1 00:00:03,040 --> 00:00:06,600 Speaker 1: Welcome to Stuff to Blow Your Mind, a production of iHeartRadio. 2 00:00:10,640 --> 00:00:14,680 Speaker 2: Hey, welcome to Stuff to Blow your Mind. Listener mail. 3 00:00:14,960 --> 00:00:18,160 Speaker 3: My name is Robert Lamb and I am Joe McCormick. 4 00:00:18,239 --> 00:00:20,639 Speaker 3: And today is Monday, the day of each week that 5 00:00:20,720 --> 00:00:22,920 Speaker 3: we read back messages from the Stuff to Blow Your 6 00:00:22,920 --> 00:00:26,720 Speaker 3: Mind email address. If you have never gotten in touch before, 7 00:00:26,880 --> 00:00:28,920 Speaker 3: why not give it a try. You can email us 8 00:00:28,960 --> 00:00:33,000 Speaker 3: at contact at stuff to Blow your Mind dot com. 9 00:00:33,240 --> 00:00:35,640 Speaker 3: Any kind of message is fair game, but we especially 10 00:00:35,760 --> 00:00:39,959 Speaker 3: appreciate responses to recent episodes. If you have something interesting 11 00:00:40,000 --> 00:00:42,560 Speaker 3: you would like to add to a topic we've talked about, 12 00:00:42,600 --> 00:00:45,240 Speaker 3: but also if you have feedback you just want to 13 00:00:45,320 --> 00:00:47,519 Speaker 3: let us know you know where you listen from, what 14 00:00:47,600 --> 00:00:49,879 Speaker 3: you like about the show, anything like that, Send it 15 00:00:49,880 --> 00:00:54,960 Speaker 3: on in contact at stuff to Blow your Mind dot com. 16 00:00:55,720 --> 00:00:58,720 Speaker 3: Let's see, oh Rob, maybe to start off today? We 17 00:00:58,840 --> 00:01:02,160 Speaker 3: got several responses to I can tell you you threw 18 00:01:02,200 --> 00:01:04,520 Speaker 3: out a request there for listeners to get in touch 19 00:01:04,520 --> 00:01:08,480 Speaker 3: with their favorite Star Trek monsters, and listener Jeff did indeed, 20 00:01:08,520 --> 00:01:11,120 Speaker 3: do you want to do this one? 21 00:01:14,720 --> 00:01:18,040 Speaker 2: Sure? Sure, Jeff says, Hi, guys, just a quick response 22 00:01:18,080 --> 00:01:20,840 Speaker 2: to requests for Star Trek creatures. There was a species 23 00:01:21,000 --> 00:01:24,520 Speaker 2: called something like the Medusins in the original series. The 24 00:01:24,600 --> 00:01:27,240 Speaker 2: gag was that they were not a non hostile race, 25 00:01:27,600 --> 00:01:30,240 Speaker 2: but humans couldn't look directly at them without going mad. 26 00:01:30,640 --> 00:01:33,640 Speaker 2: The ambassador they sent to deal with them was physically blind, 27 00:01:34,120 --> 00:01:36,479 Speaker 2: but wore a dress that was a web of censors 28 00:01:36,480 --> 00:01:39,720 Speaker 2: that allowed her to quote unquote look at them without 29 00:01:39,720 --> 00:01:42,640 Speaker 2: going nuts. I think maybe Spock somehow got a taste 30 00:01:42,640 --> 00:01:44,959 Speaker 2: of the space madness at some point. I don't remember 31 00:01:45,000 --> 00:01:47,600 Speaker 2: how much they got into the biology of the creatures. Otherwise, 32 00:01:48,120 --> 00:01:51,400 Speaker 2: hope there's enough meat on the bone there for an episode. 33 00:01:51,720 --> 00:01:55,120 Speaker 3: Jeff ah Well, it, as is often the case with 34 00:01:56,000 --> 00:01:59,160 Speaker 3: creatures and situations from the original series, I feel like 35 00:01:59,160 --> 00:02:03,560 Speaker 3: this raises interesting philosophical questions, like about what it actually 36 00:02:03,600 --> 00:02:06,320 Speaker 3: means to look and what it means to see something, 37 00:02:06,400 --> 00:02:08,200 Speaker 3: because if I don't know, I was thinking about this, 38 00:02:08,240 --> 00:02:11,680 Speaker 3: if you've got like sensors that allow you to gain 39 00:02:11,919 --> 00:02:15,040 Speaker 3: all the same information you would get from looking at 40 00:02:15,080 --> 00:02:17,880 Speaker 3: something with eyes, and so you can know what it 41 00:02:17,919 --> 00:02:21,680 Speaker 3: looks like, yet that's still not the same as seeing. 42 00:02:21,760 --> 00:02:25,000 Speaker 3: That implies that like seeing is somehow different than just 43 00:02:25,440 --> 00:02:27,800 Speaker 3: having visual topographical information. 44 00:02:28,680 --> 00:02:33,880 Speaker 2: Yeah, yeah, so the Meduicans. This is a great suggestion. 45 00:02:34,000 --> 00:02:36,560 Speaker 2: I ended up not covering the Meduicins in this first 46 00:02:36,639 --> 00:02:40,080 Speaker 2: and the first four Star Trek Monster Fact episodes that 47 00:02:40,160 --> 00:02:42,320 Speaker 2: I did, but I may come back and do another 48 00:02:42,360 --> 00:02:44,160 Speaker 2: batch of them in the future because there's plenty of 49 00:02:44,160 --> 00:02:47,760 Speaker 2: cool stuff the Meduicins are. Yeah, they're definitely one of 50 00:02:47,800 --> 00:02:51,239 Speaker 2: those classic track creatures, and for me, that kind of 51 00:02:51,280 --> 00:02:55,360 Speaker 2: makes them a little more exotic because I wasn't an 52 00:02:55,360 --> 00:02:59,320 Speaker 2: original Star Trek series viewer. I came in at