WEBVTT - One on One: Linda Gehringer

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<v Speaker 1>I Am all in You. I Am all in with

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<v Speaker 1>Scott Patterson and I Heart Radio podcast Everybody, Scott Patterson,

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<v Speaker 1>aymal and podcast one on one interview with Linda Geringer. Uh,

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<v Speaker 1>it's brought to you by I Heart Radio one O

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<v Speaker 1>leven Productions. We are gonna talk to Linda about the

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<v Speaker 1>only episode she appeared in a big Ted Copple's Big

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<v Speaker 1>Night Out, Season four, episode nine. Let me tell you

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<v Speaker 1>a little bit about our very distinguished guest. She played

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<v Speaker 1>Uh the Penelon Lot in Gilmour Girls for one episode

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<v Speaker 1>is Richard's college ex girlfriend from Yale, her only appearance

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<v Speaker 1>in the entire series. Her bio. She's an actress with

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<v Speaker 1>recurring roles and Hell and Gibbons in season one and

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<v Speaker 1>season two f X series Justified. She has also guest

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<v Speaker 1>starred Perry Mason Fear of the Walking Dead, most recently Physical.

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<v Speaker 1>Linda is also best known for her recurring television roles

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<v Speaker 1>as Fontanabo Sile in Evening Shade. She's also a stage

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<v Speaker 1>actor who has appeared in several theater productions from Seattle

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<v Speaker 1>to Lajoya, San Francisco, New York, Chicago, and Los Angeles.

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<v Speaker 1>Ladies and Gentlemen I give you Linda Geringer here she

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<v Speaker 1>is high Linda. How you doing? Thanks for joining us.

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<v Speaker 1>Oh I love being here. Thank you. So let's get started.

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<v Speaker 1>We'll we'll, we'll just hit the ground running here since

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<v Speaker 1>we know you have limited time. Uh. So you were

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<v Speaker 1>on one episode of Gilmore Girls as Richard college ex

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<v Speaker 1>girlfriend Peneling a lot from Yale. Uh. It was an

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<v Speaker 1>integral part of that episode for sure, kind of shocking.

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<v Speaker 1>What do you remember about getting that role? Well? Um,

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<v Speaker 1>Actually when I went to the audition, I was working

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<v Speaker 1>in the theater a lot, so I actually didn't. Um,

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<v Speaker 1>I didn't know the show that well. I knew of it,

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<v Speaker 1>of course, but I didn't know it that well. And

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<v Speaker 1>I got to the audition and that there were so

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<v Speaker 1>many women there I cannot begin to tell you. And

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<v Speaker 1>it was a big audition room and I'd say maybe

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<v Speaker 1>thirty and actresses who had had their own series acted.

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<v Speaker 1>I was like, whoa this is? You know? And then

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<v Speaker 1>the casting director came out and talked to us all

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<v Speaker 1>about the way the Palladinos wanted to speak to be

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<v Speaker 1>like fast and don't over invest in it and don't

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<v Speaker 1>and for me, because I worked in the theater all

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<v Speaker 1>the time, and you have to do so many different

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<v Speaker 1>ways of speaking or you know, I kind of loved it.

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<v Speaker 1>I was like, okay, but still it seemed not intimidating.

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<v Speaker 1>I would say, actually fun. So then I went in

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<v Speaker 1>there and and I did my fast speak. The next thing,

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<v Speaker 1>I knew I had the role. And um, and people

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<v Speaker 1>would say OpenL a lot or they talk about her

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<v Speaker 1>all s. So I guess pre that episode she had

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<v Speaker 1>been talked about between Kelly and Ed Hermit many times. Well,

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<v Speaker 1>it's an interesting dynamic. Um, sorry interrupt, but we have

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<v Speaker 1>we we have so many fan questions. There's we have

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<v Speaker 1>such an engaged fan base and they send in tremendous

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<v Speaker 1>amount of questions. We want to get to get half

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<v Speaker 1>of it. Uh. You know, it's an interesting dynamic to

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<v Speaker 1>see someone else coming between Richard and Emily's marriage. Do

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<v Speaker 1>you remember any reaction from fans at that time when

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<v Speaker 1>your episode aired? Well, I remember people actually at the

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<v Speaker 1>theater that I work at a lot. There's a casting director,

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<v Speaker 1>Joanne to know, and she teaches a class. So there

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<v Speaker 1>were all these young people, i'd say in their twenties,

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<v Speaker 1>and I was leaving a rehearsal at the theater and

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<v Speaker 1>they were like, you're pedling, you're peddling. But they didn't

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<v Speaker 1>have any judgment about it, you know, they didn't have

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<v Speaker 1>So I don't remember people feeling like, oh I can't.

