WEBVTT - Episode 442 w/ Beenie Man

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<v Speaker 1>He is Drink Chants, motherfucking podcast man. He's a legends

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<v Speaker 1>every Queens rapper. He ain't segreed that your boy in

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<v Speaker 1>O R E.

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<v Speaker 2>D's a Miami hip hop pioneer put up as d

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<v Speaker 2>J e f N.

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<v Speaker 3>Together they drink it up with some of the biggest

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<v Speaker 3>players you know me and the most.

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<v Speaker 1>Professional unprofessional podcast and your number one source for drunk

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<v Speaker 1>drink chans mother postcavery days.

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<v Speaker 2>New Year's c that's it's time for drink Champions, drink up,

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<v Speaker 2>motherfuck motheruck.

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<v Speaker 1>But it could be hoping to the stupid boy and

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<v Speaker 1>O R E. What up? It is d J e

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<v Speaker 1>f N And this is military Crazy World podcast Manie

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<v Speaker 1>something when I tell you, I'm so excited about today's show.

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<v Speaker 1>This man has been in this game for four decades.

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<v Speaker 1>He's been making records since he was ten years old.

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<v Speaker 1>Literally self proclaimed. The people claim cain't in a dance hall.

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<v Speaker 1>He's been doing this hit after hit. I went through

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<v Speaker 1>this man's discography and I had so much fun just

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<v Speaker 1>listening to how much hits throughout the whole time, Like

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<v Speaker 1>this man could just fall on a hit big records.

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<v Speaker 1>There's a lot of controversy going on Grammy Award winning.

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<v Speaker 1>I've been nominating.

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<v Speaker 4>I ain't win shit.

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<v Speaker 2>Don't worry, it's coming from me. You know the doctor girls.

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<v Speaker 1>Dem sugar. It is going down. In case you don't

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<v Speaker 1>know what we're talking about. What your mother won the

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<v Speaker 1>only impeccable Listen, I went through your music. It took

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<v Speaker 1>us three days to try to get through the whole music. Yeah,

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<v Speaker 1>I mean so it's this rumor true that at ten

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<v Speaker 1>years old you won a contest eight damn eight. Yeah.

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<v Speaker 4>I did my first did our first song when I

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<v Speaker 4>was eight.

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<v Speaker 5>So when when I went the contest, it was Taste

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<v Speaker 5>is Talent Show. When I won that contest, I get

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<v Speaker 5>a contract to record, right, So I went to the

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<v Speaker 5>studio and I knock called the song. I did two songs,

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<v Speaker 5>one card over the Sea and one called two Funcy

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<v Speaker 5>Why Yeah? And then I did my first album at

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<v Speaker 5>age ten.

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<v Speaker 1>Okay, this is a lifelong question. What is the difference

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<v Speaker 1>between reggae and dance hall? Oh the bead.

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<v Speaker 4>Reggae is one job, dance out is four job.

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<v Speaker 1>Reggae's one job, dance those four jobs.

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<v Speaker 4>Yeah, John sallis drop drop.

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<v Speaker 2>Like a rock.

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<v Speaker 1>Yeah.

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<v Speaker 5>Reggae is the feeling of the people, like all the

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<v Speaker 5>people feel about the government, or the people feel about

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<v Speaker 5>their lives that they're living, or the people feel about

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<v Speaker 5>the system that they're living in. So this is all

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<v Speaker 5>the reggae music is. So reggae music is social commentary.

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<v Speaker 5>So when you're doing dance, I know you talk about

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<v Speaker 5>all the people live, or the girl them wind up themselves,

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<v Speaker 5>or the girl them Jess, or the girl them look nice.

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<v Speaker 5>So when they go, welcome the guys.

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<v Speaker 1>You see what I'm saying.

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<v Speaker 5>The difference in the music is how you express yourself,

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<v Speaker 5>because you have some people don't know what to express themselves.

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<v Speaker 4>You have some people just do themthing different. But dance, our.

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<v Speaker 1>Music is is a different.

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<v Speaker 5>Type of genre. It's a different thing. It comes like

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<v Speaker 5>hip hop to you. Like when when I used to

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<v Speaker 5>listen to Slick Quick and you go a.

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<v Speaker 4>Lout of Doddie heard the party, We don't. So every

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<v Speaker 4>nobody and doesn't when we wrack up.

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<v Speaker 5>On the mic, okay, and then you get a fifty

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<v Speaker 5>cent and they get you. It's a different type of music.

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<v Speaker 5>So when the music come together, it kind of don't

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<v Speaker 5>sound different, but it is different because sometimes the music

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<v Speaker 5>speed up and sometimes the music slow down, So you

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<v Speaker 5>still got dance all DJs like me, dancehall artists that

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<v Speaker 5>do one drop, like you have a sizzler a black

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<v Speaker 5>woman and you have a bunch of bant and will

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<v Speaker 5>come and say it's not unyasy good.

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<v Speaker 4>So it's it's there's a difference in the music.

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<v Speaker 5>But the dance all artists do reggae music because the

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<v Speaker 5>reggae music is the original music where the dance all

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<v Speaker 5>come from. But dance all now we try to make it.

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<v Speaker 5>You know, it's coming like call faster than you see.

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<v Speaker 4>But down sound is straight to reggae danzall music. That's

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<v Speaker 4>what we do.

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<v Speaker 2>But it's not just temple. It's also substance.

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<v Speaker 5>Yeah, it's a substance, right. You have some music don't

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<v Speaker 5>got no substance. They can't last. You have someone who

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<v Speaker 5>sing one song and it lasts for two months. You

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<v Speaker 5>have a money sing the next song in the last

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<v Speaker 5>for six months. But you have a money sing I

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<v Speaker 5>sang and it last forever.

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<v Speaker 1>Mm hmm.

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<v Speaker 5>Because I always tell people that Robert Nest Tomali died,

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<v Speaker 5>but Bob Molly never died, so he's always alive. Because

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<v Speaker 5>you're always hear the music, so Yeah, that's the type

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<v Speaker 5>of music. I love to sing. Music that lasts forever,

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<v Speaker 5>music that you can tour them like forever. So if

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<v Speaker 5>you I got an undred an eight to seven number

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<v Speaker 5>one song, why should I want another?

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<v Speaker 4>But you have to make.

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<v Speaker 2>Music and eighteen albums. Yeah, has seven compilations.

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<v Speaker 4>Yeah, but what I'm.

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<v Speaker 1>About around a little bit.

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<v Speaker 4>Yeah, I got, I got, I got over two thousand

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<v Speaker 4>eight songs. But its songs. It's song. Number one is

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<v Speaker 4>number one. When when you're.

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<v Speaker 5>Making number one songs, you're making songs that last forever.

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<v Speaker 1>The songs out you can go and say two thousand

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<v Speaker 1>hit songs.

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<v Speaker 4>Yeah, over two thousand.

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<v Speaker 2>We didn't get through none of his.

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<v Speaker 1>Bro hmmm. So I always had to ask you this question.

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<v Speaker 1>Is Romney a real person that has big fast sister?

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<v Speaker 1>You call him Rommy? I was like, he's me, call

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<v Speaker 1>it just a big man. I was like me, it's

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<v Speaker 1>a real man, of course. So what did he do

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<v Speaker 1>to you? You're doing like him?

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<v Speaker 5>No, I don't hate, I don't hey, I don't try

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<v Speaker 5>to age is just a bad word.

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<v Speaker 1>But what did he do?

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<v Speaker 2>Cast drama and his sister whit sister.

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<v Speaker 4>Hate him?

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<v Speaker 1>It's from in the country, he's a real person. He

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<v Speaker 1>gets to hear this record, he's like, don't hear it,

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<v Speaker 1>it's just a hit. It's a hit record, Like I

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<v Speaker 1>would like it.

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<v Speaker 4>I'm talking about you. Nobody know you know, everybody knows

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<v Speaker 4>who you are. Now do you like that record? There

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<v Speaker 4>you go.

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<v Speaker 2>He might be introducing himself like I'm the one that ben.

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<v Speaker 1>You know what I'm saying it?

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<v Speaker 4>See wrong? Me is that guy we grew up it.

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<v Speaker 5>But then he birol people, thinks burow your money and

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<v Speaker 5>burroy you and then he not pay you.

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<v Speaker 6>That makes sense talking about I got a lot of

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<v Speaker 6>them this.

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<v Speaker 4>Yeah, I know the man I need some money to

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<v Speaker 4>do this.

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<v Speaker 5>You go like, okay, there's a few dreads, and then

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<v Speaker 5>come back again and man, I need someone to do this.

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<v Speaker 5>Then you get to realize that this he's doing it

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<v Speaker 5>too often.

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<v Speaker 4>Now.

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<v Speaker 5>Yeah, so the last time I asked him to pay

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<v Speaker 5>me back and.

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<v Speaker 4>There's no pain. Yes, I get offended.

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<v Speaker 5>So I sing a song I will go knock grow

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<v Speaker 5>me out, like right now today, right now, I would

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<v Speaker 5>sucker punch him like exous. But sometimes it's better to

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<v Speaker 5>make fun of it. You sing music about people, and

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<v Speaker 5>people become recognizable.

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<v Speaker 4>People start to say, yeah, I'm.

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<v Speaker 5>A minir room if I'm on the road, and that's it.

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<v Speaker 5>So when you do ship like that is you know,

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<v Speaker 5>you turn out good and their side, but then you

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<v Speaker 5>get a hit sound.

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<v Speaker 2>And no one's lending roamy money anymore.

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<v Speaker 1>Now you have you have a legendary moment and versus

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<v Speaker 1>the whole whole verses that you got. That's the first

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<v Speaker 1>time that I ever see people say that. It was

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<v Speaker 1>like like like Jamaica one, like you're like, you know

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<v Speaker 1>how people say this guy, that's the first time I say,

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<v Speaker 1>that's the one thing. But you when the policeman came,

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<v Speaker 1>oh and you said, you don't want to be that guy?

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<v Speaker 1>I said, I used that for everything, like anytimes somebody's

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<v Speaker 1>doing so you don't want to be that guy?

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<v Speaker 4>Got no, that was a good time.

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<v Speaker 1>So they tell us what happened to the police arrival.

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<v Speaker 5>It was the epidemic mm hm in Jamaica, the COVID defend.

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<v Speaker 5>So we were supposed to be in a student's Yeah,

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<v Speaker 5>so we're in a student like this, all of us

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<v Speaker 5>none of us have COVID, so we were dere doing

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<v Speaker 5>the thing and then the police just walk in.

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<v Speaker 4>Announced the unannounced.

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<v Speaker 5>And then remember the Prime ministel of the country is

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<v Speaker 5>on the phone saying we're ed. Seeing his boss is

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<v Speaker 5>on the phone saying we'recked. I need us walk in.

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<v Speaker 5>Mister molass Davis, what are you doing there?

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<v Speaker 1>I'm like what.

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<v Speaker 5>Because we just take the break, so you're walking on

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<v Speaker 5>the break walking the wrng time you should do that

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<v Speaker 5>is walking in the wrong time. So same time the break,

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<v Speaker 5>we come off break. So we're going back live now

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<v Speaker 5>and he's like, mister Davis, I'm talking to you, and

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<v Speaker 5>now I'm like, do you want to be that guy?

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<v Speaker 5>I don't think you want to be that guy? And

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<v Speaker 5>he's like, what, let's say we got over fifty.

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<v Speaker 4>Thousand people a year, five hundred, We've got five hundred. Yeah,

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<v Speaker 4>five hundred thousand people online watching us live right now

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<v Speaker 4>going into six hundred thousand, and then you just walk

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<v Speaker 4>in like at least.

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<v Speaker 1>He can give the camera though, if you got a camera,

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<v Speaker 1>I want to throw he wanted to shine.

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<v Speaker 4>Yeah, because you see both of them.

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<v Speaker 2>It was polices.

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<v Speaker 5>It was two police guys, but there's one talking, the

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<v Speaker 5>next one not saying nothing. So when I look at

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<v Speaker 5>him and said do you want to be that guy?

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<v Speaker 5>The next one go like this. The next one, I

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<v Speaker 5>wanted to run through the door. He's like, damn, we

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<v Speaker 5>weren't coming fucking up this ship. Well we're doing here.

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<v Speaker 5>So that was a nice moment for the thing. But

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<v Speaker 5>I don't like when.

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<v Speaker 4>People try to break.

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<v Speaker 1>Up the music.

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<v Speaker 5>When you come and see the music it's playing and

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<v Speaker 5>everybody is up being fun, Why you want to come

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<v Speaker 5>and break that up.

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<v Speaker 1>That?

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<v Speaker 4>That doesn't make no sense.

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<v Speaker 5>What's so it's for you to build that vibes together?

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<v Speaker 5>Because me, yes, we wore for twenty two years.

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<v Speaker 4>We were Nemesis, like seriously, like, yeah, the only thing

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<v Speaker 4>we never do is show fist.

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<v Speaker 2>Did it almost go there?

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<v Speaker 4>Though?

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<v Speaker 1>Ever?

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<v Speaker 2>No, we're true words because it seems serious from the house.

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<v Speaker 4>No fist. I'm a bad man. Don't worry about it.

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<v Speaker 3>In situations like that, usually the crew of the people

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<v Speaker 3>around them get affected.

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<v Speaker 1>Ye, what about that?

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<v Speaker 5>They're the one that get messed up because they go

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<v Speaker 5>where I'm fucked around.

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<v Speaker 4>Yeah, somebody up, but that's it.

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<v Speaker 5>But me, me and bunch of killer we never chow

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<v Speaker 5>fist because I'm not that. I'm not that guy that

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<v Speaker 5>you can mess with, Like I don't play right and

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<v Speaker 5>I got friends that don't play, and I got friends

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<v Speaker 5>that don't play, and I got other friends that don't play.

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<v Speaker 1>And yeah, did you date his ex wife or something

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<v Speaker 1>like that?

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<v Speaker 5>No, his ex girlfriend is my wife. Wow, that's a

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<v Speaker 5>different thing. Was my wife shouldn't say? Is my wife?

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<v Speaker 5>Was my wife? She got a kid from me. He's

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<v Speaker 5>eighteen years old. His name is Marcain. I love him

0:13:05.120 --> 0:13:17.160
<v Speaker 5>to death. Yeah, but yeah, wow, I was.

0:13:17.120 --> 0:13:19.280
<v Speaker 1>Going through the I was like, oh, she's almost love

0:13:19.400 --> 0:13:22.600
<v Speaker 1>it started.

0:13:25.840 --> 0:13:28.200
<v Speaker 4>That's that's when the beef almost ended.

0:13:28.600 --> 0:13:31.600
<v Speaker 5>Okay, yeah, but you know, you see a girl, you're

0:13:31.679 --> 0:13:34.320
<v Speaker 5>like girl, girl like boy boy like girl girl and

0:13:34.360 --> 0:13:35.480
<v Speaker 5>boy get together.

0:13:38.800 --> 0:13:42.839
<v Speaker 1>By Yeah, that was it.

0:13:43.120 --> 0:13:45.720
<v Speaker 4>Yeah. I watched the.

0:13:47.200 --> 0:13:52.839
<v Speaker 5>One with I think with Babyface. Yeah, baby Faced is

0:13:52.880 --> 0:13:55.400
<v Speaker 5>my singer. I'm kind of bis don't know about it.

0:13:55.800 --> 0:13:57.079
<v Speaker 2>Who the baby Face go against?

0:13:57.679 --> 0:14:01.400
<v Speaker 5>Oh god, baby Face go somebody? I don't remember, but

0:14:01.520 --> 0:14:04.960
<v Speaker 5>I forgot. Yeah I remember baby Face though. And then

0:14:05.480 --> 0:14:07.160
<v Speaker 5>I watched No One BMX.

0:14:07.640 --> 0:14:08.160
<v Speaker 1>Oh yeah.

0:14:09.679 --> 0:14:15.400
<v Speaker 4>Yeah, yeah, Riley, yeah, baby Face googling on time.

0:14:18.720 --> 0:14:19.800
<v Speaker 1>I have to tell you to do that.

0:14:20.040 --> 0:14:24.280
<v Speaker 2>Okay, okay, that's what's up.

0:14:24.600 --> 0:14:26.120
<v Speaker 4>So I watched them both.

0:14:27.080 --> 0:14:30.520
<v Speaker 5>I didn't like the vibes, but because I wasn't getting

0:14:30.560 --> 0:14:35.040
<v Speaker 5>the vibes from you know, so I said, Okay, we're

0:14:35.040 --> 0:14:37.480
<v Speaker 5>not going to do no versus like that.

0:14:38.200 --> 0:14:40.840
<v Speaker 4>We're going to do like nineteen eighty seven.

0:14:41.280 --> 0:14:43.800
<v Speaker 1>But clash clash, you're.

0:14:43.600 --> 0:14:46.520
<v Speaker 4>Gonna be each other. That bomb bom bomb.

0:14:47.560 --> 0:14:47.920
<v Speaker 7>That was it.

0:14:48.080 --> 0:14:50.480
<v Speaker 5>That was a beautiful thing because the vibe was nice.

0:14:50.520 --> 0:14:54.200
<v Speaker 5>It's not like we're fighting. We're trying to raisent each other,

0:14:54.320 --> 0:14:55.440
<v Speaker 5>but we're not fighting.

0:14:56.640 --> 0:14:59.520
<v Speaker 4>So yeah, it was I love that verson.

0:15:00.200 --> 0:15:00.640
<v Speaker 1>I loved it.

0:15:01.200 --> 0:15:04.240
<v Speaker 2>It stood on to all the verses. That was like

0:15:04.320 --> 0:15:06.840
<v Speaker 2>the first one that like everyone like you know what

0:15:06.880 --> 0:15:07.200
<v Speaker 2>I'm saying.

0:15:07.280 --> 0:15:09.680
<v Speaker 1>Like I said, there was credited in Jamaica for winning,

0:15:09.880 --> 0:15:12.320
<v Speaker 1>you know what I mean, because it looked really good.

0:15:13.040 --> 0:15:15.640
<v Speaker 3>Jamaica didn't get credit too to a degree because and

0:15:15.680 --> 0:15:17.200
<v Speaker 3>did you I want to ask if you felt that

0:15:17.320 --> 0:15:21.200
<v Speaker 3>because Billboard they covered the versus effect. Yeah, they didn't

0:15:21.240 --> 0:15:24.840
<v Speaker 3>put it, didn't put men in bounty kill, So who

0:15:24.880 --> 0:15:26.480
<v Speaker 3>do they put that?

0:15:26.680 --> 0:15:26.720
<v Speaker 1>What?

0:15:26.880 --> 0:15:29.400
<v Speaker 4>Everybody else that didn't put us up? But I don't care,

0:15:29.600 --> 0:15:32.240
<v Speaker 4>come right, because you see.

0:15:32.120 --> 0:15:36.320
<v Speaker 5>The problem is big boats in magazine that came out.

0:15:37.560 --> 0:15:43.920
<v Speaker 5>But the world is Internet loving right now, so everybody's

0:15:44.000 --> 0:15:46.880
<v Speaker 5>on social media everybody's on this, everybody's in that.

0:15:47.360 --> 0:15:49.960
<v Speaker 4>So the people that watched the verses, they know.

0:15:51.600 --> 0:15:54.880
<v Speaker 5>If big Board didn't want to recognize us as you know,

0:15:56.360 --> 0:15:57.840
<v Speaker 5>that's that's that's their loss.

0:15:57.920 --> 0:15:59.040
<v Speaker 4>It's not minds true.

0:16:00.360 --> 0:16:01.640
<v Speaker 1>Let me ask you, what do you what do you

0:16:01.640 --> 0:16:02.800
<v Speaker 1>feel about afrobeats?

0:16:04.080 --> 0:16:07.800
<v Speaker 5>I love the way all them implement dansall in the aphrobeat.

0:16:08.800 --> 0:16:10.320
<v Speaker 4>You understand because.

0:16:10.040 --> 0:16:13.240
<v Speaker 5>They say the music is from Africa, so they can

0:16:13.360 --> 0:16:15.880
<v Speaker 5>do anything. They can use any music they're ont use.

0:16:16.400 --> 0:16:20.720
<v Speaker 5>But the alphabeat is it's nice music. You can dancely

0:16:20.880 --> 0:16:22.880
<v Speaker 5>like salsa, do all of that together.

0:16:23.000 --> 0:16:26.440
<v Speaker 4>It's nice. It's nice music. So I actually love it.

0:16:26.800 --> 0:16:31.200
<v Speaker 5>I appreciate the Africans to come out and show their talent.

0:16:32.280 --> 0:16:35.600
<v Speaker 5>But yeah, so when somebody loves music and appreciate it

0:16:35.840 --> 0:16:39.120
<v Speaker 5>by going and build their own song, their own music

0:16:39.240 --> 0:16:44.000
<v Speaker 5>off your music, you got to give them appreciation because

0:16:44.440 --> 0:16:47.040
<v Speaker 5>they show you that they love the music, and you inspire.

0:16:48.600 --> 0:16:53.880
<v Speaker 4>So if you muse it, don't inspire ship seriously, So

0:16:54.040 --> 0:16:55.120
<v Speaker 4>you got to think about that.

0:16:55.280 --> 0:16:59.920
<v Speaker 2>Too, right yea, And eventually generationally things will get lost,

0:17:00.080 --> 0:17:01.520
<v Speaker 2>history gets lost, unfortunately.

0:17:01.680 --> 0:17:06.560
<v Speaker 5>Yeah, seriously, you guys, just know that your music is

0:17:06.720 --> 0:17:10.760
<v Speaker 5>music I don't remember the first time I hear a

0:17:11.119 --> 0:17:12.159
<v Speaker 5>hip hop song was.

0:17:13.800 --> 0:17:14.040
<v Speaker 4>That's it?

0:17:15.080 --> 0:17:15.240
<v Speaker 1>Oh?

0:17:15.359 --> 0:17:17.800
<v Speaker 4>Just every cookin It's what your name?

0:17:19.440 --> 0:17:23.199
<v Speaker 1>Kid? Him play and I can't pitch a beating man.

0:17:23.240 --> 0:17:32.520
<v Speaker 1>Listen what that's good? Come? What I watched House Party?

0:17:32.560 --> 0:17:37.400
<v Speaker 1>What that makes sense? Yeah? God kill him?

0:17:37.440 --> 0:17:43.080
<v Speaker 4>Play? Yeah? I please you remember it's not gonna work.

0:17:44.000 --> 0:17:50.240
<v Speaker 5>When it come to music in my household, it was reggae,

0:17:52.000 --> 0:17:52.920
<v Speaker 5>country and western.

0:17:54.000 --> 0:17:55.760
<v Speaker 1>Yeah, seriously country western?

0:17:56.440 --> 0:17:58.399
<v Speaker 4>What oh you think I know?

0:17:58.520 --> 0:18:00.480
<v Speaker 1>Kenny Rogers? What I want to say? You listen to

0:18:00.560 --> 0:18:04.560
<v Speaker 1>Kids Brooks and Dolly Parton. Don't you talking about it?

0:18:07.200 --> 0:18:07.600
<v Speaker 3>That is?

0:18:07.680 --> 0:18:10.240
<v Speaker 4>We now with me?

0:18:11.480 --> 0:18:16.560
<v Speaker 1>Can we sail away with me? To one? Now the word?

0:18:17.320 --> 0:18:22.639
<v Speaker 1>And we rely on each other one love to.

0:18:22.840 --> 0:18:31.520
<v Speaker 4>Another music papaye we we we we we go through

0:18:31.640 --> 0:18:35.240
<v Speaker 4>all of that, all right, but you have this guy

0:18:35.280 --> 0:18:40.840
<v Speaker 4>wasn't even getting Brenton you have a say and said, because.

0:18:42.560 --> 0:18:43.919
<v Speaker 1>There be so.

0:18:45.600 --> 0:18:46.080
<v Speaker 6>I don't know what.

0:18:48.240 --> 0:18:48.880
<v Speaker 1>It's gospel?

0:18:49.200 --> 0:18:49.560
<v Speaker 6>Okay?

0:18:50.000 --> 0:18:52.600
<v Speaker 1>There the.

0:18:55.240 --> 0:18:58.320
<v Speaker 4>Across that used to play my house.

0:18:59.640 --> 0:19:00.480
<v Speaker 1>Your mother, Christian?

0:19:00.680 --> 0:19:03.120
<v Speaker 8>Yes, did you have to sneak and listen to other

0:19:03.160 --> 0:19:04.640
<v Speaker 8>types of music in your own household?

0:19:04.800 --> 0:19:04.840
<v Speaker 1>What?

0:19:05.200 --> 0:19:05.240
<v Speaker 6>No?

0:19:05.880 --> 0:19:07.240
<v Speaker 1>You gotta bar across the road?

0:19:07.320 --> 0:19:08.920
<v Speaker 4>Road back so you put the money in it.

0:19:09.000 --> 0:19:13.000
<v Speaker 2>Then what your father used to listen to? If your

0:19:13.000 --> 0:19:13.800
<v Speaker 2>mother used to listen to God?

0:19:14.200 --> 0:19:16.640
<v Speaker 4>My father is rested feelings. So you listened to Bob

0:19:16.760 --> 0:19:20.439
<v Speaker 4>Marley and listen to you know? You need to go? Gregory?

0:19:20.480 --> 0:19:22.840
<v Speaker 4>ISAA excelled them people yet?

0:19:23.000 --> 0:19:25.440
<v Speaker 1>Actually Bob Marty and the Whalers, Bar Mary or Bob

0:19:25.520 --> 0:19:28.840
<v Speaker 1>Marley on the way less? Okay, yeah, that's my ship,

0:19:30.240 --> 0:19:32.720
<v Speaker 1>relutionary Bob to I gotta be a little bit angry.

0:19:32.840 --> 0:19:40.760
<v Speaker 4>Yeah, yeah, listen to the revolutionary vibe.

0:19:40.800 --> 0:19:41.640
<v Speaker 1>You want to do something?

0:19:42.240 --> 0:19:43.080
<v Speaker 2>You want to go outside?

0:19:43.240 --> 0:19:49.159
<v Speaker 1>Yeah? Did you watch Bob in the movie? I saw it?

0:19:50.320 --> 0:19:51.720
<v Speaker 1>I ain't unconfident.

0:19:52.080 --> 0:19:52.879
<v Speaker 4>I'm sorry, but.

0:19:53.080 --> 0:19:55.560
<v Speaker 1>By what side? You don't like it?

0:19:55.640 --> 0:19:57.000
<v Speaker 4>I got nothing to say about that?

0:19:57.280 --> 0:20:01.159
<v Speaker 1>Oh? I saw it?

0:20:02.200 --> 0:20:02.800
<v Speaker 4>But what what?

0:20:03.000 --> 0:20:05.080
<v Speaker 5>What do you want me to say? This is Bob Marty.

0:20:05.320 --> 0:20:06.960
<v Speaker 5>I can't say nothing bad about Bob.

0:20:07.560 --> 0:20:08.159
<v Speaker 6>So what did you?

0:20:09.600 --> 0:20:10.280
<v Speaker 1>I saw it?

0:20:10.640 --> 0:20:15.000
<v Speaker 6>Okay? Thank you want to what do you think about it?

0:20:16.760 --> 0:20:18.639
<v Speaker 1>Twice? And I'm about to spatch it to get in

0:20:18.720 --> 0:20:20.800
<v Speaker 1>my house? Would you make a movie like that about

0:20:20.800 --> 0:20:22.240
<v Speaker 1>being in what?

0:20:23.520 --> 0:20:26.200
<v Speaker 4>But I can't make a movie like that yet?

0:20:26.440 --> 0:20:35.000
<v Speaker 1>Because you know more to go? All right? Yeah?

0:20:35.040 --> 0:20:39.000
<v Speaker 4>But there are certain things that I've been through that

0:20:39.680 --> 0:20:40.920
<v Speaker 4>I don't want to.

0:20:41.800 --> 0:20:42.520
<v Speaker 2>You're not ready to.

0:20:43.560 --> 0:20:45.040
<v Speaker 1>You're not ready. You can't ready for that.

0:20:45.119 --> 0:20:46.000
<v Speaker 4>You're going to go to prison.

0:20:54.480 --> 0:20:57.439
<v Speaker 1>Yeah that was life. It's not pretty.

0:20:57.840 --> 0:21:00.720
<v Speaker 4>It's not nice because we we we grew in the

0:21:00.800 --> 0:21:06.400
<v Speaker 4>wood like and we don't grow nice. It's not it's

0:21:06.480 --> 0:21:07.399
<v Speaker 4>not a nice thing.

0:21:08.280 --> 0:21:11.760
<v Speaker 5>Like trust me, we just didn't suffer, you know, because yeah,

0:21:11.800 --> 0:21:13.360
<v Speaker 5>about it wakes too make money.

0:21:13.240 --> 0:21:16.679
<v Speaker 3>So you know you're but even how you said how

0:21:16.720 --> 0:21:20.240
<v Speaker 3>you're saying that, people don't really can't visualize it like that.

0:21:20.359 --> 0:21:21.960
<v Speaker 1>So that's what I'm saying. It's great to have a

0:21:22.080 --> 0:21:23.760
<v Speaker 1>movie like that you made.

0:21:24.640 --> 0:21:25.639
<v Speaker 4>I'm gonna go a person.

0:21:25.800 --> 0:21:27.960
<v Speaker 6>I'm not gonna but there's some things you can leave

0:21:27.960 --> 0:21:28.720
<v Speaker 6>on the cutting on the floor.

0:21:28.800 --> 0:21:29.200
<v Speaker 4>You don't have to.

0:21:29.640 --> 0:21:31.720
<v Speaker 2>It seems like he wants to tell his real true story,

0:21:31.800 --> 0:21:32.399
<v Speaker 2>but he's not right.

0:21:32.480 --> 0:21:34.399
<v Speaker 4>I can't do that. Then we're going to go to prison.

0:21:36.600 --> 0:21:40.800
<v Speaker 1>That he's gonna wait long time, everybody, it's not gonna happen.

0:21:41.240 --> 0:21:42.080
<v Speaker 4>That's about it.

0:21:42.160 --> 0:21:44.560
<v Speaker 5>Because if I'm making a live story, and making a

0:21:44.640 --> 0:21:46.680
<v Speaker 5>live story, I'm making a story of my life to

0:21:46.720 --> 0:21:49.240
<v Speaker 5>be truthful. Yeah, I don't be truthful. I'm going to

0:21:49.280 --> 0:21:52.720
<v Speaker 5>make a Ray movie like Old Ray yet blind and

0:21:52.800 --> 0:21:54.680
<v Speaker 5>all of that. To lose his hype and all of that.

0:21:54.920 --> 0:21:57.159
<v Speaker 5>I have to show you or I grow or I

0:21:57.240 --> 0:22:01.840
<v Speaker 5>become am right. So if I show you, I'm gonna

0:22:01.840 --> 0:22:02.320
<v Speaker 5>good person.

0:22:03.080 --> 0:22:04.879
<v Speaker 4>I got no time for that. I got no time

0:22:04.960 --> 0:22:07.399
<v Speaker 4>for person. I got no time for cops that, got

0:22:07.480 --> 0:22:09.920
<v Speaker 4>no time for judge and none.

0:22:10.560 --> 0:22:13.840
<v Speaker 1>So yeah, cheers. So then other day I saw on

0:22:14.040 --> 0:22:17.440
<v Speaker 1>Instagram a guy post and he said, even the poorest

0:22:17.560 --> 0:22:20.480
<v Speaker 1>man from the island is richer than it's rich. So

0:22:20.760 --> 0:22:22.719
<v Speaker 1>so what I'm talking about, it's richer than the average

0:22:22.720 --> 0:22:26.480
<v Speaker 1>city boy because when you from an island, you have

0:22:26.600 --> 0:22:35.680
<v Speaker 1>access to clean water, organic food. Like your backyard is hopeful, yes, paradise.

0:22:36.119 --> 0:22:38.520
<v Speaker 1>What you believe that what you're saying, all.

0:22:39.240 --> 0:22:41.840
<v Speaker 4>See in Jamaica. You just get up and you see

0:22:42.600 --> 0:22:44.520
<v Speaker 4>a man tree just growing in the yard like that.

0:22:45.440 --> 0:22:47.800
<v Speaker 5>You see just go in the yard like that, a

0:22:47.840 --> 0:22:51.040
<v Speaker 5>bread food tree just going your yard, like manga tree

0:22:51.160 --> 0:22:52.080
<v Speaker 5>just going your yard like that.

0:22:52.200 --> 0:22:55.920
<v Speaker 4>So you can't hungry. These are not fruits that just

0:22:56.080 --> 0:22:57.000
<v Speaker 4>grow by itself.

0:22:57.119 --> 0:22:59.680
<v Speaker 5>You eat the mango and throw away to see and

0:22:59.800 --> 0:23:02.880
<v Speaker 5>it's see grow into a big ass tree and you're

0:23:02.880 --> 0:23:07.119
<v Speaker 5>looking like a whaa. You don't have to plant that,

0:23:07.320 --> 0:23:09.359
<v Speaker 5>you don't have to plant banana trees, you don't have

0:23:09.440 --> 0:23:10.040
<v Speaker 5>to do none of that.

0:23:10.960 --> 0:23:13.080
<v Speaker 1>It just grow.

0:23:14.880 --> 0:23:18.480
<v Speaker 5>So, yes, Jamaica is different. And the under we got

0:23:19.000 --> 0:23:22.520
<v Speaker 5>natural water from the mountain. So when when the mountain

0:23:23.119 --> 0:23:27.639
<v Speaker 5>bus open, it gives you a spring. That's holy mountain

0:23:27.800 --> 0:23:30.160
<v Speaker 5>or no, no, just all the mountains.

0:23:30.280 --> 0:23:32.440
<v Speaker 1>What you go to? What are you saying?

0:23:34.880 --> 0:23:38.680
<v Speaker 4>You go to a river, there's a spring in the river.

0:23:39.720 --> 0:23:40.679
<v Speaker 2>The source is the mountain.

0:23:41.880 --> 0:23:45.320
<v Speaker 5>There you go, so that you got spring water that

0:23:45.400 --> 0:23:47.479
<v Speaker 5>you got to buy in the Bacca. But you can

0:23:47.600 --> 0:23:50.320
<v Speaker 5>just go to the mountain and go like that's full of.

0:23:50.280 --> 0:23:54.440
<v Speaker 1>Your glass and right, yeah, truly clean water.

0:23:54.600 --> 0:23:55.879
<v Speaker 4>Yeah, that's that's Jamaica.

0:23:55.960 --> 0:23:56.240
<v Speaker 1>Figure.

0:23:56.320 --> 0:23:58.200
<v Speaker 4>It's just a nice place. It is a nice place.

0:23:58.400 --> 0:24:01.520
<v Speaker 4>Just wicked people live in nice places.

0:24:02.720 --> 0:24:02.920
<v Speaker 1>Yeah.

0:24:03.000 --> 0:24:04.119
<v Speaker 4>The government is wicked.

0:24:06.280 --> 0:24:08.800
<v Speaker 1>The j LP was wicked.

0:24:08.840 --> 0:24:11.159
<v Speaker 4>Yeah, got JFP and p n P and p m

0:24:11.200 --> 0:24:13.000
<v Speaker 4>P like bluzz and cribs.

0:24:13.119 --> 0:24:16.159
<v Speaker 2>Yeah, and that's what in the Caribbean. The political parties

0:24:16.200 --> 0:24:21.840
<v Speaker 2>are like what blezzing cribs. Yeah, and they used they

0:24:21.960 --> 0:24:24.359
<v Speaker 2>used the people in the townships to fight for them.

0:24:26.560 --> 0:24:26.879
<v Speaker 1>Ghost.

0:24:27.080 --> 0:24:29.200
<v Speaker 4>Remember we come from a place where you have to

0:24:29.240 --> 0:24:31.480
<v Speaker 4>be something. It's either your PNP or your jed P.

0:24:31.800 --> 0:24:36.040
<v Speaker 1>Right be a musician. Yeah, that's what's upthing makes a

0:24:36.080 --> 0:24:41.679
<v Speaker 1>noise for that show was about giving people they flowers

0:24:41.680 --> 0:24:43.560
<v Speaker 1>while they could smell them. You know what I mean.

