1 00:00:00,680 --> 00:00:13,160 Speaker 1: Well this Hey, welcome to Monday Show Morning Studio. One 2 00:00:13,880 --> 00:00:17,720 Speaker 1: is Neon Moon, the greatest Brooks and Dun song. Boots 3 00:00:17,760 --> 00:00:19,120 Speaker 1: Scooting is pretty good, not. 4 00:00:19,120 --> 00:00:21,639 Speaker 2: The greatest, So it's it's too neat. It's like too 5 00:00:21,720 --> 00:00:24,599 Speaker 2: novel Marina. If there's a line dance to it, it can't 6 00:00:24,600 --> 00:00:25,440 Speaker 2: be the best best. 7 00:00:25,520 --> 00:00:26,680 Speaker 3: Okay, that's a good point. 8 00:00:27,160 --> 00:00:28,080 Speaker 4: Yeah, Neon Moon. 9 00:00:28,120 --> 00:00:30,720 Speaker 1: Man, like an artist's best song has got to be 10 00:00:30,760 --> 00:00:34,919 Speaker 1: one with like emotion, not just a. 11 00:00:34,320 --> 00:00:37,400 Speaker 2: Upbeat, right, But like Garth's best is Friends in Low Places. 12 00:00:37,520 --> 00:00:40,120 Speaker 1: No, it's not not by far, and maybe his biggest. 13 00:00:40,360 --> 00:00:43,160 Speaker 1: The biggest doesn't mean best, okay, because if you're gonna 14 00:00:43,159 --> 00:00:45,959 Speaker 1: get to listen to one Garth Brooks song, it's probably 15 00:00:46,159 --> 00:00:51,960 Speaker 1: like unanswered prayers that will see Marvels whatever that that 16 00:00:52,080 --> 00:00:55,640 Speaker 1: you know, it's one of those uh sometimes late or 17 00:00:55,720 --> 00:00:57,760 Speaker 1: not if Marron never comes right, it's like one of 18 00:00:57,760 --> 00:00:58,360 Speaker 1: those slow wins. 19 00:00:59,040 --> 00:01:01,920 Speaker 2: That's why I think the Brooks had done. The greatest 20 00:01:01,920 --> 00:01:06,280 Speaker 2: song is Neon Moon. When the sun goes down? What's 21 00:01:06,280 --> 00:01:08,520 Speaker 2: the brand new Man's good too great? They have a 22 00:01:08,600 --> 00:01:09,520 Speaker 2: million great songs. 23 00:01:09,600 --> 00:01:13,399 Speaker 5: Yeah, it falls in that like roll kind of more 24 00:01:13,480 --> 00:01:14,400 Speaker 5: upbeat category. 25 00:01:14,680 --> 00:01:16,679 Speaker 2: It's hard for an upbeat song to be an artist 26 00:01:16,720 --> 00:01:19,200 Speaker 2: that has been around for generations, hard for an upbeat 27 00:01:19,240 --> 00:01:21,280 Speaker 2: song to be their best because you don't connect as 28 00:01:21,360 --> 00:01:25,360 Speaker 2: much and upbeat songs. Lunchbox is not really taking a 29 00:01:25,360 --> 00:01:25,960 Speaker 2: part of the music. 30 00:01:26,360 --> 00:01:30,319 Speaker 3: You're gonna miss me sing it. That's not him saying. 31 00:01:30,480 --> 00:01:32,920 Speaker 3: Google songs by Brook Brooks have done that. Came up 32 00:01:32,920 --> 00:01:36,440 Speaker 3: brook It's not them, it's by what Wait. 33 00:01:36,840 --> 00:01:38,440 Speaker 2: You're gonna miss Me when I'm Gone. That's not the 34 00:01:38,480 --> 00:01:40,319 Speaker 2: same song as You're Gonna miss Me. 35 00:01:42,120 --> 00:01:45,840 Speaker 3: Yeah, You're gonna miss me when we gone me Gone. 36 00:01:46,680 --> 00:01:47,920 Speaker 3: I don't know, man, I sound like. 37 00:01:49,600 --> 00:01:53,120 Speaker 2: I think Tray Adkins sings You're gonna miss this. 38 00:01:54,600 --> 00:01:58,080 Speaker 3: I just I just googled Brooks and dun it. 39 00:01:58,120 --> 00:02:00,320 Speaker 2: When I'm Gone You're gonna miss me When I'm gone, 40 00:02:00,360 --> 00:02:03,200 Speaker 2: You're gonna miss me? 41 00:02:03,320 --> 00:02:05,000 Speaker 3: And I saw that. I was like, I know that song, 42 00:02:05,080 --> 00:02:10,120 Speaker 3: but I don't know that song goes Let's see anyway. 43 00:02:10,120 --> 00:02:10,919 Speaker 2: I think it's Neil Moon. 44 00:02:11,960 --> 00:02:13,880 Speaker 5: Yeah. I can't agree with that, and I. 45 00:02:13,840 --> 00:02:15,399 Speaker 2: Wouldn't fight to the death over it, but I feel 46 00:02:15,400 --> 00:02:16,800 Speaker 2: pretty strongly about it. I was thinking about it. 47 00:02:17,000 --> 00:02:19,160 Speaker 3: Oh, I don't know Red Dirt Road. 48 00:02:19,200 --> 00:02:23,680 Speaker 1: Man, it's great that one you throw dirt road, keep going, 49 00:02:23,760 --> 00:02:24,359 Speaker 1: that's all I got. 50 00:02:24,800 --> 00:02:25,359 Speaker 3: No, keep going. 51 00:02:25,680 --> 00:02:26,000 Speaker 4: I don't know. 52 00:02:27,400 --> 00:02:32,959 Speaker 3: The first beer? What Jesus, where are found? 53 00:02:32,960 --> 00:02:37,080 Speaker 2: The girl that I call my missus almost rhymes, so 54 00:02:37,320 --> 00:02:39,440 Speaker 2: that one. I'd listen to that in an argument. That's 55 00:02:39,680 --> 00:02:42,639 Speaker 2: one that makes you feel stuff. Uh do you ever 56 00:02:42,680 --> 00:02:45,800 Speaker 2: hear the Casey Musgraves, Brooks and Done Neon Moon from 57 00:02:45,840 --> 00:02:47,519 Speaker 2: the reboot one. I have heard that. 58 00:02:48,760 --> 00:02:51,120 Speaker 1: Let's let's play it, and then I want to come 59 00:02:51,120 --> 00:02:52,760 Speaker 1: back and we'll talk to Ronnie Done because I'm doing 60 00:02:52,800 --> 00:02:55,080 Speaker 1: a second reboot project. 61 00:02:55,639 --> 00:02:56,880 Speaker 2: On the Bobby Bones Show. 62 00:02:56,960 --> 00:03:00,280 Speaker 1: Now, let's talk about Brooks and Dune for just I 63 00:03:00,280 --> 00:03:02,520 Speaker 1: know you guys made a big announcement, so you guys 64 00:03:02,560 --> 00:03:03,680 Speaker 1: are rebooting again. 65 00:03:04,400 --> 00:03:08,720 Speaker 4: Yeah, it's another boot, another boot too, Yeah, this one, 66 00:03:08,800 --> 00:03:10,519 Speaker 4: you know, the first one we try to keep everything 67 00:03:10,520 --> 00:03:12,360 Speaker 4: between the lines. That was kind of the mandate, you know, 68 00:03:12,360 --> 00:03:14,240 Speaker 4: you can have a little bit of artistic freedom, whatever 69 00:03:14,240 --> 00:03:17,480 Speaker 4: you wanted to do. And it played out great. This one. 70 00:03:17,560 --> 00:03:20,680 Speaker 4: We turned to everybody lease eighteen artists and I really 71 00:03:20,720 --> 00:03:21,720 Speaker 4: I have to look at my phone. 72 00:03:21,880 --> 00:03:23,320 Speaker 1: No, I have them all here, you have them, yeah, 73 00:03:23,320 --> 00:03:25,240 Speaker 1: And I have specific questions about some of them because 74 00:03:25,240 --> 00:03:26,520 Speaker 1: I think this is really interesting. 75 00:03:26,560 --> 00:03:28,040 Speaker 2: Like I like Marcus King a lot. 76 00:03:28,160 --> 00:03:32,000 Speaker 4: Yes, me too, And you did a rock my Little 77 00:03:32,040 --> 00:03:35,400 Speaker 4: Country turned it into a completely different animal. Have you 78 00:03:35,440 --> 00:03:38,160 Speaker 4: heard any snippets from it? It's like, god, freak out. 79 00:03:38,640 --> 00:03:40,760 Speaker 2: I've heard no snippets from the music. But you know you. 80 00:03:41,320 --> 00:03:42,920 Speaker 1: I don't know if you did it on purpose or accidentally, 81 00:03:43,000 --> 00:03:44,440 Speaker 1: but you sent me the whole contract to this record. 82 00:03:44,520 --> 00:03:46,680 Speaker 1: What time it night was exactly? No, I have like 83 00:03:46,720 --> 00:03:48,640 Speaker 1: the literal contract that you sent me. 84 00:03:48,800 --> 00:03:51,880 Speaker 4: Really it must be especially the detachment from my word 85 00:03:51,960 --> 00:03:52,960 Speaker 4: thing Okay. 86 00:03:53,120 --> 00:03:55,080 Speaker 1: And I was like, I probably shouldn't know all the 87 00:03:55,120 --> 00:03:57,040 Speaker 1: intimate details about how much Ronnie's made. 88 00:03:57,080 --> 00:03:58,760 Speaker 4: Look, it's not gonna hurt I trust you. 89 00:03:58,840 --> 00:04:00,880 Speaker 1: Yeah, I didn't send it anywhere, But you send me 90 00:04:00,920 --> 00:04:02,560 Speaker 1: the whole contract to this record. And I was like, 91 00:04:02,560 --> 00:04:03,839 Speaker 1: I don't know if he's telling me or he could 92 00:04:03,840 --> 00:04:04,440 Speaker 1: have just said, hey, we're. 93 00:04:04,320 --> 00:04:06,440 Speaker 4: Doing reboot too. I probably needed you to interpret it 94 00:04:06,480 --> 00:04:09,040 Speaker 4: for me because I can't take out of stuff. I 95 00:04:09,080 --> 00:04:10,960 Speaker 4: didn't want to play a lawyer, although you're not You're 96 00:04:11,000 --> 00:04:11,400 Speaker 4: not cheap. 97 00:04:11,680 --> 00:04:12,000 Speaker 2: Yeah. 98 00:04:12,080 --> 00:04:15,280 Speaker 1: How about Kingfish, someone I didn't expect to see on 99 00:04:15,280 --> 00:04:16,000 Speaker 1: a record, Yeah. 100 00:04:15,920 --> 00:04:17,640 Speaker 4: How about it? He comes in with his entire band. 101 00:04:17,800 --> 00:04:21,120 Speaker 4: They come up with a black van and a black trailer, 102 00:04:21,440 --> 00:04:24,440 Speaker 4: walk in their equipment set up. They're tuning their stuff, 103 00:04:24,440 --> 00:04:26,719 Speaker 4: putting strings on the guitars, and you know, after about 104 00:04:26,760 --> 00:04:31,000 Speaker 4: thirty minutes or an hour, they sit down and rip, 105 00:04:31,200 --> 00:04:33,599 Speaker 4: just tear into it. He's hot right now. I mean 106 00:04:33,640 --> 00:04:35,400 Speaker 4: you see him in a cacella all over the place. 107 00:04:35,520 --> 00:04:40,719 Speaker 4: I mean it's hot period, but blues way South, you know, Mississippi. Yeah, 108 00:04:40,760 --> 00:04:41,560 Speaker 4: but the real. 109 00:04:41,360 --> 00:04:45,920 Speaker 2: Deal, jelly Roll, don't believe. Yeah, that's a very passionate song. 110 00:04:46,200 --> 00:04:48,359 Speaker 2: Jelly Roll is a very passionate guy. How'd that go 111 00:04:48,440 --> 00:04:48,840 Speaker 2: with him? 112 00:04:49,120 --> 00:04:52,400 Speaker 4: Real? Well? I mean when you hear the track, I 113 00:04:52,480 --> 00:04:54,120 Speaker 4: kind of don't want to talk about too much of it, 114 00:04:54,160 --> 00:04:56,800 Speaker 4: but I have to take a promo. 