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<v Speaker 1>I'm sure people did, but I don't remember that at all. Right,

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<v Speaker 1>Right for the excitement of, you know, people beating her

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<v Speaker 1>or we we love the line when Lauraa calls you

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<v Speaker 1>who are almost mommy? Was it was it hard to

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<v Speaker 1>keep a straight face with with that one coming at you. No,

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<v Speaker 1>I was taking my job too seriously, right, You know,

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<v Speaker 1>when you spend one day on a show like that,

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<v Speaker 1>I mean, you're not quite goofing around like some people

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<v Speaker 1>might be. So but it was adorable. And I cannot

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<v Speaker 1>tell you over all these years since then, how many

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<v Speaker 1>people have quoted that to me? Oh, you're her almost mommy.

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<v Speaker 1>These fans, they know that they know the show, the

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<v Speaker 1>chapter in verse, the details. People say that to me.

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<v Speaker 1>I was like, I'd be like, do you watch this

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<v Speaker 1>show a lot? And they're like, oh yeah, yes, they Um,

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<v Speaker 1>how long has it been since you watched an episode? Oh? Well,

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<v Speaker 1>I would say quite some time. My husband asked me today, Um,

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<v Speaker 1>he said, are you gonna watch your episode? And I said, no,

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<v Speaker 1>I mean, I think I pretty much remember it, and

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<v Speaker 1>it's on my reel, so I see it when I'm

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<v Speaker 1>redoing my reel. And I said, but I thought it

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<v Speaker 1>might be more fun to just see what I actually

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<v Speaker 1>remember all and every niece in my life, every goddaughter

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<v Speaker 1>in my life, every everything. They are such fans. Two

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<v Speaker 1>of them went to the Gilmore Girls fan club in Connecticut.

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<v Speaker 1>Major fans, right right, that's fantastic. Um, what do you

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<v Speaker 1>remember about your time on set? What's the what is

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<v Speaker 1>the one big takeaway from memory from from your time? Well,

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<v Speaker 1>I can say that the night before was the opening

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<v Speaker 1>of Disney Hall, which I was at formally dressed. My

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<v Speaker 1>best friend Beth Heart was like all together helping organize it.

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<v Speaker 1>We had the clothes, we had the friends, Like, I mean,

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<v Speaker 1>there was no way I couldn't go. And I think

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<v Speaker 1>my call time wasn't outrageous. I think it was more

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<v Speaker 1>like eight am, but I was. I was out till

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<v Speaker 1>I was more worried about me being unsteady and whatever.

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<v Speaker 1>And then I was in the costume place and ed

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<v Speaker 1>Hermann came up and he was like, so you're my girlfriend,

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<v Speaker 1>And it was just such a welcoming. You know, he

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<v Speaker 1>sat there and talked to me for a while and everything,

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<v Speaker 1>and and then I would say, the rest of the time,

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<v Speaker 1>first of all, everyone was wonderful and the Palladinos were

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<v Speaker 1>right on the set the whole time, which I found

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<v Speaker 1>as a guest star kind of great. And um So, anyway,

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<v Speaker 1>I remember really respecting Lauren and Alexis, and you know,

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<v Speaker 1>not trying to be over buddy or whatever, but uh,

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<v Speaker 1>but Lauren and I started talking about the theater, and

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<v Speaker 1>so then she and I were often running with that,

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<v Speaker 1>and of course Kelly and Ed both worked in the

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<v Speaker 1>theater all the time, so I just had a really

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<v Speaker 1>I was so grateful for them being such generous, kind

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<v Speaker 1>spirits because I was a little born out. So so,

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<v Speaker 1>what was it like doing scenes with Ed and Kelly?

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<v Speaker 1>Just easy, breezy, I'd say, yeah, I mean, because they

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<v Speaker 1>are pros. They're pros, they're fabulous at what they do.