0:24:43.680 --> 0:24:45.280
<v Speaker 1>They thought while they could think them, and they drinks

0:24:45.280 --> 0:24:46.920
<v Speaker 1>while they could drink them. We wanted to give you

0:24:47.040 --> 0:24:49.440
<v Speaker 1>your flowers, snoop dogs that it's better than the Grammy

0:24:49.440 --> 0:24:56.200
<v Speaker 1>because it comes from your people nineteen crimes.

0:24:56.440 --> 0:24:57.400
<v Speaker 4>Look at my flowers.

0:24:57.520 --> 0:25:03.280
<v Speaker 1>Yes, So do you want to want to do quick time?

0:25:04.480 --> 0:25:05.960
<v Speaker 1>Because I don't think he's gonna take shots. So to

0:25:06.040 --> 0:25:08.720
<v Speaker 1>have him he could drink, he could just take have

0:25:10.400 --> 0:25:11.840
<v Speaker 1>rosters drive January.

0:25:12.840 --> 0:25:19.600
<v Speaker 2>Really, Sonny, you take sunny, he'll take the shots.

0:25:20.359 --> 0:25:23.080
<v Speaker 1>Yes, we don't want to give me a shot. What

0:25:23.960 --> 0:25:27.080
<v Speaker 1>what do you like? I don't know what you've got.

0:25:28.440 --> 0:25:31.119
<v Speaker 2>We've got mamajuana from the make Republic.

0:25:31.720 --> 0:25:32.280
<v Speaker 4>Don't get.

0:25:36.040 --> 0:25:38.159
<v Speaker 6>I don't want tequila. What's of tequila is?

0:25:39.920 --> 0:25:41.680
<v Speaker 4>Fuck me up? Marijuana? I don't.

0:25:41.920 --> 0:25:46.280
<v Speaker 5>I don't I drinking marijuana tea, but I don't drink majuana.

0:25:46.480 --> 0:25:49.920
<v Speaker 1>The back that No, that's not Marijuana's mama wan he knows,

0:25:50.000 --> 0:25:52.120
<v Speaker 1>he knows what marijuana.

0:25:52.240 --> 0:25:56.080
<v Speaker 4>I don't do my moajuana. I just don't do mama wuana.

0:25:57.800 --> 0:25:59.639
<v Speaker 4>I could take a shot to what is that?

0:26:00.080 --> 0:26:00.960
<v Speaker 2>This is vodka?

0:26:01.160 --> 0:26:01.360
<v Speaker 1>Yeah?

0:26:02.520 --> 0:26:03.000
<v Speaker 4>Yeah, give me.

0:26:05.000 --> 0:26:06.920
<v Speaker 2>Tequila. Wet got some music?

0:26:10.640 --> 0:26:13.240
<v Speaker 1>Let me ask you, how did you start drinking nineteen Crimes?

0:26:13.840 --> 0:26:15.080
<v Speaker 1>How did you get on that? All right?

0:26:15.440 --> 0:26:19.119
<v Speaker 5>I'm a wine drinker, okay, yeah, so they all right.

0:26:19.400 --> 0:26:24.640
<v Speaker 5>I like Australian wine. Yeah, and I like Italian wine.

0:26:24.720 --> 0:26:25.000
<v Speaker 1>M hm.

0:26:25.359 --> 0:26:27.720
<v Speaker 2>So I like it's how you want to a white

0:26:27.760 --> 0:26:28.320
<v Speaker 2>wine drinker.

0:26:29.200 --> 0:26:30.240
<v Speaker 4>I'm a red wine drinker.

0:26:30.320 --> 0:26:34.800
<v Speaker 5>I don't drink nothing like Yeah, my girlfriend drink white.

0:26:35.880 --> 0:26:38.639
<v Speaker 5>So sometime I have to, you know, muscle.

0:26:38.480 --> 0:26:42.080
<v Speaker 4>Up and be the man, Like what what are you

0:26:42.200 --> 0:26:47.280
<v Speaker 4>doing the snoop? Do you drink? I think everybody who

0:26:47.440 --> 0:26:48.320
<v Speaker 4>knows me know that.

0:26:48.480 --> 0:26:50.600
<v Speaker 1>I dream souse. As soon as I said I hit snoop,

0:26:50.600 --> 0:26:53.080
<v Speaker 1>I was like, Beanie man wants to drink nineteen Crimes.

0:26:53.119 --> 0:26:54.720
<v Speaker 1>He sent that ship so fast.

0:26:54.800 --> 0:26:56.640
<v Speaker 4>Man, Yeah, you know I drink.

0:27:00.720 --> 0:27:02.360
<v Speaker 1>Okay, we're gonna explain him to the game.

0:27:02.560 --> 0:27:04.240
<v Speaker 2>We're going to give you two choices. This is our

0:27:04.320 --> 0:27:04.880
<v Speaker 2>drinking game.

0:27:05.040 --> 0:27:06.040
<v Speaker 4>Okay, drinking game.

0:27:06.200 --> 0:27:09.400
<v Speaker 2>Two choices. This is really to bring up stories anything

0:27:09.400 --> 0:27:11.440
<v Speaker 2>you want to talk about with anybody we mentioned, and

0:27:11.560 --> 0:27:14.000
<v Speaker 2>you pick one, nobody drinks. But if you say both

0:27:14.680 --> 0:27:16.280
<v Speaker 2>or neither, like you don't want to answer the question,

0:27:16.400 --> 0:27:16.879
<v Speaker 2>we're drinking.

0:27:17.880 --> 0:27:18.720
<v Speaker 4>Oh we have to drink.

0:27:19.000 --> 0:27:20.720
<v Speaker 2>If you don't want to answer the question. If you

0:27:20.720 --> 0:27:25.160
<v Speaker 2>don't pick, this is going to be yet.

0:27:25.600 --> 0:27:27.879
<v Speaker 1>Are you ready? I'll go I tak the first one.

0:27:27.960 --> 0:27:35.880
<v Speaker 1>Go ahead, Peter Tosh or Bob Marley. Whoa, that's add one.

0:27:36.440 --> 0:27:42.159
<v Speaker 1>But I will go with Bob. Bob. Yeah, just so

0:27:42.240 --> 0:27:43.320
<v Speaker 1>you know, I don't make up these questions.

0:27:43.359 --> 0:27:46.480
<v Speaker 2>A Dominican and over there I'm being over there sniff

0:27:46.520 --> 0:27:48.040
<v Speaker 2>cocaine and they just make up funny.

0:27:50.720 --> 0:27:54.600
<v Speaker 1>But it's organic, you know. I'll go with Boat.

0:27:55.359 --> 0:27:57.080
<v Speaker 2>So we're taking a shot, all right.

0:27:57.119 --> 0:27:57.680
<v Speaker 1>Taking a shot.

0:27:57.960 --> 0:28:01.920
<v Speaker 4>I'll go Boat. I some of that blood cutting, okay,

0:28:02.160 --> 0:28:04.960
<v Speaker 4>he wants he wants the Yeah, I d cut.

0:28:05.160 --> 0:28:05.760
<v Speaker 6>You want to try that?

0:28:05.880 --> 0:28:11.440
<v Speaker 4>Mama, No, no, he said, you don't want them, Mama, Mama,

0:28:11.520 --> 0:28:12.600
<v Speaker 4>Mama always.

0:28:13.840 --> 0:28:16.800
<v Speaker 1>He no, mam, you got this.

0:28:17.520 --> 0:28:21.000
<v Speaker 4>I'm not drinking, Mama. I don't want to. That's what happened.

0:28:21.520 --> 0:28:28.280
<v Speaker 1>I don't drink that. He relaxed. Man, he makes it

0:28:28.320 --> 0:28:29.000
<v Speaker 1>in the top and kill.

0:28:29.160 --> 0:28:33.120
<v Speaker 2>He doesn't make it in a toughing candle. Yes, he's

0:28:33.119 --> 0:28:34.400
<v Speaker 2>stopping on it and it's no great.

0:28:34.880 --> 0:28:35.720
<v Speaker 6>So I think.

0:28:40.840 --> 0:28:44.120
<v Speaker 5>Just like that's coming like Prissy in Jamaica when they

0:28:44.200 --> 0:28:48.840
<v Speaker 5>tried to give you something crushed banana, some irish.

0:28:50.440 --> 0:28:53.800
<v Speaker 4>This this black man put out his boot and he's time.

0:28:54.200 --> 0:28:58.520
<v Speaker 4>They can't look from.

0:28:58.400 --> 0:28:58.920
<v Speaker 1>The train.

0:29:01.080 --> 0:29:06.000
<v Speaker 4>If he's doing that. Okay, I'm not drinking that. I'm

0:29:06.040 --> 0:29:11.160
<v Speaker 4>not drinking. Mama on now, okay, and Peter Peter right,

0:29:11.640 --> 0:29:14.160
<v Speaker 4>he's from the show to the liver, Come on like,

0:29:14.400 --> 0:29:15.560
<v Speaker 4>let us quiver right.

0:29:16.160 --> 0:29:19.640
<v Speaker 2>Goddamn Tony Kelly or for real good right?

0:29:20.560 --> 0:29:24.280
<v Speaker 4>Oh well, whoa damn you really made that?

0:29:24.440 --> 0:29:24.959
<v Speaker 1>That's all?

0:29:25.080 --> 0:29:29.920
<v Speaker 5>Wait what that's the old one too, because Tony Kelly

0:29:30.600 --> 0:29:35.120
<v Speaker 5>produced all of my eight songs and for produce cuts

0:29:35.120 --> 0:29:38.280
<v Speaker 5>then Sugar Sugar Kelly.

0:29:38.600 --> 0:29:40.920
<v Speaker 1>Is he like the Doctor dre of Reggae and Death.

0:29:41.880 --> 0:29:44.800
<v Speaker 5>Yeah, it's both of them. It's it's it's two of them.

0:29:44.960 --> 0:29:46.640
<v Speaker 5>You got Dave Kelly and Tony Key.

0:29:47.120 --> 0:29:54.360
<v Speaker 4>Yeah, but Tony Kelly is yeah, he's from shabarrank in time. Yeah, yeah, yeah,

0:29:54.440 --> 0:29:57.640
<v Speaker 4>Cody Kelly produced and Maxy Prieze saying you know.

0:29:58.360 --> 0:30:04.120
<v Speaker 2>Yeah, so both saying both boy, oh god, you're.

0:30:04.000 --> 0:30:06.160
<v Speaker 4>Not gonna set me up. I'm selling you.

0:30:07.160 --> 0:30:09.000
<v Speaker 2>We got you, and we gotta come back after to

0:30:09.080 --> 0:30:14.200
<v Speaker 2>talk about Yes, yes, the whole shot. Yes, yeah, and

0:30:14.320 --> 0:30:15.960
<v Speaker 2>I need can you get take this.

0:30:18.080 --> 0:30:22.479
<v Speaker 1>Stories stories about the Yeah, okay, this one, this one,

0:30:22.520 --> 0:30:25.280
<v Speaker 1>I know that you're going to have some stories. Yellow

0:30:25.400 --> 0:30:30.440
<v Speaker 1>Man or Ninja Man Ninjain Okay, that was that was easy,

0:30:31.880 --> 0:30:34.200
<v Speaker 1>got your story. No, Ninja Man is my.

0:30:35.520 --> 0:30:37.600
<v Speaker 4>He's the one to teach teach me how to work

0:30:37.680 --> 0:30:40.400
<v Speaker 4>in the performing state. He got twenty kids, right, yeah,

0:30:40.400 --> 0:30:42.600
<v Speaker 4>I don't know much kid, he got like thirty five.

0:30:44.240 --> 0:30:50.760
<v Speaker 5>Man that that man don't pay. Now that that man

0:30:50.840 --> 0:30:55.120
<v Speaker 5>doesn't pay. Ninja Man is he's my die. He's my

0:30:55.400 --> 0:30:57.480
<v Speaker 5>done dog and it is my DJ.

0:30:57.800 --> 0:31:01.120
<v Speaker 4>Like yeah, like seriously, okay, all right, let me see

0:31:01.200 --> 0:31:08.480
<v Speaker 4>this record Tony Kelly producers Okay, because I see Yeah,

0:31:08.520 --> 0:31:11.480
<v Speaker 4>Tony Kelly produces one. I seen this one.

0:31:12.880 --> 0:31:14.920
<v Speaker 2>And these are for my personal archives.

0:31:15.720 --> 0:31:16.640
<v Speaker 1>Take back.

0:31:22.160 --> 0:31:25.160
<v Speaker 5>Kelly produced the two songs right there for me for

0:31:25.280 --> 0:31:26.360
<v Speaker 5>Shocking Vibe Productions.

0:31:27.000 --> 0:31:28.000
<v Speaker 4>Yeah, bother them.

0:31:29.760 --> 0:31:32.440
<v Speaker 1>For that already, right, all right, all right, So Tony

0:31:32.520 --> 0:31:33.000
<v Speaker 1>Kelly did.

0:31:34.240 --> 0:31:38.120
<v Speaker 5>So many songs for me because all right, he's the

0:31:38.160 --> 0:31:43.080
<v Speaker 5>one that fright me after the badness, like you need

0:31:43.200 --> 0:31:45.480
<v Speaker 5>to stop doing the buts and do the music.

0:31:46.920 --> 0:31:48.760
<v Speaker 1>Let go the bass and do the music.

0:31:48.920 --> 0:31:53.680
<v Speaker 3>Really like Kelly, why why was he saying that? Because

0:31:53.720 --> 0:31:56.640
<v Speaker 3>I love I love that that the bonds of no.

0:31:56.960 --> 0:32:00.440
<v Speaker 4>But I'm telling him a bad man. Don't want to

0:32:01.880 --> 0:32:06.720
<v Speaker 4>think about the break now my nose just not come

0:32:06.760 --> 0:32:12.760
<v Speaker 4>on stop? You see, do you know about my wicked meg?

0:32:13.880 --> 0:32:16.360
<v Speaker 1>No? I want to know. I was hot, like man,

0:32:16.520 --> 0:32:17.240
<v Speaker 1>I was hot.

0:32:18.320 --> 0:32:20.640
<v Speaker 4>Have to run away from Kingston to go to the country,

0:32:21.280 --> 0:32:24.560
<v Speaker 4>and I didn't know like this.

0:32:28.760 --> 0:32:31.400
<v Speaker 5>Then they came my friend and my police friend come

0:32:31.440 --> 0:32:36.560
<v Speaker 5>around and you know, yeah, then you know we do

0:32:36.680 --> 0:32:40.640
<v Speaker 5>the thing, and the thing and the thing happened, and

0:32:41.000 --> 0:32:45.000
<v Speaker 5>the police just do the thing and the guy get

0:32:45.160 --> 0:32:46.920
<v Speaker 5>knock out and that was it.

0:32:47.720 --> 0:32:49.520
<v Speaker 4>But I can't tell you all of that because I

0:32:49.680 --> 0:32:50.080
<v Speaker 4>was going to go.

0:33:02.440 --> 0:33:04.880
<v Speaker 1>We can't talk about that. So you know, we talked

0:33:04.880 --> 0:33:14.800
<v Speaker 1>about it. Yeah, I just yeah Seampa or elephant man Shampa, Okay,

0:33:15.200 --> 0:33:19.959
<v Speaker 1>not Dominican, right, he's from Jamaica. He's from That's why

0:33:20.000 --> 0:33:20.680
<v Speaker 1>I wanted that one.

0:33:21.200 --> 0:33:27.360
<v Speaker 4>Yeah, elemen fan, elemen fan, that's what I called him

0:33:27.720 --> 0:33:30.400
<v Speaker 4>about it. Get it wire, that's my name for you.

0:33:30.960 --> 0:33:34.719
<v Speaker 4>Don't worry about it. I can't tell the girl man

0:33:34.760 --> 0:33:36.240
<v Speaker 4>an elephant that that doesn't mean that.

0:33:38.680 --> 0:33:45.040
<v Speaker 1>Was you know, are you elephant fan?

0:33:45.600 --> 0:33:50.440
<v Speaker 5>No Eliman fan. Yeah, because he's a grown man. That

0:33:51.200 --> 0:33:54.280
<v Speaker 5>the energy is a as an infant, because you just

0:33:54.400 --> 0:33:55.840
<v Speaker 5>jump all over the place and as.

0:33:55.720 --> 0:34:08.880
<v Speaker 1>You got yeah, yeah you know and go yeah that's

0:34:08.960 --> 0:34:13.840
<v Speaker 1>all ol reggae both okay, so.

0:34:15.640 --> 0:34:18.560
<v Speaker 2>Yeah, yes, every time you said little shots.

0:34:18.880 --> 0:34:19.960
<v Speaker 1>No I got little shots.

0:34:20.280 --> 0:34:23.320
<v Speaker 5>I'm not taking no big shots going keep you little shots.

0:34:25.920 --> 0:34:29.879
<v Speaker 5>Give me a minute, give me a minute, one minute.

0:34:30.960 --> 0:34:40.040
<v Speaker 1>There we go. Shut all right, Lady Saw Patra you

0:34:40.120 --> 0:34:41.839
<v Speaker 1>got to train with Patra though too, right.

0:34:41.960 --> 0:34:46.000
<v Speaker 5>Yeah, I see Portray is my my friend from Loang Long.

0:34:47.239 --> 0:34:50.360
<v Speaker 5>I know Patrack before I know Lady Saw. But but

0:34:50.560 --> 0:34:54.200
<v Speaker 5>Lady Saw it's one of the beddest female artists from

0:34:54.239 --> 0:34:55.040
<v Speaker 5>our makers.

0:34:55.760 --> 0:34:59.520
<v Speaker 1>Do not pay. She's already O G two Yeah, definitely, yeah,

0:34:59.719 --> 0:35:00.600
<v Speaker 1>she's she she.

0:35:01.600 --> 0:35:05.120
<v Speaker 5>All right, spices the Queen of the dance hall. But

0:35:05.280 --> 0:35:09.600
<v Speaker 5>Lady Saw she really rocked the queen like she she

0:35:09.800 --> 0:35:12.640
<v Speaker 5>was the queen before she baptized and turned Christian and

0:35:12.719 --> 0:35:12.960
<v Speaker 5>all that.

0:35:13.320 --> 0:35:14.920
<v Speaker 2>But don't you kind of record The Queen of the

0:35:15.000 --> 0:35:18.120
<v Speaker 2>Dance Hall with Patram, don't you got to record The

0:35:18.200 --> 0:35:19.000
<v Speaker 2>Queen of the Dance Hall?

0:35:19.120 --> 0:35:21.640
<v Speaker 4>And this with Patro Yeah, Patra was part of the

0:35:22.360 --> 0:35:28.399
<v Speaker 4>Dancehall Queen. Yeah, yeah, the World Movie Queen.

0:35:29.600 --> 0:35:29.759
<v Speaker 1>Yeah.

0:35:29.800 --> 0:35:32.400
<v Speaker 5>But it was what you're saying, ladies, she was wicked.

0:35:32.480 --> 0:35:35.719
<v Speaker 5>I love Patch, don't get it twisted. I love Patch

0:35:36.160 --> 0:35:41.200
<v Speaker 5>that don't get it twisted. I love Butcher. But lady Saw.

0:35:42.200 --> 0:35:46.480
<v Speaker 5>She's original, she creates music. She she's just coming here

0:35:46.520 --> 0:35:50.240
<v Speaker 5>to beat then them now, oh.

0:35:50.239 --> 0:35:51.160
<v Speaker 4>Me hot, you know.

0:35:57.440 --> 0:36:01.400
<v Speaker 1>Saying she's crazy, but.

0:36:01.560 --> 0:36:07.400
<v Speaker 4>You's wicked, wicked, wicked, but lady, so it's a different

0:36:07.560 --> 0:36:10.759
<v Speaker 4>human being. She all right. She reminded me of me,

0:36:11.000 --> 0:36:13.319
<v Speaker 4>like there what you.

0:36:17.480 --> 0:36:18.560
<v Speaker 2>She's the best, reminds me.

0:36:20.800 --> 0:36:21.120
<v Speaker 1>Answer.

0:36:21.160 --> 0:36:25.200
<v Speaker 4>I'm the king of the answer. You go get that,

0:36:26.080 --> 0:36:26.360
<v Speaker 4>get that.

0:36:27.480 --> 0:36:28.120
<v Speaker 1>That's what I'm saying.

0:36:29.080 --> 0:36:32.360
<v Speaker 4>She reminded me she's wicked. Ladies, I don't remember.

0:36:32.760 --> 0:36:38.080
<v Speaker 1>All right. You see she she goes, she goes X rayed,

0:36:38.840 --> 0:36:40.240
<v Speaker 1>but not x rated.

0:36:41.200 --> 0:36:43.759
<v Speaker 4>She going the farm up to make you want to

0:36:44.360 --> 0:36:47.680
<v Speaker 4>do ship, but not do that ship that people doing.

0:36:51.320 --> 0:36:54.560
<v Speaker 4>All right, See, Lady Saw, all right, remember when you

0:36:54.680 --> 0:36:55.080
<v Speaker 4>come on with you?

0:36:55.120 --> 0:36:55.879
<v Speaker 1>I said, Yea.

0:36:55.960 --> 0:36:58.920
<v Speaker 4>You can't gun goo there. You can't guys about me

0:36:59.520 --> 0:37:03.320
<v Speaker 4>about Yeah, I might be a little that's it's about it.

0:37:03.719 --> 0:37:05.560
<v Speaker 4>And I'm like, what.

0:37:07.680 --> 0:37:09.880
<v Speaker 5>Now I get interested. I started to going like this.

0:37:12.360 --> 0:37:14.200
<v Speaker 5>I started to getting interested. And then I saw her

0:37:14.239 --> 0:37:17.960
<v Speaker 5>performing stage. She she got on her tice and she's

0:37:18.040 --> 0:37:19.879
<v Speaker 5>keep on with that for them, grab up by something,

0:37:20.680 --> 0:37:26.240
<v Speaker 5>what and what? So she breaks the dance all scale.

0:37:28.000 --> 0:37:30.719
<v Speaker 5>So she makes all women know how to perform. She

0:37:30.880 --> 0:37:32.880
<v Speaker 5>may call women know what to sing and what not

0:37:33.000 --> 0:37:35.719
<v Speaker 5>to sing, where to go, where not to go. But

0:37:36.400 --> 0:37:41.640
<v Speaker 5>she comes conscious too. She just don't do all slockness. No,

0:37:41.920 --> 0:37:44.680
<v Speaker 5>she don't do that. She she comes conscious too.

0:37:44.800 --> 0:37:46.400
<v Speaker 1>So what she do?

0:37:46.600 --> 0:37:47.759
<v Speaker 4>She inspired me.

0:37:49.560 --> 0:37:50.440
<v Speaker 1>And I love her for that.

0:37:51.480 --> 0:37:52.160
<v Speaker 6>That's powerful.

0:37:52.640 --> 0:37:53.760
<v Speaker 1>Yeah, SiZ.

0:37:55.160 --> 0:37:56.120
<v Speaker 4>Huh, sizz.

0:37:57.760 --> 0:38:03.560
<v Speaker 1>Sizzla are cable toon? Who both? Oh right now?

0:38:08.320 --> 0:38:08.640
<v Speaker 2>Cheers?

0:38:10.320 --> 0:38:13.320
<v Speaker 1>It was a sizzling story. HM, give us a sizzling

0:38:13.360 --> 0:38:21.200
<v Speaker 1>story story story. Okay, I worried both of them. Actually

0:38:21.239 --> 0:38:22.400
<v Speaker 1>did tell him.

0:38:24.840 --> 0:38:29.280
<v Speaker 5>See what I'm saying, you're not listening to him, Nigga

0:38:29.440 --> 0:38:39.319
<v Speaker 5>go to president. Yeah, both of them. But Sizzla is uh.

0:38:39.800 --> 0:38:46.000
<v Speaker 4>He's inspirational by the music that he sings and how

0:38:46.120 --> 0:38:49.120
<v Speaker 4>he delivered his words. And you know I always sing

0:38:49.239 --> 0:38:56.720
<v Speaker 4>his album is the Fireman and he is my performer,

0:38:58.200 --> 0:39:00.359
<v Speaker 4>is my my record, and I just mm.

0:39:00.320 --> 0:39:10.160
<v Speaker 1>Hmm describe Great t R or Gorilla Black? What what.

0:39:13.200 --> 0:39:13.239
<v Speaker 2>That?

0:39:13.440 --> 0:39:14.840
<v Speaker 1>Yeah? That's the Dominican.

0:39:15.880 --> 0:39:22.919
<v Speaker 5>My friendship right now, go ahead, Black is my friend.

0:39:24.680 --> 0:39:26.560
<v Speaker 5>We we sing something together, did you?

0:39:27.560 --> 0:39:29.080
<v Speaker 4>Yes? I did his first song.

0:39:29.040 --> 0:39:30.840
<v Speaker 2>Pause, why we say.

0:39:33.280 --> 0:39:35.120
<v Speaker 1>Please? You should explain it for you.

0:39:36.560 --> 0:39:36.759
<v Speaker 4>Yeah.

0:39:39.400 --> 0:39:43.080
<v Speaker 1>Yeah. Bus means like break the artist. Okay, yeah the artist. Yeah. No,

0:39:44.040 --> 0:39:44.960
<v Speaker 1>his first song is with you.

0:39:45.160 --> 0:39:47.280
<v Speaker 5>Yeah, this is about money. I get shut and idiot

0:39:47.480 --> 0:39:50.680
<v Speaker 5>but money. Yeah, yeah that's true. And and and going

0:39:50.760 --> 0:39:51.799
<v Speaker 5>that black student.

0:39:52.880 --> 0:39:53.319
<v Speaker 4>With me too?

0:39:53.960 --> 0:39:56.040
<v Speaker 6>Did you choose did you choose me?

0:39:56.200 --> 0:39:56.239
<v Speaker 9>No?

0:39:56.800 --> 0:40:04.040
<v Speaker 5>No not these black people call me, said so, I

0:40:04.360 --> 0:40:07.080
<v Speaker 5>just went and go on the record. And they called

0:40:07.120 --> 0:40:09.120
<v Speaker 5>me again and he said, we.

0:40:12.120 --> 0:40:12.960
<v Speaker 1>Go to a video.

0:40:13.520 --> 0:40:20.560
<v Speaker 4>But the problem is it was Germany. Du Prix German. Yeah, okay, okay,

0:40:20.960 --> 0:40:24.280
<v Speaker 4>Jesus Christ, my American talk did come from.

0:40:30.040 --> 0:40:30.360
<v Speaker 1>Germany.

0:40:30.480 --> 0:40:34.600
<v Speaker 5>Du Prix called me and said, listen, I needed in

0:40:34.680 --> 0:40:37.560
<v Speaker 5>this record. And then he called me again and he

0:40:37.600 --> 0:40:39.120
<v Speaker 5>said I needed this record.

0:40:40.320 --> 0:40:42.719
<v Speaker 1>So she means to be called you both times for both. Yeah,

0:40:44.920 --> 0:40:45.560
<v Speaker 1>I know what you mean to.

0:40:45.560 --> 0:40:48.600
<v Speaker 4>Be well what you're talking about.

0:40:48.800 --> 0:40:53.520
<v Speaker 1>I didn't know that coming backwards the virgin. Come on, dog,

0:40:53.680 --> 0:40:54.720
<v Speaker 1>and you got the Janet Jackson.

0:40:58.560 --> 0:40:58.920
<v Speaker 4>I see it.

0:40:59.040 --> 0:41:03.880
<v Speaker 1>My bad get get anything. I was a virgin to

0:41:04.640 --> 0:41:10.560
<v Speaker 1>get anything. Yeah, it don't makes sense. Now there you go. Yeah,

0:41:10.719 --> 0:41:14.160
<v Speaker 1>Chaman was you know he was on virgin as well. Right,

0:41:14.719 --> 0:41:26.520
<v Speaker 1>you just said it makes sense? Who see I have

0:41:26.640 --> 0:41:28.600
<v Speaker 1>to drink? Okay, all right, cool, fair enough?

0:41:28.800 --> 0:41:32.239
<v Speaker 2>Sim who got the keys to man?

0:41:33.880 --> 0:41:36.879
<v Speaker 1>I told you if you say send semon a person

0:41:36.960 --> 0:41:40.080
<v Speaker 1>that we got the keys about Vemo, you legally slapped

0:41:40.120 --> 0:41:43.960
<v Speaker 1>them in the face like it's presidential approved. Yeah all right,

0:41:44.440 --> 0:41:47.520
<v Speaker 1>I spread the room from the deliver.

0:41:47.719 --> 0:41:50.920
<v Speaker 6>Okay, come on, let us quiver know the one already?

0:41:51.360 --> 0:41:51.600
<v Speaker 1>Mind?

0:41:54.520 --> 0:41:56.880
<v Speaker 2>Yeah, okay, for no reason you want the next one

0:41:56.960 --> 0:42:00.640
<v Speaker 2>tupaet d m X. There we go now and piece

0:42:00.680 --> 0:42:01.960
<v Speaker 2>of both of them go put.

0:42:04.920 --> 0:42:07.239
<v Speaker 1>Quick walk back.

0:42:07.280 --> 0:42:10.239
<v Speaker 4>But I love DMX to that that's the problem. Yes,

0:42:10.480 --> 0:42:12.680
<v Speaker 4>this just bitch is doing for my nigga.

0:42:18.960 --> 0:42:23.880
<v Speaker 5>That's that's one of the toughest rapper ever after BIGGI

0:42:24.000 --> 0:42:25.640
<v Speaker 5>smart o, biggest smart.

0:42:26.120 --> 0:42:29.600
<v Speaker 4>It's my rapper. Don't don't get it twisted. I love

0:42:29.680 --> 0:42:35.719
<v Speaker 4>your songs. Yeah, I gotta don't get right.

0:42:35.800 --> 0:42:40.880
<v Speaker 5>But Biggie smart It's flow is Yeah, it's a different

0:42:42.400 --> 0:42:45.440
<v Speaker 5>Biggie's different. When when Biggie grab a beat, he just

0:42:45.520 --> 0:42:50.239
<v Speaker 5>grab it just like down, I say, you gotta snatch the.

0:43:01.160 --> 0:43:03.360
<v Speaker 1>He that's what Biggy do.

0:43:04.520 --> 0:43:10.160
<v Speaker 5>Biggie just snatched the Ready first your biggest small song.

0:43:10.239 --> 0:43:14.560
<v Speaker 5>I was like, I wasn't ready, what's up with this nigga?

0:43:15.080 --> 0:43:16.120
<v Speaker 5>And then I hit the next one?

0:43:16.160 --> 0:43:19.680
<v Speaker 1>And what the man?

0:43:19.800 --> 0:43:24.360
<v Speaker 5>Flow is different Tupac, Now his message is different. The

0:43:24.480 --> 0:43:28.480
<v Speaker 5>Tupac sent a message don't play with it, don't play

0:43:28.520 --> 0:43:34.279
<v Speaker 5>with it. But d m X, this nigga bark like

0:43:34.440 --> 0:43:43.520
<v Speaker 5>a dog, right, this man about like a dog. That

0:43:43.719 --> 0:43:51.040
<v Speaker 5>niggasig I gotta drink. Ok are you getting drunk?

0:43:53.160 --> 0:43:54.080
<v Speaker 1>Take my mama.

0:43:56.680 --> 0:43:59.840
<v Speaker 5>If I got issue with DMX. Okay, you came to Jamaica,

0:44:00.239 --> 0:44:01.400
<v Speaker 5>so your shot.

0:44:02.239 --> 0:44:07.120
<v Speaker 1>Yeah, Liver, So he came to Jamaica.

0:44:07.520 --> 0:44:15.600
<v Speaker 5>Yeah, he came to Jamaica and he was on one

0:44:15.640 --> 0:44:18.760
<v Speaker 5>of the toughest shows in Jamaica. Like seriously, it was unsting,

0:44:20.160 --> 0:44:23.799
<v Speaker 5>Like Sting is one of the toughest shows that they

0:44:23.840 --> 0:44:28.279
<v Speaker 5>will boot you or fring Bacca that yes, at this show,

0:44:28.360 --> 0:44:28.919
<v Speaker 5>they don't play.

0:44:29.280 --> 0:44:31.040
<v Speaker 1>What are they flinging at you? Bottles?

0:44:31.520 --> 0:44:31.920
<v Speaker 2>Bottles?

0:44:33.840 --> 0:44:34.799
<v Speaker 1>If you sucked up the.

0:44:36.800 --> 0:44:39.400
<v Speaker 2>Glass bottles and it's not good like the.

0:44:40.920 --> 0:44:45.320
<v Speaker 4>It's not waterboccles like to little water bocca baccas.

0:44:48.239 --> 0:44:50.640
<v Speaker 1>As bottles. What the mess you up?

0:44:51.200 --> 0:44:53.719
<v Speaker 4>But when the walk out, he.

0:44:53.840 --> 0:44:55.600
<v Speaker 5>Was in the cage and you come on, you drump

0:44:55.640 --> 0:44:59.920
<v Speaker 5>at the cage and y Jamaica is upsiding down.

0:45:00.239 --> 0:45:02.400
<v Speaker 1>That is wicked.

0:45:03.680 --> 0:45:05.480
<v Speaker 4>I'm telling you wicked.

0:45:05.719 --> 0:45:09.680
<v Speaker 5>There's few roppers come to Jamaica that move the audience

0:45:09.719 --> 0:45:12.920
<v Speaker 5>because Jamaica is the toughest audience you can ever imagine.

0:45:13.040 --> 0:45:16.839
<v Speaker 5>Just don't worry about it. They just don't like people.

0:45:21.200 --> 0:45:24.759
<v Speaker 5>It's the toughest audience you've ever seen, like ever. You

0:45:25.040 --> 0:45:27.160
<v Speaker 5>walk out and do any your best and they're looking

0:45:27.239 --> 0:45:33.640
<v Speaker 5>like you like this. Yeah, they just say what do

0:45:33.640 --> 0:45:34.239
<v Speaker 5>you see doing?

0:45:35.040 --> 0:45:35.080
<v Speaker 1>What?

0:45:36.040 --> 0:45:37.040
<v Speaker 4>Get off the stay what?

0:45:39.719 --> 0:45:43.160
<v Speaker 5>They don't play? This is the toughest audience ever. But

0:45:43.400 --> 0:45:47.640
<v Speaker 5>once you can rock them one time, all right. Jamaica

0:45:47.800 --> 0:45:49.600
<v Speaker 5>is the only place I know that you got the wind,

0:45:49.600 --> 0:45:53.320
<v Speaker 5>the wind, the crowd, win the crowd. When you're going stage,

0:45:53.360 --> 0:45:55.480
<v Speaker 5>you got to wind the crowd first. And then the

0:45:55.560 --> 0:45:56.480
<v Speaker 5>crowd started.

0:45:56.600 --> 0:45:59.080
<v Speaker 4>Bill up and they started build up, and they started

0:45:59.080 --> 0:46:01.479
<v Speaker 4>a bill up from once you win them, you're good.

0:46:01.800 --> 0:46:05.279
<v Speaker 4>If you don't win them, ye're not good.

0:46:06.600 --> 0:46:09.120
<v Speaker 5>Yes, you're sleeping in the dog eyes tonight.

0:46:09.680 --> 0:46:16.080
<v Speaker 4>That's Jamaica. So when DMX came to Jamaica and come

0:46:16.120 --> 0:46:18.320
<v Speaker 4>out and say, watch the bitch is one from a nigga?

0:46:19.680 --> 0:46:22.239
<v Speaker 1>What they killed them?

0:46:22.320 --> 0:46:24.360
<v Speaker 4>Man? They killed them, We killed them. And then this

0:46:24.440 --> 0:46:24.959
<v Speaker 4>thing started.

0:46:25.040 --> 0:46:30.040
<v Speaker 5>Freestyle started to talking about ultrabius in the beach and

0:46:30.160 --> 0:46:34.480
<v Speaker 5>all that, and talk about the weed.

