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Speaker 1: Smart small. So it was me and Count Chocula, Count

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Speaker 1: Chocula and Queen Madona. Yes, and we're prepping Mark zuckily

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Speaker 1: Berg for his big day.

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Speaker 2: Yes, this thing he was so good. Well and no.

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Speaker 1: Figs to Count Chocula, thank you very much. Yeah. He

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Speaker 1: keeps going like, hey see if you can work my

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Speaker 1: cereal in Yeah, hey my serial is not as big

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Speaker 1: as he's maybe men And I'm going, no Mark bit,

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Speaker 1: wh Yeah, do some jokes, you know, like maybe they

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Speaker 1: go like, hey, they're going, you know, I don't like

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Speaker 1: Facebook and it's like, well, maybe it's because I didn't return.

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Speaker 1: You're super poke. Sure you know some of that. And

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Speaker 1: Queen Amandala is going my people, maybe mention my people

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Speaker 1: and like their plight or whatever. Yeah, and I'm going

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Speaker 1: do some jokes. Sweat a little.

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Speaker 3: Bit, do that face the like that crazy face, do

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Speaker 3: that do the freaking like woo. Do you want to

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Speaker 3: know what I heard? M I don't know. I don't

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Speaker 3: know if you even want to know this.

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Speaker 1: Whenever you start like that, I'm like, this is not

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Speaker 1: gonna be.

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Speaker 3: I don't know if you want to know, But I

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Speaker 3: heard that Count Chocola is trying to get the idea

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Speaker 3: of Cereal out there more.

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Speaker 1: Oh and so.

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Speaker 2: Let it go, and so I know never gonna happen.

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Speaker 2: And so.

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Speaker 3: The way he decided to do that now is that

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Speaker 3: he would convince Donald Trump to go to war with

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Speaker 3: Cereal tonight.

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Speaker 4: No.

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Speaker 2: Yes, And I heard what on TV is saying it

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Speaker 2: was happening.

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Speaker 1: Right now, nasty during our show.

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Speaker 2: Yeah, And I think that's an accident.

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Speaker 1: I don't think so at all, because he was so

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Speaker 1: mad that Zucklieberg gave me more credit than is.

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Speaker 2: Yes, well, you know what, you know what, this is.

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Speaker 3: The best place to be in the world because it's

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Speaker 3: the only place that there's guaranteed to be no bombing.

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Speaker 3: Mm save this place in the entire world, no bomba Hey,

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Speaker 3: welcome to Hollywood, Hambog and Insider.

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Speaker 2: This guy to kicking by and dropping names for the

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Speaker 2: Red Carver this industry week.

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Speaker 3: What at the new Dynasty typewriter theater base.

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Speaker 2: Big pop for that one. Well, to the guys on

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Speaker 2: the theater.

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Speaker 1: We'll put in applause. Well, we'll put in.

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Speaker 3: The big pop. We do it for UCB, we do

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Speaker 3: it for all the theaters. We can do it for that.

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Speaker 1: Fake in the in the best damn city in the world. Yes, uh,

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Speaker 1: but we love doing the show. We love the fans.

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Speaker 1: Oh that's one of my favorite. Top five for me.

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Speaker 3: Are the shows are understood to be worse of.

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Speaker 1: Course than of course live podcasts, but specifically this podcas.

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Speaker 2: This show more so than the other show. Do not translate.

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Speaker 1: Yes, and I gotta say they feel long we run

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Speaker 1: out of steam. This is the best the show is

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Speaker 1: going to be right now?

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Speaker 3: Yes, right now, we feel like we have a concept

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Speaker 3: that'll get us through, like on the way to the

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Speaker 3: very end, and we have.

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Speaker 1: Six more minutes of that feeling. Yep.

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Speaker 2: Uh So, but what do we do?

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Speaker 3: What do we do if the if it's a worse show,

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Speaker 3: you get the audience on your side. And to do that,

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Speaker 3: we are going to bring out someone who is very

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Speaker 3: important to this show.

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Speaker 1: Well, yes, we have a big guest that we're gonna introduce,

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Speaker 1: but first we want to talk about somebody who has

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Speaker 1: been helping out a lot on the show lately.

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Speaker 2: Someone who that we make fun of.

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Speaker 1: A lot, who that we sorry but we all caught it.

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Speaker 1: I mean I could let it go, but I'm not

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Speaker 1: really doing anyone a favor because then they're like, right,

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Speaker 1: well was Sewan the only person that didn't hear that.

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Speaker 1: It's like, no, guys, well, people are dying in the

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Speaker 1: Middle East, so some of us can't just let that

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Speaker 1: go to do jokes. So someone who has been or

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Speaker 1: who that we find to be a really wonderful, huge

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Speaker 1: part of the show more recently than in the past,

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Speaker 1: wasn't with the show in the beginning, but now is

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Speaker 1: an essential component of it. And I don't think we

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Speaker 1: would still be doing the show without him. And we

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Speaker 1: give him a hard time a lot on Mike, but

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Speaker 1: we do want to take, now that we have all

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Speaker 1: these people here a little time to celebrate this special

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Speaker 1: someone get it.

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Speaker 3: Thank you, Kevin, Kevin, thank you for bringing Bosh out

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Speaker 3: onto the stage.

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Speaker 2: This is Detective Bosh.

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Speaker 1: You are scaring him. Season four drops today. Yeah, of

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Speaker 1: the show based on his misadventures. Yeah. He doesn't let

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Speaker 1: the law get in the way of justice, does he? Yes?

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Speaker 5: Uh?

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Speaker 3: And he has a lot of ideas about how polease

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Speaker 3: work should be done. I don't necessarily agree.

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Speaker 1: With the chief.

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Speaker 2: Well, he's old school.

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Speaker 1: Baby, Kevin, get the fuck off the stage. Man.

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Speaker 2: Was I weird?

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Speaker 1: Was I being weird with as far as him? No,

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Speaker 1: you were handling it. Well, that's what I thought, because

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Speaker 1: I had this hot feeling on my back. Yes, I

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Speaker 1: know I couldn't see him. You were blocking him, which

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Speaker 1: I appreciate, that's why. Yeah, but uh no, you were

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Speaker 1: being cool. I mean, it's just like, what the fuck

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Speaker 1: was he doing? I know? So, Yeah, Bosh has been

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Speaker 1: a big part of the show. Uh is he doing

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Speaker 1: a big peepiece?

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Speaker 3: I can't see him. He's under the table. Just do

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Speaker 3: one in Unison, big peepees if he does start.

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Speaker 1: If he pees, we do need the whole audience to pee,

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Speaker 1: just so it's not like him.

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Speaker 3: Yeah, I mean, I guess favorite movie Billy Madison, where

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Speaker 3: that did happen?

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Speaker 1: Yes, that happens in that movie. You guys remember Billy Madison.

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Speaker 2: Should we auction off one date with bosj?

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Speaker 1: Okay, how much bucks we do a bachelor auction from?

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Speaker 1: It's a bachelor auction. I came up with that alone.

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Speaker 3: So just shout out numbers would come on? Yes, twenty

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Speaker 3: dollars on stage. I don't think he has it. We

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Speaker 3: they put the lights on the crowd as if that's

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Speaker 3: what we want. We want to hear money. We don't

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Speaker 3: want to see any of this.

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Speaker 1: If you bring up twenty bucks, we'll let you take

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Speaker 1: Bosh on his dream date, which is a long walk

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Speaker 1: across the stage back to where Kevin's standing.

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Speaker 3: Yes, who's got He didn't have the money? You were?

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Speaker 3: What a faky ye you? He's a skateboard trick, remember, yes,

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Speaker 3: so any other amount of money?

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Speaker 1: Okay?

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Speaker 3: Well, Kevin, Kevin, nobody bid on Bosh except for two

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Speaker 3: fakey Kevin, you got any cash man? And so you

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Speaker 3: win the bat the Bachelor auction, and but you have

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Speaker 3: to pay?

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Speaker 1: Yes? Do you? You can't see your wallet? Please? He's

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Speaker 1: so millennial, Mark.

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Speaker 3: I could have one thing to report, okay, just the beginning.

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Speaker 3: Mom has news from the church bulletin. What a scoop

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Speaker 3: you know what it is.

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Speaker 1: You would never get a scoop like that on our

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Speaker 1: pre recorded show where this sounds better? Yeah? Is it

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Speaker 1: time to bring out our guest? Definitely? Well, then let's

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Speaker 1: get her out here. You of course know her from

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Speaker 1: she's going to be on our podcast, actress Natalie Morales.

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Speaker 6: Natalie Morales, we stand.

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Speaker 1: Yes you pick no, no, not certainly not on the end.

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Speaker 7: I don't know.

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Speaker 5: The Jesus or the Judas.

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Speaker 1: Oh wow, have you guys watched Did you'll watch did

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Speaker 1: we watch what JC Superstar? Oh? No, I didn't. Oh wow,

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Speaker 1: I do. I do a really good impression of Peter.

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Speaker 1: Have you done it on the show? But I did?

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Speaker 2: Yeah, just once?

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Speaker 1: It was about Okay, it's only come up once, and

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Speaker 1: I think it was on the episode that came out

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Speaker 1: on Tuesday. Okay?

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Speaker 5: Cool m who played Peters in the NBC version?

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Speaker 1: Oh?

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Speaker 2: Who played Peter?

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Speaker 1: He was sort of a rocker, like a goth rocker,

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Speaker 1: almost like a Chris Angel, legitimate bad ass. I believe

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Speaker 1: it was Chris Angel. Yes, he had that voice that

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Speaker 1: freaks your mind. And the dance moves. Well, whoa they

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Speaker 1: were Okay, Natalie Morales, Can I say something? I wish

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Speaker 1: you would more and more instead of less?

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Speaker 5: Sorry I stunted your joke.

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Speaker 3: They they he did that. They knew not to wait

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Speaker 3: until I explained it to laugh. They wanted to right

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Speaker 3: after I said more.

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Speaker 1: Yes, Oh yeah, whenever Hayes is going, you know, there's

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Speaker 1: an idea. Yeah, just because it hasn't made it to

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Speaker 1: his mouth yet doesn't mean it's not gold. Babe.

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Speaker 3: Yeah, good to know, and we're excited to be working

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Speaker 3: with you again. Yes, sign a pay capacity. I don't know, like,

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Speaker 3: don't get.

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Speaker 5: Paid for this, for this, just I don't get paid

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Speaker 5: for this.

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Speaker 3: Yeah, I mean like that's a larger conversation that we

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Speaker 3: are never going to.

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Speaker 1: Have, just in terms of podcast guests being paid. It's like,

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Speaker 1: what are we even talking about. Let's just have fun.

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Speaker 1: Let's have fun, right, it's supposed to be about fun.

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Speaker 1: I'm here to kick it with my friends. We're all

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Speaker 1: real friends in real life, the audience, the host, the guy.

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Speaker 1: What do we all talk about? Money? Come on? I

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Speaker 1: honestly forget all the time that I am getting money.

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Speaker 1: And I am, yes, I'm getting money, of course, But

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Speaker 1: for the guests, it's like, hey, we're hanging out. It's crazy,

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Speaker 1: but it's crass.

