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Speaker 1: He is Drink Chants, motherfucking podcast man. He's a legends

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Speaker 1: every Queens rapper. He ain't segreed that your boy in

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Speaker 1: O R E.

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Speaker 2: D's a Miami hip hop pioneer put up as d

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Speaker 2: J e f N.

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Speaker 3: Together they drink it up with some of the biggest

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Speaker 3: players you know me and the most.

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Speaker 1: Professional unprofessional podcast and your number one source for drunk

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Speaker 1: drink chans mother postcavery days.

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Speaker 2: New Year's c that's it's time for drink Champions, drink up,

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Speaker 2: motherfuck motheruck.

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Speaker 1: But it could be hoping to the stupid boy and

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Speaker 1: O R E. What up? It is d J e

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Speaker 1: f N And this is military Crazy World podcast Manie

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Speaker 1: something when I tell you, I'm so excited about today's show.

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Speaker 1: This man has been in this game for four decades.

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Speaker 1: He's been making records since he was ten years old.

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Speaker 1: Literally self proclaimed. The people claim cain't in a dance hall.

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Speaker 1: He's been doing this hit after hit. I went through

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Speaker 1: this man's discography and I had so much fun just

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Speaker 1: listening to how much hits throughout the whole time, Like

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Speaker 1: this man could just fall on a hit big records.

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Speaker 1: There's a lot of controversy going on Grammy Award winning.

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Speaker 1: I've been nominating.

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Speaker 4: I ain't win shit.

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Speaker 2: Don't worry, it's coming from me. You know the doctor girls.

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Speaker 1: Dem sugar. It is going down. In case you don't

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Speaker 1: know what we're talking about. What your mother won the

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Speaker 1: only impeccable Listen, I went through your music. It took

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Speaker 1: us three days to try to get through the whole music. Yeah,

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Speaker 1: I mean so it's this rumor true that at ten

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Speaker 1: years old you won a contest eight damn eight. Yeah.

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Speaker 4: I did my first did our first song when I

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Speaker 4: was eight.

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Speaker 5: So when when I went the contest, it was Taste

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Speaker 5: is Talent Show. When I won that contest, I get

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Speaker 5: a contract to record, right, So I went to the

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Speaker 5: studio and I knock called the song. I did two songs,

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Speaker 5: one card over the Sea and one called two Funcy

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Speaker 5: Why Yeah? And then I did my first album at

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Speaker 5: age ten.

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Speaker 1: Okay, this is a lifelong question. What is the difference

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Speaker 1: between reggae and dance hall? Oh the bead.

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Speaker 4: Reggae is one job, dance out is four job.

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Speaker 1: Reggae's one job, dance those four jobs.

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Speaker 4: Yeah, John sallis drop drop.

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Speaker 2: Like a rock.

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Speaker 1: Yeah.

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Speaker 5: Reggae is the feeling of the people, like all the

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Speaker 5: people feel about the government, or the people feel about

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Speaker 5: their lives that they're living, or the people feel about

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Speaker 5: the system that they're living in. So this is all

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Speaker 5: the reggae music is. So reggae music is social commentary.

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Speaker 5: So when you're doing dance, I know you talk about

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Speaker 5: all the people live, or the girl them wind up themselves,

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Speaker 5: or the girl them Jess, or the girl them look nice.

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Speaker 5: So when they go, welcome the guys.

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Speaker 1: You see what I'm saying.

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Speaker 5: The difference in the music is how you express yourself,

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Speaker 5: because you have some people don't know what to express themselves.

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Speaker 4: You have some people just do themthing different. But dance, our.

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Speaker 1: Music is is a different.

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Speaker 5: Type of genre. It's a different thing. It comes like

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Speaker 5: hip hop to you. Like when when I used to

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Speaker 5: listen to Slick Quick and you go a.

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Speaker 4: Lout of Doddie heard the party, We don't. So every

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Speaker 4: nobody and doesn't when we wrack up.

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Speaker 5: On the mic, okay, and then you get a fifty

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Speaker 5: cent and they get you. It's a different type of music.

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Speaker 5: So when the music come together, it kind of don't

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Speaker 5: sound different, but it is different because sometimes the music

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Speaker 5: speed up and sometimes the music slow down, So you

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Speaker 5: still got dance all DJs like me, dancehall artists that

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Speaker 5: do one drop, like you have a sizzler a black

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Speaker 5: woman and you have a bunch of bant and will

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Speaker 5: come and say it's not unyasy good.

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Speaker 4: So it's it's there's a difference in the music.

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Speaker 5: But the dance all artists do reggae music because the

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Speaker 5: reggae music is the original music where the dance all

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Speaker 5: come from. But dance all now we try to make it.

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Speaker 5: You know, it's coming like call faster than you see.

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Speaker 4: But down sound is straight to reggae danzall music. That's

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Speaker 4: what we do.

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Speaker 2: But it's not just temple. It's also substance.

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Speaker 5: Yeah, it's a substance, right. You have some music don't

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Speaker 5: got no substance. They can't last. You have someone who

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Speaker 5: sing one song and it lasts for two months. You

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Speaker 5: have a money sing the next song in the last

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Speaker 5: for six months. But you have a money sing I

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Speaker 5: sang and it last forever.

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Speaker 1: Mm hmm.

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Speaker 5: Because I always tell people that Robert Nest Tomali died,

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Speaker 5: but Bob Molly never died, so he's always alive. Because

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Speaker 5: you're always hear the music, so Yeah, that's the type

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Speaker 5: of music. I love to sing. Music that lasts forever,

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Speaker 5: music that you can tour them like forever. So if

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Speaker 5: you I got an undred an eight to seven number

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Speaker 5: one song, why should I want another?

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Speaker 4: But you have to make.

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Speaker 2: Music and eighteen albums. Yeah, has seven compilations.

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Speaker 4: Yeah, but what I'm.

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Speaker 1: About around a little bit.

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Speaker 4: Yeah, I got, I got, I got over two thousand

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Speaker 4: eight songs. But its songs. It's song. Number one is

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Speaker 4: number one. When when you're.

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Speaker 5: Making number one songs, you're making songs that last forever.

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Speaker 1: The songs out you can go and say two thousand

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Speaker 1: hit songs.

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Speaker 4: Yeah, over two thousand.

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Speaker 2: We didn't get through none of his.

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Speaker 1: Bro hmmm. So I always had to ask you this question.

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Speaker 1: Is Romney a real person that has big fast sister?

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Speaker 1: You call him Rommy? I was like, he's me, call

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Speaker 1: it just a big man. I was like me, it's

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Speaker 1: a real man, of course. So what did he do

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Speaker 1: to you? You're doing like him?

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Speaker 5: No, I don't hate, I don't hey, I don't try

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Speaker 5: to age is just a bad word.

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Speaker 1: But what did he do?

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Speaker 2: Cast drama and his sister whit sister.

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Speaker 4: Hate him?

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Speaker 1: It's from in the country, he's a real person. He

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Speaker 1: gets to hear this record, he's like, don't hear it,

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Speaker 1: it's just a hit. It's a hit record, Like I

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Speaker 1: would like it.

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Speaker 4: I'm talking about you. Nobody know you know, everybody knows

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Speaker 4: who you are. Now do you like that record? There

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Speaker 4: you go.

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Speaker 2: He might be introducing himself like I'm the one that ben.

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Speaker 1: You know what I'm saying it?

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Speaker 4: See wrong? Me is that guy we grew up it.

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Speaker 5: But then he birol people, thinks burow your money and

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Speaker 5: burroy you and then he not pay you.

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Speaker 6: That makes sense talking about I got a lot of

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Speaker 6: them this.

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Speaker 4: Yeah, I know the man I need some money to

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Speaker 4: do this.

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Speaker 5: You go like, okay, there's a few dreads, and then

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Speaker 5: come back again and man, I need someone to do this.

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Speaker 5: Then you get to realize that this he's doing it

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Speaker 5: too often.

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Speaker 4: Now.

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Speaker 5: Yeah, so the last time I asked him to pay

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Speaker 5: me back and.

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Speaker 4: There's no pain. Yes, I get offended.

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Speaker 5: So I sing a song I will go knock grow

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Speaker 5: me out, like right now today, right now, I would

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Speaker 5: sucker punch him like exous. But sometimes it's better to

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Speaker 5: make fun of it. You sing music about people, and

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Speaker 5: people become recognizable.

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Speaker 4: People start to say, yeah, I'm.

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Speaker 5: A minir room if I'm on the road, and that's it.

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Speaker 5: So when you do ship like that is you know,

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Speaker 5: you turn out good and their side, but then you

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Speaker 5: get a hit sound.

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Speaker 2: And no one's lending roamy money anymore.

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Speaker 1: Now you have you have a legendary moment and versus

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Speaker 1: the whole whole verses that you got. That's the first

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Speaker 1: time that I ever see people say that. It was

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Speaker 1: like like like Jamaica one, like you're like, you know

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Speaker 1: how people say this guy, that's the first time I say,

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Speaker 1: that's the one thing. But you when the policeman came,

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Speaker 1: oh and you said, you don't want to be that guy?

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Speaker 1: I said, I used that for everything, like anytimes somebody's

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Speaker 1: doing so you don't want to be that guy?

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Speaker 4: Got no, that was a good time.

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Speaker 1: So they tell us what happened to the police arrival.

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Speaker 5: It was the epidemic mm hm in Jamaica, the COVID defend.

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Speaker 5: So we were supposed to be in a student's Yeah,

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Speaker 5: so we're in a student like this, all of us

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Speaker 5: none of us have COVID, so we were dere doing

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Speaker 5: the thing and then the police just walk in.

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Speaker 4: Announced the unannounced.

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Speaker 5: And then remember the Prime ministel of the country is

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Speaker 5: on the phone saying we're ed. Seeing his boss is

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Speaker 5: on the phone saying we'recked. I need us walk in.

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Speaker 5: Mister molass Davis, what are you doing there?

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Speaker 1: I'm like what.

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Speaker 5: Because we just take the break, so you're walking on

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Speaker 5: the break walking the wrng time you should do that

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Speaker 5: is walking in the wrong time. So same time the break,

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Speaker 5: we come off break. So we're going back live now

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Speaker 5: and he's like, mister Davis, I'm talking to you, and

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Speaker 5: now I'm like, do you want to be that guy?

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Speaker 5: I don't think you want to be that guy? And

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Speaker 5: he's like, what, let's say we got over fifty.

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Speaker 4: Thousand people a year, five hundred, We've got five hundred. Yeah,

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Speaker 4: five hundred thousand people online watching us live right now

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Speaker 4: going into six hundred thousand, and then you just walk

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Speaker 4: in like at least.

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Speaker 1: He can give the camera though, if you got a camera,

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Speaker 1: I want to throw he wanted to shine.

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Speaker 4: Yeah, because you see both of them.

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Speaker 2: It was polices.

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Speaker 5: It was two police guys, but there's one talking, the

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Speaker 5: next one not saying nothing. So when I look at

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Speaker 5: him and said do you want to be that guy?

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Speaker 5: The next one go like this. The next one, I

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Speaker 5: wanted to run through the door. He's like, damn, we

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Speaker 5: weren't coming fucking up this ship. Well we're doing here.

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Speaker 5: So that was a nice moment for the thing. But

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Speaker 5: I don't like when.

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Speaker 4: People try to break.

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Speaker 1: Up the music.

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Speaker 5: When you come and see the music it's playing and

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Speaker 5: everybody is up being fun, Why you want to come

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Speaker 5: and break that up.

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Speaker 1: That?

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Speaker 4: That doesn't make no sense.

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Speaker 5: What's so it's for you to build that vibes together?

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Speaker 5: Because me, yes, we wore for twenty two years.

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Speaker 4: We were Nemesis, like seriously, like, yeah, the only thing

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Speaker 4: we never do is show fist.

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Speaker 2: Did it almost go there?

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Speaker 4: Though?

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Speaker 1: Ever?

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Speaker 2: No, we're true words because it seems serious from the house.

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Speaker 4: No fist. I'm a bad man. Don't worry about it.

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Speaker 3: In situations like that, usually the crew of the people

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Speaker 3: around them get affected.

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Speaker 1: Ye, what about that?

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Speaker 5: They're the one that get messed up because they go

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Speaker 5: where I'm fucked around.

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Speaker 4: Yeah, somebody up, but that's it.

225
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Speaker 5: But me, me and bunch of killer we never chow

226
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Speaker 5: fist because I'm not that. I'm not that guy that

227
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Speaker 5: you can mess with, Like I don't play right and

228
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Speaker 5: I got friends that don't play, and I got friends

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Speaker 5: that don't play, and I got other friends that don't play.

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Speaker 1: And yeah, did you date his ex wife or something

231
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Speaker 1: like that?

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Speaker 5: No, his ex girlfriend is my wife. Wow, that's a

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Speaker 5: different thing. Was my wife shouldn't say? Is my wife?

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Speaker 5: Was my wife? She got a kid from me. He's

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Speaker 5: eighteen years old. His name is Marcain. I love him

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Speaker 5: to death. Yeah, but yeah, wow, I was.

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Speaker 1: Going through the I was like, oh, she's almost love

238
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Speaker 1: it started.

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Speaker 4: That's that's when the beef almost ended.

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Speaker 5: Okay, yeah, but you know, you see a girl, you're

241
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Speaker 5: like girl, girl like boy boy like girl girl and

242
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Speaker 5: boy get together.

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Speaker 1: By Yeah, that was it.

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Speaker 4: Yeah. I watched the.

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Speaker 5: One with I think with Babyface. Yeah, baby Faced is

246
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Speaker 5: my singer. I'm kind of bis don't know about it.

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Speaker 2: Who the baby Face go against?

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Speaker 5: Oh god, baby Face go somebody? I don't remember, but

249
00:14:01,520 --> 00:14:04,960
Speaker 5: I forgot. Yeah I remember baby Face though. And then

250
00:14:05,480 --> 00:14:07,160
Speaker 5: I watched No One BMX.

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Speaker 1: Oh yeah.

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Speaker 4: Yeah, yeah, Riley, yeah, baby Face googling on time.

253
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Speaker 1: I have to tell you to do that.

254
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Speaker 2: Okay, okay, that's what's up.

255
00:14:24,600 --> 00:14:26,120
Speaker 4: So I watched them both.

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Speaker 5: I didn't like the vibes, but because I wasn't getting

257
00:14:30,560 --> 00:14:35,040
Speaker 5: the vibes from you know, so I said, Okay, we're

258
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Speaker 5: not going to do no versus like that.

259
00:14:38,200 --> 00:14:40,840
Speaker 4: We're going to do like nineteen eighty seven.

260
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Speaker 1: But clash clash, you're.

261
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Speaker 4: Gonna be each other. That bomb bom bomb.

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Speaker 7: That was it.

263
00:14:48,080 --> 00:14:50,480
Speaker 5: That was a beautiful thing because the vibe was nice.

264
00:14:50,520 --> 00:14:54,200
Speaker 5: It's not like we're fighting. We're trying to raisent each other,

265
00:14:54,320 --> 00:14:55,440
Speaker 5: but we're not fighting.

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Speaker 4: So yeah, it was I love that verson.

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Speaker 1: I loved it.

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Speaker 2: It stood on to all the verses. That was like

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Speaker 2: the first one that like everyone like you know what

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Speaker 2: I'm saying.

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Speaker 1: Like I said, there was credited in Jamaica for winning,

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Speaker 1: you know what I mean, because it looked really good.

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Speaker 3: Jamaica didn't get credit too to a degree because and

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Speaker 3: did you I want to ask if you felt that

275
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Speaker 3: because Billboard they covered the versus effect. Yeah, they didn't

276
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Speaker 3: put it, didn't put men in bounty kill, So who

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Speaker 3: do they put that?

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Speaker 1: What?

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Speaker 4: Everybody else that didn't put us up? But I don't care,

280
00:15:29,600 --> 00:15:32,240
Speaker 4: come right, because you see.

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00:15:32,120 --> 00:15:36,320
Speaker 5: The problem is big boats in magazine that came out.

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Speaker 5: But the world is Internet loving right now, so everybody's

283
00:15:44,000 --> 00:15:46,880
Speaker 5: on social media everybody's on this, everybody's in that.

284
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Speaker 4: So the people that watched the verses, they know.

285
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Speaker 5: If big Board didn't want to recognize us as you know,

286
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Speaker 5: that's that's that's their loss.

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00:15:57,920 --> 00:15:59,040
Speaker 4: It's not minds true.

288
00:16:00,360 --> 00:16:01,640
Speaker 1: Let me ask you, what do you what do you

289
00:16:01,640 --> 00:16:02,800
Speaker 1: feel about afrobeats?

290
00:16:04,080 --> 00:16:07,800
Speaker 5: I love the way all them implement dansall in the aphrobeat.

291
00:16:08,800 --> 00:16:10,320
Speaker 4: You understand because.

292
00:16:10,040 --> 00:16:13,240
Speaker 5: They say the music is from Africa, so they can

293
00:16:13,360 --> 00:16:15,880
Speaker 5: do anything. They can use any music they're ont use.

294
00:16:16,400 --> 00:16:20,720
Speaker 5: But the alphabeat is it's nice music. You can dancely

295
00:16:20,880 --> 00:16:22,880
Speaker 5: like salsa, do all of that together.

296
00:16:23,000 --> 00:16:26,440
Speaker 4: It's nice. It's nice music. So I actually love it.

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00:16:26,800 --> 00:16:31,200
Speaker 5: I appreciate the Africans to come out and show their talent.

298
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Speaker 5: But yeah, so when somebody loves music and appreciate it

299
00:16:35,840 --> 00:16:39,120
Speaker 5: by going and build their own song, their own music

300
00:16:39,240 --> 00:16:44,000
Speaker 5: off your music, you got to give them appreciation because

301
00:16:44,440 --> 00:16:47,040
Speaker 5: they show you that they love the music, and you inspire.

302
00:16:48,600 --> 00:16:53,880
Speaker 4: So if you muse it, don't inspire ship seriously, So

303
00:16:54,040 --> 00:16:55,120
Speaker 4: you got to think about that.

304
00:16:55,280 --> 00:16:59,920
Speaker 2: Too, right yea, And eventually generationally things will get lost,

305
00:17:00,080 --> 00:17:01,520
Speaker 2: history gets lost, unfortunately.

306
00:17:01,680 --> 00:17:06,560
Speaker 5: Yeah, seriously, you guys, just know that your music is

307
00:17:06,720 --> 00:17:10,760
Speaker 5: music I don't remember the first time I hear a

308
00:17:11,119 --> 00:17:12,159
Speaker 5: hip hop song was.

309
00:17:13,800 --> 00:17:14,040
Speaker 4: That's it?

310
00:17:15,080 --> 00:17:15,240
Speaker 1: Oh?

311
00:17:15,359 --> 00:17:17,800
Speaker 4: Just every cookin It's what your name?

312
00:17:19,440 --> 00:17:23,199
Speaker 1: Kid? Him play and I can't pitch a beating man.

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00:17:23,240 --> 00:17:32,520
Speaker 1: Listen what that's good? Come? What I watched House Party?

314
00:17:32,560 --> 00:17:37,400
Speaker 1: What that makes sense? Yeah? God kill him?

315
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Speaker 4: Play? Yeah? I please you remember it's not gonna work.

316
00:17:44,000 --> 00:17:50,240
Speaker 5: When it come to music in my household, it was reggae,

317
00:17:52,000 --> 00:17:52,920
Speaker 5: country and western.

318
00:17:54,000 --> 00:17:55,760
Speaker 1: Yeah, seriously country western?

319
00:17:56,440 --> 00:17:58,399
Speaker 4: What oh you think I know?

320
00:17:58,520 --> 00:18:00,480
Speaker 1: Kenny Rogers? What I want to say? You listen to

321
00:18:00,560 --> 00:18:04,560
Speaker 1: Kids Brooks and Dolly Parton. Don't you talking about it?

322
00:18:07,200 --> 00:18:07,600
Speaker 3: That is?

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00:18:07,680 --> 00:18:10,240
Speaker 4: We now with me?

324
00:18:11,480 --> 00:18:16,560
Speaker 1: Can we sail away with me? To one? Now the word?

325
00:18:17,320 --> 00:18:22,639
Speaker 1: And we rely on each other one love to.

326
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Speaker 4: Another music papaye we we we we we go through

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00:18:31,640 --> 00:18:35,240
Speaker 4: all of that, all right, but you have this guy

328
00:18:35,280 --> 00:18:40,840
Speaker 4: wasn't even getting Brenton you have a say and said, because.

329
00:18:42,560 --> 00:18:43,919
Speaker 1: There be so.

330
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Speaker 6: I don't know what.

331
00:18:48,240 --> 00:18:48,880
Speaker 1: It's gospel?

332
00:18:49,200 --> 00:18:49,560
Speaker 6: Okay?

333
00:18:50,000 --> 00:18:52,600
Speaker 1: There the.

334
00:18:55,240 --> 00:18:58,320
Speaker 4: Across that used to play my house.

335
00:18:59,640 --> 00:19:00,480
Speaker 1: Your mother, Christian?

336
00:19:00,680 --> 00:19:03,120
Speaker 8: Yes, did you have to sneak and listen to other

337
00:19:03,160 --> 00:19:04,640
Speaker 8: types of music in your own household?

338
00:19:04,800 --> 00:19:04,840
Speaker 1: What?

339
00:19:05,200 --> 00:19:05,240
Speaker 6: No?

340
00:19:05,880 --> 00:19:07,240
Speaker 1: You gotta bar across the road?

341
00:19:07,320 --> 00:19:08,920
Speaker 4: Road back so you put the money in it.

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00:19:09,000 --> 00:19:13,000
Speaker 2: Then what your father used to listen to? If your

343
00:19:13,000 --> 00:19:13,800
Speaker 2: mother used to listen to God?

344
00:19:14,200 --> 00:19:16,640
Speaker 4: My father is rested feelings. So you listened to Bob

345
00:19:16,760 --> 00:19:20,439
Speaker 4: Marley and listen to you know? You need to go? Gregory?

346
00:19:20,480 --> 00:19:22,840
Speaker 4: ISAA excelled them people yet?

347
00:19:23,000 --> 00:19:25,440
Speaker 1: Actually Bob Marty and the Whalers, Bar Mary or Bob

348
00:19:25,520 --> 00:19:28,840
Speaker 1: Marley on the way less? Okay, yeah, that's my ship,

349
00:19:30,240 --> 00:19:32,720
Speaker 1: relutionary Bob to I gotta be a little bit angry.

350
00:19:32,840 --> 00:19:40,760
Speaker 4: Yeah, yeah, listen to the revolutionary vibe.

351
00:19:40,800 --> 00:19:41,640
Speaker 1: You want to do something?

352
00:19:42,240 --> 00:19:43,080
Speaker 2: You want to go outside?

353
00:19:43,240 --> 00:19:49,159
Speaker 1: Yeah? Did you watch Bob in the movie? I saw it?

354
00:19:50,320 --> 00:19:51,720
Speaker 1: I ain't unconfident.

355
00:19:52,080 --> 00:19:52,879
Speaker 4: I'm sorry, but.

356
00:19:53,080 --> 00:19:55,560
Speaker 1: By what side? You don't like it?

357
00:19:55,640 --> 00:19:57,000
Speaker 4: I got nothing to say about that?

358
00:19:57,280 --> 00:20:01,159
Speaker 1: Oh? I saw it?

359
00:20:02,200 --> 00:20:02,800
Speaker 4: But what what?

360
00:20:03,000 --> 00:20:05,080
Speaker 5: What do you want me to say? This is Bob Marty.

361
00:20:05,320 --> 00:20:06,960
Speaker 5: I can't say nothing bad about Bob.

362
00:20:07,560 --> 00:20:08,159
Speaker 6: So what did you?

363
00:20:09,600 --> 00:20:10,280
Speaker 1: I saw it?

364
00:20:10,640 --> 00:20:15,000
Speaker 6: Okay? Thank you want to what do you think about it?

365
00:20:16,760 --> 00:20:18,639
Speaker 1: Twice? And I'm about to spatch it to get in

366
00:20:18,720 --> 00:20:20,800
Speaker 1: my house? Would you make a movie like that about

367
00:20:20,800 --> 00:20:22,240
Speaker 1: being in what?

368
00:20:23,520 --> 00:20:26,200
Speaker 4: But I can't make a movie like that yet?

369
00:20:26,440 --> 00:20:35,000
Speaker 1: Because you know more to go? All right? Yeah?

370
00:20:35,040 --> 00:20:39,000
Speaker 4: But there are certain things that I've been through that

371
00:20:39,680 --> 00:20:40,920
Speaker 4: I don't want to.

372
00:20:41,800 --> 00:20:42,520
Speaker 2: You're not ready to.

373
00:20:43,560 --> 00:20:45,040
Speaker 1: You're not ready. You can't ready for that.

374
00:20:45,119 --> 00:20:46,000
Speaker 4: You're going to go to prison.

375
00:20:54,480 --> 00:20:57,439
Speaker 1: Yeah that was life. It's not pretty.

376
00:20:57,840 --> 00:21:00,720
Speaker 4: It's not nice because we we we grew in the

377
00:21:00,800 --> 00:21:06,400
Speaker 4: wood like and we don't grow nice. It's not it's

378
00:21:06,480 --> 00:21:07,399
Speaker 4: not a nice thing.

379
00:21:08,280 --> 00:21:11,760
Speaker 5: Like trust me, we just didn't suffer, you know, because yeah,

380
00:21:11,800 --> 00:21:13,360
Speaker 5: about it wakes too make money.

381
00:21:13,240 --> 00:21:16,679
Speaker 3: So you know you're but even how you said how

382
00:21:16,720 --> 00:21:20,240
Speaker 3: you're saying that, people don't really can't visualize it like that.

383
00:21:20,359 --> 00:21:21,960
Speaker 1: So that's what I'm saying. It's great to have a

384
00:21:22,080 --> 00:21:23,760
Speaker 1: movie like that you made.

385
00:21:24,640 --> 00:21:25,639
Speaker 4: I'm gonna go a person.

386
00:21:25,800 --> 00:21:27,960
Speaker 6: I'm not gonna but there's some things you can leave

387
00:21:27,960 --> 00:21:28,720
Speaker 6: on the cutting on the floor.

388
00:21:28,800 --> 00:21:29,200
Speaker 4: You don't have to.

389
00:21:29,640 --> 00:21:31,720
Speaker 2: It seems like he wants to tell his real true story,

390
00:21:31,800 --> 00:21:32,399
Speaker 2: but he's not right.

391
00:21:32,480 --> 00:21:34,399
Speaker 4: I can't do that. Then we're going to go to prison.

392
00:21:36,600 --> 00:21:40,800
Speaker 1: That he's gonna wait long time, everybody, it's not gonna happen.

393
00:21:41,240 --> 00:21:42,080
Speaker 4: That's about it.

394
00:21:42,160 --> 00:21:44,560
Speaker 5: Because if I'm making a live story, and making a

395
00:21:44,640 --> 00:21:46,680
Speaker 5: live story, I'm making a story of my life to

396
00:21:46,720 --> 00:21:49,240
Speaker 5: be truthful. Yeah, I don't be truthful. I'm going to

397
00:21:49,280 --> 00:21:52,720
Speaker 5: make a Ray movie like Old Ray yet blind and

398
00:21:52,800 --> 00:21:54,680
Speaker 5: all of that. To lose his hype and all of that.

399
00:21:54,920 --> 00:21:57,159
Speaker 5: I have to show you or I grow or I

400
00:21:57,240 --> 00:22:01,840
Speaker 5: become am right. So if I show you, I'm gonna

401
00:22:01,840 --> 00:22:02,320
Speaker 5: good person.

402
00:22:03,080 --> 00:22:04,879
Speaker 4: I got no time for that. I got no time

403
00:22:04,960 --> 00:22:07,399
Speaker 4: for person. I got no time for cops that, got

404
00:22:07,480 --> 00:22:09,920
Speaker 4: no time for judge and none.

405
00:22:10,560 --> 00:22:13,840
Speaker 1: So yeah, cheers. So then other day I saw on

406
00:22:14,040 --> 00:22:17,440
Speaker 1: Instagram a guy post and he said, even the poorest

407
00:22:17,560 --> 00:22:20,480
Speaker 1: man from the island is richer than it's rich. So

408
00:22:20,760 --> 00:22:22,719
Speaker 1: so what I'm talking about, it's richer than the average

409
00:22:22,720 --> 00:22:26,480
Speaker 1: city boy because when you from an island, you have

410
00:22:26,600 --> 00:22:35,680
Speaker 1: access to clean water, organic food. Like your backyard is hopeful, yes, paradise.

411
00:22:36,119 --> 00:22:38,520
Speaker 1: What you believe that what you're saying, all.

412
00:22:39,240 --> 00:22:41,840
Speaker 4: See in Jamaica. You just get up and you see

413
00:22:42,600 --> 00:22:44,520
Speaker 4: a man tree just growing in the yard like that.

414
00:22:45,440 --> 00:22:47,800
Speaker 5: You see just go in the yard like that, a

415
00:22:47,840 --> 00:22:51,040
Speaker 5: bread food tree just going your yard, like manga tree

416
00:22:51,160 --> 00:22:52,080
Speaker 5: just going your yard like that.

417
00:22:52,200 --> 00:22:55,920
Speaker 4: So you can't hungry. These are not fruits that just

418
00:22:56,080 --> 00:22:57,000
Speaker 4: grow by itself.

419
00:22:57,119 --> 00:22:59,680
Speaker 5: You eat the mango and throw away to see and

420
00:22:59,800 --> 00:23:02,880
Speaker 5: it's see grow into a big ass tree and you're

421
00:23:02,880 --> 00:23:07,119
Speaker 5: looking like a whaa. You don't have to plant that,

422
00:23:07,320 --> 00:23:09,359
Speaker 5: you don't have to plant banana trees, you don't have

423
00:23:09,440 --> 00:23:10,040
Speaker 5: to do none of that.

424
00:23:10,960 --> 00:23:13,080
Speaker 1: It just grow.

425
00:23:14,880 --> 00:23:18,480
Speaker 5: So, yes, Jamaica is different. And the under we got

426
00:23:19,000 --> 00:23:22,520
Speaker 5: natural water from the mountain. So when when the mountain

427
00:23:23,119 --> 00:23:27,639
Speaker 5: bus open, it gives you a spring. That's holy mountain

428
00:23:27,800 --> 00:23:30,160
Speaker 5: or no, no, just all the mountains.

429
00:23:30,280 --> 00:23:32,440
Speaker 1: What you go to? What are you saying?

430
00:23:34,880 --> 00:23:38,680
Speaker 4: You go to a river, there's a spring in the river.

431
00:23:39,720 --> 00:23:40,679
Speaker 2: The source is the mountain.

432
00:23:41,880 --> 00:23:45,320
Speaker 5: There you go, so that you got spring water that

433
00:23:45,400 --> 00:23:47,479
Speaker 5: you got to buy in the Bacca. But you can

434
00:23:47,600 --> 00:23:50,320
Speaker 5: just go to the mountain and go like that's full of.

435
00:23:50,280 --> 00:23:54,440
Speaker 1: Your glass and right, yeah, truly clean water.

436
00:23:54,600 --> 00:23:55,879
Speaker 4: Yeah, that's that's Jamaica.

437
00:23:55,960 --> 00:23:56,240
Speaker 1: Figure.

438
00:23:56,320 --> 00:23:58,200
Speaker 4: It's just a nice place. It is a nice place.

439
00:23:58,400 --> 00:24:01,520
Speaker 4: Just wicked people live in nice places.

440
00:24:02,720 --> 00:24:02,920
Speaker 1: Yeah.

441
00:24:03,000 --> 00:24:04,119
Speaker 4: The government is wicked.

442
00:24:06,280 --> 00:24:08,800
Speaker 1: The j LP was wicked.

443
00:24:08,840 --> 00:24:11,159
Speaker 4: Yeah, got JFP and p n P and p m

444
00:24:11,200 --> 00:24:13,000
Speaker 4: P like bluzz and cribs.

445
00:24:13,119 --> 00:24:16,159
Speaker 2: Yeah, and that's what in the Caribbean. The political parties

446
00:24:16,200 --> 00:24:21,840
Speaker 2: are like what blezzing cribs. Yeah, and they used they

447
00:24:21,960 --> 00:24:24,359
Speaker 2: used the people in the townships to fight for them.

448
00:24:26,560 --> 00:24:26,879
Speaker 1: Ghost.

449
00:24:27,080 --> 00:24:29,200
Speaker 4: Remember we come from a place where you have to

450
00:24:29,240 --> 00:24:31,480
Speaker 4: be something. It's either your PNP or your jed P.

451
00:24:31,800 --> 00:24:36,040
Speaker 1: Right be a musician. Yeah, that's what's upthing makes a

452
00:24:36,080 --> 00:24:41,679
Speaker 1: noise for that show was about giving people they flowers

453
00:24:41,680 --> 00:24:43,560
Speaker 1: while they could smell them. You know what I mean.

454
00:24:43,680 --> 00:24:45,280
Speaker 1: They thought while they could think them, and they drinks

455
00:24:45,280 --> 00:24:46,920
Speaker 1: while they could drink them. We wanted to give you

456
00:24:47,040 --> 00:24:49,440
Speaker 1: your flowers, snoop dogs that it's better than the Grammy

457
00:24:49,440 --> 00:24:56,200
Speaker 1: because it comes from your people nineteen crimes.

458
00:24:56,440 --> 00:24:57,400
Speaker 4: Look at my flowers.

459
00:24:57,520 --> 00:25:03,280
Speaker 1: Yes, So do you want to want to do quick time?

460
00:25:04,480 --> 00:25:05,960
Speaker 1: Because I don't think he's gonna take shots. So to

461
00:25:06,040 --> 00:25:08,720
Speaker 1: have him he could drink, he could just take have

462
00:25:10,400 --> 00:25:11,840
Speaker 1: rosters drive January.

463
00:25:12,840 --> 00:25:19,600
Speaker 2: Really, Sonny, you take sunny, he'll take the shots.

464
00:25:20,359 --> 00:25:23,080
Speaker 1: Yes, we don't want to give me a shot. What

465
00:25:23,960 --> 00:25:27,080
Speaker 1: what do you like? I don't know what you've got.

466
00:25:28,440 --> 00:25:31,119
Speaker 2: We've got mamajuana from the make Republic.

467
00:25:31,720 --> 00:25:32,280
Speaker 4: Don't get.

468
00:25:36,040 --> 00:25:38,159
Speaker 6: I don't want tequila. What's of tequila is?

469
00:25:39,920 --> 00:25:41,680
Speaker 4: Fuck me up? Marijuana? I don't.

470
00:25:41,920 --> 00:25:46,280
Speaker 5: I don't I drinking marijuana tea, but I don't drink majuana.

471
00:25:46,480 --> 00:25:49,920
Speaker 1: The back that No, that's not Marijuana's mama wan he knows,

472
00:25:50,000 --> 00:25:52,120
Speaker 1: he knows what marijuana.

473
00:25:52,240 --> 00:25:56,080
Speaker 4: I don't do my moajuana. I just don't do mama wuana.

474
00:25:57,800 --> 00:25:59,639
Speaker 4: I could take a shot to what is that?

475
00:26:00,080 --> 00:26:00,960
Speaker 2: This is vodka?

476
00:26:01,160 --> 00:26:01,360
Speaker 1: Yeah?

477
00:26:02,520 --> 00:26:03,000
Speaker 4: Yeah, give me.

478
00:26:05,000 --> 00:26:06,920
Speaker 2: Tequila. Wet got some music?

479
00:26:10,640 --> 00:26:13,240
Speaker 1: Let me ask you, how did you start drinking nineteen Crimes?

480
00:26:13,840 --> 00:26:15,080
Speaker 1: How did you get on that? All right?

481
00:26:15,440 --> 00:26:19,119
Speaker 5: I'm a wine drinker, okay, yeah, so they all right.

482
00:26:19,400 --> 00:26:24,640
Speaker 5: I like Australian wine. Yeah, and I like Italian wine.

483
00:26:24,720 --> 00:26:25,000
Speaker 1: M hm.

484
00:26:25,359 --> 00:26:27,720
Speaker 2: So I like it's how you want to a white

485
00:26:27,760 --> 00:26:28,320
Speaker 2: wine drinker.

