1
00:00:00,640 --> 00:00:01,480
Speaker 1: From Hollywood.

2
00:00:01,720 --> 00:00:03,520
Speaker 2: See you, Thank you for listening to us.

3
00:00:06,000 --> 00:00:07,840
Speaker 1: On air with Ryan Seacrest.

4
00:00:10,600 --> 00:00:13,560
Speaker 2: He's Khalifa and Charlie Pooth there one or two point

5
00:00:13,640 --> 00:00:16,840
Speaker 2: seven Kiss FM. Charlie Pooth, Tonny you heard from Charlie Pooth?

6
00:00:16,840 --> 00:00:18,119
Speaker 2: I know you guys are on a regular sort of

7
00:00:18,360 --> 00:00:20,480
Speaker 2: chat rhythm. Have you heard from him, Lely?

8
00:00:20,560 --> 00:00:22,480
Speaker 3: I haven't heard from him, Leleiah, but I did wish

9
00:00:22,560 --> 00:00:24,240
Speaker 3: him congratulations on his engagement.

10
00:00:25,360 --> 00:00:27,120
Speaker 2: Did I miss that? Did you report that? Did I

11
00:00:27,160 --> 00:00:27,639
Speaker 2: just forget that?

12
00:00:28,480 --> 00:00:30,040
Speaker 3: It was a while, But it was a while ago,

13
00:00:30,240 --> 00:00:32,680
Speaker 3: I want to say August, yes, summer.

14
00:00:32,720 --> 00:00:33,440
Speaker 2: Did you report that?

15
00:00:34,120 --> 00:00:34,640
Speaker 4: Yeah?

16
00:00:34,760 --> 00:00:36,680
Speaker 2: Okay, And that's why it sounds vaguely for you.

17
00:00:36,760 --> 00:00:36,919
Speaker 3: Yeah.

18
00:00:36,960 --> 00:00:39,000
Speaker 2: Yeah, who'd he get engaged to?

19
00:00:39,400 --> 00:00:41,760
Speaker 3: Yeah, I was gonna say his girlfriend. His fiance's name

20
00:00:41,800 --> 00:00:44,479
Speaker 3: is Brooke. He's known her since like.

21
00:00:44,920 --> 00:00:47,120
Speaker 2: Child, you're in their social circle. Did you know her

22
00:00:47,120 --> 00:00:47,520
Speaker 2: as well?

23
00:00:48,000 --> 00:00:51,040
Speaker 3: I've met her, yes, but he she he knew her

24
00:00:51,120 --> 00:00:54,720
Speaker 3: from home, like she was his friend from home. Uh huh,

25
00:00:54,760 --> 00:00:57,959
Speaker 3: And I was like more his friend in La.

26
00:00:58,480 --> 00:01:00,160
Speaker 2: No, I know where you're from. Yeah, I know, I

27
00:01:00,200 --> 00:01:01,240
Speaker 2: know you said she's from.

28
00:01:01,080 --> 00:01:09,600
Speaker 1: His He is the friend from home and from La.

29
00:01:10,000 --> 00:01:11,479
Speaker 5: I don't know her well.

30
00:01:11,560 --> 00:01:12,119
Speaker 2: I don't know her.

31
00:01:13,120 --> 00:01:15,360
Speaker 3: I don't know her well, but she seems very very

32
00:01:15,360 --> 00:01:16,759
Speaker 3: sweet and he's very very happy.

33
00:01:16,760 --> 00:01:18,680
Speaker 2: All right, Well, that's more than I needed, more than

34
00:01:18,680 --> 00:01:25,000
Speaker 2: I need. Like, let's not bring up Harry Styles this

35
00:01:25,040 --> 00:01:27,640
Speaker 2: morning exactly. I'm trying to understand. So this is a

36
00:01:27,680 --> 00:01:29,720
Speaker 2: very interesting morning. I'm going to get to partly Sonny

37
00:01:29,760 --> 00:01:32,240
Speaker 2: Hies in the upper seventies eighties Inland. Rain is coming

38
00:01:32,240 --> 00:01:32,840
Speaker 2: tomorrow night.

39
00:01:33,080 --> 00:01:35,160
Speaker 1: Enjoy today if you can.

40
00:01:35,800 --> 00:01:37,440
Speaker 2: Rain's coming tomorrow night. It's going to add to the

41
00:01:37,440 --> 00:01:39,920
Speaker 2: commute nightmares. We're paying bills, all this stuff. And we'll

42
00:01:39,920 --> 00:01:42,800
Speaker 2: get to in a second. But something very cool and

43
00:01:42,840 --> 00:01:45,440
Speaker 2: fun and unique is happening at seven o'clock this morning.

44
00:01:46,000 --> 00:01:48,640
Speaker 2: It all starts at seven. It goes from seven to eight,

45
00:01:49,280 --> 00:01:51,520
Speaker 2: and we do this in other shows at the course

46
00:01:51,560 --> 00:01:53,920
Speaker 2: of the day on a regular basis. But at seven

47
00:01:53,920 --> 00:01:57,960
Speaker 2: o'clock Kiss in the Morning on Airthrine Seacrest goes commercial free.

48
00:01:58,000 --> 00:02:00,440
Speaker 1: That's right, we go non stop. Mm hmm.

49
00:02:00,680 --> 00:02:03,000
Speaker 2: So get some extra training reports, Maybe we'll pay some

50
00:02:03,040 --> 00:02:07,120
Speaker 2: extra bills. Get ready for tubs, some extra wattage. We're

51
00:02:07,120 --> 00:02:09,560
Speaker 2: going seven to eight commercial free. It's brought to you

52
00:02:09,600 --> 00:02:12,000
Speaker 2: by troll So, Sydney, you're gonna do like these quick

53
00:02:12,040 --> 00:02:17,160
Speaker 2: thirty second trolls cartoon. Yeah, commercial talking about movie. But

54
00:02:17,160 --> 00:02:18,760
Speaker 2: you said you're using cartoony words.

55
00:02:18,840 --> 00:02:21,120
Speaker 6: Well there's a kind of like a made up word.

56
00:02:21,120 --> 00:02:24,640
Speaker 6: It's fantasmic and amazing put together, it's fantastic amazing and

57
00:02:24,639 --> 00:02:25,800
Speaker 6: they use it in the movie.

58
00:02:25,960 --> 00:02:27,560
Speaker 2: Well, Sysney was rehearsing earlier.

59
00:02:27,639 --> 00:02:29,720
Speaker 1: No, this movie is so cute.

60
00:02:29,800 --> 00:02:30,560
Speaker 5: When does it come out?

61
00:02:30,639 --> 00:02:31,640
Speaker 1: It comes out this weekend.

62
00:02:32,120 --> 00:02:33,960
Speaker 2: And also listen between seven and eight we're gonna tell

63
00:02:33,960 --> 00:02:35,760
Speaker 2: you about because it's brought to you by trolls. Right,

64
00:02:36,400 --> 00:02:40,200
Speaker 2: thanks the trolls band together in theater's Friday. Let's all

65
00:02:40,240 --> 00:02:42,000
Speaker 2: say it. So anyway, we're gonna have no commercial seven

66
00:02:42,040 --> 00:02:42,760
Speaker 2: to eight this morning.

67
00:02:42,800 --> 00:02:44,240
Speaker 1: That's cool, man, I love that.

68
00:02:44,480 --> 00:02:47,519
Speaker 2: Oh yeah, second date updates on the way. Do a

69
00:02:47,600 --> 00:02:51,760
Speaker 2: leap that's coming after eight o'clock to talk about I

70
00:02:51,840 --> 00:02:52,520
Speaker 2: go Houdini?

71
00:02:53,200 --> 00:02:55,440
Speaker 6: Can't you tell? Italian? And I curled our hair today.

72
00:02:55,680 --> 00:02:57,840
Speaker 6: We kind of just stepped them up and leap it's

73
00:02:57,880 --> 00:02:58,320
Speaker 6: coming in.

74
00:02:58,600 --> 00:02:59,840
Speaker 1: I wore my tall shoes.

75
00:03:00,840 --> 00:03:02,040
Speaker 2: Are you going to stand next to her?

76
00:03:03,000 --> 00:03:04,000
Speaker 5: I wore my ugs?

77
00:03:04,760 --> 00:03:05,760
Speaker 2: Yeah, no one can see it.

78
00:03:05,880 --> 00:03:08,040
Speaker 6: Do It's like super tall and I'm very sure. So

79
00:03:08,080 --> 00:03:09,760
Speaker 6: whenever I take a picture of her, it just like

80
00:03:09,960 --> 00:03:12,000
Speaker 6: I really I really kind of just like committed to

81
00:03:12,040 --> 00:03:13,919
Speaker 6: a tall shoe today for I had an.

82
00:03:13,760 --> 00:03:15,840
Speaker 2: Extra shirt out in a closet here.

83
00:03:15,840 --> 00:03:17,200
Speaker 1: I'm a dark person.

84
00:03:18,520 --> 00:03:19,800
Speaker 2: Yeah, I need to step it up. I we're a

85
00:03:19,800 --> 00:03:22,600
Speaker 2: white T shirt in today anyway, So she's gonna be on.

86
00:03:22,840 --> 00:03:24,960
Speaker 2: You know, she was talking about her album, I think,

87
00:03:24,960 --> 00:03:26,399
Speaker 2: and we should ask about this, but she was saying

88
00:03:26,400 --> 00:03:28,840
Speaker 2: that this song is about like the best stages of singleedom,

89
00:03:29,280 --> 00:03:32,639
Speaker 2: the best stages of singleedom. There are a few good

90
00:03:32,680 --> 00:03:35,680
Speaker 2: stages of single then the single theom get not good.

91
00:03:35,760 --> 00:03:37,560
Speaker 1: You have to appreciate the single theom.

92
00:03:37,760 --> 00:03:40,320
Speaker 2: Yeah, but there's an expiration day on singletoon. But we'll

93
00:03:40,320 --> 00:03:42,320
Speaker 2: talk to you about that. That's coming up at interesting

94
00:03:43,360 --> 00:03:44,160
Speaker 2: So interesting.

95
00:03:44,360 --> 00:03:45,760
Speaker 5: When do you think the expiration is?

96
00:03:46,360 --> 00:03:48,000
Speaker 2: Uh, well, that's what I want to talk about. So

97
00:03:48,000 --> 00:03:50,320
Speaker 2: I'm just setting the stage. I haven't thought any of

98
00:03:50,320 --> 00:03:51,920
Speaker 2: this through yet. I'm just throwing it all out there

99
00:03:51,960 --> 00:03:54,560
Speaker 2: so we're ready to go later. So all right, before

100
00:03:54,600 --> 00:03:56,960
Speaker 2: we get to this morning hack, which is a great

101
00:03:57,000 --> 00:03:59,640
Speaker 2: morning hack on the way, it's something you should definitely

102
00:03:59,680 --> 00:04:02,200
Speaker 2: ask kids when they get home from school. You won't believe. Actually,

103
00:04:02,200 --> 00:04:04,080
Speaker 2: you may not believe the question, and you certainly may

104
00:04:04,120 --> 00:04:06,520
Speaker 2: not believe some of the answers that parents have gotten

105
00:04:06,600 --> 00:04:08,880
Speaker 2: after they've asked the question. But you will want to

106
00:04:08,880 --> 00:04:12,600
Speaker 2: ask the question that and a quote for this Tuesday

107
00:04:12,640 --> 00:04:15,680
Speaker 2: to put you in the right frame o mind is

108
00:04:15,720 --> 00:04:19,000
Speaker 2: coming up in a few minutes too, Cincany, what is

109
00:04:19,080 --> 00:04:20,440
Speaker 2: everybody talking about.

110
00:04:20,720 --> 00:04:23,680
Speaker 6: It's the hottest workout trend right now on TikTok and

111
00:04:23,880 --> 00:04:27,719
Speaker 6: it's called the cozy cardio. All right, so think of

112
00:04:28,360 --> 00:04:33,520
Speaker 6: not necessarily those really intense classes that you might take,

113
00:04:34,279 --> 00:04:37,120
Speaker 6: but more of a leisurely pedal on a stationary bike

114
00:04:37,760 --> 00:04:41,160
Speaker 6: rather than the intense peloton classes that are offered, or

115
00:04:41,240 --> 00:04:43,960
Speaker 6: like strolling on the treadmill instead of sprinting. But you

116
00:04:43,960 --> 00:04:47,120
Speaker 6: can do all of this in your robe, even your slippers.

117
00:04:47,600 --> 00:04:48,200
Speaker 2: That's the part of it.

