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Speaker 1: So I'm in there with.

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Speaker 2: Joe Rogan and Andy.

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Speaker 1: Dick, and can I just say yes, thank you? I

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Speaker 1: got really scared that you were going to say you

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Speaker 1: were in there with Joe Mama.

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Speaker 2: And I and I have every right to do it,

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Speaker 2: because yes, we said we were never going to.

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Speaker 1: Lay that nasty piece of business.

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Speaker 2: On one another. But at the same time, we've all

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Speaker 2: been breaking some rules lately, haven't we.

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Speaker 1: And I was worried you were going to say and

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Speaker 1: the nuts.

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Speaker 2: And believe and believe I would never consider it because

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Speaker 2: and of course I swore I would, but we've all

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Speaker 2: sworn a lot of things that we've been breaking the

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Speaker 2: rules on lately, haven't we.

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Speaker 1: Has you'd say it like I was in there with

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Speaker 1: its nuts.

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Speaker 2: Nuts and I was there with Andy nuts oh, and

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Speaker 2: you would just have to take it because you were

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Speaker 2: all you were also listening, so with your mouth open.

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Speaker 1: Like uh oh oh.

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Speaker 2: Now, I would be well within my rights to do that,

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Speaker 2: wouldn't I haste, because we've all been breaking the rules,

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Speaker 2: like especially you, I don't know what and maybe Nat

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Speaker 2: and maybe Natalie could actually help out with this, because

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Speaker 2: in fact, she came in and started gushing, just exploding

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Speaker 2: about the LA podcast. It's the best podcast I've ever heard.

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Speaker 2: I love your podcast. It's so good, and you're the

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Speaker 2: one in the room with a good podcast and I

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Speaker 2: and I am sitting here.

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Speaker 1: Twiddling my thumbs trying not to.

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Speaker 2: Just smash the freaking table in half. I'm so pissed

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Speaker 2: off because you're soaking it up, You're lapping it up

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Speaker 2: up from the little dog bowl she's serving you.

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Speaker 1: Thank you, though, Did you like it? Did you like

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Speaker 1: when we did when we talked about the cops being

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Speaker 1: mean that hamster a little drop of water?

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Speaker 3: I mean, I think this might make you feel better.

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Speaker 3: I've never actually listened to it. I was just complimented.

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Speaker 3: It's a great show on the idea of having.

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Speaker 1: It and just because it is court ordered does not

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Speaker 1: mean it is not a good piece of content on

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Speaker 1: its own. No.

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Speaker 3: I mean, I said, hey, that's cool about your podcast,

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Speaker 3: and he said, thank you so much for listening.

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Speaker 1: So he just like assumed, right, I did. I caught that,

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Speaker 1: but it's not I love your podcast.

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Speaker 3: I did not, and it's been recorded so we can listen.

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Speaker 2: You did say it, okay, And I think that what

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Speaker 2: happened is Hayes assumed you met this one, which would

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Speaker 2: have been strayed really too.

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Speaker 3: Do you just compliment him on this podcast?

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Speaker 1: Yes, but I would say that a lot of the greatest.

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Speaker 2: Works of art are a product of community service and

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Speaker 2: are because the judge said it's this, or the who's.

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Speaker 1: Coal it's a good job. On the podcast, thank you.

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Speaker 2: Good job doing it. The Great Wall of China actually

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Speaker 2: was community service. That's how that got and I think

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Speaker 2: when we're looking at that from space, we'd say good job.

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Speaker 1: So the podcast is similar. What did you do with

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Speaker 1: those guys?

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Speaker 2: No, we were filming an episode of news radio and

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Speaker 2: Scott Adams was there. Of course the scripts hadn't shown

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Speaker 2: up yet.

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Speaker 1: Have you thought, no, this is so interesting NBC sitcom.

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Speaker 1: Oh no, Joe found a pathway to like to what

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Speaker 1: he's doing now is that and he sort of laid

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Speaker 1: that path for you. And he's left the ladder down,

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Speaker 1: if I said.

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Speaker 2: Joe.

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Speaker 1: Jean and he did at NBC Sitcom and yeah, we're

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Speaker 1: talking about it right now.

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Speaker 2: He was on news radio, he was and from there

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Speaker 2: and he would sometimes fix something with like duct tape,

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Speaker 2: and he would go, hey, I fix your remote control

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Speaker 2: and then he go here you go, and it's all

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Speaker 2: freaking duct tape and he goes, oh, it's a taser.

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Speaker 3: Now, hilarious.

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Speaker 1: He goes, now, it's a taser. It's really funny. It

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Speaker 1: is funny. Hey, it was a funny show. You can't

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Speaker 1: do that young for it.

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Speaker 4: Okay, I'm not going to disagree there.

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Speaker 3: The president yet guys.

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Speaker 1: He really yeah, I'm so young. He awarded you.

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Speaker 2: What he did was if you know the famous story

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Speaker 2: of the man in the.

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Speaker 3: Hole, who doesn't that famous story?

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Speaker 2: And he keeps asking, somebody helped me out of this hole,

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Speaker 2: somebody give me a ladder or something, and everyone's walking by,

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Speaker 2: and then finally a friend arrives on, Joe Rogan type,

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Speaker 2: and they jump in the hole and he goes, you idiot,

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Speaker 2: Now we're both stuck in this hole, and Joe says, yes,

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Speaker 2: but I've been here before and I know the way out,

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Speaker 2: and the way out, which he remembers, is to interview

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Speaker 2: thought leaders, no matter whether they're considered dangerous, right or racist.

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Speaker 1: And I don't like the is not dangerous to you.

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Speaker 1: To me, it is very dangerous.

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Speaker 3: No, racism is dangerous. Person may or may not be dangerous.

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Speaker 1: H oh wow. Usually, and this is progress, This is

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Speaker 1: actually something. They talk about the show a lot exactly.

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Speaker 1: I read it would come every episode. You're so, what's

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Speaker 1: all the ingredients are here? The whole was the.

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Speaker 3: Oh got it? Okay? That was the bad thing that

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Speaker 3: was and he got out of.

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Speaker 1: That, I guess. So, yeah, you call your show abyss

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Speaker 1: or is it?

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Speaker 3: Or is it why? Or is the whole? You know,

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Speaker 3: canceled NBC sitcom, in which case I could.

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Speaker 1: Follow that it was radio not around anymore.

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Speaker 4: Yeah, that canceled as well. Yeah, yeah, and so is

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Speaker 4: the abyss. The Abby's the abyst, Yeah, Phoebe's Now.

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Speaker 1: The show is Hollywood Handbook. This is on. Oh okay,

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Speaker 1: we're hosting l A l A podcast. Yeah.

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Speaker 2: You know how you can tell you're not on it

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Speaker 2: because I'm here here And that is ordered funny.

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Speaker 1: Because I was getting in the sewer a lot to

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Speaker 1: be to help whoever out was inside.

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Speaker 5: Like that little kid.

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Speaker 1: You remember that.

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Speaker 3: Did you read that story about that little kid? No,

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Speaker 3: the look the kid fell down at the balloom.

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Speaker 1: Boy, No, this is a real thing. I'm so sorry

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Speaker 1: to tell you that was fake.

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Speaker 3: This is a real thing that happened. A kid like

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Speaker 3: last year was at Griffith Park and he was playing

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Speaker 3: by the train station. He fell through a thing, and

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Speaker 3: Brian went through all pipes in the whole city and

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Speaker 3: ended up like under the one thirty four by way,

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Speaker 3: you know the story.

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Speaker 1: Yeah, I do a whole podcast about Sorry.

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Speaker 3: Okay, fine, then why did you what you do?

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Speaker 1: You're gonna tell him about La?

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Speaker 3: Fine?

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Speaker 1: Okay, everything about La and so I so that's what

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Speaker 1: I was doing, is going down there with my podcast

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Speaker 1: equipment for the next kid that goes down.

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Speaker 3: Okay.

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Speaker 2: Yeah, I can be like, hey, so you're got a scoop,

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Speaker 2: but you're waiting for them too to set you up

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Speaker 2: with the line and go, you idiot, Now we're both

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Speaker 2: stuck down here, so you can say your famous line.

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Speaker 1: Yeah, And a lot of times the.

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Speaker 2: Whole time, a lot of times they go I'm necking

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Speaker 2: right now, excuse me, I'm necking, and then you go like.

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Speaker 1: Oh so sorry, yeah, I call sorry sir, Natalie, Hi, Natalie, Natalie. Yes,

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Speaker 1: you've did the show in a sort of different context.

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Speaker 3: I did, I didn't you with an audience, right.

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Speaker 1: With an audience who is enjoying the show and reacting positively.

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Speaker 1: Unlike US engineer Sam and Kevin, Kevin's behind the partition

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Speaker 1: mm hmm.

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Speaker 2: Kevin's posing for his school photo. As always, Kevin's thrown me.

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Speaker 3: A sums up every now and then. I appreciate it.

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Speaker 1: Whenever you look over it.

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Speaker 3: Very positive about my performance.

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Speaker 1: I don't like that. Yeah, you did it on there

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Speaker 1: as at the theater, and there was a big sort

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Speaker 1: of a centerpiece moment of They used to so let

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Speaker 1: me tell you something. They used to take clips of

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Speaker 1: our show and put them on my man ear Wolf Feed,

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Speaker 1: the Man actually your World Twitter. Yes, they used to do.

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Speaker 2: Yes, we made it to the main feed, and regularly

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Speaker 2: they would they would isolate a moment of our show

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Speaker 2: and blast it for the whole world.

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Speaker 1: And go, this is the kind of ship we're doing

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Speaker 1: over at our fucking operations. You guys want to or not.

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Speaker 1: And now I guess Colin got jealous if something happened.

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Speaker 1: Maybe sometimes like maybe we'll go on off book or

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Speaker 1: something and they'll take a clip of that and put

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Speaker 1: on the main feed, but never from our actual show.

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Speaker 2: I think part of it is and I hate to

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Speaker 2: say this, Conan O'Brien, mm hmm. You think I think

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Speaker 2: Connan O'Brien is actually jealous of this show.

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Speaker 1: I mean I under sort of boguarding the feed.

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Speaker 2: It blocking your way, which is tweet tweet pass there's

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Speaker 2: supposed to be.

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Speaker 1: Yes, that's a play on the phrase boguarding the weed.

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Speaker 1: So had we still been getting those parts taken out

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Speaker 1: and put on the main feed, the part from your

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Speaker 1: show that would have that happened to would have been

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Speaker 1: the story you told, which is about David Caruso. Yes,

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Speaker 1: do you want to tell the story so fast.

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Speaker 3: Just to catch your listening?

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Speaker 1: Just so quick? Really the fastest version they've heard it. No,

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Speaker 1: have a single listener who hasn't listened to every other episode,

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Speaker 1: but right, so long ago, so quickly.

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Speaker 3: I was on CSI Miami was my first job ever.

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Speaker 1: Don't need that detail?

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Speaker 3: You do need it because I was nervous.

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Speaker 2: Do you mean you probably you mean your first acting job?

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Speaker 3: No, my first? Well, yeah, I guess, yes, my first.

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Speaker 1: We do need the detail, we need it. Correct.

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Speaker 3: It was my first television acting job.

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Speaker 1: Okay, okay, you did a movie before that.

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Speaker 3: I did commercials, and I did a lot of commercials.

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Speaker 3: I did theater.

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Speaker 1: I let me check, turn on the television. Okay, commercials

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Speaker 1: are on television.

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Speaker 3: I said, television show.

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Speaker 1: No, you didn't. And now we go back to what

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Speaker 1: you said about my podcast earlier. Is that correct?

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Speaker 2: Have you ever watched NBA games and they do this

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Speaker 2: finger move when they want the rest to review the tape.

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Speaker 1: Yeah, this is what we have to do on the show.

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Speaker 3: Well, all right, my first television show acting job.

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Speaker 1: Okay, thank you, and that we can have a check

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Speaker 1: on that as well.

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Speaker 2: It's just the finger. You spin the finger in the

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Speaker 2: air and you sort of go hang right.

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Speaker 3: Wind that back.

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Speaker 1: Okay.

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Speaker 3: What show CSI Miami starring David Caruso was the number

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Speaker 3: one show in the world for many many years. Fast

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Speaker 3: this story should be right, so fast.

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Speaker 1: So then.

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Speaker 3: I was I was playing a character who got kidnapped,

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Speaker 3: and my character's name was Aya. Huh by who a photographer?

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Speaker 3: I played a model? Thank you very much. I got

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Speaker 3: kidnapped by a photographer who kidnapped me.

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Speaker 1: As I said, jobs as a model.

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Speaker 3: My character's name was Anya, because any ethnically ambiguous character's

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Speaker 3: name is Anya. Especially at that time, everybody just called

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Speaker 3: if you didn't, if you were some kind of brown,

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Speaker 3: they would just call you on ya.