486
00:26:29,200 --> 00:26:30,240
Speaker 4: I'm a red wine drinker.

487
00:26:30,320 --> 00:26:34,800
Speaker 5: I don't drink nothing like Yeah, my girlfriend drink white.

488
00:26:35,880 --> 00:26:38,639
Speaker 5: So sometime I have to, you know, muscle.

489
00:26:38,480 --> 00:26:42,080
Speaker 4: Up and be the man, Like what what are you

490
00:26:42,200 --> 00:26:47,280
Speaker 4: doing the snoop? Do you drink? I think everybody who

491
00:26:47,440 --> 00:26:48,320
Speaker 4: knows me know that.

492
00:26:48,480 --> 00:26:50,600
Speaker 1: I dream souse. As soon as I said I hit snoop,

493
00:26:50,600 --> 00:26:53,080
Speaker 1: I was like, Beanie man wants to drink nineteen Crimes.

494
00:26:53,119 --> 00:26:54,720
Speaker 1: He sent that ship so fast.

495
00:26:54,800 --> 00:26:56,640
Speaker 4: Man, Yeah, you know I drink.

496
00:27:00,720 --> 00:27:02,360
Speaker 1: Okay, we're gonna explain him to the game.

497
00:27:02,560 --> 00:27:04,240
Speaker 2: We're going to give you two choices. This is our

498
00:27:04,320 --> 00:27:04,880
Speaker 2: drinking game.

499
00:27:05,040 --> 00:27:06,040
Speaker 4: Okay, drinking game.

500
00:27:06,200 --> 00:27:09,400
Speaker 2: Two choices. This is really to bring up stories anything

501
00:27:09,400 --> 00:27:11,440
Speaker 2: you want to talk about with anybody we mentioned, and

502
00:27:11,560 --> 00:27:14,000
Speaker 2: you pick one, nobody drinks. But if you say both

503
00:27:14,680 --> 00:27:16,280
Speaker 2: or neither, like you don't want to answer the question,

504
00:27:16,400 --> 00:27:16,879
Speaker 2: we're drinking.

505
00:27:17,880 --> 00:27:18,720
Speaker 4: Oh we have to drink.

506
00:27:19,000 --> 00:27:20,720
Speaker 2: If you don't want to answer the question. If you

507
00:27:20,720 --> 00:27:25,160
Speaker 2: don't pick, this is going to be yet.

508
00:27:25,600 --> 00:27:27,879
Speaker 1: Are you ready? I'll go I tak the first one.

509
00:27:27,960 --> 00:27:35,880
Speaker 1: Go ahead, Peter Tosh or Bob Marley. Whoa, that's add one.

510
00:27:36,440 --> 00:27:42,159
Speaker 1: But I will go with Bob. Bob. Yeah, just so

511
00:27:42,240 --> 00:27:43,320
Speaker 1: you know, I don't make up these questions.

512
00:27:43,359 --> 00:27:46,480
Speaker 2: A Dominican and over there I'm being over there sniff

513
00:27:46,520 --> 00:27:48,040
Speaker 2: cocaine and they just make up funny.

514
00:27:50,720 --> 00:27:54,600
Speaker 1: But it's organic, you know. I'll go with Boat.

515
00:27:55,359 --> 00:27:57,080
Speaker 2: So we're taking a shot, all right.

516
00:27:57,119 --> 00:27:57,680
Speaker 1: Taking a shot.

517
00:27:57,960 --> 00:28:01,920
Speaker 4: I'll go Boat. I some of that blood cutting, okay,

518
00:28:02,160 --> 00:28:04,960
Speaker 4: he wants he wants the Yeah, I d cut.

519
00:28:05,160 --> 00:28:05,760
Speaker 6: You want to try that?

520
00:28:05,880 --> 00:28:11,440
Speaker 4: Mama, No, no, he said, you don't want them, Mama, Mama,

521
00:28:11,520 --> 00:28:12,600
Speaker 4: Mama always.

522
00:28:13,840 --> 00:28:16,800
Speaker 1: He no, mam, you got this.

523
00:28:17,520 --> 00:28:21,000
Speaker 4: I'm not drinking, Mama. I don't want to. That's what happened.

524
00:28:21,520 --> 00:28:28,280
Speaker 1: I don't drink that. He relaxed. Man, he makes it

525
00:28:28,320 --> 00:28:29,000
Speaker 1: in the top and kill.

526
00:28:29,160 --> 00:28:33,120
Speaker 2: He doesn't make it in a toughing candle. Yes, he's

527
00:28:33,119 --> 00:28:34,400
Speaker 2: stopping on it and it's no great.

528
00:28:34,880 --> 00:28:35,720
Speaker 6: So I think.

529
00:28:40,840 --> 00:28:44,120
Speaker 5: Just like that's coming like Prissy in Jamaica when they

530
00:28:44,200 --> 00:28:48,840
Speaker 5: tried to give you something crushed banana, some irish.

531
00:28:50,440 --> 00:28:53,800
Speaker 4: This this black man put out his boot and he's time.

532
00:28:54,200 --> 00:28:58,520
Speaker 4: They can't look from.

533
00:28:58,400 --> 00:28:58,920
Speaker 1: The train.

534
00:29:01,080 --> 00:29:06,000
Speaker 4: If he's doing that. Okay, I'm not drinking that. I'm

535
00:29:06,040 --> 00:29:11,160
Speaker 4: not drinking. Mama on now, okay, and Peter Peter right,

536
00:29:11,640 --> 00:29:14,160
Speaker 4: he's from the show to the liver, Come on like,

537
00:29:14,400 --> 00:29:15,560
Speaker 4: let us quiver right.

538
00:29:16,160 --> 00:29:19,640
Speaker 2: Goddamn Tony Kelly or for real good right?

539
00:29:20,560 --> 00:29:24,280
Speaker 4: Oh well, whoa damn you really made that?

540
00:29:24,440 --> 00:29:24,959
Speaker 1: That's all?

541
00:29:25,080 --> 00:29:29,920
Speaker 5: Wait what that's the old one too, because Tony Kelly

542
00:29:30,600 --> 00:29:35,120
Speaker 5: produced all of my eight songs and for produce cuts

543
00:29:35,120 --> 00:29:38,280
Speaker 5: then Sugar Sugar Kelly.

544
00:29:38,600 --> 00:29:40,920
Speaker 1: Is he like the Doctor dre of Reggae and Death.

545
00:29:41,880 --> 00:29:44,800
Speaker 5: Yeah, it's both of them. It's it's it's two of them.

546
00:29:44,960 --> 00:29:46,640
Speaker 5: You got Dave Kelly and Tony Key.

547
00:29:47,120 --> 00:29:54,360
Speaker 4: Yeah, but Tony Kelly is yeah, he's from shabarrank in time. Yeah, yeah, yeah,

548
00:29:54,440 --> 00:29:57,640
Speaker 4: Cody Kelly produced and Maxy Prieze saying you know.

549
00:29:58,360 --> 00:30:04,120
Speaker 2: Yeah, so both saying both boy, oh god, you're.

550
00:30:04,000 --> 00:30:06,160
Speaker 4: Not gonna set me up. I'm selling you.

551
00:30:07,160 --> 00:30:09,000
Speaker 2: We got you, and we gotta come back after to

552
00:30:09,080 --> 00:30:14,200
Speaker 2: talk about Yes, yes, the whole shot. Yes, yeah, and

553
00:30:14,320 --> 00:30:15,960
Speaker 2: I need can you get take this.

554
00:30:18,080 --> 00:30:22,479
Speaker 1: Stories stories about the Yeah, okay, this one, this one,

555
00:30:22,520 --> 00:30:25,280
Speaker 1: I know that you're going to have some stories. Yellow

556
00:30:25,400 --> 00:30:30,440
Speaker 1: Man or Ninja Man Ninjain Okay, that was that was easy,

557
00:30:31,880 --> 00:30:34,200
Speaker 1: got your story. No, Ninja Man is my.

558
00:30:35,520 --> 00:30:37,600
Speaker 4: He's the one to teach teach me how to work

559
00:30:37,680 --> 00:30:40,400
Speaker 4: in the performing state. He got twenty kids, right, yeah,

560
00:30:40,400 --> 00:30:42,600
Speaker 4: I don't know much kid, he got like thirty five.

561
00:30:44,240 --> 00:30:50,760
Speaker 5: Man that that man don't pay. Now that that man

562
00:30:50,840 --> 00:30:55,120
Speaker 5: doesn't pay. Ninja Man is he's my die. He's my

563
00:30:55,400 --> 00:30:57,480
Speaker 5: done dog and it is my DJ.

564
00:30:57,800 --> 00:31:01,120
Speaker 4: Like yeah, like seriously, okay, all right, let me see

565
00:31:01,200 --> 00:31:08,480
Speaker 4: this record Tony Kelly producers Okay, because I see Yeah,

566
00:31:08,520 --> 00:31:11,480
Speaker 4: Tony Kelly produces one. I seen this one.

567
00:31:12,880 --> 00:31:14,920
Speaker 2: And these are for my personal archives.

568
00:31:15,720 --> 00:31:16,640
Speaker 1: Take back.

569
00:31:22,160 --> 00:31:25,160
Speaker 5: Kelly produced the two songs right there for me for

570
00:31:25,280 --> 00:31:26,360
Speaker 5: Shocking Vibe Productions.

571
00:31:27,000 --> 00:31:28,000
Speaker 4: Yeah, bother them.

572
00:31:29,760 --> 00:31:32,440
Speaker 1: For that already, right, all right, all right, So Tony

573
00:31:32,520 --> 00:31:33,000
Speaker 1: Kelly did.

574
00:31:34,240 --> 00:31:38,120
Speaker 5: So many songs for me because all right, he's the

575
00:31:38,160 --> 00:31:43,080
Speaker 5: one that fright me after the badness, like you need

576
00:31:43,200 --> 00:31:45,480
Speaker 5: to stop doing the buts and do the music.

577
00:31:46,920 --> 00:31:48,760
Speaker 1: Let go the bass and do the music.

578
00:31:48,920 --> 00:31:53,680
Speaker 3: Really like Kelly, why why was he saying that? Because

579
00:31:53,720 --> 00:31:56,640
Speaker 3: I love I love that that the bonds of no.

580
00:31:56,960 --> 00:32:00,440
Speaker 4: But I'm telling him a bad man. Don't want to

581
00:32:01,880 --> 00:32:06,720
Speaker 4: think about the break now my nose just not come

582
00:32:06,760 --> 00:32:12,760
Speaker 4: on stop? You see, do you know about my wicked meg?

583
00:32:13,880 --> 00:32:16,360
Speaker 1: No? I want to know. I was hot, like man,

584
00:32:16,520 --> 00:32:17,240
Speaker 1: I was hot.

585
00:32:18,320 --> 00:32:20,640
Speaker 4: Have to run away from Kingston to go to the country,

586
00:32:21,280 --> 00:32:24,560
Speaker 4: and I didn't know like this.

587
00:32:28,760 --> 00:32:31,400
Speaker 5: Then they came my friend and my police friend come

588
00:32:31,440 --> 00:32:36,560
Speaker 5: around and you know, yeah, then you know we do

589
00:32:36,680 --> 00:32:40,640
Speaker 5: the thing, and the thing and the thing happened, and

590
00:32:41,000 --> 00:32:45,000
Speaker 5: the police just do the thing and the guy get

591
00:32:45,160 --> 00:32:46,920
Speaker 5: knock out and that was it.

592
00:32:47,720 --> 00:32:49,520
Speaker 4: But I can't tell you all of that because I

593
00:32:49,680 --> 00:32:50,080
Speaker 4: was going to go.

594
00:33:02,440 --> 00:33:04,880
Speaker 1: We can't talk about that. So you know, we talked

595
00:33:04,880 --> 00:33:14,800
Speaker 1: about it. Yeah, I just yeah Seampa or elephant man Shampa, Okay,

596
00:33:15,200 --> 00:33:19,959
Speaker 1: not Dominican, right, he's from Jamaica. He's from That's why

597
00:33:20,000 --> 00:33:20,680
Speaker 1: I wanted that one.

598
00:33:21,200 --> 00:33:27,360
Speaker 4: Yeah, elemen fan, elemen fan, that's what I called him

599
00:33:27,720 --> 00:33:30,400
Speaker 4: about it. Get it wire, that's my name for you.

600
00:33:30,960 --> 00:33:34,719
Speaker 4: Don't worry about it. I can't tell the girl man

601
00:33:34,760 --> 00:33:36,240
Speaker 4: an elephant that that doesn't mean that.

602
00:33:38,680 --> 00:33:45,040
Speaker 1: Was you know, are you elephant fan?

603
00:33:45,600 --> 00:33:50,440
Speaker 5: No Eliman fan. Yeah, because he's a grown man. That

604
00:33:51,200 --> 00:33:54,280
Speaker 5: the energy is a as an infant, because you just

605
00:33:54,400 --> 00:33:55,840
Speaker 5: jump all over the place and as.

606
00:33:55,720 --> 00:34:08,880
Speaker 1: You got yeah, yeah you know and go yeah that's

607
00:34:08,960 --> 00:34:13,840
Speaker 1: all ol reggae both okay, so.

608
00:34:15,640 --> 00:34:18,560
Speaker 2: Yeah, yes, every time you said little shots.

609
00:34:18,880 --> 00:34:19,960
Speaker 1: No I got little shots.

610
00:34:20,280 --> 00:34:23,320
Speaker 5: I'm not taking no big shots going keep you little shots.

611
00:34:25,920 --> 00:34:29,879
Speaker 5: Give me a minute, give me a minute, one minute.

612
00:34:30,960 --> 00:34:40,040
Speaker 1: There we go. Shut all right, Lady Saw Patra you

613
00:34:40,120 --> 00:34:41,839
Speaker 1: got to train with Patra though too, right.

614
00:34:41,960 --> 00:34:46,000
Speaker 5: Yeah, I see Portray is my my friend from Loang Long.

615
00:34:47,239 --> 00:34:50,360
Speaker 5: I know Patrack before I know Lady Saw. But but

616
00:34:50,560 --> 00:34:54,200
Speaker 5: Lady Saw it's one of the beddest female artists from

617
00:34:54,239 --> 00:34:55,040
Speaker 5: our makers.

618
00:34:55,760 --> 00:34:59,520
Speaker 1: Do not pay. She's already O G two Yeah, definitely, yeah,

619
00:34:59,719 --> 00:35:00,600
Speaker 1: she's she she.

620
00:35:01,600 --> 00:35:05,120
Speaker 5: All right, spices the Queen of the dance hall. But

621
00:35:05,280 --> 00:35:09,600
Speaker 5: Lady Saw she really rocked the queen like she she

622
00:35:09,800 --> 00:35:12,640
Speaker 5: was the queen before she baptized and turned Christian and

623
00:35:12,719 --> 00:35:12,960
Speaker 5: all that.

624
00:35:13,320 --> 00:35:14,920
Speaker 2: But don't you kind of record The Queen of the

625
00:35:15,000 --> 00:35:18,120
Speaker 2: Dance Hall with Patram, don't you got to record The

626
00:35:18,200 --> 00:35:19,000
Speaker 2: Queen of the Dance Hall?

627
00:35:19,120 --> 00:35:21,640
Speaker 4: And this with Patro Yeah, Patra was part of the

628
00:35:22,360 --> 00:35:28,399
Speaker 4: Dancehall Queen. Yeah, yeah, the World Movie Queen.

629
00:35:29,600 --> 00:35:29,759
Speaker 1: Yeah.

630
00:35:29,800 --> 00:35:32,400
Speaker 5: But it was what you're saying, ladies, she was wicked.

631
00:35:32,480 --> 00:35:35,719
Speaker 5: I love Patch, don't get it twisted. I love Patch

632
00:35:36,160 --> 00:35:41,200
Speaker 5: that don't get it twisted. I love Butcher. But lady Saw.

633
00:35:42,200 --> 00:35:46,480
Speaker 5: She's original, she creates music. She she's just coming here

634
00:35:46,520 --> 00:35:50,240
Speaker 5: to beat then them now, oh.

635
00:35:50,239 --> 00:35:51,160
Speaker 4: Me hot, you know.

636
00:35:57,440 --> 00:36:01,400
Speaker 1: Saying she's crazy, but.

637
00:36:01,560 --> 00:36:07,400
Speaker 4: You's wicked, wicked, wicked, but lady, so it's a different

638
00:36:07,560 --> 00:36:10,759
Speaker 4: human being. She all right. She reminded me of me,

639
00:36:11,000 --> 00:36:13,319
Speaker 4: like there what you.

640
00:36:17,480 --> 00:36:18,560
Speaker 2: She's the best, reminds me.

641
00:36:20,800 --> 00:36:21,120
Speaker 1: Answer.

642
00:36:21,160 --> 00:36:25,200
Speaker 4: I'm the king of the answer. You go get that,

643
00:36:26,080 --> 00:36:26,360
Speaker 4: get that.

644
00:36:27,480 --> 00:36:28,120
Speaker 1: That's what I'm saying.

645
00:36:29,080 --> 00:36:32,360
Speaker 4: She reminded me she's wicked. Ladies, I don't remember.

646
00:36:32,760 --> 00:36:38,080
Speaker 1: All right. You see she she goes, she goes X rayed,

647
00:36:38,840 --> 00:36:40,240
Speaker 1: but not x rated.

648
00:36:41,200 --> 00:36:43,759
Speaker 4: She going the farm up to make you want to

649
00:36:44,360 --> 00:36:47,680
Speaker 4: do ship, but not do that ship that people doing.

650
00:36:51,320 --> 00:36:54,560
Speaker 4: All right, See, Lady Saw, all right, remember when you

651
00:36:54,680 --> 00:36:55,080
Speaker 4: come on with you?

652
00:36:55,120 --> 00:36:55,879
Speaker 1: I said, Yea.

653
00:36:55,960 --> 00:36:58,920
Speaker 4: You can't gun goo there. You can't guys about me

654
00:36:59,520 --> 00:37:03,320
Speaker 4: about Yeah, I might be a little that's it's about it.

655
00:37:03,719 --> 00:37:05,560
Speaker 4: And I'm like, what.

656
00:37:07,680 --> 00:37:09,880
Speaker 5: Now I get interested. I started to going like this.

657
00:37:12,360 --> 00:37:14,200
Speaker 5: I started to getting interested. And then I saw her

658
00:37:14,239 --> 00:37:17,960
Speaker 5: performing stage. She she got on her tice and she's

659
00:37:18,040 --> 00:37:19,879
Speaker 5: keep on with that for them, grab up by something,

660
00:37:20,680 --> 00:37:26,240
Speaker 5: what and what? So she breaks the dance all scale.

661
00:37:28,000 --> 00:37:30,719
Speaker 5: So she makes all women know how to perform. She

662
00:37:30,880 --> 00:37:32,880
Speaker 5: may call women know what to sing and what not

663
00:37:33,000 --> 00:37:35,719
Speaker 5: to sing, where to go, where not to go. But

664
00:37:36,400 --> 00:37:41,640
Speaker 5: she comes conscious too. She just don't do all slockness. No,

665
00:37:41,920 --> 00:37:44,680
Speaker 5: she don't do that. She she comes conscious too.

666
00:37:44,800 --> 00:37:46,400
Speaker 1: So what she do?

667
00:37:46,600 --> 00:37:47,759
Speaker 4: She inspired me.

668
00:37:49,560 --> 00:37:50,440
Speaker 1: And I love her for that.

669
00:37:51,480 --> 00:37:52,160
Speaker 6: That's powerful.

670
00:37:52,640 --> 00:37:53,760
Speaker 1: Yeah, SiZ.

671
00:37:55,160 --> 00:37:56,120
Speaker 4: Huh, sizz.

672
00:37:57,760 --> 00:38:03,560
Speaker 1: Sizzla are cable toon? Who both? Oh right now?

673
00:38:08,320 --> 00:38:08,640
Speaker 2: Cheers?

674
00:38:10,320 --> 00:38:13,320
Speaker 1: It was a sizzling story. HM, give us a sizzling

675
00:38:13,360 --> 00:38:21,200
Speaker 1: story story story. Okay, I worried both of them. Actually

676
00:38:21,239 --> 00:38:22,400
Speaker 1: did tell him.

677
00:38:24,840 --> 00:38:29,280
Speaker 5: See what I'm saying, you're not listening to him, Nigga

678
00:38:29,440 --> 00:38:39,319
Speaker 5: go to president. Yeah, both of them. But Sizzla is uh.

679
00:38:39,800 --> 00:38:46,000
Speaker 4: He's inspirational by the music that he sings and how

680
00:38:46,120 --> 00:38:49,120
Speaker 4: he delivered his words. And you know I always sing

681
00:38:49,239 --> 00:38:56,720
Speaker 4: his album is the Fireman and he is my performer,

682
00:38:58,200 --> 00:39:00,359
Speaker 4: is my my record, and I just mm.

683
00:39:00,320 --> 00:39:10,160
Speaker 1: Hmm describe Great t R or Gorilla Black? What what.

684
00:39:13,200 --> 00:39:13,239
Speaker 2: That?

685
00:39:13,440 --> 00:39:14,840
Speaker 1: Yeah? That's the Dominican.

686
00:39:15,880 --> 00:39:22,919
Speaker 5: My friendship right now, go ahead, Black is my friend.

687
00:39:24,680 --> 00:39:26,560
Speaker 5: We we sing something together, did you?

688
00:39:27,560 --> 00:39:29,080
Speaker 4: Yes? I did his first song.

689
00:39:29,040 --> 00:39:30,840
Speaker 2: Pause, why we say.

690
00:39:33,280 --> 00:39:35,120
Speaker 1: Please? You should explain it for you.

691
00:39:36,560 --> 00:39:36,759
Speaker 4: Yeah.

692
00:39:39,400 --> 00:39:43,080
Speaker 1: Yeah. Bus means like break the artist. Okay, yeah the artist. Yeah. No,

693
00:39:44,040 --> 00:39:44,960
Speaker 1: his first song is with you.

694
00:39:45,160 --> 00:39:47,280
Speaker 5: Yeah, this is about money. I get shut and idiot

695
00:39:47,480 --> 00:39:50,680
Speaker 5: but money. Yeah, yeah that's true. And and and going

696
00:39:50,760 --> 00:39:51,799
Speaker 5: that black student.

697
00:39:52,880 --> 00:39:53,319
Speaker 4: With me too?

698
00:39:53,960 --> 00:39:56,040
Speaker 6: Did you choose did you choose me?

699
00:39:56,200 --> 00:39:56,239
Speaker 9: No?

700
00:39:56,800 --> 00:40:04,040
Speaker 5: No not these black people call me, said so, I

701
00:40:04,360 --> 00:40:07,080
Speaker 5: just went and go on the record. And they called

702
00:40:07,120 --> 00:40:09,120
Speaker 5: me again and he said, we.

703
00:40:12,120 --> 00:40:12,960
Speaker 1: Go to a video.

704
00:40:13,520 --> 00:40:20,560
Speaker 4: But the problem is it was Germany. Du Prix German. Yeah, okay, okay,

705
00:40:20,960 --> 00:40:24,280
Speaker 4: Jesus Christ, my American talk did come from.

706
00:40:30,040 --> 00:40:30,360
Speaker 1: Germany.

707
00:40:30,480 --> 00:40:34,600
Speaker 5: Du Prix called me and said, listen, I needed in

708
00:40:34,680 --> 00:40:37,560
Speaker 5: this record. And then he called me again and he

709
00:40:37,600 --> 00:40:39,120
Speaker 5: said I needed this record.

710
00:40:40,320 --> 00:40:42,719
Speaker 1: So she means to be called you both times for both. Yeah,

711
00:40:44,920 --> 00:40:45,560
Speaker 1: I know what you mean to.

712
00:40:45,560 --> 00:40:48,600
Speaker 4: Be well what you're talking about.

713
00:40:48,800 --> 00:40:53,520
Speaker 1: I didn't know that coming backwards the virgin. Come on, dog,

714
00:40:53,680 --> 00:40:54,720
Speaker 1: and you got the Janet Jackson.

715
00:40:58,560 --> 00:40:58,920
Speaker 4: I see it.

716
00:40:59,040 --> 00:41:03,880
Speaker 1: My bad get get anything. I was a virgin to

717
00:41:04,640 --> 00:41:10,560
Speaker 1: get anything. Yeah, it don't makes sense. Now there you go. Yeah,

718
00:41:10,719 --> 00:41:14,160
Speaker 1: Chaman was you know he was on virgin as well. Right,

719
00:41:14,719 --> 00:41:26,520
Speaker 1: you just said it makes sense? Who see I have

720
00:41:26,640 --> 00:41:28,600
Speaker 1: to drink? Okay, all right, cool, fair enough?

721
00:41:28,800 --> 00:41:32,239
Speaker 2: Sim who got the keys to man?

722
00:41:33,880 --> 00:41:36,879
Speaker 1: I told you if you say send semon a person

723
00:41:36,960 --> 00:41:40,080
Speaker 1: that we got the keys about Vemo, you legally slapped

724
00:41:40,120 --> 00:41:43,960
Speaker 1: them in the face like it's presidential approved. Yeah all right,

725
00:41:44,440 --> 00:41:47,520
Speaker 1: I spread the room from the deliver.

726
00:41:47,719 --> 00:41:50,920
Speaker 6: Okay, come on, let us quiver know the one already?

727
00:41:51,360 --> 00:41:51,600
Speaker 1: Mind?

728
00:41:54,520 --> 00:41:56,880
Speaker 2: Yeah, okay, for no reason you want the next one

729
00:41:56,960 --> 00:42:00,640
Speaker 2: tupaet d m X. There we go now and piece

730
00:42:00,680 --> 00:42:01,960
Speaker 2: of both of them go put.

731
00:42:04,920 --> 00:42:07,239
Speaker 1: Quick walk back.

732
00:42:07,280 --> 00:42:10,239
Speaker 4: But I love DMX to that that's the problem. Yes,

733
00:42:10,480 --> 00:42:12,680
Speaker 4: this just bitch is doing for my nigga.

734
00:42:18,960 --> 00:42:23,880
Speaker 5: That's that's one of the toughest rapper ever after BIGGI

735
00:42:24,000 --> 00:42:25,640
Speaker 5: smart o, biggest smart.

736
00:42:26,120 --> 00:42:29,600
Speaker 4: It's my rapper. Don't don't get it twisted. I love

737
00:42:29,680 --> 00:42:35,719
Speaker 4: your songs. Yeah, I gotta don't get right.

738
00:42:35,800 --> 00:42:40,880
Speaker 5: But Biggie smart It's flow is Yeah, it's a different

739
00:42:42,400 --> 00:42:45,440
Speaker 5: Biggie's different. When when Biggie grab a beat, he just

740
00:42:45,520 --> 00:42:50,239
Speaker 5: grab it just like down, I say, you gotta snatch the.

741
00:43:01,160 --> 00:43:03,360
Speaker 1: He that's what Biggy do.

742
00:43:04,520 --> 00:43:10,160
Speaker 5: Biggie just snatched the Ready first your biggest small song.

743
00:43:10,239 --> 00:43:14,560
Speaker 5: I was like, I wasn't ready, what's up with this nigga?

744
00:43:15,080 --> 00:43:16,120
Speaker 5: And then I hit the next one?

745
00:43:16,160 --> 00:43:19,680
Speaker 1: And what the man?

746
00:43:19,800 --> 00:43:24,360
Speaker 5: Flow is different Tupac, Now his message is different. The

747
00:43:24,480 --> 00:43:28,480
Speaker 5: Tupac sent a message don't play with it, don't play

748
00:43:28,520 --> 00:43:34,279
Speaker 5: with it. But d m X, this nigga bark like

749
00:43:34,440 --> 00:43:43,520
Speaker 5: a dog, right, this man about like a dog. That

750
00:43:43,719 --> 00:43:51,040
Speaker 5: niggasig I gotta drink. Ok are you getting drunk?

751
00:43:53,160 --> 00:43:54,080
Speaker 1: Take my mama.

752
00:43:56,680 --> 00:43:59,840
Speaker 5: If I got issue with DMX. Okay, you came to Jamaica,

753
00:44:00,239 --> 00:44:01,400
Speaker 5: so your shot.

754
00:44:02,239 --> 00:44:07,120
Speaker 1: Yeah, Liver, So he came to Jamaica.

755
00:44:07,520 --> 00:44:15,600
Speaker 5: Yeah, he came to Jamaica and he was on one

756
00:44:15,640 --> 00:44:18,760
Speaker 5: of the toughest shows in Jamaica. Like seriously, it was unsting,

757
00:44:20,160 --> 00:44:23,799
Speaker 5: Like Sting is one of the toughest shows that they

758
00:44:23,840 --> 00:44:28,279
Speaker 5: will boot you or fring Bacca that yes, at this show,

759
00:44:28,360 --> 00:44:28,919
Speaker 5: they don't play.

760
00:44:29,280 --> 00:44:31,040
Speaker 1: What are they flinging at you? Bottles?

761
00:44:31,520 --> 00:44:31,920
Speaker 2: Bottles?

762
00:44:33,840 --> 00:44:34,799
Speaker 1: If you sucked up the.

763
00:44:36,800 --> 00:44:39,400
Speaker 2: Glass bottles and it's not good like the.

764
00:44:40,920 --> 00:44:45,320
Speaker 4: It's not waterboccles like to little water bocca baccas.

765
00:44:48,239 --> 00:44:50,640
Speaker 1: As bottles. What the mess you up?

766
00:44:51,200 --> 00:44:53,719
Speaker 4: But when the walk out, he.

767
00:44:53,840 --> 00:44:55,600
Speaker 5: Was in the cage and you come on, you drump

768
00:44:55,640 --> 00:44:59,920
Speaker 5: at the cage and y Jamaica is upsiding down.

769
00:45:00,239 --> 00:45:02,400
Speaker 1: That is wicked.

770
00:45:03,680 --> 00:45:05,480
Speaker 4: I'm telling you wicked.

771
00:45:05,719 --> 00:45:09,680
Speaker 5: There's few roppers come to Jamaica that move the audience

772
00:45:09,719 --> 00:45:12,920
Speaker 5: because Jamaica is the toughest audience you can ever imagine.

773
00:45:13,040 --> 00:45:16,839
Speaker 5: Just don't worry about it. They just don't like people.

774
00:45:21,200 --> 00:45:24,759
Speaker 5: It's the toughest audience you've ever seen, like ever. You

775
00:45:25,040 --> 00:45:27,160
Speaker 5: walk out and do any your best and they're looking

776
00:45:27,239 --> 00:45:33,640
Speaker 5: like you like this. Yeah, they just say what do

777
00:45:33,640 --> 00:45:34,239
Speaker 5: you see doing?

778
00:45:35,040 --> 00:45:35,080
Speaker 1: What?

779
00:45:36,040 --> 00:45:37,040
Speaker 4: Get off the stay what?

780
00:45:39,719 --> 00:45:43,160
Speaker 5: They don't play? This is the toughest audience ever. But

781
00:45:43,400 --> 00:45:47,640
Speaker 5: once you can rock them one time, all right. Jamaica

782
00:45:47,800 --> 00:45:49,600
Speaker 5: is the only place I know that you got the wind,

783
00:45:49,600 --> 00:45:53,320
Speaker 5: the wind, the crowd, win the crowd. When you're going stage,

784
00:45:53,360 --> 00:45:55,480
Speaker 5: you got to wind the crowd first. And then the

785
00:45:55,560 --> 00:45:56,480
Speaker 5: crowd started.

786
00:45:56,600 --> 00:45:59,080
Speaker 4: Bill up and they started build up, and they started

787
00:45:59,080 --> 00:46:01,479
Speaker 4: a bill up from once you win them, you're good.

788
00:46:01,800 --> 00:46:05,279
Speaker 4: If you don't win them, ye're not good.

789
00:46:06,600 --> 00:46:09,120
Speaker 5: Yes, you're sleeping in the dog eyes tonight.

790
00:46:09,680 --> 00:46:16,080
Speaker 4: That's Jamaica. So when DMX came to Jamaica and come

791
00:46:16,120 --> 00:46:18,320
Speaker 4: out and say, watch the bitch is one from a nigga?

792
00:46:19,680 --> 00:46:22,239
Speaker 1: What they killed them?

793
00:46:22,320 --> 00:46:24,360
Speaker 4: Man? They killed them, We killed them. And then this

794
00:46:24,440 --> 00:46:24,959
Speaker 4: thing started.

795
00:46:25,040 --> 00:46:30,040
Speaker 5: Freestyle started to talking about ultrabius in the beach and

796
00:46:30,160 --> 00:46:34,480
Speaker 5: all that, and talk about the weed.

797
00:46:34,600 --> 00:46:40,120
Speaker 1: Got to smoking and go to Nick grilling ship. What

798
00:46:40,239 --> 00:46:44,000
Speaker 1: a you're not saying they kill it? I love that.

799
00:46:44,520 --> 00:46:46,360
Speaker 4: I love that nigga seriously.

800
00:46:47,520 --> 00:46:50,279
Speaker 1: I love him, like seriously, rest in peace?

801
00:46:51,120 --> 00:46:52,439
Speaker 2: You know? He said both? He said both?

802
00:46:52,520 --> 00:46:53,960
Speaker 1: Okay, drinking for that already?

803
00:46:56,440 --> 00:46:57,560
Speaker 4: Are you drinking too much?

804
00:46:57,760 --> 00:46:57,960
Speaker 1: Yeah?

805
00:47:00,280 --> 00:47:02,680
Speaker 2: Actually drinking too much?

806
00:47:02,760 --> 00:47:04,759
Speaker 4: Why is why is dropping ship?

807
00:47:07,840 --> 00:47:08,160
Speaker 1: All right?

808
00:47:08,560 --> 00:47:10,200
Speaker 2: Burning spears are the techniques?

809
00:47:11,320 --> 00:47:11,959
Speaker 4: Burns, fears?

810
00:47:13,480 --> 00:47:13,680
Speaker 1: Yeah?

811
00:47:14,960 --> 00:47:16,879
Speaker 2: Shotas a third world cop?

812
00:47:18,520 --> 00:47:24,840
Speaker 4: H man, I'm gonna drinking okay.

813
00:47:24,880 --> 00:47:29,120
Speaker 1: Oh damn for sure? Shot me too, for sure? Shot?

814
00:47:29,160 --> 00:47:30,719
Speaker 2: Hold on, let me get my shot.

815
00:47:30,880 --> 00:47:36,760
Speaker 1: Shot. That's when college was skinny. More people know shots

816
00:47:36,760 --> 00:47:39,680
Speaker 1: than they know third world cop. You're gone too far?

817
00:47:39,880 --> 00:47:40,000
Speaker 4: Now?

818
00:47:40,320 --> 00:47:40,960
Speaker 1: Is that just here.

819
00:47:41,080 --> 00:47:43,839
Speaker 3: You think even in Jamaica, you know, in Jamaican didn't

820
00:47:43,840 --> 00:47:48,040
Speaker 3: know everything, know everything, Jimmy everything, Calypso or Soca.

821
00:47:52,200 --> 00:47:53,719
Speaker 6: No, but he's supposed to take the shot too.

822
00:47:53,880 --> 00:47:55,880
Speaker 2: Yeah man, but you dropped the gun. We're supposed to

823
00:47:55,880 --> 00:47:58,800
Speaker 2: take shot.

824
00:47:59,480 --> 00:47:59,600
Speaker 10: Here.

825
00:47:59,640 --> 00:48:04,040
Speaker 4: Shot yeah, yeah, my shot?

826
00:48:04,120 --> 00:48:11,279
Speaker 1: So well all right, leave sir Soka that yeah I got.

827
00:48:12,520 --> 00:48:22,880
Speaker 1: Oh boy, thank you much.

828
00:48:23,000 --> 00:48:24,839
Speaker 2: Jimmy Cliff for Gregory ISAs.

829
00:48:28,200 --> 00:48:30,520
Speaker 6: Oh my god, I think you're doing it on purpose.

830
00:48:33,760 --> 00:48:36,319
Speaker 2: Hold on, let's let's take a breathe in and looking

831
00:48:36,320 --> 00:48:38,279
Speaker 2: at each other, said thank you for being here.