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Speaker 8: I feel like I should move back because I'm really

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Speaker 8: playing some tennis over here, since you made me sit

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Speaker 8: in the middle.

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Speaker 3: Oh right, the net doesn't move though. I don't know

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Speaker 3: if you. I mean, you know tennis better than I do.

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Speaker 3: I think you'd be like a sort of the chair umpire.

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Speaker 1: Right, yeah, like a line judge would just have.

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Speaker 2: A clean line.

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Speaker 1: And of course the players are only on one side

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Speaker 1: and the net's doing nothing. It's inanimate. But the chair umpire.

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Speaker 1: He's on a swivel. Baby.

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Speaker 5: Yeah.

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Speaker 3: I the Net is not an anime, it's a it's

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Speaker 3: a live action movie.

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Speaker 1: I'm thinking of we Tennis, right. Uh, speaking of live

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Speaker 1: action movies. Oh great, Natalie, Oh boy. We've invited you

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Speaker 1: here for a bit of a dual purpose. Not only

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Speaker 1: are we recording a podcast, we're also making a hit

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Speaker 1: smash biopic about your life. Do you know what biopick is?

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Speaker 5: I believe it's a biographical picture.

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Speaker 2: Okay, good?

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Speaker 1: That helps me. That helps me. I thought it was biopic.

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Speaker 1: I sounded like a way that they may be analyze

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Speaker 1: a mole, right.

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Speaker 3: And then I thought it was a pick that's by

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Speaker 3: oh ourselves, I wi it is, And so I was

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Speaker 3: right about that.

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Speaker 1: And I also thought it could be a pick from

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Speaker 1: biodome Yeah, starring longtime friend and yeah and real life

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Speaker 1: guests of the show. So Biodomicide. We are going to

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Speaker 1: make a biopic, and one of the ways we do

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Speaker 1: that is we sort of pick your brain a little bit,

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Speaker 1: don't we, Natalie, it's about you. Did we mention that? Okay?

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Speaker 2: Okay, great, all right, good.

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Speaker 1: Let's pick it the brain.

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Speaker 3: I mean, we obviously know your story obviously so well,

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Speaker 3: and we know all your credits and your early life

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Speaker 3: and uh career and all the categories that would be

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Speaker 3: on a Wikipedia page that we do not need to

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Speaker 3: consult like right now.

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Speaker 1: Mm hmmm.

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Speaker 3: It wouldn't be great in this moment to have your

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Speaker 3: Wikipedia page appear behind us.

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Speaker 1: Project screen or oh my god, oh my god, we

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Speaker 1: don't need this crap.

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Speaker 2: That's so wild, because I was just saying I don't

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Speaker 2: need this. Who made question one? Do we still have

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Speaker 2: that hat?

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Speaker 1: I do?

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Speaker 2: Why isn't it here tonight on that head?

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Speaker 8: I didn't know it was the Buster Keaton night.

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Speaker 5: I would have worn it.

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Speaker 2: Yes, it's the Dynasty typewriter.

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Speaker 1: Stuff.

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Speaker 7: I do look old and cool there, Yeah.

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Speaker 8: And almost like my wrist is about to break, yeah,

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Speaker 8: from thinking so hard.

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Speaker 1: Yeah yeah at comic Con.

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Speaker 3: Yeah, they asked you a really tough question at comic Con.

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Speaker 1: Hayes and I are young too. Yeah, we're all so

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Speaker 1: very young. It's one of the things people really enjoy

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Speaker 1: about us. So the story starts interior Kendall, Florida. Yeah,

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Speaker 1: fade in smash cut two maybe just chillin doctors Like,

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Speaker 1: I think this is gonna be a good one. The

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Speaker 1: ABC Family series. The middleman speaks in the room.

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Speaker 3: I'm not quite ready. They say, we should like maybe

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Speaker 3: go through. We ask a few questions about her life. Good,

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Speaker 3: we go instead of going straight into the thing. No, please, No,

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Speaker 3: I know you participated in the University of Miami's Dow

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Speaker 3: Jones Minority High School Journalism Workshop.

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Speaker 2: Is that right?

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Speaker 8: Let me first say this is one of the weirder

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Speaker 8: things that's ever happened to me. Secondly, I'll say, yes,

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Speaker 8: I did participate in that workshop.

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Speaker 7: And I don't know why it's on my Wikipedia.

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Speaker 1: Natalie is the name is Dow Jones related to us,

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Speaker 1: Moses Jones. It's his aunt. Oh.

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Speaker 3: Can I say just a little peak behind the curtain

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Speaker 3: in terms of you saying this is a weird experience

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Speaker 3: for you.

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Speaker 1: Yeah.

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Speaker 3: What we had with Natalie, which is the experience with

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Speaker 3: every single one of our guests, is we meet them

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Speaker 3: before the show and we ask, so, did you listen

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Speaker 3: to any episodes?

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Speaker 1: And they go, I did.

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Speaker 5: It's true.

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Speaker 3: That's the exact inflection and phrasing that we get every

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Speaker 3: single time.

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Speaker 1: Is that correct?

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Speaker 5: It's not an exaggeration, at least on my part.

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Speaker 1: No. A follow up question feels forbidden great, and there's

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Speaker 1: no elaboration coming. So can I hear I'd like to

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Speaker 1: meet some one Natalie? Is that okay?

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Speaker 3: Sure, I would like to meet the character you played

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Speaker 3: in the video game version of Pimp My Ride. Well,

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Speaker 3: that's a really interesting question.

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Speaker 8: Here's why they used my likeness and not my voice.

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Speaker 1: Oh so, in a way, we've already we've already had here.

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Speaker 1: It is ready.

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Speaker 2: Yeah, okay, did they have you record lines just so

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Speaker 2: they could.

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Speaker 1: Throw them out? No, they didn't do that. Okay.

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Speaker 8: They took a bunch of my pictures at the hotel room.

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Speaker 2: It was okay.

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Speaker 8: I got paid three hundred dollars for it and it

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Speaker 8: was very weird.

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Speaker 1: Wow, okay, I'm wondering. So did you maybe put this

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Speaker 1: on your Wikipedia page? The gig?

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Speaker 4: I wish I did.

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Speaker 1: I wish.

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Speaker 9: I wish I knew how to edit a Wikipedia page.

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Speaker 2: It's hard, I don't know how. Yeah, and expensive?

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Speaker 1: And who who is doing this? Yeah? They won't let

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Speaker 1: me have one, I get it, that's true. Yeah, that

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Speaker 1: somebody made one for me and one for Hayes fan

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Speaker 1: of the show. Thanks guys. Hayes is still up. Mine

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Speaker 1: was removed. It was determined I had not made a

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Speaker 1: significant contribution to the television landscape. And then the top

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Speaker 1: thing on Hayes says, best known as one of the

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Speaker 1: hosts of Hollywood Handbook, which is just a little salt

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Speaker 1: in the wound.

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Speaker 3: Well, well, it says with Sean Clements and your name

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Speaker 3: is a link but it leaks to bed. Oh we

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Speaker 3: could check no, no, yes, right, there's good.

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Speaker 2: Yeah, you can click Sewn Clements.

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Speaker 3: See click Sewn Clements right there up up top and

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Speaker 3: it goes to the page of ear Wolf. But tonight's

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Speaker 3: about Natalie. We're talking about Natalie. Back back back, Yes, please,

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Speaker 3: let's go back. And here's a promise.

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Speaker 1: I'll pay podcast guests when I have a Wikipedia page.

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Speaker 8: I'll learn how to make a Wikipedia page, so then

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Speaker 8: I get paid for this.

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Speaker 1: You know, it's it's fun to play. Did you I

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Speaker 1: ride the video game? Did you ever play the game

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Speaker 1: to see what you were doing?

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Speaker 5: Did you ever buy the game?

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Speaker 4: No?

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Speaker 5: Remember when there was that. I don't know if it

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Speaker 5: still exists.

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Speaker 8: It's like that Netflix thing, but for video games that

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Speaker 8: was like in like two thousand game Fly.

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Speaker 5: Yes, yes, I.

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Speaker 1: Was gonna do it. Funny answer, but oh, okay, that's okay.

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Speaker 2: We can do that. Well, hang on, let's back up.

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Speaker 1: I didn't.

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Speaker 5: I didn't even bother buying it.

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Speaker 1: We can edit it. Always likes to be cued up

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Speaker 1: this way. Say something comedy, man, say something funny. You

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Speaker 1: work in comedy, right, Crack me up, man, I fucking

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Speaker 1: love to laugh.

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Speaker 2: I love comedy, dude.

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Speaker 1: Okay, you ever seen Louie?

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Speaker 10: Come on?

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Speaker 1: Okay, I think so. Netflix for video games. What was

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Speaker 1: it called again? It was called Oh man, Natalie, give me,

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Speaker 1: just give me something anything I liked arm.

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Speaker 3: That wasn't enough. I need a specific I need a

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Speaker 3: hard answer. I need it right now. Kevin, I hope

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Speaker 3: you're thinking back there too.

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Speaker 5: I have nothing for you. This is on you.

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Speaker 1: Maybe we can come back at the end of the show. Yeah, okay,

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Speaker 1: that would be really good. Yeah, and maybe the audience

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Speaker 1: we'll have some suggestions by then. I'm sure that'll be

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Speaker 1: something I can make fun of and not have to

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Speaker 1: do it for real. Now you're in the power position. Yes, yeah,

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Speaker 1: I think I get my best ideas as soon as

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Speaker 1: we're finished doing the show.

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Speaker 2: Yes, me too.

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Speaker 1: A lot of funny stuff coming to me back on

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Speaker 1: the drive home from the record, record the record. Yeah,

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Speaker 1: so you became the game fly and you played this game?

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Speaker 5: Did it was?

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Speaker 1: It was a horrible disease.

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Speaker 8: No, yeah, I should have bought it, thinking back, because

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Speaker 8: I would like to own it.

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Speaker 1: It's a very sort of square version of me. When

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Speaker 1: what year was that? Two thousand and six? Yeah, it

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Speaker 1: was really square and weird. Okay. I wouldn't say you

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Speaker 1: are round.

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Speaker 8: In your normal round, sure, I meant, uh, you know,

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Speaker 8: in the way that two thousand and six video games

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Speaker 8: weren't exactly.

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Speaker 1: Everyone was human featured. That's right.

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Speaker 5: Who was the guy exhibit?

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Speaker 2: That's who was on my exhibit your ride?

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Speaker 1: Yeah.

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Speaker 5: Also when you picking rap names, why exhibit.

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Speaker 1: It starts with an X X give it to you

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Speaker 1: X to the Z and imagine that's X. Yeah, but

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Speaker 1: it's also exhibit. I hate to tell you, honestly, d

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Speaker 1: gonta give it to you because you know I want that.

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Speaker 1: Uh sorry, okay, yeah, there's kids here, the Hayes's kids.

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Speaker 4: Yeah.

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Speaker 8: Anyway, me and exhibit were square people talking to each

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Speaker 8: other about a car.

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Speaker 1: Did you meet mister X. No, I was alone in a.

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Speaker 5: Hotel room with a guy taking my photo.

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Speaker 1: But he wasn't at least sort of there, you know,

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Speaker 1: giving at in spirit.

