1 00:00:00,120 --> 00:00:03,360 Speaker 1: Hello, and welcome back to Movie Mike's Movie Podcast. Today, 2 00:00:03,600 --> 00:00:07,080 Speaker 1: it's gonna get dark, folks. We're talking about dark Disney theories, 3 00:00:07,080 --> 00:00:08,680 Speaker 1: some that I have come up with and some that 4 00:00:08,720 --> 00:00:11,440 Speaker 1: I have scoured the Internet for. You're either gonna love 5 00:00:11,520 --> 00:00:13,039 Speaker 1: or hate this episode. I'm just gonna say it right now. 6 00:00:13,039 --> 00:00:16,479 Speaker 1: You're gonna love or I'm going to ruin some Disney 7 00:00:16,520 --> 00:00:19,119 Speaker 1: movies for you. Also, since it was announced at the 8 00:00:19,120 --> 00:00:21,080 Speaker 1: Wizard of Oz is being remade, I'm gonna bring on 9 00:00:21,120 --> 00:00:23,560 Speaker 1: amateur movie critic Ali and we're gonna give our picks 10 00:00:23,560 --> 00:00:26,159 Speaker 1: on who they should cast and that remake. Plus a 11 00:00:26,239 --> 00:00:30,040 Speaker 1: spoiler free review of Judas and the Black Messiah without 12 00:00:30,080 --> 00:00:33,440 Speaker 1: any further ado, let's get started. In a world where 13 00:00:33,479 --> 00:00:37,559 Speaker 1: everyone and their mother has a podcast, one man stands 14 00:00:37,640 --> 00:00:41,120 Speaker 1: to infiltrate the ears of listeners like never before in 15 00:00:41,159 --> 00:00:45,360 Speaker 1: a movie podcast. A man with so much movie knowledge, 16 00:00:45,640 --> 00:00:50,360 Speaker 1: he's basically like a walking on MTV with classes from 17 00:00:50,360 --> 00:00:56,480 Speaker 1: the Nashville Podcast Network. Movie Movie Podcast. Alright, So a 18 00:00:56,520 --> 00:00:58,840 Speaker 1: couple episodes back, I went on kind of a rant 19 00:00:58,920 --> 00:01:01,880 Speaker 1: in this idea I had after watching Toy Story one 20 00:01:01,960 --> 00:01:04,320 Speaker 1: and two recently, and some people were like, man, you 21 00:01:04,400 --> 00:01:07,360 Speaker 1: got way too dark on that theory. But I have 22 00:01:07,440 --> 00:01:10,360 Speaker 1: a lot of these, so I decided to compile them together, 23 00:01:11,319 --> 00:01:13,240 Speaker 1: some of which I have come up with on my 24 00:01:13,280 --> 00:01:17,360 Speaker 1: own about Disney movies that will maybe just change the 25 00:01:17,360 --> 00:01:19,160 Speaker 1: way you thought about a Disney movie you saw as 26 00:01:19,160 --> 00:01:22,120 Speaker 1: a kid, or just overall ruin a Disney movie for you. 27 00:01:22,200 --> 00:01:25,240 Speaker 1: And then I've also scoured the internet, went on Reddit 28 00:01:25,240 --> 00:01:27,000 Speaker 1: and a bunch of kind of fan dairy sites to 29 00:01:27,000 --> 00:01:30,080 Speaker 1: find what other people had to say about Disney movies. 30 00:01:30,120 --> 00:01:32,120 Speaker 1: And I'm trying to find the most interesting ones, the 31 00:01:32,120 --> 00:01:36,199 Speaker 1: ones that actually had some kind of way of making sense. 32 00:01:36,200 --> 00:01:39,360 Speaker 1: So we shall call this dark Disney Theories. Let's go 33 00:01:44,040 --> 00:01:46,200 Speaker 1: all right, So let's start first with the one I 34 00:01:46,319 --> 00:01:49,360 Speaker 1: came up with on my own after watching Toy Story 35 00:01:49,400 --> 00:01:52,120 Speaker 1: one and Toy Story two again for the I don't 36 00:01:52,120 --> 00:01:55,640 Speaker 1: know tenth time in the last ten years. But I 37 00:01:55,720 --> 00:01:59,320 Speaker 1: was watching this movie and there's just something about Andy's 38 00:01:59,400 --> 00:02:01,800 Speaker 1: character in if you're familiar with Toy Story, you know 39 00:02:02,280 --> 00:02:04,880 Speaker 1: that he lacks a father figures throughout the entire thing. 40 00:02:05,680 --> 00:02:09,720 Speaker 1: There's just nothing that you know about his father, even 41 00:02:09,760 --> 00:02:11,360 Speaker 1: about his mom. You don't know a whole lot. And 42 00:02:11,360 --> 00:02:14,640 Speaker 1: there's also not a whole lot of kids outside of 43 00:02:14,760 --> 00:02:17,440 Speaker 1: Andy in Toy Story. Now later you have some kids 44 00:02:17,480 --> 00:02:20,720 Speaker 1: down the line in Toy Story three, But really it's 45 00:02:20,760 --> 00:02:23,480 Speaker 1: just about Andy and his toys. Now, there are some 46 00:02:23,560 --> 00:02:26,919 Speaker 1: theories about Toy Story that's say that it's just about 47 00:02:27,639 --> 00:02:29,840 Speaker 1: Andy's mom and his dad going through a divorce, that's 48 00:02:29,840 --> 00:02:31,320 Speaker 1: why you never see him. But I think it's a 49 00:02:31,320 --> 00:02:34,760 Speaker 1: lot deeper than that. I think it's actually about Andy 50 00:02:34,919 --> 00:02:37,600 Speaker 1: coping with the death of his father. Now there's a 51 00:02:37,600 --> 00:02:39,880 Speaker 1: little bit of evidence here and that you don't really 52 00:02:40,600 --> 00:02:43,720 Speaker 1: get to know Andy's father. You don't really see him. 53 00:02:43,760 --> 00:02:45,640 Speaker 1: In my theory, way I came up with this and 54 00:02:45,720 --> 00:02:48,560 Speaker 1: kind of his attachment to toys is that Woody was 55 00:02:48,600 --> 00:02:50,480 Speaker 1: a gift to him from his dad, and that's why 56 00:02:50,480 --> 00:02:53,000 Speaker 1: he's his favorite. That's why he plays with them all 57 00:02:53,080 --> 00:02:56,320 Speaker 1: the time. Has crafted his room to be a shrine 58 00:02:56,600 --> 00:03:00,120 Speaker 1: to Woody, and it was kind of him growing up 59 00:03:00,160 --> 00:03:02,040 Speaker 1: a little bit. Once he got buzz Light, you introduced 60 00:03:02,120 --> 00:03:04,760 Speaker 1: him to his life and changed a little bit. That 61 00:03:04,880 --> 00:03:07,720 Speaker 1: you see Andy's growth. But I think that's why he's 62 00:03:07,800 --> 00:03:09,720 Speaker 1: really kept a lot of his toys around. They were 63 00:03:09,760 --> 00:03:12,480 Speaker 1: all just gifts from his parents. In particular, his dad, 64 00:03:13,360 --> 00:03:17,080 Speaker 1: because when you think about how he grows over the 65 00:03:17,160 --> 00:03:19,480 Speaker 1: years and you go from him being a kid to 66 00:03:19,600 --> 00:03:22,839 Speaker 1: being in college, that somehow he has kept all these 67 00:03:22,840 --> 00:03:24,720 Speaker 1: same toys with him all the way to college. I 68 00:03:24,760 --> 00:03:26,680 Speaker 1: can't think of any toys I kept with me all 69 00:03:26,680 --> 00:03:29,359 Speaker 1: the way through college. So I think there's some kind 70 00:03:29,360 --> 00:03:33,440 Speaker 1: of attachment he has to the toys he owns, and 71 00:03:33,480 --> 00:03:35,040 Speaker 1: that's why he takes such great care of him, and 72 00:03:35,040 --> 00:03:36,720 Speaker 1: that's why he just keeps him in his life because 73 00:03:36,760 --> 00:03:39,800 Speaker 1: he has this attachment to them because he lost his father, 74 00:03:39,920 --> 00:03:43,400 Speaker 1: and that's him kind of holding onto that memory. Again, 75 00:03:43,440 --> 00:03:45,720 Speaker 1: it's a pretty dark theory, and I just think there's 76 00:03:45,760 --> 00:03:48,040 Speaker 1: some other kind of layer of Andy that you don't 77 00:03:48,040 --> 00:03:51,280 Speaker 1: really get to know. And even if you rewatch that 78 00:03:51,320 --> 00:03:54,040 Speaker 1: first one, I kind of noticed at the birthday party, 79 00:03:54,320 --> 00:03:58,400 Speaker 1: all the other kids attending the birthday party are all 80 00:03:59,360 --> 00:04:01,119 Speaker 1: versions of Andy. Now, this is kind of a weird 81 00:04:01,160 --> 00:04:03,240 Speaker 1: thing to bring up, but I think it really has 82 00:04:03,280 --> 00:04:05,560 Speaker 1: to do with the animation. At that time, they didn't 83 00:04:05,560 --> 00:04:08,080 Speaker 1: have enough money or the technology to create a bunch 84 00:04:08,080 --> 00:04:10,960 Speaker 1: of different characters for this movie, So if you look closely, 85 00:04:11,240 --> 00:04:15,480 Speaker 1: it's all just Andy, but in different clothing. So that 86 00:04:15,560 --> 00:04:17,760 Speaker 1: kind of adds to my theory of he's created this 87 00:04:17,800 --> 00:04:20,880 Speaker 1: whole world where everything's kind of in his control with 88 00:04:20,920 --> 00:04:24,880 Speaker 1: his toys and preserving this memory. So that is my 89 00:04:24,960 --> 00:04:28,360 Speaker 1: theory about toy story. This next theory is about the 90 00:04:28,440 --> 00:04:31,719 Speaker 1: Lion King and I saw this one recently on TikTok 91 00:04:31,960 --> 00:04:35,520 Speaker 1: and it's basically saying that Scar eight mofos And when 92 00:04:35,520 --> 00:04:38,560 Speaker 1: you think about the Lion King, Scar is really the 93 00:04:38,600 --> 00:04:41,039 Speaker 1: best Disney villain of all time and really in any 94 00:04:41,120 --> 00:04:43,200 Speaker 1: kind of movie. I think Scar is the greatest villain. 