832
00:48:39,480 --> 00:48:41,040
Speaker 6: How do you say it again? What's the toast that

833
00:48:41,120 --> 00:48:41,600
Speaker 6: you say.

834
00:48:41,840 --> 00:48:45,560
Speaker 4: From your troll to the liver from come on linc,

835
00:48:45,680 --> 00:48:47,040
Speaker 4: let us quiver, let us quiver.

836
00:48:48,520 --> 00:48:52,280
Speaker 1: Or boju bontan, I ain't.

837
00:48:52,080 --> 00:48:52,880
Speaker 4: Got nothing more liquors?

838
00:48:52,960 --> 00:48:54,399
Speaker 2: Yeah, yeah, so we got to wait.

839
00:48:55,239 --> 00:48:56,000
Speaker 4: You say I got one?

840
00:48:56,040 --> 00:48:58,080
Speaker 1: I got one, right, Okay, you got one? Give us

841
00:48:58,120 --> 00:49:00,239
Speaker 1: the shopper story. I mean, so, hold on, let drink.

842
00:49:00,280 --> 00:49:04,480
Speaker 1: Let's drink. I know you're feeling good drinking anything good.

843
00:49:05,520 --> 00:49:10,360
Speaker 1: He's cleansing his liver. January dry, January foul motherfucker.

844
00:49:13,000 --> 00:49:20,240
Speaker 4: You see, it's great Jamaican artists we're not that close,

845
00:49:20,400 --> 00:49:25,759
Speaker 4: like you know, because bad man don't worry about it.

846
00:49:25,960 --> 00:49:30,080
Speaker 5: But Shaba is he is a great artist and I

847
00:49:30,800 --> 00:49:34,800
Speaker 5: love what he did. He came out and he shows

848
00:49:34,880 --> 00:49:38,359
Speaker 5: us how to do it. And I really respect him

849
00:49:38,400 --> 00:49:42,000
Speaker 5: for that. I really respect right well he called himself

850
00:49:42,040 --> 00:49:45,600
Speaker 5: to him. Wow, yeah, because you see the work ethics

851
00:49:45,640 --> 00:49:46,040
Speaker 5: that he have.

852
00:49:47,560 --> 00:49:53,960
Speaker 4: It's serious, like serious work ethics, like serious work ethics.

853
00:49:54,040 --> 00:49:57,319
Speaker 4: And when when he's in the studio, I went, he's

854
00:49:57,360 --> 00:50:02,799
Speaker 4: on stage anyway, you find run and it's different. One yeah, one.

855
00:50:02,840 --> 00:50:08,520
Speaker 5: And we really appreciate that. As Jamaican, we really appreciate

856
00:50:08,600 --> 00:50:09,240
Speaker 5: Schavar Rankin.

857
00:50:09,719 --> 00:50:11,400
Speaker 4: But me and him, it is not friends.

858
00:50:13,400 --> 00:50:14,440
Speaker 2: It's not friends.

859
00:50:14,840 --> 00:50:15,560
Speaker 4: We're not friends.

860
00:50:16,080 --> 00:50:17,800
Speaker 2: And I'm assuming yeah the reasons.

861
00:50:18,320 --> 00:50:23,719
Speaker 5: Yeah, I'm a bad man, but but you don't have

862
00:50:23,880 --> 00:50:27,040
Speaker 5: to be friends with somebody to respect their work.

863
00:50:28,680 --> 00:50:29,120
Speaker 1: His work.

864
00:50:29,600 --> 00:50:33,160
Speaker 5: I respect his work and everything that he do for

865
00:50:33,280 --> 00:50:37,000
Speaker 5: the music. And I really respect that from Shovar because

866
00:50:37,040 --> 00:50:39,440
Speaker 5: the two Gummy awards and showed Jamaica that we can

867
00:50:39,560 --> 00:50:42,880
Speaker 5: do this. Yeah, and show we as dance out artists

868
00:50:42,920 --> 00:50:43,640
Speaker 5: that we can do this.

869
00:50:44,400 --> 00:50:47,000
Speaker 4: Yeah. So yeah, I really appreciate Schvar.

870
00:50:47,239 --> 00:50:47,840
Speaker 1: I respect that.

871
00:50:48,239 --> 00:50:53,000
Speaker 2: Yeah, he didn't he didn't pick, so that means you

872
00:50:53,040 --> 00:50:57,560
Speaker 2: picked both both both.

873
00:50:58,080 --> 00:51:02,680
Speaker 5: Yeah, Bush is great but is miserably and is a

874
00:51:03,120 --> 00:51:07,960
Speaker 5: different attisan. Put I remember and come I said, I

875
00:51:08,120 --> 00:51:10,200
Speaker 5: love my bike, love my money and think.

876
00:51:11,640 --> 00:51:15,440
Speaker 4: Loved Pamela and dance nothing.

877
00:51:16,800 --> 00:51:17,520
Speaker 1: Them thinking.

878
00:51:18,840 --> 00:51:21,160
Speaker 4: And then he come and said, we're gonna stop cry

879
00:51:22,239 --> 00:51:22,719
Speaker 4: lock my.

880
00:51:25,880 --> 00:51:28,760
Speaker 6: What joins just wicked?

881
00:51:29,320 --> 00:51:34,080
Speaker 5: Yeah, I didn't mind us ship from there too, dig

882
00:51:34,120 --> 00:51:39,480
Speaker 5: it up, Ye, let's see what Yeah, yeah, let's see

883
00:51:39,560 --> 00:51:41,000
Speaker 5: what I got crazy joints.

884
00:51:41,600 --> 00:51:48,040
Speaker 2: He's wicked, so we we're both idea.

885
00:51:50,440 --> 00:51:51,439
Speaker 4: From short to the liver.

886
00:51:51,760 --> 00:51:55,719
Speaker 2: Yeah, come on, liquor make you let us let us

887
00:51:56,840 --> 00:52:07,200
Speaker 2: so nas or jay z mm hmm. Really he's not

888
00:52:07,320 --> 00:52:08,080
Speaker 2: a humming.

889
00:52:12,080 --> 00:52:13,920
Speaker 4: But none of them is different.

890
00:52:15,200 --> 00:52:21,360
Speaker 5: Lyrics now and Jason Lyrics, they're wicked the wicked rappers

891
00:52:22,719 --> 00:52:27,000
Speaker 5: like seriously, yeah, stop stop, don't don't do that.

892
00:52:27,200 --> 00:52:31,759
Speaker 1: Don't do that the wicked Rappers. Part of them is

893
00:52:31,840 --> 00:52:34,120
Speaker 1: that both or think you should.

894
00:52:36,080 --> 00:52:36,799
Speaker 4: Okay, let's go.

895
00:52:38,920 --> 00:52:45,719
Speaker 1: Follow cheers, all right, Biggie Smalls or big put you

896
00:52:45,840 --> 00:52:51,600
Speaker 1: jumped you biggest, smaller, big punk. That's a ni comparison.

897
00:52:52,600 --> 00:52:57,919
Speaker 1: What are you doing, Biggie Smalls, Biggie Smalls, Okay, got

898
00:52:57,960 --> 00:52:58,520
Speaker 1: the next one.

899
00:52:58,680 --> 00:53:04,160
Speaker 2: Super cattter Sean Paul him down on this list again because.

900
00:53:03,880 --> 00:53:05,719
Speaker 1: They drunk over there slipping cocaine drunk.

901
00:53:08,920 --> 00:53:13,360
Speaker 2: Just answer Papa song, I won't.

902
00:53:13,600 --> 00:53:14,400
Speaker 1: There's nothing.

903
00:53:16,000 --> 00:53:20,080
Speaker 5: That's not a comparisons. Yes, I love Nancy, but Papa

904
00:53:20,160 --> 00:53:21,879
Speaker 5: say okay.

905
00:53:23,200 --> 00:53:32,000
Speaker 2: Damien Marty or Stephen Marley. What what are we worded?

906
00:53:32,080 --> 00:53:33,400
Speaker 2: Junior Gong or Stephen Marley?

907
00:53:35,440 --> 00:53:38,399
Speaker 4: What Junia Dang is the DJ?

908
00:53:40,280 --> 00:53:43,200
Speaker 5: I'm a DJ. Who do you think I'm gonna choose?

909
00:53:44,040 --> 00:53:46,160
Speaker 5: I love Stephen Marley. It's one of the best producers

910
00:53:46,239 --> 00:53:48,160
Speaker 5: I know from all the Jamaica. He produced some of

911
00:53:48,239 --> 00:53:51,520
Speaker 5: the greatest songs, and he produced Damian Marley and all

912
00:53:51,560 --> 00:53:51,719
Speaker 5: of that.

913
00:53:51,920 --> 00:53:52,880
Speaker 1: It's just wicked.

914
00:53:53,000 --> 00:53:55,680
Speaker 4: I'm going to.

915
00:53:55,760 --> 00:53:58,920
Speaker 2: Drink okay, man, I thought he was going back and

916
00:53:58,960 --> 00:54:03,480
Speaker 2: then he said, but so Wayne Wonder or Garne that

917
00:54:03,600 --> 00:54:07,960
Speaker 2: silk seriously that Wayne, you got it back to me.

918
00:54:08,080 --> 00:54:09,400
Speaker 4: But you know what that was?

919
00:54:10,280 --> 00:54:15,080
Speaker 5: Stop don't do that way in Wonder suit all right,

920
00:54:15,360 --> 00:54:22,200
Speaker 5: that's just like, oh God, that's like you're much fool with.

921
00:54:24,000 --> 00:54:27,800
Speaker 1: Mm hmm. There you go, which one is foore?

922
00:54:27,920 --> 00:54:32,040
Speaker 4: You go just just whe you know, worry about it agresses.

923
00:54:34,400 --> 00:54:38,279
Speaker 5: So you're going with ten minute shoes gone and said

924
00:54:38,320 --> 00:54:39,359
Speaker 5: when in Wonder's my singing?

925
00:54:39,400 --> 00:54:42,560
Speaker 4: I love him, it's great. But Ghane said, Wayne Wonder,

926
00:54:42,760 --> 00:54:44,279
Speaker 4: come on, I'm not gonna do that.

927
00:54:44,520 --> 00:54:47,840
Speaker 5: I'm not going to mess up this one legacy what

928
00:54:48,000 --> 00:54:52,640
Speaker 5: he left for us as Jamaican just because waynt Wonder?

929
00:54:52,680 --> 00:54:55,359
Speaker 5: You sing original song too, but Gan and still sing

930
00:54:55,520 --> 00:55:00,560
Speaker 5: all origin right one, Jefferson, Yes, you're gonna.

931
00:55:00,360 --> 00:55:00,880
Speaker 1: Do the next one?

932
00:55:01,120 --> 00:55:03,160
Speaker 2: Bess Hammon or Junior reach.

933
00:55:03,680 --> 00:55:08,200
Speaker 6: What the last funny?

934
00:55:10,320 --> 00:55:10,759
Speaker 2: The last?

935
00:55:11,480 --> 00:55:12,080
Speaker 6: The last one?

936
00:55:12,719 --> 00:55:15,680
Speaker 4: What can's uncle?

937
00:55:15,760 --> 00:55:21,760
Speaker 1: Barious? Junior read exactly do that? I told you Columbian

938
00:55:21,800 --> 00:55:28,799
Speaker 1: over there to can that's uptown? Call that uptown even

939
00:55:28,840 --> 00:55:29,640
Speaker 1: though it's to the left.

940
00:55:30,840 --> 00:55:31,399
Speaker 2: They do cook.

941
00:55:31,719 --> 00:55:35,120
Speaker 4: Also, are you going to experis Simmon with.

942
00:55:37,800 --> 00:55:41,919
Speaker 1: God? Jesus should have embarrassing person.

943
00:55:41,880 --> 00:55:47,560
Speaker 5: Somebody else's embarrassing gods and that that should have been

944
00:55:47,680 --> 00:55:50,120
Speaker 5: your first question to read.

945
00:55:50,360 --> 00:55:53,480
Speaker 4: No, you're crazy, No, no, No, that.

946
00:55:53,600 --> 00:55:58,840
Speaker 5: Will never happen. Is the great test levers rock singer.

947
00:56:03,320 --> 00:56:06,520
Speaker 5: Trust me, I have something, Alton Addis, you.

948
00:56:06,560 --> 00:56:11,239
Speaker 4: Don't know who that is. Don't worrybody, but baris him right,

949
00:56:12,400 --> 00:56:15,799
Speaker 4: that's that's my that he picked Barus what what.

950
00:56:17,600 --> 00:56:18,040
Speaker 1: He picked?

951
00:56:18,760 --> 00:56:20,880
Speaker 5: I'm not going to do that because Jamaican is going

952
00:56:20,960 --> 00:56:28,120
Speaker 5: to watch this ship said boat, it's not going to

953
00:56:28,200 --> 00:56:28,759
Speaker 5: be good for me.

954
00:56:29,560 --> 00:56:29,880
Speaker 1: That's what.

955
00:56:31,560 --> 00:56:31,880
Speaker 2: Respect.

956
00:56:31,920 --> 00:56:33,600
Speaker 1: The junior reader respected.

957
00:56:34,120 --> 00:56:34,480
Speaker 2: Respect.

958
00:56:34,600 --> 00:56:38,840
Speaker 1: Yeahs yeah, I got, I got, I got something Shaggy

959
00:56:39,120 --> 00:56:51,279
Speaker 1: or snow, that's just that's that's how I love that.

960
00:56:54,880 --> 00:57:00,200
Speaker 1: That was that was people don't get a call. No,

961
00:57:00,280 --> 00:57:03,880
Speaker 1: I think that guy was from It was mister Lee Guinea.

962
00:57:03,920 --> 00:57:04,239
Speaker 2: He loves.

963
00:57:04,239 --> 00:57:09,600
Speaker 1: He just looked the Dominican. He had to leave his car. Yeah, Shaggy, Yes,

964
00:57:10,800 --> 00:57:11,239
Speaker 1: that's not me.

965
00:57:13,160 --> 00:57:14,680
Speaker 4: Yeah, I love I love.

966
00:57:17,120 --> 00:57:20,600
Speaker 2: My informer was hard to let's be remix with everybody

967
00:57:20,640 --> 00:57:20,840
Speaker 2: on the.

968
00:57:23,200 --> 00:57:23,640
Speaker 4: Song with me.

969
00:57:24,200 --> 00:57:30,160
Speaker 8: I was on it, oh dude, yeah yeah the Peppasy

970
00:57:30,280 --> 00:57:33,040
Speaker 8: beat though, right, I've seen this.

971
00:57:34,880 --> 00:57:36,000
Speaker 1: That that remixes.

972
00:57:36,200 --> 00:57:36,560
Speaker 9: I don't know.

973
00:57:38,360 --> 00:57:38,680
Speaker 1: I don't know.

974
00:57:38,680 --> 00:57:40,680
Speaker 5: I don't think about see, I don't know about peppersy.

975
00:57:44,800 --> 00:57:45,840
Speaker 1: I don't know that.

976
00:57:46,080 --> 00:57:50,960
Speaker 4: I just wanted to tell you that Shaggy, it wasn't

977
00:57:51,320 --> 00:57:53,640
Speaker 4: my antiest good. It wasn't me.

978
00:57:53,960 --> 00:57:59,200
Speaker 11: I didn't say Carolina was his classic Jesus Shaggy, No,

979
00:57:59,320 --> 00:58:00,400
Speaker 11: you do it, you gotta all right.

980
00:58:00,520 --> 00:58:06,680
Speaker 4: You see Shaggy, all right, I know the low Carlina Yeah.

981
00:58:09,720 --> 00:58:21,520
Speaker 12: Yeah, yeah is uh, I mean, yeah, okay, Well that

982
00:58:21,880 --> 00:58:22,720
Speaker 12: was a wicked.

983
00:58:24,040 --> 00:58:27,120
Speaker 4: I needn't come, I said, And then I mean about.

984
00:58:27,000 --> 00:58:30,440
Speaker 1: God, you know me right up with God? She up

985
00:58:30,480 --> 00:58:34,439
Speaker 1: in with me? What God? I didn't come, I said, Tom,

986
00:58:34,920 --> 00:58:38,280
Speaker 1: and you my mom paid, got you, my mom paid.

987
00:58:38,800 --> 00:58:42,120
Speaker 4: I'm not talking about this big no no for millions

988
00:58:43,000 --> 00:58:44,920
Speaker 4: records set up the foundation.

989
00:58:46,320 --> 00:58:50,400
Speaker 5: Shaggy is wicked. It's not like us, like, you know,

990
00:58:50,520 --> 00:58:54,040
Speaker 5: we're gangsters. Other team is like, you know, yeah, but

991
00:58:55,600 --> 00:59:00,320
Speaker 5: this is there's a difference between Shaggy and well, what's

992
00:59:00,360 --> 00:59:00,800
Speaker 5: the name of that?

993
00:59:04,160 --> 00:59:05,400
Speaker 6: You said that a straight face.

994
00:59:07,560 --> 00:59:09,120
Speaker 1: He's a dream alumna.

995
00:59:10,960 --> 00:59:17,040
Speaker 4: Love us love Snow. Yeah, man informer was wicked and

996
00:59:17,120 --> 00:59:21,600
Speaker 4: then you're coming out, we'll do that for you. That

997
00:59:21,720 --> 00:59:22,280
Speaker 4: was not a song.

998
00:59:23,720 --> 00:59:26,880
Speaker 5: Ship I might behold, I might be them not, but

999
00:59:26,960 --> 00:59:33,520
Speaker 5: don't take Yeah, I know I was in the remix.

1000
00:59:34,160 --> 00:59:40,600
Speaker 1: Thank you, but yeah, what you're not saying.

1001
00:59:41,400 --> 00:59:44,800
Speaker 4: But I can't choose Snow over Shot mixing.

1002
00:59:45,840 --> 00:59:47,600
Speaker 2: I think Snow would choose Shot.

1003
00:59:48,000 --> 00:59:57,160
Speaker 1: Yeah. Yeah, there you go. So this is the last

1004
00:59:57,200 --> 00:59:58,919
Speaker 1: one and then we're gonna go into the interview. Yeah

1005
00:59:58,920 --> 01:00:00,600
Speaker 1: all right, so this is a quick Thomas than he

1006
01:00:00,680 --> 01:00:02,400
Speaker 1: just pished it up. This is the last one. This

1007
01:00:02,520 --> 01:00:04,800
Speaker 1: is the most famous one. Loyalty or respect.

1008
01:00:06,720 --> 01:00:11,720
Speaker 5: Ah respect his bullshit, because people can disrespect you even

1009
01:00:11,760 --> 01:00:19,720
Speaker 5: though they respect you. But loyalty is his love and Hannah. So,

1010
01:00:20,480 --> 01:00:22,880
Speaker 5: a man that liar to you will never disrespect you,

1011
01:00:23,080 --> 01:00:27,560
Speaker 5: like never ever. He die for you, would do anything

1012
01:00:27,640 --> 01:00:29,000
Speaker 5: for you. So lionalty is.

1013
01:00:30,760 --> 01:00:39,280
Speaker 13: Boss picking Lloyders, I'm thinking, I'm that was a great answer,

1014
01:00:40,040 --> 01:00:40,959
Speaker 13: a great answer.

1015
01:00:40,960 --> 01:00:41,960
Speaker 2: He basically said, both.

1016
01:00:44,160 --> 01:00:47,560
Speaker 1: Loyalty. If you got loyalty, you're gonna have respect.

1017
01:00:48,600 --> 01:00:50,360
Speaker 2: He said it much better I should He said it

1018
01:00:50,440 --> 01:00:52,280
Speaker 2: much better than you just said loyalty.

1019
01:00:52,880 --> 01:00:56,600
Speaker 1: No, No, he's just saying it comes with He's saying,

1020
01:00:56,640 --> 01:00:59,640
Speaker 1: somebody liar to you, they kind of respect you.

1021
01:01:00,160 --> 01:01:03,520
Speaker 4: Never disrespect him. They were a kid for you. They

1022
01:01:03,520 --> 01:01:04,240
Speaker 4: will fight for you.

1023
01:01:04,360 --> 01:01:11,440
Speaker 1: They are we ready to do this shot right now.

1024
01:01:12,520 --> 01:01:17,080
Speaker 1: There's the biggest thing on the internet is it's just

1025
01:01:17,200 --> 01:01:21,760
Speaker 1: two things. In the hip hop world, Yeah, there's this

1026
01:01:22,200 --> 01:01:27,400
Speaker 1: controversy going on between Cam, Jim Jones and Mace. But

1027
01:01:27,480 --> 01:01:31,160
Speaker 1: then in the dance hall world, my word, yeah.

1028
01:01:34,240 --> 01:01:34,560
Speaker 12: You do it.

1029
01:01:34,680 --> 01:01:37,320
Speaker 2: So in the dance hall world, do it.

1030
01:01:37,840 --> 01:01:42,760
Speaker 1: It is the controversy of Beanie Man called King of

1031
01:01:42,840 --> 01:01:45,120
Speaker 1: the dance hall. You have a record for ten years,

1032
01:01:45,280 --> 01:01:46,000
Speaker 1: it's records out.

1033
01:01:46,080 --> 01:01:49,920
Speaker 2: No one's ever refuted you. Never, No, you are not

1034
01:01:50,000 --> 01:01:51,680
Speaker 2: the king of the dance hall. No one's never said

1035
01:01:51,720 --> 01:01:52,080
Speaker 2: none of that.

1036
01:01:52,240 --> 01:01:52,400
Speaker 4: Now.

1037
01:01:52,560 --> 01:01:55,600
Speaker 1: But there's been a concert on New Year's Eve. I believe,

1038
01:01:56,240 --> 01:01:59,080
Speaker 1: And I wasn't there. Yeah, we know.

1039
01:01:59,800 --> 01:02:03,400
Speaker 2: And but was it Bounty Killer that that said to

1040
01:02:04,440 --> 01:02:07,640
Speaker 2: Vib's Cartel. I believe, And he said he's the king.

1041
01:02:07,600 --> 01:02:08,560
Speaker 1: Of the damn. No.

1042
01:02:08,880 --> 01:02:12,560
Speaker 4: He said, you didn't take anybody crown, your bill, your own,

1043
01:02:12,640 --> 01:02:16,920
Speaker 4: come by yourself. So he cando take my crown. I'm

1044
01:02:19,360 --> 01:02:20,240
Speaker 4: I'm king Kong.

1045
01:02:20,640 --> 01:02:25,560
Speaker 1: Fuck why you do it?

1046
01:02:27,880 --> 01:02:30,080
Speaker 4: You gotta know this music business.

1047
01:02:30,320 --> 01:02:36,080
Speaker 5: And the difference between me and Vibe cart I remember

1048
01:02:36,600 --> 01:02:39,640
Speaker 5: when manure Vibe cart like, when I just know him,

1049
01:02:39,760 --> 01:02:42,680
Speaker 5: is when he was in the classroom Ninja Man and

1050
01:02:43,600 --> 01:02:47,200
Speaker 5: they actually disrespect Ninja Man in stage, kick him down

1051
01:02:47,240 --> 01:02:48,480
Speaker 5: in stage and use a background.

1052
01:02:48,520 --> 01:02:50,360
Speaker 4: The community said, and Nja Man.

1053
01:02:50,440 --> 01:02:53,120
Speaker 5: Is a bad man. Then that man is in prison

1054
01:02:53,200 --> 01:02:57,040
Speaker 5: for murder. I just want you to know, if you

1055
01:02:57,120 --> 01:03:01,680
Speaker 5: don't know what I'm talking about, that's a bad man, okay.

1056
01:03:02,400 --> 01:03:04,760
Speaker 4: And then the next bat month called men.

1057
01:03:06,520 --> 01:03:09,920
Speaker 5: This is where my bod friends he called me and said, yo, yeah,

1058
01:03:10,000 --> 01:03:12,320
Speaker 5: for come do this please? I mean, I said do

1059
01:03:12,400 --> 01:03:15,160
Speaker 5: I am said, come chat her under my house. So

1060
01:03:15,320 --> 01:03:17,800
Speaker 5: my girl in my house and there was a Vibe

1061
01:03:17,800 --> 01:03:21,680
Speaker 5: Cortail right did something. I said, all right, what you

1062
01:03:21,760 --> 01:03:22,360
Speaker 5: feel I can.

1063
01:03:22,400 --> 01:03:26,080
Speaker 4: Do for Vibe Contailer And they say, yo, anything that's

1064
01:03:26,440 --> 01:03:28,960
Speaker 4: get them punch some shorts, cause nobody I book him, no,

1065
01:03:29,240 --> 01:03:31,680
Speaker 4: and I do this nobody and I do this, and.

1066
01:03:33,200 --> 01:03:36,600
Speaker 5: I bring him on my stage. You know I got

1067
01:03:37,520 --> 01:03:39,520
Speaker 5: I got to be there to prove you know that

1068
01:03:39,800 --> 01:03:41,760
Speaker 5: I bring him on my stage right too. I went

1069
01:03:41,800 --> 01:03:43,840
Speaker 5: in the country even wasn't to kill I'm a worried

1070
01:03:44,000 --> 01:03:47,640
Speaker 5: fit Vibe Cotail like, seriously, I redid that.

1071
01:03:48,880 --> 01:03:50,080
Speaker 4: And then when.

1072
01:03:50,000 --> 01:03:54,280
Speaker 5: Somebody I know that you work for your crown, you

1073
01:03:54,400 --> 01:03:58,160
Speaker 5: do one hundred percent of work and somebody do fifty

1074
01:03:59,040 --> 01:04:01,040
Speaker 5: and want to get a undred don't want to get

1075
01:04:01,040 --> 01:04:05,720
Speaker 5: an hundred percent Tickeys, I don't feel it is right,

1076
01:04:06,040 --> 01:04:08,000
Speaker 5: you know, But I'm not saying no.

1077
01:04:08,160 --> 01:04:10,280
Speaker 4: Man, Kim be king. Everybody was born as a king

1078
01:04:10,880 --> 01:04:12,720
Speaker 4: from being all your mom's He's a king.

1079
01:04:13,000 --> 01:04:14,160
Speaker 2: Can there be more than one King.

1080
01:04:15,680 --> 01:04:19,320
Speaker 5: Of music, of dance out Michael Jackson and King of

1081
01:04:19,400 --> 01:04:22,439
Speaker 5: Pop who else since the king of pop.

1082
01:04:25,560 --> 01:04:26,120
Speaker 1: Don't worry.

1083
01:04:26,880 --> 01:04:27,360
Speaker 4: I'm waiting.

1084
01:04:29,480 --> 01:04:29,600
Speaker 2: Let me.

1085
01:04:35,080 --> 01:04:36,280
Speaker 4: You can't answer next week.

1086
01:04:38,200 --> 01:04:42,320
Speaker 1: This. Yeah, there you go, But let me ask you.

1087
01:04:42,480 --> 01:04:43,000
Speaker 1: Let me ask you.

1088
01:04:44,640 --> 01:04:46,080
Speaker 2: Did you take offense to that?

1089
01:04:46,200 --> 01:04:47,919
Speaker 1: Being set on? No curious in mind.

1090
01:04:48,040 --> 01:04:51,040
Speaker 5: I can't take offense of that because every man have

1091
01:04:51,160 --> 01:04:52,480
Speaker 5: the right to their own opinion.

1092
01:04:53,240 --> 01:04:55,680
Speaker 4: Is your opinion? I can't worry you with you with

1093
01:04:55,880 --> 01:04:57,960
Speaker 4: your own opinion? Is your opinion?

1094
01:04:59,000 --> 01:04:59,160
Speaker 2: Is it?

1095
01:05:00,200 --> 01:05:04,080
Speaker 4: I was crowning king. I wasn't asking for it. Somebody

1096
01:05:04,160 --> 01:05:08,280
Speaker 4: put a crown my head, like and give me some plaques,

1097
01:05:08,360 --> 01:05:11,080
Speaker 4: some big plack like, yes, you've been doing this for

1098
01:05:11,160 --> 01:05:16,439
Speaker 4: all much years and and and that was it. Then

1099
01:05:16,560 --> 01:05:19,000
Speaker 4: all of a sudden you come in and say, yeah, yeah,

1100
01:05:19,040 --> 01:05:21,720
Speaker 4: man resigned that that that's disrespectful.

1101
01:05:23,520 --> 01:05:26,040
Speaker 1: But did he say resigned? Did he say? Did he

1102
01:05:26,120 --> 01:05:26,400
Speaker 1: say that?

1103
01:05:26,560 --> 01:05:29,200
Speaker 5: Or was it mindset? It might have a king out

1104
01:05:29,240 --> 01:05:31,080
Speaker 5: and new king? I mean, what are you telling you?

1105
01:05:32,760 --> 01:05:34,160
Speaker 5: I just feel like I'm just.

1106
01:05:36,120 --> 01:05:37,120
Speaker 6: G b t break it down.

1107
01:05:38,400 --> 01:05:40,920
Speaker 3: No, I just feel like we could have multiple kings.

1108
01:05:41,080 --> 01:05:43,520
Speaker 3: You know in dan So, I think you are the king. Yes,

1109
01:05:43,640 --> 01:05:44,800
Speaker 3: you are the top king.

1110
01:05:45,000 --> 01:05:48,040
Speaker 1: You are the Bobs Cartel said he's the new king.

1111
01:05:48,160 --> 01:05:54,160
Speaker 1: He said to himself. I thought that I didn't.

1112
01:05:58,360 --> 01:06:03,760
Speaker 4: See if you're coming, Yes, I can be the king too,

1113
01:06:04,440 --> 01:06:05,240
Speaker 4: it's no problem.

1114
01:06:06,120 --> 01:06:10,480
Speaker 5: Okay m hmm, but there is only one king. If

1115
01:06:10,520 --> 01:06:12,160
Speaker 5: you try to fight the king, the king is going

1116
01:06:12,200 --> 01:06:12,600
Speaker 5: to kill you.

1117
01:06:12,720 --> 01:06:16,080
Speaker 1: You know that, right, He's got throw the king right.

1118
01:06:19,200 --> 01:06:19,480
Speaker 2: Right here.

1119
01:06:20,720 --> 01:06:20,880
Speaker 4: Man.

1120
01:06:21,480 --> 01:06:23,800
Speaker 5: You see the problem is, I'm not fighting. It's a

1121
01:06:23,840 --> 01:06:27,160
Speaker 5: great artist. Like there's a number one artists.

1122
01:06:28,240 --> 01:06:33,280
Speaker 4: I'm not. I'm not taking that. I'm not not never

1123
01:06:33,440 --> 01:06:38,760
Speaker 4: will because he's a great artist, he's a great lyricist,

1124
01:06:39,200 --> 01:06:40,200
Speaker 4: and he's a great.

1125
01:06:41,960 --> 01:06:47,760
Speaker 5: Recording artists. Yeah, but to be a king, you have

1126
01:06:47,880 --> 01:06:49,920
Speaker 5: to be a people person. Now, you have to be

1127
01:06:50,040 --> 01:06:50,840
Speaker 5: a good performer.

1128
01:06:51,640 --> 01:06:51,920
Speaker 4: That's it.

1129
01:06:53,880 --> 01:06:56,160
Speaker 5: If you're not a good performer and a people person,

1130
01:06:56,600 --> 01:06:58,840
Speaker 5: the hell you're going to be the king or the

1131
01:06:58,920 --> 01:07:00,440
Speaker 5: hell are you're going to talk to the people or

1132
01:07:00,480 --> 01:07:01,760
Speaker 5: the other people is gonna follow you?

1133
01:07:02,960 --> 01:07:04,440
Speaker 1: And this is what it is.

1134
01:07:04,640 --> 01:07:08,000
Speaker 5: It's it's not like I'm trying to say, Okay, he

1135
01:07:08,160 --> 01:07:14,600
Speaker 5: cannot be. He can be if he be everything. You see,

1136
01:07:15,440 --> 01:07:18,000
Speaker 5: I literally decided for you to say if if if

1137
01:07:18,040 --> 01:07:21,800
Speaker 5: I somebody like this, he's gonna smiter at this because

1138
01:07:22,000 --> 01:07:26,120
Speaker 5: you want what I what I have and this is

1139
01:07:26,240 --> 01:07:30,400
Speaker 5: not what I have, is what I bid it as

1140
01:07:30,440 --> 01:07:34,440
Speaker 5: a person, as a human being, knowing that people need

1141
01:07:34,560 --> 01:07:41,960
Speaker 5: to be respect People deserve performance, people deserve somebody who

1142
01:07:42,560 --> 01:07:46,280
Speaker 5: actually love the music and actually love them. I will

1143
01:07:46,360 --> 01:07:50,080
Speaker 5: go out them perform for free one time, not two times.

1144
01:07:50,160 --> 01:07:50,920
Speaker 4: Don't worry about it.

1145
01:07:51,360 --> 01:07:53,720
Speaker 5: Promote to get your money, line up, don't don't mess

1146
01:07:53,800 --> 01:07:57,360
Speaker 5: around with the ship. But you know that's how it goes.

1147
01:07:59,760 --> 01:08:03,080
Speaker 5: So I'm not talking about yays. I'm the king of

1148
01:08:03,160 --> 01:08:06,440
Speaker 5: down South forever, nobody. I never tell myself that. Somebody

1149
01:08:06,520 --> 01:08:11,479
Speaker 5: give me a crown. I sing one girl song, pump

1150
01:08:11,520 --> 01:08:14,400
Speaker 5: bit bump floor against while we sex them up to

1151
01:08:14,520 --> 01:08:16,719
Speaker 5: them called me, I'm the girls them sugar.

1152
01:08:16,840 --> 01:08:18,760
Speaker 1: That's uh, I'm looking up.

1153
01:08:19,040 --> 01:08:26,200
Speaker 4: That's a girl song. It's not I am saying that

1154
01:08:26,320 --> 01:08:27,599
Speaker 4: I'm the king of the dance hall.

1155
01:08:28,320 --> 01:08:31,040
Speaker 2: But if you make the girls dance, yes, just cut

1156
01:08:31,080 --> 01:08:32,439
Speaker 2: the beat was like yeah.

1157
01:08:32,760 --> 01:08:37,280
Speaker 5: And Tony Kelly produced her son again. All right, sorry, yeah,

1158
01:08:38,520 --> 01:08:44,080
Speaker 5: I'm not fighting. Okay, we'll shot.

1159
01:08:45,439 --> 01:08:50,760
Speaker 1: I need a shot. Joins together, Okay, can I get

1160
01:08:50,800 --> 01:08:54,920
Speaker 1: some of that. I'm going to show first time he's

1161
01:08:54,960 --> 01:08:57,920
Speaker 1: been drinking on the show. No, No, he's been talking about.

1162
01:08:58,880 --> 01:09:05,679
Speaker 4: I was in New Yeah, out the Eastern Eastern Parkway.

1163
01:09:05,760 --> 01:09:06,760
Speaker 1: I was there that.

1164
01:09:08,880 --> 01:09:09,800
Speaker 4: Somebody told you.

1165
01:09:12,120 --> 01:09:12,679
Speaker 12: I was there.

1166
01:09:13,520 --> 01:09:16,400
Speaker 4: And the guy in them shot started coming to Plittburgh

1167
01:09:17,240 --> 01:09:20,439
Speaker 4: like wickedly, like wickedly, like yeah, right way way, and

1168
01:09:21,040 --> 01:09:26,160
Speaker 4: you're cuoping and baying like why are you Puerto Rico.

1169
01:09:27,280 --> 01:09:32,960
Speaker 4: He's saying people Scuba. I know he's Scubay, but he

1170
01:09:33,040 --> 01:09:42,280
Speaker 4: speak Spanish with your the same people. They fling a

1171
01:09:42,360 --> 01:09:51,040
Speaker 4: back of the beer. Wait what they fling? Okay, have

1172
01:09:51,120 --> 01:09:52,240
Speaker 4: to catch you in the bed.

1173
01:09:53,600 --> 01:09:56,160
Speaker 1: Back. I told him.

1174
01:09:56,360 --> 01:09:58,800
Speaker 4: By man, I don't say ship because I'm gonna go

1175
01:09:58,840 --> 01:10:01,599
Speaker 4: to jail because I don't want to go to Chad.

