WEBVTT - FULL SHOW: The Houdini

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<v Speaker 1>From Hollywood.

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<v Speaker 2>See you, Thank you for listening to us.

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<v Speaker 1>On air with Ryan Seacrest.

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<v Speaker 2>He's Khalifa and Charlie Pooth there one or two point

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<v Speaker 2>seven Kiss FM. Charlie Pooth, Tonny you heard from Charlie Pooth?

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<v Speaker 2>I know you guys are on a regular sort of

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<v Speaker 2>chat rhythm. Have you heard from him, Lely?

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<v Speaker 3>I haven't heard from him, Leleiah, but I did wish

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<v Speaker 3>him congratulations on his engagement.

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<v Speaker 2>Did I miss that? Did you report that? Did I

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<v Speaker 2>just forget that?

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<v Speaker 3>It was a while, But it was a while ago,

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<v Speaker 3>I want to say August, yes, summer.

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<v Speaker 2>Did you report that?

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<v Speaker 4>Yeah?

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<v Speaker 2>Okay, And that's why it sounds vaguely for you.

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<v Speaker 3>Yeah.

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<v Speaker 2>Yeah, who'd he get engaged to?

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<v Speaker 3>Yeah, I was gonna say his girlfriend. His fiance's name

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<v Speaker 3>is Brooke. He's known her since like.

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<v Speaker 2>Child, you're in their social circle. Did you know her

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<v Speaker 2>as well?

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<v Speaker 3>I've met her, yes, but he she he knew her

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<v Speaker 3>from home, like she was his friend from home. Uh huh,

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<v Speaker 3>And I was like more his friend in La.

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<v Speaker 2>No, I know where you're from. Yeah, I know, I

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<v Speaker 2>know you said she's from.

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<v Speaker 1>His He is the friend from home and from La.

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<v Speaker 5>I don't know her well.

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<v Speaker 2>I don't know her.

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<v Speaker 3>I don't know her well, but she seems very very

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<v Speaker 3>sweet and he's very very happy.

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<v Speaker 2>All right, Well, that's more than I needed, more than

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<v Speaker 2>I need. Like, let's not bring up Harry Styles this

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<v Speaker 2>morning exactly. I'm trying to understand. So this is a

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<v Speaker 2>very interesting morning. I'm going to get to partly Sonny

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<v Speaker 2>Hies in the upper seventies eighties Inland. Rain is coming

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<v Speaker 2>tomorrow night.

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<v Speaker 1>Enjoy today if you can.

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<v Speaker 2>Rain's coming tomorrow night. It's going to add to the

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<v Speaker 2>commute nightmares. We're paying bills, all this stuff. And we'll

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<v Speaker 2>get to in a second. But something very cool and

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<v Speaker 2>fun and unique is happening at seven o'clock this morning.

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<v Speaker 2>It all starts at seven. It goes from seven to eight,

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<v Speaker 2>and we do this in other shows at the course

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<v Speaker 2>of the day on a regular basis. But at seven

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<v Speaker 2>o'clock Kiss in the Morning on Airthrine Seacrest goes commercial free.

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<v Speaker 1>That's right, we go non stop. Mm hmm.

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<v Speaker 2>So get some extra training reports, Maybe we'll pay some

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<v Speaker 2>extra bills. Get ready for tubs, some extra wattage. We're

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<v Speaker 2>going seven to eight commercial free. It's brought to you

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<v Speaker 2>by troll So, Sydney, you're gonna do like these quick

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<v Speaker 2>thirty second trolls cartoon. Yeah, commercial talking about movie. But

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<v Speaker 2>you said you're using cartoony words.

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<v Speaker 6>Well there's a kind of like a made up word.

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<v Speaker 6>It's fantasmic and amazing put together, it's fantastic amazing and

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<v Speaker 6>they use it in the movie.

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<v Speaker 2>Well, Sysney was rehearsing earlier.

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<v Speaker 1>No, this movie is so cute.

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<v Speaker 5>When does it come out?

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<v Speaker 1>It comes out this weekend.

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<v Speaker 2>And also listen between seven and eight we're gonna tell

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<v Speaker 2>you about because it's brought to you by trolls. Right,

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<v Speaker 2>thanks the trolls band together in theater's Friday. Let's all

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<v Speaker 2>say it. So anyway, we're gonna have no commercial seven

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<v Speaker 2>to eight this morning.

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<v Speaker 1>That's cool, man, I love that.

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<v Speaker 2>Oh yeah, second date updates on the way. Do a

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<v Speaker 2>leap that's coming after eight o'clock to talk about I

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<v Speaker 2>go Houdini?

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<v Speaker 6>Can't you tell? Italian? And I curled our hair today.

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<v Speaker 6>We kind of just stepped them up and leap it's

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<v Speaker 6>coming in.

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<v Speaker 1>I wore my tall shoes.

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<v Speaker 2>Are you going to stand next to her?

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<v Speaker 5>I wore my ugs?

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<v Speaker 2>Yeah, no one can see it.

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<v Speaker 6>Do It's like super tall and I'm very sure. So

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<v Speaker 6>whenever I take a picture of her, it just like

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<v Speaker 6>I really I really kind of just like committed to

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<v Speaker 6>a tall shoe today for I had an.

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<v Speaker 2>Extra shirt out in a closet here.

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<v Speaker 1>I'm a dark person.

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<v Speaker 2>Yeah, I need to step it up. I we're a

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<v Speaker 2>white T shirt in today anyway, So she's gonna be on.

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<v Speaker 2>You know, she was talking about her album, I think,

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<v Speaker 2>and we should ask about this, but she was saying

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<v Speaker 2>that this song is about like the best stages of singleedom,

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<v Speaker 2>the best stages of singleedom. There are a few good

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<v Speaker 2>stages of single then the single theom get not good.

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<v Speaker 1>You have to appreciate the single theom.

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<v Speaker 2>Yeah, but there's an expiration day on singletoon. But we'll

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<v Speaker 2>talk to you about that. That's coming up at interesting

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<v Speaker 2>So interesting.

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<v Speaker 5>When do you think the expiration is?

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<v Speaker 2>Uh, well, that's what I want to talk about. So

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<v Speaker 2>I'm just setting the stage. I haven't thought any of

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<v Speaker 2>this through yet. I'm just throwing it all out there

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<v Speaker 2>so we're ready to go later. So all right, before

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<v Speaker 2>we get to this morning hack, which is a great

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<v Speaker 2>morning hack on the way, it's something you should definitely

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<v Speaker 2>ask kids when they get home from school. You won't believe. Actually,

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<v Speaker 2>you may not believe the question, and you certainly may

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<v Speaker 2>not believe some of the answers that parents have gotten

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<v Speaker 2>after they've asked the question. But you will want to

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<v Speaker 2>ask the question that and a quote for this Tuesday

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<v Speaker 2>to put you in the right frame o mind is

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<v Speaker 2>coming up in a few minutes too, Cincany, what is

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<v Speaker 2>everybody talking about.

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<v Speaker 6>It's the hottest workout trend right now on TikTok and

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<v Speaker 6>it's called the cozy cardio. All right, so think of

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<v Speaker 6>not necessarily those really intense classes that you might take,

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<v Speaker 6>but more of a leisurely pedal on a stationary bike

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<v Speaker 6>rather than the intense peloton classes that are offered, or

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<v Speaker 6>like strolling on the treadmill instead of sprinting. But you

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<v Speaker 6>can do all of this in your robe, even your slippers.

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<v Speaker 2>That's the part of it.

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<v Speaker 6>You don't actually have to put on the workout clothes

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<v Speaker 6>if you're just gonna hop on your Nordic track and

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<v Speaker 6>just walk for five miles.

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<v Speaker 2>But I thought this was like something where you wear

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<v Speaker 2>your slippers and you have those little pedal boxes and

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<v Speaker 2>you sit there on your chair.

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<v Speaker 6>You can do that as well, you can do that

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<v Speaker 6>as well, where they have little the pedals under your desk.

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<v Speaker 1>I want to get one of those.

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<v Speaker 2>By the way, No, no, you like this idea cozy

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<v Speaker 2>pedaling cozy.

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<v Speaker 6>I like the idea of if you're gonna be a

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<v Speaker 6>little lazy and maybe want to watch some TV or

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<v Speaker 6>scroll on your phone or do whatever, why not try

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<v Speaker 6>to at least get a workout in.

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<v Speaker 2>But not take the place of the workout, which is

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<v Speaker 2>what these people are saying.

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<v Speaker 3>No, No, I think that this is like a bridge

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<v Speaker 3>to get people back into their workout routine. Like I

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<v Speaker 3>think it's it's for people that aren't necessarily on their

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<v Speaker 3>workout routine. They want to, but they're too intimidated and

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<v Speaker 3>they just it's too much to do it.

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<v Speaker 2>Take the place of the workout.

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<v Speaker 6>I think it does take the place. The girl who

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<v Speaker 6>started this trend sort of speak on TikTok, was really

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<v Speaker 6>feeling a lot of anxiety when she would work out,

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<v Speaker 6>or she would feel like she would hit a plateau

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<v Speaker 6>and like not really get any further, and she wanted

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<v Speaker 6>to take away that toxic pressure of being in a

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<v Speaker 6>crowded gym or feeling like you have to look a

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<v Speaker 6>certain way to get your workouts in and et cetera.

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<v Speaker 6>So she has this little treadmill in her living room

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<v Speaker 6>and she'll just watch The Bachelor or you know, Love

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<v Speaker 6>Island for her.

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<v Speaker 2>If that works for her, it works for you, that's great.

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<v Speaker 2>Not for me. No, I need the toxic stress. I

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<v Speaker 2>need the endorphin rush. I want to go in there

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<v Speaker 2>and sweat. I want I want to self torture. I

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<v Speaker 2>need all of that to come out feeling the way

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<v Speaker 2>I do. I go in loathing myself, I come out

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<v Speaker 2>loving myself. I need that back and forth. That's for me.

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<v Speaker 2>This this soft, pedaling, cozy cardio, it would not get

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<v Speaker 2>me where I needed to get me, and I'd be

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<v Speaker 2>more depressed.

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<v Speaker 3>I don't like the gym, and so it's like no,

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<v Speaker 3>but it's it's it's like if you're two, if you

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<v Speaker 3>don't want to go to the gym, you don't want

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<v Speaker 3>to go to these classes.

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<v Speaker 5>It's better than just doing.

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<v Speaker 2>But I'm saying I need the toxic torture so that

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<v Speaker 2>I can come out on the other side feeling better

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<v Speaker 2>about myself.

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<v Speaker 6>Do you remember when I went bringing up Remember when

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<v Speaker 6>I brought up the soft girl, Like a few weeks ago,

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<v Speaker 6>I do remember that week. So it kind of falls

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<v Speaker 6>into that same category of just really not wanting to

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<v Speaker 6>give one hundred percent but still being able to get by.

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<v Speaker 2>But I think that for me it wouldn't work because

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<v Speaker 2>I need to again you heard it, like, I need

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<v Speaker 2>to get into that headspace of I hate I almost

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<v Speaker 2>hate this, so I love this.

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<v Speaker 6>For me, it would because I get so sad sometimes

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<v Speaker 6>when I see that I was watching TV for three

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<v Speaker 6>hours and I was like, man, I really should have

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<v Speaker 6>done something else.