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Speaker 8: No, just a man taking a photo of every inch

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Speaker 8: of my body.

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Speaker 1: Does anyone remember there's a there's a part of one

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Speaker 1: of the exhibit songs. It was a solo song and

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Speaker 1: if you remember, you had a very gravelly voice. That's

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Speaker 1: the mix, but it's also exhibit. And he said, and

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Speaker 1: here's what I remember him saying, triangular push ups and

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00:24:13,800 --> 00:24:19,439
Speaker 1: in very good shape. Sounded pretty cool. I mean it

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00:24:19,480 --> 00:24:23,240
Speaker 1: painted a picture for me, I guess. I mean I

401
00:24:23,280 --> 00:24:28,040
Speaker 1: always known those as diamond push ups.

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Speaker 2: No, Natalie, oh what.

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00:24:31,760 --> 00:24:34,399
Speaker 3: We're always trying to demonstrate push ups in our live shows,

404
00:24:34,400 --> 00:24:36,080
Speaker 3: but they can't hear when you have to put the

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Speaker 3: mic down, or should have told you not to demonstrate

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Speaker 3: a push up.

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Speaker 5: I'm sorry, it was a private moment.

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00:24:41,320 --> 00:24:42,080
Speaker 1: You of course.

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Speaker 3: In the twenty ten or something, began appearing in the

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Speaker 3: NBC stick on Parks and Recreation. Yeah, yes, appearing as

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00:24:51,359 --> 00:24:56,760
Speaker 3: Lucy girlfriend of I'm sorry not touching that. I can't

412
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Speaker 3: not with my actually can you hit me my ten

413
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Speaker 3: thousand foot pole?

414
00:25:03,280 --> 00:25:11,480
Speaker 1: Thank you? Was that fun? Yeah?

415
00:25:11,600 --> 00:25:14,879
Speaker 8: Being on Parks and Record was super fun.

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Speaker 1: Okay, Yes, money never sleeps? Is that true?

417
00:25:26,840 --> 00:25:30,119
Speaker 8: You know I've seen it sleeping a few times, but

418
00:25:30,280 --> 00:25:33,520
Speaker 8: I felt like it was maybe napping and not fully sleeping.

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Speaker 2: They talk about that.

420
00:25:36,160 --> 00:25:38,040
Speaker 5: Awake, you know, just resting its eyes.

421
00:25:38,240 --> 00:25:40,440
Speaker 1: Yes. Are we talking about that Geico stack of money

422
00:25:40,440 --> 00:25:46,959
Speaker 1: with the eyes? Yes? Yea, al we's feel like money?

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00:25:47,080 --> 00:25:51,439
Speaker 5: What Gico stack of money? Yeah?

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00:25:51,480 --> 00:25:56,639
Speaker 1: So you acted against the Geico stack of money? You

425
00:25:56,640 --> 00:25:58,720
Speaker 1: were with Uzes or whatever it was.

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00:25:58,800 --> 00:26:01,080
Speaker 5: Me Shilah buff Geico stuck of money?

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00:26:01,119 --> 00:26:07,840
Speaker 1: And he's sorry. And Marty yeah, Marty right? And Mary

428
00:26:07,960 --> 00:26:14,760
Speaker 1: Marty Sheen. Maybe No, Marty Sheen isn't in that. No,

429
00:26:15,320 --> 00:26:18,200
Speaker 1: they couldn't get him. I don't think so. And money

430
00:26:18,240 --> 00:26:22,000
Speaker 1: never sleeps Martin, She's not in that? No? Can we

431
00:26:22,040 --> 00:26:22,800
Speaker 1: click on it? Please?

432
00:26:23,040 --> 00:26:23,600
Speaker 7: Is in it?

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00:26:27,080 --> 00:26:27,159
Speaker 1: No?

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Speaker 2: That's Michael Michael Douglas.

435
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Speaker 1: Okay, And this is what I do for my guess

436
00:26:34,560 --> 00:26:35,400
Speaker 1: I'm so generous.

437
00:26:36,560 --> 00:26:38,360
Speaker 2: A lot of people want to be the one who's right.

438
00:26:38,240 --> 00:26:48,719
Speaker 3: On their show. Me I'm clutching his straws okay, is

439
00:26:48,760 --> 00:26:49,439
Speaker 3: Martin Sheen?

440
00:26:49,800 --> 00:26:55,920
Speaker 1: I we do not have to read Michael Douglas's look

441
00:26:55,920 --> 00:26:56,800
Speaker 1: at Beedia page.

442
00:26:57,119 --> 00:27:03,000
Speaker 3: I know how it ends. He gets sick from pussy, he.

443
00:27:03,040 --> 00:27:07,000
Speaker 9: Gets imagine, how what balls do you have to have

444
00:27:07,080 --> 00:27:10,640
Speaker 9: to be like publicly announced that you got throat cancer

445
00:27:11,040 --> 00:27:15,200
Speaker 9: from giving your wife Conna Lingis and still be married

446
00:27:15,200 --> 00:27:16,080
Speaker 9: to your wife.

447
00:27:16,800 --> 00:27:19,359
Speaker 1: Yeah, I got something inspiring to say, though, Hayes, That's

448
00:27:19,400 --> 00:27:25,000
Speaker 1: not where history ends. In many ways, it was just

449
00:27:25,040 --> 00:27:28,720
Speaker 1: the beginning of a new journey. Yeah. So the couch

450
00:27:28,760 --> 00:27:39,000
Speaker 1: where he has to sleep for a month, I mean right, Yeah,

451
00:27:39,000 --> 00:27:44,680
Speaker 1: they probably got two bedrooms. So so later you were

452
00:27:44,920 --> 00:27:47,120
Speaker 1: cast as Chelsea Handler's best friend, and are you there?

453
00:27:47,160 --> 00:27:56,560
Speaker 1: Chelsea makes sense, she's young like us, So we want

454
00:27:56,600 --> 00:28:00,000
Speaker 1: to take people on a little bit of your journey.

455
00:28:00,000 --> 00:28:04,480
Speaker 1: I don't think we're leaving anything out, but no, could

456
00:28:04,560 --> 00:28:08,720
Speaker 1: we sort of sit in the room with you while

457
00:28:08,720 --> 00:28:12,159
Speaker 1: you auditioned to play Chelsea's best friend?

458
00:28:12,960 --> 00:28:15,159
Speaker 8: So you mean before I knew that I was me

459
00:28:15,560 --> 00:28:18,400
Speaker 8: and a Korean guy and a black girl. We're all

460
00:28:18,440 --> 00:28:22,720
Speaker 8: gonna get fired and recast and replaced by one Asian.

461
00:28:22,400 --> 00:28:24,840
Speaker 5: Girl because there was too many ethnic people on Mitchell.

462
00:28:26,400 --> 00:28:30,040
Speaker 1: Yeah, we want to be before I knew that. I

463
00:28:30,160 --> 00:28:33,199
Speaker 1: want to be a little bit before that. Okay, but

464
00:28:33,320 --> 00:28:35,000
Speaker 1: you remember because you've been on the other end of

465
00:28:35,000 --> 00:28:38,520
Speaker 1: that too. Because Azis was supposed to have three ethnic

466
00:28:38,600 --> 00:28:43,680
Speaker 1: girlfriends on parks and then they said maybe just one

467
00:28:43,840 --> 00:28:46,880
Speaker 1: and maybe just fire all them. We just had one, Natalie.

468
00:28:47,040 --> 00:28:50,320
Speaker 3: Yeah, so it all comes it evens out I won

469
00:28:50,640 --> 00:28:52,720
Speaker 3: in this business, it does.

470
00:28:54,000 --> 00:28:55,640
Speaker 1: Do we want to go to that audition that we

471
00:28:55,640 --> 00:29:00,080
Speaker 1: were going to go? Let's get into the audition. I guess, hey,

472
00:29:00,240 --> 00:29:03,840
Speaker 1: do you want to be operating the camera? That really

473
00:29:03,880 --> 00:29:07,440
Speaker 1: sounds like a great spot for me, and I will be,

474
00:29:08,840 --> 00:29:10,000
Speaker 1: of course reading with you.

475
00:29:12,480 --> 00:29:13,720
Speaker 2: Chelsea, of course, is not here.

476
00:29:13,840 --> 00:29:17,600
Speaker 3: She wouldn't actually like be at the audition, even in

477
00:29:17,680 --> 00:29:21,080
Speaker 3: like a fun This is not the scene, even like

478
00:29:21,200 --> 00:29:22,920
Speaker 3: even like a fun version of it. I don't want

479
00:29:22,960 --> 00:29:26,400
Speaker 3: anyone to be expecting Chelsea to show up in this scene,

480
00:29:26,560 --> 00:29:29,160
Speaker 3: right she would? I mean she was there, She was

481
00:29:29,200 --> 00:29:33,280
Speaker 3: there and now and that's a lie. There's there's just

482
00:29:33,320 --> 00:29:33,760
Speaker 3: no way.

483
00:29:34,840 --> 00:29:36,920
Speaker 1: Not only I was born at night, but I wasn't

484
00:29:36,920 --> 00:29:41,959
Speaker 1: born last night. Yeah, unfortunately for you. Yeah, so I

485
00:29:42,000 --> 00:29:47,440
Speaker 1: do know when I'm being lied at. Okay, Okay, so

486
00:29:47,800 --> 00:29:50,520
Speaker 1: let's and now, well I'm reading with you, and you're

487
00:29:50,560 --> 00:29:54,600
Speaker 1: reading with me, so you'll read with me. Not even there,

488
00:29:54,640 --> 00:29:55,240
Speaker 1: so you'll read with me.

489
00:29:55,320 --> 00:29:58,320
Speaker 2: I'm reading with you, okay.

490
00:29:58,040 --> 00:30:05,080
Speaker 1: Don't mind me. Yeah, just finishing sitting up over here.

491
00:30:07,240 --> 00:30:10,720
Speaker 1: Maybe you do, could just get acquainted while I figure

492
00:30:10,760 --> 00:30:19,360
Speaker 1: out what kind of camera this is? So? How is

493
00:30:19,400 --> 00:30:21,080
Speaker 1: the drive over gilet of traffic?

494
00:30:21,200 --> 00:30:25,200
Speaker 5: Or know that the the gate was really backed up?

495
00:30:25,360 --> 00:30:32,000
Speaker 5: But it was it was fine. Oh I'm sorry, that's okay.

496
00:30:32,480 --> 00:30:36,720
Speaker 1: How's the camera coming? Yeah? Yes? Uh MITSUBC camera song.

497
00:30:37,160 --> 00:30:45,560
Speaker 1: I uh, my old friend, it's the character, that's how

498
00:30:45,600 --> 00:30:46,680
Speaker 1: the character talks.

499
00:30:48,360 --> 00:30:49,200
Speaker 5: This all happened.

500
00:30:52,360 --> 00:30:58,560
Speaker 1: Cool, cool? Cool? Uh? So are you are after this?

501
00:30:58,840 --> 00:30:58,959
Speaker 4: Uh?

502
00:30:59,240 --> 00:31:00,720
Speaker 1: Busy day?

