1
00:00:01,960 --> 00:00:05,000
Speaker 1: R and be Money.

2
00:00:05,559 --> 00:00:06,120
Speaker 2: We are.

3
00:00:07,680 --> 00:00:14,560
Speaker 1: Thanks take Valoti. We are the authority on all.

4
00:00:15,560 --> 00:00:16,040
Speaker 2: R and B.

5
00:00:18,000 --> 00:00:21,720
Speaker 1: Ladies and gentlemen. My name is Tank Valentine. This is

6
00:00:21,760 --> 00:00:24,040
Speaker 1: the only and bet Money podcast.

7
00:00:24,520 --> 00:00:25,480
Speaker 2: What edition is it?

8
00:00:26,440 --> 00:00:27,800
Speaker 1: This is the tour edition.

9
00:00:28,080 --> 00:00:29,240
Speaker 2: Ah. You see what we got on.

10
00:00:29,320 --> 00:00:30,520
Speaker 1: You see we got on our tour.

11
00:00:31,080 --> 00:00:34,080
Speaker 2: We got on our three threads man.

12
00:00:34,200 --> 00:00:38,879
Speaker 1: We just finished with the Legacy tour. Yes, sir, you know,

13
00:00:39,760 --> 00:00:44,360
Speaker 1: new edition, a legacy that has been forty years forty

14
00:00:45,840 --> 00:00:53,559
Speaker 1: forty years of excellence, sellouts, and we were able to

15
00:00:53,560 --> 00:00:59,920
Speaker 1: go help celebrate with them. Keith Sweat the sweat the sweat.

16
00:01:00,160 --> 00:01:04,039
Speaker 2: Yeah, guy, come on, all the members, bab come.

17
00:01:03,600 --> 00:01:08,039
Speaker 1: On, Crazy leg Yeah you know, Teddy Riley, Yeah you know.

18
00:01:08,240 --> 00:01:17,520
Speaker 2: Aaron Yeah, Man stumped down yeah yeah, yeah, yeah, there go.

19
00:01:17,560 --> 00:01:23,160
Speaker 1: That man train something you hear me, hear me something.

20
00:01:24,360 --> 00:01:26,399
Speaker 1: And along with us we got to open. Well, I

21
00:01:26,400 --> 00:01:31,479
Speaker 1: mean I got to open. You didn't really open. Thanks

22
00:01:31,520 --> 00:01:37,360
Speaker 1: for opening. By the time you got on stage, it

23
00:01:37,480 --> 00:01:38,360
Speaker 1: was nice and full.

24
00:01:39,120 --> 00:01:40,039
Speaker 2: It was such a warmer.

25
00:01:42,959 --> 00:01:46,240
Speaker 1: When I came out on stage, there were there's still

26
00:01:46,240 --> 00:01:49,400
Speaker 1: a lot of seats left to be feels. When my

27
00:01:49,560 --> 00:01:52,400
Speaker 1: music started and they would hear me singing. People start running,

28
00:01:52,800 --> 00:01:55,680
Speaker 1: you know from the concessions trying to get in there.

29
00:01:56,040 --> 00:01:56,800
Speaker 1: How did that feel?

30
00:01:57,480 --> 00:02:00,360
Speaker 2: Because you haven't had that feeling in a long time?

31
00:02:00,880 --> 00:02:04,000
Speaker 1: It felt great? Yeah, it felt great. It felt you know.

32
00:02:06,080 --> 00:02:07,600
Speaker 1: I mean for me, it was just kind of it

33
00:02:07,640 --> 00:02:09,760
Speaker 1: was more and so what I was a part of, right,

34
00:02:10,440 --> 00:02:13,400
Speaker 1: So I you know, I was excited. I was so

35
00:02:13,440 --> 00:02:15,560
Speaker 1: excited to be a part of it that I was

36
00:02:15,600 --> 00:02:18,560
Speaker 1: just like, you know, we're gonna give it to whoever's here.

37
00:02:18,600 --> 00:02:21,760
Speaker 2: Yeah, but you're so different, bro, because we've both been

38
00:02:21,800 --> 00:02:24,040
Speaker 2: around it. There are artists who are like hold the door,

39
00:02:24,560 --> 00:02:29,200
Speaker 2: are are are are hold the set time until or

40
00:02:29,200 --> 00:02:31,320
Speaker 2: in people in their seats, and we're not going on

41
00:02:31,440 --> 00:02:35,000
Speaker 2: until you know what I mean. And and you've earned

42
00:02:35,000 --> 00:02:37,160
Speaker 2: that space to be on that if you want to

43
00:02:37,200 --> 00:02:38,880
Speaker 2: be on that, so too. That's why I'm saying, like,

44
00:02:38,919 --> 00:02:42,720
Speaker 2: how did that feel that you're like, Yo, set time

45
00:02:42,800 --> 00:02:44,760
Speaker 2: is a seven seven thirty, were going on?

46
00:02:45,280 --> 00:02:47,760
Speaker 1: We're there, they see to not We're gonna make people

47
00:02:47,840 --> 00:02:51,880
Speaker 1: understand something. We're there in the hole seven minutes to

48
00:02:51,919 --> 00:02:55,880
Speaker 1: ten minutes early. They're not waiting on us. They don't

49
00:02:55,880 --> 00:02:58,120
Speaker 1: have to knock on our door, right, you know what

50
00:02:58,120 --> 00:03:01,239
Speaker 1: I'm saying we're standing out in the hallway when they like, oh, yeah,

51
00:03:01,280 --> 00:03:03,400
Speaker 1: we've been ready, you know what I'm saying. And so,

52
00:03:03,919 --> 00:03:06,320
Speaker 1: you know, for me, it's really was really one hundred

53
00:03:06,320 --> 00:03:10,520
Speaker 1: percent being happy to be part of that because they

54
00:03:10,560 --> 00:03:14,920
Speaker 1: could call anybody and the venues would have been what

55
00:03:14,960 --> 00:03:19,040
Speaker 1: they were. They set out venues without me, so there's

56
00:03:19,040 --> 00:03:20,600
Speaker 1: to be part. I was like, man, I'm gonna go

57
00:03:20,639 --> 00:03:23,600
Speaker 1: crazy whoever. But by the time you know, we got

58
00:03:23,600 --> 00:03:27,240
Speaker 1: to win, we yeah, you know, the people, the people

59
00:03:27,280 --> 00:03:29,120
Speaker 1: were there. Yeah, and then we got right after that

60
00:03:29,240 --> 00:03:33,200
Speaker 1: was slow. You know, you know, you know, you you

61
00:03:33,240 --> 00:03:37,680
Speaker 1: popped out and what do you have onto?

62
00:03:38,240 --> 00:03:40,240
Speaker 3: It's a little bit of a it's a little Gucci,

63
00:03:41,000 --> 00:03:44,480
Speaker 3: a little gui you know, the lube times and the

64
00:03:44,520 --> 00:03:46,720
Speaker 3: Gucy socks and you know, I mean the belt, I

65
00:03:46,720 --> 00:03:48,560
Speaker 3: mean coordinates.

66
00:03:48,880 --> 00:03:50,880
Speaker 1: I went out there to coordinate. I mean, you know,

67
00:03:51,000 --> 00:03:52,680
Speaker 1: I've seen that belt before somewhere.

68
00:03:53,280 --> 00:03:57,320
Speaker 2: Listen, I'm a stolen belt from years ago. I think

69
00:03:57,360 --> 00:03:59,200
Speaker 2: we had like a photo shoot of something. I left

70
00:03:59,200 --> 00:04:01,160
Speaker 2: a belt and I said, you know what, you got

71
00:04:01,160 --> 00:04:01,480
Speaker 2: a belt.

72
00:04:01,920 --> 00:04:06,640
Speaker 1: It's like, yeah, I got belt four times fine, whatever,

73
00:04:06,680 --> 00:04:15,280
Speaker 1: that's my belt. Now this slow and then and then

74
00:04:15,600 --> 00:04:17,919
Speaker 1: you know, we went to beat it up, which is

75
00:04:17,960 --> 00:04:20,440
Speaker 1: a very fun moment because I got to you know,

76
00:04:21,240 --> 00:04:23,320
Speaker 1: I got to get it. I got to get it off.

77
00:04:24,720 --> 00:04:27,920
Speaker 1: Shout out to all the dancers, Yeah, shout out to

78
00:04:28,040 --> 00:04:30,320
Speaker 1: Daisy and Big Moe and all them for coming out

79
00:04:30,400 --> 00:04:35,760
Speaker 1: hell and rocking with us. That was really dope. Let's

80
00:04:35,760 --> 00:04:38,080
Speaker 1: get into the tour, man, Let's get let's get into

81
00:04:38,120 --> 00:04:41,960
Speaker 1: the tour. We'll get into the acts in the in

82
00:04:42,000 --> 00:04:46,520
Speaker 1: the second. But what was your favorite city?

83
00:04:48,520 --> 00:04:50,240
Speaker 2: I'm going to be like the guests that we got,

84
00:04:50,240 --> 00:04:53,000
Speaker 2: that the difficult guests that we have, I'm going to

85
00:04:53,080 --> 00:04:57,120
Speaker 2: mix it. I want to mix. I want to do

86
00:04:57,120 --> 00:05:00,120
Speaker 2: the Conboyeah, I don't know. I think my favorite he

87
00:05:00,240 --> 00:05:02,920
Speaker 2: was California. It was l a and the Bay nice.

88
00:05:03,120 --> 00:05:06,520
Speaker 2: It was La Bay like, it was just the and

89
00:05:06,520 --> 00:05:10,200
Speaker 2: And those aren't easy cities, not at all because they're

90
00:05:10,320 --> 00:05:14,920
Speaker 2: used to people performing. I think that the energy that

91
00:05:15,120 --> 00:05:18,440
Speaker 2: those two cities gave us. Yeah, we just at another

92
00:05:18,520 --> 00:05:20,599
Speaker 2: level level, you know what I mean? Like it was

93
00:05:20,880 --> 00:05:24,480
Speaker 2: real love, and we got love all across the country.

94
00:05:24,920 --> 00:05:28,279
Speaker 2: But I just you know, my heart is in California, man,

95
00:05:28,360 --> 00:05:30,560
Speaker 2: So it's just it was it was special.

96
00:05:30,720 --> 00:05:32,280
Speaker 1: It was a special what was your favorite city. I'm

97
00:05:32,279 --> 00:05:35,360
Speaker 1: gonna say, I'm gonna do combo to gonna be difficult artists. Uh,

98
00:05:35,680 --> 00:05:37,000
Speaker 1: I'm gonna say California.

99
00:05:37,880 --> 00:05:39,520
Speaker 2: You can do the whole state. You goes in California

100
00:05:39,600 --> 00:05:41,039
Speaker 2: in another state and.

101
00:05:40,880 --> 00:05:44,000
Speaker 1: Then I'm gonna do uh, I'm gonna do the d

102
00:05:44,120 --> 00:05:44,320
Speaker 1: m V.