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<v Speaker 2>So exactly, So go to one of those You go

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<v Speaker 2>to the boot camps yourself, You go for those torture classes.

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<v Speaker 5>Yeah, I go to those all the time.

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<v Speaker 2>Yeah, all right, Well everybody, look, whatever your thing is

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<v Speaker 2>for you, great. If you're a parent, what do you

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<v Speaker 2>ask your kids when they get home from school? This

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<v Speaker 2>is what you want to ask them. A lot of

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<v Speaker 2>parents will ask them how is your day? But your

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<v Speaker 2>response is usually good or fine? Right, So you'd ask

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<v Speaker 2>the question a specific question, what did you do at recess?

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<v Speaker 2>Do you ever asked that question?

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<v Speaker 6>I actually do ask this question because recess is where

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<v Speaker 6>it all goes down.

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<v Speaker 2>Well that's the thing. So moms on TikTok have been

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<v Speaker 2>sharing what they discovered when they asked, what did you

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<v Speaker 2>do at recess? One kid was running a bracelet business. Cute, No,

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<v Speaker 2>I don't think so. Yeah, maybe one was giving temporary

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<v Speaker 2>tattoos in the bathroom.

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<v Speaker 6>Oh my gosh, not as cute, not as cute.

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<v Speaker 2>That you can also find out who they were spending

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<v Speaker 2>time with and if they're having any trouble with anybody.

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<v Speaker 2>So it's a it's good. It's good to be to

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<v Speaker 2>have specificity in that kind of question what did you

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<v Speaker 2>do at recess? Instead of just what you do all

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<v Speaker 2>day at school?

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<v Speaker 6>You get the tea as to what friends are either

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<v Speaker 6>saying something mean or not.

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<v Speaker 2>And you'll also I remember my mom asking me that,

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<v Speaker 2>and it's like so much happened. Everything was fine, you know,

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<v Speaker 2>like I don't know, like I would like, how was

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<v Speaker 2>your day?

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<v Speaker 5>Was fine?

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<v Speaker 2>But if someone said to me, how is this seven

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<v Speaker 2>oh eight chat with assistant? Time look back and say

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<v Speaker 2>you know what, I don't know. Let me think about

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<v Speaker 2>that for a second. I loved it.

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<v Speaker 1>Let me look at my prep.

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<v Speaker 2>Let me go back and look at my person, see

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<v Speaker 2>what we talked about, because that this time I cannot

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<v Speaker 2>remember today's quote. You're ready to frame it up on

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<v Speaker 2>a Tuesday. Yeah, failed dreams can still create successful people.

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<v Speaker 3>Say it again, you say it, Failed dreams can still

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<v Speaker 3>create successful people.

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<v Speaker 1>That's right. Everyone should say that five times this morning.

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<v Speaker 2>You can still great successful people. We are going to

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<v Speaker 2>play What's in Her? Oh, that is hot? That is

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<v Speaker 2>a good one original song. What's the original of that? Work? Cover? Girl?

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<v Speaker 1>Work it now?

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<v Speaker 5>Yeah, it's a good song.

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<v Speaker 7>All right.

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<v Speaker 2>Let's see here. Angel is on the line to play

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<v Speaker 2>he sold out jingle Bolk tickets. Kiss I found Angel?

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<v Speaker 2>Good morning, How are you?

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<v Speaker 7>I'm doing good? How are you doing today?

0:10:10.320 --> 0:10:10.920
<v Speaker 2>Super good?

0:10:10.920 --> 0:10:11.079
<v Speaker 7>Bro?

0:10:11.200 --> 0:10:12.760
<v Speaker 2>Thank you so much for coming on with us. Are

0:10:12.800 --> 0:10:13.199
<v Speaker 2>you ready?

0:10:14.160 --> 0:10:15.560
<v Speaker 7>I'm ready?

0:10:15.720 --> 0:10:18.560
<v Speaker 2>Okay, let me explain it because I don't think I remember.

0:10:19.200 --> 0:10:23.320
<v Speaker 2>So today we're playing What's in Sicney's Purse. I'm gonna

0:10:23.320 --> 0:10:26.080
<v Speaker 2>give you three items. You tell me which one is

0:10:26.200 --> 0:10:31.040
<v Speaker 2>actually currently in Siceney's purse. You gotta get two out

0:10:31.040 --> 0:10:35.160
<v Speaker 2>of three. Okay, Right on, here we go, Angel in

0:10:35.320 --> 0:10:40.880
<v Speaker 2>AZUSA for the sold out tickets? Which of these is

0:10:40.960 --> 0:10:49.720
<v Speaker 2>currently in Siciny's purse? A A glitter hairbow, B chewed

0:10:49.880 --> 0:10:55.240
<v Speaker 2>gum inside a piece of blotting paper or C A

0:10:55.360 --> 0:10:59.800
<v Speaker 2>number two pencil with a separate rubber eraser. Which one?

0:11:01.800 --> 0:11:02.079
<v Speaker 2>Thank you?

0:11:02.280 --> 0:11:03.839
<v Speaker 8>See?

0:11:04.160 --> 0:11:05.360
<v Speaker 7>Let's go with bee.

0:11:06.760 --> 0:11:07.559
<v Speaker 2>You got buddy there?

0:11:07.600 --> 0:11:13.199
<v Speaker 6>Yeah, what's the answer, Siceny, I would throw my gum away,

0:11:13.280 --> 0:11:15.480
<v Speaker 6>thank you very much, and not keep it in my purse.

0:11:15.559 --> 0:11:19.840
<v Speaker 6>It was a glittered hairbow and looking at here, Oh.

0:11:19.440 --> 0:11:20.480
<v Speaker 2>It's pretty okay.

0:11:20.840 --> 0:11:21.320
<v Speaker 1>One, it's the.

0:11:22.920 --> 0:11:27.439
<v Speaker 2>Next one. Heart. Which of these is currently in Siceny's purse?

0:11:29.480 --> 0:11:34.360
<v Speaker 2>A lucky bean, a tape measure, or a name tag

0:11:34.400 --> 0:11:35.920
<v Speaker 2>from the Mattel Toys Corporation.

0:11:37.320 --> 0:11:41.520
<v Speaker 7>Oh, let's go with the name tax see.

0:11:41.960 --> 0:11:44.160
<v Speaker 2>And is that correct? That is correct?

0:11:45.120 --> 0:11:47.720
<v Speaker 6>I was just there at Mattel and so I still

0:11:47.760 --> 0:11:48.960
<v Speaker 6>have the name tag in here.

0:11:51.800 --> 0:11:54.199
<v Speaker 2>So Angel, I think if you get this right, you're

0:11:54.200 --> 0:11:59.160
<v Speaker 2>gonna win. Which of these is currently in Siceny's purse? Hey,

0:11:59.520 --> 0:12:02.920
<v Speaker 2>peppermint tik taks be a packet of oatmeal or see

0:12:02.920 --> 0:12:05.360
<v Speaker 2>coupons to sports clips.

0:12:08.280 --> 0:12:10.719
<v Speaker 7>Uh, go with the tick tacks.

0:12:11.320 --> 0:12:14.640
<v Speaker 2>Sisity, what's in your purse tik taks today?

0:12:15.400 --> 0:12:17.840
<v Speaker 1>Angel?

0:12:17.960 --> 0:12:25.320
<v Speaker 2>Congratulations, you're going on our sold out jingle ball? Wait, baby, yay,

0:12:25.679 --> 0:12:30.280
<v Speaker 2>I love you call me when you when I see there?

0:12:30.320 --> 0:12:31.199
<v Speaker 2>Will you call me? Baby?

0:12:32.200 --> 0:12:33.800
<v Speaker 7>Oh? Baby?

0:12:34.400 --> 0:12:38.680
<v Speaker 2>Thank you? Angel Oute. We're gonna be the cutest couplet

0:12:38.960 --> 0:12:43.200
<v Speaker 2>jingle ball key Angel, what are you gonna wear? What

0:12:43.320 --> 0:12:44.120
<v Speaker 2>kind of things do you wear?

0:12:45.160 --> 0:12:47.360
<v Speaker 7>I mean to be honest with you. Just send me

0:12:47.400 --> 0:12:50.280
<v Speaker 7>a d M and whatever you asked for, I'll give it.

0:12:51.040 --> 0:12:55.840
<v Speaker 1>We'll do some, we'll do some well side by side. Yeah.

0:12:56.000 --> 0:12:59.719
<v Speaker 2>What is that video called? Where you make me? Oh?

0:12:59.760 --> 0:13:00.400
<v Speaker 1>Get with me?

0:13:00.600 --> 0:13:01.760
<v Speaker 2>Yeah, I'm gonna get ready with you.

0:13:01.880 --> 0:13:04.880
<v Speaker 1>I'm cute.

0:13:05.360 --> 0:13:10.320
<v Speaker 2>I love you, Angel, hold on, buddy, I'll get thanks

0:13:10.320 --> 0:13:14.839
<v Speaker 2>a lot, brother, fun angel a jingle and anybody's going.

0:13:15.040 --> 0:13:17.199
<v Speaker 2>It's always fun to meet people. Sho I do this

0:13:17.240 --> 0:13:19.520
<v Speaker 2>second date update inside a commercial free Hour of Kiss.

0:13:19.520 --> 0:13:22.800
<v Speaker 2>And then du Lipa joins us in studio. This is

0:13:23.720 --> 0:13:27.240
<v Speaker 2>from Garrett in Venice, struggling after this situation. Maybe this

0:13:27.320 --> 0:13:28.960
<v Speaker 2>has happened to you, or maybe you're glad it has

0:13:29.000 --> 0:13:31.160
<v Speaker 2>not happened to you. So he meets this girl at

0:13:31.160 --> 0:13:33.640
<v Speaker 2>a bar. He says in the email US, I was

0:13:33.679 --> 0:13:36.320
<v Speaker 2>just out to get wasted after a rough week. She

0:13:36.440 --> 0:13:38.360
<v Speaker 2>made fun of my outfit in a sweet and funny way.

0:13:38.440 --> 0:13:45.120
<v Speaker 2>See that's great anytime you're insulted, it's charming. I love yeah,

0:13:45.160 --> 0:13:47.040
<v Speaker 2>I do. I love it when someone makes fun of you.

0:13:47.080 --> 0:13:48.280
<v Speaker 2>It's like I think that they're.

0:13:49.920 --> 0:13:52.520
<v Speaker 6>Yes at the beginning, it's kind of flirtatious and cute maybe,

0:13:52.960 --> 0:13:55.280
<v Speaker 6>but like carrying it on years into the relationship.

0:13:56.080 --> 0:13:57.679
<v Speaker 2>But I think out of the gate it's flirtatious. I'm

0:13:57.679 --> 0:14:00.680
<v Speaker 2>assisting on that. So anyway, Garrett says, we made out

0:14:00.760 --> 0:14:03.040
<v Speaker 2>at the bar and then she came home with me.

0:14:03.080 --> 0:14:05.320
<v Speaker 2>It was great, but she left before I wake up

0:14:05.360 --> 0:14:08.439
<v Speaker 2>and is not returning my text. So he was really

0:14:08.440 --> 0:14:11.080
<v Speaker 2>into it. It was like all seemed like all systems go,

0:14:11.160 --> 0:14:13.120
<v Speaker 2>and then she bailed. So Garrett, good morning, thanks for

0:14:13.160 --> 0:14:13.520
<v Speaker 2>coming on.

