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Speaker 1: Hi, I'm Kristin Davis, and I want to know, are

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Speaker 1: you a Charlotte? Welcome back everybody to Are You a Charlotte?

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Speaker 1: Part two?

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Speaker 2: Thanks for joining us. Here we go.

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Speaker 1: So they go out and then they go to Carrie's, right,

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Speaker 1: because we've just seen her serving the lemonade and the cookies.

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Speaker 1: They go to Carrey's and they're gonna have sex, and

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Speaker 1: his mom calls, which is just so embarrassing, but she

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Speaker 1: really has a valid question, did you give the dog

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Speaker 1: his medice? It's entirely a valid question, It's very valid.

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Speaker 1: I was like, you should have told your mom that

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Speaker 1: you gave the dog the medicine, because that's really important.

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Speaker 3: This is something that is a timely issue.

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Speaker 1: We exactly exactly, but it does put a little bit

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Speaker 1: of a wrinkle in there, you know, making out session

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Speaker 1: or whatever. Then they go back to his house. The

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Speaker 1: parents are supposedly out of town, I guess, and they

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Speaker 1: smoke pot and I was trying to remember, well, wait,

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Speaker 1: before they smoke pot, they play Hot Child in the City.

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Speaker 1: And the thing that's really funny is that sir Jessica

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Speaker 1: loves seventies music. Basically, OK, I don't know if Hot

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Speaker 1: Child in the City's eighties. I don't know, but something

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Speaker 1: right previous this is Siassica, It's records, and like this

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Speaker 1: era is Sara Jesska, Like she plays this at work

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Speaker 1: for all of us, and it really made me laugh

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Speaker 1: because I think at this point in time, I don't

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Speaker 1: think I realized how much this music resonated with her

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Speaker 1: and how much she loved it.

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Speaker 2: But now it's really really obvious to all of us.

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Speaker 1: In fact, I can't turn on the seventies station without

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Speaker 1: just being flooded with memories of Sestic you know, which

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Speaker 1: I love because we're the same era.

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Speaker 2: Yeah, I get it.

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Speaker 1: I have all memories to those songs too, but now

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Speaker 1: I have memories of her enjoying those songs.

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Speaker 2: So when I.

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Speaker 1: Watched her in the thrill on her face, you know,

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Speaker 1: over hot Child in the City, it's really adorable. Then

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Speaker 1: he gets out his weed, which is also I don't

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Speaker 1: really remember her smoking pot in the show before. I

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Speaker 1: don't know, am I crazy? I don't really remember it.

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Speaker 1: I mean I feel like it was certainly around, you know,

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Speaker 1: but it wasn't. You weren't really seeing your characters on.

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Speaker 2: TV smoking it?

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Speaker 1: No, especially not out of like a weird bong made

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Speaker 1: out of like a bottle or whatever. What the heck

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Speaker 1: I mean we are back to the whole high school

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Speaker 1: of it all. Yeah, it was so charming. Yeah, it's

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Speaker 1: so charming and very retro like.

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Speaker 4: But it was it felt like, and this may have

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Speaker 4: been like to my age at the time, but it

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Speaker 4: felt a lot more risky than right today, totally a

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Speaker 4: lot of places, right, that wasn't really the case back Yeah.

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Speaker 1: It wasn't the case at all back then, though, I

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Speaker 1: do feel like it was prevalent, Like, oh, definitely, really prevalent,

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Speaker 1: really really prevalent, just not legal, right, yes, right, definitely.

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Speaker 4: And not put on television as much unless they're doing

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Speaker 4: a hippy movie about the seventies, right right, right.

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Speaker 1: Like the McConaughey movie that he's yes, like that obviously

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Speaker 1: that's the point of them. Yeah, yeah, yeah, yeah, but yeah,

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Speaker 1: it was like a little walk on that side of

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Speaker 1: the totally of the world. But it's pretty funny. So

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Speaker 1: they get high and they're eating KFC I guess, yeah,

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Speaker 1: and the parents come home they see them down below,

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Speaker 1: but they're high and they act like teenagers and it's

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Speaker 1: pretty funny. And Sarah was like super.

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Speaker 2: Game, which she really did it.

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Speaker 1: Yeah, yeah, and he's very charming, this guy who apparently

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Speaker 1: never acted after that.

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Speaker 2: I don't know if I don't know, I don't know.

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Speaker 3: He just career in radio took off.

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Speaker 1: His career in radio took off. I guess, we don't know.

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Speaker 1: We've got to find out. We've got to find out.

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Speaker 1: But they were very charming together, I thought, And it

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Speaker 1: seemed like Sir Jusca was really really having a good time.

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Speaker 1: So I really liked the moment his mom comes in

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Speaker 1: and basically he says, Carrie brought the pot, mom, because

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Speaker 1: she he tells Carrie really quickly right that they're going

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Speaker 1: to ask him to leave if again because they previously

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Speaker 1: asked him to leave, and so he's like, carry brought

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Speaker 1: it and they push it on Carrie, and the voiceaver

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Speaker 1: says something like, you know, like all women I have

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Speaker 1: to you know, you know, what's the word like take

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Speaker 1: responsibility or whatever. She said something like that, take responsibility

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Speaker 1: for myself, and she takes the blame, but.

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Speaker 3: She also I know, it's so funny.

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Speaker 2: I don't remember anything.

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Speaker 1: I was really watching it like with just a total enjoyment,

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Speaker 1: except for my part where I was like what on earth?

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Speaker 4: I was so curious to know what your your take

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Speaker 4: on your your storyline was, But you don't remember it.

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Speaker 3: So many questions.

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Speaker 1: I have no memory whatsoever, Eggs, No, I do have

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Speaker 1: a memory.

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Speaker 2: I'm sorry. I lied.

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Speaker 1: I have no memory.

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Speaker 2: Of being in the therapist office.

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Speaker 1: I absolutely have a memory of when I catch a masturbating,

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Speaker 1: but in my mind. And this is why you can't

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Speaker 1: trust your own memory, right, But it's all we've got.

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Speaker 1: I thought that comes much later. I didn't know that

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Speaker 1: came like two episodes after we get married. I would

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Speaker 1: have said it was fourth season or something. I thought

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Speaker 1: it was when things were like totally not working, like

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Speaker 1: it's shocking to me. Beautiful wedding and all the hope

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Speaker 1: and then.

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Speaker 2: Things are just bad.

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Speaker 3: Yeah you know what I mean. Yeah, like we're not

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Speaker 3: having sex. I was thinking that I'm going to wait

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Speaker 3: a second. This never came up before, Like this wasn't.

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Speaker 2: Well, we waited because Charlotte silly. You know what I'm saying.

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Speaker 1: She didn't She didn't have sex with him, right, she

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Speaker 1: just messed around with him.

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Speaker 3: And that's why it's so immediately after the wedding.

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Speaker 1: But that's well, it's right before the wedding, So Charlotte

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Speaker 1: goes she gets drunk the night before with the girls

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Speaker 1: and goes over to his house and tries to seduce him.

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Speaker 1: It doesn't go well, and then she's like, well, this happens,

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Speaker 1: you know, she's trying to be you know whatever, and

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Speaker 1: he's like, yeah.

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Speaker 2: Sometimes this happens to me. She's like, oh, sometimes I have,

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Speaker 2: but they.

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Speaker 1: Don't really like she doesn't understand the scope of what

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Speaker 1: she does not, and he definitely downplays you know what

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Speaker 1: I'm saying. Then at the wedding, Charlotte tells Carrie right

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Speaker 1: before she walks down the.

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Speaker 2: Aisle, dray and get it out.

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Speaker 1: Oh no, yeah, yeah, yeah, that's the big that's it's

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Speaker 1: called donuts.

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Speaker 4: Don't tell I have to do my own, like phone

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Speaker 4: on rewatch because I didn't see that's okay, I didn't see. Well,

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Speaker 4: I didn't see the earlier seasons for that reason, but

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Speaker 4: then I would watch later seasons, but I never.

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Speaker 3: Went never in the beginning.

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Speaker 1: Oh it's very I'm interesting, it's very interesting.

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Speaker 2: It's really fun.

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Speaker 1: I mean I have not watched, as everyone who listens

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Speaker 1: has heard me say, I have not rewatched since now

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Speaker 1: until now right until yeah, and sometimes it's hard to

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Speaker 1: turn the thing off, you know what I mean.

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Speaker 4: I didn't have any memory. I must have seen this

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Speaker 4: episode more than twice, I imagine, but I didn't remember it.

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Speaker 4: And probably because I was younger, I didn't remember it

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Speaker 4: being so funny. I didn't like maybe I just wasn't

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Speaker 4: at the level of understanding the humor.

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Speaker 3: Of sure or just the still like.

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Speaker 2: Oh yeah, oh I left out loud. Yeah, I left

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Speaker 2: out loud. I left out loud a lot.

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Speaker 1: I didn't remember this episode as being good at all

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Speaker 1: in my mind, which is just my own weird you

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Speaker 1: know whatever.

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Speaker 2: I don't know.

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Speaker 1: I'm very judgmental obviously of us. But it's been fantastic.

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Speaker 1: I mean I haven't watched one episode where I haven't

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Speaker 1: thought it was fantastic. But they're just different versions of it,

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Speaker 1: you know what I mean. Like sometimes they're funnier, sometimes

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Speaker 1: they're more serious. Yeah, Like there's so many different and

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Speaker 1: I love that about it.

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Speaker 4: When I think sometimes like your first memory of that episode,

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Speaker 4: if you're like, for some reason you're like that was

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Speaker 4: a bad episode or that's not one that I'm going

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Speaker 4: to rewatch or is memorable, that's like what stays with

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Speaker 4: you until you see it from a completely different angle

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Speaker 4: for sure.

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Speaker 1: Oh, I think when I watched it now, it's because

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Speaker 1: I don't like anything that's happening in Charlotte's world, do

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Speaker 1: you know what I'm saying. Yeah, Therefore, in my mind,

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Speaker 1: that's a bad episode. Yes, yeah, because Charlotte's world is awful.

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Speaker 1: It's really bad.

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Speaker 3: Okay, everything is bad.

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Speaker 1: It's really bad. It's really bad. And I also think

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Speaker 1: on a certain level, like, okay, so they're there, you know,

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Speaker 1: Trey and Charlotte are in this therapist office. He seems

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Speaker 1: like a very nice man. I do remember him. He

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Speaker 1: was very nice as an actor. And he he wants

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Speaker 1: us to give our private parts names, which is funny

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Speaker 1: and weird. What I see is like that we're trying

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Speaker 1: to find some humor in the situation, right, which of

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Speaker 1: course we need to do because it's not really that funny,

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Speaker 1: you know what I'm saying, right, But we've got to

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Speaker 1: find a way to be funny. So I see us

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Speaker 1: really trying to do that, and I see Charlotte trying

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Speaker 1: to be so hopeful.

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Speaker 2: But then I see Trey He's.

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Speaker 1: Immediately not really very open to working on it, which

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Speaker 1: of course is the problem, and that's what becomes the

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Speaker 1: problem because in my mind, once we started getting closer

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Speaker 1: to the Trey coming, I just remember all the glorious things, right,

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Speaker 1: And then I think we put something on Instagram and

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Speaker 1: there was some debate about Trey and people were like

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Speaker 1: I would have hung in there, and I was like, yeah,

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Speaker 1: why didn't I? And they were like, oh, honey, believe

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Speaker 1: us when me tell you should not have.

