1 00:00:00,080 --> 00:00:12,600 Speaker 1: The Nickser Podcast. Here's Nikki. Hello, here I am, It's 2 00:00:12,680 --> 00:00:16,040 Speaker 1: nickles a podcast. Welcome to the show. It's Thursday, everyone, 3 00:00:16,200 --> 00:00:18,720 Speaker 1: we made it. We got through the week. I'm in 4 00:00:18,760 --> 00:00:21,840 Speaker 1: Los Angeles, California. Still I don't know what I'm talking 5 00:00:21,880 --> 00:00:24,440 Speaker 1: like this. Um, I feel like maybe that's how Meg 6 00:00:24,480 --> 00:00:27,360 Speaker 1: and Marcole sounds on her podcast Dignified. She has a 7 00:00:27,400 --> 00:00:30,280 Speaker 1: new podcast out. If you haven't heard it yet, don't. Um. 8 00:00:30,280 --> 00:00:32,440 Speaker 1: I haven't listened to it yet. But is that what 9 00:00:32,520 --> 00:00:36,680 Speaker 1: it's called. It's called like Renegades. No, it's it's no, 10 00:00:37,000 --> 00:00:39,040 Speaker 1: it should be. That's such a good point. Um, I 11 00:00:39,040 --> 00:00:41,519 Speaker 1: think it's called it's called like Archetypes. It's just like, 12 00:00:41,600 --> 00:00:45,680 Speaker 1: come on, is it just her talking in the bathroom? No, 13 00:00:45,880 --> 00:00:48,040 Speaker 1: she has a guest, but apparently the first episode was 14 00:00:48,040 --> 00:00:50,400 Speaker 1: with Serena Williams and she didn't get let Serena get 15 00:00:50,440 --> 00:00:52,199 Speaker 1: a word in, and I go, wow, I'm just like 16 00:00:52,200 --> 00:00:54,080 Speaker 1: MiG and Markle. I felt for the first time. I 17 00:00:54,120 --> 00:00:59,560 Speaker 1: was like, wow, we're similar. You could I used to do. 18 00:00:59,680 --> 00:01:04,880 Speaker 1: I loved just being like in a closet, like, welcome 19 00:01:04,880 --> 00:01:08,640 Speaker 1: to Archetypes. Don't tell Harry or anybody that doing this. 20 00:01:09,280 --> 00:01:11,560 Speaker 1: I know, I can get murdered for talking, are you. 21 00:01:12,440 --> 00:01:15,280 Speaker 1: I was thinking the same thing about it. I was like, man, 22 00:01:15,400 --> 00:01:18,880 Speaker 1: she's because she apparently they're like the most controversial thing 23 00:01:18,920 --> 00:01:21,080 Speaker 1: she said in the first episode was like, oh no, no. 24 00:01:21,200 --> 00:01:23,720 Speaker 1: His second episode, Maria Carrey was on and Mike Carry, 25 00:01:24,080 --> 00:01:25,800 Speaker 1: I guess I don't know why I'm saying that all 26 00:01:25,840 --> 00:01:30,440 Speaker 1: like Myke Carrey, Mike Carry said turning into you. Um, 27 00:01:30,480 --> 00:01:32,639 Speaker 1: you know we all carry the way of Marian Carrey. 28 00:01:33,080 --> 00:01:36,680 Speaker 1: It's it's all of our burdens culturally. But she apparently 29 00:01:36,840 --> 00:01:39,679 Speaker 1: said to her, like to Megan, Maria was like, well, 30 00:01:39,720 --> 00:01:41,680 Speaker 1: you've got a little enter like you got a diva 31 00:01:41,760 --> 00:01:44,800 Speaker 1: and you and Megan was like, like it was nervous. 32 00:01:45,040 --> 00:01:46,560 Speaker 1: You know, I'm getting all this from the Daily Mail, 33 00:01:46,600 --> 00:01:49,200 Speaker 1: who's like, you know, any time the celebrity walks out 34 00:01:49,360 --> 00:01:54,200 Speaker 1: there like Rebel Wilson flaunting her flawless pins and it's 35 00:01:54,200 --> 00:01:56,440 Speaker 1: like she just was walking to her car. She wasn't 36 00:01:56,560 --> 00:01:59,640 Speaker 1: flaunting anything. So it was like, I read it on 37 00:01:59,680 --> 00:02:02,320 Speaker 1: the day email because they're obsessed with her, but um, 38 00:02:02,400 --> 00:02:06,200 Speaker 1: she does have to tread so carefully, especially in light 39 00:02:06,200 --> 00:02:09,320 Speaker 1: of watching the Diana documentary, Like but she's free from 40 00:02:09,320 --> 00:02:11,160 Speaker 1: the royal family, Like that's the point, Like she can 41 00:02:11,240 --> 00:02:14,640 Speaker 1: do anything she wants, even though I cannot imagine what 42 00:02:14,840 --> 00:02:17,480 Speaker 1: how much money she's making from that podcast, and rightfully so, 43 00:02:17,560 --> 00:02:19,799 Speaker 1: I mean it's everyone, it's number I think it's number one. 44 00:02:20,600 --> 00:02:24,400 Speaker 1: But I mean, what do you think, Oh, well, she 45 00:02:24,480 --> 00:02:29,079 Speaker 1: lives in California. You know that, right yeape get over 46 00:02:29,280 --> 00:02:32,079 Speaker 1: so hot to me that Harry left his entire family 47 00:02:32,120 --> 00:02:34,239 Speaker 1: for her and like said goodbye to all of that 48 00:02:34,400 --> 00:02:37,880 Speaker 1: for her to protect her because she got suicidal, Like 49 00:02:38,400 --> 00:02:40,959 Speaker 1: his mom, it's not fun over there. He's not having 50 00:02:40,960 --> 00:02:45,520 Speaker 1: a good time to leave that though, Like it's like 51 00:02:45,600 --> 00:02:48,280 Speaker 1: leaving Mormonism, like it might be hell, but it's all 52 00:02:48,400 --> 00:02:51,440 Speaker 1: you know, I don't know, I don't know. I know 53 00:02:51,520 --> 00:02:54,760 Speaker 1: you are, but it's I do find it like so 54 00:02:54,800 --> 00:02:58,640 Speaker 1: fucking attractive that, um, he did that for her and 55 00:02:58,680 --> 00:03:01,120 Speaker 1: like just how by her you can tell that he 56 00:03:01,240 --> 00:03:04,400 Speaker 1: just like loves her so much and you know, risk everything. 57 00:03:04,440 --> 00:03:08,040 Speaker 1: But I was thinking that, um, this podcast that she's doing, 58 00:03:08,040 --> 00:03:11,680 Speaker 1: I was like it, like I would be worried even 59 00:03:11,680 --> 00:03:13,840 Speaker 1: though she's free of the royal family, Like she has 60 00:03:13,880 --> 00:03:17,480 Speaker 1: to still tread so carefully because everyone's watching her. Every move, 61 00:03:17,960 --> 00:03:21,080 Speaker 1: wanting her to funk up um, even me, you know, 62 00:03:21,200 --> 00:03:25,440 Speaker 1: manifesting it in my daily rituals, just being like, please 63 00:03:25,520 --> 00:03:29,360 Speaker 1: let Megan Margo missed up. But but she's I I 64 00:03:29,440 --> 00:03:31,519 Speaker 1: love that. I forget that interview she did with Oprah 65 00:03:31,520 --> 00:03:36,000 Speaker 1: where she said she was suicidal, which anyone of that nature. 66 00:03:36,160 --> 00:03:39,680 Speaker 1: Admitting as someone who has those thoughts as well, admitting 67 00:03:39,680 --> 00:03:43,680 Speaker 1: that publicly is so brave. And maybe I'm chooting my 68 00:03:43,720 --> 00:03:47,320 Speaker 1: own horn, but like I was just talking to last night, 69 00:03:47,960 --> 00:03:50,720 Speaker 1: Whitney and Ben Gleeb. We're at the comedy store and 70 00:03:50,720 --> 00:03:54,360 Speaker 1: we were talking about admitting things that you think I 71 00:03:54,480 --> 00:03:58,320 Speaker 1: forget where we're saying something about but if you say it, 72 00:03:58,400 --> 00:04:00,360 Speaker 1: people won't want to work with you, like if they 73 00:04:00,400 --> 00:04:03,240 Speaker 1: if you if you say too much, you might become 74 00:04:03,240 --> 00:04:05,480 Speaker 1: a liability. And that's always been my worry about saying 75 00:04:05,680 --> 00:04:07,840 Speaker 1: I have suicidal thoughts. Is like, well, we don't want 76 00:04:07,840 --> 00:04:10,240 Speaker 1: to give her the tonight show. She's gonna kill herself, 77 00:04:10,280 --> 00:04:12,720 Speaker 1: and then what what we're we gonna do? It's like, well, 78 00:04:12,760 --> 00:04:15,840 Speaker 1: it'd be great advertising, it would be great for you. Yeah, 79 00:04:16,120 --> 00:04:18,120 Speaker 1: if I do it live on air. No, I'm I'm like, 80 00:04:18,600 --> 00:04:22,799 Speaker 1: but it's not. No, one cares. No one people people, 81 00:04:23,080 --> 00:04:25,280 Speaker 1: you know, Chris Farley was on a path to death, 82 00:04:25,279 --> 00:04:28,479 Speaker 1: and people were not intervening, Like as long as you're 83 00:04:28,480 --> 00:04:30,960 Speaker 1: making people money, they don't They're not looking if you're 84 00:04:31,000 --> 00:04:32,960 Speaker 1: a liability down the road. They want to make the 85 00:04:33,000 --> 00:04:35,719 Speaker 1: dollar right now. So it's like, it's almost sad that 86 00:04:35,760 --> 00:04:37,520 Speaker 1: no one cared that I was suicidal when I said 87 00:04:37,520 --> 00:04:39,600 Speaker 1: it on like that. None of my reps were like, hey, 88 00:04:39,640 --> 00:04:45,719 Speaker 1: do you need a break or like, can you say 89 00:04:45,760 --> 00:04:48,240 Speaker 1: that more? Because that got you a lot of press. 90 00:04:49,880 --> 00:04:52,400 Speaker 1: There was a bump and I'm going to do a 91 00:04:52,400 --> 00:04:56,000 Speaker 1: couple to feel better. Um, but oh, I was thinking 92 00:04:56,040 --> 00:04:59,360 Speaker 1: about It occurred to me when I was doing Kimmel um, 93 00:04:59,440 --> 00:05:01,960 Speaker 1: and I was, you know, we're talking about the hardest 94 00:05:01,960 --> 00:05:05,760 Speaker 1: part of the show for me was like trying to 95 00:05:05,800 --> 00:05:10,440 Speaker 1: be present during the interviews. Hear what they were saying, laugh, 96 00:05:11,200 --> 00:05:13,480 Speaker 1: set them up for good stuff, not try to make 97 00:05:13,520 --> 00:05:16,400 Speaker 1: it about me. Don't try to chewhorn punch lines. No 98 00:05:16,440 --> 00:05:19,320 Speaker 1: one is going to go wow, great comeback with like 99 00:05:19,800 --> 00:05:22,800 Speaker 1: just be natural. And there was a point that I 100 00:05:22,839 --> 00:05:25,120 Speaker 1: wanted to make when he was talking about and maybe 101 00:05:25,279 --> 00:05:27,280 Speaker 1: I have gotten cut because I didn't see the interview, 102 00:05:27,320 --> 00:05:32,320 Speaker 1: but he was talking about um mel Brooks and Arnold 103 00:05:32,360 --> 00:05:36,159 Speaker 1: doing voices for his cartoon and how it all happened 104 00:05:36,200 --> 00:05:39,599 Speaker 1: during COVID, and I just wanted to say, like, picture 105 00:05:39,760 --> 00:05:42,120 Speaker 1: Arnold under a blanket, like doing voice. It's such an 106 00:05:42,160 --> 00:05:44,480 Speaker 1: inside thing of like people who do audio. No, like 107 00:05:44,640 --> 00:05:47,000 Speaker 1: how like crazy it looks like so that you're under 108 00:05:47,000 --> 00:05:49,000 Speaker 1: a blanket, like in a closet in a hotel room, 109 00:05:49,000 --> 00:05:53,960 Speaker 1: being like Dave Matthews Band Radio Channel thirty this week 110 00:05:54,040 --> 00:05:59,279 Speaker 1: on Labor Dave Weekend, like inside one of his horses, 111 00:05:59,680 --> 00:06:07,520 Speaker 1: you know, like like like inside of Clydesdale. So I'm 112 00:06:07,520 --> 00:06:09,760 Speaker 1: gonna do this formal ces. Why did I give him 113 00:06:09,760 --> 00:06:13,080 Speaker 1: a British check? Why could he? Why do I picture 114 00:06:13,160 --> 00:06:16,240 Speaker 1: him in a horse? That's weird because he horses. He's 115 00:06:16,279 --> 00:06:18,880 Speaker 1: all about horses. Oh yeah, there's like a pony like 116 00:06:18,920 --> 00:06:22,479 Speaker 1: walking around his house in the face in one of 117 00:06:22,520 --> 00:06:26,200 Speaker 1: his movies. I love that scene because you can tell 118 00:06:26,240 --> 00:06:28,920 Speaker 1: it's so fake, like she didn't actually hurt the horse 119 00:06:28,920 --> 00:06:31,520 Speaker 1: because the horse kind of just there's a minute, it's 120 00:06:31,640 --> 00:06:34,040 Speaker 1: a beat where it kind of goes like someone off 121 00:06:34,080 --> 00:06:36,960 Speaker 1: camera goes fall and then it like falls. There was 122 00:06:37,000 --> 00:06:39,320 Speaker 1: a conversation where Arnold was like, look, I want to 123 00:06:39,400 --> 00:06:43,720 Speaker 1: hit the horse. It's got to Should I just do it? 124 00:06:44,400 --> 00:06:47,839 Speaker 1: You can go to lunch earlier. Um, They're like, we might. 125 00:06:49,360 --> 00:06:51,560 Speaker 1: I bet. Back in the seventies though, there were like 126 00:06:51,560 --> 00:06:55,159 Speaker 1: a little bit of lax laws about like stuff like 127 00:06:55,160 --> 00:06:56,800 Speaker 1: you know what, hit it with your left hand, Arnold. 128 00:06:56,839 --> 00:07:00,720 Speaker 1: Animals were getting punched it with your laugh Give it, yeah, 129 00:07:00,800 --> 00:07:04,200 Speaker 1: give it any animals and brave Heart fell don't break 130 00:07:04,240 --> 00:07:06,880 Speaker 1: its leg because we'll have to kill it. I did that, 131 00:07:06,920 --> 00:07:09,760 Speaker 1: but Brave Heart they got hit all with spikes. Remember 132 00:07:09,840 --> 00:07:16,400 Speaker 1: they Oh well, Meldon cared the horses were Jewish. Um. 133 00:07:16,520 --> 00:07:20,320 Speaker 1: He made sure to have Jewish horses for heaven. Andrew 134 00:07:20,600 --> 00:07:23,840 Speaker 1: your I did not see it your your show. I did. 135 00:07:23,920 --> 00:07:27,600 Speaker 1: I kind of texted you late on Tuesday night to 136 00:07:27,880 --> 00:07:30,200 Speaker 1: see how it went. I assumed. I mean, I had 137 00:07:30,240 --> 00:07:32,400 Speaker 1: no doubt it was going to be like epic and 138 00:07:32,440 --> 00:07:34,240 Speaker 1: I hate that word. But how was it tell us 139 00:07:34,240 --> 00:07:38,640 Speaker 1: about it? I mean had founding cheesy. So yeah, I 140 00:07:38,640 --> 00:07:40,840 Speaker 1: got to finally, I didn't know the only other time 141 00:07:40,880 --> 00:07:42,680 Speaker 1: I've ever done an hour you saw it was when 142 00:07:42,680 --> 00:07:47,040 Speaker 1: I did my one many an hour and a half. Yeah, 143 00:07:47,080 --> 00:07:52,840 Speaker 1: And I like, so I have no question time. I 144 00:07:52,920 --> 00:07:55,680 Speaker 1: was still worried about the time, especially, you know, because 145 00:07:55,720 --> 00:07:57,760 Speaker 1: you know there it's more laxed about. But I was like, 146 00:07:57,760 --> 00:08:00,160 Speaker 1: I'm going to do these longer stories. I'm gonna can 147 00:08:00,200 --> 00:08:04,239 Speaker 1: put them in there. I don't give a fuck. And um, 148 00:08:04,320 --> 00:08:06,920 Speaker 1: I don't know the stories. It's just you've done it 149 00:08:07,000 --> 00:08:10,600 Speaker 1: so many times. But the timing and of doing an 150 00:08:10,640 --> 00:08:13,080 Speaker 1: hour versus like fifteen to twenty minutes. I don't tell 151 00:08:13,080 --> 00:08:16,600 Speaker 1: the stories though, dude, that's different. But but it's like 152 00:08:16,960 --> 00:08:19,720 Speaker 1: this like feeling of like blah blah blah blah, like 153 00:08:19,760 --> 00:08:22,360 Speaker 1: getting joke after laugh laugh, but like you could have 154 00:08:22,480 --> 00:08:25,679 Speaker 1: moments where they're still listening. And I was just proud 155 00:08:25,680 --> 00:08:29,760 Speaker 1: of myself where like I wasn't crushing at some point 156 00:08:29,960 --> 00:08:32,440 Speaker 1: at some points and there was some quiet and it 157 00:08:32,559 --> 00:08:35,320 Speaker 1: was like and I just kind of sat in it 158 00:08:35,360 --> 00:08:37,760 Speaker 1: and I was very present, and I wondered about that. 159 00:08:38,520 --> 00:08:41,000 Speaker 1: You're good. I watched you even in your smaller sets 160 00:08:41,000 --> 00:08:45,120 Speaker 1: that you do, and I I sometimes resented because I 161 00:08:45,160 --> 00:08:49,240 Speaker 1: can't do it. But you are able to get them 162 00:08:49,280 --> 00:08:51,560 Speaker 1: back to a place where they're like calm down again 163 00:08:51,720 --> 00:08:53,800 Speaker 1: and they're like on the edge of their seats. You 164 00:08:53,880 --> 00:08:56,600 Speaker 1: do not need to fill the silence. You're not insecure 165 00:08:56,600 --> 00:08:58,440 Speaker 1: in that way on stage, and I think that I 166 00:08:58,440 --> 00:09:01,240 Speaker 1: don't know how I'm not. I don't know either, dude, 167 00:09:01,240 --> 00:09:04,600 Speaker 1: because it doesn't fit anything else about you. But you 168 00:09:04,679 --> 00:09:06,800 Speaker 1: really can do this thing where you just kind of 169 00:09:06,840 --> 00:09:09,400 Speaker 1: like we'll be you'll just take your time, and I 170 00:09:09,440 --> 00:09:11,840 Speaker 1: know that you know what's next, and sometimes you'll say 171 00:09:11,880 --> 00:09:14,959 Speaker 1: like you'll make it like casual, but you just can 172 00:09:15,000 --> 00:09:16,720 Speaker 1: be in those moments you can like take your time. 173 00:09:16,760 --> 00:09:19,679 Speaker 1: It's really I want to get better at being slower 174 00:09:19,720 --> 00:09:22,040 Speaker 1: like that. But I remember Louis saying like, you can't 175 00:09:22,080 --> 00:09:25,280 Speaker 1: have the highs without the lows. Like if you're going 176 00:09:25,280 --> 00:09:27,560 Speaker 1: on a roller coaster and the whole thing is just down, 177 00:09:28,320 --> 00:09:30,000 Speaker 1: you're by the end of it, you're just like, well, 178 00:09:30,200 --> 00:09:33,120 Speaker 1: we gotta have to You're gonna have to have moments 179 00:09:33,160 --> 00:09:36,840 Speaker 1: where everyone goes, what's he like, wait, what's next, Like 180 00:09:36,920 --> 00:09:39,880 Speaker 1: we're kind of like back down to But I