115 00:04:56,600 --> 00:04:58,200 Speaker 2: For the sake of we're doing an interview. We have 116 00:04:58,200 --> 00:04:58,680 Speaker 2: to talk here. 117 00:04:58,760 --> 00:04:59,520 Speaker 4: Yeah, I have to do this. 118 00:04:59,640 --> 00:05:02,960 Speaker 1: Yeah, just give me like I don't know, Like, what's 119 00:05:02,960 --> 00:05:03,320 Speaker 1: the vibe? 120 00:05:03,320 --> 00:05:04,080 Speaker 3: Do you say? 121 00:05:04,360 --> 00:05:05,040 Speaker 2: Does he come in? 122 00:05:05,040 --> 00:05:05,280 Speaker 3: And? 123 00:05:05,400 --> 00:05:08,400 Speaker 4: Okay? Dan Huff produced this stuff. Joey Moy did a 124 00:05:08,440 --> 00:05:15,200 Speaker 4: lot of stuff. Christian Bush, Yes, Christian Bush did one 125 00:05:15,240 --> 00:05:18,840 Speaker 4: on Megan Maroney. But we go to do believe Dan 126 00:05:18,960 --> 00:05:23,919 Speaker 4: Huff has a sixty string or whatever piece orchestra. Wow, 127 00:05:24,040 --> 00:05:27,160 Speaker 4: it's massive. Well, come to find out, Dan goes, no, 128 00:05:27,200 --> 00:05:28,920 Speaker 4: I've got to do this on this project. Sony just 129 00:05:28,920 --> 00:05:30,839 Speaker 4: gave us cart loss to do whatever we wanted to do. 130 00:05:31,200 --> 00:05:34,960 Speaker 4: They really did, just laid out there's no budget, you know, 131 00:05:35,040 --> 00:05:36,920 Speaker 4: which is pretty dangerous to say, and you don't hear 132 00:05:36,960 --> 00:05:42,840 Speaker 4: of it this day in time. But Dan's father was 133 00:05:42,880 --> 00:05:46,520 Speaker 4: a string arranger in la It's all kinds of tricky 134 00:05:46,560 --> 00:05:49,560 Speaker 4: stuff to his background that I didn't know. People don't 135 00:05:49,600 --> 00:05:51,640 Speaker 4: some Michael Jackson's I know. I didn't. 136 00:05:51,720 --> 00:05:52,400 Speaker 2: Yeah, it's crazy. 137 00:05:52,520 --> 00:05:52,719 Speaker 1: Wow. 138 00:05:52,920 --> 00:05:56,280 Speaker 4: Yeah, coolest guy in the world. Anyway, we get in 139 00:05:56,320 --> 00:06:00,360 Speaker 4: and they do the tracks and we kind of try 140 00:06:00,400 --> 00:06:01,960 Speaker 4: to sing to him, but you you know, you kind 141 00:06:01,960 --> 00:06:03,760 Speaker 4: of float through that because we're trying to grab the 142 00:06:04,920 --> 00:06:12,760 Speaker 4: orchestration tracks. Then we go to Dan's house and sing it. Yeah, 143 00:06:13,000 --> 00:06:15,359 Speaker 4: it gets me, and I'm I'm jaded. I've heard it 144 00:06:15,640 --> 00:06:16,680 Speaker 4: plenty of times. 145 00:06:16,520 --> 00:06:19,040 Speaker 1: On the original reboot. When you did Me on the Moon, 146 00:06:19,080 --> 00:06:21,040 Speaker 1: it was Casey and it was kind of a I 147 00:06:21,080 --> 00:06:23,279 Speaker 1: loved the version. Yeah, and I was at the Casey 148 00:06:23,320 --> 00:06:24,520 Speaker 1: show and you guys came out and played Withather. 149 00:06:24,600 --> 00:06:27,120 Speaker 4: We'll see on that one. That was reboot one. We 150 00:06:27,120 --> 00:06:28,960 Speaker 4: were supposed to kind of adhere to the rules and 151 00:06:29,000 --> 00:06:30,760 Speaker 4: stick to the arrangements a little bit. 152 00:06:30,839 --> 00:06:31,000 Speaker 2: You know. 153 00:06:31,320 --> 00:06:35,359 Speaker 4: She comes in with her own band and went almost artistically. 154 00:06:35,440 --> 00:06:38,000 Speaker 4: It should have been on this record because everyone took 155 00:06:38,000 --> 00:06:39,440 Speaker 4: off and did their own their own thing. 156 00:06:39,560 --> 00:06:42,280 Speaker 1: Well, this one is with Morgan Wallen, right, Yeah, So 157 00:06:42,400 --> 00:06:43,760 Speaker 1: does he come in and have an idea of what 158 00:06:43,880 --> 00:06:44,919 Speaker 1: how he wants to do it differently? 159 00:06:45,520 --> 00:06:49,000 Speaker 4: Yeah? Yeah he did, but he wanted to stick stick 160 00:06:49,040 --> 00:06:52,440 Speaker 4: to the original as much as he could. And then 161 00:06:52,560 --> 00:06:54,880 Speaker 4: Joey came in and added a h I don't know. 162 00:06:54,880 --> 00:06:59,080 Speaker 4: It's like like a Mexicali Latino type of guitar. 163 00:06:59,800 --> 00:07:02,520 Speaker 1: The song that's out now is play Something Country with Lanny. 164 00:07:04,080 --> 00:07:05,800 Speaker 1: When did you get Lanny on the project? I know 165 00:07:05,839 --> 00:07:07,760 Speaker 1: it's first song released, but why did you pick this one? 166 00:07:07,880 --> 00:07:08,440 Speaker 1: Like how long? 167 00:07:08,560 --> 00:07:10,400 Speaker 2: I don't know. When did you record it? Out of 168 00:07:10,400 --> 00:07:11,720 Speaker 2: all the eighteen songs. 169 00:07:11,400 --> 00:07:13,920 Speaker 4: She picked it? I think it was I don't know, 170 00:07:13,960 --> 00:07:16,560 Speaker 4: toward the middle. We were you sit there in the studio. 171 00:07:16,680 --> 00:07:20,040 Speaker 4: No one comes in with a preconceived arrangement or how 172 00:07:20,040 --> 00:07:23,600 Speaker 4: they're going to do it, and the band is fabulous, 173 00:07:23,640 --> 00:07:26,280 Speaker 4: so I hear her over there kind of tinkering around. 174 00:07:26,280 --> 00:07:28,120 Speaker 4: His band is always doing the studio and they're kind 175 00:07:28,120 --> 00:07:30,480 Speaker 4: of like hitting this is easy top thing instead of that, 176 00:07:30,880 --> 00:07:33,320 Speaker 4: get a signature guitar thing that we did. Dunt du 177 00:07:34,160 --> 00:07:38,120 Speaker 4: u u u u and uh, this is easy top lick. 178 00:07:38,200 --> 00:07:41,040 Speaker 4: And she steps up to the mic and she said, 179 00:07:41,280 --> 00:07:43,760 Speaker 4: way more power than I expected. I mean, she's a 180 00:07:43,840 --> 00:07:44,560 Speaker 4: she's a whaler. 181 00:07:44,720 --> 00:07:46,080 Speaker 2: Did you get any nose? I don't want to know 182 00:07:46,120 --> 00:07:47,680 Speaker 2: who from, but can anybody not do it? 183 00:07:47,880 --> 00:07:50,440 Speaker 4: I don't know because we weren't involved with that. Our 184 00:07:50,560 --> 00:07:52,880 Speaker 4: manager of Clarence's Falling, he said, I'm going to call 185 00:07:53,000 --> 00:07:55,040 Speaker 4: each act one time. He said, I'm not going to push. 186 00:07:55,160 --> 00:07:58,239 Speaker 4: He said, if you're an into it, you're busy whatever. Uh, 187 00:07:59,160 --> 00:08:04,200 Speaker 4: no problem, And he says that pretty much ninety nine 188 00:08:04,200 --> 00:08:07,800 Speaker 4: percent of everyone that was asked stepped up and came 189 00:08:07,880 --> 00:08:12,240 Speaker 4: on board. Megan Maroney, does ain't nothing about you? It's insane. 190 00:08:12,840 --> 00:08:13,440 Speaker 4: Have you heard it? 191 00:08:13,800 --> 00:08:15,560 Speaker 2: I've heard nothing. You have nothing. You've sent me a 192 00:08:15,560 --> 00:08:17,360 Speaker 2: full contract but not a single track. 193 00:08:17,800 --> 00:08:20,320 Speaker 4: That's the wild You know about my legal life, Yes, but. 194 00:08:20,240 --> 00:08:23,040 Speaker 1: I haven't seen a haven't heard a single a single track. 195 00:08:23,120 --> 00:08:25,120 Speaker 1: And you guys are back on the road. Gonna do 196 00:08:25,120 --> 00:08:25,840 Speaker 1: a bunch more shows. 197 00:08:25,920 --> 00:08:26,200 Speaker 2: Yeah. 198 00:08:26,320 --> 00:08:29,640 Speaker 4: Yeah, we did forty plus last year, and we're getting 199 00:08:29,640 --> 00:08:31,360 Speaker 4: ready to do much more. In fact, I'm believing here 200 00:08:31,680 --> 00:08:33,920 Speaker 4: and going to the management office to find out what 201 00:08:33,920 --> 00:08:36,960 Speaker 4: we're doing next year. Tour's fun. It's more fun than 202 00:08:37,000 --> 00:08:37,640 Speaker 4: it ever has been. 203 00:08:37,720 --> 00:08:38,520 Speaker 2: Why is that you think? 204 00:08:38,760 --> 00:08:42,640 Speaker 4: I don't know, no pressure, no pressure. But the crowds, 205 00:08:42,760 --> 00:08:45,240 Speaker 4: I mean they're as big as they ever were. I mean, 206 00:08:45,280 --> 00:08:48,880 Speaker 4: we'd just like it. Here's a funny thing we'll ask them, 207 00:08:49,320 --> 00:08:52,839 Speaker 4: I said, third third the way into the show, towards 208 00:08:52,880 --> 00:08:55,920 Speaker 4: the top, how many of you is this your first 209 00:08:55,920 --> 00:08:57,120 Speaker 4: time to see Brooks and done? 210 00:08:57,120 --> 00:08:57,160 Speaker 2: In? 211 00:08:57,200 --> 00:09:01,240 Speaker 4: Three quarters of that audience raised their hand. Were new guys. 212 00:09:01,960 --> 00:09:05,000 Speaker 4: I don't know who Brooks? It does let they bought tickets. 213 00:09:04,880 --> 00:09:05,439 Speaker 2: You and kicks. 214 00:09:05,440 --> 00:09:05,640 Speaker 4: Good? 215 00:09:06,160 --> 00:09:07,600 Speaker 2: Yeah, good for everything working out? 216 00:09:07,640 --> 00:09:09,319 Speaker 4: Good, it's all the same. He stays in, losing in. 217 00:09:09,440 --> 00:09:15,920 Speaker 1: I stay here, okay, So no, I do know, no, listen, 218 00:09:16,040 --> 00:09:18,920 Speaker 1: I I'm just happy that you guys are putting cool 219 00:09:18,920 --> 00:09:19,400 Speaker 1: stuff out. 220 00:09:19,520 --> 00:09:21,200 Speaker 4: Yeah, that's all. We're having a blast. 221 00:09:21,240 --> 00:09:25,199 Speaker 2: Yeah, reboot too. Uh it's coming out. When's the whole 222 00:09:25,200 --> 00:09:26,120 Speaker 2: record coming out? Oh? 223 00:09:26,160 --> 00:09:26,920 Speaker 4: Come on, help me here. 224 00:09:26,920 --> 00:09:28,839 Speaker 1: It's a few months. I mean I haven't didn't say 225 00:09:28,840 --> 00:09:29,760 Speaker 1: here November fifteenth. 