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Speaker 2: And now I'm.

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Speaker 1: Seeing like, oh, they're right, they're right, because he's not

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Speaker 1: really you know, you need a partner who's gonna get

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Speaker 1: in there with you and work on it or work

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Speaker 1: it out or discuss or something.

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Speaker 2: He's very shut down the way.

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Speaker 1: You know.

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Speaker 4: It's like you can't say I'm not trying if I

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Speaker 4: go to the therapy with right, but once I'm in there,

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Speaker 4: I'm not gonna write right. In a way, I kind

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Speaker 4: of when I was watching that episode, I was thinking,

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Speaker 4: I was like, Oh, the character Trey, like he is

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Speaker 4: at least taking a few steps where you could have

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Speaker 4: had that character just be a complete brick wall, right

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Speaker 4: and trying a little bit, but only within his comfort

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Speaker 4: zone that he can control, right, And that kind of

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Speaker 4: being sort of may be stereotypical of a certain kind

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Speaker 4: of man, grew up in a certain place time, right, right, whatever,

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Speaker 4: and trying to be like, no, I need to control

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Speaker 4: the situation, even though the situation is out of my control.

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Speaker 3: Right, I mean, and he doesn't.

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Speaker 1: The thing that's interesting about him, I think is that

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Speaker 1: he doesn't seem controlling so much as it seems passive, right, right,

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Speaker 1: He's like weirdly passive. He's shut down and passive. And

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Speaker 1: in some ways that's almost worse because it's hard to

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Speaker 1: be mad at right, you know what I'm saying, or

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Speaker 1: you're just saying, try right, right, And I mean he's

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Speaker 1: kind of trying.

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Speaker 3: He's kind of instead of saying I will not try.

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Speaker 1: Definitely, definitely definitely. But then so then obviously I didn't

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Speaker 1: remember that. This is the episode where I walk in

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Speaker 1: on him in the nighttime. I think he's crying.

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Speaker 2: Because he's making just kind of like weird.

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Speaker 3: Noise, weird noises.

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Speaker 1: Yeah, and so far wait or do I say out

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Speaker 1: loud like I didn't know?

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Speaker 2: I mean, I didn't.

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Speaker 3: I didn't want anything to make a cry or whatever.

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Speaker 1: Yea, oh my god, oh so Charlotte, so Charlotte.

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Speaker 2: And then I opened the door.

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Speaker 1: And I do remember this because this was one of

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Speaker 1: those times where they say, like, we're going to film

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Speaker 1: in slow mo. Whenever they say they're going to film

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Speaker 1: in slow mo, like I just feel like my breath stops,

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Speaker 1: you know what I mean, because like the pressure of

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Speaker 1: slow mo. Oh my god, it's so intense, because any

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Speaker 1: tiny thing you do is that's it.

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Speaker 4: That's the thing, because you're mentally trying to accommodate for

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Speaker 4: slow mo. But there you're like, do I do the

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Speaker 4: same speed or am I trying to do something at

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Speaker 4: like three quarter speed or like what because they're.

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Speaker 3: Already doing the slow mo. It worked, It worked, I

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Speaker 3: think it's god.

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Speaker 2: No, no, I'm always so critical.

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Speaker 1: No, I was.

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Speaker 4: I was laughing out loud seeing your face would like

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Speaker 4: going to the magazine and then just the like the horror.

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Speaker 1: They were doing some stuff off camera. Yes, oh my god,

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Speaker 1: they were being very bad off camera, the crew and

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Speaker 1: Kyle I think he well, yes, no, okay, it was

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Speaker 1: maybe a little too far because I was mad. It

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Speaker 1: made me mad, and I don't know that.

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Speaker 2: Charlotte was supposed to be mad.

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Speaker 1: I think Charlotte supposed to be like shocked, but then

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Speaker 1: shock is a weird thing to play.

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Speaker 2: You know what I'm saying, how do you play?

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Speaker 1: I don't know. It's a heart that's a hard one,

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Speaker 1: and I remember being anxious about it. But also they

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Speaker 1: had gotten a bunch of stuff paraphernalia to make the

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Speaker 1: whole situation worse, you know, And they're in there, the

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Speaker 1: guys on the crew. There are a bunch of young guys.

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Speaker 1: I'm not going to name them. I'm going to spare

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Speaker 1: them that. And Kyle, I mean, it's an uncomfortable thing,

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Speaker 1: you know, Like poor Kyle.

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Speaker 4: I mean, I was gonna say, I'm like, I would

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Speaker 4: still rather be you in this show.

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Speaker 1: Definitely, Oh my god, definitely. I mean, and Kyle is

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Speaker 1: very game. Obviously he's not going to be like a

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Speaker 1: prude or anything, but I mean, you know, he's been

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Speaker 1: in many things previous to this, but uh, you know,

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Speaker 1: it was pretty I was like, I don't remember see

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Speaker 1: his and like this, like there were so many things

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Speaker 1: I didn't remember, but I do remember that they were

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Speaker 1: up to no good in that room. Let me tell you,

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Speaker 1: so that when I did open the door, because obviously

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Speaker 1: when they're shooting my side, you know, he doesn't have

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Speaker 1: to be doing worse. Yeah, exact thing that you see

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Speaker 1: him do on camera, and there was other there were

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Speaker 1: other things involved, and I was pissed, like mad, really

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Speaker 1: mad at the crew guys, really mad.

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Speaker 4: I felt like it's so worked, though, because I thought

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Speaker 4: that was Charlotte's reality, Like I thought that was intentional

286
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Speaker 4: on your part, because it was this like frustration where

287
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Speaker 4: you felt like you were dealing with a thing or

288
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Speaker 4: battling a thing but you didn't have all the information

289
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Speaker 4: and he was hiding this from you, and you like

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Speaker 4: thank you.

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Speaker 3: It made sense to me they were right.

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Speaker 1: I'm so glad that is absolutely right, because that's true.

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Speaker 1: But the thing that I think is also interesting because

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Speaker 1: also I didn't really remember all of the things around it,

295
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Speaker 1: Like I didn't remember going to therapy. I just remember

296
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Speaker 1: the jerking off and I remember the jugs. But I

297
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Speaker 1: also didn't remember how it ends, which is that Charlotte

298
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Speaker 1: goes and puts her picture on the magazine and so shocking,

299
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Speaker 1: and then she's in bed and she hears the masturbating

300
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Speaker 1: and she's.

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Speaker 3: Pleaase very please.

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Speaker 1: Yeah, I mean wow, Like Charlotte, gosh, I don't remember

303
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Speaker 1: any of this, and I am just like, uh, she's

304
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Speaker 1: very forgiving and sweet, and he really should have tried

305
00:13:44,440 --> 00:13:46,800
Speaker 1: harder to make that work out. Man, That's what I think,

306
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Speaker 1: because that's rare. You know what I'm saying.

307
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Speaker 3: He didn't give up when he saw your picture though.

308
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Speaker 1: No, No, he's talking with me, he smiles, thank God,

309
00:13:54,400 --> 00:13:57,640
Speaker 1: thank God, thank God. But like, I'm so curious now

310
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Speaker 1: what's going to happen next week or whatever the next episode,

311
00:14:00,000 --> 00:14:01,079
Speaker 1: you know what I'm saying, Like, I don't need I

312
00:14:01,120 --> 00:14:04,160
Speaker 1: don't remember, I don't know what happens, what happens, I

313
00:14:04,200 --> 00:14:06,480
Speaker 1: don't know. Kyle and I kind of touched on. I

314
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Speaker 1: had him on recently. It was really fun and he

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Speaker 1: we we only vaguely remember things like that. We try

316
00:14:11,840 --> 00:14:13,480
Speaker 1: and then this happens, then that happens, and there is

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Speaker 1: a phase where we do have sex. So I'm like

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Speaker 1: hoping that it's soon for their sake, right, for Charlotte's sake,

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Speaker 1: because she just tries so hard.

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Speaker 2: God lover.

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Speaker 4: And that's the thing I mean, I know you do

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Speaker 4: what you're saying, you don't remember, like the therapy sessions,

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Speaker 4: but I don't remember your character being so like, I know,

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00:14:32,720 --> 00:14:35,920
Speaker 4: somewhat assertive in those therapy sessions where they're like, give

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Speaker 4: a name. She goes, I like the name of Rebecca.

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Speaker 4: Like it was like, you're like, I'm I'm I'm here

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Speaker 4: for the college, like I'm gonna try.

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Speaker 1: But that's what I mean about him being passive, right,

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Speaker 1: because I think when you really step back and look

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Speaker 1: at Charlotte, she's very motivated for what she wants, you know,

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Speaker 1: always right like soon we're going to be trying to

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Speaker 1: have a baby. She's very motivated, like she's going to

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00:14:56,760 --> 00:14:59,360
Speaker 1: get what she wants. You might not see it coming

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Speaker 1: right that she's going to be like that, but that.

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Speaker 3: Almost how she is.

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Speaker 4: Yeah, you mistakenly presume that sometimes she might be more

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Speaker 4: passive in certain situations right where.

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Speaker 3: She's No, she is not.

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Speaker 1: And that's why she's friends Because some of the people

340
00:15:10,240 --> 00:15:12,160
Speaker 1: are like, why would she be friends with those? I'm like, well,

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Speaker 1: because they're all powerful in their own way, right, you know. Right.

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Speaker 2: So the one thing that I want to mention.

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Speaker 5: That I had one hundred person forgotten and really made

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Speaker 5: me laugh so hard, is when we could do the

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00:15:38,240 --> 00:15:41,000
Speaker 5: therapist says, you need to go home and your homework

346
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Speaker 5: is to share a sexual fantasy.

347
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Speaker 3: Charlotte's fantasy. She's the very princess. Don't get the unicorn.

348
00:15:50,680 --> 00:15:52,280
Speaker 3: Oh my god, that's so hard.

349
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Speaker 2: And Kyle, the.

350
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Speaker 5: Way Kyle is looking at me is the cutest thing

351
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Speaker 5: I might have ever seen in my life.

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Speaker 1: And the way the writers know me is so adorable.

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Speaker 5: Because this would totally be true and also really really

354
00:16:08,040 --> 00:16:09,800
Speaker 5: makes me laugh hard, Like this is the kind of

355
00:16:09,800 --> 00:16:10,760
Speaker 5: thing that makes me laugh.

356
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Speaker 3: Yeah, isn't he a pirate? Take me off here?

357
00:16:18,960 --> 00:16:20,120
Speaker 2: But it's like.

358
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Speaker 1: Those moments where you're just so thankful that you got

359
00:16:23,960 --> 00:16:26,400
Speaker 1: the job you did with the writers that you have

360
00:16:26,560 --> 00:16:26,960
Speaker 1: with you.

361
00:16:27,200 --> 00:16:30,200
Speaker 2: Yeah, because it is priceless. Yeah, it is priceless.