Next Generation, 53 00:03:00,040 --> 00:03:03,679 Speaker 2: and they intentionally did not revisit a lot of those aliens, 54 00:03:03,720 --> 00:03:07,440 Speaker 2: like apparently I was reading Gene Roddenberry especially early on 55 00:03:07,520 --> 00:03:10,120 Speaker 2: in Next Generation, was like new aliens, new species, you know, 56 00:03:10,160 --> 00:03:12,160 Speaker 2: where we don't need the old ones, and you know, 57 00:03:12,200 --> 00:03:14,120 Speaker 2: they bent on some of that. But then there are 58 00:03:14,120 --> 00:03:16,440 Speaker 2: other creatures that just didn't really turn up in at 59 00:03:16,520 --> 00:03:20,280 Speaker 2: least a meaningful way in the Next Generation, and like 60 00:03:20,320 --> 00:03:22,840 Speaker 2: the Meducins were one of them. But I can say 61 00:03:22,880 --> 00:03:27,000 Speaker 2: that a Medusin character does pop up on the really 62 00:03:27,080 --> 00:03:31,480 Speaker 2: quite excellent recent animated series Star Trek Prodigy that I 63 00:03:31,520 --> 00:03:33,519 Speaker 2: watched with my family and everybody got a big kick 64 00:03:33,520 --> 00:03:33,920 Speaker 2: out off. 65 00:03:34,560 --> 00:03:36,680 Speaker 3: Okay, well, I have no familiarity with this. 66 00:03:37,160 --> 00:03:39,960 Speaker 2: Yeah, yeah, but it is an interesting concept of this 67 00:03:40,040 --> 00:03:43,600 Speaker 2: kind of like energy creature that can't be viewed because 68 00:03:43,640 --> 00:03:45,800 Speaker 2: to look upon them would you know, be to invite 69 00:03:45,840 --> 00:03:46,960 Speaker 2: madness and so forth. 70 00:03:47,360 --> 00:03:49,560 Speaker 3: You know, this is commonly said about like the face 71 00:03:49,600 --> 00:03:51,960 Speaker 3: of the gorgon. You know, looking upon the gorgon turns 72 00:03:52,000 --> 00:03:55,240 Speaker 3: you to stone in Greek mythology. But I think there's 73 00:03:55,280 --> 00:03:58,040 Speaker 3: also a concept at least like in you know, like 74 00:03:58,080 --> 00:04:00,839 Speaker 3: in the Hebrew Bible, that not that that you would 75 00:04:00,880 --> 00:04:03,200 Speaker 3: necessarily be turned to stone, but that like you cannot 76 00:04:03,240 --> 00:04:08,000 Speaker 3: really look directly at God. Yeah, yeah, it's like dangerous 77 00:04:08,000 --> 00:04:09,080 Speaker 3: to do so. Yeah. 78 00:04:09,120 --> 00:04:11,440 Speaker 2: And then, as we've discussed in past episodes of stuff 79 00:04:11,440 --> 00:04:17,200 Speaker 2: blow your mind, that can spill over into various beliefs 80 00:04:17,200 --> 00:04:21,400 Speaker 2: that we should not depict the divine and and so forth. 81 00:04:21,480 --> 00:04:23,720 Speaker 2: So there's a there are a lot of avenues one 82 00:04:23,760 --> 00:04:24,560 Speaker 2: can explore there. 83 00:04:25,120 --> 00:04:28,240 Speaker 3: Okay, This next message is in response to our episodes 84 00:04:28,240 --> 00:04:37,600 Speaker 3: on Dust and it comes from Chris. Chris says, Hi, Robert, Joe, 85 00:04:37,680 --> 00:04:41,159 Speaker 3: and JJ, responding a few weeks later to your multi 86 00:04:41,160 --> 00:04:43,919 Speaker 3: part episode on Dust, and I wanted to bring up 87 00:04:43,920 --> 00:04:48,000 Speaker 3: a topic I do not believe was touched on explosive dust. 88 00:04:48,640 --> 00:04:50,919 Speaker 3: This is a topic I know about from my time 89 00:04:51,000 --> 00:04:55,160 Speaker 3: in the craft beer brewing industry. The history of explosive 90 00:04:55,200 --> 00:04:58,599 Speaker 3: grain dust goes back to the first recorded grain dust 91 00:04:58,640 --> 00:05:03,120 Speaker 3: explosion inter in Italy in seventeen eighty five, noted in 92 00:05:03,160 --> 00:05:07,560 Speaker 3: this article, and Chris attaches a link. Chris says brewery 93 00:05:07,880 --> 00:05:11,599 Speaker 3: milling rooms where the whole malted grains get milled to 94 00:05:11,680 --> 00:05:15,600 Speaker 3: the appropriate size prior to starting the brewing process, are 95 00:05:15,640 --> 00:05:20,359 Speaker 3: generally designed as almost quote blast rooms to decrease the 96 00:05:20,480 --> 00:05:23,720 Speaker 3: chances that if a grain dust explosion would happen, it 97 00:05:23,800 --> 00:05:27,600 Speaker 3: is contained appropriately. Unless I'm reading this wrong, I think 98 00:05:27,720 --> 00:05:31,200 Speaker 3: Chris means the opposite, to increase the chance of if 99 00:05:31,240 --> 00:05:33,800 Speaker 3: there is a grain dust it would be contained appropriately. 