1 00:00:00,240 --> 00:00:03,520 Speaker 1: Please be advised the following episode contained scenes of an 2 00:00:03,520 --> 00:00:07,040 Speaker 1: extremely graphic nature that may be distressing for some listeners. 3 00:00:07,720 --> 00:00:20,680 Speaker 1: As the flames rolled ever higher into the night sky, 4 00:00:21,520 --> 00:00:24,440 Speaker 1: the thick clouds that had been so gray only hours 5 00:00:24,480 --> 00:00:28,360 Speaker 1: before were now lit up, turning a strange shade of 6 00:00:28,400 --> 00:00:33,040 Speaker 1: sanguine in the process. It gave the impression, if only 7 00:00:33,080 --> 00:00:36,040 Speaker 1: just for a moment, that it wasn't drops of rain 8 00:00:36,200 --> 00:00:41,960 Speaker 1: that were falling, but drops of blood. As the merciless 9 00:00:42,000 --> 00:00:46,680 Speaker 1: downpour continued, mixed with flashes of lightning and eruptions of thunder, 10 00:00:47,760 --> 00:00:50,440 Speaker 1: it was as if everything had been turned on its head, 11 00:00:51,400 --> 00:00:56,800 Speaker 1: the heavens above replaced by the bowels of hell. But 12 00:00:56,960 --> 00:01:02,120 Speaker 1: where heaven had gone to exactly none could say. For surely, 13 00:01:02,440 --> 00:01:07,399 Speaker 1: wherever it was, it certainly wasn't down here. The East 14 00:01:07,520 --> 00:01:13,080 Speaker 1: end of London, eighteen eighty eight. The fires had begun 15 00:01:13,240 --> 00:01:16,720 Speaker 1: sometime in the evening, the first having broken out at 16 00:01:16,720 --> 00:01:21,000 Speaker 1: the South Key warehouses. A scent of charcoal had blown 17 00:01:21,040 --> 00:01:25,319 Speaker 1: softly through the streets before the fire announced itself with 18 00:01:25,400 --> 00:01:30,119 Speaker 1: an immense explosion from out of the dockyard. Before long, 19 00:01:30,560 --> 00:01:34,080 Speaker 1: two hundred yards of warehouse stuffed with the dubious spoils 20 00:01:34,120 --> 00:01:38,840 Speaker 1: of colonial practices were ablaze under that reddening August sky, 21 00:01:39,480 --> 00:01:44,600 Speaker 1: flashing with electricity, each jagged discharge appearing like rips in 22 00:01:44,640 --> 00:01:48,360 Speaker 1: the air, cracks that might at any point be opened 23 00:01:48,480 --> 00:01:56,520 Speaker 1: up for something abominable to come through. Three hours later, 24 00:01:56,840 --> 00:02:00,080 Speaker 1: with the help of twelve steam pumper fire engines and 25 00:02:00,120 --> 00:02:04,720 Speaker 1: almost a hundred firefighters, the flames were subdued and the 26 00:02:04,800 --> 00:02:09,639 Speaker 1: men able to return to their beds. But chaos will 27 00:02:09,720 --> 00:02:14,800 Speaker 1: not be stilled at Shortly before one o'clock, another call 28 00:02:14,919 --> 00:02:18,960 Speaker 1: came in. A second fire had broken out at Ratcliff 29 00:02:19,040 --> 00:02:24,120 Speaker 1: dry Dock, even more devastating than the first. A large 30 00:02:24,200 --> 00:02:28,560 Speaker 1: two story warehouse was soon consumed. The flames then danced 31 00:02:28,600 --> 00:02:31,600 Speaker 1: on the wind across the yard and set light to 32 00:02:31,639 --> 00:02:35,359 Speaker 1: a sailing ship fresh in for repairs, before making their 33 00:02:35,400 --> 00:02:38,920 Speaker 1: way to the mother load, a one hundred and twenty 34 00:02:38,919 --> 00:02:42,440 Speaker 1: foot long warehouse stuffed with eight hundred tons of coal. 35 00:02:44,520 --> 00:02:48,560 Speaker 1: Hundreds of nearby residents crammed into the surrounding tenements, now 36 00:02:48,639 --> 00:02:52,520 Speaker 1: threatened by the flames, poured into the street fearing for 37 00:02:52,560 --> 00:02:57,720 Speaker 1: their lives. Others drawn in by the strange confluence of chaos, 38 00:02:58,080 --> 00:03:03,000 Speaker 1: beauty and destruction, came simply to watch the ominous spectacle. 39 00:03:04,600 --> 00:03:07,760 Speaker 1: One face among them was fifty year old Emily Holland, 40 00:03:08,480 --> 00:03:11,840 Speaker 1: a long time resident of the East End's Whitechapel district, 41 00:03:12,840 --> 00:03:15,919 Speaker 1: a woman for whom the spectacle was a welcome respite 42 00:03:16,000 --> 00:03:18,880 Speaker 1: from the hellish existence of a life spent on the 43 00:03:18,960 --> 00:03:23,280 Speaker 1: margins of society, doing anything to stay afloat in the gutter, 44 00:03:24,360 --> 00:03:26,799 Speaker 1: where any distraction from the sheer truth of it all 45 00:03:27,560 --> 00:03:31,919 Speaker 1: was about as much as you could hope for. You're 46 00:03:31,960 --> 00:03:46,520 Speaker 1: listening to Unexplained and I'm Richard mc lane Smith. Having 47 00:03:46,560 --> 00:03:50,920 Speaker 1: seen enough of the fire, Emily set off back towards Wilmot's, 48 00:03:51,320 --> 00:03:54,480 Speaker 1: a roughly twenty minute walk away, where she shared one 49 00:03:54,600 --> 00:03:58,840 Speaker 1: room with five other women. Framed by the deep red 50 00:03:58,840 --> 00:04:02,040 