226 00:09:29,800 --> 00:09:33,680 Speaker 4: November fifteenth, okay, all right, yeah, Melanie's glued to the 227 00:09:33,679 --> 00:09:36,240 Speaker 4: glass over there going November fifteen, got it? 228 00:09:36,320 --> 00:09:38,560 Speaker 1: Yeah, all right, Well, we're looking forward to it. And 229 00:09:39,559 --> 00:09:41,400 Speaker 1: I've never been to a Brooks and Dune show. 230 00:09:41,920 --> 00:09:43,800 Speaker 4: You know, because you were gig in the night we 231 00:09:43,840 --> 00:09:44,880 Speaker 4: did our last one here. 232 00:09:44,800 --> 00:09:47,240 Speaker 1: We played at the same exact time. I've never been 233 00:09:47,280 --> 00:09:49,040 Speaker 1: to a Brooks and that that's wild to me. 234 00:09:49,320 --> 00:09:51,360 Speaker 4: Well and vice versa. It's all I've gotta come. I know, 235 00:09:51,559 --> 00:09:53,600 Speaker 4: I know we've talked a couple of times. 236 00:09:53,640 --> 00:09:54,840 Speaker 2: Maybe we should just collab. 237 00:09:55,080 --> 00:09:58,120 Speaker 4: Oh well, I'm good with that too, Robby. 238 00:09:57,880 --> 00:10:00,880 Speaker 2: On what he can we collab on her? Yeah, exactly. 239 00:10:03,520 --> 00:10:05,760 Speaker 1: By the way, the album is out November fifteenth. You 240 00:10:05,800 --> 00:10:07,880 Speaker 1: guys can get tickets to the Brooks and Dune shows 241 00:10:07,880 --> 00:10:10,840 Speaker 1: at Brooks dash done dot com. 242 00:10:11,120 --> 00:10:21,959 Speaker 6: It's awesome, Anonymous, here's a question to be. 243 00:10:27,120 --> 00:10:28,360 Speaker 3: Hello, Bobby Bones. 244 00:10:28,400 --> 00:10:30,920 Speaker 1: I have one friend who I've known since elementary school, 245 00:10:30,920 --> 00:10:33,440 Speaker 1: and she has a lot of great qualities. It can 246 00:10:33,520 --> 00:10:36,200 Speaker 1: sometimes be fun to hang out with, but lately it's 247 00:10:36,240 --> 00:10:39,960 Speaker 1: really been taxing to spend any time with her. She's 248 00:10:40,120 --> 00:10:43,480 Speaker 1: a little self centered, she could take over conversation. She 249 00:10:43,600 --> 00:10:46,079 Speaker 1: makes everything about her. At what point should I stop 250 00:10:46,120 --> 00:10:48,520 Speaker 1: being friends with her? Should you continue to be friends 251 00:10:48,520 --> 00:10:52,800 Speaker 1: with someone when it's not enjoyable anymore? Signed, lifelong friend, Amy, 252 00:10:52,840 --> 00:10:53,640 Speaker 1: This is up your alley. 253 00:10:53,840 --> 00:10:54,320 Speaker 2: You take it. 254 00:10:54,360 --> 00:10:55,240 Speaker 3: That's up my alley. 255 00:10:55,440 --> 00:10:57,240 Speaker 1: Yeah. I feel like you have good growth and balance 256 00:10:57,320 --> 00:11:00,520 Speaker 1: and understanding of relationships. Me. I'm just like, if it 257 00:11:00,559 --> 00:11:04,719 Speaker 1: weighs down, get out unless they're like hurting and you 258 00:11:04,760 --> 00:11:05,320 Speaker 1: can fix it. 259 00:11:05,720 --> 00:11:08,200 Speaker 2: Like, if you can fix it, hang in there, because 260 00:11:08,240 --> 00:11:10,160 Speaker 2: you owe to them as a friend. If they're annoying 261 00:11:10,160 --> 00:11:12,319 Speaker 2: you so much that you don't like hanging out with them, 262 00:11:12,400 --> 00:11:14,000 Speaker 2: you don't need to be around that crap. That's what 263 00:11:14,080 --> 00:11:14,520 Speaker 2: I would say. 264 00:11:14,640 --> 00:11:17,800 Speaker 5: Yeah, I think that. Something my sister once said to 265 00:11:17,840 --> 00:11:22,000 Speaker 5: me that was helpful is like things can serve their 266 00:11:22,080 --> 00:11:25,120 Speaker 5: time and they can have an expiration date and it's okay, 267 00:11:25,520 --> 00:11:28,520 Speaker 5: And that includes relationships at times. 268 00:11:28,559 --> 00:11:30,679 Speaker 2: All I went to you, that's such a profound thing 269 00:11:30,720 --> 00:11:33,080 Speaker 2: that you have learned from your sister, And I'm just like, 270 00:11:34,000 --> 00:11:34,920 Speaker 2: does their knee hurt? 271 00:11:35,960 --> 00:11:36,200 Speaker 7: Yep? 272 00:11:36,280 --> 00:11:37,599 Speaker 1: Okay, we'll fix it and then you can still be 273 00:11:37,640 --> 00:11:40,280 Speaker 1: friends later. Nope, Okay, she's just annoying get out. 274 00:11:40,400 --> 00:11:43,959 Speaker 5: Yeah, you just run away, but I run away. Expiration 275 00:11:44,040 --> 00:11:46,000 Speaker 5: date no, no, no, I know I was saying what you 276 00:11:46,120 --> 00:11:48,880 Speaker 5: might just like just shut it down. But I think 277 00:11:48,920 --> 00:11:51,160 Speaker 5: that sometimes we put people in category of like, oh, 278 00:11:51,160 --> 00:11:52,960 Speaker 5: we've been friends for this long, so I need to 279 00:11:52,960 --> 00:11:56,440 Speaker 5: make it work or whatever. Fill in the blank with that, 280 00:11:56,720 --> 00:12:00,440 Speaker 5: and expiration date kind of helps put it into perspective 281 00:12:00,520 --> 00:12:03,840 Speaker 5: of like, oh, it doesn't mean you wouldn't regret it, 282 00:12:03,960 --> 00:12:06,680 Speaker 5: or it wasn't good at the time, but it has expired. 283 00:12:06,800 --> 00:12:09,160 Speaker 2: You can also move them from A list to B list, 284 00:12:09,559 --> 00:12:11,240 Speaker 2: meaning you don't have to hang out with them as much, 285 00:12:11,559 --> 00:12:13,840 Speaker 2: and you can still have a relationship and still have 286 00:12:13,960 --> 00:12:16,360 Speaker 2: that friendship of you'll be there for them if they 287 00:12:16,400 --> 00:12:16,960 Speaker 2: need something. 288 00:12:17,320 --> 00:12:19,720 Speaker 1: Like some of my I would still consider them best friends. 289 00:12:19,720 --> 00:12:21,640 Speaker 1: I don't talk to as much for different reasons. One 290 00:12:21,640 --> 00:12:25,199 Speaker 1: they're annoying as crap now or two they live farther away, 291 00:12:25,280 --> 00:12:28,400 Speaker 1: and both of those are reasons. My friend Courtney and 292 00:12:28,440 --> 00:12:30,480 Speaker 1: my friend Andy, either one of them need a kidney. 293 00:12:30,559 --> 00:12:32,960 Speaker 1: I'm there they get a kidney, But do I talk to. 294 00:12:32,960 --> 00:12:35,240 Speaker 3: Them every day? No, because they both live far away. 295 00:12:35,559 --> 00:12:37,560 Speaker 2: I have a couple of friends that are annoying now 296 00:12:37,640 --> 00:12:39,560 Speaker 2: and I don't like to hang out with them, and 297 00:12:39,640 --> 00:12:41,320 Speaker 2: they live here, but I don't hang out with them 298 00:12:41,320 --> 00:12:44,360 Speaker 2: as much I moved them to be. But if your 299 00:12:44,400 --> 00:12:46,600 Speaker 2: friend is this way, because like something's broken and hurt 300 00:12:46,600 --> 00:12:47,800 Speaker 2: inside of but I think you can help. 301 00:12:47,920 --> 00:12:50,440 Speaker 5: Yeah, but like you gets, you have to evaluate what 302 00:12:50,559 --> 00:12:51,000 Speaker 5: is going to be. 303 00:12:51,120 --> 00:12:54,200 Speaker 2: You're not a bad friend. Yeah, good, that's why I 304 00:12:54,200 --> 00:12:56,199 Speaker 2: go to you for that stuff. Okay, I don't need 305 00:12:56,280 --> 00:12:57,360 Speaker 2: me talking that crap. 306 00:12:57,600 --> 00:12:59,800 Speaker 1: All right, that's the inbox, thank you, close it up. 307 00:13:01,640 --> 00:13:03,280 Speaker 1: There's Jessica for Raleigh. 308 00:13:03,440 --> 00:13:05,000 Speaker 8: I just wanted to let you know that, as I 309 00:13:05,000 --> 00:13:08,520 Speaker 8: don't agree with everything Lunchbox has to say, there's one 310 00:13:08,559 --> 00:13:10,160 Speaker 8: thing that I would like to thank him for and 311 00:13:10,240 --> 00:13:12,599 Speaker 8: also complain about, is that he has talked about the 312 00:13:12,679 --> 00:13:16,880 Speaker 8: Challenge forever so much that I've finally started watching the Challenge. 313 00:13:17,080 --> 00:13:20,560 Speaker 8: And now I think I'm probably six months into watching 314 00:13:20,640 --> 00:13:23,440 Speaker 8: all the challenges, but I'm now watching the UK Challenge. 315 00:13:23,520 --> 00:13:27,520 Speaker 8: It is a fantastic show. LB is correct, Bananas is amazing, 316 00:13:27,880 --> 00:13:29,760 Speaker 8: all of it's amazing. Thank you so much for the 317 00:13:29,800 --> 00:13:32,800 Speaker 8: show recommendation. And let's back those on my good side. 318 00:13:33,280 --> 00:13:33,599 Speaker 3: There you go. 319 00:13:33,800 --> 00:13:35,360 Speaker 2: I've never seen it, bet I bet it's pretty good. 320 00:13:35,400 --> 00:13:38,400 Speaker 9: But it's awesome. It is so good, it's so entertaining. 321 00:13:38,400 --> 00:13:40,839 Speaker 9: The backstabbing, the line that that's what you like. That's 322 00:13:41,559 --> 00:13:42,240 Speaker 9: not the game plan. 323 00:13:42,920 --> 00:13:44,840 Speaker 3: It's all gameplay, it's all strategy. 