0:46:34.600 --> 0:46:40.120
<v Speaker 1>Got to smoking and go to Nick grilling ship. What

0:46:40.239 --> 0:46:44.000
<v Speaker 1>a you're not saying they kill it? I love that.

0:46:44.520 --> 0:46:46.360
<v Speaker 4>I love that nigga seriously.

0:46:47.520 --> 0:46:50.279
<v Speaker 1>I love him, like seriously, rest in peace?

0:46:51.120 --> 0:46:52.439
<v Speaker 2>You know? He said both? He said both?

0:46:52.520 --> 0:46:53.960
<v Speaker 1>Okay, drinking for that already?

0:46:56.440 --> 0:46:57.560
<v Speaker 4>Are you drinking too much?

0:46:57.760 --> 0:46:57.960
<v Speaker 1>Yeah?

0:47:00.280 --> 0:47:02.680
<v Speaker 2>Actually drinking too much?

0:47:02.760 --> 0:47:04.759
<v Speaker 4>Why is why is dropping ship?

0:47:07.840 --> 0:47:08.160
<v Speaker 1>All right?

0:47:08.560 --> 0:47:10.200
<v Speaker 2>Burning spears are the techniques?

0:47:11.320 --> 0:47:11.959
<v Speaker 4>Burns, fears?

0:47:13.480 --> 0:47:13.680
<v Speaker 1>Yeah?

0:47:14.960 --> 0:47:16.879
<v Speaker 2>Shotas a third world cop?

0:47:18.520 --> 0:47:24.840
<v Speaker 4>H man, I'm gonna drinking okay.

0:47:24.880 --> 0:47:29.120
<v Speaker 1>Oh damn for sure? Shot me too, for sure? Shot?

0:47:29.160 --> 0:47:30.719
<v Speaker 2>Hold on, let me get my shot.

0:47:30.880 --> 0:47:36.760
<v Speaker 1>Shot. That's when college was skinny. More people know shots

0:47:36.760 --> 0:47:39.680
<v Speaker 1>than they know third world cop. You're gone too far?

0:47:39.880 --> 0:47:40.000
<v Speaker 4>Now?

0:47:40.320 --> 0:47:40.960
<v Speaker 1>Is that just here.

0:47:41.080 --> 0:47:43.839
<v Speaker 3>You think even in Jamaica, you know, in Jamaican didn't

0:47:43.840 --> 0:47:48.040
<v Speaker 3>know everything, know everything, Jimmy everything, Calypso or Soca.

0:47:52.200 --> 0:47:53.719
<v Speaker 6>No, but he's supposed to take the shot too.

0:47:53.880 --> 0:47:55.880
<v Speaker 2>Yeah man, but you dropped the gun. We're supposed to

0:47:55.880 --> 0:47:58.800
<v Speaker 2>take shot.

0:47:59.480 --> 0:47:59.600
<v Speaker 10>Here.

0:47:59.640 --> 0:48:04.040
<v Speaker 4>Shot yeah, yeah, my shot?

0:48:04.120 --> 0:48:11.279
<v Speaker 1>So well all right, leave sir Soka that yeah I got.

0:48:12.520 --> 0:48:22.880
<v Speaker 1>Oh boy, thank you much.

0:48:23.000 --> 0:48:24.839
<v Speaker 2>Jimmy Cliff for Gregory ISAs.

0:48:28.200 --> 0:48:30.520
<v Speaker 6>Oh my god, I think you're doing it on purpose.

0:48:33.760 --> 0:48:36.319
<v Speaker 2>Hold on, let's let's take a breathe in and looking

0:48:36.320 --> 0:48:38.279
<v Speaker 2>at each other, said thank you for being here.

0:48:39.480 --> 0:48:41.040
<v Speaker 6>How do you say it again? What's the toast that

0:48:41.120 --> 0:48:41.600
<v Speaker 6>you say.

0:48:41.840 --> 0:48:45.560
<v Speaker 4>From your troll to the liver from come on linc,

0:48:45.680 --> 0:48:47.040
<v Speaker 4>let us quiver, let us quiver.

0:48:48.520 --> 0:48:52.280
<v Speaker 1>Or boju bontan, I ain't.

0:48:52.080 --> 0:48:52.880
<v Speaker 4>Got nothing more liquors?

0:48:52.960 --> 0:48:54.399
<v Speaker 2>Yeah, yeah, so we got to wait.

0:48:55.239 --> 0:48:56.000
<v Speaker 4>You say I got one?

0:48:56.040 --> 0:48:58.080
<v Speaker 1>I got one, right, Okay, you got one? Give us

0:48:58.120 --> 0:49:00.239
<v Speaker 1>the shopper story. I mean, so, hold on, let drink.

0:49:00.280 --> 0:49:04.480
<v Speaker 1>Let's drink. I know you're feeling good drinking anything good.

0:49:05.520 --> 0:49:10.360
<v Speaker 1>He's cleansing his liver. January dry, January foul motherfucker.

0:49:13.000 --> 0:49:20.240
<v Speaker 4>You see, it's great Jamaican artists we're not that close,

0:49:20.400 --> 0:49:25.759
<v Speaker 4>like you know, because bad man don't worry about it.

0:49:25.960 --> 0:49:30.080
<v Speaker 5>But Shaba is he is a great artist and I

0:49:30.800 --> 0:49:34.800
<v Speaker 5>love what he did. He came out and he shows

0:49:34.880 --> 0:49:38.359
<v Speaker 5>us how to do it. And I really respect him

0:49:38.400 --> 0:49:42.000
<v Speaker 5>for that. I really respect right well he called himself

0:49:42.040 --> 0:49:45.600
<v Speaker 5>to him. Wow, yeah, because you see the work ethics

0:49:45.640 --> 0:49:46.040
<v Speaker 5>that he have.

0:49:47.560 --> 0:49:53.960
<v Speaker 4>It's serious, like serious work ethics, like serious work ethics.

0:49:54.040 --> 0:49:57.319
<v Speaker 4>And when when he's in the studio, I went, he's

0:49:57.360 --> 0:50:02.799
<v Speaker 4>on stage anyway, you find run and it's different. One yeah, one.

0:50:02.840 --> 0:50:08.520
<v Speaker 5>And we really appreciate that. As Jamaican, we really appreciate

0:50:08.600 --> 0:50:09.240
<v Speaker 5>Schavar Rankin.

0:50:09.719 --> 0:50:11.400
<v Speaker 4>But me and him, it is not friends.

0:50:13.400 --> 0:50:14.440
<v Speaker 2>It's not friends.

0:50:14.840 --> 0:50:15.560
<v Speaker 4>We're not friends.

0:50:16.080 --> 0:50:17.800
<v Speaker 2>And I'm assuming yeah the reasons.

0:50:18.320 --> 0:50:23.719
<v Speaker 5>Yeah, I'm a bad man, but but you don't have

0:50:23.880 --> 0:50:27.040
<v Speaker 5>to be friends with somebody to respect their work.

0:50:28.680 --> 0:50:29.120
<v Speaker 1>His work.

0:50:29.600 --> 0:50:33.160
<v Speaker 5>I respect his work and everything that he do for

0:50:33.280 --> 0:50:37.000
<v Speaker 5>the music. And I really respect that from Shovar because

0:50:37.040 --> 0:50:39.440
<v Speaker 5>the two Gummy awards and showed Jamaica that we can

0:50:39.560 --> 0:50:42.880
<v Speaker 5>do this. Yeah, and show we as dance out artists

0:50:42.920 --> 0:50:43.640
<v Speaker 5>that we can do this.

0:50:44.400 --> 0:50:47.000
<v Speaker 4>Yeah. So yeah, I really appreciate Schvar.

0:50:47.239 --> 0:50:47.840
<v Speaker 1>I respect that.

0:50:48.239 --> 0:50:53.000
<v Speaker 2>Yeah, he didn't he didn't pick, so that means you

0:50:53.040 --> 0:50:57.560
<v Speaker 2>picked both both both.

0:50:58.080 --> 0:51:02.680
<v Speaker 5>Yeah, Bush is great but is miserably and is a

0:51:03.120 --> 0:51:07.960
<v Speaker 5>different attisan. Put I remember and come I said, I

0:51:08.120 --> 0:51:10.200
<v Speaker 5>love my bike, love my money and think.

0:51:11.640 --> 0:51:15.440
<v Speaker 4>Loved Pamela and dance nothing.

0:51:16.800 --> 0:51:17.520
<v Speaker 1>Them thinking.

0:51:18.840 --> 0:51:21.160
<v Speaker 4>And then he come and said, we're gonna stop cry

0:51:22.239 --> 0:51:22.719
<v Speaker 4>lock my.

0:51:25.880 --> 0:51:28.760
<v Speaker 6>What joins just wicked?

0:51:29.320 --> 0:51:34.080
<v Speaker 5>Yeah, I didn't mind us ship from there too, dig

0:51:34.120 --> 0:51:39.480
<v Speaker 5>it up, Ye, let's see what Yeah, yeah, let's see

0:51:39.560 --> 0:51:41.000
<v Speaker 5>what I got crazy joints.

0:51:41.600 --> 0:51:48.040
<v Speaker 2>He's wicked, so we we're both idea.

0:51:50.440 --> 0:51:51.439
<v Speaker 4>From short to the liver.

0:51:51.760 --> 0:51:55.719
<v Speaker 2>Yeah, come on, liquor make you let us let us

0:51:56.840 --> 0:52:07.200
<v Speaker 2>so nas or jay z mm hmm. Really he's not

0:52:07.320 --> 0:52:08.080
<v Speaker 2>a humming.

0:52:12.080 --> 0:52:13.920
<v Speaker 4>But none of them is different.

0:52:15.200 --> 0:52:21.360
<v Speaker 5>Lyrics now and Jason Lyrics, they're wicked the wicked rappers

0:52:22.719 --> 0:52:27.000
<v Speaker 5>like seriously, yeah, stop stop, don't don't do that.

0:52:27.200 --> 0:52:31.759
<v Speaker 1>Don't do that the wicked Rappers. Part of them is

0:52:31.840 --> 0:52:34.120
<v Speaker 1>that both or think you should.

0:52:36.080 --> 0:52:36.799
<v Speaker 4>Okay, let's go.

0:52:38.920 --> 0:52:45.719
<v Speaker 1>Follow cheers, all right, Biggie Smalls or big put you

0:52:45.840 --> 0:52:51.600
<v Speaker 1>jumped you biggest, smaller, big punk. That's a ni comparison.

0:52:52.600 --> 0:52:57.919
<v Speaker 1>What are you doing, Biggie Smalls, Biggie Smalls, Okay, got

0:52:57.960 --> 0:52:58.520
<v Speaker 1>the next one.

0:52:58.680 --> 0:53:04.160
<v Speaker 2>Super cattter Sean Paul him down on this list again because.

0:53:03.880 --> 0:53:05.719
<v Speaker 1>They drunk over there slipping cocaine drunk.

0:53:08.920 --> 0:53:13.360
<v Speaker 2>Just answer Papa song, I won't.

0:53:13.600 --> 0:53:14.400
<v Speaker 1>There's nothing.

0:53:16.000 --> 0:53:20.080
<v Speaker 5>That's not a comparisons. Yes, I love Nancy, but Papa

0:53:20.160 --> 0:53:21.879
<v Speaker 5>say okay.

0:53:23.200 --> 0:53:32.000
<v Speaker 2>Damien Marty or Stephen Marley. What what are we worded?

0:53:32.080 --> 0:53:33.400
<v Speaker 2>Junior Gong or Stephen Marley?

0:53:35.440 --> 0:53:38.399
<v Speaker 4>What Junia Dang is the DJ?

0:53:40.280 --> 0:53:43.200
<v Speaker 5>I'm a DJ. Who do you think I'm gonna choose?

0:53:44.040 --> 0:53:46.160
<v Speaker 5>I love Stephen Marley. It's one of the best producers

0:53:46.239 --> 0:53:48.160
<v Speaker 5>I know from all the Jamaica. He produced some of

0:53:48.239 --> 0:53:51.520
<v Speaker 5>the greatest songs, and he produced Damian Marley and all

0:53:51.560 --> 0:53:51.719
<v Speaker 5>of that.

0:53:51.920 --> 0:53:52.880
<v Speaker 1>It's just wicked.

0:53:53.000 --> 0:53:55.680
<v Speaker 4>I'm going to.

0:53:55.760 --> 0:53:58.920
<v Speaker 2>Drink okay, man, I thought he was going back and

0:53:58.960 --> 0:54:03.480
<v Speaker 2>then he said, but so Wayne Wonder or Garne that

0:54:03.600 --> 0:54:07.960
<v Speaker 2>silk seriously that Wayne, you got it back to me.

0:54:08.080 --> 0:54:09.400
<v Speaker 4>But you know what that was?

0:54:10.280 --> 0:54:15.080
<v Speaker 5>Stop don't do that way in Wonder suit all right,

0:54:15.360 --> 0:54:22.200
<v Speaker 5>that's just like, oh God, that's like you're much fool with.

0:54:24.000 --> 0:54:27.800
<v Speaker 1>Mm hmm. There you go, which one is foore?

0:54:27.920 --> 0:54:32.040
<v Speaker 4>You go just just whe you know, worry about it agresses.

0:54:34.400 --> 0:54:38.279
<v Speaker 5>So you're going with ten minute shoes gone and said

0:54:38.320 --> 0:54:39.359
<v Speaker 5>when in Wonder's my singing?

0:54:39.400 --> 0:54:42.560
<v Speaker 4>I love him, it's great. But Ghane said, Wayne Wonder,

0:54:42.760 --> 0:54:44.279
<v Speaker 4>come on, I'm not gonna do that.

0:54:44.520 --> 0:54:47.840
<v Speaker 5>I'm not going to mess up this one legacy what

0:54:48.000 --> 0:54:52.640
<v Speaker 5>he left for us as Jamaican just because waynt Wonder?

0:54:52.680 --> 0:54:55.359
<v Speaker 5>You sing original song too, but Gan and still sing

0:54:55.520 --> 0:55:00.560
<v Speaker 5>all origin right one, Jefferson, Yes, you're gonna.

0:55:00.360 --> 0:55:00.880
<v Speaker 1>Do the next one?

0:55:01.120 --> 0:55:03.160
<v Speaker 2>Bess Hammon or Junior reach.

0:55:03.680 --> 0:55:08.200
<v Speaker 6>What the last funny?

0:55:10.320 --> 0:55:10.759
<v Speaker 2>The last?

0:55:11.480 --> 0:55:12.080
<v Speaker 6>The last one?

0:55:12.719 --> 0:55:15.680
<v Speaker 4>What can's uncle?

0:55:15.760 --> 0:55:21.760
<v Speaker 1>Barious? Junior read exactly do that? I told you Columbian

0:55:21.800 --> 0:55:28.799
<v Speaker 1>over there to can that's uptown? Call that uptown even

0:55:28.840 --> 0:55:29.640
<v Speaker 1>though it's to the left.

0:55:30.840 --> 0:55:31.399
<v Speaker 2>They do cook.

0:55:31.719 --> 0:55:35.120
<v Speaker 4>Also, are you going to experis Simmon with.

0:55:37.800 --> 0:55:41.919
<v Speaker 1>God? Jesus should have embarrassing person.

0:55:41.880 --> 0:55:47.560
<v Speaker 5>Somebody else's embarrassing gods and that that should have been

0:55:47.680 --> 0:55:50.120
<v Speaker 5>your first question to read.

0:55:50.360 --> 0:55:53.480
<v Speaker 4>No, you're crazy, No, no, No, that.

0:55:53.600 --> 0:55:58.840
<v Speaker 5>Will never happen. Is the great test levers rock singer.

0:56:03.320 --> 0:56:06.520
<v Speaker 5>Trust me, I have something, Alton Addis, you.

0:56:06.560 --> 0:56:11.239
<v Speaker 4>Don't know who that is. Don't worrybody, but baris him right,

0:56:12.400 --> 0:56:15.799
<v Speaker 4>that's that's my that he picked Barus what what.

0:56:17.600 --> 0:56:18.040
<v Speaker 1>He picked?

0:56:18.760 --> 0:56:20.880
<v Speaker 5>I'm not going to do that because Jamaican is going

0:56:20.960 --> 0:56:28.120
<v Speaker 5>to watch this ship said boat, it's not going to

0:56:28.200 --> 0:56:28.759
<v Speaker 5>be good for me.

0:56:29.560 --> 0:56:29.880
<v Speaker 1>That's what.

0:56:31.560 --> 0:56:31.880
<v Speaker 2>Respect.

0:56:31.920 --> 0:56:33.600
<v Speaker 1>The junior reader respected.

0:56:34.120 --> 0:56:34.480
<v Speaker 2>Respect.

0:56:34.600 --> 0:56:38.840
<v Speaker 1>Yeahs yeah, I got, I got, I got something Shaggy

0:56:39.120 --> 0:56:51.279
<v Speaker 1>or snow, that's just that's that's how I love that.

0:56:54.880 --> 0:57:00.200
<v Speaker 1>That was that was people don't get a call. No,

0:57:00.280 --> 0:57:03.880
<v Speaker 1>I think that guy was from It was mister Lee Guinea.

0:57:03.920 --> 0:57:04.239
<v Speaker 2>He loves.

0:57:04.239 --> 0:57:09.600
<v Speaker 1>He just looked the Dominican. He had to leave his car. Yeah, Shaggy, Yes,

0:57:10.800 --> 0:57:11.239
<v Speaker 1>that's not me.

0:57:13.160 --> 0:57:14.680
<v Speaker 4>Yeah, I love I love.

0:57:17.120 --> 0:57:20.600
<v Speaker 2>My informer was hard to let's be remix with everybody

0:57:20.640 --> 0:57:20.840
<v Speaker 2>on the.

0:57:23.200 --> 0:57:23.640
<v Speaker 4>Song with me.

0:57:24.200 --> 0:57:30.160
<v Speaker 8>I was on it, oh dude, yeah yeah the Peppasy

0:57:30.280 --> 0:57:33.040
<v Speaker 8>beat though, right, I've seen this.

0:57:34.880 --> 0:57:36.000
<v Speaker 1>That that remixes.

0:57:36.200 --> 0:57:36.560
<v Speaker 9>I don't know.

0:57:38.360 --> 0:57:38.680
<v Speaker 1>I don't know.

0:57:38.680 --> 0:57:40.680
<v Speaker 5>I don't think about see, I don't know about peppersy.

0:57:44.800 --> 0:57:45.840
<v Speaker 1>I don't know that.

0:57:46.080 --> 0:57:50.960
<v Speaker 4>I just wanted to tell you that Shaggy, it wasn't

0:57:51.320 --> 0:57:53.640
<v Speaker 4>my antiest good. It wasn't me.

0:57:53.960 --> 0:57:59.200
<v Speaker 11>I didn't say Carolina was his classic Jesus Shaggy, No,

0:57:59.320 --> 0:58:00.400
<v Speaker 11>you do it, you gotta all right.

0:58:00.520 --> 0:58:06.680
<v Speaker 4>You see Shaggy, all right, I know the low Carlina Yeah.

0:58:09.720 --> 0:58:21.520
<v Speaker 12>Yeah, yeah is uh, I mean, yeah, okay, Well that

0:58:21.880 --> 0:58:22.720
<v Speaker 12>was a wicked.

0:58:24.040 --> 0:58:27.120
<v Speaker 4>I needn't come, I said, And then I mean about.

0:58:27.000 --> 0:58:30.440
<v Speaker 1>God, you know me right up with God? She up

0:58:30.480 --> 0:58:34.439
<v Speaker 1>in with me? What God? I didn't come, I said, Tom,

0:58:34.920 --> 0:58:38.280
<v Speaker 1>and you my mom paid, got you, my mom paid.

0:58:38.800 --> 0:58:42.120
<v Speaker 4>I'm not talking about this big no no for millions

0:58:43.000 --> 0:58:44.920
<v Speaker 4>records set up the foundation.

0:58:46.320 --> 0:58:50.400
<v Speaker 5>Shaggy is wicked. It's not like us, like, you know,

0:58:50.520 --> 0:58:54.040
<v Speaker 5>we're gangsters. Other team is like, you know, yeah, but

0:58:55.600 --> 0:59:00.320
<v Speaker 5>this is there's a difference between Shaggy and well, what's

0:59:00.360 --> 0:59:00.800
<v Speaker 5>the name of that?

0:59:04.160 --> 0:59:05.400
<v Speaker 6>You said that a straight face.

0:59:07.560 --> 0:59:09.120
<v Speaker 1>He's a dream alumna.

0:59:10.960 --> 0:59:17.040
<v Speaker 4>Love us love Snow. Yeah, man informer was wicked and

0:59:17.120 --> 0:59:21.600
<v Speaker 4>then you're coming out, we'll do that for you. That

0:59:21.720 --> 0:59:22.280
<v Speaker 4>was not a song.

0:59:23.720 --> 0:59:26.880
<v Speaker 5>Ship I might behold, I might be them not, but

0:59:26.960 --> 0:59:33.520
<v Speaker 5>don't take Yeah, I know I was in the remix.

0:59:34.160 --> 0:59:40.600
<v Speaker 1>Thank you, but yeah, what you're not saying.

0:59:41.400 --> 0:59:44.800
<v Speaker 4>But I can't choose Snow over Shot mixing.

0:59:45.840 --> 0:59:47.600
<v Speaker 2>I think Snow would choose Shot.

0:59:48.000 --> 0:59:57.160
<v Speaker 1>Yeah. Yeah, there you go. So this is the last

0:59:57.200 --> 0:59:58.919
<v Speaker 1>one and then we're gonna go into the interview. Yeah

0:59:58.920 --> 1:00:00.600
<v Speaker 1>all right, so this is a quick Thomas than he

1:00:00.680 --> 1:00:02.400
<v Speaker 1>just pished it up. This is the last one. This

1:00:02.520 --> 1:00:04.800
<v Speaker 1>is the most famous one. Loyalty or respect.

1:00:06.720 --> 1:00:11.720
<v Speaker 5>Ah respect his bullshit, because people can disrespect you even

1:00:11.760 --> 1:00:19.720
<v Speaker 5>though they respect you. But loyalty is his love and Hannah. So,

1:00:20.480 --> 1:00:22.880
<v Speaker 5>a man that liar to you will never disrespect you,

1:00:23.080 --> 1:00:27.560
<v Speaker 5>like never ever. He die for you, would do anything

1:00:27.640 --> 1:00:29.000
<v Speaker 5>for you. So lionalty is.

1:00:30.760 --> 1:00:39.280
<v Speaker 13>Boss picking Lloyders, I'm thinking, I'm that was a great answer,

1:00:40.040 --> 1:00:40.959
<v Speaker 13>a great answer.

1:00:40.960 --> 1:00:41.960
<v Speaker 2>He basically said, both.

1:00:44.160 --> 1:00:47.560
<v Speaker 1>Loyalty. If you got loyalty, you're gonna have respect.

1:00:48.600 --> 1:00:50.360
<v Speaker 2>He said it much better I should He said it

1:00:50.440 --> 1:00:52.280
<v Speaker 2>much better than you just said loyalty.

1:00:52.880 --> 1:00:56.600
<v Speaker 1>No, No, he's just saying it comes with He's saying,

1:00:56.640 --> 1:00:59.640
<v Speaker 1>somebody liar to you, they kind of respect you.

1:01:00.160 --> 1:01:03.520
<v Speaker 4>Never disrespect him. They were a kid for you. They

1:01:03.520 --> 1:01:04.240
<v Speaker 4>will fight for you.

1:01:04.360 --> 1:01:11.440
<v Speaker 1>They are we ready to do this shot right now.

1:01:12.520 --> 1:01:17.080
<v Speaker 1>There's the biggest thing on the internet is it's just

1:01:17.200 --> 1:01:21.760
<v Speaker 1>two things. In the hip hop world, Yeah, there's this

1:01:22.200 --> 1:01:27.400
<v Speaker 1>controversy going on between Cam, Jim Jones and Mace. But

1:01:27.480 --> 1:01:31.160
<v Speaker 1>then in the dance hall world, my word, yeah.

1:01:34.240 --> 1:01:34.560
<v Speaker 12>You do it.

1:01:34.680 --> 1:01:37.320
<v Speaker 2>So in the dance hall world, do it.

1:01:37.840 --> 1:01:42.760
<v Speaker 1>It is the controversy of Beanie Man called King of

1:01:42.840 --> 1:01:45.120
<v Speaker 1>the dance hall. You have a record for ten years,

1:01:45.280 --> 1:01:46.000
<v Speaker 1>it's records out.

1:01:46.080 --> 1:01:49.920
<v Speaker 2>No one's ever refuted you. Never, No, you are not

1:01:50.000 --> 1:01:51.680
<v Speaker 2>the king of the dance hall. No one's never said

1:01:51.720 --> 1:01:52.080
<v Speaker 2>none of that.

1:01:52.240 --> 1:01:52.400
<v Speaker 4>Now.

1:01:52.560 --> 1:01:55.600
<v Speaker 1>But there's been a concert on New Year's Eve. I believe,

1:01:56.240 --> 1:01:59.080
<v Speaker 1>And I wasn't there. Yeah, we know.

1:01:59.800 --> 1:02:03.400
<v Speaker 2>And but was it Bounty Killer that that said to

1:02:04.440 --> 1:02:07.640
<v Speaker 2>Vib's Cartel. I believe, And he said he's the king.

1:02:07.600 --> 1:02:08.560
<v Speaker 1>Of the damn. No.

1:02:08.880 --> 1:02:12.560
<v Speaker 4>He said, you didn't take anybody crown, your bill, your own,

1:02:12.640 --> 1:02:16.920
<v Speaker 4>come by yourself. So he cando take my crown. I'm

1:02:19.360 --> 1:02:20.240
<v Speaker 4>I'm king Kong.

1:02:20.640 --> 1:02:25.560
<v Speaker 1>Fuck why you do it?

1:02:27.880 --> 1:02:30.080
<v Speaker 4>You gotta know this music business.

1:02:30.320 --> 1:02:36.080
<v Speaker 5>And the difference between me and Vibe cart I remember

1:02:36.600 --> 1:02:39.640
<v Speaker 5>when manure Vibe cart like, when I just know him,

1:02:39.760 --> 1:02:42.680
<v Speaker 5>is when he was in the classroom Ninja Man and

1:02:43.600 --> 1:02:47.200
<v Speaker 5>they actually disrespect Ninja Man in stage, kick him down

1:02:47.240 --> 1:02:48.480
<v Speaker 5>in stage and use a background.

1:02:48.520 --> 1:02:50.360
<v Speaker 4>The community said, and Nja Man.

1:02:50.440 --> 1:02:53.120
<v Speaker 5>Is a bad man. Then that man is in prison

1:02:53.200 --> 1:02:57.040
<v Speaker 5>for murder. I just want you to know, if you

1:02:57.120 --> 1:03:01.680
<v Speaker 5>don't know what I'm talking about, that's a bad man, okay.

1:03:02.400 --> 1:03:04.760
<v Speaker 4>And then the next bat month called men.

1:03:06.520 --> 1:03:09.920
<v Speaker 5>This is where my bod friends he called me and said, yo, yeah,

1:03:10.000 --> 1:03:12.320
<v Speaker 5>for come do this please? I mean, I said do

1:03:12.400 --> 1:03:15.160
<v Speaker 5>I am said, come chat her under my house. So

1:03:15.320 --> 1:03:17.800
<v Speaker 5>my girl in my house and there was a Vibe

1:03:17.800 --> 1:03:21.680
<v Speaker 5>Cortail right did something. I said, all right, what you

1:03:21.760 --> 1:03:22.360
<v Speaker 5>feel I can.

1:03:22.400 --> 1:03:26.080
<v Speaker 4>Do for Vibe Contailer And they say, yo, anything that's

1:03:26.440 --> 1:03:28.960
<v Speaker 4>get them punch some shorts, cause nobody I book him, no,

1:03:29.240 --> 1:03:31.680
<v Speaker 4>and I do this nobody and I do this, and.

1:03:33.200 --> 1:03:36.600
<v Speaker 5>I bring him on my stage. You know I got

1:03:37.520 --> 1:03:39.520
<v Speaker 5>I got to be there to prove you know that

1:03:39.800 --> 1:03:41.760
<v Speaker 5>I bring him on my stage right too. I went

1:03:41.800 --> 1:03:43.840
<v Speaker 5>in the country even wasn't to kill I'm a worried

1:03:44.000 --> 1:03:47.640
<v Speaker 5>fit Vibe Cotail like, seriously, I redid that.

1:03:48.880 --> 1:03:50.080
<v Speaker 4>And then when.

1:03:50.000 --> 1:03:54.280
<v Speaker 5>Somebody I know that you work for your crown, you

1:03:54.400 --> 1:03:58.160
<v Speaker 5>do one hundred percent of work and somebody do fifty

1:03:59.040 --> 1:04:01.040
<v Speaker 5>and want to get a undred don't want to get

1:04:01.040 --> 1:04:05.720
<v Speaker 5>an hundred percent Tickeys, I don't feel it is right,

1:04:06.040 --> 1:04:08.000
<v Speaker 5>you know, But I'm not saying no.

1:04:08.160 --> 1:04:10.280
<v Speaker 4>Man, Kim be king. Everybody was born as a king

1:04:10.880 --> 1:04:12.720
<v Speaker 4>from being all your mom's He's a king.

1:04:13.000 --> 1:04:14.160
<v Speaker 2>Can there be more than one King.

1:04:15.680 --> 1:04:19.320
<v Speaker 5>Of music, of dance out Michael Jackson and King of

1:04:19.400 --> 1:04:22.439
<v Speaker 5>Pop who else since the king of pop.

1:04:25.560 --> 1:04:26.120
<v Speaker 1>Don't worry.

1:04:26.880 --> 1:04:27.360
<v Speaker 4>I'm waiting.

1:04:29.480 --> 1:04:29.600
<v Speaker 2>Let me.

1:04:35.080 --> 1:04:36.280
<v Speaker 4>You can't answer next week.

1:04:38.200 --> 1:04:42.320
<v Speaker 1>This. Yeah, there you go, But let me ask you.

1:04:42.480 --> 1:04:43.000
<v Speaker 1>Let me ask you.

1:04:44.640 --> 1:04:46.080
<v Speaker 2>Did you take offense to that?

1:04:46.200 --> 1:04:47.919
<v Speaker 1>Being set on? No curious in mind.

1:04:48.040 --> 1:04:51.040
<v Speaker 5>I can't take offense of that because every man have

1:04:51.160 --> 1:04:52.480
<v Speaker 5>the right to their own opinion.

1:04:53.240 --> 1:04:55.680
<v Speaker 4>Is your opinion? I can't worry you with you with

1:04:55.880 --> 1:04:57.960
<v Speaker 4>your own opinion? Is your opinion?

1:04:59.000 --> 1:04:59.160
<v Speaker 2>Is it?

1:05:00.200 --> 1:05:04.080
<v Speaker 4>I was crowning king. I wasn't asking for it. Somebody

1:05:04.160 --> 1:05:08.280
<v Speaker 4>put a crown my head, like and give me some plaques,

1:05:08.360 --> 1:05:11.080
<v Speaker 4>some big plack like, yes, you've been doing this for

1:05:11.160 --> 1:05:16.439
<v Speaker 4>all much years and and and that was it. Then

1:05:16.560 --> 1:05:19.000
<v Speaker 4>all of a sudden you come in and say, yeah, yeah,

1:05:19.040 --> 1:05:21.720
<v Speaker 4>man resigned that that that's disrespectful.

1:05:23.520 --> 1:05:26.040
<v Speaker 1>But did he say resigned? Did he say? Did he

1:05:26.120 --> 1:05:26.400
<v Speaker 1>say that?

1:05:26.560 --> 1:05:29.200
<v Speaker 5>Or was it mindset? It might have a king out

1:05:29.240 --> 1:05:31.080
<v Speaker 5>and new king? I mean, what are you telling you?

1:05:32.760 --> 1:05:34.160
<v Speaker 5>I just feel like I'm just.

1:05:36.120 --> 1:05:37.120
<v Speaker 6>G b t break it down.

1:05:38.400 --> 1:05:40.920
<v Speaker 3>No, I just feel like we could have multiple kings.

1:05:41.080 --> 1:05:43.520
<v Speaker 3>You know in dan So, I think you are the king. Yes,

1:05:43.640 --> 1:05:44.800
<v Speaker 3>you are the top king.

1:05:45.000 --> 1:05:48.040
<v Speaker 1>You are the Bobs Cartel said he's the new king.

1:05:48.160 --> 1:05:54.160
<v Speaker 1>He said to himself. I thought that I didn't.

1:05:58.360 --> 1:06:03.760
<v Speaker 4>See if you're coming, Yes, I can be the king too,

1:06:04.440 --> 1:06:05.240
<v Speaker 4>it's no problem.

1:06:06.120 --> 1:06:10.480
<v Speaker 5>Okay m hmm, but there is only one king. If

1:06:10.520 --> 1:06:12.160
<v Speaker 5>you try to fight the king, the king is going

1:06:12.200 --> 1:06:12.600
<v Speaker 5>to kill you.

1:06:12.720 --> 1:06:16.080
<v Speaker 1>You know that, right, He's got throw the king right.

1:06:19.200 --> 1:06:19.480
<v Speaker 2>Right here.

1:06:20.720 --> 1:06:20.880
<v Speaker 4>Man.

1:06:21.480 --> 1:06:23.800
<v Speaker 5>You see the problem is, I'm not fighting. It's a

1:06:23.840 --> 1:06:27.160
<v Speaker 5>great artist. Like there's a number one artists.

1:06:28.240 --> 1:06:33.280
<v Speaker 4>I'm not. I'm not taking that. I'm not not never

1:06:33.440 --> 1:06:38.760
<v Speaker 4>will because he's a great artist, he's a great lyricist,

1:06:39.200 --> 1:06:40.200
<v Speaker 4>and he's a great.

1:06:41.960 --> 1:06:47.760
<v Speaker 5>Recording artists. Yeah, but to be a king, you have

1:06:47.880 --> 1:06:49.920
<v Speaker 5>to be a people person. Now, you have to be

1:06:50.040 --> 1:06:50.840
<v Speaker 5>a good performer.

1:06:51.640 --> 1:06:51.920
<v Speaker 4>That's it.

1:06:53.880 --> 1:06:56.160
<v Speaker 5>If you're not a good performer and a people person,

1:06:56.600 --> 1:06:58.840
<v Speaker 5>the hell you're going to be the king or the

1:06:58.920 --> 1:07:00.440
<v Speaker 5>hell are you're going to talk to the people or

1:07:00.480 --> 1:07:01.760
<v Speaker 5>the other people is gonna follow you?

1:07:02.960 --> 1:07:04.440
<v Speaker 1>And this is what it is.

1:07:04.640 --> 1:07:08.000
<v Speaker 5>It's it's not like I'm trying to say, Okay, he

1:07:08.160 --> 1:07:14.600
<v Speaker 5>cannot be. He can be if he be everything. You see,

1:07:15.440 --> 1:07:18.000
<v Speaker 5>I literally decided for you to say if if if

1:07:18.040 --> 1:07:21.800
<v Speaker 5>I somebody like this, he's gonna smiter at this because

1:07:22.000 --> 1:07:26.120
<v Speaker 5>you want what I what I have and this is

1:07:26.240 --> 1:07:30.400
<v Speaker 5>not what I have, is what I bid it as

1:07:30.440 --> 1:07:34.440
<v Speaker 5>a person, as a human being, knowing that people need

1:07:34.560 --> 1:07:41.960
<v Speaker 5>to be respect People deserve performance, people deserve somebody who

1:07:42.560 --> 1:07:46.280
<v Speaker 5>actually love the music and actually love them. I will

1:07:46.360 --> 1:07:50.080
<v Speaker 5>go out them perform for free one time, not two times.

1:07:50.160 --> 1:07:50.920
<v Speaker 4>Don't worry about it.