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Speaker 1: I love this detail. We don't need we mean it.

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Speaker 3: It's so important.

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Speaker 1: It's important. I love it. It's great like color for

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Speaker 1: the story and for that time. This is the quick version.

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Speaker 3: I'm setting it up. Stop interrupting me.

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Speaker 2: If you want the quick version model on Trophy Wife

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Speaker 2: as well.

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Speaker 3: I wasn't, but I was topless in one of the episodes,

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Speaker 3: which is yeah, on ABC broke.

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Speaker 1: They could do that.

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Speaker 3: They blurred my boobs. Family Yeah, anyway, so I I'm

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Speaker 3: on the show and the first thing I shoot is.

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Speaker 1: When I'm on TV, they blur my face.

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Speaker 3: Because it's because the nipples.

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Speaker 2: You have, you guys know, boob and female nipple knows

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Speaker 2: you have, Yeah, free the nose pole, the nose poole.

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Speaker 3: If it was a male nipple, it'd be.

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Speaker 1: Fine, clearly not look at it.

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Speaker 3: It's clearly feminine. Yeah, alright, I forgot where it was

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Speaker 3: in the story, you guys.

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Speaker 2: Because when I sneeze, I lac take go ahead. So

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Speaker 2: you're so gross, wow, very Oh, I'm sorry.

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Speaker 1: I think it's actually beautiful. It nourishes all life. Is

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Speaker 1: disgusting to you? Did you guys want me to bleep

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Speaker 1: that out? Her saying that that that nipples actually giving

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Speaker 1: people milk to live so disgusting.

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Speaker 2: Yes, I think we should, for Natalie's sake, bleep out

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Speaker 2: the idea that breastfeeding is vulgar and foul.

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Speaker 3: Yeah, you're right. I don't want to ruin my career

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Speaker 3: over what I just said.

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Speaker 1: It was good enough for you when you were a baby.

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Speaker 1: My mom refused to either way.

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Speaker 2: I don't want to know about that.

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Speaker 1: Gross. That's gross to me. Into a show, I forget

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Speaker 1: where it was in the story. So something about the

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Speaker 1: photographer wanted me to tell it.

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Speaker 3: Don't act.

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Speaker 1: So long ago. It should be over. Okay, God, I

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Speaker 1: should be home right now.

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Speaker 3: Okay, I'm kidnapped and my name's on you know, we

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Speaker 3: covered that, all right, So David Caruso is coming to

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Speaker 3: rescue me. It's my first day there. It's the first

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Speaker 3: thing we're shooting. The cameras on my face, David Caruso.

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Speaker 3: It's CSI Miami. David Caruso does not rehearse. The camera's

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Speaker 3: on my face. David Caruso does not rehearse, So we

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Speaker 3: just go right into and we start filming. He also

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Speaker 3: doesn't really read the lines, but I think this is

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Speaker 3: what was scripted and does He.

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Speaker 2: Also always exit backwards, He.

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Speaker 3: Exits sideways always. He only walks in sideways.

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Speaker 1: He won't back.

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Speaker 3: No, he never turns around, and he's never facing the

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Speaker 3: camera like you know, square it off to.

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Speaker 1: Yeah, he's always so a pro.

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Speaker 3: They call action. I'm waiting there, I'm tied up. I'm nervous,

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Speaker 3: I'm scared. David Cruso busts in and goes, I'm coming

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Speaker 3: on you, and I laugh really hard because of what

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Speaker 3: he said, and no one knows why I'm laughing, and

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Speaker 3: they call cut and they look at me very mad,

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Speaker 3: and then they realize what happened, and then a bunch

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Speaker 3: of people confer without talking to me. I'm still tied up,

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Speaker 3: and then they call action again and David Cruso comes

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Speaker 3: in and goes, Anya, I'm coming, And that was the story.

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Speaker 2: So that so that story even better. The third time we,

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Speaker 2: of course heard it on our show, we assumed it

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Speaker 2: would be exclusive to our show for a period of

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Speaker 2: no less than six years.

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Speaker 3: Or you know what they say about assuming things for.

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Speaker 2: The greater of either six years or until he and

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Speaker 2: I get another job and can stop doing this show.

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Speaker 2: So it's what whichever comes first. At that point, the

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Speaker 2: story becomes yours again instead, what did I see? But

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Speaker 2: I'm turning on my TV and you're talking to one

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Speaker 2: of these guys, right.

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Speaker 1: They are, like they are guys, those feminine Yeah, so

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Speaker 1: you're saying, that's what you went.

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Speaker 3: On because they're real men. Oh yeah, that's why I

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Speaker 3: went on, Seth Myers.

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Speaker 1: Okay, a real man can have a nipple, this nose.

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Speaker 6: This is my weird god that is shooting milk everywhere,

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Speaker 6: these outdated traditions of masculinity that we put every man

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Speaker 6: in a box.

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Speaker 2: You can't have a nipple on your nose. This shoots

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Speaker 2: milk everywhere when you sneeze, And we're all supposed to

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Speaker 2: live up to he man, Seth Meyers, and it's hyper

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Speaker 2: macho behavior. I'm sorry. I think we need a better

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Speaker 2: path for our young boys.

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Speaker 3: I mean, maybe you're right.

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Speaker 1: Yeah, maybe I am, and maybe I'm not. I don't know.

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Speaker 2: So you're telling Seth right, this David Crusoe story, and

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Speaker 2: I'm steaming, and.

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Speaker 1: Also as if you were like telling it for the

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Speaker 1: first time.

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Speaker 2: And no mention of, oh, actually, I have kind of

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Speaker 2: a funny story for this show.

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Speaker 1: A book with Hayes and show tell the story of

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Speaker 1: you telling it on our show. Here's a study you might.

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Speaker 2: Like from Yeah, the story now should not be that

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Speaker 2: that habit at sea as I am, and the story

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Speaker 2: should be that I once I once was on Hollywood

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Speaker 2: Handbook and told the CSI Miami story. And you can

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Speaker 2: put in Hayes Peppering in his funny little spicy asides forget,

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Speaker 2: and then me my expression where I'm like what that's

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Speaker 2: part of the story.

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Speaker 1: The crowd was.

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Speaker 3: Yeah, yeah, I mean that was the best part.

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Speaker 1: And instead of that, what did we get? We get nothing? Nothing,

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Speaker 1: no mention at all. We know, I mean the fact

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Speaker 1: that we don't even put in the contract anymore, not

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Speaker 1: to tell the story after six years because we are

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Speaker 1: assuming misunderstood. It's understood.

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Speaker 3: I'm really sorry, guys, what my fuck up?

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Speaker 1: We need to be made whole. You need to be

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Speaker 1: made a whole, made whole. We are owed something.

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Speaker 3: Okay.

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Speaker 1: Three right now, that's where her maid sleeps. Oh no,

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Speaker 1: that's what you thought. I meant. Yeah, you can see

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Speaker 1: she's mathing. She's like maid sleeps made whole. That's disgusting.

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Speaker 3: No, it's really clean. She keeps it really clean. She's

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Speaker 3: a maide.

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Speaker 2: Yeah, but that's when she's at work, she does cleaning.

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Speaker 1: She doesn't want to do that.

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Speaker 3: That's kind of like a dog kennell. You know they

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Speaker 3: don't shit ter eat in there. You know I don't

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Speaker 3: keep it clean.

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Speaker 2: I don't do a lazy podcast when I get home.

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Speaker 2: I do it here at work, you know what I mean.

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Speaker 2: And then when I get home and wife goes, hey,

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Speaker 2: do a lazy podcast for me, I go, please get

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Speaker 2: off my back.

355
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Speaker 1: When I'm home with my wife. I want to do

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Speaker 1: a podcast where I'm coming up with stuff ahead of time.

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Speaker 1: I'm doing research and pulling clips.

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Speaker 2: Where people can follow it, where it takes fewer than

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Speaker 2: fifteen episodes to acclimate yourself to the tone of the show,

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Speaker 2: where there's a ceiling on the audience you can reach

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Speaker 2: that is higher than like, what are we forty thousand?

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Speaker 1: I have a producer for my home podcast who's doing more,

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Speaker 1: and then send me a text the day I'm.

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Speaker 2: Doing Remember we am re correct and eight remainder Na

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Speaker 2: no else here.

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Speaker 3: I understand it's hard.

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Speaker 1: We need to be made whole.

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00:19:57,040 --> 00:20:01,160
Speaker 2: We need three funny stories, and they please so quickly.

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Speaker 1: They have to be so fast.

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Speaker 3: Now, geez, do they have to be real?

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00:20:07,359 --> 00:20:07,719
Speaker 1: Yes?

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00:20:08,680 --> 00:20:10,600
Speaker 3: I can't just make them up. I don't know that

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Speaker 3: three funny.

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Speaker 1: As you can make them up as much as you

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Speaker 1: did that original story.

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Speaker 3: Probably right, so completely, yes, and they got to be

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Speaker 3: one showstoppers, but then they should be taking place on

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Speaker 3: Hollywood Stories.

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Speaker 1: The Nelson Franklin Sam coming on you.

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Speaker 3: No he didn't, he didn't.

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Speaker 1: What did he say? Opening my new toothbrush? This is

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Speaker 1: part of the show?

383
00:20:40,480 --> 00:20:44,920
Speaker 3: Now? Is this is this touris sponsors happening?

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Speaker 2: This is a segment. We got to open our new toothbrush.

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Speaker 3: Colored you get?

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Speaker 1: We got in trouble for people will stick them in

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Speaker 1: their butt. Mm hmmm. We got mint colors, just refills.

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00:20:59,240 --> 00:21:00,760
Speaker 3: Yeah, you don't have the actual stick.

389
00:21:01,720 --> 00:21:03,280
Speaker 1: Do you use this toothpaste? Can't?

390
00:21:03,359 --> 00:21:06,040
Speaker 3: I don't use the toothpaste? Now, who needs toothpaste?

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00:21:06,040 --> 00:21:07,119
Speaker 2: I don't use it.

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00:21:07,440 --> 00:21:08,679
Speaker 1: I have to use a special cun.

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Speaker 3: Because you have sensitive teeth.

394
00:21:11,400 --> 00:21:13,679
Speaker 1: Yes, I do, and I have to use a special.

395
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Speaker 3: Cut Can you eat ice cream?

396
00:21:15,119 --> 00:21:18,480
Speaker 2: I can, but it's not always the most pleasant experience.

397
00:21:19,720 --> 00:21:21,240
Speaker 2: Sometimes it's too cold for my teeth.

398
00:21:22,600 --> 00:21:25,600
Speaker 1: You just lick it in enamel. Yeah, you don't have

399
00:21:25,600 --> 00:21:27,920
Speaker 1: to tell you what. I'm unlikely to get a cone.

400
00:21:28,160 --> 00:21:29,879
Speaker 2: I'll get a cup so that I can distribute with

401
00:21:29,920 --> 00:21:32,760
Speaker 2: the spoon directly onto my tongue and bypass the teeth entirely.

402
00:21:32,840 --> 00:21:33,000
Speaker 1: Yeah.

403
00:21:33,000 --> 00:21:34,480
Speaker 3: I don't like to bite, you know, one of those

404
00:21:34,520 --> 00:21:35,280
Speaker 3: like chocolate covered.

405
00:21:35,320 --> 00:21:40,200
Speaker 2: Biting into a cone is just an anxiety attack into Yes,

406
00:21:40,720 --> 00:21:41,720
Speaker 2: a cone is a full on.

407
00:21:41,760 --> 00:21:44,040
Speaker 3: Panic attack from no cone, you can still lick. Man,

408
00:21:44,040 --> 00:21:45,679
Speaker 3: Come on, it's dripping on me.

409
00:21:48,080 --> 00:21:49,760
Speaker 1: When is this becoming a story?

410
00:21:50,160 --> 00:21:52,640
Speaker 3: I'm trying to stall so I could think of a story.

411
00:21:53,200 --> 00:21:55,000
Speaker 1: There must be a good ice cream story from set.

412
00:21:55,160 --> 00:21:56,840
Speaker 1: It's something from crafty.

413
00:21:57,320 --> 00:22:00,320
Speaker 3: Something from crafty. For those of you who don't know,

414
00:22:00,400 --> 00:22:04,360
Speaker 3: crafty is craft services. I'm just talking to your listeners

415
00:22:04,359 --> 00:22:06,520
Speaker 3: because you know they're tuning in for an inside look.

416
00:22:06,600 --> 00:22:06,800
Speaker 2: Right.