always 181 00:09:39,880 --> 00:09:43,000 Speaker 1: get worried that because I know about human psychology and 182 00:09:43,040 --> 00:09:46,240 Speaker 1: sociology and what people remember, that they're going to remember 183 00:09:46,280 --> 00:09:49,040 Speaker 1: the moments where they didn't have faith in me to 184 00:09:49,160 --> 00:09:52,480 Speaker 1: keep going. But the truth is they do have faith 185 00:09:52,480 --> 00:09:55,480 Speaker 1: in you. I am thinking that they don't think like 186 00:09:55,559 --> 00:09:59,680 Speaker 1: I can. Artists you do that, yeah, you know, but 187 00:09:59,679 --> 00:10:02,880 Speaker 1: I'm it's like I'm fine watching you. I don't get nervous, 188 00:10:02,880 --> 00:10:04,600 Speaker 1: Like there is a way to do it where you 189 00:10:04,679 --> 00:10:07,800 Speaker 1: take beats. I gotta I gotta learn how to do that. 190 00:10:07,880 --> 00:10:15,040 Speaker 1: So present, I felt like there was a hundred people there, 191 00:10:15,080 --> 00:10:19,040 Speaker 1: So I was really amazing. Do you think it's because 192 00:10:19,080 --> 00:10:22,960 Speaker 1: you played sports as a kid that it helps me 193 00:10:23,000 --> 00:10:26,000 Speaker 1: for moments like this? Yeah? No, because I never was 194 00:10:26,080 --> 00:10:28,880 Speaker 1: like the man on sports either, like no, no, but 195 00:10:28,960 --> 00:10:31,720 Speaker 1: I was always like the fifth best guy on the 196 00:10:31,720 --> 00:10:33,920 Speaker 1: team or something, you know, like why would that help? No. 197 00:10:35,360 --> 00:10:38,000 Speaker 1: So I was playing with my nephew the other day 198 00:10:38,120 --> 00:10:41,240 Speaker 1: and he's you know, like into sports and stuff, and 199 00:10:41,280 --> 00:10:45,120 Speaker 1: we were playing like monkey in the middle and he 200 00:10:45,160 --> 00:10:47,680 Speaker 1: would like come up to me and try to tackle me, 201 00:10:47,720 --> 00:10:50,280 Speaker 1: and he had like no hesitation about it, and I 202 00:10:50,320 --> 00:10:52,600 Speaker 1: was thinking, like, wow, I wonder if this is going 203 00:10:52,679 --> 00:10:55,040 Speaker 1: to like translate to later in life where you just 204 00:10:55,600 --> 00:11:00,760 Speaker 1: go into something with no hesitation, and um, I just that. 205 00:11:00,160 --> 00:11:02,760 Speaker 1: I don't know. The older I got, the more fear 206 00:11:02,840 --> 00:11:07,040 Speaker 1: I hadn't in sports. Sometimes with stand up it's the 207 00:11:07,080 --> 00:11:08,920 Speaker 1: same way. It's kind of a weird thing. You'll go 208 00:11:09,000 --> 00:11:12,200 Speaker 1: to like a a competition and a person that's like 209 00:11:12,240 --> 00:11:14,240 Speaker 1: two months in will have the most confidence in the 210 00:11:14,320 --> 00:11:19,679 Speaker 1: room because they just haven't felt pain of failing. They 211 00:11:19,760 --> 00:11:22,880 Speaker 1: don't know how that it feels to get tackled yet. Yeah, 212 00:11:23,559 --> 00:11:27,079 Speaker 1: like your nephew has not been in the face or 213 00:11:27,520 --> 00:11:29,959 Speaker 1: you know what I mean, Like he doesn't know because 214 00:11:29,960 --> 00:11:31,800 Speaker 1: that's when you start flinching. Is when you know, when 215 00:11:31,840 --> 00:11:33,800 Speaker 1: you burn yourself on the stove. Otherwise you're putting your 216 00:11:33,840 --> 00:11:38,760 Speaker 1: hand on the stove. And yeah, that's interesting. Like I 217 00:11:38,760 --> 00:11:40,640 Speaker 1: think you're right, Like the more you do it, the 218 00:11:40,720 --> 00:11:45,160 Speaker 1: more you you have more data where you're like, I 219 00:11:45,240 --> 00:11:48,319 Speaker 1: know how bad this can go. Badly this can go. 220 00:11:49,080 --> 00:11:50,760 Speaker 1: I did a set last night where I was trying 221 00:11:50,800 --> 00:11:56,840 Speaker 1: to be more slow and measured. The audience was terrible. 222 00:11:56,920 --> 00:11:58,840 Speaker 1: Like no offense to people who are at the comedy 223 00:11:58,840 --> 00:12:02,480 Speaker 1: store last night on Wednesday, but main room you were drunk. 224 00:12:02,920 --> 00:12:04,880 Speaker 1: It was not all of you, but there was like 225 00:12:04,920 --> 00:12:06,680 Speaker 1: a couple of people that were just too drunk, laughing 226 00:12:06,679 --> 00:12:08,240 Speaker 1: at the wrong times, like trying to make the show 227 00:12:08,280 --> 00:12:10,520 Speaker 1: about them and like when they laugh and so it 228 00:12:10,600 --> 00:12:13,400 Speaker 1: was just I heard it backstage and I go, oh, 229 00:12:13,520 --> 00:12:15,040 Speaker 1: this set that I'm going to try to get something 230 00:12:15,080 --> 00:12:17,719 Speaker 1: done on, it's worthless, like I heard Tom Poppa said. 231 00:12:17,760 --> 00:12:20,079 Speaker 1: And then when Tom brought me up and we crossed 232 00:12:20,080 --> 00:12:23,400 Speaker 1: paths and I just go, he goes they are drunk, 233 00:12:23,600 --> 00:12:26,320 Speaker 1: and I was like And then it became so fun 234 00:12:26,320 --> 00:12:29,920 Speaker 1: because I was like this all I don't have to 235 00:12:30,520 --> 00:12:32,439 Speaker 1: I can just experiment. I'm gonna go through like new 236 00:12:32,520 --> 00:12:35,560 Speaker 1: stuff and it was um easier. And there were times 237 00:12:35,559 --> 00:12:38,920 Speaker 1: where I was like, I'm not doing well like I am. 238 00:12:39,000 --> 00:12:42,959 Speaker 1: I these setups are longer. Um. There was just moments 239 00:12:43,000 --> 00:12:45,640 Speaker 1: where there's like too much silence for me where I 240 00:12:45,679 --> 00:12:47,920 Speaker 1: start to go into your bombing if there's not laughter. 241 00:12:48,640 --> 00:12:52,240 Speaker 1: But I got off stage and Ben Glee watched me. 242 00:12:52,280 --> 00:12:54,120 Speaker 1: Maybe it's just being nice, but he was like that 243 00:12:54,160 --> 00:12:57,400 Speaker 1: was awesome, Like it was great. It was actually great 244 00:12:57,440 --> 00:13:00,720 Speaker 1: because it wasn't that I wasn't funny. People were just 245 00:13:00,840 --> 00:13:06,240 Speaker 1: listening and it was interesting and they're just lit and 246 00:13:06,240 --> 00:13:11,079 Speaker 1: it's yeah, I know it's that and we need huh 247 00:13:11,480 --> 00:13:14,440 Speaker 1: really okay, I'm still listening Like that's what comedians need 248 00:13:14,480 --> 00:13:17,040 Speaker 1: is like constant, like are you still there? And that's why. 249 00:13:17,360 --> 00:13:20,720 Speaker 1: That's what laughs confirmed. But otherwise you think they're they're 250 00:13:20,720 --> 00:13:23,560 Speaker 1: tapped out when they're just listening. We had we we 251 00:13:23,600 --> 00:13:26,600 Speaker 1: definitely had a Bestie's there last uh two nights ago, 252 00:13:26,800 --> 00:13:30,520 Speaker 1: and there was this one guy and there was a 253 00:13:30,520 --> 00:13:32,800 Speaker 1: couple of funny moments with like crowd work because like 254 00:13:32,840 --> 00:13:34,640 Speaker 1: I was really happy with my crowd work and like 255 00:13:34,720 --> 00:13:36,800 Speaker 1: going back to the guy and bringing it in and 256 00:13:36,840 --> 00:13:39,680 Speaker 1: like really just the rhythm of it. But one guy 257 00:13:39,679 --> 00:13:42,760 Speaker 1: had his shirt unbuttoned all the way down to like 258 00:13:42,920 --> 00:13:47,040 Speaker 1: his his belly button, and I was just like this 259 00:13:47,160 --> 00:13:49,680 Speaker 1: is and you're sitting in the front row facing the 260 00:13:49,920 --> 00:13:52,319 Speaker 1: I was like, you're what what is this? Like this 261 00:13:52,440 --> 00:13:54,520 Speaker 1: can't be your look and whatever. Like I went in 262 00:13:54,600 --> 00:13:58,320 Speaker 1: on the guy, but like in a fun way, and 263 00:13:58,320 --> 00:14:03,040 Speaker 1: and uh called like Benjamin unbuttoned, did you like have 264 00:14:03,080 --> 00:14:07,480 Speaker 1: a fun Well listen, I'm in a relax state, right No, no, 265 00:14:07,520 --> 00:14:10,040 Speaker 1: but no, But my my point is is that so 266 00:14:10,080 --> 00:14:12,280 Speaker 1: I'm like rasing him a little and his girlfriend goes 267 00:14:12,520 --> 00:14:15,000 Speaker 1: he passed a kidney stone and still came to your show. 268 00:14:15,760 --> 00:14:21,720 Speaker 1: It was like yeah, And then I go, can anyone 269 00:14:21,760 --> 00:14:26,640 Speaker 1: beat that? Does anyone have seven fun? And who has 270 00:14:26,640 --> 00:14:29,240 Speaker 1: a better story of like what they overcame to get here? 271 00:14:29,400 --> 00:14:31,920 Speaker 1: How far did you drive? Like how many people like? 272 00:14:32,320 --> 00:14:35,040 Speaker 1: But I went right into cancer, like like late cancer, 273 00:14:35,200 --> 00:14:39,160 Speaker 1: and it hit pretty get there eventually it would hit 274 00:14:39,200 --> 00:14:43,320 Speaker 1: harder though if like I probably didn't pick the most dude, 275 00:14:43,480 --> 00:14:46,960 Speaker 1: how that's comedy for you. It's just like taking a 276 00:14:47,080 --> 00:14:49,480 Speaker 1: risk like that and then going man, I was on 277 00:14:49,520 --> 00:14:52,080 Speaker 1: the right path, but I overshot it a little bit, 278 00:14:52,920 --> 00:14:57,520 Speaker 1: like his buttons. Um, I've done that so much where 279 00:14:57,520 --> 00:14:59,760 Speaker 1: I go, I take it. Oh my god, this is 280 00:14:59,800 --> 00:15:02,240 Speaker 1: so embarrassing. I don't even want to say it because 281 00:15:02,720 --> 00:15:06,000 Speaker 1: I don't even know how I can say this without UM, 282 00:15:06,520 --> 00:15:10,240 Speaker 1: because I'm trying to be obviously more private about my UM, 283 00:15:10,320 --> 00:15:13,200 Speaker 1: my personal life and my relationship because I like, I'm 284 00:15:13,240 --> 00:15:15,160 Speaker 1: so obsessed with it right now and it's just the 285 00:15:15,200 --> 00:15:17,520 Speaker 1: best thing in the world. And it's because I've chosen 286 00:15:17,560 --> 00:15:22,160 Speaker 1: to be UM just more loving and like not as 287 00:15:22,760 --> 00:15:25,160 Speaker 1: freewheeling with It's like I could just say anything about 288 00:15:25,160 --> 00:15:27,000 Speaker 1: my relationship, like I'm trying to respect it more. But 289 00:15:27,320 --> 00:15:29,320 Speaker 1: I'm gonna I'm gonna try to get through this without 290 00:15:29,800 --> 00:15:32,560 Speaker 1: breaching anything because I think it's funny. I was on stage, 291 00:15:33,000 --> 00:15:35,760 Speaker 1: and people already kind of know that I don't get. 292 00:15:35,960 --> 00:15:38,200 Speaker 1: I was talking about jealousy and being jealous of j Loo, 293 00:15:38,280 --> 00:15:40,800 Speaker 1: and then I was talking about I honestly, I've said 294 00:15:40,840 --> 00:15:42,880 Speaker 1: it before, like I don't care on stage, so I 295 00:15:42,960 --> 00:15:45,120 Speaker 1: think it's okay. I don't care if my boyfriend like 296 00:15:45,120 --> 00:15:47,520 Speaker 1: hooks up with other girls. I'm actually turned on by it. 297 00:15:47,880 --> 00:15:50,440 Speaker 1: And these two really hot girls in the front row 298 00:15:50,640 --> 00:15:53,480 Speaker 1: like front ish row original room in the store. If 299 00:15:53,520 --> 00:15:54,920 Speaker 1: you've been there, it's like kind of like a more 300 00:15:55,600 --> 00:15:59,960 Speaker 1: like intimate setting. Yeah, it feels like like a bar show. 301 00:16:00,520 --> 00:16:02,120 Speaker 1: I was talking about, like, you know, I've been the 302 00:16:02,120 --> 00:16:04,160 Speaker 1: other woman before. No women admit to it, but like, 303 00:16:04,320 --> 00:16:07,160 Speaker 1: I don't care if you like I I went after 304 00:16:07,160 --> 00:16:09,680 Speaker 1: a guy that had a girlfriend. I didn't care, and um, 305 00:16:09,680 --> 00:16:11,120 Speaker 1: I don't really feel that bad about it. And I'm 306 00:16:11,120 --> 00:16:13,360 Speaker 1: grappling with that, and they were like, well we're gonna 307 00:16:13,600 --> 00:16:15,480 Speaker 1: and I go, no one ever admits of being another woman, 308 00:16:15,520 --> 00:16:18,960 Speaker 1: and the girls go, and I go, except these fucking 309 00:16:19,000 --> 00:16:21,880 Speaker 1: oars and they go, we're gonna suck your boyfriend. And 310 00:16:21,880 --> 00:16:25,520 Speaker 1: I go, it's funny you say that, you think that 311 00:16:25,560 --> 00:16:27,960 Speaker 1: I would be threatened by that, but I actually like that, 312 00:16:28,000 --> 00:16:30,680 Speaker 1: you guys are very hot, honestly, DM me, I will 313 00:16:30,720 --> 00:16:32,440 Speaker 1: set it up. I will be turned on by that. 314 00:16:33,040 --> 00:16:36,360 Speaker 1: And and then I just took it one step too far, 315 00:16:36,560 --> 00:16:39,840 Speaker 1: like do you ever Like the audience was kind of 316 00:16:39,840 --> 00:16:41,760 Speaker 1: on board with it because it's just such an outrighteous 317 00:16:41,760 --> 00:16:44,600 Speaker 1: thing to say. But then I took it to a 318 00:16:44,800 --> 00:16:48,280 Speaker 1: place where things I say in the bedroom that are 319 00:16:48,600 --> 00:16:52,240 Speaker 1: like the shorthand that Chris and I have in our 320 00:16:52,280 --> 00:16:54,880 Speaker 1: intimate bedroom setting of like the kind of dirty talk 321 00:16:54,920 --> 00:16:57,960 Speaker 1: that we do. I'm so used to talking that way 322 00:16:58,480 --> 00:17:01,120 Speaker 1: and having it be totally line and like acceptable and 323 00:17:01,160 --> 00:17:03,680 Speaker 1: almost sound like that's just the way you're talking about room. 324 00:17:03,720 --> 00:17:06,119 Speaker 1: Everyone must talk that way. That I said the most 325 00:17:06,320 --> 00:17:10,280 Speaker 1: filthy thing I've maybe ever said in the bedroom, but 326 00:17:10,320 --> 00:17:13,200 Speaker 1: it's something it would be, you know, it's up there. 327 00:17:13,800 --> 00:17:16,240 Speaker 1: And I said it about them fucking my boyfriend and 328 00:17:16,240 --> 00:17:19,280 Speaker 1: then like what I would do afterwards, and it shut 329 00:17:19,320 --> 00:17:22,280 Speaker 1: the room down and suck like it was crickets so 330 00:17:22,320 --> 00:17:25,560 Speaker 1: fast where people were like, like it was it was 331 00:17:25,600 --> 00:17:27,919 Speaker 1: all of a sudden, like someone saw my porn search history. 332 00:17:27,960 --> 00:17:29,600 Speaker 1: Like it's almost like I opened my laptop at a 333 00:17:29,640 --> 00:17:31,520 Speaker 1: Starbucks and like my porn from the last night was 334 00:17:31,560 --> 00:17:34,320 Speaker 1: like and you're just like, oh my god. They just 335 00:17:34,600 --> 00:17:40,720 Speaker 1: like it was. Yes, it was so gross that everyone 336 00:17:40,840 --> 00:17:43,919 Speaker 1: was just like ah. And it was so funny because 337 00:17:44,119 --> 00:17:46,840 Speaker 1: I also had this guy from Esquire magazine who's following 338 00:17:46,840 --> 00:17:49,040 Speaker 1: me around that night and watching my sets, and he 339 00:17:49,080 --> 00:17:51,680 Speaker 1: witnessed that, and I I hope he does he refers 340 00:17:52,119 --> 00:17:53,960 Speaker 1: in some way because it was such a perfect example 341 00:17:54,040 --> 00:18:00,440 Speaker 1: of me just being like, too, We're I'm exposing a 342 00:18:00,440 --> 00:18:03,959 Speaker 1: part of myself that I think. Me being such an 343 00:18:03,960 --> 00:18:06,199 Speaker 1: open person, I say everything. There are still things I 344 00:18:06,200 --> 00:18:09,399 Speaker 1: can say that can absolutely shock people. And it was 345 00:18:09,960 --> 00:18:11,359 Speaker 1: but you know what it was. It was kind of 346 00:18:11,400 --> 00:18:13,240 Speaker 1: like I've talked about it before, how I would like 347 00:18:13,280 --> 00:18:19,080 Speaker 1: to do porn someday. Like it was impressively, impressively pornographic 348 00:18:19,119 --> 00:18:21,560 Speaker 1: in a way that I think the silence was also 349 00:18:21,640 --> 00:18:24,360 Speaker 1: people being like horn too horny for it. I hate 350 00:18:24,359 --> 00:18:27,280 Speaker 1: when I said morning goes oh, but like horny nous 351 00:18:27,320 --> 00:18:29,879 Speaker 1: and comedy don't mix, like your dick if it's like 352 00:18:30,000 --> 00:18:32,120 Speaker 1: has blood rushing to it. You know, I've talked about 353 00:18:32,119 --> 00:18:34,240 Speaker 1: it my special so I think it was that too. 354 00:18:34,280 --> 00:18:36,240 Speaker 1: But it was just it was that thing that you 355 00:18:36,280 --> 00:18:38,800 Speaker 1: talked about where you're just like, oh man, I had 356 00:18:38,840 --> 00:18:41,439 Speaker 1: them and I lost them on a dime because I 357 00:18:41,480 --> 00:18:44,159 Speaker 1: just said something so gross. But I do stand by it, 358 00:18:44,200 --> 00:18:45,840 Speaker 1: and those girls can dm me and I would like 359 00:18:45,880 --> 00:18:48,600 Speaker 1: to set it up, but um no, that's not my 360 00:18:48,720 --> 00:18:51,080 Speaker 1: relationship right now. It's a you know, not. Everything he 361 00:18:51,160 --> 00:18:53,600 Speaker 1: says about it has to be a reality. I just 362 00:18:53,640 --> 00:18:56,440 Speaker 1: have to say I'm very happy in my relationship. It's 363 00:18:56,480 --> 00:18:58,520 Speaker 1: the best it's ever been. And he's been in Iceland 364 00:18:58,520 --> 00:19:03,560 Speaker 1: for eight days. It's awesome. Um do you find the 365 00:19:03,600 --> 00:19:06,640 Speaker 1: distance makes the heart grow fonder? Yeah? No, it does, 366 00:19:06,960 --> 00:19:09,680 Speaker 1: if for sure? Um, I mean I was only gone 367 00:19:09,680 --> 00:19:11,720 Speaker 1: for two days, but yeah, no, when you get back, 368 00:19:12,040 --> 00:19:13,560 Speaker 1: I don't know. I was driving back and I was 369 00:19:13,640 --> 00:19:16,480 Speaker 1: listening to someone talk about how much they love they 370 00:19:16,520 --> 00:19:19,200 Speaker 1: have for their partner, and I was like literally getting 371 00:19:19,200 --> 00:19:23,200 Speaker 1: teared up while driving back, thinking like, wow, this person 372 00:19:23,280 --> 00:19:27,000 Speaker 1: really does love me for just just my who I am, 373 00:19:27,240 --> 00:19:29,000 Speaker 1: and I don't know, just like the love. I was 374 00:19:29,000 --> 00:19:31,199 Speaker 1: thinking about the love she has for me, not how 375 00:19:31,280 --> 00:19:34,120 Speaker 1: much I love her, but like how can someone love 376 00:19:34,200 --> 00:19:38,840 Speaker 1: me so much? And I was just like driving like 377 00:19:38,840 --> 00:19:46,720 Speaker 1: like I just had that too. It's sad to say that. 378 00:19:46,760 --> 00:19:49,679 Speaker 1: I just let that in after nine years with this 379 00:19:49,720 --> 00:19:51,960 Speaker 1: person or like going through so many different phases of 380 00:19:51,960 --> 00:19:54,640 Speaker 1: our relationship. But I just had that too of like 381 00:19:55,720 --> 00:19:57,520 Speaker 1: I think, you know, I hate to speak in like 382 00:19:57,760 --> 00:20:00,480 Speaker 1: you know, f boy Island talked at the end of 383 00:20:00,480 --> 00:20:02,480 Speaker 1: the day, his walls are coming down, and so are 384 00:20:02,520 --> 00:20:04,640 Speaker 1: mine because I had to bring my walls down first. 