1:07:51.360 --> 1:07:53.720
<v Speaker 5>Promote to get your money, line up, don't don't mess

1:07:53.800 --> 1:07:57.360
<v Speaker 5>around with the ship. But you know that's how it goes.

1:07:59.760 --> 1:08:03.080
<v Speaker 5>So I'm not talking about yays. I'm the king of

1:08:03.160 --> 1:08:06.440
<v Speaker 5>down South forever, nobody. I never tell myself that. Somebody

1:08:06.520 --> 1:08:11.479
<v Speaker 5>give me a crown. I sing one girl song, pump

1:08:11.520 --> 1:08:14.400
<v Speaker 5>bit bump floor against while we sex them up to

1:08:14.520 --> 1:08:16.719
<v Speaker 5>them called me, I'm the girls them sugar.

1:08:16.840 --> 1:08:18.760
<v Speaker 1>That's uh, I'm looking up.

1:08:19.040 --> 1:08:26.200
<v Speaker 4>That's a girl song. It's not I am saying that

1:08:26.320 --> 1:08:27.599
<v Speaker 4>I'm the king of the dance hall.

1:08:28.320 --> 1:08:31.040
<v Speaker 2>But if you make the girls dance, yes, just cut

1:08:31.080 --> 1:08:32.439
<v Speaker 2>the beat was like yeah.

1:08:32.760 --> 1:08:37.280
<v Speaker 5>And Tony Kelly produced her son again. All right, sorry, yeah,

1:08:38.520 --> 1:08:44.080
<v Speaker 5>I'm not fighting. Okay, we'll shot.

1:08:45.439 --> 1:08:50.760
<v Speaker 1>I need a shot. Joins together, Okay, can I get

1:08:50.800 --> 1:08:54.920
<v Speaker 1>some of that. I'm going to show first time he's

1:08:54.960 --> 1:08:57.920
<v Speaker 1>been drinking on the show. No, No, he's been talking about.

1:08:58.880 --> 1:09:05.679
<v Speaker 4>I was in New Yeah, out the Eastern Eastern Parkway.

1:09:05.760 --> 1:09:06.760
<v Speaker 1>I was there that.

1:09:08.880 --> 1:09:09.800
<v Speaker 4>Somebody told you.

1:09:12.120 --> 1:09:12.679
<v Speaker 12>I was there.

1:09:13.520 --> 1:09:16.400
<v Speaker 4>And the guy in them shot started coming to Plittburgh

1:09:17.240 --> 1:09:20.439
<v Speaker 4>like wickedly, like wickedly, like yeah, right way way, and

1:09:21.040 --> 1:09:26.160
<v Speaker 4>you're cuoping and baying like why are you Puerto Rico.

1:09:27.280 --> 1:09:32.960
<v Speaker 4>He's saying people Scuba. I know he's Scubay, but he

1:09:33.040 --> 1:09:42.280
<v Speaker 4>speak Spanish with your the same people. They fling a

1:09:42.360 --> 1:09:51.040
<v Speaker 4>back of the beer. Wait what they fling? Okay, have

1:09:51.120 --> 1:09:52.240
<v Speaker 4>to catch you in the bed.

1:09:53.600 --> 1:09:56.160
<v Speaker 1>Back. I told him.

1:09:56.360 --> 1:09:58.800
<v Speaker 4>By man, I don't say ship because I'm gonna go

1:09:58.840 --> 1:10:01.599
<v Speaker 4>to jail because I don't want to go to Chad.

1:10:02.160 --> 1:10:08.599
<v Speaker 4>But but pitotboy is he's really a good artist. He's

1:10:09.160 --> 1:10:13.040
<v Speaker 4>not really he's really your home team, yeah, trust me.

1:10:13.200 --> 1:10:15.400
<v Speaker 1>And he came here, drank a whole bottle by himself,

1:10:16.160 --> 1:10:16.760
<v Speaker 1>and he came by.

1:10:17.000 --> 1:10:20.400
<v Speaker 2>He came by himself. I like what you said about

1:10:20.439 --> 1:10:22.000
<v Speaker 2>the Porto Rican, You're right.

1:10:22.680 --> 1:10:24.960
<v Speaker 4>The Puerto Rican guy. Come on there, the fringing buckle.

1:10:25.080 --> 1:10:26.719
<v Speaker 4>I'm like, what the fuck?

1:10:26.800 --> 1:10:28.560
<v Speaker 1>They gonna kill the people.

1:10:30.400 --> 1:10:32.640
<v Speaker 4>Like this and that Anna buff in the crowd and

1:10:32.720 --> 1:10:36.400
<v Speaker 4>I'm like, what the what they doing? And you know

1:10:36.520 --> 1:10:38.960
<v Speaker 4>that Jamaicans came out of me and the start telling

1:10:39.080 --> 1:10:42.519
<v Speaker 4>my boy up on came on my air boy. Yet

1:10:42.960 --> 1:10:48.840
<v Speaker 4>the air boy I said, oh ship, he's Jamaican. And

1:10:49.240 --> 1:10:52.439
<v Speaker 4>that was it and people we went back in the

1:10:52.520 --> 1:10:56.040
<v Speaker 4>car together and he was like, thank you man. I

1:10:56.520 --> 1:11:00.599
<v Speaker 4>love that because they flinger cannon. This editing when one

1:11:00.800 --> 1:11:04.360
<v Speaker 4>time they think they're fineing can beer and it's that's

1:11:04.400 --> 1:11:07.000
<v Speaker 4>when they started to getting block because when he started

1:11:07.080 --> 1:11:11.240
<v Speaker 4>to disrespect artists, to disrespect me, and I don't do that.

1:11:11.720 --> 1:11:13.760
<v Speaker 4>You can't disrespect no artists in front of me.

1:11:16.439 --> 1:11:18.400
<v Speaker 1>I remember you helped me down in Jamaica. I don't

1:11:18.400 --> 1:11:21.840
<v Speaker 1>know if you remember that. I was walking to the

1:11:21.880 --> 1:11:24.080
<v Speaker 1>stage and you said he was pressing up the weed

1:11:24.240 --> 1:11:27.040
<v Speaker 1>like this. You said, amen, don't run when Super Doug

1:11:27.120 --> 1:11:28.240
<v Speaker 1>come on, they're gonna.

1:11:29.400 --> 1:11:34.120
<v Speaker 2>I was like, I'm like, I'm like, I'm thinking he's

1:11:34.240 --> 1:11:35.080
<v Speaker 2>playing Like like.

1:11:35.120 --> 1:11:37.479
<v Speaker 1>I'm like okay, Like he's like like, don't ride him

1:11:37.520 --> 1:11:40.920
<v Speaker 1>or not gonna come on. So I'm like, all right, cool,

1:11:41.320 --> 1:11:45.800
<v Speaker 1>I come on. Even the policeman was like, hey, don't chill.

1:11:47.160 --> 1:11:49.599
<v Speaker 1>So I'm gonna act like guns fire is just normal.

1:11:53.320 --> 1:11:55.120
<v Speaker 4>Just told me, I'm like this.

1:11:59.040 --> 1:11:59.920
<v Speaker 2>You are supercoming.

1:12:01.680 --> 1:12:04.920
<v Speaker 4>He was like, you can say in this hun yeah,

1:12:05.320 --> 1:12:08.439
<v Speaker 4>everybody fight your shots. What the fucking thing they're going

1:12:08.479 --> 1:12:10.400
<v Speaker 4>to do when they come to your show?

1:12:13.040 --> 1:12:16.519
<v Speaker 1>They want to show you Like he looked at me.

1:12:16.600 --> 1:12:20.280
<v Speaker 1>He's not don't don't remember like like like he questioned

1:12:20.320 --> 1:12:26.000
<v Speaker 1>the week like this, he said, don't run man. I'm like, remember,

1:12:27.520 --> 1:12:31.400
<v Speaker 1>I don't know what you remember that. I didn't hear him.

1:12:31.400 --> 1:12:39.200
<v Speaker 1>Remember that. Imagine if you ran off the stage, I

1:12:39.280 --> 1:12:41.760
<v Speaker 1>would have. I ain't gonna lie tell me. I mean,

1:12:41.880 --> 1:12:45.559
<v Speaker 1>it wouldn't have been a natural like shout you but shot,

1:12:45.600 --> 1:12:48.800
<v Speaker 1>it's not coming towards you. Just hearing gunshots abnormal. So

1:12:48.880 --> 1:12:49.920
<v Speaker 1>I'm like, that doesn't fly.

1:12:50.840 --> 1:12:53.000
<v Speaker 4>Listen, I didn't know that. You remember that?

1:12:53.240 --> 1:12:59.559
<v Speaker 1>Yes, yes, I shout that. Man helped me down if

1:12:59.600 --> 1:13:01.880
<v Speaker 1>it wasn't for you, because you told me you looked

1:13:01.920 --> 1:13:04.439
<v Speaker 1>at me like sy and you knew my lyrics was

1:13:04.720 --> 1:13:06.840
<v Speaker 1>proting something to me. And I was like, oh ship,

1:13:07.120 --> 1:13:08.880
<v Speaker 1>And I was like, I don't remember that. I was like,

1:13:09.000 --> 1:13:10.600
<v Speaker 1>I was walking to the stage. I was like, but

1:13:10.720 --> 1:13:14.560
<v Speaker 1>do you say shots? I'm thinking this. I did not

1:13:14.680 --> 1:13:17.000
<v Speaker 1>think that literally shout out and was ready.

1:13:19.280 --> 1:13:20.919
<v Speaker 2>He gave your credibility because.

1:13:22.360 --> 1:13:22.800
<v Speaker 1>He told you.

1:13:28.120 --> 1:13:32.639
<v Speaker 5>Now, I'm like doing that run when the gun chests fighting,

1:13:33.760 --> 1:13:40.040
<v Speaker 5>shot Gunschest is going to fight, all right, I see

1:13:40.840 --> 1:13:41.360
<v Speaker 5>by his name.

1:13:41.439 --> 1:13:44.120
<v Speaker 4>Fifty cent came to Jamaica the gun jet fight and

1:13:44.160 --> 1:13:46.720
<v Speaker 4>you go and I'm like, what the fuck are you doing?

1:13:48.360 --> 1:13:50.560
<v Speaker 4>Take up the bulletproof bests. They're not gonna shoot you

1:13:52.040 --> 1:13:55.880
<v Speaker 4>except you. And he goes, I'm taking up the bulletproof

1:13:55.920 --> 1:13:58.720
<v Speaker 4>vests and oh, fucked up.

1:14:00.280 --> 1:14:06.439
<v Speaker 1>You fucked up the place, you fucked up the place. Scared.

1:14:10.000 --> 1:14:11.000
<v Speaker 4>But this is Jamaica.

1:14:12.040 --> 1:14:16.960
<v Speaker 1>We are bad people. Yeah, I'm sorry to say that. We're.

1:14:17.439 --> 1:14:21.360
<v Speaker 5>Yeah, some of us bunch of bad sex and things

1:14:22.040 --> 1:14:24.320
<v Speaker 5>behind the tree and things money.

1:14:27.240 --> 1:14:27.800
<v Speaker 1>Ship like that.

1:14:28.040 --> 1:14:33.439
<v Speaker 4>But a lot of good people were good people. Know,

1:14:33.600 --> 1:14:35.439
<v Speaker 4>we are good people. All of us are good people.

1:14:36.160 --> 1:14:40.840
<v Speaker 4>All of us who going my mama belly behind the tree.

1:14:40.880 --> 1:14:41.719
<v Speaker 1>We are good people.

1:14:42.439 --> 1:14:44.720
<v Speaker 5>Yes, you know, I'm one of them. Don't worry about it.

1:14:45.360 --> 1:14:49.160
<v Speaker 5>You just have to know the environment that you're into.

1:14:50.040 --> 1:14:52.760
<v Speaker 5>You see the environment that you're into, that that's that,

1:14:52.960 --> 1:14:56.400
<v Speaker 5>that's where, that's what makes you man.

1:14:57.760 --> 1:15:00.880
<v Speaker 4>So it's coming like you've got some chicken and you

1:15:01.000 --> 1:15:04.800
<v Speaker 4>feed them, and chicken they're gonna eat chicken. Yeah, man,

1:15:05.840 --> 1:15:07.240
<v Speaker 4>But if you feed them in coin.

1:15:08.760 --> 1:15:12.960
<v Speaker 5>My last is mm hmm, and keep them firm, they're

1:15:13.000 --> 1:15:14.280
<v Speaker 5>gonna be some body fouls.

1:15:14.479 --> 1:15:15.360
<v Speaker 6>We like the firm.

1:15:18.800 --> 1:15:20.960
<v Speaker 1>So let me ask you, right, you know, social media

1:15:21.040 --> 1:15:24.519
<v Speaker 1>is a big thing and popcorn like he recently posted

1:15:24.640 --> 1:15:27.640
<v Speaker 1>your song on I believe he was sitting down and

1:15:27.720 --> 1:15:29.760
<v Speaker 1>he posted the old song on you and you. I

1:15:29.840 --> 1:15:31.320
<v Speaker 1>believe he was referring to Gaza.

1:15:31.800 --> 1:15:37.400
<v Speaker 4>Yeah, yeah, yeah, yes, I think I think they're doing

1:15:37.479 --> 1:15:40.120
<v Speaker 4>that true, that the contail thingment. He's trying to be

1:15:40.240 --> 1:15:44.000
<v Speaker 4>King of the dancer. M yeah, tell me about that.

1:15:46.520 --> 1:15:50.719
<v Speaker 4>That's nothing, okay. You know, I do respect these people.

1:15:51.040 --> 1:15:51.280
<v Speaker 6>I do.

1:15:51.600 --> 1:15:55.040
<v Speaker 4>I'm not saying I don't respect these people.

1:15:55.720 --> 1:15:59.679
<v Speaker 5>But when you do all your work and you work

1:15:59.720 --> 1:16:02.640
<v Speaker 5>for this this man, and you get this man up

1:16:03.479 --> 1:16:07.120
<v Speaker 5>and put him on it the stage where people can

1:16:07.240 --> 1:16:11.200
<v Speaker 5>actually see him by himself, without you, and then he

1:16:11.439 --> 1:16:15.200
<v Speaker 5>come back and try to take your type, I don't

1:16:15.240 --> 1:16:15.960
<v Speaker 5>feel it's right.

1:16:16.160 --> 1:16:18.760
<v Speaker 4>I don't feel it. It's I feel it disrespectful.

1:16:19.360 --> 1:16:19.680
<v Speaker 1>M hm.

1:16:20.080 --> 1:16:22.920
<v Speaker 5>And yeah, and that's all I have to say about that.

1:16:24.400 --> 1:16:33.400
<v Speaker 5>But I do respect cat, but m be the teacher,

1:16:34.439 --> 1:16:38.120
<v Speaker 5>stay in your lane, don't try to jump the bridge.

1:16:38.240 --> 1:16:41.000
<v Speaker 4>But what are you doing? You gotta be you know,

1:16:41.280 --> 1:16:42.439
<v Speaker 4>staying your land?

1:16:42.960 --> 1:16:44.479
<v Speaker 1>Would you work with them again?

1:16:46.600 --> 1:16:49.160
<v Speaker 5>What I do music, That's what I do. I know

1:16:49.360 --> 1:16:53.160
<v Speaker 5>age artists and you know just how I'm talking and

1:16:53.280 --> 1:16:58.200
<v Speaker 5>not disrespecting. Okay, good, there you go. I love artists

1:16:58.280 --> 1:16:58.720
<v Speaker 5>and and.

1:17:00.280 --> 1:17:02.600
<v Speaker 4>This is my thing that people don't understand about me.

1:17:03.640 --> 1:17:05.200
<v Speaker 4>I will never do respect of artists.

1:17:05.320 --> 1:17:06.280
<v Speaker 1>Lest this just for me.

1:17:06.960 --> 1:17:10.519
<v Speaker 5>So if you want to go against me, then it's

1:17:10.560 --> 1:17:14.040
<v Speaker 5>a different thing. You get what I'm saying. But I'm

1:17:14.160 --> 1:17:20.200
<v Speaker 5>still not going against He was in prison for thirteen years.

1:17:21.160 --> 1:17:22.719
<v Speaker 5>You can't get a nigga break.

1:17:26.200 --> 1:17:30.280
<v Speaker 1>Hypothetically. Hypothetically before you say that, remember you saying, is

1:17:30.320 --> 1:17:32.000
<v Speaker 1>it true that he called you from prison? And then

1:17:32.040 --> 1:17:33.120
<v Speaker 1>the police called you afterward?

1:17:33.320 --> 1:17:36.439
<v Speaker 5>They called me after Jamaican, go what the you're doing?

1:17:36.560 --> 1:17:40.080
<v Speaker 5>The police had money, t everything, but they call me

1:17:40.200 --> 1:17:43.280
<v Speaker 5>because they know this nigga got the money.

1:17:47.120 --> 1:17:48.559
<v Speaker 4>Oh so you're the one.

1:17:48.439 --> 1:17:53.160
<v Speaker 5>That supporting I'm like, nigger, who are you all right?

1:17:54.400 --> 1:17:56.840
<v Speaker 5>We're a cop from God. I'm like, okay, here we go.

1:18:00.200 --> 1:18:01.080
<v Speaker 1>So you don't have a phone.

1:18:01.120 --> 1:18:02.479
<v Speaker 4>Now I don't have a phone.

1:18:05.760 --> 1:18:06.960
<v Speaker 6>You read the life.

1:18:07.600 --> 1:18:08.400
<v Speaker 1>You don't have a phone.

1:18:08.520 --> 1:18:10.640
<v Speaker 5>No, I don't have a phone. I didn't have a

1:18:10.680 --> 1:18:14.080
<v Speaker 5>phone before that. But my friend go to prison. You

1:18:14.160 --> 1:18:16.959
<v Speaker 5>got to get through bangers, so I got to bangers

1:18:17.400 --> 1:18:22.000
<v Speaker 5>whole day. Hell, you know the banger number banker.

1:18:23.800 --> 1:18:25.519
<v Speaker 2>That's wild with the bankers.

1:18:25.560 --> 1:18:28.800
<v Speaker 4>The burner, Yeah, I got it burning phone, Like how

1:18:28.880 --> 1:18:31.000
<v Speaker 4>they get that number?

1:18:31.160 --> 1:18:33.920
<v Speaker 1>Wild said?

1:18:33.960 --> 1:18:36.360
<v Speaker 5>That mean you have to be listening in an The

1:18:36.479 --> 1:18:39.439
<v Speaker 5>man called and know who called him? That means you

1:18:39.560 --> 1:18:40.800
<v Speaker 5>do precate the man number?

1:18:41.840 --> 1:18:44.080
<v Speaker 2>Yeah, constants and.

1:18:49.080 --> 1:18:49.600
<v Speaker 14>Yeah, and.

1:18:51.080 --> 1:18:51.880
<v Speaker 4>This man came out.

1:18:52.200 --> 1:18:54.840
<v Speaker 5>You never called me, never checked me, never called nobody

1:18:54.920 --> 1:18:57.720
<v Speaker 5>from me, never do nothing nothing like that.

1:18:57.920 --> 1:19:01.880
<v Speaker 4>But thank you for your time, sir. Thank you for

1:19:02.000 --> 1:19:04.519
<v Speaker 4>your time, sir. And respecting money.

1:19:04.880 --> 1:19:08.960
<v Speaker 5>That's all I got to say to you, because disrespecting

1:19:09.000 --> 1:19:10.479
<v Speaker 5>me that that doesn't make no sense.

1:19:10.640 --> 1:19:13.559
<v Speaker 4>Why do you want my crown? Why do you want

1:19:13.600 --> 1:19:18.400
<v Speaker 4>to be me? Nobody can't be you.

1:19:20.439 --> 1:19:25.000
<v Speaker 1>Everybody, every man wants to be the king? Though. Is

1:19:25.080 --> 1:19:28.200
<v Speaker 1>there is there a respectful way to try to say

1:19:28.240 --> 1:19:29.720
<v Speaker 1>that I could be a king too.

1:19:30.080 --> 1:19:36.720
<v Speaker 2>I'm asking because this is out of these No, what.

1:19:36.880 --> 1:19:43.960
<v Speaker 6>Makes somebody worthy of the crown? What what makes somebody

1:19:44.040 --> 1:19:44.800
<v Speaker 6>worthy of the crown?

1:19:45.760 --> 1:19:46.920
<v Speaker 4>From nineteen seventy seven.

1:19:46.960 --> 1:19:49.120
<v Speaker 6>Not you, but people that want to take the crown.

1:19:53.280 --> 1:19:55.080
<v Speaker 1>I was born, he was.

1:20:00.040 --> 1:20:00.880
<v Speaker 4>Let's see what I'm saying.

1:20:02.160 --> 1:20:07.640
<v Speaker 5>Performance, yes, please the crap right, please the people. Not

1:20:07.800 --> 1:20:09.920
<v Speaker 5>only singing song and saying ship and doing that and

1:20:10.080 --> 1:20:14.160
<v Speaker 5>doing this and doing that. It's everywhere you're going. You

1:20:14.320 --> 1:20:20.400
<v Speaker 5>got to represent the music, so you do being the

1:20:20.479 --> 1:20:21.200
<v Speaker 5>king of dancehall.

1:20:21.320 --> 1:20:25.320
<v Speaker 4>To me, it's not just it's not just a tackler.

1:20:25.360 --> 1:20:27.639
<v Speaker 4>I already have type becers. I'm the girls and sugar,

1:20:28.280 --> 1:20:32.040
<v Speaker 4>I'm the doctor. I do all of these things already.

1:20:32.680 --> 1:20:35.160
<v Speaker 4>You get what I'm saying. Just it's not just having

1:20:35.240 --> 1:20:39.439
<v Speaker 4>a tyckle. It's just being you as a real person.

1:20:40.920 --> 1:20:44.679
<v Speaker 4>That's what makes you can dancehall. It's not the hype.

1:20:45.680 --> 1:20:47.840
<v Speaker 5>I never hype. I can't hype. I can't do that

1:20:48.400 --> 1:20:50.760
<v Speaker 5>because I know Johnny hype. I know put the hype.

1:20:51.360 --> 1:20:53.920
<v Speaker 5>I know every hype in the dance all business. So

1:20:54.080 --> 1:20:58.880
<v Speaker 5>I don't do whipe like never ever will do ihpe like.

1:20:59.080 --> 1:20:59.920
<v Speaker 5>I never hype.

1:21:00.479 --> 1:21:03.040
<v Speaker 4>Yes, say that guy come here today. I'm trying to

1:21:03.120 --> 1:21:04.160
<v Speaker 4>be here for two days.

1:21:05.560 --> 1:21:09.320
<v Speaker 5>I try to left England and then my guyfriend didn't

1:21:09.360 --> 1:21:11.560
<v Speaker 5>come to the to the airport I fall asleep and

1:21:11.800 --> 1:21:15.240
<v Speaker 5>then the goddamn VIP so I have to come to

1:21:15.400 --> 1:21:19.559
<v Speaker 5>Jamaica to find some people to travel with me because

1:21:19.600 --> 1:21:26.080
<v Speaker 5>I'm tired that work. So today when I missed the flight,

1:21:26.160 --> 1:21:29.400
<v Speaker 5>I'm like, somebody is working on me. And then we

1:21:30.040 --> 1:21:35.599
<v Speaker 5>got the next flight and then we're here. Because if

1:21:35.640 --> 1:21:39.479
<v Speaker 5>I didn't do the show today, I would I'm not

1:21:39.600 --> 1:21:41.160
<v Speaker 5>gonna say I'm going to go to prison.

1:21:45.920 --> 1:21:47.280
<v Speaker 6>So work ethic as well.

1:21:47.960 --> 1:21:49.000
<v Speaker 1>Yes, this this is it.

1:21:49.160 --> 1:21:51.439
<v Speaker 4>You gotta be firm within the music.

1:21:52.320 --> 1:21:57.840
<v Speaker 5>Okay, gott Today I saw mydija do I sure with

1:21:58.000 --> 1:21:59.240
<v Speaker 5>our DJ up on the stitche.

1:22:01.520 --> 1:22:02.400
<v Speaker 4>We are Jamaicans.

1:22:02.479 --> 1:22:03.280
<v Speaker 1>We don't do that.

1:22:05.040 --> 1:22:08.760
<v Speaker 4>You don't get eighteen thousand people in front of you.

1:22:16.479 --> 1:22:18.360
<v Speaker 1>Wait, what don't you do? I want to be clearer.

1:22:19.720 --> 1:22:23.160
<v Speaker 1>Don't do that. So you don't want to DJ, you

1:22:23.320 --> 1:22:25.040
<v Speaker 1>cant DJ on stage.

1:22:25.080 --> 1:22:28.400
<v Speaker 4>We are downsall artists. We are reggae artists. We do band,

1:22:29.200 --> 1:22:35.000
<v Speaker 4>we do jumping on bas and guitar and keyboards.

1:22:35.880 --> 1:22:36.080
<v Speaker 1>Live.

1:22:36.360 --> 1:22:39.240
<v Speaker 4>So this is what we do life music.

1:22:39.720 --> 1:22:41.880
<v Speaker 5>And you do not perform for twenty five minutes on

1:22:42.000 --> 1:22:43.080
<v Speaker 5>your own goddamn show.

1:22:46.280 --> 1:22:49.280
<v Speaker 4>You do not you do one hour? Then you need

1:22:49.360 --> 1:22:52.639
<v Speaker 4>to juice I guess what are you doing?

1:22:52.920 --> 1:22:55.479
<v Speaker 5>You do and then you want to tell me that

1:22:55.600 --> 1:23:00.240
<v Speaker 5>you can answers that won't stop. Somebody excuse me, I

1:23:00.320 --> 1:23:03.960
<v Speaker 5>want to get a knight. I'm gonna step myself.

1:23:04.160 --> 1:23:10.320
<v Speaker 1>You don't want positive.

1:23:11.320 --> 1:23:14.400
<v Speaker 3>So let's say my hypothetical scenario was, let's say the

1:23:14.439 --> 1:23:17.000
<v Speaker 3>respect level was patched up there.

1:23:16.960 --> 1:23:19.200
<v Speaker 1>You know, on his on his path, and yeah, I

1:23:19.320 --> 1:23:19.640
<v Speaker 1>love that.

1:23:19.880 --> 1:23:22.120
<v Speaker 5>I love the honor, and then I love the honor.

1:23:22.160 --> 1:23:28.160
<v Speaker 5>Then but ticula, come on, and then I I actually

1:23:28.320 --> 1:23:31.280
<v Speaker 5>did the same thing that particular did. That's why I'm

1:23:31.360 --> 1:23:34.160
<v Speaker 5>not fighting for it. I'm not fighting against him for

1:23:34.280 --> 1:23:36.439
<v Speaker 5>what he did. I actually do the same thing. I

1:23:36.600 --> 1:23:39.160
<v Speaker 5>tell the people then that yo, this month, now the

1:23:39.280 --> 1:23:43.040
<v Speaker 5>next month. And then in front was the money, No,

1:23:43.200 --> 1:23:45.120
<v Speaker 5>this month is the money. I actually do the same

1:23:45.160 --> 1:23:49.760
<v Speaker 5>thing at sting. So, yeah, I can't fight that, you know,

1:23:50.040 --> 1:23:50.840
<v Speaker 5>I can't fight what.

1:23:52.560 --> 1:23:53.400
<v Speaker 1>You see me.

1:23:55.479 --> 1:24:00.880
<v Speaker 5>I'm a loving and respect person. I respect everybody until

1:24:00.920 --> 1:24:05.120
<v Speaker 5>you disrespect me. Disrespect me there you know who I am.

1:24:05.400 --> 1:24:06.640
<v Speaker 5>There's just a different thing.

1:24:07.520 --> 1:24:11.439
<v Speaker 3>But yeah, so King of Dance Hall, King of Kings

1:24:11.479 --> 1:24:17.599
<v Speaker 3>of Dance All Tour, Bounty Beanie Cartel, you'll be into

1:24:17.680 --> 1:24:19.640
<v Speaker 3>that respect level was what.

1:24:21.560 --> 1:24:29.040
<v Speaker 1>Ambusher. But you're saying what this is? Say white love

1:24:29.160 --> 1:24:32.600
<v Speaker 1>to performance crazy, I'll be flying.

1:24:34.040 --> 1:24:35.240
<v Speaker 4>Like cap it like.

1:24:37.640 --> 1:24:39.960
<v Speaker 3>That's what we want to see. That's what we want

1:24:39.960 --> 1:24:42.160
<v Speaker 3>to see. We don't want to see two greats go

1:24:42.280 --> 1:24:42.800
<v Speaker 3>at it like that.

1:24:42.920 --> 1:24:44.240
<v Speaker 1>You know, I don't want to do that.

1:24:46.200 --> 1:24:47.479
<v Speaker 2>But there is two snippets out.

1:24:47.720 --> 1:24:54.960
<v Speaker 4>But they need to leave me alone, leave my crown alone.

1:24:55.040 --> 1:24:57.000
<v Speaker 1>That's it. That's it.

1:24:57.960 --> 1:25:00.599
<v Speaker 4>I'm not saying ship Yeah.

1:25:03.479 --> 1:25:06.280
<v Speaker 1>Let me ask you about because that's one thing is

1:25:06.640 --> 1:25:08.479
<v Speaker 1>you have a snippet out and it seems like it's

1:25:08.600 --> 1:25:11.800
<v Speaker 1>kind of like a record a dragon. No, No, it's

1:25:11.800 --> 1:25:14.160
<v Speaker 1>a snippet. Okay, it's a free style.

1:25:15.000 --> 1:25:19.040
<v Speaker 4>What got a little song? I did a freestyle? This

1:25:19.200 --> 1:25:24.960
<v Speaker 4>is I'm that damn that person. I don't like when

1:25:25.040 --> 1:25:28.800
<v Speaker 4>you call and try to talk to me the wrong way.

1:25:29.400 --> 1:25:31.160
<v Speaker 4>Oh you try to sing a song and talk to

1:25:31.240 --> 1:25:34.040
<v Speaker 4>me the wrong way? I go but one time, so

1:25:34.200 --> 1:25:36.200
<v Speaker 4>I find it ready that he's singing the ship on.

1:25:36.840 --> 1:25:37.280
<v Speaker 1>And then.

1:25:39.040 --> 1:25:41.760
<v Speaker 4>It's like when two back and biggest small who shot

1:25:41.840 --> 1:25:45.240
<v Speaker 4>you that this is not different? This is the same.

1:25:50.120 --> 1:25:54.960
<v Speaker 4>That's not the same fucking thing. So it's what I'm saying.

1:25:55.479 --> 1:25:58.840
<v Speaker 4>It's not like you're supposed to say ship and I'm

1:25:58.920 --> 1:26:00.960
<v Speaker 4>not supposed to say it that.

1:26:01.360 --> 1:26:04.760
<v Speaker 5>That don't make no sense When I say ship, I

1:26:04.880 --> 1:26:07.639
<v Speaker 5>say ship. So I call a nigga humpty dumpty?

1:26:07.680 --> 1:26:15.160
<v Speaker 6>What he called somebody humpty dumpty.

1:26:16.000 --> 1:26:19.439
<v Speaker 5>I've caught that called him umpty dumpty. I did, and

1:26:20.000 --> 1:26:22.720
<v Speaker 5>you see it's not it's not disrespect. He just look

1:26:22.840 --> 1:26:23.639
<v Speaker 5>like I'm to dumpty.

1:26:24.320 --> 1:26:26.679
<v Speaker 4>But it is my friend. He's my auntist.

1:26:26.760 --> 1:26:27.320
<v Speaker 1>I love him.

1:26:27.800 --> 1:26:33.000
<v Speaker 4>Bleaching, yeah, oh God, don't do that. Oh God, I'm

1:26:33.040 --> 1:26:33.519
<v Speaker 4>gonna wipe.

1:26:33.520 --> 1:26:34.760
<v Speaker 6>It's not like we don't see.

1:26:34.920 --> 1:26:36.759
<v Speaker 1>It's my sweat.

1:26:37.000 --> 1:26:43.719
<v Speaker 4>I'm gonna wipe mice, wipe my sweat.

1:26:44.120 --> 1:26:45.439
<v Speaker 6>Okay, you wiped it off.

1:26:46.800 --> 1:26:51.640
<v Speaker 4>A nigga. Never watch another nigga. What another nigga do?

1:26:52.479 --> 1:26:56.320
<v Speaker 4>That's what a nigga do. I'm all right, I am.

1:26:57.400 --> 1:26:58.880
<v Speaker 1>Could I get a round of the plus for that.

1:27:03.439 --> 1:27:03.880
<v Speaker 4>Our nigga.

1:27:03.960 --> 1:27:06.599
<v Speaker 5>Never watching that nigga. If he bleaching, bleach, it's that's

1:27:06.680 --> 1:27:09.560
<v Speaker 5>his skin, that's not mine. If he put tattoos in

1:27:09.640 --> 1:27:12.320
<v Speaker 5>his skin, is that's his skin that's not mine. I

1:27:12.400 --> 1:27:15.120
<v Speaker 5>don't got a tattoo and I will never bleach.

1:27:15.360 --> 1:27:22.840
<v Speaker 4>Yeah, I bleach like not sleeping bleach. Do you know

1:27:22.920 --> 1:27:23.320
<v Speaker 4>I bleach?

1:27:25.040 --> 1:27:25.320
<v Speaker 1>Can you.

1:27:27.640 --> 1:27:29.720
<v Speaker 4>Sleeping bleach?

1:27:30.640 --> 1:27:34.320
<v Speaker 5>I'll be working in a shooter from eight to eight,

1:27:34.760 --> 1:27:36.840
<v Speaker 5>eight o'clock in the morning to eight o'clock in the

1:27:36.920 --> 1:27:37.519
<v Speaker 5>next morning.

1:27:37.600 --> 1:27:40.080
<v Speaker 6>Okay, what.

1:27:44.560 --> 1:27:48.519
<v Speaker 1>What what we do? That?

1:27:48.800 --> 1:27:48.960
<v Speaker 4>Yeah?

1:27:49.360 --> 1:27:52.080
<v Speaker 1>What? This is? What? What?

1:27:52.360 --> 1:27:55.000
<v Speaker 4>This is what I do? I don't care what they do.

1:27:55.880 --> 1:28:00.160
<v Speaker 1>This is what I do. I make music. I do

1:28:00.360 --> 1:28:02.080
<v Speaker 1>not all right.

1:28:02.600 --> 1:28:05.080
<v Speaker 4>If I'm in the studio, I don't know what time

1:28:05.160 --> 1:28:05.400
<v Speaker 4>it is.

1:28:07.479 --> 1:28:07.559
<v Speaker 6>So.

1:28:09.280 --> 1:28:18.000
<v Speaker 2>That's what you mean o'clock, brother, come in and.

1:28:22.880 --> 1:28:25.840
<v Speaker 4>Fucking clock. Not only time?

1:28:26.400 --> 1:28:29.960
<v Speaker 5>All right, our dose out for a hour, not going inside.

1:28:30.200 --> 1:28:32.920
<v Speaker 5>Those out for an hour, and then I wake up

1:28:33.000 --> 1:28:38.519
<v Speaker 5>and ready and advice five songs like build them right

1:28:38.600 --> 1:28:43.600
<v Speaker 5>on the spot, recall them doing the boom, done, everything, harmonies,

1:28:43.760 --> 1:28:44.960
<v Speaker 5>everything and done.

1:28:46.760 --> 1:28:49.160
<v Speaker 4>And then tomorrow you make the ship and we're good

1:28:49.360 --> 1:28:53.800
<v Speaker 4>and we all right. But then it's not for me

1:28:54.000 --> 1:28:57.200
<v Speaker 4>to say what for you not to do?

1:28:57.720 --> 1:28:59.880
<v Speaker 1>But what I do is not.

1:29:02.000 --> 1:29:07.600
<v Speaker 5>It's not technical. It's an ordinary mm hmmm, because that

1:29:07.720 --> 1:29:09.280
<v Speaker 5>bit of lyrics in my brain.

1:29:10.080 --> 1:29:12.320
<v Speaker 2>You know, write what for what reason?