503
00:31:01,160 --> 00:31:03,080
Speaker 3: We're going on. It's on, it's going right now. You

504
00:31:03,080 --> 00:31:06,320
Speaker 3: have to go right now. I'm so fucking drunk. I'm

505
00:31:06,360 --> 00:31:07,280
Speaker 3: so fucked up.

506
00:31:07,640 --> 00:31:13,720
Speaker 1: Holy shit, I fucked a fucking crazy midget yesterday. I've

507
00:31:13,760 --> 00:31:33,800
Speaker 1: been saved, but I'm cool. Can somebody postmates me? Cigarettes olo?

508
00:31:34,000 --> 00:31:45,280
Speaker 10: Chelsea?

509
00:31:48,240 --> 00:31:55,200
Speaker 1: Oh? Oh, Senorita? Sorry, I didn't hear you coming. I'm

510
00:31:55,200 --> 00:31:59,360
Speaker 1: so fucked up a fucking vodka and shit, Oh damn

511
00:31:59,440 --> 00:32:02,400
Speaker 1: did you see news today about the freaking pop culture?

512
00:32:02,520 --> 00:32:07,200
Speaker 1: And u uh and uh uh and what Bieber did.

513
00:32:08,880 --> 00:32:10,640
Speaker 1: Sometimes I want to slap him upside the face, but

514
00:32:10,680 --> 00:32:13,080
Speaker 1: sometimes I want him to slap me upside the rump.

515
00:32:16,200 --> 00:32:24,720
Speaker 9: Oh, Chelsea, Hello, hits me the real Chelsea.

516
00:32:26,400 --> 00:32:31,479
Speaker 3: I heard a rumor that Trump is gay, and that's bad.

517
00:32:36,680 --> 00:32:38,320
Speaker 2: I say that all the time.

518
00:32:40,840 --> 00:32:44,920
Speaker 1: Hey, Chelsea, did you want to take over the uh

519
00:32:44,960 --> 00:32:46,280
Speaker 1: this part reading?

520
00:32:47,240 --> 00:32:53,400
Speaker 3: Or you're just gonna watch? I don't mind me. Have

521
00:32:53,480 --> 00:32:55,800
Speaker 3: you met my boyfriend? Oh, yes, we've met.

522
00:32:58,680 --> 00:33:00,160
Speaker 2: Hello, mister fifty.

523
00:33:00,080 --> 00:33:05,640
Speaker 8: Then fifty cent's been operating the camera this whole time.

524
00:33:06,400 --> 00:33:07,240
Speaker 1: Yep, that's me.

525
00:33:07,520 --> 00:33:15,960
Speaker 2: Oh fifty cent, wow, fifty men.

526
00:33:16,040 --> 00:33:18,400
Speaker 1: When you first came out with some of those DGAF

527
00:33:18,520 --> 00:33:23,200
Speaker 1: diss tracks, you really ate their beans. That's me. I

528
00:33:23,560 --> 00:33:30,920
Speaker 1: like to trap of a store. Well, I guess we'll

529
00:33:30,920 --> 00:33:33,560
Speaker 1: just see seamlessly back into the scene.

530
00:33:35,360 --> 00:33:41,800
Speaker 2: Surely there's more to do. I'm very sick.

531
00:33:45,600 --> 00:33:51,920
Speaker 8: Oh no, Chelsea, It's okay.

532
00:33:52,400 --> 00:33:55,880
Speaker 1: It's super slow, but clearly I'm sick.

533
00:33:57,680 --> 00:33:58,600
Speaker 5: See Chelsea.

534
00:34:02,560 --> 00:34:08,560
Speaker 3: Oh, Senorita, that's good. Yeah, and you got it.

535
00:34:08,840 --> 00:34:12,680
Speaker 1: I did get it. Of course, then you didn't like

536
00:34:12,840 --> 00:34:14,759
Speaker 1: have it, but you got it. I got it just

537
00:34:14,800 --> 00:34:16,719
Speaker 1: the pilot. Yeah, you got it, but you didn't get

538
00:34:16,719 --> 00:34:24,640
Speaker 1: to do it. Yes, uh oh uh more fog please? Yeah, sorry,

539
00:34:24,880 --> 00:34:29,399
Speaker 1: I'm in complete control. Yes, there's supposed to be more fog.

540
00:34:29,480 --> 00:34:32,279
Speaker 1: Just in the middle of the show. Just hit us

541
00:34:32,280 --> 00:34:32,759
Speaker 1: with the fog.

542
00:34:32,760 --> 00:34:35,719
Speaker 3: Whenever you feel like it, the.

543
00:34:35,680 --> 00:34:37,640
Speaker 5: Part of the show that gets spooky.

544
00:34:38,000 --> 00:34:40,560
Speaker 1: Yeah, yes, well you knew we were gonna have to

545
00:34:40,600 --> 00:34:43,000
Speaker 1: do some of the scary stories from your life as well,

546
00:34:43,040 --> 00:34:44,040
Speaker 1: didn't you. I did?

547
00:34:44,760 --> 00:34:45,280
Speaker 2: Yeah?

548
00:34:45,680 --> 00:34:46,839
Speaker 5: Oh boy, what's next?

549
00:34:46,840 --> 00:34:48,400
Speaker 1: C s I Miam it is?

550
00:34:49,920 --> 00:34:55,680
Speaker 3: It is Friday the thirteenth, which did a movie about.

551
00:34:57,239 --> 00:34:58,760
Speaker 2: I assume it's very scary.

552
00:35:00,160 --> 00:35:08,560
Speaker 1: Oh boy, oh god. So obviously this film will be

553
00:35:08,600 --> 00:35:10,640
Speaker 1: sort of pulp fiction style. I watched the beginning. I

554
00:35:10,719 --> 00:35:15,360
Speaker 1: was where Jason. Oh right, when's Jason gonna be in

555
00:35:15,480 --> 00:35:23,200
Speaker 1: this movie? Uh? Huh okay. I had to keep going. Okay,

556
00:35:23,239 --> 00:35:25,879
Speaker 1: so anyway the timeline, I'll sort of jump around. It's

557
00:35:26,040 --> 00:35:29,680
Speaker 1: very cool and uh so we're gonna fade back a

558
00:35:29,680 --> 00:35:32,320
Speaker 1: little bit to two thousand and six, Yes I Miami,

559
00:35:33,160 --> 00:35:35,560
Speaker 1: and uh.

560
00:35:35,360 --> 00:35:36,239
Speaker 2: We're just gonna be.

561
00:35:37,719 --> 00:35:40,600
Speaker 1: Entering the scene where your agent tells you that you

562
00:35:40,640 --> 00:35:42,200
Speaker 1: couldn't get the main CSI.

563
00:35:49,480 --> 00:35:51,280
Speaker 8: You mean where he tells me That's okay because CSI

564
00:35:51,360 --> 00:35:52,879
Speaker 8: Miami was actually a more popular show.

565
00:35:53,560 --> 00:35:55,920
Speaker 2: Yes, when he tells you that, he tells you.

566
00:35:55,920 --> 00:36:06,319
Speaker 4: That, yes, all right, are you my agent? I'm my

567
00:36:06,400 --> 00:36:07,239
Speaker 4: agent and you're me?

568
00:36:07,880 --> 00:36:10,000
Speaker 1: Hey, do you want to be Natalie.

569
00:36:10,360 --> 00:36:14,560
Speaker 3: I think for this what I don't know your agent.

570
00:36:14,600 --> 00:36:19,040
Speaker 3: I'm friends with you, so maybe does Natalie be the

571
00:36:19,239 --> 00:36:26,600
Speaker 3: agent or the cameraman the cameraman. Okay, that's great, all right.

572
00:36:27,800 --> 00:36:43,840
Speaker 1: Yeah, most honorable Sony camcorder. Hey yeah, well don't mind

573
00:36:43,920 --> 00:36:52,000
Speaker 1: me just just zooming in. This is this, this is O. Please,

574
00:36:52,160 --> 00:36:56,400
Speaker 1: it's like I'm not even here. Thank you for calling

575
00:36:56,400 --> 00:36:57,040
Speaker 1: me in here? All right?

576
00:36:57,080 --> 00:37:02,760
Speaker 3: From entourage? Uh, it's uh, I'm excited to hear the news.

577
00:37:02,800 --> 00:37:05,359
Speaker 3: I mean, I have a lot writing on this pane.

578
00:37:05,400 --> 00:37:09,160
Speaker 1: You don't want any at a mommy.

579
00:37:10,440 --> 00:37:12,520
Speaker 2: It's like these crazy beans.

580
00:37:15,080 --> 00:37:17,320
Speaker 1: I don't know what they put on them. They roast

581
00:37:17,400 --> 00:37:20,080
Speaker 1: them up. One of my buddies told me guys aren't

582
00:37:20,080 --> 00:37:21,920
Speaker 1: supposed to eat too much of this stuff, but I

583
00:37:21,960 --> 00:37:23,120
Speaker 1: can't get enough of it.

584
00:37:25,320 --> 00:37:25,880
Speaker 10: I'll take some.

585
00:37:27,000 --> 00:37:30,719
Speaker 1: Yeah, jeez, I didn't think you'd say. Yes, I've been

586
00:37:30,760 --> 00:37:34,319
Speaker 1: eating with my hands, so I can't use these ding

587
00:37:34,400 --> 00:37:38,840
Speaker 1: ding and what are these things called? They're freaking like

588
00:37:39,400 --> 00:37:41,399
Speaker 1: it looks like pencils, but you can't write with them.

589
00:37:41,600 --> 00:37:44,440
Speaker 1: It looks like you bought your own set of like

590
00:37:44,600 --> 00:37:54,399
Speaker 1: metal chopsticks. Chopsticks, yeah, you have, you have so they

591
00:37:54,400 --> 00:37:56,560
Speaker 1: look really expensive but you don't know how to use

592
00:37:56,600 --> 00:38:02,360
Speaker 1: those waste the money. Yeah, give mean not bad for

593
00:38:02,480 --> 00:38:04,480
Speaker 1: keeping my man bun up, but everything else.

594
00:38:04,560 --> 00:38:06,000
Speaker 2: I just don't know why I have them.

595
00:38:06,280 --> 00:38:06,560
Speaker 1: Wow.

596
00:38:06,920 --> 00:38:13,320
Speaker 3: Anyway, I said hi to you, I'm.

597
00:38:13,200 --> 00:38:14,080
Speaker 1: Talking the care of it.

598
00:38:14,120 --> 00:38:15,080
Speaker 2: I mean you're by agent.

599
00:38:15,280 --> 00:38:17,759
Speaker 1: I know that's I am your agent. That's why I'm

600
00:38:17,760 --> 00:38:18,480
Speaker 1: not talking to you.

601
00:38:18,719 --> 00:38:26,239
Speaker 3: Okay, Okay, Natalie baby, listen.

602
00:38:27,520 --> 00:38:28,080
Speaker 5: You both.

603
00:38:28,200 --> 00:38:30,439
Speaker 1: I like when you call me that, so.

604
00:38:32,239 --> 00:38:32,680
Speaker 2: Thank you.

605
00:38:34,520 --> 00:38:34,840
Speaker 5: Listen.

606
00:38:35,600 --> 00:38:35,719
Speaker 8: Uh.

607
00:38:37,520 --> 00:38:39,000
Speaker 1: David Caruse is a real pill.

