WEBVTT - Free Massage with Richard Rushfield

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<v Speaker 1>It's nine pm in Mitchell, South Dakota, and you're listening

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<v Speaker 1>to Night Call. Welcome to nine Call, a podcast for

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<v Speaker 1>your strange days and lily nights. My name is Emily Rachida.

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<v Speaker 1>I am in New York and with me on the

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<v Speaker 1>other line all the way over in Los Angeles, Molly

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<v Speaker 1>Lambert and Oh that Mind Melt, Tess Lynch and also

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<v Speaker 1>the Anglers Richard rush Field on the podcast today. Hello Richard, Hello,

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<v Speaker 1>I want to get in on the A thing you can.

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<v Speaker 1>Our producer Roy Tests wrote an intro for Richard with

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<v Speaker 1>information about you. I mean, I do want to mention.

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<v Speaker 1>As I mentioned to Molly, and this was news to

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<v Speaker 1>her that Richard, you were a producer on one of

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<v Speaker 1>my favorite shows of all time, the only, the only resume,

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<v Speaker 1>Adam I have that anyone wants to talk about so exciting,

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<v Speaker 1>which means that you are. I am now one degree

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<v Speaker 1>of separation from Roger Lodge. You are Roger Lodge. We were,

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<v Speaker 1>We were close for two and a half months. I

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<v Speaker 1>feel like a whole separate episode just about Richard's experiences

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<v Speaker 1>on Blind Date. She signed an n D. A is

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<v Speaker 1>with his face is telling me right, No, I'll tell

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<v Speaker 1>somebody did some kind of tell all about being on

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<v Speaker 1>um Blind Date recently? Is that what the show was?

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<v Speaker 1>They're rebooting it right now. The new Blind Date is

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<v Speaker 1>being filmed right The old Blind Date was the best.

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<v Speaker 1>It's a timeless format. Yeah. It was the pop up

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<v Speaker 1>video of love. I saw it being filmed once in

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<v Speaker 1>Venice Beach and they the couple had run into the

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<v Speaker 1>ocean naked together, and I asked the PA how it

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<v Speaker 1>was going, and he was like, well, she took her

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<v Speaker 1>shirt off. That's as good as it can get. It

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<v Speaker 1>was a different time. It was a different time. I'll

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<v Speaker 1>just did so. I had this job as a producer

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<v Speaker 1>on Blind Date, where my job was to watch people

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<v Speaker 1>on dates and make fun of them. Uh. And I

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<v Speaker 1>sat there the entire time saying like, I'm an artist,

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<v Speaker 1>I'm a group. It's not even my own name on

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<v Speaker 1>this I and people think they could rewrite my jokes.

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<v Speaker 1>And I was just cranky and crotchety. And I walked

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<v Speaker 1>away from that job to to return to journalism, and

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<v Speaker 1>about two seconds out the door, I said, what the

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<v Speaker 1>what the hell have I do? Don't ever any time

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<v Speaker 1>your principals tell you you need to walk out a

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<v Speaker 1>place just just just take a few nights to sleep

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<v Speaker 1>on that. So you had a diva attack on Blind Date.

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<v Speaker 1>I left Blind Date after one season. Did you go

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<v Speaker 1>to the l a times after Blind Date or no?

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<v Speaker 1>I went to be a freelance freelance journalist. And we

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<v Speaker 1>all made choice to go into journalism. I didn't make

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<v Speaker 1>the choice. We didn't make my choice, I maintained my narratives.

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<v Speaker 1>I never made the choice. The choice made me. I

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<v Speaker 1>maintained that too. I agree, I got out. I wasn't

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<v Speaker 1>trying to get into journalism. I just accidentally did, and

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<v Speaker 1>we all, you know what, it's an important thing that

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<v Speaker 1>people should do, and but advised a millennial, not anything

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<v Speaker 1>that I do. If I was if I was doing

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<v Speaker 1>hard hitting reporting about like the city or or housing

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<v Speaker 1>in Los Angeles or something like that, I would I

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<v Speaker 1>would be like, you know what, I can't take myself

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<v Speaker 1>away hitting work. There's movie criticism is is useful in

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<v Speaker 1>its own way. There are things. My feeling about the

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<v Speaker 1>Internet was always like people are bored at work, and

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<v Speaker 1>they like having like a little thing to read that

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<v Speaker 1>gives them like a little vacation in their mind from

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<v Speaker 1>how bored they are at work being on their computer.

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<v Speaker 1>Then that became the entire internet, Like that became the

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<v Speaker 1>model of the Internet. Exactly. Bring back narrative, long form

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<v Speaker 1>programming like blind Date. Yes, exactly, the important stuff, the

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<v Speaker 1>cultural touchstones. Yeah. Wait. Richard also wrote the book on

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<v Speaker 1>American Idol, The Untold Story. So now I've done. But

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<v Speaker 1>I just have to say, like Richard is, that's how

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<v Speaker 1>Richard and I met. Richard and I met while we

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<v Speaker 1>were in the trenches of idol coverage circa or so um.

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<v Speaker 1>And it was around the time the book came about. Yeah,

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<v Speaker 1>it wasn't It was not prime idol time. It's true,

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<v Speaker 1>it was. It was the kind of gold on Golden Pond.

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<v Speaker 1>It was like the Philip Philip Phillips era. Didn't you

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<v Speaker 1>like Philip Phillips, very charismatic, young gentleman a name. Absolutely, Wait,

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<v Speaker 1>that's a good that's the best look. And Emily, do

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<v Speaker 1>either of you still watch American Idol if you want

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<v Speaker 1>to come and hate a topic, write a book about it.

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<v Speaker 1>Spent a year where with nothing but American Idol in

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<v Speaker 1>my life. I don't think I've watched the whole episode

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<v Speaker 1>that feeling, for sure, smoke the whole pack exactly after that,

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<v Speaker 1>we want to take just a moment to do a

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<v Speaker 1>night call emotional well being check in, uh, because it's

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<v Speaker 1>been a really awful week, month, year, just you know,

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<v Speaker 1>especially feels bad. So we wanted to say that, like,

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<v Speaker 1>we would also like this podcast to serve as a

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<v Speaker 1>place where people feel like it can be a nice

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<v Speaker 1>bubble bath away from reality, but we also acknowledge that

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<v Speaker 1>reality sucks right now, and we hope that in between

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<v Speaker 1>listening to us talk about ghost hunting, you are making

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<v Speaker 1>the calls you need to make, both to your representatives

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<v Speaker 1>and also to the loved ones in your life that

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<v Speaker 1>might need you right now, and just generally taking care

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<v Speaker 1>of yourself and the people in your life because and

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<v Speaker 1>taking it offline is the thing we've all been talking

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<v Speaker 1>about a lot group about this is that you gotta

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<v Speaker 1>you know, it's it's fine to be frustrated on the internet,

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<v Speaker 1>but ultimately that has to lead to action in real

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<v Speaker 1>life and go in to real places. And definitely feels

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<v Speaker 1>like things will have to happen if other things happen

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<v Speaker 1>right now, I won't go any further than that. Also,

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<v Speaker 1>the week between when we record and when we post

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<v Speaker 1>is um has has been, I think on all of

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<v Speaker 1>our minds because they're you know, from week to weeks

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<v Speaker 1>it's years and years and years of garbage news unfolding. Um,

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<v Speaker 1>but we're recording on Monday, and uh, this is the

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<v Speaker 1>you know, we just had the weekend following the Kavanaugh testimony.

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<v Speaker 1>So yeah, if you are having, as they say, big feelings,

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<v Speaker 1>we hope that you're taking care of yourself and we

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<v Speaker 1>are here to listen. Uh, the world is going to

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<v Speaker 1>be so much worse by the time that's post. You what,

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<v Speaker 1>I know, it's really or or well take some buildings over.

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<v Speaker 1>My feeling is like all the people who came out

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<v Speaker 1>to the Women's March, like, now is the time to

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<v Speaker 1>come back out and you know, maybe blog off some

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<v Speaker 1>freeways and stuff because society shouldn't function if Kabanagh gets

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<v Speaker 1>yeah agree, you know. Um, so that is our that

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<v Speaker 1>is our night call, emotional well being check in and

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<v Speaker 1>now we'll get back to the demon stories. Yeah. So

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<v Speaker 1>we wanted to have Richard on not only because he's

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<v Speaker 1>a great friend and um, a good talker about all

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<v Speaker 1>things and worked on blind Date, but also because I

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<v Speaker 1>feel like Richard has seen and had more paranormal and

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<v Speaker 1>our ghost related experiences than maybe anybody else I know.

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<v Speaker 1>And it just seemed so like such a no brainer.