0:14:14.360 --> 0:14:15.640
<v Speaker 7>Yeah, of course, guys, thank you.

0:14:15.840 --> 0:14:17.920
<v Speaker 2>Here's here's my two cents. If you don't want us

0:14:17.960 --> 0:14:21.120
<v Speaker 2>to make the call to her, I feel like she

0:14:21.240 --> 0:14:23.080
<v Speaker 2>might have known you were just out for a crazy

0:14:23.240 --> 0:14:25.440
<v Speaker 2>night and she was part of that, and she doesn't

0:14:25.440 --> 0:14:26.960
<v Speaker 2>want to be part of that. After that crazy night,

0:14:26.960 --> 0:14:27.960
<v Speaker 2>you think it's any chance of that.

0:14:29.760 --> 0:14:32.760
<v Speaker 7>I mean, she seemed to be like pretty okay with it,

0:14:32.880 --> 0:14:35.680
<v Speaker 7>and I don't know it went so well that like

0:14:36.440 --> 0:14:38.800
<v Speaker 7>if she didn't like it, she probably wouldn't have, you know,

0:14:39.080 --> 0:14:40.080
<v Speaker 7>saved with me that night.

0:14:40.400 --> 0:14:42.760
<v Speaker 2>But how many times you texted her? How many times

0:14:42.760 --> 0:14:43.600
<v Speaker 2>have you texted her.

0:14:43.520 --> 0:14:47.240
<v Speaker 7>Since I literally just texted her one saying, like, so

0:14:47.400 --> 0:14:50.720
<v Speaker 7>great meeting you. I'd love to see you again. Maybe

0:14:50.800 --> 0:14:53.600
<v Speaker 7>like two texts, but yeah, no response.

0:14:53.640 --> 0:14:55.760
<v Speaker 1>Garrett. This is definition one night stand.

0:14:56.800 --> 0:14:57.000
<v Speaker 7>Yeah.

0:14:57.040 --> 0:15:00.000
<v Speaker 2>I think that she might have realized that's what it was,

0:15:00.480 --> 0:15:02.680
<v Speaker 2>and she was fine with it too, but doesn't want

0:15:02.720 --> 0:15:04.600
<v Speaker 2>it to be any more. Don't you thinks anything.

0:15:04.480 --> 0:15:08.920
<v Speaker 1>She left before you woke up? Right, I don't love it.

0:15:10.440 --> 0:15:11.280
<v Speaker 2>Has anybody here.

0:15:11.200 --> 0:15:11.680
<v Speaker 7>We done that?

0:15:12.040 --> 0:15:15.680
<v Speaker 1>Me in my San Diego days?

0:15:15.920 --> 0:15:18.080
<v Speaker 2>I think we haven't? We either we've all done or

0:15:18.080 --> 0:15:18.960
<v Speaker 2>had it happened to us?

0:15:19.080 --> 0:15:19.280
<v Speaker 9>Right?

0:15:19.280 --> 0:15:20.840
<v Speaker 1>I couldn't get out of there faster, I know.

0:15:20.880 --> 0:15:22.680
<v Speaker 2>And you're trying to be so quiet.

0:15:23.280 --> 0:15:25.360
<v Speaker 5>I can honestly say this has never happened to me.

0:15:26.640 --> 0:15:27.840
<v Speaker 2>Well, what a buzzkill you are.

0:15:28.280 --> 0:15:30.960
<v Speaker 5>I'm just saying, there's a song for every foot out there.

0:15:32.480 --> 0:15:37.960
<v Speaker 2>What anyway, Garrett, back to you, So we will call

0:15:38.000 --> 0:15:39.520
<v Speaker 2>her and see we can find out. But I'm just saying,

0:15:39.520 --> 0:15:42.720
<v Speaker 2>prepare yourself for her, like knowing that she was part

0:15:42.720 --> 0:15:45.640
<v Speaker 2>of that story that night, since you were clearly on

0:15:45.680 --> 0:15:48.040
<v Speaker 2>a mission, as you said to us, you had a

0:15:48.120 --> 0:15:49.440
<v Speaker 2>rough week at work. You were just out for a

0:15:49.480 --> 0:15:50.040
<v Speaker 2>crazy night.

0:15:51.440 --> 0:15:54.080
<v Speaker 7>Yeah, I mean, like I was just it was one

0:15:54.120 --> 0:15:56.880
<v Speaker 7>of my coworkers got promotion, is bothering me. My boss

0:15:56.960 --> 0:15:59.160
<v Speaker 7>had to talk with me about my attitude, trying to

0:15:59.200 --> 0:16:01.320
<v Speaker 7>take my mind off it. Right next to her at

0:16:01.360 --> 0:16:03.680
<v Speaker 7>the bar, and but I mean she I was wearing

0:16:03.720 --> 0:16:05.640
<v Speaker 7>a black and white striped shirt and she was like,

0:16:05.760 --> 0:16:07.720
<v Speaker 7>what's up, ref, it's this cute smile.

0:16:08.040 --> 0:16:08.400
<v Speaker 2>I love it.

0:16:08.520 --> 0:16:11.320
<v Speaker 7>And I was just hooked and we talked for hours.

0:16:11.640 --> 0:16:15.040
<v Speaker 7>I ditched my friends. I mean like she was my

0:16:15.160 --> 0:16:17.800
<v Speaker 7>crazy night. I wasn't like trying to have a crazy night.

0:16:17.880 --> 0:16:20.960
<v Speaker 7>And then she tagged along. She became my night, you know.

0:16:21.760 --> 0:16:23.800
<v Speaker 2>Yeah, all right, well listen, Garrett, hold on one second.

0:16:23.840 --> 0:16:25.640
<v Speaker 2>Her name is Lara. Is that right?

0:16:26.400 --> 0:16:27.000
<v Speaker 7>Yeah? Lara?

0:16:27.280 --> 0:16:30.240
<v Speaker 2>Okay, We're gonna try and track down Lara, get her

0:16:30.240 --> 0:16:31.560
<v Speaker 2>to come on the air with us. We got her

0:16:31.640 --> 0:16:33.360
<v Speaker 2>numbers to stand by. It's a second date, up date.

0:16:33.440 --> 0:16:35.760
<v Speaker 2>Let's see why she got up quietly and didn't tell

0:16:35.760 --> 0:16:37.520
<v Speaker 2>Garrett she was leaving. And now she's not responding to

0:16:37.520 --> 0:16:40.400
<v Speaker 2>his text. So Garrett decides he had a rough week.

0:16:40.440 --> 0:16:41.600
<v Speaker 2>You want to go out and blow off some steam,

0:16:41.680 --> 0:16:43.320
<v Speaker 2>so he wanted to get wasted, goes to a bar.

0:16:44.160 --> 0:16:46.360
<v Speaker 2>Does that meets this girl. They make out at the bar,

0:16:46.480 --> 0:16:48.680
<v Speaker 2>they go home together. It's a great night. He can't

0:16:48.680 --> 0:16:51.080
<v Speaker 2>believe it. She gets up before he wakes up, and

0:16:51.160 --> 0:16:54.400
<v Speaker 2>she leaves, and then he texts her head this was awesome,

0:16:55.200 --> 0:16:57.720
<v Speaker 2>great nightless hang and she doesn't text me.

0:16:57.960 --> 0:17:00.440
<v Speaker 1>She's gone hoo dany right.

0:17:00.320 --> 0:17:04.760
<v Speaker 2>Because we think, well, save this. Maybe Garrett should speak

0:17:04.760 --> 0:17:07.240
<v Speaker 2>to do a leap. In a few minutes, he's gonna

0:17:07.280 --> 0:17:09.359
<v Speaker 2>be here. We play that song. But anyway, the thing is,

0:17:10.080 --> 0:17:12.360
<v Speaker 2>we think she knew that he was just on this

0:17:12.760 --> 0:17:15.200
<v Speaker 2>crazy night and she was fine to play a part

0:17:15.200 --> 0:17:17.800
<v Speaker 2>in that night. But after that, no more part. And

0:17:17.840 --> 0:17:20.480
<v Speaker 2>that's why she got up and left. She snuck out

0:17:20.480 --> 0:17:23.399
<v Speaker 2>before he could wake up. So, Garrett, we have Lara

0:17:23.520 --> 0:17:25.520
<v Speaker 2>on the line. Be very quiet. We're gonna find out

0:17:25.560 --> 0:17:28.800
<v Speaker 2>what the deal is here. Okay, yeah, sounds good. All right,

0:17:28.800 --> 0:17:31.359
<v Speaker 2>here we go, Lara, thank you very much for holding on.

0:17:31.480 --> 0:17:33.960
<v Speaker 2>We are here on the air. I've got myself, Ryan

0:17:34.000 --> 0:17:35.560
<v Speaker 2>and sistaning Tanya. Good morning.

0:17:35.680 --> 0:17:38.040
<v Speaker 1>Hi Hi hi hi.

0:17:38.480 --> 0:17:41.280
<v Speaker 2>So we're gonna pry a little bit. Forgive us, but

0:17:41.320 --> 0:17:43.400
<v Speaker 2>we're calling about a guy named Garrett who you met

0:17:43.440 --> 0:17:45.240
<v Speaker 2>out when he was having a big night. Do you

0:17:45.280 --> 0:17:45.760
<v Speaker 2>remember that.

0:17:49.000 --> 0:17:51.919
<v Speaker 4>Yeah, I met that guy at the Lincoln. Yeah, I

0:17:51.960 --> 0:17:53.080
<v Speaker 4>remember him great.

0:17:53.240 --> 0:17:55.040
<v Speaker 2>So he said that you kind of in a cute

0:17:55.040 --> 0:17:56.879
<v Speaker 2>way made fun of his outfit, and then you guys

0:17:56.960 --> 0:17:58.200
<v Speaker 2>ended up hanging out for the night.

0:17:59.359 --> 0:18:00.679
<v Speaker 4>Yeah I did do that.

0:18:00.920 --> 0:18:01.120
<v Speaker 7>Yeah.

0:18:02.080 --> 0:18:03.959
<v Speaker 2>What do you think when you think back on Garrett?

0:18:03.960 --> 0:18:04.600
<v Speaker 2>What do you think about?

0:18:06.600 --> 0:18:08.239
<v Speaker 4>I mean, he was he was a nice guy. Like

0:18:08.320 --> 0:18:09.640
<v Speaker 4>we had we had fun.

0:18:11.160 --> 0:18:13.040
<v Speaker 2>And is there more fun to be had with Garrett?

0:18:13.040 --> 0:18:13.239
<v Speaker 7>You think?

0:18:16.280 --> 0:18:18.200
<v Speaker 4>I'm not really sure that, Like we're a good spit

0:18:18.600 --> 0:18:21.000
<v Speaker 4>to be honest, but he was. He was a nice guy.

0:18:22.119 --> 0:18:24.800
<v Speaker 2>Now he Here's what we understand that you guys hit

0:18:24.840 --> 0:18:26.800
<v Speaker 2>it off so much you went and hung out together

0:18:26.960 --> 0:18:28.120
<v Speaker 2>that night. Is that right?