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<v Speaker 1>And any Gilmore girls I had seen, you know, you

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<v Speaker 1>identify immediately who they are, what they are to each other,

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<v Speaker 1>what they are to their granddaughters, you know, so our

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<v Speaker 1>daughter and granddaughter, I should say. Yeah. So I just

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<v Speaker 1>remember from that perspective being very comfortable, just because they

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<v Speaker 1>were so good at what they did. Did did Amy

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<v Speaker 1>and Dan tell you about what was going to happen,

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<v Speaker 1>any repercussions of penalance conversation when you got that role? No, No,

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<v Speaker 1>they did not. And I would say that most of

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<v Speaker 1>the actresses in that room that day, that everybody thought

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<v Speaker 1>she'd be on the show for a while, you know,

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<v Speaker 1>that she was going to be invade the space. Um

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<v Speaker 1>so no, And so I just took the information I had,

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<v Speaker 1>and I knew that she had been talked about and

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<v Speaker 1>she'd been a threat in some way to Yeah, I

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<v Speaker 1>just find Yeah, it was such a great shocking plot point.

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<v Speaker 1>And and then she would show up you mean and

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<v Speaker 1>that yeah, that she right. I mean, it was just

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<v Speaker 1>such a shocking character kind of I don't know, knock

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<v Speaker 1>on Richard. And then you know, we discussed it last

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<v Speaker 1>podcast and it's like, good lord, he really did that,

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<v Speaker 1>and and and and then this next episode you weren't

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<v Speaker 1>a part of it. There was no conversation about it,

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<v Speaker 1>and no ensuing conversation that I can imagine. I mean,

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<v Speaker 1>I haven't seen the episodes yet, but would you recall

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<v Speaker 1>if you were mentioned in any of the ensuing episodes. No,

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<v Speaker 1>I'm trying to think you know only my god daughter Emma,

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<v Speaker 1>who said, Linda, you are an iconic character on this show,

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<v Speaker 1>you know, so I don't really know. I don't really know. Um. Yeah,

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<v Speaker 1>but it's odd to make such a good and clearly

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<v Speaker 1>he was not going to he wasn't going to cheat

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<v Speaker 1>on his wife. He well, he did, he did emotionally,

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<v Speaker 1>didn't he. I mean, if you sit there and have

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<v Speaker 1>dinner I mean to have lunch over a period of

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<v Speaker 1>years with somebody who you used to be intimate with

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<v Speaker 1>and don't tell your wife about it, that is that's

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<v Speaker 1>not good. That's not good. It's not good. That's an

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<v Speaker 1>emotional that's an emotional affair. I think they call that, right, yeah,

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<v Speaker 1>something you don't want to let go of. Man. And

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<v Speaker 1>maybe that's why in the end they decided to actually

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<v Speaker 1>not have anything happen, because I think even ed Herman

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<v Speaker 1>thought something would happen. You know that when he talked

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<v Speaker 1>to me that day. I think he had that in

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<v Speaker 1>his mind that something would actually happen. But they may

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<v Speaker 1>have decided that it was just too icky. You know

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<v Speaker 1>that the lunches were one thing, but you know, actual

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<v Speaker 1>cheating is another more than emotional cheating, as you called it.

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<v Speaker 1>I wanted to see that. I wanted to see you

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<v Speaker 1>and Emily Duke get out or something like that, or

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<v Speaker 1>you know what, I so much pauler than she. It

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<v Speaker 1>just would have made me like, really a badass. Many many,

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<v Speaker 1>many people remember you as Fontana and Evening Shade that

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<v Speaker 1>ran from Um. What fond memories do you have working

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<v Speaker 1>alongside Burt Reynolds and Mary lou Hanna Well, um, too

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<v Speaker 1>much to talk about really, but um, the reason I

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<v Speaker 1>had that job is because I was working in a

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<v Speaker 1>theater in Dallas and Bert and the Thomasin's came down

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<v Speaker 1>to look for um Southern kids, and they said, if

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<v Speaker 1>you have other interesting actors, ring them in. So I

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<v Speaker 1>got to go in there and read with Bert and

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<v Speaker 1>um too, it was a scene with his wife Mary

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<v Speaker 1>lose part and so I got to read that. And

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<v Speaker 1>when we were done, but the story goes, Bert was like,

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<v Speaker 1>she needs to be my wife, you know that. He

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<v Speaker 1>was excited or whatever, and the Thomasins were like, yeah,

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<v Speaker 1>I don't see that. All those wonderful name people and whatever.

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<v Speaker 1>But about a month later they had this role of

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<v Speaker 1>the Tom stripper, and Bert said to the Thomasin's let's

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<v Speaker 1>get that girl in Texas. I hope this is okay.