100 00:05:34,520 --> 00:05:37,920 Speaker 3: Chris goes on good care must be taken to clean 101 00:05:38,040 --> 00:05:42,760 Speaker 3: frequently to help decrease the chances of grain explosion. There 102 00:05:42,760 --> 00:05:45,960 Speaker 3: are many examples of fine particulate matter that can cause 103 00:05:46,000 --> 00:05:48,720 Speaker 3: these explosions, and the risk is not only in the 104 00:05:48,720 --> 00:05:53,520 Speaker 3: brewing industry, but anywhere fine dust can be created grain elevators, 105 00:05:53,720 --> 00:05:57,320 Speaker 3: feed mills, and grain processors, just to name a few. 106 00:05:58,120 --> 00:06:01,400 Speaker 3: And then Chris attaches a link to another article an 107 00:06:01,480 --> 00:06:05,640 Speaker 3: article from the Purdue University Engineering Department that looks like 108 00:06:05,680 --> 00:06:09,919 Speaker 3: about I think about the physics of dust explosions. Chris says, 109 00:06:09,920 --> 00:06:12,480 Speaker 3: thanks again for the great episodes and always appreciate your 110 00:06:12,520 --> 00:06:17,160 Speaker 3: deep dives into topics so seemingly mundane as dust that 111 00:06:17,240 --> 00:06:22,160 Speaker 3: then turn into a multi part series. Chris, Oh, thank you, Chris. Yeah, 112 00:06:22,200 --> 00:06:23,919 Speaker 3: I didn't bring it up in the series, but I 113 00:06:23,920 --> 00:06:28,480 Speaker 3: actually have read about dust explosions before. I wrote a 114 00:06:28,880 --> 00:06:31,320 Speaker 3: dust explosion in as a plot point to one of 115 00:06:31,320 --> 00:06:33,600 Speaker 3: the scripts that I wrote for the Thirteen Days of 116 00:06:33,640 --> 00:06:38,880 Speaker 3: Halloween series that our network produces. One of the scripts 117 00:06:38,880 --> 00:06:44,320 Speaker 3: I wrote involved a powdered milk explosion at a dairy factory. 118 00:06:44,720 --> 00:06:47,360 Speaker 3: It's the thing you wouldn't think could happen, but Cannon does. 119 00:06:48,279 --> 00:06:48,800 Speaker 3: All right. 120 00:06:49,080 --> 00:06:53,000 Speaker 2: I have one quick, quick additional Star Trek message to read. 121 00:06:53,320 --> 00:06:56,400 Speaker 2: This one came to us from Jim, and Jim also 122 00:06:56,440 --> 00:07:04,839 Speaker 2: shared a few suggestions. Jim said, I'm loving the Star 123 00:07:04,880 --> 00:07:08,200 Speaker 2: Trek monster fact. I have two suggestions. One silicon based 124 00:07:08,240 --> 00:07:11,120 Speaker 2: life forms example the Horta, the crystalline entity from the 125 00:07:11,160 --> 00:07:14,560 Speaker 2: next generation. Two creatures that live their lives in the 126 00:07:14,640 --> 00:07:18,360 Speaker 2: vacuum of space examples the Crystalline Entity again, the Creature 127 00:07:18,360 --> 00:07:20,480 Speaker 2: that Comes to Earth, and the fourth Star Trek movie, 128 00:07:20,600 --> 00:07:23,720 Speaker 2: The Voyage Home, the Creatures from the TNG episodes The 129 00:07:23,760 --> 00:07:28,080 Speaker 2: Loss and Galaxies, Child ten Man from TNG. Thanks Jim. 130 00:07:28,480 --> 00:07:31,000 Speaker 3: Now that's a list of references. I don't know a 131 00:07:31,000 --> 00:07:32,960 Speaker 3: lot of them, but I do remember the fourth Star 132 00:07:33,000 --> 00:07:33,920 Speaker 3: Trek movie. 133 00:07:33,920 --> 00:07:36,640 Speaker 2: Yes, and I do remember the Horta, and in fact, 134 00:07:36,960 --> 00:07:39,920 Speaker 2: based on Jim's suggestion, I did the Horta for the 135 00:07:39,960 --> 00:07:42,600 Speaker 2: fourth monster fact in the Star Trek series, so that 136 00:07:42,640 --> 00:07:44,560 Speaker 2: one should be live. If anyone wants to. 137 00:07:44,480 --> 00:07:45,040 Speaker 3: Go look that up. 138 00:07:45,080 --> 00:07:47,280 Speaker 2: And if you would prefer to have those as an 139 00:07:47,320 --> 00:07:50,920 Speaker 2: omnibus episode where all four are combined together, well that's 140 00:07:50,960 --> 00:07:52,240 Speaker 2: going to come out in the next few weeks. 141 00:07:52,800 --> 00:07:55,360 Speaker 3: Excellent. What's the short rundown on the Horta. 142 00:07:56,080 --> 00:07:59,760 Speaker 2: The Horta is silicone based, it lives underground. It bores 143 00:07:59,800 --> 00:08:05,560 Speaker 2: tunnels with via acid. And I did watch this original 144 00:08:05,640 --> 00:08:08,120 Speaker 2: Star Trek episode as a kid. I do distinctly remember 145 00:08:08,120 --> 00:08:10,520 Speaker 2: it because it's ultimately I think one of the one 146 00:08:10,520 --> 00:08:13,080 Speaker 2: of like the best of the classic track. I see 147 00:08:13,120 --> 00:08:15,120 Speaker 2: it make a lot of those lists, you know, And 148 00:08:15,360 --> 00:08:19,080 Speaker 2: it's about this peaceful creature that you know, is very 149 00:08:19,080 --> 00:08:23,520 Speaker 2: different from us, that lives underground and is peaceful, it 150 00:08:23,520 --> 00:08:25,200 Speaker 2: doesn't really have anything to do with humans. But then 151 00:08:25,240 --> 00:08:28,120 Speaker 2: it starts running a foul of a federation mining colony. 