385 00:20:04,760 --> 00:20:07,639 Speaker 1: I did not realize in my relationship that I was 386 00:20:07,680 --> 00:20:11,639 Speaker 1: the one that is avoidant and scared of commitment and 387 00:20:11,720 --> 00:20:14,560 Speaker 1: scared of forever and scared of like I think that 388 00:20:14,600 --> 00:20:18,800 Speaker 1: I got into this archetype. Talk about archetypes now on Spotify, 389 00:20:18,840 --> 00:20:21,440 Speaker 1: but I got into the archetype of the girl that 390 00:20:22,440 --> 00:20:25,160 Speaker 1: is like, why doesn't this guy want to marry me? 391 00:20:25,320 --> 00:20:27,359 Speaker 1: I want to get married. He's fairy of commitment. Like 392 00:20:27,520 --> 00:20:30,280 Speaker 1: it's easy to play that character where you know, even 393 00:20:30,280 --> 00:20:32,560 Speaker 1: on my reality show, it's like I was pursuing Chris, 394 00:20:32,880 --> 00:20:35,240 Speaker 1: he doesn't want to get married. It's just a that's 395 00:20:35,280 --> 00:20:38,760 Speaker 1: a role I play. But I'm the one that is 396 00:20:39,080 --> 00:20:43,199 Speaker 1: creating this vibe from him that that then makes me 397 00:20:43,320 --> 00:20:46,000 Speaker 1: this desperate character. I'm setting the stage for that. Like 398 00:20:46,040 --> 00:20:50,960 Speaker 1: if you you you don't realize, like you can create 399 00:20:51,400 --> 00:20:54,560 Speaker 1: the narrative about yourself that you want by having people 400 00:20:54,720 --> 00:20:58,800 Speaker 1: like and it kind of showcases you, like like I 401 00:20:58,840 --> 00:21:02,000 Speaker 1: was listening to the the same but like like you can 402 00:21:02,080 --> 00:21:04,240 Speaker 1: make up, not make up, but you can make a 403 00:21:04,240 --> 00:21:06,920 Speaker 1: story where it's like my mom did this, so then 404 00:21:07,160 --> 00:21:10,239 Speaker 1: UM like this and maybe you like for me, like 405 00:21:10,280 --> 00:21:13,399 Speaker 1: maybe I'll even like you could have exaggerated or whatever 406 00:21:13,480 --> 00:21:20,280 Speaker 1: to make yourself. You're not a bad person. You're not 407 00:21:20,480 --> 00:21:24,720 Speaker 1: like yeah, someone else repeccable investigate this more read of 408 00:21:24,800 --> 00:21:31,119 Speaker 1: this break. Yeah, we're talking about love and feeling loved 409 00:21:31,560 --> 00:21:34,560 Speaker 1: before we went to break and yeah, I'm just starting 410 00:21:34,600 --> 00:21:37,040 Speaker 1: to be like, oh my god, this person because I 411 00:21:37,080 --> 00:21:39,360 Speaker 1: was so depressed last week and he was so like 412 00:21:40,400 --> 00:21:43,200 Speaker 1: I just kept telling him, like get run away from this, 413 00:21:43,320 --> 00:21:45,800 Speaker 1: like who wants to be with this? Like how could 414 00:21:45,800 --> 00:21:49,359 Speaker 1: you possibly want to be around such a negative Nellie? 415 00:21:49,840 --> 00:21:55,520 Speaker 1: And like I just picture him like he's in having 416 00:21:55,520 --> 00:21:58,240 Speaker 1: the time. He's holding up like a like a steak 417 00:21:58,280 --> 00:22:00,800 Speaker 1: that he used to climb the mountain and he's like yeah, 418 00:22:00,840 --> 00:22:02,520 Speaker 1: and you're on the other end, Like I just told 419 00:22:02,560 --> 00:22:07,640 Speaker 1: him to stay, I go back to your friends. Yes, 420 00:22:08,359 --> 00:22:10,919 Speaker 1: I was like I run away from me and I 421 00:22:10,920 --> 00:22:13,560 Speaker 1: wasn't trying to push him away. I was really like this, 422 00:22:14,200 --> 00:22:16,320 Speaker 1: just check back in when I'm a better person, Like 423 00:22:16,480 --> 00:22:18,760 Speaker 1: just forget you have a girlfriend, because this is not 424 00:22:18,840 --> 00:22:21,200 Speaker 1: fun to deal with and there's nothing he was just 425 00:22:21,240 --> 00:22:25,200 Speaker 1: like he just was like I am not going anywhere. 426 00:22:25,359 --> 00:22:28,600 Speaker 1: I don't care, Like this is this is it? Like 427 00:22:28,680 --> 00:22:30,880 Speaker 1: this is like this is what you are and like 428 00:22:31,119 --> 00:22:33,040 Speaker 1: it's just the way it is. Like it was almost 429 00:22:33,080 --> 00:22:36,520 Speaker 1: kind of like sickness and in health, like and he 430 00:22:36,720 --> 00:22:42,199 Speaker 1: thrives in that state too, Like it's a he's he 431 00:22:42,440 --> 00:22:45,119 Speaker 1: likes being there for me in those times and just 432 00:22:45,720 --> 00:22:49,120 Speaker 1: not having to fix it, but just like listening being there. 433 00:22:49,320 --> 00:22:51,439 Speaker 1: It's um, I think it makes him feel closer to 434 00:22:51,480 --> 00:22:55,040 Speaker 1: me when I can be, you know, really honest about 435 00:22:55,080 --> 00:22:58,400 Speaker 1: how ship, like how bad I feel, and I sometimes 436 00:22:58,400 --> 00:23:01,480 Speaker 1: go because I remember in our relationship prior, like I 437 00:23:01,480 --> 00:23:04,600 Speaker 1: would talk bad about myself or I would say I'm 438 00:23:04,640 --> 00:23:08,000 Speaker 1: so like ugly or whatever I was struggling with, and 439 00:23:08,119 --> 00:23:11,040 Speaker 1: I would be like I remember him. Maybe he didn't 440 00:23:11,040 --> 00:23:13,040 Speaker 1: say it, but I just remember someone being like when 441 00:23:13,080 --> 00:23:16,320 Speaker 1: my partner talks like that about themselves, like why would 442 00:23:16,359 --> 00:23:18,360 Speaker 1: I want to be with someone that doesn't even like themselves? 443 00:23:18,359 --> 00:23:20,199 Speaker 1: Like what do you think of me if I'm with you, 444 00:23:20,240 --> 00:23:22,800 Speaker 1: and I think whether he said that or I heard 445 00:23:22,840 --> 00:23:25,480 Speaker 1: that somewhere back then, it's not the way he feels 446 00:23:25,520 --> 00:23:28,440 Speaker 1: now like he the love we have for each other. 447 00:23:29,240 --> 00:23:31,760 Speaker 1: It's I could say anything bad about myself and it's 448 00:23:31,760 --> 00:23:34,240 Speaker 1: not going to make him go oh, I never saw 449 00:23:34,280 --> 00:23:36,080 Speaker 1: that about you. I was always kind of scared of 450 00:23:36,280 --> 00:23:38,879 Speaker 1: revealing something that's like now you're going to see the 451 00:23:38,880 --> 00:23:40,600 Speaker 1: real thing, and now you're gonna run away. It's like 452 00:23:41,119 --> 00:23:47,439 Speaker 1: he's I could become you know, I could be in 453 00:23:47,440 --> 00:23:49,520 Speaker 1: an assile attack and have no face and he would 454 00:23:49,560 --> 00:23:51,680 Speaker 1: still be attracted to me. He would still want Yes, 455 00:23:51,680 --> 00:23:55,360 Speaker 1: he accepts me, and that really confounds me. Though I'm 456 00:23:55,440 --> 00:23:58,360 Speaker 1: kind of similar, I think to you in a way 457 00:23:58,400 --> 00:24:01,600 Speaker 1: where I don't like to ask for help. I don't 458 00:24:01,640 --> 00:24:04,800 Speaker 1: like people helping me a lot until it gets to 459 00:24:04,800 --> 00:24:07,280 Speaker 1: the point where like I need all the help sometimes 460 00:24:07,760 --> 00:24:12,120 Speaker 1: and like I feel like so much strong in so 461 00:24:12,160 --> 00:24:15,440 Speaker 1: many ways where it's like this person doesn't need anything 462 00:24:16,040 --> 00:24:19,080 Speaker 1: at all, and then it's like no, I do. And 463 00:24:19,359 --> 00:24:21,560 Speaker 1: because I think, like some people like go oh, you 464 00:24:21,560 --> 00:24:24,400 Speaker 1: can help me today, like like it's like little increments 465 00:24:24,440 --> 00:24:27,400 Speaker 1: of help, you know what I mean? And so then 466 00:24:27,440 --> 00:24:31,760 Speaker 1: it's like and that's he likes to be of service. 467 00:24:31,840 --> 00:24:33,760 Speaker 1: He like and it makes him feel good. It makes 468 00:24:33,760 --> 00:24:36,080 Speaker 1: anyone feel good to help out others. I always talk 469 00:24:36,119 --> 00:24:38,679 Speaker 1: about it whenever i'm if you're depressed, out there the 470 00:24:38,760 --> 00:24:40,399 Speaker 1: number one way to get out of it. And I 471 00:24:40,400 --> 00:24:42,479 Speaker 1: should have told myself this past weekend, but I was not. 472 00:24:42,600 --> 00:24:44,199 Speaker 1: You know, depressed people are not in a state to 473 00:24:44,240 --> 00:24:46,440 Speaker 1: figure out things that will make them feel better, because 474 00:24:46,720 --> 00:24:49,400 Speaker 1: the problem with depression is that you convince yourself this 475 00:24:49,480 --> 00:24:52,600 Speaker 1: is the state that you should this is reality, and 476 00:24:52,760 --> 00:24:54,480 Speaker 1: anything to get you out of it would be in 477 00:24:54,520 --> 00:24:57,879 Speaker 1: a lusory dreamlike world where you don't want to be 478 00:24:57,920 --> 00:24:59,960 Speaker 1: one of the sheep. You want to know how bad 479 00:25:00,000 --> 00:25:01,760 Speaker 1: add life is, and so you get stuck in it. 480 00:25:01,960 --> 00:25:04,480 Speaker 1: So I really don't want to take advice. But anytime 481 00:25:04,520 --> 00:25:06,479 Speaker 1: I'm just like, can we start talking about me? Can 482 00:25:06,520 --> 00:25:08,200 Speaker 1: I just like hear about your life and like give 483 00:25:08,240 --> 00:25:11,160 Speaker 1: you some advice, like helping someone else takes you out 484 00:25:11,160 --> 00:25:13,760 Speaker 1: of it. But he, um, he loves doing that ship 485 00:25:13,760 --> 00:25:16,359 Speaker 1: and I think that, um, I just need to get 486 00:25:16,359 --> 00:25:19,119 Speaker 1: it depressed more often for our relationship. Now. It's it 487 00:25:19,160 --> 00:25:21,440 Speaker 1: was really like I don't know, I was just like 488 00:25:21,640 --> 00:25:24,119 Speaker 1: sometimes it does strike me where it's the same thing 489 00:25:24,119 --> 00:25:27,080 Speaker 1: with what my mom says she loves me, and I go, 490 00:25:27,480 --> 00:25:31,640 Speaker 1: but why, Like I want actual I want information about 491 00:25:31,760 --> 00:25:35,479 Speaker 1: what you love about me because I feel like I 492 00:25:35,480 --> 00:25:38,760 Speaker 1: want to hear like you're you make me feel this 493 00:25:38,960 --> 00:25:41,040 Speaker 1: like I get it from my friends, but sometimes I 494 00:25:41,080 --> 00:25:45,920 Speaker 1: feel like, you know, when people just love you, um 495 00:25:46,000 --> 00:25:49,040 Speaker 1: unconditionally the way that you know Brenna loves you and 496 00:25:49,119 --> 00:25:51,080 Speaker 1: conditionally the way you're talking about where it's just like, 497 00:25:51,080 --> 00:25:53,199 Speaker 1: oh my god, someone like deeply loves me in a 498 00:25:53,240 --> 00:25:55,800 Speaker 1: way that like my mom does, just because I exist 499 00:25:56,480 --> 00:25:59,600 Speaker 1: and I'm that person, Like that's what I'm replacing it, 500 00:25:59,720 --> 00:26:01,920 Speaker 1: Like that's what you get a partner for, I believe 501 00:26:02,080 --> 00:26:05,240 Speaker 1: is because your parents die and that unconditional someone who 502 00:26:05,680 --> 00:26:08,280 Speaker 1: is supposed to love you unconditionally is going to leave 503 00:26:08,320 --> 00:26:10,200 Speaker 1: this earth and you need to replace them with someone 504 00:26:10,200 --> 00:26:12,600 Speaker 1: else that is just like I'm in it. I'm family, 505 00:26:13,160 --> 00:26:14,840 Speaker 1: and I have that from my friends, but I'm really 506 00:26:14,880 --> 00:26:18,800 Speaker 1: starting to feel that like, Okay, I just have to 507 00:26:18,800 --> 00:26:21,840 Speaker 1: stop questioning why Chris loves you even though he puts 508 00:26:21,920 --> 00:26:24,200 Speaker 1: up with all this stuff that you think makes you unlovable. 509 00:26:24,640 --> 00:26:28,959 Speaker 1: Just surrender yourself to the fact that he does. And 510 00:26:29,000 --> 00:26:30,840 Speaker 1: it's just like the way your dad or your mom 511 00:26:30,880 --> 00:26:33,640 Speaker 1: loves you, like it's it's that deep now that there, 512 00:26:33,720 --> 00:26:38,119 Speaker 1: it doesn't need definition, it doesn't need evidence in proof. 513 00:26:39,040 --> 00:26:42,080 Speaker 1: I would fine tune that and take out puts up 514 00:26:42,119 --> 00:26:47,280 Speaker 1: with two accepts. Well, I guess I'm saying. I'm saying 515 00:26:47,280 --> 00:26:49,160 Speaker 1: I was saying puts up with to be the most 516 00:26:49,200 --> 00:26:52,760 Speaker 1: negative version of myself in that scenario. But you're absolutely right, accepts. 517 00:26:53,240 --> 00:26:55,280 Speaker 1: But you're right, But in my most negative state, I, 518 00:26:55,359 --> 00:26:59,399 Speaker 1: oh god, what am I offering him? Except like, I 519 00:26:59,440 --> 00:27:01,679 Speaker 1: know sex really, like I blow it out of the 520 00:27:01,680 --> 00:27:06,120 Speaker 1: park every fucking time. But like that is not enough 521 00:27:06,119 --> 00:27:08,239 Speaker 1: to keep a relationship going. And it's certainly I know 522 00:27:08,359 --> 00:27:10,439 Speaker 1: him enough to know that, like it takes more than that. 523 00:27:10,520 --> 00:27:13,520 Speaker 1: So sometimes I'm like, what is he getting out of this? 524 00:27:13,760 --> 00:27:16,399 Speaker 1: And um, and I think that that just is me 525 00:27:16,520 --> 00:27:18,760 Speaker 1: needing to I do need to know more of Like 526 00:27:19,720 --> 00:27:22,160 Speaker 1: I need to know what I do that makes him 527 00:27:22,240 --> 00:27:24,439 Speaker 1: feel like he loves me so much so I can 528 00:27:24,520 --> 00:27:26,320 Speaker 1: do more of it. And I figured out that with 529 00:27:26,440 --> 00:27:31,720 Speaker 1: men just from reading read it really and having male friends, 530 00:27:31,760 --> 00:27:33,720 Speaker 1: but really read it. And I've talked about this before. 531 00:27:34,240 --> 00:27:38,840 Speaker 1: Men are starved of hearing what they mean to you. 532 00:27:39,119 --> 00:27:43,679 Speaker 1: What how complimenting them about their personality there looks like 533 00:27:43,760 --> 00:27:48,119 Speaker 1: men are so thirsty for it. And I think that 534 00:27:48,200 --> 00:27:51,040 Speaker 1: in the past with Chris, I was so I watched 535 00:27:51,080 --> 00:27:52,680 Speaker 1: Jerry McGuire last night, and I'm like, oh my god, 536 00:27:52,720 --> 00:27:55,160 Speaker 1: this is our relationship. Like if you remember that movie 537 00:27:55,480 --> 00:27:57,200 Speaker 1: was up till three watching it. I'm just going through 538 00:27:57,200 --> 00:27:59,760 Speaker 1: all my favorite movies with Harry mat Sally, Jerry McGuire. 