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Speaker 1: Hey, guys, welcome to another episode of Eating While Broke.

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Speaker 1: I'm your host, Coley Witt, and today we have singer songwriter.

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Speaker 1: Grammy winning singer songwriter Elijah Blake is in the building.

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Speaker 1: How are you.

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Speaker 2: I'm feeling good. Yeah, you're feeling.

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Speaker 1: Comfortable in the kitchen to burn it down? Yeah, I'm scared.

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Speaker 1: I was excited about it. I was excited about the plantains,

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Speaker 1: but I'm a little nervous. All right, why don't you

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Speaker 1: go ahead and tell me what you're gonna have us

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Speaker 1: eating today?

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Speaker 2: I am making. I'm making Haitian plantains today. Haitian just

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Speaker 2: because in my preference, in my opinion, that's the best plantain.

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Speaker 2: It's close between the Dominican plantains and has, but I

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Speaker 2: think the Haitian plantains are the best.

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Speaker 1: I want to see the difference because I know being

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Speaker 1: have jamake it. I don't want you to start asking

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Speaker 1: me questions about being Jamaican. But they usually just fry

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Speaker 1: the plantains, so there's a difference.

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Speaker 2: You guys, see what the Haitian plantains is. There's a

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Speaker 2: little more that goes into There's like a juice marinaire

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Speaker 2: that's made that you dip it and fry dip it

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Speaker 2: than fried. So the flavor that it has in.

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Speaker 1: Size, Okay, yeah, go ahead, oil the pot.

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Speaker 2: So the ingredients ingredients you feel me? So we got Lemons,

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Speaker 2: we got Donalds, we got grape seed oil because I

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Speaker 2: just think this is a healthy alternative.

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Speaker 1: I've been trying to Oh that's why I thought that

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Speaker 1: was special.

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Speaker 2: No, I went I did an alkaline diet. I've been

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Speaker 2: into like what doctor Sabe has been preaching and stuff

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Speaker 2: like that. So grape seed oil is actually like a

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Speaker 2: super good alternative vegetable oil.

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Speaker 1: And olive oil is better than olive oil too.

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Speaker 2: I think it is. Yeah, it's really clean for you.

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Speaker 2: If you've ever been to a Spanish market, chick, you

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Speaker 2: feel me? This where all the flavor is. I put

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Speaker 2: this in my.

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Speaker 1: Eggs and everything your eggs.

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Speaker 2: Yeah, no, I'm telling you it's for another time. Take

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Speaker 2: a little bit and put it in your season for

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Speaker 2: the batter for the eggs, for.

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Speaker 1: The batter for the eggs. What do you mean better

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Speaker 1: for the eggs?

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Speaker 2: Dominican perto Rican friends?

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Speaker 1: No? Is that why you thought I was Puerto Rican?

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Speaker 2: Yeah?

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Speaker 1: Or just because I look like a fake Puerto Rican

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Speaker 1: not a fake from New York.

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Speaker 2: They're like your Puerto Rican. Yeah I heard it. Yeah,

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Speaker 2: but yeah, that's my grandmother used to just put a

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Speaker 2: little bit.

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Speaker 1: Oh they whip it for like you when they're making

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Speaker 1: scrambled eggs, things in it.

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Speaker 2: But this is one of the secret ingredients.

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Speaker 1: I'm gonna check it out. I'm gonna take it out

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Speaker 1: solely based on how well you cook these plantains today.

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Speaker 1: So go for it. Get in the kitchen. What are

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Speaker 1: we doing with oil in the pot?

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Speaker 2: Oil the pot. Get this thing going real quick.

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Speaker 1: While you're oiling the pot. I'm gonna just go ahead

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Speaker 1: and get into it.

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Speaker 2: Okay, let's do this.

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Speaker 1: Is long before being a Grammy winning songwriter and singer,

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Speaker 1: long before the writing for Justin Bieber, Keisha Cole Usher

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Speaker 1: writing hits obviously, right long before it all, long before it.

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Speaker 1: So take me back to what was going on during

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Speaker 1: this era of your life.

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Speaker 2: So I came to you. I wasn't born in you.

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Speaker 2: People don't know that. So I came to the United

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Speaker 2: States when I was like five or six years old,

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Speaker 2: and I didn't really It took me a while. Even

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Speaker 2: to this day, I don't I'm not excited about burgers

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Speaker 2: and a lot of American cuisine. I'm just now coming

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Speaker 2: around to it. But this is all I knew. My mother,

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Speaker 2: my grandmother, my family all made Listen, it just was

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Speaker 2: an easy.

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Speaker 1: And you're coming from Dominican Republican, yeah.

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Speaker 2: And it just was an easy grabbing and go. So

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Speaker 2: for me, I'm trying to pay attention. Am I doing

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Speaker 2: it right? You don't get to call Jennifer okay, okay, okay, okay.

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Speaker 1: Jennifer is doing it wrong. That's why she knew.

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Speaker 2: To wash it too. Yeah, Jenna's Dominican.

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Speaker 1: Oh, she's dominic Yeah, so she understands.

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Speaker 2: She understands. But yeah, this is one of my favorite things.

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Speaker 2: And it just reminds me of home. Honestly, I always

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Speaker 2: eat things that remind me of home. Because then when

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Speaker 2: I got signed, I moved to Atlanta in ninth grade.

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Speaker 2: And again, you.

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Speaker 1: Guys signed in the ninth grade.

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Speaker 2: Damn from my space. Wow, I was putting up original

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Speaker 2: music yep from my space, and I was putting up

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Speaker 2: original music on YouTube as well. So yeah, I would

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Speaker 2: really say actually YouTube, because I was my Space had

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Speaker 2: went down, and then Priscilla Renee myself, Dondrea. I don't

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Speaker 2: know if you remember Dondrea. She was like killing it

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Speaker 2: on YouTube around that time when money Long before Money

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Speaker 2: Long was money Long, and we knew her as Priscilla Renee.

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Speaker 2: She was doing like original songs and covers as well,

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Speaker 2: and an executive from Atlanta Records reached out to me,

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Speaker 2: and then I flew out to Atlanta while Trey Songs

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Speaker 2: was working on the Ready album. This is before I

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Speaker 2: knew that Clay Songs and he was working on the

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Speaker 2: Ready album.

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Speaker 1: I love how you said this what it was before

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Speaker 1: you knew you could write song?

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Speaker 2: Yeah, I didn't know. I just wanted to.

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Speaker 1: I didn't know I had that head and saling this

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Speaker 1: came out.

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Speaker 2: I just was I just got tired of being broke

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Speaker 2: one day and I couldn't understand why songwriters have the

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Speaker 2: most money. Like the songwriters was pulling up in the cars.

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Speaker 2: The producers had better cars than the artist.

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Speaker 1: So I'm just like and that the producers had better

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Speaker 1: cards than that.

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Speaker 3: Yeah, Sean Garrett pulled up and I saw what Johntay

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Speaker 3: Austin was driving, and I saw what like Brian Michael

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Speaker 3: Cox had and I was like, okay, And meanwhile, I'm

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Speaker 3: so hungry, I'm shaking in the studio.

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Speaker 2: There was a point in time work. I was just

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Speaker 2: having a regular conversation. I hadn't eaten in a couple

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Speaker 2: of days. I didn't want to call my mom and

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Speaker 2: tell her, like, I'm not eating because as a Caribe woman,

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Speaker 2: she would be like, why are they not feeding you?

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Speaker 2: And it's not necessarily that they weren't feeding me. I

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Speaker 2: just think that.

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Speaker 1: She would have been definitely concerned. She probably would have

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Speaker 1: flown out there.

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Speaker 2: She would have said, come back and go to college,

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Speaker 2: or finish high school and go to college, because she

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Speaker 2: wasn't really In Caribbean households, you either become a doctor, lawyer, engineer,

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Speaker 2: or you're a failure. Like they don't want to hear that,

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Speaker 2: none of that.

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Speaker 1: Can I cut that right?

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Speaker 2: I think so?

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Speaker 1: I don't think so.

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Speaker 2: But go ahead.

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Speaker 1: We're gonna see.

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Speaker 2: I just it's just to squeeze it.

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Speaker 1: Yeah, you cut it wrong.

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Speaker 2: House was good. The other way.

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Speaker 1: You got more lemons you could try.

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Speaker 2: We just come to squeeze it though.

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Speaker 1: Okay, don't see how you do it.

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Speaker 2: Yo.

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Speaker 1: I can't wait for your family. I say, I'm gonna

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Speaker 1: send them the here. I'm gonna send them the video.

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Speaker 2: The question is myself is gonna be.

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Speaker 1: Five Yeah, that's the real question. Okay, is he gonna

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Speaker 1: make them proud?

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Speaker 2: Yeah, I'm gonna make them proud.

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Speaker 1: So so you're in high school basically, yeah, and you

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Speaker 1: start to discover Is that when you discover that songwriters

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Speaker 1: and producers make more money? Or is this right before college?

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Speaker 2: You're saying, No, I'm just now figuring just from me surviving,

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Speaker 2: I'm too proud for I didn't want to ask anybody

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Speaker 2: for money. I didn't I think the day everybody just

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Speaker 2: was moving and I was the youngest one in the crew.

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Speaker 2: So one day I remember speaking and Trey was like,

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Speaker 2: are you a nee me? And I'm like, I don't

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Speaker 2: think so why He's like, you're shaking And I didn't

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Speaker 2: know I was just I had been hungry for so

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Speaker 2: many days. I didn't know I was, but so many days.

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Speaker 1: Yeah, I was just oh my goodness.

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Speaker 2: Yeah, because I was thugging it out, like I was

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Speaker 2: really just trying to get it. And again, there weren't

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Speaker 2: any writers that were coming to write for me because

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Speaker 2: Chef Tone was pulling up. He was writing for Trade.

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Speaker 2: Johnsy Austin was writing for Trading, and this little kid

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Speaker 2: in the corner that everybodys trying to get him a trade album,

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Speaker 2: you know what I mean. And my Karen there's all

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Speaker 2: there's this kid in the house that my Karen thinks

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Speaker 2: might be a star. But ain't the check don't reflect,

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Speaker 2: ain't no money behind me, the butget's not open. So

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Speaker 2: niggas is trying to get on trade, which I get.

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Speaker 2: So just for me, I'm like, I'm wasting time. Let

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Speaker 2: me get to it. So I started writing songs on

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Speaker 2: my own and people are like walking by and hearing

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Speaker 2: my songs, and Bobby Trey had a road manager. His

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Speaker 2: name was Bobby. He was like, I think this nigga's

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Speaker 2: a storyteller. And I'm getting annoyed because I'm like, I

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Speaker 2: don't want to be a story I'm a church boy.

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Speaker 2: Give me the songs, I sing them, put my music out,

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Speaker 2: you know what I mean. That's that type stuff. So

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Speaker 2: then I remember I was singing upstairs one of the

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Speaker 2: songs and Trey was like, look, I'm telling you like

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Speaker 2: you have a gift of storyteller. And again me being

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Speaker 2: stubborn and being a little annoyed, I'm like, I just

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Speaker 2: want to sing songs. And he changed my life. Because

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Speaker 2: oh lord, you're not supposed to laugh at me.

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Speaker 1: So you talk out.

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Speaker 2: I turned them all they down.

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Speaker 1: You talked out, like those are gunshots, bro, I told you,

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Speaker 1: don't let the water hit you know what the lemon?

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Speaker 2: Hell No, I'm a.

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Speaker 1: Mask, and so tell you know, I like, you've never

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Speaker 1: been in the kitchen. You're good. I think you're safe.

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Speaker 1: So go back to your story because you a good storyteller.

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Speaker 1: Like they said where was a He was talking about

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Speaker 1: how they discovered you a good storytelling. You in denial.

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Speaker 2: Yeah, I'm in denial, and i just want people to

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Speaker 2: give me songs. So I'm writing these songs and again

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Speaker 2: once one day, write me a song, and I'm like,

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Speaker 2: right now, it's yeah, right now. And he puts a

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Speaker 2: beat on sk as another producer that's on songbook as well,

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Speaker 2: And the first thing I hear is, I think it's

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Speaker 2: time we take a trip to the band girl. Yo.

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Speaker 2: Body's talking and I'm loving what she says. Don't you

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Speaker 2: be your friend to let me little faint? You welcome

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Speaker 2: you to Super No. So at this point I'm like

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Speaker 2: going on like Super and me and Trey are such

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Speaker 2: a playful dynamic at that point, and he's like Dupa,

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Speaker 2: and we were like Jupiter Love and we're just branding

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Speaker 2: things with super And then one day I get a

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Speaker 2: call and Troy Taylor calls me. He's hey, Duper Love

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Speaker 2: is gonna make the album. What's your being? My information?

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Speaker 2: What's your again? I'm so broke right now at.

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Speaker 1: This point broken, and you're discovering your anemic too, right.