103
00:05:44,960 --> 00:05:46,080
Speaker 2: Yeah yeah, yeah yeah.

104
00:05:46,160 --> 00:05:47,080
Speaker 1: D m V was special.

105
00:05:47,120 --> 00:05:50,279
Speaker 2: Man, just you know you mix it up. That's like

106
00:05:50,360 --> 00:05:52,920
Speaker 2: four cities because you're talking about d C. You talking

107
00:05:52,920 --> 00:05:55,520
Speaker 2: about Maryland because you know we went through that thing.

108
00:05:55,680 --> 00:05:56,360
Speaker 1: It went through there.

109
00:05:56,360 --> 00:06:00,919
Speaker 2: Man. Just Baltimore was fired. Baltimore was fire, Tomorrow's fire.

110
00:06:01,480 --> 00:06:03,560
Speaker 1: So you know that was that was that was home man.

111
00:06:03,600 --> 00:06:06,520
Speaker 1: I love being able to shout I'm home. But l

112
00:06:06,600 --> 00:06:08,480
Speaker 1: A l A was special.

113
00:06:08,640 --> 00:06:10,920
Speaker 2: And then at Atlanta moment bringing out Rees.

114
00:06:11,400 --> 00:06:13,760
Speaker 1: Atlanta was great. Yeah you get to bring out Rees, man.

115
00:06:14,160 --> 00:06:16,960
Speaker 2: Tyrese is always gonna you know, he's always gonna take

116
00:06:16,960 --> 00:06:17,479
Speaker 2: it up a level.

117
00:06:17,640 --> 00:06:21,240
Speaker 1: Yeah, that was really dope. Uh. Toughest night?

118
00:06:21,600 --> 00:06:23,560
Speaker 2: What was your toughest night as far as and I'm

119
00:06:23,560 --> 00:06:28,040
Speaker 2: talking about like just the things that people don't know about,

120
00:06:28,120 --> 00:06:33,120
Speaker 2: like the getting to the venue, getting on stage, almost

121
00:06:33,160 --> 00:06:35,040
Speaker 2: not making it on stage. You know what I'm saying,

122
00:06:35,040 --> 00:06:36,640
Speaker 2: that's what I mean by toughest, not because we didn't

123
00:06:36,680 --> 00:06:39,760
Speaker 2: have no tough nights. So like we didn't get booed. No,

124
00:06:39,880 --> 00:06:42,520
Speaker 2: people came there, They enjoy us and enjoy the whole show.

125
00:06:42,680 --> 00:06:44,760
Speaker 2: So we never had no tough nights in that sense,

126
00:06:45,320 --> 00:06:46,440
Speaker 2: or even just even vocally.

127
00:06:46,800 --> 00:06:53,440
Speaker 1: Toughest night was being sick. Those three shows. What it

128
00:06:53,600 --> 00:07:01,320
Speaker 1: is New York, It was New York, and what was

129
00:07:01,360 --> 00:07:03,679
Speaker 1: after New York? It was those three city the New York.

130
00:07:03,520 --> 00:07:07,760
Speaker 2: Week now Atlantic City. Yeah, I think New York, New York,

131
00:07:07,800 --> 00:07:10,520
Speaker 2: New Jersey then Atlantic City. I think, yeah, yeah, I

132
00:07:10,560 --> 00:07:11,200
Speaker 2: know you're talking about.

133
00:07:11,320 --> 00:07:13,080
Speaker 1: Yeah, yeah, because I had to I had to take

134
00:07:13,080 --> 00:07:18,480
Speaker 1: my medicine and and my migraines kicked in, and I

135
00:07:18,480 --> 00:07:21,800
Speaker 1: didn't eat for those for those those whole three days.

136
00:07:22,040 --> 00:07:25,119
Speaker 2: That's crazy, because they got the most amazing vegan burger

137
00:07:25,160 --> 00:07:26,000
Speaker 2: ever had in my life.

138
00:07:26,120 --> 00:07:28,200
Speaker 1: You told me about that in Jersey. Yeah, I didn't.

139
00:07:28,200 --> 00:07:30,880
Speaker 1: I didn't eat for the No, it wasn't Jersey, it

140
00:07:30,920 --> 00:07:32,679
Speaker 1: was it was Newark. That was Newark.

141
00:07:32,800 --> 00:07:33,680
Speaker 2: Newark is where I had.

142
00:07:33,720 --> 00:07:35,760
Speaker 1: Yeah, that's where had work. But for those three three

143
00:07:35,840 --> 00:07:38,240
Speaker 1: for they I didn't even eat. I couldn't eat. That

144
00:07:38,360 --> 00:07:41,120
Speaker 1: was I was messed up so with migraines, everything was

145
00:07:41,280 --> 00:07:43,000
Speaker 1: tricked off. I was going to venue through the show

146
00:07:43,200 --> 00:07:45,920
Speaker 1: that Those were tough shows because I had to, you know,

147
00:07:46,240 --> 00:07:50,240
Speaker 1: use whatever energy I had and put into those shows.

148
00:07:50,760 --> 00:07:53,160
Speaker 1: And that was it. After that, I was finished.

149
00:07:53,640 --> 00:07:59,760
Speaker 2: Toughish for me was Texas HM by Texas. Remember I

150
00:07:59,760 --> 00:08:03,400
Speaker 2: could sleep. So I'm gonna tell you guys and give

151
00:08:03,440 --> 00:08:07,640
Speaker 2: you this insight. I'm hanging out with the Tank, and

152
00:08:07,880 --> 00:08:11,440
Speaker 2: Tank has rituals that he does that they just don't

153
00:08:11,440 --> 00:08:18,320
Speaker 2: work for me. Oh so, my dumb ass, I try

154
00:08:18,360 --> 00:08:22,800
Speaker 2: to have my little red bull shot. Try a little

155
00:08:22,800 --> 00:08:27,280
Speaker 2: red bull shot. The Valentine can't drink red bull I'm sorry,

156
00:08:27,320 --> 00:08:28,960
Speaker 2: I just not not that if I'm trying to go

157
00:08:28,960 --> 00:08:35,280
Speaker 2: to sleep. It just it really gave me wings. I drank.

158
00:08:35,400 --> 00:08:38,600
Speaker 2: I drank. I drank Red Bulls for like two straight shows,

159
00:08:39,520 --> 00:08:44,240
Speaker 2: and then by the next I actually no one show. No,

160
00:08:44,280 --> 00:08:47,120
Speaker 2: I'm sorry, one show. I got it the first night,

161
00:08:48,080 --> 00:08:51,080
Speaker 2: and by the time I got to Houston, my eyes

162
00:08:51,120 --> 00:08:56,480
Speaker 2: were bloodshot, red, were as red as this suit. And

163
00:08:56,720 --> 00:09:00,400
Speaker 2: people thought I was sick. Yeah I wasn't sick at all. Yeah,

164
00:09:00,480 --> 00:09:04,840
Speaker 2: I just hadn't slept. Because I was literally drunk that

165
00:09:04,920 --> 00:09:06,600
Speaker 2: little bit of red Boy and was in my room

166
00:09:06,640 --> 00:09:09,199
Speaker 2: like this, still up tweaking, and then it was time

167
00:09:09,240 --> 00:09:13,959
Speaker 2: to go, so and it literally I was I had

168
00:09:13,960 --> 00:09:16,840
Speaker 2: red eyes the entire Texas. So that was the hardest

169
00:09:16,840 --> 00:09:18,320
Speaker 2: for me because it was just like I'm trying to

170
00:09:18,360 --> 00:09:20,160
Speaker 2: figure out what the hell is going on with me?

171
00:09:20,679 --> 00:09:24,360
Speaker 2: And then I realized it's me taking this little couple

172
00:09:24,400 --> 00:09:25,280
Speaker 2: of SIPs of red Bull.

173
00:09:26,200 --> 00:09:27,320
Speaker 1: I didn't tell you to do that.

174
00:09:28,160 --> 00:09:32,360
Speaker 2: He didn't tell me to do it, but he's in courage. Yeah, encourage,

175
00:09:32,520 --> 00:09:34,560
Speaker 2: Hey man, let's tell me about to turn up. And

176
00:09:34,600 --> 00:09:35,720
Speaker 2: then I just can't turn down.

177
00:09:35,840 --> 00:09:40,520
Speaker 1: You have a sing on red Bull? What it gets

178
00:09:40,559 --> 00:09:40,920
Speaker 1: up there?

179
00:09:41,360 --> 00:09:41,480
Speaker 2: Uh?

180
00:09:43,200 --> 00:09:43,800
Speaker 1: Worst hotel?

181
00:09:45,280 --> 00:09:51,480
Speaker 2: Oh? Oh, what's the what's the city? It was that

182
00:09:51,600 --> 00:09:57,160
Speaker 2: little like a little trap, a little trap hotel. We

183
00:09:57,200 --> 00:10:00,760
Speaker 2: was in in a couple of trap. No, but this

184
00:10:00,880 --> 00:10:02,880
Speaker 2: was the one where remember that it was kind of

185
00:10:02,920 --> 00:10:07,679
Speaker 2: a day room ish because this venue also didn't have

186
00:10:07,760 --> 00:10:10,400
Speaker 2: a dressing room. What city was that we were in

187
00:10:10,400 --> 00:10:13,760
Speaker 2: the south? Is that Birmingham now? But no, Birmingham at

188
00:10:13,760 --> 00:10:21,480
Speaker 2: a nice hotel. I gotta look at I gotta look at.

189
00:10:21,760 --> 00:10:24,800
Speaker 1: Yes, yes, Virginia.

190
00:10:24,840 --> 00:10:26,880
Speaker 2: It was in Virginia. Yeah, it was in v A.

191
00:10:27,200 --> 00:10:27,440
Speaker 1: Yeah.

192
00:10:27,679 --> 00:10:30,640
Speaker 2: We stayed in a hotel that the Clips used to

193
00:10:30,640 --> 00:10:35,520
Speaker 2: sell drugs at. I promise you they sould work at

194
00:10:35,520 --> 00:10:40,760
Speaker 2: this hotel. This hotel, I'm pretty sure I slept in

195
00:10:40,760 --> 00:10:44,080
Speaker 2: my sweatsuit. It was on top of the cover.

196
00:10:45,760 --> 00:10:49,200
Speaker 1: I get button naked. Another hotel. I can't, I can't

197
00:10:49,240 --> 00:10:51,760
Speaker 1: help it. I gotta, I gotta for my balls on

198
00:10:51,760 --> 00:10:54,640
Speaker 1: the sheets only where I can sleep.

199
00:10:55,200 --> 00:10:58,760
Speaker 2: No, I was in the full eswecsly with the hoodie up.

200
00:11:01,600 --> 00:11:03,440
Speaker 2: I didn't want none of it to get on my

201
00:11:03,600 --> 00:11:05,200
Speaker 2: neck or nothing else.

202
00:11:07,360 --> 00:11:08,800
Speaker 1: I don't want.