1176
01:10:02,160 --> 01:10:08,599
Speaker 4: But but pitotboy is he's really a good artist. He's

1177
01:10:09,160 --> 01:10:13,040
Speaker 4: not really he's really your home team, yeah, trust me.

1178
01:10:13,200 --> 01:10:15,400
Speaker 1: And he came here, drank a whole bottle by himself,

1179
01:10:16,160 --> 01:10:16,760
Speaker 1: and he came by.

1180
01:10:17,000 --> 01:10:20,400
Speaker 2: He came by himself. I like what you said about

1181
01:10:20,439 --> 01:10:22,000
Speaker 2: the Porto Rican, You're right.

1182
01:10:22,680 --> 01:10:24,960
Speaker 4: The Puerto Rican guy. Come on there, the fringing buckle.

1183
01:10:25,080 --> 01:10:26,719
Speaker 4: I'm like, what the fuck?

1184
01:10:26,800 --> 01:10:28,560
Speaker 1: They gonna kill the people.

1185
01:10:30,400 --> 01:10:32,640
Speaker 4: Like this and that Anna buff in the crowd and

1186
01:10:32,720 --> 01:10:36,400
Speaker 4: I'm like, what the what they doing? And you know

1187
01:10:36,520 --> 01:10:38,960
Speaker 4: that Jamaicans came out of me and the start telling

1188
01:10:39,080 --> 01:10:42,519
Speaker 4: my boy up on came on my air boy. Yet

1189
01:10:42,960 --> 01:10:48,840
Speaker 4: the air boy I said, oh ship, he's Jamaican. And

1190
01:10:49,240 --> 01:10:52,439
Speaker 4: that was it and people we went back in the

1191
01:10:52,520 --> 01:10:56,040
Speaker 4: car together and he was like, thank you man. I

1192
01:10:56,520 --> 01:11:00,599
Speaker 4: love that because they flinger cannon. This editing when one

1193
01:11:00,800 --> 01:11:04,360
Speaker 4: time they think they're fineing can beer and it's that's

1194
01:11:04,400 --> 01:11:07,000
Speaker 4: when they started to getting block because when he started

1195
01:11:07,080 --> 01:11:11,240
Speaker 4: to disrespect artists, to disrespect me, and I don't do that.

1196
01:11:11,720 --> 01:11:13,760
Speaker 4: You can't disrespect no artists in front of me.

1197
01:11:16,439 --> 01:11:18,400
Speaker 1: I remember you helped me down in Jamaica. I don't

1198
01:11:18,400 --> 01:11:21,840
Speaker 1: know if you remember that. I was walking to the

1199
01:11:21,880 --> 01:11:24,080
Speaker 1: stage and you said he was pressing up the weed

1200
01:11:24,240 --> 01:11:27,040
Speaker 1: like this. You said, amen, don't run when Super Doug

1201
01:11:27,120 --> 01:11:28,240
Speaker 1: come on, they're gonna.

1202
01:11:29,400 --> 01:11:34,120
Speaker 2: I was like, I'm like, I'm like, I'm thinking he's

1203
01:11:34,240 --> 01:11:35,080
Speaker 2: playing Like like.

1204
01:11:35,120 --> 01:11:37,479
Speaker 1: I'm like okay, Like he's like like, don't ride him

1205
01:11:37,520 --> 01:11:40,920
Speaker 1: or not gonna come on. So I'm like, all right, cool,

1206
01:11:41,320 --> 01:11:45,800
Speaker 1: I come on. Even the policeman was like, hey, don't chill.

1207
01:11:47,160 --> 01:11:49,599
Speaker 1: So I'm gonna act like guns fire is just normal.

1208
01:11:53,320 --> 01:11:55,120
Speaker 4: Just told me, I'm like this.

1209
01:11:59,040 --> 01:11:59,920
Speaker 2: You are supercoming.

1210
01:12:01,680 --> 01:12:04,920
Speaker 4: He was like, you can say in this hun yeah,

1211
01:12:05,320 --> 01:12:08,439
Speaker 4: everybody fight your shots. What the fucking thing they're going

1212
01:12:08,479 --> 01:12:10,400
Speaker 4: to do when they come to your show?

1213
01:12:13,040 --> 01:12:16,519
Speaker 1: They want to show you Like he looked at me.

1214
01:12:16,600 --> 01:12:20,280
Speaker 1: He's not don't don't remember like like like he questioned

1215
01:12:20,320 --> 01:12:26,000
Speaker 1: the week like this, he said, don't run man. I'm like, remember,

1216
01:12:27,520 --> 01:12:31,400
Speaker 1: I don't know what you remember that. I didn't hear him.

1217
01:12:31,400 --> 01:12:39,200
Speaker 1: Remember that. Imagine if you ran off the stage, I

1218
01:12:39,280 --> 01:12:41,760
Speaker 1: would have. I ain't gonna lie tell me. I mean,

1219
01:12:41,880 --> 01:12:45,559
Speaker 1: it wouldn't have been a natural like shout you but shot,

1220
01:12:45,600 --> 01:12:48,800
Speaker 1: it's not coming towards you. Just hearing gunshots abnormal. So

1221
01:12:48,880 --> 01:12:49,920
Speaker 1: I'm like, that doesn't fly.

1222
01:12:50,840 --> 01:12:53,000
Speaker 4: Listen, I didn't know that. You remember that?

1223
01:12:53,240 --> 01:12:59,559
Speaker 1: Yes, yes, I shout that. Man helped me down if

1224
01:12:59,600 --> 01:13:01,880
Speaker 1: it wasn't for you, because you told me you looked

1225
01:13:01,920 --> 01:13:04,439
Speaker 1: at me like sy and you knew my lyrics was

1226
01:13:04,720 --> 01:13:06,840
Speaker 1: proting something to me. And I was like, oh ship,

1227
01:13:07,120 --> 01:13:08,880
Speaker 1: And I was like, I don't remember that. I was like,

1228
01:13:09,000 --> 01:13:10,600
Speaker 1: I was walking to the stage. I was like, but

1229
01:13:10,720 --> 01:13:14,560
Speaker 1: do you say shots? I'm thinking this. I did not

1230
01:13:14,680 --> 01:13:17,000
Speaker 1: think that literally shout out and was ready.

1231
01:13:19,280 --> 01:13:20,919
Speaker 2: He gave your credibility because.

1232
01:13:22,360 --> 01:13:22,800
Speaker 1: He told you.

1233
01:13:28,120 --> 01:13:32,639
Speaker 5: Now, I'm like doing that run when the gun chests fighting,

1234
01:13:33,760 --> 01:13:40,040
Speaker 5: shot Gunschest is going to fight, all right, I see

1235
01:13:40,840 --> 01:13:41,360
Speaker 5: by his name.

1236
01:13:41,439 --> 01:13:44,120
Speaker 4: Fifty cent came to Jamaica the gun jet fight and

1237
01:13:44,160 --> 01:13:46,720
Speaker 4: you go and I'm like, what the fuck are you doing?

1238
01:13:48,360 --> 01:13:50,560
Speaker 4: Take up the bulletproof bests. They're not gonna shoot you

1239
01:13:52,040 --> 01:13:55,880
Speaker 4: except you. And he goes, I'm taking up the bulletproof

1240
01:13:55,920 --> 01:13:58,720
Speaker 4: vests and oh, fucked up.

1241
01:14:00,280 --> 01:14:06,439
Speaker 1: You fucked up the place, you fucked up the place. Scared.

1242
01:14:10,000 --> 01:14:11,000
Speaker 4: But this is Jamaica.

1243
01:14:12,040 --> 01:14:16,960
Speaker 1: We are bad people. Yeah, I'm sorry to say that. We're.

1244
01:14:17,439 --> 01:14:21,360
Speaker 5: Yeah, some of us bunch of bad sex and things

1245
01:14:22,040 --> 01:14:24,320
Speaker 5: behind the tree and things money.

1246
01:14:27,240 --> 01:14:27,800
Speaker 1: Ship like that.

1247
01:14:28,040 --> 01:14:33,439
Speaker 4: But a lot of good people were good people. Know,

1248
01:14:33,600 --> 01:14:35,439
Speaker 4: we are good people. All of us are good people.

1249
01:14:36,160 --> 01:14:40,840
Speaker 4: All of us who going my mama belly behind the tree.

1250
01:14:40,880 --> 01:14:41,719
Speaker 1: We are good people.

1251
01:14:42,439 --> 01:14:44,720
Speaker 5: Yes, you know, I'm one of them. Don't worry about it.

1252
01:14:45,360 --> 01:14:49,160
Speaker 5: You just have to know the environment that you're into.

1253
01:14:50,040 --> 01:14:52,760
Speaker 5: You see the environment that you're into, that that's that,

1254
01:14:52,960 --> 01:14:56,400
Speaker 5: that's where, that's what makes you man.

1255
01:14:57,760 --> 01:15:00,880
Speaker 4: So it's coming like you've got some chicken and you

1256
01:15:01,000 --> 01:15:04,800
Speaker 4: feed them, and chicken they're gonna eat chicken. Yeah, man,

1257
01:15:05,840 --> 01:15:07,240
Speaker 4: But if you feed them in coin.

1258
01:15:08,760 --> 01:15:12,960
Speaker 5: My last is mm hmm, and keep them firm, they're

1259
01:15:13,000 --> 01:15:14,280
Speaker 5: gonna be some body fouls.

1260
01:15:14,479 --> 01:15:15,360
Speaker 6: We like the firm.

1261
01:15:18,800 --> 01:15:20,960
Speaker 1: So let me ask you, right, you know, social media

1262
01:15:21,040 --> 01:15:24,519
Speaker 1: is a big thing and popcorn like he recently posted

1263
01:15:24,640 --> 01:15:27,640
Speaker 1: your song on I believe he was sitting down and

1264
01:15:27,720 --> 01:15:29,760
Speaker 1: he posted the old song on you and you. I

1265
01:15:29,840 --> 01:15:31,320
Speaker 1: believe he was referring to Gaza.

1266
01:15:31,800 --> 01:15:37,400
Speaker 4: Yeah, yeah, yeah, yes, I think I think they're doing

1267
01:15:37,479 --> 01:15:40,120
Speaker 4: that true, that the contail thingment. He's trying to be

1268
01:15:40,240 --> 01:15:44,000
Speaker 4: King of the dancer. M yeah, tell me about that.

1269
01:15:46,520 --> 01:15:50,719
Speaker 4: That's nothing, okay. You know, I do respect these people.

1270
01:15:51,040 --> 01:15:51,280
Speaker 6: I do.

1271
01:15:51,600 --> 01:15:55,040
Speaker 4: I'm not saying I don't respect these people.

1272
01:15:55,720 --> 01:15:59,679
Speaker 5: But when you do all your work and you work

1273
01:15:59,720 --> 01:16:02,640
Speaker 5: for this this man, and you get this man up

1274
01:16:03,479 --> 01:16:07,120
Speaker 5: and put him on it the stage where people can

1275
01:16:07,240 --> 01:16:11,200
Speaker 5: actually see him by himself, without you, and then he

1276
01:16:11,439 --> 01:16:15,200
Speaker 5: come back and try to take your type, I don't

1277
01:16:15,240 --> 01:16:15,960
Speaker 5: feel it's right.

1278
01:16:16,160 --> 01:16:18,760
Speaker 4: I don't feel it. It's I feel it disrespectful.

1279
01:16:19,360 --> 01:16:19,680
Speaker 1: M hm.

1280
01:16:20,080 --> 01:16:22,920
Speaker 5: And yeah, and that's all I have to say about that.

1281
01:16:24,400 --> 01:16:33,400
Speaker 5: But I do respect cat, but m be the teacher,

1282
01:16:34,439 --> 01:16:38,120
Speaker 5: stay in your lane, don't try to jump the bridge.

1283
01:16:38,240 --> 01:16:41,000
Speaker 4: But what are you doing? You gotta be you know,

1284
01:16:41,280 --> 01:16:42,439
Speaker 4: staying your land?

1285
01:16:42,960 --> 01:16:44,479
Speaker 1: Would you work with them again?

1286
01:16:46,600 --> 01:16:49,160
Speaker 5: What I do music, That's what I do. I know

1287
01:16:49,360 --> 01:16:53,160
Speaker 5: age artists and you know just how I'm talking and

1288
01:16:53,280 --> 01:16:58,200
Speaker 5: not disrespecting. Okay, good, there you go. I love artists

1289
01:16:58,280 --> 01:16:58,720
Speaker 5: and and.

1290
01:17:00,280 --> 01:17:02,600
Speaker 4: This is my thing that people don't understand about me.

1291
01:17:03,640 --> 01:17:05,200
Speaker 4: I will never do respect of artists.

1292
01:17:05,320 --> 01:17:06,280
Speaker 1: Lest this just for me.

1293
01:17:06,960 --> 01:17:10,519
Speaker 5: So if you want to go against me, then it's

1294
01:17:10,560 --> 01:17:14,040
Speaker 5: a different thing. You get what I'm saying. But I'm

1295
01:17:14,160 --> 01:17:20,200
Speaker 5: still not going against He was in prison for thirteen years.

1296
01:17:21,160 --> 01:17:22,719
Speaker 5: You can't get a nigga break.

1297
01:17:26,200 --> 01:17:30,280
Speaker 1: Hypothetically. Hypothetically before you say that, remember you saying, is

1298
01:17:30,320 --> 01:17:32,000
Speaker 1: it true that he called you from prison? And then

1299
01:17:32,040 --> 01:17:33,120
Speaker 1: the police called you afterward?

1300
01:17:33,320 --> 01:17:36,439
Speaker 5: They called me after Jamaican, go what the you're doing?

1301
01:17:36,560 --> 01:17:40,080
Speaker 5: The police had money, t everything, but they call me

1302
01:17:40,200 --> 01:17:43,280
Speaker 5: because they know this nigga got the money.

1303
01:17:47,120 --> 01:17:48,559
Speaker 4: Oh so you're the one.

1304
01:17:48,439 --> 01:17:53,160
Speaker 5: That supporting I'm like, nigger, who are you all right?

1305
01:17:54,400 --> 01:17:56,840
Speaker 5: We're a cop from God. I'm like, okay, here we go.

1306
01:18:00,200 --> 01:18:01,080
Speaker 1: So you don't have a phone.

1307
01:18:01,120 --> 01:18:02,479
Speaker 4: Now I don't have a phone.

1308
01:18:05,760 --> 01:18:06,960
Speaker 6: You read the life.

1309
01:18:07,600 --> 01:18:08,400
Speaker 1: You don't have a phone.

1310
01:18:08,520 --> 01:18:10,640
Speaker 5: No, I don't have a phone. I didn't have a

1311
01:18:10,680 --> 01:18:14,080
Speaker 5: phone before that. But my friend go to prison. You

1312
01:18:14,160 --> 01:18:16,959
Speaker 5: got to get through bangers, so I got to bangers

1313
01:18:17,400 --> 01:18:22,000
Speaker 5: whole day. Hell, you know the banger number banker.

1314
01:18:23,800 --> 01:18:25,519
Speaker 2: That's wild with the bankers.

1315
01:18:25,560 --> 01:18:28,800
Speaker 4: The burner, Yeah, I got it burning phone, Like how

1316
01:18:28,880 --> 01:18:31,000
Speaker 4: they get that number?

1317
01:18:31,160 --> 01:18:33,920
Speaker 1: Wild said?

1318
01:18:33,960 --> 01:18:36,360
Speaker 5: That mean you have to be listening in an The

1319
01:18:36,479 --> 01:18:39,439
Speaker 5: man called and know who called him? That means you

1320
01:18:39,560 --> 01:18:40,800
Speaker 5: do precate the man number?

1321
01:18:41,840 --> 01:18:44,080
Speaker 2: Yeah, constants and.

1322
01:18:49,080 --> 01:18:49,600
Speaker 14: Yeah, and.

1323
01:18:51,080 --> 01:18:51,880
Speaker 4: This man came out.

1324
01:18:52,200 --> 01:18:54,840
Speaker 5: You never called me, never checked me, never called nobody

1325
01:18:54,920 --> 01:18:57,720
Speaker 5: from me, never do nothing nothing like that.

1326
01:18:57,920 --> 01:19:01,880
Speaker 4: But thank you for your time, sir. Thank you for

1327
01:19:02,000 --> 01:19:04,519
Speaker 4: your time, sir. And respecting money.

1328
01:19:04,880 --> 01:19:08,960
Speaker 5: That's all I got to say to you, because disrespecting

1329
01:19:09,000 --> 01:19:10,479
Speaker 5: me that that doesn't make no sense.

1330
01:19:10,640 --> 01:19:13,559
Speaker 4: Why do you want my crown? Why do you want

1331
01:19:13,600 --> 01:19:18,400
Speaker 4: to be me? Nobody can't be you.

1332
01:19:20,439 --> 01:19:25,000
Speaker 1: Everybody, every man wants to be the king? Though. Is

1333
01:19:25,080 --> 01:19:28,200
Speaker 1: there is there a respectful way to try to say

1334
01:19:28,240 --> 01:19:29,720
Speaker 1: that I could be a king too.

1335
01:19:30,080 --> 01:19:36,720
Speaker 2: I'm asking because this is out of these No, what.

1336
01:19:36,880 --> 01:19:43,960
Speaker 6: Makes somebody worthy of the crown? What what makes somebody

1337
01:19:44,040 --> 01:19:44,800
Speaker 6: worthy of the crown?

1338
01:19:45,760 --> 01:19:46,920
Speaker 4: From nineteen seventy seven.

1339
01:19:46,960 --> 01:19:49,120
Speaker 6: Not you, but people that want to take the crown.

1340
01:19:53,280 --> 01:19:55,080
Speaker 1: I was born, he was.

1341
01:20:00,040 --> 01:20:00,880
Speaker 4: Let's see what I'm saying.

1342
01:20:02,160 --> 01:20:07,640
Speaker 5: Performance, yes, please the crap right, please the people. Not

1343
01:20:07,800 --> 01:20:09,920
Speaker 5: only singing song and saying ship and doing that and

1344
01:20:10,080 --> 01:20:14,160
Speaker 5: doing this and doing that. It's everywhere you're going. You

1345
01:20:14,320 --> 01:20:20,400
Speaker 5: got to represent the music, so you do being the

1346
01:20:20,479 --> 01:20:21,200
Speaker 5: king of dancehall.

1347
01:20:21,320 --> 01:20:25,320
Speaker 4: To me, it's not just it's not just a tackler.

1348
01:20:25,360 --> 01:20:27,639
Speaker 4: I already have type becers. I'm the girls and sugar,

1349
01:20:28,280 --> 01:20:32,040
Speaker 4: I'm the doctor. I do all of these things already.

1350
01:20:32,680 --> 01:20:35,160
Speaker 4: You get what I'm saying. Just it's not just having

1351
01:20:35,240 --> 01:20:39,439
Speaker 4: a tyckle. It's just being you as a real person.

1352
01:20:40,920 --> 01:20:44,679
Speaker 4: That's what makes you can dancehall. It's not the hype.

1353
01:20:45,680 --> 01:20:47,840
Speaker 5: I never hype. I can't hype. I can't do that

1354
01:20:48,400 --> 01:20:50,760
Speaker 5: because I know Johnny hype. I know put the hype.

1355
01:20:51,360 --> 01:20:53,920
Speaker 5: I know every hype in the dance all business. So

1356
01:20:54,080 --> 01:20:58,880
Speaker 5: I don't do whipe like never ever will do ihpe like.

1357
01:20:59,080 --> 01:20:59,920
Speaker 5: I never hype.

1358
01:21:00,479 --> 01:21:03,040
Speaker 4: Yes, say that guy come here today. I'm trying to

1359
01:21:03,120 --> 01:21:04,160
Speaker 4: be here for two days.

1360
01:21:05,560 --> 01:21:09,320
Speaker 5: I try to left England and then my guyfriend didn't

1361
01:21:09,360 --> 01:21:11,560
Speaker 5: come to the to the airport I fall asleep and

1362
01:21:11,800 --> 01:21:15,240
Speaker 5: then the goddamn VIP so I have to come to

1363
01:21:15,400 --> 01:21:19,559
Speaker 5: Jamaica to find some people to travel with me because

1364
01:21:19,600 --> 01:21:26,080
Speaker 5: I'm tired that work. So today when I missed the flight,

1365
01:21:26,160 --> 01:21:29,400
Speaker 5: I'm like, somebody is working on me. And then we

1366
01:21:30,040 --> 01:21:35,599
Speaker 5: got the next flight and then we're here. Because if

1367
01:21:35,640 --> 01:21:39,479
Speaker 5: I didn't do the show today, I would I'm not

1368
01:21:39,600 --> 01:21:41,160
Speaker 5: gonna say I'm going to go to prison.

1369
01:21:45,920 --> 01:21:47,280
Speaker 6: So work ethic as well.

1370
01:21:47,960 --> 01:21:49,000
Speaker 1: Yes, this this is it.

1371
01:21:49,160 --> 01:21:51,439
Speaker 4: You gotta be firm within the music.

1372
01:21:52,320 --> 01:21:57,840
Speaker 5: Okay, gott Today I saw mydija do I sure with

1373
01:21:58,000 --> 01:21:59,240
Speaker 5: our DJ up on the stitche.

1374
01:22:01,520 --> 01:22:02,400
Speaker 4: We are Jamaicans.

1375
01:22:02,479 --> 01:22:03,280
Speaker 1: We don't do that.

1376
01:22:05,040 --> 01:22:08,760
Speaker 4: You don't get eighteen thousand people in front of you.

1377
01:22:16,479 --> 01:22:18,360
Speaker 1: Wait, what don't you do? I want to be clearer.

1378
01:22:19,720 --> 01:22:23,160
Speaker 1: Don't do that. So you don't want to DJ, you

1379
01:22:23,320 --> 01:22:25,040
Speaker 1: cant DJ on stage.

1380
01:22:25,080 --> 01:22:28,400
Speaker 4: We are downsall artists. We are reggae artists. We do band,

1381
01:22:29,200 --> 01:22:35,000
Speaker 4: we do jumping on bas and guitar and keyboards.

1382
01:22:35,880 --> 01:22:36,080
Speaker 1: Live.

1383
01:22:36,360 --> 01:22:39,240
Speaker 4: So this is what we do life music.

1384
01:22:39,720 --> 01:22:41,880
Speaker 5: And you do not perform for twenty five minutes on

1385
01:22:42,000 --> 01:22:43,080
Speaker 5: your own goddamn show.

1386
01:22:46,280 --> 01:22:49,280
Speaker 4: You do not you do one hour? Then you need

1387
01:22:49,360 --> 01:22:52,639
Speaker 4: to juice I guess what are you doing?

1388
01:22:52,920 --> 01:22:55,479
Speaker 5: You do and then you want to tell me that

1389
01:22:55,600 --> 01:23:00,240
Speaker 5: you can answers that won't stop. Somebody excuse me, I

1390
01:23:00,320 --> 01:23:03,960
Speaker 5: want to get a knight. I'm gonna step myself.

1391
01:23:04,160 --> 01:23:10,320
Speaker 1: You don't want positive.

1392
01:23:11,320 --> 01:23:14,400
Speaker 3: So let's say my hypothetical scenario was, let's say the

1393
01:23:14,439 --> 01:23:17,000
Speaker 3: respect level was patched up there.

1394
01:23:16,960 --> 01:23:19,200
Speaker 1: You know, on his on his path, and yeah, I

1395
01:23:19,320 --> 01:23:19,640
Speaker 1: love that.

1396
01:23:19,880 --> 01:23:22,120
Speaker 5: I love the honor, and then I love the honor.

1397
01:23:22,160 --> 01:23:28,160
Speaker 5: Then but ticula, come on, and then I I actually

1398
01:23:28,320 --> 01:23:31,280
Speaker 5: did the same thing that particular did. That's why I'm

1399
01:23:31,360 --> 01:23:34,160
Speaker 5: not fighting for it. I'm not fighting against him for

1400
01:23:34,280 --> 01:23:36,439
Speaker 5: what he did. I actually do the same thing. I

1401
01:23:36,600 --> 01:23:39,160
Speaker 5: tell the people then that yo, this month, now the

1402
01:23:39,280 --> 01:23:43,040
Speaker 5: next month. And then in front was the money, No,

1403
01:23:43,200 --> 01:23:45,120
Speaker 5: this month is the money. I actually do the same

1404
01:23:45,160 --> 01:23:49,760
Speaker 5: thing at sting. So, yeah, I can't fight that, you know,

1405
01:23:50,040 --> 01:23:50,840
Speaker 5: I can't fight what.

1406
01:23:52,560 --> 01:23:53,400
Speaker 1: You see me.

1407
01:23:55,479 --> 01:24:00,880
Speaker 5: I'm a loving and respect person. I respect everybody until

1408
01:24:00,920 --> 01:24:05,120
Speaker 5: you disrespect me. Disrespect me there you know who I am.

1409
01:24:05,400 --> 01:24:06,640
Speaker 5: There's just a different thing.

1410
01:24:07,520 --> 01:24:11,439
Speaker 3: But yeah, so King of Dance Hall, King of Kings

1411
01:24:11,479 --> 01:24:17,599
Speaker 3: of Dance All Tour, Bounty Beanie Cartel, you'll be into

1412
01:24:17,680 --> 01:24:19,640
Speaker 3: that respect level was what.

1413
01:24:21,560 --> 01:24:29,040
Speaker 1: Ambusher. But you're saying what this is? Say white love

1414
01:24:29,160 --> 01:24:32,600
Speaker 1: to performance crazy, I'll be flying.

1415
01:24:34,040 --> 01:24:35,240
Speaker 4: Like cap it like.

1416
01:24:37,640 --> 01:24:39,960
Speaker 3: That's what we want to see. That's what we want

1417
01:24:39,960 --> 01:24:42,160
Speaker 3: to see. We don't want to see two greats go

1418
01:24:42,280 --> 01:24:42,800
Speaker 3: at it like that.

1419
01:24:42,920 --> 01:24:44,240
Speaker 1: You know, I don't want to do that.

1420
01:24:46,200 --> 01:24:47,479
Speaker 2: But there is two snippets out.

1421
01:24:47,720 --> 01:24:54,960
Speaker 4: But they need to leave me alone, leave my crown alone.

1422
01:24:55,040 --> 01:24:57,000
Speaker 1: That's it. That's it.

1423
01:24:57,960 --> 01:25:00,599
Speaker 4: I'm not saying ship Yeah.

1424
01:25:03,479 --> 01:25:06,280
Speaker 1: Let me ask you about because that's one thing is

1425
01:25:06,640 --> 01:25:08,479
Speaker 1: you have a snippet out and it seems like it's

1426
01:25:08,600 --> 01:25:11,800
Speaker 1: kind of like a record a dragon. No, No, it's

1427
01:25:11,800 --> 01:25:14,160
Speaker 1: a snippet. Okay, it's a free style.

1428
01:25:15,000 --> 01:25:19,040
Speaker 4: What got a little song? I did a freestyle? This

1429
01:25:19,200 --> 01:25:24,960
Speaker 4: is I'm that damn that person. I don't like when

1430
01:25:25,040 --> 01:25:28,800
Speaker 4: you call and try to talk to me the wrong way.

1431
01:25:29,400 --> 01:25:31,160
Speaker 4: Oh you try to sing a song and talk to

1432
01:25:31,240 --> 01:25:34,040
Speaker 4: me the wrong way? I go but one time, so

1433
01:25:34,200 --> 01:25:36,200
Speaker 4: I find it ready that he's singing the ship on.

1434
01:25:36,840 --> 01:25:37,280
Speaker 1: And then.

1435
01:25:39,040 --> 01:25:41,760
Speaker 4: It's like when two back and biggest small who shot

1436
01:25:41,840 --> 01:25:45,240
Speaker 4: you that this is not different? This is the same.

1437
01:25:50,120 --> 01:25:54,960
Speaker 4: That's not the same fucking thing. So it's what I'm saying.

1438
01:25:55,479 --> 01:25:58,840
Speaker 4: It's not like you're supposed to say ship and I'm

1439
01:25:58,920 --> 01:26:00,960
Speaker 4: not supposed to say it that.

1440
01:26:01,360 --> 01:26:04,760
Speaker 5: That don't make no sense When I say ship, I

1441
01:26:04,880 --> 01:26:07,639
Speaker 5: say ship. So I call a nigga humpty dumpty?

1442
01:26:07,680 --> 01:26:15,160
Speaker 6: What he called somebody humpty dumpty.

1443
01:26:16,000 --> 01:26:19,439
Speaker 5: I've caught that called him umpty dumpty. I did, and

1444
01:26:20,000 --> 01:26:22,720
Speaker 5: you see it's not it's not disrespect. He just look

1445
01:26:22,840 --> 01:26:23,639
Speaker 5: like I'm to dumpty.

1446
01:26:24,320 --> 01:26:26,679
Speaker 4: But it is my friend. He's my auntist.

1447
01:26:26,760 --> 01:26:27,320
Speaker 1: I love him.

1448
01:26:27,800 --> 01:26:33,000
Speaker 4: Bleaching, yeah, oh God, don't do that. Oh God, I'm

1449
01:26:33,040 --> 01:26:33,519
Speaker 4: gonna wipe.

1450
01:26:33,520 --> 01:26:34,760
Speaker 6: It's not like we don't see.

1451
01:26:34,920 --> 01:26:36,759
Speaker 1: It's my sweat.

1452
01:26:37,000 --> 01:26:43,719
Speaker 4: I'm gonna wipe mice, wipe my sweat.

1453
01:26:44,120 --> 01:26:45,439
Speaker 6: Okay, you wiped it off.

1454
01:26:46,800 --> 01:26:51,640
Speaker 4: A nigga. Never watch another nigga. What another nigga do?

1455
01:26:52,479 --> 01:26:56,320
Speaker 4: That's what a nigga do. I'm all right, I am.

1456
01:26:57,400 --> 01:26:58,880
Speaker 1: Could I get a round of the plus for that.

1457
01:27:03,439 --> 01:27:03,880
Speaker 4: Our nigga.

1458
01:27:03,960 --> 01:27:06,599
Speaker 5: Never watching that nigga. If he bleaching, bleach, it's that's

1459
01:27:06,680 --> 01:27:09,560
Speaker 5: his skin, that's not mine. If he put tattoos in

1460
01:27:09,640 --> 01:27:12,320
Speaker 5: his skin, is that's his skin that's not mine. I

1461
01:27:12,400 --> 01:27:15,120
Speaker 5: don't got a tattoo and I will never bleach.

1462
01:27:15,360 --> 01:27:22,840
Speaker 4: Yeah, I bleach like not sleeping bleach. Do you know

1463
01:27:22,920 --> 01:27:23,320
Speaker 4: I bleach?

1464
01:27:25,040 --> 01:27:25,320
Speaker 1: Can you.

1465
01:27:27,640 --> 01:27:29,720
Speaker 4: Sleeping bleach?

1466
01:27:30,640 --> 01:27:34,320
Speaker 5: I'll be working in a shooter from eight to eight,

1467
01:27:34,760 --> 01:27:36,840
Speaker 5: eight o'clock in the morning to eight o'clock in the

1468
01:27:36,920 --> 01:27:37,519
Speaker 5: next morning.

1469
01:27:37,600 --> 01:27:40,080
Speaker 6: Okay, what.

1470
01:27:44,560 --> 01:27:48,519
Speaker 1: What what we do? That?

1471
01:27:48,800 --> 01:27:48,960
Speaker 4: Yeah?

1472
01:27:49,360 --> 01:27:52,080
Speaker 1: What? This is? What? What?

1473
01:27:52,360 --> 01:27:55,000
Speaker 4: This is what I do? I don't care what they do.

1474
01:27:55,880 --> 01:28:00,160
Speaker 1: This is what I do. I make music. I do

1475
01:28:00,360 --> 01:28:02,080
Speaker 1: not all right.

1476
01:28:02,600 --> 01:28:05,080
Speaker 4: If I'm in the studio, I don't know what time

1477
01:28:05,160 --> 01:28:05,400
Speaker 4: it is.

1478
01:28:07,479 --> 01:28:07,559
Speaker 6: So.

1479
01:28:09,280 --> 01:28:18,000
Speaker 2: That's what you mean o'clock, brother, come in and.

1480
01:28:22,880 --> 01:28:25,840
Speaker 4: Fucking clock. Not only time?

1481
01:28:26,400 --> 01:28:29,960
Speaker 5: All right, our dose out for a hour, not going inside.

1482
01:28:30,200 --> 01:28:32,920
Speaker 5: Those out for an hour, and then I wake up

1483
01:28:33,000 --> 01:28:38,519
Speaker 5: and ready and advice five songs like build them right

1484
01:28:38,600 --> 01:28:43,600
Speaker 5: on the spot, recall them doing the boom, done, everything, harmonies,

1485
01:28:43,760 --> 01:28:44,960
Speaker 5: everything and done.

1486
01:28:46,760 --> 01:28:49,160
Speaker 4: And then tomorrow you make the ship and we're good

1487
01:28:49,360 --> 01:28:53,800
Speaker 4: and we all right. But then it's not for me

1488
01:28:54,000 --> 01:28:57,200
Speaker 4: to say what for you not to do?

1489
01:28:57,720 --> 01:28:59,880
Speaker 1: But what I do is not.

1490
01:29:02,000 --> 01:29:07,600
Speaker 5: It's not technical. It's an ordinary mm hmmm, because that

1491
01:29:07,720 --> 01:29:09,280
Speaker 5: bit of lyrics in my brain.

1492
01:29:10,080 --> 01:29:12,320
Speaker 2: You know, write what for what reason?

1493
01:29:14,320 --> 01:29:14,519
Speaker 1: Yeah?

1494
01:29:14,640 --> 01:29:16,479
Speaker 4: I got a head from school, you know long I

1495
01:29:16,560 --> 01:29:19,560
Speaker 4: got ahead from school. I'm fifty two years off. It

1496
01:29:20,840 --> 01:29:23,080
Speaker 4: you know, you know Long, I got here from school.

1497
01:29:23,960 --> 01:29:26,360
Speaker 4: Now you know Long, I got a head from school.

1498
01:29:27,240 --> 01:29:28,680
Speaker 4: The fuck I'm going to write.

1499
01:29:29,600 --> 01:29:32,280
Speaker 2: He's like, fuck writing. I'm not in school.

1500
01:29:32,280 --> 01:29:34,080
Speaker 1: I read at what I'm just saying.

1501
01:29:34,600 --> 01:29:35,360
Speaker 6: Of course that's right.

1502
01:29:37,800 --> 01:29:38,080
Speaker 1: I said.

1503
01:29:38,120 --> 01:29:43,240
Speaker 2: I just signed okay, okay.

1504
01:29:43,240 --> 01:29:47,479
Speaker 4: And then I signed that ship and that's it. Why

1505
01:29:47,520 --> 01:29:50,240
Speaker 4: should I write? This is the problem is it's not

1506
01:29:50,400 --> 01:29:53,639
Speaker 4: writing the spelling the song. Spelling the song. You got

1507
01:29:53,720 --> 01:29:55,360
Speaker 4: to beat. You have to beat.

1508
01:29:55,880 --> 01:29:58,040
Speaker 1: You got the beat and you go doom.

1509
01:29:57,840 --> 01:30:02,559
Speaker 4: Doom, doom, doom, boom joom doom, poom poom poom poom singing,

1510
01:30:04,000 --> 01:30:15,320
Speaker 4: so so you know, gether thet joking.

1511
01:30:16,880 --> 01:30:17,720
Speaker 1: This is how you do.

1512
01:30:27,840 --> 01:30:28,120
Speaker 7: It now.

1513
01:30:29,040 --> 01:30:31,240
Speaker 4: It's not like we were doing.

1514
01:30:32,680 --> 01:30:36,479
Speaker 5: And somebody's trying to stop you because that's the way

1515
01:30:36,479 --> 01:30:40,360
Speaker 5: they're doing. And like I see some fans think that

1516
01:30:40,960 --> 01:30:43,200
Speaker 5: they're like they want me to stop d J, like

1517
01:30:44,000 --> 01:30:47,479
Speaker 5: back off from get out of the business, like or

1518
01:30:47,520 --> 01:30:48,960
Speaker 5: am I going to left the business too?

1519
01:30:49,280 --> 01:30:49,560
Speaker 1: Or am I?