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Speaker 2: Yeah, broke anemic, just suffering. And I'm teaching dance classes

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Speaker 2: at this like White Dance studio. He's really off kids,

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Speaker 2: and I'm teaching for thirty dollars an hour because I

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Speaker 2: got a little one two stort to perform our high

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Speaker 2: school and stuff like that, barely making it by. So

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Speaker 2: when Troy Retch helps me register the song, I didn't

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Speaker 2: understand the concept of a songwriter who goes and keeps

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Speaker 2: track of every time a song plays on the radio

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Speaker 2: around the world, collects two cents here, twenty cents here,

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Speaker 2: or ten years cents here, a dollar here. I didn't

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Speaker 2: know that there was a BMI it does this for

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Speaker 2: you or p r oh.

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Speaker 1: So when he asked you for the b and my information,

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Speaker 1: were you like, huh yeah?

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Speaker 2: But I called my dad. My dad already had one

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Speaker 2: set up for me.

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Speaker 1: Oh yeah, my bad. I love that all right, go on.

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Speaker 2: He's super music, literally, like it's from the Philly scene.

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Speaker 2: Once I registered that, I went from being pissed broke

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Speaker 2: to bringing in six bands like a month or every quarter.

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Speaker 2: And I can't remember.

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Speaker 1: Exactly, My goodness, that's how long from that call to

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Speaker 1: you receiving the money? Was it like six months? A year?

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Speaker 2: Yeah, so they pay out quarterly, so I think from

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Speaker 2: that call it felt pretty fast. Me. I would say

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Speaker 2: about maybe two three months. I was in a penhouse. Oh,

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Speaker 2: because I've suffered long enough.

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Speaker 1: So you called your dad and your dad was like, son,

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Speaker 1: already taken care of.

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Speaker 2: Yeah. He gave me the information because my dad was

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Speaker 2: also helping me release music when I was in high school.

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Speaker 1: Oh, I love your parents, Pops.

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Speaker 2: Everything I got he taught me. He really taught me

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Speaker 2: how to format structure. So he was trying to teach

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Speaker 2: me about where we're at now, told me where music

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Speaker 2: was going to go, streaming wise, and my dad predicted

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Speaker 2: all that because he used to work for Apple Corporate

255
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Speaker 2: and stuff like that. And I think, just me being stubborn,

256
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Speaker 2: I wanted the record deal. I wanted to feel established

257
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Speaker 2: in that way, and his heart was so beautiful that

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Speaker 2: he let me do that even though he knew better.

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Speaker 2: I loved my father for that because he was like,

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Speaker 2: I'm just and.

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Speaker 1: This is yeah, but now you're saying that. He also

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Speaker 1: taught you these other elements of songwriting indirectly though, right,

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Speaker 1: So by the time you're in the studio, he baked

264
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Speaker 1: something into you. Right.

265
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Speaker 2: I had that ability because of him. I just didn't

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Speaker 2: want to use it. Yeah. But when I was doing

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Speaker 2: it just off of necessity putting original songs on YouTube,

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Speaker 2: my pops was like, format it this way, structure this way. Yeah,

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Speaker 2: and he really taught me how to like hone in

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Speaker 2: my runs. He's a really great piano player, an incredible musicians.

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Speaker 2: So by the time I got things started taking off

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Speaker 2: from me. People thought I had superpowers because my dad

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Speaker 2: was so strict on me. He was like my Matthew

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Speaker 2: nos or like my Joe Jackson in a way.

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Speaker 1: I love that.

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Speaker 2: Yeah. So I go from being a starving artist and

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Speaker 2: then that's them that ended up breaking tray and taking

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Speaker 2: trade to the next level. So when Ready blew up,

279
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Speaker 2: everybody's like, there's a fifteen year old that rot and

280
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Speaker 2: Drew Love became instantly the fan favorite Yeah album, and

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Speaker 2: they were playing on the radio in Atlanta. So I

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Speaker 2: think that's how word got to Usher, and then I

283
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Speaker 2: went from that to working with Usher, Mary J. Blige

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Speaker 2: and Beyonce Keisha Cole all in six.

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Speaker 1: Months after that, within six months. Yeah, how old are

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Speaker 1: you at the time? You're like fifteen?

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Speaker 2: You said, yeah, so I'm fifteen, So let's just say, yeah,

288
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Speaker 2: I'm like sixteen by the time everything starts to really

289
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Speaker 2: take off when the project releases and people start hearing,

290
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Speaker 2: and all I needed was a shot.

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Speaker 1: Now with that shot, how does a fifteen or sixteen

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Speaker 1: year old know how to manage money?

293
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Speaker 2: My business manager, So yeah, the business manager I had

294
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Speaker 2: when I when everything took off for me as the

295
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Speaker 2: same business manager I have now and we're like family.

296
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Speaker 2: So he was really teaching me. He was like, you're

297
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Speaker 2: not going to become an etue Hollywood story remember those. Yeah,

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Speaker 2: he kept saying that he's not going to be that

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Speaker 2: on my watch, and till this day he's got my back.

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Speaker 1: Okay, So he helped you manage And then what are

301
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Speaker 1: your parents saying? Was your dad like I told you

302
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Speaker 1: so soon?

303
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Speaker 2: My dad was very protective of me coming into it,

304
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Speaker 2: just because he knew how they steal and the music

305
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Speaker 2: industry teaches us and they just put us through things,

306
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Speaker 2: and he was really protective. But then once I got

307
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Speaker 2: signed to death Jam, that's when he was just like okay,

308
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Speaker 2: like I'm not going to be that father. That's like

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Speaker 2: in the way, like yeah, And to this day I

310
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Speaker 2: call him for advice and everything like that. But I

311
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Speaker 2: think once I got signed to death Jam, which I

312
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Speaker 2: probably should have had him hold on a little bit more.

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Speaker 1: But why do you say that, Because I.

314
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Speaker 2: Really got screwed over in that deal. I really got

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Speaker 2: screwed over in that deal. And I'm not blaming death Jam.

316
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Speaker 2: I just think that a lot of promises were made

317
00:14:01,840 --> 00:14:04,839
Speaker 2: and me being so naive, I believed everything so much

318
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Speaker 2: so that I invested a lot of my own money

319
00:14:06,720 --> 00:14:08,760
Speaker 2: that I thought I was gonna get back, and I

320
00:14:08,760 --> 00:14:11,000
Speaker 2: didn't get it back. And I just assumed, like anybody

321
00:14:11,000 --> 00:14:15,400
Speaker 2: else would assume, like your talent alone, if you're talented

322
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Speaker 2: enough you sing the songs, probably, if you're just the

323
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Speaker 2: best that you can be, your music will come on.

324
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Speaker 2: And that's not about that, it's about so many other

325
00:14:22,240 --> 00:14:26,800
Speaker 2: things outside and around it that just it becomes exhausting.

326
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Speaker 2: And I remember Mark Pitts, who's one of my heroes,

327
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Speaker 2: who I worked closely with when I was working on

328
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Speaker 2: the Usher project, and who I remember. He told me,

329
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Speaker 2: he is like, don't lose that smile. And I'm just like,

330
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Speaker 2: I'm always smiling, like I'm a happy.

331
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Speaker 1: Person, smile heading on you, thank you.

332
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Speaker 2: But I literally was like, are you sound crazy? I'm

333
00:14:42,520 --> 00:14:45,360
Speaker 2: never gonna stop smiling and throughout life. And he told

334
00:14:45,360 --> 00:14:47,800
Speaker 2: me this, He's like, when I signed Chris Brown, these

335
00:14:47,840 --> 00:14:49,480
Speaker 2: guess I knew the star he was gonna be. But

336
00:14:50,480 --> 00:14:52,440
Speaker 2: he walked in and he had a smile that lit

337
00:14:52,520 --> 00:14:56,440
Speaker 2: up the room, and he was like, I don't want

338
00:14:56,480 --> 00:15:00,440
Speaker 2: to watch that same smile fade in you. Wow throughout

339
00:15:00,440 --> 00:15:02,840
Speaker 2: the years, the way that the music industry can just

340
00:15:02,920 --> 00:15:05,160
Speaker 2: beat on you and just take everything, take it in

341
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Speaker 2: dem your life. I was like, you're crazy, but I

342
00:15:07,080 --> 00:15:09,120
Speaker 2: have to admit, like, throughout the years, even when I

343
00:15:09,120 --> 00:15:11,960
Speaker 2: look in the mirror, I've seen that smile fade Wow

344
00:15:12,120 --> 00:15:14,560
Speaker 2: more and more because you become that you start off

345
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Speaker 2: as this kid that believes in this dream, and this

346
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Speaker 2: dream just's you're realizing, oh, this was a nightmare the

347
00:15:20,640 --> 00:15:21,120
Speaker 2: whole time.

348
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Speaker 1: Why do you say it was a nightmare the whole

349
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Speaker 1: time though.

350
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Speaker 2: Just because the more you love it, the more it

351
00:15:26,480 --> 00:15:29,160
Speaker 2: takes from you. And I think as artists, right, especially

352
00:15:29,200 --> 00:15:31,960
Speaker 2: singers R and B artists, when they're saying the genre

353
00:15:32,040 --> 00:15:35,640
Speaker 2: is dying, it's not dying, but you're definitely fighting an

354
00:15:35,720 --> 00:15:40,560
Speaker 2: uphill battle because you watch rappers get on stage, right

355
00:15:40,640 --> 00:15:45,920
Speaker 2: and they get they make significantly more than the let's say,

356
00:15:45,920 --> 00:15:48,040
Speaker 2: like a new rapper versus a new singer would make

357
00:15:48,080 --> 00:15:51,640
Speaker 2: some significantly more a show than a singer would. And

358
00:15:51,680 --> 00:15:53,600
Speaker 2: they can get up there and sing over the track

359
00:15:54,040 --> 00:15:56,960
Speaker 2: literally like the same version as you're hearing on Apple

360
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Speaker 2: Music on the spot. They'll sing over the whole thing

361
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Speaker 2: and barely. Whereas as a singer, as an R and

362
00:16:02,600 --> 00:16:07,720
Speaker 2: B artist, you're expected a live band, yeah, background dances, choreography, rehearsal.

363
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Speaker 1: The real singers yeah, yeah, you know what I mean.

364
00:16:09,680 --> 00:16:12,520
Speaker 2: You're expected to put on a show. Yeah, you're protecting

365
00:16:12,560 --> 00:16:15,400
Speaker 2: your instrument, so there's a lot of it you're putting

366
00:16:15,400 --> 00:16:16,960
Speaker 2: into it for minimal return.

367
00:16:17,200 --> 00:16:17,440
Speaker 1: Yeah.

368
00:16:17,480 --> 00:16:19,880
Speaker 2: The return is your love for the art, your love

369
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Speaker 2: for the craft. So it's one of them things.

370
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Speaker 1: Man, How old were you when you signed the deaf

371
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Speaker 1: Jam deal?

372
00:16:29,040 --> 00:16:31,520
Speaker 2: When I signed the deaf Jam I believe I was nineteen.

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Speaker 1: Okay, and that's when he started releasing the reins. Yeah,

374
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Speaker 1: was there any other would you say, looking back, lessons

375
00:16:38,280 --> 00:16:42,360
Speaker 1: that you wish you could have not had learned head on?

376
00:16:46,120 --> 00:16:48,920
Speaker 2: It was all beautiful. I definitely felt like after I

377
00:16:48,960 --> 00:16:51,280
Speaker 2: left def Jam, I thought it was going to be

378
00:16:51,280 --> 00:16:53,840
Speaker 2: easier getting off that deal just because shit, they were

379
00:16:53,920 --> 00:16:56,480
Speaker 2: dropping everybody. So I was like, I didn't sell deeper numbers,

380
00:16:56,520 --> 00:16:58,520
Speaker 2: like just drop me. But it wasn't that easy.

381
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Speaker 1: They didn't get any of yourublishing.

382
00:17:00,840 --> 00:17:03,280
Speaker 2: No, I was already signed to Sony okay.

383
00:17:02,960 --> 00:17:05,000
Speaker 1: So they didn't So there's no way for them to

384
00:17:05,000 --> 00:17:07,360
Speaker 1: get your publishing. Yeah, so it does make it easier

385
00:17:07,400 --> 00:17:09,720
Speaker 1: for them to possibly drop you. And that's what you wanted.

386
00:17:09,880 --> 00:17:12,280
Speaker 2: I wanted to get dropped, but it wasn't that easy.

387
00:17:12,680 --> 00:17:16,040
Speaker 2: There was like lawyers and conversations and how do I leave,

388
00:17:16,240 --> 00:17:18,480
Speaker 2: which songs can I take with me? Which it was

389
00:17:18,520 --> 00:17:20,760
Speaker 2: this long process. I remember even in the middle, I

390
00:17:20,840 --> 00:17:22,560
Speaker 2: just wanted to stay creative as an artist, that's how

391
00:17:22,600 --> 00:17:24,399
Speaker 2: we live. And I remember putting something up on a

392
00:17:24,480 --> 00:17:27,159
Speaker 2: SoundCloud this is fun just for fun covers or whatever,

393
00:17:27,640 --> 00:17:30,680
Speaker 2: and with intense the upload didn't even happen. I got

394
00:17:30,680 --> 00:17:33,520
Speaker 2: a DMC strike down this property. I remember it because

395
00:17:33,520 --> 00:17:35,439
Speaker 2: the image is painted in my face and said in

396
00:17:35,480 --> 00:17:38,679
Speaker 2: my head it said property of Universal Music Group. And

397
00:17:38,720 --> 00:17:42,320
Speaker 2: I was like, dang, I did sign that contract, Like

398
00:17:42,760 --> 00:17:44,399
Speaker 2: I don't even own me right now?