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<v Speaker 1>Last time I was in l A, we kind of

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<v Speaker 1>got to talking about some of his experiences and I

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<v Speaker 1>was like, what, you just have to come on the

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<v Speaker 1>show and tell everybody I've lived a rich paranormal life. Yeah,

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<v Speaker 1>it's it feels like you won the ghost lottery. Well,

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<v Speaker 1>I'll just keep coming to you, Okay, It's kind of

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<v Speaker 1>seek and you shall find. Uh. It's I I went

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<v Speaker 1>through a long period where it's very interested in ghosts

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<v Speaker 1>and pretty much asked every person I met everywhere, have

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<v Speaker 1>you ever seen a ghost? Or or or alie. I

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<v Speaker 1>was open to alien stories also, and you have phoe stories. Uh.

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<v Speaker 1>And if you ask everybody you meet, you'll get and uh.

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<v Speaker 1>And I was young, so I was still going out

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<v Speaker 1>and meeting people at encountering people in my life. Uh,

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<v Speaker 1>you'll you get a lot of good stories. And I

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<v Speaker 1>think you also open yourself up to a to an

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<v Speaker 1>extra dimensional experience in other ways that that I'm probably

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<v Speaker 1>not very there. There might be ghost tapping me on

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<v Speaker 1>the shoulder all the time right now and and and

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<v Speaker 1>I'm just missing them. But it's been a long time

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<v Speaker 1>when you've opened your heart up as a seeker. In

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<v Speaker 1>other words, exactly without without judgment. I feel like we

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<v Speaker 1>don't have enough time to go overall, which is really

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<v Speaker 1>saying something like that's impressive in and of itself. But

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<v Speaker 1>we had a few that we definitely wanted to hear

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<v Speaker 1>from you. Maybe in ascending order of spookiness, maybe we

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<v Speaker 1>can get some spooky sound effects under this. Yeah, I

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<v Speaker 1>didn't bring my own. Well, shall we start with the

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<v Speaker 1>inappropriate ghost this? This this is a pretty straight forward

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<v Speaker 1>ghost story. But I was back in my college days.

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<v Speaker 1>I went to school in western Massachusetts and at Smith College,

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<v Speaker 1>which was a neighboring school, there was a house that

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<v Speaker 1>was a pre revolutionary house, and every woman that lived

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<v Speaker 1>there had had some sort of experience. Um, they saw

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<v Speaker 1>things fly across the room, they heard their names, said,

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<v Speaker 1>I do. Two roommates that woke up in the middle

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<v Speaker 1>of the night and saw this man standing standing between

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<v Speaker 1>their bed looking down at them. My experience in the

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<v Speaker 1>house wasn't as dramatic as that. I stayed one night

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<v Speaker 1>in the guest room of of this house, and all

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<v Speaker 1>of a sudden, the middle of the night, I woke

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<v Speaker 1>up with a start, and just as I woke up,

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<v Speaker 1>the door to the room creaks open, just doesn't doesn't

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<v Speaker 1>just open, a type of opens up all the way

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<v Speaker 1>and then I feel on my back with the pressure

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<v Speaker 1>of a hand ice cold fingers slowly runned down. Uh my,

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<v Speaker 1>my entire spine, all the way all the way down

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<v Speaker 1>to the base. Yes, and no one was there, no one,

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<v Speaker 1>did you hear it was? It was about three or

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<v Speaker 1>three in the morning. My, it was a very cold night.

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<v Speaker 1>My house was about two or three miles away, and

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<v Speaker 1>I got up and walked home through the snow those

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<v Speaker 1>two or three miles. I'm not the person that stays

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<v Speaker 1>in the Amityville house after Yeah, um, what does it mean?

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<v Speaker 1>What's the significance? I can't say, But yeah, what do

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<v Speaker 1>you think they were trying to tell you? You said?

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<v Speaker 1>You said it was a desirous BackRub, lascivious intent. Was

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<v Speaker 1>my takeaway? That that was? That was how it felt

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<v Speaker 1>to me. It was. It did not feel like a

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<v Speaker 1>like a kind of just friendly pat on the back,

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<v Speaker 1>you feel violated. It was aub throwing, paranormal, creepy back rub.

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<v Speaker 1>And see how see how you like that? Well? You know,

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<v Speaker 1>I could be like if some person might be into it,

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<v Speaker 1>they might be like, oh, a free BackRub, um, if

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<v Speaker 1>it could be the beginning of a teen like y

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<v Speaker 1>a novel. There's like some people who have had consensual

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<v Speaker 1>sex with ghosts. I think maybe that's impossible. Reget Nielsen.

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<v Speaker 1>I want to say, how does she know it's consensual?

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<v Speaker 1>Because the ghost tried to have sex with her and

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<v Speaker 1>she was like, la la cool. I don't I don't

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<v Speaker 1>know that this ghost had unpleasant hands. I mean I

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<v Speaker 1>think it was strong, powerful hands. I called, yes, access

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<v Speaker 1>your back for a background. It's so close to your

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<v Speaker 1>neck and you can throttle you. Yeah, that's true. It

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<v Speaker 1>gives me to create. Let's move on. So story number two.

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<v Speaker 1>Uh so, my, we're in college still. My friend of mine,

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<v Speaker 1>Sam had his mother had a ranch at in Malibu

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<v Speaker 1>where she had a Brazilian mystic visiting. Um, and we went.

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<v Speaker 1>We we drove out to to see this Brazilian mystic.

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<v Speaker 1>The story has two parts. What they have to do

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<v Speaker 1>with each other you be you be the judge. But

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<v Speaker 1>it doesn't seem that they are unrelated. Um, this this

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<v Speaker 1>Brazilian mystic. We get there. He's a he's an older gentleman.

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<v Speaker 1>Probably about sixty said it there, drinking beard, smoking cigarettes

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<v Speaker 1>doesn't seem that holy. But he takes us to this

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<v Speaker 1>room one at a time and we lie on a

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<v Speaker 1>bed and uh, and he walks around the rooms are

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<v Speaker 1>huffing and puffing, and it's like little flashbulbs come out

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<v Speaker 1>of it and like purple or green or different colors.

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<v Speaker 1>And he did that and I said, well, Rizio, what

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<v Speaker 1>was that about? And he said, oh, good for the

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<v Speaker 1>nervous system. Uh? And which which is? Which was the

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<v Speaker 1>only explanation he had. Uh. And then after after we

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<v Speaker 1>all had done that, we were sitting outside at this

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<v Speaker 1>table and the about ten of us there, and Rizio

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<v Speaker 1>said to uh, one of the people, he said, I

0:13:35.840 --> 0:13:38.559
<v Speaker 1>I think I feel something out in the field. You

0:13:38.960 --> 0:13:41.560
<v Speaker 1>come with me. And they walk out to the field

0:13:41.640 --> 0:13:44.160
<v Speaker 1>and they're they're they're walking, they're they're about a hundred

0:13:44.200 --> 0:13:46.280
<v Speaker 1>yards off and we just see them because every time

0:13:46.320 --> 0:13:49.880
<v Speaker 1>he steps, sparks come out from under his feet. But

0:13:51.400 --> 0:13:54.760
<v Speaker 1>this is what happens when you're a mystic. And they

0:13:54.800 --> 0:13:57.560
<v Speaker 1>get to a place two hundred yards away or something,

0:13:57.600 --> 0:13:59.800
<v Speaker 1>and and all of sudden, this huge burst of light

0:14:00.000 --> 0:14:02.480
<v Speaker 1>comes out of Marittio's chest and you can sort of

0:14:02.520 --> 0:14:06.400
<v Speaker 1>see him illuminated that immediately after in the sky, this

0:14:06.640 --> 0:14:12.839
<v Speaker 1>cold orb picture the harvest moon about fift larger than that,

0:14:13.880 --> 0:14:16.760
<v Speaker 1>blinks on and the sky and then blinks off. Then

0:14:16.760 --> 0:14:21.840
<v Speaker 1>about fifteen seconds as in another huge uh flashlight comes

0:14:21.840 --> 0:14:25.760
<v Speaker 1>out of Ritio and then the gold or flashes odd

0:14:25.760 --> 0:14:30.720
<v Speaker 1>flashes off and that happens a couple dozen times over

0:14:30.840 --> 0:14:33.760
<v Speaker 1>over the course of about ten minutes. And then Ritio

0:14:33.880 --> 0:14:36.720
<v Speaker 1>comes back and we say, Marazio, that was amazing. What

0:14:36.760 --> 0:14:38.840
<v Speaker 1>was that? He says, So, I didn see anything, I thought,

0:14:40.360 --> 0:14:43.600
<v Speaker 1>So that was our explanation. So we're driving home from that.

0:14:44.360 --> 0:14:45.880
<v Speaker 1>Uh here, we'll get to it. So that was an

0:14:45.920 --> 0:14:49.960
<v Speaker 1>extra dimensional part. Uh. Someone there suggested he had opened

0:14:50.000 --> 0:14:54.120
<v Speaker 1>up a portal to another dimension. Maybe Ritio didn't confirm that,

0:14:54.240 --> 0:14:57.520
<v Speaker 1>but but given what's coming, you may look back on

0:14:57.560 --> 0:15:01.360
<v Speaker 1>that as a as a credible explanation. Uh. We're in

0:15:01.400 --> 0:15:06.960
<v Speaker 1>Sam's Broncho driving down Sunset, driving driving eastbound, and we're

0:15:07.000 --> 0:15:09.560
<v Speaker 1>going we're just passed Rusted Canyon. And what we're approaching

0:15:09.560 --> 0:15:12.640
<v Speaker 1>what you folks who grew up around here, no, as

0:15:13.600 --> 0:15:18.600
<v Speaker 1>dead Man's Curve, you know that big. So we're we're

0:15:18.640 --> 0:15:21.560
<v Speaker 1>going into that, and all of a sudden, the power

0:15:21.680 --> 0:15:25.960
<v Speaker 1>to Sam's car just dies's career as we're approaching it.

