1 00:00:01,000 --> 00:00:04,800 Speaker 1: Call It What It Is with Jessica Capshaw and Camille Lettington, 2 00:00:05,240 --> 00:00:06,720 Speaker 1: an iHeartRadio podcast. 3 00:00:18,360 --> 00:00:22,040 Speaker 2: Hello, Hello, Hello, Hello Call It Crew, and welcome to 4 00:00:22,079 --> 00:00:25,080 Speaker 2: another episode of Call It What It Is, Part two 5 00:00:25,480 --> 00:00:30,120 Speaker 2: of our special guest Kim River. Okay, we have a 6 00:00:30,120 --> 00:00:32,080 Speaker 2: ton of fan questions that we haven't even gotten to yet, 7 00:00:32,120 --> 00:00:34,559 Speaker 2: because we let the Call It crew know that you 8 00:00:34,560 --> 00:00:36,920 Speaker 2: were coming, and they have all. 9 00:00:36,800 --> 00:00:39,920 Speaker 3: They've got questions. Yeah, they got questions rapid fire. 10 00:00:40,000 --> 00:00:42,600 Speaker 2: Baby, Okay, you're not gonna already answer this, And I 11 00:00:42,640 --> 00:00:44,520 Speaker 2: know because I'm part of the show. I just want 12 00:00:44,520 --> 00:00:45,720 Speaker 2: to know who survives. 13 00:00:45,880 --> 00:00:46,280 Speaker 4: Lol. 14 00:00:46,479 --> 00:00:49,160 Speaker 2: But that's obviously a spoiler. It was a great finale. 15 00:00:49,280 --> 00:00:52,840 Speaker 2: My jaw dropped. Were you worried Kim at the end? 16 00:00:53,360 --> 00:01:00,280 Speaker 4: Oh, you're I'm always I'm always yeah, yeah, yeah, yeah. 17 00:01:02,360 --> 00:01:04,600 Speaker 4: We can't talk about this, to be honest, we can't 18 00:01:04,640 --> 00:01:09,560 Speaker 4: talk about it. I will say Meg does such an 19 00:01:09,600 --> 00:01:13,320 Speaker 4: incredible job. Well that was that was good. 20 00:01:13,319 --> 00:01:15,120 Speaker 2: I was kind of suck with that. I was way 21 00:01:15,200 --> 00:01:18,280 Speaker 2: too I was like I was a little bit turned 22 00:01:18,280 --> 00:01:20,840 Speaker 2: on all. I was like. 23 00:01:22,800 --> 00:01:30,520 Speaker 4: Of organically making all of us, meaning the fans and 24 00:01:30,560 --> 00:01:34,640 Speaker 4: the audience terrified to see what is going to happen 25 00:01:34,920 --> 00:01:39,600 Speaker 4: and yeah, the premiere and again twenty two seasons, and 26 00:01:39,840 --> 00:01:43,240 Speaker 4: I was blown away by it when we were reading it, 27 00:01:43,360 --> 00:01:46,920 Speaker 4: I was like, wow, so that's all I'll say. 28 00:01:47,440 --> 00:01:50,240 Speaker 2: Okay, so this is what they said. They opened their 29 00:01:50,240 --> 00:01:53,800 Speaker 2: marriage to be with other people. Teddy nowen Owen slept 30 00:01:53,800 --> 00:01:56,880 Speaker 2: with someone she didn't. Teddy chooses herself in the finale 31 00:01:56,960 --> 00:01:59,320 Speaker 2: and breaks up with Owen. What is a head for 32 00:01:59,400 --> 00:02:04,800 Speaker 2: Teddy's care or after her I choose me moment? Did 33 00:02:04,840 --> 00:02:05,960 Speaker 2: you love that moment for her? 34 00:02:06,160 --> 00:02:08,839 Speaker 4: Oh? I loved that monogue. I loved it so much. 35 00:02:08,919 --> 00:02:10,640 Speaker 4: I loved it in the table read, I thought it 36 00:02:10,720 --> 00:02:16,400 Speaker 4: was I mean, it's so well written, it's so also 37 00:02:16,480 --> 00:02:20,840 Speaker 4: as women, I just I think it was such a 38 00:02:20,880 --> 00:02:26,640 Speaker 4: great thing to put out there for this character in particular, 39 00:02:26,800 --> 00:02:29,400 Speaker 4: I feel like, well, first of all, what I was 40 00:02:29,440 --> 00:02:32,799 Speaker 4: gonna say is for women that that as a woman, 41 00:02:33,320 --> 00:02:37,120 Speaker 4: Teddy in this relationship is saying I choose me, And 42 00:02:37,160 --> 00:02:40,680 Speaker 4: I'll kind of go around with that. I think Teddy 43 00:02:40,760 --> 00:02:42,920 Speaker 4: is a type of person who's been through so much 44 00:02:43,000 --> 00:02:48,800 Speaker 4: trauma that she has really, you know, continuously always done 45 00:02:49,000 --> 00:02:54,760 Speaker 4: things for other people all the time at her own expense. 46 00:02:55,480 --> 00:03:00,800 Speaker 4: And I think for her in that moment to say 47 00:03:00,919 --> 00:03:06,840 Speaker 4: I choose me as a pivotal game changer moment, and 48 00:03:06,919 --> 00:03:10,240 Speaker 4: I I just love it also for women and for 49 00:03:10,320 --> 00:03:15,880 Speaker 4: the fans out there to see that you can, you know, 50 00:03:16,240 --> 00:03:21,920 Speaker 4: it's interesting. It's like we're we're told a lot in 51 00:03:23,080 --> 00:03:26,680 Speaker 4: just I feel like the stratosphere, right, like you know, 52 00:03:27,960 --> 00:03:29,920 Speaker 4: I don't know, there's just so there's so much noise, 53 00:03:30,000 --> 00:03:33,079 Speaker 4: and there's a lot to navigate as women, and so 54 00:03:33,200 --> 00:03:37,480 Speaker 4: to be able in a vulnerable moment and in a solid, 55 00:03:38,840 --> 00:03:42,960 Speaker 4: clear moment to be able to say I choose me, 56 00:03:44,280 --> 00:03:46,320 Speaker 4: I just feel like it's such a it's such a 57 00:03:46,360 --> 00:03:52,080 Speaker 4: beautiful thing and not there's it's not retaliation, it's not anger. 58 00:03:52,960 --> 00:03:56,000 Speaker 4: It's such a simple thing of I need to go, 59 00:03:56,240 --> 00:03:58,360 Speaker 4: Like I felt like in that moment, Teddy was saying, 60 00:03:58,440 --> 00:04:02,160 Speaker 4: I need to go get my together and I need 61 00:04:02,200 --> 00:04:04,960 Speaker 4: to put myself first to do that. And I don't 62 00:04:05,120 --> 00:04:08,720 Speaker 4: know what that is. I am literally jumping off a 63 00:04:08,800 --> 00:04:13,480 Speaker 4: cliff in free fall, but I'm trusting myself enough that 64 00:04:13,600 --> 00:04:14,840 Speaker 4: like I got me. 65 00:04:15,840 --> 00:04:22,160 Speaker 2: I love this so much. I can see I'm picturing tattoos, 66 00:04:22,200 --> 00:04:27,680 Speaker 2: Kim talking about getting a. 67 00:04:27,680 --> 00:04:32,080 Speaker 4: Tattoo, but maybe I will make I choose me tattoo. I. 68 00:04:32,080 --> 00:04:34,000 Speaker 2: I loved that in the table read you were set 69 00:04:34,040 --> 00:04:37,240 Speaker 2: next to me when you did that monologue and I 70 00:04:37,279 --> 00:04:39,440 Speaker 2: and you were so emotional doing it and made me 71 00:04:39,760 --> 00:04:43,760 Speaker 2: everyone around us so emotional. And I remember us having 72 00:04:43,760 --> 00:04:45,720 Speaker 2: the discussion of like what does that mean to her? 73 00:04:45,960 --> 00:04:49,480 Speaker 2: Like right after, And I think fans will be just 74 00:04:49,560 --> 00:04:53,440 Speaker 2: really excited for her for the storyline and to see 75 00:04:53,440 --> 00:04:55,520 Speaker 2: what that means to her and her kind of like 76 00:04:55,560 --> 00:04:57,680 Speaker 2: figuring out what it means to her as the season 77 00:04:57,720 --> 00:04:59,680 Speaker 2: goes on. I love that you said it's almost like 78 00:04:59,720 --> 00:05:02,320 Speaker 2: you and free Fall, that you don't even know necessarily 79 00:05:02,360 --> 00:05:05,239 Speaker 2: what that looks like. I just think that's so really. 80 00:05:05,279 --> 00:05:07,560 Speaker 1: I think those pivotal moments where you where you have 81 00:05:07,640 --> 00:05:12,520 Speaker 1: to gather courage that almost feels otherworldly, Yes, right, because 82 00:05:13,360 --> 00:05:16,160 Speaker 1: I mean when we were talking to Mel Robbins, it's 83 00:05:16,160 --> 00:05:18,599 Speaker 1: like the reason why five four three two one works 84 00:05:18,640 --> 00:05:20,400 Speaker 1: is because you're like you got to have a countdown 85 00:05:20,480 --> 00:05:26,000 Speaker 1: to that because it's not it doesn't feel natural, Like 86 00:05:26,320 --> 00:05:27,000 Speaker 1: choosing you. 87 00:05:29,120 --> 00:05:32,400 Speaker 3: In the weirdest way doesn't feel natural. It feels like 88 00:05:32,480 --> 00:05:33,320 Speaker 3: you should. 89 00:05:33,760 --> 00:05:36,640 Speaker 1: Like we were talking sort of like selflessness, like we're 90 00:05:36,640 --> 00:05:39,000 Speaker 1: supposed to we're supposed to. That's actually not what our 91 00:05:39,080 --> 00:05:41,880 Speaker 1: natural state. Our natural state is is being of service. 92 00:05:41,920 --> 00:05:43,320 Speaker 1: And by way, all these things can be true right 93 00:05:43,320 --> 00:05:45,359 Speaker 1: at the same time, but being of service or whatever, 94 00:05:45,400 --> 00:05:48,120 Speaker 1: but we don't actually live in a natural state of 95 00:05:48,160 --> 00:05:52,960 Speaker 1: being in service to ourselves. And so God, I mean, 96 00:05:53,120 --> 00:05:57,760 Speaker 1: the courage to say that out loud and not not 97 00:05:58,160 --> 00:06:02,200 Speaker 1: be wary or or worried about judgment. 98 00:06:03,640 --> 00:06:06,599 Speaker 4: And also did not know like that to me is 99 00:06:07,080 --> 00:06:10,200 Speaker 4: so interesting. It's we we like to make or I 100 00:06:10,360 --> 00:06:13,039 Speaker 4: like to make choices when I know what that outcome 101 00:06:13,120 --> 00:06:16,479 Speaker 4: is going to be. Right, So for Teddy to be 102 00:06:16,560 --> 00:06:22,919 Speaker 4: able to make this choice in the complete unknown. Yeah, 103 00:06:22,960 --> 00:06:28,479 Speaker 4: and when he has been her person, he has, you know, 104 00:06:28,600 --> 00:06:31,360 Speaker 4: and he and he might still be we don't know. 105 00:06:31,600 --> 00:06:36,760 Speaker 4: That's also what's so great. But the free fall without knowing. 106 00:06:38,000 --> 00:06:42,080 Speaker 4: And I think I think that that journey is and 107 00:06:42,120 --> 00:06:44,760 Speaker 4: to sort of answer one of those questions, that's I think, 108 00:06:44,880 --> 00:06:48,080 Speaker 4: what is going to be really fun about Teddy's journey forward? 109 00:06:49,000 --> 00:06:49,960 Speaker 3: Oh, it's exciting. 110 00:06:50,240 --> 00:06:55,480 Speaker 2: We got a lot of questions about Sophia Bush. 111 00:06:55,600 --> 00:06:57,160 Speaker 3: We had her on the show too. Is she had 112 00:06:57,200 --> 00:06:58,240 Speaker 3: the best things to say about you? 113 00:06:58,400 --> 00:07:01,320 Speaker 2: She did? She did? Yes, people are curious if you 114 00:07:01,520 --> 00:07:03,240 Speaker 2: hang out in real life, because they saw pictures of 115 00:07:03,279 --> 00:07:07,000 Speaker 2: you recently together. I think it's the night before party. 