539 00:28:00,359 --> 00:28:03,520 Speaker 1: I And it's so interesting to see these movies from 540 00:28:03,560 --> 00:28:07,120 Speaker 1: an adult lens because in that movie, I thought Renee's 541 00:28:07,119 --> 00:28:09,399 Speaker 1: Elwigger and Jeremy Ware liked each other equally and then 542 00:28:09,440 --> 00:28:12,119 Speaker 1: it just didn't work out. But she was so in 543 00:28:12,240 --> 00:28:14,560 Speaker 1: love with him, put him on a pedestal, would do 544 00:28:14,640 --> 00:28:17,800 Speaker 1: anything to make it work. He did not love her 545 00:28:18,560 --> 00:28:20,679 Speaker 1: in that way because he wasn't capable of it, and 546 00:28:20,720 --> 00:28:24,400 Speaker 1: also she he shouldn't have because she loved him blindly, 547 00:28:24,520 --> 00:28:27,560 Speaker 1: so he didn't actually feel. You can't love someone that 548 00:28:27,560 --> 00:28:29,359 Speaker 1: you go, I don't really this person loves me and 549 00:28:29,359 --> 00:28:31,320 Speaker 1: they don't really know me. He didn't feel seen because 550 00:28:31,320 --> 00:28:33,160 Speaker 1: he didn't let his walls down. She shouldn't have loved 551 00:28:33,200 --> 00:28:35,359 Speaker 1: him that way. So eventually she says to him, like, 552 00:28:35,560 --> 00:28:38,560 Speaker 1: this was a mistake. It was my fault. I I 553 00:28:38,600 --> 00:28:40,600 Speaker 1: thought I could love us enough for both of us, 554 00:28:40,640 --> 00:28:42,680 Speaker 1: and it's not the case. So then they get, you know, 555 00:28:42,760 --> 00:28:46,040 Speaker 1: they separate, and then he finally, you know, lets his 556 00:28:46,080 --> 00:28:48,160 Speaker 1: walls down and like and loves her, and it kind 557 00:28:48,160 --> 00:28:50,240 Speaker 1: of happens a little too quick for my taste upon 558 00:28:50,320 --> 00:28:51,959 Speaker 1: second viewing, but it's a movie and they gotta get 559 00:28:51,960 --> 00:28:54,680 Speaker 1: it under two hours, um, because I used to respect 560 00:28:54,680 --> 00:28:57,560 Speaker 1: your time back in the nineties with movies. But I 561 00:28:57,640 --> 00:29:01,680 Speaker 1: just feel like, um, I used to want Crystal love 562 00:29:01,760 --> 00:29:04,680 Speaker 1: me so much and just get that like I love 563 00:29:04,720 --> 00:29:08,600 Speaker 1: you that I um that I didn't leave him space 564 00:29:08,640 --> 00:29:11,520 Speaker 1: to actually do it, and I think once and now 565 00:29:11,560 --> 00:29:14,320 Speaker 1: I'm so cagy about putting too much love on him 566 00:29:14,320 --> 00:29:16,320 Speaker 1: because I used to not get it back enough, like 567 00:29:16,560 --> 00:29:18,160 Speaker 1: I feel like I love you so much, And then 568 00:29:18,200 --> 00:29:20,880 Speaker 1: he'd be like, I love you too, you know, like 569 00:29:21,200 --> 00:29:23,120 Speaker 1: he was trying to match me to be polite, but 570 00:29:23,160 --> 00:29:25,600 Speaker 1: I can tell it wasn't the same as what I 571 00:29:25,640 --> 00:29:28,160 Speaker 1: was feeling or But the truth is I didn't love 572 00:29:28,240 --> 00:29:30,680 Speaker 1: him in that way, so he was reacting the right way. 573 00:29:31,600 --> 00:29:34,240 Speaker 1: You know, like, but now I feel like I need 574 00:29:34,240 --> 00:29:37,200 Speaker 1: to be more confusive about my feelings because he like 575 00:29:37,920 --> 00:29:40,320 Speaker 1: I think with Jerry McGuire, and I think maybe even 576 00:29:40,480 --> 00:29:44,640 Speaker 1: with you a little bit like but honestly kind of 577 00:29:44,960 --> 00:29:47,720 Speaker 1: like he Jerry McGuire, like the whole point of the 578 00:29:47,760 --> 00:29:50,560 Speaker 1: movie is like he searched for, you know, as many 579 00:29:50,600 --> 00:29:53,720 Speaker 1: clients as possible and being a ruthless agent, and his 580 00:29:53,880 --> 00:29:56,440 Speaker 1: career was fucking everything and that's where he found his 581 00:29:56,520 --> 00:29:59,600 Speaker 1: happiness is signing the most money and and all this 582 00:29:59,720 --> 00:30:02,400 Speaker 1: like ego stuff. And I feel like with you where 583 00:30:02,440 --> 00:30:05,760 Speaker 1: you've like you couldn't you had your head down so 584 00:30:05,840 --> 00:30:09,400 Speaker 1: much for your career this whole time, that like how 585 00:30:09,480 --> 00:30:14,560 Speaker 1: could you love someone if you're that focused on, you know, 586 00:30:14,640 --> 00:30:18,520 Speaker 1: finding happiness in your career and finding from the outside 587 00:30:18,560 --> 00:30:22,600 Speaker 1: from from yeah yeah, validation that is so and that 588 00:30:22,640 --> 00:30:24,560 Speaker 1: doesn't mean anything. And then the end, but you have 589 00:30:24,640 --> 00:30:26,280 Speaker 1: to go through it to learn that. It's kind of 590 00:30:26,280 --> 00:30:29,240 Speaker 1: like the monkey in the middle with Noah's like nephew, 591 00:30:29,320 --> 00:30:32,760 Speaker 1: it's like he doesn't know that, like, oh this he 592 00:30:32,880 --> 00:30:36,840 Speaker 1: never You experienced so many highs in this business already 593 00:30:36,840 --> 00:30:40,400 Speaker 1: and you're gonna only get more. But it's like trying 594 00:30:40,440 --> 00:30:44,959 Speaker 1: to feed that like whatever, like that validation related to 595 00:30:44,960 --> 00:30:48,680 Speaker 1: that movie, right, I related to her and him and 596 00:30:48,960 --> 00:30:52,640 Speaker 1: fucking Cuba Gooding Junior to it all, and and the 597 00:30:52,640 --> 00:30:57,440 Speaker 1: baby boy wears glasses and has blue highs. And though 598 00:30:57,480 --> 00:30:59,320 Speaker 1: I would have liked to see this woman be a 599 00:30:59,320 --> 00:31:01,480 Speaker 1: little bit old her in his age, he's thirty five 600 00:31:01,480 --> 00:31:04,040 Speaker 1: and she's twenty six, And I'm like, well, couldn't she 601 00:31:04,120 --> 00:31:07,400 Speaker 1: have been thirty four in the movie? Like I'm glad 602 00:31:07,400 --> 00:31:09,320 Speaker 1: they've cast her and it was probably based on that, 603 00:31:09,400 --> 00:31:12,720 Speaker 1: but like I don't need her to be so young. 604 00:31:13,160 --> 00:31:16,640 Speaker 1: And but it makes sense because she's maturity wise, they're 605 00:31:16,680 --> 00:31:18,840 Speaker 1: kind of at the same place because he's so stunted 606 00:31:18,920 --> 00:31:21,400 Speaker 1: from having this like a career, and she's grown up 607 00:31:21,400 --> 00:31:23,440 Speaker 1: more because she's a single mom. So it does make sense. 608 00:31:23,480 --> 00:31:28,240 Speaker 1: But man, I just feel like, um, do boys do men? 609 00:31:28,880 --> 00:31:33,600 Speaker 1: I should say, like it's I think that you if 610 00:31:33,640 --> 00:31:36,360 Speaker 1: you want more from people, you've got to give it first, 611 00:31:36,720 --> 00:31:40,040 Speaker 1: Like you gotta be the one like if I and 612 00:31:40,080 --> 00:31:43,240 Speaker 1: I think that I've just been so cag about showing 613 00:31:43,360 --> 00:31:45,360 Speaker 1: like being so loving to Chris because I used to 614 00:31:45,440 --> 00:31:47,840 Speaker 1: not get it back that if I give him that 615 00:31:47,840 --> 00:31:49,720 Speaker 1: again he won't give it back. But our relationship is 616 00:31:49,720 --> 00:31:51,480 Speaker 1: different now. It's like I'm dating a different person, so 617 00:31:51,560 --> 00:31:54,160 Speaker 1: I have to be I want to be more effusive 618 00:31:54,200 --> 00:31:57,440 Speaker 1: because he seems to really respond to it. And then 619 00:31:57,440 --> 00:31:59,040 Speaker 1: I get it back and it's like, oh my god, 620 00:31:59,080 --> 00:32:02,840 Speaker 1: whoa this is? I think I've just been So it's like, yeah, 621 00:32:02,880 --> 00:32:04,640 Speaker 1: it's exactly like the monkey in the middle thing of 622 00:32:04,680 --> 00:32:08,880 Speaker 1: like I got tackled too much early on with the 623 00:32:08,960 --> 00:32:11,360 Speaker 1: same person and I didn't get back, and it hurts 624 00:32:11,400 --> 00:32:13,760 Speaker 1: so much that I don't want to give up anything 625 00:32:13,800 --> 00:32:16,840 Speaker 1: now and I'm more cag with my feelings and I 626 00:32:16,920 --> 00:32:19,440 Speaker 1: just have to I have to realize, like, uh, I 627 00:32:19,520 --> 00:32:21,480 Speaker 1: gotta do the uncomfortable thing if I want to get 628 00:32:21,520 --> 00:32:26,480 Speaker 1: that back. Well, what's so cool about well life in general, 629 00:32:26,560 --> 00:32:30,840 Speaker 1: but with relationships, like let's say nine nine times in 630 00:32:30,880 --> 00:32:33,920 Speaker 1: a row, the person doesn't respond how you want them 631 00:32:33,960 --> 00:32:37,200 Speaker 1: to respond, and then but then like let's say, you know, 632 00:32:37,400 --> 00:32:39,360 Speaker 1: the eighth and ninth time, you finally speak up and 633 00:32:39,360 --> 00:32:42,719 Speaker 1: you go, Okay, this isn't working like this, like whatever, 634 00:32:43,400 --> 00:32:46,240 Speaker 1: like you gotta change, and then the tenth time they 635 00:32:46,280 --> 00:32:49,760 Speaker 1: actually like change. It's not like life. You're like whoa, 636 00:32:49,840 --> 00:32:52,400 Speaker 1: They're gonna go back to you. You're like, Okay, this 637 00:32:52,480 --> 00:32:55,360 Speaker 1: is who they are now and and this is great 638 00:32:55,480 --> 00:32:58,760 Speaker 1: and let's go from here like that. Like that, it's 639 00:32:58,800 --> 00:33:01,440 Speaker 1: hard to you know what I us. They will like 640 00:33:01,520 --> 00:33:03,440 Speaker 1: you will relapse, You will have those moments where you 641 00:33:03,480 --> 00:33:05,480 Speaker 1: go back to the first nine times you were doing 642 00:33:05,480 --> 00:33:07,200 Speaker 1: it because that it's so ingrained us and it and 643 00:33:07,240 --> 00:33:09,120 Speaker 1: by the time we're thirty five, I'm learning this from 644 00:33:09,120 --> 00:33:11,680 Speaker 1: this book that I've actually I'm finishing you guys. Um 645 00:33:11,720 --> 00:33:13,920 Speaker 1: Breaking the Habit of being Yourself by Joe to Spenser. 646 00:33:14,720 --> 00:33:16,040 Speaker 1: I have so much to say about it. I want 647 00:33:16,080 --> 00:33:17,720 Speaker 1: people to read it because I want to make fun 648 00:33:17,760 --> 00:33:22,640 Speaker 1: of it so bad. That are so And you gotta 649 00:33:22,680 --> 00:33:25,800 Speaker 1: listen to his meditations because I love this guy's writing 650 00:33:25,840 --> 00:33:29,800 Speaker 1: so much. But Joe, if you're listening, your meditations are 651 00:33:29,840 --> 00:33:32,840 Speaker 1: fucking insane and I can't. I just need you, guys, 652 00:33:32,880 --> 00:33:35,880 Speaker 1: to do one of his meditations on YouTube, and just 653 00:33:35,880 --> 00:33:37,160 Speaker 1: so I can make fun of it. We can talk 654 00:33:37,200 --> 00:33:39,320 Speaker 1: about it, um and see if you can get through 655 00:33:39,320 --> 00:33:43,480 Speaker 1: it because I could not. Um. But what you're saying 656 00:33:43,520 --> 00:33:47,400 Speaker 1: is um. Yeah, Like I I actually was on a 657 00:33:47,480 --> 00:33:49,680 Speaker 1: run recently and I told Chris because we were doing 658 00:33:49,800 --> 00:33:51,479 Speaker 1: We're just on such a good stretch of loving each 659 00:33:51,480 --> 00:33:53,360 Speaker 1: other so much. And I He's like, hey, if you 660 00:33:53,400 --> 00:33:55,960 Speaker 1: put in this effort that the things I need from you, 661 00:33:56,960 --> 00:33:59,160 Speaker 1: my love language, if you work towards doing these things 662 00:33:59,240 --> 00:34:02,880 Speaker 1: that for you, you just don't think like why would 663 00:34:02,920 --> 00:34:05,240 Speaker 1: that me matter to him? But it does, Like you 664 00:34:05,280 --> 00:34:08,799 Speaker 1: need to understand these do so please. And I said 665 00:34:08,800 --> 00:34:11,239 Speaker 1: the same to him. And I said to him, I 666 00:34:11,280 --> 00:34:14,799 Speaker 1: was on a run recently and I was like, oh, 667 00:34:14,880 --> 00:34:17,200 Speaker 1: I gotta tell him. This analogy of our relationship is 668 00:34:17,200 --> 00:34:19,839 Speaker 1: going to be like a run, a long run where 669 00:34:19,840 --> 00:34:22,640 Speaker 1: I'm like, I'm not gonna stop running, but they're going 670 00:34:22,680 --> 00:34:25,480 Speaker 1: to be stretches of it where it looks like I'm walking, 671 00:34:25,520 --> 00:34:30,120 Speaker 1: almost like there's going to be times where I'm never 672 00:34:30,200 --> 00:34:33,480 Speaker 1: gonna give up. I'm giving you that promise, like I 673 00:34:33,520 --> 00:34:37,239 Speaker 1: obviously haven't yet, but just know that my I'm not 674 00:34:37,280 --> 00:34:40,160 Speaker 1: gonna always be sprinting. It's not always gonna look that impressive, 675 00:34:40,160 --> 00:34:42,160 Speaker 1: and it's gonna look but I'm not gonna I'm not 676 00:34:42,160 --> 00:34:44,000 Speaker 1: gonna walk. Like you know, if you if you go 677 00:34:44,040 --> 00:34:46,120 Speaker 1: on to run your runner and you start walking, you 678 00:34:46,120 --> 00:34:48,759 Speaker 1: don't run again. I mean, it's rare where you go. 679 00:34:48,840 --> 00:34:51,160 Speaker 1: I'm gonna just take a break and get some water, 680 00:34:51,520 --> 00:34:54,080 Speaker 1: and then you get up to a pace again. Once 681 00:34:54,120 --> 00:34:56,239 Speaker 1: you stop, you're kind of like, well, I'm gonna stop 682 00:34:56,280 --> 00:34:58,320 Speaker 1: my app Nike Run app. And then they say something, 683 00:34:58,440 --> 00:35:00,920 Speaker 1: you know, like, hey girl, you got out there today 684 00:35:01,239 --> 00:35:03,520 Speaker 1: and every run is just a little change in the 685 00:35:03,560 --> 00:35:06,560 Speaker 1: penny jar and someday you're gonna cash out, and you're 686 00:35:06,600 --> 00:35:11,480 Speaker 1: like that is insulting. Um, it's like Hussain Bolt being like, whoa, 687 00:35:12,120 --> 00:35:14,520 Speaker 1: I saw you out there today. You almost caught up 688 00:35:14,520 --> 00:35:16,640 Speaker 1: to me. I gotta watch my back, and you're like, 689 00:35:17,000 --> 00:35:21,160 Speaker 1: stop this condescension. But um, that's how it feels like. 690 00:35:21,239 --> 00:35:23,479 Speaker 1: I just don't want to stop running. And it might 691 00:35:23,600 --> 00:35:26,160 Speaker 1: look like I'm one of those old men who runs 692 00:35:26,160 --> 00:35:28,200 Speaker 1: like they're throwing a baseball where they're just like limping, 693 00:35:28,280 --> 00:35:30,560 Speaker 1: like the old man in town that you would see 694 00:35:30,719 --> 00:35:33,160 Speaker 1: running on the side of the road constantly. It might 695 00:35:33,160 --> 00:35:34,720 Speaker 1: look like that. And I told him I was like, Chris, 696 00:35:35,280 --> 00:35:37,919 Speaker 1: I am always going to I'm not gonna walk, I'm 697 00:35:37,920 --> 00:35:39,400 Speaker 1: not gonna sit down. I'm not gonna give up on 698 00:35:39,440 --> 00:35:41,880 Speaker 1: this run. I gotta complete it. But it's gonna be 699 00:35:42,400 --> 00:35:44,880 Speaker 1: it's not gonna be perfect. I'm going to forget dates 700 00:35:44,960 --> 00:35:47,320 Speaker 1: that you tell me to save. I'm going to schedule 701 00:35:47,360 --> 00:35:53,840 Speaker 1: things sometimes without thinking about you. Um, I'm gonna forget stuff. Um, 702 00:35:53,880 --> 00:35:56,680 Speaker 1: but I don't want to forget it, and my intention 703 00:35:56,719 --> 00:35:58,560 Speaker 1: is not too But I'm gonna slip up again. And 704 00:35:58,960 --> 00:36:01,080 Speaker 1: it's does that is that kind of like what you're 705 00:36:01,080 --> 00:36:04,200 Speaker 1: saying about let's feel like I'm well, I'm thinking about 706 00:36:04,360 --> 00:36:07,359 Speaker 1: with the run analogy like the tortoise and the hair 707 00:36:07,640 --> 00:36:10,239 Speaker 1: like I feel like your very hair like like with 708 00:36:10,280 --> 00:36:13,319 Speaker 1: your life because your life is fast moving and it's 709 00:36:13,360 --> 00:36:16,439 Speaker 1: hard to pay attention to think. So it's like maybe 710 00:36:16,600 --> 00:36:19,440 Speaker 1: run like a little. I want to do that with everything. 711 00:36:19,760 --> 00:36:23,160 Speaker 1: I'm so excited about the surgery because it is going 712 00:36:23,280 --> 00:36:27,279 Speaker 1: to make me I cannot talk, so I will be 713 00:36:27,360 --> 00:36:30,719 Speaker 1: listening constantly. I will just be observing. It will be 714 00:36:30,760 --> 00:36:35,800 Speaker 1: a completely almost meditative experience. I want to get quiet 715 00:36:36,000 --> 00:36:40,279 Speaker 1: and calm and slow. I need like purposely. Yeah. I 716 00:36:40,320 --> 00:36:45,560 Speaker 1: think your life has been your life has been on 717 00:36:45,560 --> 00:36:50,239 Speaker 1: one point eight speed or maybe maybe to talk so 718 00:36:50,920 --> 00:36:55,360 Speaker 1: and that is actually for my vocal healthy Remember vacation, No, 719 00:36:55,520 --> 00:36:57,319 Speaker 1: because you've never been on one. I thought you met 720 00:36:57,360 --> 00:37:00,600 Speaker 1: the movie. You know what I mean. No, No, I'm 721 00:37:00,640 --> 00:37:04,040 Speaker 1: just saying, like your vacations are even work, you know, 722 00:37:04,200 --> 00:37:07,319 Speaker 1: like you just haven't let yourself because you've had no 723 00:37:09,920 --> 00:37:15,960 Speaker 1: but for two days. This is the best thing. I 724 00:37:16,000 --> 00:37:18,160 Speaker 1: would not have been able to do this break where 725 00:37:18,160 --> 00:37:21,160 Speaker 1: I don't do any podcasts. I don't do like I 726 00:37:21,280 --> 00:37:26,320 Speaker 1: just posted a tweet yesterday that said, normalize free time 727 00:37:26,680 --> 00:37:30,120 Speaker 1: as not something that means I. It was something about, 728 00:37:30,120 --> 00:37:33,319 Speaker 1: like free time doesn't mean that is I'm available, Like 729 00:37:33,440 --> 00:37:36,479 Speaker 1: free time does not equal oh, we should like put 730 00:37:36,560 --> 00:37:39,080 Speaker 1: some press interviews in here or like, because there's always 731 00:37:39,120 --> 00:37:42,080 Speaker 1: something I can put in there. And the only way 732 00:37:42,080 --> 00:37:44,799 Speaker 1: that I was able to get actual free time is 733 00:37:44,880 --> 00:37:48,720 Speaker 1: to have my turn into Ariel and to have Ursula 734 00:37:48,760 --> 00:37:51,480 Speaker 1: take my voice. I'm calling doctors, I tell us Ursula 735 00:37:51,600 --> 00:37:53,759 Speaker 1: because he's taking my voice from me, and I have 736 00:37:53,840 --> 00:37:57,719 Speaker 1: to figure out I it's the only because otherwise if I, 737 00:37:58,000 --> 00:37:59,279 Speaker 1: let's say I took a break from the road and 738 00:37:59,360 --> 00:38:00,719 Speaker 1: was like, I can't go on the road, like I 739 00:38:00,760 --> 00:38:02,840 Speaker 1: pull a Jonah Hill and I go it's giving me anxiety. 