95 00:04:43,279 --> 00:04:46,960 Speaker 1: Why because he actually gets things done. Like there's so 96 00:04:47,040 --> 00:04:49,760 Speaker 1: many villains in so many movies to where they reveal 97 00:04:49,839 --> 00:04:51,839 Speaker 1: their plan and the plan just by the end of 98 00:04:51,880 --> 00:04:55,359 Speaker 1: it gets destroyed. It never happens, or it happens to 99 00:04:55,400 --> 00:04:57,640 Speaker 1: an extent, and they just get taken over by the hero, 100 00:04:57,680 --> 00:04:59,119 Speaker 1: which is what you want to see in the movie. 101 00:04:59,480 --> 00:05:04,560 Speaker 1: But when Scar, his ultimate evil plan actually happens and 102 00:05:04,600 --> 00:05:08,840 Speaker 1: he's actually able to go pretty hardcore by killing Mufassa 103 00:05:09,360 --> 00:05:11,840 Speaker 1: and then takes over Pride Rock and is just raining 104 00:05:11,880 --> 00:05:15,560 Speaker 1: and really just taking everything to crap. But he did it. 105 00:05:15,960 --> 00:05:19,040 Speaker 1: Unlike other supervillains, he actually falls through this plan. Of course, 106 00:05:19,040 --> 00:05:22,000 Speaker 1: he gets defeated by Simba later and it's all great 107 00:05:22,040 --> 00:05:25,960 Speaker 1: and everything, but he actually gets things done as a villain. 108 00:05:26,520 --> 00:05:30,479 Speaker 1: But the theory is that Scar actually ate Mufassa after 109 00:05:30,600 --> 00:05:33,159 Speaker 1: killing him, because in the movie, you remember, you know 110 00:05:33,360 --> 00:05:36,159 Speaker 1: they're on the cliff. He throws him off and he dies, 111 00:05:36,400 --> 00:05:38,960 Speaker 1: but you never really see Mufassa's body afterward it moves 112 00:05:38,960 --> 00:05:41,600 Speaker 1: on to Simba story. But you would probably think that 113 00:05:41,640 --> 00:05:45,800 Speaker 1: the hyenas ate him. But if you research that hyenas 114 00:05:45,920 --> 00:05:49,719 Speaker 1: actually don't eat lions. They will attack and kill cubs, 115 00:05:49,720 --> 00:05:52,839 Speaker 1: but they won't kill and eat lions. It's usually the 116 00:05:52,920 --> 00:05:55,760 Speaker 1: lions killing them, so there's that in attack. Maybe they 117 00:05:55,800 --> 00:05:59,680 Speaker 1: didn't eat him. And the reason people think that Scar 118 00:06:00,120 --> 00:06:02,440 Speaker 1: mu foster is because when later in the movie where 119 00:06:02,480 --> 00:06:04,840 Speaker 1: he's kind of talking to Zazo and he's playing around 120 00:06:04,880 --> 00:06:08,680 Speaker 1: with the skull, he's playing around with what appears to 121 00:06:08,800 --> 00:06:12,320 Speaker 1: be a lion skull. So somebody took that image of 122 00:06:12,480 --> 00:06:15,039 Speaker 1: Scar with that skull and compared it to a real 123 00:06:15,120 --> 00:06:18,880 Speaker 1: lion school they actually look praising similar. So the theory 124 00:06:19,080 --> 00:06:22,920 Speaker 1: is Scar went full villain, killed mu Fossa and then 125 00:06:23,240 --> 00:06:27,320 Speaker 1: ate him the greatest villain ever. Ladies and gentlemen. All right, 126 00:06:27,320 --> 00:06:29,279 Speaker 1: and if you're hoping for things to get any lighter, 127 00:06:29,440 --> 00:06:31,400 Speaker 1: I am sorry to inform you they are not. We're 128 00:06:31,440 --> 00:06:33,400 Speaker 1: gonna get a little bit darker here. I'll try to 129 00:06:33,440 --> 00:06:36,080 Speaker 1: get a little bit more up lifting later in the episode. 130 00:06:36,720 --> 00:06:39,400 Speaker 1: But this is called dark Disney Theories. We're going dark, people, 131 00:06:39,600 --> 00:06:41,960 Speaker 1: So I think some of you guys will enjoy this 132 00:06:42,080 --> 00:06:45,039 Speaker 1: and some of you listening will ultimately hate this. But 133 00:06:45,200 --> 00:06:47,799 Speaker 1: I wanted to commit to this episode because it fulfilled 134 00:06:47,839 --> 00:06:50,320 Speaker 1: me doing something I've always wanted to do. So let 135 00:06:50,320 --> 00:06:52,240 Speaker 1: me know what you think about it from this moment on, 136 00:06:52,279 --> 00:06:55,320 Speaker 1: because we're about to get dark now. You may remember 137 00:06:55,360 --> 00:07:02,880 Speaker 1: the movie Up, a classic from Two Days nine. It's 138 00:07:02,920 --> 00:07:08,280 Speaker 1: about Carl Frederickson, seventy eight year old balloon salesman, living 139 00:07:08,320 --> 00:07:11,800 Speaker 1: out his lifelong dream of essentially tying a bunch of 140 00:07:11,800 --> 00:07:17,080 Speaker 1: balloons to his house and flying away after his wife dies, 141 00:07:22,600 --> 00:07:25,640 Speaker 1: bringing along Russell, who was just there to sell him something, 142 00:07:26,400 --> 00:07:29,160 Speaker 1: and that's the whole movie. Then bonding and learning about 143 00:07:29,160 --> 00:07:31,560 Speaker 1: each other, and it's a great story and it's really 144 00:07:31,600 --> 00:07:34,760 Speaker 1: emotional movie, mainly because of the opening scene where his 145 00:07:34,800 --> 00:07:37,560 Speaker 1: wife dies. Within the first five minutes of the movie, 146 00:07:37,680 --> 00:07:39,240 Speaker 1: it just hits you right in the gut. And I 147 00:07:39,240 --> 00:07:41,400 Speaker 1: remember watching this movie in theaters being like, oh my gosh, 148 00:07:41,400 --> 00:07:44,080 Speaker 1: this is the saddest thing I've ever seen, so for 149 00:07:44,120 --> 00:07:46,920 Speaker 1: a Disney movie to punch you in the gut so soon. 150 00:07:47,480 --> 00:07:51,280 Speaker 1: The theory is that Karl Frederickson was actually dead the 151 00:07:51,440 --> 00:07:53,720 Speaker 1: entire time, and I could see a little bit of 152 00:07:53,720 --> 00:07:56,360 Speaker 1: truth to this one. You think about seeing news stories 153 00:07:56,360 --> 00:07:58,360 Speaker 1: of you know, people dying in their late seventies and 154 00:07:58,360 --> 00:08:00,440 Speaker 1: their eighties and nineties, and you know they've married for 155 00:08:00,480 --> 00:08:03,800 Speaker 1: so many years. One passes away and sometimes the other 156 00:08:03,880 --> 00:08:06,679 Speaker 1: one is just short to follow. It's really the most 157 00:08:06,880 --> 00:08:08,640 Speaker 1: awful thing you can hear about. And they're just so 158 00:08:08,800 --> 00:08:12,320 Speaker 1: heartbroken that they pass away too, and it's sad. And 159 00:08:12,360 --> 00:08:15,480 Speaker 1: the whole theory about Up is that that's what happened here. 160 00:08:15,520 --> 00:08:18,200 Speaker 1: His wife dies, he's unable to process the grief, and 161 00:08:18,240 --> 00:08:21,119 Speaker 1: he passes away too, and the entire movie is really 162 00:08:21,160 --> 00:08:24,040 Speaker 1: just his journey into the afterlife, and it's Russell trying 163 00:08:24,080 --> 00:08:26,520 Speaker 1: to get him there, like Russell's like his guardian Annual, 164 00:08:26,600 --> 00:08:29,080 Speaker 1: trying to get him to heaven. So as if this 165 00:08:29,120 --> 00:08:31,680 Speaker 1: movie wasn't sad enough already, if you think about this, 166 00:08:31,800 --> 00:08:35,320 Speaker 1: it kind of makes sense. The whole symbol of the 167 00:08:35,360 --> 00:08:38,600 Speaker 1: balloons of the house flying away, of trying to reach 168 00:08:38,640 --> 00:08:40,760 Speaker 1: this place that they had both dreamed of to be together. 169 00:08:40,840 --> 00:08:44,240 Speaker 1: It's kind of like him wanting to be reunited with 170 00:08:44,240 --> 00:08:46,920 Speaker 1: her in that special place, you know, that place they 171 00:08:46,960 --> 00:08:50,040 Speaker 1: were talking about and saved up for. And it's Russell 172 00:08:50,840 --> 00:08:54,040 Speaker 1: and later Dug the Dog who allow him to achieve that. 173 00:08:54,320 --> 00:08:56,280 Speaker 1: And you think about it, we haven't seen an up 174 00:08:56,280 --> 00:08:58,640 Speaker 1: part two such a successful movie to not have a 175 00:08:58,679 --> 00:09:00,720 Speaker 1: follow up which picks our doesn't do that a whole lot, 176 00:09:00,720 --> 00:09:03,600 Speaker 1: which I don't like, but it kind of makes sense. 