0:15:25.960 --> 0:15:28.280
<v Speaker 1>We're about a hundred fifty yards out, we're approaching it,

0:15:28.280 --> 0:15:30.960
<v Speaker 1>and the power is just God, it's just like it's

0:15:31.080 --> 0:15:33.640
<v Speaker 1>it's just as though someone just turned it off. And

0:15:33.680 --> 0:15:38.000
<v Speaker 1>we're coasting to a stop up ahead of us, going westbound.

0:15:38.080 --> 0:15:41.480
<v Speaker 1>Coming towards us, this car comes screeching around the herb.

0:15:41.960 --> 0:15:45.120
<v Speaker 1>Herb spins out, does a three sixty. It crashes into

0:15:45.160 --> 0:15:48.320
<v Speaker 1>a phone pole. Yes, exactly where we would have been,

0:15:49.160 --> 0:15:51.320
<v Speaker 1>the exact spot where we would have been had the

0:15:51.360 --> 0:15:56.360
<v Speaker 1>power not knocked gone out. So are those two halfs

0:15:56.400 --> 0:16:01.120
<v Speaker 1>of the story port we give me be a good maybe?

0:16:01.320 --> 0:16:04.680
<v Speaker 1>Or maybe it was a demon with bad aim, or

0:16:04.760 --> 0:16:07.280
<v Speaker 1>maybe it was Hitler driving the other car and he

0:16:07.320 --> 0:16:09.800
<v Speaker 1>was being saved to go. Hitler didn't die on dead

0:16:09.800 --> 0:16:15.600
<v Speaker 1>Man's Curve the next because I spent like a week

0:16:15.680 --> 0:16:18.480
<v Speaker 1>reading about and this is all I would talk about

0:16:18.560 --> 0:16:20.600
<v Speaker 1>last week before the podcast. Well, you know, you know

0:16:20.640 --> 0:16:24.200
<v Speaker 1>where that curve actually is, but have you actually seen

0:16:24.240 --> 0:16:26.800
<v Speaker 1>that's the lamest dead Man's curve, That that curve is

0:16:26.840 --> 0:16:29.440
<v Speaker 1>like sort of just like, yeah, I always imagine I'm

0:16:29.480 --> 0:16:32.280
<v Speaker 1>confused which one you're talking about. What's what is it?

0:16:32.320 --> 0:16:34.760
<v Speaker 1>Is it like in like your Beverly Glenn or something no,

0:16:35.320 --> 0:16:38.360
<v Speaker 1>between Rusta Canyon and the Riviera Palisades. But it's a

0:16:38.480 --> 0:16:42.360
<v Speaker 1>it's a pretty, a pretty baby dead Man's curve, right

0:16:42.440 --> 0:16:44.520
<v Speaker 1>that that one is amazing. The one I was at

0:16:44.600 --> 0:16:47.080
<v Speaker 1>was a major den Man's curve. The Jan and Dean

0:16:47.240 --> 0:16:49.960
<v Speaker 1>one is on it's right. Jandane one is interesting because

0:16:49.960 --> 0:16:52.560
<v Speaker 1>it's about three doors down from the house Buzzy Seagull

0:16:52.680 --> 0:16:55.800
<v Speaker 1>was shot in, so it's uh so, it's it's an

0:16:55.800 --> 0:16:58.200
<v Speaker 1>interesting little neighborhood there. Plus, I was reading about Jan

0:16:58.280 --> 0:17:00.240
<v Speaker 1>and Deane and she was like, oh, because one of

0:17:00.280 --> 0:17:02.480
<v Speaker 1>them was hot, and I was like, yes, correct, And

0:17:02.520 --> 0:17:04.679
<v Speaker 1>then I remember which one. Well. I found out that

0:17:04.680 --> 0:17:06.399
<v Speaker 1>they were you probably know this already, Richard, but that

0:17:06.440 --> 0:17:09.320
<v Speaker 1>they were all on the football team like Hollywood High.

0:17:09.560 --> 0:17:11.480
<v Speaker 1>That's how they became a group, and that the other

0:17:11.520 --> 0:17:16.800
<v Speaker 1>guy in the group was James Brolin. They were the

0:17:16.840 --> 0:17:18.560
<v Speaker 1>football team because I just thought they were going to

0:17:18.600 --> 0:17:20.439
<v Speaker 1>be dorks, and then I was like, wait, Jane and

0:17:20.480 --> 0:17:22.760
<v Speaker 1>Dean were hot, and then it was like they were

0:17:22.800 --> 0:17:25.800
<v Speaker 1>football players who harmonized in the locker room. Don't ever

0:17:25.840 --> 0:17:28.040
<v Speaker 1>go look at that at that curve, You're gonna be

0:17:28.080 --> 0:17:30.720
<v Speaker 1>so let down. Well then also one of them was

0:17:30.840 --> 0:17:33.840
<v Speaker 1>in a car accident later, but not at that dead

0:17:33.840 --> 0:17:35.880
<v Speaker 1>man's curve, but like not too far from well that

0:17:35.880 --> 0:17:38.359
<v Speaker 1>that's that's where the accident where the the real life

0:17:38.359 --> 0:17:43.520
<v Speaker 1>accident was that what wasn't the wasn't They were conflated later.

0:17:45.320 --> 0:17:48.080
<v Speaker 1>I always imagined being like in Palace fair days on

0:17:48.240 --> 0:17:51.280
<v Speaker 1>like a little twisty like canyon. I always a was

0:17:51.320 --> 0:17:53.760
<v Speaker 1>on Mulholland until I knew better, because the Holland is

0:17:53.800 --> 0:17:56.600
<v Speaker 1>just one big dead man. To be honest with you,

0:17:57.280 --> 0:18:01.880
<v Speaker 1>the one the Palisades is uh is is a true

0:18:02.040 --> 0:18:04.720
<v Speaker 1>people were killed all the time. Can we get another

0:18:04.760 --> 0:18:07.840
<v Speaker 1>demon story? Yeah? Number three? So I was not the

0:18:07.880 --> 0:18:09.920
<v Speaker 1>one that I thought you were going to tell. So

0:18:10.080 --> 0:18:14.920
<v Speaker 1>I'm very curious. The one I remember you telling me

0:18:15.720 --> 0:18:23.800
<v Speaker 1>at Italy was about um. It was like somebody said

0:18:23.840 --> 0:18:26.959
<v Speaker 1>that you had Somebody said that you had opened up

0:18:26.960 --> 0:18:30.520
<v Speaker 1>your your soul to a ghost letter the wig board.

0:18:30.720 --> 0:18:32.679
<v Speaker 1>The wig board one was a story that was a

0:18:32.800 --> 0:18:35.119
<v Speaker 1>very good story. It didn't actually happen to me. It

0:18:35.160 --> 0:18:37.600
<v Speaker 1>had to happen to a bunch of friends of mine.

0:18:37.720 --> 0:18:40.600
<v Speaker 1>You should tell it anyway, because a perfect ghost story?

0:18:41.080 --> 0:18:45.320
<v Speaker 1>Is this the one I'm thinking of? Though I can't remember. Yeah.

0:18:45.520 --> 0:18:52.600
<v Speaker 1>So if you go to the Brand Library in Glendale, UM,

0:18:52.720 --> 0:18:54.760
<v Speaker 1>and there's a path if you go there at night,

0:18:54.800 --> 0:18:57.080
<v Speaker 1>there's a path that leads up into the hills behind

0:18:57.119 --> 0:19:01.000
<v Speaker 1>it UM and if you get you go up. You

0:19:01.040 --> 0:19:03.920
<v Speaker 1>walk up that path about fifteen minutes and you'll see

0:19:04.359 --> 0:19:07.479
<v Speaker 1>a small a little trail that goes off it. And

0:19:07.520 --> 0:19:09.159
<v Speaker 1>you'll notice when you go down the trail that the

0:19:09.200 --> 0:19:12.719
<v Speaker 1>temperature suddenly drops when you come to a wrought iron

0:19:12.800 --> 0:19:19.160
<v Speaker 1>gate enclosing maybe Puritan way up in the mountains, there's

0:19:19.160 --> 0:19:24.800
<v Speaker 1>a pyramid. There's a stone pyramid about fifty ft high,

0:19:25.160 --> 0:19:28.919
<v Speaker 1>uh in the hills above above Glendonale. It is the

0:19:29.000 --> 0:19:32.280
<v Speaker 1>Brand family, and I believe Brand family built Glendon Lit

0:19:32.640 --> 0:19:36.480
<v Speaker 1>there mine. Have you guys been there? It is so spooky.