Speaker 1: sky above, she made her way west along the main 51 00:04:02,120 --> 00:04:06,240 Speaker 1: thoroughfare of Commercial Road, careful to stay away from the 52 00:04:06,280 --> 00:04:10,080 Speaker 1: many narrow roads and unlit alleyways, but branched off it, 53 00:04:10,920 --> 00:04:13,560 Speaker 1: for she was only too aware of what horrors might 54 00:04:13,600 --> 00:04:18,480 Speaker 1: await women who walk through such places alone. No doubt 55 00:04:18,960 --> 00:04:25,200 Speaker 1: each of them had a story. Five months previously, forty 56 00:04:25,200 --> 00:04:29,279 Speaker 1: five year old local resident Emma Smith was brutally raped 57 00:04:29,360 --> 00:04:32,320 Speaker 1: and beaten on an unlit corner of near by Brick 58 00:04:32,400 --> 00:04:36,560 Speaker 1: Lane by four young men who finished their assault by 59 00:04:36,680 --> 00:04:40,400 Speaker 1: jabbing a blunt object into her vagina, ripping through the 60 00:04:40,440 --> 00:04:46,040 Speaker 1: internal wall. After the assault, Smith had stood up and 61 00:04:46,160 --> 00:04:50,479 Speaker 1: walked alone back to her lodgings against her will. The 62 00:04:50,560 --> 00:04:54,120 Speaker 1: lodgings manager helped her to a nearby hospital, where she 63 00:04:54,200 --> 00:05:00,400 Speaker 1: later succumbed to her injuries. Only three weeks ago, the 64 00:05:00,520 --> 00:05:04,320 Speaker 1: body of thirty nine year old Martha Tabrim was found 65 00:05:04,320 --> 00:05:07,279 Speaker 1: in the stairwell of a building on George Yard, which 66 00:05:07,360 --> 00:05:12,039 Speaker 1: ran parallel to Brick Lane. Tabrim, who occasionally carried out 67 00:05:12,080 --> 00:05:14,800 Speaker 1: sex work, had been last seen heading off with a 68 00:05:14,880 --> 00:05:18,040 Speaker 1: client before her body was discovered in a pool of blood, 69 00:05:19,000 --> 00:05:22,080 Speaker 1: left displayed in such a way by her killer in 70 00:05:22,120 --> 00:05:26,279 Speaker 1: an effort to inflict maximum shame on the woman. She 71 00:05:26,400 --> 00:05:30,880 Speaker 1: had been stabbed twenty one times across the body, predominantly 72 00:05:31,000 --> 00:05:36,960 Speaker 1: in the breasts and around the groin. Only minutes away 73 00:05:37,000 --> 00:05:40,720 Speaker 1: from Wilmot's, Emily turns into Osborne Street at the bottom 74 00:05:40,720 --> 00:05:44,400 Speaker 1: of Brick Lane, where she spots her friend and fellow lodger, 75 00:05:44,800 --> 00:05:49,480 Speaker 1: Polly Nicholls, stumbling down the road. She didn't recognize her 76 00:05:49,520 --> 00:05:52,480 Speaker 1: at first, owing to the new black straw bonnet she 77 00:05:52,560 --> 00:05:57,040 Speaker 1: was wearing. It was good to see her, since although 78 00:05:57,080 --> 00:05:59,480 Speaker 1: she had lodged at Wilmot's for the last six weeks, 79 00:06:00,080 --> 00:06:04,239 Speaker 1: she had recently been staying somewhere else. As it happened, 80 00:06:04,760 --> 00:06:07,120 Speaker 1: Polly had just been back to Wilmot's to ask for 81 00:06:07,160 --> 00:06:09,719 Speaker 1: a bed for that night, but had been told to 82 00:06:09,720 --> 00:06:13,000 Speaker 1: come back when she had the money for it. Clearly 83 00:06:13,040 --> 00:06:16,080 Speaker 1: a little drunk, she joked about how she had made 84 00:06:16,160 --> 00:06:18,800 Speaker 1: three times the amount for a bed already that night, 85 00:06:19,680 --> 00:06:24,000 Speaker 1: only to drink it all away. The type of service 86 00:06:24,040 --> 00:06:27,000 Speaker 1: that Polly was supplying that evening could be had for 87 00:06:27,040 --> 00:06:30,560 Speaker 1: as little as threepence, the price of a large glass 88 00:06:30,560 --> 00:06:36,479 Speaker 1: of chin. Worried for her friend, Emily tries to convince 89 00:06:36,520 --> 00:06:39,720 Speaker 1: her to come back to Wilmot's. Perhaps they can make 90 00:06:39,720 --> 00:06:44,000 Speaker 1: a bargain with the deputy, she says, but Polly refuses, 91 00:06:44,640 --> 00:06:48,279 Speaker 1: deciding instead to try the White House, a lodging only 92 00:06:48,320 --> 00:06:51,200 Speaker 1: a few minutes away on Flower and Dean Street that 93 00:06:51,320 --> 00:06:56,280 Speaker 1: permitted sex workers to use their beds. The pair say 94 00:06:56,279 --> 00:06:59,640 Speaker 1: there goodbyes as a nearby church bell makes the chime 95 00:07:00,120 --> 00:07:06,200 Speaker 1: two thirty am Emily watches her friend stumbled down Whitechapel 96 00:07:06,279 --> 00:07:11,120 Speaker 1: Road as the rains continue to fall. She hated to 97 00:07:11,200 --> 00:07:13,960 Speaker 1: leave her on her own, especially in such a state, 98 00:07:14,720 --> 00:07:18,280 Speaker 1: but reassures herself that at forty four years old and 99 00:07:18,440 --> 00:07:22,760 Speaker 1: no stranger to this world, Polly was more than able 100 00:07:23,000 --> 00:07:37,160 Speaker 1: to look after herself. An hour later, thirty nine year 101 00:07:37,200 --> 