362
00:16:30,360 --> 00:16:32,960
Speaker 1: I think I should take that little edit out and

363
00:16:33,000 --> 00:16:35,720
Speaker 1: put it with my I've been dating since I was fifteen?

364
00:16:35,760 --> 00:16:37,840
Speaker 2: Where is he? Moment my hair hurts?

365
00:16:38,080 --> 00:16:41,240
Speaker 1: Those two moments I might be my favorite ever. I mean,

366
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Speaker 1: they're up there in my own work, you know what

367
00:16:42,880 --> 00:16:44,560
Speaker 1: I'm trying to say, Like I love.

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00:16:44,400 --> 00:16:47,800
Speaker 3: It so much. Speak level they really really do, they

369
00:16:47,840 --> 00:16:48,280
Speaker 3: really do.

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Speaker 1: And just the writing for my strength and or me

371
00:16:53,240 --> 00:16:55,720
Speaker 1: being able to do it or whatever it is, it's

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Speaker 1: it's priceless. It's just I'm just a very lucky, lucky.

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Speaker 4: Actor because I look at that like describing that fantasy

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Speaker 4: while looking into the eyes of another actor.

375
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Speaker 3: I'm going, I don't know.

376
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Speaker 4: If I do that.

377
00:17:05,640 --> 00:17:06,840
Speaker 3: I don't know if I could make it. I don't

378
00:17:06,840 --> 00:17:08,320
Speaker 3: know if i'd make it to the end, Like, I

379
00:17:08,400 --> 00:17:09,600
Speaker 3: just don't just don't.

380
00:17:09,880 --> 00:17:12,320
Speaker 1: Really, I was so excited because you're on my face,

381
00:17:12,400 --> 00:17:13,760
Speaker 1: so excited I was to do it.

382
00:17:13,840 --> 00:17:14,680
Speaker 2: I'm very excited.

383
00:17:14,760 --> 00:17:19,080
Speaker 1: I'm very excited because I fucking love that so much.

384
00:17:19,359 --> 00:17:21,520
Speaker 1: I think i'd break, Like I just, oh my god, no,

385
00:17:21,760 --> 00:17:24,080
Speaker 1: because you have to commit for you to make it funny,

386
00:17:24,040 --> 00:17:25,440
Speaker 1: you know what I mean. You have to commit fully.

387
00:17:25,480 --> 00:17:27,880
Speaker 1: That's Charlotte's things. She commits one hundred and ten percent,

388
00:17:28,040 --> 00:17:30,439
Speaker 1: hundred and fifty percent, I mean, you know. And just

389
00:17:30,520 --> 00:17:33,919
Speaker 1: Kyle's looking at me with just the such sweetness Judy mean,

390
00:17:33,960 --> 00:17:36,160
Speaker 1: and he doesn't even look like he might laugh at all. No,

391
00:17:36,359 --> 00:17:38,560
Speaker 1: Like it's just so sweet how he's looking at me.

392
00:17:39,040 --> 00:17:41,520
Speaker 1: It's really adorable. So that might have been my favorite

393
00:17:41,560 --> 00:17:44,280
Speaker 1: part of my storyline. The Judge would be on my

394
00:17:44,359 --> 00:17:46,199
Speaker 1: least favorite part, and then the.

395
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Speaker 2: Very Princess.

396
00:17:50,520 --> 00:17:55,520
Speaker 3: It's definitely I love it. It's the Unicorn though, it's

397
00:17:55,560 --> 00:17:59,000
Speaker 3: the unicorn part so good, it's so good.

398
00:17:59,080 --> 00:18:02,120
Speaker 1: Anyway, Okay, let's talk about Samantha. Now, this is your storyline.

399
00:18:02,359 --> 00:18:04,880
Speaker 1: So I love when we get to see Samantha being

400
00:18:04,880 --> 00:18:07,800
Speaker 1: her publicist self. I think we should have had more

401
00:18:07,800 --> 00:18:09,919
Speaker 1: episodes with this. I don't know if it's because obviously

402
00:18:10,000 --> 00:18:12,359
Speaker 1: I live in a world with publicists, but I just

403
00:18:12,440 --> 00:18:14,439
Speaker 1: really enjoy it, you know, and I could see that

404
00:18:14,480 --> 00:18:15,800
Speaker 1: she would be a very good one.

405
00:18:16,480 --> 00:18:17,040
Speaker 3: Yeah, you know.

406
00:18:17,119 --> 00:18:18,560
Speaker 4: I also feel like you get a little bit of

407
00:18:18,640 --> 00:18:22,919
Speaker 4: differential between with her personality, like her with men or

408
00:18:22,960 --> 00:18:26,040
Speaker 4: her with the girls, versus her in that space of

409
00:18:26,080 --> 00:18:29,639
Speaker 4: being a publicist and being that kind of she just

410
00:18:29,840 --> 00:18:30,560
Speaker 4: there's something.

411
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Speaker 1: Different, which I love, which I love. That's what I

412
00:18:32,800 --> 00:18:34,320
Speaker 1: love to see. I love to see that other side

413
00:18:34,320 --> 00:18:38,119
Speaker 1: of herself. And I think Kat is so funny because

414
00:18:38,160 --> 00:18:41,960
Speaker 1: she's just very like, I'm in charge. I'm thirteen, but

415
00:18:42,040 --> 00:18:45,680
Speaker 1: I'm in charge and I'm powerful, and all of you guys.

416
00:18:45,480 --> 00:18:46,760
Speaker 2: Are very powerful too. You know.

417
00:18:46,800 --> 00:18:49,239
Speaker 1: That's what's so adorable about it.

418
00:18:49,320 --> 00:18:50,920
Speaker 2: I don't know if you felt powerful.

419
00:18:51,680 --> 00:18:55,200
Speaker 4: No, I know, my top falling off and I'm just

420
00:18:55,280 --> 00:18:58,920
Speaker 4: like they're letting me stay here for a few days. No,

421
00:18:58,960 --> 00:19:02,119
Speaker 4: But it's I think Kat, she just managed to do

422
00:19:02,160 --> 00:19:06,320
Speaker 4: that so well, which you know that being thirteen or

423
00:19:06,359 --> 00:19:10,159
Speaker 4: fourteen or whatever, of like, how do you navigate adults

424
00:19:10,320 --> 00:19:12,240
Speaker 4: that you're going, I am going to make you do

425
00:19:12,320 --> 00:19:14,760
Speaker 4: what I say and right going to send you guide

426
00:19:14,840 --> 00:19:16,159
Speaker 4: you on the way to get around to do what

427
00:19:16,240 --> 00:19:21,080
Speaker 4: I say, and that being it being particularly Samantha, yes, totally.

428
00:19:21,880 --> 00:19:23,000
Speaker 2: It's so fascinating.

429
00:19:23,080 --> 00:19:23,639
Speaker 3: But she does it.

430
00:19:23,880 --> 00:19:25,600
Speaker 1: She does it so well because she does it with

431
00:19:25,640 --> 00:19:28,160
Speaker 1: such ease. Yeah, you know, she just knows that she's

432
00:19:28,200 --> 00:19:30,320
Speaker 1: going to get what she wants. She's not in any

433
00:19:30,359 --> 00:19:34,040
Speaker 1: way struggling or trying too hard to get what she wants.

434
00:19:34,040 --> 00:19:35,479
Speaker 1: She knows she's going to get it, which I love

435
00:19:35,560 --> 00:19:35,920
Speaker 1: so much.

436
00:19:36,000 --> 00:19:37,520
Speaker 2: I love so much. She's very very good.

437
00:19:37,560 --> 00:19:41,840
Speaker 1: Obviously, kat is really incredible with whatever she's doing. But

438
00:19:42,200 --> 00:19:44,359
Speaker 1: so we see we first we see Jenny and we

439
00:19:44,400 --> 00:19:48,239
Speaker 1: see that she wants, you know, Samantha to be to

440
00:19:48,280 --> 00:19:51,080
Speaker 1: do her pr and Samantha is not sure. And then

441
00:19:51,520 --> 00:19:54,359
Speaker 1: we're she tells her you know, the money or whatever, right,

442
00:19:54,440 --> 00:19:57,440
Speaker 1: Samantha's like, oh okay. And then we're at the restaurant

443
00:19:57,560 --> 00:20:00,240
Speaker 1: and you guys send Dom Barrinyong over would which is

444
00:20:00,280 --> 00:20:04,080
Speaker 1: really funny. And then you come over and the girls

445
00:20:04,080 --> 00:20:06,680
Speaker 1: are just like so blown away by you guys. I'm

446
00:20:06,680 --> 00:20:09,920
Speaker 1: not there for whatever reason, and they're just like so impressed,

447
00:20:09,920 --> 00:20:11,640
Speaker 1: and they say that you're all like you're thirty, and

448
00:20:11,720 --> 00:20:18,320
Speaker 1: Sir justus like Carrie's like, oh.

449
00:20:15,800 --> 00:20:16,480
Speaker 2: They're thirteen.

450
00:20:16,840 --> 00:20:20,320
Speaker 1: Yeah, everybody's just floored, which I think is also just

451
00:20:20,720 --> 00:20:27,000
Speaker 1: very very Oh and I forgot that Kat's character Jenny says,

452
00:20:27,040 --> 00:20:29,399
Speaker 1: Carrie knows who Carrie is, and she says, oh, I

453
00:20:29,440 --> 00:20:33,000
Speaker 1: didn't know you knew Carrie Bradshaw, and then she's fucking fabulous.

454
00:20:33,240 --> 00:20:36,159
Speaker 1: I think it's all just so accurate because obviously I

455
00:20:36,200 --> 00:20:38,520
Speaker 1: live with a fourteen year old, So just the fact

456
00:20:38,520 --> 00:20:41,119
Speaker 1: that they know everything, you know, it's very real.

457
00:20:41,320 --> 00:20:42,080
Speaker 2: It's very real.

458
00:20:42,320 --> 00:20:44,000
Speaker 4: But I also, I don't know if this is sort

459
00:20:44,000 --> 00:20:45,879
Speaker 4: of in my head or not, but I kind of wonder,

460
00:20:46,840 --> 00:20:50,520
Speaker 4: you know, we're portraying these girls who are talking to

461
00:20:50,600 --> 00:20:53,560
Speaker 4: these women of this age with this sort of like

462
00:20:53,760 --> 00:20:57,400
Speaker 4: complete confidence and agency and all this stuff, and being

463
00:20:57,480 --> 00:21:01,160
Speaker 4: very rude and condescending and all that stuff. But that

464
00:21:01,359 --> 00:21:05,400
Speaker 4: was not reality for anyone I knew, you know, even

465
00:21:05,480 --> 00:21:07,680
Speaker 4: like Kat or Meat, we would never speak to women

466
00:21:08,080 --> 00:21:10,560
Speaker 4: in their thirties that way, like ever, like you would

467
00:21:10,560 --> 00:21:12,600
Speaker 4: show respect, you would not do that, and.

468
00:21:12,600 --> 00:21:13,800
Speaker 2: Yeah that's not true anymore.

469
00:21:14,520 --> 00:21:17,000
Speaker 4: Yeah, but that's where it's sort of like, that's the thing,

470
00:21:17,240 --> 00:21:20,560
Speaker 4: very prophetic, like ahead of time or you know, you're

471
00:21:20,560 --> 00:21:23,480
Speaker 4: playing these girls that would and feel entitled to behave

472
00:21:23,600 --> 00:21:25,520
Speaker 4: that way towards people who are older than them.