0:19:36.520 --> 0:19:39.439
<v Speaker 1>Have you been there? Know? How about when you come

0:19:39.760 --> 0:19:42.840
<v Speaker 1>soon we will go and there's a pyramid, is what

0:19:42.840 --> 0:19:45.359
<v Speaker 1>we're going to get to. I've heard of it, but

0:19:45.400 --> 0:19:48.240
<v Speaker 1>I've never been there yet. I was driving around Glendale

0:19:48.280 --> 0:19:50.840
<v Speaker 1>one day and I like found it and I was like,

0:19:51.160 --> 0:19:53.760
<v Speaker 1>where did this come from. It was totally like a

0:19:53.760 --> 0:19:56.879
<v Speaker 1>spooky place that was suddenly planted there that I've never

0:19:56.960 --> 0:20:00.600
<v Speaker 1>noticed before. And it has like the library a building

0:20:00.720 --> 0:20:04.080
<v Speaker 1>is this sort of fake Moroccan style building, and it

0:20:04.119 --> 0:20:06.800
<v Speaker 1>was apparently built by the person who built the Chicago

0:20:06.840 --> 0:20:10.320
<v Speaker 1>World's Fair. And then it inspired a lot of the

0:20:10.520 --> 0:20:13.600
<v Speaker 1>sort of fake Spanish stuff in Glendale because it was like,

0:20:14.040 --> 0:20:16.399
<v Speaker 1>you know, a fancy person's building, and the people were like,

0:20:16.400 --> 0:20:19.000
<v Speaker 1>build me a little Spanish billa also. But it looks

0:20:19.160 --> 0:20:23.439
<v Speaker 1>very like a weird movie set um. It has like

0:20:23.720 --> 0:20:25.600
<v Speaker 1>and everybody I know who goes there says it's like

0:20:25.640 --> 0:20:28.720
<v Speaker 1>the weirdest place and what this is? How weird it

0:20:28.800 --> 0:20:31.240
<v Speaker 1>was for my friends for whom I went there and

0:20:31.280 --> 0:20:35.680
<v Speaker 1>told me the story together and swear by it. Uh

0:20:35.720 --> 0:20:38.600
<v Speaker 1>So you go there at night and the the gate

0:20:38.720 --> 0:20:41.200
<v Speaker 1>is closed. You have to climb over it. And they

0:20:41.240 --> 0:20:43.840
<v Speaker 1>came in and they brought a Luigi board, so they

0:20:43.880 --> 0:20:46.560
<v Speaker 1>climb over it. They feel very weird. They sit down,

0:20:47.160 --> 0:20:49.639
<v Speaker 1>they put the disc on the Luigi board and it

0:20:49.720 --> 0:20:56.040
<v Speaker 1>just starts spitting by itself and starts spitting wildly, and

0:20:56.080 --> 0:20:58.280
<v Speaker 1>then they are in the car in their car on

0:20:58.320 --> 0:21:01.680
<v Speaker 1>the freeway, driving home, just like a time leap, they

0:21:01.720 --> 0:21:08.440
<v Speaker 1>all lost the time in between. Yes, didn't they get

0:21:08.520 --> 0:21:11.040
<v Speaker 1>rid of the Wegi board. I don't know if the

0:21:11.040 --> 0:21:13.760
<v Speaker 1>weigi if the Weiji board was with them still interesting,

0:21:14.040 --> 0:21:16.720
<v Speaker 1>it might still be there. Yeah, I'll go getting you guys.

0:21:16.880 --> 0:21:20.560
<v Speaker 1>Let's go, or let's just bring another one. That offering

0:21:20.920 --> 0:21:22.560
<v Speaker 1>was that the Wegi board? So I have another week?

0:21:22.680 --> 0:21:24.320
<v Speaker 1>Was that the one you were thinking of over youthinking? No,

0:21:24.560 --> 0:21:28.040
<v Speaker 1>that wasn't the one I was thinking of either. Okay,

0:21:28.040 --> 0:21:29.720
<v Speaker 1>well the other one is quick. I was at the

0:21:30.040 --> 0:21:36.240
<v Speaker 1>haunted coffee shop and wait, wait, the All Star Cafe

0:21:36.280 --> 0:21:39.080
<v Speaker 1>that used to be in the Knickerbocker Hotel in front

0:21:39.119 --> 0:21:43.000
<v Speaker 1>of which d W. Griffith died. Umu the Knicker. I

0:21:43.000 --> 0:21:45.280
<v Speaker 1>think the hotel has been bought by Scientology. Now in

0:21:45.359 --> 0:21:48.639
<v Speaker 1>the cafe doesn't just anymore? But wait, is it the

0:21:48.680 --> 0:21:50.920
<v Speaker 1>one where they used to have a lightly star trek

0:21:50.960 --> 0:21:54.760
<v Speaker 1>scemed coffee shop in that in that space called ten

0:21:54.880 --> 0:21:59.160
<v Speaker 1>forward possible? The All Star Cafe was a brief incarnation

0:21:59.240 --> 0:22:02.840
<v Speaker 1>there in the and and never quite came together. But

0:22:03.600 --> 0:22:07.000
<v Speaker 1>uh they claimed it was very haunted and they had

0:22:07.000 --> 0:22:09.520
<v Speaker 1>a Wigi board, and my friend and I were Uh,

0:22:09.720 --> 0:22:13.760
<v Speaker 1>we're playing with the Ouiji board and the boards we

0:22:14.640 --> 0:22:18.000
<v Speaker 1>start telling us things, horrible things we're gonna happen to

0:22:18.000 --> 0:22:21.120
<v Speaker 1>our friends. It's sort of it was. It was spelling

0:22:21.200 --> 0:22:23.080
<v Speaker 1>very It was the quickest of Wegi board has ever

0:22:23.119 --> 0:22:25.199
<v Speaker 1>worked for me. I was saying like one front of

0:22:25.200 --> 0:22:27.080
<v Speaker 1>hers is going to die in a car accident and

0:22:27.119 --> 0:22:28.960
<v Speaker 1>other it was like but it was it was kind

0:22:28.960 --> 0:22:32.840
<v Speaker 1>of like jokey horrible things. But uh. We asked him

0:22:32.880 --> 0:22:34.160
<v Speaker 1>who he was and he said he was a nine

0:22:34.240 --> 0:22:37.399
<v Speaker 1>year old boy named named Max and he spelled that.

0:22:37.520 --> 0:22:40.199
<v Speaker 1>And as we were leaving, Um, we said to the

0:22:40.240 --> 0:22:42.040
<v Speaker 1>owner and he says, so you get anything on the

0:22:42.040 --> 0:22:44.840
<v Speaker 1>Weigi boards. So yeah, someone was really great. And they're like, oh,

0:22:44.960 --> 0:22:52.400
<v Speaker 1>was it Max the nine year old? What wait, we're

0:22:52.440 --> 0:22:55.280
<v Speaker 1>a ton of people bringing Weigi boards to the coffee shop.

0:22:55.720 --> 0:22:57.679
<v Speaker 1>There was never a ton of people and that they

0:22:57.680 --> 0:23:01.280
<v Speaker 1>had a Wegi board there Swigi so it might have

0:23:01.359 --> 0:23:06.760
<v Speaker 1>been weird. Yeah. At around the time that that that happened,

0:23:06.920 --> 0:23:10.720
<v Speaker 1>and uh, talking about friends with their brand cemetery experience,

0:23:10.760 --> 0:23:13.120
<v Speaker 1>I was at a dinner, a group dinner, and there

0:23:13.160 --> 0:23:16.960
<v Speaker 1>was this, uh, there was this old Native American gentleman,

0:23:17.720 --> 0:23:20.120
<v Speaker 1>this is the story. I think that you was sort

0:23:20.119 --> 0:23:25.720
<v Speaker 1>of sort of a shaman type uh self styled shaman,

0:23:26.600 --> 0:23:28.840
<v Speaker 1>but a lot of people held him in very high regard.

0:23:28.960 --> 0:23:32.959
<v Speaker 1>But I started chatting about these ghosts experiences and he

0:23:33.000 --> 0:23:36.360
<v Speaker 1>looked at me and he said, he said, you shouldn't

0:23:36.440 --> 0:23:40.040
<v Speaker 1>be fooling with this, and and I was like, uh,

0:23:40.040 --> 0:23:42.200
<v Speaker 1>it's not, you know, just having fun with the work.