177 00:09:03,800 --> 00:09:06,440 Speaker 1: So make a sadder movie just that much more sad. 178 00:09:06,559 --> 00:09:08,960 Speaker 1: We just did it, folks. All right, we'll stay in 179 00:09:08,960 --> 00:09:12,200 Speaker 1: the realm of figments of your imagination and get a 180 00:09:12,200 --> 00:09:14,720 Speaker 1: little bit more dark here. Now, we all remember Finding 181 00:09:14,760 --> 00:09:18,000 Speaker 1: Nemo and another Disney Pixar movie that really conda hte 182 00:09:18,000 --> 00:09:20,040 Speaker 1: you in the gut. At the very beginning is when 183 00:09:20,040 --> 00:09:22,120 Speaker 1: you find out about the attack that killed his mother 184 00:09:22,160 --> 00:09:24,720 Speaker 1: and his other siblings, and Nemo is basically the one 185 00:09:24,760 --> 00:09:28,199 Speaker 1: that survived, which is why his dad Marlin is so 186 00:09:28,320 --> 00:09:30,880 Speaker 1: overprotective of him. And even though he was born with 187 00:09:30,920 --> 00:09:33,920 Speaker 1: a defect. He just tries everything to just keep him safe, 188 00:09:33,960 --> 00:09:36,640 Speaker 1: and it kind of means, you know, limiting to him 189 00:09:36,679 --> 00:09:39,360 Speaker 1: and being like a regular fish, and you really get 190 00:09:39,360 --> 00:09:41,959 Speaker 1: a kind of grasp for his dad's kind of overall 191 00:09:42,360 --> 00:09:45,160 Speaker 1: sadness and just grief and why he's just being so 192 00:09:45,240 --> 00:09:47,760 Speaker 1: overprotective because he doesn't want to lose Nemo like he 193 00:09:47,760 --> 00:09:50,680 Speaker 1: did his mom. The theory though, is that Nemo didn't 194 00:09:50,720 --> 00:09:54,400 Speaker 1: actually survive the attack and all of finding Nemo is 195 00:09:54,480 --> 00:09:58,080 Speaker 1: just Marlon going through the stages of grief that he 196 00:09:58,120 --> 00:10:01,600 Speaker 1: has just created a figment of Nemo in his head 197 00:10:01,640 --> 00:10:04,480 Speaker 1: that he survived, and the whole movie is him just 198 00:10:04,559 --> 00:10:07,480 Speaker 1: kind of playing that grief and imagining that Nemo was 199 00:10:07,520 --> 00:10:10,199 Speaker 1: there the whole time, but really there's no Nemo, and 200 00:10:10,280 --> 00:10:12,880 Speaker 1: he's trying to find Nemo throughout the entire movie, going 201 00:10:12,920 --> 00:10:14,880 Speaker 1: along and asking all these people, and they're trying to 202 00:10:14,880 --> 00:10:17,440 Speaker 1: help him, but they kind of realized, like, this guy 203 00:10:17,520 --> 00:10:18,920 Speaker 1: is not all there. We're just going to kind of 204 00:10:18,960 --> 00:10:20,920 Speaker 1: help him, which kind of makes more sense when he 205 00:10:21,000 --> 00:10:24,200 Speaker 1: runs into Door for the first time. And people online 206 00:10:24,200 --> 00:10:26,600 Speaker 1: have gone as far as breaking down why Nemo's name 207 00:10:26,640 --> 00:10:31,319 Speaker 1: is Nemo, and actually the Latin word means nothing being 208 00:10:31,360 --> 00:10:35,160 Speaker 1: in turn that Nemo does not exist and nothing more 209 00:10:35,360 --> 00:10:38,320 Speaker 1: than a figment of his imagination. And then all the 210 00:10:38,360 --> 00:10:41,280 Speaker 1: five stages of grief are played out through the entire movie. 211 00:10:41,720 --> 00:10:45,720 Speaker 1: So finding Nemo didn't really happen. He never found Nemo. 212 00:10:46,040 --> 00:10:48,760 Speaker 1: That's sad alright. This next one is the last super 213 00:10:48,880 --> 00:10:51,360 Speaker 1: dark twisted one. The other ones they are a little 214 00:10:51,400 --> 00:10:54,680 Speaker 1: more lighthearted, but again we're committing to the themae here 215 00:10:54,840 --> 00:10:57,680 Speaker 1: of keeping things dark. So let's talk about Peter Pan, 216 00:10:57,760 --> 00:11:00,920 Speaker 1: a really old classic movie I remember watching on VHS 217 00:11:00,960 --> 00:11:03,760 Speaker 1: and there's something about a hume of a VHS player 218 00:11:03,800 --> 00:11:06,120 Speaker 1: and the way it looks on a big old tube 219 00:11:06,200 --> 00:11:09,440 Speaker 1: TV that really gives a heightened quality I think to 220 00:11:09,480 --> 00:11:12,040 Speaker 1: the movie Peter Pan. And I always thought the overall 221 00:11:12,080 --> 00:11:15,079 Speaker 1: story of Peter Pan was a little weird, you know, 222 00:11:15,240 --> 00:11:17,960 Speaker 1: Peter Pan coming flying in through their window and taking 223 00:11:17,960 --> 00:11:20,679 Speaker 1: them away to Neverland. Something just seemed a bit off, 224 00:11:20,800 --> 00:11:22,640 Speaker 1: like where did they go? Why don't their parents go 225 00:11:22,720 --> 00:11:25,720 Speaker 1: look for them? What is really happening here? And the 226 00:11:25,720 --> 00:11:28,960 Speaker 1: theory is that Peter Pan is actually the angel of 227 00:11:29,040 --> 00:11:31,400 Speaker 1: Death and he holds the hands of children on the 228 00:11:31,400 --> 00:11:34,120 Speaker 1: way to heaven. A k a. Neverland when they die. 229 00:11:34,360 --> 00:11:37,120 Speaker 1: Let that scene in for a little bit, and suddenly 230 00:11:37,240 --> 00:11:39,360 Speaker 1: Peter Pan makes a lot more sense, at least in 231 00:11:39,400 --> 00:11:41,520 Speaker 1: this dark tone. So then you start thinking about the 232 00:11:41,559 --> 00:11:43,640 Speaker 1: other parts of the movie, and you think about Neverland, 233 00:11:43,640 --> 00:11:45,720 Speaker 1: you think about the Lost Boys, and maybe that's why 234 00:11:45,760 --> 00:11:48,240 Speaker 1: they actually don't ever grow up. It kind of makes 235 00:11:48,280 --> 00:11:50,240 Speaker 1: a little bit of sense because by the time they 236 00:11:50,240 --> 00:11:52,280 Speaker 1: get to Neverland, they're already dead. They're gonna be the 237 00:11:52,320 --> 00:11:54,880 Speaker 1: same age they're gonna be forever, and it's the age 238 00:11:54,880 --> 00:11:57,440 Speaker 1: where they died, which is sadly they're all kids. So 239 00:11:57,520 --> 00:12:00,280 Speaker 1: the theory goes a little further that Peter Pan this 240 00:12:00,400 --> 00:12:03,200 Speaker 1: kind of angel of death and that hook is some 241 00:12:03,400 --> 00:12:06,480 Speaker 1: sort of devil or something. But it makes a little 242 00:12:06,480 --> 00:12:08,439 Speaker 1: bit of sense, at least for me, Like that just 243 00:12:08,520 --> 00:12:10,400 Speaker 1: kind of puts a little bit more into perspective of 244 00:12:10,520 --> 00:12:12,400 Speaker 1: why that movie is the way it is, and the 245 00:12:12,440 --> 00:12:15,120 Speaker 1: story is told that way, and there's even a little 246 00:12:15,160 --> 00:12:17,880 Speaker 1: bit more truth to it. And not only that, but 247 00:12:17,920 --> 00:12:21,400 Speaker 1: the original author, Peter Pan, whose name is J. M. Barry, 248 00:12:21,920 --> 00:12:25,320 Speaker 1: his brother actually died at the age of thirteen, leading 249 00:12:25,360 --> 00:12:27,800 Speaker 1: some to believe that this is where the idea came from. 250 00:12:27,840 --> 00:12:29,600 Speaker 1: All Right, we'll move off death for a little bit, 251 00:12:29,600 --> 00:12:31,719 Speaker 1: at least in some capacity, but we'll move on to 252 00:12:31,880 --> 00:12:34,800 Speaker 1: how Wally and a bug's life are a little bit connected. 253 00:12:34,800 --> 00:12:37,000 Speaker 1: And there's a bigger theory of how all the Pixar 254 00:12:37,080 --> 00:12:39,160 Speaker 1: movies are connected, but we're just looking at the dark 255 00:12:39,200 --> 00:12:42,320 Speaker 1: ones today. But Wally kind of has a whole overall 256 00:12:42,520 --> 00:12:45,160 Speaker 1: dark theme to it, of the way the world gets 257 00:12:45,240 --> 00:12:47,840 Speaker 1: overrun with technology and just that whole kind of thing. 258 00:12:48,160 --> 00:12:50,839 Speaker 1: But at the end of Wally, after he's done saving 259 00:12:50,880 --> 00:12:53,480 Speaker 1: the human race, he planned a tree, and some say 260 00:12:53,559 --> 00:12:56,520 Speaker 1: that tree resembles the same tree in a bug's life. 261 00:12:57,360 --> 00:12:59,520 Speaker 1: So if it's the same tree, they're saying that a 262 00:12:59,600 --> 00:13:03,640 Speaker 1: bug's life actually takes place away in the future when 263 00:13:04,640 --> 00:13:07,360 Speaker 1: humans no longer exist. Because you think about it, you 264 00:13:07,400 --> 00:13:10,800 Speaker 1: don't see any humans in a bug's life. Even though 265 00:13:10,840 --> 00:13:13,480 Speaker 1: the bugs in the movie have learned human things, they 266 00:13:13,480 --> 00:13:16,120 Speaker 1: think they just learned them over time from the humans. 267 00:13:16,720 --> 00:13:19,400 Speaker 1: But it's in a world where no humans exist. So 268 00:13:19,440 --> 00:13:21,040 Speaker 1: maybe you watch that movie and thought it was just 269 00:13:21,120 --> 00:13:23,840 Speaker 1: in some distant place somewhere out in the middle of nowhere, 270 00:13:24,320 --> 00:13:26,560 Speaker 1: it could actually be in your very hometown where you 271 00:13:26,679 --> 00:13:29,520 Speaker 1: and none of your loved ones no longer live. There's 272 00:13:29,520 --> 00:13:31,360 Speaker 1: also a similar theory when it comes to the movie 273 00:13:31,360 --> 00:13:33,800 Speaker 1: Cars that that's also set so far in the future 274 00:13:34,280 --> 00:13:37,880 Speaker 1: in a world where animals no longer exist because of pollution, 275 00:13:37,960 --> 00:13:40,000 Speaker 1: So you don't see any other animals in that movie 276 00:13:40,559 --> 00:13:43,200 Speaker 1: because they all died off. I kind of just like 277 00:13:43,400 --> 00:13:46,040 Speaker 1: this idea of Disney's taking place in some kind of 278 00:13:46,080 --> 00:13:49,120 Speaker 1: dystopian future where everybody else has gone and it's just 279 00:13:49,200 --> 00:13:53,120 Speaker 1: like talking animals and bugs. There's also a way older 280 00:13:53,320 --> 00:13:56,640 Speaker 1: theory about Alice in Wonderland, where basically the entire movie 281 00:13:56,720 --> 00:13:58,920 Speaker 1: is just her hallucinating on drugs and none of that 282 00:13:58,960 --> 00:14:02,040 Speaker 1: stuff actually happened, which is probably believable. That movie came 283 00:14:02,040 --> 00:14:06,080 Speaker 1: out in the fifties, people were experimenting. There's a lot 284 00:14:06,120 --> 00:14:08,680 Speaker 1: of evidence about this one. It seems like a kids movie, 285 00:14:08,720 --> 00:14:12,360 Speaker 1: but it could just be somebody tripping on drugs. The 286 00:14:12,440 --> 00:14:15,040 Speaker 1: entire movie movie is very weird, so it's very likely. 