00:07:41,280 Speaker 1: old cart driver Charles cross steps into the cool early 102 00:07:41,400 --> 00:07:44,119 Speaker 1: morning air and sets off on his way to work. 103 00:07:45,680 --> 00:07:48,800 Speaker 1: Turning into the darkness of Buck's Row, he made his 104 00:07:48,920 --> 00:07:51,840 Speaker 1: way hurriedly towards the sanctuary of the soft light of 105 00:07:51,840 --> 00:07:55,720 Speaker 1: a gas lamp. At the far end, he notices what 106 00:07:55,840 --> 00:07:59,080 Speaker 1: looks like a tarpaulin lying on the pavement just ahead 107 00:07:59,080 --> 00:08:03,080 Speaker 1: of him, but as he draws closer, he realizes it 108 00:08:03,240 --> 00:08:06,560 Speaker 1: is in fact the body of a woman lying unconscious 109 00:08:06,640 --> 00:08:11,040 Speaker 1: in the street. Spotting his friend Robert Paul at the 110 00:08:11,080 --> 00:08:15,160 Speaker 1: other end, he calls him over. I think she's dead, 111 00:08:15,400 --> 00:08:19,680 Speaker 1: he says, as Paul bends down to examine her, checking 112 00:08:19,680 --> 00:08:23,800 Speaker 1: her wrist for a pulse. She's breathing, but it's little 113 00:08:23,840 --> 00:08:29,000 Speaker 1: if she is, he says, looking furtively about the street. However, 114 00:08:29,280 --> 00:08:32,040 Speaker 1: not wanting to be late for work, the two men 115 00:08:32,120 --> 00:08:35,520 Speaker 1: decide to leave her, agreeing only to alert the first 116 00:08:35,559 --> 00:08:42,280 Speaker 1: policeman they see. Minutes later, P. C. John Neil, walking 117 00:08:42,320 --> 00:08:46,840 Speaker 1: his usual beat turned into Buck's row. Angling his light 118 00:08:46,920 --> 00:08:49,840 Speaker 1: into the dimness, he spots the body and hurries over 119 00:08:49,880 --> 00:08:53,079 Speaker 1: to it. He calls out to the woman but gets 120 00:08:53,120 --> 00:08:57,640 Speaker 1: no response. Bending down, he holds the light to her 121 00:08:57,679 --> 00:09:01,040 Speaker 1: face and recoils in horror at the sight of blood 122 00:09:01,600 --> 00:09:05,480 Speaker 1: leaking out of a deep wound around the neck. Her 123 00:09:05,520 --> 00:09:11,480 Speaker 1: eyes still open wide frozen in shock, he placed the 124 00:09:11,520 --> 00:09:16,120 Speaker 1: lamp on the pavement, illuminating a black straw bonnet left 125 00:09:16,240 --> 00:09:21,000 Speaker 1: upturned next to the body. Seeing two colleagues enter the street, 126 00:09:21,559 --> 00:09:26,079 Speaker 1: he calls for them to fetch a doctor immediately. By 127 00:09:26,080 --> 00:09:30,160 Speaker 1: the time doctor Llewelyn arrives minutes later, the woman is dead. 128 00:09:31,840 --> 00:09:34,880 Speaker 1: Inspecting the body at the scene, it was clear that 129 00:09:34,920 --> 00:09:37,480 Speaker 1: she had bled to death due to the severity of 130 00:09:37,520 --> 00:09:41,920 Speaker 1: two brutal cuts to her neck, each reaching from one 131 00:09:41,960 --> 00:09:45,280 Speaker 1: ear to the middle of the throat, cutting all the 132 00:09:45,320 --> 00:09:49,920 Speaker 1: way back to the vertebrae. Since there are no signs 133 00:09:49,920 --> 00:09:53,120 Speaker 1: of blood on the woman's clothing, the doctor assumes there 134 00:09:53,120 --> 00:09:58,800 Speaker 1: are no other injuries. Noticing a large crowd gathering, Llewellyn 135 00:09:58,880 --> 00:10:01,080 Speaker 1: is keen to preserve what he can of the woman's 136 00:10:01,120 --> 00:10:04,839 Speaker 1: dignity and have the body removed to a moutree before 137 00:10:04,920 --> 00:10:11,000 Speaker 1: continuing his assessment. The crowd stare aghast as the body 138 00:10:11,080 --> 00:10:13,600 Speaker 1: is lifted from the pavement and placed in the back 139 00:10:13,640 --> 00:10:17,280 Speaker 1: of a police wagon as all about the surrounding streets 140 00:10:17,840 --> 00:10:22,600 Speaker 1: workers from the nearby slaughterhouses in blood spattered overalls lend 141 00:10:22,600 --> 00:10:28,640 Speaker 1: a further macabre edge to the proceedings. With the body 142 00:10:28,720 --> 00:10:33,439 Speaker 1: having finally been taken away, local resident James Green steps 143 00:10:33,480 --> 00:10:36,560 Speaker 1: forward into the space and throws a bucket full of 144 00:10:36,559 --> 00:10:40,800 Speaker 1: water onto the ground, before sweeping the resultant bloody wash 145 00:10:41,160 --> 00:10:54,760 Speaker 1: into the gutter. An hour later, Llewellyn, who is now 146 00:10:54,800 --> 00:10:58,119 Speaker 1: back at home, receives a call from the police inspector 147 00:10:58,480 --> 00:11:02,280 Speaker 1: with a hint of grave concern in his voice. They 148 00:11:02,280 --> 00:11:07,600 Speaker 1: had discovered something else. Soon after, Llewellyn is led into 149 00:11:07,640 --> 00:11:11,400 Speaker 1: the morgue and toward the body, now lying prostrate on 150 00:11:11,480 --> 00:11:17,520 Speaker 1: an autopsy table. He gasps at the sight of it. 151 00:11:17,520 --> 00:11:21,000 Speaker 1: It was like nothing he had ever seen before. Three 152 00:11:21,040 --> 00:11:23,480 Speaker 1: inches from the left side, at the lower part of 153 00:11:23,480 --> 00:11:28,559 Speaker 1: the abdomen ran a very deep, jagged wound. It was 154 00:11:28,600 --> 00:11:31,680 Speaker 1: only one of four similar cuts that ran downward on 155 00:11:31,720 --> 00:11:35,320 Speaker 1: the right hand side, as if centered on the woman's womb. 156 00:11:36,960 --> 00:11:39,440 Speaker 1: All the cuts appeared to have been made with the 157 00:11:39,520 --> 00:11:45,080 Speaker 1: same long bladed knife and inflicted with a very deliberate brutality. 