116 00:07:07,040 --> 00:07:09,080 Speaker 4: It's so much fun. That was so much fun. 117 00:07:09,560 --> 00:07:13,760 Speaker 2: Did you feel instant chemistry with her? Yes, so it 118 00:07:13,800 --> 00:07:15,200 Speaker 2: was she said the same thing by the way, oh 119 00:07:15,280 --> 00:07:15,640 Speaker 2: she did. 120 00:07:15,760 --> 00:07:21,120 Speaker 4: Yeah, otherwise I'd be like, wow, she's like she didn't zero. 121 00:07:22,080 --> 00:07:25,480 Speaker 4: I adore her. I am blown away by her. I 122 00:07:25,560 --> 00:07:29,920 Speaker 4: just think she's so smart, she's she's such a she 123 00:07:30,120 --> 00:07:32,480 Speaker 4: came in. You know, it is hard to come on 124 00:07:32,600 --> 00:07:35,559 Speaker 4: to our show. It is such a tight group, and 125 00:07:36,040 --> 00:07:38,800 Speaker 4: it is a train, a fast moving train. I mean 126 00:07:38,800 --> 00:07:42,280 Speaker 4: we are just like, you know, shooting and it's not 127 00:07:42,680 --> 00:07:45,120 Speaker 4: you know, like a new show that's sort of finding 128 00:07:45,160 --> 00:07:48,680 Speaker 4: its legs, and you know, we we move fast. And 129 00:07:48,760 --> 00:07:51,960 Speaker 4: she just she stepped on that bullet train man and 130 00:07:52,560 --> 00:07:56,680 Speaker 4: just flew. And what's so incredible is I had a 131 00:07:56,720 --> 00:07:59,080 Speaker 4: big load to carry because I'm also I was directing 132 00:07:59,080 --> 00:08:01,680 Speaker 4: that episode where we all also had a huge love 133 00:08:01,720 --> 00:08:06,080 Speaker 4: scene where you know, and she is such a collaborator too, 134 00:08:06,280 --> 00:08:12,920 Speaker 4: Like I just felt she was so supportive in because 135 00:08:12,920 --> 00:08:16,440 Speaker 4: I was very specific on what my vision was for that. 136 00:08:17,360 --> 00:08:20,520 Speaker 2: I want to know more about that directing yourself in 137 00:08:20,520 --> 00:08:23,360 Speaker 2: a love scene with also someone that is a new 138 00:08:24,600 --> 00:08:29,280 Speaker 2: love interest, right right, yeah, how what how do you 139 00:08:29,320 --> 00:08:30,040 Speaker 2: do it? 140 00:08:30,040 --> 00:08:30,720 Speaker 4: It's so funny. 141 00:08:30,960 --> 00:08:34,720 Speaker 2: It was you giving yourself notes like have more passion. 142 00:08:35,000 --> 00:08:35,120 Speaker 4: No. 143 00:08:35,240 --> 00:08:38,520 Speaker 5: I literally was watching the dailies and there's a moment 144 00:08:38,800 --> 00:08:41,559 Speaker 5: I had the overhead camera and we're. 145 00:08:41,320 --> 00:08:44,040 Speaker 4: Like kissing and making it and I went, hang, hang on, 146 00:08:44,080 --> 00:08:50,960 Speaker 4: hold on one second. She was like, what's happened. We 147 00:08:51,000 --> 00:08:53,640 Speaker 4: were like mid kiss and I was like, you know what, 148 00:08:53,679 --> 00:08:55,160 Speaker 4: I just had a thought and this was like no 149 00:08:55,280 --> 00:09:00,120 Speaker 4: direct yes, no, yes, yes, but it was so and 150 00:09:00,200 --> 00:09:03,559 Speaker 4: she was like, I got it. I mean yes, it was. 151 00:09:03,840 --> 00:09:08,040 Speaker 4: It was so hilarious and it was a needed note 152 00:09:08,160 --> 00:09:10,720 Speaker 4: like it was almost but I wasn't watching myself. That 153 00:09:10,880 --> 00:09:13,160 Speaker 4: is what is It's funny because in an interview I 154 00:09:13,160 --> 00:09:14,600 Speaker 4: said it was like an out of body experience, but 155 00:09:14,640 --> 00:09:16,560 Speaker 4: it wasn't an out of body experience, meaning in the 156 00:09:16,600 --> 00:09:19,800 Speaker 4: sense that I was completely in my body. I was 157 00:09:19,840 --> 00:09:24,000 Speaker 4: completely in my body as Teddy, but I felt so 158 00:09:24,320 --> 00:09:28,400 Speaker 4: comfortable and so relaxed that I also was able to 159 00:09:28,559 --> 00:09:34,680 Speaker 4: have this overhead director view. But then like drop back, 160 00:09:34,720 --> 00:09:39,160 Speaker 4: it was it was an incredible experience and also maybe 161 00:09:39,200 --> 00:09:44,120 Speaker 4: because maybe this is the type A right, like I 162 00:09:44,160 --> 00:09:48,800 Speaker 4: had so much control because I was right, Like I 163 00:09:48,840 --> 00:09:53,480 Speaker 4: felt so safe. Now listen, we had an intimacy coordinator, 164 00:09:53,840 --> 00:09:59,400 Speaker 4: everything was mapped out, it was all choreographed. But what 165 00:09:59,440 --> 00:10:03,360 Speaker 4: was so like amazing also is I for me the 166 00:10:03,440 --> 00:10:07,160 Speaker 4: directing thing, what is is just blowing my mind is 167 00:10:07,200 --> 00:10:13,479 Speaker 4: that like I can read the script, I can imagine 168 00:10:13,800 --> 00:10:16,640 Speaker 4: what I see. And you know, when we come in 169 00:10:16,679 --> 00:10:19,440 Speaker 4: as actors and a director, they'll they'll sort of, you know, 170 00:10:19,520 --> 00:10:21,839 Speaker 4: stand here, do this. But for me, the first time 171 00:10:21,840 --> 00:10:24,000 Speaker 4: I sat at the monitor and what I had imagined 172 00:10:24,040 --> 00:10:26,880 Speaker 4: in my head, I saw it unfolding the way I 173 00:10:27,080 --> 00:10:30,840 Speaker 4: had imagined. It was such a It was just magical 174 00:10:30,920 --> 00:10:34,400 Speaker 4: for me. And so the same so she she just 175 00:10:34,480 --> 00:10:38,080 Speaker 4: working with her is really there's such a trust and 176 00:10:38,120 --> 00:10:40,680 Speaker 4: a freedom And it's interesting because I have a similar 177 00:10:40,800 --> 00:10:44,280 Speaker 4: trust and freedom with Kevin. Yeah, and to be able 178 00:10:44,320 --> 00:10:47,080 Speaker 4: to have that just means that you can do your 179 00:10:47,080 --> 00:10:49,760 Speaker 4: homework and then you can come and just play ball. 180 00:10:49,920 --> 00:10:53,880 Speaker 4: And that also is you know, if you're guesting on 181 00:10:53,960 --> 00:10:56,960 Speaker 4: another show, you know you're coming into someone else's show, 182 00:10:57,080 --> 00:11:01,760 Speaker 4: and I, uh, that is that that's just a different game. 183 00:11:02,360 --> 00:11:06,480 Speaker 4: So to be able to kind of be relaxed and 184 00:11:06,559 --> 00:11:09,560 Speaker 4: feel like comfortable. And I just I just love her. 185 00:11:09,600 --> 00:11:12,040 Speaker 4: I just think she's an amazing collaborator. She has so 186 00:11:12,120 --> 00:11:19,560 Speaker 4: much experience, she's so smart, she's she's and she's she's 187 00:11:19,600 --> 00:11:20,040 Speaker 4: a neighbor. 188 00:11:20,120 --> 00:11:20,880 Speaker 3: We we you know. 189 00:11:20,960 --> 00:11:22,280 Speaker 4: So it's I know people don't know this. 190 00:11:22,920 --> 00:11:24,640 Speaker 2: They literally are neighbors in real life. 191 00:11:24,640 --> 00:11:26,559 Speaker 4: You gave me honey for Christmas and last year, and 192 00:11:26,600 --> 00:11:29,600 Speaker 4: it's the bees that are like in our neighborhood. It's 193 00:11:29,679 --> 00:11:32,440 Speaker 4: really I just I love that. I love it. 194 00:11:32,520 --> 00:11:35,800 Speaker 2: I have to say that. I so we Obviously I 195 00:11:35,840 --> 00:11:37,800 Speaker 2: read the script and then I wasn't there when you 196 00:11:37,840 --> 00:11:40,600 Speaker 2: guys were shooting any of your stuff together last season, 197 00:11:40,679 --> 00:11:43,120 Speaker 2: And then I watched. I caught the episode and I 198 00:11:43,160 --> 00:11:46,560 Speaker 2: was like, oh shit, they have a lot of chemistry. 199 00:11:47,280 --> 00:11:50,880 Speaker 2: And I was like, oh and watch out. I would 200 00:11:50,880 --> 00:11:54,240 Speaker 2: be worried if I was Owen. We'll have to see though. 201 00:11:54,520 --> 00:11:58,280 Speaker 2: I can't say anymore. But last season I was watching 202 00:11:58,320 --> 00:12:15,040 Speaker 2: and I was I was very nervous. Are you directing 203 00:12:15,040 --> 00:12:16,160 Speaker 2: more episodes this season? 204 00:12:16,320 --> 00:12:21,920 Speaker 4: I am coming up. I I'm really excited about you know, I. 205 00:12:21,960 --> 00:12:23,920 Speaker 3: Would have loved to have been there for you to direct. 206 00:12:24,360 --> 00:12:26,400 Speaker 3: I never got to be there with you as a director. 207 00:12:26,720 --> 00:12:30,800 Speaker 2: She's amazing, are amazing, though, Oh you're so sweet. I 208 00:12:30,840 --> 00:12:33,760 Speaker 2: love I mean, I do love it when actors direct. 209 00:12:33,800 --> 00:12:36,480 Speaker 2: I think it's like this really incredible experience because you 210 00:12:36,600 --> 00:12:40,720 Speaker 2: just have that like language. But you are very special. 211 00:12:41,440 --> 00:12:45,640 Speaker 4: I feel so lucky, I mean again, to be able 212 00:12:45,720 --> 00:12:49,480 Speaker 4: to direct the actors on our show. Everyone is so talented. 213 00:12:49,480 --> 00:12:50,480 Speaker 4: And I'm not just saying. 214 00:12:50,600 --> 00:12:51,080 Speaker 3: They really are. 215 00:12:51,240 --> 00:12:56,720 Speaker 4: One really is so talented. There's a you know, I 216 00:12:56,760 --> 00:12:59,120 Speaker 4: was talking about with someone. You know, there is technique 217 00:12:59,160 --> 00:13:00,840 Speaker 4: to all of the stuff that we have to do, 218 00:13:00,880 --> 00:13:02,360 Speaker 4: and then to be able to live and I look, 219 00:13:02,400 --> 00:13:03,880 Speaker 4: I know that that's our job, and the fans are 220 00:13:03,880 --> 00:13:06,640 Speaker 4: probably like, well, yeah, it's your job. But to be 221 00:13:06,720 --> 00:13:09,800 Speaker 4: able to kind of within the technique to after all 222 00:13:09,880 --> 00:13:13,360 Speaker 4: these years to sort of really you know, live and 223 00:13:13,440 --> 00:13:16,240 Speaker 4: breathe in that and I and everyone is so generous 224 00:13:16,360 --> 00:13:19,560 Speaker 4: to you know. I love coming up and sort of saying, hey, 225 00:13:19,640 --> 00:13:21,520 Speaker 4: take if you want this note, great here it is 226 00:13:22,880 --> 00:13:26,199 Speaker 4: and I and I I feel the excitement from cast 227 00:13:26,200 --> 00:13:28,080 Speaker 4: members to be like, yeah, okay, let's try that or 228 00:13:28,200 --> 00:13:32,040 Speaker 4: yeah you know so that that's that's great. 229 00:13:32,160 --> 00:13:35,480 Speaker 2: And has it changed the way that you interact with 230 00:13:35,520 --> 00:13:39,040 Speaker 2: a director, yes, as an actor, because now even on 231 00:13:39,080 --> 00:13:40,640 Speaker 2: the other side, right, and you know when they're coming 232 00:13:40,679 --> 00:13:43,760 Speaker 2: out with a note and okay, how so I'm so interested. 233 00:13:45,960 --> 00:13:53,240 Speaker 4: That's interesting. I don't know how to put it into words. Yeah, 234 00:13:53,280 --> 00:13:54,880 Speaker 4: I don't know how to put it into words. It's 235 00:13:54,960 --> 00:14:02,240 Speaker 4: more of just, uh, there is directing. Look, I always 236 00:14:02,320 --> 00:14:06,880 Speaker 4: understood that there's so many parts to it, but it 237 00:14:06,960 --> 00:14:16,360 Speaker 4: is such a multi functional, dimensional multitasking. But on talk 238 00:14:16,360 --> 00:14:19,040 Speaker 4: about like boat train, because again, TV is so fast, 239 00:14:20,800 --> 00:14:25,280 Speaker 4: you have to make these split like decisions, like really fast, 240 00:14:25,720 --> 00:14:28,040 Speaker 4: even though everything is set up and everything is prepared, 241 00:14:28,120 --> 00:14:31,120 Speaker 4: and and you have to know when to like, you know, 242 00:14:31,240 --> 00:14:35,280 Speaker 4: guard your the babies that you're like, I have to shoot. 