417
00:22:07,920 --> 00:22:11,520
Speaker 1: Yes, we used to do a thing where we'd say, scoop, troop,

418
00:22:12,200 --> 00:22:15,080
Speaker 1: get out of your crafty the food. Crafty is where

419
00:22:15,119 --> 00:22:15,600
Speaker 1: food is.

420
00:22:15,720 --> 00:22:17,640
Speaker 3: Yeah, I wonder who was like, you know what, I'm

421
00:22:17,640 --> 00:22:19,040
Speaker 3: not going to call it craft services. I'm going to

422
00:22:19,080 --> 00:22:22,159
Speaker 3: call it crafty to gi Yeah yeah, it wasn't him.

423
00:22:22,359 --> 00:22:25,680
Speaker 1: Yeah, oh wow, because that's the name of his restaurants.

424
00:22:25,840 --> 00:22:30,880
Speaker 2: Yeah, craft restaurant group, right, Crafty, Yeah, crafty, that's all

425
00:22:30,920 --> 00:22:32,000
Speaker 2: those eminems and stuff.

426
00:22:32,040 --> 00:22:32,480
Speaker 1: Tom makes it.

427
00:22:32,560 --> 00:22:35,680
Speaker 3: Okay, I got a story for you. Well, one day

428
00:22:36,720 --> 00:22:44,080
Speaker 3: on the side start of Survivor, I I was there,

429
00:22:44,480 --> 00:22:51,200
Speaker 3: I was surviving, and and then I got kicked out

430
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Speaker 3: and on my way out, I.

431
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Speaker 1: What for what'd you do? Betray?

432
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Speaker 3: Is that how that works the show?

433
00:22:59,119 --> 00:22:59,399
Speaker 1: Yes?

434
00:22:59,560 --> 00:23:03,280
Speaker 3: Okay, I betrayed and then I got I got kicked out.

435
00:23:03,840 --> 00:23:09,200
Speaker 3: Or sometimes you can be and you can be a tray, Yes, okay.

436
00:23:09,840 --> 00:23:11,280
Speaker 3: So then I got kicked out right, but like on

437
00:23:11,359 --> 00:23:13,720
Speaker 3: my way out, I was fighting and I was like, no,

438
00:23:13,800 --> 00:23:15,639
Speaker 3: you can't take me out of here. And then and

439
00:23:15,680 --> 00:23:19,679
Speaker 3: then I showed my boob like because they not on purpose,

440
00:23:19,720 --> 00:23:21,520
Speaker 3: but like they you know, they lifted my shirt as

441
00:23:21,520 --> 00:23:23,919
Speaker 3: I was I was fighting to get out, and so

442
00:23:23,960 --> 00:23:25,560
Speaker 3: then they were like, let's not use this because we

443
00:23:25,600 --> 00:23:27,240
Speaker 3: have to blur most of it out. So then I'm

444
00:23:27,280 --> 00:23:28,400
Speaker 3: not actually in the show.

445
00:23:29,320 --> 00:23:31,480
Speaker 1: The entire They didn't want to put you on the

446
00:23:31,680 --> 00:23:32,920
Speaker 1: entire I was there.

447
00:23:33,000 --> 00:23:34,600
Speaker 3: I was there very quickly. I was there, like I

448
00:23:34,600 --> 00:23:36,040
Speaker 3: got I was the first one. I got kicked out

449
00:23:36,240 --> 00:23:39,439
Speaker 3: immediately because I betrayed and then I and then they

450
00:23:39,480 --> 00:23:42,520
Speaker 3: didn't put me on the whole season because of that one,

451
00:23:43,000 --> 00:23:46,640
Speaker 3: because all you saw basically was a blurred object being

452
00:23:46,760 --> 00:23:47,240
Speaker 3: dragged out.

453
00:23:47,400 --> 00:23:49,840
Speaker 1: No wonder you're after my nose like this. Yeah, it's

454
00:23:49,840 --> 00:23:53,480
Speaker 1: a really so much fucking damage. Yeah, and the cycle

455
00:23:53,520 --> 00:23:55,399
Speaker 1: can be blurred. Yeah, I know.

456
00:23:56,320 --> 00:23:57,240
Speaker 3: So that's a funny story.

457
00:23:57,760 --> 00:24:00,960
Speaker 1: This is like Carousel three over here. Because you've got baggage,

458
00:24:01,119 --> 00:24:06,040
Speaker 1: it can stop with you, this cycle baggage.

459
00:24:06,680 --> 00:24:08,439
Speaker 3: That toothbased on your face. Are you're doing some like

460
00:24:08,560 --> 00:24:09,680
Speaker 3: facial massaging something?

461
00:24:09,720 --> 00:24:12,880
Speaker 1: I am not putting any toothpased on my face. Dear listener,

462
00:24:15,080 --> 00:24:16,280
Speaker 1: that was a lie.

463
00:24:16,440 --> 00:24:18,960
Speaker 3: It wasn't a lie. Yes it was you were it

464
00:24:19,000 --> 00:24:20,560
Speaker 3: was still in the tube, but you were still in

465
00:24:20,600 --> 00:24:21,000
Speaker 3: the tube.

466
00:24:21,080 --> 00:24:23,000
Speaker 1: Just the end. I like how the sharp part feels

467
00:24:23,000 --> 00:24:27,560
Speaker 1: against my cheek, contemplating the injustice of Natalie getting not

468
00:24:27,760 --> 00:24:29,480
Speaker 1: being shown all of Survivor.

469
00:24:29,600 --> 00:24:31,480
Speaker 3: Guys, that wasn't a true story. I was just trying

470
00:24:31,480 --> 00:24:32,000
Speaker 3: to think of something.

471
00:24:32,040 --> 00:24:33,600
Speaker 1: I was really okay. I felt fat.

472
00:24:33,720 --> 00:24:36,160
Speaker 2: It doesn't have a crafty story. I did that during

473
00:24:36,200 --> 00:24:37,960
Speaker 2: that story. Did you come up with a real story?

474
00:24:38,040 --> 00:24:40,399
Speaker 3: No, man, I don't have anything. You guys got to

475
00:24:40,440 --> 00:24:41,159
Speaker 3: do more research.

476
00:24:41,200 --> 00:24:43,560
Speaker 2: I've got a crafty story about ice cream.

477
00:24:43,960 --> 00:24:45,120
Speaker 1: I'm at thirty rock.

478
00:24:46,119 --> 00:24:51,080
Speaker 2: Standing next to standing next to probably like soue Galloway

479
00:24:51,160 --> 00:24:56,800
Speaker 2: or something. They've put out a cooler with some tasty

480
00:24:56,840 --> 00:25:00,000
Speaker 2: treats and people have sort of gathered around to start

481
00:25:00,160 --> 00:25:04,040
Speaker 2: grabbing at them. I feel a hand, big meaty hand,

482
00:25:04,119 --> 00:25:05,200
Speaker 2: clap on my back.

483
00:25:06,119 --> 00:25:07,280
Speaker 1: It's Sir Alec Baldwin.

484
00:25:07,600 --> 00:25:11,560
Speaker 3: Oh, he goes, Is he knighted in my mind? Yeah?

485
00:25:11,640 --> 00:25:15,480
Speaker 1: Okay, he gotta be okay up here, he says he's

486
00:25:15,520 --> 00:25:18,879
Speaker 1: got the full armor. He says to me, used to

487
00:25:18,920 --> 00:25:22,760
Speaker 1: be cocaine. Now it's ice cream.

488
00:25:22,880 --> 00:25:24,680
Speaker 2: I swear to God, I'll sit down with Ben and

489
00:25:24,760 --> 00:25:26,840
Speaker 2: Jerry's and eat a whole fucking pint of this ship.

490
00:25:29,280 --> 00:25:33,840
Speaker 1: I go oh oh, okay, So I thought it was

491
00:25:33,880 --> 00:25:36,840
Speaker 1: that it was cocaine that they would just like have

492
00:25:37,119 --> 00:25:41,000
Speaker 1: out on the set. But he's just saying use for him, okay,

493
00:25:41,040 --> 00:25:43,760
Speaker 1: that he would do that. Ice cream has replaced cocaine

494
00:25:43,800 --> 00:25:45,280
Speaker 1: for him as a thing that he does.

495
00:25:45,160 --> 00:25:46,560
Speaker 3: A lot of as a vice.

496
00:25:46,800 --> 00:25:49,120
Speaker 1: Yes, yeah, David CRUs wand ever said that to you.

497
00:25:50,800 --> 00:25:54,080
Speaker 3: He didn't speak to me other than in character. Okay, No,

498
00:25:54,200 --> 00:25:56,160
Speaker 3: actually this is and this is true. He did speak

499
00:25:56,160 --> 00:25:57,960
Speaker 3: to me once and he said, he told me, you

500
00:25:58,040 --> 00:26:00,679
Speaker 3: gotta use those eyes. Those eyes look at you a

501
00:26:00,720 --> 00:26:03,200
Speaker 3: long way he did it?

502
00:26:04,960 --> 00:26:06,680
Speaker 1: Yeah, did you?

503
00:26:07,080 --> 00:26:08,359
Speaker 3: I used my eyes all the time?

504
00:26:08,840 --> 00:26:12,040
Speaker 1: Okay, Yeah? What is that a story? Is that something?

505
00:26:13,000 --> 00:26:14,399
Speaker 1: What is one the time?

506
00:26:15,920 --> 00:26:17,919
Speaker 2: I must have told my David Crusoe story on this

507
00:26:17,960 --> 00:26:18,960
Speaker 2: one hundred times.

508
00:26:19,240 --> 00:26:20,960
Speaker 3: But you know what's funny about all of this is

509
00:26:21,000 --> 00:26:23,040
Speaker 3: that you guys didn't want me to tell the David

510
00:26:23,080 --> 00:26:24,560
Speaker 3: Crusoe story on your podcasts.

511
00:26:24,680 --> 00:26:26,520
Speaker 2: I didn't want anyone to even be.

512
00:26:26,600 --> 00:26:32,119
Speaker 1: There any yes, any of it happening at all, because

513
00:26:32,280 --> 00:26:33,600
Speaker 1: something had gone wrong?

514
00:26:35,160 --> 00:26:36,000
Speaker 3: What had gone wrong?

515
00:26:36,960 --> 00:26:39,119
Speaker 1: Oh boy? If if I could trace it all the

516
00:26:39,160 --> 00:26:46,520
Speaker 1: way back, I wouldn't be here right now? Yeah? Is

517
00:26:46,560 --> 00:26:49,080
Speaker 1: that my internal monologue? What went wrong? Yeah?

518
00:26:49,160 --> 00:26:53,000
Speaker 2: That's between me and the bedroom ceiling every night, just

519
00:26:53,040 --> 00:26:56,760
Speaker 2: staring at the crack and recounting my childhood days, trying

520
00:26:56,760 --> 00:27:00,119
Speaker 2: to decide exactly which turn I took that led me astray?

521
00:27:01,880 --> 00:27:03,040
Speaker 1: Brutal stuff.

522
00:27:03,840 --> 00:27:05,879
Speaker 3: Haven't have you come up with the answer?

523
00:27:08,200 --> 00:27:09,920
Speaker 1: If only there were just one Natalie?

524
00:27:10,040 --> 00:27:12,760
Speaker 3: Okay, it's a series of bad events, a series of

525
00:27:12,840 --> 00:27:14,240
Speaker 3: unfortunate events in your life.

526
00:27:14,680 --> 00:27:25,199
Speaker 1: It's a it's a real what is another thing that

527
00:27:25,280 --> 00:27:27,000
Speaker 1: happened to you in your wife?

528
00:27:28,760 --> 00:27:29,360
Speaker 3: A real thing?

529
00:27:29,520 --> 00:27:29,879
Speaker 1: Something?

530
00:27:30,000 --> 00:27:30,160
Speaker 7: Yes?

531
00:27:30,320 --> 00:27:35,159
Speaker 1: With celebrities and guys Okay, I haven't going to give Okay,

532
00:27:35,359 --> 00:27:35,920
Speaker 1: are you ready?

533
00:27:36,000 --> 00:27:38,520
Speaker 3: Yes, it's not three it's just one really big story.

534
00:27:38,600 --> 00:27:41,040
Speaker 1: I'm not going to see this on seth Meyers next week?

535
00:27:41,080 --> 00:27:43,919
Speaker 3: Am I not next week? But maybe at some.

536
00:27:43,920 --> 00:27:45,720
Speaker 1: Point he's off. He's off right now.

537
00:27:45,800 --> 00:27:48,160
Speaker 3: He likes to mind your show for content. You know that, right?

538
00:27:48,600 --> 00:27:52,959
Speaker 1: That's yeah apparently, yeah, okay, exclusive. Unfortunately we don't have

539
00:27:53,040 --> 00:27:55,400
Speaker 1: a lot of it. A lot of show, a lot

540
00:27:55,400 --> 00:27:55,920
Speaker 1: of content.