0:18:31.560 --> 0:18:31.800
<v Speaker 10>Yeah?

0:18:31.880 --> 0:18:34.680
<v Speaker 4>I did. I did go back to his apartment that night.

0:18:35.040 --> 0:18:36.840
<v Speaker 4>But I don't know how you guys know that, but

0:18:36.920 --> 0:18:39.440
<v Speaker 4>yes I did. I did go back to his apartment.

0:18:39.520 --> 0:18:41.800
<v Speaker 2>Yeah. Yeah, it's very strange. We also know that you

0:18:41.880 --> 0:18:46.880
<v Speaker 2>left before he woke up. Is that true?

0:18:47.119 --> 0:18:48.920
<v Speaker 4>I did leave before he woke up.

0:18:49.000 --> 0:18:50.520
<v Speaker 7>Yes, it's great.

0:18:51.000 --> 0:18:52.960
<v Speaker 2>And just because you woke up early and need to

0:18:52.960 --> 0:18:54.920
<v Speaker 2>get somewhere or what was the move there?

0:18:58.119 --> 0:19:00.480
<v Speaker 4>No, I just feel like he has a lit growing

0:19:00.560 --> 0:19:03.879
<v Speaker 4>up to do the next morning. I went into his

0:19:03.960 --> 0:19:05.880
<v Speaker 4>kitchen because I thought I would just make some coffee

0:19:05.920 --> 0:19:09.879
<v Speaker 4>or something to eat, and he literally didn't have like

0:19:09.920 --> 0:19:14.320
<v Speaker 4>a single dish, Like, no dishes, no cups. He had

0:19:14.440 --> 0:19:19.080
<v Speaker 4>paper plates and solo cup, no silverware, just like plastic

0:19:19.600 --> 0:19:23.800
<v Speaker 4>takeout stuff. And that just wasn't really my vibe. So

0:19:24.040 --> 0:19:25.800
<v Speaker 4>I just decided I needed to leave.

0:19:26.640 --> 0:19:28.159
<v Speaker 2>Now, I'm just trying to think. There, you are in

0:19:28.200 --> 0:19:30.000
<v Speaker 2>a new guy's house and you wake up to go

0:19:30.040 --> 0:19:31.880
<v Speaker 2>into his kitchen to make yourself some breakfast.

0:19:32.280 --> 0:19:35.560
<v Speaker 4>I don't well, I was I was going to like

0:19:35.600 --> 0:19:37.399
<v Speaker 4>make us coffee like I was gonna do.

0:19:38.160 --> 0:19:38.880
<v Speaker 1>I brought it back.

0:19:39.720 --> 0:19:42.400
<v Speaker 6>They've already had a very intimate night, I'm assuming, right,

0:19:42.440 --> 0:19:43.720
<v Speaker 6>So okay, so uncomfortable.

0:19:43.880 --> 0:19:46.520
<v Speaker 2>I'm grasping this. So everything was cool with Garrett. You

0:19:46.600 --> 0:19:49.680
<v Speaker 2>have a good night, you spend the night. Then then

0:19:49.760 --> 0:19:52.040
<v Speaker 2>you change, You have this change of heart the next

0:19:52.160 --> 0:19:55.040
<v Speaker 2>morning after you wake up. You're not intending to sneak out,

0:19:55.400 --> 0:19:57.439
<v Speaker 2>but then you decide to sneak out because you think

0:19:57.480 --> 0:19:58.800
<v Speaker 2>it needs to grow up a little bit based on

0:19:58.840 --> 0:19:59.800
<v Speaker 2>what you saw in his kitchen.

0:20:00.040 --> 0:20:03.639
<v Speaker 4>Hmmm, yeah, I mean, I just he doesn't have to

0:20:03.680 --> 0:20:06.159
<v Speaker 4>be like a perfect chef. Like great at cooking, but

0:20:06.640 --> 0:20:09.080
<v Speaker 4>he doesn't even own dishes, like no pots, no pans,

0:20:09.119 --> 0:20:11.920
<v Speaker 4>no bowls. It was just really really weird. And when

0:20:11.920 --> 0:20:13.840
<v Speaker 4>I went in the fridge, he did have cereal and milk,

0:20:13.920 --> 0:20:15.600
<v Speaker 4>but he had no bowls. So I was like, I

0:20:15.640 --> 0:20:16.840
<v Speaker 4>have no idea how are even eating?

0:20:16.920 --> 0:20:19.800
<v Speaker 3>And the red solo clops obviously, I mean, was it

0:20:19.840 --> 0:20:21.760
<v Speaker 3>whole milk or was it a different kind of milk?

0:20:22.960 --> 0:20:25.199
<v Speaker 4>No, it was like just regular like cow milk, like

0:20:25.240 --> 0:20:26.359
<v Speaker 4>whole milk, cow milk.

0:20:26.520 --> 0:20:29.480
<v Speaker 2>Huh okay, So is that a deal breaker for you?

0:20:29.880 --> 0:20:32.040
<v Speaker 2>I'm going to tell you, milks tell me a lot

0:20:32.080 --> 0:20:37.280
<v Speaker 2>about somebody. If you have milk, molk, you have some

0:20:37.320 --> 0:20:38.720
<v Speaker 2>milk in there, that's.

0:20:38.640 --> 0:20:42.720
<v Speaker 1>A big Maybe he just moved into this. Is that possible.

0:20:44.600 --> 0:20:48.760
<v Speaker 4>I don't know. I mean I don't I don't think so. No, well,

0:20:48.800 --> 0:20:49.920
<v Speaker 4>I don't think it's possible.

0:20:50.440 --> 0:20:53.399
<v Speaker 2>Clara, thank you for your honesty that we're grateful for it.

0:20:53.400 --> 0:20:54.960
<v Speaker 2>And I'm gonna tell you we know all this because

0:20:55.000 --> 0:20:57.399
<v Speaker 2>Garrett told us this, because Garrett's on the phone listening

0:20:57.480 --> 0:20:59.240
<v Speaker 2>to this. And then Garrett, now you know why she

0:20:59.720 --> 0:21:02.600
<v Speaker 2>left because you have nothing in your cabinets. What is

0:21:02.640 --> 0:21:03.119
<v Speaker 2>that about?

0:21:04.000 --> 0:21:08.520
<v Speaker 7>Okay, Yeah, So I mean, you're right, I don't have

0:21:08.640 --> 0:21:10.960
<v Speaker 7>that much of my cabinets, but I did just move

0:21:11.000 --> 0:21:13.520
<v Speaker 7>out of my parents' house like pretty recently, so I

0:21:14.000 --> 0:21:17.479
<v Speaker 7>just haven't done that big Target run yet, you know, Okay.

0:21:18.000 --> 0:21:21.080
<v Speaker 4>I mean also, like, thank you for calling kiss to

0:21:21.160 --> 0:21:23.159
<v Speaker 4>get a hold of me, Like I really appreciate that.

0:21:25.840 --> 0:21:28.120
<v Speaker 4>Like when did you move out of your parents' house?

0:21:30.480 --> 0:21:36.359
<v Speaker 7>I mean, like April? I mean, if I'm counting, okay,

0:21:36.760 --> 0:21:37.120
<v Speaker 7>and this.

0:21:37.200 --> 0:21:39.000
<v Speaker 4>Is what I was saying, how like I know that

0:21:39.080 --> 0:21:42.720
<v Speaker 4>you didn't just move out because your bathroom was filthy.

0:21:42.800 --> 0:21:45.399
<v Speaker 4>You clearly did not just move in. It was a

0:21:45.480 --> 0:21:49.960
<v Speaker 4>really long time ago.

0:21:48.359 --> 0:21:51.480
<v Speaker 7>Okay, But I'm going to do it though, Like I'm

0:21:51.720 --> 0:21:54.879
<v Speaker 7>I am gonna like, I'm gonna do a shop. You know,

0:21:55.000 --> 0:21:57.199
<v Speaker 7>we're gonna go. We could go to Target together.

0:21:59.200 --> 0:21:59.400
<v Speaker 4>Now?

0:21:59.480 --> 0:22:01.000
<v Speaker 2>Is it just me? Or is this going well?

0:22:01.160 --> 0:22:01.760
<v Speaker 1>I don't know.

0:22:02.359 --> 0:22:03.280
<v Speaker 5>I'm so uncomfortable.

0:22:03.320 --> 0:22:04.600
<v Speaker 1>I can't stop listening though.

0:22:04.760 --> 0:22:06.280
<v Speaker 2>We should this.

0:22:08.800 --> 0:22:08.960
<v Speaker 4>Now.

0:22:10.080 --> 0:22:11.439
<v Speaker 2>The thing I just want to and then we'll let

0:22:11.480 --> 0:22:13.199
<v Speaker 2>you guys live your lives. But the thing I just

0:22:13.240 --> 0:22:14.920
<v Speaker 2>want to be clear here is you did like the

0:22:14.960 --> 0:22:17.480
<v Speaker 2>guy until you saw he had no cops. Is there

0:22:17.520 --> 0:22:19.240
<v Speaker 2>any chance he can get some cops and you guys

0:22:19.240 --> 0:22:20.760
<v Speaker 2>will have another good time together.

0:22:24.160 --> 0:22:28.280
<v Speaker 4>I mean, I guess, I guess sure, I would consider it.

0:22:28.320 --> 0:22:31.000
<v Speaker 4>Why not? I mean that would be I think we

0:22:31.040 --> 0:22:32.719
<v Speaker 4>did have a good time. Like I think you are

0:22:32.760 --> 0:22:36.600
<v Speaker 4>a nice guy, but seriously, the bathroom was really gross

0:22:36.840 --> 0:22:39.600
<v Speaker 4>and I'm I just can't step foot in your apartment

0:22:39.680 --> 0:22:43.960
<v Speaker 4>until you promise me that you're going to clean that bathroom.

0:22:44.160 --> 0:22:47.640
<v Speaker 7>Okay, that's fair, And I appreciate the feedback. And uh,

0:22:47.680 --> 0:22:49.640
<v Speaker 7>you know, I'd love to pitch myself here. We made

0:22:49.680 --> 0:22:54.120
<v Speaker 7>each other laugh. We had great chemistry, definitely good physical chemistry. Right,

0:22:56.920 --> 0:22:59.080
<v Speaker 7>crazy will.

0:22:59.200 --> 0:23:01.280
<v Speaker 2>Be the judge that I get out of the room quick.

0:23:01.440 --> 0:23:03.120
<v Speaker 2>Let's just say, you guys call each other.

0:23:03.280 --> 0:23:05.879
<v Speaker 7>I don't know, I speak for myself, but I mean, like,

0:23:05.960 --> 0:23:08.400
<v Speaker 7>let's do a little targe. Let's do a little second day,

0:23:08.800 --> 0:23:12.000
<v Speaker 7>little stuff from my place, maybe a little clean the

0:23:12.000 --> 0:23:12.760
<v Speaker 7>bathroom together.