152 00:08:29,040 --> 00:08:32,600 Speaker 2: There are some deaths, and ultimately it's one of these 153 00:08:32,600 --> 00:08:35,840 Speaker 2: episodes where Spock has to play a central role in 154 00:08:35,920 --> 00:08:39,439 Speaker 2: sort of helping us figure them out and helping them 155 00:08:39,520 --> 00:08:42,760 Speaker 2: understand us. So, you know, in the Grand Star Trek tradition, 156 00:08:42,840 --> 00:08:48,240 Speaker 2: it's a it's about understanding other civilizations, other peoples, or 157 00:08:48,280 --> 00:08:51,480 Speaker 2: in the sci fi context, other aliens, and what they 158 00:08:51,559 --> 00:08:54,720 Speaker 2: want and what they need. But then it also does 159 00:08:54,760 --> 00:08:58,440 Speaker 2: have some excellent kind of like space suspense space horror 160 00:08:58,440 --> 00:09:00,240 Speaker 2: elements to it as well, you know, some sort of 161 00:09:00,280 --> 00:09:04,760 Speaker 2: mysterious entity killing people with acid and tunnels underneath this 162 00:09:04,840 --> 00:09:05,640 Speaker 2: planet's surface. 163 00:09:06,240 --> 00:09:07,240 Speaker 3: It looks like a big heap. 164 00:09:10,240 --> 00:09:10,440 Speaker 2: Ah. 165 00:09:10,520 --> 00:09:13,240 Speaker 3: Yeah, there's some good heaps in Star Trek. Wait, what's 166 00:09:13,320 --> 00:09:15,400 Speaker 3: the I know we've talked about this on the show before, 167 00:09:15,440 --> 00:09:17,560 Speaker 3: but then I forget what's it called. There's just like 168 00:09:17,600 --> 00:09:20,280 Speaker 3: a mud puddle that kills some characters early in the 169 00:09:20,280 --> 00:09:21,000 Speaker 3: next generation. 170 00:09:21,280 --> 00:09:23,120 Speaker 2: I remember that one. I don't remember what it's called 171 00:09:23,160 --> 00:09:25,400 Speaker 2: off the top of my head, but I distinctly remember 172 00:09:25,480 --> 00:09:29,080 Speaker 2: that one with like the shuttlecraft landing set, and they 173 00:09:29,120 --> 00:09:32,079 Speaker 2: had some sort of like a you know, pit underneath 174 00:09:32,120 --> 00:09:35,080 Speaker 2: this black boily or maybe it was like Hershey's chocolate 175 00:09:35,120 --> 00:09:37,800 Speaker 2: syrup stuff and it would just like swallow people down. 176 00:09:37,960 --> 00:09:39,320 Speaker 2: I remember being impressed by that. 177 00:09:40,640 --> 00:09:42,960 Speaker 3: All right, let's see, should we do some messages in 178 00:09:43,000 --> 00:09:48,679 Speaker 3: response to our series on artifacts made out of meteorite iron? Yeah? Okay, 179 00:09:48,760 --> 00:09:56,960 Speaker 3: which I'm gonna take this one from Chuck. Chuck says 180 00:09:57,040 --> 00:10:00,280 Speaker 3: Dear Rob, Joe and JJ. Hello, I hope you're all 181 00:10:00,280 --> 00:10:02,720 Speaker 3: doing well. I'm writing in response to your recent series 182 00:10:02,720 --> 00:10:06,480 Speaker 3: on meteoric metal and alien iron. The topic made me 183 00:10:06,520 --> 00:10:10,800 Speaker 3: think of the Murchison meteorite. I hope I'm saying right. 184 00:10:10,840 --> 00:10:15,840 Speaker 3: That's m U rchi Son Murchison meteorite. Here's the gist. 185 00:10:15,880 --> 00:10:19,920 Speaker 3: If you are unaware, this meteorite hit near Murchison, Victoria 186 00:10:20,040 --> 00:10:24,080 Speaker 3: in Australia on September twenty eighth, nineteen sixty nine. It 187 00:10:24,160 --> 00:10:27,120 Speaker 3: happened in the morning and was observed by witnesses, breaking 188 00:10:27,160 --> 00:10:29,959 Speaker 3: apart in the atmosphere and causing a minor trimmer when 189 00:10:29,960 --> 00:10:32,959 Speaker 3: the debris hit over two hundred and twenty pounds or 190 00:10:33,000 --> 00:10:36,480 Speaker 3: one hundred kilograms of the meteorite was collected, with the 191 00:10:36,679 --> 00:10:41,440 Speaker 3: largest pieces being over fifteen pounds or seven kilograms. It 192 00:10:41,480 --> 00:10:44,760 Speaker 3: has since become one of the most studied meteorites that 193 00:10:44,800 --> 00:10:47,560 Speaker 3: has ever hit the Earth. Okay, so what is so 194 00:10:47,679 --> 00:10:51,480 Speaker 3: amazing about this meteorite is that, according to scientists, most 195 00:10:51,480 --> 00:10:55,360 Speaker 3: of the meteorite grains are old, like before the Earth 196 00:10:55,400 --> 00:10:58,880 Speaker 3: and Sun were formed old. Here is some text from 197 00:10:59,000 --> 00:11:03,240 Speaker 3: an EarthSky dot com article discussing it. Quote, so, just 198 00:11:03,320 --> 00:11:06,040 Speaker 3: how old are these grains? Some of them turned out 199 00:11:06,080 --> 00:11:09,040 Speaker 3: to be the oldest found so far, and the oldest 200 00:11:09,080 --> 00:11:13,480 Speaker 3: known material on Earth, older than Earth itself. Most of 201 00:11:13,520 --> 00:11:16,200 Speaker 3: the grains are four point six to four point nine 202 00:11:16,400 --> 00:11:19,880 Speaker 3: billion years old, while some are as much as five 203 00:11:19,960 --> 00:11:23,640 Speaker 3: point five billion years old or more. Earth itself is 204 00:11:23,720 --> 00:11:26,200 Speaker 3: four point five billion years old and the Sun is 205 00:11:26,280 --> 00:11:29,400 Speaker 3: four point six billion years old. So these grains date 206 00:11:29,480 --> 00:11:33,319 Speaker 3: from back before the formation of our solar system. And 207 00:11:33,360 --> 00:11:35,719 Speaker 3: then Chuck provides a link to that source here, and 208 00:11:35,800 --> 00:11:39,640 Speaker 3: that's an EarthSky dot org article. Chuck's email goes on. 209 