1:29:14.320 --> 1:29:14.519
<v Speaker 1>Yeah?

1:29:14.640 --> 1:29:16.479
<v Speaker 4>I got a head from school, you know long I

1:29:16.560 --> 1:29:19.560
<v Speaker 4>got ahead from school. I'm fifty two years off. It

1:29:20.840 --> 1:29:23.080
<v Speaker 4>you know, you know Long, I got here from school.

1:29:23.960 --> 1:29:26.360
<v Speaker 4>Now you know Long, I got a head from school.

1:29:27.240 --> 1:29:28.680
<v Speaker 4>The fuck I'm going to write.

1:29:29.600 --> 1:29:32.280
<v Speaker 2>He's like, fuck writing. I'm not in school.

1:29:32.280 --> 1:29:34.080
<v Speaker 1>I read at what I'm just saying.

1:29:34.600 --> 1:29:35.360
<v Speaker 6>Of course that's right.

1:29:37.800 --> 1:29:38.080
<v Speaker 1>I said.

1:29:38.120 --> 1:29:43.240
<v Speaker 2>I just signed okay, okay.

1:29:43.240 --> 1:29:47.479
<v Speaker 4>And then I signed that ship and that's it. Why

1:29:47.520 --> 1:29:50.240
<v Speaker 4>should I write? This is the problem is it's not

1:29:50.400 --> 1:29:53.639
<v Speaker 4>writing the spelling the song. Spelling the song. You got

1:29:53.720 --> 1:29:55.360
<v Speaker 4>to beat. You have to beat.

1:29:55.880 --> 1:29:58.040
<v Speaker 1>You got the beat and you go doom.

1:29:57.840 --> 1:30:02.559
<v Speaker 4>Doom, doom, doom, boom joom doom, poom poom poom poom singing,

1:30:04.000 --> 1:30:15.320
<v Speaker 4>so so you know, gether thet joking.

1:30:16.880 --> 1:30:17.720
<v Speaker 1>This is how you do.

1:30:27.840 --> 1:30:28.120
<v Speaker 7>It now.

1:30:29.040 --> 1:30:31.240
<v Speaker 4>It's not like we were doing.

1:30:32.680 --> 1:30:36.479
<v Speaker 5>And somebody's trying to stop you because that's the way

1:30:36.479 --> 1:30:40.360
<v Speaker 5>they're doing. And like I see some fans think that

1:30:40.960 --> 1:30:43.200
<v Speaker 5>they're like they want me to stop d J, like

1:30:44.000 --> 1:30:47.479
<v Speaker 5>back off from get out of the business, like or

1:30:47.520 --> 1:30:48.960
<v Speaker 5>am I going to left the business too?

1:30:49.280 --> 1:30:49.560
<v Speaker 1>Or am I?

1:30:52.120 --> 1:30:52.160
<v Speaker 6>No?

1:30:53.680 --> 1:30:55.839
<v Speaker 5>Am I going to left the business too? There's nobody

1:30:55.880 --> 1:30:59.120
<v Speaker 5>that can perform like us. There's nobody that can do

1:30:59.240 --> 1:31:01.920
<v Speaker 5>what we do. When we're gonna stay that you moved

1:31:01.960 --> 1:31:05.720
<v Speaker 5>the whole entire audience. We don't move the front of

1:31:05.880 --> 1:31:08.720
<v Speaker 5>the audience all the side of the audience. We moved

1:31:08.760 --> 1:31:11.720
<v Speaker 5>the whole entire audience. Are we going to left the

1:31:11.800 --> 1:31:13.679
<v Speaker 5>music to Somebody showed me that power.

1:31:24.160 --> 1:31:25.880
<v Speaker 1>I make up a lot of words in my life

1:31:27.320 --> 1:31:32.400
<v Speaker 1>that but on girl Damn Sugar with Maya and Pharrell, Yeah,

1:31:33.080 --> 1:31:34.200
<v Speaker 1>what the focus is gonna know.

1:31:39.439 --> 1:31:47.439
<v Speaker 5>What that stocks Zach mean big ass, big Assazel Gazelle.

1:31:47.920 --> 1:31:50.880
<v Speaker 2>Gazelle didn't mean it before that or you just made

1:31:50.920 --> 1:31:51.320
<v Speaker 2>it mean that?

1:31:51.800 --> 1:31:58.560
<v Speaker 5>No, it's mean that before that, before that that I'm

1:31:58.560 --> 1:32:03.240
<v Speaker 5>at somebody, don't shoot me. I'm a shante. You can't

1:32:03.280 --> 1:32:04.600
<v Speaker 5>go to Ghana and asked him what.

1:32:05.080 --> 1:32:08.920
<v Speaker 4>I mean and gotcha Yeah damn Sugar.

1:32:09.680 --> 1:32:09.880
<v Speaker 1>Yeah.

1:32:10.080 --> 1:32:12.559
<v Speaker 4>So if I say zachz I mean the.

1:32:12.640 --> 1:32:16.760
<v Speaker 3>Bitch sha Yes, Well, people saying girls of Sugar before

1:32:16.800 --> 1:32:20.519
<v Speaker 3>you what? No, I feel like you should that you

1:32:20.520 --> 1:32:23.840
<v Speaker 3>should have have that coined or something. Oh, I see

1:32:23.880 --> 1:32:27.720
<v Speaker 3>it copyright. I see it on merchandise all the time,

1:32:27.800 --> 1:32:30.080
<v Speaker 3>and it's like, how do you feel about that when

1:32:30.080 --> 1:32:30.880
<v Speaker 3>you see people?

1:32:34.360 --> 1:32:38.320
<v Speaker 6>Yeah, yeah, but you know it's a worry, but you.

1:32:38.320 --> 1:32:40.040
<v Speaker 2>Do want to take it from from the source and

1:32:40.120 --> 1:32:41.960
<v Speaker 2>then trademark me put it on the.

1:32:41.960 --> 1:32:42.799
<v Speaker 6>Source to the sauce.

1:32:43.360 --> 1:32:43.559
<v Speaker 1>Man.

1:32:44.040 --> 1:32:46.760
<v Speaker 5>I don't even knowing nothing about that kind of ship.

1:32:47.000 --> 1:32:50.200
<v Speaker 5>And I'm telling you I love music for music. I

1:32:50.240 --> 1:32:52.880
<v Speaker 5>don't love music for the money. I didn't know that

1:32:53.000 --> 1:32:56.160
<v Speaker 5>music was coming with money. I just started saying music,

1:32:56.240 --> 1:32:56.960
<v Speaker 5>and their money.

1:32:56.840 --> 1:32:58.840
<v Speaker 2>Started caing, well, you're doing it when you were a child,

1:32:59.000 --> 1:33:00.400
<v Speaker 2>So I did.

1:33:00.840 --> 1:33:06.479
<v Speaker 4>Wasn't know that money was coming. Money. Yeah's just money.

1:33:07.000 --> 1:33:12.719
<v Speaker 4>Money just came. So yeah, now I gotta manufacture everything.

1:33:13.640 --> 1:33:20.479
<v Speaker 4>I gotta manufacture some T shirt with scure something jacket

1:33:20.600 --> 1:33:29.400
<v Speaker 4>with my and the ship. There's built some big billboard

1:33:29.560 --> 1:33:32.439
<v Speaker 4>exactly look at me now.

1:33:33.320 --> 1:33:37.720
<v Speaker 5>Yeah, but you said, when you come to music, it's

1:33:37.760 --> 1:33:41.760
<v Speaker 5>not about making so much money you can make the music, is.

1:33:44.160 --> 1:33:46.040
<v Speaker 1>Right. You gotta love it.

1:33:46.720 --> 1:33:47.559
<v Speaker 2>It's a sacred thing.

1:33:48.920 --> 1:33:50.000
<v Speaker 1>This god.

1:33:50.600 --> 1:33:53.719
<v Speaker 5>Why people don't understand when when you come to music

1:33:54.240 --> 1:33:56.400
<v Speaker 5>that you have to love the music.

1:33:56.520 --> 1:33:59.599
<v Speaker 4>You gotta love what, what you're doing, what you're into?

1:33:59.760 --> 1:33:59.800
<v Speaker 6>What?

1:34:00.600 --> 1:34:03.240
<v Speaker 4>What are you singing about? Why are you singing?

1:34:04.600 --> 1:34:05.560
<v Speaker 1>What are you telling me?

1:34:06.240 --> 1:34:08.320
<v Speaker 4>What do you want me to do? You want me

1:34:08.400 --> 1:34:10.479
<v Speaker 4>to jump, you want me to skip, you want me

1:34:10.600 --> 1:34:11.160
<v Speaker 4>to roll over?

1:34:11.520 --> 1:34:12.880
<v Speaker 1>But what you want me to do?

1:34:13.760 --> 1:34:15.000
<v Speaker 4>Show this music?

1:34:15.280 --> 1:34:18.560
<v Speaker 5>When I go to a stage show which is not

1:34:18.720 --> 1:34:21.800
<v Speaker 5>my show, and and and I see an artist on

1:34:21.880 --> 1:34:25.400
<v Speaker 5>the stage, I go there to see your artists perform.

1:34:26.640 --> 1:34:28.879
<v Speaker 4>I don't go there to see the artists doing bullshit.

1:34:29.040 --> 1:34:31.680
<v Speaker 4>I'm just there to see you do your guts. I

1:34:31.760 --> 1:34:32.439
<v Speaker 4>can feel it.

1:34:34.520 --> 1:34:37.120
<v Speaker 8>How do you deal with unruly fans? I did see

1:34:37.160 --> 1:34:40.280
<v Speaker 8>somebody jump on the stage and try to grab your mic,

1:34:41.479 --> 1:34:43.080
<v Speaker 8>Like what how do you How did you keep your

1:34:43.120 --> 1:34:44.400
<v Speaker 8>composure in that moment?

1:34:45.680 --> 1:34:48.280
<v Speaker 6>I give the hands you did?

1:34:48.840 --> 1:34:51.120
<v Speaker 4>Yeah, that's what I do. Take a mic.

1:34:54.600 --> 1:34:57.320
<v Speaker 6>Think that he could just come on stage and just because.

1:34:57.080 --> 1:35:00.559
<v Speaker 5>You want to be beating man, So he's like, b yeah,

1:35:00.560 --> 1:35:02.599
<v Speaker 5>you're coming like funk, I'm beating in tonight.

1:35:03.479 --> 1:35:07.479
<v Speaker 4>Jump on the stage like okay, there you go. What

1:35:07.680 --> 1:35:08.200
<v Speaker 4>are you saying?

1:35:08.720 --> 1:35:08.960
<v Speaker 1>Yeah?

1:35:09.960 --> 1:35:11.560
<v Speaker 2>And then the security kicked them off, and then you

1:35:12.160 --> 1:35:18.040
<v Speaker 2>you go, that's like okay, you can handle it.

1:35:18.080 --> 1:35:21.639
<v Speaker 4>And then hand iteah, there you go, because you see

1:35:22.040 --> 1:35:25.960
<v Speaker 4>all right? You see in life you gotta know if

1:35:26.040 --> 1:35:29.840
<v Speaker 4>all right, if you it's the best worker at your shop,

1:35:30.880 --> 1:35:34.479
<v Speaker 4>and you said, say you sell a computer and use

1:35:34.520 --> 1:35:37.040
<v Speaker 4>the best computer, celler you every time you talk about

1:35:37.040 --> 1:35:40.280
<v Speaker 4>a computer, somebody want to buy it, like ship. This

1:35:40.520 --> 1:35:42.400
<v Speaker 4>is ship what you're talking about.

1:35:42.560 --> 1:35:42.680
<v Speaker 1>Right?

1:35:42.760 --> 1:35:46.560
<v Speaker 5>Wait, then somebody has come and not talking about the

1:35:46.600 --> 1:35:48.479
<v Speaker 5>computer the way you talk about the computer.

1:35:49.000 --> 1:35:54.920
<v Speaker 4>Computer. Stop set if you can get read that person

1:35:56.680 --> 1:35:58.200
<v Speaker 4>sell some radio or something.

1:35:58.280 --> 1:36:00.960
<v Speaker 5>Then you go around there says some stereo do something,

1:36:01.720 --> 1:36:07.080
<v Speaker 5>because you're messing with my job. So you're going to

1:36:07.160 --> 1:36:09.720
<v Speaker 5>give them a chance, like, here's a chance to do

1:36:09.840 --> 1:36:13.720
<v Speaker 5>what you're doing. Try to sell this computer. He's not

1:36:13.840 --> 1:36:15.760
<v Speaker 5>going to sell it because they're not selling like or

1:36:15.840 --> 1:36:20.080
<v Speaker 5>you selling it. You're telling everybody about the computer. Everything

1:36:20.200 --> 1:36:23.840
<v Speaker 5>about the computer, every image, everything about the computer.

1:36:24.120 --> 1:36:25.599
<v Speaker 2>Their passion is your passion.

1:36:29.520 --> 1:36:33.519
<v Speaker 4>Okay, that's why I never played football. I don't know

1:36:33.640 --> 1:36:34.280
<v Speaker 4>ship about that.

1:36:36.400 --> 1:36:38.639
<v Speaker 1>Nobody you're gonna spook a swiff. You don't spook a slip.

1:36:38.960 --> 1:36:40.400
<v Speaker 4>Nobody give me those swiff.

1:36:52.120 --> 1:37:01.240
<v Speaker 1>You were passions. He've been smoking from.

1:37:03.000 --> 1:37:12.000
<v Speaker 4>Rolling bakerst No collaboration, guys, crazy if if you.

1:37:12.120 --> 1:37:13.920
<v Speaker 2>I got this one, jamake, I smoked by myself because

1:37:13.920 --> 1:37:15.080
<v Speaker 2>of Jamaicans smoke.

1:37:15.439 --> 1:37:16.479
<v Speaker 1>Yeah, they don't trust nobody.

1:37:17.280 --> 1:37:22.920
<v Speaker 5>You gotta smoke by your goddamn. Can't bet a blunt.

1:37:23.640 --> 1:37:26.639
<v Speaker 5>You can smoke a blood man, give blunt. You gotta

1:37:26.680 --> 1:37:29.519
<v Speaker 5>blunt smoke, send down the blunt.

1:37:31.560 --> 1:37:36.240
<v Speaker 1>This is irid, Beanie. This is I grade, Beanie.

1:37:40.360 --> 1:37:42.679
<v Speaker 2>You want to know I'm getting.

1:37:44.800 --> 1:37:51.200
<v Speaker 4>I'm telling let me ask you.

1:37:51.320 --> 1:37:51.800
<v Speaker 1>Let me ask you.

1:37:55.000 --> 1:37:56.519
<v Speaker 2>We know what you're gonna say, but I gotta ask

1:37:56.560 --> 1:37:59.240
<v Speaker 2>you anyway. What is the best island?

1:38:04.800 --> 1:38:13.679
<v Speaker 1>A lot of pressure. The iugest great hurrit is life. Life.

1:38:14.320 --> 1:38:18.519
<v Speaker 1>I great life, great life.

1:38:19.800 --> 1:38:23.479
<v Speaker 4>Now the weed that you're smoke, it's a different thing

1:38:23.560 --> 1:38:25.439
<v Speaker 4>because we change every fucking week.

1:38:25.920 --> 1:38:26.479
<v Speaker 1>Is sk.

1:38:28.040 --> 1:38:32.080
<v Speaker 4>And then you got Chranic. They you got tool.

1:38:34.400 --> 1:38:38.479
<v Speaker 1>This is well.

1:38:38.520 --> 1:38:42.240
<v Speaker 5>The best I grade in the world is life because

1:38:42.280 --> 1:38:45.559
<v Speaker 5>when you can live your life for what your life world.

1:38:45.479 --> 1:38:49.400
<v Speaker 4>And what your life deserves, that is the highest grade.

1:38:50.479 --> 1:38:52.600
<v Speaker 2>You said the best islands island, the.

1:38:52.680 --> 1:38:57.599
<v Speaker 6>Best island, the best in the world island Jamaica.

1:39:01.080 --> 1:39:04.040
<v Speaker 2>My second part, what's the best island in the world

1:39:04.120 --> 1:39:05.440
<v Speaker 2>besides Jamaica.

1:39:06.760 --> 1:39:07.200
<v Speaker 6>America?

1:39:07.960 --> 1:39:10.120
<v Speaker 1>You guys by yourself, buddy.

1:39:11.880 --> 1:39:19.040
<v Speaker 2>Dominican, don't don't listen to him. The island.

1:39:20.400 --> 1:39:25.120
<v Speaker 4>What's the best? Right the rights from Jamaica Aston Jamaica, Jamaica.

1:39:26.600 --> 1:39:35.479
<v Speaker 2>I respect that I left Trainingadady, he's like second second place.

1:39:36.680 --> 1:39:39.240
<v Speaker 5>I left training that what I don't eat doubles dog

1:39:39.360 --> 1:39:41.439
<v Speaker 5>the only doubles. I don't eat nothing that dog, don't

1:39:44.320 --> 1:39:51.080
<v Speaker 5>you know, Yeah, doubles. Doubles is nice, don't doubles. I tried,

1:39:51.160 --> 1:39:53.160
<v Speaker 5>already tried like two times.

1:39:53.439 --> 1:39:56.320
<v Speaker 4>But yeah they got trick peas and peppa and ships

1:39:56.800 --> 1:39:59.120
<v Speaker 4>and flowing ship and it's nice.

1:39:59.240 --> 1:40:03.840
<v Speaker 5>Then you gout next one called trippers. It's nice. But

1:40:05.120 --> 1:40:07.160
<v Speaker 5>once I show to the dog and the dog down.

1:40:07.120 --> 1:40:08.960
<v Speaker 1>Eat it, he's like that ship.

1:40:09.479 --> 1:40:17.080
<v Speaker 2>Wait talme out, come on, come off, you do dog?

1:40:17.960 --> 1:40:20.640
<v Speaker 4>Dog eat fish? Dogg eat thumplings.

1:40:20.720 --> 1:40:23.880
<v Speaker 1>I never don't wait everything. The dog would eat the double.

1:40:23.960 --> 1:40:28.240
<v Speaker 4>The dog down, Where do you get the double trinidad?

1:40:28.400 --> 1:40:28.439
<v Speaker 1>No?

1:40:28.520 --> 1:40:30.120
<v Speaker 6>What I mean like a specific No.

1:40:30.280 --> 1:40:32.400
<v Speaker 4>I was on the roadside on the trip.

1:40:32.800 --> 1:40:35.000
<v Speaker 2>Was the straight dog about your dog?

1:40:35.760 --> 1:40:47.879
<v Speaker 1>Straight up? Uner dog? Homeless?

1:40:47.960 --> 1:40:51.160
<v Speaker 4>Hungry dog said no, I'm not fucking around.

1:40:54.080 --> 1:40:55.840
<v Speaker 1>I see the other day the other day. I swear

1:40:55.840 --> 1:40:58.920
<v Speaker 1>to God, I can't get me something that someone did.

1:40:59.360 --> 1:41:02.080
<v Speaker 2>Study and even dog McDonald's. And the dog wouldn't eat

1:41:02.120 --> 1:41:03.920
<v Speaker 2>McDonald So.

1:41:04.000 --> 1:41:05.760
<v Speaker 4>Why should I eat my nuns.

1:41:07.439 --> 1:41:08.080
<v Speaker 1>On Instagram?

1:41:08.800 --> 1:41:10.400
<v Speaker 4>Send me to burger king dog.

1:41:13.840 --> 1:41:16.599
<v Speaker 1>With that? So let me let me ask you, Beanie.

1:41:17.439 --> 1:41:19.479
<v Speaker 1>When I went to I went JA make a couple

1:41:19.479 --> 1:41:23.160
<v Speaker 1>of times, yeah, a lot of times, right, But there's

1:41:23.320 --> 1:41:26.400
<v Speaker 1>really Chinese Jamaicans of course.

1:41:26.520 --> 1:41:26.680
<v Speaker 2>Man.

1:41:27.240 --> 1:41:32.559
<v Speaker 4>You know, like you got Chinese, Japanese, Continuese, Indian, these

1:41:33.080 --> 1:41:41.880
<v Speaker 4>theses Japanese. Man, they can they be remember that's a

1:41:41.920 --> 1:41:43.240
<v Speaker 4>good question actually for us.

1:41:43.520 --> 1:41:48.679
<v Speaker 5>I remember, Chinese have sex, they want to have kids.

1:41:49.360 --> 1:41:52.640
<v Speaker 5>They can't have anything in China. Any think they're going

1:41:52.720 --> 1:41:53.439
<v Speaker 5>to come advocates.

1:41:53.439 --> 1:41:56.800
<v Speaker 6>That's I don't regulations.

1:42:00.120 --> 1:42:01.040
<v Speaker 2>All you mean in China?

1:42:01.240 --> 1:42:03.719
<v Speaker 1>Yeah, the yard you can have fifteen hundred.

1:42:12.040 --> 1:42:13.080
<v Speaker 6>They they got yo.

1:42:15.520 --> 1:42:21.559
<v Speaker 1>Thinking. So the Chinese people come to Jamaica, Jamaica, let

1:42:21.600 --> 1:42:25.080
<v Speaker 1>me tell you some Chinese went outside Actimoty gardens and

1:42:25.120 --> 1:42:28.320
<v Speaker 1>I went to like a bodega. Chinese man was there,

1:42:28.560 --> 1:42:31.800
<v Speaker 1>and I was like, he was like, come on, you

1:42:31.880 --> 1:42:40.000
<v Speaker 1>can't like you know, he was speaking, he's speaking y'all generations.

1:42:40.960 --> 1:42:43.519
<v Speaker 1>I knew, like the China man was born the cool

1:42:43.600 --> 1:42:45.160
<v Speaker 1>you know what he did was bond there.

1:42:45.320 --> 1:42:46.040
<v Speaker 2>Yeah, exactly.

1:42:46.040 --> 1:42:47.080
<v Speaker 1>You know what the chinaman did.

1:42:47.200 --> 1:42:48.080
<v Speaker 2>Father was born there.

1:42:48.240 --> 1:42:49.439
<v Speaker 12>You know what he did?

1:42:50.960 --> 1:42:55.360
<v Speaker 7>I came there, yeah and there you go. Sorry, yeah,

1:42:55.720 --> 1:43:01.360
<v Speaker 7>you know China. He said, yeah, anybody that's not.

1:43:01.600 --> 1:43:09.040
<v Speaker 1>Really that's real. That's what has made it sound like

1:43:10.640 --> 1:43:17.439
<v Speaker 1>that's you making me. I can't tell you one word

1:43:17.600 --> 1:43:21.960
<v Speaker 1>that comes from Jamaica. I suck it up, fuck it up. No,

1:43:23.240 --> 1:43:28.160
<v Speaker 1>you gotta say like up no ChRI yes.

1:43:28.080 --> 1:43:32.640
<v Speaker 4>The only word that the only word I know that

1:43:32.760 --> 1:43:37.040
<v Speaker 4>Jamaican use. Bombo clot of course, what is a bumble clod?

1:43:39.439 --> 1:43:41.360
<v Speaker 2>It's a lot of things, a lot of things.

1:43:44.280 --> 1:43:46.040
<v Speaker 5>Your hand, the fans have you put on a couple

1:43:46.040 --> 1:43:47.839
<v Speaker 5>of you ass Yes, it is your bumbo?

1:43:47.960 --> 1:43:50.519
<v Speaker 2>What the singing man?

1:43:50.800 --> 1:43:56.639
<v Speaker 4>It's true, that's what That's what it is. And then yeah,

1:43:57.120 --> 1:44:00.240
<v Speaker 4>clap who you and your mother?

1:44:01.000 --> 1:44:01.280
<v Speaker 1>Second?

1:44:01.880 --> 1:44:03.200
<v Speaker 4>This is this is a going thing.

1:44:04.439 --> 1:44:06.120
<v Speaker 2>We're talking the worst ship right now.

1:44:06.360 --> 1:44:21.960
<v Speaker 4>Yeah, what a man telling in Jamaica about your moms.

1:44:24.360 --> 1:44:25.200
<v Speaker 4>That's a different thing.

1:44:25.840 --> 1:44:28.920
<v Speaker 1>Be ready to fight everybody. We're moving up and.

1:44:29.760 --> 1:44:31.880
<v Speaker 4>We are you talking about something? We have that one

1:44:31.920 --> 1:44:35.599
<v Speaker 4>you know crazy, it's horrible. That's gonna be wicked.

1:44:36.400 --> 1:44:37.720
<v Speaker 1>Yeah, but they do.

1:44:38.720 --> 1:44:39.200
<v Speaker 4>It's fun.

1:44:39.640 --> 1:44:41.920
<v Speaker 5>It's coming like a black man calling the next black man,

1:44:41.960 --> 1:44:44.240
<v Speaker 5>what's up my nigga? And then the white man come

1:44:44.320 --> 1:44:49.559
<v Speaker 5>and said, that's my nigga. That gonna be funked out.

1:44:53.240 --> 1:44:55.720
<v Speaker 4>That got me nice. They not came out, he said,

1:44:55.760 --> 1:44:57.280
<v Speaker 4>but your niggas every day.

1:44:58.040 --> 1:44:59.800
<v Speaker 1>No, that's not for you.

1:45:01.040 --> 1:45:03.800
<v Speaker 5>Yeah, call me your brether, are your friend. You don't

1:45:03.840 --> 1:45:06.880
<v Speaker 5>call me a nigga because we've been too slavely for

1:45:07.040 --> 1:45:07.840
<v Speaker 5>four hundred is.

1:45:08.160 --> 1:45:10.040
<v Speaker 2>My friend was at the airport the other day and

1:45:10.120 --> 1:45:12.080
<v Speaker 2>a Haitian called him a nigga and he was talking

1:45:12.160 --> 1:45:12.439
<v Speaker 2>than him.

1:45:12.640 --> 1:45:14.240
<v Speaker 1>He's like, he's like, he put up your wie.

1:45:14.320 --> 1:45:15.479
<v Speaker 2>He's like, I'm here.

1:45:15.520 --> 1:45:19.800
<v Speaker 1>He's like, nigga, Mike right here? What you making bread?

1:45:19.880 --> 1:45:28.120
<v Speaker 1>The older Jamaicas came out. Drey got into an accident

1:45:28.200 --> 1:45:29.120
<v Speaker 1>and still showed up.

1:45:29.400 --> 1:45:34.280
<v Speaker 2>Got ya Jamaica's like ah, I ever told the crazy

1:45:34.360 --> 1:45:37.280
<v Speaker 2>Hood story, saying crazy Hood in Jamaica in the radio

1:45:37.479 --> 1:45:39.840
<v Speaker 2>no go ahead us. So I was at how can

1:45:39.920 --> 1:45:42.360
<v Speaker 2>I be down Jamaica in nineteen ninety five?

1:45:42.479 --> 1:45:44.360
<v Speaker 4>I think ninety seven something.

1:45:44.680 --> 1:45:45.599
<v Speaker 2>It was only nineties.

1:45:45.840 --> 1:45:46.519
<v Speaker 4>Can I be down?

1:45:46.840 --> 1:45:49.479
<v Speaker 2>Remember when there was Jamaica? Yeah, culche Rios.

1:45:49.680 --> 1:45:49.920
<v Speaker 1>Yeah.

1:45:50.320 --> 1:45:53.320
<v Speaker 2>And we went to do a local radio show, me

1:45:53.400 --> 1:45:55.439
<v Speaker 2>and my boys, and our name of our crew is

1:45:55.479 --> 1:45:57.679
<v Speaker 2>crazy Hood Productions. So where we go on the radio,

1:45:57.720 --> 1:45:59.599
<v Speaker 2>they said to say who you are, We're like crazy

1:45:59.640 --> 1:46:02.559
<v Speaker 2>Hood for actually great and they start giggling and laughing

1:46:03.240 --> 1:46:06.040
<v Speaker 2>and and saying, oh na and then.

1:46:05.960 --> 1:46:08.960
<v Speaker 1>We're like crazy hook crazy, like oh you know, I

1:46:09.040 --> 1:46:10.720
<v Speaker 1>know they told those as words and that.

1:46:11.040 --> 1:46:13.960
<v Speaker 2>Was like you basically were saying you was crazy Penis Productions.

1:46:14.120 --> 1:46:22.280
<v Speaker 1>Yeah there was crazy buddy production. It's like it's like, look,

1:46:24.760 --> 1:46:29.799
<v Speaker 1>we kept saying crazy. You count the name only.

1:46:29.760 --> 1:46:40.880
<v Speaker 4>Years guy, and then you're in front of Jamaicans. Dude,

1:46:40.880 --> 1:46:42.320
<v Speaker 4>it's not artists. They're now.

1:46:42.720 --> 1:46:44.000
<v Speaker 1>No, there was radio people.

1:46:44.240 --> 1:46:46.519
<v Speaker 4>Hey, you're like crazy looking production.

1:46:47.840 --> 1:46:57.960
<v Speaker 9>I just don't and we're like, you're crazy hunt. They

1:46:57.960 --> 1:46:59.040
<v Speaker 9>were like, where you from crazy?

1:46:59.600 --> 1:46:59.760
<v Speaker 1>Oh?

1:47:02.479 --> 1:47:06.439
<v Speaker 4>Just some guy try looking for something coming out that

1:47:06.560 --> 1:47:07.080
<v Speaker 4>crazy like.

1:47:08.880 --> 1:47:14.519
<v Speaker 1>Crazy production? Where that crazy?

1:47:23.040 --> 1:47:25.439
<v Speaker 6>You knew that man's stuck with it.

1:47:25.720 --> 1:47:30.080
<v Speaker 1>Yeah, that was fun up.

1:47:31.479 --> 1:47:32.120
<v Speaker 4>In Jamaica.

1:47:33.400 --> 1:47:36.480
<v Speaker 6>Male or females, now everybody.

1:47:36.320 --> 1:47:38.880
<v Speaker 2>My buddy, okay, but they knew, they knew what we man.

1:47:38.920 --> 1:47:43.040
<v Speaker 1>But they was like you guys, you listening crazy other

1:47:43.080 --> 1:47:43.960
<v Speaker 1>ready you can't do that?

1:47:44.040 --> 1:47:47.200
<v Speaker 4>All right, Jamaica, My team m White. I just said

1:47:47.240 --> 1:47:48.519
<v Speaker 4>the rocking thing. I want White.

1:47:49.240 --> 1:48:01.920
<v Speaker 15>That's pause, yes, pause White, Yeah, Jim Lincoln, No, we

1:48:01.920 --> 1:48:14.559
<v Speaker 15>don't want you to ask you in Jamaica. Jesus, that's

1:48:14.600 --> 1:48:15.599
<v Speaker 15>the guy who want that question.

1:48:17.160 --> 1:48:21.320
<v Speaker 5>All right, all right, I'm going to tell you one thing.

1:48:22.120 --> 1:48:25.400
<v Speaker 5>Let's go for that Christian site. I saw any music

1:48:25.479 --> 1:48:27.240
<v Speaker 5>I play. I didn't swear my name.

1:48:28.960 --> 1:48:32.880
<v Speaker 2>He understands that does not Just go over about it,

1:48:33.040 --> 1:48:36.439
<v Speaker 2>Christian Tory, you don't want to go to his church.

1:48:36.600 --> 1:48:39.519
<v Speaker 2>His church is Christian, but it's nothing but white people

1:48:39.600 --> 1:48:44.080
<v Speaker 2>at his church. He goes white church and he life

1:48:44.120 --> 1:48:45.720
<v Speaker 2>streams at all and he's dominicant.

1:48:45.760 --> 1:48:54.520
<v Speaker 4>He swearing white. He's Dominican, Cominican Island.

1:48:54.880 --> 1:49:01.960
<v Speaker 5>So you Dominican, the all white church. All right, which

1:49:02.040 --> 1:49:06.280
<v Speaker 5>part of the domin you coming that republic? Ur Dominica, Dominica.

1:49:08.680 --> 1:49:13.800
<v Speaker 6>What you said, Dominican Republic Dominic Okay.

1:49:15.479 --> 1:49:18.000
<v Speaker 4>He's on the other hand, told him, oh you you

1:49:18.160 --> 1:49:20.840
<v Speaker 4>got that out of all for eighty Yeah, I get you.

1:49:21.560 --> 1:49:22.280
<v Speaker 1>Don't move about it.

1:49:22.360 --> 1:49:23.040
<v Speaker 4>I'm not warring.

1:49:23.240 --> 1:49:27.920
<v Speaker 1>I'm not don't worry about it.

1:49:28.640 --> 1:49:35.800
<v Speaker 4>So Christian's turk sold moved to the last in the

1:49:35.880 --> 1:49:38.320
<v Speaker 4>name of Jesus, moved to the right, and the name

1:49:38.360 --> 1:49:38.840
<v Speaker 4>of the Lord.

1:49:39.280 --> 1:49:46.880
<v Speaker 1>Shake that of that Jesus gave shake. That's you don't want, mister.

1:49:47.680 --> 1:49:51.360
<v Speaker 4>He was like, yes, I do, Yes, I do, miss,

1:49:51.439 --> 1:49:54.240
<v Speaker 4>And you want to the posta behind a Christian woman

1:49:54.320 --> 1:49:54.760
<v Speaker 4>in the church.

1:49:56.080 --> 1:49:57.439
<v Speaker 1>She starting the puss, like.

1:50:00.600 --> 1:50:02.240
<v Speaker 4>What you don't do that?

1:50:02.960 --> 1:50:04.560
<v Speaker 1>Just in twek they do that.

1:50:04.680 --> 1:50:06.720
<v Speaker 5>They go to church to twork and they put on

1:50:06.800 --> 1:50:09.519
<v Speaker 5>their best suit too. They come out and they move

1:50:09.680 --> 1:50:10.559
<v Speaker 5>big like this and the.

1:50:12.560 --> 1:50:15.320
<v Speaker 6>Yeah they do that.

1:50:16.720 --> 1:50:23.519
<v Speaker 4>Yeah, people people do what they do. So if you're Christian,

1:50:23.880 --> 1:50:26.760
<v Speaker 4>you go to church to praise to God. But you

1:50:26.880 --> 1:50:29.240
<v Speaker 4>go to church to funny, you don't go to.

1:50:29.320 --> 1:50:35.559
<v Speaker 5>Church and sit down and by his church like church,

1:50:37.400 --> 1:50:38.599
<v Speaker 5>what church are you gonna say?

1:50:38.760 --> 1:50:48.040
<v Speaker 1>It's all white people Instagram live and at church. You

1:50:48.120 --> 1:50:49.439
<v Speaker 1>know they all they all.

1:50:50.360 --> 1:50:50.760
<v Speaker 6>This is not.

1:50:52.960 --> 1:50:54.160
<v Speaker 1>What can church? And go to.

1:50:56.720 --> 1:50:56.880
<v Speaker 2>Right?

1:50:56.960 --> 1:50:58.400
<v Speaker 1>You go to Catoe.

1:50:59.680 --> 1:51:08.960
<v Speaker 6>Church had a video there, that's.

1:51:10.520 --> 1:51:10.840
<v Speaker 4>The church.

1:51:10.920 --> 1:51:15.880
<v Speaker 1>Just give me a church. It's yourself. He's got.

1:51:17.280 --> 1:51:18.559
<v Speaker 6>Oh we dished a video there.

1:51:19.040 --> 1:51:22.960
<v Speaker 1>Thanks, so you're going even a pop and all of that.

1:51:23.120 --> 1:51:24.640
<v Speaker 4>Even he got the picture.

1:51:24.320 --> 1:51:26.840
<v Speaker 2>Of the pope in his crib. He did not, Yes

1:51:26.920 --> 1:51:29.120
<v Speaker 2>he does, he does.

1:51:29.960 --> 1:51:31.160
<v Speaker 1>He got a picture.

1:51:32.080 --> 1:51:33.960
<v Speaker 6>Yes, he said, you have a picture of pope in

1:51:34.000 --> 1:51:34.360
<v Speaker 6>your house.

1:51:35.280 --> 1:51:38.080
<v Speaker 2>Yes, it's in his bathroom.