608
00:38:40,360 --> 00:38:42,520
Speaker 2: Uh huh, but you book the job.

609
00:38:42,560 --> 00:38:44,439
Speaker 8: You got to see us in Miami, and you're gonna

610
00:38:44,440 --> 00:38:45,680
Speaker 8: be saved by David Caruso.

611
00:38:46,160 --> 00:38:49,280
Speaker 3: Okay, Yeah, I'm nervous about the pill part.

612
00:38:50,200 --> 00:38:51,040
Speaker 1: Oh, it's fine.

613
00:38:51,080 --> 00:38:54,320
Speaker 5: He just likes to always come into room sideways.

614
00:38:57,160 --> 00:38:58,080
Speaker 2: What's that about?

615
00:38:58,360 --> 00:38:59,600
Speaker 5: He'll never rehearse?

616
00:39:01,880 --> 00:39:03,080
Speaker 2: And did they give you so much?

617
00:39:03,200 --> 00:39:09,600
Speaker 1: Damn Ginger. I don't mind a little bit of it.

618
00:39:09,640 --> 00:39:20,360
Speaker 1: But geez alu, sorry you were talking. He seems to

619
00:39:20,360 --> 00:39:24,680
Speaker 1: have a lot of power over you. I like having

620
00:39:24,719 --> 00:39:28,000
Speaker 1: him around. Yeah, I get the filming aspect of this

621
00:39:28,080 --> 00:39:30,520
Speaker 1: I don't understand to begin with.

622
00:39:32,320 --> 00:39:36,160
Speaker 8: In twenty eighteen, these two Schmo's are gonna do a show.

623
00:39:37,640 --> 00:39:39,200
Speaker 1: And they need it for the research.

624
00:39:39,719 --> 00:39:43,480
Speaker 3: Okay, Oh, got it, got it? Okay, it's a callback

625
00:39:43,600 --> 00:39:48,239
Speaker 3: maybe in the show. Okay, right, what the sideways thing?

626
00:39:48,360 --> 00:39:48,680
Speaker 7: What if?

627
00:39:48,760 --> 00:39:49,960
Speaker 1: I I don't know what tox?

628
00:39:50,120 --> 00:39:51,800
Speaker 5: Yeah, he walks into room sideways.

629
00:39:51,840 --> 00:39:57,760
Speaker 8: He doesn't rehearse any exclusively for this pot with sunglasses all.

630
00:39:57,640 --> 00:39:59,239
Speaker 1: The time, even if it's dark out.

631
00:40:00,320 --> 00:40:02,759
Speaker 8: Okay, So those are just you know, what makes a

632
00:40:02,760 --> 00:40:03,440
Speaker 8: man a pill?

633
00:40:05,560 --> 00:40:07,600
Speaker 1: And why why sideways?

634
00:40:07,920 --> 00:40:11,879
Speaker 9: It's a choice for this character has crab like qualities.

635
00:40:13,880 --> 00:40:18,239
Speaker 3: Okay, I guess it's Miami, like a stone crab thing like.

636
00:40:18,280 --> 00:40:21,439
Speaker 3: It's yeah, yeah, just the city's vibe. I can roll

637
00:40:21,440 --> 00:40:21,799
Speaker 3: with that.

638
00:40:22,400 --> 00:40:22,640
Speaker 1: Yeah.

639
00:40:22,719 --> 00:40:25,760
Speaker 8: So congratulations you get saved by him.

640
00:40:25,880 --> 00:40:31,560
Speaker 1: That's huge. There was one oh that green stuff spicy?

641
00:40:32,760 --> 00:40:38,400
Speaker 1: What do they call that mustard? Is he talking to me?

642
00:40:38,480 --> 00:40:39,400
Speaker 1: I don't, I don't know.

643
00:40:39,440 --> 00:40:41,640
Speaker 5: He's talking to you, Natalie, answer to the guy.

644
00:40:41,640 --> 00:40:49,960
Speaker 1: Okay, I called was sabi geez? Okay, that's that affects

645
00:40:50,040 --> 00:40:53,000
Speaker 1: you in some way? Hey, you think the guy at

646
00:40:53,000 --> 00:40:54,359
Speaker 1: Pavilions would have told me that?

647
00:40:55,600 --> 00:40:58,239
Speaker 2: Okay, that changes things for you. That the name of it.

648
00:41:00,239 --> 00:41:03,720
Speaker 1: I just feel, you know, it's a live of a mission,

649
00:41:05,600 --> 00:41:07,960
Speaker 1: like I don't think they were actively dishonest with me,

650
00:41:09,320 --> 00:41:10,680
Speaker 1: but they knew it was called was.

651
00:41:14,040 --> 00:41:15,880
Speaker 2: But yeah, but he couldn't ask.

652
00:41:16,000 --> 00:41:17,600
Speaker 1: But it's like, of course I want to know that

653
00:41:17,640 --> 00:41:20,840
Speaker 1: before I start eating it. It was so spicy.

654
00:41:22,440 --> 00:41:23,480
Speaker 2: Okay, that seems good.

655
00:41:23,560 --> 00:41:28,440
Speaker 8: Thank you for answering him, Natalie, Okay, get out of

656
00:41:28,440 --> 00:41:29,400
Speaker 8: my office.

657
00:41:30,440 --> 00:41:36,719
Speaker 1: Bye and seeing Thank you.

658
00:41:40,680 --> 00:41:43,880
Speaker 8: I tell you, guys, a really really quick, amazing story about.

659
00:41:44,040 --> 00:41:48,040
Speaker 1: Yeah, yeah, yeah, cut it. It's up to you if

660
00:41:48,040 --> 00:41:48,600
Speaker 1: you cut it out.

661
00:41:48,760 --> 00:41:50,240
Speaker 5: Okay, this is a real story.

662
00:41:50,320 --> 00:41:52,959
Speaker 8: This really happened my first This was my first TV

663
00:41:53,000 --> 00:41:55,680
Speaker 8: show that I ever did, first job except for like

664
00:41:55,880 --> 00:41:59,040
Speaker 8: McDonald's commercials and first day I'm playing.

665
00:41:59,200 --> 00:42:00,760
Speaker 1: I'm playing it's a TV show.

666
00:42:01,560 --> 00:42:04,280
Speaker 7: Right, Yeah, I'm playing.

667
00:42:04,480 --> 00:42:08,239
Speaker 8: I'm playing a main characters on the show's sister who

668
00:42:08,400 --> 00:42:11,640
Speaker 8: was a model who got kidnapped by a photographer, and

669
00:42:11,760 --> 00:42:17,040
Speaker 8: David Caruso comes into the photographer's studio where I'm tied up,

670
00:42:17,080 --> 00:42:19,520
Speaker 8: and of course all the flashbulbs are going off for

671
00:42:19,560 --> 00:42:23,239
Speaker 8: some reason in like a what's that called like a

672
00:42:23,280 --> 00:42:28,040
Speaker 8: strobe effect, and there's like presumably in the edit when

673
00:42:28,080 --> 00:42:30,000
Speaker 8: you see it, because you're gonna go home and watch.

674
00:42:29,760 --> 00:42:32,799
Speaker 1: It, almost a pulsing strobe.

675
00:42:32,480 --> 00:42:34,719
Speaker 8: Effect, strobe effect, but there's also the music is like

676
00:42:36,120 --> 00:42:38,880
Speaker 8: it's very like intense, and David Crucia comes and rescues me,

677
00:42:39,719 --> 00:42:41,600
Speaker 8: and I'm tied up to a post and the first

678
00:42:41,640 --> 00:42:44,719
Speaker 8: shot of the day, first morning, first job, first time ever,

679
00:42:44,800 --> 00:42:46,720
Speaker 8: camera's right here, supposed to be crying.

680
00:42:46,840 --> 00:42:49,719
Speaker 5: David Cruso is running into the room and my name on.

681
00:42:49,680 --> 00:42:54,000
Speaker 8: The show, as it was for any ethnic female character

682
00:42:54,280 --> 00:42:57,320
Speaker 8: in two thousand and six, was Anya.

683
00:42:58,680 --> 00:43:00,960
Speaker 5: This is just ambiguous ethnic name.

684
00:43:02,960 --> 00:43:08,880
Speaker 8: And David Crusoe doesn't rehearse as I said so action.

685
00:43:09,480 --> 00:43:16,680
Speaker 1: He shoots into the room and goes, I'm coming on you, and.

686
00:43:25,360 --> 00:43:32,200
Speaker 8: With a gun, just like walking sideways, yells that, and

687
00:43:32,239 --> 00:43:35,760
Speaker 8: the camera's on me and I immediately start laughing.

688
00:43:35,800 --> 00:43:36,320
Speaker 1: I couldn't.

689
00:43:37,160 --> 00:43:38,360
Speaker 5: I couldn't hold it together.

690
00:43:38,400 --> 00:43:41,640
Speaker 8: I'm supposed to be terrified, and I lost my shit.

691
00:43:42,320 --> 00:43:43,560
Speaker 10: And then make call cut.

692
00:43:43,400 --> 00:43:45,399
Speaker 8: And everybody's like, what the fuck is this girl doing

693
00:43:45,640 --> 00:43:47,360
Speaker 8: laughing and I say it.

694
00:43:47,440 --> 00:43:52,520
Speaker 7: I'm like, he just said I'm coming on you, and

695
00:43:52,680 --> 00:43:55,600
Speaker 7: they went oh, and then nobody talked to me. I

696
00:43:55,640 --> 00:43:57,480
Speaker 7: was alone, still tied up to this post.

697
00:43:58,680 --> 00:44:03,839
Speaker 8: Take two, which happened like thirty minutes later, he runs in.

698
00:44:03,800 --> 00:44:05,960
Speaker 1: And goes anya, I'm coming.

699
00:44:11,560 --> 00:44:15,120
Speaker 7: That's the story I wanted to say.

700
00:44:16,080 --> 00:44:18,480
Speaker 1: I I have a question.

701
00:44:19,239 --> 00:44:21,160
Speaker 2: Yeah, has Fallen heard this story?

702
00:44:21,400 --> 00:44:23,200
Speaker 5: No, but it's a great late night story.

703
00:44:23,920 --> 00:44:28,000
Speaker 3: Don't never never tell him, I'm I don't think he

704
00:44:28,000 --> 00:44:33,239
Speaker 3: would make it out alive from that story. His jaw

705
00:44:33,320 --> 00:44:38,520
Speaker 3: would unhint, his whole face would become mouth.

706
00:44:41,080 --> 00:44:42,120
Speaker 5: Like in Beetlejuice.

707
00:44:42,480 --> 00:44:43,360
Speaker 2: Yeah, I guess that's.

708
00:44:43,239 --> 00:44:45,759
Speaker 1: What I was thinking of. Yeah, they have to vet

709
00:44:45,840 --> 00:44:48,479
Speaker 1: a lot of the stories on Fallon because they are

710
00:44:48,520 --> 00:44:52,480
Speaker 1: really funny. They for his own health. Yeah, they have

711
00:44:52,560 --> 00:44:56,720
Speaker 1: to hold some back. Yeah, just the enthusiasm is too real.

712
00:44:57,200 --> 00:44:59,600
Speaker 5: Yeah, something I'll tell that on a late night show.