324 00:13:45,760 --> 00:13:46,800 Speaker 2: Let's do one more right, hit it. 325 00:13:47,160 --> 00:13:49,320 Speaker 10: Have a fun fact Friday for you. If you don't 326 00:13:49,320 --> 00:13:51,480 Speaker 10: want your microwave oven to beep every time you push 327 00:13:51,480 --> 00:13:54,160 Speaker 10: your button on the screen, he's impressed, in and hold 328 00:13:54,160 --> 00:13:57,400 Speaker 10: down the number one button for about five seconds. And 329 00:13:57,440 --> 00:13:59,160 Speaker 10: if you want to keep it from beeping when it 330 00:13:59,280 --> 00:14:02,400 Speaker 10: finishes cooking your food, you can press down and hold 331 00:14:02,400 --> 00:14:05,079 Speaker 10: in the number two button for about five seconds. This 332 00:14:05,240 --> 00:14:07,800 Speaker 10: works on all the newer Michael Wave ovens and some 333 00:14:07,960 --> 00:14:08,800 Speaker 10: of the older ones. 334 00:14:08,920 --> 00:14:09,439 Speaker 7: I'd like to. 335 00:14:09,400 --> 00:14:11,920 Speaker 10: Say that eighty percent of the time. It works one 336 00:14:12,120 --> 00:14:13,199 Speaker 10: hundred percent of the time. 337 00:14:13,880 --> 00:14:14,960 Speaker 3: That's cool. That's cool. 338 00:14:15,080 --> 00:14:19,240 Speaker 1: Hold on one, one, two for the beep at the end. 339 00:14:20,000 --> 00:14:22,160 Speaker 2: I need the two. I need to like that. No, 340 00:14:22,200 --> 00:14:24,000 Speaker 2: I kin't of need that or else I forget that, 341 00:14:23,840 --> 00:14:25,720 Speaker 2: And that's that's a good point. I would need the 342 00:14:25,800 --> 00:14:28,840 Speaker 2: dryer to go to. I forget their closing the dryer. 343 00:14:31,520 --> 00:14:32,920 Speaker 3: Amy's Pile of stories. 344 00:14:33,000 --> 00:14:35,400 Speaker 5: The latest trend in self care is called savoring. 345 00:14:36,520 --> 00:14:41,240 Speaker 2: Savoring you you just accept your compliments and think about 346 00:14:41,240 --> 00:14:42,040 Speaker 2: them and savor though. 347 00:14:42,200 --> 00:14:44,240 Speaker 5: It's just what it sounds like. It's a focus on 348 00:14:44,320 --> 00:14:47,120 Speaker 5: taking some extra time to appreciate and enjoy a happy 349 00:14:47,200 --> 00:14:49,600 Speaker 5: or calming moment. Savor it. 350 00:14:50,240 --> 00:14:52,880 Speaker 2: Yeah, it sounds a little dirty and name savor like 351 00:14:52,920 --> 00:14:56,160 Speaker 2: I'm saving, But I mean I get it. I try 352 00:14:56,160 --> 00:14:57,600 Speaker 2: to practice that a bit. 353 00:14:58,000 --> 00:15:01,600 Speaker 1: Instead of just going, oh, well, this good thing happened, 354 00:15:02,080 --> 00:15:04,000 Speaker 1: I'm gonna freak out about how it may not happen again, 355 00:15:05,120 --> 00:15:06,360 Speaker 1: I try to go, okay, I'm a live with it 356 00:15:06,400 --> 00:15:06,800 Speaker 1: for a seconds. 357 00:15:06,800 --> 00:15:07,120 Speaker 4: That's good. 358 00:15:07,120 --> 00:15:08,480 Speaker 2: I don't like the name, though, take it in. 359 00:15:08,600 --> 00:15:11,920 Speaker 5: I know I saw it as like a slave like food, 360 00:15:12,080 --> 00:15:13,640 Speaker 5: savoring food and nothing. 361 00:15:14,480 --> 00:15:15,800 Speaker 2: Yeah, but I did too, But I guess I just 362 00:15:15,800 --> 00:15:16,160 Speaker 2: think food. 363 00:15:17,360 --> 00:15:17,880 Speaker 3: Okay. 364 00:15:18,360 --> 00:15:22,080 Speaker 5: There's something called unhappy leave that is taking place at 365 00:15:22,320 --> 00:15:27,160 Speaker 5: certain workplaces, and it's pretty much if you're feeling unhappy, 366 00:15:27,240 --> 00:15:33,400 Speaker 5: you can take some time off. So uh, some of 367 00:15:33,440 --> 00:15:35,880 Speaker 5: it it works into like what they call sick days, 368 00:15:35,960 --> 00:15:39,680 Speaker 5: but some places are doing this in addition to sick days. 369 00:15:40,000 --> 00:15:43,240 Speaker 2: But there's no chance there's a real job that has unhappily. 370 00:15:43,120 --> 00:15:44,480 Speaker 3: I'm going to call the bosses today. 371 00:15:45,720 --> 00:15:48,680 Speaker 9: For what I'm gonna ask for at least seven days 372 00:15:48,680 --> 00:15:50,040 Speaker 9: of happy. 373 00:15:50,440 --> 00:15:53,840 Speaker 5: You should call and just inquire with human natures. Yeah, 374 00:15:54,560 --> 00:15:57,160 Speaker 5: call them and ask about unhappy. 375 00:15:57,240 --> 00:16:00,880 Speaker 2: Leave thy real quick. Who has to say about Unchbox? 376 00:16:00,880 --> 00:16:01,400 Speaker 4: Hey, Ty? 377 00:16:01,360 --> 00:16:03,040 Speaker 2: Yeah, yeah you're on? What would you like to say? 378 00:16:03,280 --> 00:16:08,080 Speaker 7: Unbox? Such a hard time understanding how people would need 379 00:16:08,120 --> 00:16:11,680 Speaker 7: a friends coach. But I just find it hard to 380 00:16:11,720 --> 00:16:14,160 Speaker 7: believe that he's got any friends. I mean, I think 381 00:16:14,200 --> 00:16:17,160 Speaker 7: he's got more people than just follow rating, more than 382 00:16:17,160 --> 00:16:23,280 Speaker 7: he has friends. So we thank for y'all be put up. 383 00:16:24,240 --> 00:16:25,360 Speaker 2: Yeah, thank you, thank you very much. 384 00:16:25,360 --> 00:16:27,600 Speaker 1: Oh. We did a segment where we're talking about friendship 385 00:16:27,600 --> 00:16:30,000 Speaker 1: coach and Lunchbox went off like the stupidest thing ever, 386 00:16:30,360 --> 00:16:31,760 Speaker 1: which we also it was a it's a bit of 387 00:16:31,800 --> 00:16:34,320 Speaker 1: a trivial area. But she writes books on how to 388 00:16:34,320 --> 00:16:35,640 Speaker 1: make friends if you have struggle with it, and that 389 00:16:35,720 --> 00:16:38,600 Speaker 1: I understand. And then he's talking about how unhappy he 390 00:16:38,720 --> 00:16:44,880 Speaker 1: is any one's what's called anger? Leave Ty just wants 391 00:16:44,920 --> 00:16:47,880 Speaker 1: to say that he thinks Lunchbox is difficult to be around. 392 00:16:48,000 --> 00:16:48,560 Speaker 2: Is that basically it? 393 00:16:48,680 --> 00:16:48,800 Speaker 1: Ty? 394 00:16:48,960 --> 00:16:53,680 Speaker 7: Yeah, I have done less to speak for you. Let 395 00:16:53,840 --> 00:16:56,800 Speaker 7: hang out, Let him hang out with just let him 396 00:16:56,800 --> 00:16:58,160 Speaker 7: hang out, we get rid of it. 397 00:16:58,960 --> 00:17:02,120 Speaker 9: Yeah, it sounds like Time wants to be my friend, 398 00:17:02,240 --> 00:17:04,520 Speaker 9: is what he you want to be ground in kind 399 00:17:04,520 --> 00:17:06,160 Speaker 9: of trying to fish in for a friendship. 400 00:17:06,680 --> 00:17:07,520 Speaker 7: I don't. 401 00:17:07,720 --> 00:17:13,600 Speaker 2: I don't think, all right, Ty, we appreciate that call, buddy. 402 00:17:14,000 --> 00:17:14,600 Speaker 9: It's just so. 403 00:17:14,760 --> 00:17:17,840 Speaker 7: Annoying because every time something good happened to anybody on 404 00:17:17,920 --> 00:17:21,080 Speaker 7: the show, it seems like it does. 405 00:17:21,160 --> 00:17:23,160 Speaker 1: He takes it personal that it didn't happen to him, 406 00:17:23,600 --> 00:17:25,840 Speaker 1: even if it's something that could not have happened to him. 407 00:17:26,119 --> 00:17:27,880 Speaker 2: He gets upset when somebody else has something that happen 408 00:17:27,920 --> 00:17:28,159 Speaker 2: to them. 409 00:17:29,400 --> 00:17:30,320 Speaker 7: That's not a friend. 410 00:17:34,680 --> 00:17:36,040 Speaker 2: That's true. All right, Ty, I hope you have a 411 00:17:36,040 --> 00:17:37,000 Speaker 2: good day, man, thanks for falling. 412 00:17:38,440 --> 00:17:40,440 Speaker 5: Like the unhappy leave is like people know they're not 413 00:17:40,480 --> 00:17:41,800 Speaker 5: happy so that you don't go to work at all. 414 00:17:41,840 --> 00:17:43,840 Speaker 5: I feel like if Lunchbox were to adopt this, sometimes 415 00:17:43,920 --> 00:17:46,600 Speaker 5: he would just leave in the middle of the show. Up, 416 00:17:48,880 --> 00:17:52,800 Speaker 5: I'm going to go. Speaking of working, I came across 417 00:17:52,880 --> 00:17:56,119 Speaker 5: a list of some jobs that country artists had before 418 00:17:56,520 --> 00:17:57,119 Speaker 5: they were famous. 419 00:17:57,200 --> 00:17:58,439 Speaker 2: Give me their jobs if I can name him? 420 00:17:58,440 --> 00:17:59,640 Speaker 5: Okay, FedEx driver. 421 00:18:00,080 --> 00:18:02,440 Speaker 2: Oh mm hmm, Camee brown. 422 00:18:02,840 --> 00:18:03,280 Speaker 4: Oh, I don't know. 423 00:18:03,359 --> 00:18:03,399 Speaker 10: That. 424 00:18:03,480 --> 00:18:03,880 Speaker 4: That's cool. 425 00:18:03,920 --> 00:18:09,160 Speaker 5: A bouncer at a bar, all garth Brooks specifically, Yeah, yeah, 426 00:18:09,760 --> 00:18:16,040 Speaker 5: still laid hardwood floors all Thomas Red worked at Papa 427 00:18:16,119 --> 00:18:20,000 Speaker 5: John's not a country artist, but she's. 428 00:18:21,359 --> 00:18:21,679 Speaker 3: Pizza. 429 00:18:23,119 --> 00:18:26,680 Speaker 5: Kelly Clarkson got it. Pepsi delivery truck driver. 430 00:18:27,320 --> 00:18:31,520 Speaker 2: Bluecombs came brown after that experience. 431 00:18:31,680 --> 00:18:36,280 Speaker 5: Jason Aldie got it, uh gas station attendant mm hmm. 432 00:18:36,680 --> 00:18:42,439 Speaker 2: Carrie Underwood, any of them under There is a pizza 433 00:18:42,520 --> 00:18:44,760 Speaker 2: place in Oklahoma from New York. Caitline is where they 434 00:18:44,760 --> 00:18:48,200 Speaker 2: have carries. She used to work there. The pizza dish 435 00:18:48,280 --> 00:18:50,399 Speaker 2: that she did hanging up, that's it's pretty fun. 436 00:18:50,440 --> 00:18:50,800 Speaker 11: I love that. 437 00:18:51,000 --> 00:18:54,840 Speaker 5: And the last one draining waste from houseboat bathroom tanks. 438 00:18:55,960 --> 00:18:58,440 Speaker 2: So they're on a boat. They were like on a doctor. 439 00:18:59,680 --> 00:19:03,320 Speaker 5: Chesting dirksidently are either just like us. 440 00:19:03,400 --> 00:19:05,800 Speaker 2: Then they just made it famous. Okay, I'm Amy. 441 00:19:05,880 --> 00:19:09,400 Speaker 3: That's my pile. That was Amy's pile of stories. 