0:23:13.119 --> 0:23:17.960
<v Speaker 2>No, for your head, He's gonna text you, thank you

0:23:18.000 --> 0:23:22.600
<v Speaker 2>guys for coming on in good luckship. Good. When she

0:23:22.600 --> 0:23:25.960
<v Speaker 2>said thanks for contacting kiss, I cringed myself. I wanted

0:23:25.960 --> 0:23:32.679
<v Speaker 2>to go and hide. Can we talk about milk compatibility? Sure? So,

0:23:32.920 --> 0:23:34.959
<v Speaker 2>I honestly, the more we think about this. Maybe it's

0:23:35.000 --> 0:23:37.159
<v Speaker 2>because we live in Los Angeles, I don't know, and

0:23:37.200 --> 0:23:41.440
<v Speaker 2>maybe it's because I have ball issues with full blown dairy.

0:23:42.040 --> 0:23:44.280
<v Speaker 2>I don't know that I would totally sync up with

0:23:44.320 --> 0:23:45.200
<v Speaker 2>a whole milk person.

0:23:45.960 --> 0:23:47.640
<v Speaker 1>You can have your own milk.

0:23:48.640 --> 0:23:53.480
<v Speaker 11>I mean serious, I agree, but I buy the three

0:23:53.560 --> 0:23:54.760
<v Speaker 11>trees on the milk.

0:23:55.200 --> 0:23:56.400
<v Speaker 5>I agree with you.

0:23:56.520 --> 0:23:59.400
<v Speaker 2>Yeah see, I don't know. Ever since I discovered almond milk.

0:23:59.440 --> 0:24:01.840
<v Speaker 2>First I was this way guy. Then I discovered almond milk,

0:24:02.280 --> 0:24:04.840
<v Speaker 2>and I feel like I feel like a closeness to

0:24:04.880 --> 0:24:08.040
<v Speaker 2>somebody that also needs almond milk for their situation, because

0:24:08.040 --> 0:24:11.600
<v Speaker 2>anybody can have a whole milk situation, like I couldn't

0:24:11.600 --> 0:24:14.200
<v Speaker 2>bless them. Yeah, good for you, but you deserve another

0:24:14.200 --> 0:24:14.960
<v Speaker 2>whole milk person.

0:24:15.560 --> 0:24:17.520
<v Speaker 1>No, you're gonna have your separate milks. But I know

0:24:17.560 --> 0:24:18.879
<v Speaker 1>what you mean. I mean, Michael and I drink the

0:24:18.880 --> 0:24:23.919
<v Speaker 1>same milk. Yeah sure, yeah, I mean I.

0:24:24.119 --> 0:24:26.640
<v Speaker 3>Put powerful over my milk because I make homemade almond milk.

0:24:26.640 --> 0:24:27.880
<v Speaker 3>And it's like, where.

0:24:27.640 --> 0:24:28.919
<v Speaker 2>Did you learn that? Excuse me?

0:24:29.160 --> 0:24:30.000
<v Speaker 1>Ah?

0:24:30.040 --> 0:24:30.720
<v Speaker 5>Thanks? Girlfriend?

0:24:30.760 --> 0:24:41.800
<v Speaker 11>Actually, did you make a video with a.

0:24:41.720 --> 0:24:42.359
<v Speaker 2>Step by step?

0:24:42.480 --> 0:24:42.600
<v Speaker 8>No?

0:24:42.640 --> 0:24:44.200
<v Speaker 2>You did not know? You did not? She did.

0:24:47.200 --> 0:24:49.240
<v Speaker 1>On air with a Ryan Seacrest.

0:24:51.440 --> 0:24:54.600
<v Speaker 2>It is a Tuesday morning. It's a great Tuesday. Tuesday

0:24:54.680 --> 0:24:56.760
<v Speaker 2>is always the toughest day, right, Tuesdays the day we

0:24:56.800 --> 0:24:59.040
<v Speaker 2>say we got to push a little harder. You know,

0:24:59.320 --> 0:25:02.440
<v Speaker 2>all hands ne be on deck, But not today because

0:25:02.480 --> 0:25:04.240
<v Speaker 2>Doua Lip has come in to put her hands on

0:25:04.280 --> 0:25:05.720
<v Speaker 2>the deck with us.

0:25:05.720 --> 0:25:06.560
<v Speaker 1>He's welcome.

0:25:08.160 --> 0:25:11.320
<v Speaker 2>I noticed something very different about you. It's your hair.

0:25:11.400 --> 0:25:13.160
<v Speaker 12>Yeah, it might be my hair.

0:25:13.560 --> 0:25:13.760
<v Speaker 4>Yeah.

0:25:15.080 --> 0:25:17.440
<v Speaker 10>I think last time I was in the studio here,

0:25:17.720 --> 0:25:19.280
<v Speaker 10>I had a blonde hair.

0:25:19.800 --> 0:25:22.879
<v Speaker 2>Yeah, okay, so it's definitely your hair. I'm proud of

0:25:22.880 --> 0:25:27.720
<v Speaker 2>myself recognizing good job, good joke. Is there symbolism in

0:25:28.080 --> 0:25:30.600
<v Speaker 2>and it looks great? It looks great? Is there symbolism

0:25:30.720 --> 0:25:31.320
<v Speaker 2>in that red?

0:25:32.560 --> 0:25:34.080
<v Speaker 12>Symbolism? I don't know when I was.

0:25:34.080 --> 0:25:37.080
<v Speaker 10>When I was making my new record, I just felt

0:25:37.119 --> 0:25:40.399
<v Speaker 10>like I really resonated with the color red, and I

0:25:40.400 --> 0:25:43.200
<v Speaker 10>felt like that was that's that was just my new vibe. Now.

0:25:43.480 --> 0:25:45.280
<v Speaker 2>But when you walked in, there was a falsett of

0:25:45.280 --> 0:25:46.119
<v Speaker 2>screams from Tanya.

0:25:46.119 --> 0:25:49.920
<v Speaker 1>And now we've been excited. We've been waiting for your arrival.

0:25:50.119 --> 0:25:52.760
<v Speaker 3>I've been listening to this new song on repeat since

0:25:52.760 --> 0:25:57.000
<v Speaker 3>it came out on repeat, Yeah, it's I can't handle it.

0:25:57.240 --> 0:25:58.440
<v Speaker 12>I'm so happy you like it.

0:25:58.760 --> 0:26:01.200
<v Speaker 2>We're gonna play it and we're gonna I'm gonna get

0:26:01.240 --> 0:26:02.840
<v Speaker 2>into the psyche of it in a second. But first,

0:26:02.880 --> 0:26:04.360
<v Speaker 2>congratulations on the Grammys.

0:26:04.760 --> 0:26:06.200
<v Speaker 12>Thank you so much.

0:26:06.240 --> 0:26:07.160
<v Speaker 2>Grammy nominations.

0:26:08.560 --> 0:26:12.000
<v Speaker 10>Massive deal, massive deal. I'm super, super super happy.

0:26:12.280 --> 0:26:16.200
<v Speaker 2>What was the coolest or most interesting text congratulations text

0:26:16.320 --> 0:26:18.840
<v Speaker 2>you got once people found out that you were two

0:26:18.880 --> 0:26:20.000
<v Speaker 2>time Grammy nominee.

0:26:20.119 --> 0:26:23.040
<v Speaker 12>What was the most interesting one? I don't know.

0:26:23.119 --> 0:26:26.160
<v Speaker 10>I mean just the excitement that I think me and

0:26:26.240 --> 0:26:29.240
<v Speaker 10>Mark Cronson and Andrew Wyatt and Caroline felt together. We

0:26:29.320 --> 0:26:31.919
<v Speaker 10>have this group chat, and so it was just like,

0:26:32.040 --> 0:26:34.840
<v Speaker 10>oh my god, guys, like this is so exciting. Can't

0:26:34.880 --> 0:26:38.359
<v Speaker 10>believe we got two Grammy norms. And Mark and Andrew

0:26:38.440 --> 0:26:41.000
<v Speaker 10>got one for the score as well. And I mean,

0:26:41.040 --> 0:26:45.119
<v Speaker 10>the they they did really well this Grammy season. So

0:26:45.160 --> 0:26:48.720
<v Speaker 10>it's gonna be exciting. I'm I'm super proud of everyone involved.

0:26:49.040 --> 0:26:51.239
<v Speaker 2>Some people say that they don't, you know, fine, they

0:26:51.240 --> 0:26:53.480
<v Speaker 2>don't really care if they get nominated. I don't know

0:26:53.520 --> 0:26:55.879
<v Speaker 2>I would care, Like I'd be excited to be nominated

0:26:55.920 --> 0:26:56.439
<v Speaker 2>for a Grammy.

0:26:56.560 --> 0:27:00.159
<v Speaker 10>Definitely, you I mean, it's it's like I think, you know,

0:27:00.280 --> 0:27:02.800
<v Speaker 10>some people maybe say, like, oh, it's it's not how

0:27:02.840 --> 0:27:05.640
<v Speaker 10>you measure success, which I definitely don't think it's how

0:27:05.720 --> 0:27:09.520
<v Speaker 10>you measure success. But it's so amazing to be recognized

0:27:09.520 --> 0:27:12.760
<v Speaker 10>by your peers by you know, to have this like

0:27:13.800 --> 0:27:16.760
<v Speaker 10>I don't know, I guess nomination or accolade aside you

0:27:16.800 --> 0:27:19.520
<v Speaker 10>that you go, oh, like I did something that's really

0:27:19.520 --> 0:27:21.919
<v Speaker 10>special and lots of people liked it, and and you know,

0:27:22.000 --> 0:27:24.320
<v Speaker 10>it feels good of course, like you have that feeling.

0:27:24.400 --> 0:27:26.680
<v Speaker 10>I mean, I definitely I feel very, very proud.

0:27:26.520 --> 0:27:28.720
<v Speaker 1>And to be involved in the movie of the year.

0:27:28.960 --> 0:27:32.280
<v Speaker 12>Yes, absolutely absolutely.

0:27:32.000 --> 0:27:34.639
<v Speaker 2>Was Barbie your acting debut like a fish like a

0:27:34.680 --> 0:27:35.639
<v Speaker 2>movie acting debut.

0:27:35.960 --> 0:27:39.120
<v Speaker 10>It's it's it's the first thing that was like, I mean,

0:27:39.280 --> 0:27:40.040
<v Speaker 10>acting debut.

0:27:40.080 --> 0:27:45.439
<v Speaker 12>I did it. I did a little cameo, you know,

0:27:45.880 --> 0:27:47.280
<v Speaker 12>but I will take it.

0:27:47.280 --> 0:27:48.720
<v Speaker 10>You know, the fact that I got to be in

0:27:48.760 --> 0:27:52.439
<v Speaker 10>a mermaid fish tail, I'm gonna lap it up for

0:27:52.480 --> 0:27:53.440
<v Speaker 10>as long as possible.

0:27:53.480 --> 0:27:55.840
<v Speaker 2>I loved it, did you, Barbie?

0:27:55.920 --> 0:27:59.600
<v Speaker 10>You were well, I got asked to be Mermaid Barbie

0:27:59.600 --> 0:28:01.639
<v Speaker 10>by Grass, but I got to I got asked to

0:28:01.640 --> 0:28:05.160
<v Speaker 10>be the Mermaid Barbies plural, So I got to wear

0:28:05.280 --> 0:28:07.280
<v Speaker 10>like four different fish tails.