0:23:42.680 --> 0:23:44.000
<v Speaker 1>Kids will be kids. What are you what are you

0:23:44.000 --> 0:23:47.040
<v Speaker 1>gonna do? And he kind of looked it was like

0:23:47.080 --> 0:23:49.720
<v Speaker 1>looking in the space around me, and he's like, you're

0:23:49.800 --> 0:23:55.080
<v Speaker 1>opening yourself up to the spirits and I was I said, wow,

0:23:55.440 --> 0:23:57.320
<v Speaker 1>they're welcome to come visit. I don't don't know anything

0:23:57.359 --> 0:23:59.800
<v Speaker 1>against them. He looked at me more and he slammed

0:23:59.800 --> 0:24:04.760
<v Speaker 1>his town. No, you are a coffee cup. Your coffee

0:24:04.760 --> 0:24:08.440
<v Speaker 1>cup is empty. The spirits are coffee that coffee wants

0:24:08.440 --> 0:24:14.639
<v Speaker 1>to be in a cup. What you're doing, it may

0:24:14.720 --> 0:24:18.280
<v Speaker 1>have been you. I also did hear the story. Didn't

0:24:18.320 --> 0:24:20.760
<v Speaker 1>you say that you had also just been like messing

0:24:20.800 --> 0:24:23.480
<v Speaker 1>with some sort of like like a coven. No, it

0:24:23.520 --> 0:24:26.359
<v Speaker 1>was when you went to go you were doing research

0:24:26.400 --> 0:24:28.480
<v Speaker 1>on the real covens of Hollywood. Because it wasn't this

0:24:28.560 --> 0:24:31.160
<v Speaker 1>around the time of the Craft or it was around

0:24:31.200 --> 0:24:33.840
<v Speaker 1>the time the Craft. Yes, and I wrote my my

0:24:33.920 --> 0:24:37.879
<v Speaker 1>first my first cover story in journalism. Uh maybe the

0:24:37.920 --> 0:24:41.520
<v Speaker 1>first feature story for Black Book magazine about about which

0:24:41.640 --> 0:24:44.800
<v Speaker 1>is in Los Angeles. Uh. So I went to visit

0:24:45.000 --> 0:24:48.359
<v Speaker 1>a coven in North Hollywood. UM, don't let them tell

0:24:48.400 --> 0:24:52.639
<v Speaker 1>you that. Um, they all they all have that stuff

0:24:52.680 --> 0:24:54.600
<v Speaker 1>out there, like, oh, we don't. We don't cast spells

0:24:54.680 --> 0:24:57.359
<v Speaker 1>or people because everything you do comes back to it

0:24:57.359 --> 0:24:59.520
<v Speaker 1>comes back to get you three times. And so they

0:24:59.560 --> 0:25:02.760
<v Speaker 1>cast Believe me, they did. They cast one on you.

0:25:04.200 --> 0:25:09.480
<v Speaker 1>Possibly after it came out you opened the barrier. And well,

0:25:09.520 --> 0:25:12.760
<v Speaker 1>the one thing I've I've used is they taught me

0:25:12.800 --> 0:25:16.600
<v Speaker 1>a lost things a spell how to find lost things?

0:25:17.240 --> 0:25:22.120
<v Speaker 1>Can you share? It's not Saint Anthony, a Catholic one

0:25:23.040 --> 0:25:25.720
<v Speaker 1>she taught me and we both new all the time works.

0:25:26.000 --> 0:25:28.359
<v Speaker 1>If you say a spell on the radio, does that

0:25:28.400 --> 0:25:32.320
<v Speaker 1>dissipate its power? Or like? Does that does that? Emily? Emily,

0:25:32.359 --> 0:25:35.560
<v Speaker 1>you've done my lost Yeah? I think you feel me?

0:25:35.640 --> 0:25:37.679
<v Speaker 1>Ever teach that so I don't feel like it's that

0:25:37.760 --> 0:25:41.640
<v Speaker 1>much more. I'm afraid of can you outline it without

0:25:41.680 --> 0:25:43.760
<v Speaker 1>telling us? Like the words that you chant er, and

0:25:43.840 --> 0:25:47.640
<v Speaker 1>so you think you picture yourself finding it, and you

0:25:47.640 --> 0:25:51.439
<v Speaker 1>you do something to an object of clothing and then

0:25:51.560 --> 0:25:54.359
<v Speaker 1>leave it in a certain place until it worked every

0:25:54.400 --> 0:26:05.119
<v Speaker 1>time miraculously. Yes, all right, I'll get the notes afterwards. Uh, guys,

0:26:05.160 --> 0:26:10.400
<v Speaker 1>what are your personal scariest moments from horror movies? Oh? Yes,

0:26:11.200 --> 0:26:14.080
<v Speaker 1>I have one that I watched just before I got

0:26:14.119 --> 0:26:16.040
<v Speaker 1>here and it's been giving me the creeps ever since,

0:26:16.080 --> 0:26:19.800
<v Speaker 1>which is from the eight I think remix of Invasion

0:26:19.800 --> 0:26:23.200
<v Speaker 1>of the Body Snatchers, where, Um, it's been a while

0:26:23.200 --> 0:26:25.240
<v Speaker 1>since I've seen the movie, but I remember the scene

0:26:25.320 --> 0:26:28.120
<v Speaker 1>of the dog with the man's face and the banjo

0:26:28.280 --> 0:26:33.040
<v Speaker 1>music that happened that the part it's so scary because

0:26:33.040 --> 0:26:35.640
<v Speaker 1>the man is like licking his mouth in a way

0:26:35.680 --> 0:26:38.560
<v Speaker 1>that looks like a dog, and everybody's reactions are like

0:26:38.680 --> 0:26:43.000
<v Speaker 1>really realistic. It's never explained how that happened, never explained

0:26:43.240 --> 0:26:44.960
<v Speaker 1>that they got me. It's the only one that got

0:26:44.960 --> 0:26:49.399
<v Speaker 1>mixed up exactly scariest movie. It is a very scary movie,

0:26:49.520 --> 0:26:52.359
<v Speaker 1>but that's the scariest part. I I never feel safe

0:26:52.359 --> 0:26:55.760
<v Speaker 1>in San Francisco because of that movie. Yeah. That movie

0:26:55.920 --> 0:26:59.280
<v Speaker 1>also now is like sad because it's all like beautiful

0:26:59.359 --> 0:27:03.200
<v Speaker 1>pre gentrification, like real San Francisco. You're like, oh, it

0:27:03.320 --> 0:27:07.919
<v Speaker 1>got city snatched. Yeah, Emily, do you have a scariest

0:27:07.960 --> 0:27:10.520
<v Speaker 1>movie moment? I'm so bad at this one. I've been

0:27:10.560 --> 0:27:13.160
<v Speaker 1>honestly thinking about it since you guys pose the question,

0:27:13.240 --> 0:27:15.800
<v Speaker 1>and I'm you know, I know I'm sound like a

0:27:15.840 --> 0:27:18.640
<v Speaker 1>broken record when I talk about this, but it's there

0:27:18.680 --> 0:27:21.280
<v Speaker 1>aren't that many movies that really scare me, but there

0:27:21.280 --> 0:27:26.719
<v Speaker 1>are ones that, like kind of animated movies. Um, I

0:27:26.720 --> 0:27:29.120
<v Speaker 1>feel like some of the scariest things that have ever

0:27:29.200 --> 0:27:32.119
<v Speaker 1>scared me have been like anime that I saw as

0:27:32.119 --> 0:27:37.840
<v Speaker 1>a child. Well, I think that one of the scarier things, um,

0:27:38.040 --> 0:27:43.360
<v Speaker 1>Princess Mononoke, like the face on O god On that

0:27:43.440 --> 0:27:45.600
<v Speaker 1>this like the Dear Spirit I always confuse it with

0:27:45.640 --> 0:27:49.400
<v Speaker 1>the Patronis from Hierry Potter's very similar the way it's presented,

0:27:49.440 --> 0:27:51.560
<v Speaker 1>but it's like this dear spirit in the water, but

0:27:51.600 --> 0:27:54.040
<v Speaker 1>it has a human face. There is something very eerie

0:27:54.080 --> 0:28:01.240
<v Speaker 1>about human faces on. I think that's the scariest. I mean,

0:28:01.359 --> 0:28:05.000
<v Speaker 1>I I just in general in general, like mask like

0:28:05.200 --> 0:28:08.520
<v Speaker 1>faces are very terrifying to me. I've been more scared

0:28:09.520 --> 0:28:11.679
<v Speaker 1>like my closest thing that I have to like a

0:28:11.960 --> 0:28:16.600
<v Speaker 1>um uh paranormal experience or like one of Richard's stories

0:28:16.680 --> 0:28:19.240
<v Speaker 1>is that I used to play this game called four

0:28:19.320 --> 0:28:22.600
<v Speaker 1>Doors with like friends growing up, like since I was

0:28:22.640 --> 0:28:24.520
<v Speaker 1>in you know, middle school or something. It would be

0:28:24.560 --> 0:28:27.080
<v Speaker 1>a sleepover game, like like kind of like a light

0:28:27.119 --> 0:28:28.720
<v Speaker 1>as a feather stuff as a board type thing. Do

0:28:28.760 --> 0:28:32.560
<v Speaker 1>you know this game? Oh, it's it's it's it's sort

0:28:32.560 --> 0:28:34.560
<v Speaker 1>of takes a while to explain, but basically it just