243 00:14:35,360 --> 00:14:37,800 Speaker 4: I mean, for example, there was one I mean it's 244 00:14:37,840 --> 00:14:41,560 Speaker 4: not answering your question, but okay, I'm in. There was 245 00:14:41,600 --> 00:14:47,800 Speaker 4: this one shot of Shonda Chondra that I absolutely it 246 00:14:47,880 --> 00:14:54,120 Speaker 4: was like she was I absolutely knew. I just it was. 247 00:14:54,520 --> 00:14:57,240 Speaker 4: It was two seasons ago and she's on the balcony 248 00:14:57,320 --> 00:15:01,320 Speaker 4: and the sun is setting, And for me, it's kind 249 00:15:01,320 --> 00:15:04,040 Speaker 4: of an homage to a lot of times in the 250 00:15:04,080 --> 00:15:08,840 Speaker 4: early episodes you see men standing on and I really wanted. 251 00:15:09,320 --> 00:15:13,160 Speaker 4: Chandra Wilson I felt. I feel like I just thought 252 00:15:13,200 --> 00:15:17,760 Speaker 4: it was really important for many reasons, and we were 253 00:15:17,800 --> 00:15:20,720 Speaker 4: on location and it just kind of kept coming down to, 254 00:15:21,080 --> 00:15:22,520 Speaker 4: you know, I don't think we're gonna be able to 255 00:15:22,560 --> 00:15:25,720 Speaker 4: do this. This is not going to happen. And I just, 256 00:15:26,680 --> 00:15:30,920 Speaker 4: I mean, bless our producers because I just kept pushing 257 00:15:30,960 --> 00:15:34,000 Speaker 4: them to the limit. I mean it was from I 258 00:15:34,040 --> 00:15:35,680 Speaker 4: think it was like three twenty and I had to 259 00:15:35,760 --> 00:15:38,920 Speaker 4: kind of give up the set and they're like, Kim, 260 00:15:39,040 --> 00:15:41,080 Speaker 4: we're really sorry, but we're not going to be able 261 00:15:41,120 --> 00:15:44,000 Speaker 4: to do this. They're like the sun sets I think 262 00:15:44,040 --> 00:15:47,760 Speaker 4: he said like four fifteen, and I said, oh no, no, 263 00:15:48,040 --> 00:15:51,200 Speaker 4: the sun sets at four thirty six. He goes four 264 00:15:51,280 --> 00:15:55,440 Speaker 4: thirty six. I said, yeah, four thirty six. He said, well, 265 00:15:55,840 --> 00:15:57,360 Speaker 4: I already sent Kate Walsh and I. 266 00:15:58,160 --> 00:16:02,840 Speaker 5: Literally Julie the writer comes out of like the mist 267 00:16:02,920 --> 00:16:05,600 Speaker 5: of like all of these like team stirs right because 268 00:16:05,640 --> 00:16:08,320 Speaker 5: we're a huge crew, and she's like, I think we. 269 00:16:08,200 --> 00:16:10,880 Speaker 4: Can get this shot. And I was like, yes, I 270 00:16:10,920 --> 00:16:13,680 Speaker 4: think we could get this shot. And literally the producer 271 00:16:13,760 --> 00:16:18,080 Speaker 4: takes the walkie talk and he goes turn Kate Walsh's 272 00:16:18,640 --> 00:16:19,520 Speaker 4: van around. 273 00:16:19,680 --> 00:16:24,840 Speaker 5: Now the entire crew like lifted up these huge lights 274 00:16:24,840 --> 00:16:26,480 Speaker 5: and everyone is like running up the. 275 00:16:26,440 --> 00:16:28,600 Speaker 4: Stairs and our dpe sean amazing. 276 00:16:28,680 --> 00:16:31,560 Speaker 3: She was like get that light there, throw this thing there. 277 00:16:31,480 --> 00:16:34,720 Speaker 4: Like I mean ever, the entire crew like came together, 278 00:16:34,880 --> 00:16:37,640 Speaker 4: and I mean I was changing my shoots and putting 279 00:16:37,680 --> 00:16:39,480 Speaker 4: I swear I think I was like putting on Teddy's 280 00:16:39,520 --> 00:16:41,360 Speaker 4: dress because I was in the scene too, Like as 281 00:16:41,440 --> 00:16:44,000 Speaker 4: we were running up the stairs and we got that shot, 282 00:16:44,200 --> 00:16:47,040 Speaker 4: and that shot they used it like in all of 283 00:16:47,160 --> 00:16:50,840 Speaker 4: like the publicity, and it just it It was for 284 00:16:50,880 --> 00:16:53,640 Speaker 4: me something that was so important. Then as another you. 285 00:16:53,560 --> 00:16:56,800 Speaker 3: Know, we're the fight. You thought, you have to know. 286 00:16:56,720 --> 00:16:59,880 Speaker 4: When you can't get it right, when it's too expensive 287 00:17:00,040 --> 00:17:03,920 Speaker 4: and it's not going to work, when you know when 288 00:17:04,119 --> 00:17:07,000 Speaker 4: you can't. And so I think for that moment, for example, 289 00:17:07,160 --> 00:17:11,960 Speaker 4: as as an actor, and that you see a director, 290 00:17:12,280 --> 00:17:15,240 Speaker 4: you know running up the stairs, you know, carrying a 291 00:17:15,320 --> 00:17:18,719 Speaker 4: crew person because you want such instead of you know, 292 00:17:18,880 --> 00:17:21,840 Speaker 4: like there's no lollygagging there, like will I will sprint 293 00:17:21,920 --> 00:17:26,480 Speaker 4: up those stairs now for a director because I understand. 294 00:17:26,080 --> 00:17:27,520 Speaker 3: Yes, isn't that interesting? 295 00:17:27,880 --> 00:17:29,720 Speaker 4: Where is not to say that I was like going 296 00:17:29,720 --> 00:17:31,399 Speaker 4: back to my dr No, But you understand it in 297 00:17:31,440 --> 00:17:34,240 Speaker 4: a different way. You understand it in a different way. 298 00:17:34,359 --> 00:17:37,720 Speaker 1: You understand being a parent differently when you're become a parent. 299 00:17:37,840 --> 00:17:40,400 Speaker 3: Right, Yes, I have. 300 00:17:40,359 --> 00:17:42,240 Speaker 1: A question because I just think that somebody that I 301 00:17:42,240 --> 00:17:43,560 Speaker 1: don't know if this is on the list of things, 302 00:17:43,600 --> 00:17:45,280 Speaker 1: but I think it's just also because I was there 303 00:17:45,280 --> 00:17:45,560 Speaker 1: for it. 304 00:17:45,680 --> 00:17:47,479 Speaker 3: I'm kind of zigging. I'm not zagging. 305 00:17:47,480 --> 00:17:53,879 Speaker 1: I'm just gonna you came for Christina Yang's character, but 306 00:17:53,960 --> 00:18:00,520 Speaker 1: you were brought by Owen Hunt. How has your relationship 307 00:18:00,560 --> 00:18:08,119 Speaker 1: with Kevin Slash Owen Hunt. That's been a long journey, Like, 308 00:18:08,200 --> 00:18:11,040 Speaker 1: what is your relationship with him? Like in real life? 309 00:18:10,720 --> 00:18:13,239 Speaker 2: We want to know this, They want to know if 310 00:18:13,240 --> 00:18:14,960 Speaker 2: you guys are close in real life we are. 311 00:18:15,080 --> 00:18:18,399 Speaker 4: I mean we've spent so many hours and so many 312 00:18:18,520 --> 00:18:22,040 Speaker 4: days and so many years and so many you know, 313 00:18:22,240 --> 00:18:28,080 Speaker 4: family thing like I mean the amount of you know, 314 00:18:28,480 --> 00:18:32,359 Speaker 4: four thirty ams and my kid has the flu and 315 00:18:32,440 --> 00:18:34,920 Speaker 4: hasn't slept through the night, and I'm I don't I've 316 00:18:34,920 --> 00:18:37,560 Speaker 4: got a I don't know my dialogue like I got you, 317 00:18:38,160 --> 00:18:42,480 Speaker 4: Like the amount of I got yous, even not even 318 00:18:42,640 --> 00:18:47,760 Speaker 4: spoken I got you has just been It's really just 319 00:18:47,840 --> 00:18:50,679 Speaker 4: such a blessing. I mean, and he's such a good actor, 320 00:18:50,760 --> 00:18:56,080 Speaker 4: and he's so I mean, he has directed so many 321 00:18:56,240 --> 00:19:02,280 Speaker 4: episodes and anybody so yeah, more than Chandra, Oh yeah, more. 322 00:19:02,160 --> 00:19:05,200 Speaker 2: Than Chandra, more than Rob Korn, Like the most episodes 323 00:19:05,200 --> 00:19:05,800 Speaker 2: of anybody. 324 00:19:06,119 --> 00:19:11,240 Speaker 4: An he's so any person, yes, any person. 325 00:19:09,600 --> 00:19:13,000 Speaker 2: Any you thought we were talking about actress. No, I'm 326 00:19:13,040 --> 00:19:15,320 Speaker 2: talking about any director ever of great. 327 00:19:16,480 --> 00:19:19,480 Speaker 3: Yeah, I remember when he directed his very first episode. 328 00:19:19,840 --> 00:19:22,600 Speaker 2: Yeah, I don't remember which one that was. I think 329 00:19:22,600 --> 00:19:24,600 Speaker 2: it was before me and so great. 330 00:19:24,640 --> 00:19:27,520 Speaker 4: I mean, you know I would when I knew I 331 00:19:27,600 --> 00:19:29,760 Speaker 4: wanted to start doing it. I mean I could talk 332 00:19:29,800 --> 00:19:34,600 Speaker 4: three hours about Debbie Allen, how unbelievably gracious and incredible 333 00:19:34,640 --> 00:19:38,320 Speaker 4: and what a mentor and I mean just and and 334 00:19:38,440 --> 00:19:41,200 Speaker 4: also I'll just talk briefly because I know that you 335 00:19:41,800 --> 00:19:47,119 Speaker 4: guys have to, but like I mean, the also the 336 00:19:47,160 --> 00:19:52,399 Speaker 4: incredible thing about mentorship and about Debbie Allen is you know, 337 00:19:52,480 --> 00:19:57,959 Speaker 4: when when women finally get the opportunity to do something 338 00:19:58,000 --> 00:20:03,760 Speaker 4: that they've been clamoring to do, to have the craft 339 00:20:04,359 --> 00:20:08,960 Speaker 4: down thanks to Debbie is uh is a huge thing 340 00:20:09,280 --> 00:20:14,959 Speaker 4: because I think I do think that not on I 341 00:20:15,000 --> 00:20:17,399 Speaker 4: just think outside in the world in this business we 342 00:20:17,520 --> 00:20:22,560 Speaker 4: are judged more when we finally do get that opportunity 343 00:20:23,560 --> 00:20:26,359 Speaker 4: because there's been less opportunity for us to do it. 344 00:20:27,119 --> 00:20:31,400 Speaker 4: And uh. And so Debbie took the time and the 345 00:20:31,440 --> 00:20:36,520 Speaker 4: effort and the clarity and the knowledge. Uh and she 346 00:20:36,760 --> 00:20:41,639 Speaker 4: is so generous in imparting that and making sure you 347 00:20:41,640 --> 00:20:44,520 Speaker 4: know you don't just get an episode on Grace. It 348 00:20:44,600 --> 00:20:48,840 Speaker 4: is a long process. And it's only until. 349 00:20:49,640 --> 00:20:51,240 Speaker 2: When you speak to that a little bit, because we've 350 00:20:51,280 --> 00:20:52,880 Speaker 2: never actually talked about that on the show. 351 00:20:53,880 --> 00:20:58,080 Speaker 4: It's just you're shadowing. You're shadowing, you are you are, 352 00:20:58,240 --> 00:21:02,119 Speaker 4: and and shadowing means you are not to be getting 353 00:21:02,119 --> 00:21:04,840 Speaker 4: in the way, you are not to be sort of seen. 354 00:21:04,920 --> 00:21:09,000 Speaker 4: You are there to observe. And I felt like I 355 00:21:09,119 --> 00:21:13,359 Speaker 4: was doing like a UCLA film course to eat because 356 00:21:13,400 --> 00:21:16,400 Speaker 4: it's so extensive and so incredible, and you're looking at 357 00:21:16,400 --> 00:21:19,960 Speaker 4: things in a very different way than Yes, I've been 358 00:21:20,280 --> 00:21:22,560 Speaker 4: watching it over the x amount of years that I've 359 00:21:22,600 --> 00:21:25,439 Speaker 4: been doing this from the sidelines as an actor. But 360 00:21:25,600 --> 00:21:31,200 Speaker 4: to really be shadowing Debbie Allen is a true gift. 361 00:21:31,240 --> 00:21:34,160 Speaker 4: It's a it's a class. So that so that when 362 00:21:34,240 --> 00:21:39,520 Speaker 4: you when I was given that opportunity, I felt really 363 00:21:39,840 --> 00:21:41,679 Speaker 4: prepared because how did that work? 364 00:21:41,720 --> 00:21:45,159 Speaker 1: Because I'm curious is did you go to do you 365 00:21:45,160 --> 00:21:47,240 Speaker 1: go to the producers and say I'm interested in directing 366 00:21:47,320 --> 00:21:50,479 Speaker 1: and then they say amazing, because obviously who wouldn't want 367 00:21:50,520 --> 00:21:53,119 Speaker 1: you to? And here's what, here's the class. Here are 368 00:21:53,119 --> 00:21:54,439 Speaker 1: the classes you have to take if you will. Like, 369 00:21:54,480 --> 00:21:56,000 Speaker 1: this is how long this semi episodes? 