118
00:04:48,320 --> 00:04:50,520
Speaker 6: You don't actually have to put on the workout clothes

119
00:04:50,560 --> 00:04:52,880
Speaker 6: if you're just gonna hop on your Nordic track and

120
00:04:52,960 --> 00:04:55,840
Speaker 6: just walk for five miles.

121
00:04:56,320 --> 00:04:58,640
Speaker 2: But I thought this was like something where you wear

122
00:04:58,680 --> 00:05:00,840
Speaker 2: your slippers and you have those little pedal boxes and

123
00:05:00,880 --> 00:05:02,040
Speaker 2: you sit there on your chair.

124
00:05:02,240 --> 00:05:04,440
Speaker 6: You can do that as well, you can do that

125
00:05:04,480 --> 00:05:06,760
Speaker 6: as well, where they have little the pedals under your desk.

126
00:05:06,800 --> 00:05:07,600
Speaker 1: I want to get one of those.

127
00:05:07,640 --> 00:05:09,960
Speaker 2: By the way, No, no, you like this idea cozy

128
00:05:10,120 --> 00:05:11,000
Speaker 2: pedaling cozy.

129
00:05:11,360 --> 00:05:14,080
Speaker 6: I like the idea of if you're gonna be a

130
00:05:14,080 --> 00:05:16,719
Speaker 6: little lazy and maybe want to watch some TV or

131
00:05:16,720 --> 00:05:19,560
Speaker 6: scroll on your phone or do whatever, why not try

132
00:05:19,600 --> 00:05:20,840
Speaker 6: to at least get a workout in.

133
00:05:21,080 --> 00:05:23,200
Speaker 2: But not take the place of the workout, which is

134
00:05:23,240 --> 00:05:24,239
Speaker 2: what these people are saying.

135
00:05:24,279 --> 00:05:26,960
Speaker 3: No, No, I think that this is like a bridge

136
00:05:27,000 --> 00:05:29,920
Speaker 3: to get people back into their workout routine. Like I

137
00:05:29,960 --> 00:05:33,320
Speaker 3: think it's it's for people that aren't necessarily on their

138
00:05:33,360 --> 00:05:36,120
Speaker 3: workout routine. They want to, but they're too intimidated and

139
00:05:36,160 --> 00:05:37,840
Speaker 3: they just it's too much to do it.

140
00:05:38,080 --> 00:05:39,799
Speaker 2: Take the place of the workout.

141
00:05:39,920 --> 00:05:42,840
Speaker 6: I think it does take the place. The girl who

142
00:05:42,920 --> 00:05:46,960
Speaker 6: started this trend sort of speak on TikTok, was really

143
00:05:47,440 --> 00:05:49,920
Speaker 6: feeling a lot of anxiety when she would work out,

144
00:05:50,080 --> 00:05:51,880
Speaker 6: or she would feel like she would hit a plateau

145
00:05:51,960 --> 00:05:54,640
Speaker 6: and like not really get any further, and she wanted

146
00:05:54,640 --> 00:05:58,240
Speaker 6: to take away that toxic pressure of being in a

147
00:05:58,960 --> 00:06:02,160
Speaker 6: crowded gym or feeling like you have to look a

148
00:06:02,240 --> 00:06:05,279
Speaker 6: certain way to get your workouts in and et cetera.

149
00:06:05,440 --> 00:06:07,360
Speaker 6: So she has this little treadmill in her living room

150
00:06:07,400 --> 00:06:10,839
Speaker 6: and she'll just watch The Bachelor or you know, Love

151
00:06:10,880 --> 00:06:12,240
Speaker 6: Island for her.

152
00:06:12,360 --> 00:06:14,560
Speaker 2: If that works for her, it works for you, that's great.

153
00:06:14,800 --> 00:06:17,800
Speaker 2: Not for me. No, I need the toxic stress. I

154
00:06:17,839 --> 00:06:20,000
Speaker 2: need the endorphin rush. I want to go in there

155
00:06:20,040 --> 00:06:23,320
Speaker 2: and sweat. I want I want to self torture. I

156
00:06:23,400 --> 00:06:25,560
Speaker 2: need all of that to come out feeling the way

157
00:06:25,600 --> 00:06:29,000
Speaker 2: I do. I go in loathing myself, I come out

158
00:06:29,000 --> 00:06:32,760
Speaker 2: loving myself. I need that back and forth. That's for me.

159
00:06:32,920 --> 00:06:36,000
Speaker 2: This this soft, pedaling, cozy cardio, it would not get

160
00:06:36,040 --> 00:06:37,960
Speaker 2: me where I needed to get me, and I'd be

161
00:06:37,960 --> 00:06:38,520
Speaker 2: more depressed.

162
00:06:38,520 --> 00:06:41,640
Speaker 3: I don't like the gym, and so it's like no,

163
00:06:41,720 --> 00:06:43,800
Speaker 3: but it's it's it's like if you're two, if you

164
00:06:43,880 --> 00:06:45,320
Speaker 3: don't want to go to the gym, you don't want

165
00:06:45,360 --> 00:06:46,200
Speaker 3: to go to these classes.

166
00:06:46,200 --> 00:06:47,960
Speaker 5: It's better than just doing.

167
00:06:49,240 --> 00:06:52,760
Speaker 2: But I'm saying I need the toxic torture so that

168
00:06:52,800 --> 00:06:55,000
Speaker 2: I can come out on the other side feeling better

169
00:06:55,040 --> 00:06:55,599
Speaker 2: about myself.

170
00:06:55,640 --> 00:06:58,400
Speaker 6: Do you remember when I went bringing up Remember when

171
00:06:58,400 --> 00:07:01,040
Speaker 6: I brought up the soft girl, Like a few weeks ago,

172
00:07:01,120 --> 00:07:03,680
Speaker 6: I do remember that week. So it kind of falls

173
00:07:03,680 --> 00:07:07,279
Speaker 6: into that same category of just really not wanting to

174
00:07:07,279 --> 00:07:10,520
Speaker 6: give one hundred percent but still being able to get by.

175
00:07:11,240 --> 00:07:14,040
Speaker 2: But I think that for me it wouldn't work because

176
00:07:14,080 --> 00:07:16,560
Speaker 2: I need to again you heard it, like, I need

177
00:07:16,560 --> 00:07:18,600
Speaker 2: to get into that headspace of I hate I almost

178
00:07:18,600 --> 00:07:20,080
Speaker 2: hate this, so I love this.

179
00:07:20,560 --> 00:07:23,800
Speaker 6: For me, it would because I get so sad sometimes

180
00:07:23,840 --> 00:07:26,200
Speaker 6: when I see that I was watching TV for three

181
00:07:26,200 --> 00:07:27,600
Speaker 6: hours and I was like, man, I really should have

182
00:07:27,600 --> 00:07:28,280
Speaker 6: done something else.

183
00:07:29,720 --> 00:07:36,120
Speaker 2: So exactly, So go to one of those You go

184
00:07:36,200 --> 00:07:39,040
Speaker 2: to the boot camps yourself, You go for those torture classes.

185
00:07:39,680 --> 00:07:41,000
Speaker 5: Yeah, I go to those all the time.

186
00:07:41,400 --> 00:07:44,320
Speaker 2: Yeah, all right, Well everybody, look, whatever your thing is

187
00:07:46,240 --> 00:07:48,320
Speaker 2: for you, great. If you're a parent, what do you

188
00:07:48,360 --> 00:07:51,920
Speaker 2: ask your kids when they get home from school? This

189
00:07:51,960 --> 00:07:53,640
Speaker 2: is what you want to ask them. A lot of

190
00:07:53,680 --> 00:07:56,720
Speaker 2: parents will ask them how is your day? But your

191
00:07:56,880 --> 00:08:00,320
Speaker 2: response is usually good or fine? Right, So you'd ask

192
00:08:00,400 --> 00:08:04,760
Speaker 2: the question a specific question, what did you do at recess?

193
00:08:04,800 --> 00:08:05,880
Speaker 2: Do you ever asked that question?

194
00:08:06,080 --> 00:08:09,200
Speaker 6: I actually do ask this question because recess is where

195
00:08:09,240 --> 00:08:09,960
Speaker 6: it all goes down.

196
00:08:10,240 --> 00:08:12,920
Speaker 2: Well that's the thing. So moms on TikTok have been

197
00:08:12,920 --> 00:08:14,800
Speaker 2: sharing what they discovered when they asked, what did you

198
00:08:14,800 --> 00:08:19,960
Speaker 2: do at recess? One kid was running a bracelet business. Cute, No,

199
00:08:21,080 --> 00:08:25,800
Speaker 2: I don't think so. Yeah, maybe one was giving temporary

200
00:08:25,800 --> 00:08:26,880
Speaker 2: tattoos in the bathroom.

201
00:08:26,960 --> 00:08:30,920
Speaker 6: Oh my gosh, not as cute, not as cute.

202
00:08:29,240 --> 00:08:33,600
Speaker 2: That you can also find out who they were spending

203
00:08:33,720 --> 00:08:36,520
Speaker 2: time with and if they're having any trouble with anybody.

204
00:08:36,520 --> 00:08:38,880
Speaker 2: So it's a it's good. It's good to be to

205
00:08:38,920 --> 00:08:41,920
Speaker 2: have specificity in that kind of question what did you

206
00:08:41,920 --> 00:08:43,800
Speaker 2: do at recess? Instead of just what you do all

207
00:08:43,920 --> 00:08:44,480
Speaker 2: day at school?

208
00:08:44,559 --> 00:08:47,520
Speaker 6: You get the tea as to what friends are either

209
00:08:47,559 --> 00:08:49,360
Speaker 6: saying something mean or not.

210
00:08:49,640 --> 00:08:51,440
Speaker 2: And you'll also I remember my mom asking me that,

211
00:08:51,480 --> 00:08:53,440
Speaker 2: and it's like so much happened. Everything was fine, you know,

212
00:08:53,559 --> 00:08:55,079
Speaker 2: like I don't know, like I would like, how was

213
00:08:55,080 --> 00:08:55,440
Speaker 2: your day?

214
00:08:55,760 --> 00:08:56,200
Speaker 5: Was fine?

215
00:08:56,320 --> 00:08:58,000
Speaker 2: But if someone said to me, how is this seven

216
00:08:58,080 --> 00:09:01,000
Speaker 2: oh eight chat with assistant? Time look back and say

217
00:09:01,080 --> 00:09:03,080
Speaker 2: you know what, I don't know. Let me think about

218
00:09:03,080 --> 00:09:04,480
Speaker 2: that for a second. I loved it.

219
00:09:04,720 --> 00:09:05,880
Speaker 1: Let me look at my prep.

220
00:09:06,040 --> 00:09:07,640
Speaker 2: Let me go back and look at my person, see

221
00:09:07,679 --> 00:09:09,360
Speaker 2: what we talked about, because that this time I cannot

222
00:09:09,400 --> 00:09:11,920
Speaker 2: remember today's quote. You're ready to frame it up on

223
00:09:11,960 --> 00:09:19,280
Speaker 2: a Tuesday. Yeah, failed dreams can still create successful people.

224
00:09:20,760 --> 00:09:28,839
Speaker 3: Say it again, you say it, Failed dreams can still

225
00:09:28,880 --> 00:09:30,320
Speaker 3: create successful people.

226
00:09:30,480 --> 00:09:33,520
Speaker 1: That's right. Everyone should say that five times this morning.

227
00:09:33,800 --> 00:09:36,679
Speaker 2: You can still great successful people. We are going to

228
00:09:36,679 --> 00:09:49,280
Speaker 2: play What's in Her? Oh, that is hot? That is

229
00:09:49,320 --> 00:09:54,199
Speaker 2: a good one original song. What's the original of that? Work? Cover? Girl?

230
00:09:54,720 --> 00:09:55,440
Speaker 1: Work it now?

231
00:09:56,840 --> 00:09:57,720
Speaker 5: Yeah, it's a good song.

232
00:09:58,160 --> 00:09:58,480
Speaker 7: All right.

233
00:09:58,520 --> 00:10:02,640
Speaker 2: Let's see here. Angel is on the line to play

234
00:10:03,440 --> 00:10:06,400
Speaker 2: he sold out jingle Bolk tickets. Kiss I found Angel?

235
00:10:06,400 --> 00:10:07,360
Speaker 2: Good morning, How are you?

236
00:10:08,320 --> 00:10:09,840
Speaker 7: I'm doing good? How are you doing today?

237
00:10:10,320 --> 00:10:10,920
Speaker 2: Super good?