399
00:17:44,440 --> 00:17:48,240
Speaker 1: Even when you upload you saw that. Yeah, that's scary.

400
00:17:48,440 --> 00:17:50,240
Speaker 2: Yeah it was. It was a really And I got

401
00:17:50,240 --> 00:17:53,159
Speaker 2: this tattoo it says ilegitimate non carbo rundom, which it

402
00:17:53,160 --> 00:17:56,520
Speaker 2: says what illegitimate non carbo rundum, which is Latin for

403
00:17:56,840 --> 00:17:59,240
Speaker 2: fuck the system, because the system fucked me. Yeah, can

404
00:17:59,240 --> 00:18:01,800
Speaker 2: I curse on here? All right? But that's how I felt.

405
00:18:01,880 --> 00:18:04,080
Speaker 2: That was the one time and I've never understood being

406
00:18:04,080 --> 00:18:06,840
Speaker 2: Caribbean there like you're not allowed to there's a lot

407
00:18:06,840 --> 00:18:09,679
Speaker 2: of traditional things that you're not allowed to feel as

408
00:18:09,760 --> 00:18:13,720
Speaker 2: a man. And I remember growing up, I'd never understood

409
00:18:14,040 --> 00:18:16,280
Speaker 2: suicide or mental health. I'm just because this is how

410
00:18:16,320 --> 00:18:17,879
Speaker 2: I was raised with my uncles this land. I'm like,

411
00:18:18,000 --> 00:18:20,439
Speaker 2: you're good, like you got breath in your body, you're healthy,

412
00:18:20,440 --> 00:18:22,880
Speaker 2: you're good. But that was the first time I didn't

413
00:18:22,920 --> 00:18:25,040
Speaker 2: feel suicidal. But that was the one time I was like,

414
00:18:26,240 --> 00:18:30,679
Speaker 2: I understood the empathy that's required for somebody to be

415
00:18:30,680 --> 00:18:33,440
Speaker 2: put in that position, yeah, to think, yeah, I think

416
00:18:33,480 --> 00:18:37,200
Speaker 2: my faith in God I would. Luckily I've never been

417
00:18:37,200 --> 00:18:39,600
Speaker 2: there and I've never gotten that far. But for the

418
00:18:39,640 --> 00:18:41,560
Speaker 2: first time in my life, I was like, Oh, this

419
00:18:41,800 --> 00:18:46,760
Speaker 2: is the level of helplessness one can feel to just

420
00:18:46,800 --> 00:18:47,600
Speaker 2: not want to feel.

421
00:18:47,840 --> 00:18:50,600
Speaker 1: Yeah, that's a scary reality. Did you end up talking?

422
00:18:50,680 --> 00:18:52,560
Speaker 1: Are you only cooking those two little I want to

423
00:18:52,600 --> 00:18:54,200
Speaker 1: start you smashine. What are you doing?

424
00:18:54,600 --> 00:18:54,679
Speaker 2: So?

425
00:18:54,720 --> 00:18:58,399
Speaker 1: I'm just like, do you need a real fork? I

426
00:18:58,480 --> 00:19:00,800
Speaker 1: feel like I don't know if that's and smashed with it?

427
00:19:01,000 --> 00:19:02,879
Speaker 2: You know, I can use this.

428
00:19:03,040 --> 00:19:05,880
Speaker 1: Actually, I'm watching you. I'm trying to learn what you're doing.

429
00:19:06,480 --> 00:19:08,840
Speaker 1: I feel like, just so for all the listeners out there,

430
00:19:08,920 --> 00:19:12,639
Speaker 1: he's got planting cut in half. I thought he was

431
00:19:12,640 --> 00:19:18,520
Speaker 1: gonna do thin slices like the drinking stuff. Go for it, Elijah,

432
00:19:18,720 --> 00:19:23,639
Speaker 1: you are very entertaining. I don't know. Jennifer, come up

433
00:19:23,680 --> 00:19:24,160
Speaker 1: in here and cook.

434
00:19:26,000 --> 00:19:26,800
Speaker 2: I did do it wrong.

435
00:19:26,920 --> 00:19:29,240
Speaker 1: Actually, you slice it right?

436
00:19:29,359 --> 00:19:30,280
Speaker 2: Yeah, I did do it wrong.

437
00:19:30,720 --> 00:19:32,560
Speaker 1: Is the slicing? Is it the slicing?

438
00:19:32,800 --> 00:19:34,840
Speaker 2: I did do it I supposed to do this.

439
00:19:35,840 --> 00:19:37,639
Speaker 1: Oh you hear her in the back. There you go.

440
00:19:38,520 --> 00:19:42,600
Speaker 1: You're supposed to slice it? Yeah, I guys, I wish

441
00:19:42,680 --> 00:19:45,160
Speaker 1: you could watch this. Go to YouTube whatever you got

442
00:19:45,160 --> 00:19:47,600
Speaker 1: to watch this. No, I meant slice it the long way.

443
00:19:47,600 --> 00:19:53,680
Speaker 2: Is that how you guys do it? This? Yeah? Way? Yeah?

444
00:19:53,920 --> 00:19:55,320
Speaker 1: Okay, yeah, Okay.

445
00:19:55,080 --> 00:19:57,320
Speaker 2: I gotta take these ends because these ain't no good.

446
00:19:57,680 --> 00:19:59,480
Speaker 1: The ends aren't good because.

447
00:19:59,320 --> 00:20:00,439
Speaker 2: We're trying to get it shape.

448
00:20:00,840 --> 00:20:06,400
Speaker 1: Okay, yeah, now make more because I'm gonna want more

449
00:20:06,440 --> 00:20:07,359
Speaker 1: than three bites.

450
00:20:07,080 --> 00:20:09,240
Speaker 2: If it's good.

451
00:20:10,000 --> 00:20:11,800
Speaker 1: Did you call your dad when you were at these

452
00:20:11,920 --> 00:20:13,200
Speaker 1: moments of like despair?

453
00:20:13,800 --> 00:20:16,400
Speaker 2: No, I just got to the point where I can

454
00:20:16,440 --> 00:20:18,720
Speaker 2: call my dad for again.

455
00:20:18,800 --> 00:20:21,160
Speaker 1: As I was going to say, as a Caribbean man.

456
00:20:21,040 --> 00:20:23,520
Speaker 2: There's a lot of traits that I am like just

457
00:20:23,600 --> 00:20:25,719
Speaker 2: now learning to undo.

458
00:20:26,200 --> 00:20:27,520
Speaker 1: And you didn't like that one.

459
00:20:27,680 --> 00:20:29,440
Speaker 2: But I think I'm coming up with something right now.

460
00:20:29,560 --> 00:20:34,360
Speaker 1: Okay, okay, I'm I'm trust now.

461
00:20:34,480 --> 00:20:35,720
Speaker 2: My creative mind is moving.

462
00:20:37,160 --> 00:20:39,560
Speaker 1: By the way, that was like a measuring cup. The

463
00:20:39,600 --> 00:20:41,240
Speaker 1: bowl was supposed to be that. But I don't know

464
00:20:41,240 --> 00:20:42,280
Speaker 1: if you needed the bowl.

465
00:20:42,600 --> 00:20:46,240
Speaker 2: No, we don't need it. I'm gonna be Elijah's.

466
00:20:47,160 --> 00:20:50,119
Speaker 1: I'm watching it learning, I'm gonna enjoy every bit of this.

467
00:20:52,240 --> 00:20:55,200
Speaker 1: So you so the whole time you can't call him?

468
00:20:55,280 --> 00:20:56,320
Speaker 1: Can you call your mom?

469
00:20:56,600 --> 00:20:58,840
Speaker 2: No? I used to really just go through things on

470
00:20:58,880 --> 00:21:01,399
Speaker 2: my own, okay, which is very unhealthy, but I was

471
00:21:01,560 --> 00:21:02,760
Speaker 2: actually did okay with it?

472
00:21:02,800 --> 00:21:05,080
Speaker 1: Is it because you like song wrote too? Did that help?

473
00:21:05,160 --> 00:21:07,240
Speaker 2: Yeah? That was like my therapy. So that's the only

474
00:21:07,280 --> 00:21:10,280
Speaker 2: place I feel safe to really tell people or invite

475
00:21:10,280 --> 00:21:12,840
Speaker 2: people in what I'm going through. I've just always been taught.

476
00:21:12,880 --> 00:21:15,480
Speaker 2: And my mom was like that, like she just got

477
00:21:15,680 --> 00:21:18,200
Speaker 2: shit done, didn't she Never I've never heard her complain.

478
00:21:18,280 --> 00:21:20,880
Speaker 2: I've never She's literally like the closest thing I've seen

479
00:21:20,880 --> 00:21:24,280
Speaker 2: to Superwoman. Four kids, three jobs, and we never felt

480
00:21:24,520 --> 00:21:24,919
Speaker 2: a lot of.

481
00:21:25,000 --> 00:21:26,920
Speaker 1: Kids and three jobs. What'd your dad do for work?

482
00:21:27,240 --> 00:21:28,280
Speaker 1: So were they together?

483
00:21:28,520 --> 00:21:30,680
Speaker 2: So here's the thing. So when I speak about my dad,

484
00:21:30,800 --> 00:21:33,679
Speaker 2: I don't like using step father or so I'm not

485
00:21:33,680 --> 00:21:36,040
Speaker 2: speaking about my biological father who taught me how to

486
00:21:36,080 --> 00:21:39,399
Speaker 2: sing and do music. Me and my biological father are

487
00:21:39,560 --> 00:21:40,720
Speaker 2: on the best term, is.

488
00:21:40,640 --> 00:21:42,600
Speaker 1: That the biological that did the be on my account?

489
00:21:42,640 --> 00:21:46,040
Speaker 2: No, yeah, me and me and my biological havn't father,

490
00:21:46,080 --> 00:21:49,639
Speaker 2: haven't really been close since like elementary school for a

491
00:21:49,720 --> 00:21:51,600
Speaker 2: multi not because he didn't try. I will always say

492
00:21:51,720 --> 00:21:54,960
Speaker 2: he wasn't one of the fathers that like didn't try

493
00:21:55,040 --> 00:21:58,600
Speaker 2: to be in my life. I maybe didn't try hard enough,

494
00:21:58,840 --> 00:22:01,560
Speaker 2: but he tried. But once I feel like my father,

495
00:22:02,600 --> 00:22:04,760
Speaker 2: who God gave to me, I never had to ask

496
00:22:04,840 --> 00:22:07,119
Speaker 2: him to be a father. He was always that in

497
00:22:07,480 --> 00:22:11,160
Speaker 2: some and to me that was enough. And my biological

498
00:22:11,160 --> 00:22:13,159
Speaker 2: father always had this rule that if I ever called it,

499
00:22:13,320 --> 00:22:15,040
Speaker 2: the only way I could disappoint it is by calling

500
00:22:15,080 --> 00:22:17,840
Speaker 2: another man father. And in my mind, you shouldn't have

501
00:22:17,920 --> 00:22:21,280
Speaker 2: left room for that to happen. Damn. You know.

502
00:22:22,920 --> 00:22:24,480
Speaker 1: You want to know something that's facts.

503
00:22:24,520 --> 00:22:27,240
Speaker 2: You feel me damn, And it's just like, how dare

504
00:22:27,280 --> 00:22:31,600
Speaker 2: you feel like demand something that you haven't really earned.

505
00:22:31,880 --> 00:22:34,080
Speaker 1: You're both fathers to Haitian No.

506
00:22:34,040 --> 00:22:38,399
Speaker 2: So my my father who has been really the focal

507
00:22:38,400 --> 00:22:41,280
Speaker 2: point of my life. He's trinidaddy in so both Caribbeans,

508
00:22:41,640 --> 00:22:45,440
Speaker 2: but two different sides. In Haitian culture, I will say

509
00:22:45,440 --> 00:22:49,320
Speaker 2: we can be toxic, and there's just in it. We're

510
00:22:49,400 --> 00:22:52,360
Speaker 2: so traditional that it can be toxic. And now I'm

511
00:22:52,400 --> 00:22:54,360
Speaker 2: not saying in a harmful way, I'm just saying that

512
00:22:54,920 --> 00:22:56,639
Speaker 2: I think a lot of my habits from not allowing

513
00:22:56,680 --> 00:22:59,800
Speaker 2: myself to feel, not being this open with my emotions.

514
00:22:59,840 --> 00:23:03,040
Speaker 2: Not that's a very common thing in Haitian culture. Just

515
00:23:03,040 --> 00:23:06,360
Speaker 2: figure it out. Gets But they're warriors. And yeah, whereas

516
00:23:06,440 --> 00:23:11,520
Speaker 2: my as David, he's I can communicate with him. He's

517
00:23:11,640 --> 00:23:16,760
Speaker 2: more compassionate, understanding, patient with me. And I'm just throughout

518
00:23:16,800 --> 00:23:19,480
Speaker 2: life I've strived to just be more like that. I

519
00:23:19,520 --> 00:23:22,840
Speaker 2: found that gets more things done. I'm more proud of that.