370 00:21:56,000 --> 00:21:58,280 Speaker 3: We need you to shadow? This is like, how does 371 00:21:58,320 --> 00:21:58,879 Speaker 3: that work? 372 00:21:59,000 --> 00:22:03,239 Speaker 4: I think it works different for each individual. You know 373 00:22:03,359 --> 00:22:06,960 Speaker 4: I had put together you had already directed. Yeah, I 374 00:22:06,960 --> 00:22:10,760 Speaker 4: had already directed. I had put together several books and 375 00:22:10,960 --> 00:22:14,920 Speaker 4: sold them and produced and got them made them as films. 376 00:22:15,000 --> 00:22:17,480 Speaker 4: One was The Lissa Milano and that was amazing, And 377 00:22:17,560 --> 00:22:20,439 Speaker 4: so I had already had it a little bit, a 378 00:22:20,480 --> 00:22:24,560 Speaker 4: little bit, but not to the extent of shadow. And 379 00:22:24,600 --> 00:22:28,040 Speaker 4: I think, so, what's the what's the protocol, what's the procedure? Again, 380 00:22:28,080 --> 00:22:30,960 Speaker 4: I think it's different for every person. For me, I 381 00:22:31,000 --> 00:22:36,000 Speaker 4: started talking about it with Debbie, and for me it's 382 00:22:36,040 --> 00:22:40,160 Speaker 4: it's it's really about this beauty of getting to expand 383 00:22:40,200 --> 00:22:44,720 Speaker 4: as a creative and and and to be able to 384 00:22:44,760 --> 00:22:48,040 Speaker 4: take what I have as an actor, uh, and be 385 00:22:48,080 --> 00:22:51,200 Speaker 4: able to kind of kind of blow that up and 386 00:22:51,240 --> 00:22:54,120 Speaker 4: out and and more, and I just find it so exciting. 387 00:22:54,160 --> 00:22:57,520 Speaker 4: So I started talking about that with her, and I 388 00:22:57,560 --> 00:23:00,800 Speaker 4: had to I had to sort of keep on trying 389 00:23:00,840 --> 00:23:03,080 Speaker 4: to find a spot to shadow, because there's even you 390 00:23:03,160 --> 00:23:05,880 Speaker 4: even have to wait your turn to shadow. There are 391 00:23:06,000 --> 00:23:10,520 Speaker 4: many people who want to shadow for great reasons. And 392 00:23:11,240 --> 00:23:14,480 Speaker 4: so it's you again, just because you're on the show 393 00:23:14,600 --> 00:23:16,240 Speaker 4: doesn't mean it's automatic. 394 00:23:16,359 --> 00:23:17,560 Speaker 3: They wouldn't let me direct. 395 00:23:18,400 --> 00:23:20,280 Speaker 4: You don't know that. Yeah, you don't know that. 396 00:23:20,440 --> 00:23:22,760 Speaker 3: I say, no, I'm saying, I'm saying it. 397 00:23:22,840 --> 00:23:24,840 Speaker 2: Oh, you actually asked and they said. 398 00:23:24,640 --> 00:23:26,520 Speaker 4: Get out of here, yea bye? 399 00:23:26,680 --> 00:23:28,200 Speaker 3: Turn around? No, no, no, I. 400 00:23:28,119 --> 00:23:32,119 Speaker 1: Did not ask, but I no, I was just saying 401 00:23:32,280 --> 00:23:32,800 Speaker 1: I don't think. 402 00:23:33,320 --> 00:23:35,680 Speaker 3: Yeah, that was not something that I didn't ask. 403 00:23:35,960 --> 00:23:39,840 Speaker 4: Oh, but I see that's really I didn't ask, right, 404 00:23:39,960 --> 00:23:43,879 Speaker 4: that's an But that sentence is really important, I think, 405 00:23:44,600 --> 00:23:49,240 Speaker 4: because I think that's for me at least. I feel 406 00:23:49,240 --> 00:23:55,440 Speaker 4: like me and my female friends we are learning to ask. Yeah. 407 00:23:55,640 --> 00:24:00,439 Speaker 4: But I took to kind of find what is it 408 00:24:00,480 --> 00:24:01,840 Speaker 4: that I want to do? Do I want to do that? 409 00:24:01,880 --> 00:24:03,840 Speaker 4: How do I want to do that? And and being 410 00:24:03,880 --> 00:24:08,280 Speaker 4: able to voice that we want to be bigger and 411 00:24:08,520 --> 00:24:14,400 Speaker 4: expand and do more and uh, and I know you Capsha, 412 00:24:14,560 --> 00:24:16,639 Speaker 4: you you put it. You are someone who puts in 413 00:24:16,680 --> 00:24:19,359 Speaker 4: the work, you know, both of you. So it's it's 414 00:24:19,480 --> 00:24:21,919 Speaker 4: it's about what is it that I want and what 415 00:24:22,080 --> 00:24:25,840 Speaker 4: is the work that I have to do? Two A 416 00:24:26,000 --> 00:24:29,520 Speaker 4: to get brave enough to do the ask and then 417 00:24:29,560 --> 00:24:32,600 Speaker 4: to follow through in that. And but that's also for 418 00:24:32,760 --> 00:24:38,439 Speaker 4: me with women that I'm really trying to just be 419 00:24:38,520 --> 00:24:41,119 Speaker 4: a sounding board and because I see with other friends 420 00:24:41,119 --> 00:24:44,720 Speaker 4: of mine that my sister too, you know this incredible 421 00:24:44,800 --> 00:24:47,240 Speaker 4: and and and Debbie Allen, I mean like, look like 422 00:24:47,840 --> 00:24:52,879 Speaker 4: look at how she all the incredible things she does, 423 00:24:53,080 --> 00:24:56,240 Speaker 4: you know, and and we have kids right like, and 424 00:24:56,280 --> 00:24:58,879 Speaker 4: she has good So it's sometimes you think, oh, I 425 00:24:58,920 --> 00:25:00,680 Speaker 4: want to I want to ask, but then I've got 426 00:25:00,680 --> 00:25:03,480 Speaker 4: the kid, like and there's all of the reasons why 427 00:25:03,520 --> 00:25:05,840 Speaker 4: we can't, and they're all very valid. But in the 428 00:25:05,920 --> 00:25:09,320 Speaker 4: moment when you when one feels or when I felt 429 00:25:09,359 --> 00:25:12,760 Speaker 4: ready to do it my kids were older, that's not 430 00:25:12,760 --> 00:25:15,560 Speaker 4: like another thing. But but I love that sentence of 431 00:25:16,000 --> 00:25:19,399 Speaker 4: I didn't ask. Well, then I have to think about, Okay, 432 00:25:19,400 --> 00:25:21,280 Speaker 4: why am I not asking? Do I really want to 433 00:25:21,280 --> 00:25:21,520 Speaker 4: do it? 434 00:25:21,560 --> 00:25:21,679 Speaker 5: Oh? 435 00:25:21,720 --> 00:25:23,240 Speaker 4: Yeah, I really want to do it? And sort of 436 00:25:23,280 --> 00:25:26,880 Speaker 4: what like and then sounding it with my female friends 437 00:25:26,920 --> 00:25:33,840 Speaker 4: of of of how how I want to build out 438 00:25:33,880 --> 00:25:36,320 Speaker 4: this chapter in my life as my kids are getting 439 00:25:36,320 --> 00:25:39,480 Speaker 4: older kind of thing and making those and making those 440 00:25:39,520 --> 00:25:41,080 Speaker 4: asks because what's what's the worst? 441 00:25:41,080 --> 00:25:43,119 Speaker 1: Well, yeah, because you're likely to one hundred percent and 442 00:25:43,200 --> 00:25:45,480 Speaker 1: not get answers for questions you don't ask right. 443 00:25:45,440 --> 00:25:47,280 Speaker 4: Right, or you might get an answer that you don't 444 00:25:47,320 --> 00:25:50,080 Speaker 4: want to hear a no, right. And I feel like 445 00:25:51,040 --> 00:25:54,439 Speaker 4: a no in this business has been I mean, my 446 00:25:54,560 --> 00:25:56,400 Speaker 4: big thing that I keep telling my kids. They hear 447 00:25:56,400 --> 00:25:59,479 Speaker 4: it all the time. It's I'm like, okay, well if 448 00:25:59,520 --> 00:26:00,720 Speaker 4: you hear a note, so how are you going to 449 00:26:00,800 --> 00:26:02,760 Speaker 4: turn that no into a yes? If it's something that 450 00:26:02,800 --> 00:26:06,080 Speaker 4: you really want? Now, that's not like no, you can't 451 00:26:06,119 --> 00:26:08,560 Speaker 4: have that for dinner, that's not what I'm talking about, right, 452 00:26:08,600 --> 00:26:11,399 Speaker 4: And then having a whole conversation with them about you 453 00:26:11,400 --> 00:26:16,560 Speaker 4: know what that is? It's our whole business ninety nine 454 00:26:16,600 --> 00:26:20,520 Speaker 4: point nine percent of the time is rejection. Yes, So 455 00:26:20,800 --> 00:26:25,359 Speaker 4: it's how do we how do we mental health protect ourselves? 456 00:26:25,400 --> 00:26:28,520 Speaker 4: How do we And that's why I love sports because 457 00:26:28,560 --> 00:26:31,560 Speaker 4: I think that sports it's a it's a constant or 458 00:26:31,680 --> 00:26:35,080 Speaker 4: constantly up against something blocking you, and how do you 459 00:26:35,520 --> 00:26:37,720 Speaker 4: how do you prepare yourself, how do you train yourself? 460 00:26:37,760 --> 00:26:39,679 Speaker 4: How do you how do you then turn that know 461 00:26:39,920 --> 00:26:42,920 Speaker 4: or that block into a yes if you really want 462 00:26:42,960 --> 00:26:43,720 Speaker 4: it well? 463 00:26:43,760 --> 00:26:47,639 Speaker 1: And I think there's many different professions where this happens, 464 00:26:47,640 --> 00:26:52,639 Speaker 1: but I think there's something beautiful about how quickly it happens, 465 00:26:52,640 --> 00:26:54,720 Speaker 1: so you don't have to think it's like you win 466 00:26:54,800 --> 00:26:57,440 Speaker 1: fast and you lose fast, you know, in sports and 467 00:26:57,560 --> 00:27:01,960 Speaker 1: auditions usually and sometimes in business, you know, like it's 468 00:27:02,000 --> 00:27:04,480 Speaker 1: actually it's very helpful to me to have it happen 469 00:27:04,640 --> 00:27:10,159 Speaker 1: quickly because then you are actually really asked to recover, 470 00:27:10,440 --> 00:27:12,960 Speaker 1: which of course builds that muscle, which is the resilience, 471 00:27:13,000 --> 00:27:14,840 Speaker 1: which is where you find out if you have the 472 00:27:14,840 --> 00:27:17,280 Speaker 1: grit right, like how much can how many no's can 473 00:27:17,320 --> 00:27:19,439 Speaker 1: I hear? How many and how many nos can I 474 00:27:19,440 --> 00:27:23,000 Speaker 1: turn into yeses? And also like how many times does 475 00:27:23,000 --> 00:27:25,040 Speaker 1: the no actually remind me that I didn't really want it? 476 00:27:26,600 --> 00:27:28,800 Speaker 1: Or how you have to really want something very badly 477 00:27:28,840 --> 00:27:30,160 Speaker 1: to want to turn the no into a yes? 478 00:27:33,640 --> 00:27:34,000 Speaker 3: Yeah? 479 00:27:34,080 --> 00:27:37,800 Speaker 1: I know, and I actually I think I think I 480 00:27:38,080 --> 00:27:40,840 Speaker 1: think also for directing. I also think that in my family, 481 00:27:40,880 --> 00:27:43,400 Speaker 1: I feel like other people occupy that space. 482 00:27:45,000 --> 00:27:48,600 Speaker 4: I hear that, and I understand, But that's a bit, 483 00:27:48,720 --> 00:27:51,600 Speaker 4: that's a that's a big one, right, that's a big 484 00:27:52,480 --> 00:27:54,920 Speaker 4: who are we following? You know? Who do we feel 485 00:27:54,920 --> 00:27:55,680 Speaker 4: that we're following? 