473
00:21:25,520 --> 00:21:29,360
Speaker 3: They're like that being I don't know that sort of.

474
00:21:31,080 --> 00:21:33,119
Speaker 4: Like at the time, you're going, right, it's pretend, it's

475
00:21:33,160 --> 00:21:34,680
Speaker 4: pretend we're not actually like doing that.

476
00:21:34,760 --> 00:21:36,800
Speaker 2: Yeah, how you felt that's kindest.

477
00:21:37,000 --> 00:21:39,639
Speaker 1: Yeah, I think I probably would have also felt that

478
00:21:39,680 --> 00:21:42,080
Speaker 1: way obviously, because you know, yeah, for sure I was

479
00:21:42,080 --> 00:21:44,040
Speaker 1: brought up with manners and whatnot.

480
00:21:44,240 --> 00:21:47,520
Speaker 2: But yeah, you were playing a very specific specific people.

481
00:21:47,880 --> 00:21:49,920
Speaker 1: I mean, we would sometimes be shooting on the Upper

482
00:21:49,920 --> 00:21:52,560
Speaker 1: east Side and little eight year olds would come up

483
00:21:52,600 --> 00:21:55,679
Speaker 1: to us and they would be not decked out in

484
00:21:55,720 --> 00:21:57,600
Speaker 1: the way that you guys at thirteen were, but like

485
00:21:57,920 --> 00:21:59,680
Speaker 1: on the way to that oh yeah saying yeah, and

486
00:21:59,680 --> 00:22:01,560
Speaker 1: they would they would just be getting out of school

487
00:22:01,640 --> 00:22:02,000
Speaker 1: or something.

488
00:22:02,000 --> 00:22:02,840
Speaker 2: They see us filming.

489
00:22:02,840 --> 00:22:04,640
Speaker 1: They'd be like, oh, we watched the show last week,

490
00:22:04,640 --> 00:22:07,560
Speaker 1: and we'd be like what, and we would look around,

491
00:22:07,640 --> 00:22:08,600
Speaker 1: like is their mother here?

492
00:22:08,720 --> 00:22:08,840
Speaker 4: Right?

493
00:22:09,000 --> 00:22:10,920
Speaker 2: So I would hear them and we.

494
00:22:10,880 --> 00:22:12,679
Speaker 1: Would just be like, are you sure you should be

495
00:22:12,720 --> 00:22:13,280
Speaker 1: watching that?

496
00:22:13,760 --> 00:22:13,879
Speaker 4: Right?

497
00:22:14,040 --> 00:22:16,080
Speaker 1: You know, we were concerned for them, but they were

498
00:22:16,240 --> 00:22:19,440
Speaker 1: very sure of themselves and very much like they were

499
00:22:19,440 --> 00:22:20,040
Speaker 1: our peers.

500
00:22:20,119 --> 00:22:23,560
Speaker 2: You know, they would talk like that. Okay, yeah, I

501
00:22:23,560 --> 00:22:24,479
Speaker 2: mean they were polite.

502
00:22:24,520 --> 00:22:26,520
Speaker 1: I don't mean to say that they weren't, but like

503
00:22:26,600 --> 00:22:28,520
Speaker 1: it was a thing that we would encounter.

504
00:22:28,600 --> 00:22:30,760
Speaker 3: They were not intimidated to speak their minds.

505
00:22:30,840 --> 00:22:31,280
Speaker 1: They were not.

506
00:22:31,480 --> 00:22:32,639
Speaker 2: They were not. They were not.

507
00:22:32,960 --> 00:22:34,600
Speaker 1: No, they were not, and they were like we know

508
00:22:34,720 --> 00:22:36,760
Speaker 1: you you know like that, And I mean, I have

509
00:22:36,840 --> 00:22:39,280
Speaker 1: to say and sometimes I think this is great because

510
00:22:39,280 --> 00:22:41,280
Speaker 1: obviously the world is a really complicated place.

511
00:22:41,320 --> 00:22:45,359
Speaker 2: But my daughter, who obviously is my daughter, so it's different.

512
00:22:45,359 --> 00:22:48,800
Speaker 1: But like she has friends, there's different personalities in the

513
00:22:48,800 --> 00:22:51,040
Speaker 1: friend group or whatever. But she has one friend who

514
00:22:51,160 --> 00:22:53,440
Speaker 1: literally talks to me like we are the same age,

515
00:22:53,440 --> 00:22:55,080
Speaker 1: you know what I'm saying. And I try to keep

516
00:22:55,080 --> 00:22:58,440
Speaker 1: it going right because because sometimes it goes too far.

517
00:22:58,880 --> 00:23:01,480
Speaker 1: Like one time I wanted to argue with me about

518
00:23:01,560 --> 00:23:06,320
Speaker 1: whether tank tops should be tight. It was so funny

519
00:23:06,560 --> 00:23:11,000
Speaker 1: because like, you know, they're so young, right anyway, don't

520
00:23:11,040 --> 00:23:11,639
Speaker 1: get me started.

521
00:23:11,920 --> 00:23:13,719
Speaker 2: Sometimes I do have to remind her.

522
00:23:13,800 --> 00:23:15,760
Speaker 3: I was like, how long was this argument? Did you have?

523
00:23:16,200 --> 00:23:16,960
Speaker 3: Went to your debate?

524
00:23:17,000 --> 00:23:17,280
Speaker 2: Okay?

525
00:23:17,280 --> 00:23:20,280
Speaker 1: In the car, I had taken them to Universal Halloween

526
00:23:20,320 --> 00:23:23,239
Speaker 1: Horror Nights, which I certifying praise for because it was

527
00:23:23,480 --> 00:23:24,800
Speaker 1: very terrifying.

528
00:23:24,359 --> 00:23:27,520
Speaker 2: Terrifying, very terrifying. I mean, I've never been. I don't

529
00:23:27,560 --> 00:23:30,199
Speaker 2: think i'll ever go again, but I had my twenties.

530
00:23:30,240 --> 00:23:31,200
Speaker 3: Never ever happen again.

531
00:23:31,240 --> 00:23:33,560
Speaker 1: I had to beat the chaperone, you know, because they

532
00:23:33,560 --> 00:23:36,119
Speaker 1: are like adults there that are drinking. Right, So I

533
00:23:36,160 --> 00:23:38,760
Speaker 1: went and it was in the car on the way

534
00:23:38,800 --> 00:23:40,879
Speaker 1: home at like one in the morning, right, So like

535
00:23:41,000 --> 00:23:43,800
Speaker 1: my patients had some run out and I was like, listen,

536
00:23:43,880 --> 00:23:47,560
Speaker 1: I'm really old and I understand clothes, so don't argue

537
00:23:47,560 --> 00:23:50,159
Speaker 1: with me about this little girl.

538
00:23:50,200 --> 00:23:51,200
Speaker 3: You know what I mean?

539
00:23:51,640 --> 00:23:52,560
Speaker 2: I mean, but I.

540
00:23:52,480 --> 00:23:54,960
Speaker 1: Also love the pluck and the spunk and the Yeah,

541
00:23:55,000 --> 00:23:58,600
Speaker 1: they're gonna that they're you know, out there figuring things

542
00:23:58,640 --> 00:23:59,960
Speaker 1: out and they're going to tell you what they think.

543
00:24:00,119 --> 00:24:02,600
Speaker 4: And clothes matters so much, I think for certain girls

544
00:24:02,640 --> 00:24:05,800
Speaker 4: at certain ages where it's totally their expression and it's

545
00:24:05,840 --> 00:24:07,320
Speaker 4: how they municate.

546
00:24:07,800 --> 00:24:13,240
Speaker 1: True, it's hard, Yeah, it's so hard as the mom.

547
00:24:13,880 --> 00:24:17,320
Speaker 4: But I remember having friends being younger and having very

548
00:24:17,320 --> 00:24:21,120
Speaker 4: different feelings towards different clothes because of what, you know.

549
00:24:21,320 --> 00:24:22,159
Speaker 2: What they associated with.

550
00:24:22,760 --> 00:24:25,439
Speaker 1: Yeah, yeah, yeah, totally totally. Oh, let's talk about Miranda

551
00:24:25,480 --> 00:24:29,240
Speaker 1: for a second. I literally no memory of this entire storyline.

552
00:24:29,440 --> 00:24:32,800
Speaker 1: I think it's hysterical. I also now know there's like

553
00:24:32,840 --> 00:24:35,399
Speaker 1: a theme where they get stuff stuck in her teeth

554
00:24:35,640 --> 00:24:37,320
Speaker 1: because it happens again later.

555
00:24:37,320 --> 00:24:37,840
Speaker 3: Does it?

556
00:24:37,960 --> 00:24:38,360
Speaker 4: Yes?

557
00:24:38,600 --> 00:24:42,080
Speaker 1: And she's so game with it one time? And I

558
00:24:42,119 --> 00:24:44,280
Speaker 1: think we also write it in I can't remember it's

559
00:24:44,400 --> 00:24:47,680
Speaker 1: later or later like coming. It could be in a movie,

560
00:24:47,760 --> 00:24:50,080
Speaker 1: but I think it's not. But she's eating salad. She

561
00:24:50,720 --> 00:24:51,680
Speaker 1: they always wanted us.

562
00:24:51,640 --> 00:24:52,080
Speaker 2: To eat a lot.

563
00:24:52,119 --> 00:24:53,960
Speaker 4: Salad always betrays you, exactly.

564
00:24:54,280 --> 00:24:56,440
Speaker 1: But that's why they loved it, right, because they want

565
00:24:56,480 --> 00:24:58,320
Speaker 1: it to be as real as possible. And at one

566
00:24:58,359 --> 00:25:00,320
Speaker 1: point there's a point where they were like, pu on

567
00:25:00,320 --> 00:25:00,760
Speaker 1: your teeth.

568
00:25:00,800 --> 00:25:01,520
Speaker 2: I remember this.

569
00:25:01,760 --> 00:25:04,119
Speaker 1: But we're at a coffee shop scene, right, and I

570
00:25:04,119 --> 00:25:05,919
Speaker 1: think we tell her like but she doesn't have the

571
00:25:05,960 --> 00:25:09,320
Speaker 1: braces like they just torture her sometimes, but of course

572
00:25:09,320 --> 00:25:12,680
Speaker 1: she doesn't so relatable and she.

573
00:25:12,640 --> 00:25:13,400
Speaker 2: Doesn't care at all.

574
00:25:13,600 --> 00:25:17,840
Speaker 1: She has no vanity. Cynthia Nixon, no vanity whatsoever. But

575
00:25:17,880 --> 00:25:21,240
Speaker 1: when she gets she goes Okay, so anyway, she I

576
00:25:21,280 --> 00:25:23,840
Speaker 1: didn't remember all this, the whole backstory, the fact that

577
00:25:23,880 --> 00:25:27,200
Speaker 1: she comes in like I have clicking jaw and tim

578
00:25:27,320 --> 00:25:28,439
Speaker 1: j I don't remember any of this.