00:11:39,840 --> 00:11:42,200 Speaker 3: Other sources say that a small part of the media 210 00:11:42,280 --> 00:11:47,160 Speaker 3: rite may be seven billion years old. Truly alien iron 211 00:11:47,320 --> 00:11:50,920 Speaker 3: from the heavens. Of course, the Murchison meteorite was much 212 00:11:50,960 --> 00:11:54,280 Speaker 3: too late in human history to be made into exotic artifacts, 213 00:11:54,720 --> 00:11:58,280 Speaker 3: or simply too well observed, studied and collected in museums 214 00:11:58,320 --> 00:12:01,040 Speaker 3: and labs for the uber rich to do so since 215 00:12:01,160 --> 00:12:04,840 Speaker 3: nineteen sixty nine. But it made me think that surely, 216 00:12:04,960 --> 00:12:08,400 Speaker 3: somewhere and sometime in our past, someone may have had 217 00:12:08,440 --> 00:12:13,000 Speaker 3: an item made from something that well pre dates everything 218 00:12:13,080 --> 00:12:16,800 Speaker 3: else on earth, a gift from the gods. And here 219 00:12:16,840 --> 00:12:19,400 Speaker 3: I am trying to keep it simple and just add 220 00:12:19,440 --> 00:12:22,439 Speaker 3: an alien iron vorpal sword into my daughter's D and 221 00:12:22,520 --> 00:12:26,640 Speaker 3: D campaign. Thanks to you guys. Lastly, having written before 222 00:12:26,760 --> 00:12:29,160 Speaker 3: and being at the risk of repeating myself, thank you 223 00:12:29,200 --> 00:12:32,400 Speaker 3: for all the tremendous, thought provoking and sometimes hilarious information. 224 00:12:33,160 --> 00:12:35,880 Speaker 3: The combination of variety, depth and dry what you provide 225 00:12:35,960 --> 00:12:38,800 Speaker 3: is a rarity among podcasts. I salute you both. Thank 226 00:12:38,800 --> 00:12:41,960 Speaker 3: you so much. Chuck Oh and also Chuck says that 227 00:12:42,760 --> 00:12:45,320 Speaker 3: apparently one flaw remaining on our show is that we 228 00:12:45,400 --> 00:12:47,280 Speaker 3: have not done a weird house on Big Trouble in 229 00:12:47,280 --> 00:12:50,320 Speaker 3: Little China yet, and that would clinch it for him. 230 00:12:51,240 --> 00:12:53,680 Speaker 3: He says, sincerely, with much gratitude, Chuck. 231 00:12:54,120 --> 00:12:56,520 Speaker 2: Oh, well, well, first of all, you know, thanks for 232 00:12:56,559 --> 00:12:59,040 Speaker 2: the great message, and I do love the idea of 233 00:12:59,080 --> 00:13:03,200 Speaker 2: an alien iron vorpal sword in a Dungeons and Dragons campaign. 234 00:13:04,440 --> 00:13:08,680 Speaker 2: But Big Trouble, Little China, that's It's definitely one that 235 00:13:08,840 --> 00:13:13,680 Speaker 2: is on our radar. I've really enjoyed this film so 236 00:13:13,760 --> 00:13:16,959 Speaker 2: many times over the years. I think it was ahead 237 00:13:16,960 --> 00:13:19,960 Speaker 2: of its time in many respects. Has such a great cast, 238 00:13:20,080 --> 00:13:24,400 Speaker 2: so many memorable moments. Certainly a cult film, and it 239 00:13:24,480 --> 00:13:27,439 Speaker 2: is kind of weird that we have yet to actually 240 00:13:28,120 --> 00:13:33,239 Speaker 2: watch a John Carpenter directed film on weird house cinema. 241 00:13:33,480 --> 00:13:37,040 Speaker 3: Almost feels two on the nose. Wun't that be possible? 242 00:13:37,280 --> 00:13:38,440 Speaker 2: I don't know. I mean, it would be a lot 243 00:13:38,440 --> 00:13:39,480 Speaker 2: of fun to talk about it. 244 00:13:39,440 --> 00:13:39,760 Speaker 3: It might. 245 00:13:39,800 --> 00:13:41,520 Speaker 2: It might be one where we just go on and on, 246 00:13:41,640 --> 00:13:44,360 Speaker 2: but yeah, but it would be a good one. I 247 00:13:44,760 --> 00:13:48,400 Speaker 2: actually almost picked Dark Star for next week, but it 248 00:13:48,440 --> 00:13:51,680 Speaker 2: was one of two backups for what I think we're 249 00:13:51,679 --> 00:13:54,760 Speaker 2: going to be talking about. Oh okay, but I mean, 250 00:13:54,800 --> 00:13:56,400 Speaker 2: we we've got to We've got to do a proper 251 00:13:56,480 --> 00:13:57,960 Speaker 2: John Carpenter film at some point. 252 00:13:58,240 --> 00:13:59,160 Speaker 3: We will, we will. 253 00:13:59,600 --> 00:14:03,440 Speaker 2: We did have three, which he did not direct and 254 00:14:03,720 --> 00:14:06,040 Speaker 2: uh yeah, I think I think that's it so far. 255 00:14:06,120 --> 00:14:09,200 Speaker 2: That's the only like, that's the strongest John Garpenter connection 256 00:14:09,240 --> 00:14:10,480 Speaker 2: to a film we've we've looked at. 257 00:14:10,760 --> 00:14:13,280 Speaker 3: Now, wait a minute, didn't we just do John Carpenter 258 00:14:13,360 --> 00:14:16,000 Speaker 3: star Man Last Friday? Oh No, that was a different one. 259 00:14:16,400 --> 00:14:28,440 Speaker 2: Yeah, different star different star Man. This one is also 260 00:14:29,000 --> 00:14:31,960 Speaker 2: in response to our Iron Meteorite episodes. This one comes 261 00:14:32,000 --> 00:14:34,200 Speaker 2: to us from Hugh. You, says Robert, JO and JJ. 262 00:14:34,600 --> 00:14:38,080 Speaker 