486 00:27:56,200 --> 00:27:59,399 Speaker 2: Just you almost feel like you can't, like you can't 487 00:27:59,400 --> 00:28:02,199 Speaker 2: do it because of that, like almost like, well, your 488 00:28:02,320 --> 00:28:05,399 Speaker 2: dad is your dad? He's like, you know, yeah, no, no, no. 489 00:28:05,440 --> 00:28:07,040 Speaker 1: I Actually I say this to my kids all the 490 00:28:07,040 --> 00:28:10,479 Speaker 1: time because they're too I mean, they're not yet at 491 00:28:10,520 --> 00:28:12,840 Speaker 1: the age where they would actually make a decision in 492 00:28:12,880 --> 00:28:15,639 Speaker 1: a direction of a career, right, but they talk about that. 493 00:28:15,680 --> 00:28:17,359 Speaker 1: Because one of them asked, I think it was Josie 494 00:28:17,359 --> 00:28:18,720 Speaker 1: and she's only nine, so she was like, what's a 495 00:28:18,800 --> 00:28:19,480 Speaker 1: Neippo baby? 496 00:28:21,920 --> 00:28:23,080 Speaker 4: That's really funny. 497 00:28:23,520 --> 00:28:25,240 Speaker 3: She really didn't know, and so she was like, what's 498 00:28:25,280 --> 00:28:25,880 Speaker 3: a nepo baby? 499 00:28:25,880 --> 00:28:28,000 Speaker 1: And I was trying to explain it, and both of 500 00:28:28,040 --> 00:28:29,679 Speaker 1: you know how careful I am with my words with 501 00:28:29,720 --> 00:28:32,240 Speaker 1: my children and then my mind fulness around it and. 502 00:28:32,200 --> 00:28:35,400 Speaker 3: All that, And I was like, hmm, And we ended up. 503 00:28:35,320 --> 00:28:37,199 Speaker 1: Getting I don't know exactly what words I use, but 504 00:28:37,200 --> 00:28:40,040 Speaker 1: we ended up getting to the part that I really 505 00:28:40,080 --> 00:28:44,760 Speaker 1: believe in, which really made me feel bad a lot 506 00:28:44,800 --> 00:28:47,800 Speaker 1: in the beginning of my career where people would be like, well, 507 00:28:47,920 --> 00:28:51,160 Speaker 1: you come from this, or you had all this, or 508 00:28:51,200 --> 00:28:54,000 Speaker 1: you have access to this, or you could do anything 509 00:28:54,040 --> 00:28:56,920 Speaker 1: you want or whatever whatever someone was imagining about me, 510 00:28:56,960 --> 00:29:00,600 Speaker 1: and then my lived experience of being like, ugh, and 511 00:29:00,680 --> 00:29:04,160 Speaker 1: no one's doing it, Like you can't do this thing 512 00:29:04,240 --> 00:29:06,680 Speaker 1: for someone like they have. You have to do it yourself. 513 00:29:07,000 --> 00:29:09,080 Speaker 1: Even if you have access, you still have to do 514 00:29:09,160 --> 00:29:12,440 Speaker 1: it yourself, right, And so we got to the part 515 00:29:12,480 --> 00:29:14,200 Speaker 1: that was like, it makes a lot of sense to 516 00:29:14,240 --> 00:29:18,240 Speaker 1: me that people do what their parents do. You know, 517 00:29:18,320 --> 00:29:19,840 Speaker 1: it actually makes sense to me that you have a 518 00:29:19,920 --> 00:29:22,000 Speaker 1: role model that's doing something and you see a path 519 00:29:22,080 --> 00:29:24,160 Speaker 1: forged or you see the way something's done, or that 520 00:29:24,240 --> 00:29:26,880 Speaker 1: you are inspired by it or you think it's great 521 00:29:26,960 --> 00:29:29,000 Speaker 1: or whatever it is. So, you know, when I look 522 00:29:29,000 --> 00:29:32,520 Speaker 1: at the storytellers in my family, I think it's not 523 00:29:32,560 --> 00:29:35,360 Speaker 1: that I don't want to direct, because I think it's 524 00:29:35,360 --> 00:29:40,760 Speaker 1: more like, I've seen it done so beautifully. I know 525 00:29:41,000 --> 00:29:43,600 Speaker 1: exactly what. I've had a front row seat to watching 526 00:29:43,600 --> 00:29:47,200 Speaker 1: what goes into it. And it's actually not the pull 527 00:29:47,280 --> 00:29:49,280 Speaker 1: I feel to stories. It's not the vantage point that 528 00:29:49,320 --> 00:29:51,520 Speaker 1: I feel in story. I want to be a part 529 00:29:51,520 --> 00:29:53,480 Speaker 1: of a different aspect of the story. 530 00:29:55,480 --> 00:29:56,520 Speaker 3: Well, so I talk too much. 531 00:29:56,560 --> 00:29:58,760 Speaker 1: I would pull those those actors aside and be like, okay, 532 00:29:58,800 --> 00:30:01,240 Speaker 1: so let me tell you, and to the TV would 533 00:30:01,240 --> 00:30:01,600 Speaker 1: be like, we. 534 00:30:01,560 --> 00:30:04,600 Speaker 3: Gotta go, Capsure, you gotta go. I wouldn't have got 535 00:30:04,640 --> 00:30:09,080 Speaker 3: the shot you got. You didn't make your day. 536 00:30:09,640 --> 00:30:14,120 Speaker 4: You shut up, stop banging on to go to what 537 00:30:14,160 --> 00:30:21,120 Speaker 4: you just said. I mean, I still yes, and I 538 00:30:21,280 --> 00:30:27,200 Speaker 4: still feel like the voice that you have is very 539 00:30:27,240 --> 00:30:32,880 Speaker 4: different than the path that you feel that you would 540 00:30:32,920 --> 00:30:35,760 Speaker 4: have to follow in. Right, I understand everything that you're saying, 541 00:30:35,760 --> 00:30:39,520 Speaker 4: and that makes total sense. And and that's that's a 542 00:30:39,760 --> 00:30:43,480 Speaker 4: that's a big, a big one to carry, right. But 543 00:30:43,640 --> 00:30:47,840 Speaker 4: it also goes to did you guys feel like in 544 00:30:47,880 --> 00:30:51,560 Speaker 4: the beginning of your career before you were working it's 545 00:30:51,720 --> 00:30:54,800 Speaker 4: that thing of of finding your like your voice or 546 00:30:54,800 --> 00:30:56,840 Speaker 4: who you were or how do you get noticed or 547 00:30:56,840 --> 00:31:00,760 Speaker 4: like in those auditions And and and I think that 548 00:31:00,760 --> 00:31:03,959 Speaker 4: that's you realize like, oh, I have to I have 549 00:31:04,040 --> 00:31:09,440 Speaker 4: to tell my like, my voice, my vision, my which 550 00:31:09,520 --> 00:31:11,360 Speaker 4: is hard when you're starting out. You know, my eldest 551 00:31:11,400 --> 00:31:14,480 Speaker 4: is a a painter, and you know, find his finding 552 00:31:14,600 --> 00:31:21,680 Speaker 4: his voice, his creative voice, and so I think what 553 00:31:21,800 --> 00:31:26,000 Speaker 4: I guess, what I'm trying to say is your vision 554 00:31:26,200 --> 00:31:30,160 Speaker 4: voice like I want, has a different you know what 555 00:31:30,240 --> 00:31:33,640 Speaker 4: I mean, right, and and whether you I mean, if 556 00:31:33,640 --> 00:31:35,840 Speaker 4: you don't, if that's not the kind of medium that 557 00:31:35,880 --> 00:31:38,080 Speaker 4: you want to do, that's a totally different thing. But 558 00:31:38,320 --> 00:31:43,800 Speaker 4: if you're, if we're ready for Capshaw exactly, we support it. 559 00:31:43,880 --> 00:31:45,720 Speaker 4: We support want to hear it and see. 560 00:31:46,240 --> 00:31:48,360 Speaker 3: I love thank you, ladies, I feel supported. 561 00:31:48,520 --> 00:31:50,680 Speaker 2: Can I just make this about me for a second. 562 00:31:50,640 --> 00:31:52,160 Speaker 4: Yes, please please. 563 00:31:52,960 --> 00:31:55,640 Speaker 2: I really hate it when Kim was shadowing. 564 00:31:57,640 --> 00:32:00,880 Speaker 4: Because because funny, when I. 565 00:32:00,800 --> 00:32:03,520 Speaker 2: See Kim Rayver on set, I always have a lot 566 00:32:03,560 --> 00:32:04,120 Speaker 2: to talk about. 567 00:32:04,480 --> 00:32:05,880 Speaker 4: I always want to talk, and we. 568 00:32:05,920 --> 00:32:07,120 Speaker 3: Just wasn't for business. 569 00:32:07,480 --> 00:32:11,080 Speaker 4: She was not shudder. I would come up to her. 570 00:32:11,120 --> 00:32:13,840 Speaker 2: You would see her, right, I would see her shadow to. 571 00:32:13,880 --> 00:32:20,440 Speaker 4: Be I'm trying to I'm trying shadows like hiding behind 572 00:32:20,640 --> 00:32:24,280 Speaker 4: like this, and I see her from the distance coming 573 00:32:24,280 --> 00:32:24,920 Speaker 4: you tell the story. 574 00:32:24,960 --> 00:32:27,440 Speaker 2: It was so annoying. I was like, I have things 575 00:32:27,440 --> 00:32:30,120 Speaker 2: to tell you, That's why I come up like I can't. Oh, okay, 576 00:32:30,160 --> 00:32:33,360 Speaker 2: so last, and she'd be like this. She wouldn't even 577 00:32:33,400 --> 00:32:35,920 Speaker 2: speak in a regular voice. She'd be like that, I'm 578 00:32:35,920 --> 00:32:39,800 Speaker 2: not nobody can no, but kimp it was really like 579 00:32:39,800 --> 00:32:41,720 Speaker 2: a toddler, you know when they talk about toddlers, like 580 00:32:41,760 --> 00:32:43,560 Speaker 2: trying to get into the bathroom when you're in the bathroom, 581 00:32:43,720 --> 00:32:44,480 Speaker 2: like holding. 582 00:32:44,200 --> 00:32:44,680 Speaker 3: Onto your leg. 583 00:32:45,560 --> 00:32:48,479 Speaker 4: Yes, I gotta tell you it was. 584 00:32:48,760 --> 00:32:50,880 Speaker 2: I hate it. It's the most annoying because I want 585 00:32:50,880 --> 00:32:52,160 Speaker 2: to talk to her and she want to talk to me. 586 00:32:52,280 --> 00:32:54,600 Speaker 4: I would do one of those things where you like 587 00:32:54,640 --> 00:32:57,280 Speaker 4: where you kind of like your eyes get wide and 588 00:32:57,280 --> 00:32:59,040 Speaker 4: you shake your head and. 589 00:32:59,000 --> 00:33:03,040 Speaker 2: I'm like, oh, yeah, I'm not but I like yues 590 00:33:03,840 --> 00:33:07,320 Speaker 2: because I had very I had very very professional. 591 00:33:07,400 --> 00:33:08,400 Speaker 4: Yes, I know. 592 00:33:08,520 --> 00:33:10,040 Speaker 1: Well, also I feel like when the three of us 593 00:33:10,120 --> 00:33:13,720 Speaker 1: get together when we're not working, there's some shenanigans. 594 00:33:13,800 --> 00:33:16,000 Speaker 4: Oh yeah, shenanigan. 595 00:33:15,760 --> 00:33:18,440 Speaker 3: We've been you know, if we harken back to Paris, 596 00:33:18,560 --> 00:33:19,920 Speaker 3: you know, there could have been like. 597 00:33:20,200 --> 00:33:21,040 Speaker 4: So much fun. 598 00:33:21,320 --> 00:33:22,040 Speaker 3: Yes, we could have. 599 00:33:22,160 --> 00:33:24,520 Speaker 1: Well, because I don't know if everybody knows this, but 600 00:33:25,240 --> 00:33:27,880 Speaker 1: Kim Raver speaks French like. 601 00:33:27,800 --> 00:33:30,680 Speaker 3: A French person. Yeah, that the right way to do it, 602 00:33:32,320 --> 00:33:32,680 Speaker 3: Like an. 603 00:33:32,560 --> 00:33:36,440 Speaker 1: American speaking so much, shes French like she's a French person. 604 00:33:36,840 --> 00:33:38,440 Speaker 3: So we all got to be in Paris together and 605 00:33:38,480 --> 00:33:38,960 Speaker 3: we want to. 606 00:33:38,880 --> 00:33:42,360 Speaker 4: Say something about the two of you. Mm hmm to 607 00:33:42,480 --> 00:33:48,360 Speaker 4: your crew, you're amazing fans. The way you guys compliment 608 00:33:48,920 --> 00:33:53,560 Speaker 4: and are so generous. That's not that this thing that 609 00:33:53,600 --> 00:33:57,520 Speaker 4: they do is not just for like the people that 610 00:33:57,560 --> 00:34:03,320 Speaker 4: are your guests, it is. It is really such it's 611 00:34:03,360 --> 00:34:08,000 Speaker 4: such an incredible thing and such an amazing lesson, uh 612 00:34:08,160 --> 00:34:14,239 Speaker 4: for women supporting women. You guys genuinely are so uh. 613 00:34:14,680 --> 00:34:19,800 Speaker 4: It's like you find these beautiful like the sparkle in 614 00:34:19,920 --> 00:34:22,759 Speaker 4: people and you you support that, and I just it's 615 00:34:22,880 --> 00:34:26,719 Speaker 4: really it's really amazing. Really, I love you. 616 00:34:26,960 --> 00:34:31,200 Speaker 2: You're easy to support though you are you're You're easy 617 00:34:31,239 --> 00:34:31,640 Speaker 2: to support. 