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<v Speaker 1>She doesn't have any kids, but she's got great legs.

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<v Speaker 1>We can give her kids. So they flew me out

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<v Speaker 1>and I met them and it was a blast, and

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<v Speaker 1>I got the role. And they would fly me back

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<v Speaker 1>between because my husband and I were um running a

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<v Speaker 1>theater company in Dallas at the time, and so they

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<v Speaker 1>would fly me back and forth. And then horrifically, my

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<v Speaker 1>husband ended up being in a minor car accident where

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<v Speaker 1>a paramedic gave him an injection of a wrong drug

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<v Speaker 1>and it stopped his heart and killed him. Oh goodness, no,

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<v Speaker 1>I'm not kidding you. And so here I am with

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<v Speaker 1>all of them like a new family. And my husband

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<v Speaker 1>had come out and met them, and he was running

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<v Speaker 1>the theater at the time, and I think he was

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<v Speaker 1>doing auditions out there. So anyway, they knew me as

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<v Speaker 1>this I was thirty five years old, you know, and uh,

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<v Speaker 1>and they took care of me and and I just

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<v Speaker 1>have so much to say about evening Jade, like too much.

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<v Speaker 1>But I had the time of my life, really, and

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<v Speaker 1>I don't know, I don't know what my life would

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<v Speaker 1>have been if I didn't have them to kind of

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<v Speaker 1>bump into started new life in California. You know, all

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<v Speaker 1>of that. They're very connected to my life. I'm so

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<v Speaker 1>sorry for the loss of yours. Yeah, no, it was.

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<v Speaker 1>It was absolutely awful and terrible and and you know,

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<v Speaker 1>I mean, but they were amazing. They were amazing, And

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<v Speaker 1>so then I just become became part of that Evening

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<v Speaker 1>Shade family for four years and more fake press the

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<v Speaker 1>entire time. Um so um, what was Burt like to

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<v Speaker 1>work with? What was Burt and very little like to

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<v Speaker 1>work with? Bert? Bert was beyond fabulous with actors and

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<v Speaker 1>with people above him, you know, like directors and producers,

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<v Speaker 1>and he had done a lot of it at himself.

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<v Speaker 1>He was tougher two actors. He was a love. I

0:13:37.320 --> 0:13:43.959
<v Speaker 1>would say to all actors. Yeah for sure. Um so

0:13:44.120 --> 0:13:51.640
<v Speaker 1>you recently did uh justified? Yeah? I justified did Yeah? Yeah? Yeah?

0:13:51.679 --> 0:13:55.520
<v Speaker 1>Tell us about that was the first three seasons? Oh yeah,

0:13:55.600 --> 0:14:00.199
<v Speaker 1>that was another really really great experience. Um and I

0:14:00.280 --> 0:14:02.599
<v Speaker 1>remember going to the first audition and just feeling like

0:14:03.120 --> 0:14:05.240
<v Speaker 1>I can do this. I know I could do this,

0:14:05.720 --> 0:14:08.079
<v Speaker 1>And then I got there. Once again, there were actresses

0:14:08.200 --> 0:14:11.679
<v Speaker 1>much more famous than myself, but I didn't really even care.

0:14:11.720 --> 0:14:13.400
<v Speaker 1>I had a gene jacket on. I was sitting on

0:14:13.480 --> 0:14:15.719
<v Speaker 1>the floor and it was to be his stepmother was

0:14:16.160 --> 0:14:19.200
<v Speaker 1>and in the first episode she had a very big part,

0:14:20.000 --> 0:14:25.160
<v Speaker 1>and um, anyway, I ended up getting that role and

0:14:25.840 --> 0:14:29.280
<v Speaker 1>loving it. I mean I had I used shotguns, I

0:14:29.400 --> 0:14:32.080
<v Speaker 1>drank whiskey, I spoke serettes. You know. It was just

0:14:32.560 --> 0:14:35.000
<v Speaker 1>that kind of a part that women don't normally get

0:14:35.080 --> 0:14:38.160
<v Speaker 1>to play. And then I think it was oh it was.

