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Speaker 1: So I'm in a new location today. I feel like

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Speaker 1: I'm in an underground bunker. You're not supposed to know

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Speaker 1: where I am. Adler is home sick from school today

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Speaker 1: because you know, he's been in school all of four days,

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Speaker 1: so naturally he would have to catch some viruses and

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Speaker 1: have to be home. This little Petrie dish of school.

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Speaker 1: Oh man, I can't wait for them to grow out

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Speaker 1: of that. So I texted dear friend Wilfred Ell and said, hey,

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Speaker 1: Will do you mind if I come record at your house?

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Speaker 1: And he goes, yeah, I'll throw you in the theater room.

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Speaker 1: So I'm in the theater room. You can see I'm

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Speaker 1: a little robbilly over here. I have one lamp over here.

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Speaker 1: That's that's shining up somehow. I still have decent lighting,

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Speaker 1: even though it's pretty dark in here. My laptop is

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Speaker 1: resting on approximately twenty maybe twenty five DVDs, and my

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Speaker 1: microphone stand is on a little box. And Will told

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Speaker 1: me that in order for his room where he records

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Speaker 1: to be even a remotely reasonable temperature, the air has

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Speaker 1: to be blasting, and that means this room is going

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Speaker 1: to get freezing.

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Speaker 2: He's gonna be I can't wait to watch as we

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Speaker 2: continue to go on, just the holderholder and Will it's

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Speaker 2: gonna be sweating.

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Speaker 1: So I'm going to be round for long and will

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Speaker 1: going to be roasting.

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Speaker 2: Still, what actually happened was this last night Jensen said,

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Speaker 2: you know, producer Jensen husband's podcast said, Danielle may need

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Speaker 2: to record at your place tomorrow. She'll text you tomorrow.

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Speaker 2: So I get out of the shower to Jensen calling

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Speaker 2: going Danielle's outside. It wasn't my most organized moment.

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Speaker 3: Oh okay, clothes over wet like nastiness to run out

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Speaker 3: and let her in.

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Speaker 1: And just be like marking on the gate or anything.

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Speaker 1: I was sitting in my perfectly comfortable car. I wasn't like,

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Speaker 1: you know, I didn't wing for Genzen to make it

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Speaker 1: sound like I had slept there overnight.

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Speaker 3: No, it was the bathroom that is attached to the

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Speaker 3: theater room. Yeah, you used to have movie quotes that

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Speaker 3: everyone you still.

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Speaker 2: Do, right, So one half of it is a respectable,

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Speaker 2: nice bathroom. You had it done. But I kept the

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Speaker 2: one half of the wall where it's all just movie quotes.

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Speaker 3: And I got that idea from you, right, because I

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Speaker 3: got from quotes all over.

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Speaker 2: I didn't actually have quotes. I had like unanswerable questions

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Speaker 2: all over poetry. You had some quotes from poetry, and

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Speaker 2: I had some poetry.

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Speaker 3: Yeah. In my first apartment in downtown, I put I

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Speaker 3: put let's see, I put a Van Morrison quote on

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Speaker 3: the wall. Yeah, I had some quotes on the walls.

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Speaker 3: But then I had Sharpie and people I invited people

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Speaker 3: to just write unanswerable questions like how come when it rains,

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Speaker 3: sheep don't shrink? Ye?

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Speaker 2: Why do you drive on a parkway and park in

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Speaker 2: a driveway? Why do yeah? Exactly? Or what happens if

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Speaker 2: you step on.

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Speaker 3: Some good ones? And then yeah, and then you started.

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Speaker 3: You just offered Sharpie's of all colors and said anybody

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Speaker 3: had movie quotes? So I part of or any of

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Speaker 3: mine left?

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Speaker 2: Probably Yeah, I mean there's a bunch you're.

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Speaker 4: A deep investigation.

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Speaker 2: Before you should there's half is still covered in movie quotes.

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Speaker 2: It's great. And then and that's just the the man

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Speaker 2: cave brag room. It's like that's you know, do.

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Speaker 1: You want me to go?

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Speaker 2: Should this?

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Speaker 4: Should I go?

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Speaker 2: See? What recognize my handwriting?

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Speaker 3: Oh?

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Speaker 4: I definitely recognize your handwriting.

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Speaker 1: Horror horror pretty sloppy and I know you're okay, we'd

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Speaker 1: check it out.

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Speaker 2: I bet you it's a stamp by quote. That's probably

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Speaker 2: by the way. Now that she's off Mike, she's going

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Speaker 2: to freeze in there. It's gonna be so cold. I'm

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Speaker 2: already warm and it's gonna be like sixty degrees there.

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Speaker 2: She goes, Yeah, I.

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Speaker 3: Think you got a stamp Oh you know what what

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Speaker 3: was up? It was the Pez quote, but that was

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Speaker 3: on the wall that got erased.

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Speaker 2: It was it was Pez cherry flavored Pez, no, no doubt,

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Speaker 2: no question about it, and that was on the one.

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Speaker 5: Question about it that was on the wall.

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Speaker 3: Yeah, so she's not gonna real to find any of mine.

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Speaker 4: I'm back with an update.

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Speaker 2: Okay, we figured it out right as you left.

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Speaker 1: Oh you did?

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Speaker 3: Really?

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Speaker 4: What'd you figure out?

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Speaker 2: That had written his quote and it was on the

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Speaker 2: wall that was erased?

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Speaker 1: Oh? Really?

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Speaker 2: Did you find one that?

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Speaker 1: What I was going to say is that I don't

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Speaker 1: actually know you're writing as well as I thought I would.

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Speaker 1: Everybody's writing in there looks like it could.

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Speaker 3: Have been.

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Speaker 2: Oh yeah, Sammy.

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Speaker 1: Sammy and I are best friends right now. So I

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Speaker 1: did take some pictures. I feel like there's one that

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Speaker 1: could be from you that says you don't write in

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Speaker 1: all caps ever?

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Speaker 2: Do you no capes? Occasionally?

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Speaker 1: No, there's one where's the one that's all?

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Speaker 2: I took some pictures.

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Speaker 1: I see one that says Dad would have gotten us

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Speaker 1: Oozy's Night of the comment that kind of looks like

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Speaker 1: you're writing.

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Speaker 2: But great movie, great movie Night of the Comet. Oh,

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Speaker 2: great movie, Dad would have gotten his boozies. Awesome.

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Speaker 1: There was there's one that's written kind of in all

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Speaker 1: caps that I was like, that looks like it could

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Speaker 1: be although we didn't need about Mystic the movie and

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Speaker 1: would that have no?

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Speaker 2: Not you? Okay?

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Speaker 4: It says M S T three.

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Speaker 3: MST three K Mystery Science Theater, three thousand Street Science Theater.

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Speaker 3: Was that breech hole All die Even had it underline?

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Speaker 4: Yes exactly.

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Speaker 1: It actually says, look at that reach hole. All die

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Speaker 1: Even had it under yep, yep, that's it. You're so funny,

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Speaker 1: how how much you know every single thing that's on the.

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Speaker 2: Shope even had an underline? Great movie?

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Speaker 1: I mean, I feel like writer would have had to

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Speaker 1: have had more than one, right.

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Speaker 2: I think the one, yeah, the one he put up

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Speaker 2: was pez Cherry. If I can only eat one food

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Speaker 2: for the rest of my life. Yeah, but I thought,

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Speaker 2: what about.

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Speaker 1: When times are at their darkest, it's as a man

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Speaker 1: who can kick back and party.

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Speaker 2: Yeah, no, that is that was Greg. That was my

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Speaker 2: brother Greg. That's Innerspace, great movie. We're kind of we

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Speaker 2: speaking quotes my brothers and I. So those are all

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Speaker 2: just that's the first thing I did, was right. The

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Speaker 2: first one up there was we didn't need a pencil.

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Speaker 2: I put that up my right.

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Speaker 1: I did see that. I did know that was for

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Speaker 1: sure you because it's from your favorite.

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Speaker 2: Movie exactly, that's Ishtar. So yeah, there we got some

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Speaker 2: great ones up there. But writing, there's something about writing

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Speaker 2: on the walls that just made it feel like it

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Speaker 2: was my place right, just like I'm just gonna write.

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Speaker 2: I'm gonna let people write on the wall. And at

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Speaker 2: one point people were writing on the ceilings and the

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Speaker 2: whole it got a little cluttered. So when when Susan

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Speaker 2: moved in and we were talking about redoing the bathroom,

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Speaker 2: it was like, why don't we keep half, which we did,

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Speaker 2: and there's still pens there and then the other half

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Speaker 2: is like nicely painted. Oh so I could I could

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Speaker 2: go put my quote?

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Speaker 3: You can quote still quotable up there, absolutely plenty of space,

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Speaker 3: and the pens are still there.

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Speaker 1: What are you gonna add? Writer, I guess I'll.

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Speaker 2: Stand by me quote.

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Speaker 3: I don't know if it'll be the same one, though,

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Speaker 3: maybe I'll find something something else.

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Speaker 2: You know, because I like the small ones. What would

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Speaker 2: be great is something just like what I heard was

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Speaker 2: sick Balls, just great.

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Speaker 4: I would probably have to add something from like hot Rod.

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Speaker 2: I do like, I have to see that movie.

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Speaker 3: I keep hearing it's so good, it's so the pop

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Speaker 3: star was historical.

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Speaker 1: You know what I would do, I do a defending

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Speaker 1: your life quote, since well and I both love it

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Speaker 1: so much.

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Speaker 2: There's just one up there.

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Speaker 3: Yeah, I think there's one up actually doing like a

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Speaker 3: doing a waiting for Guffman quote would be good too.

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Speaker 2: There's one day they have everybody dances up there. Everybody

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Speaker 2: dance that's already up there. But the the nine nine day?

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Speaker 2: How many days you're looking at? Nine days? I still

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Speaker 2: his response when they say, you know I brought you

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Speaker 2: nine pies. You asked for it. He goes, no, sir,

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Speaker 2: I did not. You're embarrassing me.

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Speaker 1: Oh god, writer, you've seen that movie? Right? Oh yeah,

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Speaker 1: but yeah, gotta watch it again. Well, welcome to Pod

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Speaker 1: Meets World. I'm Daniel fishl I'm Writer Strong.

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Speaker 5: And I'm Wilfordell.

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Speaker 1: Today we are recapping season three, episode fourteen, A Kiss

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Speaker 1: Is More Than a Kiss. It originally aired January twenty sixth,

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Speaker 1: nineteen ninety six. The synopsis is Corey can't seem to

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Speaker 1: move on after his breakup with Tapanga, and his emotions

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Speaker 1: are sent to the breaking point when he sees her

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Speaker 1: kissing another guy. Dum.

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Speaker 2: It was directed ever, geez, I'll get into that.

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Speaker 1: We will get into that. It was directed by John Tracy.

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Speaker 1: It was written by Michael Swordlick. New name alert. I

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Speaker 1: have not heard this name is writing one of our

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Speaker 1: episodes before, and I am not familiar with him, So

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Speaker 1: this must have been one of those outside scripts.

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Speaker 2: Yeah, what is it too? Was it two or four season?

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Speaker 1: I think to at least two a season had to

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Speaker 1: be written from outside the room. Okay, And so guest starring,

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Speaker 1: introducing Lindsey Ridgeway as Morgan.

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Speaker 2: So happy to see her, So happy to see her?

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Speaker 1: Yes, And then we have Andy McAfee as Melissa, who

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Speaker 1: has gone on to have an impressive voiceover career in

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Speaker 1: video games like Mortal Kombat ten, Mass Effect, and Saints Row,

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Speaker 1: but she is best known as the voice of iconic

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Speaker 1: nineties cartoon characters Phoebe from Hey Arnold and Ashley A

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Speaker 1: on Recess. Do you know her well?

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Speaker 2: I do not well, but yes, we've definitely worked together before.

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Speaker 2: So funny.

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Speaker 1: And then we have a Dina Panela as Katie. This

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Speaker 1: is her only credit on IMDb, so this is like

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Speaker 1: the first and only time she worked that she at

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Speaker 1: least got credited for.

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Speaker 2: And then we have sad the Industry. I'm good, thank you.

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Speaker 1: And then we have Sadie Stratton as Felicia, who has

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Speaker 1: just seen in Oppenheimer as Mary Washburn. You've also seen

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Speaker 1: her Uncharmed, All My Children, Parenthood and Westworld Wow. And

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Speaker 1: then Shane West as Nick, one of our more famous

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Speaker 1: guest stars. He would go on to star in A

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Speaker 1: Walk to Remember with Mandy Moore and play Tom Sawyer

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Speaker 1: in the League of Extraordinary Gentlemen. And on TV he'd

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Speaker 1: star in over seventy episodes of R and another seventy

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Speaker 1: on Nikita. So to jump into our recap, we start

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Speaker 1: in the school hallway. Do we actually should we talk

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Speaker 1: about overall feelings.

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Speaker 2: Okay, So here's my overall feeling. Honestly, if we're just

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Speaker 2: going to forget, like just be okay with Corey being creepy,

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Speaker 2: like we're just not going to talk about it, and

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Speaker 2: it's just it's how it is. It's actually not a

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Speaker 2: bad episode. Yeah, writer, you were great in this episode, and.

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Speaker 3: Will I felt like I had nothing to do in

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Speaker 3: this I.

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Speaker 2: Thought you were great in this episode.

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Speaker 3: And I liked my story last episode and I love

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Speaker 3: being Yeah, so a lot of good in this episode.

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Speaker 2: It just it just, you know what, it was weird.

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Speaker 3: This episode was really a series of very short scenes,

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Speaker 3: like it went by like it kept being like what

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Speaker 3: where are we It was like every scene was only

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Speaker 3: like a page long. It was just a little disorienting.

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Speaker 3: It wasn't like the pace felt off to me.

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Speaker 2: But otherwise it was a it was a fine episode.

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Speaker 3: And Danielle, I feel like you arrived, doesn't I agree?

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Speaker 3: I agree, such an amazing presence in this episode, and

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Speaker 3: like for the first time, the drama between you and Ben.

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Speaker 2: Felt like it felt right. Yeah.

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Speaker 3: Agree, It just felt like, oh cool, this is like

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Speaker 3: complicated and interesting, and these actors are really listening to

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Speaker 3: each other. I don't know, like it didn't feel like

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Speaker 3: the actual breakup episode felt melodramatic to me, whereas this

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Speaker 3: just felt good, Like I agree.

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Speaker 5: Yeah.

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Speaker 2: It also to me this episode could not highlight anymore

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Speaker 2: that they have no idea how to use Alex. Oh yeah,

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Speaker 2: it's just like what are you doing to this incredible actor?

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Speaker 2: Like what how is this? What you ended up with

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Speaker 2: two lines in the whole episode? Like how is that

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Speaker 2: where you landed? So that was the other thing that

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Speaker 2: was in my head was like, wow, this is the

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Speaker 2: quintessential example of how they just did not know how

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Speaker 2: to use this guy.

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Speaker 1: Yeah, that's true. He was really wasted in this episode,

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Speaker 1: but so was Tony. I mean, you know again funny. Yeah,

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Speaker 1: he says that whole scene where he's introducing the fashion show,

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Speaker 1: which is hilarious. I can't wait to get to that scene.

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Speaker 2: Yeah.

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Speaker 3: I think overall it's just weird.

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Speaker 2: Has heard of that?

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Speaker 1: And then if you see something the parents like for

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Speaker 1: your children, go ahead and order it.

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Speaker 3: What is this that's adults sitting there looking at like

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Speaker 3: teenagers addressing and the.

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Speaker 1: Like, who I like that one. I'm going to order

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Speaker 1: that for my daughter.

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Speaker 2: Whose idea?

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Speaker 1: Where day has anybody dear listeners, send us an email.

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Speaker 1: Have you ever heard of this happening at your school?

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Speaker 1: Are their prom fashion shows.

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Speaker 4: For parents to purchase the clothing for their teenage children.

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Speaker 2: Please let me know. I've never heard of such a thing.

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Speaker 1: I thought it was so weird, and I I to

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Speaker 1: Rea to just put a little punch on what writer said.

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Speaker 4: I agree with you.

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Speaker 1: All the short little scenes made it feel out of

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Speaker 1: character for a Boy Meets World episode, and it's a

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Speaker 1: It's one of the ways you can tell. Oh, of course, well,

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Speaker 1: this was written by somebody from outside the room. So

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Speaker 1: of course, when somebody from outside the room writes a

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Speaker 1: script and they're not, you know, in the same flow

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Speaker 1: of all the other writers, they have their own style.

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Speaker 1: So it does have it's a cool spin and a different.

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Speaker 4: Feel to it. I actually kind of liked it.

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Speaker 1: I thought it I thought it added some some good

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Speaker 1: opportunities for laughs. I thought writer was great in this episode.

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Speaker 1: I thought Will was spectacular in this episode. I loved

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Speaker 1: his storyline. I was actually, for the first time ever

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Speaker 1: comfortable with my performance. I was like, hey, I'm I'm

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Speaker 1: comfortable with what I'm doing here. But yeah, I just

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Speaker 1: you know, same thing we've already said I have so

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Speaker 1: many issues with the way Corey is portrayed. I just

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Speaker 1: don't understand. I just don't get it. And we'll talk

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Speaker 1: about that as we get into the scenes. But overall,

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Speaker 1: I love the episode. I love the idea of when

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Speaker 1: you see that you're a person you had been in

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Speaker 1: a relationship with has moved on all the feelings that

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Speaker 1: stirs up in you, and that you don't know how

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Speaker 1: to handle it. I thought that's really great. I love

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Speaker 1: love the BT storyline. Yeah, and man, I uh, I cried,

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Speaker 1: Oh wow, We'll get to that. We'll get to that.

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Speaker 1: Into our recap. We start in the school hallway. We

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Speaker 1: catch the end of Topanga and Corey talking and as

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Speaker 1: she leaves, Sean runs up to ask if he was

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Speaker 1: talking to Tapanga. Corey says they're still friends even though

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Speaker 1: they broke up, and Sean says, she's your ex. Let

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Speaker 1: me spell that for you x X. I thought your

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Speaker 1: hair is so long, don't you.

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Speaker 4: Did talk about long hair in this episode and you.

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Speaker 1: You're rocking the Jennifer Aniston the Rachel.

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Speaker 3: But you know what I've noticed is that I like,

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Speaker 3: basically since season one, I haven't been touching it all

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Speaker 3: the time. Remember how I was like in that first season,

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Speaker 3: was constantly running my hand. I've just completely stopped, like

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Speaker 3: I never given up.

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Speaker 2: I know. It's like I've finally gotten comfortable. Yeah, you

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Speaker 2: were finding in this episode. I'm sorry you were fair.

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Speaker 2: You make a.

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Speaker 1: Face later in this You make a face later in

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Speaker 1: the episode that I had me rolling. I was like,

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Speaker 1: I can't wait to get there too. So Corey says

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Speaker 1: to Panga and him aren't like other couples. Sean says

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Speaker 1: they aren't a couple, and Sean tells Gels that that's

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Speaker 1: his point exactly. So Corey says they agree. Sean tells him, no,

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Speaker 1: I think we're saying the same thing. And again we're

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Speaker 1: back to a little bit of dumb Sean that I

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Speaker 1: think is perfect and plays really well and is very

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Speaker 1: cute between the two of you. And then to Pega

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Speaker 1: walks back up to the boys to let Corey know

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Speaker 1: he has to be there at three for the promwere

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Speaker 1: fashion fest. Sean looks confused as to Panga explain explains

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Speaker 1: that her and Corey are.

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Speaker 2: Most an event, like what is I guess they're just

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Speaker 2: fashion fest? Fashion fest, okay?

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Speaker 1: And why is that something to Panga would have been into.

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Speaker 2: Do you know? Now? At our school, we did a

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Speaker 2: thing where a couple of the guys would wear tuxedos

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Speaker 2: with the average heisman of the place that could rent it.