740 00:38:02,880 --> 00:38:05,000 Speaker 1: I'm not doing this part of my life. There's always 741 00:38:05,000 --> 00:38:07,760 Speaker 1: something else I can do. I could do zoom interviews. 742 00:38:07,760 --> 00:38:10,280 Speaker 1: I could like, but when you can't talk, it really 743 00:38:10,360 --> 00:38:12,640 Speaker 1: is like I think it's gonna make me a better 744 00:38:12,640 --> 00:38:16,680 Speaker 1: guitarist because man, I gotta figure out myself in that 745 00:38:16,719 --> 00:38:20,799 Speaker 1: way together together where like area because you can't talk 746 00:38:20,840 --> 00:38:25,759 Speaker 1: anymore and I have a tail? Can I be Sebastian 747 00:38:26,120 --> 00:38:29,279 Speaker 1: and you brush your hair with a fork? Yes, you 748 00:38:29,360 --> 00:38:32,840 Speaker 1: gotta be Sebastian. Um, I'm starting to Anthony jessel N. 749 00:38:35,160 --> 00:38:37,200 Speaker 1: You know what I mean, Like there's no wiggle room 750 00:38:37,239 --> 00:38:39,880 Speaker 1: for you then with this no voice, there's not like 751 00:38:39,920 --> 00:38:41,920 Speaker 1: you have. That's why I love about it. It's like 752 00:38:42,040 --> 00:38:44,840 Speaker 1: literally being thrown in prison and I'm like there's nothing. 753 00:38:44,920 --> 00:38:47,160 Speaker 1: It's like bondage that I talk about where it's like 754 00:38:47,400 --> 00:38:50,000 Speaker 1: you get to be lazy in bed and it's forced laziness, 755 00:38:50,040 --> 00:38:51,960 Speaker 1: Like I don't know, one gets to say I'm lazy 756 00:38:51,960 --> 00:38:53,680 Speaker 1: in bed. I'm like, I'm tied up. I can't move. 757 00:38:53,840 --> 00:38:56,440 Speaker 1: It's not my fault. Um. Is there any part of 758 00:38:56,440 --> 00:38:59,080 Speaker 1: you know that goes like any part of your ego 759 00:38:59,200 --> 00:39:02,760 Speaker 1: or you're like even without a voice, I'm still gonna 760 00:39:03,480 --> 00:39:06,000 Speaker 1: do a special or not as special, but you know, 761 00:39:06,080 --> 00:39:09,799 Speaker 1: like like you're going to figure out something people are 762 00:39:09,800 --> 00:39:13,600 Speaker 1: going to actually do. I know that people are gonna 763 00:39:13,640 --> 00:39:16,520 Speaker 1: steal my idea and have their vocal cords fixed because 764 00:39:16,520 --> 00:39:18,920 Speaker 1: there's so many people with damage. Nearly everyone who sings 765 00:39:19,080 --> 00:39:21,280 Speaker 1: as no, no, I'm just talking about you. I'm just 766 00:39:21,800 --> 00:39:24,719 Speaker 1: going to accomplish so much during it. It's going to 767 00:39:24,760 --> 00:39:28,240 Speaker 1: make people go, what this you know, Like when Mulaney 768 00:39:28,360 --> 00:39:33,080 Speaker 1: quit drinking that was I was like, that's his special sauce, Like, 769 00:39:33,520 --> 00:39:35,520 Speaker 1: I need to do what this guy does because he's 770 00:39:35,560 --> 00:39:37,759 Speaker 1: on the next level. And I do believe this is 771 00:39:37,800 --> 00:39:40,480 Speaker 1: going to take me to the next level, not comedically necessarily, 772 00:39:40,960 --> 00:39:45,160 Speaker 1: but it's what my intention for it is to find 773 00:39:45,719 --> 00:39:48,120 Speaker 1: like the artist I want to be after this and 774 00:39:48,440 --> 00:39:51,360 Speaker 1: to shift into like who I want to just find 775 00:39:51,400 --> 00:39:53,479 Speaker 1: who I want to be after this, and I'm gonna 776 00:39:54,080 --> 00:39:56,480 Speaker 1: my intention is to pull a Hannibal Burris and reinvent 777 00:39:56,560 --> 00:39:59,719 Speaker 1: myself as another artist and to like start over. I 778 00:39:59,800 --> 00:40:02,680 Speaker 1: really I want to do it. I cannot sing as myself. 779 00:40:02,719 --> 00:40:05,000 Speaker 1: I don't want to be a singer songwriter as Nikki Glazer, 780 00:40:05,320 --> 00:40:08,359 Speaker 1: that's a comedian, that is a TV host. I want 781 00:40:08,400 --> 00:40:11,000 Speaker 1: to get like I'm gonna do. It's so fun. I'm 782 00:40:11,000 --> 00:40:14,200 Speaker 1: gonna do like a character name and be because when 783 00:40:14,200 --> 00:40:15,919 Speaker 1: I started doing comedy, I was thinking about it because 784 00:40:15,920 --> 00:40:17,360 Speaker 1: I'm trying to write songs right now and I'm like, 785 00:40:17,440 --> 00:40:21,200 Speaker 1: I cannot this is so hard to do. I keep 786 00:40:21,280 --> 00:40:24,360 Speaker 1: saying I can't do it. But when I first wrote jokes, 787 00:40:25,400 --> 00:40:27,319 Speaker 1: I just was like, what would Sarah Silverman right? Just 788 00:40:27,400 --> 00:40:30,440 Speaker 1: right for Sarah Silverman? So I need to create right now. 789 00:40:30,480 --> 00:40:32,920 Speaker 1: I'm kind of like, okay, right for Taylor's swift, right 790 00:40:33,000 --> 00:40:34,400 Speaker 1: for dually, but like if you had to turn in 791 00:40:34,480 --> 00:40:37,439 Speaker 1: the song to them, what would it be? And that's 792 00:40:37,440 --> 00:40:40,040 Speaker 1: an easier way. But I need to invent a character 793 00:40:40,239 --> 00:40:43,520 Speaker 1: for myself that is me, that is and I'm waiting 794 00:40:43,600 --> 00:40:45,440 Speaker 1: for what that is and I think it's I just 795 00:40:45,520 --> 00:40:47,840 Speaker 1: the name has to like find me. So I'm my 796 00:40:47,920 --> 00:40:49,640 Speaker 1: intention is like I come out of this and I 797 00:40:49,680 --> 00:40:51,759 Speaker 1: know and I'm not gonna reveal. I don't think I'm 798 00:40:51,760 --> 00:40:54,000 Speaker 1: gonna reveal who it is because I want to become 799 00:40:54,520 --> 00:40:58,279 Speaker 1: famous in um in my own right without any help 800 00:40:58,320 --> 00:41:01,760 Speaker 1: from my current career. And I because people will always 801 00:41:01,760 --> 00:41:05,160 Speaker 1: say if you get famous, and you know, Michael Jordan 802 00:41:05,239 --> 00:41:07,600 Speaker 1: maybe not would not have made the baseball team if 803 00:41:07,640 --> 00:41:09,759 Speaker 1: he wasn't Michael Jordan, and they gave him an extra like, 804 00:41:10,040 --> 00:41:13,040 Speaker 1: let's just see what this guy's got, you know, Like what, 805 00:41:13,600 --> 00:41:15,839 Speaker 1: oh yeah, they wanted to sell T shirt? Yeah, what 806 00:41:15,840 --> 00:41:18,439 Speaker 1: do you mean? He actually probably would, but he'll never 807 00:41:18,520 --> 00:41:20,760 Speaker 1: know because he went in as Michael Jordan and people 808 00:41:20,760 --> 00:41:22,799 Speaker 1: can always say, no, they gave him an extra shot 809 00:41:22,800 --> 00:41:25,520 Speaker 1: because he's Michael Jordan's not that I'm comparing myself to him. 810 00:41:25,760 --> 00:41:28,239 Speaker 1: I'm just saying I don't want anyone to be able 811 00:41:28,280 --> 00:41:30,400 Speaker 1: to say she's actually not good. I want people to go, 812 00:41:30,719 --> 00:41:33,600 Speaker 1: I want people to go, that girl, whatever my you 813 00:41:33,640 --> 00:41:37,120 Speaker 1: know name is, is so good and they go, do 814 00:41:37,120 --> 00:41:40,080 Speaker 1: you know what's Nicky Glazer? Hannibal Burst is doing it 815 00:41:40,120 --> 00:41:43,240 Speaker 1: with his rap career. He has to um. He started 816 00:41:43,280 --> 00:41:46,399 Speaker 1: this new I forget the name of the He's good, 817 00:41:46,520 --> 00:41:50,719 Speaker 1: He's great, amazing. It was like, did you hear the freestyle? 818 00:41:53,680 --> 00:41:56,080 Speaker 1: It was so good. I mean, that guy's a genius 819 00:41:56,840 --> 00:42:01,600 Speaker 1: artist and it makes sense like comedians are. That's what 820 00:42:01,640 --> 00:42:04,839 Speaker 1: Sway was saying there. I think it was Sway, someone 821 00:42:04,840 --> 00:42:06,640 Speaker 1: who was interviewing. I don't think it was say actually, 822 00:42:06,680 --> 00:42:08,200 Speaker 1: but it might have been on the show, was saying 823 00:42:08,200 --> 00:42:13,000 Speaker 1: to Hannibal Comedians are good at being artists and like 824 00:42:13,160 --> 00:42:16,080 Speaker 1: they can bridge that stuff like look at Jamie Fox. 825 00:42:16,120 --> 00:42:20,799 Speaker 1: Did you hear Jamie Foxes Trump? I saw that it 826 00:42:20,920 --> 00:42:26,640 Speaker 1: was that guy is probably the most talented personalized Jamie 827 00:42:26,640 --> 00:42:33,799 Speaker 1: Fox oscar Winner with things throw oh my god when 828 00:42:33,800 --> 00:42:35,719 Speaker 1: they go that's how they get you. That's how they 829 00:42:35,760 --> 00:42:37,920 Speaker 1: get you. Because he was like, so, what is your 830 00:42:37,920 --> 00:42:41,840 Speaker 1: favorite death Death Row artists? And he was like, I 831 00:42:41,920 --> 00:42:44,040 Speaker 1: see what he did there. That's like the way you 832 00:42:44,040 --> 00:42:46,280 Speaker 1: guys got to watch the impression he did of Trump 833 00:42:46,440 --> 00:42:50,160 Speaker 1: because it is number one almost deep fake levels of 834 00:42:50,200 --> 00:42:54,600 Speaker 1: like two uh too spot on. You know, someone was 835 00:42:54,600 --> 00:42:58,200 Speaker 1: talking about how deep fakes are not funny. Who was it, Oh, 836 00:42:58,239 --> 00:43:00,360 Speaker 1: we're talking to um. We're talking about Kyle's on again 837 00:43:00,400 --> 00:43:04,080 Speaker 1: doing impressions and how it's really funny the filter he 838 00:43:04,120 --> 00:43:06,520 Speaker 1: puts on his face to do impersonations. If it was 839 00:43:06,520 --> 00:43:09,239 Speaker 1: a deep fake with that voice, it's two looks too 840 00:43:09,320 --> 00:43:11,440 Speaker 1: much like them that it doesn't make it funny. You 841 00:43:11,520 --> 00:43:14,160 Speaker 1: need to be a little bit off to parody it. 842 00:43:14,840 --> 00:43:17,200 Speaker 1: And that is what how good Jamie Foxes is is 843 00:43:17,239 --> 00:43:21,000 Speaker 1: that it sounds so much like him. I mean it 844 00:43:21,120 --> 00:43:23,799 Speaker 1: is I have keep watching it. I'm like this guy 845 00:43:24,120 --> 00:43:27,120 Speaker 1: is the most talented person ever. And I never even 846 00:43:27,120 --> 00:43:33,439 Speaker 1: saw Ray. I mean he didn't either, but uh so 847 00:43:36,320 --> 00:43:38,239 Speaker 1: that reminds me of the best slide of the show, 848 00:43:38,320 --> 00:43:40,799 Speaker 1: maybe Everest, when I go, how do you know what 849 00:43:40,840 --> 00:43:43,160 Speaker 1: your asshole looks like? And you were like, how does 850 00:43:43,200 --> 00:43:47,799 Speaker 1: Stevie Wonder play the piano? Yeah? Does he know what 851 00:43:47,840 --> 00:43:52,279 Speaker 1: the keys look like? That was one of the greate Yeah, 852 00:43:52,320 --> 00:43:55,440 Speaker 1: you're gonna always know where your asshole is. Uh what? 853 00:43:55,760 --> 00:43:58,880 Speaker 1: But I think, like, what's crazy about that is obviously 854 00:43:58,920 --> 00:44:02,840 Speaker 1: he's a black man, looks nothing like Donald Trump, but 855 00:44:03,560 --> 00:44:06,000 Speaker 1: like some of these character actors can embody and where 856 00:44:06,000 --> 00:44:08,320 Speaker 1: you're like, oh, you don't even have to. If you're that, 857 00:44:09,680 --> 00:44:11,680 Speaker 1: you don't even have the fun. The reason I'm good 858 00:44:11,680 --> 00:44:14,920 Speaker 1: at comedy is because I wasn't good enough at acting 859 00:44:15,440 --> 00:44:18,719 Speaker 1: or singing to actually do I would have been I 860 00:44:18,719 --> 00:44:20,480 Speaker 1: would have been those things, right, Like those are the 861 00:44:20,480 --> 00:44:24,000 Speaker 1: avenues that you learned about early on to become famous, 862 00:44:24,000 --> 00:44:26,239 Speaker 1: which is what I craved being on TV. And then 863 00:44:26,320 --> 00:44:29,400 Speaker 1: comedy was the low last thing I tried out of 864 00:44:29,400 --> 00:44:32,520 Speaker 1: all those things, and it's stuck. But the truth is 865 00:44:32,840 --> 00:44:34,360 Speaker 1: what I didn't know then, and I talked about all 866 00:44:34,400 --> 00:44:36,399 Speaker 1: the time. Is like I just didn't work at those 867 00:44:36,440 --> 00:44:39,080 Speaker 1: other things and comedy I just got lucky the first 868 00:44:39,160 --> 00:44:41,480 Speaker 1: time and had a good set and so and someone goes, 869 00:44:42,040 --> 00:44:43,239 Speaker 1: I mean, you talk about it in one of my 870 00:44:43,280 --> 00:44:45,440 Speaker 1: specials of like all it takes to get a girl 871 00:44:45,480 --> 00:44:46,880 Speaker 1: to blow you all the time is to be like, 872 00:44:47,040 --> 00:44:49,280 Speaker 1: you're really good at this, like make her feel special, 873 00:44:49,400 --> 00:44:52,080 Speaker 1: and then you'll do it forever. And that's why everyone 874 00:44:52,160 --> 00:44:54,120 Speaker 1: has to be more heavy handed with compliments when you 875 00:44:54,200 --> 00:44:58,760 Speaker 1: are impressed by someone. Because I was talking to, um, 876 00:44:58,840 --> 00:45:01,040 Speaker 1: who was I talking to recently? Oh, the guy that's 877 00:45:01,040 --> 00:45:03,560 Speaker 1: following me around for Esquire. His name is John McDermott. 878 00:45:03,560 --> 00:45:06,279 Speaker 1: He's written UM so much for Esquire. He's a great writer. 879 00:45:06,880 --> 00:45:09,920 Speaker 1: And he goes, I mean he can trace his becoming 880 00:45:09,920 --> 00:45:13,640 Speaker 1: a journalist to one teacher going you could actually do 881 00:45:13,760 --> 00:45:16,200 Speaker 1: this for a living. That the one teacher saying that, 882 00:45:16,440 --> 00:45:18,319 Speaker 1: and like his whole career is based on this one 883 00:45:18,360 --> 00:45:21,480 Speaker 1: person who believed in them. Um, and I just didn't 884 00:45:21,480 --> 00:45:24,120 Speaker 1: get that from singing and acting, whereas I got it 885 00:45:24,160 --> 00:45:27,600 Speaker 1: with comedy. But the truth is it it I could 886 00:45:27,640 --> 00:45:29,560 Speaker 1: have come across someone that actually thought I was a 887 00:45:29,560 --> 00:45:31,960 Speaker 1: good actress because I do have potential there, but I 888 00:45:32,080 --> 00:45:33,799 Speaker 1: just never got in front of the right person to 889 00:45:33,840 --> 00:45:36,120 Speaker 1: say that, or I would have been an actress because 890 00:45:36,160 --> 00:45:38,719 Speaker 1: all that does is push you too then practice enough 891 00:45:39,360 --> 00:45:41,160 Speaker 1: because you know you're good. You have it in your 892 00:45:41,200 --> 00:45:43,800 Speaker 1: head that like, I know, no matter how bad I suck, 893 00:45:44,160 --> 00:45:47,120 Speaker 1: that person who I respect thinks I have it, So 894 00:45:47,239 --> 00:45:51,759 Speaker 1: I'm unwavering. That's what you need to become great is 895 00:45:51,800 --> 00:45:55,400 Speaker 1: an unwavering confidence that I know I'm good somewhere and 896 00:45:55,480 --> 00:45:57,760 Speaker 1: here I'm good. And if you don't have that going 897 00:45:57,840 --> 00:46:03,160 Speaker 1: into something, and you also don't have the uh you 898 00:46:03,200 --> 00:46:04,959 Speaker 1: haven't read a book like the Talent Code that talks 899 00:46:05,000 --> 00:46:09,360 Speaker 1: about like talent is not born, it is practiced you 900 00:46:09,360 --> 00:46:11,439 Speaker 1: you will not get good at things like you need 901 00:46:11,520 --> 00:46:14,200 Speaker 1: that and especially the young, impressionable age. I have it 902 00:46:14,239 --> 00:46:17,359 Speaker 1: now for myself. I realize, like I'm having a lot 903 00:46:17,400 --> 00:46:19,520 Speaker 1: of epiphanies about being at an age where like I 904 00:46:19,520 --> 00:46:21,200 Speaker 1: have to decide if I'm having kids, and I was like, 905 00:46:21,520 --> 00:46:26,000 Speaker 1: what if I don't have kids, and if if let's say, 906 00:46:26,120 --> 00:46:30,560 Speaker 1: my ideal daughter is like, oh, she's like this Olivia Rodrigo, 907 00:46:31,040 --> 00:46:37,040 Speaker 1: like emotional artist who's like knows herself is like inspiring people, 908 00:46:37,239 --> 00:46:42,120 Speaker 1: But like, why can't I give that same like opportunity 909 00:46:42,120 --> 00:46:44,239 Speaker 1: that I would give my daughter to facilitate that to 910 00:46:44,280 --> 00:46:46,879 Speaker 1: myself Because I don't have to pay for swim lessons, 911 00:46:46,920 --> 00:46:48,960 Speaker 1: I don't have to pay for dental appointments for my kids. 912 00:46:49,080 --> 00:46:52,640 Speaker 1: I don't have to I'm I can mother myself. I 913 00:46:52,640 --> 00:46:55,000 Speaker 1: can start over because also, I think a lot of 914 00:46:55,000 --> 00:46:58,280 Speaker 1: people don't pursue talents later in life because they have jobs, 915 00:46:58,360 --> 00:47:00,759 Speaker 1: they have kids, they don't have time spend hours it 916 00:47:00,800 --> 00:47:03,279 Speaker 1: takes to get good at something. I'm not bragging, but 917 00:47:03,440 --> 00:47:07,640 Speaker 1: I have I don't have kids. I have jobs that 918 00:47:07,719 --> 00:47:10,759 Speaker 1: I can actually walk away from in a responsible way. 919 00:47:10,840 --> 00:47:13,279 Speaker 1: I've saved enough money. That's why Whitney last night was 920 00:47:13,320 --> 00:47:14,640 Speaker 1: like you need to buy Are you gonna buy a house? 