0:14:38.320 --> 0:14:40.000
<v Speaker 1>It was the end of the second season. So I

0:14:40.080 --> 0:14:42.720
<v Speaker 1>did a lot of the first and second seasons and

0:14:43.040 --> 0:14:46.960
<v Speaker 1>then um Graham Yost called me at home and I

0:14:47.080 --> 0:14:48.720
<v Speaker 1>was doing a play at the time. It's like, how's

0:14:48.720 --> 0:14:51.520
<v Speaker 1>the play doing? How you know? And I was like, oh, good, good,

0:14:52.160 --> 0:14:55.000
<v Speaker 1>And then he said, down, Linda, Um, I have to

0:14:55.040 --> 0:14:58.360
<v Speaker 1>tell you we need a death on the show, and

0:14:58.480 --> 0:15:02.920
<v Speaker 1>we needed death that matters. So it's gonna have to

0:15:02.960 --> 0:15:05.840
<v Speaker 1>be you because I was his step mom and I

0:15:05.960 --> 0:15:08.240
<v Speaker 1>was his person who really took care of him. And

0:15:09.440 --> 0:15:12.640
<v Speaker 1>and I actually burst into tears on the phone, like

0:15:12.720 --> 0:15:16.400
<v Speaker 1>a cartoon where the tears to shoot out of your face.

0:15:17.040 --> 0:15:19.520
<v Speaker 1>I loved them all so much, and the thought of

0:15:19.760 --> 0:15:22.200
<v Speaker 1>like not being with them was very very sad to me.

0:15:22.560 --> 0:15:24.600
<v Speaker 1>I think that happens on series though if it's a

0:15:24.640 --> 0:15:28.000
<v Speaker 1>happy series, you know that it's hard hard to leave.

0:15:28.120 --> 0:15:32.040
<v Speaker 1>So and they were a terrific bunch. Absolutely. Tell us

0:15:32.080 --> 0:15:34.800
<v Speaker 1>about Fear of the Walking Dead. What was your role

0:15:34.840 --> 0:15:40.240
<v Speaker 1>on that one? Oh uh, well, Fear the Walking Dead

0:15:40.800 --> 0:15:47.640
<v Speaker 1>shot in rose Rato, Rose Rato, Mexico's Dead Beach Boy

0:15:48.520 --> 0:15:50.480
<v Speaker 1>and so yeah, and so I was there for about

0:15:50.520 --> 0:15:54.640
<v Speaker 1>three weeks and and then and that part of it

0:15:54.840 --> 0:15:56.560
<v Speaker 1>was tough. I mean, it's not like you could go

0:15:56.680 --> 0:15:59.360
<v Speaker 1>out and go shopping and there'll be whole days you

0:15:59.440 --> 0:16:04.720
<v Speaker 1>weren't were king. That part of it was tough. But

0:16:04.800 --> 0:16:08.240
<v Speaker 1>a friend of mine had written the episode, and um, anyway,

0:16:08.280 --> 0:16:10.800
<v Speaker 1>I in the end, I was very grateful to have

0:16:10.920 --> 0:16:13.960
<v Speaker 1>done it. But honest to God, that this young woman

0:16:14.040 --> 0:16:16.840
<v Speaker 1>had to drag my body through all the dead bodies.

0:16:17.120 --> 0:16:20.040
<v Speaker 1>I am a five ft ten woman and she was

0:16:20.120 --> 0:16:22.880
<v Speaker 1>like tiny. And you know, there were things about it

0:16:22.920 --> 0:16:24.880
<v Speaker 1>and they were like, oh my god, please don't make

0:16:24.920 --> 0:16:31.000
<v Speaker 1>this girl carry me. Please. It's a very specific. So um,

0:16:31.440 --> 0:16:34.160
<v Speaker 1>but you know, worth it. I mean all these when

0:16:34.200 --> 0:16:36.400
<v Speaker 1>I think about everything you've asked me about I think

0:16:36.400 --> 0:16:39.520
<v Speaker 1>about how different they are, and it is completely different.

0:16:40.320 --> 0:16:42.440
<v Speaker 1>And uh, and that's the part of television that has

0:16:42.440 --> 0:16:45.960
<v Speaker 1>been a gift to me and you. You then moved

0:16:46.040 --> 0:16:48.760
<v Speaker 1>on and you did some some Perry Mason episodes where

0:16:48.760 --> 0:16:51.560
<v Speaker 1>you're serious regular. You just did the one episode and

0:16:52.040 --> 0:16:55.640
<v Speaker 1>just one of his Yeah. And I had to work

0:16:55.680 --> 0:16:59.680
<v Speaker 1>with cat for the second time in not too many years.