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Speaker 2: Weeks before the prom. They'd wear it John Tucks dot

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Speaker 2: com right.

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Speaker 3: And then you and then they'd get a free Tucks

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Speaker 3: that night they'd get they get a free TuS on

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Speaker 3: prom if they wore it to school. They didn't do

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Speaker 3: a fashion show, but they literally go to school in

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Speaker 3: like a tuxedo and the back said, you know John

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Speaker 3: whatever John talks, and then that would be a walking

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Speaker 3: advertisement and to do that, they'd get a free.

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Speaker 2: Tux that night.

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Speaker 3: I feel like that's close enough, kind of justifies the

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Speaker 3: existence of whole fair enough.

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Speaker 2: So that was a real thing, at least in Connecticut.

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Speaker 1: Yeah, yeahs.

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Speaker 2: The only way we had to advertise anything was just

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Speaker 2: word of mouth and one.

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Speaker 4: Person walking around the school of six.

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Speaker 2: Gets prom night this night. Yes, it was my gosh.

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Speaker 1: So to make things worse, as she leaves, she kisses

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Speaker 1: Corey on the cheek. Corey tails are not to do that,

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Speaker 1: but she says she's always done that. Corey looks at

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Speaker 1: Sean and he's tearing up.

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Speaker 2: He says, I.

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Speaker 1: Think I lost you, man, and Corey tells him I

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Speaker 1: said I'd do this fashion fest thing while we were

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Speaker 1: still going out. I can't bail on her. Sean tells

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Speaker 1: Corey he has to move on. Corey says to quick crying,

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Speaker 1: He's just a guy in a tucks walking down an

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Speaker 1: aisle with his ex girlfriend and a gown in front

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Speaker 1: of the entire school.

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Speaker 2: And you think I haven't moved on.

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Speaker 1: Sean says, of Corey's really over her, then he'll go

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Speaker 1: on a double date, and Corey says.

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Speaker 4: Yeah, but what will you do?

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Speaker 2: Sean?

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00:17:27,480 --> 00:17:31,200
Speaker 4: Woo right, kids, got game?

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00:17:31,359 --> 00:17:35,080
Speaker 1: Huh. Sean then shouts over to Katie and Melissa, two

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Speaker 1: girls who are passing by, asking if they want to

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Speaker 1: go out with him and Corey tonight. They say that'd

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00:17:38,920 --> 00:17:41,000
Speaker 1: be great. Sean puts his arm around Corey and says,

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00:17:41,160 --> 00:17:43,359
Speaker 1: we just got ourselves a double date. What do you say?

385
00:17:43,520 --> 00:17:46,880
Speaker 1: And Corey nervously tells Sean you go, and then we're

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Speaker 1: back to the Corey we all know and love.

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Speaker 2: Little great suit.

388
00:17:50,400 --> 00:17:53,399
Speaker 3: Yeah, cute, yeah, pop bablish everything, Get it right?

389
00:17:53,560 --> 00:17:56,680
Speaker 2: You need to not too long, funny, really great, Yeah,

390
00:17:56,760 --> 00:17:57,520
Speaker 2: have no complaints.

391
00:17:57,600 --> 00:18:00,280
Speaker 1: No, And then we're in the Matthew's backyard, Eric rocking

392
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Speaker 1: that Jennifer Aniston's the Rachel hair do is in the backyard.

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Speaker 3: Watch this episode with Alex in the second we'll walked

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Speaker 3: on Screezers.

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Speaker 2: That's some hair.

396
00:18:08,320 --> 00:18:11,440
Speaker 3: That was so this was this episode, and I think

397
00:18:11,520 --> 00:18:14,760
Speaker 3: the next one where the catalysts to the network calling

398
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Speaker 3: and making me get my haircut.

399
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Speaker 2: Mab, We've told the.

400
00:18:16,560 --> 00:18:19,879
Speaker 3: Story of of Jeff McCracken cutting his hair because they

401
00:18:19,960 --> 00:18:20,880
Speaker 3: made me cut my hair.

402
00:18:21,280 --> 00:18:25,240
Speaker 2: This is why. And this is pre Lori Heaps, right,

403
00:18:25,240 --> 00:18:27,560
Speaker 2: who still cuts our hair even when my hair got

404
00:18:27,560 --> 00:18:30,280
Speaker 2: that long later could style it in such a way

405
00:18:30,280 --> 00:18:34,280
Speaker 2: that it looked good. This was it did It looked

406
00:18:34,320 --> 00:18:37,800
Speaker 2: like a wig craziness. So yeah, even when it was

407
00:18:37,880 --> 00:18:39,520
Speaker 2: that was tough. And the big sweaters, it was a

408
00:18:39,560 --> 00:18:40,560
Speaker 2: whole weird combination.

409
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Speaker 1: Yeah, there was a lot going on for you. Are

410
00:18:42,840 --> 00:18:44,040
Speaker 1: you seeing Lori Heaps today?

411
00:18:44,160 --> 00:18:45,120
Speaker 2: I am seeing Lori Heaps.

412
00:18:45,280 --> 00:18:47,320
Speaker 1: How exciting Tomorrow.

413
00:18:48,680 --> 00:18:50,480
Speaker 2: It's getting back there. Jeff maccracken's gonna have to cut

414
00:18:50,480 --> 00:18:50,879
Speaker 2: his own.

415
00:18:50,720 --> 00:18:53,960
Speaker 4: Hair so exactly because you're rocking the Rachel again.

416
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Speaker 2: It's getting bad.

417
00:18:54,760 --> 00:18:58,000
Speaker 1: Yeah, so then he's opening a letter from Penn State

418
00:18:58,160 --> 00:19:01,560
Speaker 1: while Feoenie is next door conveniently walking by. Eric sadly

419
00:19:01,600 --> 00:19:03,920
Speaker 1: reads he wasn't accepted, and Poenie tells him he's sorry.

420
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Speaker 4: Eric says that I don't feel sorry for me. He's

421
00:19:06,000 --> 00:19:06,719
Speaker 4: not disappointed.

422
00:19:06,880 --> 00:19:08,640
Speaker 1: He tells Feenie he came outside to read the letter

423
00:19:08,680 --> 00:19:12,280
Speaker 1: because his parents take the college rejections hard. Eric explains,

424
00:19:12,280 --> 00:19:14,320
Speaker 1: when you get thirty to forty of these rejection letters,

425
00:19:14,320 --> 00:19:16,959
Speaker 1: it just rolls right off your back. Phoene says, perhaps

426
00:19:16,960 --> 00:19:18,320
Speaker 1: your parents could use a little.

427
00:19:18,080 --> 00:19:19,080
Speaker 2: P pep talk.

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00:19:19,359 --> 00:19:21,600
Speaker 1: No one likes rejection, but if you keep applying and

429
00:19:21,680 --> 00:19:24,680
Speaker 1: keep trying, you and the right college will find each other.

430
00:19:25,160 --> 00:19:27,879
Speaker 1: Eric then thanks Phoenie and catches himself, and then thanks

431
00:19:27,920 --> 00:19:32,520
Speaker 1: Feoenie for his parents. And I thought again, cute fast

432
00:19:33,080 --> 00:19:34,080
Speaker 1: got to the point.

433
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Speaker 3: Amazing connection between the two of you and this and

434
00:19:36,240 --> 00:19:39,000
Speaker 3: this whole episode, that you guys are just so great together,

435
00:19:39,320 --> 00:19:42,080
Speaker 3: and this is like peak Phoenie. As far as his outfit,

436
00:19:42,359 --> 00:19:44,040
Speaker 3: he's got the little.

437
00:19:43,760 --> 00:19:46,480
Speaker 2: Hat, the vast the layers and the.

438
00:19:52,880 --> 00:19:54,080
Speaker 4: Gardening costume.

439
00:19:54,440 --> 00:19:58,760
Speaker 3: Just hel giving him college advice, no big deal, But.

440
00:19:58,880 --> 00:20:01,320
Speaker 2: I remember it, so I remember back to first season

441
00:20:01,480 --> 00:20:04,119
Speaker 2: watching especially, it was the scene where Phoenie's in his

442
00:20:04,440 --> 00:20:07,520
Speaker 2: in his robe and he's sipping the kognak and Ben

443
00:20:07,600 --> 00:20:10,399
Speaker 2: comes over it, or he thinks it's kanyak it and

444
00:20:10,400 --> 00:20:12,280
Speaker 2: he's like sitting there, going what's going on? He tips

445
00:20:12,280 --> 00:20:13,280
Speaker 2: it and it's and it's iced tea.

446
00:20:13,280 --> 00:20:15,440
Speaker 3: And I remember watching that during run through and the

447
00:20:15,560 --> 00:20:17,480
Speaker 3: jealousy of the actor took over. It was like, man,

448
00:20:17,520 --> 00:20:19,160
Speaker 3: I just want to do scenes like that with Bill.

449
00:20:19,200 --> 00:20:21,399
Speaker 2: It'd be so amazing. And then I remember shooting stuff

450
00:20:21,440 --> 00:20:23,560
Speaker 2: like this and going, oh, this is it, Like.

451
00:20:23,600 --> 00:20:26,960
Speaker 1: Yeah, good, getting it to that moment where you were

452
00:20:27,000 --> 00:20:29,560
Speaker 1: like the thing I prayed for is now coming true

453
00:20:29,560 --> 00:20:31,520
Speaker 1: in front of my eyes, instead of being like it's

454
00:20:31,680 --> 00:20:32,840
Speaker 1: just not good enough.

455
00:20:33,000 --> 00:20:34,840
Speaker 2: Yeah, No, I loved it.

456
00:20:34,880 --> 00:20:36,520
Speaker 3: And I could tell this is what they were doing.

457
00:20:36,560 --> 00:20:38,639
Speaker 3: They were They was like, yeah, it's going to be

458
00:20:38,760 --> 00:20:40,520
Speaker 3: Eric and Feenie. This is really going to be Eric

459
00:20:40,520 --> 00:20:41,000
Speaker 3: and Phoenie.

460
00:20:41,040 --> 00:20:42,840
Speaker 2: So this is the third or fourth episode in a

461
00:20:42,920 --> 00:20:44,480
Speaker 2: row where they kind of paired us together and we

462
00:20:44,560 --> 00:20:47,800
Speaker 2: knew it was coming. So it was yeah stuff shooting

463
00:20:47,800 --> 00:20:49,879
Speaker 2: with him was As I watched it again last night,

464
00:20:49,920 --> 00:20:52,160
Speaker 2: it was just like, man, I'm miss shooting these scenes

465
00:20:52,160 --> 00:20:55,879
Speaker 2: with him so good and he made you better. He

466
00:20:56,160 --> 00:20:58,280
Speaker 2: just made you better by being there.

467
00:20:58,400 --> 00:21:00,440
Speaker 3: I also just really like this one because it's not

468
00:21:00,840 --> 00:21:03,080
Speaker 3: you guys going to the opera. It's not like a

469
00:21:03,119 --> 00:21:06,159
Speaker 3: big set up. It's very simple. You guys are just

470
00:21:06,440 --> 00:21:09,000
Speaker 3: acting well together. You're just talking to each other. You're

471
00:21:09,040 --> 00:21:12,439
Speaker 3: just talking and you're funny and like, it's just you

472
00:21:12,480 --> 00:21:15,320
Speaker 3: can see the connection. You guys have such chemistry as actors.

473
00:21:15,400 --> 00:21:17,000
Speaker 3: It's really really special.

474
00:21:17,560 --> 00:21:18,520
Speaker 4: It's so good.

475
00:21:19,000 --> 00:21:21,000
Speaker 1: So then we're in the Matthew's kitchen. Corey is walking

476
00:21:21,000 --> 00:21:24,359
Speaker 1: around eating a lemon. He's also wearing a like lemon suit.

477
00:21:24,680 --> 00:21:26,600
Speaker 2: A yellow is Cory's color.

478
00:21:26,800 --> 00:21:30,119
Speaker 3: I feel like this is the like ultimate Corey weird

479
00:21:30,160 --> 00:21:35,200
Speaker 3: outfit of just because like remember when when Betsy bought

480
00:21:35,320 --> 00:21:37,720
Speaker 3: me yes yellow.

481
00:21:38,240 --> 00:21:40,639
Speaker 1: That is so Corey, you know, And now it's like

482
00:21:40,800 --> 00:21:45,840
Speaker 1: mustard yellow. It's like spicy dijon, And I'm like, what is.

483
00:21:45,240 --> 00:21:48,440
Speaker 3: That Rain Wilson from the office. That's what he always wears,

484
00:21:48,480 --> 00:21:50,800
Speaker 3: is the mustards yellow shirts. It's the same kind of thing.

485
00:21:51,200 --> 00:21:52,840
Speaker 3: He's white, He's becoming dwhite.

486
00:21:53,000 --> 00:21:55,280
Speaker 1: Yeah, that is pretty much what it is. So he's

487
00:21:55,280 --> 00:21:57,480
Speaker 1: sucking on a lemon, because they're out of mints. Eric

488
00:21:57,520 --> 00:22:00,919
Speaker 1: questions second citrus, Eh, little Corey's got a Amy then

489
00:22:00,960 --> 00:22:03,600
Speaker 1: walks downstairs and joins the chorus. Corey dad says you're

490
00:22:03,640 --> 00:22:06,200
Speaker 1: going on a date, and Corey emphasizes it's not a date.

491
00:22:06,640 --> 00:22:09,000
Speaker 1: Corey asks why they can't learn from Morgan. She's a

492
00:22:09,040 --> 00:22:11,040
Speaker 1: great sister. She stays in her room. You don't hear

493
00:22:11,040 --> 00:22:12,720
Speaker 1: from her, you don't see her, and best of all,

494
00:22:12,800 --> 00:22:16,040
Speaker 1: she stays out of my personal life. So I love

495
00:22:16,359 --> 00:22:18,560
Speaker 1: that they reminded the audience.

496
00:22:21,359 --> 00:22:22,520
Speaker 2: And you haven't seen.

497
00:22:22,359 --> 00:22:25,360
Speaker 1: Her in a while, and I Corey love that about her.

498
00:22:25,680 --> 00:22:26,960
Speaker 1: I think that's I think the way they set it

499
00:22:27,000 --> 00:22:29,680
Speaker 1: up is great. And then an older looking Morgan walks

500
00:22:29,680 --> 00:22:32,120
Speaker 1: into the kitchen and says, so roomor upstairs is you've

501
00:22:32,119 --> 00:22:35,960
Speaker 1: got a date? Corey, surprised, says Morgan, longtime no see

502
00:22:36,359 --> 00:22:39,480
Speaker 1: and this new dupe. Morgan responds saying, yeah, that was

503
00:22:39,520 --> 00:22:43,160
Speaker 1: the longest time out I've ever had.

504
00:22:41,800 --> 00:22:49,080
Speaker 2: She it was so funny. This Lindsay is like tiny,

505
00:22:49,359 --> 00:22:51,920
Speaker 2: She's so cute. She's like a little girl. I know

506
00:22:53,480 --> 00:22:55,560
Speaker 2: is an adult is weird for us because she was

507
00:22:55,720 --> 00:22:56,439
Speaker 2: so little.

508
00:22:56,480 --> 00:22:58,560
Speaker 1: I actually when I have when I think of my

509
00:22:58,640 --> 00:23:01,200
Speaker 1: memories of lindsay, I think of her in her slightly

510
00:23:01,320 --> 00:23:04,120
Speaker 1: older yeah year seventies yea.

511
00:23:04,040 --> 00:23:06,600
Speaker 3: Because she also was a very mature kid, do you

512
00:23:06,640 --> 00:23:09,080
Speaker 3: know what I mean? Like especially, I guess she is

513
00:23:09,240 --> 00:23:10,480
Speaker 3: older than Lily was.

514
00:23:10,480 --> 00:23:13,439
Speaker 2: Right, Like, yes, yeah, Lily was, and she was she

515
00:23:13,680 --> 00:23:15,480
Speaker 2: was twelve? Was she twelve?

516
00:23:15,480 --> 00:23:17,600
Speaker 1: There? I think she was twelve because remember I said,

517
00:23:17,600 --> 00:23:20,760
Speaker 1: there's no way I was only like fifteen or something

518
00:23:20,800 --> 00:23:22,960
Speaker 1: when she started. So I was only like a few

519
00:23:23,040 --> 00:23:26,240
Speaker 1: years older than her. Wow, so maybe she was eleven.

520
00:23:26,800 --> 00:23:30,240
Speaker 2: That's yes, Ben's age when Ben started the show. Yes,

521
00:23:30,440 --> 00:23:31,080
Speaker 2: that's crazy.

522
00:23:32,320 --> 00:23:34,680
Speaker 1: So Eric asks who the unlucky girl is and Corey

523
00:23:34,720 --> 00:23:36,920
Speaker 1: says her name is Melissa and they're just seeing a movie.

524
00:23:37,000 --> 00:23:39,440
Speaker 1: Morgan asks what that thing on your nose? As Corey

525
00:23:39,480 --> 00:23:41,760
Speaker 1: worries about a possible is it? Morgan high five's Eric

526
00:23:41,840 --> 00:23:44,960
Speaker 1: and she says it's too easy, and man, the weasel

527
00:23:45,119 --> 00:23:45,560
Speaker 1: is back.

528
00:23:45,680 --> 00:23:48,080
Speaker 2: She's and I love this good too. She's good.

529
00:23:48,480 --> 00:23:51,360
Speaker 1: She's good and seeing her partner with you again, another

530
00:23:51,480 --> 00:23:54,120
Speaker 1: great partner for Eric.

531
00:23:54,359 --> 00:23:57,120
Speaker 3: Yeah, I wonder what was the motivation to like bring

532
00:23:57,160 --> 00:23:59,080
Speaker 3: Morgan back? Like, I wonder what you know if there

533
00:23:59,080 --> 00:24:01,520
Speaker 3: was a network note because we have a huge cast,

534
00:24:01,840 --> 00:24:05,400
Speaker 3: you know, like we definitely are not using Alex that much,

535
00:24:05,480 --> 00:24:08,520
Speaker 3: We're not using Tony all that much. Like it's it's

536
00:24:08,520 --> 00:24:11,119
Speaker 3: interesting that they felt the pressure to you know, I

537
00:24:11,200 --> 00:24:13,640
Speaker 3: wonder if it was like, oh, we're losing our little

538
00:24:13,680 --> 00:24:15,000
Speaker 3: kid factor, like our you know.

539
00:24:15,160 --> 00:24:17,120
Speaker 1: Our children do think that's what it is. I think

540
00:24:17,200 --> 00:24:18,919
Speaker 1: that it may have been a network thing that was

541
00:24:18,960 --> 00:24:22,159
Speaker 1: like we've lost the youngest demographic in a family, and

542
00:24:22,200 --> 00:24:24,520
Speaker 1: if they're not going to watch, how are we going

543
00:24:24,560 --> 00:24:26,840
Speaker 1: to We're not necessarily going to keep the adults around.

544
00:24:27,200 --> 00:24:29,520
Speaker 4: So it's like they felt like they can rely on teenagers.

545
00:24:29,600 --> 00:24:31,240
Speaker 2: Okay, next thin Kendall, I want to find out what

546
00:24:31,280 --> 00:24:34,160
Speaker 2: the motivation was to bring Morgan back, because it seems

547
00:24:34,240 --> 00:24:36,679
Speaker 2: like that is exactly a network note. It's got to

548
00:24:36,680 --> 00:24:42,280
Speaker 2: be because I mean, again, even with Indie, we met

549
00:24:42,280 --> 00:24:44,560
Speaker 2: with one of our writers yesterday who brought her her

550
00:24:44,560 --> 00:24:46,720
Speaker 2: son who's twelve, who said they loved.

551
00:24:46,640 --> 00:24:49,160
Speaker 4: Morgan, they loved he's fourteen.