238
00:10:10,920 --> 00:10:11,079
Speaker 7: Bro?

239
00:10:11,200 --> 00:10:12,760
Speaker 2: Thank you so much for coming on with us. Are

240
00:10:12,800 --> 00:10:13,199
Speaker 2: you ready?

241
00:10:14,160 --> 00:10:15,560
Speaker 7: I'm ready?

242
00:10:15,720 --> 00:10:18,560
Speaker 2: Okay, let me explain it because I don't think I remember.

243
00:10:19,200 --> 00:10:23,320
Speaker 2: So today we're playing What's in Sicney's Purse. I'm gonna

244
00:10:23,320 --> 00:10:26,080
Speaker 2: give you three items. You tell me which one is

245
00:10:26,200 --> 00:10:31,040
Speaker 2: actually currently in Siceney's purse. You gotta get two out

246
00:10:31,040 --> 00:10:35,160
Speaker 2: of three. Okay, Right on, here we go, Angel in

247
00:10:35,320 --> 00:10:40,880
Speaker 2: AZUSA for the sold out tickets? Which of these is

248
00:10:40,960 --> 00:10:49,720
Speaker 2: currently in Siciny's purse? A A glitter hairbow, B chewed

249
00:10:49,880 --> 00:10:55,240
Speaker 2: gum inside a piece of blotting paper or C A

250
00:10:55,360 --> 00:10:59,800
Speaker 2: number two pencil with a separate rubber eraser. Which one?

251
00:11:01,800 --> 00:11:02,079
Speaker 2: Thank you?

252
00:11:02,280 --> 00:11:03,839
Speaker 8: See?

253
00:11:04,160 --> 00:11:05,360
Speaker 7: Let's go with bee.

254
00:11:06,760 --> 00:11:07,559
Speaker 2: You got buddy there?

255
00:11:07,600 --> 00:11:13,199
Speaker 6: Yeah, what's the answer, Siceny, I would throw my gum away,

256
00:11:13,280 --> 00:11:15,480
Speaker 6: thank you very much, and not keep it in my purse.

257
00:11:15,559 --> 00:11:19,840
Speaker 6: It was a glittered hairbow and looking at here, Oh.

258
00:11:19,440 --> 00:11:20,480
Speaker 2: It's pretty okay.

259
00:11:20,840 --> 00:11:21,320
Speaker 1: One, it's the.

260
00:11:22,920 --> 00:11:27,439
Speaker 2: Next one. Heart. Which of these is currently in Siceny's purse?

261
00:11:29,480 --> 00:11:34,360
Speaker 2: A lucky bean, a tape measure, or a name tag

262
00:11:34,400 --> 00:11:35,920
Speaker 2: from the Mattel Toys Corporation.

263
00:11:37,320 --> 00:11:41,520
Speaker 7: Oh, let's go with the name tax see.

264
00:11:41,960 --> 00:11:44,160
Speaker 2: And is that correct? That is correct?

265
00:11:45,120 --> 00:11:47,720
Speaker 6: I was just there at Mattel and so I still

266
00:11:47,760 --> 00:11:48,960
Speaker 6: have the name tag in here.

267
00:11:51,800 --> 00:11:54,199
Speaker 2: So Angel, I think if you get this right, you're

268
00:11:54,200 --> 00:11:59,160
Speaker 2: gonna win. Which of these is currently in Siceny's purse? Hey,

269
00:11:59,520 --> 00:12:02,920
Speaker 2: peppermint tik taks be a packet of oatmeal or see

270
00:12:02,920 --> 00:12:05,360
Speaker 2: coupons to sports clips.

271
00:12:08,280 --> 00:12:10,719
Speaker 7: Uh, go with the tick tacks.

272
00:12:11,320 --> 00:12:14,640
Speaker 2: Sisity, what's in your purse tik taks today?

273
00:12:15,400 --> 00:12:17,840
Speaker 1: Angel?

274
00:12:17,960 --> 00:12:25,320
Speaker 2: Congratulations, you're going on our sold out jingle ball? Wait, baby, yay,

275
00:12:25,679 --> 00:12:30,280
Speaker 2: I love you call me when you when I see there?

276
00:12:30,320 --> 00:12:31,199
Speaker 2: Will you call me? Baby?

277
00:12:32,200 --> 00:12:33,800
Speaker 7: Oh? Baby?

278
00:12:34,400 --> 00:12:38,680
Speaker 2: Thank you? Angel Oute. We're gonna be the cutest couplet

279
00:12:38,960 --> 00:12:43,200
Speaker 2: jingle ball key Angel, what are you gonna wear? What

280
00:12:43,320 --> 00:12:44,120
Speaker 2: kind of things do you wear?

281
00:12:45,160 --> 00:12:47,360
Speaker 7: I mean to be honest with you. Just send me

282
00:12:47,400 --> 00:12:50,280
Speaker 7: a d M and whatever you asked for, I'll give it.

283
00:12:51,040 --> 00:12:55,840
Speaker 1: We'll do some, we'll do some well side by side. Yeah.

284
00:12:56,000 --> 00:12:59,719
Speaker 2: What is that video called? Where you make me? Oh?

285
00:12:59,760 --> 00:13:00,400
Speaker 1: Get with me?

286
00:13:00,600 --> 00:13:01,760
Speaker 2: Yeah, I'm gonna get ready with you.

287
00:13:01,880 --> 00:13:04,880
Speaker 1: I'm cute.

288
00:13:05,360 --> 00:13:10,320
Speaker 2: I love you, Angel, hold on, buddy, I'll get thanks

289
00:13:10,320 --> 00:13:14,839
Speaker 2: a lot, brother, fun angel a jingle and anybody's going.

290
00:13:15,040 --> 00:13:17,199
Speaker 2: It's always fun to meet people. Sho I do this

291
00:13:17,240 --> 00:13:19,520
Speaker 2: second date update inside a commercial free Hour of Kiss.

292
00:13:19,520 --> 00:13:22,800
Speaker 2: And then du Lipa joins us in studio. This is

293
00:13:23,720 --> 00:13:27,240
Speaker 2: from Garrett in Venice, struggling after this situation. Maybe this

294
00:13:27,320 --> 00:13:28,960
Speaker 2: has happened to you, or maybe you're glad it has

295
00:13:29,000 --> 00:13:31,160
Speaker 2: not happened to you. So he meets this girl at

296
00:13:31,160 --> 00:13:33,640
Speaker 2: a bar. He says in the email US, I was

297
00:13:33,679 --> 00:13:36,320
Speaker 2: just out to get wasted after a rough week. She

298
00:13:36,440 --> 00:13:38,360
Speaker 2: made fun of my outfit in a sweet and funny way.

299
00:13:38,440 --> 00:13:45,120
Speaker 2: See that's great anytime you're insulted, it's charming. I love yeah,

300
00:13:45,160 --> 00:13:47,040
Speaker 2: I do. I love it when someone makes fun of you.

301
00:13:47,080 --> 00:13:48,280
Speaker 2: It's like I think that they're.

302
00:13:49,920 --> 00:13:52,520
Speaker 6: Yes at the beginning, it's kind of flirtatious and cute maybe,

303
00:13:52,960 --> 00:13:55,280
Speaker 6: but like carrying it on years into the relationship.

304
00:13:56,080 --> 00:13:57,679
Speaker 2: But I think out of the gate it's flirtatious. I'm

305
00:13:57,679 --> 00:14:00,680
Speaker 2: assisting on that. So anyway, Garrett says, we made out

306
00:14:00,760 --> 00:14:03,040
Speaker 2: at the bar and then she came home with me.

307
00:14:03,080 --> 00:14:05,320
Speaker 2: It was great, but she left before I wake up

308
00:14:05,360 --> 00:14:08,439
Speaker 2: and is not returning my text. So he was really

309
00:14:08,440 --> 00:14:11,080
Speaker 2: into it. It was like all seemed like all systems go,

310
00:14:11,160 --> 00:14:13,120
Speaker 2: and then she bailed. So Garrett, good morning, thanks for

311
00:14:13,160 --> 00:14:13,520
Speaker 2: coming on.

312
00:14:14,360 --> 00:14:15,640
Speaker 7: Yeah, of course, guys, thank you.

313
00:14:15,840 --> 00:14:17,920
Speaker 2: Here's here's my two cents. If you don't want us

314
00:14:17,960 --> 00:14:21,120
Speaker 2: to make the call to her, I feel like she

315
00:14:21,240 --> 00:14:23,080
Speaker 2: might have known you were just out for a crazy

316
00:14:23,240 --> 00:14:25,440
Speaker 2: night and she was part of that, and she doesn't

317
00:14:25,440 --> 00:14:26,960
Speaker 2: want to be part of that. After that crazy night,

318
00:14:26,960 --> 00:14:27,960
Speaker 2: you think it's any chance of that.

319
00:14:29,760 --> 00:14:32,760
Speaker 7: I mean, she seemed to be like pretty okay with it,

320
00:14:32,880 --> 00:14:35,680
Speaker 7: and I don't know it went so well that like

321
00:14:36,440 --> 00:14:38,800
Speaker 7: if she didn't like it, she probably wouldn't have, you know,

322
00:14:39,080 --> 00:14:40,080
Speaker 7: saved with me that night.

323
00:14:40,400 --> 00:14:42,760
Speaker 2: But how many times you texted her? How many times

324
00:14:42,760 --> 00:14:43,600
Speaker 2: have you texted her.

325
00:14:43,520 --> 00:14:47,240
Speaker 7: Since I literally just texted her one saying, like, so

326
00:14:47,400 --> 00:14:50,720
Speaker 7: great meeting you. I'd love to see you again. Maybe

327
00:14:50,800 --> 00:14:53,600
Speaker 7: like two texts, but yeah, no response.

328
00:14:53,640 --> 00:14:55,760
Speaker 1: Garrett. This is definition one night stand.

329
00:14:56,800 --> 00:14:57,000
Speaker 7: Yeah.

330
00:14:57,040 --> 00:15:00,000
Speaker 2: I think that she might have realized that's what it was,

331
00:15:00,480 --> 00:15:02,680
Speaker 2: and she was fine with it too, but doesn't want

332
00:15:02,720 --> 00:15:04,600
Speaker 2: it to be any more. Don't you thinks anything.

333
00:15:04,480 --> 00:15:08,920
Speaker 1: She left before you woke up? Right, I don't love it.

334
00:15:10,440 --> 00:15:11,280
Speaker 2: Has anybody here.

335
00:15:11,200 --> 00:15:11,680
Speaker 7: We done that?

336
00:15:12,040 --> 00:15:15,680
Speaker 1: Me in my San Diego days?

337
00:15:15,920 --> 00:15:18,080
Speaker 2: I think we haven't? We either we've all done or

338
00:15:18,080 --> 00:15:18,960
Speaker 2: had it happened to us?

339
00:15:19,080 --> 00:15:19,280
Speaker 9: Right?

340
00:15:19,280 --> 00:15:20,840
Speaker 1: I couldn't get out of there faster, I know.

341
00:15:20,880 --> 00:15:22,680
Speaker 2: And you're trying to be so quiet.

342
00:15:23,280 --> 00:15:25,360
Speaker 5: I can honestly say this has never happened to me.

343
00:15:26,640 --> 00:15:27,840
Speaker 2: Well, what a buzzkill you are.

344
00:15:28,280 --> 00:15:30,960
Speaker 5: I'm just saying, there's a song for every foot out there.

345
00:15:32,480 --> 00:15:37,960
Speaker 2: What anyway, Garrett, back to you, So we will call

346
00:15:38,000 --> 00:15:39,520
Speaker 2: her and see we can find out. But I'm just saying,

347
00:15:39,520 --> 00:15:42,720
Speaker 2: prepare yourself for her, like knowing that she was part

348
00:15:42,720 --> 00:15:45,640
Speaker 2: of that story that night, since you were clearly on

349
00:15:45,680 --> 00:15:48,040
Speaker 2: a mission, as you said to us, you had a

350
00:15:48,120 --> 00:15:49,440
Speaker 2: rough week at work. You were just out for a

351
00:15:49,480 --> 00:15:50,040
Speaker 2: crazy night.