713
00:44:59,640 --> 00:45:00,800
Speaker 5: But you it's got it first.

714
00:45:01,080 --> 00:45:04,960
Speaker 3: Wow, we should do more stuff like that. We never

715
00:45:05,080 --> 00:45:06,280
Speaker 3: do that. It's better.

716
00:45:08,160 --> 00:45:13,160
Speaker 1: It's certainly better than what we do. Yes, I have

717
00:45:13,320 --> 00:45:16,480
Speaker 1: I have a David Crusoe story as well. Oh my gosh,

718
00:45:16,560 --> 00:45:17,080
Speaker 1: it's real.

719
00:45:17,360 --> 00:45:20,759
Speaker 3: Yeah, it's about everything, like a young version of him,

720
00:45:20,760 --> 00:45:23,600
Speaker 3: but not Bayard No, okay, but.

721
00:45:23,719 --> 00:45:33,480
Speaker 1: Fair but this is but this is what happened is

722
00:45:33,680 --> 00:45:37,200
Speaker 1: he was uh. I believe his daughter went to Yale

723
00:45:37,440 --> 00:45:40,600
Speaker 1: and so he was in New Haven inside a bookstore

724
00:45:40,640 --> 00:45:44,120
Speaker 1: or something when she was touring the campus, and my

725
00:45:44,239 --> 00:45:46,160
Speaker 1: mother's friend was in the bookstore and kind of did

726
00:45:46,160 --> 00:45:48,560
Speaker 1: a double take, like, I think that's David Caruso. And

727
00:45:48,600 --> 00:45:51,680
Speaker 1: he saw her looking and he walked over and he

728
00:45:51,760 --> 00:45:53,759
Speaker 1: reached into his breast pocket and he had like a

729
00:45:53,800 --> 00:45:56,440
Speaker 1: small signed photograph of himself and and before he took it,

730
00:45:56,520 --> 00:45:58,680
Speaker 1: he went, yeah, it's me.

731
00:46:06,480 --> 00:46:07,080
Speaker 10: Is that real?

732
00:46:07,440 --> 00:46:07,720
Speaker 1: Yeah?

733
00:46:08,000 --> 00:46:08,360
Speaker 10: Really?

734
00:46:08,680 --> 00:46:11,400
Speaker 1: Yeah? I love that. I believe it.

735
00:46:11,760 --> 00:46:13,879
Speaker 2: I Uh, I have one too.

736
00:46:19,360 --> 00:46:19,760
Speaker 3: Uh.

737
00:46:19,800 --> 00:46:23,319
Speaker 1: So we grew up together, you and me.

738
00:46:23,360 --> 00:46:28,719
Speaker 3: Or David Caruso and the three of us, right, and

739
00:46:28,800 --> 00:46:30,759
Speaker 3: you remember one day we're back in the class cutting up?

740
00:46:31,560 --> 00:46:34,600
Speaker 10: What what are.

741
00:46:34,440 --> 00:46:35,319
Speaker 2: The words cuts up?

742
00:46:36,760 --> 00:46:38,680
Speaker 1: The class heard this story. Come on, come in back

743
00:46:38,680 --> 00:46:44,120
Speaker 1: for us, your class clowns are cutting up? Got it? Yeah?

744
00:46:44,239 --> 00:46:47,319
Speaker 1: And teacher was like new men or not a little bit.

745
00:46:47,360 --> 00:46:48,920
Speaker 1: She was also like these.

746
00:46:50,520 --> 00:46:52,600
Speaker 5: Yes, oh, yes, I remember.

747
00:46:53,480 --> 00:47:00,560
Speaker 3: And uh it was a history or studying Italy as

748
00:47:00,640 --> 00:47:04,680
Speaker 3: you do. Yes, And it's food day. We each bring

749
00:47:04,760 --> 00:47:09,440
Speaker 3: in a food and my food is lasagna.

750
00:47:10,680 --> 00:47:16,680
Speaker 1: M So you can see where this is going.

751
00:47:19,120 --> 00:47:21,080
Speaker 2: Is this a good time for a bathroom break for me?

752
00:47:23,760 --> 00:47:25,440
Speaker 2: Is it really really short?

753
00:47:27,239 --> 00:47:42,640
Speaker 3: No? So I'm care I'm presenting my Lazambia to the class.

754
00:47:44,360 --> 00:47:47,720
Speaker 3: I'm talking about the history of it, and I trip

755
00:47:48,800 --> 00:47:53,000
Speaker 3: because we're cutting up right, and I start to drop

756
00:47:53,080 --> 00:48:01,280
Speaker 3: the lazambnia and David Cruso says, I'm coming lazabya.

757
00:48:02,000 --> 00:48:05,360
Speaker 2: It's crazy nuts, so insane.

758
00:48:05,400 --> 00:48:07,560
Speaker 1: Oh yeah, I forgot at the end of my story,

759
00:48:07,600 --> 00:48:10,319
Speaker 1: after he said, After he he said, he said, yeah,

760
00:48:10,360 --> 00:48:12,480
Speaker 1: it's me and then handed the picture and then he went,

761
00:48:12,520 --> 00:48:30,680
Speaker 1: I'm about to bust. Have we left anything out of

762
00:48:30,719 --> 00:48:33,200
Speaker 1: your life story? No, that's it.

763
00:48:33,560 --> 00:48:36,600
Speaker 3: Yeah, that feels like most of it. Does anyone have

764
00:48:36,640 --> 00:48:38,480
Speaker 3: any questions for knowledge? Should we take?

765
00:48:38,640 --> 00:48:41,160
Speaker 2: You know, like, yeah, let's try you like that?

766
00:48:41,320 --> 00:48:44,080
Speaker 1: Right? How? Yeah? Should we first? Should we ask how

767
00:48:44,120 --> 00:48:45,760
Speaker 1: long have we been doing this? Oh?

768
00:48:45,880 --> 00:48:48,800
Speaker 3: Yeah, that would be great. We don't have the song. No,

769
00:48:49,320 --> 00:48:51,600
Speaker 3: maybe Kevin could come up and sing the song.

770
00:48:51,800 --> 00:49:00,239
Speaker 1: Oh, chef Kevin can ken wait?

771
00:49:00,920 --> 00:49:08,360
Speaker 2: Kevin can wait? Oh yeah, there's another that's what that

772
00:49:08,400 --> 00:49:09,040
Speaker 2: guy was doing.

773
00:49:10,400 --> 00:49:12,600
Speaker 1: Kevin set up the tech for this, and they went like, well,

774
00:49:12,600 --> 00:49:14,799
Speaker 1: there's only two hosts and a guest.

775
00:49:14,880 --> 00:49:16,799
Speaker 11: Why do you have four mics? And He's like, just

776
00:49:16,840 --> 00:49:24,759
Speaker 11: trust me. They got a water fourth mic Hey, guys,

777
00:49:24,840 --> 00:49:26,000
Speaker 11: Chef Kevin here, how's it going?

778
00:49:26,360 --> 00:49:32,640
Speaker 1: Yeah, so Kevin can you please sing the how long

779
00:49:32,640 --> 00:49:36,680
Speaker 1: has it been? Song? Oh? Yeah, how long?

780
00:49:36,960 --> 00:49:39,160
Speaker 2: How long has it been?

781
00:49:39,719 --> 00:49:43,480
Speaker 1: But it's more like Kermit. You're you do a good Kermit, right.

782
00:49:44,120 --> 00:49:46,880
Speaker 2: Well, Hayes and I both do dueling Kermit. Yeah, we

783
00:49:46,960 --> 00:49:47,800
Speaker 2: have a dueling Kermit.

784
00:49:48,120 --> 00:49:49,800
Speaker 1: Someone can finally.

785
00:49:50,800 --> 00:49:57,919
Speaker 2: By applause yes, blind uh tasklined Kermit test.

786
00:49:58,000 --> 00:50:06,400
Speaker 11: Okay, you're facing away from the audience only.

787
00:50:06,480 --> 00:50:08,640
Speaker 2: Oh no, oh thanks, Kevin? Who wants to go first?

788
00:50:08,640 --> 00:50:09,000
Speaker 1: You want me?

789
00:50:09,120 --> 00:50:11,440
Speaker 2: Kevin's just you know, thinking about the sonic experience of

790
00:50:11,480 --> 00:50:11,879
Speaker 2: the show.

791
00:50:12,000 --> 00:50:15,480
Speaker 1: It's advantage to go first, but or to go second rather,

792
00:50:15,600 --> 00:50:19,680
Speaker 1: But I'm willing to go first if you want. Well,

793
00:50:19,680 --> 00:50:23,040
Speaker 1: we're not saying well, I know that whoever goes, but

794
00:50:23,120 --> 00:50:25,000
Speaker 1: we have to decide between us. They don't have to

795
00:50:25,040 --> 00:50:30,320
Speaker 1: listen to this, right, so we just don't listen to this. Okay,

796
00:50:30,880 --> 00:50:31,480
Speaker 1: I'll go first.

797
00:50:35,160 --> 00:50:43,320
Speaker 12: Second mm hmm, Courmit b frog here, Kurmit the frog here, Ah,

798
00:50:44,800 --> 00:50:49,320
Speaker 12: Kermit the frog here, Kermit the frog here, Kurmit, Kurmit

799
00:50:49,400 --> 00:50:55,480
Speaker 12: the frog here, Commit the frog here, frog here.

800
00:51:01,239 --> 00:51:04,040
Speaker 3: I think I think we did it. I think we

801
00:51:04,120 --> 00:51:12,000
Speaker 3: know and I think we each know who is Kermit today?

802
00:51:12,280 --> 00:51:18,440
Speaker 1: Yeah me, So let's get some questions for Oh, did

803
00:51:18,440 --> 00:51:20,000
Speaker 1: we find out how long it's been Kevin? How long

804
00:51:20,000 --> 00:51:23,280
Speaker 1: has this been going on? It has been forty five minutes.

805
00:51:23,480 --> 00:51:29,719
Speaker 1: That's really good. Wow, that's the longest show we've ever done. Yeah. Uh,

806
00:51:29,840 --> 00:51:37,480
Speaker 1: let's get some questions for our esteem guest from the audience. Yeah?

807
00:51:37,560 --> 00:51:39,200
Speaker 2: Oh wait, no, Kevin? Sorry you want to do?

808
00:51:41,360 --> 00:51:41,520
Speaker 8: Oh?

809
00:51:41,560 --> 00:51:42,839
Speaker 1: Holy shit? Yeah, Kevin?

810
00:51:43,560 --> 00:51:46,560
Speaker 3: Oh Kevin, I'm really sorry. You seem really disappointed that

811
00:51:46,560 --> 00:51:47,840
Speaker 3: we were throwing to the audience. Can we turn the

812
00:51:47,920 --> 00:51:48,680
Speaker 3: lights back off?

813
00:51:48,760 --> 00:51:49,080
Speaker 1: Please?

814
00:51:51,719 --> 00:51:52,120
Speaker 2: Thank you?

815
00:51:52,960 --> 00:51:56,560
Speaker 1: Yeah? No. Is there anybody who didn't pay to get

816
00:51:56,600 --> 00:51:57,880
Speaker 1: in that could ask a question?