1520
01:30:52,120 --> 01:30:52,160
Speaker 6: No?

1521
01:30:53,680 --> 01:30:55,839
Speaker 5: Am I going to left the business too? There's nobody

1522
01:30:55,880 --> 01:30:59,120
Speaker 5: that can perform like us. There's nobody that can do

1523
01:30:59,240 --> 01:31:01,920
Speaker 5: what we do. When we're gonna stay that you moved

1524
01:31:01,960 --> 01:31:05,720
Speaker 5: the whole entire audience. We don't move the front of

1525
01:31:05,880 --> 01:31:08,720
Speaker 5: the audience all the side of the audience. We moved

1526
01:31:08,760 --> 01:31:11,720
Speaker 5: the whole entire audience. Are we going to left the

1527
01:31:11,800 --> 01:31:13,679
Speaker 5: music to Somebody showed me that power.

1528
01:31:24,160 --> 01:31:25,880
Speaker 1: I make up a lot of words in my life

1529
01:31:27,320 --> 01:31:32,400
Speaker 1: that but on girl Damn Sugar with Maya and Pharrell, Yeah,

1530
01:31:33,080 --> 01:31:34,200
Speaker 1: what the focus is gonna know.

1531
01:31:39,439 --> 01:31:47,439
Speaker 5: What that stocks Zach mean big ass, big Assazel Gazelle.

1532
01:31:47,920 --> 01:31:50,880
Speaker 2: Gazelle didn't mean it before that or you just made

1533
01:31:50,920 --> 01:31:51,320
Speaker 2: it mean that?

1534
01:31:51,800 --> 01:31:58,560
Speaker 5: No, it's mean that before that, before that that I'm

1535
01:31:58,560 --> 01:32:03,240
Speaker 5: at somebody, don't shoot me. I'm a shante. You can't

1536
01:32:03,280 --> 01:32:04,600
Speaker 5: go to Ghana and asked him what.

1537
01:32:05,080 --> 01:32:08,920
Speaker 4: I mean and gotcha Yeah damn Sugar.

1538
01:32:09,680 --> 01:32:09,880
Speaker 1: Yeah.

1539
01:32:10,080 --> 01:32:12,559
Speaker 4: So if I say zachz I mean the.

1540
01:32:12,640 --> 01:32:16,760
Speaker 3: Bitch sha Yes, Well, people saying girls of Sugar before

1541
01:32:16,800 --> 01:32:20,519
Speaker 3: you what? No, I feel like you should that you

1542
01:32:20,520 --> 01:32:23,840
Speaker 3: should have have that coined or something. Oh, I see

1543
01:32:23,880 --> 01:32:27,720
Speaker 3: it copyright. I see it on merchandise all the time,

1544
01:32:27,800 --> 01:32:30,080
Speaker 3: and it's like, how do you feel about that when

1545
01:32:30,080 --> 01:32:30,880
Speaker 3: you see people?

1546
01:32:34,360 --> 01:32:38,320
Speaker 6: Yeah, yeah, but you know it's a worry, but you.

1547
01:32:38,320 --> 01:32:40,040
Speaker 2: Do want to take it from from the source and

1548
01:32:40,120 --> 01:32:41,960
Speaker 2: then trademark me put it on the.

1549
01:32:41,960 --> 01:32:42,799
Speaker 6: Source to the sauce.

1550
01:32:43,360 --> 01:32:43,559
Speaker 1: Man.

1551
01:32:44,040 --> 01:32:46,760
Speaker 5: I don't even knowing nothing about that kind of ship.

1552
01:32:47,000 --> 01:32:50,200
Speaker 5: And I'm telling you I love music for music. I

1553
01:32:50,240 --> 01:32:52,880
Speaker 5: don't love music for the money. I didn't know that

1554
01:32:53,000 --> 01:32:56,160
Speaker 5: music was coming with money. I just started saying music,

1555
01:32:56,240 --> 01:32:56,960
Speaker 5: and their money.

1556
01:32:56,840 --> 01:32:58,840
Speaker 2: Started caing, well, you're doing it when you were a child,

1557
01:32:59,000 --> 01:33:00,400
Speaker 2: So I did.

1558
01:33:00,840 --> 01:33:06,479
Speaker 4: Wasn't know that money was coming. Money. Yeah's just money.

1559
01:33:07,000 --> 01:33:12,719
Speaker 4: Money just came. So yeah, now I gotta manufacture everything.

1560
01:33:13,640 --> 01:33:20,479
Speaker 4: I gotta manufacture some T shirt with scure something jacket

1561
01:33:20,600 --> 01:33:29,400
Speaker 4: with my and the ship. There's built some big billboard

1562
01:33:29,560 --> 01:33:32,439
Speaker 4: exactly look at me now.

1563
01:33:33,320 --> 01:33:37,720
Speaker 5: Yeah, but you said, when you come to music, it's

1564
01:33:37,760 --> 01:33:41,760
Speaker 5: not about making so much money you can make the music, is.

1565
01:33:44,160 --> 01:33:46,040
Speaker 1: Right. You gotta love it.

1566
01:33:46,720 --> 01:33:47,559
Speaker 2: It's a sacred thing.

1567
01:33:48,920 --> 01:33:50,000
Speaker 1: This god.

1568
01:33:50,600 --> 01:33:53,719
Speaker 5: Why people don't understand when when you come to music

1569
01:33:54,240 --> 01:33:56,400
Speaker 5: that you have to love the music.

1570
01:33:56,520 --> 01:33:59,599
Speaker 4: You gotta love what, what you're doing, what you're into?

1571
01:33:59,760 --> 01:33:59,800
Speaker 6: What?

1572
01:34:00,600 --> 01:34:03,240
Speaker 4: What are you singing about? Why are you singing?

1573
01:34:04,600 --> 01:34:05,560
Speaker 1: What are you telling me?

1574
01:34:06,240 --> 01:34:08,320
Speaker 4: What do you want me to do? You want me

1575
01:34:08,400 --> 01:34:10,479
Speaker 4: to jump, you want me to skip, you want me

1576
01:34:10,600 --> 01:34:11,160
Speaker 4: to roll over?

1577
01:34:11,520 --> 01:34:12,880
Speaker 1: But what you want me to do?

1578
01:34:13,760 --> 01:34:15,000
Speaker 4: Show this music?

1579
01:34:15,280 --> 01:34:18,560
Speaker 5: When I go to a stage show which is not

1580
01:34:18,720 --> 01:34:21,800
Speaker 5: my show, and and and I see an artist on

1581
01:34:21,880 --> 01:34:25,400
Speaker 5: the stage, I go there to see your artists perform.

1582
01:34:26,640 --> 01:34:28,879
Speaker 4: I don't go there to see the artists doing bullshit.

1583
01:34:29,040 --> 01:34:31,680
Speaker 4: I'm just there to see you do your guts. I

1584
01:34:31,760 --> 01:34:32,439
Speaker 4: can feel it.

1585
01:34:34,520 --> 01:34:37,120
Speaker 8: How do you deal with unruly fans? I did see

1586
01:34:37,160 --> 01:34:40,280
Speaker 8: somebody jump on the stage and try to grab your mic,

1587
01:34:41,479 --> 01:34:43,080
Speaker 8: Like what how do you How did you keep your

1588
01:34:43,120 --> 01:34:44,400
Speaker 8: composure in that moment?

1589
01:34:45,680 --> 01:34:48,280
Speaker 6: I give the hands you did?

1590
01:34:48,840 --> 01:34:51,120
Speaker 4: Yeah, that's what I do. Take a mic.

1591
01:34:54,600 --> 01:34:57,320
Speaker 6: Think that he could just come on stage and just because.

1592
01:34:57,080 --> 01:35:00,559
Speaker 5: You want to be beating man, So he's like, b yeah,

1593
01:35:00,560 --> 01:35:02,599
Speaker 5: you're coming like funk, I'm beating in tonight.

1594
01:35:03,479 --> 01:35:07,479
Speaker 4: Jump on the stage like okay, there you go. What

1595
01:35:07,680 --> 01:35:08,200
Speaker 4: are you saying?

1596
01:35:08,720 --> 01:35:08,960
Speaker 1: Yeah?

1597
01:35:09,960 --> 01:35:11,560
Speaker 2: And then the security kicked them off, and then you

1598
01:35:12,160 --> 01:35:18,040
Speaker 2: you go, that's like okay, you can handle it.

1599
01:35:18,080 --> 01:35:21,639
Speaker 4: And then hand iteah, there you go, because you see

1600
01:35:22,040 --> 01:35:25,960
Speaker 4: all right? You see in life you gotta know if

1601
01:35:26,040 --> 01:35:29,840
Speaker 4: all right, if you it's the best worker at your shop,

1602
01:35:30,880 --> 01:35:34,479
Speaker 4: and you said, say you sell a computer and use

1603
01:35:34,520 --> 01:35:37,040
Speaker 4: the best computer, celler you every time you talk about

1604
01:35:37,040 --> 01:35:40,280
Speaker 4: a computer, somebody want to buy it, like ship. This

1605
01:35:40,520 --> 01:35:42,400
Speaker 4: is ship what you're talking about.

1606
01:35:42,560 --> 01:35:42,680
Speaker 1: Right?

1607
01:35:42,760 --> 01:35:46,560
Speaker 5: Wait, then somebody has come and not talking about the

1608
01:35:46,600 --> 01:35:48,479
Speaker 5: computer the way you talk about the computer.

1609
01:35:49,000 --> 01:35:54,920
Speaker 4: Computer. Stop set if you can get read that person

1610
01:35:56,680 --> 01:35:58,200
Speaker 4: sell some radio or something.

1611
01:35:58,280 --> 01:36:00,960
Speaker 5: Then you go around there says some stereo do something,

1612
01:36:01,720 --> 01:36:07,080
Speaker 5: because you're messing with my job. So you're going to

1613
01:36:07,160 --> 01:36:09,720
Speaker 5: give them a chance, like, here's a chance to do

1614
01:36:09,840 --> 01:36:13,720
Speaker 5: what you're doing. Try to sell this computer. He's not

1615
01:36:13,840 --> 01:36:15,760
Speaker 5: going to sell it because they're not selling like or

1616
01:36:15,840 --> 01:36:20,080
Speaker 5: you selling it. You're telling everybody about the computer. Everything

1617
01:36:20,200 --> 01:36:23,840
Speaker 5: about the computer, every image, everything about the computer.

1618
01:36:24,120 --> 01:36:25,599
Speaker 2: Their passion is your passion.

1619
01:36:29,520 --> 01:36:33,519
Speaker 4: Okay, that's why I never played football. I don't know

1620
01:36:33,640 --> 01:36:34,280
Speaker 4: ship about that.

1621
01:36:36,400 --> 01:36:38,639
Speaker 1: Nobody you're gonna spook a swiff. You don't spook a slip.

1622
01:36:38,960 --> 01:36:40,400
Speaker 4: Nobody give me those swiff.

1623
01:36:52,120 --> 01:37:01,240
Speaker 1: You were passions. He've been smoking from.

1624
01:37:03,000 --> 01:37:12,000
Speaker 4: Rolling bakerst No collaboration, guys, crazy if if you.

1625
01:37:12,120 --> 01:37:13,920
Speaker 2: I got this one, jamake, I smoked by myself because

1626
01:37:13,920 --> 01:37:15,080
Speaker 2: of Jamaicans smoke.

1627
01:37:15,439 --> 01:37:16,479
Speaker 1: Yeah, they don't trust nobody.

1628
01:37:17,280 --> 01:37:22,920
Speaker 5: You gotta smoke by your goddamn. Can't bet a blunt.

1629
01:37:23,640 --> 01:37:26,639
Speaker 5: You can smoke a blood man, give blunt. You gotta

1630
01:37:26,680 --> 01:37:29,519
Speaker 5: blunt smoke, send down the blunt.

1631
01:37:31,560 --> 01:37:36,240
Speaker 1: This is irid, Beanie. This is I grade, Beanie.

1632
01:37:40,360 --> 01:37:42,679
Speaker 2: You want to know I'm getting.

1633
01:37:44,800 --> 01:37:51,200
Speaker 4: I'm telling let me ask you.

1634
01:37:51,320 --> 01:37:51,800
Speaker 1: Let me ask you.

1635
01:37:55,000 --> 01:37:56,519
Speaker 2: We know what you're gonna say, but I gotta ask

1636
01:37:56,560 --> 01:37:59,240
Speaker 2: you anyway. What is the best island?

1637
01:38:04,800 --> 01:38:13,679
Speaker 1: A lot of pressure. The iugest great hurrit is life. Life.

1638
01:38:14,320 --> 01:38:18,519
Speaker 1: I great life, great life.

1639
01:38:19,800 --> 01:38:23,479
Speaker 4: Now the weed that you're smoke, it's a different thing

1640
01:38:23,560 --> 01:38:25,439
Speaker 4: because we change every fucking week.

1641
01:38:25,920 --> 01:38:26,479
Speaker 1: Is sk.

1642
01:38:28,040 --> 01:38:32,080
Speaker 4: And then you got Chranic. They you got tool.

1643
01:38:34,400 --> 01:38:38,479
Speaker 1: This is well.

1644
01:38:38,520 --> 01:38:42,240
Speaker 5: The best I grade in the world is life because

1645
01:38:42,280 --> 01:38:45,559
Speaker 5: when you can live your life for what your life world.

1646
01:38:45,479 --> 01:38:49,400
Speaker 4: And what your life deserves, that is the highest grade.

1647
01:38:50,479 --> 01:38:52,600
Speaker 2: You said the best islands island, the.

1648
01:38:52,680 --> 01:38:57,599
Speaker 6: Best island, the best in the world island Jamaica.

1649
01:39:01,080 --> 01:39:04,040
Speaker 2: My second part, what's the best island in the world

1650
01:39:04,120 --> 01:39:05,440
Speaker 2: besides Jamaica.

1651
01:39:06,760 --> 01:39:07,200
Speaker 6: America?

1652
01:39:07,960 --> 01:39:10,120
Speaker 1: You guys by yourself, buddy.

1653
01:39:11,880 --> 01:39:19,040
Speaker 2: Dominican, don't don't listen to him. The island.

1654
01:39:20,400 --> 01:39:25,120
Speaker 4: What's the best? Right the rights from Jamaica Aston Jamaica, Jamaica.

1655
01:39:26,600 --> 01:39:35,479
Speaker 2: I respect that I left Trainingadady, he's like second second place.

1656
01:39:36,680 --> 01:39:39,240
Speaker 5: I left training that what I don't eat doubles dog

1657
01:39:39,360 --> 01:39:41,439
Speaker 5: the only doubles. I don't eat nothing that dog, don't

1658
01:39:44,320 --> 01:39:51,080
Speaker 5: you know, Yeah, doubles. Doubles is nice, don't doubles. I tried,

1659
01:39:51,160 --> 01:39:53,160
Speaker 5: already tried like two times.

1660
01:39:53,439 --> 01:39:56,320
Speaker 4: But yeah they got trick peas and peppa and ships

1661
01:39:56,800 --> 01:39:59,120
Speaker 4: and flowing ship and it's nice.

1662
01:39:59,240 --> 01:40:03,840
Speaker 5: Then you gout next one called trippers. It's nice. But

1663
01:40:05,120 --> 01:40:07,160
Speaker 5: once I show to the dog and the dog down.

1664
01:40:07,120 --> 01:40:08,960
Speaker 1: Eat it, he's like that ship.

1665
01:40:09,479 --> 01:40:17,080
Speaker 2: Wait talme out, come on, come off, you do dog?

1666
01:40:17,960 --> 01:40:20,640
Speaker 4: Dog eat fish? Dogg eat thumplings.

1667
01:40:20,720 --> 01:40:23,880
Speaker 1: I never don't wait everything. The dog would eat the double.

1668
01:40:23,960 --> 01:40:28,240
Speaker 4: The dog down, Where do you get the double trinidad?

1669
01:40:28,400 --> 01:40:28,439
Speaker 1: No?

1670
01:40:28,520 --> 01:40:30,120
Speaker 6: What I mean like a specific No.

1671
01:40:30,280 --> 01:40:32,400
Speaker 4: I was on the roadside on the trip.

1672
01:40:32,800 --> 01:40:35,000
Speaker 2: Was the straight dog about your dog?

1673
01:40:35,760 --> 01:40:47,879
Speaker 1: Straight up? Uner dog? Homeless?

1674
01:40:47,960 --> 01:40:51,160
Speaker 4: Hungry dog said no, I'm not fucking around.

1675
01:40:54,080 --> 01:40:55,840
Speaker 1: I see the other day the other day. I swear

1676
01:40:55,840 --> 01:40:58,920
Speaker 1: to God, I can't get me something that someone did.

1677
01:40:59,360 --> 01:41:02,080
Speaker 2: Study and even dog McDonald's. And the dog wouldn't eat

1678
01:41:02,120 --> 01:41:03,920
Speaker 2: McDonald So.

1679
01:41:04,000 --> 01:41:05,760
Speaker 4: Why should I eat my nuns.

1680
01:41:07,439 --> 01:41:08,080
Speaker 1: On Instagram?

1681
01:41:08,800 --> 01:41:10,400
Speaker 4: Send me to burger king dog.

1682
01:41:13,840 --> 01:41:16,599
Speaker 1: With that? So let me let me ask you, Beanie.

1683
01:41:17,439 --> 01:41:19,479
Speaker 1: When I went to I went JA make a couple

1684
01:41:19,479 --> 01:41:23,160
Speaker 1: of times, yeah, a lot of times, right, But there's

1685
01:41:23,320 --> 01:41:26,400
Speaker 1: really Chinese Jamaicans of course.

1686
01:41:26,520 --> 01:41:26,680
Speaker 2: Man.

1687
01:41:27,240 --> 01:41:32,559
Speaker 4: You know, like you got Chinese, Japanese, Continuese, Indian, these

1688
01:41:33,080 --> 01:41:41,880
Speaker 4: theses Japanese. Man, they can they be remember that's a

1689
01:41:41,920 --> 01:41:43,240
Speaker 4: good question actually for us.

1690
01:41:43,520 --> 01:41:48,679
Speaker 5: I remember, Chinese have sex, they want to have kids.

1691
01:41:49,360 --> 01:41:52,640
Speaker 5: They can't have anything in China. Any think they're going

1692
01:41:52,720 --> 01:41:53,439
Speaker 5: to come advocates.

1693
01:41:53,439 --> 01:41:56,800
Speaker 6: That's I don't regulations.

1694
01:42:00,120 --> 01:42:01,040
Speaker 2: All you mean in China?

1695
01:42:01,240 --> 01:42:03,719
Speaker 1: Yeah, the yard you can have fifteen hundred.

1696
01:42:12,040 --> 01:42:13,080
Speaker 6: They they got yo.

1697
01:42:15,520 --> 01:42:21,559
Speaker 1: Thinking. So the Chinese people come to Jamaica, Jamaica, let

1698
01:42:21,600 --> 01:42:25,080
Speaker 1: me tell you some Chinese went outside Actimoty gardens and

1699
01:42:25,120 --> 01:42:28,320
Speaker 1: I went to like a bodega. Chinese man was there,

1700
01:42:28,560 --> 01:42:31,800
Speaker 1: and I was like, he was like, come on, you

1701
01:42:31,880 --> 01:42:40,000
Speaker 1: can't like you know, he was speaking, he's speaking y'all generations.

1702
01:42:40,960 --> 01:42:43,519
Speaker 1: I knew, like the China man was born the cool

1703
01:42:43,600 --> 01:42:45,160
Speaker 1: you know what he did was bond there.

1704
01:42:45,320 --> 01:42:46,040
Speaker 2: Yeah, exactly.

1705
01:42:46,040 --> 01:42:47,080
Speaker 1: You know what the chinaman did.

1706
01:42:47,200 --> 01:42:48,080
Speaker 2: Father was born there.

1707
01:42:48,240 --> 01:42:49,439
Speaker 12: You know what he did?

1708
01:42:50,960 --> 01:42:55,360
Speaker 7: I came there, yeah and there you go. Sorry, yeah,

1709
01:42:55,720 --> 01:43:01,360
Speaker 7: you know China. He said, yeah, anybody that's not.

1710
01:43:01,600 --> 01:43:09,040
Speaker 1: Really that's real. That's what has made it sound like

1711
01:43:10,640 --> 01:43:17,439
Speaker 1: that's you making me. I can't tell you one word

1712
01:43:17,600 --> 01:43:21,960
Speaker 1: that comes from Jamaica. I suck it up, fuck it up. No,

1713
01:43:23,240 --> 01:43:28,160
Speaker 1: you gotta say like up no ChRI yes.

1714
01:43:28,080 --> 01:43:32,640
Speaker 4: The only word that the only word I know that

1715
01:43:32,760 --> 01:43:37,040
Speaker 4: Jamaican use. Bombo clot of course, what is a bumble clod?

1716
01:43:39,439 --> 01:43:41,360
Speaker 2: It's a lot of things, a lot of things.

1717
01:43:44,280 --> 01:43:46,040
Speaker 5: Your hand, the fans have you put on a couple

1718
01:43:46,040 --> 01:43:47,839
Speaker 5: of you ass Yes, it is your bumbo?

1719
01:43:47,960 --> 01:43:50,519
Speaker 2: What the singing man?

1720
01:43:50,800 --> 01:43:56,639
Speaker 4: It's true, that's what That's what it is. And then yeah,

1721
01:43:57,120 --> 01:44:00,240
Speaker 4: clap who you and your mother?

1722
01:44:01,000 --> 01:44:01,280
Speaker 1: Second?

1723
01:44:01,880 --> 01:44:03,200
Speaker 4: This is this is a going thing.

1724
01:44:04,439 --> 01:44:06,120
Speaker 2: We're talking the worst ship right now.

1725
01:44:06,360 --> 01:44:21,960
Speaker 4: Yeah, what a man telling in Jamaica about your moms.

1726
01:44:24,360 --> 01:44:25,200
Speaker 4: That's a different thing.

1727
01:44:25,840 --> 01:44:28,920
Speaker 1: Be ready to fight everybody. We're moving up and.

1728
01:44:29,760 --> 01:44:31,880
Speaker 4: We are you talking about something? We have that one

1729
01:44:31,920 --> 01:44:35,599
Speaker 4: you know crazy, it's horrible. That's gonna be wicked.

1730
01:44:36,400 --> 01:44:37,720
Speaker 1: Yeah, but they do.

1731
01:44:38,720 --> 01:44:39,200
Speaker 4: It's fun.

1732
01:44:39,640 --> 01:44:41,920
Speaker 5: It's coming like a black man calling the next black man,

1733
01:44:41,960 --> 01:44:44,240
Speaker 5: what's up my nigga? And then the white man come

1734
01:44:44,320 --> 01:44:49,559
Speaker 5: and said, that's my nigga. That gonna be funked out.

1735
01:44:53,240 --> 01:44:55,720
Speaker 4: That got me nice. They not came out, he said,

1736
01:44:55,760 --> 01:44:57,280
Speaker 4: but your niggas every day.

1737
01:44:58,040 --> 01:44:59,800
Speaker 1: No, that's not for you.

1738
01:45:01,040 --> 01:45:03,800
Speaker 5: Yeah, call me your brether, are your friend. You don't

1739
01:45:03,840 --> 01:45:06,880
Speaker 5: call me a nigga because we've been too slavely for

1740
01:45:07,040 --> 01:45:07,840
Speaker 5: four hundred is.

1741
01:45:08,160 --> 01:45:10,040
Speaker 2: My friend was at the airport the other day and

1742
01:45:10,120 --> 01:45:12,080
Speaker 2: a Haitian called him a nigga and he was talking

1743
01:45:12,160 --> 01:45:12,439
Speaker 2: than him.

1744
01:45:12,640 --> 01:45:14,240
Speaker 1: He's like, he's like, he put up your wie.

1745
01:45:14,320 --> 01:45:15,479
Speaker 2: He's like, I'm here.

1746
01:45:15,520 --> 01:45:19,800
Speaker 1: He's like, nigga, Mike right here? What you making bread?

1747
01:45:19,880 --> 01:45:28,120
Speaker 1: The older Jamaicas came out. Drey got into an accident

1748
01:45:28,200 --> 01:45:29,120
Speaker 1: and still showed up.

1749
01:45:29,400 --> 01:45:34,280
Speaker 2: Got ya Jamaica's like ah, I ever told the crazy

1750
01:45:34,360 --> 01:45:37,280
Speaker 2: Hood story, saying crazy Hood in Jamaica in the radio

1751
01:45:37,479 --> 01:45:39,840
Speaker 2: no go ahead us. So I was at how can

1752
01:45:39,920 --> 01:45:42,360
Speaker 2: I be down Jamaica in nineteen ninety five?

1753
01:45:42,479 --> 01:45:44,360
Speaker 4: I think ninety seven something.

1754
01:45:44,680 --> 01:45:45,599
Speaker 2: It was only nineties.

1755
01:45:45,840 --> 01:45:46,519
Speaker 4: Can I be down?

1756
01:45:46,840 --> 01:45:49,479
Speaker 2: Remember when there was Jamaica? Yeah, culche Rios.

1757
01:45:49,680 --> 01:45:49,920
Speaker 1: Yeah.

1758
01:45:50,320 --> 01:45:53,320
Speaker 2: And we went to do a local radio show, me

1759
01:45:53,400 --> 01:45:55,439
Speaker 2: and my boys, and our name of our crew is

1760
01:45:55,479 --> 01:45:57,679
Speaker 2: crazy Hood Productions. So where we go on the radio,

1761
01:45:57,720 --> 01:45:59,599
Speaker 2: they said to say who you are, We're like crazy

1762
01:45:59,640 --> 01:46:02,559
Speaker 2: Hood for actually great and they start giggling and laughing

1763
01:46:03,240 --> 01:46:06,040
Speaker 2: and and saying, oh na and then.

1764
01:46:05,960 --> 01:46:08,960
Speaker 1: We're like crazy hook crazy, like oh you know, I

1765
01:46:09,040 --> 01:46:10,720
Speaker 1: know they told those as words and that.

1766
01:46:11,040 --> 01:46:13,960
Speaker 2: Was like you basically were saying you was crazy Penis Productions.

1767
01:46:14,120 --> 01:46:22,280
Speaker 1: Yeah there was crazy buddy production. It's like it's like, look,

1768
01:46:24,760 --> 01:46:29,799
Speaker 1: we kept saying crazy. You count the name only.

1769
01:46:29,760 --> 01:46:40,880
Speaker 4: Years guy, and then you're in front of Jamaicans. Dude,

1770
01:46:40,880 --> 01:46:42,320
Speaker 4: it's not artists. They're now.

1771
01:46:42,720 --> 01:46:44,000
Speaker 1: No, there was radio people.

1772
01:46:44,240 --> 01:46:46,519
Speaker 4: Hey, you're like crazy looking production.

1773
01:46:47,840 --> 01:46:57,960
Speaker 9: I just don't and we're like, you're crazy hunt. They

1774
01:46:57,960 --> 01:46:59,040
Speaker 9: were like, where you from crazy?

1775
01:46:59,600 --> 01:46:59,760
Speaker 1: Oh?

1776
01:47:02,479 --> 01:47:06,439
Speaker 4: Just some guy try looking for something coming out that

1777
01:47:06,560 --> 01:47:07,080
Speaker 4: crazy like.

1778
01:47:08,880 --> 01:47:14,519
Speaker 1: Crazy production? Where that crazy?

1779
01:47:23,040 --> 01:47:25,439
Speaker 6: You knew that man's stuck with it.

1780
01:47:25,720 --> 01:47:30,080
Speaker 1: Yeah, that was fun up.

1781
01:47:31,479 --> 01:47:32,120
Speaker 4: In Jamaica.

1782
01:47:33,400 --> 01:47:36,480
Speaker 6: Male or females, now everybody.

1783
01:47:36,320 --> 01:47:38,880
Speaker 2: My buddy, okay, but they knew, they knew what we man.

1784
01:47:38,920 --> 01:47:43,040
Speaker 1: But they was like you guys, you listening crazy other

1785
01:47:43,080 --> 01:47:43,960
Speaker 1: ready you can't do that?

1786
01:47:44,040 --> 01:47:47,200
Speaker 4: All right, Jamaica, My team m White. I just said

1787
01:47:47,240 --> 01:47:48,519
Speaker 4: the rocking thing. I want White.

1788
01:47:49,240 --> 01:48:01,920
Speaker 15: That's pause, yes, pause White, Yeah, Jim Lincoln, No, we

1789
01:48:01,920 --> 01:48:14,559
Speaker 15: don't want you to ask you in Jamaica. Jesus, that's

1790
01:48:14,600 --> 01:48:15,599
Speaker 15: the guy who want that question.

1791
01:48:17,160 --> 01:48:21,320
Speaker 5: All right, all right, I'm going to tell you one thing.

1792
01:48:22,120 --> 01:48:25,400
Speaker 5: Let's go for that Christian site. I saw any music

1793
01:48:25,479 --> 01:48:27,240
Speaker 5: I play. I didn't swear my name.

1794
01:48:28,960 --> 01:48:32,880
Speaker 2: He understands that does not Just go over about it,

1795
01:48:33,040 --> 01:48:36,439
Speaker 2: Christian Tory, you don't want to go to his church.

1796
01:48:36,600 --> 01:48:39,519
Speaker 2: His church is Christian, but it's nothing but white people

1797
01:48:39,600 --> 01:48:44,080
Speaker 2: at his church. He goes white church and he life

1798
01:48:44,120 --> 01:48:45,720
Speaker 2: streams at all and he's dominicant.

1799
01:48:45,760 --> 01:48:54,520
Speaker 4: He swearing white. He's Dominican, Cominican Island.

1800
01:48:54,880 --> 01:49:01,960
Speaker 5: So you Dominican, the all white church. All right, which

1801
01:49:02,040 --> 01:49:06,280
Speaker 5: part of the domin you coming that republic? Ur Dominica, Dominica.

1802
01:49:08,680 --> 01:49:13,800
Speaker 6: What you said, Dominican Republic Dominic Okay.

1803
01:49:15,479 --> 01:49:18,000
Speaker 4: He's on the other hand, told him, oh you you

1804
01:49:18,160 --> 01:49:20,840
Speaker 4: got that out of all for eighty Yeah, I get you.

1805
01:49:21,560 --> 01:49:22,280
Speaker 1: Don't move about it.

1806
01:49:22,360 --> 01:49:23,040
Speaker 4: I'm not warring.

1807
01:49:23,240 --> 01:49:27,920
Speaker 1: I'm not don't worry about it.

1808
01:49:28,640 --> 01:49:35,800
Speaker 4: So Christian's turk sold moved to the last in the

1809
01:49:35,880 --> 01:49:38,320
Speaker 4: name of Jesus, moved to the right, and the name

1810
01:49:38,360 --> 01:49:38,840
Speaker 4: of the Lord.

1811
01:49:39,280 --> 01:49:46,880
Speaker 1: Shake that of that Jesus gave shake. That's you don't want, mister.

1812
01:49:47,680 --> 01:49:51,360
Speaker 4: He was like, yes, I do, Yes, I do, miss,

1813
01:49:51,439 --> 01:49:54,240
Speaker 4: And you want to the posta behind a Christian woman

1814
01:49:54,320 --> 01:49:54,760
Speaker 4: in the church.

1815
01:49:56,080 --> 01:49:57,439
Speaker 1: She starting the puss, like.

1816
01:50:00,600 --> 01:50:02,240
Speaker 4: What you don't do that?

1817
01:50:02,960 --> 01:50:04,560
Speaker 1: Just in twek they do that.

1818
01:50:04,680 --> 01:50:06,720
Speaker 5: They go to church to twork and they put on

1819
01:50:06,800 --> 01:50:09,519
Speaker 5: their best suit too. They come out and they move

1820
01:50:09,680 --> 01:50:10,559
Speaker 5: big like this and the.

1821
01:50:12,560 --> 01:50:15,320
Speaker 6: Yeah they do that.

1822
01:50:16,720 --> 01:50:23,519
Speaker 4: Yeah, people people do what they do. So if you're Christian,

1823
01:50:23,880 --> 01:50:26,760
Speaker 4: you go to church to praise to God. But you

1824
01:50:26,880 --> 01:50:29,240
Speaker 4: go to church to funny, you don't go to.

1825
01:50:29,320 --> 01:50:35,559
Speaker 5: Church and sit down and by his church like church,

1826
01:50:37,400 --> 01:50:38,599
Speaker 5: what church are you gonna say?

1827
01:50:38,760 --> 01:50:48,040
Speaker 1: It's all white people Instagram live and at church. You

1828
01:50:48,120 --> 01:50:49,439
Speaker 1: know they all they all.

1829
01:50:50,360 --> 01:50:50,760
Speaker 6: This is not.

1830
01:50:52,960 --> 01:50:54,160
Speaker 1: What can church? And go to.

1831
01:50:56,720 --> 01:50:56,880
Speaker 2: Right?

1832
01:50:56,960 --> 01:50:58,400
Speaker 1: You go to Catoe.

1833
01:50:59,680 --> 01:51:08,960
Speaker 6: Church had a video there, that's.

1834
01:51:10,520 --> 01:51:10,840
Speaker 4: The church.

1835
01:51:10,920 --> 01:51:15,880
Speaker 1: Just give me a church. It's yourself. He's got.

1836
01:51:17,280 --> 01:51:18,559
Speaker 6: Oh we dished a video there.

1837
01:51:19,040 --> 01:51:22,960
Speaker 1: Thanks, so you're going even a pop and all of that.

1838
01:51:23,120 --> 01:51:24,640
Speaker 4: Even he got the picture.

1839
01:51:24,320 --> 01:51:26,840
Speaker 2: Of the pope in his crib. He did not, Yes

1840
01:51:26,920 --> 01:51:29,120
Speaker 2: he does, he does.

1841
01:51:29,960 --> 01:51:31,160
Speaker 1: He got a picture.

1842
01:51:32,080 --> 01:51:33,960
Speaker 6: Yes, he said, you have a picture of pope in

1843
01:51:34,000 --> 01:51:34,360
Speaker 6: your house.

1844
01:51:35,280 --> 01:51:38,080
Speaker 2: Yes, it's in his bathroom.

1845
01:51:40,880 --> 01:51:42,479
Speaker 6: Or at all you.

1846
01:51:44,040 --> 01:51:47,840
Speaker 4: Gotta yeah, not down to sid that chucked him. The

1847
01:51:47,960 --> 01:51:48,960
Speaker 4: pope was here, bat you.

1848
01:51:51,800 --> 01:51:53,360
Speaker 2: He praised the po When he has to go to

1849
01:51:53,439 --> 01:51:55,880
Speaker 2: the he said, please pop help me.

1850
01:51:56,880 --> 01:52:04,840
Speaker 4: Yes, yeah, man, it's fun being there.

1851
01:52:04,920 --> 01:52:08,120
Speaker 1: This's just so let me ask you. Because I'm a foodie.

1852
01:52:09,600 --> 01:52:12,600
Speaker 1: I go to Jamaica. Oay, you take the shot. I

1853
01:52:12,680 --> 01:52:14,800
Speaker 1: go to Jamaica. What am I supposed to eat when

1854
01:52:14,840 --> 01:52:15,559
Speaker 1: I go to Jamaica?

1855
01:52:16,320 --> 01:52:20,160
Speaker 4: Okay? Where are you supposed to tell? What you're supposed to?

1856
01:52:20,320 --> 01:52:22,160
Speaker 1: What? Where?

1857
01:52:22,280 --> 01:52:24,120
Speaker 2: And what's a big island?

1858
01:52:24,160 --> 01:52:24,240
Speaker 1: Bro?

1859
01:52:24,520 --> 01:52:25,200
Speaker 2: Where's a lot of.

1860
01:52:29,880 --> 01:52:30,200
Speaker 1: All right?

1861
01:52:31,000 --> 01:52:34,240
Speaker 4: If you want to eat, you eat.

1862
01:52:35,000 --> 01:52:35,639
Speaker 1: Swim around.

1863
01:52:36,160 --> 01:52:40,000
Speaker 5: We don't call it fish because you called it swimming around.

1864
01:52:40,080 --> 01:52:43,640
Speaker 5: Swim around the fish they're swimming around. They call it

1865
01:52:43,720 --> 01:52:44,280
Speaker 5: swimming around.