1:51:40.880 --> 1:51:42.479
<v Speaker 6>Or at all you.

1:51:44.040 --> 1:51:47.840
<v Speaker 4>Gotta yeah, not down to sid that chucked him. The

1:51:47.960 --> 1:51:48.960
<v Speaker 4>pope was here, bat you.

1:51:51.800 --> 1:51:53.360
<v Speaker 2>He praised the po When he has to go to

1:51:53.439 --> 1:51:55.880
<v Speaker 2>the he said, please pop help me.

1:51:56.880 --> 1:52:04.840
<v Speaker 4>Yes, yeah, man, it's fun being there.

1:52:04.920 --> 1:52:08.120
<v Speaker 1>This's just so let me ask you. Because I'm a foodie.

1:52:09.600 --> 1:52:12.600
<v Speaker 1>I go to Jamaica. Oay, you take the shot. I

1:52:12.680 --> 1:52:14.800
<v Speaker 1>go to Jamaica. What am I supposed to eat when

1:52:14.840 --> 1:52:15.559
<v Speaker 1>I go to Jamaica?

1:52:16.320 --> 1:52:20.160
<v Speaker 4>Okay? Where are you supposed to tell? What you're supposed to?

1:52:20.320 --> 1:52:22.160
<v Speaker 1>What? Where?

1:52:22.280 --> 1:52:24.120
<v Speaker 2>And what's a big island?

1:52:24.160 --> 1:52:24.240
<v Speaker 1>Bro?

1:52:24.520 --> 1:52:25.200
<v Speaker 2>Where's a lot of.

1:52:29.880 --> 1:52:30.200
<v Speaker 1>All right?

1:52:31.000 --> 1:52:34.240
<v Speaker 4>If you want to eat, you eat.

1:52:35.000 --> 1:52:35.639
<v Speaker 1>Swim around.

1:52:36.160 --> 1:52:40.000
<v Speaker 5>We don't call it fish because you called it swimming around.

1:52:40.080 --> 1:52:43.640
<v Speaker 5>Swim around the fish they're swimming around. They call it

1:52:43.720 --> 1:52:44.280
<v Speaker 5>swimming around.

1:52:44.320 --> 1:52:45.520
<v Speaker 1>I like call him around.

1:52:45.640 --> 1:52:48.240
<v Speaker 4>Yeah, if you want to eat some steam.

1:52:48.880 --> 1:52:53.160
<v Speaker 2>Swimmer around. I'm gonna do that now when I go

1:52:53.240 --> 1:52:55.599
<v Speaker 2>to the restaurant, I like swimming around.

1:52:55.640 --> 1:52:57.559
<v Speaker 1>Please, swimming around.

1:52:59.000 --> 1:53:00.200
<v Speaker 4>You gotta go to the beach.

1:53:01.040 --> 1:53:03.760
<v Speaker 5>If you go to the beach, then you got some

1:53:04.040 --> 1:53:06.519
<v Speaker 5>some good chef on the beach and and they cook

1:53:06.600 --> 1:53:09.959
<v Speaker 5>it different. Especially if you come to Kingston.

1:53:10.160 --> 1:53:12.600
<v Speaker 1>You go to a beach and.

1:53:14.720 --> 1:53:15.880
<v Speaker 6>Yeah that's where it's at right there.

1:53:15.880 --> 1:53:18.400
<v Speaker 2>So Kingston got beaches. I thought Kingston had beaches.

1:53:18.920 --> 1:53:22.080
<v Speaker 8>Oh yeah, now that they have the highway. There's a

1:53:22.160 --> 1:53:27.000
<v Speaker 8>highway that the hood certain nice places. Still a big city,

1:53:27.080 --> 1:53:29.839
<v Speaker 8>but strip of fresh seafood and everything.

1:53:31.640 --> 1:53:39.400
<v Speaker 4>What are you saying? You ain't got no beach? What

1:53:39.560 --> 1:53:39.960
<v Speaker 4>is he saying?

1:53:42.560 --> 1:53:46.960
<v Speaker 3>He's asking if there's any beaches, a kid, there's any

1:53:46.960 --> 1:53:47.759
<v Speaker 3>beaches in Jamaica.

1:53:51.920 --> 1:53:55.280
<v Speaker 4>Do not let me come over there. I'm begging now,

1:53:55.400 --> 1:54:02.000
<v Speaker 4>you see, And it's not only you still because you

1:54:02.120 --> 1:54:05.439
<v Speaker 4>got out of places around there before you reach you

1:54:05.520 --> 1:54:08.000
<v Speaker 4>can turn off on the left. But they sell the

1:54:08.080 --> 1:54:12.800
<v Speaker 4>best seafood, haven't wow, Like you will never get a

1:54:12.880 --> 1:54:16.519
<v Speaker 4>better at tasting seafood. This is in Kingston, right, yeah, yeah,

1:54:19.200 --> 1:54:22.880
<v Speaker 4>you got across the bridge. It's like saying downtown to

1:54:22.920 --> 1:54:23.519
<v Speaker 4>Miami Beach.

1:54:23.840 --> 1:54:26.679
<v Speaker 5>Yeah, right there you go, right, so you go across

1:54:26.720 --> 1:54:31.519
<v Speaker 5>the bridge and and the beach. You see, got the best,

1:54:32.360 --> 1:54:32.760
<v Speaker 5>you know, like.

1:54:32.800 --> 1:54:36.560
<v Speaker 6>Our sea is in the whole meat like that fish.

1:54:37.480 --> 1:54:42.400
<v Speaker 2>No no swimming around, swimming around, man swimming?

1:54:42.920 --> 1:54:47.040
<v Speaker 1>Okay, stop sayings. Who got the best vegan food?

1:54:47.400 --> 1:54:50.240
<v Speaker 4>Who got the best vegan? Now you got it?

1:54:50.600 --> 1:54:55.400
<v Speaker 5>Ships, you got itel restaurants. You got everything in Kingston

1:54:55.480 --> 1:54:58.600
<v Speaker 5>that that is in Kingston. That is nothing that is

1:54:58.680 --> 1:55:01.800
<v Speaker 5>in Kingston. Like off a tree and cross over the area. Yeah,

1:55:01.840 --> 1:55:02.680
<v Speaker 5>you get the best.

1:55:03.280 --> 1:55:05.920
<v Speaker 4>Vegan food is that? And then then.

1:55:07.560 --> 1:55:09.760
<v Speaker 5>If you want, if you go to a restaurant and

1:55:09.920 --> 1:55:11.880
<v Speaker 5>ox a vegan food, the chef can't cook up a

1:55:11.960 --> 1:55:14.920
<v Speaker 5>vegan food for you any west want, Yes, even though

1:55:15.120 --> 1:55:18.360
<v Speaker 5>the selling vegan food him said, even sell pork.

1:55:18.960 --> 1:55:21.680
<v Speaker 4>No, no, you can't fire up on that pork.

1:55:22.800 --> 1:55:23.400
<v Speaker 2>You're sucking up.

1:55:23.440 --> 1:55:26.800
<v Speaker 1>Bro, Hey man, I need to learn. I don't eat

1:55:27.040 --> 1:55:28.480
<v Speaker 1>red meat, so I'm good.

1:55:28.520 --> 1:55:32.640
<v Speaker 4>Yeah, fire up pork, yeah, fire bomb if yeah, yeah,

1:55:32.800 --> 1:55:33.320
<v Speaker 4>that's why I know.

1:55:36.080 --> 1:55:36.280
<v Speaker 1>Yeah.

1:55:36.760 --> 1:55:41.640
<v Speaker 4>So you can't go to a restaurant an ox chef

1:55:42.560 --> 1:55:43.880
<v Speaker 4>for cook.

1:55:44.840 --> 1:55:48.320
<v Speaker 1>Nice vegan food, so you never ate OX selling your life?

1:55:49.040 --> 1:55:49.640
<v Speaker 4>Why should I?

1:55:50.480 --> 1:55:55.040
<v Speaker 1>Mm hmm, I just want to ask the question.

1:55:57.000 --> 1:55:57.760
<v Speaker 4>But why should I?

1:55:58.200 --> 1:56:01.440
<v Speaker 1>I'm just saying like that's the national day of the island.

1:56:03.120 --> 1:56:12.400
<v Speaker 2>No, damn, even can't like hockey solfish fish. What we're

1:56:12.400 --> 1:56:18.600
<v Speaker 2>saying now, swimm around hockey saw fish and yeah, hockey

1:56:18.640 --> 1:56:19.280
<v Speaker 2>and swim around.

1:56:19.360 --> 1:56:21.560
<v Speaker 1>Swimming around is the national dish of Jamaica.

1:56:26.400 --> 1:56:30.240
<v Speaker 4>Tell me, can't sing around.

1:56:32.480 --> 1:56:33.240
<v Speaker 1>You swim around?

1:56:33.600 --> 1:56:35.440
<v Speaker 4>Yeah, you can't go sid fish if you want?

1:56:35.600 --> 1:56:40.560
<v Speaker 16>Okay, so your advice best people call it back aloud back,

1:56:41.240 --> 1:56:43.800
<v Speaker 16>but you know it's also could be used to ways,

1:56:55.160 --> 1:56:55.480
<v Speaker 16>what's that?

1:56:55.880 --> 1:57:03.480
<v Speaker 2>We sometimes we say the woman's parts. Yeah, no, no, no, you.

1:57:03.480 --> 1:57:06.920
<v Speaker 6>Don't want that. That's watermelon. That's what you want?

1:57:07.400 --> 1:57:08.840
<v Speaker 2>What watermelon?

1:57:10.080 --> 1:57:12.000
<v Speaker 6>Yes, that's a different.

1:57:11.760 --> 1:57:20.520
<v Speaker 5>Subject, Papa, papa, and right all day. Yes, yeah, but

1:57:20.960 --> 1:57:23.760
<v Speaker 5>I don't do watching and well.

1:57:24.960 --> 1:57:32.760
<v Speaker 1>Stop like.

1:57:34.560 --> 1:57:37.560
<v Speaker 4>You got a big baby. He climbed up tree.

1:57:37.720 --> 1:57:43.240
<v Speaker 2>No you just eat the watermelon and cooking the water

1:57:43.720 --> 1:57:47.520
<v Speaker 2>pineapple to oh no, the dudes we eat.

1:57:48.000 --> 1:57:49.480
<v Speaker 6>You eat the pineapple, the.

1:57:49.480 --> 1:57:54.800
<v Speaker 4>Pineapple, pineapple, eat the steaky like you eat the pineapple.

1:58:02.120 --> 1:58:05.320
<v Speaker 5>Why do you do you busted papa and take off

1:58:05.400 --> 1:58:08.040
<v Speaker 5>his seat. I got to see them there right out

1:58:08.080 --> 1:58:12.720
<v Speaker 5>the front. So you take them on like the pai. Yeah, yes, Papa,

1:58:12.800 --> 1:58:13.960
<v Speaker 5>I mean papa.

1:58:14.200 --> 1:58:15.240
<v Speaker 6>Okay, Papa.

1:58:17.360 --> 1:58:18.400
<v Speaker 1>Say it like that.

1:58:18.520 --> 1:58:22.080
<v Speaker 4>It's something better, say it again again.

1:58:29.280 --> 1:58:35.120
<v Speaker 5>So that's how you do that. That's a nice fruit. Yes, yeah, man,

1:58:35.200 --> 1:58:38.400
<v Speaker 5>that's a nice fruit. And I I don't do what

1:58:38.680 --> 1:58:42.640
<v Speaker 5>you're talking about. I know why you were talking.

1:58:43.240 --> 1:58:46.200
<v Speaker 4>I wasn't talking about it, timber watermelon, just eat it.

1:58:49.720 --> 1:58:50.200
<v Speaker 1>Shut up.

1:58:52.040 --> 1:58:57.760
<v Speaker 6>Right, I'm taking a shot. I think he needs some

1:58:57.840 --> 1:58:58.400
<v Speaker 6>more back up.

1:58:58.520 --> 1:59:01.440
<v Speaker 2>But what you are you worked with Janna Jackson?

1:59:01.640 --> 1:59:04.320
<v Speaker 1>Yes, I do. That was on the same studio together,

1:59:04.400 --> 1:59:08.560
<v Speaker 1>the same you know, we did the videos together. Okay, yeah,

1:59:08.560 --> 1:59:09.480
<v Speaker 1>because the problem is.

1:59:11.240 --> 1:59:14.720
<v Speaker 4>Jermen, we're never allowed to come around me because.

1:59:25.640 --> 1:59:28.680
<v Speaker 1>So you only met each other at the video that.

1:59:30.080 --> 1:59:30.840
<v Speaker 4>Yeah, well, we.

1:59:32.840 --> 1:59:35.200
<v Speaker 5>Don't want to talk about that. The vision was good,

1:59:35.920 --> 1:59:39.280
<v Speaker 5>shoots was nice. They was nice, best stay.

1:59:40.240 --> 1:59:41.000
<v Speaker 1>Everything was good.

1:59:44.240 --> 1:59:44.560
<v Speaker 4>Everything.

1:59:48.200 --> 1:59:59.440
<v Speaker 1>I have no idea what I don't know that do

1:59:59.480 --> 2:00:00.000
<v Speaker 1>your toast.

2:00:01.640 --> 2:00:04.440
<v Speaker 4>From the troid to the liver come on liquor.

2:00:04.720 --> 2:00:12.920
<v Speaker 1>That is quick there, right, So you arguably been into

2:00:13.000 --> 2:00:16.040
<v Speaker 1>the game for four decades, right, if you could pick what,

2:00:16.360 --> 2:00:18.520
<v Speaker 1>which decade that's your back?

2:00:18.960 --> 2:00:24.200
<v Speaker 5>Ninete the nineties, Yeah, from ninety two to two thousand

2:00:24.240 --> 2:00:24.600
<v Speaker 5>and nine.

2:00:25.320 --> 2:00:28.880
<v Speaker 2>Whoa, that's a that's a good era is Yeah.

2:00:28.800 --> 2:00:33.400
<v Speaker 1>That's porn in a decade, But I respect you. He's

2:00:33.440 --> 2:00:34.200
<v Speaker 1>a decade plus.

2:00:35.240 --> 2:00:37.320
<v Speaker 5>Yeah, but that that that was the last time I

2:00:37.400 --> 2:00:40.360
<v Speaker 5>get Artists of the Year two thousand and nine.

2:00:41.360 --> 2:00:44.320
<v Speaker 2>So he ended it after that, He's like, no, no,

2:00:46.280 --> 2:00:47.680
<v Speaker 2>there's not no good after that.

2:00:48.480 --> 2:00:49.480
<v Speaker 4>What more you're going to do?

2:00:51.160 --> 2:00:52.160
<v Speaker 1>List after the Grammy?

2:00:52.760 --> 2:00:56.360
<v Speaker 4>Yeah, I went to Grammar two thousand. Yeah, this is

2:00:56.400 --> 2:00:59.760
<v Speaker 4>after the Grammy. But what more you're going to do?

2:01:01.640 --> 2:01:04.680
<v Speaker 4>You can just sing a song and it's another its song.

2:01:04.840 --> 2:01:05.360
<v Speaker 4>That that's it.

2:01:06.400 --> 2:01:08.720
<v Speaker 5>It's not like you're gonna make your first its song

2:01:08.840 --> 2:01:13.160
<v Speaker 5>and our people is gonna generate to the song more

2:01:13.200 --> 2:01:15.440
<v Speaker 5>than the first song. I generate to the song more

2:01:15.480 --> 2:01:17.800
<v Speaker 5>than the second song. Is what else he gonna do?

2:01:21.560 --> 2:01:26.160
<v Speaker 5>This is what you're doing. You're keeping your name seeing

2:01:26.280 --> 2:01:30.960
<v Speaker 5>all right, I'm in Jamaica and and I'm going to

2:01:31.040 --> 2:01:34.360
<v Speaker 5>the parties. And then I mean being all being the

2:01:34.440 --> 2:01:36.600
<v Speaker 5>man sim Sima, king of the dancer.

2:01:44.560 --> 2:01:45.760
<v Speaker 2>We're gonna have to go slap.

2:01:48.280 --> 2:01:48.760
<v Speaker 1>Slapped him.

2:01:50.080 --> 2:01:52.560
<v Speaker 4>This is why it is. And I went down and said,

2:01:52.600 --> 2:01:54.720
<v Speaker 4>lo ship, but I'm going to put in the dancer.

2:01:56.160 --> 2:01:58.280
<v Speaker 4>And I go like, I've never bought a I'm a

2:01:58.360 --> 2:02:01.200
<v Speaker 4>never plick up pet. I said, oh the one back

2:02:01.240 --> 2:02:01.560
<v Speaker 4>on chack.

2:02:01.600 --> 2:02:05.120
<v Speaker 5>Grab everything we have, you know, my god, So I

2:02:05.200 --> 2:02:06.600
<v Speaker 5>don't tell me I got about mine.

2:02:07.480 --> 2:02:09.760
<v Speaker 4>If you did them, send me. I have me a glass.

2:02:10.040 --> 2:02:12.360
<v Speaker 4>Buy me when I leak something up my glass?

2:02:12.680 --> 2:02:15.840
<v Speaker 5>Got them six because them So when they're like we

2:02:15.880 --> 2:02:18.560
<v Speaker 5>started to let boy for chuck off car and all,

2:02:19.000 --> 2:02:21.600
<v Speaker 5>but you get me out here and I see coming

2:02:21.680 --> 2:02:24.600
<v Speaker 5>different care now, then I wonder when I thinks them

2:02:24.640 --> 2:02:27.280
<v Speaker 5>so that one can on me us there brought me

2:02:27.400 --> 2:02:27.800
<v Speaker 5>out in the.

2:02:27.880 --> 2:02:38.320
<v Speaker 17>Dirty clean all right. You see, all right, we know

2:02:38.400 --> 2:02:39.160
<v Speaker 17>little ship like that.

2:02:39.440 --> 2:02:42.520
<v Speaker 5>It meant people know where you're coming from and make

2:02:42.560 --> 2:02:45.080
<v Speaker 5>people know who you are, and many people know what

2:02:45.200 --> 2:02:48.280
<v Speaker 5>firmly is and what you're thinking you're thinking about life

2:02:48.360 --> 2:02:50.240
<v Speaker 5>because I've never boke at you and I never picked

2:02:50.320 --> 2:02:51.400
<v Speaker 5>up I'm not that teeth.

2:02:52.520 --> 2:02:57.000
<v Speaker 4>But man, I can't said that the other time.

2:02:57.080 --> 2:03:04.160
<v Speaker 5>Coming on God, Yeah, this is a goes when you

2:03:04.600 --> 2:03:08.440
<v Speaker 5>when you when you're making music, you're making music, when

2:03:08.520 --> 2:03:12.160
<v Speaker 5>you're making music, yes, you have to get into yourself exactly,

2:03:12.160 --> 2:03:13.480
<v Speaker 5>and you have for get into your head.

2:03:14.080 --> 2:03:16.880
<v Speaker 4>You have for news that fuck this is no fuck that,

2:03:17.720 --> 2:03:23.000
<v Speaker 4>fuck that, fuck that, fuck that. Okay, here we go boom.

2:03:23.880 --> 2:03:28.080
<v Speaker 1>But let me ask you something. Right you know today?

2:03:28.520 --> 2:03:31.160
<v Speaker 2>Uh, like I said, I was studying your music for

2:03:31.240 --> 2:03:33.320
<v Speaker 2>all these days, knowing that you was coming up. But

2:03:34.200 --> 2:03:36.720
<v Speaker 2>today we had a twenty three year old kid come

2:03:36.920 --> 2:03:39.280
<v Speaker 2>hang out and work out with us. Yeah, and as

2:03:39.320 --> 2:03:42.880
<v Speaker 2>we're playing your music, this dude knew every single record

2:03:43.000 --> 2:03:43.520
<v Speaker 2>of yours.

2:03:43.680 --> 2:03:47.000
<v Speaker 1>A twenty three year old. Oh then that's great. Like

2:03:47.200 --> 2:03:50.920
<v Speaker 1>I'm like, wow, did you did you purposely make global music?

2:03:52.000 --> 2:03:53.120
<v Speaker 1>Or what's this now?

2:03:53.200 --> 2:03:55.960
<v Speaker 4>Your purpose. Now you're doing purpose in that global music.

2:03:56.160 --> 2:03:56.400
<v Speaker 1>Okay.

2:03:56.520 --> 2:03:58.720
<v Speaker 5>The problem, man, is the music that you you learn

2:03:58.960 --> 2:04:06.680
<v Speaker 5>to sing music from, it's global music. So the melodies

2:04:06.760 --> 2:04:11.160
<v Speaker 5>and the sounds and everything that you use is that's

2:04:11.240 --> 2:04:12.000
<v Speaker 5>what it's gonna be.

2:04:13.480 --> 2:04:13.600
<v Speaker 1>Hm.

2:04:14.560 --> 2:04:16.760
<v Speaker 4>So if you come and says, she don't really need

2:04:16.920 --> 2:04:21.960
<v Speaker 4>a friend, she don't need that type friend for it's

2:04:22.040 --> 2:04:29.440
<v Speaker 4>global music. So you literally making music everybody. So you're

2:04:29.480 --> 2:04:33.400
<v Speaker 4>not only making music for your turf. You're making music

2:04:33.520 --> 2:04:38.840
<v Speaker 4>for your turf. It's turf, your turf, your terf.

2:04:39.160 --> 2:04:39.880
<v Speaker 1>It's everything.

2:04:40.000 --> 2:04:43.960
<v Speaker 4>You're making music for everybody. So if you're actually go

2:04:44.120 --> 2:04:48.160
<v Speaker 4>and sit down there and go, yo, yeah, pope, come

2:04:48.160 --> 2:04:50.280
<v Speaker 4>a nigga won't say. A nigger nigga won't say, and

2:04:50.320 --> 2:04:52.520
<v Speaker 4>they're gonna shoot there in the face here in the.

2:04:52.560 --> 2:04:58.840
<v Speaker 1>Day you want to get, you know, I'm gonna sign

2:04:58.840 --> 2:04:59.320
<v Speaker 1>you right now.

2:05:01.160 --> 2:05:01.680
<v Speaker 2>This is me.

2:05:03.400 --> 2:05:04.440
<v Speaker 1>This is what we do.

2:05:05.440 --> 2:05:08.400
<v Speaker 5>So if you want to go, okay, let the people

2:05:08.480 --> 2:05:12.000
<v Speaker 5>dance the go I want you dance and they're fine

2:05:12.080 --> 2:05:13.520
<v Speaker 5>again on the streets, and.

2:05:15.120 --> 2:05:20.160
<v Speaker 4>Who are dancers in it? One day invited him. I

2:05:20.280 --> 2:05:25.040
<v Speaker 4>don't know why black Wiz love it. Don't even borrows,

2:05:25.120 --> 2:05:27.960
<v Speaker 4>just fine and you're saying and you're dancing.

2:05:29.360 --> 2:05:36.960
<v Speaker 1>Music, we're related to it right now, way doing this.

2:05:37.000 --> 2:05:39.200
<v Speaker 4>This is what I'm saying. This is music so people

2:05:39.280 --> 2:05:39.720
<v Speaker 4>can rock.

2:05:40.200 --> 2:05:42.320
<v Speaker 1>You can't be shooting every.

2:05:42.240 --> 2:05:46.440
<v Speaker 4>God time day. You can't be young bagging every god

2:05:46.640 --> 2:05:47.200
<v Speaker 4>time day.

2:05:48.400 --> 2:05:51.680
<v Speaker 1>You have those gunman tunes, and you have those tunes

2:05:51.960 --> 2:05:53.360
<v Speaker 1>and you have those girls.

2:05:53.480 --> 2:05:55.840
<v Speaker 4>Yeah, but but everybody listened to music.

2:05:57.400 --> 2:05:58.480
<v Speaker 1>So he was too.

2:06:00.080 --> 2:06:03.440
<v Speaker 5>Hurt my bullets, my guns now no no. And if

2:06:03.520 --> 2:06:06.120
<v Speaker 5>you're this bad man, your blood will have to run

2:06:06.320 --> 2:06:07.040
<v Speaker 5>yeah yeah yeah.

2:06:07.400 --> 2:06:10.400
<v Speaker 4>And if you're like a scratch, then your life don't

2:06:10.720 --> 2:06:14.240
<v Speaker 4>badman's shot posing for fun. If it's me, I'm a

2:06:14.360 --> 2:06:17.480
<v Speaker 4>gun badman, blach with it, sleep with it. We are

2:06:17.520 --> 2:06:19.480
<v Speaker 4>co much with it, and go straight with it, not

2:06:19.720 --> 2:06:23.360
<v Speaker 4>leaving it, not losing it. That that don't that.

2:06:23.560 --> 2:06:28.720
<v Speaker 5>Don't say that is recommending me for to be the

2:06:28.800 --> 2:06:33.160
<v Speaker 5>best man in the world. I'm just recommending music to

2:06:33.280 --> 2:06:36.760
<v Speaker 5>people that love at the music. So when we got

2:06:36.800 --> 2:06:41.240
<v Speaker 5>man a bad Man with kid Man Monk and this,

2:06:41.640 --> 2:06:42.200
<v Speaker 5>and we got.

2:06:42.200 --> 2:06:48.560
<v Speaker 1>Memories, they remember you music.

2:06:49.960 --> 2:06:51.160
<v Speaker 6>This is music memory.

2:06:51.400 --> 2:06:55.640
<v Speaker 5>So it's not really a fire gunchat for money your

2:06:55.800 --> 2:06:57.000
<v Speaker 5>fire gun chat to people.

2:06:57.200 --> 2:07:01.280
<v Speaker 3>Bring but okay with that being said to because your

2:07:01.360 --> 2:07:04.800
<v Speaker 3>influence is powerful, and even in some souns that you have,

2:07:04.920 --> 2:07:07.880
<v Speaker 3>you're saying that like you have pressure for them, for

2:07:08.480 --> 2:07:10.560
<v Speaker 3>them saying to stop singing those gunsuns.

2:07:10.680 --> 2:07:12.640
<v Speaker 5>Yeah, of course, because I'm the guys from sugar. What

2:07:12.760 --> 2:07:15.360
<v Speaker 5>do you think my girls is gonna cry for me?

2:07:19.360 --> 2:07:21.680
<v Speaker 3>Get finished finishing. I'm just saying, like, did you have

2:07:21.800 --> 2:07:22.839
<v Speaker 3>that pressure? That pressure?

2:07:22.960 --> 2:07:23.480
<v Speaker 1>What was it like?

2:07:23.800 --> 2:07:27.280
<v Speaker 5>That's all I said until the day more gallic mind

2:07:27.400 --> 2:07:29.760
<v Speaker 5>and we had to gather in my child and they

2:07:29.840 --> 2:07:32.640
<v Speaker 5>got them, get in my tree plant on the tops

2:07:32.680 --> 2:07:36.560
<v Speaker 5>to those times of Chians and galla blah, gallic wide,

2:07:37.120 --> 2:07:39.800
<v Speaker 5>galislay and galle loose on your life.

2:07:39.600 --> 2:07:43.800
<v Speaker 4>And cause them like we had to gather them. You

2:07:43.840 --> 2:07:47.240
<v Speaker 4>have to do this and then they go, welcome the girls.

2:07:52.520 --> 2:07:56.480
<v Speaker 1>It's floating right now. I'm taking a shot. I'm sorry

2:07:57.400 --> 2:07:59.920
<v Speaker 1>taking a shot. I'm going with you.

2:08:00.120 --> 2:08:05.040
<v Speaker 5>Take you get what you you have to know when

2:08:05.120 --> 2:08:09.440
<v Speaker 5>to please the fans, because you're singing for your fans.

2:08:10.240 --> 2:08:13.240
<v Speaker 4>You're not singing for yourself. You're singing for people so

2:08:13.360 --> 2:08:16.240
<v Speaker 4>people can love the music and people can love you

2:08:16.440 --> 2:08:27.120
<v Speaker 4>for who you are. Trust me, you yeah, that's thinking.

2:08:29.360 --> 2:08:33.760
<v Speaker 2>So let me ask you right, God comes down before,

2:08:33.800 --> 2:08:37.720
<v Speaker 2>God comes down before good. I feel when God comes down,

2:08:37.880 --> 2:08:38.360
<v Speaker 2>we're ending.

2:08:40.000 --> 2:08:42.840
<v Speaker 1>Came down, God comes down, There comes down.

2:08:43.640 --> 2:08:44.760
<v Speaker 9>Go go there.

2:08:45.320 --> 2:08:46.600
<v Speaker 2>Let's take this drink really quick.

2:08:47.280 --> 2:08:51.000
<v Speaker 1>This is to be real. Leg hold on, let me

2:08:51.040 --> 2:08:54.000
<v Speaker 1>give you your flower, real legend man. Let me just

2:08:54.040 --> 2:08:57.400
<v Speaker 1>tell you something, like you always every time I go

2:08:57.520 --> 2:09:00.840
<v Speaker 1>to Jamaica, you always was around holding me down, being

2:09:00.920 --> 2:09:02.280
<v Speaker 1>a good man to me the time.

2:09:02.560 --> 2:09:03.000
<v Speaker 2>All the time.

2:09:03.080 --> 2:09:04.520
<v Speaker 1>I told you, I like, I was like the last

2:09:04.520 --> 2:09:07.400
<v Speaker 1>three times before I meant my white heart there and

2:09:07.760 --> 2:09:10.600
<v Speaker 1>Beanie Man and he's a dawn bro. Like what did

2:09:10.640 --> 2:09:10.960
<v Speaker 1>I tell you?

2:09:11.000 --> 2:09:13.280
<v Speaker 2>I said, He's like you got to see him in Jamaica,

2:09:13.400 --> 2:09:15.520
<v Speaker 2>Like he's a dawn on the dawn.

2:09:16.200 --> 2:09:21.320
<v Speaker 1>Yeah. Yeah, King the King like for real, always come through.

2:09:21.440 --> 2:09:23.200
<v Speaker 4>King got nothing at me.

2:09:24.800 --> 2:09:27.040
<v Speaker 1>So I want to thank you. Thank you for coming

2:09:27.160 --> 2:09:29.600
<v Speaker 1>to this show, but thank you for being who you are.

2:09:29.720 --> 2:09:31.800
<v Speaker 1>Thank you for being the legend that you are. Like

2:09:31.920 --> 2:09:34.400
<v Speaker 1>when I research your history, knowing that I can see

2:09:34.400 --> 2:09:36.920
<v Speaker 1>that you my friend. Yeah, when I researched your history,

2:09:36.960 --> 2:09:39.280
<v Speaker 1>I didn't know about you coming out since ten years old.

2:09:39.520 --> 2:09:42.800
<v Speaker 1>I didn't know about the baby years old. I'm sorry.

2:09:42.880 --> 2:09:46.600
<v Speaker 4>Let me give you that timesI music since I was five.

2:09:47.120 --> 2:09:50.760
<v Speaker 2>Yeah, hold up one years old?

2:09:52.400 --> 2:09:53.320
<v Speaker 4>Whe in that didn't?

2:09:53.360 --> 2:09:54.920
<v Speaker 2>That don't.

2:10:01.640 --> 2:10:06.280
<v Speaker 4>But I started music since I was five. Five really

2:10:06.400 --> 2:10:10.800
<v Speaker 4>for me, for really, I started building Comma what I

2:10:11.080 --> 2:10:16.680
<v Speaker 4>just told you that I was against Michael Jackson.

2:10:16.800 --> 2:10:21.720
<v Speaker 5>Yeah, I started music since five. I started to do

2:10:21.840 --> 2:10:30.320
<v Speaker 5>that thing. But saying the start from I was five,

2:10:30.480 --> 2:10:33.320
<v Speaker 5>But what's he doing? I try to tell you that

2:10:33.960 --> 2:10:37.320
<v Speaker 5>listening to what I'm saying, definitely all this. You call

2:10:37.440 --> 2:10:40.560
<v Speaker 5>Papa soon near and he said he's the one that

2:10:40.840 --> 2:10:43.960
<v Speaker 5>this is my coach and generally Trees is my coach.

2:10:44.680 --> 2:10:54.200
<v Speaker 1>And yeah, respect that's the yes.

2:11:02.920 --> 2:11:04.560
<v Speaker 2>Before we get out of because I want to ask

2:11:04.960 --> 2:11:09.080
<v Speaker 2>the sound systems, the sounds, the people that were moving

2:11:09.240 --> 2:11:13.600
<v Speaker 2>in Jamaica making you guys the stars. Yes, does that

2:11:13.720 --> 2:11:17.360
<v Speaker 2>still exist today? What like the Stone Loves et cetera,

2:11:17.400 --> 2:11:17.880
<v Speaker 2>et cetera.

2:11:18.360 --> 2:11:21.000
<v Speaker 4>What we live in Jamaica.

2:11:21.120 --> 2:11:29.160
<v Speaker 5>We do dance every night Sunday, Monday, Tuesday, Wednesday, Thursday, Friday, Saturday,

2:11:29.680 --> 2:11:35.440
<v Speaker 5>and when the first day sat again Sunday Sunday every

2:11:35.520 --> 2:11:41.080
<v Speaker 5>day in Kingston, Mantica Bay, that's all the main city

2:11:42.080 --> 2:11:42.680
<v Speaker 5>in Jamaica.

2:11:43.040 --> 2:11:43.960
<v Speaker 4>This is what happened.

2:11:44.520 --> 2:11:47.320
<v Speaker 1>We party every night. Not not me.

2:11:47.520 --> 2:11:51.360
<v Speaker 4>I can't do that here. No, No, I can't do that.

2:11:51.440 --> 2:11:56.280
<v Speaker 4>Ship sometimes sometimes I got out, No, but I work.

2:11:57.440 --> 2:12:00.320
<v Speaker 4>That's what I tell you. I read write truth. I

2:12:01.040 --> 2:12:02.880
<v Speaker 4>don't ease up right now.

2:12:03.000 --> 2:12:06.120
<v Speaker 5>I'm I'm making a new album and I gotta make

2:12:06.200 --> 2:12:10.720
<v Speaker 5>some radiums and ship and yeah, very this is exclusive.

2:12:10.800 --> 2:12:13.560
<v Speaker 4>Nobody knows this ship? Oh sorry, why do I say that?

2:12:15.080 --> 2:12:18.640
<v Speaker 2>The exclusive here right now? What what exclusive do we

2:12:18.720 --> 2:12:19.200
<v Speaker 2>have right now?

2:12:20.120 --> 2:12:21.560
<v Speaker 4>Oh god, I can't say that.

2:12:22.240 --> 2:12:26.280
<v Speaker 1>Treat. This is a sound, this is list.

2:12:28.400 --> 2:12:32.920
<v Speaker 4>The problem is somebody gonna catch the many. Please, I

2:12:33.040 --> 2:12:35.120
<v Speaker 4>can't do that. I'm sorry.

2:12:36.040 --> 2:12:38.280
<v Speaker 6>He has a new album coming out, a new album

2:12:38.320 --> 2:12:38.680
<v Speaker 6>coming out.

2:12:39.480 --> 2:12:41.960
<v Speaker 2>Independent, Yes, independent.

2:12:41.520 --> 2:12:43.840
<v Speaker 4>Too, I'm I'm independent.

2:12:44.000 --> 2:12:45.360
<v Speaker 2>He just melody right now?

2:12:45.840 --> 2:12:46.040
<v Speaker 1>VP.

2:12:46.960 --> 2:12:55.320
<v Speaker 2>No, no, people, we're brother Jamaican too.

2:12:55.440 --> 2:13:00.200
<v Speaker 1>Bro the.

2:13:04.280 --> 2:13:09.040
<v Speaker 4>You're this Christian and his sister and it's a victim

2:13:09.680 --> 2:13:12.960
<v Speaker 4>and all of them. The chins are still there. Okay,

2:13:13.480 --> 2:13:22.720
<v Speaker 4>there's nothing you can do. Just you see I learned

2:13:22.840 --> 2:13:32.760
<v Speaker 4>karate because the change. Yeah yeah, he's like that was somebody.