203
00:11:08,920 --> 00:11:11,200
Speaker 2: And I know there's some probably some really nice hotels

204
00:11:11,240 --> 00:11:13,679
Speaker 2: in that city, Bootes, and we weren't at one.

205
00:11:13,760 --> 00:11:17,560
Speaker 1: We were at the trap pay by the hour. Let's

206
00:11:17,600 --> 00:11:22,880
Speaker 1: talk about, uh stand in shape tough. I mean, did

207
00:11:22,920 --> 00:11:23,640
Speaker 1: you work out on that tour.

208
00:11:23,760 --> 00:11:25,880
Speaker 2: I did a little bit. I worked out a little bit,

209
00:11:26,600 --> 00:11:27,079
Speaker 2: A little bit.

210
00:11:27,720 --> 00:11:30,560
Speaker 1: I worked out on every off day, and then me

211
00:11:30,640 --> 00:11:33,040
Speaker 1: and Shot had you know to push up. Yeah, yeah,

212
00:11:33,040 --> 00:11:33,839
Speaker 1: the push up things.

213
00:11:34,640 --> 00:11:36,560
Speaker 2: I didn't work out as much as I should have

214
00:11:37,360 --> 00:11:39,920
Speaker 2: because we would get to the v I mean, we

215
00:11:39,920 --> 00:11:41,839
Speaker 2: would get to the city and didn't have to get

216
00:11:41,840 --> 00:11:44,520
Speaker 2: to the venue quick, and you know me, I gotta

217
00:11:44,600 --> 00:11:46,800
Speaker 2: shower up and I gotta do the whole There's this thing.

218
00:11:47,400 --> 00:11:49,480
Speaker 1: Okay, we get to the city, he has to shower.

219
00:11:50,200 --> 00:11:53,200
Speaker 1: We get to the venue, he has to shower. We

220
00:11:53,320 --> 00:11:56,720
Speaker 1: leave the venue, he has to shower. Wake up. The

221
00:11:56,720 --> 00:12:00,600
Speaker 1: next day, he's got a shower. I like, I don't

222
00:12:00,600 --> 00:12:02,560
Speaker 1: know what going on with your water bill at the house.

223
00:12:02,600 --> 00:12:06,200
Speaker 1: I'm sure your water bill is crazier than your mortgage.

224
00:12:06,200 --> 00:12:13,280
Speaker 1: I'm sure there's a weird imbalance. Makes no sense. If

225
00:12:13,320 --> 00:12:15,959
Speaker 1: we weren't a little press for time, he would have

226
00:12:16,040 --> 00:12:18,800
Speaker 1: showered right before he put on this suit. It just

227
00:12:18,920 --> 00:12:24,439
Speaker 1: came from home. Yeah, you know, you know, I stayed

228
00:12:24,440 --> 00:12:25,640
Speaker 1: on that because you know, I have to have to.

229
00:12:25,640 --> 00:12:26,320
Speaker 2: Show them, you know.

230
00:12:26,600 --> 00:12:29,360
Speaker 1: But it's tough on the road though, tough for sure,

231
00:12:31,320 --> 00:12:32,119
Speaker 1: bad food.

232
00:12:33,679 --> 00:12:38,960
Speaker 2: The road. Yeah, it's tough finding finding quality quality food,

233
00:12:39,080 --> 00:12:40,319
Speaker 2: finding quality food.

234
00:12:40,679 --> 00:12:42,760
Speaker 1: We had a decent rider, Like, we had some veggies,

235
00:12:42,800 --> 00:12:46,960
Speaker 1: we had the veggie burgers. Yeah, but but it was

236
00:12:47,120 --> 00:12:52,760
Speaker 1: as far as like, you know, meals, Yeah, finding quality meals.

237
00:12:53,400 --> 00:12:55,600
Speaker 1: It was tough too because we also be at the

238
00:12:55,720 --> 00:12:59,160
Speaker 1: venue by like six and then by the time you know,

239
00:12:59,240 --> 00:13:00,760
Speaker 1: we leave the venue, we didn't leave early.

240
00:13:00,760 --> 00:13:03,720
Speaker 2: Everything was closed. Everything was closed. Yeah, so yeah, that

241
00:13:03,720 --> 00:13:05,600
Speaker 2: that that can be tough on the road. And you know,

242
00:13:05,600 --> 00:13:08,319
Speaker 2: I would suggest for the new artists as you continue

243
00:13:08,360 --> 00:13:11,280
Speaker 2: to build up, just just really start being meticulous about

244
00:13:11,320 --> 00:13:14,120
Speaker 2: your writer and the things that you like because you're

245
00:13:14,120 --> 00:13:16,640
Speaker 2: going to have to eat that all the time every

246
00:13:16,720 --> 00:13:19,120
Speaker 2: day for the most part. And yes, you have catering,

247
00:13:19,200 --> 00:13:23,440
Speaker 2: but catering is trying to make sure everybody is straight.

248
00:13:23,559 --> 00:13:26,360
Speaker 1: And we were opening. It was our cater They would

249
00:13:26,880 --> 00:13:29,000
Speaker 1: get to us when they could. They did the best

250
00:13:29,000 --> 00:13:36,440
Speaker 1: they could cater for sure. The sprinter a nice sprinter.

251
00:13:36,559 --> 00:13:40,080
Speaker 1: Man bought a really nice sprinter. But it's still a sprinter.

252
00:13:40,360 --> 00:13:43,000
Speaker 1: But so guess what happened. So guess what I found

253
00:13:43,080 --> 00:13:49,040
Speaker 1: out with the manufacturing. They didn't put the insulation in

254
00:13:49,120 --> 00:13:53,160
Speaker 1: between the the emergency windows.

255
00:13:53,240 --> 00:13:54,839
Speaker 2: So that was that whistle wood.

256
00:13:56,120 --> 00:14:01,200
Speaker 1: And yeah, the whistle whistle, the the the acceleration coming

257
00:14:01,200 --> 00:14:03,640
Speaker 1: through the speakers. Relax.

258
00:14:03,720 --> 00:14:06,840
Speaker 2: It's a great sprinter, was was, It's a great go

259
00:14:06,880 --> 00:14:07,480
Speaker 2: to magic mind.

260
00:14:09,200 --> 00:14:12,319
Speaker 1: It was a defective part in the whatever you want

261
00:14:12,320 --> 00:14:16,480
Speaker 1: to take your kids to Disneyland, it's fixed. Don't ride

262
00:14:16,520 --> 00:14:19,760
Speaker 1: five or six hours though it's fixed. The sprint is perfect.

263
00:14:20,480 --> 00:14:24,480
Speaker 1: After the tour, It's perfect. I'll never do it again.

264
00:14:24,480 --> 00:14:25,960
Speaker 1: It's perfect. It's perfect.

265
00:14:26,120 --> 00:14:29,800
Speaker 2: So, speaking of Sprinter, I spent a lot of money

266
00:14:29,840 --> 00:14:30,360
Speaker 2: on travel.

267
00:14:31,200 --> 00:14:32,480
Speaker 1: Are you going back every week?

268
00:14:32,600 --> 00:14:35,160
Speaker 2: I went back home every week, you know that. And

269
00:14:35,200 --> 00:14:40,520
Speaker 2: then if city was anything more than three hours, he flew,

270
00:14:40,760 --> 00:14:46,560
Speaker 2: I flew. I just it was. It was tough. It's tough.

271
00:14:46,720 --> 00:14:47,560
Speaker 1: It's a lot of rattling.

272
00:14:47,720 --> 00:14:51,200
Speaker 2: Especially after the Red Eyes. I was like, man, no,

273
00:14:52,120 --> 00:14:54,000
Speaker 2: because that was the other things, like I couldn't sleep.

274
00:14:54,000 --> 00:14:55,240
Speaker 2: But then I get on the on.

275
00:14:55,240 --> 00:14:59,320
Speaker 1: The sprintert we were opening.

276
00:14:59,600 --> 00:15:01,400
Speaker 2: I was just trying to come give y'all good show.

277
00:15:01,440 --> 00:15:03,360
Speaker 1: When I popped out, Man, I need this rest well

278
00:15:03,360 --> 00:15:08,920
Speaker 1: open the next Sorry. What else? Vocal health, Yeah yeah,

279
00:15:09,160 --> 00:15:12,200
Speaker 1: this is the first tour I made it through vocally

280
00:15:12,520 --> 00:15:18,640
Speaker 1: one without having any like any sixty or fifty percent days.

281
00:15:19,040 --> 00:15:24,760
Speaker 1: You know why because I didn't drink, which is weird

282
00:15:24,760 --> 00:15:26,720
Speaker 1: because I'm allergic, which is I mean, I say it

283
00:15:26,720 --> 00:15:30,640
Speaker 1: because I'm allergic to certain alcohols and I know that

284
00:15:31,000 --> 00:15:31,760
Speaker 1: and I still.

285
00:15:31,960 --> 00:15:32,440
Speaker 2: Still do it.

286
00:15:32,560 --> 00:15:38,200
Speaker 1: Yeah yeah, stupid kid. And but this tour, you know,

287
00:15:38,280 --> 00:15:39,560
Speaker 1: we talked about it before we went on tour. I

288
00:15:39,560 --> 00:15:41,760
Speaker 1: was like, man, I wis want to let's just lay

289
00:15:41,800 --> 00:15:43,480
Speaker 1: I want to lay off of that so that I can,

290
00:15:44,000 --> 00:15:45,760
Speaker 1: you know, really get through the tour and be one

291
00:15:45,800 --> 00:15:46,960
Speaker 1: hundred percent every night, right.

292
00:15:47,000 --> 00:15:50,760
Speaker 2: And that's that's that's the other part about that, just

293
00:15:50,800 --> 00:15:53,880
Speaker 2: to kind of dive deeper into it. You're not even

294
00:15:53,920 --> 00:15:56,160
Speaker 2: a drinker like that. No, So this is what's like

295
00:15:56,480 --> 00:15:59,640
Speaker 2: to the to the younger vocalists, just to the vocalist period, like,

296
00:16:00,160 --> 00:16:03,000
Speaker 2: it don't have to be a lot, ye, it don't

297
00:16:03,040 --> 00:16:05,080
Speaker 2: got to be a lot of alcohol, a lot of weed,

298
00:16:05,200 --> 00:16:08,200
Speaker 2: or a lot of whatever you own. You're you're still

299
00:16:08,240 --> 00:16:09,760
Speaker 2: tearing away at your voice.

300
00:16:09,480 --> 00:16:13,360
Speaker 1: That little bit over time, over time, it just accumulates.

301
00:16:13,880 --> 00:16:17,360
Speaker 2: But bro, listen, you was cooking, just cooking out there. Bro,

302
00:16:17,920 --> 00:16:20,040
Speaker 2: you just cooking. You're singing your ass off. Try to

303
00:16:20,080 --> 00:16:22,560
Speaker 2: keep my walk. Yeah it was hot.

304
00:16:24,680 --> 00:16:26,320
Speaker 1: You sounded good too, brother, Thank you don't really have

305
00:16:26,360 --> 00:16:26,920
Speaker 1: any bad nights.