442 00:19:09,960 --> 00:19:11,320 Speaker 2: It's time for the good news. 443 00:19:16,480 --> 00:19:20,760 Speaker 5: Schools in Buncombe County, North Carolina have introduced serenity rooms 444 00:19:20,920 --> 00:19:27,200 Speaker 5: to help teachers manage stress the morale. Hey no, but 445 00:19:27,440 --> 00:19:31,040 Speaker 5: there's a nonprofit called the Cristo's Foundation, and they're the 446 00:19:31,119 --> 00:19:34,320 Speaker 5: ones that raise the funds and furnished these rooms, and 447 00:19:34,840 --> 00:19:38,840 Speaker 5: it's done so well at the first schools that they've 448 00:19:38,840 --> 00:19:41,240 Speaker 5: been at for the teachers, like the response has been amazing, 449 00:19:41,359 --> 00:19:45,600 Speaker 5: Like there's calming music, snacks, furniture that's comfy where they 450 00:19:45,640 --> 00:19:48,040 Speaker 5: can just relax. They plan to roll us out at 451 00:19:48,119 --> 00:19:49,920 Speaker 5: more and more schools than they can and it's just 452 00:19:50,000 --> 00:19:51,719 Speaker 5: really going to be helpful for so many teachers. 453 00:19:52,040 --> 00:19:57,680 Speaker 2: Why that's important is because teachers have high to our kids, 454 00:19:58,359 --> 00:19:59,640 Speaker 2: and you want them to be in a better place. 455 00:20:00,000 --> 00:20:01,440 Speaker 2: Because you want our kids to be in a better place, 456 00:20:01,480 --> 00:20:04,040 Speaker 2: because our kids are the future. Because I believe children 457 00:20:04,080 --> 00:20:06,320 Speaker 2: are our future. Teach them well and let them lead 458 00:20:06,359 --> 00:20:08,119 Speaker 2: the way. That's it. I remember once I walked into 459 00:20:08,119 --> 00:20:09,440 Speaker 2: the teacher's lunch and I was like, I don't know 460 00:20:09,520 --> 00:20:10,399 Speaker 2: fifth grade or and what. 461 00:20:10,400 --> 00:20:10,800 Speaker 3: Are they doing? 462 00:20:10,840 --> 00:20:11,640 Speaker 2: Smoking cigarettes? 463 00:20:11,640 --> 00:20:12,040 Speaker 3: It was crazy. 464 00:20:12,440 --> 00:20:13,600 Speaker 2: My mind was blown. 465 00:20:14,720 --> 00:20:15,560 Speaker 3: They're playing poker. 466 00:20:17,119 --> 00:20:19,320 Speaker 2: They were literally just a couple of s cast smoking cigarettes. 467 00:20:19,520 --> 00:20:19,760 Speaker 9: Wow. 468 00:20:20,480 --> 00:20:23,200 Speaker 2: Yeah, but that was the well sure it's not yesterday, No, 469 00:20:23,240 --> 00:20:24,399 Speaker 2: it was in the eighties, nineties. 470 00:20:24,720 --> 00:20:27,399 Speaker 5: Yeah, there was like ninety school in the eighties. 471 00:20:27,600 --> 00:20:29,760 Speaker 2: Yeah, but like I was ten and like nineteen ninety 472 00:20:29,840 --> 00:20:32,520 Speaker 2: that fifth grade. They're definitely not doing that now. They're 473 00:20:32,560 --> 00:20:35,479 Speaker 2: not smoking or not not in the place they might 474 00:20:35,560 --> 00:20:38,400 Speaker 2: be vaping. That's true, they can be vaping there. 475 00:20:38,880 --> 00:20:40,640 Speaker 1: That's quite like get I like the idea of making 476 00:20:40,680 --> 00:20:42,840 Speaker 1: our teachers more comfortable so they make our kids lives 477 00:20:42,840 --> 00:20:44,520 Speaker 1: a bit better, so our kids are more productive. 478 00:20:44,960 --> 00:20:45,680 Speaker 3: That's what it's all about. 479 00:20:45,720 --> 00:20:46,040 Speaker 2: Good job. 480 00:20:46,480 --> 00:20:50,200 Speaker 3: That was telling me something good on the Bobby Bones Show. 481 00:20:50,320 --> 00:20:53,080 Speaker 2: Now, Cassie Ashton, Cassie, it's been a long time since 482 00:20:53,080 --> 00:20:53,760 Speaker 2: I've seen you a person. 483 00:20:53,880 --> 00:20:55,959 Speaker 1: I watched social media. You're the most creative person I've 484 00:20:55,960 --> 00:20:57,919 Speaker 1: ever seen in my whole life. So it's so good 485 00:20:57,920 --> 00:20:58,480 Speaker 1: to see you again. 486 00:20:58,560 --> 00:20:59,400 Speaker 5: It's good to see you too. 487 00:20:59,400 --> 00:21:02,159 Speaker 2: I'm happy to be And so you have new music, 488 00:21:02,760 --> 00:21:03,920 Speaker 2: the song called crazy. 489 00:21:04,160 --> 00:21:07,720 Speaker 1: Yeah, you're like and it's a compliment casting right, you're 490 00:21:07,840 --> 00:21:09,640 Speaker 1: like crazy in the best way. 491 00:21:09,880 --> 00:21:10,200 Speaker 6: Thank you. 492 00:21:10,800 --> 00:21:14,240 Speaker 2: Like you're out of your mind and the perfect screw 493 00:21:14,359 --> 00:21:17,280 Speaker 2: is loose to be an artist because you're so creative. 494 00:21:17,359 --> 00:21:20,800 Speaker 2: You make she makes her own clothes. It's wild like it. 495 00:21:21,600 --> 00:21:23,879 Speaker 1: So I know, I'm super pumped in your back with 496 00:21:24,040 --> 00:21:28,520 Speaker 1: music and you have a whole like it feels like significant. 497 00:21:28,560 --> 00:21:30,520 Speaker 1: Do you feel like people are like believing in you 498 00:21:30,920 --> 00:21:32,720 Speaker 1: and a part of Nashville that hadn't yet. 499 00:21:33,080 --> 00:21:36,120 Speaker 11: Yeah, for sure. You know everything was big and rolling 500 00:21:36,200 --> 00:21:39,360 Speaker 11: before COVID, and then COVID, you know, hurt us all 501 00:21:39,400 --> 00:21:42,000 Speaker 11: in our own ways, me especially with the momentum, and 502 00:21:42,119 --> 00:21:45,520 Speaker 11: I start really yeah, I just started over from scratch. 503 00:21:46,000 --> 00:21:48,040 Speaker 2: What was happening before COVID, Like, what were you feeling? 504 00:21:48,160 --> 00:21:48,200 Speaker 1: Like? 505 00:21:48,320 --> 00:21:48,600 Speaker 2: Was going? 506 00:21:49,160 --> 00:21:51,359 Speaker 11: Twenty nineteen was like off and moving for me. I 507 00:21:51,480 --> 00:21:53,840 Speaker 11: was on Girl the World Tour. Everything was happening, lots 508 00:21:53,880 --> 00:21:56,720 Speaker 11: of press coverage, Prime to go to radio top of 509 00:21:56,800 --> 00:21:57,399 Speaker 11: twenty twenty. 510 00:21:58,040 --> 00:22:02,000 Speaker 1: Boom paused And so does it pause or does does 511 00:22:02,040 --> 00:22:03,720 Speaker 1: it feel like a start? You have to like start 512 00:22:03,760 --> 00:22:05,680 Speaker 1: from scratch again and rebuild everyth. 513 00:22:05,560 --> 00:22:06,400 Speaker 2: Oh we stopped. 514 00:22:06,680 --> 00:22:08,960 Speaker 11: Yeah, And I had to start from scratch because I 515 00:22:09,040 --> 00:22:10,920 Speaker 11: basically did nothing for like a year and a half 516 00:22:11,000 --> 00:22:12,760 Speaker 11: to two years because they didn't want me to do 517 00:22:12,880 --> 00:22:15,840 Speaker 11: Zoom radio tour because I'm already left of center and 518 00:22:15,960 --> 00:22:21,040 Speaker 11: Zoom can be difficult anyway. And I'm actually so thankful 519 00:22:21,080 --> 00:22:23,520 Speaker 11: that that happened because I kind of had like an 520 00:22:23,560 --> 00:22:27,200 Speaker 11: epiphany with who I was instead of who I was 521 00:22:27,280 --> 00:22:31,200 Speaker 11: told I was. Over COVID, I just had this like 522 00:22:31,400 --> 00:22:33,639 Speaker 11: notion one day of why am I making music that 523 00:22:33,720 --> 00:22:35,919 Speaker 11: I would not want to play for my favorite artists 524 00:22:35,960 --> 00:22:38,360 Speaker 11: in the genre. Why would I not want to run 525 00:22:38,480 --> 00:22:41,800 Speaker 11: to someone like Chris Stapleton or Brothers Osborne or Sturgel 526 00:22:41,800 --> 00:22:43,960 Speaker 11: Simpson and go, you got to listen to this? Why 527 00:22:44,000 --> 00:22:46,679 Speaker 11: am I not making that? And why am I listening 528 00:22:46,720 --> 00:22:49,520 Speaker 11: to other people about about who I am or or 529 00:22:49,640 --> 00:22:53,159 Speaker 11: chasing trends when I've always been this sort of gritty, 530 00:22:53,240 --> 00:22:55,760 Speaker 11: soulful thing. So I got back to that, which was 531 00:22:56,280 --> 00:22:58,359 Speaker 11: was nice, and I feel like the timing now is. 532 00:22:58,800 --> 00:23:01,000 Speaker 2: Right about your hometown. 533 00:23:01,720 --> 00:23:06,840 Speaker 11: My hometown is called California, Missouri. The abbreviation is Camo. 534 00:23:07,480 --> 00:23:11,320 Speaker 11: Four thousand people well stop like no Walmart. Lots of 535 00:23:11,480 --> 00:23:14,240 Speaker 11: open minded people there, as you can probably assume, and 536 00:23:14,600 --> 00:23:15,560 Speaker 11: I feel sarcasm. 537 00:23:15,960 --> 00:23:17,040 Speaker 3: Yeah, it's a little bit. 538 00:23:17,200 --> 00:23:17,600 Speaker 6: I love it. 539 00:23:17,840 --> 00:23:19,720 Speaker 11: I love being from there in all honesty, but I 540 00:23:19,800 --> 00:23:21,760 Speaker 11: love just as much that I learned how to leave. 541 00:23:22,359 --> 00:23:25,480 Speaker 1: And also it's like, again, I'm a massive Cassie fan 542 00:23:25,680 --> 00:23:27,640 Speaker 1: and I've known Cassie for a long time, but it's 543 00:23:27,680 --> 00:23:32,760 Speaker 1: like you're like hunting and beauty pageants. Yeah, that's kind 544 00:23:32,800 --> 00:23:35,560 Speaker 1: of what you did. Yes, the juxtaposition of those two 545 00:23:35,680 --> 00:23:36,520 Speaker 1: is like your normal life. 546 00:23:36,720 --> 00:23:38,920 Speaker 11: Yeah, both sides are the same coin for sure, just 547 00:23:39,000 --> 00:23:42,320 Speaker 11: because my parents were split and had opposite kind of 548 00:23:42,480 --> 00:23:45,960 Speaker 11: raising styles. So moms, it was every stage that I 549 00:23:46,000 --> 00:23:48,600 Speaker 11: could possibly be, on classical ballet, beauty pageants. You've heard 550 00:23:48,640 --> 00:23:53,600 Speaker 11: the spiel Dad's Deer Season. I raced motorcycles like it's 551 00:23:53,880 --> 00:23:55,320 Speaker 11: I am Daddy's little boy. 552 00:23:55,800 --> 00:23:57,960 Speaker 2: So I've always tried to be I am. 553 00:23:58,240 --> 00:24:00,520 Speaker 11: I am Daddy's little boy. I mean he I shave 554 00:24:00,600 --> 00:24:04,080 Speaker 11: my mustache and he leaves his growing I've always tried 555 00:24:04,119 --> 00:24:05,919 Speaker 11: to be just as much one side as I am 556 00:24:06,000 --> 00:24:08,880 Speaker 11: the other, and sometimes that's hard for people to grasp 557 00:24:09,359 --> 00:24:12,400 Speaker 11: or to believe. But I'm sitting here breathing. 