287 00:14:15,480 --> 00:14:17,959 Speaker 1: And the final one here. There's actually some truth too 288 00:14:18,679 --> 00:14:21,960 Speaker 1: that the movie Frozen. You know, it's about on on 289 00:14:22,040 --> 00:14:26,720 Speaker 1: Elsa their relationship as sisters, but there's a whole underlying 290 00:14:26,840 --> 00:14:30,000 Speaker 1: theory that it's actually a political statement about climate change. 291 00:14:30,320 --> 00:14:32,400 Speaker 1: And I remember when this movie came out. I didn't 292 00:14:32,400 --> 00:14:35,400 Speaker 1: watch Frozen until about last year, but one of the 293 00:14:35,440 --> 00:14:37,480 Speaker 1: main things I remember hearing about was it wasn't really 294 00:14:37,520 --> 00:14:40,720 Speaker 1: a kids movie. It was this a whole theory about 295 00:14:40,760 --> 00:14:43,160 Speaker 1: global warming. And when I watched it for the first 296 00:14:43,160 --> 00:14:45,600 Speaker 1: time last year, I kind of forgot about that what 297 00:14:45,720 --> 00:14:48,440 Speaker 1: people said that Disney kind of did this to place 298 00:14:48,520 --> 00:14:50,760 Speaker 1: it in the minds of young kids watching the movie, 299 00:14:50,800 --> 00:14:53,880 Speaker 1: that if we don't do things about pollution and destroying 300 00:14:53,880 --> 00:14:56,520 Speaker 1: the environment, that old Off would die and melt away. 301 00:14:56,640 --> 00:14:58,720 Speaker 1: You'd never get to give him a warm muck. And 302 00:14:58,760 --> 00:15:01,080 Speaker 1: who's to say about this? And you know, people make 303 00:15:01,120 --> 00:15:04,080 Speaker 1: these movies, they have ideas about the world. Sometimes they 304 00:15:04,080 --> 00:15:06,320 Speaker 1: try to work them in. At least they're not doing 305 00:15:06,360 --> 00:15:07,880 Speaker 1: what they used to do back in the nineties and 306 00:15:07,960 --> 00:15:10,520 Speaker 1: working like dirty words or dirty things into the background. 307 00:15:10,600 --> 00:15:12,400 Speaker 1: Remember when that was the thing? Like I remember, that 308 00:15:12,480 --> 00:15:15,080 Speaker 1: was the only reason I wanted to get a physical 309 00:15:15,080 --> 00:15:17,240 Speaker 1: copy of The Little Mermaid because of what people said 310 00:15:17,280 --> 00:15:20,360 Speaker 1: was on the cover. If you don't know about that, 311 00:15:20,480 --> 00:15:24,520 Speaker 1: I don't suggest you google that. There's a lot surrounding 312 00:15:24,560 --> 00:15:27,000 Speaker 1: The Little Mermaid about hidden things in that movie, and 313 00:15:27,040 --> 00:15:29,000 Speaker 1: there's also someone with the Lion King. I haven't really 314 00:15:29,000 --> 00:15:31,480 Speaker 1: seen any of that recently, which it could have been 315 00:15:31,520 --> 00:15:32,680 Speaker 1: back in the day that they were just like, you 316 00:15:32,680 --> 00:15:34,480 Speaker 1: know what, let's just throw this in here. Nobody's really 317 00:15:34,480 --> 00:15:37,400 Speaker 1: gonna know about it. There's no internet for people to 318 00:15:37,440 --> 00:15:39,680 Speaker 1: dive in and break these movies down and tell everybody 319 00:15:39,720 --> 00:15:42,200 Speaker 1: our secrets. They were only really seeing it in theaters 320 00:15:42,240 --> 00:15:44,800 Speaker 1: and on VHS. It would be a lot harder now 321 00:15:44,840 --> 00:15:47,320 Speaker 1: to work in something dirty to a Disney movie. Not 322 00:15:47,360 --> 00:15:49,360 Speaker 1: to say they haven't been successful yet. These movies are 323 00:15:49,440 --> 00:15:52,120 Speaker 1: very detailed. You can't watch everything going on in the background. 324 00:15:52,240 --> 00:15:55,000 Speaker 1: But hey, I feel like somebody would pull those out 325 00:15:55,320 --> 00:16:00,600 Speaker 1: if that were true. But anyway, this has been dark 326 00:16:00,600 --> 00:16:03,960 Speaker 1: Disney theories. Hope you guys enjoyed that, and hopefully you 327 00:16:03,960 --> 00:16:07,120 Speaker 1: can still watch these movies the same way before I 328 00:16:07,160 --> 00:16:13,560 Speaker 1: gave you my thoughts. All Right, So the news that 329 00:16:13,640 --> 00:16:16,280 Speaker 1: came out last week because they are renewing The Wizard 330 00:16:16,280 --> 00:16:18,760 Speaker 1: of All is making a remake after many times they've 331 00:16:18,800 --> 00:16:20,920 Speaker 1: done this movie, and they have on with me now, 332 00:16:21,040 --> 00:16:24,160 Speaker 1: amateur movie critic Ali, how's it going, Alley doing? While 333 00:16:24,280 --> 00:16:26,160 Speaker 1: thanks for having me on the podcast. So you do 334 00:16:26,240 --> 00:16:28,280 Speaker 1: this thing on your Instagram all the time that I love. 335 00:16:28,320 --> 00:16:30,400 Speaker 1: It's would you watch this? So I think this is 336 00:16:30,400 --> 00:16:32,120 Speaker 1: what this segment is kind of based off, are you 337 00:16:32,160 --> 00:16:34,400 Speaker 1: okay with me? Kind of ripping off your segment that 338 00:16:34,440 --> 00:16:37,360 Speaker 1: you do on Instagram. Absolutely, it's here for the public. 339 00:16:37,880 --> 00:16:39,680 Speaker 1: So now that this Wizard of Oz is coming out, 340 00:16:39,720 --> 00:16:42,240 Speaker 1: I think they kind of have to go a different cast. 341 00:16:42,280 --> 00:16:44,720 Speaker 1: They're going to different feel. It's the director from The 342 00:16:44,720 --> 00:16:47,160 Speaker 1: Watchman doing it, and they're saying it's not going to 343 00:16:47,240 --> 00:16:48,880 Speaker 1: be a musical. So I just thought it would be 344 00:16:48,920 --> 00:16:50,600 Speaker 1: fun to go back and forth and think of, like, 345 00:16:50,880 --> 00:16:53,600 Speaker 1: who we want to be in this movie. So first 346 00:16:53,720 --> 00:16:56,200 Speaker 1: up with Dorothy, hit me with who you have? Okay, 347 00:16:56,240 --> 00:16:58,360 Speaker 1: Dorothy's is the hardest one for me. I feel like 348 00:16:58,400 --> 00:17:00,840 Speaker 1: they could go so many different way is I don't 349 00:17:00,840 --> 00:17:03,360 Speaker 1: know if they want to do older Dorsey, younger Dorsey, 350 00:17:03,480 --> 00:17:07,840 Speaker 1: however that's gonna work. Um, I think looks Wise, I 351 00:17:07,880 --> 00:17:10,359 Speaker 1: would go with someone like Hayley Steinfeld. I know it's 352 00:17:10,400 --> 00:17:13,240 Speaker 1: a little bit bold of a choice, but she is 353 00:17:13,280 --> 00:17:15,760 Speaker 1: acting a lot these days. If they do make her 354 00:17:15,800 --> 00:17:17,800 Speaker 1: saying she's ready for it, I think Looks for Wise, 355 00:17:17,840 --> 00:17:19,960 Speaker 1: she really nails it. That's a pretty good one. I 356 00:17:20,040 --> 00:17:24,560 Speaker 1: had Anya Taylor Joy from The Queen's Gambit, like, look wise, 357 00:17:24,600 --> 00:17:26,479 Speaker 1: I just think that's kind of where they would go 358 00:17:26,560 --> 00:17:29,440 Speaker 1: with Dorothy and also, I mean, coming off The Queen's 359 00:17:29,440 --> 00:17:30,960 Speaker 1: gamb but I think that's kind of a great fit 360 00:17:31,040 --> 00:17:34,399 Speaker 1: for What do you think about that one? I love that. 361 00:17:34,440 --> 00:17:36,919 Speaker 1: I'm obsessed with her, so I fully support that one 362 00:17:36,920 --> 00:17:39,280 Speaker 1: as well. Do you think I mean, the Wizard of 363 00:17:39,320 --> 00:17:42,320 Speaker 1: Oz has such an awful history, do you think they 364 00:17:42,320 --> 00:17:44,960 Speaker 1: would make this movie like, Okay, we realized that it 365 00:17:45,040 --> 00:17:46,760 Speaker 1: was just so awful and back. I mean they made 366 00:17:46,760 --> 00:17:49,520 Speaker 1: the first one in nine, But you think going into 367 00:17:49,560 --> 00:17:52,800 Speaker 1: this movie the actors are thinking like, hey, we're not 368 00:17:52,800 --> 00:17:55,359 Speaker 1: gonna do who he did before? Do you Yeah? I 369 00:17:55,400 --> 00:17:57,880 Speaker 1: don't know. I feel like there's so much that can 370 00:17:57,920 --> 00:18:01,200 Speaker 1: be done to change the history like the movie, and 371 00:18:01,280 --> 00:18:03,119 Speaker 1: you know, I feel like there's so much issue with 372 00:18:03,160 --> 00:18:05,399 Speaker 1: like Jete Garland and like all these different things. I 373 00:18:05,400 --> 00:18:07,040 Speaker 1: think they're wanting to change, so hopefully it will be 374 00:18:07,040 --> 00:18:10,080 Speaker 1: like a more progressive version of the movie. So who 375 00:18:10,119 --> 00:18:13,399 Speaker 1: do you have for the Cowardly Lion? Okay, cowardly Lions. 