306
00:16:27,000 --> 00:16:29,520
Speaker 2: Vocaler, Me and my and my in my five minutes

307
00:16:31,000 --> 00:16:33,640
Speaker 2: cook you cook, got my high five you cook?

308
00:16:34,000 --> 00:16:37,560
Speaker 1: As about it. It was so many It was this one girl, say,

309
00:16:37,840 --> 00:16:42,000
Speaker 1: listen to Jay Valentine's sounding like Jay Valentine.

310
00:16:42,800 --> 00:16:44,080
Speaker 2: She just sound like you.

311
00:16:44,120 --> 00:16:46,840
Speaker 1: Man, you should sound like the record. Sound like the record.

312
00:16:47,360 --> 00:16:50,200
Speaker 1: You don't sound like the record, call you somebody. You

313
00:16:50,240 --> 00:16:52,440
Speaker 1: may not like my vocals work on it, but there

314
00:16:52,480 --> 00:16:54,920
Speaker 1: are my vocals. They're going to sound like me. You

315
00:16:55,000 --> 00:16:59,760
Speaker 1: sound good. Thank you. Late nights, early flights, it's tough.

316
00:17:00,080 --> 00:17:03,520
Speaker 2: That's that's another one. Get get rest, get rest, get rest.

317
00:17:03,640 --> 00:17:04,480
Speaker 2: You gotta get your rest.

318
00:17:05,080 --> 00:17:07,920
Speaker 1: I got to sleep. Yeah, I'm like, I need sleep.

319
00:17:07,920 --> 00:17:10,080
Speaker 1: I value sleep over everything. I love sleep.

320
00:17:10,200 --> 00:17:13,000
Speaker 2: And but that that's also when you do have a

321
00:17:13,080 --> 00:17:15,440
Speaker 2: vehicle on the road, it helps because you just get

322
00:17:15,480 --> 00:17:16,920
Speaker 2: in there and go to sleep instead of trying to

323
00:17:17,000 --> 00:17:20,119
Speaker 2: run to that flight and be a fool like me.

324
00:17:20,359 --> 00:17:22,680
Speaker 1: If I had the bus, we had the bush any

325
00:17:22,680 --> 00:17:23,479
Speaker 1: way more arrested.

326
00:17:23,800 --> 00:17:26,640
Speaker 2: We didn't need it. We didn't need it. We didn't

327
00:17:26,720 --> 00:17:26,960
Speaker 2: need it.

328
00:17:27,040 --> 00:17:28,920
Speaker 1: We ended up, I mean, we ended up doing well,

329
00:17:29,040 --> 00:17:32,399
Speaker 1: save some money. But I don't think I'll ever do

330
00:17:32,480 --> 00:17:34,320
Speaker 1: another tour without a bus.

331
00:17:34,400 --> 00:17:37,920
Speaker 2: Out of bus. I just saw all you people who

332
00:17:37,960 --> 00:17:40,879
Speaker 2: own bus buses and have bus companies. Just know that

333
00:17:40,960 --> 00:17:43,080
Speaker 2: you should probably send him. I'll be calling because he's

334
00:17:43,080 --> 00:17:45,720
Speaker 2: going to buy a bus. Now, what about your sprint?

335
00:17:47,119 --> 00:17:52,120
Speaker 1: The sprinter is listen, I would drive my spring where

336
00:17:52,119 --> 00:17:54,040
Speaker 1: you're going back, just going to get a juice.

337
00:17:57,640 --> 00:17:59,800
Speaker 2: I know, Zena just be shaking her head at you sometimes,

338
00:17:59,840 --> 00:18:02,000
Speaker 2: like you can take the sprinted to get juice.

339
00:18:02,040 --> 00:18:10,320
Speaker 1: Absolutely, what else? Why you feel me at Charlotta? Therefore

340
00:18:10,320 --> 00:18:13,240
Speaker 1: getting accosted by the lady.

341
00:18:13,720 --> 00:18:17,879
Speaker 2: I can't remember. Someone online told me what the what

342
00:18:17,960 --> 00:18:20,280
Speaker 2: the beautiful lady's name was? I can't remember. And also

343
00:18:20,280 --> 00:18:21,880
Speaker 2: I don't want to. I don't want to do that

344
00:18:21,920 --> 00:18:25,000
Speaker 2: on here anyway. I don't want to because she probably

345
00:18:25,040 --> 00:18:27,480
Speaker 2: don't want her name said on R and B Money

346
00:18:27,480 --> 00:18:30,440
Speaker 2: podcast she was mad? Why was she so mad?

347
00:18:30,720 --> 00:18:32,800
Speaker 1: It was it was too early in the morning, first

348
00:18:32,840 --> 00:18:34,320
Speaker 1: of all to be that upset about anything.

349
00:18:34,359 --> 00:18:38,160
Speaker 2: So can you give them a little backstory? Because what happened?

350
00:18:38,400 --> 00:18:44,520
Speaker 1: All right? So I got a coach seat. I had

351
00:18:44,560 --> 00:18:46,840
Speaker 1: bought a coach seat because it was sheep, and I

352
00:18:46,920 --> 00:18:49,760
Speaker 1: knew I would get upgraded. So I got upgraded. But

353
00:18:49,800 --> 00:18:53,440
Speaker 1: I got upgraded to a bulkhead seat. And I want

354
00:18:53,480 --> 00:18:55,199
Speaker 1: I don't like bulkhead seats because I need to I

355
00:18:55,200 --> 00:18:58,720
Speaker 1: need to stretch my knees out. And I wanted to

356
00:18:58,720 --> 00:19:01,520
Speaker 1: go back to my window that I had, my emergency window.

357
00:19:01,960 --> 00:19:03,959
Speaker 1: I like to lean on the window get my lean off.

358
00:19:05,880 --> 00:19:08,600
Speaker 1: And so when I was kidding. When I was getting

359
00:19:08,600 --> 00:19:12,240
Speaker 1: on the plane, I said, I said, do you have

360
00:19:12,280 --> 00:19:14,760
Speaker 1: the emergency window availablecause they called first class and I'm

361
00:19:14,760 --> 00:19:17,520
Speaker 1: getting on. She's like, no, it's also not everything's gone.

362
00:19:17,520 --> 00:19:19,440
Speaker 1: If everything's gone, I was like, okay.

363
00:19:19,119 --> 00:19:21,120
Speaker 2: Well, I just you know, when I get on the plane,

364
00:19:21,160 --> 00:19:23,280
Speaker 2: I'll just I'll just I'll switch with the person you

365
00:19:23,320 --> 00:19:24,520
Speaker 2: know that has that seat.

366
00:19:24,560 --> 00:19:27,760
Speaker 1: And now she said, no, you won't. I said, yes,

367
00:19:27,920 --> 00:19:31,119
Speaker 1: yes I will. She said you will not. And she

368
00:19:31,200 --> 00:19:33,080
Speaker 1: had took my ticket because she was looking to see

369
00:19:33,280 --> 00:19:35,240
Speaker 1: if anything else was available, and she was like, no,

370
00:19:35,320 --> 00:19:37,080
Speaker 1: you will not do that. You will not give your

371
00:19:37,119 --> 00:19:39,480
Speaker 1: seat to another person. There are people waiting to be

372
00:19:39,520 --> 00:19:42,040
Speaker 1: in first class and you cannot do this. I said,

373
00:19:42,480 --> 00:19:49,520
Speaker 1: I why, because you cannot. I'm telling you you cannot.

374
00:19:49,680 --> 00:19:52,400
Speaker 1: I said, but I'm just it's to see that already

375
00:19:52,440 --> 00:19:55,560
Speaker 1: had that person did not pay for a first class seat.

376
00:19:55,760 --> 00:19:58,159
Speaker 1: I said, well, I'm gonna just give them. It'll be

377
00:19:58,200 --> 00:20:01,639
Speaker 1: a gift, like like a birthday you and I gift gifts. Nothing.

378
00:20:01,880 --> 00:20:04,119
Speaker 1: You will not do anything. I was like this, I

379
00:20:04,200 --> 00:20:08,239
Speaker 1: don't understand why you're yelling at me. I said, I

380
00:20:08,359 --> 00:20:11,359
Speaker 1: just I said you know what, don't worry about it.

381
00:20:11,640 --> 00:20:13,359
Speaker 1: I'll just get on the plane. Don't worry about it.

382
00:20:13,960 --> 00:20:15,680
Speaker 1: I said, Can I just get my ticket? No, because

383
00:20:15,680 --> 00:20:17,600
Speaker 1: when you get on the plane, you are going to

384
00:20:17,640 --> 00:20:19,560
Speaker 1: try to switch. You have to promise me that you

385
00:20:19,560 --> 00:20:22,760
Speaker 1: are not going to switch, I said, I said, I

386
00:20:22,800 --> 00:20:23,520
Speaker 1: just want to get.

387
00:20:23,359 --> 00:20:25,359
Speaker 2: On the plane. You didn't promise that.

388
00:20:25,520 --> 00:20:32,359
Speaker 1: No, And then some young lady came. She overheard that. Worship,

389
00:20:32,840 --> 00:20:35,560
Speaker 1: what's going I said, I said, at this point, I

390
00:20:35,600 --> 00:20:37,119
Speaker 1: just want to get on the plane. I don't know

391
00:20:37,160 --> 00:20:39,600
Speaker 1: what's going on. I don't know why she she grabbed

392
00:20:39,640 --> 00:20:41,240
Speaker 1: the ticket from the lady said don't I got it,

393
00:20:41,320 --> 00:20:43,000
Speaker 1: and she walked me to the place. She said, it's okay.

394
00:20:43,040 --> 00:20:45,320
Speaker 1: I said, I don't. Why is she? What did I do?

395
00:20:46,440 --> 00:20:50,480
Speaker 1: And you know, she did not want me to give

396
00:20:50,760 --> 00:20:54,879
Speaker 1: my first class seat to this coach passenger that was

397
00:20:54,880 --> 00:20:56,080
Speaker 1: in the seat I really like.

398
00:20:57,280 --> 00:20:58,919
Speaker 2: And you would be able to do a good deed too,

399
00:20:59,680 --> 00:21:02,679
Speaker 2: because people like first class, right, it costs money. She

400
00:21:02,720 --> 00:21:06,159
Speaker 2: told you that people are waiting to get upgraded. You

401
00:21:06,480 --> 00:21:08,400
Speaker 2: she would have been, you know what, what's the name

402
00:21:08,440 --> 00:21:10,199
Speaker 2: of the next person that's about to get upgraded?

403
00:21:10,280 --> 00:21:12,000
Speaker 1: But I wouldn't have got the window seat.

404
00:21:12,440 --> 00:21:13,080
Speaker 2: You can't get them.

405
00:21:13,359 --> 00:21:14,560
Speaker 1: See yes, I.

406
00:21:14,520 --> 00:21:23,359
Speaker 2: Can not on her, not her, not on airlines. I

407
00:21:23,400 --> 00:21:28,040
Speaker 2: wish you would. Yeah, yeah that was that wasn't gonna happen, brother.