1866
01:52:44,320 --> 01:52:45,520
Speaker 1: I like call him around.

1867
01:52:45,640 --> 01:52:48,240
Speaker 4: Yeah, if you want to eat some steam.

1868
01:52:48,880 --> 01:52:53,160
Speaker 2: Swimmer around. I'm gonna do that now when I go

1869
01:52:53,240 --> 01:52:55,599
Speaker 2: to the restaurant, I like swimming around.

1870
01:52:55,640 --> 01:52:57,559
Speaker 1: Please, swimming around.

1871
01:52:59,000 --> 01:53:00,200
Speaker 4: You gotta go to the beach.

1872
01:53:01,040 --> 01:53:03,760
Speaker 5: If you go to the beach, then you got some

1873
01:53:04,040 --> 01:53:06,519
Speaker 5: some good chef on the beach and and they cook

1874
01:53:06,600 --> 01:53:09,959
Speaker 5: it different. Especially if you come to Kingston.

1875
01:53:10,160 --> 01:53:12,600
Speaker 1: You go to a beach and.

1876
01:53:14,720 --> 01:53:15,880
Speaker 6: Yeah that's where it's at right there.

1877
01:53:15,880 --> 01:53:18,400
Speaker 2: So Kingston got beaches. I thought Kingston had beaches.

1878
01:53:18,920 --> 01:53:22,080
Speaker 8: Oh yeah, now that they have the highway. There's a

1879
01:53:22,160 --> 01:53:27,000
Speaker 8: highway that the hood certain nice places. Still a big city,

1880
01:53:27,080 --> 01:53:29,839
Speaker 8: but strip of fresh seafood and everything.

1881
01:53:31,640 --> 01:53:39,400
Speaker 4: What are you saying? You ain't got no beach? What

1882
01:53:39,560 --> 01:53:39,960
Speaker 4: is he saying?

1883
01:53:42,560 --> 01:53:46,960
Speaker 3: He's asking if there's any beaches, a kid, there's any

1884
01:53:46,960 --> 01:53:47,759
Speaker 3: beaches in Jamaica.

1885
01:53:51,920 --> 01:53:55,280
Speaker 4: Do not let me come over there. I'm begging now,

1886
01:53:55,400 --> 01:54:02,000
Speaker 4: you see, And it's not only you still because you

1887
01:54:02,120 --> 01:54:05,439
Speaker 4: got out of places around there before you reach you

1888
01:54:05,520 --> 01:54:08,000
Speaker 4: can turn off on the left. But they sell the

1889
01:54:08,080 --> 01:54:12,800
Speaker 4: best seafood, haven't wow, Like you will never get a

1890
01:54:12,880 --> 01:54:16,519
Speaker 4: better at tasting seafood. This is in Kingston, right, yeah, yeah,

1891
01:54:19,200 --> 01:54:22,880
Speaker 4: you got across the bridge. It's like saying downtown to

1892
01:54:22,920 --> 01:54:23,519
Speaker 4: Miami Beach.

1893
01:54:23,840 --> 01:54:26,679
Speaker 5: Yeah, right there you go, right, so you go across

1894
01:54:26,720 --> 01:54:31,519
Speaker 5: the bridge and and the beach. You see, got the best,

1895
01:54:32,360 --> 01:54:32,760
Speaker 5: you know, like.

1896
01:54:32,800 --> 01:54:36,560
Speaker 6: Our sea is in the whole meat like that fish.

1897
01:54:37,480 --> 01:54:42,400
Speaker 2: No no swimming around, swimming around, man swimming?

1898
01:54:42,920 --> 01:54:47,040
Speaker 1: Okay, stop sayings. Who got the best vegan food?

1899
01:54:47,400 --> 01:54:50,240
Speaker 4: Who got the best vegan? Now you got it?

1900
01:54:50,600 --> 01:54:55,400
Speaker 5: Ships, you got itel restaurants. You got everything in Kingston

1901
01:54:55,480 --> 01:54:58,600
Speaker 5: that that is in Kingston. That is nothing that is

1902
01:54:58,680 --> 01:55:01,800
Speaker 5: in Kingston. Like off a tree and cross over the area. Yeah,

1903
01:55:01,840 --> 01:55:02,680
Speaker 5: you get the best.

1904
01:55:03,280 --> 01:55:05,920
Speaker 4: Vegan food is that? And then then.

1905
01:55:07,560 --> 01:55:09,760
Speaker 5: If you want, if you go to a restaurant and

1906
01:55:09,920 --> 01:55:11,880
Speaker 5: ox a vegan food, the chef can't cook up a

1907
01:55:11,960 --> 01:55:14,920
Speaker 5: vegan food for you any west want, Yes, even though

1908
01:55:15,120 --> 01:55:18,360
Speaker 5: the selling vegan food him said, even sell pork.

1909
01:55:18,960 --> 01:55:21,680
Speaker 4: No, no, you can't fire up on that pork.

1910
01:55:22,800 --> 01:55:23,400
Speaker 2: You're sucking up.

1911
01:55:23,440 --> 01:55:26,800
Speaker 1: Bro, Hey man, I need to learn. I don't eat

1912
01:55:27,040 --> 01:55:28,480
Speaker 1: red meat, so I'm good.

1913
01:55:28,520 --> 01:55:32,640
Speaker 4: Yeah, fire up pork, yeah, fire bomb if yeah, yeah,

1914
01:55:32,800 --> 01:55:33,320
Speaker 4: that's why I know.

1915
01:55:36,080 --> 01:55:36,280
Speaker 1: Yeah.

1916
01:55:36,760 --> 01:55:41,640
Speaker 4: So you can't go to a restaurant an ox chef

1917
01:55:42,560 --> 01:55:43,880
Speaker 4: for cook.

1918
01:55:44,840 --> 01:55:48,320
Speaker 1: Nice vegan food, so you never ate OX selling your life?

1919
01:55:49,040 --> 01:55:49,640
Speaker 4: Why should I?

1920
01:55:50,480 --> 01:55:55,040
Speaker 1: Mm hmm, I just want to ask the question.

1921
01:55:57,000 --> 01:55:57,760
Speaker 4: But why should I?

1922
01:55:58,200 --> 01:56:01,440
Speaker 1: I'm just saying like that's the national day of the island.

1923
01:56:03,120 --> 01:56:12,400
Speaker 2: No, damn, even can't like hockey solfish fish. What we're

1924
01:56:12,400 --> 01:56:18,600
Speaker 2: saying now, swimm around hockey saw fish and yeah, hockey

1925
01:56:18,640 --> 01:56:19,280
Speaker 2: and swim around.

1926
01:56:19,360 --> 01:56:21,560
Speaker 1: Swimming around is the national dish of Jamaica.

1927
01:56:26,400 --> 01:56:30,240
Speaker 4: Tell me, can't sing around.

1928
01:56:32,480 --> 01:56:33,240
Speaker 1: You swim around?

1929
01:56:33,600 --> 01:56:35,440
Speaker 4: Yeah, you can't go sid fish if you want?

1930
01:56:35,600 --> 01:56:40,560
Speaker 16: Okay, so your advice best people call it back aloud back,

1931
01:56:41,240 --> 01:56:43,800
Speaker 16: but you know it's also could be used to ways,

1932
01:56:55,160 --> 01:56:55,480
Speaker 16: what's that?

1933
01:56:55,880 --> 01:57:03,480
Speaker 2: We sometimes we say the woman's parts. Yeah, no, no, no, you.

1934
01:57:03,480 --> 01:57:06,920
Speaker 6: Don't want that. That's watermelon. That's what you want?

1935
01:57:07,400 --> 01:57:08,840
Speaker 2: What watermelon?

1936
01:57:10,080 --> 01:57:12,000
Speaker 6: Yes, that's a different.

1937
01:57:11,760 --> 01:57:20,520
Speaker 5: Subject, Papa, papa, and right all day. Yes, yeah, but

1938
01:57:20,960 --> 01:57:23,760
Speaker 5: I don't do watching and well.

1939
01:57:24,960 --> 01:57:32,760
Speaker 1: Stop like.

1940
01:57:34,560 --> 01:57:37,560
Speaker 4: You got a big baby. He climbed up tree.

1941
01:57:37,720 --> 01:57:43,240
Speaker 2: No you just eat the watermelon and cooking the water

1942
01:57:43,720 --> 01:57:47,520
Speaker 2: pineapple to oh no, the dudes we eat.

1943
01:57:48,000 --> 01:57:49,480
Speaker 6: You eat the pineapple, the.

1944
01:57:49,480 --> 01:57:54,800
Speaker 4: Pineapple, pineapple, eat the steaky like you eat the pineapple.

1945
01:58:02,120 --> 01:58:05,320
Speaker 5: Why do you do you busted papa and take off

1946
01:58:05,400 --> 01:58:08,040
Speaker 5: his seat. I got to see them there right out

1947
01:58:08,080 --> 01:58:12,720
Speaker 5: the front. So you take them on like the pai. Yeah, yes, Papa,

1948
01:58:12,800 --> 01:58:13,960
Speaker 5: I mean papa.

1949
01:58:14,200 --> 01:58:15,240
Speaker 6: Okay, Papa.

1950
01:58:17,360 --> 01:58:18,400
Speaker 1: Say it like that.

1951
01:58:18,520 --> 01:58:22,080
Speaker 4: It's something better, say it again again.

1952
01:58:29,280 --> 01:58:35,120
Speaker 5: So that's how you do that. That's a nice fruit. Yes, yeah, man,

1953
01:58:35,200 --> 01:58:38,400
Speaker 5: that's a nice fruit. And I I don't do what

1954
01:58:38,680 --> 01:58:42,640
Speaker 5: you're talking about. I know why you were talking.

1955
01:58:43,240 --> 01:58:46,200
Speaker 4: I wasn't talking about it, timber watermelon, just eat it.

1956
01:58:49,720 --> 01:58:50,200
Speaker 1: Shut up.

1957
01:58:52,040 --> 01:58:57,760
Speaker 6: Right, I'm taking a shot. I think he needs some

1958
01:58:57,840 --> 01:58:58,400
Speaker 6: more back up.

1959
01:58:58,520 --> 01:59:01,440
Speaker 2: But what you are you worked with Janna Jackson?

1960
01:59:01,640 --> 01:59:04,320
Speaker 1: Yes, I do. That was on the same studio together,

1961
01:59:04,400 --> 01:59:08,560
Speaker 1: the same you know, we did the videos together. Okay, yeah,

1962
01:59:08,560 --> 01:59:09,480
Speaker 1: because the problem is.

1963
01:59:11,240 --> 01:59:14,720
Speaker 4: Jermen, we're never allowed to come around me because.

1964
01:59:25,640 --> 01:59:28,680
Speaker 1: So you only met each other at the video that.

1965
01:59:30,080 --> 01:59:30,840
Speaker 4: Yeah, well, we.

1966
01:59:32,840 --> 01:59:35,200
Speaker 5: Don't want to talk about that. The vision was good,

1967
01:59:35,920 --> 01:59:39,280
Speaker 5: shoots was nice. They was nice, best stay.

1968
01:59:40,240 --> 01:59:41,000
Speaker 1: Everything was good.

1969
01:59:44,240 --> 01:59:44,560
Speaker 4: Everything.

1970
01:59:48,200 --> 01:59:59,440
Speaker 1: I have no idea what I don't know that do

1971
01:59:59,480 --> 02:00:00,000
Speaker 1: your toast.

1972
02:00:01,640 --> 02:00:04,440
Speaker 4: From the troid to the liver come on liquor.

1973
02:00:04,720 --> 02:00:12,920
Speaker 1: That is quick there, right, So you arguably been into

1974
02:00:13,000 --> 02:00:16,040
Speaker 1: the game for four decades, right, if you could pick what,

1975
02:00:16,360 --> 02:00:18,520
Speaker 1: which decade that's your back?

1976
02:00:18,960 --> 02:00:24,200
Speaker 5: Ninete the nineties, Yeah, from ninety two to two thousand

1977
02:00:24,240 --> 02:00:24,600
Speaker 5: and nine.

1978
02:00:25,320 --> 02:00:28,880
Speaker 2: Whoa, that's a that's a good era is Yeah.

1979
02:00:28,800 --> 02:00:33,400
Speaker 1: That's porn in a decade, But I respect you. He's

1980
02:00:33,440 --> 02:00:34,200
Speaker 1: a decade plus.

1981
02:00:35,240 --> 02:00:37,320
Speaker 5: Yeah, but that that that was the last time I

1982
02:00:37,400 --> 02:00:40,360
Speaker 5: get Artists of the Year two thousand and nine.

1983
02:00:41,360 --> 02:00:44,320
Speaker 2: So he ended it after that, He's like, no, no,

1984
02:00:46,280 --> 02:00:47,680
Speaker 2: there's not no good after that.

1985
02:00:48,480 --> 02:00:49,480
Speaker 4: What more you're going to do?

1986
02:00:51,160 --> 02:00:52,160
Speaker 1: List after the Grammy?

1987
02:00:52,760 --> 02:00:56,360
Speaker 4: Yeah, I went to Grammar two thousand. Yeah, this is

1988
02:00:56,400 --> 02:00:59,760
Speaker 4: after the Grammy. But what more you're going to do?

1989
02:01:01,640 --> 02:01:04,680
Speaker 4: You can just sing a song and it's another its song.

1990
02:01:04,840 --> 02:01:05,360
Speaker 4: That that's it.

1991
02:01:06,400 --> 02:01:08,720
Speaker 5: It's not like you're gonna make your first its song

1992
02:01:08,840 --> 02:01:13,160
Speaker 5: and our people is gonna generate to the song more

1993
02:01:13,200 --> 02:01:15,440
Speaker 5: than the first song. I generate to the song more

1994
02:01:15,480 --> 02:01:17,800
Speaker 5: than the second song. Is what else he gonna do?

1995
02:01:21,560 --> 02:01:26,160
Speaker 5: This is what you're doing. You're keeping your name seeing

1996
02:01:26,280 --> 02:01:30,960
Speaker 5: all right, I'm in Jamaica and and I'm going to

1997
02:01:31,040 --> 02:01:34,360
Speaker 5: the parties. And then I mean being all being the

1998
02:01:34,440 --> 02:01:36,600
Speaker 5: man sim Sima, king of the dancer.

1999
02:01:44,560 --> 02:01:45,760
Speaker 2: We're gonna have to go slap.

2000
02:01:48,280 --> 02:01:48,760
Speaker 1: Slapped him.

2001
02:01:50,080 --> 02:01:52,560
Speaker 4: This is why it is. And I went down and said,

2002
02:01:52,600 --> 02:01:54,720
Speaker 4: lo ship, but I'm going to put in the dancer.

2003
02:01:56,160 --> 02:01:58,280
Speaker 4: And I go like, I've never bought a I'm a

2004
02:01:58,360 --> 02:02:01,200
Speaker 4: never plick up pet. I said, oh the one back

2005
02:02:01,240 --> 02:02:01,560
Speaker 4: on chack.

2006
02:02:01,600 --> 02:02:05,120
Speaker 5: Grab everything we have, you know, my god, So I

2007
02:02:05,200 --> 02:02:06,600
Speaker 5: don't tell me I got about mine.

2008
02:02:07,480 --> 02:02:09,760
Speaker 4: If you did them, send me. I have me a glass.

2009
02:02:10,040 --> 02:02:12,360
Speaker 4: Buy me when I leak something up my glass?

2010
02:02:12,680 --> 02:02:15,840
Speaker 5: Got them six because them So when they're like we

2011
02:02:15,880 --> 02:02:18,560
Speaker 5: started to let boy for chuck off car and all,

2012
02:02:19,000 --> 02:02:21,600
Speaker 5: but you get me out here and I see coming

2013
02:02:21,680 --> 02:02:24,600
Speaker 5: different care now, then I wonder when I thinks them

2014
02:02:24,640 --> 02:02:27,280
Speaker 5: so that one can on me us there brought me

2015
02:02:27,400 --> 02:02:27,800
Speaker 5: out in the.

2016
02:02:27,880 --> 02:02:38,320
Speaker 17: Dirty clean all right. You see, all right, we know

2017
02:02:38,400 --> 02:02:39,160
Speaker 17: little ship like that.

2018
02:02:39,440 --> 02:02:42,520
Speaker 5: It meant people know where you're coming from and make

2019
02:02:42,560 --> 02:02:45,080
Speaker 5: people know who you are, and many people know what

2020
02:02:45,200 --> 02:02:48,280
Speaker 5: firmly is and what you're thinking you're thinking about life

2021
02:02:48,360 --> 02:02:50,240
Speaker 5: because I've never boke at you and I never picked

2022
02:02:50,320 --> 02:02:51,400
Speaker 5: up I'm not that teeth.

2023
02:02:52,520 --> 02:02:57,000
Speaker 4: But man, I can't said that the other time.

2024
02:02:57,080 --> 02:03:04,160
Speaker 5: Coming on God, Yeah, this is a goes when you

2025
02:03:04,600 --> 02:03:08,440
Speaker 5: when you when you're making music, you're making music, when

2026
02:03:08,520 --> 02:03:12,160
Speaker 5: you're making music, yes, you have to get into yourself exactly,

2027
02:03:12,160 --> 02:03:13,480
Speaker 5: and you have for get into your head.

2028
02:03:14,080 --> 02:03:16,880
Speaker 4: You have for news that fuck this is no fuck that,

2029
02:03:17,720 --> 02:03:23,000
Speaker 4: fuck that, fuck that, fuck that. Okay, here we go boom.

2030
02:03:23,880 --> 02:03:28,080
Speaker 1: But let me ask you something. Right you know today?

2031
02:03:28,520 --> 02:03:31,160
Speaker 2: Uh, like I said, I was studying your music for

2032
02:03:31,240 --> 02:03:33,320
Speaker 2: all these days, knowing that you was coming up. But

2033
02:03:34,200 --> 02:03:36,720
Speaker 2: today we had a twenty three year old kid come

2034
02:03:36,920 --> 02:03:39,280
Speaker 2: hang out and work out with us. Yeah, and as

2035
02:03:39,320 --> 02:03:42,880
Speaker 2: we're playing your music, this dude knew every single record

2036
02:03:43,000 --> 02:03:43,520
Speaker 2: of yours.

2037
02:03:43,680 --> 02:03:47,000
Speaker 1: A twenty three year old. Oh then that's great. Like

2038
02:03:47,200 --> 02:03:50,920
Speaker 1: I'm like, wow, did you did you purposely make global music?

2039
02:03:52,000 --> 02:03:53,120
Speaker 1: Or what's this now?

2040
02:03:53,200 --> 02:03:55,960
Speaker 4: Your purpose. Now you're doing purpose in that global music.

2041
02:03:56,160 --> 02:03:56,400
Speaker 1: Okay.

2042
02:03:56,520 --> 02:03:58,720
Speaker 5: The problem, man, is the music that you you learn

2043
02:03:58,960 --> 02:04:06,680
Speaker 5: to sing music from, it's global music. So the melodies

2044
02:04:06,760 --> 02:04:11,160
Speaker 5: and the sounds and everything that you use is that's

2045
02:04:11,240 --> 02:04:12,000
Speaker 5: what it's gonna be.

2046
02:04:13,480 --> 02:04:13,600
Speaker 1: Hm.

2047
02:04:14,560 --> 02:04:16,760
Speaker 4: So if you come and says, she don't really need

2048
02:04:16,920 --> 02:04:21,960
Speaker 4: a friend, she don't need that type friend for it's

2049
02:04:22,040 --> 02:04:29,440
Speaker 4: global music. So you literally making music everybody. So you're

2050
02:04:29,480 --> 02:04:33,400
Speaker 4: not only making music for your turf. You're making music

2051
02:04:33,520 --> 02:04:38,840
Speaker 4: for your turf. It's turf, your turf, your terf.

2052
02:04:39,160 --> 02:04:39,880
Speaker 1: It's everything.

2053
02:04:40,000 --> 02:04:43,960
Speaker 4: You're making music for everybody. So if you're actually go

2054
02:04:44,120 --> 02:04:48,160
Speaker 4: and sit down there and go, yo, yeah, pope, come

2055
02:04:48,160 --> 02:04:50,280
Speaker 4: a nigga won't say. A nigger nigga won't say, and

2056
02:04:50,320 --> 02:04:52,520
Speaker 4: they're gonna shoot there in the face here in the.

2057
02:04:52,560 --> 02:04:58,840
Speaker 1: Day you want to get, you know, I'm gonna sign

2058
02:04:58,840 --> 02:04:59,320
Speaker 1: you right now.

2059
02:05:01,160 --> 02:05:01,680
Speaker 2: This is me.

2060
02:05:03,400 --> 02:05:04,440
Speaker 1: This is what we do.

2061
02:05:05,440 --> 02:05:08,400
Speaker 5: So if you want to go, okay, let the people

2062
02:05:08,480 --> 02:05:12,000
Speaker 5: dance the go I want you dance and they're fine

2063
02:05:12,080 --> 02:05:13,520
Speaker 5: again on the streets, and.

2064
02:05:15,120 --> 02:05:20,160
Speaker 4: Who are dancers in it? One day invited him. I

2065
02:05:20,280 --> 02:05:25,040
Speaker 4: don't know why black Wiz love it. Don't even borrows,

2066
02:05:25,120 --> 02:05:27,960
Speaker 4: just fine and you're saying and you're dancing.

2067
02:05:29,360 --> 02:05:36,960
Speaker 1: Music, we're related to it right now, way doing this.

2068
02:05:37,000 --> 02:05:39,200
Speaker 4: This is what I'm saying. This is music so people

2069
02:05:39,280 --> 02:05:39,720
Speaker 4: can rock.

2070
02:05:40,200 --> 02:05:42,320
Speaker 1: You can't be shooting every.

2071
02:05:42,240 --> 02:05:46,440
Speaker 4: God time day. You can't be young bagging every god

2072
02:05:46,640 --> 02:05:47,200
Speaker 4: time day.

2073
02:05:48,400 --> 02:05:51,680
Speaker 1: You have those gunman tunes, and you have those tunes

2074
02:05:51,960 --> 02:05:53,360
Speaker 1: and you have those girls.

2075
02:05:53,480 --> 02:05:55,840
Speaker 4: Yeah, but but everybody listened to music.

2076
02:05:57,400 --> 02:05:58,480
Speaker 1: So he was too.

2077
02:06:00,080 --> 02:06:03,440
Speaker 5: Hurt my bullets, my guns now no no. And if

2078
02:06:03,520 --> 02:06:06,120
Speaker 5: you're this bad man, your blood will have to run

2079
02:06:06,320 --> 02:06:07,040
Speaker 5: yeah yeah yeah.

2080
02:06:07,400 --> 02:06:10,400
Speaker 4: And if you're like a scratch, then your life don't

2081
02:06:10,720 --> 02:06:14,240
Speaker 4: badman's shot posing for fun. If it's me, I'm a

2082
02:06:14,360 --> 02:06:17,480
Speaker 4: gun badman, blach with it, sleep with it. We are

2083
02:06:17,520 --> 02:06:19,480
Speaker 4: co much with it, and go straight with it, not

2084
02:06:19,720 --> 02:06:23,360
Speaker 4: leaving it, not losing it. That that don't that.

2085
02:06:23,560 --> 02:06:28,720
Speaker 5: Don't say that is recommending me for to be the

2086
02:06:28,800 --> 02:06:33,160
Speaker 5: best man in the world. I'm just recommending music to

2087
02:06:33,280 --> 02:06:36,760
Speaker 5: people that love at the music. So when we got

2088
02:06:36,800 --> 02:06:41,240
Speaker 5: man a bad Man with kid Man Monk and this,

2089
02:06:41,640 --> 02:06:42,200
Speaker 5: and we got.

2090
02:06:42,200 --> 02:06:48,560
Speaker 1: Memories, they remember you music.

2091
02:06:49,960 --> 02:06:51,160
Speaker 6: This is music memory.

2092
02:06:51,400 --> 02:06:55,640
Speaker 5: So it's not really a fire gunchat for money your

2093
02:06:55,800 --> 02:06:57,000
Speaker 5: fire gun chat to people.

2094
02:06:57,200 --> 02:07:01,280
Speaker 3: Bring but okay with that being said to because your

2095
02:07:01,360 --> 02:07:04,800
Speaker 3: influence is powerful, and even in some souns that you have,

2096
02:07:04,920 --> 02:07:07,880
Speaker 3: you're saying that like you have pressure for them, for

2097
02:07:08,480 --> 02:07:10,560
Speaker 3: them saying to stop singing those gunsuns.

2098
02:07:10,680 --> 02:07:12,640
Speaker 5: Yeah, of course, because I'm the guys from sugar. What

2099
02:07:12,760 --> 02:07:15,360
Speaker 5: do you think my girls is gonna cry for me?

2100
02:07:19,360 --> 02:07:21,680
Speaker 3: Get finished finishing. I'm just saying, like, did you have

2101
02:07:21,800 --> 02:07:22,839
Speaker 3: that pressure? That pressure?

2102
02:07:22,960 --> 02:07:23,480
Speaker 1: What was it like?

2103
02:07:23,800 --> 02:07:27,280
Speaker 5: That's all I said until the day more gallic mind

2104
02:07:27,400 --> 02:07:29,760
Speaker 5: and we had to gather in my child and they

2105
02:07:29,840 --> 02:07:32,640
Speaker 5: got them, get in my tree plant on the tops

2106
02:07:32,680 --> 02:07:36,560
Speaker 5: to those times of Chians and galla blah, gallic wide,

2107
02:07:37,120 --> 02:07:39,800
Speaker 5: galislay and galle loose on your life.

2108
02:07:39,600 --> 02:07:43,800
Speaker 4: And cause them like we had to gather them. You

2109
02:07:43,840 --> 02:07:47,240
Speaker 4: have to do this and then they go, welcome the girls.

2110
02:07:52,520 --> 02:07:56,480
Speaker 1: It's floating right now. I'm taking a shot. I'm sorry

2111
02:07:57,400 --> 02:07:59,920
Speaker 1: taking a shot. I'm going with you.

2112
02:08:00,120 --> 02:08:05,040
Speaker 5: Take you get what you you have to know when

2113
02:08:05,120 --> 02:08:09,440
Speaker 5: to please the fans, because you're singing for your fans.

2114
02:08:10,240 --> 02:08:13,240
Speaker 4: You're not singing for yourself. You're singing for people so

2115
02:08:13,360 --> 02:08:16,240
Speaker 4: people can love the music and people can love you

2116
02:08:16,440 --> 02:08:27,120
Speaker 4: for who you are. Trust me, you yeah, that's thinking.

2117
02:08:29,360 --> 02:08:33,760
Speaker 2: So let me ask you right, God comes down before,

2118
02:08:33,800 --> 02:08:37,720
Speaker 2: God comes down before good. I feel when God comes down,

2119
02:08:37,880 --> 02:08:38,360
Speaker 2: we're ending.

2120
02:08:40,000 --> 02:08:42,840
Speaker 1: Came down, God comes down, There comes down.

2121
02:08:43,640 --> 02:08:44,760
Speaker 9: Go go there.

2122
02:08:45,320 --> 02:08:46,600
Speaker 2: Let's take this drink really quick.

2123
02:08:47,280 --> 02:08:51,000
Speaker 1: This is to be real. Leg hold on, let me

2124
02:08:51,040 --> 02:08:54,000
Speaker 1: give you your flower, real legend man. Let me just

2125
02:08:54,040 --> 02:08:57,400
Speaker 1: tell you something, like you always every time I go

2126
02:08:57,520 --> 02:09:00,840
Speaker 1: to Jamaica, you always was around holding me down, being

2127
02:09:00,920 --> 02:09:02,280
Speaker 1: a good man to me the time.

2128
02:09:02,560 --> 02:09:03,000
Speaker 2: All the time.

2129
02:09:03,080 --> 02:09:04,520
Speaker 1: I told you, I like, I was like the last

2130
02:09:04,520 --> 02:09:07,400
Speaker 1: three times before I meant my white heart there and

2131
02:09:07,760 --> 02:09:10,600
Speaker 1: Beanie Man and he's a dawn bro. Like what did

2132
02:09:10,640 --> 02:09:10,960
Speaker 1: I tell you?

2133
02:09:11,000 --> 02:09:13,280
Speaker 2: I said, He's like you got to see him in Jamaica,

2134
02:09:13,400 --> 02:09:15,520
Speaker 2: Like he's a dawn on the dawn.

2135
02:09:16,200 --> 02:09:21,320
Speaker 1: Yeah. Yeah, King the King like for real, always come through.

2136
02:09:21,440 --> 02:09:23,200
Speaker 4: King got nothing at me.

2137
02:09:24,800 --> 02:09:27,040
Speaker 1: So I want to thank you. Thank you for coming

2138
02:09:27,160 --> 02:09:29,600
Speaker 1: to this show, but thank you for being who you are.

2139
02:09:29,720 --> 02:09:31,800
Speaker 1: Thank you for being the legend that you are. Like

2140
02:09:31,920 --> 02:09:34,400
Speaker 1: when I research your history, knowing that I can see

2141
02:09:34,400 --> 02:09:36,920
Speaker 1: that you my friend. Yeah, when I researched your history,

2142
02:09:36,960 --> 02:09:39,280
Speaker 1: I didn't know about you coming out since ten years old.

2143
02:09:39,520 --> 02:09:42,800
Speaker 1: I didn't know about the baby years old. I'm sorry.

2144
02:09:42,880 --> 02:09:46,600
Speaker 4: Let me give you that timesI music since I was five.

2145
02:09:47,120 --> 02:09:50,760
Speaker 2: Yeah, hold up one years old?

2146
02:09:52,400 --> 02:09:53,320
Speaker 4: Whe in that didn't?

2147
02:09:53,360 --> 02:09:54,920
Speaker 2: That don't.

2148
02:10:01,640 --> 02:10:06,280
Speaker 4: But I started music since I was five. Five really

2149
02:10:06,400 --> 02:10:10,800
Speaker 4: for me, for really, I started building Comma what I

2150
02:10:11,080 --> 02:10:16,680
Speaker 4: just told you that I was against Michael Jackson.

2151
02:10:16,800 --> 02:10:21,720
Speaker 5: Yeah, I started music since five. I started to do

2152
02:10:21,840 --> 02:10:30,320
Speaker 5: that thing. But saying the start from I was five,

2153
02:10:30,480 --> 02:10:33,320
Speaker 5: But what's he doing? I try to tell you that

2154
02:10:33,960 --> 02:10:37,320
Speaker 5: listening to what I'm saying, definitely all this. You call

2155
02:10:37,440 --> 02:10:40,560
Speaker 5: Papa soon near and he said he's the one that

2156
02:10:40,840 --> 02:10:43,960
Speaker 5: this is my coach and generally Trees is my coach.

2157
02:10:44,680 --> 02:10:54,200
Speaker 1: And yeah, respect that's the yes.

2158
02:11:02,920 --> 02:11:04,560
Speaker 2: Before we get out of because I want to ask

2159
02:11:04,960 --> 02:11:09,080
Speaker 2: the sound systems, the sounds, the people that were moving

2160
02:11:09,240 --> 02:11:13,600
Speaker 2: in Jamaica making you guys the stars. Yes, does that

2161
02:11:13,720 --> 02:11:17,360
Speaker 2: still exist today? What like the Stone Loves et cetera,

2162
02:11:17,400 --> 02:11:17,880
Speaker 2: et cetera.

2163
02:11:18,360 --> 02:11:21,000
Speaker 4: What we live in Jamaica.

2164
02:11:21,120 --> 02:11:29,160
Speaker 5: We do dance every night Sunday, Monday, Tuesday, Wednesday, Thursday, Friday, Saturday,

2165
02:11:29,680 --> 02:11:35,440
Speaker 5: and when the first day sat again Sunday Sunday every

2166
02:11:35,520 --> 02:11:41,080
Speaker 5: day in Kingston, Mantica Bay, that's all the main city

2167
02:11:42,080 --> 02:11:42,680
Speaker 5: in Jamaica.

2168
02:11:43,040 --> 02:11:43,960
Speaker 4: This is what happened.

2169
02:11:44,520 --> 02:11:47,320
Speaker 1: We party every night. Not not me.

2170
02:11:47,520 --> 02:11:51,360
Speaker 4: I can't do that here. No, No, I can't do that.

2171
02:11:51,440 --> 02:11:56,280
Speaker 4: Ship sometimes sometimes I got out, No, but I work.

2172
02:11:57,440 --> 02:12:00,320
Speaker 4: That's what I tell you. I read write truth. I

2173
02:12:01,040 --> 02:12:02,880
Speaker 4: don't ease up right now.

2174
02:12:03,000 --> 02:12:06,120
Speaker 5: I'm I'm making a new album and I gotta make

2175
02:12:06,200 --> 02:12:10,720
Speaker 5: some radiums and ship and yeah, very this is exclusive.

2176
02:12:10,800 --> 02:12:13,560
Speaker 4: Nobody knows this ship? Oh sorry, why do I say that?

2177
02:12:15,080 --> 02:12:18,640
Speaker 2: The exclusive here right now? What what exclusive do we

2178
02:12:18,720 --> 02:12:19,200
Speaker 2: have right now?

2179
02:12:20,120 --> 02:12:21,560
Speaker 4: Oh god, I can't say that.

2180
02:12:22,240 --> 02:12:26,280
Speaker 1: Treat. This is a sound, this is list.

2181
02:12:28,400 --> 02:12:32,920
Speaker 4: The problem is somebody gonna catch the many. Please, I

2182
02:12:33,040 --> 02:12:35,120
Speaker 4: can't do that. I'm sorry.

2183
02:12:36,040 --> 02:12:38,280
Speaker 6: He has a new album coming out, a new album

2184
02:12:38,320 --> 02:12:38,680
Speaker 6: coming out.

2185
02:12:39,480 --> 02:12:41,960
Speaker 2: Independent, Yes, independent.

2186
02:12:41,520 --> 02:12:43,840
Speaker 4: Too, I'm I'm independent.

2187
02:12:44,000 --> 02:12:45,360
Speaker 2: He just melody right now?

2188
02:12:45,840 --> 02:12:46,040
Speaker 1: VP.

2189
02:12:46,960 --> 02:12:55,320
Speaker 2: No, no, people, we're brother Jamaican too.

2190
02:12:55,440 --> 02:13:00,200
Speaker 1: Bro the.

2191
02:13:04,280 --> 02:13:09,040
Speaker 4: You're this Christian and his sister and it's a victim

2192
02:13:09,680 --> 02:13:12,960
Speaker 4: and all of them. The chins are still there. Okay,

2193
02:13:13,480 --> 02:13:22,720
Speaker 4: there's nothing you can do. Just you see I learned

2194
02:13:22,840 --> 02:13:32,760
Speaker 4: karate because the change. Yeah yeah, he's like that was somebody.

2195
02:13:35,160 --> 02:13:35,680
Speaker 2: People love.

2196
02:13:37,280 --> 02:13:45,440
Speaker 4: Arateop just don't wickedest thing. So we ain't gonna come out.

2197
02:13:45,920 --> 02:13:49,000
Speaker 4: The chains stay wicked about them.

2198
02:13:49,080 --> 02:13:53,640
Speaker 5: They they love music. But I love money, money music.

2199
02:13:54,360 --> 02:13:58,720
Speaker 5: So they went money from you and give you what

2200
02:13:58,840 --> 02:13:59,720
Speaker 5: you're supposed to get.

2201
02:14:00,080 --> 02:14:00,440
Speaker 7: Mm hmm.

2202
02:14:01,280 --> 02:14:02,520
Speaker 4: That's why you're supposed to get.

2203
02:14:02,560 --> 02:14:05,960
Speaker 1: They give you what you give they want to get. Okay,

2204
02:14:06,960 --> 02:14:07,240
Speaker 1: this is.

2205
02:14:07,320 --> 02:14:10,760
Speaker 5: Difference, and I love them because they do a lot.

2206
02:14:11,160 --> 02:14:13,520
Speaker 5: They didn't want to distribute them songs.

2207
02:14:13,760 --> 02:14:19,680
Speaker 1: All of these. Yes, pp it's on there what they're done.

2208
02:14:20,200 --> 02:14:21,240
Speaker 1: This is my joint right here.