520
00:23:23,119 --> 00:23:28,200
Speaker 2: I've learned better through calm teachings and calm representation.

521
00:23:28,920 --> 00:23:32,560
Speaker 1: With your mom working all these jobs, with her remarrying,

522
00:23:32,920 --> 00:23:34,120
Speaker 1: I would assume she remarried.

523
00:23:34,280 --> 00:23:39,000
Speaker 2: No, she didn't. Actually, I feel like God only brought

524
00:23:39,320 --> 00:23:43,280
Speaker 2: him together for what he was going to mean to

525
00:23:43,880 --> 00:23:46,280
Speaker 2: her kids. I don't think that.

526
00:23:46,240 --> 00:23:48,959
Speaker 1: They really but they're not together anymore.

527
00:23:49,440 --> 00:23:51,000
Speaker 2: But you think they were ever meant to be together?

528
00:23:51,640 --> 00:23:53,200
Speaker 2: Oh yeah, if that makes any sense.

529
00:23:53,600 --> 00:23:55,480
Speaker 1: So he was in your guy's lives for how long?

530
00:23:55,520 --> 00:23:57,639
Speaker 2: Then he's still in our life. He came in and

531
00:23:57,680 --> 00:23:59,359
Speaker 2: he never left our life. We called him father and

532
00:23:59,400 --> 00:24:01,719
Speaker 2: we met that check on him. I tell him happy Birthday,

533
00:24:02,200 --> 00:24:03,840
Speaker 2: like I talked to him every He's my father.

534
00:24:05,119 --> 00:24:07,640
Speaker 1: I love that, but they split? Yeah, how long ago

535
00:24:07,760 --> 00:24:08,320
Speaker 1: did they split?

536
00:24:08,600 --> 00:24:11,120
Speaker 2: They haven't spoken since since right before my do happen?

537
00:24:11,440 --> 00:24:13,600
Speaker 2: So since I wouldn't even go as far as to

538
00:24:13,640 --> 00:24:18,520
Speaker 2: be like that, they were like ever, like really there

539
00:24:18,600 --> 00:24:22,160
Speaker 2: was a moment where I was like, Okay, this could

540
00:24:22,160 --> 00:24:27,440
Speaker 2: be something, but literally we got along better with him.

541
00:24:28,440 --> 00:24:30,680
Speaker 1: I guess we're I'm confused. I've met people that had

542
00:24:30,720 --> 00:24:33,359
Speaker 1: like great stepfathers and then like when the parents split,

543
00:24:33,440 --> 00:24:35,840
Speaker 1: they feel like they have to choose to stay by

544
00:24:35,880 --> 00:24:36,520
Speaker 1: their mind.

545
00:24:36,560 --> 00:24:39,280
Speaker 2: I've always felt that way, but not it was just

546
00:24:39,560 --> 00:24:40,920
Speaker 2: it was a completely.

547
00:24:40,560 --> 00:24:42,360
Speaker 1: Did you guys say something to like, hey, she.

548
00:24:42,400 --> 00:24:44,720
Speaker 2: Loves him the same way too, but you just said

549
00:24:44,760 --> 00:24:46,760
Speaker 2: that you know what I'm saying. She loves him for us,

550
00:24:47,280 --> 00:24:50,760
Speaker 2: She literally like loves our relationship. Yeah, she's not like

551
00:24:50,800 --> 00:24:53,040
Speaker 2: that at all, like with him. It's because again it's

552
00:24:53,080 --> 00:24:57,480
Speaker 2: not I think growing up you only believe that relationships

553
00:24:57,560 --> 00:25:01,879
Speaker 2: ending like animosity. Yeah, but some it's just I'm not

554
00:25:01,880 --> 00:25:03,520
Speaker 2: feeling you like that, you know what I mean. But

555
00:25:03,520 --> 00:25:07,160
Speaker 2: it's this game, like how could she be mad at him?

556
00:25:07,400 --> 00:25:09,320
Speaker 2: Everything I've become because of what this man.

557
00:25:09,320 --> 00:25:13,520
Speaker 1: Taught me, her children, and what is it unconditionally.

558
00:25:13,560 --> 00:25:15,840
Speaker 2: That's all she's ever wanted for us. We are her world.

559
00:25:15,880 --> 00:25:19,560
Speaker 2: And I literally think that so much load was lifted

560
00:25:19,600 --> 00:25:22,760
Speaker 2: off of her because she was doing everything on her

561
00:25:22,800 --> 00:25:24,920
Speaker 2: own and she never had to ask. I'm telling you,

562
00:25:25,040 --> 00:25:27,840
Speaker 2: like my father, he doesn't. He's not somebody you had

563
00:25:27,880 --> 00:25:31,040
Speaker 2: to ask for anything. He's just there. And for me,

564
00:25:31,200 --> 00:25:34,000
Speaker 2: that is what I want to mean to people, like

565
00:25:34,080 --> 00:25:36,720
Speaker 2: what I want to mean to my kids one day,

566
00:25:36,720 --> 00:25:38,119
Speaker 2: Like I don't want them to ever feel like they

567
00:25:38,160 --> 00:25:39,560
Speaker 2: have to ask me, because I feel like with my

568
00:25:39,600 --> 00:25:41,760
Speaker 2: biological father, there are certain things I would never discuss

569
00:25:41,800 --> 00:25:44,560
Speaker 2: with him because he would probably not even understand it,

570
00:25:44,720 --> 00:25:46,600
Speaker 2: or as somebody was coming to me like saying, hey,

571
00:25:46,640 --> 00:25:48,280
Speaker 2: I understand what you're going through and I don't even

572
00:25:48,320 --> 00:25:51,520
Speaker 2: community I haven't even communicated it yet. That's a deeper

573
00:25:51,600 --> 00:25:52,439
Speaker 2: kind of love to me.

574
00:25:52,920 --> 00:25:56,000
Speaker 1: Is he like doing more of the checking into type all.

575
00:25:55,880 --> 00:25:58,440
Speaker 2: The time, all the time. He watches over he handles

576
00:25:58,480 --> 00:26:01,640
Speaker 2: all my Spotify accounts, he handles all my music accounts

577
00:26:01,680 --> 00:26:04,199
Speaker 2: and everything like that. He watches my social numbers and

578
00:26:04,240 --> 00:26:06,760
Speaker 2: be like, son, you should post more. Yeah, like he

579
00:26:06,880 --> 00:26:09,440
Speaker 2: really it's a deeper kind of love, And for me,

580
00:26:10,040 --> 00:26:12,200
Speaker 2: that is who I feel God put on this earth

581
00:26:12,280 --> 00:26:15,480
Speaker 2: to train me up to be a that is a father.

582
00:26:15,720 --> 00:26:15,920
Speaker 1: Yeah.

583
00:26:15,960 --> 00:26:18,680
Speaker 2: Yeah, there's a difference between I believe a biological dad

584
00:26:18,720 --> 00:26:19,760
Speaker 2: and a father figure.

585
00:26:19,960 --> 00:26:20,480
Speaker 1: Yeah yeah.

586
00:26:20,520 --> 00:26:24,080
Speaker 2: And to me, blood couldn't make him more of my father.

587
00:26:24,520 --> 00:26:25,040
Speaker 1: Yeah.

588
00:26:25,480 --> 00:26:27,840
Speaker 2: I've never really spoken about it like at length like this.

589
00:26:27,880 --> 00:26:32,040
Speaker 1: So it's beautiful. I've never even seen it at length.

590
00:26:32,119 --> 00:26:34,800
Speaker 1: But your mom was still hustling multiple jobs while raising

591
00:26:34,840 --> 00:26:37,560
Speaker 1: you said, three four kids, four kids.

592
00:26:37,640 --> 00:26:40,639
Speaker 2: Yeah, and I've never felt her be absent. So weird.

593
00:26:40,680 --> 00:26:43,080
Speaker 2: And I'm like, I'll hear people talk about they have

594
00:26:43,200 --> 00:26:44,720
Speaker 2: three jobs and they came in as a.

595
00:26:44,640 --> 00:26:48,040
Speaker 1: Single Oh yeah, no, trust me. I have a neighbor

596
00:26:48,440 --> 00:26:51,280
Speaker 1: who grew up with a single parent, a single mom,

597
00:26:51,320 --> 00:26:53,040
Speaker 1: and she said that she never saw her mom. So

598
00:26:53,080 --> 00:26:55,600
Speaker 1: her goal was like, yeah, I'm a single parent, but

599
00:26:55,920 --> 00:26:57,879
Speaker 1: my kids are gonna see me.

600
00:26:58,280 --> 00:26:58,480
Speaker 2: Yeah.

601
00:26:58,520 --> 00:27:00,240
Speaker 1: You know what I'm saying, I'm gonna make it. I'm

602
00:27:00,240 --> 00:27:02,800
Speaker 1: gonna make it work somehow. But you're saying your mom

603
00:27:02,800 --> 00:27:05,840
Speaker 1: didn't miss it be even with all those jobs, because

604
00:27:05,840 --> 00:27:10,199
Speaker 1: she's a truth. You said she's Dominican, Dominican true. I

605
00:27:10,200 --> 00:27:12,639
Speaker 1: don't say Jamaican's we always got a hundred jobs.

606
00:27:12,720 --> 00:27:18,400
Speaker 2: Yeah, what I'm saying, it's culture. Yeah, and she never complained,

607
00:27:18,440 --> 00:27:21,840
Speaker 2: And I feel so bad for her because I'm just like, dang, like,

608
00:27:22,840 --> 00:27:25,680
Speaker 2: I never heard her complain. So maybe that's probably contributed

609
00:27:25,720 --> 00:27:27,600
Speaker 2: to why I don't ask for help. Yeah, because I've

610
00:27:27,640 --> 00:27:29,920
Speaker 2: watched this woman never ask for help, have all these

611
00:27:30,000 --> 00:27:31,240
Speaker 2: jobs and she's never.

612
00:27:31,320 --> 00:27:32,720
Speaker 1: And you never seen her cry or nothing.

613
00:27:32,920 --> 00:27:35,439
Speaker 2: Never. If I see my mom cry, my head might

614
00:27:35,440 --> 00:27:38,760
Speaker 2: explode because I just can't comprehend. My heart would break.

615
00:27:39,000 --> 00:27:40,160
Speaker 2: I've never seen her cry.

616
00:27:40,280 --> 00:27:44,119
Speaker 1: Yeah. Do you think that's a good thing? Though? Do

617
00:27:44,240 --> 00:27:48,239
Speaker 1: you look at women like differently because she's held this

618
00:27:48,320 --> 00:27:49,440
Speaker 1: bar of like strength.

619
00:27:50,320 --> 00:27:52,480
Speaker 2: I have to say yeah, I have to say yeah.

620
00:27:52,640 --> 00:27:55,000
Speaker 2: I just think that there's a new there's a new

621
00:27:55,040 --> 00:27:59,960
Speaker 2: normal that's not normal for me because of I was

622
00:28:00,080 --> 00:28:02,920
Speaker 2: raised very traditional. Again, it took my mom a long

623
00:28:03,000 --> 00:28:06,239
Speaker 2: time to assimilate. She's still simulating to American culture. So

624
00:28:06,280 --> 00:28:08,159
Speaker 2: now when I see like women be like, oh, is

625
00:28:08,160 --> 00:28:09,920
Speaker 2: this nigga gonna pay for my hair? Is gonna pay

626
00:28:09,920 --> 00:28:12,160
Speaker 2: for my nails? Done? Is this nigga gonna pay? I'm

627
00:28:12,160 --> 00:28:15,480
Speaker 2: not knocking it. I'm just not from I just can't

628
00:28:15,520 --> 00:28:17,520
Speaker 2: come because even if a man was to try to

629
00:28:17,520 --> 00:28:19,640
Speaker 2: do that for my mother. She wouldn't accept it. Yeah, yeah,

630
00:28:20,040 --> 00:28:21,360
Speaker 2: I just don't understand it.

631
00:28:21,520 --> 00:28:24,120
Speaker 1: I was talking more of the like the I feel

632
00:28:24,200 --> 00:28:26,840
Speaker 1: like the women not hating on women both. If you

633
00:28:26,880 --> 00:28:30,360
Speaker 1: came across a woman that was more like easily frustrated,

634
00:28:30,400 --> 00:28:33,560
Speaker 1: complaining a lot, and all of that, do you feel

635
00:28:33,560 --> 00:28:38,080
Speaker 1: like it would throw you a little bit? No, because

636
00:28:38,080 --> 00:28:39,640
Speaker 1: you'd be like, man, my mom did this and she

637
00:28:39,640 --> 00:28:40,360
Speaker 1: didn't even blink.

638
00:28:40,880 --> 00:28:44,320
Speaker 2: Yeah, but I also understand at the same time, like

639
00:28:44,400 --> 00:28:47,200
Speaker 2: I that doesn't bother me as much, just because I

640
00:28:47,200 --> 00:28:48,520
Speaker 2: have friends that are.

641
00:28:48,920 --> 00:28:51,680
Speaker 1: Those look official. I'm getting those look official.

642
00:28:51,720 --> 00:28:52,360
Speaker 2: I'm very proud.