408
00:21:28,040 --> 00:21:32,680
Speaker 1: So yeah, she she worked me. How about you? Let's

409
00:21:32,680 --> 00:21:36,560
Speaker 1: talk about you at at Oakland? How about you?

410
00:21:36,560 --> 00:21:36,800
Speaker 2: You know?

411
00:21:37,119 --> 00:21:40,400
Speaker 1: How about you almost you know, I don't know. Want

412
00:21:40,640 --> 00:21:42,080
Speaker 1: the security guys.

413
00:21:41,880 --> 00:21:42,640
Speaker 2: Said what you want to say?

414
00:21:42,640 --> 00:21:46,280
Speaker 1: Man? What secure guy? You know? Accuse your putting hands

415
00:21:46,280 --> 00:21:49,280
Speaker 1: on them and threatening them. I mean, you know, you

416
00:21:49,320 --> 00:21:51,879
Speaker 1: know in the bay, you know your area. He tried

417
00:21:51,920 --> 00:21:53,600
Speaker 1: to put the police like you pried to put the

418
00:21:53,600 --> 00:21:56,080
Speaker 1: police on You're like, man, well well we're R and

419
00:21:56,160 --> 00:21:58,520
Speaker 1: we're R and B. Brother, it's sexy.

420
00:21:58,920 --> 00:22:00,720
Speaker 2: It was. It was not my proudest moment.

421
00:22:00,760 --> 00:22:10,400
Speaker 1: What type of attitude, the type of NB a young voy? Okay,

422
00:22:11,040 --> 00:22:23,080
Speaker 1: can I explain? Can I explain?

423
00:22:23,880 --> 00:22:24,080
Speaker 2: Waiting?

424
00:22:24,560 --> 00:22:25,040
Speaker 1: We're waiting.

425
00:22:25,200 --> 00:22:31,320
Speaker 2: So it was it was really a situation that didn't

426
00:22:31,359 --> 00:22:34,119
Speaker 2: have to be a situation. Honestly, you know me, if

427
00:22:34,119 --> 00:22:36,439
Speaker 2: I'm if I'm bullshit and I say I'm bullshit, I

428
00:22:36,520 --> 00:22:41,359
Speaker 2: wasn't bullshiting this time, Okay this time, and all I

429
00:22:41,400 --> 00:22:45,360
Speaker 2: was trying to do was give my folks their passes,

430
00:22:45,720 --> 00:22:48,119
Speaker 2: which you know, that part was fine, but it was

431
00:22:48,160 --> 00:22:53,840
Speaker 2: started to turn into people seeing that I was that

432
00:22:53,920 --> 00:22:56,280
Speaker 2: I had walked out and you know the pictures and

433
00:22:56,320 --> 00:22:57,480
Speaker 2: you know what I mean, I gotta take aup picture,

434
00:22:57,560 --> 00:23:00,760
Speaker 2: which is fine and that's cool, but there's starting people

435
00:23:00,760 --> 00:23:02,639
Speaker 2: are starting to kind of come around it. So I'm

436
00:23:02,680 --> 00:23:05,800
Speaker 2: trying to hurry up my folks, like listen, y'all, here go,

437
00:23:05,880 --> 00:23:09,280
Speaker 2: y'all passes, y'all straight, so y'all can y'all can come back.

438
00:23:11,359 --> 00:23:16,360
Speaker 2: And when I turned to walk back into the tunnel,

439
00:23:17,800 --> 00:23:20,080
Speaker 2: he's like standing right in front of me, so like

440
00:23:20,160 --> 00:23:24,040
Speaker 2: I turned into him. So as I turn, I turned

441
00:23:24,040 --> 00:23:26,520
Speaker 2: really close to him, and he's like, what are you doing?

442
00:23:26,920 --> 00:23:29,959
Speaker 2: I was like, and he put his hand out and

443
00:23:30,000 --> 00:23:32,640
Speaker 2: it was really close to me, and I'm like, put

444
00:23:32,680 --> 00:23:35,800
Speaker 2: your hand down, and he's like, what do you mean

445
00:23:35,880 --> 00:23:37,680
Speaker 2: put my hand? I was like, put your hand out,

446
00:23:37,720 --> 00:23:40,919
Speaker 2: calm down. He's like, you're trying to move people in

447
00:23:40,960 --> 00:23:42,720
Speaker 2: and out. He just went into what he thought I

448
00:23:42,800 --> 00:23:46,280
Speaker 2: was trying to do, which was really wasn't true and

449
00:23:46,600 --> 00:23:48,800
Speaker 2: didn't give me a chance to let him know what

450
00:23:48,840 --> 00:23:51,359
Speaker 2: was going on. Because now we're now it's kind of

451
00:23:51,400 --> 00:23:53,760
Speaker 2: a back and forth, and I don't like his tone,

452
00:23:55,560 --> 00:23:59,600
Speaker 2: you know what I mean. And because I don't care

453
00:23:59,640 --> 00:24:02,760
Speaker 2: what any of us do. I respect people. I just

454
00:24:02,840 --> 00:24:06,840
Speaker 2: want my same respect because we're all adults first, even

455
00:24:06,840 --> 00:24:08,840
Speaker 2: if you're a kid, you know, disrespect kid, you don't

456
00:24:08,840 --> 00:24:19,920
Speaker 2: disrespect people. And his tone in his manner was very authoritative. Authoritative, yes,

457
00:24:21,160 --> 00:24:25,520
Speaker 2: if that's the word for it. Yeahative, you know what

458
00:24:25,560 --> 00:24:28,720
Speaker 2: I'm saying. Conversate, you know what I mean. They didn't

459
00:24:28,720 --> 00:24:30,720
Speaker 2: put that in the motherfucker dictionary, now, nigga.

460
00:24:33,160 --> 00:24:35,159
Speaker 1: Yeah, he was doing too much.

461
00:24:34,400 --> 00:24:37,680
Speaker 2: He was doing too much. And we had a little

462
00:24:37,680 --> 00:24:43,760
Speaker 2: bit of back and forth, and he when he put

463
00:24:43,760 --> 00:24:47,240
Speaker 2: his hand up again because now I'm about to start,

464
00:24:47,359 --> 00:24:50,639
Speaker 2: you know, walking, he put his hand up again. He

465
00:24:50,760 --> 00:24:55,760
Speaker 2: touched me, he touched don't put your hands on me.

466
00:24:55,840 --> 00:24:57,520
Speaker 1: Oh, don't put your hands on the Valentine.

467
00:24:58,920 --> 00:25:05,800
Speaker 2: If you touch me, I'm gonna touch you back. In

468
00:25:07,040 --> 00:25:10,080
Speaker 2: the middle of testing him back, I also told him

469
00:25:10,400 --> 00:25:20,040
Speaker 2: get his motherfucking hands off me before I beat and here,

470
00:25:20,680 --> 00:25:23,480
Speaker 2: and he saw that I had my all access to

471
00:25:23,520 --> 00:25:26,159
Speaker 2: move around it and he and and he's talking and

472
00:25:26,200 --> 00:25:29,280
Speaker 2: I'm like, get the fuck out my way, get out

473
00:25:29,320 --> 00:25:32,800
Speaker 2: of my way. They're going to put their passes on

474
00:25:32,960 --> 00:25:36,080
Speaker 2: and then you gotta let them through, but get out

475
00:25:36,160 --> 00:25:39,840
Speaker 2: of my way. And you know, he didn't like the

476
00:25:39,840 --> 00:25:42,600
Speaker 2: way that our interaction went when you.

477
00:25:42,560 --> 00:25:44,359
Speaker 1: Brushed past him. Did you give him a little shoulder?

478
00:25:44,400 --> 00:25:45,000
Speaker 1: Did you give him?

479
00:25:45,480 --> 00:25:51,359
Speaker 2: I can't confirm or deny me getting back to the

480
00:25:51,480 --> 00:25:54,399
Speaker 2: dressing room, how I got back there, I just I

481
00:25:54,440 --> 00:25:56,639
Speaker 2: got just I got there. I got there, you know

482
00:25:56,680 --> 00:25:59,880
Speaker 2: what I mean. But I did not assault him, of course.

483
00:26:00,480 --> 00:26:03,880
Speaker 2: So you know, we get folks end up coming through,

484
00:26:03,960 --> 00:26:06,360
Speaker 2: we go to the back, we all kicking it. Next

485
00:26:06,440 --> 00:26:10,720
Speaker 2: thing we know, it's like it's a little commotion happening.

486
00:26:11,640 --> 00:26:16,840
Speaker 2: And what people also didn't know, because they couldn't put

487
00:26:16,840 --> 00:26:19,360
Speaker 2: it together if they didn't know, what was our dynamic

488
00:26:19,480 --> 00:26:23,919
Speaker 2: was that I'm also tanks manager, and I think it

489
00:26:24,000 --> 00:26:27,640
Speaker 2: was it was like get to their management team because

490
00:26:27,640 --> 00:26:36,080
Speaker 2: one of the artists.

491
00:26:36,359 --> 00:26:39,760
Speaker 1: So you gotta go to tail with him. You tell

492
00:26:39,800 --> 00:26:40,720
Speaker 1: me on me.

493
00:26:42,359 --> 00:26:46,960
Speaker 2: Good luck, good luck. So they tell Lulu. They tell Lulu,

494
00:26:47,119 --> 00:26:49,919
Speaker 2: Lulu is our role manager. Lulu takes care of everything

495
00:26:50,040 --> 00:26:53,720
Speaker 2: for us and make sure that we also stay peaceful. Right.

496
00:26:54,000 --> 00:26:57,280
Speaker 2: Lou is an amazing guy. So they go and tell Lulu,

497
00:26:57,320 --> 00:27:00,760
Speaker 2: and Lulu knows me. Lulu knows me forever, and he

498
00:27:00,880 --> 00:27:04,680
Speaker 2: seen me in those type of moods, and but he's

499
00:27:04,720 --> 00:27:07,000
Speaker 2: just like that, don't sound like Jay because what they

500
00:27:07,040 --> 00:27:11,600
Speaker 2: tell Lulu is what they tell Lulu and the police.

501
00:27:12,000 --> 00:27:14,679
Speaker 2: Because he goes to the police to police. What he

502
00:27:14,720 --> 00:27:17,280
Speaker 2: tells Lulu and the police is that I assaulted him,

503
00:27:17,920 --> 00:27:21,359
Speaker 2: I put my hands on him, and that he needs

504
00:27:21,400 --> 00:27:22,280
Speaker 2: me removed from the.

505
00:27:25,840 --> 00:27:26,520
Speaker 1: That's what the police.

506
00:27:26,680 --> 00:27:29,040
Speaker 2: So what they come do is they come get me

507
00:27:29,160 --> 00:27:33,520
Speaker 2: out of the dressing room, and me, being the fool

508
00:27:33,600 --> 00:27:36,560
Speaker 2: that I am, I run out the dressing room. What's

509
00:27:36,640 --> 00:27:37,440
Speaker 2: y'all want to talk about?