352
00:15:51,440 --> 00:15:54,080
Speaker 7: Yeah, I mean, like I was just it was one

353
00:15:54,120 --> 00:15:56,880
Speaker 7: of my coworkers got promotion, is bothering me. My boss

354
00:15:56,960 --> 00:15:59,160
Speaker 7: had to talk with me about my attitude, trying to

355
00:15:59,200 --> 00:16:01,320
Speaker 7: take my mind off it. Right next to her at

356
00:16:01,360 --> 00:16:03,680
Speaker 7: the bar, and but I mean she I was wearing

357
00:16:03,720 --> 00:16:05,640
Speaker 7: a black and white striped shirt and she was like,

358
00:16:05,760 --> 00:16:07,720
Speaker 7: what's up, ref, it's this cute smile.

359
00:16:08,040 --> 00:16:08,400
Speaker 2: I love it.

360
00:16:08,520 --> 00:16:11,320
Speaker 7: And I was just hooked and we talked for hours.

361
00:16:11,640 --> 00:16:15,040
Speaker 7: I ditched my friends. I mean like she was my

362
00:16:15,160 --> 00:16:17,800
Speaker 7: crazy night. I wasn't like trying to have a crazy night.

363
00:16:17,880 --> 00:16:20,960
Speaker 7: And then she tagged along. She became my night, you know.

364
00:16:21,760 --> 00:16:23,800
Speaker 2: Yeah, all right, well listen, Garrett, hold on one second.

365
00:16:23,840 --> 00:16:25,640
Speaker 2: Her name is Lara. Is that right?

366
00:16:26,400 --> 00:16:27,000
Speaker 7: Yeah? Lara?

367
00:16:27,280 --> 00:16:30,240
Speaker 2: Okay, We're gonna try and track down Lara, get her

368
00:16:30,240 --> 00:16:31,560
Speaker 2: to come on the air with us. We got her

369
00:16:31,640 --> 00:16:33,360
Speaker 2: numbers to stand by. It's a second date, up date.

370
00:16:33,440 --> 00:16:35,760
Speaker 2: Let's see why she got up quietly and didn't tell

371
00:16:35,760 --> 00:16:37,520
Speaker 2: Garrett she was leaving. And now she's not responding to

372
00:16:37,520 --> 00:16:40,400
Speaker 2: his text. So Garrett decides he had a rough week.

373
00:16:40,440 --> 00:16:41,600
Speaker 2: You want to go out and blow off some steam,

374
00:16:41,680 --> 00:16:43,320
Speaker 2: so he wanted to get wasted, goes to a bar.

375
00:16:44,160 --> 00:16:46,360
Speaker 2: Does that meets this girl. They make out at the bar,

376
00:16:46,480 --> 00:16:48,680
Speaker 2: they go home together. It's a great night. He can't

377
00:16:48,680 --> 00:16:51,080
Speaker 2: believe it. She gets up before he wakes up, and

378
00:16:51,160 --> 00:16:54,400
Speaker 2: she leaves, and then he texts her head this was awesome,

379
00:16:55,200 --> 00:16:57,720
Speaker 2: great nightless hang and she doesn't text me.

380
00:16:57,960 --> 00:17:00,440
Speaker 1: She's gone hoo dany right.

381
00:17:00,320 --> 00:17:04,760
Speaker 2: Because we think, well, save this. Maybe Garrett should speak

382
00:17:04,760 --> 00:17:07,240
Speaker 2: to do a leap. In a few minutes, he's gonna

383
00:17:07,280 --> 00:17:09,359
Speaker 2: be here. We play that song. But anyway, the thing is,

384
00:17:10,080 --> 00:17:12,360
Speaker 2: we think she knew that he was just on this

385
00:17:12,760 --> 00:17:15,200
Speaker 2: crazy night and she was fine to play a part

386
00:17:15,200 --> 00:17:17,800
Speaker 2: in that night. But after that, no more part. And

387
00:17:17,840 --> 00:17:20,480
Speaker 2: that's why she got up and left. She snuck out

388
00:17:20,480 --> 00:17:23,399
Speaker 2: before he could wake up. So, Garrett, we have Lara

389
00:17:23,520 --> 00:17:25,520
Speaker 2: on the line. Be very quiet. We're gonna find out

390
00:17:25,560 --> 00:17:28,800
Speaker 2: what the deal is here. Okay, yeah, sounds good. All right,

391
00:17:28,800 --> 00:17:31,359
Speaker 2: here we go, Lara, thank you very much for holding on.

392
00:17:31,480 --> 00:17:33,960
Speaker 2: We are here on the air. I've got myself, Ryan

393
00:17:34,000 --> 00:17:35,560
Speaker 2: and sistaning Tanya. Good morning.

394
00:17:35,680 --> 00:17:38,040
Speaker 1: Hi Hi hi hi.

395
00:17:38,480 --> 00:17:41,280
Speaker 2: So we're gonna pry a little bit. Forgive us, but

396
00:17:41,320 --> 00:17:43,400
Speaker 2: we're calling about a guy named Garrett who you met

397
00:17:43,440 --> 00:17:45,240
Speaker 2: out when he was having a big night. Do you

398
00:17:45,280 --> 00:17:45,760
Speaker 2: remember that.

399
00:17:49,000 --> 00:17:51,919
Speaker 4: Yeah, I met that guy at the Lincoln. Yeah, I

400
00:17:51,960 --> 00:17:53,080
Speaker 4: remember him great.

401
00:17:53,240 --> 00:17:55,040
Speaker 2: So he said that you kind of in a cute

402
00:17:55,040 --> 00:17:56,879
Speaker 2: way made fun of his outfit, and then you guys

403
00:17:56,960 --> 00:17:58,200
Speaker 2: ended up hanging out for the night.

404
00:17:59,359 --> 00:18:00,679
Speaker 4: Yeah I did do that.

405
00:18:00,920 --> 00:18:01,120
Speaker 7: Yeah.

406
00:18:02,080 --> 00:18:03,959
Speaker 2: What do you think when you think back on Garrett?

407
00:18:03,960 --> 00:18:04,600
Speaker 2: What do you think about?

408
00:18:06,600 --> 00:18:08,239
Speaker 4: I mean, he was he was a nice guy. Like

409
00:18:08,320 --> 00:18:09,640
Speaker 4: we had we had fun.

410
00:18:11,160 --> 00:18:13,040
Speaker 2: And is there more fun to be had with Garrett?

411
00:18:13,040 --> 00:18:13,239
Speaker 7: You think?

412
00:18:16,280 --> 00:18:18,200
Speaker 4: I'm not really sure that, Like we're a good spit

413
00:18:18,600 --> 00:18:21,000
Speaker 4: to be honest, but he was. He was a nice guy.

414
00:18:22,119 --> 00:18:24,800
Speaker 2: Now he Here's what we understand that you guys hit

415
00:18:24,840 --> 00:18:26,800
Speaker 2: it off so much you went and hung out together

416
00:18:26,960 --> 00:18:28,120
Speaker 2: that night. Is that right?

417
00:18:31,560 --> 00:18:31,800
Speaker 10: Yeah?

418
00:18:31,880 --> 00:18:34,680
Speaker 4: I did. I did go back to his apartment that night.

419
00:18:35,040 --> 00:18:36,840
Speaker 4: But I don't know how you guys know that, but

420
00:18:36,920 --> 00:18:39,440
Speaker 4: yes I did. I did go back to his apartment.

421
00:18:39,520 --> 00:18:41,800
Speaker 2: Yeah. Yeah, it's very strange. We also know that you

422
00:18:41,880 --> 00:18:46,880
Speaker 2: left before he woke up. Is that true?

423
00:18:47,119 --> 00:18:48,920
Speaker 4: I did leave before he woke up.

424
00:18:49,000 --> 00:18:50,520
Speaker 7: Yes, it's great.

425
00:18:51,000 --> 00:18:52,960
Speaker 2: And just because you woke up early and need to

426
00:18:52,960 --> 00:18:54,920
Speaker 2: get somewhere or what was the move there?

427
00:18:58,119 --> 00:19:00,480
Speaker 4: No, I just feel like he has a lit growing

428
00:19:00,560 --> 00:19:03,879
Speaker 4: up to do the next morning. I went into his

429
00:19:03,960 --> 00:19:05,880
Speaker 4: kitchen because I thought I would just make some coffee

430
00:19:05,920 --> 00:19:09,879
Speaker 4: or something to eat, and he literally didn't have like

431
00:19:09,920 --> 00:19:14,320
Speaker 4: a single dish, Like, no dishes, no cups. He had

432
00:19:14,440 --> 00:19:19,080
Speaker 4: paper plates and solo cup, no silverware, just like plastic

433
00:19:19,600 --> 00:19:23,800
Speaker 4: takeout stuff. And that just wasn't really my vibe. So

434
00:19:24,040 --> 00:19:25,800
Speaker 4: I just decided I needed to leave.

435
00:19:26,640 --> 00:19:28,159
Speaker 2: Now, I'm just trying to think. There, you are in

436
00:19:28,200 --> 00:19:30,000
Speaker 2: a new guy's house and you wake up to go

437
00:19:30,040 --> 00:19:31,880
Speaker 2: into his kitchen to make yourself some breakfast.

438
00:19:32,280 --> 00:19:35,560
Speaker 4: I don't well, I was I was going to like

439
00:19:35,600 --> 00:19:37,399
Speaker 4: make us coffee like I was gonna do.

440
00:19:38,160 --> 00:19:38,880
Speaker 1: I brought it back.

441
00:19:39,720 --> 00:19:42,400
Speaker 6: They've already had a very intimate night, I'm assuming, right,

442
00:19:42,440 --> 00:19:43,720
Speaker 6: So okay, so uncomfortable.

443
00:19:43,880 --> 00:19:46,520
Speaker 2: I'm grasping this. So everything was cool with Garrett. You

444
00:19:46,600 --> 00:19:49,680
Speaker 2: have a good night, you spend the night. Then then

445
00:19:49,760 --> 00:19:52,040
Speaker 2: you change, You have this change of heart the next

446
00:19:52,160 --> 00:19:55,040
Speaker 2: morning after you wake up. You're not intending to sneak out,

447
00:19:55,400 --> 00:19:57,439
Speaker 2: but then you decide to sneak out because you think

448
00:19:57,480 --> 00:19:58,800
Speaker 2: it needs to grow up a little bit based on

449
00:19:58,840 --> 00:19:59,800
Speaker 2: what you saw in his kitchen.

450
00:20:00,040 --> 00:20:03,639
Speaker 4: Hmmm, yeah, I mean, I just he doesn't have to

451
00:20:03,680 --> 00:20:06,159
Speaker 4: be like a perfect chef. Like great at cooking, but

452
00:20:06,640 --> 00:20:09,080
Speaker 4: he doesn't even own dishes, like no pots, no pans,

453
00:20:09,119 --> 00:20:11,920
Speaker 4: no bowls. It was just really really weird. And when

454
00:20:11,920 --> 00:20:13,840
Speaker 4: I went in the fridge, he did have cereal and milk,

455
00:20:13,920 --> 00:20:15,600
Speaker 4: but he had no bowls. So I was like, I

456
00:20:15,640 --> 00:20:16,840
Speaker 4: have no idea how are even eating?

457
00:20:16,920 --> 00:20:19,800
Speaker 3: And the red solo clops obviously, I mean, was it

458
00:20:19,840 --> 00:20:21,760
Speaker 3: whole milk or was it a different kind of milk?

459
00:20:22,960 --> 00:20:25,199
Speaker 4: No, it was like just regular like cow milk, like

460
00:20:25,240 --> 00:20:26,359
Speaker 4: whole milk, cow milk.

461
00:20:26,520 --> 00:20:29,480
Speaker 2: Huh okay, So is that a deal breaker for you?

462
00:20:29,880 --> 00:20:32,040
Speaker 2: I'm going to tell you, milks tell me a lot

463
00:20:32,080 --> 00:20:37,280
Speaker 2: about somebody. If you have milk, molk, you have some

464
00:20:37,320 --> 00:20:38,720
Speaker 2: milk in there, that's.

465
00:20:38,640 --> 00:20:42,720
Speaker 1: A big Maybe he just moved into this. Is that possible.

466
00:20:44,600 --> 00:20:48,760
Speaker 4: I don't know. I mean I don't I don't think so. No, well,

467
00:20:48,800 --> 00:20:49,920
Speaker 4: I don't think it's possible.

468
00:20:50,440 --> 00:20:53,399
Speaker 2: Clara, thank you for your honesty that we're grateful for it.

469
00:20:53,400 --> 00:20:54,960
Speaker 2: And I'm gonna tell you we know all this because

470
00:20:55,000 --> 00:20:57,399
Speaker 2: Garrett told us this, because Garrett's on the phone listening

471
00:20:57,480 --> 00:20:59,240
Speaker 2: to this. And then Garrett, now you know why she

472
00:20:59,720 --> 00:21:02,600
Speaker 2: left because you have nothing in your cabinets. What is

473
00:21:02,640 --> 00:21:03,119
Speaker 2: that about?