0:16:59.760 --> 0:17:02.640
<v Speaker 1>And in CIS, I had to work with cats. And

0:17:02.920 --> 0:17:06.040
<v Speaker 1>cats can't be trained. They're not like dogs, but they

0:17:06.119 --> 0:17:11.200
<v Speaker 1>always act like they can. Their trainers club really doesn't

0:17:11.200 --> 0:17:16.639
<v Speaker 1>work like costs more right, Yeah? Um? And Physical tell

0:17:16.760 --> 0:17:19.639
<v Speaker 1>us about Physical? What is that? Physical is a terrific

0:17:19.720 --> 0:17:22.600
<v Speaker 1>show and very dear friend of mine, Annie Wise, been

0:17:22.640 --> 0:17:25.560
<v Speaker 1>created it and I've done three of her plays, so

0:17:26.119 --> 0:17:29.200
<v Speaker 1>she really wanted to get me in there. Uh So

0:17:29.400 --> 0:17:31.240
<v Speaker 1>I ended up being the mom of one of the

0:17:31.920 --> 0:17:36.320
<v Speaker 1>major characters. But it's set back, Um, I guess in

0:17:36.400 --> 0:17:41.920
<v Speaker 1>the eighties in the eighties, right, Physical, Yeah, and anyway,

0:17:42.400 --> 0:17:45.000
<v Speaker 1>it was it was terrific, but it was during COVID

0:17:45.520 --> 0:17:49.399
<v Speaker 1>and I had no idea, no idea what that was

0:17:49.520 --> 0:17:52.320
<v Speaker 1>like and how they had to put your costumes and

0:17:52.440 --> 0:17:55.600
<v Speaker 1>zipped up bags and You're always in a mask until

0:17:55.880 --> 0:17:59.200
<v Speaker 1>your lines on action, not something else's. It was always

0:17:59.240 --> 0:18:02.440
<v Speaker 1>that way, So I would say it was an experience

0:18:02.520 --> 0:18:06.080
<v Speaker 1>too from that standpoint to have done that during COVID.

0:18:06.840 --> 0:18:12.239
<v Speaker 1>Let me ask you this, UM, can you estimate how

0:18:12.320 --> 0:18:18.280
<v Speaker 1>many times people have approach you and recognized you from

0:18:18.320 --> 0:18:24.240
<v Speaker 1>Gilmore's Pendling Lot? Okay, starting from the time those students

0:18:24.560 --> 0:18:27.480
<v Speaker 1>did that, which was right after it was on the air,

0:18:28.240 --> 0:18:32.400
<v Speaker 1>I honestly never thought it would happen again. I don't

0:18:32.400 --> 0:18:37.119
<v Speaker 1>know if I could estimate maybe and now when people

0:18:37.160 --> 0:18:39.959
<v Speaker 1>do it, because I'm so much older and I got

0:18:40.040 --> 0:18:42.520
<v Speaker 1>to look so pretty on that show, which I don't

0:18:42.640 --> 0:18:45.600
<v Speaker 1>always you know, with these character parts I played. When

0:18:45.640 --> 0:18:51.920
<v Speaker 1>they recognize being, I'm like, well, thank you, but it's

0:18:51.920 --> 0:18:55.399
<v Speaker 1>a lot pendelent lot seemed to I don't know, seemed

0:18:55.440 --> 0:18:57.800
<v Speaker 1>to land for people. I think because of the build up.

0:18:58.280 --> 0:19:02.240
<v Speaker 1>It was so it was so shocking. Yeah, see listened

0:19:02.280 --> 0:19:05.439
<v Speaker 1>to you like you were shocked when you read the episode, right.

0:19:06.400 --> 0:19:10.760
<v Speaker 1>I don't remember reading the episode. I just remember watching

0:19:10.880 --> 0:19:13.200
<v Speaker 1>the episode, you know, a week or so ago, and

0:19:13.280 --> 0:19:17.320
<v Speaker 1>then going on air to opine about it and comment

0:19:17.440 --> 0:19:21.480
<v Speaker 1>on UM. But it was it was incredibly shocking to me.