618 00:34:32,160 --> 00:34:33,480 Speaker 1: I love, but I love But I love that you 619 00:34:33,520 --> 00:34:36,760 Speaker 1: said that, because I do think it's worth calling people 620 00:34:36,880 --> 00:34:38,759 Speaker 1: into the conversation about. 621 00:34:40,160 --> 00:34:40,600 Speaker 4: Why not. 622 00:34:41,440 --> 00:34:44,040 Speaker 3: That's how I feel about that, you know, like why 623 00:34:44,120 --> 00:34:47,320 Speaker 3: not when you see something that you admire about someone 624 00:34:47,400 --> 00:34:47,759 Speaker 3: or that. 625 00:34:47,719 --> 00:34:51,480 Speaker 1: You even in that moment go like, wow, I couldn't 626 00:34:51,480 --> 00:34:52,920 Speaker 1: do that, or I don't think I could do that, 627 00:34:53,120 --> 00:34:53,799 Speaker 1: or I. 628 00:34:53,719 --> 00:34:57,160 Speaker 3: Really like that. You know, it's like it's so it 629 00:34:57,680 --> 00:35:01,120 Speaker 3: can be so easy to just hey, I love it, No, 630 00:35:01,200 --> 00:35:05,160 Speaker 3: I know, and it's like not saying it. On some level, 631 00:35:05,360 --> 00:35:05,880 Speaker 3: I think. 632 00:35:07,520 --> 00:35:23,800 Speaker 1: It robs you of the opportunity to connect. 633 00:35:24,640 --> 00:35:28,279 Speaker 2: Okay, I'm gonna rapid fire some questions. Okay, people want 634 00:35:28,280 --> 00:35:30,800 Speaker 2: to know if you had a say in the open 635 00:35:30,840 --> 00:35:32,000 Speaker 2: marriage plotline. 636 00:35:33,239 --> 00:35:37,480 Speaker 4: Good question. I felt very protective of Teddy, and I 637 00:35:37,520 --> 00:35:41,000 Speaker 4: think Kevin felt very protective of Owen because our characters 638 00:35:41,000 --> 00:35:43,640 Speaker 4: have been through so much, and I'll try to make 639 00:35:43,640 --> 00:35:48,240 Speaker 4: this rapid fire. So Meg was incredible. We would actually 640 00:35:48,320 --> 00:35:50,480 Speaker 4: go because we were shooting a scene right next door 641 00:35:50,520 --> 00:35:53,719 Speaker 4: to the set of Joe's Bar, so we would go 642 00:35:53,800 --> 00:35:55,279 Speaker 4: and sit down and we had like a couple of 643 00:35:55,360 --> 00:36:00,840 Speaker 4: conversations in there as this storyline was evolving. Just for me, 644 00:36:01,280 --> 00:36:04,799 Speaker 4: it felt super important that it wasn't just like hah, 645 00:36:05,040 --> 00:36:07,120 Speaker 4: open marriage, like or just Teddy's going to have an 646 00:36:07,120 --> 00:36:10,560 Speaker 4: affair again. And I really wanted it to be that 647 00:36:10,760 --> 00:36:15,120 Speaker 4: Teddy had learned from her mistake of having the affair 648 00:36:15,320 --> 00:36:21,880 Speaker 4: and that this was a very specific both parties agreeing 649 00:36:21,960 --> 00:36:25,200 Speaker 4: to it, and after having kind of gone through therapy. 650 00:36:25,760 --> 00:36:28,279 Speaker 4: Because there are people who do have open marriages that 651 00:36:28,360 --> 00:36:30,279 Speaker 4: totally work for them, I mean not as you know, 652 00:36:30,360 --> 00:36:33,120 Speaker 4: not something that works for me. So I wanted to 653 00:36:33,160 --> 00:36:38,560 Speaker 4: be very mindful of that Teddy had actually evolved and grown, 654 00:36:38,880 --> 00:36:40,279 Speaker 4: because I knew that it was going to be a 655 00:36:40,360 --> 00:36:47,040 Speaker 4: very complicated storyline, and Meg was incredible about it, and 656 00:36:47,120 --> 00:36:52,240 Speaker 4: I felt really heard the concerns that Kevin and I had, 657 00:36:53,000 --> 00:36:55,600 Speaker 4: And I think that Teddy and Owen's relationship is is 658 00:36:55,640 --> 00:36:59,879 Speaker 4: a very evolved and mature relationship. And I think it's 659 00:37:00,000 --> 00:37:04,200 Speaker 4: really cool that on the show that we can touch 660 00:37:04,320 --> 00:37:11,520 Speaker 4: base on different types of relationships. And I thought for me, 661 00:37:11,600 --> 00:37:14,319 Speaker 4: I had I wanted to kind of justify that they 662 00:37:14,480 --> 00:37:19,839 Speaker 4: that her love was so deep for Owen that at 663 00:37:19,840 --> 00:37:23,400 Speaker 4: that point when open marriage came up, that it was 664 00:37:23,480 --> 00:37:26,640 Speaker 4: either they were going to break up or they had 665 00:37:26,680 --> 00:37:29,080 Speaker 4: to try something because they had been fighting for two 666 00:37:29,120 --> 00:37:32,320 Speaker 4: years at this point, and I think we needed something 667 00:37:32,360 --> 00:37:35,399 Speaker 4: really different storylines so that we weren't kind of doing 668 00:37:35,480 --> 00:37:41,680 Speaker 4: the same the fighting. So yes, the writers were incredibly 669 00:37:41,719 --> 00:37:46,799 Speaker 4: generous in hearing and kind of amalgamating what how that 670 00:37:46,840 --> 00:37:47,640 Speaker 4: storyline was. 671 00:37:47,760 --> 00:37:50,000 Speaker 2: It was one of my favorite storylines lest so that's interesting. 672 00:37:50,040 --> 00:37:51,960 Speaker 2: I think it's super compelling. I've said that to you 673 00:37:51,960 --> 00:37:54,200 Speaker 2: almost every Dame d I really love it. 674 00:37:54,320 --> 00:37:56,719 Speaker 4: You have amazing instincts too, in terms of what she 675 00:37:56,880 --> 00:38:01,640 Speaker 4: does incredible and crazy. Yeah, you really have amazing It's. 676 00:38:01,480 --> 00:38:03,839 Speaker 3: Such a sense of story and like what she can 677 00:38:03,880 --> 00:38:04,560 Speaker 3: just come up with stuff. 678 00:38:04,560 --> 00:38:05,880 Speaker 4: I know, I know. 679 00:38:06,239 --> 00:38:08,240 Speaker 2: I think it's really good. I think it's being told 680 00:38:08,280 --> 00:38:10,560 Speaker 2: really well, and I think I'm excited for you guys 681 00:38:10,560 --> 00:38:12,919 Speaker 2: to see what happens next season too. 682 00:38:13,400 --> 00:38:14,719 Speaker 3: What's your next one? Rapid Fire? 683 00:38:14,880 --> 00:38:17,040 Speaker 2: What is one song on Teddy's playlist? 684 00:38:17,480 --> 00:38:20,680 Speaker 4: Oh, that's good. I do listen to a lot of 685 00:38:20,760 --> 00:38:24,400 Speaker 4: music for sort of for her. Yeah, for prep. Okay, 686 00:38:25,960 --> 00:38:29,360 Speaker 4: I'm trying to think of what or when. 687 00:38:29,200 --> 00:38:30,840 Speaker 3: You're shadowing and you need to Kim, I let it 688 00:38:30,880 --> 00:38:31,240 Speaker 3: go away. 689 00:38:31,800 --> 00:38:40,840 Speaker 4: I'm listening to you. You know this is not Teddy 690 00:38:40,960 --> 00:38:44,240 Speaker 4: that I just started listening to. Do you know Jesse Murph? 691 00:38:45,000 --> 00:38:45,120 Speaker 5: No? 692 00:38:45,400 --> 00:38:48,080 Speaker 4: Is that? Oh my god, she's incredible. 693 00:38:48,160 --> 00:38:48,880 Speaker 2: You know who this is? 694 00:38:49,440 --> 00:38:55,879 Speaker 4: She is on She's I think like twenty and her 695 00:38:56,280 --> 00:39:00,440 Speaker 4: I mean, her lyrics are you know? I it's not 696 00:39:00,480 --> 00:39:03,239 Speaker 4: something I think she's just she's incredible. 697 00:39:03,239 --> 00:39:05,440 Speaker 2: It's very particular song and the weekend look up for real. 698 00:39:05,640 --> 00:39:08,640 Speaker 4: Oh, I don't know. I have to look at my phone. 699 00:39:08,680 --> 00:39:11,400 Speaker 4: I just started listening to her. But she's she's incredible. Okay, 700 00:39:11,480 --> 00:39:15,360 Speaker 4: She's I don't know if it's if it's this amazing 701 00:39:15,520 --> 00:39:19,000 Speaker 4: mix and you go to Nashville, I never would have 702 00:39:19,239 --> 00:39:24,799 Speaker 4: here right now, but you are, Yeah, that's d Yay. 703 00:39:24,840 --> 00:39:27,960 Speaker 4: It's this amazing mix of like country but also she 704 00:39:28,000 --> 00:39:31,640 Speaker 4: has rap, and then there's also like rock. It's it's 705 00:39:31,680 --> 00:39:34,120 Speaker 4: it's oh wow, yeah, it's she's amazing her. 706 00:39:34,160 --> 00:39:34,480 Speaker 3: Okay. 707 00:39:34,880 --> 00:39:37,240 Speaker 4: I want to meet her and just be like, where 708 00:39:37,480 --> 00:39:41,759 Speaker 4: do you how do you write your lyrics? Right? So good? 709 00:39:41,760 --> 00:39:44,360 Speaker 2: Okay, I love it, new new person to listen to. 710 00:39:44,600 --> 00:39:47,879 Speaker 2: I loved this question. Are there little because I don't 711 00:39:47,880 --> 00:39:50,080 Speaker 2: know the answer to this. Are there little changes and 712 00:39:50,200 --> 00:39:54,520 Speaker 2: Teddy's scrubs hair or post call hoodies or I guess 713 00:39:54,520 --> 00:39:58,360 Speaker 2: outfits on the show that the show where she's at emotionally? 714 00:39:59,719 --> 00:40:04,080 Speaker 4: Oh yeah, I mean we definitely try to remel is 715 00:40:04,200 --> 00:40:11,799 Speaker 4: our costume. She's just wardrobe designer. She's amazing, And there 716 00:40:11,880 --> 00:40:18,239 Speaker 4: are very subtle distinctions of sort of we talk about it. 717 00:40:18,320 --> 00:40:20,840 Speaker 4: I sort of say, oh, well, Teddy's feeling very vulnerable 718 00:40:20,880 --> 00:40:24,239 Speaker 4: at this point, so let's work with this. And when 719 00:40:24,320 --> 00:40:30,040 Speaker 4: within sort of what Teddy's look is, I'm trying to like, 720 00:40:30,080 --> 00:40:32,200 Speaker 4: so you want specifics of like what I don't know 721 00:40:32,280 --> 00:40:33,280 Speaker 4: this is fan question. 722 00:40:34,920 --> 00:40:37,719 Speaker 3: You have a follow up question for the fan I did. 723 00:40:38,160 --> 00:40:38,359 Speaker 5: Yeah. 724 00:40:38,400 --> 00:40:40,080 Speaker 3: No, I'm saying, let's get a follow up question for 725 00:40:40,080 --> 00:40:40,399 Speaker 3: that fan. 726 00:40:42,080 --> 00:40:44,680 Speaker 4: No, but there's definitely I don't know if there's no. 727 00:40:44,680 --> 00:40:46,560 Speaker 2: But I think I think that's that's the answer. That 728 00:40:46,600 --> 00:40:49,600 Speaker 2: you're going into wardrobe fittings and you are having this 729 00:40:49,719 --> 00:40:52,719 Speaker 2: conversation about where she's at emotionally on her journey, and 730 00:40:52,760 --> 00:40:54,280 Speaker 2: then it's reflected in what you're wearing. 731 00:40:54,400 --> 00:40:58,520 Speaker 4: Yeah, because I think with scrubs not as much. 732 00:40:58,840 --> 00:41:01,760 Speaker 3: No, of course their scrub cap really and shoes. 733 00:41:01,960 --> 00:41:03,759 Speaker 4: Yeah, which in the scrub cap has been a really 734 00:41:03,760 --> 00:41:06,920 Speaker 4: big ic point. Yeah, which is great. 