0:28:07.320 --> 0:28:09.480
<v Speaker 12>It was like the purple one, the orange on, the

0:28:09.520 --> 0:28:10.200
<v Speaker 12>pink one.

0:28:10.040 --> 0:28:10.680
<v Speaker 2>The blue one.

0:28:10.720 --> 0:28:12.199
<v Speaker 10>I was like, it was really I was having a

0:28:12.240 --> 0:28:14.720
<v Speaker 10>moment and I was getting carried around everywhere because I

0:28:14.720 --> 0:28:18.000
<v Speaker 10>couldn't move in a fishtail. I was completely like, so

0:28:18.200 --> 0:28:21.280
<v Speaker 10>I quite enjoyed just being carried around.

0:28:21.800 --> 0:28:23.400
<v Speaker 12>I was having a real I was having a real

0:28:23.440 --> 0:28:24.280
<v Speaker 12>Steve the moment.

0:28:25.080 --> 0:28:27.480
<v Speaker 2>It seems like fun. So explain to us how you

0:28:27.480 --> 0:28:30.560
<v Speaker 2>wrote Dance to Night. Did you see the scene that

0:28:30.640 --> 0:28:32.119
<v Speaker 2>it was going to be featured in and then write

0:28:32.119 --> 0:28:33.359
<v Speaker 2>to the scene and how how did you do it

0:28:33.359 --> 0:28:35.400
<v Speaker 2>and how's it different from your normal writing process?

0:28:35.480 --> 0:28:38.640
<v Speaker 10>It was completely different from my from my normal writing

0:28:38.720 --> 0:28:43.800
<v Speaker 10>process entirely. I initially well, Mark hat asked me if

0:28:43.840 --> 0:28:46.080
<v Speaker 10>I was interested in Mark Ronson yet, if I was

0:28:46.120 --> 0:28:49.320
<v Speaker 10>interesting in working with him on this track, And all

0:28:49.360 --> 0:28:52.840
<v Speaker 10>I saw was a dance rehearsal video of the whole

0:28:52.920 --> 0:28:57.160
<v Speaker 10>cast in a dance studio like rehearsing to what was

0:28:57.280 --> 0:29:02.760
<v Speaker 10>just the score essentially the strings string part. And I

0:29:02.800 --> 0:29:06.640
<v Speaker 10>was like, oh, one thousand percent, I'm all over this definitely.

0:29:06.720 --> 0:29:08.880
<v Speaker 10>I really I would love, love, love to do it.

0:29:09.480 --> 0:29:12.840
<v Speaker 10>And I was more just kind of thinking about when

0:29:13.040 --> 0:29:16.280
<v Speaker 10>was the deadline, when did we need to send it in,

0:29:16.360 --> 0:29:19.040
<v Speaker 10>And it was just before they had started filming for Barbie.

0:29:20.000 --> 0:29:23.200
<v Speaker 10>And I guess that the whole task of it was

0:29:23.600 --> 0:29:25.360
<v Speaker 10>how do you write a song that's going to help

0:29:25.400 --> 0:29:27.400
<v Speaker 10>tell the story as well, because it was happening, like

0:29:27.440 --> 0:29:31.000
<v Speaker 10>the song happens on Barbie's best day ever, and it's

0:29:31.120 --> 0:29:34.200
<v Speaker 10>just as Barbie's starting to have these thoughts of death right,

0:29:34.880 --> 0:29:38.880
<v Speaker 10>and I needed to write a song that had all

0:29:38.880 --> 0:29:41.200
<v Speaker 10>the excitement of the best day ever, and it had

0:29:41.240 --> 0:29:45.720
<v Speaker 10>all the disco elements and the glittery pop disco stuff

0:29:46.640 --> 0:29:51.200
<v Speaker 10>with then underlying lyrics of what am I going to

0:29:51.240 --> 0:29:53.200
<v Speaker 10>do if everything kind of goes wrong? You know, how

0:29:53.200 --> 0:29:56.320
<v Speaker 10>am I going to stay positive or optimistic in the

0:29:56.360 --> 0:29:58.440
<v Speaker 10>face of things maybe not working out the way that

0:29:58.480 --> 0:30:00.080
<v Speaker 10>I want them to. So that was kind of the

0:30:00.080 --> 0:30:02.000
<v Speaker 10>the premise of it, and that was also the kickoff

0:30:02.040 --> 0:30:04.360
<v Speaker 10>for the rest of the film as well, that kind

0:30:04.400 --> 0:30:09.000
<v Speaker 10>of juxtaposition on throughout the whole film. So it was like,

0:30:09.040 --> 0:30:12.000
<v Speaker 10>all right, regrets, I, We're going to make the dance

0:30:12.080 --> 0:30:17.600
<v Speaker 10>crying song for that part, and that's how it was.

0:30:17.680 --> 0:30:20.320
<v Speaker 10>It was just like really amazing because when I go

0:30:20.360 --> 0:30:22.640
<v Speaker 10>in the studio and work on my own music, I

0:30:22.640 --> 0:30:26.040
<v Speaker 10>write very much from just my own personal experiences, and

0:30:26.080 --> 0:30:31.200
<v Speaker 10>this one was really diving into Barbie's world and her

0:30:31.320 --> 0:30:34.240
<v Speaker 10>character and what her story was and what she was

0:30:34.280 --> 0:30:36.760
<v Speaker 10>going through, which was really really fun to kind of

0:30:36.760 --> 0:30:39.080
<v Speaker 10>go in and I, you know, have a task and

0:30:39.120 --> 0:30:39.880
<v Speaker 10>have an assignment.

0:30:39.960 --> 0:30:42.600
<v Speaker 12>I was like, this is something I really love and

0:30:42.640 --> 0:30:43.960
<v Speaker 12>I enjoyed deadline.

0:30:44.640 --> 0:30:48.960
<v Speaker 10>I saw deadline there was kind of it was not

0:30:49.040 --> 0:30:51.920
<v Speaker 10>really not really a deadline because the film was already

0:30:52.520 --> 0:30:56.040
<v Speaker 10>filmed then with the instrumental, so we had a little

0:30:56.080 --> 0:30:57.840
<v Speaker 10>bit more time to get all the lyrics. But the

0:30:58.160 --> 0:31:01.200
<v Speaker 10>best thing about that was that we had originally written

0:31:01.240 --> 0:31:03.560
<v Speaker 10>the song. And then we went back in the studio

0:31:03.600 --> 0:31:06.920
<v Speaker 10>again and we watched the song with the with the

0:31:07.040 --> 0:31:09.720
<v Speaker 10>dance scene, and then I was like, oh wait a second,

0:31:09.720 --> 0:31:11.280
<v Speaker 10>Like I think we need to just go back in

0:31:11.320 --> 0:31:14.200
<v Speaker 10>and like do some rewriting. And there's like little moments

0:31:14.240 --> 0:31:18.960
<v Speaker 10>where Barbie or Margo goes like she does a dance

0:31:19.000 --> 0:31:21.360
<v Speaker 10>move like this right, and I'm like, oh, well, we

0:31:21.480 --> 0:31:22.800
<v Speaker 10>have to put in like come.

0:31:22.600 --> 0:31:25.480
<v Speaker 12>Along for the ride there and just like start tailoring.

0:31:26.040 --> 0:31:27.640
<v Speaker 10>I was sorry, I'm waving my hands, yet I forget

0:31:27.640 --> 0:31:31.160
<v Speaker 10>that I'm on the radio, and it was like, Okay,

0:31:31.240 --> 0:31:34.000
<v Speaker 10>let's tailor little things to the dance moves to like

0:31:34.080 --> 0:31:38.640
<v Speaker 10>really feel like we're scoring right the film. That's how

0:31:39.000 --> 0:31:41.320
<v Speaker 10>the lyrics were written. So it was just a completely

0:31:41.360 --> 0:31:44.840
<v Speaker 10>different experience. I absolutely loved it. Loved it cool.

0:31:45.200 --> 0:31:47.320
<v Speaker 2>There's so many great layers to that song too. You know,

0:31:47.360 --> 0:31:50.040
<v Speaker 2>you can almost picture it being played obviously here on

0:31:50.080 --> 0:31:51.680
<v Speaker 2>the radio, but I can also see it in like

0:31:51.720 --> 0:31:55.800
<v Speaker 2>a two story gold club in Europe along the coast,

0:31:55.880 --> 0:31:58.320
<v Speaker 2>you know, after two am, and that's the kind of

0:31:58.320 --> 0:31:58.960
<v Speaker 2>song that comes on.

0:31:59.120 --> 0:32:00.920
<v Speaker 12>That's the idea, that's the idea.

0:32:00.960 --> 0:32:04.360
<v Speaker 10>It's like that really late night, like things are getting

0:32:04.400 --> 0:32:06.960
<v Speaker 10>a little messy, then this song comes on and you're like,

0:32:07.080 --> 0:32:07.840
<v Speaker 10>oh my god.

0:32:08.560 --> 0:32:13.920
<v Speaker 2>My second Yeah exactly. So you were saying that, chronologically speaking,

0:32:14.000 --> 0:32:15.720
<v Speaker 2>this is sort of the first in a series of

0:32:15.760 --> 0:32:18.120
<v Speaker 2>different stories, but it represents this is what I want

0:32:18.120 --> 0:32:20.560
<v Speaker 2>to hone in on for a second, but it represents

0:32:20.680 --> 0:32:23.840
<v Speaker 2>sort of the best phases or stages of single Them.

0:32:24.000 --> 0:32:25.040
<v Speaker 2>Yeah right.

0:32:25.360 --> 0:32:28.080
<v Speaker 10>I think it's just more like the different feelings and

0:32:28.120 --> 0:32:32.480
<v Speaker 10>emotions that you have throughout the period of like single them,

0:32:32.720 --> 0:32:37.040
<v Speaker 10>you know, it's I think also understanding. You kind of

0:32:37.040 --> 0:32:39.200
<v Speaker 10>get to a point where you're like understanding what you

0:32:39.240 --> 0:32:41.840
<v Speaker 10>want and what you need and what you deserve. And

0:32:41.880 --> 0:32:44.360
<v Speaker 10>then it's kind of just a play on words obviously,

0:32:44.440 --> 0:32:47.160
<v Speaker 10>like using Kudini like verb like this is great where

0:32:47.160 --> 0:32:50.680
<v Speaker 10>I'm gonna Podini out of it, you know, Yeah, and

0:32:50.760 --> 0:32:51.800
<v Speaker 10>we all use it.

0:32:51.800 --> 0:32:54.200
<v Speaker 1>It's one of those terms that we have for sure.

0:32:54.560 --> 0:32:56.440
<v Speaker 2>By the way, they said, I who DEI remember what

0:32:56.480 --> 0:32:57.720
<v Speaker 2>was the Christmas party?

0:32:59.240 --> 0:33:04.240
<v Speaker 3>Yeah, he's gonna go, I'm gonna go request the song.

0:33:04.280 --> 0:33:05.520
<v Speaker 3>We all want to hear the song. I'm gonna go

0:33:05.520 --> 0:33:07.360
<v Speaker 3>request it. So he'll go, like request it and then

0:33:07.360 --> 0:33:08.160
<v Speaker 3>he'll Houdini.