158 00:11:47,720 --> 00:11:51,320 Speaker 1: At the Wilmot lodging House, Emily Holland wakes to the 159 00:11:51,360 --> 00:11:56,120 Speaker 1: devastating news that yet another woman had been murdered. For 160 00:11:56,160 --> 00:11:59,679 Speaker 1: a moment, she sees Polly's face as it disappears into 161 00:11:59,679 --> 00:12:04,400 Speaker 1: the sheds of Whitechapel Road. A short time later, she 162 00:12:04,480 --> 00:12:07,720 Speaker 1: learns the news from Mary Anne Monk, another friend of 163 00:12:07,760 --> 00:12:12,000 Speaker 1: Polly's whom she had met at Lambeth Workhouse, that the 164 00:12:12,040 --> 00:12:18,840 Speaker 1: dead woman was indeed Polly. A devastated Emily will later 165 00:12:18,880 --> 00:12:22,280 Speaker 1: travel to the mark herself that day to identify her 166 00:12:22,280 --> 00:12:26,920 Speaker 1: friend at the inquest to Polly's death. On being asked 167 00:12:26,960 --> 00:12:28,960 Speaker 1: if he knew anyone who might have done this to 168 00:12:29,000 --> 00:12:33,080 Speaker 1: his daughter, her father will reply, I don't think she 169 00:12:33,160 --> 00:12:42,400 Speaker 1: had any enemies. She was too good for that. Are 170 00:12:42,440 --> 00:12:45,319 Speaker 1: you always taking care of your family? Do you often 171 00:12:45,360 --> 00:12:48,440 Speaker 1: take care of others and not yourself? Now it's time 172 00:12:48,480 --> 00:12:51,680 Speaker 1: to take care of yourself. To make time for you 173 00:12:51,679 --> 00:12:54,480 Speaker 1: you deserve it. Tell a doc gives you access to 174 00:12:54,520 --> 00:12:57,440 Speaker 1: a licensed therapist to help you get back to feeling 175 00:12:57,440 --> 00:13:01,720 Speaker 1: your best, to feeling like yourself again. With teledoc, you 176 00:13:01,800 --> 00:13:04,559 Speaker 1: can speak to a licensed therapist by phone or video. 177 00:13:05,040 --> 00:13:08,360 Speaker 1: Therapy appointments are available seven days a week from seven 178 00:13:08,400 --> 00:13:11,080 Speaker 1: a m. To nine p m. Local time. If you 179 00:13:11,160 --> 00:13:16,199 Speaker 1: feel overwhelmed sometimes maybe you feel stressed or anxious, depressed 180 00:13:16,280 --> 00:13:19,120 Speaker 1: or lonely, or you might be struggling with a personal 181 00:13:19,240 --> 00:13:23,520 Speaker 1: or family issue, teledoc can help. Teledoc is committed to 182 00:13:23,559 --> 00:13:27,240 Speaker 1: facilitating great therapeutic matches, so they make it easy to 183 00:13:27,360 --> 00:13:32,119 Speaker 1: change counselors if needed. For free. Teledoc therapy is available 184 00:13:32,120 --> 00:13:36,080 Speaker 1: through most insurance or employers. Download the app or visit 185 00:13:36,200 --> 00:13:40,160 Speaker 1: teledoc dot com Forward Slash Unexplained podcast to Day to 186 00:13:40,200 --> 00:13:44,320 Speaker 1: Get Started. That's t e l a d oc dot 187 00:13:44,320 --> 00:13:56,120 Speaker 1: com slash Unexplained podcast. Annie Smith was twenty eight when 188 00:13:56,160 --> 00:13:59,880 Speaker 1: she met and married John Chapman in eighteen sixty nine. 189 00:14:00,600 --> 00:14:03,880 Speaker 1: The following year, the couple celebrated the arrival of their 190 00:14:03,920 --> 00:14:09,360 Speaker 1: first child, Emily, and three years later a second daughter, 191 00:14:09,679 --> 00:14:13,760 Speaker 1: Annie was born. They were joined in eighteen eighty by 192 00:14:13,800 --> 00:14:17,800 Speaker 1: a brother, John, but the family would soon be torn 193 00:14:17,840 --> 00:14:23,320 Speaker 1: apart owing to some form of disability, Annie and John 194 00:14:23,680 --> 00:14:27,520 Speaker 1: were forced to send their son to a home. Their 195 00:14:27,560 --> 00:14:32,240 Speaker 1: misery was compounded when two years later the couple's first daughter, Emily, 196 00:14:32,800 --> 00:14:38,320 Speaker 1: died at the age of twelve from meningitis. John worked 197 00:14:38,360 --> 00:14:40,640 Speaker 1: as a coachman, and though they didn't have a great 198 00:14:40,640 --> 00:14:45,360 Speaker 1: deal of money coming in, it was at least stable. However, 199 00:14:45,600 --> 00:14:49,520 Speaker 1: both he and Annie struggled with alcoholism that served only 200 00:14:49,560 --> 00:14:54,480 Speaker 1: to intensify an increasingly fractious relationship, and by eighteen eighty 201 00:14:54,560 --> 00:15:00,240 