510
00:27:37,760 --> 00:27:38,440
Speaker 1: What's happening?

511
00:27:38,920 --> 00:27:41,240
Speaker 2: Because also I know I didn't do anything. I know

512
00:27:41,320 --> 00:27:43,359
Speaker 2: I didn't assault this man. I know, So I'm like, no,

513
00:27:43,520 --> 00:27:45,880
Speaker 2: come on, let's go talk. And when I go to talk,

514
00:27:47,200 --> 00:27:50,520
Speaker 2: he jumps in as if I need to talk to

515
00:27:50,640 --> 00:27:57,359
Speaker 2: him and says, you're out of here unless you apologize

516
00:27:57,359 --> 00:28:03,159
Speaker 2: to me. I said, who you think you're talking to? Yeah,

517
00:28:04,240 --> 00:28:06,200
Speaker 2: there's no other way you can stay here. I said,

518
00:28:06,200 --> 00:28:13,040
Speaker 2: you out of your motherfucking mind. I walked myself out.

519
00:28:16,040 --> 00:28:18,600
Speaker 2: Fuck you, I've been kicked out. A better place, a

520
00:28:18,640 --> 00:28:23,520
Speaker 2: better place, I'm gonna ford that to me. So I'm

521
00:28:23,560 --> 00:28:26,080
Speaker 2: going I'm I'm like, I don't want to hear the rest.

522
00:28:26,119 --> 00:28:28,119
Speaker 2: I'm like, it ain't I wouldn't apologize to you in

523
00:28:28,160 --> 00:28:29,919
Speaker 2: a million years because I didn't do anything to you.

524
00:28:30,119 --> 00:28:33,919
Speaker 1: And you know that police, the police. When I see him,

525
00:28:33,920 --> 00:28:36,040
Speaker 1: when the police coming out room and police come in

526
00:28:36,080 --> 00:28:39,080
Speaker 1: our room like this, he's like, come on, Jane, come

527
00:28:41,000 --> 00:28:41,760
Speaker 1: help me out here.

528
00:28:41,840 --> 00:28:46,440
Speaker 2: Jay come, Because I didn't think the police officer realized

529
00:28:46,480 --> 00:28:47,240
Speaker 2: it was going to be me.

530
00:28:52,280 --> 00:28:53,000
Speaker 1: What's going on?

531
00:28:53,000 --> 00:28:55,719
Speaker 2: Shout out to him too. Yeah, he was super cool,

532
00:28:55,960 --> 00:28:59,080
Speaker 2: and he just asked me, said, man, just promise me,

533
00:28:59,160 --> 00:29:01,400
Speaker 2: man that you're just going to ignore him. Yeah, just

534
00:29:01,440 --> 00:29:05,239
Speaker 2: don't don't antagonize it. I was like, I'm in here

535
00:29:05,320 --> 00:29:06,760
Speaker 2: having a good time. I was like, if y'all, if

536
00:29:06,800 --> 00:29:08,440
Speaker 2: y'all want me, no, no no no, no, no, no

537
00:29:08,440 --> 00:29:10,880
Speaker 2: no no. We can't be known for kicking you out

538
00:29:10,880 --> 00:29:12,080
Speaker 2: of the Oakland Arena.

539
00:29:12,280 --> 00:29:12,640
Speaker 1: That's it.

540
00:29:12,680 --> 00:29:14,360
Speaker 2: I was like, it could actually be a fun story.

541
00:29:14,400 --> 00:29:16,520
Speaker 2: It's like, no, no, no, no, we can't kick you.

542
00:29:16,600 --> 00:29:18,840
Speaker 1: I won't be the guy. Yeah, I won't be the guy.

543
00:29:18,960 --> 00:29:22,080
Speaker 2: So that's that's the real story behind that. Man. It

544
00:29:22,160 --> 00:29:24,400
Speaker 2: was unfortunate because it just it was a great night

545
00:29:25,080 --> 00:29:27,160
Speaker 2: and that's not the energy that we have at all.

546
00:29:27,480 --> 00:29:32,480
Speaker 1: Yeah, well, I don't other than you know what I'm talking.

547
00:29:32,680 --> 00:29:36,640
Speaker 2: You had an incident GARANTGT in Oakland where you try

548
00:29:36,680 --> 00:29:38,560
Speaker 2: to throw a chair through it with but you know whatever,

549
00:29:38,680 --> 00:29:41,400
Speaker 2: it's fine when you Jimmy fly Snicker through the door.

550
00:29:41,440 --> 00:29:42,600
Speaker 2: Remember you did that karate kick.

551
00:29:43,040 --> 00:29:49,240
Speaker 1: I was mad. I wasn't mad at no body. Moving on, Yeah,

552
00:29:49,240 --> 00:29:52,760
Speaker 1: moving on. Shout out to keep Sweat Stalker.

553
00:29:53,040 --> 00:29:55,720
Speaker 2: Shout out to Keith Sweat Stalker.

554
00:29:55,320 --> 00:29:59,440
Speaker 1: Who had who had pictures posted up all over backstage.

555
00:29:59,760 --> 00:30:02,720
Speaker 1: She was not let not her no entry, no entry,

556
00:30:02,800 --> 00:30:05,760
Speaker 1: no entry shade. They had pictures with her shades on

557
00:30:05,840 --> 00:30:07,040
Speaker 1: and pictures were shaved.

558
00:30:06,920 --> 00:30:09,480
Speaker 2: Oft in case she tried to be Carmen San Diego

559
00:30:10,040 --> 00:30:12,400
Speaker 2: and be a different person.

560
00:30:12,480 --> 00:30:14,640
Speaker 1: And every since. Shout out to Keith Sweat. I don't know,

561
00:30:14,720 --> 00:30:16,800
Speaker 1: you know, I know how stockers are made, but I'm

562
00:30:16,840 --> 00:30:21,400
Speaker 1: not gonna I'm not gonna Cueue Sweat. You know, I'm

563
00:30:21,440 --> 00:30:24,520
Speaker 1: not going to cue Sweater knocking that down back in

564
00:30:24,520 --> 00:30:24,800
Speaker 1: the day.

565
00:30:25,200 --> 00:30:27,720
Speaker 2: And while we're and while we're there, Yeah, new audition,

566
00:30:27,840 --> 00:30:31,120
Speaker 2: super fans, super fans, so we made the mistake of

567
00:30:31,560 --> 00:30:34,400
Speaker 2: a few cities and stayed at the same hotel as

568
00:30:34,440 --> 00:30:38,480
Speaker 2: New Audition. It's still nineteen eighty three.

569
00:30:38,440 --> 00:30:39,560
Speaker 1: For sure for New Addition.

570
00:30:39,640 --> 00:30:44,400
Speaker 2: Absolutely, so your mama or your mama's mama might have

571
00:30:44,440 --> 00:30:46,959
Speaker 2: been hanging out at the hotel trying to get a

572
00:30:46,960 --> 00:30:50,080
Speaker 2: glimpse of one of New Audition at two in the morning,

573
00:30:50,120 --> 00:30:52,800
Speaker 2: absolutely still turning up in the lobby. I'm like, yeah,

574
00:30:53,280 --> 00:30:55,080
Speaker 2: these women are very.

575
00:30:54,960 --> 00:31:00,200
Speaker 1: Mature, drinking and aggressive like and they and they have

576
00:31:00,240 --> 00:31:02,560
Speaker 1: settled for some young dang a line. We came walking

577
00:31:02,560 --> 00:31:03,160
Speaker 1: through that listen.

578
00:31:03,880 --> 00:31:05,520
Speaker 2: It was a couple of nights. I would literally walked

579
00:31:05,520 --> 00:31:07,240
Speaker 2: through another side hotel like, you.

580
00:31:07,640 --> 00:31:12,680
Speaker 1: Know what, come on round here, Tank, come on, show

581
00:31:12,720 --> 00:31:20,280
Speaker 1: old lady something that BlackBerry my lasses, Like, okay, shout

582
00:31:20,280 --> 00:31:23,920
Speaker 1: out to the Hall brothers, shout out to Hall brothers.

583
00:31:24,040 --> 00:31:26,720
Speaker 1: You know Damien Hall, my brother. I mean, you know

584
00:31:26,960 --> 00:31:28,720
Speaker 1: he's in good shap. You know he's not in the

585
00:31:28,760 --> 00:31:31,560
Speaker 1: tank shack, but he's in good Ship. So I guess

586
00:31:31,600 --> 00:31:33,000
Speaker 1: when I took my shirt off.

587
00:31:33,320 --> 00:31:36,000
Speaker 2: He felt like they took their shirts off of the tires.

588
00:31:36,040 --> 00:31:38,320
Speaker 1: Take your shirt off the entire set, and I'm like,

589
00:31:38,440 --> 00:31:41,240
Speaker 1: I'm like, Damien not the whole set like you just

590
00:31:41,320 --> 00:31:46,400
Speaker 1: you pickable, you know what I'm saying. Has said, no, sir,

591
00:31:47,120 --> 00:31:52,760
Speaker 1: whole set shirt off gyrating whole time, Aaron Hall in

592
00:31:52,800 --> 00:31:58,960
Speaker 1: the crowd shirt off whole time time. And I inspired that.

593
00:31:59,480 --> 00:32:01,880
Speaker 2: I want to and shout out to Teddy Rally's outfit

594
00:32:01,960 --> 00:32:06,120
Speaker 2: changes kept the shirt on, but it was multiple changes,

595
00:32:06,160 --> 00:32:10,920
Speaker 2: multiple because he's gonna cut you known guy in mean

596
00:32:11,320 --> 00:32:12,520
Speaker 2: he gonna have on the glitter hat.

597
00:32:12,600 --> 00:32:15,840
Speaker 1: Yeah you don't see some glitter somewhere, Teddy Rally, you

598
00:32:15,920 --> 00:32:17,720
Speaker 1: got enough hit records where all the glitter.

599
00:32:17,480 --> 00:32:20,200
Speaker 2: He wants all he wanted to want to they was

600
00:32:20,240 --> 00:32:23,200
Speaker 2: they was doing the hits. They was doing the man.

601
00:32:24,320 --> 00:32:30,320
Speaker 1: Keep was doing the hits, hits and new addition. I

602
00:32:30,360 --> 00:32:33,320
Speaker 1: mean that's another level man. Shout out to Brook pay

603
00:32:33,560 --> 00:32:37,400
Speaker 1: Brook Pain Yeah yeah, yeah.

604
00:32:37,560 --> 00:32:43,440
Speaker 2: Man, Like, what what you guys have done is amazing. Absolutely,

605
00:32:43,640 --> 00:32:46,200
Speaker 2: it's absolutely amazing. Shout out to your whole team all

606
00:32:46,280 --> 00:32:50,320
Speaker 2: youall guys man, from the role management to the security,

607
00:32:50,480 --> 00:32:54,959
Speaker 2: Like everybody was so gracious to us and showed us

608
00:32:55,000 --> 00:32:58,600
Speaker 2: so much love. Man. So that was really really cool man,

609
00:32:58,640 --> 00:32:59,920
Speaker 2: and I appreciated it.