541
00:27:56,119 --> 00:27:57,880
Speaker 2: Yeah, that was sort of the first time it's come

542
00:27:57,960 --> 00:28:00,800
Speaker 2: up is when you told that story.

543
00:28:01,600 --> 00:28:03,600
Speaker 3: Guys, are you ready? This is going to be epic?

544
00:28:03,640 --> 00:28:06,760
Speaker 3: Maybe this will be on that feed? Okay, you ready, Kevin?

545
00:28:06,920 --> 00:28:09,639
Speaker 1: Please? Are you like having alert the feed?

546
00:28:10,800 --> 00:28:17,120
Speaker 3: Okay? All right? The year was two thousand and nine. No,

547
00:28:17,160 --> 00:28:19,320
Speaker 3: it was twenty ten. Actually it was the beginning of

548
00:28:19,400 --> 00:28:24,760
Speaker 3: twenty Tenkay. I had just finished a season of White Collar. Oh,

549
00:28:24,800 --> 00:28:29,320
Speaker 3: I was living in New York. Yes, I was set

550
00:28:29,359 --> 00:28:31,879
Speaker 3: to move back to Los Angeles. Actually, I had just

551
00:28:31,920 --> 00:28:35,200
Speaker 3: finished doing How's It Was Good?

552
00:28:35,680 --> 00:28:38,960
Speaker 8: I had just finished doing Wall Street two Money Never Sleeps? Okay,

553
00:28:39,880 --> 00:28:41,880
Speaker 8: and I had been living in New York and I

554
00:28:41,920 --> 00:28:44,000
Speaker 8: was ready to come back to Los Angeles. And two

555
00:28:44,080 --> 00:28:46,400
Speaker 8: nights before I was going to move back to Los Angeles.

556
00:28:46,640 --> 00:28:50,479
Speaker 8: A friend I had made.

557
00:28:49,440 --> 00:28:53,000
Speaker 3: Throughout she was a She was a blogger at the time,

558
00:28:53,280 --> 00:28:54,840
Speaker 3: and she was a fan of a show I was on,

559
00:28:54,920 --> 00:28:58,680
Speaker 3: called The Middleman, and we had become friends on Twitter.

560
00:28:58,920 --> 00:29:01,400
Speaker 3: And then I ran into her physically ran into her

561
00:29:01,440 --> 00:29:04,240
Speaker 3: on the street and we had coffee and then she asked,

562
00:29:04,520 --> 00:29:09,320
Speaker 3: do you want to go to the opera with mee koffeefee.

563
00:29:10,480 --> 00:29:11,880
Speaker 3: She asked, do you want to go to the opera

564
00:29:11,920 --> 00:29:14,840
Speaker 3: with me? So I said sure. I've never been to

565
00:29:14,880 --> 00:29:18,200
Speaker 3: an opera. I'm generally uncultured, so I would love to

566
00:29:18,200 --> 00:29:20,960
Speaker 3: go again. This was two days before I was And now.

567
00:29:20,840 --> 00:29:24,240
Speaker 1: I see how this career has, how this rise happened.

568
00:29:24,320 --> 00:29:29,000
Speaker 1: Is befriending the bloggers going to the opera with them. Yeah,

569
00:29:29,240 --> 00:29:32,240
Speaker 1: supposed to be a fine line.

570
00:29:32,880 --> 00:29:35,920
Speaker 2: There is supposed to be a clear boundary between you

571
00:29:36,160 --> 00:29:37,920
Speaker 2: and the bloggers.

572
00:29:37,400 --> 00:29:39,680
Speaker 3: Right, she's no longer a.

573
00:29:39,640 --> 00:29:46,320
Speaker 1: Blogger because wow, she gave that up. Wow, Yeah, through

574
00:29:46,360 --> 00:29:47,480
Speaker 1: her badge in the lake.

575
00:29:47,720 --> 00:29:53,440
Speaker 3: AnyWho, we go to see Tourundo at the Metropolitan Opera

576
00:29:53,560 --> 00:29:57,040
Speaker 3: in New York City. I've never been. I have cheap

577
00:29:57,160 --> 00:30:00,000
Speaker 3: cheap seats Toronto. They are New York City.

578
00:30:00,360 --> 00:30:02,640
Speaker 2: Yeah, but you went to see Toronto in New York.

579
00:30:02,760 --> 00:30:05,720
Speaker 1: This is clarify something like, this is the opera, this

580
00:30:05,800 --> 00:30:07,120
Speaker 1: is a basketball game.

581
00:30:07,200 --> 00:30:14,040
Speaker 2: To Rondeau to not say it right to Rondeau Toronto, Yes, okay.

582
00:30:14,840 --> 00:30:15,880
Speaker 1: Don't hit that T.

583
00:30:16,400 --> 00:30:21,200
Speaker 4: And it's not a d Toronto, Toronto, Toronto.

584
00:30:22,000 --> 00:30:24,880
Speaker 3: I got it. So we went to go see this,

585
00:30:24,880 --> 00:30:27,200
Speaker 3: this opera, and I'm sitting all the way in the

586
00:30:27,200 --> 00:30:30,920
Speaker 3: back the very top opera. Man, there no no opera, man,

587
00:30:31,680 --> 00:30:37,680
Speaker 3: no single opera, not a single no. A lot of

588
00:30:37,800 --> 00:30:42,800
Speaker 3: older people. There's like I think, I think there's three breaks.

589
00:30:42,840 --> 00:30:45,680
Speaker 3: I don't know because I spoiler alert didn't finish the

590
00:30:45,680 --> 00:30:50,480
Speaker 3: opera because something happened. So I think in the first intermission,

591
00:30:50,520 --> 00:30:51,480
Speaker 3: I think there's one of two.

592
00:30:51,720 --> 00:30:55,080
Speaker 1: This could be a pooping story. No bro, number twos.

593
00:30:55,920 --> 00:30:57,040
Speaker 2: My friends, really this.

594
00:30:57,000 --> 00:30:59,840
Speaker 3: Show, my friend says, my my very new friend, who,

595
00:30:59,840 --> 00:31:01,280
Speaker 3: by by the way, now is a very good friend,

596
00:31:01,320 --> 00:31:02,719
Speaker 3: but my very new friend. This was the first time

597
00:31:02,720 --> 00:31:06,160
Speaker 3: we'd gone out alone. My favorite, my very new friend says,

598
00:31:06,240 --> 00:31:07,880
Speaker 3: would you like to go say hello to my parents?

599
00:31:07,920 --> 00:31:10,560
Speaker 1: Well, said my favorite friend, oh no.

600
00:31:10,480 --> 00:31:12,680
Speaker 2: And then she realized that she has another friend who

601
00:31:12,720 --> 00:31:14,240
Speaker 2: thinks there, my favorite friend, it.

602
00:31:14,240 --> 00:31:17,680
Speaker 3: Would have been bad. My friend says, do you want

603
00:31:17,720 --> 00:31:19,680
Speaker 3: to go say hello to my parents who are sitting

604
00:31:19,760 --> 00:31:23,200
Speaker 3: just down there? And I said, sure, who's going to

605
00:31:23,240 --> 00:31:24,960
Speaker 3: say no to saying hi to someone's parents? You know?

606
00:31:25,520 --> 00:31:29,640
Speaker 3: Why not? I take two steps, I grab onto the railing,

607
00:31:29,920 --> 00:31:34,920
Speaker 3: it wavers, I trip, I fall twenty steps down the

608
00:31:34,960 --> 00:31:39,000
Speaker 3: met opera. I land face first into the balcony wall.

609
00:31:39,560 --> 00:31:41,240
Speaker 3: I shatter my whole face.

610
00:31:41,520 --> 00:31:42,880
Speaker 1: Oh my god, I.

611
00:31:42,760 --> 00:31:49,400
Speaker 3: Stopped the opera. Yep, I have to be wheeled out

612
00:31:50,040 --> 00:31:52,640
Speaker 3: with an emergency vehicle. I have no vision, and I'm

613
00:31:52,800 --> 00:31:54,760
Speaker 3: I can't speak because all that's coming out of my

614
00:31:54,800 --> 00:31:55,480
Speaker 3: mouth is blood.

615
00:31:55,520 --> 00:31:59,160
Speaker 1: Blood and the so milk coming out of a nose

616
00:31:59,320 --> 00:32:02,719
Speaker 1: is weird. But blood coming out of a mouth just

617
00:32:02,760 --> 00:32:04,680
Speaker 1: from blood melt like this on.

618
00:32:04,720 --> 00:32:09,080
Speaker 3: Impact, you know, it's a It just fits into the story. Also,

619
00:32:09,120 --> 00:32:11,200
Speaker 3: I have experience with it. I don't have experience with

620
00:32:11,240 --> 00:32:12,160
Speaker 3: the titty nose.

621
00:32:12,640 --> 00:32:19,480
Speaker 2: Right, vulgar, shut up titty nose language.

622
00:32:20,040 --> 00:32:23,880
Speaker 3: So so yeah, guys, my first thought as a as

623
00:32:23,880 --> 00:32:27,280
Speaker 3: a fresh face on the television screens.

624
00:32:27,120 --> 00:32:28,600
Speaker 1: You got to go fresh, new face.

625
00:32:29,320 --> 00:32:30,200
Speaker 3: I literally did.

626
00:32:30,720 --> 00:32:31,040
Speaker 1: Wow.

627
00:32:31,320 --> 00:32:34,240
Speaker 3: Well, my first thought was I couldn't see anything because

628
00:32:35,800 --> 00:32:39,200
Speaker 3: I had shock blindness and I couldn't speak because every

629
00:32:39,200 --> 00:32:40,920
Speaker 3: time I tried to talk there was just blood and

630
00:32:40,960 --> 00:32:44,080
Speaker 3: all these people were trying to help me, and I

631
00:32:44,760 --> 00:32:46,680
Speaker 3: was just feeling hands on me. And my first thought,

632
00:32:46,800 --> 00:32:49,720
Speaker 3: literally my first thought was I guess I could be

633
00:32:49,720 --> 00:32:53,640
Speaker 3: a writer because I thought my face wasn't there anymore.

634
00:32:53,960 --> 00:32:55,880
Speaker 3: And I was kind of right. I had to have

635
00:32:55,960 --> 00:32:59,920
Speaker 3: emergency reconstruction surgery on my face.

636
00:33:00,200 --> 00:33:02,880
Speaker 1: Riders. She's talking to two riders and she's like, I

637
00:33:02,880 --> 00:33:03,600
Speaker 1: guess if I'm.

638
00:33:03,520 --> 00:33:08,760
Speaker 3: Ugly, it's true though, Right, here's my big take away.

639
00:33:09,000 --> 00:33:10,600
Speaker 3: You got a tip for a nose.

640
00:33:11,120 --> 00:33:12,200
Speaker 1: Here's my big takeaway.

641
00:33:12,320 --> 00:33:14,760
Speaker 2: You actually can't say for certain that opera man wasn't there,

642
00:33:15,520 --> 00:33:16,240
Speaker 2: you know what I mean?

643
00:33:16,360 --> 00:33:19,720
Speaker 1: Like, man, there you go. No, And it's like, well, you.

644
00:33:19,720 --> 00:33:21,360
Speaker 3: Might have gotten that I left.

645
00:33:21,840 --> 00:33:24,800
Speaker 1: Absolutely he might have. He might have been. The entire

646
00:33:24,840 --> 00:33:26,200
Speaker 1: third act was opper Man.

647
00:33:27,280 --> 00:33:29,280
Speaker 3: I feel like you're not being sensitive to the fact

648
00:33:29,280 --> 00:33:32,680
Speaker 3: that I broke my face. This is an exclusive fucking

649
00:33:32,720 --> 00:33:34,160
Speaker 3: story and you better appreciate it.

650
00:33:34,200 --> 00:33:36,640
Speaker 1: Where exclusive is that? I think I know one scar.

651
00:33:37,040 --> 00:33:40,080
Speaker 3: There's no scar. I broke all the bones in my face.

652
00:33:40,120 --> 00:33:43,760
Speaker 3: I had to wear a face cast. It wasn't of surgery, Like,

653
00:33:43,800 --> 00:33:46,640
Speaker 3: they didn't replace my nose. They just to rebuild the

654
00:33:46,680 --> 00:33:47,560
Speaker 3: bones in my shad.

655
00:33:47,640 --> 00:33:49,640
Speaker 2: You cut your eyelid, I broke the orbital bones around

656
00:33:49,640 --> 00:33:51,120
Speaker 2: my eye, and I cut through my eyelid.

657
00:33:51,160 --> 00:33:52,520
Speaker 1: I closed my eye and still see.