474
00:21:04,000 --> 00:21:08,520
Speaker 7: Okay, Yeah, So I mean, you're right, I don't have

475
00:21:08,640 --> 00:21:10,960
Speaker 7: that much of my cabinets, but I did just move

476
00:21:11,000 --> 00:21:13,520
Speaker 7: out of my parents' house like pretty recently, so I

477
00:21:14,000 --> 00:21:17,479
Speaker 7: just haven't done that big Target run yet, you know, Okay.

478
00:21:18,000 --> 00:21:21,080
Speaker 4: I mean also, like, thank you for calling kiss to

479
00:21:21,160 --> 00:21:23,159
Speaker 4: get a hold of me, Like I really appreciate that.

480
00:21:25,840 --> 00:21:28,120
Speaker 4: Like when did you move out of your parents' house?

481
00:21:30,480 --> 00:21:36,359
Speaker 7: I mean, like April? I mean, if I'm counting, okay,

482
00:21:36,760 --> 00:21:37,120
Speaker 7: and this.

483
00:21:37,200 --> 00:21:39,000
Speaker 4: Is what I was saying, how like I know that

484
00:21:39,080 --> 00:21:42,720
Speaker 4: you didn't just move out because your bathroom was filthy.

485
00:21:42,800 --> 00:21:45,399
Speaker 4: You clearly did not just move in. It was a

486
00:21:45,480 --> 00:21:49,960
Speaker 4: really long time ago.

487
00:21:48,359 --> 00:21:51,480
Speaker 7: Okay, But I'm going to do it though, Like I'm

488
00:21:51,720 --> 00:21:54,879
Speaker 7: I am gonna like, I'm gonna do a shop. You know,

489
00:21:55,000 --> 00:21:57,199
Speaker 7: we're gonna go. We could go to Target together.

490
00:21:59,200 --> 00:21:59,400
Speaker 4: Now?

491
00:21:59,480 --> 00:22:01,000
Speaker 2: Is it just me? Or is this going well?

492
00:22:01,160 --> 00:22:01,760
Speaker 1: I don't know.

493
00:22:02,359 --> 00:22:03,280
Speaker 5: I'm so uncomfortable.

494
00:22:03,320 --> 00:22:04,600
Speaker 1: I can't stop listening though.

495
00:22:04,760 --> 00:22:06,280
Speaker 2: We should this.

496
00:22:08,800 --> 00:22:08,960
Speaker 4: Now.

497
00:22:10,080 --> 00:22:11,439
Speaker 2: The thing I just want to and then we'll let

498
00:22:11,480 --> 00:22:13,199
Speaker 2: you guys live your lives. But the thing I just

499
00:22:13,240 --> 00:22:14,920
Speaker 2: want to be clear here is you did like the

500
00:22:14,960 --> 00:22:17,480
Speaker 2: guy until you saw he had no cops. Is there

501
00:22:17,520 --> 00:22:19,240
Speaker 2: any chance he can get some cops and you guys

502
00:22:19,240 --> 00:22:20,760
Speaker 2: will have another good time together.

503
00:22:24,160 --> 00:22:28,280
Speaker 4: I mean, I guess, I guess sure, I would consider it.

504
00:22:28,320 --> 00:22:31,000
Speaker 4: Why not? I mean that would be I think we

505
00:22:31,040 --> 00:22:32,719
Speaker 4: did have a good time. Like I think you are

506
00:22:32,760 --> 00:22:36,600
Speaker 4: a nice guy, but seriously, the bathroom was really gross

507
00:22:36,840 --> 00:22:39,600
Speaker 4: and I'm I just can't step foot in your apartment

508
00:22:39,680 --> 00:22:43,960
Speaker 4: until you promise me that you're going to clean that bathroom.

509
00:22:44,160 --> 00:22:47,640
Speaker 7: Okay, that's fair, And I appreciate the feedback. And uh,

510
00:22:47,680 --> 00:22:49,640
Speaker 7: you know, I'd love to pitch myself here. We made

511
00:22:49,680 --> 00:22:54,120
Speaker 7: each other laugh. We had great chemistry, definitely good physical chemistry. Right,

512
00:22:56,920 --> 00:22:59,080
Speaker 7: crazy will.

513
00:22:59,200 --> 00:23:01,280
Speaker 2: Be the judge that I get out of the room quick.

514
00:23:01,440 --> 00:23:03,120
Speaker 2: Let's just say, you guys call each other.

515
00:23:03,280 --> 00:23:05,879
Speaker 7: I don't know, I speak for myself, but I mean, like,

516
00:23:05,960 --> 00:23:08,400
Speaker 7: let's do a little targe. Let's do a little second day,

517
00:23:08,800 --> 00:23:12,000
Speaker 7: little stuff from my place, maybe a little clean the

518
00:23:12,000 --> 00:23:12,760
Speaker 7: bathroom together.

519
00:23:13,119 --> 00:23:17,960
Speaker 2: No, for your head, He's gonna text you, thank you

520
00:23:18,000 --> 00:23:22,600
Speaker 2: guys for coming on in good luckship. Good. When she

521
00:23:22,600 --> 00:23:25,960
Speaker 2: said thanks for contacting kiss, I cringed myself. I wanted

522
00:23:25,960 --> 00:23:32,679
Speaker 2: to go and hide. Can we talk about milk compatibility? Sure? So,

523
00:23:32,920 --> 00:23:34,959
Speaker 2: I honestly, the more we think about this. Maybe it's

524
00:23:35,000 --> 00:23:37,159
Speaker 2: because we live in Los Angeles, I don't know, and

525
00:23:37,200 --> 00:23:41,440
Speaker 2: maybe it's because I have ball issues with full blown dairy.

526
00:23:42,040 --> 00:23:44,280
Speaker 2: I don't know that I would totally sync up with

527
00:23:44,320 --> 00:23:45,200
Speaker 2: a whole milk person.

528
00:23:45,960 --> 00:23:47,640
Speaker 1: You can have your own milk.

529
00:23:48,640 --> 00:23:53,480
Speaker 11: I mean serious, I agree, but I buy the three

530
00:23:53,560 --> 00:23:54,760
Speaker 11: trees on the milk.

531
00:23:55,200 --> 00:23:56,400
Speaker 5: I agree with you.

532
00:23:56,520 --> 00:23:59,400
Speaker 2: Yeah see, I don't know. Ever since I discovered almond milk.

533
00:23:59,440 --> 00:24:01,840
Speaker 2: First I was this way guy. Then I discovered almond milk,

534
00:24:02,280 --> 00:24:04,840
Speaker 2: and I feel like I feel like a closeness to

535
00:24:04,880 --> 00:24:08,040
Speaker 2: somebody that also needs almond milk for their situation, because

536
00:24:08,040 --> 00:24:11,600
Speaker 2: anybody can have a whole milk situation, like I couldn't

537
00:24:11,600 --> 00:24:14,200
Speaker 2: bless them. Yeah, good for you, but you deserve another

538
00:24:14,200 --> 00:24:14,960
Speaker 2: whole milk person.

539
00:24:15,560 --> 00:24:17,520
Speaker 1: No, you're gonna have your separate milks. But I know

540
00:24:17,560 --> 00:24:18,879
Speaker 1: what you mean. I mean, Michael and I drink the

541
00:24:18,880 --> 00:24:23,919
Speaker 1: same milk. Yeah sure, yeah, I mean I.

542
00:24:24,119 --> 00:24:26,640
Speaker 3: Put powerful over my milk because I make homemade almond milk.

543
00:24:26,640 --> 00:24:27,880
Speaker 3: And it's like, where.

544
00:24:27,640 --> 00:24:28,919
Speaker 2: Did you learn that? Excuse me?

545
00:24:29,160 --> 00:24:30,000
Speaker 1: Ah?

546
00:24:30,040 --> 00:24:30,720
Speaker 5: Thanks? Girlfriend?

547
00:24:30,760 --> 00:24:41,800
Speaker 11: Actually, did you make a video with a.

548
00:24:41,720 --> 00:24:42,359
Speaker 2: Step by step?

549
00:24:42,480 --> 00:24:42,600
Speaker 8: No?

550
00:24:42,640 --> 00:24:44,200
Speaker 2: You did not know? You did not? She did.

551
00:24:47,200 --> 00:24:49,240
Speaker 1: On air with a Ryan Seacrest.

552
00:24:51,440 --> 00:24:54,600
Speaker 2: It is a Tuesday morning. It's a great Tuesday. Tuesday

553
00:24:54,680 --> 00:24:56,760
Speaker 2: is always the toughest day, right, Tuesdays the day we

554
00:24:56,800 --> 00:24:59,040
Speaker 2: say we got to push a little harder. You know,

555
00:24:59,320 --> 00:25:02,440
Speaker 2: all hands ne be on deck, But not today because

556
00:25:02,480 --> 00:25:04,240
Speaker 2: Doua Lip has come in to put her hands on

557
00:25:04,280 --> 00:25:05,720
Speaker 2: the deck with us.

558
00:25:05,720 --> 00:25:06,560
Speaker 1: He's welcome.

559
00:25:08,160 --> 00:25:11,320
Speaker 2: I noticed something very different about you. It's your hair.

560
00:25:11,400 --> 00:25:13,160
Speaker 12: Yeah, it might be my hair.

561
00:25:13,560 --> 00:25:13,760
Speaker 4: Yeah.

562
00:25:15,080 --> 00:25:17,440
Speaker 10: I think last time I was in the studio here,

563
00:25:17,720 --> 00:25:19,280
Speaker 10: I had a blonde hair.

564
00:25:19,800 --> 00:25:22,879
Speaker 2: Yeah, okay, so it's definitely your hair. I'm proud of

565
00:25:22,880 --> 00:25:27,720
Speaker 2: myself recognizing good job, good joke. Is there symbolism in

566
00:25:28,080 --> 00:25:30,600
Speaker 2: and it looks great? It looks great? Is there symbolism

567
00:25:30,720 --> 00:25:31,320
Speaker 2: in that red?

568
00:25:32,560 --> 00:25:34,080
Speaker 12: Symbolism? I don't know when I was.

569
00:25:34,080 --> 00:25:37,080
Speaker 10: When I was making my new record, I just felt

570
00:25:37,119 --> 00:25:40,399
Speaker 10: like I really resonated with the color red, and I

571
00:25:40,400 --> 00:25:43,200
Speaker 10: felt like that was that's that was just my new vibe. Now.

572
00:25:43,480 --> 00:25:45,280
Speaker 2: But when you walked in, there was a falsett of

573
00:25:45,280 --> 00:25:46,119
Speaker 2: screams from Tanya.

574
00:25:46,119 --> 00:25:49,920
Speaker 1: And now we've been excited. We've been waiting for your arrival.

575
00:25:50,119 --> 00:25:52,760
Speaker 3: I've been listening to this new song on repeat since

576
00:25:52,760 --> 00:25:57,000
Speaker 3: it came out on repeat, Yeah, it's I can't handle it.

577
00:25:57,240 --> 00:25:58,440
Speaker 12: I'm so happy you like it.

578
00:25:58,760 --> 00:26:01,200
Speaker 2: We're gonna play it and we're gonna I'm gonna get

579
00:26:01,240 --> 00:26:02,840
Speaker 2: into the psyche of it in a second. But first,

580
00:26:02,880 --> 00:26:04,360
Speaker 2: congratulations on the Grammys.

581
00:26:04,760 --> 00:26:06,200
Speaker 12: Thank you so much.

582
00:26:06,240 --> 00:26:07,160
Speaker 2: Grammy nominations.

583
00:26:08,560 --> 00:26:12,000
Speaker 10: Massive deal, massive deal. I'm super, super super happy.

584
00:26:12,280 --> 00:26:16,200
Speaker 2: What was the coolest or most interesting text congratulations text

585
00:26:16,320 --> 00:26:18,840
Speaker 2: you got once people found out that you were two

586
00:26:18,880 --> 00:26:20,000
Speaker 2: time Grammy nominee.

587
00:26:20,119 --> 00:26:23,040
Speaker 12: What was the most interesting one? I don't know.