0:28:34.640 --> 0:28:37.760
<v Speaker 1>like you your you guide your friend through like one

0:28:37.800 --> 0:28:39.480
<v Speaker 1>person is lying down in the middle of the group

0:28:39.520 --> 0:28:41.840
<v Speaker 1>and you guide them through like kind of of semi

0:28:42.160 --> 0:28:48.280
<v Speaker 1>conscious um like journey through all these doors. Um. And

0:28:48.280 --> 0:28:51.440
<v Speaker 1>and the one that I remember doing or like saying

0:28:51.520 --> 0:28:53.720
<v Speaker 1>and like everybody in the room just freaking out is

0:28:53.800 --> 0:28:55.560
<v Speaker 1>like walking into one of the doors and it was

0:28:55.600 --> 0:28:58.200
<v Speaker 1>just like a room like a full of people wearing

0:28:58.240 --> 0:29:01.360
<v Speaker 1>like blank masks and all like turned around and stared

0:29:01.400 --> 0:29:07.960
<v Speaker 1>at me. That's trying. Yeah, that's like the scariest thing

0:29:07.960 --> 0:29:11.120
<v Speaker 1>to me. So anything with masks and movies, yeah, stuff

0:29:11.120 --> 0:29:13.760
<v Speaker 1>in like I mean, like this isn't even movies, but

0:29:13.800 --> 0:29:16.720
<v Speaker 1>like some of that just conceptual stuff in like ginge

0:29:16.720 --> 0:29:22.640
<v Speaker 1>Eto just like, yeah, scares me more, doesn't really. I

0:29:22.680 --> 0:29:26.840
<v Speaker 1>find I delight in Juneto like I I find it

0:29:27.000 --> 0:29:31.800
<v Speaker 1>so fun, makes me feels so gross and fun like yeah,

0:29:31.880 --> 0:29:36.040
<v Speaker 1>like all like you know, I don't know it does.

0:29:36.120 --> 0:29:38.560
<v Speaker 1>It feels more like a like a grotesque form of

0:29:38.560 --> 0:29:41.040
<v Speaker 1>comedy too than like actually getting scared to me. But

0:29:41.080 --> 0:29:43.440
<v Speaker 1>I love it sometimes when it moves into comedy, that's

0:29:43.440 --> 0:29:46.760
<v Speaker 1>the scariest I think too, because like I was always

0:29:46.840 --> 0:29:49.560
<v Speaker 1>very freaked out by eighties practical effects stuff. It took

0:29:49.560 --> 0:29:51.760
<v Speaker 1>me forever to watch The Nightmare on elm Street movies

0:29:51.760 --> 0:29:54.040
<v Speaker 1>because I was so scared of like Freddy as a

0:29:54.760 --> 0:29:58.840
<v Speaker 1>just as like a scary looking thing, and like masks

0:29:58.840 --> 0:30:01.520
<v Speaker 1>of Freddy are so scary to me, I think, more

0:30:01.560 --> 0:30:07.960
<v Speaker 1>so than Michael Myers, even though he's a scary blank face. Yeah, Richard,

0:30:08.000 --> 0:30:11.640
<v Speaker 1>what's your scariest movie moment? So the the one scene

0:30:11.880 --> 0:30:15.200
<v Speaker 1>in movies that as I get older, I'm scared, like

0:30:15.240 --> 0:30:18.200
<v Speaker 1>I cry in Hallmark commercials. But also they also scared

0:30:18.240 --> 0:30:20.720
<v Speaker 1>the hell out of me. So I'm scared of everything

0:30:20.760 --> 0:30:24.120
<v Speaker 1>now um and and really can't watch scary movies anymore.

0:30:24.320 --> 0:30:29.520
<v Speaker 1>But the the scene and poulter Geist where She's taught

0:30:29.600 --> 0:30:32.640
<v Speaker 1>the girls talking to her mother in the kitchen and

0:30:32.680 --> 0:30:35.280
<v Speaker 1>then and they're at the kitchen table and they look away,

0:30:35.280 --> 0:30:36.840
<v Speaker 1>and then they turned back to the kitchen table and

0:30:36.840 --> 0:30:40.959
<v Speaker 1>the chairs are stuck. The stack chairs is so scary,

0:30:41.360 --> 0:30:46.680
<v Speaker 1>like Molly's Older Guys. Is one of the scariest movies

0:30:46.720 --> 0:30:49.760
<v Speaker 1>because it tricks you into thinking gets a different kind

0:30:49.800 --> 0:30:53.360
<v Speaker 1>of movie at certain just like I was, like seventies

0:30:53.400 --> 0:30:57.240
<v Speaker 1>movie that's about like families. Yeah, and spend a billion

0:30:57.280 --> 0:31:00.120
<v Speaker 1>dollars on effects, you won't get anything scarier than these

0:31:00.160 --> 0:31:04.480
<v Speaker 1>damned kitchen chairs. Yeah, yeah, I agree. Um. A friend

0:31:04.520 --> 0:31:06.880
<v Speaker 1>of the podcast, Muctamohan has talked about how her biggest

0:31:06.880 --> 0:31:10.560
<v Speaker 1>fear is like furniture being moved around while she's asleep. Yeah,

0:31:10.800 --> 0:31:14.320
<v Speaker 1>stuff like that, because it's really the fear of being insane. Guys,

0:31:14.360 --> 0:31:18.360
<v Speaker 1>do you want to take I stepped on your segment

0:31:18.440 --> 0:31:21.920
<v Speaker 1>the Yellow Wallpaper. Let's take a night email from Brian.

0:31:24.360 --> 0:31:26.840
<v Speaker 1>I wanted to draw your attention to this Fox interview

0:31:26.840 --> 0:31:29.640
<v Speaker 1>with a pair of Harvard Divinity School researchers who published

0:31:29.640 --> 0:31:33.800
<v Speaker 1>a paper in that suggested that millennials are substituting CrossFit

0:31:33.880 --> 0:31:37.880
<v Speaker 1>and soul cycle for traditional organized religions. I know you

0:31:37.920 --> 0:31:40.480
<v Speaker 1>have a particular affinity for the occult, and while this

0:31:40.600 --> 0:31:43.400
<v Speaker 1>maybe it's exact opposite, it may hold some interest for

0:31:43.440 --> 0:31:46.680
<v Speaker 1>you for that very reason. It feels like another instance

0:31:46.720 --> 0:31:49.320
<v Speaker 1>of new businesses filling the vacuum created by the loss

0:31:49.320 --> 0:31:56.440
<v Speaker 1>of old institutions. Guys, well as a person who's as

0:31:56.480 --> 0:31:58.960
<v Speaker 1>I was saying, my favorite, um, my favorite hot take

0:31:59.000 --> 0:32:04.920
<v Speaker 1>on everything is it's church. Yeah, yeah, I I feel

0:32:04.920 --> 0:32:07.640
<v Speaker 1>like I've I've heard this at least said casually by

0:32:07.680 --> 0:32:11.640
<v Speaker 1>people who have you know, who subscribe or don't subscribe

0:32:11.680 --> 0:32:15.920
<v Speaker 1>to this particular religion, especially for I think, especially for

0:32:16.040 --> 0:32:19.280
<v Speaker 1>soul cycle. Well you were cycles, you just got class

0:32:19.280 --> 0:32:22.840
<v Speaker 1>pass I did. Yeah. I I have been out of

0:32:22.840 --> 0:32:26.200
<v Speaker 1>the the group Fitness World for a while, which I

0:32:26.240 --> 0:32:28.840
<v Speaker 1>was very into in Los Angeles and kind of stopped

0:32:28.840 --> 0:32:31.520
<v Speaker 1>doing as much here and it's very interesting to come

0:32:31.520 --> 0:32:34.720
<v Speaker 1>back to it. Does anyone like have you guys? Has

0:32:34.720 --> 0:32:37.320
<v Speaker 1>anyone in this room tried what is it called, like

0:32:37.600 --> 0:32:42.880
<v Speaker 1>soul cycle? I've done soul cycle. Um, I haven't done CrossFit.

0:32:43.400 --> 0:32:46.320
<v Speaker 1>I was forced once. You were one time? But what

0:32:46.440 --> 0:32:49.120
<v Speaker 1>did they play? Oh? God? It was horrible, I mean

0:32:49.120 --> 0:32:52.680
<v Speaker 1>it was it was very It was dark, like we

0:32:52.680 --> 0:32:56.320
<v Speaker 1>were it should be dark. It reminds you of being

0:32:56.320 --> 0:32:58.280
<v Speaker 1>in church, because you were like, get me out of here.

0:32:58.960 --> 0:33:02.280
<v Speaker 1>No church is better for me than that, because it

0:33:02.400 --> 0:33:05.680
<v Speaker 1>hurts so badly to sit on that sharp seat, and

0:33:05.720 --> 0:33:07.720
<v Speaker 1>I had the gel cover that I was like, look,

0:33:07.760 --> 0:33:10.480
<v Speaker 1>I'm not like a pro. I'm not going to sit

0:33:10.560 --> 0:33:12.920
<v Speaker 1>on a chair that feels like a knife. So I

0:33:12.960 --> 0:33:15.680
<v Speaker 1>got like this gel cover. But even then it was

0:33:15.720 --> 0:33:19.920
<v Speaker 1>so horribly painful that it feels like punishment to sit

0:33:20.200 --> 0:33:23.520
<v Speaker 1>and like your legs hurt so bad, and they were.