Speaker 1: five the pair agreed to go their separate ways. Though 202 00:15:00,240 --> 00:15:04,080 Speaker 1: many women worked in those days, sometimes taking on entire 203 00:15:04,120 --> 00:15:08,360 Speaker 1: businesses when their partners died prematurely, the majority of work 204 00:15:08,440 --> 00:15:12,200 Speaker 1: available was strictly manual and low paid if you could 205 00:15:12,240 --> 00:15:18,240 Speaker 1: get it. The situation owed much to a sexist education system, 206 00:15:18,280 --> 00:15:21,880 Speaker 1: and though some significant changes were around the corner as 207 00:15:21,920 --> 00:15:25,240 Speaker 1: the nineteenth century drew to a close, for those like 208 00:15:25,360 --> 00:15:31,280 Speaker 1: Annie Chapman, options were few and far between. Girls from 209 00:15:31,360 --> 00:15:34,280 Speaker 1: low income households, yet they were lucky enough to get 210 00:15:34,280 --> 00:15:38,680 Speaker 1: an education at all, were schooled only in domestic skills. 211 00:15:40,200 --> 00:15:43,640 Speaker 1: Even for those from more fortunate backgrounds who might have 212 00:15:43,680 --> 00:15:48,040 Speaker 1: been given an academic education comparable to boys, it was 213 00:15:48,080 --> 00:15:51,680 Speaker 1: widely deemed unnecessary, since the only role they were considered 214 00:15:51,720 --> 00:15:55,280 Speaker 1: destined for was that of a wife and mother whose 215 00:15:55,320 --> 00:16:00,560 Speaker 1: only other occupation would be to supervise domestic staff. For Annie, 216 00:16:00,640 --> 00:16:05,160 Speaker 1: there would be no such luxuries. A semi regular payment 217 00:16:05,240 --> 00:16:08,320 Speaker 1: from her husband helped her to just about stay afloat 218 00:16:08,400 --> 00:16:12,040 Speaker 1: and out of the workhouses, and loneliness was kept at 219 00:16:12,080 --> 00:16:15,400 Speaker 1: bay in the form of a new boyfriend, John, who 220 00:16:15,440 --> 00:16:18,360 Speaker 1: made sieves for a living and with whom she shared 221 00:16:18,400 --> 00:16:21,360 Speaker 1: a room at a lodging house in Spittlefields, just to 222 00:16:21,400 --> 00:16:26,880 Speaker 1: the west of Whitechapel. On Christmas Day eighteen eighty six, 223 00:16:27,480 --> 00:16:30,720 Speaker 1: Annie is devastated to hear that her ex husband John 224 00:16:31,200 --> 00:16:35,800 Speaker 1: has died. She breaks up with her boyfriend soon after, 225 00:16:39,200 --> 00:16:43,200 Speaker 1: the summer of eighteen eighty eight sees Annie, now forty seven, 226 00:16:43,680 --> 00:16:47,360 Speaker 1: bouncing about from one lodging house to another, before managing 227 00:16:47,400 --> 00:16:51,840 Speaker 1: a period of stability settling at Crossingham's lodging house on 228 00:16:51,960 --> 00:16:55,720 Speaker 1: Dorset Street in Spittle Fields, home to three hundred or 229 00:16:55,720 --> 00:17:01,920 Speaker 1: so residents of varying itinerancy. In recent months, she had 230 00:17:01,960 --> 00:17:06,040 Speaker 1: come into an arrangement with bricklayer Edward Stanley, which covered 231 00:17:06,040 --> 00:17:10,440 Speaker 1: the cost of her bed most weekends. However, The arrangement 232 00:17:10,480 --> 00:17:14,600 Speaker 1: also complicated matters since Stanley had ordered the lodging house 233 00:17:14,640 --> 00:17:18,560 Speaker 1: Deputy Timothy Donovan not to let her stay if she 234 00:17:18,600 --> 00:17:22,960 Speaker 1: ever brought another man back with her, a situation rendered 235 00:17:22,960 --> 00:17:25,919 Speaker 1: all the more fraught. With rumors flying about in the 236 00:17:25,920 --> 00:17:29,240 Speaker 1: wake of Polly's murder that some of the recent murders 237 00:17:29,240 --> 00:17:45,000 Speaker 1: in the area could be linked. London's Metropolitan Police had 238 00:17:45,040 --> 00:17:48,000 Speaker 1: been homing in on a suspect over the last few days, 239 00:17:48,440 --> 00:17:54,000 Speaker 1: and by September fifth, the press had a name leather Apron. 240 00:17:56,080 --> 00:18:00,359 Speaker 1: Annie knew of him well. The women all talked about him, 241 00:18:00,520 --> 00:18:04,680 Speaker 1: warning each other to stay out of his way. Real 242 00:18:04,760 --> 00:18:08,280 Speaker 1: name John Pyser, around five and a half foot, tour 243 00:18:09,000 --> 00:18:13,000 Speaker 1: with dark hair and a mustache, He was said to 244 00:18:13,040 --> 00:18:16,719 Speaker 1: stalk the streets silently, wearing a deer stalker hat and 245 00:18:16,880 --> 00:18:21,520 Speaker 1: leather apron, looking for sex workers to extort. He was 246 00:18:21,560 --> 00:18:25,400 Speaker 1: said also to carry a sharp leather knife at all times. 