921 00:47:14,640 --> 00:47:18,440 Speaker 1: And I go, no, I'm going to keep living moderately 922 00:47:18,800 --> 00:47:21,600 Speaker 1: because I need to finance my pop star career. Like 923 00:47:21,960 --> 00:47:23,960 Speaker 1: I need to be like Miley Cyrus is well, not 924 00:47:24,000 --> 00:47:27,160 Speaker 1: Miley Cyrus' mom, but like you know these young moms 925 00:47:27,160 --> 00:47:29,200 Speaker 1: of like these young girls that go like We're going 926 00:47:29,239 --> 00:47:31,600 Speaker 1: to move out of Ohio, move to l A and 927 00:47:31,960 --> 00:47:34,080 Speaker 1: fucking take a shot, and I'm gonna bank all my 928 00:47:34,160 --> 00:47:37,080 Speaker 1: money on my daughter pursuing her dream. I can do 929 00:47:37,120 --> 00:47:39,080 Speaker 1: that for myself because I would do that for my 930 00:47:39,160 --> 00:47:41,560 Speaker 1: daughter no matter what she wanted to pursue. So it's 931 00:47:41,600 --> 00:47:43,040 Speaker 1: a nice way to flip it in my head of 932 00:47:43,080 --> 00:47:45,960 Speaker 1: like if I don't have kids, I can mother myself 933 00:47:46,520 --> 00:47:50,080 Speaker 1: and and and start over. There's something about there's something 934 00:47:50,120 --> 00:47:55,279 Speaker 1: about like Hannibal doing rap where the analogy the thing 935 00:47:55,400 --> 00:47:58,480 Speaker 1: is is like a lot of rap is comedy. Right, 936 00:47:58,520 --> 00:48:01,360 Speaker 1: It's just like one line nerds that are like left 937 00:48:01,400 --> 00:48:05,000 Speaker 1: turned so that it's it's not not too far from comedy. 938 00:48:05,320 --> 00:48:08,200 Speaker 1: It's not so well, that's what you're going freestyling. It's 939 00:48:08,239 --> 00:48:12,000 Speaker 1: the same kind of right. It's like if you go 940 00:48:12,120 --> 00:48:16,840 Speaker 1: from comedy to singer songwriter, where it's a heart and 941 00:48:16,920 --> 00:48:20,839 Speaker 1: emotional and you're and you have to really it's it's 942 00:48:20,840 --> 00:48:23,839 Speaker 1: a bigger leap in a way from going comedy. Well, 943 00:48:23,880 --> 00:48:26,920 Speaker 1: I've already faced the back comedy of being like trashed 944 00:48:26,920 --> 00:48:31,279 Speaker 1: about exactly, and that's why I'm like I gotta kill off. 945 00:48:31,360 --> 00:48:34,920 Speaker 1: Nikki Glazer, singer like Matt Pond is releasing some songs 946 00:48:35,080 --> 00:48:37,239 Speaker 1: with his new band, The Natural Lines, which they have 947 00:48:37,239 --> 00:48:40,560 Speaker 1: a new song out. I really implore everyone to add 948 00:48:40,560 --> 00:48:42,960 Speaker 1: it to the Spotify because it's my friend. And that's 949 00:48:43,719 --> 00:48:45,840 Speaker 1: the Natural Lines and the new song is the Problem 950 00:48:45,920 --> 00:48:47,920 Speaker 1: is Me. I recorded that song. He wrote that song 951 00:48:47,960 --> 00:48:49,680 Speaker 1: for me to record, and I recorded it, and so 952 00:48:49,719 --> 00:48:51,880 Speaker 1: I know it already. It's such a good song. He 953 00:48:51,920 --> 00:48:54,400 Speaker 1: did such a better job with it. Obviously, it's I've 954 00:48:54,440 --> 00:48:56,319 Speaker 1: been playing it NonStop. It's called the Problem is Me. 955 00:48:56,360 --> 00:48:59,640 Speaker 1: I put it on my Instagram story yesterday. But that, um, 956 00:48:59,680 --> 00:49:02,560 Speaker 1: what was gonna say. I he's going to release some 957 00:49:02,600 --> 00:49:04,480 Speaker 1: of the songs. I think St. Lou which is the 958 00:49:04,480 --> 00:49:09,120 Speaker 1: song that was on my UM show, and um this 959 00:49:09,239 --> 00:49:11,960 Speaker 1: other song still not Still Summer, I forget what it 960 00:49:12,080 --> 00:49:14,960 Speaker 1: was called Endless Summer. We're gonna release those two on 961 00:49:15,040 --> 00:49:17,960 Speaker 1: a record next to May. And he's getting together all 962 00:49:18,000 --> 00:49:20,680 Speaker 1: this record design and and it said Nicky Glazer with 963 00:49:20,719 --> 00:49:22,120 Speaker 1: the Natural Lines, And I'm like, can you just do 964 00:49:22,160 --> 00:49:24,440 Speaker 1: the Natural Lines featuring Nicki Glazer? Like I don't want 965 00:49:24,920 --> 00:49:27,880 Speaker 1: this is the old me and like she had a 966 00:49:28,440 --> 00:49:30,960 Speaker 1: she had a voice. Things are great, the songs are great, 967 00:49:31,200 --> 00:49:35,880 Speaker 1: but I gotta I'm gonna reinvent and um and so 968 00:49:35,920 --> 00:49:39,560 Speaker 1: that people so that I can if people go, oh 969 00:49:39,600 --> 00:49:42,080 Speaker 1: my god, Nicky Glazers singing, it's embarrassing. I'm gonna go no, 970 00:49:42,480 --> 00:49:45,640 Speaker 1: she's actually Nicki Lazer is not singing. She Nicki Lazard 971 00:49:45,640 --> 00:49:51,320 Speaker 1: does comedy. Um, you know, George Funk is singing. I 972 00:49:51,360 --> 00:49:52,759 Speaker 1: don't know even know what my name is gonna be. 973 00:49:52,760 --> 00:49:55,000 Speaker 1: It might be like a boy's name. I honestly, I'm like, 974 00:49:55,440 --> 00:49:57,399 Speaker 1: I get to be anyone I want. And it's so 975 00:49:57,480 --> 00:50:00,560 Speaker 1: cool because it's also like having a baby. You get 976 00:50:00,600 --> 00:50:03,319 Speaker 1: to like name yourself. Like I know this sounds very 977 00:50:03,360 --> 00:50:06,239 Speaker 1: transy um and I mean that in the best way, 978 00:50:06,280 --> 00:50:10,319 Speaker 1: but like I get to create a new person. Maybe 979 00:50:10,320 --> 00:50:11,799 Speaker 1: that's just what I'm thinking now I'm going to do. 980 00:50:12,400 --> 00:50:14,839 Speaker 1: But I want to be a new person with this. 981 00:50:15,360 --> 00:50:19,120 Speaker 1: I'm thinking what like because Garth Brooks obviously Chris Gaines. 982 00:50:19,360 --> 00:50:22,040 Speaker 1: With Chris Gaines, it was a little much because he 983 00:50:22,040 --> 00:50:26,240 Speaker 1: went to like straight Hair and it was like he 984 00:50:26,239 --> 00:50:28,840 Speaker 1: he just like, by the way, I love that album. 985 00:50:28,880 --> 00:50:30,279 Speaker 1: I listened to it when I had mono and I 986 00:50:30,320 --> 00:50:32,759 Speaker 1: was crying in an attorney house writing poems so like 987 00:50:33,440 --> 00:50:36,360 Speaker 1: to but but I'm just trying to do you know 988 00:50:36,440 --> 00:50:41,520 Speaker 1: what Garth Brooks, like, I forget how he did that. Uh, yeah, yeah, 989 00:50:41,520 --> 00:50:45,040 Speaker 1: there was like is that Garth was it? Like? This 990 00:50:45,080 --> 00:50:47,400 Speaker 1: is it was Sasha Fears like I'm Beyonce, but this 991 00:50:47,480 --> 00:50:51,479 Speaker 1: is my alter ego Ziggy start us, like yeah, yeah, 992 00:50:51,640 --> 00:50:54,520 Speaker 1: I believe that's how it was the only thing he 993 00:50:54,600 --> 00:50:56,200 Speaker 1: changed with a straight in his hair and he had 994 00:50:56,239 --> 00:50:58,319 Speaker 1: like a little soul pat. I might do wigs like 995 00:50:58,360 --> 00:51:00,919 Speaker 1: I want to do with I want really like I can't. 996 00:51:00,960 --> 00:51:02,319 Speaker 1: I don't want to look like myself. I want to 997 00:51:02,360 --> 00:51:06,280 Speaker 1: sing um totally, like maybe do like a dead mouse 998 00:51:06,320 --> 00:51:08,920 Speaker 1: thing like in a fucking helmet or something, you know, 999 00:51:09,000 --> 00:51:12,640 Speaker 1: like I want. I eventually will take it off one 1000 00:51:12,680 --> 00:51:16,120 Speaker 1: side know who this person is, but I might daft 1001 00:51:16,120 --> 00:51:19,120 Speaker 1: punk it of like I don't want me. I want 1002 00:51:19,120 --> 00:51:21,600 Speaker 1: people to go like I want to be. I want 1003 00:51:21,600 --> 00:51:24,279 Speaker 1: to disappear into it and I don't want anyone to 1004 00:51:24,320 --> 00:51:29,040 Speaker 1: know it's me. But I also so I probably will 1005 00:51:29,120 --> 00:51:31,480 Speaker 1: end up just being like Hannibal about it. Of like, 1006 00:51:31,760 --> 00:51:33,960 Speaker 1: don't judge this person. She's a new artist. It is 1007 00:51:34,000 --> 00:51:36,560 Speaker 1: me though, you know. But that's the trick is like 1008 00:51:36,600 --> 00:51:41,120 Speaker 1: you gotta create a separate persona. I love picturing you 1009 00:51:41,160 --> 00:51:44,480 Speaker 1: though doing the podcast with the daft punk helmet on. 1010 00:51:44,600 --> 00:51:46,360 Speaker 1: I mean I I basically do that on days or 1011 00:51:46,400 --> 00:51:53,040 Speaker 1: my eyes look like the sunglasses. That is another world. 1012 00:51:54,520 --> 00:51:56,799 Speaker 1: That's what That's what I love about Cia. I don't 1013 00:51:56,800 --> 00:51:59,359 Speaker 1: know if people know this, but Sia did not put 1014 00:51:59,360 --> 00:52:01,680 Speaker 1: on a wig and sing with her back to the 1015 00:52:01,760 --> 00:52:05,920 Speaker 1: camera because she was felt like she was ugly or embarrassed, 1016 00:52:05,960 --> 00:52:09,160 Speaker 1: like maybe those things were with those selfestee stuff. She 1017 00:52:09,280 --> 00:52:12,200 Speaker 1: didn't want. She wanted to have a normal life where 1018 00:52:12,239 --> 00:52:15,160 Speaker 1: everyone didn't know was her everywhere she went, and so 1019 00:52:15,200 --> 00:52:18,320 Speaker 1: she purposely did that to be separate than from the artist. 1020 00:52:18,680 --> 00:52:20,880 Speaker 1: Anya said to me recently that Sharon Stone was always 1021 00:52:20,920 --> 00:52:24,080 Speaker 1: like when people talk about Sharon Stone and the tabloids, 1022 00:52:24,440 --> 00:52:27,759 Speaker 1: that's not me. I'm a different person. Um, she didn't 1023 00:52:27,760 --> 00:52:29,359 Speaker 1: have to give herself a different name, even though Sharon 1024 00:52:29,360 --> 00:52:32,839 Speaker 1: Stone is an amazing, you know, pseudonym. But I gotta 1025 00:52:32,880 --> 00:52:34,839 Speaker 1: come up with a new name, which who knows if 1026 00:52:34,840 --> 00:52:36,480 Speaker 1: it's going to be like Kesha, or it's gonna be 1027 00:52:36,520 --> 00:52:40,879 Speaker 1: like two names, or it's gonna be I don't Cincinnati, sue, uh, 1028 00:52:40,920 --> 00:52:45,280 Speaker 1: Andrew's frozen again. But we'll be right back with fan Trax. Alright, 1029 00:52:45,320 --> 00:52:56,600 Speaker 1: we're back. Let's get to fan Trax. Hell. Yes, Let's 1030 00:52:56,640 --> 00:53:00,160 Speaker 1: hear what the bussies have to say this week. So 1031 00:53:00,200 --> 00:53:04,359 Speaker 1: many good voice nails. Let's start off with Alyssa, Hey, Nikk. 1032 00:53:04,440 --> 00:53:07,040 Speaker 1: You know and Andrew, I love you all, best of 1033 00:53:07,080 --> 00:53:09,880 Speaker 1: your life. Since the beginning of Blah Blah blah, um, so, 1034 00:53:09,960 --> 00:53:13,000 Speaker 1: I working at restaurant and I was listening to The 1035 00:53:13,080 --> 00:53:17,160 Speaker 1: Horse Side with Blend Gleab episode about how, um, sometimes 1036 00:53:17,160 --> 00:53:19,560 Speaker 1: the customer is not always right and everything, and I 1037 00:53:19,640 --> 00:53:23,239 Speaker 1: just want everyone to know that. Like what we do 1038 00:53:23,320 --> 00:53:25,480 Speaker 1: in my restaurant to get through it is we kind 1039 00:53:25,480 --> 00:53:28,839 Speaker 1: of poke fun to the customers without them knowing. Um. 1040 00:53:28,880 --> 00:53:32,000 Speaker 1: We have this thing called LHC and that means liquor 1041 00:53:32,160 --> 00:53:35,800 Speaker 1: hunter like his cock, and that means going above and beyond, 1042 00:53:36,000 --> 00:53:38,759 Speaker 1: but like kind of being santastic about it. So it's like, 1043 00:53:38,840 --> 00:53:40,920 Speaker 1: oh my god, yes, I'd love to get you an 1044 00:53:40,920 --> 00:53:45,680 Speaker 1: extra side of ranch apps, so fucking lutely should like that. Um. 1045 00:53:45,760 --> 00:53:48,640 Speaker 1: And then we also do this thing where when people leave, 1046 00:53:49,520 --> 00:53:52,520 Speaker 1: instead of saying take care, we say dick hare and 1047 00:53:52,560 --> 00:53:55,520 Speaker 1: it kind of sounds the same, and it's just and 1048 00:53:55,600 --> 00:53:59,680 Speaker 1: keep things light because honestly, the restaurant industry stocks right 1049 00:53:59,680 --> 00:54:03,600 Speaker 1: now in yeah for a reason. We love our jobs 1050 00:54:03,680 --> 00:54:08,719 Speaker 1: and it's fun. It's great money out there to restaurants. 1051 00:54:08,719 --> 00:54:15,520 Speaker 1: I love you all and love you grabbit jack rabbit 1052 00:54:15,760 --> 00:54:18,600 Speaker 1: um love that. Yeah. I really implore people, if you 1053 00:54:18,719 --> 00:54:22,160 Speaker 1: got expendable cash and you like dining out, get out there. 1054 00:54:22,760 --> 00:54:25,520 Speaker 1: Be nice to your weight staff, tip a lot um, 1055 00:54:25,640 --> 00:54:27,799 Speaker 1: help them out because it's I think it is a 1056 00:54:28,200 --> 00:54:30,440 Speaker 1: it's a struggle out there right now in customer service, 1057 00:54:30,600 --> 00:54:34,960 Speaker 1: entitled people. It's just something's changing culturally where people are 1058 00:54:35,040 --> 00:54:38,640 Speaker 1: just were are so mean. But I love these little 1059 00:54:38,680 --> 00:54:41,160 Speaker 1: tricks the out Wait, what is it? Lick lick h 1060 00:54:41,400 --> 00:54:46,040 Speaker 1: LHC can stop luy his coke? No, don't spit in 1061 00:54:46,160 --> 00:54:48,760 Speaker 1: your people, but you have to get you another ranch. 