade Runner reference right there. And Robert
Speaker 2: Zadar has a small part in it as well.
Speaker 3: So perfect. You know.
Speaker 2: It's got a lot of strong B movie energy going
Speaker 2: on in it. And yeah, yeah, it's on the list.
Speaker 2: It's on the list of potential films to cover.
Speaker 3: How Can You Go Wrong? Melanie Griffith, Jack Death, Maniac
Speaker 3: Cop and Nevada. That's just like unbeatable.
Speaker 2: Harry Carey Junior is in it.
Speaker 3: You know. Okay, does that do it for today?
Speaker 2: I think that'll do it. We'll go ahead and call
Speaker 2: it here, but keep the listener mails rolling in. We
Speaker 2: will continue to read them here on Listener Mail, which
Speaker 2: airs Mondays. And the Stuff to Blow Your Mind podcast
Speaker 2: feed core episodes on Tuesdays and Thursdays. On Wednesday's a
Speaker 2: short form episode and sometimes a collection of those short
Speaker 2: form episodes in and omnibus, and then on Fridays we
Speaker 2: set aside most serious concerns. You just talk about a
Speaker 2: weird film on Weird House Cinema.
Speaker 3: Huge thanks as always to our excellent audio producer JJ Posway.
Speaker 3: If you would like to get in touch with us
Speaker 3: with feedback on this episode or any other, to suggest
Speaker 3: a topic for the future, or just to say hello,
Speaker 3: you can email us at contact at stuff to Blow
Speaker 3: your Mind dot com.
Speaker 1: Stuffed Blow Your Mind is production of iHeartRadio. For more
Speaker 1: podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts, or
Speaker 1: wherever you listen to your favorite shows.