817
00:51:57,960 --> 00:51:59,120
Speaker 2: Oh, Kevin, that'll be good.

818
00:52:02,719 --> 00:52:11,480
Speaker 1: What was the hardest part of your week? The guy's

819
00:52:11,480 --> 00:52:15,359
Speaker 1: a killer. I wouldn't have the fucking guts to ask

820
00:52:15,440 --> 00:52:19,239
Speaker 1: that because I also think I know what the answer is.

821
00:52:23,560 --> 00:52:25,319
Speaker 1: That's the one thing I don't want to know.

822
00:52:26,719 --> 00:52:27,640
Speaker 5: Hey, is you know?

823
00:52:27,920 --> 00:52:28,160
Speaker 3: Yeah?

824
00:52:28,320 --> 00:52:29,279
Speaker 1: Okay, I thought so.

825
00:52:30,480 --> 00:52:30,600
Speaker 8: Uh.

826
00:52:30,719 --> 00:52:32,839
Speaker 2: Can I can we get intern Andy up here?

827
00:52:32,880 --> 00:52:33,120
Speaker 1: Please?

828
00:52:33,160 --> 00:52:43,440
Speaker 3: I see him in the crowd. Intern Andy is here too.

829
00:52:43,520 --> 00:52:45,000
Speaker 3: Is you can see we have an army of white

830
00:52:45,040 --> 00:52:49,399
Speaker 3: male toadies. I don't know what they see in us.

831
00:52:51,040 --> 00:52:53,160
Speaker 3: Andy wants you to know he was in the middle.

832
00:52:55,239 --> 00:52:55,799
Speaker 1: Of the row.

833
00:52:56,760 --> 00:53:03,960
Speaker 3: I don't know, I have yeah, yeah, yeah, the show.

834
00:53:02,600 --> 00:53:04,840
Speaker 1: In the middle of the row, got it? Oh, Natalie

835
00:53:04,880 --> 00:53:06,680
Speaker 1: was in a show that has middle in the name.

836
00:53:07,960 --> 00:53:08,960
Speaker 1: It was a drama y.

837
00:53:09,560 --> 00:53:11,360
Speaker 3: Yeah, it was a sci fi dramai based on a

838
00:53:11,400 --> 00:53:12,600
Speaker 3: comic book by the same name.

839
00:53:12,880 --> 00:53:15,200
Speaker 2: Yeah, and it was called Doctor Middleman.

840
00:53:16,800 --> 00:53:17,000
Speaker 1: Yeah.

841
00:53:18,160 --> 00:53:19,920
Speaker 2: Uh, you had I'm sure you had a question?

842
00:53:21,560 --> 00:53:28,560
Speaker 1: Absolutely? Yeah, easy.

843
00:53:30,400 --> 00:53:32,759
Speaker 3: So you noticed the distance I'm keeping him at and

844
00:53:32,840 --> 00:53:34,320
Speaker 3: he reached your arms all the way forward?

845
00:53:34,360 --> 00:53:45,640
Speaker 1: See not even close? Right? Which one? Who is the

846
00:53:45,680 --> 00:53:48,160
Speaker 1: first one that did that? The Kermit screen? That was

847
00:53:48,200 --> 00:53:51,319
Speaker 1: my He was my favorite. And I'm not like just

848
00:53:51,400 --> 00:53:55,880
Speaker 1: earlier do you remember? Wow?

849
00:53:56,000 --> 00:53:58,160
Speaker 3: So this is tough for me because Andy only asked

850
00:53:58,200 --> 00:54:04,520
Speaker 3: questions about things to make him explosively horny. I have

851
00:54:04,760 --> 00:54:07,840
Speaker 3: never been on this end of that before.

852
00:54:08,440 --> 00:54:11,000
Speaker 1: I'm usually sort of sicking him on our guests.

853
00:54:11,160 --> 00:54:15,120
Speaker 3: Yes, and I'm holding the leash, And now we can

854
00:54:15,160 --> 00:54:21,120
Speaker 3: feel the leash going slack as Andy turns on his master.

855
00:54:22,280 --> 00:54:33,080
Speaker 1: Sit down. What was that forty five minutes that took.

856
00:54:33,520 --> 00:54:34,560
Speaker 2: Bad part right there?

857
00:54:34,719 --> 00:54:36,680
Speaker 1: Yeah? Oh that's good.

858
00:54:37,160 --> 00:54:38,520
Speaker 2: How long are we supposed to go?

859
00:54:38,680 --> 00:54:48,640
Speaker 1: Oh? Yeah, good question? Like an hour? Whoa gang? We're

860
00:54:48,760 --> 00:54:56,480
Speaker 1: so close one thing we were thinking about doing is

861
00:54:57,239 --> 00:55:00,360
Speaker 1: sort of a big final climactics scene.

862
00:55:00,560 --> 00:55:03,680
Speaker 2: Yeah, for the biopic.

863
00:55:03,280 --> 00:55:06,239
Speaker 1: Which, if you remember I explained to Natalie earlier, was

864
00:55:06,239 --> 00:55:09,880
Speaker 1: a biographical picture and.

865
00:55:11,920 --> 00:55:14,759
Speaker 2: The scene was going to need some extras.

866
00:55:14,840 --> 00:55:17,960
Speaker 1: Maybe it's like a graduation from acting.

867
00:55:18,880 --> 00:55:25,840
Speaker 3: Yeah, should we name this movie? Oh, I have a pitch.

868
00:55:26,719 --> 00:55:27,839
Speaker 5: I think I know what it is.

869
00:55:28,040 --> 00:55:30,960
Speaker 2: Oh you do? Oh great, let's hear it.

870
00:55:31,840 --> 00:55:34,440
Speaker 5: What was that bullshit you said when I first came out.

871
00:55:36,280 --> 00:55:38,320
Speaker 2: That I wish you would, I wish you would we

872
00:55:38,480 --> 00:55:38,960
Speaker 2: have more?

873
00:55:39,280 --> 00:55:42,480
Speaker 3: Yeah, yes, no, that's not the name of the movie.

874
00:55:42,560 --> 00:55:47,960
Speaker 3: That is the final line, got it. Uh, the name

875
00:55:47,960 --> 00:55:55,440
Speaker 3: of the movie is Woman on the Moon. Like that?

876
00:55:56,200 --> 00:55:59,520
Speaker 3: Because you are a sort of taken the mantle of

877
00:55:59,520 --> 00:56:00,440
Speaker 3: mister Andy Kaufman.

878
00:56:01,040 --> 00:56:05,600
Speaker 1: True. Mmmmm uh.

879
00:56:06,360 --> 00:56:08,239
Speaker 3: And I wonder if you were born at the very

880
00:56:08,239 --> 00:56:13,160
Speaker 3: same second that he died inarable and that his uh

881
00:56:13,239 --> 00:56:17,640
Speaker 3: mistress spirits shot into your body as a little baby.

882
00:56:17,760 --> 00:56:21,000
Speaker 1: Mm hmmm. And remember the doctor was noticing something about

883
00:56:21,000 --> 00:56:25,440
Speaker 1: the baby. Yeah, yes. And remember also, there was a

884
00:56:25,520 --> 00:56:28,359
Speaker 1: very funny name for like a video game Netflix Hayes

885
00:56:28,440 --> 00:56:30,560
Speaker 1: was going to come up with, right.

886
00:56:32,160 --> 00:56:34,000
Speaker 2: That we've all been dying to hear.

887
00:56:34,360 --> 00:56:37,399
Speaker 5: Yes, that wasn't game fly, but it was something else.

888
00:56:37,560 --> 00:56:40,279
Speaker 1: Well, no, that sucks saying that was.

889
00:56:41,680 --> 00:56:47,320
Speaker 3: Not a good pull. That was ruined Hayes' thing. We

890
00:56:47,320 --> 00:56:49,560
Speaker 3: we have so much time. I don't want to like

891
00:56:49,680 --> 00:56:52,920
Speaker 3: it's it's like a close, you know, like a big closer.

892
00:56:55,400 --> 00:56:57,319
Speaker 3: But we do want to do a scene from One

893
00:56:57,320 --> 00:57:01,319
Speaker 3: Man on the Moon from the from the biopic did

894
00:57:01,360 --> 00:57:05,520
Speaker 3: you what do you have a scene that we should do? Well,

895
00:57:08,840 --> 00:57:14,359
Speaker 3: it's gotta be huge, yeah, like the big final scene, and.

896
00:57:15,200 --> 00:57:21,880
Speaker 1: It's got a kick butt pardon my French. And it

897
00:57:22,120 --> 00:57:23,960
Speaker 1: can't suck.

898
00:57:25,280 --> 00:57:29,400
Speaker 3: What if it's this because it's the very end of yes,

899
00:57:32,160 --> 00:57:40,280
Speaker 3: and so it's at this show and uh we and

900
00:57:40,400 --> 00:57:45,800
Speaker 3: we play the audience of this show and we get

901
00:57:45,840 --> 00:57:49,560
Speaker 3: some people from the to be like background playing us.

902
00:57:50,440 --> 00:57:51,040
Speaker 2: Is that good?

903
00:57:52,160 --> 00:57:52,840
Speaker 1: Is good? Okay?

904
00:57:52,880 --> 00:57:55,680
Speaker 3: Can we get three people who and cast your said,

905
00:57:55,720 --> 00:57:56,880
Speaker 3: can we actually get the lights up?

906
00:57:56,920 --> 00:57:57,160
Speaker 1: Please?

907
00:57:57,200 --> 00:58:04,000
Speaker 3: And and and and well stood up? So okay, somebody

908
00:58:06,160 --> 00:58:09,600
Speaker 3: a hero among them?

909
00:58:09,640 --> 00:58:14,600
Speaker 8: Just one catness everteene Okay, someone stood up really fast.

910
00:58:14,640 --> 00:58:16,640
Speaker 3: Okay, we can take a look at you. Come on

911
00:58:16,760 --> 00:58:19,280
Speaker 3: up here, come up, let us get a look at you.

912
00:58:19,400 --> 00:58:31,160
Speaker 1: Boy. I'm up, sir, Yeah, oh, come come now.

913
00:58:31,320 --> 00:58:35,240
Speaker 2: Okay, six feet very white.

914
00:58:35,040 --> 00:58:36,800
Speaker 1: Sort of like a cool man O'Brien.

915
00:58:37,280 --> 00:58:41,200
Speaker 3: Yes, cool man O'Brien type, sort of. I have a

916
00:58:41,240 --> 00:58:43,080
Speaker 3: really interesting thing that will get a lot of buzz.

917
00:58:43,280 --> 00:58:45,040
Speaker 3: What if this is our Natalie?

918
00:58:46,960 --> 00:58:47,520
Speaker 1: I agree?

919
00:58:47,720 --> 00:58:54,360
Speaker 3: All right, people are doing that diversity. Yes, absolutely, yes, okay,

920
00:58:54,440 --> 00:58:59,880
Speaker 3: so you're Natalie. Remember that. So now we need Hayes

921
00:59:00,160 --> 00:59:03,320
Speaker 3: and Sean who is volunteering.

922
00:59:03,440 --> 00:59:05,080
Speaker 2: Somebody's sitting on the aisle.