247 00:18:27,080 --> 00:18:30,080 Speaker 1: On Friday the seventh, Annie is struggling to get the 248 00:18:30,160 --> 00:18:34,160 Speaker 1: money together for a bed. If a roof over your 249 00:18:34,160 --> 00:18:37,320 Speaker 1: head was your only concern, there was always the option 250 00:18:37,400 --> 00:18:41,320 Speaker 1: of a workhouse, whereby lodging could be sought in return 251 00:18:41,400 --> 00:18:46,240 Speaker 1: for a sustained commitment of work. However, it was and 252 00:18:46,440 --> 00:18:50,240 Speaker 1: is often still the case that the ruling establishment viewed 253 00:18:50,359 --> 00:18:54,760 Speaker 1: low income earners as feckless and lazy, that their predicament 254 00:18:54,920 --> 00:18:58,960 Speaker 1: was down to their own ineptitude, and as such were 255 00:18:59,000 --> 00:19:02,359 Speaker 1: to be discouraged at all times from leaning on the state. 256 00:19:04,160 --> 00:19:08,400 Speaker 1: As a result, workhouses were designed to offer such unfavorable 257 00:19:08,440 --> 00:19:14,359 Speaker 1: conditions that people would be discouraged from using them. A 258 00:19:14,480 --> 00:19:18,480 Speaker 1: midway option could be found in the casual ward, a 259 00:19:18,600 --> 00:19:21,960 Speaker 1: small section of the workhouse offering little more than a floor, 260 00:19:22,480 --> 00:19:25,320 Speaker 1: a shared bucket, and some bread to those in need. 261 00:19:26,840 --> 00:19:30,320 Speaker 1: Occupants of the casual ward were entitled to spend one night, 262 00:19:30,960 --> 00:19:34,119 Speaker 1: after which they were barred from coming back within thirty days, 263 00:19:35,119 --> 00:19:39,480 Speaker 1: in return for a day's work breaking rocks or unpicking rope. 264 00:19:41,119 --> 00:19:44,960 Speaker 1: Having spent the last few days in a casual ward, Annie, 265 00:19:45,000 --> 00:19:48,399 Speaker 1: who struggled with a serious ailment of the lungs, was 266 00:19:48,480 --> 00:19:51,000 Speaker 1: determined not to make it three nights in a row. 267 00:19:52,560 --> 00:19:55,760 Speaker 1: That afternoon, she made a three mile trek to Vauxhall, 268 00:19:56,119 --> 00:19:59,680 Speaker 1: just south of the Thames, where she successfully convinces her 269 00:19:59,680 --> 00:20:02,760 Speaker 1: mother to give her fivepence for a bed at Crossingham's. 270 00:20:04,000 --> 00:20:10,560 Speaker 1: By midnight, however, she had spent it all Regardless, Annie 271 00:20:10,560 --> 00:20:13,280 Speaker 1: makes her way to the lodging house and shares a 272 00:20:13,320 --> 00:20:16,480 Speaker 1: drink with a friend in the communal kitchen before heading 273 00:20:16,480 --> 00:20:21,199 Speaker 1: out again, hoping to sneak back in. Later. At just 274 00:20:21,359 --> 00:20:25,760 Speaker 1: past one thirty a m. Lodging house deputy Timothy Donovan 275 00:20:26,560 --> 00:20:29,480 Speaker 1: is informed that Annie has just been spotted again in 276 00:20:29,520 --> 00:20:33,960 Speaker 1: the kitchen. Moments later, she is at the door of 277 00:20:34,000 --> 00:20:37,080 Speaker 1: Donovan's office, pleading to be allowed to stay the night, 278 00:20:38,000 --> 00:20:42,960 Speaker 1: but Donovan refuses, reprimanding her that if she can find 279 00:20:43,040 --> 00:20:45,960 Speaker 1: money for her beer, then she can find money for 280 00:20:46,000 --> 00:20:51,560 Speaker 1: a bed. Defeated, Annie asks that Donovan at least save 281 00:20:51,600 --> 00:20:55,080 Speaker 1: her usual bed and that she'll be back soon to 282 00:20:55,119 --> 00:21:11,360 Speaker 1: sleep in it. Four hours later, local resident Elizabeth Long 283 00:21:12,440 --> 00:21:16,280 Speaker 1: is making her way toward nearby Spittlefield's Market when she 284 00:21:16,359 --> 00:21:21,119 Speaker 1: turns into Hanbury Street. It was here only the day before, 285 00:21:21,480 --> 00:21:25,080 Speaker 1: under a bright sun, that a hearse carrying the mutilated 286 00:21:25,119 --> 00:21:29,080 Speaker 1: body of Polly Nichols, followed somberly by her father, ex 287 00:21:29,160 --> 00:21:32,960 Speaker 1: husband and son, had begun its four mile journey toward 288 00:21:33,080 --> 00:21:38,679 Speaker 1: Manor Park Cemetery in forest Gate at five thirty am. However, 289 00:21:39,200 --> 00:21:42,760 Speaker 1: the windows of the undertakers are blacked out, and only 290 00:21:42,800 --> 00:21:46,439 Speaker 1: silence and darkness is to be found as Elizabeth hurries 291 00:21:46,440 --> 00:21:53,040 Speaker 1: along the deserted road, passing number twenty nine. However, it 292 00:21:53,119 --> 00:21:55,840 Speaker 1: appears the street is not as deserted as she had 293 00:21:55,840 --> 00:21:59,359 Speaker 1: thought when she spots a man with his back to 294 00:21:59,440 --> 00:22:02,800 Speaker 1: her ending in the shadows. He is roughly five and 295 00:22:02,840 --> 00:22:06,960 Speaker 1: a half feet tall, late thirtieth wearing a dark coat 296 00:22:07,440 --> 00:22:12,600 Speaker 1: and a low crowned felt hat. A moment later, she 297 00:22:12,720 --> 00:22:17,960 Speaker 1: realizes he is talking to a woman. As she passes, 298 00:22:18,400 --> 00:22:24,160 Speaker 1: Elizabeth catches the end of their conversation. Will you, asks 299 00:22:24,200 --> 00:22:31,359 Speaker 1: the man, to which the