658
00:33:52,680 --> 00:33:56,240
Speaker 3: No, I didn't cut my orbital bones or my teeth,

659
00:33:56,240 --> 00:33:56,800
Speaker 3: which is nice.

660
00:33:56,840 --> 00:33:59,200
Speaker 1: I broke my orbital bones and my teeth.

661
00:33:59,800 --> 00:34:01,719
Speaker 3: But my face is very different than it used to be.

662
00:34:02,200 --> 00:34:06,480
Speaker 1: Hey, a lot of people don't know this so alone.

663
00:34:06,520 --> 00:34:07,760
Speaker 3: Do you want to see a picture I just found

664
00:34:07,760 --> 00:34:08,200
Speaker 3: one the other day.

665
00:34:08,239 --> 00:34:09,919
Speaker 1: Yeah. Let me say, if we go back to Wall

666
00:34:09,920 --> 00:34:12,319
Speaker 1: Street to Money Never Sleeps, Yeah, different.

667
00:34:11,960 --> 00:34:14,360
Speaker 3: Face you go back to. If you go back to

668
00:34:14,480 --> 00:34:16,400
Speaker 3: the Middleman or CSI.

669
00:34:16,080 --> 00:34:19,160
Speaker 2: Miami, if you ran into Shilah booth right outside, maybe

670
00:34:19,239 --> 00:34:20,279
Speaker 2: be like, wait, who's this.

671
00:34:21,000 --> 00:34:24,920
Speaker 1: Is Shilah boof in that? Oh that's intriguing.

672
00:34:25,200 --> 00:34:27,320
Speaker 3: Okay, I just found The reason this is fresh in

673
00:34:27,400 --> 00:34:29,160
Speaker 3: my mind is because I was sent this photo that

674
00:34:29,239 --> 00:34:31,359
Speaker 3: was taken at a photo shoot like two days before

675
00:34:31,400 --> 00:34:32,879
Speaker 3: this happened. Check that out.

676
00:34:34,280 --> 00:34:37,399
Speaker 1: That is Oh that is it is different? Right? Yeah,

677
00:34:37,520 --> 00:34:42,920
Speaker 1: it is it is different. That's it. That's a different face.

678
00:34:43,120 --> 00:34:45,799
Speaker 3: Yeah, it's a difference like my evil twin yeah, or

679
00:34:45,840 --> 00:34:46,400
Speaker 3: like a sister.

680
00:34:47,320 --> 00:34:51,880
Speaker 2: It's like a cross between you and Alison Williams or something.

681
00:34:52,719 --> 00:34:54,000
Speaker 1: Yeah.

682
00:34:54,080 --> 00:34:56,839
Speaker 3: Yeah, different face, guys, it's a different face.

683
00:34:57,000 --> 00:35:00,640
Speaker 1: So are you by are young? The career is definitely

684
00:35:00,719 --> 00:35:03,760
Speaker 1: You've been doing more since then, well, but honestly.

685
00:35:04,880 --> 00:35:05,040
Speaker 2: More.

686
00:35:05,200 --> 00:35:09,200
Speaker 3: I sort of dropped off after that because it took

687
00:35:09,239 --> 00:35:10,080
Speaker 3: a while to heal.

688
00:35:10,440 --> 00:35:13,360
Speaker 1: Yeah, I was probably the grinder dropped off from white

689
00:35:13,400 --> 00:35:16,440
Speaker 1: collar and worked on that, and I did too for

690
00:35:16,480 --> 00:35:17,000
Speaker 1: a little bit.

691
00:35:17,120 --> 00:35:17,879
Speaker 2: Yeah you did.

692
00:35:17,920 --> 00:35:18,719
Speaker 3: You did work on that.

693
00:35:18,640 --> 00:35:21,640
Speaker 1: But years later, and I wrote on it with my face.

694
00:35:22,239 --> 00:35:25,680
Speaker 3: The grinder was what twenty spray the.

695
00:35:25,719 --> 00:35:29,240
Speaker 1: Milk into a like a letter words.

696
00:35:29,320 --> 00:35:34,360
Speaker 3: Yeah, a special paper, special absorbent paper. Yeah, one of

697
00:35:34,360 --> 00:35:36,759
Speaker 3: those papers that like if you put water on it,

698
00:35:36,760 --> 00:35:37,680
Speaker 3: it turns into ink.

699
00:35:39,000 --> 00:35:43,480
Speaker 1: That's milk, not the paper, that's the invisible ink. What

700
00:35:43,560 --> 00:35:50,200
Speaker 1: did she not know? Was one considered very beautiful? Guys?

701
00:35:50,320 --> 00:35:52,120
Speaker 3: I I just dropped such a huge bomb.

702
00:35:52,960 --> 00:35:55,719
Speaker 1: This is but you want to show me sad? What

703
00:35:55,760 --> 00:35:56,640
Speaker 1: do you want me to do?

704
00:35:56,840 --> 00:35:59,799
Speaker 3: Not show you, guys. I'm alive. I could have gone

705
00:36:00,040 --> 00:36:03,799
Speaker 3: were the balcony. I didn't. There are funny aspects of this,

706
00:36:03,920 --> 00:36:06,520
Speaker 3: like for example, I was wheeled backstages, I waited for

707
00:36:06,560 --> 00:36:08,480
Speaker 3: the ambulance, and when I came to like when I

708
00:36:08,520 --> 00:36:10,320
Speaker 3: could actually see, I opened my eyes and there was

709
00:36:10,360 --> 00:36:13,839
Speaker 3: a guy in full samurai outfit staring at me. And

710
00:36:13,920 --> 00:36:16,920
Speaker 3: I said, what the hell are you looking at? M hm,

711
00:36:17,200 --> 00:36:18,839
Speaker 3: you know that's a funny tidbit.

712
00:36:18,880 --> 00:36:20,560
Speaker 1: That's yeah. Did you say that?

713
00:36:20,640 --> 00:36:23,040
Speaker 3: I did too, and I was covered in blood. Yeah,

714
00:36:23,120 --> 00:36:24,839
Speaker 3: that's what he was looking at. But also I thought

715
00:36:24,840 --> 00:36:26,560
Speaker 3: it was funny that a guy in a full samurai

716
00:36:26,520 --> 00:36:27,480
Speaker 3: if it was staring at me.

717
00:36:29,800 --> 00:36:33,040
Speaker 1: That's what the show is doa. I think that's how

718
00:36:33,040 --> 00:36:36,480
Speaker 1: you can imagine imagine how the audurias were, like just

719
00:36:36,640 --> 00:36:39,840
Speaker 1: probably heard the impact and we're like, okay, first inner Bishop,

720
00:36:39,880 --> 00:36:44,080
Speaker 1: this is our normal. Somebody follow smashing their faces.

721
00:36:46,560 --> 00:36:48,120
Speaker 3: The seats are very steep, and there are a lot

722
00:36:48,160 --> 00:36:50,440
Speaker 3: of old people. You're totally and I'm sure it happens

723
00:36:50,480 --> 00:36:51,040
Speaker 3: all the time.

724
00:36:51,360 --> 00:36:54,080
Speaker 1: They just probably have protocol. That's probably a code one.

725
00:36:54,760 --> 00:37:00,480
Speaker 3: The doctor who who who like helped me reshape my face,

726
00:37:01,480 --> 00:37:05,040
Speaker 3: she said, okay, so I'm just kind of like, it's

727
00:37:05,080 --> 00:37:06,200
Speaker 3: just you get an idea, this is.

728
00:37:07,400 --> 00:37:11,799
Speaker 4: She was, Is that what you got from that I'm

729
00:37:11,840 --> 00:37:13,920
Speaker 4: just jumping in in case anybody tries to trick me

730
00:37:14,000 --> 00:37:15,400
Speaker 4: with a riddle during this story.

731
00:37:15,520 --> 00:37:19,319
Speaker 3: The doctor was a woman. Yes, she said, I'm just

732
00:37:19,440 --> 00:37:24,160
Speaker 3: I'm your nose, your face. It's rocks in space. I'm

733
00:37:24,160 --> 00:37:26,880
Speaker 3: just trying to put together and make a thing. So

734
00:37:26,920 --> 00:37:29,080
Speaker 3: you're gonna have to have more surgery at some point

735
00:37:29,120 --> 00:37:31,920
Speaker 3: because you won't likely won't be able to breathe very well.

736
00:37:32,400 --> 00:37:35,439
Speaker 3: And it's true, I cannot breathe very well. And about

737
00:37:35,480 --> 00:37:39,680
Speaker 3: a year after, I uh, after that happened, and I

738
00:37:39,719 --> 00:37:41,960
Speaker 3: was like, Okay, I guess I gotta go figure out

739
00:37:42,040 --> 00:37:46,200
Speaker 3: some what to do with my fucking face. I went

740
00:37:46,239 --> 00:37:49,759
Speaker 3: to the top three plastic surgeons in Los Angeles. The

741
00:37:49,800 --> 00:37:54,880
Speaker 3: first one said, Okay, well, this is gonna be really hard.

742
00:37:55,600 --> 00:37:57,160
Speaker 3: We're gonna have to take a piece of your rib

743
00:37:57,680 --> 00:38:00,480
Speaker 3: and replace it into your nose and going to take

744
00:38:00,600 --> 00:38:03,040
Speaker 3: it out a year and a half to heal. Yeah,

745
00:38:03,120 --> 00:38:07,600
Speaker 3: just like Marilyn Manson. The second guy was like, I'm

746
00:38:07,640 --> 00:38:10,040
Speaker 3: not touching your face, no way.

747
00:38:11,040 --> 00:38:11,120
Speaker 2: No.

748
00:38:11,200 --> 00:38:13,239
Speaker 3: He's like, it's gonna it's gonna collapse. I'm not touching

749
00:38:13,280 --> 00:38:17,399
Speaker 3: your face. And the third guys, the third guy was like, yeah,

750
00:38:17,480 --> 00:38:21,719
Speaker 3: no problem, easy, just so I did nothing. Wait, I

751
00:38:21,760 --> 00:38:24,840
Speaker 3: didn't do anything. I just I just I was too scared.

752
00:38:24,880 --> 00:38:26,240
Speaker 3: What do you pick out of those three?

753
00:38:27,000 --> 00:38:28,480
Speaker 1: You did? So you just let it?

754
00:38:28,600 --> 00:38:30,239
Speaker 3: I just left it. I still can't breathe very well.

755
00:38:30,280 --> 00:38:30,920
Speaker 3: I can't go on a hike.

756
00:38:31,000 --> 00:38:37,480
Speaker 1: Caro, I'll teach you. Haze is actually a master. Do

757
00:38:37,480 --> 00:38:38,600
Speaker 1: you see how much I got in?

758
00:38:39,080 --> 00:38:39,960
Speaker 3: How much did you get in?

759
00:38:40,040 --> 00:38:42,440
Speaker 1: Do you think I actually you could see there were

760
00:38:42,480 --> 00:38:43,880
Speaker 1: a bunch of little hairs on the mic, and I

761
00:38:44,000 --> 00:38:44,680
Speaker 1: sucked them all.

762
00:38:46,200 --> 00:38:49,560
Speaker 2: So think about how much air would hold all those hairs,

763
00:38:49,560 --> 00:38:50,640
Speaker 2: probably like a gallon.

764
00:38:50,719 --> 00:38:53,000
Speaker 3: How much hair would hold all that much air would

765
00:38:53,040 --> 00:38:55,200
Speaker 3: hold the hairs because all that air had to come

766
00:38:55,200 --> 00:38:58,760
Speaker 3: in a hair either it really affected the whole head

767
00:38:58,840 --> 00:39:00,239
Speaker 3: of on my body.

768
00:39:00,239 --> 00:39:02,960
Speaker 1: Wait, so you didn't get any kind of surgery.

769
00:39:03,280 --> 00:39:06,200
Speaker 3: Not not other than the first initial reconstructive one that

770
00:39:06,280 --> 00:39:06,960
Speaker 3: was your.

771
00:39:06,800 --> 00:39:10,080
Speaker 1: Nose are still floating around in your brain? No, how's

772
00:39:10,080 --> 00:39:12,960
Speaker 1: your brain? Who knows how's your brain?

773
00:39:13,320 --> 00:39:14,479
Speaker 3: It's jostled for sure.

774
00:39:14,680 --> 00:39:17,759
Speaker 2: Is this all an elaborate way to explain how you

775
00:39:18,040 --> 00:39:21,239
Speaker 2: completely forgot that the story was supposed to be for

776
00:39:21,400 --> 00:39:23,200
Speaker 2: us and not for Seth Myers.

777
00:39:23,239 --> 00:39:25,799
Speaker 3: You're so right that is exactly what I'm we did.