2209
02:14:21,520 --> 02:14:25,880
Speaker 2: You picked both of these now looking at but this

2210
02:14:26,080 --> 02:14:27,000
Speaker 2: is the joint right here.

2211
02:14:27,320 --> 02:14:27,840
Speaker 4: That's the ship.

2212
02:14:28,160 --> 02:14:29,360
Speaker 2: You know, this is the joy.

2213
02:14:30,560 --> 02:14:31,080
Speaker 1: This is ship.

2214
02:14:31,120 --> 02:14:32,320
Speaker 2: Take back your record, beat man.

2215
02:14:35,920 --> 02:14:39,000
Speaker 4: Yeah, but you see this, this is this is my label,

2216
02:14:40,240 --> 02:14:42,520
Speaker 4: Vibes House, my labor.

2217
02:14:42,760 --> 02:14:46,200
Speaker 1: What's the name of it, Vibes House, Vibes House.

2218
02:14:46,040 --> 02:14:48,120
Speaker 4: Yeah, that was my labor. I changed it.

2219
02:14:48,520 --> 02:14:48,800
Speaker 9: This was.

2220
02:14:50,520 --> 02:14:54,280
Speaker 1: I'm not but you got these.

2221
02:14:54,560 --> 02:14:58,080
Speaker 5: These are the nice songs, like you know, nice songs.

2222
02:14:58,200 --> 02:15:00,560
Speaker 5: They put out a nice label, like be nice to

2223
02:15:00,640 --> 02:15:01,280
Speaker 5: my record.

2224
02:15:03,200 --> 02:15:03,320
Speaker 8: Like this.

2225
02:15:07,200 --> 02:15:08,600
Speaker 4: I'm not going to do that. I'm not going to that.

2226
02:15:08,800 --> 02:15:13,800
Speaker 4: You're crazy, all right. So the guys, I see, I

2227
02:15:13,920 --> 02:15:15,600
Speaker 4: didn't bring ore with the you know what I mean?

2228
02:15:18,440 --> 02:15:20,480
Speaker 4: Believe you all goodness?

2229
02:15:21,560 --> 02:15:21,920
Speaker 1: All right?

2230
02:15:24,200 --> 02:15:27,360
Speaker 4: So you understand what I'm saying. You said, that is

2231
02:15:27,440 --> 02:15:27,960
Speaker 4: that the joint?

2232
02:15:28,040 --> 02:15:30,680
Speaker 1: Bro, this is the joint. Yeah, you're breaking it. I

2233
02:15:30,760 --> 02:15:31,360
Speaker 1: love this record.

2234
02:15:31,480 --> 02:15:32,200
Speaker 2: I love this record.

2235
02:15:32,240 --> 02:15:34,720
Speaker 6: Right, you gotta sign him, right, yeah, you sign.

2236
02:15:36,120 --> 02:15:36,240
Speaker 10: Right?

2237
02:15:37,320 --> 02:15:41,080
Speaker 4: The invice and fight head. So I got your stand

2238
02:15:41,280 --> 02:15:45,680
Speaker 4: on the kind of you and gall I tear off.

2239
02:15:48,040 --> 02:15:53,280
Speaker 1: Your memory is fantastic. What hold on?

2240
02:15:53,320 --> 02:15:53,480
Speaker 6: Hold?

2241
02:15:53,800 --> 02:15:55,960
Speaker 2: You just made me think of a question. You want

2242
02:15:56,000 --> 02:16:03,640
Speaker 2: his record back? But real question, real question? How do

2243
02:16:03,720 --> 02:16:04,520
Speaker 2: you think it's different?

2244
02:16:04,640 --> 02:16:04,680
Speaker 1: Like?

2245
02:16:04,760 --> 02:16:07,000
Speaker 2: How hard is it for an artist in Jamaica because

2246
02:16:07,000 --> 02:16:10,120
Speaker 2: you guys are writing on the same rhythm? Yeah, right,

2247
02:16:10,880 --> 02:16:12,960
Speaker 2: rhythm for us here for them there?

2248
02:16:13,080 --> 02:16:17,680
Speaker 3: Yeah, no, it's the same beat and watch the dry

2249
02:16:17,960 --> 02:16:19,680
Speaker 3: help the culture, the culture.

2250
02:16:20,640 --> 02:16:22,080
Speaker 2: Hold on because I don't want to divert from what

2251
02:16:22,160 --> 02:16:24,760
Speaker 2: I'm asking them, because the thing is is that they're

2252
02:16:24,800 --> 02:16:28,240
Speaker 2: basically making their own songs to the same beat, but

2253
02:16:29,280 --> 02:16:32,360
Speaker 2: only one rises to the top, like really rises to

2254
02:16:32,400 --> 02:16:32,720
Speaker 2: the top.

2255
02:16:33,160 --> 02:16:36,320
Speaker 5: One get numbering, but the rest of them get popular

2256
02:16:36,400 --> 02:16:37,600
Speaker 5: because that one song.

2257
02:16:37,680 --> 02:16:40,040
Speaker 2: It helps everybody, but it becomes like a mountain, but

2258
02:16:40,120 --> 02:16:41,240
Speaker 2: there's only one at the top.

2259
02:16:41,440 --> 02:16:42,160
Speaker 4: Yeah that's true.

2260
02:16:42,879 --> 02:16:44,720
Speaker 2: So how does how does that like, how does that

2261
02:16:44,840 --> 02:16:46,320
Speaker 2: divert from what we're doing over here?

2262
02:16:47,800 --> 02:16:48,160
Speaker 1: All right?

2263
02:16:48,800 --> 02:16:49,160
Speaker 4: They see.

2264
02:16:50,360 --> 02:16:56,600
Speaker 5: And in America, people make one song to one beat,

2265
02:16:58,680 --> 02:17:01,200
Speaker 5: one song to one beat, song to one beat, one

2266
02:17:01,280 --> 02:17:04,760
Speaker 5: song to one beat. So if you become a superstar,

2267
02:17:04,879 --> 02:17:09,200
Speaker 5: you're the only one in that beat. So that's not

2268
02:17:09,400 --> 02:17:11,160
Speaker 5: eving nobody in Jamaica.

2269
02:17:11,520 --> 02:17:16,120
Speaker 2: You're helping everybody. I'm sorry, did I answer to fast

2270
02:17:16,240 --> 02:17:17,200
Speaker 2: that bad?

2271
02:17:19,800 --> 02:17:22,320
Speaker 8: But there's only but certain songs that become like global

2272
02:17:22,360 --> 02:17:25,519
Speaker 8: and commercial as far as like dancehall songs.

2273
02:17:25,480 --> 02:17:27,880
Speaker 2: Yeah one, but for them if if you can make

2274
02:17:27,959 --> 02:17:31,040
Speaker 2: the one rhythm, but then everybody underground you're helping.

2275
02:17:31,800 --> 02:17:37,760
Speaker 1: If you hold Brook had the song than Castle Bay

2276
02:17:38,600 --> 02:17:43,520
Speaker 1: now Jamaican underground, that's that's rhythm.

2277
02:17:44,320 --> 02:17:48,360
Speaker 5: People think Jamaica is on an underground, but Jamaica on

2278
02:17:48,480 --> 02:17:56,200
Speaker 5: the Old Caribbean and the old Caribbean community, Africa, England, everywhere.

2279
02:17:56,360 --> 02:18:00,440
Speaker 5: Even every song you make, every song you make Canada

2280
02:18:00,640 --> 02:18:05,520
Speaker 5: ever with so every song you make is international. Not

2281
02:18:05,640 --> 02:18:10,360
Speaker 5: because you, as the American person that know the American

2282
02:18:10,480 --> 02:18:17,840
Speaker 5: music don't know it. American people know it. So this

2283
02:18:18,040 --> 02:18:21,560
Speaker 5: is the Jamaica ghals. So what when I'm gonna go

2284
02:18:22,040 --> 02:18:23,440
Speaker 5: watch remember get.

2285
02:18:24,840 --> 02:18:25,400
Speaker 4: Experiment.

2286
02:18:25,480 --> 02:18:29,240
Speaker 5: Now you got enough Jamaican artists who has not been knowing.

2287
02:18:29,800 --> 02:18:33,360
Speaker 5: But this song is bigger than him. Face because I've

2288
02:18:33,400 --> 02:18:39,359
Speaker 5: never seen psyet. So you have soun like lady, lady, lady,

2289
02:18:40,200 --> 02:18:43,720
Speaker 5: why do you all dear? It's so you know that

2290
02:18:43,879 --> 02:18:47,879
Speaker 5: sounds all right? Johnny that oh sing that sound?

2291
02:18:48,720 --> 02:18:50,240
Speaker 6: See I was about to say, I don't know that's wrong.

2292
02:18:54,400 --> 02:18:57,320
Speaker 5: See this is a problem because back in the days,

2293
02:18:57,360 --> 02:19:01,360
Speaker 5: people never used to make music. See man said, girl,

2294
02:19:01,440 --> 02:19:07,320
Speaker 5: I've got a day, and that's just mean I can't

2295
02:19:07,360 --> 02:19:07,800
Speaker 5: still it.

2296
02:19:10,480 --> 02:19:15,520
Speaker 1: Oh, in my.

2297
02:19:15,840 --> 02:19:20,960
Speaker 4: Life I've been wanting you good, not just once or twice.

2298
02:19:21,800 --> 02:19:24,360
Speaker 1: Tell me that's how I am free?

2299
02:19:25,080 --> 02:19:28,320
Speaker 4: Like a bird indust tree. Who's seen that song?

2300
02:19:30,040 --> 02:19:42,080
Speaker 1: Idea? Who saying that song? I don't know say that song?

2301
02:19:46,400 --> 02:19:48,080
Speaker 1: Everybody got a day?

2302
02:19:48,200 --> 02:19:48,720
Speaker 4: Gotta day?

2303
02:19:50,400 --> 02:19:51,880
Speaker 1: Google Google, you can't get it.

2304
02:19:52,080 --> 02:19:52,760
Speaker 6: I'll turn that is.

2305
02:19:54,160 --> 02:19:55,920
Speaker 5: I can tell you the name, So I turn that is.

2306
02:19:57,200 --> 02:20:01,000
Speaker 5: I'll turned Ellis sing that song. Yeah, oh you said

2307
02:20:01,040 --> 02:20:02,040
Speaker 5: you all right?

2308
02:20:02,480 --> 02:20:03,480
Speaker 4: Said this is what I'm saying.

2309
02:20:04,000 --> 02:20:08,200
Speaker 5: You see, the song is bigger than the artist, right

2310
02:20:08,640 --> 02:20:10,480
Speaker 5: because nobody knows who the artist is.

2311
02:20:11,680 --> 02:20:14,440
Speaker 1: So you see, if if, if, if you're.

2312
02:20:14,360 --> 02:20:16,720
Speaker 5: An artist, the best thing you used to do is

2313
02:20:16,840 --> 02:20:19,720
Speaker 5: work art in the studio, on art in stage.

2314
02:20:19,760 --> 02:20:26,600
Speaker 4: So people can remember who the damn remember who you are?

2315
02:20:28,680 --> 02:20:29,000
Speaker 12: All right?

2316
02:20:29,360 --> 02:20:30,120
Speaker 4: Which one of you know?

2317
02:20:30,320 --> 02:20:33,080
Speaker 2: Tiger c Y g A or.

2318
02:20:35,640 --> 02:20:36,920
Speaker 6: Switch Tiger were talking about.

2319
02:20:36,760 --> 02:20:41,000
Speaker 4: From Jamaica a party and you will gather? I said, like,

2320
02:20:41,959 --> 02:20:42,560
Speaker 4: who knew that?

2321
02:20:44,040 --> 02:20:44,400
Speaker 1: All right?

2322
02:20:44,560 --> 02:20:45,360
Speaker 4: This is what I'm saying.

2323
02:20:45,400 --> 02:20:47,360
Speaker 6: We're in class right now. People, let's pay attention.

2324
02:20:47,600 --> 02:20:51,240
Speaker 5: So you gotta know that you said the music it's

2325
02:20:51,320 --> 02:20:56,240
Speaker 5: not it's not it's not supposed to be what God man,

2326
02:20:57,040 --> 02:20:58,279
Speaker 5: we maybe.

2327
02:20:58,200 --> 02:21:01,240
Speaker 4: That may made that right up America.

2328
02:21:02,320 --> 02:21:04,480
Speaker 1: Tiger to Tiger, he was he had the m and

2329
02:21:04,520 --> 02:21:06,520
Speaker 1: says that, bro, you want to sound like me?

2330
02:21:08,480 --> 02:21:22,440
Speaker 5: Yes, yeah, but you gotta know these things you see

2331
02:21:22,760 --> 02:21:25,879
Speaker 5: all right? You see dance ound music. It's a sweetest

2332
02:21:26,000 --> 02:21:26,960
Speaker 5: music in a word.

2333
02:21:27,360 --> 02:21:27,720
Speaker 4: All right.

2334
02:21:28,520 --> 02:21:31,960
Speaker 5: I've been to place where people don't know what they're

2335
02:21:32,000 --> 02:21:34,280
Speaker 5: supposed to expect when it comes to dance music.

2336
02:21:34,720 --> 02:21:36,320
Speaker 4: And when I go on the stage, you start to

2337
02:21:36,400 --> 02:21:39,640
Speaker 4: do this, it's crazy.

2338
02:21:40,440 --> 02:21:44,320
Speaker 5: People start to rock with it, people start to move,

2339
02:21:44,520 --> 02:21:49,800
Speaker 5: people started gool, people start. It's a different thing. That's

2340
02:21:49,840 --> 02:21:52,880
Speaker 5: why I tell you it's a different dna. You see,

2341
02:21:52,959 --> 02:21:55,720
Speaker 5: hip hop. Hip hop got his own DNA.

2342
02:21:55,959 --> 02:21:56,360
Speaker 8: You know that.

2343
02:21:58,320 --> 02:22:01,680
Speaker 5: Let's see will not be here. You just find a

2344
02:22:01,800 --> 02:22:05,200
Speaker 5: fucking melody and go boom on the right beat and

2345
02:22:05,400 --> 02:22:06,080
Speaker 5: say funk that.

2346
02:22:06,400 --> 02:22:07,320
Speaker 4: The niggas.

2347
02:22:10,640 --> 02:22:15,400
Speaker 1: Hey it, and you see you can't sing that song forever.

2348
02:22:16,680 --> 02:22:17,120
Speaker 4: Forever.

2349
02:22:18,120 --> 02:22:20,880
Speaker 1: How many babies you think you made to your music?

2350
02:22:23,680 --> 02:22:26,360
Speaker 1: You like, how many babies your music you think made? Yeah,

2351
02:22:30,800 --> 02:22:34,360
Speaker 1: just walk into babies. Give me they.

2352
02:22:38,840 --> 02:22:50,120
Speaker 4: Never made that made Stop stop cause you like the

2353
02:22:50,200 --> 02:22:54,920
Speaker 4: Teddy pinograph that dance because you see, I'm the guys

2354
02:22:55,000 --> 02:22:56,920
Speaker 4: im sugar. So if you sing.

2355
02:22:58,520 --> 02:23:03,920
Speaker 2: Songs for the lads, all right, does girls them sugar

2356
02:23:04,080 --> 02:23:05,160
Speaker 2: mean like sugar daddy.

2357
02:23:05,920 --> 02:23:10,720
Speaker 1: No, you're not tricking. You're not tricking. He didn't mean

2358
02:23:10,760 --> 02:23:11,920
Speaker 1: the sugar on that side of it.

2359
02:23:14,280 --> 02:23:14,600
Speaker 6: The other.

2360
02:23:25,160 --> 02:23:26,240
Speaker 1: You got you got somewhere here.

2361
02:23:26,280 --> 02:23:28,320
Speaker 2: You don't have to let me go. I'm gonna give

2362
02:23:28,400 --> 02:23:28,840
Speaker 2: in the game.

2363
02:23:29,160 --> 02:23:31,760
Speaker 1: He said, that's water right there. I can see you

2364
02:23:31,920 --> 02:23:32,760
Speaker 1: sigas the water.

2365
02:23:34,560 --> 02:23:41,200
Speaker 5: I'm thinking, you know, excuse me, I'm gonna you the liver. Yeah,

2366
02:23:41,480 --> 02:23:43,400
Speaker 5: come on, Nicka, that's.

2367
02:23:43,240 --> 02:23:46,560
Speaker 2: Cret the boiler. I leave it that.

2368
02:23:46,720 --> 02:23:50,000
Speaker 1: So God comes down from Earth, Okay, I forgot about that.

2369
02:23:50,360 --> 02:23:51,040
Speaker 1: I mean from heaven.

2370
02:23:51,920 --> 02:23:55,320
Speaker 4: Came from God is not from earth like you said.

2371
02:23:55,120 --> 02:23:58,880
Speaker 1: I mean heaven. And then he says to you beating man? Yeah,

2372
02:23:59,040 --> 02:24:00,240
Speaker 1: but what what I shaid?

2373
02:24:00,280 --> 02:24:01,840
Speaker 2: His gun talking to him? Man, I do want to

2374
02:24:01,840 --> 02:24:02,000
Speaker 2: know this.

2375
02:24:02,160 --> 02:24:03,920
Speaker 1: He's definitely talking to Australian.

2376
02:24:04,080 --> 02:24:04,240
Speaker 2: You's not.

2377
02:24:07,240 --> 02:24:12,040
Speaker 1: He's talking yard. He's talking y'all, God says meanie man. Yeah,

2378
02:24:12,720 --> 02:24:17,240
Speaker 1: you get one chance to make one with the one song? Yeah,

2379
02:24:18,640 --> 02:24:24,400
Speaker 1: any producer, yeah, and any feature dead or lie.

2380
02:24:25,840 --> 02:24:37,320
Speaker 2: What it could be the King of I can see him.

2381
02:24:37,840 --> 02:24:40,320
Speaker 2: I don't know why Michael Jackson and him, in my

2382
02:24:40,480 --> 02:24:46,480
Speaker 2: mind had his record together the same dansert.

2383
02:24:45,080 --> 02:24:45,879
Speaker 1: Do two artists?

2384
02:24:45,920 --> 02:24:47,480
Speaker 4: Michael Jackson about money.

2385
02:24:55,840 --> 02:25:04,920
Speaker 1: You can pick he's like producer who's producing? Oh? God

2386
02:25:07,640 --> 02:25:07,840
Speaker 1: give me?

2387
02:25:08,200 --> 02:25:12,040
Speaker 5: I would produce it myself, but I can't talk to

2388
02:25:12,360 --> 02:25:16,520
Speaker 5: talk about myself. Seven phraise is no recommendation. I don't

2389
02:25:16,560 --> 02:25:22,160
Speaker 5: do seventh phrase. I don't do that, Okay, Stephen money,

2390
02:25:24,240 --> 02:25:27,080
Speaker 5: you give me that, Stephen Morley, Oh.

2391
02:25:28,520 --> 02:25:33,840
Speaker 1: Yeah, so you got you got, you got Michael Jackson

2392
02:25:34,040 --> 02:25:40,520
Speaker 1: and Bob Molly and Stephen he got it. Go to God,

2393
02:25:41,480 --> 02:25:42,199
Speaker 1: Jesus Christ.

2394
02:25:42,280 --> 02:25:45,160
Speaker 4: I don't remember names, and I'm I'm I'm mad man.

2395
02:25:45,959 --> 02:25:51,400
Speaker 4: All right, you got to produce me a Christy Jones Peace,

2396
02:25:51,840 --> 02:26:03,640
Speaker 4: Stephen Christy Jones. You no, no, no, recod music, record

2397
02:26:03,720 --> 02:26:09,800
Speaker 4: music me classic American music. Yes, that would be a

2398
02:26:10,040 --> 02:26:11,400
Speaker 4: beautiful combination.

2399
02:26:11,879 --> 02:26:14,760
Speaker 1: Michael Jackson, Bob Molly Bean.

2400
02:26:15,160 --> 02:26:23,360
Speaker 4: Jones record, I don't talk, don't talk.

2401
02:26:24,480 --> 02:26:26,080
Speaker 1: She wouldn't get on the record. You gotta get on

2402
02:26:26,160 --> 02:26:26,520
Speaker 1: the record.

2403
02:26:27,160 --> 02:26:28,080
Speaker 2: You've got it on the record.

2404
02:26:35,080 --> 02:26:36,800
Speaker 1: I'm thinking the record right now.

2405
02:26:37,879 --> 02:26:42,279
Speaker 5: All right, Steve Money, I think I love having producer

2406
02:26:42,320 --> 02:26:48,359
Speaker 5: in Jamaica. See King Jammys is one of the best ages.

2407
02:26:48,800 --> 02:26:52,879
Speaker 5: Dancehall producer Barba Dixie is dead right now.

2408
02:26:54,400 --> 02:26:59,160
Speaker 4: God rest his soul. Okay, all right, we what we

2409
02:26:59,280 --> 02:27:02,440
Speaker 4: could have stinging the nineties, shocking vibes, three Blue weekedness

2410
02:27:02,480 --> 02:27:05,640
Speaker 4: thing we kill. Everybody don't know about it. Nobody feels

2411
02:27:05,680 --> 02:27:08,320
Speaker 4: like they're bothering us nothing. They're both of them. Nobody

2412
02:27:08,480 --> 02:27:10,000
Speaker 4: like that's why.

2413
02:27:16,760 --> 02:27:17,000
Speaker 1: Ever.

2414
02:27:17,320 --> 02:27:19,280
Speaker 5: They just want to know it. We kill the nineties,

2415
02:27:19,320 --> 02:27:25,640
Speaker 5: We'll kill it. But you got Boba Dixon, Digital b

2416
02:27:26,800 --> 02:27:31,320
Speaker 5: he produced Cone It silk, all of these people even

2417
02:27:31,360 --> 02:27:35,600
Speaker 5: make all of these artists like she's just curssed Leroy

2418
02:27:35,680 --> 02:27:42,240
Speaker 5: Gibbons that Oh God, Roba Dixon, I bless you every time,

2419
02:27:42,879 --> 02:27:44,200
Speaker 5: and I'm glad it.

2420
02:27:44,280 --> 02:27:44,880
Speaker 4: There I met you.

2421
02:27:45,640 --> 02:27:49,920
Speaker 1: See then you have Bravo is Bravo.

2422
02:27:50,440 --> 02:27:53,000
Speaker 4: Yeah, Bravo is the one of Bill Campington.

2423
02:27:53,200 --> 02:27:56,360
Speaker 1: Yeah yeah, they look good.

2424
02:27:56,760 --> 02:28:00,280
Speaker 5: Yeah right now you know what I'm talking and to

2425
02:28:00,440 --> 02:28:03,280
Speaker 5: over taking. Yes, So you have Brad, but then they

2426
02:28:03,320 --> 02:28:06,560
Speaker 5: have King Jammys. Then they have Uncle Te Uncle Tu

2427
02:28:06,800 --> 02:28:13,120
Speaker 5: one articular see, and then they have Bonnie Lee, Bonny Striker.

2428
02:28:13,879 --> 02:28:20,880
Speaker 5: He's the one that really span God, God rest his

2429
02:28:20,959 --> 02:28:25,280
Speaker 5: soul to you know. But you see when they come

2430
02:28:25,320 --> 02:28:30,640
Speaker 5: to music, they got some people that got a arm God,

2431
02:28:30,720 --> 02:28:34,440
Speaker 5: they got a famula for it. You have some people

2432
02:28:34,640 --> 02:28:37,640
Speaker 5: after I have people forget the formula for the music

2433
02:28:37,680 --> 02:28:39,560
Speaker 5: where they're more produced them to ever know what in

2434
02:28:39,640 --> 02:28:43,320
Speaker 5: my produce somebody that already all right, man, I get

2435
02:28:43,360 --> 02:28:45,960
Speaker 5: some money, advice them, pany them. They know where that

2436
02:28:46,040 --> 02:28:51,080
Speaker 5: I produce them? The God, you see, if they know

2437
02:28:51,320 --> 02:28:54,640
Speaker 5: what they have, I know, the gold and the diamond

2438
02:28:54,720 --> 02:28:59,959
Speaker 5: that they just get in the first place, they will

2439
02:29:00,080 --> 02:29:05,080
Speaker 5: they'll be good in this life. And the music reggae

2440
02:29:05,200 --> 02:29:09,680
Speaker 5: music and dancer music would be the pop music of America.

2441
02:29:10,480 --> 02:29:14,840
Speaker 1: Wow, it's well, see you singing.

2442
02:29:14,640 --> 02:29:16,400
Speaker 4: Because they don't know what they have.

2443
02:29:17,280 --> 02:29:20,720
Speaker 5: All right, look at this, all right, somebody come and say,

2444
02:29:21,560 --> 02:29:23,840
Speaker 5: all right, my friend comes from Africa.

2445
02:29:25,080 --> 02:29:25,640
Speaker 4: What's his name?

2446
02:29:25,760 --> 02:29:26,280
Speaker 1: Two face?

2447
02:29:27,600 --> 02:29:28,240
Speaker 4: You know what I'm saying.

2448
02:29:29,200 --> 02:29:33,720
Speaker 5: Anikova said, you are my African queen, the girl of

2449
02:29:33,920 --> 02:29:37,600
Speaker 5: my tree. I love you in the winter, I love

2450
02:29:37,680 --> 02:29:40,720
Speaker 5: you in the I bring him off first.

2451
02:29:41,680 --> 02:29:46,560
Speaker 4: Oopo felt ba. If I give another maniaro the reason

2452
02:29:46,600 --> 02:29:49,240
Speaker 4: why I say it fell a Bau. I got some

2453
02:29:49,440 --> 02:29:53,520
Speaker 4: conscience by MYSELFE have a lookout of mine, Almighty God,

2454
02:29:53,680 --> 02:29:55,960
Speaker 4: who never give another mansa?

2455
02:29:56,200 --> 02:29:58,680
Speaker 5: Who now man tell what to say? I'm gonna get

2456
02:29:58,800 --> 02:30:03,280
Speaker 5: my so gotta bless no mine because this is his

2457
02:30:03,440 --> 02:30:08,200
Speaker 5: first song. Then everybody now wonder who's just coming from?

2458
02:30:08,240 --> 02:30:10,400
Speaker 5: Where the music coming from? Then I started search from

2459
02:30:10,480 --> 02:30:13,720
Speaker 5: letting them find him, driving me a look apiece that

2460
02:30:13,840 --> 02:30:16,800
Speaker 5: tread and drying me and I'm bringing me And then.

2461
02:30:18,720 --> 02:30:20,480
Speaker 4: You have one of the biggest things in the world.

2462
02:30:21,760 --> 02:30:26,520
Speaker 4: It can't stop playing. You are my African girl of

2463
02:30:26,720 --> 02:30:32,800
Speaker 4: my tree. I show you see. People don't understand when

2464
02:30:32,840 --> 02:30:34,039
Speaker 4: they come to music effort.

2465
02:30:34,720 --> 02:30:40,560
Speaker 5: Oh God, right, that's some music come from it don't

2466
02:30:40,560 --> 02:30:43,840
Speaker 5: come from nowhere, but they play it, but they listened

2467
02:30:43,920 --> 02:30:47,000
Speaker 5: to it, but they sing it, but they write it.

2468
02:30:47,480 --> 02:30:51,840
Speaker 4: But anything about it. When it comes to music, music

2469
02:30:52,000 --> 02:30:53,360
Speaker 4: is from the heart.

2470
02:31:00,680 --> 02:31:04,439
Speaker 1: But how do you link with the neptunes, nephtunes, neptunes.

2471
02:31:10,120 --> 02:31:13,360
Speaker 5: No, but Nephew was the youngest thing that there was

2472
02:31:13,440 --> 02:31:15,160
Speaker 5: making music all about.

2473
02:31:15,240 --> 02:31:16,600
Speaker 12: And I'm like what.

2474
02:31:20,360 --> 02:31:25,680
Speaker 4: The boy but didn't making music all about? I'm like what?

2475
02:31:26,840 --> 02:31:30,720
Speaker 5: And then I called version and he said, okay, I

2476
02:31:30,840 --> 02:31:33,640
Speaker 5: need to make a song, and they say, what kind

2477
02:31:33,680 --> 02:31:35,879
Speaker 5: of song you have for me? I mean, I said, Moore,

2478
02:31:35,920 --> 02:31:38,160
Speaker 5: I'm mixed sim simon girls, I'm sugar, and I wonder

2479
02:31:41,480 --> 02:31:45,600
Speaker 5: as one record, as one record sim Simma beating one

2480
02:31:45,640 --> 02:31:47,080
Speaker 5: of the girls and sugars.

2481
02:31:47,920 --> 02:31:48,800
Speaker 1: But I need to beat.

2482
02:31:49,520 --> 02:31:56,080
Speaker 5: I can't find the goddamn beat. So patcheck Moxie, Yeah,

2483
02:31:56,760 --> 02:31:57,680
Speaker 5: Patchet Moxie.

2484
02:31:58,920 --> 02:32:02,800
Speaker 4: He called me. He said, end up the team, let

2485
02:32:02,800 --> 02:32:03,160
Speaker 4: me still that.

2486
02:32:03,720 --> 02:32:03,879
Speaker 2: Yeah.

2487
02:32:04,840 --> 02:32:06,600
Speaker 1: Yeah, like what.

2488
02:32:08,240 --> 02:32:10,560
Speaker 4: I mean, we're telling you out nept and dead. And

2489
02:32:10,720 --> 02:32:14,760
Speaker 4: then you know he is. It's the very cocky guy

2490
02:32:14,920 --> 02:32:15,960
Speaker 4: that about him.

2491
02:32:16,760 --> 02:32:18,199
Speaker 1: What studio is this right track?

2492
02:32:18,840 --> 02:32:23,560
Speaker 4: No, it's what what sound on sound the next Tuesday?

2493
02:32:23,680 --> 02:32:23,800
Speaker 9: Name?

2494
02:32:24,640 --> 02:32:28,400
Speaker 1: Not Thatdy's House? No, No, not Unique, not d n D.

2495
02:32:28,600 --> 02:32:32,119
Speaker 1: He stopped that stop. I mean, man, he didn't work

2496
02:32:32,160 --> 02:32:33,119
Speaker 1: at the Hood studios.

2497
02:32:33,480 --> 02:32:34,600
Speaker 4: It's right, it's.

2498
02:32:36,600 --> 02:32:41,959
Speaker 1: Miami, Yeah, you know, in the lactory in Miami. Because

2499
02:32:42,000 --> 02:32:46,360
Speaker 1: that's when he started you in the beginning, he got, yeah, yeah, yeah,

2500
02:32:46,440 --> 02:32:48,920
Speaker 1: y you know what you got?

2501
02:32:49,480 --> 02:32:49,640
Speaker 2: Yeah?

2502
02:32:49,720 --> 02:32:50,320
Speaker 4: Yo, you in the.

2503
02:32:50,360 --> 02:32:51,519
Speaker 1: Beginning for around.

2504
02:32:53,720 --> 02:32:55,680
Speaker 2: Yo, what are you doing? Man?

2505
02:32:55,920 --> 02:33:00,080
Speaker 1: Know you're right, that's the that's the beginning. Yeah, the

2506
02:33:00,160 --> 02:33:02,879
Speaker 1: tracks at that, he blew up. Yeah swaying, dude, damn

2507
02:33:03,000 --> 02:33:06,080
Speaker 1: you what year was this? Did you see what?

2508
02:33:06,280 --> 02:33:06,960
Speaker 2: You know?

2509
02:33:07,240 --> 02:33:07,360
Speaker 6: Now?

2510
02:33:07,480 --> 02:33:11,760
Speaker 1: You saw that? He's right, He's right.

2511
02:33:11,800 --> 02:33:14,720
Speaker 4: You know you sat talking direct questions, talks a way.

2512
02:33:14,840 --> 02:33:25,600
Speaker 1: It was what year was? That is real? Talks me

2513
02:33:25,680 --> 02:33:26,160
Speaker 1: what it was?

2514
02:33:26,320 --> 02:33:27,240
Speaker 4: What year it was?

2515
02:33:28,000 --> 02:33:31,840
Speaker 1: It was? I love that year.

2516
02:33:32,240 --> 02:33:34,400
Speaker 4: Now, I'm like, dad, it was the best said.

2517
02:33:34,720 --> 02:33:37,720
Speaker 1: And that it had to be ninety nine thousand. It

2518
02:33:37,879 --> 02:33:39,960
Speaker 1: was it infected for me or not? No, no, no,

2519
02:33:40,320 --> 02:33:43,800
Speaker 1: in fact you knew heye ninety dear, that's my year.

2520
02:33:43,879 --> 02:33:44,000
Speaker 14: Bro.

2521
02:33:44,680 --> 02:33:45,520
Speaker 4: You know when.

2522
02:33:50,760 --> 02:33:54,880
Speaker 10: I totally forgot you because I look got I don't know,

2523
02:33:55,800 --> 02:34:00,600
Speaker 10: I say wrong, got something cheating for you that makes sense?

2524
02:34:00,640 --> 02:34:03,840
Speaker 10: And we got to drink shot.

2525
02:34:04,000 --> 02:34:05,800
Speaker 4: Oh sorry, you can't chance.

2526
02:34:09,040 --> 02:34:09,160
Speaker 8: Here.

2527
02:34:10,760 --> 02:34:13,920
Speaker 4: And you go buying playing for I'm buying playing.

2528
02:34:16,959 --> 02:34:17,880
Speaker 13: Like what?

2529
02:34:20,440 --> 02:34:23,040
Speaker 4: And he goes and he's going to the studio. This

2530
02:34:23,160 --> 02:34:25,680
Speaker 4: nigga going to the studio. This man going to shoot

2531
02:34:25,760 --> 02:34:32,920
Speaker 4: and sim simmer, Sim simmer, sim simmer, and you go

2532
02:34:33,120 --> 02:34:36,000
Speaker 4: and say you gotta send girls and sugar and this sweet.

2533
02:34:36,120 --> 02:34:42,320
Speaker 4: I'm like what and this is the song? And then

2534
02:34:42,600 --> 02:34:44,640
Speaker 4: I see this Indian girls sit down the shoe that

2535
02:34:44,640 --> 02:34:49,959
Speaker 4: I don't know who the Indian girl was. That's Maya.

2536
02:34:51,840 --> 02:34:56,600
Speaker 16: Mayay, I mean Indian girls in my age, she's the

2537
02:34:56,680 --> 02:34:57,280
Speaker 16: Indian girl.

2538
02:34:57,879 --> 02:35:05,360
Speaker 4: But I see this. I'm just saying, no, she's an American.

2539
02:35:05,520 --> 02:35:07,760
Speaker 4: So you know that the ship spelled different.

2540
02:35:08,160 --> 02:35:12,080
Speaker 5: You know, American they talk different, you know they they

2541
02:35:12,520 --> 02:35:15,920
Speaker 5: they don't say that. They don't do these I don't know,

2542
02:35:19,040 --> 02:35:21,240
Speaker 5: makeup crazy people.

2543
02:35:21,520 --> 02:35:25,879
Speaker 4: Americans don't d why you don't do d fhiitty.

2544
02:35:29,720 --> 02:35:30,640
Speaker 1: Like fitty.

2545
02:35:32,560 --> 02:35:36,240
Speaker 5: Don't they don't do teas. Sorry, I get it wrong

2546
02:35:36,560 --> 02:35:42,640
Speaker 5: when they don't do teas. Fitty Philly like Philly is

2547
02:35:42,840 --> 02:35:49,199
Speaker 5: fifty cent. Do not say fitny you lost.

2548
02:35:50,920 --> 02:35:56,720
Speaker 4: No Americans say phitty phitty cent, it's fifty cent.

2549
02:35:58,080 --> 02:35:59,320
Speaker 2: Some of us still say fifty.

2550
02:36:00,360 --> 02:36:00,840
Speaker 6: It's pity.

2551
02:36:01,680 --> 02:36:04,879
Speaker 1: Don't makes don't say three. It's that tree.

2552
02:36:06,360 --> 02:36:07,400
Speaker 4: Making known sense free.

2553
02:36:07,480 --> 02:36:09,119
Speaker 1: You put the tongue between your team.

2554
02:36:12,560 --> 02:36:14,080
Speaker 2: You don't say three o'clock.