2:13:35.160 --> 2:13:35.680
<v Speaker 2>People love.

2:13:37.280 --> 2:13:45.440
<v Speaker 4>Arateop just don't wickedest thing. So we ain't gonna come out.

2:13:45.920 --> 2:13:49.000
<v Speaker 4>The chains stay wicked about them.

2:13:49.080 --> 2:13:53.640
<v Speaker 5>They they love music. But I love money, money music.

2:13:54.360 --> 2:13:58.720
<v Speaker 5>So they went money from you and give you what

2:13:58.840 --> 2:13:59.720
<v Speaker 5>you're supposed to get.

2:14:00.080 --> 2:14:00.440
<v Speaker 7>Mm hmm.

2:14:01.280 --> 2:14:02.520
<v Speaker 4>That's why you're supposed to get.

2:14:02.560 --> 2:14:05.960
<v Speaker 1>They give you what you give they want to get. Okay,

2:14:06.960 --> 2:14:07.240
<v Speaker 1>this is.

2:14:07.320 --> 2:14:10.760
<v Speaker 5>Difference, and I love them because they do a lot.

2:14:11.160 --> 2:14:13.520
<v Speaker 5>They didn't want to distribute them songs.

2:14:13.760 --> 2:14:19.680
<v Speaker 1>All of these. Yes, pp it's on there what they're done.

2:14:20.200 --> 2:14:21.240
<v Speaker 1>This is my joint right here.

2:14:21.520 --> 2:14:25.880
<v Speaker 2>You picked both of these now looking at but this

2:14:26.080 --> 2:14:27.000
<v Speaker 2>is the joint right here.

2:14:27.320 --> 2:14:27.840
<v Speaker 4>That's the ship.

2:14:28.160 --> 2:14:29.360
<v Speaker 2>You know, this is the joy.

2:14:30.560 --> 2:14:31.080
<v Speaker 1>This is ship.

2:14:31.120 --> 2:14:32.320
<v Speaker 2>Take back your record, beat man.

2:14:35.920 --> 2:14:39.000
<v Speaker 4>Yeah, but you see this, this is this is my label,

2:14:40.240 --> 2:14:42.520
<v Speaker 4>Vibes House, my labor.

2:14:42.760 --> 2:14:46.200
<v Speaker 1>What's the name of it, Vibes House, Vibes House.

2:14:46.040 --> 2:14:48.120
<v Speaker 4>Yeah, that was my labor. I changed it.

2:14:48.520 --> 2:14:48.800
<v Speaker 9>This was.

2:14:50.520 --> 2:14:54.280
<v Speaker 1>I'm not but you got these.

2:14:54.560 --> 2:14:58.080
<v Speaker 5>These are the nice songs, like you know, nice songs.

2:14:58.200 --> 2:15:00.560
<v Speaker 5>They put out a nice label, like be nice to

2:15:00.640 --> 2:15:01.280
<v Speaker 5>my record.

2:15:03.200 --> 2:15:03.320
<v Speaker 8>Like this.

2:15:07.200 --> 2:15:08.600
<v Speaker 4>I'm not going to do that. I'm not going to that.

2:15:08.800 --> 2:15:13.800
<v Speaker 4>You're crazy, all right. So the guys, I see, I

2:15:13.920 --> 2:15:15.600
<v Speaker 4>didn't bring ore with the you know what I mean?

2:15:18.440 --> 2:15:20.480
<v Speaker 4>Believe you all goodness?

2:15:21.560 --> 2:15:21.920
<v Speaker 1>All right?

2:15:24.200 --> 2:15:27.360
<v Speaker 4>So you understand what I'm saying. You said, that is

2:15:27.440 --> 2:15:27.960
<v Speaker 4>that the joint?

2:15:28.040 --> 2:15:30.680
<v Speaker 1>Bro, this is the joint. Yeah, you're breaking it. I

2:15:30.760 --> 2:15:31.360
<v Speaker 1>love this record.

2:15:31.480 --> 2:15:32.200
<v Speaker 2>I love this record.

2:15:32.240 --> 2:15:34.720
<v Speaker 6>Right, you gotta sign him, right, yeah, you sign.

2:15:36.120 --> 2:15:36.240
<v Speaker 10>Right?

2:15:37.320 --> 2:15:41.080
<v Speaker 4>The invice and fight head. So I got your stand

2:15:41.280 --> 2:15:45.680
<v Speaker 4>on the kind of you and gall I tear off.

2:15:48.040 --> 2:15:53.280
<v Speaker 1>Your memory is fantastic. What hold on?

2:15:53.320 --> 2:15:53.480
<v Speaker 6>Hold?

2:15:53.800 --> 2:15:55.960
<v Speaker 2>You just made me think of a question. You want

2:15:56.000 --> 2:16:03.640
<v Speaker 2>his record back? But real question, real question? How do

2:16:03.720 --> 2:16:04.520
<v Speaker 2>you think it's different?

2:16:04.640 --> 2:16:04.680
<v Speaker 1>Like?

2:16:04.760 --> 2:16:07.000
<v Speaker 2>How hard is it for an artist in Jamaica because

2:16:07.000 --> 2:16:10.120
<v Speaker 2>you guys are writing on the same rhythm? Yeah, right,

2:16:10.880 --> 2:16:12.960
<v Speaker 2>rhythm for us here for them there?

2:16:13.080 --> 2:16:17.680
<v Speaker 3>Yeah, no, it's the same beat and watch the dry

2:16:17.960 --> 2:16:19.680
<v Speaker 3>help the culture, the culture.

2:16:20.640 --> 2:16:22.080
<v Speaker 2>Hold on because I don't want to divert from what

2:16:22.160 --> 2:16:24.760
<v Speaker 2>I'm asking them, because the thing is is that they're

2:16:24.800 --> 2:16:28.240
<v Speaker 2>basically making their own songs to the same beat, but

2:16:29.280 --> 2:16:32.360
<v Speaker 2>only one rises to the top, like really rises to

2:16:32.400 --> 2:16:32.720
<v Speaker 2>the top.

2:16:33.160 --> 2:16:36.320
<v Speaker 5>One get numbering, but the rest of them get popular

2:16:36.400 --> 2:16:37.600
<v Speaker 5>because that one song.

2:16:37.680 --> 2:16:40.040
<v Speaker 2>It helps everybody, but it becomes like a mountain, but

2:16:40.120 --> 2:16:41.240
<v Speaker 2>there's only one at the top.

2:16:41.440 --> 2:16:42.160
<v Speaker 4>Yeah that's true.

2:16:42.879 --> 2:16:44.720
<v Speaker 2>So how does how does that like, how does that

2:16:44.840 --> 2:16:46.320
<v Speaker 2>divert from what we're doing over here?

2:16:47.800 --> 2:16:48.160
<v Speaker 1>All right?

2:16:48.800 --> 2:16:49.160
<v Speaker 4>They see.

2:16:50.360 --> 2:16:56.600
<v Speaker 5>And in America, people make one song to one beat,

2:16:58.680 --> 2:17:01.200
<v Speaker 5>one song to one beat, song to one beat, one

2:17:01.280 --> 2:17:04.760
<v Speaker 5>song to one beat. So if you become a superstar,

2:17:04.879 --> 2:17:09.200
<v Speaker 5>you're the only one in that beat. So that's not

2:17:09.400 --> 2:17:11.160
<v Speaker 5>eving nobody in Jamaica.

2:17:11.520 --> 2:17:16.120
<v Speaker 2>You're helping everybody. I'm sorry, did I answer to fast

2:17:16.240 --> 2:17:17.200
<v Speaker 2>that bad?

2:17:19.800 --> 2:17:22.320
<v Speaker 8>But there's only but certain songs that become like global

2:17:22.360 --> 2:17:25.519
<v Speaker 8>and commercial as far as like dancehall songs.

2:17:25.480 --> 2:17:27.880
<v Speaker 2>Yeah one, but for them if if you can make

2:17:27.959 --> 2:17:31.040
<v Speaker 2>the one rhythm, but then everybody underground you're helping.

2:17:31.800 --> 2:17:37.760
<v Speaker 1>If you hold Brook had the song than Castle Bay

2:17:38.600 --> 2:17:43.520
<v Speaker 1>now Jamaican underground, that's that's rhythm.

2:17:44.320 --> 2:17:48.360
<v Speaker 5>People think Jamaica is on an underground, but Jamaica on

2:17:48.480 --> 2:17:56.200
<v Speaker 5>the Old Caribbean and the old Caribbean community, Africa, England, everywhere.

2:17:56.360 --> 2:18:00.440
<v Speaker 5>Even every song you make, every song you make Canada

2:18:00.640 --> 2:18:05.520
<v Speaker 5>ever with so every song you make is international. Not

2:18:05.640 --> 2:18:10.360
<v Speaker 5>because you, as the American person that know the American

2:18:10.480 --> 2:18:17.840
<v Speaker 5>music don't know it. American people know it. So this

2:18:18.040 --> 2:18:21.560
<v Speaker 5>is the Jamaica ghals. So what when I'm gonna go

2:18:22.040 --> 2:18:23.440
<v Speaker 5>watch remember get.

2:18:24.840 --> 2:18:25.400
<v Speaker 4>Experiment.

2:18:25.480 --> 2:18:29.240
<v Speaker 5>Now you got enough Jamaican artists who has not been knowing.

2:18:29.800 --> 2:18:33.360
<v Speaker 5>But this song is bigger than him. Face because I've

2:18:33.400 --> 2:18:39.359
<v Speaker 5>never seen psyet. So you have soun like lady, lady, lady,

2:18:40.200 --> 2:18:43.720
<v Speaker 5>why do you all dear? It's so you know that

2:18:43.879 --> 2:18:47.879
<v Speaker 5>sounds all right? Johnny that oh sing that sound?

2:18:48.720 --> 2:18:50.240
<v Speaker 6>See I was about to say, I don't know that's wrong.

2:18:54.400 --> 2:18:57.320
<v Speaker 5>See this is a problem because back in the days,

2:18:57.360 --> 2:19:01.360
<v Speaker 5>people never used to make music. See man said, girl,

2:19:01.440 --> 2:19:07.320
<v Speaker 5>I've got a day, and that's just mean I can't

2:19:07.360 --> 2:19:07.800
<v Speaker 5>still it.

2:19:10.480 --> 2:19:15.520
<v Speaker 1>Oh, in my.

2:19:15.840 --> 2:19:20.960
<v Speaker 4>Life I've been wanting you good, not just once or twice.

2:19:21.800 --> 2:19:24.360
<v Speaker 1>Tell me that's how I am free?

2:19:25.080 --> 2:19:28.320
<v Speaker 4>Like a bird indust tree. Who's seen that song?

2:19:30.040 --> 2:19:42.080
<v Speaker 1>Idea? Who saying that song? I don't know say that song?

2:19:46.400 --> 2:19:48.080
<v Speaker 1>Everybody got a day?

2:19:48.200 --> 2:19:48.720
<v Speaker 4>Gotta day?

2:19:50.400 --> 2:19:51.880
<v Speaker 1>Google Google, you can't get it.

2:19:52.080 --> 2:19:52.760
<v Speaker 6>I'll turn that is.

2:19:54.160 --> 2:19:55.920
<v Speaker 5>I can tell you the name, So I turn that is.

2:19:57.200 --> 2:20:01.000
<v Speaker 5>I'll turned Ellis sing that song. Yeah, oh you said

2:20:01.040 --> 2:20:02.040
<v Speaker 5>you all right?

2:20:02.480 --> 2:20:03.480
<v Speaker 4>Said this is what I'm saying.

2:20:04.000 --> 2:20:08.200
<v Speaker 5>You see, the song is bigger than the artist, right

2:20:08.640 --> 2:20:10.480
<v Speaker 5>because nobody knows who the artist is.

2:20:11.680 --> 2:20:14.440
<v Speaker 1>So you see, if if, if, if you're.

2:20:14.360 --> 2:20:16.720
<v Speaker 5>An artist, the best thing you used to do is

2:20:16.840 --> 2:20:19.720
<v Speaker 5>work art in the studio, on art in stage.

2:20:19.760 --> 2:20:26.600
<v Speaker 4>So people can remember who the damn remember who you are?

2:20:28.680 --> 2:20:29.000
<v Speaker 12>All right?

2:20:29.360 --> 2:20:30.120
<v Speaker 4>Which one of you know?

2:20:30.320 --> 2:20:33.080
<v Speaker 2>Tiger c Y g A or.

2:20:35.640 --> 2:20:36.920
<v Speaker 6>Switch Tiger were talking about.

2:20:36.760 --> 2:20:41.000
<v Speaker 4>From Jamaica a party and you will gather? I said, like,

2:20:41.959 --> 2:20:42.560
<v Speaker 4>who knew that?

2:20:44.040 --> 2:20:44.400
<v Speaker 1>All right?

2:20:44.560 --> 2:20:45.360
<v Speaker 4>This is what I'm saying.

2:20:45.400 --> 2:20:47.360
<v Speaker 6>We're in class right now. People, let's pay attention.

2:20:47.600 --> 2:20:51.240
<v Speaker 5>So you gotta know that you said the music it's

2:20:51.320 --> 2:20:56.240
<v Speaker 5>not it's not it's not supposed to be what God man,

2:20:57.040 --> 2:20:58.279
<v Speaker 5>we maybe.

2:20:58.200 --> 2:21:01.240
<v Speaker 4>That may made that right up America.

2:21:02.320 --> 2:21:04.480
<v Speaker 1>Tiger to Tiger, he was he had the m and

2:21:04.520 --> 2:21:06.520
<v Speaker 1>says that, bro, you want to sound like me?

2:21:08.480 --> 2:21:22.440
<v Speaker 5>Yes, yeah, but you gotta know these things you see

2:21:22.760 --> 2:21:25.879
<v Speaker 5>all right? You see dance ound music. It's a sweetest

2:21:26.000 --> 2:21:26.960
<v Speaker 5>music in a word.

2:21:27.360 --> 2:21:27.720
<v Speaker 4>All right.

2:21:28.520 --> 2:21:31.960
<v Speaker 5>I've been to place where people don't know what they're

2:21:32.000 --> 2:21:34.280
<v Speaker 5>supposed to expect when it comes to dance music.

2:21:34.720 --> 2:21:36.320
<v Speaker 4>And when I go on the stage, you start to

2:21:36.400 --> 2:21:39.640
<v Speaker 4>do this, it's crazy.

2:21:40.440 --> 2:21:44.320
<v Speaker 5>People start to rock with it, people start to move,

2:21:44.520 --> 2:21:49.800
<v Speaker 5>people started gool, people start. It's a different thing. That's

2:21:49.840 --> 2:21:52.880
<v Speaker 5>why I tell you it's a different dna. You see,

2:21:52.959 --> 2:21:55.720
<v Speaker 5>hip hop. Hip hop got his own DNA.

2:21:55.959 --> 2:21:56.360
<v Speaker 8>You know that.

2:21:58.320 --> 2:22:01.680
<v Speaker 5>Let's see will not be here. You just find a

2:22:01.800 --> 2:22:05.200
<v Speaker 5>fucking melody and go boom on the right beat and

2:22:05.400 --> 2:22:06.080
<v Speaker 5>say funk that.

2:22:06.400 --> 2:22:07.320
<v Speaker 4>The niggas.

2:22:10.640 --> 2:22:15.400
<v Speaker 1>Hey it, and you see you can't sing that song forever.

2:22:16.680 --> 2:22:17.120
<v Speaker 4>Forever.

2:22:18.120 --> 2:22:20.880
<v Speaker 1>How many babies you think you made to your music?

2:22:23.680 --> 2:22:26.360
<v Speaker 1>You like, how many babies your music you think made? Yeah,

2:22:30.800 --> 2:22:34.360
<v Speaker 1>just walk into babies. Give me they.

2:22:38.840 --> 2:22:50.120
<v Speaker 4>Never made that made Stop stop cause you like the

2:22:50.200 --> 2:22:54.920
<v Speaker 4>Teddy pinograph that dance because you see, I'm the guys

2:22:55.000 --> 2:22:56.920
<v Speaker 4>im sugar. So if you sing.

2:22:58.520 --> 2:23:03.920
<v Speaker 2>Songs for the lads, all right, does girls them sugar

2:23:04.080 --> 2:23:05.160
<v Speaker 2>mean like sugar daddy.

2:23:05.920 --> 2:23:10.720
<v Speaker 1>No, you're not tricking. You're not tricking. He didn't mean

2:23:10.760 --> 2:23:11.920
<v Speaker 1>the sugar on that side of it.

2:23:14.280 --> 2:23:14.600
<v Speaker 6>The other.

2:23:25.160 --> 2:23:26.240
<v Speaker 1>You got you got somewhere here.

2:23:26.280 --> 2:23:28.320
<v Speaker 2>You don't have to let me go. I'm gonna give

2:23:28.400 --> 2:23:28.840
<v Speaker 2>in the game.

2:23:29.160 --> 2:23:31.760
<v Speaker 1>He said, that's water right there. I can see you

2:23:31.920 --> 2:23:32.760
<v Speaker 1>sigas the water.

2:23:34.560 --> 2:23:41.200
<v Speaker 5>I'm thinking, you know, excuse me, I'm gonna you the liver. Yeah,

2:23:41.480 --> 2:23:43.400
<v Speaker 5>come on, Nicka, that's.

2:23:43.240 --> 2:23:46.560
<v Speaker 2>Cret the boiler. I leave it that.

2:23:46.720 --> 2:23:50.000
<v Speaker 1>So God comes down from Earth, Okay, I forgot about that.

2:23:50.360 --> 2:23:51.040
<v Speaker 1>I mean from heaven.

2:23:51.920 --> 2:23:55.320
<v Speaker 4>Came from God is not from earth like you said.

2:23:55.120 --> 2:23:58.880
<v Speaker 1>I mean heaven. And then he says to you beating man? Yeah,

2:23:59.040 --> 2:24:00.240
<v Speaker 1>but what what I shaid?

2:24:00.280 --> 2:24:01.840
<v Speaker 2>His gun talking to him? Man, I do want to

2:24:01.840 --> 2:24:02.000
<v Speaker 2>know this.

2:24:02.160 --> 2:24:03.920
<v Speaker 1>He's definitely talking to Australian.

2:24:04.080 --> 2:24:04.240
<v Speaker 2>You's not.

2:24:07.240 --> 2:24:12.040
<v Speaker 1>He's talking yard. He's talking y'all, God says meanie man. Yeah,

2:24:12.720 --> 2:24:17.240
<v Speaker 1>you get one chance to make one with the one song? Yeah,

2:24:18.640 --> 2:24:24.400
<v Speaker 1>any producer, yeah, and any feature dead or lie.

2:24:25.840 --> 2:24:37.320
<v Speaker 2>What it could be the King of I can see him.

2:24:37.840 --> 2:24:40.320
<v Speaker 2>I don't know why Michael Jackson and him, in my

2:24:40.480 --> 2:24:46.480
<v Speaker 2>mind had his record together the same dansert.

2:24:45.080 --> 2:24:45.879
<v Speaker 1>Do two artists?

2:24:45.920 --> 2:24:47.480
<v Speaker 4>Michael Jackson about money.

2:24:55.840 --> 2:25:04.920
<v Speaker 1>You can pick he's like producer who's producing? Oh? God

2:25:07.640 --> 2:25:07.840
<v Speaker 1>give me?

2:25:08.200 --> 2:25:12.040
<v Speaker 5>I would produce it myself, but I can't talk to

2:25:12.360 --> 2:25:16.520
<v Speaker 5>talk about myself. Seven phraise is no recommendation. I don't

2:25:16.560 --> 2:25:22.160
<v Speaker 5>do seventh phrase. I don't do that, Okay, Stephen money,

2:25:24.240 --> 2:25:27.080
<v Speaker 5>you give me that, Stephen Morley, Oh.

2:25:28.520 --> 2:25:33.840
<v Speaker 1>Yeah, so you got you got, you got Michael Jackson

2:25:34.040 --> 2:25:40.520
<v Speaker 1>and Bob Molly and Stephen he got it. Go to God,

2:25:41.480 --> 2:25:42.199
<v Speaker 1>Jesus Christ.

2:25:42.280 --> 2:25:45.160
<v Speaker 4>I don't remember names, and I'm I'm I'm mad man.

2:25:45.959 --> 2:25:51.400
<v Speaker 4>All right, you got to produce me a Christy Jones Peace,

2:25:51.840 --> 2:26:03.640
<v Speaker 4>Stephen Christy Jones. You no, no, no, recod music, record

2:26:03.720 --> 2:26:09.800
<v Speaker 4>music me classic American music. Yes, that would be a

2:26:10.040 --> 2:26:11.400
<v Speaker 4>beautiful combination.

2:26:11.879 --> 2:26:14.760
<v Speaker 1>Michael Jackson, Bob Molly Bean.

2:26:15.160 --> 2:26:23.360
<v Speaker 4>Jones record, I don't talk, don't talk.

2:26:24.480 --> 2:26:26.080
<v Speaker 1>She wouldn't get on the record. You gotta get on

2:26:26.160 --> 2:26:26.520
<v Speaker 1>the record.

2:26:27.160 --> 2:26:28.080
<v Speaker 2>You've got it on the record.

2:26:35.080 --> 2:26:36.800
<v Speaker 1>I'm thinking the record right now.

2:26:37.879 --> 2:26:42.279
<v Speaker 5>All right, Steve Money, I think I love having producer

2:26:42.320 --> 2:26:48.359
<v Speaker 5>in Jamaica. See King Jammys is one of the best ages.

2:26:48.800 --> 2:26:52.879
<v Speaker 5>Dancehall producer Barba Dixie is dead right now.

2:26:54.400 --> 2:26:59.160
<v Speaker 4>God rest his soul. Okay, all right, we what we

2:26:59.280 --> 2:27:02.440
<v Speaker 4>could have stinging the nineties, shocking vibes, three Blue weekedness

2:27:02.480 --> 2:27:05.640
<v Speaker 4>thing we kill. Everybody don't know about it. Nobody feels

2:27:05.680 --> 2:27:08.320
<v Speaker 4>like they're bothering us nothing. They're both of them. Nobody

2:27:08.480 --> 2:27:10.000
<v Speaker 4>like that's why.

2:27:16.760 --> 2:27:17.000
<v Speaker 1>Ever.

2:27:17.320 --> 2:27:19.280
<v Speaker 5>They just want to know it. We kill the nineties,

2:27:19.320 --> 2:27:25.640
<v Speaker 5>We'll kill it. But you got Boba Dixon, Digital b

2:27:26.800 --> 2:27:31.320
<v Speaker 5>he produced Cone It silk, all of these people even

2:27:31.360 --> 2:27:35.600
<v Speaker 5>make all of these artists like she's just curssed Leroy

2:27:35.680 --> 2:27:42.240
<v Speaker 5>Gibbons that Oh God, Roba Dixon, I bless you every time,

2:27:42.879 --> 2:27:44.200
<v Speaker 5>and I'm glad it.

2:27:44.280 --> 2:27:44.880
<v Speaker 4>There I met you.

2:27:45.640 --> 2:27:49.920
<v Speaker 1>See then you have Bravo is Bravo.

2:27:50.440 --> 2:27:53.000
<v Speaker 4>Yeah, Bravo is the one of Bill Campington.

2:27:53.200 --> 2:27:56.360
<v Speaker 1>Yeah yeah, they look good.

2:27:56.760 --> 2:28:00.280
<v Speaker 5>Yeah right now you know what I'm talking and to

2:28:00.440 --> 2:28:03.280
<v Speaker 5>over taking. Yes, So you have Brad, but then they

2:28:03.320 --> 2:28:06.560
<v Speaker 5>have King Jammys. Then they have Uncle Te Uncle Tu

2:28:06.800 --> 2:28:13.120
<v Speaker 5>one articular see, and then they have Bonnie Lee, Bonny Striker.

2:28:13.879 --> 2:28:20.880
<v Speaker 5>He's the one that really span God, God rest his

2:28:20.959 --> 2:28:25.280
<v Speaker 5>soul to you know. But you see when they come

2:28:25.320 --> 2:28:30.640
<v Speaker 5>to music, they got some people that got a arm God,

2:28:30.720 --> 2:28:34.440
<v Speaker 5>they got a famula for it. You have some people

2:28:34.640 --> 2:28:37.640
<v Speaker 5>after I have people forget the formula for the music

2:28:37.680 --> 2:28:39.560
<v Speaker 5>where they're more produced them to ever know what in

2:28:39.640 --> 2:28:43.320
<v Speaker 5>my produce somebody that already all right, man, I get

2:28:43.360 --> 2:28:45.960
<v Speaker 5>some money, advice them, pany them. They know where that

2:28:46.040 --> 2:28:51.080
<v Speaker 5>I produce them? The God, you see, if they know

2:28:51.320 --> 2:28:54.640
<v Speaker 5>what they have, I know, the gold and the diamond

2:28:54.720 --> 2:28:59.959
<v Speaker 5>that they just get in the first place, they will

2:29:00.080 --> 2:29:05.080
<v Speaker 5>they'll be good in this life. And the music reggae

2:29:05.200 --> 2:29:09.680
<v Speaker 5>music and dancer music would be the pop music of America.

2:29:10.480 --> 2:29:14.840
<v Speaker 1>Wow, it's well, see you singing.

2:29:14.640 --> 2:29:16.400
<v Speaker 4>Because they don't know what they have.

2:29:17.280 --> 2:29:20.720
<v Speaker 5>All right, look at this, all right, somebody come and say,

2:29:21.560 --> 2:29:23.840
<v Speaker 5>all right, my friend comes from Africa.

2:29:25.080 --> 2:29:25.640
<v Speaker 4>What's his name?

2:29:25.760 --> 2:29:26.280
<v Speaker 1>Two face?

2:29:27.600 --> 2:29:28.240
<v Speaker 4>You know what I'm saying.

2:29:29.200 --> 2:29:33.720
<v Speaker 5>Anikova said, you are my African queen, the girl of

2:29:33.920 --> 2:29:37.600
<v Speaker 5>my tree. I love you in the winter, I love

2:29:37.680 --> 2:29:40.720
<v Speaker 5>you in the I bring him off first.

2:29:41.680 --> 2:29:46.560
<v Speaker 4>Oopo felt ba. If I give another maniaro the reason

2:29:46.600 --> 2:29:49.240
<v Speaker 4>why I say it fell a Bau. I got some

2:29:49.440 --> 2:29:53.520
<v Speaker 4>conscience by MYSELFE have a lookout of mine, Almighty God,

2:29:53.680 --> 2:29:55.960
<v Speaker 4>who never give another mansa?

2:29:56.200 --> 2:29:58.680
<v Speaker 5>Who now man tell what to say? I'm gonna get

2:29:58.800 --> 2:30:03.280
<v Speaker 5>my so gotta bless no mine because this is his

2:30:03.440 --> 2:30:08.200
<v Speaker 5>first song. Then everybody now wonder who's just coming from?

2:30:08.240 --> 2:30:10.400
<v Speaker 5>Where the music coming from? Then I started search from

2:30:10.480 --> 2:30:13.720
<v Speaker 5>letting them find him, driving me a look apiece that

2:30:13.840 --> 2:30:16.800
<v Speaker 5>tread and drying me and I'm bringing me And then.

2:30:18.720 --> 2:30:20.480
<v Speaker 4>You have one of the biggest things in the world.

2:30:21.760 --> 2:30:26.520
<v Speaker 4>It can't stop playing. You are my African girl of

2:30:26.720 --> 2:30:32.800
<v Speaker 4>my tree. I show you see. People don't understand when

2:30:32.840 --> 2:30:34.039
<v Speaker 4>they come to music effort.

2:30:34.720 --> 2:30:40.560
<v Speaker 5>Oh God, right, that's some music come from it don't

2:30:40.560 --> 2:30:43.840
<v Speaker 5>come from nowhere, but they play it, but they listened

2:30:43.920 --> 2:30:47.000
<v Speaker 5>to it, but they sing it, but they write it.

2:30:47.480 --> 2:30:51.840
<v Speaker 4>But anything about it. When it comes to music, music

2:30:52.000 --> 2:30:53.360
<v Speaker 4>is from the heart.

2:31:00.680 --> 2:31:04.439
<v Speaker 1>But how do you link with the neptunes, nephtunes, neptunes.

2:31:10.120 --> 2:31:13.360
<v Speaker 5>No, but Nephew was the youngest thing that there was

2:31:13.440 --> 2:31:15.160
<v Speaker 5>making music all about.

2:31:15.240 --> 2:31:16.600
<v Speaker 12>And I'm like what.

2:31:20.360 --> 2:31:25.680
<v Speaker 4>The boy but didn't making music all about? I'm like what?

2:31:26.840 --> 2:31:30.720
<v Speaker 5>And then I called version and he said, okay, I

2:31:30.840 --> 2:31:33.640
<v Speaker 5>need to make a song, and they say, what kind

2:31:33.680 --> 2:31:35.879
<v Speaker 5>of song you have for me? I mean, I said, Moore,

2:31:35.920 --> 2:31:38.160
<v Speaker 5>I'm mixed sim simon girls, I'm sugar, and I wonder

2:31:41.480 --> 2:31:45.600
<v Speaker 5>as one record, as one record sim Simma beating one

2:31:45.640 --> 2:31:47.080
<v Speaker 5>of the girls and sugars.

2:31:47.920 --> 2:31:48.800
<v Speaker 1>But I need to beat.

2:31:49.520 --> 2:31:56.080
<v Speaker 5>I can't find the goddamn beat. So patcheck Moxie, Yeah,

2:31:56.760 --> 2:31:57.680
<v Speaker 5>Patchet Moxie.

2:31:58.920 --> 2:32:02.800
<v Speaker 4>He called me. He said, end up the team, let

2:32:02.800 --> 2:32:03.160
<v Speaker 4>me still that.

2:32:03.720 --> 2:32:03.879
<v Speaker 2>Yeah.

2:32:04.840 --> 2:32:06.600
<v Speaker 1>Yeah, like what.

2:32:08.240 --> 2:32:10.560
<v Speaker 4>I mean, we're telling you out nept and dead. And

2:32:10.720 --> 2:32:14.760
<v Speaker 4>then you know he is. It's the very cocky guy

2:32:14.920 --> 2:32:15.960
<v Speaker 4>that about him.

2:32:16.760 --> 2:32:18.199
<v Speaker 1>What studio is this right track?

2:32:18.840 --> 2:32:23.560
<v Speaker 4>No, it's what what sound on sound the next Tuesday?

2:32:23.680 --> 2:32:23.800
<v Speaker 9>Name?

2:32:24.640 --> 2:32:28.400
<v Speaker 1>Not Thatdy's House? No, No, not Unique, not d n D.

2:32:28.600 --> 2:32:32.119
<v Speaker 1>He stopped that stop. I mean, man, he didn't work

2:32:32.160 --> 2:32:33.119
<v Speaker 1>at the Hood studios.

2:32:33.480 --> 2:32:34.600
<v Speaker 4>It's right, it's.

2:32:36.600 --> 2:32:41.959
<v Speaker 1>Miami, Yeah, you know, in the lactory in Miami. Because

2:32:42.000 --> 2:32:46.360
<v Speaker 1>that's when he started you in the beginning, he got, yeah, yeah, yeah,

2:32:46.440 --> 2:32:48.920
<v Speaker 1>y you know what you got?

2:32:49.480 --> 2:32:49.640
<v Speaker 2>Yeah?

2:32:49.720 --> 2:32:50.320
<v Speaker 4>Yo, you in the.

2:32:50.360 --> 2:32:51.519
<v Speaker 1>Beginning for around.

2:32:53.720 --> 2:32:55.680
<v Speaker 2>Yo, what are you doing? Man?

2:32:55.920 --> 2:33:00.080
<v Speaker 1>Know you're right, that's the that's the beginning. Yeah, the

2:33:00.160 --> 2:33:02.879
<v Speaker 1>tracks at that, he blew up. Yeah swaying, dude, damn

2:33:03.000 --> 2:33:06.080
<v Speaker 1>you what year was this? Did you see what?

2:33:06.280 --> 2:33:06.960
<v Speaker 2>You know?

2:33:07.240 --> 2:33:07.360
<v Speaker 6>Now?

2:33:07.480 --> 2:33:11.760
<v Speaker 1>You saw that? He's right, He's right.

2:33:11.800 --> 2:33:14.720
<v Speaker 4>You know you sat talking direct questions, talks a way.

2:33:14.840 --> 2:33:25.600
<v Speaker 1>It was what year was? That is real? Talks me

2:33:25.680 --> 2:33:26.160
<v Speaker 1>what it was?

2:33:26.320 --> 2:33:27.240
<v Speaker 4>What year it was?

2:33:28.000 --> 2:33:31.840
<v Speaker 1>It was? I love that year.

2:33:32.240 --> 2:33:34.400
<v Speaker 4>Now, I'm like, dad, it was the best said.

2:33:34.720 --> 2:33:37.720
<v Speaker 1>And that it had to be ninety nine thousand. It

2:33:37.879 --> 2:33:39.960
<v Speaker 1>was it infected for me or not? No, no, no,

2:33:40.320 --> 2:33:43.800
<v Speaker 1>in fact you knew heye ninety dear, that's my year.

2:33:43.879 --> 2:33:44.000
<v Speaker 14>Bro.

2:33:44.680 --> 2:33:45.520
<v Speaker 4>You know when.

2:33:50.760 --> 2:33:54.880
<v Speaker 10>I totally forgot you because I look got I don't know,

2:33:55.800 --> 2:34:00.600
<v Speaker 10>I say wrong, got something cheating for you that makes sense?

2:34:00.640 --> 2:34:03.840
<v Speaker 10>And we got to drink shot.

2:34:04.000 --> 2:34:05.800
<v Speaker 4>Oh sorry, you can't chance.

2:34:09.040 --> 2:34:09.160
<v Speaker 8>Here.

2:34:10.760 --> 2:34:13.920
<v Speaker 4>And you go buying playing for I'm buying playing.

2:34:16.959 --> 2:34:17.880
<v Speaker 13>Like what?

2:34:20.440 --> 2:34:23.040
<v Speaker 4>And he goes and he's going to the studio. This

2:34:23.160 --> 2:34:25.680
<v Speaker 4>nigga going to the studio. This man going to shoot

2:34:25.760 --> 2:34:32.920
<v Speaker 4>and sim simmer, Sim simmer, sim simmer, and you go

2:34:33.120 --> 2:34:36.000
<v Speaker 4>and say you gotta send girls and sugar and this sweet.

2:34:36.120 --> 2:34:42.320
<v Speaker 4>I'm like what and this is the song? And then

2:34:42.600 --> 2:34:44.640
<v Speaker 4>I see this Indian girls sit down the shoe that

2:34:44.640 --> 2:34:49.959
<v Speaker 4>I don't know who the Indian girl was. That's Maya.

2:34:51.840 --> 2:34:56.600
<v Speaker 16>Mayay, I mean Indian girls in my age, she's the

2:34:56.680 --> 2:34:57.280
<v Speaker 16>Indian girl.

2:34:57.879 --> 2:35:05.360
<v Speaker 4>But I see this. I'm just saying, no, she's an American.

2:35:05.520 --> 2:35:07.760
<v Speaker 4>So you know that the ship spelled different.

2:35:08.160 --> 2:35:12.080
<v Speaker 5>You know, American they talk different, you know they they

2:35:12.520 --> 2:35:15.920
<v Speaker 5>they don't say that. They don't do these I don't know,

2:35:19.040 --> 2:35:21.240
<v Speaker 5>makeup crazy people.

2:35:21.520 --> 2:35:25.879
<v Speaker 4>Americans don't d why you don't do d fhiitty.

2:35:29.720 --> 2:35:30.640
<v Speaker 1>Like fitty.

2:35:32.560 --> 2:35:36.240
<v Speaker 5>Don't they don't do teas. Sorry, I get it wrong

2:35:36.560 --> 2:35:42.640
<v Speaker 5>when they don't do teas. Fitty Philly like Philly is

2:35:42.840 --> 2:35:49.199
<v Speaker 5>fifty cent. Do not say fitny you lost.