588
00:26:23,119 --> 00:26:26,160
Speaker 10: I mean just the excitement that I think me and

589
00:26:26,240 --> 00:26:29,240
Speaker 10: Mark Cronson and Andrew Wyatt and Caroline felt together. We

590
00:26:29,320 --> 00:26:31,919
Speaker 10: have this group chat, and so it was just like,

591
00:26:32,040 --> 00:26:34,840
Speaker 10: oh my god, guys, like this is so exciting. Can't

592
00:26:34,880 --> 00:26:38,359
Speaker 10: believe we got two Grammy norms. And Mark and Andrew

593
00:26:38,440 --> 00:26:41,000
Speaker 10: got one for the score as well. And I mean,

594
00:26:41,040 --> 00:26:45,119
Speaker 10: the they they did really well this Grammy season. So

595
00:26:45,160 --> 00:26:48,720
Speaker 10: it's gonna be exciting. I'm I'm super proud of everyone involved.

596
00:26:49,040 --> 00:26:51,239
Speaker 2: Some people say that they don't, you know, fine, they

597
00:26:51,240 --> 00:26:53,480
Speaker 2: don't really care if they get nominated. I don't know

598
00:26:53,520 --> 00:26:55,879
Speaker 2: I would care, Like I'd be excited to be nominated

599
00:26:55,920 --> 00:26:56,439
Speaker 2: for a Grammy.

600
00:26:56,560 --> 00:27:00,159
Speaker 10: Definitely, you I mean, it's it's like I think, you know,

601
00:27:00,280 --> 00:27:02,800
Speaker 10: some people maybe say, like, oh, it's it's not how

602
00:27:02,840 --> 00:27:05,640
Speaker 10: you measure success, which I definitely don't think it's how

603
00:27:05,720 --> 00:27:09,520
Speaker 10: you measure success. But it's so amazing to be recognized

604
00:27:09,520 --> 00:27:12,760
Speaker 10: by your peers by you know, to have this like

605
00:27:13,800 --> 00:27:16,760
Speaker 10: I don't know, I guess nomination or accolade aside you

606
00:27:16,800 --> 00:27:19,520
Speaker 10: that you go, oh, like I did something that's really

607
00:27:19,520 --> 00:27:21,919
Speaker 10: special and lots of people liked it, and and you know,

608
00:27:22,000 --> 00:27:24,320
Speaker 10: it feels good of course, like you have that feeling.

609
00:27:24,400 --> 00:27:26,680
Speaker 10: I mean, I definitely I feel very, very proud.

610
00:27:26,520 --> 00:27:28,720
Speaker 1: And to be involved in the movie of the year.

611
00:27:28,960 --> 00:27:32,280
Speaker 12: Yes, absolutely absolutely.

612
00:27:32,000 --> 00:27:34,639
Speaker 2: Was Barbie your acting debut like a fish like a

613
00:27:34,680 --> 00:27:35,639
Speaker 2: movie acting debut.

614
00:27:35,960 --> 00:27:39,120
Speaker 10: It's it's it's the first thing that was like, I mean,

615
00:27:39,280 --> 00:27:40,040
Speaker 10: acting debut.

616
00:27:40,080 --> 00:27:45,439
Speaker 12: I did it. I did a little cameo, you know,

617
00:27:45,880 --> 00:27:47,280
Speaker 12: but I will take it.

618
00:27:47,280 --> 00:27:48,720
Speaker 10: You know, the fact that I got to be in

619
00:27:48,760 --> 00:27:52,439
Speaker 10: a mermaid fish tail, I'm gonna lap it up for

620
00:27:52,480 --> 00:27:53,440
Speaker 10: as long as possible.

621
00:27:53,480 --> 00:27:55,840
Speaker 2: I loved it, did you, Barbie?

622
00:27:55,920 --> 00:27:59,600
Speaker 10: You were well, I got asked to be Mermaid Barbie

623
00:27:59,600 --> 00:28:01,639
Speaker 10: by Grass, but I got to I got asked to

624
00:28:01,640 --> 00:28:05,160
Speaker 10: be the Mermaid Barbies plural, So I got to wear

625
00:28:05,280 --> 00:28:07,280
Speaker 10: like four different fish tails.

626
00:28:07,320 --> 00:28:09,480
Speaker 12: It was like the purple one, the orange on, the

627
00:28:09,520 --> 00:28:10,200
Speaker 12: pink one.

628
00:28:10,040 --> 00:28:10,680
Speaker 2: The blue one.

629
00:28:10,720 --> 00:28:12,199
Speaker 10: I was like, it was really I was having a

630
00:28:12,240 --> 00:28:14,720
Speaker 10: moment and I was getting carried around everywhere because I

631
00:28:14,720 --> 00:28:18,000
Speaker 10: couldn't move in a fishtail. I was completely like, so

632
00:28:18,200 --> 00:28:21,280
Speaker 10: I quite enjoyed just being carried around.

633
00:28:21,800 --> 00:28:23,400
Speaker 12: I was having a real I was having a real

634
00:28:23,440 --> 00:28:24,280
Speaker 12: Steve the moment.

635
00:28:25,080 --> 00:28:27,480
Speaker 2: It seems like fun. So explain to us how you

636
00:28:27,480 --> 00:28:30,560
Speaker 2: wrote Dance to Night. Did you see the scene that

637
00:28:30,640 --> 00:28:32,119
Speaker 2: it was going to be featured in and then write

638
00:28:32,119 --> 00:28:33,359
Speaker 2: to the scene and how how did you do it

639
00:28:33,359 --> 00:28:35,400
Speaker 2: and how's it different from your normal writing process?

640
00:28:35,480 --> 00:28:38,640
Speaker 10: It was completely different from my from my normal writing

641
00:28:38,720 --> 00:28:43,800
Speaker 10: process entirely. I initially well, Mark hat asked me if

642
00:28:43,840 --> 00:28:46,080
Speaker 10: I was interested in Mark Ronson yet, if I was

643
00:28:46,120 --> 00:28:49,320
Speaker 10: interesting in working with him on this track, And all

644
00:28:49,360 --> 00:28:52,840
Speaker 10: I saw was a dance rehearsal video of the whole

645
00:28:52,920 --> 00:28:57,160
Speaker 10: cast in a dance studio like rehearsing to what was

646
00:28:57,280 --> 00:29:02,760
Speaker 10: just the score essentially the strings string part. And I

647
00:29:02,800 --> 00:29:06,640
Speaker 10: was like, oh, one thousand percent, I'm all over this definitely.

648
00:29:06,720 --> 00:29:08,880
Speaker 10: I really I would love, love, love to do it.

649
00:29:09,480 --> 00:29:12,840
Speaker 10: And I was more just kind of thinking about when

650
00:29:13,040 --> 00:29:16,280
Speaker 10: was the deadline, when did we need to send it in,

651
00:29:16,360 --> 00:29:19,040
Speaker 10: And it was just before they had started filming for Barbie.

652
00:29:20,000 --> 00:29:23,200
Speaker 10: And I guess that the whole task of it was

653
00:29:23,600 --> 00:29:25,360
Speaker 10: how do you write a song that's going to help

654
00:29:25,400 --> 00:29:27,400
Speaker 10: tell the story as well, because it was happening, like

655
00:29:27,440 --> 00:29:31,000
Speaker 10: the song happens on Barbie's best day ever, and it's

656
00:29:31,120 --> 00:29:34,200
Speaker 10: just as Barbie's starting to have these thoughts of death right,

657
00:29:34,880 --> 00:29:38,880
Speaker 10: and I needed to write a song that had all

658
00:29:38,880 --> 00:29:41,200
Speaker 10: the excitement of the best day ever, and it had

659
00:29:41,240 --> 00:29:45,720
Speaker 10: all the disco elements and the glittery pop disco stuff

660
00:29:46,640 --> 00:29:51,200
Speaker 10: with then underlying lyrics of what am I going to

661
00:29:51,240 --> 00:29:53,200
Speaker 10: do if everything kind of goes wrong? You know, how

662
00:29:53,200 --> 00:29:56,320
Speaker 10: am I going to stay positive or optimistic in the

663
00:29:56,360 --> 00:29:58,440
Speaker 10: face of things maybe not working out the way that

664
00:29:58,480 --> 00:30:00,080
Speaker 10: I want them to. So that was kind of the

665
00:30:00,080 --> 00:30:02,000
Speaker 10: the premise of it, and that was also the kickoff

666
00:30:02,040 --> 00:30:04,360
Speaker 10: for the rest of the film as well, that kind

667
00:30:04,400 --> 00:30:09,000
Speaker 10: of juxtaposition on throughout the whole film. So it was like,

668
00:30:09,040 --> 00:30:12,000
Speaker 10: all right, regrets, I, We're going to make the dance

669
00:30:12,080 --> 00:30:17,600
Speaker 10: crying song for that part, and that's how it was.

670
00:30:17,680 --> 00:30:20,320
Speaker 10: It was just like really amazing because when I go

671
00:30:20,360 --> 00:30:22,640
Speaker 10: in the studio and work on my own music, I

672
00:30:22,640 --> 00:30:26,040
Speaker 10: write very much from just my own personal experiences, and

673
00:30:26,080 --> 00:30:31,200
Speaker 10: this one was really diving into Barbie's world and her

674
00:30:31,320 --> 00:30:34,240
Speaker 10: character and what her story was and what she was

675
00:30:34,280 --> 00:30:36,760
Speaker 10: going through, which was really really fun to kind of

676
00:30:36,760 --> 00:30:39,080
Speaker 10: go in and I, you know, have a task and

677
00:30:39,120 --> 00:30:39,880
Speaker 10: have an assignment.

678
00:30:39,960 --> 00:30:42,600
Speaker 12: I was like, this is something I really love and

679
00:30:42,640 --> 00:30:43,960
Speaker 12: I enjoyed deadline.

680
00:30:44,640 --> 00:30:48,960
Speaker 10: I saw deadline there was kind of it was not

681
00:30:49,040 --> 00:30:51,920
Speaker 10: really not really a deadline because the film was already

682
00:30:52,520 --> 00:30:56,040
Speaker 10: filmed then with the instrumental, so we had a little

683
00:30:56,080 --> 00:30:57,840
Speaker 10: bit more time to get all the lyrics. But the

684
00:30:58,160 --> 00:31:01,200
Speaker 10: best thing about that was that we had originally written

685
00:31:01,240 --> 00:31:03,560
Speaker 10: the song. And then we went back in the studio

686
00:31:03,600 --> 00:31:06,920
Speaker 10: again and we watched the song with the with the

687
00:31:07,040 --> 00:31:09,720
Speaker 10: dance scene, and then I was like, oh wait a second,

688
00:31:09,720 --> 00:31:11,280
Speaker 10: Like I think we need to just go back in

689
00:31:11,320 --> 00:31:14,200
Speaker 10: and like do some rewriting. And there's like little moments

690
00:31:14,240 --> 00:31:18,960
Speaker 10: where Barbie or Margo goes like she does a dance

691
00:31:19,000 --> 00:31:21,360
Speaker 10: move like this right, and I'm like, oh, well, we

692
00:31:21,480 --> 00:31:22,800
Speaker 10: have to put in like come.

693
00:31:22,600 --> 00:31:25,480
Speaker 12: Along for the ride there and just like start tailoring.

694
00:31:26,040 --> 00:31:27,640
Speaker 10: I was sorry, I'm waving my hands, yet I forget

695
00:31:27,640 --> 00:31:31,160
Speaker 10: that I'm on the radio, and it was like, Okay,

696
00:31:31,240 --> 00:31:34,000
Speaker 10: let's tailor little things to the dance moves to like

697
00:31:34,080 --> 00:31:38,640
Speaker 10: really feel like we're scoring right the film. That's how

698
00:31:39,000 --> 00:31:41,320
Speaker 10: the lyrics were written. So it was just a completely

699
00:31:41,360 --> 00:31:44,840
Speaker 10: different experience. I absolutely loved it. Loved it cool.

700
00:31:45,200 --> 00:31:47,320
Speaker 2: There's so many great layers to that song too. You know,

701
00:31:47,360 --> 00:31:50,040
Speaker 2: you can almost picture it being played obviously here on

702
00:31:50,080 --> 00:31:51,680
Speaker 2: the radio, but I can also see it in like

703
00:31:51,720 --> 00:31:55,800
Speaker 2: a two story gold club in Europe along the coast,

704
00:31:55,880 --> 00:31:58,320
Speaker 2: you know, after two am, and that's the kind of

705
00:31:58,320 --> 00:31:58,960
Speaker 2: song that comes on.

706
00:31:59,120 --> 00:32:00,920
Speaker 12: That's the idea, that's the idea.