579
00:25:28,520 --> 00:25:29,240
Speaker 2: It's fascinating.

580
00:25:29,240 --> 00:25:33,120
Speaker 1: It's super fascinating and like way to jump into a storyline. Yeah, DoD,

581
00:25:33,160 --> 00:25:34,760
Speaker 1: I mean, it's very very interesting.

582
00:25:35,240 --> 00:25:37,439
Speaker 2: And so she's like, you know, this is what I

583
00:25:37,480 --> 00:25:37,760
Speaker 2: have to do.

584
00:25:37,800 --> 00:25:40,960
Speaker 1: I have to get some braces because her she's a

585
00:25:41,000 --> 00:25:44,720
Speaker 1: tongue thruster, Like what does this even mean? Oh my god,

586
00:25:44,960 --> 00:25:46,720
Speaker 1: I know, I don't remember a single bit of it.

587
00:25:46,920 --> 00:25:49,920
Speaker 1: So then she gets the braces. They're pretty dainty compared

588
00:25:49,960 --> 00:25:52,440
Speaker 1: to the braces I had eighteen million years ago, which

589
00:25:52,480 --> 00:25:54,320
Speaker 1: I had like the whole silver you know.

590
00:25:54,400 --> 00:25:57,719
Speaker 4: Yeah, but I feel like everybody had retainers for that,

591
00:25:57,800 --> 00:25:58,520
Speaker 4: like the pop.

592
00:25:58,359 --> 00:26:01,439
Speaker 1: In I did eventually have, Oh you did, yeah, but

593
00:26:01,560 --> 00:26:02,480
Speaker 1: not not.

594
00:26:02,720 --> 00:26:04,520
Speaker 3: But I think the fake ones they had to use

595
00:26:04,560 --> 00:26:06,760
Speaker 3: would have maybe been less right.

596
00:26:06,920 --> 00:26:09,320
Speaker 1: No, hers look more. I think hers are a different

597
00:26:09,359 --> 00:26:11,320
Speaker 1: I think we were in between types because obviously I

598
00:26:11,320 --> 00:26:13,880
Speaker 1: had mine when I was ten years old, okay, long

599
00:26:14,040 --> 00:26:16,879
Speaker 1: time ago, and now my daughter has them now, and

600
00:26:16,920 --> 00:26:20,200
Speaker 1: now they have three D printed braces, which is very interesting.

601
00:26:20,280 --> 00:26:22,600
Speaker 3: So they're that's definitely got to be a pop in.

602
00:26:23,240 --> 00:26:25,960
Speaker 1: Oh no, no popping, no popping. It is glued on there.

603
00:26:26,080 --> 00:26:28,639
Speaker 1: The three D brace brackets are glued on there to

604
00:26:28,640 --> 00:26:31,360
Speaker 1: to actually move the teeth. The popping and popping out

605
00:26:31,400 --> 00:26:32,960
Speaker 1: is not going to move your teeth, even like the

606
00:26:32,960 --> 00:26:35,920
Speaker 1: invisil line is. Yeah, she could have gotten the visiline,

607
00:26:35,960 --> 00:26:38,439
Speaker 1: but like, I just didn't think that the that the

608
00:26:38,520 --> 00:26:39,879
Speaker 1: teen was going to be a.

609
00:26:39,840 --> 00:26:41,320
Speaker 4: Whole thing about in missiling because I didn't do it,

610
00:26:41,320 --> 00:26:43,440
Speaker 4: but a friend did it, and now it's it's very

611
00:26:43,680 --> 00:26:45,720
Speaker 4: a different kind of commitment, but it is you're taking

612
00:26:45,720 --> 00:26:48,640
Speaker 4: it with you to the restaurant exact might eat something later,

613
00:26:49,640 --> 00:26:50,760
Speaker 4: rebrushing exactly.

614
00:26:50,800 --> 00:26:53,520
Speaker 1: And that's why I did not get it for my

615
00:26:53,800 --> 00:26:55,760
Speaker 1: for my young lady, but I got her the three

616
00:26:55,880 --> 00:26:58,280
Speaker 1: D And that's kind of what what Miranda's look like.

617
00:26:58,280 --> 00:27:01,560
Speaker 1: They're dainty, they're not like so super blocky and yeah

618
00:27:01,600 --> 00:27:04,040
Speaker 1: big yeah, yeah, but they're still pretty prevallege.

619
00:27:04,080 --> 00:27:07,359
Speaker 4: My generation was right when they started pushing the clear

620
00:27:07,440 --> 00:27:09,880
Speaker 4: braces as a good idea, and you'd see a lot

621
00:27:09,880 --> 00:27:12,160
Speaker 4: more people with the clear braces, and that just being

622
00:27:12,240 --> 00:27:14,480
Speaker 4: like the new thing or the new thing that was

623
00:27:15,160 --> 00:27:16,960
Speaker 4: enough people started doing it for sure.

624
00:27:17,040 --> 00:27:17,440
Speaker 2: For sure.

625
00:27:17,600 --> 00:27:20,240
Speaker 1: So she's got what I considered to be slightly dainty braces,

626
00:27:20,280 --> 00:27:22,320
Speaker 1: but she feels like they're horrible and like she's the

627
00:27:22,359 --> 00:27:24,720
Speaker 1: oldest person ever in the world to have braces and

628
00:27:24,800 --> 00:27:25,400
Speaker 1: my favorite.

629
00:27:25,440 --> 00:27:27,080
Speaker 2: I mean, there's so many funny scenes here.

630
00:27:27,400 --> 00:27:30,240
Speaker 1: Obviously when she goes on the date with the guy

631
00:27:30,000 --> 00:27:33,080
Speaker 1: that you know, she meets in the cafeteria style restaurant

632
00:27:33,119 --> 00:27:34,879
Speaker 1: with the rest of us, though I guess I was

633
00:27:34,880 --> 00:27:35,480
Speaker 1: I there or was.

634
00:27:35,400 --> 00:27:35,719
Speaker 2: It not there?

635
00:27:35,720 --> 00:27:37,440
Speaker 1: I don't think I'm there. Wait, no, I am there

636
00:27:37,440 --> 00:27:39,960
Speaker 1: with my wavy hair. I am there. I'm in one

637
00:27:39,960 --> 00:27:41,840
Speaker 1: group scene, and that I'm not in one group scene

638
00:27:41,840 --> 00:27:43,600
Speaker 1: because I think I'm at therapy or whatever, do you

639
00:27:43,640 --> 00:27:46,640
Speaker 1: know what I mean? Like like now that I'm married, Unfortunately,

640
00:27:46,720 --> 00:27:49,080
Speaker 1: Charlotte does not get to partake in everything, going to

641
00:27:49,080 --> 00:27:50,919
Speaker 1: every kind of shad like when they go to La

642
00:27:51,040 --> 00:27:53,280
Speaker 1: Charlotte does not go and it has to join them later.

643
00:27:53,359 --> 00:27:55,040
Speaker 2: I do come, I do come.

644
00:27:55,119 --> 00:27:57,119
Speaker 1: Yeah, but I was really bummed out. I remember, just

645
00:27:57,160 --> 00:28:00,600
Speaker 1: because obviously I already looked to your race, like wait,

646
00:28:01,440 --> 00:28:02,040
Speaker 1: they're all going to.

647
00:28:02,080 --> 00:28:03,600
Speaker 2: Go to La without Charlotte.

648
00:28:03,760 --> 00:28:07,119
Speaker 3: This is terrible. But then they join them than, guys,

649
00:28:07,240 --> 00:28:09,840
Speaker 3: I live here, I'll show up. I'll just you believe me.

650
00:28:09,920 --> 00:28:12,320
Speaker 1: They knew, but yeah, I was just like, why are

651
00:28:12,320 --> 00:28:13,119
Speaker 1: they being so mean to me?

652
00:28:13,320 --> 00:28:14,880
Speaker 2: But I do? I do? Come join?

653
00:28:15,840 --> 00:28:18,160
Speaker 1: So she goes on the date that they have previously

654
00:28:18,160 --> 00:28:21,760
Speaker 1: met at the cafeteria style restaurant who's quite adorable, and

655
00:28:21,800 --> 00:28:25,119
Speaker 1: then she has just like so much food stuck and

656
00:28:25,160 --> 00:28:28,640
Speaker 1: embraces and luckily he tells her, I think that's really important.

657
00:28:28,680 --> 00:28:31,400
Speaker 1: I think that if you're with someone and someone else,

658
00:28:31,520 --> 00:28:33,560
Speaker 1: you know, gets food stick, that you should tell them.

659
00:28:33,800 --> 00:28:35,600
Speaker 1: Like sometimes they get really mad at my kids that

660
00:28:35,640 --> 00:28:37,680
Speaker 1: they haven't told me. I'll get home and I'll look

661
00:28:37,680 --> 00:28:39,880
Speaker 1: at my teeth. I'll be like, you, guys, why did

662
00:28:39,960 --> 00:28:40,600
Speaker 1: you not tell me?

663
00:28:40,760 --> 00:28:44,680
Speaker 4: They were like, we didn't see I get the thing

664
00:28:44,680 --> 00:28:46,040
Speaker 4: where I'm like, would you want them to tell you?

665
00:28:46,040 --> 00:28:48,040
Speaker 4: Would you not want to? Like, obviously they've seen it.

666
00:28:48,080 --> 00:28:49,600
Speaker 4: But then once they tell you and you fix it,

667
00:28:49,600 --> 00:28:51,000
Speaker 4: You're like, they're staring at me.

668
00:28:51,720 --> 00:28:53,800
Speaker 1: Right, But wouldn't you rather get it fixed than just

669
00:28:53,880 --> 00:28:54,600
Speaker 1: go about your.

670
00:28:54,480 --> 00:28:54,960
Speaker 4: Don't you know?

671
00:28:55,000 --> 00:28:56,560
Speaker 3: Because I can't get out of my head after that.

672
00:28:56,760 --> 00:29:00,080
Speaker 3: Oh I don't know. It's a very weird thing. Interesting.

673
00:29:00,120 --> 00:29:00,920
Speaker 1: I would want to know.

674
00:29:01,040 --> 00:29:03,840
Speaker 4: I get that feeling of like if someone accidentally, like

675
00:29:03,960 --> 00:29:05,040
Speaker 4: walks into the bathroom.

676
00:29:05,560 --> 00:29:07,840
Speaker 3: You know that feeling where you're like, you shouldn't feel shame.

677
00:29:07,920 --> 00:29:09,640
Speaker 4: It's like they didn't knock, they opened the door, there

678
00:29:09,680 --> 00:29:11,280
Speaker 4: was no lock on the door, right, you should not

679
00:29:11,320 --> 00:29:14,040
Speaker 4: feel a certain way about it. You're like, it's an accident, yes,

680
00:29:14,080 --> 00:29:16,760
Speaker 4: but you can't shake that feeling. It's the same food

681
00:29:16,760 --> 00:29:17,840
Speaker 4: in your teeth feeling for me.

682
00:29:17,920 --> 00:29:19,880
Speaker 1: Really, yeah, Oh I would not put them on the

683
00:29:19,880 --> 00:29:22,160
Speaker 1: same light. No, no, no, no, you're just like.