376 00:18:13,440 --> 00:18:15,760 Speaker 1: I would love to see someone like the vid Digs 377 00:18:15,840 --> 00:18:18,919 Speaker 1: in this. I feel like he's really getting on the 378 00:18:18,920 --> 00:18:21,800 Speaker 1: acting train. Um. I feel like you can do like 379 00:18:21,960 --> 00:18:24,760 Speaker 1: accents and like characters really well. So i'd love to 380 00:18:24,800 --> 00:18:27,439 Speaker 1: see him try that. I had Dan Levy here, and 381 00:18:27,480 --> 00:18:28,960 Speaker 1: I think it's because I just came off a big 382 00:18:28,960 --> 00:18:32,199 Speaker 1: Ship's Creek kind of binge over the last year. But 383 00:18:32,280 --> 00:18:34,000 Speaker 1: I don't know. I think it kind of fits him 384 00:18:34,040 --> 00:18:36,400 Speaker 1: pretty well, and we haven't really seen him in such 385 00:18:36,440 --> 00:18:38,920 Speaker 1: a big movie like this. I think that's a great 386 00:18:38,960 --> 00:18:41,240 Speaker 1: start for him. Oh he's precious. I feel like that 387 00:18:41,280 --> 00:18:44,199 Speaker 1: would just be the sweetest character. Because they're trying to 388 00:18:44,240 --> 00:18:46,720 Speaker 1: do this fresh take, I feel they have to include 389 00:18:46,720 --> 00:18:48,880 Speaker 1: just people that are going to change it a little bit. 390 00:18:49,040 --> 00:18:50,960 Speaker 1: I know people are going to complain already that they're 391 00:18:51,000 --> 00:18:53,600 Speaker 1: remaking this and you know, ruining the first one. But 392 00:18:53,640 --> 00:18:55,280 Speaker 1: I think if they're going to remake it at this point, 393 00:18:55,359 --> 00:18:57,080 Speaker 1: it has to be something just so different, and to 394 00:18:57,160 --> 00:19:01,760 Speaker 1: think that it makes like a reason to do it right. Yeah. Absolutely, 395 00:19:01,920 --> 00:19:04,400 Speaker 1: Who do you have as the tin man man? This 396 00:19:04,440 --> 00:19:06,639 Speaker 1: one could go a lot different ways. I would like 397 00:19:06,720 --> 00:19:09,160 Speaker 1: to see like Neil Patrick Harris do something like this. 398 00:19:09,359 --> 00:19:12,480 Speaker 1: I feel like he's quirky it's funny. He's got a 399 00:19:12,480 --> 00:19:15,280 Speaker 1: lot of personality that like brings to the character, and 400 00:19:15,280 --> 00:19:16,720 Speaker 1: so I feel like you could do that really well. 401 00:19:16,880 --> 00:19:18,679 Speaker 1: I could see that too. And the thing about the 402 00:19:18,680 --> 00:19:22,160 Speaker 1: Tin Man, isn't he just like really creepy and weird? 403 00:19:22,240 --> 00:19:24,119 Speaker 1: Did he freak you out when you've watched the first one, 404 00:19:24,200 --> 00:19:27,159 Speaker 1: the original? Oh for sure, especially when they're like usually 405 00:19:27,200 --> 00:19:29,320 Speaker 1: like oiling him up at the very beginning and he's 406 00:19:29,359 --> 00:19:32,040 Speaker 1: just like so bizarre, You're like, Okay, this is kind 407 00:19:32,080 --> 00:19:34,480 Speaker 1: of a fever dream. I don't really know what to 408 00:19:34,520 --> 00:19:36,879 Speaker 1: do with him. I think that's something about the Witches 409 00:19:36,920 --> 00:19:38,920 Speaker 1: of Laws. Like this movie kind of gave me nightmares 410 00:19:38,960 --> 00:19:40,919 Speaker 1: as the kid, and I remember, I remember it was 411 00:19:40,920 --> 00:19:43,240 Speaker 1: specifically with the tin Man, Like I think I had 412 00:19:43,320 --> 00:19:45,320 Speaker 1: a dream where he was chasing after me with like 413 00:19:45,359 --> 00:19:48,720 Speaker 1: an ax or something, trying to kill me. Oh interesting, 414 00:19:48,880 --> 00:19:51,920 Speaker 1: See mine was the flying monkeys. I was really afraid 415 00:19:51,960 --> 00:19:53,760 Speaker 1: they were coming going to come get me. Then what 416 00:19:53,920 --> 00:19:56,120 Speaker 1: is wrong with this movie like being a kids movie 417 00:19:56,119 --> 00:19:58,040 Speaker 1: and terrorizing kids? I feel like a lot of people 418 00:19:58,119 --> 00:19:59,879 Speaker 1: kind of had that relationship with this movie of some 419 00:20:00,040 --> 00:20:02,520 Speaker 1: thing about it, not only the origin story of like 420 00:20:02,600 --> 00:20:04,840 Speaker 1: the awful things that happened on set, but all like 421 00:20:04,920 --> 00:20:09,280 Speaker 1: the rumors surrounding it and just being a creepy movie, Like, yeah, 422 00:20:09,359 --> 00:20:11,879 Speaker 1: it's just something like tormenting about the tin Man to me, 423 00:20:12,400 --> 00:20:16,720 Speaker 1: But I had I had Harry Styles okay, Okay, that 424 00:20:16,760 --> 00:20:18,359 Speaker 1: would bring me to the next one. I had Harry 425 00:20:18,359 --> 00:20:21,679 Speaker 1: Styles down as potentially the Scarecrow. Okay. Why? Why do 426 00:20:21,680 --> 00:20:23,760 Speaker 1: you think Harry Styles fits this movie in either The 427 00:20:23,800 --> 00:20:26,639 Speaker 1: Tin Man or The Scarecrow? Honestly, I just love that 428 00:20:26,720 --> 00:20:31,000 Speaker 1: he's moved into the acting scene. He is just precious 429 00:20:31,040 --> 00:20:33,600 Speaker 1: and adorable and I love him. I feel like he 430 00:20:33,600 --> 00:20:36,199 Speaker 1: could bring a lot of um like warmth to the 431 00:20:36,200 --> 00:20:39,640 Speaker 1: Scarecrow character. I could totally see him like getting down 432 00:20:39,640 --> 00:20:42,840 Speaker 1: with that. When you watch a movie that Harry Styles 433 00:20:42,920 --> 00:20:45,119 Speaker 1: is in, do you still see him as a kid 434 00:20:45,200 --> 00:20:47,879 Speaker 1: from one Direction or as just Harry Style as a musician, 435 00:20:47,960 --> 00:20:50,080 Speaker 1: or do you kind of able to separate that when 436 00:20:50,080 --> 00:20:52,600 Speaker 1: you watch him. I feel like after watching him in 437 00:20:52,680 --> 00:20:56,600 Speaker 1: Dunkirk and just like seeing him in such an intense 438 00:20:56,800 --> 00:20:59,159 Speaker 1: role where he was just like swimming in like cold 439 00:20:59,200 --> 00:21:01,880 Speaker 1: water and having to do that whole thing, I feel 440 00:21:01,880 --> 00:21:05,200 Speaker 1: like he's really made a good leap from the one 441 00:21:05,240 --> 00:21:08,080 Speaker 1: Direction scene and seeing him as like a kid. Um. 442 00:21:08,119 --> 00:21:10,720 Speaker 1: I very much seen him as like a grown adult 443 00:21:10,760 --> 00:21:13,880 Speaker 1: who is able to, like I think, hopefully master these 444 00:21:14,000 --> 00:21:16,440 Speaker 1: upcoming roles that he has lined up. I felt the 445 00:21:16,480 --> 00:21:18,879 Speaker 1: same way about what I'm watching that, But I had 446 00:21:18,960 --> 00:21:21,600 Speaker 1: him as the tin man for the Scarecrows where you 447 00:21:21,640 --> 00:21:24,320 Speaker 1: had him, I had lin Manuel Miranda there, and I 448 00:21:24,440 --> 00:21:26,439 Speaker 1: kind of the same thing you said earlier. If he 449 00:21:26,520 --> 00:21:29,120 Speaker 1: had to sing, I think you could bust into it. 450 00:21:29,600 --> 00:21:32,160 Speaker 1: And he also kind of has that kind of can 451 00:21:32,200 --> 00:21:34,400 Speaker 1: be fun, can bring some vibrant and kind of feel 452 00:21:34,440 --> 00:21:36,520 Speaker 1: to to the role. I think he kind of fitted 453 00:21:36,560 --> 00:21:40,040 Speaker 1: the scarecrow. Yeah. I can absolutely see that you have 454 00:21:40,160 --> 00:21:45,720 Speaker 1: any honorable mentions. Honorable mentions, um for those I think 455 00:21:45,920 --> 00:21:49,120 Speaker 1: with Dorothy, there are a couple other ways that could 456 00:21:49,160 --> 00:21:50,679 Speaker 1: do it. I think if they wanted to do like 457 00:21:50,680 --> 00:21:54,560 Speaker 1: a more age appropriate UM casting of that, I was 458 00:21:54,600 --> 00:21:59,000 Speaker 1: gonna say. McKenna gray, Um, she's from you know, I 459 00:21:59,080 --> 00:22:01,560 Speaker 1: watched her The Hunting of Hell how Susan Troope zero. 460 00:22:02,119 --> 00:22:04,800 Speaker 1: She's like an actual teenager, so I could definitely see 461 00:22:04,800 --> 00:22:07,800 Speaker 1: them they're trying to plant like age wise. I can 462 00:22:07,840 --> 00:22:11,399 Speaker 1: definitely see her that one. Do you have anything planned 463 00:22:11,440 --> 00:22:12,880 Speaker 1: next that you're going to do for would you watch 464 00:22:12,920 --> 00:22:15,439 Speaker 1: because you kind of do a theme each time, right, Yeah, 465 00:22:15,760 --> 00:22:19,840 Speaker 1: So I have some good ones up my sleeve. Beme wise, 466 00:22:19,960 --> 00:22:22,760 Speaker 1: I think we might go with like old Disney stars 467 00:22:22,960 --> 00:22:24,959 Speaker 1: growing up and thinking a lot about you know, like 468 00:22:25,200 --> 00:22:28,359 