707
00:32:00,960 --> 00:32:04,360
Speaker 10: It's like that really late night, like things are getting

708
00:32:04,400 --> 00:32:06,960
Speaker 10: a little messy, then this song comes on and you're like,

709
00:32:07,080 --> 00:32:07,840
Speaker 10: oh my god.

710
00:32:08,560 --> 00:32:13,920
Speaker 2: My second Yeah exactly. So you were saying that, chronologically speaking,

711
00:32:14,000 --> 00:32:15,720
Speaker 2: this is sort of the first in a series of

712
00:32:15,760 --> 00:32:18,120
Speaker 2: different stories, but it represents this is what I want

713
00:32:18,120 --> 00:32:20,560
Speaker 2: to hone in on for a second, but it represents

714
00:32:20,680 --> 00:32:23,840
Speaker 2: sort of the best phases or stages of single Them.

715
00:32:24,000 --> 00:32:25,040
Speaker 2: Yeah right.

716
00:32:25,360 --> 00:32:28,080
Speaker 10: I think it's just more like the different feelings and

717
00:32:28,120 --> 00:32:32,480
Speaker 10: emotions that you have throughout the period of like single them,

718
00:32:32,720 --> 00:32:37,040
Speaker 10: you know, it's I think also understanding. You kind of

719
00:32:37,040 --> 00:32:39,200
Speaker 10: get to a point where you're like understanding what you

720
00:32:39,240 --> 00:32:41,840
Speaker 10: want and what you need and what you deserve. And

721
00:32:41,880 --> 00:32:44,360
Speaker 10: then it's kind of just a play on words obviously,

722
00:32:44,440 --> 00:32:47,160
Speaker 10: like using Kudini like verb like this is great where

723
00:32:47,160 --> 00:32:50,680
Speaker 10: I'm gonna Podini out of it, you know, Yeah, and

724
00:32:50,760 --> 00:32:51,800
Speaker 10: we all use it.

725
00:32:51,800 --> 00:32:54,200
Speaker 1: It's one of those terms that we have for sure.

726
00:32:54,560 --> 00:32:56,440
Speaker 2: By the way, they said, I who DEI remember what

727
00:32:56,480 --> 00:32:57,720
Speaker 2: was the Christmas party?

728
00:32:59,240 --> 00:33:04,240
Speaker 3: Yeah, he's gonna go, I'm gonna go request the song.

729
00:33:04,280 --> 00:33:05,520
Speaker 3: We all want to hear the song. I'm gonna go

730
00:33:05,520 --> 00:33:07,360
Speaker 3: request it. So he'll go, like request it and then

731
00:33:07,360 --> 00:33:08,160
Speaker 3: he'll Houdini.

732
00:33:11,200 --> 00:33:13,880
Speaker 2: I let them have some fun. But but it's but

733
00:33:13,960 --> 00:33:15,920
Speaker 2: single them, you know, the good stages. Then that has

734
00:33:15,920 --> 00:33:18,080
Speaker 2: an expiration date or it has a change into an

735
00:33:18,080 --> 00:33:21,080
Speaker 2: next chapter or stories that sort of when you speak chronologically,

736
00:33:21,320 --> 00:33:22,800
Speaker 2: what should we be thinking about?

737
00:33:22,880 --> 00:33:23,920
Speaker 12: Well, I guess just like.

738
00:33:26,400 --> 00:33:29,920
Speaker 10: It kind of goes into the phases of from figuring

739
00:33:29,960 --> 00:33:34,520
Speaker 10: out single them into potentially a new relationship.

740
00:33:35,720 --> 00:33:37,760
Speaker 2: And when you when you think about it, so then

741
00:33:37,800 --> 00:33:40,440
Speaker 2: all right, so it's single them, new relationship, and then

742
00:33:40,560 --> 00:33:42,120
Speaker 2: is there another single them?

743
00:33:42,120 --> 00:33:46,880
Speaker 10: Then it's kind of like, you know, just kind of

744
00:33:46,880 --> 00:33:50,120
Speaker 10: seeing if somebody can kind of keep up, keep up

745
00:33:50,360 --> 00:33:53,640
Speaker 10: in a way I guess early days, early days. And

746
00:33:53,680 --> 00:33:57,440
Speaker 10: then it starts getting a little bit more. You know,

747
00:33:57,480 --> 00:34:00,800
Speaker 10: you're kind of starting to see through the Oh my god,

748
00:34:00,840 --> 00:34:05,400
Speaker 10: this is like way hard.

749
00:34:04,640 --> 00:34:06,960
Speaker 12: What am I talking about here?

750
00:34:07,840 --> 00:34:10,480
Speaker 10: And then you're you're kind of like seeing the truth

751
00:34:10,520 --> 00:34:14,279
Speaker 10: behind someone, whether they're real or not, who they are,

752
00:34:14,360 --> 00:34:16,600
Speaker 10: what they represent kind of thing. And then you go

753
00:34:16,640 --> 00:34:19,680
Speaker 10: into the phases of this is amazing and this is

754
00:34:19,719 --> 00:34:21,200
Speaker 10: everything that I wanted kind of thing.

755
00:34:21,280 --> 00:34:25,879
Speaker 2: And then that's when I get worried. That's no, that's

756
00:34:25,880 --> 00:34:28,759
Speaker 2: when I get scared. No, it's going so great. That's

757
00:34:28,760 --> 00:34:29,680
Speaker 2: when I worry the most.

758
00:34:29,840 --> 00:34:31,600
Speaker 10: But it's going so well. You're like, all right, when's

759
00:34:31,640 --> 00:34:32,359
Speaker 10: it going to go wrong?

760
00:34:32,440 --> 00:34:34,520
Speaker 2: When's it going to go wrong? It's all going so well,

761
00:34:34,680 --> 00:34:37,040
Speaker 2: something's gonna what's going to go wrong? But that's you know,

762
00:34:37,120 --> 00:34:37,840
Speaker 2: my own issue.

763
00:34:37,960 --> 00:34:39,719
Speaker 5: So wait, can ask you a question.

764
00:34:40,000 --> 00:34:42,640
Speaker 1: Yeah, of course, when you purge your entire.

765
00:34:42,600 --> 00:34:45,720
Speaker 2: She said, no, no, no.

766
00:34:45,719 --> 00:34:47,960
Speaker 3: When you before the song came out and you purge

767
00:34:47,960 --> 00:34:49,960
Speaker 3: your entire Instagram, did it feel liberating?

768
00:34:50,040 --> 00:34:52,640
Speaker 12: Oh, it was the best feeling ever. Oh, we can't

769
00:34:52,680 --> 00:34:54,520
Speaker 12: do it. It was the best feel what you did?

770
00:34:54,520 --> 00:34:55,800
Speaker 1: You archive or did you just delete?

771
00:34:56,400 --> 00:34:59,719
Speaker 10: Okay, so they're still yeah, but they're not coming by,

772
00:35:00,120 --> 00:35:01,719
Speaker 10: they're not going back there more just for me if

773
00:35:01,719 --> 00:35:03,719
Speaker 10: I want to take a trip down memory lane or something.

774
00:35:03,960 --> 00:35:05,840
Speaker 12: Okay, but really, I don't know.

775
00:35:05,920 --> 00:35:07,960
Speaker 10: It just feels so nice to just have a fresh

776
00:35:08,000 --> 00:35:11,520
Speaker 10: start and start something you know, new and it's motivating.

777
00:35:12,040 --> 00:35:13,759
Speaker 10: And it's also nice to take a little break from

778
00:35:13,760 --> 00:35:16,560
Speaker 10: social media because I think when I'm not posting that

779
00:35:16,680 --> 00:35:20,799
Speaker 10: I'm not really looking. Also, it's kind of interesting because

780
00:35:20,800 --> 00:35:24,479
Speaker 10: then I just stay on. I don't know, but yeah,

781
00:35:24,560 --> 00:35:26,080
Speaker 10: it was nice to be off for a little bit.

782
00:35:26,280 --> 00:35:29,919
Speaker 2: Let's purgege it would take me like a year.

783
00:35:32,280 --> 00:35:34,840
Speaker 10: Well now on Instagram they've got the setting where you

784
00:35:34,880 --> 00:35:36,880
Speaker 10: can do mass multiple stuff.

785
00:35:36,960 --> 00:35:38,280
Speaker 12: Everyone in the background.

786
00:35:39,200 --> 00:35:42,680
Speaker 2: Ready to purge a tech class after this, Julie, But

787
00:35:42,719 --> 00:35:44,359
Speaker 2: thank you so much for coming in. It's always great

788
00:35:44,400 --> 00:35:45,239
Speaker 2: to see you.

789
00:35:44,960 --> 00:35:46,799
Speaker 12: Thank you.

790
00:35:47,840 --> 00:35:49,080
Speaker 2: We'll see the Grammys.

791
00:35:50,760 --> 00:35:51,840
Speaker 1: With Ryan Seacrest.

792
00:35:53,840 --> 00:35:56,520
Speaker 2: I just want to note that Julip always here and

793
00:35:56,560 --> 00:36:00,759
Speaker 2: everybody took some photos with I've never seen Mark producer

794
00:36:01,160 --> 00:36:03,200
Speaker 2: jump across the table to take a photo with any

795
00:36:03,200 --> 00:36:04,160
Speaker 2: of our guests have y'all.

796
00:36:05,000 --> 00:36:09,440
Speaker 1: It's very rare. I mean, he was very giddy.

797
00:36:09,560 --> 00:36:12,960
Speaker 9: Quick it became teenagers. My policy on this change. My

798
00:36:12,960 --> 00:36:16,600
Speaker 9: policy was always never, it's not professional. But then Little

799
00:36:16,640 --> 00:36:18,640
Speaker 9: knas X was in the studio, so I got a

800
00:36:18,640 --> 00:36:21,920
Speaker 9: fixture and there little actually blaming Little nas X. You're

801
00:36:22,239 --> 00:36:24,600
Speaker 9: all their friends, and everyone gets very impressed. So I'm continuing,

802
00:36:25,800 --> 00:36:31,400
Speaker 9: Menzel got you. That was for the whole family.

803
00:36:31,480 --> 00:36:34,279
Speaker 2: Now, exactly, Mark, So I see when the kids were

804
00:36:34,360 --> 00:36:36,719
Speaker 2: not teenagers, they didn't care if you were cool or not.

805
00:36:36,880 --> 00:36:38,239
Speaker 2: Now you have to show them that. Yeah, I have

806
00:36:38,280 --> 00:36:39,799
Speaker 2: to prove that I'm funny. How when I'm right next

807
00:36:39,840 --> 00:36:40,719
Speaker 2: to you, don't ask for a picture.

808
00:36:40,800 --> 00:36:42,280
Speaker 5: Yeah, you don't ask Ryan for photos?

809
00:36:43,200 --> 00:36:43,960
Speaker 2: One picture ever?

810
00:36:44,160 --> 00:36:46,880
Speaker 6: Yeah I might have one picture with you myself, but

811
00:36:46,960 --> 00:36:47,520
Speaker 6: that's not true.

812
00:36:47,520 --> 00:36:49,120
Speaker 2: Every time I'm next to you, you guys ask to

813
00:36:49,120 --> 00:36:49,880
Speaker 2: shoot videos.

814
00:36:50,760 --> 00:36:56,520
Speaker 1: Well, we try to make the most of it, all right.

815
00:36:56,960 --> 00:37:00,399
Speaker 2: Guys, I think we have to give some advice. Let's

816
00:37:00,440 --> 00:37:03,799
Speaker 2: see here, Judy's on the line. Hi, Judy, thank you

817
00:37:03,840 --> 00:37:06,359
Speaker 2: so much for Colin. How are you good?

818
00:37:06,400 --> 00:37:08,320
Speaker 8: How are you guys great?

819
00:37:08,440 --> 00:37:09,359
Speaker 2: How can we help you?

820
00:37:10,800 --> 00:37:11,080
Speaker 4: So?

821
00:37:11,680 --> 00:37:15,839
Speaker 8: My friends do a friends giving every year okay, and

822
00:37:15,920 --> 00:37:18,319
Speaker 8: my one friend always hosts, which is super nice of her,

823
00:37:19,320 --> 00:37:23,840
Speaker 8: And the list went out for all of you know,

824
00:37:23,880 --> 00:37:26,640
Speaker 8: the assignment, whether it's something that you're bringing or something

825
00:37:26,640 --> 00:37:29,480
Speaker 8: that you have to you know, do for the friends giving,

826
00:37:30,280 --> 00:37:33,880
Speaker 8: which again is reasonable because she hosts us so that's fine,

827
00:37:34,680 --> 00:37:37,240
Speaker 8: except this year I was put in charge of making

828
00:37:37,320 --> 00:37:42,720
Speaker 8: the turkey, and I one has never made a turkey before,

829
00:37:43,360 --> 00:37:45,480
Speaker 8: and two was kind of caught off guard because that's

830
00:37:45,560 --> 00:37:49,480
Speaker 8: usually her thing, since it's like her house and she's hosting,

831
00:37:49,520 --> 00:37:52,520
Speaker 8: and typically I feel like the turkeys made.