2: Greetings to you all. The episodes on meteoric metal have 263 00:14:38,160 --> 00:14:41,119 Speaker 2: been really interesting and I've learned a lot. The importance 264 00:14:41,280 --> 00:14:44,360 Speaker 2: the Inuit people place on tools that are made from 265 00:14:44,400 --> 00:14:46,840 Speaker 2: a special material and yet are in daily use really 266 00:14:46,880 --> 00:14:49,880 Speaker 2: resonates with me. I'm an artist and metal worker, and 267 00:14:49,920 --> 00:14:53,480 Speaker 2: in our community, old tools are highly prized. Old cast 268 00:14:53,480 --> 00:14:57,600 Speaker 2: iron machine tools, hammers, tongs, vices, and especially anvils are 269 00:14:57,640 --> 00:15:00,520 Speaker 2: sought out and lovingly restored with the full intension of 270 00:15:00,640 --> 00:15:03,360 Speaker 2: using them. The thought of the lives those tools have 271 00:15:03,480 --> 00:15:06,480 Speaker 2: lived before they come into our custody becomes significant and 272 00:15:06,560 --> 00:15:08,480 Speaker 2: helps us to feel that we are part of a 273 00:15:08,560 --> 00:15:12,440 Speaker 2: continue The objects created with these tools and the crafts 274 00:15:12,440 --> 00:15:15,000 Speaker 2: people who have used them in the past imbue them 275 00:15:15,040 --> 00:15:18,440 Speaker 2: with a sort of magic, a kind of magic that 276 00:15:18,520 --> 00:15:21,160 Speaker 2: we hope to add with our own work. Great topic 277 00:15:21,200 --> 00:15:21,760 Speaker 2: as always. 278 00:15:21,920 --> 00:15:26,200 Speaker 3: H oh wow that I found that strangely heartwarming. 279 00:15:26,600 --> 00:15:29,600 Speaker 2: Yeah, that's a great, great perspective. Yeah, because I mean 280 00:15:29,600 --> 00:15:34,200 Speaker 2: I have certain tools that I use in my miniature 281 00:15:34,240 --> 00:15:37,160 Speaker 2: painting hobby, and some of those are older and go 282 00:15:37,240 --> 00:15:38,760 Speaker 2: back to my dad, and so I have, you know, 283 00:15:39,160 --> 00:15:41,800 Speaker 2: nostalgia for them in that respect. But I like this 284 00:15:41,880 --> 00:15:43,760 Speaker 2: description because this, like this kind of takes it a 285 00:15:43,760 --> 00:15:47,120 Speaker 2: step further, and it goes beyond like mere attachment to 286 00:15:47,280 --> 00:15:51,920 Speaker 2: a specific individual, but also to like a lineage of 287 00:15:52,640 --> 00:15:54,760 Speaker 2: crafts people, some you know, some you don't know. 288 00:15:54,880 --> 00:15:58,840 Speaker 3: I like that. Yeah, all right, let's do at least 289 00:15:58,840 --> 00:16:09,360 Speaker 3: one weird house cinema message. This comes from Steph. Steph says, Hi, guys, first, 290 00:16:09,520 --> 00:16:12,760 Speaker 3: thank you for reviewing. Howse? You have to say it 291 00:16:12,760 --> 00:16:16,960 Speaker 3: that way? Howse, I'd recently finished all the show era 292 00:16:17,040 --> 00:16:19,960 Speaker 3: Godzilla movies and was a bit adrift wondering what else 293 00:16:20,000 --> 00:16:24,520 Speaker 3: to watch. House fit the bill very nicely, what a ride. 294 00:16:24,640 --> 00:16:28,280 Speaker 3: I was delighted at how weird, funny and imaginative it was. 295 00:16:28,760 --> 00:16:31,080 Speaker 3: I wonder if you maybe got the sense like I 296 00:16:31,160 --> 00:16:35,320 Speaker 3: did in the watermelon eating scene that maybe Antie or 297 00:16:35,440 --> 00:16:38,240 Speaker 3: Blanche that's the lady who lives in the house and 298 00:16:38,280 --> 00:16:41,760 Speaker 3: the cat, the white cat, that maybe Anti or Blanche 299 00:16:41,840 --> 00:16:45,600 Speaker 3: was using magic to hide what they were really snacking on. 300 00:16:46,480 --> 00:16:49,480 Speaker 3: So this is the scene where I remember Fantasy has 301 00:16:49,520 --> 00:16:52,520 Speaker 3: gone out to the well to find Mac, and Mac 302 00:16:52,600 --> 00:16:54,800 Speaker 3: was supposed to be getting a watermelon that was chilling 303 00:16:54,880 --> 00:16:57,000 Speaker 3: down in the well. Max snow where to be found. 304 00:16:57,240 --> 00:17:00,480 Speaker 3: Fantasy pulls up the watermelon, but the water is not 305 00:17:00,560 --> 00:17:03,720 Speaker 3: a watermelon. It's Max Head. And then max Head flies 306 00:17:03,920 --> 00:17:06,840 Speaker 3: and then bites Fantasy and then vomits blood and then 307 00:17:06,880 --> 00:17:09,440 Speaker 3: goes back down in the well, and then everybody comes 308 00:17:09,520 --> 00:17:12,240 Speaker 3: and pulls it up looking for the head. But it's 309 00:17:12,280 --> 00:17:15,520 Speaker 3: just a watermelon. Now, So this is Steph's theory about 310 00:17:15,520 --> 00:17:19,000 Speaker 3: what's going on in that scene while they're eating the watermelon. 311 00:17:19,160 --> 00:17:22,600 Speaker 3: It's maybe something else. So Steph says, when Anti opens 312 00:17:22,600 --> 00:17:26,719 Speaker 3: her mouth shows Fantasy the eyeball inside her mouth and 313 00:17:26,760 --> 00:17:29,280 Speaker 3: it appears to dart around. I took it to mean 314 00:17:29,680 --> 00:17:32,159 Speaker 3: that it was meant to be max eyeball, because they 315 00:17:32,200 --> 00:17:35,960 Speaker 3: were in fact eating max Head, which had been cloaked 316 00:17:36,000 --> 00:17:39,600 Speaker 3: by magic to appear as though it were the watermelon. 