610
00:33:00,280 --> 00:33:02,600
Speaker 1: I appreciate it. This was also the no comp tour

611
00:33:02,640 --> 00:33:05,320
Speaker 1: for us. Oh yeah, yeah, so this was happening when

612
00:33:05,360 --> 00:33:08,040
Speaker 1: you when you're opening, go ahead speak on that when

613
00:33:08,080 --> 00:33:12,520
Speaker 1: you're opening. First of all, money was good, so we

614
00:33:12,720 --> 00:33:15,280
Speaker 1: you know, we didn't have any problem. My money went

615
00:33:15,320 --> 00:33:19,720
Speaker 1: to tickets to excepting some of a lot of the stipulations,

616
00:33:20,440 --> 00:33:23,040
Speaker 1: you know, because as I'm not a new artist, I'm

617
00:33:23,040 --> 00:33:24,720
Speaker 1: not an opening artist. But it was like, okay, you know,

618
00:33:24,880 --> 00:33:27,800
Speaker 1: New Edition money is good. It is what it is,

619
00:33:27,920 --> 00:33:32,200
Speaker 1: no comp tour, which means the b PC they want

620
00:33:32,240 --> 00:33:37,000
Speaker 1: all theirs, every dollar, every dollar on the first, every

621
00:33:37,280 --> 00:33:40,440
Speaker 1: ticket on the first. And then you got to realize

622
00:33:40,480 --> 00:33:43,920
Speaker 1: that New Edition is a group comprised of six Medix

623
00:33:44,000 --> 00:33:47,040
Speaker 1: members who all have people they want to get in free.

624
00:33:47,480 --> 00:33:50,600
Speaker 1: Then you have right going right before them, Keith Sweat,

625
00:33:51,200 --> 00:33:53,480
Speaker 1: who is going to get his. Then you got guy

626
00:33:53,560 --> 00:33:56,360
Speaker 1: who's going to get there. Three members in that group,

627
00:33:56,400 --> 00:34:02,560
Speaker 1: and then you get to us and ain't left. Yeah,

628
00:34:02,720 --> 00:34:05,840
Speaker 1: we just ain't got nothing left. The tickets are gonna

629
00:34:05,840 --> 00:34:07,040
Speaker 1: be how.

630
00:34:07,000 --> 00:34:08,239
Speaker 2: Many tickets you think you bought?

631
00:34:08,320 --> 00:34:10,880
Speaker 1: I don't know. I lost count.

632
00:34:10,320 --> 00:34:14,239
Speaker 2: I lost count, but then I got reminded when I

633
00:34:14,239 --> 00:34:18,759
Speaker 2: looked at my credit ship, I just said, you know

634
00:34:18,800 --> 00:34:21,520
Speaker 2: what they were not cheap tickets.

635
00:34:21,880 --> 00:34:26,600
Speaker 1: We wanted, we wanted wanted them to see good so

636
00:34:27,280 --> 00:34:28,879
Speaker 1: but shout out to the tour, shoutout. Wanted to shout

637
00:34:28,920 --> 00:34:32,160
Speaker 1: out to BBC. Of course, Gary, who's my guy, good

638
00:34:32,200 --> 00:34:34,239
Speaker 1: friend of mine, saying it is wedding man, appreciate you

639
00:34:34,400 --> 00:34:38,439
Speaker 1: for having us. Shout out to the production Yeah, production guys,

640
00:34:38,600 --> 00:34:40,799
Speaker 1: Shout out to the production man. All those guys. Man,

641
00:34:40,880 --> 00:34:43,080
Speaker 1: those guys were like, you know, they let me.

642
00:34:43,120 --> 00:34:50,799
Speaker 2: Ride on the bus. Yeah, yeah, I rode with the guys. Man.

643
00:34:50,840 --> 00:34:52,680
Speaker 2: It's super cool, super cool guys.

644
00:34:52,680 --> 00:34:54,320
Speaker 1: And I think the thing that a lot of artists

645
00:34:54,360 --> 00:34:58,480
Speaker 1: have to realize about the production guys, when you're on

646
00:34:58,520 --> 00:35:01,160
Speaker 1: the road, it's like, it's not you don't want to

647
00:35:01,200 --> 00:35:05,799
Speaker 1: make it you against them, you versus them. They all

648
00:35:05,840 --> 00:35:08,400
Speaker 1: took care of us, never took care of you, like

649
00:35:09,520 --> 00:35:14,360
Speaker 1: they are your lifeline. They're the umbilical cord between you

650
00:35:15,400 --> 00:35:20,799
Speaker 1: and the audience. So at that point, it's not your show.

651
00:35:21,640 --> 00:35:25,759
Speaker 2: It's ours. But I think we understand that because that's

652
00:35:25,760 --> 00:35:29,400
Speaker 2: how we operate, even here, even with you know, with

653
00:35:29,560 --> 00:35:44,040
Speaker 2: Theben and Jacob, even here with and Jacob, they are

654
00:35:44,080 --> 00:35:46,600
Speaker 2: an extension of us. I wish somebody would come in

655
00:35:46,640 --> 00:35:48,880
Speaker 2: here and say some sideways the Ruben and.

656
00:35:48,920 --> 00:35:49,799
Speaker 1: Jacobs wouldn't work out.

657
00:35:49,800 --> 00:35:57,000
Speaker 2: Well, I get your ass, I keep my gun Harney podcast. No,

658
00:35:57,040 --> 00:35:59,560
Speaker 2: but you know. But but it's just like we understand

659
00:35:59,600 --> 00:36:03,160
Speaker 2: the team concept and we understand all the pieces. They

660
00:36:03,200 --> 00:36:05,680
Speaker 2: may not be in front of this camera, but these

661
00:36:05,719 --> 00:36:11,239
Speaker 2: cameras don't work without our guys. The production on this

662
00:36:11,600 --> 00:36:17,000
Speaker 2: tour does not go without all of these guys, the

663
00:36:17,080 --> 00:36:21,600
Speaker 2: stage hands and the engineers in the front of house

664
00:36:22,080 --> 00:36:24,560
Speaker 2: shout out to toe, come on.

665
00:36:24,600 --> 00:36:27,320
Speaker 1: And things go wrong, is what people do. Things go wrong,

666
00:36:27,840 --> 00:36:29,759
Speaker 1: And you have to know the difference. You have to

667
00:36:29,840 --> 00:36:34,240
Speaker 1: know the difference between dealing with incompetent people and technicalities.

668
00:36:34,360 --> 00:36:36,320
Speaker 2: Yes, yeah, yeah, yeah, yeah.

669
00:36:36,480 --> 00:36:39,800
Speaker 1: There's a difference. And we were dealing with some very

670
00:36:39,840 --> 00:36:43,760
Speaker 1: competent people and sometimes when it comes to technicalities, things

671
00:36:43,880 --> 00:36:46,960
Speaker 1: just they just happened. They just happen. And so in

672
00:36:47,080 --> 00:36:50,040
Speaker 1: knowing that, I was like, nah, these guys were gonna

673
00:36:50,080 --> 00:36:50,359
Speaker 1: know it.

674
00:36:50,760 --> 00:36:54,520
Speaker 2: Like there were nights obviously, like I'm new to inears, right,

675
00:36:54,600 --> 00:36:57,879
Speaker 2: so there were nights where my in ears were kind

676
00:36:57,920 --> 00:36:59,680
Speaker 2: of going a little bit in and out here and there,

677
00:37:00,120 --> 00:37:01,799
Speaker 2: and I just had to make my adjustments and the

678
00:37:01,840 --> 00:37:04,080
Speaker 2: guys knew when I get off stage like I was,

679
00:37:04,360 --> 00:37:05,920
Speaker 2: and I'm like, oh what he was in and out? Man?

680
00:37:06,160 --> 00:37:08,200
Speaker 1: I said, trip off of that. Yeah, we'll figure out.

681
00:37:08,239 --> 00:37:11,319
Speaker 1: We figured out figured out with it by by week

682
00:37:11,360 --> 00:37:13,560
Speaker 1: two clockwork.

683
00:37:13,760 --> 00:37:15,640
Speaker 2: Yeah, because we also wasn't getting no sound check.

684
00:37:16,080 --> 00:37:19,360
Speaker 1: We got no sound check, were opening, we were opening.

685
00:37:20,200 --> 00:37:22,480
Speaker 2: Sorry, guys, sometimes our sound check was in front of you.

686
00:37:22,600 --> 00:37:30,720
Speaker 1: Yeah. Thank god for Toby and our crew, our crew, Tobias, Issha,

687
00:37:30,800 --> 00:37:36,680
Speaker 1: my Barber, big Shot, big Shot, Uh, Corey Driver, Lulu

688
00:37:36,680 --> 00:37:44,239
Speaker 1: International International Lulu and Corey said Bro Si Bro and

689
00:37:44,320 --> 00:37:47,919
Speaker 1: the Valentine came along with us. We had a good time. Man.

690
00:37:48,280 --> 00:37:51,319
Speaker 1: Jacob came out on a few rock with us. You

691
00:37:51,320 --> 00:37:57,040
Speaker 1: know what I'm saying. Five days got some footage overall. Man,

692
00:37:57,080 --> 00:38:01,279
Speaker 1: an amazing experience. Everybody's screen. When y'all gonna do y'all

693
00:38:01,280 --> 00:38:02,280
Speaker 1: own tour, Army.

694
00:38:02,160 --> 00:38:05,720
Speaker 2: Money Tour, it's coming, it's coming, it's coming. Hold your horses.

695
00:38:06,280 --> 00:38:07,200
Speaker 2: We got you covered.

696
00:38:09,280 --> 00:38:10,799
Speaker 1: And that was it. Man had a good time.

697
00:38:11,000 --> 00:38:14,160
Speaker 2: Tour. Tour was good man. Tour was needed. It was

698
00:38:14,440 --> 00:38:17,680
Speaker 2: for me personally. It was something for and I just

699
00:38:17,680 --> 00:38:20,440
Speaker 2: want to say thanks Bro for inviting me to come

700
00:38:20,440 --> 00:38:22,200
Speaker 2: out with you and to do the tour with you

701
00:38:22,280 --> 00:38:25,560
Speaker 2: because it was it was it enabled me to get

702
00:38:25,560 --> 00:38:28,360
Speaker 2: my feet wet and to kind of get back fully

703
00:38:28,400 --> 00:38:31,120
Speaker 2: into it. And honestly, it was my first tour as

704
00:38:31,120 --> 00:38:34,440
Speaker 2: an artist ever because when I was you know, I

705
00:38:34,480 --> 00:38:36,760
Speaker 2: did my thing with my brothers years ago, we never toured.