0:33:11.200 --> 0:33:13.880
<v Speaker 2>I let them have some fun. But but it's but

0:33:13.960 --> 0:33:15.920
<v Speaker 2>single them, you know, the good stages. Then that has

0:33:15.920 --> 0:33:18.080
<v Speaker 2>an expiration date or it has a change into an

0:33:18.080 --> 0:33:21.080
<v Speaker 2>next chapter or stories that sort of when you speak chronologically,

0:33:21.320 --> 0:33:22.800
<v Speaker 2>what should we be thinking about?

0:33:22.880 --> 0:33:23.920
<v Speaker 12>Well, I guess just like.

0:33:26.400 --> 0:33:29.920
<v Speaker 10>It kind of goes into the phases of from figuring

0:33:29.960 --> 0:33:34.520
<v Speaker 10>out single them into potentially a new relationship.

0:33:35.720 --> 0:33:37.760
<v Speaker 2>And when you when you think about it, so then

0:33:37.800 --> 0:33:40.440
<v Speaker 2>all right, so it's single them, new relationship, and then

0:33:40.560 --> 0:33:42.120
<v Speaker 2>is there another single them?

0:33:42.120 --> 0:33:46.880
<v Speaker 10>Then it's kind of like, you know, just kind of

0:33:46.880 --> 0:33:50.120
<v Speaker 10>seeing if somebody can kind of keep up, keep up

0:33:50.360 --> 0:33:53.640
<v Speaker 10>in a way I guess early days, early days. And

0:33:53.680 --> 0:33:57.440
<v Speaker 10>then it starts getting a little bit more. You know,

0:33:57.480 --> 0:34:00.800
<v Speaker 10>you're kind of starting to see through the Oh my god,

0:34:00.840 --> 0:34:05.400
<v Speaker 10>this is like way hard.

0:34:04.640 --> 0:34:06.960
<v Speaker 12>What am I talking about here?

0:34:07.840 --> 0:34:10.480
<v Speaker 10>And then you're you're kind of like seeing the truth

0:34:10.520 --> 0:34:14.279
<v Speaker 10>behind someone, whether they're real or not, who they are,

0:34:14.360 --> 0:34:16.600
<v Speaker 10>what they represent kind of thing. And then you go

0:34:16.640 --> 0:34:19.680
<v Speaker 10>into the phases of this is amazing and this is

0:34:19.719 --> 0:34:21.200
<v Speaker 10>everything that I wanted kind of thing.

0:34:21.280 --> 0:34:25.879
<v Speaker 2>And then that's when I get worried. That's no, that's

0:34:25.880 --> 0:34:28.759
<v Speaker 2>when I get scared. No, it's going so great. That's

0:34:28.760 --> 0:34:29.680
<v Speaker 2>when I worry the most.

0:34:29.840 --> 0:34:31.600
<v Speaker 10>But it's going so well. You're like, all right, when's

0:34:31.640 --> 0:34:32.359
<v Speaker 10>it going to go wrong?

0:34:32.440 --> 0:34:34.520
<v Speaker 2>When's it going to go wrong? It's all going so well,

0:34:34.680 --> 0:34:37.040
<v Speaker 2>something's gonna what's going to go wrong? But that's you know,

0:34:37.120 --> 0:34:37.840
<v Speaker 2>my own issue.

0:34:37.960 --> 0:34:39.719
<v Speaker 5>So wait, can ask you a question.

0:34:40.000 --> 0:34:42.640
<v Speaker 1>Yeah, of course, when you purge your entire.

0:34:42.600 --> 0:34:45.720
<v Speaker 2>She said, no, no, no.

0:34:45.719 --> 0:34:47.960
<v Speaker 3>When you before the song came out and you purge

0:34:47.960 --> 0:34:49.960
<v Speaker 3>your entire Instagram, did it feel liberating?

0:34:50.040 --> 0:34:52.640
<v Speaker 12>Oh, it was the best feeling ever. Oh, we can't

0:34:52.680 --> 0:34:54.520
<v Speaker 12>do it. It was the best feel what you did?

0:34:54.520 --> 0:34:55.800
<v Speaker 1>You archive or did you just delete?

0:34:56.400 --> 0:34:59.719
<v Speaker 10>Okay, so they're still yeah, but they're not coming by,

0:35:00.120 --> 0:35:01.719
<v Speaker 10>they're not going back there more just for me if

0:35:01.719 --> 0:35:03.719
<v Speaker 10>I want to take a trip down memory lane or something.

0:35:03.960 --> 0:35:05.840
<v Speaker 12>Okay, but really, I don't know.

0:35:05.920 --> 0:35:07.960
<v Speaker 10>It just feels so nice to just have a fresh

0:35:08.000 --> 0:35:11.520
<v Speaker 10>start and start something you know, new and it's motivating.

0:35:12.040 --> 0:35:13.759
<v Speaker 10>And it's also nice to take a little break from

0:35:13.760 --> 0:35:16.560
<v Speaker 10>social media because I think when I'm not posting that

0:35:16.680 --> 0:35:20.799
<v Speaker 10>I'm not really looking. Also, it's kind of interesting because

0:35:20.800 --> 0:35:24.479
<v Speaker 10>then I just stay on. I don't know, but yeah,

0:35:24.560 --> 0:35:26.080
<v Speaker 10>it was nice to be off for a little bit.

0:35:26.280 --> 0:35:29.919
<v Speaker 2>Let's purgege it would take me like a year.

0:35:32.280 --> 0:35:34.840
<v Speaker 10>Well now on Instagram they've got the setting where you

0:35:34.880 --> 0:35:36.880
<v Speaker 10>can do mass multiple stuff.

0:35:36.960 --> 0:35:38.280
<v Speaker 12>Everyone in the background.

0:35:39.200 --> 0:35:42.680
<v Speaker 2>Ready to purge a tech class after this, Julie, But

0:35:42.719 --> 0:35:44.359
<v Speaker 2>thank you so much for coming in. It's always great

0:35:44.400 --> 0:35:45.239
<v Speaker 2>to see you.

0:35:44.960 --> 0:35:46.799
<v Speaker 12>Thank you.

0:35:47.840 --> 0:35:49.080
<v Speaker 2>We'll see the Grammys.

0:35:50.760 --> 0:35:51.840
<v Speaker 1>With Ryan Seacrest.

0:35:53.840 --> 0:35:56.520
<v Speaker 2>I just want to note that Julip always here and

0:35:56.560 --> 0:36:00.759
<v Speaker 2>everybody took some photos with I've never seen Mark producer

0:36:01.160 --> 0:36:03.200
<v Speaker 2>jump across the table to take a photo with any

0:36:03.200 --> 0:36:04.160
<v Speaker 2>of our guests have y'all.

0:36:05.000 --> 0:36:09.440
<v Speaker 1>It's very rare. I mean, he was very giddy.

0:36:09.560 --> 0:36:12.960
<v Speaker 9>Quick it became teenagers. My policy on this change. My

0:36:12.960 --> 0:36:16.600
<v Speaker 9>policy was always never, it's not professional. But then Little

0:36:16.640 --> 0:36:18.640
<v Speaker 9>knas X was in the studio, so I got a

0:36:18.640 --> 0:36:21.920
<v Speaker 9>fixture and there little actually blaming Little nas X. You're

0:36:22.239 --> 0:36:24.600
<v Speaker 9>all their friends, and everyone gets very impressed. So I'm continuing,

0:36:25.800 --> 0:36:31.400
<v Speaker 9>Menzel got you. That was for the whole family.

0:36:31.480 --> 0:36:34.279
<v Speaker 2>Now, exactly, Mark, So I see when the kids were

0:36:34.360 --> 0:36:36.719
<v Speaker 2>not teenagers, they didn't care if you were cool or not.

0:36:36.880 --> 0:36:38.239
<v Speaker 2>Now you have to show them that. Yeah, I have

0:36:38.280 --> 0:36:39.799
<v Speaker 2>to prove that I'm funny. How when I'm right next

0:36:39.840 --> 0:36:40.719
<v Speaker 2>to you, don't ask for a picture.

0:36:40.800 --> 0:36:42.280
<v Speaker 5>Yeah, you don't ask Ryan for photos?

0:36:43.200 --> 0:36:43.960
<v Speaker 2>One picture ever?

0:36:44.160 --> 0:36:46.880
<v Speaker 6>Yeah I might have one picture with you myself, but

0:36:46.960 --> 0:36:47.520
<v Speaker 6>that's not true.

0:36:47.520 --> 0:36:49.120
<v Speaker 2>Every time I'm next to you, you guys ask to

0:36:49.120 --> 0:36:49.880
<v Speaker 2>shoot videos.

0:36:50.760 --> 0:36:56.520
<v Speaker 1>Well, we try to make the most of it, all right.

0:36:56.960 --> 0:37:00.399
<v Speaker 2>Guys, I think we have to give some advice. Let's

0:37:00.440 --> 0:37:03.799
<v Speaker 2>see here, Judy's on the line. Hi, Judy, thank you

0:37:03.840 --> 0:37:06.359
<v Speaker 2>so much for Colin. How are you good?

0:37:06.400 --> 0:37:08.320
<v Speaker 8>How are you guys great?

0:37:08.440 --> 0:37:09.359
<v Speaker 2>How can we help you?

0:37:10.800 --> 0:37:11.080
<v Speaker 4>So?

0:37:11.680 --> 0:37:15.839
<v Speaker 8>My friends do a friends giving every year okay, and

0:37:15.920 --> 0:37:18.319
<v Speaker 8>my one friend always hosts, which is super nice of her,

0:37:19.320 --> 0:37:23.840
<v Speaker 8>And the list went out for all of you know,

0:37:23.880 --> 0:37:26.640
<v Speaker 8>the assignment, whether it's something that you're bringing or something

0:37:26.640 --> 0:37:29.480
<v Speaker 8>that you have to you know, do for the friends giving,

0:37:30.280 --> 0:37:33.880
<v Speaker 8>which again is reasonable because she hosts us so that's fine,

0:37:34.680 --> 0:37:37.240
<v Speaker 8>except this year I was put in charge of making

0:37:37.320 --> 0:37:42.720
<v Speaker 8>the turkey, and I one has never made a turkey before,

0:37:43.360 --> 0:37:45.480
<v Speaker 8>and two was kind of caught off guard because that's

0:37:45.560 --> 0:37:49.480
<v Speaker 8>usually her thing, since it's like her house and she's hosting,

0:37:49.520 --> 0:37:52.520
<v Speaker 8>and typically I feel like the turkeys made.

0:37:52.760 --> 0:37:53.080
<v Speaker 1>Wherever?

0:37:53.440 --> 0:37:55.560
<v Speaker 2>Are you on the readmill right now? Are you exercising?

0:37:56.920 --> 0:37:57.359
<v Speaker 12>Am I?

0:37:58.160 --> 0:38:00.120
<v Speaker 2>Yeah?

0:38:01.719 --> 0:38:07.000
<v Speaker 8>No, I'm not. I'm actually standing still in a room.

0:38:07.360 --> 0:38:10.040
<v Speaker 2>That's weird. So here we are. You're gonna do the turkey?

0:38:11.360 --> 0:38:16.000
<v Speaker 8>Yeah, but I am really not. I've never made a

0:38:16.000 --> 0:38:18.880
<v Speaker 8>turkey before, and I honestly really thought she was going

0:38:18.960 --> 0:38:22.280
<v Speaker 8>to do it. She's done it past years before, and

0:38:22.760 --> 0:38:24.640
<v Speaker 8>before I bring it up to her, I don't know.