552
00:24:48,840 --> 00:24:51,600
Speaker 2: He's fourteen, right, sorry, so I mean but he loved

553
00:24:52,200 --> 00:24:54,960
Speaker 2: Morgan and he loved Morgan. I mean, she connected with

554
00:24:55,000 --> 00:24:57,320
Speaker 2: the younger audience. So I guessing you're right, it's got

555
00:24:57,320 --> 00:24:59,959
Speaker 2: to be that kind of network note.

556
00:25:00,880 --> 00:25:02,840
Speaker 1: Amy asks Morgan to come watch TV with her in

557
00:25:02,840 --> 00:25:04,800
Speaker 1: the other room, but Morgan says, I just got here.

558
00:25:04,920 --> 00:25:05,840
Speaker 4: I have to leave again.

559
00:25:06,560 --> 00:25:08,720
Speaker 1: And Amy asks Morgan if she's here now, and Morgan

560
00:25:08,760 --> 00:25:11,280
Speaker 1: says yeah. Amy asks where she was before, and Morgan

561
00:25:11,320 --> 00:25:13,400
Speaker 1: tells her I was in my room for a real

562
00:25:13,520 --> 00:25:14,119
Speaker 1: long time.

563
00:25:14,840 --> 00:25:15,960
Speaker 2: I thought it was a.

564
00:25:15,880 --> 00:25:19,320
Speaker 1: Little weird to do the same joke over again, over

565
00:25:19,359 --> 00:25:23,000
Speaker 1: again twice in the same scene, Like I I dit,

566
00:25:22,480 --> 00:25:23,800
Speaker 1: it was great.

567
00:25:23,960 --> 00:25:26,560
Speaker 2: Yeah, they want you to know.

568
00:25:27,080 --> 00:25:30,560
Speaker 3: Okay, is this the first meta boy meets world moment?

569
00:25:31,880 --> 00:25:36,320
Speaker 4: I mean other than his head? Oh, you mean of

570
00:25:36,560 --> 00:25:37,800
Speaker 4: us acknowledging.

571
00:25:39,520 --> 00:25:43,520
Speaker 3: TV show we're commenting on like the things that we've

572
00:25:43,560 --> 00:25:47,480
Speaker 3: done as a show, Like, I mean the kind almost

573
00:25:47,680 --> 00:25:50,600
Speaker 3: the closest was like when when Corey was like, no

574
00:25:50,640 --> 00:25:52,320
Speaker 3: one's ever told me I look like my parents are,

575
00:25:52,359 --> 00:25:54,000
Speaker 3: you know, like commented to the fact that, like the

576
00:25:54,080 --> 00:25:56,960
Speaker 3: casting is just clearly all right.

577
00:25:56,400 --> 00:25:57,760
Speaker 2: But that wasn't quite the same.

578
00:25:57,800 --> 00:26:00,480
Speaker 3: Like this is actually a joke that you own get

579
00:26:00,560 --> 00:26:02,320
Speaker 3: if you've been following along with the show and you

580
00:26:02,480 --> 00:26:05,240
Speaker 3: know that Morgan was basically written off and replaced. It

581
00:26:05,680 --> 00:26:07,159
Speaker 3: be our first meta joke we do a lot of

582
00:26:07,200 --> 00:26:09,280
Speaker 3: meta jokes as the show goes on, but this might

583
00:26:09,320 --> 00:26:10,639
Speaker 3: be one of the first.

584
00:26:11,240 --> 00:26:13,080
Speaker 2: What's the first one that pops into your head when

585
00:26:13,080 --> 00:26:14,679
Speaker 2: you think of the biggest meta jokes.

586
00:26:14,400 --> 00:26:18,320
Speaker 3: On Boy when we when Ben is babysitting, then we

587
00:26:18,359 --> 00:26:19,200
Speaker 3: moved the time slid.

588
00:26:19,280 --> 00:26:19,920
Speaker 2: Yeah, me too.

589
00:26:19,920 --> 00:26:22,359
Speaker 3: They're trying to kill it and it's got to be

590
00:26:22,359 --> 00:26:22,960
Speaker 3: coming up soon.

591
00:26:23,000 --> 00:26:24,199
Speaker 2: It's like probably fourth season.

592
00:26:24,400 --> 00:26:26,920
Speaker 3: But yeah, I remember that was just we just thought

593
00:26:26,920 --> 00:26:30,920
Speaker 3: that was hysterical. We was meta jokes, it was, But

594
00:26:30,960 --> 00:26:33,600
Speaker 3: that must be so confusing and streaming for people when

595
00:26:33,600 --> 00:26:37,399
Speaker 3: that joke comes on because time slot Friday night, Like,

596
00:26:37,480 --> 00:26:39,400
Speaker 3: it just makes no Yeah, it makes sense.

597
00:26:39,440 --> 00:26:43,560
Speaker 1: There was There was one other feeny meta joke about writers, right,

598
00:26:43,680 --> 00:26:45,240
Speaker 1: wasn't there a TV writer joke?

599
00:26:45,400 --> 00:26:45,720
Speaker 3: Yes?

600
00:26:46,400 --> 00:26:47,040
Speaker 1: I know.

601
00:26:47,640 --> 00:26:50,000
Speaker 3: They said something like I had the greatest writers in

602
00:26:50,040 --> 00:26:52,000
Speaker 3: Hollywood and he said I wouldn't I wouldn't know.

603
00:26:52,160 --> 00:26:53,520
Speaker 1: Yeah, that was the first one.

604
00:26:54,080 --> 00:26:55,600
Speaker 2: Good called Daniel. That's the first one.

605
00:26:55,680 --> 00:26:57,960
Speaker 1: Well, I wouldn't have it, but one of our producers

606
00:26:58,080 --> 00:27:01,520
Speaker 1: sent it into us, so thank you Reducer who reminded me.

607
00:27:02,200 --> 00:27:05,600
Speaker 2: It's also you're in a really cold room, which stimulates Yeah,

608
00:27:05,920 --> 00:27:06,480
Speaker 2: I can't.

609
00:27:06,240 --> 00:27:08,200
Speaker 4: See anything either. I'm trying to read my notes.

610
00:27:10,320 --> 00:27:11,000
Speaker 2: Cold and darts.

611
00:27:14,800 --> 00:27:20,119
Speaker 1: Okay, so uh lamp no, I'm good things. I have

612
00:27:20,160 --> 00:27:21,480
Speaker 1: my cell phone.

613
00:27:21,520 --> 00:27:24,040
Speaker 2: Every time she looks at us, she blinds us.

614
00:27:25,640 --> 00:27:28,000
Speaker 1: Amy pats Morgan on the head with the newspaper and says,

615
00:27:28,119 --> 00:27:31,720
Speaker 1: be happy. So welcome to boy meets World, Lindsey Ridgeway

616
00:27:31,960 --> 00:27:36,600
Speaker 1: a great, fantastic entrance. Eric says a first date after

617
00:27:36,640 --> 00:27:39,480
Speaker 1: a serious relationship can be tough, and he offers advice, saying,

618
00:27:39,480 --> 00:27:42,400
Speaker 1: it's a whole new world. Whatever you do, don't mention

619
00:27:42,480 --> 00:27:45,720
Speaker 1: your ex girlfriend because your date is not interested. Good advice,

620
00:27:46,320 --> 00:27:48,280
Speaker 1: and then the phone starts ringing. Right as Eric is

621
00:27:48,280 --> 00:27:50,959
Speaker 1: emphasizing the most important thing that could save him from

622
00:27:50,960 --> 00:27:53,000
Speaker 1: getting in trouble, and right as he's about to reveal

623
00:27:53,000 --> 00:27:55,280
Speaker 1: it to Corey, Amy yells that Jody is on the

624
00:27:55,320 --> 00:27:58,000
Speaker 1: phone for Eric, and just like that, he jumps up

625
00:27:58,040 --> 00:28:01,760
Speaker 1: and ditches Corey, saying to the advice, wasn't that important anyways?

626
00:28:02,000 --> 00:28:05,600
Speaker 3: Girls girls, girls, college in between college girls and stupid

627
00:28:05,600 --> 00:28:09,159
Speaker 3: for Eric at this point, a little from all the columns.

628
00:28:08,920 --> 00:28:11,080
Speaker 1: Yeah, just a little bit, which I like, By the way,

629
00:28:11,200 --> 00:28:14,040
Speaker 1: I love it. It's a nice mix. You've got your interests,

630
00:28:14,080 --> 00:28:15,960
Speaker 1: which makes sense. I'm trying to get into college.

631
00:28:16,000 --> 00:28:18,240
Speaker 4: Of course, I like girls and it's balanced.

632
00:28:18,560 --> 00:28:19,640
Speaker 1: Yeah, it's balanced.

633
00:28:20,320 --> 00:28:21,320
Speaker 4: So then we're in Chubbys.

634
00:28:21,359 --> 00:28:23,280
Speaker 1: Sean and his date are making out as Corey and

635
00:28:23,320 --> 00:28:25,159
Speaker 1: his date are talking about how great the movie he

636
00:28:25,200 --> 00:28:27,840
Speaker 1: saw was. Melissa says their movie was nice too, but

637
00:28:28,040 --> 00:28:30,720
Speaker 1: they missed him. Corey laughs and says it's not like

638
00:28:30,760 --> 00:28:33,200
Speaker 1: they'd be talking during the movie anyways. We cut to

639
00:28:33,240 --> 00:28:35,560
Speaker 1: Sean and his dates still making out as Melissa says

640
00:28:35,560 --> 00:28:37,800
Speaker 1: there are other things they could have done. I love

641
00:28:37,880 --> 00:28:41,880
Speaker 1: Corey saying like, that's the beauty of multiplexes. Why I

642
00:28:41,920 --> 00:28:45,040
Speaker 1: love food courts so much. You can eat what you want,

643
00:28:45,080 --> 00:28:46,440
Speaker 1: and I can eat Panda.

644
00:28:46,120 --> 00:28:48,040
Speaker 4: Express, and we should go to the food court.

645
00:28:48,080 --> 00:28:50,000
Speaker 2: Is it always Panda Express for you? Is that you're

646
00:28:50,000 --> 00:28:50,480
Speaker 2: good in a.

647
00:28:50,400 --> 00:28:51,720
Speaker 1: Food court most of the time.

648
00:28:53,840 --> 00:28:58,440
Speaker 3: Yeah, it's just not good Chinese food.

649
00:28:59,400 --> 00:29:00,600
Speaker 2: You're wrong, but that's okay.

650
00:29:00,680 --> 00:29:15,000
Speaker 1: I still love you even though you're wrong. Sean, now

651
00:29:15,160 --> 00:29:19,160
Speaker 1: orally removed from kissing our featured actress, asks if they're

652
00:29:19,200 --> 00:29:22,640
Speaker 1: going to keep talking because he can't hear himself kiss. Meanwhile,

653
00:29:22,720 --> 00:29:25,560
Speaker 1: Sean's date, finally up for air, excuses her and Katie

654
00:29:25,560 --> 00:29:26,280
Speaker 1: from the table.

655
00:29:26,640 --> 00:29:28,160
Speaker 2: That was funny that she says that when she's like,

656
00:29:28,280 --> 00:29:29,760
Speaker 2: you barely heard it, so it was under the laugh.

657
00:29:29,800 --> 00:29:32,080
Speaker 2: She didn't hold for a laugh, but when she just goes, oh,

658
00:29:32,120 --> 00:29:34,800
Speaker 2: fresh air, fresh air, that was funny.

659
00:29:36,200 --> 00:29:38,320
Speaker 1: Now alone, Sean looks at Corey and says, Hi, I

660
00:29:38,400 --> 00:29:40,600
Speaker 1: want a date. What are you on? And Corey answers

661
00:29:40,640 --> 00:29:42,480
Speaker 1: a date, which I thought was interesting because he just

662
00:29:42,520 --> 00:29:45,040
Speaker 1: really stressed in the scene before it was not a date.

663
00:29:45,360 --> 00:29:48,600
Speaker 1: So is he just is he saying to Sean it's

664
00:29:48,600 --> 00:29:50,440
Speaker 1: a date because he knows that's what Sean wants to hear.

665
00:29:50,600 --> 00:29:53,000
Speaker 3: Yeah, because it's a double date that Sean planned, but

666
00:29:53,280 --> 00:29:53,720
Speaker 3: he doesn't.

667
00:29:53,800 --> 00:29:56,480
Speaker 1: Yeah, it doesn't make okay, but Sean corrects him, he's

668
00:29:56,520 --> 00:29:58,680
Speaker 1: on a lecture circuit. A date is not a date

669
00:29:58,800 --> 00:30:01,720
Speaker 1: until you kiss. Corey says that's just Sean's opinion, and

670
00:30:01,760 --> 00:30:04,360
Speaker 1: Shawan emphasizes it's the reason we got out of the trees.

671
00:30:04,480 --> 00:30:08,800
Speaker 2: Man, you were so good in this episode. Rid you

672
00:30:09,360 --> 00:30:11,920
Speaker 2: were so totally felt like but.

673
00:30:12,680 --> 00:30:15,200
Speaker 1: No, you were great. He doesn't want to pressure Corey,

674
00:30:15,240 --> 00:30:17,000
Speaker 1: but he says he has to kiss her by the

675
00:30:17,080 --> 00:30:19,240
Speaker 1: end of the night, and he has until the doorstep

676
00:30:19,680 --> 00:30:22,080
Speaker 1: and then we're at Melissa's doorstep, which is a little

677
00:30:22,080 --> 00:30:24,360
Speaker 1: bit we talked about it. It's not really an optical flip.

678
00:30:24,600 --> 00:30:29,480
Speaker 1: It's just like a a passage. Well, an optical flip

679
00:30:29,560 --> 00:30:32,080
Speaker 1: usually feels like I'm not gonna I'm not gonna be

680
00:30:32,120 --> 00:30:36,479
Speaker 1: on Melissa's doorstep, and then boom, you're Melissa's doorstep. But

681
00:30:36,600 --> 00:30:39,720
Speaker 1: this is a little bit of like the pressure is

682
00:30:39,760 --> 00:30:41,840
Speaker 1: on man. And then within the idea of the joke

683
00:30:41,880 --> 00:30:43,640
Speaker 1: being half a second later, here you are.

684
00:30:43,680 --> 00:30:45,760
Speaker 4: Here's the moment of truth. So I don't know, I

685
00:30:45,800 --> 00:30:46,800
Speaker 4: didn't know what to call.

686
00:30:46,680 --> 00:30:50,920
Speaker 1: It, but it was an optical flip adjacent Okay, Corey

687
00:30:50,920 --> 00:30:53,560
Speaker 1: and Melissa are standing awkwardly as Corey says, so here

688
00:30:53,600 --> 00:30:55,880
Speaker 1: we are at the doorstep. Melissa tells him he said

689
00:30:55,920 --> 00:30:58,600
Speaker 1: that three times already. Melissa tells Corey to kiss her.

690
00:30:58,640 --> 00:31:01,560
Speaker 1: He's nervous and says, really just like that, and she says, yeah,

691
00:31:01,800 --> 00:31:04,800
Speaker 1: don't you want to? As Corey stands there looking conflicted.

692
00:31:04,840 --> 00:31:07,880
Speaker 1: We go back to the school cafeteria. Eric runs toward

693
00:31:07,960 --> 00:31:10,720
Speaker 1: mister Turner, who is wearing a very cool tie. He's

694
00:31:10,720 --> 00:31:13,520
Speaker 1: with mister Williams and mister Feenie and they were eating lunch.

695
00:31:13,840 --> 00:31:15,960
Speaker 1: Eric holds up a letter and exclaims, they said it

696
00:31:15,960 --> 00:31:19,520
Speaker 1: couldn't be done. They said it was impossible. Turner responds,

697
00:31:19,720 --> 00:31:26,480
Speaker 1: they said, we here, so it's so straight out of

698
00:31:26,600 --> 00:31:32,360
Speaker 1: Rocky A great read.

699
00:31:35,400 --> 00:31:41,120
Speaker 2: My copy of X Men. I'm sitting here, give me

700
00:31:41,120 --> 00:31:49,840
Speaker 2: a break. So good? It is so good? Oh remember, yeah, yeah,

701
00:31:49,840 --> 00:31:50,280
Speaker 2: that's right.

702
00:31:51,920 --> 00:31:54,600
Speaker 1: Eric tells them wrong on all three counts. Phoene asks

703
00:31:54,640 --> 00:31:56,360
Speaker 1: if he's going to tell them or just torment them,

704
00:31:56,400 --> 00:31:58,560
Speaker 1: and Eric says both. I hold here a letter of

705
00:31:58,600 --> 00:32:01,800
Speaker 1: acceptance to college. The teachers all cheer for him, and

706
00:32:01,800 --> 00:32:04,800
Speaker 1: Phoene says his parents must be relieved and very happy.

707
00:32:04,880 --> 00:32:07,920
Speaker 1: And he says, I sure, am, which I thought was

708
00:32:07,960 --> 00:32:10,480
Speaker 1: a very cute little button to that whole moment. But

709
00:32:10,680 --> 00:32:13,600
Speaker 1: like he knew, and you knew, and you were fine

710
00:32:13,640 --> 00:32:17,160
Speaker 1: acknowledging it. Mister Williams asks which college, and Eric tells

711
00:32:17,200 --> 00:32:18,000
Speaker 1: him Boris.

712
00:32:18,560 --> 00:32:20,040
Speaker 4: They're all confused.

713
00:32:21,280 --> 00:32:22,000
Speaker 2: College, by the.

714
00:32:22,000 --> 00:32:30,960
Speaker 3: Way, like just perfect bris it's so good, College, s Boris.

715
00:32:33,800 --> 00:32:36,880
Speaker 1: Phoene says he's not familiar with any Boris and asks

716
00:32:36,960 --> 00:32:39,200
Speaker 1: to see the letter. Eric han's pheenie the letter, but

717
00:32:39,280 --> 00:32:41,200
Speaker 1: asks if he can wipe his hands first, because this

718
00:32:41,280 --> 00:32:43,440
Speaker 1: letter is going up on the fridge right under the

719
00:32:43,480 --> 00:32:47,360
Speaker 1: magnetic sushi. Phoene reads the letter and congratulates him again,

720
00:32:47,400 --> 00:32:50,320
Speaker 1: saying Boris is lucky to have him. Eric thanks Phoene

721
00:32:50,320 --> 00:32:53,040
Speaker 1: for always believing in him. When Boris plays Notre Dame,

722
00:32:53,040 --> 00:32:54,560
Speaker 1: you're going to be sitting right next to me on

723
00:32:54,600 --> 00:32:58,240
Speaker 1: the fifty yard line. Eric yells to a girl, Hey, Kristin,

724
00:32:58,280 --> 00:33:00,280
Speaker 1: guess who got into college, and he takes off off.

725
00:33:00,520 --> 00:33:04,160
Speaker 1: Once Eric's gone, Turner questions Boris. Mister William says he'll

726
00:33:04,160 --> 00:33:07,480
Speaker 1: take Notre Dame by sixty points. Nearby. Corey sits down

727
00:33:07,520 --> 00:33:08,480
Speaker 1: with Sean home.

728
00:33:08,360 --> 00:33:11,720
Speaker 2: Partner the ship and it was great great.

729
00:33:12,360 --> 00:33:16,160
Speaker 1: Yep, I know uh, and Sean, just by looking at him,

730
00:33:16,200 --> 00:33:19,440
Speaker 1: asks all you did was shake her hand. Corey asks

731
00:33:19,440 --> 00:33:21,600
Speaker 1: how he knows, and Sean says, it's written all over

732
00:33:21,640 --> 00:33:24,600
Speaker 1: your own kissed face. Corey said he wanted to kiss her,

733
00:33:24,640 --> 00:33:27,120
Speaker 1: his lips were primed, but his hand just got there first.

734
00:33:27,440 --> 00:33:29,880
Speaker 1: Sean says he will never be over to Panga until

735
00:33:29,920 --> 00:33:32,480
Speaker 1: he can kiss another girl. Corey assures him he will.