Speaker 1: Colon Drove and Sprouse. I want to integrate them some way. Yeah. 469 00:22:28,440 --> 00:22:30,119 Speaker 1: It's just a fun game that I like to play. It, 470 00:22:30,200 --> 00:22:32,720 Speaker 1: like to get people's opinions on if they would watch, 471 00:22:33,080 --> 00:22:36,639 Speaker 1: you know, rebooted Moodies with just crazy people. Some of 472 00:22:36,680 --> 00:22:38,560 Speaker 1: them I think really would work out, and some of 473 00:22:38,560 --> 00:22:41,680 Speaker 1: them are just absolutely insane castings that I cout with 474 00:22:41,760 --> 00:22:43,240 Speaker 1: this head. So I like to see what people think 475 00:22:43,240 --> 00:22:46,000 Speaker 1: about them. I gotta it's a little frustrating sometimes because 476 00:22:46,040 --> 00:22:48,320 Speaker 1: you nail them so perfectly, and I'm like, why don't 477 00:22:48,320 --> 00:22:50,320 Speaker 1: they make this? Like why are they listening to all 478 00:22:51,160 --> 00:22:54,280 Speaker 1: these Absolutely, if I can get paid to do this, 479 00:22:54,400 --> 00:22:56,840 Speaker 1: I absolutely would, but I'm no casting agent, but I 480 00:22:56,880 --> 00:22:58,600 Speaker 1: wish I was. All Right, if you're listening now, I 481 00:22:58,640 --> 00:23:01,240 Speaker 1: want to go check out Alley on Instagram. She is 482 00:23:01,320 --> 00:23:04,760 Speaker 1: at a quillionaire. That's a q U I L L 483 00:23:04,880 --> 00:23:08,040 Speaker 1: I O N A I R E. I got it right, 484 00:23:08,040 --> 00:23:11,399 Speaker 1: A Quillionaire. Yeah, it's perfect like millionaire, but with a 485 00:23:11,480 --> 00:23:13,800 Speaker 1: quill in front of it. There you Well, thanks Ally 486 00:23:13,880 --> 00:23:16,919 Speaker 1: for being on the podcast. Thanks so much. Al Right, 487 00:23:17,000 --> 00:23:20,680 Speaker 1: it is time for another spoiler free movie review today. 488 00:23:20,720 --> 00:23:23,520 Speaker 1: I'm talking about Judas and the Black Missile, which is 489 00:23:23,520 --> 00:23:26,720 Speaker 1: available for free to stream if you already have HBO Max. 490 00:23:26,760 --> 00:23:28,320 Speaker 1: If not, you're gonna have to go to the movie 491 00:23:28,320 --> 00:23:30,840 Speaker 1: with you to see this one and overall a really 492 00:23:31,080 --> 00:23:34,199 Speaker 1: powerful movie when I wasn't expected to really get me 493 00:23:34,320 --> 00:23:36,840 Speaker 1: riled up the way it did. Before I get into 494 00:23:36,880 --> 00:23:39,359 Speaker 1: my review, here's just a little bit of Judas and 495 00:23:39,400 --> 00:23:44,240 Speaker 1: the Black Messiah. You're looking at eighteen months for the 496 00:23:44,280 --> 00:23:50,760 Speaker 1: stolen car, five years for impersonating a federal officer. Oh, 497 00:23:51,040 --> 00:23:59,560 Speaker 1: you can go home, a formative Rainbow Press. Brothers and 498 00:23:59,640 --> 00:24:03,480 Speaker 1: sister have they're ever Their aim is just so hatred 499 00:24:03,560 --> 00:24:12,080 Speaker 1: and inspire terror. These ain't no terrors. So let's get 500 00:24:12,119 --> 00:24:15,320 Speaker 1: into what this movie is about. It's essentially a movie 501 00:24:15,400 --> 00:24:18,200 Speaker 1: about betrayal based on a true story. So if you're 502 00:24:18,200 --> 00:24:20,320 Speaker 1: into watching movies based on true events, he can go 503 00:24:20,359 --> 00:24:23,119 Speaker 1: back and research, which I am. I think you'll really 504 00:24:23,280 --> 00:24:27,840 Speaker 1: enjoy this movie. The story follows a guy named William O'Neill, 505 00:24:28,000 --> 00:24:31,240 Speaker 1: and he turns into an FBI informant after he commits 506 00:24:31,280 --> 00:24:35,720 Speaker 1: this crime trying to actually impersonate FBI agent in order 507 00:24:35,760 --> 00:24:38,639 Speaker 1: to steal this car from these guys. He gets busted 508 00:24:38,800 --> 00:24:40,600 Speaker 1: taken in. They're like, all right, you can do five 509 00:24:40,680 --> 00:24:43,560 Speaker 1: to seven years in prison or you can go free. 510 00:24:43,640 --> 00:24:46,560 Speaker 1: Right now. We can offer you this deal to infiltrate 511 00:24:46,600 --> 00:24:49,360 Speaker 1: the Illinois Black Panther Party, and you gotta take down 512 00:24:49,440 --> 00:24:51,760 Speaker 1: this guy by the name of Fred Hampton. And that's 513 00:24:51,760 --> 00:24:54,600 Speaker 1: what he does. He takes the deal and serves as 514 00:24:54,640 --> 00:24:58,199 Speaker 1: their informant to essentially bring down this chapter of the 515 00:24:58,240 --> 00:25:00,960 Speaker 1: Black Panther Party by taking down and Fred Hampton, who 516 00:25:01,080 --> 00:25:04,320 Speaker 1: is the chairman and their leader. And throughout the movie 517 00:25:04,359 --> 00:25:06,800 Speaker 1: you kind of learn more about this guy, what the 518 00:25:06,800 --> 00:25:09,919 Speaker 1: Black Panther Party is trying to do, and overall just 519 00:25:10,040 --> 00:25:13,960 Speaker 1: what the FBI has done to use informants to take 520 00:25:14,000 --> 00:25:16,320 Speaker 1: them down, and just some really shady things going on 521 00:25:16,400 --> 00:25:18,760 Speaker 1: here that really just kind of makes you want to 522 00:25:18,840 --> 00:25:21,960 Speaker 1: throw something at the TV screen while you're watching this, 523 00:25:22,040 --> 00:25:24,399 Speaker 1: you kind of get that passionate about it. And not 524 00:25:24,400 --> 00:25:26,040 Speaker 1: only that, I think the movie does a really great 525 00:25:26,119 --> 00:25:29,199 Speaker 1: job of creating this drama making it feel realistic like 526 00:25:29,240 --> 00:25:31,680 Speaker 1: you're there in the sixties, and has like a very 527 00:25:31,800 --> 00:25:34,760 Speaker 1: sixties feel to it with like a modern look. But 528 00:25:34,800 --> 00:25:36,520 Speaker 1: there's just something about the way they were able to 529 00:25:36,600 --> 00:25:39,520 Speaker 1: place it in that time period that really made this 530 00:25:39,560 --> 00:25:42,560 Speaker 1: one feel like an important movie we need to watch 531 00:25:42,680 --> 00:25:45,000 Speaker 1: right now. And you have just a really great cast here, 532 00:25:45,080 --> 00:25:47,480 Speaker 1: Daniel Klua who was in Get Out, in Black Panther. 533 00:25:47,880 --> 00:25:50,280 Speaker 1: You also have la Keith Stanfield who was in Started 534 00:25:50,280 --> 00:25:52,439 Speaker 1: to Bother You, Knives Out and one of my favorite 535 00:25:52,440 --> 00:25:55,359 Speaker 1: TV shows, Atlanta. And then you have Jesse Plemont, who 536 00:25:55,440 --> 00:25:58,800 Speaker 1: is pretty much in every single, like big dramatic movie now. Like, 537 00:25:58,840 --> 00:26:01,159 Speaker 1: if you know that Jesse Plemons is going to be 538 00:26:01,160 --> 00:26:03,399 Speaker 1: in a movie, it's probably at least pretty good, Like 539 00:26:03,480 --> 00:26:05,639 Speaker 1: you must have the best agent ever getting him these 540 00:26:05,680 --> 00:26:08,000 Speaker 1: awesome gigs, because he's like every great movie right now. 541 00:26:08,359 --> 00:26:10,320 Speaker 1: And he's also kind of somebody that you see his face, 542 00:26:10,359 --> 00:26:12,320 Speaker 1: maybe don't know his name, but he's been in so 543 00:26:12,400 --> 00:26:16,080 Speaker 1: much it's quite impressive. So overall, just a really great 544 00:26:16,080 --> 00:26:19,680 Speaker 1: story about a revolution in this betrayal, and this movie 545 00:26:19,680 --> 00:26:23,040 Speaker 1: goes for it. It's violent, it's disturbing, but the message 546 00:26:23,080 --> 00:26:25,040 Speaker 1: is clear. So I think that's a really important part 547 00:26:25,040 --> 00:26:28,159 Speaker 1: when doing a movie like this. It's clear the entire time. 548 00:26:28,600 --> 00:26:31,159 Speaker 1: And if Lakeith doesn't get nominated or something after this, 549 00:26:31,320 --> 00:26:33,919 Speaker 1: I think you have something really wrong going on. So 550 00:26:34,000 --> 00:26:36,720 Speaker 1: I give this movie four out of five stabs in 551 00:26:36,760 --> 00:26:40,359 Speaker 1: the back and probably easily the best movie I've seen 552 00:26:40,400 --> 00:26:42,880 Speaker 1: so far in one. I know we're only like halfway 553 00:26:42,880 --> 00:26:46,239 Speaker 1: through February, but I just thought it was fantastic. If 554 00:26:46,280 --> 00:26:48,560 Speaker 1: you have HBO Max, check it out if you're comfortable 555 00:26:48,560 --> 00:26:50,359 Speaker 1: going to a movie theater and see it there too. 556 00:26:50,720 --> 00:26:52,920 Speaker 1: And it is free on HBO Max. By the way, 557 00:26:53,119 --> 00:26:54,720 Speaker 1: I know if you're already paid for the subscription, it 558 00:26:54,760 --> 00:26:57,000 Speaker 1: doesn't feel free, but you don't have to pay that 559 00:26:57,080 --> 00:26:59,760 Speaker 1: extra add on. All the HBO Max movies are free. 560 00:27:00,400 --> 00:27:03,879 Speaker 1: Time Now with some movie news, like my newscaster voice 561 