0:33:23.800 --> 0:33:25.800
<v Speaker 1>I mean, it's to me, I have a hard time

0:33:25.840 --> 0:33:31.280
<v Speaker 1>with someone like coaching you through feelings and also to

0:33:31.320 --> 0:33:33.640
<v Speaker 1>be like it's painful but you have to do it.

0:33:33.680 --> 0:33:36.160
<v Speaker 1>But it's like the part of it is forcing your

0:33:36.320 --> 0:33:39.520
<v Speaker 1>body to release these endorphins that forced you to feel.

0:33:39.520 --> 0:33:41.920
<v Speaker 1>It feels manipulative to me, But that's just me. This

0:33:42.000 --> 0:33:44.800
<v Speaker 1>is just me. I only exercise alone. If ever, well,

0:33:44.800 --> 0:33:46.920
<v Speaker 1>I want to say that I've never done one of

0:33:47.000 --> 0:33:50.240
<v Speaker 1>these group ones, and I really only learned about how

0:33:50.320 --> 0:33:53.000
<v Speaker 1>churchy it was from seeing the movie I Feel Pretty

0:33:53.080 --> 0:33:58.000
<v Speaker 1>with Emily, which is framed around soul cycle. I guess

0:33:58.040 --> 0:34:00.480
<v Speaker 1>also on Broad City they like do it parody of

0:34:00.520 --> 0:34:06.240
<v Speaker 1>it but like fake equinox. Yeah, I has that vibe.

0:34:06.280 --> 0:34:10.440
<v Speaker 1>It's like a combination life coaching and exercise class. People

0:34:10.480 --> 0:34:12.080
<v Speaker 1>get obsessed with it. I don't know if you guys

0:34:12.120 --> 0:34:14.480
<v Speaker 1>have followed Ben Dryfe as his journey with Soul Cycle.

0:34:14.719 --> 0:34:16.960
<v Speaker 1>He wrote about it at mother Jones. No, I've known

0:34:17.000 --> 0:34:19.719
<v Speaker 1>some people who get really obsessed with bicycling. Yeah, but

0:34:19.800 --> 0:34:21.920
<v Speaker 1>this is different. What do you feel about it? Richard?

0:34:22.800 --> 0:34:26.480
<v Speaker 1>As much as I fear a demon strangling me to

0:34:26.520 --> 0:34:30.640
<v Speaker 1>death in my sleep, uh, even more fear someone ever

0:34:30.760 --> 0:34:35.000
<v Speaker 1>speaking to me while I'm trying to exercise exactly going

0:34:35.400 --> 0:34:39.560
<v Speaker 1>I I don't understand religion should be between you and

0:34:39.600 --> 0:34:43.160
<v Speaker 1>your soul Cycle trainer and private and should not be

0:34:43.239 --> 0:34:46.200
<v Speaker 1>done in the presence of other people. But I guess

0:34:46.239 --> 0:34:50.799
<v Speaker 1>it's crazy that that I've realized about these classes like

0:34:50.840 --> 0:34:53.279
<v Speaker 1>and and sort of has to do with the religion thing.

0:34:53.280 --> 0:34:57.160
<v Speaker 1>But it's also like I think maybe because this idea

0:34:57.480 --> 0:35:00.880
<v Speaker 1>of you know, like the sort of use of cycles

0:35:00.880 --> 0:35:04.680
<v Speaker 1>and stuff have been so much in the public discourse lately,

0:35:04.840 --> 0:35:08.400
<v Speaker 1>and especially like how like abuser logic and stuff, that

0:35:08.440 --> 0:35:10.480
<v Speaker 1>I started to realize that a lot of the classes

0:35:10.480 --> 0:35:14.919
<v Speaker 1>are kind of structured. Um, Like you're an abusive relationship

0:35:15.400 --> 0:35:20.040
<v Speaker 1>with yourself. Um because especially like I've been going to

0:35:20.160 --> 0:35:23.640
<v Speaker 1>like Physique fifty seven and bar classes and stuff, and

0:35:23.960 --> 0:35:27.600
<v Speaker 1>they the language they use is really like we're just

0:35:27.640 --> 0:35:31.040
<v Speaker 1>gonna like we're just gonna like burn out this this

0:35:31.120 --> 0:35:33.719
<v Speaker 1>glute or whatever. We're gonna like do it till till

0:35:33.760 --> 0:35:35.839
<v Speaker 1>do it till you kill it kind of and then

0:35:36.000 --> 0:35:38.640
<v Speaker 1>and then at the end or like in between all

0:35:38.680 --> 0:35:41.719
<v Speaker 1>these like intervals of really really intense exercise and then

0:35:41.760 --> 0:35:44.880
<v Speaker 1>you like are like you know, spinning, and they and

0:35:44.920 --> 0:35:47.719
<v Speaker 1>then they do a stretch and they're like, honor your body.

0:35:48.080 --> 0:35:50.480
<v Speaker 1>Your body is beautiful and what is and it's what

0:35:50.560 --> 0:35:53.080
<v Speaker 1>has brought you here today to give you this gift?

0:35:53.160 --> 0:35:56.480
<v Speaker 1>And yeah, that sounds like triumph of the will. And

0:35:56.560 --> 0:36:00.600
<v Speaker 1>I wait, Emily, what do you it out of? Like

0:36:00.680 --> 0:36:04.000
<v Speaker 1>what what is it that draws you to this? Well, lately,

0:36:04.040 --> 0:36:06.560
<v Speaker 1>I've just been like I've been doing stuff by myself

0:36:06.560 --> 0:36:08.520
<v Speaker 1>for a very long time now. And I had a

0:36:08.560 --> 0:36:11.440
<v Speaker 1>personal trainer for a while when I was making more money,

0:36:11.719 --> 0:36:14.759
<v Speaker 1>and uh, and now I just kind of sunk around

0:36:14.760 --> 0:36:16.440
<v Speaker 1>a Y M C A. That's the best. Also, have

0:36:16.520 --> 0:36:23.720
<v Speaker 1>a friend Leslie Moon, who a personal trainer weightlifting coach

0:36:23.719 --> 0:36:26.160
<v Speaker 1>who's so cool because she does it in the opposite way.

0:36:26.920 --> 0:36:29.920
<v Speaker 1>She has the best. Yeah, she's like the best at

0:36:30.040 --> 0:36:33.920
<v Speaker 1>kind of the more holistic like a like a saying

0:36:34.160 --> 0:36:36.600
<v Speaker 1>I would love her her vibe because it's like I'm

0:36:36.640 --> 0:36:38.799
<v Speaker 1>going to teach you the safe way to pick up

0:36:38.840 --> 0:36:42.400
<v Speaker 1>the heaviest thing you can. Yeah. Yeah, that yeah, and

0:36:42.440 --> 0:36:44.319
<v Speaker 1>which is like and being around her and like kind

0:36:44.360 --> 0:36:45.759
<v Speaker 1>of picking up a lot of the stuff that she's

0:36:45.800 --> 0:36:47.960
<v Speaker 1>been learning and like kind of this sort of philosophy

0:36:48.080 --> 0:36:51.919
<v Speaker 1>she's been honing then going back to this very yeah,

0:36:51.960 --> 0:36:56.719
<v Speaker 1>like I feel pretty esque form of exercise feels especially

0:36:56.800 --> 0:36:59.680
<v Speaker 1>like a cultural clash. But I do like I do

0:36:59.760 --> 0:37:01.640
<v Speaker 1>I I have to differ from you, guys. I do

0:37:01.719 --> 0:37:03.880
<v Speaker 1>like I like stuff and it's like somebody yelling at you.

0:37:04.280 --> 0:37:06.319
<v Speaker 1>I do like somebody yelling at me. I mean, I've

0:37:06.360 --> 0:37:12.759
<v Speaker 1>had some amazing experiences with Soul Cycle at south By Southwest. First, No,

0:37:12.880 --> 0:37:14.879
<v Speaker 1>it is it is a total kink. I will own

0:37:15.000 --> 0:37:16.719
<v Speaker 1>up to that. But like, but I know, I've never

0:37:16.760 --> 0:37:19.600
<v Speaker 1>really gotten hardcore into soul Cycle before, but it's south

0:37:19.640 --> 0:37:22.960
<v Speaker 1>By Southwest. They do like they'll have like guest DJs,

0:37:23.440 --> 0:37:29.560
<v Speaker 1>um like like famous like Hudson Mohawk like like guest DJE.