643
00:28:52,480 --> 00:28:54,040
Speaker 1: I am personally.

644
00:28:56,080 --> 00:29:00,680
Speaker 2: Of you right now and that was good too.

645
00:29:01,000 --> 00:29:03,920
Speaker 1: Smell gup, but they look at you're almost burning them. Yeah,

646
00:29:04,360 --> 00:29:06,239
Speaker 1: but you want to know something, I'm very proud of you.

647
00:29:06,360 --> 00:29:09,840
Speaker 1: I know this sounds crazy, but like I was concerned,

648
00:29:09,920 --> 00:29:11,360
Speaker 1: especially when that I know.

649
00:29:11,360 --> 00:29:14,320
Speaker 2: You was because I saw you looking like when.

650
00:29:14,200 --> 00:29:17,200
Speaker 1: It popped and you ran. I was like, oh, yeah.

651
00:29:16,840 --> 00:29:18,920
Speaker 2: But this is actually like how I like mine a

652
00:29:18,960 --> 00:29:20,320
Speaker 2: little well done.

653
00:29:20,360 --> 00:29:23,240
Speaker 1: When you're writing songs for like Justin Bieber and Beyonce

654
00:29:23,520 --> 00:29:25,680
Speaker 1: and all these guys, what's the thought process of like

655
00:29:25,720 --> 00:29:27,760
Speaker 1: where you came from to where you are now? Did

656
00:29:27,760 --> 00:29:29,160
Speaker 1: you ever have an aha moment?

657
00:29:30,040 --> 00:29:33,680
Speaker 2: Yeah with my mom because again, because she made all

658
00:29:33,680 --> 00:29:36,200
Speaker 2: these sacrifices, there was a lot of pressure to, like

659
00:29:36,240 --> 00:29:39,640
Speaker 2: I said, become a doctor, lawyer or or engineer or

660
00:29:39,680 --> 00:29:40,440
Speaker 2: I failed, and there.

661
00:29:40,360 --> 00:29:41,120
Speaker 1: Was to be something.

662
00:29:41,200 --> 00:29:42,360
Speaker 2: Yeah. There was one time she was like, are you

663
00:29:42,400 --> 00:29:44,080
Speaker 2: going to come back and just go to college because

664
00:29:44,840 --> 00:29:46,720
Speaker 2: I don't want the church laughing at me, like she's

665
00:29:46,840 --> 00:29:48,680
Speaker 2: really big in the church like that. And she was like,

666
00:29:48,920 --> 00:29:50,880
Speaker 2: I'm sure she went to church and was like they're

667
00:29:50,880 --> 00:29:53,680
Speaker 2: like where's Elijah? Or my nickname was Red, so there's

668
00:29:53,680 --> 00:29:55,200
Speaker 2: like where's Red and she's, oh, he's doing music. And

669
00:29:55,240 --> 00:29:58,800
Speaker 2: I'm sure there were like snickers. But when I paid

670
00:29:58,800 --> 00:29:59,840
Speaker 2: her mortgage.

671
00:29:59,400 --> 00:30:01,120
Speaker 1: Off, y'all, I was gonna say, but you're making a

672
00:30:01,120 --> 00:30:03,240
Speaker 1: lot of money and you said at that nineteen did

673
00:30:03,280 --> 00:30:04,960
Speaker 1: you ever send money back? Hey, surprise.

674
00:30:05,040 --> 00:30:08,040
Speaker 2: First thing I did was pay off her mortgage at.

675
00:30:07,920 --> 00:30:11,280
Speaker 1: The young teenage. At seventeen, I paid off her mortgage

676
00:30:11,560 --> 00:30:13,280
Speaker 1: and she still asked, though, if you went to college.

677
00:30:13,400 --> 00:30:16,280
Speaker 2: No, That's when she stopped asking no. So the like

678
00:30:16,320 --> 00:30:19,320
Speaker 2: I was saying, right when I went to Atlanta, and

679
00:30:19,440 --> 00:30:21,360
Speaker 2: things were starting to happen. It was like, are you

680
00:30:21,360 --> 00:30:24,200
Speaker 2: going to come back? Come on, I'm like this music

681
00:30:24,280 --> 00:30:26,360
Speaker 2: stuff like that, it's not a real thing. Come back,

682
00:30:26,440 --> 00:30:27,720
Speaker 2: go to college and do it the right way. But

683
00:30:27,720 --> 00:30:29,080
Speaker 2: when I paid her mortgage and she was like, oh

684
00:30:29,080 --> 00:30:33,320
Speaker 2: wait a minute now, like he said yeah, So she

685
00:30:33,320 --> 00:30:34,920
Speaker 2: couldn't wait to go to her friends and be like,

686
00:30:34,960 --> 00:30:36,480
Speaker 2: my son like paid off my mortgage.

687
00:30:36,800 --> 00:30:41,800
Speaker 1: Yeah, he sings yeah. So then when you do songs

688
00:30:41,840 --> 00:30:44,120
Speaker 1: for Beyonce and Justin Bieber, how is her response?

689
00:30:44,160 --> 00:30:46,880
Speaker 2: Then she can't believe it. But what really blew her

690
00:30:46,920 --> 00:30:50,440
Speaker 2: mind was there was I did my first headlining tour

691
00:30:50,520 --> 00:30:52,120
Speaker 2: two years ago. It was just by myself in an

692
00:30:52,160 --> 00:30:55,320
Speaker 2: opening acts, and my sisters surprised her and flew her

693
00:30:55,320 --> 00:30:58,920
Speaker 2: to Atlanta. So imagine a woman from the Caribbean Islands,

694
00:30:58,960 --> 00:30:59,480
Speaker 2: where there's.

695
00:30:59,360 --> 00:31:01,480
Speaker 1: Wait, she's currently where she currently.

696
00:31:01,440 --> 00:31:05,200
Speaker 2: Lives in Florida, but her whole adult majority of her

697
00:31:05,240 --> 00:31:08,040
Speaker 2: adult life was in the Caribbean. So coming where there's

698
00:31:08,080 --> 00:31:09,840
Speaker 2: power on one side of the island and power on

699
00:31:09,840 --> 00:31:12,720
Speaker 2: the other side of the island, half today and coming

700
00:31:12,760 --> 00:31:17,240
Speaker 2: to Atlanta, getting flown to Atlanta, flew out and pulling

701
00:31:17,320 --> 00:31:20,600
Speaker 2: up to a venue and seeing your son's name sold

702
00:31:20,600 --> 00:31:23,680
Speaker 2: out concert, seeing your son's name in and seeing hundreds

703
00:31:23,680 --> 00:31:25,600
Speaker 2: of people singing law to his songs. So when she

704
00:31:25,680 --> 00:31:28,120
Speaker 2: got backstage, I still get emotional to telling. So she's like,

705
00:31:28,120 --> 00:31:30,800
Speaker 2: I can't believe like you came from me. It just

706
00:31:30,840 --> 00:31:32,840
Speaker 2: blew her mind. That was so I don't think it

707
00:31:32,880 --> 00:31:35,280
Speaker 2: was real for her. So she saw that. Yeah, I

708
00:31:35,280 --> 00:31:37,360
Speaker 2: think Prior is like, all my son's getting money, he's

709
00:31:37,360 --> 00:31:39,760
Speaker 2: writing for Usher, And she's gonna see this because now

710
00:31:39,800 --> 00:31:42,000
Speaker 2: she follows me on TikTok, which stresses me out.

711
00:31:42,360 --> 00:31:45,040
Speaker 1: But you monitor the content knowing that she she's going

712
00:31:45,120 --> 00:31:45,920
Speaker 1: to see it possible.

713
00:31:46,600 --> 00:31:48,680
Speaker 2: Not no more. My mama knows I'm crazy. I was

714
00:31:48,760 --> 00:31:50,800
Speaker 2: like a problem child growing up.

715
00:31:51,080 --> 00:31:51,520
Speaker 1: I like that.

716
00:31:51,800 --> 00:31:57,040
Speaker 2: Yeah, she knows I'm crazy. But and it looks like

717
00:31:57,120 --> 00:32:01,120
Speaker 2: and I squish it in enough time, you caush it. Yeah,

718
00:32:01,160 --> 00:32:03,520
Speaker 2: that's when it comes what it's supposed to.

719
00:32:03,720 --> 00:32:05,120
Speaker 1: And then you're gonna put the sauces and on.

720
00:32:05,240 --> 00:32:06,120
Speaker 2: I should make some more.

721
00:32:10,200 --> 00:32:12,480
Speaker 1: The only thing that I'm sad about, Elijah is that

722
00:32:12,560 --> 00:32:13,720
Speaker 1: your time is so tight.

723
00:32:14,040 --> 00:32:14,960
Speaker 2: What time is it now?

724
00:32:15,240 --> 00:32:18,320
Speaker 1: I'm watching it. We got like probably fifteen more minutes. Now,

725
00:32:18,400 --> 00:32:22,200
Speaker 1: we got time, not to capture the whole rest. I

726
00:32:22,200 --> 00:32:25,800
Speaker 1: still want to talk about the deluxe album, Elijah, Yeah,

727
00:32:26,120 --> 00:32:28,760
Speaker 1: I still want to. I guess since we're so clite,

728
00:32:29,320 --> 00:32:31,840
Speaker 1: like tight on time, we can jump to it. But

729
00:32:31,960 --> 00:32:33,880
Speaker 1: I just I want to know. How did it make

730
00:32:33,920 --> 00:32:36,040
Speaker 1: you feel to hear your mom say that to you?

731
00:32:36,080 --> 00:32:40,560
Speaker 2: Though? That was when it was real for me. I

732
00:32:40,600 --> 00:32:44,440
Speaker 2: think that I understood why she said that, because this

733
00:32:44,520 --> 00:32:47,240
Speaker 2: is beyond her wildest dream, like your son are like

734
00:32:47,280 --> 00:32:49,920
Speaker 2: overcoming the odds and making music for the world, and

735
00:32:50,080 --> 00:32:53,800
Speaker 2: you at one point not even knowing if you'd be

736
00:32:53,840 --> 00:32:56,680
Speaker 2: able to see the world. Just insane for her, But

737
00:32:57,240 --> 00:33:01,000
Speaker 2: that motivated, that put a deeper firing, like now, none

738
00:33:01,040 --> 00:33:03,120
Speaker 2: of that shit like that. I thought, mint stuff, don't

739
00:33:03,160 --> 00:33:05,040
Speaker 2: need nothing, and I got her arranged over after that.

740
00:33:05,120 --> 00:33:07,280
Speaker 2: She didn't want it, she wanted it. She made me

741
00:33:07,280 --> 00:33:09,000
Speaker 2: get it for her, and then she said it was

742
00:33:09,040 --> 00:33:11,840
Speaker 2: a gas girler. She's like, take it back, are you serious? Yes?

743
00:33:12,640 --> 00:33:13,600
Speaker 2: Now she got a Tesla.

744
00:33:14,360 --> 00:33:18,080
Speaker 1: That's cute. You does your siblings? Do you get like

745
00:33:18,240 --> 00:33:20,480
Speaker 1: love from your siblings or do you ever get I

746
00:33:20,520 --> 00:33:22,760
Speaker 1: don't know if you ever even would ever admit to this,

747
00:33:22,840 --> 00:33:24,680
Speaker 1: but I know what it's like. To have siblings, but

748
00:33:25,240 --> 00:33:27,920
Speaker 1: is it all love or is there jealousy or is

749
00:33:27,960 --> 00:33:30,680
Speaker 1: there no me and my sisters are really oh you're

750
00:33:30,680 --> 00:33:31,320
Speaker 1: the only boy.

751
00:33:31,520 --> 00:33:34,280
Speaker 2: No, my little brother. He's like way younger than us.

752
00:33:34,880 --> 00:33:37,120
Speaker 2: But so I think I used to worry about him

753
00:33:37,640 --> 00:33:39,960
Speaker 2: just because he was so far like down in age

754
00:33:39,960 --> 00:33:41,920
Speaker 2: from us that I felt like he was trying to

755
00:33:41,920 --> 00:33:44,560
Speaker 2: find him. Since struggling with that and also feeling like

756
00:33:44,600 --> 00:33:48,040
Speaker 2: we he found space where he belonged in our crew,

757
00:33:48,200 --> 00:33:51,440
Speaker 2: just because how big is the age? Can you like

758
00:33:51,480 --> 00:33:52,360
Speaker 2: at least ten years?

759
00:33:52,440 --> 00:33:55,560
Speaker 1: Oh, that's a big age forever he will be your

760
00:33:55,600 --> 00:33:57,640
Speaker 1: baby brother exactly. It's like he could be forty and

761
00:33:57,640 --> 00:33:59,040
Speaker 1: you'd be like, that's the baby brother.

762
00:33:59,400 --> 00:34:04,160
Speaker 2: But we've connected on a level that I never could

763
00:34:04,200 --> 00:34:09,160
Speaker 2: have understood. He's so far, like more mature than I was,

764
00:34:09,360 --> 00:34:11,120
Speaker 2: And I'm just I'm so proud of like the man

765
00:34:11,200 --> 00:34:13,920
Speaker 2: he's becoming, and our friendship there is really becoming a

766
00:34:13,920 --> 00:34:17,000
Speaker 2: friendship and not a brotherhood. But I used to make

767
00:34:17,040 --> 00:34:18,799
Speaker 2: a mental note of my head, I gotta work on that.