1062 00:54:48,880 --> 00:54:52,320 Speaker 1: Oh my gosh, so funny. Yes, you're just being so 1063 00:54:52,480 --> 00:54:55,439 Speaker 1: nice that they kind of know you hate them. That's good. 1064 00:54:56,000 --> 00:54:58,720 Speaker 1: I used to say, Um, you could say to someone, 1065 00:54:58,840 --> 00:55:01,319 Speaker 1: have a good one, and they don't know that you 1066 00:55:01,360 --> 00:55:05,600 Speaker 1: mean death. Like to you it can mean death. You know, 1067 00:55:05,719 --> 00:55:07,960 Speaker 1: like you can make it for you. They don't know 1068 00:55:08,200 --> 00:55:10,759 Speaker 1: you sound like you're being nice, have a good one, 1069 00:55:11,520 --> 00:55:14,560 Speaker 1: or like I just love, I just love like try 1070 00:55:14,640 --> 00:55:18,560 Speaker 1: later you said, hitch, take care dig hair. I kind 1071 00:55:18,560 --> 00:55:20,600 Speaker 1: of see how But I can see people in their 1072 00:55:20,680 --> 00:55:26,520 Speaker 1: car being like day. It was like that when I 1073 00:55:26,520 --> 00:55:28,520 Speaker 1: went to six Flags with my dad once when we 1074 00:55:28,520 --> 00:55:31,719 Speaker 1: were kids and the guy goes, all right, we've got 1075 00:55:31,800 --> 00:55:33,799 Speaker 1: to the ticket counter or whenever. He goes all right, 1076 00:55:34,120 --> 00:55:37,040 Speaker 1: get your ass in the park. Um, and my dad 1077 00:55:37,040 --> 00:55:39,080 Speaker 1: goes what and he goes, pet dress in the park. 1078 00:55:39,320 --> 00:55:42,040 Speaker 1: My dad goes, or did you say get your ass? 1079 00:55:42,040 --> 00:55:44,439 Speaker 1: And he goes no, I said, welcome to Jurassic Park. 1080 00:55:44,520 --> 00:55:46,520 Speaker 1: It was like because it was raining outside and he 1081 00:55:46,600 --> 00:55:49,000 Speaker 1: was like making a joke that it was like really 1082 00:55:49,040 --> 00:55:53,040 Speaker 1: ominous weather, and um we left. We loved it because 1083 00:55:53,080 --> 00:55:55,279 Speaker 1: it was were yawning and it was like that guy 1084 00:55:55,360 --> 00:55:57,080 Speaker 1: just said get your ass in the park. It was 1085 00:55:57,160 --> 00:56:00,279 Speaker 1: so fun. I love. We had a moment on these 1086 00:56:00,360 --> 00:56:02,680 Speaker 1: where this girl would come around and she had a 1087 00:56:03,280 --> 00:56:06,920 Speaker 1: she goes silver, silver in the glass, silver in the glass, 1088 00:56:07,320 --> 00:56:09,200 Speaker 1: and we're like silver and and we're all like some 1089 00:56:10,560 --> 00:56:16,160 Speaker 1: souvenir glass but like the does things with your family, 1090 00:56:16,239 --> 00:56:22,440 Speaker 1: you go nuts like it was like, um. My favorite 1091 00:56:22,440 --> 00:56:25,040 Speaker 1: one of those is in Amy's movie Snatched with Goldie 1092 00:56:25,080 --> 00:56:28,160 Speaker 1: Hawn where they check into this hotel and the person 1093 00:56:28,200 --> 00:56:30,160 Speaker 1: comes up to them with like a little these little 1094 00:56:30,239 --> 00:56:36,279 Speaker 1: glasses of like smoothie, and he goes welcome, Welcome, and 1095 00:56:36,320 --> 00:56:39,040 Speaker 1: she's like, whail come, and it looks like and he's 1096 00:56:39,040 --> 00:56:42,440 Speaker 1: like welcome and she's like, oh no. She takes a 1097 00:56:42,520 --> 00:56:44,880 Speaker 1: set and it's like he goes welcome and she's like, 1098 00:56:45,800 --> 00:56:48,719 Speaker 1: it's like it's like this Hawaiian resort and she thinks 1099 00:56:48,719 --> 00:56:54,440 Speaker 1: it's whalcome. That was one of my favorite ones. VENTI 1100 00:56:54,520 --> 00:56:59,720 Speaker 1: please blow all right. Next, fan trax are just saying 1101 00:56:59,719 --> 00:57:05,400 Speaker 1: we're okay, Andrew and Noah, this is your bestie Stephanie 1102 00:57:05,480 --> 00:57:08,680 Speaker 1: from San Francisco. You know where Andrew had to get 1103 00:57:08,680 --> 00:57:11,280 Speaker 1: a new pair of shoes right before walking on this set. 1104 00:57:12,280 --> 00:57:17,800 Speaker 1: I actually watched y'all show on YouTube, and after I 1105 00:57:17,800 --> 00:57:21,120 Speaker 1: watched the current show, YouTube will just randomly place on 1106 00:57:21,160 --> 00:57:27,360 Speaker 1: an older episode and it re um played episode one sixty, 1107 00:57:27,520 --> 00:57:30,240 Speaker 1: which is without You Maria, and she is talking about 1108 00:57:30,280 --> 00:57:34,720 Speaker 1: a bikini being lost in New Jersey through USPS and 1109 00:57:34,800 --> 00:57:37,680 Speaker 1: she wasn't going to have it from Mexico. And I 1110 00:57:37,840 --> 00:57:42,000 Speaker 1: just now all of a sudden need um insight. I 1111 00:57:42,120 --> 00:57:45,520 Speaker 1: need the the follow through, I need the end of 1112 00:57:45,520 --> 00:57:48,160 Speaker 1: the story. I need I need the plane land and 1113 00:57:48,280 --> 00:57:51,080 Speaker 1: what happened to bikini. I'm gonna have trouble sleeping tonight 1114 00:57:51,120 --> 00:57:55,040 Speaker 1: if if I don't find out was was on your 1115 00:57:55,040 --> 00:58:00,280 Speaker 1: Mari naked? Was she able to resurface in her brand 1116 00:58:00,280 --> 00:58:04,040 Speaker 1: new Bikinian Mexico. I think this is so much proud 1117 00:58:04,080 --> 00:58:09,720 Speaker 1: to be a bestie um Dopeyka and jack anson off 1118 00:58:10,880 --> 00:58:14,240 Speaker 1: Um love it. Jack anson Off Um. This is a 1119 00:58:14,240 --> 00:58:16,640 Speaker 1: new kind of fan because I like where people because 1120 00:58:16,680 --> 00:58:18,200 Speaker 1: there are a lot of loose ends on the show. 1121 00:58:18,320 --> 00:58:20,840 Speaker 1: If you need some kind of closure, please ask for 1122 00:58:20,920 --> 00:58:23,160 Speaker 1: it and we'll give it to the closure here. I 1123 00:58:23,200 --> 00:58:25,120 Speaker 1: think Noah has the answer. So I reached out to 1124 00:58:25,160 --> 00:58:29,000 Speaker 1: Annya this morning and she goes, yes, I got it 1125 00:58:29,040 --> 00:58:32,920 Speaker 1: back eight months later. Now I'm selling it on eBay. 1126 00:58:33,040 --> 00:58:36,440 Speaker 1: It's brand new, extra small, It's been on sale for months, 1127 00:58:36,440 --> 00:58:40,400 Speaker 1: no bites. We gotta get her name on eBay so 1128 00:58:40,440 --> 00:58:42,960 Speaker 1: people can check it out. And by the way, she 1129 00:58:43,080 --> 00:58:46,919 Speaker 1: did have a bikini in the Hampton's that is so 1130 00:58:47,080 --> 00:58:49,760 Speaker 1: cute and perfect, and I believe it's from the same 1131 00:58:49,800 --> 00:58:53,240 Speaker 1: company because it was Italian, so maybe she got an 1132 00:58:53,280 --> 00:58:57,160 Speaker 1: extra but it is very cute. So um, yeah, try 1133 00:58:57,200 --> 00:58:58,960 Speaker 1: to find that. I don't know the brand or anything, 1134 00:58:59,000 --> 00:59:03,000 Speaker 1: but that eight month later, Jesus Christ. Um, glad we'd 1135 00:59:03,200 --> 00:59:06,880 Speaker 1: glad we tied up that string bikini. Um great, great 1136 00:59:06,880 --> 00:59:12,040 Speaker 1: frand tracks next up. All right, here's a story from Megan. Hey, Nikki, 1137 00:59:12,160 --> 00:59:16,560 Speaker 1: Andrew and Noah. UM, my name is Megan, and I 1138 00:59:16,800 --> 00:59:19,680 Speaker 1: was calling because a few weeks ago you had talked 1139 00:59:19,720 --> 00:59:22,360 Speaker 1: about the awkwardness of like watching a movie where the 1140 00:59:22,400 --> 00:59:28,040 Speaker 1: same situation is happening and it's awkward between the people watching. Um. 1141 00:59:28,080 --> 00:59:30,960 Speaker 1: In college, our friend's dog had just died, so we 1142 00:59:31,080 --> 00:59:33,840 Speaker 1: knew going into pet cemetery that it was going to 1143 00:59:33,960 --> 00:59:35,680 Speaker 1: be a little weird, but we kind of thought we'd 1144 00:59:35,760 --> 00:59:40,240 Speaker 1: like laugh my way through it. Um. We didn't know 1145 00:59:40,520 --> 00:59:45,040 Speaker 1: that in the movie they get burned alive. Um, and 1146 00:59:45,080 --> 00:59:48,120 Speaker 1: her father had been burned alive and had died that way. 1147 00:59:48,320 --> 00:59:51,120 Speaker 1: And instead of turning it off and being mature and 1148 00:59:51,160 --> 00:59:54,000 Speaker 1: looking at her and saying, oh my god, I'm so sorry, 1149 00:59:54,120 --> 00:59:57,640 Speaker 1: we were all in our early twenties. Week just watched 1150 00:59:57,720 --> 01:00:00,880 Speaker 1: the whole thing and then like silently filed out of 1151 01:00:00,880 --> 01:00:03,760 Speaker 1: the appointment and it was never mentioned. And I still 1152 01:00:04,920 --> 01:00:07,400 Speaker 1: am mortified, but that happened. We never talked about it 1153 01:00:08,040 --> 01:00:13,400 Speaker 1: with her. God so sad. So she and her brother died. 1154 01:00:14,600 --> 01:00:19,200 Speaker 1: Her brother was burned alive, but as right like she 1155 01:00:19,280 --> 01:00:21,160 Speaker 1: left her dog. It was already awkward. That was like, 1156 01:00:21,200 --> 01:00:23,360 Speaker 1: oh the dog, but they kind of knew going into 1157 01:00:23,520 --> 01:00:26,880 Speaker 1: into it. They just didn't know about that. And then 1158 01:00:27,520 --> 01:00:29,320 Speaker 1: she also had this other tragic thing happened in her 1159 01:00:29,320 --> 01:00:32,360 Speaker 1: life that is, oh, okay, wait, there's a little bit left. 1160 01:00:33,600 --> 01:00:35,680 Speaker 1: And then the second thing is is in the last episode, 1161 01:00:35,720 --> 01:00:37,960 Speaker 1: you were doing your impressions if everyone, and it clicked 1162 01:00:38,000 --> 01:00:41,080 Speaker 1: with me that you identify with a bird because you 1163 01:00:41,200 --> 01:00:46,439 Speaker 1: are like a bird that that mocks people a para keyt. 1164 01:00:46,520 --> 01:00:50,040 Speaker 1: I thought they are or a parent. So they noticed that. 1165 01:00:50,120 --> 01:00:51,680 Speaker 1: I didn't know if you had made the connection of 1166 01:00:51,720 --> 01:00:55,760 Speaker 1: your impersonations. Um, that's all. I got such a good 1167 01:00:55,800 --> 01:00:58,479 Speaker 1: point because I'm like a bird. Because I could only 1168 01:00:58,520 --> 01:01:01,400 Speaker 1: do two second impressions. It's like birds don't really like 1169 01:01:02,640 --> 01:01:05,160 Speaker 1: go places with their questions. They just do like a 1170 01:01:05,200 --> 01:01:08,160 Speaker 1: couple of words. Yeah, that's why. Okay, I really like 1171 01:01:08,280 --> 01:01:14,240 Speaker 1: that spin. I can't get over the burning. Oh my god, 1172 01:01:14,280 --> 01:01:16,640 Speaker 1: that sucks so much. It's so sad, And I mean 1173 01:01:17,040 --> 01:01:19,800 Speaker 1: I've had things where it's like, you know, when I 1174 01:01:19,840 --> 01:01:25,320 Speaker 1: was antorectic, I remember just always just being so aware 1175 01:01:25,520 --> 01:01:28,919 Speaker 1: of watching anything that might make someone feel awkward about 1176 01:01:28,960 --> 01:01:31,280 Speaker 1: the fact that I'm struggling with this thing. Like I 1177 01:01:31,360 --> 01:01:34,200 Speaker 1: don't want to watch something where someone gets called out 1178 01:01:34,200 --> 01:01:36,040 Speaker 1: for being intorectic, because then my whole family is going 1179 01:01:36,080 --> 01:01:38,160 Speaker 1: to be like it's the elephant in the room, like, 1180 01:01:38,600 --> 01:01:42,040 Speaker 1: you know, being aware of things about me that like, yeah, 1181 01:01:42,080 --> 01:01:44,479 Speaker 1: if I lost my brother in up fire, I would 1182 01:01:44,520 --> 01:01:48,400 Speaker 1: be so cautious not about my own like trauma, but 1183 01:01:48,480 --> 01:01:51,360 Speaker 1: like of making of people feeling sorry for me watching things. 1184 01:01:51,440 --> 01:01:54,280 Speaker 1: Does that make sense, Like worry about that people are 1185 01:01:54,280 --> 01:01:56,200 Speaker 1: gonna be like, oh my god, this is so awgward 1186 01:01:56,240 --> 01:01:59,200 Speaker 1: for Nikki and being like I think that's maybe part 1187 01:01:59,200 --> 01:02:02,400 Speaker 1: of my personalities just to take care of other people's 1188 01:02:02,480 --> 01:02:05,600 Speaker 1: feelings about my own trauma instead of my own because 1189 01:02:05,600 --> 01:02:10,080 Speaker 1: it's easier that way. Um, next time, like maybe do 1190 01:02:10,160 --> 01:02:13,520 Speaker 1: look who's talking or something? To think the movie choice, 1191 01:02:13,520 --> 01:02:16,480 Speaker 1: whoever chose the movie the next time, choose Marley and 1192 01:02:16,520 --> 01:02:20,720 Speaker 1: me just go right there. Well, he's just sticking with 1193 01:02:20,760 --> 01:02:23,760 Speaker 1: the dog theme and you're not risking any like complete 1194 01:02:23,800 --> 01:02:28,880 Speaker 1: family tragedies popping up. Alright, final thought, let's go to 1195 01:02:28,920 --> 01:02:34,960 Speaker 1: another Okay, this one comes from Molly. You guys, I 1196 01:02:35,080 --> 01:02:40,479 Speaker 1: am listening to episode Trish Training Bro, and you guys 1197 01:02:40,480 --> 01:02:43,479 Speaker 1: are talking about in hairs and nipple hairs and how 1198 01:02:44,400 --> 01:02:46,200 Speaker 1: sorry to bring this up again, Noah, but you had 1199 01:02:46,240 --> 01:02:48,200 Speaker 1: to shave the morning after like a hook up to 1200 01:02:48,480 --> 01:02:53,600 Speaker 1: like control the great hair. And I feel so seen. 1201 01:02:53,920 --> 01:02:58,600 Speaker 1: I seriously have been so insecure about like I get 1202 01:02:58,640 --> 01:03:01,360 Speaker 1: like these like hairs, like I guess it's basically like 1203 01:03:01,400 --> 01:03:05,320 Speaker 1: a sidebird, and they grow so fast and it's so 1204 01:03:05,360 --> 01:03:07,880 Speaker 1: embarrassing and it makes me feel like a gross nam 1205 01:03:08,560 --> 01:03:11,680 Speaker 1: And now I know that like Hala and Nikki and 1206 01:03:11,800 --> 01:03:14,760 Speaker 1: Noah like all the same thing. And I just I 1207 01:03:14,760 --> 01:03:16,960 Speaker 1: should have known this sooner. But I truly feel so 1208 01:03:17,080 --> 01:03:18,760 Speaker 1: zeen and I just had to call in and tell 1209 01:03:18,800 --> 01:03:24,120 Speaker 1: you guys, I'm so glad, oh my god, because honestly, 1210 01:03:24,520 --> 01:03:27,120 Speaker 1: there are these things that we keep we think other 1211 01:03:27,160 --> 01:03:29,120 Speaker 1: people don't have, even though we have been exposed to 1212 01:03:29,280 --> 01:03:33,400 Speaker 1: so many people admitting their truths that you think there's 1213 01:03:33,440 --> 01:03:35,640 Speaker 1: still things about you that other people don't have, but 1214 01:03:35,720 --> 01:03:38,960 Speaker 1: you just keep whatever you got going there is someone 1215 01:03:39,000 --> 01:03:41,560 Speaker 1: that has it. I'm so glad you felt seen by that. 1216 01:03:41,760 --> 01:03:44,200 Speaker 1: I was just thinking of like another thing that you 1217 01:03:44,280 --> 01:03:47,760 Speaker 1: pointed out that's like such like an embarrassing thing, but 1218 01:03:47,840 --> 01:03:51,160 Speaker 1: it happens to just about every woman. And that's like 1219 01:03:51,360 --> 01:03:56,479 Speaker 1: the little joint uh toilet paper and our vaginas. Yes, 1220 01:03:57,080 --> 01:04:00,560 Speaker 1: that was a real big like that was learning seeing 1221 01:04:00,720 --> 01:04:03,560 Speaker 1: seeing those joints and realizing other women had them, and 1222 01:04:03,600 --> 01:04:05,640 Speaker 1: those joints, I was never been in this bathroom before, 1223 01:04:05,680 --> 01:04:08,280 Speaker 1: so those have to be from another woman, so other 1224 01:04:08,640 --> 01:04:10,760 Speaker 1: like it was a it was a moment for me 1225 01:04:10,800 --> 01:04:12,920 Speaker 1: in a stall when I saw those of like I 1226 01:04:13,160 --> 01:04:15,560 Speaker 1: know that this isn't just me. I don't think I 1227 01:04:15,600 --> 01:04:17,440 Speaker 1: put in the special but like even taking baths with 1228 01:04:17,480 --> 01:04:20,160 Speaker 1: my sister, like my vagina just sucks up toilet paper. 1229 01:04:20,280 --> 01:04:22,080 Speaker 1: I remember as being a kid in the bathroom my 1230 01:04:22,120 --> 01:04:24,320 Speaker 1: sister and having to skim the top of the water 1231 01:04:24,640 --> 01:04:27,320 Speaker 1: to like collect the toilet paper that I had accumulated 1232 01:04:27,320 --> 01:04:29,200 Speaker 1: in my vagina that would be released in the bath. 1233 01:04:29,600 --> 01:04:36,240 Speaker 1: As a child, even my vagina was like just swiffering debris, insane, 1234 01:04:36,440 --> 01:04:39,880 Speaker 1: Like I worked at like vagina to clean up the ocean, 1235 01:04:42,680 --> 01:04:46,600 Speaker 1: like go reverse. I love the idea too of like 1236 01:04:46,720 --> 01:04:49,760 Speaker 1: thank God for the Internet and shows like ours. We're 1237 01:04:49,880 --> 01:04:53,120 Speaker 1: very honest about our like people do in the sixties 1238 01:04:54,080 --> 01:04:56,840 Speaker 1: everything you were just a bearded woman in the circus 1239 01:04:57,120 --> 01:05:00,600 Speaker 1: like back in the day, if you embraced it. Otherwise 1240 01:05:00,760 --> 01:05:04,600 Speaker 1: you just didn't leave the house. But there's still things, 1241 01:05:04,880 --> 01:05:07,560 Speaker 1: there's I gotta I gotta think there's something that I 1242 01:05:07,760 --> 01:05:10,760 Speaker 1: even me that I am struggling with. I'm sure there's 1243 01:05:10,760 --> 01:05:12,720 Speaker 1: something that I can't even go to in my head 1244 01:05:13,040 --> 01:05:14,920 Speaker 1: because it is so in the recesses of like I 1245 01:05:14,960 --> 01:05:17,960 Speaker 1: will never tell anyone that that. Other people listening right 1246 01:05:18,000 --> 01:05:20,439 Speaker 1: now you struggle with it too, thinking no one else 1247 01:05:20,480 --> 01:05:22,880 Speaker 1: does I know there's something that is My goal in 1248 01:05:22,920 --> 01:05:25,440 Speaker 1: life is to get all of those things out of 1249 01:05:25,480 --> 01:05:28,600 Speaker 1: me and like be able to admit them freely, to 1250 01:05:29,160 --> 01:05:32,280 Speaker 1: free up any kind of like, you know, just even 1251 01:05:32,280 --> 01:05:35,960 Speaker 1: talking about um, it was so nice. I ran into 1252 01:05:35,960 --> 01:05:38,640 Speaker 1: a bestie. Maybe it was on a beustie. Yesterday I 1253 01:05:38,720 --> 01:05:42,160 Speaker 1: taped a filmed TV show and the woman that was 1254 01:05:42,240 --> 01:05:45,120 Speaker 1: like my onset, you know, contact was like I saw 1255 01:05:45,240 --> 01:05:48,240 Speaker 1: I just saw you last night at Supernova. Your pedophilia 1256 01:05:48,280 --> 01:05:50,960 Speaker 1: bit was so fucking good. I never thought I'd tell 1257 01:05:51,000 --> 01:05:55,760 Speaker 1: someone that, but I love your pedophile jokes, and I 1258 01:05:55,760 --> 01:05:57,840 Speaker 1: I think that is where I'm kind of getting into it. 1259 01:05:57,880 --> 01:06:01,400 Speaker 1: Of like I I I've had to be like, wait, 1260 01:06:01,400 --> 01:06:03,200 Speaker 1: what if I am a pedophile? Like you have to 1261 01:06:03,240 --> 01:06:05,440 Speaker 1: ask yourself that question at some point of like what 1262 01:06:05,560 --> 01:06:07,880 Speaker 1: if I'm a murderer, or like you know, we all 1263 01:06:07,920 --> 01:06:09,960 Speaker 1: have these dark thoughts of like, oh my god, I 