317 00:17:41,520 --> 00:17:43,359 Speaker 2: This is a solid theory. 318 00:17:42,800 --> 00:17:48,040 Speaker 3: This is just cannon to me. Now, I'm fully convinced, Steph. 319 00:17:48,080 --> 00:17:51,040 Speaker 3: Steph says, not sure if that's what Obayashi was implying, 320 00:17:51,160 --> 00:17:54,719 Speaker 3: but that interpretation adds another layer of horror to that scene. 321 00:17:55,200 --> 00:17:58,080 Speaker 3: Another small but very funny part I noticed was when 322 00:17:58,119 --> 00:18:01,639 Speaker 3: Melody was playing the piano, the camera swings around to 323 00:18:01,680 --> 00:18:04,480 Speaker 3: show her face and in the background you can see 324 00:18:04,480 --> 00:18:08,119 Speaker 3: the skeleton dancing along. This is like the skeleton that 325 00:18:08,240 --> 00:18:10,920 Speaker 3: was in the house. And I think they explained it like, oh, yes, 326 00:18:11,080 --> 00:18:14,520 Speaker 3: grandfather was a doctor, so there are skeletons in the house. 327 00:18:14,840 --> 00:18:18,600 Speaker 2: Yeah, and it does occasionally dance, but often in ways 328 00:18:18,640 --> 00:18:21,480 Speaker 2: where it's not clear that anyone notices, and if they 329 00:18:21,480 --> 00:18:24,520 Speaker 2: do notice that it's a big deal. But of course 330 00:18:24,920 --> 00:18:28,200 Speaker 2: things get increasingly haunted as the movie progresses, So who knows, 331 00:18:28,240 --> 00:18:30,359 Speaker 2: Maybe it's like it's small potatoes at that point. 332 00:18:32,200 --> 00:18:35,800 Speaker 3: Yeah. So anyway, Steph says, Yeah, So the camera pans around, 333 00:18:35,880 --> 00:18:39,040 Speaker 3: you see Melody's face and then behind her the skeleton 334 00:18:39,160 --> 00:18:42,840 Speaker 3: is dancing, and Steph says, in the sound effects you 335 00:18:42,880 --> 00:18:46,840 Speaker 3: can hear an almost Scooby Doo like quote. Skeleton bones 336 00:18:46,960 --> 00:18:50,760 Speaker 3: rattling sound effect that is rattling in time to the 337 00:18:50,800 --> 00:18:54,960 Speaker 3: piano music. Such a subtle but hilarious cartoony detail. It 338 00:18:55,000 --> 00:18:59,520 Speaker 3: made me laugh out loud. Agree. Agree. Steph goes on 339 00:18:59,720 --> 00:19:02,280 Speaker 3: second and in the last Listener mail, someone wrote in 340 00:19:02,320 --> 00:19:08,119 Speaker 3: about taking a date to Highlander two and also about Tron. 341 00:19:08,720 --> 00:19:11,719 Speaker 3: About Tron, in the same email, Steph says it warmed 342 00:19:11,720 --> 00:19:14,199 Speaker 3: my heart because my dad, who has been gone for 343 00:19:14,240 --> 00:19:18,320 Speaker 3: seven years now, loved both of those movies. He would 344 00:19:18,320 --> 00:19:22,119 Speaker 3: play the game Tron at our local arcade, the Pirates Den. 345 00:19:22,480 --> 00:19:24,919 Speaker 3: And because I was young and had watched Tron with 346 00:19:25,000 --> 00:19:28,320 Speaker 3: my dad many times, I assumed there were really little 347 00:19:28,359 --> 00:19:31,560 Speaker 3: guys in there that he was manipulating. Because of his 348 00:19:31,560 --> 00:19:34,879 Speaker 3: affinity for movies like Highlander two and others of the sort. 349 00:19:35,160 --> 00:19:37,600 Speaker 3: As a kid, I assumed that he had terrible taste 350 00:19:37,640 --> 00:19:40,840 Speaker 3: in movies. Now, as an adult who enjoys watching a 351 00:19:40,880 --> 00:19:44,160 Speaker 3: good bad movie, I realized he wasn't bad at picking 352 00:19:44,240 --> 00:19:47,520 Speaker 3: out good movies. He was good at picking out bad movies. 353 00:19:48,359 --> 00:19:50,840 Speaker 3: Thanks for all you do. I enjoy your shows immensely 354 00:19:50,920 --> 00:19:53,359 Speaker 3: and always look forward to your deep dives on things, 355 00:19:53,359 --> 00:19:57,359 Speaker 3: no matter the subject. Cheers Steph Oh well, thank you, 356 00:19:57,359 --> 00:20:00,040 Speaker 3: Steph that this is a wonderful message. And yeah, I 357 00:20:00,080 --> 00:20:02,600 Speaker 3: love hearing about these these memories of your dad. 358 00:20:03,280 --> 00:20:04,960 Speaker 2: Yeah, yeah, I mean one of the great things about 359 00:20:05,000 --> 00:20:08,160 Speaker 2: bad movies, weird movies, Hey, good movies, great movies, however 360 00:20:08,160 --> 00:20:10,080 Speaker 2: you want to rank them. I mean, you know that 361 00:20:10,080 --> 00:20:12,159 Speaker 2: they're ones that mean a lot to you personally, but 362 00:20:12,200 --> 00:20:14,800 Speaker 2: then we get to share them with other people, and 363 00:20:14,800 --> 00:20:15,720 Speaker 2: and and that that. 364 00:20:15,720 --> 00:20:18,040 Speaker 3: Makes it even more magical. Co sign on that. 365 00:20:18,240 --> 00:20:21,040 Speaker 2: Yeah, all