woman replies yes. Trying to 300 00:22:31,400 --> 00:22:34,680 Speaker 1: mind her own business, Elizabeth hurries on and out of 301 00:22:34,760 --> 00:22:38,520 Speaker 1: the street, just as Albert Kadosh, who lives at number 302 00:22:38,520 --> 00:22:43,680 Speaker 1: twenty seven, is preparing himself for the working day. Having 303 00:22:43,680 --> 00:22:46,199 Speaker 1: put on some clothes, he makes his way towards the 304 00:22:46,200 --> 00:22:50,040 Speaker 1: outhouse at the back of the property. Stepping into the yard, 305 00:22:50,280 --> 00:22:53,280 Speaker 1: he hears a voice cry out from behind the dividing 306 00:22:53,320 --> 00:22:57,720 Speaker 1: fence to number twenty nine on his right. Moments later, 307 00:22:58,359 --> 00:23:01,760 Speaker 1: he hears something clattering aginst the fence from the other side, 308 00:23:03,000 --> 00:23:06,120 Speaker 1: assuming it to be someone stacking crates for the business 309 00:23:06,160 --> 00:23:13,800 Speaker 1: next door. He heads back inside. Minutes later, John Davis, 310 00:23:14,160 --> 00:23:17,399 Speaker 1: a resident of number twenty nine, steps out the front 311 00:23:17,400 --> 00:23:20,720 Speaker 1: door into a dividing passage between the yard and the street. 312 00:23:22,440 --> 00:23:25,560 Speaker 1: Surprised to find the gate has been left open, He 313 00:23:25,680 --> 00:23:29,200 Speaker 1: watches a few people pass by before turning to open 314 00:23:29,240 --> 00:23:34,800 Speaker 1: the back gate and stepping into the yard. It took 315 00:23:34,800 --> 00:23:37,919 Speaker 1: a moment for Davis to process exactly what it was 316 00:23:38,000 --> 00:23:41,800 Speaker 1: He was looking at the body of a woman left 317 00:23:41,960 --> 00:23:45,199 Speaker 1: lying on her back, her clothes hoisted up to her 318 00:23:45,200 --> 00:23:48,200 Speaker 1: waist and her feet planted on the ground with the 319 00:23:48,320 --> 00:23:52,639 Speaker 1: knees up. The wet lump of material draped over her 320 00:23:52,680 --> 00:23:56,960 Speaker 1: shoulder was comprised of intestines that had been completely severed 321 00:23:57,000 --> 00:24:00,439 Speaker 1: from and lifted out of her stomach, and at the 322 00:24:00,520 --> 00:24:04,080 Speaker 1: neck two jagged wounds where she had been savagely sliced 323 00:24:04,280 --> 00:24:09,560 Speaker 1: from one side to the other. What Davis didn't see, however, 324 00:24:09,880 --> 00:24:13,880 Speaker 1: before he ran screaming from the scene, was how the uterus, 325 00:24:14,280 --> 00:24:17,280 Speaker 1: the upper part of the vagina, and two thirds of 326 00:24:17,320 --> 00:24:31,840 Speaker 1: the bladder had also been entirely removed. An hour and 327 00:24:31,880 --> 00:24:35,400 Speaker 1: a half later, in the Prince Albert Pub, only four 328 00:24:35,520 --> 00:24:39,159 Speaker 1: hundred yards from Hanbury Street, a sandy haired man with 329 00:24:39,200 --> 00:24:42,920 Speaker 1: a large mustache curled at each end, wearing a dark 330 00:24:43,000 --> 00:24:47,960 Speaker 1: jacket and soft felt hat, nervously approaches the bar, ordering 331 00:24:48,000 --> 00:24:50,600 Speaker 1: a half pint of veil, making sure to keep his 332 00:24:50,680 --> 00:24:56,360 Speaker 1: face hidden. Landlady missus Fiddimont, suspicious of his general demeanor, 333 00:24:56,840 --> 00:24:59,480 Speaker 1: pulls his drink while trying to catch the reflection of 334 00:24:59,520 --> 00:25:03,160 Speaker 1: his face in a mirror on the back wall. As 335 00:25:03,200 --> 00:25:06,960 Speaker 1: he takes his glass, she notices blood spatters on the 336 00:25:07,000 --> 00:25:11,199 Speaker 1: back of his hand. Realizing he is being watched, the 337 00:25:11,280 --> 00:25:17,520 Speaker 1: man swiftly finishes his drink and leaps. Later that day, 338 00:25:17,560 --> 00:25:20,040 Speaker 1: the woman found in the yard of twenty nine Hanbury 339 00:25:20,080 --> 00:25:24,879 Speaker 1: Street will be formally identified as Annie Chapman. She is 340 00:25:24,920 --> 00:25:27,560 Speaker 1: the fourth of what the press have taken to calling 341 00:25:27,800 --> 00:25:33,280 Speaker 1: the White Chapel Murders. Chief Suspect Leather Apron John Pyser. 342 00:25:34,440 --> 00:25:38,040 Speaker 1: Pyser makes a perfect suspect for the press, not least 343 00:25:38,040 --> 00:25:40,840 Speaker 1: of all because he is believed to be Jewish, a 344 00:25:41,000 --> 00:25:46,720 Speaker 1: cast iron boger man, if ever one was needed. Fears 345 00:25:46,720 --> 00:25:50,199 Speaker 1: and frustrations mount throughout the East End when news of 346 00:25:50,200 --> 00:25:54,359 Speaker 1: Annie's murder sweeps through the streets, and with the fixation 347 00:25:54,680 --> 00:25:58,399 Speaker 1: on Leather apron being a Jew. It isn't long before 348 00:25:58,440 --> 00:26:02,120 Speaker 1: some residents are turning their anger toward the Jewish members 349 00:26:02,119 --> 00:26:07,080 Speaker 1: of their community. But finally, after days spent scouring the 350 00:26:07,119 --> 00:26:13,560 Speaker 1: neighborhood for John Peyser, on September tenth, he is apprehended. Sadly, 351 00:26:13,640 --> 00:26:16,640 Speaker 1: for the police and the women of Whitechapel, he has 352 00:26:16,680 --> 00:26:19,960 Speaker 1: a solid alibi for the night of Annie and Polly's murders. 