1264 01:06:10,080 --> 01:06:11,880 Speaker 1: just thought of pushing that person in front of traffic, 1265 01:06:11,880 --> 01:06:14,000 Speaker 1: like in my psychopath or like I think a lot 1266 01:06:14,040 --> 01:06:17,320 Speaker 1: of times guys, I think I've heard guys admit when 1267 01:06:17,360 --> 01:06:20,040 Speaker 1: it used to be a thing that carried more shame 1268 01:06:20,120 --> 01:06:23,360 Speaker 1: even though it still does uh for many people about 1269 01:06:23,360 --> 01:06:25,520 Speaker 1: being gay that men have to go like am I gay? 1270 01:06:25,680 --> 01:06:27,560 Speaker 1: Like and give it a real serious thought of like 1271 01:06:27,880 --> 01:06:30,200 Speaker 1: do I even want to explore that? Because if I 1272 01:06:30,280 --> 01:06:32,280 Speaker 1: let that out, is it going to make me gay? 1273 01:06:32,960 --> 01:06:35,520 Speaker 1: And I think that you know my joke, I go, 1274 01:06:35,840 --> 01:06:38,960 Speaker 1: you know, I'm talking about my nephew wanting to shower 1275 01:06:39,000 --> 01:06:41,000 Speaker 1: with me and saying to him like or saying to 1276 01:06:41,040 --> 01:06:42,680 Speaker 1: my sister like, no he can't, because what if I 1277 01:06:42,800 --> 01:06:45,880 Speaker 1: molest him? And like saying that puts it out there 1278 01:06:45,880 --> 01:06:48,680 Speaker 1: that like I've questioned, like like it could it be 1279 01:06:48,800 --> 01:06:51,960 Speaker 1: in me? And that is something I would never have 1280 01:06:52,160 --> 01:06:56,160 Speaker 1: admitted to even thinking before because it might mean that 1281 01:06:56,240 --> 01:06:58,240 Speaker 1: I am if I've had that thought, but now I 1282 01:06:58,280 --> 01:07:02,000 Speaker 1: know intrusive thoughts like that. If anything, the fact that 1283 01:07:02,000 --> 01:07:04,400 Speaker 1: I'm worried about it means I'm not, And the fact 1284 01:07:04,440 --> 01:07:06,120 Speaker 1: and I also know I'm not because you know, you're 1285 01:07:06,120 --> 01:07:08,960 Speaker 1: a pedophile by the time you're thirteen, like by the 1286 01:07:08,960 --> 01:07:11,480 Speaker 1: time you've reached puberty. If you're not really attracted to 1287 01:07:11,600 --> 01:07:15,080 Speaker 1: kids by then, you're not gonna be. So if anyone 1288 01:07:15,080 --> 01:07:17,560 Speaker 1: out there is ever worried about that, I've looked into 1289 01:07:17,600 --> 01:07:20,400 Speaker 1: it because I'm like, because I always just reason no 1290 01:07:20,440 --> 01:07:24,000 Speaker 1: one chooses to be a pedophile, So I don't want 1291 01:07:24,000 --> 01:07:25,680 Speaker 1: that to happen to me, you know, like what if 1292 01:07:25,720 --> 01:07:27,760 Speaker 1: you bump your head? Like what if no one knows 1293 01:07:27,920 --> 01:07:30,440 Speaker 1: the root cause of it? But I do know that, 1294 01:07:30,480 --> 01:07:32,920 Speaker 1: you know, if you are the unfortunate person to be 1295 01:07:33,000 --> 01:07:36,120 Speaker 1: attracted to children, and that's part of your brain fuck. 1296 01:07:36,200 --> 01:07:39,480 Speaker 1: We talked about it before, but it's not your fault. 1297 01:07:39,520 --> 01:07:41,480 Speaker 1: But it is up to you what you do with it, 1298 01:07:41,640 --> 01:07:45,080 Speaker 1: which I hope isn't like you know, are proactive and 1299 01:07:45,240 --> 01:07:47,960 Speaker 1: making sure you do not hurt anyone with it, But um, 1300 01:07:48,120 --> 01:07:50,200 Speaker 1: no one chooses that. And I think that there is 1301 01:07:50,280 --> 01:07:53,080 Speaker 1: a part of me that was always like what if, 1302 01:07:53,240 --> 01:07:55,440 Speaker 1: like I just got lucky that I'm not a murderer 1303 01:07:55,520 --> 01:07:59,520 Speaker 1: or not I'm not homicidal, or I'm not a psychopath, 1304 01:07:59,800 --> 01:08:01,800 Speaker 1: Like you don't get to choose your brain. But I 1305 01:08:01,880 --> 01:08:03,440 Speaker 1: think that that was something that for a while, I 1306 01:08:03,480 --> 01:08:06,480 Speaker 1: was scared to admit that I even thought like, am 1307 01:08:06,520 --> 01:08:11,160 Speaker 1: I could I be this? Because it's I'm so fascinated 1308 01:08:11,200 --> 01:08:12,600 Speaker 1: by it that And then now I have a whole 1309 01:08:12,600 --> 01:08:15,240 Speaker 1: little bit where it's like people kind of go, why 1310 01:08:15,440 --> 01:08:17,599 Speaker 1: she's so into pedophilia and I've talked about it before 1311 01:08:17,600 --> 01:08:19,519 Speaker 1: in the show, but it's like, well, girls are into 1312 01:08:19,600 --> 01:08:23,519 Speaker 1: murder podcasts and you don't go, she's a murderer. It's like, no, 1313 01:08:23,640 --> 01:08:28,320 Speaker 1: I'm just you're disgusting for like thinking it or like it. 1314 01:08:28,439 --> 01:08:31,000 Speaker 1: I'm just my dude, joke is I'm a pederisto. You 1315 01:08:31,000 --> 01:08:33,559 Speaker 1: know how they call like the girls, people that are 1316 01:08:33,600 --> 01:08:36,520 Speaker 1: fans of my favorite murder podcasts are called like murderistas. 1317 01:08:36,960 --> 01:08:38,960 Speaker 1: So I'm trying to make it like a cute thing 1318 01:08:39,040 --> 01:08:43,120 Speaker 1: of like I just like, yeah, um, I guess I 1319 01:08:43,160 --> 01:08:45,960 Speaker 1: gotta work on that. But it was nice. There's stuff 1320 01:08:46,000 --> 01:08:48,200 Speaker 1: like that that I even admitting on stage that I 1321 01:08:48,240 --> 01:08:50,360 Speaker 1: was the other woman in a relationship. And I pursued 1322 01:08:50,400 --> 01:08:52,439 Speaker 1: a guy that had a girlfriend. That was something that 1323 01:08:52,479 --> 01:08:54,040 Speaker 1: I go, I'm gonna have to take this one to 1324 01:08:54,120 --> 01:08:56,240 Speaker 1: the grave because no one's going to empathize with this. 1325 01:08:56,400 --> 01:09:00,479 Speaker 1: I'm a bad person. But even that, like, I know 1326 01:09:00,560 --> 01:09:02,400 Speaker 1: I'm not alone because I did the math on it. 1327 01:09:02,479 --> 01:09:06,280 Speaker 1: I'm like, if everyone says they've been cheated on, there's 1328 01:09:06,280 --> 01:09:08,200 Speaker 1: a lot more women that are the other woman on 1329 01:09:08,200 --> 01:09:10,559 Speaker 1: the other side of this, then I'm hearing about. I mean, 1330 01:09:10,600 --> 01:09:12,920 Speaker 1: for everyone that's cheated on, there's another woman. But why 1331 01:09:12,920 --> 01:09:14,960 Speaker 1: am I only hearing about women being cheated on? Why 1332 01:09:15,040 --> 01:09:17,280 Speaker 1: is no one talking about being another woman? It's because 1333 01:09:17,280 --> 01:09:19,840 Speaker 1: no one is admitting it because it's embarrassing and that 1334 01:09:19,920 --> 01:09:23,080 Speaker 1: you'll get villainized. But it's just as there's just as 1335 01:09:23,120 --> 01:09:24,960 Speaker 1: many women out there. My joke is is it just 1336 01:09:25,080 --> 01:09:27,840 Speaker 1: me and Leon Rhymes fucking your boyfriends? And the funny 1337 01:09:27,880 --> 01:09:30,000 Speaker 1: part is I saw Leon Rhymes on a flight recently 1338 01:09:30,040 --> 01:09:32,479 Speaker 1: and I wanted to tell her about the joke and 1339 01:09:32,520 --> 01:09:34,600 Speaker 1: be like, oh, you're mentioned my joke, But I you know, 1340 01:09:34,800 --> 01:09:36,920 Speaker 1: I don't think we're there yet because I don't know 1341 01:09:37,000 --> 01:09:39,040 Speaker 1: her personally, and so I shouldn't probably comment on the 1342 01:09:39,080 --> 01:09:41,200 Speaker 1: fact that she's in a relationship with someone who was 1343 01:09:41,240 --> 01:09:45,680 Speaker 1: in a relationship. I feel like, I feel like if 1344 01:09:45,720 --> 01:09:48,680 Speaker 1: you're looking back at it, there's like a different, like 1345 01:09:48,760 --> 01:09:51,880 Speaker 1: a feeling of like I was the other person. I 1346 01:09:51,960 --> 01:09:55,280 Speaker 1: acknowledge it. I'm coming clean about it. I don't know. 1347 01:09:55,320 --> 01:09:57,080 Speaker 1: If I wanted to trick is to be able to 1348 01:09:57,120 --> 01:09:59,559 Speaker 1: do it in the moment, because then you can stop 1349 01:09:59,560 --> 01:10:01,519 Speaker 1: the behave you're like, if you get on. I mean, 1350 01:10:01,520 --> 01:10:03,479 Speaker 1: that's the first step in a program. Stuff is like 1351 01:10:03,520 --> 01:10:06,760 Speaker 1: I'm an alcoholic admitting that you currently are doing a 1352 01:10:06,800 --> 01:10:09,280 Speaker 1: bad thing. That is where you want to get to 1353 01:10:09,400 --> 01:10:11,479 Speaker 1: because the sooner you can address it, the sooner you 1354 01:10:11,479 --> 01:10:13,080 Speaker 1: can go well, this is not who I want to be. 1355 01:10:13,640 --> 01:10:15,559 Speaker 1: But it takes that lag. For me. It took a 1356 01:10:15,640 --> 01:10:18,360 Speaker 1: year and a half before I couldmit on stage after 1357 01:10:18,840 --> 01:10:20,720 Speaker 1: I pursued a guy with a girlfriend that I did 1358 01:10:20,720 --> 01:10:23,200 Speaker 1: that I wouldn't even reference it on a podcast, you know, 1359 01:10:23,200 --> 01:10:25,280 Speaker 1: because I didn't. I was so ashamed of it. And 1360 01:10:25,360 --> 01:10:32,240 Speaker 1: now because I was gonna try to make a new 1361 01:10:32,280 --> 01:10:37,880 Speaker 1: acronym of N d A, I think it's hand or whatever. 1362 01:10:39,240 --> 01:10:45,880 Speaker 1: Uh Nikki is doing adultery um, but I uh, and 1363 01:10:45,920 --> 01:10:47,760 Speaker 1: it is. I'm only able to talk about it not 1364 01:10:47,840 --> 01:10:49,880 Speaker 1: because I got space from it, which is maybe part 1365 01:10:49,920 --> 01:10:53,040 Speaker 1: of it, but because I'm not ashamed about it because 1366 01:10:53,040 --> 01:10:54,600 Speaker 1: I did. I thought about it enough, and I go, 1367 01:10:55,200 --> 01:10:57,800 Speaker 1: I'm not a bad person because this happened. I made 1368 01:10:57,800 --> 01:11:00,360 Speaker 1: a mistake. I didn't do something that I'm proud of. 1369 01:11:00,400 --> 01:11:03,200 Speaker 1: I don't want to be that way anymore, but I'm not. 1370 01:11:04,040 --> 01:11:07,479 Speaker 1: I'm not ashamed of it. I accepted about myself as 1371 01:11:07,479 --> 01:11:08,880 Speaker 1: a thing that I did that I don't want to 1372 01:11:08,880 --> 01:11:12,080 Speaker 1: do again. There's millions of other people that are flawed 1373 01:11:12,080 --> 01:11:16,400 Speaker 1: in the same exact way the other woman, and everyone 1374 01:11:16,600 --> 01:11:18,160 Speaker 1: is making you feel bad about it in your life 1375 01:11:18,280 --> 01:11:20,320 Speaker 1: and there's no there's nothing for you to listen. I mean, 1376 01:11:20,680 --> 01:11:21,880 Speaker 1: this is a part of what I want to do, 1377 01:11:22,040 --> 01:11:25,439 Speaker 1: is like there's no songs. When I was going through 1378 01:11:25,439 --> 01:11:26,840 Speaker 1: it and I was like pining for a guy with 1379 01:11:26,880 --> 01:11:30,120 Speaker 1: a girlfriend and I wanted someone to have a little 1380 01:11:30,120 --> 01:11:33,160 Speaker 1: bit of empathy for my situation, there's one fucking song 1381 01:11:33,320 --> 01:11:36,960 Speaker 1: for you. There's it's Alicit Affairs by Taylor Swift. It's 1382 01:11:37,000 --> 01:11:39,000 Speaker 1: the only song written from the perspective that I could 1383 01:11:39,040 --> 01:11:41,960 Speaker 1: find of the perspective of the woman who knew the 1384 01:11:41,960 --> 01:11:44,320 Speaker 1: guy had a girlfriend and still went after him, and 1385 01:11:44,400 --> 01:11:47,440 Speaker 1: it actually has some empathy for her, but it's otherwise. 1386 01:11:47,479 --> 01:11:49,800 Speaker 1: Most songs are like bitch, you still took my man, 1387 01:11:50,000 --> 01:11:52,320 Speaker 1: fuck you, or like fuck you for cheating on me, 1388 01:11:52,400 --> 01:11:54,120 Speaker 1: piece of sh it. It's always written from that woman's 1389 01:11:54,160 --> 01:11:56,400 Speaker 1: perspective that got hurt by that woman, which is a 1390 01:11:56,479 --> 01:11:59,880 Speaker 1: valid place to be as well, not invalidating that anger, 1391 01:12:00,280 --> 01:12:02,719 Speaker 1: although I do think it's misplaced on the girl often 1392 01:12:03,280 --> 01:12:05,080 Speaker 1: because you have to if you stay with the guy 1393 01:12:05,120 --> 01:12:07,920 Speaker 1: that cheats on you, you have to make the woman 1394 01:12:07,960 --> 01:12:10,840 Speaker 1: who she's gotten the village because you couldn't stay with 1395 01:12:10,880 --> 01:12:13,920 Speaker 1: the guy otherwise. Trying to just tell you, I'll tell 1396 01:12:13,960 --> 01:12:16,960 Speaker 1: you now. There's this woman. I gotta send you the article. 1397 01:12:17,640 --> 01:12:20,599 Speaker 1: She put up a TikTok. All these women were talking 1398 01:12:20,880 --> 01:12:24,719 Speaker 1: about her in her in her TikTok. Right, she finds 1399 01:12:24,720 --> 01:12:28,200 Speaker 1: the women on Instagram, sees their husbands and starts d 1400 01:12:28,360 --> 01:12:31,320 Speaker 1: m N their husbands, and then shows the women that 1401 01:12:31,360 --> 01:12:34,320 Speaker 1: we're talking about them in the comments, the receipts of 1402 01:12:34,400 --> 01:12:38,040 Speaker 1: how the husband wants to cheat on them. Oh boy, 1403 01:12:38,560 --> 01:12:40,439 Speaker 1: you I don't know how I didn't send it to you. 1404 01:12:40,479 --> 01:12:44,320 Speaker 1: I was like, this is this is fucking juicy. I'm sorry, 1405 01:12:44,520 --> 01:12:51,719 Speaker 1: as fucking toxic and unhinged as that is. She made 1406 01:12:51,840 --> 01:12:58,760 Speaker 1: videos of it, talking to reading the receipts. It's it's 1407 01:12:59,000 --> 01:13:05,320 Speaker 1: so it's so good and so bad. I don't I'm 1408 01:13:05,640 --> 01:13:08,120 Speaker 1: glad that I wouldn't do that, But man, I like 1409 01:13:08,240 --> 01:13:10,599 Speaker 1: that that's out there, because what a way to show 1410 01:13:10,640 --> 01:13:14,639 Speaker 1: women like, fuck you, you are you the little pedestal 1411 01:13:15,040 --> 01:13:17,439 Speaker 1: making fun of me, judging me, and you think your 1412 01:13:17,479 --> 01:13:19,160 Speaker 1: life is perfect. That's what I want to do to 1413 01:13:19,200 --> 01:13:22,040 Speaker 1: all these people that ever comment about celebrities, including my 1414 01:13:22,080 --> 01:13:24,720 Speaker 1: fucking self. Whenever I have an opinion about someone, I 1415 01:13:24,760 --> 01:13:27,479 Speaker 1: want to go, who the fuck do you think you 1416 01:13:27,560 --> 01:13:30,679 Speaker 1: are having any opinion about Olivia Wilde and Harry Style's 1417 01:13:30,720 --> 01:13:33,519 Speaker 1: relationship when you don't fucking know anything and you think 1418 01:13:33,520 --> 01:13:36,400 Speaker 1: you're perfect. No one is perfect enough to judge anyone, 1419 01:13:36,439 --> 01:13:38,720 Speaker 1: and this woman, man, you got to send that to me. 1420 01:13:38,800 --> 01:13:42,120 Speaker 1: That's good people post it on our story, but that 1421 01:13:42,280 --> 01:13:45,760 Speaker 1: is that's diabolical. Thank you guys so much for your 1422 01:13:45,920 --> 01:13:49,080 Speaker 1: fan taxes, great ones. Today, um we have one more 1423 01:13:49,080 --> 01:13:51,960 Speaker 1: week of shows before I go on vocal rest. Um. 1424 01:13:52,000 --> 01:13:53,680 Speaker 1: Thank you for all your kind words this week when 1425 01:13:53,720 --> 01:13:55,720 Speaker 1: I was depressed, we got through it. Thank you to 1426 01:13:55,760 --> 01:13:59,160 Speaker 1: Andrew and Noah for putting up with me or accepting 1427 01:13:59,200 --> 01:14:02,880 Speaker 1: me as hell that um, I really appreciate it. You 1428 01:14:02,880 --> 01:14:06,439 Speaker 1: guys are the best, and love all the fans all 1429 01:14:06,680 --> 01:14:09,120 Speaker 1: um the best ties and I'm gonna be in Vegas, 1430 01:14:09,560 --> 01:14:12,680 Speaker 1: Um Vegas, that is how you say it tomorrow night 1431 01:14:13,240 --> 01:14:15,800 Speaker 1: at the Virgin Hotel scene. If you want to just 1432 01:14:15,840 --> 01:14:17,799 Speaker 1: do a last minute trip to Vegas, look at flights, 1433 01:14:18,080 --> 01:14:20,400 Speaker 1: come see me, meet and greets afterwards. If you want 1434 01:14:20,439 --> 01:14:22,080 Speaker 1: to get a meet and greet, just um DM me 1435 01:14:22,400 --> 01:14:24,680 Speaker 1: all caps important and I'll see it and I'll give 1436 01:14:24,720 --> 01:14:26,160 Speaker 1: you free meet and great if you buy tickets to 1437 01:14:26,160 --> 01:14:29,320 Speaker 1: come see me in Vegas at the Virgin Hotel Theater 1438 01:14:29,880 --> 01:14:33,679 Speaker 1: with Benedict Pelosi and uh on your Marina. So that'll 1439 01:14:33,720 --> 01:14:37,040 Speaker 1: be tomorrow my last show before I become an alter ego. 1440 01:14:37,520 --> 01:14:39,479 Speaker 1: And if you have an ideas for my alter ego name, 1441 01:14:39,520 --> 01:14:42,480 Speaker 1: please send it my way as well. Don't Peka and 1442 01:14:47,160 --> 01:14:49,920 Speaker 1: Virgin place and your voice will be new Virgin Place 1443 01:14:50,840 --> 01:14:56,080 Speaker 1: and poring from a Virgin place, born again