736
00:33:32,520 --> 00:33:34,920
Speaker 1: Sean says, well, after last night, Melissa will never want

737
00:33:34,960 --> 00:33:37,240
Speaker 1: to see you again. And then on cue, Melissa walks

738
00:33:37,320 --> 00:33:39,560
Speaker 1: up to Corey in a blossom hat and.

739
00:33:39,480 --> 00:33:43,520
Speaker 2: She thing, she looks just like Blossom.

740
00:33:43,520 --> 00:33:45,520
Speaker 1: At that point, it's like that must have been that

741
00:33:45,720 --> 00:33:47,680
Speaker 1: the hat, you know, like you think of all the

742
00:33:47,720 --> 00:33:49,960
Speaker 1: things we've talked about that must have been network notes,

743
00:33:50,320 --> 00:33:53,160
Speaker 1: and you you look at all the different departments who

744
00:33:53,200 --> 00:33:55,960
Speaker 1: were probably also looking at all the other shows out there,

745
00:33:55,960 --> 00:33:58,280
Speaker 1: and regardless of getting a studio note or not, we're

746
00:33:58,280 --> 00:34:01,160
Speaker 1: going this look is in. I have to start incorporating

747
00:34:01,520 --> 00:34:03,640
Speaker 1: this into some of our wardrobe.

748
00:34:03,800 --> 00:34:06,440
Speaker 2: Speaking of studio notes, I've just heard back from David Kendall,

749
00:34:06,480 --> 00:34:10,160
Speaker 2: our producer, who said that I said, what was the

750
00:34:10,200 --> 00:34:12,759
Speaker 2: motivation to bring Morgan back? And he wrote general embarrassment

751
00:34:12,800 --> 00:34:14,719
Speaker 2: that she was let go in the first place, which

752
00:34:15,040 --> 00:34:19,440
Speaker 2: studio insisted on. It's like the studio insisted that she

753
00:34:19,560 --> 00:34:22,000
Speaker 2: be let go, and then there was an embarrassment she

754
00:34:22,040 --> 00:34:23,680
Speaker 2: was let go, so they brought the character back.

755
00:34:23,920 --> 00:34:28,759
Speaker 3: Interesting being on the show was the studio note.

756
00:34:28,320 --> 00:34:31,080
Speaker 2: Right and then and then everyone wanted her back.

757
00:34:32,080 --> 00:34:33,279
Speaker 4: Okay, so that makes sense.

758
00:34:33,360 --> 00:34:37,360
Speaker 1: But the writer's room was annoyed that Morgan had to

759
00:34:37,360 --> 00:34:41,479
Speaker 1: be let go to begin with, and then was like, well, then.

760
00:34:41,360 --> 00:34:43,879
Speaker 4: We're going to find a way to bring her back.

761
00:34:44,000 --> 00:34:48,480
Speaker 2: I guess so yeah, interesting, Yes, okay, thank you David Kendall.

762
00:34:48,800 --> 00:34:51,400
Speaker 1: Thank you, David Kendall. Melissa walks up to Corey in

763
00:34:51,440 --> 00:34:53,160
Speaker 1: a blossom hat and tells him she'd like to see

764
00:34:53,200 --> 00:34:55,000
Speaker 1: him again, and they make plans for later that night.

765
00:34:55,280 --> 00:34:57,520
Speaker 1: She says, you know, any other guy would have kissed me,

766
00:34:57,640 --> 00:35:01,240
Speaker 1: but you didn't. I like that, and Sean is shocked.

767
00:35:01,719 --> 00:35:04,200
Speaker 1: Everything I've ever believed is wrong. I must try this

768
00:35:04,280 --> 00:35:06,400
Speaker 1: what you call handshake again?

769
00:35:06,680 --> 00:35:07,239
Speaker 4: Great read.

770
00:35:08,360 --> 00:35:10,080
Speaker 1: Katie walks by and says hid to Sean and he

771
00:35:10,160 --> 00:35:12,000
Speaker 1: jumps up to greet her and shakes her hand. He

772
00:35:12,040 --> 00:35:13,880
Speaker 1: shakes it and then immediately pulls her in and they

773
00:35:13,880 --> 00:35:15,200
Speaker 1: start passionately kissing again.

774
00:35:15,239 --> 00:35:16,080
Speaker 2: Take it out again.

775
00:35:16,440 --> 00:35:19,240
Speaker 4: He tells him he's a genius.

776
00:35:19,440 --> 00:35:19,640
Speaker 2: I know.

777
00:35:19,680 --> 00:35:21,279
Speaker 1: And this is where I was like, Yeah, a lot

778
00:35:21,320 --> 00:35:23,279
Speaker 1: of guests I just make it out in school. I

779
00:35:23,280 --> 00:35:25,799
Speaker 1: don't know that I ever felt super comfortable making out

780
00:35:25,840 --> 00:35:26,360
Speaker 1: in school.

781
00:35:26,360 --> 00:35:30,040
Speaker 2: But did you ever make out in school? Probably Rider?

782
00:35:31,239 --> 00:35:35,000
Speaker 3: He Yeah, Well did I I don't know about Like

783
00:35:35,680 --> 00:35:37,560
Speaker 3: I mean, I went to a tiny, tiny school so

784
00:35:37,600 --> 00:35:40,680
Speaker 3: we could have My school had a smoking section. Isn't

785
00:35:40,719 --> 00:35:41,480
Speaker 3: that crazy?

786
00:35:41,320 --> 00:35:41,680
Speaker 2: Wow?

787
00:35:42,120 --> 00:35:42,920
Speaker 4: Your high school.

788
00:35:43,200 --> 00:35:44,480
Speaker 2: Yeah, that's awesome.

789
00:35:46,840 --> 00:35:49,320
Speaker 3: And the rule was if you were in the smoking section,

790
00:35:49,520 --> 00:35:51,400
Speaker 3: your parents would find out about it, Like the teachers

791
00:35:51,400 --> 00:35:54,120
Speaker 3: would tell your parents.

792
00:35:54,400 --> 00:35:56,680
Speaker 1: Right because your parents that at your small, little Hippi

793
00:35:56,680 --> 00:35:58,360
Speaker 1: school might be like, yeah, man, we all.

794
00:35:58,840 --> 00:36:01,480
Speaker 3: Made his choices, you know me, Well it's time to

795
00:36:01,520 --> 00:36:02,600
Speaker 3: find your own life.

796
00:36:03,120 --> 00:36:05,880
Speaker 2: Yeah, yeah, oh god, so ridiculous.

797
00:36:05,960 --> 00:36:09,680
Speaker 3: But yeah, no, I never dated anybody from my high school,

798
00:36:09,760 --> 00:36:10,480
Speaker 3: so it was.

799
00:36:10,440 --> 00:36:11,200
Speaker 2: Always a problem.

800
00:36:11,239 --> 00:36:13,600
Speaker 1: So then the odds of you making out there would

801
00:36:13,600 --> 00:36:19,600
Speaker 1: be weird. So then we're back at Melissa's doorstep. Corey

802
00:36:19,640 --> 00:36:22,359
Speaker 1: and Melissa, standing awkwardly again, talk about the movie they saw.

803
00:36:22,560 --> 00:36:24,480
Speaker 1: Melissa says it was nice being in the same theater

804
00:36:24,560 --> 00:36:26,520
Speaker 1: as him, but maybe next time they could sit in

805
00:36:26,560 --> 00:36:28,879
Speaker 1: the same row, and Corey says he had to move.

806
00:36:29,000 --> 00:36:30,960
Speaker 1: He couldn't ask a guy to take his turbine off.

807
00:36:32,120 --> 00:36:36,399
Speaker 1: Is a valid point, Yeah, so, Melissa.

808
00:36:36,040 --> 00:36:38,359
Speaker 3: Says, he's not even sitting next no matter what he's

809
00:36:38,360 --> 00:36:39,080
Speaker 3: getting closer.

810
00:36:39,360 --> 00:36:40,680
Speaker 1: Yeah, there is.

811
00:36:40,440 --> 00:36:43,359
Speaker 2: Is the same theater, right, that's but that's it. Yeah.

812
00:36:43,960 --> 00:36:47,080
Speaker 1: Yeah, Melissa says it seems only natural that they take

813
00:36:47,080 --> 00:36:49,080
Speaker 1: the next step since it is their second date, and

814
00:36:49,160 --> 00:36:52,040
Speaker 1: Corey quickly responds meet your parents and he rushes into

815
00:36:52,080 --> 00:36:55,080
Speaker 1: the door. He yells out everyone decent and just barges in.

816
00:36:55,880 --> 00:37:02,960
Speaker 3: This is my favorite Corey nine too, like awkward, stress.

817
00:37:01,840 --> 00:37:05,160
Speaker 2: Wacky, try with Sean and not able to.

818
00:37:05,600 --> 00:37:08,959
Speaker 3: Exactly trying to do what he thinks he's supposed to do.

819
00:37:08,960 --> 00:37:10,320
Speaker 2: Dorky, neurotic Cory.

820
00:37:10,520 --> 00:37:16,960
Speaker 3: Yes, right, a great Corey, self righteous, emotionally manipulative Corey.

821
00:37:17,600 --> 00:37:19,480
Speaker 2: You don't like him, you love him this way? I

822
00:37:19,520 --> 00:37:21,680
Speaker 2: mean running in, going time to meet your parents? Who

823
00:37:21,760 --> 00:37:25,920
Speaker 2: is decis so funny? Great Corey, Great Corey.

824
00:37:25,560 --> 00:37:29,040
Speaker 1: And by the way, as the topanga to the Cory,

825
00:37:29,760 --> 00:37:33,880
Speaker 1: a guy who can't help but be his his dorky

826
00:37:33,960 --> 00:37:37,279
Speaker 1: self and despise but tries so hard. I want to

827
00:37:37,320 --> 00:37:39,759
Speaker 1: be more than I want to be like a cool guy.

828
00:37:40,440 --> 00:37:45,919
Speaker 1: If he were vulnerable about it, every girl would love him.

829
00:37:46,000 --> 00:37:48,359
Speaker 1: He'd have girls falling at his feet. I love how

830
00:37:48,400 --> 00:37:50,719
Speaker 1: authentic you are. I love how real you are. You're

831
00:37:50,760 --> 00:37:52,920
Speaker 1: so sweet, you're so funny, You're so this or so that.

832
00:37:53,400 --> 00:37:57,440
Speaker 1: But when he's both the goofy dorky fumbling over himself

833
00:37:57,520 --> 00:38:02,400
Speaker 1: and then furious and self right about the things you

834
00:38:02,440 --> 00:38:04,879
Speaker 1: were doing that you're allowed to do, But that when

835
00:38:04,920 --> 00:38:06,239
Speaker 1: I do it, I don't like it.

836
00:38:06,239 --> 00:38:07,920
Speaker 4: It's like, oh my gosh, it's just.

837
00:38:09,360 --> 00:38:09,799
Speaker 2: I don't know.

838
00:38:09,840 --> 00:38:11,799
Speaker 1: I don't understand it. I don't I don't get it.

839
00:38:12,640 --> 00:38:15,160
Speaker 1: So then we are in Chubbys. Sean is playing pool

840
00:38:15,160 --> 00:38:17,440
Speaker 1: and Corey walks up. Sean takes a good look at

841
00:38:17,520 --> 00:38:19,680
Speaker 1: him and asks, you met her parents?

842
00:38:20,280 --> 00:38:21,000
Speaker 4: How does he know?

843
00:38:21,520 --> 00:38:23,160
Speaker 1: Corey says he was going to kiss her, but every

844
00:38:23,200 --> 00:38:25,120
Speaker 1: time he tried, all he could think about was Tapanga.

845
00:38:25,440 --> 00:38:28,240
Speaker 1: Corey realizes he's not over her, but she is also

846
00:38:28,320 --> 00:38:30,839
Speaker 1: not over him. He says, I know it, Tapanga knows it,

847
00:38:30,920 --> 00:38:33,680
Speaker 1: and he's interrupted when he sees Tapanga on a date

848
00:38:33,719 --> 00:38:39,919
Speaker 1: nearby kissing another boy sh Hessd Shane West.

849
00:38:39,719 --> 00:38:45,440
Speaker 3: And like making out like mackin on it for each other.

850
00:38:45,360 --> 00:38:51,359
Speaker 1: Long long time, because we did not stop making out

851
00:38:51,640 --> 00:38:54,960
Speaker 1: just because the camera wasn't on us. So we made

852
00:38:55,080 --> 00:38:58,520
Speaker 1: out for the rest of that scene. Like once we

853
00:38:58,640 --> 00:39:02,360
Speaker 1: started kissing and he notices us kissing in the booth

854
00:39:02,600 --> 00:39:05,040
Speaker 1: and then he tries to run after him and then you.

855
00:39:04,920 --> 00:39:06,200
Speaker 2: Grab him gang Shane West.

856
00:39:06,200 --> 00:39:08,600
Speaker 3: In real life, I did your mom to a photo.

857
00:39:09,400 --> 00:39:10,600
Speaker 2: An actor choice.

858
00:39:10,680 --> 00:39:13,480
Speaker 4: Nobody want to know you want. So okay, here's.

859
00:39:13,440 --> 00:39:14,759
Speaker 2: You remember he was on our show?

860
00:39:15,000 --> 00:39:17,880
Speaker 3: Hid it with him years later, Like we had a

861
00:39:17,960 --> 00:39:20,640
Speaker 3: mutual friend and we like hung out a few times,

862
00:39:20,680 --> 00:39:22,879
Speaker 3: but like I had no recollection that he was ever

863
00:39:22,920 --> 00:39:23,399
Speaker 3: on our show.

864
00:39:23,440 --> 00:39:23,879
Speaker 2: Didn't either.

865
00:39:24,280 --> 00:39:27,720
Speaker 4: Yeah, so you guys have all met Jen Fischer.

866
00:39:27,920 --> 00:39:32,279
Speaker 1: You know what. My mom was just as excited as

867
00:39:32,400 --> 00:39:34,520
Speaker 1: I was when we read this episode, and.

868
00:39:34,480 --> 00:39:36,880
Speaker 4: She was like, who do you think the guy? Who's

869
00:39:36,920 --> 00:39:37,399
Speaker 4: Who's the guy?

870
00:39:37,400 --> 00:39:38,520
Speaker 2: Who do you think that I'm gonna be?

871
00:39:38,800 --> 00:39:40,360
Speaker 1: And I was like, I don't know, but it's so

872
00:39:40,440 --> 00:39:44,040
Speaker 1: exciting because on this show, Ben and I were used

873
00:39:44,040 --> 00:39:47,200
Speaker 1: to kissing each other. Sure, so the idea that Tapega

874
00:39:47,239 --> 00:39:50,359
Speaker 1: gets to make out with some new guy was like,

875
00:39:50,520 --> 00:39:53,879
Speaker 1: who's it gonna be? And he wasn't at table read

876
00:39:54,400 --> 00:39:56,919
Speaker 1: and I don't think he was there even on day one.

877
00:39:57,000 --> 00:39:58,600
Speaker 1: I think he was there for three days. So I

878
00:39:58,600 --> 00:40:03,239
Speaker 1: think he came on Tuesday and was there for Tuesday, Wednesday, Thursday,

879
00:40:03,960 --> 00:40:05,960
Speaker 1: and so I had to wait all week and all week,

880
00:40:06,000 --> 00:40:09,680
Speaker 1: you know, until like Tuesday rolls around and and then

881
00:40:09,719 --> 00:40:12,480
Speaker 1: it's Shane West and I was like, boy, oh boy,

882
00:40:12,600 --> 00:40:13,840
Speaker 1: is he ever cure.

883
00:40:15,440 --> 00:40:16,640
Speaker 2: Or Yeah?

884
00:40:16,800 --> 00:40:19,200
Speaker 1: So excited, and then I think we had to kiss

885
00:40:19,200 --> 00:40:21,640
Speaker 1: for that first run through, like for the network run through,

886
00:40:22,600 --> 00:40:25,520
Speaker 1: but it's also possible we didn't kiss until tape day,

887
00:40:25,800 --> 00:40:28,879
Speaker 1: because what I will say is there are just some

888
00:40:28,920 --> 00:40:35,520
Speaker 1: people who don't share kissing styles and you don't necessarily

889
00:40:36,280 --> 00:40:38,279
Speaker 1: have kissing chemistry.

890
00:40:39,040 --> 00:40:41,320
Speaker 2: And Shane and I.

891
00:40:40,719 --> 00:40:42,000
Speaker 4: Were two of those people.

892
00:40:42,360 --> 00:40:48,439
Speaker 3: No kissing really, no kissing chemistry, no, and make out

893
00:40:48,520 --> 00:40:49,680
Speaker 3: for a long time.

894
00:40:50,040 --> 00:40:51,960
Speaker 2: And I remember that too. Man.

895
00:40:52,000 --> 00:40:53,719
Speaker 3: I remember I don't know when it's going to be,

896
00:40:53,760 --> 00:40:54,839
Speaker 3: but there was one guest star.

897
00:40:55,760 --> 00:40:58,720
Speaker 2: It was awful, like it was. I just remember kissing

898
00:40:58,800 --> 00:41:00,560
Speaker 2: her and being like, nope, this is wrong.

899
00:41:00,920 --> 00:41:03,920
Speaker 3: Yeah, I don't wants and I had to do it

900
00:41:03,920 --> 00:41:06,279
Speaker 3: all week and it wasn't this episode, I don't think,

901
00:41:06,320 --> 00:41:08,560
Speaker 3: but like I'm hoping i'll remember it, but I definitely

902
00:41:08,640 --> 00:41:11,520
Speaker 3: remember having that moment of like, oh yeah, sometimes you

903
00:41:11,680 --> 00:41:13,200
Speaker 3: just don't have chemistry and like.

904
00:41:13,320 --> 00:41:16,480
Speaker 1: Even when you think the person's really hot, it's just

905
00:41:17,200 --> 00:41:17,680
Speaker 1: doesn't work.

906
00:41:17,760 --> 00:41:20,920
Speaker 2: Not there. Okay, wait, quick, quick, quick, I always say,

907
00:41:20,960 --> 00:41:23,239
Speaker 2: quick question. I've read this on online. Apparently, I say

908
00:41:23,320 --> 00:41:24,680
Speaker 2: very quickly, and then I go off for an hour,

909
00:41:25,400 --> 00:41:29,520
Speaker 2: so very quickly. Do you find that, especially when you

910
00:41:29,560 --> 00:41:33,360
Speaker 2: were younger, you would try to adapt your kissing style

911
00:41:33,480 --> 00:41:35,040
Speaker 2: to whoever you were kissing.

912
00:41:36,040 --> 00:41:38,719
Speaker 1: Yeah, you, well you kind of sometimes you have to

913
00:41:38,920 --> 00:41:44,319
Speaker 1: like people if people have like tongue kissing has a

914
00:41:44,320 --> 00:41:46,439
Speaker 1: bit of an art and like some people are very

915
00:41:46,480 --> 00:41:49,440
Speaker 1: like tongue pointy, like tongue in and out right, and

916
00:41:49,520 --> 00:41:52,879
Speaker 1: like other people like tongues tongue all around.

917
00:41:52,560 --> 00:41:54,719
Speaker 2: In us too much tongue, not.

918
00:41:54,719 --> 00:41:57,360
Speaker 4: Enough tongue, Like, oops, my tongue went under your tongue.

919
00:41:57,520 --> 00:42:00,680
Speaker 3: Oh yeah, teething into each other.

920
00:42:02,239 --> 00:42:04,280
Speaker 2: Lip locking. So I'm just wondering.

921
00:42:04,320 --> 00:42:08,399
Speaker 3: It's like, I just remember always allowing the guest star

922
00:42:09,160 --> 00:42:11,120
Speaker 3: or the extra that if I was making out with

923
00:42:11,120 --> 00:42:13,719
Speaker 3: an extra, I just remember allowing them to determine whether

924
00:42:13,760 --> 00:42:15,879
Speaker 3: we actually tongue or not. Me too, It was never

925
00:42:16,000 --> 00:42:18,640
Speaker 3: I would always just wait and you know, and let

926
00:42:18,640 --> 00:42:21,080
Speaker 3: them decide. And if they did, then I was like, great,

927
00:42:21,080 --> 00:42:23,080
Speaker 3: we're really kissing on to do this, And if they didn't,

928
00:42:23,360 --> 00:42:25,120
Speaker 3: I would just back off and we'd fake it.