778
00:39:26,600 --> 00:39:29,080
Speaker 1: Let's and this you know, this is the story is

779
00:39:29,520 --> 00:39:33,560
Speaker 1: on its way. Okay, but there's usually like some kind

780
00:39:33,600 --> 00:39:36,239
Speaker 1: of like big punt. It doesn't have the incommon eye.

781
00:39:36,360 --> 00:39:38,680
Speaker 3: Oh okay, I got okay, all right, all right, maybe

782
00:39:38,680 --> 00:39:40,600
Speaker 3: this is it. Okay, Remember how I said I was

783
00:39:40,640 --> 00:39:44,880
Speaker 3: moving to La immediately after Okay, so I did. I

784
00:39:44,960 --> 00:39:47,440
Speaker 3: was able to push my date two weeks because I

785
00:39:47,440 --> 00:39:50,359
Speaker 3: had to recover. I was a major major injury, right,

786
00:39:50,760 --> 00:39:53,040
Speaker 3: But then I had to move all my shit by

787
00:39:53,080 --> 00:39:58,120
Speaker 3: myself to La So I, this is real. I'm not

788
00:39:58,160 --> 00:40:00,440
Speaker 3: fucking kidding about this. So I got, I packed up

789
00:40:00,480 --> 00:40:03,160
Speaker 3: my entire apartment and my cat, and I had a

790
00:40:03,160 --> 00:40:06,520
Speaker 3: face cast, meaning that I had a cast glued to

791
00:40:06,640 --> 00:40:09,920
Speaker 3: my face that was in the shape of like a

792
00:40:10,080 --> 00:40:15,719
Speaker 3: nose and cheeks. And so then I had very very

793
00:40:15,960 --> 00:40:18,680
Speaker 3: strong drugs that I was taking for the pain. And

794
00:40:18,760 --> 00:40:23,520
Speaker 3: I had two gigantic bags. What's a name Axel and

795
00:40:23,719 --> 00:40:27,279
Speaker 3: Axel and Axel uh freaks out on planes. So I

796
00:40:27,840 --> 00:40:29,520
Speaker 3: was like, okay, I'll get him like a set of

797
00:40:31,200 --> 00:40:32,600
Speaker 3: what Axel the crazy frog?

798
00:40:32,680 --> 00:40:34,360
Speaker 1: That's a crazy frog's name is Axel?

799
00:40:34,520 --> 00:40:36,640
Speaker 3: F Huh, I don't know the Crazy Frog.

800
00:40:37,360 --> 00:40:44,440
Speaker 1: Bed you don't know the Crazy Frog? Now play it?

801
00:40:46,320 --> 00:40:48,600
Speaker 2: Go ahead, Kevin, while you're doing technical stuff, can you

802
00:40:48,640 --> 00:40:52,320
Speaker 2: plug this in earlier? Just so my ass is covered? Oh, Natalie,

803
00:40:52,320 --> 00:40:55,880
Speaker 2: I am so sorry that happened. Thank you so much, Natalie.

804
00:40:55,920 --> 00:41:02,320
Speaker 1: That is just Natalie, Natalie. This was the most popular

805
00:41:02,400 --> 00:41:10,160
Speaker 1: ringtone ever. What's going on? You've never heard? You said?

806
00:41:10,680 --> 00:41:13,680
Speaker 1: Were you in a cam out for a thousand years?

807
00:41:13,760 --> 00:41:16,920
Speaker 2: But this is Axel fully this is his theme from

808
00:41:16,960 --> 00:41:19,080
Speaker 2: the Beverly Hills count Yeah, yeah.

809
00:41:18,960 --> 00:41:21,879
Speaker 1: But the Crazy Frog. It's by Axel f right, thank you,

810
00:41:22,640 --> 00:41:34,759
Speaker 1: the crazy Frog, the crazy Frog. Sure see this is

811
00:41:34,800 --> 00:41:36,239
Speaker 1: what I was doing before I.

812
00:41:36,200 --> 00:41:37,919
Speaker 3: See the frog. Okay, the frog.

813
00:41:39,800 --> 00:41:40,680
Speaker 1: I don't know this.

814
00:41:40,920 --> 00:41:44,000
Speaker 3: I don't know this part. I know the other part

815
00:41:44,040 --> 00:41:46,200
Speaker 3: of the song, but I don't know this. Like singing.

816
00:41:46,400 --> 00:41:48,960
Speaker 1: It reminds me of those crazy hamsters. You remember that

817
00:41:49,600 --> 00:41:53,520
Speaker 1: the Hamster dance. Get that Duke, Kevin, get the Hamster Dance, the.

818
00:41:53,480 --> 00:41:55,160
Speaker 3: Crazy Hamster Dance. The only one I know is the

819
00:41:55,200 --> 00:41:58,560
Speaker 3: one from Ali mcfeel you're going to the only sort

820
00:41:58,560 --> 00:42:01,319
Speaker 3: of trendy.

821
00:42:01,600 --> 00:42:05,080
Speaker 1: Yes, that was hot as hell for a while. What happened?

822
00:42:06,360 --> 00:42:08,799
Speaker 3: Okay? So I get I get to the airport, right, Yeah,

823
00:42:08,920 --> 00:42:09,640
Speaker 3: I've drugged my.

824
00:42:09,640 --> 00:42:12,839
Speaker 1: Cat and I drugged your cat too.

825
00:42:12,960 --> 00:42:14,680
Speaker 3: Yeah. I had to drug my cat because he was

826
00:42:14,760 --> 00:42:16,839
Speaker 3: just freaking out losing, so I had to give him

827
00:42:16,840 --> 00:42:19,239
Speaker 3: a sedative. And so I get to the airport, and

828
00:42:19,320 --> 00:42:20,879
Speaker 3: of course, so like this bag waste too much.

829
00:42:20,800 --> 00:42:21,279
Speaker 1: Doesn't fit you.

830
00:42:21,280 --> 00:42:22,480
Speaker 3: I had to do the whole thing where I'm like

831
00:42:23,280 --> 00:42:25,960
Speaker 3: taking one and what.

832
00:42:26,280 --> 00:42:32,040
Speaker 1: Okay, sorry, I thought it was very rude. Yea, so.

833
00:42:33,920 --> 00:42:36,960
Speaker 3: It was terrible. I had to refill my bags all

834
00:42:37,000 --> 00:42:39,319
Speaker 3: of that, and then I finally A'm like, okay, I'm

835
00:42:39,320 --> 00:42:41,719
Speaker 3: going through security. And I walked through security in it

836
00:42:41,760 --> 00:42:44,200
Speaker 3: and you have to take your cat out or whatever

837
00:42:44,200 --> 00:42:46,600
Speaker 3: animal you have in an animal carrier?

838
00:42:46,800 --> 00:42:48,080
Speaker 1: Do you like talking those?

839
00:42:49,960 --> 00:42:54,200
Speaker 3: Not particularly, but I feel forced to and I did

840
00:42:54,280 --> 00:42:55,480
Speaker 3: make the appointment to be here.

841
00:42:56,840 --> 00:42:58,400
Speaker 1: Let's let's interrogate that.

842
00:42:58,640 --> 00:43:01,279
Speaker 2: Okay, let's look into that, because maybe we can do

843
00:43:01,320 --> 00:43:02,120
Speaker 2: some real healing.

844
00:43:10,600 --> 00:43:20,920
Speaker 5: You don't know this, no, but it's similar.

845
00:43:20,960 --> 00:43:24,120
Speaker 3: Now, it's very similar, and you know what it.

846
00:43:24,040 --> 00:43:24,759
Speaker 1: Reminds me of.

847
00:43:26,320 --> 00:43:28,719
Speaker 2: It's similar to that, but more so for me, it's

848
00:43:28,760 --> 00:43:33,160
Speaker 2: like the Disney Robin Hood. Uh, you know what I'm

849
00:43:33,160 --> 00:43:36,000
Speaker 2: talking about. They have a it's maybe like the song

850
00:43:36,080 --> 00:43:36,560
Speaker 2: that they do.

851
00:43:37,239 --> 00:43:40,919
Speaker 1: It is a little like that. Yeah, it's animals. Yeah,

852
00:43:40,960 --> 00:43:41,719
Speaker 1: and it's sort.

853
00:43:41,480 --> 00:43:47,200
Speaker 2: Of like the d It's like, yeah, it's it's similar.

854
00:43:47,239 --> 00:43:47,760
Speaker 1: It's similar.

855
00:43:48,040 --> 00:43:50,480
Speaker 3: Are you talking about the like that ride Splash Mountain

856
00:43:50,520 --> 00:43:51,640
Speaker 3: ride where they sing that song?

857
00:43:52,200 --> 00:43:55,680
Speaker 1: Okay that is from the Zippity Dude.

858
00:43:55,880 --> 00:43:56,560
Speaker 3: Yeah, same thing.

859
00:43:56,640 --> 00:44:04,880
Speaker 2: Yeah, it's animals as animals. So you because I was

860
00:44:04,880 --> 00:44:08,920
Speaker 2: getting this subtle sense that you don't enjoy talking to us.

861
00:44:09,040 --> 00:44:10,759
Speaker 3: It's not so much that I don't like talking to

862
00:44:10,920 --> 00:44:14,200
Speaker 3: is that I don't like you in general, but talking

863
00:44:14,320 --> 00:44:16,839
Speaker 3: is a you know, an extension of that and is.

864
00:44:16,800 --> 00:44:21,560
Speaker 2: A master of human micro expressions. I was able to discern, yes,

865
00:44:21,640 --> 00:44:26,080
Speaker 2: that you did not like being near us or or

866
00:44:26,200 --> 00:44:30,480
Speaker 2: me or talking to me. And I wonder what motivates

867
00:44:30,560 --> 00:44:35,840
Speaker 2: a sick mind like yours to voluntarily engage.

868
00:44:35,920 --> 00:44:39,879
Speaker 3: Well, obviously it's the promotion I get from being here, right,

869
00:44:40,040 --> 00:44:41,600
Speaker 3: It's the like self promotion.

870
00:44:42,719 --> 00:44:44,080
Speaker 1: Got a couple of followers out of it.

871
00:44:44,360 --> 00:44:46,160
Speaker 3: Sure, Yeah, people coming up to me on the street

872
00:44:46,200 --> 00:44:49,080
Speaker 3: being like, oh man, the Caruso story is so good.

873
00:44:49,320 --> 00:44:50,440
Speaker 2: Yeah.

874
00:44:50,080 --> 00:44:51,880
Speaker 3: On the Hollywood book.

875
00:44:51,840 --> 00:44:53,800
Speaker 1: They say, specifically, on our.

876
00:44:53,680 --> 00:44:55,520
Speaker 3: Show, they say on the Hollywood hamdbook.

877
00:44:55,600 --> 00:44:57,480
Speaker 2: I don't know if you're allowed to do that accent

878
00:45:01,040 --> 00:45:04,759
Speaker 2: the way you said it the first time, a Dutch thing,

879
00:45:05,160 --> 00:45:11,200
Speaker 2: m m seems the best Why the best case thereon Dutch?

880
00:45:11,239 --> 00:45:13,080
Speaker 2: If you're lucky?

881
00:45:14,800 --> 00:45:16,720
Speaker 1: What happened? Are we on the plane yet?

882
00:45:17,280 --> 00:45:17,480
Speaker 5: Hey?

883
00:45:17,520 --> 00:45:19,759
Speaker 3: I thought we were fucking stopping to talk about how

884
00:45:19,760 --> 00:45:22,600
Speaker 3: I don't like you? So I'm just waiting for these questions.

885
00:45:22,600 --> 00:45:26,640
Speaker 2: We're never going to unpack all this faster your cat

886
00:45:26,680 --> 00:45:28,680
Speaker 2: and walk through security?

887
00:45:29,120 --> 00:45:29,560
Speaker 6: Do we want?

888
00:45:29,600 --> 00:45:30,560
Speaker 3: Do you want me to continue?

889
00:45:30,680 --> 00:45:33,960
Speaker 1: So you've got your animal? You're wearing the mask this

890
00:45:34,040 --> 00:45:35,600
Speaker 1: whole time I'm wearing in public.

891
00:45:35,880 --> 00:45:39,279
Speaker 3: I have to I can't take it off making way,

892
00:45:39,280 --> 00:45:41,360
Speaker 3: it's not a mask, it's a cast.

893
00:45:41,960 --> 00:45:43,799
Speaker 1: But does the mask make you do like a Cuban

894
00:45:43,880 --> 00:45:44,399
Speaker 1: Pete type?

895
00:45:44,560 --> 00:45:45,600
Speaker 3: That's fucking racist?

896
00:45:48,080 --> 00:45:53,759
Speaker 1: Well but her dad is Cuban Pete?

897
00:45:58,000 --> 00:46:01,640
Speaker 7: Okay, okay, yeah, where was I?