353 00:26:21,359 --> 00:26:24,959 Speaker 1: On the Friday, four days later, a handful of friends 354 00:26:24,960 --> 00:26:28,639 Speaker 1: and family watch as Annie Chapman's body is buried not 355 00:26:28,800 --> 00:26:33,679 Speaker 1: far from Polly Nichols in Manor Park Cemetery. By the 356 00:26:33,720 --> 00:26:36,280 Speaker 1: time Nichols's inquest has drawn to a close on the 357 00:26:36,320 --> 00:26:39,560 Speaker 1: twenty third, it is clear to the police that although 358 00:26:39,560 --> 00:26:42,040 Speaker 1: the choice of victim is not by any means out 359 00:26:42,080 --> 00:26:45,240 Speaker 1: of the ordinary, the manner in which Nichols and Chapman 360 00:26:45,280 --> 00:26:48,520 Speaker 1: were murdered suggests they are dealing with something that not 361 00:26:48,680 --> 00:26:53,080 Speaker 1: many had seen before. As the coroner noted in his 362 00:26:53,119 --> 00:26:56,880 Speaker 1: summing up, the audacity and daring is equal to its 363 00:26:56,880 --> 00:27:03,119 Speaker 1: maniacal fanaticism and abhorrent wickedness. The suggested motive may be wrong, 364 00:27:03,880 --> 00:27:07,200 Speaker 1: but one thing is very clear that murders of a 365 00:27:07,280 --> 00:27:20,920 Speaker 1: most atrocious character have been committed. Three days later, a 366 00:27:21,080 --> 00:27:24,280 Speaker 1: letter arrives at the front desk of the Central News Agency, 367 00:27:24,960 --> 00:27:27,959 Speaker 1: a news distribution service based in the city of London 368 00:27:28,400 --> 00:27:32,399 Speaker 1: that borders the borough of Whitechapel to the west. On 369 00:27:32,520 --> 00:27:36,760 Speaker 1: the envelope written in red ink, it is addressed only 370 00:27:36,800 --> 00:27:42,159 Speaker 1: to the boss. Inside there is a letter, also written 371 00:27:42,200 --> 00:27:47,200 Speaker 1: in red ink and dated twenty fifth September eighteen eighty eight. 372 00:27:48,320 --> 00:27:53,040 Speaker 1: It reads, Dear Boss, I keep on hearing the police 373 00:27:53,040 --> 00:27:55,800 Speaker 1: have court me, but they won't fix me just yet. 374 00:27:56,720 --> 00:27:59,040 Speaker 1: I have laughed when they look so clever and talk 375 00:27:59,080 --> 00:28:03,080 Speaker 1: about being on the right track. That joke about leather 376 00:28:03,160 --> 00:28:08,200 Speaker 1: apron gave me real fit. I am down on horse 377 00:28:08,520 --> 00:28:11,400 Speaker 1: and I shan't quit ripping them till I do get buckled. 378 00:28:12,680 --> 00:28:16,000 Speaker 1: Grand work. The last job was, I gave the lady 379 00:28:16,280 --> 00:28:19,680 Speaker 1: no time to squeal? How can they catch me? Now? 380 00:28:20,280 --> 00:28:24,119 Speaker 1: I love my work and want to start again. You 381 00:28:24,160 --> 00:28:26,560 Speaker 1: will soon hear of me with my funny little games. 382 00:28:27,560 --> 00:28:29,840 Speaker 1: I saved some of the proper red stuff in a 383 00:28:29,880 --> 00:28:32,359 Speaker 1: ginger beer bottle over the last job to write with, 384 00:28:32,920 --> 00:28:36,200 Speaker 1: but it went thick like glue and I can't use it. 385 00:28:37,000 --> 00:28:41,720 Speaker 1: Red Ink is fit enough. I hope the next job 386 00:28:41,760 --> 00:28:44,240 Speaker 1: I do, I shall clip the lady's ears off and 387 00:28:44,360 --> 00:28:48,200 Speaker 1: send to the police officers just for jolly. Keep this 388 00:28:48,280 --> 00:28:51,960 Speaker 1: letter back, then give it out straight. My knife's so 389 00:28:52,120 --> 00:28:54,720 Speaker 1: nice and sharp. I want to get to work right 390 00:28:54,760 --> 00:28:59,320 Speaker 1: away if I get a chance. Good luck, yours truly, 391 00:29:00,200 --> 00:29:07,600 Speaker 1: Jack the Ripper. Part two of the Square will be 392 00:29:07,640 --> 00:29:13,600 Speaker 1: out Tuesday, October two. If you enjoy listening to Unexplained 393 00:29:13,840 --> 00:29:16,400 Speaker 1: and would like to help supporters, you can now go 394 00:29:16,480 --> 00:29:21,920 Speaker 1: to Unexplained podcast dot com forward slash support. All donations, 395 00:29:22,080 --> 00:29:27,760 Speaker 1: no matter how large or small, are massively appreciated. All 396 00:29:27,760 --> 00:29:31,000 Speaker 1: elements of Unexplained are produced by me, Richard McClain smith. 397 00:29:31,360 --> 00:29:33,840 Speaker 1: Please subscribe and rate the show on night tunes. Feel 398 00:29:33,840 --> 00:29:36,000 Speaker 1: free to get in touch with any thoughts or ideas 399 00:29:36,040 --> 00:29:39,160 Speaker 1: regarding the stories you've heard on the show. 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