923
00:59:05,480 --> 00:59:14,400
Speaker 3: No, no, that could be Kevin. Maybe, okay, you can

924
00:59:14,440 --> 00:59:16,520
Speaker 3: be Kevin. You can come up and meet Kevin. Yes,

925
00:59:16,600 --> 00:59:23,360
Speaker 3: and you actually yes, I like your eagerness to help you.

926
00:59:23,400 --> 00:59:25,240
Speaker 3: When we say you can be Kevin, you can actually

927
00:59:25,280 --> 00:59:29,480
Speaker 3: have Kevin's job. So you sit there and Kevin, you

928
00:59:29,560 --> 00:59:30,520
Speaker 3: go sit in his seat.

929
00:59:32,800 --> 00:59:39,480
Speaker 1: Cheft Kevin. Here, that's good, Kevin. Okay, ye hey, yes, okay,

930
00:59:39,520 --> 00:59:42,120
Speaker 1: that's good. You say, hey, close enough. Yeah.

931
00:59:43,840 --> 00:59:47,440
Speaker 3: I'm looking at the aisles. People are trying to look

932
00:59:47,600 --> 00:59:49,320
Speaker 3: very disinterested.

933
00:59:48,640 --> 00:59:52,480
Speaker 1: But I gotta I got a hand here, sorry, a

934
00:59:52,520 --> 00:59:58,120
Speaker 1: hand raiser, hand raiser, Come on up, Okay, Hayes aer

935
00:59:58,160 --> 01:00:10,040
Speaker 1: a Sean type. She's all shun yeahby come on, I'll

936
01:00:10,120 --> 01:00:11,800
Speaker 1: get this damn mic out of my hand.

937
01:00:13,520 --> 01:00:14,240
Speaker 2: That's our Sean.

938
01:00:14,440 --> 01:00:16,400
Speaker 5: Should I give my mic to our Natalie?

939
01:00:16,960 --> 01:00:24,040
Speaker 3: Uh yeah, I guess so. Can nobody fall in love

940
01:00:24,120 --> 01:00:24,680
Speaker 3: during the show?

941
01:00:24,720 --> 01:00:25,000
Speaker 1: Please?

942
01:00:25,040 --> 01:00:26,120
Speaker 2: This is all I'm asking.

943
01:00:27,120 --> 01:00:30,680
Speaker 3: We happened so too much at our shows, but we

944
01:00:30,800 --> 01:00:32,600
Speaker 3: have to keep our mic because we're in the crowd.

945
01:00:32,640 --> 01:00:37,880
Speaker 2: We're talking about the show, and so we need I'm

946
01:00:37,960 --> 01:00:38,440
Speaker 2: loving this.

947
01:00:38,720 --> 01:00:43,240
Speaker 3: Oh last, we come to the hayes Man, somebody in

948
01:00:43,320 --> 01:00:47,080
Speaker 3: the front row, in lieu of volunteering, is flashing a

949
01:00:47,120 --> 01:00:51,960
Speaker 3: peace sign. I have never seen a better encapsulation of

950
01:00:52,000 --> 01:00:53,320
Speaker 3: my personality.

951
01:00:52,840 --> 01:00:54,600
Speaker 1: Before in my life.

952
01:00:55,320 --> 01:01:04,320
Speaker 2: Please come up, my friend. Yes, this is this is me.

953
01:01:05,960 --> 01:01:06,400
Speaker 1: This is me.

954
01:01:06,680 --> 01:01:11,000
Speaker 3: Okay, so we sit right here, I guess facing them

955
01:01:11,040 --> 01:01:11,840
Speaker 3: like the audience.

956
01:01:12,520 --> 01:01:14,760
Speaker 1: All right, but I'm not gonna be able to play

957
01:01:15,320 --> 01:01:19,920
Speaker 1: the piano. Okay, Okay, that's okay. Well we can just

958
01:01:19,960 --> 01:01:26,760
Speaker 1: sit here. It can be the audience. I'm like a

959
01:01:26,760 --> 01:01:28,680
Speaker 1: brave audience when I'm going like, you know what, this

960
01:01:28,720 --> 01:01:32,640
Speaker 1: show needs a little music.

961
01:01:36,480 --> 01:01:42,280
Speaker 3: Well, damn, I gotta say, this is best show I've

962
01:01:42,280 --> 01:01:43,520
Speaker 3: ever seen in my life.

963
01:01:45,080 --> 01:01:46,760
Speaker 1: Yeah.

964
01:01:47,160 --> 01:01:51,080
Speaker 3: I was gonna propose to you during the show, but

965
01:01:51,200 --> 01:01:55,080
Speaker 3: now I don't want to ruin it because this show

966
01:01:55,160 --> 01:01:57,080
Speaker 3: is so good. There's so much going on that that

967
01:01:57,120 --> 01:01:58,840
Speaker 3: would make it worse. Do you know what I mean?

968
01:01:59,040 --> 01:02:05,880
Speaker 2: I mean, uh, the piano is so beautiful.

969
01:02:06,120 --> 01:02:13,320
Speaker 3: Yeah, surely the piano player knows a second song.

970
01:02:21,520 --> 01:02:24,640
Speaker 8: Do you think that piano player will kill Natalie tonight?

971
01:02:25,720 --> 01:02:26,120
Speaker 1: I did.

972
01:02:26,240 --> 01:02:28,320
Speaker 3: I have been hearing whispers that this is the last

973
01:02:28,400 --> 01:02:29,479
Speaker 3: night of Natalie's life.

974
01:02:29,600 --> 01:02:32,280
Speaker 1: Yeah.

975
01:02:31,400 --> 01:02:35,440
Speaker 13: I don't know the terms of that or how it happens.

976
01:02:35,480 --> 01:02:38,840
Speaker 13: I just know, yeah, that's when it happens. Yeah, maybe

977
01:02:38,920 --> 01:02:41,040
Speaker 13: she go to Cereal. I hear people are mad as

978
01:02:41,040 --> 01:02:41,960
Speaker 13: Cereal tonight.

979
01:02:49,040 --> 01:02:51,840
Speaker 8: I mean he's playing this guy is crazy enough to

980
01:02:51,840 --> 01:02:56,600
Speaker 8: play Benfolds five, Yeah, in an audience while a podcast

981
01:02:56,680 --> 01:02:57,480
Speaker 8: is going on, I know.

982
01:02:57,640 --> 01:03:02,040
Speaker 1: And then he chose a guy who's like a player.

983
01:03:01,240 --> 01:03:02,800
Speaker 2: Yeah, to do the song.

984
01:03:02,640 --> 01:03:04,760
Speaker 5: Of Yeah, why would you do that?

985
01:03:04,760 --> 01:03:06,280
Speaker 2: That's good at piano?

986
01:03:06,600 --> 01:03:10,840
Speaker 1: Yeah. Yeah. So I'm probably gonna split just because I

987
01:03:10,920 --> 01:03:12,200
Speaker 1: have a thing right after this.

988
01:03:14,360 --> 01:03:17,400
Speaker 3: Okay, Okay, you're in the audience with us.

989
01:03:18,160 --> 01:03:22,520
Speaker 2: Okay, that's because I was. Okay, so you must get

990
01:03:22,520 --> 01:03:22,920
Speaker 2: this a lot.

991
01:03:22,960 --> 01:03:24,640
Speaker 3: When you go up and play the piano, people ask

992
01:03:24,680 --> 01:03:26,440
Speaker 3: if you want to hang out after the show.

993
01:03:27,720 --> 01:03:32,880
Speaker 1: Yeah, yeah, Well, and you just want to get ahead

994
01:03:32,880 --> 01:03:34,080
Speaker 1: of that the tunes.

995
01:03:34,440 --> 01:03:36,280
Speaker 3: Yeah, I just figure you guys are gonna want to

996
01:03:36,320 --> 01:03:38,760
Speaker 3: hang with me. Okay, can we can? I?

997
01:03:38,840 --> 01:03:39,000
Speaker 1: Can?

998
01:03:39,080 --> 01:03:40,439
Speaker 2: I just ask one more thing?

999
01:03:40,520 --> 01:03:40,800
Speaker 1: Please?

1000
01:03:41,120 --> 01:03:43,160
Speaker 2: Can we hear one more song?

1001
01:03:44,560 --> 01:03:44,680
Speaker 1: Mm?

1002
01:03:45,160 --> 01:03:45,720
Speaker 5: Any song?

1003
01:03:48,280 --> 01:04:00,480
Speaker 3: He seems to almost know which keys are which the

1004
01:04:00,520 --> 01:04:12,560
Speaker 3: piano's broken. That's our show? Is that our show? Thank

1005
01:04:12,600 --> 01:04:13,840
Speaker 3: you everyone for coming out.

1006
01:04:14,360 --> 01:04:27,000
Speaker 1: Thank you. Natalie Morales, yay? What's your name? El? What?

1007
01:04:27,000 --> 01:04:27,720
Speaker 2: What's your name?

1008
01:04:28,120 --> 01:04:34,200
Speaker 1: E L? E l Oh okay, Fudge I had to.

1009
01:04:36,080 --> 01:04:39,520
Speaker 3: Hayes was played by e L. What's your name? And

1010
01:04:39,560 --> 01:04:49,480
Speaker 3: it better be regular words? Wilson okay, making me think

1011
01:04:49,520 --> 01:04:50,520
Speaker 3: of that sad volleyball.

1012
01:04:54,120 --> 01:04:55,920
Speaker 1: I guess I've never seen him out from behind the

1013
01:04:55,960 --> 01:05:00,480
Speaker 1: fence before. Home Improvement Now had to.

1014
01:05:02,240 --> 01:05:05,280
Speaker 2: Natalie was played by Wilson. And what's your name?

1015
01:05:05,520 --> 01:05:07,200
Speaker 1: Sean? That you're not Sean anymore?

1016
01:05:07,640 --> 01:05:13,560
Speaker 3: LaToya LaToya was Sean's friend, been playing him for the show.

1017
01:05:14,120 --> 01:05:19,720
Speaker 1: LaToya. And what is your name?

1018
01:05:20,160 --> 01:05:20,840
Speaker 2: Kevin Bartell?

1019
01:05:21,000 --> 01:05:21,520
Speaker 1: Pro mm a?

1020
01:05:22,200 --> 01:05:23,800
Speaker 2: What Kevin bartel' to?

1021
01:05:23,880 --> 01:05:24,400
Speaker 1: Pro mm A?

1022
01:05:24,560 --> 01:05:27,600
Speaker 3: That's correct, your new name is Kevin Bartel mm A.

1023
01:05:28,080 --> 01:05:31,120
Speaker 3: Thank you, Thank you everyone for.

1024
01:05:31,000 --> 01:05:31,760
Speaker 1: Coming out tonight.

1025
01:05:32,400 --> 01:05:34,560
Speaker 2: That is the typewriter, thank goodbye.

1026
01:05:48,280 --> 01:05:51,840
Speaker 11: This has been an Earwolf Production, Executive produced by Scott Ackerman,

1027
01:05:52,080 --> 01:05:53,960
Speaker 11: Chris Bannon, and Colin Anderson.

1028
01:05:54,160 --> 01:06:01,960
Speaker 1: For more information and content, visit earwolf dot com.