929
00:42:25,320 --> 00:42:27,440
Speaker 1: And the funny thing is watching the scene with me

930
00:42:27,520 --> 00:42:29,239
Speaker 1: and Shane, between the two of us and all of

931
00:42:29,280 --> 00:42:32,000
Speaker 1: our hair, we could have just you could have put

932
00:42:32,040 --> 00:42:33,040
Speaker 1: a lemon between us.

933
00:42:33,760 --> 00:42:38,800
Speaker 2: You could have been looking at each other and between you. Yeah,

934
00:42:38,880 --> 00:42:39,440
Speaker 2: that's what I mean.

935
00:42:39,480 --> 00:42:41,120
Speaker 4: We could have put an apple there at a very.

936
00:42:41,239 --> 00:42:43,560
Speaker 2: By pillow between the two of yours.

937
00:42:46,680 --> 00:42:49,759
Speaker 1: So then we come back from a commercial, Corey and

938
00:42:49,760 --> 00:42:52,200
Speaker 1: Seawn are still staring at to Panga kissing at another guy,

939
00:42:52,320 --> 00:42:54,560
Speaker 1: and we were just still making out. It felt like

940
00:42:54,600 --> 00:42:57,080
Speaker 1: the scene that never ended. Corey asks, why doesn't Tapanga

941
00:42:57,160 --> 00:42:58,759
Speaker 1: just rip my heart out and stomp on it? And

942
00:42:58,760 --> 00:43:01,920
Speaker 1: Sean says she can't, she's busy making out. It's a

943
00:43:01,920 --> 00:43:04,880
Speaker 1: great line and a great read. Oh and at the

944
00:43:05,040 --> 00:43:08,160
Speaker 1: end of that scene where you guys see me kissing Nick,

945
00:43:08,480 --> 00:43:11,640
Speaker 1: that is when you make the greatest face writer. You're

946
00:43:11,680 --> 00:43:15,160
Speaker 1: making a fit the saddest but also disgusted and Poudy

947
00:43:15,239 --> 00:43:15,839
Speaker 1: you're like this.

948
00:43:17,360 --> 00:43:21,800
Speaker 2: Yeah, it's too much. I was lost control of your face.

949
00:43:21,920 --> 00:43:27,880
Speaker 3: Guy facting, facting, It's so funny.

950
00:43:27,880 --> 00:43:29,160
Speaker 2: I hated it.

951
00:43:29,920 --> 00:43:34,719
Speaker 1: Yeah, Corey wonders if he's dreaming and asks Sean to

952
00:43:34,719 --> 00:43:37,440
Speaker 1: pinch him. Sean is him, and Corey says, not on

953
00:43:37,560 --> 00:43:41,440
Speaker 1: the butt, And I love that. It's just so.

954
00:43:43,200 --> 00:43:46,400
Speaker 3: Never changes the thing. I love his expression never changes

955
00:43:46,440 --> 00:43:46,920
Speaker 3: and he's just.

956
00:43:46,880 --> 00:43:52,319
Speaker 1: Like, not on the Sorry, it was right right there,

957
00:43:53,160 --> 00:43:56,680
Speaker 1: so good. I love it, Corey says, he's going in.

958
00:43:56,760 --> 00:43:58,520
Speaker 1: Sean pulls him back and says he won't let him

959
00:43:58,560 --> 00:44:00,800
Speaker 1: make a fool of himself. Corey respond but that guy's

960
00:44:00,800 --> 00:44:03,719
Speaker 1: helping himself to my woman. Sean says, one, she's not

961
00:44:03,760 --> 00:44:06,600
Speaker 1: your woman, and two just then he looks over at

962
00:44:06,600 --> 00:44:09,040
Speaker 1: Topanga's date and admits, Wow, he's fast.

963
00:44:09,200 --> 00:44:10,960
Speaker 4: Corey says, that's it. He's putting a stop to this.

964
00:44:11,160 --> 00:44:13,080
Speaker 1: Sean stops Corey again by picking him up and putting

965
00:44:13,120 --> 00:44:15,359
Speaker 1: him over his shoulder. He runs past Topanga and all

966
00:44:15,400 --> 00:44:19,920
Speaker 1: of Chubby's yelling watch your feet, ha soup. So then

967
00:44:19,960 --> 00:44:22,719
Speaker 1: we're in Turner's apartment. Sean, still carrying Corey, ends up

968
00:44:22,719 --> 00:44:24,480
Speaker 1: back at his place. Corey says, as soon as Sean

969
00:44:24,480 --> 00:44:26,880
Speaker 1: puts him down, he's going right back to Tepanga. Corey

970
00:44:26,920 --> 00:44:28,960
Speaker 1: wants to tell Tapanga that if she keeps kissing guys

971
00:44:29,000 --> 00:44:31,960
Speaker 1: like that, then it's over, and Sean yells Corey it

972
00:44:32,080 --> 00:44:35,080
Speaker 1: is over. Topanga is doing exactly what she's supposed to do.

973
00:44:35,280 --> 00:44:37,560
Speaker 1: She's met someone new, she's dating somebody you knew, and

974
00:44:37,600 --> 00:44:43,280
Speaker 1: she's kissing somebody new, just like Corey realid exactly right.

975
00:44:43,719 --> 00:44:47,000
Speaker 1: Sean has nailed it. Corey should really be listening to

976
00:44:47,040 --> 00:44:50,000
Speaker 1: his buddy. Here, Corey emphasizes he didn't kiss his date

977
00:44:50,040 --> 00:44:52,920
Speaker 1: and he doesn't want this. He pushes past Sean, and

978
00:44:52,960 --> 00:44:55,319
Speaker 1: Sean asks what he's going to do, and Corey says

979
00:44:55,360 --> 00:44:57,400
Speaker 1: he's going to do something he should have done in

980
00:44:57,480 --> 00:45:02,640
Speaker 1: the first place. And I I thought, great, he is

981
00:45:02,680 --> 00:45:05,720
Speaker 1: going to go to Tapanga and he's just gonna say

982
00:45:06,160 --> 00:45:09,680
Speaker 1: to Panga, I've made a mistake. I don't know how

983
00:45:09,760 --> 00:45:13,120
Speaker 1: you feel, but I saw you on a date and gone,

984
00:45:13,200 --> 00:45:16,239
Speaker 1: I've tried to move on. I'm not comfortable. You're the

985
00:45:16,280 --> 00:45:18,959
Speaker 1: only person I think about. I want to be back

986
00:45:19,000 --> 00:45:22,279
Speaker 1: together with you and see how she feels. And I thought, yes,

987
00:45:22,760 --> 00:45:26,920
Speaker 1: I'm going to be back on board with this relationship,

988
00:45:27,120 --> 00:45:32,080
Speaker 1: but instead he runs to Melissa's doorstep course, Corey persistently

989
00:45:32,120 --> 00:45:34,600
Speaker 1: knocks on Melissa's door and she answers it. Corey tells

990
00:45:34,640 --> 00:45:36,759
Speaker 1: her he wasn't himself tonight. Right now, he knows there

991
00:45:36,760 --> 00:45:39,520
Speaker 1: are sparks between them, and Melissa agrees. Corey thinks they

992
00:45:39,520 --> 00:45:41,560
Speaker 1: should see what they've got here, and right then Corey

993
00:45:41,640 --> 00:45:44,080
Speaker 1: leans in and makes out with Melissa. He pulls away

994
00:45:44,080 --> 00:45:46,040
Speaker 1: and they both stare at each other. Corey shrugs and

995
00:45:46,040 --> 00:45:49,279
Speaker 1: says nothing. Melissa agrees and nods and says, oh, well,

996
00:45:49,320 --> 00:45:51,439
Speaker 1: see it's cool, and she walks back inside just as

997
00:45:51,440 --> 00:45:53,440
Speaker 1: Corey says my best to your folks.

998
00:45:53,320 --> 00:45:54,880
Speaker 2: And he runs away wildly.

999
00:45:55,520 --> 00:46:01,440
Speaker 1: Now I was like, just totally unnecessary, already one hundred

1000
00:46:01,480 --> 00:46:04,400
Speaker 1: percent sure how he feels. He's gone on two dates

1001
00:46:04,400 --> 00:46:07,080
Speaker 1: with this person. He hasn't even he hasn't even sat

1002
00:46:07,120 --> 00:46:09,319
Speaker 1: next to her. He has told Sean he's been thinking

1003
00:46:09,320 --> 00:46:12,880
Speaker 1: about Tapanga the whole time. This is like he's he

1004
00:46:12,960 --> 00:46:16,439
Speaker 1: already knows he doesn't need to do this. But after

1005
00:46:16,520 --> 00:46:19,360
Speaker 1: talking about it with Jensen, Jensen was like, but maybe

1006
00:46:19,440 --> 00:46:21,960
Speaker 1: his in the back of his mind somewhere is Sean

1007
00:46:22,120 --> 00:46:26,280
Speaker 1: saying the only way to really know is to until

1008
00:46:26,320 --> 00:46:28,960
Speaker 1: you kiss someone new, and so to get it out

1009
00:46:28,960 --> 00:46:30,000
Speaker 1: of his system.

1010
00:46:30,080 --> 00:46:31,799
Speaker 2: Yeah, he's got feels like he's got to.

1011
00:46:31,800 --> 00:46:32,399
Speaker 4: Make a move.

1012
00:46:32,719 --> 00:46:35,359
Speaker 1: Sure, So I was like, Okay, even though I think the.

1013
00:46:35,320 --> 00:46:38,759
Speaker 2: Guy, I do think the comedy of them being like nothing, and.

1014
00:46:38,800 --> 00:46:40,920
Speaker 4: That's exactly what Jensen said.

1015
00:46:40,960 --> 00:46:43,600
Speaker 1: Jensen said, the comedy moment of them looking at each

1016
00:46:43,600 --> 00:46:45,000
Speaker 1: other going not a thing.

1017
00:46:45,360 --> 00:46:48,560
Speaker 3: Yeah, just think exactly what you said, Like you're expecting

1018
00:46:48,600 --> 00:46:50,560
Speaker 3: him to run to Panga to clear his love. So

1019
00:46:50,600 --> 00:46:52,640
Speaker 3: the fact that he shows up at this doorstep is funny.

1020
00:46:52,680 --> 00:46:55,400
Speaker 3: It's kind of like, oh, that's another way to go Corey.

1021
00:46:55,480 --> 00:46:57,440
Speaker 3: And you were supposed to think he's flailing, you know,

1022
00:46:57,680 --> 00:46:59,640
Speaker 3: But yeah, I think he's got to prove that he's

1023
00:46:59,640 --> 00:47:01,719
Speaker 3: over a Panga and like get back at.

1024
00:47:01,640 --> 00:47:03,840
Speaker 2: Her by making out with another girl. Right, it's the

1025
00:47:03,880 --> 00:47:06,560
Speaker 2: masculine thing if I'm going to go and conquer another woman.

1026
00:47:06,400 --> 00:47:08,360
Speaker 3: And I think it's supposed to be flailing. It's supposed

1027
00:47:08,400 --> 00:47:10,600
Speaker 3: to be the audience is supposed to be judging Corey,

1028
00:47:10,640 --> 00:47:12,600
Speaker 3: and I think that's totally fine.

1029
00:47:12,680 --> 00:47:14,959
Speaker 1: It's the next thing that bothers me, you know, right,

1030
00:47:15,200 --> 00:47:16,160
Speaker 1: it's when the guilt.

1031
00:47:16,560 --> 00:47:19,480
Speaker 3: It's the emotional manipulation and guilt to Topanga that always

1032
00:47:19,520 --> 00:47:22,480
Speaker 3: is like, gosh, this just feels like it.

1033
00:47:22,840 --> 00:47:24,880
Speaker 2: Yeah it is.

1034
00:47:24,920 --> 00:47:27,400
Speaker 3: I just wish Corey would be more like the neurotic,

1035
00:47:27,480 --> 00:47:29,520
Speaker 3: dorky guy in those scenes, you know, and be like

1036
00:47:29,600 --> 00:47:31,040
Speaker 3: I love you and I can't help it and I'm

1037
00:47:31,080 --> 00:47:33,960
Speaker 3: sad as opposed to like you shouldn't.

1038
00:47:33,600 --> 00:47:34,400
Speaker 2: Be you know.

1039
00:47:34,520 --> 00:47:36,560
Speaker 4: Yeah, Now do you think that made me feel?

1040
00:47:41,600 --> 00:47:44,160
Speaker 3: Yeah? I just want to Panga to smack him and

1041
00:47:44,200 --> 00:47:47,279
Speaker 3: be like CEA, Yeah, I'm living my life, dude, What

1042
00:47:47,360 --> 00:47:48,200
Speaker 3: are you gonna make me feel?

1043
00:47:48,600 --> 00:47:50,800
Speaker 4: Newt Chubbies. This is my hang out now.

1044
00:47:54,440 --> 00:47:55,600
Speaker 2: So pissed? I hate it?

1045
00:47:57,040 --> 00:48:01,600
Speaker 1: Yeah, Corey, We're back at the cool Hallway. Corey reveals

1046
00:48:01,640 --> 00:48:03,279
Speaker 1: to Sean that as soon as he kissed Melissa, he

1047
00:48:03,320 --> 00:48:05,919
Speaker 1: felt worse. Sean thinks it's good that he kissed another girl,

1048
00:48:05,960 --> 00:48:07,840
Speaker 1: even if there were no sparks. Now he won't go

1049
00:48:07,880 --> 00:48:10,520
Speaker 1: bonkers when he sees Topanga kissing another guy. They look

1050
00:48:10,520 --> 00:48:12,640
Speaker 1: over and see Topanga at our locker talking to the

1051
00:48:12,640 --> 00:48:15,200
Speaker 1: same guy she was making out with the Chubbies. Corey says,

1052
00:48:15,200 --> 00:48:18,120
Speaker 1: bonkers and runs up and jumps on the guy's back.

1053
00:48:18,480 --> 00:48:20,000
Speaker 2: Even this, I'm fine with.

1054
00:48:20,440 --> 00:48:23,080
Speaker 4: I like weirdo reaction.

1055
00:48:23,680 --> 00:48:25,200
Speaker 2: Weirdo reaction over.

1056
00:48:29,080 --> 00:48:30,160
Speaker 3: What the hell is going on?

1057
00:48:30,280 --> 00:48:33,120
Speaker 1: Not sure what I'm doing? Fine, I think this is

1058
00:48:33,160 --> 00:48:33,760
Speaker 1: really great.

1059
00:48:34,120 --> 00:48:34,680
Speaker 4: They look over.

1060
00:48:34,800 --> 00:48:37,560
Speaker 1: Okay, so Nick shrugs Corey off and asks you must

1061
00:48:37,600 --> 00:48:40,000
Speaker 1: be the old boyfriend, right. Corey starts laughing and says, oh,

1062
00:48:40,120 --> 00:48:42,279
Speaker 1: so she's talked about me, huh, and Nick says no,

1063
00:48:42,440 --> 00:48:44,359
Speaker 1: those are the only ones who ever jump on my back.

1064
00:48:44,920 --> 00:48:47,319
Speaker 2: The only guy in all of John Adams, that's never

1065
00:48:47,360 --> 00:48:55,040
Speaker 2: heard of Corey Matthews, everybody else knows transfer here who's

1066
00:48:55,040 --> 00:48:56,400
Speaker 2: never heard of or so.

1067
00:48:57,320 --> 00:48:59,400
Speaker 1: Nick pats to Panga on the arm and walks away.

1068
00:48:59,560 --> 00:49:01,799
Speaker 1: To Panga tells Corey she knows it's weird for him,

1069
00:49:01,800 --> 00:49:04,480
Speaker 1: but he can't be acting like this. They're not together anymore.

1070
00:49:04,560 --> 00:49:09,280
Speaker 1: And she's reasonable and calm and yes, saying the speaking facts.

1071
00:49:09,680 --> 00:49:12,320
Speaker 1: Corey asks if that means she can date anyone she wants,

1072
00:49:12,400 --> 00:49:14,080
Speaker 1: and to Pega says she's not going to have this

1073
00:49:14,120 --> 00:49:18,400
Speaker 1: conversation and Corey and again, yes, you can tell this

1074
00:49:18,440 --> 00:49:20,719
Speaker 1: person's off the rails. I'm not going to do this,

1075
00:49:21,040 --> 00:49:23,760
Speaker 1: turns and leaves, and Cory says, fine, he will, he will.

1076
00:49:24,000 --> 00:49:27,279
Speaker 1: Topanga is embarrassed, telling Corey people are staring at them

1077
00:49:27,640 --> 00:49:30,799
Speaker 1: because again he is angry and yelling at her in

1078
00:49:30,840 --> 00:49:35,080
Speaker 1: the school hallway for no reason. Corey tells her, let

1079
00:49:35,080 --> 00:49:37,120
Speaker 1: them stare at us. That didn't bother you last night

1080
00:49:37,120 --> 00:49:37,800
Speaker 1: at Chubby's.

1081
00:49:39,840 --> 00:49:41,840
Speaker 3: Yeah, and that's where the audience owed.

1082
00:49:42,320 --> 00:49:42,520
Speaker 2: Yeah.

1083
00:49:43,120 --> 00:49:45,239
Speaker 3: I was like and I was like, why why is that?

1084
00:49:45,520 --> 00:49:47,320
Speaker 3: Like the audience was like on Corey side in the

1085
00:49:47,360 --> 00:49:48,239
Speaker 3: way that I was just.

1086
00:49:48,160 --> 00:49:52,440
Speaker 2: Like, stopping, dude, because your kids. I mean, that's you're

1087
00:49:52,480 --> 00:49:56,920
Speaker 2: a kidga for making out a chubbies.

1088
00:49:57,000 --> 00:50:01,279
Speaker 4: Like wait, I'm even still kind of with him.

1089
00:50:01,760 --> 00:50:05,480
Speaker 1: If now, after he says that and she goes, you

1090
00:50:05,560 --> 00:50:10,200
Speaker 1: were there, if he were to say yeah, and I

1091
00:50:10,239 --> 00:50:12,319
Speaker 1: know you didn't, you weren't doing anything.

1092
00:50:12,000 --> 00:50:13,879
Speaker 2: Wrong, right, it just made me feel better.

1093
00:50:13,920 --> 00:50:16,400
Speaker 4: It just I got it destroyed me right.

1094
00:50:16,560 --> 00:50:20,239
Speaker 1: And if Tapanga had said, yeah, I obviously wasn't doing

1095
00:50:20,239 --> 00:50:22,719
Speaker 1: anything wrong. I'm doing exactly what I'm supposed to do.

1096
00:50:22,800 --> 00:50:25,000
Speaker 1: But I am sorry that it hurt you. I wasn't.

1097
00:50:25,239 --> 00:50:27,279
Speaker 1: I didn't. I wasn't trying to hurt you. I wasn't

1098
00:50:27,400 --> 00:50:30,040
Speaker 1: kissing him to rub it in your face. Those are

1099
00:50:30,080 --> 00:50:31,000
Speaker 1: all fine.

1100
00:50:30,840 --> 00:50:33,399
Speaker 2: Things to think and say, but none of those things

1101
00:50:33,440 --> 00:50:34,360
Speaker 2: are thought or said.

1102
00:50:34,480 --> 00:50:34,520
Speaker 3: No.

1103
00:50:35,719 --> 00:50:37,920
Speaker 2: I also love how she's like, you were at the

1104
00:50:37,960 --> 00:50:39,920
Speaker 2: one place, the only place we.