0:19:22.280 --> 0:19:26.119
<v Speaker 1>And even what's even more shocking is that you Vanish

0:19:28.080 --> 0:19:30.680
<v Speaker 1>I know, and and it's not dealt with. So I

0:19:30.840 --> 0:19:33.359
<v Speaker 1>we're going to bring this up in the in the

0:19:33.520 --> 0:19:36.200
<v Speaker 1>in the breakdown. I do think at Herman thought we

0:19:36.320 --> 0:19:38.880
<v Speaker 1>were gonna this was not going to be our only

0:19:38.960 --> 0:19:42.280
<v Speaker 1>shot for sure. Maky and I talked, and then all

0:19:42.320 --> 0:19:45.080
<v Speaker 1>those actresses, Like I said, I mean, I think everybody

0:19:45.200 --> 0:19:48.280
<v Speaker 1>was there. You know how they always do the possible recurring,

0:19:49.400 --> 0:19:51.440
<v Speaker 1>you know, I think everybody was pretty sure that she'd

0:19:51.480 --> 0:19:54.359
<v Speaker 1>come back, and I think I was pretty sad she didn't.

0:19:55.840 --> 0:19:59.760
<v Speaker 1>But you know, that's just TV such a great dynamic.

0:19:59.800 --> 0:20:01.800
<v Speaker 1>But between you two, you and I mean, it was

0:20:01.880 --> 0:20:03.840
<v Speaker 1>and and and you and everybody, it was really it

0:20:03.960 --> 0:20:06.480
<v Speaker 1>was really entertaining. It was just yeah, it was really

0:20:06.520 --> 0:20:11.280
<v Speaker 1>really plastically funny. Um so what is next for you?

0:20:11.520 --> 0:20:16.800
<v Speaker 1>What do you have cooking? Well? Um, right this second, uh,

0:20:17.160 --> 0:20:19.639
<v Speaker 1>I just did a play down south here in California.

0:20:20.119 --> 0:20:22.720
<v Speaker 1>But I write this second, I'm not doing another play.

0:20:23.280 --> 0:20:26.280
<v Speaker 1>My husband just had a knee replacement. Well he actually

0:20:26.400 --> 0:20:29.240
<v Speaker 1>just had to So right now I'm not accepting any

0:20:29.320 --> 0:20:32.359
<v Speaker 1>place or anything. I'm open for television. So I really

0:20:32.400 --> 0:20:35.680
<v Speaker 1>don't know. Um, but mostly that's how my life goes.

0:20:35.920 --> 0:20:38.720
<v Speaker 1>It's like I do a play. I'm open for television,

0:20:39.119 --> 0:20:41.560
<v Speaker 1>you know, so, I don't have anything lined top right

0:20:41.600 --> 0:20:49.240
<v Speaker 1>this right other than you. Okay, we're gonna play a

0:20:49.280 --> 0:20:53.000
<v Speaker 1>little game we do on every with any every interview

0:20:54.520 --> 0:20:57.480
<v Speaker 1>called rapid fire. I'm gonna throw questions out. You gotta

0:20:57.480 --> 0:21:00.080
<v Speaker 1>answer him his fast. You can't you ready? Okay, here

0:21:00.119 --> 0:21:01.760
<v Speaker 1>we go. How many cups of coffee do you have

0:21:02.160 --> 0:21:06.040
<v Speaker 1>a day? Two to three? Are you Team Logan, Team

0:21:06.119 --> 0:21:12.640
<v Speaker 1>Jess or Team Dean? I didn't understand. Sorry, I don't

0:21:12.680 --> 0:21:15.600
<v Speaker 1>know what you said, team something? Are you Team Logan,

0:21:15.800 --> 0:21:20.280
<v Speaker 1>Team Dean or Team Jess? Rory's Boyfriends? Which one do

0:21:20.359 --> 0:21:25.359
<v Speaker 1>you like? Not sure? I don't know that I know

0:21:25.480 --> 0:21:28.200
<v Speaker 1>it well enough to root. We'll come back to that.

0:21:28.920 --> 0:21:34.600
<v Speaker 1>Who is your favorite Gilmore girl's character? Mm hmm maybe Laurla?

0:21:35.400 --> 0:21:44.760
<v Speaker 1>What would you order a Luke's diner? Oh? Luke? I

0:21:44.880 --> 0:21:46.560
<v Speaker 1>know so many women who are in love with you.

0:21:46.720 --> 0:21:50.639
<v Speaker 1>I'm just saying, okay, all right. I don't know that

0:21:50.720 --> 0:21:54.680
<v Speaker 1>he's on the menu, but we could. I mean, I

0:21:54.720 --> 0:21:56.960
<v Speaker 1>don't know what to say. Um, would you would you

0:21:57.119 --> 0:22:00.640
<v Speaker 1>rather go on a road trip with Taylor or Michelle.