2555
02:36:15,120 --> 02:36:20,360
Speaker 5: True clock, Jamaican open the mount and dark a trie

2556
02:36:20,480 --> 02:36:25,119
Speaker 5: clock that they're known it's three old clock.

2557
02:36:24,959 --> 02:36:29,480
Speaker 1: Exactly that they don't do that ship. What are you doing? People?

2558
02:36:29,560 --> 02:36:33,000
Speaker 4: The people that go to the Universal City ain't got

2559
02:36:33,120 --> 02:36:35,080
Speaker 4: it with too much diploma.

2560
02:36:35,680 --> 02:36:40,760
Speaker 2: University means college. I've learned that university. I learned that basically,

2561
02:36:41,680 --> 02:36:42,920
Speaker 2: I didn't know that. I didn't know that.

2562
02:36:46,040 --> 02:36:57,320
Speaker 18: University, college, university. Two weeks ago university.

2563
02:36:57,360 --> 02:37:03,080
Speaker 5: I was like, somebody English, listen, you expect somebody in Jamaica.

2564
02:37:03,240 --> 02:37:05,600
Speaker 4: Tell it is three old clock.

2565
02:37:06,120 --> 02:37:07,879
Speaker 1: Mm hmm, three o'clock.

2566
02:37:08,240 --> 02:37:14,720
Speaker 4: Yeah, te clock, tree clock, four o'clock, what time?

2567
02:37:14,840 --> 02:37:15,680
Speaker 1: No two o'clock?

2568
02:37:16,040 --> 02:37:17,960
Speaker 4: But one my get up.

2569
02:37:20,760 --> 02:37:21,920
Speaker 1: This is how we is.

2570
02:37:22,520 --> 02:37:25,000
Speaker 4: We are drinking all right. You see the problem is

2571
02:37:25,080 --> 02:37:26,320
Speaker 4: we build our own language.

2572
02:37:27,320 --> 02:37:31,640
Speaker 5: We never get it from nobody at times. Really, so

2573
02:37:31,879 --> 02:37:34,959
Speaker 5: what we do we put the English and the French

2574
02:37:35,360 --> 02:37:38,040
Speaker 5: and the Spanish together and beating them.

2575
02:37:38,760 --> 02:37:41,160
Speaker 2: But that's why it's got Spanish.

2576
02:37:42,240 --> 02:37:48,520
Speaker 1: I don't know about French. I don't English everything. Yeah,

2577
02:37:48,520 --> 02:37:50,320
Speaker 1: I didn't know that. I didn't know. I know about

2578
02:37:50,360 --> 02:37:52,320
Speaker 1: the English.

2579
02:37:52,600 --> 02:37:55,720
Speaker 2: And uh so you think you know what's funny. You

2580
02:37:55,800 --> 02:37:57,600
Speaker 2: know what's funny that I saw today that it said

2581
02:37:57,600 --> 02:38:02,880
Speaker 2: that Patois is English creole, yes, which makes sense with

2582
02:38:02,959 --> 02:38:08,960
Speaker 2: what he's saying right now, which makes sense which what

2583
02:38:09,080 --> 02:38:11,400
Speaker 2: he's saying right all right?

2584
02:38:11,600 --> 02:38:13,240
Speaker 1: Is he all right?

2585
02:38:13,320 --> 02:38:14,119
Speaker 4: Let me tell you something?

2586
02:38:14,879 --> 02:38:15,200
Speaker 1: All right?

2587
02:38:15,240 --> 02:38:22,800
Speaker 5: You see, Jamin can't bad word sorry, cruise and woman accessories.

2588
02:38:23,400 --> 02:38:27,000
Speaker 2: Everything is a boombo or boomba blood cloud?

2589
02:38:27,720 --> 02:38:31,400
Speaker 4: Is you know what come around? Blood? Blood clod?

2590
02:38:33,200 --> 02:38:36,360
Speaker 1: You know what you're making bad word?

2591
02:38:36,480 --> 02:38:36,520
Speaker 10: No?

2592
02:38:36,680 --> 02:38:39,200
Speaker 6: No, your blood oh your blood clots?

2593
02:38:39,320 --> 02:38:41,440
Speaker 2: Yeah, because you get a blood clot that comes out

2594
02:38:41,480 --> 02:38:44,240
Speaker 2: of there. I mean blood class. I'm just saying, real

2595
02:38:44,320 --> 02:38:49,760
Speaker 2: life woman book, what's happened, yes, but yeah I'm not.

2596
02:38:50,840 --> 02:38:52,400
Speaker 1: I'm just saying that what happened.

2597
02:38:53,040 --> 02:38:57,280
Speaker 5: Them down the sanitary thing never then sat in my

2598
02:38:57,360 --> 02:39:04,119
Speaker 5: father cloud. It's man superior, but not all doing a woman.

2599
02:39:04,920 --> 02:39:08,960
Speaker 19: No, he's a blood clot No no, no, not that

2600
02:39:10,200 --> 02:39:14,320
Speaker 19: cloud like cloud, like physically cloud, I'm clear from like

2601
02:39:14,760 --> 02:39:16,520
Speaker 19: blood clos So what.

2602
02:39:16,640 --> 02:39:19,200
Speaker 5: I'm saying, So what I'm saying, one more cloud? Yeah,

2603
02:39:19,360 --> 02:39:21,600
Speaker 5: I think that about that boy, go away one but

2604
02:39:22,440 --> 02:39:23,160
Speaker 5: your near kids.

2605
02:39:23,959 --> 02:39:32,879
Speaker 4: Yeah, I just came in.

2606
02:39:38,560 --> 02:39:40,960
Speaker 1: Happening blood clock on your butthole?

2607
02:39:41,520 --> 02:39:42,440
Speaker 6: Is that happening though?

2608
02:39:42,760 --> 02:39:44,760
Speaker 1: Boom boy, boom boom boy.

2609
02:39:45,840 --> 02:39:49,280
Speaker 6: Yeah, an emergency I never had I'm coming out of

2610
02:39:49,320 --> 02:39:49,920
Speaker 6: my ass.

2611
02:39:50,760 --> 02:39:55,680
Speaker 2: He said, in case of an emergency, women, you're ship.

2612
02:39:57,320 --> 02:39:59,959
Speaker 4: Oh because if.

2613
02:39:59,879 --> 02:40:05,920
Speaker 11: We I don't know you had an epiphany. No oh yeah, yeah, everybody,

2614
02:40:07,400 --> 02:40:12,720
Speaker 11: what is the matter that is not maybe spicy food,

2615
02:40:13,040 --> 02:40:13,440
Speaker 11: that's not.

2616
02:40:15,560 --> 02:40:19,480
Speaker 4: Telling people make them time? So his wipe up.

2617
02:40:20,160 --> 02:40:21,240
Speaker 1: I get what.

2618
02:40:27,440 --> 02:40:27,680
Speaker 4: People.

2619
02:40:28,080 --> 02:40:31,080
Speaker 5: I'm telling them the end of them time they went

2620
02:40:31,160 --> 02:40:35,360
Speaker 5: and build their words. Yes, that was like fourteen something.

2621
02:40:37,600 --> 02:40:40,400
Speaker 5: So these are the things that people have to understand

2622
02:40:40,400 --> 02:40:44,960
Speaker 5: about Jamaican. Jamaican people, we make our own words and

2623
02:40:45,080 --> 02:40:49,920
Speaker 5: then other people turn it into bad words. It's not

2624
02:40:50,120 --> 02:40:53,720
Speaker 5: bad words, it's the right words because at the time

2625
02:40:53,840 --> 02:40:55,880
Speaker 5: there was nothing there to say.

2626
02:40:56,320 --> 02:40:58,720
Speaker 2: It's clear right, all right.

2627
02:40:59,240 --> 02:41:00,240
Speaker 1: I guess some too, Piers.

2628
02:41:00,320 --> 02:41:02,600
Speaker 4: That's why we use too stick. White people use to

2629
02:41:02,760 --> 02:41:11,640
Speaker 4: sick because there's no toothpas mm hmm. You don't know, ship, but.

2630
02:41:14,240 --> 02:41:24,200
Speaker 1: Don't you putting? Really? Kevi is like I'm going in.

2631
02:41:27,720 --> 02:41:30,680
Speaker 4: Utick because there is no I love it.

2632
02:41:30,760 --> 02:41:31,480
Speaker 1: Some time.

2633
02:41:32,840 --> 02:41:35,560
Speaker 4: There is no tooth brush. You're putting the brush your teeth.

2634
02:41:36,200 --> 02:41:38,920
Speaker 4: There's no just say you have a tooth stick to

2635
02:41:39,120 --> 02:41:41,720
Speaker 4: to too stick and and the wicked thing.

2636
02:41:43,160 --> 02:41:47,560
Speaker 5: It is the clearest thing today because the bubbles and

2637
02:41:47,800 --> 02:41:51,120
Speaker 5: the rest of fear and them them don't stop too

2638
02:41:51,280 --> 02:41:54,160
Speaker 5: sick because them cleaning them teeth right.

2639
02:41:54,240 --> 02:41:56,920
Speaker 4: True, this is the problem. So it's not like I

2640
02:41:57,160 --> 02:41:58,959
Speaker 4: put tooth piers from the tool.

2641
02:41:58,800 --> 02:42:03,600
Speaker 5: Bus on the ground. Yeah, yeah, you're over something. What

2642
02:42:03,640 --> 02:42:06,480
Speaker 5: I'm saying, it's not like that. The what they what

2643
02:42:06,560 --> 02:42:11,880
Speaker 5: they're doing right now. So it's it's a difference. So

2644
02:42:12,560 --> 02:42:14,520
Speaker 5: a lot of people that talk about things and.

2645
02:42:15,440 --> 02:42:17,080
Speaker 4: I don't know what this means.

2646
02:42:18,320 --> 02:42:18,720
Speaker 10: Mm hmm.

2647
02:42:19,440 --> 02:42:23,199
Speaker 1: You got a pigure. Let me ask a question one second.

2648
02:42:24,040 --> 02:42:26,600
Speaker 3: Would you ever do a collaborative album with hip hop

2649
02:42:26,720 --> 02:42:30,280
Speaker 3: artist Damian Marley? Did one with nods with distant relatives and.

2650
02:42:31,200 --> 02:42:34,600
Speaker 1: I do music? What you said, I do music? That's

2651
02:42:34,640 --> 02:42:35,600
Speaker 1: a good question. We want to know.

2652
02:42:36,240 --> 02:42:38,360
Speaker 4: No, man, I do music. Just trying to do.

2653
02:42:40,360 --> 02:42:47,160
Speaker 1: What what what?

2654
02:42:49,600 --> 02:42:54,240
Speaker 4: He said something as savage bad bunny not.

2655
02:42:59,520 --> 02:43:02,439
Speaker 5: His bunny, that I did a song and dynam already

2656
02:43:03,520 --> 02:43:05,320
Speaker 5: Yeah with how we do album and day.

2657
02:43:14,120 --> 02:43:16,640
Speaker 1: And weel what.

2658
02:43:19,920 --> 02:43:23,120
Speaker 4: I'll tell you someone this song beginning their names. I

2659
02:43:24,320 --> 02:43:25,280
Speaker 4: would know the song, but.

2660
02:43:27,080 --> 02:43:27,600
Speaker 6: No name.

2661
02:43:27,920 --> 02:43:32,199
Speaker 2: Kendrick Lamar, Kendrick and Beanie.

2662
02:43:31,920 --> 02:43:34,359
Speaker 6: With Crazy.

2663
02:43:36,920 --> 02:43:37,080
Speaker 1: Jake.

2664
02:43:37,240 --> 02:43:40,039
Speaker 4: If if you ever watched his interview.

2665
02:43:43,320 --> 02:43:46,199
Speaker 2: Listen Beanie. If Kendrick is watching his interview, what would

2666
02:43:46,200 --> 02:43:47,960
Speaker 2: a collapse look like sound like?

2667
02:43:48,440 --> 02:43:52,400
Speaker 1: At least give us some little come on? I can't

2668
02:43:52,840 --> 02:43:53,879
Speaker 1: you want me to freestyle?

2669
02:43:54,560 --> 02:43:58,760
Speaker 2: Please please, bro, please the freestyle, please please please Yo,

2670
02:43:59,240 --> 02:44:00,119
Speaker 2: this is meaning.

2671
02:44:00,080 --> 02:44:03,560
Speaker 4: Man and all right, good sheavy, there we go.

2672
02:44:03,840 --> 02:44:06,600
Speaker 5: Yeah, well, this is being a man and Ken Drick

2673
02:44:06,680 --> 02:44:10,000
Speaker 5: Man and everybody got your new separate from the place,

2674
02:44:10,080 --> 02:44:13,640
Speaker 5: and everybody turned down them care around musical player. Everybody

2675
02:44:13,800 --> 02:44:18,200
Speaker 5: moves them but the biggest but the superstar polls. If

2676
02:44:18,240 --> 02:44:21,600
Speaker 5: you're listening, please don't check in. But man that you

2677
02:44:21,720 --> 02:44:25,160
Speaker 5: don't you know when I reckon, mister dad, gookie stop

2678
02:44:25,320 --> 02:44:26,400
Speaker 5: stop stop mister.

2679
02:44:27,959 --> 02:44:42,080
Speaker 1: You turned me off. Yeah, you know that's on you.

2680
02:44:43,720 --> 02:44:46,800
Speaker 1: I mean you're listening to me. Give me the four

2681
02:44:47,400 --> 02:44:52,199
Speaker 1: you go you go for to try.

2682
02:44:54,800 --> 02:44:58,640
Speaker 2: Stop you doing like this?

2683
02:44:59,320 --> 02:45:04,600
Speaker 5: Yeah, but down south see everywhere, you know, but Monday,

2684
02:45:04,680 --> 02:45:08,360
Speaker 5: I'm not top ranking killing people up on ne Bunking.

2685
02:45:09,160 --> 02:45:18,680
Speaker 4: Yeah, the Swiss must walking now second, I'm ready for

2686
02:45:18,800 --> 02:45:26,560
Speaker 4: that ship. Don't don't don't say again, I ain't saying it.

2687
02:45:34,400 --> 02:45:40,040
Speaker 4: Mm hmm. Alicia Keys, Alicia, Alicia, Alicia Keys.

2688
02:45:41,200 --> 02:45:44,600
Speaker 5: I'm sitting then. I think she's the best thing in

2689
02:45:44,680 --> 02:45:45,279
Speaker 5: the world.

2690
02:45:51,480 --> 02:45:51,760
Speaker 6: Together.

2691
02:45:52,120 --> 02:45:52,959
Speaker 1: Yeah, really.

2692
02:45:54,600 --> 02:45:56,080
Speaker 6: The fession performing arts, I was kitchen.

2693
02:45:56,160 --> 02:45:59,760
Speaker 4: Yeah, No, I think she's the best singer in the world.

2694
02:46:00,040 --> 02:46:03,199
Speaker 5: You don't play any woman that can play a piano

2695
02:46:03,840 --> 02:46:06,600
Speaker 5: and sing at the same mother fucking time.

2696
02:46:06,879 --> 02:46:09,040
Speaker 1: Nigga, what are you doing?

2697
02:46:18,200 --> 02:46:23,440
Speaker 5: Of course, learn it Learn Learning meant the best album.

2698
02:46:24,200 --> 02:46:30,160
Speaker 5: I don't know what fucked her up, but she is

2699
02:46:30,360 --> 02:46:35,160
Speaker 5: my sting and I love her son because that kid.

2700
02:46:35,280 --> 02:46:36,640
Speaker 2: Yo, her son is off the cha.

2701
02:46:36,840 --> 02:46:37,480
Speaker 4: The money is.

2702
02:46:40,520 --> 02:46:48,320
Speaker 5: Stop the cat the chair, and the money is broll.

2703
02:46:48,680 --> 02:46:54,080
Speaker 4: She got two sons. You got Gion, who's the one performed.

2704
02:46:55,800 --> 02:46:56,600
Speaker 2: He's killing it.

2705
02:46:57,040 --> 02:46:57,879
Speaker 1: Yeah, but you go.

2706
02:46:59,360 --> 02:47:00,320
Speaker 2: Baltimore on it.

2707
02:47:04,959 --> 02:47:07,320
Speaker 1: All right? You said both of them are killing it.

2708
02:47:12,240 --> 02:47:13,040
Speaker 4: A dog.

2709
02:47:13,280 --> 02:47:14,080
Speaker 1: I love that.

2710
02:47:14,920 --> 02:47:17,760
Speaker 4: Look on me. Look for me. She's my only singing.

2711
02:47:18,440 --> 02:47:21,040
Speaker 4: If if she's not my only singing.

2712
02:47:22,240 --> 02:47:22,920
Speaker 1: I love learning.

2713
02:47:23,000 --> 02:47:24,440
Speaker 4: I love learning too much.

2714
02:47:24,600 --> 02:47:25,840
Speaker 2: This this.

2715
02:47:30,560 --> 02:47:33,080
Speaker 4: No, I'm not gonna cry. It's gonna come up.

2716
02:47:33,920 --> 02:47:36,160
Speaker 2: We're star that's real ship.

2717
02:47:36,240 --> 02:47:39,160
Speaker 4: Though I want to come my minds. I can't do

2718
02:47:39,320 --> 02:47:40,560
Speaker 4: this ship. Just give me a minute.

2719
02:47:41,879 --> 02:47:44,359
Speaker 1: I'm gonna try one, two three.

2720
02:47:57,480 --> 02:47:57,800
Speaker 4: Learning.

2721
02:47:58,800 --> 02:48:03,720
Speaker 5: She's the first woman in America, in America, does that

2722
02:48:03,879 --> 02:48:09,400
Speaker 5: mean in this this country, this country of America. She's

2723
02:48:09,440 --> 02:48:12,200
Speaker 5: the first woman told me that you it's going to

2724
02:48:12,240 --> 02:48:16,800
Speaker 5: be superstar. She told you that, Yes, she told me

2725
02:48:17,040 --> 02:48:20,760
Speaker 5: this five. What are you talking about? This is before

2726
02:48:21,440 --> 02:48:22,119
Speaker 5: where here.

2727
02:48:22,080 --> 02:48:25,680
Speaker 2: Not where you can Before that, she told you that,

2728
02:48:26,240 --> 02:48:29,400
Speaker 2: what are you doing before she's a superstar, she tells.

2729
02:48:29,200 --> 02:48:31,760
Speaker 4: Your advertising really.

2730
02:48:34,800 --> 02:48:38,000
Speaker 2: Before she is superstar, she tells you your superstar.

2731
02:48:38,240 --> 02:48:41,039
Speaker 1: Trying to tell you this that I'm a superstar from.

2732
02:48:44,959 --> 02:48:48,080
Speaker 5: I'm a Superstar from nineteen ninety two, before she is

2733
02:48:48,360 --> 02:48:52,400
Speaker 5: she Mama superstarar from nineteen ninety two. I repeat myself

2734
02:48:52,760 --> 02:49:00,560
Speaker 5: when you know, learning it from Boogie Dune. The argument man.

2735
02:49:03,560 --> 02:49:04,920
Speaker 1: Will help me out to as well.

2736
02:49:05,240 --> 02:49:10,520
Speaker 5: All right, I'm a superstar from nineteen ninety two, when

2737
02:49:10,760 --> 02:49:14,080
Speaker 5: me and Dougie fresher this time and put you before that.

2738
02:49:14,200 --> 02:49:17,120
Speaker 2: Bro, let me get some bullied, bully crazy son.

2739
02:49:17,240 --> 02:49:20,480
Speaker 5: I'm talking about superstar. You have to have super maniga

2740
02:49:20,560 --> 02:49:28,520
Speaker 5: start like white people radio, because I'm not gonna lie

2741
02:49:28,680 --> 02:49:31,000
Speaker 5: a lot of white people like they know your music.

2742
02:49:31,120 --> 02:49:31,240
Speaker 2: Yo.

2743
02:49:31,520 --> 02:49:35,880
Speaker 1: What because like when I work out in front of

2744
02:49:35,959 --> 02:49:38,760
Speaker 1: my neighbors, there's a lot of white people. I can

2745
02:49:38,800 --> 02:49:43,920
Speaker 1: only play Bob Molly. I didn't realize Bob don't really curse.

2746
02:49:44,320 --> 02:49:46,800
Speaker 1: But then I played with your music for three days

2747
02:49:46,879 --> 02:49:48,680
Speaker 1: and they can and they were like, they were like

2748
02:49:49,480 --> 02:49:50,000
Speaker 1: they walking.

2749
02:49:50,320 --> 02:49:52,840
Speaker 2: I'm like, oh no, this thing is.

2750
02:49:52,959 --> 02:49:59,640
Speaker 1: This thing is global. Yeah, they didn't know you about

2751
02:49:59,720 --> 02:50:04,200
Speaker 1: mind They don't know. Yeah yeah, yeah, white people think.

2752
02:50:08,840 --> 02:50:11,200
Speaker 1: But the way I do.

2753
02:50:11,879 --> 02:50:13,480
Speaker 4: If I'm on school where I do?

2754
02:50:14,280 --> 02:50:15,200
Speaker 2: Is there any ship?

2755
02:50:15,760 --> 02:50:18,480
Speaker 1: Yeah? I took minds already anything. I don't want to

2756
02:50:18,480 --> 02:50:19,199
Speaker 1: tell your fans.

2757
02:50:19,800 --> 02:50:21,400
Speaker 4: I just want to tell my friends that you can

2758
02:50:21,440 --> 02:50:22,360
Speaker 4: take that shot though.

2759
02:50:24,160 --> 02:50:24,400
Speaker 1: Fans.

2760
02:50:25,040 --> 02:50:25,520
Speaker 2: It's great.

2761
02:50:26,200 --> 02:50:30,039
Speaker 1: Yeah, he gets more vicious and he wrote someone from.

2762
02:50:29,959 --> 02:50:32,640
Speaker 2: The visious too little visuous.

2763
02:50:33,680 --> 02:50:34,280
Speaker 4: Yeah, I do that.

2764
02:50:34,600 --> 02:50:43,480
Speaker 14: Your little love to change freak friend you wrote, Doug

2765
02:50:43,560 --> 02:50:46,279
Speaker 14: you fresh fresh, little viious.

2766
02:50:47,280 --> 02:50:49,119
Speaker 4: Looking is my artist.

2767
02:50:50,320 --> 02:50:50,480
Speaker 1: Back?

2768
02:50:50,560 --> 02:50:55,240
Speaker 4: And then down a Van Thomas. He was a producer

2769
02:50:55,440 --> 02:51:00,480
Speaker 4: of Little Vision and he brought him to me and Jamaica.

2770
02:51:01,840 --> 02:51:03,279
Speaker 4: He's from Jamaica.

2771
02:51:03,800 --> 02:51:07,440
Speaker 6: No, I don't know from Jamaican.

2772
02:51:07,840 --> 02:51:14,160
Speaker 8: Bolynce is Jamaican, Yes, yeah, yeah, Americans, but.

2773
02:51:16,120 --> 02:51:18,600
Speaker 1: Child stall so it only makes right.

2774
02:51:18,800 --> 02:51:21,920
Speaker 4: Yeah, but now you go, And I said it want

2775
02:51:22,000 --> 02:51:22,320
Speaker 4: a song.

2776
02:51:22,520 --> 02:51:24,960
Speaker 5: So I was in the studio and I was doing

2777
02:51:25,040 --> 02:51:28,120
Speaker 5: I Want You Down, So being the fighting again on

2778
02:51:28,200 --> 02:51:32,320
Speaker 5: the streets and been well done since the Amanda Tiger.

2779
02:51:32,640 --> 02:51:36,720
Speaker 4: Nobody left for I don't know why black Widz. I

2780
02:51:36,879 --> 02:51:37,200
Speaker 4: love it.

2781
02:51:37,680 --> 02:51:40,640
Speaker 5: So they they followed to me and said, I need

2782
02:51:40,760 --> 02:51:44,760
Speaker 5: to do a song that the people I am popular

2783
02:51:45,480 --> 02:51:47,080
Speaker 5: wit them.

2784
02:51:47,000 --> 02:51:51,200
Speaker 4: Can hear the song like the familiar. So and where

2785
02:51:51,320 --> 02:51:54,280
Speaker 4: is it? I want you? Let me just swipe and

2786
02:51:54,320 --> 02:51:59,560
Speaker 4: again and then I don't know the name that give me.

2787
02:51:59,680 --> 02:52:02,560
Speaker 5: I think it was his school girlfriend and he gave

2788
02:52:02,600 --> 02:52:06,720
Speaker 5: me a name and and I did that and then

2789
02:52:06,959 --> 02:52:09,480
Speaker 5: come and said I got the next video.

2790
02:52:09,560 --> 02:52:17,279
Speaker 4: My man said, yo, some got up free and then Vicious.

2791
02:52:19,240 --> 02:52:24,520
Speaker 4: I don't know who. Somebody get to him. I don't know,

2792
02:52:25,640 --> 02:52:28,240
Speaker 4: but yeah, the whole time I thought he was Douggie Fisher, Dounky.

2793
02:52:28,040 --> 02:52:29,560
Speaker 2: Fisher, that was a part of the record.

2794
02:52:29,600 --> 02:52:30,320
Speaker 1: But we don't know.

2795
02:52:30,560 --> 02:52:32,960
Speaker 4: Now somebody get to him next, seriously, somebody get to

2796
02:52:33,040 --> 02:52:37,240
Speaker 4: him and I say, yo, all right, and they do

2797
02:52:37,440 --> 02:52:42,359
Speaker 4: the first and everything and then Who's.

2798
02:52:42,120 --> 02:52:43,680
Speaker 6: I deal with it for Dougy Fish to just be

2799
02:52:43,840 --> 02:52:44,920
Speaker 6: boxed on the middle like.

2800
02:52:45,800 --> 02:52:49,039
Speaker 4: No, Douggle Fisher was part of the company you.

2801
02:52:49,520 --> 02:52:51,400
Speaker 6: I mean as far as the production in the sound.

2802
02:52:51,400 --> 02:52:54,640
Speaker 5: He was part of the company. Donovan Thomas and dougle Fresh.

2803
02:52:55,040 --> 02:52:59,359
Speaker 5: They're the one that comes because all right, nineteen.

2804
02:52:59,160 --> 02:53:02,920
Speaker 4: Ninety one, we're coming from. Yeah, you know I go

2805
02:53:03,040 --> 02:53:09,160
Speaker 4: out there, Yeah, nineteen nineteen ninety I were coming from.

2806
02:53:09,600 --> 02:53:09,800
Speaker 1: Yeah.

2807
02:53:10,000 --> 02:53:14,120
Speaker 5: Anyway, we went to the National said them called Nancy

2808
02:53:14,200 --> 02:53:15,400
Speaker 5: Mandela was released.

2809
02:53:15,800 --> 02:53:20,280
Speaker 4: M hm, So I went to the Nancy Mondela show.

2810
02:53:21,400 --> 02:53:24,920
Speaker 1: Is that when you got booed? Yeah?

2811
02:53:24,959 --> 02:53:25,640
Speaker 2: The fun shout up.

2812
02:53:26,640 --> 02:53:27,960
Speaker 1: I didn't know if it was that one or not.

2813
02:53:28,720 --> 02:53:36,040
Speaker 4: Yeah aa aheyeah, yeah that's the yeah I got booed. Yeah,

2814
02:53:36,160 --> 02:53:43,160
Speaker 4: we don't have to waste the story. Yeah, so yeah,

2815
02:53:43,360 --> 02:53:45,560
Speaker 4: that's the year it was. I got when I got booed?

2816
02:53:47,560 --> 02:53:49,240
Speaker 1: How di got feel getting booed?

2817
02:53:54,480 --> 02:53:55,160
Speaker 2: Do you know?

2818
02:53:55,320 --> 02:54:00,039
Speaker 4: Jackie Fresh? Yeah? Six minute, six minute.

2819
02:54:05,480 --> 02:54:06,439
Speaker 2: The picture.

2820
02:54:08,000 --> 02:54:09,760
Speaker 1: Dog get Fresh a lot of all.

2821
02:54:10,360 --> 02:54:14,280
Speaker 5: Yeah, he's the one that able to be all right,

2822
02:54:15,120 --> 02:54:17,760
Speaker 5: all right, Juggiet Fresh, it's my family.

2823
02:54:18,360 --> 02:54:18,760
Speaker 1: M hmm.

2824
02:54:19,440 --> 02:54:22,200
Speaker 4: It's called Douglas Davis. That's his name.

2825
02:54:23,879 --> 02:54:25,480
Speaker 1: And there we go.

2826
02:54:26,160 --> 02:54:30,320
Speaker 4: So you know what I'm talking about? Yep, blood family

2827
02:54:30,920 --> 02:54:38,280
Speaker 4: ship name real, Yeah, that's real.

2828
02:54:38,720 --> 02:54:39,760
Speaker 2: Well, let's take it the.

2829
02:54:39,760 --> 02:54:43,320
Speaker 1: Picture, all right. Anything you want to say to your

2830
02:54:43,360 --> 02:54:44,640
Speaker 1: fans before we get about.

2831
02:54:44,400 --> 02:54:46,560
Speaker 4: It, all right, because we're gonna give over here we're

2832
02:54:46,560 --> 02:54:47,320
Speaker 4: talking too long.

2833
02:54:49,200 --> 02:54:51,040
Speaker 5: That's you know what I'm saying to all my fans.

2834
02:54:51,959 --> 02:54:54,360
Speaker 5: I'm making a new album. I got a new song

2835
02:54:54,480 --> 02:54:55,119
Speaker 5: coming out.

2836
02:54:55,800 --> 02:55:00,640
Speaker 1: And we're give it's easy.

2837
02:55:02,560 --> 02:55:05,240
Speaker 4: Don't funk it. What are you talking about? You can't

2838
02:55:05,360 --> 02:55:12,400
Speaker 4: play pieces ship. You haven't sun with Parma. Can you

2839
02:55:12,480 --> 02:55:15,400
Speaker 4: go get Parma from him right away?

2840
02:55:16,320 --> 02:55:16,520
Speaker 9: You have?

2841
02:55:16,720 --> 02:55:17,320
Speaker 6: You have a sign?

2842
02:55:19,760 --> 02:55:22,920
Speaker 1: Yeah? All right? You got a good yacht master on.

2843
02:55:23,240 --> 02:55:26,360
Speaker 1: I'll see you. I see you, brother, now, I got that.

2844
02:55:26,560 --> 02:55:29,280
Speaker 1: I see you, brother, Rose Gold.

2845
02:55:30,480 --> 02:55:31,600
Speaker 2: I can see it from over here.

2846
02:55:31,720 --> 02:55:35,760
Speaker 1: You don't have a good eye. I am I right

2847
02:55:37,560 --> 02:55:45,440
Speaker 1: ross up my eyes. I'm roped in my mind.

2848
02:55:45,640 --> 02:55:48,400
Speaker 5: My mind a roster farm, and say something. I stopped

2849
02:55:48,440 --> 02:55:51,680
Speaker 5: flossing because flossing, Yeah, flossing.

2850
02:55:52,640 --> 02:55:58,640
Speaker 1: Jesus stopped. Jesus looking at me and no, I don't

2851
02:55:58,720 --> 02:56:06,120
Speaker 1: let go. You explain, explain myself. Please about to get out.

2852
02:56:07,040 --> 02:56:10,560
Speaker 5: I'm not saying messing anybody.

2853
02:56:11,440 --> 02:56:14,360
Speaker 1: You are married, you got out of your ship. But

2854
02:56:14,480 --> 02:56:17,560
Speaker 1: I love how you said my name, Narri. I'm now

2855
02:56:17,760 --> 02:56:23,440
Speaker 1: marry and now you just made us get by Narry.

2856
02:56:35,520 --> 02:56:37,560
Speaker 1: I thank you so much. Not let me just tell

2857
02:56:37,560 --> 02:56:40,040
Speaker 1: you something. I thank you so much because nobody a

2858
02:56:40,080 --> 02:56:44,000
Speaker 1: lot of people don't know how much how important you

2859
02:56:44,160 --> 02:56:47,840
Speaker 1: are to this culture. Some people know, but a lot

2860
02:56:47,879 --> 02:56:51,000
Speaker 1: of people don't understand. A lot of people know.

2861
02:56:51,360 --> 02:56:52,240
Speaker 4: A lot of people know.

2862
02:56:52,520 --> 02:56:52,879
Speaker 1: A lot of.

2863
02:56:54,560 --> 02:56:57,359
Speaker 5: A lot of them is some people do not appreciate

2864
02:56:57,600 --> 02:57:01,040
Speaker 5: the music like it's supposed to be appreciated, right, and

2865
02:57:01,400 --> 02:57:02,760
Speaker 5: they disrespect the music.

2866
02:57:03,400 --> 02:57:07,240
Speaker 4: And because you see the problem is if you're ready

2867
02:57:07,280 --> 02:57:10,080
Speaker 4: the artist that last for six months and three months

2868
02:57:11,760 --> 02:57:13,400
Speaker 4: you're doing that love the music.

2869
02:57:14,200 --> 02:57:17,240
Speaker 5: If you appreciate a song because you love the song,

2870
02:57:17,800 --> 02:57:19,960
Speaker 5: you do not love the music. That me listen to

2871
02:57:20,080 --> 02:57:23,360
Speaker 5: hip hop and listen to R and B, I listen

2872
02:57:23,440 --> 02:57:26,480
Speaker 5: to afro B, I listen to something else. That mean

2873
02:57:26,520 --> 02:57:29,560
Speaker 5: you don't listen to the music et ClfA, which is

2874
02:57:29,800 --> 02:57:34,879
Speaker 5: not disrespecting no music in the world, because I listen.

2875
02:57:34,760 --> 02:57:36,800
Speaker 1: To every music.

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02:57:38,040 --> 02:57:41,760
Speaker 4: So all we need is the carrying people to support

2877
02:57:44,000 --> 02:57:46,000
Speaker 4: the music. It's not it's not a.

2878
02:57:46,040 --> 02:57:50,120
Speaker 5: Fight against no music. You're crazy in mind. We go

2879
02:57:50,240 --> 02:57:53,280
Speaker 5: to every country this world. We go to Spain, and

2880
02:57:53,320 --> 02:57:55,680
Speaker 5: we go to Maine, we go Inzane, we'll go Dame,

2881
02:57:55,760 --> 02:58:04,000
Speaker 5: we'll go a part. Yeah, you see, go everywhere you do,

2882
02:58:17,959 --> 02:58:20,320
Speaker 5: all right, you know what his nigga.

2883
02:58:22,440 --> 02:58:26,720
Speaker 1: Now what dn A. I know his name Yea, I

2884
02:58:26,800 --> 02:58:27,120
Speaker 1: told you.

2885
02:58:33,680 --> 02:58:37,000
Speaker 2: Drink Champs is a Drink Champs ll C production hosts

2886
02:58:37,040 --> 02:58:39,880
Speaker 2: and executive producers n O r E and d j

2887
02:58:40,080 --> 02:58:43,840
Speaker 2: e f f N. Listen to drink Champs on Apple Podcast,

2888
02:58:44,080 --> 02:58:49,199
Speaker 2: Amazon Music, Spotify, or wherever you get your podcasts. Thanks

2889
02:58:49,240 --> 02:58:51,760
Speaker 2: for joining us for another episode of Drink Champs, hosted

2890
02:58:51,800 --> 02:58:54,080
Speaker 2: by yours truly, d j e f N and n

2891
02:58:54,080 --> 02:58:56,160
Speaker 2: O r E. Please make sure to follow us on

2892
02:58:56,240 --> 02:58:59,360
Speaker 2: all our socials that's at drink Champs across all platforms

2893
02:58:59,800 --> 02:59:02,880
Speaker 2: at the Real Norrie go on I g at Noriega

2894
02:59:02,959 --> 02:59:05,680
Speaker 2: on Twitter, mine is at Who's Crazy on I g

2895
02:59:06,440 --> 02:59:09,279
Speaker 2: at dj e f N on Twitter, And most importantly,

2896
02:59:09,320 --> 02:59:12,120
Speaker 2: stay up to date with the latest releases, news and

2897
02:59:12,280 --> 02:59:14,600
Speaker 2: merch by going to drink champs dot com