1105
00:50:39,920 --> 00:50:47,000
Speaker 3: Go where everybody goes to eat you or cafeteria or chubby,

1106
00:50:47,120 --> 00:50:49,200
Speaker 3: there's nowhere else to get She was amazed.

1107
00:50:49,239 --> 00:50:52,480
Speaker 2: She's like, you were in your own bedroom, like what

1108
00:50:53,320 --> 00:50:56,919
Speaker 2: it was just so, I was like, were there?

1109
00:51:01,400 --> 00:51:04,239
Speaker 1: She apologizes that Corey had to see that, but they

1110
00:51:04,320 --> 00:51:07,360
Speaker 1: both knew they were going to see other people. Yeah,

1111
00:51:07,360 --> 00:51:10,840
Speaker 1: you're right to Panga, you're absolutely right, and Corey says

1112
00:51:10,880 --> 00:51:13,760
Speaker 1: he knows, but she's not supposed to kiss anyone else,

1113
00:51:14,640 --> 00:51:20,400
Speaker 1: even though he did just one minute ago on Melissa's doorstep.

1114
00:51:20,680 --> 00:51:20,839
Speaker 3: Yep.

1115
00:51:21,920 --> 00:51:24,759
Speaker 1: Topanga says she wishes she knew what to say. The

1116
00:51:24,800 --> 00:51:27,040
Speaker 1: bell rings and she says she needs to go to class,

1117
00:51:27,200 --> 00:51:29,560
Speaker 1: and Corey says he's not done talking to her, but

1118
00:51:29,600 --> 00:51:32,279
Speaker 1: she insists that she needs to go, and Corey says,

1119
00:51:32,320 --> 00:51:34,040
Speaker 1: when you were my girlfriend, you would have been five

1120
00:51:34,040 --> 00:51:37,360
Speaker 1: minutes late, and Tapega tells him she's not his girlfriend anymore.

1121
00:51:37,719 --> 00:51:40,040
Speaker 1: And damn girl, I love.

1122
00:51:39,840 --> 00:51:45,320
Speaker 2: You, Yeah, finally, finally love everything about you. Finally, one

1123
00:51:45,400 --> 00:51:48,799
Speaker 2: side at least of the relationship is coming off as

1124
00:51:49,000 --> 00:51:50,800
Speaker 2: measured and reasonable.

1125
00:51:50,680 --> 00:51:54,879
Speaker 1: And healthy and health boundaries. And I'm going to put

1126
00:51:54,880 --> 00:51:56,520
Speaker 1: a stop to you because you're yelling at me. I'm

1127
00:51:56,520 --> 00:51:57,759
Speaker 1: going to put a stop to you because I have

1128
00:51:57,800 --> 00:51:59,839
Speaker 1: to go to class. I'm going to like, I love it,

1129
00:52:00,280 --> 00:52:02,160
Speaker 1: says fine, I got a better idea. Let's not be

1130
00:52:02,200 --> 00:52:05,319
Speaker 1: friends anymore either, and Tapega says he doesn't mean that,

1131
00:52:05,680 --> 00:52:13,680
Speaker 1: and Corey walks away. Corey f minus just terrible scene

1132
00:52:13,680 --> 00:52:15,279
Speaker 1: for Corey, Terrible scene for Corey.

1133
00:52:15,480 --> 00:52:16,319
Speaker 2: Yeah, and I.

1134
00:52:16,280 --> 00:52:18,840
Speaker 3: Mean, you know, I think we're supposed to be judging Corey, right,

1135
00:52:18,880 --> 00:52:20,680
Speaker 3: I mean that is the like the arc of the

1136
00:52:20,719 --> 00:52:25,279
Speaker 3: episode is that Corey is sure acting jealously and irrationally

1137
00:52:25,400 --> 00:52:28,960
Speaker 3: and not being a great dude. But it's weird. I

1138
00:52:29,400 --> 00:52:32,920
Speaker 3: do feel like the sympathies. I understand where Corey's coming from,

1139
00:52:33,239 --> 00:52:36,120
Speaker 3: but it goes full circle to where this kind of

1140
00:52:36,160 --> 00:52:41,160
Speaker 3: emotional manipulation works like it like it draws to Panga

1141
00:52:41,200 --> 00:52:44,040
Speaker 3: in and makes Topanga feel bad, and to Panga feeling

1142
00:52:44,120 --> 00:52:47,680
Speaker 3: bad pays off and that sucks, like, but I also

1143
00:52:47,760 --> 00:52:51,120
Speaker 3: think I also think it would have been it would

1144
00:52:51,120 --> 00:52:54,840
Speaker 3: have been more impactful had there not been a history

1145
00:52:54,920 --> 00:52:58,520
Speaker 3: of this already, right, Like, had had this been out

1146
00:52:58,520 --> 00:53:01,160
Speaker 3: of character for Corey where he's like, I'm angry now

1147
00:53:01,280 --> 00:53:03,640
Speaker 3: I don't know why I'm angry. I mean, I know why,

1148
00:53:03,680 --> 00:53:05,560
Speaker 3: but her taking it out on her, and it's because

1149
00:53:05,560 --> 00:53:08,279
Speaker 3: I'm hurt, and I'm instead of feeling the hurt, I'm

1150
00:53:08,360 --> 00:53:10,360
Speaker 3: just spewing it everywhere, and this is so out of

1151
00:53:10,440 --> 00:53:11,200
Speaker 3: character for him.

1152
00:53:11,600 --> 00:53:14,319
Speaker 2: Then you kind of go, Okay, dude, you're flailing. We

1153
00:53:14,440 --> 00:53:17,399
Speaker 2: get why you're flailing. You're watching it hap But when

1154
00:53:17,440 --> 00:53:20,000
Speaker 2: this is like the third fight they've had where he's

1155
00:53:20,160 --> 00:53:23,600
Speaker 2: like this of the five conversations they've really had. Yeah,

1156
00:53:23,840 --> 00:53:27,880
Speaker 2: it is a massive red flag. Again, it's it's horrible.

1157
00:53:28,000 --> 00:53:30,839
Speaker 2: So that's the thing where it was for me, It's like, yeah, I.

1158
00:53:30,800 --> 00:53:32,839
Speaker 3: Just wish the I just wish the resolution was like

1159
00:53:33,320 --> 00:53:35,000
Speaker 3: that Corey just has to deal with it, you know,

1160
00:53:35,200 --> 00:53:38,000
Speaker 3: like I wish that there wasn't it wasn't Topanga didn't

1161
00:53:38,000 --> 00:53:38,720
Speaker 3: have to do anything.

1162
00:53:38,880 --> 00:53:41,400
Speaker 2: Like, I just wish that he just got over it.

1163
00:53:41,480 --> 00:53:42,200
Speaker 2: And it's not him.

1164
00:53:42,320 --> 00:53:44,719
Speaker 3: It's not a conversation with Sean or whatever, had a

1165
00:53:44,719 --> 00:53:47,719
Speaker 3: conversation with mister Feeney somebody else and was like, right,

1166
00:53:47,880 --> 00:53:50,520
Speaker 3: I'm acting like a jealous jerky and I need to

1167
00:53:50,560 --> 00:53:51,279
Speaker 3: like get over this.

1168
00:53:51,600 --> 00:53:54,000
Speaker 1: Well it is That is kind of where it ends,

1169
00:53:54,160 --> 00:53:56,600
Speaker 1: you know, it's to anybody.

1170
00:53:56,920 --> 00:54:00,320
Speaker 3: No, it's him and Tapanga and Topanga. Basically, I don't know.

1171
00:54:00,360 --> 00:54:01,839
Speaker 2: We'll get to it. Let's go okay, okay, okay.

1172
00:54:02,040 --> 00:54:03,320
Speaker 4: So then we're in the school cafeteria.

1173
00:54:03,440 --> 00:54:05,520
Speaker 1: Eric sits down with a girl who immediately says she

1174
00:54:05,560 --> 00:54:07,720
Speaker 1: heard the good news. She's thinking maybe she should apply

1175
00:54:07,719 --> 00:54:09,560
Speaker 1: to Boris College too, so that her and Eric can

1176
00:54:09,600 --> 00:54:11,799
Speaker 1: hang out and party. Eric says it's not really a

1177
00:54:11,800 --> 00:54:14,160
Speaker 1: party school, but they could always study together, and then

1178
00:54:14,200 --> 00:54:17,319
Speaker 1: we see a lingering mister Turner listening in nearby. Mister

1179
00:54:17,360 --> 00:54:19,640
Speaker 1: Turner takes his concerns over to mister Williams and mister

1180
00:54:19,640 --> 00:54:22,920
Speaker 1: Feeney's table. He says he called the National Registry of

1181
00:54:22,960 --> 00:54:26,120
Speaker 1: Colleges because that is what you had to do before Google.

1182
00:54:26,840 --> 00:54:29,319
Speaker 1: You had to call a national register.

1183
00:54:29,360 --> 00:54:32,000
Speaker 3: National Registry of College I think there was, yeah.

1184
00:54:32,080 --> 00:54:35,480
Speaker 1: I mean yeah, Otherwise you could just make up anything

1185
00:54:35,480 --> 00:54:37,200
Speaker 1: and say it's anywhere in the world. How would you know,

1186
00:54:37,719 --> 00:54:40,000
Speaker 1: like Boris College, So.

1187
00:54:41,520 --> 00:54:43,320
Speaker 2: I want a Boris College T shirt. We got to

1188
00:54:43,320 --> 00:54:45,440
Speaker 2: figure out what the what the mascot is.

1189
00:54:45,600 --> 00:54:49,120
Speaker 1: Oh, I would've been saying. I've been saying I want

1190
00:54:49,120 --> 00:54:53,360
Speaker 1: a John Adams high sweatshirt or something, but maybe what

1191
00:54:53,440 --> 00:54:55,680
Speaker 1: I really want is a college.

1192
00:54:56,200 --> 00:54:57,759
Speaker 2: You got to come up with a good with a

1193
00:54:57,760 --> 00:54:59,520
Speaker 2: good mascot, yeah good slogan.

1194
00:54:59,760 --> 00:55:02,200
Speaker 1: So so phoene was right. They had never heard of

1195
00:55:02,239 --> 00:55:05,200
Speaker 1: Boris College. Mister william says he's heard of these scams before.

1196
00:55:05,320 --> 00:55:08,080
Speaker 1: They take fifty dollars from unsuspecting kids and mail them

1197
00:55:08,120 --> 00:55:10,919
Speaker 1: a diploma in any field. Someone's got to tell Eric,

1198
00:55:10,960 --> 00:55:13,600
Speaker 1: but who Turner and Williams both slowly look at mister Feenie,

1199
00:55:13,600 --> 00:55:16,240
Speaker 1: and Phoene exclaims, oh, well, I know, why doesn't George

1200
00:55:16,280 --> 00:55:16,600
Speaker 1: do it?

1201
00:55:16,920 --> 00:55:18,120
Speaker 2: So good? So good.

1202
00:55:18,760 --> 00:55:20,600
Speaker 1: Phoene bites the bullet and joins Eric to break the

1203
00:55:20,600 --> 00:55:23,279
Speaker 1: bad news. Eric isn't going to Boris College because it

1204
00:55:23,280 --> 00:55:25,719
Speaker 1: doesn't exist. Eric says he kind of already knew that.

1205
00:55:25,840 --> 00:55:27,680
Speaker 1: A few days after he got his acceptance letter, they

1206
00:55:27,680 --> 00:55:30,400
Speaker 1: mailed him a diploma. He says, he's no brain surgeon,

1207
00:55:30,480 --> 00:55:32,520
Speaker 1: but actually, according to Boris, he is.

1208
00:55:33,200 --> 00:55:37,200
Speaker 2: Just so cute. I am so funny. Yeah.

1209
00:55:37,360 --> 00:55:40,360
Speaker 3: See, this is a great example of like a setup

1210
00:55:40,840 --> 00:55:43,640
Speaker 3: where a character realization actually undermines the scene in the

1211
00:55:43,680 --> 00:55:46,839
Speaker 3: best way. Like Eric doesn't need Phoene in this moment.

1212
00:55:47,120 --> 00:55:47,880
Speaker 2: You know, Eric.

1213
00:55:47,800 --> 00:55:50,600
Speaker 3: Already is a step ahead, and it's so nice because

1214
00:55:50,600 --> 00:55:52,480
Speaker 3: then you guys, you just get to see you know,

1215
00:55:52,520 --> 00:55:56,000
Speaker 3: and again like that dynamic. If Corey just realized like

1216
00:55:56,160 --> 00:55:58,360
Speaker 3: I've been a jerk and I'm you know, it could have.

1217
00:55:58,440 --> 00:56:00,880
Speaker 2: But anyway, this is a great scene.

1218
00:56:01,080 --> 00:56:03,560
Speaker 3: It's like the setup is like, oh no, Eric's gonna

1219
00:56:03,560 --> 00:56:05,960
Speaker 3: have this big fall, and instead you just love Eric

1220
00:56:05,960 --> 00:56:07,719
Speaker 3: in this moment because he's like, yeah, I ardy kind

1221
00:56:07,719 --> 00:56:08,960
Speaker 3: of knew, and he says.

1222
00:56:08,960 --> 00:56:11,319
Speaker 1: Phoene asks him why you went on pretending and he says,

1223
00:56:11,360 --> 00:56:13,319
Speaker 1: when I got that acceptance letter, I felt like I

1224
00:56:13,400 --> 00:56:14,520
Speaker 1: was a part of something.

1225
00:56:15,120 --> 00:56:17,320
Speaker 4: He says, that's what it's all about. Letters.

1226
00:56:17,560 --> 00:56:19,759
Speaker 1: He got the wrong letters on his report cards, so

1227
00:56:19,800 --> 00:56:23,480
Speaker 1: he's getting the wrong letters now. And your heart just

1228
00:56:23,960 --> 00:56:27,400
Speaker 1: aches for this guy. And Phoene says he's very pleased

1229
00:56:27,400 --> 00:56:29,480
Speaker 1: that going to college means so much to Eric. He

1230
00:56:29,520 --> 00:56:31,680
Speaker 1: tells him it's that very spirit that just may get

1231
00:56:31,760 --> 00:56:36,000
Speaker 1: him there. He asks, but seriously, Eric boris college. Eric

1232
00:56:36,040 --> 00:56:38,359
Speaker 1: motions to another girl and says he thinks that's bad.

1233
00:56:38,400 --> 00:56:40,840
Speaker 1: That girl thinks she's going to some school called Duke.

1234
00:56:42,640 --> 00:56:44,919
Speaker 2: Really funny, Joe, it's so funny show.

1235
00:56:45,080 --> 00:56:47,480
Speaker 1: He starts laughing and asks, you're gonna tell her?

1236
00:56:47,560 --> 00:56:48,040
Speaker 2: Or should I?

1237
00:56:48,239 --> 00:56:52,840
Speaker 1: It's just so perfect, just the right amount of dumb

1238
00:56:52,960 --> 00:56:57,120
Speaker 1: Eric at exactly the right time in that kind of

1239
00:56:57,200 --> 00:56:59,960
Speaker 1: heartwarming scene. And it's another one of our favorite things

1240
00:57:00,000 --> 00:57:02,000
Speaker 1: about Boy Meets World is when you have a very

1241
00:57:02,080 --> 00:57:05,320
Speaker 1: sentimental moment and you break it with a really great laugh,

1242
00:57:05,600 --> 00:57:09,000
Speaker 1: or or you don't play it heavy handed. This is

1243
00:57:09,040 --> 00:57:12,000
Speaker 1: this is one of those perfect moments. Yeah. So then

1244
00:57:12,000 --> 00:57:14,200
Speaker 1: we're in the Matthew's kitchen. Corey is throwing a bunch

1245
00:57:14,239 --> 00:57:15,759
Speaker 1: of things away and he pulls out a card with

1246
00:57:15,800 --> 00:57:17,880
Speaker 1: a heart that says love Always to Panga. He says

1247
00:57:17,880 --> 00:57:20,280
Speaker 1: always is pretty short these days, and he throws it away.

1248
00:57:20,520 --> 00:57:22,680
Speaker 1: He pulls out another card for the John Adams prom

1249
00:57:22,760 --> 00:57:25,280
Speaker 1: fashion show and scoffs like that's going to happen. He

1250
00:57:25,320 --> 00:57:27,320
Speaker 1: throws that card away too. He then picks up a

1251
00:57:27,320 --> 00:57:29,640
Speaker 1: stuff Teddy bear that says I love you very much,

1252
00:57:29,840 --> 00:57:31,720
Speaker 1: and he says, yeah, and I got a crush on you.

1253
00:57:31,960 --> 00:57:34,400
Speaker 1: Then he throws the bear away and starts the trash compactor.

1254
00:57:34,560 --> 00:57:38,000
Speaker 1: The bear screams in agony. I had a trash compactor.

1255
00:57:38,120 --> 00:57:41,880
Speaker 3: Actor to the greatest. Yes, yeah, when I was a kid.

1256
00:57:42,120 --> 00:57:44,600
Speaker 3: My parents still have it. It's but it's so confusing

1257
00:57:44,600 --> 00:57:46,520
Speaker 3: when people come to visit because they're always where's the

1258
00:57:46,560 --> 00:57:48,360
Speaker 3: cardage And you're like, oh, it's this drawer.

1259
00:57:48,480 --> 00:57:50,520
Speaker 2: They have to use a pedal and sometimes to step

1260
00:57:50,560 --> 00:57:58,080
Speaker 2: on that. Yeah, because it's working. Yeah, between stones to compactor.

1261
00:57:59,400 --> 00:58:01,240
Speaker 4: That sounds like that sounds very Connecticut of you.

1262
00:58:01,600 --> 00:58:02,440
Speaker 5: Yeah, that's great.

1263
00:58:02,960 --> 00:58:05,320
Speaker 1: Amy and Alan rushed downstairs to ask what is going on.

1264
00:58:05,360 --> 00:58:07,440
Speaker 1: Amy pulls the smushed bear out of the trash and

1265
00:58:07,480 --> 00:58:09,920
Speaker 1: asks if Topanga got him this. Alan thought they agreed

1266
00:58:09,960 --> 00:58:12,240
Speaker 1: to stay friends. Cory says he thought they would stay

1267
00:58:12,240 --> 00:58:12,640
Speaker 1: friends too.

1268
00:58:12,640 --> 00:58:15,560
Speaker 3: But Tapega question, question, is this the first time we've

1269
00:58:15,560 --> 00:58:20,840
Speaker 3: seen Rusty in a while now and he's got his

1270
00:58:21,000 --> 00:58:21,800
Speaker 3: robe right?

1271
00:58:21,960 --> 00:58:24,440
Speaker 2: Yeah, it's like Rusty he walked down. It's like, oh,

1272
00:58:24,560 --> 00:58:27,200
Speaker 2: Rusty's here, basically at the end of the episode, like

1273
00:58:27,240 --> 00:58:28,520
Speaker 2: that is strange.

1274
00:58:28,720 --> 00:58:31,360
Speaker 3: Yeah, because he wasn't in the previous kitchen scene with.

1275
00:58:31,400 --> 00:58:33,360
Speaker 2: No he just Rusty was back.

1276
00:58:33,560 --> 00:58:45,960
Speaker 6: Like oh okay, that's so crazy.

1277
00:58:47,520 --> 00:58:49,520
Speaker 1: So Cory says he thought they would stay friends too,

1278
00:58:49,560 --> 00:58:51,720
Speaker 1: but Tapega didn't mean it. Two weeks after we break up,

1279
00:58:51,760 --> 00:58:54,680
Speaker 1: she ends up kissing another guy and not just any guy, dad,

1280
00:58:55,000 --> 00:58:56,200
Speaker 1: another guy.

1281
00:58:56,320 --> 00:58:58,400
Speaker 2: Good line I thought was a funny line. Good line.