706
00:38:36,760 --> 00:38:39,920
Speaker 2: We did, you know, we did the schools and that

707
00:38:40,000 --> 00:38:43,560
Speaker 2: type of stuff, but we never toured. And then, you know,

708
00:38:43,600 --> 00:38:47,080
Speaker 2: when I was doing my artist stuff years back, I

709
00:38:47,120 --> 00:38:49,040
Speaker 2: was doing spot days here and there. I do a

710
00:38:49,040 --> 00:38:50,920
Speaker 2: couple of art do some clubs, but I never I've

711
00:38:50,960 --> 00:38:53,000
Speaker 2: never done tour, you know what I mean. Actually, the

712
00:38:53,000 --> 00:38:55,959
Speaker 2: first tour that I went on was a Fantasia tour

713
00:38:56,719 --> 00:38:59,440
Speaker 2: that I'd ever been on. Period. It was a fantastic

714
00:38:59,480 --> 00:39:01,560
Speaker 2: tour when we you know, when we were out with her.

715
00:39:02,120 --> 00:39:04,240
Speaker 2: But the first one I was performing on was the

716
00:39:04,440 --> 00:39:07,680
Speaker 2: New Addition Legacy Tour, which is a great way to

717
00:39:08,200 --> 00:39:10,880
Speaker 2: great way you know, be introduced and you know, to

718
00:39:10,880 --> 00:39:13,239
Speaker 2: to the rest of the country. And I was, I

719
00:39:13,280 --> 00:39:17,160
Speaker 2: was honestly surprised, man, how many people knew who I was.

720
00:39:17,680 --> 00:39:22,440
Speaker 2: I told you you did, he did, he did, But

721
00:39:22,520 --> 00:39:26,160
Speaker 2: I was, I was pleasantly surprised. Man. And you know

722
00:39:27,360 --> 00:39:29,040
Speaker 2: they found out the podcast NIKK sing.

723
00:39:31,120 --> 00:39:33,320
Speaker 1: Y'all ain't tell me the podcast they canna be singing,

724
00:39:35,120 --> 00:39:35,879
Speaker 1: So no, it was.

725
00:39:35,920 --> 00:39:37,839
Speaker 2: It was really dope, man, and it was a great

726
00:39:37,880 --> 00:39:42,160
Speaker 2: experience and something I'm going to always hold near and dear.

727
00:39:42,160 --> 00:39:45,399
Speaker 1: Perfect you know what I mean. So well, thank you again.

728
00:39:45,719 --> 00:39:47,319
Speaker 1: Uh this to make sure you check out y'all. Make

729
00:39:47,360 --> 00:39:50,760
Speaker 1: sure y'all go stream stream our R and B music,

730
00:39:50,840 --> 00:39:55,640
Speaker 1: stream our greats, stream new audition, stream, keep sweat stream.

731
00:39:55,719 --> 00:40:00,120
Speaker 1: God keep our keep our legends, keep our leg can

732
00:40:00,200 --> 00:40:04,000
Speaker 1: see on the map we we we need that. Those

733
00:40:04,000 --> 00:40:07,160
Speaker 1: are the those are those are the Those are foundational

734
00:40:07,320 --> 00:40:10,200
Speaker 1: artists that helped create everything that we're standing on today

735
00:40:10,320 --> 00:40:13,840
Speaker 1: to this point. And again shout out to the BPC

736
00:40:13,960 --> 00:40:15,960
Speaker 1: for putting that on. Man, just just great, great.

737
00:40:16,040 --> 00:40:19,840
Speaker 2: I gotta make one big shot of something that I

738
00:40:19,920 --> 00:40:21,520
Speaker 2: had to see up close.

739
00:40:23,120 --> 00:40:23,359
Speaker 1: Ralph.

740
00:40:27,160 --> 00:40:34,759
Speaker 2: Ralph to me at this point, if they're going to

741
00:40:34,800 --> 00:40:39,680
Speaker 2: put up a poster of a lead singer, it's going

742
00:40:39,760 --> 00:40:45,520
Speaker 2: to be Ralph treason because the way he held his

743
00:40:45,640 --> 00:40:50,319
Speaker 2: guys down every single night, meaning like he was a

744
00:40:50,360 --> 00:40:54,719
Speaker 2: part of every set. I think he mighty some nights

745
00:40:54,760 --> 00:40:56,839
Speaker 2: he might have stayed out when BBD was still doing

746
00:40:56,880 --> 00:41:01,280
Speaker 2: their set, and just you know, like I would Bobby,

747
00:41:01,320 --> 00:41:07,799
Speaker 2: I would like Ralph Man. The work that he put

748
00:41:07,920 --> 00:41:11,520
Speaker 2: in on this tour was amazing and I have, I mean,

749
00:41:11,520 --> 00:41:15,719
Speaker 2: for all the guys, I got the utmost respect Ralph though.

750
00:41:18,960 --> 00:41:22,600
Speaker 2: It ain't Ralph, though they say when they started talking

751
00:41:22,600 --> 00:41:25,759
Speaker 2: about the West, as they talking about these leads, my

752
00:41:26,000 --> 00:41:29,239
Speaker 2: comment back is it ain't Ralph. Watched him do it

753
00:41:29,360 --> 00:41:35,200
Speaker 2: every night, no complaints, sing every song He's on, every

754
00:41:35,239 --> 00:41:38,719
Speaker 2: New Edition song. Ralph Transman is on every New Edition song.

755
00:41:38,840 --> 00:41:42,600
Speaker 2: Think about that. And I watched him do that every night.

756
00:41:43,000 --> 00:41:47,440
Speaker 2: Miss I didn't miss to tell him got business. I

757
00:41:47,520 --> 00:41:49,600
Speaker 2: just got it. You know, A whole new found respect

758
00:41:49,600 --> 00:41:53,760
Speaker 2: for that man. And you know, those those those brothers

759
00:41:53,760 --> 00:41:55,920
Speaker 2: are great, all of them. Everybody that shared that tour,

760
00:41:56,640 --> 00:41:58,520
Speaker 2: that was on that tour, from like you said, from

761
00:41:58,520 --> 00:42:01,160
Speaker 2: the production to the management, to the business side to

762
00:42:01,280 --> 00:42:05,440
Speaker 2: the artist, everybody showed us crazy love to the massuse

763
00:42:06,040 --> 00:42:08,320
Speaker 2: shout out to the Massus saving us, you know what

764
00:42:08,320 --> 00:42:09,799
Speaker 2: I mean. We needed that, you know, I mean it

765
00:42:09,840 --> 00:42:12,280
Speaker 2: was just just different things that they put in place

766
00:42:12,320 --> 00:42:15,040
Speaker 2: to make sure that we were good. I'm just super appreciative.

767
00:42:15,080 --> 00:42:17,120
Speaker 1: Of that's a too recap.

768
00:42:17,160 --> 00:42:17,239
Speaker 2: Man.

769
00:42:17,280 --> 00:42:18,680
Speaker 1: We just wanted to give y'all that man. You know,

770
00:42:18,719 --> 00:42:21,440
Speaker 1: y'all ain't seen us, you know, talking conversing, you know,

771
00:42:21,560 --> 00:42:23,919
Speaker 1: and do we do it a long time with your suit?

772
00:42:24,200 --> 00:42:24,680
Speaker 2: Huh?

773
00:42:24,760 --> 00:42:26,279
Speaker 1: I mean this is you know, I know you know

774
00:42:26,320 --> 00:42:29,120
Speaker 1: this is that this is rich Fresh custom. You know

775
00:42:29,160 --> 00:42:31,279
Speaker 1: what I'm saying to tell you know, little Wie sell

776
00:42:31,840 --> 00:42:34,120
Speaker 1: on the on the bottom. I don't don't bother nobody.

777
00:42:34,200 --> 00:42:36,680
Speaker 1: This is probably my favorite rich Fresh shoot that he's

778
00:42:36,719 --> 00:42:40,280
Speaker 1: made for me. I might put it in a museum

779
00:42:40,400 --> 00:42:42,879
Speaker 1: or something, you know, or shoot, I got more dates

780
00:42:42,880 --> 00:42:45,560
Speaker 1: coming up, so I might just I might just rocking.

781
00:42:45,560 --> 00:42:48,600
Speaker 2: I'm gonna tell y'all like this, you're never seeing this

782
00:42:48,640 --> 00:42:51,560
Speaker 2: suit again, So if you would like to purchase it,

783
00:42:54,080 --> 00:42:56,680
Speaker 2: hit me high. It's bitter.

784
00:42:56,880 --> 00:42:57,759
Speaker 1: I got three of these.

785
00:42:57,880 --> 00:43:00,600
Speaker 2: I can say this is listen, I got three. It is,

786
00:43:00,880 --> 00:43:02,359
Speaker 2: you know, for the way you can tell me if

787
00:43:02,400 --> 00:43:06,320
Speaker 2: you want my sense on it, he the sense especially

788
00:43:06,320 --> 00:43:07,520
Speaker 2: you want to see you know what I mean, if

789
00:43:07,560 --> 00:43:09,040
Speaker 2: you want to you know, you want the value, you

790
00:43:09,040 --> 00:43:11,160
Speaker 2: want the suit, the smell like the Valentine when it

791
00:43:11,200 --> 00:43:15,560
Speaker 2: comes to you talk. That's an added you know to it.

792
00:43:15,600 --> 00:43:19,200
Speaker 1: But we're talking about that. Yeah, it's special feature.

793
00:43:19,239 --> 00:43:25,600
Speaker 2: Everything's for sale, but it's a special feature.

794
00:43:26,280 --> 00:43:30,120
Speaker 1: Right by the shipping, right by the expedition the last day.

795
00:43:31,239 --> 00:43:34,200
Speaker 1: I'm however, where the smell of the Valentine? Do you

796
00:43:34,280 --> 00:43:53,799
Speaker 1: want them? The podcast, Ladies Valentine and we are the

797
00:43:53,840 --> 00:43:57,000
Speaker 1: Harvy Money podcast, the authority on all things R and B.

798
00:43:57,160 --> 00:43:59,800
Speaker 1: This has been the toury cap Man, much more life.

799
00:44:00,000 --> 00:44:05,520
Speaker 1: We'll see you Oaur next episode. R and B Money.

800
00:44:05,719 --> 00:44:07,479
Speaker 2: R and B Money is a production of the Black

801
00:44:07,520 --> 00:44:12,359
Speaker 2: Effect podcast Network. For more podcasts from iHeartRadio, visit the

802
00:44:12,400 --> 00:44:16,239
Speaker 2: iHeartRadio app, Apple Podcasts, or wherever you listen to your

803
00:44:16,280 --> 00:44:20,160
Speaker 2: favorite shows. Don't forget to subscribe to and rate our show,

804
00:44:20,480 --> 00:44:23,080
Speaker 2: and you can connect with us on social media at

805
00:44:23,160 --> 00:44:27,440
Speaker 2: jy Valentine and at the Real Tank. For the extended episode,

806
00:44:27,520 --> 00:44:31,719
Speaker 2: subscribe to YouTube dot com, forward Slash, R and B

807
00:44:31,840 --> 00:44:32,120
Speaker 2: Money