768
00:34:19,480 --> 00:34:23,040
Speaker 2: I gotta work on nurturing my relationship with him and

769
00:34:23,160 --> 00:34:25,680
Speaker 2: overcoming that age guy. Ye, And so now we're really

770
00:34:25,719 --> 00:34:27,640
Speaker 2: close to me and my sisters like watch the same shows.

771
00:34:27,680 --> 00:34:31,040
Speaker 2: Growing up. We literally were like in separal like triplets.

772
00:34:31,120 --> 00:34:31,279
Speaker 1: Right.

773
00:34:31,400 --> 00:34:34,239
Speaker 2: Yeah, So when I see siblings don't get along, that's

774
00:34:34,239 --> 00:34:36,120
Speaker 2: another thing I don't understand because my mother and her

775
00:34:36,200 --> 00:34:38,799
Speaker 2: siblings weren't always on the best terms. So she was

776
00:34:38,960 --> 00:34:40,799
Speaker 2: very adamant on y'all are all each other half.

777
00:34:41,920 --> 00:34:44,360
Speaker 1: I feel like that's a Caribbean type mentality. But I

778
00:34:44,360 --> 00:34:46,319
Speaker 1: do see what you're saying, because my mom and her

779
00:34:46,320 --> 00:34:49,040
Speaker 1: siblings are the same way, don't really mess with each other.

780
00:34:49,160 --> 00:34:51,240
Speaker 1: She grew into us like the year all you guys

781
00:34:51,280 --> 00:34:54,239
Speaker 1: have you better not fighting public. Don't let nobody come

782
00:34:54,280 --> 00:34:56,839
Speaker 1: between y'all. You put a lot of soul.

783
00:34:58,200 --> 00:34:58,799
Speaker 3: You gotta do it.

784
00:34:59,160 --> 00:34:59,759
Speaker 2: You feel me.

785
00:35:00,160 --> 00:35:03,879
Speaker 1: Excited, And I love that you made sure to make

786
00:35:03,920 --> 00:35:06,239
Speaker 1: that come around with your brother too, because I also

787
00:35:06,360 --> 00:35:09,440
Speaker 1: understand like that little age separation where you're not close

788
00:35:09,480 --> 00:35:11,480
Speaker 1: for a little bit and then boom they turned into

789
00:35:11,520 --> 00:35:13,640
Speaker 1: adults and all of a sudden, you have relatabilities.

790
00:35:13,719 --> 00:35:16,919
Speaker 2: Yeah exactly, but he was my fan first. It took

791
00:35:16,960 --> 00:35:21,359
Speaker 2: my sisters a while if they appreciated it. I didn't

792
00:35:21,400 --> 00:35:24,200
Speaker 2: know to, but I did used to feel away because

793
00:35:24,200 --> 00:35:27,440
Speaker 2: I'm just like Damn. I'm like supporting them and putting them,

794
00:35:27,440 --> 00:35:29,560
Speaker 2: helping putting them through college. And there was a point

795
00:35:29,600 --> 00:35:31,319
Speaker 2: where I was like, damn with y'all even know, because

796
00:35:31,320 --> 00:35:33,239
Speaker 2: the industry was whooping my ass and I'm just like, damn,

797
00:35:33,280 --> 00:35:35,000
Speaker 2: but y'all even know, like y'all brother is actually like

798
00:35:35,400 --> 00:35:38,720
Speaker 2: in the studio with Beyonce or with Usher and stuff

799
00:35:38,760 --> 00:35:41,440
Speaker 2: like that. Because they we were talking, nobody would mention it.

800
00:35:41,719 --> 00:35:43,520
Speaker 2: And I guess that was mainly ego.

801
00:35:44,280 --> 00:35:46,759
Speaker 1: You go on whose side though it can't you can't

802
00:35:46,800 --> 00:35:49,200
Speaker 1: say it was respectfully. I don't think you could say

803
00:35:49,200 --> 00:35:51,640
Speaker 1: it's ego on your side because everybody who has a

804
00:35:51,680 --> 00:35:53,719
Speaker 1: siblings will be like, yo, are you gonna acknowledge it?

805
00:35:53,960 --> 00:35:55,719
Speaker 2: Yeah? Yeah, you know what I mean. And it was

806
00:35:55,800 --> 00:35:57,560
Speaker 2: like and a lot of times when they would tell

807
00:35:57,600 --> 00:36:00,359
Speaker 2: me it was I was going through a lot alone. Yeah,

808
00:36:00,480 --> 00:36:03,680
Speaker 2: And I think I was expecting, because of the relationship

809
00:36:03,680 --> 00:36:06,920
Speaker 2: we had as kids, them to be but I think

810
00:36:06,960 --> 00:36:08,720
Speaker 2: they just were going through their own They were in college,

811
00:36:09,239 --> 00:36:10,520
Speaker 2: you know what I mean, and they were trying to

812
00:36:10,560 --> 00:36:14,319
Speaker 2: figure it out. But once that they can, no one

813
00:36:14,320 --> 00:36:16,400
Speaker 2: in their mind is bigger than It's like me than

814
00:36:16,440 --> 00:36:19,400
Speaker 2: Michael Jackson so once we talked about it, I just

815
00:36:19,440 --> 00:36:21,280
Speaker 2: think that they were going through their own stuff.

816
00:36:21,320 --> 00:36:23,120
Speaker 1: Did they Did you ever get a chance to express

817
00:36:23,160 --> 00:36:24,120
Speaker 1: that kind of window to.

818
00:36:24,080 --> 00:36:27,400
Speaker 2: Them or they I was feeling it. I never expressed it,

819
00:36:27,440 --> 00:36:30,200
Speaker 2: but which I appreciate because now I know how they

820
00:36:30,880 --> 00:36:34,239
Speaker 2: view me as authentic because they just celebrate me in

821
00:36:34,280 --> 00:36:38,160
Speaker 2: that way and they're super supportive because again I was

822
00:36:38,200 --> 00:36:40,680
Speaker 2: going through things with death, cham going through things with

823
00:36:40,680 --> 00:36:42,719
Speaker 2: my publishing company, going through things with artists still in

824
00:36:42,719 --> 00:36:45,760
Speaker 2: my publishing stealing my money, but then also like showing

825
00:36:45,840 --> 00:36:48,960
Speaker 2: up for my family Jesus financially. So sometimes I'm just

826
00:36:49,360 --> 00:36:51,200
Speaker 2: in the movie set it off when Jada Pinkett gives

827
00:36:51,200 --> 00:36:52,759
Speaker 2: them money to and she said, you know what how

828
00:36:52,800 --> 00:36:55,160
Speaker 2: to do with that money? And I'm just kind of

829
00:36:55,200 --> 00:36:57,279
Speaker 2: I don't even know that. I'm just getting it from

830
00:36:57,320 --> 00:36:59,960
Speaker 2: all sides. This is not just money I can want.

831
00:37:00,040 --> 00:37:01,960
Speaker 2: I bought you this Christmas gift for When I sent

832
00:37:02,040 --> 00:37:05,759
Speaker 2: this money over, like, I really was like fighting over

833
00:37:05,840 --> 00:37:08,440
Speaker 2: here on this side, but now there's just gratitude and

834
00:37:09,160 --> 00:37:11,640
Speaker 2: love and it's just authentic. So I just think they

835
00:37:11,719 --> 00:37:14,880
Speaker 2: was figuring out, they were coming into their womanhood, and

836
00:37:14,920 --> 00:37:17,239
Speaker 2: it was never a lack there. You probably just didn't

837
00:37:17,239 --> 00:37:19,040
Speaker 2: have room or space to communicate it.

838
00:37:19,600 --> 00:37:21,280
Speaker 1: Do you now have mentors in the industry?

839
00:37:21,560 --> 00:37:24,720
Speaker 2: Yeah, I definitely Like Keisha is like a huge mentor.

840
00:37:24,800 --> 00:37:25,279
Speaker 1: I love her.

841
00:37:25,440 --> 00:37:29,719
Speaker 2: We talked all the time. She just announced her tour,

842
00:37:29,960 --> 00:37:34,440
Speaker 2: so you should we love. Yeah, she's somebody who checks

843
00:37:34,440 --> 00:37:37,680
Speaker 2: on me, like a guardian angel. That's like my sister.

844
00:37:37,760 --> 00:37:40,680
Speaker 2: But Twain right there checks on me. She's like, how's

845
00:37:40,719 --> 00:37:43,759
Speaker 2: your heart through relationships? And she's had to come and

846
00:37:43,760 --> 00:37:45,279
Speaker 2: get me, like in the middle of a fist fight.

847
00:37:45,600 --> 00:37:46,560
Speaker 1: She's fist fight.

848
00:37:46,800 --> 00:37:48,160
Speaker 2: Yeah, I'm from Florida.

849
00:37:49,000 --> 00:37:51,440
Speaker 1: You should ever be in a fist fight from Florida.

850
00:37:51,520 --> 00:37:53,760
Speaker 2: It gets that way. Okay, we pull up, pull.

851
00:37:53,680 --> 00:37:59,120
Speaker 1: Up a seat, let's eat. He did it? What is

852
00:37:59,120 --> 00:38:00,920
Speaker 1: the song? Do we have to any more saut stepping

853
00:38:01,000 --> 00:38:01,320
Speaker 1: or anything?

854
00:38:01,560 --> 00:38:03,160
Speaker 2: It should be? It should be good.

855
00:38:03,640 --> 00:38:06,400
Speaker 1: Eat here? What did you do with this work? He

856
00:38:06,520 --> 00:38:07,000
Speaker 1: was doing something?

857
00:38:07,880 --> 00:38:09,759
Speaker 2: Here we go, I'll let you taste it.

858
00:38:10,120 --> 00:38:13,160
Speaker 1: No, we're gonna do it together. It's gonna be good.

859
00:38:13,200 --> 00:38:14,800
Speaker 1: This is just a version.

860
00:38:15,040 --> 00:38:15,480
Speaker 2: Just do it.

861
00:38:15,680 --> 00:38:18,160
Speaker 1: You're gonna tell everybody how you forgot to I.

862
00:38:18,080 --> 00:38:20,800
Speaker 2: Did forget Okay, So I ended up making a Jamaican

863
00:38:20,920 --> 00:38:23,560
Speaker 2: version on accident. This is not the Haitian version because

864
00:38:23,960 --> 00:38:25,759
Speaker 2: I was so into the story I forgot to put

865
00:38:25,760 --> 00:38:27,040
Speaker 2: the boo yard in that.

866
00:38:27,080 --> 00:38:29,040
Speaker 1: But that would have been so it would have been

867
00:38:30,000 --> 00:38:32,320
Speaker 1: just so you guys know it. But Jennifer said it

868
00:38:32,320 --> 00:38:34,239
Speaker 1: would have been a paste because we just made like

869
00:38:34,320 --> 00:38:35,160
Speaker 1: you made a soup.

870
00:38:35,520 --> 00:38:37,480
Speaker 2: Yeah, it would have been a little thicker and the

871
00:38:37,480 --> 00:38:39,040
Speaker 2: flavor would have been in there. But this is not

872
00:38:39,120 --> 00:38:41,320
Speaker 2: bad because Jamaica's killing chairs.

873
00:38:41,320 --> 00:38:48,200
Speaker 1: Okay, here we go. I don't know this, mom, does

874
00:38:48,200 --> 00:38:52,360
Speaker 1: it taste Haitian? No, want to try your version? But

875
00:38:52,440 --> 00:38:55,080
Speaker 1: this is good though, it's perfect.

876
00:38:55,320 --> 00:38:59,239
Speaker 2: All. Oh wow, there's a really good I'm proud of me.

877
00:38:59,400 --> 00:39:02,239
Speaker 1: I'm proud of you too. You should have made all

878
00:39:02,320 --> 00:39:04,000
Speaker 1: of them so you'd have a snack on the way

879
00:39:04,120 --> 00:39:04,720
Speaker 1: to the plane.

880
00:39:04,840 --> 00:39:07,000
Speaker 2: Oh that's all good, is perfect?

881
00:39:07,760 --> 00:39:11,240
Speaker 1: Absolutely one more. I'm Jamaican.

882
00:39:12,840 --> 00:39:14,360
Speaker 2: There, that's what Jamaican cowing up.

883
00:39:15,200 --> 00:39:17,480
Speaker 1: Oh this one could be fried Mar. I'm taking all

884
00:39:17,520 --> 00:39:21,920
Speaker 1: the good ones, okay, Elijah, Yeah, let's get to this

885
00:39:22,040 --> 00:39:24,759
Speaker 1: deluxe album. Tell us all about it.

886
00:39:24,960 --> 00:39:29,040
Speaker 2: The Deluxe for me is my first time really getting

887
00:39:29,080 --> 00:39:32,800
Speaker 2: to be the artist I've always wanted to be. There's

888
00:39:33,080 --> 00:39:38,120
Speaker 2: so much experimentation happening with electronic elements, live musicianships, and.

889
00:39:38,200 --> 00:39:39,600
Speaker 1: I just didn't want you to spend the block.