00:27:04,600 --> 00:27:07,560 Speaker 1: I scared. You have my co host San Fiance here 562 00:27:07,600 --> 00:27:09,960 Speaker 1: with me to talk about some movie news. And first 563 00:27:09,960 --> 00:27:12,560 Speaker 1: we'll start out with Bamar Jara, who went on a 564 00:27:12,720 --> 00:27:15,760 Speaker 1: drunken I don't want to call it that tirade, but 565 00:27:15,840 --> 00:27:18,440 Speaker 1: it kind of a meltdown on his Instagram and he 566 00:27:18,520 --> 00:27:20,760 Speaker 1: kind of I feel like he does this every I 567 00:27:20,800 --> 00:27:22,240 Speaker 1: don't know a year or so where he kind of 568 00:27:22,240 --> 00:27:24,159 Speaker 1: breaks down. But they're supposed to be filming the new 569 00:27:24,240 --> 00:27:28,040 Speaker 1: Jackass and now he's been kicked off of the movie. Yeah, 570 00:27:28,200 --> 00:27:31,440 Speaker 1: so here's a clip of Bamar Jara is now deleted 571 00:27:32,040 --> 00:27:36,520 Speaker 1: Instagram video. I'm not in Jackass for If anybody cares 572 00:27:36,600 --> 00:27:40,000 Speaker 1: about me, don't go see their movie, because I will 573 00:27:40,080 --> 00:27:43,280 Speaker 1: make mine way rat if you just ben MOOI me 574 00:27:43,440 --> 00:27:47,920 Speaker 1: a dollar. Jackass does not care about me. I understand that. 575 00:27:48,000 --> 00:27:53,560 Speaker 1: Ladies and gentlemen and still about me. Spike Jones about me, 576 00:27:54,000 --> 00:27:58,560 Speaker 1: and Tremaine I still don't know yet boycott Jackass. So 577 00:27:58,640 --> 00:28:02,000 Speaker 1: he's telling people to in him money to his personal 578 00:28:02,080 --> 00:28:03,760 Speaker 1: Venmo account and he will go out and make a 579 00:28:03,840 --> 00:28:08,200 Speaker 1: better Jackass movie. And I just feel really bad for him, 580 00:28:08,400 --> 00:28:10,719 Speaker 1: Like I know he has a lot going on beyond 581 00:28:11,520 --> 00:28:15,159 Speaker 1: his struggles with alcohol and drugs and depression and all 582 00:28:15,200 --> 00:28:17,239 Speaker 1: these things. He's saying that they were monitoring him and 583 00:28:17,280 --> 00:28:19,320 Speaker 1: being very just putting him in a place to where 584 00:28:19,359 --> 00:28:20,960 Speaker 1: he couldn't do the movie, and now just kicking him 585 00:28:20,960 --> 00:28:23,800 Speaker 1: out and nobody cares about him. I honestly think they 586 00:28:23,840 --> 00:28:27,240 Speaker 1: want him to get better. Everything I've seen of them 587 00:28:27,280 --> 00:28:29,480 Speaker 1: trying to help out Bam over your years with his struggles. 588 00:28:29,960 --> 00:28:32,040 Speaker 1: It's them just wanting him to get better. And I 589 00:28:32,040 --> 00:28:35,560 Speaker 1: don't I feel like he's getting attacked, like he feels 590 00:28:35,600 --> 00:28:39,480 Speaker 1: that way, but I don't know. I just feel ultimately 591 00:28:39,880 --> 00:28:42,080 Speaker 1: like kind of sad. Yeah, that made me sad to hear. 592 00:28:42,120 --> 00:28:45,080 Speaker 1: It's hard to hear and somebody who I like looked 593 00:28:45,120 --> 00:28:47,080 Speaker 1: up to as a kid, and I mean not like 594 00:28:47,120 --> 00:28:49,280 Speaker 1: I wanted to be like him. But you did get 595 00:28:49,280 --> 00:28:51,640 Speaker 1: pepper sprayed. I did get pepper sprayed recently, which I 596 00:28:51,720 --> 00:28:53,720 Speaker 1: haven't talked about on here. Do we want to dress 597 00:28:53,800 --> 00:28:57,360 Speaker 1: that at all? If you listen to the Bobby Bones show, 598 00:28:57,760 --> 00:29:00,480 Speaker 1: it was my Really the thing started with you. Let's 599 00:29:00,480 --> 00:29:04,920 Speaker 1: stop back on me. Well, the idea came from you 600 00:29:04,960 --> 00:29:07,080 Speaker 1: had pepper spray. I got a new pepper spray to 601 00:29:07,120 --> 00:29:09,680 Speaker 1: carry with me, and you wanted me to pepper spray 602 00:29:09,720 --> 00:29:11,480 Speaker 1: you to make sure it works. And I said I 603 00:29:11,520 --> 00:29:13,600 Speaker 1: don't think so. And I was like, we'll just do it, 604 00:29:13,600 --> 00:29:15,600 Speaker 1: make a video and we'll see if it actually works. 605 00:29:15,600 --> 00:29:18,440 Speaker 1: Because I always wondered, truly, if you were in a 606 00:29:18,480 --> 00:29:21,240 Speaker 1: situation where you needed to use it, would it actually work? 607 00:29:22,240 --> 00:29:24,000 Speaker 1: And then I was like, well, I'll just get pepper 608 00:29:24,040 --> 00:29:25,160 Speaker 1: spray and then I kind of want to see what 609 00:29:25,200 --> 00:29:28,480 Speaker 1: it felt like. And then I'll admit it was also 610 00:29:28,600 --> 00:29:32,960 Speaker 1: Jackass inspired. Yeah, your Instagram caption was high immked, welcome 611 00:29:33,000 --> 00:29:37,160 Speaker 1: to jack And I'll admit as far as like that 612 00:29:37,160 --> 00:29:39,239 Speaker 1: thing was so Jackass inspired, and it was part of 613 00:29:39,240 --> 00:29:42,040 Speaker 1: me wanting to recreate things they did in the beginning, 614 00:29:42,080 --> 00:29:44,239 Speaker 1: even the stuff I referenced about. I don't know if 615 00:29:44,240 --> 00:29:46,000 Speaker 1: you listen to the radio show when we talked about 616 00:29:46,040 --> 00:29:48,400 Speaker 1: it initially, but I said another thing I wanted to 617 00:29:48,440 --> 00:29:51,280 Speaker 1: try out was the safety best getting shot with one. 618 00:29:52,120 --> 00:29:55,680 Speaker 1: But for anyone listening, I am glaring at him, but 619 00:29:55,720 --> 00:29:58,760 Speaker 1: I was joking because that's what Johnny Knoxville did whenever 620 00:29:58,800 --> 00:30:03,000 Speaker 1: you need to stop your obsession. That was his entire bit. 621 00:30:03,080 --> 00:30:05,720 Speaker 1: The way Jackass was created was he was testing out 622 00:30:05,720 --> 00:30:08,960 Speaker 1: safety equipment. He sprayed himself with pepper spray, got shot 623 00:30:08,960 --> 00:30:10,360 Speaker 1: with a stun gun, and then went out in the 624 00:30:10,360 --> 00:30:14,080 Speaker 1: middle of nowhere. He ended up shooting himself with a 625 00:30:14,200 --> 00:30:17,080 Speaker 1: bullet proof vest because nobody else wanted to do it. 626 00:30:17,880 --> 00:30:20,760 Speaker 1: But that's where this whole thing came from, and your 627 00:30:20,800 --> 00:30:23,200 Speaker 1: stunt time, I'm done with it. I felt the pain 628 00:30:23,280 --> 00:30:26,480 Speaker 1: of pepper spray and I'm good. I lived out my 629 00:30:26,600 --> 00:30:28,920 Speaker 1: dream of being like one of the people from Jackass, 630 00:30:28,920 --> 00:30:31,680 Speaker 1: and I'm good you came home looking like you were crying. 631 00:30:31,880 --> 00:30:35,240 Speaker 1: Like it was it is. It is very intense, and 632 00:30:35,640 --> 00:30:38,040 Speaker 1: if you go watch the video on my Instagram at 633 00:30:38,080 --> 00:30:40,840 Speaker 1: Mike Destro, you can see the entire stages of it. 634 00:30:40,880 --> 00:30:44,320 Speaker 1: But that's a sixty second video. Was actually more of 635 00:30:44,400 --> 00:30:48,200 Speaker 1: like a two hour process because for fifteen minutes I 636 00:30:48,200 --> 00:30:51,480 Speaker 1: couldn't open my eyes without him burning intensely, and then 637 00:30:51,520 --> 00:30:54,320 Speaker 1: for a good thirty minutes it was still burning. I 638 00:30:54,320 --> 00:30:57,800 Speaker 1: still haven't watched the video. Yeah, you probably wouldn't wanted to, 639 00:30:58,520 --> 00:31:01,080 Speaker 1: but then it works, and I feel a lot more 640 00:31:01,080 --> 00:31:03,080 Speaker 1: comfortable if you were to take that with you and 641 00:31:03,120 --> 00:31:05,120 Speaker 1: needed to use it, that it would actually stune somebody, 642 00:31:05,120 --> 00:31:08,680 Speaker 1: which it's supposed to do. It burns like you wouldn't believe. 643 00:31:08,800 --> 00:31:11,360 Speaker 1: And not only that, but I didn't even know how 644 00:31:11,400 --> 00:31:13,400 Speaker 1: red it was until I watched the video, and it 645 00:31:13,440 --> 00:31:16,640 Speaker 1: looks like hot sauce was thrown into my face. Aside 646 00:31:16,640 --> 00:31:19,640 Speaker 1: from it burning in my eyes, it also dripped down 647 00:31:19,640 --> 00:31:22,360 Speaker 1: into my mouth and was burning, and you had some 648 00:31:22,920 --> 00:31:28,360 Speaker 1: effects of that too. So yeah, sorry about that one. 649 00:31:28,480 --> 00:31:33,200 Speaker 1: Very chivalrous attempt to prove that pepper. Yeah, so it works. Um, 650 00:31:33,240 --> 00:31:38,360 Speaker 1: but anyway, Jack asked four not starring me. Also in 651 00:31:38,440 --> 00:31:41,600 Speaker 1: movie news, Sandra Bullock has joined a new Brad Pitt 652 00:31:41,640 --> 00:31:44,640 Speaker 1: movie and it's basically a bunch of a listers. It's 653 00:31:44,640 --> 00:31:47,520 Speaker 1: a movie called Bullet Train and the Cats is pretty good. 654 00:31:47,520 --> 00:31:50,840 Speaker 1: It's Brad Pitt, Sandra Bullock and Lady Gaga and also 655 00:31:50,920 --> 00:31:53,880 Speaker 1: Bad Bunny. It sounds like an interesting movie. I love 656 00:31:53,920 --> 00:31:57,160 Speaker 1: Sandra Bullock. You do love Sandra Bullock. What is your 657 00:31:57,160 --> 00:32:01,960 Speaker 1: favorite Sandra Bullock movie? The Proposal? Okay, runner up? Hope Floats. 