684
00:29:22,120 --> 00:29:22,840
Speaker 3: Oh, I've been caught.

685
00:29:23,040 --> 00:29:23,840
Speaker 2: No, I've been caught.

686
00:29:23,960 --> 00:29:26,320
Speaker 1: No. I just want to know. I don't want to

687
00:29:26,360 --> 00:29:28,440
Speaker 1: just go through my day or go through the birthday

688
00:29:28,440 --> 00:29:30,320
Speaker 1: party or whatever it is with the food in the mouth.

689
00:29:30,440 --> 00:29:32,720
Speaker 2: No, don't. It's never a good it's never it's not good.

690
00:29:32,800 --> 00:29:35,760
Speaker 1: I want someone to tell me quickly, quickly when they

691
00:29:35,840 --> 00:29:38,440
Speaker 1: first see Yes, that's what I think you should do.

692
00:29:38,720 --> 00:29:40,800
Speaker 2: Anyway, she's at this date and he tells her, which

693
00:29:40,800 --> 00:29:41,880
Speaker 2: I think is really sweet.

694
00:29:42,120 --> 00:29:44,240
Speaker 1: It does seem like she doesn't really recover, which is

695
00:29:44,320 --> 00:29:46,280
Speaker 1: kind of I think what you're saying and that does

696
00:29:46,360 --> 00:29:48,800
Speaker 1: make her go decide to get the braces off, but

697
00:29:48,840 --> 00:29:51,040
Speaker 1: before she is the braces off. I love the scene

698
00:29:51,040 --> 00:29:55,120
Speaker 1: where she's at the law firm, and I feel she's

699
00:29:55,200 --> 00:29:57,920
Speaker 1: so great. Miranda as a character is so great because

700
00:29:57,920 --> 00:30:00,240
Speaker 1: she just says stuff, you know that the the rest

701
00:30:00,240 --> 00:30:01,680
Speaker 1: of us might think, but we don't say.

702
00:30:01,880 --> 00:30:04,200
Speaker 2: She's with just like, I.

703
00:30:04,120 --> 00:30:07,800
Speaker 1: Don't know, ten guys and she's presenting the brief I

704
00:30:07,840 --> 00:30:10,320
Speaker 1: guess to the group and there are guys at the

705
00:30:10,360 --> 00:30:12,760
Speaker 1: other end of the table laughing, kind of snickering, laughing,

706
00:30:13,040 --> 00:30:15,640
Speaker 1: and she thinks it's about her braces, and so she's

707
00:30:15,680 --> 00:30:18,240
Speaker 1: trying to push on but she can't. And then she goes, okay,

708
00:30:18,480 --> 00:30:20,600
Speaker 1: you know, all right, you know down there at the

709
00:30:20,640 --> 00:30:22,200
Speaker 1: other end of the table, let's.

710
00:30:22,080 --> 00:30:23,760
Speaker 2: Just take a minute and get it out of your

711
00:30:23,800 --> 00:30:25,840
Speaker 2: system that you're laughing at my braces.

712
00:30:26,760 --> 00:30:29,400
Speaker 1: And they go, hobbs, we were just laughing at the

713
00:30:29,440 --> 00:30:31,280
Speaker 1: typo on page three.

714
00:30:32,680 --> 00:30:34,160
Speaker 3: So good. It's so good.

715
00:30:34,360 --> 00:30:36,640
Speaker 4: But it's also like what you're saying, where she says

716
00:30:36,760 --> 00:30:39,280
Speaker 4: the thing that she's so good about being just like

717
00:30:39,320 --> 00:30:43,760
Speaker 4: say it bluntly, but she says the thing that everybody goes,

718
00:30:43,840 --> 00:30:45,720
Speaker 4: I should have said this when we get home from work,

719
00:30:45,720 --> 00:30:47,440
Speaker 4: they're like, what I would have liked to have said

720
00:30:47,800 --> 00:30:50,040
Speaker 4: was this, But she says it like at the moment.

721
00:30:50,000 --> 00:30:51,840
Speaker 3: She does, she's amazing, that's so cool.

722
00:30:51,880 --> 00:31:05,520
Speaker 2: Yeah, yes, yes, yes, yes, this is good.

723
00:31:05,840 --> 00:31:08,280
Speaker 1: This is very funny and very accurate to now. Still

724
00:31:08,320 --> 00:31:12,040
Speaker 1: too so Carrie. When Carrie's writing, she says, were Jenny

725
00:31:12,120 --> 00:31:15,800
Speaker 1: Brier that's Kat Denning's character, where Jenny Brier and her

726
00:31:15,840 --> 00:31:18,640
Speaker 1: friends dressed like thirty something year old women? Or were

727
00:31:18,640 --> 00:31:21,400
Speaker 1: we just trying to look like teenagers? One of us

728
00:31:21,800 --> 00:31:25,520
Speaker 1: was sending down Parrin young while another was touring around

729
00:31:25,520 --> 00:31:28,520
Speaker 1: New York on a scooter. When you're a teenager, all

730
00:31:28,560 --> 00:31:30,800
Speaker 1: you want to do is buy beer, But once you

731
00:31:30,880 --> 00:31:33,040
Speaker 1: hit thirty, all you want to do is get carted.

732
00:31:33,400 --> 00:31:36,840
Speaker 1: I wondered, in today's youth obsessed culture, are the women

733
00:31:36,840 --> 00:31:40,560
Speaker 1: of my generation growing into mature, responsible adults or are

734
00:31:40,600 --> 00:31:42,440
Speaker 1: we thirty four going on thirteen?

735
00:31:44,200 --> 00:31:46,400
Speaker 2: I mean, yeah, how accurate.

736
00:31:46,520 --> 00:31:48,960
Speaker 3: It's very accurate still.

737
00:31:48,720 --> 00:31:52,840
Speaker 1: To today, because it is still an incredibly youth obsessed culture,

738
00:31:52,920 --> 00:31:55,840
Speaker 1: probably even more so, I think.

739
00:31:56,040 --> 00:31:59,960
Speaker 4: But I feel like you having like a daughter's fourteen

740
00:32:00,120 --> 00:32:03,400
Speaker 4: see kind of exactly what today is in that in

741
00:32:03,440 --> 00:32:06,200
Speaker 4: that way, Whereas I look back at that time and

742
00:32:06,320 --> 00:32:07,040
Speaker 4: there was.

743
00:32:07,080 --> 00:32:07,880
Speaker 3: A real.

744
00:32:09,800 --> 00:32:12,440
Speaker 4: It depends on you know, what sort of childhood you're

745
00:32:12,480 --> 00:32:16,040
Speaker 4: coming from, but there was like a broader, real push

746
00:32:16,160 --> 00:32:18,320
Speaker 4: that it was acceptable to dress like we were dressing,

747
00:32:18,400 --> 00:32:21,400
Speaker 4: and so do all this stuff while also knowing that

748
00:32:21,400 --> 00:32:25,680
Speaker 4: that gets attention and like in maybe ways you're not

749
00:32:25,880 --> 00:32:29,360
Speaker 4: grown enough to be receiving and understanding and all that stuff.

750
00:32:29,360 --> 00:32:32,440
Speaker 1: Well, let's not leave out the year two thousand would

751
00:32:32,440 --> 00:32:34,840
Speaker 1: be like hey day, Britney spears exactly.

752
00:32:34,880 --> 00:32:36,880
Speaker 3: I was thinking. I was thinking that before before coming.

753
00:32:38,360 --> 00:32:38,800
Speaker 1: It really was.

754
00:32:38,880 --> 00:32:43,520
Speaker 4: It was of such a specific time of that being

755
00:32:43,680 --> 00:32:46,960
Speaker 4: so normal and acceptable and like that's just what you did,

756
00:32:47,400 --> 00:32:50,160
Speaker 4: whereas like it's been thought through a lot more, I

757
00:32:50,200 --> 00:32:50,560
Speaker 4: think in.

758
00:32:50,520 --> 00:32:51,400
Speaker 2: The last year.

759
00:32:52,360 --> 00:32:54,720
Speaker 1: I mean I feel like, yes, in some ways, yes,

760
00:32:54,760 --> 00:32:58,440
Speaker 1: like we saw kind of the damage and now I

761
00:32:58,440 --> 00:33:00,240
Speaker 1: think there's a lot more awareness. Like the way that

762
00:33:00,280 --> 00:33:03,800
Speaker 1: we talked about women's bodies, things that people were put

763
00:33:03,840 --> 00:33:07,920
Speaker 1: through back then culturally horrible, right, But at the same time,

764
00:33:08,720 --> 00:33:12,120
Speaker 1: I love Serena Carpenter so much, and she's luckily older

765
00:33:12,120 --> 00:33:16,080
Speaker 1: than Brittany was, but like her music is so sexualized

766
00:33:16,120 --> 00:33:17,680
Speaker 1: and like how she dresses.

767
00:33:17,720 --> 00:33:18,680
Speaker 2: I mean, have you have you.

768
00:33:18,800 --> 00:33:20,240
Speaker 3: Seen I've seen?

769
00:33:20,360 --> 00:33:23,000
Speaker 1: Oh god, it like I yeah, I'm up on all

770
00:33:23,040 --> 00:33:25,120
Speaker 1: the stuff you're up on the Yahna. I love her

771
00:33:25,160 --> 00:33:27,840
Speaker 1: and she's very empowered. Like it's not like she's a

772
00:33:27,920 --> 00:33:31,040
Speaker 1: victim in any way, right, No, no, no, she's very powerful.

773
00:33:31,040 --> 00:33:34,080
Speaker 1: She's a tiny, tiny, little five foot thing and she's

774
00:33:34,200 --> 00:33:37,440
Speaker 1: just like a little powerhouse. But it's so sexualized. My

775
00:33:37,520 --> 00:33:39,320
Speaker 1: son loves her. He does not know what she's sang

776
00:33:39,360 --> 00:33:42,680
Speaker 1: in her songs. Thank god, he's seven. Okay, so no

777
00:33:42,680 --> 00:33:44,479
Speaker 1: one explained this to him. No one explained to him

778
00:33:44,520 --> 00:33:45,240
Speaker 1: what she's talking about.

779
00:33:46,000 --> 00:33:46,479
Speaker 3: Do you know what I mean?

780
00:33:46,560 --> 00:33:49,040
Speaker 1: Yeah, they're like good bops. You know what I'm saying, right,

781
00:33:49,120 --> 00:33:50,360
Speaker 1: But if you listen to the.

782
00:33:50,280 --> 00:33:53,800
Speaker 2: Words, it's it's it's a lot of stuff. It's a

783
00:33:53,840 --> 00:33:54,480
Speaker 2: lot of stuff.

784
00:33:54,760 --> 00:33:54,960
Speaker 4: Right.

785
00:33:55,000 --> 00:33:57,320
Speaker 1: But so like, I feel like the music industry in

786
00:33:57,360 --> 00:34:02,560
Speaker 1: particular is still really just the hot bit of strangeness

787
00:34:02,600 --> 00:34:04,960
Speaker 1: in terms of the people who are successful seem to

788
00:34:04,960 --> 00:34:07,600
Speaker 1: be pushed to the women I should say who are

789
00:34:07,640 --> 00:34:10,680
Speaker 1: successful seem to be pushed somehow. I don't know if

790
00:34:10,719 --> 00:34:14,280
Speaker 1: they're pushed or they choose it into this very sexualized

791
00:34:14,880 --> 00:34:17,920
Speaker 1: presentation and performance style and.