558 00:24:12,200 --> 00:24:14,560 Speaker 2: So that's true. Guys. She's not lying. She's sitting right 559 00:24:14,600 --> 00:24:15,040 Speaker 2: here breathing. 560 00:24:16,160 --> 00:24:17,520 Speaker 1: I would love for you to place on the forest 561 00:24:17,520 --> 00:24:19,320 Speaker 1: if you're cool, dad, Yeah, I'd love to, if you 562 00:24:19,359 --> 00:24:21,520 Speaker 1: wouldn't mind, Would you do called crazy first? 563 00:24:21,680 --> 00:24:21,840 Speaker 11: Yes? 564 00:24:21,880 --> 00:24:24,560 Speaker 2: I would love to. Right here, she has Cassie Ashton. Oh, 565 00:24:25,080 --> 00:24:29,280 Speaker 2: I'm sorry we can't post the live performance on the podcast, 566 00:24:29,560 --> 00:24:31,840 Speaker 2: but if you go to our YouTube page you can 567 00:24:31,960 --> 00:24:36,320 Speaker 2: watch it there or maybe listen live. Okay, all right, 568 00:24:36,800 --> 00:24:38,320 Speaker 2: now back to the podcast. 569 00:24:38,680 --> 00:24:40,600 Speaker 1: So congrats on the record. It's out today. By the way, 570 00:24:40,880 --> 00:24:44,040 Speaker 1: Cassie's record is called Made from the Dirt. Go watch 571 00:24:44,080 --> 00:24:46,760 Speaker 1: her performance is called crazy on our YouTube page, and 572 00:24:46,840 --> 00:24:48,240 Speaker 1: she just played it here on the show as well. 573 00:24:48,440 --> 00:24:49,360 Speaker 2: Will you do another song? 574 00:24:50,000 --> 00:24:51,280 Speaker 11: Absolutely, I'll do another song? 575 00:24:51,560 --> 00:24:52,960 Speaker 2: So what are you gonna do? Do I know this one? 576 00:24:53,240 --> 00:24:53,720 Speaker 11: The Straw? 577 00:24:54,080 --> 00:24:54,320 Speaker 4: Okay? 578 00:24:54,400 --> 00:24:55,040 Speaker 2: I don't know this one? 579 00:24:55,119 --> 00:24:55,840 Speaker 11: You don't know this one? 580 00:24:55,880 --> 00:24:57,119 Speaker 2: Okay? Is it good though? Uh? 581 00:24:57,359 --> 00:24:59,720 Speaker 1: Yeah, okay, yes, if you said no, I reconsider it. 582 00:25:00,760 --> 00:25:03,560 Speaker 1: You guys at Cassie Ashton, that's her name on Instagram. 583 00:25:03,640 --> 00:25:05,800 Speaker 1: The album is out now. It's called Made from the Dirt, 584 00:25:06,240 --> 00:25:07,880 Speaker 1: and we're gonna play the one now called the Straw. 585 00:25:08,359 --> 00:25:09,879 Speaker 5: This is the one where it's like, you know, the 586 00:25:09,920 --> 00:25:11,280 Speaker 5: straw that broke the relationship? 587 00:25:11,480 --> 00:25:13,080 Speaker 11: Yeah, the straw that broke the camel's back. 588 00:25:13,800 --> 00:25:14,639 Speaker 2: When did you already know that? 589 00:25:15,840 --> 00:25:16,639 Speaker 5: Women by Her Country? 590 00:25:16,760 --> 00:25:17,040 Speaker 7: I know that? 591 00:25:17,119 --> 00:25:20,639 Speaker 2: But do you know the words? Sing along? You just 592 00:25:20,680 --> 00:25:20,920 Speaker 2: take it? 593 00:25:21,080 --> 00:25:22,920 Speaker 5: No, you're just setting it up like I like the 594 00:25:23,680 --> 00:25:24,359 Speaker 5: idea behind it. 595 00:25:24,440 --> 00:25:27,320 Speaker 11: I always before we play show, I always say, if 596 00:25:27,359 --> 00:25:29,120 Speaker 11: you're out there and you've been in a relationship where 597 00:25:29,200 --> 00:25:31,080 Speaker 11: you were doing all the bending and all the breaking 598 00:25:31,200 --> 00:25:33,359 Speaker 11: and all the changing, and the other person didn't notice. 599 00:25:33,840 --> 00:25:34,399 Speaker 11: This is for you. 600 00:25:35,119 --> 00:25:41,760 Speaker 2: Mm hmmm crap, yeah, crap, all right, she has Cassie Ashton. 601 00:25:43,440 --> 00:25:46,000 Speaker 2: That's awesome. We all were like too scared to clap 602 00:25:46,040 --> 00:25:49,600 Speaker 2: because we were like, that is that's amazing. We should clap. 603 00:25:53,800 --> 00:25:56,359 Speaker 2: That's awesome. You know, I've been like a day Warner. 604 00:25:56,720 --> 00:25:56,960 Speaker 10: Thank you. 605 00:25:57,119 --> 00:26:00,280 Speaker 2: I've been a fan you have so long. It's so cool. 606 00:26:00,680 --> 00:26:03,840 Speaker 2: You're I mean, and you've always been like you're really good. 607 00:26:04,520 --> 00:26:06,239 Speaker 1: You've always been really good. You've always been really good 608 00:26:06,280 --> 00:26:08,400 Speaker 1: and different, which is tough. There's a lot of people 609 00:26:08,400 --> 00:26:10,720 Speaker 1: that are good but they're like everybody else. But now 610 00:26:10,760 --> 00:26:12,480 Speaker 1: you're like really good and really different. 611 00:26:12,560 --> 00:26:14,639 Speaker 2: But it's so cool. It like makes sense. 612 00:26:15,760 --> 00:26:16,440 Speaker 5: That means a lot. 613 00:26:16,560 --> 00:26:19,240 Speaker 2: Yeah, make it it all. I'm so proud for you. 614 00:26:19,400 --> 00:26:22,919 Speaker 2: Your music is excellent. Shout out your player over here. 615 00:26:22,960 --> 00:26:24,200 Speaker 2: He's like, I know this is Blake. 616 00:26:24,440 --> 00:26:25,240 Speaker 3: Isn't he so good? 617 00:26:25,440 --> 00:26:25,640 Speaker 7: Yeah? 618 00:26:25,640 --> 00:26:27,000 Speaker 2: Blake's like literally so good. 619 00:26:27,040 --> 00:26:28,560 Speaker 11: He looks fly. We're doing great. 620 00:26:29,560 --> 00:26:30,200 Speaker 2: I saw Blake. 621 00:26:30,240 --> 00:26:32,440 Speaker 1: It's like Blake kind of looks like Harry Potter with tattoos, 622 00:26:32,440 --> 00:26:33,480 Speaker 1: and I'm like, that's the crazy. 623 00:26:33,520 --> 00:26:37,000 Speaker 2: It's the craziest thing. It's so the album is out. 624 00:26:37,880 --> 00:26:39,919 Speaker 2: It is called from the Dirt. 625 00:26:41,200 --> 00:26:41,439 Speaker 1: Like that. 626 00:26:43,440 --> 00:26:45,760 Speaker 2: It's called from the Dirt. I hope you listen to 627 00:26:45,840 --> 00:26:46,400 Speaker 2: the whole record. 628 00:26:46,480 --> 00:26:48,119 Speaker 1: Go listen to call Crazy in the Straw, and then 629 00:26:48,160 --> 00:26:49,960 Speaker 1: if you like toast and listen to more because I 630 00:26:50,000 --> 00:26:51,480 Speaker 1: can only convince you to give it like three minutes, 631 00:26:51,480 --> 00:26:53,160 Speaker 1: but then I think you'll stay for a lot lot 632 00:26:53,240 --> 00:26:55,800 Speaker 1: more than that. Also a few more tour dates, So 633 00:26:55,840 --> 00:26:56,520 Speaker 1: if you guys want. 634 00:26:56,359 --> 00:26:59,440 Speaker 2: To go watch watch Cassie play, I mean here we 635 00:26:59,520 --> 00:27:03,320 Speaker 2: got Settember twenty eighth, and El Paso October fourteenth, and Huntsville, 636 00:27:03,359 --> 00:27:06,960 Speaker 2: Alabama November first, and Charleston and November tewond and Surf City, 637 00:27:07,040 --> 00:27:09,200 Speaker 2: North Carolina. So go to those shows. 638 00:27:09,280 --> 00:27:11,560 Speaker 1: I'm telling you go. And that's everywhere our show's on. 639 00:27:11,920 --> 00:27:15,520 Speaker 1: Go to those shows her social tickets at Cassie Ashton 640 00:27:15,560 --> 00:27:17,600 Speaker 1: dot com. What I like about that song the Straw 641 00:27:17,760 --> 00:27:21,040 Speaker 1: is it doesn't the straw part doesn't rhyme and doesn't 642 00:27:21,080 --> 00:27:23,360 Speaker 1: come in at the end of like it's. 643 00:27:23,240 --> 00:27:28,640 Speaker 2: Like the chorus, courus chorus end the straw. That's pretty sick. 644 00:27:28,800 --> 00:27:30,800 Speaker 1: Thank you, thank you when you guys wrote that, Like 645 00:27:30,880 --> 00:27:32,400 Speaker 1: that's a really interesting way to write that song. 646 00:27:32,560 --> 00:27:32,840 Speaker 6: Thank you. 647 00:27:33,720 --> 00:27:34,880 Speaker 2: So that's all I think. 648 00:27:35,040 --> 00:27:35,320 Speaker 11: Thank you. 649 00:27:35,680 --> 00:27:36,080 Speaker 2: I love it. 650 00:27:36,359 --> 00:27:39,360 Speaker 11: Luke Laird, Laurie McKenna, the best, the best of the best. 651 00:27:39,440 --> 00:27:41,000 Speaker 11: To open your heart too, for sure. 652 00:27:41,080 --> 00:27:44,480 Speaker 2: I'll try that sometime. Yeah, let me open my heart. 653 00:27:45,280 --> 00:27:46,959 Speaker 2: Cassie Ashton dot com. Good to see you, guys. There 654 00:27:47,000 --> 00:27:50,280 Speaker 2: she has, Cassie ash Thank you. Good to see y'all. 655 00:27:52,320 --> 00:27:55,760 Speaker 1: According to case twenty four dot com, eleven percent of 656 00:27:55,880 --> 00:28:00,239 Speaker 1: us have sustained an injury doing this activity, which did 657 00:28:00,359 --> 00:28:02,200 Speaker 1: not exist a couple of decades ago. 658 00:28:02,720 --> 00:28:05,159 Speaker 2: Now that's the question. The game is never gonna get it. 659 00:28:05,280 --> 00:28:08,520 Speaker 3: No, you're not gonna jet it. You're never go to 660 00:28:08,560 --> 00:28:08,840 Speaker 3: get it. 661 00:28:10,160 --> 00:28:13,600 Speaker 1: You're gonna Eleven percent of us have sustained an injury 662 00:28:13,680 --> 00:28:16,600 Speaker 1: during this activity, which did not exist a couple of 663 00:28:16,720 --> 00:28:19,720 Speaker 1: decades ago. On the phone is Dustin and Mississippi. Dustin, 664 00:28:19,840 --> 00:28:24,080 Speaker 1: what's happening, buddy? I going doing pretty good. Now I'm 665 00:28:24,080 --> 00:28:26,200 Speaker 1: gonna let you answer this first. Now you have like 666 00:28:26,280 --> 00:28:27,360 Speaker 1: three chances here to win. 667 00:28:28,240 --> 00:28:30,520 Speaker 2: It's so hard. That's why it's called never gonna get it. 668 00:28:30,840 --> 00:28:32,120 Speaker 3: No, you're not gonnajeted. 