735 00:41:07,000 --> 00:41:08,279 Speaker 3: At the point out that you look good in a 736 00:41:08,320 --> 00:41:08,879 Speaker 3: scrub cap. 737 00:41:08,960 --> 00:41:10,160 Speaker 4: That's the thank you. I know. 738 00:41:10,280 --> 00:41:11,719 Speaker 2: It's a very particular thing. 739 00:41:11,800 --> 00:41:14,680 Speaker 4: It's like an egg. No, you don't, I do, I 740 00:41:14,719 --> 00:41:15,440 Speaker 4: have a good you. 741 00:41:15,840 --> 00:41:18,040 Speaker 1: Remember when you did you like do the do my 742 00:41:18,280 --> 00:41:19,920 Speaker 1: Does the scrub cap go inside my ears or. 743 00:41:21,440 --> 00:41:23,560 Speaker 2: Inside or outside? I like my ears tucked. 744 00:41:23,920 --> 00:41:24,799 Speaker 4: I think my air. 745 00:41:26,400 --> 00:41:28,239 Speaker 3: I mean, it's funny that you don't know off the 746 00:41:28,239 --> 00:41:28,879 Speaker 3: top of your head. 747 00:41:29,480 --> 00:41:35,120 Speaker 4: I'm they're out there crazy, very specific. I need I want. 748 00:41:35,280 --> 00:41:36,720 Speaker 4: I like it when it's square. 749 00:41:37,200 --> 00:41:38,520 Speaker 3: Yep. No, I'm the same way. 750 00:41:38,560 --> 00:41:41,160 Speaker 1: And and then sometimes they with your scrub caps, like 751 00:41:41,360 --> 00:41:44,680 Speaker 1: because they're cotton, so they wash them. I guess them, 752 00:41:44,760 --> 00:41:45,919 Speaker 1: but they have a couple of them. 753 00:41:46,160 --> 00:41:48,439 Speaker 4: Would you even notice if yours was weird? I don't 754 00:41:49,040 --> 00:41:51,520 Speaker 4: if it's weird, if it's like if it's all like like, 755 00:41:51,640 --> 00:41:54,400 Speaker 4: I don't know, I would be like, it's different, it's different, 756 00:41:54,440 --> 00:41:55,040 Speaker 4: it's different. 757 00:41:55,160 --> 00:41:58,640 Speaker 2: No, I don't know if my it's been pressed or 758 00:41:58,680 --> 00:41:59,600 Speaker 2: not for the day. 759 00:41:59,800 --> 00:42:01,239 Speaker 4: But yes, I look like. 760 00:42:01,200 --> 00:42:03,799 Speaker 2: An as one of our producers is. But I look 761 00:42:03,880 --> 00:42:06,719 Speaker 2: like an egg that's been so and that's like the 762 00:42:06,800 --> 00:42:07,960 Speaker 2: band aid that's been playing. 763 00:42:08,120 --> 00:42:11,120 Speaker 4: You're so beautiful you could have a paper bag over 764 00:42:11,160 --> 00:42:16,840 Speaker 4: your no, and she comes in and you just look amazing. No, no, not, yes. 765 00:42:16,960 --> 00:42:17,279 Speaker 2: Thank you? 766 00:42:17,360 --> 00:42:18,759 Speaker 4: Yes, Okay? 767 00:42:18,840 --> 00:42:20,399 Speaker 3: Have you only ever had one scrub cap? 768 00:42:20,480 --> 00:42:22,440 Speaker 4: Or have you had no just one? I won't let 769 00:42:22,440 --> 00:42:26,560 Speaker 4: it go. It's the whole Alison thing. I can't Yeah, yeah, yeah, yeah, yeah. 770 00:42:26,160 --> 00:42:28,759 Speaker 1: I think fans I would like to know if I've 771 00:42:28,800 --> 00:42:30,960 Speaker 1: had more than one. I think I've had two. I 772 00:42:30,960 --> 00:42:32,680 Speaker 1: think it started with the holly hobby. 773 00:42:33,640 --> 00:42:35,040 Speaker 2: What is the holly hobby? 774 00:42:35,440 --> 00:42:38,880 Speaker 3: It was like a patchwork quilt of pink stop. 775 00:42:39,320 --> 00:42:42,120 Speaker 2: No, I'm not looking at it right now. 776 00:42:42,320 --> 00:42:44,520 Speaker 4: It's really cute. And also you look so beautiful. You 777 00:42:44,560 --> 00:42:46,200 Speaker 4: have you have ears in, you have. 778 00:42:46,160 --> 00:42:47,040 Speaker 3: Ears, you have ears in. 779 00:42:47,120 --> 00:42:47,759 Speaker 2: Yeah, you're a tough. 780 00:42:47,840 --> 00:42:49,880 Speaker 3: But then I moved into a solid pink floral. 781 00:42:50,480 --> 00:42:51,400 Speaker 2: Oh interesting. 782 00:42:51,920 --> 00:42:53,320 Speaker 3: And I always tried to get shoes that had a 783 00:42:53,360 --> 00:42:54,400 Speaker 3: little lyft on them. 784 00:42:54,520 --> 00:42:57,960 Speaker 1: So that's why I wore the the. 785 00:42:57,160 --> 00:43:01,200 Speaker 2: Clogs, the clogs you were you did wear the claw. Okay, 786 00:43:01,239 --> 00:43:04,680 Speaker 2: I have more questions real quick. What is one thing 787 00:43:04,719 --> 00:43:07,400 Speaker 2: you're still dying to explore for Teddy that we haven't 788 00:43:07,480 --> 00:43:08,040 Speaker 2: seen yet. 789 00:43:08,680 --> 00:43:14,320 Speaker 4: That's a good question. I think where just this what's 790 00:43:14,320 --> 00:43:15,439 Speaker 4: happening in this free fall? 791 00:43:18,560 --> 00:43:20,040 Speaker 3: What is what's she going to do? 792 00:43:20,320 --> 00:43:23,320 Speaker 4: What's she going to do? It's good. 793 00:43:24,120 --> 00:43:25,560 Speaker 2: We got to get you back home when we can 794 00:43:25,600 --> 00:43:28,480 Speaker 2: talk more about everything. All right, last question? Do you 795 00:43:28,520 --> 00:43:29,799 Speaker 2: want to pick? The last question? Do you have the 796 00:43:29,920 --> 00:43:30,560 Speaker 2: list dress? 797 00:43:31,280 --> 00:43:31,400 Speaker 5: No? 798 00:43:31,440 --> 00:43:33,800 Speaker 2: I'm loving that, okay, okay, okay, I thought you didn't. 799 00:43:33,800 --> 00:43:35,440 Speaker 3: Okay, I mean I have it, but I'm loving that 800 00:43:35,480 --> 00:43:35,920 Speaker 3: you're doing it. 801 00:43:35,960 --> 00:43:41,920 Speaker 2: Okay, okay, okay, very last question. When did Teddy know 802 00:43:42,000 --> 00:43:43,920 Speaker 2: the open marriage wasn't working? 803 00:43:44,480 --> 00:43:46,879 Speaker 4: I mean, I think going into it, she's like oh boy, 804 00:43:46,960 --> 00:43:51,279 Speaker 4: this could blow up stuff, but we're we're not. That's 805 00:43:51,280 --> 00:43:56,160 Speaker 4: what I said before. It's either it can save us 806 00:43:56,719 --> 00:44:01,399 Speaker 4: or it were the relationship it was dying. So I 807 00:44:01,440 --> 00:44:02,920 Speaker 4: think as. 808 00:44:02,760 --> 00:44:04,600 Speaker 2: A family, I have an opinion about this answer. 809 00:44:05,040 --> 00:44:07,080 Speaker 4: I think it's let me and then I want to 810 00:44:07,080 --> 00:44:07,200 Speaker 4: hear it. 811 00:44:07,239 --> 00:44:07,960 Speaker 2: I want to compare. 812 00:44:08,760 --> 00:44:12,319 Speaker 4: I mean, oh god, that's I mean. I feel like 813 00:44:12,360 --> 00:44:16,280 Speaker 4: when Teddy saw Owen, that's what I think. That moment 814 00:44:17,120 --> 00:44:20,040 Speaker 4: with she was like, oh fuck, this was a terrible 815 00:44:21,560 --> 00:44:25,600 Speaker 4: this is not saving ship, you know. But you know 816 00:44:25,680 --> 00:44:27,080 Speaker 4: what's so interesting You're talking. 817 00:44:26,960 --> 00:44:31,239 Speaker 2: About the woman when Teddy's at the wedding and Owen's and. 818 00:44:31,360 --> 00:44:33,000 Speaker 4: She walks in and she's like, I have good news. 819 00:44:33,040 --> 00:44:38,000 Speaker 4: I saw the pray and she sees Nora yes, and 820 00:44:38,800 --> 00:44:43,360 Speaker 4: Owen like like like the loving holding was like holding. 821 00:44:44,480 --> 00:44:46,040 Speaker 4: It was like so intimate. 822 00:44:46,480 --> 00:44:47,400 Speaker 2: It was unnecessary. 823 00:44:47,560 --> 00:44:53,359 Speaker 4: It was unnecessary. It was I'm angry for Teddy. I'm 824 00:44:53,360 --> 00:44:55,880 Speaker 4: angry for Toddy because Teddy like let me Josef. 825 00:44:55,920 --> 00:44:58,040 Speaker 2: I think, really, that wasn't the rule. 826 00:44:58,760 --> 00:45:01,440 Speaker 4: That wasn't the rule, that wasn't the agreement. There was 827 00:45:01,520 --> 00:45:05,279 Speaker 4: no like intimacy falling in love. There was like that, 828 00:45:05,400 --> 00:45:08,960 Speaker 4: you know, like I am getting hot too. 829 00:45:08,960 --> 00:45:10,239 Speaker 2: I say it, you're dangerous. 830 00:45:10,120 --> 00:45:13,040 Speaker 3: It's a dangeresting Listen, it can work for others. 831 00:45:13,080 --> 00:45:15,520 Speaker 1: There's no shade being thrown on anyone who this works for, right, 832 00:45:15,560 --> 00:45:20,239 Speaker 1: But I agree, I mean I even just the Yeah, 833 00:45:20,239 --> 00:45:20,960 Speaker 1: that's a tough one. 834 00:45:21,040 --> 00:45:21,759 Speaker 3: That's a tough sell. 835 00:45:22,040 --> 00:45:26,239 Speaker 4: It didn't. Yeah, I think that moment. Yeah, that that 836 00:45:26,320 --> 00:45:27,720 Speaker 4: was a that's a crushing moment. 837 00:45:27,880 --> 00:45:29,759 Speaker 3: Didn't you ever see that? What do you Harrelson? To 838 00:45:29,800 --> 00:45:32,480 Speaker 3: be more Robert Redford movie in decent proposal? 839 00:45:32,680 --> 00:45:35,840 Speaker 4: Yeah, I auditioned for that, you did. I was like 840 00:45:35,920 --> 00:45:39,480 Speaker 4: close to that that, Like that would have been really. 841 00:45:39,280 --> 00:45:55,040 Speaker 6: Scary to actually have to have done. 842 00:45:55,640 --> 00:45:57,719 Speaker 2: Wait, I have to ask an actual question before you go. 843 00:45:57,800 --> 00:45:59,640 Speaker 2: What is one role that you lost out on that 844 00:45:59,680 --> 00:46:02,120 Speaker 2: you're like such a good question? 845 00:46:02,680 --> 00:46:07,640 Speaker 4: Is a really good question. I mean, early early on, 846 00:46:07,800 --> 00:46:08,920 Speaker 4: we're early early. 847 00:46:09,520 --> 00:46:10,560 Speaker 2: I'm the older. 848 00:46:13,680 --> 00:46:17,759 Speaker 4: Days. It's some goffy. I mean one of my first 849 00:46:17,800 --> 00:46:20,960 Speaker 4: big big auditions that I was super close to that 850 00:46:21,120 --> 00:46:24,960 Speaker 4: was crushing. Your fan base is not even gonna know. 851 00:46:26,800 --> 00:46:29,320 Speaker 2: That's how we look at it was a silent movie, 852 00:46:30,760 --> 00:46:35,200 Speaker 2: this girl that was black and white. 853 00:46:35,200 --> 00:46:42,399 Speaker 4: You guys, that's what happens on all day I'm glad 854 00:46:42,480 --> 00:46:43,960 Speaker 4: you can do it to you. You know what she 855 00:46:44,120 --> 00:46:49,960 Speaker 4: thinks she's that harrowing, but I know I'm talking about 856 00:46:50,000 --> 00:46:56,560 Speaker 4: women supporting women, not her. It was the last of 857 00:46:56,600 --> 00:46:56,919 Speaker 4: the movie. 858 00:46:57,560 --> 00:46:58,840 Speaker 3: That's a massive movie. 859 00:46:58,880 --> 00:47:00,000 Speaker 2: You think people don't know what that is? 860 00:47:00,120 --> 00:47:03,600 Speaker 4: Is trying to make up for it now, she's trying 861 00:47:03,640 --> 00:47:06,680 Speaker 4: to get what I was. I wanted to work with 862 00:47:06,800 --> 00:47:11,160 Speaker 4: Daniel da Lewis No, no idding, Yeah, yeah, that was like. 863 00:47:11,080 --> 00:47:13,640 Speaker 2: The shot that you think that people, I mean maybe 864 00:47:13,680 --> 00:47:15,120 Speaker 2: younger generations don't yet. 865 00:47:17,160 --> 00:47:18,240 Speaker 3: For sure, you don't. 866 00:47:18,760 --> 00:47:21,520 Speaker 4: I've never seen see they definitely have to look that 867 00:47:21,640 --> 00:47:23,640 Speaker 4: upm right on the heels, guys. 868 00:47:23,680 --> 00:47:24,560 Speaker 2: I'm right on the heels. 