898
00:46:02,200 --> 00:46:04,640
Speaker 3: So I walk through security with the cast with axel

899
00:46:06,160 --> 00:46:09,359
Speaker 3: and as soon as I walk through, he peas all

900
00:46:09,360 --> 00:46:12,640
Speaker 3: over me because he is sedated and is drugged out

901
00:46:12,640 --> 00:46:17,240
Speaker 3: of his mind and can barely stand up. He urinates

902
00:46:17,280 --> 00:46:21,279
Speaker 3: all over me and I have just dropped off all

903
00:46:21,320 --> 00:46:24,040
Speaker 3: my luggage, so I have no clothes to change into,

904
00:46:24,520 --> 00:46:26,560
Speaker 3: so I put him back in the bag again, face

905
00:46:26,680 --> 00:46:31,600
Speaker 3: cast and now I smell like cappus. So I go

906
00:46:31,719 --> 00:46:36,360
Speaker 3: to the like LaGuardia, like magazine store, and I'm like,

907
00:46:36,360 --> 00:46:39,400
Speaker 3: do you have any pants? And They're like no, And

908
00:46:39,440 --> 00:46:41,840
Speaker 3: then I go. I go everywhere. So finally I find

909
00:46:41,840 --> 00:46:44,080
Speaker 3: a place that doesn't have any shirts, but they do

910
00:46:44,160 --> 00:46:48,279
Speaker 3: have I Love New York sweatpants that I must buy

911
00:46:49,120 --> 00:46:51,799
Speaker 3: for seventy nine dollars.

912
00:46:51,680 --> 00:46:53,200
Speaker 1: Based on the flavor of love character.

913
00:46:54,160 --> 00:46:59,400
Speaker 3: I think this was pre that. I feel like, yeah, well,

914
00:46:59,400 --> 00:47:02,040
Speaker 3: maybe it was us that it was in like urban

915
00:47:02,360 --> 00:47:05,560
Speaker 3: graffiti writing that I Love New York on it.

916
00:47:05,760 --> 00:47:07,319
Speaker 1: Yes, good, she was racist too.

917
00:47:07,360 --> 00:47:09,400
Speaker 2: Now I have a little bit of a window.

918
00:47:10,360 --> 00:47:13,799
Speaker 3: That was the logo of the I Love New York show.

919
00:47:13,880 --> 00:47:18,560
Speaker 3: It was in in graffiti writing. Was it not? Am

920
00:47:18,600 --> 00:47:19,840
Speaker 3: I crazy? Maybe there's a.

921
00:47:19,880 --> 00:47:23,320
Speaker 2: Fact writing inherently urban to you?

922
00:47:23,440 --> 00:47:26,600
Speaker 3: Yes, it's not rural.

923
00:47:26,880 --> 00:47:28,879
Speaker 2: Rural graffiti is everywhere?

924
00:47:28,920 --> 00:47:31,600
Speaker 1: Are people recognizing you from white? Now I'm wrong?

925
00:47:31,640 --> 00:47:34,319
Speaker 3: It was like a seventies thing. It's not, it's not.

926
00:47:38,760 --> 00:47:41,920
Speaker 1: Maybe it's maybe real blame maybe Ruala.

927
00:47:43,440 --> 00:47:45,520
Speaker 3: That might be it. Yeah, guys, I have suffered a

928
00:47:45,520 --> 00:47:51,280
Speaker 3: head injury. Whatever it's about me right now?

929
00:47:51,840 --> 00:47:56,000
Speaker 7: Okay apparently, so I'm okay, let me just continue to

930
00:47:56,040 --> 00:47:59,000
Speaker 7: paint the picture, people being like, is that not morels

931
00:47:59,000 --> 00:48:02,280
Speaker 7: from Yeah, so you wearing your sweatpants as a shirt.

932
00:48:02,800 --> 00:48:04,880
Speaker 3: No, I'm wearing my sweatpants. But I still smell a

933
00:48:04,960 --> 00:48:07,640
Speaker 3: cat piss because it doesn't go away, and there's no

934
00:48:07,719 --> 00:48:13,279
Speaker 3: shower and a face cast and and yes, someone's like, hey,

935
00:48:13,320 --> 00:48:17,920
Speaker 3: are you and white collar at the airport. No, I

936
00:48:18,080 --> 00:48:21,240
Speaker 3: just kept walking and then I sat at the airport

937
00:48:21,440 --> 00:48:23,839
Speaker 3: and then my flight got delayed a bunch and I

938
00:48:23,880 --> 00:48:27,200
Speaker 3: was in so much physical pain, and I again smelled

939
00:48:27,239 --> 00:48:30,600
Speaker 3: like cat piss, and finally my flight boarded, and I

940
00:48:30,640 --> 00:48:32,439
Speaker 3: was like, okay, I'm just gonna as soon as I bored,

941
00:48:32,440 --> 00:48:35,920
Speaker 3: I'm just gonna take this oxyconton and pass out for

942
00:48:35,960 --> 00:48:38,480
Speaker 3: the flight, because this is the worst day of my life.

943
00:48:38,200 --> 00:48:41,799
Speaker 1: With these boarding groups. By the way, I know you

944
00:48:41,840 --> 00:48:45,000
Speaker 1: know what I mean. And if you're gonna do this

945
00:48:45,040 --> 00:48:46,799
Speaker 1: in front of Seth what you're not allowed to do,

946
00:48:46,880 --> 00:48:48,600
Speaker 1: you have to be ready for something like this.

947
00:48:48,960 --> 00:48:53,080
Speaker 2: He's gonna launch into this where it's like, all right, okay,

948
00:48:53,160 --> 00:48:54,160
Speaker 2: I understand.

949
00:48:54,160 --> 00:48:55,840
Speaker 3: A couple of Seth impression.

950
00:48:55,880 --> 00:49:10,719
Speaker 1: Can you seth hang on really really really good? That's

951
00:49:10,760 --> 00:49:17,919
Speaker 1: pretty good, she said, mine was good really really.

952
00:49:20,120 --> 00:49:26,800
Speaker 3: Really really really okay. So I really get.

953
00:49:26,640 --> 00:49:27,960
Speaker 1: On the plane.

954
00:49:27,440 --> 00:49:31,600
Speaker 3: Yeah yeah, and I'm because it's fun.

955
00:49:31,680 --> 00:49:36,920
Speaker 2: It's it's really easy, really really.

956
00:49:38,719 --> 00:49:41,560
Speaker 3: I get on the plane and uh, I sit down

957
00:49:42,080 --> 00:49:45,120
Speaker 3: with my cat and my cat piss and my sweatpants

958
00:49:45,200 --> 00:49:49,520
Speaker 3: and my broken face and the cast and now the

959
00:49:49,560 --> 00:49:51,799
Speaker 3: drugs that are in my body and in my head

960
00:49:52,120 --> 00:49:54,399
Speaker 3: and I and I close my eyes and I begin

961
00:49:54,480 --> 00:49:58,279
Speaker 3: to drift into a sweet slumber and someone taps me

962
00:49:58,480 --> 00:50:00,799
Speaker 3: and goes, hey, you headed home?

963
00:50:00,920 --> 00:50:01,520
Speaker 1: Or you are you?

964
00:50:01,600 --> 00:50:04,319
Speaker 3: Are you going somewhere else? And I was like well,

965
00:50:05,160 --> 00:50:08,080
Speaker 3: and they were like are you are you going home?

966
00:50:08,160 --> 00:50:09,759
Speaker 3: Or are you? Are you going somewhere for work? And

967
00:50:09,800 --> 00:50:13,960
Speaker 3: I was like, I'm going home. And I guess what

968
00:50:14,080 --> 00:50:16,400
Speaker 3: happened after that. I don't remember. Is I talked to

969
00:50:16,440 --> 00:50:21,800
Speaker 3: this man the whole flight and was high, incredibly high.

970
00:50:22,320 --> 00:50:26,920
Speaker 3: And two days later I got a text message from

971
00:50:26,960 --> 00:50:29,399
Speaker 3: a number that said, Hey, it's so and so from

972
00:50:29,400 --> 00:50:31,040
Speaker 3: the plane. Are we still on for our date time?

973
00:50:31,120 --> 00:50:34,839
Speaker 1: Oh my god, that's it.

974
00:50:35,440 --> 00:50:39,600
Speaker 6: I'm coming on the way.

975
00:50:39,760 --> 00:50:42,600
Speaker 1: The lead up to it is way too long. Yeah,

976
00:50:42,680 --> 00:50:43,800
Speaker 1: it's a long story.

977
00:50:44,520 --> 00:50:46,120
Speaker 2: One thing I want to know is how big of

978
00:50:46,160 --> 00:50:48,160
Speaker 2: a white collar fan do you have to be.

979
00:50:48,480 --> 00:50:49,359
Speaker 3: To recognize me?

980
00:50:49,440 --> 00:50:53,160
Speaker 2: To recognize you with the full face cast of.

981
00:50:53,560 --> 00:50:55,560
Speaker 3: Yeah, the popular show, it wasn't the full thing.

982
00:50:55,600 --> 00:50:55,839
Speaker 1: It was.

983
00:50:55,880 --> 00:50:58,879
Speaker 3: It was sort of like a really bad superhero mask.

984
00:50:58,960 --> 00:51:00,960
Speaker 3: And that it didn't cover my hasn't just covered my

985
00:51:01,080 --> 00:51:04,480
Speaker 3: nose and my cheeks, like I was like a sick raccoon.

986
00:51:04,600 --> 00:51:05,960
Speaker 1: What did you say to the guy.

987
00:51:06,520 --> 00:51:09,319
Speaker 3: The guy that that I was going on a day with? Yeah,

988
00:51:09,320 --> 00:51:12,080
Speaker 3: who else? I, well, I don't know a white collar fan,

989
00:51:12,120 --> 00:51:12,799
Speaker 3: which is what we were.

990
00:51:12,719 --> 00:51:14,319
Speaker 1: Just talking about. What did you say to the guy?

991
00:51:14,320 --> 00:51:17,560
Speaker 3: I said, Okay, I'll see you there, and you went, Well,

992
00:51:17,800 --> 00:51:20,920
Speaker 3: here's the thing. It was either the worst person in

993
00:51:20,960 --> 00:51:24,480
Speaker 3: the world who would ask a high, beat up face,

994
00:51:24,680 --> 00:51:27,439
Speaker 3: catpiss smelling person out on a date, or he really

995
00:51:27,480 --> 00:51:30,799
Speaker 3: saw something in me wow, and he was great. So

996
00:51:30,880 --> 00:51:31,879
Speaker 3: I had to find out.

997
00:51:32,000 --> 00:51:32,839
Speaker 1: Yeah, I had no.

998
00:51:32,880 --> 00:51:35,200
Speaker 3: Idea what his face look like, or what he was

999
00:51:35,280 --> 00:51:37,520
Speaker 3: like or anything. I don't I didn't.

1000
00:51:37,520 --> 00:51:46,879
Speaker 1: Remember anything anything. Yeah, Richard Carn turned out to be man.

1001
00:51:47,520 --> 00:51:49,160
Speaker 3: And that's the end of my story because I'm not

1002
00:51:49,200 --> 00:51:51,200
Speaker 3: gonna tell you the rest because I'll save that for

1003
00:51:51,239 --> 00:51:51,759
Speaker 3: like a late night.

1004
00:51:51,800 --> 00:51:57,080
Speaker 1: Jew What wait a second, now, I'm off.

1005
00:51:58,080 --> 00:52:00,359
Speaker 2: Now I crave the real story.

1006
00:52:00,680 --> 00:52:01,560
Speaker 1: You went on a date.

1007
00:52:02,200 --> 00:52:04,480
Speaker 3: On the date and it was a big surprise as

1008
00:52:04,480 --> 00:52:07,759
Speaker 3: to who it was and how the date went.

1009
00:52:07,920 --> 00:52:08,799
Speaker 1: Who was it?

1010
00:52:09,000 --> 00:52:11,320
Speaker 3: Why, You're just gonna have to tune into Seth Myers

1011
00:52:11,360 --> 00:52:11,920
Speaker 3: in a cave.

1012
00:52:15,280 --> 00:52:21,600
Speaker 1: Really, really, he would be. He'll do so well with

1013
00:52:21,680 --> 00:52:24,760
Speaker 1: the two. He'll like summarize everything up to that point.

1014
00:52:25,400 --> 00:52:29,000
Speaker 6: Like, so you're telling me, so you're on the plane

1015
00:52:29,880 --> 00:52:36,120
Speaker 6: on the plane, Yes, so you're on the plane, cat.

1016
00:52:38,000 --> 00:52:39,320
Speaker 1: Still smelling like Pete.

1017
00:52:39,680 --> 00:52:41,359
Speaker 3: You're getting there with with the.