669 00:28:32,680 --> 00:28:35,520 Speaker 1: Eleven percent of us have sustained an injury doing this, Dustin. 670 00:28:35,280 --> 00:28:35,880 Speaker 2: What's your guess? 671 00:28:36,320 --> 00:28:37,600 Speaker 7: Almost like playing pick a ball? 672 00:28:37,920 --> 00:28:39,520 Speaker 3: Oh man, that is a great guess. 673 00:28:39,600 --> 00:28:40,080 Speaker 4: That's what I have. 674 00:28:40,240 --> 00:28:43,080 Speaker 2: First, it wasn't even a thing a couple of decades ago. 675 00:28:43,160 --> 00:28:45,000 Speaker 2: Pick a ball. It is not right, But that is 676 00:28:45,040 --> 00:28:45,680 Speaker 2: a great guess. 677 00:28:45,920 --> 00:28:48,040 Speaker 1: It did not even come in on that really, So 678 00:28:48,960 --> 00:28:51,840 Speaker 1: according to case twenty four dot com, eleven percent of 679 00:28:51,920 --> 00:28:54,000 Speaker 1: us have sustained an injury doing this activity. 680 00:28:54,280 --> 00:28:56,320 Speaker 2: Again, it did not exist a couple of decades ago. 681 00:28:56,640 --> 00:28:57,600 Speaker 2: What's the activity? 682 00:28:57,920 --> 00:28:59,880 Speaker 1: So Dustin is gonna get to pick two of you 683 00:29:00,080 --> 00:29:03,480 Speaker 1: you and if you get it right, he wins the prize. 684 00:29:03,840 --> 00:29:06,320 Speaker 2: So Amy, lunchbox, Eddie Morgan, you're all playing? Let me 685 00:29:06,360 --> 00:29:08,040 Speaker 2: know when you're in. I'm I'm in. 686 00:29:08,320 --> 00:29:09,240 Speaker 3: I got it, nailed it. 687 00:29:10,080 --> 00:29:13,040 Speaker 2: You'reing, Eddie, I'm in? Okay, uh, Dustin, you heard all 688 00:29:13,080 --> 00:29:13,880 Speaker 2: their reactions. 689 00:29:14,480 --> 00:29:15,080 Speaker 4: How sure are you? 690 00:29:15,360 --> 00:29:17,400 Speaker 2: Eddie? Two percent? 691 00:29:17,520 --> 00:29:17,720 Speaker 7: Sure? 692 00:29:17,800 --> 00:29:19,600 Speaker 3: Okay, lunchbox one hundred percent? 693 00:29:20,520 --> 00:29:20,840 Speaker 2: Dustin? 694 00:29:20,880 --> 00:29:22,040 Speaker 3: Who would you like to play for you? 695 00:29:22,320 --> 00:29:23,080 Speaker 2: I feel pretty good. 696 00:29:25,520 --> 00:29:30,600 Speaker 8: Yeah, you get too, But give me a lunchbox and Amy. 697 00:29:30,720 --> 00:29:32,280 Speaker 2: Amy, how do you feel? I feel pretty good? 698 00:29:32,800 --> 00:29:33,080 Speaker 4: Morgan? 699 00:29:33,160 --> 00:29:36,440 Speaker 2: What's your answer? Mine has using a cell phone like 700 00:29:36,520 --> 00:29:37,560 Speaker 2: texting on cell phone. 701 00:29:38,200 --> 00:29:41,400 Speaker 3: Oh it's actually good, pretty good. Yeah, Eddie, I put WEE. 702 00:29:41,560 --> 00:29:43,440 Speaker 3: But that's been here longer than the Wii. 703 00:29:43,600 --> 00:29:45,160 Speaker 2: You know, the Nintendo Wi got it? 704 00:29:45,560 --> 00:29:48,600 Speaker 9: Okay, Lunchbox, I almost want to switch the cell phone. 705 00:29:49,000 --> 00:29:53,800 Speaker 9: But trampoline park, they didn't exist decades ago or some experience. 706 00:29:53,960 --> 00:29:56,520 Speaker 9: My wife has done it. I've seen it firsthand, and 707 00:29:56,640 --> 00:29:58,440 Speaker 9: people do it. My neighbor blew out our a CL 708 00:29:58,440 --> 00:30:00,840 Speaker 9: and m CL that's true, like a year ago. So 709 00:30:01,000 --> 00:30:02,480 Speaker 9: I mean trampoline park. 710 00:30:02,560 --> 00:30:08,600 Speaker 1: Amy, walking and texting. So Morgan said cell phone and 711 00:30:08,840 --> 00:30:13,080 Speaker 1: Eddie said the we Nintendo. We So both of you 712 00:30:13,160 --> 00:30:17,280 Speaker 1: are incorrect. Now, trampoline park and texting and talking that's 713 00:30:17,320 --> 00:30:19,280 Speaker 1: different than just using the cell phone walking and yeah, 714 00:30:19,360 --> 00:30:20,680 Speaker 1: like like texting and walking. 715 00:30:20,760 --> 00:30:23,800 Speaker 2: Yeah, Amy, you're wrong. 716 00:30:26,760 --> 00:30:29,440 Speaker 3: I like you're right, Lunchbox, Lunchbogs, you are wrong. 717 00:30:29,800 --> 00:30:30,280 Speaker 2: Okay, so. 718 00:30:31,800 --> 00:30:34,960 Speaker 3: What you're wrong? Okay, we get another guess. Yes, so 719 00:30:35,000 --> 00:30:35,480 Speaker 3: we're gonna do. 720 00:30:35,440 --> 00:30:39,680 Speaker 1: One around here. Now I'll read the question again and Dustin, 721 00:30:39,760 --> 00:30:43,680 Speaker 1: now you get to pick that you think just one 722 00:30:43,720 --> 00:30:45,240 Speaker 1: of them of all four will get it right at least, 723 00:30:45,320 --> 00:30:46,880 Speaker 1: or none of them will get it right. So if 724 00:30:46,880 --> 00:30:48,760 Speaker 1: anybody gets it right, or if nobody gets it, right. 725 00:30:48,680 --> 00:30:49,160 Speaker 2: You get to pick. 726 00:30:49,760 --> 00:30:52,080 Speaker 1: According to case twenty four dot com, eleven percent of 727 00:30:52,200 --> 00:30:55,840 Speaker 1: us have sustained an injury during this activity. 728 00:30:55,560 --> 00:30:58,440 Speaker 3: Which did not exist a couple of decades ago. Oh 729 00:30:58,520 --> 00:30:59,400 Speaker 3: my gosh, I got it. 730 00:30:59,560 --> 00:31:00,440 Speaker 2: I got it, I got it. 731 00:31:00,480 --> 00:31:02,800 Speaker 3: I got not playing against each. 732 00:31:02,720 --> 00:31:03,120 Speaker 2: Other, nobody. 733 00:31:03,200 --> 00:31:04,640 Speaker 3: Dude, you want to pick? What's his name? 734 00:31:05,800 --> 00:31:06,200 Speaker 2: Dustin? 735 00:31:06,360 --> 00:31:06,680 Speaker 3: Dustin? 736 00:31:06,720 --> 00:31:08,800 Speaker 9: You better say we're getting it right, because I am 737 00:31:08,920 --> 00:31:11,320 Speaker 9: telling you right now I have got it and I 738 00:31:11,440 --> 00:31:12,000 Speaker 9: guarantee it. 739 00:31:12,080 --> 00:31:13,320 Speaker 2: So if you don't have it, would you like to 740 00:31:13,360 --> 00:31:13,920 Speaker 2: wage for something? 741 00:31:14,040 --> 00:31:14,240 Speaker 4: Yeah? 742 00:31:16,200 --> 00:31:18,840 Speaker 2: Out of every answer in the world, it's an activity 743 00:31:18,880 --> 00:31:21,720 Speaker 2: because he's that sure. I'm not that sure. 744 00:31:22,680 --> 00:31:25,240 Speaker 3: I don't even didn't let me see your answer? Yeah, yeah, 745 00:31:25,320 --> 00:31:25,960 Speaker 3: can you show him right? 746 00:31:25,960 --> 00:31:26,520 Speaker 2: You can show him. 747 00:31:26,680 --> 00:31:28,480 Speaker 1: Hey, Dustin, do you want to pick that somebody gets 748 00:31:28,520 --> 00:31:29,240 Speaker 1: it or nobody gets it? 749 00:31:29,400 --> 00:31:30,000 Speaker 3: Else I have it? 750 00:31:30,280 --> 00:31:30,800 Speaker 2: No, you don't. 751 00:31:32,000 --> 00:31:33,320 Speaker 3: I'm saying nobody gets it. 752 00:31:33,400 --> 00:31:34,720 Speaker 2: Okay, anybody have Dustin? 753 00:31:34,760 --> 00:31:35,160 Speaker 11: I have it. 754 00:31:35,360 --> 00:31:36,320 Speaker 2: It's a VR headset. 755 00:31:36,360 --> 00:31:36,400 Speaker 7: No. 756 00:31:36,560 --> 00:31:38,960 Speaker 2: No, oh, that's interesting. 757 00:31:39,120 --> 00:31:40,400 Speaker 5: You would You wouldn't even have to go back a 758 00:31:40,440 --> 00:31:42,480 Speaker 5: few decades. You could be like a few years ago 759 00:31:42,800 --> 00:31:43,560 Speaker 5: it didn't exist. 760 00:31:43,800 --> 00:31:45,360 Speaker 2: Yeah, well yeah, but could but also a couple of 761 00:31:45,360 --> 00:31:47,560 Speaker 2: decades ago, it didn't exist. It's also wrong, oh. 762 00:31:49,520 --> 00:31:52,000 Speaker 5: Amy, texting and driving. 763 00:31:54,160 --> 00:31:59,080 Speaker 2: I'm really dedicated to texting incorrect, Morgan. 764 00:32:00,360 --> 00:32:01,840 Speaker 3: I feel like we have more. 765 00:32:01,760 --> 00:32:04,120 Speaker 9: People dancing because of like social media and stuff, so 766 00:32:04,200 --> 00:32:05,520 Speaker 9: I feel like dancing could be it. 767 00:32:05,720 --> 00:32:06,240 Speaker 3: That's good. 768 00:32:07,360 --> 00:32:09,400 Speaker 5: Now people are getting injuries. 769 00:32:11,240 --> 00:32:13,600 Speaker 3: Wrong, that's good. 770 00:32:13,960 --> 00:32:16,280 Speaker 9: Okay, does he want to change because he's about to 771 00:32:16,280 --> 00:32:17,480 Speaker 9: get he's about to not get. 772 00:32:17,320 --> 00:32:18,040 Speaker 3: A prim Let me see what? 773 00:32:18,120 --> 00:32:21,000 Speaker 2: Yeah, will you wager like a chest wax on it? 774 00:32:22,960 --> 00:32:26,480 Speaker 2: How much hear that? That so bad? A stings? 775 00:32:26,480 --> 00:32:27,720 Speaker 1: I just want to say, you know, you can say no, 776 00:32:27,800 --> 00:32:29,239 Speaker 1: we'll just move on in life. But I just want 777 00:32:29,280 --> 00:32:31,760 Speaker 1: to know how sure you are, because if you're if 778 00:32:31,760 --> 00:32:32,800 Speaker 1: you're just mostly like. 779 00:32:33,120 --> 00:32:36,040 Speaker 3: Buying professional or by like, because we're not just gonna 780 00:32:36,040 --> 00:32:36,560 Speaker 3: go to the store and. 781 00:32:36,520 --> 00:32:37,400 Speaker 4: Get there and do it. 782 00:32:37,480 --> 00:32:38,920 Speaker 3: We're gonna bring a professional. 783 00:32:38,560 --> 00:32:41,000 Speaker 2: Waxer in here and do it like you can get 784 00:32:41,040 --> 00:32:41,640 Speaker 2: a wax kid. 785 00:32:42,120 --> 00:32:42,960 Speaker 3: I've tried that before and. 786 00:32:42,960 --> 00:32:44,520 Speaker 2: Then but one of the girls will do it. It's 787 00:32:44,520 --> 00:32:47,080 Speaker 2: not loss for them, so they'll have to lose a 788 00:32:47,160 --> 00:32:51,080 Speaker 2: game too. But if you're so sure, why not? But yeah, again, 789 00:32:51,120 --> 00:32:53,840 Speaker 2: you don't have to, there's no no pressure. You talk 790 00:32:53,920 --> 00:32:55,120 Speaker 2: about game, but it doesn't matter. 