1282
00:58:58,600 --> 00:59:00,760
Speaker 1: Amy understands being upset, but he's got to expect that

1283
00:59:00,800 --> 00:59:02,600
Speaker 1: Tapanga is going to go out with other guys, and

1284
00:59:02,640 --> 00:59:05,800
Speaker 1: you'll go out with other girls again. Parents, they understand

1285
00:59:05,800 --> 00:59:08,919
Speaker 1: how life works. Good advice. Everybody gets it. Alan tells Cory,

1286
00:59:09,000 --> 00:59:10,800
Speaker 1: you two were in high school. You're supposed to date

1287
00:59:10,840 --> 00:59:13,240
Speaker 1: around that's how you find the right person. Corey asks,

1288
00:59:13,280 --> 00:59:15,920
Speaker 1: but what if Tapanga is his right person? And Amy

1289
00:59:15,920 --> 00:59:17,919
Speaker 1: says she might be and going out with other girls

1290
00:59:17,920 --> 00:59:19,240
Speaker 1: will help you know that for sure.

1291
00:59:20,520 --> 00:59:20,920
Speaker 2: Advice.

1292
00:59:21,480 --> 00:59:24,680
Speaker 1: Everyone in this show understands how it works.

1293
00:59:24,720 --> 00:59:30,680
Speaker 3: No, Toga is the one.

1294
00:59:28,680 --> 00:59:32,160
Speaker 1: Your mom and we broke up like three or four

1295
00:59:32,240 --> 00:59:35,439
Speaker 1: and Amy interrupts and says once, and Alan says, right,

1296
00:59:36,120 --> 00:59:37,480
Speaker 1: once before we got married.

1297
00:59:38,200 --> 00:59:40,880
Speaker 2: Is this supposed to make us think Alan cheated on Amy?

1298
00:59:41,000 --> 00:59:41,400
Speaker 1: Mm hmm?

1299
00:59:41,920 --> 00:59:43,520
Speaker 2: You think. I don't think get us to be cheated.

1300
00:59:43,600 --> 00:59:46,520
Speaker 2: I think they just that you're being trick with Reginald's fan,

1301
00:59:46,720 --> 00:59:51,200
Speaker 2: Reginald Fairfield. Just break up and there's no infidelity. So

1302
00:59:51,400 --> 00:59:53,120
Speaker 2: and I broke up once before we before we.

1303
00:59:53,120 --> 00:59:56,280
Speaker 1: Got married, right, But if you then said we broke

1304
00:59:56,400 --> 00:59:58,680
Speaker 1: up three or four times, wouldn't that make you think

1305
00:59:58,720 --> 01:00:00,640
Speaker 1: that there were times where you were eating other people?

1306
01:00:00,680 --> 01:00:03,040
Speaker 1: So you must have been broken up. I think that's

1307
01:00:03,040 --> 01:00:04,720
Speaker 1: what it was alluding to, is that he thinks it's

1308
01:00:04,760 --> 01:00:06,320
Speaker 1: three or four times because there were times where he

1309
01:00:06,360 --> 01:00:08,000
Speaker 1: went out with other people.

1310
01:00:08,880 --> 01:00:13,600
Speaker 2: That I don't know. I don't know. I I guess

1311
01:00:13,960 --> 01:00:16,960
Speaker 2: I thought the idea was just that he just doesn't remember. Yeah,

1312
01:00:16,960 --> 01:00:19,320
Speaker 2: that's what I don't know. It was always a messy Yeah.

1313
01:00:19,320 --> 01:00:21,760
Speaker 4: Well that's why I'm gonna believe it was the seventies.

1314
01:00:21,800 --> 01:00:21,920
Speaker 3: You know.

1315
01:00:22,000 --> 01:00:24,000
Speaker 1: It's like, yeah, I don't want to believe he was

1316
01:00:24,120 --> 01:00:24,920
Speaker 1: like right.

1317
01:00:25,600 --> 01:00:28,840
Speaker 2: Right, although when he was in the Tongues he had

1318
01:00:28,960 --> 01:00:31,280
Speaker 2: women in every port, according to the to the Torusk

1319
01:00:31,480 --> 01:00:31,840
Speaker 2: T shirt.

1320
01:00:32,040 --> 01:00:37,400
Speaker 1: According to the T shirt merch uh So, Corey asks

1321
01:00:37,440 --> 01:00:39,200
Speaker 1: if they stayed friends, and Alan said there were some

1322
01:00:39,360 --> 01:00:41,280
Speaker 1: rocky points, but they were always there for each other,

1323
01:00:41,360 --> 01:00:43,320
Speaker 1: and Amy says that's what brought them back together. She

1324
01:00:43,440 --> 01:00:45,560
Speaker 1: tells Corey, if you really care for each other, you

1325
01:00:45,680 --> 01:00:48,040
Speaker 1: don't just throw away the most important bond you have,

1326
01:00:48,760 --> 01:00:52,240
Speaker 1: your friendship. And here's where I disagree with the advice

1327
01:00:52,360 --> 01:00:55,400
Speaker 1: a little bit. I don't think you have to stay

1328
01:00:55,520 --> 01:00:59,520
Speaker 1: friends with your exes. No, but in this case, Corey

1329
01:00:59,560 --> 01:01:03,120
Speaker 1: into Pay had apparently history that goes back to a

1330
01:01:03,200 --> 01:01:06,840
Speaker 1: sandbox or something where they were friends, and then when

1331
01:01:06,920 --> 01:01:10,160
Speaker 1: they did break up, they did say, I don't want

1332
01:01:10,200 --> 01:01:12,200
Speaker 1: to lose our friendship, and so they agreed that they

1333
01:01:12,240 --> 01:01:14,680
Speaker 1: were going to maintain their friendship. In this case, I

1334
01:01:14,720 --> 01:01:17,720
Speaker 1: could see saying, if you guys care about each other

1335
01:01:17,880 --> 01:01:20,439
Speaker 1: as friends, then you should try to make a friendship work.

1336
01:01:20,680 --> 01:01:22,720
Speaker 1: But I don't necessarily think like I don't want I

1337
01:01:22,760 --> 01:01:24,800
Speaker 1: didn't want this advice to be taken for me. I

1338
01:01:24,920 --> 01:01:27,160
Speaker 1: was thinking, like, I don't actually love the advice of like,

1339
01:01:27,240 --> 01:01:29,800
Speaker 1: be friends with all your exes six you know, you

1340
01:01:29,920 --> 01:01:31,520
Speaker 1: never know when things are going to work out.

1341
01:01:31,800 --> 01:01:32,200
Speaker 4: Trust me.

1342
01:01:32,400 --> 01:01:35,200
Speaker 2: They're all that, yeah, you let them go, but they

1343
01:01:35,440 --> 01:01:39,880
Speaker 2: gave a guilt tripping like once. But they were set

1344
01:01:39,920 --> 01:01:42,280
Speaker 2: it up though. They set it up that. And this

1345
01:01:42,400 --> 01:01:44,160
Speaker 2: is where the timeline is weird to me, because they've

1346
01:01:44,200 --> 01:01:45,920
Speaker 2: set it up that Cory and Topang have been friends

1347
01:01:45,960 --> 01:01:49,280
Speaker 2: for fifteen years, however old they are now, since they

1348
01:01:49,320 --> 01:01:53,320
Speaker 2: were tiny, and now they've been dating quote unquote for

1349
01:01:53,800 --> 01:01:56,640
Speaker 2: fourteen episodes worth, so not like half a You were

1350
01:01:56,680 --> 01:01:58,919
Speaker 2: not even a prom in one year. So right, they've

1351
01:01:58,920 --> 01:02:00,800
Speaker 2: been together what six months? Yeah?

1352
01:02:01,080 --> 01:02:02,720
Speaker 4: I think when they broke break up, didn't they say

1353
01:02:02,720 --> 01:02:03,680
Speaker 4: it had been three months?

1354
01:02:03,880 --> 01:02:04,200
Speaker 5: There you go?

1355
01:02:04,360 --> 01:02:04,800
Speaker 2: Three months?

1356
01:02:04,840 --> 01:02:07,040
Speaker 3: Yeas that I get where it's like, all right, we

1357
01:02:07,120 --> 01:02:09,880
Speaker 3: were friends for fifteen years, we dated for three months,

1358
01:02:10,200 --> 01:02:11,800
Speaker 3: let's go back to just being.

1359
01:02:11,680 --> 01:02:14,040
Speaker 1: Friends, and the reason we're breaking up is not because

1360
01:02:14,080 --> 01:02:16,800
Speaker 1: you did something terrible to me or you. You know,

1361
01:02:16,960 --> 01:02:19,360
Speaker 1: it's just because we've decided maybe we're in a rut,

1362
01:02:19,600 --> 01:02:21,080
Speaker 1: and so we're taking time away.

1363
01:02:23,680 --> 01:02:28,000
Speaker 2: Everybody in your hands three month run. Everyone knows it,

1364
01:02:28,280 --> 01:02:30,680
Speaker 2: everyone's been there. They all go to other towns and

1365
01:02:30,720 --> 01:02:34,160
Speaker 2: pretend to be friends. You don't you know that old story?

1366
01:02:35,120 --> 01:02:40,480
Speaker 2: What is so weird? It is so bizarre Cory t

1367
01:02:40,600 --> 01:02:44,240
Speaker 2: Beanga acting like the old married couple. It doesn't make sense.

1368
01:02:44,640 --> 01:02:49,200
Speaker 2: I know U at least he's fair and measured. Become

1369
01:02:49,280 --> 01:02:52,600
Speaker 2: Wendy like that. I know that Wendy episode is just

1370
01:02:52,840 --> 01:02:55,200
Speaker 2: I think even Wendy would be like, WHOA tone it down.

1371
01:02:58,440 --> 01:03:00,760
Speaker 1: So then we're at the John Adams prom fashion show.

1372
01:03:00,840 --> 01:03:04,400
Speaker 1: Another thing you all know about them. Turner roalks into

1373
01:03:04,400 --> 01:03:06,000
Speaker 1: the green room and tells the students they have a

1374
01:03:06,080 --> 01:03:07,640
Speaker 1: line of parents out there. He needs them to all

1375
01:03:07,720 --> 01:03:09,600
Speaker 1: line up as couples. He looks at the peg and

1376
01:03:09,680 --> 01:03:12,400
Speaker 1: says he doesn't see Matchos. To Penga says she doesn't

1377
01:03:12,440 --> 01:03:15,800
Speaker 1: think he'll show up. Turner assures her Matchoos wouldn't let

1378
01:03:15,840 --> 01:03:19,640
Speaker 1: her down. Turner rocks up onto the fashion show stage

1379
01:03:19,680 --> 01:03:21,520
Speaker 1: and just generally.

1380
01:03:21,800 --> 01:03:25,560
Speaker 2: One clap, one they put one clap.

1381
01:03:26,040 --> 01:03:29,640
Speaker 1: We just interviewed to Mary Johnson. The laugher guy was like,

1382
01:03:29,760 --> 01:03:32,040
Speaker 1: you know what, we need one clap.

1383
01:03:32,760 --> 01:03:35,160
Speaker 2: And then there's this all these grown ups sitting like

1384
01:03:35,360 --> 01:03:40,280
Speaker 2: along the cotwalk. It's so, this is Tony being vintage

1385
01:03:40,640 --> 01:03:43,800
Speaker 2: awesome Tony when I'm on stage. Oh god, it's so

1386
01:03:44,080 --> 01:03:45,080
Speaker 2: funny to me, I was.

1387
01:03:45,440 --> 01:03:46,440
Speaker 5: I just saw Tony.

1388
01:03:46,920 --> 01:03:48,680
Speaker 2: I feel like I was just sitting in the audience

1389
01:03:48,720 --> 01:03:50,480
Speaker 2: by myself and he was just trying to make me laugh.

1390
01:03:50,520 --> 01:03:52,920
Speaker 2: I just thought, why are there grown ups in the audience,

1391
01:03:52,960 --> 01:03:54,000
Speaker 2: Like I understand.

1392
01:03:53,680 --> 01:03:56,560
Speaker 3: The parents of these people in the fashion show, they

1393
01:03:56,560 --> 01:03:59,040
Speaker 3: were going to buy the things for their kids, basically correct,

1394
01:03:59,360 --> 01:04:01,439
Speaker 3: do you want to know that exactly a bit? Kids

1395
01:04:01,480 --> 01:04:03,400
Speaker 3: should be watching the fashion show and then they go

1396
01:04:03,560 --> 01:04:05,160
Speaker 3: tell their parents, I want to buy this one from

1397
01:04:05,200 --> 01:04:05,680
Speaker 3: the catalog.

1398
01:04:05,960 --> 01:04:08,480
Speaker 2: I think we're not looking at the darkness that it

1399
01:04:08,600 --> 01:04:11,880
Speaker 2: could be where this is. Actually the children are for sale.

1400
01:04:13,840 --> 01:04:17,000
Speaker 3: That's the thing that they're not. It is a taken situation.

1401
01:04:18,280 --> 01:04:21,040
Speaker 3: So this is bad all the way around.

1402
01:04:20,920 --> 01:04:21,720
Speaker 2: Is what's happening.

1403
01:04:22,200 --> 01:04:23,800
Speaker 1: Yeah, it doesn't make it.

1404
01:04:24,000 --> 01:04:27,520
Speaker 2: Make any sense. You also don't buy tuxedos for your prom.

1405
01:04:27,640 --> 01:04:30,440
Speaker 2: What fifteen year old buys their TUXI I'm I'm all

1406
01:04:30,480 --> 01:04:32,600
Speaker 2: in on this. No, you rent it for the night.

1407
01:04:32,720 --> 01:04:33,280
Speaker 2: It's stays.

1408
01:04:33,280 --> 01:04:35,240
Speaker 4: He doesn't go out there.

1409
01:04:35,400 --> 01:04:37,400
Speaker 1: And maybe when he says if there's anything you want

1410
01:04:37,440 --> 01:04:39,760
Speaker 1: to buy for your kids, it does mean rent instead

1411
01:04:39,800 --> 01:04:42,040
Speaker 1: of buy, Like maybe it is a if you see

1412
01:04:42,120 --> 01:04:45,040
Speaker 1: the outfit you want your kid to wear to prom,

1413
01:04:45,280 --> 01:04:47,000
Speaker 1: go fill it out and rent it for the evening.

1414
01:04:47,120 --> 01:04:49,800
Speaker 3: I just tell you they're wearing I saw it the

1415
01:04:49,840 --> 01:04:52,560
Speaker 3: prom fashion fest. You're wearing the nice thing that that

1416
01:04:52,680 --> 01:04:55,600
Speaker 3: boy Corey was wearing the prom fashion fest that you

1417
01:04:55,680 --> 01:04:56,320
Speaker 3: were not invited.

1418
01:04:56,920 --> 01:04:57,520
Speaker 2: You get to wear.

1419
01:04:58,120 --> 01:04:59,840
Speaker 1: We get to one of the outfits. Later, one of

1420
01:04:59,880 --> 01:05:02,840
Speaker 1: the guys is wearing a tuxedo with a ruffled shirt.

1421
01:05:02,640 --> 01:05:03,800
Speaker 2: To ruff the vampire.

1422
01:05:03,960 --> 01:05:04,320
Speaker 6: It does.

1423
01:05:04,480 --> 01:05:08,160
Speaker 2: It's great, It's the best. Oh I love it so much.

1424
01:05:08,400 --> 01:05:11,160
Speaker 1: Oh my gosh, I love it so much. Okay, so

1425
01:05:11,960 --> 01:05:15,040
Speaker 1: we get the one clap entrance and Turner says, welcome

1426
01:05:15,080 --> 01:05:18,320
Speaker 1: to the annual second or third or whatever annual fashion thing.

1427
01:05:18,680 --> 01:05:21,000
Speaker 1: He clarifies that he's filling in for missus Buckley, who's

1428
01:05:21,040 --> 01:05:22,880
Speaker 1: home hacking up all kinds of good stuff.

1429
01:05:23,120 --> 01:05:23,680
Speaker 4: Lucky her.

1430
01:05:24,040 --> 01:05:25,880
Speaker 2: He was great, so funny.

1431
01:05:26,080 --> 01:05:28,120
Speaker 4: He tells everyone. There's order forms on the table.

1432
01:05:28,200 --> 01:05:31,040
Speaker 1: If anyone likes the outfits they see, if they have questions,

1433
01:05:31,160 --> 01:05:34,120
Speaker 1: don't ask him, because this outfit is the nicest thing

1434
01:05:34,200 --> 01:05:34,640
Speaker 1: he owns.

1435
01:05:35,000 --> 01:05:37,160
Speaker 4: He laughs, but no one laughs along with him.

1436
01:05:37,720 --> 01:05:40,480
Speaker 1: Tapanga is standing in the classroom all alone as all

1437
01:05:40,600 --> 01:05:42,600
Speaker 1: the other couples go out and do the fashion show.

1438
01:05:42,880 --> 01:05:45,440
Speaker 1: She throws her corsage in the trash, and then right

1439
01:05:45,520 --> 01:05:49,120
Speaker 1: then Corey walks in, apologizing for being late. He tells

1440
01:05:49,160 --> 01:05:52,000
Speaker 1: her they should go, and Topanga stops him. And here's

1441
01:05:52,040 --> 01:05:54,480
Speaker 1: where this is the scene writer, you wanted to get to. Yeah,

1442
01:05:55,400 --> 01:05:57,840
Speaker 1: and I see your point is that it happens with Tapanga.

1443
01:05:57,880 --> 01:05:59,680
Speaker 1: But at the end of the last scene with his

1444
01:05:59,760 --> 01:06:03,480
Speaker 1: pant parents them saying you don't throw away your friendship

1445
01:06:04,000 --> 01:06:06,880
Speaker 1: lands on Corey. The scene ends on his face of

1446
01:06:06,960 --> 01:06:11,160
Speaker 1: him digesting this, which is like, so, you're right, I

1447
01:06:11,280 --> 01:06:16,040
Speaker 1: made the mistake. I made an immature, emotional mistake by

1448
01:06:16,160 --> 01:06:17,680
Speaker 1: yelling at her that I didn't want to be her

1449
01:06:17,720 --> 01:06:22,440
Speaker 1: friend anymore, and I want to correct it. I would

1450
01:06:22,480 --> 01:06:25,720
Speaker 1: have loved for him to actually, he does say. He

1451
01:06:25,800 --> 01:06:27,440
Speaker 1: does say, I don't mean that, but I would have

1452
01:06:27,560 --> 01:06:30,640
Speaker 1: loved There's still like some stuff that hasn't been resolved.

1453
01:06:30,800 --> 01:06:31,600
Speaker 2: An apology.

1454
01:06:31,880 --> 01:06:37,640
Speaker 1: Maybe I'm saying sorry would be nice. Also, maybe saying listen,

1455
01:06:37,720 --> 01:06:40,000
Speaker 1: I thought about it. You didn't do anything wrong, but

1456
01:06:40,720 --> 01:06:42,840
Speaker 1: I really it made me realize that I still have

1457
01:06:42,920 --> 01:06:45,680
Speaker 1: feelings for you. But I guess they wanted to drag

1458
01:06:45,760 --> 01:06:48,120
Speaker 1: it out a little longer. Let's keep them apart, let's

1459
01:06:48,120 --> 01:06:50,360
Speaker 1: see if we can keep the tension going. So they

1460
01:06:50,400 --> 01:06:53,400
Speaker 1: don't do that yet. So she says the other day,

1461
01:06:53,440 --> 01:06:55,439
Speaker 1: when Corey told her he didn't want to be her friend,

1462
01:06:55,600 --> 01:06:59,280
Speaker 1: it really hurt her. So yet again to Penga, Corey

1463
01:06:59,360 --> 01:07:01,160
Speaker 1: comes in and is just be like, come on, let's go.

1464
01:07:01,280 --> 01:07:05,680
Speaker 1: He's ready to just pretend to my friends. And she goes, no,

1465
01:07:06,320 --> 01:07:10,280
Speaker 1: hold on, what you said really hurt me. Just mature

1466
01:07:10,400 --> 01:07:14,040
Speaker 1: and phenomenal. And he says scoffs and goes, yeah, and

1467
01:07:14,080 --> 01:07:16,200
Speaker 1: I felt great when I saw you kissing that guy.