1018
00:52:41,360 --> 00:52:45,759
Speaker 2: Cast, and he's hitting on you on a date.

1019
00:52:45,800 --> 00:52:46,719
Speaker 1: He asked you on a date.

1020
00:52:47,160 --> 00:52:50,000
Speaker 3: Yeah, during the date he said, yeah, when we were

1021
00:52:50,040 --> 00:52:52,560
Speaker 3: flying over Nevada, I said, by the time I get

1022
00:52:52,640 --> 00:52:54,319
Speaker 3: to California, I'm gonna ask you on a date.

1023
00:52:54,719 --> 00:53:00,799
Speaker 1: Was it pretty? It wasn't, thankfully. On a late night

1024
00:53:00,800 --> 00:53:02,800
Speaker 1: talk twenty questions, do we get to a play? Is

1025
00:53:02,880 --> 00:53:03,560
Speaker 1: it something we know?

1026
00:53:04,280 --> 00:53:05,080
Speaker 3: You might know him?

1027
00:53:06,320 --> 00:53:06,560
Speaker 1: WHOA?

1028
00:53:06,760 --> 00:53:07,759
Speaker 3: I don't know if you know him.

1029
00:53:07,880 --> 00:53:08,920
Speaker 1: Is it like a celebrity?

1030
00:53:09,080 --> 00:53:12,439
Speaker 3: No, but that's one but it is. Yeah, that's one question.

1031
00:53:12,480 --> 00:53:15,520
Speaker 1: Someone in the industry yes, okay. Is a writer?

1032
00:53:16,440 --> 00:53:16,680
Speaker 3: Yes?

1033
00:53:17,320 --> 00:53:20,160
Speaker 1: Okay? Are they a comedy writer?

1034
00:53:20,360 --> 00:53:20,520
Speaker 2: Wait?

1035
00:53:23,280 --> 00:53:24,680
Speaker 3: I'm not sure what they are.

1036
00:53:24,520 --> 00:53:28,280
Speaker 1: Doing today, but they have written comedy stuff before?

1037
00:53:30,280 --> 00:53:30,600
Speaker 3: Yes?

1038
00:53:31,800 --> 00:53:35,000
Speaker 1: Okay, so that's four. Uh?

1039
00:53:36,239 --> 00:53:39,040
Speaker 2: Film?

1040
00:53:39,320 --> 00:53:40,920
Speaker 1: Do they write film or television?

1041
00:53:43,000 --> 00:53:44,920
Speaker 3: So the answer to your film question is no?

1042
00:53:46,040 --> 00:53:47,640
Speaker 1: Okay, okay, so a TV vision.

1043
00:53:47,760 --> 00:53:50,160
Speaker 2: So the TV writer who has done comedy are you

1044
00:53:50,200 --> 00:53:53,840
Speaker 2: counting to great? And the TV writer who has done comedy?

1045
00:53:54,719 --> 00:54:01,000
Speaker 2: We would maybe know them? Oh, this is bad?

1046
00:54:01,320 --> 00:54:04,160
Speaker 1: Do the day go? Are they wait?

1047
00:54:04,239 --> 00:54:05,919
Speaker 3: Wait? Wait, which question do you want that one?

1048
00:54:06,040 --> 00:54:06,360
Speaker 1: Yes?

1049
00:54:06,880 --> 00:54:07,120
Speaker 3: No?

1050
00:54:07,719 --> 00:54:10,680
Speaker 1: Okay? Are they that doesn't marry a doubt at all?

1051
00:54:14,880 --> 00:54:22,200
Speaker 1: Are they over forty?

1052
00:54:23,239 --> 00:54:23,439
Speaker 7: No?

1053
00:54:24,440 --> 00:54:26,879
Speaker 3: Well maybe now I don't know. Not at the time.

1054
00:54:27,040 --> 00:54:31,880
Speaker 1: Okay, okay, did they go to Harvard?

1055
00:54:32,840 --> 00:54:42,840
Speaker 3: I'm not sure then they didn't. Well he might have

1056
00:54:42,960 --> 00:54:45,680
Speaker 3: told me when I was very high, and I wouldn't

1057
00:54:45,680 --> 00:54:46,000
Speaker 3: have known.

1058
00:54:48,040 --> 00:54:52,680
Speaker 1: Uh they were The show that you know that they

1059
00:54:52,719 --> 00:54:55,560
Speaker 1: wrote on was an NBC comedy.

1060
00:54:56,880 --> 00:55:01,440
Speaker 3: I don't remember the specific show that this person worked on.

1061
00:55:02,360 --> 00:55:08,319
Speaker 1: Okay, tough, this is making it hard. Their name their

1062
00:55:08,400 --> 00:55:14,520
Speaker 1: first name is starts with a D.

1063
00:55:15,680 --> 00:55:20,640
Speaker 3: No. No, maybe, well I don't really remember his name.

1064
00:55:21,719 --> 00:55:23,319
Speaker 1: Wait, you don't know his name?

1065
00:55:23,680 --> 00:55:25,640
Speaker 3: I know he is, but I don't remember his name

1066
00:55:25,680 --> 00:55:28,319
Speaker 3: because I it was so bad that I blocked him

1067
00:55:28,360 --> 00:55:29,280
Speaker 3: out entirely.

1068
00:55:29,600 --> 00:55:31,439
Speaker 1: You know who he is, but you don't know what

1069
00:55:31,600 --> 00:55:32,960
Speaker 1: show he ever worked on.

1070
00:55:33,840 --> 00:55:36,359
Speaker 3: Again, I know him, and my friends know him. Other

1071
00:55:36,400 --> 00:55:37,239
Speaker 3: people that I know know.

1072
00:55:37,360 --> 00:55:39,760
Speaker 1: Wait, so what could we What are we guessing?

1073
00:55:39,920 --> 00:55:42,000
Speaker 3: I don't know this was your game? I didn't What

1074
00:55:42,040 --> 00:55:42,880
Speaker 3: are you answering?

1075
00:55:44,040 --> 00:55:46,120
Speaker 1: Did his name start with? But you don't know. He

1076
00:55:46,160 --> 00:55:46,879
Speaker 1: doesn't know his name.

1077
00:55:46,920 --> 00:55:48,759
Speaker 3: I think if you told me his name, I would say, yes,

1078
00:55:48,800 --> 00:55:53,239
Speaker 3: that's him. Here's here's the thing. If I described him

1079
00:55:53,239 --> 00:55:55,080
Speaker 3: to you, you would know what he is. I just

1080
00:55:55,080 --> 00:55:56,799
Speaker 3: don't remember. I can't remember his.

1081
00:55:56,760 --> 00:55:59,840
Speaker 1: Name describe him. I don't want to, but we're doing it.

1082
00:56:02,160 --> 00:56:04,440
Speaker 3: I also don't want to. I feel like it's dangerous

1083
00:56:04,480 --> 00:56:05,960
Speaker 3: to call him out on the show. But it was

1084
00:56:06,040 --> 00:56:08,439
Speaker 3: really bad. It was so bad.

1085
00:56:08,560 --> 00:56:10,879
Speaker 1: You haven't said anything specific that he did bad.

1086
00:56:11,800 --> 00:56:13,239
Speaker 3: Would you rather do that?

1087
00:56:14,680 --> 00:56:14,839
Speaker 7: Oh?

1088
00:56:14,880 --> 00:56:18,640
Speaker 2: Yeah, something specific that's bad about I have a gas

1089
00:56:18,640 --> 00:56:19,200
Speaker 2: in my head.

1090
00:56:20,480 --> 00:56:24,400
Speaker 3: He is much much shorter than me.

1091
00:56:25,040 --> 00:56:27,320
Speaker 1: Okay, is that it much?

1092
00:56:27,440 --> 00:56:33,000
Speaker 3: No, that's one of the many things. Okay, he asked me.

1093
00:56:33,440 --> 00:56:36,480
Speaker 3: Anytime he asked me a question about myself or anything

1094
00:56:36,840 --> 00:56:41,080
Speaker 3: in that on that date. He would fist bump me afterwards.

1095
00:56:40,320 --> 00:56:41,959
Speaker 1: Wow, okay, that's pretty bad.

1096
00:56:43,960 --> 00:56:47,799
Speaker 3: And he and with the fist bump, he'd say, oh, man,

1097
00:56:47,920 --> 00:56:53,040
Speaker 3: bring it in. Oh no, whoa yeah yeah. But by

1098
00:56:53,080 --> 00:56:55,120
Speaker 3: the way, when I went on the date, face cast

1099
00:56:55,200 --> 00:56:58,920
Speaker 3: was off, so and I didn't smell a capus.

1100
00:56:58,520 --> 00:57:02,960
Speaker 1: Yeah to get in. Yeah. So he made an investment

1101
00:57:03,040 --> 00:57:07,680
Speaker 1: that they h Hey, if you don't love me at my.

1102
00:57:08,080 --> 00:57:13,160
Speaker 2: Diversify face cast, you don't deserve me at my took

1103
00:57:13,200 --> 00:57:13,560
Speaker 2: it off.

1104
00:57:14,960 --> 00:57:19,160
Speaker 3: I will, I will. He also did not have a car,

1105
00:57:19,280 --> 00:57:20,520
Speaker 3: so he asked me for a ride home.

1106
00:57:22,200 --> 00:57:25,960
Speaker 2: Okay, okay, I'm not going to poor shame this guy.

1107
00:57:27,400 --> 00:57:29,400
Speaker 2: I don't think it was chef Kevin doesn't have a car.

1108
00:57:29,480 --> 00:57:31,880
Speaker 3: I don't think it was poor. I think it was just.

1109
00:57:32,520 --> 00:57:34,800
Speaker 1: A choice, like likes the earth.

1110
00:57:34,600 --> 00:57:38,480
Speaker 2: Like oh, you think he But you think he intentionally,

1111
00:57:38,640 --> 00:57:41,520
Speaker 2: like I wanted to get into a car with you,

1112
00:57:41,640 --> 00:57:43,560
Speaker 2: and so he chose. But not that he didn't own

1113
00:57:43,600 --> 00:57:45,120
Speaker 2: a car necessarily, but that he.

1114
00:57:45,160 --> 00:57:46,800
Speaker 3: Got there somehow without me.

1115
00:57:47,200 --> 00:57:50,360
Speaker 1: Yeah, but he may have owned a car. He may

1116
00:57:50,440 --> 00:57:52,120
Speaker 1: have owned the car, but he chose not to bring

1117
00:57:52,120 --> 00:57:53,120
Speaker 1: it to thee.

1118
00:57:53,440 --> 00:57:55,800
Speaker 3: Give me a ride to my house.

1119
00:57:56,160 --> 00:57:59,000
Speaker 1: We should be doing like a real show before you think.

1120
00:57:59,320 --> 00:58:03,160
Speaker 1: You think, oh, well, we just default and like being

1121
00:58:03,520 --> 00:58:08,360
Speaker 1: like good ho and like ask interesting questions. Yeah.

1122
00:58:08,480 --> 00:58:13,440
Speaker 2: See how and you almost as a master of human

1123
00:58:13,520 --> 00:58:18,760
Speaker 2: microaggressions to detect me. Oh, I'm able to detect that

1124
00:58:18,800 --> 00:58:21,200
Speaker 2: you're enjoying yourself slightly more during the game of twenty

1125
00:58:21,320 --> 00:58:25,000
Speaker 2: Questions than during the part where you were miserable earlier.

1126
00:58:25,120 --> 00:58:27,200
Speaker 3: Well, it's because I knew that I didn't know the

1127
00:58:27,200 --> 00:58:29,320
Speaker 3: guy's name, and so I knew that the twenty questions

1128
00:58:29,320 --> 00:58:34,720
Speaker 3: was leading to nowhere and it was making me devilishly happy.

1129
00:58:34,560 --> 00:58:37,520
Speaker 2: Do I see anyone playing this game of twenty Questions

1130
00:58:37,560 --> 00:58:37,919
Speaker 2: with you?

1131
00:58:37,960 --> 00:58:38,240
Speaker 1: Ever?

1132
00:58:38,760 --> 00:58:41,800
Speaker 2: I noticed it across the room. I go, I call

1133
00:58:41,880 --> 00:58:44,600
Speaker 2: up Seth. I go, Seth. I've been in this hole before,

1134
00:58:45,000 --> 00:58:46,160
Speaker 2: and I remember the way out?

1135
00:58:47,160 --> 00:58:47,880
Speaker 1: Is that full circle?

1136
00:58:47,960 --> 00:58:48,360
Speaker 3: Are we done?

1137
00:58:48,440 --> 00:58:48,560
Speaker 2: Is that?

1138
00:58:48,880 --> 00:58:54,480
Speaker 1: I think so? Yeah? Bye,