890
00:39:39,920 --> 00:39:43,040
Speaker 2: Yeah, live musicianship that's happening on there, and it's I

891
00:39:43,080 --> 00:39:44,719
Speaker 2: get to be the artist. And I got a song

892
00:39:44,760 --> 00:39:48,520
Speaker 2: with Kim Barrell, who I've studied. You couldn't tell me,

893
00:39:49,000 --> 00:39:50,840
Speaker 2: like in a million years, I had to be in

894
00:39:50,840 --> 00:39:52,480
Speaker 2: the same room as Kim Borell. And I'm in a

895
00:39:52,480 --> 00:39:57,400
Speaker 2: great space. I'm independent with the team that I've always

896
00:39:57,560 --> 00:39:59,520
Speaker 2: dreamed of. I feel like I call them my avengers

897
00:39:59,600 --> 00:40:02,120
Speaker 2: and collected them and they've collected me throughout the way.

898
00:40:02,239 --> 00:40:05,279
Speaker 2: Like Jen who's on my management team. We've been rocking

899
00:40:05,320 --> 00:40:07,120
Speaker 2: sister the rock Nation days. It was my product manager

900
00:40:07,160 --> 00:40:12,960
Speaker 2: at rock Nation. Peter shout out to Gin, a fellow Dominica.

901
00:40:13,200 --> 00:40:15,680
Speaker 1: I love that you keep everyone in your camp around forever.

902
00:40:15,760 --> 00:40:18,719
Speaker 1: Oh yeah, that's a good sign of integrity to really.

903
00:40:18,600 --> 00:40:21,600
Speaker 2: Yeah my opinion, Yeah, I would think so. And then

904
00:40:21,719 --> 00:40:24,160
Speaker 2: my my manager, he was the president of Deaf Jam

905
00:40:24,200 --> 00:40:26,440
Speaker 2: when I was there. He was the person who's really

906
00:40:26,960 --> 00:40:29,920
Speaker 2: him and no idea, Peter thea and yeah, that's the way.

907
00:40:30,000 --> 00:40:35,040
Speaker 2: And r I p to my also my co manager

908
00:40:35,080 --> 00:40:36,080
Speaker 2: hoodie that just passed.

909
00:40:36,200 --> 00:40:37,000
Speaker 1: Yeah, I heard about that.

910
00:40:37,120 --> 00:40:41,080
Speaker 2: Yeah, he managed myself Tone stiff An and he. I

911
00:40:41,120 --> 00:40:42,720
Speaker 2: wish he would have been able to see what the deluxe.

912
00:40:42,760 --> 00:40:44,200
Speaker 2: He was one of the people that put everything in

913
00:40:44,200 --> 00:40:46,080
Speaker 2: place with the label that I'm at now. I would

914
00:40:46,120 --> 00:40:47,320
Speaker 2: say the partner.

915
00:40:47,239 --> 00:40:49,400
Speaker 1: You dedicated a song to him though, Yeah, Well.

916
00:40:49,280 --> 00:40:51,120
Speaker 2: Something happens when I hear does something happened when I

917
00:40:51,160 --> 00:40:52,919
Speaker 2: hear your name, And that's with me made in Tone

918
00:40:52,920 --> 00:40:56,839
Speaker 2: who he was really fighting every day, fight for us

919
00:40:56,840 --> 00:40:59,200
Speaker 2: on just he would show it to my Good Day

920
00:40:59,239 --> 00:41:01,600
Speaker 2: New York performance and I'm just like, did you just

921
00:41:01,640 --> 00:41:04,120
Speaker 2: flying from Australia He's yeah, I'm like leaving to go

922
00:41:04,160 --> 00:41:06,560
Speaker 2: to Jersey per Tone right after this and just he

923
00:41:06,760 --> 00:41:09,920
Speaker 2: really gave his heart and his soul to this project.

924
00:41:10,040 --> 00:41:11,640
Speaker 2: And I think he'd be proud. I think he'd be

925
00:41:11,760 --> 00:41:12,160
Speaker 2: very proud.

926
00:41:12,480 --> 00:41:15,040
Speaker 1: Yeah, and he could obviously feel all the love.

927
00:41:15,160 --> 00:41:17,840
Speaker 2: Yeah. We're Dene Malloy, who's been my reference and to

928
00:41:17,840 --> 00:41:19,680
Speaker 2: be and my study. He's who signed me A, B

929
00:41:19,760 --> 00:41:23,560
Speaker 2: and I and he's not my A. And R Shy Riddick,

930
00:41:23,600 --> 00:41:25,879
Speaker 2: who was an intern that songbook when I had moved

931
00:41:25,920 --> 00:41:28,719
Speaker 2: to Atlanta and he was interning there. He's on my

932
00:41:28,760 --> 00:41:31,799
Speaker 2: team as well. So yeah, this Deluxe means more than

933
00:41:31,880 --> 00:41:33,719
Speaker 2: just music and more than just songs. I think people

934
00:41:33,719 --> 00:41:36,399
Speaker 2: are getting the Elijah that I felt a little too

935
00:41:36,440 --> 00:41:40,359
Speaker 2: restricted to be allowed to become at the major side

936
00:41:40,360 --> 00:41:41,520
Speaker 2: of the major label system.

937
00:41:41,880 --> 00:41:44,320
Speaker 1: So your deal right now, is it like one hundred

938
00:41:44,320 --> 00:41:49,120
Speaker 1: percent freedom freedom, one hundred percent yes, And it's not

939
00:41:49,160 --> 00:41:50,840
Speaker 1: independent though it is independent.

940
00:41:51,040 --> 00:41:54,759
Speaker 2: It's with my label and Monarch is the partner, so

941
00:41:54,800 --> 00:41:58,840
Speaker 2: they provide. Yeah, they're a distribution company, so they just

942
00:41:58,840 --> 00:42:01,560
Speaker 2: make sure that we get on Spotify, Apple Music. Actually,

943
00:42:01,600 --> 00:42:03,279
Speaker 2: what I really like about them is they provide other

944
00:42:03,280 --> 00:42:06,080
Speaker 2: services to like we get a product manager internally and

945
00:42:06,120 --> 00:42:08,360
Speaker 2: stuff like that. They just keep everything. They help facilitate

946
00:42:08,400 --> 00:42:11,919
Speaker 2: certain services that I would have liked at a major

947
00:42:12,000 --> 00:42:14,000
Speaker 2: label situation without selling myself.

948
00:42:14,160 --> 00:42:17,239
Speaker 1: Yeah, I like that too. And then earlier back, not

949
00:42:17,280 --> 00:42:20,280
Speaker 1: trying to circle back, but you had mentioned like stealing,

950
00:42:20,320 --> 00:42:23,560
Speaker 1: like someone stole stole music from you. Can you talk

951
00:42:23,640 --> 00:42:24,760
Speaker 1: me through how that happened?

952
00:42:24,920 --> 00:42:26,240
Speaker 2: So what happens is those.

953
00:42:26,080 --> 00:42:28,560
Speaker 1: Plans are good. Trust me. I don't want to eat

954
00:42:27,719 --> 00:42:31,000
Speaker 1: it because I have to ask questions and I'm watching

955
00:42:31,040 --> 00:42:32,279
Speaker 1: the clock. So you make this.

956
00:42:32,280 --> 00:42:35,560
Speaker 2: Plane somehow along the way. It's crazy. When I signed

957
00:42:35,560 --> 00:42:38,680
Speaker 2: a deaf jam, the whole question, the only bad thing

958
00:42:38,719 --> 00:42:40,799
Speaker 2: that I kept hearing over and over was like, is

959
00:42:40,800 --> 00:42:44,000
Speaker 2: he a songwriter or is he an artist? I'm like, what,

960
00:42:44,200 --> 00:42:47,440
Speaker 2: Like Prince was a singer songwriter, Lauren's singer songwriter. But

961
00:42:47,480 --> 00:42:49,320
Speaker 2: that was a real thing that they were trying to

962
00:42:49,360 --> 00:42:50,759
Speaker 2: find out. I'm like, they're one and the same.

963
00:42:50,880 --> 00:42:52,120
Speaker 1: Yeah, but why can't you be both?

964
00:42:52,160 --> 00:42:52,319
Speaker 2: Though?

965
00:42:52,400 --> 00:42:53,920
Speaker 1: Yeah, but now you're great at it.

966
00:42:53,960 --> 00:42:55,880
Speaker 2: But now everybody wants to be a songwriter. And you

967
00:42:55,960 --> 00:42:59,200
Speaker 2: have these artists who don't write, and but they want

968
00:42:59,280 --> 00:43:01,560
Speaker 2: publishing on a song because they realize, like when touring

969
00:43:01,680 --> 00:43:04,399
Speaker 2: is done, when everything is done, and they want to

970
00:43:04,440 --> 00:43:07,799
Speaker 2: still live these extravagant lifestyle. Publishing is what you have

971
00:43:08,440 --> 00:43:10,239
Speaker 2: in the days where your bones don't work the way today,

972
00:43:10,360 --> 00:43:12,280
Speaker 2: certain you can pass down to your kids. It's like equity,

973
00:43:12,320 --> 00:43:13,520
Speaker 2: it's like real estate.

974
00:43:13,600 --> 00:43:15,920
Speaker 1: I heard a lot of the major artists not dropping names,

975
00:43:15,920 --> 00:43:19,680
Speaker 1: but like people like a Beyonce. I don't want nobody

976
00:43:19,719 --> 00:43:22,120
Speaker 1: coming from me for that. But I heard that they

977
00:43:22,440 --> 00:43:25,719
Speaker 1: automatically if you write songs for them, they automatically get

978
00:43:26,040 --> 00:43:27,719
Speaker 1: a part of the deal is that they have to

979
00:43:27,719 --> 00:43:29,200
Speaker 1: get a writer's credit on it.

980
00:43:29,520 --> 00:43:32,040
Speaker 2: I've heard that, mean I've not heard that. I've experienced it,

981
00:43:32,040 --> 00:43:35,320
Speaker 2: not from Beyonce in particular, but there has been certain

982
00:43:35,440 --> 00:43:38,520
Speaker 2: artists that are my heroes and for me, I don't

983
00:43:38,560 --> 00:43:41,399
Speaker 2: mind if it's not. But sometimes it gets a little

984
00:43:41,400 --> 00:43:43,120
Speaker 2: to the point where it's just like being greedy if

985
00:43:43,160 --> 00:43:45,480
Speaker 2: you didn't write a single word on the song. At

986
00:43:45,560 --> 00:43:48,520
Speaker 2: least with Beyonce. But I've experienced what I've told us.

987
00:43:48,760 --> 00:43:52,040
Speaker 2: She's she is. There is musicianship going into it, so

988
00:43:52,280 --> 00:43:54,680
Speaker 2: she's going to rearrange and change the songs, and she's

989
00:43:54,719 --> 00:43:57,160
Speaker 2: going to contribute to it her harmonies and everything. But

990
00:43:57,200 --> 00:44:00,359
Speaker 2: there are certain artists that literally do nothing want forty

991
00:44:00,360 --> 00:44:05,600
Speaker 2: percent of the song. And you're looking like, no ten

992
00:44:05,719 --> 00:44:08,200
Speaker 2: is not a problem. Yeah, that's not a problem at all. Actually,

993
00:44:08,239 --> 00:44:10,719
Speaker 2: on No Love a lot, I gave Rianna ten just

994
00:44:10,719 --> 00:44:14,440
Speaker 2: because she brought them and she asked, so to me

995
00:44:14,600 --> 00:44:17,040
Speaker 2: that there's a respect there, you know what I mean,

996
00:44:17,080 --> 00:44:19,400
Speaker 2: They're you're not You're not No Love allowed.

997
00:44:19,400 --> 00:44:23,200
Speaker 1: That was unapologetic, but she asked, but did she contribute?

998
00:44:23,719 --> 00:44:25,959
Speaker 2: I felt, I felt this is for me. I felt

999
00:44:26,000 --> 00:44:27,960
Speaker 2: like the way she brought the song to life and

1000
00:44:28,000 --> 00:44:29,880
Speaker 2: her isms, and there were certain things that were it

1001
00:44:29,920 --> 00:44:33,759
Speaker 2: wasn't like Verbatim to make demo record. Yeah, I wrote

1002
00:44:33,760 --> 00:44:37,840
Speaker 2: the song myself in a scured though and she cut it,

1003
00:44:37,880 --> 00:44:39,920
Speaker 2: but there were ways she brought it to life. So

1004
00:44:39,960 --> 00:44:43,239
Speaker 2: I feel like and that wasn't greedy, that's not at all.

1005
00:44:43,280 --> 00:44:45,799
Speaker 2: So one hundred percent of zero is still zero. But

1006
00:44:46,160 --> 00:44:48,319
Speaker 2: there are artists who do nothing and they're like, yeah,

1007
00:44:48,360 --> 00:44:50,520
Speaker 2: I need forty percent of that, And for me, I'm

1008
00:44:50,560 --> 00:44:53,879
Speaker 2: just like, it ain't going And I allowed, I used

1009
00:44:53,920 --> 00:44:55,600
Speaker 2: to allow it, and it hurt me to the point

1010
00:44:55,600 --> 00:44:57,120
Speaker 2: where I'm just like I'm ready to just fall on

1011
00:44:57,160 --> 00:44:59,560
Speaker 2: the sword because I just I make I'm setting a

1012
00:44:59,600 --> 00:45:01,400
Speaker 2: bad example for the.