0:37:30.040 --> 0:37:32.440
<v Speaker 1>I can also see something to just like sweat your

0:37:32.480 --> 0:37:35.440
<v Speaker 1>brains out in that situation to stay saying, oh it

0:37:35.480 --> 0:37:41.200
<v Speaker 1>smells like beer. When when you see people that we're

0:37:41.239 --> 0:37:43.360
<v Speaker 1>in your soul cycle class somewhere else, do you feel

0:37:43.400 --> 0:37:47.920
<v Speaker 1>like you have a spiritual bond with them? Um? I

0:37:47.960 --> 0:37:50.160
<v Speaker 1>always feel like you just don't acknowledge it. It's like

0:37:50.200 --> 0:37:53.359
<v Speaker 1>you all went to an orgy or something or like

0:37:53.400 --> 0:37:57.920
<v Speaker 1>a or something. Right, Yeah, exactly, I guess like a

0:37:58.040 --> 0:38:03.200
<v Speaker 1>better like head to exact, don't show your hand. Uh.

0:38:03.760 --> 0:38:06.040
<v Speaker 1>There's something about workouts where it's like, I don't know,

0:38:06.080 --> 0:38:08.960
<v Speaker 1>I like a gentle cult leader. Um. But my personal

0:38:09.000 --> 0:38:12.120
<v Speaker 1>favorite is yoga with Adrian on YouTube, which I've probably

0:38:12.120 --> 0:38:15.279
<v Speaker 1>plugged before. But like, if you want the opposite vibe

0:38:15.280 --> 0:38:17.520
<v Speaker 1>of somebody yelling at you, of someone who's like Sesame

0:38:17.600 --> 0:38:21.080
<v Speaker 1>Street just being like, stretch whatever is good for you.

0:38:21.680 --> 0:38:24.320
<v Speaker 1>She's so wishy washy, though, Man, I need a little

0:38:24.320 --> 0:38:28.080
<v Speaker 1>more like if you were just sitting there, she'd be like,

0:38:28.160 --> 0:38:30.759
<v Speaker 1>it's fine, you can just sit. I've done like the

0:38:30.800 --> 0:38:33.400
<v Speaker 1>shred also, and I didn't like Jillian Chance and yelling

0:38:33.400 --> 0:38:36.640
<v Speaker 1>at me. I was like, no, I'm not a jock,

0:38:37.480 --> 0:38:40.200
<v Speaker 1>so um I am. It feels like I was just

0:38:40.239 --> 0:38:42.359
<v Speaker 1>in Los Angeles and Tess was just in New York.

0:38:42.360 --> 0:38:48.239
<v Speaker 1>We've been so bicoastal, like the Kardashians franchises all over

0:38:48.280 --> 0:38:51.480
<v Speaker 1>the country. We're taking New York and we're open and

0:38:51.680 --> 0:38:57.400
<v Speaker 1>night dash and yeah, night dash, night dash. Um. But

0:38:57.520 --> 0:39:00.360
<v Speaker 1>I'm going to be back in l A soon. I

0:39:00.400 --> 0:39:03.520
<v Speaker 1>think when you hear this, it'll be like a week later. Yeah,

0:39:03.800 --> 0:39:08.640
<v Speaker 1>um for the first ever UH Female Filmmakers Festival in

0:39:08.719 --> 0:39:11.319
<v Speaker 1>Los Angeles, which I'm super excited to be a part of.

0:39:11.360 --> 0:39:13.439
<v Speaker 1>I'm going to be doing a couple of panels there

0:39:14.120 --> 0:39:17.840
<v Speaker 1>and you should definitely check it out and get tickets

0:39:17.880 --> 0:39:21.840
<v Speaker 1>at f f fest dot org. Yeah, Emily will be

0:39:21.880 --> 0:39:24.560
<v Speaker 1>there and I will also be there. Maybe TuS will

0:39:24.600 --> 0:39:26.200
<v Speaker 1>be there, who knows. You never know where I'll be

0:39:26.280 --> 0:39:29.799
<v Speaker 1>wild card I am. I am going with my mom

0:39:29.880 --> 0:39:32.840
<v Speaker 1>to see a documentary called Left on Pearl that is

0:39:32.880 --> 0:39:36.120
<v Speaker 1>about the nineteen seventy one takeover of a building by

0:39:36.120 --> 0:39:40.640
<v Speaker 1>women in Boston. Uh. They took over a building that

0:39:41.040 --> 0:39:43.600
<v Speaker 1>Harvard was like trying to buy up a lot of

0:39:43.600 --> 0:39:49.040
<v Speaker 1>working class neighborhood housing in a Cambridge and so a

0:39:49.080 --> 0:39:51.479
<v Speaker 1>bunch of women women took over a building and turned

0:39:51.520 --> 0:39:56.000
<v Speaker 1>it into an affordable women's health center. And obviously that's

0:39:56.000 --> 0:39:59.040
<v Speaker 1>something that I think is cool and I would like

0:39:59.080 --> 0:40:03.040
<v Speaker 1>to learn how to do more stuff like that. So, yeah,

0:40:03.440 --> 0:40:06.440
<v Speaker 1>it's a really amazing program. It's not it's not UM.

0:40:06.480 --> 0:40:08.480
<v Speaker 1>I think they have win premiere, but the rest is

0:40:08.520 --> 0:40:12.319
<v Speaker 1>just kind of a really good selection of uh boast

0:40:12.320 --> 0:40:13.520
<v Speaker 1>stuff that you might have seen. Like they have an

0:40:13.520 --> 0:40:17.520
<v Speaker 1>American Psycho there, Mary Heren's American Psycho. UM, they have

0:40:17.920 --> 0:40:20.560
<v Speaker 1>UM a Chreeless Mountain, which is like one of So

0:40:20.680 --> 0:40:25.879
<v Speaker 1>Young Kim's earlier films, and like some Barber Hammer shorts. Yeah,

0:40:26.680 --> 0:40:29.800
<v Speaker 1>it's just like a really good mixing like international to UM.

0:40:29.880 --> 0:40:32.040
<v Speaker 1>And I think it's going to be a cool weekends

0:40:32.080 --> 0:40:34.920
<v Speaker 1>at the Independent Downtown Independent in Los Angeles. And this

0:40:35.000 --> 0:40:38.960
<v Speaker 1>is the weekend of the the twelfth through the fourteen,

0:40:39.360 --> 0:40:42.040
<v Speaker 1>twelve through the fourteenth in l A at ff S

0:40:42.120 --> 0:40:45.480
<v Speaker 1>dot org. The fourteenth of October. Yes, it is halfway

0:40:45.520 --> 0:40:48.880
<v Speaker 1>to Halloween. Halfway. We almost made it. And now that

0:40:49.040 --> 0:40:52.640
<v Speaker 1>Richards here, you feel that Halloween creepy vibe his coffee

0:40:52.640 --> 0:40:58.520
<v Speaker 1>cup of ghosts. Your coffee cup overflowid do not do

0:40:58.640 --> 0:41:01.080
<v Speaker 1>not fill your coffee cup with Now you gotta put

0:41:01.080 --> 0:41:02.880
<v Speaker 1>one of those lids on it with a little tiny

0:41:02.920 --> 0:41:05.879
<v Speaker 1>hole so only the really important ghosts can come in. Well,

0:41:05.880 --> 0:41:08.520
<v Speaker 1>it's been good the last ten years or so because

0:41:08.560 --> 0:41:11.120
<v Speaker 1>ten twenty years, because I haven't been messing with it,

0:41:11.200 --> 0:41:13.040
<v Speaker 1>so I haven't felt it, and and and I haven't

0:41:13.080 --> 0:41:19.520
<v Speaker 1>been spreading these stories around until now. So welcome to

0:41:19.600 --> 0:41:23.759
<v Speaker 1>the coven, Richard. Watch out for those chairs stacking. Yeah,

0:41:24.000 --> 0:41:27.080
<v Speaker 1>if any chairs are stacking in your home, give us

0:41:27.080 --> 0:41:28.919
<v Speaker 1>a call and tell us about it at two four

0:41:28.920 --> 0:41:31.600
<v Speaker 1>oh four six night or you can email us at

0:41:31.680 --> 0:41:34.680
<v Speaker 1>Nightcall podcast at gmail dot com. And if you're enjoying

0:41:34.719 --> 0:41:39.160
<v Speaker 1>the podcast, please review, rate and subscribe, and be sure

0:41:39.200 --> 0:41:44.040
<v Speaker 1>to check out Richard's newsletter at the Akler dot com

0:41:44.120 --> 0:41:46.880
<v Speaker 1>and also follow us on social media. We're on Twitter

0:41:46.920 --> 0:41:50.680
<v Speaker 1>at Nightcall pod uh, Instagram at Nightcall Podcasts, and Facebook

0:41:50.680 --> 0:41:54.760
<v Speaker 1>at Nightcall Podcasts. Thank you so much for joining us, Richard,

0:41:55.160 --> 0:41:58.000
<v Speaker 1>my pleasure. That's great, and we'll see some of y'all

0:41:58.040 --> 0:42:04.520
<v Speaker 1>at the Female Film Lookerphiones. Bye, come back soon