2:35:50.920 --> 2:35:56.720
<v Speaker 4>No Americans say phitty phitty cent, it's fifty cent.

2:35:58.080 --> 2:35:59.320
<v Speaker 2>Some of us still say fifty.

2:36:00.360 --> 2:36:00.840
<v Speaker 6>It's pity.

2:36:01.680 --> 2:36:04.879
<v Speaker 1>Don't makes don't say three. It's that tree.

2:36:06.360 --> 2:36:07.400
<v Speaker 4>Making known sense free.

2:36:07.480 --> 2:36:09.119
<v Speaker 1>You put the tongue between your team.

2:36:12.560 --> 2:36:14.080
<v Speaker 2>You don't say three o'clock.

2:36:15.120 --> 2:36:20.360
<v Speaker 5>True clock, Jamaican open the mount and dark a trie

2:36:20.480 --> 2:36:25.119
<v Speaker 5>clock that they're known it's three old clock.

2:36:24.959 --> 2:36:29.480
<v Speaker 1>Exactly that they don't do that ship. What are you doing? People?

2:36:29.560 --> 2:36:33.000
<v Speaker 4>The people that go to the Universal City ain't got

2:36:33.120 --> 2:36:35.080
<v Speaker 4>it with too much diploma.

2:36:35.680 --> 2:36:40.760
<v Speaker 2>University means college. I've learned that university. I learned that basically,

2:36:41.680 --> 2:36:42.920
<v Speaker 2>I didn't know that. I didn't know that.

2:36:46.040 --> 2:36:57.320
<v Speaker 18>University, college, university. Two weeks ago university.

2:36:57.360 --> 2:37:03.080
<v Speaker 5>I was like, somebody English, listen, you expect somebody in Jamaica.

2:37:03.240 --> 2:37:05.600
<v Speaker 4>Tell it is three old clock.

2:37:06.120 --> 2:37:07.879
<v Speaker 1>Mm hmm, three o'clock.

2:37:08.240 --> 2:37:14.720
<v Speaker 4>Yeah, te clock, tree clock, four o'clock, what time?

2:37:14.840 --> 2:37:15.680
<v Speaker 1>No two o'clock?

2:37:16.040 --> 2:37:17.960
<v Speaker 4>But one my get up.

2:37:20.760 --> 2:37:21.920
<v Speaker 1>This is how we is.

2:37:22.520 --> 2:37:25.000
<v Speaker 4>We are drinking all right. You see the problem is

2:37:25.080 --> 2:37:26.320
<v Speaker 4>we build our own language.

2:37:27.320 --> 2:37:31.640
<v Speaker 5>We never get it from nobody at times. Really, so

2:37:31.879 --> 2:37:34.959
<v Speaker 5>what we do we put the English and the French

2:37:35.360 --> 2:37:38.040
<v Speaker 5>and the Spanish together and beating them.

2:37:38.760 --> 2:37:41.160
<v Speaker 2>But that's why it's got Spanish.

2:37:42.240 --> 2:37:48.520
<v Speaker 1>I don't know about French. I don't English everything. Yeah,

2:37:48.520 --> 2:37:50.320
<v Speaker 1>I didn't know that. I didn't know. I know about

2:37:50.360 --> 2:37:52.320
<v Speaker 1>the English.

2:37:52.600 --> 2:37:55.720
<v Speaker 2>And uh so you think you know what's funny. You

2:37:55.800 --> 2:37:57.600
<v Speaker 2>know what's funny that I saw today that it said

2:37:57.600 --> 2:38:02.880
<v Speaker 2>that Patois is English creole, yes, which makes sense with

2:38:02.959 --> 2:38:08.960
<v Speaker 2>what he's saying right now, which makes sense which what

2:38:09.080 --> 2:38:11.400
<v Speaker 2>he's saying right all right?

2:38:11.600 --> 2:38:13.240
<v Speaker 1>Is he all right?

2:38:13.320 --> 2:38:14.119
<v Speaker 4>Let me tell you something?

2:38:14.879 --> 2:38:15.200
<v Speaker 1>All right?

2:38:15.240 --> 2:38:22.800
<v Speaker 5>You see, Jamin can't bad word sorry, cruise and woman accessories.

2:38:23.400 --> 2:38:27.000
<v Speaker 2>Everything is a boombo or boomba blood cloud?

2:38:27.720 --> 2:38:31.400
<v Speaker 4>Is you know what come around? Blood? Blood clod?

2:38:33.200 --> 2:38:36.360
<v Speaker 1>You know what you're making bad word?

2:38:36.480 --> 2:38:36.520
<v Speaker 10>No?

2:38:36.680 --> 2:38:39.200
<v Speaker 6>No, your blood oh your blood clots?

2:38:39.320 --> 2:38:41.440
<v Speaker 2>Yeah, because you get a blood clot that comes out

2:38:41.480 --> 2:38:44.240
<v Speaker 2>of there. I mean blood class. I'm just saying, real

2:38:44.320 --> 2:38:49.760
<v Speaker 2>life woman book, what's happened, yes, but yeah I'm not.

2:38:50.840 --> 2:38:52.400
<v Speaker 1>I'm just saying that what happened.

2:38:53.040 --> 2:38:57.280
<v Speaker 5>Them down the sanitary thing never then sat in my

2:38:57.360 --> 2:39:04.119
<v Speaker 5>father cloud. It's man superior, but not all doing a woman.

2:39:04.920 --> 2:39:08.960
<v Speaker 19>No, he's a blood clot No no, no, not that

2:39:10.200 --> 2:39:14.320
<v Speaker 19>cloud like cloud, like physically cloud, I'm clear from like

2:39:14.760 --> 2:39:16.520
<v Speaker 19>blood clos So what.

2:39:16.640 --> 2:39:19.200
<v Speaker 5>I'm saying, So what I'm saying, one more cloud? Yeah,

2:39:19.360 --> 2:39:21.600
<v Speaker 5>I think that about that boy, go away one but

2:39:22.440 --> 2:39:23.160
<v Speaker 5>your near kids.

2:39:23.959 --> 2:39:32.879
<v Speaker 4>Yeah, I just came in.

2:39:38.560 --> 2:39:40.960
<v Speaker 1>Happening blood clock on your butthole?

2:39:41.520 --> 2:39:42.440
<v Speaker 6>Is that happening though?

2:39:42.760 --> 2:39:44.760
<v Speaker 1>Boom boy, boom boom boy.

2:39:45.840 --> 2:39:49.280
<v Speaker 6>Yeah, an emergency I never had I'm coming out of

2:39:49.320 --> 2:39:49.920
<v Speaker 6>my ass.

2:39:50.760 --> 2:39:55.680
<v Speaker 2>He said, in case of an emergency, women, you're ship.

2:39:57.320 --> 2:39:59.959
<v Speaker 4>Oh because if.

2:39:59.879 --> 2:40:05.920
<v Speaker 11>We I don't know you had an epiphany. No oh yeah, yeah, everybody,

2:40:07.400 --> 2:40:12.720
<v Speaker 11>what is the matter that is not maybe spicy food,

2:40:13.040 --> 2:40:13.440
<v Speaker 11>that's not.

2:40:15.560 --> 2:40:19.480
<v Speaker 4>Telling people make them time? So his wipe up.

2:40:20.160 --> 2:40:21.240
<v Speaker 1>I get what.

2:40:27.440 --> 2:40:27.680
<v Speaker 4>People.

2:40:28.080 --> 2:40:31.080
<v Speaker 5>I'm telling them the end of them time they went

2:40:31.160 --> 2:40:35.360
<v Speaker 5>and build their words. Yes, that was like fourteen something.

2:40:37.600 --> 2:40:40.400
<v Speaker 5>So these are the things that people have to understand

2:40:40.400 --> 2:40:44.960
<v Speaker 5>about Jamaican. Jamaican people, we make our own words and

2:40:45.080 --> 2:40:49.920
<v Speaker 5>then other people turn it into bad words. It's not

2:40:50.120 --> 2:40:53.720
<v Speaker 5>bad words, it's the right words because at the time

2:40:53.840 --> 2:40:55.880
<v Speaker 5>there was nothing there to say.

2:40:56.320 --> 2:40:58.720
<v Speaker 2>It's clear right, all right.

2:40:59.240 --> 2:41:00.240
<v Speaker 1>I guess some too, Piers.

2:41:00.320 --> 2:41:02.600
<v Speaker 4>That's why we use too stick. White people use to

2:41:02.760 --> 2:41:11.640
<v Speaker 4>sick because there's no toothpas mm hmm. You don't know, ship, but.

2:41:14.240 --> 2:41:24.200
<v Speaker 1>Don't you putting? Really? Kevi is like I'm going in.

2:41:27.720 --> 2:41:30.680
<v Speaker 4>Utick because there is no I love it.

2:41:30.760 --> 2:41:31.480
<v Speaker 1>Some time.

2:41:32.840 --> 2:41:35.560
<v Speaker 4>There is no tooth brush. You're putting the brush your teeth.

2:41:36.200 --> 2:41:38.920
<v Speaker 4>There's no just say you have a tooth stick to

2:41:39.120 --> 2:41:41.720
<v Speaker 4>to too stick and and the wicked thing.

2:41:43.160 --> 2:41:47.560
<v Speaker 5>It is the clearest thing today because the bubbles and

2:41:47.800 --> 2:41:51.120
<v Speaker 5>the rest of fear and them them don't stop too

2:41:51.280 --> 2:41:54.160
<v Speaker 5>sick because them cleaning them teeth right.

2:41:54.240 --> 2:41:56.920
<v Speaker 4>True, this is the problem. So it's not like I

2:41:57.160 --> 2:41:58.959
<v Speaker 4>put tooth piers from the tool.

2:41:58.800 --> 2:42:03.600
<v Speaker 5>Bus on the ground. Yeah, yeah, you're over something. What

2:42:03.640 --> 2:42:06.480
<v Speaker 5>I'm saying, it's not like that. The what they what

2:42:06.560 --> 2:42:11.880
<v Speaker 5>they're doing right now. So it's it's a difference. So

2:42:12.560 --> 2:42:14.520
<v Speaker 5>a lot of people that talk about things and.

2:42:15.440 --> 2:42:17.080
<v Speaker 4>I don't know what this means.

2:42:18.320 --> 2:42:18.720
<v Speaker 10>Mm hmm.

2:42:19.440 --> 2:42:23.199
<v Speaker 1>You got a pigure. Let me ask a question one second.

2:42:24.040 --> 2:42:26.600
<v Speaker 3>Would you ever do a collaborative album with hip hop

2:42:26.720 --> 2:42:30.280
<v Speaker 3>artist Damian Marley? Did one with nods with distant relatives and.

2:42:31.200 --> 2:42:34.600
<v Speaker 1>I do music? What you said, I do music? That's

2:42:34.640 --> 2:42:35.600
<v Speaker 1>a good question. We want to know.

2:42:36.240 --> 2:42:38.360
<v Speaker 4>No, man, I do music. Just trying to do.

2:42:40.360 --> 2:42:47.160
<v Speaker 1>What what what?

2:42:49.600 --> 2:42:54.240
<v Speaker 4>He said something as savage bad bunny not.

2:42:59.520 --> 2:43:02.439
<v Speaker 5>His bunny, that I did a song and dynam already

2:43:03.520 --> 2:43:05.320
<v Speaker 5>Yeah with how we do album and day.

2:43:14.120 --> 2:43:16.640
<v Speaker 1>And weel what.

2:43:19.920 --> 2:43:23.120
<v Speaker 4>I'll tell you someone this song beginning their names. I

2:43:24.320 --> 2:43:25.280
<v Speaker 4>would know the song, but.

2:43:27.080 --> 2:43:27.600
<v Speaker 6>No name.

2:43:27.920 --> 2:43:32.199
<v Speaker 2>Kendrick Lamar, Kendrick and Beanie.

2:43:31.920 --> 2:43:34.359
<v Speaker 6>With Crazy.

2:43:36.920 --> 2:43:37.080
<v Speaker 1>Jake.

2:43:37.240 --> 2:43:40.039
<v Speaker 4>If if you ever watched his interview.

2:43:43.320 --> 2:43:46.199
<v Speaker 2>Listen Beanie. If Kendrick is watching his interview, what would

2:43:46.200 --> 2:43:47.960
<v Speaker 2>a collapse look like sound like?

2:43:48.440 --> 2:43:52.400
<v Speaker 1>At least give us some little come on? I can't

2:43:52.840 --> 2:43:53.879
<v Speaker 1>you want me to freestyle?

2:43:54.560 --> 2:43:58.760
<v Speaker 2>Please please, bro, please the freestyle, please please please Yo,

2:43:59.240 --> 2:44:00.119
<v Speaker 2>this is meaning.

2:44:00.080 --> 2:44:03.560
<v Speaker 4>Man and all right, good sheavy, there we go.

2:44:03.840 --> 2:44:06.600
<v Speaker 5>Yeah, well, this is being a man and Ken Drick

2:44:06.680 --> 2:44:10.000
<v Speaker 5>Man and everybody got your new separate from the place,

2:44:10.080 --> 2:44:13.640
<v Speaker 5>and everybody turned down them care around musical player. Everybody

2:44:13.800 --> 2:44:18.200
<v Speaker 5>moves them but the biggest but the superstar polls. If

2:44:18.240 --> 2:44:21.600
<v Speaker 5>you're listening, please don't check in. But man that you

2:44:21.720 --> 2:44:25.160
<v Speaker 5>don't you know when I reckon, mister dad, gookie stop

2:44:25.320 --> 2:44:26.400
<v Speaker 5>stop stop mister.

2:44:27.959 --> 2:44:42.080
<v Speaker 1>You turned me off. Yeah, you know that's on you.

2:44:43.720 --> 2:44:46.800
<v Speaker 1>I mean you're listening to me. Give me the four

2:44:47.400 --> 2:44:52.199
<v Speaker 1>you go you go for to try.

2:44:54.800 --> 2:44:58.640
<v Speaker 2>Stop you doing like this?

2:44:59.320 --> 2:45:04.600
<v Speaker 5>Yeah, but down south see everywhere, you know, but Monday,

2:45:04.680 --> 2:45:08.360
<v Speaker 5>I'm not top ranking killing people up on ne Bunking.

2:45:09.160 --> 2:45:18.680
<v Speaker 4>Yeah, the Swiss must walking now second, I'm ready for

2:45:18.800 --> 2:45:26.560
<v Speaker 4>that ship. Don't don't don't say again, I ain't saying it.

2:45:34.400 --> 2:45:40.040
<v Speaker 4>Mm hmm. Alicia Keys, Alicia, Alicia, Alicia Keys.

2:45:41.200 --> 2:45:44.600
<v Speaker 5>I'm sitting then. I think she's the best thing in

2:45:44.680 --> 2:45:45.279
<v Speaker 5>the world.

2:45:51.480 --> 2:45:51.760
<v Speaker 6>Together.

2:45:52.120 --> 2:45:52.959
<v Speaker 1>Yeah, really.

2:45:54.600 --> 2:45:56.080
<v Speaker 6>The fession performing arts, I was kitchen.

2:45:56.160 --> 2:45:59.760
<v Speaker 4>Yeah, No, I think she's the best singer in the world.

2:46:00.040 --> 2:46:03.199
<v Speaker 5>You don't play any woman that can play a piano

2:46:03.840 --> 2:46:06.600
<v Speaker 5>and sing at the same mother fucking time.

2:46:06.879 --> 2:46:09.040
<v Speaker 1>Nigga, what are you doing?

2:46:18.200 --> 2:46:23.440
<v Speaker 5>Of course, learn it Learn Learning meant the best album.

2:46:24.200 --> 2:46:30.160
<v Speaker 5>I don't know what fucked her up, but she is

2:46:30.360 --> 2:46:35.160
<v Speaker 5>my sting and I love her son because that kid.

2:46:35.280 --> 2:46:36.640
<v Speaker 2>Yo, her son is off the cha.

2:46:36.840 --> 2:46:37.480
<v Speaker 4>The money is.

2:46:40.520 --> 2:46:48.320
<v Speaker 5>Stop the cat the chair, and the money is broll.

2:46:48.680 --> 2:46:54.080
<v Speaker 4>She got two sons. You got Gion, who's the one performed.

2:46:55.800 --> 2:46:56.600
<v Speaker 2>He's killing it.

2:46:57.040 --> 2:46:57.879
<v Speaker 1>Yeah, but you go.

2:46:59.360 --> 2:47:00.320
<v Speaker 2>Baltimore on it.

2:47:04.959 --> 2:47:07.320
<v Speaker 1>All right? You said both of them are killing it.

2:47:12.240 --> 2:47:13.040
<v Speaker 4>A dog.

2:47:13.280 --> 2:47:14.080
<v Speaker 1>I love that.

2:47:14.920 --> 2:47:17.760
<v Speaker 4>Look on me. Look for me. She's my only singing.

2:47:18.440 --> 2:47:21.040
<v Speaker 4>If if she's not my only singing.

2:47:22.240 --> 2:47:22.920
<v Speaker 1>I love learning.

2:47:23.000 --> 2:47:24.440
<v Speaker 4>I love learning too much.

2:47:24.600 --> 2:47:25.840
<v Speaker 2>This this.

2:47:30.560 --> 2:47:33.080
<v Speaker 4>No, I'm not gonna cry. It's gonna come up.

2:47:33.920 --> 2:47:36.160
<v Speaker 2>We're star that's real ship.

2:47:36.240 --> 2:47:39.160
<v Speaker 4>Though I want to come my minds. I can't do

2:47:39.320 --> 2:47:40.560
<v Speaker 4>this ship. Just give me a minute.

2:47:41.879 --> 2:47:44.359
<v Speaker 1>I'm gonna try one, two three.

2:47:57.480 --> 2:47:57.800
<v Speaker 4>Learning.

2:47:58.800 --> 2:48:03.720
<v Speaker 5>She's the first woman in America, in America, does that

2:48:03.879 --> 2:48:09.400
<v Speaker 5>mean in this this country, this country of America. She's

2:48:09.440 --> 2:48:12.200
<v Speaker 5>the first woman told me that you it's going to

2:48:12.240 --> 2:48:16.800
<v Speaker 5>be superstar. She told you that, Yes, she told me

2:48:17.040 --> 2:48:20.760
<v Speaker 5>this five. What are you talking about? This is before

2:48:21.440 --> 2:48:22.119
<v Speaker 5>where here.

2:48:22.080 --> 2:48:25.680
<v Speaker 2>Not where you can Before that, she told you that,

2:48:26.240 --> 2:48:29.400
<v Speaker 2>what are you doing before she's a superstar, she tells.

2:48:29.200 --> 2:48:31.760
<v Speaker 4>Your advertising really.

2:48:34.800 --> 2:48:38.000
<v Speaker 2>Before she is superstar, she tells you your superstar.

2:48:38.240 --> 2:48:41.039
<v Speaker 1>Trying to tell you this that I'm a superstar from.

2:48:44.959 --> 2:48:48.080
<v Speaker 5>I'm a Superstar from nineteen ninety two, before she is

2:48:48.360 --> 2:48:52.400
<v Speaker 5>she Mama superstarar from nineteen ninety two. I repeat myself

2:48:52.760 --> 2:49:00.560
<v Speaker 5>when you know, learning it from Boogie Dune. The argument man.

2:49:03.560 --> 2:49:04.920
<v Speaker 1>Will help me out to as well.

2:49:05.240 --> 2:49:10.520
<v Speaker 5>All right, I'm a superstar from nineteen ninety two, when

2:49:10.760 --> 2:49:14.080
<v Speaker 5>me and Dougie fresher this time and put you before that.

2:49:14.200 --> 2:49:17.120
<v Speaker 2>Bro, let me get some bullied, bully crazy son.

2:49:17.240 --> 2:49:20.480
<v Speaker 5>I'm talking about superstar. You have to have super maniga

2:49:20.560 --> 2:49:28.520
<v Speaker 5>start like white people radio, because I'm not gonna lie

2:49:28.680 --> 2:49:31.000
<v Speaker 5>a lot of white people like they know your music.

2:49:31.120 --> 2:49:31.240
<v Speaker 2>Yo.

2:49:31.520 --> 2:49:35.880
<v Speaker 1>What because like when I work out in front of

2:49:35.959 --> 2:49:38.760
<v Speaker 1>my neighbors, there's a lot of white people. I can

2:49:38.800 --> 2:49:43.920
<v Speaker 1>only play Bob Molly. I didn't realize Bob don't really curse.

2:49:44.320 --> 2:49:46.800
<v Speaker 1>But then I played with your music for three days

2:49:46.879 --> 2:49:48.680
<v Speaker 1>and they can and they were like, they were like

2:49:49.480 --> 2:49:50.000
<v Speaker 1>they walking.

2:49:50.320 --> 2:49:52.840
<v Speaker 2>I'm like, oh no, this thing is.

2:49:52.959 --> 2:49:59.640
<v Speaker 1>This thing is global. Yeah, they didn't know you about

2:49:59.720 --> 2:50:04.200
<v Speaker 1>mind They don't know. Yeah yeah, yeah, white people think.

2:50:08.840 --> 2:50:11.200
<v Speaker 1>But the way I do.

2:50:11.879 --> 2:50:13.480
<v Speaker 4>If I'm on school where I do?

2:50:14.280 --> 2:50:15.200
<v Speaker 2>Is there any ship?

2:50:15.760 --> 2:50:18.480
<v Speaker 1>Yeah? I took minds already anything. I don't want to

2:50:18.480 --> 2:50:19.199
<v Speaker 1>tell your fans.

2:50:19.800 --> 2:50:21.400
<v Speaker 4>I just want to tell my friends that you can

2:50:21.440 --> 2:50:22.360
<v Speaker 4>take that shot though.

2:50:24.160 --> 2:50:24.400
<v Speaker 1>Fans.

2:50:25.040 --> 2:50:25.520
<v Speaker 2>It's great.

2:50:26.200 --> 2:50:30.039
<v Speaker 1>Yeah, he gets more vicious and he wrote someone from.

2:50:29.959 --> 2:50:32.640
<v Speaker 2>The visious too little visuous.

2:50:33.680 --> 2:50:34.280
<v Speaker 4>Yeah, I do that.

2:50:34.600 --> 2:50:43.480
<v Speaker 14>Your little love to change freak friend you wrote, Doug

2:50:43.560 --> 2:50:46.279
<v Speaker 14>you fresh fresh, little viious.

2:50:47.280 --> 2:50:49.119
<v Speaker 4>Looking is my artist.

2:50:50.320 --> 2:50:50.480
<v Speaker 1>Back?

2:50:50.560 --> 2:50:55.240
<v Speaker 4>And then down a Van Thomas. He was a producer

2:50:55.440 --> 2:51:00.480
<v Speaker 4>of Little Vision and he brought him to me and Jamaica.

2:51:01.840 --> 2:51:03.279
<v Speaker 4>He's from Jamaica.

2:51:03.800 --> 2:51:07.440
<v Speaker 6>No, I don't know from Jamaican.

2:51:07.840 --> 2:51:14.160
<v Speaker 8>Bolynce is Jamaican, Yes, yeah, yeah, Americans, but.

2:51:16.120 --> 2:51:18.600
<v Speaker 1>Child stall so it only makes right.

2:51:18.800 --> 2:51:21.920
<v Speaker 4>Yeah, but now you go, And I said it want

2:51:22.000 --> 2:51:22.320
<v Speaker 4>a song.

2:51:22.520 --> 2:51:24.960
<v Speaker 5>So I was in the studio and I was doing

2:51:25.040 --> 2:51:28.120
<v Speaker 5>I Want You Down, So being the fighting again on

2:51:28.200 --> 2:51:32.320
<v Speaker 5>the streets and been well done since the Amanda Tiger.

2:51:32.640 --> 2:51:36.720
<v Speaker 4>Nobody left for I don't know why black Widz. I

2:51:36.879 --> 2:51:37.200
<v Speaker 4>love it.

2:51:37.680 --> 2:51:40.640
<v Speaker 5>So they they followed to me and said, I need

2:51:40.760 --> 2:51:44.760
<v Speaker 5>to do a song that the people I am popular

2:51:45.480 --> 2:51:47.080
<v Speaker 5>wit them.

2:51:47.000 --> 2:51:51.200
<v Speaker 4>Can hear the song like the familiar. So and where

2:51:51.320 --> 2:51:54.280
<v Speaker 4>is it? I want you? Let me just swipe and

2:51:54.320 --> 2:51:59.560
<v Speaker 4>again and then I don't know the name that give me.

2:51:59.680 --> 2:52:02.560
<v Speaker 5>I think it was his school girlfriend and he gave

2:52:02.600 --> 2:52:06.720
<v Speaker 5>me a name and and I did that and then

2:52:06.959 --> 2:52:09.480
<v Speaker 5>come and said I got the next video.

2:52:09.560 --> 2:52:17.279
<v Speaker 4>My man said, yo, some got up free and then Vicious.

2:52:19.240 --> 2:52:24.520
<v Speaker 4>I don't know who. Somebody get to him. I don't know,

2:52:25.640 --> 2:52:28.240
<v Speaker 4>but yeah, the whole time I thought he was Douggie Fisher, Dounky.

2:52:28.040 --> 2:52:29.560
<v Speaker 2>Fisher, that was a part of the record.

2:52:29.600 --> 2:52:30.320
<v Speaker 1>But we don't know.

2:52:30.560 --> 2:52:32.960
<v Speaker 4>Now somebody get to him next, seriously, somebody get to

2:52:33.040 --> 2:52:37.240
<v Speaker 4>him and I say, yo, all right, and they do

2:52:37.440 --> 2:52:42.359
<v Speaker 4>the first and everything and then Who's.

2:52:42.120 --> 2:52:43.680
<v Speaker 6>I deal with it for Dougy Fish to just be

2:52:43.840 --> 2:52:44.920
<v Speaker 6>boxed on the middle like.

2:52:45.800 --> 2:52:49.039
<v Speaker 4>No, Douggle Fisher was part of the company you.

2:52:49.520 --> 2:52:51.400
<v Speaker 6>I mean as far as the production in the sound.

2:52:51.400 --> 2:52:54.640
<v Speaker 5>He was part of the company. Donovan Thomas and dougle Fresh.

2:52:55.040 --> 2:52:59.359
<v Speaker 5>They're the one that comes because all right, nineteen.

2:52:59.160 --> 2:53:02.920
<v Speaker 4>Ninety one, we're coming from. Yeah, you know I go

2:53:03.040 --> 2:53:09.160
<v Speaker 4>out there, Yeah, nineteen nineteen ninety I were coming from.

2:53:09.600 --> 2:53:09.800
<v Speaker 1>Yeah.

2:53:10.000 --> 2:53:14.120
<v Speaker 5>Anyway, we went to the National said them called Nancy

2:53:14.200 --> 2:53:15.400
<v Speaker 5>Mandela was released.

2:53:15.800 --> 2:53:20.280
<v Speaker 4>M hm, So I went to the Nancy Mondela show.

2:53:21.400 --> 2:53:24.920
<v Speaker 1>Is that when you got booed? Yeah?

2:53:24.959 --> 2:53:25.640
<v Speaker 2>The fun shout up.

2:53:26.640 --> 2:53:27.960
<v Speaker 1>I didn't know if it was that one or not.

2:53:28.720 --> 2:53:36.040
<v Speaker 4>Yeah aa aheyeah, yeah that's the yeah I got booed. Yeah,

2:53:36.160 --> 2:53:43.160
<v Speaker 4>we don't have to waste the story. Yeah, so yeah,

2:53:43.360 --> 2:53:45.560
<v Speaker 4>that's the year it was. I got when I got booed?

2:53:47.560 --> 2:53:49.240
<v Speaker 1>How di got feel getting booed?

2:53:54.480 --> 2:53:55.160
<v Speaker 2>Do you know?

2:53:55.320 --> 2:54:00.039
<v Speaker 4>Jackie Fresh? Yeah? Six minute, six minute.

2:54:05.480 --> 2:54:06.439
<v Speaker 2>The picture.

2:54:08.000 --> 2:54:09.760
<v Speaker 1>Dog get Fresh a lot of all.

2:54:10.360 --> 2:54:14.280
<v Speaker 5>Yeah, he's the one that able to be all right,

2:54:15.120 --> 2:54:17.760
<v Speaker 5>all right, Juggiet Fresh, it's my family.

2:54:18.360 --> 2:54:18.760
<v Speaker 1>M hmm.

2:54:19.440 --> 2:54:22.200
<v Speaker 4>It's called Douglas Davis. That's his name.

2:54:23.879 --> 2:54:25.480
<v Speaker 1>And there we go.

2:54:26.160 --> 2:54:30.320
<v Speaker 4>So you know what I'm talking about? Yep, blood family

2:54:30.920 --> 2:54:38.280
<v Speaker 4>ship name real, Yeah, that's real.

2:54:38.720 --> 2:54:39.760
<v Speaker 2>Well, let's take it the.

2:54:39.760 --> 2:54:43.320
<v Speaker 1>Picture, all right. Anything you want to say to your

2:54:43.360 --> 2:54:44.640
<v Speaker 1>fans before we get about.

2:54:44.400 --> 2:54:46.560
<v Speaker 4>It, all right, because we're gonna give over here we're

2:54:46.560 --> 2:54:47.320
<v Speaker 4>talking too long.

2:54:49.200 --> 2:54:51.040
<v Speaker 5>That's you know what I'm saying to all my fans.

2:54:51.959 --> 2:54:54.360
<v Speaker 5>I'm making a new album. I got a new song

2:54:54.480 --> 2:54:55.119
<v Speaker 5>coming out.

2:54:55.800 --> 2:55:00.640
<v Speaker 1>And we're give it's easy.

2:55:02.560 --> 2:55:05.240
<v Speaker 4>Don't funk it. What are you talking about? You can't

2:55:05.360 --> 2:55:12.400
<v Speaker 4>play pieces ship. You haven't sun with Parma. Can you

2:55:12.480 --> 2:55:15.400
<v Speaker 4>go get Parma from him right away?

2:55:16.320 --> 2:55:16.520
<v Speaker 9>You have?

2:55:16.720 --> 2:55:17.320
<v Speaker 6>You have a sign?

2:55:19.760 --> 2:55:22.920
<v Speaker 1>Yeah? All right? You got a good yacht master on.

2:55:23.240 --> 2:55:26.360
<v Speaker 1>I'll see you. I see you, brother, now, I got that.

2:55:26.560 --> 2:55:29.280
<v Speaker 1>I see you, brother, Rose Gold.

2:55:30.480 --> 2:55:31.600
<v Speaker 2>I can see it from over here.

2:55:31.720 --> 2:55:35.760
<v Speaker 1>You don't have a good eye. I am I right

2:55:37.560 --> 2:55:45.440
<v Speaker 1>ross up my eyes. I'm roped in my mind.

2:55:45.640 --> 2:55:48.400
<v Speaker 5>My mind a roster farm, and say something. I stopped

2:55:48.440 --> 2:55:51.680
<v Speaker 5>flossing because flossing, Yeah, flossing.

2:55:52.640 --> 2:55:58.640
<v Speaker 1>Jesus stopped. Jesus looking at me and no, I don't

2:55:58.720 --> 2:56:06.120
<v Speaker 1>let go. You explain, explain myself. Please about to get out.

2:56:07.040 --> 2:56:10.560
<v Speaker 5>I'm not saying messing anybody.

2:56:11.440 --> 2:56:14.360
<v Speaker 1>You are married, you got out of your ship. But

2:56:14.480 --> 2:56:17.560
<v Speaker 1>I love how you said my name, Narri. I'm now

2:56:17.760 --> 2:56:23.440
<v Speaker 1>marry and now you just made us get by Narry.

2:56:35.520 --> 2:56:37.560
<v Speaker 1>I thank you so much. Not let me just tell

2:56:37.560 --> 2:56:40.040
<v Speaker 1>you something. I thank you so much because nobody a

2:56:40.080 --> 2:56:44.000
<v Speaker 1>lot of people don't know how much how important you

2:56:44.160 --> 2:56:47.840
<v Speaker 1>are to this culture. Some people know, but a lot

2:56:47.879 --> 2:56:51.000
<v Speaker 1>of people don't understand. A lot of people know.

2:56:51.360 --> 2:56:52.240
<v Speaker 4>A lot of people know.

2:56:52.520 --> 2:56:52.879
<v Speaker 1>A lot of.

2:56:54.560 --> 2:56:57.359
<v Speaker 5>A lot of them is some people do not appreciate

2:56:57.600 --> 2:57:01.040
<v Speaker 5>the music like it's supposed to be appreciated, right, and

2:57:01.400 --> 2:57:02.760
<v Speaker 5>they disrespect the music.

2:57:03.400 --> 2:57:07.240
<v Speaker 4>And because you see the problem is if you're ready

2:57:07.280 --> 2:57:10.080
<v Speaker 4>the artist that last for six months and three months

2:57:11.760 --> 2:57:13.400
<v Speaker 4>you're doing that love the music.

2:57:14.200 --> 2:57:17.240
<v Speaker 5>If you appreciate a song because you love the song,

2:57:17.800 --> 2:57:19.960
<v Speaker 5>you do not love the music. That me listen to

2:57:20.080 --> 2:57:23.360
<v Speaker 5>hip hop and listen to R and B, I listen

2:57:23.440 --> 2:57:26.480
<v Speaker 5>to afro B, I listen to something else. That mean

2:57:26.520 --> 2:57:29.560
<v Speaker 5>you don't listen to the music et ClfA, which is

2:57:29.800 --> 2:57:34.879
<v Speaker 5>not disrespecting no music in the world, because I listen.

2:57:34.760 --> 2:57:36.800
<v Speaker 1>To every music.

2:57:38.040 --> 2:57:41.760
<v Speaker 4>So all we need is the carrying people to support

2:57:44.000 --> 2:57:46.000
<v Speaker 4>the music. It's not it's not a.

2:57:46.040 --> 2:57:50.120
<v Speaker 5>Fight against no music. You're crazy in mind. We go

2:57:50.240 --> 2:57:53.280
<v Speaker 5>to every country this world. We go to Spain, and

2:57:53.320 --> 2:57:55.680
<v Speaker 5>we go to Maine, we go Inzane, we'll go Dame,

2:57:55.760 --> 2:58:04.000
<v Speaker 5>we'll go a part. Yeah, you see, go everywhere you do,

2:58:17.959 --> 2:58:20.320
<v Speaker 5>all right, you know what his nigga.

2:58:22.440 --> 2:58:26.720
<v Speaker 1>Now what dn A. I know his name Yea, I

2:58:26.800 --> 2:58:27.120
<v Speaker 1>told you.

2:58:33.680 --> 2:58:37.000
<v Speaker 2>Drink Champs is a Drink Champs ll C production hosts

2:58:37.040 --> 2:58:39.880
<v Speaker 2>and executive producers n O r E and d j

2:58:40.080 --> 2:58:43.840
<v Speaker 2>e f f N. Listen to drink Champs on Apple Podcast,

2:58:44.080 --> 2:58:49.199
<v Speaker 2>Amazon Music, Spotify, or wherever you get your podcasts. Thanks

2:58:49.240 --> 2:58:51.760
<v Speaker 2>for joining us for another episode of Drink Champs, hosted

2:58:51.800 --> 2:58:54.080
<v Speaker 2>by yours truly, d j e f N and n

2:58:54.080 --> 2:58:56.160
<v Speaker 2>O r E. Please make sure to follow us on

2:58:56.240 --> 2:58:59.360
<v Speaker 2>all our socials that's at drink Champs across all platforms

2:58:59.800 --> 2:59:02.880
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2:59:02.959 --> 2:59:05.680
<v Speaker 2>on Twitter, mine is at Who's Crazy on I g

2:59:06.440 --> 2:59:09.279
<v Speaker 2>at dj e f N on Twitter, And most importantly,

2:59:09.320 --> 2:59:12.120
<v Speaker 2>stay up to date with the latest releases, news and

2:59:12.280 --> 2:59:14.600
<v Speaker 2>merch by going to drink champs dot com