1013
00:45:01,280 --> 00:45:04,120
Speaker 1: Next president presidents.

1014
00:45:04,280 --> 00:45:06,880
Speaker 2: Yeah, to allow this to be done to newer songwriters,

1015
00:45:07,360 --> 00:45:09,200
Speaker 2: like it happened to me because somebody literally told me when

1016
00:45:09,200 --> 00:45:10,960
Speaker 2: I said, why do you feel like you deserve forty percent?

1017
00:45:11,320 --> 00:45:12,520
Speaker 2: I got to earn your stripes. I'm like, I'm not

1018
00:45:12,560 --> 00:45:15,640
Speaker 2: a fucking tiger. I don't want stripes. I want Louis Baton,

1019
00:45:15,920 --> 00:45:20,320
Speaker 2: I like that Gucci. Yeah, I don't want those stripes.

1020
00:45:20,360 --> 00:45:22,120
Speaker 2: I need to doing the first every month.

1021
00:45:22,200 --> 00:45:25,240
Speaker 1: Yeah, But yeah, did that takes a lot of courage

1022
00:45:25,239 --> 00:45:27,719
Speaker 1: for you to actually stand for up for yourself and

1023
00:45:27,760 --> 00:45:28,160
Speaker 1: be like.

1024
00:45:28,200 --> 00:45:30,040
Speaker 2: For sure, because they'll take the song off the album.

1025
00:45:30,080 --> 00:45:32,239
Speaker 2: I had a huge artist it ended up coming up.

1026
00:45:32,239 --> 00:45:34,560
Speaker 2: But the manager there was like, you have ten seconds

1027
00:45:34,560 --> 00:45:36,359
Speaker 2: because they was about to put the project out there,

1028
00:45:36,440 --> 00:45:39,840
Speaker 2: like give us posting guest or no. Within response to

1029
00:45:39,840 --> 00:45:41,799
Speaker 2: this email, we're taking off the album. And I said

1030
00:45:41,800 --> 00:45:43,200
Speaker 2: it's not fair, and they took it off the album.

1031
00:45:43,320 --> 00:45:44,759
Speaker 2: It ended up being on the deluxe.

1032
00:45:45,120 --> 00:45:47,200
Speaker 1: Yeah, so if you guys want to hear you hear

1033
00:45:47,200 --> 00:45:50,520
Speaker 1: it on the DELX. Yeah, obviously tell us which song

1034
00:45:50,560 --> 00:45:51,239
Speaker 1: it is.

1035
00:45:51,360 --> 00:45:53,439
Speaker 2: Yeah, but I just didn't think it was I didn't

1036
00:45:53,440 --> 00:45:54,920
Speaker 2: think it was fair. Yeah, I didn't think.

1037
00:45:54,960 --> 00:45:56,359
Speaker 1: I'm glad you did it so now we can enjoy

1038
00:45:56,440 --> 00:45:57,600
Speaker 1: on the deluxe exactly.

1039
00:45:57,680 --> 00:45:59,399
Speaker 2: And they saw me at a party, the manager who

1040
00:45:59,440 --> 00:46:01,799
Speaker 2: was a huge manager. So I'm at a party. It

1041
00:46:01,880 --> 00:46:05,040
Speaker 2: was like Ush's birthday party in LA and he was like, man,

1042
00:46:05,480 --> 00:46:07,560
Speaker 2: Adam Levine asked me why I took that song. It

1043
00:46:07,600 --> 00:46:10,239
Speaker 2: was his favorite that song album, so we're gonna re

1044
00:46:10,239 --> 00:46:12,520
Speaker 2: release it as a deluxe and literally I was the

1045
00:46:12,560 --> 00:46:16,719
Speaker 2: only song they added the deluxe. I was really at first,

1046
00:46:16,760 --> 00:46:18,879
Speaker 2: I was like damn. I like the producers were looking

1047
00:46:18,880 --> 00:46:20,400
Speaker 2: at me like, damn, Eliji, you might have missed up

1048
00:46:20,400 --> 00:46:22,920
Speaker 2: for us. I'm like, bro, at what point do we

1049
00:46:23,000 --> 00:46:25,080
Speaker 2: stand for something? You know what I mean? They're gonna

1050
00:46:25,120 --> 00:46:27,919
Speaker 2: And I felt like because I allowed it with two

1051
00:46:28,000 --> 00:46:29,319
Speaker 2: instances prior is why.

1052
00:46:29,920 --> 00:46:32,480
Speaker 1: It just felt like everybody was like, oh a lot

1053
00:46:32,480 --> 00:46:33,759
Speaker 1: of talking about it.

1054
00:46:33,840 --> 00:46:34,600
Speaker 2: That's how I felt.

1055
00:46:34,640 --> 00:46:37,120
Speaker 1: Yeah, you under honestly, it wasn't just how you felt,

1056
00:46:37,160 --> 00:46:38,920
Speaker 1: it was reality. Yeah, it became reality.

1057
00:46:38,680 --> 00:46:40,880
Speaker 2: Because I'm like, why is everybody just thinking like Elijah's

1058
00:46:41,040 --> 00:46:43,799
Speaker 2: is gonna give twenty thirty percent. In the beginning part

1059
00:46:43,840 --> 00:46:45,200
Speaker 2: of my crew, I was so young. I was having

1060
00:46:45,200 --> 00:46:47,120
Speaker 2: fun with it. I was like, yeah, you can have

1061
00:46:47,280 --> 00:46:49,160
Speaker 2: you can have this, And I'm like, why are y'all

1062
00:46:49,200 --> 00:46:51,400
Speaker 2: only coming after me? Even I would see emails and

1063
00:46:51,400 --> 00:46:53,520
Speaker 2: they're like, Okay, we need to find thirty percent for

1064
00:46:53,600 --> 00:46:56,080
Speaker 2: this person and everybody nobody's budget, but they're just expecting

1065
00:46:56,120 --> 00:46:58,640
Speaker 2: me to move. So I'm like, okay, I gotta really

1066
00:46:58,680 --> 00:47:01,160
Speaker 2: like just double down ten y. Let you all know

1067
00:47:01,200 --> 00:47:02,120
Speaker 2: it ain't a game no more.

1068
00:47:02,239 --> 00:47:04,160
Speaker 1: Yeah, but that takes a lot of courage. There's no

1069
00:47:04,239 --> 00:47:07,680
Speaker 1: way you weren't like semi second guessing yourself, especially after

1070
00:47:07,680 --> 00:47:10,480
Speaker 1: they pulled it. Yeah, but then the producers were coming

1071
00:47:10,520 --> 00:47:10,680
Speaker 1: to you.

1072
00:47:10,760 --> 00:47:12,880
Speaker 2: All I had to do was one time and Nigga

1073
00:47:12,920 --> 00:47:16,319
Speaker 2: stopped expecting it. I like you feel me to you?

1074
00:47:16,560 --> 00:47:21,719
Speaker 1: Yeah, which collaboration on the album do you like the best?

1075
00:47:22,120 --> 00:47:25,080
Speaker 1: Not trying to make you choose between your twins and

1076
00:47:25,200 --> 00:47:26,560
Speaker 1: Streeter or anybody else.

1077
00:47:26,960 --> 00:47:29,560
Speaker 2: You know. I hate with people as like this, but

1078
00:47:29,640 --> 00:47:34,000
Speaker 2: they're so different. The one with Me and Seven, I

1079
00:47:34,280 --> 00:47:37,640
Speaker 2: just realized, even just like last night, I'm like, dang,

1080
00:47:37,719 --> 00:47:39,480
Speaker 2: me and seven are both from Florida, you know what

1081
00:47:39,520 --> 00:47:41,680
Speaker 2: I mean. We both have had a similar experience with

1082
00:47:41,719 --> 00:47:45,040
Speaker 2: the major label system. We're also experiencing success outside of

1083
00:47:45,080 --> 00:47:47,319
Speaker 2: it now as independent artists. And I'm like, that's kind

1084
00:47:47,320 --> 00:47:51,120
Speaker 2: of dope. Like two artists from Florida like ninety Babies

1085
00:47:51,360 --> 00:47:54,359
Speaker 2: doing the nineties inspired record with Eric Husson who produced it.

1086
00:47:54,800 --> 00:47:57,000
Speaker 2: I'm like, that's kind of dope. And then also the

1087
00:47:57,040 --> 00:47:59,080
Speaker 2: one how You're Going to I'm like, that's freaking salt

1088
00:47:59,120 --> 00:48:02,480
Speaker 2: and pepper like salt, you know what I mean. That's legendary.

1089
00:48:02,520 --> 00:48:06,480
Speaker 1: That's awesome. Shout out to her. We had Streeter on

1090
00:48:06,800 --> 00:48:09,200
Speaker 1: and her story was really beautiful too. She was a

1091
00:48:09,320 --> 00:48:12,560
Speaker 1: very beautiful story. Yeah, and that was like a Chris Brown.

1092
00:48:12,840 --> 00:48:15,480
Speaker 1: Shout outs to Chris Brown and her dad first look

1093
00:48:15,520 --> 00:48:17,239
Speaker 1: the one that actually like initially put her on.

1094
00:48:17,480 --> 00:48:19,560
Speaker 2: Yeah, and I had seen seven in passing. We've just

1095
00:48:19,600 --> 00:48:23,239
Speaker 2: never collaborated, collaborate, So this song is a beautiful represent.

1096
00:48:23,040 --> 00:48:25,960
Speaker 1: I love the song. Thank You's beautiful? All right? You

1097
00:48:25,960 --> 00:48:29,239
Speaker 1: know what? You can? Go ahead. I'm so sad to

1098
00:48:29,280 --> 00:48:29,759
Speaker 1: see you go.

1099
00:48:30,280 --> 00:48:31,680
Speaker 2: I want to do this. Can we have y'all done

1100
00:48:31,680 --> 00:48:33,000
Speaker 2: a part two? Can we do a part two?

1101
00:48:33,040 --> 00:48:34,640
Speaker 1: I would love to do it a part two? Do

1102
00:48:34,680 --> 00:48:37,319
Speaker 1: you come to La a lot? You live here?

1103
00:48:38,520 --> 00:48:38,719
Speaker 2: Oh?

1104
00:48:38,800 --> 00:48:41,359
Speaker 1: Okay, you know where the studio's at. We gonna see

1105
00:48:41,440 --> 00:48:42,000
Speaker 1: a little.

1106
00:48:43,840 --> 00:48:44,759
Speaker 2: Real. Yeah.

1107
00:48:45,200 --> 00:48:47,920
Speaker 1: You went from non cooking to all excited about cooking.

1108
00:48:47,960 --> 00:48:48,759
Speaker 1: It's hilarious.

1109
00:48:49,560 --> 00:48:50,520
Speaker 2: We gonna do part two.

1110
00:48:50,800 --> 00:48:53,200
Speaker 1: Okay, part two. You heard it here first, but I

1111
00:48:53,239 --> 00:48:55,400
Speaker 1: want you to sing us out. Okay, I have to

1112
00:48:55,440 --> 00:48:57,960
Speaker 1: because when I heard you sing earlier, did you enjoy it?

1113
00:48:59,520 --> 00:48:59,640
Speaker 2: All?

1114
00:48:59,719 --> 00:48:59,919
Speaker 1: Right?

1115
00:49:00,560 --> 00:49:10,160
Speaker 2: What song am I so we're talking about? Okay, dang sing? Okay,

1116
00:49:10,440 --> 00:49:12,280
Speaker 2: I gotta do a gospel song because I'm going ahead.

1117
00:49:12,400 --> 00:49:16,600
Speaker 4: I'm feel I've had some good days.

1118
00:49:17,440 --> 00:49:18,239
Speaker 2: I've had some.

1119
00:49:18,400 --> 00:49:27,840
Speaker 4: He he's the class. I've had some weary days, some

1120
00:49:28,160 --> 00:49:30,360
Speaker 4: lonely nights.

1121
00:49:31,080 --> 00:49:33,759
Speaker 1: But we're a look around and.

1122
00:49:35,160 --> 00:49:41,239
Speaker 4: I think things over all of my good days, all

1123
00:49:41,239 --> 00:49:42,239
Speaker 4: the wait, mind.

1124
00:49:44,120 --> 00:49:50,239
Speaker 2: My bad days, and die. I won't complaint.

1125
00:49:52,200 --> 00:49:56,799
Speaker 1: That was beautiful. Thank you, my goodness, the boy, Thank

1126
00:49:56,840 --> 00:49:58,960
Speaker 1: you guys. You heard it here first.

1127
00:49:59,480 --> 00:50:00,120
Speaker 2: Hey.

1128
00:50:04,640 --> 00:50:07,920
Speaker 1: For more eating while broke from iHeartRadio and The Black Effect,

1129
00:50:08,080 --> 00:50:11,640
Speaker 1: visit the iHeartRadio app, Apple Podcasts, or wherever you listen

1130
00:50:11,680 --> 00:50:13,040
Speaker 1: to your favorite shows,