0:38:24.760 --> 0:38:26.319
<v Speaker 8>I wanted to just see what you guys think, Like,

0:38:26.440 --> 0:38:29.120
<v Speaker 8>is it rude for me to say, like, because you're

0:38:29.160 --> 0:38:31.520
<v Speaker 8>hosting her, I feel like you would do the turkey you

0:38:31.600 --> 0:38:34.760
<v Speaker 8>have before? And I don't want to seem ungrateful because

0:38:34.880 --> 0:38:36.399
<v Speaker 8>she's kind enough to host all of.

0:38:36.360 --> 0:38:41.040
<v Speaker 4>Us the turkey if we do not.

0:38:43.040 --> 0:38:45.520
<v Speaker 6>Guests to bring the big old like castrole and the

0:38:45.600 --> 0:38:49.520
<v Speaker 6>turkey in the around.

0:38:49.320 --> 0:38:51.400
<v Speaker 1>And every time you make a left turn it gets.

0:38:52.280 --> 0:38:54.479
<v Speaker 2>To get to your house, and my turkey's gonna stain

0:38:54.640 --> 0:38:55.480
<v Speaker 2>the door and.

0:38:55.600 --> 0:38:57.920
<v Speaker 6>You hit a bump and then all the juice goes flying.

0:38:59.640 --> 0:39:09.200
<v Speaker 13>In the all I get it together, and Judy, you're

0:39:09.440 --> 0:39:11.000
<v Speaker 13>like the sweetest sounding person.

0:39:11.200 --> 0:39:14.600
<v Speaker 2>Just use your sweet charm and tell her what you

0:39:14.719 --> 0:39:16.839
<v Speaker 2>told us and get yourself off the hook.

0:39:16.960 --> 0:39:19.480
<v Speaker 1>I'll tell her. Give me her Instagram.

0:39:19.280 --> 0:39:21.319
<v Speaker 8>I'm hoping what's going to work.

0:39:22.120 --> 0:39:24.719
<v Speaker 3>Put the juice in a jar and a nice little

0:39:24.719 --> 0:39:29.319
<v Speaker 3>glass jar. Put it in a big old foiled thing

0:39:29.640 --> 0:39:31.759
<v Speaker 3>and cover it and if you.

0:39:31.719 --> 0:39:35.799
<v Speaker 8>Go, you know, I hope it doesn't come down to that.

0:39:36.320 --> 0:39:39.759
<v Speaker 2>Okay, good luck with this. I can't wait for Thanksgiving.

0:39:41.200 --> 0:39:42.600
<v Speaker 7>You take care, Thank you guys.

0:39:42.960 --> 0:39:46.879
<v Speaker 2>Bye. I mean you you bring up to a pot luck, right,

0:39:47.000 --> 0:39:49.480
<v Speaker 2>you bring cast roles and stuff. But I fact, if

0:39:49.480 --> 0:39:52.200
<v Speaker 2>you have people over for Thanksgiving, then you gotta have

0:39:52.239 --> 0:39:52.720
<v Speaker 2>the turkey.

0:39:53.040 --> 0:39:55.239
<v Speaker 1>You're in charge of the turkey if you're the host.

0:39:55.239 --> 0:39:58.040
<v Speaker 2>Right, Yes, do you have to make a good turkeys?

0:39:58.400 --> 0:40:01.399
<v Speaker 1>I rely one hundred sent on Michael for the turkey.

0:40:01.480 --> 0:40:02.239
<v Speaker 2>Is that a skill of his?

0:40:02.440 --> 0:40:03.160
<v Speaker 1>It really is.

0:40:03.200 --> 0:40:05.120
<v Speaker 6>He even has that turkey hat that you put on

0:40:05.239 --> 0:40:07.960
<v Speaker 6>and he wears the apron and he really gets into it.

0:40:08.000 --> 0:40:12.040
<v Speaker 6>He changes the recipe every year or so when we're hosting, right,

0:40:12.120 --> 0:40:13.600
<v Speaker 6>but he's done like what is it called when you

0:40:13.640 --> 0:40:15.040
<v Speaker 6>Brian brianet.

0:40:16.840 --> 0:40:17.760
<v Speaker 1>He's done that before.

0:40:17.840 --> 0:40:20.040
<v Speaker 6>We've done a deep fried turkey before him and my

0:40:20.120 --> 0:40:21.719
<v Speaker 6>brother leave it.

0:40:21.800 --> 0:40:24.080
<v Speaker 1>Yeah, so I leave that to him.

0:40:24.160 --> 0:40:24.400
<v Speaker 2>It's a.

0:40:26.160 --> 0:40:29.680
<v Speaker 6>Good flavor, yes, very good it is, yes, but it's

0:40:29.680 --> 0:40:32.040
<v Speaker 6>like very crispy on the outside and juicy and tender

0:40:32.040 --> 0:40:32.680
<v Speaker 6>on the inside.

0:40:33.080 --> 0:40:35.440
<v Speaker 2>Let's keep talking about our turkeys because Tanya would want

0:40:35.480 --> 0:40:36.359
<v Speaker 2>us to bring it to her.

0:40:36.880 --> 0:40:40.680
<v Speaker 3>Clearly, my future mother in law is bringing the turkey

0:40:40.680 --> 0:40:41.280
<v Speaker 3>for our things.

0:40:42.040 --> 0:40:43.560
<v Speaker 2>Future in la.

0:40:45.160 --> 0:40:46.520
<v Speaker 1>Why you guys should make.

0:40:46.400 --> 0:40:51.359
<v Speaker 2>That she wanted to What are you doing?

0:40:51.760 --> 0:40:53.400
<v Speaker 3>We're going to do all these because we're doing kind

0:40:53.440 --> 0:40:56.400
<v Speaker 3>of pop luck style too, and so we're kind of

0:40:56.400 --> 0:40:58.000
<v Speaker 3>seeing what everybody's going to bring and then we're going

0:40:58.040 --> 0:40:58.880
<v Speaker 3>to fill in all the rest.

0:41:00.239 --> 0:41:03.080
<v Speaker 6>I've got the cups, we've got the table, and I

0:41:03.200 --> 0:41:04.080
<v Speaker 6>have the Sports.

0:41:04.400 --> 0:41:07.239
<v Speaker 2>Yeah, Tanya is a trending report, So go for.

0:41:07.200 --> 0:41:10.400
<v Speaker 3>It, Tanya, So I said a no today could be

0:41:10.520 --> 0:41:13.840
<v Speaker 3>a yes tomorrow. And I think that is the takeaway

0:41:13.880 --> 0:41:17.680
<v Speaker 3>from this trending report. Because Victoria Monet So she is

0:41:17.800 --> 0:41:21.560
<v Speaker 3>a singer, songwriter. She's out of Atlanta. She had a

0:41:21.760 --> 0:41:25.000
<v Speaker 3>huge song this summer called on My Mama, and a

0:41:25.040 --> 0:41:27.000
<v Speaker 3>lot of people also know her. She's written a lot

0:41:27.040 --> 0:41:29.800
<v Speaker 3>of songs for Ariana Grande, like seven Rings, Thank You, Next,

0:41:29.840 --> 0:41:34.000
<v Speaker 3>et cetera. So last week she was nominated for not one,

0:41:34.719 --> 0:41:39.520
<v Speaker 3>not two, but for seven Grammys. And so I tell

0:41:39.560 --> 0:41:43.160
<v Speaker 3>you this because back in September at the MTV VMAs,

0:41:43.800 --> 0:41:47.400
<v Speaker 3>fans asked her why she wasn't performing at the VMAs,

0:41:47.520 --> 0:41:50.160
<v Speaker 3>and she responded in a tweet she said, I see

0:41:50.160 --> 0:41:52.960
<v Speaker 3>your advocation for me to have performed tonight, and I'm

0:41:53.000 --> 0:41:55.680
<v Speaker 3>so grateful to you. My team was told that it

0:41:55.719 --> 0:41:59.759
<v Speaker 3>was too early in my story for that opportunity, so

0:41:59.840 --> 0:42:03.480
<v Speaker 3>we'll keep working. And so now everybody's eyes are kind

0:42:03.480 --> 0:42:05.840
<v Speaker 3>of on the Grammys to see if they're going to

0:42:05.880 --> 0:42:07.799
<v Speaker 3>ask her to be on the stage. But a lot

0:42:07.800 --> 0:42:10.120
<v Speaker 3>of people are bringing back that tweet from September and

0:42:10.239 --> 0:42:12.839
<v Speaker 3>just saying, look, it was too early for her to

0:42:13.160 --> 0:42:16.200
<v Speaker 3>perform at the VMA's and she's up for seven Grammys

0:42:16.400 --> 0:42:19.920
<v Speaker 3>and so amazing. Yeah, and actually her daughter, who's two

0:42:20.000 --> 0:42:23.040
<v Speaker 3>years old, is the youngest person ever to be nominated

0:42:23.080 --> 0:42:25.240
<v Speaker 3>for a Grammy because she's featured in one of Victoria

0:42:25.280 --> 0:42:26.120
<v Speaker 3>Money songs.

0:42:26.480 --> 0:42:29.040
<v Speaker 5>So at two years old as the youngest Grammy nominee.

0:42:29.200 --> 0:42:31.439
<v Speaker 2>But you know, in our own mind, just thinking about

0:42:31.480 --> 0:42:34.680
<v Speaker 2>like our own careers, and even the contestants said audition

0:42:34.719 --> 0:42:36.799
<v Speaker 2>for American Idol that don't make it through sometimes the

0:42:36.880 --> 0:42:39.200
<v Speaker 2>first time or initially because they're just not ready or

0:42:39.200 --> 0:42:42.160
<v Speaker 2>they're just a little too young or inexperience, that no

0:42:42.520 --> 0:42:44.960
<v Speaker 2>can be a yes later, and that no can create

0:42:45.000 --> 0:42:47.399
<v Speaker 2>the yes, like that no fires and fuels the yes,

0:42:47.920 --> 0:42:50.319
<v Speaker 2>even though we all were told no when we thought

0:42:50.360 --> 0:42:53.200
<v Speaker 2>we needed a yes early on because we were ready, but

0:42:53.480 --> 0:42:57.280
<v Speaker 2>we probably weren't ready. And that no, although in the moment, sucked,

0:42:57.719 --> 0:42:59.759
<v Speaker 2>was probably the right thing to hear before we got

0:42:59.800 --> 0:43:01.719
<v Speaker 2>the yeah. So I get it. So will she beat

0:43:01.719 --> 0:43:02.200
<v Speaker 2>the Grammys?

0:43:03.200 --> 0:43:04.719
<v Speaker 3>I think she's obviously going to be there because she's

0:43:04.760 --> 0:43:06.239
<v Speaker 3>not made for seven. Who knows if she's going to

0:43:06.280 --> 0:43:07.160
<v Speaker 3>be performing.

0:43:07.000 --> 0:43:09.040
<v Speaker 2>Well we'll see all right. Thank you Tony for that.

0:43:09.040 --> 0:43:10.360
<v Speaker 2>That's a good one. That's a mindful minute.