792
00:34:18,880 --> 00:34:21,400
Speaker 4: The other thing thing, I don't actually know what the

793
00:34:21,920 --> 00:34:25,000
Speaker 4: truth of any of it is, except my perception of it,

794
00:34:25,040 --> 00:34:27,160
Speaker 4: which was like the Britney spears of the Cristiaguilar, like

795
00:34:27,200 --> 00:34:29,080
Speaker 4: all that time and stuff that came out.

796
00:34:29,120 --> 00:34:33,680
Speaker 3: Like my perception of it was they were heavily encouraged,

797
00:34:33,719 --> 00:34:34,759
Speaker 3: if not pushed to.

798
00:34:35,520 --> 00:34:37,720
Speaker 2: I felt the same way. I don't know the truth.

799
00:34:37,920 --> 00:34:38,319
Speaker 3: I don't know that.

800
00:34:38,360 --> 00:34:40,719
Speaker 4: I look at a lot of the pop I guess

801
00:34:40,719 --> 00:34:42,640
Speaker 4: we call it pop stars now, and it feels like

802
00:34:42,680 --> 00:34:43,560
Speaker 4: they have more agency.

803
00:34:43,760 --> 00:34:45,560
Speaker 2: I like it too, and they're not as young.

804
00:34:45,880 --> 00:34:48,400
Speaker 1: I think there's that, right, Like that's a win no

805
00:34:48,480 --> 00:34:52,520
Speaker 1: matter what, right, because that at that age is so terrifying, right,

806
00:34:52,600 --> 00:34:56,439
Speaker 1: like terrifying. But I also feel like, as a parent,

807
00:34:56,440 --> 00:35:00,000
Speaker 1: you have to make this huge effort to keep your

808
00:35:00,160 --> 00:35:02,320
Speaker 1: children as young as possible for as long as possible,

809
00:35:02,520 --> 00:35:05,799
Speaker 1: which is super hard in the world that we live in, right,

810
00:35:05,800 --> 00:35:08,000
Speaker 1: It's just really really hard. And then you also have

811
00:35:08,040 --> 00:35:09,680
Speaker 1: to let them be themselves. And then you have to

812
00:35:09,719 --> 00:35:12,120
Speaker 1: let them develop, you know, in the way that they're developing.

813
00:35:12,320 --> 00:35:13,040
Speaker 2: But it's rough.

814
00:35:13,320 --> 00:35:16,160
Speaker 1: But like like just and there are I think social

815
00:35:16,160 --> 00:35:19,360
Speaker 1: media in some ways also has a lot of negatives,

816
00:35:19,360 --> 00:35:21,840
Speaker 1: but then sometimes it can have positives, like there's so

817
00:35:21,920 --> 00:35:24,080
Speaker 1: many women talking about what we all went through in

818
00:35:24,120 --> 00:35:26,840
Speaker 1: the nineties, right, right, like talking about how rough it

819
00:35:27,040 --> 00:35:29,080
Speaker 1: was like with the low cut, and the magazines were

820
00:35:29,120 --> 00:35:31,840
Speaker 1: all critical of everybody's body at every moment. You know

821
00:35:31,840 --> 00:35:34,400
Speaker 1: what I'm saying. I was on a different talk show

822
00:35:34,480 --> 00:35:35,960
Speaker 1: and I walked out. I had never been on the

823
00:35:35,960 --> 00:35:37,880
Speaker 1: talk show. It was a later night one.

824
00:35:37,800 --> 00:35:40,319
Speaker 2: Right, like not as big a hit, and I walk out.

825
00:35:40,360 --> 00:35:42,719
Speaker 1: They play the entry music, which is why I hate

826
00:35:42,760 --> 00:35:45,000
Speaker 1: to hear the title credit. Oh, I have so much

827
00:35:45,000 --> 00:35:47,880
Speaker 1: anxiety about our music because I had so many weird

828
00:35:47,920 --> 00:35:48,879
Speaker 1: experiences to it.

829
00:35:49,560 --> 00:35:50,200
Speaker 3: I walk out.

830
00:35:50,320 --> 00:35:53,120
Speaker 1: You know, people are cheering really nice. I get there

831
00:35:53,120 --> 00:35:56,280
Speaker 1: and he goes, so, you guys are the new Golden Girls,

832
00:35:57,600 --> 00:35:59,439
Speaker 1: And I mean I was probably thirty three or thirty

833
00:35:59,440 --> 00:36:01,880
Speaker 1: four winning this to me right, And I was like,

834
00:36:03,160 --> 00:36:04,279
Speaker 1: can I just leave now?

835
00:36:05,880 --> 00:36:07,840
Speaker 4: I feel like what you're saying is not like a

836
00:36:07,880 --> 00:36:09,560
Speaker 4: group of women that other women want to watch.

837
00:36:09,560 --> 00:36:11,000
Speaker 3: I feel like that's not what you're saying.

838
00:36:10,800 --> 00:36:11,600
Speaker 2: Like you're insulting me.

839
00:36:11,880 --> 00:36:14,200
Speaker 1: And then on the same episode I'm just remembering this,

840
00:36:14,520 --> 00:36:18,680
Speaker 1: he asked me if size matters, and I was.

841
00:36:18,600 --> 00:36:23,640
Speaker 2: Like, why why.

842
00:36:22,680 --> 00:36:24,920
Speaker 1: Are you just going to torture us now? Like are

843
00:36:24,920 --> 00:36:27,400
Speaker 1: we just going to be tortured? And like there was

844
00:36:27,480 --> 00:36:31,799
Speaker 1: no preemptive like no one told me like that you're

845
00:36:31,800 --> 00:36:34,640
Speaker 1: walking into me or told me or said like, oh yeah,

846
00:36:34,640 --> 00:36:35,920
Speaker 1: he's gonna want to ask you a bunch of.

847
00:36:35,840 --> 00:36:37,160
Speaker 2: Weird things, do you know what I mean?

848
00:36:37,560 --> 00:36:38,799
Speaker 4: And he's going to try to meet one of the

849
00:36:38,800 --> 00:36:40,839
Speaker 4: girls at lunch and no, he was going to try

850
00:36:40,880 --> 00:36:44,040
Speaker 4: to be like a provoctan you know, provocateur, sorry, provocateur.

851
00:36:47,239 --> 00:36:48,720
Speaker 3: He's going to be welcome to my mind.

852
00:36:48,760 --> 00:36:53,640
Speaker 2: Everyone talking follow Thank you so much, Thank you so much.

853
00:36:53,760 --> 00:36:58,560
Speaker 1: Wait today and oh oh a very important question, kayton Ner,

854
00:36:59,160 --> 00:37:00,000
Speaker 1: Are you a Charlotte?

855
00:37:01,000 --> 00:37:02,719
Speaker 3: I want I want to ask you what that means?

856
00:37:03,719 --> 00:37:06,160
Speaker 4: So it means whatever you think it means, because I

857
00:37:06,239 --> 00:37:08,640
Speaker 4: was wondering if people think of it in different ways,

858
00:37:08,640 --> 00:37:11,919
Speaker 4: like is it more personality or how you react to things?

859
00:37:11,960 --> 00:37:14,319
Speaker 3: Is it more like world she comes from? Or like

860
00:37:14,400 --> 00:37:17,000
Speaker 3: is it job? Is it? There's all those different things.

861
00:37:17,040 --> 00:37:18,600
Speaker 1: I mean, I think that this is the joy of

862
00:37:18,640 --> 00:37:21,040
Speaker 1: playing a character for so long. Right, people have their

863
00:37:21,080 --> 00:37:23,560
Speaker 1: own idea of what or who she is, and it

864
00:37:23,600 --> 00:37:25,440
Speaker 1: may be my idea, but it might not be like,

865
00:37:25,480 --> 00:37:28,560
Speaker 1: I'm not gonna make you think about a certain way.

866
00:37:28,560 --> 00:37:30,000
Speaker 4: How strange is it to feel like you're like, yeah,

867
00:37:30,000 --> 00:37:33,560
Speaker 4: but I was her, but someone else interprets it totally differently,

868
00:37:33,680 --> 00:37:35,200
Speaker 4: even though I lived in it.

869
00:37:35,239 --> 00:37:36,120
Speaker 2: I'm so used to it.

870
00:37:36,160 --> 00:37:38,279
Speaker 1: I mean, I do think as an actor, you you

871
00:37:38,320 --> 00:37:39,680
Speaker 1: want that, right, Like, you're trying to.

872
00:37:39,640 --> 00:37:42,040
Speaker 2: Play a character that's going to connect to people, and

873
00:37:42,160 --> 00:37:42,520
Speaker 2: it's going.

874
00:37:42,480 --> 00:37:45,239
Speaker 1: To connect to people based on their own living, their

875
00:37:45,239 --> 00:37:47,440
Speaker 1: own experience, right, So you don't know what that's going

876
00:37:47,480 --> 00:37:49,680
Speaker 1: to be. I think the odd thing is that we've

877
00:37:49,680 --> 00:37:52,600
Speaker 1: been playing them so long that you have now thirty

878
00:37:52,680 --> 00:37:54,839
Speaker 1: years of experience of people talking to you about her, right,

879
00:37:55,120 --> 00:37:58,400
Speaker 1: So that is interesting and unusual, but it's great. Yeah,

880
00:37:58,440 --> 00:38:02,120
Speaker 1: because people say so many different things and they'll remember what.

881
00:38:02,080 --> 00:38:03,480
Speaker 3: It means for them. Yeah.

882
00:38:03,719 --> 00:38:06,120
Speaker 1: The biggest thing I would say would be do you

883
00:38:06,200 --> 00:38:06,919
Speaker 1: believe in love?

884
00:38:08,120 --> 00:38:08,480
Speaker 3: I do?

885
00:38:08,719 --> 00:38:09,520
Speaker 2: Okay, there you go.

886
00:38:10,760 --> 00:38:13,120
Speaker 1: You are you super loyal?

887
00:38:13,960 --> 00:38:17,480
Speaker 3: I think so? I hope my friends, I'm sure you

888
00:38:17,520 --> 00:38:18,560
Speaker 3: are that. I'm sure you are.

889
00:38:18,760 --> 00:38:20,000
Speaker 2: Are you a good cheerleader?

890
00:38:20,560 --> 00:38:21,160
Speaker 3: I try to be?

891
00:38:21,360 --> 00:38:21,800
Speaker 2: Yeah?

892
00:38:21,840 --> 00:38:23,359
Speaker 1: Okay, okay, okay.

893
00:38:24,440 --> 00:38:25,399
Speaker 3: What else you guys?

894
00:38:25,440 --> 00:38:28,080
Speaker 2: Do you like white flowers? I do?

895
00:38:28,239 --> 00:38:30,560
Speaker 3: I like my favorite is like white and green together.

896
00:38:30,760 --> 00:38:33,920
Speaker 1: Nice, me too, love white and I love white and

897
00:38:33,920 --> 00:38:34,640
Speaker 1: green so much?