658 00:32:02,120 --> 00:32:04,920 Speaker 1: It's a classic Harry Conning Jr. Filmed in Smithville, like 659 00:32:05,040 --> 00:32:08,240 Speaker 1: right outside of Austin. And also in movie news, shy 660 00:32:08,360 --> 00:32:11,040 Speaker 1: La buff announced he is taking a break from acting 661 00:32:11,800 --> 00:32:14,960 Speaker 1: and going in to get some care after those allegations 662 00:32:15,000 --> 00:32:17,960 Speaker 1: came out of physical abuse from his X. So what 663 00:32:18,000 --> 00:32:20,320 Speaker 1: do you think of people that announced their taking a break. 664 00:32:21,080 --> 00:32:24,440 Speaker 1: I think it's a response of allegations and saying that 665 00:32:24,520 --> 00:32:27,080 Speaker 1: you need to go away for a minute. Why do 666 00:32:27,120 --> 00:32:29,160 Speaker 1: you think there's something else behind it? Oh? No, I 667 00:32:29,200 --> 00:32:31,040 Speaker 1: just wonder. I guess I think about it in terms 668 00:32:31,040 --> 00:32:34,800 Speaker 1: of like influencer culture on Instagram and everyone's like, hey, guys, 669 00:32:34,840 --> 00:32:38,080 Speaker 1: I'm not gonna be on here tomorrow. It is weird 670 00:32:38,120 --> 00:32:40,520 Speaker 1: to announce like on social media. It is another weird 671 00:32:40,560 --> 00:32:43,320 Speaker 1: to announce that you're taking a break. Like we think 672 00:32:43,560 --> 00:32:46,520 Speaker 1: that people are paying attention to everything we post all 673 00:32:46,560 --> 00:32:48,240 Speaker 1: the time, and sometimes I feel that way, like I 674 00:32:48,240 --> 00:32:50,600 Speaker 1: haven't posted it while people are gonna worry or think 675 00:32:50,680 --> 00:32:55,080 Speaker 1: something and literally nobody notices. It's both a good and 676 00:32:55,120 --> 00:32:57,920 Speaker 1: a bad thing. It's a good thing because you know, 677 00:32:58,200 --> 00:33:01,240 Speaker 1: nobody really cares and you're not. People aren't as focused 678 00:33:01,240 --> 00:33:02,720 Speaker 1: on you as you think they are, so you could, 679 00:33:02,840 --> 00:33:04,200 Speaker 1: i don't know, go away for a minute and not 680 00:33:04,280 --> 00:33:05,800 Speaker 1: be a big deal. But also it's kind of sad 681 00:33:06,520 --> 00:33:08,640 Speaker 1: to think nobody really cares about you, Like, oh, you 682 00:33:08,640 --> 00:33:10,760 Speaker 1: could go away for a while and people be like, oh, 683 00:33:10,800 --> 00:33:13,240 Speaker 1: he was away. It is weird to announce that you're 684 00:33:13,240 --> 00:33:15,480 Speaker 1: taking a break. Let just take a break. You don't 685 00:33:15,520 --> 00:33:17,040 Speaker 1: need to tell everybody that I'm not going to be 686 00:33:17,080 --> 00:33:19,440 Speaker 1: on Instagram for a while. You're kind of already seeking 687 00:33:19,480 --> 00:33:22,400 Speaker 1: attention and saying that I'm taking a break by taking 688 00:33:22,480 --> 00:33:24,360 Speaker 1: a break. Just take the break. Well, I feel like 689 00:33:24,360 --> 00:33:27,440 Speaker 1: when Cameron Diaz announced she was retiring from acting, like 690 00:33:28,120 --> 00:33:30,760 Speaker 1: she could have just not done anything else. Yeah, I don't. 691 00:33:31,040 --> 00:33:33,680 Speaker 1: I just wonder about like these formal announcements. I didn't 692 00:33:33,680 --> 00:33:36,680 Speaker 1: really know that she had retired from acting until I 693 00:33:36,720 --> 00:33:39,520 Speaker 1: just realized that she wasn't in any movies for a while. 694 00:33:39,920 --> 00:33:41,440 Speaker 1: And then I was like, oh, she actually announced that 695 00:33:41,440 --> 00:33:43,600 Speaker 1: she's not acting anymore. See. I feel like you would 696 00:33:43,600 --> 00:33:47,880 Speaker 1: just realize it eventually. I don't know. Okay. Also, every 697 00:33:47,880 --> 00:33:49,640 Speaker 1: single week we got to give our shout out of 698 00:33:49,720 --> 00:33:53,480 Speaker 1: the week. You can just send me a tweet, Instagram, 699 00:33:53,560 --> 00:33:57,000 Speaker 1: message or message on Facebook on all platforms at Mike 700 00:33:57,120 --> 00:34:00,960 Speaker 1: destro or an email and that mail is movie Mike 701 00:34:01,040 --> 00:34:02,880 Speaker 1: d at gmail dot com. And getting a lot of 702 00:34:02,880 --> 00:34:05,840 Speaker 1: great emails over there, not only for people who listen 703 00:34:05,920 --> 00:34:08,640 Speaker 1: to the podcast every single Monday, but also some episode 704 00:34:08,640 --> 00:34:11,480 Speaker 1: of ideas. There's just suggestions we should do. So you 705 00:34:11,560 --> 00:34:13,919 Speaker 1: got any of those, even any complaints, I'll take those 706 00:34:13,920 --> 00:34:17,400 Speaker 1: as well, as long as they're constructive instructive criticism only. 707 00:34:17,640 --> 00:34:20,680 Speaker 1: We welcome that. Um. If you just want to tell 708 00:34:20,719 --> 00:34:24,480 Speaker 1: me that I suck or I can't speak, well, um, 709 00:34:24,520 --> 00:34:26,880 Speaker 1: I am aware of that. I'm not a great speaker, 710 00:34:27,880 --> 00:34:30,200 Speaker 1: and I have a podcast, of course, But anyway, this 711 00:34:30,239 --> 00:34:33,640 Speaker 1: one comes to us from Maguen Winkleman. Forgive me if 712 00:34:33,680 --> 00:34:36,400 Speaker 1: I mispronounced your first name. It's a very unique spelling, 713 00:34:36,840 --> 00:34:39,000 Speaker 1: but it says you made me tear up this morning 714 00:34:39,000 --> 00:34:42,240 Speaker 1: talking about meeting your fiancee and then upset me bashing 715 00:34:42,280 --> 00:34:44,240 Speaker 1: one of my favorite movies of all time, when Harry 716 00:34:44,280 --> 00:34:47,200 Speaker 1: met Sally. I also love While You Were Sleeping, But 717 00:34:47,239 --> 00:34:49,040 Speaker 1: when I showed it to my daughter, she thought it 718 00:34:49,080 --> 00:34:52,320 Speaker 1: was creepy to love the show, and I replied to her, Actually, 719 00:34:52,320 --> 00:34:54,520 Speaker 1: I was like, that's the range of this podcast. Will 720 00:34:55,080 --> 00:34:57,719 Speaker 1: warm your heart with one story and then make you 721 00:34:57,800 --> 00:35:01,400 Speaker 1: completely hated by ripping the movie you don't like to shreds. 722 00:35:01,440 --> 00:35:03,359 Speaker 1: But what do I say on this podcast? You don't 723 00:35:03,400 --> 00:35:05,960 Speaker 1: have to agree with all of my movie reviews. We're 724 00:35:06,000 --> 00:35:08,200 Speaker 1: here to discuss movies. I'm giving you my opinions and 725 00:35:08,280 --> 00:35:11,680 Speaker 1: my thoughts on movies. Whether it's your favorite movie that 726 00:35:11,760 --> 00:35:14,759 Speaker 1: I actually don't like or a movie that you think 727 00:35:14,800 --> 00:35:17,560 Speaker 1: is stupid that I enjoy. Just stay in my opinions here, 728 00:35:17,600 --> 00:35:19,160 Speaker 1: and it's just the place for us to have fun 729 00:35:19,440 --> 00:35:21,600 Speaker 1: and talk about movies. So I just like that we 730 00:35:21,640 --> 00:35:23,759 Speaker 1: have that range here. I don't agree with all of 731 00:35:23,760 --> 00:35:26,040 Speaker 1: your movie reviews exactly. That's why I have you on 732 00:35:26,280 --> 00:35:28,920 Speaker 1: my cost you if you don't know how boring you 733 00:35:28,920 --> 00:35:30,800 Speaker 1: would be if we agreed on everything on this it 734 00:35:30,840 --> 00:35:32,719 Speaker 1: would be boring. It would be very boring. If you 735 00:35:32,719 --> 00:35:36,680 Speaker 1: love Jackass too, we just be two Jackasses in here. Well. Anyway, 736 00:35:36,719 --> 00:35:39,480 Speaker 1: that's the episode for this week. Thanks everybody for listening. 737 00:35:40,239 --> 00:35:43,680 Speaker 1: I gotta say, like, the most cool response that I 738 00:35:43,719 --> 00:35:46,640 Speaker 1: see online, in the messages or in the tweets is 739 00:35:46,680 --> 00:35:49,279 Speaker 1: like people who listen to every single Monday, Like that 740 00:35:49,320 --> 00:35:51,680 Speaker 1: really means a lot to me. Like the fact that 741 00:35:51,719 --> 00:35:54,640 Speaker 1: this podcast that I've been doing for over a year 742 00:35:54,680 --> 00:35:57,640 Speaker 1: now has become a part of anybody's Monday routine, like 743 00:35:57,719 --> 00:35:59,799 Speaker 1: that really means a lot. So everybody listening to this 744 00:36:00,040 --> 00:36:04,080 Speaker 1: on a Monday, this episode is for you, guys. Appreciate 745 00:36:04,120 --> 00:36:07,200 Speaker 1: you so much more than you even know. And I 746 00:36:07,200 --> 00:36:09,799 Speaker 1: will talk to you guys again next week here on 747 00:36:09,840 --> 00:36:12,120 Speaker 1: the podcast and until then later