1468
01:07:16,840 --> 01:07:18,200
Speaker 1: Oh oh god.

1469
01:07:19,200 --> 01:07:21,840
Speaker 3: Still guilty in her like trying to make her feel guilty.

1470
01:07:21,880 --> 01:07:27,160
Speaker 2: She's not even saying I'm sorry, I've thought about it.

1471
01:07:27,520 --> 01:07:28,120
Speaker 3: It was wrong.

1472
01:07:28,600 --> 01:07:31,600
Speaker 1: No, and then Topanga says Nick has nothing to do

1473
01:07:31,760 --> 01:07:36,640
Speaker 1: with him again valid point. Corey responds, must you use

1474
01:07:36,720 --> 01:07:39,680
Speaker 1: his name? Now? I'm back to thinking that's funny see

1475
01:07:39,760 --> 01:07:42,600
Speaker 1: another funny thing where like jumping on the back. It's

1476
01:07:42,640 --> 01:07:44,800
Speaker 1: okay to have things like call him something else. I

1477
01:07:44,880 --> 01:07:47,640
Speaker 1: don't want to hear you say his name funny. To

1478
01:07:47,760 --> 01:07:51,360
Speaker 1: Pega says, h tells Corey he's being crazy because he is,

1479
01:07:51,720 --> 01:07:54,000
Speaker 1: and Corey says she's being crazy. You and I have

1480
01:07:54,080 --> 01:07:56,080
Speaker 1: known each other our entire lives, and it took us

1481
01:07:56,200 --> 01:07:58,720
Speaker 1: fourteen years to kiss each other the way you kissed him.

1482
01:07:59,160 --> 01:08:01,600
Speaker 1: And Topeka says she didn't kiss him like she kissed Corey.

1483
01:08:01,880 --> 01:08:04,560
Speaker 1: And now's where we get into the weird science about and.

1484
01:08:06,040 --> 01:08:12,320
Speaker 3: What is the special kisses that pengasses?

1485
01:08:12,680 --> 01:08:16,920
Speaker 1: Yet it wasn't that Apparently I guess, I mean, I guess.

1486
01:08:17,640 --> 01:08:19,240
Speaker 1: To Penga says she didn' kiss him the way she

1487
01:08:19,360 --> 01:08:22,960
Speaker 1: kisses Corey. He responds, Oh great, I'm dancing now, And

1488
01:08:23,040 --> 01:08:26,160
Speaker 1: to Panga explains Nick is just a guy I'm going

1489
01:08:26,200 --> 01:08:27,760
Speaker 1: out with. I don't care about him the way I

1490
01:08:27,840 --> 01:08:30,760
Speaker 1: cared about you. We're only seeing other people because what

1491
01:08:30,920 --> 01:08:34,439
Speaker 1: else are we supposed to do? Great opportunity to say

1492
01:08:35,240 --> 01:08:36,920
Speaker 1: I still a feelings for you. Maybe we should get

1493
01:08:36,920 --> 01:08:39,559
Speaker 1: back together. That's what I've been feeling. And Corey says,

1494
01:08:39,640 --> 01:08:42,439
Speaker 1: I'm supposed to see other people. You're supposed to wait

1495
01:08:42,520 --> 01:08:45,280
Speaker 1: until I die, which, again, at least is a funny line,

1496
01:08:45,320 --> 01:08:50,400
Speaker 1: over the top funny I can get behind ridiculous exactly.

1497
01:08:50,560 --> 01:08:54,360
Speaker 1: He knows it's ridiculous. She knows it's ridiculous. They both

1498
01:08:54,400 --> 01:08:56,240
Speaker 1: smile and to Penga says, Corey, if it makes you

1499
01:08:56,320 --> 01:08:58,320
Speaker 1: feel any better, the first time I see you kissing

1500
01:08:58,360 --> 01:08:59,880
Speaker 1: someone else, I'll jump on her back.

1501
01:09:00,680 --> 01:09:01,000
Speaker 3: I think.

1502
01:09:01,200 --> 01:09:03,639
Speaker 1: I think it's very cute that she matches his over

1503
01:09:03,720 --> 01:09:07,840
Speaker 1: the top joky energy with listen to put a to put.

1504
01:09:07,720 --> 01:09:08,240
Speaker 2: A button on this.

1505
01:09:08,479 --> 01:09:10,800
Speaker 1: I'll also be crazy when I when I see it,

1506
01:09:10,880 --> 01:09:12,920
Speaker 1: And he says, are you serious, and she says no,

1507
01:09:13,120 --> 01:09:15,799
Speaker 1: she won't. She probably won't do that, but she'll definitely

1508
01:09:15,920 --> 01:09:16,479
Speaker 1: feel like it.

1509
01:09:18,360 --> 01:09:18,639
Speaker 2: Great.

1510
01:09:19,920 --> 01:09:22,160
Speaker 1: Tapanga fixes Corey's bow tie and he admits that he

1511
01:09:22,200 --> 01:09:24,320
Speaker 1: wants to be friends with her. She smiles and kisses

1512
01:09:24,400 --> 01:09:28,680
Speaker 1: him on the cheek, and he says, yeah, all right, you.

1513
01:09:28,760 --> 01:09:32,800
Speaker 2: Are so good in this scene. Yeah. Is you like

1514
01:09:33,080 --> 01:09:35,840
Speaker 2: having arrived as an actor? It's so great? Yeah?

1515
01:09:35,960 --> 01:09:37,840
Speaker 3: Yeah, But it's a bummer of a scene to me.

1516
01:09:37,960 --> 01:09:40,880
Speaker 3: It just feels it feels like a non resolution, you know,

1517
01:09:40,960 --> 01:09:45,320
Speaker 3: it feels like Corey is still being rewarded for exactly

1518
01:09:45,520 --> 01:09:48,439
Speaker 3: being a pisshant, like he's just like stomping his foot,

1519
01:09:48,560 --> 01:09:52,120
Speaker 3: and Topanga has has the adjustment to Panga fixes the

1520
01:09:52,200 --> 01:09:53,920
Speaker 3: bow tie and says, it's okay.

1521
01:09:54,320 --> 01:09:57,320
Speaker 2: I'll do it. I'll also react as poorly as you.

1522
01:09:57,600 --> 01:10:00,400
Speaker 3: Therefore, the fact that you've been this is you instead

1523
01:10:00,400 --> 01:10:03,080
Speaker 3: of like him ever just saying like it's so bad

1524
01:10:03,200 --> 01:10:05,160
Speaker 3: and I'm so stupid and I'm so sorry.

1525
01:10:05,240 --> 01:10:07,080
Speaker 2: I don't want to make you feel bad for making out.

1526
01:10:07,280 --> 01:10:09,679
Speaker 3: It's like she's like, well, the making out doesn't really matter,

1527
01:10:09,800 --> 01:10:13,080
Speaker 3: so right, you overreact, You overreacting to the making out

1528
01:10:13,240 --> 01:10:15,800
Speaker 3: was appropriate because it wasn't special, and.

1529
01:10:16,000 --> 01:10:17,680
Speaker 1: Right because you thought it was special. But guess what,

1530
01:10:17,760 --> 01:10:19,760
Speaker 1: it actually wasn't special. And he's like, oh, if it's

1531
01:10:19,800 --> 01:10:22,760
Speaker 1: not special, then it's I guess it's fine what you

1532
01:10:22,840 --> 01:10:29,479
Speaker 1: were doing, I know, And then Turner runs in, Guys,

1533
01:10:29,560 --> 01:10:31,200
Speaker 1: come on, I've got some lady out there who wants

1534
01:10:31,240 --> 01:10:34,120
Speaker 1: to buy my clothes. Cory sticks out his arm for

1535
01:10:34,200 --> 01:10:36,400
Speaker 1: Topanga and they walk to the stage together. As they're

1536
01:10:36,439 --> 01:10:39,320
Speaker 1: on the catwalk with a student dressed as a fancy

1537
01:10:39,479 --> 01:10:43,360
Speaker 1: vampire behind them. Interview with a vampire back there. It

1538
01:10:43,520 --> 01:10:48,080
Speaker 1: is behind them on stage. They are selling to the adults.

1539
01:10:48,080 --> 01:10:53,360
Speaker 1: Apparently Topanga. Thanks Corey for coming. He tells her, I'd

1540
01:10:53,439 --> 01:10:56,080
Speaker 1: never not be there for you, and we get a

1541
01:10:56,120 --> 01:11:10,880
Speaker 1: freeze frame. Okay, then we're in the Matthew's kitchen. Eric

1542
01:11:11,000 --> 01:11:13,000
Speaker 1: is at the table with new Morgan as he's filling

1543
01:11:13,000 --> 01:11:16,000
Speaker 1: out college applications. He asks what she's doing and Morgan

1544
01:11:16,000 --> 01:11:18,479
Speaker 1: tells him she's filling out college applications too. He laughs

1545
01:11:18,520 --> 01:11:20,320
Speaker 1: and says, are you kidding, You're only in third grade.

1546
01:11:20,640 --> 01:11:23,000
Speaker 1: Morgan reveals Corey said, if you can go to college,

1547
01:11:23,040 --> 01:11:27,240
Speaker 1: anybody can go to college if your family sucks.

1548
01:11:27,360 --> 01:11:27,559
Speaker 3: Man.

1549
01:11:27,800 --> 01:11:31,000
Speaker 2: It's again, no one likes Eric. He's not part of

1550
01:11:31,080 --> 01:11:35,080
Speaker 2: the family. But because he's not, why starting to think.

1551
01:11:36,400 --> 01:11:40,960
Speaker 4: Maybe that's a that is honestly that might have some legs.

1552
01:11:40,800 --> 01:11:43,559
Speaker 2: Alan, So that's what we think. Alan is not actually

1553
01:11:43,800 --> 01:11:44,360
Speaker 2: Eric's dad.

1554
01:11:48,360 --> 01:11:50,840
Speaker 5: Kid gosh.

1555
01:11:50,960 --> 01:11:53,880
Speaker 4: It's like Corey's like, oh, Eric can go to college.

1556
01:11:53,920 --> 01:11:54,400
Speaker 1: Anybody can.

1557
01:11:54,479 --> 01:11:56,479
Speaker 4: And then the little sister's like, yeah, that's a valid point.

1558
01:11:56,479 --> 01:11:58,559
Speaker 1: I'm going to start applying to colleges and no one's

1559
01:11:58,640 --> 01:12:02,439
Speaker 1: helping you with all your applications, Like it's just I

1560
01:12:02,479 --> 01:12:06,760
Speaker 1: feel so bad. So then she looks at her Eric

1561
01:12:06,840 --> 01:12:08,680
Speaker 1: wonders if it's time for her to go bother somebody else,

1562
01:12:08,720 --> 01:12:10,200
Speaker 1: and she looks at her watch and says, he's right.

1563
01:12:10,320 --> 01:12:12,759
Speaker 1: Shees Corey, I'm in your room. As she runs upstairs,

1564
01:12:13,080 --> 01:12:15,160
Speaker 1: Phoenie knocks on the back door and walks in. Eric

1565
01:12:15,200 --> 01:12:17,240
Speaker 1: tells him. He tells him he took his advice. He

1566
01:12:17,320 --> 01:12:20,240
Speaker 1: won't let the Boris fiasco face him. I thought again,

1567
01:12:20,479 --> 01:12:24,400
Speaker 1: I love this guy. He's he's just taken this loss

1568
01:12:24,479 --> 01:12:26,880
Speaker 1: and he's in a good mood and he's turning it around.

1569
01:12:27,200 --> 01:12:29,720
Speaker 1: For every rejection he was sent, he's sending out five

1570
01:12:29,840 --> 01:12:32,760
Speaker 1: new applications. He laughs that somebody's got a cave or

1571
01:12:32,840 --> 01:12:35,560
Speaker 1: make a clerical error. Phoene says that's very good. He

1572
01:12:35,640 --> 01:12:37,760
Speaker 1: holds up a letter and says this might be some help.

1573
01:12:38,080 --> 01:12:41,559
Speaker 1: It's a letter of recommendation that explains Eric has exceptional character,

1574
01:12:41,920 --> 01:12:44,360
Speaker 1: enormous potential, and is someone.

1575
01:12:44,160 --> 01:12:44,720
Speaker 4: He'd bet on.

1576
01:12:44,880 --> 01:12:47,439
Speaker 1: And I'm welling up reading it again and I cried

1577
01:12:48,880 --> 01:12:49,759
Speaker 1: when it happened.

1578
01:12:50,000 --> 01:12:52,439
Speaker 2: Yeah, it's a great it was really sweet way. This

1579
01:12:52,560 --> 01:12:55,519
Speaker 2: is probably the sweetest Eric Feenie episode.

1580
01:12:56,080 --> 01:12:59,879
Speaker 3: It's like all the all the like hygiens and joky

1581
01:13:00,120 --> 01:13:03,760
Speaker 3: situations aside, This is like Feenie really helping Eric out.

1582
01:13:03,800 --> 01:13:05,240
Speaker 2: It's lovely. Yeah, you know what.

1583
01:13:05,479 --> 01:13:07,200
Speaker 1: You know what else really struck me about it is

1584
01:13:07,920 --> 01:13:11,120
Speaker 1: I don't think I had registered on like a real,

1585
01:13:11,439 --> 01:13:15,479
Speaker 1: like conscious level, how many times Eric had mentioned a

1586
01:13:15,640 --> 01:13:19,880
Speaker 1: letter of recommendation from Feenie. And if I had registered that,

1587
01:13:20,200 --> 01:13:22,800
Speaker 1: I think I also would have then thought, well, that's

1588
01:13:22,880 --> 01:13:26,439
Speaker 1: so mean. Why wouldn't Phoenie write him something? So in

1589
01:13:26,520 --> 01:13:31,160
Speaker 1: this moment where he does get one, I was so

1590
01:13:31,600 --> 01:13:36,479
Speaker 1: like emotionally hit by the idea that feene hasn't been

1591
01:13:36,520 --> 01:13:39,519
Speaker 1: writing one because he wasn't exactly sure what to say

1592
01:13:39,560 --> 01:13:43,040
Speaker 1: about Eric that would be honest as a recommendation for college,

1593
01:13:43,080 --> 01:13:45,960
Speaker 1: because what do I say? He's been girl obsessed, He's

1594
01:13:46,200 --> 01:13:48,320
Speaker 1: not you know students, he's not a great student. He

1595
01:13:48,479 --> 01:13:50,920
Speaker 1: really focuses his energy in all the wrong places. But

1596
01:13:51,080 --> 01:13:54,000
Speaker 1: when he witnesses this thing that could have really knocked

1597
01:13:54,080 --> 01:13:56,880
Speaker 1: Eric down, and he's really proven how important college is

1598
01:13:56,920 --> 01:14:00,679
Speaker 1: to him. He has some very touching, sentimental, true things

1599
01:14:00,760 --> 01:14:03,680
Speaker 1: to say about him, and I just it made me

1600
01:14:03,760 --> 01:14:06,240
Speaker 1: feel like, oh god, I literally I just cried. It

1601
01:14:06,320 --> 01:14:09,759
Speaker 1: was it was really beautiful. So Eric looks at Phoenie

1602
01:14:09,800 --> 01:14:11,920
Speaker 1: and he tells him he can't speak. Phoene assures him

1603
01:14:11,920 --> 01:14:16,000
Speaker 1: he meant every word. Eric clarifies, no, I really can't talk.

1604
01:14:16,080 --> 01:14:18,920
Speaker 1: I just sealed five hundred envelopes and he pulls out

1605
01:14:19,000 --> 01:14:21,200
Speaker 1: a giant stack of college applications and.

1606
01:14:21,240 --> 01:14:24,080
Speaker 2: Then we both laugh, and I think it was I

1607
01:14:24,120 --> 01:14:25,800
Speaker 2: think we did it. I think it was as an

1608
01:14:25,840 --> 01:14:27,920
Speaker 2: acting laugh. I was hoping that we actually broke. But

1609
01:14:28,040 --> 01:14:29,560
Speaker 2: I watched it again, I was like, no, there was

1610
01:14:29,560 --> 01:14:30,160
Speaker 2: an acting laugh.

1611
01:14:30,200 --> 01:14:32,200
Speaker 3: I wish it's like, I want to see one where

1612
01:14:32,280 --> 01:14:34,880
Speaker 3: Bill is like, I think Bill broke, but no, you're

1613
01:14:34,920 --> 01:14:35,560
Speaker 3: never going to get it.

1614
01:14:35,720 --> 01:14:38,800
Speaker 2: You're never going to get it. But no, those scenes

1615
01:14:38,840 --> 01:14:41,400
Speaker 2: were always my favorite because it's still I mean, it's

1616
01:14:41,439 --> 01:14:44,120
Speaker 2: just he's so so beautiful.

1617
01:14:44,200 --> 01:14:46,240
Speaker 1: And again another moment where you know, here I was

1618
01:14:46,280 --> 01:14:49,360
Speaker 1: sitting there crying and then Eric ends on a goofy

1619
01:14:49,720 --> 01:14:52,000
Speaker 1: you know laugh of the five hundred envelopes and you

1620
01:14:52,080 --> 01:14:54,160
Speaker 1: guys both laugh. So I, you know, it's just very

1621
01:14:54,200 --> 01:14:58,160
Speaker 1: sweet and so yeah. So I actually I love the episode.

1622
01:14:58,200 --> 01:15:02,280
Speaker 1: I'm just bummed by that element of Corey. Yeah, that

1623
01:15:02,880 --> 01:15:06,120
Speaker 1: that we're all bummed by. It's like eugh, because it's

1624
01:15:06,160 --> 01:15:07,559
Speaker 1: so the rest of it's so good.

1625
01:15:07,800 --> 01:15:08,559
Speaker 2: Yep, I agree.

1626
01:15:09,640 --> 01:15:12,680
Speaker 1: Yeah, Well, join us for our next episode, Season three,

1627
01:15:12,760 --> 01:15:15,719
Speaker 1: episode fifteen, The Heart is a Lonely Hunter. It originally

1628
01:15:15,760 --> 01:15:19,400
Speaker 1: aired February second, nineteen ninety six. As always, you can

1629
01:15:19,439 --> 01:15:22,320
Speaker 1: follow us on Instagram Podmeetsworldshow dot com. You can send

1630
01:15:22,400 --> 01:15:25,160
Speaker 1: us your emails Podmeets World Show at gmail dot com,

1631
01:15:25,520 --> 01:15:30,320
Speaker 1: and we have merch march.

1632
01:15:31,520 --> 01:15:33,960
Speaker 2: What's that one? I don't know. I didn't for for god,

1633
01:15:33,960 --> 01:15:35,400
Speaker 2: I was gonna do it to be totally honest with you,

1634
01:15:37,520 --> 01:15:40,719
Speaker 2: a writer, send us out. We love you all. Pod dismissed.

1635
01:15:42,439 --> 01:15:45,840
Speaker 3: Podmeets World is an iHeart podcast producer hosted by Danielle Fischel,

1636
01:15:45,880 --> 01:15:50,040
Speaker 3: Wilfridell and Ryder Strong Executive producers Jensen Karp and Amy Sugarman,

1637
01:15:50,200 --> 01:15:53,360
Speaker 3: Executive in charge of production, Danielle Romo, producer and editor,

1638
01:15:53,400 --> 01:15:57,320
Speaker 3: Tarasubasch producer, Maddie Moore engineer and Boy meets World Superman

1639
01:15:57,479 --> 01:16:00,240
Speaker 3: Easton All. Our theme song is by Kyle mo Whorton

1640
01:16:00,320 --> 01:16:03,439
Speaker 3: of Typhoon. Follow us on Instagram at Podmets World Show

1641
01:16:03,640 --> 01:16:10,000
Speaker 3: or email us at podmetsworldshowat gmail dot com. M