right, one more weird house cinema. This one 366 00:20:21,080 --> 00:20:28,960 Speaker 2: comes to us from Tauntry. Tauntrey, says Robin jeff I 367 00:20:29,040 --> 00:20:33,200 Speaker 2: humbly suggest the fine post apocalyptic nineteen eighty eight western 368 00:20:33,320 --> 00:20:37,760 Speaker 2: romp Cherry two thousand for weird House. It stars Melanie 369 00:20:37,760 --> 00:20:43,080 Speaker 2: Griffith and Tim Tim Thomerson. Of course, from the the 370 00:20:43,200 --> 00:20:44,239 Speaker 2: what is It Now? 371 00:20:44,320 --> 00:20:45,760 Speaker 3: Can't he was in several things. He was in the 372 00:20:45,880 --> 00:20:49,520 Speaker 3: Metal Storm, the what's the Deconstruction of Jared sin or what? 373 00:20:50,119 --> 00:20:55,000 Speaker 2: Yeah, what's the Big One? What's the the series? Transis Death? Yeah, 374 00:20:55,000 --> 00:20:55,560 Speaker 2: he's Jack Death. 375 00:20:55,760 --> 00:20:57,480 Speaker 3: I'm your husband Jack Death. 376 00:20:57,720 --> 00:21:03,080 Speaker 2: Yeah, he's also doll Man. A legend living legend includes 377 00:21:03,080 --> 00:21:06,480 Speaker 2: the Laurence Fishburn sighting has many suspiciously strong elements of 378 00:21:06,520 --> 00:21:10,040 Speaker 2: Blade Runner twenty twenty four and was shot in amazing 379 00:21:10,040 --> 00:21:14,399 Speaker 2: locations all over Nevada. It's also incredibly bonkers and feels 380 00:21:14,440 --> 00:21:17,520 Speaker 2: like a movie written specifically for the locations and is 381 00:21:17,560 --> 00:21:20,359 Speaker 2: about a man searching for his lost robot girlfriend. The 382 00:21:20,520 --> 00:21:23,919 Speaker 2: art direction is pure fur stroking madness. I found it 383 00:21:23,960 --> 00:21:26,880 Speaker 2: on too be as always loved the podcast Cheers Don't. 384 00:21:26,680 --> 00:21:29,119 Speaker 3: Try, Thank you Tantri. I'm gonna have to watch this 385 00:21:29,200 --> 00:21:31,040 Speaker 3: one at some point. It's been on my radar for 386 00:21:31,160 --> 00:21:32,560 Speaker 3: years and I've never gotten to it. 387 00:21:33,000 --> 00:21:36,959 Speaker 2: I haven't seen it in several years at this point, 388 00:21:37,080 --> 00:21:40,479 Speaker 2: but I remember it being a lot of fun. It 389 00:21:40,520 --> 00:21:42,879 Speaker 2: does have a great cast, because let's see, who else 390 00:21:42,880 --> 00:21:47,480 Speaker 2: do you have in there? Oh, Brian James is in there. 391 00:21:47,520 --> 00:21:52,480 Speaker 2: That's a direct Blade Runner reference right there. And Robert 392 00:21:52,560 --> 00:21:54,760 Speaker 2: Zadar has a small part in it as well. 393 00:21:54,840 --> 00:21:55,840 Speaker 3: So perfect. You know. 394 00:21:56,040 --> 00:22:00,280 Speaker 2: It's got a lot of strong B movie energy going 395 00:22:00,320 --> 00:22:03,720 Speaker 2: on in it. And yeah, yeah, it's on the list. 396 00:22:03,800 --> 00:22:06,040 Speaker 2: It's on the list of potential films to cover. 397 00:22:06,520 --> 00:22:10,879 Speaker 3: How Can You Go Wrong? Melanie Griffith, Jack Death, Maniac 398 00:22:10,960 --> 00:22:14,520 Speaker 3: Cop and Nevada. That's just like unbeatable. 399 00:22:14,040 --> 00:22:15,320 Speaker 2: Harry Carey Junior is in it. 400 00:22:15,480 --> 00:22:18,280 Speaker 3: You know. Okay, does that do it for today? 401 00:22:18,520 --> 00:22:20,600 Speaker 2: I think that'll do it. We'll go ahead and call 402 00:22:20,680 --> 00:22:23,639 Speaker 2: it here, but keep the listener mails rolling in. We 403 00:22:23,720 --> 00:22:27,320 Speaker 2: will continue to read them here on Listener Mail, which 404 00:22:27,400 --> 00:22:30,000 Speaker 2: airs Mondays. And the Stuff to Blow Your Mind podcast 405 00:22:30,040 --> 00:22:33,040 Speaker 2: feed core episodes on Tuesdays and Thursdays. On Wednesday's a 406 00:22:33,080 --> 00:22:35,840 Speaker 2: short form episode and sometimes a collection of those short 407 00:22:35,880 --> 00:22:38,840 Speaker 2: form episodes in and omnibus, and then on Fridays we 408 00:22:38,880 --> 00:22:40,800 Speaker 2: set aside most serious concerns. You just talk about a 409 00:22:40,840 --> 00:22:42,600 Speaker 2: weird film on Weird House Cinema. 410 00:22:42,920 --> 00:22:46,600 Speaker 3: Huge thanks as always to our excellent audio producer JJ Posway. 411 00:22:46,920 --> 00:22:48,600 Speaker 3: If you would like to get in touch with us 412 00:22:48,640 --> 00:22:51,359 Speaker 3: with feedback on this episode or any other, to suggest 413 00:22:51,440 --> 00:22:53,560 Speaker 3: a topic for the future, or just to say hello, 414 00:22:53,800 --> 00:22:56,520 Speaker 3: you can email us at contact at stuff to Blow 415 00:22:56,520 --> 00:23:04,080 Speaker 3: your Mind dot com. 416 00:23:04,320 --> 00:23:07,479 Speaker 1: Stuffed Blow Your Mind is production of iHeartRadio. For more 417 00:23:07,520 --> 00:23:11,320 Speaker 1: podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts, or 418 00:23:11,320 --> 00:23:13,040 Speaker 1: wherever you listen to your favorite shows.