0:22:07.080 --> 0:22:11.800
<v Speaker 1>I'm sorry, I don't know say both of them. Yeah,

0:22:11.880 --> 0:22:13.639
<v Speaker 1>of course both. Of course I knew you're gonna say that.

0:22:13.880 --> 0:22:16.920
<v Speaker 1>Finish the lyric, and where you lead, I will follow

0:22:17.520 --> 0:22:28.440
<v Speaker 1>dot dot dot anytime, anywhere, anywhere, anywhere. Yeah, keep going anywhere, anywhere,

0:22:28.520 --> 0:22:37.440
<v Speaker 1>anywhere down the way lead. I will follow anywhere. I

0:22:37.480 --> 0:22:40.280
<v Speaker 1>don't know that you tell me that you tell me.

0:22:40.680 --> 0:22:44.480
<v Speaker 1>I'm glad this isn't like tested school that you anywhere

0:22:44.560 --> 0:22:47.960
<v Speaker 1>that you tell me too, oh, anywhere that you tell

0:22:48.080 --> 0:22:51.640
<v Speaker 1>me to wonder, I can't remember that, Yeah, I would.

0:22:51.680 --> 0:22:56.359
<v Speaker 1>I wouldn't remember either. Jackson's vegetables are Suki's baked goods?

0:22:56.400 --> 0:22:58.480
<v Speaker 1>You have no idea what I'm talking about to, you know,

0:22:58.680 --> 0:23:04.240
<v Speaker 1>But let's say Suki's bigger it. Would you rather listen

0:23:04.280 --> 0:23:06.960
<v Speaker 1>to Drella's harp or the Troupiter's cover songs? Just you

0:23:07.040 --> 0:23:09.440
<v Speaker 1>have no idea what I'm talking about? The harp? You

0:23:09.520 --> 0:23:13.879
<v Speaker 1>want the harp? Chilton Prepper Stars, Hollow Hi Stars, Hollow Hi.

0:23:14.080 --> 0:23:16.359
<v Speaker 1>There you go, Linda, it was a pleasure. Thank you

0:23:16.480 --> 0:23:18.320
<v Speaker 1>for coming one, thank you for your time. It was

0:23:18.400 --> 0:23:21.239
<v Speaker 1>a blast, pivotal moment in the show for me. One

0:23:21.240 --> 0:23:25.120
<v Speaker 1>of my favorite episodes. By the way, um, I love

0:23:25.240 --> 0:23:28.200
<v Speaker 1>that episode, loved everything about it. And we never heard

0:23:28.240 --> 0:23:30.119
<v Speaker 1>from you again, which is a which is a crime,

0:23:30.240 --> 0:23:33.720
<v Speaker 1>not a misdemeanor. And thank you, thank you, thank you

0:23:33.840 --> 0:23:35.960
<v Speaker 1>so much for coming on. It was a pleasure having

0:23:36.040 --> 0:23:39.600
<v Speaker 1>you well, thank you. I loved coming When I got

0:23:39.680 --> 0:23:41.159
<v Speaker 1>the call, I was like, of course I would be

0:23:41.240 --> 0:23:44.440
<v Speaker 1>on that podcast, are you kidding? Much appreciated, much appreciated.

0:23:44.560 --> 0:23:51.320
<v Speaker 1>Linda Garinger, thank you so much, and uh maybe we'll

0:23:51.320 --> 0:24:25.320
<v Speaker 1>talk real soon. Okay, alright, thanks, all right, byet hey everybody,

0:24:25.359 --> 0:24:28.640
<v Speaker 1>and don't forget follow us on Instagram at I Am

0:24:28.760 --> 0:24:32.680
<v Speaker 1>all In podcast and email us at Gilmore at I

0:24:32.920 --> 0:24:36.119
<v Speaker 1>heart radio dot com. Oh you gil More fans. If

0:24:36.119 --> 0:24:38.080
<v Speaker 1>you're looking for the best cup of coffee in the world,

0:24:38.160 --> 0:24:42.040
<v Speaker 1>go to my website for my company scott EP dot com,

0:24:42.200 --> 0:24:44.399
<v Speaker 1>s C O T T y P dot com, scott

0:24:44.400 --> 0:24:55.320
<v Speaker 1>ep dot com Grade one Specialty Coffee. Yeah.