832
00:37:52,760 --> 00:37:53,080
Speaker 1: Wherever?

833
00:37:53,440 --> 00:37:55,560
Speaker 2: Are you on the readmill right now? Are you exercising?

834
00:37:56,920 --> 00:37:57,359
Speaker 12: Am I?

835
00:37:58,160 --> 00:38:00,120
Speaker 2: Yeah?

836
00:38:01,719 --> 00:38:07,000
Speaker 8: No, I'm not. I'm actually standing still in a room.

837
00:38:07,360 --> 00:38:10,040
Speaker 2: That's weird. So here we are. You're gonna do the turkey?

838
00:38:11,360 --> 00:38:16,000
Speaker 8: Yeah, but I am really not. I've never made a

839
00:38:16,000 --> 00:38:18,880
Speaker 8: turkey before, and I honestly really thought she was going

840
00:38:18,960 --> 00:38:22,280
Speaker 8: to do it. She's done it past years before, and

841
00:38:22,760 --> 00:38:24,640
Speaker 8: before I bring it up to her, I don't know.

842
00:38:24,760 --> 00:38:26,319
Speaker 8: I wanted to just see what you guys think, Like,

843
00:38:26,440 --> 00:38:29,120
Speaker 8: is it rude for me to say, like, because you're

844
00:38:29,160 --> 00:38:31,520
Speaker 8: hosting her, I feel like you would do the turkey you

845
00:38:31,600 --> 00:38:34,760
Speaker 8: have before? And I don't want to seem ungrateful because

846
00:38:34,880 --> 00:38:36,399
Speaker 8: she's kind enough to host all of.

847
00:38:36,360 --> 00:38:41,040
Speaker 4: Us the turkey if we do not.

848
00:38:43,040 --> 00:38:45,520
Speaker 6: Guests to bring the big old like castrole and the

849
00:38:45,600 --> 00:38:49,520
Speaker 6: turkey in the around.

850
00:38:49,320 --> 00:38:51,400
Speaker 1: And every time you make a left turn it gets.

851
00:38:52,280 --> 00:38:54,479
Speaker 2: To get to your house, and my turkey's gonna stain

852
00:38:54,640 --> 00:38:55,480
Speaker 2: the door and.

853
00:38:55,600 --> 00:38:57,920
Speaker 6: You hit a bump and then all the juice goes flying.

854
00:38:59,640 --> 00:39:09,200
Speaker 13: In the all I get it together, and Judy, you're

855
00:39:09,440 --> 00:39:11,000
Speaker 13: like the sweetest sounding person.

856
00:39:11,200 --> 00:39:14,600
Speaker 2: Just use your sweet charm and tell her what you

857
00:39:14,719 --> 00:39:16,839
Speaker 2: told us and get yourself off the hook.

858
00:39:16,960 --> 00:39:19,480
Speaker 1: I'll tell her. Give me her Instagram.

859
00:39:19,280 --> 00:39:21,319
Speaker 8: I'm hoping what's going to work.

860
00:39:22,120 --> 00:39:24,719
Speaker 3: Put the juice in a jar and a nice little

861
00:39:24,719 --> 00:39:29,319
Speaker 3: glass jar. Put it in a big old foiled thing

862
00:39:29,640 --> 00:39:31,759
Speaker 3: and cover it and if you.

863
00:39:31,719 --> 00:39:35,799
Speaker 8: Go, you know, I hope it doesn't come down to that.

864
00:39:36,320 --> 00:39:39,759
Speaker 2: Okay, good luck with this. I can't wait for Thanksgiving.

865
00:39:41,200 --> 00:39:42,600
Speaker 7: You take care, Thank you guys.

866
00:39:42,960 --> 00:39:46,879
Speaker 2: Bye. I mean you you bring up to a pot luck, right,

867
00:39:47,000 --> 00:39:49,480
Speaker 2: you bring cast roles and stuff. But I fact, if

868
00:39:49,480 --> 00:39:52,200
Speaker 2: you have people over for Thanksgiving, then you gotta have

869
00:39:52,239 --> 00:39:52,720
Speaker 2: the turkey.

870
00:39:53,040 --> 00:39:55,239
Speaker 1: You're in charge of the turkey if you're the host.

871
00:39:55,239 --> 00:39:58,040
Speaker 2: Right, Yes, do you have to make a good turkeys?

872
00:39:58,400 --> 00:40:01,399
Speaker 1: I rely one hundred sent on Michael for the turkey.

873
00:40:01,480 --> 00:40:02,239
Speaker 2: Is that a skill of his?

874
00:40:02,440 --> 00:40:03,160
Speaker 1: It really is.

875
00:40:03,200 --> 00:40:05,120
Speaker 6: He even has that turkey hat that you put on

876
00:40:05,239 --> 00:40:07,960
Speaker 6: and he wears the apron and he really gets into it.

877
00:40:08,000 --> 00:40:12,040
Speaker 6: He changes the recipe every year or so when we're hosting, right,

878
00:40:12,120 --> 00:40:13,600
Speaker 6: but he's done like what is it called when you

879
00:40:13,640 --> 00:40:15,040
Speaker 6: Brian brianet.

880
00:40:16,840 --> 00:40:17,760
Speaker 1: He's done that before.

881
00:40:17,840 --> 00:40:20,040
Speaker 6: We've done a deep fried turkey before him and my

882
00:40:20,120 --> 00:40:21,719
Speaker 6: brother leave it.

883
00:40:21,800 --> 00:40:24,080
Speaker 1: Yeah, so I leave that to him.

884
00:40:24,160 --> 00:40:24,400
Speaker 2: It's a.

885
00:40:26,160 --> 00:40:29,680
Speaker 6: Good flavor, yes, very good it is, yes, but it's

886
00:40:29,680 --> 00:40:32,040
Speaker 6: like very crispy on the outside and juicy and tender

887
00:40:32,040 --> 00:40:32,680
Speaker 6: on the inside.

888
00:40:33,080 --> 00:40:35,440
Speaker 2: Let's keep talking about our turkeys because Tanya would want

889
00:40:35,480 --> 00:40:36,359
Speaker 2: us to bring it to her.

890
00:40:36,880 --> 00:40:40,680
Speaker 3: Clearly, my future mother in law is bringing the turkey

891
00:40:40,680 --> 00:40:41,280
Speaker 3: for our things.

892
00:40:42,040 --> 00:40:43,560
Speaker 2: Future in la.

893
00:40:45,160 --> 00:40:46,520
Speaker 1: Why you guys should make.

894
00:40:46,400 --> 00:40:51,359
Speaker 2: That she wanted to What are you doing?

895
00:40:51,760 --> 00:40:53,400
Speaker 3: We're going to do all these because we're doing kind

896
00:40:53,440 --> 00:40:56,400
Speaker 3: of pop luck style too, and so we're kind of

897
00:40:56,400 --> 00:40:58,000
Speaker 3: seeing what everybody's going to bring and then we're going

898
00:40:58,040 --> 00:40:58,880
Speaker 3: to fill in all the rest.

899
00:41:00,239 --> 00:41:03,080
Speaker 6: I've got the cups, we've got the table, and I

900
00:41:03,200 --> 00:41:04,080
Speaker 6: have the Sports.

901
00:41:04,400 --> 00:41:07,239
Speaker 2: Yeah, Tanya is a trending report, So go for.

902
00:41:07,200 --> 00:41:10,400
Speaker 3: It, Tanya, So I said a no today could be

903
00:41:10,520 --> 00:41:13,840
Speaker 3: a yes tomorrow. And I think that is the takeaway

904
00:41:13,880 --> 00:41:17,680
Speaker 3: from this trending report. Because Victoria Monet So she is

905
00:41:17,800 --> 00:41:21,560
Speaker 3: a singer, songwriter. She's out of Atlanta. She had a

906
00:41:21,760 --> 00:41:25,000
Speaker 3: huge song this summer called on My Mama, and a

907
00:41:25,040 --> 00:41:27,000
Speaker 3: lot of people also know her. She's written a lot

908
00:41:27,040 --> 00:41:29,800
Speaker 3: of songs for Ariana Grande, like seven Rings, Thank You, Next,

909
00:41:29,840 --> 00:41:34,000
Speaker 3: et cetera. So last week she was nominated for not one,

910
00:41:34,719 --> 00:41:39,520
Speaker 3: not two, but for seven Grammys. And so I tell

911
00:41:39,560 --> 00:41:43,160
Speaker 3: you this because back in September at the MTV VMAs,

912
00:41:43,800 --> 00:41:47,400
Speaker 3: fans asked her why she wasn't performing at the VMAs,

913
00:41:47,520 --> 00:41:50,160
Speaker 3: and she responded in a tweet she said, I see

914
00:41:50,160 --> 00:41:52,960
Speaker 3: your advocation for me to have performed tonight, and I'm

915
00:41:53,000 --> 00:41:55,680
Speaker 3: so grateful to you. My team was told that it

916
00:41:55,719 --> 00:41:59,759
Speaker 3: was too early in my story for that opportunity, so

917
00:41:59,840 --> 00:42:03,480
Speaker 3: we'll keep working. And so now everybody's eyes are kind

918
00:42:03,480 --> 00:42:05,840
Speaker 3: of on the Grammys to see if they're going to

919
00:42:05,880 --> 00:42:07,799
Speaker 3: ask her to be on the stage. But a lot

920
00:42:07,800 --> 00:42:10,120
Speaker 3: of people are bringing back that tweet from September and

921
00:42:10,239 --> 00:42:12,839
Speaker 3: just saying, look, it was too early for her to

922
00:42:13,160 --> 00:42:16,200
Speaker 3: perform at the VMA's and she's up for seven Grammys

923
00:42:16,400 --> 00:42:19,920
Speaker 3: and so amazing. Yeah, and actually her daughter, who's two

924
00:42:20,000 --> 00:42:23,040
Speaker 3: years old, is the youngest person ever to be nominated

925
00:42:23,080 --> 00:42:25,240
Speaker 3: for a Grammy because she's featured in one of Victoria

926
00:42:25,280 --> 00:42:26,120
Speaker 3: Money songs.

927
00:42:26,480 --> 00:42:29,040
Speaker 5: So at two years old as the youngest Grammy nominee.

928
00:42:29,200 --> 00:42:31,439
Speaker 2: But you know, in our own mind, just thinking about

929
00:42:31,480 --> 00:42:34,680
Speaker 2: like our own careers, and even the contestants said audition

930
00:42:34,719 --> 00:42:36,799
Speaker 2: for American Idol that don't make it through sometimes the

931
00:42:36,880 --> 00:42:39,200
Speaker 2: first time or initially because they're just not ready or

932
00:42:39,200 --> 00:42:42,160
Speaker 2: they're just a little too young or inexperience, that no

933
00:42:42,520 --> 00:42:44,960
Speaker 2: can be a yes later, and that no can create

934
00:42:45,000 --> 00:42:47,399
Speaker 2: the yes, like that no fires and fuels the yes,

935
00:42:47,920 --> 00:42:50,319
Speaker 2: even though we all were told no when we thought

936
00:42:50,360 --> 00:42:53,200
Speaker 2: we needed a yes early on because we were ready, but

937
00:42:53,480 --> 00:42:57,280
Speaker 2: we probably weren't ready. And that no, although in the moment, sucked,

938
00:42:57,719 --> 00:42:59,759
Speaker 2: was probably the right thing to hear before we got

939
00:42:59,800 --> 00:43:01,719
Speaker 2: the yeah. So I get it. So will she beat

940
00:43:01,719 --> 00:43:02,200
Speaker 2: the Grammys?

941
00:43:03,200 --> 00:43:04,719
Speaker 3: I think she's obviously going to be there because she's

942
00:43:04,760 --> 00:43:06,239
Speaker 3: not made for seven. Who knows if she's going to

943
00:43:06,280 --> 00:43:07,160
Speaker 3: be performing.

944
00:43:07,000 --> 00:43:09,040
Speaker 2: Well we'll see all right. Thank you Tony for that.

945
00:43:09,040 --> 00:43:10,360
Speaker 2: That's a good one. That's a mindful minute.