869 00:47:25,080 --> 00:47:27,400 Speaker 4: How about you? How about you? Guys? What was something? 870 00:47:27,600 --> 00:47:30,319 Speaker 4: I got a lot I'm trying to think. 871 00:47:30,360 --> 00:47:32,360 Speaker 2: I can't even I've definitely, I mean, I have roles 872 00:47:32,360 --> 00:47:33,040 Speaker 2: that I missed. 873 00:47:33,120 --> 00:47:35,120 Speaker 3: Oh are you the one that said the last thing? 874 00:47:35,160 --> 00:47:38,800 Speaker 3: But I feel like you like straight shot degrees anatomy. 875 00:47:39,760 --> 00:47:42,160 Speaker 2: No, I wasn't straight shot. I did a lot of 876 00:47:42,200 --> 00:47:45,600 Speaker 2: like auditioning for a lot of c W stuff that 877 00:47:45,680 --> 00:47:47,400 Speaker 2: I really would have had fun. I would have had 878 00:47:47,400 --> 00:47:50,400 Speaker 2: a blast doing, but I didn't have like a last 879 00:47:50,400 --> 00:47:51,440 Speaker 2: of the mohegans. 880 00:47:52,440 --> 00:47:53,879 Speaker 3: No, No, those are two. 881 00:47:54,080 --> 00:47:56,879 Speaker 1: Kim has two movies that were definitely I mean, yeah, 882 00:47:56,920 --> 00:47:57,560 Speaker 1: those were big ones. 883 00:47:57,600 --> 00:47:58,759 Speaker 3: Those are big ones. I'm happy for you. 884 00:47:58,880 --> 00:48:04,719 Speaker 1: Kim Well, I didn't get yes, but you're saying there, 885 00:48:05,440 --> 00:48:06,600 Speaker 1: did you get to read with him? 886 00:48:07,480 --> 00:48:09,279 Speaker 4: No, but it was I don't. 887 00:48:09,320 --> 00:48:11,239 Speaker 1: I think I would have proved my pants. That would 888 00:48:11,280 --> 00:48:12,239 Speaker 1: be too intimidating. 889 00:48:12,640 --> 00:48:13,600 Speaker 3: The times where I've. 890 00:48:13,440 --> 00:48:15,640 Speaker 1: Gotten be careful what you wish for, because the times 891 00:48:15,640 --> 00:48:17,520 Speaker 1: that I've gotten so close to things that I actually 892 00:48:17,520 --> 00:48:19,239 Speaker 1: had to go do the thing that was like the 893 00:48:19,280 --> 00:48:22,040 Speaker 1: thing right before getting it, when it was like reading 894 00:48:22,080 --> 00:48:25,200 Speaker 1: with the person or flying to the city, and you're 895 00:48:25,239 --> 00:48:25,560 Speaker 1: just like. 896 00:48:26,080 --> 00:48:27,040 Speaker 4: I just remembered one. 897 00:48:27,080 --> 00:48:28,279 Speaker 2: But can you say, I don't know. 898 00:48:28,760 --> 00:48:30,160 Speaker 4: You're gonna make fun of me. You're gonna be like, 899 00:48:30,160 --> 00:48:31,240 Speaker 4: you're just dropping names. 900 00:48:31,520 --> 00:48:32,760 Speaker 2: No, are you kidding? 901 00:48:32,880 --> 00:48:35,680 Speaker 4: I was flown out the Tom Cruise movie, which. 902 00:48:36,840 --> 00:48:39,400 Speaker 3: That would be exciting, mission impossible. 903 00:48:39,000 --> 00:48:40,080 Speaker 4: No minority report. 904 00:48:41,360 --> 00:48:41,880 Speaker 3: I'm aware. 905 00:48:42,360 --> 00:48:45,160 Speaker 4: Yeh see you got like no, no, no, no, no. 906 00:48:45,040 --> 00:48:45,439 Speaker 3: Don't worry. 907 00:48:45,880 --> 00:48:49,880 Speaker 1: No no no, I was not really no way, but wow, 908 00:48:50,080 --> 00:48:50,360 Speaker 1: did you. 909 00:48:50,480 --> 00:48:51,320 Speaker 2: Test for her dad? 910 00:48:51,680 --> 00:48:54,759 Speaker 4: I met with him. I hadn't unbelieving. I don't know 911 00:48:54,880 --> 00:48:57,799 Speaker 4: the amazing amazing. I don't know, because maybe I didn't 912 00:48:57,840 --> 00:48:59,759 Speaker 4: want to like talk about it. I just remembered it. 913 00:49:00,160 --> 00:49:01,080 Speaker 3: Gosh. 914 00:49:01,160 --> 00:49:03,640 Speaker 4: I know, I met your dad and I met Tom 915 00:49:03,719 --> 00:49:04,799 Speaker 4: Cruise and that was. 916 00:49:05,040 --> 00:49:06,200 Speaker 3: Wow, my gosh. 917 00:49:06,440 --> 00:49:08,239 Speaker 4: But that's the type of thing where it was like 918 00:49:08,440 --> 00:49:12,279 Speaker 4: so like I mean a just your dad and like Tom, 919 00:49:12,719 --> 00:49:14,560 Speaker 4: that was the thing I was so crushing. It's like, 920 00:49:14,680 --> 00:49:18,759 Speaker 4: do I keep do I keep going in this business? Yeah? 921 00:49:19,400 --> 00:49:21,440 Speaker 3: I would be in the ultimate affirmation. 922 00:49:21,560 --> 00:49:23,080 Speaker 1: If you can end up in that room, you are 923 00:49:23,239 --> 00:49:24,920 Speaker 1: just a second away from it. 924 00:49:24,920 --> 00:49:26,360 Speaker 4: I know. And that's where, like I talked to my 925 00:49:26,440 --> 00:49:29,799 Speaker 4: kids about grit, like enough of those rejects and you 926 00:49:29,920 --> 00:49:32,120 Speaker 4: just feel like, you know, like you're never it's never 927 00:49:32,200 --> 00:49:33,359 Speaker 4: gonna happen kind of thing. 928 00:49:33,400 --> 00:49:35,359 Speaker 2: Oh, you just talked about the white lotus. That's what 929 00:49:35,400 --> 00:49:36,640 Speaker 2: you talked about, basically. 930 00:49:36,320 --> 00:49:36,520 Speaker 5: I did. 931 00:49:36,560 --> 00:49:38,160 Speaker 3: I talked about this last season, the white loatas. 932 00:49:38,239 --> 00:49:40,920 Speaker 1: But I also think that there I think that for 933 00:49:41,360 --> 00:49:44,239 Speaker 1: a big I mean, it sounds clever, but I say 934 00:49:44,239 --> 00:49:46,680 Speaker 1: it all the time, but it's for a big part 935 00:49:46,719 --> 00:49:47,760 Speaker 1: of my career. 936 00:49:47,960 --> 00:49:48,920 Speaker 3: I have felt like. 937 00:49:50,360 --> 00:49:53,239 Speaker 1: There's been so many times whereas I felt like it 938 00:49:53,280 --> 00:49:56,440 Speaker 1: was between me and the girl who gets it, like 939 00:49:56,520 --> 00:49:59,640 Speaker 1: I was always the second runner up, and and to 940 00:49:59,719 --> 00:50:02,840 Speaker 1: half to experience that and then like pull yourself up 941 00:50:02,880 --> 00:50:05,400 Speaker 1: again and be like the fact that I got that 942 00:50:05,560 --> 00:50:08,160 Speaker 1: far is actually the proof that I will succeed. 943 00:50:09,040 --> 00:50:11,520 Speaker 3: But I got to keep going and that's the hard part. 944 00:50:11,840 --> 00:50:13,600 Speaker 3: But that's incredible. I love that. 945 00:50:13,560 --> 00:50:16,600 Speaker 2: Scarlet Johansson has talked about this. She said she's made 946 00:50:16,640 --> 00:50:19,600 Speaker 2: a career and of course she's made the biggest career 947 00:50:20,000 --> 00:50:23,640 Speaker 2: out of not being the first choice. And she's often 948 00:50:23,800 --> 00:50:26,200 Speaker 2: like the third of four and and she's the one 949 00:50:26,200 --> 00:50:28,279 Speaker 2: that's ended up in the gig. And I always think 950 00:50:28,320 --> 00:50:30,560 Speaker 2: about that because there's something to be said when they're like, well, 951 00:50:30,560 --> 00:50:32,399 Speaker 2: this person said no to it, so now they're coming 952 00:50:32,440 --> 00:50:33,640 Speaker 2: to you, you know, which is. 953 00:50:33,600 --> 00:50:35,840 Speaker 4: Also really hard, right because you're like, wait, do I 954 00:50:35,880 --> 00:50:37,799 Speaker 4: want to be set and you're like, yes, I do. 955 00:50:40,080 --> 00:50:40,400 Speaker 3: Yeah. 956 00:50:40,400 --> 00:50:45,640 Speaker 2: Scarjo's like, you do you do end up an avenger? 957 00:50:46,080 --> 00:50:46,279 Speaker 4: Yeah? 958 00:50:46,280 --> 00:50:48,879 Speaker 1: That's exactly right. Yeah, that's exactly right, because you never 959 00:50:48,880 --> 00:50:50,360 Speaker 1: know we're gonna end up. I'm really happy that I 960 00:50:50,400 --> 00:50:52,480 Speaker 1: ended up with you two. This has been so much fun. 961 00:50:52,520 --> 00:50:53,680 Speaker 4: I know, this has been amazing. 962 00:50:53,760 --> 00:50:55,680 Speaker 2: Kim, will you please come back on the show because 963 00:50:55,960 --> 00:51:00,000 Speaker 2: this season is bonkers, bonkers, and once we can work 964 00:51:00,520 --> 00:51:02,800 Speaker 2: break down some of this stuff, the fans are gonna 965 00:51:03,000 --> 00:51:05,040 Speaker 2: like some of them have a hundred more questions. 966 00:51:05,440 --> 00:51:07,360 Speaker 4: Thank you guys so much for thank you fine. 967 00:51:07,360 --> 00:51:09,360 Speaker 1: I know and you don't, Kim, you probably don't know, 968 00:51:09,440 --> 00:51:12,839 Speaker 1: but you know, since we do promote shows here nine 969 00:51:12,880 --> 00:51:13,879 Speaker 1: one one Nashville is. 970 00:51:13,840 --> 00:51:18,480 Speaker 4: Now I congratulations, congratulations, no need for congratulations. 971 00:51:19,520 --> 00:51:21,680 Speaker 3: We now are We're now reunited. 972 00:51:21,800 --> 00:51:26,360 Speaker 4: So we are. That's so great. And Chris is so great. 973 00:51:26,560 --> 00:51:29,879 Speaker 4: It's just a great a great cast. We will lead. 974 00:51:30,040 --> 00:51:32,319 Speaker 1: And I think that you know, I don't know, you know, 975 00:51:32,360 --> 00:51:34,120 Speaker 1: and you never know what happens in the in the 976 00:51:34,120 --> 00:51:35,600 Speaker 1: Gray's universe of the nine one one. 977 00:51:35,560 --> 00:51:37,200 Speaker 3: Universe, but you know who knows that there couldn't be 978 00:51:37,239 --> 00:51:37,800 Speaker 3: a crossover. 979 00:51:37,920 --> 00:51:40,360 Speaker 1: We need doctor sure, that would be amazing doctors all 980 00:51:40,400 --> 00:51:40,719 Speaker 1: the time. 981 00:51:41,640 --> 00:51:43,839 Speaker 2: I would Can you imagine that night when you're in 982 00:51:43,880 --> 00:51:46,759 Speaker 2: if you're in two episodes like that would be Has 983 00:51:46,760 --> 00:51:48,279 Speaker 2: it ever been done? I don't want to know if 984 00:51:48,320 --> 00:51:50,520 Speaker 2: that's ever been done before as two different characters. 985 00:51:50,880 --> 00:51:53,719 Speaker 4: Oh, that's so cool, that's right, it would be. How 986 00:51:53,719 --> 00:51:56,319 Speaker 4: would that happen? Would you just be like, I'm not 987 00:51:56,480 --> 00:52:00,840 Speaker 4: Arizona or you know. 988 00:52:01,239 --> 00:52:03,160 Speaker 1: Or Joe and Teddy go on a girl's weekend to 989 00:52:03,239 --> 00:52:06,120 Speaker 1: Nashville and we run into each other, you know, at 990 00:52:06,120 --> 00:52:06,879 Speaker 1: a honkey talk. 991 00:52:07,160 --> 00:52:09,600 Speaker 4: We oh, my god, that's so good. We have been 992 00:52:09,680 --> 00:52:14,160 Speaker 4: pitching her, Joe and Teddy just so like we have 993 00:52:14,360 --> 00:52:18,840 Speaker 4: three little so much so I watched that in the 994 00:52:23,080 --> 00:52:28,359 Speaker 4: in Paris with a lot of wine, the friends Teddy 995 00:52:28,400 --> 00:52:28,719 Speaker 4: and Jim. 996 00:52:29,520 --> 00:52:32,160 Speaker 2: Okay, can we're gonna let you go into next time. 997 00:52:32,760 --> 00:52:33,520 Speaker 2: Let's call it jes 998 00:52:33,719 --> 00:52:41,000 Speaker 1: Let's call it the end of the episode.