791 00:33:00,360 --> 00:33:01,240 Speaker 3: But what's it for me? 792 00:33:02,200 --> 00:33:04,280 Speaker 1: You just have to show us that not only were 793 00:33:04,320 --> 00:33:06,120 Speaker 1: you right, but you put a bet on it, like 794 00:33:06,200 --> 00:33:07,880 Speaker 1: you're you put your money where your mouth is. 795 00:33:08,000 --> 00:33:12,920 Speaker 3: Like you're the man. You are screaming, Yes, how about 796 00:33:12,960 --> 00:33:14,080 Speaker 3: I donate to charity? 797 00:33:14,320 --> 00:33:15,560 Speaker 2: No, no, no, no, you're missing that. 798 00:33:15,920 --> 00:33:16,360 Speaker 3: We're missing. 799 00:33:16,440 --> 00:33:19,120 Speaker 1: Okay, we can just move on. He's not that sure. 800 00:33:19,320 --> 00:33:22,640 Speaker 1: But so he's just he just screaming. He's just screaming 801 00:33:22,720 --> 00:33:23,720 Speaker 1: right now for no reason. 802 00:33:23,800 --> 00:33:27,640 Speaker 3: Okay, okay, I'm thinking about it. Just there, that's a 803 00:33:27,720 --> 00:33:28,320 Speaker 3: lot of chest there. 804 00:33:28,400 --> 00:33:29,440 Speaker 5: I'm eager to know what it is. 805 00:33:29,520 --> 00:33:30,160 Speaker 3: Can we too? 806 00:33:30,200 --> 00:33:31,480 Speaker 1: We can just move on because I knew he would 807 00:33:31,520 --> 00:33:32,680 Speaker 1: do it. He just like to say a lot of 808 00:33:32,720 --> 00:33:34,440 Speaker 1: things and I back it up and lunch, we would 809 00:33:34,480 --> 00:33:35,440 Speaker 1: respect you a lot more. 810 00:33:35,960 --> 00:33:37,480 Speaker 3: How about this? He doesn't care about respect? 811 00:33:37,520 --> 00:33:37,680 Speaker 1: Man. 812 00:33:38,240 --> 00:33:38,880 Speaker 4: If I'm. 813 00:33:40,480 --> 00:33:43,840 Speaker 3: If I'm wrong, I'll send this dude. 814 00:33:44,080 --> 00:33:45,760 Speaker 1: I don't even care about what you're sending him. We're 815 00:33:45,760 --> 00:33:47,520 Speaker 1: just gonna move on because you do not back up 816 00:33:47,600 --> 00:33:48,040 Speaker 1: what you say. 817 00:33:48,160 --> 00:33:48,520 Speaker 3: That's fine. 818 00:33:48,560 --> 00:33:49,560 Speaker 2: What is your answance? Bucks? 819 00:33:49,760 --> 00:33:50,560 Speaker 3: Taking a selfie? 820 00:33:51,320 --> 00:33:51,640 Speaker 4: Got it? 821 00:33:51,760 --> 00:33:54,240 Speaker 5: Oh my gosh, that is that right? 822 00:33:57,080 --> 00:34:00,880 Speaker 2: Because you're backed out right, but he didn't because I 823 00:34:01,080 --> 00:34:01,440 Speaker 2: nailed it. 824 00:34:01,680 --> 00:34:03,880 Speaker 1: And this dude, you can't say the wax didn't happened 825 00:34:03,880 --> 00:34:05,520 Speaker 1: because you didn't bet it, because it's. 826 00:34:05,400 --> 00:34:10,480 Speaker 3: Happening going home empty handed. So the answer is taking 827 00:34:10,719 --> 00:34:11,520 Speaker 3: a selfie. 828 00:34:12,239 --> 00:34:13,400 Speaker 2: Let me go ahead and take a selfie. 829 00:34:13,480 --> 00:34:14,760 Speaker 3: Why you guys say I'm right. 830 00:34:17,000 --> 00:34:19,600 Speaker 1: He did not bet, so that shows you the kind 831 00:34:19,680 --> 00:34:23,200 Speaker 1: of coward. However, you can be coward and be right 832 00:34:23,440 --> 00:34:24,120 Speaker 1: taking a selfie. 833 00:34:25,520 --> 00:34:27,480 Speaker 2: You got it right, right, right. 834 00:34:28,320 --> 00:34:30,000 Speaker 3: So the good news is he nailed it. 835 00:34:30,080 --> 00:34:33,440 Speaker 2: The bad news he's a coward, coward of the county. 836 00:34:33,880 --> 00:34:38,920 Speaker 3: I thought you were yellow melly at that you got 837 00:34:39,040 --> 00:34:42,840 Speaker 3: it right taking the selfie you want you want to 838 00:34:42,840 --> 00:34:43,640 Speaker 3: say to him, Oh. 839 00:34:43,600 --> 00:34:47,000 Speaker 6: My god, I told you, my man, I don't know. 840 00:34:47,440 --> 00:34:51,480 Speaker 3: I have no idea what your empty. You don't listen 841 00:34:51,560 --> 00:34:53,200 Speaker 3: to me. You don't listen to me. 842 00:34:53,760 --> 00:34:56,719 Speaker 1: Dustin, you did not will We'll get Dustin off for 843 00:34:56,760 --> 00:34:57,840 Speaker 1: another game at some other point. 844 00:34:57,680 --> 00:34:58,120 Speaker 3: In the future. 845 00:34:58,360 --> 00:35:01,279 Speaker 1: But does he feel I can feel two ways. I 846 00:35:01,360 --> 00:35:03,759 Speaker 1: feel like you did a great show. Hold on, I 847 00:35:03,800 --> 00:35:06,360 Speaker 1: can't hear anything. He won, got it right and he 848 00:35:06,400 --> 00:35:08,680 Speaker 1: should be recognized for getting it right. But two, he 849 00:35:08,800 --> 00:35:10,600 Speaker 1: can't start yelling how's my chest? Because he did not 850 00:35:10,719 --> 00:35:16,080 Speaker 1: bet that. He got scared, so he's a yellow belly. 851 00:35:16,400 --> 00:35:17,200 Speaker 4: But he got it right. 852 00:35:18,000 --> 00:35:22,719 Speaker 2: Both can't exist. Go ahead, I'm sorry, buddy box, all right, 853 00:35:22,960 --> 00:35:24,120 Speaker 2: all right, talk to you saying we'll get you on 854 00:35:24,120 --> 00:35:27,160 Speaker 2: against something. I'm saying, okay, man, all right, there is 855 00:35:27,880 --> 00:35:30,759 Speaker 2: hair anyway, I missed it. That's a lot of hair. 856 00:35:30,800 --> 00:35:31,360 Speaker 3: I've never seen that. 857 00:35:31,440 --> 00:35:32,400 Speaker 2: Let's let's let's play this. 858 00:35:32,960 --> 00:35:34,319 Speaker 3: It's time for the good news. 859 00:35:39,560 --> 00:35:42,600 Speaker 9: Last week in Full Sheer, Texas, a group of seniors 860 00:35:42,640 --> 00:35:45,360 Speaker 9: they got together for soccer practice and they show up. 861 00:35:45,400 --> 00:35:47,040 Speaker 9: They're kicking the ball around, they're about to take some 862 00:35:47,120 --> 00:35:49,440 Speaker 9: shots at the gold and they're like, man, what's in 863 00:35:49,520 --> 00:35:53,719 Speaker 9: that net? They walk up and there's an owl who 864 00:35:54,640 --> 00:35:56,400 Speaker 9: tangled in the net. They're like, oh my gosh, we 865 00:35:56,480 --> 00:35:58,600 Speaker 9: gotta save this owl. But you know, an owl could 866 00:35:58,600 --> 00:36:01,520 Speaker 9: be very dangerous. So he calls his mom, says, Mom, what. 867 00:36:01,560 --> 00:36:01,880 Speaker 7: Do I do. 868 00:36:02,239 --> 00:36:03,920 Speaker 9: She's like, I'll post it on Facebook. See if we 869 00:36:03,960 --> 00:36:07,359 Speaker 9: get some replies on how to get the owl safely out. Well, 870 00:36:07,440 --> 00:36:08,680 Speaker 9: sucks is if you just cut it out, it could 871 00:36:08,680 --> 00:36:11,200 Speaker 9: freak out on you. That's what they're scared of. No 872 00:36:11,280 --> 00:36:13,640 Speaker 9: one's responding on Facebook. Pedro's like, I got I. 873 00:36:13,680 --> 00:36:16,359 Speaker 1: Can't believe no one responds on Facebook Facebook, and they 874 00:36:16,360 --> 00:36:17,880 Speaker 1: got people just just chomping and respond. 875 00:36:17,960 --> 00:36:18,280 Speaker 2: Go ahead. 876 00:36:18,280 --> 00:36:21,120 Speaker 9: So Pedro goes home, gets a big ski jacket, some 877 00:36:21,239 --> 00:36:24,480 Speaker 9: big gloves and he starts untangling. 878 00:36:23,920 --> 00:36:25,000 Speaker 6: The owl out of the net. 879 00:36:25,160 --> 00:36:31,200 Speaker 1: That smart gloves and the owl is free like beekeeper costumes. Yeah, 880 00:36:31,440 --> 00:36:34,319 Speaker 1: gloves that he will cut you, but save the owl. 881 00:36:34,600 --> 00:36:35,160 Speaker 3: Save the owl. 882 00:36:35,400 --> 00:36:37,080 Speaker 2: Damn looking at it, it was wrapped up. 883 00:36:37,160 --> 00:36:38,000 Speaker 3: Oh it was tangled. 884 00:36:38,000 --> 00:36:38,239 Speaker 1: I don't know. 885 00:36:38,280 --> 00:36:39,759 Speaker 9: I mean it was trying, freaking out, trying to get out, 886 00:36:39,760 --> 00:36:41,800 Speaker 9: and he just kept wrapping itself and wrapping itself. 887 00:36:41,880 --> 00:36:44,080 Speaker 1: Good for those kids at Jordan High School for actually 888 00:36:44,160 --> 00:36:46,560 Speaker 1: caring enough about the owl to take the time to 889 00:36:46,640 --> 00:36:46,880 Speaker 1: free it. 890 00:36:47,040 --> 00:36:48,680 Speaker 9: Yeah, you know what some most kids would have done, 891 00:36:48,719 --> 00:36:51,440 Speaker 9: probably messed with it. I thought they would be like, 892 00:36:51,840 --> 00:36:54,400 Speaker 9: who can hit the owl because it's already it's like targic. 893 00:36:54,480 --> 00:36:56,279 Speaker 9: So I don't think that's most kids. I think that 894 00:36:56,400 --> 00:37:00,080 Speaker 9: is like almost no kids. Okay, yeah maybe you you, 895 00:37:00,680 --> 00:37:04,239 Speaker 9: but almost to its we do. Almost no kids. Don't 896 00:37:05,880 --> 00:37:08,319 Speaker 9: tell me something good, Nope, not doing it? All right, 897 00:37:08,400 --> 00:37:11,160 Speaker 9: good job, that's what it's all about. That was telling 898 00:37:11,160 --> 00:37:12,040 Speaker 9: me something good. 899 00:37:13,440 --> 00:37:15,560 Speaker 2: And that is the end of the first half of 900 00:37:15,680 --> 00:37:19,879 Speaker 2: the podcast. That is the end of the first half 901 00:37:19,960 --> 00:37:20,759 Speaker 2: of the podcast. 902 00:37:21,280 --> 00:37:23,360 Speaker 3: Is the end of the first time of the podcast. 903 00:37:23,480 --> 00:37:25,920 Speaker 3: That is the end of the first time of the podcast. 904 00:37:26,040 --> 00:37:28,839 Speaker 2: You can go to a podcast to or you can 905 00:37:28,960 --> 00:37:30,799 Speaker 2: wait till podcast to come out.