898
00:38:35,520 --> 00:38:36,040
Speaker 2: Are you?

899
00:38:36,560 --> 00:38:37,759
Speaker 3: I know nothing about art.

900
00:38:38,200 --> 00:38:41,600
Speaker 1: That's where I'm not people that would be like down

901
00:38:41,640 --> 00:38:43,879
Speaker 1: the list. Okay, I'm saying, yeah, it's not something that.

902
00:38:43,800 --> 00:38:44,520
Speaker 2: People harp on.

903
00:38:44,680 --> 00:38:46,960
Speaker 1: I love that about her, that she loves art yright.

904
00:38:47,120 --> 00:38:49,479
Speaker 1: I love that about her, but it's certainly not top

905
00:38:49,480 --> 00:38:54,200
Speaker 1: of the mind. I think there is a traditional quality

906
00:38:54,320 --> 00:38:57,040
Speaker 1: to Charlotte that I don't personally share.

907
00:38:57,120 --> 00:38:59,520
Speaker 3: But that's where I might kind of differentiate.

908
00:38:59,560 --> 00:39:02,359
Speaker 4: However, I was exposed to a lot of girls with

909
00:39:02,480 --> 00:39:05,600
Speaker 4: that kind of upbringing, so I can understand.

910
00:39:05,040 --> 00:39:08,640
Speaker 3: It, sure, but it's not. Yeah, I don't right perfect,

911
00:39:08,640 --> 00:39:08,840
Speaker 3: But I.

912
00:39:08,840 --> 00:39:10,520
Speaker 1: Mean the other thing is you can be anyone you

913
00:39:10,560 --> 00:39:12,080
Speaker 1: want to be, or you can be different parts of

914
00:39:12,080 --> 00:39:13,880
Speaker 1: different people or whatever, you know what I mean. Like

915
00:39:13,920 --> 00:39:19,520
Speaker 1: people think of Miranda as being you know, super smart, powerful, ambitious,

916
00:39:20,200 --> 00:39:22,520
Speaker 1: calls it like it is, you know, like cut to

917
00:39:22,600 --> 00:39:23,160
Speaker 1: the chase.

918
00:39:24,360 --> 00:39:25,680
Speaker 2: Yeah, possibly cynical.

919
00:39:25,800 --> 00:39:26,640
Speaker 3: I don't know why.

920
00:39:26,960 --> 00:39:30,200
Speaker 4: I kind of walked away from like where I left

921
00:39:30,239 --> 00:39:33,680
Speaker 4: off or something and watching where whatever Miranda's character had

922
00:39:33,719 --> 00:39:35,400
Speaker 4: gone through up at that point, I was like, she

923
00:39:35,600 --> 00:39:38,000
Speaker 4: is like quietly, very very.

924
00:39:37,840 --> 00:39:39,279
Speaker 3: Compassionate and empathetic and.

925
00:39:39,320 --> 00:39:41,240
Speaker 2: Like, oh, definitely, you know, getting these.

926
00:39:41,239 --> 00:39:42,359
Speaker 3: Like things that you're going.

927
00:39:42,400 --> 00:39:44,640
Speaker 4: Oh, it kind of goes against with the presumption of

928
00:39:44,680 --> 00:39:47,240
Speaker 4: the successful female lawyer.

929
00:39:47,480 --> 00:39:50,000
Speaker 3: You know at that time that's great. Must have like

930
00:39:50,160 --> 00:39:50,960
Speaker 3: not been or.

931
00:39:50,960 --> 00:39:51,680
Speaker 2: That's so great.

932
00:39:51,719 --> 00:39:53,880
Speaker 4: But I remember being like, yeah, God, would I be

933
00:39:53,920 --> 00:39:58,440
Speaker 4: able to be that understanding and like how she handles

934
00:39:58,480 --> 00:40:00,719
Speaker 4: like her long term relationships and all that stuff where

935
00:40:00,760 --> 00:40:05,680
Speaker 4: you're pretty understanding. Yeah, though in later years maybe not.

936
00:40:05,840 --> 00:40:07,640
Speaker 3: Maybe I'm not caught up. Maybe I'm not caught up.

937
00:40:07,760 --> 00:40:08,319
Speaker 2: I don't know.

938
00:40:08,480 --> 00:40:09,480
Speaker 3: I'm not sure. I'm not.

939
00:40:09,520 --> 00:40:11,360
Speaker 1: It's hard for me to be objective sometimes about the

940
00:40:11,360 --> 00:40:13,960
Speaker 1: other ones. And then Carrie, you would say, I would think, like,

941
00:40:14,320 --> 00:40:18,000
Speaker 1: she's creative, she's a writer, she's always thinking, she's wondering

942
00:40:18,080 --> 00:40:20,920
Speaker 1: about everything. Obviously, I think I'm the least.

943
00:40:21,400 --> 00:40:24,960
Speaker 4: Strangely, I think I'm the least. I remember because that question,

944
00:40:25,200 --> 00:40:27,600
Speaker 4: that question came up a lot, like before the show

945
00:40:27,640 --> 00:40:28,160
Speaker 4: even ended.

946
00:40:28,160 --> 00:40:30,359
Speaker 3: I remember when people were watching it, like which one

947
00:40:30,360 --> 00:40:30,680
Speaker 3: are you?

948
00:40:30,840 --> 00:40:33,600
Speaker 4: Yes, And every girl would try to, you know, figure

949
00:40:33,600 --> 00:40:35,959
Speaker 4: out which one she was, and always kind of being

950
00:40:35,960 --> 00:40:37,520
Speaker 4: in this like not like that.

951
00:40:37,560 --> 00:40:38,800
Speaker 3: But I'm a little bit like that and whatever.

952
00:40:39,000 --> 00:40:42,040
Speaker 4: It's a carry thing. Everybody wanted. Everybody was like, I

953
00:40:42,080 --> 00:40:43,840
Speaker 4: think I'm a Carrie, Like they're not a Carrie.

954
00:40:44,040 --> 00:40:45,759
Speaker 3: You're not you know what I mean? I do?

955
00:40:45,880 --> 00:40:49,000
Speaker 4: Yeah, but yeah, I always looked at like the carry things.

956
00:40:49,000 --> 00:40:51,120
Speaker 4: She's like, she's the person we're going on the journey

957
00:40:51,160 --> 00:40:55,839
Speaker 4: with in the essence that she's narrated, although everybody over

958
00:40:55,920 --> 00:40:57,719
Speaker 4: the of course of the years probably says, well, no,

959
00:40:57,760 --> 00:40:59,279
Speaker 4: I'm a Charlotte and I'm a I.

960
00:40:59,200 --> 00:41:01,799
Speaker 2: Mean Rand, different feelings at different times too.

961
00:41:01,920 --> 00:41:04,920
Speaker 4: Yeah, yeah, yeah, but feeling like I was the least

962
00:41:05,400 --> 00:41:09,400
Speaker 4: maybe the least like Samantha, but like just how her

963
00:41:09,680 --> 00:41:13,719
Speaker 4: her sort of like her creativity or exploration is outward, Yes,

964
00:41:13,760 --> 00:41:17,560
Speaker 4: and that being part of what's so enjoyable to watch.

965
00:41:17,560 --> 00:41:19,960
Speaker 2: Yes for sure, for sure.

966
00:41:20,120 --> 00:41:20,440
Speaker 1: Yeah.

967
00:41:20,600 --> 00:41:22,799
Speaker 2: So you're a mix, You're a mixed.

968
00:41:22,800 --> 00:41:26,319
Speaker 3: I'm a Charlotte, Miranda, a door sprinkle of some other things.

969
00:41:26,480 --> 00:41:29,319
Speaker 2: Love it, love it, love it, love it.

970
00:41:29,680 --> 00:41:34,759
Speaker 1: Hayton, Liz, so much fun, So nice to have you,

971
00:41:35,080 --> 00:41:39,520
Speaker 1: and you are just a beautiful woman, grown up so wonderfully.

972
00:41:39,840 --> 00:41:40,920
Speaker 2: Congratulations.

973
00:41:41,000 --> 00:41:43,040
Speaker 4: Thirteen years old was a while ago, I mean it

974
00:41:43,120 --> 00:41:45,560
Speaker 4: really is, but it's been so cool to look back, but.

975
00:41:45,520 --> 00:41:48,160
Speaker 1: It's amazing that you could have been in that world

976
00:41:48,239 --> 00:41:52,319
Speaker 1: of being a model actor at thirteen and grown up

977
00:41:52,400 --> 00:41:54,000
Speaker 1: like a normal person.

978
00:41:53,960 --> 00:41:56,560
Speaker 3: Well normal as relative, of course.

979
00:41:56,640 --> 00:41:57,440
Speaker 2: But you're here with me.

980
00:41:58,800 --> 00:42:01,240
Speaker 1: You're very thoughtful, you know you.

981
00:42:01,520 --> 00:42:04,960
Speaker 2: I mean, yeah, I'm impressed. Thank you, You're welcome.

982
00:42:05,000 --> 00:42:08,360
Speaker 1: I do think there is that weird preconception that everyone

983
00:42:08,920 --> 00:42:11,799
Speaker 1: who was doing those kinds of you know, performance type

984
00:42:11,840 --> 00:42:15,640
Speaker 1: things at that age was damaged in some way by it.

985
00:42:16,280 --> 00:42:17,560
Speaker 3: Yeah, I mean.

986
00:42:19,040 --> 00:42:22,319
Speaker 4: In some cases it's it's true, but when in other

987
00:42:22,400 --> 00:42:25,360
Speaker 4: cases it's actually like I look at a lot of

988
00:42:25,360 --> 00:42:28,080
Speaker 4: the people that were in the professional world that time

989
00:42:28,200 --> 00:42:30,520
Speaker 4: when people bring up, oh, you need the people you

990
00:42:30,600 --> 00:42:32,800
Speaker 4: knew when you were young, because they'll understand all that stuff.

991
00:42:32,840 --> 00:42:34,520
Speaker 4: But I look at those kids that were professional kids

992
00:42:34,520 --> 00:42:37,120
Speaker 4: are going we really do like that.

993
00:42:37,320 --> 00:42:40,080
Speaker 1: Yeah yeah, yeah, yeah.

994
00:42:40,200 --> 00:42:42,080
Speaker 3: But some of them made it, some of them made

995
00:42:42,080 --> 00:42:42,279
Speaker 3: it out.

996
00:42:42,320 --> 00:42:42,600
Speaker 1: Okay.

997
00:42:42,760 --> 00:42:43,640
Speaker 2: I'm so glad.

998
00:42:43,719 --> 00:42:45,360
Speaker 1: I'm so glad because I don't think it was easy,

999
00:42:45,400 --> 00:42:46,960
Speaker 1: but I think it has a lot to do Also,

1000
00:42:47,000 --> 00:42:48,640
Speaker 1: like you said, your mom was with you all the time.

1001
00:42:48,680 --> 00:42:50,960
Speaker 2: I think that's obviously so super important.

1002
00:42:51,080 --> 00:42:53,800
Speaker 3: Yeah, thank you, thank you much.

1003
00:42:54,200 --> 00:42:59,600
Speaker 1: Thanks everybody